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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [1] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
First
SEE ALSO


AUTH

BOOKS
Advanced_Dungeons_and_Dragons_2E
City_of_God
Enchiridion_text
Essays_In_Philosophy_And_Yoga
Full_Circle
General_Principles_of_Kabbalah
Heart_of_Matter
Hopscotch
Hymn_of_the_Universe
Let_Me_Explain
Life_without_Death
Modern_Man_in_Search_of_a_Soul
My_Burning_Heart
On_Interpretation
On_Thoughts_And_Aphorisms
Process_and_Reality
Savitri
Synergetics_-_Explorations_in_the_Geometry_of_Thinking
The_Categories
The_Divine_Milieu
The_Essential_Songs_of_Milarepa
The_Future_of_Man
The_Heros_Journey
The_Imitation_of_Christ
The_Odyssey
The_Republic
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Use_and_Abuse_of_History
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
Toward_the_Future

IN CHAPTERS TITLE
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1.fs_-_Dangerous_Consequences
1.pbs_-_The_Viewless_And_Invisible_Consequence
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
3.7.1.10_-_Karma,_Will_and_Consequence

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.01_-_The_Mother_on_Savitri
00.03_-_Upanishadic_Symbolism
000_-_Humans_in_Universe
0.00_-_INTRODUCTION
0.00_-_The_Book_of_Lies_Text
0.00_-_THE_GOSPEL_PREFACE
0.00_-_The_Wellspring_of_Reality
0.01_-_Letters_from_the_Mother_to_Her_Son
0.02_-_The_Three_Steps_of_Nature
0.06_-_Letters_to_a_Young_Sadhak
01.01_-_The_One_Thing_Needful
01.02_-_The_Issue
01.04_-_The_Secret_Knowledge
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
0.10_-_Letters_to_a_Young_Captain
01.11_-_Aldous_Huxley:_The_Perennial_Philosophy
01.12_-_Goethe
01.13_-_T._S._Eliot:_Four_Quartets
0_1956-05-02
0_1956-10-08
0_1958-04-03
0_1958-05-10
0_1958-07-23
0_1958-10-10
0_1958-11-20
0_1958-11-22
0_1959-03-10_-_vital_dagger,_vital_mass
0_1959-04-13
0_1960-11-26
0_1961-01-29
0_1961-01-31
0_1961-02-11
0_1961-02-18
0_1961-02-25
0_1961-03-07
0_1961-03-17
0_1961-04-25
0_1961-06-02
0_1961-06-17
0_1961-06-27
0_1961-07-15
0_1961-07-18
0_1961-07-28
0_1961-10-02
0_1962-01-12_-_supramental_ship
0_1962-01-21
0_1962-03-06
0_1962-05-29
0_1962-08-04
0_1962-08-08
0_1962-08-31
0_1962-09-08
0_1962-09-26
0_1962-11-17
0_1962-12-12
0_1963-01-12
0_1963-02-15
0_1963-02-19
0_1963-03-06
0_1963-03-16
0_1963-03-23
0_1963-04-06
0_1963-07-31
0_1963-08-24
0_1963-09-04
0_1963-09-18
0_1963-10-16
0_1963-11-04
0_1963-11-20
0_1963-12-31
0_1964-01-04
0_1964-03-25
0_1964-07-28
0_1964-08-05
0_1964-08-22
0_1964-10-07
0_1964-10-17
0_1964-10-24a
0_1964-10-30
0_1964-11-12
0_1964-11-14
0_1964-11-28
0_1965-01-09
0_1965-04-07
0_1965-04-17
0_1965-05-29
0_1965-07-14
0_1965-09-08
0_1966-02-26
0_1966-04-16
0_1966-06-11
0_1966-07-09
0_1966-09-14
0_1966-09-21
0_1966-10-22
0_1966-11-09
0_1967-02-11
0_1967-04-27
0_1967-04-29
0_1967-05-06
0_1967-06-14
0_1967-08-30
0_1967-09-20
0_1968-03-02
0_1968-03-23
0_1968-05-18
0_1968-07-06
0_1968-07-24
0_1968-09-21
0_1968-10-19
0_1969-02-08
0_1969-02-19
0_1969-03-26
0_1969-04-26
0_1969-04-30
0_1969-05-17
0_1969-05-21
0_1969-08-23
0_1969-09-10
0_1969-10-01
0_1969-10-25
0_1969-11-08
0_1969-11-22
0_1969-12-17
0_1970-03-28
0_1970-04-04
0_1970-04-29
0_1970-05-20
0_1970-05-23
0_1970-05-27
0_1970-07-04
0_1970-07-25
0_1971-01-27
0_1971-03-01
0_1971-03-10
0_1971-05-08
0_1971-05-15
0_1971-09-01
0_1971-10-13
0_1971-10-16
0_1971-12-18
0_1972-01-12
0_1972-05-06
0_1972-05-13
0_1972-07-12
0_1972-07-19
0_1972-08-09
02.01_-_The_World-Stair
02.03_-_An_Aspect_of_Emergent_Evolution
02.03_-_The_Glory_and_the_Fall_of_Life
02.04_-_The_Right_of_Absolute_Freedom
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.11_-_New_World-Conditions
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_The_Ideals_of_Human_Unity
02.13_-_Rabindranath_and_Sri_Aurobindo
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Vision_and_the_Boon
03.05_-_Some_Conceptions_and_Misconceptions
03.08_-_The_Democracy_of_Tomorrow
03.09_-_Buddhism_and_Hinduism
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.12_-_TagorePoet_and_Seer
04.01_-_The_Divine_Man
04.02_-_Human_Progress
04.04_-_A_Global_Humanity
04.04_-_The_Quest
05.01_-_At_the_Origin_of_Ignorance
05.07_-_Man_and_Superman
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.05_-_The_Story_of_Creation
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_Triple_Soul-Forces
07.15_-_Divine_Disgust
07.19_-_Bad_Thought-Formation
08.01_-_Choosing_To_Do_Yoga
08.05_-_Will_and_Desire
08.16_-_Perfection_and_Progress
08.28_-_Prayer_and_Aspiration
08.36_-_Buddha_and_Shankara
09.01_-_Prayer_and_Aspiration
09.05_-_The_Story_of_Love
09.06_-_How_Can_Time_Be_a_Friend?
09.07_-_How_to_Become_Indifferent_to_Criticism?
09.11_-_The_Supramental_Manifestation_and_World_Change
09.17_-_Health_in_the_Ashram
100.00_-_Synergy
10.01_-_Cycles_of_Creation
10.03_-_Life_in_and_Through_Death
1.008_-_The_Principle_of_Self-Affirmation
1.00a_-_Introduction
1.00b_-_DIVISION_B_-_THE_PERSONALITY_RAY_AND_FIRE_BY_FRICTION
1.00b_-_INTRODUCTION
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00f_-_DIVISION_F_-_THE_LAW_OF_ECONOMY
1.00_-_Introduction_to_Alchemy_of_Happiness
1.00_-_Main
1.00_-_PREFACE_-_DESCENSUS_AD_INFERNOS
1.01_-_Adam_Kadmon_and_the_Evolution
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_BOOK_THE_FIRST
1.01_-_Economy
1.01f_-_Introduction
1.01_-_Fundamental_Considerations
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_Isha_Upanishad
1.01_-_Maitreya_inquires_of_his_teacher_(Parashara)
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_Necessity_for_knowledge_of_the_whole_human_being_for_a_genuine_education.
1.01_-_On_knowledge_of_the_soul,_and_how_knowledge_of_the_soul_is_the_key_to_the_knowledge_of_God.
1.01_-_Principles_of_Practical_Psycho_therapy
1.01_-_Soul_and_God
1.01_-_Tara_the_Divine
1.01_-_The_Divine_and_The_Universe
1.01_-_The_Ego
1.01_-_The_Science_of_Living
1.01_-_THE_STUFF_OF_THE_UNIVERSE
1.01_-_To_Watanabe_Sukefusa
1.01_-_Two_Powers_Alone
1.02.9_-_Conclusion_and_Summary
1.02_-_Groups_and_Statistical_Mechanics
1.02_-_In_the_Beginning
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_On_the_Knowledge_of_God.
1.02_-_Prayer_of_Parashara_to_Vishnu
1.02_-_SADHANA_PADA
1.02_-_Self-Consecration
1.02_-_Taras_Tantra
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Concept_of_the_Collective_Unconscious
1.02_-_The_Human_Soul
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Pit
1.02_-_The_Recovery
1.02_-_The_Shadow
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_THE_WITHIN_OF_THINGS
1.02_-_What_is_Psycho_therapy?
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.037_-_Preventing_the_Fall_in_Yoga
1.038_-_Impediments_in_Concentration_and_Meditation
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Eternal_Presence
1.03_-_Invocation_of_Tara
1.03_-_Man_-_Slave_or_Free?
1.03_-_On_Knowledge_of_the_World.
1.03_-_PERSONALITY,_SANCTITY,_DIVINE_INCARNATION
1.03_-_Preparing_for_the_Miraculous
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Supernatural_Aid
1.03_-_Sympathetic_Magic
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_THE_GRAND_OPTION
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Phenomenon_of_Man
1.03_-_The_Principle_of_Water
1.03_-_The_Sephiros
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_Time_Series,_Information,_and_Communication
1.04_-_Feedback_and_Oscillation
1.04_-_Magic_and_Religion
1.04_-_Narayana_appearance,_in_the_beginning_of_the_Kalpa,_as_the_Varaha_(boar)
1.04_-_SOME_REFLECTIONS_ON_PROGRESS
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Core_of_the_Teaching
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Fork_in_the_Road
1.04_-_The_Future_of_Man
1.04_-_The_Paths
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_The_Silent_Mind
1.052_-_Yoga_Practice_-_A_Series_of_Positive_Steps
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Dharana
1.05_-_Mental_Education
1.05_-_MORALITY_AS_THE_ENEMY_OF_NATURE
1.05_-_Problems_of_Modern_Psycho_therapy
1.05_-_Solitude
1.05_-_Some_Results_of_Initiation
1.05_-_The_Destiny_of_the_Individual
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_The_New_Consciousness
1.05_-_THE_NEW_SPIRIT
1.05_-_The_Ways_of_Working_of_the_Lord
1.05_-_True_and_False_Subjectivism
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.060_-_Tracing_the_Ultimate_Cause_of_Any_Experience
1.06_-_Being_Human_and_the_Copernican_Principle
1.06_-_Dhyana
1.06_-_Gestalt_and_Universals
1.06_-_Magicians_as_Kings
1.06_-_On_Thought
1.06_-_Origin_of_the_four_castes
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_The_Breaking_of_the_Limits
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.075_-_Self-Control,_Study_and_Devotion_to_God
1.078_-_Kumbhaka_and_Concentration_of_Mind
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Incarnate_Human_Gods
1.07_-_Note_on_the_word_Go
1.07_-_On_Dreams
1.07_-_Production_of_the_mind-born_sons_of_Brahma
1.07_-_Savitri
1.07_-_Standards_of_Conduct_and_Spiritual_Freedom
1.07_-_The_Ego_and_the_Dualities
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.07_-_THE_.IMPROVERS._OF_MANKIND
1.07_-_The_Literal_Qabalah_(continued)
1.07_-_The_Plot_must_be_a_Whole.
1.07_-_The_Primary_Data_of_Being
1.07_-_The_Psychic_Center
1.07_-_TRUTH
1.08_-_Independence_from_the_Physical
1.08_-_Information,_Language,_and_Society
1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras
1.08_-_Psycho_therapy_Today
1.08_-_RELIGION_AND_TEMPERAMENT
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Splitting_of_the_Human_Personality_during_Spiritual_Training
1.08_-_The_Supreme_Will
1.096_-_Powers_that_Accrue_in_the_Practice
1.098_-_The_Transformation_from_Human_to_Divine
1.099_-_The_Entry_of_the_Eternal_into_the_Individual
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Legend_of_Lakshmi
1.09_-_(Plot_continued.)_Dramatic_Unity.
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SELF-KNOWLEDGE
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sleep_and_Death
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Taras_Ultimate_Nature
1.09_-_The_Guardian_of_the_Threshold
1.1.01_-_Seeking_the_Divine
11.02_-_The_Golden_Life-line
1.10_-_Concentration_-_Its_Practice
1.10_-_Conscious_Force
1.10_-_Foresight
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.11_-_Correspondence_and_Interviews
1.11_-_Higher_Laws
1.11_-_Oneness
1.11_-_The_Change_of_Power
1.11_-_The_Kalki_Avatar
1.11_-_The_Reason_as_Governor_of_Life
1.1.2_-_Commentary
1.12_-_Delight_of_Existence_-_The_Solution
1.12_-_Dhruva_commences_a_course_of_religious_austerities
1.12_-_God_Departs
1.12_-_The_Sociology_of_Superman
1.12_-_TIME_AND_ETERNITY
1.13_-_Conclusion_-_He_is_here
1.13_-_Posterity_of_Dhruva
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.13_-_The_Supermind_and_the_Yoga_of_Works
1.14_-_Descendants_of_Prithu
1.14_-_IMMORTALITY_AND_SURVIVAL
1.14_-_The_Book_of_Magic_Formulae
1.14_-_The_Secret
1.14_-_The_Stress_of_the_Hidden_Spirit
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.14_-_TURMOIL_OR_GENESIS?
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_THE_DIRECTIONS_AND_CONDITIONS_OF_THE_FUTURE
1.15_-_The_element_of_Character_in_Tragedy.
1.15_-_The_Supreme_Truth-Consciousness
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.1.5_-_Thought_and_Knowledge
1.16_-_Advantages_and_Disadvantages_of_Evocational_Magic
1.16_-_Man,_A_Transitional_Being
1.16_-_PRAYER
1.16_-_The_Triple_Status_of_Supermind
1.17_-_DOES_MANKIND_MOVE_BIOLOGICALLY_UPON_ITSELF?
1.17_-_God
1.17_-_Legend_of_Prahlada
1.17_-_SUFFERING
1.17_-_The_Transformation
1.18_-_Evocation
1.18_-_FAITH
1.18_-_Hiranyakasipu's_reiterated_attempts_to_destroy_his_son
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Importance_of_our_Conventional_Greetings,_etc.
1.18_-_The_Perils_of_the_Soul
1.19_-_GOD_IS_NOT_MOCKED
1.19_-_Life
1.19_-_ON_THE_PROBABLE_EXISTENCE_AHEAD_OF_US_OF_AN_ULTRA-HUMAN
1.201_-_Socrates
1.2.07_-_Surrender
1.20_-_Equality_and_Knowledge
1.20_-_Tabooed_Persons
1.20_-_The_End_of_the_Curve_of_Reason
1.20_-_Visnu_appears_to_Prahlada
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_IDOLATRY
1.21_-_Tabooed_Things
1.22_-_EMOTIONALISM
1.22_-_Tabooed_Words
1.23_-_Epic_Poetry.
1.23_-_THE_MIRACULOUS
1.24_-_PUNDIT_SHASHADHAR
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.24_-_The_Killing_of_the_Divine_King
1.25_-_SPIRITUAL_EXERCISES
1.25_-_Temporary_Kings
1.25_-_The_Knot_of_Matter
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.28_-_Supermind,_Mind_and_the_Overmind_Maya
1.29_-_Continues_to_describe_methods_for_achieving_this_Prayer_of_Recollection._Says_what_little_account_we_should_make_of_being_favoured_by_our_superiors.
13.02_-_A_Review_of_Sri_Aurobindos_Life
1.3.02_-_Equality__The_Chief_Support
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.3.5.03_-_The_Involved_and_Evolving_Godhead
1.3.5.05_-_The_Path
1.39_-_The_Ritual_of_Osiris
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
1.4.02_-_The_Divine_Force
14.07_-_A_Review_of_Our_Ashram_Life
1.40_-_Coincidence
1.439
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.46_-_The_Corn-Mother_in_Many_Lands
1.4_-_Readings_in_the_Taittiriya_Upanishad
15.03_-_A_Canadian_Question
15.09_-_One_Day_More
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.53_-_Mother-Love
1.60_-_Between_Heaven_and_Earth
1.62_-_The_Elastic_Mind
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.65_-_Balder_and_the_Mistletoe
1.67_-_The_External_Soul_in_Folk-Custom
1.68_-_The_God-Letters
1.72_-_Education
1912_12_10p
1913_12_29p
1914_01_31p
1914_06_21p
1914_07_31p
1914_08_31p
1915_05_24p
19.24_-_The_Canto_of_Desire
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-05_-_Intellect,_true_and_wrong_movement_-_Attacks_from_adverse_forces_-_Faith,_integral_and_absolute_-_Death,_not_a_necessity_-_Descent_of_Divine_Consciousness_-_Inner_progress_-_Memory_of_former_lives
1929-05-12_-_Beings_of_vital_world_(vampires)_-_Money_power_and_vital_beings_-_Capacity_for_manifestation_of_will_-_Entry_into_vital_world_-_Body,_a_protection_-_Individuality_and_the_vital_world
1929-06-16_-_Illness_and_Yoga_-_Subtle_body_(nervous_envelope)_-_Fear_and_illness
1950-12-28_-_Correct_judgment.
1951-01-25_-_Needs_and_desires._Collaboration_of_the_vital,_mind_an_accomplice._Progress_and_sincerity_-_recognising_faults._Organising_the_body_-_illness_-_new_harmony_-_physical_beauty.
1951-02-03_-_What_is_Yoga?_for_what?_-_Aspiration,_seeking_the_Divine._-_Process_of_yoga,_renouncing_the_ego.
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-17_-_False_visions_-_Offering_ones_will_-_Equilibrium_-_progress_-_maturity_-_Ardent_self-giving-_perfecting_the_instrument_-_Difficulties,_a_help_in_total_realisation_-_paradoxes_-_Sincerity_-_spontaneous_meditation
1951-03-05_-_Disasters-_the_forces_of_Nature_-_Story_of_the_charity_Bazar_-_Liberation_and_law_-_Dealing_with_the_mind_and_vital-_methods
1951-03-08_-_Silencing_the_mind_-_changing_the_nature_-_Reincarnation-_choice_-_Psychic,_higher_beings_gods_incarnating_-_Incarnation_of_vital_beings_-_the_Lord_of_Falsehood_-_Hitler_-_Possession_and_madness
1951-03-17_-_The_universe-_eternally_new,_same_-_Pralaya_Traditions_-_Light_and_thought_-_new_consciousness,_forces_-_The_expanding_universe_-_inexpressible_experiences_-_Ashram_surcharged_with_Light_-_new_force_-_vibrating_atmospheres
1951-03-19_-_Mental_worlds_and_their_beings_-_Understanding_in_silence_-_Psychic_world-_its_characteristics_-_True_experiences_and_mental_formations_-_twelve_senses
1951-04-02_-_Causes_of_accidents_-_Little_entities,_helpful_or_mischievous-_incidents
1951-04-26_-_Irrevocable_transformation_-_The_divine_Shakti_-_glad_submission_-_Rejection,_integral_-_Consecration_-_total_self-forgetfulness_-_work
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1951-05-11_-_Mahakali_and_Kali_-_Avatar_and_Vibhuti_-_Sachchidananda_behind_all_states_of_being_-_The_power_of_will_-_receiving_the_Divine_Will
1951-05-14_-_Chance_-_the_play_of_forces_-_Peace,_given_and_lost_-_Abolishing_the_ego
1953-04-29
1953-06-03
1953-07-08
1953-07-22
1953-07-29
1953-08-26
1953-10-07
1953-11-18
1953-11-25
1953-12-30
1954-03-03_-_Occultism_-_A_French_scientists_experiment
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-09-15_-_Parts_of_the_being_-_Thoughts_and_impulses_-_The_subconscient_-_Precise_vocabulary_-_The_Grace_and_difficulties
1954-09-22_-_The_supramental_creation_-_Rajasic_eagerness_-_Silence_from_above_-_Aspiration_and_rejection_-_Effort,_individuality_and_ego_-_Aspiration_and_desire
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-10-06_-_What_happens_is_for_the_best_-_Blaming_oneself_-Experiences_-_The_vital_desire-soul_-Creating_a_spiritual_atmosphere_-Thought_and_Truth
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1954-12-22_-_Possession_by_hostile_forces_-_Purity_and_morality_-_Faith_in_the_final_success_-Drawing_back_from_the_path
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-06-08_-_Working_for_the_Divine_-_ideal_attitude_-_Divine_manifesting_-_reversal_of_consciousness,_knowing_oneself_-_Integral_progress,_outer,_inner,_facing_difficulties_-_People_in_Ashram_-_doing_Yoga_-_Children_given_freedom,_choosing_yoga
1955-08-03_-_Nothing_is_impossible_in_principle_-_Psychic_contact_and_psychic_influence_-_Occult_powers,_adverse_influences;_magic_-_Magic,_occultism_and_Yogic_powers_-Hypnotism_and_its_effects
1955-10-12_-_The_problem_of_transformation_-_Evolution,_man_and_superman_-_Awakening_need_of_a_higher_good_-_Sri_Aurobindo_and_earths_history_-_Setting_foot_on_the_new_path_-_The_true_reality_of_the_universe_-_the_new_race_-_...
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-14_-_Rejection_of_life_as_illusion_in_the_old_Yogas_-_Fighting_the_adverse_forces_-_Universal_and_individual_being_-_Three_stages_in_Integral_Yoga_-_How_to_feel_the_Divine_Presence_constantly
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-02-01_-_Path_of_knowledge_-_Finding_the_Divine_in_life_-_Capacity_for_contact_with_the_Divine_-_Partial_and_total_identification_with_the_Divine_-_Manifestation_and_hierarchy
1956-02-22_-_Strong_immobility_of_an_immortal_spirit_-_Equality_of_soul_-_Is_all_an_expression_of_the_divine_Will?_-_Loosening_the_knot_of_action_-_Using_experience_as_a_cloak_to_cover_excesses_-_Sincerity,_a_rare_virtue
1956-04-04_-_The_witness_soul_-_A_Gita_enthusiast_-_Propagandist_spirit,_Tolstoys_son
1956-05-16_-_Needs_of_the_body,_not_true_in_themselves_-_Spiritual_and_supramental_law_-_Aestheticised_Paganism_-_Morality,_checks_true_spiritual_effort_-_Effect_of_supramental_descent_-_Half-lights_and_false_lights
1956-06-06_-_Sign_or_indication_from_books_of_revelation_-_Spiritualised_mind_-_Stages_of_sadhana_-_Reversal_of_consciousness_-_Organisation_around_central_Presence_-_Boredom,_most_common_human_malady
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-09-19_-_Power,_predominant_quality_of_vital_being_-_The_Divine,_the_psychic_being,_the_Supermind_-_How_to_come_out_of_the_physical_consciousness_-_Look_life_in_the_face_-_Ordinary_love_and_Divine_love
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-10-17_-_Delight,_the_highest_state_-_Delight_and_detachment_-_To_be_calm_-_Quietude,_mental_and_vital_-_Calm_and_strength_-_Experience_and_expression_of_experience
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-09_-_God_is_essentially_Delight_-_God_and_Nature_play_at_hide-and-seek_-__Why,_and_when,_are_you_grave?
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1957-02-20_-_Limitations_of_the_body_and_individuality
1957-03-13_-_Our_best_friend
1957-06-12_-_Fasting_and_spiritual_progress
1957-06-26_-_Birth_through_direct_transmutation_-_Man_and_woman_-_Judging_others_-_divine_Presence_in_all_-_New_birth
1957-07-17_-_Power_of_conscious_will_over_matter
1957-08-07_-_The_resistances,_politics_and_money_-_Aspiration_to_realise_the_supramental_life
1957-09-04_-_Sri_Aurobindo,_an_eternal_birth
1957-11-27_-_Sri_Aurobindos_method_in_The_Life_Divine_-_Individual_and_cosmic_evolution
1957-12-11_-_Appearance_of_the_first_men
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-19_-_Experience_of_the_supramental_boat_-_The_Censors_-_Absurdity_of_artificial_means
1958-03-19_-_General_tension_in_humanity_-_Peace_and_progress_-_Perversion_and_vision_of_transformation
1958-03-26_-_Mental_anxiety_and_trust_in_spiritual_power
1958-05-21_-_Mental_honesty
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-09-24_-_Living_the_truth_-_Words_and_experience
1958-10-22_-_Spiritual_life_-_reversal_of_consciousness_-_Helping_others
1958_10_24
1958-11-05_-_Knowing_how_to_be_silent
1960_02_03
1960_03_02
1960_05_25
1960_06_16
1960_08_24
1961_03_17_-_57
1961_05_04_-_60
1963_08_11?_-_94
1963_11_04
1964_03_25
1965_05_29
1966_07_06
1966_09_14
1969_10_17
1969_11_25
1970_02_19
1970_05_22
1.A_-_ANTHROPOLOGY,_THE_SOUL
1.ac_-_The_Wizard_Way
1.bsf_-_Raga_Asa
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_In_the_Vault
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_History_of_the_Necronomicon
1f.lovecraft_-_The_Horror_in_the_Burying-Ground
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Trap
1f.lovecraft_-_Winged_Death
1.fs_-_Dangerous_Consequences
1.jk_-_Sonnet_To_Homer
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.pbs_-_Charles_The_First
1.pbs_-_Chorus_from_Hellas
1.pbs_-_The_Cenci_-_A_Tragedy_In_Five_Acts
1.pbs_-_The_Viewless_And_Invisible_Consequence
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_The_Power_Of_Words_Oinos.
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_Cleon
1.rb_-_Paracelsus_-_Part_I_-_Paracelsus_Aspires
1.rb_-_Pippa_Passes_-_Part_IV_-_Night
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_Sordello_-_Book_the_Third
1.rmr_-_Childhood
1.rt_-_Gitanjali
1.rt_-_Untimely_Leave
1.rwe_-_Gnothi_Seauton
1.shvb_-_Columba_aspexit_-_Sequence_for_Saint_Maximin
1.shvb_-_O_Euchari_in_leta_via_-_Sequence_for_Saint_Eucharius
1.whitman_-_Manhattan_Streets_I_Saunterd,_Pondering
1.ww_-_Book_Eleventh-_France_[concluded]
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_King_Of_Sweden
2.01_-_Habit_1__Be_Proactive
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_On_Books
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_The_Object_of_Knowledge
2.01_-_The_Therapeutic_value_of_Abreaction
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Evolutionary_Creation_and_the_Expectation_of_a_Revelation
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_UPON_THE_BLESSED_ISLES
2.03_-_On_Medicine
2.03_-_The_Christian_Phenomenon_and_Faith_in_the_Incarnation
2.03_-_The_Purified_Understanding
2.03_-_The_Worlds
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.04_-_The_Divine_and_the_Undivine
2.04_-_The_Forms_of_Love-Manifestation
2.04_-_The_Secret_of_Secrets
2.05_-_Habit_3__Put_First_Things_First
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Divine_Truth_and_Way
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_The_Synthesis_of_the_Disciplines_of_Knowledge
2.06_-_Two_Tales_of_Seeking_and_Losing
2.07_-_I_Also_Try_to_Tell_My_Tale
2.07_-_On_Congress_and_Politics
2.07_-_The_Knowledge_and_the_Ignorance
2.07_-_The_Mother__Relations_with_Others
2.07_-_The_Release_from_Subjection_to_the_Body
2.08_-_ALICE_IN_WONDERLAND
2.08_-_God_in_Power_of_Becoming
2.09_-_Human_representations_of_the_Divine_Ideal_of_Love
2.09_-_Memory,_Ego_and_Self-Experience
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.0_-_Reincarnation_and_Karma
2.0_-_THE_ANTICHRIST
2.1.01_-_God_The_One_Reality
2.1.02_-_Nature_The_World-Manifestation
2.1.03_-_Man_and_Superman
2.10_-_Knowledge_by_Identity_and_Separative_Knowledge
2.10_-_THE_MASTER_AND_NARENDRA
2.11_-_The_Boundaries_of_the_Ignorance
2.12_-_On_Miracles
2.12_-_The_Origin_of_the_Ignorance
2.12_-_The_Way_and_the_Bhakta
2.1.3.4_-_Conduct
2.1.4.2_-_Teaching
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Passive_and_the_Active_Brahman
2.14_-_The_Unpacking_of_God
2.1.5.4_-_Arts
2.15_-_Reality_and_the_Integral_Knowledge
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.18_-_January_1939
2.18_-_The_Evolutionary_Process_-_Ascent_and_Integration
2.19_-_Feb-May_1939
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.2.01_-_The_Problem_of_Consciousness
2.2.02_-_Consciousness_and_the_Inconscient
2.20_-_Chance
2.20_-_The_Philosophy_of_Rebirth
2.21_-_1940
2.21_-_The_Order_of_the_Worlds
2.21_-_Towards_the_Supreme_Secret
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_The_Supreme_Secret
2.22_-_Vijnana_or_Gnosis
2.2.3_-_Depression_and_Despondency
2.23_-_Man_and_the_Evolution
2.23_-_The_Core_of_the_Gita.s_Meaning
2.24_-_Gnosis_and_Ananda
2.24_-_The_Evolution_of_the_Spiritual_Man
2.25_-_The_Triple_Transformation
2.26_-_Samadhi
2.26_-_The_Ascent_towards_Supermind
2.27_-_The_Gnostic_Being
2.28_-_Rajayoga
2.28_-_The_Divine_Life
2.3.01_-_Aspiration_and_Surrender_to_the_Mother
2.3.01_-_The_Planes_or_Worlds_of_Consciousness
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_Integral_Yoga
2.3.04_-_The_Mother's_Force
2.3.08_-_The_Mother's_Help_in_Difficulties
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.1_-_Ego_and_Its_Forms
2.4.02_-_Bhakti,_Devotion,_Worship
2.4.3_-_Problems_in_Human_Relations
30.01_-_World-Literature
3.00.2_-_Introduction
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.11_-_Modern_Poetry
3.01_-_Forms_of_Rebirth
3.01_-_THE_BIRTH_OF_THOUGHT
3.02_-_King_and_Queen
3.02_-_Mysticism
3.02_-_SOL
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Psychology_of_Rebirth
3.03_-_Faith_and_the_Divine_Grace
3.03_-_On_Thought_-_II
3.03_-_The_Consummation_of_Mysticism
3.03_-_The_Four_Foundational_Practices
3.03_-_THE_MODERN_EARTH
3.04_-_LUNA
3.04_-_On_Thought_-_III
3.05_-_SAL
3.05_-_The_Formula_of_I.A.O.
3.06_-_Charity
3.07_-_The_Formula_of_the_Holy_Grail
3.08_-_Purification
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
3.1.01_-_The_Problem_of_Suffering_and_Evil
3.1.02_-_Asceticism_and_the_Integral_Yoga
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.09_-_The_Cause_of_Indias_Decline
3.10_-_Of_the_Gestures
31.10_-_East_and_West
3.11_-_Epilogue
3.11_-_Spells
3.12_-_ON_OLD_AND_NEW_TABLETS
3.14_-_Of_the_Consecrations
3.16.1_-_Of_the_Oath
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.19_-_Of_Dramatic_Rituals
32.01_-_Where_is_God?
3.2.03_-_Conservation_and_Progress
32.04_-_The_Human_Body
32.05_-_The_Culture_of_the_Body
3.2.06_-_The_Adwaita_of_Shankaracharya
32.07_-_The_God_of_the_Scientist
3.2.3_-_Dreams
3.2.4_-_Sex
3.3.01_-_The_Superman
33.16_-_Soviet_Gymnasts
33.17_-_Two_Great_Wars
3.3.1_-_Illness_and_Health
3.4.03_-_Materialism
3.4.2_-_Guru_Yoga
3.5.03_-_Reason_and_Society
3-5_Full_Circle
3.6.01_-_Heraclitus
36.09_-_THE_SIT_SUKTA
37.04_-_The_Story_Of_Rishi_Yajnavalkya
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.05_-_The_Significance_of_Rebirth
3.7.1.06_-_The_Ascending_Unity
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.10_-_Karma,_Will_and_Consequence
3.7.1.11_-_Rebirth_and_Karma
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.02_-_The_Terrestial_Law
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.04_-_The_Higher_Lines_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
3_-_Commentaries_and_Annotated_Translations
4.01_-_Circumstances
4.01_-_Introduction
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_Autobiographical_Evidence
4.02_-_GOLD_AND_SPIRIT
4.03_-_Mistakes
4.03_-_Prayer_to_the_Ever-greater_Christ
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.03_-_THE_ULTIMATE_EARTH
4.04_-_In_the_Total_Christ
4.04_-_The_Perfection_of_the_Mental_Being
4.05_-_THE_DARK_SIDE_OF_THE_KING
4.06_-_THE_KING_AS_ANTHROPOS
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.0_-_NOTES_TO_ZARATHUSTRA
4.0_-_The_Path_of_Knowledge
4.1.01_-_The_Intellect_and_Yoga
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.12_-_The_Way_of_Equality
4.1.4_-_Resistances,_Sufferings_and_Falls
4.16_-_The_Divine_Shakti
4.19_-_The_Nature_of_the_supermind
4.1_-_Jnana
4.20_-_The_Intuitive_Mind
4.21_-_The_Gradations_of_the_supermind
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.23_-_The_supramental_Instruments_--_Thought-process
4.2.5_-_Dealing_with_Depression_and_Despondency
4.25_-_Towards_the_supramental_Time_Vision
4.26_-_The_Supramental_Time_Consciousness
4.3.3_-_Dealing_with_Hostile_Attacks
4.3.4_-_Accidents,_Possession,_Madness
4.3_-_Bhakti
4.4.4.10_-_The_Descent_of_Ananda
5.01_-_On_the_Mysteries_of_the_Ascent_towards_God
5.02_-_Perfection_of_the_Body
5.03_-_The_Divine_Body
5.04_-_Formation_Of_The_World
5.04_-_Supermind_and_the_Life_Divine
5.04_-_Three_Dreams
5.05_-_Supermind_and_Humanity
5.06_-_Supermind_in_the_Evolution
5.06_-_THE_TRANSFORMATION
5.08_-_ADAM_AS_TOTALITY
5.08_-_Supermind_and_Mind_of_Light
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.0_-_Conscious,_Unconscious,_and_Individuation
6.10_-_THE_SELF_AND_THE_BOUNDS_OF_KNOWLEDGE
7.04_-_The_Vital
7.07_-_Prudence
7.10_-_Order
7_-_Yoga_of_Sri_Aurobindo
9.99_-_Glossary
Aeneid
Apology
Big_Mind_(ten_perfections)
Blazing_P1_-_Preconventional_consciousness
Blazing_P2_-_Map_the_Stages_of_Conventional_Consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
BOOK_I._-_Augustine_censures_the_pagans,_who_attributed_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
Book_of_Genesis
Book_of_Imaginary_Beings_(text)
BOOK_VIII._-_Some_account_of_the_Socratic_and_Platonic_philosophy,_and_a_refutation_of_the_doctrine_of_Apuleius_that_the_demons_should_be_worshipped_as_mediators_between_gods_and_men
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BS_1_-_Introduction_to_the_Idea_of_God
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_XI
Cratylus
Deutsches_Requiem
DM_2_-_How_to_Meditate
DS3
ENNEAD_01.01_-_The_Organism_and_the_Self.
ENNEAD_01.03_-_Of_Dialectic,_or_the_Means_of_Raising_the_Soul_to_the_Intelligible_World.
ENNEAD_01.08_-_Of_the_Nature_and_Origin_of_Evils.
ENNEAD_01.09b_-_Of_Suicide.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.04a_-_Of_Matter.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.01_-_Concerning_Fate.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.03_-_Continuation_of_That_on_Providence.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Things.
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_03.08b_-_Of_Nature,_Contemplation_and_Unity.
ENNEAD_03.09_-_Fragments_About_the_Soul,_the_Intelligence,_and_the_Good.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_04.05_-_Psychological_Questions_III._-_About_the_Process_of_Vision_and_Hearing.
ENNEAD_04.06a_-_Of_Sensation_and_Memory.
ENNEAD_04.08_-_Of_the_Descent_of_the_Soul_Into_the_Body.
ENNEAD_04.09_-_Whether_All_Souls_Form_a_Single_One?
ENNEAD_05.07_-_Do_Ideas_of_Individuals_Exist?
ENNEAD_05.08_-_Concerning_Intelligible_Beauty.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.02_-_The_Categories_of_Plotinos.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.06_-_Of_Numbers.
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.08_-_Of_the_Will_of_the_One.
Epistle_to_the_Romans
Euthyphro
Gorgias
I._THE_ATTRACTIVE_POWER_OF_GOD
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
Meno
MoM_References
Phaedo
r1912_01_19
r1912_02_06
r1912_12_04
r1913_01_05
r1913_01_08
r1913_07_05
r1914_01_09
r1914_04_04
r1914_06_17
r1914_06_24
r1917_01_21
r1917_01_22
r1919_07_22
r1919_08_04
r1919_08_19
r1920_03_03
Sayings_of_Sri_Ramakrishna_(text)
Sophist
Talks_001-025
Talks_026-050
Talks_051-075
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Divine_Names_Text_(Dionysis)
The_Dwellings_of_the_Philosophers
the_Eternal_Wisdom
The_Gold_Bug
The_Golden_Sentences_of_Democrates
The_Library_of_Babel
The_Library_Of_Babel_2
The_Logomachy_of_Zos
The_Lottery_in_Babylon
The_Monadology
The_Riddle_of_this_World
The_Shadow_Out_Of_Time
Timaeus
Verses_of_Vemana

PRIMARY CLASS

concept
number
qualifier
SIMILAR TITLES
consequence
sequence

DEFINITIONS


TERMS STARTING WITH

sequence ::: 1. A following of one thing after another; succession. 2. A related or continuous series. 3. Order of succession. sequences.

sequence A collection of related things in a specific order. In mathematics, numbers are represented as sequences of {digits} e.g. {bits}, {decimal digits}, {hexadecimal} digits, etc. There are also sequences of numbers where each number is related to previous numbers, e.g. the {Fibonacci sequence}. In computing the sequence of {instructions} that a computer follows when executing a {program} is called {control flow}; a sequence of {characters} is also known as a "(character) string" (e.g. an {escape sequence}); a sequence of {images} forms a {video}; a sound recording is an example of a sequence of {samples} of an {analogue signal}. In {probability theory}, a sequence of events can be described by a {Markov chain}. (2015-09-01)

sequence: A set of terms (which may be numbers, algebraic expressions or any mathematical objects, usually of the same type) with an order attached to the members. i.e. a list of mathematical objects

sequence, despite the fact that the greatest angels

sequence ::: n. --> The state of being sequent; succession; order of following; arrangement.
That which follows or succeeds as an effect; sequel; consequence; result.
Simple succession, or the coming after in time, without asserting or implying causative energy; as, the reactions of chemical agents may be conceived as merely invariable sequences.
Any succession of chords (or harmonic phrase) rising or


sequencer "music" Any system for recording and/or playback of music via a programmable memory which stores music not as audio data, but as some representation of notes. The most common modern usage of "sequencer" is to refer to systems (whether in software, or as a feature of devices like synthesizers or drum machines) that deal with {MIDI} data. (1999-06-04)

sequencer ::: (music) Any system for recording and/or playback of music via a programmable memory which stores music not as audio data, but as some to systems (whether in software, or as a feature of devices like synthesizers or drum machines) that deal with MIDI data. (1999-06-04)

Sequenced Packet Exchange ::: (networking, protocol) (SPX) A transport layer protocol built on top of IPX. SPX is used in Novell NetWare systems for communications in client/server application programs, e.g. BTRIEVE (ISAM manager).SPX is not used for connections to the file server itself; this uses NCP. It has been extended as SPX-II. SPX/IPX perform equivalent functions to TCP/IP. .[Better reference?] (1999-05-27)

Sequenced Packet Exchange "networking, protocol" (SPX) A {transport layer} {protocol} built on top of {IPX}. SPX is used in {Novell NetWare} systems for communications in {client/server} {application programs}, e.g. {BTRIEVE} ({ISAM} manager). SPX is not used for connections to the {file server} itself; this uses {NCP}. It has been extended as SPX-II. SPX/IPX perform equivalent functions to {TCP/IP}. {(http://developer.novell.com/research/appnotes/1995/december/03/04.htm)}. [Better reference?] (1999-05-27)


TERMS ANYWHERE

1. Having momentous significance or consequences; decisively important. 2. Fatal, deadly, or disastrous. 3. Controlled or determined by destiny; inexorable. 4. Prophetic; ominous.

2. In a broader sense, "evidence" may be either immediate (evidence in the first sense) or mediate. E.g., an intended fact is mediately evident if (and only if) there is immediate evidence of its entailment as the consequence of an immediately evident fact.

(2) In ethics: in the narrower traditional sense, intuitionism is the view that certain actions or kinds of action may be known to be right or wrong by a direct intuition of their rightness or wrongness, without any consideration of the value of their consequences. In this sense intuitionism is opposed to utilitarian and teleological ethics, and is most recently represented by the neo-intuitionists at Oxford, H. A. Prichard, E. F. Carritt, W. D. Ross. It is sometimes said to involve the view that the organ of ethical insight is non-rational and even unique. It takes, according to Sidgwick, three forms. Perceptual intuitionism holds that only judgments relating to the rightness or wrongness of particular acts are intuitive. Dogmatic intuitionism holds that some general material propositions relating to the rightness or wrongness of kinds of acts may also be intuited, e.g. that promises ought to be kept. Philosophical intuitionism holds that it is only certain general propositions about what is right or wrong that are intuitive, and that these are few and purely formal. In the wider more recent sense, intuitionism includes all views in which ethics is made to rest on intuitions, particular or general, as to the rightness, obligatoriness, goodness, oi value of actions or objects. Taken in this sense, intuitionism is the dominant point of view in recent British ethics, and is represented in Europe by the phenomenological ethics of M. Scheler and N. Hartmann, having also proponents in America. That is, it covers not only the deontological intuitionism to be found at Oxford, but also the axiological and even teleological or utilitarian intuitionism to be found in J. Martineau, H. Sidgwick, H. Rashdall, G. E. Moore, J. Laird. Among earlier British moralists it is represented by tho Cambridge Platonists, the Moral Sense School, Clarke, Cumberland, Butler, Price, Reid, Whewell, etc.By saying that the basic propositions of ethics (i.e. of the theory of obligation, of the theory of value, or of both) are intuitive, the intuitionists mean at least that they are ultimate and underivative, primitive and uninferable, as well as synthetic, and sometimes also that they are self-evident and a priori. This implies that one or more of the basic notions of ethics (rightness, goodness, etc.) are indefinable, i.e. simple or unanalysable and unique; and that ethics is autonomous. Intuitionists also hold that rightness and goodness are objective and non-natural. Hence their view is sometimes called objectivism or non-naturalism. The views of Moore and Laird are also sometimes referred to as realistic. See Deontological ethics, Axiological ethics, Teleological ethics, Utilitarianism, Objectivism, Realism, Autonomy of ethics, Non-naturalistic ethics. -- W.K.F.

(3) A proposition about the nature of meaning, ideas, concepts, or universals: that they (and thus, some contend, knowledge) "consist of" or "are reducible to" references to directly presented data or content of experience; or that signs standing for meanings, ideas, concepts, or universals refer to experienced content only or primarily; or that the meaning of a term consists simply of the sum of its possible consequences in experience; or that if all possible experiential consequences of two propositions are identical, their meanings are identical.

absolve ::: 1. To free from guilt, blame or their consequences; discharge (from obligations, liabilities, etc.). 2. To set free, release. 3. To clear off, discharge, acquit oneself of (a task, etc.); to perform completely, accomplish, finish. absolves, absolved.

absolve ::: v. t. --> To set free, or release, as from some obligation, debt, or responsibility, or from the consequences of guilt or such ties as it would be sin or guilt to violate; to pronounce free; as, to absolve a subject from his allegiance; to absolve an offender, which amounts to an acquittal and remission of his punishment.
To free from a penalty; to pardon; to remit (a sin); -- said of the sin or guilt.
To finish; to accomplish.


accept ::: 1. To take or receive (a thing offered) willingly, or with consenting mind; to receive (a thing or person) with favour or approval. 2. To take formally (what is offered) with contemplation of its consequences and obligations; to take upon oneself, to undertake as a responsibility. 3. To agree or consent to. 4. To regard as true or sound; believe. accepts, accepted, accepting.

accordingly ::: adv. --> Agreeably; correspondingly; suitably; in a manner conformable.
In natural sequence; consequently; so.


Acts: In ethics the main concern is usually said to be with acts or actions, particularly voluntary ones, in their moral relations, or with the moral qualities of acts and actions. By an act or action here is meant a bit of behavior or conduct, the origination or attempted origination of a change by some agent, the execution of some agent's choice or decision (so that not acting may be an act). As such, an act is often distinguished from its motive, its intention, and its maxim on the one hand, and from its consequences on the other, though it is not always held that its moral qualities are independent of these. Rather, it is frequently held that the rightness of an act, or its moral goodness, or both, depend at least in part on the character or value of its motive, intention, maxim, or consequences, or of the life or system of which it is a part. Another question concerning acts in ethics is whether they must be free (in the sense of being partially or wholly undetermined by previous causes), as well as voluntary, in order to be moral, and, if so, whether any acts are free in this sense. See Agent. -- W.K.F.

addressing mode 1. "processor, programming" One of a set of methods for specifying the {operand}(s) for a {machine code} {instruction}. Different processors vary greatly in the number of addressing modes they provide. The more complex modes described below can usually be replaced with a short sequence of instructions using only simpler modes. The most common modes are "register" - the operand is stored in a specified {register}; "absolute" - the operand is stored at a specified memory address; and "{immediate}" - the operand is contained within the instruction. Most processors also have {indirect addressing} modes, e.g. "register indirect", "memory indirect" where the specified register or memory location does not contain the operand but contains its address, known as the "{effective address}". For an absolute addressing mode, the effective address is contained within the instruction. Indirect addressing modes often have options for pre- or post- increment or decrement, meaning that the register or memory location containing the {effective address} is incremented or decremented by some amount (either fixed or also specified in the instruction), either before or after the instruction is executed. These are very useful for {stacks} and for accessing blocks of data. Other variations form the effective address by adding together one or more registers and one or more constants which may themselves be direct or indirect. Such complex addressing modes are designed to support access to multidimensional arrays and arrays of data structures. The addressing mode may be "implicit" - the location of the operand is obvious from the particular instruction. This would be the case for an instruction that modified a particular control register in the CPU or, in a {stack} based processor where operands are always on the top of the stack. 2. In {IBM} {System 370}/{XA} the addressing mode bit controls the size of the {effective address} generated. When this bit is zero, the CPU is in the 24-bit addressing mode, and 24 bit instruction and operand effective addresses are generated. When this bit is one, the CPU is in the 31-bit addressing mode, and 31-bit instruction and operand effective addresses are generated. ["IBM System/370 Extended Architecture Principles of Operation", Chapter 5., 'Address Generation', BiModal Addressing]. (1995-03-30)

aggravation ::: n. --> The act of aggravating, or making worse; -- used of evils, natural or moral; the act of increasing in severity or heinousness; something additional to a crime or wrong and enhancing its guilt or injurious consequences.
Exaggerated representation.
An extrinsic circumstance or accident which increases the guilt of a crime or the misery of a calamity.
Provocation; irritation.


AIM. ::: To return to the truth of the Divine now clouded over by Ignorance is the soul’s aim in life.
There is only one aim to be followed, the increase of Peace, Light, Power and the growth of a new consciousness in the being. With that new consciousness the true knowledge, understanding, strength, feeling will come.
Aim of yoga ::: to find the Divine is indeed the first reason for seeking the spiritual Truth and the spiritual life; it is the one thing indispensable and all the rest is nothing without it. The Divine once found, to manifest Him, - that is, first of all to transform one’s own limited consciousness into the Divine Consciousness, to live in the infinite Peace, Light, Love, Strength, Bliss, to become that in one’s essential nature and, as a consequence. to be its vessel, channel, instrument in one’s active nature.
Aim of Integral yoga ::: it is the rendering in personal experience of the truth which universal Nature has hidden in herself and which she travails to discover. It is the conversion of the human soul into the divine soul and of natural life into a divine living.


akash&

Al-Gaffar ::: The One who, as requisites of divine power or wisdom, ‘conceals’ the inadequacies of   those who recognize their shortcomings and wish to be freed from their consequences. The One who forgives.

algorithm "algorithm, programming" A detailed sequence of actions to perform to accomplish some task. Named after the Iranian, Islamic mathematician, astronomer, astrologer and geographer, {Muhammad ibn Musa al-Khwarizmi}. Technically, an algorithm must reach a result after a {finite} number of steps, thus ruling out {brute force} search methods for certain problems, though some might claim that brute force search was also a valid (generic) algorithm. The term is also used loosely for any sequence of actions (which may or may not terminate). {Paul E. Black's Dictionary of Algorithms, Data Structures, and Problems (http://nist.gov/dads/)}. (2002-02-05)

Al-Hasib ::: The One who maintains individuality by holding them to account of their behavioral output through the mechanics of ‘consequence’.

::: "All energies put into activity — thought, speech, feeling, act — go to constitute Karma. These things help to develop the nature in one direction or another, and the nature and its actions and reactions produce their consequences inward and outward: they also act on others and create movements in the general sum of forces which can return upon oneself sooner or later. Thoughts unexpressed can also go out as forces and produce their effects. It is a mistake to think that a thought or will can have effect only when it is expressed in speech or act: the unspoken thought, the unexpressed will are also active energies and can produce their own vibrations, effects or reactions.” Letters on Yoga*

“All energies put into activity—thought, speech, feeling, act—go to constitute Karma. These things help to develop the nature in one direction or another, and the nature and its actions and reactions produce their consequences inward and outward: they also act on others and create movements in the general sum of forces which can return upon oneself sooner or later. Thoughts unexpressed can also go out as forces and produce their effects. It is a mistake to think that a thought or will can have effect only when it is expressed in speech or act: the unspoken thought, the unexpressed will are also active energies and can produce their own vibrations, effects or reactions.” Letters on Yoga

Al-Muntaqim ::: The One who makes individuals live the consequences of their actions that impede in the realization of their essence.

Al-Mutakabbir ::: The One to whom the word ‘I’ exclusively belongs. Absolute ‘I’ness belongs only to Him. Whoever, with the word ‘I’, accredits a portion of this Absolute ‘I’ness to himself, thereby concealing the ‘I’ness comprising his essence and fortifying his own relative ‘I’ness, will pay its consequence with ‘burning’ (suffering). Majesty (Absolute ‘I’ness) is His attribute alone.

A logistic system need not be given any meaning or interpretation, but may be put forward merely as a formal discipline of interest for its own sake; and in this case the words proof, theorem, valid inference, etc., are to be dissociated from their every-day meanings and taken purely as technical terms. Even when an interpretation of the system is intended, it is a requirement of rigor that no use shall be made of the interpretation (as such) in the determination whether a sequence of symbols is a formula, whether a sequence of formulas is a proof, etc.

Alternating bit protocol "networking" (ABP) A simple {data link layer} {protocol} that retransmits lost or corrupted messages. Messages are sent from transmitter A to receiver B. Assume that the channel from A to B is initialised and that there are no messages in transit. Each message contains a data part, a {checksum}, and a one-bit {sequence number}, i.e. a value that is 0 or 1. When A sends a message, it sends it continuously, with the same sequence number, until it receives an acknowledgment ({ACK}) from B that contains the same sequence number. When that happens, A complements (flips) the sequence number and starts transmitting the next message. When B receives a message from A, it checks the checksum. If the message is not corrupted B sends back an ACK with the same sequence number. If it is the first message with that sequence number then it is sent for processing. Subsequent messages with the same sequence bit are simply acknowledged. If the message is corrupted B sends back an negative/error acknowledgment ({NAK}). This is optional, as A will continue transmitting until it receives the correct ACK. A treats corrupted ACK messages, and NAK messages in the same way. The simplest behaviour is to ignore them all and continue transmitting. (2000-10-28)

AMD Am2901 "processor" A 4-bit {bit-slice} processor from {Advanced Micro Devices}. It featured sixteen 4-bit {registers} and a 4-bit {ALU} and operation signals to allow carry/borrow or shift operations and such to operate across any number of other 2901s. An {address sequencer} (such as the {2910}) could provide control signals with the use of custom {microcode} in {ROM}. (1994-11-16)

AMD Am2910 "processor" An {address sequencer} from {Advanced Micro Devices}. (1994-11-16)

Amulet "processor" An implementation or the {Advanced RISC Machine} {microprocessor} architecture using the {micropipeline} design style. In April 1994 the Amulet group in the Computer Science department of {Manchester University} took delivery of the AMULET1 {microprocessor}. This was their first large scale asynchronous circuit and the world's first implementation of a commercial microprocessor architecture (ARM) in {asynchronous logic}. Work was begun at the end of 1990 and the design despatched for fabrication in February 1993. The primary intent was to demonstrate that an asynchronous microprocessor can consume less power than a synchronous design. The design incorporates a number of concurrent units which cooperate to give instruction level compatibility with the existing synchronous part. These include an Address unit, which autonomously generates instruction fetch requests and interleaves ({nondeterministic}ally) data requests from the Execution unit; a {Register} file which supplies operands, queues write destinations and handles data dependencies; an Execution unit which includes a multiplier, a shifter and an {ALU} with data-dependent delay; a Data interface which performs byte extraction and alignment and includes an {instruction prefetch} buffer, and a control path which performs {instruction decode}. These units only synchronise to exchange data. The design demonstrates that all the usual problems of processor design can be solved in this asynchronous framework: backward {instruction set} compatibility, {interrupts} and exact {exceptions} for {memory faults} are all covered. It also demonstrates some unusual behaviour, for instance {nondeterministic} prefetch depth beyond a branch instruction (though the instructions which actually get executed are, of course, deterministic). There are some unusual problems for {compiler} {optimisation}, as the metric which must be used to compare alternative code sequences is continuous rather than discrete, and the {nondeterminism} in external behaviour must also be taken into account. The chip was designed using a mixture of custom {datapath} and compiled control logic elements, as was the synchronous ARM. The fabrication technology is the same as that used for one version of the synchronous part, reducing the number of variables when comparing the two parts. Two silicon implementations have been received and preliminary measurements have been taken from these. The first is a 0.7um process and has achieved about 28 kDhrystones running the standard {benchmark} program. The other is a 1 um implementation and achieves about 20 kDhrystones. For the faster of the parts this is equivalent to a synchronous {ARM6} clocked at around 20MHz; in the case of AMULET1 it is likely that this speed is limited by the memory system cycle time (just over 50ns) rather than the processor chip itself. A fair comparison of devices at the same geometries gives the AMULET1 performance as about 70% of that of an {ARM6} running at 20MHz. Its power consumption is very similar to that of the ARM6; the AMULET1 therefore delivers about 80 MIPS/W (compared with around 120 from a 20MHz ARM6). Multiplication is several times faster on the AMULET1 owing to the inclusion of a specialised asynchronous multiplier. This performance is reasonable considering that the AMULET1 is a first generation part, whereas the synchronous ARM has undergone several design iterations. AMULET2 (under development in 1994) was expected to be three times faster than AMULET1 and use less power. The {macrocell} size (without {pad ring}) is 5.5 mm by 4.5 mm on a 1 micron {CMOS} process, which is about twice the area of the synchronous part. Some of the increase can be attributed to the more sophisticated organisation of the new part: it has a deeper {pipeline} than the clocked version and it supports multiple outstanding memory requests; there is also specialised circuitry to increase the multiplication speed. Although there is undoubtedly some overhead attributable to the asynchronous control logic, this is estimated to be closer to 20% than to the 100% suggested by the direct comparison. AMULET1 is code compatible with {ARM6} and is so is capable of running existing {binaries} without modification. The implementation also includes features such as interrupts and memory aborts. The work was part of a broad {ESPRIT} funded investigation into low-power technologies within the European {Open Microprocessor systems Initiative} (OMI) programme, where there is interest in low-power techniques both for portable equipment and (in the longer term) to alleviate the problems of the increasingly high dissipation of high-performance chips. This initial investigation into the role {asynchronous logic} might play has now demonstrated that asynchronous techniques can be applied to problems of the scale of a complete {microprocessor}. {(http://cs.man.ac.uk/amulet)}. (1994-12-08)

anacoluthic ::: a. --> Lacking grammatical sequence.

anacoluthon ::: n. --> A want of grammatical sequence or coherence in a sentence; an instance of a change of construction in a sentence so that the latter part does not syntactically correspond with the first part.

ananda. ::: bliss &

And still we can recognise at once in the Overmind the original cosmic Maya, not a Maya of Ignorance but a Maya of Knowledge, yet a Power which has made the Ignorance possible, even inevitable. For if each principle loosed into action must follow its independent line and carry out its complete consequences, the principle of separation must also be allowed its complete course and arrive at its absolute consequence; this is Overmind in its descent reaches a line which divides the cosmic Truth from the cosmic Ignorance; it is the line at which it becomes possible for Consciousness-Force, emphasising the separateness of each independent movement created by Overmind and hiding or darkening their unity, to divide Mind by an exclusive concentration from the overmental source. There has already been a similar separation of Overmind from its supramental source, but with a transparency in the veil which allows a conscious transmission and maintains a certain luminous kinship; but here the veil is opaque and the transmission of the Overmind motives to the Mind is occult and obscure. Mind separated acts as if it were an independent principle, and each mental being, each basic mental idea, power, force stands similarly on its separate self; if it communicates with or combines or contacts others, it is not with the catholic universality of the overmind movement, on a basis of underlying oneness, but as independent units joining to form a separate constructed whole. It is by this movement that we pass from the cosmic Truth into the cosmic Ignorance. The cosmic Mind on this level, no doubt, comprehends its own unity, but it is not aware of its own source and foundation in the Spirit or can only comprehend it by the intelligence, not in any enduring experience; it acts in itself as if by its own right and works out what it receives as material without direct communication with the source from which it receives it. Its units also act in ignorance of each other and of the cosmic whole except for the knowledge that they can get by contact and communication,—the basic sense of identity and the mutual penetration and understanding that comes from it are no longer there. All the actions of this Mind Energy proceed on the opposite basis of the Ignorance and its divisions and, although they are the results of a certain conscious knowledge, it is a partial knowledge, not a true and integral self-knowledge, nor a true and integral world-knowledge. This character persists in Life and in subtle Matter and reappears in the gross material universe which arises from the final lapse into the Inconscience. …

Animated GIF "graphics, file format" (GIF89a) A variant of the {GIF} {image} format, often used on {web} pages to provide moving {icons} and banners. The GIF89a format supports multiple "frames" that give the impression of motion when displayed in sequence, much like a flip book. The animation may repeat continuously or play once. Animated GIFs aren't supported by earlier {web browsers}, however the first frame of the image is still shown. There are many utilities to create animated GIFs from a sequence of individual GIF files. There are also utilities that will produce animated GIFs automatically from a piece of text or a single image. One problem with this format is the size of the files produced, as they are by definition a sequence of individual images. Apart from minimising the number of frames, the best way to decrease file size is to assist the {LZW} compression by using blocks of solid colour, avoid {dithering}, and use fewer colours. If areas of an image don't change from one frame to another, they don't need to be redrawn so make the area a transparent block in the second frame. (1999-08-01)

annex ::: v. t. --> To join or attach; usually to subjoin; to affix; to append; -- followed by to.
To join or add, as a smaller thing to a greater.
To attach or connect, as a consequence, condition, etc.; as, to annex a penalty to a prohibition, or punishment to guilt. ::: v. i.


anthracite ::: n. --> A hard, compact variety of mineral coal, of high luster, differing from bituminous coal in containing little or no bitumen, in consequence of which it burns with a nearly non luminous flame. The purer specimens consist almost wholly of carbon. Also called glance coal and blind coal.

antidromous ::: a. --> Changing the direction in the spiral sequence of leaves on a stem.

anytime algorithm "algorithm" An {algorithm} that returns a sequence of approximations to the correct answer such that each approximation is no worse than the previous one, i.e. the algorithm can be stopped at _any time_. {Newton-Raphson iteration} applied to finding the {square root} of a number b is another example: x = (x + b / x) / 2 Each new x is closer to the square root than the previous one. Applications might include a {real-time} control system or a chess program that is allowed a fixed thinking time. (2007-06-19)

Apagoge: (Gr. apagoge) In Aristotle's logic (1) a syllogism whose major premiss is certain but whose minor premiss is only probable; abduction; (2) a method of indirect demonstration whereby the validity of a conclusion is established by assuming its contradictory and showing that impossible or unacceptable consequences follow; the reductio ad impossibile. -- G.R.M.

a priori ::: --> Characterizing that kind of reasoning which deduces consequences from definitions formed, or principles assumed, or which infers effects from causes previously known; deductive or deductively. The reverse of a posteriori.
Applied to knowledge and conceptions assumed, or presupposed, as prior to experience, in order to make experience rational or possible.


A proposition may also be said to be necessary if it is a consequence of some accepted set of propositions (indicated by the context), even if this accepted set of propositions is not held to be a priori. See Necessity.

As-Sabur ::: The One who waits for each individual to execute his creation program before rendering effective the consequences of their actions. Allowing the tyranny of the tyrant to take place, i.e. activating the Name as-Sabur, is so that both the oppressor and the oppressed can duly carry out their functions before facing the consequences in full effect. Greater calamity forces the creation of increased cruelty.

Assertion: Frege introduced the assertion sign, in 1879, as a means of indicating the difference between asserting a proposition as true and merely naming a proposition (e.g., in order to make an assertion about it, that it has such and such consequences, or the like). Thus, with an appropriate expression A, the notation |−A would be used to make the assertion, "The unlike magnetic poles attract one another," while the notation −A would correspond rather to the noun clause, "that the unlike magnetic poles attract one another." Later Frege adopted the usage that propositional expressions (as noun clauses) are proper names of truth values and modified his use of the assertion sign accordingly, employing say A (or −A) to denote the truth value thereof that the unlike magnetic poles attract one another and |−A to express the assertion that this truth value is truth.

associativity "programming" The property of an {operator} that says whether a sequence of three or more expressions combined by the operator will be evaluated from left to right (left associative) or right to left (right associative). For example, in {Perl}, the {lazy and} operator && is left associative so in the expression: $i "= 0 && $x[$i] "= 0 && $y[$x[$i]] == 0 the left-most && is evaluated first, whereas = is right associative, so in $a = $b = 42 the right-most assignment is performed first. (2007-06-16)

astigmatism ::: n. --> A defect of the eye or of a lens, in consequence of which the rays derived from one point are not brought to a single focal point, thus causing imperfect images or indistinctness of vision.

Attempts to prove the parallel postulate from the other postulates of Euclidean geometry were unsuccessful. The undertaking of Saccheri (1733) to make a proof by reductio ad absurdum of the parallel postulate by deducing consequences of its negation did, however, lead to his developing many of the theorems of what is now known as hyperbolic geometry. The proposal that this hyperbolic geometry, in which Euclid's parallel postulate is replaced by its negation, is a system equally valid with the Euclidean originated with Bolyai and Lobachevsky (independently, c 1825). Proof of the self-consistency of hyperbolic geometry, and thus of the impossibility of Saccheri's undertaking, is contained in results of Cayley (1859) and was made explicit by Klein in 1871; for the two-dimensional case another proof was given by Beltrami in 1868.

Aufklärung: In general, this German word and its English equivalent Enlightenment denote the self-emancipation of man from mere authority, prejudice, convention and tradition, with an insistence on freer thinking about problems uncritically referred to these other agencies. According to Kant's famous definition "Enlightenment is the liberation of man from his self-caused state of minority, which is the incapacity of using one's understanding without the direction of another. This state of minority is caused when its source lies not in the lack of understanding, but in the lack of determination and courage to use it without the assistance of another" (Was ist Aufklärung? 1784). In its historical perspective, the Aufklärung refers to the cultural atmosphere and contrlbutions of the 18th century, especially in Germany, France and England [which affected also American thought with B. Franklin, T. Paine and the leaders of the Revolution]. It crystallized tendencies emphasized by the Renaissance, and quickened by modern scepticism and empiricism, and by the great scientific discoveries of the 17th century. This movement, which was represented by men of varying tendencies, gave an impetus to general learning, a more popular philosophy, empirical science, scriptural criticism, social and political thought. More especially, the word Aufklärung is applied to the German contributions to 18th century culture. In philosophy, its principal representatives are G. E. Lessing (1729-81) who believed in free speech and in a methodical criticism of religion, without being a free-thinker; H. S. Reimarus (1694-1768) who expounded a naturalistic philosophy and denied the supernatural origin of Christianity; Moses Mendelssohn (1729-86) who endeavoured to mitigate prejudices and developed a popular common-sense philosophy; Chr. Wolff (1679-1754), J. A. Eberhard (1739-1809) who followed the Leibnizian rationalism and criticized unsuccessfully Kant and Fichte; and J. G. Herder (1744-1803) who was best as an interpreter of others, but whose intuitional suggestions have borne fruit in the organic correlation of the sciences, and in questions of language in relation to human nature and to national character. The works of Kant and Goethe mark the culmination of the German Enlightenment. Cf. J. G. Hibben, Philosophy of the Enlightenment, 1910. --T.G. Augustinianism: The thought of St. Augustine of Hippo, and of his followers. Born in 354 at Tagaste in N. Africa, A. studied rhetoric in Carthage, taught that subject there and in Rome and Milan. Attracted successively to Manicheanism, Scepticism, and Neo-Platontsm, A. eventually found intellectual and moral peace with his conversion to Christianity in his thirty-fourth year. Returning to Africa, he established numerous monasteries, became a priest in 391, Bishop of Hippo in 395. Augustine wrote much: On Free Choice, Confessions, Literal Commentary on Genesis, On the Trinity, and City of God, are his most noted works. He died in 430.   St. Augustine's characteristic method, an inward empiricism which has little in common with later variants, starts from things without, proceeds within to the self, and moves upwards to God. These three poles of the Augustinian dialectic are polarized by his doctrine of moderate illuminism. An ontological illumination is required to explain the metaphysical structure of things. The truth of judgment demands a noetic illumination. A moral illumination is necessary in the order of willing; and so, too, an lllumination of art in the aesthetic order. Other illuminations which transcend the natural order do not come within the scope of philosophy; they provide the wisdoms of theology and mysticism. Every being is illuminated ontologically by number, form, unity and its derivatives, and order. A thing is what it is, in so far as it is more or less flooded by the light of these ontological constituents.   Sensation is necessary in order to know material substances. There is certainly an action of the external object on the body and a corresponding passion of the body, but, as the soul is superior to the body and can suffer nothing from its inferior, sensation must be an action, not a passion, of the soul. Sensation takes place only when the observing soul, dynamically on guard throughout the body, is vitally attentive to the changes suffered by the body. However, an adequate basis for the knowledge of intellectual truth is not found in sensation alone. In order to know, for example, that a body is multiple, the idea of unity must be present already, otherwise its multiplicity could not be recognized. If numbers are not drawn in by the bodily senses which perceive only the contingent and passing, is the mind the source of the unchanging and necessary truth of numbers? The mind of man is also contingent and mutable, and cannot give what it does not possess. As ideas are not innate, nor remembered from a previous existence of the soul, they can be accounted for only by an immutable source higher than the soul. In so far as man is endowed with an intellect, he is a being naturally illuminated by God, Who may be compared to an intelligible sun. The human intellect does not create the laws of thought; it finds them and submits to them. The immediate intuition of these normative rules does not carry any content, thus any trace of ontologism is avoided.   Things have forms because they have numbers, and they have being in so far as they possess form. The sufficient explanation of all formable, and hence changeable, things is an immutable and eternal form which is unrestricted in time and space. The forms or ideas of all things actually existing in the world are in the things themselves (as rationes seminales) and in the Divine Mind (as rationes aeternae). Nothing could exist without unity, for to be is no other than to be one. There is a unity proper to each level of being, a unity of the material individual and species, of the soul, and of that union of souls in the love of the same good, which union constitutes the city. Order, also, is ontologically imbibed by all beings. To tend to being is to tend to order; order secures being, disorder leads to non-being. Order is the distribution which allots things equal and unequal each to its own place and integrates an ensemble of parts in accordance with an end. Hence, peace is defined as the tranquillity of order. Just as things have their being from their forms, the order of parts, and their numerical relations, so too their beauty is not something superadded, but the shining out of all their intelligible co-ingredients.   S. Aurelii Augustini, Opera Omnia, Migne, PL 32-47; (a critical edition of some works will be found in the Corpus Scriptorum Ecclesiasticorum Latinorum, Vienna). Gilson, E., Introd. a l'etude de s. Augustin, (Paris, 1931) contains very good bibliography up to 1927, pp. 309-331. Pope, H., St. Augustine of Hippo, (London, 1937). Chapman, E., St. Augustine's Philos. of Beauty, (N. Y., 1939). Figgis, J. N., The Political Aspects of St. Augustine's "City of God", (London, 1921). --E.C. Authenticity: In a general sense, genuineness, truth according to its title. It involves sometimes a direct and personal characteristic (Whitehead speaks of "authentic feelings").   This word also refers to problems of fundamental criticism involving title, tradition, authorship and evidence. These problems are vital in theology, and basic in scholarship with regard to the interpretation of texts and doctrines. --T.G. Authoritarianism: That theory of knowledge which maintains that the truth of any proposition is determined by the fact of its having been asserted by a certain esteemed individual or group of individuals. Cf. H. Newman, Grammar of Assent; C. S. Peirce, "Fixation of Belief," in Chance, Love and Logic, ed. M. R. Cohen. --A.C.B. Autistic thinking: Absorption in fanciful or wishful thinking without proper control by objective or factual material; day dreaming; undisciplined imagination. --A.C.B. Automaton Theory: Theory that a living organism may be considered a mere machine. See Automatism. Automatism: (Gr. automatos, self-moving) (a) In metaphysics: Theory that animal and human organisms are automata, that is to say, are machines governed by the laws of physics and mechanics. Automatism, as propounded by Descartes, considered the lower animals to be pure automata (Letter to Henry More, 1649) and man a machine controlled by a rational soul (Treatise on Man). Pure automatism for man as well as animals is advocated by La Mettrie (Man, a Machine, 1748). During the Nineteenth century, automatism, combined with epiphenomenalism, was advanced by Hodgson, Huxley and Clifford. (Cf. W. James, The Principles of Psychology, Vol. I, ch. V.) Behaviorism, of the extreme sort, is the most recent version of automatism (See Behaviorism).   (b) In psychology: Psychological automatism is the performance of apparently purposeful actions, like automatic writing without the superintendence of the conscious mind. L. C. Rosenfield, From Beast Machine to Man Machine, N. Y., 1941. --L.W. Automatism, Conscious: The automatism of Hodgson, Huxley, and Clifford which considers man a machine to which mind or consciousness is superadded; the mind of man is, however, causally ineffectual. See Automatism; Epiphenomenalism. --L.W. Autonomy: (Gr. autonomia, independence) Freedom consisting in self-determination and independence of all external constraint. See Freedom. Kant defines autonomy of the will as subjection of the will to its own law, the categorical imperative, in contrast to heteronomy, its subjection to a law or end outside the rational will. (Fundamental Principles of the Metaphysics of Morals, § 2.) --L.W. Autonomy of ethics: A doctrine, usually propounded by intuitionists, that ethics is not a part of, and cannot be derived from, either metaphysics or any of the natural or social sciences. See Intuitionism, Metaphysical ethics, Naturalistic ethics. --W.K.F. Autonomy of the will: (in Kant's ethics) The freedom of the rational will to legislate to itself, which constitutes the basis for the autonomy of the moral law. --P.A.S. Autonymy: In the terminology introduced by Carnap, a word (phrase, symbol, expression) is autonymous if it is used as a name for itself --for the geometric shape, sound, etc. which it exemplifies, or for the word as a historical and grammatical unit. Autonymy is thus the same as the Scholastic suppositio matertalis (q. v.), although the viewpoint is different. --A.C. Autotelic: (from Gr. autos, self, and telos, end) Said of any absorbing activity engaged in for its own sake (cf. German Selbstzweck), such as higher mathematics, chess, etc. In aesthetics, applied to creative art and play which lack any conscious reference to the accomplishment of something useful. In the view of some, it may constitute something beneficent in itself of which the person following his art impulse (q.v.) or playing is unaware, thus approaching a heterotelic (q.v.) conception. --K.F.L. Avenarius, Richard: (1843-1896) German philosopher who expressed his thought in an elaborate and novel terminology in the hope of constructing a symbolic language for philosophy, like that of mathematics --the consequence of his Spinoza studies. As the most influential apostle of pure experience, the posltivistic motive reaches in him an extreme position. Insisting on the biologic and economic function of thought, he thought the true method of science is to cure speculative excesses by a return to pure experience devoid of all assumptions. Philosophy is the scientific effort to exclude from knowledge all ideas not included in the given. Its task is to expel all extraneous elements in the given. His uncritical use of the category of the given and the nominalistic view that logical relations are created rather than discovered by thought, leads him to banish not only animism but also all of the categories, substance, causality, etc., as inventions of the mind. Explaining the evolution and devolution of the problematization and deproblematization of numerous ideas, and aiming to give the natural history of problems, Avenarius sought to show physiologically, psychologically and historically under what conditions they emerge, are challenged and are solved. He hypothesized a System C, a bodily and central nervous system upon which consciousness depends. R-values are the stimuli received from the world of objects. E-values are the statements of experience. The brain changes that continually oscillate about an ideal point of balance are termed Vitalerhaltungsmaximum. The E-values are differentiated into elements, to which the sense-perceptions or the content of experience belong, and characters, to which belongs everything which psychology describes as feelings and attitudes. Avenarius describes in symbolic form a series of states from balance to balance, termed vital series, all describing a series of changes in System C. Inequalities in the vital balance give rise to vital differences. According to his theory there are two vital series. It assumes a series of brain changes because parallel series of conscious states can be observed. The independent vital series are physical, and the dependent vital series are psychological. The two together are practically covariants. In the case of a process as a dependent vital series three stages can be noted: first, the appearance of the problem, expressed as strain, restlessness, desire, fear, doubt, pain, repentance, delusion; the second, the continued effort and struggle to solve the problem; and finally, the appearance of the solution, characterized by abating anxiety, a feeling of triumph and enjoyment.   Corresponding to these three stages of the dependent series are three stages of the independent series: the appearance of the vital difference and a departure from balance in the System C, the continuance with an approximate vital difference, and lastly, the reduction of the vital difference to zero, the return to stability. By making room for dependent and independent experiences, he showed that physics regards experience as independent of the experiencing indlvidual, and psychology views experience as dependent upon the individual. He greatly influenced Mach and James (q.v.). See Avenarius, Empirio-criticism, Experience, pure. Main works: Kritik der reinen Erfahrung; Der menschliche Weltbegriff. --H.H. Averroes: (Mohammed ibn Roshd) Known to the Scholastics as The Commentator, and mentioned as the author of il gran commento by Dante (Inf. IV. 68) he was born 1126 at Cordova (Spain), studied theology, law, medicine, mathematics, and philosophy, became after having been judge in Sevilla and Cordova, physician to the khalifah Jaqub Jusuf, and charged with writing a commentary on the works of Aristotle. Al-mansur, Jusuf's successor, deprived him of his place because of accusations of unorthodoxy. He died 1198 in Morocco. Averroes is not so much an original philosopher as the author of a minute commentary on the whole works of Aristotle. His procedure was imitated later by Aquinas. In his interpretation of Aristotelian metaphysics Averroes teaches the coeternity of a universe created ex nihilo. This doctrine formed together with the notion of a numerical unity of the active intellect became one of the controversial points in the discussions between the followers of Albert-Thomas and the Latin Averroists. Averroes assumed that man possesses only a disposition for receiving the intellect coming from without; he identifies this disposition with the possible intellect which thus is not truly intellectual by nature. The notion of one intellect common to all men does away with the doctrine of personal immortality. Another doctrine which probably was emphasized more by the Latin Averroists (and by the adversaries among Averroes' contemporaries) is the famous statement about "two-fold truth", viz. that a proposition may be theologically true and philosophically false and vice versa. Averroes taught that religion expresses the (higher) philosophical truth by means of religious imagery; the "two-truth notion" came apparently into the Latin text through a misinterpretation on the part of the translators. The works of Averroes were one of the main sources of medieval Aristotelianlsm, before and even after the original texts had been translated. The interpretation the Latin Averroists found in their texts of the "Commentator" spread in spite of opposition and condemnation. See Averroism, Latin. Averroes, Opera, Venetiis, 1553. M. Horten, Die Metaphysik des Averroes, 1912. P. Mandonnet, Siger de Brabant et l'Averroisme Latin, 2d ed., Louvain, 1911. --R.A. Averroism, Latin: The commentaries on Aristotle written by Averroes (Ibn Roshd) in the 12th century became known to the Western scholars in translations by Michael Scottus, Hermannus Alemannus, and others at the beginning of the 13th century. Many works of Aristotle were also known first by such translations from Arabian texts, though there existed translations from the Greek originals at the same time (Grabmann). The Averroistic interpretation of Aristotle was held to be the true one by many; but already Albert the Great pointed out several notions which he felt to be incompatible with the principles of Christian philosophy, although he relied for the rest on the "Commentator" and apparently hardly used any other text. Aquinas, basing his studies mostly on a translation from the Greek texts, procured for him by William of Moerbecke, criticized the Averroistic interpretation in many points. But the teachings of the Commentator became the foundation for a whole school of philosophers, represented first by the Faculty of Arts at Paris. The most prominent of these scholars was Siger of Brabant. The philosophy of these men was condemned on March 7th, 1277 by Stephen Tempier, Bishop of Paris, after a first condemnation of Aristotelianism in 1210 had gradually come to be neglected. The 219 theses condemned in 1277, however, contain also some of Aquinas which later were generally recognized an orthodox. The Averroistic propositions which aroused the criticism of the ecclesiastic authorities and which had been opposed with great energy by Albert and Thomas refer mostly to the following points: The co-eternity of the created word; the numerical identity of the intellect in all men, the so-called two-fold-truth theory stating that a proposition may be philosophically true although theologically false. Regarding the first point Thomas argued that there is no philosophical proof, either for the co-eternity or against it; creation is an article of faith. The unity of intellect was rejected as incompatible with the true notion of person and with personal immortality. It is doubtful whether Averroes himself held the two-truths theory; it was, however, taught by the Latin Averroists who, notwithstanding the opposition of the Church and the Thomistic philosophers, gained a great influence and soon dominated many universities, especially in Italy. Thomas and his followers were convinced that they interpreted Aristotle correctly and that the Averroists were wrong; one has, however, to admit that certain passages in Aristotle allow for the Averroistic interpretation, especially in regard to the theory of intellect.   Lit.: P. Mandonnet, Siger de Brabant et l'Averroisme Latin au XIIIe Siecle, 2d. ed. Louvain, 1911; M. Grabmann, Forschungen über die lateinischen Aristotelesübersetzungen des XIII. Jahrhunderts, Münster 1916 (Beitr. z. Gesch. Phil. d. MA. Vol. 17, H. 5-6). --R.A. Avesta: See Zendavesta. Avicehron: (or Avencebrol, Salomon ibn Gabirol) The first Jewish philosopher in Spain, born in Malaga 1020, died about 1070, poet, philosopher, and moralist. His main work, Fons vitae, became influential and was much quoted by the Scholastics. It has been preserved only in the Latin translation by Gundissalinus. His doctrine of a spiritual substance individualizing also the pure spirits or separate forms was opposed by Aquinas already in his first treatise De ente, but found favor with the medieval Augustinians also later in the 13th century. He also teaches the necessity of a mediator between God and the created world; such a mediator he finds in the Divine Will proceeding from God and creating, conserving, and moving the world. His cosmogony shows a definitely Neo-Platonic shade and assumes a series of emanations. Cl. Baeumker, Avencebrolis Fons vitae. Beitr. z. Gesch. d. Philos. d. MA. 1892-1895, Vol. I. Joh. Wittman, Die Stellung des hl. Thomas von Aquino zu Avencebrol, ibid. 1900. Vol. III. --R.A. Avicenna: (Abu Ali al Hosain ibn Abdallah ibn Sina) Born 980 in the country of Bocchara, began to write in young years, left more than 100 works, taught in Ispahan, was physician to several Persian princes, and died at Hamadan in 1037. His fame as physician survived his influence as philosopher in the Occident. His medical works were printed still in the 17th century. His philosophy is contained in 18 vols. of a comprehensive encyclopedia, following the tradition of Al Kindi and Al Farabi. Logic, Physics, Mathematics and Metaphysics form the parts of this work. His philosophy is Aristotelian with noticeable Neo-Platonic influences. His doctrine of the universal existing ante res in God, in rebus as the universal nature of the particulars, and post res in the human mind by way of abstraction became a fundamental thesis of medieval Aristotelianism. He sharply distinguished between the logical and the ontological universal, denying to the latter the true nature of form in the composite. The principle of individuation is matter, eternally existent. Latin translations attributed to Avicenna the notion that existence is an accident to essence (see e.g. Guilelmus Parisiensis, De Universo). The process adopted by Avicenna was one of paraphrasis of the Aristotelian texts with many original thoughts interspersed. His works were translated into Latin by Dominicus Gundissalinus (Gondisalvi) with the assistance of Avendeath ibn Daud. This translation started, when it became more generally known, the "revival of Aristotle" at the end of the 12th and the beginning of the 13th century. Albert the Great and Aquinas professed, notwithstanding their critical attitude, a great admiration for Avicenna whom the Arabs used to call the "third Aristotle". But in the Orient, Avicenna's influence declined soon, overcome by the opposition of the orthodox theologians. Avicenna, Opera, Venetiis, 1495; l508; 1546. M. Horten, Das Buch der Genesung der Seele, eine philosophische Enzyklopaedie Avicenna's; XIII. Teil: Die Metaphysik. Halle a. S. 1907-1909. R. de Vaux, Notes et textes sur l'Avicennisme Latin, Bibl. Thomiste XX, Paris, 1934. --R.A. Avidya: (Skr.) Nescience; ignorance; the state of mind unaware of true reality; an equivalent of maya (q.v.); also a condition of pure awareness prior to the universal process of evolution through gradual differentiation into the elements and factors of knowledge. --K.F.L. Avyakta: (Skr.) "Unmanifest", descriptive of or standing for brahman (q.v.) in one of its or "his" aspects, symbolizing the superabundance of the creative principle, or designating the condition of the universe not yet become phenomenal (aja, unborn). --K.F.L. Awareness: Consciousness considered in its aspect of act; an act of attentive awareness such as the sensing of a color patch or the feeling of pain is distinguished from the content attended to, the sensed color patch, the felt pain. The psychologlcal theory of intentional act was advanced by F. Brentano (Psychologie vom empirischen Standpunkte) and received its epistemological development by Meinong, Husserl, Moore, Laird and Broad. See Intentionalism. --L.W. Axiological: (Ger. axiologisch) In Husserl: Of or pertaining to value or theory of value (the latter term understood as including disvalue and value-indifference). --D.C. Axiological ethics: Any ethics which makes the theory of obligation entirely dependent on the theory of value, by making the determination of the rightness of an action wholly dependent on a consideration of the value or goodness of something, e.g. the action itself, its motive, or its consequences, actual or probable. Opposed to deontological ethics. See also teleological ethics. --W.K.F. Axiologic Realism: In metaphysics, theory that value as well as logic, qualities as well as relations, have their being and exist external to the mind and independently of it. Applicable to the philosophy of many though not all realists in the history of philosophy, from Plato to G. E. Moore, A. N. Whitehead, and N, Hartmann. --J.K.F. Axiology: (Gr. axios, of like value, worthy, and logos, account, reason, theory). Modern term for theory of value (the desired, preferred, good), investigation of its nature, criteria, and metaphysical status. Had its rise in Plato's theory of Forms or Ideas (Idea of the Good); was developed in Aristotle's Organon, Ethics, Poetics, and Metaphysics (Book Lambda). Stoics and Epicureans investigated the summum bonum. Christian philosophy (St. Thomas) built on Aristotle's identification of highest value with final cause in God as "a living being, eternal, most good."   In modern thought, apart from scholasticism and the system of Spinoza (Ethica, 1677), in which values are metaphysically grounded, the various values were investigated in separate sciences, until Kant's Critiques, in which the relations of knowledge to moral, aesthetic, and religious values were examined. In Hegel's idealism, morality, art, religion, and philosophy were made the capstone of his dialectic. R. H. Lotze "sought in that which should be the ground of that which is" (Metaphysik, 1879). Nineteenth century evolutionary theory, anthropology, sociology, psychology, and economics subjected value experience to empirical analysis, and stress was again laid on the diversity and relativity of value phenomena rather than on their unity and metaphysical nature. F. Nietzsche's Also Sprach Zarathustra (1883-1885) and Zur Genealogie der Moral (1887) aroused new interest in the nature of value. F. Brentano, Vom Ursprung sittlicher Erkenntnis (1889), identified value with love.   In the twentieth century the term axiology was apparently first applied by Paul Lapie (Logique de la volonte, 1902) and E. von Hartmann (Grundriss der Axiologie, 1908). Stimulated by Ehrenfels (System der Werttheorie, 1897), Meinong (Psychologisch-ethische Untersuchungen zur Werttheorie, 1894-1899), and Simmel (Philosophie des Geldes, 1900). W. M. Urban wrote the first systematic treatment of axiology in English (Valuation, 1909), phenomenological in method under J. M. Baldwin's influence. Meanwhile H. Münsterberg wrote a neo-Fichtean system of values (The Eternal Values, 1909).   Among important recent contributions are: B. Bosanquet, The Principle of Individuality and Value (1912), a free reinterpretation of Hegelianism; W. R. Sorley, Moral Values and the Idea of God (1918, 1921), defending a metaphysical theism; S. Alexander, Space, Time, and Deity (1920), realistic and naturalistic; N. Hartmann, Ethik (1926), detailed analysis of types and laws of value; R. B. Perry's magnum opus, General Theory of Value (1926), "its meaning and basic principles construed in terms of interest"; and J. Laird, The Idea of Value (1929), noteworthy for historical exposition. A naturalistic theory has been developed by J. Dewey (Theory of Valuation, 1939), for which "not only is science itself a value . . . but it is the supreme means of the valid determination of all valuations." A. J. Ayer, Language, Truth and Logic (1936) expounds the view of logical positivism that value is "nonsense." J. Hessen, Wertphilosophie (1937), provides an account of recent German axiology from a neo-scholastic standpoint.   The problems of axiology fall into four main groups, namely, those concerning (1) the nature of value, (2) the types of value, (3) the criterion of value, and (4) the metaphysical status of value.   (1) The nature of value experience. Is valuation fulfillment of desire (voluntarism: Spinoza, Ehrenfels), pleasure (hedonism: Epicurus, Bentham, Meinong), interest (Perry), preference (Martineau), pure rational will (formalism: Stoics, Kant, Royce), apprehension of tertiary qualities (Santayana), synoptic experience of the unity of personality (personalism: T. H. Green, Bowne), any experience that contributes to enhanced life (evolutionism: Nietzsche), or "the relation of things as means to the end or consequence actually reached" (pragmatism, instrumentalism: Dewey).   (2) The types of value. Most axiologists distinguish between intrinsic (consummatory) values (ends), prized for their own sake, and instrumental (contributory) values (means), which are causes (whether as economic goods or as natural events) of intrinsic values. Most intrinsic values are also instrumental to further value experience; some instrumental values are neutral or even disvaluable intrinsically. Commonly recognized as intrinsic values are the (morally) good, the true, the beautiful, and the holy. Values of play, of work, of association, and of bodily well-being are also acknowledged. Some (with Montague) question whether the true is properly to be regarded as a value, since some truth is disvaluable, some neutral; but love of truth, regardless of consequences, seems to establish the value of truth. There is disagreement about whether the holy (religious value) is a unique type (Schleiermacher, Otto), or an attitude toward other values (Kant, Höffding), or a combination of the two (Hocking). There is also disagreement about whether the variety of values is irreducible (pluralism) or whether all values are rationally related in a hierarchy or system (Plato, Hegel, Sorley), in which values interpenetrate or coalesce into a total experience.   (3) The criterion of value. The standard for testing values is influenced by both psychological and logical theory. Hedonists find the standard in the quantity of pleasure derived by the individual (Aristippus) or society (Bentham). Intuitionists appeal to an ultimate insight into preference (Martineau, Brentano). Some idealists recognize an objective system of rational norms or ideals as criterion (Plato, Windelband), while others lay more stress on rational wholeness and coherence (Hegel, Bosanquet, Paton) or inclusiveness (T. H. Green). Naturalists find biological survival or adjustment (Dewey) to be the standard. Despite differences, there is much in common in the results of the application of these criteria.   (4) The metaphysical status of value. What is the relation of values to the facts investigated by natural science (Koehler), of Sein to Sollen (Lotze, Rickert), of human experience of value to reality independent of man (Hegel, Pringle-Pattlson, Spaulding)? There are three main answers:   subjectivism (value is entirely dependent on and relative to human experience of it: so most hedonists, naturalists, positivists);   logical objectivism (values are logical essences or subsistences, independent of their being known, yet with no existential status or action in reality);   metaphysical objectivism (values   --or norms or ideals   --are integral, objective, and active constituents of the metaphysically real: so theists, absolutists, and certain realists and naturalists like S. Alexander and Wieman). --E.S.B. Axiom: See Mathematics. Axiomatic method: That method of constructing a deductive system consisting of deducing by specified rules all statements of the system save a given few from those given few, which are regarded as axioms or postulates of the system. See Mathematics. --C.A.B. Ayam atma brahma: (Skr.) "This self is brahman", famous quotation from Brhadaranyaka Upanishad 2.5.19, one of many alluding to the central theme of the Upanishads, i.e., the identity of the human and divine or cosmic. --K.F.L.

Automatic Sequence Controlled Calculator {Mark 1}

automaton "robotics, mathematics, algorithm" (Plural automata) A machine, {robot}, or {formal system} designed to follow a precise sequence of instructions. Automata theory, the invention and study of automata, includes the study of the capabilities and limitations of computing processes, the manner in which systems receive input, process it, and produce output, and the relationships between behavioural theories and the operation and use of automated devices. See also {cellular automaton}, {finite state machine}. (1996-04-23)

availability "systems" The degree to which a system suffers degradation or interruption in its service to the customer as a consequence of failures of one or more of its parts. One of the components of {RAS}. (2000-08-13)

Axiom of Choice "logic" (AC, or "Choice") An {axiom} of {set theory}: If X is a set of sets, and S is the union of all the elements of X, then there exists a function f:X -" S such that for all non-empty x in X, f(x) is an element of x. In other words, we can always choose an element from each set in a set of sets, simultaneously. Function f is a "choice function" for X - for each x in X, it chooses an element of x. Most people's reaction to AC is: "But of course that's true! From each set, just take the element that's biggest, stupidest, closest to the North Pole, or whatever". Indeed, for any {finite} set of sets, we can simply consider each set in turn and pick an arbitrary element in some such way. We can also construct a choice function for most simple {infinite sets} of sets if they are generated in some regular way. However, there are some infinite sets for which the construction or specification of such a choice function would never end because we would have to consider an infinite number of separate cases. For example, if we express the {real number} line R as the union of many "copies" of the {rational numbers}, Q, namely Q, Q+a, Q+b, and infinitely (in fact uncountably) many more, where a, b, etc. are {irrational numbers} no two of which differ by a rational, and Q+a == {q+a : q in Q} we cannot pick an element of each of these "copies" without AC. An example of the use of AC is the theorem which states that the {countable} union of countable sets is countable. I.e. if X is countable and every element of X is countable (including the possibility that they're finite), then the sumset of X is countable. AC is required for this to be true in general. Even if one accepts the axiom, it doesn't tell you how to construct a choice function, only that one exists. Most mathematicians are quite happy to use AC if they need it, but those who are careful will, at least, draw attention to the fact that they have used it. There is something a little odd about Choice, and it has some alarming consequences, so results which actually "need" it are somehow a bit suspicious, e.g. the {Banach-Tarski paradox}. On the other side, consider {Russell's Attic}. AC is not a {theorem} of {Zermelo Fränkel set theory} (ZF). Gödel and Paul Cohen proved that AC is independent of ZF, i.e. if ZF is consistent, then so are ZFC (ZF with AC) and ZF(~C) (ZF with the negation of AC). This means that we cannot use ZF to prove or disprove AC. (2003-07-11)

backslash "character" "\" {ASCII} code 92. Common names: escape (from C/Unix); reverse slash; slosh; backslant; backwhack. Rare: bash; {ITU-T}: reverse slant; reversed virgule; {INTERCAL}: backslat. Backslash is used to separate components in {MS-DOS} {pathnames}, and to introduce special character sequence in {C} and {Unix} strings, e.g. "\n" for newline. (2000-02-21)

Banach space "mathematics" A {complete} {normed} {vector space}. Metric is induced by the norm: d(x,y) = ||x-y||. Completeness means that every {Cauchy sequence} converges to an element of the space. All finite-dimensional {real} and {complex} normed vector spaces are complete and thus are Banach spaces. Using absolute value for the norm, the real numbers are a Banach space whereas the rationals are not. This is because there are sequences of rationals that converges to irrationals. Several theorems hold only in Banach spaces, e.g. the {Banach inverse mapping theorem}. All finite-dimensional real and complex vector spaces are Banach spaces. {Hilbert spaces}, spaces of {integrable functions}, and spaces of {absolutely convergent series} are examples of infinite-dimensional Banach spaces. Applications include {wavelets}, {signal processing}, and radar. [Robert E. Megginson, "An Introduction to Banach Space Theory", Graduate Texts in Mathematics, 183, Springer Verlag, September 1998]. (2000-03-10)

Banach-Tarski paradox "mathematics" It is possible to cut a solid ball into finitely many pieces (actually about half a dozen), and then put the pieces together again to get two solid balls, each the same size as the original. This {paradox} is a consequence of the {Axiom of Choice}. (1995-03-29)

bang path 1. "communications" An old-style {UUCP} {electronic-mail address} naming a sequence of hosts through which a message must pass to get from some assumed-reachable location to the addressee (a "{source route}"). So called because each {hop} is signified by a {bang} sign (exclamation mark). Thus, for example, the path ...!bigsite!foovax!barbox!me directs people to route their mail to computer bigsite (presumably a well-known location accessible to everybody) and from there through the computer foovax to the account of user me on barbox. Before {autorouting mailers} became commonplace, people often published compound bang addresses using the { } convention (see {glob}) to give paths from *several* big computers, in the hope that one's correspondent might be able to get mail to one of them reliably. e.g. ...!{seismo, ut-sally, ihnp4}!rice!beta!gamma!me Bang paths of 8 to 10 hops were not uncommon in 1981. Late-night dial-up UUCP links would cause week-long transmission times. Bang paths were often selected by both transmission time and reliability, as messages would often get lost. 2. "operating system" A {shebang}. (1998-05-06)

batch processing "programming" A system that takes a sequence (a "batch") of commands or jobs, executes them and returns the results, all without human intervention. This contrasts with an {interactive} system where the user's commands and the computer's responses are interleaved during a single run. A batch system typically takes its commands from a disk file (or a set of {punched cards} or {magnetic tape} in the {mainframe} days) and returns the results to a file (or prints them). Often there is a queue of jobs which the system processes as resources become available. Since the advent of the {personal computer}, the term "batch" has come to mean automating frequently performed tasks that would otherwise be done interactively by storing those commands in a "{batch file}" or "{script}". Usually this file is read by some kind of {command interpreter} but batch processing is sometimes used with GUI-based applications that define script equivalents for menu selections and other mouse actions. Such a recorded sequence of GUI actions is sometimes called a "{macro}". This may only exist in memory and may not be saved to disk whereas a batch normally implies something stored on disk. Unix {cron} jobs and Windows scheduled tasks are batch processing started at a predefined time by the system whereas mainframe batch jobs were typically initiated by an operator loading them into a queue. (2009-09-14)

Before writing the Ideen, he had come to believe that, as the reflective observer of one's subjective processes, one can establish and maintain the attitude of a mere onlooker, who does not participate even in his own natural attitude of believing in a possible world and apprehending his consciousness as essentially possible in that world. If this attitude of self-restraint (epoche) is consistently maintained, one can discriminate a status of one's consciousness more fundamental than its actuality or its possibility in a world and one can see that this essential worldliness of consciousness is a reflexive consequence of its more fundamental character as consciousness of a world. One can then see, furthermore, that every intendable object is essentially, and most fundamentally, a noematic-intentional object (a phenomenon) and has its being and nature because consciousness -- regardless of the latter's secondary status as in the world -- is intrinsically an (actual or potential) intending of that object, in a certain manner, as having certain determinations. Such was Husserl's contention.

Benthamism: Name conventionally given to the utilitarianism of Jeremy Bentham (1748-1832) who regarded the greatest happiness of the greatest number as the supreme ethical goal of human society and individual men. The morality of men's actions is determined experimentally by their utility, which means the power of an action to produce happiness. The moral quality of any action is estimated in accordance with its pleasant or painful consequences, for the sovereign masters of man are pleasure, the only good, and, pain, the only evil. Ethics becomes a matter of calculation of consequences. -- J.J.R.

bigwig ::: a. --> A person of consequence; as, the bigwigs of society.

binary coded decimal "data" (BCD, packed decimal) A number representation where a number is expressed as a sequence of decimal digits and then each decimal digit is encoded as a four-bit binary number (a {nibble}). E.g. decimal 92 would be encoded as the eight-bit sequence 1001 0010. In some cases, the right-most nibble contains the sign (positive or negative). It is easier to convert decimal numbers to and from BCD than binary and, though BCD is often converted to binary for arithmetic processing, it is possible to build {hardware} that operates directly on BCD. [Do calculators use BCD?] (2001-01-27)

binary file "file format" Any {file format} for {digital} {data} that does not consist of a sequence of printable {characters} ({text}). The term is often used for executable {machine code}. All digital data, including characters, is actually binary data (unless it uses some (rare) system with more than two discrete levels) but the distinction between binary and text is well established. On modern {operating systems} a text file is simply a binary file that happens to contain only printable characters, but some older systems distinguish the two file types, requiring programs to handle them differently. A common class of binary files is programs in {machine language} ("{executable} files") ready to load into memory and execute. Binary files may also be used to store data output by a program, and intended to be read by that or another program but not by humans. Binary files are more efficient for this purpose because the data (e.g. numerical data) does not need to be converted between the binary form used by the {CPU} and a printable (ASCII) representation. The disadvantage is that it is usually necessary to write special purpose programs to manipulate such files since most general purpose utilities operate on text files. There is also a problem sharing binary numerical data between processors with different {endian}ness. Some communications {protocols} handle only text files, e.g. most {electronic mail} systems before {MIME} became widespread in about 1995. The {FTP} utility must be put into "binary" mode in order to copy a binary file since in its default "ascii" mode translates between the different {newline} characters used on the sending and receiving computers. Confusingly, some {word processor} files, and {rich text} files, are actually binary files because they contain non-printable characters and require special programs to view, edit and print them. (2005-02-21)

bit bucket "jargon" 1. (Or "{write-only memory}", "WOM") The universal data sink (originally, the mythical receptacle used to catch bits when they fall off the end of a {register} during a {shift} instruction). Discarded, lost, or destroyed data is said to have "gone to the bit bucket". On {Unix}, often used for {/dev/null}. Sometimes amplified as "the Great Bit Bucket in the Sky". 2. The place where all lost mail and news messages eventually go. The selection is performed according to {Finagle's Law}; important mail is much more likely to end up in the bit bucket than junk mail, which has an almost 100% probability of getting delivered. Routing to the bit bucket is automatically performed by mail-transfer agents, news systems, and the lower layers of the network. 3. The ideal location for all unwanted mail responses: "Flames about this article to the bit bucket." Such a request is guaranteed to overflow one's mailbox with flames. 4. Excuse for all mail that has not been sent. "I mailed you those figures last week; they must have landed in the bit bucket." Compare {black hole}. This term is used purely in jest. It is based on the fanciful notion that bits are objects that are not destroyed but only misplaced. This appears to have been a mutation of an earlier term "bit box", about which the same legend was current; old-time hackers also report that trainees used to be told that when the CPU stored bits into memory it was actually pulling them "out of the bit box". Another variant of this legend has it that, as a consequence of the "parity preservation law", the number of 1 bits that go to the bit bucket must equal the number of 0 bits. Any imbalance results in bits filling up the bit bucket. A qualified computer technician can empty a full bit bucket as part of scheduled maintenance. In contrast, a "{chad box}" is a real container used to catch {chad}. This may be related to the origin of the term "bit bucket" [Comments ?]. (1996-11-20)

bit pattern "data" A sequence of {bits}, in a memory, a communications channel or some other device. The term is used to contrast this with some higher level interpretation of the bits such as an integer or an {image}. A {bit string} is similar but suggests an arbitrary, as opposed to predetermined, length. (1998-09-27)

bit slice "architecture" A technique for constructing a {processor} from modules, each of which processes one {bit-field} or "slice" of an {operand}. Bit slice processors usually consist of an {ALU} of 1, 2, 4 or 8 bits and control lines (including {carry} or {overflow} signals usually internal to the {CPU}). For example, two 4-bit ALUs could be arranged side by side, with control lines between them, to form an 8-bit ALU. A {sequencer} executes a program to provide data and control signals. The {AMD Am2901} is an example. (1994-11-15)

bit string "programming, data" An ordered sequence of {bits}. This is very similar to a {bit pattern} except that the term "string" suggests an arbitrary length sequence as opposed to a pre-determined length "pattern".

blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” The Life Divine

blow up 1. "mathematics" A description of a function that, as its input changes over a finite interval, its output goes from stable (steadily increasing or decreasing) to {unstable} (oscilating wildly between extreme values). The term might also be used for successive elements in a discrete sequence or stepwise approximation of a continuous function. Rather than becoming unstable, the value may simply tend to positive or negative {infinity}. When calculating such a function or sequence, a computer will typically suffer {overflow}. 2. {blow out}. [{Jargon File}] (2019-12-27)

borf "jargon" To uncerimoniously disconnect someone from a system without prior warning. {BBS} {Sysops} routinely "borf" pest users by turning off the modem or by hitting the "auto-borf" key sequence. You can also be "borfed" by software dropping {carrier} due to a {bug}. The origin of the term is unknown but it has been in use since at least 1982. (1997-03-21)

bottom-up implementation "programming" The opposite of {top-down design}. It is now received wisdom in most programming cultures that it is best to design from higher levels of abstraction down to lower, specifying sequences of action in increasing detail until you get to actual code. Hackers often find (especially in exploratory designs that cannot be closely specified in advance) that it works best to *build* things in the opposite order, by writing and testing a clean set of primitive operations and then knitting them together. [{Jargon File}] (1996-05-10)

Brahman ::: Whatever reality is in existence, by which all the rest subsists, that is Brahman. An Eternal behind all instabilities, a Truth of things which is implied, if it is hidden in all appearances, a Constant which supports all mutations, but is not increased, diminished, abrogated,—there is such an unknown x which makes existence a problem, our own self a mystery, the universe a riddle. If we were only what we seem to be to our normal self-awareness, there would be no mystery; if the world were only what it can be made out to be by the perceptions of the senses and their strict analysis in the reason, there would be no riddle; and if to take our life as it is now and the world as it has so far developed to our experience were the whole possibility of our knowing and doing, there would be no problem. Or at best there would be but a shallow mystery, an easily solved riddle, the problem only of a child’s puzzle. But there is more, and that more is the hidden head of the Infinite and the secret heart of the Eternal. It is the highest and this highest is the all; there is none beyond and there is none other than it. To know it is to know the highest and by knowing the highest to know all. For as it is the beginning and source of all things, so everything else is its consequence; as it is the support and constituent of all things, so the secret of everything else is explained by its secret; as it is the sum and end of all things, so everything else amounts to it and by throwing itself into it achieves the sense of its own existence. This is the Brahman
   Ref: CWSA Vol. 18, Page: 151-152


sequence ::: 1. A following of one thing after another; succession. 2. A related or continuous series. 3. Order of succession. sequences.

sequence ::: n. --> The state of being sequent; succession; order of following; arrangement.
That which follows or succeeds as an effect; sequel; consequence; result.
Simple succession, or the coming after in time, without asserting or implying causative energy; as, the reactions of chemical agents may be conceived as merely invariable sequences.
Any succession of chords (or harmonic phrase) rising or


B. The Probability-Relation. Considering the general grounds of probability, it is pertinent to analyze the proper characteristics of this concept and the valid conditions of its use in inferential processes. Probability presents itself as a special relation between the premisses and the conclusion of an argument, namely when the premisses are true but not completely sufficient to condition the truth of the conclusion. A probable inference must however be logical, even though its result is not certain, for its premisses must be a true sign of its conclusion. The probability-relation may take three aspects: it is inductive, probable or presumptive. In strict induction, there is an essential connection between the facts expressed in the premisses and in the conclusion, which almost forces a factual result from the circumstances of the predication. This type of probability-relation is prominent in induction proper and in statistics. In strict probability, there is a logical connection between the premisses and the conclusion which does not entail a definite factual value for the latter. This type of probability-relation is prominent in mathematical probability and circumstantial evidence. In strict presumption, there is a similarity of characteristics between the fact expressed in the conclusion and the real event if it does or did exist. This type of probability-relation is prominent in analogy and testimony. A presumptive conclusion should be accepted provisionally, and it should have definite consequences capable of being tested. The results of an inductive inference and of a probable inference may often be brought closer together when covering the same field, as the relations involved are fundamental enough for the purpose. This may be done by a qualitative analysis of their implications, or by a quantitative comparison of their elements, as it is done for example in the methods of correlation. But a presumptive inference cannot be reduced to either of the other two forms without losing its identity, because the connection between its elements is of an indefinite character. It may be said that inductive and probable inferences have an intrinsic reasonableness, while presumptive inferences have an extrinsic reasonableness. The former involve determinism within certain limits, while the latter display indeterminacy more prominently. That is why very poor, misleading or wrong conclusions are obtained when mathematical methods are applied to moral acts, judiciary decisions or indirect testimony The activity of the human will has an intricate complexity and variability not easily subjected to calculation. Hence the degree of probability of a presumptive inference can be estimated only by the character and circumstances of its suggested explanation. In moral cases, the discussion and application of the probability-relation leads to the consideration of the doctrines of Probabilism and Probabiliorism which are qualitative. The probability-relation as such has the following general implications which are compatible with its three different aspects, and which may serve as general inferential principle: Any generalization must be probable upon propositions entailing its exemplification in particular cases; Any generalization or system of generalizations forming a theory, must be probable upon propositions following from it by implication; The probability of a given proposition on the basis of other propositions constituting its evidence, is the degree of logical conclusiveness of this evidence with respect to the given proposition; The empirical probability (p = S/E) of a statement S increases as verifications accrue to the evidence E, provided the evidence is taken as a whole; and Numerical probabilities may be assigned to facts or statements only when the evidence includes statistical data or other numerical information which can be treated by the methods of mathematical probability. C. Mathematical Probability. The mathematical theory of probability, which is also called the theory of chances or the theory of relative possibilities, is concerned with the application of mathematical methods to the determination of the likelihood of any event, when there are not sufficient data to determine with certainty its occurrence or failure. As Laplace remarked, it is nothing more than common sense reduced to calculation. But its range goes far beyond that of common sense for it has not only conditioned the growth of various branches of mathematics, such as the theory of errors, the calculus of variations and mathematical statistics, but it has also made possible the establishment of a number of theories in the natural and social sciences, by its actual applications to concrete problems. A distinction is usually made between direct and inverse probability. The determination of a direct or a priori probability involves an inference from given situations or sets of possibilities numerically characterized, to future events related with them. By definition, the direct probability of the occurrence of any particular form of an event, is the ratio of the number of ways in which that form might occur, to the whole number of ways in which the event may occur, all these forms being equiprobable or equally likely. The basic principles referring to a priori probabilities are derived from the analysis of the various logical alternatives involved in any hypothetical questions such as the following: (a) To determine whether a cause, whose exact nature is or is not known, will prove operative or not in certain circumstances; (b) To determine how often an event happens or fails. The comparison of the number of occurrences with that of the failures of an event, considered in simple or complex circumstances, affords a baisis for several cases of probable inference. Thus, theorems may be established to deal with the probability of success and the probability of failure of an event, with the probability of the joint occurrence of several events, with the probability of the alternative occurrence of several events, with the different conditions of frequency of occurrence of an event; with mathematical expectation, and with similar questions. The determination of an a posteriori or inverse probability involves an inference from given situations or events, to past conditions or causes which rnay have contributed to their occurrence. By definition, an inverse probability is the numerical value assigned to each one of a number of possible causes of an actual event that has already occurred; or more generally, it is the numerical value assigned to hypotheses which attempt to explain actual events or circumstances. If an event has occurred as a result of any one of n several causes, the probability that C was the actual cause is Pp/E (Pnpn), when P is the probability that the event could be produced by C if present, and p the probability that C was present before the occurrence of that event. Inverse probability is based on general and special assumptions which cannot always be properly stated, and as there are many different sets of such assumptions, there cannot be a coercive reason for making a definite choice. In particular, the condition of the equiprobability of causes is seldom if ever fulfilled. The distinction between the two kinds of probability, which has led to some confusion in interpreting their grounds and their relations, can be technically ignored now as a result of the adoption of a statistical basis for measuring probabilities. In particular, it is the statistical treatment of correlation which led to the study of probabilities of concurrent phenomena irrespective of their direction in time. This distinction may be retained, howe\er, for the purpose of a general exposition of the subject. Thus, a number of probability theorems are obtained by using various cases of direct and inverse probability involving permutations and combinations, the binomial theorem, the theory of series, and the methods of integration. In turn, these theurems can be applied to concrete cases of the various sciences.

Burst Extended Data Out DRAM "storage" (Burst EDO, BEDO) A variant on {EDO DRAM} in which read or write cycles are batched in bursts of four. The bursts wrap around on a four byte boundary which means that only the two least significant bits of the {CAS} address are modified internally to produce each address of the burst sequence. Consequently, burst EDO bus speeds will range from 40MHz to 66MHz, well above the 33MHz bus speeds that can be accomplished using {Fast Page Mode} or EDO DRAM. Burst EDO was introduced sometime before May 1995. (1996-06-25)

bus master "architecture" The device in a computer which is driving the {address bus} and bus control signals at some point in time. In a simple architecture only the (single) {CPU} can be bus master but this means that all communications between ("slave") I/O devices must involve the CPU. More sophisticated architectures allow other capable devices (or multiple CPUs) to take turns at controling the bus. This allows, for example, a {network controller} card to access a {disk controller} directly while the CPU performs other tasks which do not require the bus, e.g. fetching code from its {cache}. Note that any device can drive data onto the {data bus} when the CPU reads from that device, but only the bus master drives the {address bus} and control signals. {Direct Memory Access} is a simple form of bus mastering where the I/O device is set up by the CPU to read from or write to one or more contiguous blocks of memory and then signal to the CPU when it has done so. Full bus mastering (or "First Party DMA", "bus mastering DMA") implies that the I/O device is capable of performing more complex sequences of operations without CPU intervention (e.g. servicing a complete {NFS} request). This will normally mean that the I/O device contains its own processor or {microcontroller}. See also {distributed kernel}. (1996-08-26)

buzz 1. Of a program, to run with no indication of progress and perhaps without guarantee of ever finishing; especially said of programs thought to be executing a {tight loop} of code. A program that is buzzing appears to be {catatonic}, but never gets out of catatonia, while a buzzing loop may eventually end of its own accord. "The program buzzes for about 10 seconds trying to sort all the names into order." See {spin}; see also {grovel}. 2. [ETA Systems] To test a wire or printed circuit trace for continuity by applying an AC rather than DC signal. Some wire faults will pass DC tests but fail a buzz test. 3. To process an {array} or list in sequence, doing the same thing to each element. "This loop buzzes through the tz array looking for a terminator type." [{Jargon File}]

byte-code "file format, software" A {binary} file containing an {executable} program, consisting of a sequence of ({op code}, data) pairs. Byte-code op codes are most often fixed size {bit patterns}, but can be variable size. The data portion consists of zero or more {bits} whose format typically depends on the op code. A byte-code program is interpreted by a {byte-code interpreter}. The advantage of this technique compared with outputing {machine code} for some particular processor is that the same byte-code can be executed on any processor on which the byte-code interpreter runs. The byte-code may be compiled to machine code ("native code") for speed of execution but this usually requires significantly greater effort for each new taraget architecture than simply porting the interpreter. For example, {Java} is compiled to byte-code which runs on the {Java Virtual Machine}. (2006-05-29)

By way of connoting different types of society, many contemporary Marxists, especially in the U.S.S.R., building upon Marx's analysis of the two phases of "communist society" ("Gotha Program") designate the first or lower phase by the term socialism, the second or higher by the term communism (q.v.). The general features of socialist society (identified by Soviet thinkers with the present phase of development of the U.S.S.R.) are conceived as follows: Economic collective ownership of the means of production, such as factories, industrial equipment, the land, and of the basic apparatus of distribution and exchange, including the banking system; the consequent abolition of classes, private profit, exploitation, surplus value, (q.v.) private hiring and firing and involuntary unemployment; an integrated economy based on long time planning in terms of needs and use. It is held that only under these economic conditions is it possible to apply the formula, "from each according to ability, to each according to work performed", the first part of which implies continuous employment, and the second part, the absence of private profit. Political: a state based upon the dictatorship of the proletariat (q.v.) Cultural the extension of all educational and cultural facilities through state planning; the emancipation of women through unrestricted economic opportunities, the abolition of race discrimination through state enforcement, a struggle against all cultural and social institutions which oppose the socialist society and attempt to obstruct its realization. Marx and Engels held that socialism becomes the inevitable outgrowth of capitalism because the evolution of the latter type of society generates problems which can only be solved by a transition to socialism. These problems are traced primarily to the fact that the economic relations under capitalism, such as individual ownership of productive technics, private hiring and firing in the light of profits and production for a money market, all of which originally released powerful new productive potentialities, come to operate, in the course of time, to prevent full utilization of productive technics, and to cause periodic crises, unemployment, economic insecurity and consequent suffering for masses of people. Marx and Engels regarded their doctrine of the transformation of capitalist into socialist society as based upon a scientific examination of the laws of development of capitalism and a realistic appreciation of the role of the proletariat. (q.v.) Unlike the Utopian socialism (q.v.) of St. Simon, Fourier, Owen (q.v.) and others, their socialism asserted the necessity of mass political organization of the working classes for the purpose of gaining political power in order to effect the transition from capitalism, and also foresaw the probability of a contest of force in which, they held, the working class majority would ultimately be victorious. The view taken is that Marx was the first to explain scientifically the nature of capitalist exploitation as based upon surplus value and to predict its necessary consequences. "These two great discoveries, the materialist conception of history and the revelation of the secret of capitalist production by means of surplus value we owe to Marx. With these discoveries socialism became a science . . ." (Engels: Anti-Dühring, pp. 33-34.) See Historical materialism. -- J.M.S.

bzzzt, wrong "jargon" /bzt rong/ ({Usenet}, {Internet}) From the flim "Dead Poets Society", spoofing quiz shows such as "Truth or Consequences" where an incorrect answer earns a blast from the buzzer. An expression of mock-rude disagreement, often following a quote from another poster in a {forum}. The less abbreviated "*Bzzzzt*, wrong, but thank you for playing" is also common. [{Jargon File}] (2009-10-28)

cache conflict "storage" A sequence of accesses to memory repeatedly overwriting the same {cache} entry. This can happen if two blocks of data, which are mapped to the same set of cache locations, are needed simultaneously. For example, in the case of a {direct mapped cache}, if {arrays} A, B, and C map to the same range of cache locations, thrashing will occur when the following loop is executed: for (i=1; i"n; i++) C[i] = A[i] + B[i]; Cache conflict can also occur between a program loop and the data it is accessing. See also {ping-pong}. (1997-01-21)

cache "memory management" /kash/ A small fast memory holding recently accessed data, designed to speed up subsequent access to the same data. Most often applied to processor-memory access but also used for a local copy of data accessible over a network etc. When data is read from, or written to, {main memory} a copy is also saved in the cache, along with the associated main memory address. The cache monitors addresses of subsequent reads to see if the required data is already in the cache. If it is (a {cache hit}) then it is returned immediately and the main memory read is aborted (or not started). If the data is not cached (a {cache miss}) then it is fetched from main memory and also saved in the cache. The cache is built from faster memory chips than main memory so a cache hit takes much less time to complete than a normal memory access. The cache may be located on the same {integrated circuit} as the {CPU}, in order to further reduce the access time. In this case it is often known as {primary cache} since there may be a larger, slower {secondary cache} outside the CPU chip. The most important characteristic of a cache is its {hit rate} - the fraction of all memory accesses which are satisfied from the cache. This in turn depends on the cache design but mostly on its size relative to the main memory. The size is limited by the cost of fast memory chips. The hit rate also depends on the access pattern of the particular program being run (the sequence of addresses being read and written). Caches rely on two properties of the access patterns of most programs: temporal locality - if something is accessed once, it is likely to be accessed again soon, and spatial locality - if one memory location is accessed then nearby memory locations are also likely to be accessed. In order to exploit spatial locality, caches often operate on several words at a time, a "{cache line}" or "cache block". Main memory reads and writes are whole {cache lines}. When the processor wants to write to main memory, the data is first written to the cache on the assumption that the processor will probably read it again soon. Various different policies are used. In a {write-through} cache, data is written to main memory at the same time as it is cached. In a {write-back} cache it is only written to main memory when it is forced out of the cache. If all accesses were writes then, with a write-through policy, every write to the cache would necessitate a main memory write, thus slowing the system down to main memory speed. However, statistically, most accesses are reads and most of these will be satisfied from the cache. Write-through is simpler than write-back because an entry that is to be replaced can just be overwritten in the cache as it will already have been copied to main memory whereas write-back requires the cache to initiate a main memory write of the flushed entry followed (for a processor read) by a main memory read. However, write-back is more efficient because an entry may be written many times in the cache without a main memory access. When the cache is full and it is desired to cache another line of data then a cache entry is selected to be written back to main memory or "flushed". The new line is then put in its place. Which entry is chosen to be flushed is determined by a "{replacement algorithm}". Some processors have separate instruction and data caches. Both can be active at the same time, allowing an instruction fetch to overlap with a data read or write. This separation also avoids the possibility of bad {cache conflict} between say the instructions in a loop and some data in an array which is accessed by that loop. See also {direct mapped cache}, {fully associative cache}, {sector mapping}, {set associative cache}. (1997-06-25)

cadence ::: 1. Balanced, rhythmic flow, as of poetry or oratory. 2. Music. A sequence of notes or chords that indicates the momentary or complete end of a composition, section, phrase, etc. 3. The flow or rhythm of events. 4. A recurrent rhythmical series; a flow, esp. the pattern in which something is experienced. 5. A slight falling in pitch of the voice in speaking or reading. cadences.

calculate ::: v. i. --> To ascertain or determine by mathematical processes, usually by the ordinary rules of arithmetic; to reckon up; to estimate; to compute.
To ascertain or predict by mathematical or astrological computations the time, circumstances, or other conditions of; to forecast or compute the character or consequences of; as, to calculate or cast one&


Carnap proposes a purely syntactical definition of equipollence by defining two sentences (or two classes of sentences) to be equipollent if they have the same class of non-valid consequences. See the article Valid. -- A.C.

Cauchy sequence "mathematics" A sequence of elements from some {vector space} that converge and stay arbitrarily close to each other (using the {norm} definied for the space). (2000-03-10)

Causa sui: Cause of itself; necessary existence. Causa sui conveys both a negative and a positive meaning. Negatively, it signifies that which is from itself (a se), that which does not owe its being to something else; i.e., absolute independence of being, causelessness (God as uncaused). Positively, causa sui means that whose very nature or essence involves existence; i.e., God is the ground of his own being, and regarded as "cause" of his own being, he is, as it were, efficient cause of his own existence (Descartes). Since existence necessarily follows from the very essence of that which is cause of itself, causa sui is defined as that whose nature cannot be conceived as not existing (Spinoza). -- A.G.A.B. Causality: (Lat. causa) The relationship between a cause and its effect. This relationship has been defined as a relation between events, processes, or entities in the same time series, such that   when one occurs, the other necessarily follows (sufficient condition),   when the latter occurs, the former must have preceded (necessary condition),   both conditions a and b prevail (necessary and sufficient condition),   when one occurs under certain conditions, the other necessarily follows (contributory, but not sufficient, condition) ("multiple causality" would be a case involving several causes which are severally contributory and jointly sufficient); the necessity in these cases is neither that of logical implication nor that of coercion; a relation between events, processes, or entities in the same time series such that when one occurs the other invariably follows (invariable antecedence), a relation between events, processes, or entities such that one has the efficacy to produce or alter the other; a relation between events, processes, or entities such that without one the other could not occur, as in the relation between   the material out of which a product is made and the finished product (material cause),   structure or form and the individual embodying it (formal cause),   a goal or purpose (whether supposed to exist in the future as a special kind of entity, outside a time series, or merely as an idea of the pur-poser) and the work fulfilling it (final cause),   a moving force and the process or result of its action (efficient cause); a relation between experienced events, processes, or entities and extra-experiential but either temporal or non-temporal events, processes, or entities upon whose existence the former depend; a relation between a thing and itself when it is dependent upon nothing else for its existence (self-causality); a relation between an event, process, or entity and the reason or explanation for its being; a relation between an idea and an experience whose expectation the idea arouses because of customary association of the two in this sequence; a principle or category introducing into experience one of the aforesaid types of order; this principle may be inherent in the mind, invented by the mind, or derived from experience; it may be an explanatory hypothesis, a postulate, a convenient fiction, or a necessary form of thought. Causality has been conceived to prevail between processes, parts of a continuous process, changing parts of an unchanging whole, objects, events, ideas, or something of one of these types and something of another. When an entity, event, or process is said to follow from another, it may be meant that it must succeed but can be neither contemporaneous with nor prior to the other, that it must either succeed or be contemporaneous with and dependent upon but cannot precede the other, or that one is dependent upon the other but they either are not in the same time series or one is in no time series at all.

cautious ::: a. --> Attentive to examine probable effects and consequences of acts with a view to avoid danger or misfortune; prudent; circumspect; wary; watchful; as, a cautious general.

cell 1. "spreadsheet" In a {spreadsheet}, the intersection of a row a column and a sheet, the smallest addressable unit of data. A cell contains either a constant value or a {formula} that is used to calculate a value. The cell has a {format} that determines how to display the value. A cell can be part of a {range}. A cell is usually referred to by its column (labelled by one or more letters from the sequence A, B, ..., Z, AA, AB, ..., AZ, BA, BB, ..., BZ, ... ) and its row number counting up from one, e.g. cell B3 is in the second column across and the third row down. A cell also belongs to a particular sheet, e.g. "Sheet 1". 2. "networking" {ATM}'s term for a {packet}. (2007-10-22)

Cellular Neural Network "architecture" (CNN) The CNN Universal Machine is a low cost, low power, extremely high speed {supercomputer} on a chip. It is at least 1000 times faster than equivalent {DSP} solutions of many complex {image processing} tasks. It is a stored program supercomputer where a complex sequence of image processing {algorithms} is programmed and downloaded into the chip, just like any digital computer. Because the entire computer is integrated into a chip, no signal leaves the chip until the image processing task is completed. Although the CNN universal chip is based on analogue and logic operating principles, it has an on-chip analog-to-digital input-output interface so that at the system design and application perspective, it can be used as a digital component, just like a DSP. In particular, a development system is available for rapid design and prototyping. Moreover, a {compiler}, an {operating system}, and a {user-friendly} CNN {high-level language}, like the {C} language, have been developed which makes it easy to implement any image processing algorithm. [Professor Leon Chua, University of California at Berkeley]. (1995-04-27)

chain 1. "operating system" (From {BASIC}'s "CHAIN" statement) To pass control to a child or successor without going through the {operating system} {command interpreter} that invoked you. The state of the parent program is lost and there is no returning to it. Though this facility used to be common on memory-limited {microcomputers} and is still widely supported for {backward compatibility}, the jargon usage is semi-obsolescent; in particular, {Unix} calls this {exec}. Compare with the more modern "{subshell}". 2. "programming" A series of linked data areas within an {operating system} or {application program}. "Chain rattling" is the process of repeatedly running through the linked data areas searching for one which is of interest. The implication is that there are many links in the chain. 3. "theory" A possibly infinite, non-decreasing sequence of elements of some {total ordering}, S x0 "= x1 "= x2 ... A chain satisfies: for all x,y in S, x "= y \/ y "= x. I.e. any two elements of a chain are related. (""=" is written in {LaTeX} as {\sqsubseteq}). [{Jargon File}] (1995-02-03)

character "character" A {letter} of some alphabet (either upper case or lower case), a {digit}, a {punctuation} or other symbol or a {control character}. In a computer, a character is represented as an {integer}. What character is represented by what integer is determined by the current {character set}. For example, in the {ASCII} character set, "A" is 65. These integers are then stored as a sequence of {bytes} according to a {character encoding}. The character set and encoding is usually implicit in the environment in which the character is being interpreted but it may be specified explicitly, e.g. to convert input to some standard internal representation. A sequence of characters is a (character) {string}. Compare with {glyph}. (1998-10-18)

chemistry ::: n. --> That branch of science which treats of the composition of substances, and of the changes which they undergo in consequence of alterations in the constitution of the molecules, which depend upon variations of the number, kind, or mode of arrangement, of the constituent atoms. These atoms are not assumed to be indivisible, but merely the finest grade of subdivision hitherto attained. Chemistry deals with the changes in the composition and constitution of molecules. See Atom, Molecule.

circumspect ::: a. --> Attentive to all the circumstances of a case or the probable consequences of an action; cautious; prudent; wary.

circumspective ::: a. --> Looking around every way; cautious; careful of consequences; watchful of danger.

clock "processor" A circuit in a {processor} that generates a regular sequence of electronic pulses used to synchronise operations of the processor's components. The time between pulses is the {cycle time} and the number of pulses per second is the {clock rate} (or frequency). The execution times of instructions on a computer are usually measured by a number of clock cycles rather than seconds. {Clock rates} for various models of the computer may increase as technology improves, and it is usually the relative times one is interested in when discussing the {instruction set}. (1994-12-16)

CLU "language" (CLUster) An {object-oriented} programming language developed at {MIT} by {Liskov} et al in 1974-1975. CLU is an {object-oriented} language of the {Pascal} family designed to support {data abstraction}, similar to {Alphard}. It introduced the {iterator}: a {coroutine} yielding the elements of a data object, to be used as the sequence of values in a {for loop}. A CLU program consists of separately compilable {procedures}, {clusters} and iterators, no nesting. A cluster is a module naming an {abstract type} and its operations, its internal representation and implementation. Clusters and iterators may be generic. Supplying actual constant values for the {parameters} instantiates the {module}. There are no {implicit type conversions}. In a cluster, the explicit type conversions 'up' and 'down' change between the abstract type and the representation. There is a universal type 'any', and a procedure force[] to check that an object is a certain type. Objects may be mutable or {immutable}. {Exceptions} are raised using 'signal' and handled with 'except'. {Assignment} is by sharing, similar to the sharing of data objects in {Lisp}. Arguments are passed by {call-by-sharing}, similar to {call-by-value}, except that the arguments are objects and can be changed only if they are mutable. CLU has {own variables} and multiple assignment. CLU was one of {Kamin's interpreters}. {clu2c} compiled CLU to {C}. {Concurrent CLU} was an extension designed to support parallel proceses. ["CLU Reference Manual", Barbara Liskov et al, LNCS 114, Springer 1981]. E-mail: Paul R. Johnson "prj@pm-prj.lcs.mit.edu". {Versions for Sun and VAX/VMS (ftp://pion.lcs.mit.edu/pub/clu/)}. {Portable version (ftp://mintaka.lcs.mit.edu/pub/dcurtis/)}. (1994-12-16)

C. More formally, explanation is a step towards generalization or the establishment of a theory. It is the process of linking a statement of fact to its logical implications and consequences;or the process of fitting a statement of fact into a coherent system of statements extending beyond the given fact, or the construction of a logically related body of statements including the statement of fact to be justified. In the most general terms, explanation is the search for generalizations whose variables are functionally related in such a way that the value of any one variable is calculable from the value of the others, whether or not causal relations are noticeable or ultimately involved in the elements of the generalization. -- T.C.

Code Division Multiple Access "communications" (CDMA) (Or "spread spectrum") A form of {multiplexing} where the transmitter encodes the signal using a {pseudorandom} sequence which the receiver also knows and can use to decode the received signal. Each different random sequence corresponds to a different communication channel. {Motorola} uses CDMA for digital mobile phones. Qualcomm pioneered the introduction of CDMA into wireless telephone services. (2001-03-28)

collective ::: a. --> Formed by gathering or collecting; gathered into a mass, sum, or body; congregated or aggregated; as, the collective body of a nation.
Deducing consequences; reasoning; inferring.
Expressing a collection or aggregate of individuals, by a singular form; as, a collective name or noun, like assembly, army, jury, etc.
Tending to collect; forming a collection.


combinatory logic "logic" A system for reducing the operational notation of {logic}, mathematics or a {functional language} to a sequence of modifications to the input data structure. First introduced in the 1920's by {Schoenfinkel}. Re-introduced independently by {Haskell Curry} in the late 1920's (who quickly learned of Schoenfinkel's work after he had the idea). Curry is really responsible for most of the development, at least up until work with Feys in 1958. See {combinator}. (1995-01-05)

COME FROM "programming, humour" A semi-mythical language construct dual to the "go to"; "COME FROM" "label" would cause the referenced label to act as a sort of {trapdoor}, so that if the program ever reached it, control would quietly and {automagically} be transferred to the statement following the "COME FROM". "COME FROM" was first proposed in R.L. Clark's "A Linguistic Contribution to GOTO-less programming", which appeared in a 1973 {Datamation} issue (and was reprinted in the April 1984 issue of "{Communications of the ACM}"). This parodied the then-raging "{structured programming}" {holy wars} (see {considered harmful}). Mythically, some variants are the "assigned COME FROM" and the "computed COME FROM" (parodying some nasty control constructs in {Fortran} and some extended {BASICs}). Of course, {multitasking} (or {nondeterminism}) could be implemented by having more than one "COME FROM" statement coming from the same label. In some ways the {Fortran} "DO" looks like a "COME FROM" statement. After the terminating statement number/"CONTINUE" is reached, control continues at the statement following the DO. Some generous Fortrans would allow arbitrary statements (other than "CONTINUE") for the statement, leading to examples like:   DO 10 I=1,LIMIT C imagine many lines of code here, leaving the C original DO statement lost in the spaghetti...   WRITE(6,10) I,FROB(I) 10 FORMAT(1X,I5,G10.4) in which the trapdoor is just after the statement labelled 10. (This is particularly surprising because the label doesn't appear to have anything to do with the flow of control at all!) While sufficiently astonishing to the unsuspecting reader, this form of "COME FROM" statement isn't completely general. After all, control will eventually pass to the following statement. The implementation of the general form was left to {Univac Fortran}, ca. 1975 (though a roughly similar feature existed on the {IBM 7040} ten years earlier). The statement "AT 100" would perform a "COME FROM 100". It was intended strictly as a debugging aid, with dire consequences promised to anyone so deranged as to use it in production code. More horrible things had already been perpetrated in production languages, however; doubters need only contemplate the "{ALTER}" verb in {COBOL}. {SCL} on {VME} {mainframes} has a similar language construct called "whenever", used like this: whenever x=123345 then S; Meaning whenever variable x reached the value 123345 then execute statement S. "COME FROM" was supported under its own name for the first time 15 years later, in {C-INTERCAL} (see {INTERCAL}, {retrocomputing}); knowledgeable observers are still reeling from the shock. [{Jargon File}] (1998-04-19)

Common Lisp "language" A dialect of {Lisp} defined by a consortium of companies brought together in 1981 by the {Defence Advanced Research Projects Agency} (DARPA). Companies included {Symbolics}, {Lisp Machines, Inc.}, {Digital Equipment Corporation}, {Bell Labs}., {Xerox}, {Hewlett-Packard}, {Lawrence Livermore Labs}., {Carnegie-Mellon University}, {Stanford University}, {Yale}, {MIT} and {USC Berkeley}. Common Lisp is {lexically scoped} by default but can be {dynamically scoped}. Common Lisp is a large and complex language, fairly close to a superset of {MacLisp}. It features {lexical binding}, data structures using defstruct and setf, {closures}, multiple values, types using declare and a variety of numerical types. Function calls allow "&optional", keyword and "&rest" arguments. Generic sequence can either be a list or an {array}. It provides formatted printing using escape characters. Common LISP now includes {CLOS}, an extended LOOP {macro}, condition system, {pretty printing} and logical pathnames. Implementations include {AKCL}, {CCL}, {CLiCC}, {CLISP}, {CLX}, {CMU Common Lisp}, {DCL}, {KCL}, {MCL} and {WCL}. Mailing list: "common-lisp@ai.sri.com". {ANSI Common Lisp draft proposal (ftp://ftp.think.com/public/think/lisp:public-review.text)}. ["Common LISP: The Language", Guy L. Steele, Digital Press 1984, ISBN 0-932376-41-X]. ["Common LISP: The Language, 2nd Edition", Guy L. Steele, Digital Press 1990, ISBN 1-55558-041-6]. (1994-09-29)

compiler "programming, tool" A program that converts another program from some {source language} (or {programming language}) to {machine language} (object code). Some compilers output {assembly language} which is then converted to {machine language} by a separate {assembler}. A compiler is distinguished from an assembler by the fact that each input statement does not, in general, correspond to a single machine instruction or fixed sequence of instructions. A compiler may support such features as automatic allocation of variables, arbitrary arithmetic expressions, control structures such as FOR and WHILE loops, variable {scope}, input/ouput operations, {higher-order functions} and {portability} of source code. {AUTOCODER}, written in 1952, was possibly the first primitive compiler. {Laning and Zierler}'s compiler, written in 1953-1954, was possibly the first true working algebraic compiler. See also {byte-code compiler}, {native compiler}, {optimising compiler}. (1994-11-07)

complete metric space "theory" A {metric space} in which every sequence that converges in itself has a limit. For example, the space of {real numbers} is complete by {Dedekind's axiom}, whereas the space of {rational numbers} is not - e.g. the sequence a[0]=1; a[n_+1]:=a[n]/2+1/a[n]. (1998-07-05)

Complex Instruction Set Computer (CISC) A processor where each instruction can perform several low-level operations such as memory access, arithmetic operations or address calculations. The term was coined in contrast to {Reduced Instruction Set Computer}. Before the first RISC processors were designed, many computer architects were trying to bridge the "{semantic gap}" - to design {instruction sets} to support {high-level languages} by providing "high-level" instructions such as procedure call and return, loop instructions such as "decrement and branch if non-zero" and complex {addressing modes} to allow data structure and {array} accesses to be compiled into single instructions. While these architectures achieved their aim of allowing high-level language constructs to be expressed in fewer instructions, it was observed that they did not always result in improved performance. For example, on one processor it was discovered that it was possible to improve the performance by NOT using the procedure call instruction but using a sequence of simpler instructions instead. Furthermore, the more complex the instruction set, the greater the overhead of decoding an instruction, both in execution time and silicon area. This is particularly true for processors which used {microcode} to decode the (macro) instruction. It is easier to debug a complex instruction set implemented in microcode than one whose decoding is "{hard-wired}" in silicon. Examples of CISC processors are the {Motorola} {680x0} family and the {Intel 80186} through {Intel 486} and {Pentium}. (1994-10-10)

Comprehensive: Strictly speaking, that which is adequate to or fully commensurate with the object, -- a knowledge in which the whole object is known completely and in every way in which it can be known -- even to all the effects and consequences with which it has an intrinsic connection. This knowledge must be clear, certain, evident, and quidditative, because it is the most perfect type of knowledge corresponding to the object. E.g., God's complete knowledge of Himself.

Computational Adequacy Theorem This states that for any program (a non-function typed term in the {typed lambda-calculus} with constants) {normal order reduction} (outermost first) fails to terminate if and only if the {standard semantics} of the term is {bottom}. Moreover, if the reduction of program e1 terminates with some {head normal form} e2 then the standard semantics of e1 and e2 will be equal. This theorem is significant because it relates the operational notion of a reduction sequence and the {denotational semantics} of the input and output of a reduction sequence.

consequence ::: 1. Something that logically or naturally follows from an action or condition. 2. Significance; importance.

Consequence: (Ger. Konsequenz) In Husserl: The relation of formal-analytic inclusion which obtains between certain noematic senses. Consequence: See Valid. Consequence-logic: (Ger. Konsequenzlogik) Consistency-logic (Logik der Widerspruchslosigkeit); pure apophantic analytics (in a strict sense); a level of pure formal logic in which the only thematic concepts of validity are consequence, inconsequence, and compatibility. Consequence-logic includes the essential content of traditional syllogistics and the disciplines making up formal-mathematical analysis. -- D.C.

consequence ::: “ Karma is nothing but the will of the Spirit in action, consequence nothing but the creation of will. What is in the will of being, expresses itself in karma and consequence. When the will is limited in mind, karma appears as a bondage and a limitation, consequence as a reaction or an imposition. But when the will of the being is infinite in the spirit, karma and consequence become instead the joy of the creative spirit, the construction of the eternal mechanist, the word and drama of the eternal poet, the harmony of the eternal musician, the play of the eternal child.” Essays in Philosophy and Yoga

consequence ::: n. --> That which follows something on which it depends; that which is produced by a cause; a result.
A proposition collected from the agreement of other previous propositions; any conclusion which results from reason or argument; inference.
Chain of causes and effects; consecution.
Importance with respect to what comes after; power to influence or produce an effect; value; moment; rank; distinction.


consequence of physical experience, ::: does not look beyond the life of the body and, so far as it feels anything beyond its physical individuality, is aware only of the physical universe and at most its oneness with the soul of physical Nature".

conclusion ::: n. --> The last part of anything; close; termination; end.
Final decision; determination; result.
Any inference or result of reasoning.
The inferred proposition of a syllogism; the necessary consequence of the conditions asserted in two related propositions called premises. See Syllogism.
Drawing of inferences.
An experiment, or something from which a conclusion may


Conditioning ::: The process of learning new behaviors or responses as a result of their consequences.

Conscience: (Lat. conscientia, knowledge) Any emotionally-toned experience in which a tendency to act is inhibited by a recognition, socially conditioned, that suffering evil consequences is likely to result from acting on the impulse to act. -- A.J.B.

consectary ::: a. --> Following by consequence; consequent; deducible. ::: n. --> That which follows by consequence or is logically deducible; deduction from premises; corollary.

consecutive ::: a. --> Following in a train; succeeding one another in a regular order; successive; uninterrupted in course or succession; with no interval or break; as, fifty consecutive years.
Following as a consequence or result; actually or logically dependent; consequential; succeeding.
Having similarity of sequence; -- said of certain parallel progressions of two parts in a piece of harmony; as, consecutive fifths, or consecutive octaves, which are forbidden.


consecutively ::: adv. --> In a consecutive manner; by way of sequence; successively.

consequential ::: a. --> Following as a consequence, result, or logical inference; consequent.
Assuming or exhibiting an air of consequence; pretending to importance; pompous; self-important; as, a consequential man. See Consequence, n., 4.


consequentially ::: adv. --> With just deduction of consequence; with right connection of ideas; logically.
By remote consequence; not immediately; eventually; as, to do a thing consequentially.
In a regular series; in the order of cause and effect; with logical concatenation; consecutively; continuously.
With assumed importance; pompously.


consequently ::: adv. --> By consequence; by natural or logical sequence or connection.

considerate ::: a. --> Given to consideration or to sober reflection; regardful of consequences or circumstances; circumspect; careful; esp. careful of the rights, claims, and feelings of other.
Having respect to; regardful.


consideration ::: n. --> The act or process of considering; continuous careful thought; examination; contemplation; deliberation; attention.
Attentive respect; appreciative regard; -- used especially in diplomatic or stately correspondence.
Thoughtful or sympathetic regard or notice.
Claim to notice or regard; some degree of importance or consequence.
The result of delibration, or of attention and


context clash "grammar" When a {parser} cannot tell which alternative {production} of a {syntax} applies by looking at the next input {token} ("lexeme"). For example, given syntax C -" A | b c A -" d | b e If you're parsing non-terminal C and the next token is 'b', you don't know whether it's the first or second alternative of C since they both can start with b. If a grammar can generate the same sentence in multiple different ways (with different parse tress) then it is ambiguous. An ambiguity must start with a context clash (but not all context clashes imply ambiguity). To see if a context clash is also a case of ambiguity you would need to follow the alternatives involved in each context clash to see if they can generate the same complete sequence of tokens. (1995-04-05)

continuous ::: uninterrupted in time, sequence, substance, or extent.

Contradiction, law of, is given by traditional logicians as "A is B and A is not B cannot both be true." It is usually taken to be the theorem of the propositional calculus, ∼[p∼p]. In use, however, the name often seems to refer to the syntactical principle or precept which may be formulated as follows: A logical discipline containing (an applied) propositional calculus, or a set of hypotheses or postulates to be added to such a discipline, shall not lead to two theorems or consequences of the forms A and ∼A. The law is explicitly stated in a syntactical form, e.g. by Ledger Wood in his The Analysis of Knowledge (1940). -- A.C.

control flow "programming" (Or "flow of control") The sequence of {execution} of the {instructions} in a {program}. Control flow is linear, executing the instructions in the order they were written, unless it is changed at {run time} by {control structures} such as {if statements}, {loops} or {goto} statements). These {high-level} language statements are translated by the {compiler} or {interpreter} into {machine instructions}, most commonly {conditional branch} instructions. {Interrupts} and {exception handling} also change the sequence of execution of instructions but are not part of normal control flow. Not to be confused with "{flow control}". (2017-07-30)

control structure "programming" One of the {instructions}, {statements} or groups of statements in a programming language that determines the sequence of execution of other instructions or statements (the {control flow}). In {assembly language} this typically consists of {jumps} and {conditional jumps} along with {function} call and {return}, though some architectures include other constructs such as an instruction which skips the following instruction depending on some condition ({PDP}?), various kinds of {loop} instructions (later {Motorola 680x0}) or conditional execution of all instructions (Advanced RISC Machine). Basic control structures (whatever their names in particular languages) include "if CONDITION then EXPRESSION else EXPRESSION", the {switch statement}, "while CONDITION do EXPRESSION", function call, the suspect "{goto}" and the much-feared "{come from}". Other constructs handle errors and {exceptions} such as {traps} and {interrupts}. (1997-09-14)

Corollary: (Lat. corollarium, corollary) An immediate consequence of a theorem (q.v.). -- A.C.B.

corollary ::: n. --> That which is given beyond what is actually due, as a garland of flowers in addition to wages; surplus; something added or superfluous.
Something which follows from the demonstration of a proposition; an additional inference or deduction from a demonstrated proposition; a consequence.


Cosmogony: (Gr. cosmos a. gonia, producing or creating the world) Is a pictorial treatment of the way in which the world or the universe came into being. In contrast to the most primitive civilizations, the great ethnic stocks of mankind have originated cosmogonies. The basal principles common to all mythological cosmogonies are: They deduce the creation of the world either from the fewest possible elements or from a single material principle such as water, ocean, earth, air, mud of river, slime, two halves of an egg, body of a giant, or from a spiritual or abstract principle such as an anthropomorphic god, deities, chaos, time, night, That. The genesis being a slow development characterized by an orderly sequence of periods, the creation process is variously divided into definite periods of specified units of years. The process of creation being self-originating, in its final stages the genealogy and origin of deities is a large admixture. There is no apparent ethical import attached to the cosmogonies. Few of them assume the idea of design as underlying the creation. They hold that the world had a beginning in time. The process of creation from less perfect to more perfect, from an original chaos to the final creation of man, the predominance of water in the original condition of the earth, the evolution of a spiritual or luminous principle reacting on the primeval water and the emphasis upon the godlike origin of man or his immediate relation to the deity, are all permeating threads of cosmogonic myths. In dualistic religions the world originates as a result of a hostile conflict of two opposing principles, or as a result of the parallel development of two opposing forces. The conception of creation ex nihilo was almost universally unknown in antiquity. -- H.H.

Cosmology: A branch of philosophy which treats of the origin and structure of the universe. It is to be contrasted with ontology or metaphysics, the study of the most general features of reality, natural and supernatural, and with the philosophy of nature, which investigates the basic laws, processes and divisions of the objects in nature. It is perhaps impossible to draw or maintain a sharp distinction between these different subjects, and treatises which profess to deal with one of them usually contain considerable material on the others. Encyclopedia, section 35), are the contingency, necessity, eternity, limitations and formal laws of the world, the freedom of man and the origin of evil. Most philosophers would add to the foregoing the question of the nature and interrelationship of space and time, and would perhaps exclude the question of the nature of freedom and the origin of evil as outside the province of cosmology. The method of investigation has usually been to accept the principles of science or the results of metaphysics and develop the consequences. The test of a cosmology most often used is perhaps that of exhibiting the degree of accordance it has with respect to both empirical fact and metaphysical truth. The value of a cosmology seems to consist primarily in its capacity to provide an ultimate frame for occurrences in nature, and to offer a demonstration of where the limits of the spatio-temporal world are, and how they might be transcended.

counsel ::: n. --> Interchange of opinions; mutual advising; consultation.
Examination of consequences; exercise of deliberate judgment; prudence.
Result of consultation; advice; instruction.
Deliberate purpose; design; intent; scheme; plan.
A secret opinion or purpose; a private matter.
One who gives advice, especially in legal matters; one professionally engaged in the trial or management of a cause in court;


cowardly ::: a. --> Wanting courage; basely or weakly timid or fearful; pusillanimous; spiritless.
Proceeding from fear of danger or other consequences; befitting a coward; dastardly; base; as, cowardly malignity. ::: adv. --> In the manner of a coward.


C Programmer's Disease "programming" The tendency of the undisciplined {C} programmer to set arbitrary but supposedly generous static limits on table sizes (defined, if you're lucky, by constants in header files) rather than taking the trouble to do proper dynamic storage allocation. If an application user later needs to put 68 elements into a table of size 50, the afflicted programmer reasons that he or she can easily reset the table size to 68 (or even as much as 70, to allow for future expansion) and recompile. This gives the programmer the comfortable feeling of having made the effort to satisfy the user's (unreasonable) demands, and often affords the user multiple opportunities to explore the marvellous consequences of {fandango on core}. In severe cases of the disease, the programmer cannot comprehend why each fix of this kind seems only to further disgruntle the user. [{Jargon File}] (2001-12-31)

criminate ::: v. t. --> To accuse of, or charge with, a crime.
To involve in a crime or in its consequences; to render liable to a criminal charge.


critically ::: adv. --> In a critical manner; with nice discernment; accurately; exactly.
At a crisis; at a critical time; in a situation, place, or condition of decisive consequence; as, a fortification critically situated.


cycle ::: 1. An interval of time during which a characteristic, often regularly repeated event or sequence of events occurs. 2. A periodically repeated sequence of events. 3. A long period of time; an age. cycles.

data flow "architecture" A data flow architecture or language performs a computation when all the {operands} are available. Data flow is one kind of {data driven} architecture, the other is {demand driven}. It is a technique for specifying {fine-grain concurrency}, usually in the form of two-dimensional graphs in which instructions that are available for concurrent execution are written alongside each other while those that must be executed in sequence are written one under the other. Data dependencies between instructions are indicated by directed arcs. Instructions do not reference memory since the data dependence arcs allow data to be transmitted directly from the producing instruction to the consuming one. Data flow schemes differ chiefly in the way that they handle {re-entrant} code. Static schemes disallow it, dynamic schemes use either "code copying" or "tagging" at every point of reentry. An example of a data flow architecture is {MIT}'s {VAL} machine.

DAU /dow/ [German Fidonet] D"ummster Anzunehmender User. A German acronym for stupidest imaginable user. From the engineering-slang GAU for Gr"osster Anzunehmender Unfall (worst foreseeable accident), especially of a LNG tank farm plant or something with similarly disastrous consequences. In popular German, GAU is used only to refer to worst-case nuclear accidents such as a core meltdown. See {cretin}, {loser} and {weasel}. [{Jargon File}] (1994-12-06)

declarative language "language" Any {relational language} or {functional language}. These kinds of {programming language} describe relationships between variables in terms of {functions} or {inference rules}, and the language executor ({interpreter} or {compiler}) applies some fixed {algorithm} to these relations to produce a result. Declarative languages contrast with {imperative languages} which specify explicit manipulation of the computer's internal state; or {procedural languages} which specify an explicit sequence of steps to follow. The most common examples of declarative languages are {logic programming} languages such as {Prolog} and {functional languages} like {Haskell}. See also {production system}. (2004-05-17)

deducible ::: a. --> Capable of being deduced or inferred; derivable by reasoning, as a result or consequence.
Capable of being brought down.


deductively ::: adv. --> By deduction; by way of inference; by consequence.

deliberate ::: a. --> Weighing facts and arguments with a view to a choice or decision; carefully considering the probable consequences of a step; circumspect; slow in determining; -- applied to persons; as, a deliberate judge or counselor.
Formed with deliberation; well-advised; carefully considered; not sudden or rash; as, a deliberate opinion; a deliberate measure or result.
Not hasty or sudden; slow.


dependency ::: n. --> State of being dependent; dependence; state of being subordinate; subordination; concatenation; connection; reliance; trust.
A thing hanging down; a dependence.
That which is attached to something else as its consequence, subordinate, satellite, and the like.
A territory remote from the kingdom or state to which it belongs, but subject to its dominion; a colony; as, Great Britain has its dependencies in Asia, Africa, and America.


design pattern "programming" A description of an {object-oriented design} technique which names, abstracts and identifies aspects of a design structure that are useful for creating an object-oriented design. The design pattern identifies {classes} and {instances}, their roles, collaborations and responsibilities. Each design pattern focuses on a particular object-oriented design problem or issue. It describes when it applies, whether it can be applied in the presence of other design constraints, and the consequences and trade-offs of its use. {Home (http://st-www.cs.uiuc.edu/users/patterns/patterns.html)}. ["Design Patterns: Elements of Reusable Object-Oriented Software", Erich Gamma, Richard Helm, Ralph Johnson, and John Vlissides]. (1997-07-21)

desperado ::: n. --> A reckless, furious man; a person urged by furious passions, and regardless of consequence; a wild ruffian.

desultory ::: a. --> Leaping or skipping about.
Jumping, or passing, from one thing or subject to another, without order or rational connection; without logical sequence; disconnected; immethodical; aimless; as, desultory minds.
Out of course; by the way; as a digression; not connected with the subject; as, a desultory remark.


deter ::: v. t. --> To prevent by fear; hence, to hinder or prevent from action by fear of consequences, or difficulty, risk, etc.

device independent bitmap "graphics, file format" (DIB) An {image} format in which the sequence and depth of {pixels} in the file is not specifically related to their layout in any particular device. This allows any device dependent bitmap (DDB) image to be converted to or DIB format without loss of information, and this can then later be converted to other DDB formats for, e.g., printing or display. Rather than requiring converters from each DDB format to all other formats, only converters to and from DIB are needed. DIB images are normally transferred in {metafiles}, {bmp} files, and the {clipboard}. Transferring colour bitmaps from one device to another was not possible in versions of {Microsoft Windows} earlier than 3.0. {Application programs} can build DIB images without any interaction with Windows. If Windows lacks a drawing primitive, the application can simulate it directly into the DIB instead of using the existing {graphics device interface} (GDI) primitives. Unfortunately, under Windows versions 3.0 and 3.1, {GDI} cannot perform output operations directly to a DIB. Conversion between DIB and DDB is performed by the {device driver}. Where the driver does not have this facility, the conversion is performed by GDI but only in monochrome. DIBs are slower to use than device dependent bitmaps due to the conversions required. (1996-09-20)

difference equation "mathematics" A {relation} between consecutive elements of a {sequence}. The first difference is D u(n) = u(n+1) - u(n) where u(n) is the nth element of sequence u. The second difference is D2 u(n) = D (D u(n)) = (u(n+2) - u(n+1)) - (u(n+1) - u(n)) = u(n+2) - 2u(n+1) + u(n) And so on. A {recurrence relation} such as u(n+2) + a u(n+1) + b u(n) = 0 can be converted to a difference equation (in this case, a second order linear difference equation): D2 u(n) + p D u(n) + q u(n) = 0 and vice versa. a, b, p, q are constants. (1995-02-10)

digital audio "multimedia, file format" A sequence of discrete samples taken from a continuous sound ({audio}) waveform. Tens of thousands of samples are taken each second. Each sample represents the intensity of the sound pressure wave at that instant. Apart from the sampling frequency, the other parameter is the digital encoding of each sample including the number of {bits} used. The encoding may be linear, logarithmic or {mu-law}. Digital audio is typically created by taking 16-bit samples over a spectrum of 44.1 thousand cycles per second (kHz), this means that CD quality sound requires 1.4 million bits of data per second. Digital telephone systems use lower sample rates. {Filename extension}: .au ({Unix}), .snd ({MS-DOS}, {MS Windows}). See also {Audio IFF}, {MP3}, {wav}. {Usenet} newsgroups: alt.binaries.sounds.*. A {FAQ} on audio file formats is available. {Part 1 (ftp://ftp.cwi.nl/pub/audio/AudioFormats.part1)}, {Part 2 (ftp://ftp.cwi.nl/pub/audio/AudioFormats.part2)}. (1999-07-30)

digital "data" A description of {data} which is stored or transmitted as a sequence of discrete symbols from a finite set, most commonly this means {binary} data represented using electronic or electromagnetic signals. The opposite is {analogue}. (1998-10-28)

discoursive ::: a. --> Reasoning; characterized by reasoning; passing from premises to consequences; discursive.
Containing dialogue or conversation; interlocutory.
Inclined to converse; conversable; communicative; as, a discoursive man. ::: n.


display hack "graphics" A program with the same approximate purpose as a kaleidoscope: to make pretty pictures. Famous display hacks include {munching squares}, {smoking clover}, the {BSD Unix} "rain(6)" program, "worms(6)" on miscellaneous Unixes, and the {X} "kaleid(1)" program. Display hacks can also be implemented without programming by creating text files containing numerous escape sequences for interpretation by a video terminal; one notable example displayed, on any VT100, a Christmas tree with twinkling lights and a toy train circling its base. The {hack value} of a display hack is proportional to the aesthetic value of the images times the cleverness of the algorithm divided by the size of the code. Synonym {psychedelicware}. [{Jargon File}] (1995-05-10)

Domain Name System "networking" (DNS) A general-purpose distributed, replicated, data query service chiefly used on {Internet} for translating {hostnames} into {Internet addresses}. Also, the style of {hostname} used on the Internet, though such a name is properly called a {fully qualified domain name}. DNS can be configured to use a sequence of name servers, based on the domains in the name being looked for, until a match is found. The name resolution client (e.g. Unix's gethostbyname() library function) can be configured to search for host information in the following order: first in the local {hosts file}, second in {NIS} and third in DNS. This sequencing of Naming Services is sometimes called "name service switching". Under {Solaris} is configured in the file /etc/nsswitch.conf. DNS can be queried interactively using the command {nslookup}. It is defined in {STD 13}, {RFC 1034}, {RFC 1035}, {RFC 1591}. {BIND} is a common DNS server. {Info from Virtual Office, Inc. (http://virtual.office.com/domains.html)}. (2001-05-14)

don ::: n. --> Sir; Mr; Signior; -- a title in Spain, formerly given to noblemen and gentlemen only, but now common to all classes.
A grand personage, or one making pretension to consequence; especially, the head of a college, or one of the fellows at the English universities. ::: v. t.


Double-Aspect Theory: Theory that the mind and the body of an individual are two distinguishable but inseparable aspects of a single underlying substance or process. Spinoza, as a consequence of his metaphysical doctrine trnt "thinking substance and extended substance are one and the same thing" (Ethics, Part II, prop. 7) was committed to the Two-Aspect Theory of the body-mind relation. Cf. C. Lloyd Morgan (Life, Mind and Spirit, p. 46); S. Alexander (Space, Time and Deity) and C. H. Strong are recent advocates of a two-aspect Theory. -- L.W.

Dreams of physical mind and yogic dreams ; The dreams of the physical mind are an incoherent jumble made up partly of responses to vague touches from the physical world round which the lower mind-faculties disconnected from the will and reason, the bttddhi, weave a web of wandering phantasy, partly of disordered associations from the bram-memory, partly of reflections from the soul travelling on the mental plane, reflections which are, ordinarily, received without intelligence or co-ordination, wildly distorted in the reception and mixed up confusedly with the other dream elements, wnlh brain-memories and fantastic responses to any sensory touch from the physical world. In the yogic dream-state, on the other hand, the mind is in clear pos- session of itself, though not of the physical world, works cohe- rently and is able to use either its ordinary will and intelligence with a concentrated power or else the higher will and intelli- gence of the more exalted planes of mind. It withdraws from experience of the outer world, it puts its seals upon the physical senses and their doors of communication with material things ; but everything that is proper to itself, thought, reasoning, reflec- tion, vision, it can continue to execute with an increased purity and power of sovereign concentration free from the distractions and unsteadiness of the waking mind. It can use too its will and produce upon itself or upon its environment mental, moral and even physical effects which may continue and have their after-consequences on the waking state subsequent to the cessa- tion of the trance.

DS1C "communications" A {DS level} and {framing specification} for digital signals in the North American digital transmission hierarchy. A DS1C signal uses 48 {PCM} channels and has a transmission rate of 3.15 Megabits per second, twice that of {DS1}. DS1C uses two {DS1} signals combined and sent on a 3.152 megabit per second {carrier} which allows 64 kilobits per second for synchronisation and {framing} using "{pulse stuffing}". The channel 2 signal is logically inverted, and a framing bit is stuffed in two out of three code words, resulting in 26-bit information units. The channels are interleaved and then scrambled by the addition {modulo} 2 of the signal with the previous bit. Finally the bit stream is combined with a control bit sequence that permits the {demultiplexor} to function by preceding each 52 bits with one DS1C framing bit. A series of 24 such 53-bit frames forms a 1272-bit "M-frame". (1995-02-07)

DS1 "communications" A {DS level} and {framing specification} for synchronous digital streams, over circuits in the North American {digital transmission hierarchy}, at the {T1} transmission rate of 1,544,000 bits per second ({baud}). DS1 is commonly used to multiplex 24 {DS0} channels. Each DS0 channel, originally a digitised voice-grade telephone signal, carries 8000 bytes per second (64,000 bits per second). A DS1 frame includes one byte from each of the 24 DS0 channels and adds one {framing bit}, making a total of 193 bits per frame at 8000 frames per second. The result is 193*8000 = 1,544,000 bits per second. In the original standard, the successive framing bits continuously repeated the 12-bit sequence 110111001000, and such a 12-frame unit is called a super-frame. In voice telephony, errors are acceptable (early standards allowed as much as one frame in six to be missing entirely), so the least significant bit in two of the 24 streams was used for signaling between network equipments. This is called {robbed-bit signaling}. To promote error-free transmission, an alternative called the extended super-frame (ESF) of 24 frames was developed. In this standard, six of the 24 framing bits provide a six bit {cyclic redundancy check} (CRC-6), and six provide the actual framing. The other 12 form a virtual circuit of 4000 bits per second for use by the transmission equipment, for {call progress signals} such as busy, idle and ringing. DS1 signals using ESF equipment are nearly error-free, because the CRC detects errors and allows automatic re-routing of connections. Compare {T-carrier systems}. [Kenneth Sherman, "Data Communications : a user's guide", third edition (1990), Reston/Prentice-Hall/Simon & Schuster]. (1996-03-30)

ecbasis ::: n. --> A figure in which the orator treats of things according to their events consequences.

ecbatic ::: a. --> Denoting a mere result or consequence, as distinguished from telic, which denotes intention or purpose; thus the phrase / /, if rendered "so that it was fulfilled," is ecbatic; if rendered "in order that it might be." etc., is telic.

effective computable "theory" A term describing a {function} for which there is an {effective algorithm} that correctly calculates the function. The algorithm must consist of a {finite} sequence of instructions. (1996-05-03)

effect ::: n. --> Execution; performance; realization; operation; as, the law goes into effect in May.
Manifestation; expression; sign.
In general: That which is produced by an agent or cause; the event which follows immediately from an antecedent, called the cause; result; consequence; outcome; fruit; as, the effect of luxury.
Impression left on the mind; sensation produced.
Power to produce results; efficiency; force; importance;


effects ::: things that are produced by an agency or cause; results; consequences.

electron tube "electronics" (Or tube, vacuum tube, UK: valve, electron valve, thermionic valve, firebottle, glassfet) An electronic component consisting of a space exhausted of gas to such an extent that {electrons} may move about freely, and two or more electrodes with external connections. Nearly all tubes are of the thermionic type where one electrode, called the cathode, is heated, and electrons are emitted from its surface with a small energy (typically a Volt or less). A second electrode, called the anode (plate) will attract the electrons when it is positive with respect to the cathode, allowing current in one direction but not the other. In types which are used for amplification of signals, additional electrodes, called grids, beam-forming electrodes, focussing electrodes and so on according to their purpose, are introduced between cathode and plate and modify the flow of electrons by electrostatic attraction or (usually) repulsion. A voltage change on a grid can control a substantially greater change in that between cathode and anode. Unlike {semiconductors}, except perhaps for {FETs}, the movement of electrons is simply a function of electrostatic field within the active region of the tube, and as a consequence of the very low mass of the electron, the currents can be changed quickly. Moreover, there is no limit to the current density in the space, and the electrodes which do dissapate power are usually metal and can be cooled with forced air, water, or other refrigerants. Today these features cause tubes to be the active device of choice when the signals to be amplified are a power levels of more than about 500 watts. The first electronic digital computers used hundreds of vacuum tubes as their active components which, given the reliability of these devices, meant the computers needed frequent repairs to keep them operating. The chief causes of unreliability are the heater used to heat the cathode and the connector into which the tube was plugged. Vacuum tube manufacturers in the US are nearly a thing of the past, with the exception of the special purpose types used in broadcast and image sensing and displays. Eimac, GE, RCA, and the like would probably refer to specific types such as "Beam Power Tetrode" and the like, and rarely use the generic terms. The {cathode ray tube} is a special purpose type based on these principles which is used for the visual display in television and computers. X-ray tubes are diodes (two element tubes) used at high voltage; a tungsten anode emits the energetic photons when the energetic electrons hit it. Magnetrons use magnetic fields to constrain the electrons; they provide very simple, high power, ultra-high frequency signals for radar, microwave ovens, and the like. Klystrons amplify signals at high power and microwave frequencies. (1996-02-05)

emigre ::: n. --> One of the natives of France who were opposed to the first Revolution, and who left their country in consequence.

emprosthotonos ::: n. --> A drawing of the body forward, in consequence of the spasmodic action of some of the muscles.

ENERGIES. ::: All energies put info activity — thought, speech, feeling, act — go to constitute Karma. These things help to develop the nature in one direction or Another, and the nature and Us actions and reactions produce their consequences inward and outward ::: they also act on others and create movements in the general sum of forces which can return upon oneself sooner or later. Thoughts unexpressed can also go out as forces and produce their elTccts. It Is a mistake to think that a thought or will can have effect only when it is expressed in speech or act ::: the unspoken thought, the unexpressed w-ill arc also active energies and can produce their own vibrations, effects or reac- tions.

ensue ::: v. t. --> To follow; to pursue; to follow and overtake. ::: v. i. --> To follow or come afterward; to follow as a consequence or in chronological succession; to result; as, an ensuing conclusion or effect; the year ensuing was a cold one.

Entry Sequenced Data Set "database" (ESDS) An {IBM} straight sequential flat file (like {QSAM}) but externally managed via {IDCAMS}. ESDS is used in {VSAM}. (1999-01-11)

escape sequence "character" (Or "escape code") A series of characters starting with the {escape} character (ASCII 27). Escape sequences are often used to control display devices such as {VDUs}. An escape sequence might change the colour of subsequent text, reassign keys on the keyboard, change printer settings or reposition the cursor. The escape sequences of the {DEC} {vt100} {video terminal} have become a {de facto standard} for this purpose. The term is also used for any sequence of characters that temporarily suspends normal processing of a stream of characters to perform some special function. For example, the {Hayes} {modem} uses the sequence "+++" to escape to command mode in which characters are interpreted as commands to the modem itself rather than as data to pass through. [Was the character named after this use or vice versa?] (1997-11-27)

escape "character" (ESC) {ASCII} character 27. When sent by the user, escape is often used to abort execution or data entry. When sent by the computer it often starts an {escape sequence}. (1997-11-27)

escheat ::: n. --> The falling back or reversion of lands, by some casualty or accident, to the lord of the fee, in consequence of the extinction of the blood of the tenant, which may happen by his dying without heirs, and formerly might happen by corruption of blood, that is, by reason of a felony or attainder.
The reverting of real property to the State, as original and ultimate proprietor, by reason of a failure of persons legally entitled to hold the same.


event ::: n. --> That which comes, arrives, or happens; that which falls out; any incident, good or bad.
An affair in hand; business; enterprise.
The consequence of anything; the issue; conclusion; result; that in which an action, operation, or series of operations, terminates. ::: v. t.


eventtual ::: a. --> Coming or happening as a consequence or result; consequential.
Final; ultimate.
Dependent on events; contingent.


eventuality ::: n. --> The coming as a consequence; contingency; also, an event which comes as a consequence.
Disposition to take cognizance of events.


ex officio ::: --> From office; by virtue, or as a consequence, of an office; officially.

exophthalmia ::: n. --> The protrusion of the eyeball so that the eyelids will not cover it, in consequence of disease.

expedition ::: n. --> The quality of being expedite; efficient promptness; haste; dispatch; speed; quickness; as to carry the mail with expedition.
A sending forth or setting forth the execution of some object of consequence; progress.
An important enterprise, implying a change of place; especially, a warlike enterprise; a march or a voyage with martial intentions; an excursion by a body of persons for a valuable end; as, a


Explanation: In general: the process, art, means or method of making a fact or a statement intelligible; the result and the expression of what is made intelligible; the meaning attributed to anything by one who makes it intelligible; a genetic description, causal development, systematic clarification, rational exposition, scientific interpretation, intelligible connection, ordered manifestation of the elements of a fact or a statement. A. More technically, the method of showing discursively that a phenomenon or a group of phenomena obeys a law, by means of causal relations or descriptive connections, or briefly, the methodical analysis of a phenomenon for the purpose of stating its cause. The process of explanation suggests the real preformation or potential presence of the consequent in the antecedent, so that the phenomenon considered may be evolved, developed, unrolled out of its conditioning antecedents. The process and the value of a scientific explanation involve the question of the relation between cause and law, as these two terms may be identified (Berkeley) or distinguished (Comte). Hence modern theories range between extreme idealism and logical positivism. Both these extremes seem to be unsatisfactory: the former would include too much into science, while the latter would embrace a part of it only, namely the knowledge of the scientific laws. Taking into account Hume's criticism of causality and Mill's reasons for accepting causality, Russell proposes what seems to be a middle course, namely that regular sequences suggest causal relations, that causal relations are one special class of scientific generalization, that is one-way sequences in time, and that causal relations as such should not be used in the advanced stages of scientific generalization, functional relations being sufficient in all cases. However satisfactory in methodology, this view may not cover all the implications of the problem. B. There are three specific types of causal explanation, and their results may be combined: genetic or in terms of the direct and immediate conditions or causes producing a phenomenon (formal and efficient cause); descriptive, or in terms of the material elements of the phenomenon (material cause); teleological, or in terms of the ultimate end to be attained (final cause), either in accordance with the nature of the event or with the intention of the agent. The real causes of a phenomenon cannot be identified always, because the natural process of change or becoming escapes complete rationalization. But the attempt to rationalize the real by causal explanation, need not be abandoned in favor of a limited genetic description (postulational or functional) of the laws which may account for the particular phenomenon.

ex postfacto ::: --> From or by an after act, or thing done afterward; in consequence of a subsequent act; retrospective.

Extended Backus-Naur Form "language" Any variation on the basic {Backus-Naur Form} (BNF) {meta-syntax} notation with (some of) the following additional constructs: {square brackets} "[..]" surrounding optional items, suffix "*" for {Kleene closure} (a sequence of zero or more of an item), suffix "+" for one or more of an item, {curly brackets} enclosing a list of alternatives, and super/subscripts indicating between n and m occurrences. All these constructs can be expressed in plain BNF using extra {productions} and have been added for readability and succinctness. (1995-04-28)

Extended Binary Coded Decimal Interchange Code "character, standard" /eb's*-dik/, /eb'see`dik/, /eb'k*-dik/, /ee`bik'dik`/, /*-bik'dik`/ (EBCDIC) A proprietary 8-bit {character set} used on {IBM} {dinosaurs}, the {AS/400}, and {e-Server}. EBCDIC is an extension to 8 bits of BCDIC (Binary Coded Decimal Interchange Code), an earlier 6-bit character set used on IBM computers. EBCDIC was [first?] used on the successful {System/360}, anounced on 1964-04-07, and survived for many years despite the almost universal adoption of {ASCII} elsewhere. Was this concern for {backward compatibility} or, as many believe, a marketing strategy to lock in IBM customers? IBM created 57 national EBCDIC character sets and an International Reference Version (IRV) based on {ISO 646} (and hence ASCII compatible). Documentation on these was not easily accessible making international exchange of data even between IBM mainframes a tricky task. US EBCDIC uses more or less the same characters as {ASCII}, but different {code points}. It has non-contiguous letter sequences, some ASCII characters do not exist in EBCDIC (e.g. {square brackets}), and EBCDIC has some ({cent sign}, {not sign}) not in ASCII. As a consequence, the translation between ASCII and EBCDIC was never officially completely defined. Users defined one translation which resulted in a so-called de-facto EBCDIC containing all the characters of ASCII, that all ASCII-related programs use. Some printers, telex machines, and even electronic cash registers can speak EBCDIC, but only so they can converse with IBM mainframes. For an in-depth discussion of character code sets, and full translation tables, see {Guidelines on 8-bit character codes (ftp://ftp.ulg.ac.be/pub/docs/iso8859/iso8859.networking)}. {A history of character codes (http://tronweb.super-nova.co.jp/characcodehist.html)}. (2002-03-03)

FCS {Frame Check Sequence}

FEL Function Equation Language. Programs are sets of definitions. Sequences are lists stored in consecutive memory. "FEL Programmer's Guide", R. M. Keller, AMPS TR 7, U Utah, March 1982.

fence 1. A sequence of one or more distinguished ({out-of-band}) characters (or other data items), used to delimit a piece of data intended to be treated as a unit (the computer-science literature calls this a "sentinel"). The NUL (ASCII 0000000) character that terminates strings in C is a fence. {Hex} FF is also (though slightly less frequently) used this way. See {zigamorph}. 2. An extra data value inserted in an array or other data structure in order to allow some normal test on the array's contents also to function as a termination test. For example, a highly optimised routine for finding a value in an array might artificially place a copy of the value to be searched for after the last slot of the array, thus allowing the main search loop to search for the value without having to check at each pass whether the end of the array had been reached. 3. [among users of optimising compilers] Any technique, usually exploiting knowledge about the compiler, that blocks certain optimisations. Used when explicit mechanisms are not available or are overkill. Typically a hack: "I call a dummy procedure there to force a flush of the optimiser's register-colouring info" can be expressed by the shorter "That's a fence procedure". [{Jargon File}] (1999-01-08)

festing power of Supermtnd, always aware of the Divine and free from Ignorance and its consequences.

fetch-execute cycle "architecture, processor" The sequence of actions that a {central processing unit} performs to execute each {machine code} instruction in a program. At the beginning of each cycle the CPU presents the value of the {program counter} on the {address bus}. The CPU then fetches the instruction from {main memory} (possibly via a {cache} and/or a {pipeline}) via the {data bus} into the {instruction register}. From the instruction register, the data forming the instruction is decoded and passed to the {control unit} which sends a sequence of control signals to the relevant {function units} of the CPU to perform the actions required by the instruction such as reading values from {registers}, passing them to the {ALU} to add them together and writing the result back to a register. The program counter is then incremented to address the next instruction and the cycle is repeated. The fetch-execute cycle was first proposed by {John von Neumann}. (1998-06-25)

fever ::: n. --> A diseased state of the system, marked by increased heat, acceleration of the pulse, and a general derangement of the functions, including usually, thirst and loss of appetite. Many diseases, of which fever is the most prominent symptom, are denominated fevers; as, typhoid fever; yellow fever.
Excessive excitement of the passions in consequence of strong emotion; a condition of great excitement; as, this quarrel has set my blood in a fever.


Fibonacci sequence "mathematics" The {infinite} sequence of numbers beginning 1, 1, 2, 3, 5, 8, 13, ... in which each term is the sum of the two terms preceding it. The ratio of successive Fibonacci terms tends to the {golden ratio}, namely (1 + sqrt 5)/2. [Why not "Fibonacci {series}"?] (2002-10-15)

file "file system" An element of data storage in a {file system}. The history of computing is rich in varied kinds of files and {file systems}, whether ornate like the {Macintosh file system} or deficient like many simple pre-1980s file systems that didn't have {directories}. However, a typical file has these characteristics: * It is a single sequence of bytes (but consider {Macintosh} {resource forks}). * It has a finite length, unlike, e.g., a {Unix} {device}. * It is stored in a {non-volatile storage} medium (but see {ramdrive}). * It exists (nominally) in a {directory}. * It has a name that it can be referred to by in file operations, possibly in combination with its {path}. Additionally, a file system may support other {file attributes}, such as {permissions}; timestamps for creation, last modification, and last access and revision numbers (a` la {VMS}). Compare: {document}. (2007-01-04)

file ::: n. --> An orderly succession; a line; a row
A row of soldiers ranged one behind another; -- in contradistinction to rank, which designates a row of soldiers standing abreast; a number consisting the depth of a body of troops, which, in the ordinary modern formation, consists of two men, the battalion standing two deep, or in two ranks.
An orderly collection of papers, arranged in sequence or classified for preservation and reference; as, files of letters or of


Finite: For the notion of finiteness as applied to classes and cardinal numbers, see the article cardinal number. An ordered class (see order) which is finite is called a finite sequence or finite series. In mathematical analysis, any fixed real number (or complex number) is called finite, in distinction from "infinity" (the latter term usually occurs, however, only as an incomplete symbol, in connection with limits, q. v.). Or finite may be used to mean bounded, i.e., having fixed real numbers as lower bound and upper bound. Various physical and geometrical quantities, measured by real numbers, are called finite if their measure is finite in one of these senses. -- A.C.

Finite State Machine "mathematics, algorithm, theory" (FSM or "Finite State Automaton", "transducer") An {abstract machine} consisting of a set of {states} (including the initial state), a set of input events, a set of output events, and a state transition function. The function takes the current state and an input event and returns the new set of output events and the next state. Some states may be designated as "terminal states". The state machine can also be viewed as a function which maps an ordered sequence of input events into a corresponding sequence of (sets of) output events. A {deterministic} FSM (DFA) is one where the next state is uniquely determinied by a single input event. The next state of a {nondeterministic} FSM (NFA) depends not only on the current input event, but also on an arbitrary number of subsequent input events. Until these subsequent events occur it is not possible to determine which state the machine is in. It is possible to automatically translate any nondeterministic FSM into a deterministic one which will produce the same output given the same input. Each state in the DFA represents the set of states the NFA might be in at a given time. In a probabilistic FSM [proper name?], there is a predetermined {probability} of each next state given the current state and input (compare {Markov chain}). The terms "acceptor" and "transducer" are used particularly in language theory where automata are often considered as {abstract machines} capable of recognising a language (certain sequences of input events). An acceptor has a single {Boolean} output and accepts or rejects the input sequence by outputting true or false respectively, whereas a transducer translates the input into a sequence of output events. FSMs are used in {computability theory} and in some practical applications such as {regular expressions} and digital logic design. See also {state transition diagram}, {Turing Machine}. [J.H. Conway, "regular algebra and finite machines", 1971, Eds Chapman & Hall]. [S.C. Kleene, "Representation of events in nerve nets and finite automata", 1956, Automata Studies. Princeton]. [Hopcroft & Ullman, 1979, "Introduction to automata theory, languages and computations", Addison-Wesley]. [M. Crochemore "tranducters and repetitions", Theoritical. Comp. Sc. 46, 1986]. (2001-09-22)

fire-fanged ::: a. --> Injured as by fire; burned; -- said of manure which has lost its goodness and acquired an ashy hue in consequence of heat generated by decomposition.

FISH queue "humour" (By analogy with {FIFO} - first-in, first-out) first in, still here. A joking way of pointing out that processing of a particular sequence of events or requests has stopped dead. Also "FISH mode" and "FISHnet"; the latter may be applied to any network that is running really slowly or exhibiting extreme flakiness. [{Jargon File}] (1994-12-01)

flatten To remove structural information, especially to filter something with an implicit tree structure into a simple sequence of leaves; also tends to imply mapping to {flat ASCII}. "This code flattens an expression with parentheses into an equivalent {canonical} form." [{Jargon File}]

follow ::: 1. To come or go after; proceed behind. 2. Lit. and fig. To move along the course of; take a path. 3. Fig. To come after in order, time, or position. 4. To occur or be evident as a consequence; result. 5. Fig. To accompany; attend. 6. To take (a person) as a guide, leader, or master; to accept the authority or example of, obey the dictates or guidance of; to adhere to, espouse the opinions, side, or cause of. 7. Fig. To go after in or as if in pursuit. 8. To accept and follow the leadership or command or guidance of. 9. To watch or trace the movements, progress, or course of. follows, followed, following. ::: following out. Proceeding; following; pursuing something to an end or conclusion.

followup On {Usenet}, a {posting} generated in response to another posting (as opposed to a {reply}, which goes by e-mail rather than being broadcast). Followups include the ID of the {parent message} in their headers; smart news-readers can use this information to present {Usenet} news in "conversation" sequence rather than order-of-arrival. See {thread}. [{Jargon File}]

forfeit ::: to lose or become liable to lose, as in consequence of crime, fault, or breach of engagement. forfeits, forfeited, forfeiting.

formula 1. In logic, a sequence of symbols representing terms, {predicates}, {connectives} and {quantifiers} which is either true or false. 2. "language, music" FORTH Music Language. An extension of {FORTH} with concurrent note-playing processes. Runs on {Macintosh} and {Atari ST} with {MIDI} output. ["Formula: A Programming Language for Expressive Computer Music", D.P. Anderson et al Computer 24(7):12 (Jul 1991)]. 3. Preprocessor language for the {Acorn Archimedes}, allowing inline high-level statements to be entered in an assembly program. Written in {nawk}.

FORTH 1. "language" An interactive extensible language using {postfix syntax} and a data stack, developed by Charles H. Moore in the 1960s. FORTH is highly user-configurable and there are many different implementations, the following description is of a typical default configuration. Forth programs are structured as lists of "words" - FORTH's term which encompasses language keywords, primitives and user-defined {subroutines}. Forth takes the idea of subroutines to an extreme - nearly everything is a subroutine. A word is any string of characters except the separator which defaults to space. Numbers are treated specially. Words are read one at a time from the input stream and either executed immediately ("interpretive execution") or compiled as part of the definition of a new word. The sequential nature of list execution and the implicit use of the data stack (numbers appearing in the lists are pushed to the stack as they are encountered) imply postfix syntax. Although postfix notation is initially difficult, experienced users find it simple and efficient. Words appearing in executable lists may be "{primitives}" (simple {assembly language} operations), names of previously compiled procedures or other special words. A procedure definition is introduced by ":" and ended with ";" and is compiled as it is read. Most Forth dialects include the source language structures BEGIN-AGAIN, BEGIN-WHILE-REPEAT, BEGIN-UNTIL, DO-LOOP, and IF-ELSE-THEN, and others can be added by the user. These are "compiling structures" which may only occur in a procedure definition. FORTH can include in-line {assembly language} between "CODE" and "ENDCODE" or similar constructs. Forth primitives are written entirely in {assembly language}, secondaries contain a mixture. In fact code in-lining is the basis of compilation in some implementations. Once assembled, primitives are used exactly like other words. A significant difference in behaviour can arise, however, from the fact that primitives end with a jump to "NEXT", the entry point of some code called the sequencer, whereas non-primitives end with the address of the "EXIT" primitive. The EXIT code includes the scheduler in some {multi-tasking} systems so a process can be {deschedule}d after executing a non-primitive, but not after a primitive. Forth implementations differ widely. Implementation techniques include {threaded code}, dedicated Forth processors, {macros} at various levels, or interpreters written in another language such as {C}. Some implementations provide {real-time} response, user-defined data structures, {multitasking}, {floating-point} arithmetic, and/or {virtual memory}. Some Forth systems support virtual memory without specific hardware support like {MMUs}. However, Forth virtual memory is usually only a sort of extended data space and does not usually support executable code. FORTH does not distinguish between {operating system} calls and the language. Commands relating to I/O, {file systems} and {virtual memory} are part of the same language as the words for arithmetic, memory access, loops, IF statements, and the user's application. Many Forth systems provide user-declared "vocabularies" which allow the same word to have different meanings in different contexts. Within one vocabulary, re-defining a word causes the previous definition to be hidden from the interpreter (and therefore the compiler), but not from previous definitions. FORTH was first used to guide the telescope at NRAO, Kitt Peak. Moore considered it to be a {fourth-generation language} but his {operating system} wouldn't let him use six letters in a program name, so FOURTH became FORTH. Versions include fig-FORTH, FORTH 79 and FORTH 83. {FAQs (http://complang.tuwien.ac.at/forth/faq/faq-general-2.html)}. {ANS Forth standard, dpANS6 (http://taygeta.com/forth/dpans.html)}. FORTH Interest Group, Box 1105, San Carlos CA 94070. See also {51forth}, {F68K}, {cforth}, {E-Forth}, {FORML}, {TILE Forth}. [Leo Brodie, "Starting Forth"]. [Leo Brodie, "Thinking Forth"]. [Jack Woehr, "Forth, the New Model"]. [R.G. Loeliger, "Threaded Interpretive Languages"]. 2. {FOundation for Research and Technology - Hellas}. (1997-04-16)

For the account given by Brouwerian intuitionism of the nature of mathematics, and the asserted priority of mathematics to logic and philosophy, see the article Mathematics. This account, with its reliance on the intuition of ordinary thinking and on the immediate evidence of mathematical concepts and inferences, and with its insistence on intuitively understandable construction as the only method for mathematical existence proofs, leads to a rejection of certain methods and assumptions of classical mathematics. In consequence, certain parts of classical mathematics have to be abandoned and others have to be reconstructed in different and often more complicated fashion.

for values of "jargon" A common rhetorical maneuver at {MIT} is to use any of the canonical {random numbers} as placeholders for variables. "The max function takes 42 arguments, for arbitrary values of 42". "There are 69 ways to leave your lover, for 69 = 50". This is especially likely when the speaker has uttered a random number and realises that it was not recognised as such, but even "non-random" numbers are occasionally used in this fashion. A related joke is that pi equals 3 - for small values of pi and large values of 3. This usage probably derives from the programming language MAD ({Michigan Algorithm Decoder}), an {ALGOL}-like language that was the most common choice among mainstream (non-hacker) users at {MIT} in the mid-1960s. It had a {control structure} FOR VALUES OF X = 3, 7, 99 DO ... that would repeat the indicated instructions for each value in the list (unlike the usual FOR that generates an {arithmetic sequence} of values). MAD is long extinct, but similar for-constructs still flourish (e.g. in {Unix}'s {shell} languages). [{Jargon File}] (1994-12-16)

:::   "For what we understand by law is a single immutably habitual movement or recurrence in Nature fruitful of a determined sequence of things and that sequence must be clear, precise, limited to its formula, invariable.” *Essays in Philosophy and Yoga

“For what we understand by law is a single immutably habitual movement or recurrence in Nature fruitful of a determined sequence of things and that sequence must be clear, precise, limited to its formula, invariable.” Essays in Philosophy and Yoga

frame buffer "hardware" Part of a video system in which an {image} is stored, {pixel} by pixel and which is used to refresh a {raster} image. The term "{video memory}" suggests a fairly static display whereas a frame buffer holds one frame from a sequence of frames forming a moving image. Frame buffers are found in {frame grabbers} and {time base correction} systems, for example. (1997-10-03)

Frame Check Sequence "communications" (FCS) The extra characters added to a {frame} for {error detection and correction}(?). FCS is used in {X.25}, {HDLC}, {Frame Relay}, and other {data link layer} {protocols}. (1998-02-27)

Frame Relay "communications" A {DTE}-{DCE} interface specification based on {LAPD} (Q.921), the {Integrated Services Digital Network} version of {LAPB} ({X.25} {data link layer}). A common specification was produced by a consortium of {StrataCom}, {Cisco}, {Digital}, and Northern Telecom. Frame Relay is the result of {wide area network}ing requirements for speed; {LAN}-{WAN} and LAN-LAN {internetworking}; "bursty" data communications; multiplicity of {protocols} and {protocol transparency}. These requirements can be met with technology such as {optical fibre} lines, allowing higher speeds and fewer transmission errors; intelligent network end devices ({personal computers}, {workstations}, and {servers}); standardisation and adoption of ISDN protocols. Frame Relay could connect dedicated lines and {X.25} to {ATM}, {SMDS}, {BISDN} and other "{fast packet}" technologies. Frame Relay uses the same basic {data link layer} {framing} and {Frame Check Sequence} so current {X.25} hardware still works. It adds addressing (a 10-bit {Data Link Connection Identifier} (DLCI)) and a few control bits but does not include retransmissions, link establishment, windows or error recovery. It has none of X.25's {session layer} but adds some simple interface management. Any {network layer} protocol can be used over the data link layer Frames. {Frame Relay Resource Center (http://alliancedatacom.com/framerelay.asp)}. (2000-07-14)

Frequency-Hopping Spread Spectrum "communications" (FH, FHSS) A variation of {spread spectrum communications} in which a sequence of {pseudo random numbers} control a {frequency synthesizer}, generating different carrier frequencies that "hop around" in the desired frequency range. The receiver tunes to the same sequence of carrier frequencies in synchronisation with the transmitter. Frequency hopping spread spectrum was invented by Hedy Lamarr ("the most beautiful girl in the world", Samson and Delilah etc.) and the composer George Antheil. They held a patent filed in 1942. (2009-07-01)

fruit ::: 1. The part of a plant that produces the seed, especially when eaten as food. 2. The result or consequence of an action or effort. 3. Result; outcome. fruits.

functional requirements "specification" What a system should be able to do, the functions it should perform. This term is used at both the {user requirements} analysis and {software requirements} specifications phases in the {software life-cycle}. An example of a non-functional requirement is an initialisation sequence incorporated into the software that is specific to a given customer. (2001-05-22)

function key "hardware" (From the {IBM 3270} terminal's Programmed Function Keys (PF keys)) One of a set of special keys on a computer or {terminal} keyboard which can be programmed so as to cause an {application program} to perform certain actions. Function keys on a terminal may either generate short fixed sequences of characters, often beginning with the {escape} character ({ASCII} 27), or the characters they generate may be configured by sending special character sequences to the terminal. On a {microcomputer} keyboard, the function keys may generate a fixed, single byte code, outside the normal {ASCII} range, which is translated into some other configurable sequence by the keyboard {device driver} or interpreted directly by the {application program}. (1995-02-07)

Furthermore, the universe is a social order, and nothing can stand by itself. At the same time, everything has its opposite. "No two of the productions of creation are alike," and the Taoist doctrine of the equality of things must be rejected. In the eternal sequence of appearance and disappearance every creation is new, and the Buddhist doctrine of transmigration must be rejected.

fusion ::: v. t. --> The act or operation of melting or rendering fluid by heat; the act of melting together; as, the fusion of metals.
The state of being melted or dissolved by heat; a state of fluidity or flowing in consequence of heat; as, metals in fusion.
The union or blending together of things, as, melted together.
The union, or binding together, of adjacent parts or tissues.


gigabyte "unit, data" (GB or colloquially "gig") A unit of {data} equal to one billion {bytes} but see {binary prefix} for other definitions. A gigabyte is 1000^3 {bytes} or 1000 {megabytes}. A human gene sequence (including all the redundant codons) contains about 1.5 gigabytes of data. 1000 gigabytes are one {terabyte}. See {prefix}. {Human genome data content (http://bitesizebio.com/articles/how-much-information-is-stored-in-the-human-genome/)}. (2013-11-03)

glama ::: n. --> A copious gummy secretion of the humor of the eyelids, in consequence of some disorder; blearedness; lippitude.

GNU superoptimiser (GSO) A function sequence generator that uses an exhaustive generate-and-test approach to find the shortest instruction sequence for a given function. Written by Torbjorn Granlund "tege@gnu.ai.mit.edu" and Tom Wood. You have to tell the superoptimiser which function and which {CPU} you want to get code for. This is useful for compiler writers. FTP superopt-2.2.tar.Z from a {GNU archive site}. Generates code for {DEC} {Alpha}, {SPARC}, {Intel 80386}, {88000}, {RS/6000}, {68000}, {29000} and {Pyramid} (SP, AP and XP). (1993-02-16)

graded ::: arranged in a sequence of grades or ranks.

grammar "language" A formal definition of the syntactic structure (the {syntax}) of a language. A grammar is normally represented as a set of {production rules} which specify the order of constituents and their sub-constituents in a {sentence} (a well-formed string in the language). Each rule has a left-hand side symbol naming a syntactic category (e.g. "noun-phrase" for a {natural language} grammar) and a right-hand side which is a sequence of zero or more symbols. Each symbol may be either a {terminal symbol} or a non-terminal symbol. A terminal symbol corresponds to one "{lexeme}" - a part of the sentence with no internal syntactic structure (e.g. an identifier or an operator in a computer language). A non-terminal symbol is the left-hand side of some rule. One rule is normally designated as the top-level rule which gives the structure for a whole sentence. A {parser} (a kind of {recogniser}) uses a grammar to parse a sentence, assigning a terminal syntactic category to each input token and a non-terminal category to each appropriate group of tokens, up to the level of the whole sentence. Parsing is usually preceded by {lexical analysis}. The opposite, generation, starts from the top-level rule and chooses one alternative production wherever there is a choice. In computing, a formal grammar, e.g. in {BNF}, can be used to {parse} a linear input stream, such as the {source code} of a program, into a data structure that expresses the (or a) meaning of the input in a form that is easier for the computer to work with. A {compiler compiler} like {yacc} might be used to convert a grammar into code for the parser of a {compiler}. A grammar might also be used by a {transducer}, a {translator} or a {syntax directed editor}. See also {attribute grammar}. (2009-02-06)

Gray code "hardware" A {binary} sequence with the property that only one {bit} changes between any two consecutive elements (the two codes have a {Hamming distance} of one). The Gray code originated when {digital logic} circuits were built from {vacuum tubes} and electromechanical {relays}. Counters generated tremendous power demands and noise spikes when many bits changed at once. E.g. when incrementing a register containing 11111111, the {back-EMF} from the relays' collapsing magnetic fields required copious noise suppression. Using Gray code counters, any increment or decrement changed only one bit, regardless of the size of the number. Gray code can also be used to convert the angular position of a disk to digital form. A radial line of sensors reads the code off the surface of the disk and if the disk is half-way between two positions each sensor might read its bit from both positions at once but since only one bit differs between the two, the value read is guaranteed to be one of the two valid values rather than some third (invalid) combination (a {glitch}). One possible {algorithm} for generating a Gray code sequence is to toggle the lowest numbered bit that results in a new code each time. Here is a four bit Gray code sequence generated in this way: 0 0 0 0 0 0 0 1 0 0 1 1 0 0 1 0 0 1 1 0 0 1 1 1 0 1 0 1 0 1 0 0 1 1 0 0 1 1 0 1 1 1 1 1 1 1 1 0 1 0 1 0 1 0 1 1 1 0 0 1 1 0 0 0 The codes were patented in 1953 by Frank Gray, a {Bell Labs} researcher. {(http://nist.gov/dads/HTML/graycode.html)}. (2002-08-29)

growth ::: n. --> The process of growing; the gradual increase of an animal or a vegetable body; the development from a seed, germ, or root, to full size or maturity; increase in size, number, frequency, strength, etc.; augmentation; advancement; production; prevalence or influence; as, the growth of trade; the growth of power; the growth of intemperance. Idle weeds are fast in growth.
That which has grown or is growing; anything produced; product; consequence; effect; result.


HAKMEM "publication" /hak'mem/ MIT AI Memo 239 (February 1972). A legendary collection of neat mathematical and programming hacks contributed by many people at MIT and elsewhere. (The title of the memo really is "HAKMEM", which is a 6-letterism for "hacks memo".) Some of them are very useful techniques, powerful theorems, or interesting unsolved problems, but most fall into the category of mathematical and computer trivia. Here is a sampling of the entries (with authors), slightly paraphrased: Item 41 (Gene Salamin): There are exactly 23,000 prime numbers less than 2^18. Item 46 (Rich Schroeppel): The most *probable* suit distribution in bridge hands is 4-4-3-2, as compared to 4-3-3-3, which is the most *evenly* distributed. This is because the world likes to have unequal numbers: a thermodynamic effect saying things will not be in the state of lowest energy, but in the state of lowest disordered energy. Item 81 (Rich Schroeppel): Count the magic squares of order 5 (that is, all the 5-by-5 arrangements of the numbers from 1 to 25 such that all rows, columns, and diagonals add up to the same number). There are about 320 million, not counting those that differ only by rotation and reflection. Item 154 (Bill Gosper): The myth that any given programming language is machine independent is easily exploded by computing the sum of powers of 2. If the result loops with period = 1 with sign +, you are on a sign-magnitude machine. If the result loops with period = 1 at -1, you are on a twos-complement machine. If the result loops with period greater than 1, including the beginning, you are on a ones-complement machine. If the result loops with period greater than 1, not including the beginning, your machine isn't binary - the pattern should tell you the base. If you run out of memory, you are on a string or bignum system. If arithmetic overflow is a fatal error, some fascist pig with a read-only mind is trying to enforce machine independence. But the very ability to trap overflow is machine dependent. By this strategy, consider the universe, or, more precisely, algebra: Let X = the sum of many powers of 2 = ...111111 (base 2). Now add X to itself: X + X = ...111110. Thus, 2X = X - 1, so X = -1. Therefore algebra is run on a machine (the universe) that is two's-complement. Item 174 (Bill Gosper and Stuart Nelson): 21963283741 is the only number such that if you represent it on the {PDP-10} as both an integer and a {floating-point} number, the bit patterns of the two representations are identical. Item 176 (Gosper): The "banana phenomenon" was encountered when processing a character string by taking the last 3 letters typed out, searching for a random occurrence of that sequence in the text, taking the letter following that occurrence, typing it out, and iterating. This ensures that every 4-letter string output occurs in the original. The program typed BANANANANANANANA.... We note an ambiguity in the phrase, "the Nth occurrence of." In one sense, there are five 00's in 0000000000; in another, there are nine. The editing program TECO finds five. Thus it finds only the first ANA in BANANA, and is thus obligated to type N next. By Murphy's Law, there is but one NAN, thus forcing A, and thus a loop. An option to find overlapped instances would be useful, although it would require backing up N - 1 characters before seeking the next N-character string. Note: This last item refers to a {Dissociated Press} implementation. See also {banana problem}. HAKMEM also contains some rather more complicated mathematical and technical items, but these examples show some of its fun flavour. HAKMEM is available from MIT Publications as a {TIFF} file. {(ftp://ftp.netcom.com/pub/hb/hbaker)}. (1996-01-19)

Harmony, Pre-Established: The perfect functioning of mind and body, as ordained by God in the beginning. The dualism of Descartes (1596-1650) had precluded interaction between mind or soul and body by its absolute difference and opposition between res cogitans and res extensa. How does it happen, then, that the mind perceives the impressions of the body, and the body is ready to follow the mind's will? The Cartesians, in order to correct this difficulty, introduced the doctrine of "occasionalism", whereby when anything happens to either mind or body, God interferes to make the corresponding change in the other. Leibniz (1646-1716) countered by suggesting that the relation between mind and body is one of harmony, established by God before their creation. Earlier than mind or body, God had perfect knowledge of all possible minds and bodies. In an infinite number of creations all possible combinations are possible, including those minds whose sequence of ideas perfectly fits the motions of some bodies. In the latter, there is a perfect and pre-established harmony. A parallelism between mind and body exists, such that each represents the proper expression of the other. Leibniz compares their relation to that of two clocks which have been synchronized once for all and which therefore operate similarly without the need of either interaction or intervention. Expressed by Leibniz' follower, C. Wolff (1679-1754) as "that by which the intercourse of soul and bodv is explained by a series of perceptions and desires in the soul, and a series of motions in the body, which are harmonic or accordant through the nature of soul and body." -- J.K.F.

harvest ::: n. 1.* fig. The result or consequence of an activity. v. *2. To gain, win, acquire, or use (a prize, product, or result of any past act, process, plan, etc.).

Hedonism, Ethical: (Gr. hedone, pleasure) A doctrine as to what entities possess intrinsic value. According to it pleasure or pleasant consciousness, and this alone, has positive ultimate value, that is, is intrinsically good and has no parts or constituents which are not intrinsically good. The contrary hedonic feeling tone, displeasure or unpleasant consciousness, and this alone has negative ultimate value, that is, is intrinsically bad and has no parts or constituents which are not intrinsically bad. The intrinsic value of all other entities is precisely equivalent to the intrinsic value of their hedonic components. The total value of an action is the net intrinsic value of all its hedonic consequences. According to pure hedonism either there are no differences of quality among pleasures or among displeasures or else such differences as exist do not affect the intrinsic values of the different hedonic states. These values vary only with the intensity and duration of the pleasure or displeasure.

Hedonism, Psychological: (Gr. hedone, pleasure) Theory that psychological motivation is to be explained exclusively in terms of desire for pleasure and aversion from pain. (See W. James' criticism of psychological hedonism, The Principles of Psychology, II pp. 549 ff.) Psychological hedonism, as a theory of human motivation in contrast with ethical hedonism which accepts as the criterion of morality, the pleasure-pain consequences of an act. -- L.W.

hemeralopia ::: n. --> A disease of the eyes, in consequence of which a person can see clearly or without pain only by daylight or a strong artificial light; day sight.

hemiopsia ::: n. --> A defect of vision in consequence of which a person sees but half of an object looked at.

Hence in its widest sense Scholasticism embraces all the intellectual activities, artistic, philosophical and theological, carried on in the medieval schools. Any attempt to define its narrower meaning in the field of philosophy raises serious difficulties, for in this case, though the term's comprehension is lessened, it still has to cover many centuries of many-faced thought. However, it is still possible to list several characteristics sufficient to differentiate Scholastic from non-Scholastic philosophy. While ancient philosophy was the philosophy of a people and modern thought that of individuals, Scholasticism was the philosophy of a Christian society which transcended the characteristics of individuals, nations and peoples. It was the corporate product of social thought, and as such its reasoning respected authority in the forms of tradition and revealed religion. Tradition consisted primarily in the systems of Plato and Aristotle as sifted, adapted and absorbed through many centuries. It was natural that religion, which played a paramount role in the culture of the middle ages, should bring influence to bear on the medieval, rational view of life. Revelation was held to be at once a norm and an aid to reason. Since the philosophers of the period were primarily scientific theologians, their rational interests were dominated by religious preoccupations. Hence, while in general they preserved the formal distinctions between reason and faith, and maintained the relatively autonomous character of philosophy, the choice of problems and the resources of science were controlled by theology. The most constant characteristic of Scholasticism was its method. This was formed naturally by a series of historical circumstances,   The need of a medium of communication, of a consistent body of technical language tooled to convey the recently revealed meanings of religion, God, man and the material universe led the early Christian thinkers to adopt the means most viable, most widely extant, and nearest at hand, viz. Greek scientific terminology. This, at first purely utilitarian, employment of Greek thought soon developed under Justin, Clement of Alexandria, Origin, and St. Augustine into the "Egyptian-spoils" theory; Greek thought and secular learning were held to be propaedeutic to Christianity on the principle: "Whatever things were rightly said among all men are the property of us Christians." (Justin, Second Apology, ch. XIII). Thus was established the first characteristic of the Scholastic method: philosophy is directly and immediately subordinate to theology.   Because of this subordinate position of philosophy and because of the sacred, exclusive and total nature of revealed wisdom, the interest of early Christian thinkers was focused much more on the form of Greek thought than on its content and, it might be added, much less of this content was absorbed by early Christian thought than is generally supposed. As practical consequences of this specialized interest there followed two important factors in the formation of Scholastic philosophy:     Greek logic en bloc was taken over by Christians;     from the beginning of the Christian era to the end of the XII century, no provision was made in Catholic centers of learning for the formal teaching of philosophy. There was a faculty to teach logic as part of the trivium and a faculty of theology.   For these two reasons, what philosophy there was during this long period of twelve centuries, was dominated first, as has been seen, by theology and, second, by logic. In this latter point is found rooted the second characteristic of the Scholastic method: its preoccupation with logic, deduction, system, and its literary form of syllogistic argumentation.   The third characteristic of the Scholastic method follows directly from the previous elements already indicated. It adds, however, a property of its own gained from the fact that philosophy during the medieval period became an important instrument of pedogogy. It existed in and for the schools. This new element coupled with the domination of logic, the tradition-mindedness and social-consciousness of the medieval Christians, produced opposition of authorities for or against a given problem and, finally, disputation, where a given doctrine is syllogistically defended against the adversaries' objections. This third element of the Scholastic method is its most original characteristic and accounts more than any other single factor for the forms of the works left us from this period. These are to be found as commentaries on single or collected texts; summae, where the method is dialectical or disputational in character.   The main sources of Greek thought are relatively few in number: all that was known of Plato was the Timaeus in the translation and commentary of Chalcidius. Augustine, the pseudo-Areopagite, and the Liber de Causis were the principal fonts of Neoplatonic literature. Parts of Aristotle's logical works (Categoriae and de Interpre.) and the Isagoge of Porphyry were known through the translations of Boethius. Not until 1128 did the Scholastics come to know the rest of Aristotle's logical works. The golden age of Scholasticism was heralded in the late XIIth century by the translations of the rest of his works (Physics, Ethics, Metaphysics, De Anima, etc.) from the Arabic by Gerard of Cremona, John of Spain, Gundisalvi, Michael Scot, and Hermann the German, from the Greek by Robert Grosseteste, William of Moerbeke, and Henry of Brabant. At the same time the Judae-Arabian speculation of Alkindi, Alfarabi, Avencebrol, Avicenna, Averroes, and Maimonides together with the Neoplatonic works of Proclus were made available in translation. At this same period the Scholastic attention to logic was turned to metaphysics, even psychological and ethical problems and the long-discussed question of the universals were approached from this new angle. Philosophy at last achieved a certain degree of autonomy and slowly forced the recently founded universities to accord it a separate faculty.

Herder, Johann Gottfried: (1744-1803) A founder of modern religious humanism, he explained human history as a consequence of the nature of man and of man's physical environment. Held implicitly to the view that society is basically an organic whole. Accounted for the differences in culture and institutions of different peoples as being due to geographical conditions. Although history is a process of the education of the human species, it has no definite goal of perfection and development. The vehicle of living culture is a distinct Volk or Nation with its distinct language and traditions. As a child of the Enlightenment, Herder had a blind faith in nature, in man and in the ultimate development of reason and justice.

heterochrony ::: n. --> In evolution, a deviation from the typical sequence in the formation of organs or parts.

hidden flag (scientific computation) An extra option added to a routine without changing the calling sequence. For example, instead of adding an explicit input variable to instruct a routine to give extra diagnostic output, the programmer might just add a test for some otherwise meaningless feature of the existing inputs, such as a negative mass. The use of hidden flags can make a program very hard to debug and understand, but is all too common wherever programs are hacked in a hurry. [{Jargon File}] (1994-11-24)

H. Scholz, Geschichte der Logik, Berlin, 1931. Logical Empiricism: See Scientific Empiricism I. Logical machines: Mechanical devices or instruments designed to effect combinations of propositions, or premisses, with which the mechanism is supplied, and derive from them correct logical conclusions. Both premisses and conclusions may be expressed by means of conventional symbols. A contrivance devised by William Stanley Jevons in 1869 was a species of logical abacus. Another constructed by John Venn in 1881 consisted of diagrams which could be manipulated in such a manner that appropriate consequences appeared. A still more satisfactory machine was designed by Allan Marquand in 1882. Such devices would indicate that the inferential process is mechanical to a notable extent. -- J.J.R-

Hypertext Markup Language "hypertext, web, standard" (HTML) A {hypertext} document format used on the {web}. HTML is built on top of {SGML}. "Tags" are embedded in the text. A tag consists of a """, a "directive" (in lower case), zero or more parameters and a """. Matched pairs of directives, like ""title"" and ""/title"" are used to delimit text which is to appear in a special place or style. Links to other documents are in the form "a href="http://machine.edu/subdir/file.html""foo"/a" where ""a"" and ""/a"" delimit an "anchor", "href" introduces a hypertext reference, which is most often a {Uniform Resource Locator} (URL) (the string in double quotes in the example above). The link will be represented in the browser by the text "foo" (typically shown underlined and in a different colour). A certain place within an HTML document can be marked with a named anchor, e.g.: "a name="baz"" The "fragment identifier", "baz", can be used in an href by appending "

Hypothesis: In general, an assumption, a supposition, a conjecture, a postulate, a condition, an antecedent, a contingency, a possibility, a probability, a principle, a premiss, a ground or foundation, a tentative explanation, a probable cause, a theoretical situation, an academic question, a specific consideration, a conceded statement, a theory or view for debate or action, a likely relation, the conditioning of one thing by another. In logic, the conditional clause or antecedent in a hypothetical proposition. Also a thesis subordinate to a more general one. In methodology, a principle offered as a conditional explanation of a fact or a group of facts; or again, a provisional assumption about the ground of certain phenomena, used as a guiding norm in making observations and experiments until verified or disproved by subsequent evidence. A hypothesis is conditional or provisional, because it is based on probable and insufficient arguments or elements; yet, it is not an arbitrary opinion, but a justifiable assumption with some foundation in fact, this accounts for the expectation of some measure of agreement between the logical conclusion or implications drawn from a hypothesis, and the phenomena which are known or which may be determined by further tests. A scientific hypothesis must be   proposed after the observations it must explain (a posteriori),   compatible with established theories,   reasonable and relevant,   fruitful in its applications and controllable,   general in terms and more fundamental than the statements it has to explain. A hypothesis is descriptive (forecasting the external circumstances of the event) or explanatory (offering causal accounts of the event). There are two kinds of explanatory hypotheses   the hypothesis of law (or genetic hypothesis) which attempts to determine the manner in which the causes or conditions of a phenomenon operate and   the hypothesis of cause (or causal hypothesis) which attempt to determine the causes or conditions for the production of the phenomenon. A working hypothesis is a preliminary assumption based on few, uncertain or obscure elements, which is used provisionally as a guiding norm in the investigation of certain phenomena. Often, the difference between a working hypothesis and a scientific hypothesis is one of degree; and in any case, a hypothesis is seldom verified completely with all its detailed implications. The Socratic Method of Hypothesis, as developed by Plato in the Phaedo particularly, consists in positing an assumption without questioning its value, for the purpose of determining and analyzing its consequences only when these are clearly debated and judged, the assumption itself is considered for justification or rejection. Usually, a real condition is taken as a ground for inferences, as the aim of the method is to attain knowledge or to favor action. Plato used more specially the word "hypothesis" for the assumptions of geometry (postulates and nominal definitions) Anstotle extended this use to cover the immediate principles of mathematics. It may be observed that the modern hypothetico-deductive method in logical and mathematical theories, is a development of the Socratic method stripped of its ontological implications and purposes.

Hypothetical morality: In ethics, any moral imperative stated in hypothetical form. For instance, if thou dost not desire certain consequences, thou shalt not commit adultery. Kant's categorical imperative, stated in hypothetical form. See Hypothesis, Morality. -- J.K.F.

IBM 1620 "computer" A computer built by {IBM} and released in late 1959. The 1620 cost from around $85,000(?) up to hundreds of thousands of dollars(?) according to the configuration. It was billed as a "small scientific computer" to distinguish it from the business-oriented {IBM 1401}. It was regarded as inexpensive, and many schools started out with one. It was either developed for the US Navy to teach computing, or as a replacement for the very successful {IBM 650} which did quite well in the low end scientific market. Rumour has it that the Navy called this computer the CADET - Can't Add, Doesn't Even Try. The {ALU} used lookup tables to add, subtract and multiply but it could do address increments and the like without the tables. You could change the number base by adjusting the tables, which were input during the boot sequence from {Hollerith} cards. The divide instruction required additional hardware, as did {floating point} operations. The basic machine had 20,000 decimal digits of {ferrite core memory} arranged as a 100 by 100 array of 12-bit locations, each holding two digits. Each digit was stored as four numeric bits, one flag bit and one parity bit. The numeric bits stored a decimal digit (values above nine were illegal). Memory was logically divided into fields. On the high-order digit of a field the flag bit indicated the end of the field. On the low-order digit it indicated a negative number. A flag bit on the low order of the address indicated {indirect addressing} if you had that option installed. A few "illegal" bit combinations were used to store things like record marks and "numeric blanks". On a {subroutine} call it stored the {return address} in the five digits just before the entry point to the routine, so you had to build your own {stack} to do {recursion}. The enclosure was grey, and the core was about four or five inches across. The core memory was kept cool inside a temperature-controlled box. The machine took a few minutes to warm up after power on before you could use it. If it got too hot there was a thermal cut-out switch that would shut it down. Memory could be expanded up to 100,000 digits in a second cabinet. The cheapest package used {paper tape} for I/O. You could also get {punched cards} and later models could be hooked up to a 1311 {disk drive} (a two-{megabyte} {washing machine}), a 1627 {plotter}, and a 1443 {line printer}. Because the 1620 was popular with colleges, IBM ran a clearing house of software for a nominal cost such as {Snobol}, {COBOL}, chess games, etc. The model II, released about three years later, could add and subtract without tables. The {clock period} decreased from 20 to 10 microseconds, instruction fetch sped up by a few cycles and it added {index registers} of some sort. Some of the model I's options were standard on the model II, like {indirect addressing} and the {console} {teletype} changed from a model C to a {Selectric}. Later still, IBM marketed the {IBM 1710}. A favorite use was to tune a FM radio to pick up the "interference" from the lights on the console. With the right delay loops you could generate musical notes. Hackers wrote {interpreters} that played music from notation like "C44". {IBM 1620 console (img:/pub/misc/IBM1620-console.jpg)} 1620 consoles were used as props to represent {Colossus} in the film "The Forbin Project", though most of the machines had been scrapped by the time the film was made. {A fully configured 1620 (http://uranus.ee.auth.gr/TMTh/exhibit.htm)}. {IBM 1620 at Tuck School of Business, Dartmouth College, Hanover, NH, USA (/pub/misc/IBM1620-Tuck1960s.jpg)} (Thanks Victor E. McGee, pictured). ["Basic Programming Concepts and the IBM 1620 Computer", Leeson and Dimitry, Holt, Rinehart and Winston, 1962]. (2018-09-11)

Icon "language" A descendant of {SNOBOL4} with {Pascal}-like syntax, produced by Griswold in the 1970's. Icon is a general-purpose language with special features for string scanning. It has dynamic types: records, sets, lists, strings, tables. If has some {object oriented} features but no {modules} or {exceptions}. It has a primitive {Unix} interface. The central theme of Icon is the generator: when an expression is evaluated it may be suspended and later resumed, producing a result sequence of values until it fails. Resumption takes place implicitly in two contexts: iteration which is syntactically loop-like ('every-do'), and goal-directed evaluation in which a conditional expression automatically attempts to produce at least one result. Expressions that fail are used in lieu of Booleans. Data {backtracking} is supported by a reversible {assignment}. Icon also has {co-expressions}, which can be explicitly resumed at any time. Version 8.8 by Ralph Griswold "ralph@cs.arizona.edu" includes an {interpreter}, a compiler (for some {platforms}) and a library (v8.8). Icon has been ported to {Amiga}, {Atari}, {CMS}, {Macintosh}, {Macintosh/MPW}, {MS-DOS}, {MVS}, {OS/2}, {Unix}, {VMS}, {Acorn}. See also {Ibpag2}. {(ftp://cs.arizona.edu/icon/)}, {MS-DOS FTP (ftp://bellcore.com norman/iconexe.zip)}. {Usenet} newsgroup: {news:comp.lang.icon}. E-mail: "icon-project@cs.arizona.edu", "mengarini@delphi.com". Mailing list: icon-group@arizona.edu. ["The Icon Programmming Language", Ralph E. Griswold and Madge T. Griswold, Prentice Hall, seond edition, 1990]. ["The Implementation of the Icon Programmming Language", Ralph E. Griswold and Madge T. Griswold, Princeton University Press 1986]. (1992-08-21)

Idealism: Any system or doctrine whose fundamental interpretative principle is ideal. Broadly, any theoretical or practical view emphasizing mind (soul, spirit, life) or what is characteristically of pre-eminent value or significance to it. Negatively, the alternative to Materialism. (Popular confusion arises from the fact that Idealism is related to either or both uses of the adjective "ideal," i.e., (a) pertaining to ideas, and (b) pertaining to ideals. While a certain inner bond of sympathy can be established between these two standpoints, for theoretical purposes they must be clearly distinguished.) Materialism emphasizes the spatial, pictorial, corporeal, sensuous, non-valuational, factual, and mechanistic. Idealism stresses the supra- or non-spatial, non-pictorial, incorporeal, suprasensuous, normative or valuational, and teleological. The term Idealism shares the unavoidable expansion of such words as Idea, Mind, Spirit, and even Person, and in consequence it now possesses usefulness only in pointing out a general direction of thought, unless qualified, e.g., Platonic Idealism, Personal Idealism, Objective Idealism, Moral Idealism, etc.

idiopathical ::: a. --> Pertaining to idiopathy; characterizing a disease arising primarily, and not in consequence of some other disease or injury; -- opposed to symptomatic, sympathetic, and traumatic.

If we regard the Powers of the Reality as so many Godheads, we can say that the Overmind releases a million Godheads into action, each empowered to create its own world, each world capable of relation, communication and interplay with the others. There are in the Veda different formulations of the nature of the Gods: it is said they are all one Existence to which the sages give different names; yet each God is worshipped as if he by himself is that Existence, one who is all the other Gods together or contains them in his being; and yet again each is a separate Deity acting sometimes in unison with companion deities, sometimes separately, sometimes even in apparent opposition to other Godheads of the same Existence. In the Supermind all this would be held together as a harmonised play of the one Existence; in the Overmind each of these three conditions could be a separate action or basis of action and have its own principle of development and consequences and yet each keep the power to combine with the others in a more composite harmony. As with the One Existence, so with its Consciousness and Force. The One Consciousness is separated into many independent forms of consciousness and knowledge; each follows out its own line of truth which it has to realise. The one total and many-sided Real-Idea is split up into its many sides; each becomes an independent Idea-Force with the power to realise itself. The one Consciousness-Force is liberated into its million forces, and each of these forces has the right to fulfil itself or to assume, if needed, a hegemony and take up for its own utility the other forces. So too the Delight of Existence is loosed out into all manner of delights and each can carry in itself its independent fullness or sovereign extreme. Overmind thus gives to the One Existence-Consciousness-Bliss the character of a teeming of infinite possibilities which can be developed into a multitude of worlds or thrown together into one world in which the endlessly variable…

illative ::: a. --> Relating to, dependent on, or denoting, illation; inferential; conclusive; as, an illative consequence or proposition; an illative word, as then, therefore, etc. ::: n. --> An illative particle, as for, because.

immaterial ::: a. --> Not consisting of matter; incorporeal; spiritual; disembodied.
Of no substantial consequence; without weight or significance; unimportant; as, it is wholly immaterial whether he does so or not.


imperative language "language" Any {programming language} that specifies explicit manipulation of the state of the computer system, not to be confused with a {procedural language}, which specifies an explicit sequence of steps to perform. An example of an imperative (but non-procedural) language is a {data manipulation language} for a {relational database management system}. This specifies changes to the database but does not necessarily require anyone to specify a sequence of steps. Both contrast with {declarative languages}, which specify neither explicit state manipulation nor a sequence of steps. (2007-10-02)

importance ::: n. --> The quality or state of being important; consequence; weight; moment; significance.
Subject; matter.
Import; meaning; significance.
Importunity; solicitation.


importancy ::: n. --> Importance; significance; consequence; that which is important.

important ::: v. t. --> Full of, or burdened by, import; charged with great interests; restless; anxious.
Carrying or possessing weight or consequence; of valuable content or bearing; significant; weighty.
Bearing on; forcible; driving.
Importunate; pressing; urgent.


import ::: v. t. --> To bring in from abroad; to introduce from without; especially, to bring (wares or merchandise) into a place or country from a foreign country, in the transactions of commerce; -- opposed to export. We import teas from China, coffee from Brasil, etc.
To carry or include, as meaning or intention; to imply; to signify.
To be of importance or consequence to; to have a bearing on; to concern.


imprudence ::: n. --> The quality or state of being imprudent; want to caution, circumspection, or a due regard to consequences; indiscretion; inconsideration; reshness; also, an imprudent act; as, he was guilty of an imprudence.

imprudent ::: a. --> Not prudent; wanting in prudence or discretion; indiscreet; injudicious; not attentive to consequence; improper.

inclusive "theory" In {domain theory}, a {predicate} P : D -" Bool is inclusive iff For any {chain} C, a subset of D, and for all c in C, P(c) =" P(lub C) In other words, if the predicate holds for all elements of an increasing sequence then it holds for their {least upper bound}. ("lub is written in {LaTeX} as {\sqcup}). (1995-02-03)

inconsequence ::: n. --> The quality or state of being inconsequent; want of just or logical inference or argument; inconclusiveness.

inconcludent ::: a. --> Not inferring a conclusion or consequence; not conclusive.

inconcluding ::: a. --> Inferring no consequence.

In connection with logic, and logical syntax, the word sentence is used for what might be called more explicitly a declarative sentence -- thus for a sequence of words or symbols which (in some language or system of notation, as determined by the context) expresses a proposition (q.v.), or which can be used to convey an assertion. A sequence of words or symbols which contains free variables and which expresses a proposition when values are given to these variables (see the article variable) may also be called a sentence.

In connection with the infinite sequence of real numbers a1, a2, a3 . . ., a monadic function a may be introduced for which the range of the independent variable consists of the positive integers 1, 2, 3, . . . and a(1)=a1, a(2)=a2, a(3)=a3, . . . . It can then be shown that the limit of the infinite sequence as above defined is the same as the limit of a(x) as x approaches infinity.

inconsequent ::: 1. Characterized by lack of proper sequence in thought, speech, or action. 2. Without worth or consequence; trivial. inconsequence, Inconsequence.

inconsequent ::: a. --> Not following from the premises; not regularly inferred; invalid; not characterized by logical method; illogical; arbitrary; inconsistent; of no consequence.

inconsequential ::: a. --> Not regularly following from the premises; hence, irrelevant; unimportant; of no consequence.

inconsequentness ::: n. --> Inconsequence.

inconsideration ::: n. --> Want of due consideration; inattention to consequences; inconsiderateness.

Independence: In a set of postulates for a mathematical discipline (see Mathematics), a particular postulate is said to be independent if it cannot be proved as a consequence of the others. A non-independent postulate is thus superfluous, and should be dropped.

index (Plural "indices" or "indexes") 1. "programming" A number used to select an element of a list, vector, {array} or other sequence. Such indices are nearly always non-negative integers but see {associative array}. 2. "database" See {inverted index}. [Other kinds?] 3. "web" A {search engine}. 4. "web" A {subject index}. [{Jargon File}] (1997-04-09)

indirection "programming" Manipulating data via its address. Indirection is a powerful and general programming technique. It can be used for example to process data stored in a sequence of consecutive memory locations by maintaining a {pointer} to the current item and incrementing it to point to the next item. Indirection is supported at the {machine language} level by {indirect addressing}. Many processor and {operating system} architectures use {vectors} which are also an instance of indirection, being locations which hold the address of a routine to handle a particular event. The event handler can be changed simply by pointing the vector at a new piece of code. {C} includes operators "&" which returns the address of a {variable} and its inverse "*" which returns the variable at a given address. (1997-02-06)

infer ::: v. t. --> To bring on; to induce; to occasion.
To offer, as violence.
To bring forward, or employ as an argument; to adduce; to allege; to offer.
To derive by deduction or by induction; to conclude or surmise from facts or premises; to accept or derive, as a consequence, conclusion, or probability; to imply; as, I inferred his determination from his silence.


Infinite: Opposite of finite (q. v.), as applied to classes, cardinal and ordinal numbers, sequences, etc. See further Cardinal number; Limit. -- A.C.

Initial Program Load "operating system" (IPL) The procedure used to (re-)start a computer system by copying the {operating system} {kernel} into {main memory} and running it. Part of the {boot sequence}. (1997-08-31)

In its nature and law the Overmind is a delegate of the Supermind Consciousness, its delegate to the Ignorance. Or we might speak of it as a protective double, a screen of dissimilar similarity through which Supermind can act indirectly on an Ignorance whose darkness could not bear or receive the direct impact of a supreme Light. Even, it is by the projection of this luminous Overmind corona that the diffusion of a diminished light in the Ignorance and the throwing of that contrary shadow which swallows up in itself all light, the Inconscience, became at all possible. For Supermind transmits to Overmind all its realities, but leaves it to formulate them in a movement and according to an awareness of things which is still a vision of Truth and yet at the same time a first parent of the Ignorance. A line divides Supermind and Overmind which permits a free transmission, allows the lower Power to derive from the higher Power all it holds or sees, but automatically compels a transitional change in the passage. The integrality of the Supermind keeps always the essential truth of things, the total truth and the truth of its individual self-determinations clearly knit together; it maintains in them an inseparable unity and between them a close interpenetration and a free and full consciousness of each other: but in Overmind this integrality is no longer there. And yet the Overmind is well aware of the essential Truth of things; it embraces the totality; it uses the individual self-determinations without being limited by them: but although it knows their oneness, can realise it in a spiritual cognition, yet its dynamic movement, even while relying on that for its security, is not directly determined by it. Overmind Energy proceeds through an illimitable capacity of separation and combination of the powers and aspects of the integral and indivisible all-comprehending Unity. It takes each Aspect or Power and gives to it an independent action in which it acquires a full separate importance and is able to work out, we might say, its own world of creation. Purusha and Prakriti, Conscious Soul and executive Force of Nature, are in the supramental harmony a two-aspected single truth, being and dynamis of the Reality; there can be no disequilibrium or predominance of one over the other. In Overmind we have the origin of the cleavage, the trenchant distinction made by the philosophy of the Sankhyas in which they appear as two independent entities, Prakriti able to dominate Purusha and cloud its freedom and power, reducing it to a witness and recipient of her forms and actions, Purusha able to return to its separate existence and abide in a free self-sovereignty by rejection of her original overclouding material principle. So with the other aspects or powers of the Divine Reality, One and Many, Divine Personality and Divine Impersonality, and the rest; each is still an aspect and power of the one Reality, but each is empowered to act as an independent entity in the whole, arrive at the fullness of the possibilities of its separate expression and develop the dynamic consequences of that separateness. At the same time in Overmind this separateness is still founded on the basis of an implicit underlying unity; all possibilities of combination and relation between the separated Powers and Aspects, all interchanges and mutualities of their energies are freely organised and their actuality always possible.

In Reconstruction in Philosophy (New York, 1920, p. 156), Dewey states "When the claim or pretension or plan is acted upon it guides us truly or falsely; it leads us to our end or away from it. Its active, dynamic function is the all-important thing about it, and in the quality of activity induced by it lies all its truth and falsity. The hypothesis that works is the true one, and truth is an abstract noun applied to the collection of cases, actual, foreseen and desired, that receive confirmation in their work and consequences". The needs and desires which truth must satisfy, however, are not conceived as personal and emotional (as with James) but rather as "public" in some not altogether explicit sense. Although Dewey emphasizes the functional role of propositions and laws (and even of sensations, facts and objects), and describes these materials of knowledge as means, tools, instruments or operations for the transformation of an indeterminate situation into a determinate one in the process of inquiry (Logic, The Theory of Inquiry, N. Y., 1938), he does not clearly deny that they have a strictly cognitive role as well, and he once states that "the essence of pragmatic instrumentalism is to conceive of both knowledge and practice as means of making goods -- excellencies of all kinds -- secure in experienced existence". (The Quest for Certainty, N. Y., 1929, p. 37.) Indeed, in his Logic (p. 345), he quotes with approval Peirce's definition "truth is that concordance of an abstract statement with the ideal limit towards which endless inquiry would tend to bring scientific belief, . . ." Here truth seems to be represented as progressive approximation to reality, but usually it is interpreted as efficacy, verification or practical expediency.

Insanity ::: A legal term representing the inability to know right from wrong or the inability to understand the consequences of one&

insignificant ::: 1. Too small to be important. 2. Unimportant, trifling, or petty; of no consequence, influence or distinction. 3. Without meaning. insignificance.

inspirational mentality ::: the middle level of idealised mentality, a "mind of luminous inspiration" which, in dealing with the movement in time, sees things "in the light of the world"s larger potentialities"; its defect is that it may be liable "to a hesitation or suspension of determining view as between various potential lines of the movement or even to a movement away from the line of eventual actuality and following another not yet applicable sequence".

Interactive CourseWare (ICW) A training program controlled by a computer that relies on trainee input to determine the order and pace of instruction delivery. The trainee advances through the sequence of instructional events by making decisions and selections. The instruction branches according to the trainee's responses. ICW is a US military term which includes {computer-aided instruction} and {computer-based training}. (1995-11-08)

interested ::: imp. & p. p. --> of Interest ::: v. t. --> Having the attention engaged; having emotion or passion excited; as, an interested listener.
Having an interest; concerned in a cause or in consequences; liable to be affected or prejudiced; as, an interested


Internet Protocol version 6 "networking, protocol" (IPv6, IPng, IP next generation) The most viable candidate to replace the current {Internet Protocol}. The primary purpose of IPv6 is to solve the problem of the shortage of {IP addresses}. The following features have been purposed: 16-byte addresses instead of the current four bytes; embedded {encryption} - a 32-bit {Security Association ID} (SAID) plus a variable length initialisation vector in {packet} headers; user {authentication} (a 32-bit SAID plus variable length {authentication} data in headers); autoconfiguration (currently partly handled by {Dynamic Host Configuration Protocol}); support for {delay-sensitive traffic} - a 24 bit flow ID field in headers to denote voice or video, etc. One possible solution is based on the {TUBA} protocol (RFC 1347, 1526, 1561) which is itself based on the {OSI} {Connectionless Network Protocol} (CNLP). Another is {TP/IX} (RFC 1475) which changes {TCP} and {UDP} headers to give a 64-bit {IP address}, a 32-bit {port} number, and a 64-bit sequence number. {RFC 1550} is a white paper on IPng. {IPv6.org (http://ipv6.org/)}. ["Doubts About IPng could create TCP/IP chaos", Johna Till Johnson, Data Communications, Nov 1994]. (2004-06-17)

In this simultaneous development of multitudinous independent or combined Powers or Potentials there is yet—or there is as yet—no chaos, no conflict, no fall from Truth or Knowledge. The Overmind is a creator of truths, not of illusions or falsehoods: what is worked out in any given overmental energism or movement is the truth of the Aspect, Power, Idea, Force, Delight which is liberated into independent action, the truth of the consequences of its reality in that independence. There is no exclusiveness asserting each as the sole truth of being or the others as inferior truths: each God knows all the Gods and their place in existence; each Idea admits all other ideas and their right to be; each Force concedes a place to all other forces and their truth and consequences; no delight of separate fulfilled existence or separate experience denies or condemns the delight of other existence or other experience. The Overmind is a principle of cosmic Truth and a vast and endless catholicity is its very spirit; its energy is an all-dynamism as well as a principle of separate dynamisms: it is a sort of inferior Supermind,—although it is concerned predominantly not with absolutes, but with what might be called the dynamic potentials or pragmatic truths of Reality, or with absolutes mainly for their power of generating pragmatic or creative values, although, too, its comprehension of things is more global than integral, since its totality is built up of global wholes or constituted by separate independent realities uniting or coalescing together, and although the essential unity is grasped by it and felt to be basic of things and pervasive in their manifestation, but no longer as in the Supermind their intimate and ever-present secret, their dominating continent, the overt constant builder of the harmonic whole of their activity and nature….

intuition ::: direct perception of truth, fact, etc., independent of any reasoning process. intuition"s, intuitions, half-intuition.

Sri Aurobindo: "Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrates with the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.” *The Life Divine

   "Intuition is always an edge or ray or outleap of a superior light; it is in us a projecting blade, edge or point of a far-off supermind light entering into and modified by some intermediate truth-mind substance above us and, so modified, again entering into and very much blinded by our ordinary or ignorant mind-substance; but on that higher level to which it is native its light is unmixed and therefore entirely and purely veridical, and its rays are not separated but connected or massed together in a play of waves of what might almost be called in the Sanskrit poetic figure a sea or mass of ``stable lightnings"". When this original or native Intuition begins to descend into us in answer to an ascension of our consciousness to its level or as a result of our finding of a clear way of communication with it, it may continue to come as a play of lightning-flashes, isolated or in constant action; but at this stage the judgment of reason becomes quite inapplicable, it can only act as an observer or registrar understanding or recording the more luminous intimations, judgments and discriminations of the higher power. To complete or verify an isolated intuition or discriminate its nature, its application, its limitations, the receiving consciousness must rely on another completing intuition or be able to call down a massed intuition capable of putting all in place. For once the process of the change has begun, a complete transmutation of the stuff and activities of the mind into the substance, form and power of Intuition is imperative; until then, so long as the process of consciousness depends upon the lower intelligence serving or helping out or using the intuition, the result can only be a survival of the mixed Knowledge-Ignorance uplifted or relieved by a higher light and force acting in its parts of Knowledge.” *The Life Divine

  "I use the word ‘intuition" for want of a better. In truth, it is a makeshift and inadequate to the connotation demanded of it. The same has to be said of the word ‘consciousness" and many others which our poverty compels us to extend illegitimately in their significance.” *The Life Divine - Sri Aurobindo"s footnote.

"For intuition is an edge of light thrust out by the secret Supermind. . . .” The Life Divine

". . . intuition is born of a direct awareness while intellect is an indirect action of a knowledge which constructs itself with difficulty out of the unknown from signs and indications and gathered data.” The Life Divine

"Intuition is above illumined Mind which is simply higher Mind raised to a great luminosity and more open to modified forms of intuition and inspiration.” Letters on Yoga

"Intuition sees the truth of things by a direct inner contact, not like the ordinary mental intelligence by seeking and reaching out for indirect contacts through the senses etc. But the limitation of the Intuition as compared with the supermind is that it sees things by flashes, point by point, not as a whole. Also in coming into the mind it gets mixed with the mental movement and forms a kind of intuitive mind activity which is not the pure truth, but something in between the higher Truth and the mental seeking. It can lead the consciousness through a sort of transitional stage and that is practically its function.” Letters on Yoga


inverted index "database, information science" A sequence of ({key}, pointer) pairs where each pointer points to a {record} in a {database} which contains the key value in some particular field. The index is sorted on the key values to allow rapid searching for a particular key value, using e.g. {binary search}. The index is "inverted" in the sense that the key value is used to find the record rather than the other way round. For databases in which the records may be searched based on more than one field, multiple indices may be created that are sorted on those keys. An index may contain gaps to allow for new entries to be added in the correct sort order without always requiring the following entries to be shifted out of the way. (1995-02-08)

Involution and .Evolution ::: Before there could be any evolution, there must needs be an involution of the Divine All that is to emerge. Otherwise there would be not an evolution, but a successive creation of things new, not contained in their antecedents, not their inevitable consequences or followers in a sequence but arbitrarily willed or miraculously conceived by an inexplicable Chance, a stumblingly fortunate Force or an external Creator.
   Ref: CWSA Vol. 12, Page: 225-26


involve ::: v. t. --> To roll or fold up; to wind round; to entwine.
To envelop completely; to surround; to cover; to hide; to involve in darkness or obscurity.
To complicate or make intricate, as in grammatical structure.
To connect with something as a natural or logical consequence or effect; to include necessarily; to imply.
To take in; to gather in; to mingle confusedly; to


irrational number "mathematics" A {real number} which is not a {rational number}, i.e. it is not the ratio of two {integers}. The decimal expansion of an irrational is infinite but does not end in an infinite repeating sequence of digits. Examples of irrational numbers are {pi}, {e} and the square root of two. (1995-04-12)

irrespective ::: a. --> Without regard for conditions, circumstances, or consequences; unbiased; independent; impartial; as, an irrespective judgment.
Disrespectful.


irresponsible ::: a. --> Nor responsible; not liable or able to answer fro consequences; innocent.
Not to be trusted; unreliable.


istidraj :::   to lead on; a test of sincerity by forestalling the consequences of wrong action

“It could be affirmed as a consequence that there is one all-pervading Life or dynamic energy—the material aspect being only its outermost movement—that creates all these forms of the physical universe, Life imperishable and eternal which, even if the whole figure of the universe were quite abolished, would itself still go on existing and be capable of producing a new universe in its place, must indeed, unless it be held back in a state of rest by some higher Power or hold itself back, inevitably go on creating. In that case Life is nothing else than the Force that builds and maintains and destroys forms in the world; it is Life that manifests itself in the form of the earth as much as in the plant that grows upon the earth and the animals that support their existence by devouring the life-force of the plant or of each other. All existence here is a universal Life that takes form of Matter. It might for that purpose hide life-process in physical process before it emerges as submental sensitivity and mentalised vitality, but still it would be throughout the same creative Life-principle.” The Life Divine

iteration "programming" Repetition of a sequence of instructions. A fundamental part of many {algorithms}. Iteration is characterised by a set of initial conditions, an iterative step and a termination condition. A well known example of iteration in mathematics is Newton-Raphson iteration. Iteration in programs is expressed using a {loop}, e.g. in {C}: new_x = n/2; do {  x = new_x;  new_x = 0.5 * (x + n/x); } while (abs(new_x-x) " epsilon); Iteration can be expressed in functional languages using recursion: solve x n = if abs(new_x-x) " epsilon   then solve new_x n   else new_x   where new_x = 0.5 * (x + n/x)     solve n/2 n (1998-04-04)

It is customary to distinguish between the nature of truth and the tests for truth. There are three traditional theories as to the nature of truth, each finding virious expression in the works of different exponents. According to the correspondence theory, a proposition (or meaning) is true if there is a fact to which it corresponds. if it expresses what is the case. For example, "It is raining here now" is true if it is the case that it is raining here now; otherwise it is false. The nature of the relation of correspondence between fact and true proposition is variously described by different writers, or left largely undescribed. Russell in The Problems of Philosophy speaks of the correspondence as consisting of an identity of the constituents of the fact and of the proposition. According to the coherence theory (see H. H. Joachim: The Nature of Truth), truth is systematic coherence. This is more than logical consistency. A proposition is true insofar is it is a necessary constituent of a systematically coherent whole. According to some (e.g., Brand Blanshard, The Nature of Truth), this whole must be such that every element in it necessitates, indeed entails, every other element. Strictly, on this view, truth, in its fullness, is a characteristic of only the one systematic coherent whole, which is the absolute. It attaches to propositions as we know them and to wholes as we know them only to a degree. A proposition has a degree of truth proportionate to the completeness of the systematic coherence of the system of entities to which it belongs. According to the pragmatic theory of truth, a proposition is true insofar as it works or satisfies, working or satisfying being described variously by different exponents of the view. Some writers insist that truth chiracterizes only those propositions (ideas) whose satisfactory working has actually verified them; others state that only verifiability through such consequences is necessary. In either case, writers differ as to the precise nature of the verifying experiences required. See Pragmatism. --C.A.B. Truth, semantical: Closely connected with the name relation (q.v.) is the property of a propositional formula (sentence) that it expresses a true proposition (or if it has free variables, that it expresses a true proposition for all values of these variables). As in the case of the name relation, a notation for the concept of truth in this sense often cannot be added, with its natural properties, to an (interpreted) logistic system without producing contradiction. A particular system may, however, be made the beginning of a hierarchy of systems each containing the truth concept appropriate to the preceding one.

It is usually to be required that a logistic system shall provide an effective criterion for recognizing formulas, proofs, and proofs as a consequence of a set of formulas; i.e., it shall be a matter of direct observation, and of following a fixed set of directions for concrete operations with symbols, to determine whether a given finite sequence of primitive symbols is a formula, or whether a given finite sequence of formulas is a proof, or is a proof as a conseqence of a given set of formulas. If this requirement is not satisfied, it may be necessary -- e.g. -- given a particular finite sequence of formulas, to seek by some argument adapted to the special case to prove or disprove that it satisfies the conditions to be a proof (in the technical sense); i.e., the criterion for formal recognition of proofs then presupposes, in actual application, that we already know what a valid deduction is (in a sense which is stronger than that merely of the ability to follow concrete directions in a particular case). See further on this point logic, formal, § 1.

Jainism: An Indian religion claiming great antiquity, the last of the great teachers (tirthankara) being Mahavira (6th cent. B.C.), embracing many philosophical elements of a pluralistic type of realism. It rejects Vedic (q.v.) authority and an absolute being, gods as well as men partaking of mortality, and holds the mythologically conceived world to be eternal and subject only to the fixed sequence of six ages, good and bad, but not periodic creation and destruction. There is an infinitude of indestructible individual souls or spiritual entities, each possessing by nature many properties inclusive of omniscience, unlimited energy and bliss which come to the fore upon attaining full independence. The non-spiritual substances are space and time, rest and motion, and matter composed of atoms and capable of being apprehended by the senses and combining to form the world of infinite variety. Matter also penetrates spiritual substance like a physician's pill, changing to karma and producing physical attachments. The good life consists in the acquisition of the three gems (triratna) of right faith (samyag-darsana), right knowledge (samyag-jnana), right conduct (samyag-caritra). Salvation, i.e., becoming a kevalin (cf. kevala), is an arduous task achieved in 14 stages of perfection, the last being bodiless existence in bliss and complete oblivion to the world and its ways. -- K.F.L.

James' definition of pragmatism, written for Baldwin's Dictionary of Philosophy, is simply a restatement, or "exegesis", of Peirce's definition (see first definition listed above) appearing in the same place. The resemblance between their positions is illustrated by their common insistence upon the feasibility and desirability of resolving metaphysical problems by practical distinctions, unprejudiced by dogmatic presuppositions, their willingness to put every question to the test. "The pragmatic method", says James, "tries to interpret each notion by tracing its respective practical consequences. . . . If no practical difference whatever can be traced", between two alternatives, they "mean practically the same thing, and all dispute is idle". (Pragmatism, p. 45. See also Chapters III and IV.)

Joliet "standard, storage" An extension of the {ISO 9660:1988} {ISO} {standard} {file system} for {CD-ROMs} that allows {Unicode} characters in file names and other enhancements. Version 1 of Joliet was released on 1995-05-22. Joiliet supports file and directory names up to 128 bytes (64 unicode characters) long, directory names with file name extensions, a directory hierarchy deeper than 8 levels and the {volume recognition sequence} supports {multisession}. Joliet uses ISO 9660's "supplementary volume descriptor" (SVD) to specify Unicode files. Use of the previously unused escape sequence ISO 2022 means that Joliet is {backward compatible} with ISO 9660.. {(http://www-plateau.cs.berkeley.edu/people/chaffee/jolspec.html)}. (2006-09-25)

KARMA. ::: Action entailing its consequences.

karma ::: n. --> One&

karmaphala. ::: the fruit of actions; the consequence of a deed

kenogenesis ::: n. --> Modified evolution, in which nonprimitive characters make their appearance in consequence of a secondary adaptation of the embryo to the peculiar conditions of its environment; -- distinguished from palingenesis.

Keyed Sequenced Data Set "database" (KSDS) One of the access methods used by {VSAM}. KSDS has indexes and data split into CI (Control Interval) in CA (Control Area) and multi index levelled. Forward and backward compression is applied to key values. (1999-01-11)

key frame "graphics" A frame in an animated sequence of frames which was drawn or otherwise constructed directly by the user rather than generated automatically, e.g. by {tweening}. (1995-04-06)

Law of Effect ::: Theory proposed by Thorndike stating that those responses that are followed by a positive consequence will be repeated more frequently than those that are not.

lazy list A list which is built using a non-strict constructor. Any head or tail of the list may be an unevaluated closure. Also known as streams since they may be used to carry a sequence of values from the output of one function to an input of another. See also Lazy evaluation.

L. Couturat, Ilme Congres de Philosophie, Revue de Metaphysique et de Morale, vol. 12 (1904), see p. 1042. Logistic system: The formal construction of a logistic system requires: a list of primitive symbols (these are usually taken as marks but may also be sounds or other things --they must be capable of instances which are, recognizably, the same or different symbols, and capable of utterance in which instances of them arc put forth or arranged in an order one after another); a determination of a class of formulas, each formula being a finite sequence of primitive symbols, or, more exactly, each formula being capable of instances which are finite sequences of instances of primitive symbols (generalizations allowing two-dimensional arrays of primitive symbols and the like are non-essential); a determination of the circumstances under which a finite sequence of formulas is a proof of the last formula in the sequence, this last formula being then called a theorem (again we should more exactly speak of proofs as having instances which are finite sequences of instances of formulas); a determination of the circumstances under which a finite sequence of formulas is a proof of the last formula of the sequence as a consequence of a certain set of formulas (when there is a proof of a formula B as a consequence of the set of formulas A1, A2, . . . , An, we say that the inference from the premisses A1, A2, . . . , An to the conclusion B is a valid inference of the logistic system). It is not excluded that the class of proofs in the sense of (3) should be empty. But every proof of a formula B as a consequence of an empty set of formulas, in the sense of (4), must also be a proof of B in the sense of (3), and conversely. Moreover, if to the proof of a formula B as a consequence of A1, A2, . . . , An are prefixed in any order proofs of A1, A2, . . . , An, the entire resulting sequence of formulas must be a proof of B; more generally, if to the proof of a formula B as a consequence of A1, A2, . . . , An are prefixed in any order proofs of a subset of A1, A2, . . . , An as consequences of the remainder of A1, A2, . . . , An, the entire resulting sequence must be a proof of B as a consequence of this remainder.

Learned Helplessness ::: A condition that occurs after a period of negative consequences where the person begins to believe they have no control.

least fixed point "mathematics" A {function} f may have many {fixed points} (x such that f x = x). For example, any value is a fixed point of the identity function, (\ x . x). If f is {recursive}, we can represent it as f = fix F where F is some {higher-order function} and fix F = F (fix F). The standard {denotational semantics} of f is then given by the least fixed point of F. This is the {least upper bound} of the infinite sequence (the {ascending Kleene chain}) obtained by repeatedly applying F to the totally undefined value, bottom. I.e. fix F = LUB {bottom, F bottom, F (F bottom), ...}. The least fixed point is guaranteed to exist for a {continuous} function over a {cpo}. (2005-04-12)

Legalism, ethical: The insistence on a strict literal or overt observance of certain rules of conduct, or the belief that there are rules which must be so obeyed. Opposed on the one hand by the view which emphasizes the spirit over the letter of the law, and on the other by the view which emphasizes a consideration of the value of the consequences of actions and rules of action. Deontological ethics is often said to be legalistic. Cf. F. Cohen, Legal Ideals and Ethical Systems. -- W.K.F.

Lempel-Ziv Welch compression (LZW) The {algorithm} used by the {Unix} {compress} command to reduce the size of files, e.g. for archival or transmission. LZW was designed by Terry Welch in 1984 for implementation in hardware for high-performance disk controllers. It is a variant of {LZ78}, one of the two {Lempel-Ziv compression} schemes. The LZW algorithm relies on reoccurrence of byte sequences (strings) in its input. It maintains a table mapping input strings to their associated output codes. The table initially contains mappings for all possible strings of length one. Input is taken one byte at a time to find the longest initial string present in the table. The code for that string is output and then the string is extended with one more input byte, b. A new entry is added to the table mapping the extended string to the next unused code (obtained by incrementing a counter). The process repeats, starting from byte b. The number of bits in an output code, and hence the maximum number of entries in the table is usually fixed and once this limit is reached, no more entries are added. LZW compression and decompression are licensed under {Unisys} Corporation's 1984 U.S. Patent 4,558,302 and equivalent foreign patents. This kind of patent isn't legal in most coutries of the world (including the UK) except the USA. Patents in the UK can't describe {algorithms} or mathematical methods. [A Technique for High Performance Data Compression, Terry A. Welch, IEEE Computer, 17(6), June 1984, pp. 8-19] [J. Ziv and A. Lempel, "A Universal Algorithm for Sequential Data Compression," IEEE Transactions on Information Theory, Vol. IT-23, No. 3, May 1977, pp. 337-343].

levels ::: A level is a general measure of higher and lower. While the terms “structures,” “stages,” and “waves” are sometimes loosely used to refer to “levels,” each term has their own important nuances. Any specific level has an actual structure. Levels tend to unfold in a sequence and thus progress through stages. Finally, levels are not rigidly separated from each other but are rather fluid and overlapping waves. In short, levels are abstract measures that represent fluid yet qualitatively distinct classes of recurrent patterns within developmental lines. Some examples include egocentric, ethnocentric, worldcentric, planetcentric, and Kosmocentric.

Liana "language" A {C}-like, interpretive, {object-oriented programming} language, {class} library, and integrated development environment designed specifically for development of {application programs} for {Microsoft Windows} and {Windows NT}. Designed by Jack Krupansky "Jack@BaseTechnology.com" of {Base Technology}, Liana was first released as a commercial product in August 1991. The language is designed to be as easy to use as {BASIC}, as concise as {C}, and as flexible as {Smalltalk}. The {OOP} {syntax} of {C++} was chosen over the less familiar syntax of {Smalltalk} and {Objective-C} to appeal to {C} programmers and in recognition of C++ being the leading OOP language. The syntax is a simplified subset of {C/C++}. The {semantics} are also a simplified subset of C/C++, but extended to achieve the flexibility of Smalltalk. Liana is a typeless language (like {Lisp}, {Snobol} and {Smalltalk}), which means that the datatypes of variables, function parameters, and function return values are not needed since values carry the type information. Hence, variables are simply containers for values and function parameters are simply pipes through which any type of value can flow. {Single inheritance}, but not {multiple inheritance}, is supported. {Memory management} is automatic using {reference counting}. The library includes over 150 {classes}, for {dynamic arrays}, {associative lookup} tables, windows, menus, dialogs, controls, bitmaps, cursors, icons, mouse movement, keyboard input, fonts, text and graphics display, {DDE}, and {MDI}. Liana provides flexible OOP support for Windows programming. For example, a {list box} automatically fills itself from an associated {object}. That object is not some sort of special object, but is merely any object that "behaves like" an array (i.e., has a "size" member function that returns the number of elements, a "get" function that returns the ith element, and the text for each element is returned by calling the "text" member function for the element). A related product, C-odeScript, is an embeddable application scripting language. It is an implementation of Liana which can be called from C/C++ applications to dynamically evaluate expressions and statement sequences. This can be used to offer the end-user a macro/scripting capability or to allow the C/C++ application to be customized without changing the C/C++ source code. Here's a complete Liana program which illustrates the flexibility of the language semantics and the power of the class library: main {  // Prompt user for a string.  // No declaration needed for "x" (becomes a global variable.)  x = ask ("Enter a String");  // Use "+" operator to concatenate strings. Memory  // management for string temporaries is automatic. The  // "message" function displays a Windows message box.  message ("You entered: " + x);  // Now x will take on a different type. The "ask_number"  // function will return a "real" if the user's input  // contains a decimal point or an "int" if no decimal  // point.  x = ask_number ("Enter a Number");  // The "+" operator with a string operand will  // automatically convert the other operand to a string.  message ("You entered: " + x);  // Prompt user for a Liana expression. Store it in a  // local variable (the type, string, is merely for  // documentation.)  string expr = ask ("Enter an Expression");  // Evaluate the expression. The return value of "eval"  // could be any type. The "source_format" member function  // converts any value to its source format (e.g., add  // quotes for a string.) The "class_name" member function  // return the name of the class of an object/value.  // Empty parens can be left off for member function calls.  x = eval (expr);  message ("The value of " + expr + " is " + x.source_format +    " its type is " + x.class_name); } The author explained that the "Li" of Liana stands for "Language interpreter" and liana are vines that grow up trees in tropical forests, which seemed quite appropriate for a tool to deal with the complexity of MS Windows! It is also a woman's name. ["Liana for Windows", Aitken, P., PC TECHNIQUES, Dec/Jan 1993]. ["Liana: A Language For Writing Windows Programs", Burk, R., Tech Specialist (R&D Publications), Sep 1991]. ["Liana v. 1.0." Hildebrand, J.D., Computer Language, Dec 1992]. ["Liana: A Windows Programming Language Based on C and C++", Krupansky, J., The C Users Journal, Jul 1992]. ["Writing a Multimedia App in Liana", Krupansky, J., Dr. Dobb's Journal, Winter Multimedia Sourcebook 1994]. ["The Liana Programming Language", R. Valdes, Dr Dobbs J Oct 1993, pp.50-52]. (1999-06-29)

line ::: 1. *Gen.* Text consisting of a row of words written across a page. 2. A chronological or ancestral series, esp. of people. 3. A course of progress or movement; a route. 4. A manner or course of procedure determined by a specified factor. 5. A sequence of related things that leads to a certain ending. 6. A border or boundary. 7. A narrow continuous mark, as one made by a pencil, pen, or brush across a surface.

line starve (MIT, opposite of {line feed}) 1. To feed paper through a printer the wrong way by one line (most printers can't do this). On a display terminal, to move the cursor up to the previous line of the screen. "To print "X squared", you just output "X", line starve, "2", line feed." (The line starve causes the "2" to appear on the line above the "X", and the line feed gets back to the original line.) 2. A character (or character sequence) that causes a terminal to perform this action. ASCII 26, also called SUB or control-Z, was one common line-starve character in the days before {microcomputers} and the {X3.64} terminal standard. Unlike "line feed", "line starve" is *not* standard {ASCII} terminology. Even among hackers it is considered silly. 3. (Proposed) A sequence such as \c (used in {System V} {echo}, as well as {nroff} and {troff}) that suppresses a {newline} or other character(s) that would normally be emitted. [{Jargon File}] (1995-02-03)

logical shift "programming" (Either shift left logical or shift right logical) Machine-level operations available on nearly all processors which move each bit in a word one or more bit positions in the given direction. A left shift moves the bits to more significant positions (like multiplying by two), a right shift moves them to less significant positions (like dividing by two). The comparison with multiplication and division breaks down in certain circumstances - a logical shift may discard bits that are shifted off either end of the word and does not preserve the sign of the word (positive or negative). Logical shift is approriate when treating the word as a {bit string} or a sequence of {bit fields}, whereas {arithmetic shift} is appropriate when treating it as a binary number. The word to be shifted is usually stored in a {register}, or possibly in memory. (1996-07-02)

loop "programming" A sequence of {instructions} in a {program} that the {processor} repeats. The loop will usually terminate when some condition is met or it may run indefinitely - an {infinite loop}. {Structured languages} like {C} and its descendents provide loop {statements} and {keywords} for some or all of {for loop}, {while loop} and {repeat loop}. See also {loop-and-a-half}. In other languages these constructs may be synthesised with a {jump} ({assembly language}) or a {GOTO} (early {Fortran} or {BASIC}). To "loop through" a list means to process each element in turn. (2019-09-03)

Lorem ipsum "text" A common piece of text used as mock-{content} when testing a given page layout or {font}. The following text is often used: "Lorem ipsum dolor sit amet, consectetaur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum." This continues at length and variously. The text is not really Greek, but badly garbled Latin. It started life as extracted phrases from sections 1.10.32 and 1.10.33 of Cicero's "De Finibus Bonorum et Malorum" ("The Extremes of Good and Evil"), which read: Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur? At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat. Translation: But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure? On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains. -- Translation by H. Rackham, from his 1914 edition of De Finibus. However, since textual fidelity was unimportant to the goal of having {random} text to fill a page, it has degraded over the centuries, into "Lorem ipsum...". The point of using this text, or some other text of incidental intelligibility, is that it has a more-or-less normal (for English and Latin, at least) distribution of ascenders, descenders, and word-lengths, as opposed to just using "abc 123 abc 123", "Content here content here", or the like. The text is often used when previewing the layout of a document, as the use of more understandable text would distract the user from the layout being examined. A related technique is {greeking}. {Lorem Ipsum - All the facts (http://lipsum.com/)}. (2006-09-18)

lotos-eater ::: n. --> One who ate the fruit or leaf of the lotus, and, as a consequence, gave himself up to indolence and daydreams; one of the Lotophagi.

lotus (as chakra) ::: Sri Aurobindo: "This arrangement of the psychic body is reproduced in the physical with the spinal column as a rod and the ganglionic centres as the chakras which rise up from the bottom of the column, where the lowest is attached, to the brain and find their summit in the brahmarandhra at the top of the skull. These chakras or lotuses, however, are in physical man closed or only partly open, with the consequence that only such powers and only so much of them are active in him as are sufficient for his ordinary physical life, and so much mind and soul only is at play as will accord with its need. This is the real reason, looked at from the mechanical point of view, why the embodied soul seems so dependent on the bodily and nervous life, — though the dependence is neither so complete nor so real as it seems. The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake, — therefore it is called the kundalinî sakti, — in the lowest of the chakras, in the mûlâdhâra.” *The Synthesis of Yoga

LUCID 1. Early query language, ca. 1965, System Development Corp, Santa Monica, CA. [Sammet 1969, p.701]. 2. A family of dataflow languages descended from {ISWIM}, {lazy} but {first-order}. Ashcroft & Wadge "wwadge@csr.uvic.ca", 1981. They use a dynamic {demand driven} model. Statements are regarded as equations defining a network of processors and communication lines, through which the data flows. Every data object is thought of as an infinite {stream} of simple values, every function as a {filter}. Lucid has no {data constructors} such as {arrays} or {records}. {Iteration} is simulated with 'is current' and 'fby' (concatenation of sequences). Higher-order functions are implemented using pure dataflow and no closures or heaps. ["Lucid: The Dataflow Language" by Bill Wadge "wwadge@csr.UVic.CA" and Ed Ashcroft, c. 1985]. ["Lucid, the Dataflow Programming Language", W. Wadge, Academic Press 1985]. (1995-02-16)

LUSTRE (A French acronym for Synchronous real-time Lucid). Real-time dataflow language for synchronous systems, especially automatic control and signal processing. A {Lucid} subset, plus timing operators and user-defined clocks. Designed for automatic control applications. It is based on the idea that automatic control engineers use to analyse, and specify their systems in terms of functions over sequences (sampled signals). It thus seems both safe and cost effective to try to compile directly those descriptions into executable code. A lot of work has been done, so as to get efficient compilation, and also in formal verification. The language has been used in nuclear plant control, and will be used in aircraft control. ["Outline of a Real-Time Data-Flow Language", J.-L. Bergerand et al, Proc IEE-CS Real Time Systems Symp, San Diego, IEEE Dec 1985, pp. 33-42]. ["LUSTRE: A Declarative Language for Programming Synchronous Systems", P. Caspi et al, Conf Rec 14th Ann ACM Symp on Princ Prog Langs, 1987]. (1994-10-12)

machine code "language" The representation of a {computer program} that is read and interpreted by the computer hardware (rather than by some other machine code program). A program in machine code consists of a sequence of "instructions" (possibly interspersed with data). An instruction is a {binary string}, (often written as one or more {octal}, {decimal} or {hexadecimal} numbers). Instructions may be all the same size (e.g. one 32-bit word for many modern {RISC} {microprocessors}) or of different sizes, in which case the size of the instruction is determined from the first {word} (e.g. {Motorola} {68000}) or {byte} (e.g. {Inmos} {transputer}). The collection of all possible instructions for a particular computer is known as its "{instruction set}". Each instruction typically causes the {Central Processing Unit} to perform some fairly simple operation like loading a value from memory into a {register} or adding the numbers in two registers. An instruction consists of an {op code} and zero or more {operands}. Different processors have different {instruction sets} - the collection of possible operations they can perform. Execution of machine code may either be {hard-wired} into the {central processing unit} or it may be controlled by {microcode}. The basic execution cycle consists of fetching the next instruction from {main memory}, decoding it (determining which action the {operation code} specifies and the location of any {arguments}) and executing it by opening various {gates} (e.g. to allow data to flow from main memory into a CPU {register}) and enabling {functional units} (e.g. signalling to the {ALU} to perform an addition). Humans almost never write programs directly in machine code. Instead, they use {programming languages}. The simplest kind of programming language is {assembly language} which usually has a one-to-one correspondence with the resulting machine code instructions but allows the use of {mnemonics} (ASCII strings) for the "{op codes}" (the part of the instruction which encodes the basic type of operation to perform) and names for locations in the program (branch labels) and for {variables} and {constants}. Other languages are either translated by a {compiler} into machine code or executed by an {interpreter} (2009-06-16)

Madhav: “Moment is the sequence of Time. Each moment records what is happening at that point. It relates to the present. The Ray of the Eternal interrupts the movement of Time for a while and lights up things that are not yet manifest. It gives a peep into the future. The Ray of the Eternal is able to do it because the future is already present in the vision of the Eternal.” The Book of the Divine Mother

Madhav: “The powers that create and fashion this world in accordance with the Truth with which they are charged, are not involved, lost in the world-movement. They stand above, governing, shaping, directing the growing world-complex. They know precisely what takes place and why. They are not misled by appearances of phenomena; each event is seen by them as developing from its veiled cause which they perceive undeceived by apparent sequences on the surface.” Readings in Savitri, Vol. II.

magnetic disk "storage" A flat rotating disc covered on one or both sides with magnetisable material. The two main types are the {hard disk} and the {floppy disk}. Data is stored on either or both surfaces of discs in concentric rings called "{tracks}". Each track is divided into a whole number of "{sectors}". Where multiple (rigid) discs are mounted on the same axle the set of tracks at the same radius on all their surfaces is known as a "{cylinder}". Data is read and written by a {disk drive} which rotates the discs and positions the {read/write heads} over the desired track(s). The latter radial movement is known as "{seeking}". There is usually one head for each surface that stores data. To reduce {rotational latency} it is possible, though expensive, to have multiple heads at different angles. The head writes binary data by magnetising small areas or "zones" of the disk in one of two opposing orientations. It reads data by detecting current pulses induced in a coil as zones with different magnetic alignment pass underneath it. In theory, bits could be read back as a time sequence of pulse (one) or no pulse (zero). However, a run of zeros would give a prolonged absence of signal, making it hard to accurately divide the signal into individual bits due to the variability of motor speed. {Run Length Limited} is one common solution to this {clock recovery} problem. High speed disks have an {access time} of 28 {milliseconds} or less, and low-speed disks, 65 milliseconds or more. The higher speed disks also transfer their data faster than the slower speed units. The disks are usually aluminium with a magnetic coating. The heads "float" just above the disk's surface on a current of air, sometimes at lower than atmospheric pressure in an air-tight enclosure. The head has an aerodynamic shape so the current pushes it away from the disk. A small spring pushes the head towards the disk at the same time keeping the head at a constant distance from the disk (about two microns). Disk drives are commonly characterised by the kind of interface used to connect to the computer, e.g. {ATA}, {IDE}, {SCSI}. See also {winchester}. Compare {magnetic drum}, {compact disc}, {optical disk}, {magneto-optical disk}. {Suchanka's PC-DISK library (http://pc-disk.de/)}. (2007-06-14)

magnitudes ::: 1. Greatness of size, extent or amount. 2. Great importance or consequence.

malacosteon ::: n. --> A peculiar disease of the bones, in consequence of which they become softened and capable of being bent without breaking.

Mark I "computer" (Or "Automatic Sequence Controlled Calculator", "ASCC") A {first generation computer} that was designed by {Howard Aiken} of {Harvard University}, taking inspiration from {Charles Babbage}'s {Analytical Engine}. The Mark I, as the Harvard University staff called it, was built by {IBM} between 1939 to 1944. It was delivered to Harvard University and became operational in March 1944. The Mark I is considered to be the first full-sized {digital computer}. It was built from clutches, relays, rotating shafts and switches. It read its instructions from one paper tape and data from another. It could store 72 numbers, each of 23 decimal digits. It weighed about 4500 Kg, had 800 Km of wiring, was used only for numeric calculations, and took three seconds to carry out one multiplication. The IBM archives call it the, "...industry's largest electromechanical calculator." One of the Mark I's first programers was {John von Neumann}. The Mark I was retired in 1959, and disassembled. Parts are archived at Harvard in the Science Center. It was followed by the {Mark II}. (1996-11-24)

Markov chain "probability" (Named after {Andrei Markov}) A model of sequences of events where the probability of an event occurring depends upon the fact that a preceding event occurred. A {Markov process} is governed by a Markov chain. In {simulation}, the principle of the Markov chain is applied to the selection of samples from a probability density function to be applied to the model. {Simscript} II.5 uses this approach for some modelling functions. [Better explanation?] (1995-02-23)

Markov process "probability, simulation" A process in which the sequence of events can be described by a {Markov chain}. (1995-02-23)

material ::: a. --> Consisting of matter; not spiritual; corporeal; physical; as, material substance or bodies.
Hence: Pertaining to, or affecting, the physical nature of man, as distinguished from the mental or moral nature; relating to the bodily wants, interests, and comforts.
Of solid or weighty character; not insubstantial; of cinsequence; not be dispensed with; important.
Pertaining to the matter, as opposed to the form, of a


McDougall, William: (1871-1938) Formerly of Oxford and later of Harvard and Duke Universities, was the leading exponent of purposive or "hormic" (from Gr. horme, impulse) psychology. "Purposive psychology . . . asserts that active striving towards a goal is a fundamental category of psychology, and is a process of a type that cannot be mechanistically explained or resolved into mechanistic sequences." Psychologies of 1930, p. 4. In his epoch-making book, Introduction to Social Psychology (1908), McDougall developed a purposive theory of the human instincts designed to serve as an adequate psychological foundation for the social sciences. His social psychology listed among the primary instincts of man: flight, repulsion, curiosity, self-abasement, self-assertion and the parental instinct. McDougall's teleological theory is psychological rather than metaphysical, but he believed that the psychological fact of purpose was a genuine instance of teleologilcal causation. (Modern Materialism and Emergent Evolution, 1929.) He was also led by his psychological studies to adopt a metaphysical dualism and interactionism which he designated "animism." See Body and Mind, 1911. -- L.W.

mean ::: 1. Low or poor in quality or grade; inferior. 2. Ignoble; base. 3. Of little importance or consequence. meanest.

Meaning: A highly ambiguous term, with at least four pivotal senses, involving intention or purpose, designation or reference, definition or translation, causal antecedents or consequences. Each of these provides overlapping families of cases generated by some or all of the following types of systematic ambiguity: -- Arising from a contrast between the standpoints of speaker and interpreter. arising from contrast between the meaning of specific utterances (tokens) and that of the general (type) symbol. arising from attention to one rather than another use of language (e.g., to the expressive rather than the evocative or referential uses). Some of these ambiguities are normally eliminated by attention to the context in which the term 'meaning' occurs. Adequate definition, would, accordingly, involve a detailed analysis of the types of context which are most common. The following is a preliminary outline. "What does X {some event, not necessarily linguistic) mean?" =   "Of what is X an index?"   "Of what is X a sign?" "What does S (a speaker) mean by X (an utterance)?" =   "What are S's interests, intentions, purposes in uttering X?"   "To whom (what) is he referring?"   "What effect does he wish to produce in the hearer?"   "What other utterance could he have used to express the same interest, make the same reference, or produce the same effect?" "What does X (an utterance of a speaker) mean to an interpreter?" =   "What does I take S to have meant by X (in any of the senses listed under B)?" "What does X (a type symbol) mean in language L?"   "What symbols (in L) can be substituted for X (in specified contexts) without appreciable loss of expressive, evocative or referential function?"   In a translation from L into another language M, either of X or of a more complex symbol containing X as part, what portion of the end-product corresponds to X?"   In addition to the above, relatively nontechnical senses, many writers use the word in divergent special ways based upon and implying favored theories about meaning.

metasyntactic variable "grammar" Strictly, a {variable} used in {metasyntax}, but often used for any name used in examples and understood to stand for whatever thing is under discussion, or any random member of a class of things under discussion. The word {foo} is the {canonical} example. To avoid confusion, hackers never (well, hardly ever) use "foo" or other words like it as permanent names for anything. In filenames, a common convention is that any filename beginning with a metasyntactic-variable name is a {scratch} file that may be deleted at any time. To some extent, the list of one's preferred metasyntactic variables is a cultural signature. They occur both in series (used for related groups of variables or objects) and as singletons. Here are a few common signatures: {foo}, {bar}, {baz}, quux, quuux, quuuux...: MIT/Stanford usage, now found everywhere. At MIT (but not at Stanford), {baz} dropped out of use for a while in the 1970s and '80s. A common recent mutation of this sequence inserts {qux} before quux. bazola, ztesch: Stanford (from mid-'70s on). {foo}, {bar}, thud, grunt: This series was popular at CMU. Other CMU-associated variables include ack, barf, foo, and {gorp}. {foo}, {bar}, fum: This series is reported to be common at {Xerox PARC}. {fred}, {barney}: See the entry for {fred}. These tend to be Britishisms. {toto}, titi, tata, tutu: Standard series of metasyntactic variables among francophones. {corge}, {grault}, {flarp}: Popular at Rutgers University and among {GOSMACS} hackers. zxc, spqr, {wombat}: Cambridge University (England). shme: Berkeley, GeoWorks, Ingres. Pronounced /shme/ with a short /e/. {foo}, {bar}, zot: {Helsinki University of Technology}, Finland. blarg, wibble: New Zealand Of all these, only "foo" and "bar" are universal (and {baz} nearly so). The compounds {foobar} and "foobaz" also enjoy very wide currency. Some jargon terms are also used as metasyntactic names; {barf} and {mumble}, for example. See also {Commonwealth Hackish} for discussion of numerous metasyntactic variables found in Great Britain and the Commonwealth. [{Jargon File}] (1995-11-13)

Method of trial and error: Method of solving a problem, or of accomplishing an end, by putting the hypotheses or means to direct test in actuality rather than by considering them imaginatively in terms of foreseen consequences; opposed to reflection. -- A.C.B.

me too A {functional language} for executable specifications developed by Peter Henderson in 1984. It is like {LispKit Lisp}, but with sets, maps and sequences to describe the specification. ["Functional Programming, Formal Specification and Rapid Prototyping", IEEE Trans Soft Eng, SE-12(2):241-250 (Feb 1986)]. (1994-10-21)

microcode "programming" A technique for implementing the {instruction set} of a processor as a sequence of microcode instructions ("microinstructions"), each of which typically consists of a (large) number of bit fields and the address of the next microinstruction to execute. Each bit field controls some specific part of the processor's operation, such as a gate which allows some {functional unit} to drive a value onto the {bus} or the operation to be performed by the {ALU}. Several microinstructions will usually be required to fetch, decode and execute each {machine code} instruction ("{macroinstruction}"). The microcode may also be responsible for {polling} for hardware {interrupts} between each macroinstruction. Writing microcode is known as "microprogramming". Microcode may be classified as "horizontally encoded" or "vertically encoded". Horizontal microcode is as described above where there is a fairly direct correspondence between the bit fields in a microinstruction and the control signals sent to the various parts of the CPU. Not all combinations of bits will be valid (e.g. two units driving the bus at once). Vertical microcode is closer to {machine code} because a bit field value may pass through some intermediate combinatory logic which generates the actual control signals. This allows a few bits of a microinstruction to determine several control signals and ensure that only valid combinations of those signals are generated (e.g. a field may be decoded to determine which unit drives the bus). The disadvantage with vertical encoding is that the encoding is usually fixed and takes extra time compared with horizontal encoding which allows any combination of signals to be generated and takes no time to decode. The alternative to a microcoded processor is a {hard-wired} one where the control signals are generated directly from the bits of the {machine code} instruction. This is more common in modern {RISC} architectures because it is faster. Microcode is usually stored in {ROM} chips though some processors (e.g. the {Orion}) use fast RAM, making them dynamically microprogrammable. (1996-11-26)

micturition ::: n. --> The act of voiding urine; also, a morbidly frequent passing of the urine, in consequence of disease.

mighty ::: n. --> Possessing might; having great power or authority.
Accomplished by might; hence, extraordinary; wonderful.
Denoting and extraordinary degree or quality in respect of size, character, importance, consequences, etc.
A warrior of great force and courage. ::: adv.


minimax "games" An {algorithm} for choosing the next move in a two player game. A player moves so as to maximise the minimum value of his opponent's possible following moves. If it is my turn to move, I give a value to each legal move I might make. If the result of a move is an immediate win for me I give it positive infinity and, if it is an immediate win for you, negative infinity. The value to me of any other move is the minimum of the values resulting from each of your possible replies. The above algorithm will give every move a value of positive or negative infinity since the value of every move will be the value of some final winning or losing move. This can be extended if we can supply a {heuristic} {evaluation function} which gives values to non-final game states without considering all possible following complete sequences. We can then limit the minimax algorithm to look only a certain number of moves ahead. This number is called the "look-ahead" or "ply". See also {alpha/beta pruning}. [Is "maximin" used? Is it significantly different?] (2000-12-07)

minimum ::: n. --> The least quantity assignable, admissible, or possible, in a given case; hence, a thing of small consequence; -- opposed to maximum.

misconsequence ::: n. --> A wrong consequence; a false deduction.

misfeature /mis-fee'chr/ or /mis'fee"chr/ A feature that eventually causes lossage, possibly because it is not adequate for a new situation that has evolved. Since it results from a deliberate and properly implemented feature, a misfeature is not a bug. Nor is it a simple unforeseen side effect; the term implies that the feature in question was carefully planned, but its long-term consequences were not accurately or adequately predicted (which is quite different from not having thought ahead at all). A misfeature can be a particularly stubborn problem to resolve, because fixing it usually involves a substantial philosophical change to the structure of the system involved. Many misfeatures (especially in user-interface design) arise because the designers/implementors mistake their personal tastes for laws of nature. Often a former feature becomes a misfeature because trade-offs were made whose parameters subsequently change (possibly only in the judgment of the implementors). "Well, yeah, it is kind of a misfeature that file names are limited to six characters, but the original implementors wanted to save directory space and we"re stuck with it for now."

moliminous ::: a. --> Of great bulk or consequence; very important.

moment ::: n. --> A minute portion of time; a point of time; an instant; as, at thet very moment.
Impulsive power; force; momentum.
Importance, as in influence or effect; consequence; weight or value; consideration.
An essential element; a deciding point, fact, or consideration; an essential or influential circumstance.
An infinitesimal change in a varying quantity; an increment


momentous ::: a. --> Of moment or consequence; very important; weighty; as, a momentous decision; momentous affairs.

momentous ::: of great or far-reaching importance or consequence.

monadic 1. "programming" {unary}, when describing an {operator} or {function}. The term is part of the {dyadic}, {niladic} sequence. 2. "theory" See {monad}. (1998-07-24)

More general kinds of definition by recursion allow sets of recursion equations of various forms, the essential requirement being that the equations specify the value of the function being introduced (or the values of the functions being introduced), for any given set of arguments, either absolutely, or in terms of the value (values) for preceding sets of arguments. The word preceding here may refer to the natural order or order of magnitude of the non-negative integers, or it may refer to some other method of ordering arguments or sets of arguments, but the method of ordering shall be such that infinite descending sequences ot sets of arguments (in which each set of arguments is preceded by the next set) are impossible.

Morse code "communications" A coding system invented by Samuel A. Morse, for use in sending character data over extremely low-quality pathways -- such as telegraphs and low-quality radio. Morse code expresses characters as pulses of different durations. Short signals are called "dots" and long signals are calles "dashes". The coding assigns shorter sequences to the most frequently used characters. American Morse code is the first and original Morse code {character set}. {Character sets} adapted to other languages were developed later. American Morse Code: A . __    J . .     S . . .   1 . __ __ . B __ . . .  K __ . __   T __     2 . . __ . . C . . .   L ___     U . . __   3 . . . __ . D __ . .   M __ __    V . . . __  4 . . . . __ E .     N __ .     W . __ __   5 __ __ __ F . __ .   O . .     X . __ . .  6 . . . . . . G __ __ .   P . . . . .  Y . . . .  7 __ __ . . H . . . .   Q . . __ .   Z . . . .  8 __ . . . . I . .     R . . .   0 ____    9 __ . . __ Where . is a short pulse, __ a long pulse, ___ a very long pulse and ____ a extra long pulse. There are also long and short spaces character-internal. Intercharacter spaces are very long and interword spaces are extra long. There is no standarisation in these durations, and they vary depending on the coder's preference and on the quality of the line. Continental Morse Code or International Morse Code is a widely used {de-facto standard}. This table summarises the Western European usage of Continental Morse Code: A .-  G --.  M --  S ... Y -.-- 4 ....- B -... H .... N -.  T -   Z --.. 5 ..... C -.-. I ..   O --- U ..- 0 ----- 6 -.... D -.. J .--- P .--. V ...- 1 .---- 7 --... E .   K -.-  Q --.- W .-- 2 ..--- 8 ---.. F ..-. L .-.. R .-. X -..- 3 ...-- 9 ----. A-umlaut (1) .-.-   E-acute   ..-.. A-acute   .--.-   N-tilde   --.-- A-corona (11) .--.-   O-umlaut (1) ---. CH (2)    ----   U-umlaut (1) ..-- Punctuation Marks:      Other Signs: period       .-.-.-  warning           .-..- comma       --..--  error            ........ question mark   ..--..  repetition (ii ii)     .. .. hyphen       -....-  wait (AS)          .-... colon (3)     ---...  interruption (BK)      -...-.- underline (4)   ..--.-  understood (VE)       ...-. apostrophe     .----.  transmission received (R)  .-. quotation mark   .-..-.  beginning of message (KA)  -.-.- parenthesis open (5)-.--.   end of message (AR)     .-.-. parenthesis (close) -.--.-  end of transmission (K) (6) -.- equal sign (7)   -...-   end of transmission (KN) (8) -.--. plus sign     .-.-.   closing mark (SK) (9)    ...-.- multiplication sign -..-   closing station (CL)     -.-..-. fraction mark   -..-. separator (10)   .-..- (1) Note: 'umlaut' is also known as 'diaeresis' (2) Used only in German; not in Dutch. (3) also: 'divided by' (4) before and after the word to be underlined (5) purportedly replaced by -.--.- for both "(" and ")" (6) both and invitation to any station to start transmission (7) also used as spacing between parts of transmission (8) also an invitation to one station in particular to start   transmission (9) connection will be closed. (10) in fractions, for example. (11) A-ring ? Where '.' is a short pulse, '-' a long one. A '-' is three times as long as a '.'; character-internal spaces are as long as '.'s. Intercharacter space are as long as -'s. Spaces between words are as long as seven '.'s. (1996-11-23)

mount "file system" To make a {file system} available for access. {Unix} does this by associating the file system with a {directory} (the "mount point") within a currently mounted file system. The "root" file system is mounted on the {root directory}, "/" early in the {boot} sequence. "mount" is also the {Unix} command to do this, "unmount" breaks the association. E.g., "mount attaches a named file system to the file system hierarchy at the pathname location directory [...]" -- {Unix manual page} mount(8). File systems are usually mounted either at {boot time} under control of {/etc/rc} (or one of its subfiles) or on demand by an {automounter} {daemon}. Other {operating systems} such as {VMS} and {DOS} mount file systems as separate directory hierarchies without any common ancestor or root directory. Apparently derived from the physical sense of "mount" meaning "attach", as in "head-mounted display", or "set up", as in "always mount a {scratch monkey}, etc." {Unix manual page}: mount(8). (1997-04-14)

Moving JPEG "graphics, compression" (M-JPEG) A compression technique for moving {images} which applies {JPEG} still image compression to each {frame} of a moving picture sequence. Play-back requires a machine capable of decompressing and displaying each JPEG image quickly enough to sustain the required {frame rate} of the picture sequence. There is no standard for Moving JPEG as with JPEG, but there are JPEG compression chips (for example see {Zoran (http://zoran.com/)}) which are designed to work at television frame rates and {resolutions}. See also {MPEG} and {MPEG2}. (1996-12-15)

moving picture ::: a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement. moving pictures.

mung /muhng/ (MIT, 1960) Mash Until No Good. Sometime after that the derivation from the {recursive acronym} "Mung Until No Good" became standard. 1. To make changes to a file, especially large-scale and irrevocable changes. See {BLT}. 2. To destroy, usually accidentally, occasionally maliciously. The system only mungs things maliciously; this is a consequence of {Finagle's Law}. See {scribble}, {mangle}, {trash}, {nuke}. Reports from {Usenet} suggest that the pronunciation /muhnj/ is now usual in speech, but the spelling "mung" is still common in program comments (compare the widespread confusion over the proper spelling of {kluge}). 3. The kind of beans of which the sprouts are used in Chinese food. (That's their real name! Mung beans! Really!) Like many early hacker terms, this one seems to have originated at {TMRC}; it was already in use there in 1958. Peter Samson (compiler of the original TMRC lexicon) thinks it may originally have been onomatopoeic for the sound of a relay spring (contact) being twanged. However, it is known that during the World Wars, "mung" was army slang for the ersatz creamed chipped beef better known as "SOS". [{Jargon File}] (1994-12-02)

narration ::: n. --> The act of telling or relating the particulars of an event; rehearsal; recital.

That which is related; the relation in words or writing of the particulars of any transaction or event, or of any series of transactions or events; story; history.

That part of a discourse which recites the time, manner, or consequences of an action, or simply states the facts connected with the subject.


natural deduction "logic" A set of rules expressing how valid {proofs} may be constructed in {predicate logic}. In the traditional notation, a horizontal line separates {premises} (above) from {conclusions} (below). Vertical ellipsis (dots) stand for a series of applications of the rules. "T" is the constant "true" and "F" is the constant "false" (sometimes written with a {LaTeX} {\perp}). "^" is the AND ({conjunction}) operator, "v" is the inclusive OR ({disjunction}) operator and "/" is NOT (negation or {complement}, normally written with a {LaTeX} {\neg}). P, Q, P1, P2, etc. stand for {propositions} such as "Socrates was a man". P[x] is a proposition possibly containing instances of the variable x, e.g. "x can fly". A proof (a sequence of applications of the rules) may be enclosed in a box. A boxed proof produces conclusions that are only valid given the assumptions made inside the box, however, the proof demonstrates certain relationships which are valid outside the box. For example, the box below labelled "Implication introduction" starts by assuming P, which need not be a true {proposition} so long as it can be used to derive Q. Truth introduction: - T (Truth is free). Binary AND introduction: ----------- | . | . | | . | . | | Q1 | Q2 | -----------  Q1 ^ Q2 (If we can derive both Q1 and Q2 then Q1^Q2 is true). N-ary AND introduction: ---------------- | . | .. | . | | . | .. | . | | Q1 | .. | Qn | ---------------- Q1^..^Qi^..^Qn Other n-ary rules follow the binary versions similarly. Quantified AND introduction: --------- | x . | |  . | | Q[x] | --------- For all x . Q[x] (If we can prove Q for arbitrary x then Q is true for all x). Falsity elimination: F - Q (Falsity opens the floodgates). OR elimination:  P1 v P2 ----------- | P1 | P2 | | . | . | | . | . | | Q | Q | -----------   Q (Given P1 v P2, if Q follows from both then Q is true). Exists elimination: Exists x . P[x] ----------- | x P[x] | |   . | |   . | |   Q | -----------    Q (If Q follows from P[x] for arbitrary x and such an x exists then Q is true). OR introduction 1:   P1 ------- P1 v P2 (If P1 is true then P1 OR anything is true). OR introduction 2:   P2 ------- P1 v P2 (If P2 is true then anything OR P2 is true). Similar symmetries apply to ^ rules. Exists introduction:   P[a] ------------- Exists x.P[x] (If P is true for "a" then it is true for all x). AND elimination 1: P1 ^ P2 -------   P1 (If P1 and P2 are true then P1 is true). For all elimination: For all x . P[x] ----------------    P[a] (If P is true for all x then it is true for "a"). For all implication introduction: ----------- | x P[x] | |   . | |   . | |  Q[x] | ----------- For all x . P[x] -" Q[x] (If Q follows from P for arbitrary x then Q follows from P for all x). Implication introduction: ----- | P | | . | | . | | Q | ----- P -" Q (If Q follows from P then P implies Q). NOT introduction: ----- | P | | . | | . | | F | ----- / P (If falsity follows from P then P is false). NOT-NOT: //P --- P (If it is not the case that P is not true then P is true). For all implies exists: P[a] For all x . P[x] -" Q[x] -------------------------------    Q[a] (If P is true for given "a" and P implies Q for all x then Q is true for a). Implication elimination, modus ponens: P P -" Q ----------   Q (If P and P implies Q then Q). NOT elimination, contradiction: P /P ------  F (If P is true and P is not true then false is true). (1995-01-16)

Nature ::: Prakriti, the outer or executive side of the Conscious Force which forms and moves the worlds. The higher, divine Nature (Para Prakriti) is free from Ignorance and its consequences; the lower nature (Prakriti) is a mechanism of active Force put forth for the working of the evolutionary Ignorance. The lower nature of an individual is his mind, life and body.

necessitarianism ::: n. --> The doctrine of philosophical necessity; the doctrine that results follow by invariable sequence from causes, and esp. that the will is not free, but that human actions and choices result inevitably from motives; deteminism.

Necessity ::: “… Necessity is the child of the spirit’s free self-determination. What affects us as Necessity, is a Will which works in sequence and not a blind Force driven by its own mechanism.” Essays in Philosophy and Yoga

necessity ::: Sri Aurobindo: ". . . Necessity is the child of the spirit"s free self-determination. What affects us as Necessity, is a Will which works in sequence and not a blind Force driven by its own mechanism.” *Essays in Philosophy and Yoga

newline "character, jargon" /n[y]oo'li:n/ {Line feed} or other character sequence used to terminate a line of text. {Unix} uses {line feed} as its text line terminator - a {Bell-Labs}-ism rather than a {Berkeley}ism. Interestingly (and unusually for Unix jargon), it is said to have originally been an {IBM} usage. Though the term "newline" appears in {ASCII} {standards}, it never caught on in the general computing world before {Unix}. The encoding of line feed as "\n" in {C} and {Unix} strings comes from this name. The term has been used more generally for any {end of line} character, character sequence (e.g. {crlf}), or operation (like {Pascal}'s writeln procedure or {Lisp 1.5}'s {terpri}) required to terminate a text record or separate lines. [{Jargon File}] (1997-07-14)

Next, as a consequence, it follows that only a limited part of the action of the vital or other higher plane is concerned with the earth-existence. But even this creates a mass of possibilities which is far greater than the earth can at one time mainfest or contain in its own less plastic formulas. All these possibilities do not realise themselves ; some fail altogether and leave at the most an idea that comes to nothing ; some try seriously and are repelled and defeated and, even if in action for a time, come to nothing. Others effectuate a half manifestation, and this is the most usual result, the more so as these vital or other supraphysical forces come Into conflict and have not only to overcome the resistance of the physical consciousness and of matter, but their own internecine resistance to each other. A certain number succeed in precipitating their results in a more complete and successful creation, so that if you compare this creation with its original in the higher plane, there is something

nolo contendere ::: --> A plea, by the defendant, in a criminal prosecution, which, without admitting guilt, subjects him to all the consequences of a plea of quilty.

no-op /noh'op/ alt. NOP /nop/ [no operation] 1. A machine instruction that does nothing (sometimes used in assembler-level programming as filler for data or patch areas, or to overwrite code to be removed in binaries). See also {JFCL}. 2. A person who contributes nothing to a project, or has nothing going on upstairs, or both. As in "He's a no-op." 3. Any operation or sequence of operations with no effect, such as circling the block without finding a parking space, or putting money into a vending machine and having it fall immediately into the coin-return box, or asking someone for help and being told to go away. "Oh, well, that was a no-op." Hot-and-sour soup that is insufficiently either is "no-op soup"; so is wonton soup if everybody else is having hot-and-sour. [{Jargon File}] (1994-12-02)

nothingness ::: 1. The condition, state or quality of being nothing; nonexistence. 2. Lack of consequence; insignificance. emptiness or worthlessness. Nothingness, nothingness"s.

null ::: 1. Amounting to nothing; absent or nonexistent. 2. Of no consequence, effect, or value; insignificant.

nullary "programming" A description of an {operator} or {function} which takes no {arguments}, e.g. a function that returns the current time. "Nullary" is part of the {unary}, {binary}, {ternary} sequence, and is more common than its synonym {niladic}. (2001-02-25)

nyctalopia ::: n. --> A disease of the eye, in consequence of which the patient can see well in a faint light or at twilight, but is unable to see during the day or in a strong light; day blindness.

See Moonblink.


Nyquist Theorem "communications" A theorem stating that when an {analogue} waveform is digitised, only the frequencies in the waveform below half the {sampling frequency} will be recorded. In order to reconstruct (interpolate) a signal from a sequence of samples, sufficient samples must be recorded to capture the peaks and troughs of the original waveform. If a waveform is sampled at less than twice its frequency the reconstructed waveform will effectively contribute only {noise}. This phenomenon is called "aliasing" (the high frequencies are "under an alias"). This is why the best digital audio is sampled at 44,000 Hz - twice the average upper limit of human hearing. The Nyquist Theorem is not specific to digitised signals (represented by discrete amplitude levels) but applies to any sampled signal (represented by discrete time values), not just sound. {Nyquist (http://geocities.com/bioelectrochemistry/nyquist.htm)} (the man, somewhat inaccurate). (2003-10-21)

(Of course it is not meant to be implied in the preceding that the limit of an infinite sequence or of a function always exists. In particular cases it may happen that there is no limit of an infinite sequence, or no limit of f(x) as x approaches c, etc.) -- A.C.

one-dimensional array "types" An {array} with only one {dimension}; the simplest kind of array, consisting of a sequence of items ("elements"), all of the same type. An element is selected by an integer {index} that normally starts at zero for the first element and increases by one. The index of the last element is thus the length of the array minus one. A one-dimensional array is also known as a {vector}. It should not be confused with a {list}. In some languages, e.g. {Perl}, all arrays are one-dimensional and higher dimensions are represented as arrays of {pointers} to arrays (which can have different sizes and can themselves contain pointers to arrays and so on). A one-dimensional array maps simply to memory: the address of an element with index i is A(i) = A0 + i * s where A0 is the base address of the array and s is the size of storage used for each element, the "stride". Elements may be padded to certain {address boundaries}, e.g. {machine words}, to increase access speed, in which case the stride will be larger than the amount of data in an element. (2014-03-22)

ones complement A system used in some computers to represent negative numbers. To negate a number, each bit of the number is inverted (zeros are replaced with ones and vice versa). This has the consequence that there are two reperesentations for zero, either all zeros or all ones. ... 000...00011 = +3 000...00010 = +2 000...00001 = +1 000...00000 = +0 111...11111 = -0 111...11110 = -1 111...11101 = -2 111...11100 = -3 ... Naive logic for ones complement addition might easily conclude that -0 + 1 = +0. The {twos complement} avoids this by using all ones to represent -1.

one who saves or delivers from sin and its consequences by means of a sacrifice offered for the sinner. world-redeemer"s.

Operant Conditioning ::: Learning that occurs due to the manipulation of the possible consequences.

Operationalism: Scientific propositions are, roughly speaking, predictions and a prediction is an if-then proposition: "If certain operations are performed, then certain phenomena having determinate properties will be observed. Its hypothetical character shows that it is not final or complete but intermediate and instrumental" (Logic, p. 456). P. W. Bridgman's very influential formulation of operationalism is comparable: "In general, we mean by any concept nothing more than a set of operations, the concept is synonymous with the corresponding set of operations". (The Logic of Modern Physics, p. 5.) If the operation is (or can be), carried out the proposition has meaning, if the consequences which it forecasts occur, it is true, has "warranted assertibility" or probability.

opportunism ::: n. --> The art or practice of taking advantage of opportunities or circumstances, or of seeking immediate advantage with little regard for ultimate consequences.

order ::: 1. A condition of methodical or prescribed arrangement among component parts such that proper functioning or appearance is achieved; methodical or harmonic arrangement. 2. A condition of logical or comprehensible arrangement among the separate elements of a group. 3. Conformity or obedience to law or established authority. 4. A sequence or arrangement of successive things. 5. An authoritative indication to be obeyed; a command or direction. order"s, orders.

outcome ::: a final product or end result; consequence; issue. outcomes.

outcome ::: n. --> That which comes out of, or follows from, something else; issue; result; consequence; upshot.

outgrowth ::: n. --> That which grows out of, or proceeds from, anything; an excrescence; an offshoot; hence, a result or consequence.

out-of-band 1. "communications" The exchange of {call control} information on a dedicated channel, separate from that used by the telephone call or data transmission. 2. Sometimes used to describe what communications people call "shift characters", such as the ESC that leads control sequences for many terminals, or the level shift indicators in the old 5-bit {Baudot} codes. 3. In personal communication, using methods other than {electronic mail}, such as telephone or {snail-mail}. 4. "software" Values returned by a {function} that are not in its "natural" {range} of return values, but rather signal some kind of {exception}. Many {C} functions that normally return a non-negative integer return -1 to indicate failure. This use confuses "out-of-band" with "out-of-range". It is actually a clear example of {in-band} signalling since it uses the same "channel" for control and data. Compare {hidden flag}, {green bytes}, {fence}. [{Jargon File}] (2001-04-08)

overrun 1. A frequent consequence of data arriving faster than it can be consumed, especially in {serial line} communications. For example, at 9600 baud there is almost exactly one character per millisecond, so if a {silo} can hold only two characters and the machine takes longer than 2 milliseconds to get to service the interrupt, at least one character will be lost. 2. Also applied to non-serial-I/O communications. "I forgot to pay my electric bill due to mail overrun." "Sorry, I got four phone calls in 3 minutes last night and lost your message to overrun." When {thrash}ing at tasks, the next person to make a request might be told "Overrun!" Compare {firehose syndrome}. 3. More loosely, may refer to a {buffer overflow} not necessarily related to processing time (as in {overrun screw}). [{Jargon File}]

owing ::: p. pr. & vb. n. --> of Owe ::: P. p. & a. --> Had or held under obligation of paying; due.

Had or experienced as a consequence, result, issue, etc.; ascribable; -- with to; as, misfortunes are often owing to vices; his failure was owing to speculations.


packet switching "communications" A communications paradigm in which {packets} (messages or fragments of messages) are individually {routed} between {nodes}, with no previously established communication path. Packets are routed to their destination through the most expedient route (as determined by some routing {algorithm}). Not all packets travelling between the same two hosts, even those from a single message, will necessarily follow the same route. The destination computer reassembles the packets into their appropriate sequence. Packet switching is used to optimise the use of the {bandwidth} available in a network and to minimise the {latency}. {X.25} is an international standard packet switching network. Also called {connectionless}. Opposite of {circuit switched} or {connection-oriented}. See also {virtual circuit}, {wormhole routing}. (1999-03-30)

padded cell Where you put {lusers} so they can't hurt anything. A program that limits a luser to a carefully restricted subset of the capabilities of the host system (for example, the "{rsh}" utility on {USG Unix}). Note that this is different from an {iron box} because it is overt and not aimed at enforcing security so much as protecting others (and the {luser}) from the consequences of the luser's boundless naivet'e (see {naive}). Also "padded cell environment". [{Jargon File}] (1994-11-30)

paged ::: indicated the sequence of pages in (a book, manuscript, etc.) by placing numbers or other characters on each leaf; Numbered the pages of; paginated.

pain ::: 1. An unpleasant sensation occurring in varying degrees of severity as a consequence of injury, disease, or emotional disorder. 2. The sensation of acute physical hurt or discomfort caused by injury, illness, etc. **Pain, pain"s, pains, earth-pain, life-pain, world-pain, pain-forgetting, pain-fraught.

parinama ::: evolutionary change (out of the original substance or energy), a varying, developing, mounting movement of organised energy and its evolutionary consequences.

parser "language" An {algorithm} or program to determine the syntactic structure of ("to parse") a {sentence} or string of {symbols} in some language. A parser normally takes as input a sequence of {tokens} output by a {lexical analyser}. It may produce some kind of {abstract syntax tree} as output. A parser may be produced automatically from a {grammar} by a {parser generator} such as {yacc}. A parser is normally part of some larger program, like a {compiler}, which takes the output of the parser and attempts to extract meaning from it in some way, e.g. translating it into another language. (2009-06-26)

Part of the purpose of the definition of analyticity is to secure that every logical sentence is either analytic or contradictory. (The corresponding situation with demonstrability and refutability is impossible in many significant cases in consequence of Gödel's theorem -- see logic, formal, § 6.)

path coverage testing "testing" Testing a program by examining which lines of {executable code} are visited (as in {code coverage testing}) and also the ways of getting to each line of code and the subsequent sequence of execution. Path coverage testing is the most comprehensive type of testing that a {test suite} can provide. It can find more {bugs}, especially those that are caused by {data coupling}. However, path coverage is hard and usually only used for small and/or critical sections of code. (2005-01-25)

pathological 1. [scientific computation] Used of a data set that is grossly atypical of normal expected input, especially one that exposes a weakness or bug in whatever algorithm one is using. An algorithm that can be broken by pathological inputs may still be useful if such inputs are very unlikely to occur in practice. 2. When used of test input, implies that it was purposefully engineered as a worst case. The implication in both senses is that the data is spectacularly ill-conditioned or that someone had to explicitly set out to break the algorithm in order to come up with such a crazy example. 3. Also said of an unlikely collection of circumstances. "If the network is down and comes up halfway through the execution of that command by root, the system may just crash." "Yes, but that's a pathological case." Often used to dismiss the case from discussion, with the implication that the consequences are acceptable, since they will happen so infrequently (if at all) that it doesn't seem worth going to the extra trouble to handle that case (see sense 1). [{Jargon File}]

pathology ::: the scientific study of the nature of disease and its causes, processes, development, and consequences and in other uses, a departure or deviation from a normal condition.

Petitio principii, or begging the question, is a fallacy involving the assumption as premisses of one or more propositions which are identical with (or in a simple fashion equivalent to) the conclusion to be proved, or which would require the conclusion for their proof, or which are stronger than the conclusion and contain it as a particular case or otherwise as an immediate consequence. There is a fallacy, however, only if the premisses assumed (without proof) are illegitimate for some other reason than merely their relation to the conclusion -- e.g., if they are not among the avowed presuppositions of the argument, or if they are not admitted by an opponent in a dispute. -- A.C.

phenakistoscope ::: n. --> A revolving disk on which figures drawn in different relative attitudes are seen successively, so as to produce the appearance of an object in actual motion, as an animal leaping, etc., in consequence of the persistence of the successive visual impressions of the retina. It is often arranged so that the figures may be projected upon a screen.

phrase ::: 1. A characteristic way or mode of expression. 2. An expression of two or more words in sequence that form a syntactic unit that is less than a complete sentence. phrases.

polarization ::: n. --> The act of polarizing; the state of being polarized, or of having polarity.
A peculiar affection or condition of the rays of light or heat, in consequence of which they exhibit different properties in different directions.
An effect produced upon the plates of a voltaic battery, or the electrodes in an electrolytic cell, by the deposition upon them of the gases liberated by the action of the current. It is


Powers undivine in their nature present themselves as the Sup- reme Lord or as the Divine Mother and claim the being’s service and surrender. 1C these (hiags are accepted, there will be an extremely disastrous consequence. If indeed there is the assent of the sSdhaka to the Divine working alone and the submission or surrender to that guidance, then all can go smoothly. This assent and a rejection of all egoistic force or forces that appeal to the ego are the safeguard throughout the sadhana. But the ways of nature are full of snares, the disguises of the ego are innumerable, the ilfusions of the Powers of Darkness, Rakshasi Maya, are e.ttraordinariIy skilful ; the reason is an insulBdent guide and often turns traitor; vital desire is ahvays with us tempting to follow any alluring call. This is the reason why in this Yoga we insist so much on what we call samarpana — rather inade- quately rendered by the Engikh word surrender. If the heart centre is fully opened and the psychic is always in control, then there is no question ; all fe Safe. But the psychic can at any moment be veiled by a lower upsurge. It is only a few who arc exempt from these dangers and it is precisely those to whom surrender is easily possible. The guidance of one who is himself

Power will do even the surrender for you. The Supreme demands your surrender to her, but docs not impose it ::: you are free at every moment, till the irrevocable transformation comes, to deny and to reject the Divine or to recall your self-giving, if you are willing to suffer the spiritual consequence. Your surren- der must be self-made and free ; It must be the surrender of a living being, not of an inert automaton or mechanical tool.

Pragmaticism: Pragmatism in Peirce's sense. The name adopted in 1905 by Charles S. Peirce (1893-1914) for the doctrine of pragmatism (q.v.) which had been enunciated by him in 1878. Peirce's definition was as follows: "In order to ascertain the meaning of an intellectual conception one should consider what practical consequences might conceivably result by necessity from the truth of that conception, and the sum of these consequences will constitute the entire meaning of the conception". According to Peirce, W. James had interpreted pragmatism to mean "that the end of man is action", whereas Peirce intended his doctrine as "a theory of logical analysis, or true definition," and held that "its merits are greatest in its application to the highest metaphysical conceptions". "If one can define accurately all the conceivable experimental phenomena which the affirmation or denial of a concept could imply, one will have therein a complete definition of the concept, and there is absolutely nothing more in it". Peirce hoped that the suffix, -icism, might mark his more strictly defined acception of the doctrine of pragmatism, and thus help to distinguish it from the extremes to which it had been pushed by the efforts of James, Schiller, Papini, and others. -- J.K.F.

Pragmatic theory of truth: Theory of knowledge which maintains that the truth of a proposition is determined by its practical consequences. See Pragmatism. -- A.C.B.

Pragmatism: (Gr. pragma, things done) Owes its inception as a movement of philosophy to C. S. Peirce and William James, but approximations to it can be found in many earlier thinkers, including (according to Peirce and James) Socrates and Aristotle, Berkeley and Hume. Concerning a closer precursor, Shadworth Hodgson, James says that he "keeps insisting that realities are only what they are 'known as' ". Kant actually uses the word "pragmatic" to characterize "counsels of prudence" as distinct from "rules of skill" and "commands of morality" (Fundamental Principles of the Metaphysic of Morals, p. 40). His principle of the primacy of practical reason is also an anticipation of pragmatism. It was reflection on Kant's Critique of Pure Reason which originally led Peirce to formulate the view that the muddles of metaphysics can be cleared up if one attends to the practical consequences of ideas. The pragmatic maxim was first stated by Peirce in 1878 (Popular Science Monthly) "Consider what effects, that might conceivably have practical bearings, we conceive the object of our conception to have. Then, our conception of these effects is the whole of our conception of the object". A clearer formulation by the same author reads: "In order to ascertain the meaning of an intellectual conception one should consider what practical consequences might conceivably result by necessity from the truth of that conception, and the sum of these consequences will constitute the entire meaning of the conception". This is often expressed briefly, viz.: The meaning of a proposition is its logical (or physical) consequences. The principle is not merely logical. It is also admonitory in Baconian style "Pragmatism is the principle that everv theoretical judgment expressible in a sentence in the indicative mood is a confused form of thought whose onlv meaning, if it has any, lies in its tendency to enforce a corresponding practical maxim expressible as a conditional sentence having its apodosis in the impentive mood". (Collected Papers of Charles Sanders Peirce, edited by Charles Hartshorne and Paul Weiss, 5.18.) Although Peirce's maxim has been an inspiration not only to later pragmatists, but to operationalists as well, Peirce felt that it might easily be misapplied, so as to eliminate important doctrines of science -- doctrines, presumably, which hive no ascertainable practical consequences.

Pragmatism is first and always a doctrine of meaning, and often a definition of truth as well, but as to the latter, not all pragmatists are in complete agreement. Neither Peirce nor Dewey, for example, would accept James' view that if the hypothesis of God works satisfactorily for the individual, it is true. Pragmatism is also a method of interpreting ideas in terms of their consequences. James, however, apparently does not believe that this method entails his specific philosophical doctrines -- his pluralism, individualism, neutralism, indeterminism, meliorism, pragmatic theism, "crass" supernaturalism, etc. In fact, he states that pragmatism is independent of his new philosophy of "radical empiricism" and agrees with the anti-intellectualist bent of the Italian pragmatist, Papini, who sees the pragmatic method available to the atheist, the praying penitent, the investigating chemist, the metaphysician and the anti-metaphysician ("What Pragmatism Means".) On the other hand, insofar as pragmatism is practically identified with the scientific method (as is allegedly the case with Dewey) it appears that the pragmatic method might be expected to yield much the same conclusions for one philosopher as for another. In general, pragmatism as a method, does not seem to imply any final philosophical conclusions. It may imply a general direction of thought, such as empiricism. Although pragmatists (Peirce, James, Dewey) frequently attack older forms of empiricism, or crude empiricism, and necessarily reject truth as a simple or static correspondence of propositions with sense data, they nevertheless continue to describe themselves as empiricists, so that today pragmatism (especially in Dewey's case) is often regarded as synonymous with empiricism. See Empiricism.

Prakriti ::: What is meant by Prakriti or Nature is the outer or executive side of the Shakti or Conscious Force which forms and moves the worlds. This outer side appears here to be mechanical, a play of the forces, Gunas, etc. Behind it is the living Consciousness and Force of the Divine, the divine Shakti. The Prakriti itself is divided into the lower and higher,—the lower is the Prakriti of the Ignorance, the Prakriti of mind, life and Matter separated in consciousness from the Divine; the higher is the Divine Prakriti of Sachchidananda with its manifesting power of supermind, always aware of the Divine and free from Ignorance and its consequences. Man so long as he is in the ignorance is subject to the lower Prakriti, but by spiritual evolution he becomes aware of the higher Nature and seeks to come into contact with it. He can ascend into it and it can descend into him—such an ascent and descent can transform the lower nature of mind, life and Matter.
   Ref: SABCL Vol. 22-23-24, Page: 287


preclude ::: v. --> To put a barrier before; hence, to shut out; to hinder; to stop; to impede.
To shut out by anticipative action; to prevent or hinder by necessary consequence or implication; to deter action of, access to, employment of, etc.; to render ineffectual; to obviate by anticipation.


pregnancy ::: n. --> The condition of being pregnant; the state of being with young.
Figuratively: The quality of being heavy with important contents, issue, significance, etc.; unusual consequence or capacity; fertility.


pregnant ::: a. --> Being with young, as a female; having conceived; great with young; breeding; teeming; gravid; preparing to bring forth.
Heavy with important contents, significance, or issue; full of consequence or results; weighty; as, pregnant replies.
Full of promise; abounding in ability, resources, etc.; as, a pregnant youth.
Affording entrance; receptive; yielding; willing; open; prompt.


pre/trans fallacy ::: In any recognized developmental sequence, the confusion of a pre-X stage and a trans-X stage simply because both are non-X. This fallacy has two major forms: the reduction of trans-X to pre-X and the elevation of pre-X to trans-X. For example, the confusion of pre-rational and trans-rational, pre-personal and trans-personal, or pre-conventional and post-conventional.

prevenance ::: n. --> A going before; anticipation in sequence or order.

Principle of sufficient reason: According to Leibniz, one of the two principles on which reasoning is founded, the other being the principle of Contradiction. While the latter is the ground of all necessary truths, the Principle of Sufficient Reason is the ground of all contingent and factual truths. It applies especially to existents, possible or factual, hence its two forms actual sufficient reasons, like the actual volitions of God or of the free creatures, are those determined by the perception of the good and exhibit themselves as final causes involving the good, and possible sufficient reasons are involved, for example, in the perception of evil as a possible aim to achieve. Leibniz defines the Principle of Sufficient Reason as follows: It is the principle "in virtue of which we judge that no fact can be found true or existent, no judgment veritable, unless there is a sufficient reason why it should be so and not otherwise, although these reasons cannot more than often be known to us. . . . There must be a sufficient reason for contingent truths or truths of fact, that is, for the sequence of things which are dispersed throughout the universe of created beings, in which the resolution into particular reasons might go into endless detail" (Monadology, 31, 32, 33, 36). And again, "Nothing happens without a sufficient reason; that is nothing happens without its being possible for one who should know things sufficiently to give a reason showing why things are so and not otherwise" (Principles of Nature and of Grace). It seems that the account given by Leibniz of this principle is not satisfactory in itself, in spite of the wide use he made of it in his philosophy. Many of his disciples vainly attempted to reduce it to the Principle of Contradiction. See Wolff.

profit ::: n. --> Acquisition beyond expenditure; excess of value received for producing, keeping, or selling, over cost; hence, pecuniary gain in any transaction or occupation; emolument; as, a profit on the sale of goods.
Accession of good; valuable results; useful consequences; benefit; avail; gain; as, an office of profit,
To be of service to; to be good to; to help on; to benefit; to advantage; to avail; to aid; as, truth profits all men.


prose ::: n. --> The ordinary language of men in speaking or writing; language not cast in poetical measure or rhythm; -- contradistinguished from verse, or metrical composition.
Hence, language which evinces little imagination or animation; dull and commonplace discourse.
A hymn with no regular meter, sometimes introduced into the Mass. See Sequence.


pursuance ::: n. --> The act of pursuing or prosecuting; a following out or after.
The state of being pursuant; consequence.


pursuant ::: a. --> Acting in consequence or in prosecution (of anything); hence, agreeable; conformable; following; according; -- with to or of. ::: adv. --> Alt. of Pursuantly

quint ::: n. --> A set or sequence of five, as in piquet.
The interval of a fifth.


rapid ::: a. --> Very swift or quick; moving with celerity; fast; as, a rapid stream; a rapid flight; a rapid motion.
Advancing with haste or speed; speedy in progression; in quick sequence; as, rapid growth; rapid improvement; rapid recurrence; rapid succession.
Quick in execution; as, a rapid penman.
The part of a river where the current moves with great swiftness, but without actual waterfall or cascade; -- usually in the


rash ::: n. 1. An outbreak of many instances within a brief period. adj. 2. Characterized by or resulting from ill-considered haste or boldness; impetuous. 3. Characterized by defiant disregard for danger or consequences.

Recently, the Polish logician St. Lesniewski has developed a formal theory of the part-whole relationship within the framework of a so-called calculus of individuals, one of the theorems of this theory states that every object is identical with the sum of its parts. This is, of course, a consequence of the way in which the axioms of that calculus were chosen, but that particular construction of the theory was carried out with an eye to applications in logical and epistemological analysis, and the calculus of individuals has already begun to show its value in these fields. See Leonard and Goodman, The Calculus of Individuals and Its Uses, The Journal of Symbolic Logic, 5 (1940, pp. 45-55. -- C.G.H.

reckless ::: heedless or careless; headstrong; rash, utterly unconcerned about the consequences of some action; without caution. seeming-reckless.

redeem ::: 1. To set free; save. 2. To save from a state of sinfulness and its consequences. redeems, redeemed, redeeming. *adj. *redeeming.

redound ::: v. i. --> To roll back, as a wave or flood; to be sent or driven back; to flow back, as a consequence or effect; to conduce; to contribute; to result.
To be in excess; to remain over and above; to be redundant; to overflow. ::: n.


Reducibility, axiom of: An axiom which (or some substitute) is necessary in connection with the ramified theory of types (q.v.) if that theory is to be adequate for classical mathematics, but the admissibility of which has been much disputed (see Paradoxes, logical). An exact statement of the axiom can be made only in the context of a detailed formulation of the ramified theory of types -- which will not here be undertaken. As an indication or rough description of the axiom of reducibility, it may be said that it cancels a large part of ihe restrictive consequences of the prohibition against impredicative definition (q.v.) and, in approximate effect, reduces the ramified theory of types to the simple theory of types (for the latter see Logic, formal, § 6). -- A.C.

reductively ::: adv. --> By reduction; by consequence.

Reductto ad impossible: The method of establishing a proposition by showing that its contradictory involves impossible consequences; also of disproving a proposition by showing that its consequences are absurd; reductio ad absurdum (q.v.). See Apagoge. -- G.R.M.

regardless ::: a. --> Having no regard; heedless; careless; as, regardless of life, consequences, dignity.
Not regarded; slighted.


regulus ::: n. --> A petty king; a ruler of little power or consequence.
The button, globule, or mass of metal, in a more or less impure state, which forms in the bottom of the crucible in smelting and reduction of ores.
A star of the first magnitude in the constellation Leo; -- called also the Lion&


RESISTANCE. ::: When the soul draws towards the Divine, there may be a resistance in the mind and the common form of that is denial and doubt — which may create mental and vital su/Tering. There may again be a resistance in the vital nature ivhose principal characer is desire and the attachment to the objects of desire, and if in this field there is conflict between the soul and the vital nature, between the Divine Attraction and the pull of the Ignorance, then obviously there may be much suffer- ing of the mind and vital parts. The pbj-sical consciousness also may offer a resistance which is usually that of a fundamental inertia, an obscurity in the very stuff of the physical, an incom- prehension, an inability to respond to the higher consciousness, a habit of helplessly responding to the lower mechanically, even when it docs not want to do so ; both lital and physical suffer- ing may be the consequence. There is, moreover, the resistance of the Universal Nature which does not want the being to escape from the Ignorance into the Light. This may take the form of a vehement insistence in the continuation of the old movements, waves of them thrown on the mind and vital and body so that old ideas, impulses, desires, feelings, responses continue even after they are thrown out and rejected, and can return like an invading army from outside, until the whole nature, given to (he

resultant ::: a. --> Resulting or issuing from a combination; existing or following as a result or consequence. ::: n. --> That which results.
A reultant force or motion.
An eliminant.


result ::: the consequence of a particular action, operation, or course; an outcome. results.

result ::: v. i. --> To leap back; to rebound.
To come out, or have an issue; to terminate; to have consequences; -- followed by in; as, this measure will result in good or in evil.
To proceed, spring, or rise, as a consequence, from facts, arguments, premises, combination of circumstances, consultation, thought, or endeavor.


retrieve ::: v. t. --> To find again; to recover; to regain; to restore from loss or injury; as, to retrieve one&

rhythm ::: 1. Procedure marked by the regular recurrence of particular elements, phases, etc.; flow, pulse, cadence. 2. Regular recurrence of elements in a system of motion. 3. Music. The pattern of regular or irregular pulses caused in music by the occurrence of strong and weak melodic and harmonic beats. 4. Measured movement, as in dancing. 5. Physiol. The regular recurrence of an action of function, as of the beat of the heart. 6. The arrangement of words into a more or less regular sequence of stressed and unstressed or long and short syllables. 7. Pros. Metrical or rhythmical form; metre; a particular kind of metrical form or metrical movement. rhythms, rhythm-beats, fire-rhythm, jewel-rhythm, world-rhythms. (Sri Aurobindo also employs rhythms as a v., rhythmed as a v. and an adj., and rhythming as a v. and an adj.)

Ritschlianism: A celebrated school of 19th century Christian thought inaugurated by Albrecht Ritschl (1822-89). This school argued for God upon the basis of what is called the religious value-judgment. Two kinds of judgments are said to characterize man's reaction to his world of experience: (1) dependent or concomitant, those dependent upon perceived facts, such as the natural sciences; (2) independent or religious those which affirm man's superior worth independent of the limitations of the finite world and man's dependence upon a superhuman order of reality, God. God is not reached by speculation, nor by the "evidences" in nature, nor by intuitions or mystic experience, nor by a rational a priori or intimate feeling. God is implied in the religious value judgment: "though he slay me will I trust him." That man needs God as a deliverer from his bonds is the assertion of the independent religious value-judgment; the consequences following this judgment of need and worth sustain him with courage and victory over every obstacl.e Ritschlianism is notable in the emphasis it placed upon the category of value, an emphasis which has grown stronger in contemporary theistic belief. -- V.F.

rosalia ::: n. --> A form of melody in which a phrase or passage is successively repeated, each time a step or half step higher; a melodic sequence.

safely ::: adv. --> In a safe manner; danger, injury, loss, or evil consequences.

sagging ::: p. pr. & vb. n. --> of Sag ::: n. --> A bending or sinking between the ends of a thing, in consequence of its own, or an imposed, weight; an arching downward in the middle, as of a ship after straining. Cf. Hogging.

Scepticism, Fourteenth Century: At the beginning of the 14th century, Duns Scotus adopted a position which is not formally sceptical, though his critical attitude to earlier scholasticism may contain the germs of the scepticism of his century. Among Scotistic pre-sceptical tendencies may be mentioned the stress on self-knowledge rather than the knowledge of extra-mental reality, psychological voluntarism which eventuallj made the assent of judgment a matter of will rather than of intellect, and a theory of the reality of universal essences which led to a despair of the intellect's capacity to know such objects and thus spawned Ockhamism. Before 1317, Henry of Harclay noticed that, since the two terms of efficient causal connection are mutually distinct and absolute things, God, by his omnipotent will, can cause anything which naturally (naturaliter) is caused by a finite agent. He inferred from this that neither the present nor past existence of a finite external agent is necessarily involved in cognition (Pelstex p. 346). Later Petrus Aureoli and Ockham made the sime observation (Michalski, p. 94), and Ockham concluded that natural knowledge of substance and causal connection is possible only on the assumption that nature is pursuing a uniform, uninterrupted course at the moment of intuitive cognition. Without this assumption, observed sequences might well be the occasion of direct divine causal action rather than evidence of natural causation. It is possible that these sceptical views were suggested by reading the arguments of certain Moslem theologians (Al Gazali and the Mutakallimun), as well as by a consideration of miracles. The most influential sceptical author of the fourteenth century was Nicholas of Autrecourt (fl. 1340). Influenced perhaps by the Scotist conception of logical demonstration, Nicholas held that the law of noncontradiction is the ultimate and sole source of certainty. In logical inference, certainty is guaranteed because the consequent is identical with part or all of the antecedent. No logical connection can be established, therefore, between the existence or non-existence of one thing and the existence or non-existence of another and different thing. The inference from cause to effect or conversely is thus not a matter of certainty. The existence of substance, spiritual or physical, is neither known nor probable. We are unable to infer the existence of intellect or will from acts of intellection or volition, and sensible experience provides no evidence of external substances. The only certitudes properly so-called are those of immediate experience and those of principles known ex terminis together with conclusions immediately dependent on them. This thoroughgoing scepticism appears to have had considerable influence in its time, for we find many philosophers expressing, expounding, or criticizing it. John Buridan has a detailed criticism in his commentary on Aristotle's Physics (in 1 I, q. 4), Fitz-Ralph, Jacques d'Eltville, and Pierre d'Ailly maintain views similar to Nicholas', with some modifications, and there is at least one exposition of Nicholas' views in an anonymous commentary on the Sentences (British Museum, Ms. Harley 3243). These sceptical views were usually accompanied by a kind of probabilism. The condemnation of Nicholas in 1347 put a damper on the sceptical movement, and there is probably no continuity from these thinkers to the French sceptics of the 16th century. Despite this lack of direct influence, the sceptical arguments of 14th century thinkers bear marked resemblances to those employed by the French Occasionalists, Berkeley and Hume.

Scottish philosophy: Name applied to the current of thought originated by the Scottish thinker, Thomas Reid (1710-1796), and disseminated by his followers as a reaction against the idealism of Berkeley and empiricism and skepticism of Hume. Its most salient characteristic is the doctrine of common sense, a natural instinct by virtue of which men are prompted to accept certain fundamental principles as postulates without giving a reason for their truth. Reason is subordinated to the role of a servant or able assistant of common sense. Philosophy must be grounded on common sense, and skepticism is a consequence of abandoning its guidance. -- J.J.R.

sentence ::: n. 1. A sequence of words capable of standing alone to make an assertion, ask a question or give a command, usually consisting of a subject and a predicate containing a finite verb. 2. An authoritative decision; a judicial judgement or decree, esp. a judicial decision of the punishment to be inflicted on one adjudged guilty. Hence, the punishment to which a criminal is sentenced. sentences. 3. A number of words forming a complete statement. sentenced.

sequacious ::: a. --> Inclined to follow a leader; following; attendant.
Hence, ductile; malleable; pliant; manageable.
Having or observing logical sequence; logically consistent and rigorous; consecutive in development or transition of thought.


sequel ::: n. --> That which follows; a succeeding part; continuation; as, the sequel of a man&

sequent ::: a. --> Following; succeeding; in continuance.
Following as an effect; consequent. ::: n. --> A follower.
That which follows as a result; a sequence.


seriality ::: n. --> The quality or state of succession in a series; sequence.

series ::: a group or a number of related or similar things, events, etc. arranged or occurring in temporal, spatial, or other order or succession; sequence.

series ::: n. --> A number of things or events standing or succeeding in order, and connected by a like relation; sequence; order; course; a succession of things; as, a continuous series of calamitous events.
Any comprehensive group of animals or plants including several subordinate related groups.
An indefinite number of terms succeeding one another, each of which is derived from one or more of the preceding by a fixed law, called the law of the series; as, an arithmetical series; a geometrical


Shadid al-Iqab ::: Severe in enforcing the due consequence of an offence.

significance ::: 1. A meaning that is expressed. 2. Meaning; suggestiveness. 3. Importance, consequence. significances.

significancy ::: n. --> The quality or state of being significant.
That which is signified; meaning; import; as, the significance of a nod, of a motion of the hand, or of a word or expression.
Importance; moment; weight; consequence.


small ::: superl. --> Having little size, compared with other things of the same kind; little in quantity or degree; diminutive; not large or extended in dimension; not great; not much; inconsiderable; as, a small man; a small river.
Being of slight consequence; feeble in influence or importance; unimportant; trivial; insignificant; as, a small fault; a small business.
Envincing little worth or ability; not large-minded; --


sorrow ::: n. --> The uneasiness or pain of mind which is produced by the loss of any good, real or supposed, or by diseappointment in the expectation of good; grief at having suffered or occasioned evil; regret; unhappiness; sadness.
To feel pain of mind in consequence of evil experienced, feared, or done; to grieve; to be sad; to be sorry.


..[Spiritual planes above the normal range of Mind, the Higher Mind and the Illumined Mind] of the ascent enjoy their authority and can get their own united completeness only by a
   reference to a third level; for it is from the higher summits where dwells the intuitional being that they derive the knowledge which they turn into thought or sight and bring down to us for the mind’s transmutation. Intuition is a power of consciousness nearer and more intimate to the original knowledge by identity; for it is always something that leaps out direct from a concealed identity. It is when the consciousness of the subject meets with the consciousness in the object, penetrates it and sees, feels or vibrateswith the truth of what it contacts, that the intuition leaps out like a spark or lightning-flash from the shock of the meeting; or when the consciousness, even without any such meeting, looks into itself and feels directly and intimately the truth or the truths that are there or so contacts the hidden forces behind appearances, then also there is the outbreak of an intuitive light; or, again, when the consciousness meets the Supreme Reality or the spiritual reality of things and beings and has a contactual union with it, then the spark, the flash or the blaze of intimate truth-perception is lit in its depths. This close perception is more than sight, more than conception: it is the result of a penetrating and revealing touch which carries in it sight and conception as part of itself or as its natural consequence. A concealed or slumbering identity, not yet recovering itself, still remembers or conveys by the intuition its own contents and the intimacy of its self-feeling and self-vision of things, its light of truth, its overwhelming and automatic certitude.
   Ref: CWSA Vol. 21-22, Page: 981-982


Sri Aurobindo: "It could be affirmed as a consequence that there is one all-pervading Life or dynamic energy — the material aspect being only its outermost movement — that creates all these forms of the physical universe, Life imperishable and eternal which, even if the whole figure of the universe were quite abolished, would itself still go on existing and be capable of producing a new universe in its place, must indeed, unless it be held back in a state of rest by some higher Power or hold itself back, inevitably go on creating. In that case Life is nothing else than the Force that builds and maintains and destroys forms in the world; it is Life that manifests itself in the form of the earth as much as in the plant that grows upon the earth and the animals that support their existence by devouring the life-force of the plant or of each other. All existence here is a universal Life that takes form of Matter. It might for that purpose hide life-process in physical process before it emerges as submental sensitivity and mentalised vitality, but still it would be throughout the same creative Life-principle.” *The Life Divine

Sri Aurobindo: " Karma is nothing but the will of the Spirit in action, consequence nothing but the creation of will. What is in the will of being, expresses itself in karma and consequence. When the will is limited in mind, karma appears as a bondage and a limitation, consequence as a reaction or an imposition. But when the will of the being is infinite in the spirit, karma and consequence become instead the joy of the creative spirit, the construction of the eternal mechanist, the word and drama of the eternal poet, the harmony of the eternal musician, the play of the eternal child.” Essays in Philosophy and Yoga

stampede ::: v. t. --> A wild, headlong scamper, or running away, of a number of animals; usually caused by fright; hence, any sudden flight or dispersion, as of a crowd or an army in consequence of a panic.
To disperse by causing sudden fright, as a herd or drove of animals. ::: v. i.


state-stages ::: States that unfold in a sequence, usually as the result of training. State-stages generally move from gross experience, to subtle experience, to causal experience, to nondual.

succession ::: the coming of one person or thing after another in order, sequence, or in the course of events.

" Suffering is not inflicted as a punishment for sin or for hostility — that is a wrong idea. Suffering comes like pleasure and good fortune as an inevitable part of life in the ignorance. The dualities of pleasure and pain, joy and grief, good fortune and ill-fortune are the inevitable results of the ignorance which separates us from our true consciousness and from the Divine. Only by coming back to it can we get rid of suffering. Karma from the past lives exists, much of what happens is due to it, but not all. For we can mend our karma by our own consciousness and efforts. But the suffering is simply a natural consequence of past errors, not a punishment, just as a burn is the natural consequence of playing with fire. It is part of the experience by which the soul through its instruments learns and grows until it is ready to turn to the Divine.” Letters on Yoga

“ Suffering is not inflicted as a punishment for sin or for hostility—that is a wrong idea. Suffering comes like pleasure and good fortune as an inevitable part of life in the ignorance. The dualities of pleasure and pain, joy and grief, good fortune and ill-fortune are the inevitable results of the ignorance which separates us from our true consciousness and from the Divine. Only by coming back to it can we get rid of suffering. Karma from the past lives exists, much of what happens is due to it, but not all. For we can mend our karma by our own consciousness and efforts. But the suffering is simply a natural consequence of past errors, not a punishment, just as a burn is the natural consequence of playing with fire. It is part of the experience by which the soul through its instruments learns and grows until it is ready to turn to the Divine.” Letters on Yoga

suit ::: a group of things used together; a set or collection; a sequence.

Supreme Lord, as the Divine Mother and claim the being’s ser- vice and surrender. If these things are accepted, there will be an extremely disastrous consequence. If indeed there is the assent of the sadhaka to the Divine working alone and the submission or surrender to that guidance, then all can go smoothly. This assent and a rejection of all egoistic forces or forces that appeal to the ego are the safeguard throughout the sadhana. But the ways of nature are full of snares, the disguises of the ego arc innumerable, the illusions of the Powers of Darkness, Rakshasl,

Syntax language: See Object language. Syntax, logical: "By the logical syntax of a language," according to Carnap, "we mean the formal theory of the linguistic forms of that language -- the systematic statement of the formal rules which govern it together with the development of the consequences which follow from these rules. A theory, a rule, a definition, or the like is to be called formal when no reference is made in it either to the meaning of the symbols or to the sense of the expressions, but simply and solely to the kinds and order of the symbols from which the expressions are constructed."

Tao chia: The Taoist school, the followers of Lao Tzu, Chuang Tzu, Lieh Tzu, etc., who "urged men to unity of spirit, teaching that all activities should be in harmony with the unseen (Tao), with abundant liberality toward all things in nature. As to method, they accept the orderly sequence of nature from the Yin Yang school, select the good points of Confucianists and Mohists, and combine with these the important points of the Logicians and Legalists. In accordance with the changes of the seasons, they respond to the development of natural objects."

tautology ::: n. --> A repetition of the same meaning in different words; needless repetition of an idea in different words or phrases; a representation of anything as the cause, condition, or consequence of itself, as in the following lines: --//The dawn is overcast, the morning lowers,/And heavily in clouds brings on the day. Addison.

The determination of the circumstances under which a sequence of formulas is a proof, or a proof as a consequence of a set of formulas, is usually made by means of: a list of primitive formulas; and a list of primitive rules of inference each of which prescribes that under certain circumstances a formula B shall be an immediate consequence of a set of formulas A1, A2, . . . , An. The list of primitive formulas may be empty -- this is not excluded. Or the primitive formulas may be included under the head of primitive rules of inference by allowing the case n=0 in (6). A proof is then defined as a finite sequence of formulas each of which is either a primitive formula or an immediate consequence of preceding formulas by one of the primitive rules of inference. A proof as a consequence of a set of formulas A1, A2, . . . , An is in some cases defined as a finite sequence of formulas each of which is either a primitive formula, or one of A1, A2, . . . , An, or an immediate consequence of preceding formulas by one of the primitive rules of inference; in other cases it may be desirable to impose certain restrictions upon the application of the primitive rules of inference (e.g., in the case of the functional calculus of first order -- logic, formal, § 3 -- that no free variable of A1, A2, . . . , An shall be generalized upon).

The dual of a formula is obtained by interchanging conjunction and (inclusive) disjunction throughout and at the same time interchanging universal quantification and existential quantification throughout. (In doing this the different symbols, e.g., functional constants, although they may consist of several characters in succession rather than a single character, shall be treated as units, and no change shall be made inside a symbol. A similar remark, applies at all places where we speak of occurrences of a particular symbol or sequence of symbols in a formula, and the like.) It can be shown that the following principles of duality hold (where A* and B* denote the duals of. the formulas A and B respectively): if A is a theorem, then ∼A* is a theorem; if A ⊃ B is a theorem, then B* ⊃ A* is a theorem; if A ≡ B is a theorem, then A* ≡ B* is a theorem. A formula is said to be in prenex normal form if all the quantifiers which it contains stand together at the beginning, unseparated by negations (or other sentential connectives), and the scope of each quantifier (i.e., the extent of the bracket [ ] following the quantifier) is to the end of the entire formula. In the case of a formula in prenex normal form, the succession of quantifiers at the beginning is called the prefix; the remaining portion contains no quantifiers and is the matrix of the formula. It can be proved that for every formula A there is a formula B in prenex normal form such that A ≡ B is a theorem; and B is then called a prenex normal form of A.

The explicit definition of analyticity (etc.) for a particular language of course requires statement of the c-rules. Actually, in the case of his "Language II," Carnap prefers to define analytic and contradictory first, and consequence in terms of these.

The formulas and the c-rules of the language in question may include some which are extralogical in character -- corresponding, e.g., to physical laws or to matters of empirical fact. Carnap makes an attempt (which, however, has been questioned) to define in purely syntactical terms when a relation of consequence is one of logical consequence. If the notion of consequence is restricted to that of logical consequence, the terms corresponding to valid and contra-valid are analytic and contradictory respectively. If the c-rules are purely logical in character, the class of analytic sentences coincides with that of valid sentences, and the class of contradictory sentences with that of contravalid sentences.

The formulation which we have given provides a means of proving theorems of the propositional calculus, the proof consisting of an explicit finite sequence of formulas, the last of which is the theorem proved, and each of which is either a primitive formula or inferable from preceding formulas by a single application of the rule of inference (or one of the rules of inference, if the alternative formulation of the pure propositional calculus employing the rule of substitution is adopted). The test whether a given finite sequence of formulas is a proof of the last formula of the sequence is effective -- we have the means of always determining of a given formula whether it is a primitive formula, and the means of always determining of a given formula whether it is inferable from a given finite list of formulas by a single application of modus ponens (or substitution). Indeed our formulation would not be satisfactory otherwise. For in the contrary case a proof would not necessarily carry conviction, the proposer of a proof could fairly be asked to give a proof that it was a proof -- in short the formal analysis of what constitutes a proof (in the sense of a cogent demonstration) would be incomplete.

their a/ter-consequences on the waking state subsequent to the cessation of the trance.

The limit of an infinite sequence of real numbers a1, a2, a3, . . . is said to be (the real number) b if for every positive real number ε there is a positive integer N such that the difference between b and an is less than ε whenever n is greater than N. (By the difference between b and an is here meant the non-negative difference, i.e., b−an if b is greater than an, an−b if b is less than an, and 0 if b is equal to an.)

The name immediate inference is given to certain inferences involving propositions A, E, I, O. These include obversion of A, E, I, or O, simple conversion of E or I, conversion per accidens of A, subalternation of A, E. The three last require the additional premiss (Ex)S(x). Other immediate inferences (for which the terminology is not wholly uniform among different writers) may be obtained by means of sequences of these: e.g., given that all men are mortal we may take the obverse of the converse of the obverse and so infer that all immortals are non-men (called by some the contrapositive, by others the obverted contrapositive).

thereby ::: adv. --> By that; by that means; in consequence of that.
Annexed to that.
Thereabout; -- said of place, number, etc.


therefore ::: adv. --> For that or this reason, referring to something previously stated; for that.
Consequently; by consequence.


The requirement of effectiveness does not compel the lists of primitive symbols, primitive formulas, and primitive rules of inference to be finite. It is sufficient if there are effective criteria for recognizing formulas, for recognizing primitive formulas, for recognizing applications of primitive rules of inference, and (if separately needed) for recognizing such restricted applications of the primitive rules of inference as are admitted in proofs as a consequence of a given set of formulas.

The requirement of effectiveness plays an important role in connection with logistic systems, but the necessity of the requirement depends on the purpose in hand and it may for some purposes be abandoned. Various writers have proposed non-effective, or non-constructive, logistic systems; in some of these the requirement of finiteness of length of formulas is also abandoned and certain infinite sequences of primitive symbols are admitted as formulas.

thereupon ::: adv. --> Upon that or this; thereon.
On account, or in consequence, of that; therefore.
Immediately; at once; without delay.


  "The surface mental individuality is, in consequence, always ego-centric; even its altruism is an enlargement of its ego: the ego is the lynch-pin invented to hold together the motion of our wheel of nature. The necessity of centralisation around the ego continues until there is no longer need of any such device or contrivance because there has emerged the true self, the spiritual being, which is at once wheel and motion and that which holds all together, the centre and the circumference.” *The Life Divine

“The surface mental individuality is, in consequence, always ego-centric; even its altruism is an enlargement of its ego: the ego is the lynch-pin invented to hold together the motion of our wheel of nature. The necessity of centralisation around the ego continues until there is no longer need of any such device or contrivance because there has emerged the true self, the spiritual being, which is at once wheel and motion and that which holds all together, the centre and the circumference.” The Life Divine

"The surface mental individuality is, in consequence, always ego-centric; even its altruism is an enlargement of its ego: . . . . ” The Life Divine*

“The surface mental individuality is, in consequence, always ego-centric; even its altruism is an enlargement of its ego: …” The Life Divine

“This arrangement of the psychic body is reproduced in the physical with the spinal column as a rod and the ganglionic centres as the chakras which rise up from the bottom of the column, where the lowest is attached, to the brain and find their summit in the brahmarandhra at the top of the skull. These chakras or lotuses, however, are in physical man closed or only partly open, with the consequence that only such powers and only so much of them are active in him as are sufficient for his ordinary physical life, and so much mind and soul only is at play as will accord with its need. This is the real reason, looked at from the mechanical point of view, why the embodied soul seems so dependent on the bodily and nervous life,—though the dependence is neither so complete nor so real as it seems. The whole energy of the soul is not at play in the physical body and life, the secret powers of mind are not awake in it, the bodily and nervous energies predominate. But all the while the supreme energy is there, asleep; it is said to be coiled up and slumbering like a snake,—therefore it is called the kundalinî sakti,—in the lowest of the chakras, in the mûlâdhâra.” The Synthesis of Yoga

This dynamic and orderly character of the universe is due to Reason and the vital force. As the Ch'eng brothers (I-ch'uan, 1033-1077, and Min-tao, 1032-1086) said, "All things have the same Reason in them." Thus, Reason combines the Many into One, while the vital force differentiates the One into the Many, each with its own "determinate nature." The two principles, however, are not to be sharply contrasted, for neither is independent of the other. Reason operates through, and is embodied in, the vital force. It is this cooperative functioning of theirs that makes the universe a cosmos, a harmonious system of order and sequence. "Centrality is the order of the universe and harmony is its unalterable law." As such the cosmos is a moral order. This is the main reason why the greatest of the Neo-Confucians, Chu Hsi (1130-1200) said that "the Great Ultimate is nothing but the Reason of ultimate goodness."

Though Socrates, Plato and Aristotle had propounded doctrines of virtues, they were concerned essentially with Good rather than with rightness of action as such. The Stoics were the first to develop and popularize the notion that man has a duty to live virtuously, reasonably and fittingly, regardless of considerations of human happiness. Certain elements in Rabbinical legalism and the Christian Gospel strained in the same direction, notably the concept of the supreme and absolute law of God. But it was Kant who pressed the logic of duty to its final conclusion. The supreme law of duty, the categorical imperative (q.v.), is revealed intuitively by the pure rational will and strives to determine the moral agent to obey only that law which can be willed universally without contradiction, regardless of consequences.

Three senses of "Ockhamism" may be distinguished: Logical, indicating usage of the terminology and technique of logical analysis developed by Ockham in his Summa totius logicae; in particular, use of the concept of supposition (suppositio) in the significative analysis of terms. Epistemological, indicating the thesis that universality is attributable only to terms and propositions, and not to things as existing apart from discourse. Theological, indicating the thesis that no tneological doctrines, such as those of God's existence or of the immortality of the soul, are evident or demonstrable philosophically, so that religious doctrine rests solely on faith, without metaphysical or scientific support. It is in this sense that Luther is often called an Ockhamist.   Bibliography:   B. Geyer,   Ueberwegs Grundriss d. Gesch. d. Phil., Bd. II (11th ed., Berlin 1928), pp. 571-612 and 781-786; N. Abbagnano,   Guglielmo di Ockham (Lanciano, Italy, 1931); E. A. Moody,   The Logic of William of Ockham (N. Y. & London, 1935); F. Ehrle,   Peter von Candia (Muenster, 1925); G. Ritter,   Studien zur Spaetscholastik, I-II (Heidelberg, 1921-1922).     --E.A.M. Om, aum: (Skr.) Mystic, holy syllable as a symbol for the indefinable Absolute. See Aksara, Vac, Sabda. --K.F.L. Omniscience: In philosophy and theology it means the complete and perfect knowledge of God, of Himself and of all other beings, past, present, and future, or merely possible, as well as all their activities, real or possible, including the future free actions of human beings. --J.J.R. One: Philosophically, not a number but equivalent to unit, unity, individuality, in contradistinction from multiplicity and the mani-foldness of sensory experience. In metaphysics, the Supreme Idea (Plato), the absolute first principle (Neo-platonism), the universe (Parmenides), Being as such and divine in nature (Plotinus), God (Nicolaus Cusanus), the soul (Lotze). Religious philosophy and mysticism, beginning with Indian philosophy (s.v.), has favored the designation of the One for the metaphysical world-ground, the ultimate icility, the world-soul, the principle of the world conceived as reason, nous, or more personally. The One may be conceived as an independent whole or as a sum, as analytic or synthetic, as principle or ontologically. Except by mysticism, it is rarely declared a fact of sensory experience, while its transcendent or transcendental, abstract nature is stressed, e.g., in epistemology where the "I" or self is considered the unitary background of personal experience, the identity of self-consciousness, or the unity of consciousness in the synthesis of the manifoldness of ideas (Kant). --K.F.L. One-one: A relation R is one-many if for every y in the converse domain there is a unique x such that xRy. A relation R is many-one if for every x in the domain there is a unique y such that xRy. (See the article relation.) A relation is one-one, or one-to-one, if it is at the same time one-many and many-one. A one-one relation is said to be, or to determine, a one-to-one correspondence between its domain and its converse domain. --A.C. On-handedness: (Ger. Vorhandenheit) Things exist in the mode of thereness, lying- passively in a neutral space. A "deficient" form of a more basic relationship, termed at-handedness (Zuhandenheit). (Heidegger.) --H.H. Ontological argument: Name by which later authors, especially Kant, designate the alleged proof for God's existence devised by Anselm of Canterbury. Under the name of God, so the argument runs, everyone understands that greater than which nothing can be thought. Since anything being the greatest and lacking existence is less then the greatest having also existence, the former is not really the greater. The greatest, therefore, has to exist. Anselm has been reproached, already by his contemporary Gaunilo, for unduly passing from the field of logical to the field of ontological or existential reasoning. This criticism has been repeated by many authors, among them Aquinas. The argument has, however, been used, if in a somewhat modified form, by Duns Scotus, Descartes, and Leibniz. --R.A. Ontological Object: (Gr. onta, existing things + logos, science) The real or existing object of an act of knowledge as distinguished from the epistemological object. See Epistemological Object. --L.W. Ontologism: (Gr. on, being) In contrast to psychologism, is called any speculative system which starts philosophizing by positing absolute being, or deriving the existence of entities independently of experience merely on the basis of their being thought, or assuming that we have immediate and certain knowledge of the ground of being or God. Generally speaking any rationalistic, a priori metaphysical doctrine, specifically the philosophies of Rosmini-Serbati and Vincenzo Gioberti. As a philosophic method censored by skeptics and criticists alike, as a scholastic doctrine formerly strongly supported, revived in Italy and Belgium in the 19th century, but no longer countenanced. --K.F.L. Ontology: (Gr. on, being + logos, logic) The theory of being qua being. For Aristotle, the First Philosophy, the science of the essence of things. Introduced as a term into philosophy by Wolff. The science of fundamental principles, the doctrine of the categories. Ultimate philosophy; rational cosmology. Syn. with metaphysics. See Cosmology, First Principles, Metaphysics, Theology. --J.K.F. Operation: "(Lit. operari, to work) Any act, mental or physical, constituting a phase of the reflective process, and performed with a view to acquiring1 knowledge or information about a certain subject-nntter. --A.C.B.   In logic, see Operationism.   In philosophy of science, see Pragmatism, Scientific Empiricism. Operationism: The doctrine that the meaning of a concept is given by a set of operations.   1. The operational meaning of a term (word or symbol) is given by a semantical rule relating the term to some concrete process, object or event, or to a class of such processes, objectj or events.   2. Sentences formed by combining operationally defined terms into propositions are operationally meaningful when the assertions are testable by means of performable operations. Thus, under operational rules, terms have semantical significance, propositions have empirical significance.   Operationism makes explicit the distinction between formal (q.v.) and empirical sentences. Formal propositions are signs arranged according to syntactical rules but lacking operational reference. Such propositions, common in mathematics, logic and syntax, derive their sanction from convention, whereas an empirical proposition is acceptable (1) when its structure obeys syntactical rules and (2) when there exists a concrete procedure (a set of operations) for determining its truth or falsity (cf. Verification). Propositions purporting to be empirical are sometimes amenable to no operational test because they contain terms obeying no definite semantical rules. These sentences are sometimes called pseudo-propositions and are said to be operationally meaningless. They may, however, be 'meaningful" in other ways, e.g. emotionally or aesthetically (cf. Meaning).   Unlike a formal statement, the "truth" of an empirical sentence is never absolute and its operational confirmation serves only to increase the degree of its validity. Similarly, the semantical rule comprising the operational definition of a term has never absolute precision. Ordinarily a term denotes a class of operations and the precision of its definition depends upon how definite are the rules governing inclusion in the class.   The difference between Operationism and Logical Positivism (q.v.) is one of emphasis. Operationism's stress of empirical matters derives from the fact that it was first employed to purge physics of such concepts as absolute space and absolute time, when the theory of relativity had forced upon physicists the view that space and time are most profitably defined in terms of the operations by which they are measured. Although different methods of measuring length at first give rise to different concepts of length, wherever the equivalence of certain of these measures can be established by other operations, the concepts may legitimately be combined.   In psychology the operational criterion of meaningfulness is commonly associated with a behavioristic point of view. See Behaviorism. Since only those propositions which are testable by public and repeatable operations are admissible in science, the definition of such concepti as mind and sensation must rest upon observable aspects of the organism or its behavior. Operational psychology deals with experience only as it is indicated by the operation of differential behavior, including verbal report. Discriminations, or the concrete differential reactions of organisms to internal or external environmental states, are by some authors regarded as the most basic of all operations.   For a discussion of the role of operational definition in phvsics. see P. W. Bridgman, The Logic of Modern Physics, (New York, 1928) and The Nature of Physical Theory (Princeton, 1936). "The extension of operationism to psychology is discussed by C. C. Pratt in The Logic of Modem Psychology (New York. 1939.)   For a discussion and annotated bibliography relating to Operationism and Logical Positivism, see S. S. Stevens, Psychology and the Science of Science, Psychol. Bull., 36, 1939, 221-263. --S.S.S. Ophelimity: Noun derived from the Greek, ophelimos useful, employed by Vilfredo Pareto (1848-1923) in economics as the equivalent of utility, or the capacity to provide satisfaction. --J.J.R. Opinion: (Lat. opinio, from opinor, to think) An hypothesis or proposition entertained on rational grounds but concerning which doubt can reasonably exist. A belief. See Hypothesis, Certainty, Knowledge. --J.K.F- Opposition: (Lat. oppositus, pp. of oppono, to oppose) Positive actual contradiction. One of Aristotle's Post-predicaments. In logic any contrariety or contradiction, illustrated by the "Square of Opposition". Syn. with: conflict. See Logic, formal, § 4. --J.K.F. Optimism: (Lat. optimus, the best) The view inspired by wishful thinking, success, faith, or philosophic reflection, that the world as it exists is not so bad or even the best possible, life is good, and man's destiny is bright. Philosophically most persuasively propounded by Leibniz in his Theodicee, according to which God in his wisdom would have created a better world had he known or willed such a one to exist. Not even he could remove moral wrong and evil unless he destroyed the power of self-determination and hence the basis of morality. All systems of ethics that recognize a supreme good (Plato and many idealists), subscribe to the doctrines of progressivism (Turgot, Herder, Comte, and others), regard evil as a fragmentary view (Josiah Royce et al.) or illusory, or believe in indemnification (Henry David Thoreau) or melioration (Emerson), are inclined optimistically. Practically all theologies advocating a plan of creation and salvation, are optimistic though they make the good or the better dependent on moral effort, right thinking, or belief, promising it in a future existence. Metaphysical speculation is optimistic if it provides for perfection, evolution to something higher, more valuable, or makes room for harmonies or a teleology. See Pessimism. --K.F.L. Order: A class is said to be partially ordered by a dyadic relation R if it coincides with the field of R, and R is transitive and reflexive, and xRy and yRx never both hold when x and y are different. If in addition R is connected, the class is said to be ordered (or simply ordered) by R, and R is called an ordering relation.   Whitehcid and Russell apply the term serial relation to relations which are transitive, irreflexive, and connected (and, in consequence, also asymmetric). However, the use of serial relations in this sense, instead ordering relations as just defined, is awkward in connection with the notion of order for unit classes.   Examples: The relation not greater than among leal numbers is an ordering relation. The relation less than among real numbers is a serial relation. The real numbers are simply ordered by the former relation. In the algebra of classes (logic formal, § 7), the classes are partially ordered by the relation of class inclusion.   For explanation of the terminology used in making the above definitions, see the articles connexity, reflexivity, relation, symmetry, transitivity. --A.C. Order type: See relation-number. Ordinal number: A class b is well-ordered by a dyadic relation R if it is ordered by R (see order) and, for every class a such that a ⊂ b, there is a member x of a, such that xRy holds for every member y of a; and R is then called a well-ordering relation. The ordinal number of a class b well-ordered by a relation R, or of a well-ordering relation R, is defined to be the relation-number (q. v.) of R.   The ordinal numbers of finite classes (well-ordered by appropriate relations) are called finite ordinal numbers. These are 0, 1, 2, ... (to be distinguished, of course, from the finite cardinal numbers 0, 1, 2, . . .).   The first non-finite (transfinite or infinite) ordinal number is the ordinal number of the class of finite ordinal numbers, well-ordered in their natural order, 0, 1, 2, . . .; it is usually denoted by the small Greek letter omega. --A.C.   G. Cantor, Contributions to the Founding of the Theory of Transfinite Numbers, translated and with an introduction by P. E. B. Jourdain, Chicago and London, 1915. (new ed. 1941); Whitehead and Russell, Princtpia Mathematica. vol. 3. Orexis: (Gr. orexis) Striving; desire; the conative aspect of mind, as distinguished from the cognitive and emotional (Aristotle). --G.R.M.. Organicism: A theory of biology that life consists in the organization or dynamic system of the organism. Opposed to mechanism and vitalism. --J.K.F. Organism: An individual animal or plant, biologically interpreted. A. N. Whitehead uses the term to include also physical bodies and to signify anything material spreading through space and enduring in time. --R.B.W. Organismic Psychology: (Lat. organum, from Gr. organon, an instrument) A system of theoretical psychology which construes the structure of the mind in organic rather than atomistic terms. See Gestalt Psychology; Psychological Atomism. --L.W. Organization: (Lat. organum, from Gr. organon, work) A structured whole. The systematic unity of parts in a purposive whole. A dynamic system. Order in something actual. --J.K.F. Organon: (Gr. organon) The title traditionally given to the body of Aristotle's logical treatises. The designation appears to have originated among the Peripatetics after Aristotle's time, and expresses their view that logic is not a part of philosophy (as the Stoics maintained) but rather the instrument (organon) of philosophical inquiry. See Aristotelianism. --G.R.M.   In Kant. A system of principles by which pure knowledge may be acquired and established.   Cf. Fr. Bacon's Novum Organum. --O.F.K. Oriental Philosophy: A general designation used loosely to cover philosophic tradition exclusive of that grown on Greek soil and including the beginnings of philosophical speculation in Egypt, Arabia, Iran, India, and China, the elaborate systems of India, Greater India, China, and Japan, and sometimes also the religion-bound thought of all these countries with that of the complex cultures of Asia Minor, extending far into antiquity. Oriental philosophy, though by no means presenting a homogeneous picture, nevertheless shares one characteristic, i.e., the practical outlook on life (ethics linked with metaphysics) and the absence of clear-cut distinctions between pure speculation and religious motivation, and on lower levels between folklore, folk-etymology, practical wisdom, pre-scientiiic speculation, even magic, and flashes of philosophic insight. Bonds with Western, particularly Greek philosophy have no doubt existed even in ancient times. Mutual influences have often been conjectured on the basis of striking similarities, but their scientific establishment is often difficult or even impossible. Comparative philosophy (see especially the work of Masson-Oursel) provides a useful method. Yet a thorough treatment of Oriental Philosophy is possible only when the many languages in which it is deposited have been more thoroughly studied, the psychological and historical elements involved in the various cultures better investigated, and translations of the relevant documents prepared not merely from a philological point of view or out of missionary zeal, but by competent philosophers who also have some linguistic training. Much has been accomplished in this direction in Indian and Chinese Philosophy (q.v.). A great deal remains to be done however before a definitive history of Oriental Philosophy may be written. See also Arabian, and Persian Philosophy. --K.F.L. Origen: (185-254) The principal founder of Christian theology who tried to enrich the ecclesiastic thought of his day by reconciling it with the treasures of Greek philosophy. Cf. Migne PL. --R.B.W. Ormazd: (New Persian) Same as Ahura Mazdah (q.v.), the good principle in Zoroastrianism, and opposed to Ahriman (q.v.). --K.F.L. Orphic Literature: The mystic writings, extant only in fragments, of a Greek religious-philosophical movement of the 6th century B.C., allegedly started by the mythical Orpheus. In their mysteries, in which mythology and rational thinking mingled, the Orphics concerned themselves with cosmogony, theogony, man's original creation and his destiny after death which they sought to influence to the better by pure living and austerity. They taught a symbolism in which, e.g., the relationship of the One to the many was clearly enunciated, and believed in the soul as involved in reincarnation. Pythagoras, Empedocles, and Plato were influenced by them. --K.F.L. Ortega y Gasset, Jose: Born in Madrid, May 9, 1883. At present in Buenos Aires, Argentine. Son of Ortega y Munillo, the famous Spanish journalist. Studied at the College of Jesuits in Miraflores and at the Central University of Madrid. In the latter he presented his Doctor's dissertation, El Milenario, in 1904, thereby obtaining his Ph.D. degree. After studies in Leipzig, Berlin, Marburg, under the special influence of Hermann Cohen, the great exponent of Kant, who taught him the love for the scientific method and awoke in him the interest in educational philosophy, Ortega came to Spain where, after the death of Nicolas Salmeron, he occupied the professorship of metaphysics at the Central University of Madrid. The following may be considered the most important works of Ortega y Gasset:     Meditaciones del Quijote, 1914;   El Espectador, I-VIII, 1916-1935;   El Tema de Nuestro Tiempo, 1921;   España Invertebrada, 1922;   Kant, 1924;   La Deshumanizacion del Arte, 1925;   Espiritu de la Letra, 1927;   La Rebelion de las Masas, 1929;   Goethe desde Adentio, 1934;   Estudios sobre el Amor, 1939;   Ensimismamiento y Alteracion, 1939;   El Libro de las Misiones, 1940;   Ideas y Creencias, 1940;     and others.   Although brought up in the Marburg school of thought, Ortega is not exactly a neo-Kantian. At the basis of his Weltanschauung one finds a denial of the fundamental presuppositions which characterized European Rationalism. It is life and not thought which is primary. Things have a sense and a value which must be affirmed independently. Things, however, are to be conceived as the totality of situations which constitute the circumstances of a man's life. Hence, Ortega's first philosophical principle: "I am myself plus my circumstances". Life as a problem, however, is but one of the poles of his formula. Reason is the other. The two together function, not by dialectical opposition, but by necessary coexistence. Life, according to Ortega, does not consist in being, but rather, in coming to be, and as such it is of the nature of direction, program building, purpose to be achieved, value to be realized. In this sense the future as a time dimension acquires new dignity, and even the present and the past become articulate and meaning-full only in relation to the future. Even History demands a new point of departure and becomes militant with new visions. --J.A.F. Orthodoxy: Beliefs which are declared by a group to be true and normative. Heresy is a departure from and relative to a given orthodoxy. --V.S. Orthos Logos: See Right Reason. Ostensible Object: (Lat. ostendere, to show) The object envisaged by cognitive act irrespective of its actual existence. See Epistemological Object. --L.W. Ostensive: (Lat. ostendere, to show) Property of a concept or predicate by virtue of which it refers to and is clarified by reference to its instances. --A.C.B. Ostwald, Wilhelm: (1853-1932) German chemist. Winner of the Nobel prize for chemistry in 1909. In Die Uberwindung des wissenschaftlichen Materialistmus and in Naturphilosophie, his two best known works in the field of philosophy, he advocates a dynamic theory in opposition to materialism and mechanism. All properties of matter, and the psychic as well, are special forms of energy. --L.E.D. Oupnekhat: Anquetil Duperron's Latin translation of the Persian translation of 50 Upanishads (q.v.), a work praised by Schopenhauer as giving him complete consolation. --K.F.L. Outness: A term employed by Berkeley to express the experience of externality, that is the ideas of space and things placed at a distance. Hume used it in the sense of distance Hamilton understood it as the state of being outside of consciousness in a really existing world of material things. --J.J.R. Overindividual: Term used by H. Münsterberg to translate the German überindividuell. The term is applied to any cognitive or value object which transcends the individual subject. --L.W. P

throb ::: v. i. --> To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. ::: n. --> A beat, or strong pulsation, as of the heart and arteries; a violent beating; a papitation:

tierce ::: n. --> A cask whose content is one third of a pipe; that is, forty-two wine gallons; also, a liquid measure of forty-two wine, or thirty-five imperial, gallons.
A cask larger than a barrel, and smaller than a hogshead or a puncheon, in which salt provisions, rice, etc., are packed for shipment.
The third tone of the scale. See Mediant.
A sequence of three playing cards of the same suit. Tierce


Trance and illness ::: The violent breaking of a trance might have a bad result, though It would not necessarily produce a disaster. But there is the possibility that If the conscious being goes out of the body in an absoluely complete trance, the thread which connects it with the body might be broken or else cut by some adverse force and it would not be able to return into the physical frame. Apart from any such fatal possibility there might be a shock which might produce a temporary disorder or even some kind of lesion ; as a rule, however, a shock would be the only consequence.

U. Cassina, L'oeuvre philosophique de G. Peano, Revue de Metaphysique et de Morale, vol. 40 (1933), pp. 481-491. Peirce, Charles Sanders: American Philosopher. Born in Cambridge, Mass, on September 10th, 1839. Harvard M.A. in 1862 and Sc. B. in 1863. Except for a brief cireer as lectuier in philosophy at Harvard, 1864-65 and 1869-70 and in logic at Johns Hopkins, 1879-84, he did no formal teaching. Longest tenure was with the United States Coast and Geodetic Survey for thirty years beginning in 1861. Died at Milford, Pa. in 1914 He had completed only one work, The Grand Logic, published posthumously (Coll. Papers). Edited Studies in Logic (1883). No volumes published during his lifetime but author of many lectures, essays and reviews in periodicals, particularly in the Popular Science Monthly, 1877-78, and in The Monist, 1891-93, some of which have been reprinted in Chance, Love and Logic (1923), edited by Morris R. Cohen, and. together with the best of his other work both published and unpublished, in Collected Papers of Charles Sanders Peirce (1931-35), edited by Charles Hartshorne ¦ind Paul Weiss. He was most influenced by Kant, who had he thought, raised all the relevant philosophical problems but from whom he differed on almost every solution. He was excited by Darwin, whose doctrine of evolution coincided with his own thought, and disciplined by laboratory experience in the physical sciences which inspired his search for rigor and demonstration throughout his work. Felt himself deeply opposed to Descartes, whom he accused of being responsible for the modern form of the nominalistic error. Favorably inclined toward Duns Scotus, from whom he derived his realism. Philosophy is a sub-class of the science of discovery, in turn a branch of theoretical science. The function of philosophy is to expliin and hence show unity in the variety of the universe. All philosophy takes its start in logic, or the relations of signs to their objects, and phenomenology, or the brute experience of the objective actual world. The conclusions from these two studies meet in the three basic metaphysical categories: quality, reaction, and representation. Quality is firstness or spontaneity; reaction is secondness or actuality; and representation is thirdness or possibility. Realism (q.v.) is explicit in the distinction of the modes of being actuality as the field of reactions, possibility as the field of quality (or values) and representation (or relations). He was much concerned to establish the realism of scientific method: that the postulates, implications and conclusions of science are the results of inquiry yet presupposed by it. He was responsible for pragmatism as a method of philosophy that the sum of the practical consequences which result by necessity from the truth of an intellectual conception constitutes the entire meaning of that conception. Author of the ethical principle that the limited duration of all finite things logically demands the identification of one's interests with those of an unlimited community of persons and things. In his cosmology the flux of actuality left to itself develops those systematic characteristics which are usually associated with the realm of possibility. There is a logical continuity to chance events which through indefinite repetition beget order, as illustrated in the tendency of all things to acquire habits. The desire of all things to come together in this certain order renders love a kind of evolutionary force. Exerted a strong influence both on the American pragmatist, William James (1842-1910), the instrumentalist, John Dewey (1859-), as well as on the idealist, Jociah Royce (1855-1916), and many others. -- J.K.F.

ultimate ::: a. --> Farthest; most remote in space or time; extreme; last; final.
Last in a train of progression or consequences; tended toward by all that precedes; arrived at, as the last result; final.
Incapable of further analysis; incapable of further division or separation; constituent; elemental; as, an ultimate constituent of matter.


ultimately ::: adv. --> As a final consequence; at last; in the end; as, afflictions often tend to correct immoral habits, and ultimately prove blessings.

ultimity ::: n. --> The last stage or consequence; finality.

unpoised ::: a. --> Not poised or balanced.
Not poised or weighed; hence, regardless of consequences; unhesitating.


Valid: In the terminology of Carnap, a sentence (or class of sentences) is valid if it is a consequence of the null class of sentences, contra-valid if every sentence is a consequence of it. The notion of consequence here refers to a full set of primitive formulas and rules of inference for the language or logistic system (q.v.) in question, known as c-rules, and including (in general) non-effective rules. If the notion of consequence is restricted to depend only on the d-rules -- i.e., the subclass of the c-rules which are effective -- it is then called d-consequence or derivability, and the terms corresponding to valid and contravalid are demonstrable and refutable respectively.

Value, instrumental: The value an entity possesses in virtue of the value of the consequences it produces, an entity's value as means. Sometimes the term is applied with reference only to the actual consequences, sometimes with reference to the potential consequences. -- C.A.B.

Value, intrinsic: Sometimes defined as (a) the value an entity would have even if it were to have no consequences. In this sense, an entity's intrinsic value is equivalent to its total value less its instrumental value; it would include its contributive value.

vinyasa. ::: the linking of body movement with breath; a specific sequence of breath-synchronised movements used to transition between sustained postures

VI. Probability as a Limit of Frequencies. According to this view, developed especially by Mises and by Wald, the probability of an event is equal to its total frequency, that is to the limit, if it exists, of the frequency of that event in n trials, when n tends to infinity. The difficulty of working out this conception led Mises to propose the notion of a collective in an attempt to evolve conditions for a true random sequence. A collective is a random sequence of supposed results of trials when (1) the total frequency of the event in the sequence exists, and (2) the same property holds with the same limiting value when the sequence is replaced by any sequence derived from it. Various methods were devised by Copeland, Reichenbach and others to avoid objections to the second condition: they were generalized by Wald who restricted the choice of the "laws of selection" defining the ranks of the trials forming one of the derived sequences, by his postulate that these laws must form a denumerable set. This modification gives logical consistency to this theory at the expense of its original simplicity, but without disposing of some fundamental shortcomings. Thus, the probability of an event in a collective remains a relative notion, since it must be known to which denumerable set of laws of selection it has been defined relatively, in order to determine its meaning, even though its value is not relative to the set. Controversial points about the axiomatization of this theory show the possibility of other alternatives.

weigh ::: 1. Fig. To estimate, assess the value of (a person, a condition, quality, etc.), as if by placing in the scales. 2. To have consequence or importance. 3. To burden or oppress, esp. on the mind. 4. To be influential. weighs, weighed. weighs down. Causes to bend down with added weight; fig. Burdens or oppresses.

weight ::: 1. A measure of the heaviness of an object. Also fig. **2. A body of determinate mass, as of metal, for using on a balance or scale in weighing objects, substances, etc. 3. Any heavy load or burden. Also fig. 4. Influence, importance, or authority. 5. Consequence, or effective influence. weights. v. weighted. 6.** Added weight to, gave greater meaning or importance to.

". . . what we call Necessity is a truth of things working itself out in a Time-sequence of the Infinite.” Essays Divine and Human ::: *necessity"s

“… what we call Necessity is a truth of things working itself out in a Time-sequence of the Infinite.” Essays Divine and Human

whereupon ::: adv. --> Upon which; in consequence of which; after which.

Will: In the widest sense, will is synonymous with conation. See Conation. In the restricted sense, will designates the sequence of mental acts eventuating in decision or choice between conflicting conative tendencies. An act of will of the highest type is analyzable into:   The envisaging of alternative courses of action, each of which expresses conative tendencies of the subject.   Deliberation, consisting in the examination and comparison of the alternative courses of action with special reference to the dominant ideals of the self.   Decision or choice consisting in giving assent to one of the alternatives and the rejection of the rest.

With the aid of Gödel's device of representing sequences of primitive symbols and sequences of formulas by means of numbers, it is possible to give a more exact definition of the notion of effectiveness by making it correspond to that of recursiveness (q. v.) of numerical functions. E.g., a criterion for recognizing primitive formulas is effective if it determines a general recursive monadic function of natural numbers whose value is 0 when the argument is the number of a primitive formula, 1 for any other natural number as argument. The adequacy of this technical definition to represent the intuitive notion of effectiveness as described above is not immediately clear, but is placed beyond any real doubt by developments for details of which the reader is referred to Hilbert-Bernays and Turing (see references below).

woos ::: invites (consequences, whether good or bad) by one"s own action; courts.

wrap ::: v. t. --> To snatch up; transport; -- chiefly used in the p. p. wrapt.
To wind or fold together; to arrange in folds.
To cover by winding or folding; to envelop completely; to involve; to infold; -- often with up.
To conceal by enveloping or infolding; to hide; hence, to involve, as an effect or consequence; to be followed by.




QUOTES [12 / 12 - 923 / 923]


KEYS (10k)

   1 Voltaire
   1 Saint Methodius of Patara
   1 Richard Weaver
   1 Rene Guenon
   1 Philokalia
   1 Marshall McLuhan
   1 Jean-Paul Sartre
   1 Ibn Qayyim]
   1 Bhagavad Gita
   1 The Mother
   1 Sri Ramakrishna
   1 Saint Thomas Aquinas

NEW FULL DB (2.4M)

   19 Anonymous
   10 George Eliot
   7 Friedrich Nietzsche
   6 Robert Louis Stevenson
   6 Paulo Coelho
   5 Stephen R Covey
   5 Noam Chomsky
   5 Jane Austen
   5 B F Skinner
   4 Wallace Stegner
   4 Terry Hayes
   4 Stephen Covey
   4 Samuel Johnson
   4 Marshall McLuhan
   4 Henry Cloud
   4 Douglas Adams
   4 Daniel Kahneman
   4 Ayn Rand
   3 Warren Buffett
   3 Voltaire

1:No single virtue by itself opens the door of our nature, but all the virtues must be linked together in the correct sequence." ~ Philokalia,
2:You proclaimed your faith in the Father - recall what you did - and the Son and the Spirit. Mark the sequence of events. In proclaiming this faith you died to the world, you rose again to God, and, as though buried to sin, you were reborn to eternal life. ~ Saint Ambrose,
3:Though Necessity dons the garb of Chance,
Hidden in the blind shifts of Fate she keeps
The slow calm logic of Infinity's pace
And the inviolate sequence of its will. ~ Sri Aurobindo, Savitri, The Vision and the Boon,
4:The Lord's Prayer is the most perfect of prayers.... In it we ask, not only for all the things we can rightly desire, but also in the sequence that they should be desired. This prayer not only teaches us to ask for things, but also in what order we should desire them. ~ Saint Thomas,
5:All creation having come to exist in an orderly sequence is measured by the interval of temporal periods, and if one goes back in thought through the series of created things to the beginning of what exists, he will end his quest at the foundation of the ages. ~ Saint Gregory of Nyssa,
6:Life begins a long series of transformations, manifesting itself under innumerable forms, fashioning for itself in the sequence of the ages a multitude of transitory but ever more perfect organisms, thus perfecting itself by the progress of its faculties. ~ Antoine the Healer, the Eternal Wisdom
7:Maybe the evolutionary sequence really is from matter to body to mind to soul to spirit, each transcending and including, each with a greater depth and greater consciousness and wider embrace. And in the highest reaches of evolution, maybe, just maybe, an individual's consciousness does indeed touch infinity - a total embrace of the entire Kosmos - a Kosmic consciousness that is Spirit awakened to its own true nature. It is at least plausible. And tell me: is that story, sung by mystics and sages the world over, any crazier than the scientific materialism story, which is that the entire sequence is a tale told by an idiot, full of sound and fury, signifying nothing? Listen very carefully: just which of those two stories actually sounds totally insane? ~ Ken Wilber, A Brief History of Everything, p. 38-39,
8:Equally must the sense-mind be stilled and taught to leave the function of thought to the mind that judges and understands. When the understanding in us stands back from the action of the sense-mind and repels its intermiscence, the latter detaches itself from the understanding and can be watched in its separate action. It then reveals itself as a constantly swirling and eddying undercurrent of habitual concepts, associations, perceptions, desires without any real sequence, order or principle of light. It is a constant repetition in a circle unintelligent and unfruitful. Ordinarily the human understanding accepts this undercurrent and tries to reduce it to a partial order and sequence; but by so doing it becomes itself subject to it and partakes of that disorder, restlessness, unintelligent subjection to habit and blind purposeless repetition which makes the ordinary human reason a misleading, limited and even frivolous and futile instrument. There is nothing to be done with this fickle, restless, violent and disturbing factor but to get rid of it whether by detaching it and then reducing it to stillness or by giving a concentration and singleness to the thought by which it will of itself reject this alien and confusing element.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Purified Understanding,
9:What do we understand by the term "chance"? Chance can only be the opposite of order and harmony. There is only one true harmony and that is the supramental - the reign of Truth, the expression of the Divine Law. In the Supermind, therefore, chance has no place. But in the lower Nature the supreme Truth is obscured: hence there is an absence of that divine unity of purpose and action which alone can constitute order. Lacking this unity, the domain of lower Nature is governed by what we may call chance - that is to say, it is a field in which various conflicting forces intermix, having no single definite aim. Whatever arises out of such a rushing together of forces is a result of confusion, dissonance and falsehood - a product of chance. Chance is not merely a conception to cover our ignorance of the causes at work; it is a description of the uncertain mele ́e of the lower Nature which lacks the calm one-pointedness of the divine Truth. The world has forgotten its divine origin and become an arena of egoistic energies; but it is still possible for it to open to the Truth, call it down by its aspiration and bring about a change in the whirl of chance. What men regard as a mechanical sequence of events, owing to their own mental associations, experiences and generalisations, is really manipulated by subtle agencies each of which tries to get its own will done. The world has got so subjected to these undivine agencies that the victory of the Truth cannot be won except by fighting for it. It has no right to it: it has to gain it by disowning the falsehood and the perversion, an important part of which is the facile notion that, since all things owe their final origin to the Divine, all their immediate activities also proceed directly from it. The fact is that here in the lower Nature the Divine is veiled by a cosmic Ignorance and what takes place does not proceed directly from the divine knowledge. That everything is equally the will of God is a very convenient suggestion of the hostile influences which would have the creation stick as tightly as possible to the disorder and ugliness to which it has been reduced. So what is to be done, you ask? Well, call down the Light, open yourselves to the power of Transformation. Innumerable times the divine peace has been given to you and as often you have lost it - because something in you refuses to surrender its petty egoistic routine. If you are not always vigilant, your nature will return to its old unregenerate habits even after it has been filled with the descending Truth. It is the struggle between the old and the new that forms the crux of the Yoga; but if you are bent on being faithful to the supreme Law and Order revealed to you, the parts of your being belonging to the domain of chance will, however slowly, be converted and divinised. ~ The Mother, Questions And Answers 1929-1931,
10:Can it be said in justification of one's past that whatever has happened in one's life had to happen?

The Mother: Obviously, what has happened had to happen; it would not have been, if it had not been intended. Even the mistakes that we have committed and the adversities that fell upon us had to be, because there was some necessity in them, some utility for our lives. But in truth these things cannot be explained mentally and should not be. For all that happened was necessary, not for any mental reason, but to lead us to something beyond what the mind imagines. But is there any need to explain after all? The whole universe explains everything at every moment and a particular thing happens because the whole universe is what it is. But this does not mean that we are bound over to a blind acquiescence in Nature's inexorable law. You can accept the past as a settled fact and perceive the necessity in it, and still you can use the experience it gave you to build up the power consciously to guide and shape your present and your future.

Is the time also of an occurrence arranged in the Divine Plan of things?

The Mother: All depends upon the plane from which one sees and speaks. There is a plane of divine consciousness in which all is known absolutely, and the whole plan of things foreseen and predetermined. That way of seeing lives in the highest reaches of the Supramental; it is the Supreme's own vision. But when we do not possess that consciousness, it is useless to speak in terms that hold good only in that region and are not our present effective way of seeing things. For at a lower level of consciousness nothing is realised or fixed beforehand; all is in the process of making. Here there are no settled facts, there is only the play of possibilities; out of the clash of possibilities is realised the thing that has to happen. On this plane we can choose and select; we can refuse one possibility and accept another; we can follow one path, turn away from another. And that we can do, even though what is actually happening may have been foreseen and predetermined in a higher plane.

The Supreme Consciousness knows everything beforehand, because everything is realised there in her eternity. But for the sake of her play and in order to carry out actually on the physical plane what is foreordained in her own supreme self, she moves here upon earth as if she did not know the whole story; she works as if it was a new and untried thread that she was weaving. It is this apparent forgetfulness of her own foreknowledge in the higher consciousness that gives to the individual in the active life of the world his sense of freedom and independence and initiative. These things in him are her pragmatic tools or devices, and it is through this machinery that the movements and issues planned and foreseen elsewhere are realised here.

It may help you to understand if you take the example of an actor. An actor knows the whole part he has to play; he has in his mind the exact sequence of what is to happen on the stage. But when he is on the stage, he has to appear as if he did not know anything; he has to feel and act as if he were experiencing all these things for the first time, as if it was an entirely new world with all its chance events and surprises that was unrolling before his eyes. 28th April ~ The Mother, Questions And Answers 1929-1931,
11:GURU YOGA
   Guru yoga is an essential practice in all schools of Tibetan Buddhism and Bon. This is true in sutra, tantra, and Dzogchen. It develops the heart connection with the masteR By continually strengthening our devotion, we come to the place of pure devotion in ourselves, which is the unshakeable, powerful base of the practice. The essence of guru yoga is to merge the practitioner's mind with the mind of the master.
   What is the true master? It is the formless, fundamental nature of mind, the primordial awareness of the base of everything, but because we exist in dualism, it is helpful for us to visualize this in a form. Doing so makes skillful use of the dualisms of the conceptual mind, to further strengthen devotion and help us stay directed toward practice and the generation of positive qualities.
   In the Bon tradition, we often visualize either Tapihritsa* as the master, or the Buddha ShenlaOdker*, who represents the union of all the masters. If you are already a practitioner, you may have another deity to visualize, like Guru Rinpoche or a yidam or dakini. While it is important to work with a lineage with which you have a connection, you should understand that the master you visualize is the embodiment of all the masters with whom you are connected, all the teachers with whom you have studied, all the deities to whom you have commitments. The master in guru yoga is not just one individual, but the essence of enlightenment, the primordial awareness that is your true nature.
   The master is also the teacher from whom you receive the teachings. In the Tibetan tradition, we say the master is more important than the Buddha. Why? Because the master is the immediate messenger of the teachings, the one who brings the Buddha's wisdom to the student. Without the master we could not find our way to the Buddha. So we should feel as much devotion to the master as we would to the Buddha if the Buddha suddenly appeared in front of us.
   Guru yoga is not just about generating some feeling toward a visualized image. It is done to find the fundamental mind in yourself that is the same as the fundamental mind of all your teachers, and of all the Buddhas and realized beings that have ever lived. When you merge with the guru, you merge with your pristine true nature, which is the real guide and masteR But this should not be an abstract practice. When you do guru yoga, try to feel such intense devotion that the hair stands upon your neck, tears start down your face, and your heart opens and fills with great love. Let yourself merge in union with the guru's mind, which is your enlightened Buddha-nature. This is the way to practice guru yoga.
  
The Practice
   After the nine breaths, still seated in meditation posture, visualize the master above and in front of you. This should not be a flat, two dimensional picture-let a real being exist there, in three dimensions, made of light, pure, and with a strong presence that affects the feeling in your body,your energy, and your mind. Generate strong devotion and reflect on the great gift of the teachings and the tremendous good fortune you enjoy in having made a connection to them. Offer a sincere prayer, asking that your negativities and obscurations be removed, that your positive qualities develop, and that you accomplish dream yoga.
   Then imagine receiving blessings from the master in the form of three colored lights that stream from his or her three wisdom doors- of body, speech, and mind-into yours. The lights should be transmitted in the following sequence: White light streams from the master's brow chakra into yours, purifying and relaxing your entire body and physical dimension. Then red light streams from the master's throat chakra into yours, purifying and relaxing your energetic dimension. Finally, blue light streams from the master's heart chakra into yours, purifying and relaxing your mind.
   When the lights enter your body, feel them. Let your body, energy, and mind relax, suffused inwisdom light. Use your imagination to make the blessing real in your full experience, in your body and energy as well as in the images in your mind.
   After receiving the blessing, imagine the master dissolving into light that enters your heart and resides there as your innermost essence. Imagine that you dissolve into that light, and remain inpure awareness, rigpa.
   There are more elaborate instructions for guru yoga that can involve prostrations, offerings, gestures, mantras, and more complicated visualizations, but the essence of the practice is mingling your mind with the mind of the master, which is pure, non-dual awareness. Guru yoga can be done any time during the day; the more often the better. Many masters say that of all the practices it is guru yoga that is the most important. It confers the blessings of the lineage and can open and soften the heart and quiet the unruly mind. To completely accomplish guru yoga is to accomplish the path.
   ~ Tenzin Wangyal Rinpoche, The Tibetan Yogas Of Dream And Sleep, [T3],
12:Attention on Hypnagogic Imagery The most common strategy for inducing WILDs is to fall asleep while focusing on the hypnagogic imagery that accompanies sleep onset. Initially, you are likely to see relatively simple images, flashes of light, geometric patterns, and the like.

Gradually more complicated forms appear: faces, people, and finally entire scenes. 6

The following account of what the Russian philosopher P. D. Ouspensky called "half-dream states" provides a vivid example of what hypnagogic imagery can be like:

I am falling asleep. Golden dots, sparks and tiny stars appear and disappear before my eyes. These sparks and stars gradually merge into a golden net with diagonal meshes which moves slowly and regularly in rhythm with the beating of my heart, which I feel quite distinctly. The next moment the golden net is transformed into rows of brass helmets belonging to Roman soldiers marching along the street below. I hear their measured tread and watch them from the window of a high house in Galata, in Constantinople, in a narrow lane, one end of which leads to the old wharf and the Golden Horn with its ships and steamers and the minarets of Stamboul behind them. I hear their heavy measured tread, and see the sun shining on their helmets. Then suddenly I detach myself from the window sill on which I am lying, and in the same reclining position fly slowly over the lane, over the houses, and then over the Golden Horn in the direction of Stamboul. I smell the sea, feel the wind, the warm sun. This flying gives me a wonderfully pleasant sensation, and I cannot help opening my eyes. 7

Ouspensky's half-dream states developed out of a habit of observing the contents of his mind while falling asleep or in half-sleep after awakening from a dream. He notes that they were much easier to observe in the morning after awakening than before sleep at the beginning of the night and did not occur at all "without definite efforts." 8

Dr. Nathan Rapport, an American psychiatrist, cultivated an approach to lucid dreaming very similar to Ouspensky's: "While in bed awaiting sleep, the experimenter interrupts his thoughts every few minutes with an effort to recall the mental item vanishing before each intrusion that inquisitive attention." 9 This habit is continued sleep itself, with results like the following:

Brilliant lights flashed, and a myriad of sparkles twinkled from a magnificent cut glass chandelier. Interesting as any stage extravaganza were the many quaintly detailed figurines upon a mantel against the distant, paneled wall adorned in rococo.

At the right a merry group of beauties and gallants in the most elegant attire of Victorian England idled away a pleasant occasion. This scene continued for [a] period of I was not aware, before I discovered that it was not reality, but a mental picture and that I was viewing it. Instantly it became an incommunicably beautiful vision. It was with the greatest stealth that my vaguely awakened mind began to peep: for I knew that these glorious shows end abruptly because of such intrusions.

I thought, "Have I here one of those mind pictures that are without motion?" As if in reply, one of the young ladies gracefully waltzed about the room. She returned to the group and immobility, with a smile lighting her pretty face, which was turned over her shoulder toward me. The entire color scheme was unobtrusive despite the kaleidoscopic sparkles of the chandelier, the exquisite blues and creamy pinks of the rich settings and costumes. I felt that only my interest in dreams brought my notice to the tints - delicate, yet all alive as if with inner illumination. 10

Hypnagogic Imagery Technique

1. Relax completely

While lying in bed, gently close your eyes and relax your head, neck, back, arms, and legs. Completely let go of all muscular and mental tension, and breathe slowly and restfully. Enjoy the feeling of relaxation and let go of your thoughts, worries, and concerns. If you have just awakened from sleep, you are probably sufficiently relaxed.

Otherwise, you may use either the progressive relaxation exercise (page 33) or the 61-point relaxation exercise (page 34) to relax more deeply. Let everything wind down,

slower and slower, more and more relaxed, until your mind becomes as serene as the calmest sea.

2. Observe the visual images

Gently focus your attention on the visual images that will gradually appear before your mind's eye. Watch how the images begin and end. Try to observe the images as delicately as possible, allowing them to be passively reflected in your mind as they unfold. Do not attempt to hold onto the images, but instead just watch without attachment or desire for action. While doing this, try to take the perspective of a detached observer as much as possible. At first you will see a sequence of disconnected, fleeting patterns and images. The images will gradually develop into scenes that become more and more complex, finally joining into extended sequences.

3. Enter the dream

When the imagery becomes a moving, vivid scenario, you should allow yourself to be passively drawn into the dream world. Do not try to actively enter the dream scene,

but instead continue to take a detached interest in the imagery. Let your involvement with what is happening draw you into the dream. But be careful of too much involvement and too little attention. Don't forget that you are dreaming now!

Commentary

Probably the most difficult part of this technique to master is entering the dream at Step 3. The challenge is to develop a delicate vigilance, an unobtrusive observer perspective, from which you let yourself be drawn into the dream. As Paul Tholey has emphasized, "It is not desirable to want actively to enter into the scenery,

since such an intention as a rule causes the scenery to disappear." 11 A passive volition similar to that described in the section on autosuggestion in the previous chapter is required: in Tholey's words, "Instead of actively wanting to enter into the scenery, the subject should attempt to let himself be carried into it passively." 12 A Tibetan teacher advises a similar frame of mind: "While delicately observing the mind, lead it gently into the dream state, as though you were leading a child by the hand." 13

Another risk is that, once you have entered into the dream, the world can seem so realistic that it is easy to lose lucidity, as happened in the beginning of Rapport's WILD described above. As insurance in case this happens, Tholey recommends that you resolve to carry out a particular action in the dream, so that if you momentarily lose lucidity, you may remember your intention to carry out the action and thereby regain lucidity.
~ Stephen LaBerge, Exploring the World of Lucid Dreaming,

*** WISDOM TROVE ***

1:Why should a sequence of words be anything but a pleasure? ~ gertrude-stein, @wisdomtrove
2:The history of art is a sequence of successful transgressions. ~ susan-sontag, @wisdomtrove
3:Everything you need comes to you in perfect time, space and sequence. ~ louise-hay, @wisdomtrove
4:Whatever Nature undertakes, she can only accomplish it in a sequence. She never makes a leap. ~ johann-wolfgang-von-goethe, @wisdomtrove
5:The fact that people will be full of greed, fear, or folly is predictable. The sequence is not predictable. ~ warren-buffet, @wisdomtrove
6:I relax and enjoy life. I know that whatever I need to know is revealed to me in the perfect time and space sequence. ~ louise-hay, @wisdomtrove
7:Love happens! I release the desperate need for love, and instead, allow it to find me in the perfect time-space sequence. ~ louise-hay, @wisdomtrove
8:I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity. ~ edgar-allan-poe, @wisdomtrove
9:A form of government that is not the result of a long sequence of shared experiences, efforts, and endeavors can never take root. ~ napoleon-bonaparte, @wisdomtrove
10:The day is for mistake and error, sequence of time for success and carrying out. The one who anticipates is master of the day. ~ johann-wolfgang-von-goethe, @wisdomtrove
11:It now seems certain that the amino acid sequence of any protein is determined by the sequence of bases in some region of a particular nucleic acid molecule. ~ francis-crick, @wisdomtrove
12:A comparison between the triplets tentatively deduced by these methods with the changes in amino acid sequence produced by mutation shows a fair measure of agreement. ~ francis-crick, @wisdomtrove
13:How is the base sequence, divided into codons? There is nothing in the backbone of the nucleic acid, which is perfectly regular, to show us how to group the bases into codons. ~ francis-crick, @wisdomtrove
14:A final proof of our ideas can only be obtained by detailed studies on the alterations produced in the amino acid sequence of a protein by mutations of the type discussed here. ~ francis-crick, @wisdomtrove
15:Prana is implicate to matter but explicate to mind; mind is implicate to prana but explicate to soul; soul is implicate to mind but explicate to spirit; and the spirit is the source and suchness of the entire sequence. ~ ken-wilber, @wisdomtrove
16:In talking to girls I could never remember the right sequence of things to say. I'd meet a girl and say, Hi, was it good for you too? If a girl spent the night, I'd wake up in the morning and then try to get her drunk. ~ steve-martin, @wisdomtrove
17:The power of music, narrative and drama is of the greatest practical and theoretical importance. ... We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music. ~ oliver-sacks, @wisdomtrove
18:I was given life because it was my time, and now I take leave of it according to the same law. Content with the natural sequence of these events, I am touched neither by joy nor by grief. I am simply hanging in the air ... incapable of freeing myself, tied by the threads of things. ~ zhuangzi, @wisdomtrove
19:Where does a story truly begin? In life, there are seldom clear-cut beginnings, those moments when we can, in looking back, say that everything started. Yet there are moments when fate intersects with our daily lives, setting in motion a sequence of events whose outcome we could never have foreseen. ~ nicholas-sparks, @wisdomtrove
20:Of course, there is a sense of identity, but it is the identity of a memory track, like the identity of a sequence of pictures on the ever-present screen. Without the light and the screen there can be no picture. To know the picture as the play of light on the screen, gives freedom from the idea that the picture is real. ~ sri-nisargadatta-maharaj, @wisdomtrove
21:Equanimity means not reacting to your reactions, whatever they are.Equanimity creates a buffer around the feeling tones of experiences so that you do not react to them with craving. Equanimity is like a circuit breaker that blocks the normal sequence in the mind that moves from feeling tone to craving to clinging to suffering.Equanimity is not coldness, indifference, or apathy. You are present in the world but not upset by it. ~ rick-hanson, @wisdomtrove
22:This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence. ~ e-m-forster, @wisdomtrove
23:Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death? ~ viktor-frankl, @wisdomtrove
24:I am aware that the conclusions arrived at in this work will be denounced by some as highly irreligious; but he who denounces them is bound to show why it is more irreligious to explain the origin of man as a distinct species by descent from some lower from, through the laws of variation and natural selection, than to explain the birth of the individual through the laws of ordinary reproduction. The birth both of the species and of the individual are equally parts of that grand sequence of events, which our minds refuse to accept as the result of blind chance. ~ charles-darwin, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Sequence wants to be free. ~ Annalee Newitz,
2:Error is ever the sequence of haste. ~ Duke of Wellington,
3:We were looking at the sequence, not the shape. ~ Robin Sloan,
4:I must give the events in their proper sequence. ~ Jack London,
5:A split second can ruin or boost the sequence. ~ Deepika Padukone,
6:And now the sequence of events in no particular order. ~ Dan Rather,
7:Obviously, movies don't almost ever shoot in sequence. ~ Geena Davis,
8:Nature operates according to a law of logical sequence. ~ Ernest Holmes,
9:Principles of motion take precedence over sequence of motion. ~ Ed Parker,
10:The sequence is suffering, insight, will, action, change. ~ Allen Wheelis,
11:Why should a sequence of words be anything but a pleasure? ~ Gertrude Stein,
12:Almost the whole of history is but a sequence of horrors. ~ Nicolas Chamfort,
13:The history of art is a sequence of successful transgressions. ~ Susan Sontag,
14:Everything you need comes to you in perfect time, space and sequence. ~ Louise Hay,
15:My life was forever divided into a distinct before-and-after sequence. ~ Lucinda Berry,
16:Carelessness is inexcusable, and merits the inevitable sequence. ~ James Anthony Froude,
17:Compose in the sequence of the musical phrase, not in sequence of a metronome. ~ Ezra Pound,
18:critical path is the shortest sequence of work that can complete the project. ~ Scott Berkun,
19:The rest of the night was an endless dream sequence directed by David Lynch ~ Karen Joy Fowler,
20:Usually in a battle sequence when a bomb is going off, you forget you're acting. ~ Charlie Sheen,
21:The severity of the law of God is the necessary sequence of his infinite love. ~ G Campbell Morgan,
22:My left hand is my thinking hand (image), my right hand my doing hand (sequence). ~ Barbara Hepworth,
23:Interruptions Classes of Interrupts Interrupts interrupt the normal sequence of execution ~ Anonymous,
24:I always work from outline and almost always write out of sequence. It just works for me. ~ Paul S Kemp,
25:when you make a sequence of wrong choices, eventually you’re left with no choice at all. ~ Ilona Andrews,
26:I express preference for a chronological sequence of events which precludes a violence. ~ Terry Pratchett,
27:To engage a sequence, we keep in mind the photographs on either side of the one in our eye. ~ Minor White,
28:Hello, Hermes! Command sequence: Daedalus Twenty-three. Kill Flying Pigs! Begin Activation! ~ Rick Riordan,
29:infinite possibilities are available if you follow a pertinent sequence of creative action. ~ Wayne W Dyer,
30:One of the big things in television these days is there's no main title sequence anymore. ~ Peter M Lenkov,
31:A generating function is a clothesline on which we hang up a sequence of numbers for display. ~ Herbert Wilf,
32:Poetry is a sequence of dots and dashes, spelling depths, crypts, cross-lights, and moon wisps. ~ Carl Sandburg,
33:Life is a sequence of breaths. You can’t live worrying about what will happen next between us. ~ Claudia Y Burgoa,
34:Was our life nothing more than a sequence of anonymous screams in a desert of indifferent stars? ~ Ernesto Sabato,
35:There's always one sequence in every animated film that's the bane of every animator's existence. ~ Andrew Stanton,
36:The fact is that the same sequence of days can arrange themselves into a number of different stories. ~ Jane Smiley,
37:4.33 The sequence of mutation occurs in every second, yet is comprehensible only at the end of a series. ~ Pata jali,
38:The best sequence is this: clothes first, then books, papers, komono (miscellany), and lastly, mementos ~ Marie Kond,
39:The best sequence is this: clothes first, then books, papers, komono (miscellany), and lastly, mementos. ~ Marie Kond,
40:The chances of a 1,055-sequence molecule like collagen spontaneously self-assembling are, frankly, nil. ~ Bill Bryson,
41:The idea of a Being who interferes with the sequence of events in the world is absolutely impossible ~ Albert Einstein,
42:I realized at a young age that sequence in an album is almost as important as the songs that are on the album. ~ Dr Dre,
43:The time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time. ~ Alan Lightman,
44:When everything is laid out neatly and in sequence, you will feel much more like getting on with the job. ~ Brian Tracy,
45:me, and that whatever I need comes to me in the right time, space, and sequence. All is well in my world. ~ Louise L Hay,
46:what was a coincidence, Moody thought, but a stilled moment in a sequence that had yet to be explained? ~ Eleanor Catton,
47:Whatever Nature undertakes, she can only accomplish it in a sequence. She never makes a leap. ~ Johann Wolfgang von Goethe,
48:Yet the time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time. ~ Alan Lightman,
49:The fact that people will be full of greed, fear, or folly is predictable. The sequence is not predictable. ~ Warren Buffett,
50:Life is a changing sequence of situations.If you do not change something, something will change you. ~ Ernest Agyemang Yeboah,
51:Collection or an appropriate subtype is generally the best return type for a public, sequence- returning method. ~ Joshua Bloch,
52:Disagreement about how to punctuate the sequence of events is at the root of countless relationship struggles. ~ Paul Watzlawick,
53:Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. ~ Carlos Ruiz Zaf n,
54:It is hard to write down a story that has no sequence or sense, let alone make a picture of what my dream showed me. ~ Robin Hobb,
55:I relax and enjoy life. I know that whatever I need to know is revealed to me in the perfect time and space sequence. ~ Louise Hay,
56:Life was always going to be a sequence of missed opportunities, defined by the ones we were brave enough to chase. ~ Bella Forrest,
57:epigenetics—the study of heritable changes in gene function that occur without a change in the sequence of the DNA.13 ~ Mark Wolynn,
58:One must then go on to a consideration of time as a projection of multidimensional reality into a sequence of moments. ~ David Bohm,
59:Eventually we'll be able to sequence the human genome and replicate how nature did intelligence in a carbon-based system. ~ Bill Gates,
60:Logic founded on passions reverses the traditional sequence of reasoning and places the conclusion before the premises. ~ Albert Camus,
61:Love happens! I release the desperate need for love, and instead, allow it to find me in the perfect time-space sequence. ~ Louise Hay,
62:The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order. ~ Eudora Welty,
63:The universe is God’s son. ~ Dejan Stojanovic, The Sun Watches the Sun (1999) “God’s Son” (Sequence: “Is It Possible to Write a Poem”),
64:The solar system should be viewed as our backyard, not as some sequence of destinations that we do one at a time. ~ Neil deGrasse Tyson,
65:Hello, Hermes! Command sequence: Daedalus Twenty-three. Kill Flying Pigs! Begin Activation!” Immediately the statue moved ~ Rick Riordan,
66:I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity. ~ Edgar Allan Poe,
67:If there isn't a sequence of 15 previous passes, a good transition between attack and defence is impossible. Impossible. ~ Pep Guardiola,
68:The difference between hearsay and prophecy is often one of sequence. Hearsay often turns out to have been prophecy. ~ Hubert H Humphrey,
69:A picture story is a sequence of images combined with text in such a way that pictures and words reinforce each other. ~ Arthur Rothstein,
70:Even in the works of the greatest master, the organic sequence can fail and then a skillful join must be made. ~ Pyotr Ilyich Tchaikovsky,
71:that’s why we need recursion here: the number of nested loops is arbitrary, and depends on the length of the sequence permuted: ~ Mark Lutz,
72:No one ever laid out the sequence of events that led to my mother being prosecuted and imprisoned for alleged welfare fraud. ~ Chris Gardner,
73:I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence. ~ Ansel Adams,
74:Set the hostname of a router. The command sequence to set the hostname of a router is as follows: enable config t hostname Todd ~ Todd Lammle,
75:When a culture simply shrugs about what happens to people in war, it breaks the fragile sequence, the bond between all people. ~ Michael Meade,
76:Even more significantly, the strain of E. coli that contained this viral spacer sequence was one that was resistant to the virus. ~ Nessa Carey,
77:When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. ~ Anonymous,
78:Causality expresses the pattern which the mind imposes on a sequence of events in order to make their appearance comprehensible. ~ Walter Isaacson,
79:In the midst of a lofty heart, letters in this sequence ‘s,o,r.r,y’ exist not…but is set in the soul of he who seeks to preserve life. ~ Anonymous,
80:Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles. ~ Jet Li,
81:In 2001 scientists finally had access to the entire genome sequence of humans, our complete 3 billion letters of genetic information. ~ Nessa Carey,
82:Like last night I had a sequence with a gun and, to be honest, for me to be threatening with a gun and not be comical is quite hard. ~ Phil Collins,
83:TURN THE PAGES, DIPPING IN HERE AND THERE, READING A PARAGRAPH OR TWO, SOMETIMES SEVERAL PAGES IN SEQUENCE, NEVER MORE THAN THAT. ~ Mortimer J Adler,
84:But we cannot do it all at once; it is a sequence. An unfolding process. We can only control the end by making a choice at each step. ~ Philip K Dick,
85:When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. ~ Marcel Proust,
86:A form of government that is not the result of a long sequence of shared experiences, efforts, and endeavors can never take root. ~ Napoleon Bonaparte,
87:A form of government that is not the result of a long sequence of shared experiences, efforts, and endeavors can never take root. ~ Napol on Bonaparte,
88:I see a sequence of seven main phases: creation,revolution or exodus (Israel in Egypt), law, wisdom, prophecy, gospel, and apocalypse. ~ Northrop Frye,
89:We need creativity in order to break free from the temporary structures that have been set up by a particular sequence of experience. ~ Edward de Bono,
90:Knowledge itself becomes an evolving system which manifests itself in a sequence of different structures. ~ Erich Jantsch, The Self-Organizing Universe,
91:Life’s a sequence of gambles. You’re going to win some. You’re going to lose some. But that doesn’t mean you shouldn’t play the game. ~ Nicole Williams,
92:But porca miseria, the things night can do to time. In place of hardwired sequence, it's more like everything all mixed up. ~ Garth Risk Hallberg,
93:But we cannot do it all at once; it is a sequence. An unfolding process. We can only control the end by making a choice at each step. He ~ Philip K Dick,
94:The creation of today's market society was not the result of a sequence of spontaneous events but rather of state interference and violence. ~ Naomi Klein,
95:The sequence is clear: first the Glorious Revolution, then agricultural improvement, then imperial expansion, then industrial revolution. ~ Niall Ferguson,
96:Another property of a group is that one may combine its members in varying sequence, yet the outcome of the combination remains the same. ~ Paul Watzlawick,
97:The day is for mistake and error, sequence of time for success and carrying out. The one who anticipates is master of the day. ~ Johann Wolfgang von Goethe,
98:What reading does, ultimately, is keep alive the dangerous and exhilarating idea that life is not a sequence of lived moments, but a destiny. ~ Sven Birkerts,
99:Want to know where the action in a culture is? Watch where new language is turning up and where the lawyers collect, usually in that sequence. ~ Stewart Brand,
100:Social media is bad enough for the mood and the self-esteem on a good day, when all we see is an endless sequence of people’s highlight reels. ~ Allison Pataki,
101:If we can put a man on the moon and sequence the human genome, we should be able to devise something close to a universal digital public library. ~ Peter Singer,
102:A random sequence is one that cannot be algorithmically compressed : the shortest description of a random sequence is simply the sequence itself. ~ Gregory Chaitin,
103:The next pictures defied anything the human spirit could conceive. Carnage, hecatomb, madness: this is what emerged from the horrifying sequence. ~ Franck Thilliez,
104:Time is the name humans use to describe the expansion of the universe. It’s used to arrange events in sequence, and generally to avoid going mad. ~ Daniel Polansky,
105:Part of the problem was that no one knew exactly how a cell took a nucleic acid sequence and turned it into a blob of protein made up of amino acids. ~ Matthew Cobb,
106:I sat pondering the idea of the absence of meaning. Was our life nothing more than a sequence of anonymous screams in a desert of indifferent stars? ~ Ernesto Sabato,
107:That's a big battle to win, to be able to do a main title sequence and a theme song these days. That's not something network television does anymore. ~ Peter M Lenkov,
108:Mans true taproots are nourished in the sequence of generations, and he loses his taproots in disrupted developmental time, not in abandoned localities. ~ Erik Erikson,
109:sequences in Clojure are evaluated lazily. Lazy evaluation of a sequence means that an item in a sequence is only created when it’s needed, and not before. ~ Anonymous,
110:It's oneiric, a beautiful, formless sequence of silver nitrate shadows, and when it ends I wonder what happened, and then I begin to rebuild it in my head ~ Neil Gaiman,
111:Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life. ~ Eudora Welty,
112:The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order the continuous thread of revelation. ~ Eudora Welty,
113:The biggest challenge is not coming up with the stunt, the biggest challenge is designing a sequence around it that sort of justifies its existence. ~ Christopher McQuarrie,
114:Where timber vegetation is ruthlessly destroyed, aridity and its sequence sterility will prevail and the hotter the climate, the more to be dreaded. ~ Ferdinand von Mueller,
115:It now seems certain that the amino acid sequence of any protein is determined by the sequence of bases in some region of a particular nucleic acid molecule. ~ Francis Crick,
116:There is a sequence about the creative process, and a work of genius is a synthesis of its individual features from which nothing can be subtracted without disaster. ~ Seneca,
117:It is prima facie highly implausible that life as we know it is the result of a sequence of physical accidents together with the mechanism of natural selection. ~ Thomas Nagel,
118:The most popular image of the female despite the exigencies of the clothing trade is all boobs and buttocks, a hallucinating sequence of parabolae and bulges. ~ Germaine Greer,
119:A good generic sequence to use for your asana practice is — Warm-ups, standing poses, inverted poses, backbends, forward bends and twists, ending with Savasana. ~ David Frawley,
120:It's great when somebody is able to communicate an actual shot sequence to you and you know the world you're inhabiting with that. It's literally a haunting tune. ~ Dan Stevens,
121:It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt. ~ Doug Liman,
122:The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause. ~ Umberto Eco,
123:Out in the sun, some painters are lined up. The first is copying nature, the second is copying the first, the third is copying the second... You see the sequence. ~ Paul Gauguin,
124:The systems of constructs are inherently inferior to advanced bots, but you aren’t stupid. Yeah, well, fuck you, too, I thought, and initiated a shutdown sequence. ~ Martha Wells,
125:To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence. ~ Quentin Tarantino,
126:People think, 'Oh, well how can 'The Hobbit,' which is one book, become three films?' But you can take one line from an appendice and it turns into a whole sequence. ~ Andy Serkis,
127:With DNA as with words, the sequence carries the meaning. Dissolve DNA into its constituent bases, and it turns into a primordial four-letter alphabet soup. ~ Siddhartha Mukherjee,
128:No city is one city, as no one mind is altogether and only itself. A woman is many women, a man is many men, a city is many cities—not in sequence, but all at once. ~ Max Gladstone,
129:No single discovery from any of these fields denotes proof of evolution, but together they reveal that life evolved in a certain sequence by a particular process. ~ Michael Shermer,
130:Positively, the effect of speeding up temporal sequence is to abolish time, much as the telegraph and cable abolished space. Of course, the photograph does both. ~ Marshall McLuhan,
131:The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure. ~ Marshall McLuhan,
132:From a sequence of these individual patterns, whole buildings with the character of nature will form themselves within your thoughts, as easily as sentences. ~ Christopher Alexander,
133:The scary thing is that sometimes you are wrapping up animation on a sequence and you don't know how the movie ends or begins. You just have to bluff and move forward. ~ Dan Scanlon,
134:A comparison between the triplets tentatively deduced by these methods with the changes in amino acid sequence produced by mutation shows a fair measure of agreement. ~ Francis Crick,
135:The first type is called an exon (for expressed sequence) and an exon can code for a run of amino acids. The second type is called an intron (for inexpressed sequence). ~ Nessa Carey,
136:It is what makes the reform process an art, not just a science. You have to develop a strategy that tells you what reform measures you should follow and in what sequence. ~ Vaclav Klaus,
137:Life is expressed in a perpetual sequence of changes. The birth of the child is the death of the baby, just as the birth of the adolescent is the death of the child. ~ Arnaud Desjardins,
138:Three billion bases of DNA sequence can be put on a single compact disc and one will be able to pull a CD out of one's pocket and say, 'Here is a human being; it's me!' ~ Walter Gilbert,
139:You come back to the beginning. That's why in the "Searching for the Ox" sequence, at the very end of that sequence of the Zen paintings, we're back in the world again. ~ Frederick Lenz,
140:I think it is important that you care about the characters, and you are not just waiting for the next action sequence but have a vested interested in what happens to them. ~ Shawn Ashmore,
141:The strength of the donkey mind lies in adopting a course inversely as the arguments urged, which, well considered, requires as great a mental force as the direct sequence. ~ George Eliot,
142:If you're a movie star, there's a cycle you go through: adoration, adulation, you're used, and then you're discarded. And it happens again and again, always in that sequence. ~ John Cusack,
143:I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence. ~ Ralph Bakshi,
144:Once a kata has been learned, it must be practised repeatedly until it can be applied in an emergency, for knowledge of just the sequence of a kata in karate is useless. ~ Gichin Funakoshi,
145:Clearly, if wed had the kind of computer graphics capability then that we have now, the Star Gate sequence would be much more complex than flat planes of light and color. ~ Douglas Trumbull,
146:Death as the destruction of all things no longer had meaning when life was revealed to be a fatuous sequence of empty words, the hollow jingle of a jester’s cap and bells. ~ Michel Foucault,
147:Our art culture makes no attempt to search the past for precedents, but transforms the entire past into a sequence of provisional responses to a problem that remains intact. ~ Andre Malraux,
148:In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely. ~ Maurice Jarre,
149:The events in our lives happen in a sequence in time, but in their significance to ourselves, they find their own order . . . the continuous thread of revelation. EUDORA WELT ~ Julia Cameron,
150:How is the base sequence, divided into codons? There is nothing in the backbone of the nucleic acid, which is perfectly regular, to show us how to group the bases into codons. ~ Francis Crick,
151:The events in our lives happen in a sequence in time, but in their significance to ourselves, they find their own order . . . the continuous thread of revelation. EUDORA WELTY ~ Julia Cameron,
152:A final proof of our ideas can only be obtained by detailed studies on the alterations produced in the amino acid sequence of a protein by mutations of the type discussed here. ~ Francis Crick,
153:the left hemisphere is responsible for sequence, logic, speech, analysis and numeracy; while the right is involved with imagination, colour, rhythm, dimension and spatial awareness ~ Anonymous,
154:What I'm talking about is the order of deportation, the sequence of deportation. It is almost impossible to move 11 million illegal immigrants overnight. You do it in steps. ~ Michele Bachmann,
155:As a musician, you write and make music as you go. It's definitely in a great sequence. When you release songs, you think, "Let me make sure this goes with this so it's like a story." ~ Juicy J,
156:How obvious, now, was that mathematical ratio of its sides, the quadratic sequence 1:4:9! And how naive to have imagined that the series ended there, in only three dimensions! ~ Arthur C Clarke,
157:★★The geas Billington’s running. It’s the occult equivalent of a stateful firewall. It keeps out intruders, unless they run through the approach states in a permitted sequence. ~ Charles Stross,
158:the left hemisphere is responsible for sequence, logic, speech, analysis and numeracy; while the right is involved with imagination, colour, rhythm, dimension and spatial awareness. ~ Anonymous,
159:On working with director Werner Herzog: I have to shoot without any breaks. I yell at Herzog and hit him. I have to fight for every sequence. I wish Herzog would catch the plague. ~ Klaus Kinski,
160:I thought I could never write a proper book; I'd never done it before. But I thought I could write a sequence. Then I had a chapter. The next thing I knew I was turning acting down. ~ Tana French,
161:A weird sequence of weather events had left a thin skin of ice around every tree and branch and twig. Each time the wind blew, a splintery groan issued from all directions at once. ~ Jennifer Egan,
162:common sequence is to start out with a relatively self-oriented interest, then learn self-disciplined practice, and, finally, integrate that work with an other-centered purpose. ~ Angela Duckworth,
163:If you are told that the king died and then the queen died, that is a sequence of events. If you are told that the king died and that the queen then died of grief, that is a story. ~ David A Aaker,
164:Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair or triplet of essential images. ~ Minor White,
165:Can you define "plan" as "a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance"? If so, it was a very good plan. ~ Jonathan Stroud,
166:If one compares the sequence of amino acids that go to form the protein haemoglobin, it becomes apparent that humans and chimps are identical and do not differ in a single site. ~ Simon Conway Morris,
167:Paintings are but research and experiment. I never do a painting as a work of art. All of them are researches. I search constantly and there is a logical sequence in all this research. ~ Pablo Picasso,
168:Time perception is very much about how you sequence your activities, how many activities you layer overtop of others, and the types of gaps, if any, you leave in between activities. ~ Douglas Coupland,
169:Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience. ~ Ang Lee,
170:Jargon marks the place where thinking has been. It becomes a kind of macro, to use a computer term: a way of storing a complicated sequence of thinking operations under a unique name. ~ Marjorie Garber,
171:After all, our lives are but a sequence of accidents - a clanking chain of chance events. A string of choices, casual or deliberate, which add up to that one big calamity we call life. ~ Rohinton Mistry,
172:After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.) ~ Jeff Britting,
173:I wanted to be a genetic engineer. That was my goal in college. I wanted to figure out what the codon sequence was that causes replication in a cardio myopathic virus. That was my goal. ~ Ashton Kutcher,
174:The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments. ~ China Mieville,
175:The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments. ~ China Mi ville,
176:Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly. ~ Jeff Britting,
177:When it came time to sequence the album, the new arrangements really demanded a different order. They were so different than they were before that the old sequence didn't work anymore. ~ Natalie Merchant,
178:A good novel is an indivisible sum; every scene, sequence and passage of a good novel has to involve, contribute to and advance all three of its major attributes: theme, plot, characterization. ~ Ayn Rand,
179:Our ability to read out this sequence of our own genome has the makings of a philosophical paradox. Can an intelligent being comprehend the instructions to make itself? —John Sulston ~ Siddhartha Mukherjee,
180:The Dust Behind I Strove To Join
992
The Dust behind I strove to join
Unto the Disk before—
But Sequence ravelled out of Sound
Like Balls upon a Floor—
~ Emily Dickinson,
181:This simple inability to remember not the true sequence of events but a reconstructed one will make history appear in hindsight to be far more explainable than it actually was—or is. ~ Nassim Nicholas Taleb,
182:But therein lies the logician's trap: past data from real life constitute a sequence of events rather than a set of independent observations, which is what the laws of probability demand. ~ Peter L Bernstein,
183:That movie [War for the Planet of the Apes] is incredibly engaging; it's what drives the emotion of all these films. So tonight, we're going to show a long sequence that's actually going to be. ~ Matt Reeves,
184:What had Balfour said, hours ago? “A string of coincidences is not a coincidence?” And what was a coincidence, Moody thought, but a stilled moment in a sequence that had yet to be explained? ~ Eleanor Catton,
185:Momentarily drained of lust, he stares at the remembered contortions to which it has driven him. His life seems a sequence of grotesque poses assumed to no purpose, a magic dance empty of belief. ~ John Updike,
186:...the tough philosophy of Ginaz taught that there were no accidents, no excuses for failure. Every event was the result of a sequence of actions. Intentions were irrelevant to actual outcomes. ~ Brian Herbert,
187:We share half our genes with the banana. [After the announcement Jun 2000 that a working draft of the genetic sequence of humans had been completed by the Human Genome Project.] ~ Robert May Baron May of Oxford,
188:Sicily has suffered 13 foreign dominations from which she has taken both the best and the worst. The sequence of different cultures has made Sicily a fascinating place, quite unlike any other. ~ Andrea Camilleri,
189:Midas’s error was to mistake gold, wealth’s monetary measure, for wealth itself. But wealth is not a thing or a random sequence. It is inextricably rooted in hard won knowledge over extended time. ~ George Gilder,
190:Our ability to read out this sequence of our own genome has the makings of a philosophical paradox. Can an intelligent being comprehend the instructions to make itself? —John Sulston Scholars ~ Siddhartha Mukherjee,
191:There is no explaining a series of misfortunes like that. Every man blames himself. People in their black minds remember sins committed secretly and wonder whether they have caused the evil sequence ~ John Steinbeck,
192:In 15 years we'll have all the sequence, a list of the genes everyone has in common and those that differ among people. We know only something like a tenth of 1 percent of the sequence at the moment. ~ Walter Gilbert,
193:My castings sort of go in phases. There'll be several icy professional parts - a lawyer or a cop. And then there'll be the intelligent-but-wounded group and then the period things. It goes in sequence. ~ Laura Linney,
194:All producers encourage you, whatever it is, to make it more-so. If you've got a joke, can it be funnier? If you've got an action sequence, can it be more exciting? That's the nature of being a producer. ~ Walter Hill,
195:I would like to go for a ride with you, have you take me to stand before a river in the dark where hundreds of lightning bugs blink this code in sequence: right here, nowhere else! Right now, never again! ~ Amy Hempel,
196:If there is as a continuum from self-reproducing molecules, such as DNA, to microbes, and an evolutionary sequence continuum from microbes to humans, why should we imagine that continuum to stop at humans? ~ Carl Sagan,
197:Mathematicians have tried in vain to this day to discover some order in the sequence of prime numbers, and we have reason to believe that it is a mystery into which the human mind will never penetrate. ~ Leonhard Euler,
198:Rid of craving and without clinging, an expert in the study of texts, and understanding the right sequence of the words, he may indeed be called "In his last body", "Great in wisdom" and a "Great man." ~ Gautama Buddha,
199:The important thing is that we now have the tools to sequence all kinds of animals and plants and microbes - as well as humans. It is not important that we didn't actually finish the human sequence yet. ~ Freeman Dyson,
200:We are pattern seekers, believers in a coherent world, in which regularities (such as a sequence of six girls) appear not by accident but as a result of mechanical causality or of someone’s intention. ~ Daniel Kahneman,
201:When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. ~ Ingmar Bergman,
202:I believe in logic, the sequence of cause and effect, and in science its only begotten son our law, which was conceived by the ancient Greeks, thrived under Isaac Newton, suffered under Albert Einstein... ~ John Brunner,
203:The sequence that made Martin Luther King Jr.’s “Dream Speech” the greatest speech of the twentieth century had all been improvised. The words “I have a dream” are not in the original copy of the speech! ~ Carmine Gallo,
204:In this chapter we will go beyond the one type of change we saw in chapter 1, and embrace the word in general as a fundamentally impermanent association of a sequence of sounds with a particular meaning. ~ John McWhorter,
205:There is a kind of logical sequence in this Sermon. Not only that, there is certainly a spiritual order and sequence. Our Lord does not say these things accidentally; the whole thing is deliberate. ~ D Martyn Lloyd Jones,
206:We are pattern seekers, believers in a coherent world, in which regularities (such as a sequence of six girls) appear not by accident but as a result of mechanical causality or of someone’s intention. We ~ Daniel Kahneman,
207:A second type of direct evidence is formed by statements, whether as formal legends or personal information, regarding the age or relative sequence of events in tribal history made by the natives themselves. ~ Edward Sapir,
208:I'm about to fuck up, he thought clearly, and his next thought was, but I don't have to. This was followed closely by a third thought, the last of this familiar sequence, which was, but I'm going to anyway. ~ Richard Russo,
209:In the Fragments, sensations are more profound and richly clarified through deliberate and explicit pattern; emotions are given a sequence and development such as the exigencies of practical life rarely permit. ~ Alton Tobey,
210:You probably don’t even see when work is committed to your organization. And if you can’t see it, you can’t manage it—let alone organize it, sequence it, and have any assurance that your resources can complete it. ~ Gene Kim,
211:It is our task to inquire into the causes that have brought about the observed differentiation, and to investigate the sequence of events that have led to the establishment of the multifarious forms of human life ~ Franz Boas,
212:Though Necessity dons the garb of Chance,
Hidden in the blind shifts of Fate she keeps
The slow calm logic of Infinity’s pace
And the inviolate sequence of its will. ~ Sri Aurobindo, Savitri, The Vision and the Boon,
213:For history as far as I can see is not the arrangement of what happens, in sequence and in truth, but a fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth. ~ Sebastian Barry,
214:I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence. ~ James Wan,
215:Later Jewish tradition made this the first in a sequence of psalms chanted as a prelude to the Friday-evening prayer for welcoming the Sabbath, evidently because the Sabbath was seen as a celebration of creation. ~ Robert Alter,
216:Cinematic and symphonic: this is a compelling story revealed in a sequence of voices that are as pitch-perfect as they are irresistible. This is a wonderfully impressive debut: tender, muscled and unforgettable. ~ Rikki Ducornet,
217:Cue dream sequence of Liam running slowly on a beach carrying me in his arms. I love how he's strong enough to carry me with one arm while using the other arm to feed the seagulls. He's such an animal lover like that. ~ R S Grey,
218:I’m not saying science is perfect, but life is too short for an infinite sequence of questionings, and questionings of questionings, and questionings of questionings of questionings…One must start somewhere. ~ Timothy Williamson,
219:The key to a successful education is not remembering the sequence of battles in World War I or getting an A on the geometry test. A robust education is the ability to make meaningful use of any and all information. ~ Julie Bogart,
220:If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move. ~ Justin Cronin,
221:It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning. ~ Philip Roth,
222:The pages aren't numbered, so I don't know whether I have the beginning or end or whether it's in sequence but these days I'm not really looking for continuity. All I'm after is something that makes sense to me. ~ Melina Marchetta,
223:Prana is implicate to matter but explicate to mind; mind is implicate to prana but explicate to soul; soul is implicate to mind but explicate to spirit; and the spirit is the source and suchness of the entire sequence. ~ Ken Wilber,
224:Dr. Roboy, in Litvak's measured view, had a vice common to believers: He was all strategy and no tactics. He was prone to move for the sake of moving, too focused on the goal to bother with the intervening sequence. ~ Michael Chabon,
225:Shooting in real-life situations helps actors because they're competing against the noise and the wind. Out of that comes things that shift and change, in terms of tone, but not in terms of re-honing the whole sequence. ~ Tony Scott,
226:In talking to girls I could never remember the right sequence of things to say. I'd meet a girl and say, Hi, was it good for you too? If a girl spent the night, I'd wake up in the morning and then try to get her drunk. ~ Steve Martin,
227:The pages aren't numbered, so I don't know whether I have the beginning or end or whether it's in sequence but these days I'm not really looking for continuity.
All I'm after is something that makes sense to me. ~ Melina Marchetta,
228:For history as far as I can see is not the arrangement of what happens, in sequence and in truth, but a fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth. History ~ Sebastian Barry,
229:There are some sequences in films that I think work filmicly, that stand out to me, but thats much more to do with the staging and the cutting and the mood of the thing as a sequence, the way everything comes together. ~ Roger Deakins,
230:With free will, we can modify, to a certain extent the chain of karma that has been set in motion by the karma of the previous moment. That is what free will really is, the ability to alter the sequence of karmic fate. ~ Frederick Lenz,
231:Write contracts for software development that fix time, costs, and quality but call for an ongoing negotiation of the precise scope of the system. Reduce risk by signing a sequence of short contracts instead of one long one. ~ Kent Beck,
232:Many modern alphabets, including ours, retain with minor modifications that original sequence (and, in the case of Greek, even the letters’ original names: alpha, beta, gamma, delta, and so on) over 3,000 years later. One ~ Jared Diamond,
233:Our curse as humans is that we are trapped in time; our curse is that we are forced to interpret life as a sequence of events - a story - and when we can't figure out what our particular story is, we feel lost somehow. ~ Douglas Coupland,
234:The universe today is 13.8 billion years old. By 22 billion years, the Sun will have finished its main-sequence lifetime and will have become a white dwarf. The Andromeda galaxy will have crashed into the Milky Way. ~ Neil deGrasse Tyson,
235:Essentially and most simply put, plot is what the characters do to deal with the situation they are in. It is a logical sequence of events that grow from an initial incident that alters the status quo of the characters. ~ Elizabeth George,
236:Murderers will try to recall the sequence of events, they will remember exactly what they did just before and just after. But they can never remember the actual moment of killing. This is why they will always leave a clue. ~ Peter Ackroyd,
237:The solution is not that people need to major in marketing in college, but that their liberal education should be more structured and demanding. Majors should have some required sequence of basic courses, as in economics. ~ Fareed Zakaria,
238:When those poor devils of novelists jumble a lot of impossible coincidences all pell-mell together without building plan, or sequence, or any sort of sense, they are all wrong as to Art, clearly, but they are awfully true to Life. ~ Ouida,
239:Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene. ~ Jeff Britting,
240:There was no particular reason to do so, but your mind automatically assumed a temporal sequence and a causal connection between the words bananas and vomit, forming a sketchy scenario in which bananas caused the sickness. ~ Daniel Kahneman,
241:When we predicate of any thing an abstract name, we affirm of the thing that it is one or other of these five things; that it is a case of Existence, or of Co-existence, or of Causation, or of Sequence, or of Resemblance. ~ John Stuart Mill,
242:Would you like to know your future?

If your answer is yes, think again. Not knowing is the greatest life motivator.

So enjoy, endure, survive each moment as it comes to you in its proper sequence -- a surprise. ~ Vera Nazarian,
243:With special relativity, time itself splintered. There was now no way to say that two events were simultaneous--to some observers one event might precede the other, while other observers might find the temporal sequence reversed. ~ Anonymous,
244:Whatever happens, happens rightly. Watch closely, and you will find this true. In the succession of events there is not mere sequence alone, but an order that is just right, as from the hand of one who dispense to their due. ~ Marcus Aurelius,
245:Just movies in general. It's such a wonderful business as much as you feel, you are fine tuning your craft, every movie is a completely different challenge. Every fight sequence is different. Every action set piece. I enjoy that. ~ Len Wiseman,
246:Because as an actor, I really feel you cannot judge a character. You have to totally commit to that character. And for me to totally commit to the character, I have to find those places where I understand the sequence of behavior. ~ Glenn Close,
247:By the year 2020 or 2030, all this will finally culminate in personalized DNA codes. Gilbert claims, “You’ll be able to go to a drugstore and get your own DNA sequence on a CD, which you can then analyze at home on your Macintosh. ~ Michio Kaku,
248:Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic. ~ William Friedkin,
249:It has repeated elements that appear frequently. A pesky, mysterious three-hundred-base-pair sequence called Alu appears and reappears tens of thousands of times, although its origin, function, or significance is unknown. ~ Siddhartha Mukherjee,
250:High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor . . . ~ Milan Kundera,
251:You will notice that Prolog has some similarities to a functional programming language such as Hugs.A functional program consists of a sequence of function definitions — a logic program consists of a sequence of relation definitions. ~ Anonymous,
252:Thought of the incomprehensible sequence of changes and chances that make up a life, all the beauties and horrors and absurdities whose conjunctions create the uninterpretable and yet divinely significant pattern of human destiny. ~ Aldous Huxley,
253:Such are the Splendors and Miseries of memory: it is proud of its ability to keep truthful track of the logical sequence of past events; but when it comes to how we experienced them at the time, memory feels no obligation to truth. ~ Milan Kundera,
254:By rendering the model in ASN.1, the NCBI created a system that combined objects (DNA sequences, protein sequences, references, sequence features) from a variety of databases and manipulated them all with a common set of software tools. ~ Anonymous,
255:In a world where time is a sense, like sight or like taste, a sequence of episodes may be quick or may be slow, dim or intense, salty or sweet, causal or without cause, orderly or random, depending on the prior history of the viewer. ~ Alan Lightman,
256:When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on. ~ Lynne Tillman,
257:I wasn't a big comic book reader. I always had trouble knowing which box to read next. I was always reading from the wrong box. I was like, this is a comic book that doesn't make any sense! I think I was reading them all out of sequence. ~ Tim Burton,
258:There is no essential self that lies pure as a vein of gold under the chaos of experience and chemistry. Anything can be changed, and we must understand the human organism as a sequence of selves that succumb to or choose one another. ~ Andrew Solomon,
259:One can also use compactifications to view the continuous as the limit of the discrete: for instance, it is possible to compactify the sequence / 2,/ 3,/ 4, . . . of cyclic groups in such a way that their limit is the circle group = /. ~ Timothy Gowers,
260:We do NOT know the past in chronological sequence. It may be convenient to lay it out anesthetized on the table with dates pasted on here and there, but what we know we know by ripples and spirals eddying out from us and from our own time. ~ Ezra Pound,
261:Now it all seems so simple. Events intersect free of any logic of sequence; they cover space and time in an even, translucent layer. Memory re-creates them from the back, from the front, or sideways, but to them it makes no difference. ~ Andrzej Stasiuk,
262:I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched. ~ Kevin Costner,
263:I should perhaps warn you that I am about to faint from anxiety and general depression, though. The film I saw last night was especially grueling, a teen-age beach musical. I almost collapsed during the singing sequence on surfboard. ~ John Kennedy Toole,
264:The eight stages of the SJW attack sequence are as follows: Locate or Create a Violation of the Narrative. Point and Shriek. Isolate and Swarm. Reject and Transform. Press for Surrender. Appeal to Amenable Authority. Show Trial. Victory Parade. ~ Vox Day,
265:this temporal-reality model with its sequence of memories gives you the subjective feeling of time flowing through a sequence of events even while your mind is actually looking at the reality model in your brain in a single observer moment. ~ Max Tegmark,
266:What is time? he wrote in his pad. Must time occur in sequence—beginning to middle to end—or is this only one way to perceive it? Maybe time can spill and freeze and retreat; maybe time is like water, endlessly cycling through its states. ~ Anthony Doerr,
267:I had to work out a new sequence for how my date with Anna would go. I reviewed what bus I’d take to get to the dog park, where the station was, how much change I’d need in order to ride. I even wrote a list to refer to in case I got confused. ~ Bonnie Dee,
268:In truth, it matters less what we do in practice than how we do it and why we do it. The same posture, the same sequence, the same meditation with a different intention takes on an entirely new meaning and will have entirely different outcomes. ~ Donna Farhi,
269:I mean, in terms of comfort, it was horrible, but we knew the sequence was going to be good. That sort of drives you forward when you know what you're working on is going to be fun. You'll go through all manner of discomfort to get the shot. ~ Michael Chiklis,
270:Oh, well. I don’t mind helping you to feel guilty if you must. On the other hand, I should point out that of all our various encounters, today is the only time you have favoured me with two civil words in sequence. I found it quite worrying. ~ Dorothy Dunnett,
271:I have always lived my life by making lists: lists of people to call, lists of ideas, lists of companies to set up, lists of people who can make things happen. Each day I work through these lists, and that sequence of calls propels me forward. ~ Richard Branson,
272:It is not the issue here wether punctuation of communicational sequence is, in general, good or bad, as it should be immediately obvious that punctuation organizes behavioral events and is therefore vital to ongoing interactions. ~ Paul Watzlawick,
273:Spring gave way to summer, and summer faded into autumn. I mention this, dear reader, not in order to insult your intelligence by assuming you do not comprehend the sequence of the seasons, but merely as a convenient means of transition. ~ Skylar Hamilton Burris,
274:Written history may, in the course of its narrative, use some of the laws established by the various sciences, but its own task remains that of relating the essential sequence of historical action and, qua history, to tell what happened, not why. ~ Lloyd deMause,
275:I am of a temperament that needs the written word. For anything to have meaning, it has to be set down, it must live on paper before it is fully alive in my head. It has to be a series of words in a sequence in order to reveal a meaning and pattern. ~ Anuradha Roy,
276:It was a Rube Goldberg disease. A change in the sequence of a gene caused the change in the sequence of a protein; that warped its shape; that shrank a cell; that clogged a vein; that jammed the flow; that racked the body (that genes built). ~ Siddhartha Mukherjee,
277:For anyone who's a fan of the X-files show - I mean, I have the ultimate role. I got to deal with Mulder, I got to talk to him, I had a fight sequence with him. Really for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams. ~ Rhys Darby,
278:The essential discovery of maturity has little if anything to do with information about the names, the locations, and the sequence of facts; it is the acquiring of a different sense of life, a different kind of intuition about the nature of things. ~ Walter Lippmann,
279:Attention, learning, and problem solving depend in part on the ability to plan and sequence actions and ideas. The Interactive Metronome(R) helps individuals systematically exercise and often improve basic motor planning and sequencing capacities. ~ Stanley Greenspan,
280:I've done a fair amount of that stuff... when we did 'Lord of the Rings' the transformation sequence from Smeagol to Gollum was a 19-hour make-up job. You have to have a kind of zen button that you press and allow the mind to be focused in a certain way. ~ Andy Serkis,
281:Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game. ~ Jacques Plante,
282:In a nutshell, Rebels respond best to a sequence of information, consequences, and choice. We must give Rebels the information they need to make an informed decision; alert them to the consequences of actions they might take; then allow them to choose— ~ Gretchen Rubin,
283:But nobody is born being able to hear [intervals], and many people never master them. Some people never even notice that "Twinkle, Twinkle, Little Star" and "The Alphabet Song" follow the same melody (and hence consist of the same sequence of intervals). ~ Gary F Marcus,
284:Much better he should read for the first half of his life and then live for the next half. That's the proper sequence to know what you're doing. Nowadays, they start off by living and never get around to reading – it explains the mess we're all in. ~ Paula Marantz Cohen,
285:Although this practice of cultivating loving-kindness (metta, maitri) and compassion (karuna) is part of a traditional sequence contemplating “the four limitless ones,” many of us discover along the way the apparent limits of our heart’s radiance. ~ Shambhala Publications,
286:Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated. ~ Carlos Ruiz Zaf n,
287:Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated. ~ Carlos Ruiz Zafon,
288:The novelist defines the story with the following example: If you are told that the king died and then the queen died, that is a sequence of events. If you were told that the king died and then the queen died of grief, that is a story that he was interested. ~ E M Forster,
289:The sequence in which we observe characteristics of a person is often determined by chance. Sequence matters, however, because the halo effect increases the weight of first impressions, sometimes to the point that subsequent information is mostly wasted. ~ Daniel Kahneman,
290:Thus if we know a child has had sufficient opportunity to observe and acquire a behavioural sequence, and we know he is physically capable of performng the act but does not do so, tehn it is reasonable to assume that it is motivation which is lacking ~ Urie Bronfenbrenner,
291:I'm involved with every single thing that they do as far as just being aware, and then they ask my opinion. I'm involved in the sequence reviews and some of the animation reviews and character designs and things like that. I give my input on that movie as well. ~ Klay Hall,
292:But histories differ from novels in that they insist on a homology between the sequence of their own telling, the form they impose to create a coherent explanation in the form of a narrative on the one hand, and the sequence of what they tell on the other. ~ Mikhail Bakhtin,
293:Music to me is spontaneous, writing is spontaneous and it's all based on not trying to do it. From beginning to end, whether it's writing a song, or playing guitar, or a particular chord sequence, or blowing a horn, it's based on improvisation and spontaneity. ~ Van Morrison,
294:The invention progress is tough sometimes. When I first choreographed the Drunken Master in the past with Jackie Chan, I spent months to create the whole sequence. There were no fight sequences before; it's just a name. I have to choreograph it all by myself. ~ Yuen Woo ping,
295:Violent action is unclear to most of those who get caught up in it. Experience is fragmentary; cause and effect,why and how, are torn apart. Only sequence exists. First this then that. And afterward, for those who survived, a lifetime of trying to understand ~ Salman Rushdie,
296:Life begins a long series of transformations, manifesting itself under innumerable forms, fashioning for itself in the sequence of the ages a multitude of transitory but ever more perfect organisms, thus perfecting itself by the progress of its faculties. ~ Antoine the Healer,
297:learn the lessons before they are over. Life is a composition of series and sequence of lessons. Each lesson comes with its own lessons to learn. our failure to learn the lessons of one shall be the reasons to learn another lesson with similar lessons. ~ Ernest Agyemang Yeboah,
298:LISTEN CLOSELY, MY FRIENDS,” Blaine’s voice boomed. “THERE ARE LARGE STOCKPILES OF CHEMICAL AND BIOLOGICAL WARFARE CANISTERS UNDER THE CITY. I HAVE STARTED A SEQUENCE WHICH WILL CAUSE AN EXPLOSION AND RELEASE THIS GAS. THIS EXPLOSION WILL OCCUR IN TWELVE MINUTES. ~ Stephen King,
299:One needs but to say that, in the case of an unfamiliar sequence of syllables, only about seven can be grasped in one act, but that with frequent repetition and gradually increasing familiarity with the series this capacity of consciousness may be increased ~ Hermann Ebbinghaus,
300:But just before she could move, Amon paused in the midst of a sequence, the staff horizontal in front of him, head cocked. He flipped the quarterstaff to a vertical position, turned and looked directly at where Raisa was hiding.

"Rai?" he whispered. ~ Cinda Williams Chima,
301:The variety within Mann's fiction is impressive and fascinating. But Joyce is even more various and many-sided. He begins his career with a wonderful sequence of bleak studies about the ways in which human lives can go awry - in my view, Dubliners is underrated. ~ Philip Kitcher,
302:I felt a Cleaving in my Mind—
As if my Brain had split—
I tried to match it—Seam by Seam—
But could not make it fit.

The thought behind, I strove to join
Unto the thought before—
But Sequence ravelled out of Sound
Like Balls—upon a Floor. ~ Emily Dickinson,
303:In terms of their basic biochemical design....no living system can be thought of as being primitive or ancestral with respect to any other system, nor is there the slightest empirical hint of an evolutionary sequence among all the incredibly diverse cells on earth. ~ Michael Denton,
304:Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense. ~ James Sallis,
305:Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense. ~ James Sallis,
306:The classification of facts, the recognition of their sequence and relative significance is the function of science, and the habit of forming a judgment upon these facts unbiassed by personal feeling is characteristic of what may be termed the scientific frame of mind. ~ Karl Pearson,
307:Just as the sentence contains one idea in all its fullness, so the paragraph should embrace a distinct episode; and as sentences should follow one another in harmonious sequence, so paragraphs must fit into another like the automatic couplings of railway carriages. ~ Winston Churchill,
308:Truth, she believed, lies in what is said as much as in what isn't, in the same way that a melody not only is a sequence of audible notes but encompasses the spaces and pauses in between. When listening to music, you must learn to take in even the atmosphere of an echo. ~ Vaddey Ratner,
309:The individual links of the chain are small molecules called nucleotides, which come in four types denoted by the letters A, C, G, and T. Your genome is the entire sequence of nucleotides in your DNA, or equivalently a long string of letters drawn from this four-letter ~ Sebastian Seung,
310:PROBABILITY BY LIA PURPURA   Most coincidents are not miraculous, but way more common than we think— it’s the shiver of noticing being central in a sequence of events that makes so much seem wild and rare— because what if it wasn’t? Astonishment’s nothing without your consent. ~ Anonymous,
311:The classification of facts, the recognition of their sequence and relative significance is the function of science, and the habit of forming a judgment upon these facts unbiased by personal feeling is characteristic of what may be termed the scientific frame of mind. ~ Karl Pearson,
312:Television is a non graded curriculum and excludes no viewer for any reason, at any time. In other words, in doing away wtih the idea of sequenece and continuity in education, television undermines the idea that sequence and continuity have anything to do with thought itself. ~ Neil Postman,
313:I blushed. You haven't seen a bald man in his sixties blush? Oh, it happens, just as it does to a hairy, spotty fifteen-year-old. And because it's rarer, it sends the blusher tumbling back to that time when life felt like nothing more than one long sequence of embarrassments. ~ Julian Barnes,
314:The power of music, narrative and drama is of the greatest practical and theoretical importance. ... We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music. ~ Oliver Sacks,
315:I never plan ahead, with the exception of the Amber books which had to proceed in sequence. But I don't really like to know what I'm going to be working on a year in advance. So I just sign blank contracts for books and whatever strikes me as a good idea is what I write about. ~ Roger Zelazny,
316:The scientist opened her eyes and shook her head, trying to clear it. The ship had rushed her awakening sequence. Why? The awakening process usually happened more gradually, unless… The thick fog in her tube dissipated a bit, and she saw a flashing red light on the wall—an alarm. ~ A G Riddle,
317:Nowadays he is best remembered for the Fibonacci sequence of numbers (0, 1, 1, 2, 3, 5, 8, 13, 21 . . .), in which each successive number is the sum of the previous two, and the ratio between a number and its immediate antecedent tends towards a ‘golden mean’ (around 1.618). It ~ Niall Ferguson,
318:A film fable so structured that all alchemical searchings are clearly filmwise (gold being discovered cinematically in each sequence ot mixed black-and-white and color) so that when the drama-discovery is actually made, it acts as a deliberate anti-climax of aesthetic perfection. ~ Stan Brakhage,
319:Right as my eyes were about to move onto the next photo in the sequence, they froze and focused on something that vexed me so powerfully that I can now, as I write this, distinctly remember feeling dizzy and capable of only a single, repeating thought. Why am I in this picture? ~ Dathan Auerbach,
320:The normal sequence is that energy is prompted at the perceptual system, passes into consciousness, and thence to the motor system, where it is discharged by action. (I feel an unpleasant sensation, realize that I have been bitten by a mosquito, raise my hand, and swat the insect.) ~ Sigmund Freud,
321:Language builds on our cognitive capacities to reason about the goals and intentions of other people, on our desire to imitate, our desire to communicate, and our twin capacities for using convention to name things and sequence to indicate differences between differing possibilities. ~ Gary F Marcus,
322:In Paris explanations come in a predictable sequence, no matter what is being explained. First comes the explanation in terms of the unique, romantic individual, then the explanation in terms of ideological absolutes, and then the explanation in terms of the futility of all explanation. ~ Adam Gopnik,
323:I have a sequence to my creative life. In spring and fall, I am above ground and commit to community. In the summer, I'm outside. It is a time for family. And in the winter, I am underground. Home. This is when I do my work as a writer - in hibernation. I write with the bears. ~ Terry Tempest Williams,
324:Maugham reckoned another, deeper truth: that by performing the mundane physical act of sitting down and starting to work, he set in motion a mysterious but infallible sequence of events that would produce inspiration, as surely as if the goddess had synchronized her watch with his. ~ Steven Pressfield,
325:Now, Faith dear…”
“Yes, cousin?”
“Of course, you look absolutely ravishing, but perhaps no mention of rocks right away?”
“Not a single sedimentary sequence shall pass my lips, I promise.” Faith attempted to look grave.
“I don’t know what that means, dear, but thank you. ~ Gail Carriger,
326:When I look at those years I look at them alone. What happened there happens now only inside my head - no one else sees the same landscape, hears the same sounds, knows the sequence of events. There is another voice, but it is one that only I hear. Mine - ours - is the only evidence. ~ Penelope Lively,
327:For a film I shot on the most difficult mountain on God's wide earth in Patagonia for a sequence where there was high probability some digital effects were needed, somebody made storyboards and I quickly ignored them, after half an hour I ignored them and I never used any digital effect. ~ Werner Herzog,
328:He sees her standing at the end of a passage in her life, without any next step to take—all her bets are in, she has only the tedium now of being knocked from one room to the next, a sequence of numbered rooms whose numbers do not matter, till inertia brings her to the last. That’s all. ~ Thomas Pynchon,
329:If this is preparation for life, where in the world, where in the relationship with our colleagues, where in the industrial domain, where ever again, anywhere in life, is a person given this curious sequence of prepared talks and prepared questions, questions to which the answers are known? ~ Edwin Land,
330:Experiments have shown that six-month-old infants see the sequence of events as a cause-effect scenario, and they indicate surprise when the sequence is altered. We are evidently ready from birth to have impressions of causality, which do not depend on reasoning about patterns of causation. ~ Daniel Kahneman,
331:George Orwells 1984 frequently tops surveys of our greatest books: its not a celebration of poetic language. Its decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what 1984 shows is that language can be a dirty trick. ~ Graham Joyce,
332:The first big thing that I did with my dad was the bicycle sequence in "The Great Muppet Caper," where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad. ~ Brian Henson,
333:In order to join the Congregational Church, the applicant not only had to affirm each and every tenet of Calvinism, he had to demonstrate that he had gone through a standardized sequence of spiritual experiences. (Alcoholics Anonymous is the only Protestant cult which still imposes this requirement.) ~ Anonymous,
334:Vitamin B proved to be not one vitamin but several, which is why we have B1, B2, and so on. To add to the confusion, Vitamin K has nothing to do with an alphabetical sequence. It was called K because its Danish discoverer, Henrik Dam, dubbed it "koagulations viatmin" for its role in blood clotting. ~ Bill Bryson,
335:A Mantra is composed of certain letters arranged in definite sequence of sounds, of which the letters are the representative signs. To produce the designed effect, Mantra must be intoned in the proper way, according to rhythm and sound...a Mantra is a potent compelling force, a word of power. ~ Sir John Woodroffe,
336:Try it—write down a precise sequence of curse words that takes 7 to 10 seconds to read. Then, before a creative work session of some type, read it quickly and loudly like you’re casting a spell or about to go postal. Eric also finds late nights, around 3 a.m., to be ideal for deep creative work. ~ Timothy Ferriss,
337:War is a red haze punctuated by horror and death. It's a sequence of things that no human should ever have to know are possible, let alone see or have happen to them. War is neither a science or an art, it's a fucking mess, and the only sane response to it is to run fast in the opposite direction. ~ Mark Lawrence,
338:Our lives disconnect and reconnect, we move on, and later we may again touch one another, again bounce away. This is the felt shape of a human life, neither simply linear nor wholly disjunctive nor endlessly bifurcating, but rather this bouncey-castle sequence of bumpings-into and tumblings-apart. ~ Salman Rushdie,
339:To me the gospel is not a great mass of theological jargon. It is a simple and beautiful and logical thing, with one quiet truth following another in orderly sequence. I do not fret over the mysteries. I do not worry whether the heavenly gates swing or slide. I am only concerned that they open. ~ Gordon B Hinckley,
340:I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no 'meaning' beyond their temporary arrangement, not a movie but a cutting-room experience. ~ Joan Didion,
341:Of course, I was a little concerned about it being over two hours [in "Aquarius" ]. "Neighboring Sounds" was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures. ~ Sonia Braga,
342:She [Virginia Madsen] and I had a really long relationship after that movie ['Class'] I love her, and I can imagine it was not much fun to do that big sequence with a bunch of laughing, ogling frat-boy actors. I mean, can you imagine putting up with me, [John] Cusack, Alan Ruck, and Andrew McCarthy at 18? ~ Rob Lowe,
343:The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head. ~ Van Morrison,
344:This was perhaps the evolutionary usefulness of the elderly, Bao had concluded: to give the young some kind of psychic shield from reality, putting them under a description which allowed them to ignore the fact that age and death would come to them too, and could come early and out of sequence. ~ Kim Stanley Robinson,
345:Where does a story truly begin? In life, there are seldom clear-cut beginnings, those moments when we can, in looking back, say that everything started. Yet there are moments when fate intersects with our daily lives, setting in motion a sequence of events whose outcome we could never have foreseen. ~ Nicholas Sparks,
346:Besides the propositions which assert Sequence or Co-existence, there are some which assert simple Existence; 36 and others assert Causation, which, subject to the explanations [pg 083] which will follow in the Third Book, must be considered provisionally as a distinct and peculiar kind of assertion. ~ John Stuart Mill,
347:The body of science is not, as it is sometimes thought, a huge coherent mass of facts, neatly arranged in sequence, each one attached to the next by a logical string. In truth, whenever we discover a new fact it involves the elimination of old ones. We are always, as it turns out, fundamentally in error. ~ Lewis Thomas,
348:after thirty years' hostile fellowship with Collie, of course she did quite well understand that collie had a habit of skipping several stages in the logical sequence of her thoughts and would utter apparently disconnected statements, especially when confused by unfamiliar subject or the presence of a man ~ Muriel Spark,
349:Imagine you're copying a very long document, and occasionally you'll put an A where there should be a C. And that mistake has been translated down through the generations, and more mistakes have accumulated. So the longer the lineage has been in existence, the more mistakes the sequence is going to have. ~ Spencer Wells,
350:Most child behavioral development research is implicitly stage oriented, concerning: (a) the sequence with which stages emerge; (b) how experience influences the speed and surety with which that sequential tape of maturation unreels; and (c) how this helps create the adult a child ultimately becomes. ~ Robert M Sapolsky,
351:Oh, there are little rhymes a mage might use to remember the sequence of what must be done, but the words themselves don't do a thing. You could write every 'spell' as high as a man on the barn wall, but if you don't have the power to start with, all you'd have is a strange rhyme. And a bad one at that". ~ Gail Z Martin,
352:I Felt A Cleaving In My Mind
I felt a cleaving in my mind
As if my brain had split;
I tried to match it, seam by seam,
But could not make them fit.
The thought behind I strove to join
Unto the thought before,
But sequence ravelled out of reach
Like balls upon a floor.
~ Emily Dickinson,
353:I never liked the extended cut personally because I like...we spend a lot of time figuring out our final cut. We test and test and test it, whatnot. Having said that, there's one sequence we're adding back into the movie for the extended cut that is pretty amazing that I think people are going to love. ~ Nicholas Stoller,
354:I foresee great refinements in the field of short-pulse microwave signaling, whereby several simultaneous programs may occupy the same channel, in sequence, with incredibly swift electronic communication... Short waves will be generally used in the kitchen for roasting and baking, almost instantaneously... ~ Lee De Forest,
355:'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like you're being slapped around inside your head by a sonic boom. ~ Tom DeLonge,
356:My bedtime was 8 P.M. But on Cosby nights, I got to stay up until 8:30. Real big deal. This is when they could afford to do a completely different title sequence in TV every year. I always looked forward to that. It was like a mini musical at the top of the show. My favorite was the Top Hat fancy version. ~ Christine Lakin,
357:If you were to shuffle a deck and draw out ten cards, the chances of the sequence you drew coming up are in the trillions, no matter what the cards are. If you drew out an ordered suit, it would be astonishing, but the chances are the same as any other set of ten cards. The meaning is a human construct. Look ~ David McRaney,
358:I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. ~ Doug Liman,
359:It struck me recently, that one should really consider the sequence of a protein molecule about to fold into a precise geometric form as a line of melody written in a canon form & so designed by Nature to fold back into itself, creating harmonic chords of interaction consistent with biological function ~ Christian B Anfinsen,
360:There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure. ~ Will Oldham,
361:I loved Road Warrior the first time. I saw The Road Warrior before I saw Mad Max, you know, I saw it in reverse order. And so I was, I've always been a fan of George Miller. This sequence I think got storyboarded after Fury Road came out I think as I recall. So I think, you know, we were inspired [making Maora]. ~ John Musker,
362:If we think of DNA as an alphabet, then the complete sequence of those letters in an organism can be thought of as its book. This complete sequence is generally known as the genome. The genes – the DNA sequences that code for Mendel’s invisible units of heredity – can be thought of as paragraphs within that book. ~ Nessa Carey,
363:When he cuts a swath through the wave of monsters, that part of the dream stops. Then the sequence repeats.

This is like an instructional video of the organic kind.

I must have been seriously frustrated by my lack of sword-fighting skills to make all this up. My dream head hurts just thinking about it. ~ Susan Ee,
364:[Decoding the human genome sequence] is the most significant undertaking that we have mounted so far in an organized way in all of science. I believe that reading our blueprints, cataloguing our own instruction book, will be judged by history as more significant than even splitting the atom or going to the moon. ~ Francis Collins,
365:The more he thought about potential accidents, the more Ray also wondered why more vehicles out there were not suddenly crashing. Or why the entire network of roads did not become one long sequence of traffic accidents. How did it all just keep going with such fallible, easily distracted creatures behind the wheels? ~ Adam Nevill,
366:Drop Out--detach yourself from the external social drama which is as dehydrated and ersatz as TV. Turn On--find a sacrament which returns you to the temple of God, your own body. Go out of your mind. Get high. Tune In--be reborn. Drop back in to express it. Start a new sequence of behavior that reflects your vision. ~ Timothy Leary,
367:The sequence was initiated by Gene's insisting I give a lecture on Asperger's syndrome that he had previously agreed to deliver himself. The timing was extremely annoying. The preparation could be time-shared with lunch consumption, on the designated evening I had scheduled ninety-four minutes to clean my bathroom. ~ Graeme Simsion,
368:The resolution of revolutions is selection by conflict within the scientific community of the fittest way to practice future science. The net result of a sequence of such revolutionary selections, separated by periods of normal research, is the wonderfully adapted set of instruments we call modern scientific knowledge. ~ Thomas Kuhn,
369:The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily--perhaps not possibly--chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation. ~ Eudora Welty,
370:The structures of the WTO need to be reformed to increase participation. There must be a greater sense of shared ownership of the substance of the trade negotiation agenda. Decisions about issues to be negotiated, and in which sequence they should be taken, should rest with all WTO members, not only the most powerful. ~ Mary Robinson,
371:Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes. ~ Vin Diesel,
372:Many treatises have been written on the gulf in thinking between the Greens and Purples that led to the split (if they can ever have been said to be united), but by far the most famous is The Green and the Purple: Strange Bedfellows, an anonymously-penned sequence in the pro-New Tory political magazine The Professional: ~ Tom Anderson,
373:The earliest and most primitive known members of every order already have the basic ordinal characters, and in no case is an approximately continuous sequence from one order to another known. In most cases the break is so sharp and the gap so large that the origin of the order is speculative and much disputed. ~ George Gaylord Simpson,
374:[...] all expressions of creativity have a structure at work within them, most particularly those who adhere to a classical form. All romances are the same in the same way that all choreographed ballets are the same. Each ballet is a written sequence of the same steps, but each performance is remarquably different [...] ~ Sarah Wendell,
375:As was predicted at the beginning of the Human Genome Project, getting the sequence will be the easy part as only technical issues are involved. The hard part will be finding out what it means, because this poses intellectual problems of how to understand the participation of the genes in the functions of living cells. ~ Sydney Brenner,
376:The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily - perhaps not possibly - chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation. ~ Eudora Welty,
377:I live in a very, very quiet place. I have a sequence to my creative life. In spring and fall, I am above ground and commit to community. In the summer, I'm outside. It is a time for family. And in the winter, I am underground. Home. This is when I do my work as a writer - in hibernation. I write with the bears. ~ Terry Tempest Williams,
378:The reader must not imagine that he is to find in it wisdom, brilliancy, fertility of invention, ingenuity of construction, excellence of form, purity of style, perfection of imagery, truth to nature, clearness of statement, humanly possible situations, humanly possible people, fluent narrative, connected sequence of events ~ Mark Twain,
379:When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions. ~ Fred Astaire,
380:Belief is one of the most powerful organic forces in the multiverse. It may not be able to move mountains, exactly. But it can create someone who can. People get exactly the wrong idea about belief. They think it works back to front. They think the sequence is, first object, then belief. In fact, it works the other way. ~ Terry Pratchett,
381:For any one who is pervaded with the sense of causal law in all that happens, who accepts in real earnest the assumption of causality, the idea of a Being who interferes with the sequence of events in the world is absolutely impossible. Neither the religion of fear nor the social-moral religion can have any hold on him. ~ Albert Einstein,
382:One of my many horrors is to become the man with the frayed jacket and unfastened flies standing at the Co-op counter with egg on his shirt and more too because the mirror in the hall has given up the ghost. A shipwrecked man without an anchor in the world except in his own liquid thoughts where time has lost its sequence. ~ Per Petterson,
383:The best sequence is this: clothes first, then books, papers, komono (miscellany), and lastly, mementos. This order has also proven to be the most efficient in terms of the level of difficulty for the subsequent task of storing. Finally, sticking to this sequence sharpens our intuitive sense of what items spark joy inside us. ~ Marie Kond,
384:Why do these civilizations all seem to follow the same identifiable sequence—from bondage to spiritual faith, from spiritual faith to courage, from courage to liberty, from liberty to abundance, from abundance to complacency, from complacency to apathy, from apathy to dependence, and finally from dependence back into bondage? ~ Andy Andrews,
385:Again, if all movement is always interconnected, the new arising from the old in a determinate order - if the atoms never swerve so as to originate some new movement that will snap the bonds of fate, the everlasting sequence of cause and effect - what is the source of the free will possessed by living things throughout the earth? ~ Lucretius,
386:Placed as the fossils are in their several tiers of burial-places the one over the other; we have in them true witnesses of successive existences, whilst the historian of man is constantly at fault as to dates and even the sequence of events, to say nothing of the contradicting statements which he is forced to reconcile. ~ Roderick Murchison,
387:The novelist makes his statements by selection, and if he is any good, he selects every word for a reason, every detail for a reason, every incident for a reason, and arranges them in a certain time-sequence for a reason. He demonstrates something that cannot possibly be demonstrated any other way than with a whole novel. ~ Flannery O Connor,
388:The overall arrow from subatomic particles through prokaryotic cells thus made use several times over of this sequence: parts combine into wholes; these wholes engender new types of relations, giving rise to the possibility that the wholes become parts in turn for still larger wholes. ~ Tyler Volk, Metapatterns - Across Space, Time, and Mind,
389:that it was fantastically easy to target specific genes. All you had to do was select the desired twenty-letter DNA sequence to edit and then convert that sequence into a matching twenty-letter code of RNA. Once inside the cell, the RNA would couple with its DNA match using base pairing, and Cas9 would slice apart the DNA. ~ Jennifer A Doudna,
390:As with many concepts, “information” has a special and specific meaning to mathematicians and scientists: It is anything that reduces uncertainty. Put another way, information exists wherever a pattern exists, whenever a sequence is not random. The more information, the more structured or patterned the sequence appears to be. ~ Daniel J Levitin,
391:Belief is one of the most powerful organic forces in the multiverse. It may not be able to move mountains, exactly. But it can create someone who can.

People get exactly the wrong idea about belief. They think it works back to front. They think the sequence is, first object, then belief. In fact, it works the other way. ~ Terry Pratchett,
392:An arcane microbial defense, devised by microbes, discovered by yogurt engineers, and reprogrammed by RNA biologists, has created a trapdoor to the transformative technology that geneticists had sought so longingly for decades: a method to achieve directed, efficient, and sequence-specific modification of the human genome. ~ Siddhartha Mukherjee,
393:The sequence of theorist, experimenter, and discovery has occasionally been compared to the sequence of farmer, pig, truffle. The farmer leads the pig to an area where there might be truffles. The pig searches diligently for the truffles. Finally, he locates one, and just as he is about to devour it, the farmer snatches it away. ~ Leon M Lederman,
394:They reached Albuquerque, Dyson seeing for the first time the deceptively clear air and the red desert beneath still snowy peaks. Feynman bore into town at 70 miles per hour and was immediately arrested for a rapid sequence of traffic violations. The justice of the peace announced that the fine he handed down was a personal record. ~ James Gleick,
395:did you know that way back in the 1980s some scientists proposed an ambitious effort called the Human Protein Project to map all human proteins? It never happened. Instead, the NIH backed the Human Genome Project for one big reason: Proteins were tough to study, while genes were far easier to sequence. The tools dictate the science. ~ Deborah Blum,
396:Comics, which are really best described as an arrangement of images in a sequence that tell a story - an idea - is a very old form of graphic communication. It began with the hieroglyphics in Egypt, it first appeared in a recognizable form in the Medieval times as copper plates produced by the Catholic church to tell morality stories. ~ Will Eisner,
397:Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision. ~ Benjamin Bratt,
398:But in the outside world, in places (on the rare occasions I visited them) where the vast blankness of the land and sky made even the enormous supermarkets seem tiny, where, to many, words like “Vassar” were just a random sequence of letters, where weather mattered more than most anything else, I often felt lost, irrelevant, fatuous. I ~ Meghan Daum,
399:What is happening now is of a geological and biological order of magnitude. We are upsetting the entire earth system that, over some billions of years and through an endless sequence of groping, of trials and errors, has produced such a magnificent array of living forms, forms capable of seasonal self-renewal over vast periods of time. ~ Thomas Berry,
400:For history as far as I can see is not the arrangement of what happens, in sequence and in truth, but a fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth. History needs to be mightily inventive about human life because bare life is an accusation against man’s dominion of the earth. ~ Sebastian Barry,
401:In Arthurian battle the trick for us was to figure out how to give it the scale that the movie deserved and fitted in a financial box that was necessary. We made the battle quite a bit bigger than originally intended, just because we felt that being part of the opening sequence of the movie we really needed to grab the audience's attention. ~ Ian Bryce,
402:The important difference between theory and practice lies precisely in the detection of the sequence of events and retaining the sequence in memory. If life is lived forward but remembered backward, as Kierkegaard observed, then books exacerbate this effect—our own memories, learning, and instinct have sequences in them. Someone ~ Nassim Nicholas Taleb,
403:It seems, as one becomes older, / That the past has another pattern, and ceases to be a mere sequence,” wrote T. S. Eliot. Four Quartets, which meditates on time, age, and memory, goes on to say, “We had the experience but missed the meaning, / And approach to the meaning restores the experience / In a different form, beyond any meaning. ~ James Hillman,
404:All my other movies have the same process. Same approach. Same amount of changes. Everything. Things being made up on the fly. Changing things around. Firing and recasting. Constantly, constantly, in chronological sequence, not really knowing how this is going to end up. That is the only dogmatic approach I take towards everything. ~ Nicolas Winding Refn,
405:repentance is not what we do in order to earn forgiveness; it is what we do because we have been forgiven. It serves as an expression of gratitude rather than an effort to earn forgiveness. Thus the sequence of forgiveness and then repentance, rather than repentance and then forgiveness, is crucial for understanding the gospel of grace. ~ Brennan Manning,
406:Time was such an element, she now believed. The stretch of existence between events, consisting of countless other events, all strung together in complex patterns of cause and effect, all laid out like images sewn onto a tapestry, creating a sequence of scenes that, once one stood back, was revealed to be co-existing. Present all at once. ~ Steven Erikson,
407:Everyone was certain that Engineer Safa would go chasing after his wife or he would die of sorrow. Not so. The engineer neither chased after her nor died of sorrow. He shrugged and said, 'The hell with her.' At first, people were puzzled, but then they remembered that life is a sequence of ephemeral events and a succession of fleeting loves. ~ Goli Taraghi,
408:The next time the Four Blood Moons begin to appear will be in April of 2014. NASA has projected that the Tetrad will begin on April 2014 and end in September 2015.1 It will occur in the following sequence: 1. Passover, April 15, 2014 2. Feast of Tabernacles, October 8, 2014 3. Passover, April 4, 2015 4. Feast of Tabernacles, September 28, 2015 ~ John Hagee,
409:...there must be a sequence to learning, that perseverance and a certain measure of perspiration are indispensable, that individual pleasures must frequently be submerged in the interests of group cohesion, and that learning to be critical and to think conceptually and rigorously do not come easily to the young but are hard-fought victories. ~ Neil Postman,
410:That's the way the mind works: the brain is genetically disposed towards organization, yet if not controlled, will link even the most imagerial fragment to another on the flimsiest pretense and in the most freewheeling manner, as if it takes a kind of organic pleasure in creative association, without regards to logic or chronological sequence. ~ Tom Robbins,
411:One of the things I do take some pride in is that if you had never read an article about my life, if you knew nothing about me, except that my books were being set in front of you to read, and if you were to read those books in sequence, I don't think you would say to yourself, 'Oh my God, something terrible happened to this writer in 1989.' ~ Salman Rushdie,
412:Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have at the moment of commemoration. ~ Walter Benjamin,
413:The name used as the assignment target in a for header line is usually a (possibly new) variable in the scope where the for statement is coded. There’s not much unique about this name; it can even be changed inside the loop’s body, but it will automatically be set to the next item in the sequence when control returns to the top of the loop again. ~ Mark Lutz,
414:I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out. ~ Nick Cave,
415:The structure of the human genome can thus be likened to a sentence that reads- This......is the......str...uc......ture...,,,...of...your...(...gen...ome...)... - where the words correspond to the genes, the ellipses correspond to the spacers and stuffers, and the occasional punctuation marks demarcate the regulatory sequence of genes. ~ Siddhartha Mukherjee,
416:A logical argument and a story are two ways of putting fragments in proper relationship and guessing where the whole sequence leads and how it gets there. This is the logic-versus-narrative axis. Spectrum Law: The mind is in business to make sense. Up-spectrum, it makes sense by making logic. Down-spectrum, it makes sense by creating stories. ~ David Gelernter,
417:I have no ear for music. When I attend a concert, I endeavor gamely to follow the sequence and relationship of sounds but cannot keep it up for more than a few minutes. Visual impressions, reflections of hands in lacquered wood, a diligent bald spot over a fiddle, take over, and soon I am bored beyond measure by the motions of the musicians. ~ Vladimir Nabokov,
418:If I could get every single cancer genome sequence that has been sequenced; if I could ever put it in one repository, we have the capacity to do a million billion calculations per second. We'll be able to find out more in 10 minutes more than it would take 10 Nobel laureates 10 years to find out about the patterns of cancer and the cures for cancer. ~ Joe Biden,
419:Power justifies itself, in countless small ways. But one of the big ways it does so is by creating an ideological narrative about how things got to be this way—and what must now change. These narratives are more than technical explanations. They are epic morality tales, and they typically follow this sequence: Paradise Paradise Lost Paradise Redeemed ~ Eric Liu,
420:There is a sequence of events in our lives and so there's a temporal aspect to our experience that brings by itself, sense into the story. In other words, you were not walking before you were born and you were not doing X and Y before you did something else first. So there's a sequencing of events that imposes a certain structure to the story. ~ Antonio Damasio,
421:He knows repentance is not what we do in order to earn forgiveness; it is what we do because we have been forgiven. It serves as an expression of gratitude rather than an effort to earn forgiveness. Thus the sequence of forgiveness and then repentance, rather than repentance and then forgiveness, is crucial for understanding the gospel of grace. ~ Brennan Manning,
422:Moving lockstep through a series of predictable transitions is no longer a route to personal security. Each man and woman must put together a highly individualized sequence of transitions in and out of school, work, and marriage in order to take advantage of shifting opportunities and respond to unexpected setbacks--a "do-it-yourself biolography. ~ Stephanie Coontz,
423:It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer. . . . Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other. ~ Vera Nazarian,
424:We think of time as something wound on a great spool in heaven and that it rolls off for men faster then it does for women. Time is not like that: time is the medium in which things change. It is not time that makes a baby grow - it is change that does it. In order for change to occur, there must be a sequence of change. We call that sequence time. (page 45) ~ A W Tozer,
425:invention inevitably followed a four-step sequence: Awareness of an unfulfilled need; Recognition of something contradictory or absent in existing attempts to meet the need, which Usher called an “incomplete pattern”; An all-at-once insight about that pattern; and A process of “critical revision” during which the insight is tested, refined, and perfected. ~ William Rosen,
426:. . . it is a mistake to think that Marxism is simply a type of interpretation that takes the economic "sequence" as that ultimately privileged code into which the other sequences are to be translated. Rather, for Marxism the emergence of the economic, the coming into view of the infrastructure itself, is simply the sign of the approach of the concrete. ~ Fredric Jameson,
427:Sex was absolutely not allowed to be scheduled, at least not by explicit discussion, but I had become familiar with the sequence of events likely to precipitate it: a blueberry muffin from Blue Sky Bakery, a triple shot of espresso from Otha’s, removal of my shirt, and my impersonation of Gregory Peck in the role of Atticus Finch in To Kill a Mockingbird. ~ Graeme Simsion,
428:These various habits of thought, or habitual expressions of life, are all phases of the single life sequence of the individual; therefore a habit formed in response to a given stimulus will necessarily affect the character of the response made to other stimuli. A modification of human nature at any one point is a modification of human nature as a whole. ~ Thorstein Veblen,
429:It would be more accurate to say that we see with our brain rather than with our eyes. However, the more interesting point is that the brain does not always need to receive information through the eyes in order to “see.” It can recall sights, sounds, and feelings from memory and run the whole sequence like a movie, all inside our head, in the mind’s eye. ~ George Kohlrieser,
430:I think that as poets, we can get away with stuff because we can ride on the melt of metaphor. We cover a lot of terrain psychically and temporally and linguistically via metaphor, and that can be a stand-in for an argument, whereas in prose, you have to make the argument, and you have to be convincing because the sequence must make sense in time and purpose. ~ David Biespiel,
431:An analogy to natural language illustrates the point. The letters A,C, and T convey very little meaning by themselves, but can be combined in ways to produce substantially different messages. It is, once again, the sequence that carries the message: the words act, tac, and cat, for instance, arise from the same letters, yet signal vastly different meanings. ~ Siddhartha Mukherjee,
432:A book is a human-powered film projector (complete with feature film) that advances at a speed fully customized to the viewer's mood or fancy. This rare harmony between object and user arises from the minimal skills required to manipulate a bound sequence of pages. Each piece of paper embodies a corresponding instant of time which remains frozen until liberated by the ~ John Maeda,
433:In the ordinal view, number is thought as a link in a chain, it is an element of a total order. In the cardinal view, it is rather the mark of a 'pure quantity' obtained through the abstraction of domains of objects having 'the same quantity'. The ordinal number is thought according to the schema of a sequence, the cardinal number, according to that of a measurement. ~ Alain Badiou,
434:In the year 1803, Thomas Jefferson cut from the pages of the New Testament such verses as presented the ethical teachings of Jesus concisely and in what he considered to be the proper sequence. The labor was not for his own use alone, but for the benefit of Indian tribes unable to understand the numerous complications of the Scriptures. ~ Manly P Hall, The Bible, the Story of a Book,
435:★ ★★What is this eigenplot you keep talking about?★★ I ask. I’m dangerously close to whining. I really hate it when everyone else around me seems to know more about what’s going on than I do. ★★The geas Billington’s running. It’s the occult equivalent of a stateful firewall. It keeps out intruders, unless they run through the approach states in a permitted sequence. ~ Charles Stross,
436:Resolutions mean willpower, willpower means achievement, achievement means success and failure, and the whole sequence means losing an appreciation of the gift. I have learned two sure things in the struggle between my desire for love and the oppression of my attachments. The first is that God is absolutely trustworthy. The second is that resolutions are absolutely not. ~ Gerald G May,
437:The detection of a person as safe or dangerous triggers neurobiologically determined pro-social or defensive behaviors.
Even though we may not always be aware of danger on a cognitive level, on a neurophysiological level, our body has already started a sequence of neural processes that would facilitate adaptive defense behaviors such as fight, flight or freeze.  ~ Stephen W Porges,
438:the crew Luis went with could hit the bull’s-eye within a hundred meters. “Good enough to blow old Adolf to atoms,” Luis said. “That’s why we should keep the A-bomb name.” “Atom bomb?” Karl asked. “Adolf bomb.” •  •  • The drop sequence was in good shape, so Luis could turn to getting the shock-wave detectors launched from the following airplane, and the auto-cameras. ~ Gregory Benford,
439:he ran his palms up the warmth of her bare back, beneath the white T-shirt, that the people in his life weren’t beads strung on a wire of sequence, but clustered like quanta, so that he knew her as well as he’d known Rudy, or Allison, or Conroy, as well as he knew the girl who was Mitchell’s daughter. “Hey,” she whispered, working her mouth free, “you come upstairs now. ~ William Gibson,
440:The political trend is always to be observed, partly as a spectacle, partly for one’s own safety. The liberal is dissatisfied with regime; the anarch passes through their sequence – as inoffensively as possible – like a suite of rooms. This is the recipe for anyone who cares more about the substance of the world than its shadow – the philosopher, the artist, the believer. ~ Ernst J nger,
441:The political trend is always to be observed, partly as a spectacle, partly for one's own safety. The liberal is dissatisfied with regime; the anarch passes through their sequence - as inoffensively as possible - like a suite of rooms. This is the recipe for anyone who cares more about the substance of the world than its shadow - the philosopher, the artist, the believer. ~ Ernst Junger,
442:I am committed now to one thing: lyric sequences. I want the intensity of lyric, but the scope and arc of narrative. so, I think I'll just write sequences for the foreseeable (the Beloved sequence doesn't have a 'plot' so I can just keep adding poems to it, it's like a giant bag I can just put beloved lyrics into - I think there are about 300 of them i've published by now). ~ Gregory Orr,
443:In the next 30 years we will continue to take solid things—an automobile, a shoe—and turn them into intangible verbs. Products will become services and processes. Embedded with high doses of technology, an automobile becomes a transportation service, a continuously updated sequence of materials rapidly adapting to customer usage, feedback, competition, innovation, and wear. ~ Kevin Kelly,
444:Only by renouncing our claim to discern a purpose immediately intelligible to us, and admitting the ultimate purpose to be beyond our ken, may we discern the sequence of experiences in the lives of historic characters, and perceive the cause of the effect they produce (incommensurable with ordinary human capabilities) and then the words chance and genius become superfluous. ~ Leo Tolstoy,
445:And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting. ~ Meg Wolitzer,
446:Relationship Selling implies long-term commitment, common goals, mutual respect, ongoing trust and cooperation. Informal relationships, many a time, get converted into formal alliances also, helping joint-marketing and co-branding. Establishing a relationship is a series of steps, by and large in sequence only. Jumping steps or changing the sequence could be counterproductive. ~ Shiv Khera,
447:The ultimate technological achievement will be escaping from the mess we've made. There will be none after that because we will reproduce everything that we did on earth, we'll go through the whole sequence all over again somewhere else, and people will read my paper as prophecy, and know that having gotten off one planet, they will be able to destroy another with confidence. ~ E L Doctorow,
448:Individual societies begin in harmonious adaptation to the environment and, like individuals, quickly get trapped into nonadaptive, artificial, repetitive sequences. When the individual's behavior and consciousness get hooked to a routine sequence of external actions, he is a dead robot, and it is time for him to die and be reborn. Time to "drop out," "turn on," and "tune in. ~ Timothy Leary,
449:[Role of Dr.Strange] gives me an excuse as an actor to be learning with my character, which is something you can do authentically - I'm not a martial arts expert, I'm certainly no sorcerer, so all these things, the movement of the body, the physicality, the changes he goes through mentally and physically, obviously we're not shooting in sequence, but it's a great part. ~ Benedict Cumberbatch,
450:A, C, G, T for short. A cell carries out a series of chemical reactions to translate a gene’s sequence of bases into a protein. A cell first makes a copy of the gene, creating a single-stranded series of bases called ribonucleic acid, or RNA. That RNA molecule is taken up by a molecular factory called a ribosome, which reads the sequence of RNA and builds a corresponding protein. ~ Carl Zimmer,
451:Myriads of individuals, each one unique, live out their lives in rapt intercourse with one another, contribute their heart's pulses to the universal music, and presently vanish, giving place to others. All this age-long sequence of private living, which is the actual tissue of humanity's flesh, I cannot describe. I can only trace, as it were, the disembodied form of its growth. ~ Olaf Stapledon,
452:And didn't it always go like that - body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting. ~ Meg Wolitzer,
453:It was a roller-coaster process. For a long time I had no idea what I was doing. I wasn't writing with an outline. And, rare for me, I wrote scenes out of sequence. . . . I didn't understand the play when I wrote it. It was something I'd give in to. It happens to me periodically. I give over and write whatever comes to me and I don't know what it means and then I do. It's thrilling. ~ David Rabe,
454:What I think I do is to relate any new material to how similar it is to something else. The closest that I can come up with something that's already in my experience, the easier it becomes. All I have to do then is remember where it differs, like relating a chord sequence that comes from some other tune, or several different tunes, or maybe parts of them and then work it from there. ~ Tal Farlow,
455:There's the ambiguity of human relationships, for instance. A relationship between two people, just like a sequence of words, is ambiguous if it is open to different interpretations. And if two people do have differing views about their relationship - I don't just mean about its state, I mean about its very nature - then that difference can affect the entire course of their lives. ~ Elliot Perlman,
456:The high priest Caiaphas alludes to this mechanism when he says, "It is better that one man die and that the whole nation not perish." The four accounts of the Crucifix-ion thus enable us to witness the unfolding of the working of the single victim mechanism. The sequence of events, as I have already said, resembles numerous analogous phenomena whose director and producer is Satan. The ~ Ren Girard,
457:So we pour in data from the past to fuel the decision-making mechanisms created by our models, be they linear or nonlinear. But therein lies the logician's trap: past data from real life constitute a sequence of events rather than a set of independent observations, which is what the laws of probability demand.[...]It is in those outliers and imperfections that the wildness lurks. ~ Peter L Bernstein,
458:And didn’t it always go like that–body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn’t stop watching, because, despite all you knew by now, it was still so interesting. ~ Meg Wolitzer,
459:Anyone, however, who has had dealings with dates knows that they are worse than elusive, they are perverse. Events do not happen at the right time, nor in their proper sequence. That sense of harmony with place and season which is so strong in the historian--if he be a readable historian--is lamentably lacking in history, which takes no pains to verify his most convincing statements. ~ Agnes Repplier,
460:When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. Instinctively, when he awakes, he looks to these, and in an instant reads off his own position on the earth’s surface and the amount of time that has elapsed during his slumbers; but this ordered procession is apt to grow confused, and to break its ranks. ~ Marcel Proust,
461:All revolutionary advances in science may consist less of sudden and dramatic revelations than a series of transformations, of which the revolutionary significance may not be seen (except afterwards, by historians) until the last great step. In many cases the full potentiality and force of a most radical step in such a sequence of transformations may not even be manifest to its author. ~ I Bernard Cohen,
462:Art lives on the mental plane (the real painting is not the set of dry pigments on the canvas nor is a symphony the sequence of sound waves that convey it to our ear) but, as the post-modernists insist, is reinterpreted in new contexts by each appreciator. As for gossip, which includes the vast majority of our thoughts, its essence is its relation to a unique local part of time and space. ~ David Mumford,
463:Actually, there was one sequence but Liv didn't put this in but at the end of the movie, we ran out of money. Literally, ran out. And I couldn't make payroll. So I emptied all our accounts to make payroll. We were kinda like, "What do we do?" Then out of the blue, we were saved by Gucci. So it's always been like, you just gotta reach for the stars and hopefully the moon will catch you. ~ Nicolas Winding Refn,
464:Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..." ~ Kevin D Williamson,
465:It (the Chinese move to embrace capitalism in 1989) is a mirror of the corporatist state first pioneered in Chile under Pinochet: a revolving door between corporate and political elites who combine their power to eliminate workers as an organized political force. The creation of today's market society was not the result of a sequence of spontaneous events but rather of state interference and violence. ~ Naomi Klein,
466:Workout A All exercises, except for kettlebell swings, are performed for 10 repetitions using a 13-Repetition Max2 (RM) weight. 1. Heavy dumbbell front squat to press (ass to heels)—squeeze glutes at bottom for one second before rising 2. One-arm, one-leg DB row 3. Walking lunges with sprinter knee raise 4. Wide-grip push-ups3 5. Two-arm kettlebell swings × 20–25 Repeat sequence 2–4 times. Workout ~ Timothy Ferriss,
467:Technical speaking one is a beautiful number. One is its own factorial, its own square, its own cube. It is neither a prime number nor a composite number. It is the first two numbers of the Fibonacci sequence. It is the empty product. Any number raised to the zero power is one. It might be argued that one is the most independent number known to man. It can do things no other number is capable of. ~ Michelle Richmond,
468:You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, after a while just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so t here wouldn't be anything left that would think of itself as an 'I.' No point of view any longer, because you'd be an infinite sequence of views and of points. ~ Neil Gaiman,
469:Not one of your pertinent ancestors was squashed, devoured, drowned, starved, stranded, stuck fast, untimely wounded, or otherwise deflected from its life's quest of delivering a tiny charge of genetic material to the right partner at the right moment in order to perpetuate the only possible sequence of hereditary combinations that could result -- eventually, astoundingly, and all too briefly -- in you. ~ Bill Bryson,
470:You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, after a while just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so t here wouldn't be anything left that would think of itself as an 'I.' No point of view any longer, because you'd be an infinite sequence of views and of points... ~ Neil Gaiman,
471:Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated. ~ Patrick Fugit,
472:Five common traits of good writers: (1) They have something to say. (2) They read widely and have done so since childhood. (3) They possess what Isaac Asimov calls a "capacity for clear thought," able to go from point to point in an orderly sequence, an A to Z approach. (4) They're geniuses at putting their emotions into words. (5) They possess an insatiable curiosity, constantly asking Why and How. ~ James J Kilpatrick,
473:sometimes, what i see is a library in a rural community.
all the tall shelves in the big open room. and the pencils
in a cup at circulation, gnawed on by the entire population.

the books have lived here all along, belonging
for weeks at a time to one or another in the brief sequence
of family names, speaking (at night mostly) to a face,

a pair of eyes. the most remarkable lies. ~ Tracy K Smith,
474:We are rendering many species extinct; we may even succeed in destroying ourselves. But this is nothing new for the Earth. Humans would then be just the latest in a long sequence of upstart species that arrive on-stage, make some alterations in the scenery, kill off some of the cast, and then themselves exit stage-left forever. New players appear in the next act. The Earth abides. It has seen all this before. ~ Carl Sagan,
475:Before this insight, one might have been tempted to think of evolution as a completely random walk across a fitness landscape, in other words a series of steps in multidimensional sequence space where no region is more likely to be explored than any other region. But it turns out that, due to the power of selection and quasispecies, there are biases in evolution’s walk through the genetic possibilities of life. ~ M A Nowak,
476:It doesn't matter whether a sequence of words is called a history or a story: that is, whether it is intended to follow a sequence of actual events or not. As far as its verbal shape is concerned, it will be equally mythical in either case. But we notice that any emphasis on shape or structure or pattern or form always throws a verbal narrative in the direction we call mythical rather than historical.(p.21) ~ Northrop Frye,
477:Shiftrunes?” “Letters that are pronounced one way on their first occurrence in a text, another on their second, another on their third, and so on in a fixed sequence. It gives the poet an interesting technique to exploit: she can have pairs of words that alliterate visually but not phonetically as well as pairs that alliterate phonetically but not visually. And she can play the two off against each other. ~ Samuel R Delany,
478:I've told you many times that the first thing I decide is the kind of story I want. (...) This is not the kind of story I want. The story we bought had shine and glow - it was a happy story. This is all full of doubt and hesitation. The hero and heroine stop loving each other over trifles - then they start up again over trifles. After the first sequence you don't care if she never sees him again or he her. ~ F Scott Fitzgerald,
479:I thought I could start over, you see. But now I know you can never start over. Not really. You think you have control, but you are like a fly in somebody else's web. Sometimes I think that's why I like accounting. All day, you are only dealing with numbers. You add them, multiply them, and if you are careful, you will always have a solution. There's a sequence there. An order. With numbers, you can have control. ~ Barack Obama,
480:Direct interference in a person's life does not enter our scope of activity, nor, on the other, tralatitiously speaking, hand, is his destiny a chain of predeterminate links: some 'future' events may be linked to others, O.K., but all are chimeric, and every cause-and-effect sequence is always a hit-and-miss affair, even if the lunette has actually closed around your neck, and the cretinous crowd holds its breath. ~ Vladimir Nabokov,
481:The saved sinner is prostrate in adoration, lost in wonder and praise. He knows repentance is not what we do in order to earn forgiveness; it is what we do because we have been forgiven. It serves as an expression of gratitude rather than an effort to earn forgiveness. Thus the sequence of forgiveness and then repentance, rather than repentance and then forgiveness, is crucial for understanding the gospel of grace. ~ Brennan Manning,
482:Because the Eternal Champion sequence contains comedies does not mean that I am satirising those stories which are tragic and romantic. We're diverse creatures and for me the Eternal Champion must reflect and embrace that diversity. Chaos Theory, perhaps the most important intellectual advance in many years, suggests that in diversity we flourish and the fewer choices we have the poorer are our chances of survival. ~ Michael Moorcock,
483:Abandon your notions of the past, without attributing a temporal sequence! Cut off your mental associations regarding the future, without anticipation! Rest in a spacious modality, without clinging to [the thoughts of] the present. Do not meditate at all, since there is nothing upon which to meditate. Instead, revelation will come through undistracted mindfulness — Since there is nothing by which you can be distracted. ~ Padmasambhava,
484:I think everybody should see ('The Star Wars Holiday Special') to realize how bad something can be. There are some cool things in there, but it's two hours long, and you could probably cut it down to about two minutes and twelve seconds of cool material. The animated Boba Fett sequence is great, and there's some cool stuff, but overall, the whole format of a variety show in the 'Star Wars' universe is just a train wreck. ~ Kyle Newman,
485:Leonardo Pisano, aka Fibonacci: Fibonacci was a 13th-century Italian mathematician who invented the Fibonacci series, which goes like this: 1, 1, 2, 3, 5, 8, 13, 21, etc. Each of the numbers is the sum of the two preceding numbers. I look at the sequence again. I know I recognize it from somewhere. It takes me a couple of seconds, but then it clicks: Boggle! It's the scoring system for my favorite find-a-word game, Boggle. ~ A J Jacobs,
486:Direct interference in a person's life does not enter our scope of activity, nor, on the other, tralatitiously speaking, hand, is his destiny a chain of predeterminate links: some "future" events may be likelier than others, O.K., but all are chimeric, and every cause-and-effect sequence is always a hit-and-miss affair, even if the lunette has actually closed around your neck, and the cretinous crowd holds its breath. ~ Vladimir Nabokov,
487:Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape. As I’ve already noted, not every bend does. Sometimes the surprise is the opposite one; you are presented with exactly the same sort of country you thought you had left behind miles ago. That is when you wonder whether the valley isn’t a circular trench. But it isn’t. There are partial recurrences, but the sequence doesn’t repeat. ~ C S Lewis,
488:if we were organisms so sensitive that a single atom, or even a few atoms, could make a perceptible impression on our senses – Heavens, what would life be like! To stress one point: an organism of that kind would most certainly not be capable of developing the kind of orderly thought which, after passing through a long sequence of earlier stages, ultimately results in forming, among many other ideas, the idea of an atom. ~ Erwin Schr dinger,
489:Language is a theme in the whole book, no? I mean it ends with the title poem about words are all we have. I guess midrash makes sense. How does it change in the course of the sequence? Well, God is into No and into Stasis/Nouns. Adam and Eve, in order to be in this world (and get this world going) must choose verbs. Which is to gain sex but also to choose death and all else that goes with change. To choose becoming over being. ~ Gregory Orr,
490:It is the teaching of the Bible and of sound Political ethics that the education of children belongs to the sphere of the family and is the duty of the parents. The theory that the children of the Commonwealth are the charge of the Commonwealth is a pagan one, derived from heathen Sparta and Platoís heathen republic, and connected by regular, logical sequence with legalized prostitution and the dissolution of the conjugal tie. ~ Robert Dabney,
491:A man must be big enough to admit his mistakes, smart enough to profit from them, and strong enough to correct them. This sequence is something that all achievers have in common. They do not see a mistake is as their failure; rather it is simply a learning experience. Achievers view a mistake as an opportunity to do something over again and do it right the second time. A mistake is simply the price they pay to achieve success. ~ John C Maxwell,
492:Not kill you. Destroy you. Dissolve you. You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so there wouldn't be anything left that would think of itself as an "I". No point of view any longer, because you'd be an infinite sequence of views and of points... ~ Neil Gaiman,
493:Workout B 1. One-leg Romanian Deadlift (RDL)4 (10–12 reps each side) 2. Chin-up (four-second negative lowering portion only) × 10 or until you cannot control descent5 3. One-leg hamstring curls on a Swiss ball—6–12 reps each leg 4. Plank for abs (and gluteus medius on sides) → Progression: start with 30 seconds front, 30 seconds each side, working up to 90 seconds maximum 5. Reverse hyper × 15–25 Repeat sequence 2–4 times. See ~ Timothy Ferriss,
494:God abandons himself many times in a sequence of evolutions in which he transforms himself, accepting all the risks introduced by indeterminacy and free will in the play of evolutionary processes. God is thus not absolute, he evolves himself—he is evolution. Since we have called the self-organizing dynamics of a system its mind, we may now say that God is not the creator, but the mind of the universe. ~ Erich Jantsch, The Self-Organizing Universe,
495:But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows. ~ Kim Jee woon,
496:That reality is 'independent' means that there is something in every experience that escapes our arbitrary control. If it be a sensible experience it coerces our attention; if a sequence, we cannot invert it; if we compare two terms we can come to only one result. There is a push, an urgency, within our very experience, against which we are on the whole powerless, and which drives us in a direction that is the destiny of our belief. ~ William James,
497:The Engineer smiled (internally, for of course it had no mouth). It was feeling good. It was feeling optimistic. Moving at its current speed, it would arrive back in Ireland in plenty of time to shut everything down before a series of overloads and power loops inevitably led to a sequence of events which would, in turn, eventually lead to the probable destruction of the world. The Engineer wasn't worried.
And then the truck hit it. ~ Derek Landy,
498:There was one sequence of days [making Lincoln in the Bardo] when I had halfway decided to use the historical nuggets, but I wasn't quite sure it would work. I'd be in my room for six or seven hours, cutting up bits of paper with quotes and arranging them on the floor, with this little voice in my head saying, "Hey, this isn't writing!" But at the end of that day, I felt that the resulting section was doing important emotional work ~ George Saunders,
499:I don’t know the key to success, but the key to failure is trying to please everybody. – Bill Cosby Success does not mean being liked and accepted by everyone. There are some groups I would not want to be accepted by, out of choice. I would rather be criticised by fools than appreciated by cheats and crooks. I see success as a manifestation of good luck that results from aspiration, inspiration and perspiration—generally in that sequence. ~ Shiv Khera,
500:I know of no pleasure like that of books, yet I read very little. Books are the entryway to dreams, but people at ease in life don't need such introductions to enter into conversation with dreams. I could never read a book and give myself over to it; always, with each step, the commentary of my intellect or my imagination interrupts the narrative sequence. After some minutes I am the one who writes and the writing is nowhere to be seen. ~ Fernando Pessoa,
501:Watching Michael Jackson was like taking a history lesson and a lesson on the future at the same time. If that weren’t enough, Michael then went and single-handedly revolutionized music videos. It’s amazing that today, some twenty-five years later, everyone who makes a pop music video still feels obligated to include a 'group dance' sequence like the one Michael pioneered in 'Beat It'. That’s how influential and ahead of the times he was. ~ Marcus Miller,
502:Earth as we know it came into being through its four great components: land, water, air, and life, all interacting in the light and energy of the sun. Although there was a sequence in the formation of the land sphere, the atmosphere, the water sphere, and the life sphere, these have so interacted with one another in the shaping of the Earth that we must somehow think of these as all present to one another and interacting from the beginning. ~ Thomas Berry,
503:Evolution, starting from present-oriented physical and chemical structures, gradually integrates the past in biological development and the future in neural development into the life processes of the individual systems. It is interesting that neural (sociocultural) evolution re-enacts the integration of the past into the present at a new level—and not in the same sequence as biochemical and biological evolution. ~ Erich Jantsch, The Self-Organizing Universe,
504:For any one who is pervaded with the sense of causal law in all that happens, who accepts in real earnest the assumption of causality, the idea of a Being who interferes with the sequence of events in the world is absolutely impossible. Neither the religion of fear nor the social-moral religion can have any hold on him. ~ Albert Einstein, as quoted in Has Science Discovered God? : A Symposium of Modern Scientific Opinion (1931) by Edward Howe Cotton, p. 101,
505:And the true inspiration, the sparkling grace note of genius that brings his masterpiece to life, is the soprano counterpoint: a syncopated sequence of exterior hatches in the outer hull sliding open and closed and open again, subtly altering the aerodynamics of the ship to give it just exactly the amount of sideslip or lift or yaw to bring the huge half cruiser into the approach cone of a pinpoint target an eighth of the planet away. ~ Matthew Woodring Stover,
506:However the machine would permit us to test the hypothesis for any special value of n. We could carry out such tests for a sequence of consecutive values n=2,3,.. up to, say, n=100. If the result of at least one test were negative, the hypothesis would prove to be false; otherwise our confidence in the hypothesis would increase, and we should feel encouraged to attempt establishing the hypothesis, instead of trying to construct a counterexample. ~ Alfred Tarski,
507:Children and scientists share an outlook on life. If I do this, what will happen? is both the motto of the child at play and the defining refrain of the physical scientist. Every child is observer, analyst, and taxonomist, building a mental life through a sequence of intellectual revolutions, constructing theories and promptly shedding them when they no longer fit. The unfamiliar and the strange—these are the domain of all children and scientists. ~ James Gleick,
508:I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well! ~ Brittany Murphy,
509:A DNA sequence for the genome of bacteriophage ΦX174 of approximately 5,375 nucleotides has been determined using the rapid and simple 'plus and minus' method. The sequence identifies many of the features responsible for the production of the proteins of the nine known genes of the organism, including initiation and termination sites for the proteins and RNAs. Two pairs of genes are coded by the same region of DNA using different reading frames. ~ Frederick Sanger,
510:We may not look too adventurous now, but back then nothing fazed us. And those three months were challenging ones. There were supposedly two seasons--wet and dry, but I quickly discovered there were really three seasons: wet, dry, and dusty, which occurred in sequence every three hours. The water and electricity were on for only part of the day...I experienced my first hurricane there. Major flooding and mudslides. Nicaragua kept us on our toes. ~ Joanne Guidoccio,
511:How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated, so that a history almost at variance with the possibilities of later-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the standpoints and within the range of knowledge of those who made them. ~ Bram Stoker,
512:The difference between the novice and the master is simply that the novice has not learnt, yet, how to do things in such a way that he can afford to make small mistakes. The master knows that the sequence of his actions will always allow him to cover his mistakes a little further down the line. It is this simple but essential knowledge which gives the work of a master carpenter its wonderful, smooth, relaxed, and almost unconcerned simplicity. ~ Christopher Alexander,
513:This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence. ~ E M Forster,
514:The release of dopamine is a form of information, a message that tells the organism “Do that again.” Dopamine produces the sensation of pleasure that accompanies mastering a task or accomplishing a goal, which makes the organism want to repeat the behavior, whether it is pressing a bar, pecking a key, or pulling a slot machine lever. You get a hit (a reinforcement) and your brain gets a hit of dopamine. Behavior—Reinforcement—Behavior. Repeat sequence. ~ Michael Shermer,
515:A completed book exists in its entirety, although we humans read it in a time sequence from the beginning to the end. Just as an author does not write the first chapter, and then leave the others to write themselves, So God's creativity is not to seem as uniquely confined to, or even especially invested in, the event of the Big Bang. Rather his creativity has been seen as permeating equally all space and all time: his role as Creator and Sustainer merge. ~ Russell Stannard,
516:When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. ~ Ingmar Bergman,
517:The writer's job is to write the screenplay and keep the reader turning pages, not to determine how a scene or sequence should be filmed. You don't have to tell the director and cinematographer and film editor how to do their jobs. Your job is to write the screenplay, to give them enough visual information so they can bring those words on the page into life, in full 'sound and fury,' revealing strong visual and dramatic action, with clarity, insight, and emotion. ~ Syd Field,
518:I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence. Intuition, suspicion, or confidence in new ventures; there is a strange strain within me when advantage is not taken of some situation, the immediacy of recognition of the rightness or wrongness of a mood, a response, a decision - they are so often valid that I am increasingly convinced that we have yet to grasp the reality of existence. ~ Ansel Adams,
519:Lying is a full time occupation, even if you tell just one, because once you tell it, you're stuck with it. If you want to do it right, you have to visualize it, conjure the graphics, tone, and sequence of action, then relate it purposefully in the midst of seemingly spontaneous dialogue. The more actual the lie becomes to the listener, the more actual it becomes to the teller, which is scariest of all. Some people really get to believing their own lies. ~ Hilary Thayer Hamann,
520:So long as we trace the development from its final outcome backwards, the chain of events appears continuous, and we feel we have gained an insight which is completely satisfactory or even exhaustive. But if we proceed in the reverse way, if we start from the premises inferred from the analysis and try to follow these up to the final results, then we no longer get the impression of an inevitable sequence of events which could not have otherwise been determined. ~ Sigmund Freud,
521:In the 'in-itself' there is nothing of 'causal connections', of 'necessity', or of 'psychological non-freedom'; there the effect does not follow the cause, there is no rule or 'law'. It is we alone who have devised cause, sequence, for-each-other, relativity, constraint, number, law, freedom, motive, and purpose; and when we project and mix this symbol world into things as if it existed 'in itself', we act once more as we have always acted- mythologically. ~ Friedrich Nietzsche,
522:1897 edition How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated, so that a history almost at variance with the possibilities of latter-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the standpoints and within the range of knowledge of those who made them. ~ Bram Stoker,
523:I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror. Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart. ~ Sviatoslav Richter,
524:The first impression one gets of Michael Deane is of a man constructed of wax, or perhaps prematurely embalmed. After all these years, it may be impossible to trace the sequence of facials, spa treatments, mud baths, cosmetic procedures, lifts and staples, collagen implants, outpatient touch-ups, tannings, Botox injections, cyst and growth removals, and stem-cell injections that have caused a seventy-two-year-old man to have the face of a nine-year-old Filipino girl. ~ Jess Walter,
525:It was the strange sequence in the opening bars, then it was the voice, then it was the lyrics about fucking like an animal, and the look on his face as he brought his forehead to hers and whispered it to her, staring straight into her soul. Whatever Julia’s religious beliefs and her half-hearted attempts to pray to lesser gods and deities, at that moment she’d believed that she heard the voice of the Devil. Lucifer himself held her in his arms and whispered to her. ~ Sylvain Reynard,
526:Momentarily drained of lust, he stares at the remembered contortions to which it has driven him. His life seems a sequence of grotesque poses assumed to no purpose, a magic dance empty of belief. There is no God; Janice can die: the two thoughts come at once, in one slow wave. He feels underwater, caught in chains of transparent slime, ghosts of the urgent ejaculations he has spat into the mild bodies of women. His fingers on his knees pick at persistent threads. ~ John Updike,
527:New Yorker writer Elizabeth Kolbert responded by tweeting: 2 words that probably should not be used in sequence: “good” & “anthropocene.” When I saw this tweet, it caused me to wonder, “Why not?” What else would you wish for? If there can be no “good Anthropocene,” what can there be? What is so bad about trying to turn the Anthropocene in a direction we won’t regret, or will regret less? Are you saying there is no Anthropocene? Or that it simply must be bad? The ~ David Grinspoon,
528:Unexpected discorporation was always rare on Mars; Martian taste in such matters called for life to be a rounded whole, with physical death taking place at the appropriate and selected instant. This artist, however, had become so preoccupied with his work that he had forgotten to come in out of the cold; by the time his absence was noticed his body was hardly fit to eat. He himself had not noticed his own discorporation and had gone right on composing his sequence. ~ Robert A Heinlein,
529:I should perhaps warn you that I am about to faint from anxiety and general depression, though. The film I saw last night was especially grueling, a teenage beach musical. I almost collapsed during the singing sequence on surfboard. In addition, I suffered through two nightmares last night, one involving a Scenicruiser bus. The other involved a girl of my acquaintance. It was rather brutal and obscene. If I described it to you, you would no doubt become frightened. ~ John Kennedy Toole,
530:The epicultural process is the learning process of mankind-at-large. Just as in the epigenetic process life may partially (and only partially!) circumvent the evolutionary sequence of genetic information, an epicultural process might partly circumvent the evolutionary sequence of events of which it makes us aware. Out of events which are remote from each other in time and space, new webs of meaning grow, a totally new four-dimensional reality. ~ Erich Jantsch, The Self-Organizing Universe,
531:If we were organisms so sensitive that a single atom, or even a few atoms, could make a perceptible impression on our senses—Heavens, what would life be like! To stress one point: an organism of that kind would most certainly not be capable of developing the kind of orderly thought which, after passing through a long sequence of earlier stages, ultimately results in forming, among many other ideas, the idea of an atom. ~ Erwin Schrödinger, What Is Life? The Physical Aspect of the Living Cell,
532:Notice that the value of the entropy and the amount of hidden information are equal. That's no accident. The number of possible heads-tails rearrangements is the number of possible answers to the 1,000 questions-(yes,yes,no,no,yes,...) or (yes,no,yes,yes,no,...) or (no,yes,no,no,no,...), and so on-namely, 2^1000. With entropy defined as the logarithm of the number of such rearrangements-1,000 in this case-entropy is the number of yes-no questions any one such sequence answers. ~ Brian Greene,
533:These long chains of perfectly simple and easy reasonings by means of which geometers are accustomed to carry out their most difficult demonstrations had led me to fancy that everything that can fall under human knowledge forms a similar sequence; and that so long as we avoid accepting as true what is not so, and always preserve the right order of deduction of one thing from another, there can be nothing too remote to be reached in the end, or to well hidden to be discovered. ~ Rene Descartes,
534:Because you are obsessed with the idea of past, present, and future, you are forced to think of reincarnations as strung out one before the other. Indeed we speak of past lives because you are used to the time sequence concept... You have dominant egos, all part of an inner identity, dominant in various existences. But the separate existences exist simultaneously. Only the egos involved make the time distinction... a thousand years in your past or in your future - all exist now. ~ Jane Roberts,
535:It is always astonishing how love can strike. No context is love-proof, no convention or commitment impervious. Even a lifestyle which is perfectly insulated, where the personality is controlled, all the days ordered and all actions in sequence, can to its own dismay find that an unexpected spark has landed; it begins to smolder until it is finally unquenchable. The force of Eros always brings disturbance; in the concealed terrain of the human heart Eros remains a light sleeper. ~ Esther Perel,
536:These same experiences make of the sequence of life cycles a generational cycle, irrevocably binding each generation to those that gave it life and to those for whose life it is responsible. Thus, reconciling lifelong generativity and stagnation involves the elder in a review of his or her own years of active responsibility for nurturing the next generations, and also in an integration of earlier-life experiences of caring and of self-concern in relation to previous generations. ~ Erik Erikson,
537:And then the work bears a strong sense of leave-taking for me personally. It ends the work I began in the 1960s (paintings from black-and-white photographs), with a compressed summation that precludes any possible continuation. And so it is a leave-taking from thoughts and feelings of my own on a very basic level. Not that this is a deliberate act, of course; it is a quasi-automatic sequence of disintegration and reformation which I can perceive, as always, only in retrospect. ~ Gerhard Richter,
538:I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set. ~ James Wan,
539:It is no great wonder if in long process of time, while fortune takes her course hither and thither, numerous coincidences should spontaneously occur. If the number and variety of subjects to be wrought upon be infinite, it is all the more easy for fortune, with such an abundance of material, to effect this similarity of results. Or if, on the other hand, events are limited to the combinations of some finite number, then of necessity the same must often recur, and in the same sequence. ~ Plutarch,
540:But one shelf was a little neater than the rest and here I noted the following sequence which for a moment seemed to form a vague musical phrase, oddly familiar: Hamlet, La morte d’Arthur, The Bridge of San Luis Rey, Doctor Jekyll and Mr. Hyde, South Wind, The Lady with the Dog, Madame Bovary, The Invisible Man, Le Temps Retrouvé, Anglo-Persian Dictionary, The Author of Trixie, Alice in Wonderland, Ulysses, About Buying a Horse, King Lear … The melody gave a small gasp and faded. ~ Vladimir Nabokov,
541:Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death? ~ Viktor E Frankl,
542:All happy mornings resemble one another, as do all unhappy mornings, and that's at the bottom of what makes them so deeply unhappy: the feeling that this unhappiness has happened before, that efforts to avoid it will at best reinforce it, and probably even exacerbate it, that the universe is, for whatever inconceivable, unnecessary, and unjust reason, conspiring against the innocent sequence of clothes, breakfast, teeth and egregious cowlicks, backpacks, shoes, jackets, goodbye. ~ Jonathan Safran Foer,
543:A woman desires to be a man's last romance, her baby's first love and a person who can live with dignity all her life. As a girl matures to be a woman, her fairy tale imagination gets superseded by her struggle to be a good wife, a good mother and most importantly, a woman of virtue. As victor or vanquished, a woman keeps fighting the sequence of odds and evens throughout her life. Since nature had made women strong, society has very wisely done the reverse to maintain the balance. ~ Purba Chakraborty,
544:Even the most complex math can be broken into a sequence of trivial steps. Each of these slaves has been trained to complete specific equations in an assembly-line fashion. When taken together, this collective human mind is capable of remarkable feats." Holtzman surveyed the room as if he expected his solvers to give him a resounding cheer. Instead, they studied their work with heavy-lidded eyes, moving through equation after equation with no comprehension of reasons or larger pictures. ~ Brian Herbert,
545:It is prima facie highly implausible that life as we know it is the result of a sequence of physical accidents together with the mechanism of natural selection. We are supposed to abandon this naïve response, not in favor of a fully worked out physical/chemical explanation but in favor of an alternative that is really a schema for explanation, supported by some examples. What is lacking, to my knowledge, is a credible argument that the story has a nonnegligible probability of being true. ~ Thomas Nagel,
546:Language had arrived from outer space and mated together lizards and monkeys or whatever until it had customized a host which could sustain it. That first person had been introduced to the complicated DNA sequence of proper nouns and compound verbs. Outside of language he didn't exist. There was no method to escape. To feel anything, anymore, required ever-increasing amounts of words. Great landfills and airlifts of words. It took a mountain of talk to achieve even the tiniest insight. ~ Chuck Palahniuk,
547:Postmodernism's specifically academic appeal comes from its being another in the sequence of all-purpose "unmasking" strategies that offer a way to criticize the intellectual efforts of others not by engaging with them on the ground, but by diagnosing them from a superior vantage point and charging them with inadequate self-awareness. Logical positivism and Marxism were used by academics in this way, and postmodernist relativism is a natural successor in the role.
[The Sleep of Reason] ~ Thomas Nagel,
548:All humans were capable of atrocity. It was simply a matter of falling into a sequence of events that would drive them from timidity to terror. When violent instincts weren’t properly channeled, they easily erupt. Most violence was the result of a mind fooling itself into believing internal pain came from something, or someone, else — a someone or something that deserved to be punished. And typically these people were able to cast anyone into the role of that someone who deserved their wrath. ~ Sean Platt,
549:By contrast, the IBM Selective Sequence Electronic Calculator (SSEC), installed in New York in 1948, refused such easy reading. It was called a calculator because in 1948 computers were still people, and the president of IBM, Thomas J. Watson, wanted to reassure the public that his products were not designed to replace them.20 IBM built the machine as a rival to the ENIAC – but both were descendants of von Neumann’s earlier Harvard Mark I machine, which contributed to the Manhattan Project. ~ James Bridle,
550:All happy mornings resemble one another, as do all unhappy mornings, and that’s at the bottom of what makes them so deeply unhappy: the feeling that this unhappiness has happened before, that efforts to avoid it will at best reinforce it, and probably even exacerbate it, that the universe is, for whatever inconceivable, unnecessary, and unjust reason, conspiring against the innocent sequence of clothes, breakfast, teeth and egregious cowlicks, backpacks, shoes, jackets, goodbye. Jacob ~ Jonathan Safran Foer,
551:All humans were capable of atrocity. It was simply a matter of falling into a sequence of events that would drive them from timidity to terror. When violent instincts weren’t properly channeled they easily erupted. Most violence was the result of a mind fooling itself into believing internal pain came from something, or someone, else — a someone or something that deserved to be punished. And typically, these people were able to cast anyone into the role of that someone who deserved their wrath. ~ Sean Platt,
552:[At Gunung Padang] First, the drill cores contained evidence--fragments of worked columnar basalt--that more man-made megalithic structures lay far beneath the surface. Secondly, the organic materials brought up in the drill cores began to yield older and older dates--3000 BC to 5000 BC, then 9600 BC as the drills bit deeper, then around 11,000 BC, then 15,000 BC and finally, at depths of 27.5 meters (90 feet) and more, an astonishing sequence of dates of 20,000 BC to 22,000 BC and earlier. ~ Graham Hancock,
553:However, the small probability of a similar encounter [of the earth with a comet], can become very great in adding up over a huge sequence of centuries. It is easy to picture to oneself the effects of this impact upon the Earth. The axis and the motion of rotation changed; the seas abandoning their old position to throw themselves toward the new equator; a large part of men and animals drowned in this universal deluge, or destroyed by the violent tremor imparted to the terrestrial globe. ~ Pierre Simon Laplace,
554:schools assume that children are not interested in learning and are not much good at it, that they will not learn unless made to, that they cannot learn unless shown how, and that the way to make them learn is to divide up the prescribed material into a sequence of tiny tasks to be mastered one at a time, each with it's approrpriate 'morsel' and 'shock.' And when this method doesn't work, the schools assume there is something wrong with the children -- something they must try to diagnose and treat. ~ John Holt,
555:The body is a fantastic machine,’ Hughes told Mackers in one of his Boston College interviews, recounting the grueling sequence of a hunger strike. ‘It’ll eat off all the fat tissue first, then it starts eating away at the muscle, to keep your brain alive.’ Long after Hughes and Price called an end to their strikes and attempted to reintegrate into society, the nursed old grudges and endlessly replayed their worst wartime abominations. In a sense, they never stopped devouring themselves. ~ Patrick Radden Keefe,
556:There was no sort of change from dawn to sunset. My heart was heavy for all those whom I had lost. It seemed to me that life was but a sequence of tender ties, formed only to be ruptured, and leave the torn heart aching. I missed, moreover, the glad, sweet, summer season in the open air; the freedom of the old fruit gardens and flower-covered ways; the homely, happy sounds of all the stirring bees and chirming birds, of the ducks in the dark cool pond, and the lowing cattle in the poplarbelted meadows. ~ Ouida,
557:Johnny made me feel like I was clever without trying to be. And pretty. And valued. He made everything about me seem more special.
Like, say I was a song. Well, Johnny made me feel as though I’d been remixed. The melody didn’t change, but it wasn’t just the same one-dimensional sequence of notes anymore. Instead, he brought out all these harmonies — these low and high notes — that made the music fuller. No more discord or dissonance. Around Johnny, I was the best possible rendition of myself. ~ Kristin Walker,
558:What if a demon were to creep after you one night, in your loneliest loneliness, and say, 'This life which you live must be lived by you once again and innumerable times more; and every pain and joy and thought and sigh must come again to you, all in the same sequence. The eternal hourglass will again and again be turned and you with it, dust of the dust!' Would you throw yourself down and gnash your teeth and curse that demon? Or would you answer, 'Never have I heard anything more divine'? ~ Friedrich Nietzsche,
559:In Hamburg Griezman took a breath, and looked out at the evening gloom. Then he set to work. It was not taxing. It was merely a sequence of telephone calls. One number led to another. Like a neural pathway. An organization in action. Something to be proud of. The validation of a theory. As granular as he wanted. He could take it all the way back to the hapless trooper who took the original call. If he wished. Which he did. With fortunately simple questions. Names and addresses, of a person and a place. — ~ Lee Child,
560:Thus if we know a child has had sufficient opportunity to observe and acquire a behavioral sequence, and we know he is physically capable of performing the act but does not do so, then it is reasonable to assume that it is motivation which is lacking. The appropriate countermeasure then involves increasing the subjective value of the desired act relative to any competing response tendencies he might have, rather than having the model senselessly repeat an already redundant sequence of behavior. ~ Urie Bronfenbrenner,
561:It's like playing an instrument. It's like dancing," she says simply. Her house looks like the aftermath of a personalized earthquake visited by a vengeful god, but even here, amid such disturbing chaos, what Kim has elegantly just confirmed is the profound power of sequence; the beauty of order. Heartbeat, breath, ebb tide, flood tide, the movements of the earth, the phases of the moon, seasons, ritual, call and response, notes in a scale, words in a sentence. Human connection and security lie here. ~ Sarah Krasnostein,
562:The power of music, narrative, and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing – suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music ~ Oliver Sacks,
563:Personal growth is not like the development of a skill. It does not take place in observable increments that can be measured and charted. Indeed, as we have seen, when we're growing in sensitivity, generosity, and compassion, we're not aware of it, because we're not focusing on ourselves. The recovery of emotional freedom simply does not have the quality, for most of us, of a controllable sequence of transformations. It's more a career of discovering futher and further weaknesses and shedding them in turn. ~ C Terry Warner,
564:He told me about the plan he’d had in place for so long and said he needed my help to start the leak sequence. I didn’t like it, but he told me this was humanity’s one chance to secure peace by uniting against an outside threat. Real peace through fake panic, he said. He sat me down and said that the dream so many millions professed to share — the dream of world peace — was finally within reach. He said it was selfish to let an abstract notion like truth stand in the way, because peace doesn’t make itself. ~ Craig A Falconer,
565:One of the things that I've worked my way out of doing, and I knew that I needed to, was comparing myself to other people. That just poisins everything. It all of a sudden dtermines even clothes you're going to choose to wear that day or what you're going to do with a music production or how you're going to sequence it. It poisinseverything. Your real job in the world is to be you. Comparing yourself to other people I think that hurt me more than anything. Allowing myself to go there so much in my head hurt me. ~ India Arie,
566:It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy. ~ Scott Adkins,
567:In particular, we can combine the chain() function with the contextlib.ExitStack() method to process a collection of files as a single iterable sequence of values. We can do something like this: from contextlib import ExitStack import csv def row iter csv tab(*filenames): with ExitStack() as stack: files = [stack.enter context(open(name, 'r', newline='')) for name in filenames] readers = [csv.reader(f, delimiter='\t') for f in files] readers = map(lambda f: csv.reader(f, delimiter='\t'), files) yield from chain(*readers) ~ Anonymous,
568:It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot. ~ Ellen Wong,
569:During the next two days James Bond was permanently in this state without regaining consciousness. He watched the procession of his dreams go by without any effort to disturb their sequence, although many of them were terrifying and all were painful. He knew that he was in a bed and that he was lying on his back and could not move and in one of his twilight moments he thought there were people round him, but he made no effort to open his eyes and re-enter the world. He felt safer in the darkness and he hugged it to him. ~ Ian Fleming,
570:I opened my mouth to tell her that nothing could kill me, not now, but she said, 'Not kill you. Destroy you. Dissolve you. You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, after a while just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so there wouldn't be anything left that would think of itself as an "I." No point of view any longer, because you'd be an infinite sequence of views and points... ~ Neil Gaiman,
571:Our main source of psychic energy in the future will depend on our ability to understand this symbol of evolution in an acceptable context of interpretation. Only in the context of an emergent universe will the human project come to an integral understanding of itself. We must, however, come to experience the universe in its psychic as well as in its physical aspect. We need to experience the sequence of evolutionary transformations as moments of grace, and also as celebration moments in our new experience of the sacred. ~ Thomas Berry,
572:So we pour in data from the past to fuel the decision-making mechanisms created by our models, be they linear or nonlinear. But therein lies the logician's trap: past data from real life constitute a sequence of events rather than a set of independent observations, which is what the laws of probability demand.[...]Even though many economic and financial variables fall into distributions that approximate a bell curve, the picture is never perfect.[...]It is in those outliers and imperfections that the wildness lurks. ~ Peter L Bernstein,
573:This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence - even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust! ~ Friedrich Nietzsche,
574:Looking back on the past six months, Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken. ~ E M Forster,
575:We must not wait for things to come, believing that they are decided by irrescindable destiny. If we want it, we must do something about it. If not, not. Just as the political and social development and the sequence of historical events in general are not thrust upon us by the spinning of the Fates, but largely depend on our own doing, so our biological future, being nothing else but history on a large scale, must not be taken to be an unalterable destiny that is decided in advance by any Law of Nature. ~ Erwin Schrödinger, Mind and Matter,
576:High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor, only to be surpassed by his successor. Without this relay race called history there would be no European art and what characterizes it: a longing for originality, a longing for change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, they're all runners in the relay race, they all belong to the same stadium. ~ Milan Kundera,
577:A 24,000-year sequence recorded in a marine core from the Santa Barbara Basin, off the coast of California, exhibits the highest peak in biomass burning precisely at the onset of the Younger Dryas. ... This anomalously high peak correlates with intense biomass burning documented from the nearby Channel Islands. ... The peak also coincides with the extinction of pygmy mammoths on the islands and with the beginning of an apparent 600-800-year gap in the archaeological record, suggesting a sudden collapse in island human populations. ~ Graham Hancock,
578:How long have you done it?”

“Since the second day of B and G. The first day was a bit of a blur. I’ve always meant to compile some stats. Sorry. Saying it aloud sounds insane.”

“I wish I’d thought of doing it, if it makes you feel better. I’m equally insane.”

“You cracked the shirt code pretty quick.”

“Why do you even wear them in sequence?”

“I wanted to see if you noticed. And once you did notice, it pissed you off.”

“I’ve always noticed.”

“Yeah, I know.” He smiles, and I smile too.  ~ Sally Thorne,
579:I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part. ~ Fred Willard,
580:I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with. ~ David Lynch,
581:In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene. ~ Park Chan wook,
582:Every one knows that the heavenly bodies move in certain paths in relation to each other with seeming consistency and regularity which we call [physical] law. ... No one attributes freewill or motive to the material world. Is the conduct of man or the other animals any more subject to whim or choice than the action of the planets? ... We know that man's every act is induced by motives that led or urged him here or there; that the sequence of cause and effect runs through the whole universe, and is nowhere more compelling than with man. ~ Clarence Darrow,
583:Earlier this week ... scientists announced the completion of a task that once seemed unimaginable; and that is, the deciphering of the entire DNA sequence of the human genetic code. This amazing accomplishment is likely to affect the 21st century as profoundly as the invention of the computer or the splitting of the atom affected the 20th century. I believe that the 21st century will be the century of life sciences, and nothing makes that point more clearly than this momentous discovery. It will revolutionize medicine as we know it today. ~ Edward Kennedy,
584:In what touches their social convictions, most persons do not think. The threat of change, with all it suggests to them in the loss of social and economic privilege, alarms so deeply that they are incapable of unprejudiced thought. They seem to themselves to be thinking, with lucidity and fairness, but since they start from the conviction that change must undoubtedly be for the worse or from settled grief at the thought of losing what is old and lovely, they are doing no more than following a logical sequence of ideas from a false premise. ~ Storm Jameson,
585:It is not enough for a surgeon to have the textbook knowledge of how to treat trauma victims—to understand the science of penetrating wounds, the damage they cause, the different approaches to diagnosis and treatment, the importance of acting quickly. One must also grasp the clinical reality, with its nuances of timing and sequence. One needs practice to achieve mastery, a body of experience before one achieves real success. And if what we are missing when we fail is individual skill, then what is needed is simply more training and practice. ~ Atul Gawande,
586:Diogenes heard a young man playing on the lute. The otherwise stoical philosopher seemed to be touched by the emotional music and he fought tears. And then, when the young man played a quick and brilliant sequence of sounds, involving very complex fingering, Diogenes burst into tears. Why are you weeping, Master? At first I thought the man spent months acquiring his skill, he answered. Now I realize it’s years. I am weeping for his wasted years. The more he plays, the more evidence he supplies about how much time and talent he has wasted. ~ Josip Novakovich,
587:Some ancient eukaryote swallowed a photosynthesizing bacteria and became a sunlight gathering alga. Millions of years later one of these algae was devoured by a second eukaryote. This new host gutted the alga, casting away its nucleus and its mitochondria, keeping only the chloroplast. That thief of a thief was the ancestor or Plasmodium and Toxoplasma. And this Russian-doll sequence of events explains why you can cure malaria with an antibiotic that kills bacteria: because Plasmodium has a former bacterium inside it doing some vital business. ~ Carl Zimmer,
588:Styles, like languages, differ in the sequence of articulation and in the number of questions they allow the artist to ask; and so complex is the information that reaches us from the visible world that no picture will ever embody it all. This is not due to the subjectivity of vision but to its richness. Where the artist has to copy a human product he can, of course, produce a facsimile which is indistinguishable from the original. The forger of banknotes succeeds only too well in effacing his personality and the limitations of a period style. ~ E H Gombrich,
589:the presentation of a good idea can usually be designed to suit the listener’s interests. Sensing types, who take facts more seriously than possibilities, want an explicit statement of the problem before they consider possible solutions. Intuitives want the prospect of an interesting possibility before they look at the facts. Thinkers demand that a statement have a beginning, a logically arranged and concise sequence of points, and an end—especially an end. And feeling types are mainly interested in matters that directly affect people. ~ Isabel Briggs Myers,
590:The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way. ~ Neil Postman,
591:Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk: Ground to dust and plowed with salt. Spain, France, Britain, America—burned into the oblivion of the centuries. And again and again and again. Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing? This time, it will swing us clean to oblivion. ~ Walter M Miller Jr,
592:What I had experienced at the age of twenty was not yet a memory. And memory meant not that what-had-been recurring, but that what-had-been situated itself by recurring. If I remembered, I knew that an experience was thus and so, exactly thus; in being remembered, it first became known to me, nameable, voiced, speakable; accordingly I look on memory as more than haphazard thinking back - as work; the work of memory situates experience in a sequence that keeps it alive, a story which can open out into free storytelling, greater life, invention. ~ Peter Handke,
593:All devices in fact process something. That, after all, is why economists refer to technologies as means of production.

Does the correspondence work in the other direction? Can we view methods and processes as devices? The answer is yes. Processes and methods-think of oil refining or sorting algorithms-are sequences of operations. But to execute, they always require some hardware, some sort of physical equipment that carries out the operations. We could see this physical equipment as forming a "device" executing this sequence of operations. ~ W Brian Arthur,
594:... for our sake loosing within Himself the bonds of bodily birth, He granted us through spiritual birth, according to our own volition, power to become children of God instead of children of flesh and blood if we have faith in His Name (cf. Jn. 1:12-13). For the Savior the sequence was, first of all, incarnation and bodily birth for my sake; and so thereupon the birth in the Spirit through baptism, originally spurned by Adam, for the sake of my salvation and restoration by grace, or, to describe it even more vividly, my very remaking. ~ Saint Maximus the Confessor,
595:I thought you could build a story that would function as a machine or else a complex of machines, each one moving separately, yet part of a process that ultimately would produce an emotion or a sequence of emotions. You could swap out parts, replace them if they got too old. And this time you would build in some redundancy, if only just to handle the stress.
One question was: Would the engine still work if you were aware of it, or if you were told how it actually functioned? Maybe this was one of the crucial differences between a story and a machine. ~ Paul Park,
596:In the final analysis the hierarchic pattern is nothing like the straightforward witness for organic evolution that is commonly assumed. There are facets of the hierarchy which do not flow naturally from any sort of random undirected evolutionary process. If the hierarchy suggests any model of nature it is typology and not evolution. How much easier it would be to argue the case for evolution if all nature's divisions were blurred and indistinct, if the systema naturalae was largely made up of overlapping classes indicative of sequence and continuity. ~ Michael Denton,
597:Just as your spatial-reality model gives you the subjective feeling of looking at a three-dimensional space even though your mind is actually looking at the reality model in your brain, this temporal-reality model with its sequence of memories gives you the subjective feeling of time flowing through a sequence of events even while your mind is actually looking at the reality model in your brain in a single observer moment. In other words, your subjective feeling that time is flowing comes from the relations between these memories that you have right now. ~ Max Tegmark,
598:Some few people are born without any sense of time.As consequence, their sense of place becomes heightened to an excruciating degree. They lie in tall grass and are questioned by poets and painters from all over the world. These time-deaf are beseeched to describe the precise placement of trees in the spring, the shape of snow on the Alps, the angle of sun on a church, the position of rivers, the location of moss, the pattern of birds in a flock. Yet the time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time. ~ Alan Lightman,
599:Some few people are born without any sense of time. As consequence, their sense of place becomes heightened to excruciating degree. They lie in tall green grass are questioned by poets and painters from all over the world. These time-deaf are beseeched to describe the precise placement of trees in the spring, the shape of snow on the Alps, the angle of sun on a church, the position of rivers, the location of moss, the pattern of birds in a flock. Yet the time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time. ~ Alan Lightman,
600:Dantes passed through all the stages of torture natural to prisoners in suspense. He was sustained at first by that pride of conscious innocence which is the sequence to hope; then he began to doubt his own innocence, which justified in some measure the governor's belief in his mental alienation; and then, relaxing his sentiment of pride, he addressed his supplications, not to God, but to man. God is always the last resource. Unfortunates, who ought to begin with God, do not have any hope in him till they have exhausted all other means of deliverance. ~ Alexandre Dumas,
601:Since the dawn of existence, you mortals have feared dying, feared the unknown and the pain of it, and yet, pain is a part of life, not death. And I—I am the first moment after pain ceases,” he pronounced. “It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer. . . . Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other. ~ Vera Nazarian,
602:Watch the sequence of events: Breathing. Breathing. Distracting thought arising. Frustration arising over the distracting thought. You condemn yourself for being distracted. You notice the self-condemnation. You return to the breathing. Breathing. Breathing. It’s really a very natural, smooth-flowing cycle, if you do it correctly. The trick, of course, is patience. If you can learn to observe these distractions without getting involved, it’s all very easy. You just glide through the distraction, and your attention returns to the breath quite easily. ~ Henepola Gunaratana,
603:It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience. ~ John Leguizamo,
604:It’s peaceful. Death can be a release and a relief for the person, and that is a blessing. The thing is, a lot of times, it is work to die. It requires physical and emotional effort. What sucks is that for most, particularly if they’re dying out of sequence, it’s a job they don’t want. It’s about loss of control, loss of function, loss of identity and independence…loss of choice and decision, of family and friends. But if you can let go of all that, what comes with it is freedom. A soaring freedom, the soul released from its temporary prison of mortality.” - Ivie ~ J R Ward,
605:Historical chronology, human or geological, depends... upon comparable impersonal principles. If one scribes with a stylus on a plate of wet clay two marks, the second crossing the first, another person on examining these marks can tell unambiguously which was made first and which second, because the latter event irreversibly disturbs its predecessor. In virtue of the fact that most of the rocks of the earth contain imprints of a succession of such irreversible events, an unambiguous working out of the chronological sequence of these events becomes possible. ~ M King Hubbert,
606:The war, like all wars, was proving more expensive for the Bourbons than planned. Since the alliance, France had advanced to the Americans over 100 million livres, about $25 million, in loans, supplies and gifts, and before it was over the cost of the American war for France would amount, by some estimates, to 1.5 billion livres, a historic sum that was virtually to bankrupt the French national budget and require the summoning of the Estates General in 1789 that led to the arrest of the King and the sequence of eruptions that became the French Revolution. ~ Barbara W Tuchman,
607:Emma Watson was saying the other day that when Helena Bonham Carter was becoming Hermione, or trying to become her for the polyjuice-potion sequence, she was trying to take on Emma's mannerisms, and she was asking Emma questions like, "What's Hermione's favorite color?" Because she wanted to absorb all this information and to know, in here touches temple what she was like. And as I've tried to develop as an actor, I see that these things, however much they seem insignificant... By knowing what's Neville's Longbottom favorite Beatles song, you can know so much! ~ Matthew Lewis,
608:My mind is a centre of Divine operation. The Divine operation is always for expansion and fuller expression, and this means the production of something beyond what has gone before, something entirely new, not included in past experience, though proceeding out of it by an orderly sequence of growth. Therefore, since the Divine cannot change its inherent nature, it must operate in the same manner in me; consequently in my own special world, of which I am the centre , it will move forward to produce new conditions, always in advance of any that have gone before. ~ Thomas Troward,
609:I am aware that the conclusions arrived at in this work will be denounced by some as highly irreligious; but he who denounces them is bound to show why it is more irreligious to explain the origin of man as a distinct species by descent from some lower from, through the laws of variation and natural selection, than to explain the birth of the individual through the laws of ordinary reproduction. The birth both of the species and of the individual are equally parts of that grand sequence of events, which our minds refuse to accept as the result of blind chance. ~ Charles Darwin,
610:Relaxation, acceptance, and keeping open mind are key. First of all, peak performance isn't possible if one is not relaxed, and if one is going to stay relaxed they must simply accept problems when they arise and decide to solve them. If I can't do a move I merely accept that I haven't discovered the right sequence, instead of trying the same sequence over and over or just quitting. I will try to do it 20 or 30 different ways, making subtle changes in body position and fot placement, until I find something that does work. That's what I mean by keeping an open mind. ~ Lynn Hill,
611:Suppose that the organism is given the problem of determining the analysis of a stimulus at a certain level of representation - e.g., the problem of determining which sequence of words a given utterance encodes. Since, in the general case, transducer outputs underdetermine perceptual analyses, we can think of the solution of such problems as involving processes of nondemonstrative inference. In particular, we can think of each input system as a computational mechanism which projects and confirms a certain class of hyputheses on the basis of a certain body of data. ~ Jerry Fodor,
612:What did we show? That our first decisions resonate over a long sequence of decisions. First impressions are important, whether they involve remembering that our first DVD player cost much more than such players cost today (and realizing that, in comparison, the current prices are a steal) or remembering that gas was once a dollar a gallon, which makes every trip to the gas station a painful experience. In all these cases the random, and not so random, anchors that we encountered along the way and were swayed by remain with us long after the initial decision itself. ~ Dan Ariely,
613:Much as I admire Tolkien, I once again always felt like Gandalf should have stayed dead. That was such an incredible sequence in Fellowship of the Ring when he faces the Balrog on the Khazad-dûm and he falls into the gulf, and his last words are, "Fly, you fools." What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he's sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead. ~ George R R Martin,
614:This special was followed one month later by “Bart the Genius.” This was the first genuine episode of The Simpsons , inasmuch as it premiered the famous trademark opening sequence and included the debut of Bart’s notorious catchphrase “Eat my shorts.” Most noteworthy of all, “Bart the Genius” contains a serious dose of mathematics. In many ways, this episode set the tone for what was to follow over the next two decades, namely a relentless series of numerical references and nods to geometry that would earn The Simpsons a special place in the hearts of mathematicians. ~ Simon Singh,
615:A plot, I used to remind my students, is not merely a sequence of events: "A" followed by "B" followed by "C" followed by "D." Rather, it's a series of events linked by cause and effect: "A" causes "B," which causes "C," and so on. True, a person's (or a fictional character's) destiny may be more than the sum of his choices--fate and luck play a role as well--but only scientists (and not all of them) believe that free will is a sham. People in life--and therefore in fiction--must choose, and their choices must have meaningful consequences. Otherwise, there's no story. ~ Richard Russo,
616:And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy. ~ Vladimir Nabokov,
617:If the body politic is constitutionally diseased, as I verily believe; if the disorder inheres in the system; there is no remedy. The fever must burn itself out, and then Nature will do the rest. One does not prescribe what time alone can administer. We have put our criminals and dunces into power; do we suppose they will efface themselves? Will they restore to us the power of governing them? They must have their way and go their length. The natural and immemorial sequence is: tyranny, insurrection, combat. In combat everything that wears a sword has a chance—even the right. ~ Ambrose Bierce,
618:The normal sequence is that energy is prompted at the perceptual system, passes into consciousness, and thence to the motor system, where it is discharged by action. (I feel an unpleasant sensation, realize that I have been bitten by a mosquito, raise my hand, and swat the insect.) But in dreaming energy flows the other way. Barred by the censor from consciousness, and hence from discharge through action, wishes flow back, collecting unconscious memories on their way, and present themselves once again, now transformed by the dream-work, to the sleeper’s lowered consciousness. ~ Sigmund Freud,
619:One sequence of these diary notes had lasted longer than most, and by their content he saw that they came from the time right after his father had died. One line stuck him like a thorn:
Alone in the house. Must get used to it.
He stared at her crabbed handwriting. He saw how it must have been, and sat down in the nearest chair. A spasm of sorrow passed through him, followed after a while by a wash of relief, as he realized that his mom was now finally freed of the intense burden of staying happy after his father was gone. Twenty years of driven, relentless effort. ~ Kim Stanley Robinson,
620:Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence. ~ Jimmy Webb,
621:Since the dawn of existence, you mortals have feared dying, feared the unknown and the pain of it, and yet, pain is a part of life, not death. And I—I am the first moment after pain ceases,” he [Death] pronounced. “It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer... Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other. ~ Vera Nazarian,
622:There are two keys to this entire sequence. The first is knocking over the head pin, taking the beachhead, crossing the chasm (and chaining together three mixed metaphors to do it!). The size of the first pin is not the issue, but the economic value of the problem it fixes is. The more serious the problem, the faster the target niche will pull you out of the chasm. Once out, your opportunities to expand into other niches are immensely increased because now, having one set of pragmatist customers solidly behind you, you are much less risky for others to back as a new vendor. The ~ Geoffrey A Moore,
623:We have also obtained a glimpse of another crucial idea about languages and program design. This is the approach of statified design, the notion that a complex system should be structured as a sequence of levels that are described using a sequence of languages. Each level is constructed by combining parts that are regarded as primitive at that level, and the parts constructed at each level are used as primitives at the next level. The language used at each level of a stratified design has primitives, means of combination, and means of abstraction appropriate to that level of detail. ~ Hal Abelson,
624:I can see us there still," he said, "for those were moments so intense that in a way we will be living them always, while other things are completely forgotten. Yet there is no particular story attached to them," he said, "despite their place in the story I have just told you. That time spent swimming in the pool beneath the waterfall belongs nowhere: it is part of no sequence of events, it is only itself, in a way that nothing our life before as a family was ever itself, because it was always leading to the next thing and the next, was always contributing to our story of who we were. ~ Rachel Cusk,
625:On October 29 the connection was ready to be made. The event was appropriately casual. It had none of the drama of the “one small step for man, one giant leap for mankind” that had occurred on the moon a few weeks earlier, with a half billion people watching on television. Instead it was an undergraduate named Charley Kline, under the eye of Crocker and Cerf, who put on a telephone headset to coordinate with a researcher at SRI while typing in a login sequence that he hoped would allow his terminal at UCLA to connect through the network to the computer 354 miles away in Palo Alto. ~ Walter Isaacson,
626:Even revolution, particularly
revolution, which claims to be materialist, is only a limitless metaphysical crusade. But can totality claim
to be unity? That is the question which this book must answer. So far we can only say that the purpose of
this analysis is not to give, for the hundredth time, a description of the revolutionary phenomenon, nor
once more to examine the historic or economic causes of great revolutions. Its purpose is to discover in
certain revolutionary data the logical sequence, the explanations, and the invariable themes of
metaphysical rebellion. ~ Albert Camus,
627:If you do not divulge the contents of your silent soliloquies and other imaginings, I have no other sure way of finding out what you have been saying or picturing to yourself. But the sequence of your sensations and imaginings is not the sole field in which your wits and character are shown; perhaps only for lunatics is it more than a small corner of that field. I find out most of what I want to know about your capacities, interests, likes, dislikes, methods and convictions by observing how you conduct your overt doings, of which by far the most important are your sayings and writings. ~ Gilbert Ryle,
628:The sands of time blew into a storm of images... Images in sequence to tell the truth! Glorious legends of revolutionaries, bound only by a desire to be true to themselves... And to hope! Parables of colliding worlds, of forbidden love... of enemies healing the wounds of circumstance! Projected myth of persecution through greed and selfishness... And the will to survive! The Will to survive! And to survive in the face of those who claim credit for your very existence! We survive not as pawns, but as agents of hope... Sometimes misunderstood, but always true to our story. The story of man. ~ Scott Morse,
629:We've created an ExitStack object that can contain a number of individual contexts open. When the with statement finishes, all items in the ExitStack object will be closed properly. We created a simple sequence of open file objects; these objects were also entered into the ExitStack object. Given the sequence of files in the files variable, we created a sequence of CSV readers in the readers variable. In this case, all of our files have a common tab-delimited format, which makes it very pleasant to open all of the files with a simple, consistent application of a function to the sequence of files. ~ Anonymous,
630:if we were organisms so sensitive that a single atom, or even a few atoms, could make a perceptible impression on our senses – Heavens, what would life be like! To stress one point: an organism of that kind would most certainly not be capable of developing the kind of orderly thought which, after passing through a long sequence of earlier stages, ultimately results in forming, among many other ideas, the idea of an atom. Even though we select this one point, the following considerations would essentially apply also to the functioning of organs other than the brain and the sensorial system. ~ Erwin Schr dinger,
631:It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life. ~ Andrei Tarkovsky,
632:Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process. ~ Phoebe Gloeckner,
633:A human being, in order to function fully and effectively in this world, needs to develop in himself all four of these tools of maturity: 1) physical energy and bodily self-control; 2) emotional calmness and expansive feeling; 3) dynamic, persistent will power; and 4) a clear-sighted, practical intellect. Remove any one of these aspects from the equation and the equation itself becomes distorted. Each aspect depends for its perfection on the other three....These tools are best developed in sequence: bodily awareness first, then sensitivity of feeling, then will power, and last of all, intellect. ~ Swami Kriyananda,
634:            Goal Selection: They can choose goals based on priority, relevance, experience, and knowledge of current realities while also anticipating consequences and outcomes. Key Words: Choose Goals and Anticipate Outcomes.             Planning and Organization: They can generate steps and a sequence of linear behaviors that will get them there, knowing what will be needed along the way, including resources, and create a strategy to pull it off. Key Words: Generate Behaviors and Strategy.             Initiation and Persistence: they can begin and maintain goal-directed behavior despite intrusions, ~ Henry Cloud,
635:You’re not afraid of death?” She shook her head. “It’s peaceful. Death can be a release and a relief for the person, and that is a blessing. The thing is, a lot of times, it is work to die. It requires physical and emotional effort. What sucks is that for most, particularly if they’re dying out of sequence, it’s a job they don’t want. It’s about loss of control, loss of function, loss of identity and independence…loss of choice and decision, of family and friends. But if you can let go of all that, what comes with it is freedom. A soaring freedom, the soul released from its temporary prison of mortality. ~ J R Ward,
636:Like a strand of DNA, the mRNA is a chain of letters, and its sequence matches the sequence of the DNA it copied (the only major exception being that T gets replaced by U). The mRNA is exported out of the cell’s nucleus and delivered to a protein-synthesizing factory called a ribosome, which translates the four-letter language of RNA (A, G, C, and U) into the twenty-letter language of proteins (the twenty amino acids). This translation proceeds according to the genetic code, a cipher in which every three-letter RNA combination, called a codon, instructs the ribosome to add one specific amino acid. ~ Jennifer A Doudna,
637:If the gods have determined about me and about the things which must happen to me, they have determined well, for it is not easy even to imagine a deity without forethought; and as to doing me harm, why should they have any desire towards that? For what advantage would result to them from this or to the whole, which is the special object of their providence? But if they have not determined about me individually, they have certainly determined about the whole at least, and the things which happen by way of sequence in this general arrangement I ought to accept with pleasure and to be content with them. ~ Marcus Aurelius,
638:Look at any randomly selected piece of your world. Encoded deep in the biology of every cell in every blade of grass, in every insect’s wing, in every bacterium cell, is the history of the third planet from the Sun in a Solar System making its way lethargically around a galaxy called the Milky Way. Its shape, form, function, colour, smell, taste, molecular structure, arrangement of atoms, sequence of bases, and possibilities for the future are all absolutely unique. There is nowhere else in the observable Universe where you will see precisely that little clump of emergent, living complexity. It is wonderful. ~ Brian Cox,
639:There is a more general way to see that devices and processes are not different categories. A technology embodies a sequence of operations; we can call this its "software." And these operations require physical equipment to execute them; we can call this the technology's "hardware." If we emphasize the "software" we see a process or method. If we emphasize the "hardware," we see a physical device. Technologies consist of both, but emphasizing one over the other makes them seem to belong to two different categories: devices and processes. The two categories are merely different ways of viewing a technology. ~ W Brian Arthur,
640:I was stringing beads of different sizes in symmetrical groups—two large beads, three small ones, and so on. I had made many mistakes, and Miss Sullivan had pointed them out again and again with gentle patience. Finally I noticed a very obvious error in the sequence and for an instant I concentrated my attention on the lesson and tried to think how I should have arranged the beads. Miss Sullivan touched my forehead and spelled with decided emphasis, “Think.” In a flash I knew that the word was the name of the process that was going on in my head. This was my first conscious perception of an abstract idea. For ~ Helen Keller,
641:But the Semitic names did possess meaning in Semitic languages: they were the words for familiar objects (’aleph = ox, beth = house, gimel = camel, daleth = door, and so on). These Semitic words were related “acrophonically” to the Semitic consonants to which they refer: that is, the first letter of the word for the object was also the letter named for the object (’a, b, g, d, and so on). In addition, the earliest forms of the Semitic letters appear in many cases to have been pictures of those same objects. All these features made the forms, names, and sequence of Semitic alphabet letters easy to remember. Many ~ Jared Diamond,
642:...I became aware of the world's tenderness, the profound beneficence of all that surrounded me, the blissful bond between me and all of creation, and I realized that the joy I sought in you was not only secreted within you, but breathed around me everywhere, in the speeding street sounds, in the hem of a comically lifted skirt, in the metallic yet tender drone of the wind, in the autumn clouds bloated with rain. I realized that the world does not represent a struggle at all, or a predaceous sequence of chance events, but the shimmering bliss, beneficent trepidation, a gift bestowed upon us and unappreciated. ~ Vladimir Nabokov,
643:Yet despite the complexity of contemporary society, there are still some simple formulas we can use to distill the path to social and economic flourishing. One of these, labeled the “Success Sequence,” and credited to Ron Haskins and Isabel Sawhill of the left-of-center Brookings Institute, proposes a three-step rule book for modern American life:

1. Finish high school.
2. Get a job. (Any job. Because working leads to more working, which leads to better jobs.)
3. Get married before having children.

When people follow this pattern—and crucially, in this order—life generally turns out pretty well. ~ Ben Sasse,
644:I have witnessed funerals where wounded people in great need of healing (through ritual) are the ones actually planning and taking care of the funeral arrangements. These are people who need someone to help them in their own grief who are burdened with creating ritual space for themselves as well as others. We are facing here some kind of flawed process of self-caretaking. Who can create ritual in its proper space and sequence when there are no elders? Who is there who remembers the old ways, the ancient ways, the ways of the heart, the ways of the spirit that reach to the depths of the soul in its grief? It ~ Malidoma Patrice Som,
645:This “triplet code” hypothesis was also supported by elementary mathematics. If a two-letter code was used—i.e., two bases in a sequence (AC or TC) encoded an amino acid in a protein—you could only achieve 16 combinations, obviously insufficient to specify all twenty amino acids. A triplet-based code had 64 combinations—enough for all twenty amino acids, with extra ones still left over to specify other coding functions, such as “stopping” or “starting” a protein chain. A quadruplet code would have 256 permutations—far more than needed to encode twenty amino acids. Nature was degenerate, but not that degenerate. ~ Siddhartha Mukherjee,
646:A person places a drop of DNA from blood onto a tiny chip, and a smartphone snaps a picture and can read out whether a virus is present. The chip is coated with microscopic beads containing quantum dots. Each bead is coated with a material designed to recognize a particular strand of DNA — for instance, a sequence that is specific to a hepatitis virus. If there is virus in a blood sample, the DNA will connect to the beads designed to detect hepatitis. If there is HIV in the sample, the DNA will connect instead to the HIV beads. “It really took about 10 years to get the chemistry to work,” Chan says. Next, a cheap laser just ~ Anonymous,
647:For how little have we lost, when the two finest things of all will accompany us wherever we go, universal nature and our individual virtue. Believe me, this was the intention of whoever formed the universe, whether all-powerful god, or incorporeal reason creating mighty works, or divine spirit penetrating all things from greatest to smallest with even pressure, or fate and the unchanging sequence of causation - this, I say, was the intention, that only the most worthless of our possessions should come into the power of another. Whatever is best for a human being lies outside human control: it can be neither given nor taken away. ~ Seneca,
648:What do people think of when they talk about their lives? Do they really see them as an integral whole, as a chronological sequence of events; as something logical, purposeful, completed? What moments do they remember, and how do they remember them? As words? As a series of images and sounds? My life crumbles into a series of pictures, unconnected scenes which comes to mind only occassionally and at random. But there are key events, the acts of chance or fate, which later enable me to construct a logical whole of my life. One such moment was meeting Jose. The other was my decision to see our love through to the very end. ~ Slavenka Drakuli,
649:He stepped on to the balcony and looked out over the desert, at the red dunes rolling to the windows directly below. For the fourth time he had moved up a floor, and the sequence of identical rooms he had occupied were like displaced images of himself seen through a prism. Their common focus, that elusive final definition of himself which he had sought for so long, still remained to be found. Timelessly the sand swept towards him, its shifting contours, approximating more closely than any other landscape he had found to complete psychic zero, enveloping his past failures and uncertainties, masking them in its enigmatic canopy. ~ J G Ballard,
650:Yet, how is it that descriptions of numbers in terms of apples or bananas can allow a child to know what 'three days' means, that same abstract concept of 'three' being involved as with 'three oranges'? Of course, this appreciation may well not come at once, and the child may get it wrong at first, but that is not the point. The point is that this kind of realization is possible at all. The abstract concept of 'three', and of this concept as being one of an infinite sequence of corresponding concepts-the natural numbers themselves-is something that can indeed be understood, but, I claim, only through the use of one's awareness. ~ Roger Penrose,
651:I am resentful, I feel fatherless again, a whole new wave of fatherlessness, that they have gone so suddenly, as if there was no history of our life together in the gang, as if discourse is an illusion, and the sequence of this happened and then that happened and I said and he said was only Death’s momentary incredulity, Death staying his hand a moment in incredulity of our arrogance, that we actually believed ourselves to consequentially exist, as if we were something that did not snuff out from one instant to the next, leaving nothing of ourselves as considerable as a thread of smoke, or the resolved silence at the end of a song. ~ E L Doctorow,
652:Competitive rowing is an undertaking of extraordinary beauty preceded by brutal punishment. Unlike most sports, which draw primarily on particular muscle groups, rowing makes heavy and repeated use of virtually every muscle in the body, despite the fact that a rower, as Al Ulbrickson liked to put it, “scrimmages on his posterior annex.” And rowing makes these muscular demands not at odd intervals but in rapid sequence, over a protracted period of time, repeatedly and without respite. On one occasion, after watching the Washington freshmen practice, the Seattle Post-Intelligencer’s Royal Brougham marveled at the relentlessness of the ~ Daniel James Brown,
653:All you can possibly need or desire is already yours. You need no helper to give it to you; it is yours now. Call your desires into being by imagining and feeling your wish fulfilled. As the end is accepted, you become totally indifferent as to possible failure, for acceptance of the end wills the means to that end. When you emerge from the moment of prayer, it is as though you were shown the happy and successful end of a play although you were not shown how that end was achieved. However, having witnessed the end, regardless of any anticlimactic sequence, you remain calm and secure in the knowledge that the end has been perfectly defined. ~ Neville Goddard,
654:Overall, it seems now possible to draw a reasonably good explanation of why the human condition is a singularity, why the likes of it has occurred only once and took so long in coming. The reason is simply the extreme improbability of the preadaptations necessary for it to occur at all. Each of the evolutionary steps has been a full-blown adaptation in its own right. Each has required a particular sequence of one or more preadaptations that occurred previously. Homo sapiens is the only species of large mammal – thus large enough to evolve a human-sized brain – to have made every one of the required lucky turns in the evolutionary maze. (45) ~ Edward O Wilson,
655:On the morning of March 4, in an extraordinary sequence of events, the House approved the bill right before the noon deadline. Senators had already adjourned to the Capitol for the inauguration. They were abruptly rounded up and herded back into the Senate chamber, the hands of the clock were turned back twenty minutes, and, to tempestuous applause, they approved Grant’s bill. Chester Arthur hurried to the Capitol to sign it. As his last presidential act, he nominated Grant, and President Cleveland renewed his commission as general of the army. Chester Arthur instructed the president pro tempore of the Senate to send Grant a congratulatory telegram. ~ Ron Chernow,
656:Here’s a great home workout that allows you to train and work on the usual issues I find ailing most people: • Right-leg Bulgarian Split Squats with the dumbbell in the suitcase position, 10 reps • Left-leg Bulgarian Split Squats with the dumbbell in the suitcase position, 10 reps • Goblet Squats with the dumbbell cradled on the chest, 10 reps • Deep Push-ups, chest touching the floor, with the push-up handles, 10 reps • Doorway Chin-ups or Pull-ups, 10 reps • Ab Wheel, 10 reps Try to do these six exercises one after another straight through without resting much between movements. Repeat this sequence, after a minute or two of rest, three to five times. ~ Dan John,
657:There were the signed, spiral-bound Spirit-in-the-Woods yearbooks from three summers in a row and the aerial photograph of everyone at camp the second summer. In it, Ethan's feet were planted on Jule's head, and Jule's feet were planted on Goodman's head, and so on and so on. And didn't it always go like that-body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting. ~ Meg Wolitzer,
658:A neglected child may learn to get attention by getting into trouble or by annoying his parents. One will drink muddy water when he is dying of thirst. I know of children who get their touch and stimulation needs met by getting spanked. Much has been written about abortive adaptation. Suffice it to say, when one’s basic dependency needs are not met at the proper time and in the proper sequence, the personality is arrested at those developmental stages. The child learns adaptive ways to get his needs met. Over the course of time, as one experiences need-deprivation, one loses awareness of these needs. Ultimately, one does not even know what one needs. ~ John Bradshaw,
659:Even before the exact answer was reached, Crick crystallized its fundamental principles in a statement that he called (and is called to this day) the Central Dogma. It is a hypothesis about the direction of evolution and the origin of life; it is provable in terms of Shannon entropy in the possible chemical alphabets: Once “information” has passed into protein it cannot get out again. In more detail, the transfer of information from nucleic acid to nucleic acid, or from nucleic acid to protein may be possible, but transfer from protein to protein, or from protein to nucleic acid is impossible. Information means here the precise determination of sequence. ~ James Gleick,
660:Here I had a strange idea not unworthy of de Selby. Why was Joe so disturbed at the suggestion that he had a body? What if he had a body? A body with another body inside it in turn, thousands of such bodies within each other like the skins of an onion, receding to some unimaginable ultimum? Was I in turn merely a link in a vast sequence of imponderable beings, the world I knew merely the interior of the being whose inner voice I myself was? Who or what was the core and what monster in what world was the final uncontained colossus? God? Nothing? Was I receiving these wild thoughts from Lower Down or were they brewing newly in me to be transmitted Higher Up? ~ Flann O Brien,
661:[Public housing projects] are not lacking in natural leaders,' [Ellen Lurie, a social worker in East Harlem] says. 'They contain people with real ability, wonderful people many of them, but the typical sequence is that in the course of organization leaders have found each other, gotten all involved in each others' social lives, and have ended up talking to nobody but each other. They have not found their followers. Everything tends to degenerate into ineffective cliques, as a natural course. There is no normal public life. Just the mechanics of people learning what s going on is so difficult. It all makes the simplest social gain extra hard for these people. ~ Jane Jacobs,
662:The macromolecules of organic life embody information in an intricate structure. A single hemoglobin molecule comprises four chains of polypeptides, two with 141 amino acids and two with 146, in strict linear sequence, bonded and folded together. Atoms of hydrogen, oxygen, carbon, and iron could mingle randomly for the lifetime of the universe and be no more likely to form hemoglobin than the proverbial chimpanzees to type the works of Shakespeare. Their genesis requires energy; they are built up from simpler, less patterned parts, and the law of entropy applies. For earthly life, the energy comes as photons from the sun. The information comes via evolution. ~ James Gleick,
663:As soon as my log-in sequence completed, a window popped up on my display, informing me that today was an election day. Now that I was eighteen, I could vote, in both the OASIS elections and the elections for U.S. government officials. I didn’t bother with the latter, because I didn’t see the point. The once-great country into which I’d been born now resembled its former self in name only. It didn’t matter who was in charge. Those people were rearranging deck chairs on the Titanic and everyone knew it. Besides, now that everyone could vote from home, via the OASIS, the only people who could get elected were movie stars, reality TV personalities, or radical televangelists. ~ Ernest Cline,
664:Although he had changed his name, his history came with him, even to his writing. The rhythm of his rain-soaked childhood became a sequence of words. His memories of the understory of the great forest burst into lyrical phrases, as resinous as the sap of a pinecone, as crisp as the shell of a beetle. Sentences grew long, then pulled up short, taking on the tempo of the waves upon the shore, or swayed gently, like the plaintive song of a lone harmonica. His fury became essays that pointed, stabbed, and burned. His convictions played out with the monotonous determination of a printing press. And his affections became poems, as warm and supple as the wool of a well-loved sheep. ~ Pam Mu oz Ryan,
665:There is a simple test to define path dependence of beliefs (economists have a manifestation of it called the endowment effect). Say you own a painting you bought for $20,000, and owing to rosy conditions in the art market, it is now worth $40,000. If you owned no painting, would you still acquire it at the current price? If you would not, then you are said to be married to your position. There is no rational reason to keep a painting you would not buy at its current market rate—only an emotional investment. Many people get married to their ideas all the way to the grave. Beliefs are said to be path dependent if the sequence of ideas is such that the first one dominates. ~ Nassim Nicholas Taleb,
666:Let the youthful soul look back on life with the question: what have you truly loved up to now, what has elevated your soul, what has mastered it and at the same time delighted it? Place these venerated objects before you in a row, and perhaps they will yield for you, through their nature and their sequence, a law, the fundamental law of your true self. Compare these objects, see how one complements, expands, surpasses, transfigures another, how they form a stepladder upon which you have climbed up to yourself as you are now; for your true nature lies, not hidden deep within you, but immeasurably high above you, or at least above that which you normally take to be yourself. ~ Friedrich Nietzsche,
667:But we do neither: we never fail, and we never succeed. We are not the designers of our lives. Life is the designer of us. Life is vast and grand, intelligent, clever, and completely unknowable. It always has the last word. It is the last word. Life interrupts us when we are at our most self-assured. Life diverts us when we are hellbent on going elsewhere. Life arrives in a precise and yet unplanned sequence to deliver exactly what we need in order to realize our greatest potential. The delivery is not often what we would choose, and almost never how we intend to satisfy ourselves, because our potential is well beyond our limited, ego-bound choices and self serving intentions. ~ Karen Maezen Miller,
668:On Jan. 30, a Japanese-American college student named George Miller, posted a three-and-a-half minute compilation of comedy on YouTube. Miller has been posting videos since 2008 and had developed an absurd comic style and an audience of tens of thousands. Miller’s movie began with 19 seconds of “Pink Guy,” (a character where he plays a mime in a pink body suit who dances and pratfalls) and three friends dancing in Miller’s bedroom to an obscure piece of electronic dance music: “Harlem Shake” by a little-known DJ called Harry Rodrigues, or “Baauer.” Miller’s audience loved the dance. Within hours, one fan had posted a video that looped the 19-second sequence for three and a half minutes. ~ Anonymous,
669:Mould And Vase [greek Pottery Of Arezzo.]
HERE in the jealous hollow of the mould,
Faint, light-eluding, as templed in the breast
Of some rose-vaulted lotus, see the best
The artist had - the vision that unrolled
Its flying sequence till completion's hold
Caught the wild round and bade the dancers rest The mortal lip on the immortal pressed
One instant, ere the blindness and the cold.
And there the vase: immobile, exiled, tame,
The captives of fulfillment link their round,
Foot-heavy on the inelastic ground,
How different, yet how enviously the same!
Dishonoring the kinship that they claim,
As here the written word the inner sound.
~ Edith Wharton,
670:Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her than ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother. ~ Delia Owens,
671:Sonnet For The End Of A Sequence
So take my vows and scatter them to sea;
Who swears the sweetest is no more than human.
And say no kinder words than these of me:
"Ever she longed for peace, but was a woman!
And thus they are, whose silly female dust
Needs little enough to clutter it and bind it,
Who meet a slanted gaze, and ever must
Go build themselves a soul to dwell behind it."
For now I am my own again, my friend!
This scar but points the whiteness of my breast;
This frenzy, like its betters, spins an end,
And now I am my own. And that is best.
Therefore, I am immeasurably grateful
To you, for proving shallow, false, and hateful.
~ Dorothy Parker,
672:The Foreign Office was in contact with the authorities in those foreign countries that were either occupied or allied with the Nazis, to put pressure on them to deport their Jews, or, as the case might be, to prevent them from evacuating them to the East helter-skelter, out of sequence, without proper regard for the absorptive capacity of the death centers. (This was how Eichmann remembered it; it was in fact not quite so simple.) The legal experts drew up the necessary legislation for making the victims stateless, which was important on two counts: it made it impossible for any country to inquire into their fate, and it enabled the state in which they were resident to confiscate their property. ~ Hannah Arendt,
673:To invoke an analogy, consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn’t it the same with life? Doesn’t the final meaning of life, too, reveal itself, if at all, only at its end, on the verge of death? And doesn’t this final meaning, too, depend on whether or not the potential meaning of each single situation has been actualized to the best of the respective individual’s knowledge and belief? ~ Viktor E Frankl,
674:the failure of the established order of industrial society, and of the political classes who manage it, is becoming hard to ignore. Consider the way that the world’s leaders have reacted to the ongoing implosion of the global economy, or nearly any other recent crisis you care to name: in each case, it’s a broken-record sequence of understating the problem, trying to manage appearances, getting caught flatfooted by events, and struggling to load the blame for yet another round of failures onto anybody within reach. Rinse and repeat a few times, and even the most diehard supporters of the status quo start wishing that somebody, somewhere, would stand up and demonstrate some actual leadership. ~ John Michael Greer,
675:It Was Not Pygmalion And it was not Galatea. It was you and me. And unlike Galatea, I was not perfect. I had to grow. And you were no sculptor. You were more like a gardener. And if so, then I was more like a shrub. I was a beautiful, little shrub in a well-kept garden. I had tender green leaves, and was most obedient. I would stay very still and your eyes would shine down like twin suns, until one night you caught me at it. I had uprooted my roots and was prancing about. I thought you were sleeping. You watched in silence. At last you said, “A plant with feet is not natural.” But oh mother, let me assure you, the effort required was very painful.   (From the sequence: ‘From Baby F With Much Love’) ~ Suniti Namjoshi,
676:The notion of amortization arises from the following observation. Given a sequence of operations, we may wish to know the running time of the entire sequence, but not care about the running time of any individual operation. For instance, given a sequence of n operations, we may wish to bound the total running time of the sequence by O(n) without insisting that every individual operation run in O(1) time. We might be satisfied if a few operations run in O(log n) or even O(n) time, provided the total cost of the sequence is only O(n). This freedom opens up a wide design space of possible solutions, and often yields new solutions that are simpler and faster than worst-case solutions with equivalent bounds. ~ Chris Okasaki,
677:As a term, fluency becomes difficult to disentangle from related concepts, such as intelligibility, coherence, communicative effectiveness, and so on. Moreover, the separation – even polarization – of accuracy and fluency may have misled us into thinking that they are mutually exclusive, each demanding different kinds of task design and teaching interventions, such as whether to correct errors or not. It is a dichotomy that has generated a great deal of debate on how best to sequence accuracy and fluency activities, and how to achieve the optimum balance between them. But what if accuracy and fluency cannot be so easily unravelled? What if they are interdependent? Where does that leave our methodology? ~ Scott Thornbury,
678:But the fact is, death is not a confrontation. It is simply an event in the sequence of nature's ongoing rhythms. Not death but disease is the real enemy, disease the malign force that requires confrontation. Death is the surcease that comes when the exhausting battle has been lost. Even the confrontation with disease should be approached with the realization that many of the sicknesses of our species are simply conveyances for the inexorable journey by which each of us is returned to the same state of physical, and perhaps spiritual, nonexistence from which we emerged at conception. Every triumph over some major pathology, no matter how ringing the victory, is only a reprieve from the inevitable end. ~ Sherwin B Nuland,
679:We pay a lot of money to get a tank with a few tropical fish in it and never tire of looking at their brilliant iridescence and marvelous forms and movements. But God has seas full of them, which he constantly enjoys. (I can hardly take in these beautiful little creatures one at a time.) We are enraptured by a well-done movie sequence or by a few bars from an opera or lines from a poem. We treasure our great experiences for a lifetime, and we may have very few of them. But he is simply one great inexhaustible and eternal experience of all that is good and true and beautiful and right. This is what we must think of when we hear theologians and philosophers speak of him as a perfect being. This is his life. ~ Dallas Willard,
680:Consider the fact that for 3.8 billion years, a period of time older than the Earth's mountains and rivers and oceans, every one of your forebears on both sides has been attractive enough to find a mate, healthy enough to reproduce, and sufficiently blessed by fate and circumstances to live long enough to do so. Not one of your pertinent ancestors was squashed, devoured, drowned, starved, stranded, stuck fast, untimely wounded, or otherwise deflected from its life's quest of delivering a tiny charge of genetic material to the right partner at the right moment in order to perpetuate the only possible sequence of hereditary combinations that could result -- eventually, astoundingly, and all too briefly -- in you. ~ Bill Bryson,
681:At this point, godless materialists might be cheering. If humans evolved strictly by mutation and natural selection, who needs God to explain us? To this, I reply: I do. The comparison of chimp and human sequences, interesting as it is, does not tell us what it means to be human. In my views, DNA sequence alone, even if accompanied by a vast trove of data on biological function, will never explain certain special human attributes, such as the knowledge of the Moral Law and the universal search for God. Freeing God from the burden of special acts of creation does not remove Him as the source of the things that make humanity special, and of the universe itself. It merely shows us something of how He operates. ~ Francis S Collins,
682:And then I went back into my room, locked into a sequence as perfect as a pattern, and I sat down on my great rock throne, invisible to the outside world but palpable beneath me, and from how my face felt I thought maybe I was crying, either because I didn’t want to do this or because I did, it was hard to tell and anyway I never would, who would believe me in either case and who would be there to believe me in all cases, it was a puzzle, I had yet to learn the way of the jigsaw, and so I positioned the rifle beneath my chin, it feels cold, like an actual thing in the actual present physical world, OK, there it is, I am here now, and then I lay down on my belly and listened to the rising squall beyond the door. ~ John Darnielle,
683:1. She switched her breakfast to a high-protein meal (at least 30% protein) à la the Slow-Carb Diet. Her favorite: spinach, black beans, and egg whites (one-third of a carton of Eggology liquid egg whites) with cayenne pepper flakes. 2. Three times a week (Monday, Wednesday, Friday), she performed a simple sequence of three exercises prior to breakfast, all of which are illustrated in the next few pages: One set: 20 two-legged glute activation raises from the floor One set: 15 flying dogs, one set each side One set: 50 kettlebell swings (For you: start with a weight that allows you to do 20 perfect repetitions but no more than 30. In other words, start with a weight, no less than 20 pounds, that you can “grow into. ~ Timothy Ferriss,
684:It is dynamic. In some cells, it reshuffles its own sequence to make novel variants of itself. Cells of the immune system secrete "anti-bodies"-missilelike proteins designed to attach themselves to invading pathogens. But since pathogens are constantly evolving, antibodies must also be capable of changing; an evolving pathogen demands an evolving host. The genome accomplishes this counter-evolution by reshuffling its genetic elements-thereby achieving astounding diversity)s...tru...c...t...ure and g...en...ome can be reshuffled to form an entirely new word c...ome...t). The reshuffled genes generate the diversity of antibodies. In these cells, every genome is capable of giving rise to an entirely different genome. ~ Siddhartha Mukherjee,
685:Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies. ~ Paolo Giordano,
686:Nowadays myths can be practically momentary: transmitted throughout the world by 24-hour news and the internet, they spread virally, entering the minds of tens and hundreds of millions of people in minutes or hours. Are these true myths, or mass-manufactured fantasies? At times they can be both. In recent years images of resistance to tyranny have been relayed around the world by mass media, many of them captured on mobile phones by the resisters themselves. The myths of revolution that moved the resisters were reinforced, for a time, by the media that make the news. But myths survive for only as long as they are enacted by those who accept them. As popular uprisings go through their normal sequence of rebellion, anarchy and renewed ~ John N Gray,
687:Goss, his wrestling coach, and other experts came up with sensible reforms to end the long-standing practice of extreme weight cutting, then told the Big Ten and the NCAA that Michigan would only wrestle under those rules, and would only wrestle against other teams that abided by them, too. Such a stand might have gotten another program blackballed from the wrestling community. But when it came from the Michigan athletic director, it proved to be the lever needed to reform the sport at every level, with the Big Ten adopting Michigan’s reforms, followed by the NCAA, and the high schools—a sequence of events that Yost, Crisler, or Canham would have readily recognized as Michigan’s influence at its best. Those rules are still in effect today. ~ John U Bacon,
688:The discovery of eternal inflation has radically transformed our understanding of what's out there in space on the largest scales. Now I can't help but feel that our old story sounds like a fairy tale, with its single narrative in a simple sequence: "Once upon a time, there was inflation. Inflation made our Big Bang. Our Big Bang made galaxies." Figure 5.7 illustrates why this story is too naive: it yet again repeats our human mistake of assuming that all we know of so far is all that exists. We see that even our Big Bang is just a small part of something much grander, a treelike structure that's still growing. In other words, what we've called our Big Bang wasn't the ultimate beginning, but rather the end-of inflation in our part of space. ~ Max Tegmark,
689:Every set of phenomena, whether cultural totality or sequence of events, has to be fragmented, disjointed, so that it can be sent down the circuits; every kind of language has to be resolved into a binary formulation so that it can circulate not, any longer, in our memories, but in the luminous, electronic memory of the computers. No human language can withstand the speed of light. No event can withstand being beamed across the whole planet. No meaning can withstand acceleration. No history can withstand the centrifugation of facts or their being short-circuited in real time (to pursue the same train of thought: no sexuality can withstand being liberated, no culture can withstand being hyped, no truth can withstand being verified, etc.). ~ Jean Baudrillard,
690:In the modern computer, software has developed in such a way as to fill this role of go-between. On one end you have the so-called end user who wants to be able to order up a piece of long division, say, simply by supplying two numbers to the machine and ordering it to divide them. At the other end stands the actual computer, which for all its complexity is something of a brute. It can perform only several hundred basic operations, and long division may not be one of them. The machine may have to be instructed to perform a sequence of several of its basic operations in order to accomplish a piece of long division. Software—a series of what are known as programs—translates the end user’s wish into specific, functional commands for the machine. ~ Tracy Kidder,
691:Let me repeat: to talk of 'directiveness' , or purpose in this limited sense, in ontogeny, has become respectable once more; but to apply these terms to phylogeny is still considered heretical (or at least in bad taste). But phylogeny is an abstraction, which only acquires a concrete meaning when we realise that 'phylogeny, evolutionary descent, is a sequence of ontogenies', and that 'the course of evolution is through changes in ontogeny'. The quotations in the previous sentence are actually also by Simpson and contain the answer to his own conundrum about the Purposer behind the purpose. The Purposer is each and every individual organism, from the inception of life, which struggled and strove to make the best of its limited opportunities. ~ Arthur Koestler,
692:Highly complex numbers like the Comma of Pythagoras, Pi and Phi (sometimes called the Golden Proportion), are known as irrational numbers. They lie deep in the structure of the physical universe, and were seen by the Egyptians as the principles controlling creation, the principles by which matter is precipitated from the cosmic mind.

Today scientists recognize the Comma of Pythagoras, Pi and the Golden Proportion as well as the closely related Fibonacci sequence are universal constants that describe complex patterns in astronomy, music and physics. ...

To the Egyptians these numbers were also the secret harmonies of the cosmos and they incorporated them as rhythms and proportions in the construction of their pyramids and temples. ~ Jonathan Black,
693:This was Orolo’s idea of an answer: “What does it mean that you worry so much?” I sighed. “Describe worrying,” he went on. “What!?” “Pretend I’m someone who has never worried. I’m mystified. I don’t get it. Tell me how to worry.” “Well…I guess the first step is to envision a sequence of events as they might play out in the future.” “But I do that all the time. And yet I don’t worry.” “It is a sequence of events with a bad end.” “So, you’re worried that a pink dragon will fly over the concent and fart nerve gas on us?” “No,” I said with a nervous chuckle. “I don’t get it,” Orolo claimed, deadpan. “That is a sequence of events with a bad end.” “But it’s nonsensical. There are no nerve-gas-farting pink dragons.” “Fine,” he said, “a blue one, then. ~ Neal Stephenson,
694:But this is my contentment, that I've lost what I never needed and what I need I can never lose: these two things, universal nature and one's personal virtue.

For this is the intention of the creator of the world, whatever he may be - whether an all-powerful Deity, or some incorporeal Reason contriving vast works, or a divine Spirit pervading all things from the least to the largest with a uniform energy, or Fate, or an inalterable sequence of Causes clinging one to another - whatever the Intender, I say, this is his intention: that nothing of ours can fall under the control of others except that which is finally and truly worthless to us.

The best of any man lies beyond the power of other men, either to give it or take it away. ~ Walter Wangerin Jr,
695:One might almost say that affinities begin with the letters of the alphabet. In that sequence, O and P are inseparable. You might just as well say O and P as Orestes and Pylades.
A true satellite of Enjolras, Grantaire lived within this circle of young men. He dwelt among them, only with them was he happy, he followed them everywhere. His pleasure was to watch these figures come and go in a wine-induced haze. They put up with him because of his good humour.
In his belief, Enjolras looked down on this sceptic; and in his sobriety, on this drunkard. He spared him a little lordly pity.
Grantaire was an unwanted Pylades. Always snubbed by Enjolras, spurned, rebuffed and back again for more, he said of Enjolras, ‘What marmoreal magnificence'. ~ Victor Hugo,
696:Funny thing about Gabby: you wouldn’t know it from looking at him, with his golden halo and platonic beauty, but the guy was something of a pack rat. He’d been collecting little odds and ends since at least the double-digit redshifts. The interior reality of Gabriel’s Magisterium burbled and shifted like convection currents in a star on the zaftig end of the main sequence. Because, I realized, that’s what they were. Dull dim light, from IR to X-ray, oozed past me like the wax in a million-mile lava lamp while carbon, nitrogen, and oxygen nuclei did little do-si-dos about my toes. Every bubble, every sizzle, every new nucleus, every photodissociation tagged something of interest to Gabriel. The heart of this star smelled of roses and musty libraries. ~ Ian Tregillis,
697:Blanqui is an important, if neglected, nineteenth-century theorist, for unlike nearly all of his contemporaries, he dismissed the naive belief, central to Marx, that human history is a linear progression toward equality and greater morality. He warned that this absurd positivism is the lie perpetrated by oppressors: “All atrocities of the victor, the long series of his attacks are coldly transformed into constant, inevitable evolution, like that of nature. . . . But the sequence of human things is not inevitable like that of the universe. It can be changed at any moment.”32 He also foresaw that scientific and technological advancement, rather than a harbinger of progress, could be “a terrible weapon in the hands of Capital against Work and Thought.”33 ~ Chris Hedges,
698:James, sixteen, and Alexander, fourteen, were now left alone, largely friendless and penniless. At every step in their rootless, topsy-turvy existence, they had been surrounded by failed, broken, embittered people. Their short lives had been shadowed by a stupefying sequence of bankruptcies, marital separations, deaths, scandals, and disinheritance. Such repeated shocks must have stripped Alexander Hamilton of any sense that life was fair, that he existed in a benign universe, or that he could ever count on help from anyone. That this abominable childhood produced such a strong, productive, self-reliant human being—that this fatherless adolescent could have ended up a founding father of a country he had not yet even seen—seems little short of miraculous. ~ Ron Chernow,
699:The full sequence of communication between neurons is thus usually electrical-chemical-electrical: electrical signals coming down axons get converted into chemical messages that help trigger electrical signals in the next cell. There are also synapses through which communication between presynaptic and postsynaptic sites is purely electrical, but chemical transmission is the more prevalent form. Thus, much of what the brain does involves electrical-to-chemical-to-electrical coding of experience. As hard as it may be to imagine, electrochemical conversations between neurons make possible all of the wondrous (and sometimes dreadful) accomplishments of human minds. Your very understanding that the brain works this way is itself an electrochemical event. ~ Joseph E LeDoux,
700:Ullman believes that schizophrenics try to convey their sense of unbroken wholeness in the way they view space and time. Studies have shown that schizophrenics often treat the converse of any relation as identical to the relation. For instance, according to the schizophrenic's way of thinking, saying that “event A follows event B” is the same as saying “event B follows event A.” The idea of one event following another in any kind of time sequence is meaningless, for all points in time are viewed equal. The same is true of spatial relations. If a man's head is above his shoulders, then his shoulders are also above his head. Like the image in a piece of holographic film, things no longer have precise locations, and spatial relationships cease to have meaning. ~ Anonymous,
701:1. Resolve today to “switch on” your success mechanism and unlock your goal-achieving mechanism by deciding exactly what you really want in life. 2. Make a list of ten goals that you want to achieve in the foreseeable future. Write them down in the present tense, as if you have already achieved them. 3. Select the one goal that could have the greatest positive impact on your life if you were to achieve it, and write it down at the top of another piece of paper. 4. Make a list of everything you could do to achieve this goal, organize it by sequence and priority, and then take action on it immediately. 5. Practice mindstorming by writing out twenty ideas that could help you achieve your most important goal, and then take action on at least one of those ideas. ~ Brian Tracy,
702:But in the years that followed, science journalists the world over began expressing their disappointment in the contribution that knowledge of our complete DNA sequence had made to medicine. Although decoding our own instruction book is an irrefutable achievement that has made a difference to treatments for several important illnesses, it has not revealed as much as we expected about the causes of many common diseases. Searching for genetic differences in common to people with a particular disease did not throw up straightforward links for as many conditions as had been expected. Often, conditions were weakly linked to tens or hundreds of gene variants, but rarely was it the case that possessing a given gene variant would lead directly to a given disease. ~ Alanna Collen,
703:Many men have been praised as vividly imaginative on the strength of their profuseness in indifferent drawing or cheap narration:—reports of very poor talk going on in distant orbs; or portraits of Lucifer coming down on his bad errands as a large ugly man with bat's wings and spurts of phosphorescence; or exaggerations of wantonness that seem to reflect life in a diseased dream. But these kinds of inspirations Lydgate regarded as rather vulgar and vinous compared with the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of Energy, capable of bathing even the ethereal atoms in its ideally illuminated space. ~ George Eliot,
704:The idea of a personal journey around a site and the interpretation of it is something that Gordon Cullen focuses upon when he describes the concept of ‘serial vision’ in his book Concise Townscape. This concept suggests that the area under study is drawn as a map, and a series of points are then identified on it, each one indicating a different view of the site. These views are then sketched out as small thumbnails, which offer personal impressions of the site’s space. Serial vision is a useful technique to apply to any site (or building), in order to explain how it operates spatially and to identify its significance. The visuals can be created either as a series of sketches or as photographs of the journey, as long as they are assembled and read in sequence. ~ Anonymous,
705:Subconscious thought is biased toward regularity and structure, and it is limited in formal power. It may not be capable of symbolic manipulation, of careful reasoning through a sequence of steps. Conscious thought is quite different. It is slow and labored. Here is where we slowly ponder decisions, think through alternatives, compare different choices. Conscious thought considers first this approach, then that—comparing, rationalizing, finding explanations. Formal logic, mathematics, decision theory: these are the tools of conscious thought. Both conscious and subconscious modes of thought are powerful and essential aspects of human life. Both can provide insightful leaps and creative moments. And both are subject to errors, misconceptions, and failures. ~ Donald A Norman,
706:Suffice it to say, when one’s basic dependency needs are not met at the proper time and in the proper sequence, the personality is arrested at those developmental stages. The child learns adaptive ways to get his needs met. Over the course of time, as one experiences need-deprivation, one loses awareness of these needs. Ultimately, one does not even know what one needs. Being abandoned through the neglect of our developmental dependency needs is the major factor in becoming an adult child. We grow up; we look like adults. We walk and talk like adults, but beneath the surface is a little child who feels empty and needy, a child whose needs are insatiable because he has a child’s needs in an adult body. This insatiable child is the core of all compulsive/addictive behavior. ~ John Bradshaw,
707:This took place just before the war, in the relatively rosz times, when we were euphoric with the imminence of disaster – we drank and laughed and experimented with poetic forms into the late hours. We tried to keep the war away from the Table, but now and the na budding Serbian patriot would start ranting about the suppression of his people’s culture, whereupon Dedo, with his newly acquired elder status, would indeed suppress him with a sequence of carefully arranged insults and curses. Inevitably, the nationalist would declare Dedo an Islamofascist and storm off, never to return, while we, the fools, laughed uproariously. We knew – but we didn’t want to know – what was going to happen, the sky descending upon our heads like the shadow of a falling piano in a cartoon. ~ Aleksandar Hemon,
708:Life with Ilona was invariably lived on two levels, or rather in two simultaneous and parallel directions. On the one hand, your feet were always on the ground, you were always intelligently but not obsessively alert to what each day offered in response to the routine question of surviving. On the other hand, imagination and unbounded fantasy suggested a spontaneous and unexpected sequence of scenarios that were always aimed at the radical subversion of every law ever written or established. This was a permanent, organic, rigorous subversion that never permitted travel on the beaten path, the road preferred by most people, the traditional patterns that offer protection to those whom Ilona, without emphasis or pride but without any concessions either, would call "the others. ~ lvaro Mutis,
709:I was trying to write then and I found the greatest difficulty, aside from knowing truly what you really felt, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced. In writing for a newspaper you told what happened and, with one trick and another, you communicated the emotion aided by the element of timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it. ~ Ernest Hemingway,
710:This was an adequate enough performance, as improvisations go. The only problem was that my entire education, everything I had ever been told or had told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was mean to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no "meaning" beyond their temporary arrangement, not a movie but a cutting-room experience. In what would probably be the middle of my life I wanted still to believe in the narrative and in the narrative’s intelligibility, but to know that one could change the sense with every cut was to begin to perceive the experience as more electrical than ethical. ~ Joan Didion,
711:you have also been extremely – make that miraculously – fortunate in your personal ancestry. Consider the fact that for 3.8 billion years, a period of time older than the Earth’s mountains and rivers and oceans, every one of your forebears on both sides has been attractive enough to find a mate, healthy enough to reproduce, and sufficiently blessed by fate and circumstances to live long enough to do so. Not one of your pertinent ancestors was squashed, devoured, drowned, starved, stuck fast, untimely wounded or otherwise deflected from its life’s quest of delivering a tiny charge of genetic material to the right partner at the right moment to perpetuate the only possible sequence of hereditary combinations that could result – eventually, astoundingly, and all too briefly – in you. ~ Bill Bryson,
712:Folkloric dances in the metro, innumerable campaigns for security, the slogan “tomorrow I work” accompanied by a smile formerly reserved for leisure time, and the advertising sequence for the election to the Prud-hommes (an industrial tribunal): “I don’t let anyone choose for me”—an Ubuesque slogan, one that rang so spectacularly falsely, with a mocking liberty, that of proving the social while denying it. It is not by chance that advertising, after having, for a long time, carried an implicit ultimatum of an economic kind, fundamentally saying and repeating incessantly, “I buy, I consume, I take pleasure,” today repeats in other forms, “I vote, I participate, I am present, I am concerned”—mirror of a paradoxical mockery, mirror of the indifference of all public signification. ~ Jean Baudrillard,
713:I was trying to write then and I found the greatest difficulty, aside from knowing truly what you really felt, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced. In writing for a newspaper you told what happened and, with one trick and another, you communicated the emotion aided by the element of timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to try to get it. ~ Ernest Hemingway,
714:An invention like the steam engine or computer comes along and we reap economic benefits from it. Those benefits start small while the technology is immature and not widely used, grow to be quite big as the GPT improves and propagates, then taper off as the improvement—and especially the propagation—die down. When multiple GPTs appear at the same time, or in a steady sequence, we sustain high rates of growth over a long period. But if there’s a big gap between major innovations, economic growth will eventually peter out. We’ll call this the ‘innovation-as-fruit’ view of things, in honor of Tyler Cowen’s imagery of all the low-hanging fruit being picked. In this perspective, coming up with an innovation is like growing fruit, and exploiting an innovation is like eating the fruit over time. ~ Anonymous,
715:This tragic sequence helps explain the fearful loss of cognition in coronary artery bypass patients.3 But neuroradiologists also report that using magnetic resonance imaging, they can detect little white spots in the brains of Americans starting at about age fifty. These spots represent small, asymptomatic strokes (see Figures 18 and 19 in insert). The brain has so much reserve capacity that at first these tiny strokes cause no trouble. But, if they continue, they begin to cause memory loss and, ultimately, crippling dementia. In fact, one recently reported study found that the presence of these “silent brain infarcts” more than doubles the risk of dementia.4 We now believe, in fact, that at least half of all senile mental impairment is caused by vascular injury to the brain. ~ Caldwell B Esselstyn Jr,
716:But why hadn't the TV set reverted instead to formless metals and plastics? Those, after all, were its constituents; it had been constructed out of them, not out of an earlier radio. Perhaps this weirdly verified a discarded ancient philosophy, that of Plato's ideal objects, the universals which, in each class, were real. The form TV set had been a template imposed as a successor to other templates, like the procession of frames in a movie sequence. Prior forms, he reflected, must carry on an invisible, residual life in every object. The past is latent, is submerged, but still there, capable of rising to the surface once the later imprinting unfortunately - and against ordinary experience - vanished. The man contains - not the boy - but earlier men, he thought. History began a long time ago. ~ Anonymous,
717:It's a dreadfully long monster of a book, and I certainly won't have time to read it, but I'm giving it a thorough skimming. The authors are utterly incompetent - no sense of style or structure at all. It starts out as a detective story, switches to science-fiction, then goes off into the supernatural, and is full of the most detailed information of dozens of ghastly boring subjects. And the time sequence is all out of order in a very pretentious imitation of Faulkner and Joyce. Worst yet, it has the most raunchy sex scenes, thrown in just to make it sell, I'm sure, and the authors - whom I've never heard of - have the supreme bad taste to introduce real political figures into this mishmash and pretend to be exposing a real conspiracy. You can be sure I won't waste time reading such rubbish. ~ Robert Shea,
718:Maybe the evolutionary sequence really is from matter to body to mind to soul to spirit, each transcending and including, each with a greater depth and greater consciousness and wider embrace. And in the highest reaches of evolution, maybe, just maybe, an individual's consciousness does indeed touch infinity - a total embrace of the entire Kosmos - a Kosmic consciousness that is Spirit awakened to its own true nature. It is at least plausible. And tell me: is that story, sung by mystics and sages the world over, any crazier than the scientific materialism story, which is that the entire sequence is a tale told by an idiot, full of sound and fury, signifying nothing? Listen very carefully: just which of those two stories actually sounds totally insane? ~ Ken Wilber, A Brief History of Everything, p. 38-39,
719:THE NEXT DAY Reef, Cyprian, and Ratty were out on the Anarchists’ golf course, during a round of Anarchists’ Golf, a craze currently sweeping the civilized world, in which there was no fixed sequence—in fact, no fixed number—of holes, with distances flexible as well, some holes being only putter-distance apart, others uncounted hundreds of yards and requiring a map and compass to locate. Many players had been known to come there at night and dig new ones. Parties were likely to ask, “Do you mind if we don’t play through?” then just go and whack balls at any time and in any direction they liked. Folks were constantly being beaned by approach shots barreling in from unexpected quarters. “This is kind of fun,” Reef said, as an ancient brambled guttie went whizzing by, centimeters from his ear. ~ Thomas Pynchon,
720:TIMON
Commend me to them,
And tell them that, to ease them of their griefs,
Their fears of hostile strokes, their aches, losses,
Their pangs of love, with other incident throes
That nature's fragile vessel doth sustain
In life's uncertain voyage, I will some kindness do them:
I'll teach them to prevent wild Alcibiades' wrath.
First Senator
I like this well; he will return again.
TIMON
I have a tree, which grows here in my close,
That mine own use invites me to cut down,
And shortly must I fell it: tell my friends,
Tell Athens, in the sequence of degree
From high to low throughout, that whoso please
To stop affliction, let him take his haste,
Come hither, ere my tree hath felt the axe,
And hang himself. I pray you, do my greeting. ~ William Shakespeare,
721:That seemed a bit odd. I didn’t yet know that taking a long walk was his preferred way to have a serious conversation. It turned out that he wanted me to write a biography of him. I had recently published one on Benjamin Franklin and was writing one about Albert Einstein, and my initial reaction was to wonder, half jokingly, whether he saw himself as the natural successor in that sequence. Because I assumed that he was still in the middle of an oscillating career that had many more ups and downs left, I demurred. Not now, I said. Maybe in a decade or two, when you retire. I had known him since 1984, when he came to Manhattan to have lunch with Time’s editors and extol his new Macintosh. He was petulant even then, attacking a Time correspondent for having wounded him with a story that was too ~ Walter Isaacson,
722:It would be good to give much thought, before
you try to find words for something so lost,
for those long childhood afternoons you knew
that vanished so completely -and why?

We're still reminded-: sometimes by a rain,
but we can no longer say what it means;
life was never again so filled with meeting,
with reunion and with passing on

as back then, when nothing happened to us
except what happens to things and creatures:
we lived their world as something human,
and became filled to the brim with figures.

And became as lonely as a shepherd
and as overburdened by vast distances,
and summoned and stirred as from far away,
and slowly, like a long new thread,
introduced into that picture-sequence
where now having to go on bewilders us. ~ Rainer Maria Rilke,
723:During replication, those nucleotides are read and translated into linear strings of amino acids (which make up enzymes and proteins) by a rule-governed process. The set of rules is called the genetic code. The DNA contains the sequence, but the code is implemented by RNA molecules. Certain DNA sequences, called codons, which are made up of three nucleotides, symbolize certain amino acid sequences. There is no ambiguity, but there is also not just one codon for each amino acid. For example, six different codons symbolize arginine, but only one codon symbolizes tryptophan. But the components of the DNA sequence (the symbol) do not resemble the components of the amino acid sequence (its meaning), just as the words that symbolize the components of a recipe do not resemble the components themselves. ~ Michael S Gazzaniga,
724:What reading does, ultimately, is keep alive the dangerous and exhilarating idea that a life is not a sequence of lived moments, but a destiny...the time of reading, the time defined by the author's language resonating in the self, is not the world's time, but the soul's. The energies that otherwise tend to stream outward through a thousand channels of distraction are marshaled by the cadences of the prose; they are brought into focus by the fact that it is an ulterior, and entirely new, world that the reader has entered. The free-floating self--the self we diffusely commune with while driving or walking or puttering in the kitchen--is enlisted in the work of bringing the narrative to life. In the process, we are able to shake off the habitual burden of insufficient meaning and flex our deeper natures. ~ Sven Birkerts,
725:Long ago, returning from some turbulent sequence of misdeeds, the younger, beloved son of the house of Culter would rap at the door of his mother’s chamber, and be admitted, and closing the door, would bend upon her the grave, sweet gaze, made of mischief and love, that melted the bones in her body. Then, sinking to one knee, he would kiss her hand, in obedience and humility.

Now he rapped, and she heard his voice speak her name and, rising, she faced him as the door opened and shut and he stood, his bearing and looks unlike anything she had ever seen in him before, in any extremity. He said, ‘I have to find Philippa.’ And then, walking into the room, he dropped on one knee and said, ‘I will promise anything you wish, to the end of my life, if you will tell me the name of the house that you know of. ~ Dorothy Dunnett,
726:Get the ongoing process right and it will keep generating ongoing benefits. In our new era, processes trump products. This shift toward processes also means ceaseless change is the fate for everything we make. We are moving away from the world of fixed nouns and toward a world of fluid verbs. In the next 30 years we will continue to take solid things—an automobile, a shoe—and turn them into intangible verbs. Products will become services and processes. Embedded with high doses of technology, an automobile becomes a transportation service, a continuously updated sequence of materials rapidly adapting to customer usage, feedback, competition, innovation, and wear. Whether it is a driverless car or one you drive, this transportation service is packed with flexibility, customization, upgrades, connections, and new benefits. ~ Kevin Kelly,
727:The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated."
Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. ~ Ana s Nin,
728:The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone. ~ Bret Easton Ellis,
729:The third cardinal feature of gene regulation, Monod and Jacob discovered, was that every gene had specific regulatory DNA sequences appended to it that acted like recognition tags. Once a sugar sensing-protein had detected sugar in the environment, it would recognize one such tag and turn the target genes on or off. That was a gene's signal to make more RNA messages and thereby generate the relevant enzyme to digest the sugar.

A gene, in short, possessed not just information to encode a protein, but also information about when and where to make that protein. All that data was encrypted in DNA, typically appended to the front of every gene (although regulatory sequences) an also be appended to the ends and middle of genes). The combination of regulatory sequences and the protein-encoding sequence defined a gene. ~ Siddhartha Mukherjee,
730:Childhood
It would be good to give much thought, before
you try to find words for something so lost,
for those long childhood afternoons you knew
that vanished so completely and why?

We're still reminded: sometimes by a rain,
but we can no longer say what it means;
life was never again so filled with meeting,
with reunion and with passing on

as back then, when nothing happened to us
except what happens to things and creatures:
we lived their world as something human,
and became filled to the brim with figures.

And became as lonely as a sheperd
and as overburdened by vast distances,
and summoned and stirred as from far away,
and slowly, like a long new thread,
introduced into that picture-sequence
where now having to go on bewilders us.

~ Rainer Maria Rilke, Childhood
,
731:Materialism, it seems fair to say, has neuroscience in a chokehold and has had it there since the nineteenth century. Indeed, there are those in the neuroscience community whose reductionist bent is so extreme that they have made it their crusade "to eliminate mind language entirely," as the British neuroscientist Steven Rose bluntly puts it. In other words, notions such as feeling, and memory, and attention, and will-all crucial elements of mind-are to be replaced with neurochemical reactions. This materialist, reductionist camp holds that when we have mapped a mental process to a location in the brain, and when we've worked out the sequence of neurochemical releases and uptakes that is associated with it, we have indeed fully explained, and more important understood, the phenomenon in question. Mystery explained. Case closed. ~ Jeffrey M Schwartz,
732:Automatic is what I can manage. Isn't there enough to pay attention to OUTSIDE the car? All I want inside a car is music. When a favorite old song comes on the radio, I can never hear it past the first few notes. The song, evocative, will take me to the place and time where I first came to hear it. I'll be taken over for the length of the song, and returned when it stops, having missed it, only knowing it was there because now it ISN'T there. The same thing happens when I think about you. Although the trajectory is different--it is not the past, a past we haven't shared, but the future I am taken to by how quickly you have left.

I would like to go for a ride with you, have you take me to stand beside a river in the dark where hundreds of lightning bugs blink this code in sequence: right here, nowhere else! Right now, never again! ~ Amy Hempel,
733:Nowadays myths can be practically momentary: transmitted throughout the world by 24-hour news and the internet, they spread virally, entering the minds of tens and hundreds of millions of people in minutes or hours. Are these true myths, or mass-manufactured fantasies? At times they can be both. In recent years images of resistance to tyranny have been relayed around the world by mass media, many of them captured on mobile phones by the resisters themselves. The myths of revolution that moved the resisters were reinforced, for a time, by the media that make the news. But myths survive for only as long as they are enacted by those who accept them. As popular uprisings go through their normal sequence of rebellion, anarchy and renewed tyranny, the myth of revolution dissipates to be replaced by new myths of conspiracy and betrayal. Myths ~ John N Gray,
734:We talk of the callousness of the young. ‘Children can be so cruel,’ we say. But only those who are concerned with others can be cruel. Children are both careless and carefree in their connections with others. For one nine-year-old to think passingly about the non-swimming agonies of another would be ridiculous.

There were contemporaries of mine at prep school who laboured and tortured themselves over their absolute failure to understand the rudiments of sentence structure: the nominative and accusative in Latin and Greek, the concept of an indirect object, the ablative absolute and the sequence of tenses – these things kept them awake at night. There were others who tossed in insomniac misery because of their fatness, freckledness or squintedness. I don’t remember, I don’t remember because I didn’t care. Only my own agony mattered. ~ Stephen Fry,
735:Like many men, I am tormented by the delusion that for every attractive woman I see there is some hypothetical sequence of events that will lead to me having sex with her, and end up damning myself a coward and a failure the 99.999907 percent of the time this fails to happen.
Except how many times have I ever actually gone to a party or a bar and ended up getting the number of/making out with/going home with someone I met there? Even on the rare occasions when this has happened, there have been moments when it's occurred to me that it's three a.m., and I'm tired, and this is all getting to be rather a lot of work, and in truth I might've been happier watching a movie with a cat on my lap. It's the tantalizing possibility of sex - reinforced, like an addiction to the nickel slots, by the rare, sporadic payoff - that gives life its luster. ~ Tim Kreider,
736:What if some day or night a demon were to steal after you into your loneliest loneliness and say to you: 'This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain
and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence ... '
Would you not throw yourself down and gnash your teeth and curse the demon who
spoke thus? Or have you once experienced a tremendous moment when you would have
answered him, 'You are a god and never have I heard anything more divine.'
...
The question in each and every thing, 'Do you desire this once more and innumerable
times more?' would lie upon your actions as the greatest weight. ~ Friedrich Nietzsche,
737:The 1900 Galveston storm was the worst US natural disaster in the twentieth century. The city, population 37,789, was submerged in 8 to 15 feet of water, and prior to the wind destroying the Weather Bureau’s anemometer, the last recorded wind velocity was 84 miles per hour. It is speculated that during the height of the storm the winds ranged from 120 to 150 miles per hour. Historians estimate that over 6,000 people were killed in the city and that another 1,000 perished on the rest of the island. On the mainland, the death toll was approximately 1,000. The Promise is a work of fiction but I tried to keep the depiction of the island, the sequence of the storm, and the aftermath grounded in fact as much as possible. A great deal has been written about the city of Galveston but very little about the people who lived outside of the city limits. ~ Ann Weisgarber,
738:The invention of the roll of film, made possible by the use of celluloid plastic, led directly to the technology of motion pictures. The idea that a picture could be made to “move” by sequentially showing small changes in the image had been known for hundreds of years, but without a flexible transparent material, the only way it could be made to work was using the rotating cylinder of a zoetrope. Celluloid changed everything, allowing a sequence of photographs to be taken on a roll of film and then played back fast enough for the picture to appear to move. This not only allowed a longer sequence of motion to be shown than with the zoetrope, but the moving image could be projected, and so the experience could be shared by the whole audience of a theater. This was the key insight of the Lumière brothers and led to the establishment of the cinema. ~ Mark Miodownik,
739:I would like to believe that there is a resolution in the human tragedy and that order can be reimposed upon the earth in the same way it occurs in the fifth act of the Elizabethan drama that supposedly mirrors our lives. My experience has been otherwise. History seldom corrects itself in its own sequence, and when we mete out justice, we often do it in a fashion that perpetuates the evil of the transgressors and breathes new life into the descendants of Cain. I would like to believe the instincts of the mob can be exorcised from the species or genetically bred out of it. But there is no culture in the history of the world that has not lauded its warriors over its mystics. Sometimes in an idle moment, I try to recall the names of five slaves out of the whole sorry history of human bondage whose lives we celebrate. I have never had much success. ~ James Lee Burke,
740:Instead it was an undergraduate named Charley Kline, under the eye of Crocker and Cerf, who put on a telephone headset to coordinate with a researcher at SRI while typing in a login sequence that he hoped would allow his terminal at UCLA to connect through the network to the computer 354 miles away in Palo Alto. He typed in “L.” The guy at SRI told him that it had been received. Then he typed in “O.” That, too, was confirmed. When he typed in “G,” the system hit a memory snag because of an auto-complete feature and crashed. Nevertheless, the first message had been sent across the ARPANET, and if it wasn’t as eloquent as “The Eagle has landed” or “What has God wrought,” it was suitable in its understated way: “Lo.” As in “Lo and behold.” In his logbook, Kline recorded, in a memorably minimalist notation, “22:30. Talked to SRI Host to Host. CSK.”101 ~ Walter Isaacson,
741:On the largest scales there can be little doubt that there is a directionality to human history. Foraging, agrarian, and modern societies have not appeared in a chronologically random jumble but rather in a clear sequence. And that sequence has an underlying logic that reflects changing human relations with the environment. On large chronological scales human technologies have changed so as to yield increasing amounts of energy, food, and other resources, which allowed human populations to increase. This, in turn, has given rise to larger and more complex communities, whose technologies and sheer numbers have given them many advantages whenever they have come into contact with smaller communities with less productive technologies. There is a shape to human history, and that is precisely why a global periodization scheme of some kind is so necessary. ~ David Christian,
742:It is provable both that the historical sequence was, in its main outlines, a necessary one; and that the causes which determined it apply to the child as to the race. ... As the mind of humanity placed in the midst of phenomena and striving to comprehend them has, after endless comparisons, speculations, experiments, and theories, reached its present knowledge of each subject by a specific route; it may rationally be inferred that the relationship between mind and phenomena is such as to prevent this knowledge from being reached by any other route; and that as each child's mind stands in this same relationship to phenomena, they can be accessible to it only through the same route. Hence in deciding upon the right method of education, an inquiry into the method of civilization will help to guide us. ~ Herbert Spencer, Education: Intellectual, Moral, and Physical (1861),
743:What if, some day or night, a demon were to steal after you in your loneliest loneliness and say to you: “This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence—even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again—and you with it, speck of dust!”... Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: 'You are a god and never have I heard anything more divine. ~ Friedrich Nietzsche,
744:Initiation leads to the cave within whose circumscribing walls the pairs of opposites are known, and the secret of good and evil is revealed. It leads to the Cross and to that utter sacrifice which must transpire before perfect liberation is attained, and the initiate stands free of all earth's fetters, held by naught in the three worlds. It leads through the Hall of Wisdom, and puts into a man's hands the key to all information, systemic and cosmic, in graduated sequence. It reveals the hidden mystery that lies at the heart of the solar system. It leads from one state of consciousness to another. As each state is entered the horizon enlarges, the vista extends, and the comprehension includes more and more, until the expansion reaches a point where the self embraces all selves, including all that is "moving and unmoving," as phrased by an ancient Scripture. ~ Alice A Bailey,
745:Attentional focus on one coherent scene does not in itself explain how a complex sequence can be recalled. To understand that, one must take into account that the focus of attention can shift from one level of analysis to another. Cowan: The magical number 4 BEHAVIORAL AND BRAIN SCIENCES (2001) 24:1 93 McLean and Gregg (1967, p. 459) described a hierarchical organization of memory in a serial recall task with long lists of consonants: “At the top level of the hierarchy are those cueing features that allow S to get from one chunk to another. At a lower level, within chunks, additional cues enable S to produce the integrated strings that become his overt verbal responses.” ~ Cowan, N (February 2001). "The magical number 4 in short-term memory: a reconsideration of mental storage capacity"(PDF). Behav Brain Sci. 24 (1): 87–114, discussion 114–85. doi:10.1017/S0140525X01003922. PMID 11515286 p.93,
746:It is a matter of no small importance that one be able to explain and order the events in our lives into some coherent and predictable pattern. To name something, to locate its place in a causal sequence, is to begin to experience it as under our control.
No longer, then, is our internal experience or behavior frightening, alien or out of control; instead, we behave (or have a particular inner experience) because of something we can name or identify. The "because" offers one mastery (or a sense of mastery that phenomenologically is tantamount to mastery). I believe that the sense of potency that flows from understanding occurs even in the matter of our basic existential situation: each of us feels less futile, less helpless, and less alone, even when, ironically, what we come to understand is the fact that each of us is basically helpless and alone in the face of cosmic indifference. ~ Irvin D Yalom,
747:The greatest weight.-- What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence - even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!"
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus?... Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal? ~ Friedrich Nietzsche,
748:call this the “bottom-up” theory of the evolution of social complexity, because it treats social complexity as a sort of “superstructure” on the material resource base. In other words, if you stir enough resources into your evolutionary pot, social complexity will inevitably bubble up. The problem with the bottom-up theory is that in several places where we can date the key stages in this process, we see a different sequence of events. The two sites with early monumental architecture that we discussed in Chapter 1, Göbekli Tepe and Poverty Point, arose before agriculture. So here we have an inverted sequence of events. First, a fairly large-scale society arises, with quite sophisticated ritual activities and buildings requiring the mobilization of large numbers of workers. Only later comes agriculture. Has the standard theory reversed cause and effect? Second, hunter-gatherer societies share food. ~ Peter Turchin,
749:Not only have you been lucky enough to be attached since time immemorial to a favored evolutionary line, but you have also been extremely- make that miraculously- fortunate in your personal ancestry. Consider the fact that for 3.8 billion years, a period of time older than the Earth's mountains and rivers and oceans, everyone of your forbears on both sides has been attractive enough to find a mate, healthy enough to reproduce, and sufficiently blessed by fate and circumstances to live long enough to do so. Not one of your pertinent ancestors was squashed, devoured, drowned, starved, stranded, stuck fast, untimely wounded, or otherwise deflected from it's life quest of delivering a tiny charge of genetic material to the right partner at the right moment in order to perpetuate the only possible sequence of hereditary combinations that could result - evetually, astoundingly, and all to briefly- in you. ~ Bill Bryson,
750:Let’s zoom in on a particular form of synesthesia as an example. For most of us, February and Wednesday do not have any particular place in space. But some synesthetes experience precise locations in relation to their bodies for numbers, time units, and other concepts involving sequence or ordinality. They can point to the spot where the number 32 is, where December floats, or where the year 1966 lies.8 These objectified three-dimensional sequences are commonly called number forms, although more precisely the phenomenon is called spatial sequence synesthesia.9 The most common types of spatial sequence synesthesia involve days of the week, months of the year, the counting integers, or years grouped by decade. In addition to these common types, researchers have encountered spatial configurations for shoe and clothing sizes, baseball statistics, historical eras, salaries, TV channels, temperature, and more. ~ David Eagleman,
751:No wonder Mr. Tagomi could not go on, he thought. The terrible dilemma of our lives. Whatever happens, it is evil beyond compare. Why struggle, then? Why choose? If all alternatives are the same . . . Evidently we go on, as we always have. From day to day. At this moment we work against Operation Dandelion. Later on, at another moment, we work to defeat the police. But we cannot do it all at once; it is a sequence. An unfolding process. We can only control the end by making a choice at each step. He thought, We can only hope. And try. On some other world, possibly it is different. Better. There are clear good and evil alternatives. Not these obscure admixtures, these blends, with no proper tool by which to untangle the components. We do not have the ideal world, such as we would like, where morality is easy because cognition is easy. Where one can do right with no effort because he can detect the obvious. The ~ Philip K Dick,
752:Giving Form to the core Idea: The Scenario Idea Next, in order to give form and life to the Core Idea, we must create a conceptual framework for what drives the campaign; that is, we must create a specific scenario for moving the target. As discussed earlier, by preparing a variety of paths, we create the engagement with the consumer. At Dentsu, we refer to this framework as the “Scenario Idea. ” We believe that the creation of Scenario Ideas represents a new approach to Cross Communication. The Scenario Idea touches on three major elements or considerations: • Contact Points • The Message • Psychological Approach As Figure 4.5 shows, the Scenario Idea is a conceptual path for the consumer to follow in response to various messages, at defined Contact Points, delivered in a planned sequence. At this point it makes sense to take a closer look at each of the three elements, or considerations, in developing a Scenario Idea ~ Anonymous,
753:2 tn The call of Abram begins with an imperative לֶךְ־לְךָ (lekh-lekha, “go out”) followed by three cohortatives (v. 2a) indicating purpose or consequence (“that I may” or “then I will”). If Abram leaves, then God will do these three things. The second imperative (v. 2b, literally “and be a blessing”) is subordinated to the preceding cohortatives and indicates God’s ultimate purpose in calling and blessing Abram. On the syntactical structure of vv. 1-2 see R. B. Chisholm, “Evidence from Genesis,” A Case for Premillennialism, 37. For a similar sequence of volitive forms see Gen 45:18. sn It would be hard to overestimate the value of this call and this divine plan for the theology of the Bible. Here begins God’s plan to bring redemption to the world. The promises to Abram will be turned into a covenant in Gen 15 and 22 (here it is a call with conditional promises) and will then lead through the Bible to the work of the Messiah. ~ Anonymous,
754:Karma has been a pop culture term for ages. But really, what the heck is it?

Karma is not an inviolate engine of cosmic punishment. Rather, it is a neutral sequence of acts, results, and consequences.

Receiving misfortune does not necessarily indicate that one has committed evil. But it is a sufficient indicator of something else.

And that something else can be anything, as long as it is a logical consequence of what has come before.

Consider: if you fall into a well, you are not a bad person who deserves to suffer—you are merely someone who took a wrong step. Or someone who had one drink too many. Or got a head rush due to poor circulation. Or forgot to wear your glasses. Or—

The reasons are plentiful, and all plausible. But the chain of cause and effect goes way, way back into the deepest hoariest recesses of your personal past.

So never rule out retribution. But never expect it. ~ Vera Nazarian,
755:I do not recall distinctly when it began, but it was months ago. The general tension was horrible. To a season of political and social upheaval was added a strange and brooding apprehension of hideous physical danger; a danger widespread and all-embracing, such a danger as may be imagined only in the most terrible phantasms of the night. I recall that the people went about with pale and worried faces, and whispered warnings and prophecies which no one dared consciously repeat or acknowledge to himself that he had heard. A sense of monstrous guilt was upon the land, and out of the abysses between the stars swept chill currents that made men shiver in dark and lonely places. There was a daemoniac alteration in the sequence of the seasons—the autumn heat lingered fearsomely, and everyone felt that the world and perhaps the universe had passed from the control of known gods or forces to that of gods or forces which were unknown. ~ H P Lovecraft,
756:The universe appears to be a system of very low density wherever we look. This is no accident. The expansion of the Universe weds its size and age to the gravitational pull of the material that it contains. In order that a universe expands for long enough to allow the building blocks of life to form in the interiors of stars, by a sequence of nuclear reactions, it must be billions of years old. This means that it must be billions of light years in extent and possess a very small average density of matter and a very low temperature. The low temperature and energy of its material ensures that the sky is dark at night. Turn off our local Sun and there is just too little light around in the Universe to brighten the sky. The night is dark, interspersed only by pinpricks of starlight. Universes that contain life must be big and old, dark and cold. If our Universe was less of a vacuum it could not be an abode for living complexity. ~ John D Barrow,
757:What are the minimum requirements to be fulfilled before we can say that the road ahead of us is open? There is only one, but it is everything. It is that we should be assured the space and the chances to fulfil ourselves, that is to say, to progress till we arrive (directly or indirectly, individually or collectively) at the utmost limits of ourselves. This is an elementary request, a basic wage, so to speak, veiling nevertheless a stupendous demand. But is not the end and aim of thought that still unimaginable farthest limit of a convergent sequence, propagating itself without end and ever higher? Does not the end or confine of thought consist precisely in not having a confine? Unique in this respect among all the energies of the universe, consciousness is a dimension to which it is inconceivable and even contradictory to ascribe a ceiling or to suppose that it can double back upon itself. ~ Pierre Teilhard de Chardin, The Phenomenon of Man,
758:And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter,—we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan's baggage, the strange scene at Major Sholto's death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan's chart,—here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. ~ Arthur Conan Doyle,
759:Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life. This has been the case with me. Connections slowly emerge. Like distant landmarks you are approaching, cause and effect begin to align themselves, draw closer together. Experiences too indefinite of outline in themselves to be recognized for themselves connect and are identified as a larger shape. And suddenly a light is thrown back, as when your train makes a curve, showing that there has been a mountain of meaning rising behind you on the way you've come, is rising there still, proven now through retrospect. Writing fiction has developed in me an abiding respect for the unknown in a human lifetime and a sense of where to look for the threads, how to follow, how to connect, find in the thick of the tangle what clear line persists. The strands are all there: to the memory nothing is ever lost. ~ Eudora Welty,
760:It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be.

Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before. ~ Jim Carroll,
761:In the history of science we have discovered a sequence of better and better theories or models, from Plato to the classical theory of Newton to modern quantum theories. It is natural to ask: Will this sequence eventually reach an end point, an ultimate theory of the universe, that will include all forces and predict every observation we can make, or will we continue forever finding better theories, but never one that cannot be improved upon? We do not yet have a definitive answer to this question, but we now have a candidate for the ultimate theory of everything, if indeed one exists, called M-theory. M-theory is the only model that has all the properties we think the final theory ought to have, and it is the theory upon which much of our later discussion is based.
M-theory is not a theory in the usual sense. It is a whole family of different theories, each of which is a good description of observations only in some range of physical situations. ~ Stephen Hawking,
762:Yet Quigley perceives — correctly in my view — the possible termination of open-ended Western civilization. With access to an explosive technology that can tear the planet apart, coupled with the failure of Western civilization to establish any viable system of world government, local political authority will tend to become violent and absolutist. As we move into irrational activism, states will seize upon ideologies that justify absolutism. The 2,000-year separation in Western history of state and society would then end. Western people would rejoin those of the rest of the world in merging the two into a single entity, authoritarian and static. The age that we are about to enter would be an ideologic one consistent with the views of Hegel and Marx — a homeostatic condition. That triumph would end the Western experiment and return us to the experience of the rest of the world — namely, that history is a sequence of stages in the rise and fall of absolutist ideologies. ~ Carroll Quigley,
763:This was the point in the Fire Swamp sequence where Buttercup’s dress briefly catches on fire before the flame is extinguished by Westley. It’s merely a line in the stage directions and consumes only a few seconds of film, but before we could shoot the scene, several steps had to be taken. First, a fire marshal had to be brought to the set. He would then meet with the stunt coordinator, Peter Diamond, Nick Allder, our FX supervisor, and his special effects crew. This was followed by what is known as a general “safety meeting” with the rest of the crew. Anytime there are firearms, fire, or even a dangerous or semidangerous stunt involved, there is always a safety meeting of this kind. The whole crew gathers around, and usually the first AD explains what the meeting is about. He then introduces everyone to the person in charge of special effects/stunts/firearms, etc., and that person walks everyone through the sequence, detailing both process and all potential safety concerns. ~ Cary Elwes,
764:In the early days of genetics, a gene could be 'dominant' or 'recessive', and that was about all there was to it; but gradually more and more terms had to be added to the vocabulary: repressors, apo-repressors, co-repressors, inducers, modifier genes, switch genes, operator genes which activate other genes, and even genes which regulate the rate of mutations in genes. Thus the action of the gene-complex was originally conceived as the unfolding of a simple linear sequence like that on a tape-recorder or the Behaviourist's conditioned-reflex chain; whereas it is now gradually becoming apparent that the genetic controls operate as a self-regulating micro-hierarchy, equipped with feedback devices which guide their flexible strategies. This not only protects the growing embryo against the hazards of ontogeny; it would also protect it against the evolutionary hazards of phylogeny, or random mutations in its own hereditary materials-the blind antics of the monkey at the typewriter. ~ Arthur Koestler,
765:A foreboding grew on me; I sensed that if I did not reply, some tragedy would occur. At last I began weakly, “Anarchy …” “That is not governance, but the lack of it. I taught you that it precedes all governance. Now list the seven sorts.” “Attachment to the person of the monarch. Attachment to a bloodline or other sequence of succession. Attachment to the royal state. Attachment to a code legitimizing the governing state. Attachment to the law only. Attachment to a greater or lesser board of electors, as framers of the law. Attachment to an abstraction conceived as including the body of electors, other bodies giving rise to them, and numerous other elements, largely ideal.” “Tolerable. Of these, which is the earliest form, and which the highest?” “The development is in the order given, Master,” I said. “But I do not recall that you ever asked before which was highest.” Master Malrubius leaned forward, his eyes burning brighter than the coals of the fire. “Which is highest, Severian? ~ Gene Wolfe,
766:Something is beginning in order to end: adventure does not let itself be drawn out; it only makes sense when dead. I am drawn, irrevocably, towards this death which is perhaps mine as well. Each instant appears only as part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplaceable -- and yet I would not raise a finger to stop it from being annihilated. This last moment I am spending -- in Berlin, in London -- in the arms of a woman casually met two days ago -- moment I love passionately, woman I may adore -- all is going to end, I know it. Soon I shall leave for another country. I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn of early morning: and even so the minute passes and I do not hold it back, I like to see it pass. ~ Jean Paul Sartre,
767:Comparing the two cities — the Berlin I knew in the early thirties and the Berlin I revisited in the early fifties — I have to admit that the latter is, in many respects, a far more exciting setting for a novel or a sequence of stories. Life in the Berlin of 1952 had an intensely dramatic doubleness. Here was a shadow-line cutting a city in half — a frontier between two worlds at war — across which people were actually being kidnapped, to disappear into prisons or graves. And yet this shadow-frontier was being freely crossed in the most humdrum manner every day, on foot, in buses, or in electric trains, by thousands of Berliners commuting back and forth between their work and their homes. Many men and women who lived in West Berlin were on the black list of the East German police; and, if the Russians had suddenly marched in, they couldn’t have hoped to escape. Yet, in this no man’s land between the worlds, you heard the usual talk about business and sport, the new car, the new apartment, the new lover. ~ Christopher Isherwood,
768:the disparity between Eastern and Western spirituality resembles that found between Eastern and Western medicine—with the arrow of embarrassment pointing in the opposite direction. Humanity did not understand the biology of cancer, develop antibiotics and vaccines, or sequence the human genome under an Eastern sun. Consequently, real medicine is almost entirely a product of Western science. Insofar as specific techniques of Eastern medicine actually work, they must conform, whether by design or by happenstance, to the principles of biology as we have come to know them in the West. This is not to say that Western medicine is complete. In a few decades, many of our current practices will seem barbaric. One need only ponder the list of side effects that accompany most medications to appreciate that these are terribly blunt instruments. Nevertheless, most of our knowledge about the human body—and about the physical universe generally—emerged in the West. The rest is instinct, folklore, bewilderment, and untimely death. ~ Sam Harris,
769:There’s another trouble with meaning. We’ve been taught to believe it comes near the end. As if the job of all those sentences were to ferry us along to the place where meaning is enacted—to “the point,” Just before the conclusion, Which restates “the point.” This is especially true in the school model of writing. Remember the papers you wrote? Trying to save that one good idea till the very end? Hoping to create the illusion that it followed logically from the previous paragraphs? You were stalling until you had ten pages. Much of what’s taught under the name of expository writing could be called “The Anxiety of Sequence.” Its premise is this: To get where you’re going, you have to begin in just the right place And take the proper path, Which depends on knowing where you plan to conclude. This is like not knowing where to begin a journey Until you decide where you want it to end. Begin in the wrong place, make the wrong turn, And there’s no getting where you want to go. Why not begin where you already are? ~ Verlyn Klinkenborg,
770:On the surface, the Mayo Clinic is organized around the specialties of the doctors, like many other health organizations. But really, the main organizing principle is a process to get the right things in the right sequence to get the job done. When you think of the word “process” you might instantly conjure images of a manufacturing assembly line or a bureaucratic standard. But processes touch everything about the way an organization transforms its resources into value: the patterns of interaction, coordination, communication, and decision making through which they accomplish these transformations are processes. Product development, procurement, market research, budgeting, employee development and compensation, and resource allocation are all accomplished through processes. Helping customers have a delightful experience using your product is made up of processes. What information do we need to have in order to decide what to do next? Who is responsible for each step? What do we prioritize over other things? ~ Clayton M Christensen,
771:She took out her chest of gold, and flung a handful of it or so into the fire, and the gold boiled up and poured out over the whole of the hut, until every part of it both inside and out was gilded. But when the gold began to bubble up the old hag grew so terrified that she fled as if the Evil One himself were pursuing her, and she did not remember to stoop down as she went through the doorway, and so she split her head and died. This whole sequence is just deeply bizarre. Mind you, I’d try to avoid wildly spewing molten gold myself, so I can’t argue with the crone. But seriously, if the house was filthy and she gilded it, wouldn’t that still be pretty nasty? Have you ever seen when people paint over a surface without cleaning it first, and you get weird dust lumps and gunk? I’m seeing an episode of Hoarders with every surface gilded. Rotten fruit? Gild it! Back issues of Hag Quarterly? Gild ’em! Dress you wore to the troll-prom twenty-seven years ago? Gild it! Cockroaches? Gild them and use them as festive napkin rings! ~ T Kingfisher,
772:The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you. ~ Penelope Lively,
773:Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. Its a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. Its not just words or music-it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do. ~ David Lynch,
774:The Human Genome Project, the full sequence of the normal human genome, was completed in 2003. In its wake comes a far less publicized but vastly more complex project: fully sequencing the genomes of several human cancer cells. Once completed, this effort, called the Cancer Genome Atlas, will dwarf the Human Genome Project in its scope. The sequencing effort involves dozens of teams of researchers across the world. The initial list of cancers to be sequenced includes brain, lung, pancreatic, and ovarian cancer. The Human Genome Project will provide the normal genome, against which cancer’s abnormal genome can be juxtaposed and contrasted. The result, as Francis Collins, the leader of the Human Genome Project describes it, will be a “colossal atlas” of cancer—a compendium of every gene mutated in the most common forms of cancer: “When applied to the 50 most common types of cancer, this effort could ultimately prove to be the equivalent of more than 10,000 Human Genome Projects in terms of the sheer volume of DNA to be sequenced. ~ Siddhartha Mukherjee,
775:Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. It's a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It's not just words or music—it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do. ~ David Lynch,
776:Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is no that of a man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty. ~ E M Forster,
777:[At Gunung Padang] First, the drill cores contained evidence--fragments of worked columnar basalt--that more man-made megalithic structures lay far beneath the surface. Secondly, the organic materials brought up in the drill cores began to yield older and older dates--3000 BC to 5000 BC, then 9600 BC as the drills bit deeper, then around 11,000 BC, then 15,000 BC and finally, at depths of 27.5 meters (90 feet) and more, an astonishing sequence of dates of 20,000 BC to 22,000 BC and earlier. [...] The problem is that those dates going back before 9600 BC take us deep into the last Ice Age, when Indonesia was not a series of islands as it is today but was part of a vast antediluvian Southeast Asian continent dubbed "Sundaland" by geologists. Sea level was 122 meters (400 feet) lower then. Huge ice caps 3.2 kilometers (2 miles) deep covered most of Europe and North America until the ice caps began to melt. Then all the water stored in them returned to the oceans and sea-level rose, submerging many parts of the world where humans had previously lived. ~ Graham Hancock,
778:Here’s the sequence of epigenetic events in very early development: The male and female pronuclei (from the sperm and the egg respectively) are carrying epigenetic modifications; The epigenetic modifications get taken off (in the immediate post-fertilisation zygote); New epigenetic modifications get put on (as the cells begin to specialise). This is a bit of a simplification. It’s certainly true that researchers can detect huge swathes of DNA demethylation during stage 2 from this list. However, it’s actually more complicated than this, particularly in respect of histone modifications. Whilst some histone modifications are being removed, others are becoming established. At the same time as the repressive DNA methylation is removed, certain histone marks which repress gene expression are also erased. Other histone modifications which increase gene expression may take their place. It’s therefore too naïve to refer to the epigenetic changes as just being about putting on or taking off epigenetic modifications. In reality, the epigenome is being reprogrammed. ~ Nessa Carey,
779:Recently scientists have found that cephalopods (the family that contains the octopus) can recode their RNA. RNA molecules have the privilege of establishing codes with DNA (in the part of the RNA that recognizes the three-nucleotide DNA codon sequence) and also with proteins (in the separate part of the RNA that recognizes the amino acid). Recoding the RNA means that new proteins can be constructed while the DNA sequence of symbols stays the same. The collective result is the destruction of the one-to-one gene-to-protein correspondence. Recoding allows a single octopus gene to produce many different types of proteins from the same DNA sequence.18 This is a big deal. It is evidence against the three concepts in biology that dismiss semiotic systems in living organisms. The system can change its code. The system has an internal codemaker that can produce biological innovations—new proteins—but not via natural selection. It illustrates the arbitrariness of the connection of a symbol with its meaning in a living system. If symbols within living systems ~ Michael S Gazzaniga,
780:…Sam [Raimi] wanted the climactic sword fight to play out as elegantly as a Fred Astaire movie and he wanted it all in one crane shot.

I must have rehearsed the routine for three weeks, but when it came time to shoot, the rigors of running up and down steps, fighting with both hands, and flipping skeletons over my head was too much to pull off without cuts. After ten takes, I knew Sam was pissed off, because he yanked the bullhorn from John Cameron.

‘Okay, obviously, this is NOT WORKING, and it’s NOT GOING TO WORK, so we’re going to break it up into A THOUSAND LITTLE PIECES.’

When Sam gets upset, he lets you know it, and he’ll torture you for days afterward because he’s one of those guys who never forgets. The first ‘little piece’ of the sequence was a shot of me ducking as a sword glances off the stone wall behind me.

‘So, you think you can do this, Bruce?’ he’d say, loud enough for the entire crew to hear. ‘Or should I break this ONE shot into THREE MORE SHOTS?’

Sam also threatened to put Ash in a chorus line with skeletons. ~ Bruce Campbell,
781:The distinction between serial and parallel processing of information may also explain what happens during incubation. In a serial system like that of an old-fashioned calculator, a complex numerical problem must be solved in a sequence, one step at a time. In a parallel system such as in advanced computer software, a problem is broken up into its component steps, the partial computations are carried out simultaneously, and then these are reconstituted into a single final solution. Something similar to parallel processing may be taking place when the elements of a problem are said to be incubating. When we think consciously about an issue, our previous training and the effort to arrive at a solution push our ideas in a linear direction, usually along predictable or familiar lines. But intentionality does not work in the subconscious. Free from rational direction, ideas can combine and pursue each other every which way. Because of this freedom, original connections that would be at first rejected by the rational mind have a chance to become established. ~ Mihaly Csikszentmihalyi,
782:told his students in “The World Since 1914” class that there was little point in discussing the Third World when they knew so little about how their own society works: “So I told them about the USA — really very hair-raising when it is all laid out in sequence: . . . . 1. cosmic hierarchy; 2. energy; 3. agriculture; 4. food; 5. health and medical services; 6. education; 7. income flows and the worship of GROWTH; 8. inflation. . . showing how we are violating every aspect of life by turning everything into a ripoff because we. . . have adopted the view that insatiable individualistic greed must run the world.” 7 He feared “that the students will come to feel that all is hopeless, so I must. . . show them how solutions can be found by holistic methods seeking diversity, de-centralization, communities. . .etc.” 8 Pleased with the class response, he later recalled: “The students were very excited and my last lecture in which I put the whole picture together was about the best lecture I ever gave. That was 10 Dec. [1975], my last full day of teaching after 41 years. ~ Carroll Quigley,
783:The participants were twenty-six men engaged in a variety of professional occupations: sixteen engineers, one engineer-physicist, two mathematicians, two architects, one psychologist, one furniture designer, one commercial artist, one sales manager, and one personnel manager. At the time of the study, there were few women in senior scientific positions, and none was found who wished to participate. Nineteen of the subjects had no previous experience with psychedelics. They were selected on the basis of the following criteria: The participant’s occupation required problemsolving ability. The participant was psychologically stable, as determined by a psychiatric interview examination. The participant was motivated to discover, verify, and apply solutions within his current employment. Six groups of four and one group of three met in the evening several days before the session.a The sequence of events to be followed was explained in detail. In this initial meeting, we sought to allay any apprehension and establish rapport and trust among the participants and the staff. ~ James Fadiman,
784:The actions that accompany the four truths describe the trajectory of dharma practice: understanding anguish leads to letting go of craving, which leads to realizing its cessation, which leads to cultivating the path. These are not four separate activities but four phases within the process of awakening itself. Understanding matures into letting go; letting go culminates in realization; realization impels cultivation. This trajectory is no linear sequence of "stages" through which we "progress." We do not leave behind an earlier stage in order to advance to the next rung of some hierarchy. All four activities are part of a single continuum of action. Dharma practice cannot be reduced to any one of them; it is configured from them all. As soon as understanding is isolated from letting go, it degrades into mere intellectuality. As soon as letting go is isolated from understanding, it declines into spiritual posturing. The fabric of dharma practice is woven from the threads of these interrelated activities, each of which is defined through its relation to the others. ~ Stephen Batchelor,
785:The bacterial defense system was soon found to involve at least two critical components. The first piece was the "seeker"-an RNA encoded in the bacterial genome that matched and recognized the DNA of the viruses. The principle for the recognition, yet again, was binding: the RNA "seeker" was able to find and recognize the DNA of an invading virus because it was a mirror image of that DNA-the yin to its yang. It was like carrying a permanent image of your enemy in your pocket-or, in the bacteria's case, an inverted photograph, etched indelibly into its genome.

The second element of the defense system was the "hitman." Once the viral DNA had been recognized and matched as foreign (by its reverse-image), a bacterial protein named Cas9 was deployed to deliver the lethal gash to the viral gene. The "seeker" and the "hitman" worked in concert: the Cas9 protein delivered its cuts to the genome only after the sequence had been matched by the recognition element. It was a classic combination of collaborators-spotter and executor, drone and rocket, Bonnie and Clyde. ~ Siddhartha Mukherjee,
786:God's high freedom in Jesus Christ is His freedom for LOVE. The divine capacity which operates and exhibits itself in that superiority and subordination is manifestly also God's capacity to bend downwards, to attach Himself to another and this other to Himself, to be together with him. This takes place in that irreversible sequence, but in it is completely real. In that sequence there arises and continues in Jesus Christ the highest communion of God with man. God's deity is thus no prison in which He can exist only in and for Himself. It is rather His freedom to be in and for Himself but also with and for us, to assert but also to sacrifice Himself, to be wholly exalted but also completely humble, not only almighty but also almighty mercy, not only Lord but also servant, not only judge but also Himself the judged, not only man's eternal king but also his brother in time. And all that without in the slightest forfeiting His deity! All that, rather, in the highest proof and proclamation of His deity! He who DOES and manifestly CAN do all that, He and no other is the living God. ~ Karl Barth,
787:But although this 8-stage attack sequence applies to most SJW attacks, the real problem with them doesn't have anything to do with those of us who are sufficiently well known to draw hostile media attention. The real problem is how many people suffer the malicious attention of the thought police without anyone knowing about it at all. We don't know how many Americans lose their jobs every year due to SJW attacks, but we do know that there are an average of 25,000 criminal charges being laid every year in Britain for speech offences and that over 12,000 of those judicial proceedings result in convictions. The SJWs are “an army of self-appointed militants who see themselves as the guardians of correct thinking”, and their culture of thuggish speech-policing is on the verge of taking over society, if it has not already. Fortunately for both free speech and society, after 20 years of rampaging freely from one victory to the next, the SJWs have finally met with an implacable and ruthless enemy against whom their social pressure is impotent and their media dominance has proven meaningless. ~ Vox Day,
788:He talked about the trappings of the White House, saying something to the effect of “This is luxury. And I know luxury.” I remember glancing again at the one poor statue I could see over his shoulder with the mantelpiece on its head and thinking that made sense. He went into another explanation—I’d seen many of them on television—about how he hadn’t made fun of a disabled reporter. He said he hadn’t mistreated a long list of women, reviewing each case in detail, as he had in our earlier conversation. There was no way he groped that lady sitting next to him on the airplane, he insisted. And the idea that he grabbed a porn star and offered her money to come to his room was preposterous. His method of speaking was like an oral jigsaw puzzle contest, with a shot clock. He would, in rapid-fire sequence, pick up a piece, put it down, pick up an unrelated piece, put it down, return to the original piece, on and on. But it was always him picking up the pieces and putting them down. None of this behavior, incidentally, was the way a leader could or should build rapport with a subordinate. ~ James Comey,
789:The guy with the buzz cut said, “I’m Casey Waterman, FBI.” “Jack Reacher, United States Army.” The guy with the hair said, “John White, CIA.” They all shook hands, and then they lapsed into the same kind of silence Reacher had heard when he stepped in. They had run out of things to say. He sat on a desk near the back of the room. Waterman was ahead of him on the left, and White was ahead of him on the right. Waterman was very still. But watchful. He was passing the time and conserving his energy. He had done so before. He was an experienced agent. No kind of a rookie. And neither was White, despite being different in every other way. White was never still. He was twitching and writhing and wringing his hands, and squinting into space, variably, focusing long, focusing short, sometimes narrowing his eyes and grimacing, looking left, looking right, as if caught in a tortuous sequence of thoughts, with no way out. An analyst, Reacher guessed, after many years in a world of unreliable data and double, triple, and quadruple bluffs. The guy was entitled to look a little agitated. No one spoke. Five ~ Lee Child,
790:A Ritual to Read to Each Other


If you don’t know the kind of person I am
and I don’t know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant’s tail,
but if one wanders the circus won’t find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider---
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give---yes or no, or maybe---
should be clear: the darkness around us is deep. ~ William Stafford,
791:Generally he knew by instinct the likely length of an investigation, but on this occasion he did not: as he fought to get his breath he suddenly saw himself as others must see him, and he was struck by the impossibility of his task. The event of the boy's death was not simple because it was not unique and if he traced it backwards, running the time slowly in the opposite direction (but did it have a direction?), it became no clearer. The chain of causality might extend as far back as the boy's birth, in a particular place and on a particular date, or even further into the darkness beyond that. And what of the murderer, for what sequence of events had drawn him to wander by this old church? All these events were random and yet connected, part of a pattern so large that it remained inexplicable. He might, then, have to invent a past from the evidence available - and, in that case, would not the future also be an invention? It was as if he were staring at one of those puzzle drawings in which foreground and background create entirely different images: you could not look at such a thing for long. ~ Peter Ackroyd,
792:Neither the physicist’s description, nor that of the physiologist, contains any trait of the sensation of sound. Any description of this kind is bound to end with a sentence like: those nerve impulses are conducted to a certain portion of the brain, where they are registered as a sequence of sounds. We can follow the pressure changes in the air as they produce vibrations of the ear-drum, we can see how its motion is transferred by a chain of tiny bones to another membrane and eventually to parts of the membrane inside the cochlea, composed of fibres of varying length, described above. We may reach an understanding of how such a vibrating fibre sets up an electrical and chemical process of conduction in the nervous fibre with which it is in touch. We may follow this conduction to the cerebral cortex and we may even obtain some objective knowledge of some of the things that happen there. But nowhere shall we hit on this ‘registering as sound,’ which simply is not contained in our scientific picture, but is only in the mind of the person whose ear and brain we are speaking of. ~ Erwin Schrödinger, Mind and Matter,
793:One of the first shrinks I went to after Cass died told me that the brain has a hardwired need to find correlations, to make sense of nonsensical data by making connections between unrelated things. Humans have evolved a universal tendency to seek patterns in random information, hence the existence of fortune-tellers and dream interpreters and people who see the face of Jesus in a piece of toast. But the cold, hard truth is that there are no connections between anything. Life—all of existence—is totally random. Your lucky lottery numbers aren’t really lucky, because there’s no such thing as luck. The black cat that crosses your path isn’t a bad omen, it’s just a cat out for a walk. An eclipse doesn’t mean that the gods are angry, just as a bus narrowly missing you as you cross the street doesn’t mean there’s a guardian angel looking out for you. There are no gods. There are no angels. Superstitions aren’t real, and no amount of wishing, praying, or rationalizing can change the fact that life is just one long sequence of random events that ultimately have no meaning. I really hated that shrink. ~ J T Geissinger,
794:Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I'd read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein's Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people - usually lodgers and members of their own families - and who were then murdered in turn: by handing, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward social situations - seated about a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy. It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children. ~ Neil Gaiman,
795:Why do I claim that this 'awareness', whatever it is, must be something non-computational, so that no robot, controlled by a computer, based merely on the standard logical ideas of a Turing machine (or equivalent)-whether top-down or bottom-up-can achieve or even simulate it? It is here that the Godelian argument plays its crucial role. It is hard to say much at the present time about our 'awareness' of, for example, the colour red; but there is something definite that we can say concerning our awareness of the infinitude of natural numbers. It is 'awareness' that allows a child to 'know' what it means for this sequence to go on for ever, when only absurdly limited, and seemingly almost irrelevant, kinds of descriptions in terms of a few oranges and bananas have been given. The concept of 'three' can indeed be abstracted, by a child, from such limited examples; and, moreover, the child can also latch on to the fact that this concept is but one of the unending sequence of similar concepts ('four', 'five', 'six', etc.). In some Platonic sense, the child already 'knows' what the natural numbers are. ~ Roger Penrose,
796:When it comes to government as it is – and all that government ever could be – we are never really talking about two sides of the table. You get a letter in the mail informing you that your property taxes are going to increase 5% – there is no negotiation; no one offers you an alternative; your opinion is not consulted beforehand, and your approval is not required afterwards, because if you do not pay the increased tax, you will, after a fairly lengthy sequence of letters and phone calls, end up without a house. It is certainly true that your local cable company may also send you a notice that they’re going to increase their charges by 5%, but that is still a negotiation! You can switch to satellite, or give up on cable and rent DVDs of movies or television shows, or reduce some of the extra features that you have, or just decide to get rid of your television and read and talk instead. None of these options are available with the government – with the government, you either pay them, give up your house, go to jail, or move to some other country, where the exact same process will start all over again. ~ Stefan Molyneux,
797:There were things of the times, and a few things that were timeless. The times came as a result of a particular human culture. The timeless came as a result of any human culture at all. And Cultural Man was a showman. He created display windows of culture for an audience of men, and paraded his aspirations and ideals and purposes thereon, and the displays were necessary to the continuity of the culture, to the purposeful orientation of the species.

Beyond one such window, he erected an altar, and placed a priest before it to chant a liturgical description of the heart-reasoning of his times. And beyond another window, he built a stage and set his talking dolls upon it to live a dramaturgical sequence of wishes and woes of his times.

True, the priests would change, the liturgy would change, and the dolls, the dramas, the displays--but the windows would never--no never--be closed as long as Man outlived his members, for only through such windows could transient men see themselves against the background of a broader sweep, see man encompassed by Man. A perspective not possible without the windows. ~ Walter M Miller Jr,
798:The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs. ~ Oliver Sacks,
799:And if I die sometime – I’m going to die very soon – I know I’ll die as I am,
without accepting this world, perceiving it close up and far away, inside and out,
perceiving but not accepting it. I’ll die and He will ask me: “Was it good there for
you? Was it bad there for you?” I will be silent, with lowered eyes. I’ll be silent
that muteness familiar to everyone who knows the outcome of days of hard
boozing. For isn’t the life of man a momentary boozing of the soul? And an eclipse
of the soul as well? We are all as if drunk, only everybody in his own way: one
person has drunk more, the next less. And it works differently on each: the one
laughs in the face of this world, while the next cries on its bosom. One has already
thrown up and feels better, while the next is only starting of feel like throwing up.
But me, what am I? I’ve partaken of much, but nothing works on me. I haven’t
really laughed properly, even once, and I’ve never thrown up, even once. I, who
have partaken of so much in this world that I’ve lost count and the sequence of it
all, I am soberer than anyone else in this world; ~ Venedikt Erofeev,
800:Looking back on the past six months, Margaret realised the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty. Margaret hoped that for the future she would be less cautious, not more cautious, than she had been in the past. ~ E M Forster,
801:At the root of the problems of Greece and Italy is the fact that both countries have used public employment as a source of political patronage, leading to bloated and inefficient public services and ballooning budget deficits. Germany, as we saw in chapter 4, inherited an autonomous, merit-based, modern bureaucracy from absolutist times. Modernization of the state occurred prior to the arrival of full democratic participation. Political parties when they appeared were based on ideology and programmatic agendas; clientelism was never a source of political power. Greece and Italy, by contrast, did not develop modern bureaucracies before they became electoral democracies, and for much of their recent history used public employment as a means of mobilizing voters. The result has been a chronic inability to control public-sector employment and hence the wage bill up until the present day. Greece and Italy followed a sequence closer to that of the United States in the nineteenth century than to their Northern European counterparts: democracy arrived before the modern state, making the latter subservient to the interests of party politicians. ~ Francis Fukuyama,
802:There is something about the very idea of a city which is central to the understanding of a planet like Earth, and particularly the understanding of that part of the then-existing group-civilization which called itself the West. That idea, to my mind, met its materialist apotheosis in Berlin at the time of the Wall.

Perhaps I go into some sort of shock when I experience something deeply; I'm not sure, even at this ripe middle-age, but I have to admit that what I recall of Berlin is not arranged in my memory in any normal, chronological sequence. My only excuse is that Berlin itself was so abnormal - and yet so bizarrely representative - it was like something unreal; an occasionally macabre Disneyworld which was so much a part of the real world (and the realpolitik world), so much a crystallization of everything these people had managed to produce, wreck, reinstate, venerate, condemn and worship in their history that it defiantly transcended everything it exemplified, and took on a single - if multifariously faceted - meaning of its own; a sum, an answer, a statement no city in its right mind would want or be able to arrive at. ~ Iain M Banks,
803:Looking back on the past six months, Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.

Margaret hoped that for the future she would be less cautious, not more cautious, than she had been in the past. ~ E M Forster,
804:The Resonance of Honeyed Summer
Elizabethan Sonnet Sequence
abab, cdcd, efef, gg

Synchronous in honeyed summer sings a choir of tremulous birch leaves,
A sweet breeze surges south from the mountains to cool down the farm.
To a white picket fence, among the honeybees, a steadfast garden cleaves,
After blind disregard by a town plow, mended again from winter harm.
A sensual scent of new mown meadow, the clash of croquet mallet to ball,
A ricochet sings a tin din of two wickets and a knock into a winning stake.
By the barn, night owls howl, by day gleeful wee hummingbirds enthrall.
The mirth of dipping children as wakes of droning motorboats lap a lake.
Bluebirds have woven a love nest in a stilted, rough-hewn, wooden house.
By a stonewall wild berries grow swollen from green to a misty blue hue.
As we ride bikes beside a hayfield, we rouse the flight of a russet grouse.
At dawn a doe and fawn cross our lawn leaving hoof prints upon the dew.
In long lemonade days, rocking and sipping on the porch, in our defense,
We're in awe of honeyed summertime and the harmony of its resonance.

+ + + ~ David B Lentz,
805:It is indeed a tricky name. It is often misspelt, because the eye tends to regard the "a" of the first syllable as a misprint and then tries to restore the symmetrical sequence by triplicating the "o"- filling up the row of circles, so to speak, as in a game of crosses and naughts. No-bow-cough. How ugly, how wrong. Every author whose name is fairly often mentioned in periodicals develops a bird-watcher's or caterpillar-picker's knack when scanning an article. But in my case I always get caught by the word "nobody" when capitalized at the beginning of a sentence. As to pronunciation, Frenchmen of course say Nabokoff, with the accent on the last syllable. Englishmen say Nabokov, accent on the first, and Italians say Nabokov, accent in the middle, as Russians also do. Na-bo-kov. A heavy open "o" as in "Knickerbocker". My New England ear is not offended by the long elegant middle "o" of Nabokov as delivered in American academies. The awful "Na-bah-kov" is a despicable gutterism. Well, you can make your choice now. Incidentallv, the first name is pronounced Vladeemer- rhyming with "redeemer"- not Vladimir rhyming with Faddimere (a place in England, I think). ~ Vladimir Nabokov,
806:Every day, hundreds of observations and experiments pour into the hopper of the scientific literature. Many of them don't have much to do with evolution - they're observations about the details of physiology, biochemistry, development, and so on - but many of them do. And every fact that has something to do with evolution confirms its truth. Every fossil that we find, every DNA molecule that we sequence, every organ system that we dissect, supports the idea that species evolved from common ancestors. Despite innumerable possible observations that could prove evolution untrue, we don't have a single one. We don't find mammals in Precambrian rocks, humans in the same layers as dinosaurs, or any other fossils out of evolutionary order. DNA sequencing supports the evolutionary relationships of species originally deduced from the fossil record. And, as natural selection predicts, we find no species with adaptations that only benefit a different species. We do find dead genes and vestigial organs, incomprehensible under the idea of special creation. Despite a million chances to be wrong, evolution always comes up right. That is as close as we can get to a scientific truth. ~ Jerry A Coyne,
807:Exquisitely sensitive to her infant’s nonverbal messages, the “good” mother empathically divines the needs of her baby with near clairvoyant accuracy, relying on her capacity to regressively revive in herself this early communication channel that, Spitz felt, is lost to most adults. She senses why her infant is crying, a mystery to others, and is able to respond correctly. Each accurate reading and satisfying intervention—picking him up, feeding him, jostling him, soothing him—becomes another interaction in the essential cycle of meaning-making. Spitz saw these repetitions as also helping the infant sort out feeling states into discernible, sequential categories with beginnings and endings (for example: I was upset, then I felt better), contributing to the laying down of memory traces of recognizable experience. Thus Spitz offered psychoanalysis a very different kind of developmental progression, adding to the unfolding psychosexual sequence of drive discharge (from oral to anal to phallic to oedipal) the increasing structuralization of ego capacities which emerge, in the first year of life, within crucial transformations in the relationship to the libidinal object. ~ Stephen A Mitchell,
808:That spring everyone in Judy Chicago’s class collaborated on a 24 hour performance called Route 126. The curator Moira Roth recalls: “the group created a sequence of events throughout the day along the highway. The day began with Suzanne Lacy’s Car Renovation in which the group decorated an abandoned car…and ended with the women standing on a beach watching Nancy Youdelman, wrapped in yards of gossamer silk, slowly wade out to sea until she drowned, apparently…” There’s a fabulous photo taken by Faith Wilding of the car—a Kotex-pink jalopy washed up on desert rocks. The trunk’s flung open and underneath it’s painted cuntblood red. Strands of desert grass spill from the crumpled hood like Rapunzel’s fucked-up hair. According to Performance Anthology—Source Book For A Decade Of California Art, this remarkable event received no critical coverage at the time though contemporaneous work by Baldessari, Burden, Terry Fox boasts bibliographies several pages long. Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.” The Zurich Dadaists worked together too but they were geniuses and they had names. ~ Chris Kraus,
809:This is, in general, what iconicity
in language is: a metaphorical image-mapping in which the structure of the mean-
ing is understood in terms of the structure of the form of the language presenting
that meaning. Such mappings are possible because of the existence of image-
schemas, such as schemas characterizing bounded spaces (with interiors and exte-
riors), paths, motions along those paths, forces, parts and wholes, centers and pe-
ripheries, and so on. When we speak of the “form of language,” we are under-
standing that form in terms of such image-schemas. Thus, for example, one aspect of sentence structure is given in terms of parts and wholes, that is, the parts of
speech and the higher-level constituents containing them. Other aspects of a sen-
tence’s structure are given in terms of balance, proximity, subordination, sequence,
and so on. The schematic images that allow us to understand such syntactic no-
tions are also used in conceptual structure. It is for this reason that image-
schematic correspondences between form and meaning are possible. The mech-
anism that relates them is the same mapping mechanism used in metaphor. ~ George Lakoff,
810:Eucharius! you walked blithely when you stayed with the Son of God, touching him, watching his miracle-working. You loved him with a perfect love when terror fell on your friends -- who being human had no strength to bear the brightness of the good. But you -- in the blaze of utmost love -- drew him to your heart when you gathered the sheaves of his precepts. Eucharius! when the Word of God possessed you in the blaze of the dove, when the sun rose in your spirit, you founded a church in your bliss. Daylight shimmers in your heart where three tabernacles stand on a marble pillar in the city of God. In your preaching Ecclesia savors old wine with new -- a chalice twice hallowed. And in your teaching Ecclesia argued with such force that her shout rang over the mountains, that the hills and the woods might bow to suck her breasts. Pray for this company now, pray with resounding voice that we forsake not Christ in his sacred rites, but become before his altar a living sacrifice. [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman

~ Saint Hildegard von Bingen, O Euchari in leta via - Sequence for Saint Eucharius
,
811:The heaviest burden: “What, if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: ‘This life, as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh… must return to you—all in the same succession and sequence—even this spider and this moonlight between the trees and even this moment and I myself. The eternal hourglass of existence is turned over again and again—and you with it, speck of dust!’ Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: ‘You are a god, and never have I heard anything more divine!’ If this thought were to gain possession of you, it would change you as you are, or perhaps crush you. The question in each and every thing, “do you want this once more and innumerable times more?” would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal? ~ Friedrich Nietzsche,
812:An autotelic experience is very different from the feelings we typically have in the course of life. So much of what we ordinarily do has no value in itself, and we do it only because we have to do it, or because we expect some future benefit from it. Many people feel that the time they spend at work is essentially wasted—they are alienated from it, and the psychic energy invested in the job does nothing to strengthen their self. For quite a few people free time is also wasted. Leisure provides a relaxing respite from work, but it generally consists of passively absorbing information, without using any skills or exploring new opportunities for action. As a result life passes in a sequence of boring and anxious experiences over which a person has little control. The autotelic experience, or flow, lifts the course of life to a different level. Alienation gives way to involvement, enjoyment replaces boredom, helplessness turns into a feeling of control, and psychic energy works to reinforce the sense of self, instead of being lost in the service of external goals. When experience is intrinsically rewarding life is justified in the present, instead of being held hostage to a hypothetical future gain. ~ Mihaly Csikszentmihalyi,
813:I had no particular problem about getting divorced. For all intents and purposes we already were divorced. And I had no emotional hang up about signing and sealing the official documents. If that's what she wanted, fine. It was a legal formality, nothing more.

But when it came to why, and how, things had turned out this way, the sequence of events was beyond me. I understood, of course, that over time, and as circumstances changed, a couple could grow closer, or move apart. Changes in a person's feelings aren't regulated by custom, logic, or the law. They're fluid, unstable, free to spread their wings and fly away. Like migratory birds have no concept of borders between countries.

But these were all just generalizations, and I couldn't easily grasp the individual case here-that this woman, Yuzu, refused to love this man, me, and chose instead to be loved by someone else. It felt terribly absurd, a horribly ugly way to be treated. There wasn't any anger involved (I think). I mean, what was I supposed to be angry with? What I was feeling was a fundamental numbness. The numbness your heart automatically activates to lessen the awful pain when you want some-body desperately and they reject you. A kind of emotional morphine. ~ Haruki Murakami,
814:What has stripped their conversation of its richness and enjoyments? First, despite the apparent success of their numerous discussions, they may have arrived at the solutions to family problems at a great cost to the relationship. In many relationships, a whole sequence of little kinks gradually adds up to produce stress. These kinks may also be a sign of important differences between the partners in their outlook and values—differences that their surface agreements never resolve. Thus, the free flow of conversation is inhibited by the threat of intrusions of unresolved conflicts. Perfectly tuned conversations are interrupted by signals of possible discord that introduce static into the communications. Second, although the partners may get along when they are dealing with practical problems, their conversation may be devoid of references to the more pleasurable aspects of the relationship. The partners have not learned to demarcate problem-solving discussions from pleasant conversations. Thus when one partner starts a conversation with a loving comment, the other may decide that this is a good time to bring up some conflict. As a result, there is a dearth of conversation that revolves simply around expressions of caring, sharing, and loving. ~ Aaron T Beck,
815:when we consider DNA, the genotype is the DNA sequence that contains instructions for the living organism. The phenotype is the observable characteristics of an organism, such as its anatomy, biochemistry, physiology, and behavior. The genotype interacts with the environment to produce the phenotype. To put this in an everyday situation, consider the blueprint as a house’s genotype and the actual house its phenotype. The phenotypic construction process is the building of the house using the blueprint as information about what and how to do it. The phenotype is related to the genotype that describes it, but there is a world of physical difference between the genotype and the phenotype and even the phenotypic construction process. For one, the genotype is non-dynamic; it is a quiescent, one-dimensional sequence of symbols (DNA’s symbols are nucleotides) that has no energy or time constraints. Like a blueprint, it can sit around for years, as you have probably learned from watching CSI. The genotype dictates what should be constructed (perhaps a really cute dog), but the DNA itself does not look or act anything like a cute dog. On the other hand, the phenotype (the cute dog) is dynamic and uses energy, especially if it is a border collie. ~ Michael S Gazzaniga,
816:The genetic program as a vital factor is not the same as the DNA molecules in the genes, for these are just molecules, not mindlike entities. The fact that qualities of mind are commonly projected onto the genes, especially the qualities of selfish, competitive people within capitalist societies, makes it easy to forget that they are just chemicals. As such, they play a chemical role, and their activity is confined to the chemical level. The genetic code in the DNA molecules determines the sequence of amino-acid building blocks in protein molecules , the so-called primary structure of the proteins. The genes dictate the primary stucture of proteins, not the specific shape of a duck's foot or a lamb's kidney or an orchid. The way the proteins are arranged in cells, the ways cells are arranged in tissues, and tissues in organs, and organs in organisms are not programmed in the genetic code , which can only program protein molecules. Given the right genes and hence the right proteins, and the right systems by which protein synthesis is controlled, the organism is somehow supposed to assemble itself automatically. This is rather like delivering the right materials to a building site at the right times and expecting a house to grow spontaneously. ~ Rupert Sheldrake,
817:They had had half an hour. He walked with her to Whitehall, toward the bus stop. In the precious final minutes he wrote out his address for her, a bleak sequence of acronyms and numbers. “then, at last, he took her hand and squeezed. The gesture had to carry all that had not been said, and she answered it with pressure from her own hand. Her bus came, and she did not let go. They were standing face to face. He kissed her, lightly at first, but they drew closer, and when their tongues touched, a disembodied part of himself was abjectly grateful, for he knew he now had a memory in the bank and would be drawing on it for months to come. He was drawing on it now, in a French barn, They tightened their embrace and went on kissing while people edged past them in the queue. She was crying onto his cheek, and her sorrow stretched her lips against his. Another bus arrived. She pulled away, squeezed his wrist, and got on without a word and didn’t look back. He watched her find her seat, and as the bus began to move realized he should have gone with her, all the way to the hospital. He had thrown away minutes in her company. He must learn again how to think “and act for himself. He began to run along hoping to catch up with her at the next stop. But her bus was far ahead ~ Ian McEwan,
818:Now, analysis, the breaking of the wholes into parts, is fundamental to science, but for judging works of art, the procedure is more uncertain: what are the natural parts of a story, a sonnet, a painting? The maker's aim is to project his vision by creating not a machine made up of parts but the impression of seamless unity that belongs to a living thing. Looking at an early example of systematic criticism by analysis -- say, Dante's comments on his sonnet sequence La Vita Nuova -- one sees that the best he can do is to tell again in prose what the first two lines mean, then the next three, and so on in little chunks through the entire work. We may understand somewhat better his intention here and there, but at the same time we vaguely feel that the exercise was superfluous and inappropriate. Reflection tells us why: those notations taken together do not add up to the meaning of the several poems. In three words: analysis is reductive. Since its patent success in natural sciences, analysis has become a universal mode of dealing not merely with what is unknown or difficult, but also with all interesting things as if they were difficult. Accordingly, analysis is a theme. Depending on the particulars of its effect, it can also be designated reductivism. ~ Jacques Barzun,
819:The greatest weight.71— What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: “This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence—even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!” Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: “You are a god and never have I heard anything more divine.” If this thought gained possession of you, it would change you as you are or perhaps crush you. The question in each and every thing, “Do you desire this once more and innumerable times more?” would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal? ~ Friedrich Nietzsche,
820:HMMs are at the heart of speech-recognition systems like Siri. In speech recognition, the hidden states are written words, the observations are the sounds spoken to Siri, and the goal is to infer the words from the sounds. The model has two components: the probability of the next word given the current one, as in a Markov chain, and the probability of hearing various sounds given the word being pronounced. (How exactly to do the inference is a fascinating problem that we’ll turn to after the next section.) Siri aside, you use an HMM every time you talk on your cell phone. That’s because your words get sent over the air as a stream of bits, and the bits get corrupted in transit. The HMM then figures out the intended bits (hidden state) from the ones received (observations), which it should be able to do as long as not too many bits got mangled. HMMs are also a favorite tool of computational biologists. A protein is a sequence of amino acids, and DNA is a sequence of bases. If we want to predict, for example, how a protein will fold into a 3-D shape, we can treat the amino acids as the observations and the type of fold at each point as the hidden state. Similarly, we can use an HMM to identify the sites in DNA where gene transcription is initiated and many other properties. ~ Pedro Domingos,
821:For the sake of objectivity, the programme analysed both histories - real and alternative - without being informed which was which. It concluded that the second, actual sequence of events was statistically so improbable that it could not possibly happen.
...
We are required to believe a) that a drug-addled, womanising inexperienced Catholic with strong links to criminal organisations could defeat the most experienced politician in the country, and that his dire medical condition and dubious character could be kept secret. And also that he could conduct exceptionally successful diplomacy in 1962 while being high as a kite on a coctail of painkillers and stimulants;
b) that a president, his brother and several others could all be murdered in a short space of time, by insane gunman, each acting alone, for no discernible reason. Also that Kennedy could be shot by someone with known links to the Soviet Union without there being any consequences;
c) that Nixon in office would sanction a pointless burglary, during an election campaign he was bound to win anyway, and that a man with such experience would fail to control the minor political scandal that resulted;
d) that 1980 the United States would elect as president an ageing actor with little experience and dyed orange hair. ~ Iain Pears,
822:Equally must the sense-mind be stilled and taught to leave the function of thought to the mind that judges and understands. When the understanding in us stands back from the action of the sense-mind and repels its intermiscence, the latter detaches itself from the understanding and can be watched in its separate action. It then reveals itself as a constantly swirling and eddying undercurrent of habitual concepts, associations, perceptions, desires without any real sequence, order or principle of light. It is a constant repetition in a circle unintelligent and unfruitful. Ordinarily the human understanding accepts this undercurrent and tries to reduce it to a partial order and sequence; but by so doing it becomes itself subject to it and partakes of that disorder, restlessness, unintelligent subjection to habit and blind purposeless repetition which makes the ordinary human reason a misleading, limited and even frivolous and futile instrument. There is nothing to be done with this fickle, restless, violent and disturbing factor but to get rid of it whether by detaching it and then reducing it to stillness or by giving a concentration and singleness to the thought by which it will of itself reject this alien and confusing element.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Purified Understanding,
823:Before going on with this first chapter, which serves as an introduction to all that I plan to write, I wish to inform your so-called “pure waking consciousness” of the fact that, in the chapters following this warning, I shall expound my thoughts intentionally in such a sequence and with such logical confrontation that the essence of certain real ideas may pass automatically from this “waking consciousness,” which most people in their ignorance mistake for the real consciousness, but which I affirm and experimentally prove is the fictitious one, into what you call the “subconscious”— which in my opinion ought to be the real human consciousness—in order that these concepts may mechanically bring about by themselves that transformation which in general should proceed in the common presence of a man and give him, by means of his own active mentation, the results proper to him as a man and not merely as a one- or two-brained animal I decided to do this without fail so that this introductory chapter, intended as I have already said to awaken your consciousness, may fully justify its purpose and, reaching not only your, in my opinion, “fictitious consciousness” but also your real consciousness, that is to say, what you call your “subconscious,” may compel you for the first time to reflect actively. In ~ G I Gurdjieff,
824:This is my attempt to make sense of the period that followed, weeks and then months that cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad, about marriage and children and memory, about grief, about the ways in which people do and do not deal with the fact that life ends, about the shallowness of sanity, about life itself. I have been a writer my entire life. As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish. The way I write is who I am, or have become, yet this is a case in which I wish I had instead of words and their rhythms a cutting room, equipped with an Avid, a digital editing system on which I could touch a key and collapse the sequence of time, show you simultaneously all the frames of memory that come to me now, let you pick the takes, the marginally different expressions, the variant readings of the same lines. This is a case in which I need more than words to find the meaning. This is a case in which I need whatever it is I think or believe to be penetrable, if only for myself. ~ Joan Didion,
825:Favourable Chance, I fancy, is the god of all men who follow their own devices instead of obeying a law they believe in. Let even a polished man of these days get into a position he is ashamed to avow, and his mind will be bent on all the possible issues that may deliver him from the calculable results of that position. Let him live outside his income, or shirk the resolute honest work that brings wages, and he will presently find himself dreaming of a possible benefactor, a possible simpleton who may be cajoled into using his interest, a possible state of mind in some possible person not yet forthcoming. Let him neglect the responsibilities of his office, and he will inevitably anchor himself on the chance that the thing left undone may turn out not to be of the supposed importance. Let him betray his friend's confidence, and he will adore that same cunning complexity called Chance, which gives him the hope that his friend will never know. Let him forsake a decent craft that he may pursue the gentilities of a profession to which nature never called him, and his religion will infallibly be the worship of blessed Chance, which he will believe in as the mighty creator of success. The evil principle deprecated in that religion is the orderly sequence by which the seed brings forth a crop after its kind. ~ George Eliot,
826:What if a demon crept after thee into thy loneliest loneliness some day or night, and said to thee: "This life, as thou livest it at present, and hast lived it, thou must live it once more, and also innumerable times; and there will be nothing new in it, but every pain and every joy and every thought and every sigh, and all the unspeakably small and great in thy life must come to thee again, and all in the same series and sequence—and similarly this spider and this moonlight among the trees, and similarly this moment, and I myself. The eternal sand-glass of existence will ever be turned once more, and thou with it, thou speck of dust!"—Wouldst thou not throw thyself down and gnash thy teeth, and curse the demon that so spake? Or hast thou once experienced a tremendous moment in which thou wouldst answer him: "Thou art a God, and never did I hear anything so divine!" If that thought acquired power over thee as thou art, it would transform thee, and perhaps crush thee; the question with regard to all and everything: "Dost thou want this once more, and also for innumerable times?" would lie as the heaviest burden upon thy activity! Or, how wouldst thou have to become favourably inclined to thyself and to life, so as to long for nothing more ardently than for this last eternal sanctioning and sealing? ~ Friedrich Nietzsche,
827:Indeed, as predicted, when the gene encoding the hemoglobin B chain was later identified and sequenced in sickle-cell patients, there was a single change: one triplet in DNA-GAG-had changed to another-GTG. This resulted in the substitution of one amino acid for another: glutamate was switched to valine. That switch altered the folding of the hemoglobin chain: rather than twisting into its neatly articulated, clasplike structure, the mutant hemoglobin protein accumulated in stringlike clumps within red cells. These clumps grew so large, particularly in the absence of oxygen, that they tugged the membrane of the red cell util the normal disk was warped into a crescent-shaped dysmorphic "sickle cell." Unable to glide smoothly through capillaries and veins, sickled red cells jammed into microscopic clots throughout the body, interrupting blood flow and precipitating the excruciating pain of a sickling crisis.

It was a Rube Goldberg disease. A change in the sequence of a gene caused the change in the sequence of a protein; that warped its shape; that shrank a cell; that clogged a vein; that jammed the flow; that racked the body (that genes built). Gene, protein, function, and fate were strung in a chain: one chemical alteration in one base pair in DNA was sufficient to "encode" a radical change in human fate. ~ Siddhartha Mukherjee,
828:All these phenomena-scores of them-are captured, encapsulated in a myriad of devices, and replicated, some many thousands of times in as many thousands of identical components. That all these phenomena are caught and captured and schooled and put to work in parallel at exactly the right temperature and pressure and airflow conditions; that all these execute in concert with exactly the right timing; that all these persist despite extremes of vibration and heat and stress; that all these perform together to produce tens of thousands of pounds of thrust is not to be taken for granted. It is a wonder.

Seen this way, a technology in operation-in this case a jet engine-ceases to be a mere object at work. It becomes a metabolism. This is not a familiar way to look at any technology. But what I mean is that the technology becomes a complex of interactive processes-a complex of captured phenomena-supporting each other, using each other, "conversing" with each other, "calling" each other much as subroutines in computer programs call each other. The "calling" here need not be triggered in some sequence as in computing. It is ongoing and continuously interactive. Some assemblies are on, some are off; some operate continuously. Some operate in sequence; some operate in parallel. Some are brought in only in abnormal conditions. ~ W Brian Arthur,
829:Let us pause briefly to tally the grim catalog of disasters that had befallen these two boys between 1765 and 1769: their father had vanished, their mother had died, their cousin and supposed protector had committed bloody suicide, and their aunt, uncle, and grandmother had all died. James, sixteen, and Alexander, fourteen, were now left alone, largely friendless and penniless. At every step in their rootless, topsy-turvy existence, they had been surrounded by failed, broken, embittered people. Their short lives had been shadowed by a stupefying sequence of bankruptcies, marital separations, deaths, scandals, and disinheritance. Such repeated shocks must have stripped Alexander Hamilton of any sense that life was fair, that he existed in a benign universe, or that he could ever count on help from anyone. That this abominable childhood produced such a strong, productive, self-reliant human being—that this fatherless adolescent could have ended up a founding father of a country he had not yet even seen—seems little short of miraculous. Because he maintained perfect silence about his unspeakable past, never exploiting it to puff his later success, it was impossible for his contemporaries to comprehend the exceptional nature of his personal triumph. What we know of Hamilton’s childhood has been learned almost entirely during the past century. ~ Ron Chernow,
830:A dove gazed in through a latticed window: there balm rained down on her face, raining from lucent Maximin. The heat of the sun blazed out to irradiate the dark: a bud burst open, jewel-like, in the temple of the heart (limpid and kind his heart). A tower of cypress is he, and of Lebanon's cedars -- rubies and sapphires frame his turrets -- a city passing the arts of all other artisans. A swift stag is he who ran to the fountain -- pure wellspring from a stone of power -- to water sweet-smelling spices. O perfumers! you who dwell in the luxuriance of royal gardens, climbing high when you accomplish the holy sacrifice with rams: Among you this architect is shining, a wall of the temple, he who longed for an eagle's wings as he kissed his foster-mother Wisdom in Ecclesia's garden. O Maximin, mountain and valley, on your towering height the mountain goat leapt with the elephant, and Wisdom was in rapture. Strong and sweet in the sacred rites and the shimmer of the altar, you rise like incense to the pillar of praise -- where you pray for your people who strive toward the mirror of light. Praise him! Praise in the highest! [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman

~ Saint Hildegard von Bingen, Columba aspexit - Sequence for Saint Maximin
,
831:I assume that you have read it. I also assume that you set it down as idiotic—a series of words without sense. You are quite right; it is. But now imagine it intoned as it were designed to be intoned. Imagine the slow tempo of a public speech. Imagine the stately unrolling of the first clause, the delicate pause upon the word “then”—and then the loud discharge of the phrase “in understanding,” “in mutuality of interest,” “in concern for the common good,” each with its attendant glare and roll of the eyes, each with a sublime heave, each with its gesture of a blacksmith bringing down his sledge upon an egg—imagine all this, and then ask yourself where you have got. You have got, in brief, to a point where you don’t know what it is all about. You hear and applaud the phrases, but their connection has already escaped you. And so, when in violation of all sequence and logic, the final phrase, “our tasks will be solved,” assaults you, you do not notice its disharmony—all you notice is that, if this or that, already forgotten, is done, “our tasks will be solved.” Whereupon, glad of the assurance and thrilled by the vast gestures that drive it home, you give a cheer. That is, if you are the sort of man who goes to political meetings, which is to say, if you are the sort of man that Dr. Harding is used to talking to, which is to say, if you are a jackass. ~ H L Mencken,
832:The pathbreaker who disdains the applause he may get from the crowd of his contemporaries does not depend on his own age's ideas. He is free to say with Schillers Marquis Posa: "This century is not ripe for my ideas; I live as a citizen of centuries to come." The genius' work too is embedded in the sequence of historical events, is conditioned by the achievements of preceding generations, and is merely a chapter in the evolution of ideas. But it adds something new and unheard of to the treasure of thoughts and may in this sense be called creative. The genuine history of mankind is the history of ideas. It is ideas that distinguish man from ali other beings. Ideas engender social institutions, political changes, technological methods of production, and ali that is called economic conditions. And in searching for their origin we inevitably come to a point at which ali that can be asserted is that a man had an idea. Whether the name of this man is known or not is of secondary importance.
This is the meaning that history attaches to the notion of individuality. Ideas are the ultimate given of historical inquiry. Ali that can be said about ideas is that they carne to pass. The historian may point out how a new idea fitted into the ideas developed by earlier generations and how it may be considered a continuation of these ideas and their logical sequei. ~ Ludwig von Mises,
833:Jodie had taught her that the female firefly flickers the light under her tail to signal to the male that she's ready to mate. Each species of firefly has its own language of flashes. As Kya watched, some females signed dot, dot, dot, dash, flying a zigzag dance, while others flashed dash, dash, dot in a different dance pattern. The males, of course, knew the signals of their species and flew only to those females. Then, as Jodie had put it, they rubbed their bottoms together like most things did, so they could produce young.

Suddenly Kya sat up and paid attention: one of the females had changed her code. First she flashed the proper sequence of dashes and dots, attracting a male of her species, and they mated. Then she flickered a different signal, and a male of a different species flew to her. Reading her message, the second male was convinced he'd found a willing female of his own kind and hovered above her to mate. But suddenly the female firefly reached up, grabbed him with her mouth, and ate him, chewing all six legs and both wings.

Kya watched others. The females all got what they wanted – first a mate, then a meal – just by changing their signals.

Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light. ~ Delia Owens,
834:Onstage, Hendrix was trying to get a young couple to engage in a dialogue sequence. The pair sat in armchairs facing each other, and Hendrix old the man, Michael, to pay his wife of three months, Tara, a compliment.

'What I appreciate most about you is that you're a good cook,' Michael said.

'So what I'm hearing you saying is that you appreciate that I'm a good cook,' Tara said, She seemed bored.

To prompt Michael, Hendrix began, 'When I think about you as a good cook, I feel--'

'When I think about you as a good cook,' Michael said, 'I feel full, sleepy, and-- sexy.'

'Really?' asked Tara, a little annoyed. The woman sitting next to me groaned.

Hendrix jumped in, 'When I think about you as a good cook, it reminds me of... try to find something from your childhood.'

'When I think about you as a good cook, I--' Michael stopped, then started over. 'When the house smells good, it reminds me of home and when my mom cooked and I feel loved.'

Tara repeated him, her eyes now glassy with affection. Unprompted, she spoke the next line in the sequence: 'Is there anything more to that?' There wasn't. They hugged for sixty seconds as the rest of us watched. Hendrix told the crowd that the length of the average hug is three to nine seconds, but that a good hug, one that 'pushes the boundaries of relationship,' takes a whole minute. ~ Jessica Weisberg,
835:There’s an amazing family of genes, called HOX genes. When they’re mutated in fruit flies (Drosophila melanogaster) the results are incredible phenotypes, such as legs growing out of the head14. There’s a long ncRNA known as HOTAIR, which regulates a region of genes called the HOX-D cluster. Just like the long ncRNAs investigated by Jeannie Lee, HOTAIR binds the PRC2 complex and creates a chromatin region which is marked with repressive histone modifications. But HOTAIR is not transcribed from the HOX-D position on chromosome 12. Instead it is encoded at a different cluster of genes called HOX-C on chromosome 215. No-one knows how or why HOTAIR binds at the HOX-D position. There’s a related mystery around the best studied of all long ncRNAs, Xist. Xist ncRNA spreads out along almost the entire inactive X chromosome but we really don’t know how. Chromosomes don’t normally become smothered with RNA molecules. There’s no obvious reason why Xist RNA should be able to bind like this, but we know it’s nothing to do with the sequence of the chromosome. The experiments described in the last chapter, where Xist could inactivate an entire autosome as long as it contained an X inactivation centre, showed that Xist just keeps on travelling once it’s on a chromosome. Scientists are basically still completely baffled about these fundamental characteristics of this best-studied of all ncRNAs. ~ Nessa Carey,
836:The helix contains two intertwined strands of DNA. It is "right-handed"-twisting upward as if driven by a right-handed screw. Across the molecule, it measures twenty-three angstroms-one-thousandth of one-thousandth of a millimeter. One million helices stacked side by side would fit in this letter: o. the biologist John Sulston wrote, "We see it as a rather stubby double helix, for they seldom show its other striking feature: it is immensely long and thin. In every cell in your body, you have two meters of the stuff; if we were to draw a scaled-up picture of it with the DNA as thick as sewing thread, that cell's worth would be about 200 kilometers long."

Each strand of DNA, recall, is a long sequence of "bases"-A,T,G,and C. The bases are linked together by the sugar-phosphate backbone. The backbone twists on the outside, forming a spiral. The bases face in, like treads in a circular staircase. The opposite strand contains the opposing bases: A matched with T and G matched with C. Thus, both strands contain the same information-except in a complementary sense: each is a "reflection," or echo, of the other (the more appropriate analogy is a yin-and-yang structure). Molecular forces between the A:T and G:C pairs lock the two strands together, as in a zipper. A double helix of DNA can thus be envisioned as a code written with four alphabets-ATGCCCTACGGGCCCATCG...-forever entwined with its mirror-image code. ~ Siddhartha Mukherjee,
837:All those summer drives, no matter where I was going, to a person, a project, an adventure, or home, alone in the car with my social life all before and behind me, I was suspended in the beautiful solitude of the open road, in a kind of introspection that only outdoor space generates, for inside and outside are more intertwined than the usual distinctions allow. The emotion stirred by the landscape is piercing, a joy close to pain when the blue is deepest on the horizon or the clouds are doing those spectacular fleeting things so much easier to recall than to describe. Sometimes I thought of my apartment in San Francisco as only a winter camp and home as the whole circuit around the West I travel a few times a year and myself as something of a nomad (nomads, contrary to current popular imagination, have fixed circuits and stable relationships to places; they are far from beign the drifters and dharma bums that the word nomad often connotes nowadays). This meant that it was all home, and certainly the intense emotion that, for example, the sequence of mesas alongside the highway for perhaps fifty miles west of Gallup, N.M., and a hundred miles east has the power even as I write to move me deeply, as do dozens of other places, and I have come to long not to see new places but to return and know the old ones more deeply, to see them again. But if this was home, then I was both possessor of an enchanted vastness and profoundly alienated. ~ Rebecca Solnit,
838:There is a consensus among psychologists who study such subjects that people develop their concept of who they are, and of what they want to achieve in life, according to a sequence of steps. Each man or woman starts with a need to preserve the self, to keep the body and its basic goals from disintegrating. At this point the meaning of life is simple; it is tantamount to survival, comfort, and pleasure. When the safety of the physical self is no longer in doubt, the person may expand the horizon of his or her meaning system to embrace the values of a community—the family, the neighborhood, a religious or ethnic group. This step leads to a greater complexity of the self, even though it usually implies conformity to conventional norms and standards. The next step in development involves reflective individualism. The person again turns inward, finding new grounds for authority and value within the self. He or she is no longer blindly conforming, but develops an autonomous conscience. At this point the main goal in life becomes the desire for growth, improvement, the actualization of potential. The fourth step, which builds on all the previous ones, is a final turning away from the self, back toward an integration with other people and with universal values. In this final stage the extremely individualized person—like Siddhartha letting the river take control of his boat—willingly merges his interests with those of a larger whole. In ~ Mihaly Csikszentmihalyi,
839:Outside and inside, life and soul, appear as parallels in “case history” and “soul history.” A case history is a biography of historical events in which one took part: family, school, work, illness, war, love. The soul history often neglects entirely some or many of these events, and spontaneously invents fictions and “inscapes” without major outer correlations. The biography of the soul concerns experience. It seems not to follow the one-way direction of the flow of time, and it is reported best by emotions, dreams, and fantasies … The experiences arising from major dreams, crises, and insights give definition to the personality. They too have “names” and “dates” like the outer events of case history; they are like boundary stones, which mark out one’s own individual ground. These marks can be less denied than can the outer facts of life, for nationality, marriage, religion, occupation, and even one’s own name can all be altered … Case history reports on the achievements and failures of life with the world of facts. But the soul has neither achieved nor failed in the same way … The soul imagines and plays – and play is not chronicled by report. What remains of the years of our childhood play that could be set down in a case history? … Where a case history presents a sequence of facts leading to diagnosis, soul history shows rather a concentric helter-skelter pointing always beyond itself … We cannot get a soul history through a case history. ~ James Hillman,
840:So consciousness is best left uninvited from most of the parties. When it does get included, it’s usually the last one to hear the information. Take hitting a baseball. On August 20, 1974, in a game between the California Angels and the Detroit Tigers, the Guinness Book of World Records clocked Nolan Ryan’s fastball at 100.9 miles per hour (44.7 meters per second). If you work the numbers, you’ll see that Ryan’s pitch departs the mound and crosses home plate, sixty-feet, six inches away, in four-tenths of a second. This gives just enough time for light signals from the baseball to hit the batter’s eye, work through the circuitry of the retina, activate successions of cells along the loopy superhighways of the visual system at the back of the head, cross vast territories to the motor areas, and modify the contraction of the muscles swinging the bat. Amazingly, this entire sequence is possible in less than four-tenths of a second; otherwise no one would ever hit a fastball. But the surprising part is that conscious awareness takes longer than that: about half a second, as we will see in Chapter 2. So the ball travels too rapidly for batters to be consciously aware of it. One does not need to be consciously aware to perform sophisticated motor acts. You can notice this when you begin to duck from a snapping tree branch before you are aware that it’s coming toward you, or when you’re already jumping up when you first become aware of the phone’s ring. ~ Anonymous,
841:Working independently, Baltimore and Temin discovered an enzyme found in retroviruses that could build DNA from an RNA template. They called the enzyme reverse transcriptase-"reverse" because it inverted the normal direction of information flow: from RNA back to DNA, or from a gene's message backward to a gene, thereby violating Crick's "central dogma" (that genetic information only moved from genes to messages, but never backward).

Using reverse transcriptase, ever RNA in a cell could be used as a template to build its corresponding gene. A biologist could thus generate a catalog, or "library" of all "active" genes in a cell-akin to a library of books grouped by subject. There would be a library of genes for T cells and another for red blood cells, a library for neurons in the retina, for insulin-secreting cells of the pancreas, and so forth. By comparing libraries derived from two cells-a T cell and a pancreas cell, say-an immunologist could fish out genes that were active in one cell and not the other (e.g., insulin or the T cell receptor). Once identified, that gene could be amplified a millionfold in bacteria. The gene could be isolated and sequenced, its RNA and protein sequence determined, its regulatory regions identified; it could be mutated an inserted into a different cell to decipher the gene's structure and function. In 1984 this technique was deployed to clone the T cell receptor-a landmark achievement in immunology. ~ Siddhartha Mukherjee,
842:Zoroaster was the prophet of the Persians, the people who restored the Jews to Jerusalem, the same Persians who later gave rise to the Chaldeans. The basic idea in Zoroaster’s teaching is that there are two Gods, one good, the other evil. The good God is a God of Light, of Justice, of Wisdom, who created a perfectly good world. His name is Ahura Mazda, “First Father of the Righteous Order, who gave to the sun and stars their paths.” The Mazda bulbs were named after this God of Light. Against him stands a God of Evil, Angra Mainyu, “the Deceiver,” who is the god of lies, darkness, hypocrisy, violence, and malice. He it was who threw evil into this good and well-made world. Thus the world in which we live is a mixture of light and darkness, of good and evil. This worldview is the mythology of the Fall. In its biblical transformation, it is the Fall. There is then a nature world that is not good and one does not put oneself in accord with it. It is evil and one pulls out or away in order to correct it. From this view arises a mythology with this sequence: Creation, a Fall, followed by Zoroaster (or Zarathustra), who teaches the way of virtue that will bring a gradual restoration of goodness. On the last day, after a terrific battle known as Armageddon, or the Reckoning of Spirits, Zoroaster will appear, in a second incarnation, the evil power will be wiped out, and all will be peace, light, and virtue forever. This mythology is surely familiar to all. ~ Joseph Campbell,
843:Sometime At A Concert Hall, In Recollection...
Sometime at a concert hall, in recollection,
A Brahms intermezzo will wound me-I'll start,
Remember that summer, the flowerbed garden,
The walks and the bathing, the tryst of six hearts,
The awkward, shy artist, with steep, dreamlike forehead,
Her smile, into which one would dive for a while,
A smile, as good-natured and bright as a river,
Her artist's appearance, her forehead, her smile.
They'll play me some Brahms-I will shudder, surrender,
And in retrospection the sounds will evoke
That faraway summer, the hoard of provisions,
My son and my brother, the garden, the oak.
The artist would stuff in her overall pockets
Her pencils, and objects with fanciful names,
Or would, inadvertently dropping her palette,
Turn much of the grass into colourful stains.
They'll play me some Brahms-I'll surrender, remember
The stubborn dry brushwood, the entrance, the roof,
Her smile and appearance, the mouth and the eyebrows,
The darkened verandah, the steps and the rooms.
And suddenly, as in a fairytale sequence,
The family, neighbours and friends will appear,
And-memories crowding-I'll drown in my weeping
Before I have time to have shed all my tears.
And, circling around in a swift intermezzoEmbracing the song like a treetrunk at noon,
Four families' shadows will turn on the meadow
To Brahms's compelling and childhood-clear tune
~ Boris Pasternak,
844:The fundamental unity of the Sequence and Simultaneity points of view became plain; the concept of interval served to connect the static and the dynamic aspect of the universe. How could he have stared at reality for ten years and not seen it? There would be no trouble at all in going on. Indeed he had already gone on. He was there. He saw all that was to come in this first, seemingly casual glimpse of the method, given him by his understanding of a failure in the distant past. The wall was down. The vision was both clear and whole. What he saw was simple, simpler than anything else. It was simplicity: and contained in it all complexity, all promise. It was revelation. It was the way clear, the way home, the light.

The spirit in him was like a child running out into the sunlight. There was no end, no end. ...

And yet in his utter ease and happiness he shook with fear; his hands trembled, and his eyes filled up with tears, as if he had been looking into the sun. After all, the flesh is not transparent. And it is strange, exceedingly strange, to know that one's life has been fulfilled. Yet he kept looking, and going farther, with that same childish joy, until all at once he could not go any farther; he came back, and looking around through his tears saw that the room was dark and the high windows were full of stars.

The moment was gone; he saw it going. He did not try to hold on to it. He knew he was part of it, not it of him. He was in its keeping. ~ Ursula K Le Guin,
845:Among the many symbols used to frighten and manipulate the populace of the democratic states, few have been more important than "terror" and "terrorism." These terms have generally been confined to the use of violence by individuals and marginal groups. Official violence, which is far more extensive in both scale and destructiveness, is placed in a different category altogether. This usage has nothing to do with justice, causal sequence, or numbers abused. Whatever the actual sequence of cause and effect, official violence is described as responsive or provoked ("retaliation," "protective reaction," etc.), not as the active and initiating source of abuse. Similarly, the massive long-term violence inherent in the oppressive social structures that U.S. power has supported or imposed is typically disregarded. The numbers tormented and killed by official violence-wholesale as opposed to retail terror-during recent decades have exceeded those of unofficial terrorists by a factor running into the thousands. But this is not "terror," [...] "security forces" only retaliate and engage in "police action."

These terminological devices serve important functions. They help to justify the far more extensive violence of (friendly) state authorities by interpreting them as "reactive" and they implicitly sanction the suppression of information on the methods and scale of official violence by removing it from the category of "terrorism." [...] Thus the language is well-designed for apologetics for wholesale terror. ~ Noam Chomsky,
846:Visitation
He’ll come back to you in the darkest night
shambling, robust still, not a little noisome.
He’ll perch his large object-overlapping frame
on the edge of your bed and unravel a repertoire
of dreams and nightmares. Then from his capacious
sleeve — raw silk this visit — he’ll produce
beads of opium from a small box,
from the other sleeve two pipes.
An ensuing sweet tumult of colour
and feeling, pacifically centred.
For the rest of your evening you’ll make his acquaintance
as a young not unattractive man. And he will
read you like an uncut book, your edges
sealed to all but this two-bladed psyche.
“The reason why I came to you
was to dream you awake.
Not necessarily to wean you away
from drugs and hard drinks.
I’ve had my share and found them efficacious
in a disquieting enough fashion.
(I jest, long nights of vision and headaches
no longer elude me after a dozen
lasses of popular wine.) I come to
terrify you, to make you think of death.
our barest knowledge of it just won’t
do. You have to lie with it, rise with it,
and then forget it again while you know
it is everywhere about you — you’ll remember
just as quickly as you’ll forget. In fact
you’ll live with it, consciously, and that’s
one of the things we’re here to learn.
You’ll throw away your pipe in disgust
then pick it up again in a little while.”
Poet's Note: Poem 'III' from the sequence 'Tiresias sees'.
~ Bruce Beaver,
847:This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.

Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters.

I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters") ~ Vladimir Nabokov,
848:In the buzz of cerebral activity inside the brain, our subjective sense tells us that there arise countless choices, some of them barely breaking through to consciousness. If only for an instant, we hold in our mind a representation of those possible future states—washing our hands or walking into the garden to do battle with the weeds. Those representations have real, physical correlates in different brain states. As researchers such as Stephen Kosslyn of Harvard University have shown, mental imagery activates the same regions of the brain that actual perception does. Thus thinking about washing one’s hands, for instance, activates some of the same critical brain structures that actual washing activates, especially at those critical moments when the patient forms the mental image of standing at the sink and washing. “The intended action is represented…as a mental image of the intended action, and as a corresponding representation in the brain,” says Stapp. In a quantum brain, all the constituents that make up a thought—the diffusion of calcium ions, the propagation of electrons, the release of neurotransmitter—exist as quantum superpositions. Thus the brain itself is characterized by a whole slew of quantum superpositions of possible brain events. The result is a buzzing confusion of alternatives, a more complex version of Schrödinger’s alternative (alive or dead) cats. The alternative that persists longer in attention is the one that is caught by a sequence of rapid consents that activates the Quantum Zeno Effect. ~ Jeffrey M Schwartz,
849:When we examined the detailed history of the evolution, we found large gaps of time in which little happened at all. Then we saw the sudden appearance of a key circuit (an enabling technology) and quick use of this for further technologies. A full adder circuit might appear after say 32,000 steps; and 2-,3-,and 4-bit adders fairly quickly after that. In other words, we found periods of quiescence, followed by miniature "Cambrian explosions" of rapid evolution.

We also found, not surprisingly, that the evolution was history dependent. In different runs of the experiment the same simple technologies would emerge, but in a different sequence. Because more complicated technologies are constructed from simpler ones, they would often be put together from different building blocks. (If bronze appears before iron in the real world, many artifacts are made of bronze; if iron appears before bronze, the same artifacts would be made of iron.) We also found that some complex needs for circuits such as adders or comparators with many inputs-different ones each time-would not be fulfilled at all.

And we found avalanches of destruction. Superior technologies replaced previously functioning ones. And this meant that circuits used only for these now obsolete technologies were themselves no longer needed, and so these in turn were replaced. This yielded avalanches we could study and measure.

In these ways we were able to examine the evolution of technology in action, and it bore out the story I gave earlier in this chapter. ~ W Brian Arthur,
850:Lourd playing Leia in a flashback sequence in Star Wars The Force Awakens,used to be a rumor believed half heartedly by many not too long ago. Until she confirmed that portraying Leia in a flashback sequence was not the case. Why would she play Leia (in or not in a flashback sequence) in the first place? Is she identical to her mother? You decide that for yourself. I think Lourd is a good actress but not the Leia kind of girl. She seems to think that because she is Fisher's daughter, she can be hired. And there is a high chance that she will in Rogue One or some other Star Wars spin-off, But only because she is Fisher's daughter. If she wasn't the offspring of Fisher/Lourd, then she would probably not even care about getting hired to play Princess Leia unless she was asked. It is quite obvious that Lourd only wants to follow in her Mother's footsteps. She admires her Mother, (Fisher) and that is why she desires to play Princess Leia. Because she is Fisher's daughter she probably will be hired. But probably only for Rogue One or Star Wars Rebels. She only can stay young for a while. She is now 23 years old wich is about the same age as Fisher when she was filming for Star Wars Episode VII: Return of the Jedi. Lourd does not have much time left. But Disney seems to like her so she has a slight chance. Considering her father's being a casting agent, Lourd has an even greater chance of fulfilling her dream. But Disney could put more thought into her age and her looks. Does she look and sound like Fisher? I'll leave that to you." -Anne Onamuss ~ Anonymous,
851:Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long. As, therefore, in the case of animate bodies and organisms a certain magnitude is necessary, and a magnitude which may be easily embraced in one view; so in the plot, a certain length is necessary, and a length which can be easily embraced by the memory. The limit of length in relation to dramatic competition and sensuous presentment, is no part of artistic theory. For had it been the rule for a hundred tragedies to compete together, the performance would have been regulated by the water-clock,--as indeed we are told was formerly done. But the limit as fixed by the nature of the drama itself is this: the greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous. And to define the matter roughly, we may say that the proper magnitude is comprised within such limits, that the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good, or from good fortune to bad. ~ Aristotle,
852:This process is illustrated by an image of it that is continually taking place before our very eyes. Observe what happens when sunbeams are admitted into a building and shed light on its shadowy places. You will see a multitude of tiny particles mingling in a multitude of ways in the empty space within the light of the beam, as though contending in everlasting conflict, rushing into battle rank upon rank with never a moment’s pause in a rapid sequence of unions and disunions. From this you may picture what it is for the atoms to be perpetually tossed about in the illimitable void. To some extent a small thing may afford an illustration and an imperfect image of great things. Besides, there is a further reason why you should give your mind to these particles that are seen dancing in a sunbeam: their dancing is an actual indication of underlying movements of matter that are hidden from our sight. There you will see many particles under the impact of invisible blows, changing their course and driven back upon their tracks, this way and that, in all directions. You must understand that they all derive this restlessness from the atoms. It originates with the atoms, which move of themselves. Then those small compound bodies that are least removed from the impetus of the atoms are set in motion by the impact of their invisible blows and in turn cannon against slightly larger bodies. So the movement mounts up from the atoms and gradually emerges to the level of our senses, so that those bodies are in motion that we see in sunbeams, moved by blows that remain invisible.23 ~ Carlo Rovelli,
853:Fasting is an indispensable condition of a good life; but in fasting, as in abstinence in general, the question arises with what shall we begin: how to fast,—how often to eat, what to eat, what to avoid eating? And as we can do no work seriously without regarding the necessary order of sequence, so also we cannot fast without knowing where to begin,—with what to commence abstinence in food.
Fasting! And even an analysis of how to fast, and where to begin! The notion seems ridiculous to the majority of men.
I remember how an evangelical preacher who was attacking monastic asceticism and priding himself on his originality, once said to me, "My Christianity is not concerned with fasting and privations, but with beefsteaks." Christianity, or virtue in general—with beefsteaks!
During the long period of darkness and of the absence of all guidance, Pagan or Christian, so many wild, immoral ideas became infused into our life, especially into that lower region concerning the first steps toward a good life,—our relation to food, to which no one paid any attention,—that it is difficult for us even to understand the audacity and senselessness of upholding Christianity or virtue with beefsteaks.
We are not horrified by this association solely because a strange thing has befallen us. We look and see not: listen and hear not. There is no bad odor, no sound, no monstrosity, to which man cannot become accustomed, so that he ceases to remark that which would strike a man unaccustomed to it. Precisely so it is in the moral region. Christianity and morality with beefsteaks! ~ Leo Tolstoy,
854:They tried to bury us. They didn’t know we were seeds.” —Mexican proverb There are some secrets we don’t share because they’re embarrassing. Like that time I met Naval Ravikant (page 546) by accidentally hitting on his girlfriend at a coffee shop? Oops. Or the time a celebrity panelist borrowed my laptop to project a boring corporate video, and a flicker of porn popped up—à la Fight Club—in front of a crowd of 400 people? Another good example. But then there are dark secrets. The things we tell no one. The shadows we keep covered for fear of unraveling our lives. For me, 1999 was full of shadows. So much so that I never wanted to revisit them. I hadn’t talked about this traumatic period publicly until April 29, 2015, during a Reddit AMA (Ask Me Anything). What follows is the sequence of my downward spiral. In hindsight, it’s incredible how trivial some of it seems. At the time, though, it was the perfect storm. I include wording like “impossible situation,” which was reflective of my thinking at the time, not objective reality. I still vividly recall these events, but any quotes are paraphrased. So, starting where it began . . . It’s the beginning of my senior year at Princeton University. I’m slated to graduate around June of 1999. Somewhere in the next six months, several things happen in the span of a few weeks. First, I fail to make it to final interviews for McKinsey consulting and Trilogy software, in addition to others. I have no idea what I’m doing wrong, and I start losing confidence after “winning” in the game of academics for so long. Second, a long-term (for ~ Timothy Ferriss,
855:So grave were the interstate tensions over trade that Nathaniel Gorham, named president of Congress in 1786, feared that clashes between New York and its neighbors might degenerate into civil war. Similarly acrimonious trade disputes erupted between other states with major seaports and neighbors who imported goods through them. The states were arrogating a right that properly belonged to a central government: the right to formulate trade policy. This persuaded Hamilton that unless a new federal government with a monopoly on customs revenues was established, disunion would surely ensue. As individual states developed interests in their own taxes, they would be less and less likely to sacrifice for the common good. In April 1786, amid a worsening economic crisis, Hamilton agreed that the time had come to act and was elected to a one-year term in the New York Assembly. Later on, he told a Scottish relative that he had been involved in a lucrative legal practice “when the derangement of our public affairs by the feebleness of the general confederation drew me again reluctantly into public life.” 11 His zeal for reform signaled anything but reluctance. He was seized with a crusading sense of purpose and had a momentous, long-term plan to enact. Hamilton told Troup he had stood for election because he planned to “render the next session” of the Assembly “subservient to the change he meditated” in the structure of the national government. 12 Indeed, his election to the Assembly was a preliminary step in an extended sequence of events that led straight to the Constitutional Convention. ~ Ron Chernow,
856:Ikon: The Harrowing Of Hell
Down through the tomb's inward arch
He has shouldered out into Limbo
to gather them, dazed, from dreamless slumber:
the merciful dead, the prophets,
the innocents just His own age and those
unnumbered others waiting here
unaware, in an endless void He is ending
now, stooping to tug at their hands,
to pull them from their sarcophagi,
dazzled, almost unwilling. Didmas,
neighbor in death, Golgotha dust
still streaked on the dried sweat of his body
no one had washed and anointed, is here,
for sequence is not known in Limbo;
the promise, given from cross to cross
at noon, arches beyond sunset and dawn.
All these He will swiftly lead
to the Paradise road: they are safe.
That done, there must take place that struggle
no human presumes to picture:
living, dying, descending to rescue the just
from shadow, were lesser travails
than this: to break
through earth and stone of the faithless world
back to the cold sepulchre, tearstained
stifling shroud; to break from them
back into breath and heartbeat, and walk
the world again, closed into days and weeks again,
wounds of His anguish open, and Spirit
streaming through every cell of flesh
so that if mortal sight could bear
to perceive it, it would be seen
His mortal flesh was lit from within, now,
and aching for home. He must return,
first, in Divine patience, and know
hunger again, and give
to humble friends the joy
of giving Him food--fish and a honeycomb.
36
~ Denise Levertov,
857:The watcher’s eyes are likely to swivel forward in a sequence of stately turns as the screen’s pixel glows: each quarter-ounce mass of eyeball tugged by six flat muscles, in a glissando slide within the slippery fat lining the orbital cavity. The eye blinks, the widened pupils are in position, and the incoming electromagnetic waves roar in. Ripping through the thin layer of the cornea, they decelerate slightly, with their outermost edges forming a nearly flat plane as they travel inward, carrying the as-yet-undetected signal from the screen deep into the waiting human. The waves continue through the liquid of the aqueous humor and on to the gaping hole of the pupil. The human may have squinted to avoid the glare, but human reflexes work at the rate of slow thousandths of a second and are no match for these racing intruders. The pupil is crossed without obstruction. The stiff lens just below focuses the incoming waves even more, sending them into the inland sea of the jellylike vitreous humor deeper down in the eye. A very few of the incoming electric waves explode against the organic molecules in their way, but most simply whirl through those soft biological barriers and continue straight down, piercing the innermost wrapping of the eyeball, till they reach the end-point of their journey: the fragile, stalklike projection from the living brain known as the retina. And deep inside there, in the dark, barely slowed from their original 670 million mph, the waves splatter into the ancient, moist blood vessels and cell membranes, and something unexpected happens. An electric current switches on. ~ David Bodanis,
858:The 19th and first half of the 20th century conceived of the world as chaos. Chaos was the oft-quoted blind play of atoms, which, in mechanistic and positivistic philosophy, appeared to represent ultimate reality, with life as an accidental product of physical processes, and mind as an epi-phenomenon. It was chaos when, in the current theory of evolution, the living world appeared as a product of chance, the outcome of random mutations and survival in the mill of natural selection. In the same sense, human personality, in the theories of behaviorism as well as of psychoanalysis, was considered a chance product of nature and nurture, of a mixture of genes and an accidental sequence of events from early childhood to maturity.
  Now we are looking for another basic outlook on the world -- the world as organization. Such a conception -- if it can be substantiated -- would indeed change the basic categories upon which scientific thought rests, and profoundly influence practical attitudes.
  This trend is marked by the emergence of a bundle of new disciplines such as cybernetics, information theory, general system theory, theories of games, of decisions, of queuing and others; in practical applications, systems analysis, systems engineering, operations research, etc. They are different in basic assumptions, mathematical techniques and aims, and they are often unsatisfactory and sometimes contradictory. They agree, however, in being concerned, in one way or another, with "systems," "wholes" or "organizations"; and in their totality, they herald a new approach. ~ Ludwig von Bertalanffy, General System Theory,
859:In other words, the subjective perception of a copy of you in a typical parallel universe is a seemingly random sequence of wins and losses, behaving as if generated through a random process with probabilities of 50% for each outcome. This experiment can be made more rigorous if you take notes on a piece of pater, writing "1" every time you win and "0" every time you lose, and place a decimal point in front of it all. For example, if you lose, lose, win, lose, win,win,win, lose,lose and win, you'd write ".0010111001." But this is just what real numbers between zero and one look like when written out in binary, the way computers usually write them on the hard drive! If you imagine repeating the Quantum Cards experiment infinitely many times, your piece of paper would have infinitely many digits written on it, so you can match each parallel universe with a number between zero and one. Now what Borel's theorem proves is that almost all of these numbers have 50% of their decimals equal to 0 and 50% equal to 1, so this means that almost all of the parallel universes have you winning 50% of the time and losing 50% of the time.

It's not just that the percentages come out right. The number ".010101010101..." has 50% of its digits equal to 0 but clearly isn't random, since it has a simple pattern. Borel's theorem can be generalized to show that almost all numbers have random-looking digits with no patterns whatsoever. This means that in almost all Level III parallel universes, your sequence of wins and losses will also be totally random, without any pattern, so that all that can be predicted is that you'll win 50% of the time. ~ Max Tegmark,
860:And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills.

Peace. ~ Don DeLillo,
861:These are essentially five such practices—five such habits of the mind that have to be acquired to be an effective executive: 1.    Effective executives know where their time goes. They work systematically at managing the little of their time that can be brought under their control. 2.    Effective executives focus on outward contribution. They gear their efforts to results rather than to work. They start out with the question, “What results are expected of me?” rather than with the work to be done, let alone with its techniques and tools. 3.    Effective executives build on strengths—their own strengths, the strengths of their superiors, colleagues, and subordinates; and on the strengths in the situation, that is, on what they can do. They do not build on weakness. They do not start out with the things they cannot do. 4.    Effective executives concentrate on the few major areas where superior performance will produce outstanding results. They force themselves to set priorities and stay with their priority decisions. They know that they have no choice but to do first things first—and second things not at all. The alternative is to get nothing done. 5.    Effective executives, finally, make effective decisions. They know that this is, above all, a matter of system—of the right steps in the right sequence. They know that an effective decision is always a judgment based on “dissenting opinions” rather than on “consensus on the facts.” And they know that to make many decisions fast means to make the wrong decisions. What is needed are few, but fundamental, decisions. What is needed is the right strategy rather than razzle-dazzle tactics ~ Peter F Drucker,
862:Then, by asking questions methodically, he got me to recount in their proper sequence my own memories of that night; they were as written down above. And I attempted a conclusion:

'And that's how I came to see that we were less than nothing and had no hope. After that, would it not be the right thing to go out and hang yourself?'

He laughed and said:

'But what could be more comforting than to discover that we are less than nothing? It's only by turning ourselves inside out that we shall become something. Is it not a great comfort to the caterpillar to learn that she is a mere larva, that her time of being a semi-crawling digestive tube will not last, and that after a period of confinement in the mortuary of her chrysalis, she will be born again as a butterfly—not in a nonexistent paradise dreamed up by some caterpillary, consoling philosophy, but here in this very garden, where she is now laboriously munching on her cabbage leaf? We are all caterpillars and it is our misfortune that, in defiance of nature, we cling with all our strength to our condition, to our caterpillar appetites, caterpillar passions, caterpillar metaphysics, and caterpillar societies. Only in our outward physical appearance do we bear to the observer who suffers from psychic shortsightedness any resemblance whatsoever to adults; the rest of us remain stubbornly larval. Well, I have very good reasons for believing (indeed if I didn't there'd be nothing for it but to go off and dangle from the end of a rope) that man can reach the adult stage, that a few of us already have, and that those few have not kept the knack to themselves. What could be more comforting? ~ Ren Daumal,
863:Apart from the regime of the Last Man, the other nightmare that plagued Nietzsche was the 'long plentitude and sequence of breakdown, destruction, ruin, and cataclysm that is now impending' as a result of the Death of God. The Death of God resulted when Christianity's chief virtue, truthfulness, was at last turned against religion. The search for historical truth resulted in skepticism about the transcendent claims of religion, and 'eventually turned against morality, discovered its teleology, its partial perspective....' Luther was an archetypical Christian who, impelled by the love of truth 'surrendered the holy books to everyone - until they finally came into the hands of the philologists, who are the destroyers of every faith that rests on books.' At times, it appears that for Nietzsche the death of God was a supremely liberating event, and one to be celebrated. On the other hand, he also speaks of an 'approaching gloom' which will overwhelm Europe as morality gradually perishes: 'this is the great spectacle in a hundred acts reserved for the next two centuries in Europe - the most terrible, most questionable, and perhaps also the most hopeful of all spectacles. -' So although Nietzsche harbors hopes for an eventual transvaluation of all values, he does not by any means consider this a foregone conclusion, nor does he look forward to the gloom and cataclysm that will result between the death of the old values and the birth of the new. 'Nihilism represents a pathological transitional stage,' he writes; and he wonders 'whether the productive forces are not yet strong enough, or whether decadence still hesitates and has not yet invented its remedies. ~ Peter Levine,
864:To claim that mathematics is purely a human invention and is successful in explaining nature only because of evolution and natural selection ignores some important facts in the nature of mathematics and in the history of theoretical models of the universe. First, while the mathematical rules (e.g., the axioms of geometry or of set theory) are indeed creations of the human mind, once those rules are specified, we lose our freedom. The definition of the Golden Ratio emerged originally from the axioms of Euclidean geometry; the definition of the Fibonacci sequence from the axioms of the theory of numbers. Yet the fact that the ratio of successive Fibonacci numbers converges to the Golden Ratio was imposed on us-humans had not choice in the matter. Therefore, mathematical objects, albeit imaginary, do have real properties. Second, the explanation of the unreasonable power of mathematics cannot be based entirely on evolution in the restricted sense. For example, when Newton proposed his theory of gravitation, the data that he was trying to explain were at best accurate to three significant figures. Yet his mathematical model for the force between any two masses in the universe achieved the incredible precision of better than one part in a million. Hence, that particular model was not forced on Newton by existing measurements of the motions of planets, nor did Newton force a natural phenomenon into a preexisting mathematical pattern. Furthermore, natural selection in the common interpretation of that concept does not quite apply either, because it was not the case that five competing theories were proposed, of which one eventually won. Rather, Newton's was the only game in town! ~ Mario Livio,
865:The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that i expected all your life to be delirious, intoxicated."

Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. It is amusing that, when Henry, Fred, and I talked together, we fell back into a deep naturalness. Perhaps none of us is a sensational character. Or perhaps we have no need of condiments. Henry is, in reality, mild not temperamental; gentle not eager for scenes. We may all write about sadism, masochism, the grand quignol, bubu de montparnasse (in which the highest proof of love is for a pimp to embrace his woman's syphilis as fervently as herself, a noblesse-oblige of the apache world), cocteau, drugs, insane asylums, house of the dead, because we love strong colors; and yet when we sit in the cafe de la place clichy, we talk about henry's last pages, and a chapter which was too long, and richard's madness. "One of his greatest worries," said Henry, "was to have introduced us. He thinks you are wonderful and that you may be in danger from the 'gangster author. ~ Ana s Nin,
866:Society itself falls apart into class and intraclass groups; individual life-sequences are directly linked with these and together both individual life and subgroups are opposed to the whole. Thus in the early stages of slaveholding society and in feudal society, individual life-sequences are still rather tightly interwoven with the common life of the most immediate social group. But nevertheless they are separate, even here. The course of individual lives, of groups, and of the sociopolitical whole do not fuse together, they are dispersed, there are gaps; they are measured by different scales of value; each of these series has its own logic of development, its own narratives,
each makes use of and reinterprets the ancient motifs in its own way. Within the boundaries of individual life-series, an interior aspect makes itself apparent. The process of separating out and detaching individual life-sequences from the whole reaches its highest point when financial relations develop in slaveholding society, and under capitalism. Here the individual sequence takes on its specific private character and what is held in common becomes maximally abstract.
The ancient motifs that had passed into the individual life-narratives here undergo a specific kind of degeneration. Food, drink, copulation and so forth lose their ancient "pathos" (their link, their unity with the laboring life of the social whole); they become a petty private matter; they seem to exhaust all their significance within the boundaries of individual life. As a result of this severance from the producing life of the whole and from the collective struggle with nature, their real links with the life of nature are weakened-if not severed altogether. ~ Mikhail Bakhtin,
867:I do not think we can ever adequately define or understand love; I do not think we were ever meant to. We are meant to participate in love without really comprehending it. We are meant to give ourselves, live ourselves into love’s mystery.

It is the same for all important things in life; there is a mystery within them that our definitions and understandings cannot grasp. Definitions and understandings are images and concepts created by our brains to symbolize what is real. Our thoughts about something are never the thing itself. Further, when we think logically about something, our thoughts come sequentially – one after another. Reality is not confined to such linearity; it keeps happening all at once in each instant. The best our thoughts can do is try to keep a little running commentary in rapid, breathless sequence. . .

A certain asceticism of mind, a gentle intellectual restraint, is needed to appreciate the important things in life. To be open to the truth of love, we must relinquish our frozen comprehensions and begin instead to appreciate. To comprehend is to grasp; to appreciate is to value. Appreciation is gentle seeing, soft acknowledgement, reverent perception. Appreciation can be a pleasant valuing: being awed by a night sky, touched by a symphony, or moved by a caress without needing to understand why. It can also be painful: feeling someone’s suffering, being shocked by loss or disaster without comprehending the reason. Appreciation itself is a kind of love; it is our direct human responsiveness, valuing what we cannot grasp. Love, the life of our heart, is not what we think. It is always ready to surprise us, to take us beyond our understandings into a reality that is both insecure and wonderful. ~ Gerald G May,
868:How does the body push the comparatively tiny genome so far? Many researchers want to put the weight on learning and experience, apparently believing that the contribution of the genes is relatively unimportant. But though the ability to learn is clearly one of the genome's most important products, such views overemphasize learning and significantly underestimate the extent to which the genome can in fact guide the construction of enormous complexity. If the tools of biological self-assembly are powerful enough to build the intricacies of the circulatory system or the eye without requiring lessons from the outside world, they are also powerful enough to build the initial complexity of the nervous system without relying on external lessons.

The discrepancy melts away as we appreciate the true power of the genome. We could start by considering the fact that the currently accepted figure of 30,000 could well prove to be too low. Thirty thousand (or thereabouts) is, at press time, the best estimate for how many protein-coding genes are in the human genome. But not all genes code for proteins; some, not counted in the 30,000 estimate, code for small pieces of RNA that are not converted into proteins (called microRNA), of "pseudogenes," stretches of DNA, apparently relics of evolution, that do not properly encode proteins. Neither entity is fully understood, but recent reports (from 2002 and 2003) suggest that both may play some role in the all-important process of regulating the IFS that control whether or not genes are expressed. Since the "gene-finding" programs that search the human genome sequence for genes are not attuned to such things-we don't yet know how to identify them reliably-it is quite possible that the genome contains more buried treasure. ~ Gary F Marcus,
869:Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all the others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies.

In his first year at university, Mattia had learned that, among prime numbers, there are some that are even more special. Mathematicians call them twin primes: pairs of prime numbers that are close to each other, almost neighbors, but between them there is always an even number that prevents them from truly touching. Numbers like 11 and 13, like 17 and 19, 41 and 43. If you have the patience to go on counting, you discover that these pairs gradually become rarer. You encounter increasingly isolated primes, lost in that silent, measured space made only of ciphers, and you develop a distressing presentiment that the pairs encountered up until that point were accidental, that solitude is the true destiny. Then, just when you're about to surrender, when you no longer have the desire to go on counting, you come across another pair of twins, clutching each other tightly. There is a common conviction among mathematicians that however far you go, there will always be another two, even if no one can say where exactly, until they are discovered. ~ Paolo Giordano,
870:Organizer—Using work breakdown, estimating, and scheduling techniques, determines the complete work effort for the project, the proper sequence of the work activities, when the work will be accomplished, who will do the work, and how much the work will cost. • Point Man—Serves as the central point-of-contact for all oral and written project communications. • Quartermaster—Ensures the project has the resources, materials, and facilities its needs when it needs it. • Facilitator—Ensures that stakeholders and team members who come from different perspectives understand each other and work together to accomplish the project goals. • Persuader—Gains agreement from the stakeholders on project definition, success criteria, and approach; manages stakeholder expectations throughout the project while managing the competing demands of time, cost, and quality; and gains agreement on resource decisions and issue resolution action steps. • Problem Solver—Utilizes root-cause analysis process experience, prior project experiences, and technical knowledge to resolve unforeseen technical issues and to take any necessary corrective actions. • Umbrella—Works to shield the project team from the politics and “noise” surrounding the project, so they can stay focused and productive. • Coach—Determines and communicates the role each team member plays and the importance of that role to the project success, finds ways to motivate each team member, looks for ways to improve the skills of each team member, and provides constructive and timely feedback on individual performances. • Bulldog—Performs the follow-up to ensure that commitments are maintained, issues are resolved, and action items are completed. • Librarian—Manages all information, communications, and documentation involved in the project. ~ Anonymous,
871:Evolution as a process is powerful because of its cumulative nature. Richard Dawkins offers a neat way to think about cumulative selection in his wonderful book The Blind Watchmaker. He invites us to consider a monkey trying to type a single line from Hamlet: “Methinks it is like a weasel.” The odds are pretty low for the monkey to get it right. If the monkey is typing at random and there are 27 letters (counting the space bar as a letter), it has a 1 in 27 chance to get the first letter right, a 1 in 27 for the next letter, and so on. So just to get the first three in a row correct are 1/27 multiplied by 1/27 multiplied by 1/27. That is one chance in 19,683. To get all 28 in the sequence, the odds are around 1 in 10,000 million, million, million, million, million, million. But now suppose that we provide a selection mechanism (i.e., a failure test) that is cumulative. Dawkins set up a computer program to do just this. Its first few attempts at getting the phrase is random, just like a monkey. But then the computer scans the various nonsense phrases to see which is closest, however slightly, to the target phrase. It rejects all the others. It then randomly varies the winning phrase, and then scans the new generation. And so on. The winning phrase after the first generation of running the experiment on the computer was: WDLTMNLT DTJBSWIRZREZLMQCO P. After ten generations, by honing in on the phrase closest to the target phrase, and rejecting the others, it was: MDLDMNLS ITJISWHRZREZ MECS P. After twenty generations, it looked like this: MELDINLS IT ISWPRKE Z WECSEL. After thirty generations, the resemblance is visible to the naked eye: METHINGS IT ISWLIKE B WECSEL. By the forty-third generation, the computer got the right phrase. It took only a few moments to get there. ~ Matthew Syed,
872:All airplanes must carry two black boxes, one of which records instructions sent to all on-board electronic systems. The other is a cockpit voice recorder, enabling investigators to get into the minds of the pilots in the moments leading up to an accident. Instead of concealing failure, or skirting around it, aviation has a system where failure is data rich. In the event of an accident, investigators, who are independent of the airlines, the pilots’ union, and the regulators, are given full rein to explore the wreckage and to interrogate all other evidence. Mistakes are not stigmatized, but regarded as learning opportunities. The interested parties are given every reason to cooperate, since the evidence compiled by the accident investigation branch is inadmissible in court proceedings. This increases the likelihood of full disclosure. In the aftermath of the investigation the report is made available to everyone. Airlines have a legal responsibility to implement the recommendations. Every pilot in the world has free access to the data. This practice enables everyone—rather than just a single crew, or a single airline, or a single nation—to learn from the mistake. This turbocharges the power of learning. As Eleanor Roosevelt put it: “Learn from the mistakes of others. You can’t live long enough to make them all yourself.” And it is not just accidents that drive learning; so, too, do “small” errors. When pilots experience a near miss with another aircraft, or have been flying at the wrong altitude, they file a report. Providing that it is submitted within ten days, pilots enjoy immunity. Many planes are also fitted with data systems that automatically send reports when parameters have been exceeded. Once again, these reports are de-identified by the time they proceed through the report sequence.* ~ Matthew Syed,
873:As soon as we take our seats, a sequence of six antipasti materialize from the kitchen and swallow up the entire table: nickels of tender octopus with celery and black olives, a sweet and bitter dance of earth and sea; another plate of polpo, this time tossed with chickpeas and a sharp vinaigrette; a duo of tuna plates- the first seared and chunked and served with tomatoes and raw onion, the second whipped into a light pâté and showered with a flurry of bottarga that serves as a force multiplier for the tuna below; and finally, a plate of large sea snails, simply boiled and served with small forks for excavating the salty-sweet knuckle of meat inside.
As is so often the case in Italy, we are full by the end of the opening salvo, but the night is still young, and the owner, who stops by frequently to fill my wineglass as well as his own, has a savage, unpredictable look in his eyes. Next comes the primo, a gorgeous mountain of spaghetti tossed with an ocean floor's worth of clams, the whole mixture shiny and golden from an indecent amount of olive oil used to mount the pasta at the last moment- the fat acting as a binding agent between the clams and the noodles, a glistening bridge from earth to sea. "These are real clams, expensive clams," the owner tells me, plucking one from the plate and holding it up to the light, "not those cheap, flavorless clams most restaurants use for pasta alle vongole."
Just as I'm ready to wave the white napkin of surrender- stained, like my pants, a dozen shades of fat and sea- a thick cylinder of tuna loin arrives, charred black on the outside, cool and magenta through the center. "We caught this ourselves today," he whispers in my ear over the noise of the dining room, as if it were a secret to keep between the two of us. How can I refuse? ~ Matt Goulding,
874:While endowed with the morose temper of genius, he [Lakes, Arts Professor] lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to 'schools' and 'trends', his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal non-objectivism of today, and that nothing but individual talent mattered--these views made of him an unusual teacher. St Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things Lake taught was that the order of the solar spectrum is not a closed
circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing more banal and more bourgeois than paranoia. That Dali is really Norman Rockwell's twin brother kidnapped by gipsies in babyhood. That Van Gogh is second-rate and Picasso supreme, despite his commercial foibles; and that if Degas could immortalize a calèche, why could not Victor Wind do the same to a motor car? ~ Vladimir Nabokov,
875:John Glen, the first American astronaut to orbit the earth, spent nearly a day in space still keeping his heart rate under a hundred beats per minute. That's a man not simply sitting at the controls but in control of his emotions. A man who had properly cultivated, what Tom Wolfe later called, "the Right Stuff."
But you...confront a client or a stranger on the streets and your heart is liable to burst out of your chest; or you are called on to address a crowd and your stomach crashes through the floor.
It's time to realize that this is a luxury, an indulgence of our lesser self. In space, the difference between life and death lies in emotional regulations.
Hitting the wrong button, reading the instrument panels incorrectly, engaging a sequence too early- none of these could have been afforded on a successful Apollo mission- the consequences were too great.
Thus, the question for astronauts was not How skilled a pilot are you, but Can you keep an even strain? Can you fight the urge to panic and instead focus only on what you can change? On the task at hand?
Life is really no different. Obstacles make us emotional, but the only way we'll survive or overcome them is by keeping those emotions in check- if we can keep steady no matter what happens, no matter how much external events may fluctuate.
The Greeks had a word for this: apatheia.
It's the kind of calm equanimity that comes with the absence of irrational or extreme emotions. Not the loss of feeling altogether, just the loss of the harmful, unhelpful kind. Don't let the negativity in, don't let those emotions even get started. Just say: No, thank you. I can't afford to panic.
This is the skill that must be cultivated- freedom from disturbance and perturbation- so you can focus your energy exclusively on solving problems, rather than reacting to them. p28-9 ~ Ryan Holiday,
876:Endorsement of the ordination of women is not the final step in the process, however. If we look at the denominations that approved women’s ordination from 1956–1976, we find that several of them, such as the United Methodist Church and the United Presbyterian Church (now called the Presbyterian Church–USA), have large contingents pressing for (a) the endorsement of homosexual conduct as morally valid and (b) the approval of homosexual ordination. In fact, the Episcopal Church on August 5, 2003, approved the appointment of an openly homosexual bishop.16 In more liberal denominations such as these, a predictable sequence has been seen (though so far only the Episcopal Church has followed the sequence to point 7): 1. abandoning biblical inerrancy 2. endorsing the ordination of women 3. abandoning the Bible’s teaching on male headship in marriage 4. excluding clergy who are opposed to women’s ordination 5. approving homosexual conduct as morally valid in some cases 6. approving homosexual ordination 7. ordaining homosexuals to high leadership positions in the denomination17 I am not arguing that all egalitarians are liberals. Some denominations have approved women’s ordination for other reasons, such as a long historical tradition and a strong emphasis on gifting by the Holy Spirit as the primary requirement for ministry (as in the Assemblies of God), or because of the dominant influence of an egalitarian leader and a high priority on relating effectively to the culture (as in the Willow Creek Association). But it is unquestionable that theological liberalism leads to the endorsement of women’s ordination. While not all egalitarians are liberals, all liberals are egalitarians. There is no theologically liberal denomination or seminary in the United States today that opposes women’s ordination. Liberalism and the approval of women’s ordination go hand in hand. ~ Wayne Grudem,
877:Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love – from my heart, from the tender nucleus of a personal matter – to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behavior of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time. It is a pernicious habit, but I can do nothing about it. It can be compared to the uncontrollable flick of an insomniac’s tongue checking a jagged tooth in the night of his mouth and bruising itself in doing so but still persevering. I have known people who, upon accidentally touching something – a doorpost, a wall – had to go through a certain very rapid and systematic sequence of manual contacts with various surfaces in the room before returning to a balanced existence. It cannot be helped; I must know where I stand, where you and my son stand. When that slow-motion, silent explosion of love takes place in me, unfolding its melting fringes and overwhelming me with the sense of something much vaster, much more enduring and powerful than the accumulation of matter or energy in any imaginable cosmos, then my mind cannot but pinch itself to see if it is really awake. I have to make a rapid inventory of the universe, just as a man in a dream tries to condone the absurdity of his position by making sure he is dreaming. I have to have all space and all time participate in my emotion, in my mortal love, so that the edge of its mortality is taken off, thus helping me to fight the utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence. ~ Vladimir Nabokov,
878:Any Prince To Any Princess
August is coming
and the goose, I'm afraid,
is getting fat.
There have been
no golden eggs for some months now.
Straw has fallen well below market price
despite my frantic spinning
and the sedge is,
as you rightly point out,
withered.
I can't imagine how the pea
got under your mattress. I apologize
humbly. The chambermaid has, of course,
been sacked. As has the frog footman.
I understand that, during my recent fact-finding tour of the
Golden River,
despite your nightly unavailing efforts,
he remained obstinately
froggish.
I hope that the Three Wishes granted by the General
Assembly
will go some way towards redressing
this unfortunate recent sequence of events.
The fall in output from the shoe-factory, for example:
no one could have foreseen the work-to-rule
by the National Union of Elves. Not to mention the fact
that the court has been fast asleep
for the last six and a half years.
The matter of the poisoned apple has been taken up
by the Board of Trade: I think I can assure you
the incident will not be
repeated.
I can quite understand, in the circumstances,
your reluctance to let down
your golden tresses. However
I feel I must point out
that the weather isn't getting any better
and I already have a nasty chill
from waiting at the base
of the White Tower. You must see
the absurdity of the
situation.
Some of the courtiers are beginning to talk,
not to mention the humble villagers.
It's been three weeks now, and not even
a word.
Princess,
a cold, black wind
howls through our empty palace.
Dead leaves litter the bedchamber;
the mirror on the wall hasn't said a thing
since you left. I can only ask,
bearing all this in mind,
that you think again,
let down your hair,
reconsider.
~ Adrian Henri,
879:He cocked his head. "But why did you come to begin with?"
"I think you know, Callum," she answered, embarrassed.
"Yeah, I think I do, but I want to hear it from you."
Why not tell him? This whole sequence wouldn't amount to much more than a dream tomorrow, anyway. "Because you're amazing, because you're a rock star, because you move me. There are probably a million girls on the planet who would do anything to be where I am right now." Luckily, she didn't tell him she loved him; that would have been really awkward. She made herself breathe. "But I took advantage of this ability I have. The real truth is that last night, I'm not sure I could have stopped myself even if I wanted to. I just never thought..." Sylvie trailed off, unable to continue.
"What?"
"I never thought you'd be able to see me. Most people can't."
"Really?" His expression was almost smug. "So why do you think I can?"
"I don't know. I don't think anyone really understands how this works. Most times I float around and go unnoticed. I thought if I could just see you, I could make a kind of peace with that." She looked down at her feet, feeling inexcusable. "I'm getting this all wrong. I just wanted to apologize, that's all. And now I really do sound like a stalker."
He laughed. "Hey, there are worse things in the world than being stalked by a beautiful girl who has this amazing ability to fly out of her body any time she wants to. What else can you do, Sylvie?" The question lingered in the air. She had a feeling that he wasn't talking about anything spiritual at all. In fact, she got the distinct impression that he was flirting with her.
"Don't you want me to leave? Aren't you pissed off?" she asked.
He laughed again, totally at ease. She wished she were as relaxed. "Listen, I'm a guy who likes his privacy. But there's something about you... something special. It seems crazy, but maybe I can see you because I'm meant to see you."
Sylvie didn't know what to say. ~ Amy S Foster,
880:In all of these areas, the human brain is asked to do and handle more than ever before. We are dealing with several fields of knowledge constantly intersecting with our own, and all of this chaos is exponentially increased by the information available through technology. What this means is that all of us must possess different forms of knowledge and an array of skills in different fields, and have minds that are capable of organizing large amounts of information. The future belongs to those who learn more skills and combine them in creative ways. And the process of learning skills, no matter how virtual, remains the same. In the future, the great division will be between those who have trained themselves to handle these complexities and those who are overwhelmed by them—those who can acquire skills and discipline their minds and those who are irrevocably distracted by all the media around them and can never focus enough to learn. The Apprenticeship Phase is more relevant and important than ever, and those who discount this notion will almost certainly be left behind. Finally, we live in a culture that generally values intellect and reasoning with words. We tend to think of working with the hands, of building something physical, as degraded skills for those who are less intelligent. This is an extremely counterproductive cultural value. The human brain evolved in intimate conjunction with the hand. Many of our earliest survival skills depended on elaborate hand-eye coordination. To this day, a large portion of our brain is devoted to this relationship. When we work with our hands and build something, we learn how to sequence our actions and how to organize our thoughts. In taking anything apart in order to fix it, we learn problem-solving skills that have wider applications. Even if it is only as a side activity, you should find a way to work with your hands, or to learn more about the inner workings of the machines and pieces of technology around you. Many Masters ~ Robert Greene,
881:Here’s an example: DNA stores information very nicely, in a durable format that allows for exact duplication. A ribosome turns that stored information into a sequence of amino acids, a protein, which folds up into a variety of chemically active shapes. The combined system, DNA and ribosome, can build all sorts of protein machinery. But what good is DNA, without a ribosome that turns DNA information into proteins? What good is a ribosome, without DNA to tell it which proteins to make? Organisms don’t always leave fossils, and evolutionary biology can’t always figure out the incremental pathway. But in this case we do know how it happened. RNA shares with DNA the property of being able to carry information and replicate itself, although RNA is less durable and copies less accurately. And RNA also shares the ability of proteins to fold up into chemically active shapes, though it’s not as versatile as the amino acid chains of proteins. Almost certainly, RNA is the single A which predates the mutually dependent A* and B. It’s just as important to note that RNA does the combined job of DNA and proteins poorly, as that it does the combined job at all. It’s amazing enough that a single molecule can both store information and manipulate chemistry. For it to do the job well would be a wholly unnecessary miracle. What was the very first replicator ever to exist? It may well have been an RNA strand, because by some strange coincidence, the chemical ingredients of RNA are chemicals that would have arisen naturally on the prebiotic Earth of 4 billion years ago. Please note: evolution does not explain the origin of life; evolutionary biology is not supposed to explain the first replicator, because the first replicator does not come from another replicator. Evolution describes statistical trends in replication. The first replicator wasn’t a statistical trend, it was a pure accident. The notion that evolution should explain the origin of life is a pure strawman—more creationist misrepresentation. ~ Eliezer Yudkowsky,
882:The coming of Caesarism breaks the dictature of money and its political weapon, democracy. After a long triumph of world-city economy and its interests over political creative force, the political side of life manifests itself after all as the stronger of the two. The sword is victorious over the money, the master-will subdues again the plunderer-will. If we call these money-powers 'Capitalism,' then we may designate as Socialism the will to call into life a mighty politico-economic order that transcends all class interests, a system of lofty thoughtfulness and duty-sense that keeps the whole in fine condition for the decisive battle of its history, and this battle is also the battle of money and law. The private powers of the economy want free paths for their acquisition of great resources. No legislation must stand in their way. They want to make the laws themselves, in their interests, and to that end they make use of the tool they have made for themselves, democracy, the subsidized party. Law needs, in order to resist this onslaught, a high tradition and an ambition of strong families that finds its satisfaction not in the heaping-up of riches, but in the tasks of true rulership, above and beyond all money-advantage. A power can be overthrown only by another power, not by a principle, and no power that can confront money is left but this one. Money is overthrown and abolished only by blood. Life is alpha and omega, the cosmic stream in microcosmic form. It is the fact of facts within the world-as-history. Before the irresistible rhythm of the generation-sequence, everything built up by the waking-consciousness in its intellectual world vanishes at the last. Ever in History it is life and life only race-quality, the triumph of the will-to-power and not the victory of truths, discoveries, or money that signifies. World-history is the world court, and it has ever decided in favour of the stronger, fuller, and more self-assured life decreed to it, namely, the right to exist, regardless of whether its right would hold before a tribunal of waking-consciousness. ~ Oswald Spengler,
883:In the course of a short city-block this frantic old woman frenetically caricatured the features of forty or fifty passers-by, in a quick-fire sequence of kaleidoscopic imitations, each lasting a second or two, sometimes less, and the whole dizzying sequence scarcely more than two minutes.

And there were ludicrous imitations of the second and third order; for the people in the street, startled, outraged, bewildered by her imitations, took on these expressions in reaction to her; and those expressions, in turn, were re-reflected, re-directed, re-distorted, by the Touretter, causing a still greater degree of outrage and shock. This grotesque, involuntary resonance, or mutuality, by which everyone was drawn into an absurdly amplifying interaction, was the source of the disturbance I had seen from a distance. This woman who, becoming everybody, lost her own self, became nobody. This woman with a thousand faces, masks, personae- how must it be for her in this whirlwind of identities? The answer came soon- and not a second too late; for the build-up of pressures, both hers and others’, was fast approaching the point of explosion. Suddenly, desperately, the old woman turned aside, into an alley-way which led off the main street. And there, with all the appearances of a woman violently sick, she expelled, tremendously accelerated and abbreviated, all the gestures, the postures, the expressions, the demeanours, the entire behavioural repertoires, of the past forty or fifty people she had passed. She delivered one vast, pantomimic egurgitation, in which the engorged identities of the last fifty people who had possessed her were spewed out. And if the taking-in had lasted two minutes, the throwing-out was a single exhalation- fifty people in ten seconds, a fifth of a second or less for the time-foreshortened repertoire of each person.

I was later to spend hundreds of hours, talking to, observing, taping, learning from, Tourette patients. Yet nothing, I think, taught me as much, as swiftly, as penetratingly, as overwhelmingly as that phantasmagoric two minutes in a New York street. ~ Oliver Sacks,
884:Confirmation bias is another of the psychological quirks associated with cognitive dissonance. The best way to see its effects is to consider the following sequence of numbers: 2, 4, 6. Suppose that you have to discover the underlying pattern in this sequence. Suppose, further, that you are given an opportunity to propose alternative sets of three numbers to explore the possibilities. Most people playing this game come up with a hypothesis pretty quickly. They guess, for example, that the underlying pattern is “even numbers ascending sequentially.” There are other possibilities, of course. The pattern might just be “even numbers.” Or “the third number is the sum of the first two.” And so on. The key question is, How do you establish whether your initial hunch is right? Most people simply try to confirm their hypothesis. So, if they think the pattern is “even numbers ascending sequentially,” they will propose “10, 12, 14” and when this is confirmed, they will propose “100, 102, 104.” After three such tests most people are pretty certain that they have found the answer. And yet they may be wrong. If the pattern is actually “any ascending numbers,” their guesses will not help them. Had they used a different strategy, on the other hand, attempting to falsify their hypothesis rather than confirm it, they would have discovered this far quicker. If they had, say, proposed 4, 6, 11 (fits the pattern), they would have found that their initial hunch was wrong. If they had followed up with, say, 5, 2, 1, (which doesn’t fit), they would now be getting pretty warm. As Paul Schoemaker, research director of the Mack Institute for Innovation Management at the Wharton School of the University of Pennsylvania, puts it: The pattern is rarely uncovered unless subjects are willing to make mistakes—that is, to test numbers that violate their belief. Instead most people get stuck in a narrow and wrong hypothesis, as often happens in real life, such that their only way out is to make a mistake that turns out not to be a mistake after all. Sometimes, committing errors is not just the fastest way to the correct answer; it’s the only way. ~ Matthew Syed,
885:FEELING IT It’s useful to think about how emotional feelings emerge in consciousness by way of analogy with the way the flavor of a soup is the product of its ingredients.92 For example, salt, pepper, garlic, and water are common ingredients that go into a chicken soup. The amount of salt and pepper added can intensify the taste of the soup without radically changing its nature. You can add other ingredients, like celery, green peppers, and parsley, and have a variant of a chicken soup. Add roux and it becomes gumbo, whereas curry paste pushes it in a different direction. Substitute shrimp for chicken, and the character again changes. None of these individual items are soup ingredients per se: They are things that exist independent of soup and that would exist if a soup had never been made. The idea that emotions are psychologically constructed states is related to Claude Levi-Strauss’s notion of “bricolage.”93 This is the French word referring to something put together (constructed) from items that happen to be available. Levi-Strauss emphasized the importance of the individual, the “bricoleur,” and his social context, in the construction process. Building on this idea, Shirley Prendergast and Simon Forrest note that “maybe persons, objects, contexts, the sequence and fabric of everyday life are the medium through which emotions come into being, day to day, a kind of emotional bricolage.”94 In the brain, working memory can be thought of as the “bricoleur,” and the content of emotional consciousness resulting from the construction process as the bricolage. Similarly, fear, anxiety, and other emotions arise from intrinsically nonemotional ingredients, things that exist in the brain for other reasons but that create feelings when they coalesce in consciousness. The pot in which the ingredients of conscious feelings are cooked is working memory (Figure 8.9). Different ingredients, or varying amounts of the same ingredients, account for differences between fear and anxiety, and for variations within each category. Although my soup analogy is new, I’ve been promoting the basic idea that conscious feelings are assembled from nonemotional ingredients for quite some time.95 ~ Joseph E LeDoux,
886:As the leader of the international Human Genome Project, which had labored mightily over more than a decade to reveal this DNA sequence, I stood beside President Bill Clinton in the East Room of the White House...

Clinton's speech began by comparing this human sequence map to the map that Meriwether Lewis had unfolded in front of President Thomas Jefferson in that very room nearly two hundred years earlier.

Clinton said, "Without a doubt, this is the most important, most wondrous map ever produced by humankind." But the part of his speech that most attracted public attention jumped from the scientific perspective to the spiritual. "Today," he said, "we are learning the language in which God created life. We are gaining ever more awe for the complexity, the beauty, and the wonder of God's most divine and sacred gift."

Was I, a rigorously trained scientist, taken aback at such a blatantly religious reference by the leader of the free world at a moment such as this? Was I tempted to scowl or look at the floor in embarrassment? No, not at all. In fact I had worked closely with the president's speechwriter in the frantic days just prior to this announcement, and had strongly endorsed the inclusion of this paragraph.

When it came time for me to add a few words of my own, I echoed this sentiment: "It's a happy day for the world. It is humbling for me, and awe-inspiring, to realize that we have caught the first glimpse of our own instruction book, previously known only to God."

What was going on here? Why would a president and a scientist, charged with announcing a milestone in biology and medicine, feel compelled to invoke a connection with God? Aren't the scientific and spiritual worldviews antithetical, or shouldn't they at least avoid appearing in the East Room together? What were the reasons for invoking God in these two speeches? Was this poetry? Hypocrisy? A cynical attempt to curry favor from believers, or to disarm those who might criticize this study of the human genome as reducing humankind to machinery? No. Not for me. Quite the contrary, for me the experience of sequencing the human genome, and uncovering this most remarkable of all texts, was both a stunning scientific achievement and an occasion of worship. ~ Francis S Collins,
887:know that taking a long walk was his preferred way to have a serious conversation. It turned out that he wanted me to write a biography of him. I had recently published one on Benjamin Franklin and was writing one about Albert Einstein, and my initial reaction was to wonder, half jokingly, whether he saw himself as the natural successor in that sequence. Because I assumed that he was still in the middle of an oscillating career that had many more ups and downs left, I demurred. Not now, I said. Maybe in a decade or two, when you retire. I had known him since 1984, when he came to Manhattan to have lunch with Time’s editors and extol his new Macintosh. He was petulant even then, attacking a Time correspondent for having wounded him with a story that was too revealing. But talking to him afterward, I found myself rather captivated, as so many others have been over the years, by his engaging intensity. We stayed in touch, even after he was ousted from Apple. When he had something to pitch, such as a NeXT computer or Pixar movie, the beam of his charm would suddenly refocus on me, and he would take me to a sushi restaurant in Lower Manhattan to tell me that whatever he was touting was the best thing he had ever produced. I liked him. When he was restored to the throne at Apple, we put him on the cover of Time, and soon thereafter he began offering me his ideas for a series we were doing on the most influential people of the century. He had launched his “Think Different” campaign, featuring iconic photos of some of the same people we were considering, and he found the endeavor of assessing historic influence fascinating. After I had deflected his suggestion that I write a biography of him, I heard from him every now and then. At one point I emailed to ask if it was true, as my daughter had told me, that the Apple logo was an homage to Alan Turing, the British computer pioneer who broke the German wartime codes and then committed suicide by biting into a cyanide-laced apple. He replied that he wished he had thought of that, but hadn’t. That started an exchange about the early history of Apple, and I found myself gathering string on the subject, just in case I ever decided to do such a book. When my Einstein biography came out, he came to a book event in Palo Alto and ~ Walter Isaacson,
888:Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit?

“Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it.

She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?”

I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.”

She puts a worried hand on my shoulder. “What happened, Z? Tell me.”

I let my forehead hit the surface of my desk. It hurts. “He has my phone.”

A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her.

“Holy shit! Don’t tell me your chat is on there!”

There it is.

I nod my head, which probably just looks like I’m rubbing it up and down on my desk.

“Please tell me it’s password protected or something.”

I shake my head, again seemingly nuzzling my desk.

“Zelda, do you have your homework?” Mr. Drew asks from above me.

I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean.

“Are you…okay, Zelda?” he asks a bit uncomfortably.

Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them.

I raise a hand and wave him off. “I’m good. As you were, Drew.”

“Right. Okay then.” He moves on.

Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?”

I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it. ~ Leah Rae Miller,
889:Simon Greenleaf’s Masonic work documents the relationship between defining the Patriarch Enoch as a Pythagorean figure while linking the Druidical priestly presence through Phoenician exploration from Egyptian source. Thus Enoch brought the content of Masonic knowledge to a greater mystical perfection as he was deemed to have caused the emergence of the restoration of learning from the vault into solar Apollonian radiance through the application of Pythagorean learning to the inspiration of the new Republic through mathematics and the laws derived from it.  The result was for Greenleaf a pre- critical logic of unfolding of the Logos envisaged by Salem Town along lines delineated in the L’Enfant-Latrobe District of Columbia template from the national capital into districts of Masonic Grand Lodge administration was devolved into districts, paralleling judicial and congressional districts, symbolically as an extension of the Latrobe-L'Enfant template just after the moral and political defeat of Jedidiah Morse and the Federalists in 1800 and theological attacks on Masonry and before the onset of the Morgan fervor in 1826. This period enables the historian to see a sequence of Masonic and mythic legal unfolding from legendary history which linked the emergence of Enochic design to civil religion through monumental architecture which also links the dynamism of a Third Age of Masonic “Aquarian” millennialism rooted in third age eschatology within its Tudor derivative of an articulate citizen (cf. Elyot’s The Boke Named the Governor) applied to the patronage of architecture into republican administration which lines up Enoch, Pythagoras, Phoenicia-Egypt through the evangelical fervor of Celtic and Druidical lore into Scottish Masonic environs which made of the latter a purified sect of solar inspired fervent priestly republicans. The same template gives the premier likely conduitry for Jesuit penetration of the Masonic agenda through various reservoirs of Masonic-Egyptian symbolism and makes of the Druids a likely metaphor for the Society of Jesus just as Joachim of Fiore’s ideal of a new order of spiritual men was used for this purpose under the principle of a novus dux - a further likely image for the Unknown Superior of Strict Observance ritual positioned Counter Reformation apologetically theory for application to the United States.  ~ Robert W Sullivan IV,
890:He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling. ~ Hermann Hesse,
891:I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geology… If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bush… the smell of the creosote bush….all elements of the land, and what I mean by “the landscape.”

The second landscape I think of is an interior one, a kind of projection within a person of a part of the exterior landscape. Relationships in the exterior landscape include those that are named and discernible, such as the nitrogen cycle, or a vertical sequence of Ordovician limestone, and others that are uncodified or ineffable, such as winter light falling on a particular kind of granite, or the effect of humidity on the frequency of a blackpoll warbler’s burst of song….the shape and character of these relationships in a person’s thinking, I believe, are deeply influenced by where on this earth one goes, what one touches, the patterns one observes in nature- the intricate history of one’s life in the land, even a life in the city, where wind, the chirp of birds, the line of a falling leaf, are known. These thoughts are arranged, further, according to the thread of one’s moral, intellectual, and spiritual development. The interior landscape responds to the character and subtlety of an exterior landscape; the shape of the individual mind is affected by land as it is by genes.

Among the Navajo, the land is thought to exhibit sacred order…each individual undertakes to order his interior landscape according to the exterior landscape. To succeed in this means to achieve a balanced state of mental health…Among the various sung ceremonies of this people-Enemyway, Coyoteway, Uglyway- there is one called Beautyway. It is, in part, a spiritual invocation of the order of the exterior universe, that irreducible, holy complexity that manifests itself as all things changing through time (a Navajo definition of beauty). ~ Barry Lopez,
892:The difference between supermind and Big Mind (if we take Big Mind to mean the state experience of nondual Suchness, or turiyatita) is that Big Mind can be experienced or recognized at virtually any lower level or rung. Magic to Integral. In fact, one can be at, say, the Pluralistic stage, and experience several core characteristics of the entire sequence of state-stages (gross to subtle to causal to Witnessing to Nondual), although, of course, the entire sequence, including nondual Suchness, will be interpreted in Pluralistic terms. This is unfortunate in many ways—interpreting Dharma in merely Pluralistic terms (or Mythic terms, or Rational, and so on)—because it is so ultimately reductionistic; but it happens all the time, given the relative independence of states and structures at 1st and 2nd tier.

Supermind, on the other hand, as a basic structure-rung (conjoined with nondual Suchness) can only be experienced once all the previous junior levels have emerged and developed, and as in all structure development, stages cannot be skipped. Therefore, unlike Big Mind, supermind can only be experienced after all 1st-, 2nd-, and 3rd-tier junior stages have been passed through. While, as Genpo Roshi has abundantly demonstrated, Big Mind state experience is available to virtually anybody at almost any age (and will be interpreted according to the View of their current stage), supermind is an extremely rare recognition. Supermind, as the highest structure-rung to date, has access to all previous structures, all the way back to Archaic—and the Archaic itself, of course, has transcended and included, and now embraces, every major structural evolution going all the way back to the Big Bang. (A human being literally enfolds and embraces all the major transformative unfoldings of the entire Kosmic history—strings to quarks to subatomic particles to atoms to molecules to cells, all the way through the Tree of Life up to its latest evolutionary emergent, the triune brain, the most complex structure in the known natural world.) Supermind, in any given individual, is experienced as a type of “omniscience”—the supermind, since it transcends and includes all of the previous structure-rungs, and inherently is conjoined with the highest nondual Suchness state, has a full and complete knowledge of all of the potentials in that person. It literally “knows all,” at least for the individual. ~ Ken Wilber,
893:This book should never have happened. If it wasn’t for the most bizarre and twisted sequence of events involving a diverse array of people it wouldn’t have. Let us explain. If someone we, the authors, had wanted to impress - a publisher, say, or a book reviewer - had asked us how it had emerged, we could have come up with all kinds of things to establish our credentials for writing it. But they would have been only a small part of the story of how it came about, and not the interesting bit either. The truth is much more human and fascinating - and it also gets to the heart of the book and shows how networks really work. Greg has always been fascinated by ‘network theory’ - the findings of sociologists, mathematicians and physicists, which seemed to translate to the real world of links between people. Early in his professional life at Auto Trader magazine in Canada he got to see an extraordinary network of buyers and sellers in operation. Later, when he became a venture capitalist - someone who invests in new or young companies, hoping that some of them will become very valuable - he applied what he’d learned. He invested in businesses that could benefit from the way networks behave, and this approach yielded some notable successes. Richard came from a different slant. For twenty years, he was a ‘strategy consultant’, using economic analysis to help firms become more profitable than their rivals. He ended up co-founding LEK, the fastest-growing ‘strategy boutique’ of the 1980s, with offices in the US, Europe and Asia. He also wrote books on business strategy, and in particular championed the ‘star business’ idea, which stated that the most valuable venture was nearly always a ‘star’, defined as the biggest firm in a high-growth market. In the 1990s and 2000s, Richard successfully invested the money he had made as a management consultant in a series of star ventures. He also read everything available about networks, feeling intuitively that they were another reason for business success, and might also help explain why some people’s careers took off while equally intelligent and qualified people often languished. So, there were good reasons why Greg and Richard might want to write a book together about networks. But the problem with all such ‘formal’ explanations is that they ignore the human events and coincidences that took place before that book could ever see the light of day. The most ~ Richard Koch,
894:The Case of the Eyeless Fly

The fruit fly has a mutant gene which is recessive, i.e., when paired with a normal gene, has no discernible effect (it will be remembered that genes operate in pairs, each gene in the pair being derived from one parent). But if two of these mutant genes are paired in the fertilised egg, the offspring will be an eyeless fly. If now a pure stock of eyeless flies is made to inbreed, then the whole stock will have only the 'eyeless' mutant gene, because no normal gene can enter the stock to bring light into their darkness. Nevertheless, within a few generations, flies appear in the inbred 'eyeless' stock with eyes that are perfectly normal. The traditional explanation of this remarkable phenomenon is that the other members of the gene-complex have been 'reshuffled and re-combined in such a way that they deputise for the missing normal eye-forming gene.' Now re-shuffling, as every poker player knows, is a randomising process. No biologist would be so perverse as to suggest that the new insect-eye evolved by pure chance, thus repeating within a few generations an evolutionary process which took hundreds of millions of years. Nor does the concept of natural selection provide the slightest help in this case. The re-combination of genes to deputise for the missing gene must have been co-ordinated according to some overall plan which includes the rules of genetic self-repair after certain types of damage by deleterious mutations. But such co-ordinative controls can only operate on levels higher than that of individual genes. Once more we are driven to the conclusion that the genetic code is not an architect's blueprint; that the gene-complex and its internal environment form a remarkably stable, closely knit, self-regulating micro-hierarchy; and that mutated genes in any of its holons are liable to cause corresponding reactions in others, co-ordinated by higher levels. This micro-hierarchy controls the pre-natal skills of the embryo, which enable it to reach its goal, regardless of the hazards it may encounter during development. But phylogeny is a sequence of ontogenies, and thus we are confronted with the profound question: is the mechanism of phylogeny also endowed with some kind of evolutionary instruction booklet? Is there a strategy of the evolutionary process comparable to the 'strategy of the genes'-to the 'directiveness' of ontogeny (as E.S. Russell has called it)? ~ Arthur Koestler,
895:I met a girl in a U-Haul.
A beautiful girl
And I fell for her.
I fell hard.
Unfortunately, sometimes life gets in the way.
Life definitely got in my way.
It got all up in my damn way,
Life blocked the door with a stack of wooden 2x4's
nailed together and attached to a fifteen inch concrete wall
behind a row of solid steel bars, bolted to a titanium frame that
no matter how hard I shoved against it-
It
wouldn't
budge.
Sometimes life doesn't budge.
It just gets all up in your damn way.
It blocked my plans, my dreams, my desires, my wishes,
my wants, my needs.
It blocked out that beautiful girl
That I fell so hard for.

Life tries to tell you what's best for you
What should be most important to you
What should come in first
Or second
Or third.

I tried so hard to keep it all organized, alphabetized,
stacked in chronological order, everything in its perfect space,
its perfect place.
I thought that's what life wanted me to do.
This is what life needed for me to do.
Right?
Keep it all in sequence?

Sometimes, life gets in your way.
It gets all up in your damn way.
But it doesn't get all up in your damn way because it
wants you to just give up and let it take control. Life doesn't get
all up in your damn way because it just wants you to hand it all
over and be carried along.
Life wants you to fight it.
It wants you to grab an axe and hack through the wood.
It wants you to get a sledgehammer and break through
the concrete.
It wants you to grab a torch and burn through the metal
and steel until you can reach through and grab it.
Life wants you to grab all the organized, the
alphabetized, the chronological, the sequenced. It wants you to
mix it all together,
stir it up,
blend it.

Life doesn't want you to let it tell you that your little
brother should be the only thing that comes first.
Life doesn't want you to let it tell you that your career
and your education should be the only thing that comes in
second.
And life definitely doesn't want me
To just let it tell me
that the girl I met,
The beautiful, strong, amazing, resilient girl
That I fell so hard for
Should only come in third.

Life knows.
Life is trying to tell me
That the girl I love,
The girl I fell
So hard for?
There's room for her in first.
I'm putting her first. ~ Colleen Hoover,
896:[T]here was a prophetic medieval Italian abbot, Joachim of Floris, who in the early thirteenth century foresaw the dissolution of the Christian Church and dawn of a terminal period of earthly spiritual life, when the Holy Ghost, the Holy Spirit, would speak directly to the human heart without ecclesiastical mediation. His view, like that of Frobenius, was of a sequence of historic stages, of which our own was to be the last; and of these he counted four. The first was, of course, that immediately following the Fall of Man, before the opening of the main story, after which there was to unfold the whole great drama of Redemption, each stage under the inspiration of one Person of the Trinity. The first was to be of the Father, the Laws of Moses and the People of Israel; the second of the Son, the New Testament and the Church; and now finally (and here, of course, the teachings of this clergyman went apart from the others of his communion), a third age, which he believed was about to commence, of the Holy Spirit, that was to be of saints in meditation, when the Church, become superfluous, would in time dissolve. It was thought by not a few in Joachim’s day that Saint Francis of Assisi might represent the opening of the coming age of direct, pentecostal spirituality. But as I look about today and observe what is happening to our churches in this time of perhaps the greatest access of mystically toned religious zeal our civilization has known since the close of the Middle Ages, I am inclined to think that the years foreseen by the good Father Joachim of Floris must have been our own.

For there is no divinely ordained authority any more that we have to recognize. There is no anointed messenger of God’s law. In our world today all civil law is conventional. No divine authority is claimed for it: no Sinai; no Mount of Olives. Our laws are enacted and altered by human determination, and within their secular jurisdiction each of us is free to seek his own destiny, his own truth, to quest for this or for that and to find it through his own doing. The mythologies, religions, philosophies, and modes of thought that came into being six thousand years ago and out of which all the monumental cultures both of the Occident and of the Orient - of Europe, the Near and Middle East, the Far East, even early America - derived their truths and lives, are dissolving from around us, and we are left, each on his own to follow the star and spirit of his own life. ~ Joseph Campbell,
897:Matthew 8:26, NLT Jesus responded, “Why are you afraid? You have so little faith!” Then he got up and rebuked the wind and waves, and suddenly there was a great calm. Mark 4:39-40, NLT When Jesus woke up, he rebuked the wind and said to the waves, “Silence! Be still!” Suddenly the wind stopped, and there was a great calm. 40Then he asked them, “Why are you afraid? Do you still have no faith?” Setting the Scene Both Mark and Luke record the sequence of Jesus’ response to the impassioned plea of the disciples as miracle first, comment after. Matthew tells us Jesus questioned their faith and then spoke to the wind and waves. The order is probably not significant, since Jesus may have spoken with the men before and after the miracle. But Matthew, who was present in the boat, seems to capture more vividly the style Jesus usually used with his disciples. The thinking and the challenge came first, followed by the miracle. As we’ve already seen in the incident with the lame man lowered through the roof, Jesus said what needed to be said and then confirmed his words with a miracle (see Mark 2:1-12). Jesus asked a question and then made a statement: “Why are you afraid?” and “You have so little faith!” Fears deserve to be questioned. We ought to ask ourselves regularly, “Why am I afraid?” If we never doubt our fears, they will control us. As we have already learned this week, some fears are legitimate, and some fears are not. Sometimes we don’t need to be afraid. When we are with Jesus, we don’t have to fear. When fear is in control, faith is stifled. Acting fearfully is not acting faithfully. Jesus’ question wasn’t directed toward the disciples’ feelings but their actions. The problem arises when we give in to fear and make it the basis of our decisions—which is what the disciples were doing. They needed faith—as Jesus pointed out. Faith doesn’t ignore feelings; it simply refuses to obey them. Getting Personal What is your usual strategy for handling fear? To what degree are your choices determined by fear? When did you last act in faith in the face of fear? What was the outcome? Acknowledging fears can be an important first step in disabling their influence. The psalm writer had a great thought when he wrote, “When I am afraid, I will put my trust in you” (Psalm 56:3, NLT). What you do before and after you are afraid can be as important as no longer being afraid. Talking to God In prayer today, identify areas of worry and fear. Thank God that he is aware of each one and that, in love, he is working to protect and preserve you. ~ Anonymous,
898:Over the two centuries before Jesus, the celebration had taken on quite a bit of Greek Socratic (Hellenistic) influence, which suited Jewish social tradition quite nicely, so what had begun as the recitation of a story had morphed into almost a question and response ritual. On the morning of Preparation Day for the celebration, the head of the household took a lamb to The Temple for slaughter. Then, he would bring the meat home so that it, together with the other prescribed ritual foodstuffs, could be properly prepared. Eventually, when it was time for the meal, those gathered would be called to table for a joyous repast. But the feast included an important ritual. Someone at table would query those gathered, following an informal script that revolved around four questions that not only told the great Story of Exodus, but also applied it to the participants’ present lives. So we might imagine: “This is the story of our slavery, and today we are enslaved…” “We wandered for forty years in the arid desert, and today we find that we are wandering, unable to make a decision…” “But at last we arrived in the Promised Land, and we’re planning … this year, God-willing.” Followed by, “Since then we have been committed to making ourselves and our people thrive in God’s promise of this Land—and look around this table and see the kernel of the community that needs our love, every day.” From this deep annual ritual and the understandings flowing from it, we can well imagine how this core metaphor became a spiritual springboard for every Hebrew’s journey with God—a journey of freedom and liberation, one with four sequential paths that continually repeated in the lives of every individual, and in the life of the community. So there is the key—and it is a far-reaching link, indeed. The explanation for early Christians’ natural comfort with being Followers of The Way was specifically and profoundly rooted in their Jewish traditions and almost certainly, the principal of fourness, in ancient rituals from prehistory. The sequence was well-known to them, and the road well-marked. Yet, as Christians did in so many other ways, they expanded the journey from that of their predecessors, pushing beyond the liberation of a single tribe and outer freedom from an oppressive Pharaoh. Christians took the framework of freedom and crafted an identifiable, cyclical inner journey of transformation available to everyone, incorporating the living reality of Jesus the Christ. And soon, The Way came to be understood by early Christians as the ongoing gradual process of transformation into the image of the eternal Christ in whom they believed they were already made. ~ Alexander John Shaia,
899:A Lifted Finger
What! _you_ whip rascals?-_you_, whose gutter blood
Bears, in its dark, dishonorable flood,
Enough of prison-birds' prolific germs
To serve a whole eternity of terms?
_You_, for whose back the rods and cudgels strove
Ere yet the ax had hewn them from the grove?
_You_, the De Young whose splendor bright and brave
Is phosphorescence from another's grave
Till now unknown, by any chance or luck,
Even to the hearts at which you, feebly struck?
_You_ whip a rascal out of office?-_you
Whose leadless weapon once ignobly blew
Its smoke in six directions to assert
Your lack of appetite for others' dirt?
Practice makes perfect: when for fame you thirst,
Then whip a rascal. Whip a cripple first.
Or, if for action you're less free than bold
Your palms both brimming with dishonest gold
Entrust the castigation that you've planned,
As once before, to woman's idle hand.
So in your spirit shall two pleasures join
To slake the sacred thirst for blood and coin.
Blood? Souls have blood, even as the body hath,
And, spilled, 'twill fertilize the field of wrath.
Lo! in a purple gorge of yonder hills,
Where o'er a grave a bird its day-song stills,
A woman's blood, through roses ever red,
Mutely appeals for vengeance on your head.
Slandered to death to serve a sordid end,
She called you murderer and called me friend.
Now, mark you, libeler, this course if you
Dare to maintain, or rather to renew;
If one short year's immunity has made
You blink again the perils of your trade
The ghastly sequence of the maddened 'knave,'
The hot encounter and the colder grave;
If the grim, dismal lesson you ignore
57
While yet the stains are fresh upon your floor,
And calmly march upon the fatal brink
With eyes averted to your trail of ink,
Counting unkind the services of those
Who pull, to hold you back, your stupid nose,
The day for you to die is not so far,
Or, at the least, to live the thing you are!
Pregnant with possibilities of crime,
And full of felons for all coming time,
Your blood's too precious to be lightly spilt
In testimony to a venial guilt.
Live to get whelpage and preserve a name
No praise can sweeten and no lie unshame.
Live to fulfill the vision that I see
Down the dim vistas of the time to be:
A dream of clattering beaks and burning eyes
Of hungry ravens glooming all the skies;
A dream of gleaming teeth and foetid breath
Of jackals wrangling at the feast of death;
A dream of broken necks and swollen tongues
The whole world's gibbets loaded with De Youngs!
~ Ambrose Bierce,
900:Consider the following sequence of cases, which we shall call the Tale of the Slave, and imagine it is about you.

1. There is a slave completely at the mercy of his brutal master’s whims. He is often cruelly beaten, called out in the middle of the night, and so on.

2. The master is kindlier and beats the slave only for stated infractions of his rules (not fulling the work quota, and so on). He gives the slave some free time.

3. The master has a group of slave, and he decides how things are to be allocated among them on nice grounds, taking into account their needs, merit, and so on.

4. The master allows the slave four days on their own and requires them to work only three days a week on his land. The rest of the time is their own.

5. The master allows his slaves to go off and work in the city (or anywhere they wish) for wages. He also retains the power to recall them to the plantation if some emergency threatens his land; and to raise or lower the three-sevenths amount required to be turned over to him. He further retains the right to restrict the slaves from participating in certain dangerous activities that threaten his financial return, for example, mountain climbing, cigarette smoking.

6. The master allows all of his 10,000 slaves, except you, to vote, and the joint decision is made by all of them. There is open discussion, and so forth, among them, and they have the power to determine to what use to put whatever percentage of your (and their) earnings they decide to take; what activities legitimately may be forbidden to you, and so on.

7. Though still not having the vote, you are at liberty (and are given the right) to enter into discussion of the 10,000, to try to persuade them to adopt various policies and to treat you and themselves in a certain way. They then go off to vote to decide upon policies covering the vast range of their powers.

8. In appreciation of your useful contributions to discussion, the 10,000 allow you to vote if they are deadlocked; they commit themselve3s to this procedure. After the discussion you mark your vote on a slip of paper, and they go off and vote. In the eventuality that they divide evenly on some issue, 5,000 for and 5,000 against, they look at your ballot and count it in. This has never yet happened; they have never yet had occasion to open your ballot. (A single master may also might commit himself to letting his slave decide any issue concerning him about which he, the master, was absolutely indifferent.)

9. They throw your vote in with theirs. If they are exactly tied your vote carries the issue. Otherwise it makes no difference to the electoral outcome.

The question is: which transition from case 1 to case 9 made it no longer the tale of the slave? ~ Robert Nozick,
901:For almost all astronomical objects, gravitation dominates, and they have the same unexpected behavior. Gravitation reverses the usual relation between energy and temperature. In the domain of astronomy, when heat flows from hotter to cooler objects, the hot objects get hotter and the cool objects get cooler. As a result, temperature differences in the astronomical universe tend to increase rather than decrease as time goes on. There is no final state of uniform temperature, and there is no heat death. Gravitation gives us a universe hospitable to life. Information and order can continue to grow for billions of years in the future, as they have evidently grown in the past. The vision of the future as an infinite playground, with an unending sequence of mysteries to be understood by an unending sequence of players exploring an unending supply of information, is a glorious vision for scientists. Scientists find the vision attractive, since it gives them a purpose for their existence and an unending supply of jobs. The vision is less attractive to artists and writers and ordinary people. Ordinary people are more interested in friends and family than in science. Ordinary people may not welcome a future spent swimming in an unending flood of information. A darker view of the information-dominated universe was described in the famous story “The Library of Babel,” written by Jorge Luis Borges in 1941.§ Borges imagined his library, with an infinite array of books and shelves and mirrors, as a metaphor for the universe. Gleick’s book has an epilogue entitled “The Return of Meaning,” expressing the concerns of people who feel alienated from the prevailing scientific culture. The enormous success of information theory came from Shannon’s decision to separate information from meaning. His central dogma, “Meaning is irrelevant,” declared that information could be handled with greater freedom if it was treated as a mathematical abstraction independent of meaning. The consequence of this freedom is the flood of information in which we are drowning. The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland. As finite creatures who think and feel, we can create islands of meaning in the sea of information. Gleick ends his book with Borges’s image of the human condition: We walk the corridors, searching the shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and of the future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information. ~ Freeman Dyson,
902:What do we understand by the term "chance"? Chance can only be the opposite of order and harmony. There is only one true harmony and that is the supramental - the reign of Truth, the expression of the Divine Law. In the Supermind, therefore, chance has no place. But in the lower Nature the supreme Truth is obscured: hence there is an absence of that divine unity of purpose and action which alone can constitute order. Lacking this unity, the domain of lower Nature is governed by what we may call chance - that is to say, it is a field in which various conflicting forces intermix, having no single definite aim. Whatever arises out of such a rushing together of forces is a result of confusion, dissonance and falsehood - a product of chance. Chance is not merely a conception to cover our ignorance of the causes at work; it is a description of the uncertain mele ́e of the lower Nature which lacks the calm one-pointedness of the divine Truth. The world has forgotten its divine origin and become an arena of egoistic energies; but it is still possible for it to open to the Truth, call it down by its aspiration and bring about a change in the whirl of chance. What men regard as a mechanical sequence of events, owing to their own mental associations, experiences and generalisations, is really manipulated by subtle agencies each of which tries to get its own will done. The world has got so subjected to these undivine agencies that the victory of the Truth cannot be won except by fighting for it. It has no right to it: it has to gain it by disowning the falsehood and the perversion, an important part of which is the facile notion that, since all things owe their final origin to the Divine, all their immediate activities also proceed directly from it. The fact is that here in the lower Nature the Divine is veiled by a cosmic Ignorance and what takes place does not proceed directly from the divine knowledge. That everything is equally the will of God is a very convenient suggestion of the hostile influences which would have the creation stick as tightly as possible to the disorder and ugliness to which it has been reduced. So what is to be done, you ask? Well, call down the Light, open yourselves to the power of Transformation. Innumerable times the divine peace has been given to you and as often you have lost it - because something in you refuses to surrender its petty egoistic routine. If you are not always vigilant, your nature will return to its old unregenerate habits even after it has been filled with the descending Truth. It is the struggle between the old and the new that forms the crux of the Yoga; but if you are bent on being faithful to the supreme Law and Order revealed to you, the parts of your being belonging to the domain of chance will, however slowly, be converted and divinised. ~ The Mother, Questions And Answers 1929-1931,
903:The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto.
The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing.
In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out.
A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.”
Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag.
This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done.
After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber?
What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here.
It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness.
“What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?”
They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar. ~ Russell Brand,
904:Westerners, not just Lincoln Steffens. It took in the Central Intelligence Agency of the United States. It even took in the Soviet Union’s own leaders, such as Nikita Khrushchev, who famously boasted in a speech to Western diplomats in 1956 that “we will bury you [the West].” As late as 1977, a leading academic textbook by an English economist argued that Soviet-style economies were superior to capitalist ones in terms of economic growth, providing full employment and price stability and even in producing people with altruistic motivation. Poor old Western capitalism did better only at providing political freedom. Indeed, the most widely used university textbook in economics, written by Nobel Prize–winner Paul Samuelson, repeatedly predicted the coming economic dominance of the Soviet Union. In the 1961 edition, Samuelson predicted that Soviet national income would overtake that of the United States possibly by 1984, but probably by 1997. In the 1980 edition there was little change in the analysis, though the two dates were delayed to 2002 and 2012. Though the policies of Stalin and subsequent Soviet leaders could produce rapid economic growth, they could not do so in a sustained way. By the 1970s, economic growth had all but stopped. The most important lesson is that extractive institutions cannot generate sustained technological change for two reasons: the lack of economic incentives and resistance by the elites. In addition, once all the very inefficiently used resources had been reallocated to industry, there were few economic gains to be had by fiat. Then the Soviet system hit a roadblock, with lack of innovation and poor economic incentives preventing any further progress. The only area in which the Soviets did manage to sustain some innovation was through enormous efforts in military and aerospace technology. As a result they managed to put the first dog, Leika, and the first man, Yuri Gagarin, in space. They also left the world the AK-47 as one of their legacies. Gosplan was the supposedly all-powerful planning agency in charge of the central planning of the Soviet economy. One of the benefits of the sequence of five-year plans written and administered by Gosplan was supposed to have been the long time horizon necessary for rational investment and innovation. In reality, what got implemented in Soviet industry had little to do with the five-year plans, which were frequently revised and rewritten or simply ignored. The development of industry took place on the basis of commands by Stalin and the Politburo, who changed their minds frequently and often completely revised their previous decisions. All plans were labeled “draft” or “preliminary.” Only one copy of a plan labeled “final”—that for light industry in 1939—has ever come to light. Stalin himself said in 1937 that “only bureaucrats can think that planning work ends with the creation of the plan. The creation of the plan is just the beginning. The real direction of the plan develops only after the putting together of the plan.” Stalin wanted to maximize his discretion to reward people or groups who were politically loyal, and punish those who were not. As for Gosplan, its main role was to provide Stalin with information so he could better monitor his friends and enemies. It actually tried to avoid making decisions. If you made a decision that turned ~ Daron Acemo lu,
905:Can it be said in justification of one's past that whatever has happened in one's life had to happen?

The Mother: Obviously, what has happened had to happen; it would not have been, if it had not been intended. Even the mistakes that we have committed and the adversities that fell upon us had to be, because there was some necessity in them, some utility for our lives. But in truth these things cannot be explained mentally and should not be. For all that happened was necessary, not for any mental reason, but to lead us to something beyond what the mind imagines. But is there any need to explain after all? The whole universe explains everything at every moment and a particular thing happens because the whole universe is what it is. But this does not mean that we are bound over to a blind acquiescence in Nature's inexorable law. You can accept the past as a settled fact and perceive the necessity in it, and still you can use the experience it gave you to build up the power consciously to guide and shape your present and your future.

Is the time also of an occurrence arranged in the Divine Plan of things?

The Mother: All depends upon the plane from which one sees and speaks. There is a plane of divine consciousness in which all is known absolutely, and the whole plan of things foreseen and predetermined. That way of seeing lives in the highest reaches of the Supramental; it is the Supreme's own vision. But when we do not possess that consciousness, it is useless to speak in terms that hold good only in that region and are not our present effective way of seeing things. For at a lower level of consciousness nothing is realised or fixed beforehand; all is in the process of making. Here there are no settled facts, there is only the play of possibilities; out of the clash of possibilities is realised the thing that has to happen. On this plane we can choose and select; we can refuse one possibility and accept another; we can follow one path, turn away from another. And that we can do, even though what is actually happening may have been foreseen and predetermined in a higher plane.

The Supreme Consciousness knows everything beforehand, because everything is realised there in her eternity. But for the sake of her play and in order to carry out actually on the physical plane what is foreordained in her own supreme self, she moves here upon earth as if she did not know the whole story; she works as if it was a new and untried thread that she was weaving. It is this apparent forgetfulness of her own foreknowledge in the higher consciousness that gives to the individual in the active life of the world his sense of freedom and independence and initiative. These things in him are her pragmatic tools or devices, and it is through this machinery that the movements and issues planned and foreseen elsewhere are realised here.

It may help you to understand if you take the example of an actor. An actor knows the whole part he has to play; he has in his mind the exact sequence of what is to happen on the stage. But when he is on the stage, he has to appear as if he did not know anything; he has to feel and act as if he were experiencing all these things for the first time, as if it was an entirely new world with all its chance events and surprises that was unrolling before his eyes. 28th April ~ The Mother, Questions And Answers 1929-1931,
906:Westerners, not just Lincoln Steffens. It took in the Central Intelligence Agency of the United States. It even took in the Soviet Union’s own leaders, such as Nikita Khrushchev, who famously boasted in a speech to Western diplomats in 1956 that “we will bury you [the West].” As late as 1977, a leading academic textbook by an English economist argued that Soviet-style economies were superior to capitalist ones in terms of economic growth, providing full employment and price stability and even in producing people with altruistic motivation. Poor old Western capitalism did better only at providing political freedom. Indeed, the most widely used university textbook in economics, written by Nobel Prize–winner Paul Samuelson, repeatedly predicted the coming economic dominance of the Soviet Union. In the 1961 edition, Samuelson predicted that Soviet national income would overtake that of the United States possibly by 1984, but probably by 1997. In the 1980 edition there was little change in the analysis, though the two dates were delayed to 2002 and 2012. Though the policies of Stalin and subsequent Soviet leaders could produce rapid economic growth, they could not do so in a sustained way. By the 1970s, economic growth had all but stopped. The most important lesson is that extractive institutions cannot generate sustained technological change for two reasons: the lack of economic incentives and resistance by the elites. In addition, once all the very inefficiently used resources had been reallocated to industry, there were few economic gains to be had by fiat. Then the Soviet system hit a roadblock, with lack of innovation and poor economic incentives preventing any further progress. The only area in which the Soviets did manage to sustain some innovation was through enormous efforts in military and aerospace technology. As a result they managed to put the first dog, Leika, and the first man, Yuri Gagarin, in space. They also left the world the AK-47 as one of their legacies. Gosplan was the supposedly all-powerful planning agency in charge of the central planning of the Soviet economy. One of the benefits of the sequence of five-year plans written and administered by Gosplan was supposed to have been the long time horizon necessary for rational investment and innovation. In reality, what got implemented in Soviet industry had little to do with the five-year plans, which were frequently revised and rewritten or simply ignored. The development of industry took place on the basis of commands by Stalin and the Politburo, who changed their minds frequently and often completely revised their previous decisions. All plans were labeled “draft” or “preliminary.” Only one copy of a plan labeled “final”—that for light industry in 1939—has ever come to light. Stalin himself said in 1937 that “only bureaucrats can think that planning work ends with the creation of the plan. The creation of the plan is just the beginning. The real direction of the plan develops only after the putting together of the plan.” Stalin wanted to maximize his discretion to reward people or groups who were politically loyal, and punish those who were not. As for Gosplan, its main role was to provide Stalin with information so he could better monitor his friends and enemies. It actually tried to avoid making decisions. If you made a decision that turned out badly, you might get shot. Better to avoid all responsibility. An example of what could happen ~ Daron Acemo lu,
907:A Faint Music by Robert Hass

Maybe you need to write a poem about grace.

When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.

As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.

There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.

It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing ~ Robert Hass,
908:Growth was so rapid that it took in generations of Westerners, not just Lincoln Steffens. It took in the Central Intelligence Agency of the United States. It even took in the Soviet Union’s own leaders, such as Nikita Khrushchev, who famously boasted in a speech to Western diplomats in 1956 that “we will bury you [the West].” As late as 1977, a leading academic textbook by an English economist argued that Soviet-style economies were superior to capitalist ones in terms of economic growth, providing full employment and price stability and even in producing people with altruistic motivation. Poor old Western capitalism did better only at providing political freedom. Indeed, the most widely used university textbook in economics, written by Nobel Prize–winner Paul Samuelson, repeatedly predicted the coming economic dominance of the Soviet Union. In the 1961 edition, Samuelson predicted that Soviet national income would overtake that of the United States possibly by 1984, but probably by 1997. In the 1980 edition there was little change in the analysis, though the two dates were delayed to 2002 and 2012. Though the policies of Stalin and subsequent Soviet leaders could produce rapid economic growth, they could not do so in a sustained way. By the 1970s, economic growth had all but stopped. The most important lesson is that extractive institutions cannot generate sustained technological change for two reasons: the lack of economic incentives and resistance by the elites. In addition, once all the very inefficiently used resources had been reallocated to industry, there were few economic gains to be had by fiat. Then the Soviet system hit a roadblock, with lack of innovation and poor economic incentives preventing any further progress. The only area in which the Soviets did manage to sustain some innovation was through enormous efforts in military and aerospace technology. As a result they managed to put the first dog, Leika, and the first man, Yuri Gagarin, in space. They also left the world the AK-47 as one of their legacies. Gosplan was the supposedly all-powerful planning agency in charge of the central planning of the Soviet economy. One of the benefits of the sequence of five-year plans written and administered by Gosplan was supposed to have been the long time horizon necessary for rational investment and innovation. In reality, what got implemented in Soviet industry had little to do with the five-year plans, which were frequently revised and rewritten or simply ignored. The development of industry took place on the basis of commands by Stalin and the Politburo, who changed their minds frequently and often completely revised their previous decisions. All plans were labeled “draft” or “preliminary.” Only one copy of a plan labeled “final”—that for light industry in 1939—has ever come to light. Stalin himself said in 1937 that “only bureaucrats can think that planning work ends with the creation of the plan. The creation of the plan is just the beginning. The real direction of the plan develops only after the putting together of the plan.” Stalin wanted to maximize his discretion to reward people or groups who were politically loyal, and punish those who were not. As for Gosplan, its main role was to provide Stalin with information so he could better monitor his friends and enemies. It actually tried to avoid making decisions. If you made a decision that turned out badly, you might get shot. Better to avoid all responsibility. An example of what could happen ~ Daron Acemo lu,
909:He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals?
I’ll be damned.
Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages.
The more pages Gray turned, the more he recognized himself.
It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused.
But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used.
She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy.
And now he began to grow angry.
He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze.
There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever.
The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy.
It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day.
It was time to acquaint her with reality. ~ Tessa Dare,
910:Managerial abilities, bureaucratic skills, technical expertise, and political talent are all necessary, but they can be applied only to goals that have already been defined by military policies, broad and narrow. And those policies can be only as good as strategy, operational art of war, tactical thought, and plain military craft that have gone into their making.

At present, the defects of structure submerge or distort strategy and operational art, they out rightly suppress tactical ingenuity, and they displace the traditional insights and rules of military craft in favor of bureaucratic preferences, administrative convenience, and abstract notions of efficiency derived from the world of business management. First there is the defective structure for making of military decisions under the futile supervision of the civilian Defense Department; then come the deeply flawed defense policies and military choices, replete with unnecessary costs and hidden risks; finally there come the undoubted managerial abilities, bureaucratic skills, technical expertise, and political talents, all applied to achieve those flawed policies and to implement those flawed choices. By this same sequence was the fatally incomplete Maginot Line built, as were all the Maginot Lines of history, each made no better by good government, technical talent, careful accounting, or sheer hard work.

Hence the futility of all the managerial innovations tried in the Pentagon over the years. In the purchasing of weapons, for example, “total package” procurement, cost plus incentive contracting, “firm fixed price” purchasing have all been introduced with much fanfare, only to be abandoned, retried, and repudiated once again. And each time a new Secretary of Defense arrives, with him come the latest batch of managerial innovations, many of them aimed at reducing fraud, waste, and mismanagement-the classic trio endlessly denounced in Congress, even though they account for mere percentage points in the total budget, and have no relevance at all to the failures of combat. The persistence of the Administrator’s Delusion has long kept the Pentagon on a treadmill of futile procedural “reforms” that have no impact at all on the military substance of our defense.

It is through strategy, operational art, tactical ingenuity, and military craft that the large savings can be made, and the nation’s military strength greatly increased, but achieving long-overdue structural innovations, from the central headquarters to the combat forces, from the overhead of bases and installations to the current purchase of new weapons. Then, and only then, will it be useful to pursue fraud, waste, and mismanagement, if only to save a few dollars more after the billions have already been saved. At present, by contrast, the Defense Department administers ineffectively, while the public, Congress, and the media apply their energies to such petty matters as overpriced spare parts for a given device in a given weapon of a given ship, overlooking at the same time the multibillion dollar question of money spent for the Navy as a whole instead of the Army – whose weakness diminishes our diplomatic weight in peacetime, and which could one day cause us to resort to nuclear weapons in the face of imminent debacle. If we had a central military authority and a Defense Department capable of strategy, we should cheerfully tolerate much fraud, waste, and mismanagement; but so long as there are competing military bureaucracies organically incapable of strategic combat, neither safety nor economy will be ensured, even if we could totally eliminate every last cent of fraud, waste, and mismanagement. ~ Edward N Luttwak,
911:Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals.

Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread).

Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through)

Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun).

Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding.

He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology.

Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun).

Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west). ~ Ibrahim Ibrahim,
912:In consequence of the inevitably scattered and fragmentary nature of our thinking, which has been mentioned, and of the mixing together of the most heterogeneous representations thus brought about and inherent even in the noblest human mind, we really possess only *half a consciousness*. With this we grope about in the labyrinth of our life and in the obscurity of our investigations; bright moments illuminate our path like flashes of lighting. But what is to be expected generally from heads of which even the wisest is every night the playground of the strangest and most senseless dreams, and has to take up its meditations again on emerging from these dreams? Obviously a consciousness subject to such great limitations is little fitted to explore and fathom the riddle of the world; and to beings of a higher order, whose intellect did not have time as its form, and whose thinking therefore had true completeness and unity, such an endeavor would necessarily appear strange and pitiable. In fact, it is a wonder that we are not completely confused by the extremely heterogeneous mixture of fragments of representations and of ideas of every kind which are constantly crossing one another in our heads, but that we are always able to find our way again, and to adapt and adjust everything. Obviously there must exist a simple thread on which everything is arranged side by side: but what is this? Memory alone is not enough, since it has essential limitations of which I shall shortly speak; moreover, it is extremely imperfect and treacherous. The *logical ego*, or even the *transcendental synthetic unity of apperception*, are expressions and explanations that will not readily serve to make the matter comprehensible; on the contrary, it will occur to many that

“Your wards are deftly wrought, but drive no bolts asunder.”

Kant’s proposition: “The *I think* must accompany all our representations ,” is insufficient; for the “I” is an unknown quantity, in other words, it is itself a mystery and a secret. What gives unity and sequence to consciousness, since by pervading all the representations of consciousness, it is its substratum, its permanent supporter, cannot itself be conditioned by consciousness, and therefore cannot be a representation. On the contrary, it must be the *prius* of consciousness, and the root of the tree of which consciousness is the fruit. This, I say, is the *will*; it alone is unalterable and absolutely identical, and has brought forth consciousness for its own ends. It is therefore the will that gives unity and holds all its representations and ideas together, accompanying them, as it were, like a continuous ground-bass. Without it the intellect would have no more unity of consciousness than has a mirror, in which now one thing now another presents itself in succession, or at most only as much as a convex mirror has, whose rays converge at an imaginary point behind its surface. But it is *the will* alone that is permanent and unchangeable in consciousness. It is the will that holds all ideas and representations together as means to its ends, tinges them with the colour of its character, its mood, and its interest, commands the attention, and holds the thread of motives in its hand. The influence of these motives ultimately puts into action memory and the association of ideas. Fundamentally it is the will that is spoken of whenever “I” occurs in a judgement. Therefore, the will is the true and ultimate point of unity of consciousness, and the bond of all its functions and acts. It does not, however, itself belong to the intellect, but is only its root, origin, and controller."

—from The World as Will and Representation . Translated from the German by E. F. J. Payne in two volumes: volume II, pp. 139-140 ~ Arthur Schopenhauer,
913:Take a look at the following list of numbers: 4, 8, 5, 3, 9, 7, 6. Read them out loud. Now look away and spend twenty seconds memorizing that sequence before saying them out loud again. If you speak English, you have about a 50 percent chance of remembering that sequence perfectly. If you're Chinese, though, you're almost certain to get it right every time. Why is that? Because as human beings we store digits in a memory loop that runs for about two seconds. We most easily memorize whatever we can say or read within that two-second span. And Chinese speakers get that list of numbers—4, 8, 5, 3, 9, 7, 6—right almost every time because, unlike English, their language allows them to fit all those seven numbers into two seconds. That example comes from Stanislas Dehaene's book The Number Sense. As Dehaene explains: Chinese number words are remarkably brief. Most of them can be uttered in less than one-quarter of a second (for instance, 4 is "si" and 7 "qi"). Their English equivalents—"four," "seven"—are longer: pronouncing them takes about one-third of a second. The memory gap between English and Chinese apparently is entirely due to this difference in length. In languages as diverse as Welsh, Arabic, Chinese, English and Hebrew, there is a reproducible correlation between the time required to pronounce numbers in a given language and the memory span of its speakers. In this domain, the prize for efficacy goes to the Cantonese dialect of Chinese, whose brevity grants residents of Hong Kong a rocketing memory span of about 10 digits. It turns out that there is also a big difference in how number-naming systems in Western and Asian languages are constructed. In English, we say fourteen, sixteen, seventeen, eighteen, and nineteen, so one might expect that we would also say oneteen, twoteen, threeteen, and five- teen. But we don't. We use a different form: eleven, twelve, thirteen, and fifteen. Similarly, we have forty and sixty, which sound like the words they are related to (four and six). But we also say fifty and thirty and twenty, which sort of sound like five and three and two, but not really. And, for that matter, for numbers above twenty, we put the "decade" first and the unit number second (twentyone, twenty-two), whereas for the teens, we do it the other way around (fourteen, seventeen, eighteen). The number system in English is highly irregular. Not so in China, Japan, and Korea. They have a logical counting system. Eleven is ten-one. Twelve is ten-two. Twenty-four is two- tens-four and so on. That difference means that Asian children learn to count much faster than American children. Four-year-old Chinese children can count, on average, to forty. American children at that age can count only to fifteen, and most don't reach forty until they're five. By the age of five, in other words, American children are already a year behind their Asian counterparts in the most fundamental of math skills. The regularity of their number system also means that Asian children can perform basic functions, such as addition, far more easily. Ask an English-speaking seven-yearold to add thirty-seven plus twenty-two in her head, and she has to convert the words to numbers (37+22). Only then can she do the math: 2 plus 7 is 9 and 30 and 20 is 50, which makes 59. Ask an Asian child to add three-tensseven and two-tens-two, and then the necessary equation is right there, embedded in the sentence. No number translation is necessary: It's five-tens-nine. "The Asian system is transparent," says Karen Fuson, a Northwestern University psychologist who has closely studied Asian-Western differences. "I think that it makes the whole attitude toward math different. Instead of being a rote learning thing, there's a pattern I can figure out. There is an expectation that I can do this. There is an expectation that it's sensible. For fractions, we say three-fifths. The Chinese is literally 'out of five parts, take three.' That's telling you conceptually ~ Anonymous,
914:GURU YOGA
   Guru yoga is an essential practice in all schools of Tibetan Buddhism and Bon. This is true in sutra, tantra, and Dzogchen. It develops the heart connection with the masteR By continually strengthening our devotion, we come to the place of pure devotion in ourselves, which is the unshakeable, powerful base of the practice. The essence of guru yoga is to merge the practitioner's mind with the mind of the master.
   What is the true master? It is the formless, fundamental nature of mind, the primordial awareness of the base of everything, but because we exist in dualism, it is helpful for us to visualize this in a form. Doing so makes skillful use of the dualisms of the conceptual mind, to further strengthen devotion and help us stay directed toward practice and the generation of positive qualities.
   In the Bon tradition, we often visualize either Tapihritsa* as the master, or the Buddha ShenlaOdker*, who represents the union of all the masters. If you are already a practitioner, you may have another deity to visualize, like Guru Rinpoche or a yidam or dakini. While it is important to work with a lineage with which you have a connection, you should understand that the master you visualize is the embodiment of all the masters with whom you are connected, all the teachers with whom you have studied, all the deities to whom you have commitments. The master in guru yoga is not just one individual, but the essence of enlightenment, the primordial awareness that is your true nature.
   The master is also the teacher from whom you receive the teachings. In the Tibetan tradition, we say the master is more important than the Buddha. Why? Because the master is the immediate messenger of the teachings, the one who brings the Buddha's wisdom to the student. Without the master we could not find our way to the Buddha. So we should feel as much devotion to the master as we would to the Buddha if the Buddha suddenly appeared in front of us.
   Guru yoga is not just about generating some feeling toward a visualized image. It is done to find the fundamental mind in yourself that is the same as the fundamental mind of all your teachers, and of all the Buddhas and realized beings that have ever lived. When you merge with the guru, you merge with your pristine true nature, which is the real guide and masteR But this should not be an abstract practice. When you do guru yoga, try to feel such intense devotion that the hair stands upon your neck, tears start down your face, and your heart opens and fills with great love. Let yourself merge in union with the guru's mind, which is your enlightened Buddha-nature. This is the way to practice guru yoga.
  
The Practice
   After the nine breaths, still seated in meditation posture, visualize the master above and in front of you. This should not be a flat, two dimensional picture-let a real being exist there, in three dimensions, made of light, pure, and with a strong presence that affects the feeling in your body,your energy, and your mind. Generate strong devotion and reflect on the great gift of the teachings and the tremendous good fortune you enjoy in having made a connection to them. Offer a sincere prayer, asking that your negativities and obscurations be removed, that your positive qualities develop, and that you accomplish dream yoga.
   Then imagine receiving blessings from the master in the form of three colored lights that stream from his or her three wisdom doors- of body, speech, and mind-into yours. The lights should be transmitted in the following sequence: White light streams from the master's brow chakra into yours, purifying and relaxing your entire body and physical dimension. Then red light streams from the master's throat chakra into yours, purifying and relaxing your energetic dimension. Finally, blue light streams from the master's heart chakra into yours, purifying and relaxing your mind.
   When the lights enter your body, feel them. Let your body, energy, and mind relax, suffused inwisdom light. Use your imagination to make the blessing real in your full experience, in your body and energy as well as in the images in your mind.
   After receiving the blessing, imagine the master dissolving into light that enters your heart and resides there as your innermost essence. Imagine that you dissolve into that light, and remain inpure awareness, rigpa.
   There are more elaborate instructions for guru yoga that can involve prostrations, offerings, gestures, mantras, and more complicated visualizations, but the essence of the practice is mingling your mind with the mind of the master, which is pure, non-dual awareness. Guru yoga can be done any time during the day; the more often the better. Many masters say that of all the practices it is guru yoga that is the most important. It confers the blessings of the lineage and can open and soften the heart and quiet the unruly mind. To completely accomplish guru yoga is to accomplish the path.
   ~ Tenzin Wangyal Rinpoche, The Tibetan Yogas Of Dream And Sleep, [T3],
915:The Yew-Berry
I call this idle history the ‘Berry of the Yew;
Because there's nothing sweeter than its husk of scarlet glue,
And nothing half so bitter as its black core bitten through.
I loved, saw hope, and said so; learn'd that Laura loved again:
Why speak of joy then suffer'd? My head throbs, and I would fain
Find words to lay the spectre starting now before my brain.
She loved me: all things told it; eye to eye, and palm to palm:
As the pause upon the ceasing of a thousand-voiced psalm
Was the mighty satisfaction and the full eternal calm.
On her face, when she was laughing, was the seriousness within;
Her sweetest smiles, (and sweeter did a lover never win,)
In passing, grew so absent that they made her fair cheek thin.
On her face, when she was speaking, thoughts unworded used to live;
So that when she whisper'd to me, ‘Better joy Earth cannot give,’
Her following silence added, ‘But Earth's joy is fugitive.’
For there a nameless something, though suppress'd, still spread around;
The same was on her eyelids, if she look'd towards the ground;
In her laughing, singing, talking, still the same was in the sound;—
A sweet dissatisfaction, which at no time went away,
But shadow'd on her spirit, even at its brightest play,
That her mirth was like the sunshine in the closing of the day.
II
Let none ask joy the highest, save those who would have it end
There's weight in earthly blessings; they are earthy, and they tend,
By predetermin'd impulse, at their highest, to descend.
I still for a happy season, in the present, saw the past,
Mistaking one for the other, feeling sure my hold was fast
On that of which the symbols vanish'd daily: but, at last,
As when we watch bright cloud-banks round about the low sun ranged,
We suddenly remember some rich glory gone or changed,
All at once I comprehended that her love was grown estranged.
From this time, spectral glimpses of a darker fear came on:
They came; but, since I scorn'd them, were no sooner come than gone.—
At times, some gap in sequence frees the spirit, and, anon,
We remember states of living ended ere we left the womb,
And see a vague aurora flashing to us from the tomb,
349
The dreamy light of new states, dash'd tremendously with gloom.
We tremble for an instant, and a single instant more
Brings absolute oblivion, and we pass on as before!
Ev'n so those dreadful glimpses came, and startled, and were o'er.
III
One morning, one bright morning, Wortley met me. He and I,
As we rode across the country, met a friend of his. His eye
Caught Wortley's, who rode past him. ‘What,’ said he, ‘pass old friends by?
So I've heard your game is grounded! Why your life's one long romance
After your last French fashion. But, ah! ha! should Herbert chance—’
‘Nay, Herbert's here,’ said he, and introduced me, with a glance
Of easy smiles, ignoring this embarrassment; and then
This pass'd off, and soon after I went home, and took a pen,
And wrote the signs here written, with much more, and where, and when;
And, having read them over once or twice, sat down to think,
From time to time beneath them writing more, till, link by link,
The evidence against her was fulfill'd: I did not shrink,
But I read them all together, and I found it was no dream.
What I felt I can't remember; an oblivion which the gleam
Of light which oft comes through it shews for blessedness extreme.
At last I moved, exclaiming, ‘I will not believe, until
‘I've spoken once with Laura.’ Thereon all my heart grew still
For doubt and faith are active, and decisions of the will.
IV
I found my Love. She started: I suppose that I was pale.
We talk'd; but words on both sides, seem'd to sicken, flag, and fail.
Then I gave her what I'd written, watching whether she would quail.
In and out flew sultry blushes: so, when red reflections rise
From conflagrations, filling the alarm'd heart with surmise,
They lighten now, now darken, up and down the gloomy skies.
She finish'd once; but fearing to look from it, read it o'er
Ten times at least. Poor Laura, had those readings been ten score,
That refuge from confusion had confused thee more and more!
I said, ‘You're ill, sit Laura,’ and she sat down and was meek.
‘Ah tears! not lost to God then. But pray Laura, do not speak
I understand you better by the moisture on your cheek.’
She shook with sobs, in silence. I yet checking passion's sway,
Said only, ‘Farewell Laura!’ then got up, and strode away;
350
For I felt that she would burst my heart asunder should I stay.
Oh, ghastly corpse of Love so slain! it makes the world its hearse;
Or, as the sun extinct and dead, after the doomsday curse,
It rolls, an unseen danger, through the darken'd universe.
I struggled to forget this; but, forgetfulness too sweet!
It startled with its sweetness, thus involv'd its own defeat;
And, every time this happen'd, aching memory would repeat
The shock of that discovery: so at length I learn'd by heart
And never, save when sleeping, suffer'd thenceforth to depart,
The feeling of my sorrow: and in time this sooth'd the smart.
Yet even now not seldom, in my leisure, in the thick
Of other thoughts, unchallenged, words and looks come crowding quick—
They do while I am writing, till the sunshine makes me sick.
~ Coventry Patmore,
916:The Angel In The House. Book I. Canto Iv.
Preludes
I The Rose of the World
Lo, when the Lord made North and South
And sun and moon ordained, He,
Forthbringing each by word of mouth
In order of its dignity,
Did man from the crude clay express
By sequence, and, all else decreed,
He form'd the woman; nor might less
Than Sabbath such a work succeed.
And still with favour singled out,
Marr'd less than man by mortal fall,
Her disposition is devout,
Her countenance angelical;
The best things that the best believe
Are in her face so kindly writ
The faithless, seeing her, conceive
Not only heaven, but hope of it;
No idle thought her instinct shrouds,
But fancy chequers settled sense,
Like alteration of the clouds
On noonday's azure permanence;
Pure dignity, composure, ease
Declare affections nobly fix'd,
And impulse sprung from due degrees
Of sense and spirit sweetly mix'd.
Her modesty, her chiefest grace,
The cestus clasping Venus' side,
How potent to deject the face
Of him who would affront its pride!
Wrong dares not in her presence speak,
Nor spotted thought its taint disclose
Under the protest of a cheek
Outbragging Nature's boast the rose.
In mind and manners how discreet;
How artless in her very art;
How candid in discourse; how sweet
The concord of her lips and heart;
77
How simple and how circumspect;
How subtle and how fancy-free;
Though sacred to her love, how deck'd
With unexclusive courtesy;
How quick in talk to see from far
The way to vanquish or evade;
How able her persuasions are
To prove, her reasons to persuade;
How (not to call true instinct's bent
And woman's very nature, harm),
How amiable and innocent
Her pleasure in her power to charm;
How humbly careful to attract,
Though crown'd with all the soul desires,
Connubial aptitude exact,
Diversity that never tires.
II The Tribute
Boon Nature to the woman bows;
She walks in earth's whole glory clad,
And, chiefest far herself of shows,
All others help her, and are glad:
No splendour 'neath the sky's proud dome
But serves for her familiar wear;
The far-fetch'd diamond finds its home
Flashing and smouldering in her hair;
For her the seas their pearls reveal;
Art and strange lands her pomp supply
With purple, chrome, and cochineal,
Ochre, and lapis lazuli;
The worm its golden woof presents;
Whatever runs, flies, dives, or delves,
All doff for her their ornaments,
Which suit her better than themselves;
And all, by this their power to give,
Proving her right to take, proclaim
Her beauty's clear prerogative
To profit so by Eden's blame.
III Compensation
That nothing here may want its praise,
78
Know, she who in her dress reveals
A fine and modest taste, displays
More loveliness than she conceals.
The Morning Call.
‘By meekness charm'd, or proud to allow
‘A queenly claim to live admired,
‘Full many a lady has ere now
‘My apprehensive fancy fired,
‘And woven many a transient chain;
‘But never lady like to this,
‘Who holds me as the weather-vane
‘Is held by yonder clematis.
‘She seems the life of nature's powers;
‘Her beauty is the genial thought
‘Which makes the sunshine bright; the flowers,
‘But for their hint of her, were nought.’
II
A voice, the sweeter for the grace
Of suddenness, while thus I dream'd,
‘Good morning!’ said or sang. Her face
The mirror of the morning seem'd.
Her sisters in the garden walk'd,
And would I come? Across the Hall
She led me; and we laugh'd and talk'd,
And praised the Flower-show and the Ball;
And Mildred's pinks had gain'd the Prize;
And, stepping like the light-foot fawn,
She brought me ‘Wiltshire Butterflies,’
The Prize-book; then we paced the lawn,
Close-cut, and with geranium-plots,
A rival glow of green and red;
Then counted sixty apricots
On one small tree; the gold-fish fed;
And watch'd where, black with scarlet tans,
Proud Psyche stood and flash'd like flame,
Showing and shutting splendid fans;
And in the prize we found its name.
79
III
The sweet hour lapsed, and left my breast
A load of joy and tender care;
And this delight, which life oppress'd,
To fix'd aims grew, that ask'd for pray'r.
I rode home slowly; whip-in-hand
And soil'd bank-notes all ready, stood
The Farmer who farm'd all my land,
Except the little Park and Wood;
And, with the accustom'd compliment
Of talk, and beef, and frothing beer,
I, my own steward, took my rent,
Three hundred pounds for half the year;
Our witnesses the Cook and Groom,
We sign'd the lease for seven years more,
And bade Good-day; then to my room
I went, and closed and lock'd the door,
And cast myself down on my bed,
And there, with many a blissful tear,
I vow'd to love and pray'd to wed
The maiden who had grown so dear;
Thank'd God who had set her in my path;
And promised, as I hoped to win,
That I would never dim my faith
By the least selfishness or sin;
Whatever in her sight I'd seem
I'd truly be; I'd never blend
With my delight in her a dream
'Twould change her cheek to comprehend;
And, if she wish'd it, I'd prefer
Another's to my own success;
And always seek the best for her,
With unofficious tenderness.
IV
Rising, I breathed a brighter clime,
And found myself all self above,
And, with a charity sublime,
Contemn'd not those who did not love;
And I could not but feel that then
I shone with something of her grace,
80
And went forth to my fellow men
My commendation in my face.
~ Coventry Patmore,
917:Attention on Hypnagogic Imagery The most common strategy for inducing WILDs is to fall asleep while focusing on the hypnagogic imagery that accompanies sleep onset. Initially, you are likely to see relatively simple images, flashes of light, geometric patterns, and the like.

Gradually more complicated forms appear: faces, people, and finally entire scenes. 6

The following account of what the Russian philosopher P. D. Ouspensky called “half-dream states” provides a vivid example of what hypnagogic imagery can be like:

I am falling asleep. Golden dots, sparks and tiny stars appear and disappear before my eyes. These sparks and stars gradually merge into a golden net with diagonal meshes which moves slowly and regularly in rhythm with the beating of my heart, which I feel quite distinctly. The next moment the golden net is transformed into rows of brass helmets belonging to Roman soldiers marching along the street below. I hear their measured tread and watch them from the window of a high house in Galata, in Constantinople, in a narrow lane, one end of which leads to the old wharf and the Golden Horn with its ships and steamers and the minarets of Stamboul behind them. I hear their heavy measured tread, and see the sun shining on their helmets. Then suddenly I detach myself from the window sill on which I am lying, and in the same reclining position fly slowly over the lane, over the houses, and then over the Golden Horn in the direction of Stamboul. I smell the sea, feel the wind, the warm sun. This flying gives me a wonderfully pleasant sensation, and I cannot help opening my eyes. 7

Ouspensky’s half-dream states developed out of a habit of observing the contents of his mind while falling asleep or in half-sleep after awakening from a dream. He notes that they were much easier to observe in the morning after awakening than before sleep at the beginning of the night and did not occur at all “without definite efforts.” 8

Dr. Nathan Rapport, an American psychiatrist, cultivated an approach to lucid dreaming very similar to Ouspensky’s: “While in bed awaiting sleep, the experimenter interrupts his thoughts every few minutes with an effort to recall the mental item vanishing before each intrusion that inquisitive attention.” 9 This habit is continued sleep itself, with results like the following:

Brilliant lights flashed, and a myriad of sparkles twinkled from a magnificent cut glass chandelier. Interesting as any stage extravaganza were the many quaintly detailed figurines upon a mantel against the distant, paneled wall adorned in rococo.

At the right a merry group of beauties and gallants in the most elegant attire of Victorian England idled away a pleasant occasion. This scene continued for [a] period of I was not aware, before I discovered that it was not reality, but a mental picture and that I was viewing it. Instantly it became an incommunicably beautiful vision. It was with the greatest stealth that my vaguely awakened mind began to peep: for I knew that these glorious shows end abruptly because of such intrusions.

I thought, “Have I here one of those mind pictures that are without motion?” As if in reply, one of the young ladies gracefully waltzed about the room. She returned to the group and immobility, with a smile lighting her pretty face, which was turned over her shoulder toward me. The entire color scheme was unobtrusive despite the kaleidoscopic sparkles of the chandelier, the exquisite blues and creamy pinks of the rich settings and costumes. I felt that only my interest in dreams brought my notice to the tints – delicate, yet all alive as if with inner illumination. 10

Hypnagogic Imagery Technique

1. Relax completely

While lying in bed, gently close your eyes and relax your head, neck, back, arms, and legs. Completely let go of all muscular and mental tension, and breathe slowly and restfully. Enjoy the feeling of relaxation and let go of your thoughts, worries, and concerns. If you have just awakened from sleep, you are probably sufficiently relaxed.

Otherwise, you may use either the progressive relaxation exercise (page 33) or the 61-point relaxation exercise (page 34) to relax more deeply. Let everything wind down,

slower and slower, more and more relaxed, until your mind becomes as serene as the calmest sea.

2. Observe the visual images

Gently focus your attention on the visual images that will gradually appear before your mind’s eye. Watch how the images begin and end. Try to observe the images as delicately as possible, allowing them to be passively reflected in your mind as they unfold. Do not attempt to hold onto the images, but instead just watch without attachment or desire for action. While doing this, try to take the perspective of a detached observer as much as possible. At first you will see a sequence of disconnected, fleeting patterns and images. The images will gradually develop into scenes that become more and more complex, finally joining into extended sequences.

3. Enter the dream

When the imagery becomes a moving, vivid scenario, you should allow yourself to be passively drawn into the dream world. Do not try to actively enter the dream scene,

but instead continue to take a detached interest in the imagery. Let your involvement with what is happening draw you into the dream. But be careful of too much involvement and too little attention. Don’t forget that you are dreaming now!

Commentary

Probably the most difficult part of this technique to master is entering the dream at Step 3. The challenge is to develop a delicate vigilance, an unobtrusive observer perspective, from which you let yourself be drawn into the dream. As Paul Tholey has emphasized, “It is not desirable to want actively to enter into the scenery,

since such an intention as a rule causes the scenery to disappear.” 11 A passive volition similar to that described in the section on autosuggestion in the previous chapter is required: in Tholey’s words, “Instead of actively wanting to enter into the scenery, the subject should attempt to let himself be carried into it passively.” 12 A Tibetan teacher advises a similar frame of mind: “While delicately observing the mind, lead it gently into the dream state, as though you were leading a child by the hand.” 13

Another risk is that, once you have entered into the dream, the world can seem so realistic that it is easy to lose lucidity, as happened in the beginning of Rapport’s WILD described above. As insurance in case this happens, Tholey recommends that you resolve to carry out a particular action in the dream, so that if you momentarily lose lucidity, you may remember your intention to carry out the action and thereby regain lucidity.
~ Stephen LaBerge, Exploring the World of Lucid Dreaming,
918:
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.

Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.

Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.

He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.

He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.

He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.

Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!

Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.

"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!

Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.

When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.

She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.

She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!

So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.

Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.

For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.

So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.

Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.

Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.

- Hush, my child, and come aloft
Where the stars are velvet soft!

~ Aleister Crowley, The Wizard Way
,
919:The Creek Of The Four Graves [late Version]
A settler in the olden times went forth
With four of his most bold and trusted men
Into the wilderness—went forth to seek
New streams and wider pastures for his fast
Increasing flocks and herds. O’er mountain routes
And over wild wolds clouded up with brush,
And cut with marshes perilously deep,—
So went they forth at dawn; at eve the sun,
That rose behind them as they journeyed out,
Was firing with his nether rim a range
Of unknown mountains, that like ramparts towered
Full in their front. and his last glances fell
Into the gloomy forest’s eastern glades
In golden gleams, like to the Angel’s sword,
And flashed upon the windings of a creek
That noiseless ran betwixt the pioneers
And those new Apennines—ran, shaded o’er
With boughs of the wild willow, hanging mixed
From either-bank, or duskily befringed
With upward tapering feathery swamp-oaks,
The sylvan eyelash always of remote
Australian waters, whether gleaming still
In lake or pool, or bickering along,
Between the marges of some eager stream.
Before them, thus extended, wilder grew
The scene each moment and more beautiful;
For when the sun was all but sunk below
Those barrier mountains, in the breeze that o’er
Their rough enormous backs deep-fleeced with wood
Came whispering down, the wide up-slanting sea
Of fanning leaves in the descending rays
Danced dazzlingly, tingling as if the trees
Thrilled to the roots for very happiness.
But when the sun had wholly disappeared
Behind those mountains—O what words, what hues
Might paint the wild magnificence of view
That opened westward! Out extending, lo!
The heights rose crowding, with their summits all
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Dissolving as it seemed, and partly lost
In the exceeding radiancy aloft;
And thus transfigured, for awhile they stood
Like a great company of archaeons, crowned
With burning diadems, and tented o’er
With canopies of purple and of gold.
Here halting wearied now the sun was set,
Our travellers kindled for their first night’s camp
A brisk and crackling fire, which seemed to them,
A wilder creature than ’twas elsewhere wont,
Because of the surrounding savageness.
And as they supped, birds of new shape and plume
And wild strange voice came by; and up the steep
Between the climbing forest growths they saw
Perched on the bare abutments of the hills,
Where haply yet some lingering gleam fell through,
The wallaroo1 look forth. Eastward at last
The glow was wasted into formless gloom,
Night’s front; then westward the high massing woods
Steeped in a swart but mellow Indian hue,
A deep dusk loveliness, lay ridged and heaped,
Only the more distinctly for their shade,
Against the twilight hearen—a cloudless depth,
Yet luminous with sunset’s fading glow;
And thus awhile in the lit dusk they seemed
To hang like mighty pictures of themselves
In the still chambers of some vaster world.
At last, the business of the supper done,
The echoes of the solitary place
Came as in sylvan wonder wide about
To hear and imitate the voices strange,
Within the pleasant purlieus of the fire
Lifted in glee; but to be hushed erelong,
As with the darkness of the night there came
O’er the adventurers, each and all, some sense
Of danger lurking in its forest lairs.
But, nerved by habit, they all gathered round
About the well-built fire, whose nimble tongues
Sent up continually a strenuous roar
159
Of fierce delight, and from their fuming pipes
Drawing rude comfort, round the pleasant light
With grave discourse they planned their next day’s deeds.
Wearied at length, their couches they prepared
Of rushes, and the long green tresses pulled
From the bent boughs of the wild willows near;
Then the four men stretched out their tired limbs
Under the dark arms of the forest trees
That mixed aloft, high in the starry air,
In arcs and leafy domes whose crossing curves,
Blended with denser intergrowth of sprays,
Were seen, in mass traced out against the clear
Wide gaze of heaven; and trustful of the watch
Kept near them by their master, soon they slept,
Forgetful of the perilous wilderness
That lay around them like a spectral world;
And all things slept; the circling forest trees,
Their foremost boles carved from a crowded mass
Less visible by the watch-fire’s bladed gleams
That ran far out in the umbrageous dark
Beyond the broad red ring of constant light;
And, even the shaded mountains darkly seen,
Their bluff brows looming through the stirless air,
Looked in their stillness solemnly asleep:
Yea, thence surveyed, the universe might have seemed
Coiled in vast rest;—only that one dark cloud,
Diffused and shapen like a spider huge,
Crept as with scrawling legs along the sky
And that the stars in their bright orders, still
Cluster by cluster glowingly revealed,
As this slow cloud moved on, high over all,
Peaceful and wakeful, watched the world below.
Part II.
Meanwhile the cloudless eastern heaven had grown
More luminous, and now the moon arose
Above the hill, when lo! that giant cone
Erewhile so dark, seemed inwardly aglow
With her instilled irradiance, while the trees
That fringed its outline, their huge statures dwarfed
By distance into brambles and yet all
160
Clearly defined against her ample orb,
Out of its very disc appeared to swell
In shadowy relief, as they had been
All sculptured from its surface as she rose.
Then her full light in silvery sequence still
Cascading forth from ridgy slope to slope,
Chased mass by mass the broken darkness down
Into the dense-brushed valleys, where it crouched,
And shrank, and struggled, like a dragon-doubt
Glooming a lonely spirit.
His lone watch
The master kept, and wakeful looked abroad
On all the solemn beauty of the world;
And by some sweet and subtle tie that joins
The loved and cherished, absent from our side,
With all that is serene and beautiful
In Nature, thoughts of home began to steal
Into his musings—when, on a sudden, hark!
A bough cracks loudly in a neighbouring brake!
Against the shade-side of a bending gum.
With a strange horror gathering to his heart,
As if his blood were charged with insect life
And writhed along in clots, he stilled himself
And listened heedfully, till his held breath
Became a pang. Nought heard he: silence there
Had recomposed her ruffled wings, and now
Deep brooded in the darkness; so that he
Again mused on, quiet and reassured.
But there again—crack upon crack! Awake!
O heaven! have hell’s worst fiends burst howling up
Into the death-doomed world? Or whence, if not
From diabolic rage, could surge a yell
So horrible as that which now affrights
The shuddering dark! Beings as fell are near!
Yea, beings in their dread inherited hate
Awful, vengeful as hell’s worst fiends, are come
In vengeance! For behold from the long grass
And nearer brakes arise the bounding forms
Of painted savages, full in the light
Thrown outward by the fire, that roused and lapped.
161
The rounding darknesswith its ruddy tongues
More fiercely than before, as though even it
Had felt the sudden shock the air received
From those terrific cries.
On then they came
And rushed upon the sleepers, three of whom
But started, and then weltered prone beneath
The first fell blow dealt down on each by three
Of the most stalwart of their pitiless foes
But one again, and yet again, rose up,
Rose to his knees, under the crushing strokes
Of huge clubbed nulla-nullas, till his own
Warm blood was blinding him. For he was one
Who had with misery nearly all his days
Lived lonely, and who therefore in his soul
Did hunger after hope, and thirst for what
Hope still had promised him, some taste at least
Of human good however long deferred.
And now he could not, even in dying, loose
His hold on life’s poor chances still to come,
Could not but so dispute the terrible fact
Of death, e’en in death’s presence. Strange it is,
Yet oft ’tis seen, that fortune’s pampered child
Consents to death’s untimely power with less
Reluctance, less despair, than does the wretch
Who hath been ever blown about the world,
The straw-like sport of fate’s most bitter blasts
So though the shadows of untimely death,
Inevitably under every stroke
But thickened more and more, against them still
The poor wretch struggled, nor would cease until
One last great blow, dealt down upon his head
As if in mercy, gave him to the dust,
With all his many woes and frustrate hopes.
The master, chilled with horror, saw it all;
From instinct more than conscious thought he raised
His death-charged tube, and at that murderous crew
Firing, saw one fall ox-like to the earth,
Then turned and fled. Fast fled he, but as fast
His deadly foes went thronging on his track.
162
Fast! for in full pursuit behind him yelled
Men whose wild speech no word for mercy hath!
And as he fled the forest beasts as well
In general terror through the brakes ahead
Crashed scattering, or with maddening speed athwart
His course came frequent. On, still on, he flies—
Flies for dear life, and still behind him hears
Nearer and nearer, the light rapid dig ,
Of many feet—nearer and nearer still.
Part III
So went the chase. Now at a sudden turn
Before him lay the steep-banked mountain creek;
Still on he kept perforce, and from a rock
That beaked the bank, a promontory bare,
Plunging right forth and shooting feet-first down,
Sunk to his middle in the flashing stream,
In which the imaged stars seemed all at once
To burst like rockets into one wide blaze.
Then wading through the ruffled waters, forth
He sprang, and seized a snake-like root that from
The opponent bank protruded, clenching there
His cold hand like a clamp of steel; and thence
He swung his dripping form aloft, the blind
And breathless haste of one who flies for life
Urging him on; up the dark ledge he climbed,
When in its face—O verily our God
Hath those in His peculiar care, for whom
The daily prayers of spotless womanhood
And helpless infancy are offered up!
There in its face a cavity he felt,
The upper earth of which in one rude mass
Was held fast bound by the enwoven roots
Of two old trees, and which, beneath the mould,
Over the dark and clammy cave below,
Twisted like knotted snakes.
’Neath these he crept,
Just as the dark forms of his hunters thronged
The steep bold rock whence he before had plunged.
Duskily visible beneath the moon
163
They paused a space, to mark what bent his course
Might take beyond the stream. But now no form
Amongst the moveless fringe of fern was seen
To shoot up from its outline, ’mid the boles
And mixing shadows of the taller trees,
All standing now in the keen radiance there
So ghostly still as in a solemn trance;
But nothing in the silent prospect stirred
Therefore they augured that their prey was yet
Within the nearer distance, and they all
Plunged forward till the fretted current boiled
Amongst their crowding forms from bank to bank
And searching thus the stream across, and then
Along the ledges, combing down each clump
Of long-flagged swamp-grass where it flourished high,
The whole dark line passed slowly, man by man,
Athwart the cave!
Keen was their search but vain,
There grouped in dark knots standing in the stream
That glimmered past them moaning as it went,
They marvelled; passing strange to them it seemed
Some old mysterious fable of their race,
That brooded o’er the valley and the creek,
Returned upon their minds, and fear-struck all
And silent, they withdrew. And when the sound
Of their retreating steps had died away,
As back they hurried to despoil the dead
In the stormed camp, then rose the fugitive,
Renewed his flight, nor rested from it, till
He gained the shelter of his longed-for home.
And in that glade, far in the doomful wild,
In sorrowing record of an awful hour
Of human agony and loss extreme,
Untimely spousals with a desert death,
Four grassy mounds are there beside the creek,
Bestrewn with sprays and leaves from the old trees
Which moan the ancient dirges that have caught
The heed of dying ages, and for long
The traveller passing then in safety there
Would call the place—The Creek of the Four Graves.
164
~ Charles Harpur,
920:"As certain also of your own poets have said"
   (Acts 17.28)
  Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")
To Protus in his Tyranny: much health!

They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico
Royal with sunset, like a thought of thee:
And one white she-slave from the group dispersed
Of black and white slaves (like the chequer-work
Pavement, at once my nation's work and gift,
Now covered with this settle-down of doves),
One lyric woman, in her crocus vest
Woven of sea-wools, with her two white hands
Commends to me the strainer and the cup
Thy lip hath bettered ere it blesses mine.

Well-counselled, king, in thy munificence!
For so shall men remark, in such an act
Of love for him whose song gives life its joy,
Thy recognition of the use of life;
Nor call thy spirit barely adequate
To help on life in straight ways, broad enough
For vulgar souls, by ruling and the rest.
Thou, in the daily building of thy tower,
Whether in fierce and sudden spasms of toil,
Or through dim lulls of unapparent growth,
Or when the general work 'mid good acclaim
Climbed with the eye to cheer the architect,
Didst ne'er engage in work for mere work's sake
Hadst ever in thy heart the luring hope
Of some eventual rest a-top of it,
Whence, all the tumult of the building hushed,
Thou first of men might'st look out to the East:
The vulgar saw thy tower, thou sawest the sun.
For this, I promise on thy festival
To pour libation, looking o'er the sea,
Making this slave narrate thy fortunes, speak
Thy great words, and describe thy royal face
Wishing thee wholly where Zeus lives the most,
Within the eventual element of calm.

Thy letter's first requirement meets me here.
It is as thou hast heard: in one short life
I, Cleon, have effected all those things
Thou wonderingly dost enumerate.
That epos on thy hundred plates of gold
Is mine,and also mine the little chant,
So sure to rise from every fishing-bark
When, lights at prow, the seamen haul their net.
The image of the sun-god on the phare,
Men turn from the sun's self to see, is mine;
The Po'er-storied its whole length,
As thou didst hear, with painting, is mine too.
I know the true proportions of a man
And woman also, not observed before;
And I have written three books on the soul,
Proving absurd all written hitherto,
And putting us to ignorance again.
For music,why, I have combined the moods,
Inventing one. In brief, all arts are mine;
Thus much the people know and recognize,
Throughout our seventeen islands. Marvel not.
We of these latter days, with greater mind
Than our forerunners, since more composite,
Look not so great, beside their simple way,
To a judge who only sees one way at once,
One mind-point and no other at a time,
Compares the small part of a man of us
With some whole man of the heroic age,
Great in his waynot ours, nor meant for ours.
And ours is greater, had we skill to know:
For, what we call this life of men on earth,
This sequence of the soul's achievements here
Being, as I find much reason to conceive,
Intended to be viewed eventually
As a great whole, not analyzed to parts,
But each part having reference to all,
How shall a certain part, pronounced complete,
Endure effacement by another part?
Was the thing done?then, what's to do again?
See, in the chequered pavement opposite,
Suppose the artist made a perfect rhomb,
And next a lozenge, then a trapezoid
He did not overlay them, superimpose
The new upon the old and blot it out,
But laid them on a level in his work,
Making at last a picture; there it lies.
So, first the perfect separate forms were made,
The portions of mankind; and after, so,
Occurred the combination of the same.
For where had been a progress, otherwise?
Mankind, made up of all the single men,
In such a synthesis the labour ends.
Now mark me! those divine men of old time
Have reached, thou sayest well, each at one point
The outside verge that rounds our faculty;
And where they reached, who can do more than reach?
It takes but little water just to touch
At some one point the inside of a sphere,
And, as we turn the sphere, touch all the rest
In due succession: but the finer air      
Which not so palpably nor obviously,  
Though no less universally, can touch
The whole circumference of that emptied sphere,
Fills it more fully than the water did;
Holds thrice the weight of water in itself
Resolved into a subtler element.
And yet the vulgar call the sphere first full
Up to the visible heightand after, void;
Not knowing air's more hidden properties.
And thus our soul, misknown, cries out to Zeus
To vindicate his purpose in our life:
Why stay we on the earth unless to grow?
Long since, I imaged, wrote the fiction out,
That he or other god descended here
And, once for all, showed simultaneously
What, in its nature, never can be shown,
Piecemeal or in succession;showed, I say,
The worth both absolute and relative
Of all his children from the birth of time,
His instruments for all appointed work.
I now go on to image,might we hear
The judgment which should give the due to each,
Show where the labour lay and where the ease,
And prove Zeus' self, the latent everywhere!
This is a dream:but no dream, let us hope,
That years and days, the summers and the springs,
Follow each other with unwaning powers.
The grapes which dye thy wine are richer far,
Through culture, than the wild wealth of the rock;
The suave plum than the savage-tasted drupe;
The pastured honey-bee drops choicer sweet;
The flowers turn double, and the leaves turn flowers;
That young and tender crescent-moon, thy slave,
Sleeping above her robe as buoyed by clouds,
Refines upon the women of my youth.
What, and the soul alone deteriorates?
I have not chanted verse like Homer, no
Nor swept string like Terpander, nonor carved
And painted men like Phidias and his friend:
I am not great as they are, point by point.
But I have entered into sympathy
With these four, running these into one soul,
Who, separate, ignored each other's art.
Say, is it nothing that I know them all?
The wild flower was the larger; I have dashed
Rose-blood upon its petals, pricked its cup's
Honey with wine, and driven its seed to fruit,
And show a better flower if not so large:
I stand myself. Refer this to the gods
Whose gift alone it is! which, shall I dare
(All pride apart) upon the absurd pretext
That such a gift by chance lay in my hand,
Discourse of lightly or depreciate?
It might have fallen to another's hand: what then?
I pass too surely: let at least truth stay!

And next, of what thou followest on to ask.
This being with me as I declare, O king,
My works, in all these varicoloured kinds,
So done by me, accepted so by men
Thou askest, if (my soul thus in men's hearts)
I must not be accounted to attain
The very crown and proper end of life?
Inquiring thence how, now life closeth up,
I face death with success in my right hand:
Whether I fear death less than dost thyself
The fortunate of men? "For" (writest thou)
"Thou leavest much behind, while I leave nought.
Thy life stays in the poems men shall sing,
The pictures men shall study; while my life,
Complete and whole now in its power and joy,
Dies altogether with my brain and arm,
Is lost indeed; since, what survives myself?
The brazen statue to o'erlook my grave,
Set on the promontory which I named.
And thatsome supple courtier of my heir
Shall use its robed and sceptred arm, perhaps,
To fix the rope to, which best drags it down.
I go then: triumph thou, who dost not go!"

Nay, thou art worthy of hearing my whole mind.
Is this apparent, when thou turn'st to muse
Upon the scheme of earth and man in chief,
That admiration grows as knowledge grows?
That imperfection means perfection hid,
Reserved in part, to grace the after-time?
If, in the morning of philosophy,
Ere aught had been recorded, nay perceived,
Thou, with the light now in thee, couldst have looked
On all earth's tenantry, from worm to bird,
Ere man, her last, appeared upon the stage
Thou wouldst have seen them perfect, and deduced
The perfectness of others yet unseen.
Conceding which,had Zeus then questioned thee,
"Shall I go on a step, improve on this,
Do more for visible creatures than is done?"
Thou wouldst have answered, "Ay, by making each
Grow conscious in himselfby that alone.
All's perfect else: the shell sucks fast the rock,
The fish strikes through the sea, the snake both swims
And slides, forth range the beasts, the birds take flight,
Till life's mechanics can no further go
And all this joy in natural life is put
Like fire from off thy finger into each,
So exquisitely perfect is the same.
But 'tis pure fire, and they mere matter are;
It has them, not they it: and so I choose
For man, thy last premeditated work
(If I might add a glory to the scheme),
That a third thing should stand apart from both,
A quality arise within his soul,
Which, intro-active, made to supervise
And feel the force it has, may view itself,
And so be happy." Man might live at first
The animal life: but is there nothing more?
In due time, let him critically learn
How he lives; and, the more he gets to know
Of his own life's adaptabilities,
The more joy-giving will his life become.
Thus man, who hath this quality, is best.

But thou, king, hadst more reasonably said:
Let progress end at once,man make no step
Beyond the natural man, the better beast,
Using his senses, not the sense of sense."
In man there's failure, only since he left
The lower and inconscious forms of life.
We called it an advance, the rendering plain
Man's spirit might grow conscious of man's life,
And, by new lore so added to the old,
Take each step higher over the brute's head.
This grew the only life, the pleasure-house,
Watch-tower and treasure-fortress of the soul,
Which whole surrounding flats of natural life
Seemed only fit to yield subsistence to;
A tower that crowns a country. But alas,
The soul now climbs it just to perish there!
For thence we have discovered ('tis no dream
We know this, which we had not else perceived)
That there's a world of capability
For joy, spread round about us, meant for us,
Inviting us; and still the soul craves all,
And still the flesh replies, "Take no jot more
Than ere thou clombst the tower to look abroad!
Nay, so much less as that fatigue has brought
Deduction to it." We struggle, fain to enlarge
Our bounded physical recipiency,
Increase our power, supply fresh oil to life,
Repair the waste of age and sickness: no,
It skills not! life's inadequate to joy,
As the soul sees joy, tempting life to take.
They praise a fountain in my garden here
Wherein a Naiad sends the water-bow
Thin from her tube; she smiles to see it rise.
What if I told her, it is just a thread
From that great river which the hills shut up,
And mock her with my leave to take the same?
The artificer has given her one small tube
Past power to widen or exchangewhat boots
To know she might spout oceans if she could?
She cannot lift beyond her first thin thread:
And so a man can use but a man's joy
While he sees God's. Is it for Zeus to boast,
"See, man, how happy I live, and despair
That I may be still happierfor thy use!"
If this were so, we could not thank our lord,
As hearts beat on to doing; 'tis not so
Malice it is not. Is it carelessness?
Still, no. If carewhere is the sign? I ask,
And get no answer, and agree in sum,
O king, with thy profound discouragement,
Who seest the wider but to sigh the more.
Most progress is most failure: thou sayest well.

The last point now:thou dost except a case
Holding joy not impossible to one
With artist-giftsto such a man as I
Who leave behind me living works indeed;
For, such a poem, such a painting lives.    
What? dost thou verily trip upon a word,      
Confound the accurate view of what joy is
(Caught somewhat clearer by my eyes than thine)  
With feeling joy? confound the knowing how
And showing how to live (my faculty)
With actually living?Otherwise
Where is the artist's vantage o'er the king?
Because in my great epos I display
How divers men young, strong, fair, wise, can act
Is this as though I acted? if I paint,
Carve the young Ph{oe}bus, am I therefore young?
Methinks I'm older that I bowed myself
The many years of pain that taught me art!
Indeed, to know is something, and to prove
How all this beauty might be enjoyed, is more:
But, knowing nought, to enjoy is something too.
Yon rower, with the moulded muscles there,
Lowering the sail, is nearer it than I.
I can write love-odes: thy fair slave's an ode.
I get to sing of love, when grown too grey
For being beloved: she turns to that young man,
The muscles all a-ripple on his back.
I know the joy of kingship: well, thou art king!

"But," sayest thou(and I marvel, I repeat,
To find thee trip on such a mere word) "what
Thou writest, paintest, stays; that does not die:
Sappho survives, because we sing her songs,
And Aeschylus, because we read his plays!"
Why, if they live still, let them come and take
Thy slave in my despite, drink from thy cup,
Speak in my place. Thou diest while I survive?
Say rather that my fate is deadlier still,
In this, that every day my sense of joy
Grows more acute, my soul (intensified
By power and insight) more enlarged, more keen;
While every day my hairs fall more and more,
My hand shakes, and the heavy years increase
The horror quickening still from year to year,
The consummation coming past escape,
When I shall know most, and yet least enjoy
When all my works wherein I prove my worth,
Being present still to mock me in men's mouths,
Alive still, in the praise of such as thou,
I, I the feeling, thinking, acting man,
The man who loved his life so over-much,
Sleep in my urn. It is so horrible,
I dare at times imagine to my need
Some future state revealed to us by Zeus,
Unlimited in capability
For joy, as this is in desire for joy,
To seek which, the joy-hunger forces us:
That, stung by straitness of our life, made strait
On purpose to make prized the life at large
Freed by the throbbing impulse we call death,
We burst there as the worm into the fly,
Who, while a worm still, wants his wings. But no!
Zeus has not yet revealed it; and alas,
He must have done so, were it possible!

Live long and happy, and in that thought die:
Glad for what was! Farewell. And for the rest,
I cannot tell thy messenger aright
Where to deliver what he bears of thine
To one called Paulus; we have heard his fame
Indeed, if Christus be not one with him
I know not, nor am troubled much to know.
Thou canst not think a mere barbarian Jew,
As Paulus proves to be, one circumcised,
Hath access to a secret shut from us?
Thou wrongest our philosophy, O king,
In stooping to inquire of such an one,
As if his answer could impose at all!
He writeth, doth he? well, and he may write.
Oh, the Jew findeth scholars! certain slaves
Who touched on this same isle, preached him and Christ;
And (as I gathered from a bystander)
Their doctrine could be held by no sane man.
NOTES



Form:
unrhyming

1.
The motto is from St. Paul's speech to the philosophers
of Athens, Acts. 17: 28. Cleon and King Protus are both
imaginary characters.

sprinkled isles: the Sporades, near Crete.

4.
tyranny: kingdom. In the Greek sense, tyrant simply
means absolute ruler, and implies no misgovernment or oppressions.

53.
P\;cile: the Portico in Athens.

140.
Terpander: founder of the first Greek School of
music (late seventh century B.C.).

141.
Phidias: famous Greek sculptor who supervised the
construction of the Parthenon, and made the great statue of
Pallas Athene for it. Died 432 B.C. "His friend" was Pericles,
ruler of Athens from 460-429 B.C.

305.
Aeschylus: the earliest of the great writers of Greek tragedy
(525-456 B.C.).



~ Robert Browning, Cleon
,
921:Mother And Daughter- Sonnet Sequence
Young laughters, and my music! Aye till now
The voice can reach no blending minors near;
'Tis the bird's trill because the spring is here
And spring means trilling on a blossomy bough;
'Tis the spring joy that has no why or how,
But sees the sun and hopes not nor can fear-Spring is so sweet and spring seems all the year.
Dear voice, the first-come birds but trill as thou.
Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content
Too soon! There comes new light on onward day,
There comes new perfume o'er a rosier way:
Comes not again the young spring joy that went.
ROME, November 1881.
II
That she is beautiful is not delight,
As some think mothers joy, by pride of her,
To witness questing eyes caught prisoner
And hear her praised the livelong dancing night;
But the glad impulse that makes painters sight
Bids me note her and grow the happier;
And love that finds me as her worshipper
Reveals me each best loveliness aright.
Oh goddess head! Oh innocent brave eyes!
Oh curved and parted lips where smiles are rare
And sweetness ever! Oh smooth shadowy hair
Gathered around the silence of her brow!
Child, I'd needs love thy beauty stranger-wise:
And oh the beauty of it, being thou!
III
I watch the sweet grave face in timorous thought
Lest I should see it dawn to some unrest
And read that in her heart is youth's ill guest,
117
The querulous young sadness, born of nought,
That wearies of the strife it has not fought,
And finds the life it has not had unblest,
And asks it knows not what that should be best,
And till Love come has never what it sought.
But she is still. A full and crystal lake
So gives it skies their passage to its deeps
In an unruffled morn where no winds wake,
And, strong and fretless, 'stirs not, nor yet sleeps.
My darling smiles and 'tis for gladness' sake;
She hears a woe, 'tis simple tears she weeps.
IV
'Tis but a child. The quiet Juno gaze
Breaks at a trifle into mirth and glow,
Changed as a folded bud bursts into blow,
And she springs, buoyant, on some busy craze,
Or, in the rhythm of her girlish plays,
Like light upon swift waves floats to and fro,
And, whatsoe'er's her mirth, needs me to know,
And keeps me young by her young innocent ways.
Just now she and her kitten raced and sprang
To catch the daisy ball she tossed about;
Then they grew grave, and found a shady tree,
And kitty tried to see the notes she sang:
Now she flies hitherward--'Mother! Quick! Come see!
Two hyacinths in my garden almost out!'
Last night the broad blue lightnings flamed the sky;
We watched, our breaths caught as each burst its way,
And through its fire out-leaped the sharp white ray,
And sudden dark re-closed when it went by:
But she, that where we are will needs be nigh,
Had tired with hunting orchids half the day.
Her father thought she called us; he and I,
Half anxious, reached the bedroom where she lay.
Oh lily face upon the whiteness blent!
118
How calm she lay in her unconscious grace!
A peal crashed on the silence ere we went;
She stirred in sleep, a little changed her place,
'Mother,' she breathed, a smile grew on her face:
'Mother,' my darling breathed, and slept content.
VI
Sometimes, as young things will, she vexes me,
Wayward, or too unheeding, or too blind.
Like aimless birds that, flying on a wind,
Strike slant against their own familiar tree;
Like venturous children pacing with the sea,
That turn but when the breaker spurts behind
Outreaching them with spray: she in such kind
Is borne against some fault, or does not flee.
And so, may be, I blame her for her wrong,
And she will frown and lightly plead her part,
And then I bid her go. But 'tis not long:
Then comes she lip to ear and heart to heart.
And thus forgiven her love seems newly strong,
And, oh my penitent, how dear thou art!
VII
Her father lessons me I at times am hard,
Chiding a moment's fault as too grave ill,
And let some little blot my vision fill,
Scanning her with a narrow near regard.
True. Love's unresting gaze is self-debarred
From all sweet ignorance, and learns a skill,
Not painless, of such signs as hurt love's will,
That would not have its prize one tittle marred.
Alas! Who rears and loves a dawning rose
Starts at a speck upon one petal's rim:
Who sees a dusk creep in the shrined pearl's glows,
Is ruined at once: 'My jewel growing dim!'
I watch one bud that on my bosom blows,
I watch one treasured pearl for me and him.
VIII
A little child she, half defiant came
119
Reasoning her case--'twas not so long ago-'I cannot mind your scolding, for I know
However bad I were you'd love the same.'
And I, what countering answer could I frame?
'Twas true, and true, and God's self told her so.
One does but ask one's child to smile and grow,
And each rebuke has love for its right name.
And yet, methinks, sad mothers who for years,
Watching the child pass forth that was their boast,
Have counted all the footsteps by new fears
Till even lost fears seem hopes whereof they're reft
And of all mother's good love sole is left-Is their Love, Love, or some remembered ghost?
IX
Oh weary hearts! Poor mothers that look back!
So outcasts from the vale where they were born
Turn on their road and, with a joy forlorn,
See the far roofs below their arid track:
So in chill buffets while the sea grows black
And windy skies, once blue, are tost and torn,
We are not yet forgetful of the morn,
And praise anew the sunshine that we lack.
Oh, sadder than pale sufferers by a tomb
That say 'My dead is happier, and is more'
Are they who dare no 'is' but tell what's o'er-Thus the frank childhood, those the lovable ways-Stirring the ashes of remembered days
For yet some sparks to warm the livelong gloom.
Love's Counterfeit.
Not Love, not Love, that worn and footsore thrall
Who, crowned with withered buds and leaves gone dry,
Plods in his chains to follow one passed by,
Guerdoned with only tears himself lets fall.
Love is asleep and smiling in his pall,
120
And this that wears his shape and will not die
Was once his comrade shadow, Memory-His shadow that now stands for him in all.
And there are those who, hurrying on past reach,
See the dim follower and laugh, content,
'Lo, Love pursues me, go where'er I will!'
Yet, longer gazing, some may half beseech,
'This must be Love that wears his features still:
Or else when was the moment that Love went?'
XI
Love's Mourner.
'Tis men who say that through all hurt and pain
The woman's love, wife's, mother's, still will hold,
And breathes the sweeter and will more unfold
For winds that tear it, and the sorrowful rain.
So in a thousand voices has the strain
Of this dear patient madness been retold,
That men call woman's love. Ah! they are bold,
Naming for love that grief which does remain.
Love faints that looks on baseness face to face:
Love pardons all; but by the pardonings dies,
With a fresh wound of each pierced through the breast.
And there stand pityingly in Love's void place
Kindness of household wont familiar-wise,
And faith to Love--faith to our dead at rest.
XII
She has made me wayside posies: here they stand,
Bringing fresh memories of where they grew.
As new-come travellers from a world we knew
Wake every while some image of their land,
So these whose buds our woodland breezes fanned
Bring to my room the meadow where they blew,
The brook-side cliff, the elms where wood-doves coo-And every flower is dearer for her hand.
121
Oh blossoms of the paths she loves to tread,
Some grace of her is in all thoughts you bear:
For in my memories of your homes that were
The old sweet loneliness they kept is fled,
And would I think it back I find instead
A presence of my darling mingling there.
XIII
My darling scarce thinks music sweet save mine:
'Tis that she does but love me more than hear.
She'll not believe my voice to stranger ear
Is merely measure to the note and line;
'Not so,' she says; 'Thou hast a secret thine:
The others' singing's only rich, or clear,
But something in thy tones brings music near;
As though thy song could search me and divine.'
Oh voice of mine that in some day not far
Time, the strong creditor, will call his debt,
Will dull--and even to her--will rasp and mar,
Sing Time asleep because of her regret,
Be twice thy life the thing her fancies are,
Thou echo to the self she knows not yet.
CASERTA, April, 1882.
XIV
To love her as to-day is so great bliss
I needs must think of morrows almost loth,
Morrows wherein the flower's unclosing growth
Shall make my darling other than she is.
The breathing rose excels the bud I wis,
Yet bud that will be rose is sweet for both;
And by-and-by seems like some later troth
Named in the moment of a lover's kiss.
Yes, I am jealous, as of one now strange
That shall instead of her possess my thought,
Of her own self made new by any change,
Of her to be by ripening morrows brought.
My rose of women under later skies!
Yet, ah! my child with the child's trustful eyes!
122
XV
That some day Death who has us all for jest
Shall hide me in the dark and voiceless mould,
And him whose living hand has mine in hold,
Where loving comes not nor the looks that rest,
Shall make us nought where we are known the best,
Forgotten things that leave their track untold
As in the August night the sky's dropped gold-This seems no strangeness, but Death's natural hest.
But looking on the dawn that is her face
To know she too is Death's seems mis-belief;
She should not find decay, but, as the sun
Moves mightier from the veil that hides his place,
Keep ceaseless radiance. Life is Death begun:
But Death and her! That's strangeness passing grief.
XVI
She will not have it that my day wanes low,
Poor of the fire its drooping sun denies,
That on my brow the thin lines write good-byes
Which soon may be read plain for all to know,
Telling that I have done with youth's brave show;
Alas! and done with youth in heart and eyes,
With wonder and with far expectancies,
Save but to say 'I knew such long ago.'
She will not have it. Loverlike to me,
She with her happy gaze finds all that's best,
She sees this fair and that unfretted still,
And her own sunshine over all the rest:
So she half keeps me as she'd have me be,
And I forget to age, through her sweet will.
XVII
And how could I grow old while she's so young?
Methinks her heart sets tune for mine to beat,
We are so near; her new thoughts, incomplete,
Find their shaped wording happen on my tongue;
Like bloom on last year's winterings newly sprung
My youth upflowers with hers, and must repeat
123
Old joyaunces in me nigh obsolete.
Could I grow older while my child's so young?
And there are tales how youthful blood instilled
Thawing frore Age's veins gave life new course,
And quavering limbs and eyes made indolent
Grew freshly eager with beginning force:
She so breathes impulse. Were my years twice spent,
Not burdening Age, with her, could make me chilled.
XVIII
'Tis hard that the full summer of our round
Is but the turn where winter's sign-post's writ;
That to have reached the best is leaving it;
That final loss bears date from having found.
So some proud vessel in a narrow sound
Sails at high water with the fair wind fit,
And lo! the ebb along the sandy spit,
Lower and lower till she jars, aground.
'Tis hard. We are young still but more content;
'Tis our ripe flush, the heyday of our prime;
We learn full breath, how rich of the air we are!
But suddenly we note a touch of time,
A little fleck that scarcely seems to mar;
And we know then that some time since youth went.
XIX
Life on the wane: yes, sudden that news breaks.
And yet I would 'twere suddenly and less soon;
Since no forewarning makes loss opportune.
And now I watch that slow advance Time makes:
Watch as, while silent flow spreads broad the lakes
Mid the land levels of a smooth lagoon,
One waiting, pitiful, on a tidal dune,
Aware too long before it overtakes.
Ah! there's so quick a joy in hues and sun,
And will my eyes see dim? Will vacant sense
Forget the lark, the surges on the beach?
Shall I step wearily and wish 'twere done?
Well, if it be love will not too go hence,
124
Love will have new glad secrets yet to teach.
XX
There's one I miss. A little questioning maid
That held my finger, trotting by my side,
And smiled out of her pleased eyes open wide,
Wondering and wiser at each word I said.
And I must help her frolics if she played,
And I must feel her trouble if she cried;
My lap was hers past right to be denied;
She did my bidding, but I more obeyed.
Dearer she is to-day, dearer and more;
Closer to me, since sister womanhoods meet;
Yet, like poor mothers some long while bereft,
I dwell on toward ways, quaint memories left,
I miss the approaching sound of pit-pat feet,
The eager baby voice outside my door.
XXI
Hardly in any common tender wise,
With petting talk, light lips on her dear cheek,
The love I mean my child will bear to speak,
Loth of its own less image for disguise;
But liefer will it floutingly devise,
Using a favourite jester's mimic pique,
Prompt, idle, by-names with their sense to seek,
And takes for language laughing ironies.
But she, as when some foreign tongue is heard,
Familiar on our lips and closely known,
We feel the every purport of each word
When ignorant ears reach empty sound alone,
So knows the core within each merry gird,
So gives back such a meaning in her own.
XXII
The brook leaps riotous with its life just found,
That freshets from the mountain rains have fed,
Beats at the boulders in its hindered bed,
And fills the valley with its triumphing sound.
The strong unthirsty tarn sunk in deep ground
125
Has never a sigh wherewith its wealth is said,
Has no more ripples than the May-flies tread:
Silence of waters is where they abound.
And love, whatever love, sure, makes small boast:
'Tis the new lovers tell, in wonder yet.
Oh happy need! Enriched stream's jubilant gush!
But who being spouses well have learned love's most,
Being child and mother learned not nor forget,
These in their joyfulness feel the tarn's strong hush.
XXIII
Birds sing 'I love you, love' the whole day through,
And not another song can they sing right;
But, singing done with, loving's done with quite,
The autumn sunders every twittering two.
And I'd not have love make too much ado
With sweet parades of fondness and delight,
Lest iterant wont should make caresses trite,
Love-names mere cuckoo ousters of the true.
Oh heart can hear heart's sense in senseless nought,
And heart that's sure of heart has little speech.
What shall it tell? The other knows its thought.
What shall one doubt or question or beseech
Who is assured and knows and, unbesought,
Possesses the dear trust that each gives each.
XXIV
'You scarcely are a mother, at that rate.
Only one child!' The blithe soul pitied loud.
And doubtless she, amid her household crowd,
When one brings care in another's fortunate;
When one fares forth another's at her gate.
Yea, were her first-born folded in his shroud,
Not with a whole despair would she be bowed,
She has more sons to make her heart elate.
Many to love her singly, mother theirs,
To give her the dear love of being their need,
To storm her lap by turns and claim their kiss,
To kneel around her at their bed-time prayers;
126
Many to grow her comrades! Some have this.
Yet I, I do not envy them indeed.
RAMSGATE, 1886.
XXV
You think that you love each as much as one,
Mothers with many nestlings 'neath your wings.
Nay, but you know not. Love's most priceless things
Have unity that cannot be undone.
You give the rays, I the englobed full sun;
I give the river, you the separate springs:
My motherhood's all my child's with all it brings-None takes the strong entireness from her: none.
You know not. You love yours with various stress;
This with a graver trust, this with more pride;
This maybe with more needed tenderness:
I by each uttermost passion of my soul
Am turned to mine; she is one, she has the whole:
How should you know who appraise love and divide?
XXVI
Of my one pearl so much more joy I gain
As he that to his sole desire is sworn,
Indifferent what women more were born,
And if she loved him not all love were vain,
Gains more, because of her--yea, through all pain,
All love and sorrows, were they two forlorn-Than whoso happiest in the lands of morn
Mingles his heart amid a wifely train.
Oh! Child and mother, darling! Mother and child!
And who but we? We, darling, paired alone?
Thou hast all thy mother; thou art all my own.
That passion of maternity which sweeps
Tideless 'neath where the heaven of thee hath smiled
Has but one channel, therefore infinite deeps.
XXVII
Since first my little one lay on my breast
I never needed such a second good,
Nor felt a void left in my motherhood
127
She filled not always to the utterest.
The summer linnet, by glad yearnings pressed,
Builds room enough to house a callow brood:
I prayed not for another child--nor could;
My solitary bird had my heart's nest.
But she is cause that any baby thing
If it but smile, is one of mine in truth,
And every child becomes my natural joy:
And, if my heart gives all youth fostering,
Her sister, brother, seems the girl or boy:
My darling makes me mother to their youth.
~ Augusta Davies Webster,
922:The Creek Of The Four Graves
I verse a Settler's tale of olden times
One told me by our sage friend, Egremont;
Who then went forth, meetly equipt, with four
Of his most trusty and adventrous men
Into the wilderness - went forth to seek
New streams and wider pastures for his fast
Augmenting flocks and herds. On foot were all
For horses then were beast of too great price
To be much ventured on mountain routes,
And over wild wolds clouded up with brush,
And cut with marshes, perilously deep.
So went they forth at dawn: and now the sun
That rose behind them as they journeyed out,
Was firing with his nether rim a range
Of unknown mountains that, like ramparts, towered
Full in their front, and his last glances fell
Into the gloomy forest's eastern glades
In golden massses, transiently, or flashed
Down to the windings of a nameless Creek,
That noiseless ran betwixt the pioneers
And those new Apennines - ran, shaded up
With boughs of the wild willow, hanging mixed
From either bank, or duskily befringed
With upward tapering feathery swamp-oaks The sylvan eyelash always of remote
Australian waters, whether gleaming still
In lake or pool, or bickering along
Between the marges of some eager stream.
Before then, thus extended, wilder grew
The scene each moment - and more beautiful!
For when the sun was all but sunk below
Those barrier mountains, - in the breeze that o'er
Their rough enormous backs deep-fleeced with wood
Came whispering down, the wide up-slanting sea
Of fanning leaves in the descending rays
Danced interdazzingly, as if the trees
147
That bore them, were all thrilling, - tingling all
Even to the roots for very happiness:
So prompted from within, so sentient seemed
The bright quick motion - wildly beautiful.
But when the sun had wholly disappeared
Behind those mountains - O what words, what hues
Might paint the wild magnificence of view
That opened westward! Out extending, lo,
The heights rose crowding, with their summits all
Dissolving, as it seemed, and partly lost
In the exceeding radiancy aloft;
And thus transfigured, for awhile they stood
Like a great company of Archaeons, crowned
With burning diadems, and tented o'er
With canopies of purple and of gold!
Here halting wearied, now the sun was set,
Our travellers kindled for their first night's camp
The brisk and crackling fire, which also looked
A wilder creature than 'twas elsewhere wont,
Because of the surrounding savageness.
And soon in cannikins the tea was made,
Fragrant and stong; long fresh-sliced rashers then
Impaled on whittled skewers, were deftly broiled
On the live embers, and when done, transferred
To quadrants from an ample damper cut,
Their only trenchers - soon to be dispatched
With all the savoury morsels they sustained,
By the keen tooth of healthful appitite.
And as they supped, birds of new shape and plume
And wild strange voice came by,nestward repairing by,
Oft too their wonder; or betwixt the gaps
In the ascending forest growths they saw
Perched on the bare abutments of the hills,
Where haply yet some lingering gleam fell through,
The wallaroo look forth: till aastward all
The view had wasted into formless gloom,
Night's front; and westward, the high massing woods
Steeped in a swart but mellowed Indian hue A deep dusk loveliness, lay ridged and heaped
148
Only the more distinctly for their shade
Against the twilight heaven - a cloudless depth
Yet luminous with the sunset's fading glow;
And thus awhile, in the lit dusk, they seemed
To hang like mighty pictures of themselves
In the still chambers of some vaster world.
The silent business of their supper done,
The Echoes of the solitary place,
Came as in sylvan wonder wide about
To hear, and imitate tentatively,
Stange voice moulding a strange speech, as then
Within the pleasant purlieus of the fire
Lifted in glee - but to be hushed erelong,
As with the night in kindred darkness came
O'er the adventurers, each and all, some sense Some vague-felt intimation from without,
Of danger lurking in its forest lairs.
But nerved by habit, and all settled soon
About the well-built fire, whose nimble tongues
Sent up continually a strenuous roar
Of fierce delight, and from their fuming pipes
Fu11 charged and fragrant with the Indian weed,
Drawing rude comfort,- typed without, as 'twere,
By tiny clouds over their several heads
Quietly curling upward; - thus disposed
Within the pleasant firelight, grave discourse
of their peculiar business brought to each
A steadier mood, that reached into the night.
The simple subject to their minds at length
Fully discussed, their couches they prepared
Of rushes, and the long green tresses pulled
Down from the boughs of the wild willows near.
The four, as prearranged, stretched out their limbs
Under the dark arms of the forest trees
That mixed aloft, high in the starry air,
In arcs and leafy domes whose crossing curves
And roof-like features, - blurring as they ran
Into some denser intergrowth of sprays, Were seen in mass traced out against the clear
149
Wide gaze of heaven; and trustful of the watch
Kept near them by their thoughtful Master, soon
Drowsing away, forgetful of their toil,
And of the perilous vast wilderness
That lay around them like a spectral world,
Slept, breathing deep; - whilst all things there as well
Showed slumbrous, - yea, the circling forest trees,
Their foremost holes carved from a crowded mass
Less visible, by the watchfire's bladed gleams,
As quick and spicular, from the broad red ring
Of its more constant light they ran in spurts
Far out and under the umbrageous dark;
And even the shaded and enormous mounts,
Their bluff brows grooming through the stirless air,
Looked in their quiet solemnly asleep:
Yea, thence surveyed, the Universe might have seemed
Coiled in vast rest, - only that one dim cloud,
Diffused and shapen like a huge spider,
Crept as with scrawling legs along the sky;
And that the stars, in their bright orders, still
Cluster by cluster glowingly revealed
As this slow cloud moved on, - high over all, Looked wakeful - yea, looked thoughtful in their peace.
II
Meanwhile the cloudless eastem heaven had grown
More and more luminous - and now the Moon
Up from behind a giant hill was seen
Conglobing, till - a mighty mass - she brought
Her under border level with its cone,
As thereon it were resting: when, behold
A wonder! Instantly that cone's whole bulk
Erewhile so dark, seemed inwardly a-glow
With her instilled irradiance; while the trees
That fringed its outline, - their huge statures dwarfed,
By distance into brambles, and yet all
Clearly defined against her ample orb, Out of its very disc appeared to swell
In shadowy relief, as they had been
All sculptured from its substance as she rose.
150
Thus o'er that dark height her great orb arose,
Till her full light, in silvery sequence still
Cascading forth from ridgy slope to slope,
Like the dropt foldings of a lucent veil,
Chased mass by mass the broken darkness down
Into the dense-brushtd valleys, where it crouched,
And shrank, and struggled, like a dragon doubt
Glooming some lonely spirit that doth still
Resist the Truth with obstinate shifts and shows,
Though shining out of heaven, and from defect
Winning a triumph that might else not be.
There standing in his lone watch, Egremont
On all this solemn beauty of the world,
Looked out, yet wakeful; for sweet thoughts of home
And all the sacred charities it held,
Ingathered to his heart, as by some nice
And subtle interfusion that connects
The loved and cherished (then the most, perhaps,
When absent, or when passed, or even when lost)
With all serene and beautiful and bright
And lasting things of Nature. So then thought
The musing Egremont: when sudden - hark!
A bough crackt loudly in a neighboring brake,
And drew at once, as with alarum, all
His spirits thitherward in wild surmise.
But summoning caution, and back stepping close
Against the shade-side of a bending gum,
With a strange horror gathering to his heart,
As if his blood were charged with insect life
And writhed along in clots, he stilled himself,
Listening long and heedfully, with head
Bent forward sideways, till his held breath grew
A pang, and his ears rung. But Silence there
Had recomposed her ruffled wings, and now
Brooded it seemed even stillier than before,
Deep nested in the darkness: so that he
Unmasking from the cold shade, grew erelong
More reassured from wishing to be so,
And to muse, Memory's suspended mood,
Though with an effort, quietly recurred.
151
But there again - crack upon crack! And hark!
O Heaven! have Hell's worst fiends burst howling up
Into the death-doom'd world? Or whence, if not
From diabolic rage, could surge a yell
So horrible as that which now affrights
The shuddering dark! Beings as fell are near!
Yea, Beings, in their dread inherited hate
And deadly enmity, as vengeful, come
In vengeance! For behold, from the long grass
And nearer brakes, a semi-belt of stript
And painted Savages divulge at once
Their bounding forms! - full in the flaring light
Thrown outward by the fire, that roused and lapped
The rounding darkness with its ruddy tongues
More fiercely than before, - as though even it
Had felt the sudden shock the air received
From those dire cries, so terrible to hear!
A moment in wild agitation seen
Thus, as they bounded up, on then they came
Closing, with weapons brandished high, and so
Rushed in upon the sleepers! three of whom
But started, and then weltered prone beneath
The first fell blow dealt down on each by three
Of the most stalwart of their pitiless foes!
But One again, and yet again, heaved up Up to his knees, under the crushing strokes
Of huge-clubbed nulla-nullas, till his own
Warm blood was blinding him! For he was one
Who had with Misery nearly all his days
Lived lonely, and who therefore, in his soul
Did hunger after hope, and thirst for what
Hope still had promised him, - some taste at least
Of human good however long deferred,
And now he could not, even in dying, loose
His hold on life's poor chances of tomorrow Could not but so dispute the terrible fact
Of death, e'en in Death's presence! Strange it is:
Yet oft 'tis seen that Fortune's pampered child
Consents to his untimely power with less
Reluctance, less despair, than does the wretch
152
Who hath been ever blown about the world
The straw-like sport of Fate's most bitter blasts,
Vagrant and tieless; - ever still in him
The craving spirit thus grieves to itself:
'I never yet was happy - never yet
Tasted unmixed enjoyment, and I would
Yet pass on the bright Earth that I have loved
Some season, though most brief, of happiness;
So should I walk thenceforward to my grave,
Wherever in her green maternal breast
It might await me, more than now prepared
To house me in its gloom, - resigned at heart,
Subjected to its certainty and soothed
Even by the consciousness of having shaped
Some personal good in being; - strong myself,
And strengthening others. But to have lived long years
Of wasted breath, because of woe and want,
And disappointed hope, - and now, at last,
To die thus desolate, is horrible!'
And feeling thus through many foregone moods
Whose lives had in the temper of his soul
All mixed, and formed one habit, - that poor man,
Though the black shadows of untimely death,
Inevitably, under every stroke,
But thickened more and more, - against them still
Upstruggled, nor would cease: until one last
Tremendous blow, dealt down upon his head
As if in mercy, gave him to the dust
With all his many woes and frustrate hope.
Struck through with a cold horror, Egremont,
Standing apart, - yea, standing as it were
In marble effigy, saw this, saw all!
And when outthawing from his frozen heart
His blood again rushed tingling - with a leap
Awaking from the ghastly trance which there
Had bound him, as with chill petrific bonds,
He raised from instinct more than conscious thought
His death-charged tube, and at that murderous crew
Firing! saw one fall ox-like to the earth; -
153
Then turned and fled. Fast fled he, but as fast
His deadly foes went thronging on his track!
Fast! for in full pursuit, behind him yelled
Wild men whose wild speech had no word for mercy!
And as he fled, the forest beasts as well,
In general terror, through the brakes a-head
Crashed scattering, or with maddening speed athwart
His course came frequent. On - still on he flies Flies for dear life! and still behind him hears
Nearer and nearer, the so rapid dig
Of many feet, - nearer and nearer still.
III
So went the chase! And now what should he do?
Abruptly turning, the wild Creek lay right
Before him! But no time was there for thought:
So on he kept, and from a bulging rock
That beaked the bank like a bare promontory,
Plunging right forth and shooting feet-first down,
Sunk to his middle in the flashing stream In which the imaged stars seemed all at once
To burst like rockets into one wide blaze
Of intewrithing light. Then wading through
The ruffled waters, forth he sprang and seized
A snake-like root that from the opponent bank
Protruded, and round which his earnest fear
Did clench his cold hand like a clamp of steel,
A moment, - till as swiftly thence he swung
His dripping form aloft, and up the dark
O'erjutting ledge, went clambering in the blind
And breathless haste of one who flies for life:
When its face - 0 verily our God
Hath those in his peculiar care for whom
The daily prayers of spotless Womanhood
And helpless Infancy, are offered up! When in its face a cavity he felt,
The upper earth of which in one rude mass
Was held fast bound by the enwoven roots
Of two old trees, - and which, beneath the mould,
Just o'er the clammy vacancy below,
Twisted and lapped like knotted snakes, and made
154
A natural loft-work. Under this he crept,
Just as the dark forms of his hunters thronged
The bulging rock whence he before had plunged.
Duskily visible, thereon a space
They paused to mark what bent his course might take
Over the farther bank, thereby intent
To hold upon the chase, which way soe'er
It might incline, more surely. But no form
Amongst the moveless fringe of fern was seen
To shoot up from its outline, - up and forth
Into the moonlight that lay bright beyond
In torn and shapless blocks, amid the boles
And mxing shadows of the taller trees,
All standing now in the keen radiance there
So ghostly still, as in a solemn trance,
But nothing in the silent prospect stirred No fugitive apparition in the view
Rose, as they stared in fierce expectancy:
Wherefore they augured that their prey was yet
Somewhere between, - and the whole group with that
Plunged forward, till the fretted current boiled
Amongst their crowd'ing trunks from bank to bank;
And searching thus the stream across, and then
Lengthwise, along the ledges, - combing down
Still, as they went, with dripping fingers, cold
And cruel as inquisitive, each clump
Of long-flagged swamp-grass where it flourished high, The whole dark line passed slowly, man by man,
Athwart the cavity - so fearfully near,
That as they waded by the Fugitive
Felt the strong odour of their wetted skins
Pass with them, trailing as their bodies moved
Stealthily on, coming with each, and going.
But their keen search was keen in vain. And now
Those wild men marvelled, - till, in consultation,
There grouped in dark knots standing in the stream
That glimmered past them, moaning as it went,
His Banishment, so passing strange it seemed,
They coupled with the mystery of some crude
Old fable of their race; and fear-struck all,
155
And silent, then withdrew. And when the sound
Of their receding steps had from his ear
Died off, as back to the stormed Camp again
They hurried to despoil the yet warm dead,
Our Friend slid forth, and springing up the bank.
Renewed his flight, nor rested from it, till
He gained the welcoming shelter of his Home.
Return we for a moment to the scene
Of recent death. There the late flaring fire
Now smouldered, for its brands were strewn about,
And four stark corses plundered to the skin
And brutally mutilated, seemed to stare
With frozen eyeballs up into the pale
Round visage of the Moon, who, high in heaven,
With all her stars, in golden bevies, gazed
As peacefully down as on a bridal there
Of the warm Living - not, alas! on them
Who kept in ghastly silence through the night
Untimely spousals with a desert death.
0 God! and thus this lovely world hath been
Accursed forever by the bloody deeds
Of its prime Creature - Man. Erring or wise,
Savage or civilised, still hath he made
This glorious residence, the Earth, a Hell
Of wrong and robbery and untimely death!
Some dread Intelligence opposed to Good
Did, of a surety, over all the earth
Spread out from Eden - or it were not so!
For see the bright beholding Moon, and all
The radiant Host of Heaven, evince no touch
Of sympathy with Man's wild violence; Only evince in their calm course, their part
In that original unity of Love,
Which, like the soul that dwelleth in a harp,
Under God's hand, in the beginning, chimed
The sabbath concord of the Universe;
And look on a gay clique of maidens, met
In village tryst, and interwhirling all
In glad Arcadian dances on the green Or on a hermit, in his vigils long,
156
Seen kneeling at the doorway, of his cell Or on a monster battlefield where lie
In swelterin heaps, the dead and dying both,
On the cold gory grounds - as they that night
Looked in bright peace, down on the doomful Wild.
Afterwards there, for many changeful years,
Within a glade that sloped into the bank
Of that wild mountain Creek - midway within,
In partial record of a terrible hour
Of human agony and loss extreme,
Four grassy mounds stretched lengthwise side by side,
Startled the wanderer; - four long grassy mounds
Bestrewn with leaves, and withered spraylets, stript
By the loud wintry wing gales that roamed
Those solitudes, from the old trees which there
Moaned the same leafy dirges that had caught
The heed of dying Ages: these were all;
And thence the place was long by travellers called
The Creek of the Four Graves. Such was the Tale
Egremont told us of the wild old times.
~ Charles Harpur,
923:had to instruct the announcers to say "'Dillan,' the way he himself pronounced
it". His middle name, Marlais, was given to him in honour of his great-uncle,
Unitarian minister William Thomas, whose bardic name was Gwilym Marles.
His childhood was spent largely in Swansea, with regular summer trips to visit his
maternal aunts' Carmarthenshire farms. These rural sojourns and the contrast
with the town life of Swansea provided inspiration for much of his work, notably
many short stories, radio essays, and the poem Fern Hill. Thomas was known to
be a sickly child who suffered from bronchitis and asthma. He shied away from
school and preferred reading on his own. He was considered too frail to fight in
World War II, instead serving the war effort by writing scripts for the
government. Thomas's formal education began at Mrs. Hole's Dame school, a
private school which was situated a few streets away on Mirador Crescent. He
described his experience there in Quite Early One Morning:
Never was there such a dame school as ours, so firm and kind and smelling of
galoshes, with the sweet and fumbled music of the piano lessons drifting down
from upstairs to the lonely schoolroom, where only the sometimes tearful wicked
sat over undone sums, or to repent a little crime — the pulling of a girl's hair
during geography, the sly shin kick under the table during English literature.
In October 1925, Thomas attended the single-sex Swansea Grammar School, in
the Mount Pleasant district of the city, where his father taught. He was an
undistinguished student. Thomas's first poem was published in the school's
magazine. He later became its editor. He began keeping poetry notebooks and
amassed 200 poems in four such journals between 1930 and 1934. He left school
at 16 to become a reporter for the local newspaper, the South Wales Daily Post,
only to leave the job under pressure 18 months later in 1932. After leaving the
job he filled his notebooks even faster. Of the 90 poems he published, half were
written during these first years. He then joined an amateur dramatic group in
Mumbles called Little Theatre (Now Known as Swansea Little Theatre), but still
continued to work as a freelance journalist for a few more years.
Thomas spent his time visiting the cinema in the Uplands, walking along
Swansea Bay, visiting a theatre where he used to perform, and frequenting
Swansea's pubs. He especially patronised those in the Mumbles area such the
Antelope Hotel and the Mermaid Hotel. A short walk from the local newspaper
where he worked was the Kardomah Café in Castle Street, central Swansea. At
the café he met with various artist contemporaries, such as his good friend the
poet Vernon Watkins. These writers, musicians and artists became known as 'The
Kardomah Gang'. In 1932, Thomas embarked on what would be one of his
various visits to London.
In February 1941, Swansea was bombed by the German Luftwaffe in a "three
nights' blitz". Castle Street was just one of the many streets in Swansea that
suffered badly; the rows of shops, including the 'Kardomah Café', were
destroyed. Thomas later wrote about this in his radio play Return Journey Home,
in which he describes the café as being "razed to the snow". Return Journey
Home was first broadcast on 15 June 1947, having been written soon after the
bombing raids. Thomas walked through the bombed-out shell of the town centre
with his friend Bert Trick. Upset at the sight, he concluded: "Our Swansea is
dead". The Kardomah Café later reopened on Portland Street, not far from the
original location
Career and Family
It is often commented that Thomas was indulged like a child and he was, in fact,
still a teenager when he published many of the poems he would become famous
for: “And death shall have no dominion" “Before I Knocked” and “The Force That
Through the Green Fuse Drives the Flower". "And death shall have no dominion",
appeared in the New English Weekly in May 1933 and further work appeared in
The Listener in 1934 catching the attention of two of the most senior poets of the
day T. S. Eliot and Stephen Spender. His highly acclaimed first poetry volume, 18
Poems, was published on 18 December 1934, and went on to win a contest run
by The Sunday Referee, netting him new admirers from the London poetry world,
including Edith Sitwell. The anthology was published by Fortune Press, which did
not pay its writers and expected them to buy a certain number of copies
themselves. A similar arrangement would later be used by a number of other
new authors, including Philip Larkin.
His passionate musical lyricism caused a sensation in these years of desiccated
Modernism; the critic Desmond Hawkins said it was “the sort of bomb that bursts
no more than once in three years”. In all, he wrote half of his poems while living
at 5 Cwmdonkin Drive before he moved to London.It was also the time that
Thomas's reputation for heavy drinking developed.
In the spring of 1936, ~ Dylan Thomas



met dancer Caitlin Macnamara in the
Wheatsheaf pub, in the Fitzrovia area of London's West End. They were
introduced by Augustus John, who was Macnamara's lover at the time (there
were rumours that she continued her relationship with John after she married
Thomas). A drunken Thomas proposed to Macnamara on the spot, and the two
began a courtship. On 11 July 1937, Thomas married Macnamara in a register
office in Penzance, Cornwall. In 1938, the couple rented a cottage in the village
of Laugharne, Carmarthenshire, West Wales. Their first child, Llewelyn Edouard,
was born on 30 January 1939 (d. 2000). Their daughter, Aeronwy Thomas-Ellis,
was born on 3 March 1943 (d. 2009). A second son, Colm Garan Hart, was born
on 24 July 1949.
Wartime and After
At the outset of the Second World War, Thomas was designated C3, which meant
that although he could, in theory, be called up for service he would be in one of
the last groups to be so. He was saddened to see his friends enter active service
leaving him behind and drank whilst struggling to support his family. He lived on
tiny fees from writing and reviewing and borrowed heavily from friends and
acquaintances, writing begging letters to random literary figures in hope of
support, envisaging this as a plan of long term regular income. He wrote to the
director of the films division of the Ministry of Information asking for employment
but after a rebuff eventually ended up working for Strand Films. Strand produced
films for the Ministry of Information and Thomas scripted at least five in 1942
with titles such as This Is Colour (about dye), New Towns For Old, These Are The
Men and Our Country (a sentimental tour of Britain). He actively sought to build
a reputation as a raconteur and outrageous writer, heavy drinker and wit.
The publication of Deaths and Entrances in 1946 was a major turning point for
Thomas. Poet and critic W. J. Turner commented in The Spectator "This book
alone, in my opinion, ranks him as a major poet". Thomas was well known for
being a versatile and dynamic speaker, best known for his poetry readings. He
made over 200 broadcasts for the BBC.
Often considered his greatest single work, Under Milk Wood, a radio play
featuring the characters of Llareggub, is set in a fictional Welsh fishing village
('Llareggub' is 'Bugger All' backwards, implying that there is absolutely nothing
to do there). The BBC credited their producer Stella Hillier with ensuring the play
actually materialised. Assigned "some of the more wayward characters who were
then writing for the BBC", she dragged the notoriously unreliable Thomas out of
the pub and back to her office to finish the work. The play took several years to
write, the first half mostly in South Leigh, Oxford, in 1948, whilst the second half
was mostly written in America in May 1953. Fewer than 300 lines were written in
Laugharne, according to one account, which also explains the influence of New
Quay on the play.
New York
John Malcolm Brinnin invited Thomas to New York and in 1950 embarked on a
lucrative three month tour of arts centres and campuses in the States. He toured
there again in 1952, this time with Caitlin, who discovered that he had been
unfaithful on his 1950 trip. They both drank heavily, as if in competition,
Thomas's health beginning to suffer with gout and lung problems. Thomas
performed a 'work in progress' version of Under Milk Wood solo for the first time
on 3 May at Harvard during his early 1953 US tour, and then with a cast at the
Poetry Centre in New York on 14 May. He worked on the play further in Wales,
where in its completed form it premiered the Lyric Theatre, Carmarthen, Wales
on 8 October 1953, just 12 miles away from Laugharne. It was said Thomas gave
a 'supreme virtuoso performance'. He then travelled to London and on the 19
October he flew to America. He died in New York on 5 November 1953 before the
BBC could record the play. Richard Burton starred in the first broadcast in 1954
and was joined by Elizabeth Taylor in a subsequent film.
Thomas's last collection Collected Poems, 1934–1952, published when he was
38, won the Foyle poetry prize. He wrote "Do not go gentle into that good night",
a villanelle, to his dying father, who passed away in 1952, one of the poet's last
poems.
Death
Thomas arrived in New York on 20 October 1953, to take part in a performance
of Under Milk Wood at the city's prestigious Poetry Centre. He was already ill and
had a history of blackouts and heart problems, using an inhaler in New York to
help his breathing. Thomas had liked to boast of his addiction to drinking, saying
"An alcoholic is someone you don't like, who drinks as much as you do." He
"liked the taste of whisky" and had a powerful reputation for his drinking. The
writer Elizabeth Hardwick recalled how intoxicating a performer he was and how
the tension would build before a performance: “Would he arrive only to break
down on the stage? Would some dismaying scene take place at the faculty party?
Would he be offensive, violent, obscene? These were alarming and yet exciting
possibilities.” His wife Caitlin said in her embittered memoir “Nobody ever needed
encouragement less, and he was drowned in it.” Thomas “exhibited the excesses
and experienced the adulation which would later be associated with rock stars,”
however the amount he is supposed to have drunk in his lifetime and in New
York before his death, may well have been exaggerated as Thomas became
mythologised.
On the evening of 27 October 1953, Thomas's 39th birthday, the poet attended a
party in his honour but felt so unwell that he returned to his hotel. On 28 October
1953, he took part in Poetry And The Film, a recorded symposium at Cinema 16,
which included panellists Amos Vogel, Maya Deren, Parker Tyler, and Willard
Maas. The director of the Poetry Centre, John Brinnin, was also Thomas's tour
agent. Brinnin didn't travel to New York, remaining at home in Boston and
handed responsibility to his assistant, Liz Reitell. Reitell met Thomas at Idlewild
Airport (now JFK airport) and he told her that he had had a terrible week, had
missed her terribly and wanted to go to bed with her. Despite Reitell's previous
misgivings about their relationship they spent the rest of the day and night
together at the Chelsea Hotel. The next day she invited him to her apartment but
he declined, saying that he was not feeling well and retired to his bed for the rest
of the afternoon. After spending the night at the hotel with Thomas, Reitell went
back to her own apartment for a change of clothes. At breakfast Herb Hannum
noticed how sick Thomas looked and suggested a visit to a Dr. Feltenstein before
the performance of Under Milk Wood that evening. The doctor went to work with
his needle, and Thomas made it through the two performances of Under Milk
Wood, but collapsed straight afterwards. Reitell would later describe Feltenstein
as a wild doctor who believed injections could cure anything.
A turning point came on 2 November. Air pollution in New York had risen
significantly and exacerbated chest illnesses, such as Thomas had. By the end of
the month, over two hundred New Yorkers had died from the smog. On 3
November Thomas spent most of that day in bed drinking He went out in the
evening to keep two drink appointments. After returning to the hotel, he went
out again for a drink at 2am. After drinking at the White Horse Tavern, a pub
he'd found through Scottish poet Ruthven Todd, Thomas returned to the Hotel
Chelsea, declaring, "I've had eighteen straight whiskies. I think that's the
record!" The barman and the owner of the pub who served Thomas at the time
later commented that Thomas couldn't have imbibed more than half that
amount. Thomas had an appointment to visit a clam house in New Jersey on 4
November. When phoned at the Chelsea that morning, he said that he was
feeling awful and asked to take a rain-check. Later, he did go drinking with
Reitell at the White Horse and, feeling sick again, returned to the hotel. Dr.
Feltenstein came to see him three times that day, on the third call prescribing
morphine, which seriously affected Thomas's breathing. At midnight on 5
November, his breathing became more difficult and his face turned blue. Reitell
unsuccessfully tried to get hold of Feltenstein.
Thomas was admitted to the emergency ward at nearby St Vincent's hospital.
The medical notes state that he arrived in a coma at 1.58am, and that the
"impression upon admission was acute alcoholic encephalopathy damage to the
brain by alcohol, for which the patient was treated without response". The duty
doctors found bronchitis in all parts of his bronchial tree, both left and right
sides. An X-ray showed pneumonia, and a raised white cell count confirmed the
presence of an infection. Caitlin in Laugharne was sent a telegram on 5
November, notifying her that Dylan was in hospital. She flew to America the
following day and was taken, with a police escort, to the hospital. Her alleged
first words were "Is the bloody man dead yet?" The pneumonia worsened and
Thomas died, whilst in coma, at noon on 9 November.
Poetry
Thomas's verbal style played against strict verse forms, such as in the villanelle
Do not go gentle into that good night. His images were carefully ordered in a
patterned sequence, and his major theme was the unity of all life, the continuing
process of life and death and new life that linked the generations. Thomas saw
biology as a magical transformation producing unity out of diversity, and in his
poetry he sought a poetic ritual to celebrate this unity. He saw men and women
locked in cycles of growth, love, procreation, new growth, death, and new life
again. Therefore, each image engenders its opposite. Thomas derived his closely
woven, sometimes self-contradictory images from the Bible, Welsh folklore and
preaching, and Freud. Thomas's poetry is notable for its musicality, most clear in
poems such as Fern Hill, In Country Sleep, Ballad of the Long-legged Bait or In
the White Giant's Thigh from Under Milkwood:
Who once were a bloom of wayside brides in the hawed house
and heard the lewd, wooed field flow to the coming frost,
the scurrying, furred small friars squeal in the dowse
of day, in the thistle aisles, till the white owl crossed
Thomas once confided that the poems which had most influenced him were
Mother Goose rhymes which his parents taught him when he was a child:
I should say I wanted to write poetry in the beginning because I had fallen in
love with words. The first poems I knew were nursery rhymes and before I could
read them for myself I had come to love the words of them. The words alone.
What the words stood for was of a very secondary importance. [...] I fell in love,
that is the only expression I can think of, at once, and am still at the mercy of
words, though sometimes now, knowing a little of their behavior very well, I
think I can influence them slightly and have even learned to beat them now and
then, which they appear to enjoy. I tumbled for words at once. And, when I
began to read the nursery rhymes for myself, and, later, to read other verses
and ballads, I knew that I had discovered the most important things, to me, that
could be ever.
A Child's Christmas In Wales
One Christmas was so much like another, in those years around the sea-town
corner now and out of all sound except the distant speaking of the voices I
sometimes hear a moment before sleep, that I can never remember whether it
snowed for six days and six nights when I was twelve or whether it snowed for
twelve days and twelve nights when I was six.
All the Christmases roll down toward the two-tongued sea, like a cold and
headlong moon bundling down the sky that was our street; and they stop at the
rim of the ice-edged fish-freezing waves, and I plunge my hands in the snow and
bring out whatever I can find. In goes my hand into that wool-white bell-tongued
ball of holidays resting at the rim of the carol-singing sea, and out come Mrs.
Prothero and the firemen.
It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's
garden, waiting for cats, with her son Jim. It was snowing. It was always snowing
at Christmas. December, in my memory, is white as Lapland, though there were
no reindeers. But there were cats. Patient, cold and callous, our hands wrapped
in socks, we waited to snowball the cats. Sleek and long as jaguars and horriblewhiskered, spitting and snarling, they would slink and sidle over the white backgarden walls, and the lynx-eyed hunters, Jim and I, fur-capped and moccasined
trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at
the green of their eyes. The wise cats never appeared.
We were so still, Eskimo-footed arctic marksmen in the muffling silence of the
eternal snows - eternal, ever since Wednesday - that we never heard Mrs.
Prothero's first cry from her igloo at the bottom of the garden. Or, if we heard it
at all, it was, to us, like the far-off challenge of our enemy and prey, the
neighbor's polar cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.
And we ran down the garden, with the snowballs in our arms, toward the house;
and smoke, indeed, was pouring out of the dining-room, and the gong was
bombilating, and Mrs. Prothero was announcing ruin like a town crier in Pompeii.
This was better than all the cats in Wales standing on the wall in a row. We
bounded into the house, laden with snowballs, and stopped at the open door of
the smoke-filled room.
Something was burning all right; perhaps it was Mr. Prothero, who always slept
there after midday dinner with a newspaper over his face. But he was standing in
the middle of the room, saying, "A fine Christmas!" and smacking at the smoke
with a slipper.
"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in
the middle of them, waving his slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think
we missed Mr. Prothero - and ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins,
he likes fires."
But we only called the fire brigade, and soon the fire engine came and three tall
men in helmets brought a hose into the house and Mr. Prothero got out just in
time before they turned it on. Nobody could have had a noisier Christmas Eve.
And when the firemen turned off the hose and were standing in the wet, smoky
room, Jim's Aunt, Miss. Prothero, came downstairs and peered in at them. Jim
and I waited, very quietly, to hear what she would say to them. She said the
right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said,
"Would you like anything to read?"
Years and years ago, when I was a boy, when there were wolves in Wales, and
birds the color of red-flannel petticoats whisked past the harp-shaped hills, when
we sang and wallowed all night and day in caves that smelt like Sunday
afternoons in damp front farmhouse parlors, and we chased, with the jawbones
of deacons, the English and the bears, before the motor car, before the wheel,
before the duchess-faced horse, when we rode the daft and happy hills bareback,
it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother
down and then we had tea."
"But that was not the same snow," I say. "Our snow was not only shaken from
white wash buckets down the sky, it came shawling out of the ground and swam
and drifted out of the arms and hands and bodies of the trees; snow grew
overnight on the roofs of the houses like a pure and grandfather moss, minutely
-ivied the walls and settled on the postman, opening the gate, like a dumb, numb
thunder-storm of white, torn Christmas cards."
"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they
crunched up to the doors and mittened on them manfully. But all that the
children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks.
And they rang their tidings over the bandaged town, over the frozen foam of the
powder and ice-cream hills, over the crackling sea. It seemed that all the
churches boomed for joy under my window; and the weathercocks crew for
Christmas, on our fence."
"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and
the snow. They knocked on the doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and
huffed and puffed, making ghosts with their breath, and jogged from foot to foot
like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a
rose on his button-nose, tingled down the tea-tray-slithered run of the chilly
glinting hill. He went in his ice-bound boots like a man on fishmonger's slabs. "He
wagged his bag like a frozen camel's hump, dizzily turned the corner on one foot,
and, by God, he was gone."
"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and
mittens made for giant sloths; zebra scarfs of a substance like silky gum that
could be tug-o'-warred down to the galoshes; blinding tam-o'-shanters like
patchwork tea cozies and bunny-suited busbies and balaclavas for victims of
head-shrinking tribes; from aunts who always wore wool next to the skin there
were mustached and rasping vests that made you wonder why the aunts had any
skin left at all; and once I had a little crocheted nose bag from an aunt now, alas,
no longer whinnying with us. And pictureless books in which small boys, though
warned with quotations not to, would skate on Farmer Giles' pond and did and
drowned; and books that told me everything about the wasp, except why."
"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose
and a tram-conductor's cap and a machine that punched tickets and rang a bell;
never a catapult; once, by mistake that no one could explain, a little hatchet;
10
and a celluloid duck that made, when you pressed it, a most unducklike sound, a
mewing moo that an ambitious cat might make who wished to be a cow; and a
painting book in which I could make the grass, the trees, the sea and the animals
any colour I pleased, and still the dazzling sky-blue sheep are grazing in the red
field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge
and allsorts, crunches, cracknels, humbugs, glaciers, marzipan, and butterwelsh
for the Welsh. And troops of bright tin soldiers who, if they could not fight, could
always run. And Snakes-and-Families and Happy Ladders. And Easy HobbiGames for Little Engineers, complete with instructions. Oh, easy for Leonardo!
And a whistle to make the dogs bark to wake up the old man next door to make
him beat on the wall with his stick to shake our picture off the wall. And a packet
of cigarettes: you put one in your mouth and you stood at the corner of the
street and you waited for hours, in vain, for an old lady to scold you for smoking
a cigarette, and then with a smirk you ate it. And then it was breakfast under the
balloons."
"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas
morning, with dog-disturbing whistle and sugar fags, I would scour the swatched
town for the news of the little world, and find always a dead bird by the Post
Office or by the white deserted swings; perhaps a robin, all but one of his fires
out. Men and women wading or scooping back from chapel, with taproom noses
and wind-bussed cheeks, all albinos, huddles their stiff black jarring feathers
against the irreligious snow. Mistletoe hung from the gas brackets in all the front
parlors; there was sherry and walnuts and bottled beer and crackers by the
dessertspoons; and cats in their fur-abouts watched the fires; and the highheaped fire spat, all ready for the chestnuts and the mulling pokers. Some few
large men sat in the front parlors, without their collars, Uncles almost certainly,
trying their new cigars, holding them out judiciously at arms' length, returning
them to their mouths, coughing, then holding them out again as though waiting
for the explosion; and some few small aunts, not wanted in the kitchen, nor
anywhere else for that matter, sat on the very edge of their chairs, poised and
brittle, afraid to break, like faded cups and saucers."
Not many those mornings trod the piling streets: an old man always, fawnbowlered, yellow-gloved and, at this time of year, with spats of snow, would take
his constitutional to the white bowling green and back, as he would take it wet or
fire on Christmas Day or Doomsday; sometimes two hale young men, with big
pipes blazing, no overcoats and wind blown scarfs, would trudge, unspeaking,
down to the forlorn sea, to work up an appetite, to blow away the fumes, who
knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing
11
home, the gravy smell of the dinners of others, the bird smell, the brandy, the
pudding and mince, coiling up to my nostrils, when out of a snow-clogged side
lane would come a boy the spit of myself, with a pink-tipped cigarette and the
violet past of a black eye, cocky as a bullfinch, leering all to himself.
I hated him on sight and sound, and would be about to put my dog whistle to my
lips and blow him off the face of Christmas when suddenly he, with a violet wink,
put his whistle to his lips and blew so stridently, so high, so exquisitely loud, that
gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey
and blazing pudding, and after dinner the Uncles sat in front of the fire, loosened
all buttons, put their large moist hands over their watch chains, groaned a little
and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse,
whimpered at the sideboard and had some elderberry wine. The dog was sick.
Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed
thrush. I would blow up balloons to see how big they would blow up to; and,
when they burst, which they all did, the Uncles jumped and rumbled. In the rich
and heavy afternoon, the Uncles breathing like dolphins and the snow
descending, I would sit among festoons and Chinese lanterns and nibble dates
and try to make a model man-o'-war, following the Instructions for Little
Engineers, and produce what might be mistaken for a sea-going tramcar.
Or I would go out, my bright new boots squeaking, into the white world, on to
the seaward hill, to call on Jim and Dan and Jack and to pad through the still
streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill
and then I'd tickle him under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"
Iron-flanked and bellowing he-hippos clanked and battered through the scudding
snow toward us as we passed Mr. Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"
The silent one-clouded heavens drifted on to the sea. Now we were snow-blind
travelers lost on the north hills, and vast dewlapped dogs, with flasks round their
12
necks, ambled and shambled up to us, baying "Excelsior." We returned home
through the poor streets where only a few children fumbled with bare red fingers
in the wheel-rutted snow and cat-called after us, their voices fading away, as we
trudged uphill, into the cries of the dock birds and the hooting of ships out in the
whirling bay. And then, at tea the recovered Uncles would be jolly; and the ice
cake loomed in the center of the table like a marble grave. Auntie Hannah laced
her tea with rum, because it was only once a year.
Bring out the tall tales now that we told by the fire as the gaslight bubbled like a
diver. Ghosts whooed like owls in the long nights when I dared not look over my
shoulder; animals lurked in the cubbyhole under the stairs and the gas meter
ticked. And I remember that we went singing carols once, when there wasn't the
shaving of a moon to light the flying streets. At the end of a long road was a
drive that led to a large house, and we stumbled up the darkness of the drive
that night, each one of us afraid, each one holding a stone in his hand in case,
and all of us too brave to say a word. The wind through the trees made noises as
of old and unpleasant and maybe webfooted men wheezing in caves. We reached
the black bulk of the house. "What shall we give them? Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we
began to sing, our voices high and seemingly distant in the snow-felted darkness
round the house that was occupied by nobody we knew. We stood close together,
near the dark door. Good King Wencelas looked out On the Feast of Stephen ...
And then a small, dry voice, like the voice of someone who has not spoken for a
long time, joined our singing: a small, dry, eggshell voice from the other side of
the door: a small dry voice through the keyhole. And when we stopped running
we were outside our house; the front room was lovely; balloons floated under the
hot-water-bottle-gulping gas; everything was good again and shone over the
town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.
Always on Christmas night there was music. An uncle played the fiddle, a cousin
sang "Cherry Ripe," and another uncle sang "Drake's Drum." It was very warm in
the little house. Auntie Hannah, who had got on to the parsnip wine, sang a song
about Bleeding Hearts and Death, and then another in which she said her heart
was like a Bird's Nest; and then everybody laughed again; and then I went to
bed. Looking through my bedroom window, out into the moonlight and the
unending smoke-colored snow, I could see the lights in the windows of all the
other houses on our hill and hear the music rising from them up the long, steady
falling night. I turned the gas down, I got into bed. I said some words to the
close and holy darkness, and then I slept.
13
~ Dylan Thomas,

IN CHAPTERS [196/196]



   56 Integral Yoga
   26 Occultism
   18 Philosophy
   15 Christianity
   14 Psychology
   7 Cybernetics
   5 Theosophy
   5 Poetry
   4 Science
   3 Integral Theory
   2 Fiction
   1 Thelema
   1 Kabbalah
   1 Education
   1 Buddhism
   1 Baha i Faith
   1 Alchemy


   58 Sri Aurobindo
   27 The Mother
   18 Satprem
   14 Nolini Kanta Gupta
   12 Carl Jung
   10 Aleister Crowley
   8 Plotinus
   7 Pierre Teilhard de Chardin
   7 Norbert Wiener
   4 Aristotle
   4 Alice Bailey
   3 Rudolf Steiner
   3 Plato
   3 Jordan Peterson
   2 Sri Ramana Maharshi
   2 Saint Hildegard von Bingen
   2 Nirodbaran
   2 Ken Wilber
   2 James George Frazer
   2 Italo Calvino
   2 H P Lovecraft


   12 The Synthesis Of Yoga
   9 The Life Divine
   8 Savitri
   7 Cybernetics
   6 Essays In Philosophy And Yoga
   5 The Archetypes and the Collective Unconscious
   5 Record of Yoga
   5 Magick Without Tears
   5 Collected Works of Nolini Kanta Gupta - Vol 02
   4 The Secret Doctrine
   4 The Future of Man
   4 Poetics
   4 Mysterium Coniunctionis
   4 Essays Divine And Human
   4 A Treatise on Cosmic Fire
   4 Agenda Vol 04
   3 The Phenomenon of Man
   3 Maps of Meaning
   3 Liber ABA
   3 Collected Works of Nolini Kanta Gupta - Vol 07
   3 Agenda Vol 02
   2 Twelve Years With Sri Aurobindo
   2 The Practice of Psycho therapy
   2 The Golden Bough
   2 The Castle of Crossed Destinies
   2 Sri Aurobindo or the Adventure of Consciousness
   2 Some Answers From The Mother
   2 Sex Ecology Spirituality
   2 Questions And Answers 1957-1958
   2 Questions And Answers 1950-1951
   2 Questions And Answers 1929-1931
   2 Plotinus - Complete Works Vol 04
   2 Plotinus - Complete Works Vol 03
   2 Plotinus - Complete Works Vol 02
   2 Plotinus - Complete Works Vol 01
   2 Lovecraft - Poems
   2 Letters On Yoga IV
   2 Knowledge of the Higher Worlds
   2 Essays On The Gita
   2 Collected Works of Nolini Kanta Gupta - Vol 04
   2 Agenda Vol 08
   2 Agenda Vol 07


0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
    his pupils; to treat the sequence of the cards as cause
    and effect. Thence, to discover the cause behind all

0.01 - Letters from the Mother to Her Son, #Some Answers From The Mother, #The Mother, #Integral Yoga
  twenty-four hours, which thus form an unbroken sequence, and
  that I no longer experience ordinary sleep, while still giving my

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  The fixity of the cosmic sequences
  Fastened with hidden inevitable links

0.10 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  The numerical sequence of this date is 4.5.67.
  Sri Aurobindo wrote: "1.2.34. It is supposed to be always a year of manifestation.

01.11 - Aldous Huxley: The Perennial Philosophy, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   A similar compilation was published in the Arya, called The Eternal Wisdom (Les Paroles ternelles, in French) a portion of which appeared later on in book-form: that was more elaborate, the contents were arranged in such a way that no comments were needed, they were self-explanatory, divided as they were in chapters and sections and subsections with proper headings, the whole thing put in a logical and organised sequence. Huxley's compilation begins under the title of the Upanishadic text "That art Thou" with this saying of Eckhart: "The more God is in all things, the more He is outside them. The more He is within, the more without". It will be interesting to note that the Arya compilation too starts with the same idea under the title "The God of All; the God who is in All", the first quotation being from Philolaus, "The Universe is a Unity".The Eternal Wisdom has an introduction called "The Song of Wisdom" which begins with this saying from the Book of Wisdom: "We fight to win sublime Wisdom; therefore men call us warriors".
   Huxley gives only one quotation from Sri Aurobindo under the heading "God in the World". Here it is:

01.12 - Goethe, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Satan proposes to lead man down into hell through a sure means, nothing more sure, according to him, viz., love for a woman and a woman's love in return. Nothing like that to make man earth-bound or hell-bound and force out of him the nostalgic cry, "Time must have a stop." A most simple, primal and primeval lyric love will most suit Satan's purpose. Hence the Margaret episode. Love=Passion=Lust=Hell; that is the inevitable equation sequence, and through which runs the magic thread of infatuation. And that charm is invincible. Satan did succeed and was within an ace, as they say, of the final and definitive triumph: but that was not to be, for he left out of account an incalculable element. Love, even human love has, at least can have, a wonderful power, the potency of reversing the natural decree and bring about a supernatural intervention. Human love can at a crucial momentin extremiscall down the Divine Grace, which means God's love for man. And the soul meant for perdition and about to be seized and carried away by Satan finds itself suddenly free and lifted up and borne by Heaven's messengers. Human Jove is divine love itself in earthly form and figure and whatever its apparent aberrations it is in soul and substance that thing. Satan is hoisted with his own petard. That is God's irony.
   But Goethe's Satan seems to know or feel something of his fate. He knows his function and the limit too of his function. He speaks of the doomsday for people, but it is his doomsday also, he says in mystic terms. Yes, it is his doomsday, for it is the day of man's liberation. Satan has to release man from the pact that stands cancelled. The soul of man cannot be sold, even if he wanted it.

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   That the past has another pattern, and ceases to be a mere sequence
   Or even development: the latter a partial fallacy Encouraged by superficial notions of evolution, Which becomes, in the popular mind, a means of disowning the past.17

0 1959-04-13, #Agenda Vol 01, #unset, #Zen
   It is a rough sketch, and in the actual process of writing, the proposed sequence may change according to the inner necessity, but these are the themes to be developed. So now T would like to know what you feel and if you see anything to be changed, added or deleted.
   Your child, with love.

0 1961-04-25, #Agenda Vol 02, #The Mother, #Integral Yoga
   But what can be translated is this kind of sensation that the sequence of cause and effect, of purpose, of goal, all seems to be very far below, very, very DISTANT, very humanperhaps divine, too (from the viewpoint of the gods it may be like this also, I dont know), because in the consciousness of the universal Mother it is still there, there is still this ardent love to serve: To do Your Will. That is still there, so its there with the gods also.
   (silence)
  --
   It came last night. It came slowly, but last night it was very strong: no more sequence, no more linking of cause and effect, no more goal, no more purpose, no more intentiona kind of Absolute which does not exclude the creation. It is not Nirvana, it has nothing to do with Nirvana (I know Nirvana very well, Ive had itjust yesterday evening, for instance, while walking for japa, and even this morning. You see, I begin by an invocation to the Supreme under his three aspects, and no sooner have I uttered the sound, TAT when all is abolished: Nirvana. And the last few days I have noticed that its instantaneous, so easy! Oh, a delight! Bah!). But its not Nirvana, its beyond that; it contains Nirvana and it contains the manifested world and it contains everything else; all the appearances and disappearances13all of that is contained in it.
   Something.

0 1961-07-18, #Agenda Vol 02, #The Mother, #Integral Yoga
   In his cosmogony, Theon accounted for the successive pralayas2 of the different universes by saying that each universe was an aspect of the Supreme manifesting itself: each universe was built upon one aspect of the Supreme, and all, one after the other, were withdrawn into the Supreme. He enumerated all the successively manifested aspects, and what an extraordinarily logical sequence it was! I have kept it some place, but I no longer know where. Nor do I remember exactly what number this universe has in the sequence, but this time it was supposed to be the universe which would not be withdrawn, which would, so to speak, follow an indefinite progression of Becoming. And this universe is to manifest Equilibrium, not a static but a progressive equilibrium.3 Equilibrium, as he explains it, is each thing exactly in its place: each vibration, each movement, each and so on down the lineeach form, each activity, each element exactly in its place in relation to the whole.
   This is quite interesting to me because Sri Aurobindo says the same thing: that nothing is bad, simply things are not in their placetheir place not only in space but in time, their place in the universe, beginning with the planets and stars, each thing exactly in its place. Then when each thing, from the most colossal to the most microscopic, is exactly in place, the whole Will PROGRESSIVELY express the Supreme, without having to be withdrawn and emanated anew. On this also, Sri Aurobindo based the fact that this present creation, this present universe, will be able to manifest the perfection of a divine worldwhat Sri Aurobindo calls the Supermind.

0 1961-07-28, #Agenda Vol 02, #The Mother, #Integral Yoga
   In The Hour of God, theres a whole diagram of the Manifestation made by Sri Aurobindo3: first comes this, then comes that, then comes the other, and so fortha whole sequence. They published this in the book in all seriousness, but I must say that Sri Aurobindo did it for fun (I saw him do it). Someone had spoken to him about different religions, different philosophical methods Theosophy, Madame Blavatski, all those people (there was Theon, too). Well, each one had made his diagram. So Sri Aurobindo said, I can make a diagram, too, and mine will be much more complete! When he finished it, he laughed and said, But its only a diagram, its just for fun. They published it very solemnly, as if he had made a very serious proclamation. Oh, its a very complicated diagram!
   But the trouble is that people will say: whats the need for a descent if all is involved and then evolves? Why a descent? Why should there be an intervention from a higher plane?

0 1962-01-12 - supramental ship, #Agenda Vol 03, #The Mother, #Integral Yoga
   Another thing I didnt mention to you when I related the experience was that the ship had no engine. Everything was set in motion through will powerpeople, things (even the clothes people wore were a result of their will). And this gave all things and every persons shape a great suppleness, because there was an awareness of this willwhich is not a mental will but a will of the Self, what could be called a spiritual will or a soul-will (to give the word soul that particular meaning). I have that experience right here when theres an absolute spontaneity in action, I mean when the action for instance, an utterance or a movementis not determined by the mind, and not even (not to mention thought or intellect), not even by the mind that usually sets us in motion. Generally, when we do something, we can perceive in ourselves a will to do it; when you watch yourself, you see this: there is always (it can happen in a flash) the will to do. When you are conscious and watch yourself doing something, you see in yourself the will to do itthis is where the mind intervenes, its normal intervention, the established order in which things happen. But the supramental action is decided by a leap over the mind. The action is direct, with no need to go through the mind. Something enters directly into contact with the vital centers and activates them without going through the mindyet in full consciousness. The consciousness doesnt function in the usual sequence, it functions from the center of spiritual will straight to matter.
   And so long as you can keep that absolute immobility in the mind, the inspiration is absolutely pureit comes pure. When you can catch and hold onto this while youre speaking, then what comes to you is unmixed too, it stays pure.

0 1963-02-19, #Agenda Vol 04, #The Mother, #Integral Yoga
   Only, you cannot see it unless you see the whole. At the time, everything was preexistent, although unfolding in time for the Manifestation. But it was preexistent. Not preexistent as we understand it, not everything at a given moment. Oh, how impossible! Its impossible to express it. I still feel what I could call the warmth of the experience the reality, the life, the warmth of the experience are there. You know, I have lived in a Light! A Light which isnt our light, which has nothing to do with what we call light, a Light so warm and powerful! A creative Light. So powerful! Everything was so perfectly harmonious: everything, everything without exception, even the things that appear to be the very negation of divinity. And a rhythm! (gesture as of great waves) A harmony, so wonderful a TOTALITY, where the sense of sequence sequence doesnt mean things being like this (chopping gesture), one being abolished by the next, it is At the time I might have been able to find or invent the words, I dont know, now now, its only the memory of it. The memory, not the presence itself.
   The experience lasted long. It started in the night, lasted through the whole day, and last night there was still something of it lingering, but then (laughing) I seemed to be told, So then, arent you going to move on? Are you going to stay with this experience, are you stuck there?! It is so true: things move fast, fast, fast, and run as you may, youre still not going fast enough.

0 1963-03-06, #Agenda Vol 04, #The Mother, #Integral Yoga
   Here we come to the great problem of the road we travel, the eternal Road Sri Aurobindo refers to in Savitri. It is easy to imagine, of course, that what was first objectified had an inclination to objectification. The first point to accept, a logical point considering the principle of evolution, is that the objectification is progressive, it is not complete for all eternity. (silence) Its very hard to express, because we cannot free ourselves from our habit of seeing it as a finite quantity unfolding indefinitely and of thinking that only with a finite quantity can there be a beginning. We always have an idea (at least in our way of speaking) of a moment (laughing) when the Lord decides to objectify Himself. And put that way, the explanation is easy: He objectifies Himself gradually, progressively, with, as a result, a progressive evolution. But thats just a manner of speaking. Because there is no beginning, no end, yet there is a progression. The sense of sequence, the sense of evolution and progress comes only with the Manifestation. And only when we speak of the earth can we explain things truthfully and rationally, because the earth had a beginningnot in its soul, but in its material reality.
   A material universe probably has a beginning, too.

0 1963-07-31, #Agenda Vol 04, #The Mother, #Integral Yoga
   The work consists, I could say, in either removing or transforming (I am not sure which of the two) all the bodys cells that are or have been under the influence of Falsehood (not lie but falsehood), of the state contrary to the Divine. But since probably a radical purge or transformation would have resulted in nothing but the bodys dissolution, the work goes on in stages, progressively (I am going very far back in time, to my first attacks). So the sequence is the following: first, a series of activities or visions (but those visions are always activities at the same time: both activities and visions) in the subconscious domain, showing in a very living and objective way the Falsehood that has to be removed (transformed or removed). At first, I took them as adverse attacks, but now I see they are states of falsehood to which certain elements in the physical being are linked (at the time, I thought, I am brought into contact with that because of the correspondence in me, and I worked on that level but its another way of seeing the same thing). And it produces certainly there is a dissolution there is a transformation, but a dissolution tooand that dissolution naturally brings about an extreme fatigue or a sort of exhaustion in the body; so between two of those stages of transformation, the body is given time to recover strength and energy.1 And I had noticed that those attacks always come after the observation (an observation I made these last few days) of a great increase in power, energy and force; when the body grows more and more solid, there always follows the next day or the day after, first, a series of nights I could call unpleasant (they are not, for theyre instructive), and then a terrible battle in the body. This time I was consciousnaturally, I am conscious every time, but (smiling) more so every time.
   I had observed lately that the body was getting much stronger, much more solid, that it was even putting on weight (!), which is almost abnormal. Then, I had a first vision (not vision: an activity, but very clear), then another, and then a third. Last night, I was fed a subtle food, as if to tell me that I would need it because I wouldnt take any physical food2 (not that I thought about it, I simply noticed I had been fed, given certain foods). And with the visions I had the two preceding nights, I knew that at issue were certain elements forming part of the bodys construction (psychological construction), and that they had to be eliminated. So I worked hard for their elimination. And today, the battle was waged.

0 1963-12-31, #Agenda Vol 04, #The Mother, #Integral Yoga
   In fact, in Savitri, Sri Aurobindo went through all the worlds, and it so happens that I am following that without knowing it (because I never rememberthank God, I really thank heaven!I asked the Lord to take away my mental memory and He took it away entirely, so I am not weighed down), but I follow that description in Savitri without mentally knowing the sequence of the worlds, and these last few days I was in that Muddle of Falsehood (I told you last time), it was really painful, and I was tracking it down to the most tenuous vibrations, those that go back to the origin, to the moment when Truth could turn into Falsehoodhow it all happened. And it is so tenuous, almost imperceptible, that deformation, the original Deformation, that you tend to lose heart and you think, Its still really quite easy to topple over the slightest thing and you can still topple over into Falsehood, into Deformation. And yesterday, I had in my hands a passage from Savitri that was brought to meits a marvel, but its so sad, so miserable, oh, I could have cried (I dont easily cry).
   The world grew full of menacing Energies,

0 1964-10-17, #Agenda Vol 05, #The Mother, #Integral Yoga
   And when I say, Whats going to happen? I dont mean whats going to happen on earth, but through what combination of circumstances or sequence of events is the new creation going to take place?
   There is an entire part of the earths past history that, ultimately, is totally unknown to us. They have indeed made so-called discoveries, but all those stories, I dont know how much of them is true.

0 1966-06-11, #Agenda Vol 07, #The Mother, #Integral Yoga
   Do you write in sequence or did you begin with the end?
   No, no, I always write in sequence. Its not coming easily, its not coming smoothly at all. I wonder where the blockage is.
   Its because when one starts writing, one enters the mental atmosphere, the human mental atmosphere. And the passage is almost imperceptible, theres such a habit of thinking, of expressing oneself, of feeling within a human mental atmosphere which is nevertheless, in comparison with the human individual, something very vast, very complex, very supple (and those who move about in it already have the sense of a higher intelligence, an exceptional understanding and so on), but from the standpoint of the Truth, its so artificial and CONVENTIONAL! Its a very durable convention, which undergoes slight changes, alterations according to the times, the ages, but which has some sort of permanence. I feel it as (Mother makes a circular gesture around her head) a globe one is inside, luminous but so artificial!

0 1966-11-09, #Agenda Vol 07, #The Mother, #Integral Yoga
   Four is manifestation. Five is power. Six is creation, and seven is realization. Four figures in a wonderful sequence. Here is realization (you want realization?), here it is: the prison turned into the Divines mansion. People say, The earth is hopeless, its done for. See! It will be fine.
   ***

0 1967-04-27, #Agenda Vol 08, #The Mother, #Integral Yoga
   Here is the sequence of events: someone living here had a very bad cold some seven or eight days before the darshan. I said to myself, I must not catch it(in fact, Mother has a bad cold). So I did a special prayer not to catch it. But it has had con sequences.
   I told you about that experience (which has been growing increasingly concrete and constant) of the Vibration of Harmony (a higher harmony expressing the essential Consciousness in its aspect of love and harmony and, as it draws nearer to the manifestation, of order and organization), and of the nearly constant and general vibration of disorder, disharmony, conflictin reality, Matters resistance to this Action. The two vibrations are like this (Mother slips the fingers of her right hand between those of the left), as if they interpenetrated each other and a simple movement of consciousness sent you to one side or the other, or rather, the aspiration, the will for realization, put you into contact with the Vibration of Harmony, and the SLIGHTEST slackening made you lapse into the other. It has become constant. And then, on the 24th, right from morning there was a constant aspiration, a constant will for the triumph of the Vibration of Harmony. Then I sat down at my table as I always do, about five or ten minutes before it began. And instantly, with a puissancea puissance capable of crushing an elephantthis Vibration of Harmony came down like that, massive to the point that the body lost the sense of its existence altogether: it became That, it was conscious of nothing but That. And the first quarter of an hour literally flashed by in a second. Then, there were three people in the room; one of the three, or maybe all three, felt a malaise (nothing surprising!), and that woke me up: I saw the light (I burn a candle on my table) and I saw the time, but it wasnt me something saw. Then there was a sort of pacifying action on the place, and thengone again. And one second later, the call of the end!1

0 1967-04-29, #Agenda Vol 08, #The Mother, #Integral Yoga
   In a letter of February 2, 1934, Sri Aurobindo declared: "4.5.67 is the year of the complete realisation." It seems he also said that from 1967, governments would obey the supramental influence. The sequence of figures (4.5.67) is what appears to have a special occult significance.
   ***

0 1969-08-23, #Agenda Vol 10, #The Mother, #Integral Yoga
   Actively, outwardly, I would never have been able to say, Choose this man. I only said, The best for the country. I dont know why or how, because because, mon petit, our human consciousness is SO SMALL! Even when we identify with the general Consciousness, we feel so small, so microscopic in comparison with the true, all-containing Consciousness. We cant contain all! Even, even when we identify with this Consciousness, we become like this (gesture showing emptiness at the forehead level), absolutely silent and still, with only a luminous Vibration, IMMENSE, you know, infinite, and an infinite power, too, but (same gesture to the forehead) no translation of any sort, nothing like a thought. So then, if we want to intervene between That and circumstances, we are OBLIGED to make mistakes, we cant do otherwise! So the only way is to stay like this (still gesture, turned upward). Thats why I am like this, silent. You told me, I dont understand your way of acting in Auroville: its nothing but that. Its because our thought limits, opposeseven, even the vastest consciousness, you understand, is only a TERRESTRIAL consciousness, a terrestrial consciousness, and its very small. Very small. And very small especially from the point of view of con sequences, of the sequence of circumstances (Mother draws a curve), of how this will bring about thatwe dont see. So one must be like this (gesture turned upward), and simply let this Consciousness act. And there was the result: it is the third man who made it. I found it quite amusing. Quite amusing. I thought, There you are!
   In my vision (I cant swear its supramental, but at any rate it was much above a mental vision), I chose one man [Deshmukh], and everyone giggled, telling me it was an impossibilityit was the one thing that could make India immediately great. Immediately it gave India a place in the world, which was her true place. Everyone found it profoundly ridiculous. So then, I was asked to choose from among three candidates, and the most obviously incapable of the three was chosen as as the man who would help the most in Indias development and blossoming. There.

0 1972-01-12, #Agenda Vol 13, #The Mother, #Integral Yoga
   Mother later ordered the list of the twelve powers or "qualities" in the following sequence: Sincerity, Humility, Gratitude, Perseverance, Aspiration, Receptivity, Progress, Courage, Goodness, Generosity, Equanimity, Peace.
   The experience of joining the vision of the whole together with the vision of all the details.

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  The dance-fantasia of her sequences
  Escaping into rhythmic mystery,

02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  In the wide sequence of Necessity's steps
  Predicted, every act and thought of God,

02.13 - Rabindranath and Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Sri Aurobindo retired from the outer political world to devote himself more intensively to the discovery and conquestof a new consciousness and force, glimpses of which he was having at the time and which alone could save mankind and recreate it. From 1910 to 1914 he was, he said, silently developing this new power in seclusion and in 1914 he began to give to the world the result of his realisations through his monthly review Arya. In five major sequences published month after month through several years, he envisaged, in the main, the progressive march of man towards a divine life on earth, towards the unity of mankind and a perfect social order. One of these serials was called The Future Poetry in which he traced the growth and development that world poetry is undergoing towards its future form that would voice the dawn of a New Age of the Spirit. Sri Aurobindo hailed those who feel and foresee this distant dawn behind the horizon as the Forerunners of the new Spirit, among whom he included Rabindranath, because he saw in Tagore's the first beginnings, "a glint of the greater era of man's living", something that "seems to be in promise." "The poetry of Tagore," Sri Aurobindo says, "owes its sudden and universal success to this advantage that he gives us more of this discovery and fusion for which the mind of our age is in quest than any other creative writer of the time. His work is a constant music of the overpassing of the borders, a chant-filled realm in which the subtle sounds and lights of the truth of the spirit give new meanings to the finer subtleties of life."
   Characterising Tagore's poetry, in reference to a particular poem, Sri Aurobindo once wrote: "But the poignant sweetness, passion and spiritual depth and mystery of a poem like this, the haunting cadences subtle with a subtlety which is not of technique but of the soul, and the honey-laden felicity of the expression, these are the essential Rabindranath and cannot be imitated because they are things of the spirit and one must have the same sweetness and depth of soul before one can hope to catch any of these desirable qualities." Furthermore: "One of the most remarkable peculiarities of Rabindra Babu's genius is the happiness and originality with which he has absorbed the whole spirit of Vaishnava poetry and turned it into something essentially the same and yet new and modern. He has given the old sweet spirit of emotional and passionate religion an expression of more delicate and complex richness voiceful of subtler and more penetratingly spiritual shades of feeling than the deep-hearted but simple early age of Bengal could know."

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  And the inviolate sequence of its will.
  All life is fixed in an ascending scale

03.08 - The Democracy of Tomorrow, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The great mantra of individual liberty, in the social and political domain, was given by Rousseau in that famous opening line of his famous book,The Social Contract, almost the Bible of an age; Man is born free. And the first considerable mass rising seeking to vindicate and realise that ideal came with the toxin of the mighty French Revolution. It was really an awakening or rebirth of the individual that was the true source and sense of that miraculous movement. It meant the advent of democracy in politics and romanticism in art. The century that followed was a period of great experiment: for the central theme of that experiment was the search for the individual. In honouring the individual and giving it full and free scope the movement went far and even too far: liberty threatened to lead towards licence, democracy towards anarchy and disintegration; the final con sequence of romanticism was surrealism, the deification of individual reason culminated in solipsism or ego-centricism. Naturally there came a reaction and we are in this century, still, on the high tide of this movement of reaction. Totalitarianism in one form or another continues to be the watchword and although neither Hitler nor Mussolini is there, a very living ghost of theirs stalks the human stage. The liberty of the individual, it is said and is found to be so by experience, is another name of the individual's erraticism and can produce only division and mutual clash and strife, and, in the end, social disintegration. A strong centralised power is necessary to hold together the warring elements of a group. Indeed, it is asserted, the group is the true reality and to maintain it and make it great the component individuals must be steamrollered into a compact mass. Evidently this is a poise that cannot stand long: the repressed individual rises in revolt and again we are on the move the other way round. Thus a never-ending see-saw, a cyclic recurrence of the same sequence of movements appears to be an inevitable law governing human society: it seems to have almost the absolutism of a law of Nature.1
   In this connection we can recall Plato's famous serial of social types from aristocracy to tyranny, the last coming out of democracy the type that precedes it, (almost exactly as we have experienced it in our own days). But the most interesting point to which we can look with profit is Plato's view that the types are as men are, that is to say, the character and nature of man in a given period determines the kind of government or social system he is going to have. There has been this cyclic rotation of types, because men themselves were rotating types, because, in other words, the individuals composing human society had not found their true reality, their abiding status. Plato's aristocracy was the ideal society, it was composed of and ruled by the best of men (aristas, srestha) the wisest. And the question was put by many and not answered by Plato himself, what brought about the decline in a perfect system. We have attempted to give our answer.

04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  They hold his nature's sequence in their guard
  Carrying the unbroken thread old lives have spun.

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  Planning a sequence of steps in endless Time
  But in its links imagines a senseless chain

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  Disrupt thought's links and musing sequences,
  Break through the soul's stillness with a noise and cry
  --
  Irresistible are Nature's sequences:
  The seeds of sins renounced sprout from hid soil;

07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
  A jostled sequence lacking sense and suite,
  Feelings pushed through a packed and burdened heart,

07.19 - Bad Thought-Formation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   What is instinct exactly? It is Nature's consciousness. Nature is conscious of her action; it is not an individual consciousness. It is a global or collective consciousness. There is also a consciousness of the species. Each species has its consciousness which is called sometimes the spirit of the species, that is to say, a conscious being presiding over a particular species. Nature is conscious in the sense that she knows what she wants, she knows her whither and her how, her end and the way to go towards it. To man much of Nature seems incoherent, because his consciousness is narrow and he has not an overall vision. When you look at the small details, the little fragments, you do not understand; you do not find any link, sequence, sense. But Nature has a conscious will, she is a conscious being. Perhaps the word being is too human. When we speak of Nature's being, we naturally think of the human being, only a little bigger, or perhaps much bigger but working more or less in the same way. But it is not so. Instead of the word being, I would prefer the word entity. The conscious entity that is Nature has a conscious will and it does things much more deliberately and purposively than map, and it has formidable forces at its disposal. Man speaks of blind and violent Nature. But it is man who is blind and violent, not nature. You say an earthquake is a terrible affair. Thousands of houses crash into dust, millions of people are killed, whole cities devastated, entire portions of earth are swallowed up etc., etc. Yes, from the human point of view Nature seems monstrous. But what has she done after all? When you get a knock on your body somewhere there appears a blue patch. Are you worried about it? Your earthquake is nothing more than a reshuffling of a cell in your body. You destroy thousands of cells every moment of your life. You are monstrous! That is the relative proportion. And consider, we are speaking of earth alone and earthly events. But what is this earth itself in the bosom of the universe? A point, a zero. You are walking on the ground and are not looking down. You place one step forward and then another and you trample thousands of innocent ants under your feet. If you were an ant you would have cried out, what a cruel and stupid force! Imagine other forces stalking about much bigger than yourself and under their casual steps millions of creatures like you are crushed, continents are pressed down and mountains kicked up. They do not even notice such catastrophic happenings! The only difference between man and ant is that man knows what happens to him and the ant does not. But even there are you sure?
   ***

08.28 - Prayer and Aspiration, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Above the vital plane lies the mental plane. The mental plane too has its own determinism in which all mental things are chained together in a rigorous sequence.
   Each of these planes has what may be called a horizontal determinism.

100.00 - Synergy, #Synergetics - Explorations in the Geometry of Thinking, #R Buckminster Fuller, #Science
  100.3011 Necklace: Here we observe the sequence of the child's necklace ( Sec.
  608). The child starts with an enlargement of his mother's necklace consisting of a

1.00b - DIVISION B - THE PERSONALITY RAY AND FIRE BY FRICTION, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  They were first vivified in rotation, and each held the light in ordered sequence until the lower triangle was entirely illumined.
  Eventually transmutation took place, or (to word it otherwise) the polarisation eventually shifted into the three permanent atoms of the Triad, and out of the three permanent atoms of the lower triangle. The physical permanent atom is transcended and the polarisation becomes manasic or mental, the astral permanent atom is transcended and the polarisation becomes buddhic, while the mental unit is superseded by the permanent [71] atom, of the fifth plane, the atmic. This is all brought about by the action of the three rays upon the atoms and upon the life within each atom. The relationship between these three rays and the permanent atoms might be summarised as follows:
  --
  There is great interest attached to this subject and wide reaches of thought and vast fields for investigation open up before the earnest student. This threefold action varies in point of time and sequence according to the ray itself upon which the Monad may be found; but the subject is too vast to be handled at this time.
  In looking at the matter from the standpoint of fire the idea may be grasped a little through the realisation that the latent fire of matter in the atom is brought into brilliance and usefulness by the action of the personality Ray which merges with this fire and stands in the same position to the permanent atom in the microcosm as FOHAT does on the cosmic plane. The fire is there hidden within the sphere (whether the sphere systemic or the sphere atomic) and the personality Ray in the one case, and Fohat in the other, acts as the force which brings latency into activity and potentiality into demonstrated power. This correspondence should be thought out with care and judgment. Just as Fohat has to do with active manifestation or objectivity, so the personality Ray has to do with the third, or activity aspect in the microcosm. The work of the third aspect logoic was the arranging of the matter of the system so that eventually it could be built into form through the power of the second aspect. Thus the correspondence works out. By life upon the physical plane (that life wherein the physical permanent atom has its full demonstration) the matter is arranged and separated that must eventually be built into the Temple of Solomon, the egoic body, through the agency of the egoic life, the second [73] aspect. In the quarry of the personal life are the stones prepared for the great Temple. In existence upon the physical plane and in the objective personal life is that experience gained which demonstrates as faculty in the Ego. What is here suggested would richly repay our closest attention, and open up before us reaches of ideas, which should eventuate in a wiser comprehension, a sounder judgment, and a greater encouragement to action.

1.00c - DIVISION C - THE ETHERIC BODY AND PRANA, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  The three major head centres (the sequence varying according to ray) become active and a similar process is effected between them as was effected in the pranic triangle. From being three centres that react faintly to each other's vibratory movement (feeling the warmth and rhythm of each other, yet separated), the fire leaps from centre to centre, and each whirling wheel becomes linked by a chain of fire till there is a triangle of fire through which the kundalini and pranic fires radiate back and forth. Circulation is also carried on. The fire of kundalini produces the heat of the centre, and its intense radiance and brilliance, while the pranic emanatory fire produces ever increasing activity and rotation.
  As time elapses between the first and fourth Initiation, the threefold channel in the spine, and the entire etheric body is gradually cleansed and purified by the action of the fire till all "dross" (as the Christian expresses it) is burnt away, and naught remains to impede the progress of this flame.
  --
  It is not our purpose to give facts for verification by science, or even to point the way to the next step onward for scientific investigators; that we may do so is but incidental and purely secondary. What we seek mainly is to give indications of the development and correspondence of the threefold whole that makes the solar system what it is the vehicle through which a great cosmic ENTITY, the solar Logos, manifests active intelligence with the purpose in view of demonstrating perfectly the love side of His nature. Back of this design lies a yet more esoteric and ulterior purpose, hid in the Will Consciousness of the Supreme Being, which perforce will be later demonstrated when the present objective is attained. The dual alternation of objective manifestation and of subjective obscuration, the periodic out-breathing, followed by the in-breathing of all that has been carried forward through evolution embodies in the system one of the basic cosmic vibrations, and the key-note of that cosmic ENTITY whose body we are. The heart beats of the Logos (if it might be so inadequately expressed) are the source of all cyclic evolution, and hence the importance attached to that aspect of development called the "heart" or "love aspect," and the interest that is awakened by the study of rhythm. This is true, not only cosmically and macrocosmically, but likewise in the study of the human unit. Underlying all the physical sense attached to rhythm, vibration, cycles and heart-beat, lie their subjective analogieslove, feeling, emotion, desire, harmony, synthesis and ordered sequence, and back of these analogies lies the source of all, the identity of that Supreme Being Who thus expresses Himself.
  Therefore, the study of pralaya, or the withdrawal of the life from out of the etheric vehicle will be the same [129] whether one studies the withdrawal of the human etheric double, the withdrawal of the planetary etheric double, or the withdrawal of the etheric double of the solar system. The effect is the same and the con sequences similar.
  --
  These three are experienced in just the above sequence and presuppose a period of slow activity, succeeded by one of extreme movement. This middle period produces incidentally (as the true note and rate is sought) cycles of chaos, of experiment, of experience and of comprehension. Following on these two degrees of motion (which are characteristic of the atom, Man, of the Heavenly Man [130] or group, and of the Logos or the Totality) comes a period of rhythm and of stabilisation wherein the point of balance is achieved. By the force of balancing the pairs of opposites, and thus producing equilibrium, pralaya is the inevitable sequence.
  c. By the severing of the physical from the subtler body on the inner planes, through the shattering of the web. This has a threefold effect:

1.00e - DIVISION E - MOTION ON THE PHYSICAL AND ASTRAL PLANES, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  It would repay the student to contemplate the interesting succession of triangles that are to be found and the way in which they must be linked by the progression of the fire before that fire can perfectly vivify them, and thence pass on to other transmutations. We might enumerate some of these triangles, bearing always in mind that according to the ray so will proceed the geometric rising of the fire, and according to the ray so will the points be touched in ordered sequence. Herein lies one of the secrets of initiation, and herein is found some of the dangers entailed in a too quick publication of information concerning the rays.
  1. The pranic triangle.
  --
  d. These centres reach this condition of perfection as the Spirit or Will aspect takes ever fuller control. The unifying triangles are produced by the action of the fire of mind, while the fire of matter holds the form together in ordered sequence. So the interdependence of matter, mind and Spirit can be seen and demonstrates to the eye of the clairvoyant as the co-ordination of the three fires.
  e. In the Heavenly Man and His body, a chain of globes [lxxxix]87 likewise can be seen and we need here to remember very carefully that the seven chains of a scheme are the expression of a planetary Logos. The Heavenly Men are expressing Themselves through a scheme of seven chains and the emphasis has been laid unduly, perhaps, upon the dense physical planet in any particular chain. This has caused the fact of the chain importance to be somewhat overlooked. Each of the seven chains might be looked upon as picturing the seven centres of one of the Heavenly Men. The idea of groups of Egos forming centres in the Heavenly Men is nevertheless correct, but in this connection the reference is to the centres of force on buddhic and monadic levels. [xc]88

1.00f - DIVISION F - THE LAW OF ECONOMY, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  The great WORD that peals through one hundred years of Brahma or persists in reverberation throughout a solar system, is the sacred sound of A U M. In differentiation and as heard in time and space, each of those three mystic letters stands for the first letter of a subsidiary phrase, consisting of various sounds. One letter, with a sequence of four sounds, makes up the vibration or note of Brahma, which is the intelligence aspect dominant in matter. Hence the mystery hidden in [218] the pentagon, in the fifth principle of mind, and in the five planes of human evolution. These five letters when sounded forth on the right note, give the key to the true inwardness of matter and also to its control,this control being based on the right interpretation of the Law of Economy.
  Another phrase, this time of seven letters, or a letter for each of the seven Heavenly Men, embodies the sound or note of the Vishnu aspect, the second aspect logoic, the form-building aspect. By its correct or partial sounding, by its complete or incomplete reverberation, are the forms built and adapted. The Law of Attraction finds expression in the manipulation of matter and its welding into form for the use of Spirit.

1.01 - Isha Upanishad, #Isha Upanishad, #unset, #Zen
  9 Anyadeva - eva here gives to anyad the force, "Quite other than the result described in the preceding verse is that to which lead the Knowledge and the Ignorance." We have the explanation of anyad in the verse that follows. The ordinary rendering, "Knowledge has one result, Ignorance another", would be an obvious commonplace announced with an exaggerated pompousness, adding nothing to the thought and without any place in the sequence of the ideas.
  10 In the inner sense of the Veda Surya, the Sun-God, represents the divine Illumination of the Kavi which exceeds mind and forms the pure self-luminous Truth of things. His principal power is self-revelatory knowledge, termed in the Veda "Sight". His realm is described as the Truth, the Law, the Vast. He is the Fosterer or Increaser, for he enlarges and opens man's dark and limited being into a luminous and infinite consciousness. He is the sole Seer, Seer of Oneness and Knower of the Self, and leads him to the highest Sight.

1.01 - Principles of Practical Psycho therapy, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  of perceiving fragments of this autonomous or self-activating sequence
  without too much difficulty, generally in the form of visual fantasies,
  --
  the unconscious sequence of images are the dreams which, if examined
  over a long series, reveal the continuity of the unconscious pictorial flood
  --
  the continuity of the picture sequence finds expression in the recurrence of
  some such motif over a long series of dreams.
  --
  dreams whose characteristic sequence of images presents the doctor with an
  entirely new and unexpected task. He then needs the sort of knowledge for

1.02 - Groups and Statistical Mechanics, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  tion of a complex contingency into an infinite sequence of more
  special contingencies-­a first, a second, a third, and so on-­each
  --
  first, a second, a third member, and so on, forming a sequence of
  contingencies in which every term has a definite position given
  --
  pounded from an infinite sequence of cases. This is the reason
  why Lebesgue, in solving his own problem, had also solved that

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  in frequency into a repetitious sequence of otherwise predictable tones (although the stimulus might just as
  easily be visual or tactile). These odd-ball events are characterized by (relative) novelty (novelty is
  --
  initiates a sequence of controlled processing, which is difficult, slow, accompanied by awareness,
  sequential and generative (and which is referred to as exploratory behavior in this document), contrasted
  --
  approach system (and its equivalent, in abstraction) generates (1) alternative sequences of behavior, whose
  goal is the production of a solution to the present dilemma; (2) alternative conceptualizations of the desired
  --
  the rats cage is briefly electrified. This sequence occurs repeatedly. Soon the rat freezes as soon as the
  light appears. He has developed a conditioned response, manifesting behavioral inhibition (and fear,
  --
  The end or goal of a given planned sequence of behavior constitutes an image of the desired future,
  which serves as point of contrast, for the unbearable present. The means by which this end might be
  --
  familiar Christian sequence of generation (which might be God Mary Christ) is only one of many
  valid configurations (and is not even the only one that characterizes Christianity).
  --
  experience (the event, or sequence of events) that gave rise to them, and adopted initial representational
  form in imaginative embodiment. The modern idea of the stimulus might be regarded as a vestigial
  --
  of Nisan. It comprised several sequences, of which we will mention the most important: (1) a day of
  expiation for the king, corresponding to Marduks captivity; (2) the freeing of Marduk; (3) ritual
  --
  The meaning of some terminology, and the nature of the latter two sequences, must be clarified here:
  First [with regards to (4)], it should be noted that hieros gamos means mystical marriage the
  --
  The first sequence of this mythico-ritual scenario the kings humiliation and Marduks captivity
  indicates the regression of the world to the precosmogonic chaos. In the sanctuary of Marduk the high
  --
  In this sequence of danger, battle, and victory, the light whose significance for consciousness we
  have repeatedly stressed is the central symbol of the heros reality. The hero is always a light-bringer
  --
  The same striking sequence recurred in the incident of David and Bathsheba. From the top of his roof
  David glimpsed Bathsheba bathing and wanted her. There was an obstacle, however: she was married.

1.02 - The 7 Habits An Overview, #The 7 Habits of Highly Effective People, #Stephen Covey, #unset
  Understanding the sequence will help you manage your growth more effectively, but I'm not suggesting that you put yourself in isolation for several years until you fully develop Habits 1, 2, and 3.
  As part of an interdependent world, you have to relate to that world every day. But the acute problems of that world can easily obscure the chronic character causes. Understanding how what you are impacts every interdependent interaction will help you to focus your efforts sequentially, in harmony with the natural laws of growth.
  --
  The diagram on the next page is a visual representation of the sequence and the interdependence of the Seven Habits, and will be used throughout this book as we explore both the sequential relationship between the habits and also their synergy -- how, in relating to each other, they create bold new forms of each other that add even more to their value. Each concept or habit will be highlighted as it is introduced.
  Effectiveness Defined

1.02 - The Concept of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  "active imagination." By this I mean a sequence of fantasies pro-
  duced by deliberate concentration. I have found that the exist-
  --
  the method. Suffice it to say that the resultant sequence of
  fantasies relieves the unconscious and produces material rich in

1.03 - Concerning the Archetypes, with Special Reference to the Anima Concept, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  psyche translates physical processes into sequences of images
  which have hardly any recognizable connection with the objec-

1.03 - Invocation of Tara, #Tara - The Feminine Divine, #unset, #Zen
  three successive sequences, first uttered twice, then
  - 68 -
  three times, and finally seven times. Each sequence is
  separated by offerings.
  - During the first sequence, Tara is visualized in front
  of .us with her right hand in the mudra of sublime

1.03 - THE GRAND OPTION, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  nected sequence, seem to express and exhaust all the possibilities
  open to our assessment and choice as we contemplate the future of

1.03 - The Tale of the Alchemist Who Sold His Soul, #The Castle of Crossed Destinies, #Italo Calvino, #Fiction
  The first interpretation that this sequence called to mind, if we continued attri buting an aura of voluptuousness to the fountain, was that our fellow guest had had amorous relations with a nun in a wood. Or else that he had offered her copious drink, since the fountain, if you examined it closely, seemed to pour from a little cask set on top of a grape press. But the melancholy stare of the man's face seemed lost in speculations from which not only carnal passions but even the most venial pleasures of table and cellar had to be excluded. Lofty meditations must have been his, though his worldly appearance left no doubt that they were still addressed to the Earth and not to Heaven. (And so another possible interpretation was eliminated: that the card depicted a holy-water stoup.)
  The most probable hypothesis that occurred to me was that the card stood for the Fountain of Life, the supreme goal of the alchemist's search, and that our companion was, in fact, one of those scholars who scrutinize alembics and crucibles (like the complicated vessel that his royally clad figure held in its hand), trying to wrest from Nature her secrets, and especially that of the transformation of metals.

1.03 - Time Series, Information, and Communication, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  a numerical quantity, or a sequence of numerical quantities, dis-
  tributed in time. The temperature as recorded by a continuous
  --
  Such a series is a sequence of functions f n (α) of a parameter a,
  where n runs over all integer values from −∞ to ∞. The quantity
  --
  instance, to make them depend on a sequence of independent
  choices. Each term (in the mixing case) will be representable as a
  --
  the Newtonian physics, the sequence of physical phenomena is
  completely determined by its past and in particular by the deter-

1.04 - Feedback and Oscillation, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  a sequence of operators of that form. For example, f ′(t) is the result
  of an operator with these properties when applied to f(t), and

1.04 - Magic and Religion, #The Golden Bough, #James George Frazer, #Occultism
  of the nature of the particular laws which govern that sequence. If
  we analyse the various cases of sympathetic magic which have been

1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
  generation of an action sequence designed to attain that ideal. It is (stated, unstated, and unstatable) articles
  of faith that underly this tripartite representation, and that keep the entire process in operation. These
  --
  All representations of objects (or situations, or behavioral sequences) are of course conditional, because
  they may be altered unpredictably, or even transformed, entirely, as a con sequence of further exploration
  --
  situations, or behavioral sequences) are currently accepted as valid, because they serve their purposes as
  tools. If we can manipulate our models in imagination, apply the solutions so generated to the real world,
  --
  rendered as implied previously as a con sequence of a sequence of action attaining its desired end
  (what works is true). A procedure is deemed sufficient when it attains its desired end when it meets
  --
  A truly unexpected event sequence upsets the implicit assumptions upon which the original particular
  fantasy was predicated and not only that fantasy, but innumerable presently implicit others, equally

1.04 - The Silent Mind, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  The Descent of the Force Little by little the void is filled. We then make a series of observations and experiences of considerable importance, which cannot be listed in a logical sequence, because from the moment we leave the old world we find that everything is possible, and, above all, that no two cases are alike hence, the falsehood of all spiritual dogmas. We can only mention a few broad lines of experience.
  First, when calm, if not absolute silence, is relatively well established in the mind, when our aspiration, our need, has grown and become constant, throbbing, as if we carried a hole within ourselves,

1.05 - Computing Machines and the Nervous System, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  states and sequences of thought do not conform to the canons172
  Chapter V

1.05 - Dharana, #Liber ABA, #Aleister Crowley, #Philosophy
  20:Now there is a real sequence in these classes of breaks. As control improves, the percentage of primaries and secondaries will diminish, even though the total number of breaks in a meditation remain stationary. By the time that you are meditating two or three hours a day, and filing up most of the rest of the day with other practices designed to assist, when nearly every time something or other happens, and there is constantly a feeling of being "on the brink of something pretty big," one may expect to proceed to the next state - Dhyana.

1.05 - Some Results of Initiation, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
  The development of this sense may be furthered in the following manner. To begin with, the student endeavors to regulate his sequence of thought (control of thought). Just as the sixteen-petalled lotus is developed by cultivating thoughts that conform with truth and are significant, so, too, the twelve-petalled lotus is developed by inwardly controlling the trains of thought. Thoughts that dart to and fro like will-o'-the-wisps and follow each other in no logical or rational sequence, but merely by pure chance, destroy its form. The closer thought is made to follow upon thought, and the more strictly everything of illogical nature is avoided, the more suitable will be the form this sense organ develops. If the student hears illogical thoughts he immediately lets the right thoughts pass through his mind. He should not, however, withdraw
   p. 149
  --
  An equal consistency in his actions forms the second requirement (control of actions). All inconstancy, all disharmony of action, is baneful for the lotus here in question. When the student performs some action he must see to it that his succeeding action follows in logical sequence, for if he acts from day to day with variable intent he will never develop the faculty here considered.
  The third requirement is the cultivation of endurance (perseverance). The student is impervious to all influences which would divert him from the goal he has set himself, as long as he can regard it as the right goal. For him, obstacles contain a challenge that impels him to surmount them, but never a reason for giving up.

1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
  in a biographical form but as a discontinuous sequence of appearances in which Jesus comments on the
  Old Testament as a series of past events, laws and images coming permanently alive in the Messianic
  --
  in the sequence including and continuing after the death of Moses (as discussed previously). Christ, in fact,
  appears as a second Moses, who offers a spiritual (intrapsychic) kingdom as the final version of the land
  --
  activation of the final alchemical sequence, which consisted of the (hypothetical) union of all now-manifest
  things. Jung outlines the Arisleus vision, in his text Psychology and Alchemy. This vision contains all
  --
  Genesis. The study of the transformations of corruption and limitation activated a mythological sequence in
  the mind of the alchemist. This sequence followed the pattern of the way, upon which all religions have
  developed. Formal Christianity adopted the position that the sacrifice of Christ brought history to a close,
  --
  The sequence of the alchemical transformation paralleled Christs passion, paralleled the myth of the hero
  and his redemption. The essential message of alchemy is that individual rejection of tyranny, voluntary
  --
  This is a sequence of mythoi, only indirectly of historical events, and our first step is to realize that all the high
  points and all the low points are metaphorically related to one another. That is, the garden of Eden, the Promised

1.06 - Gestalt and Universals, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  in a one-­dimensional sequence, and this net of positions is so
  distributed that it comes near to every position in the region, in
  --
  ning apparatus passes over them in sequence. It has been sug-
  gested that this be done by the use of several photoelectric cells
  placed in a vertical sequence, each attached to a sound-­making
  apparatus of a different pitch. This can be done with the black of

1.07 - Cybernetics and Psychopathology, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  to a particular stage in the sequence of operations, but at each
  stage there is a searching process, quite similar to that used in
  --
  element of a given sort and switches it into the sequence of oper-
  ations. In this case, the removal and replacement of defective

1.07 - Incarnate Human Gods, #The Golden Bough, #James George Frazer, #Occultism
  implicitly is on the idea of a necessary and invariable sequence of
  cause and effect, independent of personal will, reappears from the
  --
  investigating the causal sequences in nature, directly prepares the
  way for science. Alchemy leads up to chemistry.

1.07 - Savitri, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  As far as I remember, we worked on these drafts in the evening for an hour or so after all the correspondence work was over. He would sit in a small straight-backed armchair where the big armchair now stands, and listen to my reading. The work proceeded very slowly to start with, and for a long time, either because he didn't seem to be in a hurry or because there was not much time left after attending to the miscellaneous correspondence I have mentioned elsewhere. Later on, the time was changed to the morning. After the selections had been made from one or two versions of a Book, let us say The Book of Fate, we were occupied with it. Never was any Book, except The Book of Death and The Epilogue, taken intact. He would dictate line after line, and ask me to add selected lines and passages in their proper places, but which were not always kept in their old order. I wonder how he could go on dictating lines of poetry in this way, as if a tap had been turned on and the water flowed, not in a jet, of course, but slowly, very slowly indeed. Passages sometimes had to be reread in order to get the link or sequence, but when the turn came of The Book of Yoga and The Book of Everlasting Day, line after line began to flow from his lips like a smooth and gentle stream and it was on the next day that a revision was done to get the link for further continuation. In the morning he himself would write out new lines on small notebooks called 'bloc' notes which were incorporated in the text. This was more true as regards The Book of Fate. Sometimes there were two or even three versions of a passage. As his sight began to fail, the letters also became gradually indistinct, and I had to decipher and read them all before him. I had a good sight and, more than that, the gift of deciphering his "hieroglyphics", thanks to the preparatory training I had received during my voluminous correspondence with him before the accident. At times when I got stuck he would help me out, but there were occasions when both of us failed. Then he would say, "Give it to me, let me try." Taking a big magnifying glass, he would focus his eyes but only to exclaim, "No, can't make out!"
  When a Book was completed and copied out, it went to Nolini for typing. On the typescript again, fresh lines were added or the order changed. In this respect The Book of Fate gave us a great deal of trouble. Though Sri Aurobindo says in his letter to Amal in 1946 that the Book was almost finished, it was again taken up at the end, and many changes were introduced which contained prophetic hints of his leaving the body very probably after he had taken his decision to do so.

1.07 - The Farther Reaches of Human Nature, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  The major [contemplative] traditions we have studied in their original languages present an unfolding of meditation experience in terms of a stage model: for example, the Mahamudra from the Tibetan Buddhist tradition; the Visuddhimagga from the Pali Theravada tradition; and the Yoga Sutras from the Sanskrit Hindu tradition. The models are sufficiently similar to suggest an underlying common invariant sequence of stages, despite vast cultural and linguistic differences as well as styles of practice.
  This developmental model has also been found to be consistent with the stages of mystical or interior prayer found in the Jewish (Kabbalist), Islamic (Sufi), and Christian mystical traditions (see, for example, Chirban's chapter in Transformations), and Brown has also found it in the Chinese contemplative traditions. Theorists such as Da Avabhasha have given extensive hermeneutic and developmental readings from what now appears to be at least a representative sampling from every known and available contemplative tradition (see, for example, The Basket of Tolerance), and they are in fundamental and extensive agreement with this overall developmental model.

1.07 - THE GREAT EVENT FORESHADOWED - THE PLANETIZATION OF MANKIND, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  nothing can arrest the logical sequence in which two worlds which
  we were accustomed to regard as being completely separate are

1.07 - The Plot must be a Whole., #Poetics, #Aristotle, #Philosophy
  Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long. As, therefore, in the case of animate bodies and organisms a certain magnitude is necessary, and a magnitude which may be easily embraced in one view; so in the plot, a certain length is necessary, and a length which can be easily embraced by the memory. The limit of length in relation to dramatic competition and sensuous presentment, is no part of artistic theory. For had it been the rule for a hundred tragedies to compete together, the performance would have been regulated by the water-clock,--as indeed we are told was formerly done. But the limit as fixed by the nature of the drama itself is this: the greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous. And to define the matter roughly, we may say that the proper magnitude is comprised within such limits, that the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good, or from good fortune to bad.
  author class:Aristotle

1.08 - Information, Language, and Society, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  moves ahead. To each sequence of moves it should assign a cer-
  tain conventional valuation. Here, to checkmate the opponent
  --
  them. The first of an entire sequence of moves should receive
  a valuation much as von Neumann's theory would assign it. At

1.08 - The Depths of the Divine, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  The whole point of the moral sequence, its very ground and its very goal, its omega point, its chaotic Attractor, is the drive toward the Over-Soul, where treating others as one's Self is not a moral imperative that has to be enforced as an ought or a should or a difficult imposition, but comes as easily and as naturally as the rising of the sun or the shining of the moon.21
  This moral oneness intensifies in the subtle and causal (as we will see), but it first becomes directly obvious here, in the psychic, and issues naturally in the spontaneous compassion inherent in the Over-Soul, a compassion on which all previous moral endeavors depended, but a compassion of which all previous endeavors were but mere and partial glimmers.

1.08 - The Splitting of the Human Personality during Spiritual Training, #Knowledge of the Higher Worlds, #Rudolf Steiner, #Theosophy
  After these preliminary observations that should dispel any element of terror, a description of some of the so-called dangers will be given. It is true that great changes take place in the student's finer bodies, as described above. These changes are connected with certain processes in the development of the three fundamental forces of the soul, with willing, feeling, and thinking. Before esoteric training, these forces are subject to a connection ordained by higher cosmic laws. Man's willing, feeling and thinking are not arbitrary. A particular idea arising in the mind is attended by a particular feeling, according to natural laws; or it is followed by a resolution of the will in equally natural sequence. We enter a room, find it stuffy, and open the window. We hear our name called and follow the call. We are questioned and we answer. We perceive an ill-smelling object and experience a feeling of disgust. These are simple connections between thinking, feeling, and willing. When we survey human life we find that everything is built up on such connections. Indeed, life is not termed normal unless such a connection, founded on the laws of human nature, is observed between thinking, feeling
   p. 222

1.09 - (Plot continued.) Dramatic Unity., #Poetics, #Aristotle, #Philosophy
  'epeisodic' in which the episodes or acts succeed one another without probable or necessary sequence. Bad poets compose such pieces by their own fault, good poets, to please the players; for, as they write show pieces for competition, they stretch the plot beyond its capacity, and are often forced to break the natural continuity.
  But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. We may instance the statue of Mitys at Argos, which fell upon his murderer while he was a spectator at a festival, and killed him. Such events seem not to be due to mere chance. Plots, therefore, constructed on these principles are necessarily the best.

11.02 - The Golden Life-line, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   It is so difficult for man to leave the beaten track, for that means risk and danger; our thoughts and movements are all shaped in the mould of the past, we carry out what old habits have instructed us; any new thought, any new act we happen to come across we seek to link it to an antecedent or precedent, similar in kind or form. It is a never-ending succession, a causal chain that makes up our life, the present being always produced by its past. That means the present, and so also the future, is only another form or term of the past. What is not in the past is not in the present or the future, that is to say, such is the constitution of our consciousness and nature: there is a natural and inevitable faith and trust in the past, an extension of the past; there is only apprehension for the future, uncertainty in the present.1 It was Buddha's signal achievement to uncover this great illusion, the illusion of an inexhaustible and inexorably continuing past, continuing into the present and into the future. He saw that to be is not continuity but a sequence of discrete moments (and events). It is ignorance that finds a link between these entities; they are in reality absolutely separate and distinct from each other. If you can wake up from this ignorance as from a dream you will find they 'all disintegrate and disperse and end in nothing. The only reality is that Nothing. Shankara however says that it is not mere Nothing but Pure Existence, instead of an illusion of existences you have the original Existence, the absolute existence.
   The Upanishad speaks of the creation as a garl and and all the elements of life that are like precious jewelsare strung upon a secret thread. Indeed, it is not on nothing that this multiplicity which is the creation is standing and holding together. There is however a twofold secret threadone that binds together a world of ignorance: that is the thread of ignorance which passes through, even keeps alive as it were, all the expressions and embodiments of the ignorance, pain and suffering, greed and hunger, egoism and selfishness and all forms of what is called evil. But it is the apparent world; even so, it is not pure delusion: it is a make-believe or falsehood which keeps behind it the true, the real world. That world lies behind the mask, the present actual world; it is another world of light and truth, power and delight and purity. There the link that binds together the succession of events and realities is a golden thread of pure consciousness. The link of ignorance is, one may say, the iron link, and is open to rust and decay inevitably. It is the link that binds together the ordinary life of ignorance, that pulls always backward, clings to all that has gone by, seeks to extend the past into the present and the future, feels unhappy if that is disturbed.

1.11 - Oneness, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  Even in the stone he is there." (Rig Veda I.70.2). All is one because all is the One. Did Christ not say, "This is my body, this is my blood," of two most material, most earthly symbols bread and wine to convey that Matter, too, is the body of the One, the blood of God? 147 If He had not been already there in the stone, how would He have come to be in man, through what miraculous intervention? We are the result of an evolution, not of a sequence of arbitrary miracles. All the earth-past is there in [our human nature] . . . the very nature of the human being presupposes a material and a vital stage which prepare his emergence into mind and an animal past which moulded a first element of his complex humanity. And let us not say that this is because material Nature developed by evolution his life and his body and his animal mind, and only afterwards did a soul descend into the form so created . . . for that supposes a gulf between soul and body,
  between soul and life, between soul and mind, which does not exist;

1.12 - God Departs, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Let us go back to the origin of his illness and follow the sequence of events that ended with his leaving the physical sheath and were apparently its cause and try to discover the truth behind the appearance. One day we came to notice that Sri Aurobindo's urination had increased in freqency. He wanted to know the reason. The urine was examined and found to have an excessive amount of sugar with a trace of albumin. I reported the result to the Mother in Sri Aurobindo's presence and said, "It looks like diabetes." The Mother sharply retorted, "It is not diabetes." "What is it then?" I asked myself. The Mother, however, reduced considerably the amount of starchy food, particularly rice and sweets for which Sri Aurobindo seemed to have a liking. For his age and his sedentary life, so much carbohydrate was surely bad. He could hardly now walk 6-7 hours a day as he used to. I was asked to examine the urine every week and apprise him of the result. In a few weeks' time it became sugar-free but the frequency did not altogether disappear. Sri Aurobindo too had noticed it. It made me suspect some mild prostatic enlargement. When Dr. P. Sanyal, F. R. C. S., England, paid a visit to the Ashram, I consulted him and at my request Sri Aurobindo, saw him. After an enquiry he confirmed my suspicion, but added that it was just at the initial stage. He told Sri Aurobindo of the nature, course and complications of the disease, ultimately operation being the only radical cure. After a few months, on Sanyal's second visit, Sri Aurobindo told him emphatically, "It is no more troubling me. I have cured it." Our faith in the action of the Force was fortified and we felt no anxiety.
  We could not say then that this change of mood had any connection with the disease. Not only with us, but with the Mother too, he became very reticent. However, with regard to his work, there was no flagging. Even when a little time was at our disposal and I was reluctant to bring out the numerous files containing the Savitri manuscript, just for half an hour, he would say, "We shall work a little." This provoked my other colleagues, particularly Champaklal, to an impish mirth, for they loved work and I did not, at least I did not then. And almost till his withdrawal the miscellaneous literary works and the labour on Savitri were carried on in full swing in spite of the discomfort caused by the gradual increase of the symptoms. In addition to these, when at this stage an importunate call came from an outside sadhika in Northern India to save her life from a dreaded and strange illness, he took great pains to cure her, especially as she was an intimate friend of an old sadhak who had made a desperate appeal to Sri Aurobindo's compassion. The story is rather long but intriguing. The doctors, as usual, differed about the diagnosis. Cancer, ulcer, T. B., none was found to be the case. One prominent symptom was profuse bleeding through the mouth but without any definite lesion of any organ. All kinds of tests and treatment failed. At last the patient gave up all treatment and said that she would depend entirely on Sri Aurobindo, even if she were to die. Sri Aurobindo then took up the responsibility at the supplication of the sadhak-bhakta, I believe, but on one condition that regular news must be supplied to him. The bhakta himself went from Pondicherry to the patient's place with a view to fulfil the condition. News began to stream in by letters, wires about her daily progress. Suddenly it stopped. Sri Aurobindo became anxious and enquired again and again if any news had come. I tried to plead on their behalf and give the usual excuses for the delay. At last he remarked, "How am I to save her if I have no news?" After two or three days, information began to flow in and very soon the patient recovered completely and came to settle in the Ashram. Her illness turned out to be a case of black magic. That is why the symptoms were erratic and there was no definite lesion in spite of their gravity. That was what probably made Sri Aurobindo so anxious about the case. We modern people may scoff at such unscientific superstition, but in this case, there was very solid ground in favour of such a belief. Though Sri Aurobindo took charge of the case, at each fresh arrival of news, he would ask me to keep the Mother informed. "Have you informed the Mother?" he would repeat. I did not understand why he was so insistent on the point; it was not his nature. Did he suspect that I might not, and I really felt no necessity, such was my human stupidity, trying to be wiser than the Guru! The reason for it became clear when he left the body. He had already taken the decision and wanted the Mother to know all about the case in anticipation of possible future developments.

1.14 - The Stress of the Hidden Spirit, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Spirit as existence, Sat, is one; as Intelligence it multiplies itself without ceasing to be one. We see that tree and say "Here is a material thing"; but if we ask how the tree came into existence, we have to say, it grew or evolved out of the seed. But growth or evolution is only a term describing the sequence in a process.
  It does not explain the origin or account for the process itself.

1.14 - The Structure and Dynamics of the Self, #Aion, #Carl Jung, #Psychology
  according to its place in the sequence, correspond to Vulcan;
  the fire of Mercurius to air; the third fire to water and the

1.14 - TURMOIL OR GENESIS?, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  possible to part company from the sequence at each stage: but only,
  it should be noted, if in doing so we accept the alternative choice.

1.15 - The element of Character in Tragedy., #Poetics, #Aristotle, #Philosophy
  As in the structure of the plot, so too in the portraiture of character, the poet should always aim either at the necessary or the probable. Thus a person of a given character should speak or act in a given way, by the rule either of necessity or of probability; just as this event should follow that by necessary or probable sequence. It is therefore evident that the unravelling of the plot, no less than the complication, must arise out of the plot itself, it must not be brought about by the 'Deus ex Machina'--as in the Medea, or in the Return of the Greeks in the
  Iliad. The 'Deus ex Machina' should be employed only for events external to the drama,--for antecedent or subsequent events, which lie beyond the range of human knowledge, and which require to be reported or foretold; for to the gods we ascribe the power of seeing all things. Within the action there must be nothing irrational. If the irrational cannot be excluded, it should be outside the scope of the tragedy. Such is the irrational element in the Oedipus of Sophocles.

1.1.5 - Thought and Knowledge, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  That is the silliness of the mind. Why should it be impossible to fill up a vacancy?1 It is easier for things to come into an empty space than into a full one. The error comes from thinking that your thoughts are your own and that you are their maker and if you dont create thoughts (i.e. think), there will be none. A little observation ought to show that you are not manufacturing your own thoughts, but rather thoughts occur in you. Thoughts are born, not madelike poets, according to the proverb. Of course, there is a sort of labour and effort when you try to produce or else to think on a certain subject, but that is a concentration for making thoughts come up, come in, come down, as the case may be, and fit themselves together. The idea that you are shaping the thoughts or fitting them together is an egoistic delusion. They are doing it themselves, or Nature is doing it for you, only under a certain compulsion; you have to beat her often in order to make her do it, and the beating is not always successful. But the mind or nature or mental energywhatever you like to call itdoes this in a certain way and carries on with a certain order of thoughts, haphazard intelligentialities (excuse the barbarism) or asininities, rigidly ordered or imperfectly ordered intellectualities, logical sequences and logical incon sequences, etc. etc. How the devil is an intuition to get in in the midst of that waltzing and colliding crowd? It does sometimes,in some minds often intuitions do come in,but immediately the ordinary thoughts surround it and eat it up alive, and then with some fragment of the murdered intuition shining through their non-intuitive stomachs they look up smiling at you and say, I am an intuition, sir. But they are only intellect, intelligence or ordinary thought with part of a dismembered and therefore misleading intuition inside them. Now in a vacant mind, vacant but not inert (that is important), intuitions have a chance of getting in alive and whole. But dont run away with the idea that all that comes into an empty mind, even a clear or luminous empty mind, will be intuitive. Anything, any blessed kind of idea, can come in. One has to be vigilant and examine the credentials of the visitor. In other words, the mental being must be there, silent but vigilant, impartial but discriminating. That is, however, when you are in search of truth. For poetry so much is not necessary. There it is only the poetic quality of the visitor that has to be scrutinised and that can be done after he has left his packetby results.
  ***

1.18 - FAITH, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  Karma is the causal sequence in time, from which we are delivered solely by dying to the temporal self and becoming united with the eternal, which is beyond time and cause. For as to the notion of a First Cause, or a Causa Sui" (to quote the words of an eminent theologian and philosopher, Dr. F. R. Tennant), we have, on the one hand, to bear in mind that we refute ourselves in trying to establish it by extension of the application of the causal category, for causality when universalized contains a contradiction; and, on the other, to remember that the ultimate Ground simply is. Only when the individual also simply is, by reason of his union through love knowledge with the Ground, can there be any question of complete and eternal liberation.
  next chapter: 1.19 - GOD IS NOT MOCKED

1.18 - The Importance of our Conventional Greetings, etc., #Magick Without Tears, #Aleister Crowley, #Philosophy
  When you are practicing Dharana[AC27] concentration, you allow yourself so many minutes. It is a steady, sustained effort. The mind constantly struggles to escape control. (I hope you remember the sequence of "breaks." In case you don't, I summarize them.
    Immediate physical interruptions: Asana should stop these.

1.19 - ON THE PROBABLE EXISTENCE AHEAD OF US OF AN ULTRA-HUMAN, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  sufficient degree of hominization, the "planetary sequence" gen-
  erating the Human can only continue to operate in an atmosphere
  --
  continuance of the sequence, indispensable for the maintenance of
  the evolutionary impetus, and also indispensable for the creation of

1.201 - Socrates, #Symposium, #Plato, #Philosophy
  Anyone who has been guided to this point in the study of love and has been contemplating beautiful things in the correct way and in the right sequence, will suddenly perceive, as he now approaches the end of his study, a beauty that is marvellous in its nature the very thing,
  Socrates, for the sake of which all the earlier labours were undertaken.

1.23 - Epic Poetry., #Poetics, #Aristotle, #Philosophy
  Sicily took place at the same time, but did not tend to any one result, so in the sequence of events, one thing sometimes follows another, and yet no single result is thereby produced. Such is the practice, we may say, of most poets. Here again, then, as has been already observed, the transcendent excellence of Homer is manifest. He never attempts to make the whole war of Troy the subject of his poem, though that war had a beginning and an end. It would have been too vast a theme, and not easily embraced in a single view. If, again, he had kept it within moderate limits, it must have been over-complicated by the variety of the incidents. As it is, he detaches a single portion, and admits as episodes many events from the general story of the war--such as the
  Catalogue of the ships and others--thus diversifying the poem. All other poets take a single hero, a single period, or an action single indeed, but with a multiplicity of parts. Thus did the author of the Cypria and of the Little Iliad. For this reason the Iliad and the Odyssey each furnish the subject of one tragedy, or, at most, of two; while the

1.3.5.03 - The Involved and Evolving Godhead, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  Before there could be any evolution, there must needs be this involution of the Divine All that is to emerge. Otherwise there would have been not an ordered and significant evolution, but a successive creation of things unforeseeable, not contained in their antecedents, not their inevitable con sequences or right followers in sequence.
  This world is not an apparent order fortuitously managed by an inexplicable Chance. Neither is it a marvellous mechanism miraculously contrived by a stumblingly fortunate unconscious

1.3.5.05 - The Path, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  The notes, drafts and fragments collected in this part were not written by Sri Aurobindo in the present sequence nor intended by him to form a single work. They have been arranged by the editors by topic in three sections - Philosophy: God, Nature and Man; Psychology: The Science of Consciousness; Yoga:
  Change of Consciousness and Transformation of Nature.

1.40 - Coincidence, #Magick Without Tears, #Aleister Crowley, #Philosophy
  The sequence B B B B B B B at roulette is most unlikely to occur; but so, in exactly the same degree, is the sequence B R B R R B R or any other sequence. The one passes unnoticed, the other causes surprise, only because you have in your mind the idea of "a run on black."
  Extend this line of thought a little, and link it up with what I was saying about the Magical Diary; you realize that every phenomenon soever is equally improbably, and "infinitely" so. The Universe is therefore nothing but Coincidence!

1.50 - A.C. and the Masters; Why they Chose him, etc., #Magick Without Tears, #Aleister Crowley, #Philosophy
  I know this sounds mad; but it's true. Well, then, I set myself to repair the omission with Part III; this should be a really complete treatise on the Art and Science of magick, and it should be worked out from the beginning, a logical sequence like Euclid. Hence Axiom, Postulate and Theorems. I supposed even then that I could cover the field with another volume comparable in size with the former two.
  I did indeed "finish" this, even announced publication; it was just going to Press when War (also announced five years before by Bartzabel, the Spirit of Mars) came along in 1914. I toted the rod around the world with me (excuse my American!) and in a fatal hour of weakness, self-mistrust, took to shewing it to some of my students. Of course I might have known they all with one accord began: "Oh, but you haven't said anything about " all the subjects in the world. So I started to fill in the gaps. As I did so, I found any amount more to do on my own. It went on like that for 14 years! Since it came out the voices of detraction have been dumb. I really do believe that I've covered the ground at last. Of course, time shewed that Part I, although it did really give the essentials of Yoga in the simplest possible language, was hardly more than an outline. More, it did not correlate Yoga with general philosophy. Eight Lectures have, I believe, remedied this.

1.62 - The Elastic Mind, #Magick Without Tears, #Aleister Crowley, #Philosophy
  The inelastic mind, on the other hand, is tied by training to a rigid sequence, so that it never gets a chance to think for itself.
  To develop a mind properly it needs (a) "Lehrjahre" (a first-clas public school and university education, or the equivalent) when it learns all sides of a question, and is left free to judge for itself and (b) "Wanderjahre," when it sees the world for itself, not by any pre-arranged course (Cooks', Lunns', University Extension, Baedeker) but built up on the results of the Lehrjhre, foot or horseback, and avoid beaten tracks.

1.72 - Education, #Magick Without Tears, #Aleister Crowley, #Philosophy
    My son, neglect not in any wise the study of the Writings of Antiquity, and that in the original Language. For by this thou shalt discover the History of the Structure of thy Mind, that is, its Nature regarded as the last Term in a sequence of Causes and Effects. For thy Mind hath been built up of these Elements, so that in these Books thou mayst bring into the Light thine own sub-conscious Memories. And thy Memory is as it were the Mortar in the House of thy Mind, without which is no Cohesion or Individuality possible, so that it is called Dementia. And these Books have lived long and become famous because they are the Fruits of ancient Trees whereof thou art directly the Heir, wherefore (say I) they are more truly germane to thine own Nature than Books of Collateral Offshoots, though such were in themselves better and wiser. Yes, O my son, in these Writings thou mayst study to come to the true Comprehension of thine own Nature, and that of the whole Universe, in the dimensions of Time, even as the Mathematic declareth it in that of Space: that is, of Extension. Moreover, by this Study shall the Child comprehend the Foundation of Manners: the which, as sayeth one of the Sons of Wisdom, maketh Man.
    SEQUITUR (3) SCIENTIFICA[146]

19.24 - The Canto of Desire, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   Freed from desire, unattached, he knows the words and their meanings, he knows the collocation of the letters and their sequence: For the last time he has put on the body and is called the great Wise.
   [20]

1929-04-28 - Offering, general and detailed - Integral Yoga - Remembrance of the Divine - Reading and Yoga - Necessity, predetermination - Freedom - Miracles - Aim of creation, #Questions And Answers 1929-1931, #The Mother, #Integral Yoga
  It may help you to understand if you take the example of an actor. An actor knows the whole part he has to play; he has in his mind the exact sequence of what is to happen on the stage. But when he is on the stage, he has to appear as if he did not know anything; he has to feel and act as if he were experiencing all these things for the first time, as if it was an entirely new world with all its chance events and surprises that was unrolling before his eyes.
  Is there then no real freedom? Is everything absolutely determined, even your freedom, and is fatalism the highest secret?
  --
  It is in this way that what are called miracles happen. The world is made up of innumerable planes of consciousness and each has its own distinct laws; the laws of one plane do not hold good for another. A miracle is nothing but a sudden descent, a bursting forth of another consciousness and its powersmost often it is the powers of the vitalinto this plane of matter. There is a precipitation, upon the material mechanism, of the mechanism of a higher plane. It is as though a lightning flash tore through the cloud of our ordinary consciousness and poured into it other forces, other movements and sequences. The result we call a miracle, because we see a sudden alteration, an abrupt interference with the natural laws of our own ordinary range, but the reason and order of it we do not know or see, because the source of the miracle lies in another plane. Such incursions of the worlds beyond into our world of matter are not very uncommon, they are even a constant phenomenon, and if we have eyes and know how to observe we can see miracles in abundance. Especially must they be constant among those who are endeavouring to bring down the higher reaches into the earth-consciousness below.
  Has creation a definite aim? Is there something like a final end to which it is moving?

1951-03-19 - Mental worlds and their beings - Understanding in silence - Psychic world- its characteristics - True experiences and mental formations - twelve senses, #Questions And Answers 1950-1951, #The Mother, #Integral Yoga
   It is only in the silence that one can understand. It often happens that two persons speak about a certain subject and all of a sudden, for some reason, both fall silent for a time; then, abruptly, one says a word which corresponds exactly to what the other was thinking. These are people who understand each other in silence. They have followed the same curve, they have come to the same result and one completes the thought of the other. This happens often to those who have lived together a long time and have developed a sort of mental affinity which enables them to truly understand each other behind the words. I have known people who belong to different countriesand you know the mode of thinking is very different according to the country, the manner of relating the sequence of ideas is different, even contrary to that of another country but I have had experiences with persons of very far-removed races who succeeded so well in harmonising mentally with each other that there was this understanding without words.
   If one is silent and the other is not, can they understand each other?

1951-04-02 - Causes of accidents - Little entities, helpful or mischievous- incidents, #Questions And Answers 1950-1951, #The Mother, #Integral Yoga
   It is concomitant. One cannot say that the material world is the result of obscurity and ignorance; one cannot say either that the obscurity and ignorance are the result of the world of Matter; but the two are concomitant, in the sense that both have exactly the same cause. What we call the material world came into being at the same time as the obscurity and ignorance, they are closely bound, but there is no cause and effect in the sense of a sequence in time. It is concomitant, both the things are the concomitant result of another cause: what has brought about obscurity and ignorance has at one go and at one time brought about the material world as we know it.
   ***

1956-06-06 - Sign or indication from books of revelation - Spiritualised mind - Stages of sadhana - Reversal of consciousness - Organisation around central Presence - Boredom, most common human malady, #Questions And Answers 1956, #The Mother, #Integral Yoga
  (After a silence) It is likely that a sequence of this kind always occurs. But the duration of the stages and their importance vary considerably according to individuals. For some the sage may be rapid enough to be hardly perceptible, while for others it may take a very long time; and according to the nature of the resistance in each one, the stress on one or another of these stages varies enormously.
  For some, it may be so rapid that it seems almost instantaneous, as though it didnt exist. For others it may take years.

1957-02-20 - Limitations of the body and individuality, #Questions And Answers 1957-1958, #The Mother, #Integral Yoga
  Most people and not only those who are uneducated but even the well-readcan have the most contradictory, the most opposite ideas in their heads without even being aware of the contradictions. I have seen numerous examples like that, of people who cherished ideas and even had political, social, religious opinions on all the so-called higher fields of human intelligence, who had absolutely contradictory opinions on the same subject, and were not aware of it. And if you observe yourself, you will see that you have many ideas which ought to be linked by a sequence of intermediate ideas which are the result of a considerable widening of the thought if they are not to coexist in an absurd way.
  Therefore, before an individuality becomes truly individual and has its own qualities, it must be contained in a vessel, otherwise it would spread out like water and would no longer have any form at all. Some people, at a rather lower level, know themselves only by the name they bear. They would not be able to distinguish themselves from their neighbours except by their name. They are asked, Who are you?My name is this. A little later they tell you the name of their occupation or about their main characteristic. If they are asked, Who are you?I am a painter.

1957-12-11 - Appearance of the first men, #Questions And Answers 1957-1958, #The Mother, #Integral Yoga
    Even if it be discovered hereafter that under certain chemical or other conditions Life makes its appearance, all that will be established by this coincidence is that in certain physical circumstances Life manifests, not that certain chemical conditions are constituents of Life, are its elements or are the evolutionary cause of a transformation of inanimate into animate Matter. Here as elsewhere each grade of being exists in itself and by itself, is manifested according to its own character by its own proper energy, and the gradations above or below it are not origins and resultant sequences but only degrees in the continuous scale of earth-nature.
    The Life Divine, SABCL, Vol. 19, p. 829

1961 05 04 - 60, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   Otherwise, even in those who are most sensitive, these memories are fragmentary, uncertain and intermittent. Most often they are hardly recognisable and seem to be nothing more than indefinable impressions. And yet a person who knows how to see through appearances will be able to perceive a kind of similarity in the sequence of events in his life.
   4 May 1961

1.ac - The Wizard Way, #Crowley - Poems, #Aleister Crowley, #Philosophy
  That was sequence, Space, and Stress
  Of the soul-sick consciousness.

1f.lovecraft - Nyarlathotep, #Lovecraft - Poems, #unset, #Zen
   daemoniac alteration in the sequence of the seasonsthe autumn heat
   lingered fearsomely, and everyone felt that the world and perhaps the

1f.lovecraft - The Shadow out of Time, #Lovecraft - Poems, #unset, #Zen
   these fragments were not unfolded in their rightful sequence. I have,
   for example, a very imperfect idea of my own living arrangements in the

1.rb - Cleon, #Browning - Poems, #Robert Browning, #Poetry
   This sequence of the soul's achievements here
   Being, as I find much reason to conceive,

1.shvb - Columba aspexit - Sequence for Saint Maximin, #unset, #Arthur C Clarke, #Fiction
  object:1.shvb - Columba aspexit - sequence for Saint Maximin
  author class:Saint Hildegard von Bingen

1.shvb - O Euchari in leta via - Sequence for Saint Eucharius, #unset, #Arthur C Clarke, #Fiction
  object:1.shvb - O Euchari in leta via - sequence for Saint Eucharius
  author class:Saint Hildegard von Bingen

2.01 - THE ADVENT OF LIFE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  cular to the micro-organic both in the sequence of their appear-
  ance and in their present existence.

2.02 - Brahman, Purusha, Ishwara - Maya, Prakriti, Shakti, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Matter or act upon something distant in space of Matter. In a still deeper condition of consciousness we are aware of a pure spiritual Space; in this awareness Time may no longer seem to exist, because all movement ceases, or, if there is a movement or happening, it can take place independent of any observable Time sequence.
  If we go behind Time by a similar inward motion, drawing back from the physical and seeing it without being involved in it, we discover that Time observation and Time movement are relative, but Time itself is real and eternal. Time observation depends not only on the measures used, but on the consciousness and the position of the observer: moreover, each state of consciousness has a different Time relation; Time in Mind consciousness and Mind Space has not the same sense and measure of its movements as in physical Space; it moves there quickly or slowly according to the state of the consciousness.
  Each state of consciousness has its own Time and yet there can be relations of Time between them; and when we go behind the physical surface, we find several different Time statuses and Time movements coexistent in the same consciousness. This is evident in dream Time where a long sequence of happenings can occur in a period which corresponds to a second or a few seconds of physical Time. There is then a certain relation between different Time statuses but no ascertainable correspondence of measure. It would seem as if Time had no objective reality, but depends on whatever conditions may be established by action of consciousness in its relation to status and motion of being: Time would seem to be purely subjective. But, in fact, Space also would appear by the mutual relation of Mind-Space and MatterSpace to be subjective; in other words, both are the original spiritual extension, but it is rendered by mind in its purity into a subjective mind-field and by sense-mind into an objective field of sense-perception. Subjectivity and objectivity are only two sides of one consciousness, and the cardinal fact is that any given Time or Space or any given Time-Space as a whole is a status of being in which there is a movement of the consciousness and force of the being, a movement that creates or manifests events and happenings; it is the relation of the consciousness that sees and the force that formulates the happenings, a relation inherent in the status, which determines the sense of Time and creates our awareness of Time-movement, Time-relation, Time-measure. In its fundamental truth the original status of Time behind all its variations is nothing else than the eternity of the Eternal, just as the fundamental truth of Space, the original sense of its reality, is the infinity of the Infinite.
  The Being can have three different states of its consciousness with regard to its own eternity. The first is that in which there is the immobile status of the Self in its essential existence, self-absorbed or self-conscious, but in either case without development of consciousness in movement or happening; this is what we distinguish as its timeless eternity. The second is its whole-consciousness of the successive relations of all things belonging to a destined or an actually proceeding manifestation, in which what we call past, present and future stand together as if in a map or settled design or very much as an artist or painter or architect might hold all the detail of his work viewed as a whole, intended or reviewed in his mind or arranged in a plan for execution; this is the stable status or simultaneous integrality of Time. This seeing of Time is not at all part of our normal awareness of events as they happen, though our view of the past, because it is already known and can be regarded in the whole, may put on something of this character; but we know that this consciousness exists because it is possible in an exceptional state to enter into it and see things from the view-point of this simultaneity of Time-vision. The third status is that of a processive movement of Consciousness-Force and its successive working out of what has been seen by it in the static vision of the Eternal; this is the Time movement. But it is in one and the same Eternity that this triple status exists and the movement takes place; there are not really two eternities, one an eternity of status, another an eternity of movement, but there are different statuses or positions taken by Consciousness with regard to the one Eternity. For it can see the whole Time development from outside or from above the movement; it can take a stable position within the movement and see the before and the after in a fixed, determined or destined succession; or it can take instead a mobile position in the movement, itself move with it from moment to moment and see all that has happened receding back into the past and all that has to happen coming towards it from the future; or else it may concentrate on the moment it occupies and see nothing but what is in that moment and immediately around or behind it. All these positions can be taken by the being of the Infinite in a simultaneous vision or experience. It can see Time from above and inside Time, exceeding it and not within it; it can see the Timeless develop the Time-movement without ceasing to be timeless, it can embrace the whole movement in a static and a dynamic vision and put out at the same time something of itself into the moment-vision. This simultaneity may seem to the finite consciousness tied to the moment-vision a magic of the Infinite, a magic of Maya; to its own way of perception which needs to limit, to envisage one status only at a time in order to harmonise, it would give a sense of confused and inconsistent unreality. But to an infinite consciousness such an integral simultaneity of vision and experience would be perfectly logical and consistent; all could be elements of a whole-vision capable of being closely related together in a harmonious arrangement, a multiplicity of view bringing out the unity of the thing seen, a diverse presentation of concomitant aspects of the One Reality.

2.02 - THE EXPANSION OF LIFE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  forming a single genealogical sequence in other words, the
  apparition of the line as a natural unit distinct from the individual.
  --
  beads, a sequence of narrow peduncles and spreading leaves.
  But this gives only a theoretical representation of what

2.03 - The Purified Understanding, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  Such a passage from the human to the divine, from the divided and discordant to the One, from the phenomenon to the eternal Truth, such all entire rebirth or new birth of the soul must necessarily involve two stages, one of preparation in which the soul and its instruments must become fit arid another of actual illumination and realisation in the prepared soul through its fit instruments. There is indeed no rigid line of demarcation in sequence of Time between these two stages; rather they are necessary to each other and continue simultaneously. For in proportion as the soul becomes fit it increases in illumination and rises to higher and higher, completer and completer realisations, and in proportion as these illuminations and these realisations increase, becomes fit and its instruments more adequate to their task: there are soul-seasons of unillumined preparation and soul-seasons of illumined growth and culminating soulmoments more or less prolonged of illumined possession, moments that are transient like the flash of the lightning, yet change the whole spiritual future, moments also that extend over many human hours, days, weeks in a constant light or blaze of the Sun of Truth. And through all these the soul once turned Godwards grows towards the permanence and perfection of its new birth and real existence.
  The first necessity of preparation is the purifying of all the members of our being; especially, for the path of knowledge, the purification of the understanding, the key that shall open the door of Truth; and a purified understanding is hardly possible without the purification of the other members. An unpurified heart, an unpurified sense, an unpurified life confuse the understanding, disturb its data, distort its conclusions, darken its seeing, misapply its knowledge; an unpurified physical system clogs or chokes up its action. There must be an integral purity. Here also there is an interdependence; for the purification of each member of our being profits by the clarifying of every other, the progressive tranquillisation of the emotional heart helping for instance the purification of the understanding while equally a purified understanding imposes calm and light on the turbid and darkened workings of the yet impure emotions. It may even be said that while each member of our being has its own proper principles of purification, yet it is the purified understanding that in man is the most potent cleanser of his turbid and disordered being and most sovereignly imposes their right working on his other members. Knowledge, says the Gita, is the sovereign purity; light is the source of all clearness and harmony even as the darkness of ignorance is the cause of all our stumblings. Love, for example, is the purifier of the heart and by reducing all our emotions into terms of divine love the heart is perfected and fulfilled; yet love itself needs to be clarified by divine knowledge. The heart's love of God may be blind, narrow and ignorant and lead to fanaticism and obscurantism; it may, even when otherwise pure, limit our perfection by refusing to see Him except in a limited personality and by recoiling from the true and infinite vision. The heart's love of man may equally lead to distortions and exaggerations in feeling, action and knowledge which have to be corrected and prevented by the purification of the understanding.
  --
  Equally must the sense-mind be stilled and taught to leave the function of thought to the mind that judges and understands. When the understanding in us stands back from the action of the sense-mind and repels its intermiscence, the latter detaches itself from the understanding and can be watched in its separate action. It then reveals itself as a constantly swirling and eddying undercurrent of habitual concepts, associations, perceptions, desires without any real sequence, order or principle of light. It is a constant repetition in a circle unintelligent and unfruitful. Ordinarily the human understanding accepts this undercurrent and tries to reduce it to a partial order and sequence; but by so doing it becomes itself subject to it and partakes of that disorder, restlessness, unintelligent subjection to habit and blind purposeless repetition which makes the ordinary human reason a misleading, limited and even frivolous and futile instrument. There is nothing to be done with this fickle, restless, violent and disturbing factor but to get rid of it whether by detaching it and then reducing it to stillness or by giving a concentration and singleness to the thought by which it will of itself reject this alien and confusing element.
  A third cause of impurity has its source in the understanding itself and consists in an improper action of the will to know. That will is proper to the understanding, but here again choice and unequal reaching after knowledge clog and distort. They lead to a partiality and attachment which makes the intellect cling to certain ideas and opinions with a more or less obstinate will to ignore the truth in other ideas and opinions, cling to certain fragments of a truth and shy against the admission of other parts which are yet necessary to its fullness, cling to certain predilections of knowledge and repel all knowledge that does not agree with the personal temperament of thought which has been acquired by the past of the thinker. The remedy lies in a perfect equality of the mind, in the cultivation of an entire intellectual rectitude and in the perfection of mental disinterestedness. The purified understanding as it will not lend itself to any desire or craving, so will not lend itself either to any predilection or distaste for any particular idea or truth, and will refuse to be attached even to those ideas of which it is most certain or to lay on them such an undue stress as is likely to disturb the balance of truth and depreciate the values of other elements of a complete and perfect knowledge.

2.03 - The Worlds, #General Principles of Kabbalah, #Rabbi Moses Luzzatto, #Kabbalah
  We find then that the orderly sequence of all the
  worlds is arranged for the single purpose of unveiling

2.04 - The Divine and the Undivine, #The Life Divine, #Sri Aurobindo, #Integral Yoga
   partial knowledge is imperfect knowledge and imperfect knowledge is to that extent ignorance, a contrary of the divine nature: but in its outlook on what is beyond its knowledge, this contrary negative becomes a contrary positive; it originates error, wrong knowledge, wrong dealing with things, with life, with action; the wrong knowledge becomes a wrong will in the nature, at first, it may be, wrong by mistake, but afterwards wrong by choice, by attachment, by delight in the falsehood, - the simple contrary turns into a complex perversion. Inconscience and ignorance once admitted, these form a natural result in a logical sequence and have to be admitted also as necessary factors. The only question is the reason why this kind of progressive manifestation was itself necessary; that is the sole point left obscure to the intelligence.
  A manifestation of this kind, self-creation or Lila, would not seem justifiable if it were imposed on the unwilling creature; but it will be evident that the assent of the embodied spirit must be there already, for Prakriti cannot act without the assent of the

2.05 - The Cosmic Illusion; Mind, Dream and Hallucination, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  If our dreams wore like our waking life an aspect of coherence, each night taking up and carrying farther a past continuous and connected sleep experience as each day takes up again our waking world-experience, then dreams would assume to our mind quite another character. There is therefore no analogy between a dream and waking life; these are experiences quite different in their character, validity, order. Our life is accused of evanescence and often it is accused too, as a whole, of a lack of inner coherence and significance; but its lack of complete significance may be due to our lack or limitation of understanding: actually, when we go within and begin to see it from within, it assumes a complete connected significance; at the same time whatever lack of inner coherence was felt before disappears and we see that it was due to the incoherence of our own inner seeing and knowledge and was not at all a character of life. There is no surface incoherence in life, it rather appears to our minds as a chain of firm sequences, and, if that is a mental delusion, as is sometimes alleged, if the sequence is created by our minds and does not actually exist in life, that does not remove the difference of the two states of consciousness. For in dream the coherence given by an observing inner consciousness is absent, and whatever sense of sequence there is seems to be due to a vague and false imitation of the connections of waking life, a subconscious mimesis, but this imitative sequence is shadowy and imperfect, fails and breaks always and is often wholly absent. We see too that the dream-consciousness seems to be wholly devoid of that control which the waking consciousness exercises to a certain extent over life-circumstances; it has the Nature-automatism of a subconscient construction and nothing of the conscious will and organising force of the evolved mind of the human being.
  Again the evanescence of a dream is radical and one dream has no connection with another; but the evanescence of the waking life is of details, - there is no evidence of evanescence in the connected totality of world-experience. Our bodies perish but

2.05 - The Divine Truth and Way, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  Real. Shankara's Mayavada apart from its logical scaffolding comes when reduced to terms of spiritual experience to no more than an exaggerated expression of this relative unreality. Beyond mind the difficulty disappears, for there it never existed. The separate experiences that lie behind the differences of religious sects and schools of philosophy or Yoga, transmuted, shed their divergent mental sequences, are harmonised and, when exalted to their highest common intensity, unified in the supramental infinite.
  The Divine Truth and Way

2.06 - Reality and the Cosmic Illusion, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Eternal, the consciousness must pass beyond this finite reason and the finite sense to a larger reason and spiritual sense in touch with the consciousness of the Infinite and responsive to the logic of the Infinite which is the very logic of being itself and arises inevitably from its self-operation of its own realities, a logic whose sequences are not the steps of thought but the steps of existence.
  But what has been thus described, it may be said, is only a cosmic consciousness and there is the Absolute: the Absolute cannot be limited; since universe and individual limit and divide the Absolute, they must be unreal. It is self-evident indeed that the Absolute cannot be limited; it can be limited neither by formlessness nor by form, neither by unity nor by multiplicity, neither by immobile status nor by dynamic mobility. If it manifests form, form cannot limit it; if it manifests multiplicity, multiplicity cannot divide it; if it manifests motion and becoming, motion cannot perturb nor becoming change it: it cannot be limited any more than it can be exhausted by self-creation. Even material things have this superiority to their manifestation; earth is not limited by the vessels made from it, nor air by the winds that move in it, nor the sea by the waves that rise on its surface. This impression

2.06 - Two Tales of Seeking and Losing, #unset, #Arthur C Clarke, #Fiction
  "The world does not exist," Faust concludes when the pendulum reaches the other extreme, "there is not an all, given all at once: there is a finite number of elements whose combinations are multiplied to billions of billions, and only a few of these find a form and a meaning and make their presence felt amid a meaningless, shapeless dust cloud; like the seventy-eight cards of the tarot deck in whose juxtapositions sequences of stories appear and are then immediately undone."
  Whereas this would be the (still temporary) conclusion of Parsifal: "The kernel of the world is empty, the beginning of what moves in the universe is the space of nothingness, around absence is constructed what exists, at the bottom of the Grail is the Tao," and he points to the empty rectangle surrounded by the tarots.

2.07 - I Also Try to Tell My Tale, #The Castle of Crossed Destinies, #Italo Calvino, #Fiction
  Even in the painters' pictures, Saint George always has an impersonal face, not unlike the Knight of Swords of the cards, and his battle with the dragon is a scene on a coat of arms, fixed outside of time, whether you see him galloping with his lance at rest, as in Carpaccio, charging from his half of the canvas at the dragon who rushes from the other half, and attacking with a concentrated expression, his head down, like a cyclist (around, in the details, there is a calendar of corpses whose stages of decomposition reconstruct the temporal development of the story), or whether horse and dragon are superimposed, monogram-like, as in the Louvre Raphael, where Saint George is using his lance from above, driving it down into the monster's throat, operating with angelic surgery (here the rest of the story is condensed in a broken lance on the ground and a blandly amazed virgin); or in the sequence: princess, dragon, Saint George, the animal (a dinosaur!) is presented as the central element (Paolo Uccello, in London and Paris); or whether Saint George comes between the dragon in the rear and the princess in the foreground (Tintoretto, London).
  In any case, Saint George performs his feat before our eyes, always closed in his breastplate, revealing nothing of himself: psychology is no use to the man of action. If anything, we could say psychology is all on the dragon's side, with his angry writhings: the enemy, the monster, the defeated have a pathos that the victorious hero never dreams of possessing (or takes care not to show). It is a short step from this to saying that the dragon is psychology: indeed, he is the psyche, he is the dark background of himself that Saint George confronts, an enemy who has already massacred many youths and maidens, an internal enemy who becomes an object of loathsome alien-ness. Is it the story of an energy projected into the world, or is it the diary of an introversion?

2.09 - SEVEN REASONS WHY A SCIENTIST BELIEVES IN GOD, #God Exists, #Swami Sivananda Saraswati, #Hinduism
  Suppose you put ten pennies, marked from one to ten, into your pocket and give them a good shuffle. Now try to take them out in sequence from one to ten, putting back the coin each time and shaking them all again. Mathematically we know that your chance of first drawing number one is one in ten; of drawing one and two in succession, one in 100; of drawing one, two and three in succession, one in 1000, and so on; your chance of drawing them all, from number one to number ten in succession, would reach the unbelievable figure of one in ten billion.
  By the same reasoning, so many exacting conditions are necessary for life on the earth that they could not possibly exist in proper relationship by chance. The earth rotates on its axis 1000 miles an hour at the equator; if it turned at 100 miles an hour, our days and nights would be ten times as long as now, and the hot sun would likely burn up our vegetation each long day while in the long night any surviving sprout might well freeze.

2.1.03 - Man and Superman, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  Before there could be any evolution, there must needs be an involution of the Divine All that is to emerge. Otherwise there would be not an evolution, but a successive creation of things new, not contained in their antecedents, not their inevitable con sequences or followers in a sequence but arbitrarily willed or miraculously conceived by an inexplicable
  226
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   if Life had not appeared as the first index to some marvellous utility and an ultimate profound and moving significance. But life too by itself would be a movement without sequence to its purposeful initiation or any light to its own mystery if in
  Life there were not concealed an interpretative or at least a seeking power of consciousness that could turn upon its powers and try to grasp and direct them towards their own realised issue.

2.1.5.4 - Arts, #On Education, #The Mother, #Integral Yoga
  This picture is in three sections, two black and one, the most extensive, in colour. The two black sections (first and last) show how things appear in the physical world; the coloured one expresses a similar sequence of events and similar characters in the vital world, the world where one can go when the body is in deep sleep, when one gets out of the body. So long as you have a physical body, no true harm can happen to you in the vital world, for the physical body acts as a protection, and you can always return into it at will. This is shown in the picture in a classical way. You will see that the little girl wears on her feet some magic ruby-red slippers, and so long as she keeps the slippers on her feet nothing wrong can happen to her. The ruby-red slippers are the sign and the symbol of the connection with the physical body, and as long as the slippers are on her feet, she can, at will, return to her body and find shelter therein.
  Two other details can be noted with interest. One is the snow shower that saves the party from the influence of the wicked witch who by her black magic has stopped their advance towards the emerald castle of beneficent vitality. In the vital world, snow is the symbol of purity. It is the purity of their feelings and intentions that saves them from the great danger. Note also that to go to the castle of the good wizard they must follow the broad path of golden bricks, the path of luminous confidence and joy.

2.1.7.08 - Comments on Specific Lines and Passages of the Poem, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
  Immunities in the plural is much feebler and philosophically abstractone begins to think of things like qualitiesnaturally it suggested itself to me as keeping up the plural sequence, but it grated on the sense of spiritual objective reality and I had to reject it at once. The calm immunity was a thing I could at once feel, with immunities the mind has to cavil: Well, what are they?
  23 May 1937

2.18 - The Evolutionary Process - Ascent and Integration, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  The first foundation in this emergence, the creation of forms of Matter, first of inconscient and inanimate, then of living and thinking Matter, the appearance of more and more organised bodies adapted to express a greater power of consciousness, has been studied from the physical side, the side of form-building, by Science; but very little light has been shed on the inner side, the side of consciousness, and what little has been observed is rather of its physical basis and instrumentation than of the progressive operations of Consciousness in its own nature. In the evolution, as it has been observed so far, although a continuity is there, - for Life takes up Matter and Mind takes up submental Life, the Mind of intelligence takes up the mind of life and sensation, - the leap from one grade of consciousness in the series to another grade seems to our eyes immense, the crossing of the gulf whether by bridge or by leap impossible; we fail to discover any concrete and satisfactory evidence of its accomplishment in the past or of the manner in which it was accomplished. Even in the outward evolution, even in the development of physical forms where the data are clearly in evidence, there are missing links that remain always missing; but in the evolution of consciousness the passage is still more difficult to account for, for it seems more like a transformation than a passage. It may be, however, that, by our incapacity to penetrate the subconscious, to sound the submental or to understand sufficiently a lower mentality different from ours, we are unable to observe the minute gradations, not only in each degree of the series, but on the borders between grade and grade: the scientist who does observe minutely the physical data, has been driven to believe in the continuity of evolution in spite of the gaps and missing links; if we could observe similarly the inner evolution, we could, no doubt, discover the possibility and the mode of these formidable transitions. But still there is a real, a radical difference between grade and grade, so much so that the passage from one to another seems a new creation, a miracle of metamorphosis rather than a natural predictable development or quiet passing from one state of being to another with its well-marked steps arranged in an easy sequence.
  These gulfs appear deeper, but less wide, as we rise higher in the scale of Nature. If there are rudiments of life-reaction in the metal, as has been recently contended, it may be identical with life-reaction in the plant in its essence, but what might be called the vital-physical difference is so considerable that one seems to us inanimate, the other, though not apparently conscious, might be called a living creature. Between the highest plant life and lowest animal the gulf is visibly deeper, for it is the difference between mind and the entire absence of any apparent or even rudimentary movement of mind: in the one the stuff of mental consciousness is unawakened though there is a life of vital reactions, a suppressed or subconscious or perhaps only submental sense vibration which seems to be intensely active; in the other, though the life is at first less automatic and secure in the subconscious way of living and in its own new way of overt consciousness imperfectly determined, still mind is awakened, - there is a conscious life, a profound transition has been made.

2.2.01 - The Problem of Consciousness, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  Chance. Indeed, if we look at the way in which the Inconscient has devised the world and the sequences by which it has arrived at intelligence, we have some reason [to think] that it is a secret
  Consciousness which has made this world and under the mask of inconscience has emerged as a slow process of an Ignorance developing Knowledge.

2.20 - Chance, #Questions And Answers 1929-1931, #The Mother, #Integral Yoga
  What do we understand by the term chance? Chance can only be the opposite of order and harmony. There is only one true harmony and that is the supramental the reign of Truth, the expression of the Divine Law. In the Supermind, therefore, chance has no place. But in the lower Nature the supreme Truth is obscured: hence there is an absence of that divine unity of purpose and action which alone can constitute order. Lacking this unity, the domain of lower Nature is governed by what we may call chance that is to say, it is a field in which various conflicting forces intermix, having no single definite aim. Whatever arises out of such a rushing together of forces is a result of confusion, dissonance and falsehooda product of chance. Chance is not merely a conception to cover our ignorance of the causes at work; it is a description of the uncertain mele of the lower Nature which lacks the calm one-pointedness of the divine Truth. The world has forgotten its divine origin and become an arena of egoistic energies; but it is still possible for it to open to the Truth, call it down by its aspiration and bring about a change in the whirl of chance. What men regard as a mechanical sequence of events, owing to their own mental associations, experiences and generalisations, is really manipulated by subtle agencies each of which tries to get its own will done. The world has got so subjected to these undivine agencies that the victory of the Truth cannot be won except by fighting for it. It has no right to it: it has to gain it by disowning the falsehood and the perversion, an important part of which is the facile notion that, since all things owe their final origin to the Divine, all their immediate activities also proceed directly from it. The fact is that here in the lower Nature the Divine is veiled by a cosmic Ignorance and what takes place does not proceed directly from the divine knowledge. That everything is equally the will of God is a very convenient suggestion of the hostile influences which would have the creation stick as tightly as possible to the disorder and ugliness to which it has been reduced. So what is to be done, you ask? Well, call down the Light, open yourselves to the power of Transformation. Innumerable times the divine peace has been given to you and as often you have lost itbecause something in you refuses to surrender its petty egoistic routine. If you are not always vigilant, your nature will return to its old unregenerate habits even after it has been filled with the descending Truth. It is the struggle between the old and the new that forms the crux of the Yoga; but if you are bent on being faithful to the supreme Law and Order revealed to you, the parts of your being belonging to the domain of chance will, however slowly, be converted and divinised.
  ***

2.21 - The Order of the Worlds, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  If we scrutinise the intimations of supraphysical worldrealities which we receive in our inner experience and compare with it the account of such intimations that has continued to come down to us from the beginnings of human knowledge, and if we attempt an interpretation and a summarised order, we shall find that what this inner experience most intimately conveys to us is the existence and action upon us of larger planes of being and consciousness than the purely material plane, with its restricted existence and action, of which we are aware in our narrow terrestrial formula. These domains of larger being are not altogether remote and separate from our own being and consciousness; for, though they subsist in themselves and have their own play and process and formulations of existence and experience, yet at the same time they penetrate and envelop the physical plane with their invisible presence and influences, and their powers seem to be here in the material world itself behind its action and objects. There are two main orders of experience in our contact with them; one is purely subjective, though in its subjectivity sufficiently vivid and palpable, the other is more objective. In the subjective order, we find that what shapes itself to us as a life-intention, life-impulse, life-formulation here, already exists in a larger, more subtle, more plastic range of possibilities, and these pre-existent forces and formations are pressing upon us to realise themselves in the physical world also; but only a part succeeds in getting through and even that emerges partially in a form and circumstance more proper to the system of terrestrial law and sequence. This precipitation takes place, normally, without our knowledge; we are not aware of the action of these Powers, Forces and Influences upon us, but take them as formations of our own life and mind, even when our reason or will repudiates them and strives not to be mastered: but when we go inwards away from the restricted surface consciousness and develop a subtler sense and deeper awareness, we begin to get an intimation of the origin of these movements and are able to watch their action and process, to accept or reject or modify, to allow them passage and use of our mind and will and our life and members or refuse it. In the same way we become aware of larger domains of mind, a play, experience, formation of a greater plasticity, a teeming profusion of all possible mental formulations, and we feel their contacts with us and their powers and influences acting upon our parts of mind in the same occult manner as those others that act upon our parts of life. This kind of experience is, primarily, of a purely subjective character, a pressure of ideas, suggestions, emotional formations, impulsions to sensation, action, dynamic experience. However large a part of this pressure may be traced to our own subliminal self or to the siege of universal Mindforces or Life-forces belonging to our own world, there is an element which bears the stamp of another origin, an insistent supraterrestrial character.
  But the contacts do not stop here: for there is also an opening of our mind and life parts to a great range of subjectiveobjective experiences in which these planes present themselves no longer as extensions of subjective being and consciousness, but as worlds; for the experiences there are organised as they are in our own world, but on a different plan, with a different process and law of action and in a substance which belongs to a supraphysical Nature. This organisation includes, as on our earth, the existence of beings who have or take forms, manifest themselves or are naturally manifested in an embodying substance, but a substance other than ours, a subtle substance tangible only to subtle sense, a supraphysical form-matter. These worlds and beings may have nothing to do with ourselves and our life, they may exercise no action upon us; but often also they enter into secret communication with earth-existence, obey or embody and are the intermediaries and instruments of the cosmic powers and influences of which we have a subjective experience, or themselves act by their own initiation upon the terrestrial world's life and motives and happenings. It is possible to receive help or guidance or harm or misguidance from these beings; it is possible even to become subject to their influence, to be possessed by their invasion or domination, to be instrumentalised by them for their good or evil purpose. At times the progress of earthly life seems to be a vast field of battle between supraphysical Forces of either character, those that strive to uplift, encourage and illumine and those that strive to deflect, depress or prevent or even shatter our upward evolution or the soul's self-expression in the material universe. Some of these Beings,
  --
  These worlds are not in their original creation subsequent in order to the physical universe but prior to it, - prior, if not in time, in their consequential sequence. For even if there is an ascending as well as a descending gradation, this ascending gradation must be in its first nature a provision for the evolutionary emergence in Matter, a formative power for its endeavour, contri buting to it helpful and adverse elements, and not a mere con sequence of the terrestrial evolution; for that is neither a rational probability nor has it a spiritual or dynamic and pragmatic sense. In other words, the higher worlds have not come into being by a pressure from the lower physical universe, - let us say, from Sachchidananda in the physical Inconscience, or else by the urge of his being as it emerges from the Inconscience into life and mind and spirit and experiences the necessity of creating worlds or planes in which those principles shall have a freer play and in which the human soul may streng then its vital, mental or spiritual tendencies. Still less are they the creations of the human soul itself, whether its dreams or the result of the constant self-projections of mankind in its dynamic and creative being beyond the limits of the physical consciousness. The only thing that man clearly creates in this direction is the reflex images of these planes in his own embodied consciousness and the fitness of his own soul to respond to them, to become aware of them, to participate consciously in the interweaving of their influences with the action of the physical plane. He may indeed contri bute the results or projections of his own higher vital and mental action to the action of these planes: but, if so, these projections are, after all, only a return of the higher planes upon themselves, a return from the earth of their powers which have come down from them to the earth-mind, since this higher vital and mental action is itself the result of influences transmitted from above.
  It is possible also that he can create a certain kind of subjective annexe to these supraphysical planes, or at least to the lower of them, environments of a half-unreal character which are rather self-created envelopes of his conscious mind and life than true worlds; they are the reflections of his own being, an artificial environment corresponding to his attempt during life to image these other worlds, - heavens and hells projected by the imagecreating faculty in his human power of conscious being. But neither of these two contri butions at all means a total creation of a real plane of being founded and acting on its own separate principle.

2.21 - Towards the Supreme Secret, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  This decisive departure of the Gita's thought is indicated in the next two verses, of which the first runs with a significant sequence, "When one has become the Brahman, when one neither grieves nor desires, when one is equal to all beings, then one gets the supreme love and devotion to Me." But in the narrow path of knowledge bhakti, devotion to the personal Godhead, can be only an inferior and preliminary movement; the end, the climax is the disappearance of personality in a featureless oneness with the impersonal Brahman in which there can be no place for bhakti: for there is none to be adored and none to adore; all else is lost in the silent immobile identity of the Jiva with the Atman. Here there is given to us something yet higher than the Impersonal, - here there is the supreme Self who is the supreme Ishwara, here there is the supreme Soul and its supreme nature, here there is the Purushottama who is beyond the personal and impersonal and reconciles them on his eternal heights. The ego personality still disappears in the silence of the Impersonal, but at the same time there remains even with this silence at the back the action of a supreme Self, one greater than the Impersonal.
  There is no longer the lower blind and limping action of the ego and the three gunas, but instead the vast self-determining movement of an infinite spiritual Force, a free immeasurable Shakti.

2.22 - Rebirth and Other Worlds; Karma, the Soul and Immortality, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  A sort of half necessity for the life in other worlds, a dynamic and practical rather than an essential necessity, arises from the very fact that the different world-principles are interwoven with each other and in a way interdependent and the effect that this fact must have upon the process of our spiritual evolution. But this might be counteracted for a time by the greater pull or attraction of the earth or the preponderant physicality of the evolving nature. Our belief in the birth of an ascending soul into the human form and its repeated rebirth in that form, without which it cannot complete its human evolution, rests, from the point of view of the reasoning intelligence, on the basis that the progressive transit of the soul into higher and higher grades of the earthly existence and, once it has reached the human level, its repeated human birth compose a sequence necessary for the growth of the nature; one brief human life upon earth is evidently insufficient for the evolutionary purpose. In the early stages of a series of human reincarnations, during a period of rudimentary humanity, there is a certain possibility at first sight of an often repeated immediate transmigration, - the repeated assumption of a new human form in a fresh birth immediately the previous body has been dissolved by a cessation or expulsion of the organised life-energy and the consequent physical disintegration which we call death. But what necessity of the evolutionary process would compel such a series of immediate rebirths? Evidently, it could only be imperative so long as the psychic individuality - not the secret soul-entity itself but the soul-formation in the natural being - is little evolved, insufficiently developed, so insufficiently formed that it could not abide except by dependence upon the uninterrupted continuance of this life's mental, vital and physical individuality: unable as yet to persist in itself, discard its past mind-formation and life-formation and build after a useful interval new formations, it would be obliged to transfer at once its rudimentary crude personality for preservation to a new body. It is doubtful whether we should be justified in attri buting any such entirely insufficient development to a being so strongly individualised that it has got as far as the human consciousness.
  Even at his lowest normality the human individual is still a soul acting through a distinct mental being, however ill-formed his mind may be, however limited and dwarfed, however engrossed and encased in the physical and vital consciousness and unable or unwilling to detach itself from its lower formations. Yet we may suppose that there is a downward attachment so strong as to compel the being to hasten at once to a resumption of the physical life because his natural formation is not really fit for anything else or at home on any higher plane. Or, again, the lifeexperience might be so brief and incomplete as to compel the soul to an immediate rebirth for its continuance. Other needs, influences or causes there may be in the complexity of Natureprocess, such as a strong will of earthly desire pressing for fulfilment, which would enforce an immediate transmigration of the same persistent form of personality into a new body. But still the alternative process of a reincarnation, a rebirth of the Person not only into a new body but into a new formation of the personality, would be the normal line taken by the psychic entity once it had reached the human stage of its evolutionary cycle.

2.23 - Man and the Evolution, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  It is true that Science now affirms an evolutionary terrestrial existence: but if the facts with which Science deals are reliable, the generalisations it hazards are short-lived; it holds them for some decades or some centuries, then passes to another generalisation, another theory of things. This happens even in physical Science where the facts are solidly ascertainable and verifiable by experiment: in psychology, - which is relevant here, for the evolution of consciousness comes into the picture, - its instability is still greater; it passes there from one theory to another before the first is well-founded; indeed, several conflicting theories hold the field together. No firm metaphysical building can be erected upon these shifting quicksands. Heredity upon which Science builds its concept of life evolution, is certainly a power, a machinery for keeping type or species in unchanged being: the demonstration that it is also an instrument for persistent and progressive variation is very questionable; its tendency is conservative rather than evolutionary, - it seems to accept with difficulty the new character that the Life-Force attempts to force upon it. All the facts show that a type can vary within its own specification of nature, but there is nothing to show that it can go beyond it. It has not yet been really established that ape-kind developed into man; for it would rather seem that a type resembling the ape, but always characteristic of itself and not of apehood, developed within its own tendencies of nature and became what we know as man, the present human being. It is not even established that inferior races of man developed out of themselves the superior races; those of an inferior organisation and capacity perished, but it has not been shown that they left behind the human races of today as their descendants: but still such a development within the type is imaginable. The progress of Nature from Matter to Life, from Life to Mind, may be conceded: but there is no proof yet that Matter developed into Life or Life-energy into Mindenergy; all that can be conceded is that Life has manifested in Matter, Mind in living Matter. For there is no sufficient proof that any vegetable species developed into an animal existence or that any organisation of inanimate matter developed into a living organism. Even if it be discovered hereafter that under certain chemical or other conditions life makes its appearance, all that will be established by this coincidence is that in certain physical circumstances life manifests, not that certain chemical conditions are constituents of life, are its elements or are the evolutionary cause of a transformation of inanimate into animate matter. Here as elsewhere each grade of being exists in itself and by itself, is manifested according to its own character by its own proper energy, and the gradations above or below it are not origins and resultant sequences but only degrees in the continuous scale of earth-nature.
  If it be asked, how then did all these various gradations and types of being come into existence, it can be answered that, fundamentally, they were manifested in Matter by the Consciousness-Force in it, by the power of the Real-Idea building its own significant forms and types for the indwelling Spirit's cosmic existence: the practical or physical method might vary considerably in different grades or stages, although a basic similarity of line may be visible; the creative Power might use not one but many processes or set many forces to act together. In Matter the process is a creation of infinitesimals charged with an immense energy, their association by design and number, the manifestation of larger infinitesimals on that primary basis, the grouping and association of these together to found the appearance of sensible objects, earth, water, minerals, metals, the whole material kingdom. In life also the Consciousness-Force begins with infinitesimal forms of vegetable life and infinitesimal animalcules; it creates an original plasm and multiplies it, creates the living cell as a unit, creates other kinds of minute biological apparatus like the seed or the gene, uses always the same method of grouping and association so as to build by a various operation various living organisms. A constant creation of types is visible, but that is no indubitable proof of evolution. The types are sometimes distant from each other, sometimes closely similar, sometimes identical in basis but different in detail; all are patterns, and such a variation in patterns with an identical rudimentary basis for all is the sign of a conscious Force playing with its own Idea and developing by it all kinds of possibilities of creation. Animal species in coming into birth may begin with a like rudimentary embryonic or fundamental pattern for all, it may follow out up to a stage certain similarities of development on some or all of its lines; there may too be species that are twy-natured, amphibious, intermediate between one type and another: but all this need not mean that the types developed one from another in an evolutionary series. Other forces than hereditary variation have been at work in bringing about the appearance of new characteristics; there are physical forces such as food, light-rays and others that we are only beginning to know, there are surely others which we do not yet know; there are at work invisible life forces and obscure psychological forces.

2.27 - The Gnostic Being, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  An aspiration, a demand for the supreme and total delight of existence is there secretly in the whole make of our being, but it is disguised by the separation of our parts of nature and their differing urge and obscured by their inability to conceive or seize anything more than a superficial pleasure. In the body consciousness this demand takes shape as a need of bodily happiness, in our life parts as a yearning for life happiness, a keen vibrant response to joy and rapture of many kinds and to all surprise of satisfaction; in the mind it shapes into a ready reception of all forms of mental delight; on a higher level it becomes apparent in the spiritual mind's call for peace and divine ecstasy. This trend is founded in the truth of the being; for Ananda is the very essence of the Brahman, it is the supreme nature of the omnipresent Reality. The supermind itself in the descending degrees of the manifestation emerges from the Ananda and in the evolutionary ascent merges into the Ananda. It is not, indeed, merged in the sense of being extinguished or abolished but is there inherent in it, indistinguishable from the self of awareness and the selfeffectuating force of the Bliss of Being. In the involutionary descent as in the evolutionary return supermind is supported by the original Delight of Existence and carries that in it in all its activities as their sustaining essence; for Consciousness, we may say, is its parent power in the Spirit, but Ananda is the spiritual matrix from which it manifests and the maintaining source into which it carries back the soul in its return to the status of the Spirit. A supramental manifestation in its ascent would have as a next sequence and culmination of self-result a manifestation of the Bliss of the Brahman: the evolution of the being of gnosis would be followed by an evolution of the being of bliss; an embodiment of gnostic existence would have as its con sequence an embodiment of the beatific existence. Always in the being of gnosis, in the life of the gnosis some power of the Ananda would be there as an inseparable and pervading significance of supramental self-experience. In the liberation of the soul from the Ignorance the first foundation is peace, calm, the silence and quietude of the Eternal and Infinite; but a consummate power and greater formation of the spiritual ascension takes up this peace of liberation into the bliss of a perfect experience and realisation of the eternal beatitude, the bliss of the Eternal and Infinite. This Ananda would be inherent in the gnostic consciousness as a universal delight and would grow with the evolution of the gnostic nature.
  It has been held that ecstasy is a lower and transient passage, the peace of the Supreme is the supreme realisation, the consummate abiding experience. This may be true on the spiritual-mind plane: there the first ecstasy felt is indeed a spiritual rapture, but it can be and is very usually mingled with a supreme happiness of the vital parts taken up by the spirit; there is an exaltation, exultation, excitement, a highest intensity of the joy of the heart and the pure inner soul-sensation that can be a splendid passage or an uplifting force but is not the ultimate permanent foundation. But in the highest ascents of the spiritual bliss there is not this vehement exaltation and excitement; there is instead an illimitable intensity of participation in an eternal ecstasy which is founded on the eternal Existence and therefore on a beatific tranquillity of eternal peace. Peace and ecstasy cease to be different and become one. The supermind, reconciling and fusing all differences as well as all contradictions, brings out this unity; a wide calm and a deep delight of all-existence are among its first steps of self-realisation, but this calm and this delight rise The Gnostic Being together, as one state, into an increasing intensity and culminate in the eternal ecstasy, the bliss that is the Infinite. In the gnostic consciousness at any stage there would be always in some degree this fundamental and spiritual conscious delight of existence in the whole depth of the being; but also all the movements of Nature would be pervaded by it, and all the actions and reactions of the life and the body: none could escape the law of the Ananda.
  --
  The purity of the eternal Self-existence would pour itself into all the activities, making and keeping all things pure; there could be no ignorance leading to wrong will and falsehood of the steps, no separative egoism inflicting by its ignorance and separate contrary will harm on oneself or harm on others, self-driven to a wrong dealing with one's own soul, mind, life or body or a wrong dealing with the soul, mind, life, body of others, which is the practical sense of all human evil. To rise beyond virtue and sin, good and evil is an essential part of the Vedantic idea of liberation, and there is in this correlation a self-evident The Gnostic Being sequence. For liberation signifies an emergence into the true spiritual nature of being where all action is the automatic selfexpression of that truth and there can be nothing else. In the imperfection and conflict of our members there is an effort to arrive at a right standard of conduct and to observe it; that is ethics, virtue, merit, pun.ya, to do otherwise is sin, demerit, papa. Ethical mind declares a law of love, a law of justice, a law of truth, laws without number, difficult to observe, difficult to reconcile. But if oneness with others, oneness with truth is already the essence of the realised spiritual nature, there is no need of a law of truth or of love, - the law, the standard has to be imposed on us now because there is in our natural being an opposite force of separateness, a possibility of antagonism, a force of discord, ill-will, strife. All ethics is a construction of good in a Nature which has been smitten with evil by the powers of darkness born of the Ignorance, even as it is expressed in the ancient legend of the Vedanta. But where all is self-determined by truth of consciousness and truth of being, there can be no standard, no struggle to observe it, no virtue or merit, no sin or demerit of the nature. The power of love, of truth, of right will be there, not as a law mentally constructed but as the very substance and constitution of the nature and, by the integration of the being, necessarily also the very stuff and constituting nature of the action. To grow into this nature of our true being, a nature of spiritual truth and oneness, is the liberation attained by an evolution of the spiritual being: the gnostic evolution gives us the complete dynamism of that return to ourselves. Once that is done, the need of standards of virtue, dharmas, disappears; there is the law and self-order of the liberty of the spirit, there can be no imposed or constructed law of conduct, dharma. All becomes a self-flow of spiritual self-nature, Swadharma of Swabhava.
  Here we touch the kernel of the dynamic difference between life in the mental ignorance and life in the gnostic being and nature. It is the difference between an integral fully conscious being in full possession of its own truth of existence and working out that truth in its own freedom, free from all constructed laws, while yet its life is a fulfilment of all true laws of becoming in their essence of meaning, and an ignorant self-divided existence which seeks for its own truth and tries to construct its findings into laws and construct its life according to a pattern so made.

30.05 - Rhythm in Poetry, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   In this metre, the arrangement is like this: In each line there are 17 syllables, divided into groups of four, six and seven syllables each. There is a pause or caesura at the end of the first four, then after the next six, and finally at the end of the line. This may be described as the pattern of its beat, but there is also to consider the sequence of long and short vowels. The first four syllables are long, followed by the rapid movement of five short syllables. A pause comes with the long movement of the sixth. In the last foot of seven syllables, there is a variation permitted in the arrangement of the long and short vowels so as to avoid a monotonous pattern in every line, as in the ghazalof Urdu or Persian or the dohain Hindi. These seven syllables are accordingly arranged in a varying combination of the short and long vowels, such as four-three, five-two, three-four, two-five, the last two vowels being invariably taken as long whatever their actual measure. Another striking feature of this metre is that the very name mandakrantaillustrates the arrangement of its first foot. Now listen:
   kascit kanta /-viraha-guruna / svadhikara-pramattah
  --
   But there is one thing I should add here. The counting of the syllables nowhere makes poetry. It is the suggestive vibrations of sound produced by the sequence of letters that give us the poetic rhythm. Quite apart from the variations of metrical length or quantity, each letter and every word used in poetry has a peculiar vibration of its own. The poet in his inner hearing depends on that for his word-music. The counting of the syllables may perhaps help in measuring the beat.
   Like the payarin Bengali and the anustubhof Sanskrit, English has its iambic pentameter. This term implies that each line should consist of five feet. In place of the variations of length in the vowel sounds as in Sanskrit, it has its own characteristic variation of accent and stress. The iambic has a foot of two syllables each; the first has a light stress being unaccented, the second bears the accent. Take for example, the line:

30.11 - Modern Poetry, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Another feature of their incantation is not the transparency of sense, but its mystification. For it is not the sense, but something more. Just as the aim of incantation is to have the descent of the deity, so the aim of poetry is to present the truth or the object as living and conscious. So we find that Eliot goes on ignoring reasonable sequences or the order of prose. By the impact of co-ordination of sound and suggestion he makes up his presentation of the truth. So he feels no hesitation in mixing up various tongues. He has expressed his thought by quoting even an Upanishadic utterance in one of his poems in order to prove the power of poetry as a medium of incantation. Listen:
   London Bridge is falling down falling down falling down.

3.01 - Forms of Rebirth, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  himself experienced a very long sequence of such rebirths it is
  by no means certain whether continuity of personality is guar-

3.02 - The Psychology of Rebirth, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  this same sequence of events. I will try to give an idea of the
  way such techniques may have originated by relating a fairy
  --
  sive and lacking in logical sequence. Nevertheless, the legend
  expresses the obscure archetype of transformation so admirably

3.03 - THE MODERN EARTH, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  a long sequence of discoveries. In the same beam of light the
  instinctive gropings of the first cell link up with the learned
  --
  that still unimaginable farthest limit of a convergent sequence,
  propagating itself without end and ever higher ? Does not the

3.05 - SAL, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [306] The numerous analogies between two texts so far apart in time enable us to take a psychological view of the transformations they describe. The sequence of colours coincides by and large with the sequence of the planets. Grey and black correspond to Saturn585 and the evil world; they symbolize the beginning in darkness, in the melancholy, fear, wickedness, and wretchedness of ordinary human life. It is Maier from whom the saying comes about the noble substance which moves from lord to lord, in the beginning whereof is wretchedness with vinegar.586 By lord he means the archon and ruler of the planetary house. He adds: And so it will fare with me. The darkness and blackness can be interpreted psychologically as mans confusion and lostness; that state which nowadays results in an anamnesis, a thorough examination of all those contents which are the cause of the problematical situation, or at any rate its expression. This examination, as we know, includes the irrational contents that originate in the unconscious and express themselves in fantasies and dreams. The analysis and interpretation of dreams confront the conscious standpoint with the statements of the unconscious, thus widening its narrow horizon. This loosening up of cramped and rigid attitudes corresponds to the solution and separation of the elements by the aqua permanens, which was already present in the body and is lured out by the art. The water is a soul or spirit, that is, a psychic substance, which now in its turn is applied to the initial material. This corresponds to using the dreams meaning to clarify existing problems. Solutio is defined in this sense by Dorn.587
  [307] The situation is now gradually illuminated as is a dark night by the rising moon. The illumination comes to a certain extent from the unconscious, since it is mainly dreams that put us on the track of enlightenment. This dawning light corresponds to the albedo, the moonlight which in the opinion of some alchemists heralds the rising sun. The growing redness (rubedo) which now follows denotes an increase of warmth and light coming from the sun, consciousness. This corresponds to the increasing participation of consciousness, which now begins to react emotionally to the contents produced by the unconscious. At first the process of integration is a fiery conflict, but gradually it leads over to the melting or synthesis of the opposites. The alchemists termed this the rubedo, in which the marriage of the red man and the white woman, Sol and Luna, is consummated. Although the opposites flee from one another they nevertheless strive for balance, since a state of conflict is too inimical to life to be endured indefinitely. They do this by wearing each other out: the one eats the other, like the two dragons or the other ravenous beasts of alchemical symbolism.

3.0 - THE ETERNAL RECURRENCE, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  suppose that an eternal sequence of like worlds also involves eternal
  juxta-position of like worlds? But the multifariousness and disorder

3.10 - Of the Gestures, #Liber ABA, #Aleister Crowley, #Philosophy
  therefore devise some means of making the sequence significant of
  the special sense which may be appropriate. Our only resource is in

3.11 - Epilogue, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  exceedingly vague as to the sequence of the various stages, but that in our
  observation of individual cases there is a bewildering number of variations
  as well as the greatest arbitrariness in the sequence of states, despite allagreement in principle as to the basic facts. A logical order, as we
  understand it, or even the possibility of such an order, seems to lie outside

3.11 - Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
    This spell allows the priest to determine how one recent event fits into the "grand scheme." By casting this spell, the priest can determine whether the sequence or situation that gave rise to the specific event is complete or whether it is ongoing; whether it was a significant or insignificant event in the larger picture; or whether it will continue to have repercussions for the participants.
    Using his knowledge of circumstances, the DM communicates these facts to the caster's player. This "arcane message" is normally straightforward and easy to understand, but in the case of highly complex circumstances, the message might be cryptic. In any case, the message will always be truthful.

3.14 - Of the Consecrations, #Liber ABA, #Aleister Crowley, #Philosophy
  all that we do is to discover ourselves by means of a sequence of
  hieroglyphics, and the changes which we apparently operate are in

3.2.3 - Dreams, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  How do you say that vital dreams have no link or reason? They have their own coherence, only the physical mind cannot always get at the clue by following which the coherence would unroll itself. For that matter the sequences of physical existence are coherent to us only because we are accustomed to it and our reason has made up a meaning out of it. But subject it to the view of a different consciousness and it becomes an incoherent phantasmagoria. Thats how the Mayavadin or Schopenhauer would speak of it, the former say deliberately that dream- sequences and life- sequences stand on the same footing, only they have another structure. Each is real and consequent to itselfthough neither, they would say, is real or consequent in very truth.
  ***

33.16 - Soviet Gymnasts, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   I draw your attention to the date on which the group went to the Mother and received Her blessings. Numerically, it is significant - three-four-five-six, that is April 3, 1956 (a day before Sri Aurobindo came to Pondicherry in 1910). We have heard a lot about these numbers - one-two-three-four (February I, 1934), two-three-four-five (March 2, 1945) and now this three-four-five-six, while ahead of us lies four-five-six-seven. (May 4,1967). Last in this series we have five-six-seven-eight, the Mother's centenary, to go no further. These "dates in their sequence are significant in that they indicate or represent some occult phenomena, some happenings in the inner world, each marking a step forward in the manifestation of the New World of the Supramental.
   To come back. Among the characteristics of the Soviet Gymnasts, also the major lessons that one can learn from them, are: first, difficult and complicated body movements. Such control of the body is indeed hard to acquire. It calls for physical strength and stamina, also a considerable capacity and plasticity of the limbs - the nerves and muscles. Secondly, difficult exercises are done in an extremely easy and simple manner. In fact, these are performed so effortlessly that it might seem there is nothing much in these and that anyone could do the same - till one tries. Then one knows what stiff and rigorous discipline lies behind this apparent effortlessness. Thirdly, these difficult exercises are done not only effortlessly but gracefully - the movements are rhythmic and harmonious, pleasing to the eye. Team-work, group-efficiency, is yet another of their characteristics. Not only solo performances, but combined movements of many persons in perfect balance, a unified cadence and orchestral pattern. Fifthly, and the point deserves particular mention, in the sphere of physical culture (as in other spheres too) the Russians make no difference between men and women. They believe that men and women can and ought to do the same exercises together, that it is pure superstition, nothing but outmoded convention to think otherwise - that women are unfit for and unworthy of such activity. Well, we have seen how expert and capable these Soviet girls can be. Today the whole world has heard with wonder and admiration about not only astronaut Gagarin but about Valentina too.

3.4.2 - Guru Yoga, #The Tibetan Yogas of Dream and Sleep, #Tenzin Wangyal Rinpoche, #Buddhism
  Then imagine receiving blessings from the master in the form of three colored lights that stream from his or her three wisdom doors- of body, speech, and mind-into yours. The lights should be transmitted in the following sequence: White light streams from the master's brow chakra into yours, purifying and relaxing your entire body and physical dimension. Then red light streams from the master's throat chakra into yours, purifying and relaxing your energetic dimension. Finally, blue light streams from the master's heart chakra into yours, purifying and relaxing your mind.
  When the lights enter your body, feel them. Let your body, energy, and mind relax, suffused in wisdom light. Use your imagination to make the blessing real in your full experience, in your body and energy as well as in the images in your mind.

3-5 Full Circle, #unset, #Arthur C Clarke, #Fiction
  Are there qualitative as well as quantitative differences in the behavioral adaptive capabilities of animals at different levels of the phyletic evolutionary sequence? That is to say, are there differences not only in the speed of learning but also in the complexity of what the organism can learn at all, given any amount of time and training? Are there discontinuities as well as continuities in capacities to perceive, to learn, and to manipulate the environment as we ascend the phyletic scale?
  The answer to these questions is now empirically quite clear. There are indeed discontinuities and qualitative differences in learning (i.e. behaviorally adaptive) capabilities as we go from one phyletic level to another. Behaviorally, the phylogenetic hierarchy is best characterized in terms of an increasing complexity of adaptive capabilities and an increasing breadth of transfer and generalization of learning, as we move from lower to higher phyla. It is a fact that every animal, at least above the level of worms, has the capacity to learn; that is, to form stimulus-response associations or conditioned responses. But the degree of complexity and abstractness of what can be learned shows distinct "quantum jumps" going from lower to higher phyla. Simpler capacities, and their neural substrate, persist as we move from lower to higher levels, but new adaptive capacities emerge in hierarchical layers as we ascend the phyletic scale. Each phyletic level possesses all the learning capacities (although not necessarily the same sensory and motor capacities) of the levels below itself in addition to new emergent abilities, which can be broadly conceived as an increase in the complexity of information processing. For example, studies by Bitterman (1965) of animals at various levels of the phyletic scale (earthworms, crabs, fishes, turtles, pigeons, rats and monkeys) have clearly demonstrated discontinuities in learning ability among different species and the emergence of more complex abilities corresponding to the phylogenetic hierarchy. In the experimental procedure known as habit reversal, a form of learning-to-learn in which the animal is trained to make a discriminative response to a pair of stimuli and then has to learn the reverse discrimination and the two are alternated repeatedly, a fish does not show any sign of learning-to-learn (i.e. each reversal is like a completely new problem and takes as long to learn as the previous problems), while a rat improves markedly in its speed of learning from one reversal to the next. When portions of the rat's cerebral cortex are removed, thereby reducing the most prominent evolutionary feature of the mammalian brain, the learning ability of the decorticate rat is exactly like that of the turtle, an animal with little cortex, and would probably be like that of the fish, if all of the rat's cortex could be removed. Harlow and Harlow (1962) have noted similar discontinuities at high levels of learning among rhesus monkeys, chimpanzees, and humans. Again, situations that involve some form of learning-to-learn are most sensitive to differences in capacity. No animals below primates have ever learned the so-called oddity--non-oddity problem no matter how much training they are given, and more complex variations of this type of problem similarly differentiate between rhesus monkeys and chimpanzees. The species differences are not just in speed of learning, but in whether the problem can be learned at all, given any amount of training. This is essentially what is meant by a hierarchical conception of learning ability. There is much evidence for this conception, which Jensen (in press) has summarized more extensively elsewhere. The evolution of humans from more primitive forms is now believed to be intimately related to the use of tools and weapons (Ardry, 1961). The mental capabilities involved in the use of implements for gaining ever greater control of the environment, in lieu of sheer physical strength, were just as subject to the evolutionary effects of natural selection as are any genetically mutated organs. More specifically, according to Haskell (1968, p. 475), "What primarily evolves in man is the nerve structure which confers the capacity to invent, to borrow, and to adapt culture traits."
  --
  There is now much evidence, originating in the work of Piaget (1960) and substantiated in numerous experiments by other child psychologists both here and abroad (for reviews see Flavell, 1963; Kohlberg, 1968; and Phillips, 1969), that individual cognitive development proceeds by distinct, qualitatively different stages in children's modes of thinking and problem solving at different ages. Piaget and others have demonstrated that children's thinking is not just a watered-down or inferior approximation to adult thinking; it is radically and qualitatively different. The stages of mental development form an invariant sequence or succession of individual development. Each stage of cognitive development is a structured whole; mental development does not consist of the mere accretion of specific stimulus-response associations. Cognitive stages are hierarchically integrated; higher stages reintegrate the cognitive structures found at lower stages. Also, as Kohlberg (1968, p. 1021) points out "...there is a hierarchical preference within the individual...to prefer a solution of a problem at the highest level available to him." In reviewing the experimental literature on children's learning, Sheldon White (1965) has amassed evidence for two broad stages of mental development, which he labels associative and cognitive. The transition from one to the other occurs for the vast majority of children between five and seven years of age. In the simplest terms, these stages correspond to concrete-associative thinking and abstract-conceptual thinking. The latter does not displace the former in the course of the child's mental development; in older children and adults the two modes co-exist as hierarchical layers.
  Ontogeny of Human Mental Abilities.
  --
  As the student spoke, this social transmutation was mapped into a sequence of coordinate systems on the blackboard. According to a recent poll, Americans now consider Switzerl and to be the world's best governed country. But practically no one understands the reason why. The reason is, that this country has undergone, and is still undergoing, an economic-political revolution. This almost invisible revolution has transformed large parts of Switzerland's economy from Capitalism into what they call Social-Capitalism. And this has made Switzerl and much richer and pleasanter than it was before. For instead of being conducted by military, and thus destructive operations, it has been conducted by constructive economic-political-educational operations. This change occurred as follows:
  Coordinate system 1 represents the traditional Capitalist System, as it existed in Switzerl and in 1925 and still exists in varying degrees in nearly all countries of the partially Free World. Side by side, there are symbiotic ( + , + ) industries and businesses, and monopolistic, predatory ones ( - , + ); there are symbiotic labor organizations, and some who, by monopolistic union practices, systematically exploit and sometimes ruin management ( + , - ).
  --
  The Periodic Law is so constructed that only after vast knowledge of some given kind of system's properties (say the atoms') has been amassed, can it be seen that they are a function of anything, let alone of such an elusive, subtle thing as coaction, the moral relation between the system's work component and controller.--Because of this necessary sequence of events, even the finest human beings--which almost all the scientists I know most surely are--have first to become "giants" of cognitive intellect (Lower Industrialists) while long remaining moral "dwarfs"; that is, without scientific moral orientation.
  It was Mendeleev's completion of the Periodic Law a century ago in chemistry (and only Mendeleev intuited its cosmic or philosophical implications) which prematurely organized the physical sciences. And it will be the extension of this organization to the social and biological sciences which will complete this basically moral orientation, transmuting Koestler's "moral dwarfs" into (computer-assisted) moral giants, and giving our society's controller moral direction, and thus balance and stabilitv.
  --
  1) General System is defined verbally and visually, Figure 2-1a. Some of its components are defined in logical sequence.
  2) Empirical System: any component of the left-hand column, Figure 2-1b, defined verbally in the alphabetical glossary.
  --
  System, general (Defined by Haskell and Cassidy ca. 1950) A space-time region bounded by clear but not complete breaks of interdependence; the non-breaks consisting of inputs and outputs, and the inter-dependence consisting of causal and retroactive sequences between the system's basic components: work component and controller (q.v.).
  System-hierarchy (coined term) A hierarchy of systems such that each member of the hierarchy after the first is composed of most or all preceding members plus one or more additional (emerged) structures and processes, mutually modified. E.g. the hierarchy of atoms from hydrogen to einsteinium. (W. V. Quine, H. G. Cassidy, E. Haskell, 1964).

36.09 - THE SIT SUKTA, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   The true nature of the pure thought-power is to reveal the mental being by degrees. It is in the true mental being that the real existence and nature of a creature abide. The mental being becomes more and more manifest by fresh flowerings of the pure thought-power. The pure thought power, being manifest, shapes a form of the mental being. Then it plunges into the heart of the aspirant and emerges from there with a new form and truth. Thus the pure thought-power, supported by the presiding divine Deity of sacrifice, of spiritual progress, manifests further truths. A 'name' is the manifest power of truth, called 'numen' in Latin. The stream of sadhana does not proceed in a constant flow but in a sequence of absorption and manifestation - it withdraws within itself and emerges again with new truths from the secret regions of consciousness. The Vedic seers used to express- this idea thus: Dawn follows Night, Night follows Dawn, Dawn manifesting itself again and again in a never-ending series revealing infinite truths.
   In the innermost recesses of consciousness, in the depth of the Night, in inert matter lie hidden the Light of knowledge. The divine mental being, in search of that kine of Light, delivers them by breaking down those firm, secret and dark recesses. It is he indeed who brings into the waking consciousness the dawn of knowledge.

3.7.1.09 - Karma and Freedom, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Difficult also is it to understand how unsubstantial Impermanence can have such a giant hold or present this power of eternal continuity in Time,there must surely, one thinks, be a Permanent which expresses itself in this continuity, dhruvam adhruveu; or how an Illusion,for what is illusion but an inconsequent dream or unsubstantial hallucination?can build up this mighty world of just sequence and firm law and linked Necessity; some secret self-knowledge and wisdom there must be which guides the Energy of Karma in its idea and has appointed for her the paths she must hew in Time. It is because of their persistence of principle in all the transiences of particular form that things have such a hold on our mind and will. It is because the world is so real that we feel so potently its grasp on us and our spirits turn on it with this grip of the wrestler. It is often indeed too fiercely real for us and we seek for liberty in the realm of dream or planes of the ideal and, not finding it sufficiently there, because we have not the freedom nor can develop the mastery to impose our ideal on this active reality, we seek it beyond in the remote and infinite greatness of the Absolute. We shall do better then to fix on that other more generally admissible distinction, namely, of the world of Karma as a practical or relative reality and the being of the Spirit constant behind it or brooding above it as a greater supreme reality. And then we have to find whether in the latter alone is any touch of freedom or whether, as must surely be if it is the Spirit that presides over the Energy at work and over its action, there is here too some element or some beginning at least of liberty, and whether, even if it be small and quite relative, we cannot in these steps of Time, in these relations of Karma make this freedom great and real by dwelling consciously in the greatness of the Spirit. May not that be the sovereignty we shall find here when we rise to the top of the souls evolution?
  One thing we will note that this urge towards control and this impression of freedom are an orientation and an atmosphere which cling about the action of mind, and they grow in Nature as she rises towards mentality. The world of Matter seems to know nothing about freedom; everything there appears as if written in sibyllic laws upon tablets of stone, laws which have a process, but no initial reason, serve a harmony of purposes or at least produce a cosmos of fixed results, but do not appear to be shaped with an eye to them by any discoverable Intelligence.We can think of no presence of soul in natural things, because we can see in them no conscious action of mind and a conscious active mental intelligence is to our notions the very basis and standing-ground, if not the whole stuff of soul-existence. If Matter is all, then we may very easily conclude that all is a Karma of material energy which is governed by some inherent incomprehensible mechanically legislating Necessity. But then we see that Life seems to be made of a different stuff; here various possibility develops, here creation becomes eager, pressing, flexible, protean; here we are conscious of a searching and a selection, many potentialities and a choice of actualities, of a subconscient idea which is feeling around for its vital self-expression and shaping an instinctive action,often, though in certain limits, with an unerring intuitive guidance of life to its immediate objective or to some yet distant purpose,of a subconscient will too in the fibre of all this vast seeking and mutable impulsion. But yet this too works within limits, under fetters, in a given range of processes.
  But when we get out into mind, Nature becomes there much more widely conscious of possibility and of choice; mind is aware of potentialities and of determinations in idea which are other than those of the immediate actuality or of the fixedly necessary con sequence of the sum of past and present actualities; it is aware of numberless may-bes and might-have-beens, and these last are not entirely dead rejected things, but can return through the power of the Idea and effect future determinations and can fulfil themselves at last in the inner reality of their idea though, it may well be, in other forms and circumstances. Moreover, mind can and does go still further; it can conceive of an infinite possibility behind the self-limitations of actual existence. And from this seeing there arises the idea of a free and infinite Will, a Will of illimitable potentiality which determines all these innumerable marvels of its own universal becoming or creation in Space and Time. That means the absolute freedom of a Spirit and Power which is not determined by Karma, but determines Karma. Apparent Necessity is the child of the spirits free self-determination. What affects us as Necessity, is a Will which works in sequence and not a blind Force driven by its own mechanism.
  This is not, however, a binding inference and always there remain on this head arguable by the reason three main conceptions which we can form of existence. First, there is the idea, facile to our reason, of a blind mechanical Necessity of some kind, and against or behind that nothing or some absolute non-existence. The nature of this Necessity would be that of a fixed processus bound to certain initial and general determinations of which all the rest is the con sequence. But that is only a first appearance of universal things, the stamp of phenomenal impression which we get from the aspect of the material universe. Then, there is the idea of a free infinite Being, God or Absolute, who somehow or other creates out of something or out of nothing, in reality or only in conception, or brings out of himself into manifestation a world of the necessity of his will or Maya or Karma in which all things, all creatures are bound as the victims of a necessity, not mechanical or external, but spiritual and internal, a force of Ignorance or a force of Karma or else some kind of arbitrary predestination. And, finally, there is the idea of an absolute free Existence which supports, develops and informs a universe of relations, of that Power as the universal Spirit of our existence, of the world as the evolution of these relations, of beings in the universe as souls who work them out with some freedom of the spirit as its basis,for that they inwardly are,but with an observation of the law of the relations as their natural condition.

3.7.1.10 - Karma, Will and Consequence, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Will, Karma and con sequence are the three steps of the Energy which moves the universe. But Karma and con sequence are only the outcome of will or even its forms; will gives them their value and without it they would be nothing, nothing at least to man the thinking and growing soul and nothing, it may be hazarded, to the Spirit of which he is a flame and power as well as a creature. The thing we first see or imagine we see, when we look at the outward mechanism of the universe, is energy and its works, action and con sequence. But by itself and without the light of an inhabiting will this working is only a huge soulless mechanism, a loud rattling of crank and pulley, a monstrous pounding of spring and piston. It is the presence of the spirit and its will that gives a meaning to the action and it is the value of the result to the soul that gives its profound importance to all great or little con sequence. It would not matter to anyone or anything, not even to the cosmos itself, though this universal stir came to an end tomorrow or had never been created, if these suns and systems were not the field of a consciousness which there rolls out its powers, evolves its works, enjoys its creations, plans and exults in its immense aims and sequences. Spirit and consciousness and power of the spirit and Ananda are the meaning of existence. Take away this spiritual significance and this world of energy becomes a mechanical fortuity or a blind and rigid Maya.
  The life of man is a portion of this vast significance, and since it is in him that on this material plane it comes out in its full capacity of meaning, a very important and central portion. The Will in the universe works up to him in the creative steps of its energy and makes of his nature a chariot of the gods on which it stands within the action, looks out on its works from the very front and no longer only from behind or above Natures doings and moves on to the ultimate con sequences and the complete evolution of its purpose. The will of man is the agent of the Eternal for the unveiling of his secret meaning in the material creation. Mans mind takes up all the knots of the problem and works them out by the power of the spirit within him and brings them nearer to the full force and degree of their individual and cosmic solutions. This is his dignity and his greatness and he needs no other to justify and give a perfect value to his birth and his acts and his passing and his return to birth, a return which must beand what is there in it to grieve at or shun?until the work of the Eternal in him is perfected or the cycles rest from the glory of their labour.
  --
  To understand one must cease to dwell exclusively on the act and will of the moment and its immediate con sequences. Our present will and personality are bound by many things, by our physical and vital heredity, by a past creation of our mental nature, by environmental forces, by limitation, by ignorance. But our soul behind is greater and older than our present personality. The soul is not the result of our heredity, but has prepared by its own action and affinities this heredity. It has drawn around it these environmental forces by past karma and con sequence. It has created in other lives the mental nature of which now it makes use. That ancient soul of long standing, sempiternal in being, purua pura santana, has accepted the outward limitation, the outward ignorance as a means of figuring out in a restriction of action from moment to moment the significance of its infinity and the sequence of its works of power. To live in this knowledge is not to take away the value and potency of the moments will and act, but to give it an immensely increased meaning and importance. Then each moment becomes full of things infinite and can be seen taking up the work of a past eternity and shaping the work of a future eternity. Our every thought, will, action carries with it its power of future self-determination and is too a help or a hindrance for the spiritual evolution of those around us and a force in the universal working. For the soul in us takes in the influences it receives from others for its own self-determination and gives out influences which the soul in them uses for their growth and experience. Our individual life becomes an immensely greater thing in itself and is convinced too of an abiding unity with the march of the universe.
  And karma and con sequence also get a wider meaning. At present we fix too much on the particular will and act of the moment and a particular con sequence in a given time. But the particular only receives its value by all of which it is a part, all from which it comes, all to which it moves.We fix too much also on the externalities of karma and con sequence, this good or that bad action and result of action. But the real con sequence which the soul is after is a growth in the manifestation of its being, an enlarging of its range and action of power, its comprehension of delight of being, its delight of creation and self-creation, and not only its own but the same things in others with which its greater becoming and joy are one. Karma and con sequence draw their meaning from their value to the soul; they are steps by which it moves towards the perfection of its manifested nature. And even when this object is won, our action need not cease, for it will keep its value and be a greater force of help for all these others with whom in self we are one. Nor can it be said that it will have no self-value to the soul grown aware of freedom and infinity; for who shall persuade me that my infinity can only be an eternal full stop, an endless repose, an infinite cessation? Much rather should infinity be eternally capable of an infinite self-expression.

3.7.1.11 - Rebirth and Karma, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  The ancient idea of Karma was inseparably connected with a belief in the souls continual rebirth in new bodies. And this close association was not a mere accident, but a perfectly intelligible and indeed inevitable union of two related truths which are needed for each others completeness and can with difficulty exist in separation. These two things are the soul side and the nature side of one and the same cosmic sequence. Rebirth is meaningless without karma, and karma has no fount of inevitable origin and no rational and no moral justification if it is not an instrumentality for the sequences of the souls continuous experience. If we believe that the soul is repeatedly reborn in the body, we must believe also that there is some link between the lives that preceded and the lives that follow and that the past of the soul has an effect on its future; and that is the spiritual essence of the law of Karma. To deny it would be to establish a reign of the most chaotic incoherence, such as we find only in the leaps and turns of the mind in dream or in the thoughts of madness, and hardly even there. And if this existence were, as the cosmic pessimist imagines, a dream or an illusion or, worse, as Schopenhauer would have it, a delirium and insanity of the soul, we might accept some such law of inconsequent con sequence. But, taken even at its worst, this world of life differs from dream, illusion and madness by its plan of fine, complex and subtle sequences, the hanging together and utility even of its discords, the general and particular harmony of its relations, which, if they are not the harmony we would have, not our longed-for ideal harmony, has still at every point the stamp of a Wisdom and an Idea at work; it is not the act of a Mind in tatters or a machine in dislocation. The continuous existence of the soul in rebirth must signify an evolution if not of the self, for that is said to be immutable, yet of its more outward active soul or self of experience. This evolution is not possible if there is not a connected sequence from life to life, a result of action and experience, an evolutionary con sequence to the soul, a law of Karma.
  And on the side of Karma, if we give to that its integral and not a truncated meaning, we must admit rebirth for the sufficient field of its action. For Karma is not quite the same thing as a material or substantial law of cause and effect, the antecedent and its mechanical con sequence. That would perfectly admit of a Karma which could be carried on in time and the results come with certainty in their proper place, their just degree by a working out of the balance of forces, but need not in any way touch the human originator who might have passed away from the scene by the time the result of his acts got into manifestation. A mechanical Nature could well visit the sins of the fathers not on them, but on their fourth or their four-hundredth generation, as indeed this physicalNature does, and no objection of injustice or any other mental or moral objection could rise, for the only justice or reason of a mechanism is that it shall work according to the law of its structure and the fixed eventuality of its force in action. We cannot demand from it a mind or a moral equity or any kind of supraphysical responsibility. The universal energy grinds out inconsciently its effects and individuals are only fortuitous or subordinate means of its workings; the soul itself, if there is a soul, makes only a part of the mechanism of Nature, exists not for itself, but as a utility for her business. But Karma is more than a mechanical law of antecedent and con sequence. Karma is action, there is a thing done and a doer and an active con sequence; these three are the three joints, the three locks, the three sandhis of the connexus of Karma. And it is a complex mental, moral and physical working; for the law of it is not less true of the mental and moral than of the physical con sequence of the act to the doer. The will and the idea are the driving force of the action, and the momentum does not come from some commotion in my chemical atoms or some working of ion and electron or some weird biological effervescence. Therefore the act and con sequence must have some relation to the will and the idea and there must be a mental and moral con sequence to the soul which has the will and idea. That, if we admit the individual as a real being, signifies a continuity of act and con sequence to him and therefore rebirth for a field of this working. It is evident that in one life we do not and cannot labour out and exhaust all the values and powers of that life, but only carry on a past thread, weave out something in the present, prepare infinitely more for the future.

3.7.2.02 - The Terrestial Law, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  But the question is whether this is not a rather childish and impatient mood and whether these solutions come anywhere near solving the whole complexity of the problem. Let us grant that a dominant moral law governs, not action,for that is either free or, if not free, compelled to be of all kinds,but the result of action in the world and that a supreme good will work itself out in the end. The difficulty remains why that good should use evil as one and almost the chief of its means or the dominant moral law, sovereign, unescapable, categorical, imperative, the practical governor, if not the reason of our existence, should be compelled to fulfil itself through so much that is immoral and by the agency of a non-moral force, through hell on earth and hell beyond, through petty cruelty of punishment and huge fury of avenging calamity, through an immeasurable and, as it seems, never ending sequence of pain and suffering and torture. It must surely be because there are other things in the Infinite and therefore other laws and forces here and of these the moral law, however great and sovereign to itself, has to take account and is compelled to accommodate its own lines to their curve of movement. And if that is so our plain course, if we are to see the true connections, is to begin by studying the separate law and claim of these other forces: for till it is done we cannot know rightly how they act upon and condition or are acted upon and utilised by any moral rule that we may distinguish intervening in the complex of the world action. And first let us look at the terrestrial law as it is apart from any question of rebirth, the joining, the play, the rule, the intention of the forces here: for it may be that the whole principle is already there and that rebirth does not so much correct or change as complete its significance.
  But on earth the first energy is the physical; the lines of the physical energy creating the forms, deploying the forces of the material universe are the first apparent conditions of our birth and create the practical basis and the original mould of our earthly existence. And what is the law of this first energy, its self-nature, swabhava and swadharma? It is evidently not moral in the human sense of the word: the elemental gods of the physical universe know nothing about ethical distinctions, but only the bare literal rule of energy, the right track and circuit of the movement of a force, its right action and reaction, the just result of its operation. There is no morality, no hesitation of conscience in our or the worlds elements. The fire is no respecter of persons and if the saint or the thinker is cast into it, it will not spare his body. The sea, the stormwind, the rock on which the ship drives do not ask whether the just man drowned in the waters deserved his fate. If there is a divine or a cosmic justice that works in these cruelties, if the lightning that strikes impartially tree or beast or man, is but it would appear in the case of the man alone, for the rest is accident,the sword of God or the instrument of Karma, if the destruction wrought by the volcano, the typhoon or the earthquake is a punishment for the sins of the community or individually of the sins in a past life of each man there that suffers or perishes, at least the natural forces know it not and care nothing about it and rather they conceal from us in the blind impartiality of their rage all evidence of any such intention. The sun shines and the rain falls on the just and the unjust alike; the beneficence and the maleficence of Nature, the gracious and dreadful Mother, her beauty and terror, her utility and her danger are bestowed and inflicted without favour or disfavour on all her children and the good man is no more her favourite than the sinner. If a law of moral punishment is imposed through the action of her physical forces, it must be by a Will from above her or a Force acting unknown to her in her inconscient bosom.

3.7.2.05 - Appendix I - The Tangle of Karma, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  For what we understand by law is a single immutably habitual movement or recurrence in Nature fruitful of a determined sequence of things and that sequence must be clear, precise, limited to its formula, invariable. If it is not that, if there is too much flexibility of movement, if there intervenes too embarrassing a variety or criss-cross of action and reaction, a too rich complex of forces, the narrow uncompromising incompetence of our logical intelligence finds there not law but an incertitude and a chaos. Our reason must be allowed to cut and hew and arbitrarily select its suitable circumstances, isolate its immutable data, skeletonise or mechanise life; otherwise it stands open-mouthed at a loss unable to think with precision or act with effect in a field of subtle and indefinite measures. It must be allowed to deal with mighty Nature as it deals with human society, politics, ethics, conduct; for it can understand and do good work only where it is licensed to build and map out its own artificial laws, erect a clear, precise, rigid, infallible system and leave as little room as possible for the endless flexibility and variety and complexity that presses from the Infinite upon our mind and life. Moved by this need we endeavour to forge for our own souls and for the cosmic Spirit even such a single and inflexible law of Karma as we would ourselves have made, had the rule of the world been left to us.Not this mysterious universe would we have made, but the pattern of a rational cosmos fitted to our call for a simple definite guidance in action and for a well-marked thumb rule facile and clear to our limited intelligence. But this force we call Karma turns out to be no such precise and invariable mechanism as we hoped; it is rather a thing of many planes that changes its face and walk and very substance as it mounts from level to higher level, and on each plane even it is not one movement but an indefinite complex of many spiral movements hard enough for us to harmonise together or to find out whatever secret harmony unknown to us and incalculable these complexities are weaving out in this mighty field of the dealings of the soul with Nature.
  Let us then call Karma no longer a Law, but rather the many-sided dynamic truth of all action and life, the organic movement here of the Infinite. That was what the ancient thinkers saw in it before it was cut and shredded by lesser minds and turned into an easy and misleading popular formula. Action of Karma follows and takes up many potential lines of the spirit into its multitudinous surge, many waves and streams of combining and disputing world-forces; it is the processus of the creative Infinite; it is the long and multiform way of the progression of the individual and the cosmic soul in Nature. Its complexities cannot be unravelled by our physical mind ever bound up in the superficial appearance, nor by our vital mind of desire stumbling forward in the cloud of its own instincts and longings and rash determinations through the maze of these myriad favouring and opposing forces that surround and urge and drive and hamper us from the visible and invisible worlds. Nor can it be perfectly classified, accounted for, tied up in bundles by the precisions of our logical intelligence in its inveterate search for clear-cut dogmas. On that day only shall we perfectly decipher what is now to us Natures obscure hieroglyph of Karma when there rises in our enlarged consciousness the supramental way of knowledge. The supramental eye can see a hundred meeting and diverging motions in one glance and envelop in the largeness of its harmonising vision of Truth all that to our minds is clash and opposition and the collision and interlocked strife of numberless contending truths and powers. Truth to the supramental sight is at once single and infinite and the complexities of its play serve to bring out with an abundant ease the rich significance of the Eternals many-sided oneness.

3 - Commentaries and Annotated Translations, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  both of time & logical sequence and in asking questions; this is
  evident from the adverbs formed from it - Sanscrit n;, Greek nu,
  --
  expressions must be taken in sequence. Agni is a force of will
  resident in man that gives a perfect light (s;o(mAn\) and therefore
  --
  idea, linked together in sequence, as any literary creation of
  the human mind must be linked, which has not been written
  --
  possessed of a style of great power and nobility, composed without the sequence of ideas which is the mark of all adequate
  literary creation. And if we suppose them to be divinely inspired,
  --
  be in uninterrupted sequence the awakening (to knowledge or
  consciousness) of thee the god (the shining or luminous One)?"
  --
  continuously (in uninterrupted sequence). aDA Eh for then (or,
   have seized (taken and
  --
  movement and the plain sequence of sense.
  jgEB}r
  --
  Tr. O Flame, when shall thy awakening to knowledge be a continuous sequence? For then shall men have seized on thee as one
  to be adored in creatures.
  --
  give all the uninterrupted sequence, relation, order, completeness
  of the revelations of wisdom, speaking always and wholly its
  --
  the second pada of the first verse in order to restore the sequence
  of the idea. It is when he has made around him an invulnerable force to secure the sacrifice and its progress that the divine

4.01 - Introduction, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  telligible, irrational, not to say delirious sequence of images
  which nonetheless does not lack a certain hidden coherence. In

4.02 - GOLD AND SPIRIT, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [355] The definition of the king as pneuma carried considerably more weight than his interpretation as gold. Rulands Lexicon defines Rex as follows: RexKing, Soul, Spiritual Water which gives Moisture to the Female and is restored to the Fountain whence it was derived. The Spirit is Water.24 Here Rex is still the divine soul, the moist Osiris,25 a life-giving, fertilizing pneuma and not primarily the physical gold. The mystique of the king comes out even more clearly in Khunrath: When at last, he says, the ash-colour, the whitening, and the yellowing are over, you will see the Philosophical Stone, our King and Lord of Lords, come forth from the couch and throne of his glassy sepulchre26 onto the stage of this world, in his glorified body, regenerated and more than perfect, shining like a carbuncle, and crying out, Behold, I make all things new.27 In his story of how the lapis is made, Khunrath describes the mystic birth of the king. Ruach Elohim (the spirit of God) penetrated to the lowest parts and to the centre (meditullium) of the virginal massa confusa, and scattered the sparks and rays of his fruitfulness. Thus the form impressed itself [forma informavit], and the purest soul quickened and impregnated the tohu-bohu, which was without form and void. This was a mysterium typicum (a symbolical mystery), the procreation of the Preserver and Saviour of the Macrocosm and the Microcosm. The Word is become flesh . . . and God has revealed himself in the flesh, the spirit of God has appeared in the body. This, the son of the Macrocosm . . . that, the son of God, the God-man . . . the one in the womb of the Macrocosm, the other in the womb of the Microcosm, and both times the womb was virginal. In the Book or Mirror of Nature, the Stone of the Wise, the Preserver of the Macrocosm, is the symbol of Christ Jesus Crucified, Saviour of the whole race of men, that is, of the Microcosm.28 The son of the Macrocosm begotten by the divine pneuma (the Egyptian ka-mutef) is of like kind and consubstantial with the Begetter. His soul is a spark of the world-soul. Our stone is three and one, which is to say triune, namely earthly, heavenly, and divine. This reminds us of the Egyptian sequence: Pharaoh, ka, God. The triune stone consists of three different and distinct substances: Sal-Mercurius-Sulphur.29

4.08 - THE RELIGIOUS PROBLEM OF THE KINGS RENEWAL, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [523] We can compare the logical sequence of psychological changes with the alchemical symbolism as follows:
  Ego-bound state with feeble dominant

4.0 - The Path of Knowledge, #Theosophy, #Alice Bailey, #Occultism
   ordinary daily course. They must in their whole sequence take on the inner character of the spiritual world.
  The seeker of the Path must constantly keep watch over himself in this respect and have himself in hand. With him one thought must not link itself arbitrarily with another but only in the way that corresponds with the severely exact contents of the thought world. The transition from one idea to another must correspond with the strict laws of thought. He must as thinker be to a certain extent constantly a copy of these thought laws. He must shut out from his train of thought all that does not flow out of these laws. Should a favorite thought present itself to him, he must put it aside if the correct sequence will be disturbed by it. If a personal feeling tries to force upon his thoughts a direction not inherent in them, he must suppress it. Plato required of those who wished to be in his school that they should first go through a course of mathematical training. And mathematics with their strict laws, which do not yield to the course of ordinary sensible phenomena, form a good preparation for the seeker of the Path. If he
   p. 212

4.19 - The Nature of the supermind, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The mind of man, capable of reflection and a coordinated investigation and understanding of itself and its basis and surroundings, arrives at truth but against a background of original ignorance, a truth distressed by a constant surrounding mist of incertitude and error. Its certitudes are relative and for the most part precarious certainties or else are the assured fragmentary certitudes only of an imperfect, incomplete and not an essential experience. It makes discovery after discovery, gets idea after idea, adds experience to experience and experiment to experiment, -- but losing and rejecting and forgetting and having to recover much as it proceeds, --and it tries to establish a relation between all that it knows by setting up logical and other sequences, a series of principles and their dependences, generalisations and their application, and makes out of its devices a structure in which mentally it can live, move and act and enjoy and labour. This mental knowledge is always limited in extent: not only so, but in addition the mind even sets up other willed barriers, admitting by the mental device of opinion certain parts and sides of truth and excluding all the rest, because if it gave free admission and play to all ideas, if it suffered truth's infinities, it would lose itself in an unreconciled variety, an undetermined immensity and would be unable to act and proceed to practical con sequences and an effective creation. And even when it is widest and most complete, mental knowing is still an indirect knowledge, a knowledge not of the thing in itself but of its figures, a system of representations, a scheme of indices, -- except indeed when in certain movements it goes beyond itself, beyond the mental idea to spiritual identity, but it finds it extremely difficult to go here beyond a few isolated and intense spiritual realisations or to draw or work out or organise the right practical con sequences of these rare identities of knowledge. A greater power than the reason is needed for the spiritual comprehension and effectuation of this deepest knowledge.
  This is what the supermind, intimate with the Infinite, alone can do. The supermind sees directly the spirit and essence, the face and body, the result and action, the principles and dependences of the truth as one indivisible whole and therefore can work out the circumstantial results in the power of the essential knowledge, the variations of the spirit in the light of its identities, its apparent divisions in the truth of its oneness. The supermind is a knower and creator of its own truth, the mind of man only a knower and creator in the half light and half darkness of a mingled truth and error, and creator too of a thing which it derives altered, translated, lessened from something greater than and beyond it. Man lives in a mental consciousness between a vast subconscient which is to his seeing a dark inconscience and a vaster superconscient which he is apt to take for another but a luminous inconscience, because his idea of consciousness is confined to his own middle term of mental sensation and intelligence. It is in that luminous superconscience that there lie the ranges of the supermind and the spirit.

4.22 - The supramental Thought and Knowledge, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  This supramental knowledge is not primarily or essentially a thought knowledge. The intellect does not consider that it knows a thing until it has reduced its awareness of it to the terms of thought, not, that is to say, until it has put it into a system of representative mental concepts, and this kind of knowledge gets its most decisive completeness when it can be put into clear, precise and defining speech. It is true that the mind gets its knowledge primarily by various kinds of impressions beginning from the vital and the sense impressions and rising to the intuitive, but these are taken by the developed intelligence only as data and seem to it uncertain and vague in themselves until they have been forced to yield up all their content to the thought and have taken their place in some intellectual relation or in an ordered thought sequence. It is true again that there is a thought and a speech which are rather suggestive than definitive and have in their own way a greater potency and richness of content, and this kind already verges on the intuitive: but still there is a demand in the intellect to bring out in clear sequence and relation the exact intellectual content of these suggestions and until that is done it does not feel satisfied that its knowledge is complete. The thought labouring in the logical intellect is that which normally seems best to organise the mental action and gives to the mind a sense of sure definiteness, security and completeness in its knowledge and its use of knowledge. Nothing of this is at all true of the supramental knowledge.
  The supermind knows most completely and securely not by thought but by identity, by a pure awareness of the self-truth of things in the self and by the self, atmani atmanam atmana. I get the supramental knowledge best by becoming one with the truth, one with the object of knowledge; the supramental satisfaction and integral light is most there when there is no further division between the knower, knowledge and the known, jnata, jnanam, jneyam. I see the thing known not as an object outside myself, but as myself or a part of my universal self contained in my most direct consciousness. This leads to the highest and completest knowledge; thought and speech being representations and not this direct possession in the consciousness are to the supermind a lesser form and, if not filled with the spiritual awareness, thought becomes in fact a diminution of knowledge. For it would be, supposing it to be a supramental thought, only a partial manifestation of a greater knowledge existing in the self but not at the time present to the immediately active consciousness. In the highest ranges of the infinite there need be no thought at all because all would be experienced spiritually, in continuity, in eternal possession and with an absolute directness and completeness. Thought is only one means of partially manifesting and presenting what is hidden in this greater self-existent knowledge. This supreme kind of knowing will not indeed be possible to us in its full extent and degree until we can rise through many grades of the supermind to that infinite. But still as the supramental power emerges and enlarges its action, something of this highest way of knowledge appears and grows and even the members of the mental being, as they are intuitivised and supramentalised, develop more and more a corresponding action upon their own level. There is an increasing power of a luminous vital, psychic, emotional, dynamic and other identification with all the things and beings that are the objects of our consciousness and these transcendings of the separative consciousness bring with them many forms and means of a direct knowledge.

4.23 - The supramental Instruments -- Thought-process, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The supermind in its completeness reverses the whole order of the mind's thinking. It lives not in the phenomenal but in the essential, in the self, and sees all as being of the self and its power and form and movement, and all the thought and the process of the thought in the supermind must also be of that character. All its fundamental ideation is a rendering of the spiritual knowledge that acts by identity with all being and of the supramental vision. It moves therefore primarily among the eternal, the essential and the universal truths of self and being and consciousness and infinite power and delight of being (not excluding all that seems to our present consciousness non-being), and all its particular thinking originates from and depends upon the power of these eternal verities; but in the second place it is at home too with infinite aspects and applications, sequences and harmonies of the truths of being of the Eternal. It lives therefore at its heights in all that which the action of the pure ideative mind is an effort to reach and discover, and even on its lower ranges these things are to its luminous receptivity present, near or easily grasped and available.
  But while the highest truths or the pure ideas are to the ideative mind abstractions, because mind lives partly in the phenomenal and partly in intellectual constructions and has to use the method of abstraction to arrive at the higher realities, the supermind lives in the spirit and therefore in the very substance of what these ideas and truths represent or rather fundamentally are and truly realises them, not only thinks but in the act of thinking feels and identifies itself with their substance, and to it they are among the most substantial things that can be. Truths of consciousness and of essential being are to the supermind the very stuff of reality, more intimately and, as one might almost say, densely real than outward movement and form of being, although these too are to it movement and form of the reality and not, as they are to a certain action of the spiritualised mind, an illusion. The idea too is to it real-idea, stuff of the reality of conscious being, full of power for the substantial rendering of the truth and therefore for creation.

4.25 - Towards the supramental Time Vision, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  This kind of intuitive knowledge is not an entirely perfect instrument of time knowledge. It moves normally in the stream of the present and sees rightly from moment to moment only the present, the immediate past and the immediate future. It may, it is true, project itself backward and reconstruct correctly by the same power and process a past action or project itself forward and reconstruct correctly something in the more distant future. But this is for the normal power of the thought vision a more rare and difficult effort and usually it needs for a freer use of this self-projection the aid and support of the psychical seeing. Moreover, it can see only what will arrive in the undisturbed process of the actualities and its vision no longer applies if some unforeseen rush of forces or intervening power comes down from regions of a larger potentiality altering the complex of conditions, and this is a thing that constantly happens in the action of forces in the time movement. It may help itself by the reception of inspirations that illumine to it these potentialities and of imperative revelations that indicate what is decisive in them and its sequences and by these two powers correct the limitations of the intuitive mind of actuality. But the capacity of this first intuitive action to deal with these greater sources of vision is never quite perfect, as must always be the case with an inferior power in its treatment of the materials given to it from a greater consciousness. A considerable limitation of vision by its stress on the stream of immediate actualities must be always its character.
  It is possible, however, to develop a mind of luminous inspiration which will be more at home among the greater potentialities of the time movement, see more easily distant things and at the same time take up into itself, into its more brilliant, wide and powerful light, the intuitive knowledge of actualities. This inspired mind will see things in the light of the world's larger potentialities and note the stream of actuality as a selection and result from the mass of forceful possibles. It will be liable, however, if it is not attended with a sufficient revelatory knowledge of imperatives, to a hesitation or suspension of determining view as between various potential lines of the movement or even to a movement away from the line of eventual actuality and following another not yet applicable sequence. The aid of imperative revelations from above will help to diminish this limitation, but here again there will be the difficulty of an inferior power dealing with the materials given to it from the treasury of a higher light and force. But it is possible to develop too a mind of luminous revelation which taking into itself the two inferior movements sees what is determined behind the play of potentialities and actualities and observes these latter as its means of deploying its imperative decisions. An intuitive mind thus constituted and aided by an active psychic consciousness may be in comm and of a very remarkable power of time knowledge.
  At the same time it will be found that it is still a limited instrument. In the first place it will represent a superior knowledge working in the stuff of mind, cast into mental forms and still subject to mental conditions and limitations. It will always lean chiefly on the succession of present moments as a foundation for its steps and successions of knowledge, however far it may range backward or forward, -- it will move in the stream of Time even in its higher revelatory action and not see the movement from above or in the stabilities of eternal time with their large ranges of vision, and therefore it will always be bound to a secondary and limited action and to a certain dilution, qualification and relativity in its activities. Moreover, its knowing will be not a possession in itself but a reception of knowledge. It will at most create in place of tile mind of ignorance a mind of self-forgetful knowledge constantly reminded and illumined from a latent self-awareness and all-awareness. The range, the extent, the normal lines of action of the knowledge will vary according to the development, but it can never be free from very strong limutations. And this limitation will give a tendency to the still environing or subconsciously subsisting mind of ignorance to reassert itself, to rush in or up, acting where the intuitive knowledge refuses or is unable to act and bringing in with it again its confusion and mixture and error. The only security will be a refusal to attempt to know or at least a suspension of the effort of knowledge until or unless the higher light descends and extends its action. This self-restraint is difficult to mind and, too contentedly exercised, may limit the growth of the seeker. If, on the other hand, the mind of ignorance is allowed again to emerge and seek in its own stumbling imperfect force, there may be a constant oscillation between the two states or a mixed action of the two powers in place of a definite though relative perfection.

4.26 - The Supramental Time Consciousness, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  The power that brings it into play is the infinite consciousness of the Supreme aware of itself and all that is itself, not a limited mental consciousness like ours but supramental and illimitable, not bound by this or that condition, but determining out of an infinite truth of self-existence its own conditions, nor by this or that relation or step and sequence, but capable of all possible relations and steps and sequences. It is a power or force inherent in that consciousness which spontaneously, sovereignly
  908
  --
   and imperatively compels into manifestation the truth it sees and dwells on and evolves its play, combinations, sequences, not a limited mental will and power like ours, but a conscious force supramental and illimitable, Tapas, Chit-shakti, not bound to this or that movement and result of energy, but ordering out of the infinite truth of self-existence the movement and result of all possible energies. And it is finally an Ananda of the being that deploys itself, that ranges at will among the infinities of consciousness and of its power of manifestation, not a limited mental joy or pleasure like our chequered delight of being and action and feeling, but supramental and illimitable, not subject to a given set of reactions, but embracing and taking a free and sovereign and compelling delight of all that is possible in the truth of the infinite consciousness and existence.
  [Version B]

5.04 - Formation Of The World, #Of The Nature Of Things, #Lucretius, #Poetry
  In sequence also.
  Likewise, days may wax

5.08 - ADAM AS TOTALITY, #Mysterium Coniunctionis, #Carl Jung, #Psychology
  [646] The nigredo corresponds to the darkness of the unconscious, which contains in the first place the inferior personality, the shadow. This changes into the feminine figure that stands immediately behind it, as it were, and controls it: the anima, whose typical representative the Shulamite is. I am black, but comelynot hateful, as Eleazar would have us believe, after having reconsidered the matter. For since nature was deformed by the sin of Adam, her blackness must in his view be regarded as ugliness, as the blackness of sin, as the Saturnine initial state, heavy and black as lead. But the Shulamite, the priestess of Ishtar, signifies earth, nature, fertility, everything that flourishes under the damp light of the moon, and also the natural life-urge. The anima is indeed the archetype of life itself, which is beyond all meaning and all moral categories. What at first struck us as incomprehensible, namely that the old Adam should come forth from her again, thus reversing the sequence of Creation, can now be understood, for if anyone knows how to live the natural life it is the old Adam. Here he is not so much the old Adam as an Adam reborn from a daughter of Eve, an Adam restored to his pristine naturalness. The fact that she gives rebirth to Adam and that a black Shulamite produces the original man in his savage, unredeemed state rules out the suspicion that the old Adam is a slip of the pen or a misprint. There is a method in it, which allows us to guess what it was that induced the author to adopt a Jewish pseudonym. For the Jew was the handiest example, living under everyones eyes, of a non-Christian, and therefore a vessel for all those things a Christian could not or did not like to remember. So it was really very natural to put those dark, half-conscious thoughts which began with the Movement of the Free Spirit, the late Christian religion of the Holy Ghost, and which formed the life-blood of the Renaissance, into the mouth of an allegedly Jewish author. Just as the era of the Old Testament prophets began with Hosea, who was commanded by God to marry another Shulamite, so the cours damour of Ren dAnjou, the minnesingers and saints with their passionate love of God, were contemporaneous with the Brethren of the Free Spirit. Eleazars text is nothing but a late echo of these centuries-old events which changed the face of Christianity. But in any such echo there is also a premonition of future developments: in the very same century the author of Faust, that momentous opus, was born.
  [647] The Shulamite remains unchanged, as did the old Adam. And yet Adam Kadmon is born, a non-Christian second Adam, just at the moment when the transformation is expected. This extraordinary contradiction seems insoluble at first sight. But it becomes understandable when we consider that the illumination or solificatio of the Shulamite is not the first transformation but the second, and takes place within. The subject of transformation is not the empirical man, however much he may identify with the old Adam, but Adam the Primordial Man, the archetype within us. The black Shulamite herself represents the first transformation: it is the coming to consciousness of the black anima, the Primordial Mans feminine aspect. The second, or solificatio, is the conscious differentiation of the masculine aspecta far more difficult task. Every man feels identical with this, though in reality he is not. There is too much blackness in the archetype for him to put it all down to his own account, and so many good and positive things that he cannot resist the temptation to identify with them. It is therefore much easier to see the blackness in projected form: The woman whom thou gavest to be with me, she gave me of the tree, and I did eat holds true even of the most enlightened psychology. But the masculine aspect is as unfathomable as the feminine aspect. It would certainly not be fitting for the empirical man, no matter how swollen his ego-feelings, to appropriate the whole range of Adams heights and depths. Human being though he is, he has no cause to attribute to himself all the nobility and beauty a man can attain to, just as he would assuredly refuse to accept the guilt for the abjectness and baseness that make man lower than an animalunless, of course, he were driven by insanity to act out the role of the archetype.

7 - Yoga of Sri Aurobindo, #unset, #Arthur C Clarke, #Fiction
  find any link, sequence, sense. But Nature has a con-
  scious will, she is a conscious being. Perhaps the word

Aeneid, #unset, #Arthur C Clarke, #Fiction
  fully realized: the rapid shifts of tense in Virgil, the sudden intrusions of past on present and present on past within the narrative sequence itself (though the double lands of the narrative past and the
  present of simile were fully explored by Dante). There is no uniform explanation for these shifts in Virgil; but each instance counts

Blazing P3 - Explore the Stages of Postconventional Consciousness, #unset, #Arthur C Clarke, #Fiction
  dualistic sequence, where this moment is still being succeeded by another one, so that the
  Infancy to Enlightenment, Part III: Postconventional Consciousness

BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  An attempt is made to show the above to be a complement of, and sequence to, the Darwinian theory.
  This is a clumsy attempt at best. The public will soon be made to believe that Mr. C. Dixon's

BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  Secondless Reality, the ever unknowable cause of all. As a logical sequence the Church, for purposes
  of duality, had to invent an anthropomorphic Devil -- created, as taught by her, by God himself. Satan

BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  ALL that lies beyond the threshold of Sense. It merely traces the sequence of phenomena on a plane of
  effects, illusory projections from the region that Occultism has long since penetrated. And the latter
  --
  consciousness and sensation, since matter, after all, is nothing else than the sequence of our own states
  of consciousness, and Spirit an idea of psychic intuition. Even on the next higher plane, that single
  --
  little solar system, but would probably follow the same general sequence of events in
  every centre of energy now visible as a star."
  --
  chemical elements would have cooled down to the combination point, and the sequence
  of events so graphically described by Mr. Mattieu Williams in "The Fuel of the Sun"
  --
  law of uniformity in the laws of nature, that of continuity, and all the logical sequence of analogies in
  the evolution of being. The masses of the profane are asked, and made, to believe that the accumulated
  --
  phantasmagoria, a veritable imbroglio of sidereal denominations, without sequence or object, having
  no figurative relation with the constellations they represent, and still less, apparently, with the phases
  --
  then this classification would have to be altered. But as the sequence of the Continents is made to
  follow the order of evolution of the Races, from the first to the fifth, our Aryan Root-race, Europe

BOOK I. -- PART II. THE EVOLUTION OF SYMBOLISM IN ITS APPROXIMATE ORDER, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  desire to learn and acquire knowledge -- to KNOW. This is the natural sequence of mental evolution,
  the spiritual becoming transmuted into the material or physical. The same law of descent into

BS 1 - Introduction to the Idea of God, #unset, #Arthur C Clarke, #Fiction
  Thank you all very much for coming. Its really shocking to me that you dont have anything better to do on a Tuesday night. Seriously though, its very strange, in some sense, that so many of you are here to listen to a sequence of lectures on the psychological significance of the Bible stories. Its something Ive wanted to do for a long time, but it still does surprise me that theres a ready audience for it. Thats good. Well see how it goes.
  Ill start with this, because its the right question: why bother doing this? And I dont mean why should I bother I have my own reasons for doing it but you might think, why bother with this strange old book at all? Thats a good question. Its a contradictory document thats been cobbled together over thousands of years. Its outlasted many, many kingdoms. Its really interesting that it turns out a book is more durable than stone. Its more durable than a castle. Its more durable than an empire. Its really interesting that something so evanescent can be so long-living. So theres that; thats kind of a mystery.
  --
  Theres the Elohist source. It contains the stories of Abraham and Isaac. Its concerned with a heavenly hierarchy that includes angels. It talks about the departure from Egypt, and it presents the covenant code, which is this idea that society is predicatedthis was Israeli societyon a covenant with God thats laid out in a sequence of rules, some of which are the Ten Commandment, but many of which are much more extensive than that.
  The final one is the Deuteronomist Code. It contains the bulk of the law and whats called the Deuteronomic History. Its independent of Genesis, Exodus, Leviticus, and Numbers. And so we know that, at least.
  --
  "In the beginning, God created the heavens and earth." We know its associated with the logos in this sequence of stories. We know its associated with the word, and with consciousness; and we know that its associated with whatever God is. And then I laid out the metaphorical landscape that, at least in part, describes God. Now we have some sense of the being that creates the heavens and the earth.
  "The earth was without form and void"thats that chaotic state of intermingled confusion"and darkness was over the face of the deep. And the spirit of God was hovering over the face of the waters. And God said, let there be light, and there was light.

DS3, #unset, #Arthur C Clarke, #Fiction
  categories represent a single sequence in what Buddhists call the Three Realms, with the first four
  categories of birth belonging to the Realm of Desire and the two categories of form and the three

ENNEAD 02.03 - Whether Astrology is of any Value., #Plotinus - Complete Works Vol 04, #Plotinus, #Christianity
  Is the soul the cause of these passions, because she begets the beings that produce them? Does the soul then consider the whole sequence of events, and does she pass her existence watching the "passions" experienced1185 by her works? Does she never cease thinking of the latter, does she never put on them the finishing touch, regulating them so that they should always go well?259 Does she resemble some farmer who, instead of limiting himself to sowing and planting, should ceaselessly labor to repair the damage caused by the rains, the winds, and the storms? Unless this hypothesis be absurd, it must be admitted that the soul knows in advance, or even that the ("seminal)260 reasons" contain accidents which happen to begotten beings, that is, their destruction and all the effects of their faults.261 In this case, we are obliged to say that the faults are derived from the ("seminal) reasons", although the arts and their reasons contain neither error, fault, nor destruction of a work of art.262
  THE UNIVERSE IS HARMONY,207 IN SPITE OF THE FAULTS IN THE DETAILS.

ENNEAD 02.09 - Against the Gnostics; or, That the Creator and the World are Not Evil., #Plotinus - Complete Works Vol 02, #Plotinus, #Christianity
  In these notes, "anchor" means the reference to a footnote, and "footnote" means the information to which the anchor refers. Anchors occur within the main text, while footnotes are grouped in sequence at the end of this eBook. The structure of the original book required two exceptions to this, as explained below.
  The original text used chapter endnotes. In this eBook, they have been combined into a single, ascending sequence based on the sequence in which the footnotes occurred in the original book, and placed at the end of the eBook. Several irregularities are explained below.
  1. Some footnotes are referenced by more than one anchor, so two or more anchors may refer to the same footnote.
  2. Some anchors were out of sequence, apparently because they were added afterwards or because they are share a footnote with another anchor. They have been renumbered to match the numbers of the footnotes to which they refer.
  Page 349: Footnote 16 (originally 2) has no anchor.

ENNEAD 03.01 - Concerning Fate., #Plotinus - Complete Works Vol 01, #Plotinus, #Christianity
  4. But might (Heraclitus) suppose that a single Soul interpenetrating the universe produces everything, and by supplying the universe with motion supplies it simultaneously to all its constituent beings, so that from this primary cause, would necessarily flow all secondary causes, whose sequence and connection would constitute Fate? Similarly, in a plant, for instance, the plant's fate might be constituted by the ("governing") principle which, from the root, administers its other parts, and which organizes into a single system their "actions" and "reactions."104
  THIS WOULD INTERFERE WITH SELF-CONSCIOUSNESS AND RESPONSIBILITY.
  To begin with, this Necessity and Fate would by their excess destroy themselves, and render impossible the sequence and concatenation of the causes. It is, indeed, absurd to insist that our members are moved by Fate when they are set in motion, or innervated, by the "governing principle." It is a mistake to suppose that there is a part which imparts motion, and on the other hand, a part which receives it from the former; it is the governing principle that moves the leg, as it would any other part. Likewise, if in the universe exists but a single principle which "acts and reacts," if things derive from each other by a series of causes each92 of which refers to the preceding one, it will no longer be possible to say truly that all things arise through causes, for their totality will constitute but a single being. In that case, we are no longer ourselves; actions are no longer ours; it is no longer we who reason; it is a foreign principle which reasons, wills, and acts in us, just as it is not our feet that walk, but we who walk by the agency of our feet. On the contrary, common sense admits that every person lives, thinks, and acts by his own individual, proper life, thought and action; to each must be left the responsibility of his actions, good or evil, and not attri bute shameful deeds to the universal cause.
  RESTATEMENT OF THE ASTROLOGICAL THEORY OF FATE.

ENNEAD 03.07 - Of Time and Eternity., #Plotinus - Complete Works Vol 03, #Plotinus, #Christianity
  Besides, this movement is a definite quantity. Either this quantity will be measured by the extension of the space traversed, and the interval will consist in that extension; but that extension is space, and not time. Or we shall say that movement has a certain interval because it is continuous, and that instead of stopping immediately it always becomes prolonged; but this continuity is nothing else than the magnitude (that is, the duration) of the movement. Even though after consideration of a movement it be estimated as great, as might be said of a "great heat"this does not yet furnish anything in which time might appear and manifest; we have here only a sequence of movements which succeed one another like waves, and only the observed interval between them; now the sequence of movements forms a number, such as two or three; and the interval is an extension. Thus the magnitude of the movement will be a number, say, such as ten; or an interval that manifests in the extension traversed by the movement. Now the notion of time is not revealed herein, but we find only a quantity that is produced within time. Otherwise, time, instead of being everywhere, will exist only in the movement as an attri bute in a substrate, which amounts to saying that time is movement; for the interval (of the movement) is not outside of movement, and is only a non-instantaneous movement. If then time be a non-instantaneous movement, just as we often say that some particular instantaneous fact occurs within time, we shall be forced to ask the difference between what is and what is not instantaneous. Do these things differ in relation to time? Then the persisting movement and its interval are not time, but within time.
  1000
  --
  In these notes, "anchor" means the reference to a footnote, and "footnote" means the information to which the anchor refers. Anchors occur within the main text, while footnotes are grouped in sequence at the end of this eBook. The structure of the original book required some exceptions to this, as explained below.
  The original text used chapter endnotes. In this eBook, they have been combined into a single, ascending sequence based on the sequence in which the footnotes (not the anchors) occurred in the original book, and placed at the end of the eBook.
  Three kinds of irregularities occurred in the footnotes:
  --
    Some anchors were out of sequence, apparently because they were added afterwards or because they are share a footnote with another anchor. They have been renumbered to match the numbers of the footnotes to which they refer.
    Some footnotes have no anchors. These are noted below.

ENNEAD 04.02 - How the Soul Mediates Between Indivisible and Divisible Essence., #Plotinus - Complete Works Vol 01, #Plotinus, #Christianity
  In these notes, "anchor" means the reference to a footnote, and "footnote" means the information to which the anchor refers. Anchors occur within the main text, while footnotes are grouped in sequence at the end of this eBook. The structure of the original book required two exceptions to this, as explained below.
  The original text used a combination of footnotes (indicated by symbols) and endnotes (indicated by numbers). In this eBook, they have been combined into a single, ascending sequence based on the sequence in which the footnotes occurred in the original book, and placed at the end of the eBook. Several irregularities are explained below.
  Footnotes sometimes were printed in a different sequence than their anchors (as on page 60: third and fourth footnotes were printed in incorrect sequence). and the symbols used for the anchors sometimes were in a different sequence than the footnotes (as on page 72, second and third symbols). Except as noted below, all footnotes have been re sequenced to match the sequence of their anchors.
  Page 85: The last footnote is printed out of sequence and followed by a paragraph that appears to be a final comment. In this eBook, that footnote has been repositioned to be in the sequence of its anchor.
  Pages 111 and 118: Anchor 134 (originally 29) originally referred to two footnotes. In this eBook, they are footnotes 134 and 134a.
  Pages 186 and 192: section "PLATO TEACHES THREE SPHERES OF EXISTENCE.242" (originally 47) used an out-of- sequence endnote number that matched the last endnote in the chapter; that endnote has been repositioned to be in the overall footnote sequence.
  Page 196: Footnote 267 (originally 5) has no anchor; the missing anchor would be on page 193 or 194.

ENNEAD 05.08 - Concerning Intelligible Beauty., #Plotinus - Complete Works Vol 02, #Plotinus, #Christianity
  5. All the productions of nature or art are the works of a certain wisdom which ever presides over their creation. Art is made possible only by the existence of this wisdom. The talent of the artist is derived from the wisdom of nature which presides over the production of every work. This wisdom is not a sequence of demonstrations, as the whole of it forms a unity; it is not a plurality reduced to unity, but a unity which is resolved into a plurality. If we admit that this wisdom is primary Wisdom, there is nothing to be sought beyond it, since in this case it is independent of every principle, and is located within itself. If, on the contrary, we say that nature possesses the ("seminal) reason," and is its principle, we shall have to ask whence nature derives it.221 If it be called a superior principle, we still have to ask the derivation of this principle; if it be derived from nothing, we need not go beyond it (but return to the above demonstration). If, on the contrary, it be derived from Intelligence, we shall have to examine whether Intelligence produced560 wisdom. The first objection here will be, how could it have done so? For if Intelligence itself produced it, Intelligence could not have produced it without itself being Wisdom. True Wisdom is therefore "being" and, on the other hand, "being" is wisdom, and derives its dignity from Wisdom; that is why "being" is veritable "Being." Consequently, the being (essences) which do not possess wisdom are such beings only because they were created by a certain wisdom; but they are not true beings (essences), because they do not in themselves possess Wisdom. It would, therefore, be absurd to state that the divinities, or the blessed dwellers in the intelligible world, in that world are engaged in studying demonstrations. The entities that exist there are beautiful forms,222 such as are conceived of as existing within the soul of the wise man; I do not mean painted forms, but existing (substantial) forms. That is why the ancients223 said that ideas are essences and beings.
  BY A PUN, EGYPTIAN WISDOM IS ADDUCED AS A SYMBOL.

ENNEAD 06.03 - Plotinos Own Sense-Categories., #Plotinus - Complete Works Vol 03, #Plotinus, #Christianity
  In bodies, one may besides distinguish on one hand matter, on the other, the form imprinted thereon; and we designate each of these separately as a genus, or subsume both under a unity, inasmuch as we designate both by the common label343 of "being," or rather, "generation." But what is the common element in matter and form? In what manner, and of what is matter a genus? For what difference inheres in matter? In what sequence could we incorporate that which is composed of both? But in the case that that which is composed of both be itself corporeal being, while neither of the two is a body, how then could either be incorporated in a single genus, or within the same genus along with the compound of both? How (could this incorporation into a single genus be effected with) the elements of some object and the object itself? To answer that we should begin by the (composite) bodies: which would be tantamount to learning to read by beginning with syllables (and not with letters).
  936

ENNEAD 06.05 - The One and Identical Being is Everywhere Present In Its Entirety.345, #Plotinus - Complete Works Vol 04, #Plotinus, #Christianity
  In these notes, "anchor" means the reference to a footnote, and "footnote" means the information to which the anchor refers. Anchors occur within the main text, while footnotes are grouped in sequence at the end of this eBook. The structure of the original book required some exceptions to this, as explained below.
  The original text used chapter endnotes. In this eBook, they have been combined into a single, ascending sequence based on the sequence in which the footnotes (not the anchors) occurred in the original book, and placed at the end of the main text, just before the Concordance.
  Four kinds of irregularities occurred in the footnotes:
  --
    Some anchors were out of sequence, apparently because they were added afterwards or because they are share a footnote with another anchor. They have been renumbered to match the numbers of the footnotes to which they refer.
    Some footnotes have no anchors. These are noted below.

Gorgias, #unset, #Arthur C Clarke, #Fiction
  Two tendencies seem to have beset the interpreters of Plato in this matter. First, they have endeavoured to hang the dialogues upon one another by the slightest threads; and have thus been led to opposite and contradictory assertions respecting their order and sequence. The mantle of Schleiermacher has descended upon his successors, who have applied his method with the most various results. The value and use of the method has been hardly, if at all, examined either by him or them. Secondly, they have extended almost indefinitely the scope of each separate dialogue; in this way they think that they have escaped all difficulties, not seeing that what they have gained in generality they have lost in truth and distinctness. Metaphysical conceptions easily pass into one another; and the simpler notions of antiquity, which we can only realize by an effort, imperceptibly blend with the more familiar theories of modern philosophers. An eye for proportion is needed (his own art of measuring) in the study of Plato, as well as of other great artists. We may hardly admit that the moral antithesis of good and pleasure, or the intellectual antithesis of knowledge and opinion, being and appearance, are never far off in a Platonic discussion. But because they are in the background, we should not bring them into the foreground, or expect to discern them equally in all the dialogues.
  There may be some advantage in drawing out a little the main outlines of the building; but the use of this is limited, and may be easily exaggerated. We may give Plato too much system, and alter the natural form and connection of his thoughts. Under the idea that his dialogues are finished works of art, we may find a reason for everything, and lose the highest characteristic of art, which is simplicity. Most great works receive a new light from a new and original mind. But whether these new lights are true or only suggestive, will depend on their agreement with the spirit of Plato, and the amount of direct evidence which can be urged in support of them. When a theory is running away with us, criticism does a friendly office in counselling moderation, and recalling us to the indications of the text.

Liber 111 - The Book of Wisdom - LIBER ALEPH VEL CXI, #unset, #Arthur C Clarke, #Fiction
   the last term in a sequence of Causes and Effects. For thy Mind hath
   been built up of these Elements, so that in these Books thou mayst
  --
   in their Course and sequence, until by their Movement was the Universe
   churned into the Quintessence of Light. Moreover at another Time did I
  --
   Manifestation of a Long sequence of Events in a Moment, I had Wit to
   analyse this Method, and to discover its Essential Law, which before
  --
   sequence, and a moment of Light outweigheth an Age of Darkness. What is
   Happiness but the Issue of the Harmony of our Consciousness with our

Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
   Astrological symbols and to the jumbled sequence.}
   This key is that of the Tarot. There are four suits, wands, caps,{sic}

r1912 12 04, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   Today there is to be final fulfilment of the spontaneity of the lipi. (Written on the 5) This has been fulfilled, although at first the fulfilment was attended by a swift & violent obstruction first to the appearance of the lipi, next to its spontaneity[,] thirdly to its vividness, fourthly, to its completeness, fullness of sentence & separation of different lipis. The enemy tried to bring back or at least prolong all the old defects of confusion, fragmentariness, mixture of sentences, faintness, inability to appear, necessity of mental support & suggestion, illegibility etc. Outwardly, it seemed to succeed, but the Lipi showed itself through perfectly established and asserted its legibility, spontaneity, fullness, sequence & with some difficulty its vividness. Moreover, it is now moving towards the elimination of imperfect lipi altogether. At the same time the tejas has become constant & indifferent to failure, even to continued and persistent failure.
   The opposition now comes not from the personal environment, but from the Dasyus in the outside world and they fight not close (anti), but dure, from a distance. Their effort is to preserve the obstruction, to prevent Ananda from establishing itself and to enforce Asraddha by defeating the Adeshasiddhi. As regards the Ananda they have now (the 4 night & 5 ) definitely failed. There is ahaituka Ananda well-established, even in spite of asraddha. In other words, the depression caused by the withholding of the Adesha-siddhi is so reduced in effectiveness that it can only now limit the Ananda and not any longer prevent its manifestation.

r1913 07 05, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   The spontaneity & arrangement are still in course of perfection, not yet perfect; the lipi is express & free only when it conquers the resistance, but this is now frequent. Otherwise it is pale in material and confused in sequence.
   (2) Rupa emerging, shaping, sometimes clear & perfect, recurrent, not spontaneous.

r1914 04 04, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   Numbered in sequence to the four lipis near the margin; those numbered 5 and 6 were apparently not noticed.Ed.
   ***

r1917 01 22, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   Apparently the script first came: "Ideality in trikaldrishti, tapas", the word "telepathy" being added later. The parentheses around and the caret below "telepathy" in Sri Aurobindo's transcription of the script appear to be his way of representing this sequence.Ed.
   MS this

r1919 08 04, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   Dream of connected sequences, but some fantasia. Beginning of a firmer gnosis in the dialogue.
   MS considerably

Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  to give it a logical sequence by devices of arrangements. While no effort has been spared to arrange the
  sayings logically, we trust the general reader would find it easier to follow their trend of thought if we

Sophist, #unset, #Arthur C Clarke, #Fiction
  STRANGER: I understand you to say that words which have a meaning when in sequence may be connected, but that words which have no meaning when in sequence cannot be connected?
  THEAETETUS: What are you saying?

Talks 001-025, #unset, #Arthur C Clarke, #Fiction
    The existence of thoughts, their clear conceptions and their operations become evident to the individual. The analysis leads to the conclusion that the individuality of the person is operative as the perceiver of the existence of thoughts and of their sequence.
    This individuality is the ego, or as people say I. Vijnanamaya kosa

Talks 051-075, #unset, #Arthur C Clarke, #Fiction
    Therefore the world is the sequence of the ego. Find out the ego.
    The finding of its source is the final goal.
  --
  Chronological sequence of the Masters
  Stay in Different Places at Tiruvannamalai

Talks With Sri Aurobindo 2, #Talks With Sri Aurobindo, #unset, #Zen
  PURANI: He still has three days' time. Otherwise it will break his sequence.
  He is preparing.

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  ventional spelling. Try on an innocent foreigner the sequence: a
  coughing plough and a soughing trough; then see what happens.
  --
  smooth, integrated sequence of actions, quite different from the erratic,
  hit-and-miss behaviour of rats trying to find their way through a maze,
  --
  planning must co-ordinate into the proper sequence.
  Purposive thinking, even of this ordinary, humdrum kind, proceeds
  --
  We further note that the whole sequence of not less than from two
  to three hundred lines' of the Kubk Khan dream itself was triggered off
  --
  repertory: the occasional reversal of causal sequences. This, however, is
  putting the phenomenon into over-concrete terms, since 'causality*
  --
  them. He is the spectator passively watching the sequence of images
  on one level, which he actively produces on another; he is the cinema
  --
  continuous, and the sequence of events can be reversed as in a film.
  Needless to say, the relativity of psychological time has nothing to do
  --
  correct sequence asserts its autonomy. Functional habits must have
  some kind of structural representation in the neuron-matrices of the
  --
  Fibonacci sequence of numbers the list could be continued endlessly.
  The counterpart to A Mathematician's Apology, which puts beauty
  --
  number of possible sequences, at the same time negatively incapaci-
  tating itself for others. The effect produced by what actually follows
  --
  ments, surprisals, which the sequence of syllables brings about, is
  rhythm. . . . Evidently there can be no surprise and no disappoint-
  --
  beats and extending the sequence into the future. The witch-doctor
  hypnotizes his audience with the monotonous rhythm of his drum;
  --
  any meaningful sequences) until the subject thinks he can see them in
  his mind's eye. He can, in fact, fluently read' them out after the square
  --
  fact, learned the sequence by rote without realizing it which is quite
  a different matter from forming a visual image. If he could really see
  --
  pected sequence of events and, when asked to relate what happened,
  give notoriously divergent, unreliable accounts. Their verbal re-
  --
  themselves, but because they were unable to take in a sequence of
  events which did not fit their scheme of things.
  --
  plementary. The sequence of bases as read down along one side of the
  ladder is the genetic code, written in the four-letter alphabet, 'A*,
  --
  hundred or more in a specific sequence. The number of permuta-
  tions of twenty units in a sequence of several hundred links is of course
  enormous, and accounts for the impressive variety of proteins and
  --
  biological time-clocks (the pre-set sequence of gene-activities); just
  as the transplantation of a nucleus into a different cytoplasmic environ-
  --
  to analyse incoming impulses. The code is the sequence of excitation-
  clangs which calls forth one complete motion say, one step of the
  --
  clang* would merely 'rough in* the sequence of movements 'and thus
  reduce the troublesome transients involved in the correction of move-
  --
  destruction of the pre-central gyri. If the customary sequence of move-
  ments employed in reaching the food is rendered impossible, another
  --
  action' of the traumatized animal; the anabolic-catabolic sequence of
  de-differentiation and reintegration corresponds to the destructive-
  constructive sequence in the creative act. The 'physiological isolation
  of the over-excited part which tends to dominate, corresponds to the
  --
  clangs, frequency-modulation sequences?) from higher echelons were
  found to be of a more implicit, generalized order than the actual per-
  --
  phase of an instinctive behaviour pattern or sequence'. 1 *
  Thus 'appetitive behaviour' became a more refined and noncom-
  --
  abstract, classificatory terms in which longer sequences of consum-
  matory acts are bracketed together. Where, then, is the 'appetitive
  --
  terms. The effects of different rates and sequences of positive and
  negative reinforcers are counted and plotted; die entity on which they
  --
  single independent variable, can reproduce any sequence of sounds,
  from the Sermon on the Mount to the Ninth Symphony performed by
  --
  mine selective responsiveness to frequency-modulation sequences of
  excitation seems more plausible. Whatever the mechanism is, it must
  --
  Hebb's phase sequences in neuron assemblies was another. The Pitt-
  McCullough model of a scanning analyser to account for figure con-
  --
  phrase. To qualify as a tune, the pitch-variation sequence must con-
  form to certain codes of modality, key, harmony. These codes must
  --
  recollection of the actual sequence of scenes in the play; a few months
  later only an outline of the plot as a whole remains in the 'store'.
  --
  'cinematographic sequence' like the detailed, auditory-visual se-
  quences which Penfield evoked in his patients through electric stimu-
  --
  and the homogeneous dashes of the Morse sequence offer no distin-
  guishable characteristics for the forming of specific S.-R. connections.
  --
  himself anticipating the sequence of finger movements in a short,
  familiar word. Habits were developing for groups of letters such as
  --
  as a reversal of the hierarchic sequence of operations which will
  characterize performance when learning is completed. When the
  typist copies a document, the sequence of operations is initiated on the
  semantic level, then branches down into successive lower levels with
  --
  the same; while talking we trigger off long sequences of muscular
  patterns as a whole. As we become more proficient in any skilled
  --
  to read chords seen simultaneously and to translate them into temporal sequence
  than to read successive notes in the arpeggio as usually written' (Lashley in the
  --
  a repeated sequence or experiences has been encoded in the dog's
  brain.
  --
  its teeth, which requires an entirely different sequence of motions.
  Even where the 'correct' response was the perverse action of licking
  --
  more already existing skills, and some of them on serial sequences of
  'Eureka processes': when a chimp had discovered the use of a stick as
  --
  to fact, because in the laboratory universe this sequence is natural law.
  Of course some connecting links are missing in the dog's inner model
  --
  said to have made a correct, if crude, model of a causal sequence. The
  crudeness of the model is mainly due to the fact that the rope connec-
  --
  contrary. Then either a sufficient number of instances of this sequence,
  or instances of suitable kinds, will make it increasingly probable that
  --
  tion prevails; the phonetic sequences or manual patterns are triggered
  off as wholes and perceived as wholes; nowhere, in the course of our
  --
  'The same is true of the sequence of sound that makes up a melody.
  He remembers it after he has forgotten each of the many times he
  --
  Frequently the first meaningful string of words refers to a sequence
  of events. Fenton's unusually precocious son, also at the age of eighteen
  --
  primitive (as Kretschmer called it 3 ) the unrolling of a visual sequence,
  where each single word symbolizes a complete event. 'The speech
  --
  in perceptual analysis: the sequence of pressure-variations reaching the
  ear-drum must be dismantled, analysed, and reassembled if we want
  --
  reversed sequence of operations, when it comes to actually construct-
  ing the bridge. 1

The Book of Certitude - P1, #The Book of Certitude, #Baha u llah, #Baha i
  Every discerning observer will recognize that in the Dispensation of the Qur'án both the Book and the Cause of Jesus were confirmed. As to the matter of names, Muhammad, Himself, declared: "I am Jesus." He recognized the truth of the signs, prophecies, and words of Jesus, and testified that they were all of God. In this sense, neither the person of Jesus nor His writings hath differed from that of Muhammad and of His holy Book, inasmuch as both have championed the Cause of God, uttered His praise, and revealed His commandments. Thus it is that Jesus, Himself, declared: "I go away and come again unto you." Consider the sun. Were it to say now, "I am the sun of yesterday," it would speak the truth. And should it, bearing the sequence of time in mind, claim to be other than that sun, it still would speak the truth. In like manner, if it be said that all the days are but one and the same, it is correct and true. And if it be said, with respect to their particular names and designations, that they differ, that again is true. For though they are the same, yet one doth recognize in each a separate designation, a specific attribute, a particular character. Conceive accordingly the distinction, variation, and unity characteristic of the various Manifestations of holiness, that thou mayest comprehend the allusions made by the creator of all names and attributes to the mysteries of distinction and unity, and discover the answer to thy question as to why that everlasting Beauty should have, at sundry times, called Himself by different names and titles. [Muhammad] Some Answered Questions, index
  21

The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
  a sequence of calamities, disasters, and accumulated ruins over 146 years" seems to us truly
  excessive. Something is inexplicable amiss here, since it is precisely during this unfortunate
  --
  because it takes on, in sequence, all the colors of the spectrum.
  Now here is the last decorative subject of our door. It is a salamander serving as capital to the
  --
  Such are, studied in the very sequence of the account, the relationships too eloquent to be
  more coincidences which have contri buted to establish our conviction. These unusual and
  --
  number, being out of the sequences if we did not know that the tarot, complete hieroglyph of the Great Work contained
  the 21 operations or stages through which the philosophical mercury must pass before it reaches the final perfection of the
  --
  During her stay at the court, she saw five kings succeed to the throne in rapid sequence:
  Frances I, Henry II, Francis II, Charles IX and Henry III. Her virtue is recognized and well-
  --
  garden must be cut be cut successively, in sequence and at the end of their flowering, which
  explains the presence of the weapon in our bas-relief. Consequently, too much haste is to be
  --
  attri bute precedence to mercury in order to remain in the sequence of the successive
  acquisitions we must acknowledge that it is to sulphur, the incomprehensible soul of
  --
  years, weighted down by old age and cast down by such a long sequence of years, that it saw
  to follow on after the other, it lets itself be carried by its desire and proper longing to renew
  --
  nature, and unqualified to uncover the correct sequence of the manipulations.
  Such is the essential interest of this book which Fulcanelli presents to the cultivated reader,

the Eternal Wisdom, #unset, #Arthur C Clarke, #Fiction
  16) Life begins a long series of transformations, manifesting itself under innumerable forms, fashioning for itself in the sequence of the ages a multitude of transitory but ever more perfect organisms, thus perfecting itself by the progress of its faculties. ~ Antoine the Healer
  17) Perfection is the end and the beginning of all things, and without perfection they could not be. ~ Confucius

The Gold Bug, #unset, #Arthur C Clarke, #Fiction
  "No; it had much of the appearance of paper, and at first I supposed it to be such, but when I came to draw upon it, I discovered it, at once, to be a piece of very thin parchment. It was quite dirty, you remember. Well, as I was in the very act of crumpling it up, my glance fell upon the sketch at which you had been looking, and you may imagine my astonishment when I perceived, in fact, the figure of a death's-head just where, it seemed to me, I had made the drawing of the beetle. For a moment I was too much amazed to think with accuracy. I knew that my design was very different in detail from this --although there was a certain similarity in general outline. Presently I took a candle, and seating myself at the other end of the room, proceeded to scrutinize the parchment more closely. Upon turning it over, I saw my own sketch upon the reverse, just as I had made it. My first idea, now, was mere surprise at the really remarkable similarity of outline --at the singular coincidence involved in the fact, that unknown to me, there should have been a skull upon the other side of the parchment, immediately beneath my figure of the scarabaeus and that this skull, not only in outline, but in size, should so closely resemble my drawing. I say the singularity of this coincidence absolutely stupefied me for a time. This is the usual effect of such coincidences. The mind struggles to establish a connection --a sequence of cause and effect --and, being unable to do so, suffers a species of temporary paralysis. But, when I recovered from this stupor, there dawned upon me gradually a conviction which startled me even far more than the coincidence. I began distinctly, positively, to remember that there had been no drawing on the parchment when I made my sketch of the scarabaeus. I became perfectly certain of this; for I recollected turning up first one side and then the other, in search of the cleanest spot. Had the skull been then there, of course I could not have failed to notice it. Here was indeed a mystery which I felt it impossible to explain; but, even at that early moment, there it seemed to glimmer, faintly, within the most remote and secret chambers of my intellect, a glow-worm-like conception of that truth which last night's adventure brought to so magnificent a demonstration. I arose at once, and putting the parchment securely away, dismissed all farther reflection until I should be alone.
  "When you had gone, and when Jupiter was fast asleep, I betook myself to a more methodical investigation of the affair. In the first place I considered the manner in which the parchment had come into my possession. The spot where we discovered the scarabaeus was on the coast of the main land, about a mile eastward of the island, and but a short distance above high water mark. Upon my taking hold of it, it gave me a sharp bite, which caused me to let it drop. Jupiter, with his accustomed caution, before seizing the insect, which had flown towards him, looked about him for a leaf, or something of that nature, by which to take hold of it. It was at this moment that his eyes, and mine also, fell upon the scrap of parchment, which I then supposed to be paper. It was lying half buried in the sand, a corner sticking up. Near the spot where we found it, I observed the remnants of the hull of what appeared to have been a ship's long boat. The wreck seemed to have been there for a very great while; for the resemblance to boat timbers could scarcely be traced.

The Logomachy of Zos, #unset, #Arthur C Clarke, #Fiction
  either remiss or insufficient to render the sequence of phonographs, but
  (without understanding) I would receive an emotional impact, like from a
  --
  personifications of our abstract emotion- a sequence by the intensities of
  our feeling.
  --
  casual because nothing is presented as logical sequence. This does not
  infer illogicality because we do not comprehend either relationship or
  --
  There are words of everlasting luster, sound sequences that may be
  alogical yet as near to Truth as it is ever possible to get.
  Certain sequences of sounds and signs, all of which have untrue
  meanings- could set this world aflame.

The Monadology, #unset, #Arthur C Clarke, #Fiction
   36. But there must also be a sufficient reason for contingent truths or truths of fact, that is to say, for the sequence or connexion of the things which are dispersed throughout the universe of created beings, in which the analyzing into particular reasons might go on into endless detail, because of the immense variety of things in nature and the infinite division of bodies. There is an infinity of present and past forms and motions which go to make up the efficient cause of my present writing; and there is an infinity of minute tendencies and dispositions of my soul, which go to make its final cause.
   37. And as all this detail again involves other prior or more detailed contingent things, each of which still needs a similar analysis to yield its reason, we are no further forward: and the sufficient or final reason must be outside of the sequence or series of particular contingent things, however infinite this series may be.
   38. Thus the final reason of things must be in a necessary substance, in which the variety of particular changes exists only eminently, as in its source; and this substance we call God. (Theod.
  --
   40. We may also hold that this supreme substance, which is unique, universal and necessary, nothing outside of it being independent of it,- this substance, which is a pure sequence of possible being, must be illimitable and must contain as much reality as is possible.
   41. Whence it follows that God is absolutely perfect; for perfection is nothing but amount of positive reality, in the strict sense, leaving out of account the limits or bounds in things which are limited. And where there are no bounds, that is to say in God, perfection is absolutely infinite. (Theod. 22, Pref. [E. 469 a; G. vi.

The Shadow Out Of Time, #unset, #Arthur C Clarke, #Fiction
  their rightful sequence. I have, for example, a very imperfect idea of my own living
  arrangements in the dream-world; though I seem to have possessed a great stone room of

WORDNET



--- Overview of noun sequence

The noun sequence has 5 senses (first 4 from tagged texts)
                  
1. (13) sequence ::: (serial arrangement in which things follow in logical order or a recurrent pattern; "the sequence of names was alphabetical"; "he invented a technique to determine the sequence of base pairs in DNA")
2. (3) sequence, chronological sequence, succession, successiveness, chronological succession ::: (a following of one thing after another in time; "the doctor saw a sequence of patients")
3. (3) sequence, episode ::: (film consisting of a succession of related shots that develop a given subject in a movie)
4. (3) succession, sequence ::: (the action of following in order; "he played the trumps in sequence")
5. sequence ::: (several repetitions of a melodic phrase in different keys)

--- Overview of verb sequence

The verb sequence has 2 senses (first 1 from tagged texts)
                  
1. (1) sequence ::: (arrange in a sequence)
2. sequence ::: (determine the order of constituents in; "They sequenced the human genome")


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun sequence

5 senses of sequence                          

Sense 1
sequence
   => series
     => ordering, order, ordination
       => arrangement
         => group, grouping
           => abstraction, abstract entity
             => entity

Sense 2
sequence, chronological sequence, succession, successiveness, chronological succession
   => temporal arrangement, temporal order
     => temporal property
       => property
         => attribute
           => abstraction, abstract entity
             => entity

Sense 3
sequence, episode
   => film, photographic film
     => photographic paper, photographic material
       => photographic equipment
         => equipment
           => instrumentality, instrumentation
             => artifact, artefact
               => whole, unit
                 => object, physical object
                   => physical entity
                     => entity

Sense 4
succession, sequence
   => order, ordering
     => organization, organisation
       => activity
         => act, deed, human action, human activity
           => event
             => psychological feature
               => abstraction, abstract entity
                 => entity

Sense 5
sequence
   => repeat, repetition
     => periodic event, recurrent event
       => happening, occurrence, occurrent, natural event
         => event
           => psychological feature
             => abstraction, abstract entity
               => entity


--- Hyponyms of noun sequence

3 of 5 senses of sequence                      

Sense 1
sequence
   => gene, cistron, factor
   => string
   => combination
   => combination
   => Fibonacci sequence
   => codon

Sense 2
sequence, chronological sequence, succession, successiveness, chronological succession
   => rain, pelting
   => rotation
   => row
   => run

Sense 4
succession, sequence
   => opening, chess opening
   => alternation


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun sequence

5 senses of sequence                          

Sense 1
sequence
   => series

Sense 2
sequence, chronological sequence, succession, successiveness, chronological succession
   => temporal arrangement, temporal order

Sense 3
sequence, episode
   => film, photographic film

Sense 4
succession, sequence
   => order, ordering

Sense 5
sequence
   => repeat, repetition




--- Coordinate Terms (sisters) of noun sequence

5 senses of sequence                          

Sense 1
sequence
  -> series
   => Stations, Stations of the Cross
   => chain, concatenation
   => cordon
   => course, line
   => cycle
   => electromotive series, electromotive force series, electrochemical series
   => hierarchy
   => nexus
   => progression, patterned advance
   => rash, blizzard
   => sequence
   => string, train
   => succession
   => wave train
   => helium group
   => actinide series
   => lanthanide series

Sense 2
sequence, chronological sequence, succession, successiveness, chronological succession
  -> temporal arrangement, temporal order
   => sequence, chronological sequence, succession, successiveness, chronological succession
   => timing

Sense 3
sequence, episode
  -> film, photographic film
   => footage
   => microfilm
   => motion-picture film, movie film, cine-film
   => negative
   => orthochromatic film
   => panchromatic film
   => positive
   => reel
   => roll
   => roll film
   => sequence, episode
   => X-ray film
   => film clip

Sense 4
succession, sequence
  -> order, ordering
   => rank order
   => scaling, grading
   => succession, sequence
   => layout
   => alphabetization, alphabetisation

Sense 5
sequence
  -> repeat, repetition
   => sequence
   => cycle
   => replay, rematch
   => recurrence, return




--- Grep of noun sequence
chronological sequence
consequence
fibonacci sequence
inconsequence
sequence
sequencer
subsequence



IN WEBGEN [10000/1200]

Wikipedia - 1349 Apennine earthquakes -- Earthquake sequence in Italy's Apennine Mountain region
Wikipedia - Aftermath of the Northwest Airlines Flight 253 attack -- Consequences of an attempt to detonate an explosive in a civil flight
Wikipedia - Aggravation (law) -- Any circumstance which increases the guilt or enormity or adds to its injurious consequences of a crime or tort
Wikipedia - Alarm fatigue -- Psychological consequence of overuse of alarms
Wikipedia - Alcuin's sequence
Wikipedia - Algorithmically random sequence
Wikipedia - Alignment-free sequence analysis
Wikipedia - Aliquot sequence -- Mathematical recursive sequence
Wikipedia - Amino acid sequence
Wikipedia - Animator -- Person who makes animated sequences out of still images
Wikipedia - Appeal to consequences
Wikipedia - Arithmetic progression -- Sequence of numbers with constant differences between consecutive numbers
Wikipedia - Aronson's sequence
Wikipedia - Arpeggio -- Notes in a chord played in sequence
Wikipedia - Arzela-Ascoli theorem -- On when a family of real, continuous functions has a uniformly convergent subsequence
Wikipedia - Associative property -- Property allowing removing parentheses in a sequence of operations
Wikipedia - A-type main-sequence star -- Stellar classification
Wikipedia - Batting order (cricket) -- Sequence in which batsmen play through their team's innings
Wikipedia - BD-11 4672 -- Main-sequence star
Wikipedia - Binary sequence
Wikipedia - Bitstream -- Sequence of binary digits
Wikipedia - Blue straggler -- A main sequence star that is more luminous and bluer than expected
Wikipedia - Bolzano-Weierstrass theorem -- A bounded sequence in finite-dimensional Euclidean space has a convergent subsequence
Wikipedia - Book:Sequences and series
Wikipedia - Book series -- Sequence of books having certain characteristics in common that are formally identified together as a group
Wikipedia - Boomerang effect (psychology) -- Unintended consequences of an attempt to persuade resulting in the adoption of an opposing position instead
Wikipedia - Boustrophedon transform -- Mathematical transformation on sequences
Wikipedia - Bowtie (sequence analysis)
Wikipedia - Breaking wave -- A wave that becomes unstable as a consequence of excessive steepness
Wikipedia - Burst error -- A contiguous sequence of errors occurring in a communications channel
Wikipedia - Burston Strike School -- School and museum founded as consequence of strike in Norfolk, UK
Wikipedia - California mission clash of cultures -- Consequences of Spanish occupation to the indigenous cultures and populations
Wikipedia - Cantor's intersection theorem -- On decreasing nested sequences of non-empty compact sets
Wikipedia - Carmichael's theorem -- On prime divisors of Fibonacci numbers and Lucas sequences, more generally
Wikipedia - Carry On (franchise) -- Sequence of 31 British comedy motion pictures
Wikipedia - Category:Film and television opening sequences
Wikipedia - Category:Integer sequences
Wikipedia - Cauchy sequence
Wikipedia - Causal loop -- Sequence of events in which an event is among the causes of another event, which in turn is among the causes of the first-mentioned event
Wikipedia - Chain reaction -- Sequence of reactions
Wikipedia - Chimera (molecular biology) -- A single nucleic acid sequence created from fragments that are normally separated
Wikipedia - Chimpanzee genome project -- effort to determine the DNA sequence of the chimpanzee genome
Wikipedia - Choreography -- Art or practice of designing sequences of movements of physical bodies
Wikipedia - Classical electromagnetism -- Branch of theoretical physics that studies consequences of the electromagnetic forces between electric charges and currents
Wikipedia - Clifford's circle theorems -- A sequence of theorems relating to sets of circles intersecting at a common point
Wikipedia - Coding region -- Portion of gene's sequence which codes for protein
Wikipedia - Coding strand -- DNA strand with the same base sequence as an mRNA transcript
Wikipedia - Collating sequence
Wikipedia - Comma operator -- (C and C++ programming languages) binary operator whose effect is to cause a sequence of operations to be performed
Wikipedia - Complete sequence
Wikipedia - Complications of traumatic brain injury -- Possible consequences of a brain injury
Wikipedia - Con Moong Cave -- Cave in Vietnam, with long cultural sequence
Wikipedia - Consequence argument
Wikipedia - Consequence of Sound -- American music website launched in 2007
Wikipedia - Consequence (rapper) -- American rapper
Wikipedia - Consequences (Cather story) -- Short story by Willa Cather
Wikipedia - Consequences (The Missionary Position album) -- 2012 album
Wikipedia - Continued fraction -- Representation of a number by a (generally infinite) sequence of additions and inversions
Wikipedia - Contra dance choreography -- Sequence of moves in contra dance
Wikipedia - Convergent sequence
Wikipedia - Cratonic sequence -- A very large-scale lithostratographic sequence that covers a complete marine transgressive-regressive cycle across a craton
Wikipedia - CRISPR -- Family of DNA sequences found in prokaryotic organisms
Wikipedia - Cutscene -- Sequence in a video game that is not interactive, breaking up the gameplay.
Wikipedia - Cutting sequence -- Records individual grid lines crossed ("cut") as a curve crosses a square grid
Wikipedia - Cyclothems -- Alternating sequences of marine and non-marine sediments
Wikipedia - Dalby Group -- Rock strata sequence
Wikipedia - Dan Perri -- American title sequence designer
Wikipedia - Decimal representation -- Expression of every real number as a sequence of digits
Wikipedia - Dedekind number -- Combinatorial sequence of numbers
Wikipedia - De novo gene birth -- Evolution of novel genes from non-genic DNA sequence
Wikipedia - Dies irae -- Latin sequence, liturgical hymn
Wikipedia - Digital signal -- Signal used to represent data as a sequence of discrete values
Wikipedia - Direct-sequence spread spectrum
Wikipedia - Dirichlet's approximation theorem -- Any real number has a sequence of good rational approximations
Wikipedia - Discourse on the Tides -- An essay by Galileo Galilei in 1616 that attempted to explain the motion of Earth's tides as a consequence of Earth's rotation and revolution around the sun
Wikipedia - Discrete-time Fourier transform -- Fourier analysis technique applied to sequences
Wikipedia - DNA sequence
Wikipedia - Dot product -- Algebraic operation returning a single number from two equal-length sequences
Wikipedia - Drive-by download -- Unintended download of computer software from the Internet, either M-bM-^QM- which a person has authorized but without understanding the consequences or M-bM-^QM-! download that happens without a person's knowledge, often a computer virus, spyware, malware
Wikipedia - Drum sequencer (controller)
Wikipedia - Dynasty -- Sequence of rulers considered members of the same family
Wikipedia - Effect of spaceflight on the human body -- Medical consequences of spaceflight
Wikipedia - Effects of pornography on young people -- consequences of pornography in young people
Wikipedia - Effects of sleep deprivation on cognitive performance -- Consequences of not getting enough sleep
Wikipedia - Effects of the Gaza War (2008-2009) -- Consequences of Gaza War (2008-2009)
Wikipedia - Enhancer (genetics) -- DNA sequence that binds activators to increase the likelihood of gene transcription
Wikipedia - Environmental impact assessment -- Assessment of the environmental consequences of a decision before action
Wikipedia - Epigenetics -- Study of heritable DNA and histone modifications that affect the expression of a gene without a change in its nucleotide sequence.
Wikipedia - ErdM-EM-^Qs-Nagy theorem -- A non-convex simple polygon can be made convex by a finite sequence of flips
Wikipedia - ErdM-EM-^Qs-Szekeres theorem -- Sufficiently long sequences of numbers have long monotonic subsequences
Wikipedia - Ergodic sequence -- Interger sequence in mathematics
Wikipedia - Escape character -- Character that invokes an alternative interpretation on subsequent characters in a character sequence
Wikipedia - Escape sequences in C
Wikipedia - Escape sequences
Wikipedia - Escape sequence
Wikipedia - Exact sequence -- Sequence of homomorphisms such that each kernel equals the preceding image
Wikipedia - Exome -- Sequences remaining within RNA after RNA splicing
Wikipedia - Expressed sequence tag
Wikipedia - FASTA format -- File format for DNA or protein sequences
Wikipedia - Fibonacci number -- Integer in the infinite Fibonacci sequence
Wikipedia - Fibonacci sequence
Wikipedia - File sequence
Wikipedia - Film -- Sequence of images that give the impression of movement, stored on film stock
Wikipedia - Flysch -- Type of sedimentary rock sequence
Wikipedia - Frame check sequence -- Error-detecting code used in communications protocols
Wikipedia - F-type main-sequence star -- Stellar classification
Wikipedia - Fungal DNA barcoding -- Identification of fungal species thanks to specific DNA sequences
Wikipedia - Futures wheel -- Method for graphical visualisation of direct and indirect future consequences of a particular change or development
Wikipedia - GATA transcription factor -- Transcription factors characterized by their ability to bind to the DNA sequence "GATA".[1]
Wikipedia - Gene expression -- Conversion of a gene's sequence into a mature gene product or products
Wikipedia - Genetic linkage -- tendency of DNA sequences that are close together on a chromosome to be inherited together
Wikipedia - Gene -- Sequence of DNA or RNA that codes for an RNA or protein product
Wikipedia - Geological history of Earth -- The sequence of major geological events in Earth's past
Wikipedia - Gould's sequence
Wikipedia - Grain entrapment -- Being submerged in grain, with possibly fatal consequences
Wikipedia - Great Valley Sequence -- group of late Mesozoic formations in the Cental Valley of California
Wikipedia - Gromov's compactness theorem (topology) -- On limiting subsequences of sequence of pseudoholomorphic curves with uniform energy bound
Wikipedia - G-type main-sequence star -- Stellar classification
Wikipedia - Habitability of K-type main-sequence star systems -- Overview of the habitability of K-type main-sequence star systems
Wikipedia - Harmonic series (music) -- Sequence of frequencies
Wikipedia - HD 1690 -- Main-sequence star
Wikipedia - HD 203030 -- Main-sequence star
Wikipedia - Hirschberg's algorithm -- Algorithm for aligning two sequences
Wikipedia - Homeobox -- DNA sequence, around 180 base pairs long, found within genes that are involved in the regulation of patterns of anatomical development
Wikipedia - Horizontal gene transfer in evolution -- The evolutionary consequences of transfer of genetic material between organisms of different taxa
Wikipedia - Human error -- Action with unintended consequences, that is often the primary cause or contributing factor in disasters and accidents
Wikipedia - Human genome -- Complete set of nucleic acid sequences for humans
Wikipedia - Hyperbaric treatment schedules -- Planned sequences of hyperbaric pressure exposure using a specified breathing gas as medical treatment
Wikipedia - Ideas Have Consequences
Wikipedia - Identity by descent -- Identical nucleotide sequence due to inheritance without recombination from a common ancestor
Wikipedia - Impact of microcredit -- Consequences of very small loans
Wikipedia - Impact of the COVID-19 pandemic on crime in the Republic of Ireland -- Consequences of the COVID-19 pandemic on crime in the Republic of Ireland
Wikipedia - Impact of the COVID-19 pandemic on crime -- Consequences of COVID-19 pandemic for crime
Wikipedia - Impact of the COVID-19 pandemic on hospitals -- Consequences of COVID-19 pandemic for hospitals
Wikipedia - Impact of the COVID-19 pandemic on journalism -- Consequences of COVID-19 outbreak for media and publishing
Wikipedia - Impact of the COVID-19 pandemic on other health issues -- Health consequences of outbreak beyond the COVID-19 disease itself
Wikipedia - Impact of the COVID-19 pandemic on politics in the Republic of Ireland -- Consequences of the COVID-19 pandemic on politics in the Republic of Ireland
Wikipedia - Impact of the COVID-19 pandemic on sports in the Republic of Ireland -- Consequences of the COVID-19 pandemic on sport in the Republic of Ireland
Wikipedia - Impulsivity -- Tendency to act on a whim without considering consequences
Wikipedia - Integer sequence prime
Wikipedia - Integer sequence -- Ordered list of whole numbers
Wikipedia - Integrated Truss Structure -- Part of the International Space Station; sequence of connected trusses
Wikipedia - Intergenic region -- In genetics, a stretch of DNA sequences located between genes
Wikipedia - International Nucleotide Sequence Database Collaboration
Wikipedia - Intron -- Sequence within a gene or mRNA that does not code for the amino acid sequence of a protein
Wikipedia - Inverse consequences
Wikipedia - Irrationality sequence
Wikipedia - Iteron -- Repeated DNA sequences that play an important role in regulation of plasmid copy number in bacterial cells
Wikipedia - Jesus bloodline -- Hypothetical sequence of lineal descendants of the historical Jesus
Wikipedia - Journal of Integer Sequences
Wikipedia - Just in sequence -- Inventory strategy
Wikipedia - Just-world hypothesis -- Hypothesis that a person's actions are inherently inclined to bring morally fair and fitting consequences to that person
Wikipedia - K2-19 -- K-type main sequence star
Wikipedia - Karma in Buddhism -- Action driven by intention which leads to future consequences
Wikipedia - Kenneth Widmerpool -- Fictional character in Anthony Powell's novel sequence A Dance to the Music of Time
Wikipedia - King Wen sequence
Wikipedia - K-regular sequence -- Mathematical sequence
Wikipedia - KSNM -- Radio station in Truth or Consequences, New Mexico
Wikipedia - K-type main-sequence star -- Stellar classification
Wikipedia - Lake Consequence -- 1992 film directed by Rafael Eisenman
Wikipedia - Law of superposition -- In undeformed stratigraphic sequences, the oldest strata will be at the bottom of the sequence
Wikipedia - Lazy caterer's sequence
Wikipedia - Lethal Consequences -- Professional wrestling tag team
Wikipedia - Lexical analysis -- Conversion of character sequences into token sequences in computer science
Wikipedia - Lexicographic order -- Generalization of the alphabetical order of dictionaries to sequences of elements of an ordered set
Wikipedia - Lias Group -- A sequence of rock strata found in a large area of western Europe
Wikipedia - Limit (mathematics) -- Value that a function or sequence "approaches" as the input or index approaches some value
Wikipedia - Limit of a sequence -- Value that the terms of a sequence "tend to"
Wikipedia - Limit superior and limit inferior -- Bounds of a sequence
Wikipedia - Lineage (evolution) -- Sequence of populations, organisms, cells, or genes that form a line of descent
Wikipedia - List of diving hazards and precautions -- List of the hazards to which an underwater diver may be exposed, their possible consequences and the common ways to manage the associated risk
Wikipedia - List of integer sequences
Wikipedia - List of OEIS sequences
Wikipedia - List of sequence alignment software -- Wikipedia list article
Wikipedia - List of sequenced algae genomes -- Wikipedia list article
Wikipedia - List of sequenced animal genomes -- Wikipedia list article
Wikipedia - List of sequenced archaeal genomes -- Wikipedia list article
Wikipedia - List of sequenced bacterial genomes -- Wikipedia list article
Wikipedia - List of sequenced eukaryotic genomes -- Wikipedia list article
Wikipedia - List of sequenced fungi genomes -- Wikipedia list article
Wikipedia - List of sequenced plant genomes -- Wikipedia list article
Wikipedia - List of sequenced plastomes -- List of plastid genomes whose DNA sequence is known
Wikipedia - List of sequenced protist genomes -- Wikipedia list article
Wikipedia - List of tornadoes in the May 1995 tornado outbreak sequence -- Wikipedia list article
Wikipedia - List of tornadoes in the May 2003 tornado outbreak sequence -- Wikipedia list article
Wikipedia - List of tornadoes in the May 2004 tornado outbreak sequence -- Wikimedia list article
Wikipedia - Lists of sequenced genomes -- Wikipedia list article
Wikipedia - Liturgical year -- Annually recurring fixed sequence of Christian feast days
Wikipedia - LiveType -- Title sequence creation software by Apple Inc.
Wikipedia - Logical consequence -- Fundamental concept in logic
Wikipedia - Longest common subsequence problem
Wikipedia - Longmyndian Supergroup -- Sequence of Late Precambrian rocks
Wikipedia - Look-and-say sequence
Wikipedia - Macintosh startup -- Startup sequence for Macintosh computers
Wikipedia - Macro recorder -- Software that records sequences of keystrokes and mouse actions for playback at a later time
Wikipedia - Main sequence -- A continuous band of stars that appears on plots of stellar color versus brightness
Wikipedia - Mama and papa -- In linguistics, a commonly seen sequence of sounds meaning "mother" and "father"
Wikipedia - May 2009 derecho series -- Unusually strong sequence of derecho events and tornadoes
Wikipedia - Mazur's lemma -- On strongly convergent combinations of a weakly convergent sequence in a Banach space
Wikipedia - Message Sequence Chart
Wikipedia - Mobile genetic elements -- DNA sequence whose position in the genome is variable
Wikipedia - Molecular evolution -- process of change in the sequence composition of cellular molecules across generations
Wikipedia - Monotone convergence theorem -- Theorems on the convergence of bounded monotonic sequences
Wikipedia - Monotone sequence
Wikipedia - Multilocus sequence typing -- Technique in molecular biology
Wikipedia - Multiple sequence alignment -- Alignment of more than two molecular sequence
Wikipedia - Music sequencer
Wikipedia - Mutation -- Alteration in the nucleotide sequence of a genome
Wikipedia - Mutein -- Protein with an altered amino acid sequence
Wikipedia - Neanderthal genome project -- effort to sequence the Neanderthal genome
Wikipedia - Nonlinear gameplay -- Gameplay involving a number of unordered sequences
Wikipedia - Nonsense mutation -- Point mutation in a sequence of DNA that results in a premature stop codon, or a nonsense codon in the transcribed mRNA, and in a truncated, incomplete, and usually nonfunctional protein product
Wikipedia - Nonsynonymous substitution -- Nucleotide mutation that alters the amino acid sequence
Wikipedia - Notron -- British-designed MIDI step sequencer
Wikipedia - Novel sequence
Wikipedia - Nucleic acid sequence -- Succession of nucleotides in a nucleic acid
Wikipedia - Nucleic acid test -- Group of techniques to detect a particular nucleic acid sequence
Wikipedia - Octave glissando -- Piano note sequence
Wikipedia - On-line Encyclopedia of Integer Sequences
Wikipedia - On-Line Encyclopedia of Integer Sequences -- Online database of integer sequences
Wikipedia - On the Cult of Personality and Its Consequences -- Report by Nikita Khrushchev on 25 Feb. 1956, sharply critical of Stalin, charging him with a cult of personality
Wikipedia - Operational taxonomic unit -- Clusters of unknown micro-organisms grouped by similarity of DNA sequence of a specific taxonomic marker gene
Wikipedia - Origin of replication -- Sequence in a genome
Wikipedia - Origin of transfer -- Sequence of DNA
Wikipedia - Padovan sequence -- Sequence of integers
Wikipedia - Palindrome -- Word, phrase, number, or other sequence of units that may be read the same way in either direction
Wikipedia - Palindromic sequence -- DNA or RNA sequence that matches its complement when read backwards
Wikipedia - Part-talkie -- Silent film with one or more sound sequences added
Wikipedia - Peptide sequence
Wikipedia - Periodic sequence -- Sequence for which the same terms are repeated over and over
Wikipedia - Pilgrimage (novel sequence)
Wikipedia - Pisano period -- Period of the Fibonacci sequence modulo an integer
Wikipedia - Plot (narrative) -- Concept in narratology: presentation of a sequence of events in a narrative work
Wikipedia - Post-credits scene -- Short sequence that appears after all or part of the final credits
Wikipedia - Post hoc ergo propter hoc -- Fallacy of assumption of causality based on sequence of events
Wikipedia - Pribnow box -- DNA sequence required in bacterial promoters for transcription
Wikipedia - Principle -- Rule that has to be followed or is an inevitable consequence of something, such as the laws observed in nature
Wikipedia - Problem gambling -- urge to continuously gamble despite harmful negative consequences or a desire to stop
Wikipedia - Procreation sonnets -- sequence of sonnets by William Shakespeare
Wikipedia - Production (computer science) -- In computer science, a rewrite rule specifying a substitution that can be recursively performed to generate new sequences
Wikipedia - Program chain -- Linear sequence of programs found in DVDs
Wikipedia - Protein primary structure -- Linear sequence of amino acids in a peptide or protein
Wikipedia - Protein sequences
Wikipedia - Pseudorandom binary sequence
Wikipedia - PYLIS downstream sequence -- Structure on some mRNA sequences
Wikipedia - Quasi-random sequence
Wikipedia - Random Fibonacci sequence -- Randomized mathematical sequence based upon the Fibonacci sequence
Wikipedia - Random Sequence
Wikipedia - Rational sequence topology -- Mathematical theory related to general topology
Wikipedia - Recombinant DNA -- DNA molecules formed by human agency at a molecular level generating novel DNA sequences
Wikipedia - Recombination signal sequences -- Noncoding DNA that are recognized by the RAG1/RAG2 enzyme complex during V(D)J recombination in immature B cells and T cells
Wikipedia - Recurrence relation -- Definition of each term of a sequence as a function of preceding terms
Wikipedia - Red dwarf -- An informal category of small, cool stars on the main sequence
Wikipedia - RefSeq -- Database containing reference sequences of genes, proteins and transcripts
Wikipedia - Regular paperfolding sequence
Wikipedia - Regulatory sequence -- Segment of nucleic acid that affects the expression of associated genes
Wikipedia - Reinforcement -- A consequence applied that will strengthen an organism's future behavior
Wikipedia - Reliable multicast -- provides a reliable sequence of packets to multiple recipients simultaneously
Wikipedia - Responses to the COVID-19 pandemic in April 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Responses to the COVID-19 pandemic in February 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Responses to the COVID-19 pandemic in June 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Responses to the COVID-19 pandemic in March 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Responses to the COVID-19 pandemic in May 2020 -- Sequence of major events in a virus pandemic
Wikipedia - RNase PhyM -- Type of endoribonuclease which is sequence specific for single stranded RNAs
Wikipedia - Rube Goldberg machine -- Deliberately complex contraption in which a series of devices that perform simple tasks are linked together to produce a series of events in which activating one device triggers the next device in the sequence.
Wikipedia - San Felipe incident (1596) -- Spanish shipwreck in Japan with political consequences
Wikipedia - Scale (music) -- Ascending or descending sequence of musical tones
Wikipedia - Schnirelmann density -- In additive number theory, a way to measure how dense a sequence of numbers is
Wikipedia - Scripted sequence -- Series of events rendered in real time in a video game's engine
Wikipedia - SECIS element -- RNA sequence directing the translation of UGA codons as selenocysteines
Wikipedia - Semialgebraic set -- Subset of n-space defined by a finite sequence of polynomial equations and inequalities
Wikipedia - Semitic root -- Sequence of consonants that forms the basis of word derivations in Semitic and some other Afroasiatic languages
Wikipedia - Sequence alignment software
Wikipedia - Sequence alignment -- Process in bioinformatics that identifies equivalent sites within molecular sequences
Wikipedia - Sequence analysis
Wikipedia - Sequence assembly
Wikipedia - Sequence (biology)
Wikipedia - Sequence (board game)
Wikipedia - Sequence breaking
Wikipedia - Sequence database
Wikipedia - Sequence diagram
Wikipedia - Sequence homology -- Shared ancestry between DNA, RNA or protein sequences
Wikipedia - Sequence hypothesis
Wikipedia - Sequence labeling
Wikipedia - Sequence learning
Wikipedia - SequenceL
Wikipedia - Sequence (mathematics)
Wikipedia - Sequence mining
Wikipedia - Sequence motif -- Nucleotide or amino-acid sequence pattern that is widespread and has, or is conjectured to have, a biological significance. For proteins, a sequence motif is distinguished from a structural motif
Wikipedia - Sequence (musical form)
Wikipedia - Sequence number
Wikipedia - Sequence of symbols
Wikipedia - Sequence Ontology
Wikipedia - Sequence (poetry)
Wikipedia - Sequence point
Wikipedia - Sequence profiling tool
Wikipedia - Sequence Read Archive
Wikipedia - Sequence space (evolution)
Wikipedia - Sequence stratigraphy -- Study and analysis of groups of sedimentary deposits
Wikipedia - Sequence -- Finite or infinite ordered list of elements
Wikipedia - Shine-Dalgarno sequence -- Ribosomal binding site in prokaryotic messenger RNA
Wikipedia - Short code -- short digit sequences used to address SMS messages
Wikipedia - Siletz River Volcanics -- A sequence of basaltic pillow lavas that make up part of Siletzia
Wikipedia - Single-nucleotide polymorphism -- Single nucleotide position in genomic DNA at which different sequence alternatives exist
Wikipedia - Six nines in pi -- Sequence of digits in the math constant M-OM-^@, incorrectly attributed to Feynman
Wikipedia - Ski film -- Type of motion picture with sequences of expedition, recreation, competition, or acrobatic exhibition on snow skis
Wikipedia - Sociable number -- Numbers whose aliquot sums form a cyclic sequence
Wikipedia - Social sequence analysis
Wikipedia - Specker sequence
Wikipedia - Stop codon -- A codon that marks the end of a protein-coding sequence
Wikipedia - Stork enamine alkylation -- Reaction sequence in organic chemistry
Wikipedia - Strict liability -- Responsibility for consequences from activity despite absence of fault or criminal intent
Wikipedia - String (computer science) -- Sequence of characters, data type
Wikipedia - Structural alignment -- Aligning molecular sequences using sequence and structural information
Wikipedia - Subgiant -- Type of star larger than main-sequence but smaller than a giant
Wikipedia - Subsequence
Wikipedia - Substance use disorder -- Continual use of drugs (including alcohol) despite detrimental consequences
Wikipedia - Substitution model -- Description of the process by which states in sequences change into each other and back
Wikipedia - Sum-free sequence
Wikipedia - Summation -- Addition of a finite sequence of numbers
Wikipedia - Syllable -- Unit of organization for a sequence of speech sounds
Wikipedia - Table Mountain Sandstone -- A group of rock formations within the Cape Supergroup sequence of rocks
Wikipedia - Tautological consequence
Wikipedia - TCP sequence prediction attack
Wikipedia - Telomere -- Nucleotide sequences
Wikipedia - Template talk:ConsequenceOfSoundArtistBand
Wikipedia - Template talk:Unintended consequences
Wikipedia - Terminal yield -- leave sequence in formal language
Wikipedia - Terminator (genetics) -- Section of genetic sequence that marks the end of gene or operon on genomic DNA for transcription
Wikipedia - That that is is that that is not is not is that it it is -- English word sequence demonstrating lexical ambiguity
Wikipedia - The Dark Is Rising Sequence -- Series of fantasy novels for children by Susan Cooper
Wikipedia - The Economic Consequences of the Peace -- 1919 book by John Maynard Keynes
Wikipedia - The Human Centipede 2 (Full Sequence) -- 2011 British-Dutch exploitation film directed by Tom Six
Wikipedia - The Human Centipede 3 (Final Sequence) -- 2015 film directed by Tom Six
Wikipedia - The Human Centipede (First Sequence) -- 2010 film by Tom Six
Wikipedia - The Mary Tyler Moore Show opening sequence -- Segment of a television series
Wikipedia - Thought experiment -- Considering hypothesis, theory, or principle for the purpose of thinking through its consequences
Wikipedia - Timecode -- Sequence of numeric codes generated at regular intervals by a timing synchronization system
Wikipedia - Timeline of the COVID-19 pandemic in 2019 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in Afghanistan -- Sequence of major events of ongoing COVID-19 viral pandemic in Afghanistan
Wikipedia - Timeline of the COVID-19 pandemic in April 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in August 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in Croatia -- Sequence of major events in ongoing COVID-19 viral pandemic in Croatia
Wikipedia - Timeline of the COVID-19 pandemic in February 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in India (January-May 2020) -- Sequence of major events in ongoing COVID-19 viral pandemic in India
Wikipedia - Timeline of the COVID-19 pandemic in India (June-December 2020) -- Sequence of major events in ongoing COVID-19 viral pandemic in India
Wikipedia - Timeline of the COVID-19 pandemic in Indonesia -- Sequence of major events in ongoing COVID-19 viral pandemic in Indonesia
Wikipedia - Timeline of the COVID-19 pandemic in January 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in July 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in June 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in March 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in May 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in Nepal -- Sequence of major events in the ongoing COVID-19 viral pandemic in Nepal
Wikipedia - Timeline of the COVID-19 pandemic in October 2020 -- Sequence of major events in a virus pandemic
Wikipedia - Timeline of the COVID-19 pandemic in Pakistan -- Sequence of major events in ongoing COVID-19 viral pandemic in Pakistan
Wikipedia - Timeline of the COVID-19 pandemic in Romania -- Sequence of major events in ongoing COVID-19 viral pandemic in Romania
Wikipedia - Timeline of the COVID-19 pandemic in Russia -- Sequence of major events in ongoing COVID-19 viral pandemic in Russia
Wikipedia - Timeline of the COVID-19 pandemic in Singapore -- Sequence of major events in ongoing COVID-19 viral pandemic in Singapore
Wikipedia - Timeline of the COVID-19 pandemic in Spain -- Sequence of major events in ongoing COVID-19 viral pandemic in Spain
Wikipedia - Timeline of the COVID-19 pandemic in Sweden -- Sequence of minor events between January and mid-March in ongoing COVID-19 viral pandemic in Sweden
Wikipedia - Timeline of the COVID-19 pandemic in the Philippines -- Sequence of major events in ongoing COVID-19 viral pandemic in the Philippines
Wikipedia - Timeline of the COVID-19 pandemic in Turkey -- Sequence of major events in ongoing COVID-19 viral pandemic in Turkey
Wikipedia - Timeline of the COVID-19 pandemic in Uruguay -- Sequence of major events in ongoing COVID-19 viral pandemic in Uruguay
Wikipedia - Time series -- Sequence of data points over time
Wikipedia - Tongeren Group -- sequence of rock strata in Belgium
Wikipedia - Tool-assisted speedrun -- Preprogrammed sequence of controller inputs used to perform tasks in video games
Wikipedia - Tornado outbreak sequence of Early-December 1953 -- weather event affecting Southeastern United State
Wikipedia - Tornado outbreak sequence of March 9-13, 2006 -- Weather event sequence
Wikipedia - Tornado outbreak sequence of May 2019 -- Severe weather event
Wikipedia - Tornado outbreak sequence of May 24-25, 1957 -- American natural disaster
Wikipedia - Train of thought -- Sequence of ideas expressed during a connected discourse or thought
Wikipedia - Transfer RNA-like structures -- RNA sequences similar in structure to tRNA, found in plant virus genomes
Wikipedia - Trivia -- Knowledge of little consequence
Wikipedia - Tyranny of small decisions -- Phenomenon of a series of small rational decisions leading to a significant unwanted consequence
Wikipedia - Undertone series -- Sequence of notes that results from inverting the intervals of the overtone series
Wikipedia - Unforeseen consequences
Wikipedia - Unintended consequences -- Outcomes of a purposeful action that are not intended or foreseen
Wikipedia - Unintended consequence
Wikipedia - UniProt -- Database of protein sequences and functional information
Wikipedia - Upper Karoo Group -- Sequence of Triassic to Early Jurassic rocks in southern Africa
Wikipedia - V(D)J recombination -- The process in which immune receptor V, D, and J, or V and J gene segments, depending on the specific receptor, are recombined within a single locus utilizing the conserved heptamer and nonomer recombination signal sequences (RSS).
Wikipedia - Viterbi algorithm -- Algorithm for finding the most likely sequence of hidden states
Wikipedia - Walker motifs -- ATP-binding protein sequence motifs
Wikipedia - Weight-balanced tree -- Type of self-balancing binary search trees that can be used to implement dynamic sets, dictionaries (maps) and sequences
Wikipedia - Well-formed formula -- Finite sequence of symbols from a given alphabet that is part of a formal language
Wikipedia - Wordless novel -- Sequences of pictures used to tell a story
Wikipedia - Wythoff array -- Infinite matrix of integers derived from the Fibonacci sequence
Wikipedia - Xeelee Sequence
Wikipedia - Youth & Consequences -- 2018 American comedy-drama streaming television series
Wikipedia - Zeeman's comparison theorem -- On when a morphism of spectral sequences in homological algebra is an isomorphism
Consequence ::: Born: June 14, 1977; Occupation: Hip-hop artist;
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Integral World - The Evolutionary Labyrinth, How we succeeded to be here now and its Existential Consequences, David Lane and and Andrea Diem-Lane
Integral World - Looking For the Grand Sequence, An Integrally-Informed Review of Tyler Volk's "Quarks to Culture", Frank Visser
selforum - holonic sequence
selforum - marxs ideas about sequence of modes of
selforum - karma and consequence are not solely
dedroidify.blogspot - fibonacci-sequence-in-tools-lateralus
dedroidify.blogspot - enter-void-dmt-sequence
dedroidify.blogspot - fibonacci-sequence
Dharmapedia - Courts_and_their_Judgements:_Premises,_Prerequisites,_Consequences
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Stanford Encyclopedia of Philosophy - logical-consequence
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https://en.wikiquote.org/wiki/Consequences
https://en.wikiquote.org/wiki/File:Teller-Ulam_device_firing_sequence.png
Muppet Babies (1984 - 1990) - What originally started as a dream sequence in The Muppets Take Manhattan became a hit series for CBS. It's simply Kermit, Miss Piggy, gonzo, and the rest of the Muppets gang as kids, living in a nursery with a nanny who randomly checks in on them. When nanny is not around,The use their imagination...
Blue's Clues (1996 - 2006) - A paper cut-out show with a live action lead character named Steve. Steve lived with his puppy, Blue and figured out what Blue wanted to say through a trio of clues. The show set a standard format for kids shows to follow by having almost the exact same sequence of events occur at the same time ever...
Kratt's Creatures (1996 - 1996) - This show was an education show that taught its viewers about the different residents of the animal kingdom. Coupled with cheesy animated sequences, and wacky anitcs, this show and its hosts Chris and Martin Kratt became hits with children, spawning a series of books based off episodes.
The Kids from Room 402 (1999 - 2001) - This show is about real kids, doing real things and suffering real consequences at "Harding Elementary School in Anytown U.S.A.". Their problems are not imagined or fantasized. Being kids they see even the most trivial occurrences as life or death struggles. Simple issues become magnified into co...
The Jackson 5ive (1971 - 1973) - The adventures of Motown's hit sibling group, The Jackson Five. The 5 got into wacky situations each week, usually instigated by young Michael. Each episode was highlighted by a musical video sequence in the trippy style of "The Yellow Submarine." The show was produced by Rankin/Bass, makers of "...
Space: Above and Beyond (1995 - 1996) - Set in the future follows some intergalactic marine/pilots who are protecting earth from an alien raceand earth created AIs. Much if it set on a mothership with them flying to planets or refinery type complexes. The show had some good space and combat sequences. The dialogues between the marines wa...
Honey I Shrunk the Kids (1997 - 2000) - Honey, I Shrunk the Kids: The TV Show (truncated to Honey, I Shrunk the Kids in the show's title sequence) is an American syndicated science fiction sitcom based on the 1989 film, Honey, I Shrunk the Kids. It expands upon the original film's concept of a shrinking experiment gone wrong to include a...
The Baby Huey Show (1994 - 1995) - A large, dimwitted baby duck known as Baby Huey (based on comic strips) wreaks havoc on those who he comes in contact with as his attempts to help and or play result in hilarious consequences.
Funny Boners (1955 - 1955) - NBC TV Network Saturday mornings:1955 Host/Performer:Jimmy Weldon..Duck puppet character:"Webster Webfoot" Jimmy and "Webster"hosted this kids version of"Truth Of Consequences".
Truth Or Consequences (1950 - 1988) - CBS/NBC TV Network/Syndicated. Ralph Edwards would pick members of his studio audience to try and answer a nonsense riddle..if they failed to do this..they had to participate in a zany stunt.The series was revived in syndication in the 1960's and 70's..featured:Jack Bailey,Bob Barker,Bob Hilton and...
The Oblongs (2001 - 2002) - The Oblongs (stylized as "the Oblongs..." in the main title sequence) is an American animated television program aimed at teenagers and adults. It is loosely based on a series of characters introduced in creator Angus Oblong's picture book entitled Creepy Susie and 13 Other Tragic Tales for Troubled...
Daffy Duck's Quackbusters(1988) - In this feature-length film combining footage from classic Warner Brothers cartoon shorts with newly animated bridging sequences, Daffy Duck, after having induced laughter in an ailing millionaire and forestalled the millionaire's death for a time (as chronicled in Daffy Dilly (1948), is the benefic...
Disney's Halloween Treat(1982) - Celebrate a magical, high-spirited Halloween, with this collection of classic scenes, from Walt Disney's greatest animated feature films and cartoon shorts! Snow White and the seven dwarfs encounter the wicked Queen, in a breathtaking sequence from this Disney triumpth of art and imagination. Then,...
Eraser(1996) - Top-notch action sequences and exciting stunt work highlight this fast-moving thriller. John Kruger (Arnold Schwarzenegger) is a top agent in the U.S. Marshalls' Witness Protection Program; it's his job to "erase" the pasts of Federal witnesses under his watch and deal with anyone who tries to hurt...
Mafia!(1998) - Satirist Jim Arahams returned with this comedy spoofing the Godfather trilogy, and other films and TV, including Jurassic Park, Lord of the Dance, and Barney. The opening emulates a Saul Bass sequence with Anthony Cortino (Jay Mohr) in a flight amid flames much like Robert De Niro in the Casino cred...
The Lawnmower Man(1992) - Loosely based on a short story by Stephen King, The Lawnmower Man was the first film to explore virtual reality technology and boasts a dazzling collection of computer-animated sequences. The story concerns the slightly-mad scientist Dr. Lawrence Angelo (Pierce Brosnan), who as part of a secret gove...
Basic Instinct(1992) - This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite...
The Duchess and Dirtwater fox(1976) - There's one scene in the middle of The Duchess and the Dirtwater Fox--with Goldie Hawn and George Segal carrying on a foreign language conversation that stumbles across French, German, and Italian (with a little Yiddish thrown in)--that qualifies as a memorably funny double-talk sequence. The rest o...
Lake Consequence(1993) - This erotic drama stars Joan Severance as Irene, a repressed housewife who develops a lustful and somewhat obsessive attraction to Billy (Billy Zane), a handsome landscaper working with a crew of laborers on her yard. With both her husband and son gone on a fishing trip for a few days, Irene becomes...
Psycho Cop II(1993) - A commendably gruesome title sequence gets this slasher sequel off on the right foot, and Bobby Ray Shafer returns as Satanist killer-cop Joe Vickers, this time chasing strippers and businessmen through an office building during an after-work bachelor party. Director Adam Rifkin (under the pseudonym...
Lost Highway(1997) - Director David Lynch gives us a psycho thriller beyond definition that has audiences tangled in the provocations of nightmares, violence, sex sequences, reality, the subconscious, and madness as they must create their own interpretations of the film.
Pumping Iron(1977) - Arnold vying for his 6th Mr. Olympia championship goes through his training sequence. We also see his competitors train. We also see Arnold interacting with his competitors such as Lou Ferrigno (The Incredible Hulk). Arnold shows confidence as he enters the competion. Will he win his 6th championshi...
The Lorax(1972) - Based on the Dr. Seuss classic, this is a charming cautionary animated tale. The Onceler wants to make Thneeds out of Truffula trees without regards for the consequence or environment but the Lorax protests.
Embryo(1976) - A doctor(Rock Hudson)develops a process to grow an embryo in an artificial uterus.He uses the process to grow a woman(Barbara Carrera)not knowing the deadly consequences of his creation.
You're Never Too Young(1955) - When an aspiring barber becomes inadvertently involved in the theft of a valuable diamond, necessity forces him to masquerade as a 12 year-old child - with humorous consequences.
Lions For Lambs(2008) - Injuries sustained by two Army rangers behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.
Bug(1975) - An earthquake releases a strain of mutant cockroaches with the ability to start fires, which proceed to cause destructive chaos in a small town. The studies carried out by scientist James Parmiter, however, reveal an intent with much more far-reaching consequences.
A Christmas Carol (1938)(1938) - On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife. Scrooge dismisses the appa...
The Postman Always Rings Twice (1946)(1946) - A married woman and a drifter fall in love, then plot to murder her husband... but even once the deed is done, they must live with the consequences of their actions.
Daffy Duck's Fantastic Island(1983) - Daffy Duck's Fantastic Island (also known as Daffy Duck's Movie: Fantastic Island) is a 1983 Looney Tunes film with a compilation of classic Warner Bros. cartoon shorts and animated bridging sequences, hosted by Daffy Duck and Speedy Gonzales. This was the first Looney Tunes compilation film to cent...
A Thousand Words(2012) - After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word we speak.
Fat Albert(2004) - Fat Albert and the gang leave the cartoon world and enter the real world in order to help a teenage girl deal with the challenges of being unpopular, and not having any friends except her foster sister. Her unpopularity stemmed from her tendency to withdraw into a world of her own as a consequence o...
Revolver(2005) - Gambler Jake Green enters into a game with potentially deadly consequences.
The Mummy(1959) - In 1895, British archaeologists find and open the tomb of Egyptian Princess Ananka with nefarious consequences.
Sing Along(1987) - Sing Along is a 1987 Sesame Street direct-to-video compilation, released on VHS under the My Sesame Street Home Video label. The framing sequences of the video, as well as the sketches featured, were later incorporated as Episode 2443, sponsored by the letters H, R, and the number 12.
The Jazz Singer(1927) - The Jazz Singer is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with not only a synchronized recorded music score but also lip-synchronous singing and speech in several isolated sequences. Its release heralded the commercial ascendance o...
Les Biches(1968) - Architect Paul Thomas insinuates himself into the relationship of two bisexual women living in a St. Tropez villa with tragic consequences.
Toy Story of Terror!(2013) - This special follows the toys on a road trip, when a flat tire leads Bonnie and her mother to spend the night in a roadside motel. After Mr. Potato Head goes missing, the others begin to search for him, but they find themselves caught up in a mysterious sequence of events that leads them to a big co...
Footlight Parade(1933) - Motion pictures may have put Broadway director Chester Kent (James Cagney) out of a job, but he quickly finds a second career producing musical sequences for the movies. Unfortunately, a cutthroat competitor keeps stealing his ideas. That cannot happen on his next commission, a rush job for a big-ti...
The Nutcracker and the Four Realms(2018) - A young girl is gifted a locketed egg from her deceased mother but the key to open to egg is in a magical land and she must go on a journey to retrieve it. Based on the tale "The Nutcracker and the Mouse King" with musical sequences based on Tchaikovsky's ballet.
Blackfish(2013) - Gabriela Cowperthwaite takes a deep look into the captivity of SeaWorld's killer whales and the alledged dangers of keeping dangerous orcas in captivity. The documentary concerns the captivity of Tilikum, an orca involved in the deaths of three people, and the consequences of keeping orcas in captiv...
The Wolverine(2013) - Following the events of X-Men: The Last Stand, Logan travels to Japan, where he engages an old acquaintance in a struggle that has lasting consequences. Stripped of his healing powers, Wolverine must battle deadly samurai while struggling with guilt over Jean Grey's death. The second film in the "Wo...
https://myanimelist.net/anime/2096/Sequence --
https://myanimelist.net/manga/521/Sequence
1922 (2017) ::: 6.3/10 -- TV-MA | 1h 42min | Crime, Drama, Horror | 20 October 2017 (USA) -- A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to assist. But their actions have unintended consequences. Director: Zak Hilditch Writers:
Albatross (2011) ::: 6.4/10 -- Not Rated | 1h 30min | Drama | 14 October 2011 (UK) -- Beth, a bookish teenager, befriends Emilia, an aspiring novelist who has just arrived in town. Emilia soon begins an affair with Beth's father that threatens to have devastating consequences. Director: Niall MacCormick Writer:
Alfie (1966) ::: 7.0/10 -- PG | 1h 54min | Comedy, Drama | 24 August 1966 (USA) -- An unrepentant ladies' man gradually begins to understand the consequences of his lifestyle. Director: Lewis Gilbert Writers: Bill Naughton (screenplay), Bill Naughton (based on the play: "Alfie")
Big Fan (2009) ::: 6.7/10 -- R | 1h 28min | Comedy, Crime, Drama | 18 January 2009 (USA) -- A hard-core New York Giants fan struggles to deal with the consequences when he is beaten up by his favorite player. Director: Robert Siegel (as Robert D. Siegel) Writer: Robert Siegel (as Robert D. Siegel) Stars:
Body Double (1984) ::: 6.8/10 -- R | 1h 54min | Crime, Drama, Mystery | 26 October 1984 (USA) -- A young actor's obsession with spying on a beautiful woman who lives nearby leads to a baffling series of events with drastic consequences. Director: Brian De Palma Writers: Robert J. Avrech (screenplay), Brian De Palma (screenplay) | 1 more
Broken (2012) ::: 7.3/10 -- Not Rated | 1h 31min | Drama, Romance | 8 March 2013 (UK) -- Three suburban English families' lives intertwine with tragic consequences. Director: Rufus Norris Writers: Daniel Clay (based on a novel by), Mark O'Rowe (screenplay)
BUtterfield 8 (1960) ::: 6.4/10 -- Not Rated | 1h 49min | Drama, Romance | 4 November 1960 (USA) -- A beautiful New York model and socialite moonlights as a call-girl, but all things change when she falls for a married man and the consequences are tragic. Director: Daniel Mann Writers:
Byzantium (2012) ::: 6.5/10 -- R | 1h 58min | Drama, Fantasy, Horror | 31 May 2013 (UK) -- Residents of a coastal town learn, with deathly consequences, the secret shared by the two mysterious women who have sought shelter at a local resort. Director: Neil Jordan Writers:
Caprica ::: TV-14 | 1h | Action, Drama, Sci-Fi | TV Series (20092010) -- Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences. Creators:
Dr. Jekyll and Mr. Hyde (1931) ::: 7.6/10 -- Passed | 1h 38min | Horror, Sci-Fi | 3 January 1932 (USA) -- Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde. Director: Rouben Mamoulian Writers: Samuel Hoffenstein (screen play), Percy Heath (screen play) | 1 more credit Stars:
Eden Lake (2008) ::: 6.8/10 -- R | 1h 31min | Horror, Thriller | 12 September 2008 (UK) -- Refusing to let anything spoil their romantic weekend break, a young couple confront a gang of loutish youths with terrifyingly brutal consequences. Director: James Watkins Writer:
Flatliners (1990) ::: 6.6/10 -- R | 1h 55min | Drama, Horror, Sci-Fi | 10 August 1990 (USA) -- Five medical students experiment with "near death" experiences, until the dark consequences of past tragedies begin to jeopardize their lives. Director: Joel Schumacher Writer: Peter Filardi Stars:
Frequency (2000) ::: 7.3/10 -- PG-13 | 1h 58min | Crime, Drama, Mystery | 28 April 2000 (USA) -- An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences. Director: Gregory Hoblit Writer:
Frequency (2000) ::: 7.3/10 -- PG-13 | 1h 58min | Crime, Drama, Mystery | 28 April 2000 (USA) -- An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.
Ginger Snaps (2000) ::: 6.8/10 -- Not Rated | 1h 48min | Drama, Fantasy, Horror | 11 May 2001 (Canada) -- Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf. Director: John Fawcett Writers:
Ginger Snaps (2000) ::: 6.8/10 -- Not Rated | 1h 48min | Drama, Fantasy, Horror | 11 May 2001 (Canada) -- Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.
Hannibal (2013-2015) ::: Season 2 | Episode 13 Previous All Episodes (39) Next Mizumono Poster Jack devises a plan to apprehend Hannibal, while Hannibal prepares for his departure. Will makes his decision, and it results in devastating consequences. Director: David Slade
Involuntary (2008) ::: 7.1/10 -- De ofrivilliga (original title) -- Involuntary Poster In several unrelated stories, the consequences of putting one's foot down - or failing to do so - are explored. Director: Ruben stlund Writers: Erik Hemmendorff (screenplay), Ruben stlund (screenplay) Stars:
Japanese Story (2003) ::: 6.7/10 -- R | 1h 50min | Drama, Romance | 25 September 2003 (Australia) -- Against the background of an Australian desert, Sandy, a geologist, and Hiromitsu, a Japanese businessman, play out a story of human inconsequence in the face of the blistering universe. ... S Director: Sue Brooks Writer: Alison Tilson
Lolita (1997) ::: 6.9/10 -- R | 2h 17min | Drama, Romance | 25 September 1998 (USA) -- An English professor falls for a minor , and has to face the consequences of his actions. Director: Adrian Lyne Writers: Vladimir Nabokov (novel), Stephen Schiff (screenplay)
Of Horses and Men (2013) ::: 6.8/10 -- Hross oss (original title) -- Of Horses and Men Poster -- A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with immense consequences. The fortunes of the people in the country through the horses' perception. Director: Benedikt Erlingsson
Paisan (1946) ::: 7.7/10 -- Pais (original title) -- Paisan Poster The language barrier has tragic consequences in a series of unrelated stories set during the Italian Campaign of WWII. Director: Roberto Rossellini Writers: Sergio Amidei (story) (as S. Amidei), Federico Fellini (story) (as F. Fellini) | 7 more credits
Pitfall (1948) ::: 7.2/10 -- Not Rated | 1h 26min | Crime, Film-Noir, Thriller | 24 August 1948 -- Pitfall Poster -- Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result. Director: Andr De Toth (as Andre de Toth) Writers:
Revolver (2005) ::: 6.4/10 -- R | 1h 51min | Action, Crime, Drama | 22 September 2005 (UK) -- Gambler Jake Green enters into a game with potentially deadly consequences. Director: Guy Ritchie Writers: Luc Besson (adaptation), Guy Ritchie
Samson and Delilah (1949) ::: 6.8/10 -- Approved | 2h 14min | Drama, History, Romance | 21 September 1950 -- Samson and Delilah Poster When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret. Director: Cecil B. DeMille Writers: Jesse Lasky Jr. (screenplay) (as Jesse L. Lasky Jr.), Fredric M. Frank (screenplay) | 2 more credits
Silent House (2011) ::: 5.2/10 -- R | 1h 26min | Drama, Horror, Mystery | 9 March 2012 (USA) -- A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences. Directors: Chris Kentis, Laura Lau Writers:
The Boy in the Striped Pajamas (2008) ::: 7.8/10 -- The Boy in the Striped Pyjamas (original title) -- The Boy in the Striped Pajamas Poster -- Through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, a forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences. Director: Mark Herman
The Charge of the Light Brigade (1968) ::: 6.7/10 -- PG-13 | 2h 19min | Drama, History, War | 11 October 1968 (USA) -- In 1854, during the Crimean War, poor planning leads to the British Light Brigade openly charging a Russian artillery position with tragic consequences. Director: Tony Richardson Writers: Charles Wood (screenplay), Cecil Woodham-Smith (additional source material "The Reason Why") (as Cecil Woodham Smith)
The Congress (2013) ::: 6.5/10 -- Not Rated | 2h 2min | Animation, Drama, Sci-Fi | 24 July 2014 (USA) -- An aging, out-of-work actress accepts one last job, though the consequences of her decision affect her in ways she didn't consider. Director: Ari Folman Writers: Stanislaw Lem (novel), Ari Folman (screenplay)
The Curious Case of Benjamin Button (2008) ::: 7.8/10 -- PG-13 | 2h 46min | Drama, Fantasy, Romance | 25 December 2008 (USA) -- Tells the story of Benjamin Button, a man who starts aging backwards with consequences. Director: David Fincher Writers: Eric Roth (screenplay), Eric Roth (story) | 2 more credits
The Fairly OddParents ::: TV-Y7 | 30min | Animation, Adventure, Comedy | TV Series (20012017) -- After being tortured and humiliated by his babysitter, a ten year old boy is put under the care of two fairy godparents, who can grant him almost any wish, which leads to dire consequences. Creator:
The Fairly OddParents ::: TV-Y7 | 30min | Animation, Adventure, Comedy | TV Series (2001-2017) Episode Guide 159 episodes The Fairly OddParents Poster -- After being tortured and humiliated by his babysitter, a ten year old boy is put under the care of two fairy godparents, who can grant him almost any wish, which leads to dire consequences. Creator:
The Housemaid (2010) ::: 6.4/10 -- Hanyo (original title) -- The Housemaid Poster -- A man's affair with his family's housemaid leads to dark consequences. Director: Sang-soo Im Writers: Ki-young Kim (based on the film by), Sang-soo Im
The Lover (1992) ::: 6.9/10 -- L'amant (original title) -- The Lover Poster -- In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other. Director: Jean-Jacques Annaud
The Mummy (1959) ::: 6.8/10 -- Unrated | 1h 28min | Adventure, Horror | 16 December 1959 (USA) -- In 1895, British archaeologists find and open the tomb of Egyptian Princess Ananka with nefarious consequences. Director: Terence Fisher Writer: Jimmy Sangster (screenplay) Stars:
The Pope of Greenwich Village (1984) ::: 6.7/10 -- R | 2h 1min | Action, Comedy, Crime | 22 June 1984 (USA) -- Two cousins unknowingly rob the mob and face the dangerous consequences. Director: Stuart Rosenberg Writers: Vincent Patrick (novel), Vincent Patrick (screenplay) Stars:
The Queen (2006) ::: 7.3/10 -- PG-13 | 1h 43min | Biography, Drama, History | 17 November 2006 (USA) -- After the death of Princess Diana, Queen Elizabeth II struggles with her reaction to a sequence of events nobody could have predicted. Director: Stephen Frears Writer: Peter Morgan
Triple Frontier (2019) ::: 6.4/10 -- R | 2h 5min | Action, Adventure, Crime | 13 March 2019 (USA) -- Loyalties are tested when five friends and former special forces operatives reunite to take down a South American drug lord, unleashing a chain of unintended consequences. Director: J.C. Chandor Writers:
Tumbbad (2018) ::: 8.3/10 -- Not Rated | 1h 44min | Drama, Fantasy, Horror | 12 October 2018 (India) -- A mythological story about a goddess who created the entire universe. The plot revolves around the consequences when humans build a temple for her first-born. Directors: Rahi Anil Barve, Anand Gandhi | 1 more credit Writers:
Two Rode Together (1961) ::: 6.8/10 -- Not Rated | 1h 49min | Western | 28 June 1961 (USA) -- A corrupt marshal is pressured by his army friend into negotiating the release of white captives of the Comanches, but finds that their reintegration into society has its consequences. Director: John Ford Writers:
Westworld ::: TV-MA | 1h 2min | Drama, Mystery, Sci-Fi | TV Series (2016- ) Episode Guide 29 episodes Westworld Poster -- Set at the intersection of the near future and the reimagined past, explore a world in which every human appetite can be indulged without consequence. Creators:
Westworld ::: TV-MA | 1h 2min | Drama, Mystery, Sci-Fi | TV Series (2016 ) -- Set at the intersection of the near future and the reimagined past, explore a world in which every human appetite can be indulged without consequence. Creators:
X: The Man with the X-Ray Eyes (1963) ::: 6.7/10 -- X (original title) -- (USA) X: The Man with the X-Ray Eyes Poster A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences. Director: Roger Corman Writers: Robert Dillon (screenplay), Ray Russell (screenplay) | 1 more credit
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Alien 9 -- -- J.C.Staff -- 4 eps -- Manga -- Sci-Fi Horror Psychological School -- Alien 9 Alien 9 -- Soon after entering middle school, Yuri Otani is coerced into joining the "Alien Party," a single-minded group with one goal: capture any alien attempting to enter school grounds. Terrified of aliens her entire life, Otani is anything but thrilled, and to make matters worse, her kit includes a "Borg"—an alien-like creature tasked with ensuring her safety. Despite this, she finds solace in her two partners: the independent and reliable Kumi Kawamura, and the smart and energetic Kasumi Tomine. -- -- As the Alien Party works to fend off extraterrestrial threats, will their roller blades and lacrosse sticks be enough to overcome the dire challenges ahead, or will they succumb to fear and suffer the grim consequences of defeat? -- -- -- Licensor: -- Central Park Media -- OVA - Jun 25, 2001 -- 28,150 6.68
Area 88 -- -- Studio Pierrot -- 3 eps -- Manga -- Action Military Adventure Drama Romance -- Area 88 Area 88 -- Shin Kazama, tricked and forced into flying for the remote country of Aslan, can only escape the hell of war by earning money for shooting down enemy planes or die trying. Through the course of the series, Shin must deal with the consequences of killing and friends dying around him as tries to keep his mind on freeing himself from this nightmare. -- -- (Source: ANN) -- -- Licensor: -- ADV Films, Central Park Media, Discotek Media -- OVA - Feb 5, 1985 -- 13,917 7.52
Area 88 Movie -- -- - -- 1 ep -- Manga -- Action Military Adventure Drama Romance -- Area 88 Movie Area 88 Movie -- Kazama Shin, tricked and forced into fighting for the remote country of Arslan, can only escape the hell of war by earning money for shooting down enemy planes or die trying. As the war rages on, Shin has to deal with the consequences of killing and friends dying around him as he tries to keep his mind on freeing himself from this nightmare. -- -- (Source: ANN) -- Movie - Jul 20, 1985 -- 1,228 6.44
Baccano! -- -- Brain's Base -- 13 eps -- Light novel -- Action Comedy Historical Mystery Supernatural -- Baccano! Baccano! -- During the early 1930s in Chicago, the transcontinental train, Flying Pussyfoot, is starting its legendary journey that will leave a trail of blood all over the country. At the same time in New York, the ambitious scientist Szilard and his unwilling aide Ennis are looking for missing bottles of the immortality elixir. In addition, a war between the mafia groups is getting worse. On board the Advena Avis, in 1711, alchemists are about to learn the price of immortality. -- -- Based on the award-winning light novels of the same name, Baccano! follows several events that initially seem unrelated, both in time and place, but are part of a much bigger story—one of alchemy, survival, and immortality. Merging these events together are the kindhearted would-be thieves, Isaac and Miria, connecting various people, all of them with their own hidden ambitions and agendas, and creating lifelong bonds and consequences for everyone involved. -- -- -- Licensor: -- Aniplex of America, Funimation -- 735,544 8.41
Bakumatsu Rock -- -- Studio Deen -- 12 eps -- Game -- Action Music Comedy Historical Shoujo -- Bakumatsu Rock Bakumatsu Rock -- Ryouma Sakamoto wants everyone to know about his passion for rock 'n' roll, so he roams around town with his electric guitar willing to show anyone he encounters that he's just as skilled as the famous Shinsengumi stars they admire. Unfortunately, Japan doesn't allow anything other than that group's Heaven's Songs, for writing or performing different types of music is forbidden and can lead to harsh consequences. -- -- Agitated by these strict rules and brainwashing, Ryouma does everything he can to show people that the music he loves will bring them the freedom they deserve. Along with his bandmates Shinsaku Takasugi and Kogoru Katsura, Ryouma works hard to find places for his rock 'n' roll group to perform. Refusing to back down until their music is accepted in Japan, the trio begin to realize that there's more to their passion than they had thought. -- -- -- Licensor: -- Sentai Filmworks -- TV - Jul 2, 2014 -- 26,390 6.05
Big Order (TV) -- -- Asread -- 10 eps -- Manga -- Action Shounen Super Power -- Big Order (TV) Big Order (TV) -- Ten years ago, a fairy by the name of Daisy appeared and asked the child Eiji Hoshimiya what his one and only wish was. Although his wish remains a mystery, the consequences were catastrophic. In an event called the "Great Destruction," the world started to fall apart as everything collapsed and countless people died. -- -- Now, Eiji is a high school student whose only concern is his sick sister. He does not remember what he wished for; all that he remembers is that his wish caused the Great Destruction. In the years since that event, thousands of other people have also received abilities to make their heart's desire come true. These people called "Orders" are believed to be evil and are hated by the general public. However, some of these Orders are after Eiji's life in vengeance for those that he killed. Will Eiji be able to survive the numerous assassination attempts? And the biggest mystery of all: what did he wish for, and what were his intentions in wishing for something that caused so much desolation? -- -- 183,563 5.38
Big Order (TV) -- -- Asread -- 10 eps -- Manga -- Action Shounen Super Power -- Big Order (TV) Big Order (TV) -- Ten years ago, a fairy by the name of Daisy appeared and asked the child Eiji Hoshimiya what his one and only wish was. Although his wish remains a mystery, the consequences were catastrophic. In an event called the "Great Destruction," the world started to fall apart as everything collapsed and countless people died. -- -- Now, Eiji is a high school student whose only concern is his sick sister. He does not remember what he wished for; all that he remembers is that his wish caused the Great Destruction. In the years since that event, thousands of other people have also received abilities to make their heart's desire come true. These people called "Orders" are believed to be evil and are hated by the general public. However, some of these Orders are after Eiji's life in vengeance for those that he killed. Will Eiji be able to survive the numerous assassination attempts? And the biggest mystery of all: what did he wish for, and what were his intentions in wishing for something that caused so much desolation? -- -- -- Licensor: -- Crunchyroll, Discotek Media -- 183,563 5.38
Black Lagoon: The Second Barrage -- -- Madhouse -- 12 eps -- Manga -- Action Seinen -- Black Lagoon: The Second Barrage Black Lagoon: The Second Barrage -- Rokurou "Rock" Okajima has joined the Lagoon Company, a pirate mercenary group which operates out of Roanapur, Thailand. Despite his initial protests, this filthy slum of depraved souls and merciless criminals now serves as the former salaryman's home. Stranded, with nothing left of his past life but the clothes on his back and his inner morality, Rock is forced to perform jobs alongside the other members of the Lagoon crew. Berated for his lack of spine as he wades through the underbelly of society, he must decide whether to continue on amidst the gunfire and ruthlessness or risk everything he has in an attempt to be free. Whether he chooses the comfort of a familiar land or the freedom of being an outlaw, his decision will have lasting consequences on the crew who gave him a home. -- -- -- Licensor: -- Funimation, Geneon Entertainment USA -- 393,204 8.19
Bondage Game: Shinsou no Reijoutachi -- -- - -- 2 eps -- - -- Hentai Psychological -- Bondage Game: Shinsou no Reijoutachi Bondage Game: Shinsou no Reijoutachi -- Yuu is a girl who has lost her memories. She is mailed into a sadistic house of bondage where she and others are forced (or not) to serve their master, Renji, but there are serious consequences for those who fail. -- OVA - Apr 25, 2003 -- 7,898 5.17
B: The Beginning Succession -- -- Production I.G -- 6 eps -- Original -- Action Mystery Police Psychological Supernatural Thriller -- B: The Beginning Succession B: The Beginning Succession -- In the first season of B: The Beginning, two men confronted their own past with great sacrifice. Maverick detective Keith Flick fought against his demons and finally exposed the dark secrets behind the Kingdom of Cremona. Mutant wunderkind Koku finally reunited with the most precious memory from his stolen childhood. Several months have passed since then, and the entire world seems to have forgotten the turmoil caused by those events. As Keith returns to the Royal Police to conduct his own investigation, Koku and Yuna try to enjoy an ordinary life in peace. But the consequences of the Jaula Blanca experiments are far from being extinct, as Koku soon discovers when his supposedly dead lab mate Kirisame suddenly shows up. -- -- (Source: Official Site) -- ONA - Mar 18, 2021 -- 57,391 6.13
Code Geass: Boukoku no Akito 1 - Yokuryuu wa Maiorita -- -- Sunrise -- 1 ep -- Original -- Action Mecha Military Sci-Fi -- Code Geass: Boukoku no Akito 1 - Yokuryuu wa Maiorita Code Geass: Boukoku no Akito 1 - Yokuryuu wa Maiorita -- It is the year 2017, and Europe is being invaded by the forces of the Holy Britannian Empire. In an attempt to combat the opposition's overwhelming pressure and put an end to the massive casualties, the army forms a special unit called Wyvern, or W-0, composed of former Japanese citizens referred to as "Elevens." Recruited from ghettos, these young men and women pilot Knightmare frames—humanoid war machines—into dangerous operations where death awaits, hoping to make a name for themselves. -- -- When a European regiment attempting to recapture a crucial city is pinned down by the enemy, it's up to W-0 to bail them out. Among those selected for the rescue operation is Lieutenant Akito Hyuuga, known as "Hannibal's Ghost" due to his prowess on the battlefield. However, the supposed rescue mission becomes suicidal when, in an attempt to take out as many Britannians as possible, the commanding officer initiates the Knightmare's self-destruct sequence. In its aftermath, Akito finds that he is the last one standing… -- -- -- Licensor: -- Funimation -- Movie - Jul 16, 2012 -- 153,710 7.40
Colorful -- -- Studio Wombat, Triangle Staff -- 16 eps -- Manga -- Comedy Ecchi Slice of Life -- Colorful Colorful -- The adventures (and misadventures) of men staring, peeking, glancing, looking, and glaring at women and their efforts to get that extra eyeful of harmlessly exposed panties, bras, and occasional cleavage. Following at most, a few regular males and the outrageous consequences of their actions. -- (Source: ANN) -- -- Licensor: -- ADV Films, Sentai Filmworks -- 21,456 6.03
Darker than Black: Kuro no Keiyakusha Gaiden -- -- Bones -- 4 eps -- Original -- Action Mystery Sci-Fi Super Power -- Darker than Black: Kuro no Keiyakusha Gaiden Darker than Black: Kuro no Keiyakusha Gaiden -- Fleeing from the consequences of his decision at the Hell's Gate, superpowered Contractor Hei and his companion Yin take refuge in a quiet inn, adopting the guise of a married couple in order to not draw suspicion. In an attempt to recover from recent events, Hei befriends the inn's other guests. He discovers that one of them is a fellow Contractor tasked with killing him. Their resulting encounter spells disaster for both Hei and Yin, who are forced to fight for their lives and grapple with the emotional wounds sustained in their previous life together. -- -- -- Licensor: -- Funimation -- Special - Jan 27, 2010 -- 223,787 7.96
Da Yu Hai Tang (Movie) -- -- B&T -- 1 ep -- Original -- Adventure Supernatural Drama Romance -- Da Yu Hai Tang (Movie) Da Yu Hai Tang (Movie) -- In an old mythical world, there reside spirit-like beings who oversee the natural order of the mortal realm. One of them, a young girl named Chun, has just come of age and must undergo her rite of passage by experiencing the human world for herself. While there, she gets caught in a fishing net during a storm and is rescued by a human boy. -- -- However, the boy ends up drowning during the incident, and Chun returns to her realm full of guilt. Afterwards, she meets the Soul Keeper and decides to revive the boy in exchange for a part of her lifespan. Little does she know, meddling with the natural order of the world has severe consequences. -- -- Da Yu Hai Tang is a story about sacrifice and redemption as Chun comes to terms with the limitations of her powers and deals with death, love, and her own emotions. She must decide if she will sacrifice everything to save the human boy or forsake her moral obligation for the order of the world. -- -- -- Licensor: -- Shout! Factory -- Movie - Jul 8, 2016 -- 31,800 7.56
Death Billiards -- -- Madhouse -- 1 ep -- Original -- Game Mystery Psychological Drama Thriller -- Death Billiards Death Billiards -- Two men have just arrived at a location known as Quindecim and are unable to remember how they got there. They are immediately greeted by a young woman who escorts them to a small bar, where a bartender awaits them. They are told that they will have to participate in a game, randomly chosen by roulette, and will be unable to leave until its completion; if they refuse, the consequences will be dire. In addition to the rules of the game, the two men are told to play as if their lives are at stake. -- -- The game that has been chosen is billiards. But there's more to it than just pocketing pool balls, as the two are about to find out the outcome could mean life or death. -- -- -- Licensor: -- Funimation -- Movie - Mar 2, 2013 -- 197,026 7.93
Dorohedoro: Ma no Omake -- -- MAPPA -- 6 eps -- Manga -- Action Comedy Horror Fantasy Seinen -- Dorohedoro: Ma no Omake Dorohedoro: Ma no Omake -- Dorohedoro: Ma no Omake further explores the world of sorcerers and the Hole, honing in on what the characters do in their spare time when they are not seeking out their enemies. -- -- Kamen Kakusa -- Fujita attends a mask conjuring ritual in hopes of a Devil bestowing him with an appropriate mask, like the ones his colleagues Noi and Shin possess. Hopefully his offering entices the mask-maker! -- -- Tenpo For You -- Nikaidou, lacking money and forced to sell gyoza on the streets of the Hole, stumbles upon a quaint shop selling tea and sweets. Its owner is the gentle and hospitable Syueron, but it seems the denizens of the Hole bear a grudge against him. -- -- Shitappa Seishun Graffiti -- Intrigued by the photographs hanging around the mansion, Ebisu approaches En hoping for a portrait of her own. However, she is disappointed to find that only members of the En Family can have their pictures taken. -- -- Anata no Shiranai Gyoza no Kai -- The Gyoza Fairy keeps the Hungry Bug in pristine condition, but his primary responsibility is ensuring the gyoza tastes good. So he becomes rather agitated when Nikaidou's customers do not properly enjoy their meals. -- -- Odoru Ma no Utage -- En is enthusiastic about his masquerade ball and is adamant on his family's participation. Per tradition, attendees must choose a partner and dance to appease the Devils. To their horror, they discover that failing to do so may incur nasty consequences! -- -- Yokaze ni Fukarete Ooba Kinenbi -- Nikaidou gives detailed instructions on preparing oba gyoza and Kaiman is eager to help! -- -- Special - Jun 17, 2020 -- 29,004 7.11
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- The third season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- -- When Bell encounters a frightened little girl in the dungeon, he doesn’t think twice to help. But this simple act of kindness has consequences. The girl is a monster and proof that monsters can be eerily human. And not everyone can accept this... -- -- (Source: HIDIVE) -- 339,465 7.46
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- -- J.C.Staff -- 12 eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka III -- The third season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- -- When Bell encounters a frightened little girl in the dungeon, he doesn’t think twice to help. But this simple act of kindness has consequences. The girl is a monster and proof that monsters can be eerily human. And not everyone can accept this... -- -- (Source: HIDIVE) -- -- Licensor: -- Sentai Filmworks -- 339,465 7.46
Evangelion: 3.0 You Can (Not) Redo -- -- Khara -- 1 ep -- Original -- Action Sci-Fi Psychological Drama Mecha -- Evangelion: 3.0 You Can (Not) Redo Evangelion: 3.0 You Can (Not) Redo -- Fourteen years after the Third Impact, the Earth is a post-apocalyptic wasteland, human civilization is in ruins, and the people Shinji knows are almost unrecognizable. Trapped inside Evangelion Unit-01, he is recovered from space by Asuka and Mari, only to find himself a prisoner of Wille, a military faction led by his former guardian Misato Katsuragi. Cold and bitter, his former allies view him with suspicion and refuse to support him as he comes to terms with the consequences of his actions. -- -- A hurt and confused Shinji is rescued from Wille by Rei and returned to Nerv headquarters. There, he meets and quickly befriends the enigmatic Kaworu Nagisa, who offers him warmth and insight into the state of Nerv's war with the Angels. But Shinji and Kaworu's brief respite lies on the eve of a new battle, one in which Shinji finds that his enemies are no longer Angels but former comrades. In this bitter confrontation to determine the future of the world, Shinji will learn first-hand that the past truly cannot be undone. -- -- -- Licensor: -- Funimation -- Movie - Nov 17, 2012 -- 283,890 7.60
Ga-Rei: Zero -- -- AIC Spirits, Asread -- 12 eps -- Manga -- Action Super Power Supernatural Thriller -- Ga-Rei: Zero Ga-Rei: Zero -- In Japan, there exists a government agency known as the Supernatural Disaster Countermeasures Division (SDCD), whose duty is to protect the citizens from creatures unseen. They are able to dispatch these monsters swiftly and without alerting the general public. But currently, they face a different challenge: the betrayal of one of their own. -- -- After the death of her mother several years ago, Kagura Tsuchimiya has been fostered by the Isayama family and forms a close sister-like bond with their daughter Yomi. The two become inseparable, and together they work for the SDCD as highly skilled exorcists. However, as the stress and consequences of their sacred duty weigh on them both, and family politics come into play, Kagura and Yomi begin to slowly drift apart. One of them grows earnestly into her role as an exorcist, and the other heads down a dark path from which there may be no redemption... -- -- 208,318 7.63
Ga-Rei: Zero -- -- AIC Spirits, Asread -- 12 eps -- Manga -- Action Super Power Supernatural Thriller -- Ga-Rei: Zero Ga-Rei: Zero -- In Japan, there exists a government agency known as the Supernatural Disaster Countermeasures Division (SDCD), whose duty is to protect the citizens from creatures unseen. They are able to dispatch these monsters swiftly and without alerting the general public. But currently, they face a different challenge: the betrayal of one of their own. -- -- After the death of her mother several years ago, Kagura Tsuchimiya has been fostered by the Isayama family and forms a close sister-like bond with their daughter Yomi. The two become inseparable, and together they work for the SDCD as highly skilled exorcists. However, as the stress and consequences of their sacred duty weigh on them both, and family politics come into play, Kagura and Yomi begin to slowly drift apart. One of them grows earnestly into her role as an exorcist, and the other heads down a dark path from which there may be no redemption... -- -- -- Licensor: -- Funimation -- 208,318 7.63
Gate: Jieitai Kanochi nite, Kaku Tatakaeri -- -- A-1 Pictures -- 12 eps -- Light novel -- Action Adventure Fantasy Military -- Gate: Jieitai Kanochi nite, Kaku Tatakaeri Gate: Jieitai Kanochi nite, Kaku Tatakaeri -- Off-duty Japan Self-Defense Forces (JSDF) officer and otaku, Youji Itami, is on his way to attend a doujin convention in Ginza, Tokyo when a mysterious portal in the shape of a large gate suddenly appears. From this gate, supernatural creatures and warriors clad in medieval armor emerge, charging through the city, killing and destroying everything in their path. With swift actions, Youji saves as many lives as he can while the rest of the JSDF direct their efforts towards stopping the invasion. -- -- Three months after the attack, Youji has been tasked with leading a special recon team, as part of a JSDF task force, that will be sent to the world beyond the gate—now being referred to as the "Special Region." They must travel into this unknown world in order to learn more about what they are dealing with and attempt to befriend the locals in hopes of creating peaceful ties with the ruling empire. But if they fail, they face the consequence of participating in a devastating war that will engulf both sides of the gate. -- -- -- Licensor: -- Sentai Filmworks -- 621,953 7.73
Genius Party Beyond -- -- Studio 4°C -- 5 eps -- Original -- Sci-Fi Music Dementia Fantasy -- Genius Party Beyond Genius Party Beyond -- Containing shorts that couldn't be included in the original, Genius Party Beyond weaves stories that are both deep and insightful: the idea all life is relative in size, the consequences of an oppressive government, and how to deal with your darker desires, among others. -- -- From the directors and artists of works such as Samurai Champloo, Neon Genesis Evangelion, and Akira, come a multitude of thought-provoking tales, to create a collection equalling the original in storytelling genius. -- -- Movie - Oct 11, 2008 -- 16,643 7.22
Gintama -- -- Sunrise -- 201 eps -- Manga -- Action Comedy Historical Parody Samurai Sci-Fi Shounen -- Gintama Gintama -- The Amanto, aliens from outer space, have invaded Earth and taken over feudal Japan. As a result, a prohibition on swords has been established, and the samurai of Japan are treated with disregard as a consequence. -- -- However one man, Gintoki Sakata, still possesses the heart of the samurai, although from his love of sweets and work as a yorozuya, one might not expect it. Accompanying him in his jack-of-all-trades line of work are Shinpachi Shimura, a boy with glasses and a strong heart, Kagura with her umbrella and seemingly bottomless stomach, as well as Sadaharu, their oversized pet dog. Of course, these odd jobs are not always simple, as they frequently have run-ins with the police, ragtag rebels, and assassins, oftentimes leading to humorous but unfortunate consequences. -- -- Who said life as an errand boy was easy? -- -- -- Licensor: -- Crunchyroll, Sentai Filmworks -- 792,270 8.96
Halo Legends -- -- Bones, Production I.G, Studio 4°C, Toei Animation -- 9 eps -- Game -- Action Drama Military Sci-Fi -- Halo Legends Halo Legends -- Halo Legends features seven different stories set in the Halo universe, each made by a different studio. -- -- The Babysitter follows the Helljumpers, Orbital Drop Shock Troopers who are sent behind enemy lines to perform an assassination. -- -- The Duel features the tale of an ancient Arbiter who refused to bow down to the Covenant religion. Branded a heretic, he must now face the consequences of his actions. -- -- The Package depicts a group of Spartans, including the Master Chief, who are deployed to infiltrate a Covenant flagship and retrieve a “package” in a secret operation. -- -- Origins shows Master Chief and Cortana stranded following the events of Halo 3, with Cortana summarizing the fall of the Forerunners, the defeat of the Flood, and the rise of humanity as well as the events of the Human-Covenant War. -- -- Homecoming centers on the Spartan Daisy, who reminisces on her past, and the SPARTAN-II project while evacuating UNSC soldiers pinned down by Covenant forces. -- -- Prototype is viewed from the perspective of Marine Sergeant Ghost, who is determined to fight for all he is worth in order to make up for past grievances. -- -- Odd One Out is a non-canon parody of Halo featuring Spartan 1337, who suffers from extremely bad luck. -- -- Licensor: -- Warner Bros. Japan -- ONA - Nov 7, 2009 -- 34,711 7.02
Hi no Tori: Uchuu-hen -- -- Madhouse -- 1 ep -- Manga -- Sci-Fi Space Drama Fantasy -- Hi no Tori: Uchuu-hen Hi no Tori: Uchuu-hen -- In deep space, four astronauts discover that their colleague Makimura has mysteriously died shortly following a cryptic note about his imminent murder. Though horrified by the news, the inoperable state of their spaceship leaves the crew no time to grieve, and they evacuate via escape pods. Determined to identify the culprit, the survivors begin to suspect fellow crewmate Kizaki, on account of a rivalry between himself and Makimura regarding the only female team member, Nana Ichinomiya. However, to their bewilderment, they notice Makimura's pod following them, yet failing to respond to attempts at contact. -- -- As the astronauts try to interpret their perplexing circumstances, they learn there are more inconceivable stories about their lost teammate, one involving the Phoenix, a mysterious bird said to have the ability to grant immortality. It is not until they crash into a seemingly deserted planet that the crew will finally uncover the sinister truth behind Makimura and his suspicious pod. -- -- Set in a distant future, Hi no Tori: Uchuu-hen illustrates the cruelty of human beings passionately in pursuit of their own desires without any regard to the consequences. -- -- OVA - Dec 21, 1987 -- 2,366 6.94
Hotaru no Haka -- -- Studio Ghibli -- 1 ep -- Novel -- Drama Historical -- Hotaru no Haka Hotaru no Haka -- As World War II reaches its conclusion in 1945, Japan faces widespread destruction in the form of American bombings, devastating city after city. Hotaru no Haka, also known as Grave of the Fireflies, is the story of Seita and his sister Setsuko, two Japanese children whose lives are ravaged by the brutal war. They have lost their mother, their father, their home, and the prospect of a bright future—all tragic consequences of the war. -- -- Now orphaned and homeless, Seita and Setsuko have no choice but to drift across the countryside, beset by starvation and disease. Met with the apathy of adults along the way, they find that desperate circumstances can turn even the kindest of people cruel yet their youthful hope shines brightly in the face of unrelenting hardship, preventing the siblings from swiftly succumbing to an inevitable fate. -- -- -- Licensor: -- ADV Films, Central Park Media, Sentai Filmworks -- Movie - Apr 16, 1988 -- 463,942 8.50
Jitsu wa Watashi wa -- -- 3xCube, TMS Entertainment -- 13 eps -- Manga -- Comedy Supernatural Romance Vampire Fantasy School Shounen -- Jitsu wa Watashi wa Jitsu wa Watashi wa -- One day after school, Asahi Kuromine stumbles upon the truth that Youko Shiragami, the girl he has a crush on, is actually a vampire. According to her father's rules, Youko must now quit school in order to keep her family safe. However, Asahi does not want her to go and promises that he will keep her true nature secret. Unfortunately, this turns out to be easier said than done, as Asahi is a man who is easy to read and is unable to keep any secrets to himself. -- -- And this is the only the beginning of his troubles—more supernatural beings enter his life, and he is forced to protect all of their identities or face the consequences. Jitsu wa Watashi wa follows Asahi as he deals with his new friends and the unique challenges they bring, struggles to keep his mouth shut, and desperately tries to win Youko's heart in the process. -- -- 202,388 6.90
Jitsu wa Watashi wa -- -- 3xCube, TMS Entertainment -- 13 eps -- Manga -- Comedy Supernatural Romance Vampire Fantasy School Shounen -- Jitsu wa Watashi wa Jitsu wa Watashi wa -- One day after school, Asahi Kuromine stumbles upon the truth that Youko Shiragami, the girl he has a crush on, is actually a vampire. According to her father's rules, Youko must now quit school in order to keep her family safe. However, Asahi does not want her to go and promises that he will keep her true nature secret. Unfortunately, this turns out to be easier said than done, as Asahi is a man who is easy to read and is unable to keep any secrets to himself. -- -- And this is the only the beginning of his troubles—more supernatural beings enter his life, and he is forced to protect all of their identities or face the consequences. Jitsu wa Watashi wa follows Asahi as he deals with his new friends and the unique challenges they bring, struggles to keep his mouth shut, and desperately tries to win Youko's heart in the process. -- -- -- Licensor: -- Discotek Media -- 202,388 6.90
JoJo no Kimyou na Bouken Part 6: Stone Ocean -- -- - -- ? eps -- Manga -- Action Adventure Shounen -- JoJo no Kimyou na Bouken Part 6: Stone Ocean JoJo no Kimyou na Bouken Part 6: Stone Ocean -- In Florida, 2011, Jolyne Kuujou sits in a jail cell like her father Joutarou once did; yet this situation is not of her own choice. Framed for a crime she didn’t commit, and manipulated into serving a longer sentence, Jolyne is ready to resign to a dire fate as a prisoner of Green Dolphin Street Jail. Though all hope seems lost, a gift from Joutarou ends up awakening her latent abilities, manifesting into her Stand, Stone Free. Now armed with the power to change her fate, Jolyne sets out to find an escape from the stone ocean that holds her. -- -- However, she soon discovers that her incarceration is merely a small part of a grand plot: one that not only takes aim at her family, but has additional far-reaching consequences. What's more, the mastermind is lurking within the very same prison, and is under the protection of a lineup of menacing Stand users. Finding unlikely allies to help her cause, Jolyne sets course to stop their plot, clear her name, and take back her life. -- -- - - ??? ??, ???? -- 85,902 N/A -- -- Guilty Crown: Lost Christmas - An Episode of Port Town -- -- Production I.G -- 1 ep -- Original -- Action Sci-Fi Super Power Drama -- Guilty Crown: Lost Christmas - An Episode of Port Town Guilty Crown: Lost Christmas - An Episode of Port Town -- In 2029, Scrooge escapes from a research facility where he had been confined as an experimental subject. His body was remodeled by genetic manipulations and he uses his psychic power to kill the chasers. One day, he meets another experimental subject called Carol. When three psychic chasers hunt down the two, Carol asks Scrooge to use his right arm to extract a weapon from her body. -- OVA - Jul 26, 2012 -- 85,740 6.93
JoJo no Kimyou na Bouken Part 6: Stone Ocean -- -- - -- ? eps -- Manga -- Action Adventure Shounen -- JoJo no Kimyou na Bouken Part 6: Stone Ocean JoJo no Kimyou na Bouken Part 6: Stone Ocean -- In Florida, 2011, Jolyne Kuujou sits in a jail cell like her father Joutarou once did; yet this situation is not of her own choice. Framed for a crime she didn’t commit, and manipulated into serving a longer sentence, Jolyne is ready to resign to a dire fate as a prisoner of Green Dolphin Street Jail. Though all hope seems lost, a gift from Joutarou ends up awakening her latent abilities, manifesting into her Stand, Stone Free. Now armed with the power to change her fate, Jolyne sets out to find an escape from the stone ocean that holds her. -- -- However, she soon discovers that her incarceration is merely a small part of a grand plot: one that not only takes aim at her family, but has additional far-reaching consequences. What's more, the mastermind is lurking within the very same prison, and is under the protection of a lineup of menacing Stand users. Finding unlikely allies to help her cause, Jolyne sets course to stop their plot, clear her name, and take back her life. -- -- - - ??? ??, ???? -- 85,902 N/ARunway de Waratte -- -- Ezόla -- 12 eps -- Manga -- Slice of Life Drama School Shounen -- Runway de Waratte Runway de Waratte -- Being the daughter of a modeling agency owner, Chiyuki Fujito aspires to represent her father's agency in the prestigious Paris Fashion Week, shining under the spotlight as a runway model. However, although she is equipped with great looks and talent, she unfortunately lacks a key element in becoming a successful model—height. Stuck at 158 cm even after entering high school, her childhood dream seems out of reach. -- -- Meanwhile, Ikuto Tsumura is a high school student with a knack in designing clothes; however, without the resources to pursue the necessary education, his ambition of becoming a fashion designer remains a mere dream. But as fate brings Chiyuki and Ikuto together, the dim hopes within their hearts are ignited once again. Together, the two promise to rebel against convention and carve out their own paths in the fashion world. -- -- 85,891 7.62
Kami nomi zo Shiru Sekai: Megami-hen -- -- Manglobe -- 12 eps -- Manga -- Harem Comedy Supernatural Romance Shounen -- Kami nomi zo Shiru Sekai: Megami-hen Kami nomi zo Shiru Sekai: Megami-hen -- Having freed a myriad of women from the runaway spirits possessing their hearts, the "God of Conquest" Keima Katsuragi is confronted with a new task: find the Jupiter Sisters, the goddesses that sealed Old Hell in the past. Diana, the goddess that resides inside his childhood friend Tenri Ayukawa, explains that they have taken shelter in the hearts of the girls he had assisted previously. Moreover, once Diana and her sisters are reunited, their power can seal the runaway spirits away for good and relieve Keima of his exorcising duties. Though he is initially reluctant to get involved in yet another chore, everything changes when tragedy befalls one of the hosts. -- -- Discovering that the goddesses are being targeted by a mysterious organization known as Vintage, Keima is caught in a race against time to reunite the sisters and rescue the girl who has already fallen prey. With deeper resolve than ever before, Keima works together with demons Elsie and Haqua to recapture the hearts of the girls he had charmed in the past. However, the road ahead is a difficult one, as he is soon met with the consequences of his previous conquests. -- -- 281,799 8.07
Kami nomi zo Shiru Sekai: Megami-hen -- -- Manglobe -- 12 eps -- Manga -- Harem Comedy Supernatural Romance Shounen -- Kami nomi zo Shiru Sekai: Megami-hen Kami nomi zo Shiru Sekai: Megami-hen -- Having freed a myriad of women from the runaway spirits possessing their hearts, the "God of Conquest" Keima Katsuragi is confronted with a new task: find the Jupiter Sisters, the goddesses that sealed Old Hell in the past. Diana, the goddess that resides inside his childhood friend Tenri Ayukawa, explains that they have taken shelter in the hearts of the girls he had assisted previously. Moreover, once Diana and her sisters are reunited, their power can seal the runaway spirits away for good and relieve Keima of his exorcising duties. Though he is initially reluctant to get involved in yet another chore, everything changes when tragedy befalls one of the hosts. -- -- Discovering that the goddesses are being targeted by a mysterious organization known as Vintage, Keima is caught in a race against time to reunite the sisters and rescue the girl who has already fallen prey. With deeper resolve than ever before, Keima works together with demons Elsie and Haqua to recapture the hearts of the girls he had charmed in the past. However, the road ahead is a difficult one, as he is soon met with the consequences of his previous conquests. -- -- -- Licensor: -- Sentai Filmworks -- 281,799 8.07
Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. -- -- A.C.G.T. -- 1 ep -- Light novel -- Adventure Drama Fantasy -- Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. -- After running away from the grim future that awaited her back in her home country, a young girl takes upon a new name and identity—inspired by the man who sacrificed his life to help her escape. Alongside her newfound companion, a talking motorcycle, the two find themselves a new home in the forest—where lives an elderly woman with an expertise in guns. Under the woman's care, the girl is trained in marksmanship and motorcycle handling among other various skills needed to survive. -- -- Although the girl is happy with her current life, her guilt regarding her savior's death continues to build within herself. She still feels responsible for her savior's death, and considers the consequences of using his name as her own. In doing so, she is denying her own identity and existence by trying to replicate another person's life, instead of living her own. -- -- Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. follows the journey of a young girl as she begins to come to terms with her new identity. -- -- Movie - Feb 19, 2005 -- 47,709 7.78
Kishibe Rohan wa Ugokanai -- -- David Production -- 4 eps -- Manga -- Action Mystery Shounen Supernatural -- Kishibe Rohan wa Ugokanai Kishibe Rohan wa Ugokanai -- Kishibe Rohan wa Ugokanai adapts a handful of one-shots based on the manga series JoJo no Kimyou na Bouken, and follows the bizarre adventures that Rohan Kishibe goes through as he searches for inspiration for his manga. -- -- Fugou Mura -- -- Rohan accompanies manga editor Kyouka Izumi to a secretive village where she plans on buying a house. Izumi informs Rohan that inhabitants of the village suddenly become rich at the age of 25 after purchasing their homes. Being 25 years old herself, Izumi has high hopes for moving into the village and invites Rohan to gather ideas for his manga. As they enter one of the houses for an interview with the seller, they are greeted by a servant named Ikkyuu, who puts them through a test of etiquette with deadly consequences. -- -- Mutsukabezaka -- -- Rohan meets with his editor, Minoru Kagamari, to discuss both his manga and the six mountains that the manga author recently bought. He explains that he purchased the mountains in order to search for a legendary spirit known as the Mutsukabezaka. To give his search context, he tells the tale of Naoko Osato, a wealthy heiress who murdered her boyfriend and became cursed by the spirit. -- -- Zangenshitsu -- -- Rohan decides to vacation in Venice after putting his manga on hiatus. While there, he explores the interior of a church and examines the structure of its confessional. After stepping into the priest's compartment, Rohan hears a man enter the confessional and begin to confess his sins. The man recounts his confrontation with a starving beggar and the haunting events that followed. -- -- The Run -- -- Youma Hashimoto is a young male model who has quickly risen to success. As his popularity grows, so does his obsession with his appearance and body. One day, he meets Rohan at the gym, and the two quickly form a rivalry which pushes Youma to intensify his training. Soon. Youma's fixation on his physique takes a dark turn as his training takes precedence over his life, and he challenges Rohan to a fatal competition on the treadmills. -- -- OVA - Sep 20, 2017 -- 77,010 7.62
Kiss x Sis -- -- feel. -- 12 eps -- Manga -- Comedy Ecchi Harem Romance School Seinen -- Kiss x Sis Kiss x Sis -- When Keita Suminoe's father remarried, not only did he gain a new mother, but elder twin sisters as well. Distinct yet similar, the homely and mature Ako is a former student council president, while the athletic and aloof Riko is the previous disciplinary president. The three of them have been together since kindergarten, resulting in a deep bond between the siblings. However, over time, their relationship developed into something more romantic—and erotic . -- -- Now in his last year of middle school, Keita has already received a sports recommendation, but it's from a different high school than his two sisters. Disappointed, both sisters try to change his mind, and he agrees, giving in to their desperate pleas. Unaware of the consequences, he now has to attempt to study for his high school exams while warding off the advances of his lust-driven sisters. With their parent's blessings, Ako and Riko strive to be Keita's future wife, leaving him to try his best to keep the relationship between them strictly platonic. However, with two beautiful girls vying for his attention, will Keita be able to withstand the endless temptations? -- -- OVA - Dec 22, 2008 -- 264,581 6.92
Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D -- -- Production I.G -- 1 ep -- - -- Military Sci-Fi Mystery Police Mecha Seinen -- Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D Koukaku Kidoutai: Stand Alone Complex - Solid State Society 3D -- Kenji Kamiyama and Production I.G's Ghost in the Shell: Stand Alone Complex: Solid State Society movie will be converted into stereoscopic 3D. Kamiyama himself is overseeing the conversion, and I.G will also add a newly animated opening sequence. -- Movie - Mar 26, 2011 -- 13,509 7.75
Macross Flash Back 2012 -- -- - -- 1 ep -- - -- Drama Mecha Military Sci-Fi -- Macross Flash Back 2012 Macross Flash Back 2012 -- Flash Back 2012 is Minmei's farewell concert. Featuring some of her best songs, the music is performed over various scenes and events taken from Macross TV as well as Macross "Do You Remember Love". Also included is a newly animated closing sequence showing the launch of Misa's colony vessel, the Megaroad-01, into space. -- -- (Source: ANN) -- OVA - Jun 21, 1987 -- 7,833 6.90
Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- -- Shaft -- 1 ep -- Original -- Drama Magic Psychological Thriller -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- Though Sayaka Miki's wish was fulfilled, the unforeseen consequences that came with it overwhelm her, causing her soul gem to become tainted as she succumbs to despair and eventually loses her humanity. Homura Akemi reveals to Kyouko Sakura and Madoka Kaname the ultimate fate of magical girls: once their soul gem becomes tainted, it transforms into a Grief Seed, and they are reborn as witches—a truth Homura learned only through repeating history countless times in a bid to prevent Madoka's tragedy. -- -- Kyuubey only compounds their despair when he confesses his true intentions: to harness the energy created from magical girls and use it to prolong the life of the universe. As the threat of Walpurgisnacht, a powerful witch, looms overhead, Homura once again vows to protect Madoka and the world from a grim fate. -- -- Caught between honoring Homura's wish and saving the world, which one will Madoka choose in the end? -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari is a story of inescapable destiny, and an unlikely hero who could change it all. -- -- -- Licensor: -- Aniplex of America -- Movie - Oct 13, 2012 -- 166,656 8.39
Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- -- Shaft -- 1 ep -- Original -- Drama Magic Psychological Thriller -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- Though Sayaka Miki's wish was fulfilled, the unforeseen consequences that came with it overwhelm her, causing her soul gem to become tainted as she succumbs to despair and eventually loses her humanity. Homura Akemi reveals to Kyouko Sakura and Madoka Kaname the ultimate fate of magical girls: once their soul gem becomes tainted, it transforms into a Grief Seed, and they are reborn as witches—a truth Homura learned only through repeating history countless times in a bid to prevent Madoka's tragedy. -- -- Kyuubey only compounds their despair when he confesses his true intentions: to harness the energy created from magical girls and use it to prolong the life of the universe. As the threat of Walpurgisnacht, a powerful witch, looms overhead, Homura once again vows to protect Madoka and the world from a grim fate. -- -- Caught between honoring Homura's wish and saving the world, which one will Madoka choose in the end? -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari is a story of inescapable destiny, and an unlikely hero who could change it all. -- -- Movie - Oct 13, 2012 -- 166,656 8.39
Mobile Suit Gundam 00 Special Edition -- -- Sunrise -- 3 eps -- - -- Action Drama Mecha Military Sci-Fi -- Mobile Suit Gundam 00 Special Edition Mobile Suit Gundam 00 Special Edition -- Condensed version of both the first and second seasons of Gundam 00 featuring some new animated sequences and some partially re-recorded dialogue. -- OVA - Oct 27, 2009 -- 10,372 7.60
Mobile Suit Gundam Wing: Endless Waltz Movie -- -- Sunrise -- 1 ep -- Original -- Action Space Mecha Military Drama Sci-Fi -- Mobile Suit Gundam Wing: Endless Waltz Movie Mobile Suit Gundam Wing: Endless Waltz Movie -- At the climax of the Eve Wars, on December 24 of the year AC 195, the armies of the World Nation and White Fang met in a ferocious battle. World Nation leader Treize Khushrenada was slain, White Fang leader Zechs Merquise disappeared, and Earth was saved from destruction by the intervention of the five Gundam pilots. Having witnessed the consequences of war and hatred, the people of Earth and the space colonies put aside their differences and together founded a new world government. Under this newly-formed Earth Sphere Unified Nation, a year has passed in peace. The government and the populace have disarmed themselves, and almost every remaining mobile suit has been destroyed. Deciding to follow suit, Gundam pilots Heero Yuy, Duo Maxwell, Trowa Barton, and Quatre Raberba Winner place their mighty mobile suits inside an asteroid and send them on a one-way voyage into the sun. But even as they bid their Gundams farewell, a new conflict is drawing near. -- -- (Source: AniDB) -- -- Licensor: -- Bandai Entertainment -- Movie - Aug 1, 1998 -- 50,948 7.81
Mushishi Zoku Shou 2nd Season -- -- Artland -- 10 eps -- Manga -- Adventure Fantasy Historical Mystery Seinen Slice of Life Supernatural -- Mushishi Zoku Shou 2nd Season Mushishi Zoku Shou 2nd Season -- Ghostly, primordial beings known as Mushi continue to cause mysterious changes in the lives of humans. The travelling Mushishi, Ginko, persists in trying to set right the strange and unsettling situations he encounters. Time loops, living shadows, and telepathy are among the overt effects of interference from Mushi, but more subtle symptoms that take years to be noticed also rouse Ginko's concern as he passes from village to village. -- -- Through circumstance, Ginko has become an arbiter, determining which Mushi are blessings and which are curses. But the lines that he seeks to draw are subjective. Some of his patients would rather exercise their new powers until they are utterly consumed by them; others desperately strive to rid themselves of afflictions which are in fact protecting their lives from devastation. Those who cross paths with Mushi must learn to accept seemingly impossible consequences for their actions, and heal wounds they did not know they had. Otherwise, they risk meeting with fates beyond their comprehension. -- -- 206,606 8.76
Mushishi Zoku Shou 2nd Season -- -- Artland -- 10 eps -- Manga -- Adventure Fantasy Historical Mystery Seinen Slice of Life Supernatural -- Mushishi Zoku Shou 2nd Season Mushishi Zoku Shou 2nd Season -- Ghostly, primordial beings known as Mushi continue to cause mysterious changes in the lives of humans. The travelling Mushishi, Ginko, persists in trying to set right the strange and unsettling situations he encounters. Time loops, living shadows, and telepathy are among the overt effects of interference from Mushi, but more subtle symptoms that take years to be noticed also rouse Ginko's concern as he passes from village to village. -- -- Through circumstance, Ginko has become an arbiter, determining which Mushi are blessings and which are curses. But the lines that he seeks to draw are subjective. Some of his patients would rather exercise their new powers until they are utterly consumed by them; others desperately strive to rid themselves of afflictions which are in fact protecting their lives from devastation. Those who cross paths with Mushi must learn to accept seemingly impossible consequences for their actions, and heal wounds they did not know they had. Otherwise, they risk meeting with fates beyond their comprehension. -- -- -- Licensor: -- Aniplex of America -- 206,606 8.76
Nagi no Asu kara -- -- P.A. Works -- 26 eps -- Original -- Drama Fantasy Romance -- Nagi no Asu kara Nagi no Asu kara -- Long ago, all humans lived beneath the sea. However, some people preferred the surface and abandoned living underwater permanently. As a consequence, they were stripped of their god-given protection called "Ena" which allowed them to breathe underwater. Over time, the rift between the denizens of the sea and of the surface widened, although contact between the two peoples still existed. -- -- Nagi no Asu kara follows the story of Hikari Sakishima and Manaka Mukaido, along with their childhood friends Chisaki Hiradaira and Kaname Isaki, who are forced to leave the sea and attend a school on the surface. There, the group also meets Tsumugu Kihara, a fellow student and fisherman who loves the sea. -- -- Hikari and his friends' lives are bound to change as they have to deal with the deep-seated hatred and discrimination between the people of sea and of the surface, the storms in their personal lives, as well as an impending tempest which may spell doom for all who dwell on the surface. -- -- -- Licensor: -- NIS America, Inc. -- 482,003 8.06
Nanatsu no Taizai: Imashime no Fukkatsu -- -- A-1 Pictures -- 24 eps -- Manga -- Action Adventure Fantasy Magic Shounen Supernatural -- Nanatsu no Taizai: Imashime no Fukkatsu Nanatsu no Taizai: Imashime no Fukkatsu -- The fierce battle between Meliodas, the captain of the Seven Deadly Sins, and the Great Holy Knight Hendrickson has devastating consequences. Armed with the fragments necessary for the revival of the Demon Clan, Hendrickson breaks the seal, allowing the Commandments to escape, all of whom are mighty warriors working directly under the Demon King himself. Through a mysterious connection, Meliodas instantly identifies them; likewise, the 10 Commandments, too, seem to sense his presence. -- -- As the demons leave a path of destruction in their wake, the Seven Deadly Sins must find a way to stop them before the Demon Clan drowns Britannia in blood and terror. -- -- 805,106 7.78
Nanatsu no Taizai: Kamigami no Gekirin -- -- Marvy Jack, Studio Deen -- 24 eps -- Manga -- Action Adventure Supernatural Magic Fantasy Shounen -- Nanatsu no Taizai: Kamigami no Gekirin Nanatsu no Taizai: Kamigami no Gekirin -- After saving the Kingdom of Liones from the 10 Commandments, Meliodas and the Seven Deadly Sins are enjoying their time off. However, things aren't as peaceful as they seem, as the Sins are put through various trials to become strong enough to defeat the 10 Commandments and to overcome their past trauma. -- -- With help from past figures, the Sins are tasked with defeating the 10 Commandments and putting an end to their evil plans that began ten thousand years ago. The Sins begin to uncover the truth about each other, as well as those who stood before them. With this knowledge in hand, the battle against the 10 Commandments has only just begun. -- -- Nanatsu no Taizai: Kamigami no Gekirin continues to follow the Seven Deadly Sins and those that they meet on their journey. Through their adventures, they realize that their actions have had greater consequences on the present than they could have ever expected. -- -- 455,812 6.42
NieA Under 7 -- -- Triangle Staff -- 13 eps -- Original -- Comedy Sci-Fi Slice of Life -- NieA Under 7 NieA Under 7 -- In the 21st century, aliens have arrived on Earth and live among humans. In sleepy Enohana, the dirt-poor student Chigasaki Mayuko finds herself living together with NieA, a low-caste ("Under Seven") alien. While Mayuko struggles diligently to make ends meet, NieA seems to be totally unconcerned with the consequences of her actions. As the odd couple throws off the expected sparks, the wrecked alien mothership looms in the background... -- -- (Source: ANN) -- -- Licensor: -- Discotek Media, Geneon Entertainment USA -- 28,740 6.84
No.6 -- -- Bones -- 11 eps -- Novel -- Action Sci-Fi Mystery Drama -- No.6 No.6 -- Many years ago, after the end of a bloody world war, mankind took shelter in six city-states that were peaceful and perfect... at least on the surface. However, Shion—an elite resident of the city-state No. 6—gained a new perspective on the world he lives in, thanks to a chance encounter with a mysterious boy, Nezumi. Nezumi turned out to be just one of many who lived in the desolate wasteland beyond the walls of the supposed utopia. But despite knowing that the other boy was a fugitive, Shion decided to take him in for the night and protect him, which resulted in drastic consequences: because of his actions, Shion and his mother lost their status as elites and were relocated elsewhere, and the darker side of the city began to make itself known. -- -- Now, a long time after their life-altering first meeting, Shion and Nezumi are finally brought together once again—the former elite and the boy on the run are about to embark on an adventure that will, in time, reveal the shattering secrets of No. 6. -- -- -- Licensor: -- Sentai Filmworks -- 342,870 7.57
Noblesse -- -- Production I.G -- 13 eps -- Web manga -- Action School Supernatural Vampire -- Noblesse Noblesse -- The "Noblesse" Cadis Etrama di Raizel, also known as "Rai," is enrolled in Ye Ran High School by his servant Frankenstein to stay hidden from the sights of the Union, a mysterious organization out for Rai's blood. Rai commences his life as a student, making himself familiar with his classmates and the daily activities of humans. However, his new life is far from peaceful, and Rai is soon forced to save his new friends from the hands of the Union that had abducted them. --   -- Meanwhile, M-21—a Union agent gone rogue during Rai's rescue operation—joins the Ye Ran High School security staff after a proposition by the school's director, who happens to be none other than Frankenstein himself. On the surface, M-21 is a prim and proper employee, but in truth he is shackled by his former ties to the Union and the inevitable consequences of betraying the organization. --   -- To further complicate matters, Nobles Regis K. Landegre and Seira J. Loyard enroll in the same school to investigate the Noblesse. While the Union conducts a manhunt for M-21 to extract clues regarding their missing agents, Rai is forced to keep his identity hidden while protecting all that he holds dear. -- -- 177,212 6.82
Robot Carnival -- -- APPP -- 1 ep -- Original -- Sci-Fi Fantasy Mecha -- Robot Carnival Robot Carnival -- 9 of Japan's leading animators were asked to create a short segment that followed the theme of "Robots," for their inclusion in this film. Essentially, this "movie" is 9 short films, all independant of one another. The common element is human interaction with robots, namely the consequences of creating life with one's own hands, played in nine very different ways. -- -- (Source: ANN) -- -- 1: Opening (Atsuko Fukushima and Katsuhiro Otomo) -- 2: Franken's Gears (Koji Morimoto) -- 3: Deprive (Hidetoshi Omori) -- 4: Presence (Yasuomi Umetsu) -- 5: Star Light Angel (Hiroyuki Kitazume) -- 6: Cloud (Mao Lamdo) -- 7: A Tale of Two Robots (Hiroyuki Kitakubo) -- 8: Nightmare (Takashi Nakamura) -- 9: Ending (Atsuko Fukushima and Katsuhiro Otomo) -- -- Licensor: -- Discotek Media -- OVA - Jul 21, 1987 -- 17,397 7.27
Robotics;Notes -- -- Production I.G -- 22 eps -- Visual novel -- Sci-Fi Mystery Drama Mecha School -- Robotics;Notes Robotics;Notes -- It has always been the aspiration of the Central Tanegashima High School Robotics Research Club to complete the GunPro1, a fully functioning giant robot. For years, the members of the club have contributed to its progress and it is now Akiho Senomiya's goal to finally make the dream of all the past club members become a reality. However, things are not as easy as they seem as the club lacks the funding for such a huge endeavor. Aside from that, the only other club member, Kaito Yashio, shows no interest in assisting his childhood friend and instead indulges in playing mecha-fighting games on his "PokeCom." -- -- As Kaito is in the middle of wasting his days, he receives an indecipherable message and hears a voice that seems to be drowned out by the noise of static. He searches for the source, only to realize that it came from Airi Yukifune, an AI which only exists within the augmented reality system accessible via the PokeCom. Robotic;Notes follows the story of Kaito as he discovers a peculiar report in Airi's database, one that would have disastrous consequences in the future. -- -- -- Licensor: -- Funimation -- 159,591 7.34
Sankarea -- -- Studio Deen -- 12 eps -- Manga -- Comedy Ecchi Horror Romance Shounen Supernatural -- Sankarea Sankarea -- Ever since he was a child, zombie-obsessed Chihiro Furuya has wanted an undead girlfriend. Soon enough, his love for all things zombie comes in handy when his cat Baabu gets run over, prompting Chihiro to try to make a resurrection potion and bring him back to life. During his endeavor, he sees a rich girl named Rea Sanka yelling into an old well every day about her oppressive life. After meeting and bonding with her, Chihiro is convinced by Rea to persevere in saving Baabu. Eventually, he succeeds with the help of the poisonous hydrangea flowers from Rea's family garden. -- -- Unaware of the potion's success and seeking to escape the burdens of her life, Rea drinks the resurrection potion, mistakenly thinking she will die. Though it doesn't kill her, the effects still linger and her death from a fatal accident causes her to be reborn as a zombie. With help from Chihiro, Rea strives to adjust to her new—albeit undead—life. -- -- For a boy wanting a zombie girlfriend, this situation would seem like a dream come true. But in Sankarea, Chihiro's life becomes stranger than usual as he deals with Rea's odd new cravings and the unforeseen consequences of her transformation. -- -- -- Licensor: -- Funimation -- 481,086 7.34
Shingeki no Kyojin: The Final Season Part 2 -- -- - -- ? eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin: The Final Season Part 2 Shingeki no Kyojin: The Final Season Part 2 -- Second part of Shingeki no Kyojin: The Final Season. -- TV - Jan ??, 2022 -- 161,248 N/A -- -- Robotics;Notes -- -- Production I.G -- 22 eps -- Visual novel -- Sci-Fi Mystery Drama Mecha School -- Robotics;Notes Robotics;Notes -- It has always been the aspiration of the Central Tanegashima High School Robotics Research Club to complete the GunPro1, a fully functioning giant robot. For years, the members of the club have contributed to its progress and it is now Akiho Senomiya's goal to finally make the dream of all the past club members become a reality. However, things are not as easy as they seem as the club lacks the funding for such a huge endeavor. Aside from that, the only other club member, Kaito Yashio, shows no interest in assisting his childhood friend and instead indulges in playing mecha-fighting games on his "PokeCom." -- -- As Kaito is in the middle of wasting his days, he receives an indecipherable message and hears a voice that seems to be drowned out by the noise of static. He searches for the source, only to realize that it came from Airi Yukifune, an AI which only exists within the augmented reality system accessible via the PokeCom. Robotic;Notes follows the story of Kaito as he discovers a peculiar report in Airi's database, one that would have disastrous consequences in the future. -- -- -- Licensor: -- Funimation -- 159,591 7.34
Starship Troopers: Invasion -- -- Sola Digital Arts -- 1 ep -- Book -- Action Military Sci-Fi -- Starship Troopers: Invasion Starship Troopers: Invasion -- A distant Federation outpost Fort Casey comes under attack by bugs. The team on the fast attack ship Alesia is assigned to help the Starship John A. Warden stationed in Fort Casey evacuate along with the survivors and bring military intelligence safely back to Earth. Carl Jenkins, now head of the Ministry of Paranormal Warfare, takes the starship on a clandestine mission before its rendezvous with the Alesia and goes missing in the nebula. Now, the battle-hardened troopers are charged with a rescue mission that may lead to a much more sinister consequence than they ever could have imagined... -- -- (Source: Amazon) -- Movie - Jul 21, 2012 -- 4,879 6.70
Steins;Gate 0 -- -- White Fox -- 23 eps -- Visual novel -- Sci-Fi Psychological Drama Thriller -- Steins;Gate 0 Steins;Gate 0 -- The eccentric, self-proclaimed mad scientist Rintarou Okabe has become a shell of his former self. Depressed and traumatized after failing to rescue his friend Makise Kurisu, he has decided to forsake his mad scientist alter ego and live as an ordinary college student. Surrounded by friends who know little of his time travel experiences, Okabe spends his days trying to forget the horrors of his adventures alone. -- -- While working as a receptionist at a college technology forum, Okabe meets the short, spunky Maho Hiyajo, who -- later turns out to be the interpreter at the forum's presentation, conducted by Professor Alexis Leskinen. In front of a stunned crowd, Alexis and Maho unveil Amadeus—a revolutionary AI capable of storing a person's memories and creating a perfect simulation of that person complete with their personality and quirks. Meeting with Maho and Alexis after the presentation, Okabe learns that the two were Kurisu's colleagues in university, and that they have simulated her in Amadeus. Hired by Alexis to research the simulation's behavior, Okabe is given the chance to interact with the shadow of a long-lost dear friend. Dangerously tangled in the past, Okabe must face the harsh reality and carefully maneuver around the disastrous consequences that come with disturbing the natural flow of time. -- -- -- Licensor: -- Funimation -- 622,458 8.51
Steins;Gate Movie: Fuka Ryouiki no Déjà vu -- -- White Fox -- 1 ep -- Visual novel -- Sci-Fi Drama -- Steins;Gate Movie: Fuka Ryouiki no Déjà vu Steins;Gate Movie: Fuka Ryouiki no Déjà vu -- After a year in America, Kurisu Makise returns to Akihabara and reunites with Rintarou Okabe. However, their reunion is cut short when Okabe begins to experience recurring flashes of other timelines as the consequences of his time traveling start to manifest. These side effects eventually culminate in Okabe suddenly vanishing from the world, and only the startled Kurisu has any memory of his existence. -- -- In the midst of despair, Kurisu is faced with a truly arduous choice that will test both her duty as a scientist and her loyalty as a friend: follow Okabe's advice and stay away from traveling through time to avoid the potential consequences it may have on the world lines, or ignore it to rescue the person that she cherishes most. Regardless of her decision, the path she chooses is one that will affect the past, the present, and the future. -- -- -- Licensor: -- Funimation -- Movie - Apr 20, 2013 -- 463,060 8.49
Toki wo Kakeru Shoujo -- -- Madhouse -- 1 ep -- Novel -- Adventure Drama Romance Sci-Fi -- Toki wo Kakeru Shoujo Toki wo Kakeru Shoujo -- Makoto Konno is in her last year of high school, but is having a hard time deciding what to do with her future. In between enduring the pressure of her teachers and killing time with her best friends, Makoto's life suddenly changes when she accidentally discovers that she is capable of literally leaping through time. -- -- Toki wo Kakeru Shoujo follows Makoto as she plays around with her newfound power. However, she soon learns the hard way that every choice has a consequence, and time is a lot more complicated than it may seem. -- -- -- Licensor: -- Bandai Entertainment, Funimation, Kadokawa Pictures USA -- Movie - Jul 15, 2006 -- 640,120 8.18
Trigger-chan -- -- Trigger -- 1 ep -- Original -- Action -- Trigger-chan Trigger-chan -- The fifth anniversary of Trigger has been marked with a Uchuu Patrol Luluco marathon on NND that ended with a special animated sequence featuring mascot Trigger-chan and her buddies Muzzle and Spring. -- -- (Source: Crunchyroll) -- ONA - Aug 22, 2016 -- 10,582 6.25
Umezu Kazuo no Noroi -- -- - -- 1 ep -- Manga -- Horror -- Umezu Kazuo no Noroi Umezu Kazuo no Noroi -- "Do not toy with the supernatural." -- -- Two stories of the consequences that descend upon humans who venture beyond the safe confines of their ordinary worlds. -- -- When a gorgeous girl named Rima transfers into Masami's class, she's not only jealous, but also deathly frightened of her. While the boys in class are tripping all over themselves to get to Rima, Masami's having nightmares of a ghastly visitor and finding scars on her body come morning. She asks a friend to help her get evidence to confirm her suspicions about the new girl. But if a picture is worth a thousand words, a video must be worth far more. The truth can set you free, but it can also be more terrifying than anything you can imagine. -- -- Shy Miko and her more outgoing friend Nanako are enjoying their summer vacation, trying to make the most of their youth. But when horror-movie marathons just aren't thrilling enough, Nanako sets her eyes on a new target: an abandoned mansion at the edge of town, said to be haunted. With two other friends in tow, a reluctant Miko and a gung-ho Nanako enter the mansion. Soon, everything that can go wrong starts going wrong. Only luck or a miracle will allow them manage to escape the mansion with their lives, their sanity, and even their sense of reality. -- -- (Source: Hanako) -- OVA - Mar 1, 1990 -- 5,203 6.14
Urusei Yatsura -- -- Studio Deen, Studio Pierrot -- 195 eps -- Manga -- Action Sci-Fi Adventure Comedy Drama Romance -- Urusei Yatsura Urusei Yatsura -- Not much is notable about the lecherous Ataru Moroboshi, but his extraordinary bad luck sticks out like the horns in an alien's head. When Earth is threatened by a fleet of alien invaders known as the Oni, Ataru is selected to represent humanity in a duel against one of them. It's a stroke of rare luck for Ataru that the duel is in fact a game of tag, and that his opponent is Lum, daughter of the Oni's leader, who places her personal dignity above victory—as Ataru finds out by seizing Lum's bikini top and with it, victory. -- -- However, misfortune kicks in again when Lum mistakes Ataru's promise to marry his girlfriend, Shinobu Miyake, as the desire to wed Lum herself, and decides she rather likes the idea. Wielding her influence as an alien princess, she moves in with him. Forced to deal with the consequences of his womanizing ways, Ataru must balance his crumbling relationship with Shinobu while keeping Lum happy, all the while flirting with every woman he meets. -- -- 59,467 7.69
Urusei Yatsura -- -- Studio Deen, Studio Pierrot -- 195 eps -- Manga -- Action Sci-Fi Adventure Comedy Drama Romance -- Urusei Yatsura Urusei Yatsura -- Not much is notable about the lecherous Ataru Moroboshi, but his extraordinary bad luck sticks out like the horns in an alien's head. When Earth is threatened by a fleet of alien invaders known as the Oni, Ataru is selected to represent humanity in a duel against one of them. It's a stroke of rare luck for Ataru that the duel is in fact a game of tag, and that his opponent is Lum, daughter of the Oni's leader, who places her personal dignity above victory—as Ataru finds out by seizing Lum's bikini top and with it, victory. -- -- However, misfortune kicks in again when Lum mistakes Ataru's promise to marry his girlfriend, Shinobu Miyake, as the desire to wed Lum herself, and decides she rather likes the idea. Wielding her influence as an alien princess, she moves in with him. Forced to deal with the consequences of his womanizing ways, Ataru must balance his crumbling relationship with Shinobu while keeping Lum happy, all the while flirting with every woman he meets. -- -- -- Licensor: -- AnimEigo -- 59,467 7.69
Wonder (Movie) -- -- Calf Studio -- 1 ep -- - -- Dementia -- Wonder (Movie) Wonder (Movie) -- The 365 days animation consists of sequence of 8760 pictures, all different shape and color, hand-drawn by the director every day in 365 days. This is the ultimate analog approach by the abstract animated film creator in digital era. -- -- (Source: IMDb) -- Movie - Feb 8, 2014 -- 1,824 6.08
Yami Shibai 6 -- -- ILCA -- 13 eps -- Original -- Dementia Horror Supernatural -- Yami Shibai 6 Yami Shibai 6 -- Late at night, in a clearing within a dark fog-filled forest, there sits a kamishibai storyboard. A visitor approaches, and suddenly, the fog recedes. A shape begins to take form beside the board—this figure is the masked Storyteller, who once again starts to spin tales of horror and despair. -- -- The events described in these macabre tales might happen to anyone, even your neighbors or friends: a group of girls bully one of their members in a cave, only to find themselves the victims of a dark presence; a boy with scopophobia moves to the countryside, but he still cannot escape the eyes of others; a man has a window that won't stay closed, and is the recipient of strange phone calls; and a salaryman steals an umbrella on a rainy day, but this seemingly insignificant act leads to consequences he never expected. Visitors may enjoy the Storyteller's offerings, but they should also be vigilant so that they don't wind up as the subjects of his next story. -- -- 14,635 6.15
Yoku Wakaru Gendai Mahou -- -- Nomad -- 12 eps -- Light novel -- Comedy Magic -- Yoku Wakaru Gendai Mahou Yoku Wakaru Gendai Mahou -- Life hasn't been fair to Koyomi Morishita. Even though she's in high school, she's so short that everyone assumes she's still in grade school. The boys and girls in her school tease her mercilessly, and she's not exactly graceful either. On the other hand, she's still better off than Yumiko, who has a magician trying to kill her. Or at least Koyomi was until their paths crossed! -- -- Fortunately, salvation arrives in the form of master mage and graduate student Misa Anehara, who agrees to take Koyomi under her wing in learning the new style of magic, which breaks enchantment down into sequences of code. That'll be quite a task, given that so far Koyomi's talent seems to consist of making washbasins randomly fall out of the sky. But if it was easy, it wouldn't be magic, would it? -- -- (Source: Sentai Filmworks) -- 22,876 6.46
Yu☆Gi☆Oh! Zexal Second -- -- Gallop -- 73 eps -- Manga -- Action Game Fantasy Shounen -- Yu☆Gi☆Oh! Zexal Second Yu☆Gi☆Oh! Zexal Second -- After defeating a mysterious enemy, Yuuma Tsukumo, along with the help of Kaito Tenjou and Ryouga "Shark" Kamishiro, has thwarted the Barians' plans. However, Yuuma is still on a quest to retrieve the Number Cards to restore Astral's memories. The Seven Barian Emperors catch wind of Yuuma and Astral's endeavors and begin to collect the cards themselves to achieve their ultimate goal: destroying Astral's world in exchange for saving their own. -- -- Though only five of the emperors are present, they unanimously decide on annihilating Astral and Yuuma once and for all. Elsewhere, with their newfound powers of ZEXAL, Astral and Yuuma work to eliminate the enemy force that threatens Earth and the rest of the universe. -- -- Yu☆Gi☆Oh! Zexal Second unveils the mysteries and unpleasant surprises that lie in the wake of Yuuma's adversities. As Astral struggles to accept his past and the consequences it may have brought, will the gods continue to shower their fortune upon Yuuma on yet another perilous adventure? -- -- TV - Oct 7, 2012 -- 29,166 6.84
Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou -- -- Studio Gokumi -- 6 eps -- Original -- Drama Fantasy Magic Slice of Life -- Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou -- Having fulfilled their destiny during the events of Yuuki Yuuna wa Yuusha de Aru, Sanshu Middle School's Hero Club—consisting of Yuuna Yuuki, Karin Miyoshi, and siblings Fuu and Itsuki Inubouzaki—is back in full swing, helping out those in need wherever they can. They have also gained a new member, a hero from the past named Sonoko Nogi. But eventually they notice that someone who should be among them, Mimori Tougou, is missing; any trace of her existence is completely gone, save for the girls' memories. -- -- With no leads on Tougou's whereabouts, the girls regain the ability to transform and begin the desperate search for their lost friend. But what they find is more shocking than any of them could ever have imagined, and the consequences of their actions begin to change life as they know it. -- -- 30,862 7.64
Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou -- -- Studio Gokumi -- 6 eps -- Original -- Drama Fantasy Magic Slice of Life -- Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou Yuuki Yuuna wa Yuusha de Aru: Yuusha no Shou -- Having fulfilled their destiny during the events of Yuuki Yuuna wa Yuusha de Aru, Sanshu Middle School's Hero Club—consisting of Yuuna Yuuki, Karin Miyoshi, and siblings Fuu and Itsuki Inubouzaki—is back in full swing, helping out those in need wherever they can. They have also gained a new member, a hero from the past named Sonoko Nogi. But eventually they notice that someone who should be among them, Mimori Tougou, is missing; any trace of her existence is completely gone, save for the girls' memories. -- -- With no leads on Tougou's whereabouts, the girls regain the ability to transform and begin the desperate search for their lost friend. But what they find is more shocking than any of them could ever have imagined, and the consequences of their actions begin to change life as they know it. -- -- -- Licensor: -- Ponycan USA -- 30,862 7.64
https://commons.wikimedia.org/wiki/Category:Logical_consequence
Adams spectral sequence
Alcuin's sequence
Algorithmically random sequence
Aliquot sequence
Almost convergent sequence
Amplicon sequence variant
Ancestral sequence reconstruction
Appeal to consequences
Appell sequence
AprilMay 1953 tornado outbreak sequence
Arithmeticogeometric sequence
Arnold's spectral sequence
Aronson's sequence
Associative sequence learning
AtiyahHirzebruch spectral sequence
A-type main-sequence star
Automatic sequence
Autonomously replicating sequence
Avoidable consequences rule
Bartimaeus Sequence
BaumSweet sequence
Beatty sequence
Bouma sequence
Bowtie (sequence analysis)
B-Step Sequencer
B-type main-sequence star
Cakewalk (sequencer)
Cambridge Reference Sequence
Cauchy sequence
ech-to-derived functor spectral sequence
Chain sequence
Characters in The Echorium Sequence
Chernobyl: Consequences of the Catastrophe for People and the Environment
Choice sequence
Cleaved amplified polymorphic sequence
Collapsing sequence
Collateral consequence
Collateral consequences of criminal conviction
Commission on the consequences of devolution for the House of Commons
Comparison of MIDI editors and sequencers
Complementary sequences
Complete sequence
Consensus sequence
Consequence
Consequence of Chaos
Consequence of Power
Consequence of Sound
Consequence (rapper)
Consequences (Buffy the Vampire Slayer)
Consequences of Nazism
Consequences of the attack on Pearl Harbor
Consequences of the Black Death
Consequences of War
Consequences (song)
Conserved non-coding sequence
Conserved sequence
Consideration of future consequences
Constant-recursive sequence
Courage and Consequence
Cratonic sequence
DavenportSchinzel sequence
DavenportSchinzel Sequences and Their Geometric Applications
De Bruijn sequence
De novo sequence assemblers
Destination-Sequenced Distance Vector routing
Direct-sequence spread spectrum
Disjunctive sequence
DNA sequencer
Dream sequence
Drum sequencer
Ducci sequence
Early-April 1957 tornado outbreak sequence
Early-May 1933 tornado outbreak sequence
Easter Week 2006 tornado outbreak sequence
Economic consequences of population decline
Economic consequences of the 2006 Thai coup d'tat
EHP spectral sequence
EhrenfeuchtMycielski sequence
EilenbergMoore spectral sequence
Entry Sequenced Data Set
EpsteinBarr virus stable intronic-sequence RNAs
Equidistributed sequence
Escape sequence
Escape sequences in C
EuclidMullin sequence
Euler sequence
Exact sequence
Explanation II: Instrumental Themes and Dream Sequences
Exponential sheaf sequence
Expressed sequence tag
Family with sequence similarity 13, member A1
Family with sequence similarity 173 member A
Family with sequence similarity 19 (chemokine (C-C motif)-like), member A1
Family with sequence similarity 19 member A4, C-C motif chemokine like
Family with sequence similarity 87 member B
Farey sequence
Fatal Consequences (The Bill)
Fibonacci Sequence (ensemble)
File sequence
Five-term exact sequence
Flag sequence
FlintWorcester tornado outbreak sequence
Flner sequence
Frame check sequence
Frlicher spectral sequence
F-type main-sequence star
Game of Thrones title sequence
Geiss Digisequencer
Genus of a multiplicative sequence
Gdel numbering for sequences
Golomb sequence
Graded numerical sequence
Great Valley Sequence
Grothendieck spectral sequence
G-type main-sequence star
Gun barrel sequence
Habitability of K-type main-sequence star systems
Halton sequence
Header check sequence
Hodgede Rham spectral sequence
Hofstadter sequence
Hubble sequence
Insertion sequence
Integer sequence
Integer sequence prime
Interleave sequence
International Nucleotide Sequence Database Collaboration
Inverse consequences
Journal of Integer Sequences
Juggler sequence
June 2023, 1957 tornado outbreak sequence
Just in sequence
KDEL (amino acid sequence)
Key Sequenced Data Set
King Wen sequence
Kozak consensus sequence
K-regular sequence
K-synchronized sequence
K-type main-sequence star
Lake Consequence
Lazy caterer's sequence
Leader sequence
Legal consequences of marriage and civil partnership in England and Wales
Lehmer sequence
Limit of a sequence
Linear code sequence and jump
List of DNA sequencers
List of integer sequences
List of late-April 2007 tornado outbreak sequence tornadoes
List of sequence alignment software
List of sequenced algae genomes
List of sequenced archaeal genomes
List of sequenced bacterial genomes
List of sequenced eukaryotic genomes
List of sequenced plant genomes
List of Spanish provinces by sequence or length of coastline
List of tornadoes in the May 1995 tornado outbreak sequence
List of tornadoes in the May 2003 tornado outbreak sequence
List of tornadoes in the May 2004 tornado outbreak sequence
List of tornadoes in the tornado outbreak sequence of June 311, 2008
List of tornadoes in the tornado outbreak sequence of May 14June 1, 1962
List of tornadoes in the tornado outbreak sequence of May 2019
List of tornadoes in the tornado outbreak sequence of May 2126, 2011
List of tornadoes in the tornado outbreak sequence of May 2231, 2008
List of tornadoes in the tornado outbreak sequence of May 715, 2008
Lists of sequenced genomes
Logical consequence
Lollipop sequence numbering
Longest alternating subsequence
Longest common subsequence problem
Longest increasing subsequence
Look-and-say sequence
Low-discrepancy sequence
Lowe sequence
Lucas sequence
LyndonHochschildSerre spectral sequence
Main sequence
March 2009 tornado outbreak sequence
Martingale difference sequence
Maximum length sequence
Maximum likelihood sequence estimation
May 1957 Central Plains tornado outbreak sequence
MayerVietoris sequence
MayJune 1917 tornado outbreak sequence
Maynard operation sequence technique
Message sequence chart
MHC class I polypeptiderelated sequence A
MHC class I polypeptiderelated sequence B
MianChowla sequence
Microsequencer
Monroe's motivated sequence
Moserde Bruijn sequence
MRI sequence
Multilocus sequence typing
Multiple sequence alignment
Music sequencer
Normal sequence
North polar sequence
Nuclear localization sequence
Nucleic acid sequence
Off the Main Sequence
On-Line Encyclopedia of Integer Sequences
On the Cult of Personality and Its Consequences
O-type main-sequence star
Padovan sequence
Palindromic sequence
PelB leader sequence
Periodic sequence
PEST sequence
Pierre Robin sequence
Polynomial sequence
Polyphase sequence
Potter sequence
Pre-main-sequence star
Prfer sequence
Pseudorandom binary sequence
Puppe sequence
PYLIS downstream sequence
Quillen spectral sequence
"Fish Alive" 30min., 1 Sequence by 6 Songs Sakanaquarium 2009 @ Sapporo
Random Fibonacci sequence
Random sequence
Rapid sequence induction
Rational consequence relation
Recamn's sequence
Recap sequence
Recognition sequence
Recombination signal sequences
Recurrent sequence
Regular paperfolding sequence
Regular sequence
Regulatory sequence
Repeated sequence (DNA)
Riesz sequence
Riffle-pool sequence
RudinShapiro sequence
Sauk sequence
Sequence
Sequence alignment
Sequence analysis
Sequence And Batch Language
Sequence assembly
SequenceBase
Sequence breaking
Sequence clustering
Sequence container (C++)
Sequence-controlled polymer
Sequence dance
Sequence database
Sequence dating
Sequence-defined polymer
Sequence determination
Sequence diagram
Sequence (disambiguation)
Sequenced Packet Exchange
Sequence feature variant type
Sequence (filmmaking)
Sequence (game)
Sequence (geology)
Sequence homology
Sequence learning
Sequence logo
Sequence motif
Sequence (music)
Sequence (musical form)
Sequence of events recorder
Sequence of Saint Eulalia
Sequence of tenses
Sequence point
Sequence profiling tool
Sequencer
Sequencer (Covenant album)
Sequence Read Archive
Sequence-related amplified polymorphism
Sequences Art Festival
Sequence saturation mutagenesis
Sequence space
Sequence space (evolution)
Sequence stratigraphy
Sequence transformation
Serre spectral sequence
Sheffer sequence
ShineDalgarno sequence
Shogi opening sequences
Shortest common supersequence problem
Sidon sequence
Signal sequence
Sign sequence
Sobol sequence
Somos sequence
Sonnet sequence
Spectral sequence
SPL II: A Time for Consequences
Step sequence
Structure, sequence and organization
Sturmian sequence
Subsequence
Sunday Sequence (BBC Radio Ulster)
Superincreasing sequence
Swan Sequence
Sylvester's sequence
System sequence diagram
Taxonomic sequence
TCP sequence prediction attack
The Bill title sequences
The Blood Opera Sequence
The Consequences of Love
The Dark Is Rising Sequence
The Echorium Sequence
The Economic Consequences of the Peace
The Helio Sequence
The Human Centipede 2 (Full Sequence)
The Human Centipede 3 (Final Sequence)
The Human Centipede (First Sequence)
The Illogical Consequence
The Mary Tyler Moore Show opening sequence
The Parallax II: Future Sequence
The Sequence
The Silver Sequence
The Simpsons opening sequence
The Storyteller Sequence
Threading (protein sequence)
ThueMorse sequence
Title sequence
Tolerant sequence
Toothpick sequence
Tornado outbreak sequence
Tornado outbreak sequence of April 1719, 1970
Tornado outbreak sequence of April 1921, 1973
Tornado outbreak sequence of April 1924, 2011
Tornado outbreak sequence of April 1996
Tornado outbreak sequence of April 2026, 2007
Tornado outbreak sequence of April 23, 1956
Tornado outbreak sequence of April 2330, 1961
Tornado outbreak sequence of April 30May 2, 1967
Tornado outbreak sequence of December 1820, 1957
Tornado outbreak sequence of June 1016, 1970
Tornado outbreak sequence of June 1966
Tornado outbreak sequence of June 311, 2008
Tornado outbreak sequence of March 1824, 2012
Tornado outbreak sequence of March 1913
Tornado outbreak sequence of March 913, 2006
Tornado outbreak sequence of May 14June 1, 1962
Tornado outbreak sequence of May 1520, 2017
Tornado outbreak sequence of May 1896
Tornado outbreak sequence of May 2003
Tornado outbreak sequence of May 2004
Tornado outbreak sequence of May 2019
Tornado outbreak sequence of May 2126, 2011
Tornado outbreak sequence of May 2226, 2016
Tornado outbreak sequence of May 2231, 2008
Tornado outbreak sequence of May 2425, 1957
Tornado outbreak sequence of May 39, 1961
Tornado outbreak sequence of May 510, 2015
Tornado outbreak sequence of May 627, 1995
Tornado outbreak sequence of May 715, 2008
Train of Consequences
Truth & Consequences
Truth or Consequences
Truth or Consequences Municipal Airport
Truth or Consequences (NCIS)
Truth or Consequences, New Mexico
Truth or Consequences, N.M. (film)
Twin anemia-polycythemia sequence
Type 1 and type 2 sequence
Uniformly Cauchy sequence
Unintended consequences
Universal Migrator Part 1: The Dream Sequencer
Upstream activating sequence
Uptake signal sequence
Weyl sequence
Whatever U Want (Consequence song)
Xeelee Sequence
Youth & Consequences
ZadoffChu sequence
Zui sequence



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