TERMS STARTING WITH
Sage ::: See hakam. ::: Saiqa ::: A section of the Palestinian Liberation Organization, founded in 1968, that was funded by Syria and supported Palestinian liberation alongside pan-Arab ideology that placed the Ba’athist Syrian party in power.
SAGE ::: 1. (body, job) Systems Administrators Guild.2. (project) Semi-Automatic Ground Environment.(2001-01-27)
SAGE 1. "body, job" {Systems Administrators Guild}. 2. "project" {Semi-Automatic Ground Environment}. (2001-01-27)
sagebrush ::: n. --> A low irregular shrub (Artemisia tridentata), of the order Compositae, covering vast tracts of the dry alkaline regions of the American plains; -- called also sagebush, and wild sage.
sagely ::: adv. --> In a sage manner; wisely.
sage ::: n. 1. A man who is venerated for his profound wisdom. sage"s, sages, king-sages. adj. 2. Having or exhibiting profound wisdom and calm judgement.
sage ::: n. --> A suffruticose labiate plant (Salvia officinalis) with grayish green foliage, much used in flavoring meats, etc. The name is often extended to the whole genus, of which many species are cultivated for ornament, as the scarlet sage, and Mexican red and blue sage.
The sagebrush.
A wise man; a man of gravity and wisdom; especially, a man venerable for years, and of sound judgment and prudence; a grave philosopher.
sagene ::: n. --> A Russian measure of length equal to about seven English feet.
sageness ::: n. --> The quality or state of being sage; wisdom; sagacity; prudence; gravity.
sagenite ::: n. --> Acicular rutile occurring in reticulated forms imbedded in quartz.
sagenitic ::: a. --> Resembling sagenite; -- applied to quartz when containing acicular crystals of other minerals, most commonly rutile, also tourmaline, actinolite, and the like.
sage, Simeon ben Yohai, reputed author of The
sages that visited Heaven during their lifetime,
TERMS ANYWHERE
aard-wolf ::: n. --> A carnivorous quadruped (Proteles Lalandii), of South Africa, resembling the fox and hyena. See Proteles. html{color:
abusage ::: n. --> Abuse.
abusion ::: v. t. --> Evil or corrupt usage; abuse; wrong; reproach; deception; cheat.
abusive ::: a. --> Wrongly used; perverted; misapplied.
Given to misusing; also, full of abuses.
Practicing abuse; prone to ill treat by coarse, insulting words or by other ill usage; as, an abusive author; an abusive fellow.
Containing abuse, or serving as the instrument of abuse; vituperative; reproachful; scurrilous.
Tending to deceive; fraudulent; cheating.
access ::: 1. The ability, right, or permission to approach, enter, speak with, or use; admittance. 2. A way or means of approach; an entrance, channel, passage, or doorway.
access ::: n. --> A coming to, or near approach; admittance; admission; accessibility; as, to gain access to a prince.
The means, place, or way by which a thing may be approached; passage way; as, the access is by a neck of land.
Admission to sexual intercourse.
Increase by something added; addition; as, an access of territory. [In this sense accession is more generally used.]
An onset, attack, or fit of disease.
achillean ::: a. --> Resembling Achilles, the hero of the Iliad; invincible. html{color:
adagio ::: a. & adv. --> Slow; slowly, leisurely, and gracefully. When repeated, adagio, adagio, it directs the movement to be very slow. ::: n. --> A piece of music in adagio time; a slow movement; as, an adagio of Haydn. html{color:
addendum ::: n. --> A thing to be added; an appendix or addition. html{color:
adder ::: n. --> One who, or that which, adds; esp., a machine for adding numbers.
A serpent.
A small venomous serpent of the genus Vipera. The common European adder is the Vipera (/ Pelias) berus. The puff adders of Africa are species of Clotho.
In America, the term is commonly applied to several harmless snakes, as the milk adder, puffing adder, etc. html{color:
adding ::: p. pr. & vb. n. --> of Add html{color:
adduce ::: v. t. --> To bring forward or offer, as an argument, passage, or consideration which bears on a statement or case; to cite; to allege.
adit ::: n. --> An entrance or passage. Specifically: The nearly horizontal opening by which a mine is entered, or by which water and ores are carried away; -- called also drift and tunnel.
Admission; approach; access.
admires ::: 1. Regards with pleased surprise, or with wonder mingled with esteem, approbation, or affection; and in modern usage, gazed on with pleasure. admired, admiring. adj. 2. Regarded with admiration; wondered at; contemplated with wonder mingled with esteem, etc.
advent ::: any important or epoch-making arrival. In modern usage applied poetically or grandiloquently to any arrival. advent"s, advents.
affectionate ::: a. --> Having affection or warm regard; loving; fond; as, an affectionate brother.
Kindly inclined; zealous.
Proceeding from affection; indicating love; tender; as, the affectionate care of a parent; affectionate countenance, message, language.
Strongly inclined; -- with to.
aiblins ::: adv. --> Alt. of Ablins html{color:
aimless ::: a. --> Without aim or purpose; as, an aimless life. html{color:
air pipe ::: --> A pipe for the passage of air; esp. a ventilating pipe.
air sac ::: --> One of the spaces in different parts of the bodies of birds, which are filled with air and connected with the air passages of the lungs; an air cell.
air shaft ::: --> A passage, usually vertical, for admitting fresh air into a mine or a tunnel.
aisle ::: n. --> A lateral division of a building, separated from the middle part, called the nave, by a row of columns or piers, which support the roof or an upper wall containing windows, called the clearstory wall.
Improperly used also for the have; -- as in the phrases, a church with three aisles, the middle aisle.
Also (perhaps from confusion with alley), a passage into which the pews of a church open.
alectoromancy ::: n. --> See Alectryomancy. html{color:
alength ::: adv. --> At full length; lengthwise. html{color:
allegorize ::: v. t. --> To form or turn into allegory; as, to allegorize the history of a people.
To treat as allegorical; to understand in an allegorical sense; as, when a passage in a writer may understood literally or figuratively, he who gives it a figurative sense is said to allegorize it.
To use allegory.
alley ::: a passage between buildings; hence, a narrow street, a lane; usually only wide enough for foot-passengers. blind alley*: one that is closed at the end, so as to be no thoroughfare; a cul de sac*.
alley ::: n. --> A narrow passage; especially a walk or passage in a garden or park, bordered by rows of trees or bushes; a bordered way.
A narrow passage or way in a city, as distinct from a public street.
A passageway between rows of pews in a church.
Any passage having the entrance represented as wider than the exit, so as to give the appearance of length.
The space between two rows of compositors&
alleyway ::: n. --> An alley. html{color:
allow ::: v. t. --> To praise; to approve of; hence, to sanction.
To like; to be suited or pleased with.
To sanction; to invest; to intrust.
To grant, give, admit, accord, afford, or yield; to let one have; as, to allow a servant his liberty; to allow a free passage; to allow one day for rest.
To own or acknowledge; to accept as true; to concede; to accede to an opinion; as, to allow a right; to allow a claim; to allow
all-possessed ::: a. --> Controlled by an evil spirit or by evil passions; wild. html{color:
all saints ::: --> Alt. of All Saints&
alure ::: n. --> A walk or passage; -- applied to passages of various kinds.
Amal: “I am not aware of any special element in the usage ‘for ever’ as two words instead of one. I believe that in English it is usually two words as in Byron’s”Fare thee well and if for ever / Still for ever fare thee well.”
Amal: “I believe the reference is to the outward-gazing ‘physical’ mind and its triple activity as described in the passage.”
Amal: “If nothing existed except the Gods there would be no mediating passage for the spirit awaking in matter and moving towards the higher regions and reaching the glory of the Oversoul after much labour and gradual process.”
Amal: “Since there is in the passage a reference to the rocking of the cosmic Child, the being who does this is the Divine Mother. The cosmic child is obviously the cosmos in which all the planes exist.”
Amal: “The line occurs in a passage describing a region of illusive realities. In this region everything strives towards form but never quite achieves it.
Amal: “The pointer in the passage is to an excessive growth of falsehood before the Divine manifests—a period of great ignorance which will end with a sudden surprising revelation.”
ambassage ::: n. --> Same as Embassage.
amzel ::: n. --> The European ring ousel (Turdus torquatus). html{color:
a native English form of the adverb may, now only in formal or poetic usage.
a native English form of the verb, to flutter, now only in formal and poetic usage.
a native English form of the verb, to hope, now only in formal and poetic usage.
a native English form of the verb, to know, now only in formal and poetic usage.
a native English form of the verb, to vaunt, now only in formal and poetic usage.
anecdote ::: n. --> Unpublished narratives.
A particular or detached incident or fact of an interesting nature; a biographical incident or fragment; a single passage of private life.
anelectrotonus ::: n. --> The condition of decreased irritability of a nerve in the region of the positive electrode or anode on the passage of a current of electricity through it.
annotation ::: n. --> A note, added by way of comment, or explanation; -- usually in the plural; as, annotations on ancient authors, or on a word or a passage.
annul ::: a. --> To reduce to nothing; to obliterate.
To make void or of no effect; to nullify; to abolish; to do away with; -- used appropriately of laws, decrees, edicts, decisions of courts, or other established rules, permanent usages, and the like, which are made void by component authority.
anthem ::: n. --> Formerly, a hymn sung in alternate parts, in present usage, a selection from the Psalms, or other parts of the Scriptures or the liturgy, set to sacred music.
A song or hymn of praise. ::: v. t. --> To celebrate with anthems.
anthology ::: n. --> A discourse on flowers.
A collection of flowers; a garland.
A collection of flowers of literature, that is, beautiful passages from authors; a collection of poems or epigrams; -- particularly applied to a collection of ancient Greek epigrams.
A service book containing a selection of pieces for the festival services.
anthomania ::: n. --> A extravagant fondness for flowers. html{color:
antilogy ::: n. --> A contradiction between any words or passages in an author.
aperture ::: n. --> The act of opening.
An opening; an open space; a gap, cleft, or chasm; a passage perforated; a hole; as, an aperture in a wall.
The diameter of the exposed part of the object glass of a telescope or other optical instrument; as, a telescope of four-inch aperture.
"A philosophy of change?(1) But what is change? In ordinary parlance change means passage from one condition to another and that would seem to imply passage from one status to another status. The shoot changes into a tree, passes from the status of shoot to the status of tree and there it stops; man passes from the status of young man to the status of old man and the only farther change possible to him is death or dissolution of his status. So it would seem that change is not something isolated which is the sole original and eternal reality, but it is something dependent on status, and if status were non-existent, change also could not exist. For we have to ask, when you speak of change as alone real, change of what, from what, to what? Without this ‘what" change could not be. ::: —Change is evidently the change of some form or state of existence from one condition to another condition.” Essays Divine and Human
“A philosophy of change?(1) But what is change? In ordinary parlance change means passage from one condition to another and that would seem to imply passage from one status to another status. The shoot changes into a tree, passes from the status of shoot to the status of tree and there it stops; man passes from the status of young man to the status of old man and the only farther change possible to him is death or dissolution of his status. So it would seem that change is not something isolated which is the sole original and eternal reality, but it is something dependent on status, and if status were non-existent, change also could not exist. For we have to ask, when you speak of change as alone real, change of what, from what, to what? Without this ‘what’ change could not be.
appendant ::: v. t. --> Hanging; annexed; adjunct; concomitant; as, a seal appendant to a paper.
Appended by prescription, that is, a personal usage for a considerable time; -- said of a thing of inheritance belonging to another inheritance which is superior or more worthy; as, an advowson, common, etc. , which may be appendant to a manor, common of fishing to a freehold, a seat in church to a house.
approach ::: v. 1. To come near or nearer to; draw near. 2. To come near to a person: i.e. into personal relations; into his presence or audience; or fig. within the range of his notice or attention. 3. To come near in quality, character, time, or condition; to be nearly equal. approaches, approached, approaching.* *n. 4. Any means of access or way of passage, avenue. 5. The act of drawing near. approaches.**
Apsaras ::: Sri Aurobindo: “The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
apsaras ::: Sri Aurobindo: "The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
Apsaras ::: “The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
aqueduct ::: n. --> A conductor, conduit, or artificial channel for conveying water, especially one for supplying large cities with water.
A canal or passage; as, the aqueduct of Sylvius, a channel connecting the third and fourth ventricles of the brain.
arcade ::: n. --> A series of arches with the columns or piers which support them, the spandrels above, and other necessary appurtenances; sometimes open, serving as an entrance or to give light; sometimes closed at the back (as in the cut) and forming a decorative feature.
A long, arched building or gallery.
An arched or covered passageway or avenue.
archway ::: n. --> A way or passage under an arch.
arctation ::: n. --> Constriction or contraction of some natural passage, as in constipation from inflammation.
aristotelic ::: a. --> Pertaining to Aristotle or to his philosophy. html{color:
arrive ::: v. i. --> To come to the shore or bank. In present usage: To come in progress by water, or by traveling on land; to reach by water or by land; -- followed by at (formerly sometimes by to), also by in and from.
To reach a point by progressive motion; to gain or compass an object by effort, practice, study, inquiry, reasoning, or experiment.
To come; said of time; as, the time arrived.
artemisia ::: n. --> A genus of plants including the plants called mugwort, southernwood, and wormwood. Of these A. absinthium, or common wormwood, is well known, and A. tridentata is the sage brush of the Rocky Mountain region.
arterialization ::: n. --> The process of converting venous blood into arterial blood during its passage through the lungs, oxygen being absorbed and carbonic acid evolved; -- called also aeration and hematosis.
art ::: v. archaic** A second person singular present indicative of be, now only poet., not in modern usage. All other references are to art as the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. Also, the class of objects subject to aesthetic criteria. art"s, arts, art-parades.
asquint ::: adv. --> With the eye directed to one side; not in the straight line of vision; obliquely; awry, so as to see distortedly; as, to look asquint. html{color:
assail ::: v. t. --> To attack with violence, or in a vehement and hostile manner; to assault; to molest; as, to assail a man with blows; to assail a city with artillery.
To encounter or meet purposely with the view of mastering, as an obstacle, difficulty, or the like.
To attack morally, or with a view to produce changes in the feelings, character, conduct, existing usages, institutions; to attack by words, hostile influence, etc.; as, to assail one with
asterisk ::: n. --> The figure of a star, thus, /, used in printing and writing as a reference to a passage or note in the margin, to supply the omission of letters or words, or to mark a word or phrase as having a special character.
asterism ::: n. --> A constellation.
A small cluster of stars.
An asterisk, or mark of reference.
Three asterisks placed in this manner, /, to direct attention to a particular passage.
An optical property of some crystals which exhibit a star-shaped by reflected light, as star sapphire, or by transmitted light, as some mica.
"As the eyes of the sage are opened to the light, so is his ear unsealed to receive the vibrations of the Infinite; from all the regions of the Truth there comes thrilling into him its Word which becomes the form of his thoughts.” Essays on the Gita
“As the eyes of the sage are opened to the light, so is his ear unsealed to receive the vibrations of the Infinite; from all the regions of the Truth there comes thrilling into him its Word which becomes the form of his thoughts.” Essays on the Gita
astyllen ::: n. --> A small dam to prevent free passage of water in an adit or level.
atresia ::: n. --> Absence or closure of a natural passage or channel of the body; imperforation.
attain ::: 1. To gain as an objective; achieve; reach, arrive at; accomplish. 2. To arrive at, as by virtue of persistence or the passage of time; To reach in the course of development. attained.
augury ::: n. --> The art or practice of foretelling events by observing the actions of birds, etc.; divination.
An omen; prediction; prognostication; indication of the future; presage.
A rite, ceremony, or observation of an augur.
authorize ::: v. t. --> To clothe with authority, warrant, or legal power; to give a right to act; to empower; as, to authorize commissioners to settle a boundary.
To make legal; to give legal sanction to; to legalize; as, to authorize a marriage.
To establish by authority, as by usage or public opinion; to sanction; as, idioms authorized by usage.
To sanction or confirm by the authority of some one;
avenue ::: n. --> A way or opening for entrance into a place; a passage by which a place may by reached; a way of approach or of exit.
The principal walk or approach to a house which is withdrawn from the road, especially, such approach bordered on each side by trees; any broad passageway thus bordered.
A broad street; as, the Fifth Avenue in New York.
bacharach ::: n. --> Alt. of Backarack html{color:
ballista ::: n. --> An ancient military engine, in the form of a crossbow, used for hurling large missiles. html{color:
ban ::: n. --> A public proclamation or edict; a public order or notice, mandatory or prohibitory; a summons by public proclamation.
A calling together of the king&
barkentine ::: n. --> A threemasted vessel, having the foremast square-rigged, and the others schooner-rigged. [Spelled also barquentine, barkantine, etc.] See Illust. in Append. html{color:
barpost ::: n. --> A post sunk in the ground to receive the bars closing a passage into a field.
barricade ::: a structure hastily set up across a route of access to obstruct the passage of an enemy.
barricade ::: n. --> A fortification, made in haste, of trees, earth, palisades, wagons, or anything that will obstruct the progress or attack of an enemy. It is usually an obstruction formed in streets to block an enemy&
barrier ::: 1. Anything built or serving to bar passage. 2. Anything that restrains or obstructs progress, access. 3. A limit or boundary of any kind. barriers, barrier-breakers.
barriered ::: closed off; blocked, obstructing passage. Also fig.
barrier ::: n. --> A carpentry obstruction, stockade, or other obstacle made in a passage in order to stop an enemy.
A fortress or fortified town, on the frontier of a country, commanding an avenue of approach.
A fence or railing to mark the limits of a place, or to keep back a crowd.
An any obstruction; anything which hinders approach or attack.
barway ::: n. --> A passage into a field or yard, closed by bars made to take out of the posts.
based ::: imp. & p. p. --> of Base ::: a. --> Having a base, or having as a base; supported; as, broad-based. ::: n. html{color:
basylous ::: a. --> Pertaining to, or having the nature of, a basyle; electro-positive; basic; -- opposed to chlorous. html{color:
battered ::: damaged especially by blows or hard usage.
batter ::: v. t. --> To beat with successive blows; to beat repeatedly and with violence, so as to bruise, shatter, or demolish; as, to batter a wall or rampart.
To wear or impair as if by beating or by hard usage.
To flatten (metal) by hammering, so as to compress it inwardly and spread it outwardly.
A semi-liquid mixture of several ingredients, as, flour, eggs, milk, etc., beaten together and used in cookery.
bean trefoil ::: --> A leguminous shrub of southern Europe, with trifoliate leaves (Anagyris foetida). html{color:
beganst ::: a native English form of the verb, to begin, now only in formal and poetic usage.
beggable ::: a. --> Capable of being begged. html{color:
Belphegor ::: Amal: “This name of a star brought in by Sri Aurobindo with powerful effect has practically no place in popular astronomy and figured rarely in past literary usage. In Syrian theology, Belphegor was a deity who symbolised the Sun. The Israelites also paid homage to him sometimes.” Sri Aurobindo—The Poet
bibliomancy ::: n. --> A kind of divination, performed by selecting passages of Scripture at hazard, and drawing from them indications concerning future events.
bindst ::: a native English form of the verb, to bind, now only in formal and poetic usage.
birching ::: p. pr. & vb. n. --> of Birch html{color:
bis ::: adv. --> Twice; -- a word showing that something is, or is to be, repeated; as a passage of music, or an item in accounts.
bish ::: n. --> Same as Bikh. html{color:
black-a-vised ::: a. --> Dark-visaged; swart.
black pudding ::: --> A kind of sausage made of blood, suet, etc., thickened with meal.
blind ::: adj. 1. Unable to see; lacking the sense of sight; sightless. Also fig. 2. Unwilling or unable to perceive or understand. 3. Lacking all consciousness or awareness. 4. Not having or based on reason or intelligence; absolute and unquestioning. 5. Not characterized or determined by reason or control. 6. Purposeless; fortuitous, random. 7. Undiscriminating; heedless; reckless. 8. Enveloped in darkness; dark, dim, obscure. 9. Dense enough to form a screen. 10. Covered or concealed from sight; hidden from immediate view. 11. Having no openings or passages for light; (a window or door) walled up. blindest, half-blind. v. 12. To deprive of sight permanently or temporarily. 13. To make sightless momentarily; dazzle. blinded.* n. 14. A blind person, esp. as pl., those who are blind. 15. Fig.* Any thing or action intended to conceal one"s real intention; a pretence, a pretext; subterfuge.
blindly ::: adv. --> Without sight, discernment, or understanding; without thought, investigation, knowledge, or purpose of one&
blockade ::: 1. The isolating, closing off, or surrounding of a place. 2. Any obstruction of passage or progress.
blockade ::: v. t. --> The shutting up of a place by troops or ships, with the purpose of preventing ingress or egress, or the reception of supplies; as, the blockade of the ports of an enemy.
An obstruction to passage. ::: v. t. --> To shut up, as a town or fortress, by investing it
boat ::: n. --> A small open vessel, or water craft, usually moved by cars or paddles, but often by a sail.
Hence, any vessel; usually with some epithet descriptive of its use or mode of propulsion; as, pilot boat, packet boat, passage boat, advice boat, etc. The term is sometimes applied to steam vessels, even of the largest class; as, the Cunard boats.
A vehicle, utensil, or dish, somewhat resembling a boat in shape; as, a stone boat; a gravy boat.
bode ::: v. t. --> To indicate by signs, as future events; to be the omen of; to portend to presage; to foreshow.
A messenger; a herald. ::: v. i. --> To foreshow something; to augur.
bodock ::: n. --> The Osage orange.
boilingly ::: adv. --> With boiling or ebullition. html{color:
bologna ::: n. --> A city of Italy which has given its name to various objects.
A Bologna sausage.
booking clerk ::: --> A clerk who registers passengers, baggage, etc., for conveyance, as by railway or steamship, or who sells passage tickets at a booking office.
booking office ::: --> An office where passengers, baggage, etc., are registered for conveyance, as by railway or steamship.
An office where passage tickets are sold.
bookmark ::: n. --> Something placed in a book to guide in finding a particular page or passage; also, a label in a book to designate the owner; a bookplate.
bossage ::: n. --> A stone in a building, left rough and projecting, to be afterward carved into shape.
Rustic work, consisting of stones which seem to advance beyond the level of the building, by reason of indentures or channels left in the joinings.
botanomancy ::: n. --> An ancient species of divination by means of plants, esp. sage and fig leaves.
botargo ::: n. --> A sort of cake or sausage, made of the salted roes of the mullet, much used on the coast of the Mediterranean as an incentive to drink.
botuliform ::: a. --> Having the shape of a sausage.
boyism ::: n. --> Boyhood.
The nature of a boy; childishness. html{color:
brassage ::: n. --> A sum formerly levied to pay the expense of coinage; -- now called seigniorage.
brass-visaged ::: a. --> Impudent; bold.
brevet ::: n. --> A warrant from the government, granting a privilege, title, or dignity. [French usage].
A commission giving an officer higher rank than that for which he receives pay; an honorary promotion of an officer. ::: v. t. --> To confer rank upon by brevet.
bridge ::: n. 1. A structure spanning and providing passage over a gap or barrier, such as a river or roadway. bridges, bridge-like. v. 2. To build or provide a bridge over something; span. Also fig. 3. To join by or as if by a bridge; link, connect. bridged, bridging.
bridge ::: n. --> A structure, usually of wood, stone, brick, or iron, erected over a river or other water course, or over a chasm, railroad, etc., to make a passageway from one bank to the other.
Anything supported at the ends, which serves to keep some other thing from resting upon the object spanned, as in engraving, watchmaking, etc., or which forms a platform or staging over which something passes or is conveyed.
The small arch or bar at right angles to the strings of a
brigge ::: n. --> A bridge. html{color:
bringst ::: a native English form of the verb, to bring, now only in formal and poetic usage.
buchu ::: n. --> A South African shrub (Barosma) with small leaves that are dotted with oil glands; also, the leaves themselves, which are used in medicine for diseases of the urinary organs, etc. Several species furnish the leaves. html{color:
buddhism ::: n. --> The religion based upon the doctrine originally taught by the Hindoo sage Gautama Siddartha, surnamed Buddha, "the awakened or enlightened," in the sixth century b. c., and adopted as a religion by the greater part of the inhabitants of Central and Eastern Asia and the Indian Islands. Buddha&
bulky ::: a. --> Of great bulk or dimensions; of great size; large; thick; massive; as, bulky volumes. html{color:
bull-necked ::: a. --> Having a short and thick neck like that of a bull. html{color:
bunodonts ::: n. pl. --> A division of the herbivorous mammals including the hogs and hippopotami; -- so called because the teeth are tuberculated. html{color:
but ::: adv. & conj. --> Except with; unless with; without.
Except; besides; save.
Excepting or excluding the fact that; save that; were it not that; unless; -- elliptical, for but that.
Otherwise than that; that not; -- commonly, after a negative, with that.
Only; solely; merely.
On the contrary; on the other hand; only; yet; html{color:
"But the timeless self-knowledge of this Eternal is beyond mind; it is a supramental knowledge superconscient to us and only to be acquired by the stilling or transcending of the temporal activity of our conscious mind, by an entry into Silence or a passage through Silence into the consciousness of eternity.” The Life Divine*
“But the timeless self-knowledge of this Eternal is beyond mind; it is a supramental knowledge superconscient to us and only to be acquired by the stilling or transcending of the temporal activity of our conscious mind, by an entry into Silence or a passage through Silence into the consciousness of eternity.” The Life Divine
by-passage ::: n. --> A passage different from the usual one; a byway.
by-pass ::: n. --> A by-passage, for a pipe, or other channel, to divert circulation from the usual course.
cablegram ::: n. --> A message sent by a submarine telegraphic cable.
calculus ::: n. --> Any solid concretion, formed in any part of the body, but most frequent in the organs that act as reservoirs, and in the passages connected with them; as, biliary calculi; urinary calculi, etc.
A method of computation; any process of reasoning by the use of symbols; any branch of mathematics that may involve calculation.
calledst ::: a native English form of the verb, to call, now only in formal and poetic usage.
callest ::: a native English form of the verb, to call, now only in formal and poetic usage.
callst ::: a native English form of the verb, to call, now only in formal and poetic usage.
camest ::: a native English form of the verb, to come, now only in formal and poetic usage.
cam"st ::: a native English contracted form of the verb, to come, now only in formal and poetic usage.
camwood ::: n. --> See Barwood. html{color:
cannulated ::: a. --> Hollow; affording a passage through its interior length for wire, thread, etc.; as, a cannulated (suture) needle.
canst ::: a native English form of the adverb can, now only in formal or poetic usage.
cantabile ::: a. --> In a melodious, flowing style; in a singing style, as opposed to bravura, recitativo, or parlando. ::: n. --> A piece or passage, whether vocal or instrumental, peculiarly adapted to singing; -- sometimes called cantilena.
canticle ::: n. --> A song; esp. a little song or hymn.
The Song of Songs or Song of Solomon, one of the books of the Old Testament.
A canto or division of a poem
A psalm, hymn, or passage from the Bible, arranged for chanting in church service.
caponiere ::: n. --> A work made across or in the ditch, to protect it from the enemy, or to serve as a covered passageway.
capt ::: Tehmi: “This passage is about the Kings of Thought. They come as the crown or overlie the imperatives. They go higher than the imperatives.”
casus ::: n. --> An event; an occurrence; an occasion; a combination of circumstances; a case; an act of God. See the Note under Accident. html{color:
cataract ::: n. --> A great fall of water over a precipice; a large waterfall.
An opacity of the crystalline lens, or of its capsule, which prevents the passage of the rays of light and impairs or destroys the sight.
A kind of hydraulic brake for regulating the action of pumping engines and other machines; -- sometimes called dashpot.
catelectrotonus ::: n. --> The condition of increased irritability of a nerve in the region of the cathode or negative electrode, on the passage of a current of electricity through it.
catharsis ::: n. --> A natural or artificial purgation of any passage, as of the mouth, bowels, etc.
catnip ::: n. --> Alt. of Catmint html{color:
causey ::: n. --> A way or road raised above the natural level of the ground, serving as a dry passage over wet or marshy ground.
cave ::: 1. A hollow or natural passage under or into the earth, especially one with an opening to the surface. 2. A hollow in the side of a hill or cliff, or underground of any kind; a cavity. Cave, caves, death-cave, deep-caved, cave-heart.
cavern ::: a large underground chamber, as in a cave. caverns, cavern-passages.
"Certainly, ideals are not the ultimate Reality, for that is too high and vast for any ideal to envisage; they are aspects of it thrown out in the world-consciousness as a basis for the workings of the world-power. But they are primary, the actual workings secondary. They are nearer to the Reality and therefore always more real, forcible and complete than the facts which are their partial reflection.” Essays in Philosophy and Yoga
“Certainly, ideals are not the ultimate Reality, for that is too high and vast for any ideal to envisage; they are aspects of it thrown out in the world-consciousness as a basis for the workings of the world-power. But they are primary, the actual workings secondary. They are nearer to the Reality and therefore always more real, forcible and complete than the facts which are their partial reflection.” Essays in Philosophy and Yoga
Certainly, ideals are not the ultimate Reality, for that is too high and vast for any ideal to envisage; they are aspects of it thrown out in the world-consciousness as a basis for the workings of the world-power. But they are primary, the actual workings secondary. They are nearer to the Reality and therefore always more real, forcible and complete than the facts which are their partial reflection. Reflections themselves of the Real, they again are reflected in the more concrete workings of our existence. The Supramental Manifestation
Chakras, messages, intuitions, openings of the inner powers, etc.
challenge ::: n. --> An invitation to engage in a contest or controversy of any kind; a defiance; specifically, a summons to fight a duel; also, the letter or message conveying the summons.
The act of a sentry in halting any one who appears at his post, and demanding the countersign.
A claim or demand.
The opening and crying of hounds at first finding the scent of their game.
channel ::: n. --> The hollow bed where a stream of water runs or may run.
The deeper part of a river, harbor, strait, etc., where the main current flows, or which affords the best and safest passage for vessels.
A strait, or narrow sea, between two portions of lands; as, the British Channel.
That through which anything passes; means of passing, conveying, or transmitting; as, the news was conveyed to us by
charger ::: n. --> One who, or that which charges.
An instrument for measuring or inserting a charge.
A large dish.
A horse for battle or parade. html{color:
charge ::: v. t. --> To lay on or impose, as a load, tax, or burden; to load; to fill.
To lay on or impose, as a task, duty, or trust; to command, instruct, or exhort with authority; to enjoin; to urge earnestly; as, to charge a jury; to charge the clergy of a diocese; to charge an agent.
To lay on, impose, or make subject to or liable for.
To fix or demand as a price; as, he charges two dollars html{color:
charlatanry ::: n. --> Undue pretensions to skill; quackery; wheedling; empiricism. html{color:
chef ::: n. --> A chief of head person.
The head cook of large establishment, as a club, a family, etc.
Same as Chief. html{color:
cheval-de-frise ::: n. --> A piece of timber or an iron barrel traversed with iron-pointed spikes or spears, five or six feet long, used to defend a passage, stop a breach, or impede the advance of cavalry, etc.
chiminage ::: n. --> A toll for passage through a forest.
chivalry ::: n. --> A body or order of cavaliers or knights serving on horseback; illustrious warriors, collectively; cavalry.
The dignity or system of knighthood; the spirit, usages, or manners of knighthood; the practice of knight-errantry.
The qualifications or character of knights, as valor, dexterity in arms, courtesy, etc.
A tenure of lands by knight&
choke ::: v. t. --> To render unable to breathe by filling, pressing upon, or squeezing the windpipe; to stifle; to suffocate; to strangle.
To obstruct by filling up or clogging any passage; to block up.
To hinder or check, as growth, expansion, progress, etc.; to stifle.
To affect with a sense of strangulation by passion or strong feeling.
choosest ::: a native English form of the verb, to choose, now only in formal and poetic usage.
chrestomathy ::: n. --> A selection of passages, with notes, etc., to be used in acquiring a language; as, a Hebrew chrestomathy.
chrisom ::: n. --> A white cloth, anointed with chrism, or a white mantle thrown over a child when baptized or christened.
A child which died within a month after its baptism; -- so called from the chrisom cloth which was used as a shroud for it. html{color:
chuckling ::: p. pr. & vb. n. --> of Chuckle html{color:
chyme ::: n. --> The pulpy mass of semi-digested food in the small intestines just after its passage from the stomach. It is separated in the intestines into chyle and excrement. See Chyle.
cilia ::: n. pl. --> The eyelashes.
Small, generally microscopic, vibrating appendages lining certain organs, as the air passages of the higher animals, and in the lower animals often covering also the whole or a part of the exterior. They are also found on some vegetable organisms. In the Infusoria, and many larval forms, they are locomotive organs.
Hairlike processes, commonly marginal and forming a fringe like the eyelash.
\cil of sleep — very largely indeed these two elements get mixed up together. For in fact a large part of our consciousness in sleep docs not sink into this subconscious slate ; it passes beyond the veil into other planes of being which arc connected with our own inner planes, planes of supraphj'sical existence, w'orlds of a larger life, mind or psychic which arc there behind and whose influences come to us without our knowledge. Occasionally we get a dream from these planes, something more than a dream, — a dream experience which is a record direct or symbolic of what happens to us or around us there. As the inner consciousness grows by sadhana, these dream experiences increase In number, dearness, coherence, accuracy and after some growth of experi- ence and consciousness, we can, if we observe, come to under- stand them and their significance to our loner life. Even we can by training become so coosetous as to follow our own passage, usually veiled to our arvarencss and memory, through many realms and the process of the return to the waking state. At a certain pitch of this inner wakefulness this kind of sleep, a sleep experience, can replace the ordinary subconscious slumber.
citation ::: n. --> An official summons or notice given to a person to appear; the paper containing such summons or notice.
The act of citing a passage from a book, or from another person, in his own words; also, the passage or words quoted; quotation.
Enumeration; mention; as, a citation of facts.
A reference to decided cases, or books of authority, to prove a point in law.
cite ::: v. t. --> To call upon officially or authoritatively to appear, as before a court; to summon.
To urge; to enjoin.
To quote; to repeat, as a passage from a book, or the words of another.
To refer to or specify, as for support, proof, illustration, or confirmation.
To bespeak; to indicate.
Citta-suddhi (purification of the mental or moral habits form- ed in the citta) was preached by the yogins as a first movement towards realisation and they got by it the saintliness of the saint and the quietude of the sage but the transformation of the nature of which w« speak Is something more than that, and this trans- formation does not come by contemplation alone.
claimest ::: a native English form of the verb, to claim, now only in formal and poetic usage.
claimst ::: a native English form of the verb, to claim, now only in formal and poetic usage.
clary ::: v. i. --> To make a loud or shrill noise. ::: n. --> A plant (Salvia sclarea) of the Sage family, used in flavoring soups.
climbst ::: a native English form of the verb, to climb, now only in formal and poetic usage.
cloister ::: v. t. --> An inclosed place.
A covered passage or ambulatory on one side of a court;
the series of such passages on the different sides of any court, esp. that of a monastery or a college.
A monastic establishment; a place for retirement from the world for religious duties.
To confine in, or as in, a cloister; to seclude from
code ::: 1. A system of symbols, letters, or words given certain arbitrary meanings, used for transmitting messages requiring secrecy or brevity. 2. A systematic collection of regulations and rules of procedure or conduct. codes.
codetta ::: n. --> A short passage connecting two sections, but not forming part of either; a short coda.
collectanea ::: v. t. --> Passages selected from various authors, usually for purposes of instruction; miscellany; anthology.
collector ::: n. --> One who collects things which are separate; esp., one who makes a business or practice of collecting works of art, objects in natural history, etc.; as, a collector of coins.
A compiler of books; one who collects scattered passages and puts them together in one book.
An officer appointed and commissioned to collect and receive customs, duties, taxes, or toll.
One authorized to collect debts.
colliquation ::: n. --> A melting together; the act of melting; fusion.
A processive wasting or melting away of the solid parts of the animal system with copious excretions of liquids by one or more passages.
colorature ::: n. --> Vocal music colored, as it were, by florid ornaments, runs, or rapid passages.
colstaff ::: n. --> A staff by means of which a burden is borne by two persons on their shoulders. html{color:
comest ::: a native English form of the verb, to come, now only in formal and poetic usage.
commendation ::: n. --> The act of commending; praise; favorable representation in words; recommendation.
That which is the ground of approbation or praise.
A message of affection or respect; compliments; greeting.
comment ::: v. i. --> To make remarks, observations, or criticism; especially, to write notes on the works of an author, with a view to illustrate his meaning, or to explain particular passages; to write annotations; -- often followed by on or upon. ::: v. t. --> To comment on.
communication ::: n. --> The act or fact of communicating; as, communication of smallpox; communication of a secret.
Intercourse by words, letters, or messages; interchange of thoughts or opinions, by conference or other means; conference; correspondence.
Association; company.
Means of communicating; means of passing from place to place; a connecting passage; connection.
complainst ::: a native English form of the verb, to complain, now only in formal and poetic usage.
com"st ::: a native English contracted form of the verb, to come, now only in formal and poetic usage.
conduit ::: n. --> A pipe, canal, channel, or passage for conveying water or fluid.
A structure forming a reservoir for water.
A narrow passage for private communication.
conformity ::: n. --> Correspondence in form, manner, or character; resemblance; agreement; congruity; -- followed by to, with, or between.
Compliance with the usages of the Established Church.
constipate ::: v. t. --> To crowd or cram into a narrow compass; to press together or condense.
To stop (a channel) by filling it, and preventing passage through it; as, to constipate the capillary vessels.
To render costive; to cause constipation in.
consuetude ::: n. --> Custom, habit; usage.
context ::: 1. The part of a text or statement that surrounds a particular word or passage and determines its meaning. 2. The set of circumstances or facts that surround a particular event, situation, etc.
contour ::: n. --> The outline of a figure or body, or the line or lines representing such an outline; the line that bounds; periphery.
The outline of a horizontal section of the ground, or of works of fortification. html{color:
conventional ::: a. --> Formed by agreement or compact; stipulated.
Growing out of, or depending on, custom or tacit agreement; sanctioned by general concurrence or usage; formal.
Based upon tradition, whether religious and historical or of artistic rules.
Abstracted; removed from close representation of nature by the deliberate selection of what is to be represented and what is to be rejected; as, a conventional flower; a conventional
conventionalism ::: n. --> That which is received or established by convention or arbitrary agreement; that which is in accordance with the fashion, tradition, or usage.
The principles or practice of conventionalizing. See Conventionalize, v. t.
conventionality ::: n. --> The state of being conventional; adherence to social formalities or usages; that which is established by conventional use; one of the customary usages of social life.
conventionalizw ::: v. t. --> To make conventional; to bring under the influence of, or cause to conform to, conventional rules; to establish by usage.
To represent by selecting the important features and those which are expressible in the medium employed, and omitting the others.
To represent according to an established principle, whether religious or traditional, or based upon certain
convention ::: v. i. --> The act of coming together; the state of being together; union; coalition.
General agreement or concurrence; arbitrary custom; usage; conventionality.
A meeting or an assembly of persons, esp. of delegates or representatives, to accomplish some specific object, -- civil, social, political, or ecclesiastical.
An extraordinary assembly of the parkiament or
cornicular ::: n. --> A secretary or clerk. html{color:
corridor ::: a hallway or passage connecting parts of a building. corridors.
corridor ::: n. --> A gallery or passageway leading to several apartments of a house.
The covered way lying round the whole compass of the fortifications of a place.
corsage ::: n. --> The waist or bodice of a lady&
cosmic mind ::: Sri Aurobindo: "Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes, — towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” *The Life Divine
"If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies, — not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine
"There is one cosmic Mind, one cosmic Life, one cosmic Body. All the attempt of man to arrive at universal sympathy, universal love and the understanding and knowledge of the inner soul of other existences is an attempt to beat thin, breach and eventually break down by the power of the enlarging mind and heart the walls of the ego and arrive nearer to a cosmic oneness.” *The Synthesis of Yoga
"[The results of the opening to the cosmic Mind:] One is aware of the cosmic Mind and the mental forces that move there and how they work on one"s mind and that of others and one is able to deal with one"s own mind with a greater knowledge and effective power. There are many other results, but this is the fundamental one.” Letters on Yoga
"The cosmic consciousness has many levels — the cosmic physical, the cosmic vital, the cosmic Mind, and above the higher planes of cosmic Mind there is the Intuition and above that the overmind and still above that the supermind where the Transcendental begins. In order to live in the Intuition plane (not merely to receive intuitions), one has to live in the cosmic consciousness because there the cosmic and individual run into each other as it were, and the mental separation between them is already broken down, so nobody can reach there who is still in the separative ego.” Letters on Yoga*
cough ::: v. i. --> To expel air, or obstructing or irritating matter, from the lungs or air passages, in a noisy and violent manner.
A sudden, noisy, and violent expulsion of air from the chest, caused by irritation in the air passages, or by the reflex action of nervous or gastric disorder, etc.
The more or less frequent repetition of coughing, constituting a symptom of disease.
couldst ::: a native English form of the adverb could, now only in formal or poetic usage.
coupon ::: n. --> A certificate of interest due, printed at the bottom of transferable bonds (state, railroad, etc.), given for a term of years, designed to be cut off and presented for payment when the interest is due; an interest warrant.
A section of a ticket, showing the holder to be entitled to some specified accomodation or service, as to a passage over a designated line of travel, a particular seat in a theater, or the like.
coupure ::: n. --> A passage cut through the glacis to facilitate sallies by the besieged.
course ::: 1. A direction or route taken or to be taken. 2. The path, route, or channel along which anything moves. 3. Advance or progression in a particular direction; forward or onward movement. 4. The continuous passage or progress through time or a succession of stages. chariot-course.
course ::: n. --> The act of moving from one point to another; progress; passage.
The ground or path traversed; track; way.
Motion, considered as to its general or resultant direction or to its goal; line progress or advance.
Progress from point to point without change of direction; any part of a progress from one place to another, which is in a straight line, or on one direction; as, a ship in a long voyage makes
covinous ::: a. --> Deceitful; collusive; fraudulent; dishonest. html{color:
cowpea ::: n. --> The seed of one or more leguminous plants of the genus Dolichos; also, the plant itself. Many varieties are cultivated in the southern part of the United States. html{color:
crank ::: n. --> A bent portion of an axle, or shaft, or an arm keyed at right angles to the end of a shaft, by which motion is imparted to or received from it; also used to change circular into reciprocating motion, or reciprocating into circular motion. See Bell crank.
Any bend, turn, or winding, as of a passage.
A twist or turn in speech; a conceit consisting in a change of the form or meaning of a word.
A twist or turn of the mind; caprice; whim; crotchet; also,
cran ::: n. --> Alt. of Crane html{color:
crazy ::: a. --> Characterized by weakness or feebleness; decrepit; broken; falling to decay; shaky; unsafe.
Broken, weakened, or dissordered in intellect; shattered; demented; deranged.
Inordinately desirous; foolishly eager. html{color:
crescendo ::: music. A gradual increase, especially in the volume or intensity of sound in a passage.
criedst ::: a native English form of the verb, to cry, now only in formal and poetic usage.
criest ::: a native English form of the verb, to cry, now only in formal and poetic usage.
croup ::: n. --> The hinder part or buttocks of certain quadrupeds, especially of a horse; hence, the place behind the saddle.
An inflammatory affection of the larynx or trachea, accompanied by a hoarse, ringing cough and stridulous, difficult breathing; esp., such an affection when associated with the development of a false membrane in the air passages (also called membranous croup). See False croup, under False, and Diphtheria.
crouton ::: n. --> Bread cut in various forms, and fried lightly in butter or oil, to garnish hashes, etc. html{color:
CROWN. ::: The place of passage between the body-conscious- ness with all it contains of mind and life and the higher being above the body. It is there that the two consciousnesses begin to meet.
cucking stool ::: --> A kind of chair formerly used for punishing scolds, and also dishonest tradesmen, by fastening them in it, usually in front of their doors, to be pelted and hooted at by the mob, but sometimes to be taken to the water and ducked; -- called also a castigatory, a tumbrel, and a trebuchet; and often, but not so correctly, a ducking stool. html{color:
cul-de-sac ::: n. --> A passage with only one outlet, as a street closed at one end; a blind alley; hence, a trap.
a position in which an army finds itself with no way of exit but to the front.
Any bag-shaped or tubular cavity, vessel, or organ, open only at one end.
culmination ::: n. --> The attainment of the highest point of altitude reached by a heavently body; passage across the meridian; transit.
Attainment or arrival at the highest pitch of glory, power, etc.
cultus ::: n. sing. & pl. --> Established or accepted religious rites or usages of worship; state of religious development. Cf. Cult, 2.
custom ::: 1. A habitual practice of a person or a group. 2. A common tradition or usage so long established that it has the force or validity of law. custom"s.
deas ::: n. --> See Dais. html{color:
deathbird ::: n. --> Tengmalm&
death ::: “For the spiritual seeker death is only a passage from one form of life to another, and none is dead but only departed.” Letters on Yoga
DEATH. ::: For the spiritual seeker death is only a passage from one form of life to another, and none is dead but only departed.
death ::: Sri Aurobindo: "For the spiritual seeker death is only a passage from one form of life to another, and none is dead but only departed.” *Letters on Yoga
deathwatch ::: n. --> A small beetle (Anobium tessellatum and other allied species). By forcibly striking its head against woodwork it makes a ticking sound, which is a call of the sexes to each other, but has been imagined by superstitious people to presage death.
A small wingless insect, of the family Psocidae, which makes a similar but fainter sound; -- called also deathtick.
The guard set over a criminal before his execution.
deep-waisted ::: a. --> Having a deep waist, as when, in a ship, the poop and forecastle are much elevated above the deck. html{color:
dendritic ::: a. --> Alt. of Dendritical html{color:
deobstruct ::: v. t. --> To remove obstructions or impediments in; to clear from anything that hinders the passage of fluids; as, to deobstruct the pores or lacteals.
deoppilate ::: v. t. --> To free from obstructions; to clear a passage through.
deoppilation ::: n. --> Removal of whatever stops up the passages.
descent ::: 1. The act or an instance of descending. 2. A downward incline or passage; a slope. Descent.
desirest ::: a native English form of the verb, to desire, now only in formal and poetic usage.
desponsage ::: n. --> Betrothal.
development ::: n. --> The act of developing or disclosing that which is unknown; a gradual unfolding process by which anything is developed, as a plan or method, or an image upon a photographic plate; gradual advancement or growth through a series of progressive changes; also, the result of developing, or a developed state.
The series of changes which animal and vegetable organisms undergo in their passage from the embryonic state to maturity, from a lower to a higher state of organization.
devi ::: n. --> ; fem. of Deva. A goddess. html{color:
diapedesis ::: n. --> The passage of the corpuscular elements of the blood from the blood vessels into the surrounding tissues, without rupture of the walls of the blood vessels.
di- ::: --> A prefix, signifying twofold, double, twice
denoting two atoms, radicals, groups, or equivalents, as the case may be. See Bi-, 2.
A prefix denoting through; also, between, apart, asunder, across. Before a vowel dia-becomes di-; as, diactinic; dielectric, etc. html{color:
diathermic ::: a. --> Affording a free passage to heat; as, diathermic substances.
digest ::: v. t. --> To distribute or arrange methodically; to work over and classify; to reduce to portions for ready use or application; as, to digest the laws, etc.
To separate (the food) in its passage through the alimentary canal into the nutritive and nonnutritive elements; to prepare, by the action of the digestive juices, for conversion into blood; to convert into chyme.
To think over and arrange methodically in the mind; to
dilapidated ::: imp. & p. p. --> of Dilapidate ::: a. --> Decayed; fallen into partial ruin; injured by bad usage or neglect.
diphtheria ::: n. --> A very dangerous contagious disease in which the air passages, and especially the throat, become coated with a false membrane, produced by the solidification of an inflammatory exudation. Cf. Group.
diplanar ::: a. --> Of or pertaining to two planes. html{color:
dipped ::: imp. & p. p. --> of Dip html{color:
disageeing ::: p. pr. & vb. n. --> of Disagree
dispatch ::: v. t. --> To dispose of speedily, as business; to execute quickly; to make a speedy end of; to finish; to perform.
To rid; to free.
To get rid of by sending off; to send away hastily.
To send off or away; -- particularly applied to sending off messengers, messages, letters, etc., on special business, and implying haste.
To send out of the world; to put to death.
dispersive ::: a. --> Tending to disperse. html{color:
disusage ::: n. --> Gradual cessation of use or custom; neglect of use; disuse.
diswont ::: v. t. --> To deprive of wonted usage; to disaccustom.
divination ::: n. --> The act of divining; a foreseeing or foretelling of future events; the pretended art discovering secret or future by preternatural means.
An indication of what is future or secret; augury omen; conjectural presage; prediction.
doest ::: a native English form of the verb, to do, now only in formal and poetic usage.
doffing ::: p. pr. & vb. n. --> of Doff html{color:
dog-eared ::: a. --> Having the corners of the leaves turned down and soiled by careless or long-continued usage; -- said of a book.
door ::: n. --> An opening in the wall of a house or of an apartment, by which to go in and out; an entrance way.
The frame or barrier of boards, or other material, usually turning on hinges, by which an entrance way into a house or apartment is closed and opened.
Passage; means of approach or access.
An entrance way, but taken in the sense of the house or apartment to which it leads.
doorway ::: n. --> The passage of a door; entrance way into a house or a room.
douter ::: n. --> An extinguisher for candles. html{color:
dout ::: v. t. --> To put out. html{color:
dove plant ::: --> A Central American orchid (Peristeria elata), having a flower stem five or six feet high, with numerous globose white fragrant flowers. The column in the center of the flower resembles a dove; -- called also Holy Spirit plant. html{color:
dragomans ::: pl. --> of Dragoman html{color:
drank ::: imp. --> of Drink.
of Drink ::: n. --> Wild oats, or darnel grass. See Drake a plant. html{color:
dreamst ::: a native English form of the verb, to dream, now only in formal and poetic usage.
driveway ::: n. --> A passage or way along or through which a carriage may be driven.
drov"st ::: a native English contracted form of the verb to drive, now only in formal and poetic usage.
DRY PERIOD. ::: There is a long stage of preparation neces- sary in order to arrive at the moer psychologic^ condition in which the doors of experience can open and one can walk from vista to vista — though even then new gates may present them- selves and refuse to open until all is ready. This period can be dry and desert-like unless one has the ardour of self-introspec- tion and self-conquest and finds every step of the effort and struggle interesting or unless one has or gets the secret of trust and self-giving which secs the hand of the Divine in every step of the path and even in the difficulty the grace or the guidance.
Such interval periods come to all and cannot be avoided.
The main thing is to meet them with quietude and not become restless, depressed or despondent. A constant fire can be there only when a certain stage has been reached, that is when one is always inside consciously living in the psychic being, but for that all this preparation of the mind, vital, physical is necessary.
For this fire belongs to the psychic and one cannot command it always merely by the mind's effort. The psychic has to be fully liberated and that is what the Force is working to make fully possible.
The difficulty comes when either the vital with its desires or the physical with its past habitual movements comes in — as they do with almost everyone. It is then that the dryness and difficulty of spontaneous aspiration come. This dryness is a well- known obstacle in all sadhana. But one has to persist and not be discouraged. If one keep? the will fixed even in these barren periods, they pass and after their passage a greater force of aspiration and experience becomes possible.
Dryness comes usually when the vital dislikes a movement or' condition or the refusal of its desires and starts non-co-operation.
But sometimes it is a condition that has to be crossed through, e.g. the neutral or dry quietude which sometimes comes when the ordinary movements have been thrown out but nothing positive has yet come to take their place, i.e, peace, joy, a higher know- ledge or force or action.
duality ::: n. --> The quality or condition of being two or twofold; dual character or usage.
duchess ::: n. --> The wife or widow of a duke; also, a lady who has the sovereignty of a duchy in her own right. html{color:
duchy ::: n. --> The territory or dominions of a duke; a dukedom. html{color:
dumb ::: Amal: “Sri Aurobindo uses the word ‘dumb’ in the sense of mute but never of stupid or lacking in intelligence. I think the latter usage is more slang than literature.”
dziggetai ::: n. --> The kiang, a wild horse or wild ass of Thibet (Asinus hemionus). E () The fifth letter of the English alphabet. html{color:
EAR. ::: The passage of communion between the inner mind
eatst ::: a native English form of the verb, to eat, now only in formal and poetic usage.
ecclesiasticism ::: n. --> Strong attachment to ecclesiastical usages, forms, etc.
eclogue ::: n. --> A pastoral poem, in which shepherds are introduced conversing with each other; a bucolic; an idyl; as, the Ecloques of Virgil, from which the modern usage of the word has been established.
Ecstasy ::: “It has been held that ecstasy is a lower and transient passage, the peace of the Supreme is the supreme realisation, the consummate abiding experience. This may be true on the spiritual-mind plane: there the first ecstasy felt is indeed a spiritual rapture, but it can be and is very usually mingled with a supreme happiness of the vital parts taken up by the Spirit; there is an exaltation, exultation, excitement, a highest intensity of the joy of the heart and the pure inner soul-sensation that can be a splendid passage or an uplifting force but is not the ultimate permanent foundation. But in the highest ascents of the spiritual bliss there is not this vehement exaltation and excitement; there is instead an illimitable intensity of participation in an eternal ecstasy which is founded on the eternal Existence and therefore on a beatific tranquillity of eternal peace. Peace and ecstasy cease to be different and become one. The Supermind, reconciling and fusing all differences as well as all contradictions, brings out this unity; a wide calm and a deep delight of all-existence are among its first steps of self-realisation, but this calm and this delight rise together, as one state, into an increasing intensity and culminate in the eternal ecstasy, the bliss that is the Infinite.” The Life Divine
ecumenical ::: a. --> General; universal; in ecclesiastical usage, that which concerns the whole church; as, an ecumenical council.
electro-magnetic ::: a. --> Of, Pertaining to, or produced by, magnetism which is developed by the passage of an electric current.
electro-motion ::: n. --> The motion of electricity or its passage from one metal to another in a voltaic circuit; mechanical action produced by means of electricity.
electro-telegraphy ::: n. --> The art or science of constructing or using the electric telegraph; the transmission of messages by means of the electric telegraph.
elmen ::: a. --> Belonging to elms. html{color:
elohistic ::: a. --> Relating to Elohim as a name of God; -- said of passages in the Old Testament.
elohist ::: n. --> The writer, or one of the writers, of the passages of the Old Testament, notably those of Elohim instead of Jehovah, as the name of the Supreme Being; -- distinguished from Jehovist.
embassage ::: n. --> An embassy.
Message; errand.
embassy ::: n. --> The public function of an ambassador; the charge or business intrusted to an ambassador or to envoys; a public message to; foreign court concerning state affairs; hence, any solemn message.
The person or persons sent as ambassadors or envoys; the ambassador and his suite; envoys.
The residence or office of an ambassador.
emiction ::: n. --> The voiding of urine.
What is voided by the urinary passages; urine.
endostome ::: n. --> The foramen or passage through the inner integument of an ovule.
And endostoma.
enfilade ::: n. --> A line or straight passage, or the position of that which lies in a straight line.
A firing in the direction of the length of a trench, or a line of parapet or troops, etc.; a raking fire. ::: v. t. --> To pierce, scour, or rake with shot in the direction
enforce ::: v. t. --> To put force upon; to force; to constrain; to compel; as, to enforce obedience to commands.
To make or gain by force; to obtain by force; as, to enforce a passage.
To put in motion or action by violence; to drive.
To give force to; to strengthen; to invigorate; to urge with energy; as, to enforce arguments or requests.
To put in force; to cause to take effect; to give
entozoon ::: n. --> One of the Entozoa. html{color:
entrance ::: n. --> The act of entering or going into; ingress; as, the entrance of a person into a house or an apartment; hence, the act of taking possession, as of property, or of office; as, the entrance of an heir upon his inheritance, or of a magistrate into office.
Liberty, power, or permission to enter; as, to give entrance to friends.
The passage, door, or gate, for entering.
The entering upon; the beginning, or that with which the
entree ::: n. --> A coming in, or entrance; hence, freedom of access; permission or right to enter; as, to have the entree of a house.
In French usage, a dish served at the beginning of dinner to give zest to the appetite; in English usage, a side dish, served with a joint, or between the courses, as a cutlet, scalloped oysters, etc.
entry ::: n. --> The act of entering or passing into or upon; entrance; ingress; hence, beginnings or first attempts; as, the entry of a person into a house or city; the entry of a river into the sea; the entry of air into the blood; an entry upon an undertaking.
The act of making or entering a record; a setting down in writing the particulars, as of a transaction; as, an entry of a sale; also, that which is entered; an item.
That by which entrance is made; a passage leading into a
envisaged ::: imp. & p. p. --> of Envisage
envisagement ::: n. --> The act of envisaging.
envisage ::: v. t. --> To look in the face of; to apprehend; to regard.
envisaging ::: p. pr. & vb. n. --> of Envisage
episcopalianism ::: n. --> The doctrine and usages of Episcopalians; episcopacy.
errand ::: n. --> A special business intrusted to a messenger; something to be told or done by one sent somewhere for the purpose; often, a verbal message; a commission; as, the servant was sent on an errand; to do an errand. Also, one&
esophagotomy ::: n. --> The operation of making an incision into the esophagus, for the purpose of removing any foreign substance that obstructs the passage.
espousage ::: n. --> Espousal.
estafette ::: n. --> A courier who conveys messages to another courier; a military courier sent from one part of an army to another.
estuary ::: n. --> A place where water boils up; a spring that wells forth.
A passage, as the mouth of a river or lake, where the tide meets the current; an arm of the sea; a frith. ::: a. --> Belonging to, or formed in, an estuary; as, estuary strata.
euphroe ::: n. --> A block or long slat of wood, perforated for the passage of the crowfoot, or cords by which an awning is held up.
europeanize ::: v. t. --> To cause to become like the Europeans in manners or character; to habituate or accustom to European usages.
evacuation ::: n. --> The act of emptying, clearing of the contents, or discharging.
Withdrawal of troops from a town, fortress, etc.
Voidance of any matter by the natural passages of the body or by an artificial opening; defecation; also, a diminution of the fluids of an animal body by cathartics, venesection, or other means.
That which is evacuated or discharged; especially, a discharge by stool or other natural means.
evangelistary ::: n. --> A selection of passages from the Gospels, as a lesson in divine service.
excerpts ::: passages or segments taken from a longer work.
excerpt ::: v. t. --> To select; to extract; to cite; to quote. ::: n. --> An extract; a passage selected or copied from a book or record.
exosmose ::: n. --> The passage of gases, vapors, or liquids thought membranes or porous media from within outward, in the phenomena of osmose; -- opposed to endosmose. See Osmose.
explanation ::: n. --> The act of explaining, expounding, or interpreting; the act of clearing from obscurity and making intelligible; as, the explanation of a passage in Scripture, or of a contract or treaty.
That which explains or makes clear; as, a satisfactory explanation.
The meaning attributed to anything by one who explains it; definition; interpretation; sense.
A mutual exposition of terms, meaning, or motives,
exposition ::: n. --> The act of exposing or laying open; a setting out or displaying to public view.
The act of expounding or of laying open the sense or meaning of an author, or a passage; explanation; interpretation; the sense put upon a passage; a law, or the like, by an interpreter; hence, a work containing explanations or interpretations; a commentary.
Situation or position with reference to direction of view or accessibility to influence of sun, wind, etc.; exposure; as, an
expressage ::: n. --> The charge for carrying a parcel by express.
extraction ::: n. --> The act of extracting, or drawing out; as, the extraction of a tooth, of a bone or an arrow from the body, of a stump from earth, of a passage from a book, of an essence or tincture.
Derivation from a stock or family; lineage; descent; birth; the stock from which one has descended.
That which is extracted; extract; essence.
eyght ::: n. --> An island. See Eyot. html{color:
eyot ::: n. --> A little island in a river or lake. See Ait. html{color:
fairway ::: n. --> The navigable part of a river, bay, etc., through which vessels enter or depart; the part of a harbor or channel ehich is kept open and unobstructed for the passage of vessels.
familiar visage. Sri Aurobindo [in reference to the following lines]:
fashion ::: n. --> The make or form of anything; the style, shape, appearance, or mode of structure; pattern, model; as, the fashion of the ark, of a coat, of a house, of an altar, etc.; workmanship; execution.
The prevailing mode or style, especially of dress; custom or conventional usage in respect of dress, behavior, etiquette, etc.; particularly, the mode or style usual among persons of good breeding; as, to dress, dance, sing, ride, etc., in the fashion.
fauces ::: n.pl. --> The narrow passage from the mouth to the pharynx, situated between the soft palate and the base of the tongue; -- called also the isthmus of the fauces. On either side of the passage two membranous folds, called the pillars of the fauces, inclose the tonsils.
The throat of a calyx, corolla, etc.
That portion of the interior of a spiral shell which can be seen by looking into the aperture.
feathered ::: imp. & p. p. --> of Feather ::: a. --> Clothed, covered, or fitted with (or as with) feathers or wings; as, a feathered animal; a feathered arrow.
Furnished with anything featherlike; ornamented; fringed; as, land feathered with trees. html{color:
feather ::: n. --> One of the peculiar dermal appendages, of several kinds, belonging to birds, as contour feathers, quills, and down.
Kind; nature; species; -- from the proverbial phrase, "Birds of a feather," that is, of the same species.
The fringe of long hair on the legs of the setter and some other dogs.
A tuft of peculiar, long, frizzly hair on a horse.
One of the fins or wings on the shaft of an arrow. html{color:
feat ::: n. --> An act; a deed; an exploit.
A striking act of strength, skill, or cunning; a trick; as, feats of horsemanship, or of dexterity.
Dexterous in movements or service; skillful; neat; nice; pretty. ::: v. t. html{color:
fecundity ::: n. --> The quality or power of producing fruit; fruitfulness; especially (Biol.), the quality in female organisms of reproducing rapidly and in great numbers.
The power of germinating; as in seeds.
The power of bringing forth in abundance; fertility; richness of invention; as, the fecundity of God&
ferriage ::: n. --> The price or fare to be paid for passage at a ferry.
feudalism ::: n. --> The feudal system; a system by which the holding of estates in land is made dependent upon an obligation to render military service to the kind or feudal superior; feudal principles and usages.
findst ::: a native English form of the verb, to find, now only in formal and poetic usage.
fish ::: n. --> A counter, used in various games.
A name loosely applied in popular usage to many animals of diverse characteristics, living in the water.
An oviparous, vertebrate animal usually having fins and a covering scales or plates. It breathes by means of gills, and lives almost entirely in the water. See Pisces.
The twelfth sign of the zodiac; Pisces.
The flesh of fish, used as food.
fist ::: n. --> The hand with the fingers doubled into the palm; the closed hand, especially as clinched tightly for the purpose of striking a blow.
The talons of a bird of prey.
the index mark [/], used to direct special attention to the passage which follows. ::: v. t.
fleest ::: a native English form of the verb, to flee, now only in formal and poetic usage.
flut"st ::: a native English contracted form of the verb to flute, now only in formal and poetic usage.
"For if we examine carefully, we shall find that Intuition is our first teacher. Intuition always stands veiled behind our mental operations. Intuition brings to man those brilliant messages from the Unknown which are the beginning of his higher knowledge.” The Life Divine*
“For if we examine carefully, we shall find that Intuition is our first teacher. Intuition always stands veiled behind our mental operations. Intuition brings to man those brilliant messages from the Unknown which are the beginning of his higher knowledge.” The Life Divine
funnel ::: a shaft, flue, or stack for ventilation or the passage of smoke, especially the smokestack of a ship or locomotive.
galleries ::: long narrow passages sometimes serving as a means of access to other parts of a house; corridors.
givest ::: a native English form of the verb, to give, now only in formal and poetic usage.
glossary ::: a list of terms in a special subject, field, or area of usage, with accompanying definitions; a partial dictionary.
gnawest ::: a native English form of the verb, to gnaw, now only in formal and poetic usage.
grandiose ::: Amal: “I believe that ‘grandiose’ was a frequent usage in the 19th century and stresses being ‘grand’.”
GURU. ::: One who has realised the Truth and himself possesses and is able to communicate the light, the experience, a guide who is strong enough to take by the hand and carry over difficult passages as well as to instruct and point out the way.
hadst ::: a native English form of the verb to have, now only in formal or poetic usage.
hearest ::: a native English form of the verb, to hear, now only in formal and poetic usage.
“Hell and heaven are often imaginary states of the soul or rather of the vital which it constructs about it after its passing. What is meant by hell is a painful passage through the vital or lingering there, as for instance, in many cases of suicide where one remains surrounded by the forces of suffering and turmoil created by this unnatural and violent exit. There are, of course, also worlds of mind and vital worlds which are penetrated with joyful or dark experiences. One may pass through these as the result of things formed in the nature which create the necessary affinities, but the idea of reward or retribution is a crude and vulgar conception which is a mere popular error.” Letters on Yoga
HELL AND HEAVEN. ::: They arc often imaginary states of the soul or rather of the vital which it constructs about It after its passing. What is meant by hell is a painful passage through the vital or lingering there, as for instance, in many cases of suicide where one remains surrounded by the forces of suffering and turmoil created by this unnatural and violent exit. There are, of course, also worlds of mind and vital worlds which are penetrated with Joyful or dark experiences. One may pass through these as the result of things formed in the nature which create the necessary affimties, but the Idea of reward or retri- bution is a crude and vulgar conception which is a mere popular error.
hell ::: “What is meant by hell is a painful passage through the vital or lingering there, as for instance, in many cases of suicide where one remains surrounded by the forces of suffering and turmoil created by this unnatural and violent exit.” Letters on Yoga
“If we accept the Vedic image of the Sun of Truth, . . . we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; . . . At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies,—not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality.” The Life Divine
If we regard the Powers of the Reality as so many Godheads, we can say that the Overmind releases a million Godheads into action, each empowered to create its own world, each world capable of relation, communication and interplay with the others. There are in the Veda different formulations of the nature of the Gods: it is said they are all one Existence to which the sages give different names; yet each God is worshipped as if he by himself is that Existence, one who is all the other Gods together or contains them in his being; and yet again each is a separate Deity acting sometimes in unison with companion deities, sometimes separately, sometimes even in apparent opposition to other Godheads of the same Existence. In the Supermind all this would be held together as a harmonised play of the one Existence; in the Overmind each of these three conditions could be a separate action or basis of action and have its own principle of development and consequences and yet each keep the power to combine with the others in a more composite harmony. As with the One Existence, so with its Consciousness and Force. The One Consciousness is separated into many independent forms of consciousness and knowledge; each follows out its own line of truth which it has to realise. The one total and many-sided Real-Idea is split up into its many sides; each becomes an independent Idea-Force with the power to realise itself. The one Consciousness-Force is liberated into its million forces, and each of these forces has the right to fulfil itself or to assume, if needed, a hegemony and take up for its own utility the other forces. So too the Delight of Existence is loosed out into all manner of delights and each can carry in itself its independent fullness or sovereign extreme. Overmind thus gives to the One Existence-Consciousness-Bliss the character of a teeming of infinite possibilities which can be developed into a multitude of worlds or thrown together into one world in which the endlessly variable…
In its nature and law the Overmind is a delegate of the Supermind Consciousness, its delegate to the Ignorance. Or we might speak of it as a protective double, a screen of dissimilar similarity through which Supermind can act indirectly on an Ignorance whose darkness could not bear or receive the direct impact of a supreme Light. Even, it is by the projection of this luminous Overmind corona that the diffusion of a diminished light in the Ignorance and the throwing of that contrary shadow which swallows up in itself all light, the Inconscience, became at all possible. For Supermind transmits to Overmind all its realities, but leaves it to formulate them in a movement and according to an awareness of things which is still a vision of Truth and yet at the same time a first parent of the Ignorance. A line divides Supermind and Overmind which permits a free transmission, allows the lower Power to derive from the higher Power all it holds or sees, but automatically compels a transitional change in the passage. The integrality of the Supermind keeps always the essential truth of things, the total truth and the truth of its individual self-determinations clearly knit together; it maintains in them an inseparable unity and between them a close interpenetration and a free and full consciousness of each other: but in Overmind this integrality is no longer there. And yet the Overmind is well aware of the essential Truth of things; it embraces the totality; it uses the individual self-determinations without being limited by them: but although it knows their oneness, can realise it in a spiritual cognition, yet its dynamic movement, even while relying on that for its security, is not directly determined by it. Overmind Energy proceeds through an illimitable capacity of separation and combination of the powers and aspects of the integral and indivisible all-comprehending Unity. It takes each Aspect or Power and gives to it an independent action in which it acquires a full separate importance and is able to work out, we might say, its own world of creation. Purusha and Prakriti, Conscious Soul and executive Force of Nature, are in the supramental harmony a two-aspected single truth, being and dynamis of the Reality; there can be no disequilibrium or predominance of one over the other. In Overmind we have the origin of the cleavage, the trenchant distinction made by the philosophy of the Sankhyas in which they appear as two independent entities, Prakriti able to dominate Purusha and cloud its freedom and power, reducing it to a witness and recipient of her forms and actions, Purusha able to return to its separate existence and abide in a free self-sovereignty by rejection of her original overclouding material principle. So with the other aspects or powers of the Divine Reality, One and Many, Divine Personality and Divine Impersonality, and the rest; each is still an aspect and power of the one Reality, but each is empowered to act as an independent entity in the whole, arrive at the fullness of the possibilities of its separate expression and develop the dynamic consequences of that separateness. At the same time in Overmind this separateness is still founded on the basis of an implicit underlying unity; all possibilities of combination and relation between the separated Powers and Aspects, all interchanges and mutualities of their energies are freely organised and their actuality always possible.
::: "In our yoga the Nirvana is the beginning of the higher Truth, as it is the passage from the Ignorance to the higher Truth. The Ignorance has to be extinguished in order that the Truth may manifest.” Letters on Yoga*
“In our yoga the Nirvana is the beginning of the higher Truth, as it is the passage from the Ignorance to the higher Truth. The Ignorance has to be extinguished in order that the Truth may manifest.” Letters on Yoga
intercept ::: 1. To take, seize, or halt (someone or something on the way from one place to another); cut off from an intended destination. 2. To stop or check (passage, travel, etc.). 3. To stop or interrupt the course, progress, or transmission of. intercepts, intercepting, interceptor.
intermediate zone ::: Sri Aurobindo: "The intermediate zone means simply a confused condition or passage in which one is getting out of the personal consciousness and opening into the cosmic (cosmic Mind, cosmic vital, cosmic physical, something perhaps of the cosmic higher Mind) without having yet transcended the human mind levels. One is not in possession of or direct contact with the divine Truth on its own levels , but one can receive something from them, even from the overmind, indirectly. Only, as one is still immersed in the cosmic Ignorance, all that comes from above can be mixed, perverted, taken hold of for their purposes by lower, even by hostile Powers. ::: It is not necessary for everyone to struggle through the intermediate zone. If one has purified oneself, if there is no abnormal vanity, egoism, ambition or other strong misleading element, or if one is vigilant and on one"s guard, or if the psychic is in front, one can either pass rapidly and directly or with a minimum of trouble into the higher zones of consciousness where one is in direct contact with the Divine Truth.
Jhumur: “This passage always makes me think of Sri Aurobindo who is really revealing and working out these modes.”
journey ::: n. 1. A travelling from one place to another; trip or voyage. 2. Fig. Passage or progress from one stage to another. journey"s. v. 4. To make a journey; travel. journeys, journeyed, journeying.* *n. journeying, journeyings. adj. journeying.**
Journey ::: The passage from one consciousness to another ; a movement in life or a progress in sadhana.
keepest ::: a native English form of the verb, to keep, now only in formal and poetic usage.
king ::: 1. A male sovereign. 2. One that is supreme or preeminent in a particular group, category, or sphere. 3. Fig. One who or that which is preeminent in a particular category or group or field. king"s, kings, Kings, king-children, king-sages.
knowest ::: a native English form of the verb, to know, now only in formal and poetic usage.
labyrinth ::: An intricate structure of interconnecting passages through which it is difficult to find one’s way; a maze. (Sri Aurobindo employs the word as an adj.)
labyrinth ::: an intricate structure of interconnecting passages through which it is difficult to find one"s way; a maze. (Sri Aurobindo employs the word as an adj.)
lane ::: 1. A narrow way or passage between walls, hedges, or fences. 2. A narrow passage, course, or track. lanes.
leadst ::: a native English form of the verb, to lead, now only in formal and poetic usage.
lead ::: v. 1. To go in advance; act as a guide; show the way. 2. To guide in direction, course, action, opinion, etc. 3. Of a way, road, etc.: To serve as a passage for, conduct (a person) to or into a place; hence, to have a specified goal or direction. 4. To pass or go through; live. 5. To result in; tend toward (often followed by to). 6. To indicate, as a clue, guide or indication of a route way, course. leads, leading, leadst.* n. 7. Anything or anyone who guides or directs by leading; going in front. ::: (Note: See also *sounding leads.)
ledst ::: the past tense of the native English form of the verb, to lead, now only in formal and poetic usage.
lendst ::: a native English form of the verb, to lend, now only in formal and poetic usage.
livest ::: a native English form of the verb, to live, now only in formal and poetic usage.
liv"st ::: a native English contracted form of the verb to live, now only in formal and poetic usage.
lookst ::: a native English form of the verb, to look, now only in formal and poetic usage.
loosenest ::: a native English form of the verb, to loosen, now only in formal and poetic usage.
lovd"st ::: a native English contracted form of the verb to love, now only in formal and poetic usage.
lovest ::: a native English form of the verb, to love, now only in formal and poetic usage.
lov"st ::: a native English contracted form of the verb to love, now only in formal and poetic usage.
Madhav: “Ambassadors, because they bring a message from the unseen empire of God.” The Book of the Divine Mother
makest ::: a native English form of the verb, to make, now only in formal and poetic usage.
masseuse ::: a woman who gives massages professionally.
menial ::: pertaining to domestic servants. In current usage, lowly and sometimes degrading; servile.
mightst ::: a native English form of the adverb might, now only in formal or poetic usage.
mockst ::: a native English form of the verb, to mock, now only in formal and poetic usage.
mournst ::: a native English form of the verb, to mourn, now only in formal and poetic usage.
mov"st ::: a native English contracted form of the verb to move, now only in formal and poetic usage.
Name ::: “Name in its deeper sense is not the word by which we describe the object, but the total of power, quality, character of the reality which a form of things embodies and which we try to sum up by a designating sound, a knowable name, Nomen. Nomen in this sense, we might say, is Numen; the secret Names of the Gods are their power, quality, character of being caught up by the consciousness and made conceivable. The Infinite is nameless, but in that namelessness all possible names, Numens of the gods, the names and forms of all realities, are already envisaged and prefigured, because they are there latent and inherent in the All-Existence.” The Life Divine
name ::: Sri Aurobindo: "Name in its deeper sense is not the word by which we describe the object, but the total of power, quality, character of the reality which a form of things embodies and which we try to sum up by a designating sound, a knowable name, Nomen. Nomen in this sense, we might say, is Numen; the secret Names of the Gods are their power, quality, character of being caught up by the consciousness and made conceivable. The Infinite is nameless, but in that namelessness all possible names, Numens of the gods, the names and forms of all realities, are already envisaged and prefigured, because they are there latent and inherent in the All-Existence.” The Life Divine
“Nevertheless, the fact of this intervention from above, the fact that behind all our original thinking or authentic perception of things there is a veiled, a half-veiled or a swift unveiled intuitive element is enough to establish a connection between mind and what is above it; it opens a passage of communication and of entry into the superior spirit-ranges. There is also the reaching out of mind to exceed the personal ego limitation, to see things in a certain impersonality and universality. Impersonality is the first character of cosmic self; universality, non-limitation by the single or limiting point of view, is the character of cosmic perception and knowledge: this tendency is therefore a widening, however rudimentary, of these restricted mind areas towards cosmicity, towards a quality which is the very character of the higher mental planes,—towards that superconscient cosmic Mind which, we have suggested, must in the nature of things be the original mind-action of which ours is only a derivative and inferior process.” The Life Divine
Nirvana is a liberated condition of the being, not a world ; it is a withdrawal from the worlds and the manifestation. In our yoga the Nirvana is the beginning of the higher Truth, as it is the passage from the Ignorance to the higher Truth.
Nolini: “Griffin-Golden Hawk + Winged Lion—The piercing eye of soaring aspiration + Upsurging energy of the pure vital—Remember Vishnu’s Garuda + Durga’s lion—With these twin powers you cross safely the borderland between the lower and the upper hemisphere—the twilight world (Night and Day)—Griffin is the guardian God of this passage—dvarapalaka. Mother India—Nolini’s reply to a question from Huta.
nonnal present mind, a succession of miracles. An evolution on the supramental levels could wcO 6e of that nature ; it could be equally, if the being so chose, a more leisurely passage of one supramental state or condition of things to something beyond but still Supramental from level to divine level, a building up of divine gradations, a free growth to the supreme Supermind or beyond it to yet undreamed levels of being, consciousness and
Often, a familiar visage studying.
*One dealt with her who meets the burdened great. ::: Q. "Who is ‘One" here? Is it Love, the godhead mentioned before? If not, does this ‘dubious godhead with his torch of pain" correspond to the ‘image white and high of godlike pain" spoken of a little earlier? Or is it time whose ‘snare" occurs in the last line of the preceding passage?”
On the other hand the passage through the higher zones — higher Mind, illumined Mind, Intuition, overmind is obligatory — they are the true Intermediaries between the present consciousness and the supermind.” Letters on Yoga
On the other hand the passage through the higher zones—higher Mind, illumined Mind, Intuition, overmind is obligatory—they are the true Intermediaries between the present consciousness and the supermind.” Letters on Yoga
O sages standing in God’s holy fire
passage ::: 1. A movement from one place to another, as by going by, through, over, or across; transit or migration. 2. Fig. The process of passing from one condition or stage to another; transition. 3. An opening or entrance into, through, or out of something. 4. A path, channel, or duct through, over, or along which something may pass. 5. A hall or corridor; passageway. passages, cavern-passages.
pass ::: v. 1. To move on or ahead; proceed. 2. To move by. 3. To go or get through (something), lit. and fig. **4. To go across or over (a stream, threshold, etc.); cross. 5. To cross, traverse, in reference to times, stages, states, conditions, processes, actions, experiences, etc. 6. To be transferred from one to another; circulate. 7. To come to or toward, then go beyond. 8. To come to an end. 9. To cease to exist. 10. To convey, transfer, or transmit; deliver (often followed by on). 11. To be accepted as or believed to be. 12. To sanction or approve. passes, passed, passing. n. 13. A way, such as a narrow gap between mountains, that affords passage around, over, or through a barrier. passes. ::: pass by. To let go without notice, action, remark, etc.; leave unconsidered; disregard; overlook.
pegst ::: a native English form of the verb, to peg, now only in formal and poetic usage. To mark with pegs (pins of wood); esp. to mark the boundaries of (a piece of ground, a claim for mining or gold-digging, etc.) with pegs placed at the corners. Also fig. in the sense of marking one"s position, claim, etc.
pellucid ::: admitting the passage of light; transparent or translucent.
prefigured ::: suggested, indicated, or represented beforehand by a form or model; presaged or foreshadowed.
Q.”Who is ‘One’ here? Is it Love, the godhead mentioned before? If not, does this ‘dubious godhead with his torch of pain’ correspond to the ‘image white and high of godlike pain’ spoken of a little earlier? Or is it time whose ‘snare’ occurs in the last line of the preceding passage?”
reasonest ::: a native English form of the verb, to reason, now only in formal and poetic usage.
roamst ::: a native English form of the verb, to roam, now only in formal and poetic usage.
sage ::: n. 1. A man who is venerated for his profound wisdom. sage"s, sages, king-sages. adj. 2. Having or exhibiting profound wisdom and calm judgement.
sayest ::: a native English form of the verb, to say, now only in formal and poetic usage.
sayst ::: a native English form of the verb, to say, now only in formal and poetic usage.
seekst ::: a native English form of the verb, to seek, now only in formal and poetic usage. seek"st.
seemst ::: a native English form of the verb, to seem, now only in formal and poetic usage.
seer ::: 1. A person gifted with profound spiritual insight or knowledge; a wise person or sage who possesses intuitive powers or one to whom divine revelations are made in visions. 2. One who sees; an observer. **Seer, seers, seer-evenings, seer-summit, seer-vision"s.
seest ::: a native English form of the verb, to see, now only in formal and poetic usage.
self-knowledge ::: knowing of oneself, without help from another.
Sri Aurobindo: The possibility of a cosmic consciousness in humanity is coming slowly to be admitted in modern Psychology, like the possibility of more elastic instruments of knowledge, although still classified, even when its value and power are admitted, as a hallucination. In the psychology of the East it has always been recognised as a reality and the aim of our subjective progress. The essence of the passage over to this goal is the exceeding of the limits imposed on us by the ego-sense and at least a partaking, at most an identification with the self-knowledge which broods secret in all life and in all that seems to us inanimate. *The Life Divine
"Therefore the only final goal possible is the emergence of the infinite consciousness in the individual; it is his recovery of the truth of himself by self-knowledge and by self-realisation, the truth of the Infinite in being, the Infinite in consciousness, the Infinite in delight repossessed as his own Self and Reality of which the finite is only a mask and an instrument for various expression.” The Life Divine
"The Truth-Consciousness is everywhere present in the universe as an ordering self-knowledge by which the One manifests the harmonies of its infinite potential multiplicity.” The Life Divine
sendesta ::: a native English form of the verb, to send, now only in formal and poetic usage.
shaft ::: 1. A ray or beam of light. **2. A vertical or slightly inclined well-like passageway. shafts.**
shalt ::: second person singular of shall, now only in formal and poetic usage.
shutst ::: a native English form of the verb, to shut, now only in formal and poetic usage.
"Silence means freedom from thoughts and vital movements —- when the whole consciousness is quite still.” The Mother - Flowers and Their Messages, Glossary Of Philosophical And Psychological Terms.
“Silence means freedom from thoughts and vital movements—when the whole consciousness is quite still.” The Mother—Flowers and Their Messages, Glossary Of Philosophical And Psychological Terms.
snatches ::: 1. Brief spells of effort, activity or experience. 2. Short passages, a few words, of a song, etc.; small portions, a few bars, of a melody or tune.
soundst ::: a native English form of the verb, to sound, now only in formal and poetic usage.
speakest ::: a native English form of the verb, to speak, now only in formal and poetic usage.
speakst ::: a native English form of the verb, to speak, now only in formal and poetic usage.
Sri Aurobindo: "Hell and heaven are often imaginary states of the soul or rather of the vital which it constructs about it after its passing. What is meant by hell is a painful passage through the vital or lingering there, as for instance, in many cases of suicide where one remains surrounded by the forces of suffering and turmoil created by this unnatural and violent exit. There are, of course, also worlds of mind and vital worlds which are penetrated with joyful or dark experiences. One may pass through these as the result of things formed in the nature which create the necessary affinities, but the idea of reward or retribution is a crude and vulgar conception which is a mere popular error.” Letters on Yoga
"Sri Aurobindo: "It has been held that ecstasy is a lower and transient passage, the peace of the Supreme is the supreme realisation, the consummate abiding experience. This may be true on the spiritual-mind plane: there the first ecstasy felt is indeed a spiritual rapture, but it can be and is very usually mingled with a supreme happiness of the vital parts taken up by the Spirit; there is an exaltation, exultation, excitement, a highest intensity of the joy of the heart and the pure inner soul-sensation that can be a splendid passage or an uplifting force but is not the ultimate permanent foundation. But in the highest ascents of the spiritual bliss there is not this vehement exaltation and excitement; there is instead an illimitable intensity of participation in an eternal ecstasy which is founded on the eternal Existence and therefore on a beatific tranquillity of eternal peace. Peace and ecstasy cease to be different and become one. The Supermind, reconciling and fusing all differences as well as all contradictions, brings out this unity; a wide calm and a deep delight of all-existence are among its first steps of self-realisation, but this calm and this delight rise together, as one state, into an increasing intensity and culminate in the eternal ecstasy, the bliss that is the Infinite.” The Life Divine
*Sri Aurobindo: "The Mask is mentioned not twice but four times in this opening passage and it is purposely done to keep up the central connection of the idea running through the whole. The ambassadors wear this grey Mask, so your criticism cannot stand since there is no separate mask coming as part of a new idea but a very pointed return to the principal note indicating the identity of the influence throughout. It is not a random recurrence but a purposeful touch carrying a psychological meaning.” — 1948 Letters on Savitri*
Sri Aurobindo: "What is meant by hell is a painful passage through the vital or lingering there, as for instance, in many cases of suicide where one remains surrounded by the forces of suffering and turmoil created by this unnatural and violent exit.” *Letters on Yoga
standest ::: a native English form of the verb, to stand, now only in formal and poetic usage.
::: *"Stevenson has a striking passage in "Kidnapped” where the hero notes that his fear is felt primarily not in the heart but the stomach.” Letters on Yoga
“Stevenson has a striking passage in”Kidnapped” where the hero notes that his fear is felt primarily not in the heart but the stomach.” Letters on Yoga
storeys ::: floors or levels in a building (in modern usage, stories).
strain ::: n. 1. A passage of melody, music, or songs as rendered or heard. 2. Kind, type or sort. strains. v. 3. To force to extreme effort, exert to the utmost (one"s limbs, organs, powers). 4. To make an extreme or excessive effort at or after some object of attainment. 5. Fig. To purify or refine by filtration. strains, strained, straining.
strait ::: a narrow passage of water connecting two large bodies of water. straits.
summoned ::: 1. Called for the presence of, as by command, message, or signal; called. 2. Called into action; roused; called forth (often followed by up). summons, summoning.
summons ::: an authoritative command, message, or signal by which someone or something is called.
suntracks ::: A word coined by Sri Aurobindo. Lines of travel, passage, or motion; the actual courses or routes followed (which need not be any beaten or visible path, or leave any traces, as the paths of ships, birds in the air, comets, etc.).
suntracks ::: a word coined by Sri Aurobindo. Lines of travel, passage, or motion; the actual courses or routes followed (which need not be any beaten or visible path, or leave any traces, as the paths of ships, birds in the air, comets, etc.).
SUPERMIND (DESCENT). The process is a, spiritual evolutionary process, concentrated into a brief period. As we envisage it, it must manifest m a few first and then spread, but is not likely to overpower the earth in a moment.
tempst ::: a native English form of the verb, to tempt, now only in formal and poetic usage.
That is itot the transformation I envisage.
The Apsaras then are the divine Hetairae of Paradise, beautiful singers and actresses whose beauty and art relieve the arduous and world-long struggle of the Gods against the forces that tend towards disruption by the Titans who would restore Matter to its original atomic condition or of dissolution by the sages and hermits who would make phenomena dissolve prematurely into the One who is above phenomena. They rose from the Ocean, says Valmiki, seeking who should choose them as brides, but neither the Gods nor the Titans accepted them, therefore are they said to be common or universal. The Harmony of Virtue
"The Avatar does not come as a thaumaturgic magician, but as the divine leader of humanity and the exemplar of a divine humanity. Even human sorrow and physical suffering he must assume and use so as to show, first, how that suffering may be a means of redemption, — as did Christ, — secondly, to show how, having been assumed by the divine soul in the human nature, it can also be overcome in the same nature, — as did Buddha. The rationalist who would have cried to Christ, ‘If thou art the Son of God, come down from the cross," or points out sagely that the Avatar was not divine because he died and died too by disease, — as a dog dieth, — knows not what he is saying: for he has missed the root of the whole matter. Even, the Avatar of sorrow and suffering must come before there can be the Avatar of divine joy; the human limitation must be assumed in order to show how it can be overcome; and the way and the extent of the overcoming, whether internal only or external also, depends upon the stage of the human advance; it must not be done by a non-human miracle.” Essays on the Gita
“The Avatar does not come as a thaumaturgic magician, but as the divine leader of humanity and the exemplar of a divine humanity. Even human sorrow and physical suffering he must assume and use so as to show, first, how that suffering may be a means of redemption,—as did Christ,—secondly, to show how, having been assumed by the divine soul in the human nature, it can also be overcome in the same nature,—as did Buddha. The rationalist who would have cried to Christ, ‘If thou art the Son of God, come down from the cross,’ or points out sagely that the Avatar was not divine because he died and died too by disease,—as a dog dieth,—knows not what he is saying: for he has missed the root of the whole matter. Even, the Avatar of sorrow and suffering must come before there can be the Avatar of divine joy; the human limitation must be assumed in order to show how it can be overcome; and the way and the extent of the overcoming, whether internal only or external also, depends upon the stage of the human advance; it must not be done by a non-human miracle.” Essays on the Gita
::: "The ear is the passage of communion between the inner mind centre and the thought-forces or thought-waves of the universal Nature.” *Letters on Yoga
“The ear is the passage of communion between the inner mind centre and the thought-forces or thought-waves of the universal Nature.” Letters on Yoga
“The intermediate zone means simply a confused condition or passage in which one is getting out of the personal consciousness and opening into the cosmic (cosmic Mind, cosmic vital, cosmic physical, something perhaps of the cosmic higher Mind) without having yet transcended the human mind levels. One is not in possession of or direct contact with the divine Truth on its own levels , but one can receive something from them, even from the overmind, indirectly. Only, as one is still immersed in the cosmic Ignorance, all that comes from above can be mixed, perverted, taken hold of for their purposes by lower, even by hostile Powers.
the linguistic usage that is grammatical and natural to native speakers of a language.
"The message of the Gita is the gospel of the Divinity in man who by force of an increasing union unfolds himself out of the veil of the lower Nature, reveals to the human soul his cosmic spirit, reveals his absolute transcendences, reveals himself in man and in all beings. The potential outcome here of this union, this divine Yoga, man growing towards the Godhead, the Godhead manifest in the human soul and to the inner human vision, is our liberation from limited ego and our elevation to the higher nature of a divine humanity.” Essays on the Gita ::: *Divinity"s.
“The message of the Gita is the gospel of the Divinity in man who by force of an increasing union unfolds himself out of the veil of the lower Nature, reveals to the human soul his cosmic spirit, reveals his absolute transcendences, reveals himself in man and in all beings. The potential outcome here of this union, this divine Yoga, man growing towards the Godhead, the Godhead manifest in the human soul and to the inner human vision, is our liberation from limited ego and our elevation to the higher nature of a divine humanity.” Essays on the Gita
The possibility of a cosmic consciousness in humanity is coming slowly to be admitted in modern Psychology, like the possibility of more elastic instruments of knowledge, although still classified, even when its value and power are admitted, as a hallucination. In the psychology of the East it has always been recognised as a reality and the aim of our subjective progress. The essence of the passage over to this goal is the exceeding of the limits imposed on us by the ego-sense and at least a partaking, at most an identification with the self-knowledge which broods secret in all life and in all that seems to us inanimate. The Life Divine
". . . the proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.” The Synthesis of Yoga*
“… the proper function of the thought-mind is to observe, understand, judge with a dispassionate delight in knowledge and open itself to messages and illuminations playing upon all that it observes and upon all that is yet hidden from it but must progressively be revealed, messages and illuminations that secretly flash down to us from the divine Oracle concealed in light above our mentality whether they seem to descend through the intuitive mind or arise from the seeing heart.” The Synthesis of Yoga
"The real source of knowledge is the Lord in the heart; ‘I am seated in the heart of every man and from me is knowledge," says the Gita; the Scripture is only a verbal form of that inner Veda, of that self-luminous Reality, it is sabdabrahma: the mantra, says the Veda, has risen from the heart, from the secret place where is the seat of the truth, sadanâd rtasya, guhâyâm. That origin is its sanction; but still the infinite Truth is greater than its word. Nor shall you say of any Scripture that it alone is all-sufficient and no other truth can be admitted, as the Vedavadins said of the Veda, nânyad astîti vâdinah. This is a saving and liberating word which must be applied to all the Scriptures of the world. Take all the Scriptures that are or have been, Bible and Koran and the books of the Chinese, Veda and Upanishads and Purana and Tantra and Shastra and the Gita itself and the sayings of thinkers and sages, prophets and Avatars, still you shall not say that there is nothing else or that the truth your intellect cannot find there is not true because you cannot find it there. That is the limited thought of the sectarian or the composite thought of the eclectic religionist, not the untrammelled truth-seeking of the free and illumined mind and God-experienced soul. Heard or unheard before, that always is the truth which is seen by the heart of man in its illumined depths or heard within from the Master of all knowledge, the knower of the eternal Veda.” Essays on the Gita*
“The real source of knowledge is the Lord in the heart; ‘I am seated in the heart of every man and from me is knowledge,’ says the Gita; the Scripture is only a verbal form of that inner Veda, of that self-luminous Reality, it is sabdabrahma: the mantra, says the Veda, has risen from the heart, from the secret place where is the seat of the truth, sadanâd rtasya, guhâyâm. That origin is its sanction; but still the infinite Truth is greater than its word. Nor shall you say of any Scripture that it alone is all-sufficient and no other truth can be admitted, as the Vedavadins said of the Veda, nânyad astîti vâdinah. This is a saving and liberating word which must be applied to all the Scriptures of the world. Take all the Scriptures that are or have been, Bible and Koran and the books of the Chinese, Veda and Upanishads and Purana and Tantra and Shastra and the Gita itself and the sayings of thinkers and sages, prophets and Avatars, still you shall not say that there is nothing else or that the truth your intellect cannot find there is not true because you cannot find it there. That is the limited thought of the sectarian or the composite thought of the eclectic religionist, not the untrammelled truth-seeking of the free and illumined mind and God-experienced soul. Heard or unheard before, that always is the truth which is seen by the heart of man in its illumined depths or heard within from the Master of all knowledge, the knower of the eternal Veda.” Essays on the Gita
“The real source of knowledge is the Lord in the heart; ‘I am seated in the heart of every man and from me is knowledge,’ says the Gita; the Scripture is only a verbal form of that inner Veda, of that self-luminous Reality, it is sabdabrahma: the mantra, says the Veda, has risen from the heart, from the secret place where is the seat of the truth, sadanâdrtasya, guhâyâm. That origin is its sanction; but still the infinite Truth is greater than its word. Nor shall you say of any Scripture that it alone is all-sufficient and no other truth can be admitted, as the Vedavadins said of the Veda, nânyadastîtivâdinah. This is a saving and liberating word which must be applied to all the Scriptures of the world. Take all the Scriptures that are or have been, Bible and Koran and the books of the Chinese, Veda and Upanishads and Purana and Tantra and Shastra and the Gita itself and the sayings of thinkers and sages, prophets and Avatars, still you shall not say that there is nothing else or that the truth your intellect cannot find there is not true because you cannot find it there. That is the limited thought of the sectarian or the composite thought of the eclectic religionist, not the untrammelled truth-seeking of the free and illumined mind and God-experienced soul. Heard or unheard before, that always is the truth which is seen by the heartof man in its illumined depths or heard within from the Master of all knowledge, the knower of the eternal Veda.” Essays on the Gita
"The true essence of sacrifice is not self-immolation, it is self-giving; its object not self-effacement, but self-fulfilment; its method not self-mortification, but a greater life, not self-mutilation, but a transformation of our natural human parts into divine members, not self-torture, but a passage from a lesser satisfaction to a greater Ananda.” The Synthesis of Yoga
“The true essence of sacrifice is not self-immolation, it is self-giving; its object not self-effacement, but self-fulfilment; its method not self-mortification, but a greater life, not self-mutilation, but a transformation of our natural human parts into divine members, not self-torture, but a passage from a lesser satisfaction to a greater Ananda.” The Synthesis of Yoga
"The universe is certainly or has been up to now in appearance a rough and wasteful game with the dice of chance loaded in favour of the Powers of darkness, the Lords of obscurity, falsehood, death and suffering. But we have to take it as it is and find out — if we reject the way out of the old sages — the way to conquer. Spiritual experience shows that there is behind it all a wide terrain of equality, peace, calm, freedom, and it is only by getting into it that we can have the eye that sees and hope to gain the power that conquers.” Letters on Yoga
“The universe is certainly or has been up to now in appearance a rough and wasteful game with the dice of chance loaded in favour of the Powers of darkness, the Lords of obscurity, falsehood, death and suffering. But we have to take it as it is and find out—if we reject the way out of the old sages—the way to conquer. Spiritual experience shows that there is behind it all a wide terrain of equality, peace, calm, freedom, and it is only by getting into it that we can have the eye that sees and hope to gain the power that conquers.” Letters on Yoga
thinkst ::: a native English form of the verb, to think, now only in formal and poetic usage.
::: **"This sraddhâ — the English word faith is inadequate to express it — is in reality an influence from the supreme Spirit and its light a message from our supramental being which is calling the lower nature to rise out of its petty present to a great self-becoming and self-exceeding.” The Synthesis of Yoga
“This sraddhâ—the English word faith is inadequate to express it—is in reality an influence from the supreme Spirit and its light a message from our supramental being which is calling the lower nature to rise out of its petty present to a great self-becoming and self-exceeding.” The Synthesis of Yoga
thoroughfares ::: places of passage from one location to another especially roads.
thread ::: n. 1. A fine cord of flax, cotton, or other fibrous material spun out to considerable length, especially when composed of two or more filaments twisted together. 2. Any fine line, stream, mark, or piece. 3. Fig. Likened to a thread in passing (one"s way) through or over (something). 4. Something having the fineness or slenderness of a filament, as a thin continuous stream of liquid, a fine line of colour, etc. threads. *v. 5. To make one"s way, as through a passage or between obstacles. 6. To pass (thread, film, magnetic tape, etc.) through (something. Also fig. 7. To pervade. *threaded, threading.
torturest ::: a native English form of the verb, to torture, now only in formal and poetic usage.
touchest ::: a native English form of the verb, to touch, now only in formal and poetic usage.
transition ::: passage from one form, state, or condition, to another. transition-line.
transparency ::: 1. The quality of being clear and allowing the free passage of light. 2. Something such as an object, etc. that allows light to pass through it; transparent. transparencies.
trickst ::: a native English form of the verb, to trick, now only in formal and poetic usage.
tunnel ::: an underground or underwater passage. tunnel"s, tunnels.
Two things render that culmination more facile than it would otherwise be. Overmind in the descent towards material creation has originated modifications of itself,—Intuition especially with its penetrative lightning flashes of truth lighting up local points and stretches of country in our consciousness,—which can bring the concealed truth of things nearer to our comprehension, and, by opening ourselves more widely first in the inner being and then as a result in the outer surface self also to the messages of these higher ranges of consciousness, by growing into them, we can become ourselves also intuitive and overmental beings, not limited by the intellect and sense, but capable of a more universal comprehension and a direct touch of truth in its very self and body. In fact flashes of enlightenment from these higher ranges already come to us, but this intervention is mostly fragmentary, casual or partial; we have still to begin to enlarge ourselves into their likeness and organise in us the greater Truth activities of which we are potentially capable. But, secondly, Overmind, Intuition, even Supermind not only must be, as we have seen, principles inherent and involved in the Inconscience from which we arise in the evolution and inevitably destined to evolve, but are secretly present, occult actively with flashes of intuitive emergence in the cosmic activity of Mind, Life and Matter. It is true that their action is concealed and, even when they emerge, it is modified by the medium, material, vital, mental in which they work and not easily recognisable. Supermind cannot manifest itself as the Creator Power in the universe from the beginning, for if it did, the Ignorance and Inconscience would be impossible or else the slow evolution necessary would change into a rapid transformation scene. Yet at every step of the material energy we can see the stamp of inevitability given by a supramental creator, in all the development of life and mind the play of the lines of possibility and their combination which is the stamp of Overmind intervention. As Life and Mind have been released in Matter, so too must in their time these greater powers of the concealed Godhead emerge from the involution and their supreme Light descend into us from above. …
veilst ::: a native English form of the verb, to veil, now only in formal and poetic usage.
vestibules ::: passages, halls, or antechambers between the outer door and the interior parts of a house or building.
visage ::: 1. The face, usually with reference to features, expression, etc.; countenance. 2. Aspect; appearance. visages.
-visaged ::: having a face or visage as specified. many-visaged.
visage ::: familiar visage. Sri Aurobindo [in reference to the following lines]:
way ::: 1. A road, path, or highway affording passage from one place to another. Also fig. 2. Any line of passage or progression, esp. in a particular direction. 3. A direction or vicinity. 4. A course of life, action, or experience. 5. A prescribed course of life or conduct; also in pl. 6. A method, plan, or means for attaining a goal. 7. A method, plan, or means for attaining a goal. 8. Space for passing or advancing. 9. Characteristic or habitual manner. 10. Distance. ways, earth-ways, half-way, world-ways, Angel of the Way, evolving Way, heavenly Way, middle Way, shining upward Way, terrestrial Way, the Way.
—we may compare the action of the Higher Mind to a composed and steady sunshine, the energy of the Illumined Mind beyond it to an outpouring of massive lightnings of flaming sun-stuff. Still beyond can be met a yet greater power of the Truth-Force, an intimate and exact Truth-vision, Truth-thought, Truth-sense, Truth-feeling, Truth-action, to which we can give in a special sense the name of Intuition; for though we have applied that word for want of a better to any supra-intellectual direct way of knowing, yet what we actually know as intuition is only one special movement of self-existent knowledge. This new range is its origin; it imparts to our intuitions something of its own distinct character and is very clearly an intermediary of a greater Truth-Light with which our mind cannot directly communicate. At the source of this Intuition we discover a superconscient cosmic Mind in direct contact with the supramental Truth-Consciousness, an original intensity determinant of all movements below it and all mental energies,—not Mind as we know it, but an Overmind that covers as with the wide wings of some creative Oversoul this whole lower hemisphere of Knowledge-Ignorance, links it with that greater Truth-Consciousness while yet at the same time with its brilliant golden Lid it veils the face of the greater Truth from our sight, intervening with its flood of infinite possibilities as at once an obstacle and a passage in our seeking of the spiritual law of our existence, its highest aim, its secret Reality. This then is the occult link we were looking for; this is the Power that at once connects and divides the supreme Knowledge and the cosmic Ignorance….
KEYS (10k)
10 Sri Aurobindo
8 Sri Ramana Maharshi
8 Sri Ramakrishna
5 Dhammapada
5 Confucius
4 Tseu-tse
3 The Mother
2 Udanavarga
2 Seneca
2 Rig Veda
2 Ramakrishna
2 Peter J Carroll
2 Katha Upanishad
2 Buddhist Canons in Pali
2 Bhagavad Gita
2 Anonymous
2 Angelus Silesius
1 Zen Proverb
1 Wei Wu Wei
1 Vishnu Purana
1 Vasishtha
1 Upanishad
1 Tsu-king
1 Tseng Tee
1 Tolstoi
1 Thích Nhất Hạnh
1 Tertullian
1 Sri Ramana Maharshi
1 Robert Burton
1 Rabindranath Tagore
1 Psalms. IX30
1 Moses Maimonides
1 Metta Sutta
1 Manu
1 Ma havagga
1 Mahaparinibbana Sutta
1 Lao-Tse. 44
1 Lao-Tse-35
1 Lao-Tse
1 Kung Tingan [no info found on 'Kung Tingan']. Quote occurs in several places on web. One is:
1 Kena Upanishad
1 Joseph Campbell
1 John Milton
1 Iris Murdoch
1 Georg C Lichtenberg
1 Fo-sho-hing-tsan-king
1 Fenelon
1 Eliphas Levi
1 Democritus
1 Deepak Chopra
1 Buson
1 Angelius Silesius
1 Saint Thomas Aquinas
1 Paracelsus
1 Nichiren
1 Hafiz
1 Aleister Crowley
1 A E van Vogt
NEW FULL DB (2.4M)
60 Bob Saget
48 Angie Sage
32 Laozi
29 Richelle Mead
23 Anonymous
16 Riley Sager
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12 Otto von Bismarck
11 Sri Ramana Maharshi
11 Mehmet Murat ildan
10 Mahatma Gandhi
9 Stephen King
9 Alain Rene Lesage
8 Terry Pratchett
7 William Shakespeare
7 Sage Francis
7 Rumi
6 Swami Vivekananda
6 Paulo Coelho
5 Sri Aurobindo
1:Is there a single man who can see what the Sage cannot even conceive? ~ Tseu-tse, #KEYS
2:To practice magic is to be a quack; to know magic is to be a sage.
~ Eliphas Levi,#KEYS
3:Alone the sage can recognize the sage. ~ Sri Ramakrishna, #KEYS
4:The sage's rule of moral conduct has its principle in the hearts of all men. ~ Tseu-tse, #KEYS
5:The sage knows himself. ~ Lao-Tse-35, the Eternal Wisdom #KEYS
6:Truly the sage is not other than God. ~ Sri Ramana Maharshi, #KEYS
7:Alone the sage can recognize the sage. ~ Ramakrishna, the Eternal Wisdom #KEYS
8:In the world we live in, one fool makes many fools, but one sage only a few sages. ~ Georg C Lichtenberg, #KEYS
9:The saint is a man who disciplines his ego. The sage is a man who rids himself of his ego." ~ Wei Wu Wei, #KEYS
10:Nothing here below should trouble the sage. ~ Bhagavad Gita, the Eternal Wisdom #KEYS
11:The sage is not a savant nor the savant a sage. ~ Lao-Tse. 44, the Eternal Wisdom #KEYS
12:The sage does not 'know' the Self, because he is the Self. ~ Sri Ramana Maharshi, #KEYS
13:The sage is happy everywhere, the whole earth is his. ~ Confucius, the Eternal Wisdom #KEYS
14:Blush not to submit to a sage who knows more than thyself. ~ Democritus, the Eternal Wisdom #KEYS
15:When an ordinary man attains knowledge he is a sage; when a sage attains understanding, he is an ordinary man." ~ Zen Proverb, #KEYS
16:The sage increases his wisdom by all that he can gather from others. ~ Fenelon, the Eternal Wisdom #KEYS
17:Is there a single man who can see what the Sage cannot even conceive? ~ Tseu-tse, the Eternal Wisdom #KEYS
18:What is there more precious than a sage? He sets peace between all men. ~ Tsu-king, the Eternal Wisdom #KEYS
19:Nowhere and in no situation is the sage dissatisfied with his condition. ~ Confucius, the Eternal Wisdom #KEYS
20:O sage, very high raise thyself, even to the most high dwelling of Truth. ~ Ma havagga, the Eternal Wisdom #KEYS
21:Since the sage has no creed of his own, he never engages in [useless] discussions. ~ Sri Ramana Maharshi, #KEYS
22:It may be given to the householder to see God. It was the case with Janaka, the great sage. ~ Sri Ramakrishna, #KEYS
23:The sage's rule of moral conduct has its principle in the hearts of all men. ~ Tseu-tse, the Eternal Wisdom #KEYS
24:The sage is never alone...he bears in himself the Lord of all things. ~ Angelius Silesius, the Eternal Wisdom #KEYS
25:The mind of the Enlightened Sage (jnani) never exists apart from Brahman, the Absolute. ~ Sri Ramana Maharshi, #KEYS
26:If you do not meet a sage following the same road as yourself, then walk alone. ~ Dhammapada, the Eternal Wisdom #KEYS
27:It may be given even to the householder to see God. It was the case with Janaka, the great sage. ~ Sri Ramakrishna, #KEYS
28:But hail, thou Goddess, sage and holy, Hail, divinest melancholy, Whose saintly visage is too bright To hit the Sense of human sight.
~ John Milton,#KEYS
29:The sage having perceived God by the spiritual union casts from him grief and joy. ~ Katha Upanishad, the Eternal Wisdom #KEYS
30:The sage regards the heart of every man in the millions of the crowd and sees only one heart. ~ Tseng Tee, the Eternal Wisdom #KEYS
31:The sage having seen the Self in everything, when he leaves this world, becomes immortal. ~ Kena Upanishad, the Eternal Wisdom #KEYS
32:The sage is never alone... he bears in himself the Lord of all things. My Blessings.
~ The Mother, Mantras Of The Mother, 21 September,#KEYS
33:There is no goal to be reached. There is nothing to be attained. You are the Self. You exist always." ~ Sri Ramana Maharshi, (1879 - 1950) a Hindu sage, Wikipedia., #KEYS
34:Let the sage unifying all his attentive regard see in the divine Spirit all things visible and invisible. ~ Manu, the Eternal Wisdom #KEYS
35:The sage's quest is for himself, the quest of the-ignorant for other than himself. ~ Confucius, "Lun-Yu," II 15.20, the Eternal Wisdom #KEYS
36:The sage does not talk, the talented ones talk. And the stupid ones argue." ~ Kung Tingan [no info found on 'Kung Tingan']. Quote occurs in several places on web. One is:, #KEYS
37:Death and decrepitude are inherent in the world. The sage who knows the nature of things, does not grieve. ~ Metta Sutta, the Eternal Wisdom #KEYS
38:The sage does not die any more, for he is already dead, dead to all vanity, dead to all that is not God. ~ Angelus Silesius, the Eternal Wisdom #KEYS
39:By zeal, by vigilance, by peace of soul the sage can make himself as an island which the waves cannot over flow. ~ Dhammapada, the Eternal Wisdom #KEYS
40:Even the saint and the sage continue to have difficulties and to be limited by their human nature. ~ Sri Aurobindo, Letters on Yoga - IV, The Difficulties of Yoga, #KEYS
41:Even as the high mountain-chains remain immobile in the midst of the tempest, so the true sage remains unshaken amidst praise and blame. ~ Dhammapada, the Eternal Wisdom #KEYS
42:There is the mystic realm whence leaps the power
Whose fire burns in the eyes of seer and sage. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,#KEYS
43:The truth is neither one nor two. It is as it is." ~ Sri Ramana Maharshi, (1879 -1950) Indian sage and jivanmukta, (liberated being), Wikipedia See: https://bit.ly/3dbo2Dt, #KEYS
44:Man, wouldst thou be a sage, wouldst thou know thyself and know God? First thou shouldst extinguish in thyself the desire of the world. ~ Angelus Silesius, the Eternal Wisdom #KEYS
45:Regard incessantly this body as the bespangled chariot of a king; it gladdens the simpleton but not the wise, dazzles the fool but not the sage. ~ Udanavarga, the Eternal Wisdom #KEYS
46:The sage should be figured in the image of a robust athlete whom long exercise has hardened, one who can baffle the efforts of the most obstinate enemy. ~ Seneca, the Eternal Wisdom #KEYS
47:The sage is always at peace; thus his mentality is equally in equilibrium and at ease. His mind is simple and pure, his soul is not subject to lassitude. ~ Lao-Tse, the Eternal Wisdom #KEYS
48:The self is master of the self; what other master can it have? The sage who has made himself master of himself, rends his bonds and breaks his chains. ~ Udanavarga, the Eternal Wisdom #KEYS
49:The small man builds cages for everyone he knows
While the sage, who has to duck his head when the moon is low,
Keeps dropping keys all night long
For the beautiful rowdy prisoners. ~ Hafiz,#KEYS
50:By virile activity, by vigilant effort, by empire over himself, by moderation, the sage can make himself an island which the floods shall not inundate. ~ Dhammapada, the Eternal Wisdom #KEYS
51:Thus the sage, always equal, awaits the comm and of destiny, while the vulgar throw themselves into a thousand dangers in a search for happiness at any price. ~ Confucius, the Eternal Wisdom #KEYS
52:Having studied books, the sage uniquely consecrated to knowledge and wisdom, should leave books completely aside as a man who wants the rice abandons the husk. ~ Upanishad, the Eternal Wisdom #KEYS
53:Non-action is unceasing activity. The sage is characterized by eternal and intense activity. His stillness is like the apparent stillness of a fast rotating gyroscope. ~ Sri Ramana Maharshi, #KEYS
54:Ordinary men pronounce a sackful of discourses on religion, but do not put a grain into practice, while the sage speaks little, but his whole life is religion put in to action ~ Sri Ramakrishna, #KEYS
55:But what a force is that of the sage who can live at peace with men without having the mobility of water and remain in the midst of them firm and incorruptible ! ~ Confucius, the Eternal Wisdom #KEYS
56:I salute It, this supreme Deity, which is beyond the senses, which mind and speech cannot define and which can be discerned only by the mind of the true sage. ~ Vishnu Purana, the Eternal Wisdom #KEYS
57:You speak of paths as if you were somewhere and the Self somewhere else and you had to go and attain it. But in fact the Self is here and now and you are it always." ~ Sri Ramana Maharshi, (1879-1950), a Hindu sage, Wikipedia., #KEYS
58:As the rivers flow into the ocean and lose their name and form, the sage losing name and form disappears into the supreme Spirit and himself becomes that Spirit. ~ Mundaka Upanishad, the Eternal Wisdom #KEYS
59:Every man's true teacher is his own Higher Self, and when the life is brought under the control of reason, this Higher Self is released from bondage to appetites and impulses, and becomes Priest, Sage and Illuminator.
~ Manly P Hall,#KEYS
60:... Excellent men shall be steeped in poverty, the people will become inhospitable to their guests, the voice of the parasite shall be more agreeable to them than the melody of the harp touched by the sage's finger. ~ Saint Columbcille, #KEYS
61:Your duty is to be; and not to be this or that." ~ Sri Ramana Maharshi, (1879-1950), Hindu sage, recommended self-enquiry as the principal means to remove ignorance and abide in Self-awareness, Wikipedia., #KEYS
62:The superior man perseveres in the middle path. Even though he remains unknown and the world esteems him not, he feels no regret. The sage alone is capable of such an action. ~ Tsang-Yung, the Eternal Wisdom #KEYS
63:Where all the religions meet is the realization in no mystical sense, but in the most worldly and everyday sense that GOD IS EVERYTHING, AND EVERYTHING IS GOD…" ~ Sri Ramana Maharshi, (1879-1950) was a Hindu sage of world fame, Wikipedia., #KEYS
64:Ordinary men pronounce a sackful of discourses on religion, but do not put a grain into practice, while the sage speaks little, but his whole life is religion put in to action ~ Ramakrishna, the Eternal Wisdom #KEYS
65:He who goes from this world without knowing that Imperishable is poor in soul, but he who goes from this world having known that Imperishable, he is the sage. ~ Brihadaranyaka Upanishad III. 8. 10, the Eternal Wisdom #KEYS
66:Thus is it even with the seer and sage;
For still the human limits the divine:
Out of our thoughts we must leap up to sight, ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Mind,#KEYS
67:Already God is near, the Truth is close:
Because the dark atheist body knows him not,
Must the sage deny the Light, the seer his soul? ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,#KEYS
68:Hearken to the word of the sage with the ear of the soul, even when his conduct has no similitude to his teachings. Men should listen to good counsel even though it be written on a wall. ~ Sadi; Sulistan, the Eternal Wisdom #KEYS
69:Now get thou this, and then you shall be happy....The fact is, desire is a bottomless pit which can never fill up, or like the all-consuming fire which burns the fiercer, the more we feed it..." ~ Lakshmana Sarma, (1879-1965) Indian sage. https://bit.ly/33R3bTr, #KEYS
70:The Self is neither within or without." ~ Sri Ramana Maharshi, (1879-1950), a Hindu sage. Since the 1930s his teachings have been popularized in the West, resulting in his worldwide recognition as an enlightened being, Wikipedia., #KEYS
71:It is ridiculous to say either 'I have not realized the Self'; or 'I have realized the Self'; are there two selves, for one to be the object of the other's realization?" ~ "The Collected Works of Ramana Maharshi,", (1972, 1997). An Indian sage, (1879 - 1950), Wikipedia., #KEYS
72:Just as a pot dissolves into clay, a wave into water, or a bracelt into gold, so also the phenomenal universe which has arisen in me will also dissolve into Me." ~ From the "Ashtavakra Gita.", ((c. 500-400 BC), dialogue between the sage Ashtavakra & King Janaka, Wikipedia., #KEYS
73:In a small fragile seed a great tree lurks,
In a tiny gene a thinking being is shut;
A little element in a little sperm,
It grows and is a conqueror and a sage. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,#KEYS
74:Knowledge, the knower and that which is known, as the triad, do not really exist in reality. I am that stainless Consciousness in which this triad appears through ignorance." ~ From the "Ashtavakra Gita.", (c. 500-400 BC), dialogue between the sage Ashtavakra & King Janaka, Wik., #KEYS
75:When the sage has recognised impermanence, subjection to grief and unreality of substance as the three characteristic qualities of this world, how can his heart own attachment to the things of this world? ~ Fo-shu-hing-tsan-king, the Eternal Wisdom #KEYS
76:Philosophy not only purifies the reason and predisposes it to the contact of the universal and the infinite, but tends to stabilise the nature and create the tranquillity of the sage. ~ Sri Aurobindo, The Synthesis Of Yoga, The Higher and the Lower Knowledge, #KEYS
77:The sage here surpasses God. God fears nothing by the benefit of his nature; the sage fears nothing, but by the sole strength of his spirit. This indeed is great, to have the weakness of a mortal and yet the fearlessness of a god. ~ Seneca, the Eternal Wisdom #KEYS
78:The 'I' casts off the illusion of 'I' and yet remains as 'I'. Such is the paradox of Self-Realization." ~ Sri Ramana Maharshi, (1879-950), Hindu sage, recommended self-enquiry as the principal means to remove ignorance and abide in Self-awareness, Wikipedia., #KEYS
79:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud. ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
80:Nothing is more evident to the sage than the things hidden in the secrecy of his consciousness, nothing more manifest than the subtle causes of his actions. Therefore the superior man watches attentively over the secret inspirations of his conscience. ~ Tsu-Tse: Tsung-yung, the Eternal Wisdom #KEYS
81:Anyone who masters these techniques fully has achieved a tremendous power over himself more valuable than health, love, fame, or riches. He has set himself free from the effects of the world; nothing can touch him unless he wills it. As it has been said, the sage who knows how can live comfortably in hell.
~ Peter J Carroll, Liber Null,#KEYS
82:I looked into my own heart and I saw reflected there in its entirety the vast world with all its passions,-pride, hope, fear and the conflagration of the desires. So gazing I understood the word of the ancient sage, "Man is a mirror in which there appears the image of the world." ~ Ryonen, the Eternal Wisdom #KEYS
83:the priest and the mage, the man of piety, the just man, the man of wisdom, the saint, the prophet, the Rishi, the Yogi, the seer, the spiritual sage and the mystic ... the saint, the devotee, the spiritual sage, the seer, the prophet, the servant of God, the soldier of the spirit
~ Sri Aurobindo, The Life Divine,#KEYS
84:Such were a dream of some sage at night when he muses in fancy,
Imaging freely a flawless world where none were afflicted,
No man inferior, all could sublimely equal and brothers
Live in a peace divine like the gods in their luminous regions. ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
85:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
86:The senses and the mind seek to convince thee, sova in are they, that they are the end of all things. The senses and the mind are only instruments and play things. Behind the feelings and the thoughts, my brother; there dwells a more puissant master, an unknown sage; it is called the Self. ~ Nietzsche Zarathustra, the Eternal Wisdom #KEYS
87:We are the javelins of Destiny, we are the children of Wotan,
We are the human Titans, the supermen dreamed by the sage.
A cross of the beast and demoniac with the godhead of power and will,
We were born in humanity's sunset, to the Night is our pil ~ Sri Aurobindo, Collected Poems, The Children of Wotan,#KEYS
88:When water is calm, it reflects objects like a mirror. This tranquillity, this perfect level is the model for the sage. If water is transparent when it is in perfect repose, much more so is the intellectual essence. The heart of the sage in perfect repose is the mirror of heaven and of earth and of all existences. ~ Tsuang tse, the Eternal Wisdom #KEYS
89:When water is still, it reflects objects like a mirror. This stillness, this perfect level is the model of the sage. If water is translucent when it is in perfect rest, much more so must it be with the intellectual essence. The heart of the sage in perfect repose is the mirror of earth and heaven and all existences. ~ Chwang-tse-, the Eternal Wisdom #KEYS
90:The eighth-century sage Salih of Qaswin said to his students,“Keep knocking on the door of Allah & never stop,for by His mercy,Allah will eventually open His door for those who sincerely seek Him.”The mystic Rabia Al-Adawiyya overheard this statement as she was walking by the mosque and said, “Oh Salih, who said Allah’s door is closed to begin with?” ~ Rabia al-Adawiyya, #KEYS
91:A sage was asked, "What is the most important work? who is the man the most important in life ?" The sage replied, The most important work is to love all men, because that is the life-work of each man. The most important man is the one with whom you have to do at this moment, because you can never know whether you will have to do with another. ~ Tolstoi, the Eternal Wisdom #KEYS
92:The thought of the ego occupies only the man of unsound understanding, the sage recognises that it has no foundation; he examines the world rationally and concludes that all formations of existence are vain and hasten towards dissolution; alone the Law remains eternal. When man by his efforts has acquired this knowledge he contemplates the truth. ~ Fo-sho-hing-tsan-kiag, the Eternal Wisdom #KEYS
93:The superior man or the sage loves all beings that live, but has not for them the sentiments of humanity which he has for men. He has for men sentiments of humanity, but he does not love them with the love which he has for his father and mother. He loves his father and mother with filial love and he has for men sentiments of humanity. He has for men sentiments of humanity and he loves all beings that live. ~ Meug Tac, the Eternal Wisdom #KEYS
94:In India the mother is the center of the family and our highest ideal. She is to us the representative of God, as God is the mother of the universe. It was a female sage who first found the unity of God, and laid down this doctrine in one of the first hy mns of the Vedas. Our God is both personal and absolute, the absolute is male, the personal, female. And thus it comes that we now say: 'The first manifestation of God is the hand that rocks the cradle'. ~ Swami Vivekananda, #KEYS
95:By what is man impelled to act sin, though not willing it, as if brought to it by force? It is desire it is wrath born of the principle of passion, a mighty and devouring and evil thing; know this for the enemy. Eternal enemy of the sage, in the form of desire it obscures his knowledge and is an insatiable fire. The senses are supreme in the body, above the senses is the mind, higher than the mind is the understanding and higher than the understanding the spiritual Self. Know then that which is higher than the understanding, by the self control thyself and slay this difficult enemy, desire. ~ Bhagavad Gita III. 36. 37. 39. 42. 43, the Eternal Wisdom #KEYS
96:11. The Ultimate Boon:The gods and goddesses then are to be understood as embodiments and custodians of the elixir of Imperishable Being but not themselves the Ultimate in its primary state. What the hero seeks through his intercourse with them is therefore not finally themselves, but their grace, i.e., the power of their sustaining substance. This miraculous energy-substance and this alone is the Imperishable; the names and forms of the deities who everywhere embody, dispense, and represent it come and go. This is the miraculous energy of the thunderbolts of Zeus, Yahweh, and the Supreme Buddha, the fertility of the rain of Viracocha, the virtue announced by the bell rung in the Mass at the consecration, and the light of the ultimate illumination of the saint and sage. Its guardians dare release it only to the duly proven. ~ Joseph Campbell, #KEYS
97:Turn your thoughts now, and lift up your thoughts to a devout and joyous contemplation on sage Vyasa and Vasishtha, on Narda and Valmiki. Contemplate on the glorious Lord Buddha, Jesus the Christ, prophet Mohammed, the noble Zoroaster (Zarathushtra), Lord Mahavira, the holy Guru Nanak. Think of the great saints and sages of all ages, like Yajnavalkya, Dattatreya, Sulabha and Gargi, Anasooya and Sabari, Lord Gauranga, Mirabai, Saint Theresa and Francis of Assisi. Remember St. Augustine, Jallaludin Rumi, Kabir, Tukaram, Ramdas, Ramakrishna Paramhamsa, Vivekananda and Rama Tirtha. Adore in thy heart the sacred memory of Mahatma Gandhi, sage Ramana Maharishi, Aurobindo Ghosh, Gurudev Sivananda and Swami Ramdas. They verily are the inspirers of humanity towards a life of purity, goodness and godliness. Their lives, their lofty examples, their great teachings constitute the real wealth and greatest treasure of mankind today.
~ Sri Chidananda, Advices On Spiritual Living,#KEYS
98:The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana. ~ Sri Aurobindo, #KEYS
99:In the name of Him Who created and sustains the world, the Sage Who endowed tongue with speech.
He attains no honor who turns the face from the doer of His mercy.
The kings of the earth prostate themselves before Him in supplication.
He seizes not in haste the disobedient, nor drives away the penitent with violence. The two worlds are as a drop of water in the ocean of His knowledge.
He withholds not His bounty though His servants sin; upon the surface of the earth has He spread a feast, in which both friend and foe may share.
Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.
The fire of His friend He turned into a flower garden; through the water of the Nile He sended His foes to perdition.
Behind the veil He sees all, and concealed our faults with His own goodness.
He is near to them that are downcast, and accepts the prayers of them that lament.
He knows of the things that exist not, of secrets that are untold.
He causes the moon and the sun to revolve, and spreads water upon the earth.
In the heart of a stone hath He placed a jewel; from nothing had He created all that is.
Who can reveal the secret of His qualities; what eye can see the limits of His beauty?
The bird of thought cannot soar to the height of His presence, nor the hand of understanding reach to the skirt of His praise.
Think not, O Saadi, that one can walk in the road of purity except in the footsteps of Mohammed (Peace and Blessings be Upon Him)
~ Saadi, The Bustan of Sa'di,#KEYS
100:The most outward psychological form of these things is the mould or trend of the nature towards certain dominant tendencies, capacities, characteristics, form of active power, quality of the mind and inner life, cultural personality or type. The turn is often towards the predominance of the intellectual element and the capacities which make for the seeking and finding of knowledge and an intellectual creation or formativeness and a preoccupation with ideas and the study of ideas or of life and the information and development of the reflective intelligence. According to the grade of the development there is produced successively the make and character of the man of active, open, inquiring intelligence, then the intellectual and, last, the thinker, sage, great mind of knowledge. The soul-powers which make their appearance by a considerable development of this temperament, personality, soul-type, are a mind of light more and more open to all ideas and knowledge and incomings of Truth; a hunger and passion for knowledge, for its growth in ourselves, for its communication to others, for its reign in the world, the reign of reason and right and truth and justice and, on a higher level of the harmony of our greater being, the reign of the spirit and its universal unity and light and love; a power of this light in the mind and will which makes all the life subject to reason and its right and truth or to the spirit and spiritual right and truth and subdues the lower members to their greater law; a poise in the temperament turned from the first to patience, steady musing and calm, to reflection, to meditation, which dominates and quiets the turmoil of the will and passions and makes for high thinking and pure living, founds the self-governed sattwic mind, grows into a more and more mild, lofty, impersonalised and universalised personality. This is the ideal character and soul-power of the Brahmana, the priest of knowledge. ~ Sri Aurobindo, The Synthesis Of Yoga, 4:15 - Soul-Force and the Fourfold Personality #KEYS
101:higher mind or late vision logic ::: Even more rare, found stably in less than 1% of the population and even more emergent is the turquoise altitude.
Cognition at Turquoise is called late vision-logic or cross-paradigmatic and features the ability to connect meta-systems or paradigms, with other meta-systems. This is the realm of coordinating principles. Which are unified systems of systems of abstraction to other principles. ... Aurobindo indian sage and philosopher offers a more first-person account of turquoise which he called higher-mind, a unitarian sense of being with a powerful multiple dynamism capable of formation of a multitude of aspects of knowledge, ways of action, forms and significances of becoming of all of which a spontaneous inherient knowledge.
Self-sense at turquoise is called Construct-aware and is the first stage of Cook-Greuter's extension of Loveigers work on ego-development. The Construct-aware stage sees individuals for the first time as exploring more and more complex thought-structures with awareness of the automatic nature of human map making and absurdities which unbridaled complexity and logical argumentation can lead. Individuals at this stage begin to see their ego as a central point of reference and therefore a limit to growth. They also struggle to balance unique self-expressions and their concurrent sense of importance, the imperical and intuitive knowledge that there is no fundamental subject-object separation and the budding awareness of self-identity as temporary which leads to a decreased ego-desire to create a stable self-identity. Turquoise individuals are keenly aware of the interplay between awareness, thought, action and effects. They seek personal and spiritual transformation and hold a complex matrix of self-identifications, the adequecy of which they increasingly call into question. Much of this already points to Turquoise values which embrace holistic and intuitive thinking and alignment to universal order in a conscious fashion.
Faith at Turquoise is called Universalising and can generate faith compositions in which conceptions of Ultimate Reality start to include all beings. Individuals at Turquoise faith dedicate themselves to transformation of present reality in the direction of transcendent actuality. Both of these are preludes to the coming of Third Tier. ~ Essential Integral, L4.1-54, Higher Mind,#KEYS
102:O Death, thou lookst on an unfinished world
Assailed by thee and of its road unsure,
Peopled by imperfect minds and ignorant lives,
And sayest God is not and all is vain.
How shall the child already be the man?
Because he is infant, shall he never grow?
Because he is ignorant, shall he never learn?
In a small fragile seed a great tree lurks,
In a tiny gene a thinking being is shut;
A little element in a little sperm,
It grows and is a conqueror and a sage.
Then wilt thou spew out, Death, God's mystic truth,
Deny the occult spiritual miracle?
Still wilt thou say there is no spirit, no God?
A mute material Nature wakes and sees;
She has invented speech, unveiled a will.
Something there waits beyond towards which she strives,
Something surrounds her into which she grows:
To uncover the spirit, to change back into God,
To exceed herself is her transcendent task.
In God concealed the world began to be,
Tardily it travels towards manifest God:
Our imperfection towards perfection toils,
The body is the chrysalis of a soul:
The infinite holds the finite in its arms,
Time travels towards revealed eternity.
A miracle structure of the eternal Mage,
Matter its mystery hides from its own eyes,
A scripture written out in cryptic signs,
An occult document of the All-Wonderful's art.
All here bears witness to his secret might,
In all we feel his presence and his power.
A blaze of his sovereign glory is the sun,
A glory is the gold and glimmering moon,
A glory is his dream of purple sky.
A march of his greatness are the wheeling stars.
His laughter of beauty breaks out in green trees,
His moments of beauty triumph in a flower;
The blue sea's chant, the rivulet's wandering voice
Are murmurs falling from the Eternal's harp.
This world is God fulfilled in outwardness.
His ways challenge our reason and our sense;
By blind brute movements of an ignorant Force,
By means we slight as small, obscure or base,
A greatness founded upon little things,
He has built a world in the unknowing Void.
His forms he has massed from infinitesimal dust;
His marvels are built from insignificant things.
If mind is crippled, life untaught and crude,
If brutal masks are there and evil acts,
They are incidents of his vast and varied plot,
His great and dangerous drama's needed steps;
He makes with these and all his passion-play,
A play and yet no play but the deep scheme
Of a transcendent Wisdom finding ways
To meet her Lord in the shadow and the Night:
Above her is the vigil of the stars;
Watched by a solitary Infinitude
She embodies in dumb Matter the Divine,
In symbol minds and lives the Absolute.
~ Sri Aurobindo, Savitri, The Debate of Love and Death,#KEYS
103:Evil
Hasten towards the good, leave behind all evil thoughts, for to do good without enthusiasm is to have a mind which delights in evil.
If one does an evil action, he should not persist in it, he should not delight in it. For full of suffering is the accumulation of evil.
If one does a good action, he should persist in it and take delight in it. Full of happiness is the accumulation of good.
As long as his evil action has not yet ripened, an evildoer may experience contentment. But when it ripens, the wrong-doer knows unhappiness.
As long as his good action has not yet ripened, one who does good may experience unhappiness. But when it ripens, the good man knows happiness.
Do not treat evil lightly, saying, "That will not touch me." A jar is filled drop by drop; even so the fool fills himself little by little with wickedness.
Do not treat good lightly, saying, "That will not touch me." A jar is filled drop by drop; even so the sage fills himself little by little with goodness.
The merchant who is carrying many precious goods and who has but few companions, avoids dangerous roads; and a man who loves his life is wary of poison. Even so should one act regarding evil.
A hand that has no wound can carry poison with impunity; act likewise, for evil cannot touch the righteous man.
If you offend one who is pure, innocent and defenceless, the insult will fall back on you, as if you threw dust against the wind.
Some are reborn here on earth, evil-doers go to the worlds of Niraya,1 the just go to the heavenly worlds, but those who have freed themselves from all desire attain Nirvana.
Neither in the skies, nor in the depths of the ocean, nor in the rocky caves, nowhere upon earth does there exist a place where a man can find refuge from his evil actions.
Neither in the skies, nor in the depths of the ocean, nor in the rocky caves, nowhere upon earth does there exist a place where a man can hide from death.
People have the habit of dealing lightly with thoughts that come. And the atmosphere is full of thoughts of all kinds which do not in fact belong to anybody in particular, which move perpetually from one person to another, very freely, much too freely, because there are very few people who can keep their thoughts under control.
When you take up the Buddhist discipline to learn how to control your thoughts, you make very interesting discoveries. You try to observe your thoughts. Instead of letting them pass freely, sometimes even letting them enter your head and establish themselves in a quite inopportune way, you look at them, observe them and you realise with stupefaction that in the space of a few seconds there passes through the head a series of absolutely improbable thoughts that are altogether harmful.
...?
Conversion of the aim of life from the ego to the Divine: instead of seeking one's own satisfaction, to have the service of the Divine as the aim of life.
*
What you must know is exactly the thing you want to do in life. The time needed to learn it does not matter at all. For those who wish to live according to Truth, there is always something to learn and some progress to make. 2 October 1969 ~ The Mother, Questions And Answers 1929-1931,#KEYS
104:The Supreme Discovery
IF WE want to progress integrally, we must build within our conscious being a strong and pure mental synthesis which can serve us as a protection against temptations from outside, as a landmark to prevent us from going astray, as a beacon to light our way across the moving ocean of life.
Each individual should build up this mental synthesis according to his own tendencies and affinities and aspirations. But if we want it to be truly living and luminous, it must be centred on the idea that is the intellectual representation symbolising That which is at the centre of our being, That which is our life and our light.
This idea, expressed in sublime words, has been taught in various forms by all the great Instructors in all lands and all ages.
The Self of each one and the great universal Self are one. Since all that is exists from all eternity in its essence and principle, why make a distinction between the being and its origin, between ourselves and what we place at the beginning?
The ancient traditions rightly said:
"Our origin and ourselves, our God and ourselves are one."
And this oneness should not be understood merely as a more or less close and intimate relationship of union, but as a true identity.
Thus, when a man who seeks the Divine attempts to reascend by degrees towards the inaccessible, he forgets that all his knowledge and all his intuition cannot take him one step forward in this infinite; neither does he know that what he wants to attain, what he believes to be so far from him, is within him.
For how could he know anything of the origin until he becomes conscious of this origin in himself?
It is by understanding himself, by learning to know himself, that he can make the supreme discovery and cry out in wonder like the patriarch in the Bible, "The house of God is here and I knew it not."
That is why we must express that sublime thought, creatrix of the material worlds, and make known to all the word that fills the heavens and the earth, "I am in all things and all beings."When all shall know this, the promised day of great transfigurations will be at hand. When in each atom of Matter men shall recognise the indwelling thought of God, when in each living creature they shall perceive some hint of a gesture of God, when each man can see God in his brother, then dawn will break, dispelling the darkness, the falsehood, the ignorance, the error and suffering that weigh upon all Nature. For, "all Nature suffers and laments as she awaits the revelation of the Sons of God."
This indeed is the central thought epitomising all others, the thought which should be ever present to our remembrance as the sun that illumines all life.
That is why I remind you of it today. For if we follow our path bearing this thought in our hearts like the rarest jewel, the most precious treasure, if we allow it to do its work of illumination and transfiguration within us, we shall know that it lives in the centre of all beings and all things, and in it we shall feel the marvellous oneness of the universe.
Then we shall understand the vanity and childishness of our meagre satisfactions, our foolish quarrels, our petty passions, our blind indignations. We shall see the dissolution of our little faults, the crumbling of the last entrenchments of our limited personality and our obtuse egoism. We shall feel ourselves being swept along by this sublime current of true spirituality which will deliver us from our narrow limits and bounds.
The individual Self and the universal Self are one; in every world, in every being, in every thing, in every atom is the Divine Presence, and man's mission is to manifest it.
In order to do that, he must become conscious of this Divine Presence within him. Some individuals must undergo a real apprenticeship in order to achieve this: their egoistic being is too all-absorbing, too rigid, too conservative, and their struggles against it are long and painful. Others, on the contrary, who are more impersonal, more plastic, more spiritualised, come easily into contact with the inexhaustible divine source of their being.But let us not forget that they too should devote themselves daily, constantly, to a methodical effort of adaptation and transformation, so that nothing within them may ever again obscure the radiance of that pure light.
But how greatly the standpoint changes once we attain this deeper consciousness! How understanding widens, how compassion grows!
On this a sage has said:
"I would like each one of us to come to the point where he perceives the inner God who dwells even in the vilest of human beings; instead of condemning him we would say, 'Arise, O resplendent Being, thou who art ever pure, who knowest neither birth nor death; arise, Almighty One, and manifest thy nature.'"
Let us live by this beautiful utterance and we shall see everything around us transformed as if by miracle.
This is the attitude of true, conscious and discerning love, the love which knows how to see behind appearances, understand in spite of words, and which, amid all obstacles, is in constant communion with the depths.
What value have our impulses and our desires, our anguish and our violence, our sufferings and our struggles, all these inner vicissitudes unduly dramatised by our unruly imagination - what value do they have before this great, this sublime and divine love bending over us from the innermost depths of our being, bearing with our weaknesses, rectifying our errors, healing our wounds, bathing our whole being with its regenerating streams?
For the inner Godhead never imposes herself, she neither demands nor threatens; she offers and gives herself, conceals and forgets herself in the heart of all beings and things; she never accuses, she neither judges nor curses nor condemns, but works unceasingly to perfect without constraint, to mend without reproach, to encourage without impatience, to enrich each one with all the wealth he can receive; she is the mother whose love bears fruit and nourishes, guards and protects, counsels and consoles; because she understands everything, she can endure everything, excuse and pardon everything, hope and prepare for everything; bearing everything within herself, she owns nothing that does not belong to all, and because she reigns over all, she is the servant of all; that is why all, great and small, who want to be kings with her and gods in her, become, like her, not despots but servitors among their brethren.
How beautiful is this humble role of servant, the role of all who have been revealers and heralds of the God who is within all, of the Divine Love that animates all things....
And until we can follow their example and become true servants even as they, let us allow ourselves to be penetrated and transformed by this Divine Love; let us offer Him, without reserve, this marvellous instrument, our physical organism. He shall make it yield its utmost on every plane of activity.
To achieve this total self-consecration, all means are good, all methods have their value. The one thing needful is to persevere in our will to attain this goal. For then everything we study, every action we perform, every human being we meet, all come to bring us an indication, a help, a light to guide us on the path.
Before I close, I shall add a few pages for those who have already made apparently fruitless efforts, for those who have encountered the pitfalls on the way and seen the measure of their weakness, for those who are in danger of losing their self-confidence and courage. These pages, intended to rekindle hope in the hearts of those who suffer, were written by a spiritual worker at a time when ordeals of every kind were sweeping down on him like purifying flames.
You who are weary, downcast and bruised, you who fall, who think perhaps that you are defeated, hear the voice of a friend. He knows your sorrows, he has shared them, he has suffered like you from the ills of the earth; like you he has crossed many deserts under the burden of the day, he has known thirst and hunger, solitude and abandonment, and the cruellest of all wants, the destitution of the heart. Alas! he has known too the hours of doubt, the errors, the faults, the failings, every weakness.
But he tells you: Courage! Hearken to the lesson that the rising sun brings to the earth with its first rays each morning. It is a lesson of hope, a message of solace.
You who weep, who suffer and tremble, who dare not expect an end to your ills, an issue to your pangs, behold: there is no night without dawn and the day is about to break when darkness is thickest; there is no mist that the sun does not dispel, no cloud that it does not gild, no tear that it will not dry one day, no storm that is not followed by its shining triumphant bow; there is no snow that it does not melt, nor winter that it does not change into radiant spring.
And for you too, there is no affliction which does not bring its measure of glory, no distress which cannot be transformed into joy, nor defeat into victory, nor downfall into higher ascension, nor solitude into radiating centre of life, nor discord into harmony - sometimes it is a misunderstanding between two minds that compels two hearts to open to mutual communion; lastly, there is no infinite weakness that cannot be changed into strength. And it is even in supreme weakness that almightiness chooses to reveal itself!
Listen, my little child, you who today feel so broken, so fallen perhaps, who have nothing left, nothing to cover your misery and foster your pride: never before have you been so great! How close to the summits is he who awakens in the depths, for the deeper the abyss, the more the heights reveal themselves!
Do you not know this, that the most sublime forces of the vasts seek to array themselves in the most opaque veils of Matter? Oh, the sublime nuptials of sovereign love with the obscurest plasticities, of the shadow's yearning with the most royal light!
If ordeal or fault has cast you down, if you have sunk into the nether depths of suffering, do not grieve - for there indeed the divine love and the supreme blessing can reach you! Because you have passed through the crucible of purifying sorrows, the glorious ascents are yours.
You are in the wilderness: then listen to the voices of the silence. The clamour of flattering words and outer applause has gladdened your ears, but the voices of the silence will gladden your soul and awaken within you the echo of the depths, the chant of divine harmonies!
You are walking in the depths of night: then gather the priceless treasures of the night. In bright sunshine, the ways of intelligence are lit, but in the white luminosities of the night lie the hidden paths of perfection, the secret of spiritual riches.
You are being stripped of everything: that is the way towards plenitude. When you have nothing left, everything will be given to you. Because for those who are sincere and true, from the worst always comes the best.
Every grain that is sown in the earth produces a thousand. Every wing-beat of sorrow can be a soaring towards glory.
And when the adversary pursues man relentlessly, everything he does to destroy him only makes him greater.
Hear the story of the worlds, look: the great enemy seems to triumph. He casts the beings of light into the night, and the night is filled with stars. He rages against the cosmic working, he assails the integrity of the empire of the sphere, shatters its harmony, divides and subdivides it, scatters its dust to the four winds of infinity, and lo! the dust is changed into a golden seed, fertilising the infinite and peopling it with worlds which now gravitate around their eternal centre in the larger orbit of space - so that even division creates a richer and deeper unity, and by multiplying the surfaces of the material universe, enlarges the empire that it set out to destroy.
Beautiful indeed was the song of the primordial sphere cradled in the bosom of immensity, but how much more beautiful and triumphant is the symphony of the constellations, the music of the spheres, the immense choir that fills the heavens with an eternal hymn of victory!
Hear again: no state was ever more precarious than that of man when he was separated on earth from his divine origin. Above him stretched the hostile borders of the usurper, and at his horizon's gates watched jailers armed with flaming swords. Then, since he could climb no more to the source of life, the source arose within him; since he could no more receive the light from above, the light shone forth at the very centre of his being; since he could commune no more with the transcendent love, that love offered itself in a holocaust and chose each terrestrial being, each human self as its dwelling-place and sanctuary.
That is how, in this despised and desolate but fruitful and blessed Matter, each atom contains a divine thought, each being carries within him the Divine Inhabitant. And if no being in all the universe is as frail as man, neither is any as divine as he!
In truth, in truth, in humiliation lies the cradle of glory! 28 April 1912 ~ The Mother, Words Of Long Ago, The Supreme Discovery,#KEYS
*** WISDOM TROVE ***
1:A sage steers by the bright light of confusion and doubt. ~ zhuangzi, @wisdomtrove 2:The torch of doubt and chaos, this is what the sage steers by. ~ zhuangzi, @wisdomtrove 3:Vain was the chief's, the sage's pride! They had no poet, and they died ~ horace, @wisdomtrove 4:When the sage points at the moon, all that the idiot sees is the finger. ~ anthony-de-mello, @wisdomtrove 5:Even virtue followed beyond reason's rule May stamp the just man knave, the sage a fool. ~ horace, @wisdomtrove 6:Whatever poet, orator, or sage may say of it, old age is still old age. ~ henry-wadsworth-longfellow, @wisdomtrove 7:The Artist," an ancient sage had once said, "is always sitting on the doorsteps of the rich. ~ charles-bukowski, @wisdomtrove 8:If one is not oneself a sage or saint, the best thing one can do is to study the words of those who were. ~ aldous-huxley, @wisdomtrove 9:Every being is Narayana. Man or animal, sage or knave, nay, the whole universe, is Narayana, the Supreme Spirit. ~ sri-ramakrishna, @wisdomtrove 10:One cannot apologize for something fundamental, and a child feels and knows this as well and as deeply as any sage. ~ hermann-hesse, @wisdomtrove 11:Thus, when the Sage who abides as Brahman, which is Pure Being, obtains his disembodied absolute state, he is never again reborn. ~ adi-shankara, @wisdomtrove 12:Learned we may be with another man's learning: we can only be wise with wisdom of our own: [I hate a sage who is not wise for himself] ~ euripedes, @wisdomtrove 13:The sage never tries to store things up. The more he does for others, the more he has. The more he gives to others, the greater his abundance. ~ lao-tzu, @wisdomtrove 14:He who is not sage and wise, humane and just, cannot use secret agent.s. And he who is not delicate and subtle cannot get the truth out of them. ~ sun-tzu, @wisdomtrove 15:The career of a sage is of two kinds: He is either honoured by all in the world, Like a flower waving its head, Or else he disappears into the silent forest. ~ lao-tzu, @wisdomtrove 16:The sage embraces things. Ordinary men discriminate amongst them and parade their discriminations before others. So I say; those who discriminate, fail to see. ~ zhuangzi, @wisdomtrove 17:I have observed that not the man who hopes when others despair, but the man who despairs when others hope, is admired by a large class of persons as a sage. ~ john-stuart-mill, @wisdomtrove 18:The superior man accords with the course of the Mean. Though he may be all unknown, unregarded by the world, he feels no regret - It is only the sage who is able for this. ~ confucius, @wisdomtrove 19:If water derives lucidity from stillness, how much more the faculties of the mind! The mind of the sage, being in repose, becomes the mirror of the universe, the speculum of all creation. ~ zhuangzi, @wisdomtrove 20:The wisdom in the story of the most educated and powerful person is often not greater than the wisdom in the story of a child, and the life of a child can teach us as much as the life of a sage. ~ rachel-naomi-remen, @wisdomtrove 21:One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid. ~ alan-watts, @wisdomtrove 22:Isn't it a pleasure to study and practice what you have learned? Isn't it also great when friends visit from distant places? If one remains not annoyed when he is not understood by people around him, isn't he a sage? ~ confucius, @wisdomtrove 23:Water becomes clear and transparent when in a quiescent stage. How much the more wonderful will be the mind of a sage when poised in quiescence! It is the mirror of heaven and earth, reflecting the ten thousand things. ~ zhuangzi, @wisdomtrove 24:The Portal of God is nonexistence. All things sprang from nonexistence. Existence could not make existence existence. It must have proceeded from nonexistence, and nonexistence and nothing are one. Herein is the abiding place of the sage. ~ zhuangzi, @wisdomtrove 25:The way which the superior man pursues, reaches wide and far, and yet is secret. Common men and women, however ignorant, may intermeddle with the knowledge of it; yet in its utmost reaches, there is that which even the sage does not know. ~ confucius, @wisdomtrove 26:The saying goes, & 27:The sage has the sun and moon by his side and the universe under his arm. He blends everything into a harmonious whole. . . . He blends the disparities of ten thousand years into one complete purity. All things are blended like this and mutually involve each other. ~ zhuangzi, @wisdomtrove 28:All to whom want is terrible, upon whatever principle, ought to think themselves obliged to learn the sage maxims of our parsimonious ancestors, and attain the salutary arts of contracting expense; for without economy none can be rich, and with it few can be poor. ~ samuel-johnson, @wisdomtrove 29:We possess our body by chance and we are already pleased with it. If our physical bodies went through ten thousand transformations without end, how incomparable would this joy be! Therefore the sage roams freely in the realm in which nothing can escape, but all endures. ~ zhuangzi, @wisdomtrove 30:I want to start two institutions, one in Madras and one in Calcutta, to carry out my plan; and that plan briefly is to bring the Vedantic ideals into the everyday practical life of the saint or the sinner, of the sage or the ignoramus, of the Brahmin or the Pariah. ~ swami-vivekananda, @wisdomtrove 31:The integral sage, the nondual sage, is here to show us otherwise. Known generally as "Tantric," these sages insist on transcending life by living it. They insist on finding release by engagement, finding nirvana in the midst of samsara, finding total liberation by complete immersion. ~ ken-wilber, @wisdomtrove 32:The Taoist sage Lao Tzu explained that ‘in the pursuit of learning we come to know more and more’. But if we want to awaken, we need to ‘know less and less until things simply are as they are’. We need to let go of all our beliefs about life, which obscure the wordless reality of what-is. ~ tim-freke, @wisdomtrove 33:Heaven cannot but be high. Earth cannot but be broad. The sun and moon cannot but revolve. All creation cannot but flourish. To do so is their TAO. But it is not from extensive study that this may be known, nor by dialectical skill that his may be made clear. The true sage will have none of these. ~ zhuangzi, @wisdomtrove 34:Even to the sage who's doing Sahaja Samadhi, the great guru, I'd say: "Hey buddy, you know, I like the robes and everything, but remember, you're only touching infinity. And if you claim to be doing more, I think you're pretty much in the senses and the body and the mind because infinity is endless." ~ frederick-lenz, @wisdomtrove 35:The non-action of the wise man is not inaction. It is not studied. It is not shaken by anything. The sage is quiet because he is not moved, not because he wills to be quiet. . . . Joy does all things without concern. For emptiness, stillness, tranquillity, tastelessness, silence, and non-action are the root of all things. ~ zhuangzi, @wisdomtrove 36:The love of a Sage for his fellows likewise finds expression amongst mankind. Were he not told sop, he would not know that he loved his fellows. But whether he knows it or whether he does not know it, whether he hears it or whether he does not hear it, his love for his is without end, and mankind cease not to repose therein. ~ zhuangzi, @wisdomtrove 37:When a pot is broken the space that was in it becomes one with space; so too when the limitation caused by the body and its adjuncts is removed the Sage, realized during life, shines as Brahman, becoming absorbed in Brahman he already was, like milk in milk, water in water, or oil in oil, and is radiant as the One Supreme Self. ~ adi-shankara, @wisdomtrove 38:The fundamental motif at the heart of many ancient myths is that the primal oneness of being is manifesting as the multiplicity of life, so that it can come to know itself. As the Gnostic sage Simon Magus says in ‘The Great Announcement’: There is one power… begetting itself, increasing itself, seeking itself, finding itself… One root of the All. ~ tim-freke, @wisdomtrove 39:Every one is struggling for freedom-from the atom to the star. The ignorant man is satisfied if he can get freedom within a certain limit-if he can get rid of the bondage of hunger or of being thirsty. But that sage feels that there is a stronger bondage which has to be thrown off. He would not consider the freedom of the Red Indian as freedom at all. ~ swami-vivekananda, @wisdomtrove 40:When Newton saw an apple fall, he found In that slight startle from his contemplation- & 41:I have now come to a stage of realization in which I see that God is walking in every human form and manifesting Himself alike through the sage and the sinner, the virtuous and the vicious. Therefore when I meet different people I say to myself, God in the form of the saint, God in the form of the sinner, God in the form of the righteous, God in the form of the unrighteous. ~ sri-ramakrishna, @wisdomtrove 42:Rama, the ancient idol of the heroic ages, the embodiment of truth, of morality, the ideal son, the ideal husband, and above all, the ideal king, this Rama has been presented before us by the great sage Valmiki. No language can be purer, none chaster, none more beautiful, and at the same time simpler, than the language in which the great poet has depicted the life of Rama. ~ swami-vivekananda, @wisdomtrove 43:Experience has repeatedly confirmed that well-known maxim of Bacon's that & 44:How great is the path proper to the Sage! Like overflowing water, it sends forth and nourishes all things, and rises up to the height of heaven. All-complete is its greatness! It embraces the three hundred rules of ceremony, and the three thousand rules of demeanor. It waits for the proper man, and then it is trodden. Hence it is said, & 45:The reason why rivers and seas receive the homage of a hundred mountain streams is that they keep below them. Thus they are able to reign over all the mountain streams. So the sage, wishing to be above men, putteth himself below them; wishing to be before them, he putteth himself behind them. Thus, though his place be above men, they do not feel his weight; though his place be before them, they do not count it an injury. ~ dale-carnegie, @wisdomtrove 46:As regards the quietude of the sage, he is not quiet because quietness is said to be good. He is quiet because the multitude of things cannot disturb his quietude. When water is still, one's beard and eyelashes are reflected in it. A skilled carpenter uses it in a level to obtain a measurement. If still water is so clear, how much more are the mental faculties! The mind of the sage is the mirror of heaven and earth in which all things are reflected. ~ zhuangzi, @wisdomtrove 47:In India the mother is the center of the family and our highest ideal. She is to us the representative of God, as God is the mother of the universe. It was a female sage who first found the unity of God, and laid down this doctrine in one of the first hy mns of the Vedas. Our God is both personal and absolute, the absolute is male, the personal, female. And thus it comes that we now say: & 48:. . . the fools of this world prefer to look for sages far away. They don't believe that the wisdom of their own mind is the sage . . . the sutras say, "Mind is the teaching." But people of no understanding don't believe in their own mind or that by understanding this teaching they can become a sage. They prefer to look for distant knowledge and long for things in space, buddha-images, light, incense, and colors. They fall prey to falsehood and lose their minds to insanity. ~ bodhidharma, @wisdomtrove 49:Individuality in universality is the plan of creation. Each cell has its part in bringing about consciousness. Man is individual and at the same time universal. It is while realising our individual nature that we realise even our national and universal nature. Each is an infinite circle whose centre is everywhere and circumference nowhere. By practice one can feel universal Selfhood which is the essence of Hinduism. He who sees in every being his own Self is a Pandita (sage). ~ swami-vivekananda, @wisdomtrove 50:Wouldn't it be wonderful if we had a world where everybody said, & 51:If a man approaches a fact in the world around him with a judgment arising from his previous experiences, he shuts himself off by this judgment from the quiet, complete effect which this fact can have on him. The learner must be able each moment to make himself a perfectly empty vessel into which the new world flows. Knowledge is received only in those moments in which every judgment, every criticism coming from ourselves, is silent. For example, when we meet a person, the question is not at all whether we are wiser than he. Even the most unreasoning child has something to reveal to the greatest sage. And if he approach the child with his prejudgment, be it ever so wise, he pushes his wisdom like a dulled glass in front of what the child ought to reveal to him. ~ rudolf-steiner, @wisdomtrove 52:Humanity is an organism, inherently rejecting all that is deleterious, that is, wrong, and absorbing after trial what is beneficial, that is, right. If so disposed, the Architect of the Universe, we must assume, might have made the world and man perfect, free from evil and from pain, as angels in heaven are thought to be; but although this was not done, man has been given the power of advancement rather than of retrogression. The Old and New Testaments remain, like other sacred writings of other lands, of value as records of the past and for such good lessons as they inculcate. Like the ancient writers of the Bible our thoughts should rest upon this life and our duties here. "To perform the duties of this world well, troubling not about another, is the prime wisdom," says Confucius, great sage and teacher. The next world and its duties we shall consider when we are placed in it. ~ andrew-carnegie, @wisdomtrove *** NEWFULLDB 2.4M ***
1:Don't go to the circus. ~ Angie Sage, #NFDB
2:The sage knows himself. ~ Lao-Tse-35, #NFDB
3:Theodophilus Fortitude Fry ~ Angie Sage, #NFDB
4:The sage acts by doing nothing. ~ Laozi, #NFDB
5:Watch and wait, boy. Watch and wait. ~ Angie Sage, #NFDB
6:I knew a Sage once. Trashy little thing. ~ Rebecca, #NFDB
7:The sage puts herself last and is first. ~ Lao Tzu, #NFDB
8:Dandra Draa killed my father. - Kaznim ~ Angie Sage, #NFDB
9:...now be quiet, I'm going to be sick. ~ Angie Sage, #NFDB
10:The Tao of the sage is work without effort. ~ Laozi, #NFDB
11:Oi! Can't a poor Boggart have no peace? ~ Angie Sage, #NFDB
12:The jester is brother to the sage. ~ Arthur Koestler, #NFDB
13:The sage's Way is to act and not to contend. ~ Laozi, #NFDB
14:Ohelpuhebteenkát! - Stanley, tegen Jenna ~ Angie Sage, #NFDB
15:Things always look better in the morning. ~ Angie Sage, #NFDB
16:A little belief in something always helps. ~ Angie Sage, #NFDB
17:Don't waive your rights with your flags. ~ Sage Francis, #NFDB
18:The sage wears coarse clothes, concealing jade. ~ Laozi, #NFDB
19:Alone the sage can recognize the sage. ~ Sri Ramakrishna, #NFDB
20:Life was simple when you were a Shield Bug. ~ Angie Sage, #NFDB
21:The Young Army was crazy. Marcia was Magyk. ~ Angie Sage, #NFDB
22:Alone the sage can recognize the sage. ~ Sri Ramakrishna, #NFDB
23:The Way of the Sage is to act but not to compete. ~ Laozi, #NFDB
24:Nothing here below should trouble the sage. ~ Bhagavad Gita, #NFDB
25:Truly the sage is not other than God. ~ Sri Ramana Maharshi, #NFDB
26:The sage avoids extremity, excess, and extravagance. ~ Laozi, #NFDB
27:Truly the sage is not other than God. ~ Sri Ramana Maharshi, #NFDB
28:He (the Sage) does not show off, therefore he shines. ~ Laozi, #NFDB
29:The sage is not a savant nor the savant a sage. ~ Lao-Tse. 44, #NFDB
30:How dare I claim to be a sage or a benevolent man? ~ Confucius, #NFDB
31:They would all be sorry... particularly the duck. ~ Angie Sage, #NFDB
32:Note even Moroi give licenses to infants, Sage, ~ Richelle Mead, #NFDB
33:Note even Moroi give licenses to infants, Sage. ~ Richelle Mead, #NFDB
34:The rich get richer until the poor get educated. ~ Sage Francis, #NFDB
35:The sage attends to the belly, and not to what he sees. ~ Laozi, #NFDB
36:...yelling doesn't make a thing any more possible. ~ Angie Sage, #NFDB
37:The sage governs by emptying senses and filling bellies. ~ Laozi, #NFDB
38:The sage is not ill, because he sees illness as illness. ~ Laozi, #NFDB
39:A sage is the instructor of a hundred ages. ~ Ralph Waldo Emerson, #NFDB
40:Shouting something didn't make it any more possible. ~ Angie Sage, #NFDB
41:The sage is happy everywhere, the whole earth is his. ~ Confucius, #NFDB
42:You can't just rattle it off like a demented parrot. ~ Angie Sage, #NFDB
43:The sage embraces the one, and is an example to the world. ~ Laozi, #NFDB
44:... waiting for the spell to end, as all spells must. ~ Angie Sage, #NFDB
45:The sage shuns excess, shuns grandiosity, shuns arrogance. ~ Lao Tzu, #NFDB
46:Where the whole world is awake, the sage sleeps. ~ Swami Vivekananda, #NFDB
47:A sage is skilled at helping people without excluding anyone. ~ Laozi, #NFDB
48:Hij werd nu wie hij in werkelijkheid was. Septimus Heap. ~ Angie Sage, #NFDB
49:The sage is one with the world, and lives in harmony with it. ~ Laozi, #NFDB
50:Aunt Zelda always said: the thought is the seed for deed. ~ Angie Sage, #NFDB
51:Cultivate poverty like a garden herb, like sage. ~ Henry David Thoreau, #NFDB
52:Get down. Shut Up. And Listen," ~ Angie SageJenna Heap ~ Angie Sage, #NFDB
53:I’m not afraid of dying. Pieces of me die all the time. ~ Sage Francis, #NFDB
54:Really, Sage? A date?” I sighed. “Yes, Adrian. A date. ~ Richelle Mead, #NFDB
55:Things have a habit of working out, you know. Eventually. ~ Angie Sage, #NFDB
56:Blush not to submit to a sage who knows more than thyself. ~ Democritus, #NFDB
57:It’s Kahlua, Sage. Packed with sugar and coffee flavor. ~ Richelle Mead, #NFDB
58:Spit Fyre practised a recently acquired skill - he winked. ~ Angie Sage, #NFDB
59:Ask a sage, he will explain.
Ask a fool, he will complain. ~ Toba Beta,#NFDB
60:Let a fool hold his tongue and he will pass for a sage. ~ Publilius Syrus, #NFDB
61:¨In the dark you can't see no THING but no THING can see you. ~ Angie Sage, #NFDB
62:Life is just a lie with an 'F' in it, and death is definite ~ Sage Francis, #NFDB
63:Oh it's a pebble... But it's a really nice pebble Dad thanks. ~ Angie Sage, #NFDB
64:Sage,” Adrian declared. “These hands don’t do manual labor. ~ Richelle Mead, #NFDB
65:Because he (the Sage) demands no honor, he will never be dishonored. ~ Laozi, #NFDB
66:The sage regards things as difficult, and thereby avoids difficulty. ~ Laozi, #NFDB
67:Beauty Lures the Stranger More Easily into Danger -Septimus Heap ~ Angie Sage, #NFDB
68:The sage increases his wisdom by all that he can gather from others. ~ Fenelon, #NFDB
69:He is a despicable sage whose wisdom does not profit himself. ~ Publilius Syrus, #NFDB
70:Is there a single man who can see what the Sage cannot even conceive? ~ Tseu-tse, #NFDB
71:I wonder," Marcia said. "If you would consider being my apprentice? ~ Angie Sage, #NFDB
72:Question like a child, reason like an adult, and write like a sage. ~ Criss Jami, #NFDB
73:Qui vit sans folie n'est pas si sage qu'il croit. ~ Fran ois de La Rochefoucauld, #NFDB
74:Simon's eye has turned to dust," Septimus said.
"What?" - Marcia ~ Angie Sage,#NFDB
75:The sage does not 'know' the Self, because he is the Self. ~ Sri Ramana Maharshi, #NFDB
76:The sage does not ‘know’ the Self, because he is the Self. ~ Sri Ramana Maharshi, #NFDB
77:The sage never strives for the great, and thereby the great is achieved. ~ Laozi, #NFDB
78:As moonlight unto sunlight is that desert sage to other greens. ~ Wallace Stegner, #NFDB
79:Because he (the Sage) opposes no one, no one in the world can oppose him. ~ Laozi, #NFDB
80:But where the ignorant are asleep, there the sage keeps awake ~ Swami Vivekananda, #NFDB
81:Is there a single man who can see what the Sage cannot even conceive? ~ Tseu-tse, #NFDB
82:Sage.” He laughed. “I’m into anything, so long as you’re with me. ~ Richelle Mead, #NFDB
83:The sage does not attempt anything very big, and thus achieves greatness. ~ Laozi, #NFDB
84:To practice magic is to be a quack; to know magic is to be a sage. ~ Eliphas Levi, #NFDB
85:What Heaven detests, who knows why? Even the sage considers it difficult. ~ Laozi, #NFDB
86:For the sage
Heaven and Earth join
in bestowing the greatest gifts ~ Lao Tzu,#NFDB
87:Sage Deinem Hauptmann, er kann mich im Arsche lecken. ~ Johann Wolfgang von Goethe, #NFDB
88:Sententious sage! so it is: but I swear by my household gods not ~ Charlotte Bront, #NFDB
89:The sage does not strive to be great. Thereby he can accomplish the great. ~ Laozi, #NFDB
90:What is there more precious than a sage? He sets peace between all men. ~ Tsu-king, #NFDB
91:You will no longer pick this sage that flavors your whole life. ~ Naomi Shihab Nye, #NFDB
92:Beauty Lures the Stranger More Easily into Danger
-Septimus Heap ~ Angie Sage,#NFDB
93:Nowhere and in no situation is the sage dissatisfied with his condition. ~ Confucius, #NFDB
94:"The sage shuns excess, shuns grandiosity, shuns arrogance." ~ Lao Tzu, Tao Te Ching, #NFDB
95:To practice magic is to be a quack; to know magic is to be a sage.
~ Eliphas Levi,#NFDB
96:Although he travels all day, the sage never loses sight of his luggage carts. ~ Laozi, #NFDB
97:He (the sage) wants all things to follow their own nature, but dares not act. ~ Laozi, #NFDB
98:Je ne suis pas son confident, je suis son spectateur. C'est plus sage. ~ Albert Camus, #NFDB
99:The sage never strives for greatness, and can therefore accomplish greatness. ~ Laozi, #NFDB
100:When a boy writes off the world it's done with sloppy misspelled words ~ Sage Francis, #NFDB
101:De Heaps waren leuk, vond Lucy; en veel boeiender dan haar eigen familie. ~ Angie Sage, #NFDB
102:Earnestness can go wrong in hip hop. On this album, it goes very right. ~ Sage Francis, #NFDB
103:O sage, very high raise thyself, even to the most high dwelling of Truth. ~ Ma havagga, #NFDB
104:The sage has no concern for himself, but makes the concerns of others his own. ~ Laozi, #NFDB
105:Who knows more about male weakness: you or me? Use my knowledge, Sage. ~ Richelle Mead, #NFDB
106:Hence the sage puts away excessive effort, extravagance, and easy indulgence. ~ Lao Tzu, #NFDB
107:Oh my God, I thought. I’m rooming with the Sydney Sage of re-education. ~ Richelle Mead, #NFDB
108:Oh my God, I thought. I'm rooming with the sydney Sage of re-education. ~ Richelle Mead, #NFDB
109:The sage's rule of moral conduct has its principle in the hearts of all men. ~ Tseu-tse, #NFDB
110:Whose lines are mottoes of the heart,Whose truths electrify the sage. ~ Thomas Campbell, #NFDB
111:The sage's rule of moral conduct has its principle in the hearts of all men. ~ Tseu-tse, #NFDB
112:Once she was safely in the Unstable Potions and Partikular Poisons cupboard, ~ Angie Sage, #NFDB
113:The sage is never alone...he bears in himself the Lord of all things. ~ Angelius Silesius, #NFDB
114:Un prince qui n'est pas sage par lui-même ne peut être bien conseillé ~ Niccol Machiavelli, #NFDB
115:He can go to a boardroom meeting . . . he's very proper now." - Sydney Sage ~ Richelle Mead, #NFDB
116:The sage honors his part of the settlement, but does not exact his due from others. ~ Laozi, #NFDB
117:When the sage points at the moon, all that the idiot sees is the finger. ~ Anthony de Mello, #NFDB
118:You’re killing me here, Sage!” “I’m not doing anything.” “Exactly my point. ~ Richelle Mead, #NFDB
119:Cool',” said Adrian. “'Wind.’ I see what you did there, Sage. Pretty clever. ~ Richelle Mead, #NFDB
120:Easy there, Sage. I’m no gun-toting crazy guy. Crazy, yes. But not the rest. ~ Richelle Mead, #NFDB
121:If you do not meet a sage following the same road as yourself, then walk alone. ~ Dhammapada, #NFDB
122:Lieve help,' mopperde Marcia. Ze gaf de draak nog een duw. 'Gá nou, lui mormel! ~ Angie Sage, #NFDB
123:Wine can of their wits the wise beguile, Make the sage frolic, and the serious smile ~ Homer, #NFDB
124:you may need to sit in a hermetically sealed space where not a peep penetrates. ~ Sage Cohen, #NFDB
125:The sage, while clad in homespun, conceals on his person a priceless piece of jade. ~ Lao Tzu, #NFDB
126:You could give us a hand instead of staring into space like a constipated camel. ~ Angie Sage, #NFDB
127:Marcia's fine," said his older self. "And that is all you want to know right now. ~ Angie Sage, #NFDB
128:The sage knows without traveling, perceives without looking, completes without acting. ~ Laozi, #NFDB
129:The vast sage desert undulates with almost imperceptible tides like the oceans. ~ Frank Waters, #NFDB
130:When the Fyre inside is kindled and when the Time Is Right, anything is possible. ~ Angie Sage, #NFDB
131:A fool is wiser in his own house than a sage is in another man's house. ~ William Graham Sumner, #NFDB
132:In my childhood I led the life of a sage, when I grew up I started climbing trees ~ Philip Roth, #NFDB
133:the sage dresses plainly, even though his interior is filled with precious gems. ~ Wayne W Dyer, #NFDB
134:The sage has no invariable mind of his own; he makes the mind of the people his mind. ~ Lao Tzu, #NFDB
135:SAGE. A wise and Holy man who died a long time ago. No one modern qualifies. ~ Diana Wynne Jones, #NFDB
136:The Sage has no thinking mind and therefore there are no ‘others’ for him. ~ Sri Ramana Maharshi, #NFDB
137:Even virtue followed beyond reason's rule May stamp the just man knave, the sage a fool. ~ Horace, #NFDB
138:I felt nerdy until the day I earned an impressed “Where did you learn that, Sage? ~ Richelle Mead, #NFDB
139:Que ta vision soit à chaque instant nouvelle. Le sage est celui qui s'étonne de tout. ~ Andr Gide, #NFDB
140:The devil only exists because of your belief in him; same goes for that other guy. ~ Sage Francis, #NFDB
141:You’re killing me here, Sage!”
“I’m not doing anything.”
“Exactly my point. ~ Richelle Mead,#NFDB
142:I know sage, wormwood, and hyssop, but I can't smell character unless it stinks. ~ Edward Dahlberg, #NFDB
143:Anybody who says that love is a hindrance on the path of self-realization is not a sage. ~ Rajneesh, #NFDB
144:Bitte sage mir, welchen Weg ich gehen soll.
Das hängt davon ab, wohin du willst. ~ Lewis Carroll,#NFDB
145:Der Umgangston ist recht »modern« - von Anfang an sage ich zu meinen Eltern du. ~ Tomas Transtr mer, #NFDB
146:Een draak draagt de Prinses in zijn armen en jij vergéét dat? - Marcia, tegen Septimus ~ Angie Sage, #NFDB
147:Cython was forked from Pyrex in 2007 by developers of the Sage computer algebra package, ~ Anonymous, #NFDB
148:Rose was a sensitive Apprentice who was aware - some said far too aware - of the Darke. ~ Angie Sage, #NFDB
149:The sage having perceived God by the spiritual union casts from him grief and joy. ~ Katha Upanishad, #NFDB
150:Whatever poet, orator, or sage may say of it, old age is still old age. ~ Henry Wadsworth Longfellow, #NFDB
151:Work? Come on, Sage. Go buy a bikini and enjoy the pool while you’re hanging around. ~ Richelle Mead, #NFDB
152:Let thine occupations be few, saith the sage, if thou wouldst lead a tranquil life. ~ Marcus Aurelius, #NFDB
153:The mind of the Enlightened Sage never exists apart from Brahman, the Absolute. ~ Sri Ramana Maharshi, #NFDB
154:This is the sage who always works for work’s sake without caring for the results. ~ Swami Vivekananda, #NFDB
155:Crazy as a cuttlefish
Nasty as a RAT
Put her in a pie dish
Give her to the CAT! ~ Angie Sage,#NFDB
156:The sage does not act and therefore does not fail, does not seize and therefore does not lose. ~ Laozi, #NFDB
157:For I, who hold sage Homer's rule the best, Welcome the coming, speed the going guest. ~ Alexander Pope, #NFDB
158:Sage, aren't you guys supposed to have uniforms? This looks like what you usually wear. ~ Richelle Mead, #NFDB
159:The sage knows himself, but does not parade. He cherishes himself, but does not praise himself. ~ Laozi, #NFDB
160:The Saint is a man who disciplines his ego. The Sage is a man who rids himself of his ego. ~ Wei Wu Wei, #NFDB
161:A mother's sorrow is more true, honorable, and beautiful than the detachment of the sage. ~ Edward Abbey, #NFDB
162:In the world we live in, one fool makes many fools, but one sage only a few sages. ~ Georg C Lichtenberg, #NFDB
163:Since the sage has no creed of his own, he never engages in [useless] discussions. ~ Sri Ramana Maharshi, #NFDB
164:The sage says that all that is under heaven incurs the same law and the same fate. ~ Michel de Montaigne, #NFDB
165:Who are you?" I asked. "You know who I am," he replied. "I'm yours." ~Clea / Sage, pg. 105 ~ Hilary Duff, #NFDB
166:I don't consider myself any great sage of fashion or style, whatever people may want to think. ~ Jude Law, #NFDB
167:In the world we live in, one fool makes many fools, but one sage only a few sages. ~ Georg C Lichtenberg, #NFDB
168:It is nice to be nice," said Kamala with a sage nod "And it is also nice to eat people. ~ Roshani Chokshi, #NFDB
169:The man who smokes, thinks like a sage and acts like a Samaritan. ~ Edward Bulwer Lytton 1st Baron Lytton, #NFDB
170:There's no way the new chimney will fall down, Lu. Not with you in charge. It wouldn't dare. ~ Angie Sage, #NFDB
171:The sage gives more than he takes;
how can he do this?
because he has the richness of Tao ~ Lao Tzu,#NFDB
172:The sage regards the heart of every man in the millions of the crowd and sees only one heart. ~ Tseng Tee, #NFDB
173:When a beginner knows what he needs, he proves more intelligent than an absent-minded sage ~ Paulo Coelho, #NFDB
174:It is nice to be nice," said Kamala with a sage nod. "And it is also nice to eat people. ~ Roshani Chokshi, #NFDB
175:The first cause worked automatically like a somnambulist, and not reflectively like a sage. ~ Thomas Hardy, #NFDB
176:The sage having seen the Self in everything, when he leaves this world, becomes immortal. ~ Kena Upanishad, #NFDB
177:The self-defence class was a mixed bunch, chosen because each had once been in mortal danger. ~ Angie Sage, #NFDB
178:Nice blouse, Sage,” Adrian told me, deadpan. “It really brings out the khaki in your pants. ~ Richelle Mead, #NFDB
179:All things are a-flowing,' sage Heraclitus says, but a tawdry cheapness shall outlast all days. ~ Ezra Pound, #NFDB
180:Aunt Zelda had written her note on special paper that she had made from pressed cabbage leaves. ~ Angie Sage, #NFDB
181:I really like Septimus Heap. he is my favorite guy in the story. I should make you all read it. ~ Angie Sage, #NFDB
182:That, Jim Knee, is what comes from showing off," said Septimus, sounding uncannily like Marcia. ~ Angie Sage, #NFDB
183:Tidak juga," ujar Marcia dengan misterius. "Segala sesuatu biasanya berjalan dengan sendirinya. ~ Angie Sage, #NFDB
184:I don't want to lose my Apprentice. More than that, Septimus, I don't want to lose you. - Marcia ~ Angie Sage, #NFDB
185:oh, meine Güte! Ich dachte, ich weiß, was ich sagen wollte, aber ich sage es sehr schlecht. ~ Shirley Jackson, #NFDB
186:People turn their eyes and ears to him (the sage), and the sage cares for them like his own children. ~ Laozi, #NFDB
187:That’s all we are.
Sage and Mars.
Mars and Sage.
The everything in between the nothing. ~ K Webster,#NFDB
188:The flame is not as bright to itself as it is to those it illuminates: so too the sage. ~ Friedrich Nietzsche, #NFDB
189:The mind of the Enlightened Sage (jnani) never exists apart from Brahman, the Absolute. ~ Sri Ramana Maharshi, #NFDB
190:But each time you use spirit, you're more likely to go crazy.” “Already crazy about you, Sage. ~ Richelle Mead, #NFDB
191:But each time you use spirit, you’re more likely to go crazy.” “Already crazy about you, Sage. ~ Richelle Mead, #NFDB
192:You are going to have to scream. Can you do that?"
Lucy's eyes lit up. "Oh, yes. I can scream. ~ Angie Sage,#NFDB
193:As a solid mass of rock
Is not moved by the wind,
So a sage is unmoved
By praise or blame. ~ Anonymous,#NFDB
194:The Artist," an ancient sage had once said, "is always sitting on the doorsteps of the rich. ~ Charles Bukowski, #NFDB
195:The sage has one advantage: he is immortal. If this is not his century, many others will be. ~ Baltasar Gracian, #NFDB
196:You’re a terrible liar, Sage, but I’m still touched you’d attempt it for my sake. A for effort. ~ Richelle Mead, #NFDB
197:As a solid mass of rock Is not moved by the wind, So a sage is not moved by praise and blame. ~ Joseph Goldstein, #NFDB
198:Let the sage unifying all his attentive regard see in the divine Spirit all things visible and invisible. ~ Manu, #NFDB
199:Maybe we’re not doing it, but believe me, Sage, there are plenty of other ways to pass the time. ~ Richelle Mead, #NFDB
200:But each time you use spirit, you're more likely to go crazy.”
“Already crazy about you, Sage. ~ Richelle Mead,#NFDB
201:Therefore the sage holds in his embrace the one thing (of humility), and manifests it to all the world. ~ Lao Tzu, #NFDB
202:The Sage sees the world
as an expansion of his own self
So what need has he to accumulate things? ~ Lao Tzu,#NFDB
203:Ich sage euch: man muß noch Chaos in sich haben, um einen tanzenden Stern gebären zu können. ~ Friedrich Nietzsche, #NFDB
204:The sage belongs to the same obsolete repertory as the virtuous maiden and the enlightened monarch. ~ Mason Cooley, #NFDB
205:The sage's quest is for himself, the quest of the-ignorant for other than himself. ~ Confucius, “Lun-Yu,” II 15.20, #NFDB
206:Where all are selfish, the sage is no better than the fool, and only rather more dangerous. ~ James Anthony Froude, #NFDB
207:Who are you?" I asked.
"You know who I am," he replied. "I'm yours."
~Clea / Sage, pg. 105 ~ Hilary Duff,#NFDB
208:You’re a terrible liar, Sage, but I’m still touched you’d attempt it for my
sake. A for effort. ~ Richelle Mead,#NFDB
209:Character no longer is shaped by only two earnest, fumbling experts. Now all the world's a sage. ~ Marshall McLuhan, #NFDB
210:Religion is 'twixt God and my own soul, Nor saint, nor sage, can boundless thought control. ~ Judith Sargent Murray, #NFDB
211:Well, I suggest you sleep on it," said Aunt Zelda sensibly. "Things always look better in the morning. ~ Angie Sage, #NFDB
212:'Keep your head down at school.' Those are sage words from my dad. They kept me in check for years. ~ Dhani Harrison, #NFDB
213:Take it,’ hisses DomDaniel. ‘But I will be back for it. I will be back with the seventh of the seventh. ~ Angie Sage, #NFDB
214:When the uncarved wood is split, its parts are put to use. When the sage is put to use, he becomes the head. ~ Laozi, #NFDB
215:Wrong? I don’t know, Sage. Honestly, that was the most right thing that’s happened to me in a while. ~ Richelle Mead, #NFDB
216:If a stock is high enough to be sold, it is high enough to be sold short," was another Sage maxim. ~ Kenneth L Fisher, #NFDB
217:The sage is not sorry for those that are living nor for those that die” (note 4). [Krishna says:] ~ Swami Vivekananda, #NFDB
218:The wise man, the sage, is hostile to the new. Disabused, he abdicates: that is his form of protest. ~ Emile M Cioran, #NFDB
219:My sister, Jenna,” Nicko said to Tod with a smile. “Very undignified behavior for a Queen, if you ask me. ~ Angie Sage, #NFDB
220:The gardener's rule applies to youth and age: When young 'sow wild oats'; but when old, grow sage. ~ Henry James Byron, #NFDB
221:The sage has in the world an appearance of indecision, and keeps his mind in a state of indifference to all. ~ Lao Tzu, #NFDB
222:The Sage was asked to define good manners? to which he replied, To bear patiently the rude ones. ~ Solomon Ibn Gabirol, #NFDB
223:even so the sage can draw all his sense-organs inside,” (Ibid. 58.) and nothing can force them out. ~ Swami Vivekananda, #NFDB
224:Therefore a sage has said, 'I will do nothing (of purpose), and the people will be transformed of themselves; ~ Lao Tzu, #NFDB
225:Therefore the sage seeks to satisfy (the craving of) the belly, and not the (insatiable longing of the) eyes. ~ Lao Tzu, #NFDB
226:Death and decrepitude are inherent in the world. The sage who knows the nature of things, does not grieve. ~ Metta Sutta, #NFDB
227:He that can live alone resembles the brute beast in nothing, the sage in much, and God in everything. ~ Baltasar Gracian, #NFDB
228:My dear, this is no ordinary somebody. It is the great sage Durvasas, the irascible. See how he strides away! ~ K lid sa, #NFDB
229:Soon fifty-six Shield Bugs were lined up, crouching like coiled springs on the gunnels of the chicken boat. ~ Angie Sage, #NFDB
230:Whatever statesman or sage will effect reforms upon a gigantic or godlike scale must begin with the young. ~ Horace Mann, #NFDB
231:What's purple mean?" Adrian put his hand on the door. "Gotta go, Sage. Dont want to keep Dorothy waiting ~ Richelle Mead, #NFDB
232:If one is not oneself a sage or saint, the best thing one can do is to study the words of those who were. ~ Aldous Huxley, #NFDB
233:I mean, what is the point of being a damsel in distress if your knight goes off and just does his own thing? ~ Angie Sage, #NFDB
234:On the metaphysical front, the burning of sage is unsucessful. House reeks of doom, and now sage too. ~ Suzanne Finnamore, #NFDB
235:The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role. ~ J M Coetzee, #NFDB
236:The true sage is not he who sees, but he who, seeing the furthest, has the deepest love for mankind. ~ Maurice Maeterlinck, #NFDB
237:When an ordinary man attains knowledge, he is a sage; when a sage attains understanding, he is an ordinary man ~ Anonymous, #NFDB
238:He (the sage) is good to those who are good. He is also good to those who are not good. That is the virtue of good. ~ Laozi, #NFDB
239:Therefore the sage, while he never does what is great, is able on that account to accomplish the greatest things. ~ Lao Tzu, #NFDB
240:The sage acts without taking credit. He accomplishes without dwelling on it. He does not want to display his worth. ~ Laozi, #NFDB
241:The sage does not die any more, for he is already dead, dead to all vanity, dead to all that is not God. ~ Angelus Silesius, #NFDB
242:What's purple mean?"
Adrian put his hand on the door. "Gotta go, Sage. Dont want to keep Dorothy waiting ~ Richelle Mead,#NFDB
243:Celeste sighed heavily and shook her head. “I do believe that men can be the dumbest of God’s creatures.” Sage ~ Emily March, #NFDB
244:I need to Amazon Prime some sage and perform an ancient cleansing ritual under a full moon in the center of town. ~ R S Grey, #NFDB
245:Sage advice? If you're drunk, stay away from the phone. You can't get the answering machine message back. ~ Janeane Garofalo, #NFDB
246:Therefore the sage manages affairs without doing anything, and conveys his instructions without the use of speech. ~ Lao Tzu, #NFDB
247:When we think of the past, we forget the fools and remember the sage. We reverse the process for our own time. ~ George Boas, #NFDB
248:Petroc Trelawney looked as pleased as a pebble can look, which was pretty much the same as he had looked before. ~ Angie Sage, #NFDB
249:By zeal, by vigilance, by peace of soul the sage can make himself as an island which the waves cannot over flow. ~ Dhammapada, #NFDB
250:..Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy. ~ Richelle Mead, #NFDB
251:He that can live alone resembles the brute beast in nothing, the sage in much and God in everything. cxxxviii ~ Baltasar Graci n, #NFDB
252:The pure mind is itself Brahman; it therefore follows that Brahman is not other than the mind of the sage. ~ Sri Ramana Maharshi, #NFDB
253:As ExtraOrdinary Wizard I am supposed to be mean," Septimus replied with a smile. "It's part of the job description. ~ Angie Sage, #NFDB
254:Marcia," said Milo. "That was Jenna. I know my child."
"And I know mine," said Marcia. "I mean - I know Septimus. ~ Angie Sage,#NFDB
255:..Sage is convinced one extraneous calorie will make her go from super skinny to just
regular skinny. Tragedy. ~ Richelle Mead,#NFDB
256:The sage desires no desire, does not value rare treasures, learns without learning, recovers what people have left behind. ~ Laozi, #NFDB
257:Marcia listened to the comments and wondered why people thought that wearing ExtraOrdinary Wizard robes made her deaf. ~ Angie Sage, #NFDB
258:One cannot apologize for something fundamental, and a child feels and knows this as well and as deeply as any sage. ~ Hermann Hesse, #NFDB
259:Fortune may raise up or abuse the ordinary mortal, but the sage and the soldier should have minds beyond her control. ~ Walter Scott, #NFDB
260:The sage is sharp but does not cut, pointed but does not pierce, forthright but does not offend, bright but does not dazzle. ~ Laozi, #NFDB
261:Thus we might not know we have a sage at the table, for he will remain silent while the “experts” prattle on and on. ~ John Eldredge, #NFDB
262:We are happier in many ways when we are old than when we were young. The young sow wild oats. The old grow sage. ~ Winston Churchill, #NFDB
263:at least two of those present tonight were wearing Granny Weatherwax’s famous goose-grease-and-sage chest liniment. ~ Terry Pratchett, #NFDB
264:The sage never seems to know his own merits, for only by not noticing them can you call others' attention to them. ~ Baltasar Gracian, #NFDB
265:Ich sage nichts. Ich halte nicht viel von Bindungen außerhalb der Familie. Kein Band gleicht dem zwischen zwei Schwestern. ~ Ally Condie, #NFDB
266:la sagesse ne se communique pas. La sagesse qu'un sage cherche à communiquer a toujours un air de folie.
(Siddhartha) ~ Hermann Hesse,#NFDB
267:Any desert land that will grow big sage will produce more fortunes thatn most gold mines -- if you can only get the water. ~ Peter B Kyne, #NFDB
268:As the Eastern saying, by the sage Hilali, has it, 'one person who understands is worth a hundred who merely obey a custom. ~ Idries Shah, #NFDB
269:The sage is never alone... he bears in himself the Lord of all things. My Blessings.
~ The Mother, Mantras Of The Mother, 21 September,#NFDB
270:The sage sees only the Self. The person sees lots of persons. One sees from wholeness, one sees from fragmentation. Both are you. ~ Mooji, #NFDB
271:Barney," she said, "would you like to help me look for a stupid giant banana?"
Barney grinned. "Ooh, yes please," he said. ~ Angie Sage,#NFDB
272:I lay back down, fitting myself into the curve of his body, pulling his arms around me, protecting me, keeping me sage. ~ Elizabeth Haynes, #NFDB
273:But Love is the final reality; and anyone who does not understand this, be he writer or sage, is a man flawed in wisdom. ~ Sheldon Vanauken, #NFDB
274:It is written by the Sage that you, yourself, as much as anybody in the entire universe, deserve your love and affection. ~ Janet Evanovich, #NFDB
275:Marcia said you had to go and have fun?" Rose looked astonished.
"Yep. That's what she said."
"Crumbs."
"Yes, I know. ~ Angie Sage,#NFDB
276:Heaven and earth are ruthless, and treat the various creatures as straw dogs; the sage is ruthless, and treats others as straw dogs. ~ Laozi, #NFDB
277:Oi!" came a yell from a steward. "Getoffthecourse!" On race day, respect for the Queen came second to the sanctity of the track. ~ Angie Sage, #NFDB
278:One who never anticipates deceit or expects duplicity, and yet is the first to recognize such things – is that not a sage indeed? ~ Confucius, #NFDB
279:Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. ~ Ralph Waldo Emerson, #NFDB
280:As the bee collects nectar and departs without injuring the flower, or its color or fragrance, so let the sage dwell on earth. ~ Gautama Buddha, #NFDB
281:If the sage wants to stand above people, he must speak to them from below. If he wants to lead people, he must follow them from behind. ~ Laozi, #NFDB
282:My Apprentice is a PathFinder," Septimus said. "I am beginning to realise that means she can go pretty much anywhere she wants to. ~ Angie Sage, #NFDB
283:We don't use our titles when we are among people who understand Magyk. - Septimus
Unless they are being very annoying. - Marcia ~ Angie Sage,#NFDB
284:As the behavioral sage Daniel Kahneman has written: “[W]e can be blind to the obvious, and we are also blind to our blindness. ~ Steven D Levitt, #NFDB
285:Ich bilde schon lange keine Meinungen mehr. Ich sage Dinge, weil sie besser klingen als andere, die ich ebenfalls hätte sagen können. ~ Juli Zeh, #NFDB
286:I’m not sure I’m cut out for this wise-advice business. Maybe I should wear a fake white beard to convince myself I am a sage. ~ Cassandra Clare, #NFDB
287:In the village, a sage should go about
Like a bee, which, not harming
Flower, colour or scent,
Flies off with the nectar. ~ Anonymous,#NFDB
288:Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you — one I knew you couldn’t refuse. ~ Richelle Mead, #NFDB
289:Really?” I asked when they were gone. “Did you have to say that?” “I speak my mind, Sage. Don’t you believe in telling the truth? ~ Richelle Mead, #NFDB
290:Learned we may be with another man's learning: we can only be wise with wisdom of our own: [I hate a sage who is not wise for himself] ~ Euripides, #NFDB
291:The cleft in her back hooves smelled far more strongly of pronghorn—that tangy mix of herbivore and sage—than did her front hooves. ~ Ted Kerasote, #NFDB
292:If there’s any way you can set things up so you’re not distracted by the sounds around you when it’s time to write, that is the ideal. ~ Sage Cohen, #NFDB
293:The Sage expects no recognition for what he does; he achieves merit but does not take it to himself; he does not wish to display his worth. ~ Laozi, #NFDB
294:With those who are kind
the sage is kind
With those who are not kind
the sage is also kind
because the way of Tao is kindness ~ Lao Tzu,#NFDB
295:Sage went supperless to bed, and tossed and writhed all night upon a shuck mattress that was full of attentive and interested corncobs. ~ Mark Twain, #NFDB
296:The inner is the foundation of the outer. The still is master of the restless. The Sage travels all day yet never leaves his inner treasure. ~ Laozi, #NFDB
297:Ask any honest sage if they were an expert at something the first time they tried it, and they’ll giggle and probably give you a caramel. ~ Jon Acuff, #NFDB
298:Craindre la mort, Athéniens, ce n'est autre chose que se croire sage sans l'être, car c'est croire connaître ce que l'on ne connaît point. ~ Socrates, #NFDB
299:Even as the high mountain-chains remain immobile in the midst of the tempest, so the true sage remains unshaken amidst praise and blame. ~ Dhammapada, #NFDB
300:Just as the bee takes the nectar and leaves without damaging the color or scent of the flowers, so should the sage act in a village. ~ Gautama Buddha, #NFDB
301:Thus, the Sage uses various rights and wrongs to harmonize with others and yet remains at rest in the middle of Heaven the Potter’s Wheel. ~ Zhuangzi, #NFDB
302:Titchy little snapperwhippers like you should not be higgling around with an old sage and onions who is hundreds of years more than you. ~ Roald Dahl, #NFDB
303:But hail, thou Goddess, sage and holy, Hail, divinest melancholy, Whose saintly visage is too bright To hit the Sense of human sight.
~ John Milton,#NFDB
304:The only good place for a sage grouse to be listed is on the menu of a French bistro. It does not deserve federal protection, period. ~ Jason Chaffetz, #NFDB
305:Years hence, perhaps, may dawn an age, More fortunate, alas! than we, Which without hardness will be sage, And gay without frivolity. ~ Matthew Arnold, #NFDB
306:A sage traveling all day
is never far from the supplies in his cart,
and however spectacular the views
he remains calm and composed. ~ Lao Tzu,#NFDB
307:Don't give up, Sage, and don't give in to him. Please. A lot of us are watching you, and we need to see that it's possible to win. ~ Jennifer A Nielsen, #NFDB
308:so even though all the senses bring in sensations from nature, the ocean-like heart of the sage knows no disturbance, knows no fear ~ Swami Vivekananda, #NFDB
309:A sharp clip-crop of iron-shod hoofs deadened and died away, and clouds of yellow dust drifted from under the cottonwoods out over the sage. ~ Zane Grey, #NFDB
310:You go looking, you gonna see more than you planned for and probably get charged twenty bucks,” he opined with a sage nod and sly wink. ~ Scott Burtness, #NFDB
311:He shook his head in mock sympathy. "I tell you, Sage. Sometimes I think I am the one who needs to take out the restraining order on you. ~ Richelle Mead, #NFDB
312:Maxie knew he must have been very bad to deserve this. He wondered what it was he had done.
And why he hadn’t enjoyed it more at the time ~ Angie Sage,#NFDB
313:...The sage, traveling all day, Does not lose sight of his baggage. Though there are beautiful things to be seen, He remains unattached and calm. ~ Laozi, #NFDB
314:You could give us a hand instead of staring into space like a constipated camel," Terry Tarsal rudley broke into Marcia's spinning thoughts. ~ Angie Sage, #NFDB
315:Das ist es ja, was ich immer sage: wir sind feige. Wir denken nur an das, was mit uns geschehen wird, nie an das, was den andern geschieht. ~ Hans Fallada, #NFDB
316:He who is not sage and wise, humane and just, cannot use secret agent.s. And he who is not delicate and subtle cannot get the truth out of them. ~ Sun Tzu, #NFDB
317:He who regards many things easy will find many difficulties. Therefore the sage regards things difficult, and consequently never has difficulties. ~ Laozi, #NFDB
318:I was no longer the storm-tossed heroine lost in her lover’s arms. I was Sydney Sage, Alchemist and caretaker, and I was back in business. ~ Richelle Mead, #NFDB
319:Man, wouldst thou be a sage, wouldst thou know thyself and know God? First thou shouldst extinguish in thyself the desire of the world. ~ Angelus Silesius, #NFDB
320:There is the mystic realm whence leaps the power
Whose fire burns in the eyes of seer and sage. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,#NFDB
321:Ah, gentle dames! it gars me greet To think how monie counsels sweet, How monie lengthened sage advices, The husband frae the wife despises. ~ Robert Burns, #NFDB
322:Alas! I have nor hope nor health, Nor peace within nor calm around, Nor that content surpassing wealth The sage in meditation found. ~ Percy Bysshe Shelley, #NFDB
323:Because I am your great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-Grandmother. But ~ Angie Sage, #NFDB
324:Many words are not proof of the wise man, because the sage only talk when it's needed, and the words are measured and corresponding with the need. ~ Thales, #NFDB
325:Therefore the sage knows (these things) of himself, but does not parade (his knowledge); loves, but does not (appear to set a) value on, himself. ~ Lao Tzu, #NFDB
326:A spoon cannot taste of the food it carries. Likewise, a foolish man cannot understand the wise man´s wisdom even if he associates with a sage. ~ Dalai Lama, #NFDB
327:In antiquity the sage kings recognized that men's nature is bad and that their tendencies were not being corrected and their lawlessness controlled. ~ Xunzi, #NFDB
328:The inner is foundation of the outer
The still is master of the restless
The Sage travels all day
yet never leaves his inner treasure ~ Lao Tzu,#NFDB
329:Therefore the sage, in the exercise of his government, empties their minds, fills their bellies, weakens their wills, and strengthens their bones. ~ Lao Tzu, #NFDB
330:What about you, Sage? I know we don't have to worry about you violating the dress code. Did you have fun at your Alchemist spa this weekend? ~ Richelle Mead, #NFDB
331:A sage is a former fool who has become tired of himself.
A foolish sage is one who forgets this.
Remember, or come full circle. ~ Vera Nazarian,#NFDB
332:As a water bead on a lotus leaf, as water on a red lily, does not adhere, so the sage does not adhere to the seen, the heard, or the sensed. ~ Gautama Buddha, #NFDB
333:A thief thinks everybody is a thief and a sage thinks everybody is a sage. It all depends on you: if you become God the whole existence becomes godly. ~ Osho, #NFDB
334:Regard incessantly this body as the bespangled chariot of a king; it gladdens the simpleton but not the wise, dazzles the fool but not the sage. ~ Udanavarga, #NFDB
335:We either make ourselves miserable," said the Brazilian sage Carlos Castaneda, "or we make ourselves strong. The amount of work is the same. ~ Steve Chandler, #NFDB
336:Rose once told me "If your eyes weren't open, you wouldn't know the difference between dreaming and waking."
Adrian Ivashkov to Sydney Sage ~ Richelle Mead,#NFDB
337:Sage made me complete. He made me happy. He was as much a part of me as my own body. How could anyone lose that and still exist?" - Clea Raymond ~ Hilary Duff, #NFDB
338:The sage seeks freedom from desire. He does not collect precious things. He learns not to hold on to ideas. He brings men back to what they have lost. ~ Laozi, #NFDB
339:Whether you’re conducting phone interviews or simply need to hear yourself think, privacy is an extremely important variable in the writing life. ~ Sage Cohen, #NFDB
340:With those who are sincere
the sage is sincere
With those who are insincere
the sage is also sincere
because the way of Tao is sincerity ~ Lao Tzu,#NFDB
341:As a bee without harming the flower, its colour or scent, flies away, collecting only the honey, even so should the sage wander in the village. ~ Gautama Buddha, #NFDB
342:Don’t keep saying ‘huh’, Silas. It makes you sound so crotchety.” “Well, maybe I am crotchety. And I’ll keep saying ‘huh’ if I want to, Sarah. Huh. ~ Angie Sage, #NFDB
343:Educating yourself not to leave traces is a moment-by-momcnt war against yourself, solely to prove that you could, if you chose, become a sage…. ~ Emil M Cioran, #NFDB
344:Robert calmly, like an Oriental sage himself, treated the situation as if it were a koan, a riddle to be entered until its very assumptions shifted. ~ Mark Nepo, #NFDB
345:Where is it written that houses must be beige? Any dun colored house would look better if painted pineapple, cream, ochre, or even a smart sage. ~ Frances Mayes, #NFDB
346:But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking. ~ Richelle Mead, #NFDB
347:Erick: "I think I may grow to hate you before this is over."
Jaron/Sage: "But you don't already and that's got to be some sort of record. ~ Jennifer A Nielsen,#NFDB
348:The sage should be figured in the image of a robust athlete whom long exercise has hardened, one who can baffle the efforts of the most obstinate enemy. ~ Seneca, #NFDB
349:Honey, this is a small, small town, and you just took Sage Mayson off the market. Permanently. Everyone—and I mean everyone—knows about it. ~ Aurora Rose Reynolds, #NFDB
350:Il est bien plus difficile de se juger soi-même que de juger autrui . Si tu réussis à bien te juger, c'est que tu es un véritable sage. ~ Antoine de Saint Exup ry, #NFDB
351:Even the saint and the sage continue to have difficulties and to be limited by their human nature. ~ Sri Aurobindo, Letters on Yoga - IV, The Difficulties of Yoga, #NFDB
352:A Magnificent Banquet, being
A Thanksgiving for the Safe Return
Of our Beloved Daughter,
Princess Esmeralda.
Bring your own plates. ~ Angie Sage,#NFDB
353:I had an honest, ordered, respectable and unexciting life to look forward to. I had sown my wild oats and it was time to grow sage. Or so I imagined. ~ Stephen Fry, #NFDB
354:Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife? ~ Richelle Mead, #NFDB
355:The sage is always at peace; thus his mentality is equally in equilibrium and at ease. His mind is simple and pure, his soul is not subject to lassitude. ~ Lao-Tse, #NFDB
356:The self is master of the self; what other master can it have? The sage who has made himself master of himself, rends his bonds and breaks his chains. ~ Udanavarga, #NFDB
357:Time may restore us in his course Goethe's sage mind and Byron's force: But where will Europe's latter hour Again find Wordsworth's healing power? ~ Matthew Arnold, #NFDB
358:By virile activity, by vigilant effort, by empire over himself, by moderation, the sage can make himself an island which the floods shall not inundate. ~ Dhammapada, #NFDB
359:The career of a sage is of two kinds: He is either honored by all in the world, Like a flower waving its head, Or else he disappears into the silent forest. ~ Laozi, #NFDB
360:Marcia looked a little guilty. "Well, I promised your mother when she came to see me that there would be no, er... arguments."
…
"Wow." - Septimus ~ Angie Sage,#NFDB
361:When the sage stands above people, they are not oppressed. When he leads people, they are not obstructed. The world will exalt him and not grow tired of him. ~ Laozi, #NFDB
362:followers of Tao meld the way of the warrior and the sage. They want the courage and preparedness of the fighter, the luminous perception of the wise. ~ Ming Dao Deng, #NFDB
363:That’s all that matters, Sage-Ivashkov. Well, that and me having to put the smackdown on Castile if he doesn’t finally get his act together with Jill. ~ Richelle Mead, #NFDB
364:This [Ghost Ranch] is my kind of world. The kind of things one sees in cities . . . well, you know, it's better to look out the window at the sage. ~ Georgia O Keeffe, #NFDB
365:Behind thy thoughts and feelings, my brother, there is a mighty lord, an unknown sage—it is called Self; it dwelleth in thy body, it is thy body. ~ Friedrich Nietzsche, #NFDB
366:Mi padre decía que una persona puede ser culta y estúpida al mismo tiempo, y que un hombre sabio puede no haber recibido educación ninguna" - Sage ~ Jennifer A Nielsen, #NFDB
367:The sage does not hoard, and thereby bestows. The more he lives for others, the greater his life. The more he gives to others, the greater his abundance. ~ Wayne W Dyer, #NFDB
368:Behind your thoughts and feelings, my brother, there is a mighty lord, an unknown sage- it is called Self; it dwells in your body, it is your body. ~ Friedrich Nietzsche, #NFDB
369:Thus the sage, always equal, awaits the command of destiny, while the vulgar throw themselves into a thousand dangers in a search for happiness at any price. ~ Confucius, #NFDB
370:You can therefore think the thoughts of every sage, every artist, every financier, every captain of industry who ever existed, for thoughts never die. ~ Charles F Haanel, #NFDB
371:and very probably he had long since come to the sage and sensible conclusion that a man's religion is one thing, and this practical world quite another. ~ Herman Melville, #NFDB
372:Living in a sweet, fluid state of ignorance about all things and about oneself is the only way of life guaranteed to suit and bring comfort to the sage. ~ Fernando Pessoa, #NFDB
373:The phrasing annoyed Sage. As long as she was pretty and in a good mood, her husband would love her? People needed love most when they weren't at their best. ~ Erin Beaty, #NFDB
374:The sage smiled. Sometimes a smile was little more than a sliver of teeth. And sometimes a smile was a knife cutting the world in two: before and after. ~ Roshani Chokshi, #NFDB
375:To know oneself means, among other things, to know oneself qua non-sage: that is, not as a sophos, but as a philo-sophos, someone on the way toward wisdom. ~ Pierre Hadot, #NFDB
376:Having studied books, the sage uniquely consecrated to knowledge and wisdom, should leave books completely aside as a man who wants the rice abandons the husk. ~ Upanishad, #NFDB
377:The Stoic Sage, or wise man, needs nothing but uses everything well; the fool believes himself to “need” countless things, but he uses them all badly. ~ Donald J Robertson, #NFDB
378:Did you just use juxtaposition in a sentence?" "Yes, Sage" he said patiently. "We use it all the time with art, ... That, and I know how to use a dictionary ~ Richelle Mead, #NFDB
379:Montaigne is the sworn enemy of all responsibility. He strives to dodge decisions. Solitary sage in a time of mass fanaticism, he seeks seclusion and flight. ~ Stefan Zweig, #NFDB
380:Behind thy thoughts and feelings, my brother, there is a mighty lord, an unknown sage—it is called Self; it dwelleth in thy body, it is thy body. There ~ Friedrich Nietzsche, #NFDB
381:But what a force is that of the sage who can live at peace with men without having the mobility of water and remain in the midst of them firm and incorruptible ! ~ Confucius, #NFDB
382:I salute It, this supreme Deity, which is beyond the senses, which mind and speech cannot define and which can be discerned only by the mind of the true sage. ~ Vishnu Purana, #NFDB
383:The sage as astronomer.—As long as you still feel the stars as something 'above you', you have not yet acquired the gaze of a man of deep understanding. ~ Friedrich Nietzsche, #NFDB
384:I have observed that not the man who hopes when others despair, but the man who despairs when others hope, is admired by a large class of persons as a sage. ~ John Stuart Mill, #NFDB
385:People who don’t write may not be able to imagine that you really and truly want to be in the closet with the door shut for three hours without talking to anyone. ~ Sage Cohen, #NFDB
386:That creature's staying?' It figured. Her daughter-in-law transforming into an animal? No problem. Having to take care of a cat? Crisis. (Sydney Sage-Ivashkov) ~ Richelle Mead, #NFDB
387:Did you just use juxtaposition in a sentence?"
"Yes, Sage" he said patiently. "We use it all the time with art, ... That, and I know how to use a dictionary ~ Richelle Mead,#NFDB
388:How often when they find a sage
As sweet as Socrates or Plato
They hand him hemlock for his wage
Or bake him like a sweet potato!-Taking the Longer View ~ Don Marquis,#NFDB
389:It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy. ~ Tim Matheson, #NFDB
390:You’re a solid person, Sage. You’re easy on the eyes, if a little skinny, and your ability to memorize useless information is going to totally hook in some guy. ~ Richelle Mead, #NFDB
391:If someone had asked who could stage the best intervention with a crazy woman who had formerly been an undead monster, Sydney Sage would have been my last guess. ~ Richelle Mead, #NFDB
392:Let me tell you something that I learned from my youth, from a sage called the Road Runner. You can walk off a cliff and the air will hold you. Only, don't look down. ~ Erin Bow, #NFDB
393:A crab!" yelled Lucy. "He can be a crab!"
Jim Knee gave Lucy a withering stare - a crab was little better than a turtle.
Septimus looked at Lucy in admiration. ~ Angie Sage,#NFDB
394:A sage Portuguese sailor who had told him, years before 'To be prosperous and happy in life, Henry, it is simple. Pick one woman, pick it well, and surrender. ~ Elizabeth Gilbert, #NFDB
395:Marcia,' zei hij heel ernstig. 'Er is iets wat je goed moet begrijpen. Níémand is bij machte een Leerling terug te halen van de Queeste.'
'Kletskoek', zei Marcia. ~ Angie Sage,#NFDB
396:Ich sage nicht, daß es stimmt. Ich sage nur, daß es in einigen Ecken der Welt Dinge gibt, die einen Mann in den Wahnsinn treiben können, wenn er sie vor sich sieht. ~ Stephen King, #NFDB
397:Marcia was aghast. "He has shoes like mine? Well, that does it, we'll have to get rid of him." She smiled at Tod. "Only one of us can wear these shoes. And that is me. ~ Angie Sage, #NFDB
398:My idea of the modern Stoic sage is someone who transforms fear into prudence, pain into information, mistakes into initiation, and desire into undertaking. ~ Nassim Nicholas Taleb, #NFDB
399:The humble sage, by virtue of true knowledge, sees with equal vision a learned and gentle brāhmaṇa, a cow, an elephant, a dog, and a dog-eater. ~ A C Bhaktivedanta Swami Prabhup da, #NFDB
400:As the rivers flow into the ocean and lose their name and form, the sage losing name and form disappears into the supreme Spirit and himself becomes that Spirit. ~ Mundaka Upanishad, #NFDB
401:the combination of sage and sea salt dispels the negativity of a particular place, while sweetgrass encourages positivity to settle in once the negativity has dispersed. ~ Anonymous, #NFDB
402:Don’t do that? This is your sage advice?”
“Yeah.” He burped and blew it out the side of his mouth. “Sorry, the burritos we had for lunch are kinda comin’ back on me. ~ Mary Calmes,#NFDB
403:Het is Snorri maar, met de NachtUllr.'
Septimus begreep er niets van, maar als Jenna niet bang was van een grommende panter, zou hij zich er ook niets van aantrekken. ~ Angie Sage,#NFDB
404:In the words of a Persian sage: love is a disease no one wants to get rid of. Those who catch it never try to get better, and those who suffer do not wish to be cured. ~ Paulo Coelho, #NFDB
405:Therefore the sage puts his own person last, and yet it is found in the foremost place; he treats his person as if it were foreign to him, and yet that person is preserved. ~ Lao Tzu, #NFDB
406:Boss has bloomin' gone," he said. Then, suddenly noticing Tod, he said, "Begging your pardon, Apprentice. What I mean to say is that unfortunately, Madam Marcia has left. ~ Angie Sage, #NFDB
407:The superior man accords with the course of the Mean. Though he may be all unknown, unregarded by the world, he feels no regret - It is only the sage who is able for this. ~ Confucius, #NFDB
408:Things," Aunt Zelda reminded everyone on the bridge, "are not always as they seem. Remember, the moon always shows the truth How we see it, is up to us to us, not the moon ~ Angie Sage, #NFDB
409:Speaking of Sonya...I was thinking of something earlier. Something Wolfe said." "Why, Adrian. Were you paying attention after all?" "Don't start,Sage," he warned.(p 211) ~ Richelle Mead, #NFDB
410:The sage wears clothes of coarse cloth but carries jewels in his bosom; He knows himself but does not display himself; He loves himself but does not hold himself in high esteem. ~ Laozi, #NFDB
411:The sisters' acquaintance Madam Nell Kimball recalled the sage advice of her aunt Letty, a retired courtesan: “Every girl, if only she knew it, is sitting on her fortune. ~ Karen Abbott, #NFDB
412:It gave Boy 412 the impression that Aunt Zelda had walked into a large patchwork tent and had just, that very minute, poked her head out of the top to see what was going on. ~ Angie Sage, #NFDB
413:The bar was packed and I couldn’t make them out, except some guy with an annoying, distinctive laugh.” Lewis offers a sage nod. “Let me guess, braying donkey meets croupy pig? ~ Anonymous, #NFDB
414:The superior man perseveres in the middle path. Even though he remains unknown and the world esteems him not, he feels no regret. The sage alone is capable of such an action. ~ Tsang-Yung, #NFDB
415:Be different-if you don't have the facts and knowledge required, simply listen. When word gets around that you can listen when others tend to talk, you will be treated as a sage. ~ Ed Koch, #NFDB
416:If the way of the sage is true, that we are all dreaming our world into being, then it has to apply not only to our private, personal universe but to the world at large. ~ Alberto Villoldo, #NFDB
417:Non-action is unceasing activity. The sage is characterized by eternal and intense activity. His stillness is like the apparent stillness of a fast rotating gyroscope. ~ Sri Ramana Maharshi, #NFDB
418:The dragon reared her head, breathing in the storm and loving every minute of it. It was the start of a voyage, and a storm at the beginning of a voyage was always a good omen. ~ Angie Sage, #NFDB
419:The small man builds cages for everyone he knows While the sage, who has to duck his head when the moon is low, Keeps dropping keys all night long For the beautiful rowdy prisoners. ~ Hafez, #NFDB
420:Und sage mir um alles in der Welt, warum stirbt er nicht? Er hat sich doch verpflichtet, in drei Wochen zu sterben, und nun hat er hier noch angefangen, dick zu werden! ~ Fyodor Dostoyevsky, #NFDB
421:Aunt Zelda," Jenna said gently. "You know there should be three bowls in the bag? Do you know where the other one is?"
Aunt Zelda sighed. "The Marsh Python ate it," she said. ~ Angie Sage,#NFDB
422:the chocolate raisins tasted somewhat fishy, but Lucy didn't care-chocolate was chocolate. She changed her mind however, when she realized that the raisins were tiny fish heads. ~ Angie Sage, #NFDB
423:The sage is still not because he takes stillness to be good and therefore is still. The ten thousand things are insufficient to distract his mind - that is the reason he is still. ~ Zhuangzi, #NFDB
424:Marcia verwachtte Silas terug met haar Beschermring.
Jenna en Nicko verwachtten een bericht van Silas.
Maxie verwachtte zijn ontbijt.
Jongen 412 verwachtte moeilijkheden. ~ Angie Sage,#NFDB
425:The icing on the cake was that tomorrow he (Silas) and Sarah had a perfectly acceptable excuse to leave this cold, nut-strewn, shrew-infested treehouse and return to civilisation. ~ Angie Sage, #NFDB
426:The sage does not accumulate (for himself). The more that he expends for others, the more does he possess of his own; the more that he gives to others, the more does he have himself. ~ Lao Tzu, #NFDB
427:The years play a sort of alchemical trick, transmuting one’s mutterings to a state of respectability. Give advice at forty and you’re a nag. Give it at seventy and you’re a sage. ~ Scott Lynch, #NFDB
428:We do not attend to the advice of the sage and experienced because we think they are old, forgetting that they once were young and placed in the same situations as ourselves. ~ William Hazlitt, #NFDB
429:Blue to get ready Green to go Yellow to guide you through the snow Orange to warn you that over you’ll go Then red will be the final glow Now seek the black, there’s no going back. ~ Angie Sage, #NFDB
430:Ordinary men pronounce a sackful of discourses on religion, but do not put a grain into practice, while the sage speaks little, but his whole life is religion put in to action ~ Sri Ramakrishna, #NFDB
431:Ordinary men pronounce a sackful of discourses on religion, but do not put a grain into practice, while the sage speaks little, but his whole life is religion put in to action ~ Sri Ramakrishna, #NFDB
432:prosperity does not elevate the sage and adversity does not depress him. For he has always made the effort to rely as much as possible on himself and to derive all delight from himself. ~ Seneca, #NFDB
433:He who goes from this world without knowing that Imperishable is poor in soul, but he who goes from this world having known that Imperishable, he is the sage. ~ Brihadaranyaka Upanishad III. 8. 10, #NFDB
434:She'd even violated the only sensible rule of dieting she'd ever run across, the sage advice of the Muppets Miss Piggy, who recommended never eating anything bigger than your head. ~ Susan Donovan, #NFDB
435:The small man builds cages for everyone he knows
While the sage, who has to duck his head when the moon is low,
Keeps dropping keys all night long
For the beautiful rowdy prisoners. ~ Hafiz,#NFDB
436:I don’t know, Sage. You threw yourself in the line of pepper spray for me. You must like me just a little bit.” “I— I figured it’d be a shame to ruin your pretty face,” I stammered. ~ Richelle Mead, #NFDB
437:It is easier to bear the worries of wandering than to find peace in your hometown, where only the sage can live in a happy house surrounded by trite troubles and daily distractions. ~ Hermann Hesse, #NFDB
438:My god, Sage. Your eyes. How have I never noticed them? When you stand in the light. They're amazing... like molten gold. I could paint those... They're beautiful. You're beautiful. ~ Richelle Mead, #NFDB
439:She'd even violated the only sensible rule of dieting she'd ever run across, the sage advice of the Muppets' Miss Piggy, who recommended never eating anything bigger than your head. ~ Susan Donovan, #NFDB
440:He swallows, his Adam’s apple bobbing on his thick neck and I briefly imagine what it’s like to bite him there, just a small nibble or two. I bet he tastes like sage and testosterone. ~ Karina Halle, #NFDB
441:Loomis waved a hand and a squiggly trail of smoke followed like a magic wand. Loomis had a captivating subtlety and charm and was capable of more tricks than a sage in Pharaoh's court. ~ Luke Taylor, #NFDB
442:Sage Miller opened the bathroom door and stepped out into the dimly lit bedroom wearing heels and nothing else. If Trent's smile was any indication, she'd chosen the right "outfit. ~ Savannah Stuart, #NFDB
443:The sage does not hoard. The more he helps others, the more he benefits himself, Having bestowed all he has on others, he has yet more; having given all he has to others, he is richer still. ~ Laozi, #NFDB
444:Goeie genade!' riep tante Zelda, 'wat heb je daar nou?'
'Haal dat ding van me af!' schreeuwde Septimus...
Jenna zat doodstil en staarde verbijsterd naar een net uitgekomen draakje. ~ Angie Sage,#NFDB
445:Speaking of Sonya...I was thinking of something earlier. Something Wolfe said."
"Why, Adrian. Were you paying attention after all?"
"Don't start,Sage," he warned.(p 211) ~ Richelle Mead,#NFDB
446:Quiconque est authentiquement heureux ou sage le demeure dans chaque situation. Il apporte cette qualité avec lui partout où il va. La sagesse et le contentement font partie de sa nature. ~ Guy Finley, #NFDB
447:You are the man with the Magyk stone, aren't you? You always go out into the Time you came in?... Please, oh please, I beg of you," she said. "Take me Out." - Princess Driffa, to Septimus ~ Angie Sage, #NFDB
448:De eend was boos. Ze keerde tante Zelda heel opzettelijk de rug toe en streek haar veren glad. Tante Zelda bukte zich en aaide haar. 'Ik wil jullie voorstellen aan mijn kat, Bert,' zei ze. ~ Angie Sage, #NFDB
449:Nee, Nick, het is Ongezien, ongehoord, geen gefluister, niet een woord. En je moet het je ook voorstellen. Het heeft geen zin die spreuk af te raffelen als een demente papegaai. - Septimus ~ Angie Sage, #NFDB
450:Septimus fu cât pe ce să zică ,,și rămânem aici pe viață", dar se opri. Își aduse aminte ce îi spusese Mătușa Zelda, și anume că, după ce le-ai rostit, lucrurile se împlinesc mai repede... ~ Angie Sage, #NFDB
451:Virtuous people always let go.
They don't prattle about pleasures and desires.
Touched by happiness and then by suffering,
The sage shows no sign of being elated or depressed. ~ Gautama Buddha,#NFDB
452:Therefore a sage has said, 'I will do nothing (of purpose), and the people will be transformed of themselves; I will be fond of keeping still, and the people will of themselves become correct. ~ Lao Tzu, #NFDB
453:What would Cassi say?" Dandra muttered to herself. "Letting the girl stay up so late?" She sighed. The honest answer was that Cassi, a free spirit, would have been perfectly happy about it. ~ Angie Sage, #NFDB
454:Hearken to the word of the sage with the ear of the soul, even when his conduct has no similitude to his teachings. Men should listen to good counsel even though it be written on a wall. ~ Sadi; Sulistan, #NFDB
455:Military weapons are the means used by the Sage to punish violence and cruelty, to give peace to troublous times, to remove difficulties and dangers, and to succor those who are in peril. Every ~ Sun Tzu, #NFDB
456:Thus is it even with the seer and sage;
For still the human limits the divine:
Out of our thoughts we must leap up to sight, ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Mind,#NFDB
457:If you’re in trouble, I swear I will never stop until I get to you,” he called softly.
Sage could’ve pretended she was already gone, but she couldn’t leave without answering.
“I know. ~ Erin Beaty,#NFDB
458:Unkind people spread malicious tales, and well-intentioned people also censure; but in either case the tranquil sage remains unconcerned. Nowhere is there to be found a disconcerted sage. ~ Gautama Buddha, #NFDB
459:William Burnham (1824-87), U.S. Supreme Court associate justice 1880-87. A judge on the circuit court, he was appointed to the Supreme Court by President Hayes. wood sage n. another term for ~ Erin McKean, #NFDB
460:Already God is near, the Truth is close:
Because the dark atheist body knows him not,
Must the sage deny the Light, the seer his soul? ~ Sri Aurobindo, Savitri, The Dream Twilight of the Earthly Real,#NFDB
461:It takes more to make one sage today than it did to make the seven of Greece. And you need more resources to deal with a single person these days than with an entire nation in times past. ~ Baltasar Gracian, #NFDB
462:A new friend is always a miracle, but at thirty-three years old, such a bird of paradise rising in the sage-brush was an avatar. One friend in a lifetime is much; two are many; three are hardly ~ Henry Adams, #NFDB
463:Are you in a suit?' I managed at last, my voice choking up. 'You didn’t have to dress up for me.'
'Quiet, Sage,' he said. 'I’ll make the hilarious one-liners during this daring rescue. ~ Richelle Mead,#NFDB
464:If you love someone and they don't love you back, wait for them. If they still don't love you after waiting, they aren't really worth your time. Darn, why did I waste all that time waiting then? ~ Sage Cohen, #NFDB
465:Maar Brandneus negeerde Jannit. Hij vond het verveld als mensen met hun armen zwaaiden en dingen riepen als: 'Hierheen, híérheen! O, alle gaffelschoeners nog aan toe, wat doet dat beest nu weer? ~ Angie Sage, #NFDB
466:Blue to get ready
Green to go
Yellow to guide you through the snow
Orange to warn you that over you’ll go
Then red will be the final glow
Now seek the black, there’s no going back. ~ Angie Sage,#NFDB
467:Can you come over to Amberwood? I need you to help me break curfew and escape my dorm."
There were a few moments of silence. "Sage, I've been waiting two months to hear you say those words. ~ Richelle Mead,#NFDB
468:So, you see, Sage, in essence, it’s almost like dating without the silly get-to-know-you process. Some of our girls have been here for years and have been with the same client for the entire time. ~ Anonymous, #NFDB
469:The sage produces without possessing, acts without expectations, and accomplishes without abiding in her accomplishments. It is precisely because she does not abide in them that they never leave her. ~ Lao Tzu, #NFDB
470:Roux flung a handful of dried shavings on to the embers of his fire; the scent was sharp and immediate, lemon grass and lavender, sage and applewood and pine, like the campfires of my childhood. ~ Joanne Harris, #NFDB
471:every individual can make himself happy. External goods are of trivial importance and without much influence in either direction: prosperity does not elevate the sage and adversity does not depress him. ~ Seneca, #NFDB
472:Organizations must create a culture in which it is acceptable that everyone has more to do than he or she can do, and in which it is sage to renegotiate agreements about what everyone is not doing. ~ David Allen, #NFDB
473:all that greedy or self-absorbed. Sage’s father, cruel as he was, only wanted his son back. Tammi just wanted a sister. I wanted a “normal” girlfriend. And Sage—all she wanted was to be herself. I ~ Brian Katcher, #NFDB
474:a man--venerable, with a white beard, or on a cross, or as a baby, or a sage seated in the full lotus position. Are these not limiting incarnations, temporary housings, of the great energy process? ~ Timothy Leary, #NFDB
475:Therefore the sage desires what (other men) do not desire, and does not prize things difficult to get; he learns what (other men) do not learn, and turns back to what the multitude of men have passed by. ~ Lao Tzu, #NFDB
476:Stay wise with this Sage and Savvy Advice."Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself." ~ Rumi#wisdom #sageandsavvymarketing #sageandsavvyadvice #rumi #change, #NFDB
477:-Hago esto todo el tiempo. Es un hechizo sencillo. Sin sorpresas.
-Tal vez- dije renuente-. Pero cada vez que usas el espíritu, es más probable que te vuelvas loco.
-Ya estoy loco por ti, Sage. ~ Richelle Mead,#NFDB
478:Hey, Frenchie!” Sage poked his head out the door, the sun hitting the brown of his hair to reveal hidden strands of red. “Did you bring any baguettes?”
“Why don’t you go season something, Herb? ~ Nalini Singh,#NFDB
479:Sage?" Adrian lightly touched my arm, and I jumped at the feel of his fingertips against my skin. "You okay?" "I don't know," I said softly. "I just thought of something crazy." "Welcome to my world. ~ Richelle Mead, #NFDB
480:Sage was right behind her and when she passed by Creed's chair he reached out and touched her arm.
She stopped and looked down at him quizzically.
"You sure look pretty this morning," he said. ~ Carolyn Brown,#NFDB
481:The wisdom in the story of the most educated and powerful person is often not greater than the wisdom in the story of a child, and the life of a child can teach us as much as the life of a sage. ~ Rachel Naomi Remen, #NFDB
482:A new friend is always a miracle, but at thirty-three years old, such a bird of paradise rising in the sage-brush was an avatar. One friend in a lifetime is much; two are many; three are hardly possible. ~ Henry Adams, #NFDB
483:It is the diversity of life that renders thinking difficult. Many a beginning philosopher has been on the point of grasping the problem of suffering, but what sage can cope with that of happiness? At ~ Thornton Wilder, #NFDB
484:On his bold visage middle age Had slightly press'd its signet sage, Yet had not quench'd the open truth And fiery vehemence of youth: Forward and frolic glee was there, The will to do, the soul to dare. ~ Walter Scott, #NFDB
485:Und was das Ende des Universums betrifft … lasst es kommen, wie es will, sage ich, in Eis, Feuer oder Nacht. Was hat das Universum jemals für mich getan, dass ich mich um sein Wohlergehen sorgen sollte? ~ Stephen King, #NFDB
486:Flurries early, pristine and pearly. Winter's come calling! Can we endure so premature a falling? Some may find this trend distressing- others bend to say a blessing over sage and onion dressing. ~ Old Farmer s Almanac, #NFDB
487:He wanted to know how they prayed to God in El Dorado. "We do not pray to him at all," said the reverend sage. "We have nothing to ask of him. He has given us all we want, and we give him thanks continually. ~ Voltaire, #NFDB
488:But hail thou Goddess sage and holy, Hail, divinest Melancholy, Whose saintly visage is too bright To hit the sense of human sight, And therefore to our weaker view O'erlaid with black, staid Wisdom's hue. ~ John Milton, #NFDB
489:Look upon him who shows you your faults as a revealer of treasure: seek his company who checks and chides you, the sage who is wise in reproof: it fares well and not ill with him who seeks such company. ~ Gautama Buddha, #NFDB
490:Anytime a sage displays humanness—in regard to money, food, sex, relationships—we are shocked, shocked, because we are planning to escape life altogether, not live it, and the sage who lives life offends us. ~ Ken Wilber, #NFDB
491:There are two kinds of victory in this world,’ said the storyteller-sage, ‘Vijaya and Jaya. Vijaya is material victory, where there is a loser. Jaya is spiritual victory, where there are no losers. In ~ Devdutt Pattanaik, #NFDB
492:A pedant who beheld Solon weeping for the death of a son said to him, ‘Why do you weep thus, if weeping avails nothing?’ And the sage answered him, ‘Precisely for that reason—because it does not avail. ~ Miguel de Unamuno, #NFDB
493:As incompetent in life as in death, I loathe myself and in this loathing I dream of another life, another death. And for having sought to be a sage such as never was, I am only a madman among the mad . . . ~ Emil M Cioran, #NFDB
494:Et en fin de compte, comme le dit un sage persan, l’amour est une maladie dont personne ne veut se délivrer. Celui qui en est atteint ne cherche pas à se rétablir, et celui qui souffre ne désire pas guérir. ~ Paulo Coelho, #NFDB
495:He was not used to the smell of dragon breath, which is best described as a combination of the stench of burning rubber and the stink of old socks, with overtones of a hamster cage in dire need of a cleaning. ~ Angie Sage, #NFDB
496:Sage?" Adrian lightly touched my arm, and I jumped at the feel of his fingertips against my skin. "You okay?"
"I don't know," I said softly. "I just thought of something crazy."
"Welcome to my world. ~ Richelle Mead,#NFDB
497:Sage: "Conner's held you down for so long, you've forgotten what it's like to breathe free air."
Imogen: "And you've given your life to his control forever. You'll never breathe free air again. ~ Jennifer A Nielsen,#NFDB
498:The sky was an unspoiled blue. I breathed the fragrant sage and the homey smell from wood fires. Our problems seemed distant, and I wondered if it would be a crime if we played hooky from saving the world. ~ Mario Acevedo, #NFDB
499:That, dillop brain, is what getting close to the Darke does. It makes you think only of yourself. It takes you away from people you care about. And now you don't have anyone to talk to and it serves you right. ~ Angie Sage, #NFDB
500:The great sage Thales once put the general matter succinctly "Oh master," he was asked, "what is the most difficult thing to do?" "To know thyself", he replied. "And the easiest?" "To give advice to others. ~ Robert Trivers, #NFDB
501:There is no credulity more blind, no ignorance more childish, that that of the sage who tries to measure “heaven and earth and the things under the earth”, with the small two-foot rule of his own brains. The ~ Alastair Gunn, #NFDB
502:... He told the green woman to open the bad-word door and he would go and get the bad-word Apprentice himself, seeing as everyone else around him was so bad-word useless. Especially bad-word witches ... - Kaznim ~ Angie Sage, #NFDB
503:Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven. The world is beautiful because they have lived; without them, labouring humanity would perish. ~ James Allen, #NFDB
504:In a small fragile seed a great tree lurks,
In a tiny gene a thinking being is shut;
A little element in a little sperm,
It grows and is a conqueror and a sage. ~ Sri Aurobindo, Savitri, The Debate of Love and Death,#NFDB
505:Why would you do that? Why would you act like you didn't know how to drive?"
"Isn't it obvious, Sage? No, of course it isn't. I did it so I'd have a reason to be around you - one I knew you couldn't refuse ~ Richelle Mead,#NFDB
506:One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid. ~ Alan Watts, #NFDB
507:Star and Ariel looked at each other, aghast. The coven was about to burn two kids from the Castle. What would the Queen have to say about that? It would be goodbye to their free food at Wizard Sandwiches for sure. ~ Angie Sage, #NFDB
508:Advice,” chuckled Doña Vorchenza. “The years play a sort of alchemical trick, transmuting one’s mutterings to a state of respectability. Give advice at forty and you’re a nag. Give it at seventy and you’re a sage. ~ Scott Lynch, #NFDB
509:Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of
heaven. The world is beautiful because they have lived; without them, laboring humanity would perish. ~ James Allen,#NFDB
510:Does any woman ever count the grains of her harvest and say: Good enough? Or does one always think of what more one might have laid in, had the labor been harder, the ambition more vast, the choices more sage? ~ Geraldine Brooks, #NFDB
511:...I can say you’re okay for an irreverent party boy with occasional moments of brilliance.”
“Brilliant? You think I’m brilliant?”
He threw his hands skyward. “You hear that, world? Sage says I’m brilliant. ~ Richelle Mead,#NFDB
512:Isn't it a pleasure to study and practice what you have learned? Isn't it also great when friends visit from distant places? If one remains not annoyed when he is not understood by people around him, isn't he a sage? ~ Confucius, #NFDB
513:One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid. ~ Alan W Watts, #NFDB
514:When the sage has recognised impermanence, subjection to grief and unreality of substance as the three characteristic qualities of this world, how can his heart own attachment to the things of this world? ~ Fo-shu-hing-tsan-king, #NFDB
515:One who is not disturbed in mind even amidst the threefold miseries or elated when there is happiness, and who is free from attachment, fear and anger, is called a sage of steady mind. PURPORT ~ A C Bhaktivedanta Swami Prabhup da, #NFDB
516:Aside from their companionship, I’d brought Sage and Sky as ambassadors, hoping they would attract attention and open the door to conversations with strangers. In a moment, they fulfilled their diplomatic function. ~ Philip Caputo, #NFDB
517:...I can say you’re okay for an irreverent party boy with occasional moments of brilliance.”
“Brilliant? You think I’m brilliant?”
He threw his hands skyward. “You hear
that, world? Sage says I’m brilliant. ~ Richelle Mead,#NFDB
518:‘Everything is evanescent, everything is changeful’— knowing this, the sage gives up both pleasure and pain and becomes a witness of this panorama (the universe) without attaching himself to anything. (VIII. 344) ~ Swami Vivekananda, #NFDB
519:Sage," he said. "What are you wearing?" I sighed and stared down at the dress. "I know. It's red. Don't start. I'm tired of hearing about it." "Funny," he said. "I don't think I could ever get tired of looking at it. ~ Richelle Mead, #NFDB
520:Advice," Doña Vorchenza chuckled. "Advice. The years play a sort of alchemical trick, transmuting one's mutterings to a state of respectability. Give advice at forty and you're a nag. Give it at seventy and you're a sage. ~ Scott Lynch, #NFDB
521:Advice,' Doña Vorchenza chuckled. 'Advice. The years play a sort of alchemical trick, transmuting one's mutterings to a state of respectability. Give advice at forty and you're a nag. Give it at seventy and you're a sage. ~ Scott Lynch, #NFDB
522:Every man's true teacher is his own Higher Self, and when the life is brought under the control of reason, this Higher Self is released from bondage to appetites and impulses, and becomes Priest, Sage and Illuminator.
~ Manly P Hall,#NFDB
523:I selected a simple but graceful gown with a sage-colored organza overdress and a seed-pearl choker, hoping that I had chosen well, and I swept my hair up with long, pearl-dotted pins from a small ivory box on the vanity. ~ Karen Essex, #NFDB
524:Behind your thoughts and feelings, my brother, there is a mighty lord, an unknown sage - his name is self; he dwells in your body, he is your body.
There is more reason in your body than in your best wisdom. ~ Friedrich Nietzsche,#NFDB
525:Callistanas aren’t so bad either,” I said, looking down at my satchel. “That ‘pain in the ass’ screeching saved me from a face full of acid.”
Adrian put his hand to his heart in mock horror. “Sage, did you just swear? ~ Richelle Mead,#NFDB
526:Can you come over to Amberwood? I need you to help me break curfew and escape my dorm.” There were a few moments of silence. “Sage, I’ve been waiting two months to hear you say those words. You want me to bring a ladder? ~ Richelle Mead, #NFDB
527:Tu te jugeras donc toi-même, lui répondit le roi. C'est le plus difficile. Il est bien plus difficile de se juger soi-même que de juger autrui. Si tu réussis à bien te juger, c'est que tu es un véritable sage. ~ Antoine de Saint Exup ry, #NFDB
528:Behind your thoughts and feelings, my brother, there stands a mighty ruler. an unknown sage - whose name is self. In yourt body he dwells; he is your body. There is more reason in your body than in your best wisdom. ~ Friedrich Nietzsche, #NFDB
529:We don't have to circle the world in order to find beauty and fulfilment. After all, most of living has to happen in the mind. And, to quote one anonymous sage from my trivet, "The world is only the size of each man's head. ~ Ruskin Bond, #NFDB
530:Majestic though in ruin: sage he stood
With Atlantean shoulders fit to bear
The weight of mightiest Monarchies his look
Drew audience and attention still as Night
Or Summers Noon-tide air while thus he spake. ~ John Milton,#NFDB
531:Sage," he said. "What are you wearing?"
I sighed and stared down at the dress. "I know. It's red. Don't start. I'm tired of hearing about it."
"Funny," he said. "I don't think I could ever get tired of looking at it. ~ Richelle Mead,#NFDB
532:Use your head, Sep. Loads of wolverines. Hanging around waiting for super. Gtting excited. eating mint blasts. so what do you think they do?' it must be here. they can't have eaten that... i dunno, Nik, what do they do?' POO. ~ Angie Sage, #NFDB
533:Can you come over to Amberwood? I need you to help me break curfew and escape my dorm.”
There were a few moments of silence. “Sage, I’ve been waiting two months to hear you say those words. You want me to bring a ladder? ~ Richelle Mead,#NFDB
534:Heaven and Earth last for ever. Why do Heaven and Earth last for ever? They are unborn, so ever living. The sage stays behind, thus he is ahead. He is detached, thus at one with all. Through selfless action, he attains fulfillment. ~ Laozi, #NFDB
535:The sage here surpasses God. God fears nothing by the benefit of his nature; the sage fears nothing, but by the sole strength of his spirit. This indeed is great, to have the weakness of a mortal and yet the fearlessness of a god. ~ Seneca, #NFDB
536:The Stoic makes no differentiation between a small act of kindness by a simple person and a great act of virtue from a learned sage. Virtue is virtue, and in both cases the result is happiness for the one who is virtuous. ~ Marcus Aurelius, #NFDB
537:Almost all our evils arise from being unable to stay in our rooms,” said another sage, Pascal.
(“Yanılmıyorsam Pascal, ‘neredeyse tüm mutsuzluklarımız odamızda kalmayı bilememiş olmamızdan geliyor başımıza’ der”) ~ Charles Baudelaire,#NFDB
538:Pleased to meet you." Sage said, offering his hand. "The pleasure is all mine," Rayna Purred. "Unless ofcourse, it's all Clea's which is even better." Sage smiled and might have even blushed a bit, which was highly entertaining. ~ Hilary Duff, #NFDB
539:Septimus! Oh, Septimus!" Marcia hurled herself toward Septimus and enveloped him in her cloak. "You're alive. I thought… I thought you were dead. I thought you'd fallen…"
"Me too," said Septimus, holding on to Marcia. "Me too. ~ Angie Sage,#NFDB
540:Plumes of white, pink, and purple blossoms offset the one hundred shades of green our little city is known for this time of year: lime, celery, and avocado, butter lettuce and kale, Granny Smith apple and broccoli and sage. ~ Jennie Shortridge, #NFDB
541:Septimus longed for a glimpse of Marcia. He wanted to see her face at the window, to know that she was all right... He longed to tell her that there was still hope. "Hold on as long as you can. Don't give up. Please don't give up. ~ Angie Sage, #NFDB
542:The old Chinese sage Chuang-tzu, for example, said: Once I dreamed I was a butterfly, and now I no longer know whether I am Chuang-tzu, who dreamed I was a butterfly, or whether I am a butterfly dreaming that I am Chuang-tzu. ~ Jostein Gaarder, #NFDB
543:Trouble rather the tiger in his lair than the sage among his books. For to you kingdoms and their armies are things mighty and enduring, but to him they are but toys of the moment, to be overturned with the flick of a finger. ~ Gordon R Dickson, #NFDB
544:Use your head, Sep. Loads of wolverines. Hanging around waiting for super. Gtting excited. eating mint blasts. so what do you think they do?'
it must be here. they can't have eaten that... i dunno, Nik, what do they do?'
POO. ~ Angie Sage,#NFDB
545:Pleased to meet you." Sage said, offering his hand. "The pleasure is all mine," Rayna Purred. "Unless ofcourse, it's all Clea's which is even better."
Sage smiled and might have even blushed a bit, which was highly entertaining. ~ Hilary Duff,#NFDB
546:Sinners live in a sort of hell, and saints imagine themselves in a sort of heaven. And the sage? - for him it is moksha, for him it is the absolute freedom. He is freed from all duality. The secret key, and the only key, is awareness. ~ Rajneesh, #NFDB
547:Power lived everywhere, beneath cactus thorns, secreted in sparkles of dew, and hidden in the flecks of moonlight that silvered the sage. By calling upon that Power, Singers could pull clouds together and awaken the soaring ~ Kathleen O Neal Gear, #NFDB
548:at first when the rain fell from the sky so wide and deep it smelled like sage, my favorite smell I went up on the plateau to watch it come to see the gifts it always brought but this rain changed from blue to black and left nothing. ~ Ally Condie, #NFDB
549:The small man builds cages for everyone he knows, while the sage, . . . . . . . keeps dropping keys all night long for the beautiful rowdy prisoners. —HAFIZ ~ Kathleen Dowling Singh, #NFDB
550:The Wise (Minstrel or Sage,) out of their books are clay; But in their books, as from their graves they rise. Angels—that, side by side, upon our way, Walk with and warn us! ~ Edward Bulwer-Lytton, The Souls of Books, Stanza 3, line 9., #NFDB
551:The sage does not hoard. The more he helps others, the more he benefits himself, The more he gives to others, the more he gets himself. The Way of Heaven does one good but never does one harm. The Way of the sage is to act but not to compete. ~ Laozi, #NFDB
552:PRIMAL TEARS is a novel of tremendous power. Passionate and erotic, at times tenderly lyrical, it confronts head-on, without flinching, brutal environmental and feminist politics. Its protagonist, Sage, is unique, magical, and haunting. ~ Kate Wilhelm, #NFDB
553:I'm stopping you," Lucy said, catching him and grabbing his arm. "You are not going to do anything so stupid… Look Septimus, you're clever. Even I know what those purple stripes on your sleeves mean, so - like Wolf Boy said - use your head. ~ Angie Sage, #NFDB
554:There was a peal of laughter from the girls. Then, before anyone could say a word, the line was seen to move a fraction. A bite at last! The sage yanked in for all he was worth. The rod crashed into a protruding rock and broke clean in two. ~ Cao Xueqin, #NFDB
555:There was once a Hindu sage, who sat down on the banks of the Ganges and thought for seventy years about the millennium. Just as he arrived at the solution and was putting it into verse, a mosquito stung him and he forgot it again at once. ~ Don Marquis, #NFDB
556:When some of my friends called me crazy for getting engaged so young, Candace offered sage advice: “Don’t listen to them. If you are happy that’s all that matters. Val and I have done it for years and we’re really happy. You can be, too. ~ Jodie Sweetin, #NFDB
557:Merrin felt disappointed in his scent bottle. Just to make sure it really did smell so bad, he put the bottle right up to his left nostril and sniffed hard - and the jinnee was sucked up his nose. It was not a good moment for either of them. ~ Angie Sage, #NFDB
558:Of course they didn't give us this much, Sage. But I had to make sure I nailed my first assignment. Takes a lot of tries before you hit perfection." He paused to reconsider that. "Well, except for my parents. They got it on the first try. ~ Richelle Mead, #NFDB
559:The Sage desires only one thing, virtue, and he is cautious about only one thing, vice. He is the same in every circumstance because what is most important lies within him, and not with external events, which are constantly changing. ~ Donald J Robertson, #NFDB
560:He drew himself up as though proud to be asked the question. “Young lady, I am the greatest janitor in all existence. I am the son of a janitor, last in a long line of janitors that stretch all the way back to the Sage of Brooms...and beyond! ~ Will Wight, #NFDB
561:In the new media age, everybody is a historian, or a scientist, or a preacher, or a sage. And if everyone is an expert, then nobody is, and the worst thing you can be in a society where everybody is an expert is, well, an actual expert. ~ Charles P Pierce, #NFDB
562:Without going outside, you may know the whole world, without looking through the window, you may see the ways of heaven. The farther you go, the less you know. Thus the sage knows without traveling; he sees without looking; he works without doing. ~ Laozi, #NFDB
563:An ancient sage held that in different ages, humans held the senses in different ratios, according to the media by which they communicated and expressed themselves. Hence before writing, the ear was the royal sense. After writing, the eye. ~ Karl Schroeder, #NFDB
564:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud. ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
565:For as the nonsense of the madman is a babble of words for its own fascination, the nonsense of nature and of the sage is the perception that the ultimate meaningless of the world contains the same hidden joy as its transience and emptiness. ~ Alan W Watts, #NFDB
566:Hamilton’s first act in Philadelphia paid homage to Franklin. The sage had opposed salaries for executive-branch officers, hoping such a measure would produce civic-minded leaders, not government officials feeding at the public trough. Others ~ Ron Chernow, #NFDB
567:The Hindu sage Ramakrishna once said that the mind is like fabric; it takes the color of the dye it’s soaked in. Soak the mind in a quiet, relaxing environment and it will become quiet and relaxed. Soak it in floods of Facebook and, well.… ~ Jay Michaelson, #NFDB
568:Ich schäme mich nicht, wenn ich sage, das Taschentuch war der einzige Mensch, der sich im Lager um mich kümmerte. Ich bin mir sicher, auch heute noch. Manchmal kriegen die Dinge eine Zartheit, eine monströse, die man von ihnen nicht erwartet. ~ Herta M ller, #NFDB
569:There was a peal of laughter from the girls. Then, before anyone could say a word, the line was seen to move a fraction. A bite at last! The sage yanked in for all he was worth. The rod crashed into a protruding rock and broke clean in two. The ~ Cao Xueqin, #NFDB
570:The “sage of love” within me (acquired from who knew what egregious experience) was crowing about Füsun’s misstep: By speaking too sincerely, she had lost. From this reaction I deduced that my jealous worries and obsessions would soon subside. ~ Orhan Pamuk, #NFDB
571:I hope you’re wearing that little camisole, the sage-y gray one that’s satin. It’s hot. You’re hot in it. And if I was straight and you made me pizza and I came over and you were wearing that top, I’d jump you…” he paused, “before the pizza. ~ Kristen Ashley, #NFDB
572:What's a flange?" asked Marcia.
A what?"
A flange. It says here attatch piece Y to the long, upright D, taking care to align holes P and Q with the corrosponding holes N and O in the left-hand flange. I can't see a wrethed flange anywhere. ~ Angie Sage,#NFDB
573:Philosophy not only purifies the reason and predisposes it to the contact of the universal and the infinite, but tends to stabilise the nature and create the tranquillity of the sage. ~ Sri Aurobindo, The Synthesis Of Yoga, The Higher and the Lower Knowledge, #NFDB
574:Why is the sea king of a hundred streams? Because it lies below them... If the sage would guide the people, he must serve with humility. If he would lead them, he must follow behind. In this way when the sage rules, the people will not feel oppressed. ~ Laozi, #NFDB
575:Look, Sage. I don't know much about chemistry or computer hacking or photosynthery, but this is something I've got a lot of experience with." I think he mean photosynthesis, but I didn't correct him. "Use my knowledge. Don't let it go to waste. ~ Richelle Mead, #NFDB
576:The Last Noel by Jean Hager, A Holly, Jolly Murder by Joan Hess, Midnight Clear by Kathy Hogan Trocheck, Mistletoe from Purple Sage by Barbara Burnett Smith, Ransome for a Holiday by Fred Hunter and We Wish You a Merry Murder by Valerie Wolzien. ~ Carolyn G Hart, #NFDB
577:A poet is a poet, whether he rides in a Ford or on a donkey; a sage is a sage, whether he plays golf in New Jersey or bathes in the Ganges, or prays in the desert; and a fool is a fool, whether he be a maharaja or a president of a post-war republic. ~ Ameen Rihani, #NFDB
578:Dropping keys
The small man
Builds cages for everyone
He
Knows.
While the Sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners. ~ Daniel Ladinsky,#NFDB
579:Like what you see, Angel? He says
I step to the fence. Hook my hands into the links, next to his. I lean in close. He's got tiny white lines around his eyes from squintin. Or maybe smilin. He smells of warm dust an sage.
You ain't my type, I says ~ Moira Young,#NFDB
580:He’ll process the check.” Sage was still silent, blinking at TJ. “You’ll get the hang of it. I promise. And that platinum card I gave you? Gerry pays that bill too. But you have to take it into a store and buy something before he can pay it. Maybe a bed ~ Joanne Rock, #NFDB
581:Is it ever thus, at the end of things? Does any woman ever count the grains of her harvest and say: Good enough? Or does one always think of what more one might have laid in, had the labor been harder, the ambition more vast, the choices more sage? ~ Geraldine Brooks, #NFDB
582:Master, you are wonderful!” A student, taking his leave, gazed ardently at the patriarchal sage. “You have renounced riches and comforts to seek God and teach us wisdom!” It was well-known that Bhaduri Mahasaya had forsaken great family wealth ~ Paramahansa Yogananda, #NFDB
583:Trouble rather the tiger in his lair than the sage amongst his books. For to you Kingdoms and their armies are things mighty and enduring, but to him they are but toys of the moment, to be overturned by the flicking of a finger … LESSONS: Anonymous ~ Gordon R Dickson, #NFDB
584:What king has he not taught state, as Talma taught Napoleon? What maiden has not found him finer than her delicacy? What lover has he not outloved? What sage has he not outseen? What gentleman has he not instructed in the rudeness of his behavior? ~ Ralph Waldo Emerson, #NFDB
585:at first when the rain fell
from the sky so wide and deep
it smelled like sage, my favorite smell
I went up on the plateau to watch it come
to see the gifts it always brought
but this rain changed from blue to black
and left
nothing. ~ Ally Condie,#NFDB
586:I don't suppose you offered to help?" "Sage," Adrian declared. "These hands don't do manual labor." He knocked another ball into a hole. "You want to play?" "What? With you?" "No, with Clarence." He sighed at my dumbfounded look. "Yes, of course with me. ~ Richelle Mead, #NFDB
587:Let go of your self-pity and your rage, noble sage. Let the knots of your mind unbind until aham gives way to atma. Only then will you be able to restore your hermitage and bring back joy to your world,’ said Ram with the demeanour of a king. Gautama ~ Devdutt Pattanaik, #NFDB
588:How much more reasonable is it to say with the sage Plato, that the perfect happiness of a state consists in the subjects obeying their prince, the prince obeying the laws, and the laws being equitable and always directed to the good of the public? ~ Jean Jacques Rousseau, #NFDB
589:It was like learning life lessons from your big brother or your crazy uncle. How to handle yourself in a bar fight: “Hit first. Hit hard. And be ready to move.” How to behave around women: “Date strippers. Don’t marry strippers.” Some of the advice was sage. ~ Rorke Denver, #NFDB
590:Nothing is more evident to the sage than the things hidden in the secrecy of his consciousness, nothing more manifest than the subtle causes of his actions. Therefore the superior man watches attentively over the secret inspirations of his conscience. ~ Tsu-Tse: Tsung-yung, #NFDB
591:Marissa's head appeared at the window. "Okay, this is a bit yucky," she said, "but it has to be done." She poked her head back through the window and kissed Jenna. Jenna leaped back in surprise. "Told you it was lucky." Marissa grinned. "But you're a witch now. ~ Angie Sage, #NFDB
592:The Ravenel temper,” Pandora said with a sage nod, and whispered theatrically, “we have it too.”
“Our older sister Helen is the only one who doesn’t,” Cassandra added.
“Nothing provokes her,” Pandora said. “We’ve tried ever so often, but it never works. ~ Lisa Kleypas,#NFDB
593:And then: 'Here comes your baby. Sois sage. Sois chic.' He moved slightly away and began talking to the boy next to him. And here my baby came indeed, through all that sunlight, his face flushed and his hair flying, his eyes, unbelievably, like morning stars. ~ James Baldwin, #NFDB
594:The soul-stirring image of death is no bugbear to the sage, and is looked on without despair by the pious. It teaches the former to live, and it strengthens the hopes of the latter in salvation in the midst of distress. Death is new life to both. ~ Johann Wolfgang von Goethe, #NFDB
595:Truly they who know still know nothing if the strength of love be not theirs; for the true sage is not he who sees, but he who, seeing the furthest, has the deepest love for mankind. He who sees without loving is only straining his eyes in the darkness. ~ Maurice Maeterlinck, #NFDB
596:It was wonderful country that faced him, cedar, piñon and sage, colored hills and flats, walls of yellow rock stretch away, and dim purple mountains all around. If his keen eyes did not deceive him there was a bunch of wild horses grazing on top of the first hill. ~ Zane Grey, #NFDB
597:Sorry, Sage. Last I checked, you aren’t an expert in social matters..." "At least I take action. You? You let the world go by without you. You have no spine. You don’t fight back." “You don’t know the first thing about me, Adrian Ivashkov. I fight back plenty. ~ Richelle Mead, #NFDB
598:We have work to do. Plans to make. Magyk to mend. Together."
Septimus blinked a sudden blurriness from his eyes. "I've missed you," he said.
"Well, I'm sure you'll soon get fed up with me," Marcia retorted, finding that her eyes had gone a little fuzzy too. ~ Angie Sage,#NFDB
599:Bhagavad Gita, “The Song Of God.” It is a philosophical dialogue, written by some illumined sage of the time (and attributed to the legendary sage, Vyasa), which offers the most comprehensive and definitive expression of the Samkhya philosophy ever written. ~ Swami Abhayananda, #NFDB
600:This job is all about appearances, Sage. We only hire individuals who take pride in themselves, who can present themselves in a certain manner, while at the same time representing us in such a way that reflects class and allure… a certain degree of unattainability. ~ Anonymous, #NFDB
601:Oh dear," said Sarah anxiously, "I do wish he wouldn't do these silly things." I'm sure we all wish that, Sarah," said Marcia sternly. "But unfortunately he has progressed rather further than the silly stage. Evil-minded-scheming stage is more what I would call it. ~ Angie Sage, #NFDB
602:Rachael Sage is a marvelous young artist- and I am a fan!! 'Haunted by You' has a beauty that shines through her lyrics and melodies-- poignant, tender and tough. These are stories from the heart that will lift you up and carry you to places you had never dreamed. ~ Judy Collins, #NFDB
603:Sage, you’re the only ray of sunshine in my world and I’d die before I give that up.”
I feel his words in my gut and they bring tears to my eyes. I lace my fingers between his and squeeze his hand.
“Then we’ll find a way to be together because I can’t lose you. ~ K Webster,#NFDB
604:So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency. ~ Laozi, #NFDB
605:In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life. ~ J M Coetzee, #NFDB
606:Most of all, it was the wild music that impressed Matt. It did the same thing that playing the piano had done when he was frightened and lonely. It took him into another world where only beauty existed and where he was sage from hatred and disappointment and death. ~ Nancy Farmer, #NFDB
607:Not long ago I heard a Navy chaplain refer to the sage advice of the Apostle to put first things first...If we are to heed the admonition to put first things first...one of the main essentials which lies at the very beginning of civilization is that of security. ~ Calvin Coolidge, #NFDB
608:Once a sage asked why scholars always flock to the doors of the rich, whilst the rich are not inclined to call at the doors of scholars. ‘The scholars‘ he answered , ‘are well aware of the use of money, but the rich are ignorant of the nobility of science.’ ~ Abu Rayhan al Biruni, #NFDB
609:To realize that our knowledge is ignorance, This is a noble insight. To regard our ignorance as knowledge, This is mental sickness. Only when we are sick of the sickness Shall we cease to be sick. The Sage is not sick, being sick of sickness; This is the secret of health. ~ Laozi, #NFDB
610:All to whom want is terrible, upon whatever principle, ought to think themselves obliged to learn the sage maxims of our parsimonious ancestors, and attain the salutary arts of contracting expense; for without economy none can be rich, and with it few can be poor. ~ Samuel Johnson, #NFDB
611:Goodness & love are as real as their terrible opposites, and, in truth, far more real, though I say this mindful of the enormous evils... But love is the final reality; and anyone who does not understand this, be he writer or sage, is a man flawed of wisdom. ~ Sheldon Vanauken, #NFDB
612:Oh dear," said Sarah anxiously, "I do wish he wouldn't do these silly things."
I'm sure we all wish that, Sarah," said Marcia sternly. "But unfortunately he has progressed rather further than the silly stage. Evil-minded-scheming stage is more what I would call it. ~ Angie Sage,#NFDB
613:Really, Sage? A date?” I sighed. “Yes, Adrian. A date.” “A real date. Not, like, doing homework together,” he added. “I mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” “A real date. ~ Richelle Mead, #NFDB
614:What he did wrong. He doesn't deserve your love. But he does deserve your forgiveness, because otherwise he will grow like a weed in your heart until it's choked and overrun. The only person who suffers, when you squirrel away all that hate, is you.”
-Mary to Sage ~ Jodi Picoult,#NFDB
615:Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
"A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of an assignment. Or about something boring."
"A real date. ~ Richelle Mead,#NFDB
616:I want to start two institutions, one in Madras and one in Calcutta, to carry out my plan; and that plan briefly is to bring the Vedantic ideals into the everyday practical life of the saint or the sinner, of the sage or the ignoramus, of the Brahmin or the Pariah. ~ Swami Vivekananda, #NFDB
617:It would be tedious to attempt a phonetic reproduction of Mr. Sage's utterances. Enough to say that they were genteel to a fantastic degree. "Aye thot Aye heeard somewon teeking may neem in veen," may give some idea of his rendering of the above sentence. Let it go at that. ~ Anonymous, #NFDB
618:Twas the saying of an ancient sage that humour was the only test of gravity, and gravity of humour. For a subject which would not bear raillery was suspicious; and a jest which would not bear a serious examination was certainly false wit. ~ Anthony Ashley Cooper 1st Earl of Shaftesbury, #NFDB
619:There is another story of a Chinese sage who was asked, “How shall we escape the heat?”—meaning, of course, the heat of suffering. He answered, “Go right into the middle of the fire.” “But how, then, shall we escape the scorching flame?” “No further pain will trouble you! ~ Alan W Watts, #NFDB
620:Been having a fight with your blankets, Septimus?" A familiar voice echoed down the chimney. "Looks like you lost," the voice continued with a chuckle. "Not wise to take on a pair of blankets, lad. One, maybe, but two blankets always gang up on you. Vicious things, blankets. ~ Angie Sage, #NFDB
621:He was very impressed - and touched - by what he found. He realised that, during the dark winter evenings by the fire, when he had often talked about his time in the Young Army, Marcia had not only listened to his descriptions of the night exercises, she had remembered them. ~ Angie Sage, #NFDB
622:She placed a hand on my cheek and softly kissed the other one, then whispered, “Remember this moment, then, Sage, when someone of my status offered a kindness to someone of yours. Because next time we meet, if Darius is dead, I will no longer be anyone of importance. ~ Jennifer A Nielsen, #NFDB
623:I looked into my own heart and I saw reflected there in its entirety the vast world with all its passions,—pride, hope, fear and the conflagration of the desires. So gazing I understood the word of the ancient sage, “Man is a mirror in which there appears the image of the world.” ~ Ryonen, #NFDB
624:Marcellus," said Julius, sounding somewhat unenthusiastic. "Um, how are you?"
Marcellus smiled. "Alive," he said tersely… Julius, you snake. It has taken me nearly five hundred years to figure this out, but now at last I know what caused the Great Alchemie Disaster... you! ~ Angie Sage,#NFDB
625:I don't suppose you offered to help?"
"Sage," Adrian declared. "These hands don't do manual labor." He knocked another ball into a hole. "You want to play?"
"What? With you?"
"No, with Clarence." He sighed at my dumbfounded look. "Yes, of course with me. ~ Richelle Mead,#NFDB
626:Midday already. As if it isn't enough that I have to put up with a meddling Alchemist - any minute now there will be a meddling Princess at my door declaiming from that wretched book with its tiddly-squiddly type, which is the bane of every ExtraOrdinary Wizard's life. - Marcia ~ Angie Sage, #NFDB
627:The sage said, "The best thing is not to hate anyone, only to love. That is the only way out of it. As soon as you have forgiven those whom you hate, you have gotten rid of them. Then you have no reason to hate them; you just forget. spiritual Dimensions of Psychology." ~ Hazrat Inayat Khan, #NFDB
628:Whereas the ordinary person embraces pleasure, the sage enchains it; whereas the ordinary person thinks pleasure is the highest good, the sage doesn’t think it is even a good; and whereas the ordinary person does everything for the sake of pleasure, the sage does nothing. ~ William B Irvine, #NFDB
629:Such were a dream of some sage at night when he muses in fancy,
Imaging freely a flawless world where none were afflicted,
No man inferior, all could sublimely equal and brothers
Live in a peace divine like the gods in their luminous regions. ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
630:Wat ik bedoel,' zei Marcia in een poging het uit te leggen, 'is dat ik nog nooit eerder iemand heb gevonden die ook maar een sprankje Magiek had, maar jij hebt het... Wat denk je, wil je mijn Leerling worden?... Ik verzoek je om erover na te denken,' zei Marcia op zachtere toon. ~ Angie Sage, #NFDB
631:What are the occupations of the sage? He resigns himself to seeing, to eating, etc…., he accepts in spite of himself this “wound with nine openings,” which is what the Bhagavad-Gita calls the body.―Wisdom? To undergo with dignity the humiliation inflicted upon us by our holes. ~ Emil M Cioran, #NFDB
632:Ah Ratty, what good times we'll have," said Mad Jack. "Just you and me, Ratty. We'll go cuttin' them reeds together, and if you're good we'll go to the circus when it comes to town and see the clowns. I love them clowns, Ratty. We'll have a good life together. Yes we will. Oh yes. ~ Angie Sage, #NFDB
633:Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts. God will see that you do not want society. ~ Henry David Thoreau, #NFDB
634:Even so long after sunset, the sky in the west was touched with feather-strokes of crimson and black. The wind was blowing from the east, which meant that even in the middle of the city you could breathe in desert: sand and grit, cactus and coyotes, the burning scent of sage. ~ Cassandra Clare, #NFDB
635:In addition to the smells of mince and pumpkin pies, the Sage and onions of turkey stuffing, another aroma floated in the air, the very essence of Santa Claus.
Years later, when I was grown up, I still remembered that marvelous fragrance and recognized it as Scotch whisky. ~ Lloyd Alexander,#NFDB
636:Nobody,” Sage reads, “who looks at a shard of flint lying beneath a rock ledge, or who finds a splintered log by the side of the road would ever find magic in their solitude. But in the right circumstances, if you bring them together, you can start a fire that consumes the world. ~ Jodi Picoult, #NFDB
637:Prepare for the difficult while it is still easy. Deal with the big while it is still small. Difficult undertakings have always started with what easy. Great undertakings always started with what is small. Therefore the sage never strives for the great,And thereby the great is achieved. ~ Laozi, #NFDB
638:From the Young Army Fact List:
Fact One: No early morning roll call:
GOOD.
Fact Two: Much better food. GOOD.
Fact Three: Aunt Zelda nice: GOOD.
Fact Four: Princess-girl friendly: GOOD.
Fact Five: Have Magyk ring: GOOD.
Fact Six: Extraordinary Wizard Cross: BAD. ~ Angie Sage,#NFDB
639:Sorry, Sage. Last I checked, you aren’t an expert in
social matters..."
"At least I take action. You? You let the world go by
without you. You have no spine. You don’t fight back."
“You don’t know the first thing about me, Adrian Ivashkov. I fight back plenty. ~ Richelle Mead,#NFDB
640:Thank you very much, Miss Badger," she said. "I appreciate your honesty. I realise this may have put you in a difficult position here, but I trust you will not have any trouble." Marcia glared at Jillie Djinn. "However, if you do, there is always a place for you at the Wizard Tower. ~ Angie Sage, #NFDB
641:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
642:Oh yeah, you’re a regular sage. Shouldn’t you be sitting on a mountain somewhere cultivating a long white beard waiting for knowledge seekers to come to you?”
“Have I mentioned that sarcasm has the potential to be detrimental to the natural beauty of your face?” he countered. ~ Jacquelyn Frank,#NFDB
643:Really, Sage? A date?”
I sighed. “Yes, Adrian. A date.”
“A real date. Not, like, doing homework together,” he added.
“I mean like where you go out to a movie or something. And a
movie that’s not part of a school assignment. Or about something boring.”
“A real date. ~ Richelle Mead,#NFDB
644:The integral sage, the nondual sage, is here to show us otherwise. Known generally as "Tantric," these sages insist on transcending life by living it. They insist on finding release by engagement, finding nirvana in the midst of samsara, finding total liberation by complete immersion. ~ Ken Wilber, #NFDB
645:Shutting out all external objects, fixing the vision between the eyebrows, making even the inward and outward breaths, the sage who has controlled the senses, mind and understanding, who is intent upon liberation, who has cast away desire, fear and anger, he is ever freed. ~ Krishna Dwaipayana Vyasa, #NFDB
646:The artist thing is just natural. If that comes out, the music, the songs, I need some actual time which I dedicate to it. But I don't have to sit down eight hours a day in order to get out what I need to create. That is just always bubbeling inside and than evetually it just comes out. ~ Sage Francis, #NFDB
647:FRIED CHICKPEAS Drain canned chickpeas and thoroughly pat dry. Fry in hot oil (they may splatter) with unpeeled cloves of garlic and sage leaves until the chickpeas are crispy and the garlic is golden. Blot on paper towels, then toss with cayenne and paprika. Serve at room temperature. ~ Jason Matthews, #NFDB
648:The family circle has widened. The worldpool of information fathered by the electric media--movies, Telstar, flight--far surpassesany possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world's a sage. ~ Marshall McLuhan, #NFDB
649:If anything is endemic to Wyoming it is wind. This big room of space is swept out daily, leaving a bone yard of fossils, agates, and carcasses in every stage of decay. Though it was water that initially shaped the state, wind is the meticulous gardener, raising dust and pruning the sage. ~ Gretel Ehrlich, #NFDB
650:the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan’s Association, or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the ~ Anonymous, #NFDB
651:Much as the sage may affect to despise the opinion of the world, there are few who would not rather expose their lives a hundred times than be condemned to live on, in society, but not of it - a by-word of reproach to all who know their history, and a mark for scorn to point his finger at. ~ Charles Mackay, #NFDB
652:The ancient sages said, ‘He who is angry—it is the same as if he worshiped idols.’ They also said, ‘One who yields to anger—if he is a sage, his wisdom departs from him; if he is a prophet, his prophetic gift departs from him.’ Those of an irate disposition—their life is not worth living. ~ Rodger Kamenetz, #NFDB
653:I’m a man.” Koll’s shoulders sagged. “When did that happen?” “It just happens.” “I wish I knew what it meant, being a man.” “Guess it means something different for each one of us. The gods know I’m no sage, but if I’ve realized anything, it’s that life isn’t about making something perfect. ~ Joe Abercrombie, #NFDB
654:Wieder stieg ich und wieder
in den Brunnen, holde Sage von einst,
höre fern deine goldenen Lieder,
wie du lachst, wie du träumst, wie du leise weinst.
Mahnend aus der Tiefe
flüstert das Zauberwort;
mir ist, ich sei trunken und schliefe,
und du riefest ich fort und fort.. ~ Hermann Hesse,#NFDB
655:The five colours will blind a man’s sight. The five sounds will deaden a mans hearing. The five tastes will spoil a man’s palate. Chasing and hunting will drive a man wild. Things hard to get will do harm to a man’s conduct. Therefore the sage makes provision for the stomach and not for the eye. ~ Alan W Watts, #NFDB
656:Du, dem ich's nicht sage, daß ich bei Nacht weinend liege, dessen Wesen mich müde macht wie eine Wiege. Du, der mir nicht sagt, wenn er wacht meinetwillen: wie, wenn wir diese Pracht ohne zu stillen in uns ertrügen? Sieh Dir die Liebenden an, wenn erst das Bekennen begann, wie bald sie lügen. ~ Rainer Maria Rilke, #NFDB
657:The senses and the mind seek to convince thee, sova in are they, that they are the end of all things. The senses and the mind are only instruments and play things. Behind the feelings and the thoughts, my brother; there dwells a more puissant master, an unknown sage; it is called the Self. ~ Nietzsche Zarathustra, #NFDB
658:For precious secrets in reference to beer, am I likewise beholden to him, involving warning against the beer of a certain establishment, by reason of its having turned sour through failure in point of demand: though my young sage is not of opinion that similar deterioration has befallen the ale. ~ Charles Dickens, #NFDB
659:We are the javelins of Destiny, we are the children of Wotan,
We are the human Titans, the supermen dreamed by the sage.
A cross of the beast and demoniac with the godhead of power and will,
We were born in humanity’s sunset, to the Night is our pil ~ Sri Aurobindo, Collected Poems, The Children of Wotan,#NFDB
660:It was if the charming theatrical curtain had dropped away and I saw him for the first time as he really was: not the benign old sage, the indulgent and protective good-parent of my dreams, but ambiguous, a moral neutral, whose beguiling trappings concealed a being watchful, capricious, and heartless. ~ Donna Tartt, #NFDB
661:Sage shakes her head. “Surely there were some Germans who were better than others, some who didn’t want to go along with what Hitler said. If you can’t see them as individuals—if you can’t forgive the ones who ask for it—doesn’t that make you just as bad as any Nazi?”“No,” I admit. “It makes me human. ~ Jodi Picoult, #NFDB
662:the priest and the mage, the man of piety, the just man, the man of wisdom, the saint, the prophet, the Rishi, the Yogi, the seer, the spiritual sage and the mystic ... the saint, the devotee, the spiritual sage, the seer, the prophet, the servant of God, the soldier of the spirit
~ Sri Aurobindo, The Life Divine,#NFDB
663:The Torah sage ... does not encroach upon another's occupation, nor does he ever cause someone discomfort. The rule is that he should be among the pursued and not the pursuers, among those who accept humiliation but not among those who humiliate others.~ Maimonides, in The Ethical Writings of Maimonides (Dover:1975), #NFDB
664:I gave him a nervous smile and said “Say more.” Another favorite rumble tool. Asking someone to “say more” often leads to profoundly deeper and more productive rumbling. Context and details matter. Peel the onion. Stephen Covey’s sage advice still stands: “Seek first to understand, then to be understood. ~ Bren Brown, #NFDB
665:Even to the sage who's doing Sahaja Samadhi, the great guru, I'd say: "Hey buddy, you know, I like the robes and everything, but remember, you're only touching infinity. And if you claim to be doing more, I think you're pretty much in the senses and the body and the mind because infinity is endless." ~ Frederick Lenz, #NFDB
666:Evil, which is our companion all our days, is not to be treated as a foe. It is wrong to cocker vice, but we grow narrow and pithless if we are furtive about it, for this is at best a pretense, and the sage knows good and evil are kindred. The worst of men harm others, and the best injure themselves. ~ Edward Dahlberg, #NFDB
667:Where do you live, Kaznim?"
"In the star tent beside the Moon Pool, beneath the long dune."
Marwick looked puzzled. "So, where's that?" he asked.
"Um. In the desert," said Kaznim. "The Desert of the Singing Sands."
"OK... and whereabouts is that."
Kaznim shook her head. "I ... I don't know. ~ Angie Sage,#NFDB
668:He hesitated a moment and gave a decisive nod. Then, to my complete and utter astonishment, he got down on his knees before me and clasped my hands in his. “Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife? ~ Richelle Mead, #NFDB
669:Toute possibilité de lâcheté devient une magnifique espérance à qui s’y connaît. C’est mon avis. Il ne faut jamais se montrer difficile sur le moyen de se sauver de l’étripade, ni perdre son temps non plus à rechercher les raisons d’une persécution dont on est l’objet. Y échapper suffit au sage ~ Louis Ferdinand C line, #NFDB
670:A sage once said, ‘How shall I open my heart, oh friend? It is forbidden for me to speak. I am about to die for lack of a kindred soul to understand my misery. Simply by looking in her eyes I find the beloved of my heart. But rare is such a soul who swims in ecstatic bliss on the high tide of heavenly love. ~ Trevor Hall, #NFDB
671:My character is different from all of the Elves you've met before, in that she's really young. And I keep telling journalists this because I've really focused on that in my performance. I'm trying to distinguish her from all of these incredibly sage and wise Elves that have lived for thousands of years. ~ Evangeline Lilly, #NFDB
672:Oh, would you look at this, now,” she said, pointing at a hole in her sage-green velvet couch. Never mind the brain and hair on it, she could clean those off with a stiff brush. And never mind the point-blank gunshot to the face she’d absorbed. It was the bullet hole in her couch that pissed her off. ~ Christopher Buehlman, #NFDB
673:The family circle has widened. The worldpool of information fathered by electric media—movies, Telstar, flight—far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage. ~ Marshall McLuhan, The Medium is the Massage, #NFDB
674:Sage would survive. I'd survive. We were better off apart. Painful and quick, just like ripping off a Band-Aid. Well, more like gouging a piece of shrapnel out of my stomach, pouring a bottle of gin into the wound, lighting it on fire, and sewing my guts up with a dirty bootlace. But the concept was the same. ~ Brian Katcher, #NFDB
675:That was Sydney Sage," said Lissa. "I thought they were all in West Virginia. Why isn't she with Rose?" "That," said Abe darkly, "is an excellent question." "Because they were apparently kidnapping Jill Mastrano in Detroit," said Christian. "Which is weird. But not the craziest thing I can think of Rose doing. ~ Richelle Mead, #NFDB
676:They just go on and on. The most extraordinary one is this one I found on a gossip site: Becky “drank cocktails” before row, bartender reports I mean, for God’s sake. What does that have to do with anything? They might as well write LOIS AND SAGE VISITED BATHROOM ON DAY OF ROW. They probably will write that. ~ Sophie Kinsella, #NFDB
677:Okay,” she drew out. “Let me rephrase that. Did you sleep with Sage yet?”
I blushed furiously.
She smacked my leg and exclaimed, “I knew it! I could smell it on you.”
“You can smell it on me?”
She grinned. “When I was hugging you, yeah. Your chest smelled like cologne and man tongue. ~ Karina Halle,#NFDB
678:To a suffering person, a night is an epoch. To a reveler, a night passes like a moment. In a dream, a moment is no different from an epoch. But to the sage, whose consciousness has overcome all limitations, there is no day or night. As one turns away from the notion of “I” and “the world,” one finds liberation. ~ Deepak Chopra, #NFDB
679:When water is calm, it reflects objects like a mirror. This tranquillity, this perfect level is the model for the sage. If water is transparent when it is in perfect repose, much more so is the intellectual essence. The heart of the sage in perfect repose is the mirror of heaven and of earth and of all existences. ~ Tsuang tse, #NFDB
680:He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands. ~ Annie Proulx, #NFDB
681:In general, old-fashioned cottage garden perennials are the ones to go for, particularly garden herbs – lupins, hollyhocks, scabious, lavender, chives, sage, thyme and rosemary and so on. Most are easy to grow and low maintenance, so they are well suited to busy modern lifestyles – gardening for wildlife is easy. ~ Dave Goulson, #NFDB
682:Our prayers should be for blessings in general, for God knows best what is good for us.'" Moira smiled as she quoted the ancient sage, then shrugged. "It made sense to me. After that, I started laying my problems and needs before God and asking for grace and guidance and whatever other virtues he thought I needed. ~ Irene Hannon, #NFDB
683:The sage knows he or she cannot leave all these commitments behind to pursue a life of solitary virtue. For we are called on by God to live in the world, not escape from it; in society not seclusion; to strive to create a balance among the conflicting pressures on us, not to focus on some while neglecting the others. ~ Anonymous, #NFDB
684:Thus they are able to reign over all the mountain streams. So the sage, wishing to be above men, putteth himself below them; wishing to be before them, he putteth himself behind them. Thus, though his place be above men, they do not feel his weight; though his place be before them, they do not count it an injury. ~ Dale Carnegie, #NFDB
685:Up until that moment, I'd been at the earliest stage of love, when you feel it will turn you into the person you want to be. Now, his gentle voice and sage advice took me to a later stage: I felt I needed to pretend to be a better person than I was so he'd keep loving me. This was hard because it made me hate him. ~ Melissa Bank, #NFDB
686:Quand un bon vin meuble mon estomac Je suis plus savant que Balzac —Plus sage que Pibrac; Mon brass seul faisant l’attaque De la nation Coseaque, La mettroit au sac; De Charon je passerois le lac En dormant dans son bac, J’irois au fier Eac, Sans que mon coeur fit tic ni tac, Premmer du tabac. —French Vaudeville ~ Edgar Allan Poe, #NFDB
687:When water is still, it reflects objects like a mirror. This stillness, this perfect level is the model of the sage. If water is translucent when it is in perfect rest, much more so must it be with the intellectual essence. The heart of the sage in perfect repose is the mirror of earth and heaven and all existences. ~ Chwang-tse—, #NFDB
688:Dr Syngmann: Gott ist der Gott der Juden, sage ich! Deswegen sollst du ihn in Ruhe lassen, John. Was du gestohlen hast, wird niemals deins. Die Juden könne diese Gottesliebe verklagen und sie ins Zuchthaus bringen nach der Berner Konvention, die für Diebstahl von Patenten und Ideen schwere Strafen androht. ~ Halld r Kiljan Laxness, #NFDB
689:Philosophy calls for plain living, but not for penance; and we may perfectly well be plain and neat at the same time. This is the mean of which I approve; our life should observe a happy medium between the ways of a sage and the ways of the world at large; all men should admire it, but they should understand it also. "Well ~ Seneca, #NFDB
690:That was Sydney Sage," said Lissa. "I thought they were all in West Virginia. Why isn't she with Rose?"
"That," said Abe darkly, "is an excellent question."
"Because they were apparently kidnapping Jill Mastrano in Detroit," said Christian. "Which is weird. But not the craziest thing I can think of Rose doing. ~ Richelle Mead,#NFDB
691:Therefore the sage desires what (other men) do not desire, and does not prize things difficult to get; he learns what (other men) do not learn, and turns back to what the multitude of men have passed by.
Thus he helps the natural development of all things, and does not dare to act (with an ulterior purpose of his own). ~ Lao Tzu,#NFDB
692:If the God of revelation is most appropriately worshipped in the temple of religion, the God of nature may be equally honored in the temple of science. Even from its lofty minarets the philosopher may summon the faithful to prayer, and the priest and sage exchange altars without the compromise of faith or knowledge. ~ David Brewster, #NFDB
693:When an alluring woman comes in at the door," warningly traced the austere Kien-fi on the margin of his well-known essay, "discretion may be found up the chimney". It is incredible that beneath this ever-timely reminder an obscure disciple should have added the words: "The wiser the sage, the more profound the folly. ~ Ernest Bramah, #NFDB
694:All too willingly man sees himself as the centre of the universe, as something not belonging to the rest of nature but standing apart as a different and higher being. Many people cling to this error and remain deaf to the wisest command ever given by a sage, the famous "Know thyself" inscribed in the temple of Delphi. ~ Konrad Lorenz, #NFDB
695:Hey, Sydney. I thought I saw your car out there." He glanced around. "Is, uh, Jill with you?" "Not today." I said. New insight struck me as I recalled that Lee attended school in Los Angeles. "Lee, have you ever dated a human girl at your school?" Adrian arched an eyebrow. "Are you asking him out, Sage?" I scowled. "No! ~ Richelle Mead, #NFDB
696:It was a great sage of Islam, ibn Khaldun (1332–1406), who saw that as a society becomes affluent it becomes more individualistic. It loses what he called its asabiyah, its social cohesion. It then becomes prey to the ‘desert dwellers’, those who shun the luxuries of the city and are prepared for self-sacrifice in war. ~ Jonathan Sacks, #NFDB
697:Music issuing like fire from the hidden chromosphere of pain, spore and madrepore fructifying the earth, navels vomiting their bright spawn of anguish... He is a bright sage, a dancing sear who, with a sweep of the brush, removes the ugly scaffold to which the body of man is chained by the incontrovertible facts of life. ~ Henry Miller, #NFDB
698:She had married him because she felt sage, because she'd had enough pain to last her a lifetime, and because although he had many faults, faults she was aware of before she married him, she knew he wouldn't hurt her.
She knew because there was no passion, and the only time she had felt passion, it had come with a price. ~ Jane Green,#NFDB
699:Up until that moment, I'd been at the earliest stage of love, when you feel it will turn you into the better person you want to be. Now, his gentle voice and sage advice took me to a later stage: I felt I needed to pretend to be a better person than I was so he'd keep loving me. This was hard because it made me hate him. ~ Melissa Bank, #NFDB
700:Il ne faut jamais oublié quand un malheur vous frappe, qu'il peut très bien vous épargner un ennui pire encore; ou que, quand vous commettez une lourde erreur, cela peut très bien vous servir mieux que la décision la plus sage. La vie est un tout, la chance est un tout, et on ne peut séparer aucun élément du reste. ~ Winston S Churchill, #NFDB
701:Outside, it feels like there is less standing between the Creator and us. There is a lingering visceral connection we can hear and see and smell, reminders of the bond between Creator and creation, like the mountain sage crushed up in the pocket of the sweatshirt I was wearing on a short, muddy hike the other day. “In ~ Cathleen Falsani, #NFDB
702:Someday you will die. Because you are embodied through and through, at that point you will cease to exist. You will not meet death, because, as the sage says, "Where death is I am not; where I am death is not, so we never meet." When you die there will no longer be any self that is you. Use your self while you have it. ~ Owen J Flanagan, #NFDB
703:A crimson fire that vanquishes the stars;A pungent odor from the dusty sage;A sudden stirring of the huddled herds;A breaking of the distant table-landsThrough purple mists ascending, and the flareOf water ditches silver in the light;A swift, bright lance hurled low across the world;A sudden sickness for the hills of home. ~ Willa Cather, #NFDB
704:If Socrates leaves his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend.’ Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-law. But always meeting ourselves. ~ James Joyce, #NFDB
705:Man is timid and apologetic. He is no longer upright. He dares not say “I think”, “I am” but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are, they exist with God to-day. ~ Ralph Waldo Emerson, #NFDB
706:Anyone who masters these techniques fully has achieved a tremendous power over himself more valuable than health, love, fame, or riches. He has set himself free from the effects of the world; nothing can touch him unless he wills it. As it has been said, the sage who knows how can live comfortably in hell.
~ Peter J Carroll, Liber Null,#NFDB
707:Historian Richard Slotkin has shown how the myth of Indian savagery was required to justify the subjugation of the tribes so that their prairie kingdoms could be seized by the Americans crossing the frontier after 1843. But that image, faithfully passed down by purple-sage novels and Hollywood westerns, is wildly inaccurate. ~ Rinker Buck, #NFDB
708:The Master made it his task to destroy systematically every doctrine, every belief, every concept of the divine, for these things, which were originally intended as pointers, were now being taken as descriptions. He loved to quote the Eastern saying "When the sage points to the moon, all that the idiot sees is the finger. ~ Anthony de Mello, #NFDB
709:Comptroller," Sally began hurriedly in an oddly strangled voice. "I bring you this Wonder for the Coronation. We, the family Mullin, are honored to be the Keepers of the Coronations Biscuit Tin and as is our bounded duty since Time Began, we now resent this to thee, Oh, Comptroller, for its sacred duty. Safe Journey." - To Sarah ~ Angie Sage, #NFDB
710:My God, Sage. Your eyes. How have I never noticed them?" That uncomfortable feeling was spreading over me again. "What about them?" "The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..." He reached toward me but then pulled back. "They're beautiful. You're beautiful. ~ Richelle Mead, #NFDB
711:Sage doesn’t chase away spirits,” Iris continued, “but it does mask their scent. Spirits carry an ozone scent, and demons smell like sulfur or rotten eggs. A person might not even consciously register the smell, but they’ll sense it on some level. It’s that awareness that the spirit can use as a doorway to return to the environment. ~ J D Horn, #NFDB
712:Those who sage as they age view aging not as a hardship but, rather, as a precious gift filled with promise and replete with possibilities. We may age graciously into simplicity and love, allowing the power from our sense of well-being to permeate the atmosphere around us, or we may vault into older age revved up and in high gear. ~ Sue Thoele, #NFDB
713:When Zeno, who did not believe in slavery, was beating his slave for some offense, the slave pleaded, in mitigation, that by his master's philosophy he had been destined from all eternity to commit this fault; to which Zeno replied, with the calm of a sage, that on the same philosophy he, Zeno, had been destined to beat him for it. ~ Will Durant, #NFDB
714:When Zeno, who did not believe in slavery, was beating his slave for some offense, the slave pleaded, in mitigation, that by his master’s philosophy he had been destined from all eternity to commit this fault; to which Zeno replied, with the calm of a sage, that on the same philosophy he, Zeno, had been destined to beat him for it. ~ Will Durant, #NFDB
715:/Farsi Every man who knows his secret becomes a secret, hidden from the skies. The sage says Ahmad rose to the heavens; Sarmad says the heavens rose in him! [2652.jpg] -- from The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology), Edited by Ivan M. Granger
~ Sarmad, Every man who knows his secret
,#NFDB
716:The sage does not become trapped in semantics, does not mistake map for territory, but rather "opens things up to the light of Heaven" by flowing with the words, by playing with the words. Once attuned to this flow, the sage need make no special effort to "illumine," for language does it by itself, spontaneously. Language spills over. ~ Hakim Bey, #NFDB
717:There is a sort of busy worm,
That will the fairest book deform.
Their tasteless tooth will tear and taint
The poet, patriot, sage or saint,
Nor sparing wit nor learning.
Now, if you’d know the reason why,
The best of reasons I’ll supply:
’Tis bread to the poor vermin.
J. Doraston, quoted by W. Blades ~ Cornelia Funke,#NFDB
718:Adrian took a few steps toward me. "Not bad, Sage. I think you just scared old man Mazur."
I felt a smile of my own begin to form. "I don't know about that, but it felt kind of good."
"You should back talk people more often," he said. We grinned at each other, and as he regarded me fondly, I felt that same queasy feeling return. ~ Richelle Mead,#NFDB
719:Once when he [Demonax, a supposed Cynic sage] came upon two uncouth philosophers inquiring and wrangling with one another--one of them putting absurd questions, the other answering perfectly irrelevantly--he said "Don't you think, my friends, that one of these guys is milking a he-goat and the other putting a sieve underneath it? ~ Lucian of Samosata, #NFDB
720:People are timid and apologetic; they are no longer upright; they dare not say "I think," "I am," but quote some saint or sage. They are ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. ~ Ralph Waldo Emerson, #NFDB
721:The universe is everlasting. The reason that the universe is everlasting is that it does not live for itself. Therefore it lasts. Therefore the sage puts himself behind, and finds himself in front, regards his person as outside himself, and his person is preserved. Is it not because he does not live for himself that he realizes himself? ~ Alan W Watts, #NFDB
722:A sage was asked, “What is the most important work? who is the man the most important in life ?” The sage replied, The most important work is to love all men, because that is the life-work of each man. The most important man is the one with whom you have to do at this moment, because you can never know whether you will have to do with another. ~ Tolstoi, #NFDB
723:during his four-day vision quest, the Indian built a sweat lodge of willow and hides, fasted, cleansed himself with sage and cedar, and endured the heat of the fire until his spirit was released to soar over a field of snakes. His ordeal ended when a vision of his mother appeared and told him to go back home because he had forgotten his pipe. ~ Wade Davis, #NFDB
724:Hey, Sydney. I thought I saw your car out there." He glanced around. "Is, uh, Jill with you?"
"Not today." I said. New insight struck me as I recalled that Lee attended school in Los Angeles. "Lee, have you ever dated a human girl at your school?"
Adrian arched an eyebrow. "Are you asking him out, Sage?"
I scowled. "No! ~ Richelle Mead,#NFDB
725:Hast du manchmal Angst?", fragt er. "Ich meine nicht Angst vor einer Prüfung. Oder dem Erzieher. Sondern so richtig Angst. So Angst vor dem Leben. Weißt du?" Troy schluckt. Er beugt sich nach vorn.
"Leben ist Angst haben", sage ich. Mir wird unangenehm. Eigentlich habe ich noch nie darüber nachgedacht. Aber ich glaube, es stimmt. ~ Benjamin Lebert,#NFDB
726:My God, Sage. Your eyes. How have I never noticed them?"
That uncomfortable feeling was spreading over me again. "What about them?"
"The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..." He reached toward me but then pulled back. "They're beautiful. You're beautiful. ~ Richelle Mead,#NFDB
727:The fundamental motif at the heart of many ancient myths is that the primal oneness of being is manifesting as the multiplicity of life, so that it can come to know itself. As the Gnostic sage Simon Magus says in ‘The Great Announcement’: There is one power… begetting itself, increasing itself, seeking itself, finding itself… One root of the All. ~ Tim Freke, #NFDB
728:The Master made it his task to destroy systematically every
doctrine, every belief, every concept of the divine, for these
things, which were originally intended as pointers, were now
being taken as descriptions.
He loved to quote the Eastern saying "When the sage points
to the moon, all that the idiot sees is the finger. ~ Anthony de Mello,#NFDB
729:Réussir sa vie ? Il y a bien longtemps que le sage ne s’en préoccupe plus ! Vivre lui suffit, dans son insuffisance essentielle. Montaigne encore : « Je veux qu’on agisse, et qu’on allonge les offices de la vie tant qu’on peut, et que la mort me trouve plantant mes choux, mais nonchalant d’elle, et encore plus de mon jardin imparfait2845 ~ Andr Comte Sponville, #NFDB
730:In a 2006 speech then-senator Barack Obama gave to a group of college students, he offered these sage words about success: “Focusing your life solely on making a buck shows a certain poverty of ambition. It asks too little of yourself. Because it’s only when you hitch your wagon to something larger than yourself that you realize your true potential. ~ T D Jakes, #NFDB
731:The ordinary people will consider it lack of simplicity to harmonize all the changes throughout ten thousand years. With a tired body and a frightened mind, they toil to avoid this and to take that. The sage alone has no prejudice. He therefore proceeds with utter simplicity and becomes one with transformation and always roams in the realm of unity. ~ Guo Xiang, #NFDB
732:Because, according to the sage Solomon, wisdom does not enter into a soul that seeks after evil, and knowledge without conscienceis the ruin of the soul, it behooves you to serve, love and fear God and to put all your thoughts and hope in him, and by faith founded in charity, be joined to him, such that you never be separated from him by sin. ~ Francois Rabelais, #NFDB
733:Gringe shook his head. He'd found the last ExtraOrdinary Wizard difficult at times, but she was nothing like this one. This one was crazy. What did he think he was doing, taking three kids and two of his daft brothers dressed like wolverines into the Forest at night?...
'Get out of the blasted way, you nurdles! The bloomin' bridge is comin' down! ~ Angie Sage,#NFDB
734:When Newton saw an apple fall, he found In that slight startle from his contemplation- 'Tis said (for I'll not answer above ground For any sage's creed or calculation)- A mode of proving that the earth turn'd round In a most natural whirl, called 'gravitation'; And this is the sole mortal who could grapple, Since Adam, with a fall, or with an apple. ~ Lord Byron, #NFDB
735:How now in the contemplative evening of his days, the pious Bildad reconciled these things in the reminiscence, I do not know; but it did not seem to concern him much, and very probably he had long since come to the sage and sensible conclusion that a man's religion is one thing, and this practical world quite another. This world pays dividends. ~ Herman Melville, #NFDB
736:L'éphémère est une divinité polymorphe ainsi que son nom. Sur ces trois pieds qui sonnent comme une légende peuplée d'yeux de farfadets, mon ami Robert Desnos, ce singulier sage moderne, qui a des navires étranges dans chaque pli de sa cervelle, s'est longuement penché, cherchant par l'échelle de soie philologique le sens de ce mot fertile mirages. ~ Louis Aragon, #NFDB
737:There are two kinds of victory in this world,’ said the storyteller-sage, ‘Vijaya and Jaya. Vijaya is material victory, where there is a loser. Jaya is spiritual victory, where there are no losers. In Kuru-kshetra there was Vijaya but not Jaya. But when Yudhishtira overcame his rage and forgave the Kauravas unconditionally, there was Jaya. That ~ Devdutt Pattanaik, #NFDB
738:Ich sage dir, mein Schatz, wenn meine Sinne gar nicht mehr halten wollen, so lindert all den Tumult der Anblick eines solchen Geschöpfs, das in glücklicher Gelassenheit den engen Kreis seines Daseins, hingeht, von einem Tage zum andern sich durchhilft, die Blätter abfallen sieht und nichts dabei denkt, als dass der Winter kommt" (S. 13) ~ Johann Wolfgang von Goethe, #NFDB
739:strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan’s Association, or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the English capital, from the Harmonic to that of the ~ Anonymous, #NFDB
740:Do you know the Bhagavad Gita?” “No, sir, not really; though my eyes and mind have run through its pages many times.” “Thousands have replied to me differently!” The great sage smiled at Master in blessing. “If one busies himself with an outer display of scriptural wealth, what time is left for silent inward diving after the priceless pearls? ~ Paramahansa Yogananda, #NFDB
741:For the fact is that
neither the grammarian nor any other person of skill ever makes a mistake
in so far as he is what his name implies; they none of them err unless
their skill fails them, and then they cease to be skilled artists. No
artist or sage or ruler errs at the time when he is what his name implies;
though he is commonly said to err. ~ Plato,#NFDB
742:In Summer there were white and damask roses, and the smell of thyme and musk. In Spring there were green gooseberries and throstles [thrush], and the flowers they call ceninen [daffodils]. And leeks and cabbages also grew in that garden; and between long straight alleys, and apple-trained espaliers, there were beds of strawberries, and mint, and sage. ~ Beatrix Potter, #NFDB
743:I am of this place. Family is a place, and my family s located here, those who are living and those who have passed. I am am settled in the scent of sage, Mount Moran's reflection at Oxbow Bend is more than a mirror of memories; it is the joy found in river otters, a reminder that there are places in the world we can return for peace unchanged. ~ Terry Tempest Williams, #NFDB
744:Knowledge without devotion will be like a misfire. Therefore, says the Gita, ‘Have devotion, and knowledge will follow.’ This devotion is not mere lip worship, it is a wrestling with death. Hence, the Gita’s assessment of the devotee’s quality is similar to that of the sage. 17. Thus the devotion required by the Gita is no soft-hearted effusiveness. It ~ Mahatma Gandhi, #NFDB
745:The thought of the ego occupies only the man of unsound understanding, the sage recognises that it has no foundation; he examines the world rationally and concludes that all formations of existence are vain and hasten towards dissolution; alone the Law remains eternal. When man by his efforts has acquired this knowledge he contemplates the truth. ~ Fo-sho-hing-tsan-kiag, #NFDB
746:Every one is struggling for freedom-from the atom to the star. The ignorant man is satisfied if he can get freedom within a certain limit-if he can get rid of the bondage of hunger or of being thirsty. But that sage feels that there is a stronger bondage which has to be thrown off. He would not consider the freedom of the Red Indian as freedom at all. ~ Swami Vivekananda, #NFDB
747:Hey, how come you told those
girls your name was Jet?”
“Standard practice if you don’t want chicks to find you later, Sage. Besides, I figured I was protecting our operation
here.”
“Yeah, but why Jet? Why not . . . I
don’t know . . . Travis or John?”
Adrian gave me a look that said I was
wasting his time. “Because Jet sounds
badass. ~ Richelle Mead,#NFDB
748:the Stoic Sage is notoriously paradoxical. He is the sort of person whom we can call truly rich even when he owns nothing, he is the only truly free man even when imprisoned by a tyrant, he is the only true friend even when persecuted as an enemy, he remains Happy and lives a blessed life even if subjected to the sum total of all external misfortunes. ~ Donald J Robertson, #NFDB
749:And yet, once again, you’re the one who finds romantic subtext in everything I say.”
“I do not. You know that’s not what I meant.”
He shook his head in mock sympathy. “I tell you, Sage. Sometimes I think I’m the one who needs to take out the restraining order on you.”
“Adrian!”
But he was already out the door, knowing laughter echoing behind him. ~ Richelle Mead,#NFDB
750:Cerys watched her open the door and struggle to squeeze inside.
"Zelda?" Cerys called.
"Yes?" puffed Aunt Zelda, poking her head out of the cupboard with some difficulty.
"It is possible to eat an Enlarging Spell without realising it, do you suppose?"
Aunt Zelda looked puzzled. "I shouldn't think so," she said. "Why?"
"No reason. I just wondered. ~ Angie Sage,#NFDB
751:Philosophy
The sulky sage scarce condescends to see
This pretty world of sun and grass and leaves;
To him 'tis all illusion--only he
Is real amid the visions he perceives.
No sage am I, and yet, by Love's decree,
To me the world's a masque of shadows too,
And I a shadow also--since to me
The only real thing in life is--you.
~ Edith Nesbit,#NFDB
752:We live in a Jesus haunted culture that is Biblically illiterate, and so unfortunately at this point in time, almost anything can pass for knowledge of the historical Jesus from notions that he was a a Cynic sage to ideas that he was a Gnostic guru to fantasies that he didn't exist, to Dan Browne's Jesus of hysterical (rather than historical) fiction. ~ Ben Witherington III, #NFDB
753:Hey, how come you told those
girls your name was Jet?”
“Standard practice if you don’t want
chicks to find you later, Sage. Besides, I figured I was protecting our operation
here.”
“Yeah, but why Jet? Why not . . . I
don’t know . . . Travis or John?”
Adrian gave me a look that said I was
wasting his time. “Because Jet sounds
badass. ~ Richelle Mead,#NFDB
754:I have on my office wall a wise and useful reminder by Anne Morrow Lindbergh concerning one of the realities of life. She wrote, "My life cannot implement in action the demands of all the people to whom my heart responds." That's good counsel for us all, not as an excuse to forgo duty, but as a sage point about pace and the need for quality in relationships. ~ Neal A Maxwell, #NFDB
755:Tant que je vive, mon cueur ne changera
Pour nulle vivante, tant soit elle bonne ou sage
Forte et puissante, riche de hault lignaige
Mon chois est fait, aultrene se fera
***
Long as I live, my heart will never vary
For no one else, however fair or good
Brave, resolute, or rich, of gentle blood
My choice is made, and I will have no other. ~ Dorothy Dunnett,#NFDB
756:Therefore the Sage embraces Unity, and is a model for all under Heaven. He is free from self-display, therefore he shines forth; from self-assertion, therefore he is distinguished; from self-glorification, therefore he has merit; from self-exaltation, therefore he rises superior to all. Inasmuch as he does not strive, there is no one in the world who can strive with him. ~ Laozi, #NFDB
757:The rest of the house had a casual California boho-beach vibe, with its distressed wood floors, ivory furniture, and gauzy curtains, but the bedroom was very Zen. Decorated in a cool palette of sage greens and charcoal grays, with a floor-to-ceiling window along one wall that looked over a tiny tranquility garden of stones and succulents, it was my little oasis. ~ J T Geissinger, #NFDB
758:...you look the truth in the face - not the truth that has fangs and fur but the hard truth about yourself, that you're just as dangerous as the beings the rest of the people fear but you can't afford to be as honest about it. You can't tell those people that you'll make deals with what they fear in order to keep them sage from the monsters who look just like them. ~ Anne Bishop, #NFDB
759:I miss our own quiet country road. I miss the unmarked settler graves you found along it, that summer that we went bone-hunting. You were the one who could find the dead where the ground hid them under its skin. You are a better witch than I was. I admit it. I miss the way you smelled of witchcraft. Soot on your fingertips, sage and hyssop, sweet dock and cedar tips. ~ Kathe Koja, #NFDB
760:In Tuzla, erzählt sie, gebe es Kinder, die noch nie eine Portion Pommes frites gesehen haben. Hach, denke ich, so viel Elend auf der Welt.
"Und Sie", frage ich, "schon mal eine Portion Pilav gesehen?"
Sie stutzt. "What’s Pilav?" "Fastfood"‚ sage ich. "Landestypisch."
Das habe ich von der Menütafel an der Wand in ihrem Rücken abgelesen. Sie wechselt das Thema. ~ Juli Zeh,#NFDB
761:In New Mexico, he always awoke a young man, not until he arose and began to shave did he realize that he was growing older. His first consciousness was a sense of the light dry wind blowing in through the windows, with the fragrance of hot sun and sage-brush and sweet clover; a wind that made one's body feel light and one's heart cry 'To-day, to-day,' like a child's. ~ Willa Cather, #NFDB
762:You are born in a human form, and you find joy in it. Yet there are ten thousand other forms endlessly transforming that are equally good, and the joy in these is untold. The sage dwells among those things, which can never be lost, and so he lives forever. He willingly accepts early death, old age, the beginning and the end, and serves as an example for everyone.63 ~ Arnold Mindell, #NFDB
763:Ich erfinde keine Geschichten. Ich schreibe eine andere Sorte Geschichten. Ich schreibe so wahrhaftig wie der Mann mit seinen Fingern, wenn ich nur alles behalten und sagen kann; aber ich bin nicht auf seiner Seite. Ich bin auf einer anderen Seite. Ich sage die Wahrheit, aber aus einer anderen Sicht. Ich bin diejenige, der er es angetan hat. Der Köder spricht, Süßer. ~ Andrea Dworkin, #NFDB
764:You think that I'm so manipulative and scheming, Miss Sage? It's all for them. For my loved ones first. My people second. And yes, I suppose I'm in the mix there too, but don't think for an instant I wouldn't sacrifice myself if it could save someone I love. And don't think for an instant that I wouldn't do terrible, unspeakable things if it could save someone I love. ~ Richelle Mead, #NFDB
765:We are born under circumstances that would be favourable if we did not abandon them. It was nature's intention that there should be no need of great equipment for a good life: every individual can make himself happy. External goods are of trivial importance and without much influence in either direction: prosperity does not elevate the sage and adversity does not depress him. ~ Seneca, #NFDB
766:Speaking of that dress,” he added, “I still haven’t seen it.”
I laughed softly. “You couldn’t handle it.” He raised an eyebrow at that. “Is that a challenge, Sage? I can handle a lot.”
“Not if our history is any indication. Each time I wear some moderately attractive dress, you lose it.” “That’s not exactly true,” he said. “I lose it no matter what you’re wearing. ~ Richelle Mead,#NFDB
767:Therefore the Sage, wishing to be above the people, must by his words put himself below them; wishing to be before the people, he must put himself behind them. In this way, though he has his place above them, the people do not feel his weight; though he has his place before them, they do not feel it as an injury. Therefore all mankind delight to exalt him, and weary of him not. ~ Laozi, #NFDB
768:Well, this is a nice surprise," he said. He looked us over. Jill had changed into her normal clothes during her isolation today, but I still had on the Amberwood blouse and skirt. "Sage, aren't you guys supposed to have uniforms? This looks like what you usually wear."
"Cute," I said, suppressing an eye roll.
Adrian gave me a mock bow. "Careful. You almost smiled. ~ Richelle Mead,#NFDB
769:They were, doubtless, good men, just and sage. But, out of the whole human family, it would not have been easy to select the same number of wise and virtuous persons, who should be less capable of sitting in judgment on an erring woman's heart, and disentangling its mesh of good and evil, than the sages of rigid aspect towards whom Hester Prynne now turned her face. ~ Nathaniel Hawthorne, #NFDB
770:He lay back unfazed, in a confidence unknown to me. “The Holy Spirit,” he whispered with the patience of a sage, “gives us time to make fools of ourselves, so we will long to see with Jesus’s eyes.” He imitated a blind person suddenly seeing. His words reminded me of George MacDonald’s. “This is how we learn. As we do, we see people, even the Romans, with new eyes.” “But ~ C Baxter Kruger, #NFDB
771:Sage shifted beneath me. I put one of my hands back into his thick hair and left it there, pretending I needed to hold him. It took all my willpower not to start playing with it.
“I guess you don’t do this very often,” I told him, my voice cracking slightly.
I couldn’t see his face but I could feel him smile. “No. Usually my head’s turned the other way around. ~ Karina Halle,#NFDB
772:Wait.” Stefan’s voice was hard suddenly. Bonnie and Elena turned back and froze, embracing each other, trembling. “What is your—your father—going to do to you when he finds out that you allowed this?”
"He will not kill me,” Sage said brusquely, the wild tone back in his voice. “He may even find it as amusant as I do, and we will be sharing a belly laugh tomorrow. ~ L J Smith,#NFDB
773:Krishnamurti, a great Indian sage, once said: “You can take a piece of wood that you brought back from your garden, and each day present it with a flower. At the end of a month you will adore it, and the idea of not giving it an offering will be a sin.” In other words, everything that you are used to, once done long enough, starts to seem natural, even though it might not be. ~ Julien Smith, #NFDB
774:De harige spin staarde Septimus onheilspellend aan. Hij had Septimus zeker eerder gezien. Vier keer om precies te zijn, dacht de spin kwaad, vier keer was hij opgeraapt, in een potje gestopt en buitengezet...
'Soms, Jen,' zei Septimus toen hij weer terugkwam bij de marmeren trap, 'denk ik dat die spinnen weer regelrecht naar de Bibliotheek wandelen. Vandaag herkende ik er een. ~ Angie Sage,#NFDB
775:I have now come to a stage of realization in which I see that God is walking in every human form and manifesting Himself alike through the sage and the sinner, the virtuous and the vicious. Therefore when I meet different people I say to myself, “God in the form of the saint, God in the form of the sinner, God in the form of the righteous, God in the form of the unrighteous. ~ Sri Ramakrishna, #NFDB
776:PROSCIUTTO- AND SAGE-WRAPPED DATES (Serves 6) INGREDIENTS 24 fresh sage leaves 12 dates, halved, pits removed 1 pack prosciutto, each slice sliced lengthways down the middle 2 Tablespoons maple syrup Preheat oven to 350 degrees. Place a sage leaf on each date half, wrap with prosciutto, place flat side down on a baking sheet. Bake 10 minutes. Brush with maple syrup and serve. ~ Jane Green, #NFDB
777:Rama, the ancient idol of the heroic ages, the embodiment of truth, of morality, the ideal son, the ideal husband, and above all, the ideal king, this Rama has been presented before us by the great sage Valmiki. No language can be purer, none chaster, none more beautiful, and at the same time simpler, than the language in which the great poet has depicted the life of Rama. ~ Swami Vivekananda, #NFDB
778:True friendship is worth more than can be measured,
a quality forever to be treasured.
True friends will staunchly stand beside each other,
as loyally brother shieldeth brother,
remaining firm in spite of war and strife,
in poverty or sickness, throughout life.
True friendship doth endure while comrades age
from boy to youth, from warrior to sage. ~ Cecilia Dart Thornton,#NFDB
779:There reigned a king of name revered, To country and to town endeared, Great Daśaratha, good and sage, Well read in Scripture's holy page: [pg 013] Upon his kingdom's weal intent, Mighty and brave and provident; The pride of old Ikshváku's seed For lofty thought and righteous deed. Peer of the saints, for virtues famed, For foes subdued and passions tamed: A rival in his wealth untold ~ Valmiki, #NFDB
780:We just stood there for a few seconds. Back when we were friends, we'd have already been laughing and joking. Now things were tense and awkward. There was no way I could ever be relaxed around this person again. To me, Sage would never be just Sage. She'd be Sage-the-boy-who-pretended-to-be-a-girl-and-who-I-kissed-that-one-time. No friendship could survive with that many hyphens. ~ Brian Katcher, #NFDB
781:Rousseau (I’ll note with your permission)
Could not conceive how solemn Grimm
Dared clean his nails in front of him,
The madcap sage and rhetorician.
Champion of rights and liberty,
In this case judged wrong-headedly.
One still can be a man of action
And mind the beauty of one’s nails:
Why fight the age’s predilection?
Custom’s a despot and prevails. ~ Alexander Pushkin,#NFDB
782:English version by W. S. Merwin & J. Moussaieff Mason The sage king Janaka stands on a hill watching his city in flames "Endless is my wealth," he says "I have nothing at all, and thus when this city of Mithila crumbles, red embers, white ashes all monuments of men destroyed, nothing of mine is burned." "I have nothing at all, and endless is my wealth."
~ Shankara, Endless is my Wealth
,#NFDB
783:A bald eagle perched in a dead tree, watching us. The landscape was bold. Not only was the property on the North Platte River but the river ran through it, taking an east-west turn for a few miles in its course. The land was a section, 640 acres, a square mile of riparian shrubs and cottonwood, some wetland areas during June high water, sage flats and a lot of weedy overgrazed pasture (46). ~ Annie Proulx, #NFDB
784:I’d say that most of these [poems in Jason Mashak's book SALTY AS A LIP] are just straightforward enough, but not entirely explainable or attributable to a single cause/effect, which makes them the kind of poems I want to read many times… “Salty as a lip” is my favorite. It’s so alive: strange and human / earthy and raw. Mysterious but grounded. Mashak has manifested paradox, it seems. Bravo! ~ Sage Cohen, #NFDB
785:The Sage of Toronto... spent several decades marveling at the numerous freedoms created by a "global village" instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle's present vulgarity. ~ Guy Debord, #NFDB
786:You're one to talk, Sage." He pointed an accusing finger. "At least I take action. You? You let the world go by without you. You stand there while that asshole Keith treats you like crap and just smile and nod. You have no spine. You don't fight back. Even old Abe seems to push you around. Was Rose right that he's got something on you? Or is he just someone else you won't fight back against? ~ Richelle Mead, #NFDB
787:Lissa looked taken aback, but Jared Sage—my father-in-law now, I realized―showed nothing but contempt. 'This is ridiculous. Humans and Moroi can't be married. That's your way, as well as ours. This isn’t a real marriage.'
'Not according to the state of Nevada,' I said cheerfully. 'We’ve got the paperwork to prove it. Get us a laptop, and we can all look at the wedding pictures together. ~ Richelle Mead,#NFDB
788:Septimus look at Jenna, his green eyes serious, “It’s a luxury Jen,” he said.
“What do you mean?”
Septimus stared at the scraped and bloody snow at his feet. It took him some moments to reply.
“I mean…” he began slowly. “I mean that if you go through life and never face a situation where, in order for your to survive, someone else has to die, then you’re lucky. That’s what I mean. ~ Angie Sage,#NFDB
789:It was John Kenneth Galbraith, the hyperliterate economic sage, who coined the phrase “conventional wisdom.” He did not consider it a compliment. “We associate truth with convenience,” he wrote, “with what most closely accords with self-interest and personal well-being or promises best to avoid awkward effort or unwelcome dislocation of life. We also find highly acceptable what contributes most ~ Steven D Levitt, #NFDB
790:To the untutored sage, the concentration of population was the prolific mother of all evils, moral no less than physical. He argued that food is good, while surfeit kills; that love is good, but lust destroys; and not less dreaded than the pestilence following upon crowded and unsanitary dwellings was the loss of spiritual power inseparable from too close contact with one's fellow-men. ~ Charles Alexander Eastman, #NFDB
791:I hate when instruction books, blogs or well-meaning friends tell you “just get over it!” or “just write!” Like that didn’t occur to you. Like all it would take is someone pointing out that say, you should just stop doing that thing you’ve been doing all your life. “You mean I should just sit down and write? My God, that’s brilliant! Why have I not thought of this before? Thank you, oh sage guru! ~ Cathy Yardley, #NFDB
792:The fates are cruel,” Bheeshma whispered, “and they’ve been crueler than usual to you. But the sins you committed in ignorance are not your fault.”
“I’ll still have to pay for them,” Karna said. “Isn’t that how karma works? Look at what happened to Pandu, who killed a sage by accident, thinking him to be a wild deer. He had to bear the consequences of it for the rest of his life. ~ Chitra Banerjee Divakaruni,#NFDB
793:the Exchequer, or the Queen’s Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan’s Association, or the Institution of Arts and Sciences. He belonged, in ~ Anonymous, #NFDB
794:The superior man or the sage loves all beings that live, but has not for them the sentiments of humanity which he has for men. He has for men sentiments of humanity, but he does not love them with the love which he has for his father and mother. He loves his father and mother with filial love and he has for men sentiments of humanity. He has for men sentiments of humanity and he loves all beings that live. ~ Meug Tac, #NFDB
795:The earth itself assures us it is a living entity. Deep below surface one can hear its slow pulse, feel its vibrant rhythm. The great breathing mountains expand and contract. The vast sage desert undulates with almost imperceptible tides like the oceans. From the very beginning, throughout all its cataclysmic upthrusts and deep sea submergences, the planet Earth seems to have maintained an ordered rhythm. ~ Frank Waters, #NFDB
796:The gentle wisdom of Ram as he goes into exile is what transforms him from an ordinary hero into a divine being. He does not see himself as the victim. It is significant, however, that when Sita is later banished into the forest, the authors of the epic do not grant her the same gentle wisdom. They prefer visualizing her as victim, not sage. The gender bias continues even in the most modern writings. ~ Devdutt Pattanaik, #NFDB
797:Then the sun broke above the crest of the hills and the entire countryside looked soaked in blood, the arroyos deep in shadow, the cones of dead volcanoes stark and biscuit-colored against the sky. I could smell pinion trees, wet sage, woodsmoke, cattle in the pastures, and creek water that had melted from snow. I could smell the way the country probably was when it was only a dream in the mind of God. ~ James Lee Burke, #NFDB
798:How?" I demanded. "How could you have screwed this one up?" "When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink." This time, I did lean my forehead against the steering wheel. "What did you order?" "A martini." "A martini." I lifted my head. "You ordered a martini before a job interview." "It's a bar, Sage. I figured they'd be cool with it. ~ Richelle Mead, #NFDB
799:Septimus was suddenly horribly afraid that the Antidote would not work. He glanced nervously at Marcia, who whispered, "It will work, Septimus. You must believe in it."
Physik isn't like Magyk," said Septimus unhappily. "It doesn't matter whether you expect it to work or not. Either it does or it doesn't."
"I doubt that very much," said Marcia. "A little belief in something always helps. ~ Angie Sage,#NFDB
800:Aber vor Gericht gehen, das kann ich nicht, sage ich. Man müßte da jeden Tag vor Gericht gehen und wegen allem und jedem vor Gericht gehen und schließlich die ganzen Kräfte, die man hat, mit Gerichtsbarkeiten verschwenden, ein Mensch könne sich leicht sein ganzes Leben lang nur in Prozessen erschöpfen, die zu führen er immer Anlaß habe. Im Grunde müßte jeder mit jedem andauernd Prozesse führen, sage ich. ~ Thomas Bernhard, #NFDB
801:Experience has repeatedly confirmed that well-known maxim of Bacon's that 'a little philosophy inclineth a man's mind to atheism, but depth in philosophy bringeth men's minds about to religion.' At the same time, when Bacon penned that sage epigram... he forgot to add that the God to whom depth in philosophy brings back men's minds is far from being the same from whom a little philosophy estranges them. ~ George Santayana, #NFDB
802:Rice and peas fit into that category of dishes where two ordinary foods, combined together, ignite a pleasure far beyond the capacity of either of its parts alone. Like rhubarb and strawberries, apple pie and cheese, roast pork and sage, the two tastes and textures meld together into the sort of subtle transcendental oneness that we once fantasized would be our experience when we finally found the ideal mate. ~ John Thorne, #NFDB
803:Dad told Uncle Seth not to screw things up,” she informed me as we washed our hands. “He said even if Uncle Seth is famous, him getting a woman like you defies belief.” I laughed and smoothed down the skirt of my dress. “I don’t know about that. I don’t think your dad gives your uncle enough credit." Brandy gave me a sage look, worthy of someone much older. “Uncle Seth spent last Valentine’s Day at a library. ~ Richelle Mead, #NFDB
804:You can create substances with other naturally grown substances and you can synthesize beautiful bouquets of flowers without spending an arm and a leg, using the citrus fruits, which are much more affordable than flowers, because you need so many flowers to create the essences. In this country [USA], there is not a traditional science of making it. The Native Americans never did it. They bundled the sage. ~ Horst Rechelbacher, #NFDB
805:Kai and I head back into the kitchen, where the platters and trays are set up. Grilled vegetable skewers with a lemon dressing. Beef tenderloin, roasted medium rare, sliced thin, with a grainy mustard sauce. Orzo salad with spinach, red onion, and feta. Filled cucumbers and pickled carrots. White beans with sage. Saffron risotto with artichokes and chicken. Mini pavlovas and poached pears and poppy-seed cookies. ~ Stacey Ballis, #NFDB
806:Trying to control the world?
I see you won't succeed.
The world is a spiritual vessel
And cannot be controlled.
Those who control, fail.
Those who grasp, lose.
Some go forth, some are led,
Some weep, some blow flutes
Some become strong, some superfluous,
Some oppress, some destroyed.
Therefore the Sage,
Casts off extremes,
Casts off excess,
Casts off extravagance. ~ Lao Tzu,#NFDB
807:Lou recovered some foie gras, duck confit, and assorted veggies and herbs. As she grabbed the items, a menu started bubbling to the surface: foie gras ravioli with a cherry-sage cream sauce, crispy goat cheese medallions on mixed greens with a simple vinaigrette, pan-fried duck confit, and duck-fat-roasted new potatoes with more of the cherry-sage cream sauce. For dessert, a chocolate souffle with coconut crisps. ~ Amy E Reichert, #NFDB
808:Scholarly translations of the Tao Te Ching as a manual for rulers use a vocabulary that emphasizes the uniqueness of the Taoist “sage,” his masculinity, his authority. This language is perpetuated, and degraded, in most popular versions. I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul. ~ Anonymous, #NFDB
809:In completing your civilization, the causes changed, but you maintained the custom: no longer did you sacrifice victims to gods athirst for human blood, but to laws, which you deem sage because you found in them a specious reason to indulge your former habits, together with the semblance of a justice which was, at bottom, nothing other than the desire to preserve those horrid practices which you could not abjure. ~ Marquis de Sade, #NFDB
810:How great is the path proper to the Sage! Like overflowing water, it sends forth and nourishes all things, and rises up to the height of heaven. All-complete is its greatness! It embraces the three hundred rules of ceremony, and the three thousand rules of demeanor. It waits for the proper man, and then it is trodden. Hence it is said, 'Only by perfect virtue can the perfect path, in all its courses, be made a fact.' ~ Confucius, #NFDB
811:In ancient times, women who had ceased their monthly flow were believed to hold their life-giving powers within themselves, like the dark moon. They were thought to be creating something powerful with their retained womb blood—pregnant with wisdom instead of new life. Valued and honored in their communities, these sage women had skills and powers no younger woman could possess. Like Hekate, they were crones, crowned ~ Kris Waldherr, #NFDB
812:Just FYI," I told Phin, "he was flirting with you."
She looked at me, then at Mark's departing form. "Oh. That explains a lot. I'm good at a lot of things, but flirting isn't one of them. Especially with someone I find extremely attractive."
"Here's a tip... Don't overthink it. It's more of an instinct than an intellect thing."
"Right," she said. "Pheromones."
With a sage nod, she followed Mark. ~ Rosemary Clement Moore,#NFDB
813:Le Poete
... Pour lui
L'ombre du cabinet en délices abonde.
S'il fuit les graves riens, noble ennui du beau monde,
Ou si, chez la beauté qui l'admit en secret,
Las de parler, enfin il demeure muet,
Il regagne à grands pas son asile et l'étude:
Il y trouve la paix, la douce solitude,
Ses livres, et sa plume au bec noir et malin,
Et la sage folie, et le rire à l'oeil fin.
~ Andre Marie de Chenier,#NFDB
814:For some time there was a widely held notion (zealously fostered by the daily press) to the effect that the 'thinking ocean' of Solaris was a gigantic brain, prodigiously well-developed and several million years in advance of our own civilization, a sort of 'cosmic yogi', a sage, a symbol of omniscience, which had long ago understood the vanity of all action and for this reason had retreated into an unbreakable silence. ~ Stanis aw Lem, #NFDB
815:For some time there was a widely held notion (zealously fostered by the daily press) to the effect that the 'thinking ocean' of Solaris was a gigantic brain, prodigiously well-developed and several million years in advance of our own civilization, a sort of 'cosmic yogi', a sage, a symbol of omniscience, which had long ago understood the vanity of all action and for this reason had retreated into an unbreakable silence. ~ Stanislaw Lem, #NFDB
816:How?" I demanded. "How could you have screwed this one up?"
"When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink."
This time, I did lean my forehead against the steering wheel. "What did you order?"
"A martini."
"A martini." I lifted my head. "You ordered a martini before a job interview."
"It's a bar, Sage. I figured they'd be cool with it. ~ Richelle Mead,#NFDB
817:Richard didn’t blink. He answered immediately like a wise, kind sage. Here’s what he said: It’s all about finding and hiring people smarter than you, getting them to join your business and giving them good work, then getting out of the way and trusting them. You have to get out of the way so you can focus on the bigger vision. That’s important, but here is the main thing: You must make them see their work as a mission. ~ Vishen Lakhiani, #NFDB
818:The reason why rivers and seas receive the homage of a hundred mountain streams is that they keep below them. Thus they are able to reign over all the mountain streams. So the sage, wishing to be above men, putteth himself below them, wishing to be before them, he putteth himself behind them. Thus, though his place be above men, they do not feel his weight; though his place be before them, they do not count it an injury. ~ Dale Carnegie, #NFDB
819:The reason why rivers and seas receive the homage of a hundred mountain streams is that they keep below them. Thus they are able to reign over all the mountain streams. So the sage, wishing to be above men, putteth himself below them; wishing to be before them, he putteth himself behind them. Thus, though his place be above men, they do not feel his weight; though his place be before them, they do not count it an injury. ~ Dale Carnegie, #NFDB
820:The Sage
The cat is eating the roses:
that's the way he is.
Don't stop him, don't stop
the world going round,
that's the way things are.
The third of May
was misty; fourth of May
who knows. Sweep
the rose-meat up, throw the bits
out in the rain.
He never eats
every crumb, says
the hearts are bitter.
That's the way he is, he knows
the world and the weather.
~ Denise Levertov,#NFDB
821:Dad told Uncle Seth not to screw things up,” she informed me as we washed our hands. “He said even if Uncle Seth is famous, him getting a woman like you defies belief.”
I laughed and smoothed down the skirt of my dress. “I don’t know about that. I don’t think your dad gives your uncle enough credit."
Brandy gave me a sage look, worthy of someone much older. “Uncle Seth spent last Valentine’s Day at a library. ~ Richelle Mead,#NFDB
822:The sage said, ‘It is the name of Ram that ensured the bridge of stones to Lanka did not crack under the weight of the monkeys. Likewise, it is the name of Krishna that ensures this bridge of arrows withstands Hanuman’s weight. Strength alone is not enough in this world; divine grace is needed. Krishna is Ram and both are Hari or Vishnu. Never forget that. Without Krishna you are nothing. You are Nara and he is Narayana. ~ Devdutt Pattanaik, #NFDB
823:Little girls have large maternal instincts, and they take the Feast of Hungry Ghosts very seriously, and they were making their rounds with small lanterns made from candles inside rolled lotus and sage leaves. I could feel ghosts all around us, moving toward the warmth of the sweet singing voices: You are not alone, the girls sang, you are not forgotten, we care and understand, our own lives are but a candle flame from yours. ~ Barry Hughart, #NFDB
824:Necessities for all manner of healing in the herb garden: Hyssop, Wormwood, Rue, Coriander, Pasqueflower, Rosemary, St John’s Wort, Costmary, Lady’s Mantle, Lady’s Bedstraw, Angelica, Heartsease, Lily of the Valley, Marigold, Milk Thistle, Thyme, Sweet Woodruff. To these I plan to add, as time permits: Wood Betony, Comfrey, Coltsfoot, Cowslip, Hawthorn, Lavender, Lemon Balm, Meadowsweet, Sage, Valerian, Yarrow and Winter Savory. ~ Rhys Bowen, #NFDB
825:Excuse me, Princess.” For a moment, my heart leaped at the soft, deep voice. The voice that could either be Rowan’s or Ash’s, they sounded so much alike. Bracing myself, I turned, but it wasn’t Ash standing there. Thankfully, it wasn’t Rowan, either. It was the other brother, the oldest of the three. Sage. Dammit, he’s gorgeous also. What was with this family, that all the sons were so freaking handsome it hurt to look at them? ~ Julie Kagawa, #NFDB
826:Jij hebt een verbazingwekkende Magieke kracht. Dat zei ik je al eerder. Misschien geloof je me nu.' Ze glimlachte... 'Dus is je antwoord nog steeds nee?'
'Wat voor antwoord?' vroeg Jongen 412.
'Op de vraag of je mijn Leerling wilt worden. Ben je van mening veranderd door wat ik je heb verteld? Wil je mijn leerling worden? Alsjeblieft?'...
Jongen 412 glimlachte. 'Ja,' zei hij. 'Ik wil graag je Leerling worden. Heel graag. ~ Angie Sage,#NFDB
827:Knock On The Door
Knock on the door, and you shall have an answer!
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,
And startled then what a strange thing you shall see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere…
I am a room, a house, a street, a town.
~ Conrad Potter Aiken,#NFDB
828:Warren Buffett, the “Sage of Omaha” whose shrewd investments have made him one of the world’s richest men, has a stake in the marijuana industry via Cubic Designs, a company that provides mezzanine floor-space for warehouses. Cubic Designs dropped flyers off at 1,000 marijuana dispensaries, urging them to “double your growing space,” with a picture of metal flooring loaded with cannabis plants. The Sage himself made no comment. ~ Tom Wainwright, #NFDB
829:Except for a couple of hours in the morning which I passed in the company of a sage I stayed in bed without food only a few mouthfuls of water “you are a fine looking old man” I said to myself in the mirror “and what is more you have the correct attitude You don’t care if it ends or if it goes on And as for the women and the music there will be plenty of that in Paradise” Then I went to the Mosque of Memory to express my gratitude ~ Leonard Cohen, #NFDB
830:Bowing my head, I dipped my nose into the bouquet I'd assembled. There was flax, and forget-me-not, and hazel. There were white roses and pink ones, helenium and periwinkle, primrose, and lots and lots of bellflower. Between the tightly wrapped stems I'd packed velvety moss, barely visible, and I had sprinkled the bouquet with the purple and white petals of Grant's Mexican sage. The bouquet was enormous, and not nearly enough. ~ Vanessa Diffenbaugh, #NFDB
831:Humor is an important quality that makes one cheerful in all walks of life. To cultivate this quality is very important. When the poison was given to Socrates, he was very humorous and made a few jokes. When the cup of hemlock was given to him he said, “Can I share a bit of it with the gods?” Then he smiled and said, “Poison has no power to kill a sage, for a sage lives in reality, and reality is eternal.” He smiled and took the poison. ~ Swami Rama, #NFDB
832:After breakfast, Kat would go around to the neighbors with her mother, carrying a basket of bread. During the week, they'd make inquiries to see who needed their help. They baked yarrow bread for those with broken hearts, sorrel bread for neglected children, stephanotis bread for couples who were fighting, pear blossom bread for anyone grieving, laurel bread for those needing financial help, and a simple sage bread for everyone else. ~ Menna van Praag, #NFDB
833:Ich konnte noch nicht einmal Zeuge sein, erinnerte mich nicht an die Namen von Menschen und Orten, nur an Dunkel, an Geräusche und Bewegungen. Erst später verstand ich, dass ebendieses Rohmaterial die Essenz der Literatur war, dass man aus ihm eine innere Geschichte, eine Art Legende formen konnte. Ich sage “innere”, den damals wurden Chroniken hoch geachtet, als enthielten sie die Wahrheit. Der innere Ausdruck war noch nicht geboren. ~ Aharon Appelfeld, #NFDB
834:[Taos is] a high, wise, sage-covered plain. In the evening, with the sun at your back, it looks like an ocean, like water. The color up there is different . . . the blue-green of the sage and mountains, the wildflowers in bloom. It's a different kind of color from any I'd ever seen---there's nothing like that in north Texas or even in Colorado. And it's not just the color that attracted me either The world is so wide up there, so big. ~ Georgia O Keeffe, #NFDB
835:Tucker snorts. "Sage is a fighter, it spreads over the land like wildfire, sucking up all the water, the nutrients in the earth, until everything else dies. It's a hearty little plant, that I'll give it. But it's gray and ugly and ticks love to hide in it. You ever seen a tick?" He glances over at me. The look on my face must be pretty appalled because suddenly he gives and uncomfortable cough and says quietly, "Sage does have a nice smell. ~ Cynthia Hand, #NFDB
836:I Am A King
I am a King,
Or an Emperor rather,
I wear crown-imperial
And prince's-feather;
Golden-rod is the sceptre
I wield and wag,
And a broad purple flag-flower
Waves for my flag.
Elder the pithy
With old-man and sage,
These are my councillors
Green in old age;
Lord-and-ladies in silence
Stand round me and wait,
While gay ragged-robin
Makes bows at my gate.
~ Christina Georgina Rossetti,#NFDB
837:Mein Junge, Sie sind wahrscheinlich noch zu jung, um Weisheiten anderer schon zu beherzigen, aber ich sage es Ihnen trotzdem: Liebe ist ein Feind.« Er nickte bedächtig. »Ja. Die Dichter interpretieren die Liebe immer wieder falsch, einige sogar absichtlich. Die Liebe ist ein Schlächter. Liebe ist nicht blind. Die Liebe ist ein außerordentlich scharfsichtiger Kannibale. Die Liebe ist gefräßig wie eine Heuschrecke, immer hungrig, niemals satt.« ~ Stephen King, #NFDB
838:count on that. The Sword Sage was their priority. The Starlotus bud would help him break through to Copper almost immediately, and he had to remind himself more than a dozen times that it would be foolish to eat it now. The ancestral orus fruit had taken him days to digest, and the Starlotus should take even longer. The last thing he needed was something in his own core distracting him when he might need to fight. Even so, he longed to swallow at ~ Will Wight, #NFDB
839:Have you ever rightly considered what the mere ability to read means? That it is the key which admits us to the whole world of thought and fancy and imagination? to the company of saint and sage, of the wisest and the wittiest at their wisest and wittiest moment? That it enables us to see with the keenest eyes, hear with the finest ears, and listen to the sweetest voices of all time? More than that, it annihilates time and space for us. ~ James Russell Lowell, #NFDB
840:I think that in all descriptions of the good life here on earth we must assume a certain basis of animal vitality and animal instinct; without this, life becomes tame and uninteresting. Civilization should be something added to this, not substituted for it; the ascetic saint and the detached sage fail in this respect to be complete human beings. A small number of them may enrich a community; but a world composed of them would die of boredom. ~ Bertrand Russell, #NFDB
841:The self-generating power of the soul is man’s true and final secret, by virtue of which he is made in the likeness of God the creator and distinguished from all other living things. These images, ideas, values, and potentialities of the treasure hidden in the unconscious are brought to birth and realized by the hero in his various guises—savior and man of action, seer and sage, founder and artist, inventor and discoverer, scientist and leader. ~ Erich Neumann, #NFDB
842:A seeker searched for years to know the secret of achievement and success in human life. One night in a dream a sage appeared bearing the answer to the secret. The sage said simply: "Stretch out your hand and reach what you can." "No, it can't be that simple," the seeker said. And the sage said softly, "You are right, it is something harder. It is this: Stretch out your hand and reach what you cannot." Now that's vision. ~ Joan D Chittister, #NFDB
843:The sage has no mind of his own.
He is aware of the needs of others.
I am good to people who are good.
I am also good to people who are not good.
Because Virtue is goodness.
I have faith in people who are faithful.
I also have faith in people who are not faithful.
Because Virtue is faithfulness.
The sage is shy and humble – to the world he seems confusing.
Others look to him and listen.
He behaves like a little child. ~ Lao Tzu,#NFDB
844:Do not believe what you have heard Do not believe in tradition because it is handed down many generations Do not believe in anything that has been spoken of many times Do not believe because the written statements come from some old sage Do not believe in conjecture Do not believe in authority, or teachers, or elders But after careful observation and analysis, when it agrees with reason and it will benefit one and all, then accept it and live by it. ~ Gautama Buddha, #NFDB
845:It is really most absurd to wish to turn this scene of misery into a pleasure spot and set ourselves the goal of achieving pleasures and joys instead of freedom from pain, as so many do. Those who, with too gloomy a gaze, regard this world as a kind of hell and, accordingly, are only concerned with procuring a fireproof room in it, are much less mistaken. The fool runs after the pleasures of life and sees himself cheated; the sage avoids evils. ~ Arthur Schopenhauer, #NFDB
846:From her pocket Karamander took a vial of black liquid labelled: "Headbanger. Maximum strength." With a long pipette she dropped the liquid into Oraton-Marr's mouth, then she held his nose closed until he swallowed it... "He is asleep. He will sleep for seven days. And when he wakes he will have the worst headache imaginable. I have something that will cure it if he wishes to ask me. But he will have to come to me in person and ask very, very nicely indeed. ~ Angie Sage, #NFDB
847:Do not pursue the past. Do not lose yourself in the future. The past no longer is. The future has not yet come. Looking deeply at life as it is. In the very here and now, the practitioner dwells in stability and freedom. We must be diligent today. To wait until tomorrow is too late. Death comes unexpectedly. How can we bargain with it? The sage calls a person who knows how to dwell in mindfulness night and day, 'one who knows the better way to live alone.' ~ Gautama Buddha, #NFDB
848:For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water-conservationist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my books or stories or poems is where their rights end and my territorial imperatives begin, run and rule. ~ Ray Bradbury, #NFDB
849:In India the mother is the center of the family and our highest ideal. She is to us the representative of God, as God is the mother of the universe. It was a female sage who first found the unity of God, and laid down this doctrine in one of the first hy mns of the Vedas. Our God is both personal and absolute, the absolute is male, the personal, female. And thus it comes that we now say: 'The first manifestation of God is the hand that rocks the cradle'. ~ Swami Vivekananda, #NFDB
850:For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water-conversationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule. ~ Ray Bradbury, #NFDB
851:In India the mother is the center of the family and our highest ideal. She is to us the representative of God, as God is the mother of the universe. It was a female sage who first found the unity of God, and laid down this doctrine in one of the first hy mns of the Vedas. Our God is both personal and absolute, the absolute is male, the personal, female. And thus it comes that we now say: 'The first manifestation of God is the hand that rocks the cradle'. ~ Swami Vivekananda, #NFDB
852:Arthur Mcewen
Posterity with all its eyes
Will come and view him where he lies.
Then, turning from the scene away
With a concerted shrug, will say:
'H'm, Scarabaeus Sisyphus
What interest has that to us?
We can't admire at all, at all,
A tumble-bug without its ball.'
And then a sage will rise and say:
'Good friends, you err-turn back, I pray:
This freak that you unwisely shun
Is bug and ball rolled into one.'
~ Ambrose Bierce,#NFDB
853:The Wise Man believes profoundly in silence - the sign of a perfect equilibrium. Silence is the absolute poise or balance of body, mind and spirit. The man who preserves his selfhood ever calm and unshaken by the storms of existence - not a leaf, as it were, astire on the tree, not a ripple upon the surface of the shinning pool-his, in the mind of the unlettered sage, is the ideal attitude and conduct of life. Silence is the cornerstone of character. ~ Charles Alexander Eastman, #NFDB
854:The wise man believes profoundly in silence, the sign of a perfect equilibrium. Silence is the absolute poise or balance of body, mind, and spirit. The man who preserves his selfhood ever calm and unshaken by the storms of existence - not a leaf, as it were, astir on the tree, not a ripple upon the surface of the shinning pool - his, in the mind of the unlettered sage, is the ideal attitude and conduct of life. Silence is the cornerstone of character. ~ Charles Alexander Eastman, #NFDB
855:When the British ploy to pressure the Shah into fast action on the dismissal of Mossadeq did not work, officials from Whitehall consulted Ann Lambton, by then a professor of Persian Studies in London and a sage on British foreign policy in Iran. Her advice was clear, categorical, and drastic: find a way to remove Mossadeq from power forcefully. He is a demagogue, she said, and the only way Britain would retain its influence in Iran would be through his removal. She ~ Abbas Milani, #NFDB
856:Inside, the box was divided into tiered chambers, each with a lacquered lid, and these held a selection of ground and whole spices: sage, turmeric, cumin, ginger, mustard, cinnamon, asafetida, mace, cayenne, and cloves. I felt like an emperor receiving the treasures of a new country. The odor rising from the box was like a clambering vine wrapping itself thickly around my head, musky with the deep minerals of the earth and dusting my shoulders with a rainbow of pollen. ~ Eli Brown, #NFDB
857:The end product of biblical Christianity is a person—not a book, not a building, not a set of principles or a system of ethics—but one person in two natures (divine/human) with four ministries (prophet/priest/king/sage) and four biographies (the Gospels). But those four biographies don’t tell the whole story. Every bit of Scripture is part of the same great story of that one person and that one story’s plotline of creation, revelation, redemption, and consummation. ~ Leonard Sweet, #NFDB
858:But I can say you’re okay for an irreverent party boy with occasional moments of brilliance.”
“Brilliant? You think I’m brilliant?” He threw his hands skyward. “You hear that, world? Sage says I’m brilliant.”
“That’s not what I said!”
...
“Come on, Sage. You understand how my mind works. You said I was brilliant, remember?”
Eddie glanced at me in surprise. “You did?”
“No! I never said that.” Adrian’s smile was infuriating. “Stop telling people that. ~ Richelle Mead,#NFDB
859:San Simeon Hill Zebras
Drifters, if they could be.
Sometimes, when they think
no one is watching,
they near the barbed wire.
Hooves and hooves and hooves.
A silent choir, a mass
of muscle-held cellmates.
Their heads are full of high grass
and long shadows. They dream
of lowland lions grifting gazelle.
Behold the moiré bolting
of the chain-gang jumpsuits
—dust and dust and dust—
safe in their target-striped caps!
~ C.J. Sage,#NFDB
860:The Grave Of The Grammarian Lysias
Very close to you, as you enter on the right, in the Beirut
library, we buried the sage Lysias,
the grammarian. The spot is beautifully right.
We placed him near those things of his that he perhaps
remembers even there -- scholia, texts, grammars,
scriptures, numerous commentaries in tomes on hellenisms.
This way, his grave will also be seen and honored
by us, when we pass among the books.
~ Constantine P. Cavafy,#NFDB
861:Volgens de traditie,' vervolgde ze, 'biedt de Tovenaar, in ruil voor de zeven jaar en een dag van zijn leven die de Leerling de Tovenaar schenkt, de Leerling iets aan.' Marcia wendde zich tot Jongen 412...
'Wat zou je graag van me willen hebben?' vroeg Marcia. 'Vraag me alles wat je wilt. Ik zal mijn best doen het je te geven... Alles wat je maar wilt,' zei Marcia zacht. 'Absoluut alles wat je wilt.'
Jongen 412 slikte. 'Ik wil graag weten wie ik ben,' zei hij zacht. ~ Angie Sage,#NFDB
862:. . . the fools of this world prefer to look for sages far away. They don't believe that the wisdom of their own mind is the sage . . . the sutras say, "Mind is the teaching." But people of no understanding don't believe in their own mind or that by understanding this teaching they can become a sage. They prefer to look for distant knowledge and long for things in space, buddha-images, light, incense, and colors. They fall prey to falsehood and lose their minds to insanity. ~ Bodhidharma, #NFDB
863:To be honest, I thought it was similar to animal husbandry."
Sally's tone turned dry. "Sometimes, my lady I'm afraid it isn't that different."
Pippa paused, considering the ords. "Is that so?"
"Men are uncomplicated, generally," Sally said, all too sage. "They're beasts when they want to be."
"Brute ones!"
"Ah, so you understand."
Pippa tilted her head to one side. "I've read about them."
Sally nodded. "Erotic texts?"
"The book of Common Prayer.... ~ Sarah MacLean,#NFDB
864:Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate and our opinions evolve--if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. ~ Amor Towles, #NFDB
865:Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve—if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. ~ Amor Towles, #NFDB
866:It was a famous Stoic ‘paradox’ that the Sage is believed to be absolutely free, even when imprisoned or exiled by a powerful tyrant. This was often put to the test because ancient philosophers were quite frequently imprisoned, exiled or even executed! The freedom of the truly wise man consists in following his own rational nature, by doing what is within his control in accord with wisdom and virtue. His mind is like a blazing fire, which consumes anything cast into it. ~ Donald J Robertson, #NFDB
867:Ze werden verwelkomd door een snerpende gil. Marcia sprong op van haar plaats aan de tafel in de Geheime Kamer en liet een dik boek met voorspellingsformules op haar voet vallen...
'Septimus!' krijste Marcia. Ze schopte de voorspellingsformules een eind weg en stoof naar de Spiegel. 'O, Septimus, Septimus!' Zodra hij uit de Spiegel tevoorschijn stapte sloeg ze haar armen om hem heen en zwierde hem in de rondte, tot zijn grote verbijstering, want Marcia deed niet aan knuffelen. ~ Angie Sage,#NFDB
868:the legend of Adapa. He called up that tale now to examine it in his mind. The story went that Adapa had been a sage of Eridu, city of the god Enki. He had been taken into heaven and offered the bread and water of immortality by Anu. But he turned them down because his patron deity, Enki, had advised him against it, claiming they were the bread and water of death. So Adapa missed out on the opportunity of immortality. He was clothed with new garments and returned to Eridu to die. ~ Brian Godawa, #NFDB
869:We are born under circumstances that would be favorable if we did not abandon them. It was nature's intention that there should be no need of great equipment for a good life: every individual can make himself happy. External goods are of trivial importance and without much influence in either direction: prosperity does not elevate the sage and adversity does not depress him. For he has always made the effort to rely as much as possible on himself and to derive all delight from himself. ~ Seneca, #NFDB
870:Individuality in universality is the plan of creation. Each cell has its part in bringing about consciousness. Man is individual and at the same time universal. It is while realising our individual nature that we realise even our national and universal nature. Each is an infinite circle whose centre is everywhere and circumference nowhere. By practice one can feel universal Selfhood which is the essence of Hinduism. He who sees in every being his own Self is a Pandita (sage). ~ Swami Vivekananda, #NFDB
871:Every one of us is a mystic. We may or may not realize it, we may not even like it. But whether we know it or not, whether we accept it or not, mystical experience is always there, inviting us on a journey of ultimate discovery. We have been given the gift of life in this perplexing world to become who we ultimately are: creatures of boundless love, caring compassion, and wisdom. Existence is a summons to the eternal journey of the sage - the sage we all are, if only we could see. ~ Wayne Teasdale, #NFDB
872:(…) la partie irrationnelle de l’âme sera comme un homme qui vit près d’un sage ; il profite de ce voisinage, et ou bien il devient semblable à lui, ou bien il aurait honte d’oser faire ce que l’homme de bien ne veut pas qu’il fasse. Donc pas de conflit ; il suffit que la raison soit là ; la partie inférieure de l’âme la respecte et, si elle est agitée d’un mouvement violent, c’est elle-même qui s’irrite de ne pas rester en repos quand son maître est là, et qui se reproche sa faiblesse. ~ Plotinus, #NFDB
873:One night," Ky says, "doesn't seem like much to ask."
I don't speak. He moves closer and I feel his cheek against mine and breathe in the scent of sage and pine, of old dust and fresh water and of him.
"For one night, can we just think of each other? Not the Society or the Rising or even our families?"
"No," I say.
"No what?" He tangles one of his hands in my hair, the other draws me closer still.
"No, I don't think we can," I say. "And no, it isn't too much to ask. ~ Ally Condie,#NFDB
874:Her grandmother's cooking area was small- a tiny sink, no dishwasher, a bit of a counter- but out of it came tortellini filled with meat and nutmeg and covered in butter and sage, soft pillows of gnocchi, roasted chickens that sent the smell of lemon and rosemary slipping through the back roads of the small town, bread that gave a visiting grandchild a reason to unto the kitchen on cold mornings and nestle next to the fireplace, a hunk of warm, newly baked breakfast in each hand. ~ Erica Bauermeister, #NFDB
875:You have to breathe," Sage was shouting in Damon's ear. "Take a breath, as if you were going to speak, but then hold onto it, as if raising your Power.Think about your insides. Get those lungs working!"
The words confused Elena.
"There!" cried Sage. "You see?"
"But it only lasts an instant. Then I need to do it again."
"But, yes, that is the point!"
"I tell you I'm dying and you laugh at me?" a disheveled Damon shouted. "I'm blind, deaf, my senses are haywire-and you laugh! ~ L J Smith,#NFDB
876:A little attention however to the nature of the human mind evinces that the entertainments of fiction are useful as well as pleasant. That they are pleasant when well written, every person feels who reads. But wherein is its utility, asks the reverend sage, big with the notion that nothing can be useful but the learned lumber of Greek and Roman reading with which his head is stored? I answer, every thing is useful which contributes to fix us in the principles and practice of virtue. ~ Thomas Jefferson, #NFDB
877:the sage Lenny Millstein, who not only was an excellent basketball man but an excellent person as well, who knew how to handle fourteen-year-old boys because he understood that fourteen was the worst possible age on the calendar of human life, and therefore all fourteen-year-olds were confused and fractured beings, not one of them a child anymore and not one of them an adult, none quite right in the head or at home in his unfinished body, and in the furnace of that claustrophobic arena of ~ Paul Auster, #NFDB
878:Adrian: Not even Moroi give licenses to infants, Sage.
Sydney: Don’t dodge this. You know what I mean. You’ve known how to drive stick for years. Why? Why would you do that? Why would you act like you didn’t know how to drive?
Adrian: Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you – one I knew you couldn’t refuse.
Sydney: But … why? Why would you want to do that?
Adrian: Why? Because it was the closest I could get to doing this. ~ Richelle Mead,#NFDB
879:The two Ednas were nothing alike. They were as different as Methuselah and Enoch. Mother Edna was kind, sweet, supportive, and submissive. Sixteen-year old Edna was spunky, feisty, independent, and stubborn. Methuselah’s differences with his father haunted him wherever he turned. The living quarters they occupied were humble compared with other palace servants or royalty. According to Enoch, a wisdom sage was not concerned about the things of this world, but about truth, justice, and heaven. ~ Brian Godawa, #NFDB
880:Les gens sereins, sages, heureux et prospères voient leur vie et les événements sous un angle différent. Un homme sage ne peut se laisser duper ni induire en erreur. Les "mauvaises nouvelles" n'ont pas d'emprise sur une femme sincèrement heureuse. Une personne prospère ne se laisse pas affoler par une nouvelle télédiffusée ou par une manchette sensationnelle du journal. Ces personnes sont habitées de façon permanente par une sagesse, un contentement et une richesse intérieurs et non extérieurs. ~ Guy Finley, #NFDB
881:[The career a young man should choose should be] one that is most consonant with our dignity, one that is based on ideas of whose truth we are wholly convinced, one that offers us largest scope in working for humanity and approaching that general goal towards which each profession offers only one of the means: the goal of perfection ... If he works only for himself he can become a famous scholar, a great sage, an excellent imaginative writer [ Dichter ], but never a perfected, a truly great man. ~ Karl Marx, #NFDB
882:You know, Sage, Jesus didn't tell us to forgive everyone. He said turn the other cheek, but only if you the one who was hit. Even the Lord's Prayer says it loud and clear: Forgive us our trespasses, as we forgive those who trespass against us. Not others. What Jesus challenges us to do is to let go of the wrong done to you personally, not the wrong done to someone else. But most Christians incorrectly assume that this means that being a good christian means forgiving all sins, and the sinners. ~ Jodi Picoult, #NFDB
883:The book known as Journey to the West is about the universal Way that has been handed on by word of mouth from sage to sage, and verified by each of them. Qiu Chuji (丘處機), Taoist name Changchun Zi (長春子), the originator of the Journey to the West cycle, dared to say what the ancients did not dare to say, revealing the celestial mechanism. In Journey to the West is to be found the method for transforming life and death, the way to escape nature. This is the most extraordinary Taoist book of all time. ~ Liu Yiming, #NFDB
884:His own self-understanding did not include thinking and speaking of himself as the Son of God whose historical intention or purpose was to die for the sins of the world, and his message was not about believing in him. Rather, he was a spirit person, subversive sage, social prophet, and movement founder who invited his followers and hearers into a transforming relationship with the same Spirit that he himself knew, and into a community whose social vision was shaped by the core value of compassion. ~ Marcus J Borg, #NFDB
885:It's your storm, and the future of us all depends on you now. So who are you? Sage, an orphan boy who cares only for himself? Or the undisciplined, rebellious prince your father sent away? Life has tested your resilience and strength and willpower, and you have succeeded in ways nobody ever thought possible. But the storm has never been worse, and it will either destroy you, or define you. When everything is taken from you, can you still stand before us as Jaron, the Ascendant King of Carthya? ~ Jennifer A Nielsen, #NFDB
886:Eventually there comes the day of reckoning and awakening, and then we shall know that it was all a great dream. Only fools think that they are now awake and that they really know what is going on, playing the prince and then playing the servant. What fools! The Master and you are both living in a dream. When I say a dream, I am also dreaming. This very saying is a deception. If after ten thousand years we could once meet a truly great sage, one who understands, it would seem as if it had only been a morning. ~ Zhuangzi, #NFDB
887:For the Stoics, however, the near impossibility of becoming a sage is not a problem. They talk about sages primarily so they will have a model to guide them in their practice of Stoicism. The sage is a target for them to aim at, even though they will probably fail to hit it. The sage, in other words, is to Stoicism as Buddha is to Buddhism. Most Buddhists can never hope to become as enlightened as Buddha, but nevertheless, reflecting on Buddha's perfection can help them gain a degree of enlightenment. ~ William B Irvine, #NFDB
888:Dusk settled down into this neck of the great valley. Coyotes barked out in the open. From the heights pealed down the mournful blood-curdling, yet beautiful, bay of a wolf. The rosy afterglow of sunset lingered a long time. The place was shut in, closed about by brushy steeps, redolent of sage. A tiny stream of swift water sang faintly down over rocks. And before darkness had time to enfold hollow and slope and horizon, the moon slid up to defeat the encroaching night and blanch the hills with silvery light. ~ Zane Grey, #NFDB
889:Whether one believes that the faith he spawned is the world's only true religion or a preposterous fable, Joseph emerges from the fog of time as one of the most remarkable figures ever to have breathed American air. "Whatever his lapses," Harold Bloom argues in The American Religion, "Smith was an authentic religious genius, unique in our national history.... In proportion to his importance and his complexity, he remains the least-studied personage, of an undiminished vitality, in our entire national sage. ~ Jon Krakauer, #NFDB
890:TRÄNEN UNBEKANNTER DICHTER Wir lagen beieinander, und sie sah, Wie Tränen, kleinen Perlen gleich, mir aus Den Augen rannen, und sie sprach zu mir: „Freund, ich verstehe, daß dir Tränen kommen, Wenn wir uns fern sind. Aber sage mir, Warum du jetzt weinst?“ Ich entgegnete: „Wenn wir uns fern sind, wein ich vor Verlangen, Bei dir zu sein; doch wenn ich bei dir bin, So kommen Tränen mir bei dem Gedanken, Daß wir uns trennen müssen.“ Mitleidvoll Sah sie mich lange an und trocknete Die Tränen mir mit liebevoller Hand. ~ Anonymous, #NFDB
891:I'm sorry. I love you, but it's an enormous conflict of interest."
Her head snaps up, "You love me?"
"What?" MY face is suddenly on fire. "I never said that."
"You did. I heard it."
"I said I'd love to."
"No," Sage says, a grin splitting her face. "You didn't."
Did I? I'm so tired I don't know what the hell is coming out of my mouth. Which probably means that I don't have the faculties to cover up what I really feel for Sage Singer, with an intensity that terrifies me. ~ Jodi Picoult,#NFDB
892:Sage!" he called. "You have got to see this."
Eddie and I reached the next green and stared in astonishment. Then I burst out laughing.
We had reached Dracula's Castle. (...)
I couldn't stop laughing. Adrian and Eddie looked at me as though they'd never seen me before.
"I don't think I've ever heard her laugh," Eddie told him.
"Certainly not the reaction I was expecting," mused Adrian. "I'd been counting on abject terror, judging from past Alchemist behaviour. I didn't think you liked vampires. ~ Richelle Mead,#NFDB
893:Wouldn't it be wonderful if we had a world where everybody said, 'We don't know?' The fact is that you're surrounded -God and you don't see God, because you KNOW ABOUT God. The final barrier to the vision of God is your God concept. You miss God because you think you know. The highest knowledge of God is to know God as unknowable. All revelations, however divine, are never any more than a finger pointing at the moon. As we say in the East, 'When the sage points to the moon, all the idiot sees is the finger'. ~ Anthony de Mello, #NFDB
894:I walk out into the hall and remember when Ma chose the paint. Mountain Sage out here, Irish Oatmeal in their bedroom, the master bathroom in Ice Blue Gloss. She gave me the samples from the paint store and I cut them out in little identical squares, playing the game of remembering which was which, knowing every color by its name.
The carpets on the second floor are soft under my bare feet. The next room down is Amanda's, a pale buttery yellow called Chardonnay on the walls, boxes of shoes still under the bed. ~ Jael McHenry,#NFDB
895:Scholarly translations of the Tao Te Ching as a manual for rulers use a vocabulary that emphasizes the uniqueness of the Taoist “sage,” his masculinity, his authority. This language is perpetuated, and degraded, in most popular versions. I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul. I would like that reader to see why people have loved the book for twenty-five hundred years. ~ Ursula K Le Guin, #NFDB
896:Thanks for looking out for her, Sage. You're okay. For a human." I almost laughed. "Thanks." "You can say it too, you know." I walked over to Latte and paused. "Say what?" "That I'm okay...for a vampire," he explained. I shook my head, still smiling. "You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance." "Brilliant? You think I'm brilliant?" He threw his hands skyward. "You hear that, world? Sage says I'm brilliant. ~ Richelle Mead, #NFDB
897:The desert scents were heady and intoxicating. Sage and juniper and creosote. Pungent, sharp and whispery. The desert sand itself seemed to have a scent all its own, too. Something ancient that hinted at death, at life, of survival and of distant memories. This place, so close to civilization, yet so far removed, too, smelled as it had for eons, for millenniums. The sand, I knew, was sprinkled with the bones of the dead. Dead vermin, dead coyotes, dead anything and everything that ever ventured into these bleak hills. I ~ J R Rain, #NFDB
898:Emptiness is the track on which the centered person moves," said a Tibetan sage six hundred years ago, and the book where I found this edict followed it with an explanation of the word "track" in Tibetan: shul, "a mark that remains after that which made it has passed by - a footprint for example. In other contexts, shul is used to describe the scarred hollow in the ground where a house once stood, the channel worn through rock where a river runs in flood, the indentation in the grass where an animal slept last night. ~ Rebecca Solnit, #NFDB
899:When a man goes into deep sleep, he enters a plane beneath consciousness. He works the body all the time, he breathes, he moves the body, perhaps, in his sleep, without any accompanying feeling of ego; he is unconscious, and when he returns from his sleep, he is the same man who went into it. The sum total of the knowledge which he had before he went into the sleep remains the same; it does not increase at all. No enlightenment comes. But when a man goes into Samadhi, if he goes into it a fool, he comes out a sage. ~ Swami Vivekananda, #NFDB
900:Everyone has that one line they swear they'll never cross, the one thing they say they'll never do. Not something serious like I'll never kill anyone or I'll never invade Russia in the winter. Usually, it's something less earth-shattering.
I'll never cheat on her.
I'll never work at a job I hate.
I'll never give up on my dreams.
We draw the line. Maybe we even believe it. That's why it's so hard when we break that promise we make to ourselves.
Sage Hendricks was my line. ~ Brian Katcher,#NFDB
901:You're no grenadier. Grenadiers are big, stalwart souls, the first into battle, or so I've been told."
He raised his eyebrow at her, unsure if he was being insulted.
"No," she concluded, "you must have been captain of the light infantry company. The quick-witted ones, the sharpshooters."
"How ever did you guess?"
"I know these things," she said with a sage look, then turned and walked on, entirely pleased with herself.
Lucien gazed after her with a smile on his face. God help him, he was utterly charmed. ~ Gaelen Foley,#NFDB
902:Les hiboux
Sous les ifs noirs qui les abritent,
Les hiboux se tiennent rangés,
Ainsi que des dieux étrangers,
Dardant leur oeil rouge. Ils méditent.
Sans remuer ils se tiendront
Jusqu'à l'heure mélancolique
Où, poussant le soleil oblique,
Les ténèbres s'établiront.
Leur attitude au sage enseigne
Qu'il faut en ce monde qu'il craigne
Le tumulte et le mouvement,
L'homme ivre d'une ombre qui passe
Porte toujours le châtiment
D'avoir voulu changer de place. ~ Charles Baudelaire,#NFDB
903:And someday there will be a great awakening when we know that this is all a great dream. Yet the stupid believe they are awake, busily and brightly assuming they understand things, calling this man ruler, that one herdsman—how dense! Confucius and you both are dreaming! And when I say you are dreaming, I am dreaming, too. Words like these will be labeled the Supreme Swindle. Yet after ten thousand generations, a great sage may appear who will know their meaning, and it will still be as though he appeared with astonishing speed. ~ Zhuangzi, #NFDB
904:animal rescue and sanctuary?” “The very one.” I smile because I’m thrilled to have my dream job. He smiles back. “I know Sage. She’s with a friend of mine.” “You know Lee?” Where Sage is petite and ethereal, her boyfriend, Lee, is a South African rugby player with movie star good looks. “We’ve played rugby together. He takes it a lot more seriously than I do. He could’ve played pro.” “Not you?” Jesse is tall and broad enough to play a full contact sport. Not touching the idea of full contact with him with a ski pole. Nope. ~ Daisy Prescott, #NFDB
905:birch – hope butterflies – change, transformation, inner growth cypress – mourning daisies – innocence, purity dragonflies – ancestors fireflies – life, sexuality hummingbirds – hope and beauty, the sun in disguise, infinity in the flight of their wings phoenix – rebirth poppies – remembrance raven – in some cultures death, in some cultures a bringer of light associated with Creation rose (red) – romantic love rose (yellow) – friendship sage – powerful cleansing sweetgrass – a grandmother medicine sycamore – hidden treasure ~ Cynthia Sharp, #NFDB
906:He turned his head toward me and froze. I had never seen him so still—or so
quiet. His shock was so thorough and intense that he actually dropped his
cigarette.
Adrian slowly sat up, eyes wide. He slid off the hood and didn’t seem to leave
any marks. Obviously, I’d have to check it later. “Sage,” he said. “What are you
wearing?”
I sighed and stared down at the dress. “I know. It’s red. Don’t start. I’m tired
of hearing about it.”
“Funny,” he said. “I don’t think I could ever get tired of looking at it. ~ Richelle Mead,#NFDB
907:IF we desire European civilization to be a raid and a rescue, we shall insist rather that souls are in real peril than that their peril is ultimately unreal. And if we wish to exalt the outcast and the crucified, we shall rather wish to think that a veritable God was crucified, rather than a mere sage or hero. Above all, if we wish to protect the poor we shall be in favour of fixed rules and clear dogmas. The rules of a club are occasionally in favour of the poor member. The drift of a club is always in favour of the rich one. ~ G K Chesterton, #NFDB
908:And what are you that, missing you,
I should be kept awake
As many nights as there are days
With weeping for your sake?
And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?
I know a man that’s a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?
Yet women’s ways are witless ways,
As any sage will tell,—
And what am I, that I should love
So wisely and so well? ~ Edna St Vincent Millay,#NFDB
909:As she drank, she closed her eyes and tried to imagine she was drinking her grandmother's porridge. What she wouldn't give for a hot bowl of fish congee, sprinkled with green scallions and topped with a dollop of sesame oil! She'd even have willingly downed one of her mother's herbal soups; Fa Li used to make red sage soup almost every day when Mulan was growing up. How she'd hated the smell and pungent taste. She used to pick out the chopped pieces of the root and chew on the sweet wolfberries instead.
She missed home so much. ~ Elizabeth Lim,#NFDB
910:This might seem kind of weird... but I mean, I wouldn't mind asking Jill out."
Adrian was on that before I could even think of a response. "What, do you mean like on a date? You son of a bitch! She's only fifteen." You never would of guessed he'd been talking about easy Moroi girls only moments before.
"Adrian," I said. "I'm guessing Lee's definition of a date is a little different than yours."
"Sorry, Sage. You've got to trust me when it comes to dating definitions. Last I checked, you aren't an expert in social matters. ~ Richelle Mead,#NFDB
911:What point of morals, of manners, of economy, of philosophy, of religion, of taste, of the conduct of life, has he not settled? What mystery has he not signified his knowledge of? What office, or function, or district of man's work, has he not remembered? What king has he not taught state, as Talma taught Napoleon? What maiden has not found him finer than her delicacy? What lover has he not outloved? What sage has he not outseen? What gentleman has he not instructed in the rudeness of his behavior? ~ Ralph Waldo Emerson, Representative Men (1850), #NFDB
912:Eternity.Thy name Or glad, or fearful, we pronounce, as thoughts Wandering in darkness shape thee. Thou strange being, Which art and must be, yet which contradict'st All sense, all reasoning,thou, who never wast Less than thyself, and who still art thyself Entire, though the deep draught which Time has taken Equals thy present storeNo line can reach To thy unfathomed depths. The reasoning sage Who can dissect a sunbeam, count the stars, And measure distant worlds, is here a child, And, humbled, drops his calculating pen. ~ Anna Letitia Barbauld, #NFDB
913:So erst the Sage [Pythagoras] with scientific truth In Grecian temples taught the attentive youth; With ceaseless change how restless atoms pass From life to life, a transmigrating mass; How the same organs, which to-day compose The poisonous henbane, or the fragrant rose, May with to-morrow's sun new forms compile, Frown in the Hero, in the Beauty smile. Whence drew the enlighten'd Sage the moral plan, That man should ever be the friend of man; Should eye with tenderness all living forms, His brother-emmets, and his sister-worms. ~ Erasmus Darwin, #NFDB
914:Twenty-five centuries ago, Lao-tse, a Chinese sage, said some thing that readers of this book might use today: " The reason why rivers and seas receive the homage of a hundred mountain streams is that they keep below them. Thus they are able to reign over all the mountain streams. So the sage, wishing to be above men, putteth himself below them; wishing to be before them, he putteth himself behind them. Thus, though his place be above men, they do not feel his weight; though his place be before them, they do not count it an injury. ~ Dale Carnegie, #NFDB
915:Will it be said that the judgment of a male of two years old, is more sage than that of a female's of the same age? I believe the reverse is generally observed to be true. But from that period what partiality! how is the one exalted, and the other depressed, by the contrary modes of education which are adopted! the one is taught to aspire, and the other is early confined and limited. As their years increase, the sister must be wholly domesticated, while the brother is led by the hand through all the flowery paths of science. ~ Judith Sargent Murray, #NFDB
916:IF we desire European civilization to be a raid and a rescue, we shall insist rather that souls are in real peril than that their peril is ultimately unreal. And if we wish to exalt the outcast and the crucified, we shall rather wish to think that a veritable God was crucified, rather than a mere sage or hero. Above all, if we wish to protect the poor we shall be in favour of fixed rules and clear dogmas. The rules of a club are occasionally in favour of the poor member. The drift of a club is always in favour of the rich one. ~ Gilbert K Chesterton, #NFDB
917:On The Aphorism
'L'Amitié est l'Amour sans ailes.'
FRIENDSHIP, as some sage poet sings,
Is chasten'd Love, depriv'd of wings,
Without all wish or power to wander;
Less volatile, but not less tender:
Yet says the proverbs'Sly and slow
'Love creeps, even where he cannot go;'
To clip his pinions then is vain,
His old propensities remain;
And she, who years beyond fifteen,
Has counted twenty, may have seen
How rarely unplum'd Love will stay;
He flies notbut he coolly walks away.
~ Charlotte Smith,#NFDB
918:Thanks for looking out for her, Sage. You're okay. For a human."
I almost laughed. "Thanks."
"You can say it too, you know."
I walked over to Latte and paused. "Say what?"
"That I'm okay...for a vampire," he explained.
I shook my head, still smiling. "You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance."
"Brilliant? You think I'm brilliant?" He threw his hands skyward. "You hear that, world? Sage says I'm brilliant. ~ Richelle Mead,#NFDB
919:Golden Bells
When I was almost forty
I had a daughter whose name was Golden Bells.
Now it is just a year since she was born;
She is learning to sit and cannot yet talk.
Ashamed—to find that I have not a sage’s heart:
Henceforward I am tied to things outside myself:
My only reward—the pleasure I am getting now.
If I am spared the grief of her dying young,
Then I shall have the trouble of getting her married.
My plan for retiring and going back to the hills
Must now be postponed for fifteen years!
~ Bai Juyi,#NFDB
920:Military weapons are the means used by the Sage to punish violence and cruelty, to give peace to troublous times, to remove difficulties and dangers, and to succor those who are in peril. Every animal with blood in its veins and horns on its head will fight when it is attacked. How much more so will man, who carries in his breast the faculties of love and hatred, joy and anger! When he is pleased, a feeling of affection springs up within him; when angry, his poisoned sting is brought into play. That is the natural law which governs his being ~ Sima Qian, #NFDB
921:Mind dissolves only when you don't choose. And when there is no mind, you are for the first time in your crystal clarity, for the first time in your original freshness. For the first time your real face is encountered. Mind is not there - the divider. Now existence appears as one. Mind has dropped; the barrier between you and existence is no more. Now you can look at existence with no mind. This is how a sage is born. With the mind - the world. With no mind - freedom, MOKSHA, KAIVALYA, NIRVANA. Cessation of the mind is cessation of the world. ~ Rajneesh, #NFDB
922:You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance."
"Brilliant? You think I'm Brilliant?" He threw his hands skyward. "You hear that world? Sage says I'm brilliant."
"That's not what I said!"
He dropped the cigarette and stamped it out, giving me a devil-may-care grin. "Thanks for the ego boost. I'm going to go and tell Clarence and Lee all about your high opinion."
"Hey, I didn't-"
But he was already gone. ~ Richelle Mead,#NFDB
923:I'd seen Sage bleed. I'd made Sage bleed. Not that it hurt him any; he healed so quickly...In smaller doses it has incredible healing powers. Ben's voice rang out in my head. I remembered he said that earlier, about...the Elixir of Life.The crackpot, completely bogus, absolutely insane Elixir of Life.Did it actually exist? Had Sage had some? Enough to keep him alive, young, and speed-healing for the last five hundred years?And if so, had he used that time to find one woman, again and again in different incarnations, to love her...or destroy her? ~ Hilary Duff, #NFDB
924:Jordan leaned on the counter. He felt a little like a bartender in a TV show, dispensing sage advice. "What do you owe her?"
"Life," Isabelle said.
Jordan blinked. This was a little beyond his bartending and advice-offering skills. "She saved your life?"
"She saved Jace's life. She could have had anything from the Angel Raziel, and she saved my brother. I've only ever trusted a few people in my life. Really trusted. My mother, Alec, Jace, and Max. I lost one of them already. Clary's the only reason I didn't lose another. ~ Cassandra Clare,#NFDB
925:How Many Seconds In A Minute?
How many seconds in a minute?
Sixty, and no more in it.
How many minutes in an hour?
Sixty for sun and shower.
How many hours in a day?
Twenty-four for work and play.
How many days in a week?
Seven both to hear and speak.
How many weeks in a month?
Four, as the swift moon runneth.
How many months in a year?
Twelve the almanack makes clear.
How many years in an age?
One hundred says the sage.
How many ages in time?
No one knows the rhyme.
~ Christina Georgina Rossetti,#NFDB
926:The sage Shantideva, in the Bodhicaryavatara, in talking about the subject of suffering, offered a famous analogy for how we try to alleviate our suffering. He’s said that if you walk on the earth and it’s hurting your feet, you might want to cover all the earth with hides of leather, so that you’d never have to suffer from the pain of the ground. But where could such an amount of leather be found? Rather, you could simply wrap a bit of leather around your feet, and then it’s as if the whole world is covered with leather and you’re always protected. ~ Pema Ch dr n, #NFDB
927:In the ancient Book of History, upon which Confucius himself based his philosophy, it is said...
The people must be cherished,
The people must not be oppressed,
The people are the root of the country.
If the root is firm, the country is tranquil.
And you remember, she continued, that, when asked which was most important to a state, food, weapons or the trust of the people, the sage replied that weapons could be given up, and even food be sacrificed, but the state itself would be destroyed if the people had no confidence in it. ~ Pearl S Buck,#NFDB
928:Supprime donc en toi toute aversion pour ce qui ne dépend pas de nous et, cette aversion, reporte-la sur ce qui dépend de nous et n’est pas en accord avec la nature. Quant au désir, pour le moment, supprime-le complètement. Car si tu désires une chose qui ne dépend pas de nous, tu ne pourras qu’échouer, sans compter que tu te mettras dans l’impossibilité d’atteindre ce qui est à notre portée et qu’il est plus sage de désirer. Borne-toi à suivre tes impulsions, tes répulsions, mais fais-le avec légèreté, de façon non systématique et sans effort excessif. ~ Epictetus, #NFDB
929:Federico hurries me on to the next glory. Under the ashes of last evening’s fire in a hearth wide and deep as a small room, he’d set fat white beans to braise in bulbous-bottomed wine bottles, most of them remnants from his grandfather’s winemaking days, he says. He’d mixed the beans with water, sage, garlic and rosemary, sea salt, just-cracked pepper and a dose of extra virgin oil. He’d stopped the bottles with pieces of wet flannel so the steam would hiss away without exploding the glass and left the beans to cook all night long. Fagioli al fiasco ~ Marlena de Blasi, #NFDB
930:Examining the Homeric epics from the perspective of when and by whom they were composed, Vico refutes generations of interpreters who had assumed that because Homer was revered for his great epics he must also have been a wise sage like Plato, Socrates, or Bacon. Instead Vico demonstrates that in its wildness and willfulness Homer’s mind was poetic, and his poetry barbaric, not wise or philosophic, that is, full of illogical fantasy, gods who were anything but godlike, and men like Achilles and Patrocles, who were most uncourtly and extremely petulant. ~ Erich Auerbach, #NFDB
931:I knew I sounded hysterical, and Adrian’s calmness only drove that home. “I think I have an idea,” he said. “An idea that’ll get us some hardcore protection … but I don’t know how you’ll feel about it.”
“I’m open to anything,” I assured him.
He hesitated a moment and gave a decisive nod. Then, to my complete and utter astonishment, he got down on his knees before me and clasped my hands in his. “Sydney Katherine Sage,” he said, his green eyes full of love and earnestness. “Would you do a brooding, deadbeat Moroi the honor of being his wife? ~ Richelle Mead,#NFDB
932:The best way to get quiet, other than the combination of extensive therapy, Prozac, and a lobotomy, is first to notice that the station is on. KFKD [K-Fucked] is on every single morning when I sit down at my desk. So I sit for a moment and then say a small prayer--please help me get out of the way so I can write what wants to be written. Sometimes ritual quiets the racket. Try it. Any number of things may work for you--an altar, for instance, or votive candles, sage smudges, small-animal sacrifices, especially now that the Supreme Court has legalized them. ~ Anne Lamott, #NFDB
933:Wisdom
This I say, and this I know:
Love has seen the last of me.
Love's a trodden lane to woe,
Love's a path to misery.
This I know, and knew before,
This I tell you, of my years:
Hide your heart, and lock your door.
Hell's afloat in lovers' tears.
Give your heart, and toss and moan;
What a pretty fool you look!
I am sage, who sit alone;
Here's my wool, and here's my book.
Look! A lad's a-waiting there,
Tall he is and bold, and gay.
What the devil do I care
What I know, and what I say?
~ Dorothy Parker,#NFDB
934:Frederick Douglass (born Frederick Augustus Washington Bailey, (born circa 1818 – February 20, 1895) was an American abolitionist, women's suffragist, editor, orator, author, statesman and reformer. Called "The Sage of Anacostia" and "The Lion of Anacostia", Douglass is one of the most prominent figures in African-American and United States history. He was a firm believer in the equality of all people, whether black, female, Native American, or recent immigrant. He was fond of saying, "I would unite with anybody to do right and with nobody to do wrong. ~ Frederick Douglass, #NFDB
935:Enoch, as sage counselor to the priest-king, was required to command a wide breadth of knowledge. He had trained in the sciences of both heavens and earth. He was shaman, diviner, scribe, and poet all in one. But it seemed to him that the most important office he held was as bard, the carrier of the culture’s stories. All the laws, governance, religious beliefs and values of a people flowed downstream from the culture embodied in the songs and epics of the poet. Hearts and souls are moved by story and he who controls the cultural narrative controls the people. ~ Brian Godawa, #NFDB
936:I’m concerned about the pastor who is a chief executive instead of a contemplative sage. The pastor is called to a contemplative life of prayer and study of the word (Acts 6:4 cf. Ephesians 4:11-16). From that life his ministry flows to the church. The pastor was never called to be a rock-star communicator or bench-mark business leader. He was called to model redemption and shepherd the flock of God (1 Peter 5:1-4 cf. Acts 20:28). Perhaps pastors should consider putting away their John Maxwell and Nelson Searcy books and picking up the Bible and the church fathers. ~ Anonymous, #NFDB
937:The Philosopher
And what are you that, wanting you,
I should be kept awake
As many nights as there are days
With weeping for your sake?
And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?
I know a man that's a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?
Yet women's ways are witless ways,
As any sage will tell,—
And what am I, that I should love
So wisely and so well?
~ Edna St. Vincent Millay,#NFDB
938:Suttree surfaced from these fevered deeps to hear a maudlin voice chant latin by his bedside, what medieval ghost come to usurp his fallen corporeality. An oiled thumball redolent of lime and sage pondered his shuttered lids.Miserere mei, Deus ...His ears anointed, his lips ... omnis maligna discordia ... Bechrismed with scented oils he lay boneless in a cold euphoria. Japheth when you left your father's house the birds had flown. You were not prepared for such weathers. You'd spoke too lightly of the winter in your father's heart. We saw you in the streets. Sad. ~ Cormac McCarthy, #NFDB
939:I don't suppose that she gave you the job based on looks alone?" Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker." "That's not what I meant! What happened?" He shrugged. "I told the truth." "Adrian!" "I'm serious. She asked me what my greatest strength was. I said getting along with people." "That's not bad." I admitted. "Then she asked what my greatest weakness was. And I said, 'Where should I start?'" "Adrian!" "Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go. ~ Richelle Mead, #NFDB
940:Words
Words are deeds. The words we hear
May revolutionize or rear
A mighty state. The words we read
May be a spiritual deed
Excelling any fleshly one,
As much as the celestial sun
Transcends a bonfire, made to throw
A light upon some raree-show.
A simple proverb tagged with rhyme
May colour half the course of time;
The pregnant saying of a sage
May influence every coming age;
A song in its effects may be
More glorious than Thermopylae,
And many a lay that schoolboys scan
A nobler feat than Inkerman.
~ Charles Harpur,#NFDB
941:This is why G. I. Gurdjieff, that marvelous rascal-sage, wrote in his All and Everything: The sole means now for the saving of the beings of the planet Earth would be to implant again into their presences a new organ … of such properties that every one of these unfortunates during the process of existence should constantly sense and be cognizant of the inevitability of his own death as well as the death of everyone upon whom his eyes or attention rests. Only such a sensation and such a cognizance can now destroy the egoism completely crystallized in them. ~ Alan W Watts, #NFDB
942:the problem of being a scribe and a sage. Sometimes, education and learning became a flood that darkens the mind with confusion rather than a sun that enlightens it with truth. Enoch hoped one day Elohim would clear that up for him, since he was now his servant. Enoch had also wondered what it would be like to live forever. Was it transformation of the body? Was it perpetual regeneration? And what was it like to be in communion with Elohim so perfectly as to not need the dreams and visions that Enoch had become dependent upon for his own sense of real presence of the deity? ~ Brian Godawa, #NFDB
943:City of Vassillian a party of five sage princes with four horses. The princes, who are of course brave, noble and wise, travel widely in distant lands, fight giant ogres, pursue exotic philosophies, take tea with weird gods and rescue beautiful monsters from ravening princesses before finally announcing that they have achieved enlightenment and that their wanderings are therefore accomplished. The second, and much longer, part of each song would then tell of all their bickerings about which one of them is going to have to walk back. All this lay in the planet’s remote past. ~ Douglas Adams, #NFDB
944:She sees the real man behind the façade of smiles and jokes and my big mouth.
Heartache, loneliness, and guilt look back at her.
She doesn’t shy away though.
No, Sage with the glittering gray-green eyes steps closer. Her cheeks are pink and her ears are red. Embarrassed and shy, but determined. That small glint in her stare, coupled with the way she lifts her chin slightly, pulls me the rest of the way from my dark, clouded mood and tethers me to her light.
I caught a shooting star.
… She’s soaring through the darkness and I’ve grabbed hold. I don’t want to let go. ~ K Webster,#NFDB
945:If the Purana written by Vyasa were still existing, then it would be honoured as a “Sruti”. In the absence of this Purana and the one written by Lomaharshana, the eighteen Puranas that still exist cannot all be given the same place of honour; among them, the Vishnu and the Bhagwata Purana composed by accomplished yogis are definitely more precious and we must recognise that the Markandeya Purana written by a sage devoted to spiritual pursuits is more profound in Knowledge than either the Shiva or the Agni Purana. ~ Sri Aurobindo, in "Sri Aurobindo Writings in Bengali Translated into English"., #NFDB
946:This is the one time in this book this book that I felt Mustang acted like himself. His thoughts were so "Mustang". A frown furrowed Jenna's brow. "Oh, come on. What possible harm could it do?" "Darlin', I couldn't even begin to list all the harm her meeting you could do." He pictured that cozy introduction. Sage, this is Slade and his girlfriend, Jenna. She's the woman we shared for a week in Tulsa. You should read her book. It tells all about it, right down to the old double P. Yeah, right. He might as well add on, Oh, and by the way, that the name of the porno I starred in to. ~ Cat Johnson, #NFDB
947:fagioli al fiasco sotto la cenere.” She handed him a bowl of what looked like white paste. He didn’t understand the Italian words in her dialect, except that “fagioli” was beans, and this did not look like beans—more like oatmeal. He didn’t think he’d ever seen an oat when he was in Florence, and certainly nobody ate oatmeal for breakfast. “What is this?” he asked. “It is made of white beans cooked in water and then cooked again with olive oil, rosemary, sage, and garlic in the coals of the fire all night. We put it in a Chianti bottle and cook it slowly in the embers. Then we mash ~ Rhys Bowen, #NFDB
948:I remembered those frantic seconds when I’d thought all I loved and knew, all that was Sydney Sage, would be lost from this world. My battered friends and I had just had a brush with death, dancing with this evil. We’d destroyed it, but it was terrifying how touch and go it all had been. At any moment, the Strigoi could have gained the advantage and killed one or all of us. Life and death were inextricably bound together, and we wavered between them. But we’d triumphed over death tonight. We were alive, and the world was beautiful. Life was beautiful, and I refused to waste mine. ~ Richelle Mead, #NFDB
949:You know the difference between right and wrong,' he repeated finally. 'Man, why did you need Initiation—by the Golden Dawn, or by anybody else? You are a genius, a sage, a giant among men. You have solved the problem which philosophers have been debating since antiquity—the mystery about which no two nations or tribes have ever agreed, and no two men or women have ever agreed, and no intelligent person has ever agreed totally with himself from one day to the next. You know the difference between right and wrong. I am overawed. I swoon. I figuratively kiss your feet. ~ Robert Anton Wilson, #NFDB
950:The invisible bubble containing them rushed forward, and Lindon’s body shuddered with the instinct to protect itself, but Suriel spoke as though reciting a poem. “There are a million Paths in this world, Lindon, but any sage will tell you they can all be reduced to one. Improve yourself.” Lindon was still somewhat worried about offending this visitor from another world, but he dared to say, “That doesn’t sound like enough.” The mountain rushed closer as they descended into its shadow. “It’s been my path for longer than you would believe. Do you think anyone dares to attack my homeland? ~ Will Wight, #NFDB
951:The flexible are preserved unbroken. The bent become straight. The empty are filled. The exhausted become renewed. The poor are enriched. The rich are confounded. Therefore the sage embraces the one. Because he doesn't display himself, people can see his light. Because he has nothing to prove, people can trust his words. Because he doesn't know who he is, people recognize themselves in him. Because he has no goal in mind, everything he does succeeds. The old saying that the flexible are preserved unbroken is surely right! If you have truely attained wholeness, everything will flock to you. ~ Lao Tzu, #NFDB
952:In the distance, I could see Skanda sitting on a pavilion wreathed in lotus blossoms and flanked with serving girls. He was, as I had guessed, fat. And in his golden jacket, he indeed looked like a toad.
“Ah, I remember him,” muttered Kamala.
“He’s my half-brother.”
“Nasty, nasty.”
“I know.”
“Would you like me to eat him?”
“Definitely not,” I said, a little too quickly. I patted Kamala’s neck. “But I appreciate your offer. It was almost nice.”
“It is nice to be nice,” said Kamala with a sage nod. “And it is also nice to eat people,” she added as an afterthought. ~ Roshani Chokshi,#NFDB
953:that her best friend, Gabe Poirier, is a bad idea. He’s a walking, talking cliché. The Adonis quarterback with the bulging biceps and harem of fangirls trailing behind him on campus like a stench you can’t get rid of. Sadly, that’s also the reason she can’t stay away from him. Well, that and the fact that they’re roommates. Jolie is already straddling the line between friendship and more when Sage comes to her with an offer she cannot refuse: be his fake girlfriend and live for free for the rest of the semester. She tells herself that she can handle it. He’s just the boy she saved ten years ~ L J Shen, #NFDB
954:Cold leek and potato soup. Little pastry boats filled with minced chicken or fish in a white sauce. A large green salad, a tomato and spring onion salad, a cold roast of beef with horseradish or port wine jelly to taste, cold roasted chickens with sage and onion stuffing, with a variety of crisp cold vegetables, each with their proper sauces. Fruit salad. A marmalade-filled roulade with slices of sugared oranges and crème Chantilly which was even now rolling in its damp tea towel as though there were no such things as culinary accidents in the world. Cheeses and fruits and coffee or tea. ~ Kerry Greenwood, #NFDB
955:I don't suppose that she gave you the job based on looks alone?"
Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker."
"That's not what I meant! What happened?"
He shrugged. "I told the truth."
"Adrian!"
"I'm serious. She asked me what my greatest strength was. I said getting along with people."
"That's not bad." I admitted.
"Then she asked what my greatest weakness was. And I said, 'Where should I start?'"
"Adrian!"
"Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go. ~ Richelle Mead,#NFDB
956:It was only possible to define or comprehend something when there was duality. A person can see, taste, or smell something that is separate and apart from him- or herself. But when “the whole [brahman] has become a person’s very self [atman], then who is there for him to see and by what means? Who is there for me to think of and by what means?”14 It was impossible to perceive the perceiver within oneself. So you could only say neti . . . neti (“not this”). The sage affirmed the existence of the atman while at the same time denying that it bore any similarity to anything known by the senses. ~ Karen Armstrong, #NFDB
957:Music is more powerful than reason in the soul. That is also why Plato made music the very first step in his long educational curriculum: good music was to create the harmony of soul that would be a ripe field for the higher harmony of reason to take root in later. And that is also why he said that the decay of the ideal state would begin with a decay in music. In fact, one of your obscure modern scholars has shown that social and political revolutions have usually been preceded by musical revolutions, and why another sage said, 'Let me write the songs of a nation and I care not who writes its laws. ~ Peter Kreeft, #NFDB
958:As Robert Rabbin stated: Here it is, my opinion: existence, creation, the cosmos, whatever the hell you want to call this incomprehensible mystery in which we live and of which we are a part, this thing is so huge, so vast, so complex and multi-dimensional that no one, no one, not even the latest guru du jour, not any scientist, saint, or sage, not any writer or artist, not any one who ever lived at any time in any place — no one knows nor can say the whole truth of the whole thing. They can only say, Hey, I’ve got my hand on one cell of this enormo-gigan-tic beast of being and it feels like such and so.9 ~ Sera Beak, #NFDB
959:Cul-De Sac
“DEAR Dove, both Love and Life command we wed,”
Spoke I. She smiled and shook her sage young head,
And mused, and gravely said: “Before we met,
Life had ruled straight our page, and rules it yet.
Though Love be come to light that even Way,
What else has changed? The filial tasks of day,
Your day and mine, cannot be put aside
That selfish Love alone be glorified.
Did daily duty done not keep us blest
Our infinite love were infinite unrest.
Our separate earnings still our Aged need—
Spare me, dear love, you shake me when you plead.”
~ Edward William Thomson,#NFDB
960:The matron whom we find so often arguing with Rabbi José observed one day to that sage, 'My god is surely greater than yours. When your God appeared to Moses in the bush, Moses merely covered his face, whilst when my god (the serpent) made its appearance he could not stand his ground at all, but had to run away out of fear.' 'Not so, 'returned the Rabbi, 'for in order to be out of the power of your god it sufficed for Moses to step a few paces back, but whither could he have fled from the presence of Him who filleth the earth?' ~ Exodus Rabbah 3, Tales and Maxims from the Midrash by Rev. Samuel Rapaport, (1907), p. 92, #NFDB
961:By now, Gregor had recovered. "Sage? Devlin, forgive my accusation, but you are a fool. Don't you know who this is?"
Devlin didn't appear to forgive the accusation. With a sneer on his face, he folded his arms and said, "Enlighten me."
Gregor looked at me and frowned. "He can perform the Avenian accent as well as his own Carthyan tongue. And although he has a reputation for being able to steal the white off snow if he chooses to, this boy is far from being a mere thief. Devlin, you are facing the boy who has haunted the pirates for the past four years. This is Jaron, the lost prince of Carthya. ~ Jennifer A Nielsen,#NFDB
962:Guy's only thought was to help her. It wasn't until he'd shoved aside the curtain and held her very wet, very naked body against him that he realized what he'd done.
Her sage green eyes were wide as she stared at him. For long moments, they simply looked at each other.
"I heard you cry out."
"My... my ankle," she said after clearing her throat. "I put too much pressure on it."
"A bath would have been better." He was valiantly trying to keep his gaze on her face, but it was difficult with her pert breasts against him and her bare ass beneath his hand as he held her up.
"Probably," she whispered. ~ Donna Grant,#NFDB
963:The whole roaring crowd was gathered in the long room to give my boar's head fulsome applause when it was carried aloft on a platter. And my goodness, those old folk's eyes were as round as marbles when they saw the tables piled as high as Balthazar's Feast. Plum pottage, minced pies, roast beef, turkey with sage and red wine sauce- and that were just the first course. I was mostly pleased with the second course, for alongside the tongues, brawn, collared eels, ducks and mutton I'd put some pretty snowballs made of apples iced in white sugar, all taken from a dish in Lady Maria's hand in 'The Cook's Jewel. ~ Martine Bailey, #NFDB
964:The third flaw is underconfidence, though it will seem to you like modesty or humility. You have learned so many flaws in your own nature, some of them impossible to fix, that you may think that the rule of wisdom is to confess your own inability. You may question yourself, without resolution or testing to determine the self-answers. You may refuse to decide, pending further evidence, when a quick decision is necessary. You may take advice you should not take. Jaded cynicism and sage despair are less fashionable than once they were, but you may still be tempted by them. Or you may simply - lose momentum. ~ Eliezer Yudkowsky, #NFDB
965:The Sage
A person of wisdom should be truthful, without arrogance, without deceit, not slanderous and
not hateful. The wise person should go beyond the evil of greed and miserliness.
To have your mind set on calmness, you must take power over sleepiness, drowsiness and
lethargy. There is no place for laziness and no recourse to pride.
Do not be led into lying, do not be attached to forms. You must see through all pride and fare
along without violence.
Do not get excited by what is old, do not be contented with what is new. Do not grieve for
what is lost or be controlled by desire. ~ Gautama Buddha,#NFDB
966:Just as the bird leaves no trace, no record of its flight upon the void, so human desire can gain nothing out of life. But to realize this is at once to become the sage, since the greatest wisdom lies on the other side, immediately on the other side, of the greatest despair. It is, of course, something more than despair—a joy, a sense of creative life and power, I might even say a security and certainty, beyond any imagining. But this is a way of feeling which the will and the imagination are as unable to bring about as to make one’s bones grow or decrease the speed of the pulse. They must happen by themselves. ~ Alan W Watts, #NFDB
967:By what is man impelled to act sin, though not willing it, as if brought to it by force? It is desire it is wrath born of the principle of passion, a mighty and devouring and evil thing; know this for the enemy. Eternal enemy of the sage, in the form of desire it obscures his knowledge and is an insatiable fire. The senses are supreme in the body, above the senses is the mind, higher than the mind is the understanding and higher than the understanding the spiritual Self. Know then that which is higher than the understanding, by the self control thyself and slay this difficult enemy, desire. ~ Bhagavad Gita III. 36. 37. 39. 42. 43, #NFDB
968:The Dead Sea Scrolls of Qumran evidence a preoccupation with demonology that includes reference to this very Isaianic passage. In The Songs of the Sage, we read an exorcism incantation, “And I, the Instructor, proclaim His glorious splendor so as to frighten and to terrify all the spirits of the destroying angels, spirits of the bastards, demons, Lilith, howlers, and [desert dwellers…] and those which fall upon men without warning to lead them astray[18] Note the reference to “spirits of the bastards,” a euphemism for demons as the spirits of dead Nephilim who were not born of human fathers, but of angels.[19] ~ Brian Godawa, #NFDB
969:Why?” breathed Boy 412. “Why me?”
“You have astonishing Magykal power. I told you before. Maybe now you’ll believe me.” She smiled.
“I—I thought the power came from the ring.”
“No. It comes from you. Don’t forget, the Dragon Boat recognized you even without the ring. She knew. Remember, it was last worn by Hotep-Ra, the first ExtraOrdinary Wizard. It’s been waiting a long time to find someone like him.”
“But that’s because it’s been stuck in a secret tunnel for hundreds of years.”
“Not necessarily,” said Marcia mysteriously. “Things have a habit of working out, you know. Eventually. ~ Angie Sage,#NFDB
970:Socrates, Plato, Jesus, Buddha and countless other mystics, in countless cultures, have preached the same thing -- that we all exist amid a blur of uncertainty. That one can never know complete truth about physical reality via our senses alone. Much is made of the differences between their systems... Socrates teaching reason, Buddha urging meditation, and Jesus prescribing faith. But what they all had in common was far more important. Each of those sage-prophets worried that the power of human egotism tends to make us lie to ourselves, leading to error, hypocrisy, and all too often, the rationalization of evil actions. ~ David Brin, #NFDB
971:Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again. ~ Victor Hugo, #NFDB
972:It’s over. God is no longer with us.” And as though he regretted having uttered such words so coldly, so dryly, he added in his broken voice, “I know. No one has the right to say things like that. I know that very well. Man is too insignificant, too limited, to even try to comprehend God’s mysterious ways. But what can someone like myself do? I’m neither a sage nor a just man. I am not a saint. I’m a simple creature of flesh and bone. I suffer hell in my soul and my flesh. I also have eyes and I see what is being done here. Where is God’s mercy? Where’s God? How can I believe, how can anyone believe in this God of Mercy? ~ Elie Wiesel, #NFDB
973:An abstruse subject, I should conceive,’ said Mr. Pickwick. ‘Very, Sir,’ responded Pott, looking intensely sage. ‘He CRAMMED for it, to use a technical but expressive term; he read up for the subject, at my desire, in the “Encyclopaedia Britannica.” ’ ‘Indeed!’ said Mr. Pickwick; ‘I was not aware that that valuable work contained any information respecting Chinese metaphysics.’ ‘He read, Sir,’ rejoined Pott, laying his hand on Mr. Pickwick’s knee, and looking round with a smile of intellectual superiority —‘he read for metaphysics under the letter M, and for China under the letter C, and combined his information, Sir! ~ Charles Dickens, #NFDB
974:Trotzdem hat jedes Buch neben seiner abstrakten, anonymen Bestimmung, die Öffentlichkeit heißt, einen bekannten Leser, eine oder mehrere Personen, an die man das Buch schreibt, weil das die einzige Art und Weise ist, wie man etwas zum Ausdruck bringen kann, was man sagen, enthüllen möchte, oder weil man etwas geben möchte, was man auf keine andere Art und Weise geben kann, oder weil dies das Beste ist, was man zu geben hat.
"Dabei ist es gar nicht mal so wichtig, ob der bekannte Leser das Buch auch tatsächlich liest", sage ich zu Ischa, "es ist eher die Vorstellung von der Person, die du beim Schreiben benötigst. ~ Connie Palmen,#NFDB
975:So," dark Susurre said quietly, "if you follow the curve... in a way your Damon did die to save Fell's Church from another massacre like the one on that Japanease island. He kept saying that was what he'd come to the Nether World to do. Do you not think he would be satisfied? At peace?"
"At PEACE?!" Stefan spat bitterly, and Sage growled.
"Woman," you obviously have never met Damon Salvatore before." The tone in his voice--more resonant, more threatening somehow--made Elena finally break off her staredown with the red-haired Idola. She turned and looked--
--and saw the enormous room filled with Sage's outspread wings. ~ L J Smith,#NFDB
976:It was John Kenneth Galbraith, the hyperliterate economic sage, who coined the phrase “conventional wisdom.” He did not consider it a compliment. “We associate truth with convenience,” he wrote, “with what most closely accords with self-interest and personal well-being or promises best to avoid awkward effort or unwelcome dislocation of life. We also find highly acceptable what contributes most to self-esteem.” Economic and social behaviors, Galbraith continued, “are complex, and to comprehend their character is mentally tiring. Therefore we adhere, as though to a raft, to those ideas which represent our understanding.” So ~ Steven D Levitt, #NFDB
977:bring us back again into right and eternal relationship with Himself. This required that our sins be disposed of satisfactorily, that a full reconciliation be effected and the way opened for us to return again into conscious communion with God and to live again in the Presence as before. Then by His prevenient working within us He moves us to return. This first comes to our notice when our restless hearts feel a yearning for the Presence of God and we say within ourselves, "I will arise and go to my Father." That is the first step, and as the Chinese sage Lao-tze has said, "The journey of a thousand miles begins with a first step. ~ A W Tozer, #NFDB
978:Sage. The sage in the pot had the same name as the wild plant that grew prolifically in New Mexico, on the Navajo Nation and throughout the Southwest. She knew the culinary sage in the kitchen was cousin to peppermint, catnip, and oregano—all characterized by square stems and aromatic leaves. The sagebrush outside had daisies, asters, and ragweed in its close family ties. Same name, but different genetics. Then she thought of the new FBI person, Sage Johnson. Were her parents thinking of sagebrush or cooking when they named her? Or did they expect that she’d be a wise woman, a different sort of sage. The name made her curious. ~ Anne Hillerman, #NFDB
979:Richard, you’ve started eight different companies in eight different industries and taken all of them to a billion dollars. That’s huge. If you could summarize in one sentence how you did it, what would you say?” Richard didn’t blink. He answered immediately like a wise, kind sage. Here’s what he said: It’s all about finding and hiring people smarter than you, getting them to join your business and giving them good work, then getting out of the way and trusting them. You have to get out of the way so you can focus on the bigger vision. That’s important, but here is the main thing: You must make them see their work as a mission. ~ Vishen Lakhiani, #NFDB
980:... ich kann kein Volk mir denken, das zerißner wäre, wie die Deutschen. Handwerker siehst du, aber keine Menschen, Priester, aber keine Menschen, Herrn und Knechte, Jungenudn gesetzte Leute, aber keine Menschen - ist das nicht wie ein Schlachtfeld, wo Hände und Arme und Gleider zerstückelt untereinander liegen ... ? Ein jeder treibt das Seine, wirst du sagen, und ich sage es auch. Nur muß er es mit ganzer Seele treiben, muß nicht jede Kraft in sich ersticken, wenn sie nicht gerade sich zu seinem Titel paßt ... und ist er in ein Fach gedrückt, wo gar der Geist nicht leben darf, so stoß ers mit Verachtung weg und lerne pflügen! ~ Friedrich H lderlin, #NFDB
981:The Price To Peace
LONG since I taught my spirit to obey
The Sage's great commandment - to forget
And so to lose life's bitterness and fret
And taste its sweetness; and I went my way
Eluding joy and sorrow, grave and gay,
And lived exempt, my being always set
Upon the striking hour, without regret,
Secure, refreshed, remote from yesterday.
But oh my friend, my love, my very dear,
My practised wisdom is a curse to me;
I do forget, and when you are not near
It is, by Heaven, as if you ceased to be;
And I would buy with agony and fear
One hour, one little hour of memory.
~ Alice Duer Miller,#NFDB
982:To sainted Nárad, prince of those Whose lore in words of wisdom flows. Whose constant care and chief delight Were Scripture and ascetic rite, The good Válmíki, first and best [pg 002] Of hermit saints, these words addressed:9 “In all this world, I pray thee, who Is virtuous, heroic, true? Firm in his vows, of grateful mind, To every creature good and kind? Bounteous, and holy, just, and wise, Alone most fair to all men's eyes? Devoid of envy, firm, and sage, Whose tranquil soul ne'er yields to rage? Whom, when his warrior wrath is high, Do Gods embattled fear and fly? Whose noble might and gentle skill The triple world can guard from ill? ~ Valmiki, #NFDB
983:If I could talk and teach, I might be a sage, but I am only a ferryman, and my task is to ferry people across this river. I have ferried many across, thousands, and for all of them my river has been nothing but a hindrance in their travels. They traveled for money and business, to weddings and on pilgrimages, and the river was in their way, and the ferryman was there to get them swiftly across that hindrance. But for a few among the thousands, a very few, four or five, the river was no hindrance, They heard its voice, they listened to it, and the river became sacred for them, as it is for me. Let us now retire for the night, Siddhartha. ~ Hermann Hesse, #NFDB
984:The natural desire of the human mind is to become special - to become special in the ways of the world, to have many degrees, to have much political power, to have money, wealth - to be special.
The mind is always ready to go on some ego trip. And if you are fed up with the world, then again the ego starts finding new ways and new means to enhance itself - it becomes spiritual. You become a great mahatma, a great sage, a great scholar, a man of knowledge, a man of renunciation; again you are special.
Unless the desire to be special disappears, you will never be special. Unless you relax into your ordinariness, you will never relax. ~ Osho,#NFDB
985:They walked on with him until they came to a dirty shop window in a dirty street, which was made almost opaque by the steam of hot meats, vegetables, and puddings. But glimpses were to be caught of a roast leg of pork bursting into tears of sage and onion in a metal reservoir full of gravy, of an unctuous piece of roast beef and blisterous Yorkshire pudding, bubbling hot in a similar receptacle, of a stuffed fillet of veal in rapid cut, of a ham in a perspiration with the pace it was going at, of a shallow tank of baked potatoes glued together by their own richness, of a truss or two of boiled greens, and other substantial delicacies. ~ Charles Dickens, #NFDB
986:I don't suppose," I said, once we were in the car, "that she just gave you the job based on looks alone?"
Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker."
"Thats not what I meant! What happened?"
He shrugged. "I told the truth."
"Adrian!"
"I'm serious. She asked me what my greatest strength was. I said getting along with people."
"Thats not bad," I admitted.
"Then she asked what my greatest weakness was. And I said, 'Where should I start?'"
"Adrian!"
"Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go. ~ Richelle Mead,#NFDB
987:I feel like this is totally a moment for Perry and Dex, considering they’ve been to Hell and back (again, literally) and seem to understand each other on this basic, soulmate kind of level. I guess it’s kind of inspiring to see a couple such as Dawn and Sage still together, considering they seem to have gone through something similar. True love binds. Of course that makes me have a tiny pity party for myself, complete with festive hat, confetti, and party horn that makes a pathetic little toot, since I also seem to be damned with these afflictions and yet I’m still alone. Finding someone who understands me seems pretty much impossible. That ~ Karina Halle, #NFDB
988:¡Ese vocabulario, queridos! Qué os parece esto: uno de vosotros ha guardado un secreto toda su vida, y lo sigue haciendo en estos momentos. Uno de vosotros es un asesino; y no estoy hablando de un vampiro, ni de eutanasia ni nada por el estilo. Y luego está la cuestión de la verdadera identidad de Sage... ¡Buena suerte con vuestra investigación ahí! A uno de vosotros ya le han borrado la memoria... y no me refiero a Damon o a Stefan. ¿Y qué hay del misterioso beso robado? Y luego está la cuestión de lo sucedido en la noche del motel, que parece que nadie excepto Elena puede recordar. Podríais preguntarle algo sobre sus teorías respecto a Camelot. ~ L J Smith, #NFDB
989:Yes, I’ll be glad.” And she said suddenly, “There are some times, Joseph, when the love for people is strong and warm like a sorrow.”
He looked quickly at her in astonishment at her statement of his own thought. “How did you think that, dear?”
“I don’t know. Why?”
“Because I was thinking it at that moment — and there are times when the people and the hills and the earth, all, everything except the stars, are one, and the love of them all is strong like a sadness.”
“Not the stars, then?”
“No, never the stars. The stars are always strangers — sometimes evil, but always strangers. Smell the sage, Elizabeth. It’s good to be getting home. ~ John Steinbeck,#NFDB
990:Picasso’s quote at the head of this chapter is just about half right. Computers are not useless, but they’re still machines for generating answers, not posing interesting new questions. That ability still seems to be uniquely human, and still highly valuable. We predict that people who are good at idea creation will continue to have a comparative advantage over digital labor for some time to come, and will find themselves in demand. In other words, we believe that employers now and for some time to come will, when looking for talent, follow the advice attributed to the Enlightenment sage Voltaire: “Judge a man by his questions, not his answers.”6 ~ Erik Brynjolfsson, #NFDB
991:I am not here to answer your questions. To answer would imply that we conceded some slight possibility of truth to your assertions of innocence, and we do not concede that. Truth is something which is to be had from us, not from you. Ours is the most remarkable government in the history of mankind; because we, and only we, have accepted as a working principle what every sage has taught and every government has feigned to accept: the power of the truth. And because we do, we rule as no other government has ever ruled. You have often asked me what your crime is, why we detain you. It is because we know you are lying—do you understand what I am telling you? ~ Gene Wolfe, #NFDB
992:We’d save up a penny or two, bring them down here, and set them on the tracks. When a train comes, it flattens out that penny, leaving it thin as paper and shaped long, like an egg. But it happens so fast, you can’t see where the train sends that penny flying… We’d look all around, in the sage brush and the prickly pear cactus, until we found them.. And you know what?”
He stopped walking and turned to gaze at me now. “We always found them closer than we thought.”
“After we’d looked all over Creation, we’d find them somewhere near the tracks, after all.”
He said, “Sometimes you do find what you’re looking for closer than you think. ~ Ann Howard Creel,#NFDB
993:The genius of men like Newton and Einstein lies in that: they ask transparent, innocent questions which turn out to have catastrophic answers. The poet William Cowper called Newton a ‘childlike sage’ for that quality, and the description perfectly hits the air of surprise at the world that Einstein carried in his face. Whether he talked about riding a beam of light or falling through space, Einstein was always full of beautiful, simple illustrations of such principles, and I shall take a leaf out of his book. I go to the bottom of the clocktower, and get into the tram he used to take every day on his way to work as a clerk in the Swiss Patent Office. The ~ Jacob Bronowski, #NFDB
994:And so on this rainbow day, with storms all around them, and blue sky above, they rode only as far as the valley. But from there, before they turned to go back, the monuments appeared close, and they loomed grandly with the background of purple bank and creamy cloud and shafts of golden lightning. They seemed like sentinels — guardians of a great and beautiful love born under their lofty heights, in the lonely silence of day, in the star-thrown shadow of night. They were like that love. And they held Lucy and Slone, calling every day, giving a nameless and tranquil content, binding them true to love, true to the sage and the open, true to that wild upland home. ~ Zane Grey, #NFDB
995:The church smelled of sage and urine. Beer cans and magazines dotted the concrete floor, filthy from the sand blown through the broken walls, and faded by time. Pike guessed the urine smell was left by animals. The man with the lank hair was standing beside a lean man with the intelligent eyes of a businessman and a mouth cut into a permanent frown. A cordovan briefcase sat on the ground by the door. Pike wondered which owned the briefcase and which was the girl’s father. He positioned himself away from the windows. Bud nodded toward the man with the lank hair. “Joe, this is Conner Barkley. Mr. Barkley, Joe Pike.” Barkley squeezed out an uncomfortable smile. ~ Robert Crais, #NFDB
996:Enraged against a quondam friend,
To Wisdom once proud Fortune said
"I'll give thee treasures without end,
If thou wilt be my friend instead."
"My choicest gifts to him I gave,
And ever blest him with my smile;
And yet he ceases not to crave,
And calls me ****rd all the while."
"Come, sister, let us friendship vow!
So take the money, nothing loth;
Why always labor at the plough?
Here is enough I'm sure for both!"
Sage wisdom laughed,the prudent elf!
And wiped her brow, with moisture hot:
"There runs thy friend to hang himself,
Be reconciledI need thee not!"
~ Friedrich Schiller, Fortune And Wisdom
,#NFDB
997:I wanted to puke, and from the intense paint stench that was assaulting my nasal passages. Sage wanted Gaberot, Not Tucker, not Joe, but Gabe. It was all too gross to contemplate. So of course my brain couldn't stop contemplating it.
Sage and Gabe-rot sitting in the tree K-I-S-S-I-N-G!
We worked in silence for a few minutes while I fumed. How could she grill me about Gabe when she was already dating Mr.Perfect? If only Daniel were here to hear all of this instead of sitting back at SDH oblivious.
"So are you and Gabe, like close?" Sage asked.
Ugh!
"Very close," I said, tilting my head to one side,"Incestuous,actually. He's a fabulous kisser. ~ Kieran Scott,#NFDB
998:Den Mann nenne mir, Muse, den vielgewandten, der gar viel umgetrieben
wurde, nachdem er Trojas heilige Stadt zerstörte. Von vielen Menschen sah er
die Städte und lernte kennen ihre Sinnesart; viel auch erlitt er Schmerzen auf
dem Meer in seinem Gemüte, während er sein Leben zu gewinnen suchte wie
auch die Heimkehr der Gefährten. Jedoch er rettete auch so nicht die Gefährten,
so sehr er es begehrte. Selber nämlich durch ihre eignen Freveltaten verdarben
sie, die Toren, die die Rinder des Sohns der Höhe, Helios, verzehrten. Der aber
nahm ihnen den Tag der Heimkehr. Davon – du magst beginnen, wo es sein mag
– Göttin, Tochter des Zeus! sage auch uns! ~ Homer,#NFDB
999:PERFECT VIRTUE PRODUCES NOTHING, because it needs nothing. Production comes out of desire, production comes because you are imperfect. You create something as a substitute because you feel unfulfilled. When you are absolutely fulfilled, why should you create, how can you create? Then you yourself have become the glory of creation, then the inner being itself is so perfect, nothing is needed.
PERFECT VIRTUE PRODUCES NOTHING. If the world is virtuous, all utilitarian goals will be lost. If the world is really virtuous there will be play and no production. Then the whole thing will just become a game. You enjoy it, but you don’t need it. A perfect sage is absolutely useless. ~ Osho,#NFDB
1000:The hell with your secrets,” shouted Bonnie.
“Language, language! How about this: One of you has kept a secret all
their life, and is doing so even now. One of you is a murderer—and I am
not speaking of a vampire, or a mercy killing, or anything like that. And
then there is the question of the true identity of Sage—good luck on your
research there!One of you has already had their memory erased—and I don’t mean
Damon or Stefan. And what about the secret, stolen kiss? And then there is
the question of what happened the night of the motel, that it seems that nobody
but Elena can recall. You might ask her sometime about her theories about
Camelot. ~ L J Smith,#NFDB
1001:Turn to philosophy, therefore, with all your soul, sit at her feet, cherish her; a great distance will then begin to separate you from other men. You will be far ahead of all mortals, and even the gods will not be far ahead of you. Do you ask what will be the difference between yourself and the gods? They will live longer. But, by my faith, it is the sign of a great artist to have confined a full likeness to the limits of a miniature. The wise man's life spreads out to him over as large a surface as does all eternity to a god. There is one point in which the sage has an advantage over the god; for a god is freed from terrors by the bounty of nature, the wise man by his own bounty. ~ Seneca, #NFDB
1002:Septimus had no need to untie Spit Fyre as the dragon had already chewed his way through the rope. They followed Aunt Zelda and Jenna out the side door at the foot of the turret and down to the Palace Gate. Aunt Zelda kept up a brisk pace. Showing a surprising knowledge of the Castle’s narrow alleyways and sideslips, she hurtled along. Oncoming pedestrians were taken aback at the sight of the large patchwork tent approaching them at full speed. They flattened themselves against the walls, and, as the tent passed by with the Princess, the ExtraOrdinary Apprentice and a feral-looking boy with bandaged hands—not to mention a dragon—in its wake, people rubbed their eyes in disbelief. ~ Angie Sage, #NFDB
1003:The Sage
Foreguarded and unfevered and serene,
Back to the perilous gates of Truth he went—
Back to fierce wisdom and the Orient,
To the Dawn that is, that shall be, and has been:
Previsioned of the madness and the mean,
He stood where Asia, crowned with ravishment,
The curtain of Love’s inner shrine had rent,
And after had gone scarred by the Unseen.
There at his touch there was a treasure chest,
And in it was a gleam, but not of gold;
And on it, like a flame, these words were scrolled:
“I keep the mintage of Eternity.
Who comes to take one coin may take the rest,
And all may come—but not without the key.”
~ Edwin Arlington Robinson,#NFDB
1004:So, Zoe told me today that—” “Wait. Are you going to talk like that?”
I glanced down and realized he was referring to the fact that my shirt was sitting on the floor beside me. “My bra’s still on. What’s the problem?”
“The problem is that I’m distracted. Very distracted. If you want my undivided attention and wisdom, you’d better put the shirt back on.”
I smiled and scooted over to him. “Why, Adrian Ivashkov, are you admitting weakness?” I reached out to touch his cheek, and he caught my wrist with a fierceness that was surprisingly provocative.
“Of course. I never claimed strength in the face of your charms, Sage. I’m just an ordinary man. Now put the shirt back on. ~ Richelle Mead,#NFDB
1005:All That Matters
When all that matters shall be written down
And the long record of our years is told,
Where sham, like flesh, must perish and grow cold;
When the tomb closes on our fair renown
And priest and layman, sage and motleyed clown
Must quit the places which they dearly hold,
What to our credit shall we find enscrolled?
And what shall be the jewels of our crown?
I fancy we shall hear to our surprise
Some little deeds of kindness, long forgot,
Telling our glory, and the brave and wise
Deeds which we boasted often, mentioned not.
God gave us life not just to buy and sell,
And all that matters is to live it well.
~ Edgar Albert Guest,#NFDB
1006:He thought about Daniel and Lucinda.
They had embodied love for so long, as far as
the fallen angels were concerned. He wished they were beside him now, playing the role of the happy couple offering sage advice to their
suffering friend.Fight for her, they would tell him. Even
when it seems like all is lost, do not give up
the fight for love. How had Luce and Daniel done it for so
long? It took a strength Cam wasn’t sure he
had. The pain when she refused him—and, so far, almost all she did was refuse him—was staggering. And yet he went for it again and again and again. Why? To save her. To help her. Because he
loved her. Because if he gave up… He could not give up. ~ Lauren Kate,#NFDB
1007:The kitchen. La cucina, the true mother country, this warm cave of the good witch deep in the desolate land of loneliness, with pots of sweet potions bubbling over the fire, a cavern of magic herbs, rosemary and thyme and sage and oregano, balm of lotus that brought sanity to lunatics, peace to the troubled, joy to the joyless, this small twenty-by-twenty world, the altar a kitchen range, the magic circle a checkered tablecloth where the children fed, the old children, lured back to their beginnings, the taste of mother's milk still haunting their memories, fragrance in the nostrils, eyes brightening, the wicked world receding as the old mother witch sheltered her brood from the wolves outside. ~ John Fante, #NFDB
1008:If you recognize the genuineness of the testimony of Mary and Joanna, and realize that they became apostles, bearing witness to the risen Jesus, you have to recognize certain facts about the historical Jesus. He did not just present himself as a great teacher, a wise sage, a miracle worker, an exorcist. This inner circle knew better than that, and they were faithful to say so after the fact. The Jesus about whom the earliest disciples bore witness was and is the real Jesus of history and faith. The impact crater in the lives of these disciples, male and female, matches up with the impression Jesus deliberately left on these persons, as we will see in more detail as we turn now to Peter. ~ Ben Witherington III, #NFDB
1009:If heaven loved not the wine,
A Wine Star would not be in heaven;
If earth loved not the wine,
The Wine Spring would not be on the earth.
Since heaven and earth love the wine,
Need a tippling mortal be ashamed?
The transparent wine, I hear,
Has the soothing virtue of a sage,
While the turgid is rich, they say,
As the fertile mind of the wise.
Both the sage and the wise were drinkers,
Why seek for peers among gods and goblins?
Three cups open the grand door to bliss;
Take a jugful, the universe is yours.
Such is the rapture of the wine,
That the sober shall never inherit.
by owner. provided at no charge for educational purposes
~ Li Bai, A Vindication
,#NFDB
1010:Jusqu'à présent, lecteur, suivant l'antique usage,
Je te disais bonjour à la première page.
Mon livre, cette fois, se ferme moins gaiement ;
En vérité, ce siècle est un mauvais moment.
Tout s'en va, les plaisirs et les moeurs d'un autre âge,
Les rois, les dieux vaincus, le hasard triomphant,
Rosafinde et Suzon qui me trouvent trop sage,
Lamartine vieilli qui me traite en enfant.
La politique, hélas ! voilà notre misère.
Mes meilleurs ennemis me conseillent d'en faire.
Être rouge ce soir, blanc demain, ma foi, non.
Je veux, quand on m'a lu, qu'on puisse me relire.
Si deux noms, par hasard, s'embrouillent sur ma lyre,
Ce ne sera jamais que Ninette ou Ninon. ~ Alfred de Musset,#NFDB
1011:Nous avons pénétré dans cette communauté toute pleine de ces vieilles pratiques qui semblent si nouvelles aujourd'hui. C'est le jardin fermé. Hortus conclusus. Nous avons parlé de ce lieu singulier avec détail, mais avec respect, autant du moins que le respect et le détail sont conciliables. Nous ne comprenons pas tout, mais nous n'insultons rien. Nous sommes à égale distance de l'hosanna de Joseph de Maistre qui aboutit à sacrer le bourreau et du ricanement de Voltaire qui va jusqu'à railler le crucifix. Illogisme de Voltaire, soit dit en passant; car Voltaire eût défendu Jésus comme il défendait Calas; et, pour ceux-là mêmes qui nient les incarnations surhumaines, que représente le crucifix? Le sage assassiné. ~ Victor Hugo, #NFDB
1012:Sea Canaries
The small white whales in packs of pods
keep their pacts with us, the fated beasts.
They wail their songs and the water wavers,
and we who signed them waive our rights
to have them. Here is where they belong,
all right, and here is where I leave them:
their pale, bountiful bodies to the sea.
I see a pail of fish and I would rather
feed on palm wood than palm one up
to shed it to those seabirds. To bate the brink
of bygone beauty, I bring no bait. A thatch shed
on the shore would keep me closer. O idol
of the gulls and wingèd seagirls and idle guitar
players, paddle deep and far off from my kind
who peddle our wares like love-me-kindly petals.
~ C.J. Sage,#NFDB
1013:Palgolak was a god of knowledge. ... He was an amiable, pleasant deity, a sage whose existence was entirely devoted to the collection, categorization, and dissemination of information. ... Palgolak's library ... did not lend books, but it did allow readers in at any time of the day or night, and there were very, very few books it did not allow access to. The Palgolaki were proselytizers, holding that everything known by a worshipper was immediately known by Palgolak, which was why they were religiously charged to read voraciously. But their mission was only secondarily for the glory of Palgolak, and primarily for the glory of knowledge, which was why they were sworn to admit all who wished to enter into their library. ~ China Mi ville, #NFDB
1014:The sage of Nazareth may satisfy those who have never faced the problem of evil in their own lives; but to talk about an ideal to those who are under the thralldom of sin is a cruel mockery. Yet if Jesus was merely a man like the rest of men, then an ideal is all that we have in Him. Far more is needed by a sinful world. It is small comfort to be told that there was goodness in the world, when what we need is goodness triumphant over sin. But goodness triumphant over sin involves an entrance of the creative power of God, and that creative power of God is manifested by the miracles. Without the miracles, the New Testament might be easier to believe. But the thing that would be believed would be entirely different from ~ J Gresham Machen, #NFDB
1015:I’ve just been visiting (second visit) a chap called Krishnamurti,fn105 who used to be very famous (and beautiful – he’s still beautiful age ninety-one) some time ago. He is an Indian sage, discovered as a child by the theosophists (as the ‘destined one’ etc.) and transported to Europe. In India he is a god. He teaches a kind of anti-religious quasi-mystical good way of life. I was asked to have a (videotaped for the faithful) discussion with him, which though producing little clarity interested me a lot. How very very serious human beings are in their deep assumptions about morals, mind etc. etc. (Obvious idea, but I find I lose it from time to time!) I think he is a remarkable being, though I don’t like all his talk. […] ~ Iris Murdoch, #NFDB
1016:For the Communist Party, the return of class presented an opportunity: the Party came to believe that co-opting those with property would buttress it against agitation toward democracy. Officials took to quoting the ancient sage Mencius, who said, “Those with a constant livelihood have a constant heart, those lacking a constant livelihood lack a constant heart.” But relying on prosperity to ensure a “constant heart” posed a problem that would grow into the Chinese Communist Party’s essential paradox: How could the heirs of Marx and Lenin, the rulers of the People’s Republic, who had risen to power denouncing bourgeois values and inequality, baldly embrace the new moneyed class? How could it retain its ideological claim to rule? ~ Evan Osnos, #NFDB
1017:But popular power is not merely ignorant. It is inevitably impure since it is anomos. Popular power harkens only to its interests and desires. It is violent: it imposes its will on everyone. It is murderous. And in a privileged fashion, it kills the sage, as the one who occupies the place where the laws speak.
Popular power is criminal in essence — criminal in relation to what, since it expresses the will of all? It is criminal in relation to nomos, to the law as foundation of the city's existence. Popular power is crime against the very nature of the city.
The sage as pure keeper of knowledge and nomos therefore has to protect the city against itself and prohibit it from governing itself. ~ Michel Foucault,#NFDB
1018:Several pallets had been pulled to the middle of the open space and stacked two high with a large blanket over them. The implication stunned her – it was so unexpected, so unlike what she believed about him – her mind only registered denial.
She heard Ash bolt the door and remove his leather jacket, felt his hands on her shoulders as he turned her around to face him. He stroked her cheek with one hand while the other reached for his belt. “My sweet, innocent Sage,” he whispered, and still her thoughts could gain no traction.
There was the snap of a release from his belt, and though she continued to meet his eyes, she saw a sheathed dagger in the hand he raised between them.
“Tonight I must teach you how to kill a man. ~ Erin Beaty,#NFDB
1019:It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant. ~ Ellen Herrick, #NFDB
1020:Weil ich sage: Deutschland den Deutschen und den brauchbaren Ausländern? Deshalb bin ich schon ein Rassist?'
Er wendet sich an mich. 'Sie als Deutscher, denken Sie dasselbe über mich?'
'Äh. Nein', sage ich. 'Für mich sind Sie eher wie der tragische Held in Sophokles' bekanntestem Theaterstück.'
Kurz schweigt der Mann.
'So. Ach. Hm. Nun ja', sagt er dann. 'Genau. Ein tragischer Held. So sehe ich mich auch manchmal. Na gut.'
Er stempelt ein Fragezeichen in den Pass des Kängurus.
'Dann gehen Sie mal. Aber nehmen Sie bitte ihr Maskottchen mit.'
'König Ödipus', flüstert das Känguru, als ich die Tür des Büros hinter mir zuziehe. 'Chapeau! Du hast ihn gerade auf extremst subtile einen Motherfucker genannt, Alter! ~ Marc Uwe Kling,#NFDB
1021:When water is still, it is like a mirror, reflecting the beard and the eyebrows. It gives the accuracy of the water-level, and the philosopher makes it his model. And if water thus derives lucidity from stillness, how much more the faculties of the mind? The mind of the Sage being in repose becomes the mirror of the universe, the speculum of all creation.22 [59a] The fluidity of water is not the result of any effort on the part of the water, but is its natural property. And the virtue of the perfect man is such that even without cultivation there is nothing which can withdraw from his sway. Heaven is naturally high, the earth is naturally solid, the sun and moon are naturally bright. Do they cultivate these attributes?23 [63b] ~ Alan W Watts, #NFDB
1022:In late August and early September, just after the first fall rain, hundreds of male tarantulas emerge from holes in the ground. They skitter through mint-scented mountain sage in search of burrows delicately draped in silk, where females are ready to mate. Visitors armed with flashlights flock to the mountain around sunset or just after dark, the best time to see the tarantulas. Bats wheel over gray pines and live oaks. Great horned owls hoot solemnly. Beams from flashlights weaving across trails sometimes catch a piece of earth that’s moving; closer inspection reveals the scuttling of saucer-size tarantulas. The male tarantulas never return to their holes. They mate as much as they can and then die, from starvation or cold. ~ Michelle McNamara, #NFDB
1023:Of all things, herself seemed to herself the centre,--a small, forgotten atom of life, a spark of soul emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed,--a star in an else starless firmament,--which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which she insisted she should find exercise? ~ Charlotte Bront, #NFDB
1024:The Bone Keeper presides over the festival. She rules the lowest level of the Lowerworld where she keeps watch over the bones. They say she has a skull for a face,wears a skirt made of serpents,and her mouth is extra wide in order to feed off the stars during the day.And yet,despite my numerous journeys to the Lowerworld,I have yet to run into her.But maybe you will, nieta,who knows?"
"A skull faec,a snake skirt,and a steady diet of stars?" I shake my head and balk. "No thanks.I'd prefer to avoid her if it's okay with you."
"You don't always get the journey you want, nieta. Though you always get the journey you need," she says-yet another sage statement in a collection of many.
"You paraphrasing Mick Jagger now? ~ Alyson Noel,#NFDB
1025:Contrary to Expectation. A wise man, the wonder of his age, taught his disciples from a seemingly inexhaustible store of wisdom. He attributed all his knowledge to a thick tome which was kept in a place of honour in his room. The sage would allow nobody to open the volume. When he died, those who had surrounded him, regarding themselves as his heirs, ran to open the book, anxious to possess what it contained. They were surprised, confused and disappointed when they found that there was writing on only one page. They became even more bewildered and then annoyed when they tried to penetrate the meaning of the phrase which met their eyes. It was: 'When you realise the difference between the container and the content, you will have knowledge. ~ Idries Shah, #NFDB
1026:story of the young boy who travelled far from his home to study under a great teacher. When he met the wise old man, his first question was, 'How long will it take me before I am as wise as you?' "The response came swiftly, 'Five years.' "'This is a very long time,' the boy replied. 'How about if I work twice as hard?' '"Then it will take ten,' said the master. '"Ten! That's far too long. How about if I studied all day and well into the night, every night?' '"Fifteen years,' said the sage. "'I don't understand,' replied the boy. 'Every time I promise to devote more energy to my goal, you tell me that it will take longer. Why?' '"The answer is simple. With one eye fixed on the destination, there is only one left to guide you along the journey ~ Anonymous, #NFDB
1027:Peruse this bit of sage advice from the essayist and publisher Elbert Hubbard....
Whenever you go out-of-doors, draw the chin in, carry the crown of the head high, and fill the lungs to the utmost; drink in the sunshine; greet your friends with a smile, and put soul into every hand clasp. Do not fear being misunderstood and do not waste a minute thinking about your enemies. Try to fix firmly in your mind what you would like to do; and then, without veering off direction, you will move straight to the goal. Keep your mind on the great and splendid things you would like to do, and then, as the days go gliding away, you will find yourself unconsciously seizing upon the opportunities that are required for the fulfillment of your desire.... ~ Dale Carnegie,#NFDB
1028:Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert. ~ Willa Cather, #NFDB
1029:Were you acquainted with Theo?” Cassandra asked.
“A little.”
“Did you like him?” she surprised him by asking.
“I’m afraid not,” he said. “We brawled on more than one occasion.”
“That’s what boys do,” Pandora said.
“Only bullies and lackwits,” Cassandra told her. Realizing she had inadvertently insulted Devon, she sent him an ingenuous glance. “Except for you, my lord.”
A relaxed grin crossed his mouth. “In my case, I’m afraid the description is not inaccurate.”
“The Ravenel temper,” Pandora said with a sage nod, and whispered theatrically, “we have it too.”
“Our older sister Helen is the only one who doesn’t,” Cassandra added.
“Nothing provokes her,” Pandora said. “We’ve tried ever so often, but it never works. ~ Lisa Kleypas,#NFDB
1030:Hi," she said. The gloomy interior of the car lit up with a warm green glow and the scent of sage filled the air. Virginia rubbed her forefinger and thumb together, and in the mirror, Josh saw a tiny ball of green energy appear. She flicked the ball at the motorcyclist.
"You missed!" Dee snapped.
"Here,let me..."
"Patience,Doctor,patience," Virginia said.
The rubber on the bike's front tire abruptly crumbled to black powder. Spokes collapsed, the wheel buckled and the bike careered across the road, the front forks scraping a shower of sparks from the concrete. Then the bike hit the low restraining wall on the bay side of the road and the rider was catapulted over it, disappearing without a sound.
"Subtle,as always, Virginia," Dee said. ~ Michael Scott,#NFDB
1031:The House Of Socrates
FOR Socrates a House was built,
Of but inferiour Size;
Not highly Arch'd, nor Carv'd, nor Gilt;
The Man, 'tis said, was Wise.
But Mob despis'd the little Cell,
That struck them with no Fear;
Whilst Others thought, there should not dwell
So great a Person there.
How shou'd a due Recourse be made
To One, so much Admir'd?
Where shou'd the spacious Cloth be laid,
Or where the Guests retir'd?
Believe me, quoth the list'ning Sage,
'Twas not to save the Charge;
That in this over-building Age,
My House was not more large.
But this for faithful Friends, and kind,
Was only meant by me;
Who fear that what too streight you find,
Must yet contracted be.
~ Anne Kingsmill Finch,#NFDB
1032:There is an old lady who lives on the moon. You can see her spinning thread on her spinning wheel. Her isolation and distance from the world has made her a sage. She weaves stories. She knows every wanderer who crosses the sea grass meadows, she knows every woman who uses her blackened blue hands to grind grain in the hand mill, she is friends with the little girl who got lost in the corn fields and was never found, and she knows the story of the boy who played flute on the little hill when his lambs slept. Grandmother said that if I had been a good girl the moon lady would weave for me a magical blanket and every stitch will be made from a moment of my life, a forgotten moment, a memory. Every stitch would be special. It would be made especially for me. ~ Kanza Javed, #NFDB
1033:Enoch strutted before the throne. He lifted his chin high in thought. He then spoke like a scribe would speak to his students. “This Accuser has laden his argument with so much emotional invective and blind hatred that one can only wonder where he received his credentials. I am not aware of any apkallu wisdom sage on earth or in heaven who teaches insulting, appeals to pity, appeals to force, and popular sentiment, false dilemmas, slippery slopes, equivocation and question begging as actual legal strategy.” That was good, thought Enoch. He did not hear the expected chuckles from the divine witnesses. But then again, they did follow strict rules of sobriety in trials. All his years of being an apkallu were bearing fruit in him now. It was as if it were all ~ Brian Godawa, #NFDB
1034:Maxi’s Tart (Lady Honey de Shera’s special tart recipe for Maximus who was, in fact, a finicky eater as a child. Guaranteed to make all future knights very happy with full tummies) 4 Tbsp. butter, melted 1/2 tsp. salt pinch saffron 6 eggs 1/2 medium onion, coarsely chopped 1/2 lb. soft cheese, grated 1/2 cup currants 1 Tbsp. honey 1 tsp. parsley 1 tsp. sage 1 tsp. hyssop (this is an herb with a minty-ish taste) 1 tsp. powder douce (equal parts ginger, cinnamon, nutmeg, and cloves) Grind saffron with salt, mix with butter, and set aside. Place onions into boiling beef broth and cook until just tender and drain. Beat eggs and combine with saffron-butter, onions, and remaining ingredients, pour into pastry shell, and bake at 350°F for one hour. ~ Kathryn Le Veque, #NFDB
1035:Cilantro: eat half a cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Parsley: eat a quarter cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Zeolite: buy this mineralized clay in liquid form. Spirulina (preferably from Hawaii): if it’s in powder form (which is best for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Garlic: eat two fresh cloves a day. Sage: eat two tablespoons a day. L-glutamine: if it’s in powder form (which is preferable for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Plantain leaf: brew this herb to make tea and drink a cup a day. Red clover blossom: brew two tablespoons of these flower blossoms to make two cups of tea a day. ~ Anthony William, #NFDB
1036:Action and Non-Action
The non-action of the wise man is not inaction.
It is not studied. It is not shaken by anything.
The sage is quiet because he is not moved,
Not because he wills to be quiet . . .
From emptiness comes the unconditioned,
From this the conditioned, the individual things.
So from the sage's emptiness, stillness arises;
From stillness, action. From action, attainment.
From their stillness comes their non-action, which is also action
And is, therefore, their attainment.
For stillness is joy. Joy is free from care
Fruitful in long years.
Joy does all things without concern:
For emptiness, stillness, tranquility, tastelessness,
Silence, and non-action
Are the root of all things. ~ Thomas Merton,#NFDB
1037:If a man approaches a fact in the world around him with a judgment arising from his previous experiences, he shuts himself off by this judgment from the quiet, complete effect which this fact can have on him. The learner must be able each moment to make himself a perfectly empty vessel into which the new world flows. Knowledge is received only in those moments in which every judgment, every criticism coming from ourselves, is silent. For example, when we meet a person, the question is not at all whether we are wiser than he. Even the most unreasoning child has something to reveal to the greatest sage. And if he approach the child with his prejudgment, be it ever so wise, he pushes his wisdom like a dulled glass in front of what the child ought to reveal to him. ~ Rudolf Steiner, #NFDB
1038:Even to speak to a very well-known person is always an action that is in some respects new. The person to whom you speak— her costume, her physiognomy, the subject of the discourse—all that changes. " One never bathes twice in the same water," said the old sage. The universe changes incessantly, and whatever be the apparent identity of the circumstances in which we are placed, there is always a change, either without or within ourselves; a change which demands a new adaptation on our part, a new effort. Since the future is never the exact repetition of the past, a conscious act is never completely automatic. We must always make some effort, invent, even exert, our will somewhat, to perform the most habitual act; and when Marcelle's will goes down to a degree reall}?^ ~ Anonymous, #NFDB
1039:Fawn Ghazal
Inside a snowy blanket which put the trees to sleep,
I heard a fawn.
Out past the window's ice coat in the morning, I
found a sleeping fawn.
There are men in yellow kitchens watching hands of
brown-eyed women
while men in orange jackets dream in secret, of
capturing a fawn.
When I was younger I was taught, but have forgotten,
sweet timidity.
When I am older I will learn, by necessity, the
light-footedness of fawns.
Someone left a lily on my doorstep, eggshell white
with speckled leaves;
the card of introduction said the flower's name was
Fawn.
Sages wonder if it's possible for men to turn to
animals.
I wonder if they've pondered the agility of fawns.
Submitted by Joe Shields
~ C.J. Sage,#NFDB
1040:6:1 Be careful not to practice your righteousness in front of others. Ancient speakers and writers would sometimes state a thesis and then develop it with illustrations; Jesus illustrates this thesis with examples from charity (vv. 2–4), prayer (vv. 5–15), and fasting (vv. 16–18). Because sages offered riddles and statements meant to provoke thought rather than systematic outlines of their beliefs, some of a sage’s statements could appear to be in tension with some of his other statements. Jesus provokes thought in the tension between 5:16 and the command here in v. 1: the difference is whom one seeks to honor. (Note that the Greek term translated “honored” in v. 2 is the same Greek term translated “glorify” in 5:16.) 6:2 Truly I tell you. See note on 5:18. Givers did not ~ Anonymous, #NFDB
1041:And yet everyone goes toward one and the same
thing, at least everyone strives for one and the same thing, from the sage to the
last robber, only by different paths. This is an old truth, but what is new here is
this: I cannot get very confused. Because I saw the truth, I saw and I know that
people can be beautiful and happy without losing the ability to live on earth. I will
not and cannot believe that evil is the normal condition of people. And they all
laugh merely at this belief of mine. But how can I not believe: I saw the truth -
it’s not that my mind invented it, but I saw it, I saw it, and its living image filled
my soul for all time. I saw it in such fulfilled wholeness that I cannot believe it is
impossible for people to have it. ~ Fyodor Dostoyevsky,#NFDB
1042:The Chinese sage Mencius made the analogy between morality and food 2,300 years ago when he wrote that “moral principles please our minds as beef and mutton and pork please our mouths.”4 In this chapter and the next two, I’ll develop the analogy that the righteous mind is like a tongue with six taste receptors. In this analogy, morality is like cuisine: it’s a cultural construction, influenced by accidents of environment and history, but it’s not so flexible that anything goes. You can’t have a cuisine based on tree bark, nor can you have one based primarily on bitter tastes. Cuisines vary, but they all must please tongues equipped with the same five taste receptors.5 Moral matrices vary, but they all must please righteous minds equipped with the same six social receptors. ~ Jonathan Haidt, #NFDB
1043:Between the sky and the egg-shaped, egg-smooth granite boulder that floats out in the middle of the meadow’s widest field, everything has its own green: cattails, willow leaves, the flip side of an aspen leaf, the gray-green sage, the yellow-green native pasture, the loden timber, all circling around, with that boulder at the center, as if the meadow were a green ear held up to listen to the sky’s blue, and there is an axis drawn between the boulder and the sun. Elsewhere on the mountain, most of the green stays locked in pines, the prairie is scorched yellow. But Lyle’s meadow is a hemorrhage of green, and a green clockwork of waterways and grasses, held up to the sky in its ring of ridges, held up for the sky to listen, too. The granite boulder is only there to hold it down. ~ James Galvin, #NFDB
1044:The banquet proceeded. The first course, a mince of olives, shrimp and onions baked in oyster shells with cheese and parsley was followed by a soup of tunny, cockles and winkles simmered in white wine with leeks and dill. Then, in order, came a service of broiled quail stuffed with morels, served on slices of good white bread, with side dishes of green peas; artichokes cooked in wine and butter, with a salad of garden greens; then tripes and sausages with pickled cabbage; then a noble saddle of venison glazed with cherry sauce and served with barley first simmered in broth, then fried with garlic and sage; then honey-cakes, nuts and oranges; and all the while the goblets flowed full with noble Voluspa and San Sue from Watershade, along with the tart green muscat wine of Dascinet. ~ Jack Vance, #NFDB
1045:If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can."
Isaw the glimmer of Adrian's earlier smile returning. "You would not."
"I totally would."
"Half a can would put you into a coma."
Sonya frowned. "Are you diabetic?" she asked me.
"No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy."
"Hey," I said. "You think it’d be a tragedy to go an hour without a cigarette."
"Don’t question my steel resolve, Sage. I went without one for two hours today."
"Show me twenty-four, and then I’ll be impressed."
He gave me a look of mock surprise. "You mean you aren’t already? And here I thought you were dazzled from the moment you met me. ~ Richelle Mead,#NFDB
1046:BEET HUMMUS 3-4 large beets, preferably red 2 sprigs thyme 1 tsp. rubbed sage 3 Tbsp. olive oil, divided 6 cloves garlic, chopped and divided Juice from 1 lemon 1 Tbsp. tahini 1 (15 oz.) can Northern beans Salt, to taste Heat the oven to 400 degrees. Skin the beets with a vegetable peeler and chop into quarters. Place on a roasting sheet with the thyme, sage, a tablespoon of oil and about › of the chopped garlic. Cover with foil and roast until soft, about 40 minutes. Place the roasted beets in a food processor along with the remaining garlic and olive oil, as well as the lemon juice. Pulse until pureed and add the tahini, beans and a hearty pinch of salt. Pulse to combine, and then taste. Add additional salt, lemon juice or garlic to taste. Makes about 3 cups. Serve with sliced baguette. ~ Anonymous, #NFDB
1047:So what does all this mean if you desperately want to persuade someone who doesn’t want to be persuaded?
The first step is to appreciate that your opponent’s opinion is likely based less on fact and logic than on ideology and herd thinking. If you were to suggest this to his face, he would of course deny it. He is operating from a set of biases he cannot even see. As the behavioral sage Daniel Kahneman has written: “We can be blind to the obvious, and we are also blind to our blindness.” Few of us are immune to this blind spot. That goes for you, and that goes for the two of us as well. And so, as the basketball legend-cum-philosopher Kareem Abdul-Jabbar once put it, “It’s easier to jump out of a plane—hopefully with a parachute—than it is to change your mind about an opinion. ~ Steven D Levitt,#NFDB
1048:Despair could never touch a morning like this.
The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green. ~ Kim Stanley Robinson,#NFDB
1049:I can't tell you how many times over the years people tried to give me soy cheese and tempeh fake-meat, and other ickiness and pass it off as yummy. I'm sorry but no, you cannot make vegetable protein taste like bacon, no matter how much salt and liquid smoke you put in it! I wanted to celebrate good food, prepared in ways that make it good for you, which is surprisingly easy to do if you know the basics. If you use exceptional products that have inherent natural goodness, you don't need to swamp them in butter or cream to make them taste good." For dinner we'd had grilled skirt steaks, spicy Thai sesame noodles from my friend Doug's recipe, braised cauliflower, and for dessert, poached pears and Greek yogurt with lavender flowers and black sage honey. Filling, balanced, nutritionally sound. ~ Stacey Ballis, #NFDB
1050:The Cattle Country
Up the dusk-enfolded prairie,
Foot-falls, soft and sly,
Velvet cushioned, wild and wary,
Then--the coyote's cry.
Rush of hoofs, and roar and rattle,
Beasts of blood and breed,
Twenty thousand frightened cattle,
Then--the wild stampede.
Pliant lasso circling wider
In the frenzied flight-Loping horse and cursing rider,
Plunging through the night.
Rim of dawn the darkness losing
Trail of blackened soil;
Perfume of the sage brush oozing
On the air like oil.
Foothills to the Rockies lifting
Brown, and blue, and green,
Warm Alberta sunlight drifting
Over leagues between.
That's the country of the ranges,
Plain and prairie land,
And the God who never changes
Holds it in His hand.
~ Emily Pauline Johnson,#NFDB
1051:Netanyahu concludes: “We agree with that clear-sighted scholar who said, unreservedly, in plain language: ‘Anti-Semitism was born in Egypt.’” His book shows that motivating the Inquisition in Spain was not hostility to Jewish religion but rage against the superior effectiveness and ascendancy of Jews outperforming established clerics as Christians. “New Christians,” mostly Jewish, were taking over the Spanish church by being more learned, eloquent, devout, resourceful, and charismatic than Christian leaders. As Netanyahu writes, “The struggle against the Jews was essentially motivated by social and economic, rather than religious considerations . . .” For all their sage observations, Prager and Telushkin miss the heart of the matter, which is Jewish intellectual and entrepreneurial superiority. ~ George Gilder, #NFDB
1052:If there is any intelligence guiding this universe, philosophy wishes to know and understand it and reverently work with it; if there is none, philosophy wishes to know that also, and face it without fear. If the stars are but transient coagulations of haphazard nebulae, if life is a colloidal accident, impersonally permanent and individually fleeting, if man is only a compound of chemicals, destined to disintegrate and utterly disappear, if the creative ecstasy of art, and the gentle wisdom of the sage, and the willing martyrdom of saints are but bright incidents in the protoplasmic pullulation of the earth, and death is the answer to every problem and the destiny of every soul--then philosophy will face that too, and try to find within that narrowed circle some significance and nobility for man. ~ Will Durant, #NFDB
1053:Let me be accursed. Let me be vile and base, only let me kiss the hem of the veil in which my God is shrouded. Though I may be following the devil, I am Thy son, O Lord, and I love Thee, and I feel the joy without which the world cannot stand. Joy everlasting fostereth The soul of all creation, It is her secret ferment fires The cup of life with flame. 'Tis at her beck the grass hath turned Each blade towards the light And solar systems have evolved From chaos and dark night, Filling the realms of boundless space Beyond the sage's sight. At bounteous Nature's kindly breast, All things that breathe drink Joy, And birds and beasts and creeping things All follow where She leads. Her gifts to man are friends in need, The wreath, the foaming must, To angels- vision of God's throne, To insects- sensual lust. ~ Fyodor Dostoyevsky, #NFDB
1054:However mean your life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man’s abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts… Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul. ~ Henry David Thoreau, #NFDB
1055:Tous les grands divertissement sont dangereux [...]; mais entre tous ceux que le monde a inventés, il n'y en a point qui soit plus à craindre que la comedie. C'est une représentation si naturelle et si délicate des passions, qu'elle les émeut et les fait naitre dans notre coeur, et surtout celle de l'amour; principalement lorsqu'on le représente fort chaste et fort honnete. Car plus il parait innocent aux ames innocentes, plus elles sont capables d'en etre touchées; sa violence plait a notre amour-propre, qui forme un desir de causer les memes effets, que l'on voit si bien représentes; et l'on se fait en meme temps une conscience fondée sur l'honneteté des sentiments qu'on y voit, qui otent la crainte des ames pures, qui s'imaginent que ce n'est pas blesser la pureté, d'aimer d'un amour qui leur semble si sage. ~ Blaise Pascal, #NFDB
1056:And then . . . we’re going to get in my car.”
I waited for him to elaborate on a destination. “And?”
He gently kissed the nape of my neck. “What do you think?”
I couldn’t help a small gasp of delight. “Oh, wow.”
“I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.”
I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me.
“It’s okay, Sage. We’ve all got our turn-ons.”
“You kind of ruined the surprise, though.”
“Nah. It’s part of the gift: you getting to think about it for the next three days. ~ Richelle Mead,#NFDB
1057:11:29 Take my yoke . . . find rest. Only the poorest people would use a yoke to pull their loads. When used figuratively, a yoke represented slavery or submission; Jewish teachers spoke of bearing the yoke of God’s kingdom, through the yoke of the law. Only God would call the yoke of the kingdom or of the law “my yoke.” A sage before Jesus’ era said, “Come near me, you who are unlearned . . . Get wisdom, put your neck under her yoke . . . Look with your eyes: I have labored only a little and I have found for myself great rest” (Sirach 51:23–27). Jesus evokes such words, but whereas the earlier sage referred to wisdom’s yoke, Jesus speaks of his own. Those who turned back to God’s ways would find rest for their souls (Jer 6:16). Jesus’ understanding of rest (v. 28) clearly differs from that of the Pharisees (12:1–14). ~ Anonymous, #NFDB
1058: The river and sea can be kings of the hundred valley streams because they are good at lying below them. For this reason, They can be kings of the hundred valley streams. For this reason, too, If the sage wants to be above the people, in his words, he must put himself below them; If he wishes to be before the people, in his person, he must stand behind them. Therefore, He is situated in front of the people, but they are not offended; He is situated above the people, but they do not consider him a burden. All under heaven happily push him forward without wearying. Is this not because he is without contention? Therefore, No one under heaven can contend with him. ~ Victor H Mair, #NFDB
1059:To J.W.
Set not thy foot on graves;
Hear what wine and roses say;
The mountain chase, the summer waves,
The crowded town, thy feet may well delay.
Set not thy foot on graves;
Nor seek to unwind the shroud
Which charitable time
And nature have allowed
To wrap the errors of a sage sublime.
Set not thy foot on graves;
Care not to strip the dead
Of his sad ornament;
His myrrh, and wine, and rings,
His sheet of lead,
And trophies buried;
Go get them where he earned them when alive,
As resolutely dig or dive.
Life is too short to waste
The critic bite or cynic bark,
Quarrel, or reprimand;
'Twill soon be dark;
Up! mind thine own aim, and
God speed the mark.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, To J.W.
,#NFDB
1060:It comes out from no source, it goes back in through no aperture. It has reality yet no place where it resides; it has duration yet no beginning or end. Something emerges, though through no aperture - this refers to the fact that it has reality. It has reality yet there is no place where it resides - this refers to the dimension of space. It has duration but no beginning or end - this refers to the dimension of time. There is life, there is death, there is a coming out, there is a going back in - yet in the coming out and going back its form is never seen. This is called the Heavenly Gate. The Heavenly Gate is nonbeing. The ten thousand things come forth from nonbeing. Being cannot create being out of being; inevitably it must come forth from nonbeing. Nonbeing is absolute nonbeing, and it is here that the sage hides himself. ~ Zhuangzi, #NFDB
1061:For the primo piatto, the chef had chosen to serve a dish he called gnocchi- small dumplings made with potato flour. It was an unusual dish as potatoes were a rarity from the New World and largely unknown. The gnocchi were simply dressed in browned butter and sage and then dusted with freshly grated Parmigiano-Reggiano. It was a plain presentation with no garnish, and it was accompanied by a white table wine of no special distinction.
My mouth watered as I carried the gnocchi up to the dining room. I'd tasted one dumpling in the kitchen, and I loved the earthy flavor as well as the way it resisted when I sank my teeth in. The butter and sage coated my mouth so that the taste lasted even after I swallowed. I liked the way it felt in my stomach, solid and nourishing, and I looked forward to learning how to make it. ~ Elle Newmark,#NFDB
1062:I hacked an old Crock-Pot and turned it into a sous vide machine, and did a turkey breast, and then seared the skin on the stovetop, so it is totally crispy, but the meat is BEYOND juicy. And the stuffing is a combination of homemade corn bread, homemade buttermilk biscuits, and brioche, with sage and thyme and celery and onion and shallot. And I tried the Robuchon Pommes Puree, and thought that there was no way to put THAT much butter into that much potato, but holy moley is it amazeballs! And I did a butternut squash soup with fried ginger and almond cake with apple compote." All the bustle has roused Volnay, who wanders over to greet Benji, and receives a dog biscuit for her trouble from Eloise.
"Honey, breathe a little," I say, laughing.
"It's just... I... I mean... THANKSGIVING!" he says, which cracks us all up. ~ Stacey Ballis,#NFDB
1063:The two thought themselves alone. But all the while, one watched with the night-wide eyes of love. While they paced the pebbled paths between the silent flowers’ spiked arrays, sage Thyme spied upon each pale sigh, peeping between bloom and leaf. And while they sat side by side and hand in hand on the stained stone bench beneath the spreading wisteria, Thyme watched unwinking from the midnight face of the mute sundial. And while they lay lazy on the soft grass, swearing the sweet oaths of love and longing, and whispering as they parted that though long lives might pass like a night and the New Sun sunder the centuries, yet never should they ever part, Thyme crept and cried, counting seconds that spilled with the sand from the hourglass, and scenting the soft breezes that cooled the child’s burning cheek with his sad spice. The ~ Gene Wolfe, #NFDB
1064:Who in this world can understand what Mother Kali really is? The six systems of philosophy remain powerless to describe Her. She is the inmost awareness of the sage who realizes that Consciousness alone exists. She is the life blossoming within the creatures of the universe. Both macrocosm and microcosm are lost within Mother's Womb. Now can you sense how indescribable She is? The yogi meditates upon Her in the six subtle nerve centers as She sports with delight through the lotus wilderness of the pristine human body, playing with Her Consort, Shiva, the Great Swan. When anyone attempts to know Her, the singer of this song laughs. Can you swim across a shoreless ocean? Yet the child in me still reaches out to touch the moon. [1146.jpg] -- from Great Swan: Meetings with Ramakrishna, by Lex Hixon
~ Ramprasad, Who in this world
,#NFDB
1065:I hate wise men because they are lazy, cowardly, and prudent. To the philosophers' equanimity, which makes them indifferent to both pleasure and pain, I prefer devouring passions. The sage knows neither the tragedy of passion, nor the fear of death, nor risk and enthusiasm, nor barbaric, grotesque, or sublime heroism. He talks in proverbs and gives advice. He does not live, feel, desire, wait for anything. He levels down all the incongruities of life and then suffers the consequences. So much more complex is the man who suffers from limitless anxiety. The wise man's life is empty and sterile, for it is free from contradiction and despair. An existence full of irreconcilable contradictions is so much richer and creative. The wise man's resignation springs from inner void, not inner fire. I would rather die of fire than of void. ~ Emil M Cioran, #NFDB
1066:But how shall an Occidental mind ever understand the Orient? Eight
years of study and travel have only made this, too, more evident that not
even a lifetime of devoted scholarship would suffice to initiate a Western
student into the subtle character and secret lore of the East. Every chap-
ter, every paragraph in this book will offend or amuse some patriotic or
esoteric soul: the orthodox Jew will need all his ancient patience to forgive
the pages on Yahveh; the metaphysical Hindu will mourn this superficial
scratching of Indian philosophy; and the Chinese or Japanese sage will
smile indulgently at these brief and inadequate selections from the wealth
of Far Eastern literature and thought. Some of the errors in the chapter on
Judea have been corrected by Professor Harry Wolf son of Harvard; ~ Will Durant,#NFDB
1067:Sage, I distinctly remember every part of that night. You didn’t seem that unwilling. You were practically on top of me.”
“I don’t really remember the details,” I lied.
He moved his hand from my neck and rested a fingertip on my lips. “But I’ll stick to just kissing these if it makes you feel better. No mark.” He started to lean toward me, and I jerked away.
“You will not! It’s wrong.”
“What, kissing you, or kissing you in Pies and Stuff?”
“Both,” I said, feeling my cheeks burn. “If you’re going to attempt something inappropriate—something you said you wouldn’t do anymore—then you could at least pick a better place.”
He laughed softly, and the look in his eyes confused me further. “Okay,” he said. “The next time I kiss you, I promise it’ll be in a more romantic place.”
“I—what? No! You shouldn’t try at all! ~ Richelle Mead,#NFDB
1068:One of the first things I discovered was that Paul did not write all the letters attributed to him in the New Testament. Only seven of them are judged by scholars to be authentic: 1 Thessalonians, Galatians, 1 and 2 Corinthians, Philippians, Philemon, and Romans. The rest—Colossians, Ephesians, 2 Thessalonians, 1 and 2 Timothy, and Titus, known as the Deutero-Pauline letters—were written in his name after his death, some as late as the second century. These were not forgeries in our sense; it was common in the ancient world to write under the pseudonym of an admired sage or philosopher. These posthumous epistles tried to rein Paul in and make his radical teachings more acceptable to the Greco-Roman world. It was these later writers who insisted that women be subservient to their husbands and that slaves must obey their masters. ~ Karen Armstrong, #NFDB
1069:A Tardy Apology
You ask me, friend,
Why I don't send
The long since due-and-paid-for numbers;
Why, songless, I
As drunken lie
Abandoned to Lethean slumbers.
Long time ago
(As well you know)
I started in upon that carmen;
My work was vain,-But why complain?
When gods forbid, how helpless are men!
Some ages back,
The sage Anack
Courted a frisky Samian body,
Singing her praise
In metered phrase
As flowing as his bowls of toddy.
Till I was hoarse
Might I discourse
Upon the cruelties of Venus;
'T were waste of time
As well of rhyme,
For you've been there yourself, Maecenas!
Perfect your bliss
If some fair miss
Love you yourself and _not_ your minae;
I, fortune's sport,
All vainly court
The beauteous, polyandrous Phryne!
~ Eugene Field,#NFDB
1070:11. The Ultimate Boon:The gods and goddesses then are to be understood as embodiments and custodians of the elixir of Imperishable Being but not themselves the Ultimate in its primary state. What the hero seeks through his intercourse with them is therefore not finally themselves, but their grace, i.e., the power of their sustaining substance. This miraculous energy-substance and this alone is the Imperishable; the names and forms of the deities who everywhere embody, dispense, and represent it come and go. This is the miraculous energy of the thunderbolts of Zeus, Yahweh, and the Supreme Buddha, the fertility of the rain of Viracocha, the virtue announced by the bell rung in the Mass at the consecration, and the light of the ultimate illumination of the saint and sage. Its guardians dare release it only to the duly proven. ~ Joseph Campbell, #NFDB
1071:You wanna know if I'm religious? I sure haven't made a dent in the pew, but boy do I thank God. For ever morning I get to wake up and my coffee's hot and your mom's right there next to me at the breakfast table. I thank God I get to work this ranch for a living instead of having to put on a necktie and commute to some office. I get to smell sage and pinon instead of traffic exhaust. Somebody or something made a beautiful place in this ugly world, and saw fit to put me right in the middle of it. Now, whether there's some old fella with a beard floating on a cloud up there or just some...cosmic energy or whatnot, I got no idea. But whatever God is, wherever He lives, I thank Him because, I tell you what, I can look back on every minute of it, good and bad, and I can tell you that I've had one hell of a life. Pardon my French" -Walter ~ Meagan Brothers, #NFDB
1072:Die Gründe, sich zu empören, sind heutzutage oft nicht klar auszumachen – die Welt ist zu komplex geworden. Wer befiehlt, wer entscheidet? Es ist nicht immer leicht, zwischen all den Einflüssen zu unterscheiden, denen wir ausgesetzt sind. Wir haben es nicht mehr nur mit einer kleinen Oberschicht zu tun, deren Tun und Treiben wir ohne weiteres verstehen. Die Welt ist groß, wir spüren die Interdependenzen, leben in Kreuz- und Querverbindungen wie noch nie. Um wahrzunehmen, dass es in dieser Welt auch unerträglich zugeht, muss man genau hinsehen, muss man suchen. Ich sage den Jungen: Wenn ihr sucht, werdet ihr finden. „Ohne mich“ ist das Schlimmste, was man sich und der Welt antun kann. Den „Ohne mich“-Typen ist eines der absolut konstitutiven Merkmale des Menschen abhanden gekommen: die Fähigkeit zur Empörung und damit zum Engagement. ~ St phane Hessel, #NFDB
1073:Reading is a sage way to bump up against life. Reading may be an escape, but it is not an escape from my own life and problems. It is an escape from the narrow boundaries of being only me. Reading in some wonderful ways helps me find out who I am. When she was a young girl Patricia MacLachlan's mother encouraged her to "read a book and find out who you are." And it is true that in some ways reading defines me as it refines me. Reading enlarges my vision of the world; it helps me understand someone who is different from me. It makes me bigger on the inside. We tend to see the world from our own perspective; it is good to see it from the eyes of others. Good literature helps me understand who I am in relation to what others experience. Far from being an escape from reality, good literature is a window into reality. I read to feel life. ~ Gladys M Hunt, #NFDB
1074:According to the Stoics therefore a man is free if his desires are not thwarted. However, if we only desire what is within our control, then we can never be frustrated, and our freedom is guaranteed regardless of circumstances. By contrast, if we desire things which are potentially outside our control, then we become slaves to fortune and to our passions. Perhaps worse, if someone else controls what we desire, then we effectively become enslaved to that person. The Stoics liked to discuss examples of wise men defying tyrants. The majority of people can be controlled by tyrants who may be able to threaten their lives or seize their property, the things they desire to keep. However, the perfect Sage views these as ‘indifferent’, and so the tyrant can lay his hands on nothing that the Sage desires, nor expose him to anything he fears. ~ Donald J Robertson, #NFDB
1075:In the life of an individual man, virtue is the sole good; such things as health, happiness, possessions, are of no account. Since virtue resides in the will, everything really good or bad in a man's life depends only upon himself. He may become poor, but what of it? He can still be virtuous. A tyrant may put him in prison, but he can still persevere in living in harmony with Nature. He may be sentenced to death, but he can die nobly, like Socrates. Other men have power only over externals; virtue, which alone is truly good, rests entirely with the individual. Therefore every man has perfect freedom, provided he emancipates himself from mundane desires. It is only through false judgments that such desires prevail; the sage whose judgments are true is master of his fate in all that he values, since no outside force can deprive him of virtue. ~ Anonymous, #NFDB
1076:The sage of Nazareth may satisfy those who have never faced the problem of evil in their own lives; but to talk about an ideal to those who are under the thralldom of sin is a cruel mockery. Yet if Jesus was merely a man like the rest of men, then an ideal is all that we have in Him. Far more is needed by a sinful world. It is small comfort to be told that there was goodness in the world, when what we need is goodness triumphant over sin. But goodness triumphant over sin involves an entrance of the creative power of God, and that creative power of God is manifested by the miracles. Without the miracles, the New Testament might be easier to believe. But the thing that would be believed would be entirely different from that which presents itself to us now. Without the miracles we should have a teacher; with the miracles we have a Savior. ~ J Gresham Machen, #NFDB
1077:Once on a time, La Mancha's knight, they say,
A certain bard encount'ring on the way,
Discours'd in terms as just, with looks as sage,
As e'er could Dennis of the Grecian stage;
Concluding all were desp'rate sots and fools,
Who durst depart from Aristotle's rules.
Our author, happy in a judge so nice,
Produc'd his play, and begg'd the knight's advice,
Made him observe the subject and the plot,
The manners, passions, unities, what not?
All which, exact to rule, were brought about,
Were but a combat in the lists left out.
"What! leave the combat out?" exclaims the knight;
"Yes, or we must renounce the Stagirite."
"Not so by Heav'n" (he answers in a rage)
"Knights, squires, and steeds, must enter on the stage."
So vast a throng the stage can ne'er contain.
"Then build a new, or act it in a plain. ~ Alexander Pope,#NFDB
1078:Success and failure? No known address. This or that goes on, depending on the other. And who can say if Milord Shao was happier ruling a city, or sacked, his excellent melon patch? Hot, cold, summer, winter: don't they alternate? Mayn't a man's way wander on just so? Yes, those who "get there" know their opportunities... have learned to untie the knots of knowledge. But was it the notable or the notorious that our Sage spoke of? The latter he called opportunists. Those who get there, doubtless, know doubt nor care no more. Yet, doubt you not, nor do dead generals, who plotted carefully at what seemed opportune, and knew naught, right or wrong. If, of a sudden, you're offered fine wine, let the sun sink. Enjoy it. [2275.jpg] -- from The Shambhala Anthology of Chinese Poetry, Edited by J. P. Seaton
~ Tao Chien, Success and failure? No known address
,#NFDB
1079:The Egret Floating
I was suddenly back in bristles
when I saw the egret floating,
a stretched spline thrown down
or just knocked off. The threat
was to crack my code,
that back and forth convention
of the highway. From that throne
of all-leaned-back, the chute
was dropping.
Now a huge, drowsy brood
of snowies spangles the cove;
now the self falls absent from the car.
An unbroken seed-head.
Shoots tossed outward. A solar
system. To build planets here,
one forms galactically internal legalese.
The willows go mass-hysterical,
dragging their bodies down.
There is a teeter, and talk somewhere
of legal easement, and then a flush
of waves. Then it’s time
to stirrup in and lean.
I am racing along. I am in the current.
I am knee-deep not stirring up the water.
~ C.J. Sage,#NFDB
1080:The allure of unthinking animal bliss is powerful; it always calls to us, in the same way as the edge of a cliff or the waves of the ocean: Jump. It is a necessary part of our natures, full of delight and danger in equal measure. Yet to the mind trained in language, taught to spy subtleties and take joy in them, such crude, baser matters can pale after a while. But there lies grave peril also: The propensity to empathize with pain expressed in words encourages a poet to avoid the real thing, and a too-passionate love of books can mew one in a cloister, putting up walls where there should be free range. I decided long ago—to keep myself sane amongst the illiterate and unthinking—that there would be poetry in my life. But there would also be fucking. I would have them both, but follow the sage advice of modern beer commercials and enjoy responsibly. ~ Kevin Hearne, #NFDB
1081:She keeps walking, so I keep following, making our way down a stone path that leads to a set of tiered gardens. It is magical back here, garden after garden, the first filled with herbs like Mama grows, rosemary and lavender and mint and sage. Beyond that is a rose garden. There must be fifty rosebushes in it, all with different-colored blooms. We keep walking, down to the third tier, where there are tended beds like Daddy's vegetable patch in our backyard.
"Look at this," Keisha says. She stands beside row upon row of little green plants with thick green leaves. She kneels beside one of them and pulls back a leaf. There are small red strawberries growing underneath. She picks one and hands it to me. I've never eaten a strawberry that tastes like this before. It's so rich, with juice like honey. It's nothing like the ones Mama buys at Kroger. ~ Susan Rebecca White,#NFDB
1082:Then tell me,” I said, “O, Wise Arrow, most dear to all manner of trees, how do we get to the Cave of Trophonius? And how do Meg and I survive?” The arrow’s fletching rippled. THOU SHALT TAKE A CAR. “That’s it?” LEAVEST THOU WELL BEFORE DAWN. ’TIS A COUNTER-COMMUTE, AYE, BUT THERE SHALL BE CONSTRUCTION ON HIGHWAY THIRTY-SEVEN. EXPECTEST THOU TO TRAVEL ONE HOUR AND FORTY-TWO MINUTES. I narrowed my eyes. “Are you somehow…checking Google Maps?” A long pause. OF COURSE NOT. FIE UPON YOU. AS FOR HOW THOU SHALT SURVIVE, ASK ME THIS ANON, WHEN THOU REACHEST THY DESTINATION. “Meaning you need time to research the Cave of Trophonius on Wikipedia?” I SHALL SAY NO MORE TO YOU, BASE VILLAIN! THOU ART NOT WORTHY OF MY SAGE ADVICE! “I’m not worthy?” I picked up the arrow and shook it. “You’re no help at all, you useless piece of—!” “Apollo?” Calypso stood in the doorway. ~ Rick Riordan, #NFDB
1083:Kleine Pause, damit ich die nächsten Worte, die mir, nicht einzeln, doch in ihrer Abfolge, aus gewissen, persönlichen Gründen heilig sind, mit dem entsprechenden Raum sprechen kann:
Manchmal, sage ich, bin ich von Liebe und Hingabe ganz erfüllt. So ganz und gar, dass ich fast aufhöre, ich zu sein. Meine Sehnsucht, sie zu sehen und zu verstehen, ist so groß, dass ich mir wünsche, die Luft zwischen ihnen zu sein, dass sie mich einatmen und ich eins mit ihnen werde bis hinunter in die letzte Zelle. Ein anderes Mal bin ich wiederum so überschwemmt von Ekel, wenn ich sie vor mir sehe, diese Kadavermünder, wie sie essen und trinken und reden, und alles in ihnen wird zu Morast und Lüge, und ich fühle, wenn ich mir das noch einen Augenblick länger ansehen und anhören muss, werde ich auf das nächstbeste Gesicht so lange einprügeln, bis nichts mehr davon übrig ist. ~ Ter zia Mora,#NFDB
1084:Man muß alt werden [...] und Geld genug haben, seine Erfahrungen bezahlen zu können. Jedes Bonmot, das ich sage, kostet mir eine Börse voll Gold; eine halbe Million meines Privatvermögens ist durch meine Hände gegangen, um das zu lernen, was ich jetzt weiß, nicht allein das ganze Vermögen meines Vaters, sondern auch mein Gehalt und mein bedeutendes literarisches Einkommen seit mehr als funfzig Jahren. Außerdem habe ich anderthalb Millionen zu großen Zwecken von fürstlichen Personen ausgeben sehen, denen ich nahe
verbunden war und an deren Schritten, Gelingen und Mißlingen ich teilnahm.
Es ist nicht genug, daß man Talent habe, es gehört mehr dazu, um gescheit zu werden; man muß auch in großen Verhältnissen leben und Gelegenheit haben, den spielenden Figuren der Zeit in die Karten zu sehen und selber zu Gewinn und Verlust mitzuspielen. ~ Johann Wolfgang von Goethe,#NFDB
1085:Saint, Revolutionist
Saint, revolutionist,
God and sage know well,
That there is a place
Where that much-rung bell,
The well-beloved body,
And its sensitive face
Must be sacrificed.
There is, it seems, in this
A something meaningless,
Hanging without support
And yet too dear to touch,
That life should seek its end
Where no will can descend,
Facing a gun to see
Long actuality.
What is this that is
The good of nothingness,
The death of Socrates
And that strange man on the cross
Seeking out all loss?
For men love life until
It shames both face and will.
Neither in hell nor heaven
Is the answer given,
Both are a servant's pay:
But they wish to know
how far the will can go,
Lest their infinite play
And their desires be
Shadow and mockery.
~ Delmore Schwartz,#NFDB
1086:The Prophetess
While men keep going to Delphi
To learn about the hidden future,
I should have been a hill
By the roadside covered with snow.
On the branch of a tree where leaves
Wither in the heat of the burning Troy,
I should have been a bird
With the spring crushed in the parched throat.
By the side of the master sage
Who drank from the cup filled with hemlock,
I should have been a night
Cursed by his disciples filled with grief.
I should have been the fate
Endorsed by the master who welcomed the grief.
As the centuries gallop by in a chain,
Their hoofs beating hard,
I should have been the cross
Carried by Poulose to Corinth.
As the end of the era collapses and falls
Somewhere on the Byzantine highway,
I should have been a palm-leaf note
Wrapped up in a dirty rag.
~ Ayyappa Paniker,#NFDB
1087:Do that which consists in taking no action;
Pursue that which is not meddlesome;
Savor that which has no flavor.
Make the small big and the few many;
Do good to him who has done you an injury.
Lay plans for the accomplishment of the difficult before it becomes difficult;
Make something big by starting with it when small.
Difficult things in the word must needs have their beginnings in the easy;
Big things must needs have their beginnings in the small.
Therefore it is because the sage never attempts to be great that he succeeds in becoming great.
One who makes promises rashly rarely keeps good faith;
One who is in the habit of considering things easy meets with frequent difficulties.
Therefore even the sage treats some things as difficult.
That is why in the end no difficulties can get the better of him. ~ Lao Tzu,#NFDB
1088:Once inside the hedge, the garden, though sleeping for the winter, nevertheless seemed to glimmer with hidden life. A winding flagstone path made its leisurely way to the door of the house, lined on both sides with tufts of sage, thyme, rosemary, and lavender, grayed with cold. In place of grass, the earth on either side of the path was a riot of plants in varying stages of hibernation and decay. To this side, the dried stalks of full-grown asparagus rustled together. In the far corner, their roots sunk into the wood of the house, an array of nightshades — tomato plants, dried and brown, the gnarled tangles of henbane and moonshade lying in wait for spring. The webbed vines overhead cast the garden in long blue shadow, blurred at the corners, hard to make out, and yet strangely the air inside the garden was not as bitingly cold as it was in the outside world. ~ Katherine Howe, #NFDB
1089:The Sloth
Her back is an ecosystem,
algaeic and wrapped
beneath a canopy’s sun.
Arms forever up and out
above her head—she is
this tall. No height,
no dangers below,
will blanch the beast;
she sees no fear.
A fall will seldom kill her.
Nun ordained to pliancy,
she’s slowness made devotion.
The monkeys run
right by her, skitter-shows
their onus; harpy hawks
with sudden plucks
plunge, their hunger flown.
It is true she cannot walk
—when basic need or poor luck
grounds her, she’ll have to
pull herself along the muck
of forest floor. So she hangs,
even after life, from branches,
fool-like, face to sky,
her backward-growing
coat a woolish habit.
Even at the tops
of trees, she blends in.
She is cool, and shy seeming;
10
Her cry’s a sure ai, ai.
~ C.J. Sage,#NFDB
1090:He had visited his family the evening before, eaten dinner with Renee and Chris, his grandson, in the pretence that everything was ordinary, but in fact to service his end-game ruse. He was going over the mountains, he'd said, to hunt for quail in willow canyons, he had no particular canyons in mind, he intended to return on Thursday evening, though possibly, if the hunting was good, he would return on Friday or Saturday. The lie was open-ended so that his family wouldn't start worrying until he'd been dead for as long as a week - so none would miss or seek him where he rotted silently in the sage. Ben imagined how it might be otherwise, his cancer a pestilent force in their lives, or a pall descending over them like ice, just as they'd begun to emerge from the pall of Rachel's death. The last thing they needed was for Ben to tell hem of his terminal colon cancer. ~ David Guterson, #NFDB
1091:Heed the words of Gautama Buddha, spoken 2,600 years ago: “Do not believe in what you have heard; do not believe in traditions because they have been handed down for many generations; do not believe anything because it is rumored and spoken of by many; do not believe merely because the written statements of some old sage are produced; do not believe in conjectures; do not believe in that as a truth to which you have become attached by habit; do not believe merely on the authority of your teachers and elders. After observation and analysis, when it agrees with reason and is conducive to the good and benefit of one and all, then accept it and live up to it.”1 Remember, nothing within the spirit realm can harm you as long as you maintain control and authority over your life. You should use your relationship with the spirit realm only to supplement—not substitute—your life. In ~ Ted Andrews, #NFDB
1092:Not that we must resort to indifference, of course, which neither Stoic sage nor Buddhist monk would for a moment countenance: compassion and benevolence to others, indeed to all other forms of life, must remain the highest ethical imperative of our behaviour. But passion is not acceptable in the home of the wise man, and familial ties, when they become too binding, must be loosened. Which is why, like the Greek sage, the Buddhist monk lives, as much as possible, in a condition of solitude. (The word ‘monk’ derives from the Greek monos, meaning ‘alone’.) It is truly in solitude that wisdom can bloom, uncompromised by the difficulties associated with all forms of attachment. It is impossible, in effect, to have a wife or husband, children or friends without becoming in some degree attached to them. We must free ourselves of these ties if we wish to overcome the fear of death. ~ Luc Ferry, #NFDB
1093:The Stoic Sage is the hypothetical ideal of a perfect ‘wise man’ (sophos or phronimos in Greek; homo sapiens in Latin!). The word is often capitalized because it indicates something abstract rather than a real person. The Sage is supremely virtuous, a perfect human being, and the closest mortal approximation to Zeus. He is a completely good person, who lives a completely good and ‘smoothly flowing’ life of total serenity, he has attained perfect Happiness and fulfilment (eudaimonia). He lives in total harmony with himself, the rest of mankind, and Nature as a whole, because he follows reason and accepts his fate graciously, insofar as it is beyond his control. He has risen above irrational desires and emotions, to achieve peace of mind. Though he prefers to live as long as it is appropriate, and enjoys the ‘festival’ of life, he is completely unafraid of his own death. ~ Donald J Robertson, #NFDB
1094:Trapnel wanted, among other things, to be a writer, a dandy, a lover, a comrade, an eccentric, a sage, a virtuoso, a good chap, a man of honour, a hard case, a spendthrift, an opportunist, a raisonneur; to be very rich, to be very poor, to possess a thousand mistresses, to win the heart of one love to whom he was ever faithful, to be on the best of terms with all men, to avenge savagely the lightest affront, to live to a hundred full of years and honour, to die young and unknown but recognized the following day as the most neglected genius of the age. Each of these ambitions had something to recommend it from one angle or another, with the possible exception of being poor - the only aim Trapnel achieved with unqualified mastery - and even being poor, as Trapnel himself asserted, gave the right to speak categorically when poverty was discussed by people like Evadne Clapham. ~ Anthony Powell, #NFDB
1095:Although there has perhaps never been a perfect mortal Sage, the Stoics believed that there was always at least one perfect immortal being: the god Zeus. The Stoic Zeus has perfect reason and virtue, like the Sage, and so the Stoics often refer to contemplating his perspective on human affairs because ‘in everything one says and does one must act as an imitator of God’ (Discourses, 2.14). Whether or not we believe in God, though, we might view their comments the basis of a kind of psychological exercise. Hercules, the favoured son of Zeus, was also revered by the Cynics and Stoics as a mythic hero and role-model. The ideal Sage is therefore godlike, a mortal having progressed so far that his wisdom and eudaimonia equal that of Zeus. The aspiring Stoic tries to make progress towards perfect wisdom by regularly contemplating the Sage and emulating his thoughts and actions. ~ Donald J Robertson, #NFDB
1096:Humanity is an organism, inherently rejecting all that is deleterious, that is, wrong, and absorbing after trial what is beneficial, that is, right. If so disposed, the Architect of the Universe, we must assume, might have made the world and man perfect, free from evil and from pain, as angels in heaven are thought to be; but although this was not done, man has been given the power of advancement rather than of retrogression. The Old and New Testaments remain, like other sacred writings of other lands, of value as records of the past and for such good lessons as they inculcate. Like the ancient writers of the Bible our thoughts should rest upon this life and our duties here. "To perform the duties of this world well, troubling not about another, is the prime wisdom," says Confucius, great sage and teacher. The next world and its duties we shall consider when we are placed in it. ~ Andrew Carnegie, #NFDB
1097:For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water conservationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule. If Mormons do not like my plays, let them write their own. If the Irish hate my Dublin stories, let them rent typewriters. If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture. If the Chicano intellectuals wish to re-cut my "Wonderful Ice Cream Suit" so it shapes "Zoot," may the belt unravel and the pants fall. ~ Ray Bradbury, #NFDB
1098:She's an Alchemist," continued Nathan. "Not a chauffeur. There's a big difference." Actually, there were days at Amberwood I doubted that. "Come, Miss Sage. If you've wasted your day driving my son here, the least I can do is buy you lunch."
I shot a panicked look at Adrian. It wasn't panicked because I was afraid of being with Moroi. I'd long since gotten used to these sorts of situations. What I was unsure of was if Adrian really wanted me around for his family reunion. That hadn't been part of the plan. Also, I wasn't sure that I really wanted to be around for said reunion either.
"Dad-" Adrian attempted.
"I insist," said Nathan crisply. "Pay attention and learn common courtesy." He turned and began walking away, assuming we'd follow. We did.
"Should I find a reason to leave?" I whispered to Adrian.
"Not when he uses his 'I insist' voice," came the muttered response. ~ Richelle Mead,#NFDB
1099:Once I asked Maharajji how it is possible for a man to remember God all the time. He told me the story of Narada (the celestial sage) and the butcher: Vishnu (one of the aspects of God) was always praising the butcher and Narada wondered why, since the butcher was always occupied and Narada spent twenty-four hours a day praising Vishnu. Vishnu gave Narada the task of carrying a bowl of oil, full to the brim, up to the top of a mountain, without spilling a drop. The task completed, Vishnu asked how many times Narada remembered Vishnu. Narada asked how that would be possible, since he had to concentrate on carrying the bowl and climbing the mountain. Vishnu sent Narada to the butcher and the butcher said that as he works he is always remembering God. Maharajji said then, “Whatever outer work you must do, do it; but train your mind in such a way that in your subconscious mind you remember God. ~ Ram Dass, #NFDB
1100:Was she conscious of her talent? Hardly. If asked about her cooking, Grandma would look down at her hands which some glorious instinct sent on journeys to be gloved in flour, or to plumb disencumbered turkeys, wrist-deep in search of their animal souls. Her gray eyes blinked from spectacles warped by forty years of oven blasts and blinded with strewing of pepper and sage, so she sometimes flung cornstarch over steaks, amazingly tender, succulent steaks! And sometimes dropped apricots into meat loaves, cross-pollinated meats, herbs, fruits, vegetables with no prejudice, no tolerance for recipe or formula, save that at the final moment of delivery, mouths watered, blood thundered in response. Her hands then, like the hands of Great-grandma before her, were Grandma's mystery, delight, and life. She looked at them in astonishment, but let them live their life in the way they must absolutely lead it. ~ Ray Bradbury, #NFDB
1101:Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time. ~ Ralph Waldo Emerson, #NFDB
1102:The Pigtail
There lived a sage in days of yore,
And he a handsome pigtail wore;
But wondered much, and sorrowed more,
Because it hung behind him.
He mused upon this curious case,
And swore he’d change the pigtail’s place,
And have it hanging at his face,
Not dangling there behind him.
Says he, “The mystery I’ve found;
I’ll turn me round.” He turned him round,
But still it hung behind him.
Then round, and round, and out, and in,
All day the puzzled sage did spin;
In vain—it mattered not a pin—
The pigtail hung behind him.
And right, and left, and round about,
And up, and down, and in, and out
He turned. But still the pigtail stout
Hung steadily behind him.
And though his efforts never slack,
And though he twist, and whirl, and tack,
Alas! still faithful to his back
The pigtail hangs behind him!
~ Adelbert Von Chamisso,#NFDB
1103:Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve- if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. And yet, for the Count, when the doors to Anna's bedroom opened and Sofia stepped forward in her gown, at that very moment she crossed the threshold into adulthood. On one side of that divide was a girl of five or ten or twenty with a quiet demeanor and a whimsical imagination who relied upon him for companionship and counsel; while on the other side was a young woman of discernment and grace who need rely on no one but herself. ~ Amor Towles, #NFDB
1104:/Farsi Lost in myself I reappeared I know not where a drop that rose from the sea and fell and dissolved again; a shadow that stretched itself out at dawn, when the sun reached noon I disappeared. I have no news of my coming or passing away-- the whole thing happened quicker than a breath; ask no questions of the moth. In the candle flame of his face I have forgotten all the answers. In the way of love there must be knowledge and ignorance so I have become both a dullard and a sage; one must be an eye and yet not see so I am blind and yet I still perceive, Dust be on my head if I can say where I in bewilderment have wandered: Attar watched his heart transcend both worlds and under its shadow now is gone mad with love. [1501.jpg] -- from The Drunken Universe: An Anthology of Persian Sufi Poetry, Translated by Peter Lamborn Wilson / Translated by Nasrollah Pourjavady
~ Farid ud-Din Attar, The Dullard Sage
,#NFDB
1105:I love brief habits and consider them an inestimable means for getting to know many things…My nature is designed entirely for brief habits…I always believe that here is something that will give me lasting satisfaction—brief habits, too, have this faith of passion, this faith in eternity—and that I am to be envied for having found and recognized it…But one day its time is up; the good thing parts from me, not as something that has come to nauseate me but peacefully and sated with me as I am with it—as if we had reason to be grateful to each other as we shook hands to say farewell. Even then something new is waiting at the door, along with my faith—this indestructible fool and sage!—that this new discovery will be just right, and that this will be the last time. That is what happens to me with dishes, ideas, human beings, cities, poems, music, doctrines, ways of arranging the day, and life styles. ~ Friedrich Nietzsche, #NFDB
1106:If,” answered Mejnour, “before one property of herbalism was known to them, a stranger had visited a wandering tribe, — if he had told the savages that the herbs, which every day they trampled underfoot, were endowed with the most potent virtues; that one would restore to health a brother on the verge of death; that another would paralyze into idiocy their wisest sage; that a third would strike lifeless to the dust their most stalwart champion; that tears and laughter, vigor and disease, madness and reason, wakefulness and sleep, existence and dissolution, were coiled up in those unregarded leaves, — would they not have held him a sorcerer or a liar? To half the virtues of the vegetable world mankind are yet in the darkness of the savages I have supposed. There are faculties within us with which certain herbs have affinity, and over which they have power. The moly of the ancients was not all a fable. ~ Edward Bulwer Lytton, #NFDB
1107:The Indians are the Italians of Asia", Didier pronounced with a sage and mischievous grin. "It can be said, certainly, with equal justice, that the Italians are the Indians of Europe, but you do understand me, I think. There is so much Italian in the Indians, and so much Indians in the Italians. They are both people of the Madonna - they demand a goddess, even if the religion does not provide one. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is music inside the body, and music is food inside the heart. The Language of India and the language of Italy, they make every man a poet, and make something beautiful from every banalite. They are nations where love - amore, pyaar - makes a cavalier of a Borsalino on a street corner, and makes a princess of a peasant girl, if only for the second that her eyes meet yours. ~ Gregory David Roberts, #NFDB
1108:They heard the front door shut. They suddenly noticed that Edna was not with them anymore. She had gotten up and must have left their chambers. Enoch called out, “Edna?” No one answered him. “That is strange,” said Enoch. “She has never done that before.” Methuselah guessed that his mother believed the prophecy, more than the “sage” who had received it. She was probably making preparations to leave the city, preparations that included Methuselah’s young friend, the other Edna, and her parents. She had discussed the possibility with her son in the past. “She is warning others,” he surmised. “What others?” challenged Enoch. “Edna and her parents?” offered Methuselah. “How does she know about this girl of yours?” “She is not my ‘girl,’ father,” said Methuselah. “I have told mother all about her. She knows we are close, and she is going to help them. She will go after Edna’s parents first, to bring them to the palace. ~ Brian Godawa, #NFDB
1109:Less than ten minutes after they left the stream, Loretta began to nod and felt herself slumping. She jerked upright and blinked. Hunter tightened his arm around her and slipped a hand under her right knee to lift her leg over the horse’s head. Gathering her against his chest, he cradled her crosswise in front of him.
“Sleep, nei mah-tao-yo, sleep.”
His deep voice sifted through the exhaustion that clouded her mind. Nei mah-tao-yo. She had no idea what it meant, but it sounded so soft the way he said it--like an endearment. The hollow of his shoulder made a perfect resting place. She leaned into him, her cheek against his warm skin. He smelled of sage, smoke, and leather, earthy smells that were becoming familiar and somehow comforting. As she drifted into blackness, she no longer thought of him as an Indian, just a man. A wonderfully sturdy man who could hold her comfortably while she slept. ~ Catherine Anderson,#NFDB
1110:Bridge Ghazal
My love and I reside upon the belly of a bridge
with heartbeats of the sky?--the drums upon the bridge.
I've heard of songs that rise at night from pitch black oceans.
I've heard the strums of lyrics made by four hands on a bridge.
My love and I do landscapes for the gardens of the sea.
At night we sleep as seedlings at the center of its bridge.
Once I saw a Sufi breathe in seabirds, and send them out again.
I've seen people bearing blindfolds near the entrance of a bridge.
My love's old love, he says, had tried to douse him in a moat.
He grew gills to save himself and hid beneath a drawbridge.
The masters speak of magic at the middle of the rings
where Yes and No chase each other round the props of any bridge.
My love's new love, some say, makes far too much of things
as fundamental, elemental, as the structure of a bridge.
Anonymous submission.
~ C.J. Sage,#NFDB
1111:Because Jewish thinking took many forms in different parts of the ancient world, it is valuable to be more precise in this case. Whereas Jewish people who liked apocalyptic literature would particularly appreciate Revelation, Jews in the Diaspora would appreciate Hebrews, and groups such as the Essenes might appreciate John’s Gospel, Matthew often moves in a more “rabbinic” world. That is, the views and arguments of teachers and interpreters of the law, who came to be called rabbis, are very relevant to Matthew’s Gospel. Most of the sources from which we know rabbinic thought are later, but they offer numerous parallels to Matthew’s ways of handling Scripture and intimate understanding of Pharisaic debates with Jesus (e.g., see notes on 19:3; 23:25–26). Because Jesus was himself a sage and engaged in discussion, and often debate, with Pharisaic teachers, Matthew continues to engage a world within which Jesus himself moved. ◆ ~ Anonymous, #NFDB
1112:Die before your Death...’ IT IS ALSO narrated that once Moulana said to his son: ‘If the people ask you what is your Path, then reply “My Path is to eat very little, nay, my Path is ‘to die’, that is, to be annihilated into the radiance of the Divine”.’ And then he related a story of a Dervish who, approaching a house, asked for some water to drink. A very beautiful girl appeared at the door and handed an empty utensil to the man; but the dervish said: ‘I want some water to drink.’ The girl asked him to go away, saying, ‘I have given you your reply, for a Dervish is not one who eats the whole day and sleeps the whole night; but the real pious one is he who sleeps hungry many a night and eats nothing during the day.’ Another Persian sage has said: ‘Eating is to preserve life, not living only to eat and yet eat more.’ Moulana said that the Dervish, after that encounter with the girl, never ate during the day until his last hour. ~ Idries Shah, #NFDB
1113:LOW-HISTAMINE SUBSTITUTES Instead of . . . Choose . . . Refined sugar Maple sugar or maple syrup Vinegar-based salad dressing Olive oil with sea salt Cheese Macadamia-nut butter Wheat Rice, oats, or corn (yeast-free) Coffee Chamomile tea Alcohol Smoothies Pepper or chili Seasoning with sea salt and oregano, garlic, sage, or rosemary Wheat cereal Oatmeal with maple syrup Wheat pasta Brown-rice pasta or brown rice Processed milks that contain pesticides, carrageenan, and other additives Macadamia milk (in a blender, blend macadamia nuts or macadamia-nut butter with water; oat milk and rice milk are also healthful and low in histamine, provided they are free of preservatives, carrageenan, and other additives) Spinach or arugula Kale or other lettuces Eggplant Squash A candy bar A brown-rice cake with maple syrup and macadamia-nut butter Canned soups Fresh vegetable soup, made with filtered water, pureed vegetables, garlic, and salt ~ Doreen Virtue, #NFDB
1114:SCARBOROUGH FAIR, or, THE LOVER'S PROMISE
(Lucy:)
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
Always he'll be a true love of mine
Tell him I've made him a magical shirt
Parsley, sage, rosemary, and thyme
Without any seam or needlework
Always he'll be a true love of mine
(Zach:)
Tell her she's found me an acre of land
Parsley, sage, rosemary, and thyme
Between the salt water and the sea strand
That makes her a true love of mine
Tell her she's plowed it with just a goat's horn
Parsley, sage, rosemary, and thyme
She's sowed it all over with one grain of corn
Yes, she is a true love of mine
And her daughter forever a daughter of mine
(Together:)
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember us to all who live there
Ours will be true love for all time ~ Nancy Werlin,#NFDB
1115:Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of a school assignment. Or about something boring."
"A real date." I figured I wouldn't give him the specifics on the Shakespheare play.
"What's the lucky guy's name?"
"Brayden."
There was a pause. "Brayden? That his real name?"
"Why are you asking if everything's real? You think I'd make any of this up?"
"No, no," Adrian assured me. "That what's so ynbelievable about it. Is he cute?"
I glanced at the clock. It was time for me to meet my study group. "Gee, maybe I should just send you a picture to review?"
"Yes, please. And a full background check and life history."
"I have to go. Why do you care so much anyway?" I finally asked in exasperation.
His answer took a long time, which was uncharacteristic. ~ Richelle Mead,#NFDB
1116:Why?" He asked. " because it was the closest I could get to doing this."
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips on mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burnt inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric.
But perhaps the best part of all that was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking.
And it was glorious.
At least, it was until I started thinking again. ~ Richelle Mead,#NFDB
1117:Mr. Wesley Jones’s Barbecue Mop This is my adaptation of a barbecue mop innovated by Mr. Wesley Jones, a barbecue master interviewed by the WPA, and who cooked during antebellum slavery. ½ stick butter, unsalted 1 large yellow or white onion, well chopped 2 cloves garlic, minced 1 cup apple cider vinegar ½ cup water 1 tbsp kosher salt 1 tsp coarse black pepper 1 pod long red cayenne pepper, or 1 tsp red pepper flakes 1 tsp dried rubbed sage 1 tsp dried basil leaves, or 1 tbsp minced fresh basil ½ tsp crushed coriander seed ¼ cup dark brown sugar or 4 tbsp molasses (not blackstrap) Melt butter in a large saucepan. Add onion and garlic and sauté on medium heat until translucent. Turn heat down slightly and add vinegar, water, and the salt and spices. Allow to cook gently for about thirty minutes to an hour. To be used as a light mop sauce or glaze during the last 15 to 30 minutes of barbecuing and as a dip for cooked meat. ~ Michael W Twitty, #NFDB
1118:Why, Uruvi always wondered, would Queen Madri consign herself to the flames, when no queen before her had joined their husband in the funeral pyre? Moreover, why would the mother of tiny, helpless six-month-old twins, Nakul and Sahadeva, kill herself and leave them orphaned and under the care of her husband’s first wife? It was strange. Had Madri, too, been mortally wounded like her husband, King Pandu, when they had been attacked? Had she been able to talk to Kunti before she died? Had Shakuni played up the curse of the sage to his advantage after all? If he could instigate Duryodhana to burn the Pandavas and the Queen Mother in the lac palace, he would not have any qualms in murdering King Pandu too. The only person who probably knew the truth was Kunti—but she was an evasive lady who knew how to keep her secrets. Uruvi recalled how she had pestered her on her wedding day about whether she had any regrets, but had got nothing out of her. ~ Kavita Kan, #NFDB
1119:WHERE ONCE THE WATERS ON YOUR FACE
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love’s left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds,
There shall be serpents in your tides,
Till all our sea-faiths die. ~ Dylan Thomas,#NFDB
1120:Integrity Integrity is the ability to listen to a place inside oneself that doesn't change, even though the life that carries it may change. —RABBI JONATHAN OMER-MAN Much of our journey throughout this book has been about discovering that place inside and cultivating the ability to listen to it, while having compassion for the life that carries it. It moves me to share the story of a troubled man who, exhausted from his suffering and confusion, asked a sage for help. The sage looked deeply into the troubled man and with compassion offered him a choice: “You may have either a map or a boat.” After looking at the many pilgrims about him, all of whom seemed equally troubled, the confused man said, “I'll take the boat.” The sage kissed him on the forehead and said, “Go then. You are the boat. Life is the sea.” As we have discovered so many times, we have everything we need within us. This ability to listen inside is our oldest oar. You are the boat. ~ Mark Nepo, #NFDB
1121:Apology
If men should ask, Despoina, why I tell
Of nothing glad nor noble in my verse
To lighten hearts beneath this present curse
And build a heaven of dreams in real hell,
Go you to them and speak among them thus:
“There were no greater grief than to recall,
Down in the rotting grave where the lithe worms crawl,
Green fields above that smiled so sweet to us.”
Is it good to tell old tales of Troynovant
Or praises of dead heroes, tried and sage,
Or sing the queens of unforgotten age,
Brynhild and Maeve and virgin Bradamant?
How should I sing of them? Can it be good
To think of glory now, when all is done,
And all our labour underneath the sun
Has brought us this-and not the thing we would?
All these were rosy visions of the night,
The loveliness and wisdom feigned of old.
But now we wake. The East is pale and cold,
No hope is in the dawn, and no delight.
~ Clive Staples Lewis,#NFDB
1122:- Bardamu, qu'il me fait alors gravement et un peu triste, nos pères nous valaient bien, n'en dis pas de mal !...
- T'as raison, Arthur, pour ça t'as raison ! Haineux et dociles, violés, volés, étripés et couillons toujours, ils nous valaient bien ! Tu peux le dire ! Nous ne changeons pas ! Ni de chaussettes, ni de maîtres, ni d'opinions, ou bien si tard, que ça n'en vaut plus la peine. On est nés fidèles, on en crève nous autres ! Soldats gratuits, héros pour tout le monde et singes parlants, mots qui souffrent, on est nous les mignons du Roi Misère. C'est lui qui nous possède ! Quand on est pas sage, il serre... On a ses doigts autour du cou, toujours, ça gêne pour parler, faut faire bien attention si on tient à pouvoir manger... Pour des riens, il vous étrangle... C'est pas une vie...
- Il y a l'amour, Bardamu !
- Arthur, l'amour c'est l'infini mis à la portée des caniches et j'ai ma dignité moi ! que je lui réponds. ~ Louis Ferdinand C line,#NFDB
1123:Just as famous, if not more so, is the ancient Asian sage Sun Tsu, author of The Art of War. Sun Tsu is a much easier and quicker read than Clausewitz, full of short pieces of advice, from the tactical to the strategic, that have been quoted and applied far beyond the military, often in the world of business. The adage most frequently attributed to Sun Tsu—“know your enemy if you wish to win”—is actually a misquotation. It is indeed good to know your enemy if you wish to win, but Sun Tsu’s recipe for ultimate victory begins with knowing yourself—why you are going to war, what you are fighting for. You may have studied the culture and ways of your foe for years and be intimately familiar with his thinking, but first you must be able to answer the questions, What do I represent? What am I prepared to risk blood and treasure for, and why exactly am I going to war? If you cannot answer these questions, then you should not be going to war at all. ~ Sebastian Gorka, #NFDB
1124:She appreciated her own reflection- she looked less than a tenth of her earthly age- but knew the years were bound to catch up. There had been a time or two when she had put a glamour on herself, to reverse those years, to remember and even to capture the attention of a young man so she could make the kind of vigorous love she had enjoyed before. But she wouldn't have tried to keep up the glamour permanently, or to create the violent kind of spells that she could have to remain in a state of perpetual youth. The crone cannot be a sage or wisewoman until she reaches beyond the shallow confines of her skin. Children of the earth must also change, like the seasons do. Autumn had seen herself in all these transitions: the tentative buds of spring; the heavy sensuality of summer. And now, like the fall, she was colorful and majestic but right on the verge of winter, to be stripped down to what was really important, the bare branches of what was true. ~ Amy S Foster, #NFDB
1125:Where Once The Waters Of Your Face
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love's left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds
There shall be serpents in your tides,
Till all our sea-faiths die.
~ Dylan Thomas,#NFDB
1126:Markandeya Purana along with Bhagavat Purana is considered to be quite a celebrated work. Ranked seventh in the list of Puranas, probably one of the oldest works, its recitation is believed to free one from taints of sin. Named after the sage Markandeya, who acquired its knowledge from Brahma, the creator, its narration starts with sage Jaimini (author of Mimamsa sutras) approaching the wise birds (Dronaputras appearing as birds residing in the Himalayas) to get answers at the behest of Markandeya. Initially the Purana gets answers to the five basic questions: How was Vishnu born as a mortal? How Draupadi became the wife of five Pandavas? Why did Balabadra undertake the penance (pilgrimage) for having committed brahmanicide (killing of Brahmins) and why were the children of Draupadi destroyed so unceremoniously? These questions cover the whole gamut of ancient history, logic, morality, astronomy and so forth. ~ B.K. Chaturvedi (2004), in Markandeya Purana, Preface, #NFDB
1127:Turn your thoughts now, and lift up your thoughts to a devout and joyous contemplation on sage Vyasa and Vasishtha, on Narda and Valmiki. Contemplate on the glorious Lord Buddha, Jesus the Christ, prophet Mohammed, the noble Zoroaster (Zarathushtra), Lord Mahavira, the holy Guru Nanak. Think of the great saints and sages of all ages, like Yajnavalkya, Dattatreya, Sulabha and Gargi, Anasooya and Sabari, Lord Gauranga, Mirabai, Saint Theresa and Francis of Assisi. Remember St. Augustine, Jallaludin Rumi, Kabir, Tukaram, Ramdas, Ramakrishna Paramhamsa, Vivekananda and Rama Tirtha. Adore in thy heart the sacred memory of Mahatma Gandhi, sage Ramana Maharishi, Aurobindo Ghosh, Gurudev Sivananda and Swami Ramdas. They verily are the inspirers of humanity towards a life of purity, goodness and godliness. Their lives, their lofty examples, their great teachings constitute the real wealth and greatest treasure of mankind today.
~ Sri Chidananda, Advices On Spiritual Living,#NFDB
1128:Peripetia, Or Flowers For Everyone
How difficult it is to love the stupid
in ourselves, not to mention the shortcomings
of others. Each time I stumble from
a pair of platform shoes, how clumsiness
surprises! I'm astonished - even worse,
appalled - every time a shiny SUV
insists on jumping out in front of me.
How slow I am to understand the obvious!
I'm going outside now to gather calla lilies.
How strange it might be if I still had the brains
of a twenty-something Ph.D.-in-training.
The red ones I've been growing. And memory,
what a laugh, stuck between experience
and precognition - middle of a road
where no one wants to be. What a load
of magic beans that is. I mean, that is, disdain
for the middle of the road, not the precognition.
I know I won't remember what I said tomorrow.
Now I'm up a tree, climbed it with thorough
joie de vivre. Tell me, did you ever get the lilies?
~ C.J. Sage,#NFDB
1129:THE dreamers are the saviours of the world. As the visible world is sustained by the invisible, so men, through all their trials and sins and sordid vocations, are nourished by the beautiful visions of their solitary dreamers. Humanity cannot forget its dreamers; it cannot let their ideals fade and die; it lives in them; it knows them as they realities which it shall one day see and know. Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven. The world is beautiful because they have lived; without them, labouring humanity would perish. He who cherishes a beautiful vision, a lofty ideal in his heart, will one day realize it. Columbus cherished a vision of another world, and he discovered it; Copernicus fostered the vision of a multiplicity of worlds and a wider universe, and he revealed it; Buddha beheld the vision of a spiritual world of stainless beauty and perfect peace, and he entered into it. ~ James Allen, #NFDB
1130:I'm to have dinner with some people from the bookshop, which is as posh as the motel, at six, then read at seven-thirty. I will have to watch my mouth. Some sarcastic remark about gentrification is almost bound to slip out. Even though the topography is right, this doesn't even look like Vermont. Not a cow in sight, not a single shack held together with staples and Masonite. Where are my people? The ones who used to go to Canada automatically at age 18 and get all their teeth pulled out, a standard right of passage. The ones who believe you can't be an alcoholic if you drink nothing but beer. The ones who know how to roast a haunch of venison with onions and garlic and sage and mustard (and where to find the haunch in July). The ones who buy their clothes at rummage and their cars at the junkyard. The ones who used to be me. Here I am on my balcony with a finger or two of cognac, a cigar, and a laptop computer, wearing my black jeans and my Reeboks. God, it's awful. ~ Hayden Carruth, #NFDB
1131:The Reproof
Mamma heard me with scorn and pride
A wretched beggar-boy deride.
'Do you not know,' said I, 'how mean
It is to be thus begging seen?
If for a week I were not fed,
I'm sure I would not beg my bread.'
And then away she saw me stalk
With a most self-important walk.
But meeting her upon the stairs,
All these my consequential airs
Were changed to an entreating look.
'Give me,' said I, 'the pocket-book,
Mamma, you promised I should have.'
The pocket-book to me she gave;
After reproof and counsel sage
She bade me write in the first page
This naughty action all in rhyme;
No food to have until the time,
In writing fair and neatly worded,
The unfeeling fact I had recorded.
Slow I compose, and slow I write;
And now I feel keen hunger bite.
My mother's pardon I entreat,
And beg she'll give me food to eat.
Dry bread would be received with joy
By her repentant beggar-boy.
~ Charles Lamb,#NFDB
1132:He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven? ~ Ernest Hemingway, #NFDB
1133:Tel J’etais Autrefois
Tel j'étais autrefois et tel je suis encor.
Quand ma main imprudente a tari mon trésor,
Ou la nuit, accourant au sortir de la table,
Si Laure m'a fermé le seuil inexorable,
Je regagne mon toit. Là, lecteur studieux,
Content et sans désirs, je rends grâces aux dieux.
Je crie: O soins de l'homme, inquiétudes vaines!
Oh! que de vide, hélas! dans les choses humaines!
Faut-il ainsi poursuivre au hasard emportés
Et l'argent et l'amour, aveugles déités!
Mais si Plutus revient, de sa source dorée,
Conduire dans mes mains quelque veine égarée;
A mes signes, du fond de son appartement,
Si ma blanche voisine a souri mollement:
Adieu les grands discours, et le volume antique,
Et le sage Lycée, et l'auguste Portique;
Et reviennent en foule et soupirs et billets,
Soins de plaire, parfums et fêtes et banquets,
Et longs regards d'amour et molles élégies,
Et jusques au matin amoureuses orgies.
~ Andre Marie de Chenier,#NFDB
1134:Par un matin de dimanche, quand nous entendons bourdonner les vieilles cloches, nous nous demandons: mais est-ce possible? Tout cela pour un Juif crucifié il y a deux mille ans et qui disait être le fils de Dieu - encore qu'il n'y ait pas de preuve de cette affirmation. Un dieu qui engendre avec une femme mortelle. Un sage qui recommande de ne plus travailler, de ne plus rendre la justice, mais de guetter les signes de la fin du monde imminente. Une justice qui accepte de prendre un innocent comme victime suppléante. Un maître qui ordonne à ses disciples de boire son sang. Des prières pour obtenir des miracles. Des péchés commis contre un dieu, expiés par un dieu. La peur d'un au-delà dont la mort est la porte. La figure de la croix pour symbole, à une époque qui ne sait plus rien de la fonction ni de l'ignominie de la croix. Quel frisson d'horreur nous vient de tout cela, comme un souffle exhalé par le sépulcre d'un passé sans fond? Qui peut croire que l'on croie encore à une chose pareille? ~ Friedrich Nietzsche, #NFDB
1135:Crisis Counselor
She was a coat of arms
seasoned for the job -- tough
and polished like tortoise shell.
When the women were tougher,
she'd tuck her advice-giving head
back against the executive chair,
let them try to fluff bent feathers,
watch them falling to their feet.
Then, her little turtle arms
would stretch out across the desk;
try to float a form -a restraining order, maybe
a list of early warning signs -but they'd keep on sleeping, sleep
hard through the sessions she'd spend
blowing on plastic ships, paper sails
rarely reaching port, and they would cry
like little children watching helpless,
dazed as she sunk their dreamboats,
sat on them, no coming up for air.
And perhaps she'd think of the little turtles
we'd kept confined to bathtubs as kids,
or of the public safety commercials
telling mother how, if she turned her back,
we could fall to sleep, slide and drown
in barely an inch of sitting water.
~ C.J. Sage,#NFDB
1136:Le langage de la Croix, en effet, est folie pour ceux qui se perdent,
mais pour ceux qui se sauvent, pour nous, il est puissance de Dieu.
Car il est écrit : « Je détruirai la sagesse des sages,
j'anéantirai l'intelligence des intelligents. »
Où est-il le sage ? Où est-il l'homme cultivé ? Où est-il le raisonneur de ce siècle ?
Dieu n'a-t-il pas frappé de folie la sagesse du monde ?
Puisqu'en effet le monde, par le moyen de la sagesse,
n'a point reconnu Dieu dans la sagesse de Dieu,
c'est par la folie du message qu'il a plu à Dieu de sauver les croyants.
Tandis que les Juifs demandent des signes et que les Grecs sont en quête de sagesse,
nous prêchons, nous, un Christ crucifié, scandale pour les Juifs et folie pour les païens,
mais pour ceux qui sont appelés, Juifs comme Grecs, c'est le Christ,
puissance de Dieu et sagesse de Dieu. Car ce qui est folie de Dieu est plus sage que
les humains, et ce qui est faiblesse de Dieu est plus fort que les humains. ~ Anonymous,#NFDB
1137:Reden wir über Schmerz. Schmerz ist eine Form von Energie. Er kann erzeugt werden wie Elektrizität. Er kann fließen wie Strom. Er kann gleichmäßig sein oder pulsierend. Er kann stark und überwältigend sein, oder schwach und störend. Schmerz kann einen Mann zum Reden bringen. Was viele Menschen nicht wissen - Schmerz kann einen Mann zum Nachdenken bringen. Er kann einen Menschen nach seinem Abbild formen. Er kann ihn zu dem machen, was er selbst ist. Ich kenne den Schmerz. Ich habe ihn verstanden. Er hat mich Dinge gelehrt. Zum Beispiel, dass die Menschen ihn fürchten. Zugleich können sie viel mehr Schmerzen ertragen, als sie glauben. Wenn ich dir beispielsweise sage, dass ich dir eine Nadel in den Arm ramme, wirst du Angst bekommen. Wenn ich es tatsächlich tue, wird der Schmerz unerträglich sein. Aber wenn ich es wieder tue, und wieder und wieder, jede Stunde, ein ganzes Jahr lang, wirst du dich daran gewöhnen. Es wird dir niemals gefallen, doch du fürchtest dich auch nicht mehr davor. Genau darum geht es. ~ Cody McFadyen, #NFDB
1138:Garnish soft comfort foods with crunchy crumbs, toasted nuts, or crisp bits of bacon to make things interesting. Serve rich meats with bright, acidic sauces and clean-tasting blanched or raw vegetables. Serve mouth-drying starches with mouthwatering sauces, and recognize that a well-dressed, juicy salad can serve as both a side dish and a sauce. On the other hand, pair simply cooked meats, such as grilled steak or poached chicken, with roasted, sautéed, or fried vegetables glazed with Maillard’s dark lacquer. Let the seasons inspire you; foods that are in season together naturally complement one another on the plate. For example, corn, beans, and squash grow as companions in the field, then the three sisters find their way together into succotash. Tomatoes, eggplant, zucchini, and basil become ratatouille, tian, or caponata depending on where you are on the Mediterranean coast. Sage, a hardy winter herb, is a natural complement to winter squash because its leaves—and its flavor—stand up to the cold of winter. ~ Samin Nosrat, #NFDB
1139:You must find a place on a woman's body and live there.
In the dark, the noise far away, Sam ran his hands over Calliope's body and the world of work and worry seemed to move away. He found two depressions at the bottom of her back where sunlight collected, and he lived there, out of the wind and noise. He grew old there, died and ascended to the Great Spirit, found heaven in her cheek on his chest, the warm wind of her breath across his stomach carried sweet grass and sage, and... In another lifetime he had lived on the soft skin under her right breast, his lips riding light over the ridge and valley of every rib, shuffling through downy, dew damp hairs like a child dancing through autumn leaves. In the mountain of her breast, he fasted at the medicine wheel of her aureole, received a vision that he and she were steam people, mingled wet with no skin seperating them. And there he lived, happy. She followed, traveled, lived with him and in him as he was in her. They lived lifetimes and slept and dreamed together. It was swell. ~ Christopher Moore,#NFDB
1140:while people go on chatting about a million and one things
I mostly sit and observe with ascended understandings
as they bring up the topic of death and of a person dying
I listen quietly while often accidentally smiling
at the absurdity of anybody ever believing in death
I don't mean to be insensitive towards a body's last breath
a higher Reality laid bare, bodily expiration is of no account
with this revelation incalculable life fears we surmount
the Sage is notorious for finding strange things funny
giggling at horrors and ridiculous events not so sunny
sometimes a straight face is merely for show
but spy the glint in his eye about a truth you don’t know
an unfounded assumption is that we only live once
not a Mystic throughout history has avowed this occurrence
Christian ones may not have mentioned being reborn again
they also didn't deny it—their teaching was kept plain
just as the Buddha intentionally avoided the God concept
ultimately not essential, under the rug reincarnation is swept ~ Jarett Sabirsh,#NFDB
1141:Mark came home late one frozen Sunday carrying a bag of small, silver fish. They were smelts, locally known as icefish. He’d brought them at the store in the next town south, across from which a little village had sprung up on the ice of the lake, a collection of shacks with holes drilled in and around them. I’d seen the men going from the shore to the shacks on snowmobiles, six-packs of beer strapped on behind them like a half dozen miniature passengers. “Sit and rest,” Mark said. “I’m cooking.” He sautéed minced onion in our homemade butter, added a little handful of crushed, dried sage, and when the onion was translucent, he sprinkled n flour to make a roux, which he loosened with beer, in honor of the fishermen. He added cubed carrot, celery root, potato, and some stock, and then the fish, cut into pieces, and when they were all cooked through he poured in a whole morning milking’s worth of Delia’s yellow cream. Icefish chowder, rich and warm, eaten while sitting in Mark’s lap, my feet so close to the woodstove that steam came off my damp socks. ~ Kristin Kimball, #NFDB
1142:»Und Sie, Herr Hyazinth, [...] sind Sie etwa kein Freund von der katholischen Religion?«
»Ich bin ein Freund davon, und bin auch wieder kein Freund davon«, antwortete jener mit bedenklichem Kopfwiegen.
»Es ist eine gute Religion für einen vornehmen Baron, der den ganzen Tag müßig gehen kann, und für einen Kunstkenner; aber es ist keine Religion für einen Hamburger [...]. Ich sehe das Pläsier nicht ein, es ist eine Religion als wenn der liebe Gott, Gott bewahre, eben gestorben wäre, und es riecht dabei nach Weihrauch, wie bei einem Leichenbegängnis, und dabei brummt eine so traurige Begräbnismusik, daß man die Melancholik bekömmt – ich sage Ihnen, es ist keine Religion für einen Hamburger.«
»Aber, Herr Hyazinth, wie gefällt Ihnen denn die
protestantische Religion?«
»Die ist mir wieder zu vernünftig, Herr Doktor, und
gäbe es in der protestantischen Kirche keine Orgel,
so wäre sie gar keine Religion. Unter uns gesagt, diese Religion schadet nichts und ist so rein wie ein Glas Wasser, aber, sie hilft auch nichts.[...]« ~ Heinrich Heine,#NFDB
1143:Und glaube mir nur, Freund Höllenlärm! Die grössten Ereignisse – das sind nicht unsre lautesten, sondern unsre stillsten Stunden.
Nicht um die Erfinder von neuem Lärme: um die Erfinder von neuen Werthen dreht sich die Welt; unhörbar dreht sie sich.
Und gesteh es nur! Wenig war immer nur geschehn, wenn dein Lärm und Rauch sich verzog. Was liegt daran, dass eine Stadt zur Mumie wurde, und eine Bildsäule im Schlamme liegt!
Und diess Wort sage ich noch den Umstürzern von Bildsäulen. Das ist wohl die grösste Thorheit, Salz in's Meer und Bildsäulen in den Schlamm zu werfen. Im Schlamme eurer Verachtung lag die Bildsäule: aber das ist gerade ihr Gesetz, dass ihr aus der Verachtung wieder Leben und lebende Schönheit wächst!
Mit göttlicheren Zügen steht sie nun auf und leidendverführerisch; und wahrlich! sie wird euch noch Dank sagen, dass ihr sie umstürztet, ihr Umstürzer!
Diesen Rath aber rathe ich Königen und Kirchen und Allem, was alters- und tugendschwach ist – lasst euch nur umstürzen! Dass ihr wieder zum Leben kommt, und zu euch – die Tugend! ~ Friedrich Nietzsche,#NFDB
1144:She tsked so that he would know she found him stupid without coming right out and saying so. “Okay, I said I was sorry. That he was right and I’m sorry.” “After he cleaned your clock, I assume....” “Well, yeah. After.” “Men.” “We’re usually on the same team,” he pointed out. “When there’s not a woman between you.” “I’m getting that.” “You know, there’s this little rule about opinions. They’re only good when someone actually asks you for them.” “He did say something about how I could just shut the fuck up.” “There you go. Who’d figure Preacher for sage advice?” He made a face at her and put the ice back against his face. He winced. “Hurts, huh?” “Damn, that boy’s got an arm.” “You’re welcome to sit over here and hide out for as long as you want, but sooner or later you’re going to have to kiss and make up. Aren’t you at the bar today so he can go over to see the judge?” “Yeah. But I was going to give him time to cool down a little. I’m going to need at least one eye to see out of.” “Oh, I think if Preacher had more in mind for you, he’d have already delivered it.” A ~ Robyn Carr, #NFDB
1145:The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful; and God has not made some beautiful things, but Beauty is the creator of the universe. Therefore the poet is not any permissive potentate, but is emperor in his own right. Criticism is infested with a cant of materialism, which assumes that manual skill and activity is the first merit of all men, and disparages such as say and do not, overlooking the fact, that some men, namely, poets, are natural sayers, sent into the world to the end of expression, and confounds them with those whose province is action, but who quit it to imitate the sayers. The poet does not wait for the hero or the sage, but, as they act and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building materials to an architect. ~ Ralph Waldo Emerson, #NFDB
1146:You can’t have a relationship with someone hoping they’ll change. You have to be willing to commit to them as they are, with no expectations. And if they happen to choose to change at some point along the way, then that’s just a bonus. Words start tumbling out of her mouth, concluding with her desire to move in and start a family with me. It sends a chill up my spine, because this is exactly what I want with Ingrid if things work out between us. “You want to move in, stay with me forever, and start a family together?” “Yes,” she says, her eyes widening with equal parts sincerity and supplication. I picture what the future would actually be like with Sage: I imagine us married and raising children—until one day when she feels trapped again, she runs away to Fiji without warning, leaving me to explain to the kids that Mommy left to search for herself and I don’t know when she’s coming back. The winds of ambivalence will continue blowing her back to me and away again, back and away, back and away. They say that love is blind, but it’s trauma that’s blind. Love sees what is. ~ Neil Strauss, #NFDB
1147:Stuck
I'm up against it day by day,
My ignorance is distressing;
The things I don't know on the way
I'm busily confessing.
Time was I used to think I knew
Some useful bits of knowledge
And could be sure of one or two
Real facts I'd gleaned in college.
But I'm unfitted for the task
Of answering things my boy can ask.
Now, who can answer queries queer
That four-year-olds can think up?
And tell in simple phrase and clear
Why fishes do not drink up
The water in the streams and lakes,
Or where the wind is going,
And tell exactly how God makes
The roses that are growing?
I'm sure I cannot satisfy
Each little when, and how, and why.
Had I the wisdom of a sage
Possessed of all the learning
That can be gleaned from printed page
From bookworm's closest turning,
That eager knowledge-seeking lad
That questions me so gayly
Could still go round and boast he had
With queries floored me daily.
He'll stick, I'll bet, in less than five
Brief minutes any man alive.
~ Edgar Albert Guest,#NFDB
1148:Man is made of thought, of will and of love: he can think truth or error, he can will good or evil, he can love beauty or ugliness. Now thought of the true — or knowledge of the real — demands on the one hand willing of the good and on the other love of the beautiful, hence virtue, for virtue is none other than beauty of soul; that is why the Greeks, who were aesthetes as well as thinkers, included virtue within philosophy. Without beauty of soul, all willing is sterile, it is petty and closes itself to grace; and in an analogous manner: without effort of will, all spiritual thought ultimately remains superficial and ineffectual and leads to pretension. Virtue coincides with a sensibility proportioned — or conformed — to the Truth, and that is why the soul of the sage soars above things and thereby above itself, if one may put it thus; whence the disinterestedness, nobleness and generosity of great souls. Quite clearly, the consciousness of metaphysical principles cannot go hand in hand with moral pettiness, such as ambition and hypocrisy : "Be ye perfect even as your Father in Heaven is perfect. ~ Frithjof Schuon, #NFDB
1149:Ay Me, Ay Me, I Sigh The Scythe A-Field
Ay me, ay me, I sigh to see the scythe a-field;
Down goeth the grass, soon wrought to wither'd hay:
Ay me, alas! ay me, alas, that beauty needs must yield,
And princes pass, as grass doth fade away.
Ay me, ay me, that life can not have lasting leave,
Nor gold take hold of everlasting joy:
Ay me, alas! ay me, alas, that time hath talents to receive,
And yet no time can make a suer stay.
Ay me, ay me, that wit can not have wished choice,
Nor wish can win that will desires to see:
Ay me, alas! ay me, alas, that mirth can promise no rejoice,
Nor study tell what afterward shall be.
Ay me, ay me, that no sure staff is given to age,
Nor age can give sure wit that youth will take:
Ay me, alas! ay me, alas, that no counsel wise and sage
Will shun the show that all doth mar and make.
Ay me, ay me, come, Time, shear on and shake thy hay,
It is no boot to balk thy bitter blows:
Ay me, alas! ay me, alas, come, Time, take everything away,
For all is thine, be it good or bad, that grows.
~ Anonymous Americas,#NFDB
1150:But thou shalt leave it all behind thee! It shall not cumber thy steps, as thou treadest along the forest-path; neither shalt thou freight the ship with it, if thou prefer to cross the sea. Leave this wreck and ruin here where it hath happened! Meddle no more with it! Begin all anew! Hast thou exhausted possibility in the failure of this one trial? Not so! The future is yet full of trial and success. There is happiness to be enjoyed! There is good to be done! Exchange this false life of thine for a true one. Be, if thy spirit summons thee to such a mission, the teacher and apostle of the red men. Or,—as is more thy nature,—be a scholar and a sage among the wisest and the most renowned of the cultivated world. Preach! Write! Act! Do any thing, save to lie down and die! Give up this name of Arthur Dimmesdale, and make thyself another, and a high one, such as thou canst wear without fear or shame. Why shouldst thou tarry so much as one other day in the torments that have so gnawed into thy life!—that have made thee feeble to will and to do!—that will leave thee powerless even to repent! Up, and away! ~ Nathaniel Hawthorne, #NFDB
1151:His words reminded me of something else I’d meant to bring up when he got back to town, something that had taken a very low priority. “Your coat—you never took it back after the wedding. It’s in my car.”
He waved dismissively “Keep it. I’ve got others.”
“What am I going to do with a wool coat?” I asked. “Especially here in Palm Springs?”
“Sleep with it,” he suggested. “Think of me.”
I put my hands on my hips and tried to stare him down, which wasn’t easy since he was so tall. That, and because his words suddenly returned me to the disorienting feeling I’d had sitting on his bed. “You said you weren’t going to bring up any romantic stuff around me.”
“Was that romantic?” he asked. “I was just making the suggestion, since the coat’s so heavy and warm. I figured you’d think of me since it was such a nice gesture. And yet, once again, you’re the one who finds romantic subtext in everything I say.”
“I do not. You know that’s not what I meant.”
He shook his head in mock sympathy. “I tell you, Sage. Sometimes I think I’m the one who needs to take out the restraining order on you.”
“Adrian! ~ Richelle Mead,#NFDB
1152:When we hear the ancient bells growling on a Sunday morning we ask ourselves: Is it really possible! This, for a jew, crucified two thousand years ago, who said he was God's son? The proof of such a claim is lacking. Certainly the Christian religion is an antiquity projected into our times from remote prehistory; and the fact that the claim is believed - whereas one is otherwise so strict in examining pretensions - is perhaps the most ancient piece of this heritage. A god who begets children with a mortal woman; a sage who bids men work no more, have no more courts, but look for the signs of the impending end of the world; a justice that accepts the innocent as a vicarious sacrifice; someone who orders his disciples to drink his blood; prayers for miraculous interventions; sins perpetrated against a god, atoned for by a god; fear of a beyond to which death is the portal; the form of the cross as a symbol in a time that no longer knows the function and ignominy of the cross -- how ghoulishly all this touches us, as if from the tomb of a primeval past! Can one believe that such things are still believed? ~ Friedrich Nietzsche, #NFDB
1153:At this juncture, the entire planet is locked, figuratively, in a room with the sociocultural equivalent of Hannibal Lecter. An individual of consummate taste and refinement, imbued with indelible grace and charm, he distracts his victims with the brilliance of his intellect, even while honing his blade. He is thus able to dine alone upon their livers, his feast invariably candlelit, accompanied by lofty music and a fine wine. Over and over the ritual is repeated, always hidden, always denied in order that it may be continued. So perfect is Lecter's pathology that, from the depths of his scorn for the inferiors upon whom he feeds, he advances himself as their sage and therapist, he who is incomparably endowed with the ability to explain their innermost meanings, he professes to be their savior. His success depends upon being embraced and exalted by those upon whom he preys. Ultimately, so long as Lecter is able to retain his mask of omnipotent gentility, he can never be stopped. The spirit of Hannibal Lecter is thus at the core of an expansionist European 'civilization' which has reached out to engulf the planet. ~ Ward Churchill, #NFDB
1154:A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl’s ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage. ~ Catherynne M Valente, #NFDB
1155:The Philosopher, The Young Man, And His Statue
A Fond Athenian Mother brought
A Sculptor to indulge her Thought,
And carve her Only Son;
Who to such strange perfection wrought,
That every Eye the Statue caught
Nor ought was left undone.
A youthful Smile adorn'd the Face,
The polish gave that Smile a Grace;
And through the Marble reigns
(Which well the Artist's Skill cou'd trace,
And in their due Positions place)
A Thread of purple Veins.
The Parasites about it came,
(Whose Praises were too large to name)
And to each other said;
The Man so well had reach'd his Aim,
Th' Original cou'd o'er it claim
Only a native Red.
Mean while a Sage, amidst the Croud,
Thus, with a Precept wise and loud,
Check'd the Vain-glorious Boy;
By telling him, who now grew proud,
That tho' with Beauty 'twas endow'd,
The Figure was a Toy:
Of no Advantage to the State,
'Twou'd neither combate, nor debate,
But idly stand alone;
Bids him beware, whilst Men create
In Stone thus his Resemblance great,
He proves not like the Stone.
~ Anne Kingsmill Finch,#NFDB
1156:Why would you do that? Why would you act like you didn’t know how to drive?”
“Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you—one I knew you couldn’t refuse.”
“But… why? Why would you want to do that?”
“Why?” he asked. “Because it was the closest I could get to doing this.”
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of
constantly analyzing the world around me, well, I stopped thinking.
And it was glorious. ~ Richelle Mead,#NFDB
1157:Hubbard And Pelletier
TWO long-haired friends at table sat
And sipped some old Sauterne,
And each one sought throughout the chat
The other's tricks to learn.
'I see some dandruff on your coat,'
To Elbert whispered Roy;
Said Elbert, clearing out his throat:
'That's genius, my boy.'
'A goodly crop of hair you own,'
To Roy, then quoth the sage:
'Mine had not quite so bushy grown
When I was at your age.
I like the way you brush it back,
'Tis pleasing to the eye,
But one thing I perceive you lack,
And that's a flowing tie.'
'Why wear you such an awful thing?'
Then questioned Roy the Fra;
'Because it is distinguishing,
And men know who you are.
The hair and tie have marked me well,'
In confidence he spake,
'And Elbert Hubbard all can tell
Where'er my way I take.'
Not far from where this famous pair
Were chatting, sat a crowd:
Said one: 'That's Elbert Hubbard there!'
The voice was fairly loud.
'Which one?' exclaimed another then,
In still a higher pitch.
'The long-haired one,' he said again.
Said he: 'I know, but which?'
~ Edgar Albert Guest,#NFDB
1158:Ahead, a house sits close to the road: a small, single-story place painted mint green. Ivy grows up one corner and onto the roof, the green tendrils swaying like a girl's hair let loose from a braid. In front there's a full and busy vegetable garden, with plants jostling for real estate and bees making a steady, low, collective hum. It reminds me of the aunties' gardens, and my nonna's when I was a kid. Tomato plants twist gently skywards, their lazy stems tied to stakes. Leafy heads of herbs- dark parsley, fine-fuzzed purple sage, bright basil that the caterpillars love to punch holes in. Rows and rows of asparagus. Whoever lives here must work in the garden a lot. It's wild but abundant, and I know it takes a special vigilance to maintain a garden of this size.
The light wind lifts the hair from my neck and brings the smell of tomato stalks. The scent, green and full of promise, brings to mind a childhood memory- playing in Aunty Rosa's yard as Papa speaks with a cousin, someone from Italy. I am imagining families of fairies living in the berry bushes: making their clothes from spiderweb silk, flitting with wings that glimmer pink and green like dragonflies'. ~ Hannah Tunnicliffe,#NFDB
1159:Ballades Iii - Of Blue China
THERE’S a joy without canker or cark,
There ’s a pleasure eternally new,
’T is to gloat on the glaze and the mark
Of china that ’s ancient and blue;
Unchipp’d, all the centuries through
It has pass’d, since the chime of it rang,
And they fashion’d it, figure and hue,
In the reign of the Emperor Hwang.
These dragons (their tails, you remark,
Into bunches of gillyflowers grew),—
When Noah came out of the ark,
Did these lie in wait for his crew?
They snorted, they snapp’d, and they slew,
They were mighty of fin and of fang,
And their portraits Celestials drew
In the reign of the Emperor Hwang.
Here ’s a pot with a cot in a park,
In a park where the peach-blossoms blew,
Where the lovers eloped in the dark,
Lived, died, and were changed into two
Bright birds that eternally flew
Through the boughs of the may, as they sang;
’T is a tale was undoubtedly true
In the reign of the Emperor Hwang.
ENVOY
Come, snarl at my ecstasies, do,
Kind critic; your “tongue has a tang,”
But—a sage never heeded a shrew
In the reign of the Emperor Hwang.
~ Andrew Lang,#NFDB
1160:And yet, you didn’t bother telling me yourself,” I snapped, still outraged. “I couldn’t! They made me promise not to.” Somehow, his betrayal hurt worse than all the others. I had come to trust him implicitly. How could he do this to me? “No one believed I’d be able to talk the Warriors down, so everyone just made contingency plans without me.” Never mind that I Hadn’t been able to talk them down. “Someone should have told me. You should have told me.” There was legitimate pain and regret in his voice. “I’m telling you, I wanted to. But I was trapped. You of all people should know what it’s like being caught between groups, Sage. Besides, don’t you remember what I said just before you got in the car with Trey?” I did actually. Almost word for word. No matter what happens, I want you to know that I never doubted what you’re going to do. It’s smart, and it’s brave. I slouched further into my seat and felt like I was on the verge of tears. Adrian was right. I did know what it was like to have your loyalty stretched between different groups. I understood the position he’d been in. It was just, some selfish part of me wished that I’d been the one his loyalty has been strongest to. ~ Richelle Mead, #NFDB
1161:So in the library there are also books containing falsehoods. ...”
“Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the Creator is revealed. And by divine plan, too, there exist also books by wizards, the cabalas of the Jews, the fables of pagan poets, the lies of the infidels. It was the firm and holy conviction of those who founded the abbey and sustained it over the centuries that even in books of falsehood, to the eyes of the sage reader, a pale reflection of the divine wisdom can shine. And therefore the library is a vessel of these, too. But for this very reason, you understand, it cannot be visited by just anyone. And furthermore,” the abbot added, as if to apologize for the weakness of this last argument, “a book is a fragile creature, it suffers the wear of time, it fears rodents, the elements, clumsy hands. If for a hundred and a hundred years everyone had been able freely to handle our codices, the majority of them would no longer exist. So the librarian protects them not only against mankind but also against nature, and devotes his life to this war with the forces of oblivion, the enemy of truth. ~ Umberto Eco,#NFDB
1162:They climbed out of the pit to find a banquet awaiting them. A long table, four high-backed Untan-style chairs, a candelabra in the centre bearing four thick-stemmed beeswax candles, the golden light flickering down on silver plates heaped with Malazan delicacies. Oily santos fish from the shoals off Kartool, baked with butter and spices in clay; strips of marinated venison, smelling of almonds in the northern D'avorian style; grouse from the Seti plains stuffed with bull-berries and sage; baked gourds and fillets of snake from Dal Hon; assorted braised vegetables and four bottles of wine: a Malaz Island white from the Paran Estates, warmed rice wine from Itko Kan, a fullbodied red from Gris, and the orange-tinted belack wine from the Napan Isles.
Kalam stood staring at the bounteous apparition, as Stormy, with a grunt, walked over, boots puffing in the dust, and sat down in one of the chairs, reaching for the Grisian red.
'Well,' Quick Ben said, dusting himself off, 'this is nice. Who's the fourth chair for, you think?'
Kalam looked up at the looming bulk of the sky keep. 'I'd rather not think about that.'
Snorting sounds from Stormy as he launched into the venison strips. ~ Steven Erikson,#NFDB
1163:Eternity
--- The year has run
Its round of seasons, has fulfilled its course,
Absolved its destined period, and is borne,
Silent and swift, to that devouring gulf,
Their womb and grave, where seasons, months and years,
Revolving periods of uncounted time,
All merge, and are forgotten.—Thou alone,
In thy deep bosom burying all the past,
Still art; and still from thine exhaustless store
New periods spring, Eternity.—Thy name
Or glad, or fearful, we pronounce, as thoughts
Wandering in darkness shape thee. Thou strange being,
Which art and must be, yet which contradict'st
All sense, all reasoning,—thou, who never wast
Less than thyself, and who still art thyself
Entire, though the deep draught which Time has taken
Equals thy present store—No line can reach
To thy unfathomed depths. The reasoning sage
Who can dissect a sunbeam, count the stars,
And measure distant worlds, is here a child,
And, humbled, drops his calculating pen.
On and still onward flows the ceaseless tide,
And wrecks of empires and of worlds are borne
Like atoms on its bosom.—Still thou art
And he who does inhabit thee.
~ Anna Laetitia Barbauld,#NFDB
1164:The High-Heeled Boots
He stands upon the city street, keen-eyed, and brown of face,
He seems to bring a breath of air from some broad prairie space;
He’s perched upon a pair of heels that fit the stirrup’s curve,
That meet the bucking bronco’s plunge and counteract each swerve;
And of all the chaps with whom the gods are ever in cahoots
Give me the cattle-puncher in the high-heeled boots.
He brings a hint of wider skies, of ranges that are vast,
Of manful vigils in the days when sweeps the wintry blast;
All out of step with things in town, he sees the crowd surge by;
The sage is in his nostrils still — he hears the gaunt wolf cry;
He rides as Alexander rode — the bell rings when he shoots —
The gallant cattle-puncher in the high-heeled boots.
He is the last of that old guard defending Cattle Land,
Those knights who jousted for the cause — blood brothers of the brand;
But now they’ve fenced the water-hole, they’re harrowing the plain,
They’re changing all the sagebrush flats to fields of waving grain;
The cowmen will be gone, they say, and there are no recruits —
Good-bye, brave cattle-puncher in the high-heeled boots!
~ Arthur Chapman,#NFDB
1165:I have spoken of the rich years when the rainfall was plentiful. But there were dry youeras too, and they put a terror on the valley. The water came in a thirty-year cycle. There would be five or six wet and wonderful years when there might be nineteen to twenty-five inches of rain, and the land would shout with grass. Then would come six or seven pretty good years of twelve to sixten inches of rain. And then the dry yars would come, and sometimes thre would be only seven or eight inches of rain. The land dried up and the grasses headed out miserably a few inches high and great bare scabby places appeared in the valley. The live oaks got a crusty look and the sage-brush was gray. The land cracked and the springs dried up and the cattle listlessly nibbled dry twigs. Then the farmers and the ranchers would be filled with disgust for the Salinas Valley. The cows would grow thin and sometimes starve to death. People would have to haul water in barrels to their farms just for drinking. Some families would sell out for nearly nothing and move away. And it never failed that during the dry years the people forgot about the rich years, and during the wet years they lost all memory of the dry years. It was always that way. ~ John Steinbeck, #NFDB
1166:I have spoken of the rich years when the rainfall was plentiful. But there were dry years too, and they put a terror on the valley. The water came in a thirty-year cycle. There would be five or six wet and wonderful years when there might be nineteen to twenty-five inches of rain, and the land would shout with grass. Then would come six or seven pretty good years of twelve to sixteen inches of rain. And then the dry years would come, and sometimes there would be only seven or eight inches of rain. The land dried up and the grasses headed out miserably a few inches high and great bare scabby places appeared in the valley. The live oaks got a crusty look and the sage-brush was gray. The land cracked and the springs dried up and the cattle listlessly nibbled dry twigs. Then the farmers and the ranchers would be filled with disgust for the Salinas Valley. The cows would grow thin and sometimes starve to death. People would have to haul water in barrels to their farms just for drinking. Some families would sell out for nearly nothing and move away. And it never failed that during the dry years the people forgot about the rich years, and during the wet years they lost all memory of the dry years. It was always that way. ~ John Steinbeck, #NFDB
1167:It is easy to maintain a situation while it is still secure;
It is easy to deal with a situation before symptoms develop;
It is easy to break a thing when it is yet brittle;
It is easy to dissolve a thing when it is yet minute.
Deal with a thing while it is still nothing;
Keep a thing in order before disorder sets in.
A tree that can fill the span of a man's arms
Grows from a downy tip;
A terrace nine storeys high
Rises from hodfuls of earth;
A journey of a thousand miles
Starts from beneath one's feet.
Whoever does anything to it will ruin it;
Whoever lays hold of it will lose it.
Therefore the sage, because he does nothing, never ruins anything;
And, because he does not lay hold of anything, loses nothing.
In their enterprises the people
Always ruin them when on the verge of success.
Be as careful at the end as at the beginning
And there will be no ruined enterprises.
Therefore the sage desires not to desire
And does not value goods which are hard to come by;
Learns to be without learning
And makes good the mistakes of the multitude
In order to help the myriad creatures to be natural and to refrain from daring to act. ~ Lao Tzu,#NFDB
1168:The Child World
The child world is a wondrous world,
For there the flags of hate are furled,
And there the imps of wickedness
Cause neither sorrow nor distress.
And there is never strife for gold,
There petty gossip's never told,
There all is joy and wondrous mirth,
The child earth is a glorious earth.
The land of childhood is aglow
With smiles, and there pink roses grow
Upon the cheeks of boys and girls;
The golden rod is yellow curls,
And eyes of brown and eyes of blue
Are daisies and the violets, too;
And warm and true is every hand
That clings to yours in Childhood Land.
Who owns a spot on childhood's globe
Envies no king his ermine robe;
Envies no sage his manners wise,—
His world is rich with glad surprise,
The quaintest of all speech he hears,
The truest smiles, the sweetest tears
Are his possessions every day
However troubled be his way.
Who knows the joys of Childhood Land,
The pressure of a tiny hand,
The joy that's in a babe's caress,
The soft embrace of happiness,
The sweet good-nights, the shouts of glee
That greet the morning lustily,
Has riches, those who childless live
To know, would all their fortunes give.
~ Edgar Albert Guest,#NFDB
1169:Simon, mark well my words! Wives are the devil and I know!'
`In truth,' Alan sighed, `I am the only wise one amongst us all.'
`Art a silly lad!' Fulk rumbled, and cast him an affectionate
though fiery glance.
`Alan speaks sooth for once,' Simon said, and placed his finger on Margaret's indignant lips. He had her in his arms again, and like a needle to the magnet, Jeanne had drawn near to her Geoffrey. `For Alan throughout hath known that needs must I fall, and at Margot's feet.'
`Ah, and he knew that I loved thee, even before I knew it myself,' Margaret cried. `Methinks he hath worked very quietly to bring about our happiness. And yet he will not seek his own.'
`I observe thy folly,' he said, `and know mine own wisdom. That is happiness.'
Jeanne looked at Geoffrey, and a smile passed between them, of boundless conceit. Margaret stole her hand into Simon's, smiling also. Not one of them answered Alan, and he laughed,
leaning on his father's shoulder, and surveying his two friends with soft, satisfied eyes.
`Are my sage words beneath contempt?' he asked.
`Ay,' Simon answered simply, and looked down into Margaret's face for a long moment. A deep breath he drew, and glanced again at Alan. `Beneath contempt,' said Simon the Coldheart. ~ Georgette Heyer,#NFDB
1170:The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana. ~ Sri Aurobindo, #NFDB
1171:They were properly mad in the Shakespearean sense, talking sense when you least expected it. In North London, where councillors once voted to change the name of the area to Nirvana, it is not unusual to walk the streets and be suddenly confronted by sage words from the chalkfaced, blue-lipped, or eyebrowless. From across the street or from the other end of a tube carriage they will use their schizophrenic talent for seeing connections in the random (for discerning the whole world in a grain of sand, for deriving narrative from nothing) to riddle you, to rhyme you, to strip you down, to tell you who you are and where you’re going (usually Baker Street—the great majority of modernday seers travel the Metropolitan Line) and why. But as a city we are not appreciative of these people. Our gut instinct is that they intend to embarrass us, that they’re out to shame us somehow as they lurch down the train aisle, bulbous-eyed and with carbuncled nose, preparing to ask us, inevitably, what we are looking at. What the fuck we are looking at. As a kind of preemptive defense mechanism, Londoners have learned not to look, never to look, to avoid eyes at all times so that the dreaded question “What you looking at?” and its pitiful, gutless, useless answer —“Nothing”—might be avoided. ~ Zadie Smith, #NFDB
1172:The boy himself was in the grip of his impulse, without knowing what was happening to him. He was not performing a dance he already knew, a dance he had practiced before. This was no familiar rite of celebrating sun and morning that he had long ago invented. Only later would he realize that his dance and his transported state in general were only partly caused by the mountain air, the sun, the dawn, his sense of freedom. They were also a response to the change awaiting him, the new chapter in his young life that had come in the friendly and awe-inspiring form of the Magister. In that morning hour many elements conspired in the soul of young Tito to shape his destiny and distinguish this hour above a thousand others as a high, a festive, a consecrated time. Without knowing what he was doing, asking no questions, he obeyed the command of this ecstatic moment, danced his worship, prayed to the sun, professed with devout movements and gestures his joy, his faith in life, his piety and reverence, both proudly and submissively offered up in the dance his devout soul as a sacrifice to the sun and the gods, and no less to the man he admired and feared, the sage and musician, the Master of the magic Game who had come to him from mysterious realms, his future teacher and friend. ~ Hermann Hesse, #NFDB
1173:When he is sitting quiet, thinking about his sins, or is absent-minded or unapprehensive of danger, his majestic ears project above him conspicuously; but the breaking of a twig will scare him nearly to death, and then he tilts his ears back gently and starts for home. All you can see, then, for the next minute, is his long gray form stretched out straight and "streaking it" through the low sage-brush, head erect, eyes right, and ears just canted a little to the rear, but showing you where the animal is, all the time, the same as if he carried a jib. Now and then he makes a marvelous spring with his long legs, high over the stunted sage-brush, and scores a leap that would make a horse envious. Presently he comes down to a long, graceful "lope," and shortly he mysteriously disappears. He has crouched behind a sage-bush, and will sit there and listen and tremble until you get within six feet of him, when he will get under way again. But one must shoot at this creature once, if he wishes to see him throw his heart into his heels, and do the best he knows how. He is frightened clear through, now, and he lays his long ears down on his back, straightens himself out like a yard-stick every spring he makes, and scatters miles behind him with an easy indifference that is enchanting. ~ Mark Twain, #NFDB
1174:Siddhartha now also realized why he had struggled in vain with this Self when he was a Brahmin and an ascetic. Too much knowledge had hindered him; too many holy verses, too many sacrificial rites, too much mortification of the flesh, too much doing and striving. He had been full of arrogance; he had always been the cleverest, the most eager—always a step ahead of the others, always the learned and intellectual one, always the priest or the sage. His Self had crawled into this priesthood, into this arrogance, into this intellectuality. It sat there tightly and grew, while he thought he was destroying it by fasting and penitence. Now he understood it and realized that the inward voice had been right, that no teacher could have brought him salvation. That was why he had to go into the world, to lose himself in power, women and money; that was why he had to be a merchant, a dice player, a drinker and a man of property, until the priest and Samana in him were dead. That was why he had to undergo those horrible years, suffer nausea, learn the lesson of the madness of an empty, futile life till the end, till he reached bitter despair, so that Siddhartha the pleasure-monger and Siddhartha the man of property could die. He had died and a new Siddhartha had awakened from his sleep. ~ Hermann Hesse, #NFDB
1175:Sailor And Shade
SAILOR
You, who have compassed land and sea,
Now all unburied lie;
All vain your store of human lore,
For you were doomed to die.
The sire of Pelops likewise fell,-Jove's honored mortal guest;
So king and sage of every age
At last lie down to rest.
Plutonian shades enfold the ghost
Of that majestic one
Who taught as truth that he, forsooth,
Had once been Pentheus' son;
Believe who may, he's passed away,
And what he did is done.
A last night comes alike to all;
One path we all must tread,
Through sore disease or stormy seas
Or fields with corpses red.
Whate'er our deeds, that pathway leads
To regions of the dead.
SHADE
The fickle twin Illyrian gales
Overwhelmed me on the wave;
But you that live, I pray you give
My bleaching bones a grave!
Oh, then when cruel tempests rage
You all unharmed shall be;
Jove's mighty hand shall guard by land
And Neptune's on the sea.
Perchance you fear to do what may
Bring evil to your race?
Oh, rather fear that like me here
You'll lack a burial place.
So, though you be in proper haste,
262
Bide long enough, I pray,
To give me, friend, what boon shall send
My soul upon its way!
~ Eugene Field,#NFDB
1176:Political Economy
'I beg you to note,' said a Man to a Goose,
As he plucked from her bosom the plumage all loose,
'That pillows and cushions of feathers and beds
As warm as maids' hearts and as soft as their heads,
Increase of life's comforts the general sum
Which raises the standard of living.' 'Come, come,'
The Goose said, impatiently, 'tell me or cease,
How that is of any advantage to geese.'
'What, what!' said the man-'you are very obtuse!
Consumption no profit to those who produce?
No good to accrue to Supply from a grand
Progressive expansion, all round, of Demand?
Luxurious habits no benefit bring
To those who purvey the luxurious thing?
Consider, I pray you, my friend, how the growth
Of luxury promises-' 'Promises,' quoth
The sufferer, 'what?-to what course is it pledged
To pay me for being so often defledged?'
'Accustomed'-this notion the plucker expressed
As he ripped out a handful of down from her breast
'To one kind of luxury, people soon yearn
For others and ever for others in turn;
And the man who to-night on your feathers will rest,
His mutton or bacon or beef to digest,
His hunger to-morrow will wish to assuage
By dining on goose with a dressing of sage.'
~ Ambrose Bierce,#NFDB
1177:The chief guide which must direct us in the choice of a profession is the welfare of mankind and our own perfection. It should not be thought that these two interests could be in conflict, that one would have to destroy the other; on the contrary, man's nature is so constituted that he can attain his own perfection only by working for the perfection, for the good, of his fellow men.
If he works only for himself, he may perhaps become a famous man of learning, a great sage, an excellent poet, but he can never be a perfect, truly great man.
History calls those men the greatest who have ennobled themselves by working for the common good; experience acclaims as happiest the man who has made the greatest number of people happy; religion itself teaches us that the ideal being whom all strive to copy sacrificed himself for the sake of mankind, and who would dare to set at nought such judgments?
If we have chosen the position in life in which we can most of all work for mankind, no burdens can bow us down, because they are sacrifices for the benefit of all; then we shall experience no petty, limited, selfish joy, but our happiness will belong to millions, our deeds will live on quietly but perpetually at work, and over our ashes will be shed the hot tears of noble people. ~ Karl Marx,#NFDB
1178:Misdemeanor Mushrooms Preheat oven to 325 degrees F., rack in the middle position This recipe is from Bill Jessup, Charlie Jessup’s cousin and he’s a detective. Charlie says he calls these “Misdemeanor Mushrooms,” because they’re so good they ought to be illegal. 2 pounds pork sausage 3 cloves of finely chopped garlic 2 Tablespoons ground sage 8-ounce package cream cheese 1 Tablespoon parsley 1 ounce Marsala wine (optional) 1 pound medium to large mushrooms Parmesan cheese (to sprinkle) In a large, non-stick skillet, combine sausage, garlic and sage. Sauté until sausage is browned and garlic is translucent. Drain fat from skillet and add softened, cubed cream cheese and parsley. Simmer for 10 minutes, stir in the wine (if you want to use it,) remove from heat, and cover. Wash mushrooms. Remove stems and set caps aside. Chop the stems very fine and stir into the sausage/ cheese mixture. Brush caps with melted butter and arrange cap-down on a non-stick baking sheet. (Bill says if you shave just a bit from the bottom of the cap to make them flat, they’ll sit on the pan a lot better.) Fill each cap with a heaping mound of warm sausage mixture and sprinkle with Parmesan cheese. Bake in a 325-degree F. oven for 15 minutes. Yield: Serves 15 to 20 people as an appetizer (unless Charlie ~ Joanne Fluke, #NFDB
1179:Everything has its "that," everything has its "this." From the point of view of "that" you cannot see it, but through understanding you can know it. So I say, "that" comes out of "this" and "this" depends on "that" - which is to say that "this" and "that" give birth to each other. But where there is birth there must be death; where there is death there must be birth. Where there is acceptability there must be unacceptability; where there is unacceptability there must be acceptability. Where there is recognition of right there must be recognition of wrong; where there is recognition of wrong there must be recognition of right. Therefore the sage does not proceed in such a way, but illuminates all in the light of Heaven. He too recognizes a "this," but a "this" which is also "that," a "that" which is also "this." His "that" has both a right and a wrong in it; his "this" too has both a right and a wrong in it. So, in fact, does he still have a "this" and "that"? Or does he in fact no longer have a "this" and "that"? A state in which "this" and "that" no longer find their opposites is called the hinge of the Way. When the hinge is fitted into the socket, it can respond endlessly. Its right then is a single endlessness and its wrong too is a single endlessness. So, I say, the best thing to use is clarity. ~ Zhuangzi, #NFDB
1180:I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?'
Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard.
The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips. ~ Sarah Jio,#NFDB
1181:How do I know that the love of life is not a delusion? Or that the fear of death is not like a young person running away from home and unable to find his way back? The Lady Li Chi was the daughter of a border warden, Ai. When the state of Chin captured her, she wept until she had drenched her robes; then she came to the King’s palace, shared the King’s bed, ate his food, and repented of her tears. How do I know whether the dead now repent for their former clinging to life? ‘Come the morning, those who dream of the drunken feast may weep and moan; when the morning comes, those who dream of weeping and moaning go hunting in the fields. When they dream, they don’t know it is a dream. Indeed, in their dreams they may think they are interpreting dreams, only when they awake do they know it was a dream. Eventually there comes the day of reckoning and awakening, and then we shall know that it was all a great dream. Only fools think that they are now awake and that they really know what is going on, playing the prince and then playing the servant. What fools! The Master and you are both living in a dream. When I say a dream, I am also dreaming. This very saying is a deception. If after ten thousand years we could once meet a truly great sage, one who understands, it would seem as if it had only been a morning. ~ Zhuangzi, #NFDB
1182:O Delices D’amour!
O délices d'amour! et toi, molle paresse,
Vous aurez donc usé mon oisive jeunesse!
Les belles sont partout. Pour chercher les beaux-arts,
Des Alpes vainement j'ai franchi les remparts;
Rome d'amours en foule assiège mon asile,
Sage vieillesse, accours! Ô déesse tranquille,
De ma jeune saison éteins ces feux brûlants,
Sage vieillesse! Heureux qui, dès ses premiers ans,
A senti de son sang, dans ses veines stagnantes,
Couler d'un pas égal les ondes languissantes;
Dont les désirs jamais n'ont troublé la raison;
Pour qui les yeux n'ont point de suave poison;
Au sein de qui jamais une absente perdue
N'a laissé l'aiguillon d'une trop belle vue;
Qui, s'il regarde et loue un front si gracieux,
Ne le voit plus, sitôt qu'il n'est plus sous ses yeux!
Doux et cruels tyrans, brillantes héroïnes,
Femmes, de ma mémoire habitantes divines,
Fantômes enchanteurs, cessez de m'égarer.
O mon coeur! ô mes sens! laissez-moi respirer.
Laissez-moi dans la paix de l'ombre solitaire
Travailler à loisir quelque oeuvre noble et fière
Qui, sur l'amas des temps propre à se maintenir,
Me recommande aux yeux des âges à venir.
Mais, non! j'implore en vain un repos favorable;
Je t'appartiens, Amour, Amour inexorable!
~ Andre Marie de Chenier,#NFDB
1183:However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poor-house. The setting sun is reflected from the windows of the alms-house as brightly as from the rich man’s abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace. The town’s poor seem to me often to live the most independent lives of any. May be they are simply great enough to receive without misgiving. Most think that they are above being supported by the town; but it oftener happens that they are not above supporting themselves by dishonest means, which should be more disreputable. Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts. God will see that you do not want society. If I were confined to a corner of a garret all my days, like a spider, the world would be just as large to me while I had my thoughts about me. ~ Henry David Thoreau, #NFDB
1184:A Father's Wish
What do I want my boy to be?
Oft is the question asked of me,
And oft I ask it of myselfWhat corner, niche or post or shelf
In the great hall of life would I
Select for him to occupy?
Statesman or writer, poet, sage
Or toiler for a weekly wage,
Artist or artisan? Oh, what
Is to become his future lot?
For him I do not dare to plan;
I only hope he'll be a man.
I leave it free for him to choose
The tools of life which he shall use,
Brush, pen or chisel, lathe or wrench,
The desk of commerce or the bench,
And pray that when he makes his choice
In each day's task he shall rejoice.
I know somewhere there is a need
For him to labor and succeed;
Somewhere, if he be clean and true,
Loyal and honest through and through,
He shall be fit for any clan,
And so I hope he'll be a man.
I would not build my hope or ask
That he shall do some certain task,
Or bend his will to suit my own;
He shall select his post alone.
Life needs a thousand kinds of men,
Toilers and masters of the pen,
Doctors, mechanics, sturdy hands
To do the work which it commands,
And wheresoe'er he's pleased to go,
Honor and triumph he may know.
Therefore I must do all I can
To teach my boy to be a man.
31
~ Edgar Albert Guest,#NFDB
1185:Brock
One voice, one people, one in heart
And soul and feeling and desire.
Re-light the smouldering martial fire
And sound the mute trumpet! Strike the lyre!
The hero dead cannot expire:
The dead still play their part.
Raise high the monumental stone!
A nation's fealty is theirs,
And we are the rejoicing heirs,
The honoured sons of sires whose cares
We take upon us unawares
As freely as our own.
We boast not of the victory,
But render homage, deep and just,
To his–to their–immortal dust,
Who proved so worthy of their trust;
No lofty pile nor sculptured bust
Can herald their degree.
No tongue can blazon forth their fame–
The cheers that stir the sacred hill
Are but mere promptings of the will
That conquered them, that conquers still;
And generations yet shall thrill
At Brock's remembered name.
Some souls are the Hesperides
Heaven sends to guard the golden age,
Illumining the historic page
With record of their pilgrimage.
True martyr, hero, poet, sage,–
And he was one of these.
Each in his lofty sphere, sublime,
Sits crowned above the common throng:
Wrestling with some pythonic wrong
In prayer, in thunders, thought or song,
16
Briareus-limbed, they sweep along,
The Typhons of the time.
~ Charles Sangster,#NFDB
1186:The Soldiers Of The Plough
NO maiden dream, nor fancy theme,
Brown Labour's muse would sing;
Her stately mien and russet sheen
Demand a stronger wing.
Long ages since, the sage, the prince,
The man of lordly brow,
All honour gave that army brave,
The Soldiers of the Plough.
Kind Heaven speed the plough,
And bless the hands that guide it!
God gives the seed–
The bread we need,
Man's labour must provide it.
In every land, the toiling hand
Is blest as it deserves;
Not so the race who, in disgrace,
From honest labour swerves.
From fairest bowers bring rarest flowers
To deck the swarthy brow
Of him whose toil improves the soil,–
The Soldier of the Plough.
Kind Heaven speed the plough,
And bless the hands that guide it!
God gives the seed–
The bread we need,
Man's labour must provide it.
Blest is his lot, in hall or cot,
Who lives as Nature wills,
Who pours his corn from Ceres' horn,
And quaffs his native rills;
No breeze that sweeps trade's stormy deeps
Can touch his golden prow.
Their foes are few, their lives are true,
The Soldiers of the Plough.
Kind Heaven speed the plough,
And bless the hands that guide it!
God gives the seed–
168
The bread we need,
Man's labour must provide it.
~ Charles Sangster,#NFDB
1187:Welcome joy, and welcome sorrow,
Lethe's weed and Hermes' feather;
Come to-day, and come to-morrow,
I do love you both together!
I love to mark sad faces in fair weather;
And hear a merry laugh amid the thunder;
Fair and foul I love together.
Meadows sweet where flames are under,
And a giggle at a wonder;
Visage sage at pantomine;
Funeral, and steeple-chime;
Infant playing with a skull;
Morning fair, and shipwreck'd hull;
Nightshade with the woodbine kissing;
Serpents in red roses hissing;
Cleopatra regal-dress'd
With the aspic at her breast;
Dancing music, music sad,
Both together, sane and mad;
Muses bright and muses pale;
Sombre Saturn, Momus hale;--
Laugh and sigh, and laugh again;
Oh the sweetness of the pain!
Muses bright, and muses pale,
Bare your faces of the veil;
Let me see; and let me write
Of the day, and of the night -
Both together: - let me slake
All my thirst for sweet heart-ache!
Let my bower be of yew,
Interwreath'd with myrtles new;
Pines and lime-trees full in bloom,
And my couch a low grass-tomb.
'This is the fourth of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ Milton.
,#NFDB
1188:The Canary In His Cage
SING away, ay, sing away,
Merry little bird,
Always gayest of the gay,
Though a woodland roundelay
You ne'er sung nor heard;
Though your life from youth to age
Passes in a narrow cage.
Near the window wild birds fly,
Trees are waving round:
Fair things everywhere you spy
Through the glass pane's mystery,
Your small life's small bound:
Nothing hinders your desire
But a little gilded wire.
Like a human soul you seem
Shut in golden bars:
Placed amidst earth's sunshine-stream,
Singing to the morning beam,
Dreaming 'neath the stars:
Seeing all life's pleasures clear,-But they never can come near.
Never! Sing, bird-poet mine,
As most poets do;-Guessing by an instinct fine
At some happiness divine
Which they never knew.
Lonely in a prison bright
Hymning for the world's delight.
Yet, my birdie, you're content
In your tiny cage:
Not a carol thence is sent
But for happiness is meant-Wisdom pure as sage:
Teaching, the true poet's part
Is to sing with merry heart.
163
So, lie down thou peevish pen,
Eyes, shake off all tears;
And my wee bird, sing again:
I'll translate your song to men
In these future years.
'Howsoe'er thy lot's assigned,
Bear it with a cheerful mind.'
~ Dinah Maria Mulock Craik,#NFDB
1189:The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire.
If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens. ~ Vanessa Diffenbaugh,#NFDB
1190:The Unknown God
To learned Athens, led by fame,
As once the man of Tarsus came,
With pity and surprise
Midst idol altars as he stood,
O'er sculptured marble, brass and wood,
He rolled his awful eyes.
But one, apart, his notice caught,
That seemed with higher meaning fraught,
Graved on the wounded stone;
Nor form nor name was there expressed;
Deep reverence filled the musing breast,
Perusing, “To the God unknown.”
Age after age has rolled away,
Altars and thrones have felt decay,
Sages and saints have risen;
And, like a giant roused from sleep,
Man has explored the pathless deep,
And lightnings snatched from heaven.
And many a shrine in dust is laid,
Where kneeling nations homage paid,
By rock, or fount, or grove:
Ephesian Dian sees no more
Her workmen fuse the silver ore,
Nor Capitolian Jove.
E'en Salem's hallowed courts have ceased
With solemn pomps her tribes to feast,
No more the victim bleeds;
To censers filled with rare perfumes,
And vestments from Egyptian looms,
A purer rite succeeds.
Yet still, where'er presumptuous man
His Maker's essence strives to scan,
And lifts his feeble hands,
Though saint and sage their powers unite,
To fathom that abyss of light,
Ah! still that altar stands.
149
~ Anna Laetitia Barbauld,#NFDB
1191:Signor Renzo's lodge stood on a grassy knoll near the crest of the hill. It was a modest place, just a low stone hut, before which stretched a woven ceiling of vines. My dinner was cooked on an open fire by the table. This was no banquet, but what the cook called a pique-nique, a meal for hunters to take outdoors. After Renzo had chosen two fat ducklings from his larder, he spitted them over the fire. Then he made a dish of buttery rice crowned with speckled discs of truffle that tasted powerfully of God's own earth.
'Come sit with me,' I begged, for I did not like him to wait on me. So together we sat beneath the vines as I savored each morsel and guessed at the subtle flavorings. 'Wild garlic?' I asked, and he lifted his brows in surprise as he ate. 'And a herb,' I added, 'sage?'
'For a woman, you have excellent taste.'
For a woman, indeed! I made a play of stabbing him with my knife. It was most pleasant to eat our pique-nique and drink the red wine, which they make so strong in that region that they call it black or nero. I asked him to speak of himself, and between a trial of little dishes of wild leaves, chestnut fritters, and raisin cake, Signor Renzo told me he was born in the city and had worked at a pastry's cook shop as a boy, where he soon discovered that good foods mixed with ingenious hands made people happy and free with their purses. ~ Martine Bailey,#NFDB
1192:THE ELFIN KNIGHT
Are you going to Scarborough Fair?
Parsley, sage, rosemary, and thyme
Remember me to one who lives there
She must be a true love of mine
Tell her she'll sleep in a goose-feather bed
Parsley, sage, rosemary, and thyme
Tell her I sear she'll have nothing to dread
She must be a true love of mine
Tell her tomorrow her answer make known
Parsley, sage, rosemary, and thyme
What e'er she may say I'll not leave her alone
She must be a true love of mine
Her answer came in a week and a day
Parsley, sage, rosemary, and thyme
I'm sorry good sir, I must answer thee nay
I'll not be a true love of thine
From the sting of my curse she can never be free
Parsley, sage, rosemary, and thyme
Unless she unravels my riddlings three
She will be a true love of mine
Tell her to make me a magical shirt
Parsley, sage, rosemary, and thyme
Without any seam or needlework
Else she'll be a true love of mine
Tell her to find me an acre of land
Parsley, sage, rosemary, and thyme
Between the salt water and the sea strand
Else she'll be a true love of mine
Tell her to plow it with just a goat's horn
Parsley, sage, rosemary, and thyme
And sow it all over with one grain of corn
Else she'll be a true love of mine
And her daughters forever possessions of mine ~ Nancy Werlin,#NFDB
1193:TO LAYLAH EIGHT-AND-TWENTY
Lamp of living loveliness,
Maid miraculously male,
Rapture of thine own excess
Blushing through the velvet veil
Where the olive cheeks aglow
Shadow-soften into snow,
Breasts like Bacchanals afloat
Under the proudly phallic throat!
Be thou to my pilgrimage
Light, and laughter sweet and sage,
Till the darkling day expire
Of my life in thy caress,
Thou my frenzy and my fire,
Lamp of living loveliness!
Thou the ruler of the rod
That beneath thy clasp extends
To the galaxies of God
From the gulph where ocean ends,
Cave of dragon, ruby rose,
Heart of hell, garden-close,
Hyacinth petal sweet to smell,
Split-hoof of the glad gazelle,
Be thou mine as I am thine,
As the vine's ensigns entwine
At the sacring of the sun,
Thou the even and I the odd
Being and becoming one
On the abacus of God!
Thou the sacred snake that rears
Death, a jewelled crest across
The enchantment of the years,
All my love that is my loss.
Life and death, two and one,
Hate and love, moon and sun,
Light and darkness, never swerve
From the norm, note the nerve,
Name the name, exceed the excess
Of thy lamp of loveliness,
Living snake of lazy love,
Ithyphallic that uprears
Its Palladium above
The enchantment of the years!
~ Aleister Crowley, Colophon
,#NFDB
1194:Es geht die alte Sage, dass König Midas lange Zeit nach dem weisen Silen, dem Begleiter des Dionysus, im Walde gejagt habe, ohne ihn zu fangen. Als er ihm endlich in die Hände gefallen ist, fragt der König, was für den Menschen das Allerbeste und Allervorzüglichste sei. Starr und unbeweglich schweigt der Dämon; bis er, durch den König gezwungen, endlich unter gellem Lachen in diese Worte ausbricht: `Elendes Eintagsgeschlecht, des Zufalls Kinder und der Mühsal, was zwingst du mich dir zu sagen, was nicht zu hören für dich das Erspriesslichste ist? Das Allerbeste ist für dich gänzlich unerreichbar: nicht geboren zu sein, nicht zu sein, nichts zu sein. Das Zweitbeste aber ist für dich - bald zu sterben.
According to the old story, King Midas had long hunted wise Silenus, Dionysus' companion, without catching him. When Silenus had finally fallen into his clutches, the king asked him what was the best and most desirable thing of all for mankind. The daemon stood still, stiff and motionless, until at last, forced by the king, he gave a shrill laugh and spoke these words: 'Miserable, ephemeral race, children of hazard and hardship, why do you force me to say what it would be much more fruitful for you not to hear? The best of all things is something entirely outside your grasp: not to be born, not to be, to be nothing. But the second-best thing for you — is to die soon. ~ Friedrich Nietzsche,#NFDB
1195:author class:Shankara
English version by Swami Prabhavananda and Christopher Isherwood Who is thy wife? Who is thy son? The ways of this world are strange indeed. Whose are thou? Whence art thou come? Vast is thy ignorance, my beloved. Therefore ponder these things and worship the Lord. Behold the folly of Man: In childhood busy with his toys, In youth bewitched by love, In age bowed down with cares -- And always unmindful of the Lord! The hours fly, the seasons roll, life ebbs, But the breeze of hope blows continually in his heart. Birth brings death, death brings rebirth: This evil needs no proof. Where then O Man, is thy happiness? This life trembles in the balance Like water on a lotus-leaf -- And yet the sage can show us, in an instant, How to bridge this sea of change. When the body is wrinkled, when the hair turns gray, When the gums are toothless, and the old man's staff Shakes like a reed beneath his weight, The cup of his desire is still full. Thy son may bring thee suffering, Thy wealth is no assurance of heaven: Therefore be not vain of thy wealth, Or of thy family, or of thy youth -- All are fleeting, all must change. Know this and be free. Enter the joy of the Lord. Seek neither peace nor strife With kith or kin, with friend or foe. O beloved, if thou would attain freedom, be equal unto all.
~ Shattering of Illusion (Moha Mudgaram from The Crest Jewel of Discrimination)
,#NFDB
1196:You are old, Father William,’ the young man said, ‘And your hair has become very white; And yet you incessantly stand on your head — Do you think, at your age, it is right?’ ‘In my youth,’ Father William replied to his son, ‘I feared it might injure the brain; But, now that I’m perfectly sure I have none, Why, I do it again and again.’ ‘You are old,’ said the youth, ‘as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door — Pray, what is the reason of that?’ ‘In my youth,’ said the sage, as he shook his grey locks, ‘I kept all my limbs very supple By the use of this ointment — one shilling the box — Allow me to sell you a couple?’ ‘You are old,’ said the youth, ‘and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak — Pray how did you manage to do it?’ ‘In my youth,’ said his father, ‘I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life.’ ‘You are old,’ said the youth, ‘one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose — What made you so awfully clever?’ ‘I have answered three questions, and that is enough,’ Said his father; ‘don’t give yourself airs! Do you think I can listen all day to such stuff? Be off, or I’ll kick you down stairs! ~ Lewis Carroll, #NFDB
1197:A young man came to a sage one day and asked, "Sire, what must I do to become wise?" The sage vouchsafed no answer. The youth after repeating his question a number of times, with a like result, at last left him, to return the next day with the same question. Again no answer was given and the youth returned on the third day, still repeat- ing his question, "Sire, what must I do to become wise?" Finally the'sage turned and went down to a near-by river. He entered the water, bidding the youth follow him. Upon arriving at a sufficient depth the sage took the young man by the shoulders and held him under the water, despite his struggles to free himself. At last, however, he released him and when the youth had regained his breath the sage questioned him: "Son, when you were under the water what did you most desire?" "The youth answered without hesitation, "Air, air! I wanted air!" "Would you not rather have had riches, pleasure, power or love, my son? Did you not think of any of these?" queried the sage. "No, sire! I wanted air and thought only of air," came the instant response. "Then," said the sage, "to become wise you must desire wisdom with as great intensity as you just now desired air. You must struggle for it, to the exclusion of every other aim in life. It must be your one and only aspiration, by day and by night. If you seek wisdom with that fervor, my son, you will surely beeome wise. ~ Max Heindel, #NFDB
1198:The World’s Justice
If the sudden tidings came
That on some far, foreign coast,
Buried ages long from fame,
Had been found a remnant lost
Of that hoary race who dwelt
By the golden Nile divine,
Spake the Pharaoh's tongue and knelt
At the moon-crowned Isis' shrineHow at reverend Egypt's feet,
Pilgrims from all lands would meet!
If the sudden news were known,
That anigh the desert-place
Where once blossomed Babylon,
Scions of a mighty race
Still survived, of giant build,
Huntsmen, warriors, priest and sage,
Whose ancestral fame had filled,
Trumpet-tongued, the earlier age,
How at old Assyria's feet
Pilgrims from all lands would meet!
Yet when Egypt's self was young,
And Assyria's bloom unworn,
Ere the mythic Homer sung,
Ere the gods of Greece were born,
Lived the nation of one God,
Priests of freedom, sons of Shem,
Never quelled by yoke or rod,
Founders of JerusalemIs there one abides to-day,
Seeker of dead cities, say!
Answer, now as then, THEY ARE;
Scattered broadcast o'er the lands,
Knit in spirit nigh and far,
With indissoluble bands.
Half the world adores their God,
They the living law proclaim,
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And their guerdon is-the rod,
Stripes and scourgings, death and shame.
Still on Israel's head forlorn,
Every nation heaps its scorn.
~ Emma Lazarus,#NFDB
1199:The classic recipes are goat, lamb, vegetable, and/or chicken biriyani. But when I was in New Orleans, at this restaurant, they served Louisiana barbecue shrimp, which was simply delicious. When I asked the waiter what was in the shrimp sauce, he rattled off a number of spices (rosemary, thyme, basil, oregano, et cetera) and so, I went with memory.
I marinated the raw prawns in mashed garlic, rosemary, basil, oregano, thyme, sage, paprika, black pepper, white pepper, cayenne, and onion powder, along with a dash of Worcestershire sauce.
I decided to cook the rice in the pressure cooker, added crushed cloves, cardamom, and cinnamon, and a bay leaf for a minute or so. Then I added some onions and fried until the onions became golden brown. Then went in the rice, and enough water, and I closed the pressure cooker. The rice was ready in ten minutes. In a separate pan, I sautéed the marinated prawns in butter, along with extra chopped garlic and the marinade, and added them to the cooked rice. I garnished it with chopped fresh coriander and voilà, Cajun prawn biriyani. I served it with some regular cucumber raita.
Mama had been so sure that Daddy would hate prawns but I saw him clean out each one on his plate and even get a second helping. Sometimes we forget why we don't like some things and then when we try them again, we realize that we had been wrong. ~ Amulya Malladi,#NFDB
1200:There is a moment in the tractate Menahot when the Rabbis imagine what takes place when Moses ascends Mount Sinai to receive the Torah. In this account (there are several) Moses ascends to heaven, where he finds God busily adding crownlike ornaments to the letters of the Torah. Moses asks God what He is doing and God explains that in the future there will be a man named Akiva, son of Joseph, who will base a huge mountain of Jewish law on these very orthographic ornaments. Intrigued, Moses asks God to show this man to him. Moses is told to 'go back eighteen rows,' and suddenly, as in a dream, Moses is in a classroom, class is in session and the teacher is none other than Rabbi Akiva. Moses has been told to go to the back of the study house because that is where the youngest and least educated students sit.
Akiva, the great first-century sage, is explaining Torah to his disciples, but Moses is completely unable to follow the lesson. It is far too complicated for him. He is filled with sadness when, suddenly, one of the disciples asks Akiva how he knows something is true and Akiva answers: 'It is derived from a law given to Moses on Mount Sinai.' Upon hearing this answer, Moses is satisfied - though he can't resist asking why, if such brilliant men as Akiva exist, Moses needs to be the one to deliver the Torah. At this point God loses patience and tells Moses, 'Silence, it's my will. ~ Jonathan Rosen,#NFDB
1201:Colophon
TO LAYLAH EIGHT-AND-TWENTY
Lamp of living loveliness,
Maid miraculously male,
Rapture of thine own excess
Blushing through the velvet veil
Where the olive cheeks aglow
Shadow-soften into snow,
Breasts like Bacchanals afloat
Under the proudly phallic throat!
Be thou to my pilgrimage
Light, and laughter sweet and sage,
Till the darkling day expire
Of my life in thy caress,
Thou my frenzy and my fire,
Lamp of living loveliness!
Thou the ruler of the rod
That beneath thy clasp extends
To the galaxies of God
From the gulph where ocean ends,
Cave of dragon, ruby rose,
Heart of hell, garden-close,
Hyacinth petal sweet to smell,
Split-hoof of the glad gazelle,
Be thou mine as I am thine,
As the vine's ensigns entwine
At the sacring of the sun,
Thou the even and I the odd
Being and becoming one
On the abacus of God!
Thou the sacred snake that rears
Death, a jewelled crest across
The enchantment of the years,
All my love that is my loss.
Life and death, two and one,
Hate and love, moon and sun,
Light and darkness, never swerve
25
From the norm, note the nerve,
Name the name, exceed the excess
Of thy lamp of loveliness,
Living snake of lazy love,
Ithyphallic that uprears
Its Palladium above
The enchantment of the years!
~ Aleister Crowley,#NFDB
1202:The Thorn Forest
Then dark with dripping blood it gave a howl
and cried again: 'Our damaged branches ache!
Your pillage maims me! Can't you feel at all?
We who were men are now this barren brake.
You'd grant us your respect and stay your hand
were we a thicket not of souls but snakes.'
As wood still green starts burning at one end
and from its unlit end the burning stick
drips sap, and hisses with escaping wind,
so from the broken stump there oozed a mix
of words and blood: a frothy babbling gore.
I dropped the branch. My fear had made me sick.
'Poor wounded soul, could he have grasped before,'
my sage replied, 'what now he sees is true,
and blindly trusted in poetic lore,
then he need not have so insulted you.
But as there was no other way to learn
I urged him to a test that grieved me too.
Tell us who you were, that he, in turn,
can set your honor freshly back in style
among those he will teach when he returns.'
The trunk: 'Your speech, by raising hope that I'll
regain repute, makes words arise in me.
I mean to talk, if you will stay a while:
I was the one entrusted with the keys
to Federigo's mind, and it was sweet
to share his thought and guard his strategy
for noble ventures secret in my keep —
so faithfully I filled this glorious post,
I gladly sacrificed my health and sleep...'
413
~ Dante Alighieri,#NFDB
1203:Sur le sable, des parents organisaient des jeux de plage pour leurs enfants. Je les observai un instant, et fus surpris de les entendre pousser leur progéniture dans la compétition avec les autres. Il ne suffisait pas qu'ils réussissent leurs activités, il fallait qu'ils battent leurs petits camarades, qu'ils soient meilleurs qu'eux. Que pouvaient croire ces parents ? Qu'on n'a de la valeur que lorsque l'on dépasse les autres ? Qu'un résultat n'est valable que s'il est meilleur que celui du voisin ? J'avais plutôt le sentiment que la seule compétition valable était celle que l'on avait avec soi-même. Se surpasser plutôt que dépasser. Le sage m'avait dit qu'on ne pouvait juger une croyance, seulement s'intéresser à ses effets. Quels pouvaient-ils être dans un cas pareil ? Une stimulation ? Certainement. Une motivation à progresser. Mais quels effets sur la relation aux autres ? Peut-on vivre une amitié, un amour, quand on a l'habitude de se comparer à l'autre ? Et que ressent-on en présence des gens ? Oscille-t-on entre sentiments de supériorité et d'infériorité ? Indifférence et déférence ? ou pitié et jalousie ? Ces parents étaient loin de se douter de ce qu'ils induisaient chez leurs enfants, et qui allait durablement conditionner leur vie en société. Leurs motivations, leurs comportements, leurs émotions seraient ainsi marqués par quelques croyances inculquées à l'âge où l'on absorbe les modèles proposés par l'extérieur. ~ Laurent Gounelle, #NFDB
1204:Sage mir selbst, dass ich es übertreibe, dass ich doch pfuschen und es langsam angehen lassen könnte, es spielt ja keine Rolle, niemand würde den Unterschied bemerken, aber es ist etwas Altes, von innen Kommendes, etwas, das mir nicht gehört, das mich weitertreibt, auf den Boden und unter die Maschine, das meine Hände und meinen Willen lenkt, das mich hart arbeiten lässt, härter, als ich es aushalte. Das arbeitet in mir, diese alte Willenskraft, dieses Pflichtgefühl, das ich nicht kenne und das mich antreibt, wo kommt das her? Diese strenge, unhörbare Stimme, der ich gehorche und die mich weiterzwingt, durch die Stahltür, auf den Boden in dem kräftigen Licht, in die Dunkelheit unter der Maschine.
Ich liege unter der Maschine und arbeite unnötig hart, unnötig genau, ich kann es selbst nicht verstehen, es ist eine Seite von mir, die mir bis dahin unbekannt war; dieser Ehrgeiz, diese Genauigkeit, diese Bereitwilligkeit, mich zu verausgaben, restlos zu verausgaben. Im Laufe dieser Monate unter den Maschinen begreife ich, dass ich mich nicht zur Arbeit eigne, oder mich eben allzu gut dazu eigne; ich beschließe, dass ich nie arbeiten werde, dass ich keinen Job will. Ich liege unter der Maschine und folge der Uhr, der großen Uhr über der Tür, es ist drei vor zwölf. Ich krieche unter dem Webstuhl hervor, gehe zu Waschbecken und Spiegel, wasche mir die Hände, und sehe das Gesicht, das mir nicht mehr gehört, es gehört der Arbeit. ~ Tomas Espedal,#NFDB
1205:And romance is just the place for creating mythic figures doing mythic things. Like carving 'civilzation' out of the wilderness. Like showing us what a hero looks life, a real, American, sprung-from-the soil, lethal-weapon-with-leggings, bona fide hero. And for a guy who never marries, he has a lot of offspring. Shane. The Virginian. The Ringo Kid. The Man with No Name. Just think how many actors would have had no careers without Natty Bumppo. Gary Cooper. John Wayne. Alan Ladd. Tom Mix. Clint Eastwood. Silent. Laconic. More committed to their horse or buddy than to a lady. Professional. Deadly. In his Studies in Classic American Literature, D.H. Lawrence waxes prolix on Natty's most salient feature: he's a killer. And so are his offspring. This heros can talk, stiltedly to be sure, but he prefers silence. He appreciates female beauty but is way more committed to his canoe or his business partner (his business being death and war) or, most disturbingly, his long rifle, Killdeer. Dr. Freud, your three-o'clock is here. Like those later avatars, he is a wilderness god, part backwoods sage, part cold-blooded killer, part unwilling Prince Charming, part jack-of-all-trades, but all man. Here's how his creator describes him: 'a philosopher of the wilderness, simple-minded, faithful, utterly without fear, yet prudent.' A great character, no doubt, but hardly a person. A paragon. An archetype. A miracle. But a potentially real person--not so much. ~ Thomas C Foster, #NFDB
1206:Le monde, quels que puissent être ses contenus permanents ou transitoires, ne se détache jamais de Dieu ; il est toujours cette substance céleste tombée dans un néant et durcie dans le froid de l’éloignement ; les limites des choses et les calamités qui en résultent en témoignent. Le sage voit dans les choses et à travers elles l’origine divine devenue lointaine, et aussi — en considérant les limitations et les misères — le point de chute qui est inéluctable, et où s’écrasera finalement le monde ; il discerne dans les phénomènes le flux et le reflux, l’expansion et le retour, le miracle existentiel et la limite ontologique.
Mais, surtout, le soufi perçoit par l’« œil du cœur » que « toute chose est Lui » ; le monde, tout en n’étant point Dieu sous le rapport de son existence particulière, n’en est pas moins « l’Extérieur » sous le rapport de sa possibilité profonde ou du miracle permanent auquel il est accroché à tout moment et sans lequel il s’effondrerait dans le néant ; en un sens, il n’est pas Dieu, mais en un autre sens, il « n’est autre que Lui » en vertu de sa causalité divine. Il se peut que les mots ne sauront jamais rendre compte d’une manière satisfaisante de ce mystère ; mais, en un certain point, le monde « est Dieu », ou il n’est pas. Dieu n’est pas le monde, et c’est pour cela, précisément, qu’il est impossible de parler de « l’Extérieur » sans parler aussi de « l’Intérieur » ; le premier n’est vrai que par le second. ~ Frithjof Schuon,#NFDB
1207:Ballade Of True Wisdom
While others are asking for beauty or fame,
Or praying to know that for which they should pray,
Or courting Queen Venus, that affable dame,
Or chasing the Muses the weary and grey,
The sage has found out a more excellent way To Pan and to Pallas his incense he showers,
And his humble petition puts up day by day,
For a house full of books, and a garden of flowers.
Inventors may bow to the God that is lame,
And crave from the fire on his stithy a ray;
Philosophers kneel to the God without name,
Like the people of Athens, agnostics are they;
The hunter a fawn to Diana will slay,
The maiden wild roses will wreathe for the Hours;
But the wise man will ask, ere libation he pay,
For a house full of books, and a garden of flowers.
Oh! grant me a life without pleasure or blame
(As mortals count pleasure who rush through their day
With a speed to which that of the tempest is tame)!
O grant me a house by the beach of a bay,
Where the waves can be surly in winter, and play
With the sea-weed in summer, ye bountiful powers!
And I'd leave all the hurry, the noise, and the fray,
For a house full of books, and a garden of flowers.
ENVOY.
Gods, grant or withhold it; your 'yea' and your 'nay'
Are immutable, heedless of outcry of ours:
But life IS worth living, and here we would stay
For a house full of books, and a garden of flowers.
~ Andrew Lang,#NFDB
1208:If Actually Dead
"Where did the Sage withdraw to, where did he disappear?
After his many miracles,
the renown of his teaching
which spread to so many countries,
he suddenly hid himself and nobody knew for certain
what happened to him
(nor did anybody ever see his grave).
Some reported that he died at Ephesus.
But Damis does not record that in his memoir.
Damis says nothing about the death of Apollonios.
Others said that he disappeared at Lindos.
Or maybe the story is true
about his assumption in Crete,
at the ancient sanctuary of Diktynna.
But then again we have that miraculous,
that supernatural apparition of his
before a young student at Tyana.
Maybe the time has not yet come for him to return
and show himself to the world again;
or maybe, transfigured, he moves among us
unrecognized—. But he will come again
as he was, teaching the ways of truth; and then of course
he will bring back the worship of our gods
and our elegant Hellenic rites."
These were the musings of one of the few pagans,
one of the very few still left,
as he sat in his shabby room just after reading
Philostratos' On Apollonios of Tyana.
But even he—a trivial and cowardly man—
played the Christian in public and went to church.
It was the time when Justin, known as the elder,
reigned in total piety,
and Alexandria, a godly city,
detested pitiful idolators.
~ Constantine P. Cavafy,#NFDB
1209:You are old, Father William,’ the young man said,
‘And your hair has become very white;
And yet you incessantly stand on your head –
Do you think, at your age, it is right?’
‘In my youth,’ Father William replied to his son,
‘I feared it might injure the brain;
But, now that I’m perfectly sure I have none,
Why, I do it again and again.’
‘You are old,’ said the youth, ‘as I mentioned before,
And have grown most uncommonly fat;
Yet you turned a back-somersault in at the door –
Pray, what is the reason of that?’
‘In my youth,’ said the sage, as he shook his grey locks,
‘I kept all my limbs very supple
By the use of this ointment – one shilling the box –
Allow me to sell you a couple?’
‘You are old,’ said the youth, ‘and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak –
Pray how did you manage to do it?’
‘In my youth,’ said his father, ‘I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life.’
‘You are old,’ said the youth, ‘one would hardly suppose
That your eye was as steady as ever;
Yet you balanced an eel on the end of your nose –
What made you so awfully clever?’
‘I have answered three questions, and that is enough,’
Said his father; ‘don’t give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I’ll kick you down stairs! ~ Lewis Carroll,#NFDB
1210:The Treasury
THE strange intelligence then reached my ears
That in the land of Egypt lived a man,
Who, wise of wit, subjected to his scan
The dark occurrences of uncome years;
He judged the stars, and by the moving spheres
And aspects of the heavens unveiled the dim
Face of futurity, which then to him
Appeared, as clear to us the past appears.
A yearning towards this sage inspired my pen
And tongue, that instant, with humility
Descending from my height of majesty;
Such mastery has a strong desire o'er men;
My earnest prayers I wrote -- I sent -- with ten
My noblest envoys, loaded each apart
With gold and silver, which with all my heart
I offered him, but the request was vain.
With much politeness the wise man replied,
"You, sire, are a great king, and I should be
Most glad to serve you, but in such a fee
Of gold and silver gems I take no sort of pride;
Deign, then, yourself to use them; I abide
Content in more abundant wealth; and may
Your treasures profit you in every way
That I can wish, your servant." I complied;
But sent the stateliest of my argosies,
Which reached, and from the Alexandrian port
Brought safe this cunning master to my court,
Who greeted me with all kind courtesies;
I knowing well his great abilities,
And learning in the movement of the spheres,
Have highly honored him these many years,
For honor is the birthright of the wise.
~ Alfonso X El Sabio,#NFDB
1211:Nenhum historiador profissional ignora que os homicídios em massa devidos a conflitos religiosos, por mais horror que nos inspirem, jamais produziram um número de vítimas nem mesmo remotamente comparável ao dos modernos movimentos revolucionários inspirados em ideologias “científicas”. O mais completo estudo quantitativo do assunto foi feito por R. J. Rummel, professor emérito de ciência política na Universidade do Havaí. As conclusões de sua pesquisa de quatro décadas são apresentadas nos livros Understanding Conflict and War, 5 vols., Thousand Oaks (CA), Sage Publications, 1975-1981, e Death By Government, New Brunswick (NJ), Transaction Publications, 1994. Ampliando o conceito para além da nuance racial implícita na palavra “genocídio”, o prof. Rummel propõe o termo “democídio” para descrever de maneira mais genérica as matanças de povos inteiros. O desenho que ele obtem do estudo dos homicídios em massa ao redor do mundo não difere, em substância, do consenso usual dos historiadores, mas lhe acrescenta a precisão do método quantitativo e a nitidez das escalas comparativas. Em suma, o número de seres humanos mortos em menos de oito décadas pelas duas ideologias evolucionistas, nazismo e comunismo (140 milhões de pessoas), ultrapassa em dez milhões a taxa total de mortos dos homicídios em massa conhecidos no mundo desde 221 a.C. até o começo do século XX, dos quais os resultantes de motivos religiosos são apenas uma fração, e a parte devida aos cristãos uma fração da fração. ~ Olavo de Carvalho, #NFDB
1212:Gloomy Madrigal
What's it to me that you are sage?
Be beautiful! and be sad! Tears
Add a charm to the countenance
As a stream does to a landscape;
Storms make the flowers fresh again.
I love you most of all when joy
Flees from your oppressed brow,
When your heart is drowned in horror,
When the frightful cloud of the Past
Is spread out over your Present.
I love you when your large eyes shed
Tears as hot as blood, when
In spite of my hand which lulls you
Your unbearable pain comes through
Like a dying man's death-rattle.
I breathe in, heavenly pleasure!
Profound, delightful hymn!
Every sob from your breast
And I believe your heart lights up
With the pearls that your eyes pour out!
II
I know, your heart, overflowing
With old, uprooted loves,
Still blazes like a forge
And that there smolders in your breast
Something of the pride of the damned;
But my sweet, so long as your dreams
Have not reflected Hell,
While in a nightmare without respite,
Dreaming of poisons and daggers,
Enamored with powder and steel,
Answering the door fearfully,
Seeing misfortune everywhere,
Convulsing when the hour strikes,
You have not felt yourself embraced
By irresistible Disgust;
You cannot, slave and queen
Who love me only with terror,
In the unhealthy night's horror
186
Say to me, your soul full of cries,
'I am your equal, O my King! '
~ Charles Baudelaire,#NFDB
1213:I want my life to be a celebration of slowness.
Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend.
On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space.
Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness.
Hand on stone -- patience.
Hand on water -- music. ~ Terry Tempest Williams,#NFDB
1214:There is a natural talent or mother wit, as it is called, about the Spaniards, which renders them intellectual and agreeable companions, whatever may be their condition in life, or however imperfect may have been their education: add to this, they are never vulgar; nature has endowed them with an inherent dignity of spirit.
There are none who understand the art of doing nothing and living upon nothing than the poor classes of Spain. Climate does one half and temperament the rest. Give a Spaniard the shade in summer and the sun in winter; a little bread, garlic, oil and garbances, an old brown cloak and a guitar and let the world roll on as it pleases. Talk of poverty! with him it has no disgrace. It sits upon him with a grandiose style, like his ragged cloak. He is a hidalgo, even when in rags.
Who can do justice to a moonlight night in such a climate and such a place?The temperature of a summer midnight in Andalusia is perfectly ethereal. We seem lifted up into a purer atmosphere; we feel a serenity of soul, a buoyancy of spirits, an elasticity of frame, which render mere existence happiness. But when moonlight is added to all this, the effect is like enchantment.
Enjoying that mixture of reverie and sensation which steal away existence in a southern climate.
The sage Ebben Bonabben shook his dry head at the words. Here is an end to philosophy, thought he. The prince has discovered he has a heart.
Love is the torment of one, the felicity of two, the strife and enmity of three. ~ Washington Irving,#NFDB
1215:You are old, Father William,' the young man said,
'And your hair has become very white;
And yet you incessantly stand on your head—
Do you think, at your age, it is right?'
'In my youth,' Father William replied to his son,
'I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again.'
'You are old,' said the youth, 'as I mentioned before,
And have grown most uncommonly fat;
Yet you turned a back-somersault in at the door—
Pray, what is the reason of that?'
'In my youth,' said the sage, as he shook his grey locks,
'I kept all my limbs very supple
By the use of this ointment—one shilling the box—
Allow me to sell you a couple?'
'You are old,' said the youth, 'and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak—
Pray how did you manage to do it?'
'In my youth,' said his father, 'I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life.'
'You are old,' said the youth, 'one would hardly suppose
That your eye was as steady as ever;
Yet you balanced an eel on the end of your nose—
What made you so awfully clever?'
'I have answered three questions, and that is enough,'
Said his father; 'don't give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I'll kick you down stairs! ~ Lewis Carroll,#NFDB
1216:Meditation Sixty-Two
Second Series
Canticle 1: 12: While the king sitteth at his table,
my spikenard sendeth forth the smell thereof.
Oh! thou, my Lord, thou king of Saints, here mak’st
A royall Banquet, thine to entertain
With rich and royall fare, Celestial Cates,
And sittest at the Table rich of fame.
Am I bid to this Feast? Sure Angells stare,
Such Rugged looks, and Ragged robes I ware.
I’le surely com; Lord, fit mee for this feast:
Purge me with Palma Christi from my sin.
With Plastrum Gratiae Dei, or at least
Unguent Apostolorum healing bring.
Give me thy Sage and Savory: me dub
With Golden Rod, and with Saint Johns Wort good.
Root up my Henbain, Fawnbain, Divells bit,
My Dragons, Chokewort, Crosswort, Ragwort, vice:
And set my knot with Honeysuckles, stick
Rich Herb-a-Grace, and Grains of Paradise,
Angelica, yes, Sharons Rose the best,
And Herba Trinitatis in my breast.
Then let thy Sweetspike sweat its liquid Dew
Into my Crystall Viall, and there swim.
And, as thou at thy Table in Rich Shew
With royal Dainties, sweet discourse as King
Dost Welcome thine, My Spiknard with its smell
Shall vapour out perfumed Spirits Well./p>
Whether I at thy Table Guest do sit,
And feed my tast, or Wait, and fat mine Eye
And Eare with Sights and Sounds, Heart Raptures fit:
My Spicknard breaths its sweet perfumes with joy.
My heart thy Viall with this spicknard fill,
Perfumed praise to thee then breath it will.
~ Edward Taylor,#NFDB
1217:Adrian: No, you will listen. For once, you’re going to hear somethin that doesn’t fit into your neat, compartmentalized world of order and logic and reason. Because this isn’t reasonable. If your’re terrified, believe me – this scares the hell out of me, too. You asked about Rose? I tried tob e a better person for her – but it was to impress her, to get her to want me. But when I’m arbound you, I want to be better because … well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like … like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don’t even know it. You have no clue how beautiful you are or how brightly you shine. And i know, Sage. I know how you guys feel about us. I’m not stupid, and believe me, I’ve tried to get you out of my head. But there isn’t enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe’s because it was too hard being that close to you, even i fit was all just pretend fighting. I couldn’t stand the touching. It was agonizing because it meant something to me – and I knew it meant nothing to you. I kept telling myself to stay away altogehter, and then I’d find excuses … like the car … anything to be around you again. Hayden was an asshole, but at least as long as you were involved with him, i had a reason to keep my distance. ~ Richelle Mead, #NFDB
1218:Hail to thee, O teacher of Brahmins!” Onesikritos said after seeking out Dandamis in his forest retreat. “The son of the mighty God Zeus, being Alexander who is the Sovereign Lord of all men, asks you to go to him. If you comply, he will reward you with great gifts; if you refuse, he will cut off your head!” The yogi received calmly this fairly compulsive invitation, and “did not so much as lift up his head from his couch of leaves.” “I also am a son of Zeus, if Alexander be such,” he commented. “I want nothing that is Alexander’s, for I am content with what I have, while I see that he wanders with his men over sea and land for no advantage, and is never coming to an end of his wanderings. “Go and tell Alexander that God the Supreme King is never the Author of insolent wrong, but is the Creator of light, of peace, of life, of water, of the body of man and of souls; He receives all men when death sets them free, being then in no way subject to evil disease. He alone is the God of my homage, who abhors slaughter and instigates no wars. “Alexander is no god, since he must taste of death,” continued the sage in quiet scorn. “How can such as he be the world’s master, when he has not yet seated himself on a throne of inner universal dominion? Neither as yet has he entered living into Hades, nor does he even know the course of the sun over the vast regions of this earth. Most nations have not so much as heard his name!” After this chastisement—surely the most caustic ever sent to assault the ears of the “Lord of the World”—the sage added ironically, ~ Paramahansa Yogananda, #NFDB
1219:The Names, in fact, is a study in American ignorance; then as now, few Americans knew the difference between Sunni and Shiite, or how to pronounce Iran (“E-ron”). DeLillo’s protagonist, Axton, is a risk analyst for an insurance company that counsels multinational corporations on pressing questions about the world. Which country is risky? Where will the next bomb go off? Who creates the risk? Axton is also, as my Turkish friends liked to imagine I was, an unwitting agent for the CIA, the spy who doesn’t know he’s a spy. “Are they killing Americans?” is his main question. Axton and the Americans abroad can’t make sense of the world, can’t grab onto anything. They are not so much arrogant as confused. They perceive their vulnerability, their noses wrinkling at smells in the air: “Wasn’t there a sense, we Americans felt, in which we had it coming?” A Greek man named Eliades, with the aspect of a grumpy sage, says to the Americans: I think it’s only in a crisis that Americans see other people. It has to be an American crisis, of course. If two countries fight that do not supply the Americans with some precious commodity, then the education of the public does not take place. But when the dictator falls, when the oil is threatened, then you turn on the television and they tell you where the country is, what the language is, how to pronounce the names of the leaders, what the religion is all about, and maybe you can cut out recipes in the newspaper of Persian dishes. I will tell you. The whole world takes an interest in this curious way Americans educate themselves. ~ Suzy Hansen, #NFDB
1220:In the name of Him Who created and sustains the world, the Sage Who endowed tongue with speech.
He attains no honor who turns the face from the doer of His mercy.
The kings of the earth prostate themselves before Him in supplication.
He seizes not in haste the disobedient, nor drives away the penitent with violence. The two worlds are as a drop of water in the ocean of His knowledge.
He withholds not His bounty though His servants sin; upon the surface of the earth has He spread a feast, in which both friend and foe may share.
Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.
The fire of His friend He turned into a flower garden; through the water of the Nile He sended His foes to perdition.
Behind the veil He sees all, and concealed our faults with His own goodness.
He is near to them that are downcast, and accepts the prayers of them that lament.
He knows of the things that exist not, of secrets that are untold.
He causes the moon and the sun to revolve, and spreads water upon the earth.
In the heart of a stone hath He placed a jewel; from nothing had He created all that is.
Who can reveal the secret of His qualities; what eye can see the limits of His beauty?
The bird of thought cannot soar to the height of His presence, nor the hand of understanding reach to the skirt of His praise.
Think not, O Saadi, that one can walk in the road of purity except in the footsteps of Mohammed (Peace and Blessings be Upon Him)
~ Saadi, The Bustan of Sa'di,#NFDB
1221:Antique Foundation
Here I built the ruin in
My voice on either side of me
In the temple the ocean could
Not be a crowd I mined
The shore with fog the sun dries
These bricks I built the vision in
The cinder block that is the city
Wall this grave
Tone I speak with a picture
Of myself in my wallet
•
Don’t be fooled by grass and these words
Grass whispers
Because they are real they are
Ruinous Here, the gossip is in the dust
Not the sea cloud enters the open
Child’s window dimming the silver
Flute’s sheen Where is he
Who hears inside the brick those notes?
There is a rumor in the city we’ll exist
If he plays his song no one knows
•
Follow that shadow don’t tell me it’s mine
Here there is no being alone
Here are my hands which tore the leaves so
Quietly in the temple the god
Emerging from marble points at the chisel
At the base of his stone Did I tell you
Where I’m going? To the old man
Who sings the margin
Where on wave-tip swords turn edge over edge
Wound us and the shore with foam
•
My face on either side of my face I tore
My picture in half to show the gate
You must climb inside your breath to leave
As fog the wind will bear you—
If you’re lovely—away In the spare clouds
The children’s chorus Do you hear?—
Where were you, and where are you going?
Here I built the ruin in the stone-crushed
Sage leaves my hands scented as long ago
When I liked to press the desert against my head to think ~ Dan Beachy Quick,#NFDB
1222:L’art Des Transports De L’ame
L'art, des transports de l'âme est un faible interprète:
L'art ne fait que des vers; le coeur seul est poète.
Sous sa fécondité le génie opprimé
Ne peut garder l'ouvrage en sa tête formé.
Malgré lui, dans lui-même, un vers sûr et fidèle
Se teint de sa pensée et s'échappe avec elle.
Son coeur dicte; il écrit. A ce maître divin
Il ne fait qu'obéir et que prêter sa main.
S'il est aimé, content, si rien ne le tourmente,
Si la folâtre joie et la jeunesse ardente
Étalent sur son teint l'éclat de leurs couleurs,
Ses vers, frais et vermeils, pétris d'ambre et de fleurs,
Brillants de la santé qui luit sur son visage,
Trouvent doux d'être au monde et que vieillir est sage.
Si, pauvre et généreux, son coeur vient de souffrir
Aux cris d'un indigent qu'il n'a pu secourir;
Si la beauté qu'il aime, inconstante et légère,
L'oublie en écoutant une amour étrangère;
De sables douloureux si ses flancs sont brûlés,
Ses tristes vers en deuil, d'un long crêpe voilés,
Ne voyant que des maux sur la terre où nous sommes,
Jugent qu'un prompt trépas est le seul bien des hommes.
Toujours vrai, son discours souvent se contredit.
Comme il veut, il s'exprime; il blâme, il applaudit.
Vainement la pensée est rapide et volage:
Quand elle est prête à fuir, il l'arrête au passage.
Ainsi, dans ses écrits partout se traduisant,
Il fixe le passé pour lui toujours présent,
Et sait, de se connaître ayant la sage envie,
Refeuilleter sans cesse et son âme et sa vie.
~ Andre Marie de Chenier,#NFDB
1223:Simply put, I got pulled through the wormhole of the Absolute, and in that rush I suddenly understood the workings of the universe completely. I left my body, I left the room, I left the planet, I stepped through time and I entered the void. I was inside the void, but I also was the void and I was looking at the void, all at the same time. The void was a place of limitless peace and wisdom, The void was conscious and intelligent. The void was God, which means that I was inside God. But not in a gross, physical way - not like I was Liz Gilbert stuck inside a chunk of God's thigh muscle. I just was part of God. In addition to being God. I was both a tiny piece of the universe and exactly the same size as the universe. ("All know that the drop merges into ocean, but few know that the ocean merges into the drop," wrote the sage Kabir - and I can personally attest now that this is true.)
It wasn't hallucinogenic, what I was feeling. It was the most basic of events. It was heaven, yes. It was the deepest love I'd ever experienced, beyond anything I could previously imagined, but it wasn't euphoric. It wasn't exciting. There wasn't enough ego or passion left in me to create euphoria and excitement. It was just obvious. Like when you've been looking at an optical illusion for a long time, straining your eyes to decode the trick, and suddenly your cognizance shifts and there - now you can clearly see it! - the two vases are actually two faces. And once you've seen through the optical illusion, you can never not see it again.
"So this is God," I thought. "Congratulations to meet you." - ~ Elizabeth Gilbert,#NFDB
1224:In the name of Him Who created and
sustains the world, the Sage Who
endowed tongue with speech.
He attains no honor who turns the face from the doer of His mercy.
The kings of the earth prostate themselves before Him in supplication.
He seizes not in haste the disobedient, nor drives away the penitent with
violence. The two worlds are as a drop of water in the ocean of His knowledge.
He withholds not His bounty though His
servants sin; upon
the surface of the earth has He spread a feast, in which both friend and foe may share.
Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground.
The fire of His friend He turned into a
flower garden; through the water of the
Nile He sended His foes to perdition.
Behind the veil He sees all, and conceal
ed our faults with His own goodness.
He is near to them that are downcast,
and accepts the prayers of them that
lament.
He knows of the things that exist not, of secrets that are untold.
He causes the moon and the sun to revolve, and spreads water upon the
earth.
In the heart of a stone hath He placed
a jewel; from nothing had He created all that is.
Who can reveal the secret of His qualities; what eye can see the limits of His
beauty?
The bird of thought cannot soar to the height of His presence, nor the hand of
understanding reach to the skirt of His praise.
Think not, O Saadi, that one can walk
in the road of purity except in the
footsteps of Mohammed (Peace and Blessings be Upon Him) ~ Saadi,#NFDB
1225:Ode To Joy
Wild and fearful in his cavern
Hid the naked troglodyte,
And the homeless nomad wandered
Laying waste the fertile plain.
Menacing with spear and arrow
In the woods the hunter strayed…
Woe to all poor wreteches stranded
On those cruel and hostile shores!
From the peak of high Olympus
Came the mother Ceres down,
Seeeking in those savage regions
Her lost daughter Prosperine.
But the Goddess found no refuge,
Found no kindly welcome there,
And no temple bearing witness
To the worship of the gods.
From the fields and from the vineyards
Came no fruit to deck the feasts,
Only flesh of blood-stained victims
Smouldered on the alter-fires,
And where'er the grieving goddess
Turns her melancholy gaze,
Sunk in vilest degradation
Man his loathsomeness displays.
Would he purge his soul from vileness
And attain to light and worth,
He must turn and cling forever
To his ancient Mother Earth.
Joy everlasting fostereth
The soul of all creation,
It is her secret ferment fires
The cup of life with flame.
'Tis at her beck the grass hath turned
Each blade toward the light
and solar systems have evolved
From chaos and dark night,
212
Filling the realms of boundless space
Beyond the sage's sight.
At bounteous nature's kindly breast,
All things that breath drink Joy,
And bird and beasts and creaping things
All follow where she leads.
Her gifts to man are friends in need,
The wreath, the foaming must,
To angels - visions of God's throne,
To insects - sensual lust.
~ Anonymous Americas,#NFDB
1226:Even if his talk carried him to Paris, for example, to a place like the Faubourg Montmartre, he spiced and flavored it with his Attic ingredients, with thyme, sage, tufa, asphodel, honey, red clay, blue roofs; acanthus trimmings, violet light, hot rocks, dry winds, dust, rezina, arthritis and the electrical crackle that plays over the low hills like a swift serpent with a broken spine. He was a strange contradiction, even in his talk. With his snake-like tongue which struck like lightning, with fingers moving nervously, as though wandering over an imaginary spinet, with pounding, brutal gestures which somehow never smashed anything but simply raised a din, with all the boom of surf and the roar and sizzle and razzle-dazzle, if you suddenly observed him closely you got the impression that he was sitting there immobile, that only the round falcon's eye was alert, that he was a bird which had been hypnotized, or had hypnotized itself, and that his claws were fastened to the wrist of an invisible giant, a giant like the earth. All this flurry and din, all these kaleidoscopic prestidigitations of his, was only a sort of wizardry which he employed to conceal the fact that he was a prisoner—that was the impression he gave me when I studied him, when I could break the spell for a moment and observe him attentively. But to break the spell, required a power and a magic almost equal to his own; it made one feel foolish and impotent, as one always does when one succeeds in destroying the power of illusion. Magic is never destroyed —the most we can do is to cut ourselves off, amputate the mysterious antennae which serve to connect us with forces beyond our power of understanding. ~ Henry Miller, #NFDB
1227:Quand je vis avec mes semblables, ma pensée s'occupe d'eux si exclusivement, soit pour les aider à vivre bien, soit pour comprendre pourquoi ils vivent mal, que j'oublie absolument de vivre pour mon compte. Quand je m'aperçois que j'ai fait pour eux mon possible et que je ne leur suis plus nécessaire, ou, ce qui arrive plus souvent, que je ne leur suis bon à rien, j'éprouve le besoin de vivre avec ce moi intérieur qui s'identifie à la nature et au rêve de la vie dans l'éternel et dans l'infini. La nature, je le sais, parle dans l'homme plus que dans les arbres et les rochers; mais elle y parle follement, elle y est plus souvent délirante que sage, elle y est pleine d'illusions ou de mensonges. Les animaux sauvages eux-mêmes sont tourmentés d'un besoin d'existence qui nous empêche de savoir ce qu'ils pensent et si leurs obscures manifestations ne sont pas trompeuses. Dès qu'ils subissent des besoins et des passions, ils doivent les satisfaire à tout prix, et toute logique de leur instinct de conservation doit céder à cette sauvage logique de la faim et de l'amour. Où donc trouver, où donc surprendre la voix du vrai absolu dans la nature? Hélas, dans le silence des choses inertes, dans le mutisme de ce qui ne ment pas! la face impassible du rocher qui boit le soleil, le front sans ombre du glacier qui regarde la lune, la morne altitude des lieux inaccessibles, exercent sur nous un rassérénement inexplicable. Là, nous nous sentons comme suspendus entre ciel et terre, dans une région d'idées où il ne peut y avoir que Dieu ou rien, et, s'il n'y a rien, nous sentons que nous ne sommes rien nous-mêmes et que nous n'existons pas; car rien ne peut se passer de sa raison d'être. ~ George Sand, #NFDB
1228:Pastor Cum
When he, that shepherd false, 'neath Phrygian sail ;
Carried his hostess Helen o'er the seas,
In fitful slumber Nereus hush'd the gales,
That he might sing their future destinies.
A curse to your ancestral home you take
With her, whom Greece, with many a soldier bold,
Shall seek again, in concert sworn to break
Your nuptial ties and Priam's kingdom old.
Alas ! what sweat from man and horse must flow,
What devastation to the Trojan realm
You carry, even now doth Pallas show
Her wrath—preparing buckler, car, and helm.
In vain, secure in Aphrodite's care,
You comb your locks, and on the girlish lyre
Select the strains most pleasant to the fair ;
In vain, on couch reclining, you desire
To shun the darts that threaten, and the thrust
Of Cretan lance, the battle's wild turmoil,
And Ajax swift to follow—in the dust
Condemned, though late, your wanton curls to soil.
Ah ! see you not where (fatal to your race)
Laertes' son comes with the Pylean sage ;
Fearless alike, with Teucer joins the chase
Steneläus, skill'd the fistic strife to wage,
Nor less expert the fiery steeds to quell ;
And Meriones, you must know. Behold
A warrior, than his sire more fierce and fell,
To find you rages,—Diomed the bold,
Whom, like the stag that, far across the vale,
The wolf being seen, no herbage can allure,
So fly you, panting sorely, dastard pale !—
Not thus you boasted to your paramour.
Achilles' anger for a space defers
The day of wrath to Troy and Trojan dame ;
Inevitable glide the allotted years,
And Dardan roofs must waste in Argive flame.
~ Adam Lindsay Gordon,#NFDB
1229:In after-time, a sage of mickle lore
Yclep'd Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
The one he struck stone-blind, the other's eyes wox dim.
'This stanza, given by Lord Houghton in the Life, Letters &c. (1848), Volume I, page 281, was preceded by the following note:--
"The copy of Spenser which Keats had in daily use, contains the following stanza, inserted at the close of Canto II, Book V. His sympathies were very much on the side of the revolutionary 'Gyant,' who 'undertook for to repair' the 'realms and nations run awry,' and to suppress 'tyrants that make men subject to their law', 'and lordings curbe that commons over-aw,' while he grudged the legitamate victory, as he rejected the conservative philosophy, of the 'righteous Artegall' and ex post facto prophecy, his conviction of the ultimate triumph of freedom and equality by the power of transmitted knowledge."
I have no data whereby to fix the period of this commentary of Keats on the political attitude of Spenser; but I should judge it to belong to the end of 1818 or thereabouts. The copy of Spenser in which the stanza was written is not now forthcoming: it passed into the hands of Miss Brawne, and was lost, with other books, many years after Keats's death.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Spenserian Stanza. Written At The Close Of Canto II, Book V, Of The Faerie Queene
,#NFDB
1230:Benedetta Ramus
Mysterious Benedetta! who
That Reynolds or that Romney drew
Was ever half so fair as you,
Or is so well forgot?
These eyes of melancholy brown,
These woven locks, a shadowy crown,
Must surely have bewitched the town;
Yet you're remembered not.
Through all that prattle of your age,
Through lore of fribble and of sage
I've read, and chiefly Walpole's page,
Wherein are beauties famous;
I've haunted ball, and rout, and sale;
I've heard of Devonshire and Thrale,
And all the Gunnings' wondrous tale,
But nothing of Miss Ramus.
And yet on many a lattice pane
'Fair Benedetta,' scrawled in vain
By lovers' diamonds, must remain
To tell us you were cruel.
But who, of all that sighed and swore Wits, poets, courtiers by the score Did win and on his bosom wore
This hard and lovely jewel?
Why, dilettante records say
An Alderman, who came that way,
Woo'd you and made you Lady Day;
You crowned his civic flame.
It suits a melancholy song
To think your heart had suffered wrong,
And that you lived not very long
To be a City dame!
Perchance you were a Mourning Bride,
And conscious of a heart that died
With one who fell by Rodney's side
57
In blood-stained Spanish bays.
Perchance 'twas no such thing, and you
Dwelt happy with your knight and true,
And, like Aurora, watched a crew
Of rosy little Days!
Oh, lovely face and innocent!
Whatever way your fortunes went,
And if to earth your life was lent
For little space or long,
In your kind eyes we seem to see
What Woman at her best may be,
And offer to your memory
An unavailing song!
~ Andrew Lang,#NFDB
1231:THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . . ~ Thomas Pynchon, #NFDB
1232:Je vous propose alors une idée militante. Il serait très juste d’organiser une vaste manifestation pour une alliance des jeunes et des vieux, à vrai dire dirigée contre les adultes d’aujourd’hui. Les plus rebelles des moins de trente ans et les plus coriaces des plus de soixante contre les quadras et les quinquas bien installés. Les jeunes diraient qu’ils en ont assez d’être errants, désorientés, et interminablement dépourvus de toute marque de leur existence positive. Ils diraient aussi qu’il n’est pas bon que les adultes fassent semblant d’être éternellement jeunes. Les vieux diraient qu’ils en ont assez de payer leur dévalorisation, leur sortie de l’image traditionnelle du vieux sage, par une mise à la casse, une déportation dans des mouroirs médicalisés, et leur totale absence de visibilité sociale. Ce serait très nouveau, très important, cette manifestation mixte ! J’ai du reste vu, durant mes nombreux voyages dans le monde entier, pas mal de conférences, pas mal de situations où le public se composait d’un noyau de vieux briscards, de vieux rescapés, comme moi, des grands combats des sixties et des seventies, et puis d’une masse de jeunes qui venaient voir si le philosophe avait quelque chose à dire concernant l’orientation de leur existence et la possibilité d’une vraie vie. J’ai donc vu, partout dans le monde, l’esquisse de l’alliance dont je vous parle. Comme à saute-mouton, la jeunesse semble devoir sauter aujourd’hui par-dessus l’âge dominant, celui qui va en gros de trente-cinq à soixante-cinq ans, pour constituer avec le petit noyau des vieux révoltés, des non-résignés, l’alliance des jeunes désorientés et des vieux baroudeurs de l’existence. Ensemble, nous imposerions que soit ouvert le chemin de la vraie vie. ~ Alain Badiou, #NFDB
1233:She is never going to let me live down that stupid Thanksgiving," Kai says.
I can't help but take the bait. "You made prime rib!"
"It was delicious," Kai says, shrugging.
"IT WAS BEEF! You can't have beef on Thanksgiving, except for appetizers like meatballs or something. You have TURKEY on Thanksgiving." Last Thanksgiving I spent with Phil and Kai, since I was orphaned and separated and Gilly couldn't make it from London. Everything was delicious, but it was like a dinner party and not Thanksgiving. The prime rib wasn't the only anomaly. No mashed potatoes or stuffing or sweet potatoes with marshmallows or green bean casserole. He had acorn squash with cippolini onions and balsamic glaze. Asparagus almondine. Corn custard with oyster mushrooms. Wild rice with currants and pistachios and mint. All amazing and perfectly cooked and balanced, and not remotely what I wanted for Thanksgiving. When I refused to take leftovers, his feelings were hurt, and when he got to the store two days later, he let me know.
"Look," Kai says with infinite patience. "For a week we prepped for the Thanksgiving pickups." He ticks off on his fingers the classic menu we developed together for the customers who wanted a traditional meal without the guilt. "Herb-brined turkey breasts with apricot glaze and roasted shallot jus. Stuffing muffins with sage and pumpkin seeds. Cranberry sauce with dried cherries and port. Pumpkin soup, and healthy mashed potatoes, and glazed sweet potatoes with orange and thyme, and green beans with wild mushroom ragu, and roasted brussels sprouts, and pumpkin mousse and apple cake. We cooked Thanksgiving and tasted Thanksgiving and took Thanksgiving leftovers home at the end of the day. I just thought you would be SICK OF TURKEY! ~ Stacey Ballis,#NFDB
1234:In Memoriam Matris
IN my hot youth I rashly penned
A Sonnet of the After-life.
It was the time of stress and strife
Through which the ardent soul must wend.
It was the Spring-time of my days,
When Doubt, like an inspired sage,
With creeds did eager warfare wage,
And looked with scorn on ancient ways.
But gazing back across the years
That separate my youth from me,
These words and thoughts now seem to be
All dim, as through a mist of tears.
For then I saw, with eager eyes,
A coming world where joy would reign,
And evil pass away, and pain,
When man was rid of priestly ties.
While now I turn a backward gaze
On visions fled, and vanished hours,
On dead dry leaves and perished flow'rs,
That make the story of my days.
And midway on that dreary track
I see a grave-stone, standing white —
Far off. I see it in the night;
It says, “Thy mother comes not back.”
We brought her from the Austral land,
To this the land that gave her birth;
We laid her cold, in English earth,
My sire and I — and now we stand,
Like aliens, on a dreary shore,
Though once he fondly called it “Home.”
Now, old and mateless, he would roam
Back to that southern land once more.
For there her spirit seems to be,
There lie her babes beneath the sod;
And there, but for the hand of God,
Her grandchild would have climbed her knee.
*****
These verses of the heedless Past,
They echo not my saddened thought,
— I held that after death came nought:
The earth was not then on her cast.
Denial now is dumb within,
Without I can but grope my way,
And trust that in some brighter day
Man's soul shall live — absolved of sin.
~ Arthur Patchett Martin,#NFDB
1235:The present is a fleeting moment, the past is no more; and our prospect of futurity is dark and doubtful. This day may possibly be my last: but the laws of probability, so true in general, so fallacious in particular, still allow about fifteen years. I shall soon enter into the period which, as the most agreeable of his long life, was selected by the judgement and experience of the sage Fontenelle. His choice is approved by the eloquent historian of nature, who fixes our moral happiness to the mature season in which our passions are supposed to be calmed, our duties fulfilled, our ambition satisfied, our fame and fortune established on a solid basis. In private conversation, that great and amiable man added the weight of his own experience; and this autumnal felicity might be exemplified in the lives of Voltaire, Hume, and many other men of letters. I am far more inclined to embrace than to dispute this comfortable doctrine. I will not suppose any premature decay of the mind or body; but I must reluctantly observe that two causes, the abbreviation of time, and the failure hope, will always tinge with a browner shade the evening of life.
...The warm desires, the long expectations of youth, are founded on the ignorance of themselves and of the world: they are generally damped by time and experience, by disappointment or possession; and after the middle season the crowd must be content to remain at the foot of the mountain: while the few who have climbed the summit aspire to descend or expect to fall. In old age, the consolation of hope is reserved for the tenderness of parents, who commence a new life in their children; the faith of enthusiasts, who sing Hallelujahs above the clouds; and the vanity of authors, who presume the immortality of their name and writings. ~ Edward Gibbon,#NFDB
1236:When the British ploy to pressure the Shah into fast action on the dismissal of Mossadeq did not work, officials from Whitehall consulted Ann Lambton, by then a professor of Persian Studies in London and a sage on British foreign policy in Iran. Her advice was clear, categorical, and drastic: find a way to remove Mossadeq from power forcefully. He is a demagogue, she said, and the only way Britain would retain its influence in Iran would be through his removal. She also believed that the British government must ultimately handle this matter alone, as in her mind the United States had “neither the experience, nor the psychological” depth to understand Iran—a sentiment much shared in those days by British officials.44 She introduced government officials to Robin Zaehner, a professor-spy, who could help plan and implement her proposed coup against Mossadeq. If Zaehner was one of the British masters of conspiracy against Mossadeq, then the three Rashidian brothers were Zaehner’s chief instruments of mischief. No sooner had Mossadeq come to power than the brothers began to receive large funds from the British to “maintain their agents.” 45 In June 1951, when British efforts to convince the Shah to fire Mossadeq failed, they threatened to attack Iran and take over the oil region of the country: in the words of the Foreign Secretary, “to cow the insolent natives.” 46 The operation, aptly called “Buccaneer,” entailed sending a number of British warships to the waters off the coast of the oil-rich region of Khuzestan and authorized “the use of force, if necessary.” 47 Encouraged by the Truman administration’s strong opposition to the idea of a military solution, the Shah told the British Ambassador that “I will personally lead my soldiers into battle against you if you attack Iran. ~ Abbas Milani, #NFDB
1237:Universal Prayer
Father of all! In every age,
In ev'ry clime ador'd,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!
Thou Great First Cause, least understood,
Who all my sense confin'd
To know but this, that Thou art good,
And that myself am blind:
Yet gave me, in this dark estate,
To see the good from ill;
And, binding Nature fast in Fate,
Left free the human Will.
What Conscience dictates to be done,
Or warns me not to do;
This teach me more than Hell to shun,
That more than Heav'n pursue.
What blessings thy free bounty gives
Let me not cast away;
For God is paid when man receives;
T' enjoy is to obey.
Yet not to earth's contracted span
Thy goodness let me bound,
Or think thee Lord alone of man,
When thousand worlds are round.
Let not this weak, unknowing hand
Presume thy bolts to throw,
And teach damnation round the land
On each I judge thy foe.
If I am right, thy grace impart,
Still in the right to stay;
If I am wrong, O teach my heart
To find that better way.
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Save me alike from foolish Pride
Or impious Discontent,
At aught thy wisdom has denied,
Or aught that goodness lent.
Teach me to feel another's woe,
To right the fault I see:
That mercy I to others show,
That mercy show to me.
Mean tho' I am, not wholly so,
Since quicken'd by thy breath;
O lead me whereso'er I go,
Thro' this day's life or death!
This day be bread and peace my lot:
All else beneath the sun
Though know'st if best bestow'd or not,
And let Thy will be done.
To Thee, whose temple is of Space,
Whose altar earth, sea, skies,
One chorus let all Beings raise!
All Nature's incense rise!
~ Alexander Pope,#NFDB
1238:Having learnt from experiment and argument that a stone falls downwards, a man indubitably believes this, and always expects the law he has learnt to be fulfilled.
But learning just as certainly that his will is subject to laws, he does not and cannot believe it.
However often experiment and reasoning may show a man that under the same conditions and with the same character he will do the same thing as before, yet when, under the same conditions and with the same character, he approaches for the thousandth time the action that always ends in the same way, he feels as certainly convinced as before the experiment that he can act as he pleases. Every man, savage or sage, however incontestably reason and experiment may prove to him that it is impossible to imagine two different courses of action in precisely the same conditions, feels that without this irrational conception (which constitutes the essence of freedom) he cannot imagine life. He feels that, however impossible it may be, it is so, for without this conceptions of freedom not only would he be unable to understand life, but he would be unable to live for a single moment.
He could not live, because all man's efforts, all his impulses to life, are only efforts to increase freedom. Wealth and poverty, fame and obscurity, power and subordination, strength and weakness, health and disease, culture and ignorance, work and leisure, repletion and hunger, virtue and vice, are only greater or lesser degrees of freedom.
A man having no freedom cannot be conceived of except as deprived of life.
If the conception of freedom appears to reason a senseless contradiction, like the possibility of performing two actions at one and the same instant of time, or of an effect without a cause, that only proves that consciousness is not subject to reason. ~ Leo Tolstoy,#NFDB
1239:Thirty-Nine
O hapless day! O wretched day!
I hoped you'd pass me by-Alas, the years have sneaked away
And all is changed but I!
Had I the power, I would remand
You to a gloom condign,
But here you've crept upon me and
I--I am thirty-nine!
Now, were I thirty-five, I could
Assume a flippant guise;
Or, were I forty years, I should
Undoubtedly look wise;
For forty years are said to bring
Sedateness superfine;
But thirty-nine don't mean a thing-À bas with thirty-nine!
You healthy, hulking girls and boys,-What makes you grow so fast?
Oh, I'll survive your lusty noise-I'm tough and bound to last!
No, no--I'm old and withered too-I feel my powers decline
(Yet none believes this can be true
Of one at thirty-nine).
And you, dear girl with velvet eyes,
I wonder what you mean
Through all our keen anxieties
By keeping sweet sixteen.
With your dear love to warm my heart,
Wretch were I to repine;
I was but jesting at the start-I'm glad I'm thirty-nine!
So, little children, roar and race
As blithely as you can,
And, sweetheart, let your tender grace
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Exalt the Day and Man;
For then these factors (I'll engage)
All subtly shall combine
To make both juvenile and sage
The one who's thirty-nine!
Yes, after all, I'm free to say
I would much rather be
Standing as I do stand to-day,
'Twixt devil and deep sea;
For though my face be dark with care
Or with a grimace shine,
Each haply falls unto my share,
For I am thirty-nine!
'Tis passing meet to make good cheer
And lord it like a king,
Since only once we catch the year
That doesn't mean a thing.
O happy day! O gracious day!
I pledge thee in this wine-Come, let us journey on our way
A year, good Thirty-Nine!
~ Eugene Field,#NFDB
1240:Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave. ~ Mark Z Danielewski, #NFDB
1241:a Chinese poem says: Entering the forest, he does not disturb a blade of grass; Entering the water, he does not cause a ripple. For the image represents a number of qualities which are, in fact, aspects of the same thing. It represents the sage’s freedom and detachment of mind, a skylike consciousness in which experience moves without leaving any stain. As another poem says: The bamboo shadows sweep the stairs, But stir no dust. Yet, paradoxically, this detachment from is also a harmony with, for the man who goes into the forest without disturbing a blade of grass is a man in no conflict with nature. Like the Native American scouts, he walks without a single twig cracking beneath his feet. Like the Japanese architects, he builds a house which seems to be a part of its natural surroundings. The image also represents the fact that the way of the sage cannot be traced and followed, since no authentic wisdom can be imitated. Each man must find it for himself, because there is really no way of putting it into words, of reaching it by any specific methods or directions. But there is actually the most intimate connection between these two apparently separate uses of the metaphor—the way of the sage, on the one hand, and the impermanence of life, on the other. And the connection reveals the one deepest and most central principle of those Asian philosophies which so puzzle the Western mind by identifying the highest wisdom with what, to us, seems the doctrine of abject despair. Indeed, the word despair in a particular sense is the proper translation of the Hindu–Buddhist term nirvana—to “de-spirate,” to breathe out, to give up the ghost. We cannot understand how the Asians manage to equate this despair with ultimate bliss—unless, as we are prone to suppose, they are after all a depraved and spineless people, long accustomed to fatalism and resignation. ~ Alan W Watts, #NFDB
1242:Dream Meditation Practices are best performed in an isolated (close to nature) chamber that is clean and dry. Diet should be modified before practice so that solid food is reduced and a sense of lightness is obtained. This meditation is best done after bathing; the student can be nude or wear a light robe. Begin by lying on your back. Focus your mind on the lower tan tien. Summon the spirits residing in the organs by chanting their names in the order of the creation cycle: Houhou or Shen (heart), Beibei or Yi (spleen), Yanyan or Po (lungs), Fu Fu or Zhi (kidneys), and Jianjian or Hun (liver).20 Repeat the chanting and gathering until a bright light and warmth appear in the lower tan tien. Opening this place will automatically open the Microcosmic Orbit. Coordinate your breathing with this meditation to assist the process: inhaling stimulates the kidneys and liver, while exhaling moves the heart and lungs to the centerpoint—the stomach and spleen. Bring the merged five spirits from the lower tan tien (you can also include the other four spirits) up to the heart, and then to the Crystal Palace (also known as the Divine Palace or Hall of Light). The team of merged spirits—now the Yuan Shen or Original Spirit—can exit via the crown. Being conscious during the whole dream, or alternatively remembering the dream after waking, completes the process. You also have the choice of practicing meditation during your dream state. Process the content of the dream during the day, taking any actions in the material world that are now necessary. Remember that one of our goals with the Kan and Li practice is to merge the everyday mind with your dream landscape and meditation. Fusion of these three minds (different from the three tan tiens) is a feature of the developing sage. Ideally, dreaming can include the practice of Microcosmic Orbit, Fusion, and even Kan and Li. ~ Mantak Chia, #NFDB
1243:The more lofty philosophical man who is surrounded by loneliness, not because he wishes to be alone, but because he is what he is, and cannot find his equal: what a number of dangers and torments are reserved for him, precisely at the present time, when we have lost our belief in the order of rank, and consequently no longer know how to understand or honour this isolation! Formerly the sage almost sanctified himself in the consciences of the mob by going aside in this way; to-day the anchorite sees himself as though enveloped in a cloud of gloomy doubt and suspicions. And not alone by the envious and the wretched: in every well-meant act that he experiences he is bound to discover misunderstanding, neglect, and superficiality. He knows the crafty tricks of foolish pity which makes these people feel so good and holy when they attempt to save him from his own destiny, by giving him more comfortable situations and more decent and reliable society. Yes, he will even get to admire the unconscious lust of destruction with which all mediocre spirits stand up and oppose him, believing all the while that they have a holy right to do so! For men of such incomprehensible loneliness it is necessary to put a good stretch of country between them and the officiousness of their fellows: this is part of their prudence. For such a man to maintain himself uppermost to-day amid the dangerous maelstroms of the age which threaten to draw him under, even cunning and disguise will be necessary. Every attempt he makes to order his life in the present and with the present, every time he draws near to these men and their modern desires, he will have to expiate as if it were an actual sin: and withal he may look with wonder at the concealed wisdom of his nature, which after every one of these attempts immediately leads him back to himself by means of illnesses and painful accidents. ~ Friedrich Nietzsche, #NFDB
1244:It is the best of times in physics. Physicists are on the verge of obtaining the long-sought theory of everything. In a few elegant equations, perhaps concise enough to be emblazoned on a T-shirt, this theory will reveal how the universe began and how it will end. The key insight is that the smallest constituents of the world are not particles, as had been supposed since ancient times, but “strings”—tiny strands of energy. By vibrating in different ways, these strings produce the essential phenomena of nature, the way violin strings produce musical notes. String theory isn’t just powerful; it’s also mathematically beautiful. All that remains to be done is to write down the actual equations. This is taking a little longer than expected. But, with almost the entire theoretical-physics community working on the problem—presided over by a sage in Princeton, New Jersey—the millennia-old dream of a final theory is sure to be realized before long. It is the worst of times in physics. For more than a generation, physicists have been chasing a will-o’-the-wisp called string theory. The beginning of this chase marked the end of what had been three-quarters of a century of progress. Dozens of string-theory conferences have been held, hundreds of new Ph.D.’s have been minted, and thousands of papers have been written. Yet, for all this activity, not a single new testable prediction has been made; not a single theoretical puzzle has been solved. In fact, there is no theory so far—just a set of hunches and calculations suggesting that a theory might exist. And, even if it does, this theory will come in such a bewildering number of versions that it will be of no practical use: a theory of nothing. Yet the physics establishment promotes string theory with irrational fervor, ruthlessly weeding dissenting physicists from the profession. Meanwhile, physics is stuck in a paradigm doomed to barrenness. ~ Jim Holt, #NFDB
1245:The Triumph Of The Whale
(Written in the last reign.)
Io! Pæan! Io! sing
To the finny people's King.
Not a mightier whale than this
In the vast Atlantic is;
Not a fatter fish than he
Flounders round the polar sea.
See his blubbers-at his gills
What a world of drink he swills,
From his trunk, as from a spout,
Which next moment he pours out.
Such his person-next declare,
Muse, who his companions are.Every fish of generous kind
Scuds aside, or slinks behind;
But about his presence keep
All the Monsters of the Deep;
Mermaids, with their tails and singing.
His delighted fancy stinging;
Crooked Dolphins, they surround him,
Dog-like Seals, they fawn around him.
Following hard, the progress mark,
Of the intolerant salt sea shark.
For his solace and relief,
Flat fish are his courtiers chief.
Last and lowest in his train,
Ink-fish (libellers of the main)
Their black liquor shed in spite:
(Such on earth the things that write.)
In his stomach, some do say,
No good thing can ever stay.
Had it been the fortune of it,
To have swallowed that old Prophet,
Three days there he'd not have dwell'd,
But in one have been expell'd.
Hapless mariners are they,
Who beguil'd (as seamen say),
185
Deeming him some rock or island,
Footing sure, safe spot, and dry land,
Anchor in his scaly rind;
Soon the difference they find;
Sudden plumb, he sinks beneath them;
Does to ruthless seas bequeath them.
Name or title what has he?
Is he Regent of the Sea?
From this difficulty free us,
Buffon, Banks, or sage Linnæus.
With his wondrous attributes
Say what appellation suits.
By his bulk, and by his size,
By his oily qualities,
This (or else my eyesight fails),
This should be the Prince of Whales.
R. et R.
~ Charles Lamb,#NFDB
1246: Father of all! in every age,
In every clime adored,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!
Thou Great First Cause, least understood:
Who all my sense confined
To know but thisthat thou art good,
And that myself am blind:
Yet gave me, in this dark estate,
To see the good from ill;
And binding Nature fast in fate,
Left free the human will.
What conscience dictates to be done,
Or warns me not to do,
This, teach me more than Hell to shun,
That, more than Heaven pursue.
What blessings thy free bounty gives,
Let me not cast away;
For God is paid when man receives,
To enjoy is to obey.
Yet not to earths contracted span,
Thy goodness let me bound,
Or think thee Lord alone of man,
When thousand worlds are round:
Let not this weak, unknowing hand
Presume thy bolts to throw,
And deal damnation round the land,
On each I judge thy foe.
If I am right, thy grace impart,
Still in the right to stay;
If I am wrong, oh teach my heart
To find a better way.
Save me alike from foolish pride,
Or impious discontent,
At aught thy wisdom has denied,
Or aught thy goodness lent.
Teach me to feel anothers woe,
To hide the fault I see;
That mercy I to others show,
That mercy show to me.
Mean though I am, not wholly so
Since quickened by thy breath;
Oh lead me wheresoeer I go,
Through this days life or death.
This day, be bread and peace my lot:
All else beneath the sun,
Thou knowst if best bestowed or not,
And let thy will be done.
To thee, whose temple is all space,
Whose altar, earth, sea, skies!
One chorus let all being raise!
All Natures incense rise!
~ Alexander Pope, The Universal Prayer
,#NFDB
1247:office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and ~ Carolyn Brown, #NFDB
1248:Adrian looked over at me again. “Who knows more about male weakness: you or me?”
“Go on.” I refused to directly answer the question.
“Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.”
“Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?”
He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.”
“You don’t have a lot of faith in your own gender.”
“Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.”
I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?”
“That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ”
I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.”
“Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste. ~ Richelle Mead,#NFDB
1249:The Soul
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealed Sealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
170
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,#NFDB
1250:Hymn To Content
O Thou, the Nymph with placid eye!
O seldom found, yet ever nigh!
Receive my temperate vow:
Not all the storms that shake the pole
Can e'er disturb thy halcyon soul,
And smooth unalter'd brow.
O come, in simplst vest array'd,
With all thy sober cheer display'd
To bless my longing sight;
Thy mien compos'd, thy even pace,
Thy meek regard, thy matron grace,
And chaste subdued delight.
No more by varying passions beat,
O gently guide my pilgrim feet
To find thy hermit cell;
Where in some pure and equal sky
Beneath thy soft indulgent eye
Thy modest virtues dwell.
Simplicity in Attic vest,
And Innocence with candid breast,
And clear undaunted eye;
And Hope, who points to distant years,
Fair opening through this vale of tears
A vista to the sky.
There Health, thro' whose calm bosom glide
The temperate joys in even tide,
That rarely ebb or flow;
And Patience there, thy sister meek,
Presents her mild, unvarying cheek
To meet the offer'd blow.
Her influence taught the Phrygian sage
A tyrant master's wanton rage
With settled smiles to meet;
71
Inur'd to toil and bitter bread
He bow'd his meek submitted head,
And kiss'd thy sainted feet.
But thou, oh Nymph retir'd and coy!
In what brown hamlet dost thou joy
To tell thy simple tale;
The lowliest children of the ground,
Moss rose, and violet, blossom round,
And lily of the vale.
O say what soft propitious hour
I best may chuse to hail thy power,
And court thy gentle sway?
When Autumn, friendly to the Muse,
Shall thy own modest tints diffuse,
And shed thy milder day.
When Eve, her dewy star beneath,
Thy balmy spirit loves to breathe,
And every storm is laid;
If such an hour was e'er thy choice,
Oft let me hear thy soothing voice
Low whispering thro' the shade.
~ Anna Laetitia Barbauld,#NFDB
1251:The River Note
And I behold once more
My old familiar haunts; here the blue river,
The same blue wonder that my infant eye
Admired, sage doubting whence the traveller came,--
Whence brought his sunny bubbles ere he washed
The fragrant flag-roots in my father's fields,
And where thereafter in the world he went.
Look, here he is, unaltered, save that now
He hath broke his banks and flooded all the vales
With his redundant waves.
Here is the rock where, yet a simple child,
I caught with bended pin my earliest fish,
Much triumphing,--and these the fields
Over whose flowers I chased the butterfly,
A blooming hunter of a fairy fine.
And hark! where overhead the ancient crows
Hold their sour conversation in the sky:--
These are the same, but I am not the same,
But wiser than I was, and wise enough
Not to regret the changes, tho' they cost
Me many a sigh. Oh, call not Nature dumb;
These trees and stones are audible to me,
These idle flowers, that tremble in the wind,
I understand their faery syllables,
And all their sad significance. The wind,
That rustles down the well-known forest road--
It hath a sound more eloquent than speech.
The stream, the trees, the grass, the sighing wind,
All of them utter sounds of 'monishment
And grave parental love.
They are not of our race, they seem to say,
And yet have knowledge of our moral race,
And somewhat of majestic sympathy,
Something of pity for the puny clay,
That holds and boasts the immeasurable mind.
I feel as I were welcome to these trees
After long months of weary wandering,
Acknowledged by their hospitable boughs;
They know me as their son, for side by side,
They were coeval with my ancestors,
Adorned with them my country's primitive times,
And soon may give my dust their funeral shade.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, The River Note
,#NFDB
1252:In fact, the same basic ingredients can easily be found in numerous start-up clusters in the United States and around the world: Austin, Boston, New York, Seattle, Shanghai, Bangalore, Istanbul, Stockholm, Tel Aviv, and Dubai. To discover the secret to Silicon Valley’s success, you need to look beyond the standard origin story. When people think of Silicon Valley, the first things that spring to mind—after the HBO television show, of course—are the names of famous start-ups and their equally glamorized founders: Apple, Google, Facebook; Jobs/ Wozniak, Page/ Brin, Zuckerberg. The success narrative of these hallowed names has become so universally familiar that people from countries around the world can tell it just as well as Sand Hill Road venture capitalists. It goes something like this: A brilliant entrepreneur discovers an incredible opportunity. After dropping out of college, he or she gathers a small team who are happy to work for equity, sets up shop in a humble garage, plays foosball, raises money from sage venture capitalists, and proceeds to change the world—after which, of course, the founders and early employees live happily ever after, using the wealth they’ve amassed to fund both a new generation of entrepreneurs and a set of eponymous buildings for Stanford University’s Computer Science Department. It’s an exciting and inspiring story. We get the appeal. There’s only one problem. It’s incomplete and deceptive in several important ways. First, while “Silicon Valley” and “start-ups” are used almost synonymously these days, only a tiny fraction of the world’s start-ups actually originate in Silicon Valley, and this fraction has been getting smaller as start-up knowledge spreads around the globe. Thanks to the Internet, entrepreneurs everywhere have access to the same information. Moreover, as other markets have matured, smart founders from around the globe are electing to build companies in start-up hubs in their home countries rather than immigrating to Silicon Valley. ~ Reid Hoffman, #NFDB
1253:Sic Vos Non Vobis
Ye, that the untrod paths have braved,
With heart and brain unbound;
Who ask not that your souls be saved,
But that the Truth be found;
Whose fiery cross is borne unseen,
Whose meek brows, bleeding but serene
With only thorns are crowned;
Who, still and steadfast, stand for Right,
Though none acclaim and none requite:
Who learn how little is the sum
Of all that Truth can teach,
And where the serried boundaries come
That bar your utmost reach;
For whom so sage, no saint, can find
A clue to aught that lies behind;
For whom the preachers preach
Only to leave ye at the door
That opens to their knock no more:
Who, listening in the trackless night,
Hearing no bugle-call,
Still fight, undaunted, the good fight,
And never fail or fall;
Who, standing on an inch of ground,
Feel the Infinities around,
Yet dare to face it all,
And keep the life ye hold in trust
Safe from besetting moth and rust.
Life - tragic mystery of Man Strange tale of joy and grief!
Chaff for the errant winds to fan,
A bubble bright and brief,
That floats and shines and bursts unseen,
And leaves no trace where it has been;
Like thistle-down and leaf,
That in soft airs of autumn dance,
The helpless sport of Fate and Chance.
174
Ye, who can see the case so clear,
And scorn to cringe and moan,
Who follow humbly, without fear,
The soul's behest alone;
Content to suffer for the sake
Of faithful manhood, and to make
A loftier stepping-stone,
A straighter way, a smoother street,
For tread of unborn children's feet.
Ye, whom the children's sorrows rend,
And who despise the smart,
Who walk uprightly to the end
With an undoubting heart,
To take the guerdon of your pain Death, with no hope to live again Ye have the better part,
Salt of the world, that keeps it sound!
Kings that shall yet be throned and crowned.
~ Ada Cambridge,#NFDB
1254:I.
Among the flowers a drink of wine.
I sit alone without a friend.
So I invite the moon,
Then see my shadow, make us three.
The moon cant know how to drink,
Since just my shadow drinks with me.
The moon brought shadow along
To keep me silent company.
Joy should reflect the season.
I sing. That makes the Moon reel.
Get up. Make my shadow sway.
While Im here lets celebrate.
When Im drunk each seek the Way,
Tie ourselves to Eternal Journeys,
Swear to meet again in the Milky Way.
II
If the heavens were not in love with wine,
Thered be no Wine Star in the sky.
And if earth wasnt always drinking,
Thered be nowhere called Wine Spring.
Ive heard that pure wine makes the Sage.
Even the cloudy makes us wise.
If even the wise get there through drink,
Whats the point of True Religions?
Three times and I understand the Way,
Six and Im one again with Nature.
Only the things we know when were drunk
Can never be expressed when were sober.
III
Third month in Chang-an city,
Knee-deep in a thousand fallen flowers.
Alone in Spring who can stand this sadness?
Or sober see transient things like these?
Long life or short, rich or poor,
Our destinys determined by the world.
But drinking makes us one with life and death,
The Myriad Things we can barely fathom.
Drunk, Heaven and Earth are gone.
Stilled, I clutch my lonely pillow.
Forgetting that the Self exists,
That is the minds greatest joy.
by owner. provided at no charge for educational purposes
~ Li Bai, Three Poems on Wine
,#NFDB
1255:Right about here will do,” I decided. I cast a magelight to illuminate the place. The first faint glow of dawn was arising along the horizon in the east, but it was still as dark as a miner’s butt. “When my father heard that I was having a girl, he gave me some advice,” I said, stripping off my mantle. “As the father of five daughter’s himself, he was full of sage wisdom on the subject of raising girls.” “Are they any different than raising boys?” “Worlds apart,” I nodded. “But he said there are some things that you can count on with girls,” I continued, philosophically. “When a young father has a girl, he’s strong. By the time she grows into a lovely young woman, age takes a toll on a man. He’s not as strong. “So . . . when a young woman enters courting age, you might not be as hale as you are now, my friend. And you will find the nights colder in your bones.” “You . . . you fear I won’t have the strength to show him the door?” He still looked confused. And a little drunk. As big as he is, Arborn is a lightweight when it comes to his cups. “Oh, no. When the wrong sort of suitor shows interest in your daughter,” I explained, as I took out the hoxter wand, “then passion can provide the strength you need to contend with the situation. “But passion fades, when the deed is done. And then you are left with but your decrepit strength, and a long night of work ahead.” I manifested two shovels from the hoxter. “My father told me that the wise father of any daughter has the foresight to dig the hole while he’s still young and strong. It saves the trouble of a long night, when you are old and weary.” “A hole? For . . .?” “My father assures me this is effective: for someone who is not impressed by being shown a hole an attentive father dug before he was born and intended for him, at need,” I supplied. “Mine is behind the stable at the castle. If a young man is worrisome, I’ll show him the hole, and explain the purpose. You have three daughters. That’s three holes. I’ll help you dig. ~ Terry Mancour, #NFDB
1256:Brauche ich nach alledem noch eigens zu sagen, daß auch sie freie, sehr freie Geister sein werden, diese Philosophen der Zukunft – so gewiß sie auch nicht bloß freie Geister sein werden, sondern etwas Mehreres, Höheres, Größeres und Gründlich-Anderes, das nicht verkannt und verwechselt werden will? Aber, indem ich dies sage, fühle ich[605] fast ebensosehr gegen sie selbst, als gegen uns, die wir ihre Herolde und Vorläufer sind, wir freien Geister! – die Schuldigkeit, ein altes dummes Vorurteil und Mißverständnis von uns gemeinsam fortzublasen, welches allzulange wie ein Nebel den Begriff »freier Geist« undurchsichtig gemacht hat. In allen Ländern Europas und ebenso in Amerika gibt es jetzt etwas, das Mißbrauch mit diesem Namen treibt, eine sehr enge, eingefangene, an Ketten gelegte Art von Geistern, welche ungefähr das Gegenteil von dem wollen, was in unsern Absichten und Instinkten liegt – nicht zu reden davon, daß sie in Hinsicht auf jene herauskommenden neuen Philosophen erst recht zugemachte Fenster und verriegelte Türen sein müssen. Sie gehören, kurz und schlimm, unter die Nivellierer, diese fälschlich genannten »freien Geister« – als beredte und schreibfingrige Sklaven des demokratischen Geschmacks und seiner »modernen Ideen«; allesamt Menschen ohne Einsamkeit, ohne eigne Einsamkeit, plumpe brave Burschen, welchen weder Mut noch achtbare Sitte abgesprochen werden soll, nur daß sie eben unfrei und zum Lachen oberflächlich sind, vor allem mit ihrem Grundhange, in den Formen der bisherigen alten Gesellschaft ungefähr die Ursache für alles menschliche Elend und Mißraten zu sehn: wobei die Wahrheit glücklich auf den Kopf zu stehn kommt! Was sie mit allen Kräften erstreben möchten, ist das allgemeine grüne Weide-Glück der Herde, mit Sicherheit, Ungefährlichkeit, Behagen, Erleichterung des Lebens für jedermann; ihre beiden am reichlichsten abgesungnen Lieder und Lehren heißen »Gleichheit der Rechte« und »Mitgefühl für alles Leidende« – und das Leiden selbst wird von ihnen als etwas genommen, das man abschaffen muß. ~ Friedrich Nietzsche, #NFDB
1257:I.
The sun is warm, the sky is clear,
The waves are dancing fast and bright,
Blue isles and snowy mountains wear
The purple noon's transparent might,
The breath of the moist earth is light,
Around its unexpanded buds;
Like many a voice of one delight
The winds, the birds, the ocean floods,
The city's voice itself, is soft like Solitude's.
II.
I see the deep's untrampled floor
With green and purple seaweeds strown;
I see the waves upon the shore,
Like light dissolved in star-showers, thrown:
I sit upon the sands alone,--
The lightning of the noontide ocean
Is flashing round me, and a tone
Arises from its measured motion,
How sweet! did any heart now share in my emotion.
III.
Alas! I have nor hope nor health,
Nor peace within nor calm around,
Nor that content surpassing wealth
The sage in meditation found,
And walked with inward glory crowned--
Nor fame nor power, nor love, nor leisure,
Others I see whom these surround--
Smiling they live, and call life pleasure;--
To me that cup has been dealt in another measure.
IV.
Yet now despair itself is mild,
Even as the winds and waters are;
I could lie down like a tired child,
And weep away the life of care
Which I have born and yet must bear,
Till death like sleep might steal on me,
And I might feel in the warm air
My cheek grow cold, and hear the sea
Breathe o'er my dying brain its last monotony.
V.
Some might lament that I were cold,
As I, when this sweet day is gone,
Which my lost heart, too soon grown old,
Insults with this untimely moan;
They might lament -- for I am one
Whom men love not,-- and yet regret,
Unlike this day, which, when the sun
Shall on its stainless glory set,
Will linger, though enjoyed, like joy in memory yet.
Published by Mrs. Shelley, Posthumous Poems, 1824, where it is dated 'December, 1818.' A draft of stanza I. is amongst the Boscombe manuscripts.
~ Percy Bysshe Shelley, Stanzas Written in Dejection, Near Naples
,#NFDB
1258:Paradox is any self-contradictory proposition that, when investigated, may prove to be well-founded or true. Once understood, it opens the gateway to higher wisdom. But how can contradictory principles both be true? As the Buddhist Riddle of Five Truths puts it: “It is right. It is wrong. It is both right and wrong. It is neither right nor wrong. All exist simultaneously.” Charles Dickens expressed the paradox of his era, equally true today, when he wrote, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness,” going on to describe that time as one of belief and incredulity, light and darkness, hope and despair. Two opposing statements can each be true depending on the observer: it’s true that spiders are merciless killers from the viewpoint of tiny insects caught in their webs—but for most humans, nearly all spiders are harmless creatures. A story of the Sufi sage Mullah Nasruddin expresses the nature of paradox when he’s asked to arbitrate between two men with opposing views. Hearing the first man, he remarks, “You’re right.” When he hears the second man, he also says, “You’re right.” When a bystander points out, “They can’t both be right,” the mullah scratches his head and says, “You’re right.” Let’s go deeper and consider four central sets of paradoxical truths: * Time is real. It moves from past to present to future. * There is no time, no past, no future—only the eternal present. * You possess free will and can thus take responsibility for your choices. * Free will is an illusion—your choices are influenced, even predetermined, by all that preceded them. * You are, or possess, a separate inner self existing within a body. * No separation exists—you are a part of the same Consciousness shining through billions of eyes. * Death is an inevitable reality you’ll meet at the end of life. * The death of the inner self is an illusion. Life is eternal. Must you choose one assertion and reject the other? Or is there a way to meaningfully resolve and even reconcile such apparent contradictions? ~ Dan Millman, #NFDB
1259:I’ll tell you what I think. I think the sages are the growing tip of the secret impulse of evolution. I think they are the leading edge of the self-transcending drive that always goes beyond what went before. I think they embody the very drive of the Kosmos toward greater depth and expanding consciousness. I think they are riding the edge of a light beam racing toward a rendezvous with God. And I think they point to the same depth in you, and in me, and in all of us. I think they are plugged into the All, and the Kosmos sings through their voices, and Spirit shines through their eyes. And I think they disclose the face of tomorrow, they open us to the heart of our own destiny, which is also already right now in the timelessness of this very moment, and in that startling recognition the voice of the sage becomes your voice, the eyes of the sage become your eyes, you speak with the tongues of angels and are alight with the fire of a realization that never dawns nor ceases, you recognize your own true Face in the mirror of the Kosmos itself: your identity is indeed the All, and you are no longer part of that stream, you are that stream, with the All unfolding not around you but in you. The stars no longer shine out there, but in here. Supernovas come into being within your heart, and the sun shines inside your awareness. Because you transcend all, you embrace all. There is no final Whole here, only an endless process, and you are the opening or the clearing or the pure Emptiness in which the entire process unfolds—ceaselessly, miraculously, everlastingly, lightly. The whole game is undone, this nightmare of evolution, and you are exactly where you were prior to the beginning of the whole show. With a sudden shock of the utterly obvious, you recognize your own Original Face, the face you had prior to the Big Bang, the face of utter Emptiness that smiles as all creation and sings as the entire Kosmos—and it is all undone in that primal glance, and all that is left is the smile, and the reflection of the moon on a quiet pond, late on a crystal clear night. ~ Ken Wilber, #NFDB
1260:The members of the board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folk would never have discovered - the poor people like it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all year round; a brick and mortar elysium where it was all play and no work. "Oho!" said the board, looking very knowing; "we are the fellows to set this to rights; we'll stop it all in no time." So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or a quick one out of it. With this view, they contracted with the waterworks to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel per day, with an onion twice a week, and half a roll on Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; undertook to divorce poor married people, in consequence of the great expense of a suit in Doctor's Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief under these two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence to the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel. ~ Charles Dickens, #NFDB
1261:Home Cooking: The Comforts of Old Family Favorites."
Easy. Baked macaroni and cheese with crunchy bread crumbs on top; simple mashed potatoes with no garlic and lots of cream and butter; meatloaf with sage and a sweet tomato sauce topping. Not that I experienced these things in my house growing up, but these are the foods everyone thinks of as old family favorites, only improved. If nothing else, my job is to create a dreamlike state for readers in which they feel that everything will be all right if only they find just the right recipe to bring their kids back to the table, seduce their husbands into loving them again, making their friends and neighbors envious.
I'm tapping my keyboard, thinking, what else?, when it hits me like a soft thud in the chest. I want to write about my family's favorites, the strange foods that comforted us in tense moments around the dinner table. Mom's Midwestern "hot dish": layers of browned hamburger, canned vegetable soup, canned sliced potatoes, topped with canned cream of mushroom soup. I haven't tasted it in years. Her lime Jell-O salad with cottage cheese, walnuts, and canned pineapple, her potato salad with French dressing instead of mayo.
I have a craving, too, for Dad's grilling marinade. "Shecret Shauce" he called it in those rare moments of levity when he'd perform the one culinary task he was willing to do. I'd lean shyly against the counter and watch as he poured ingredients into a rectangular cake pan. Vegetable oil, soy sauce, garlic powder, salt and pepper, and then he'd finish it off with the secret ingredient: a can of fruit cocktail. Somehow the sweetness of the syrup was perfect against the salty soy and the biting garlic. Everything he cooked on the grill, save hamburgers and hot dogs, first bathed in this marinade overnight in the refrigerator. Rump roasts, pork chops, chicken legs all seemed more exotic this way, and dinner guests raved at Dad's genius on the grill. They were never the wiser to the secret of his sauce because the fruit bits had been safely washed into the garbage disposal. ~ Jennie Shortridge,#NFDB
1262:Colin
Who'll dive for the dead men now,
Since Colin is gone?
Who'll feel for the anguished brow,
Since Colin is gone?
True Feeling is not confined
To the learned or lordly mind;
Nor can it be bought and sold
In exchange for an Alp of gold;
For Nature, that never lies,
Flings back with indignant scorn
The counterfeit deed, still-born,
In the face of the seeming wise,
In the Janus face of the huckster race
Who barter her truths for lies.
Who'll wrestle with dangers dire,
Since Colin is gone?
Who'll fearlessly brave the maniac wave,
Thoughtless of self, human life to save,
Unmoved by the storm-fiend's ire?
Who, Shadrach-like, will walk through fire,
Since Colin is gone?
Or hang his life on so frail a breath
That there's but a step 'twixt life and death?
For Courage is not the heritage
Of the nobly born; and many a sage
Has climbed to the temple of fame,
And written his deathless name
In letters of golden flame,
Who, on glancing down
From his high renown,
Saw his unlettered sire
Still by the old log fire,
Saw the unpolished dameAnd the dunghill from which he came.
Ah, ye who judge the dead
By the outward lives they led,
And not by the hidden worth
18
Which none but God can see;
Ye who would spurn the earth
That covers such as he;
Would ye but bare your hearts,
Cease to play borrowed parts,
And come down from your self-built throne:
How few from their house of glass,
As the gibbering secrets pass,
Would dare to fling, whether serf or king,
The first accusing stone!
Peace, peace to his harmless dust!
Since Colin is gone;
We can but hope and trust;
Man judgeth, but God is just;
Poor Colin is gone!
Had he faults? His heart was true,
And warm as the summer's sun.
Had he failings? Ay, but few;
'Twas an honest race he run.
Let him rest in the poor man's grave,
Ye who grant him no higher goal;
There may be a curse on the hands that gave,
But not on his simple soul!
~ Charles Sangster,#NFDB
1263:If you can find her:
In Mendocino, Molokai, Mexico or
Gaza,
& head out to the prisons
where Mumia and Leonard
are waiting for you.
They will be traveling
light.
Mumia used to own a lot
of papers
but they took most of those
away from him.
Leonard
22
will probably want to drag along
some of his
canvases.
Alice
who may well be
shopping
in New Delhi
will no doubt want to
dress up for the occasion
in a sparkly shalwar kemeez.
My next call is going to be
to the Cubans
all five of them;
so stop worrying.
For now, you're my fish.
I just had this long letter
from Alice and she has begged me
to put an end
to her suffering.
What? she said.
You think these men are the only ones who suffer
when Old Style America locks them up
& throws away
the key?
I can't tell you, she goes on,
the changes
this viciousness
has put me through,
and I have had a child to raise
& classes to teach
& food to buy
and just because
I'm a poet
it doesn't mean
I don't have to
pay the mortgage
or the rent.
Yet all these years,
nearly thirty or something
of them
I have been running around
the country
23
and the world
trying to arouse justice
for these men.
Tonsillitis
hasn't stopped me.
Migraine,
hasn't stopped me.
Lyme disease
hasn't stopped me.
And why?
Because
knowing the country
that I'm in,
as you are destined to learn
it too,
I know wrong
when I see it.
If that chair you're sitting in
could speak
you would have it moved
to another room.
You would burn it.
So, amigos,
pack your things.
Alice and John and Dennis
are on their way.
They are bringing prayers from Nilak Butler and Bill Wapepah;
they are bringing sweet grass and white sage
from Pine Ridge.
I am the president
at least until the Corporations
purchase the next election,
and this is what I choose
to do
on my first day.
~ Alice Walker,#NFDB
1264:Oh, now, life, life! I lifted up my hands and called upon eternal truth, not with words, but with tears; ecstasy, immeasurable ecstasy flooded my soul. Yes, life and spreading the good tidings! Oh, I at that moment resolved to spread the tidings, and resolved it, of course, for my whole life. I go to spread the tidings, I want to spread the tidings — of what? Of the truth, for I have seen it, have seen it with my own eyes, have seen it in all its glory.
And since then I have been preaching! Moreover I love all those who laugh at me more than any of the rest. Why that is so I do not know and cannot explain, but so be it. I am told that I am vague and confused, and if I am vague and confused now, what shall I be later on? It is true indeed: I am vague and confused, and perhaps as time goes on I shall be more so. And of course I shall make many blunders before I find out how to preach, that is, find out what words to say, what things to do, for it is a very difficult task. I see all that as clear as daylight, but, listen, who does not make mistakes? An yet, you know, all are making for the same goal, all are striving in the same direction anyway, from the sage to the lowest robber, only by different roads. It is an old truth, but this is what is new: I cannot go far wrong. For I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth — it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever. I have seen it in such full perfection that I cannot believe that it is impossible for people to have it. And so how can I go wrong? I shall make some slips no doubt, and shall perhaps talk in second-hand language, but not for long: the living image of what I saw will always be with me and will always correct and guide me. Oh, I am full of courage and freshness, and I will go on and on if it were for a thousand years! ~ Fyodor Dostoyevsky,#NFDB
1265:Boo To Buddha
So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.
We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.
What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,
When you and I beneath the trees
Bartered our bold virginities.
Eighteen -years, months, or hours?
Time is a tyrant's toy!
Eternal are the flowers!
We are but girl and boy
Yet -since love leapt as swift to-night
As it had never left the light!
For fiercer from the South
Still flames your cruel hair,
And Trojan Helen's mouth
Still not so ripe and rare
As Helena's -nor love nor youth
So leaps with lust or thrills with truth.
Helena, still we hold
Flesh firmer, still we mix
Black hair with hair as gold.
Life has but served to fix
23
Our hearts; love lingers on the tongue,
And who loves once is always young.
The stars are still the same;
The changeful moon endures;
Come without fear or shame,
And draw my mouth to yours!
Youth fails, however flesh be fain;
Manhood and womanhood attain.
Life is a string of pearls,
And you the first I strung.
You left -first flower of girls! Life lyric on my tongue,
An indefatigable dance,
An inexhaustible romance!
Blush of love's dawn, bright bud
That bloomed for my delight,
First blossom of my blood,
Burn in that blood to-night!
Helena, Helena, fiercely fresh,
Your flesh flies fervent to my flesh.
What sage can dare impugn
Man's immortality?
Our godhead swims, immune
From death and destiny.
Ignored the bubble in the flow
Of love eighteen short years ago!
Time -I embrace all time
As my arm rings your waist.
Space -you surpass, sublime,
As, taking me, we taste
Omnipotence, sense slaying sense,
Soul slaying soul, omniscience.
~ Aleister Crowley,#NFDB
1266:If thou would'st hear the Nameless, and wilt dive Into the Temple-cave of thine own self, There, brooding by the central altar, thou May'st haply learn the Nameless hath a voice, By which thou wilt abide, if thou be wise, As if thou knewest, tho' thou canst not know; For Knowledge is the swallow on the lake That sees and stirs the surface-shadow there But never yet hath dipt into the abysm, The Abysm of all Abysms, beneath, within The blue of sky and sea, the green of earth, And in the million-millionth of a grain Which cleft and cleft again for evermore, And ever vanishing, never vanishes, To me, my son, more mystic than myself, Or even than the Nameless is to me. And when thou sendest thy free soul thro' heaven, Nor understandest bound nor boundlessness, Thou seest the Nameless of the hundred names. And if the Nameless should withdraw from all Thy frailty counts most real, all thy world Might vanish like thy shadow in the dark. 'And since -- from when this earth began -- The Nameless never came Among us, never spake with man, And never named the Name' -- Thou canst not prove the Nameless, O my son, Nor canst thou prove the world thou movest in, Thou canst not prove that thou art body alone, Nor canst thou prove that thou art spirit alone, Nor canst thou prove that thou art both in one: Thou canst not prove thou art immortal, no Nor yet that thou art mortal -- nay my son, Thou canst not prove that I, who speak with thee, Am not thyself in converse with thyself, For nothing worthy proving can be proven, Nor yet disproven: wherefore thou be wise, Cleave ever to the sunnier side of doubt, And cling to Faith beyond the forms of Faith She reels not in the storm of warring words, She brightens at the clash of 'Yes' and 'No', She sees the Best that glimmers thro' the Worst, She feels the Sun is hid but for a night, She spies the summer thro' the winter bud, She tastes the fruit before the blossom falls, She hears the lark within the songless egg, She finds the fountain where they wail'd 'Mirage'! [2490.jpg] -- from The Oxford Book of English Mystical Verse, Edited by D. H. S. Nicholson / Edited by A. H. E. Lee
~ Alfred Tennyson, If thou wouldst hear the Nameless (from The Ancient Sage)
,#NFDB
1267:Thirty-Eight
IN early youth's unclouded scene,
The brilliant morning of eighteen,
With health and sprightly joy elate
We gazed on life's enchanting spring ,
Nor thought how quickly time would bring
The mournful period--Thirty-eight.
Then the starch maid, or matron sage,
Already at the sober age,
We view'd with mingled scorn and hate;
In whose sharp words, or sharper face,
With thoughtless mirth we loved to trace
The sad effects of--Thirty-eight.
Till saddening, sickening at the view
We learn'd to dread what Time might do;
And then preferr'd a prayer to Fate
To end our days ere that arrived;
When (power and pleasure long survived)
We met neglect and--Thirty-eight.
But time, in spite of wishes, flies
And Fate our simple prayer denies,
And bids us death's own hour await:
The auburn locks are mix'd with grey,
The transient roses fade away,
But reason comes at--Thirty-eight.
Her voice the anguish contradicts
That dying vanity inflicts;
Her hand new pleasures can create,
For us she opens to the view
Prospects less bright--but far more true,
And bids us smile at--Thirty-eight.
No more shall scandal's breath destroy
The social converse we enjoy
With bard or critic tete a tete;-O'er youth's bright blooms her blights shall pour,
But spare the improving friendly hour
That science gives to --Thirty-eight.
Stripp'd of their gaudy hues by Truth,
We view the glitt'ring toys of youth,
205
And blush to think how poor the bait
For which to public scenes we ran
And scorn'd of sober sense the plan
Which gives content at--Thirty-eight.
Though Time's inexorable sway
Has torn the myrtle bands away,
For other wreaths 'tis not too late,
The amaranth's purple glow survives,
And still Minerva's olive lives
On the calm brow of--Thirty-eight.
With eye more steady we engage
To contemplate approaching age,
And life more justly estimate;
With firmer souls, and stronger powers,
With reason, faith, and friendship ours,
We'll not regret the stealing hours
That lead from Thirty--even to Forty-eight.
~ Charlotte Smith,#NFDB
1268:Sîva
Mors Janua Vitae.
I am the God of the sensuous fire
That moulds all Nature in forms divine;
The symbols of death and of man’s desire,
The springs of change in the world, are mine;
The organs of birth and the circlet of bones,
And the light loves carved on the temple stones.
I am the lord of delights and pain,
Of the pest that killeth, of fruitful joys;
I rule the currents of heart and vein;
A touch gives passion, a look destroys;
In the heat and cold of my lightest breath
Is the might incarnate of Lust and Death.
If a thousand altars stream with blood
Of the victims slain by the chanting priest,
Is a great God lured by the savoury food?
I reck not of worship, or song, or feast;
But that millions perish, each hour that flies,
Is the mystic sign of my sacrifice.
Ye may plead and pray for the millions born;
They come like dew on the morning grass;
Your vows and vigils I hold in scorn,
The soul stays never, the stages pass;
All life is the play of the power that stirs
In the dance of my wanton worshippers.
And the strong swift river my shrine below
It runs, like man, its unending course
To the boundless sea from eternal snow;
Mine is the Fountain—and mine the Force
That spurs all nature to ceaseless strife;
And my image is Death at the gates of Life.
In many a legend and many a shape,
In the solemn grove and the crowded street,
I am the Slayer, whom none escape;
I am Death trod under a fair girl’s feet;
I govern the tides of the sentient sea
That ebbs and flows to eternity.
And the sum of the thought and the knowledge of man
Is the secret tale that my emblems tell;
Do ye seek God’s purpose, or trace his plan?
Ye may read your doom in my parable:
For the circle of life in its flower and its fall
Is the writing that runs on my temple wall.…
Let my temples fall, they are dark with age,
Let my idols break, they have stood their day;
On their deep hewn stones the primeval sage
Has figured the spells that endure alway;
My presence may vanish from river and grove,
But I rule for ever in Death and Love.
~ Alfred Comyn Lyall,#NFDB
1269:Well! Being born into this world there are, I suppose, many aims which we may strive to attain.
The Imperial Throne of the Mikado inspires us with the greatest awe; even the uttermost leaf of the Imperial Family Tree is worthy of honour and very different from the rest of mankind. As to the position of a certain august personage (i.e. the Mikado's regent) there can be no question, and those whose rank entitles them to a Palace Guard are very magnificent also - their sons and grandsons, even if they fall into poverty, are still gentlefolk. But when those who are of lower degree chance to rise in the world and assume an aspect of arrogance, though they may think themselves grand, it is very regrettable.
Now there is no life so undesirable as that of a priest. Truly indeed did Sei Shô-nagon write, 'People think of them as if they were only chips of wood.' Their savage violence and loud shouting does not show them to advantage, and I feel sure that, as the sage Zôga said, their desire for notoriety is not in accordance with the sacred precepts of Buddha. To retire from the world in real earnest, on the contrary, is indeed praiseworthy, and some I hope there may be who are willing to do so.
A man should preferably have pleasing features and a good style; one never tires of meeting those who can engage in some little pleasant conversation and who have an attractive manner, but who are not too talkative. It is a great pity, however, if a man's true character does not come up to his prepossessing appearance. One's features are fixed by nature; but, if we wish to, may we not change our hearts from good to better? For, if a man though handsome and good-natured has no real ability, his position will suffer, and in association with men of a less engaging aspect his deficiency will cause him to be thrown into the background, which is indeed a pity.
The thing to aim at, therefore, is the path of true literature, the study of prose, poetry, and music; to be an accepted authority for others on ancient customs and ceremonies is also praiseworthy. One who is quick and clever at writing and sketching, who has a pleasant voice, who can beat time to music, and who does not refuse a little wine, even thoughhe cannot drink much, is a good man. ~ Yoshida Kenk,#NFDB
1270:Well! Being born into this world there are, I suppose, many aims which we may strive to attain.
The Imperial Throne of the Mikado inspires us with the greatest awe; even the uttermost leaf of the Imperial Family Tree is worthy of honour and very different from the rest of mankind. As to the position of a certain august personage (i.e. the Mikado's regent) there can be no question, and those whose rank entitles them to a Palace Guard are very magnificent also - their sons and grandsons, even if they fall into poverty, are still gentlefolk. But when those who are of lower degree chance to rise in the world and assume an aspect of arrogance, though they may think themselves grand, it is very regrettable.
Now there is no life so undesirable as that of a priest. Truly indeed did Sei Shô-nagon write, 'People think of them as if they were only chips of wood.' Their savage violence and loud shouting does not show them to advantage, and I feel sure that, as the sage Zôga said, their desire for notoriety is not in accordance with the sacred precepts of Buddha. To retire from the world in real earnest, on the contrary, is indeed praiseworthy, and some I hope there may be who are willing to do so.
A man should preferably have pleasing features and a good style; one never tires of meeting those who can engage in some little pleasant conversation and who have an attractive manner, but who are not too talkative. It is a great pity, however, if a man's true character does not come up to his prepossessing appearance. One's features are fixed by nature; but, if we wish to, may we not change our hearts from good to better? For, if a man though handsome and good-natured has no real ability, his position will suffer, and in association with men of a less engaging aspect his deficiency will cause him to be thrown into the background, which is indeed a pity.
The thing to aim at, therefore, is the path of true literature, the study of prose, poetry, and music; to be an accepted authority for others on ancient customs and ceremonies is also praiseworthy. One who is quick and clever at writing and sketching, who has a pleasant voice, who can beat time to music, and who does not refuse a little wine, even though he cannot drink much, is a good man. ~ Yoshida Kenk,#NFDB
1271:Cui Bono
Oh! wind that whistles o'er thorns and thistles,
Of this fruitful earth like a goblin elf;
Why should he labour to help his neighbour
Who feels too reckless to help himself?
The wail of the breeze in the bending trees
Is something between a laugh and a groan;
And the hollow roar of the surf on the shore
Is a dull, discordant monotone;
I wish I could guess what sense they express,
There's a meaning, doubtless, in every sound,
Yet no one can tell, and it may be as well —
Whom would it profit? — The world goes round!
On this earth so rough we know quite enough,
And, I sometimes fancy, a little too much;
The sage may be wiser than clown or than kaiser,
Is he more to be envied for being such?
Neither more nor less, in his idleness
The sage is doom'd to vexation sure;
The kaiser may rule, but the slippery stool,
That he calls his throne, is no sinecure;
And as for the clown, you may give him a crown,
Maybe he'll thank you, and maybe not,
And before you can wink he may spend it in drink —
To whom does it profit? — We ripe and rot!
Yet under the sun much work is done
By clown and kaiser, by serf and sage;
All sow and some reap, and few gather the heap
Of the garner'd grain of a by-gone age.
By sea or by soil man is bound to toil,
And the dreamer, waiting for time and tide,
For awhile may shirk his share of the work,
But he grows with his dream dissatisfied;
He may climb to the edge of the beetling ledge,
Where the loose crag topples and well-nigh reels
'Neath the lashing gale, but the tonic will fail —
What does it profit? — Wheels within wheels!
131
Aye! work we must, or with idlers rust,
And eat we must our bodies to nurse;
Some folk grow fatter — what does it matter?
I'm blest if I do — quite the reverse;
'Tis a weary round to which we are bound,
The same thing over and over again;
Much toil and trouble, and a glittering bubble,
That rises and bursts, is the best we gain;
And we murmur, and yet 'tis certain we get
What good we deserve — can we hope for more? —
They are roaring, those waves, in their echoing caves —
To whom do they profit? — Let them roar!
~ Adam Lindsay Gordon,#NFDB
1272:No need about the world to roam And suffer from depression; Make poppadum within the home According to the lesson Of 'Thou art That', without compare, The Unique Word, unspoken 'Tis not by speech it will declare. The silence is unbroken Of Him who is the Adept-Sage, The great Apotheosis, With His eternal heritage That Being-Wisdom-Bliss is. Make poppadum and after making fry, Eat, so your cravings you may satisfy. The grain which is the black gram's yield, The so-called self or ego, Grown in the body's fertile field Of five-fold sheaths, put into The roller-mill made out of stone, Which is the search for Wisdom, The 'Who am I?'. 'Tis thus alone The Self will gain its freedom. This must be crushed to finest dust And ground up into fragments As being the non-self, so must We shatter our attachments. Make poppadum and after making fry, Eat, so your cravings you may satisfy. Mix the juice of square-stemmed vine, This association With Holy Men. With this combine Within the preparation Some cummin-seed of mind-control And pepper for restraining The wayward senses, with them roll That salt which is remaining Indifferent to the world we see, With condiment of leanings Towards a virtuous unity. These are their different meanings. Make poppadum and after making fry, Eat, so your cravings you may satisfy. The mixture into dough now blend And on the stone then place it Of mind, by tendencies hardened, And without ceasing baste it With heavy strokes of the 'I-I' Delivered with the pestle Of introverted mind. Slowly The mind will cease to wrestle. Then roll out with the pin of peace Upon the slab of Brahman. Continue effort without cease With energetic lan. Make poppadum and after making fry, Eat, so your cravings you may satisfy. The poppadum or soul's now fit To put into the fry-pan, The one infinite symbol it Of the great Silence, which can Be first prepared by putting in Some clarified fresh butter Of the Supreme. And now begin To heat it till it sputter, On Wisdom's self-effulgent flame Fry poppadum, 'I', as That. Enjoying all alone the same; Which bliss we ever aim at. Make poppadum of self and after eat; Of Perfect Peace then you will be replete. [1468.jpg] -- from The Collected Works of Ramana Maharshi, Edited by Arthur Osborne
~ Sri Ramana Maharshi, The Song of the Poppadum
,#NFDB
1273:I.
Let them fight it out, friend! things have gone too far.
God must judge the couple: leave them as they are
-Whichever one's the guiltless, to his glory,
And whichever one the guilt's with, to my story!
II.
Why, you would not bid men, sunk in such a slough,
Strike no arm out further, stick and stink as now,
Leaving right and wrong to settle the embroilment,
Heaven with snaky hell, in torture and entoilment?
III.
Who's the culprit of them? How must he conceive
God-the queen he caps to, laughing in his sleeve,
`` 'Tis but decent to profess oneself beneath her:
``Still, one must not be too much in earnest, either!''
IV.
Better sin the whole sin, sure that God observes;
Then go live his life out! Life will try his nerves,
When the sky, which noticed all, makes no disclosure,
And the earth keeps up her terrible composure.
V.
Let him pace at pleasure, past the walls of rose,
Pluck their fruits when grape-trees graze him as he goes!
For he 'gins to guess the purpose of the garden,
With the sly mute thing, beside there, for a warden.
VI.
What's the leopard-dog-thing, constant at his side,
A leer and lie in every eye of its obsequious hide?
When will come an end to all the mock obeisance,
And the price appear that pays for the misfeasance?
VII.
So much for the culprit. Who's the martyred man?
Let him bear one stroke more, for be sure he can!
He that strove thus evil's lump with good to leaven,
Let him give his blood at last and get his heaven!
VIII.
All or nothing, stake it! Trust she God or no?
Thus far and no farther? farther? be it so!
Now, enough of your chicane of prudent pauses,
Sage provisos, sub-intents and saving-clauses!
IX.
Ah, ``forgive'' you bid him? While God's champion lives,
Wrong shall be resisted: dead, why, he forgives.
But you must not end my friend ere you begin him;
Evil stands not crowned on earth, while breath is in him.
X.
Once more-Will the wronger, at this last of all,
Dare to say, ``I did wrong,'' rising in his fall?
No?-Let go then! Both the fighters to their places!
While I count three, step you back as many paces!
~ Robert Browning, Before
,#NFDB
1274:Bacchus [excerpt]
I am the gift of tongues that flame
Inspired resolve above:
I wither the weeds of paltry aim
That choke the growth of love.
Though sometimes thro' forbidden gates,
The drugged and drunken may
Intrude among initiates
And misconceive the play,
No self-indulgence walks my stage;
My frenzies make divine:
My banqueter is saint and sage,
A eucharist my wine:
No desecrated home shall be,
No vice-predestined birth,
No stews of maudlin gluttony,
When Bacchus rules the earth.
My rage that lit the cold Greek brow
And burned from Orphic lyre,
Flames down the years to Tolstoi now
And back to Celtic fire.
I glowed in Hermit Peter's words,
Savonarola's grim,
St. Francis understood the birds
Because I cherished him.
I am the surging Energy
No wintry Law can tame:
Nay, the god that overpowers me
Is Bacchus save in name.
'Tis not alone on Naxian sod
Or mythic welkin, where
Pale Ariadne meets her god,
And Bacchus gladdens her,
14
I shine as bright from Nietzsche's eyes
And grave Salvationist's,
As once in Soma sacrifice
Or through Thessalian mists.
And equally to fast and feast
I give my benisonNow, Father Mathew is my priest,
And now Anacreon.
'Tis not enough that you avow
Allegiance at my gates;
Many who bear the wattle-bough
Are not initiates;
Nor all the revellers, though dear,
Who beat my doors with prayers,
But sing so sweet they cannot hear
The poor who knock at theirs:
For 'Truth for Truth' and 'Art for Art'
And Song for the sake of Song,
Must wait the turn of the breaking heart,
Till Bacchus purges Wrong.
All that in Love ye cannot buy,
In genius baffling prayer,
In Art beyond the measuring eye,
Is immanent Bacchus there.
But fearful are my Mystae when,
To Bacchanalian hymn,
They wrench the brute from the souls of men
And tear it limb from limb:
The old gods shuddered; for they saw
Their altar flames expire
Before the breath of a Higher Law
That crucifies Desire:
The old priests paled; till some more wise
15
Built fanes where're I trod,
Carried my throne to Olympian skies,
And named me the Son of God. . . .
~ Bernard O'Dowd,#NFDB
1275:Wall, Cave, And Pillar Statements, After Asoka
In order to perfect all readers
the statements should he carved
on rock walls, on cave walls,
and on the sides of pillars so
the charm of their instruction can
affect the mountain climbers near
the cliffs, the plainsmen near
the pillars, and the city people near
the caves they go to on vacations.
The statements should, and in a fair
script, spell out the right text and gloss
of the Philosopher’s jocular remark. Text:
“Honesty is the best policy.” Gloss:
“He means not ‘best’ but ‘policy,’
(this is the joke of it) whereas in fact
Honesty is Honesty, Best
is Best, and Policy is Policy,
the three terms being not
related, but here loosely allied.
What is more important is that ‘is’
is, but the rocklike truth of the text
resides in the ‘the’. The ‘the’ is The.
By this means the amusing sage
has raised or caused to be raised
the triple standard in stone:
the single is too simple for life,
the double is mere degrading hypocrisy,
but the third combines the first two
in a possible way, and contributes
something unsayable of its own:
this is the pit, nut, seed, or stone
of the fruit when the fruit has been
digested:
It is good to do good for the wrong
reason, better to do good for the good
reason, and best of all to do good
good: i.e. when the doer and doee
and whatever passes between them
28
are beyond all words like ‘grace’
or ‘anagogic insight,’ or definitions like
‘particular instance of a hoped-at-law,’
and which the rocks alone can convey.
This is the real reason for the rock walls,
the cave walls and pillars, and not the base
desires for permanence and display
that the teacher’s conceit suggests.”
That is the end of the statements, but,
in order to go on a way after the end
so as to make up for having begun
after the beginning, and thus to come around
to it in order to include the whole thing,
add: “In some places the poignant slogan,
‘Morality is a bad joke like everything else,’
may be written or not, granted that space
exists for the vulgar remarks, the dates,
initials and hearts of lovers, and all
other graffiti of the prisoners of this world.”
~ Alan Dugan,#NFDB
1276:The Realms Of Gold
(Written after hearing a line of Keats repeated by a passing stranger
under the palms of Southern California.)
Under the palms of San Diego
Where gold-skinned Mexicans loll at ease,
And the red half-moons of their black-pipped melons
Drop from their hands in the sunset seas,
And an incense, out of the old brown missions,
Blows through the orange trees;
I wished that a poet who died in Europe
Had found his way to this rose-red West;
That Keats had walked by the wide Pacific
And cradled his head on its healing breast,
And made new songs of the sun-burned sea-folk,
New poems, perhaps his best.
I thought of him, under the ripe pomegranates
At the desert's edge, where the grape-vines grow,
In a sun-kissed ranch between grey-green sage-brush
And amethyst mountains, peaked with snow,
Or watching the lights of the City of Angels
Glitter like stars below.
He should walk, at dawn, by the lemon orchards,
And breathe at ease in that dry bright air;
And the Spanish bells in their crumbling cloisters
Of brown adobe would sing to him there;
And the old Franciscans would bring him their baskets
Of apple and olive and pear.
And the mandolins, in the deep blue twilight,
Under that palm with the lion's mane,
Would pluck, once more, at his golden heart-strings,
And tell him the old sea-tales of Spain;
And there should the daughters of Hesperus teach him
Their mystical songs again.
156
Then, the dusk blew sweet over seas of peach-bloom;
The moon sailed white in the cloudless blue;
The tree-toads purred, and the crickets chirruped;
And better than anything dreamed came true;
For, under the murmuring palms, a shadow
Passed, with the eyes I knew;
A shadow, perhaps, of the tall green fountains
That rustled their fronds on that glittering sky,
A hungering shadow, a lean dark shadow,
A dreaming shadow that drifted by;
But I heard him whisper the strange dark music
That found it so 'rich to die.'
And the murmuring palms of San Diego
Shook with stars as he passed beneath.
The Paradise palms, and the wild white orchards,
The night, and its roses, were all one breath,
Bearing the song of a nightingale seaward,
A song that had out-soared death.
~ Alfred Noyes,#NFDB
1277:The Two Old Bachelors
Two old Bachelors were living in one house;
One caught a Muffin, the other caught a Mouse.
Said he who caught the Muffin to him who caught the Mouse,-'This happens just in time! For we've nothing in the house,
'Save a tiny slice of lemon nd a teaspoonful of honey,
'And what to do for dinner -- since we haven't any money?
'And what can we expect if we haven't any dinner,
'But to loose our teeth and eyelashes and keep on growing thinner?'
Said he who caught the Mouse to him who caught the Muffin,-'We might cook this little Mouse, if we had only some Stuffin'!
'If we had but Sage andOnion we could do extremely well,
'But how to get that Stuffin' it is difficult to tell'-Those two old Bachelors ran quickly to the town
And asked for Sage and Onions as they wandered up and down;
They borrowed two large Onions, but no Sage was to be found
In the Shops, or in the Market, or in all the Gardens round.
But some one said, -- 'A hill there is, a little to the north,
'And to its purpledicular top a narrow way leads forth;-'And there among the rugged rocks abides an ancient Sage,-'An earnest Man, who reads all day a most perplexing page.
'Climb up, and seize him by the toes! -- all studious as he sits,-'And pull him down, -- and chop him into endless little bits!
'Then mix him with your Onion, (cut up likewise into Scraps,)-'When your Stuffin' will be ready -- and very good: perhaps.'
Those two old Bachelors without loss of time
The nearly purpledicular crags at once began to climb;
And at the top, among the rocks, all seated in a nook,
They saw that Sage, a reading of a most enormous book.
'You earnest Sage!' aloud they cried, 'your book you've read enough in!-'We wish to chop you into bits to mix you into Stuffin'!'-But that old Sage looked calmly up, and with his awful book,
At those two Bachelors' bald heads a certain aim he took;-and over crag and precipice they rolled promiscuous down,--
190
At once they rolled, and never stopped in lane or field or town,-And when they reached their house, they found (besides their want
of Stuffin',)
The Mouse had fled; -- and, previously, had eaten up the Muffin.
They left their home in silence by the once convivial door.
And from that hour those Bachelors were never heard of more.
~ Edward Lear,#NFDB
1278:Le sage parfait, selon la doctrine taoïste, est celui qui est parvenu au point central et qui y demeure en union indissoluble avec le Principe, participant de son immutabilité et imitant son « activité non-agissante » : « Celui qui est arrivé au maximum du vide, dit Lao-tseu, celui-là sera fixé solidement dans le repos… Retourner à sa racine (c’est-à-dire au Principe, à la fois origine première et fin dernière de tous les êtres) (4), c’est entrer dans l’état de repos » (5). Le « vide » dont il s’agit ici, c’est le détachement complet à l’égard de toutes les choses manifestées, transitoires et contingentes, détachement par lequel l’être échappe aux vicissitudes du « courant des formes », à l’alternance des états de « vie » et de « mort », de « condensation » et de « dissipation » (Aristote, dans un sens semblable, dit « génération » et « corruption »), passant de la circonférence de la « roue cosmique » à son centre, qui est désigné lui-même comme « le vide (le non-manifesté) qui unit les rayons et en fait une roue » (6). « La paix dans le vide, dit Lie-tseu, est un état indéfinissable ; on ne la prend ni ne la donne; on arrive à s’y établir » (7). « À celui qui demeure dans le non-manifesté, tous les êtres se manifestent… Uni au Principe, il est en harmonie, par lui, avec tous les êtres. Uni au Principe, il connaît tout par les raisons générales supérieures, et n’use plus, par suite, de ses divers sens, pour connaître en particulier et en détail. La vraie raison des choses est invisible, insaisissable, indéfinissable, indéterminable. Seul l’esprit rétabli dans l’état de simplicité parfaite, peut l’atteindre dans la contemplation profonde » (8). On voit ici la différence qui sépare la connaissance transcendante du sage du savoir ordinaire ou « profane » ; et la dernière phrase doit tout naturellement rappeler cette parole de l’Évangile : « Quiconque ne recevra point le Royaume de Dieu comme un enfant, n’y entrera point » (9). Du reste, les allusions à cette « simplicité », regardée comme caractéristique de l’« état primordial », ne sont pas rares dans le Taoïsme ; et de même, dans les doctrines hindoues, l’état d’« enfance » (en sanscrit bâlya), entendu au sens spirituel, est considéré comme une condition préalable pour l’acquisition de la connaissance par excellence.
[Le Centre du Monde dans les doctrines extrême-orientales. - Regnabit, mai 1927] ~ Ren Gu non,#NFDB
1279:An Inventory Of The Furniture In Dr. Priestley's Study
A map of every country known,
With not a foot to call his own.
A list of folks that kicked a dust
On this poor globe, from Ptol. the First;
He hopes,- indeed it is but fair,Some day to get a corner there.
A group of all the British kings,
Fair emblem! on a packthread swings.
The Fathers, ranged in goodly row,
A decent, venerable show,
Writ a great while ago, they tell us,
And many an inch o'ertop their fellows.
A Juvenal to hunt for mottos;
And Ovid's tales of nymphs and grottos.
The meek-robed lawyers all in white;
Pure as the lamb,- at least, to sight.
A shelf of bottles, jar and phial,
By which the rogues he can defy all,All filled with lightning keen and genuine,
And many a little imp he'll pen you in;
Which, like Le Sage's sprite, let out,
Among the neighbours makes a rout;
Brings down the lightning on their houses,
And kills their geese, and frights their spouses.
A rare thermometer, by which
He settles, to the nicest pitch,
The just degrees of heat, to raise
Sermons, or politics, or plays.
Papers and books, a strange mixed olio,
From shilling touch to pompous folio;
Answer, remark, reply, rejoinder,
Fresh from the mint, all stamped and coined here;
Like new-made glass, set by to cool,
Before it bears the workman's tool.
A blotted proof-sheet, wet from Bowling.
-'How can a man his anger hold in?'Forgotten rimes, and college themes,
Worm-eaten plans, and embryo schemes;-
27
A mass of heterogeneous matter,
A chaos dark, no land nor water;New books, like new-born infants, stand,
Waiting the printer's clothing hand;Others, a mottly ragged brood,
Their limbs unfashioned all, and rude,
Like Cadmus' half-formed men appear;
One rears a helm, one lifts a spear,
And feet were lopped and fingers torn
Before their fellow limbs were born;
A leg began to kick and sprawl
Before the head was seen at all,
Which quiet as a mushroom lay
Till crumbling hillocks gave it way;
And all, like controversial writing,
Were born with teeth, and sprung up fighting.
'But what is this,' I hear you cry,
'Which saucily provokes my eye?'A thing unknown, without a name,
Born of the air and doomed to flame.
~ Anna Laetitia Barbauld,#NFDB
1280:Which brings me back to Ecclesiastes, his search for happiness, and mine. I spoke in chapter 4 about my first meeting, as a student, with Rabbi Menachem Mendel Schneersohn, the Lubavitcher Rebbe. As I was waiting to go in, one of his disciples told me the following story. A man had recently written to the Rebbe on something of these lines: ‘I need the Rebbe’s help. I am deeply depressed. I pray and find no comfort. I perform the commands but feel nothing. I find it hard to carry on.’ The Rebbe, so I was told, sent a compelling reply without writing a single word. He simply ringed the first word in every sentence of the letter: the word ‘I’. It was, he was hinting, the man’s self-preoccupation that was at the root of his depression. It was as if the Rebbe were saying, as Viktor Frankl used to say in the name of Kierkegaard, ‘The door to happiness opens outward.’23 It was this insight that helped me solve the riddle of Ecclesiastes. The word ‘I’ does not appear very often in the Hebrew Bible, but it dominates Ecclesiastes’ opening chapters. I enlarged my works: I built houses for myself, I planted vineyards for myself; I made gardens and parks for myself and I planted in them all kinds of fruit trees; I made ponds of water for myself from which to irrigate a forest of growing trees. I bought male and female slaves and I had homeborn slaves. Also I possessed flocks and herds larger than all who preceded me in Jerusalem. Also, I collected for myself silver and gold and the treasure of kings and provinces. (Ecclesiastes 2:4–8) Nowhere else in the Bible is the first-person singular used so relentlessly and repetitively. In the original Hebrew the effect is doubled because of the chiming of the verbal suffix and the pronoun: Baniti li, asiti li, kaniti li, ‘I built for myself, I made for myself, I bought for myself.’ The source of Ecclesiastes’ unhappiness is obvious and was spelled out many centuries later by the great sage Hillel: ‘If I am not for myself, who will be? But if I am only for myself, what am I?’24 Happiness in the Bible is not something we find in self-gratification. Hence the significance of the word simchah. I translated it earlier as ‘joy’, but really it has no precise translation into English, since all our emotion words refer to states of mind we can experience alone. Simchah is something we cannot experience alone. Simchah is joy shared. ~ Jonathan Sacks, #NFDB
1281:higher mind or late vision logic ::: Even more rare, found stably in less than 1% of the population and even more emergent is the turquoise altitude.
Cognition at Turquoise is called late vision-logic or cross-paradigmatic and features the ability to connect meta-systems or paradigms, with other meta-systems. This is the realm of coordinating principles. Which are unified systems of systems of abstraction to other principles. ... Aurobindo indian sage and philosopher offers a more first-person account of turquoise which he called higher-mind, a unitarian sense of being with a powerful multiple dynamism capable of formation of a multitude of aspects of knowledge, ways of action, forms and significances of becoming of all of which a spontaneous inherient knowledge.
Self-sense at turquoise is called Construct-aware and is the first stage of Cook-Greuter's extension of Loveigers work on ego-development. The Construct-aware stage sees individuals for the first time as exploring more and more complex thought-structures with awareness of the automatic nature of human map making and absurdities which unbridaled complexity and logical argumentation can lead. Individuals at this stage begin to see their ego as a central point of reference and therefore a limit to growth. They also struggle to balance unique self-expressions and their concurrent sense of importance, the imperical and intuitive knowledge that there is no fundamental subject-object separation and the budding awareness of self-identity as temporary which leads to a decreased ego-desire to create a stable self-identity. Turquoise individuals are keenly aware of the interplay between awareness, thought, action and effects. They seek personal and spiritual transformation and hold a complex matrix of self-identifications, the adequecy of which they increasingly call into question. Much of this already points to Turquoise values which embrace holistic and intuitive thinking and alignment to universal order in a conscious fashion.
Faith at Turquoise is called Universalising and can generate faith compositions in which conceptions of Ultimate Reality start to include all beings. Individuals at Turquoise faith dedicate themselves to transformation of present reality in the direction of transcendent actuality. Both of these are preludes to the coming of Third Tier. ~ Essential Integral, L4.1-54, Higher Mind,#NFDB
1282:We stopped talking about Zampanô then. She paged her friend Christina who took less than twenty minutes to come over. There were no introductions. We just sat down on the floor and snorted lines of coke off a CD case, gulped down a bottle of wine and then used it to play spin the bottle. They kissed each other first, then they both kissed me, and then we forgot about the bottle, and I even managed to forget about Zampanô, about this, and about how much that attack in the tattoo shop had put me on edge. Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, always laughing, surrendering to its ease, especially when he soared in great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave. ~ Mark Z Danielewski, #NFDB
1283:Episode 40
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little kept back
of the tidings new, but told them all,
the herald that up the headland rode. -"Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch keeps
o'er friend and foe. -- Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. -- The strife began
when hot on the Hugas Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire of Ohtere,
ancient and awful, gave answering blow;
the sea-king he slew, and his spouse redeemed,
218
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
~ Anonymous Olde English,#NFDB
1284:Psychoanalysis: An Elegy"
What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever. ~ Jack Spicer,#NFDB
1285:Meanwhile, Mme Mao and her cohorts were renewing their efforts to prevent the country from working. In industry, their slogan was: "To stop production is revolution itself." In agriculture, in which they now began to meddle seriously: "We would rather have socialist weeds than capitalist crops." Acquiring foreign technology became "sniffing after foreigners' farts and calling them sweet." In education: "We want illiterate working people, not educated spiritual aristocrats." They called for schoolchildren to rebel against their teachers again; in January 1974, classroom windows, tables, and chairs in schools in Peking were smashed, as in 1966. Mme Mao claimed this was like "the revolutionary action of English workers destroying machines in the eighteenth century." All this demagoguery' had one purpose: to create trouble for Zhou Enlai and Deng Xiao-ping and generate chaos. It was only in persecuting people and in destruction that Mme Mao and the other luminaries of the Cultural Revolution had a chance to "shine." In construction they had no place.
Zhou and Deng had been making tentative efforts to open the country up, so Mme Mao launched a fresh attack on foreign culture. In early 1974 there was a big media campaign denouncing the Italian director Michelangelo Antonioni for a film he had made about China, although no one in China had seen the film, and few had even heard of it or of Antonioni. This xenophobia was extended to Beethoven after a visit by the Philadelphia Orchestra.
In the two years since the fall of Lin Biao, my mood had changed from hope to despair and fury. The only source of comfort was that there was a fight going on at all, and that the lunacy was not reigning supreme, as it had in the earlier years of the Cultural Revolution. During this period, Mao was not giving his full backing to either side.
He hated the efforts of Zhou and Deng to reverse the Cultural Revolution, but he knew that his wife and her acolytes could not make the country work.
Mao let Zhou carry on with the administration of the country, but set his wife upon Zhou, particularly in a new campaign to 'criticize Confucius." The slogans ostensibly denounced Lin Biao, but were really aimed at Zhou, who, it was widely held, epitomized the virtues advocated by the ancient sage. Even though Zhou had been unwaveringly loyal, Mao still could not leave him alone. Not even now, when Zhou was fatally ill with advanced cancer of the bladder. ~ Jung Chang,#NFDB
1286:Das Riesenspielzeug
Burg Nideck ist im Elsaß der Sage wohlbekannt,
die Höhe, wo vorzeiten die Burg der Riesen stand;
sie selbst ist nun verfallen, die Stätte wüst und leer,
du fragest nach den Riesen, du findest sie nicht mehr.
Einst kam das Riesenfräulein aus jener Burg hervor,
erging sich sonder Wartung und spielend vor dem Tor
und stieg hinab den Abhang bis in das Tal hinein,
neugierig zu erkunden, wie's unten möchte sein.
Mit wen'gen raschen Schritten durchkreuzte sie den Wald,
erreichte gegen Haslach das Land der Menschen bald,
und Städte dort und Dörfer und das bestellte Feld
erschienen ihren Augen gar eine fremde Welt.
Wie jetzt zu ihren Füßen sie spähend niederschaut,
bemerkt sie einen Bauer, der seinen Acker baut;
es kriecht das kleine Wesen einher so sonderbar,
es glitzert in der Sonne der Pflug so blank und klar.
'Ei! artig Spielding!' ruft sie, 'das nehm' ich mit nach Haus!'
Sie knieet nieder, spreitet behend ihr Tüchlein aus
und feget mit den Händen, was sich da alles regt,
zu Haufen in das Tüchlein, das sie zusammenschlägt,
und eilt mit freud'gen Sprüngen, man weiß, wie Kinder sind,
zur Burg hinan und suchet den Vater auf geschwind:
“Ei Vater, lieber Vater, ein Spielding wunderschön!
So Allerliebstes sah ich noch nie auf unsern Höh'n.'
Der Alte saß am Tische und trank den kühlen Wein,
er schaut sie an behaglich, er fragt das Töchterlein:
“Was Zappeliges bringst du in deinem Tuch herbei?
Du hüpfest ja vor Freuden; laß sehen, was es sei.'
Sie spreitet aus das Tüchlein und fängt behutsam an,
den Bauer aufzustellen, den Pflug und das Gespann;
wie alles auf dem Tische sie zierlich aufgebaut,
so klatscht sie in die Hände und springt und jubelt laut.
Der Alte wird gar ernsthaft und wiegt sein Haupt und spricht:
“Was hast du angerichtet? Das ist kein Spielzeug nicht!
Wo du es hergenommen, da trag es wieder hin,
der Bauer ist kein Spielzeug, was kommt dir in den Sinn?
Sollst gleich und ohne Murren erfüllen mein Gebot;
denn wäre nicht der Bauer, so hättest du kein Brot;
es sprießt der Stamm der Riesen aus Bauernmark hervor,
der Bauer ist kein Spielzeug, da sei uns Gott davor
Burg Nideck ist im Elsaß der Sage wohl bekannt,
die Höhe, wo vor Zeiten die Burg der Riesen stand;
sie selbst ist nun verfallen, die Stätte wüst und leer,
und fragst Du nach den Riesen, du findest sie nicht mehr.
~ Adelbert Von Chamisso,#NFDB
1287:Le mal n’est pas sans remède. « Tout pouvoir est méchant dès qu’on le laisse faire ; tout pouvoir est sage dès qu’il se sent jugé2119. » Enfin, c’est la raison principale, au moins dans une démocratie, il faut résister aux pouvoirs parce qu’il importe de préserver la liberté de l’esprit, qui n’existe qu’en l’individu, contre toute puissance, même démocratique, contre tout groupe, même et surtout majoritaire. On a vu que la majorité, pour dire la loi, est la meilleure voie. Mais le vrai ne se vote pas, ni le bien, ni le juste. Quand tout le peuple condamnerait Socrate ou Dreyfus, ils n’en seraient pas moins innocents. Le danger existe d’une dictature de l’opinion publique ou du nombre. Ce ne serait qu’une tyrannie comme une autre, pire qu’une autre peut-être par l’enthousiasme. Ce serait « la théocratie revenue2120 », autrement dit l’idolâtrie du gros animal. Nos ministres ou nos journalistes seraient nos prêtres. La liberté n’y survivrait pas. La justice n’y survivrait pas. C’est où Platon revient. « La Saint-Barthélemy, quand elle aura été approuvée par le plus grand nombre, n’était pas juste pour cela2121. » Une loi injuste, pareillement, est certes une loi (positivisme juridique) ; mais n’en est pas moins injuste pour cela. Le suffrage universel ne prouve que lui-même. C’est dire qu’il ne prouve rien et ne saurait suffire à la démocratie. « Quand le pape, infaillible et irresponsable, serait élu au suffrage universel, l’Église ne serait pas démocratique par cela seul. Un tyran peut être élu au suffrage universel, et n’être pas moins tyran pour cela. Ce qui importe, ce n’est pas l’origine des pouvoirs, c’est le contrôle continu et efficace que les gouvernés exercent sur les gouvernants2122. » La démocratie, ce n’est pas le choix du chef, que les tyrannies peuvent connaître aussi ; c’est la résistance, contre les abus du pouvoir, c’est la critique, c’est le « pouvoir de contrôle, de blâme et enfin de renvoi2123 ». Tel est le sens, selon Alain, du parlementarisme et de la liberté de la presse. Mais ni parlement ni journaux n’y suffisent. Car ce contrôle, pour être effectif, doit être le fait de sujets libres ; et, pour être juste, d’esprits raisonnables, c’est-à-dire d’esprits. « La fonction de penser ne se délègue point », écrit Alain2124 ; « la vigilance ne se délègue point2125. » La démocratie n’échappe à la tyrannie du nombre que par le jugement individuel : le peuple, même souverain, n’est protégé de la barbarie et de lui-même que par la vigilance des citoyens. ~ Andr Comte Sponville, #NFDB
1288:Psychoanalysis: An Elegy"
What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever. ~ Jack Spicer,#NFDB
1289:despite the variety of ingredients and the imagination with which Vermont cooks use them, the state remains strongly associated with several iconic products — think cheddar cheese (really, dairy products in general), apples and cider, and maple syrup. Here’s a brunch menu to commemorate Vermont’s anniversary that includes those tried-and-true flavors — cheddar in the quiche, maple syrup in the salad’s vinaigrette, and apple cider in the muffins, which recall fried cider doughnuts, with a thick cinnamon-sugar coating. Their crumb is a little denser than some other muffins, and their profile a bit more compact. Cheddar, Bacon, and Caramelized Onion Quiche Makes 1 quiche 6 slices bacon, cut into ¼-inch pieces, fried until crisp and the fat has rendered, drained, and 1½ tablespoons fat reserved 3 medium onions (about 1 ¼ pounds), thinly sliced (about 6 cups) Salt and black pepper 1½ tablespoons minced fresh sage ¼ teaspoon balsamic vinegar 3 large eggs 1 cup half-and-half Pinch cayenne pepper 2 cups coarsely grated medium or sharp cheddar 1 9-inch pie shell, blind-baked until lightly browned and warm In a large skillet over medium-high heat, heat the bacon fat until hot. Add onions and 1 teaspoon salt, toss to coat, and cook until they begin to soften and release liquid, about 6 minutes. Reduce heat to medium-low and continue cooking, stirring and scraping the bottom of the skillet every 10 minutes (and adjusting the heat if the onions begin to scorch or are not browning), until the onions are sticky and caramelized, about 1 hour longer (you will have about 1 cup). Add the sage, vinegar, and 1½ tablespoons water, and with a wooden spoon, scrape bottom of pan to dissolve the fond, about 30 seconds; set aside to cool briefly. With the rack in middle position, heat the oven to 375 degrees. In a medium bowl, whisk the eggs, half-and-half, cayenne, 1¾ cups cheese, and ¾ teaspoon each salt and black pepper to combine thoroughly. Spread caramelized onions in an even layer in the warm, pre-baked pie shell. Sprinkle bacon evenly over the onions, place pie shell on the oven rack, and pour in the custard mixture (it should reach to about ½ inch beneath the rim of the pie shell). Sprinkle the remaining ¼ cup cheese over custard mixture and bake until custard is set, light golden brown, center wiggles slightly when you jiggle the quiche, and the tip of a knife inserted about 1½ inches from the edge comes out clean, 35 to 40 minutes. Cool on a wire rack and serve barely warm or at room temperature. ~ Anonymous, #NFDB
1290:Fumant Dans Le Cristal
Fumant dans le cristal, que Bacchus à longs flots
Partout aille à la ronde éveiller les bons mots.
Reine de mes banquets, que Lycoris y vienne;
Que des fleurs de sa tête elle pare la mienne;
Pour enivrer mes sens, que le feu de ses yeux
S'unisse à la vapeur des vins délicieux.
Amis, que ce bonheur soit notre unique étude;
Nous en perdrons sitôt la charmante habitude!
Hâtons-nous, l'heure fuit. Hâtons-nous de saisir
L'instant, le seul instant donné pour le plaisir.
Un jour, tel est du sort l'arrêt inexorable,
Vénus, qui pour les dieux fit le bonheur durable,
A nos cheveux blanchis refusera des fleurs,
Et le printemps pour nous n'aura plus de couleurs.
Qu'un sein voluptueux, des lèvres demi-closes
Respirent près de nous leur haleine de roses;
Que Phryné sans réserve abandonne à nos yeux
De ses charmes secrets les contours gracieux.
Quand l'âge aura sur nous mis sa main flétrissante,
Que pourra la beauté, quoique toute-puissante?
Vainement exposée à nos regards confus,
Nos coeurs en la voyant ne palpiteront plus.
Il faudra bien qu'armés de la philosophie,
Oubliant le plaisir alors qu'il nous oublie,
La science nous offre un utile secours
Qui dispute à l'ennui le reste de nos jours.
C'est alors qu'exilé dans mon champêtre asile,
De l'antique sagesse admirateur tranquille,
Du mobile univers interrogeant la voix,
J'irai de la nature étudier les lois:
Par quelle main sur soi la terre suspendue
Voit mugir autour d'elle Amphitrite étendue;
Quel Titan foudroyé respire avec effort
Des cavernes d'Etna la ruine et la mort;
Quel bras guide les cieux; à quel ordre enchaîné
Le soleil bienfaisant nous ramène l'année;
Quel signe aux ports lointains arrête l'étranger;
Quel autre sur la mer conduit le passager,
Quand sa patrie absente et longtemps appelée
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Lui fait tenter l'Euripe et les flots de Malée;
Et quel, de l'abondance heureux avant-coureur,
Arme d'un aiguillon la main du laboureur.
Cependant jouissons; l'âge nous y convie.
Avant de la quitter, il faut user la vie.
Le moment d'être sage est voisin du tombeau.
Allons, jeune homme, allons, marche; prends ce flambeau.
Marche, allons. Mène-moi chez ma belle maîtresse.
J'ai pour elle aujourd'hui mille fois plus d'ivresse.
Je veux que des baisers plus doux, plus dévorants,
N'aient jamais vers le ciel tourné ses yeux mourants.
~ Andre Marie de Chenier,#NFDB
1291:The Swallow
THE gorse is yellow on the heath,
The banks with speedwell flowers are gay,
The oaks are budding; and beneath,
The hawthorn soon will bear the wreath,
The silver wreath of May.
The welcome guest of settled Spring,
The Swallow too is come at last;
Just at sun-set, when thrushes sing,
I saw her dash with rapid wing,
And hail'd her as she pass'd.
Come, summer visitant, attach
To my reed roof your nest of clay,
And let my ear your music catch
Low twittering underneath the thatch
At the gray dawn of day.
As fables tell, an Indian Sage,
The Hindostani woods among,
Could in his desert hermitage,
As if 'twere mark'd in written page,
Translate the wild bird's song.
I wish I did his power possess,
That I might learn, fleet bird, from thee,
What our vain systems only guess,
And know from what wide wilderness
You came across the sea.
I would a little while restrain
Your rapid wing, that I might hear
Whether on clouds that bring the rain,
You sail'd above the western main,
The wind your charioteer.
In Afric, does the sultry gale
Thro' spicy bower, and palmy grove,
Bear the repeated Cuckoo's tale ?
Dwells there a time, the wandering Rail
Or the itinerant Dove ?
Were you in Asia ? O relate,
If there your fabled sister's woes
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She seem'd in sorrow to narrate;
Or sings she but to celebrate
Her nuptials with the rose ?
I would enquire how journeying long,
The vast and pathless ocean o'er,
You ply again those pinions strong,
And come to build anew among
The scenes you left before;
But if, as colder breezes blow,
Prophetic of the waning year,
You hide, tho' none know when or how,
In the cliff's excavated brow,
And linger torpid here;
Thus lost to life, what favouring dream
Bids you to happier hours awake;
And tells, that dancing in the beam,
The light gnat hovers o'er the stream,
The May-fly on the lake ?
Or if, by instinct taught to know
Approaching dearth of insect food;
To isles and willowy aits you go,
And crouding on the pliant bough,
Sink in the dimpling flood:
How learn ye, while the cold waves boom
Your deep and ouzy couch above,
The time when flowers of promise bloom,
And call you from your transient tomb,
To light, and life, and love ?
Alas ! how little can be known,
Her sacred veil where Nature draws;
Let baffled Science humbly own,
Her mysteries understood alone,
By Him who gives her laws.
~ Charlotte Smith,#NFDB
1292:A Poet To...
Long ere I knew thee—years of loveless days,
A shape would gather from my dreams, and pour
The soul-sweet influence of its gentle gaze
Into my heart, to thrill it to the core:
Then would I wake, with lonely heart to pine
For the nocturnal image—it was thine.
Thine—for though long with a fond moody heed
I sought to find it in the beauteous creatures
I met in the world’s ways, twas but to bleed
With disappointment, for all forms, all features,
Yet left it void of living counterpart—
The shadowy mistress of my yearning heart.
Thine—when I saw thee first thou seem’dst to me
A being known, yet beautifully new!
As when, to crown some sage’s theory,
Amid heaven’s sisterhoods, into shining view
Comes the conjectured star!—his lucky name
To halo thenceforth with its virgin flame.
But I forget! Far from thy rural home,
Behold I wander mid primeval woods,
In which but savage things are wont to roam,
Mixing fond questionings with solitude’s
Wild voices, where amid her glades and dells
Enwrapt in twilight trance her shadowy presence dwells.
And now the Hunter, with a swollen speed,
Rushes in thunder at my side, but wears
A softened mien whene’er its reaches lead
My vision westward—where pale fancy rears
Thy wood—next by that brook whose murmurs first,
As with a flattering heed, my love’s new gladness nurst.
And with the river’s murmur, oft a tone
Of that far brook seems blending; accents, too,
Of the dear voice there heard—that voice alone
To me unequalled,—like a silvery dew
Honeyed with manna, dropping near me seems,
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As oft I listen, lost in rich memorial dreams.
But vain these musings! Though my spirit’s bride,
Thou knewest not of my love! Though all my days
Must henceforth be inevitably dyed
Or bright, or dark, through thee,—this missive says
Thy lot is cast, and thou a wife wilt be
Ere I again may look (if e’er again) on thee!
The poet’s doom is on me! Poets make
Beauty immortal, and yet luckless miss
The charms they sing; martyrs at fortune’s stake,
As if their soul’s capacity for bliss
Might else mix earth with heaven, and so annul
That want which makes man seek the world-wide beautiful!
Yet, ye wild woods and waters of the earth,
How changed (with all things) shall ye grow to me!
And even the spirit of your summer mirth
Moan pine-like in the woods of memory;
Still, shorn of nearer joy, my heart alone
Out in the mother-whole may henceforth seek its own.
~ Charles Harpur,#NFDB
1293:To ——
LONG ere I knew thee—years of loveless days—
A Shape would gather from my dreams and pour
The soul-sweet influence of its gentle gaze
Into my being, thrilling it to the core,
Then would I wake, with lonely heart to pine
For that nocturnal image:—it was thine!
Thine—for though long with a fond moody heed
I sought to match it with the beauteous creatures
I met in the world’s ways, ’twas but to bleed
With disappointment; for all forms, all features,
Yet left it void of living counterpart—
The shadowy Mistress of my yearning heart.
Thine—for when first seen thou didst seem to me
A being known yet beautifully new!
Thus, warranting some sage’s theory,
Amid Heaven’s sisterhoods, into shining view
Is drawn a long-conjectured star, his name
To fold forever in its virgin flame!
But I forget! Far, far away from thee
Behold, I wander ’mid primeval woods
Where but all savage things are wont to be,
Mixing fond questionings with Solitude’s
Wild cadences, as through dim glades by fits
Yet dreaming her ancient dream, illusively she flits.
And now the HUNTER, with a swollen speed
Rushes in thunder at my feet, but wears
A softened charm in that it seems to lead
My willing vision whether Memory rears
Thy rural bower by the stream that erst
With murmurous heed my infant passion nurst.
And with the river’s torture, oft a tone
Of that far brook seems blending, accents too
Of the dear voice there heard—that voice alone
Unparagoned of mortal sound, like dew
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Honeyed with manna, dropping near me seems,
As oft I listen—lost in Memory’s dreams!
But vain these musings! Though my spirit’s bride
Thou knew’st not of my love! Though all my days
To come must be inevitably dyed
Or bright or dark through thee—this missive says
Thy lot in life is cast, that thou wilt be
Another’s ere I look again on thee!
The bardic doom is on me! Poets make
Beauty immortal and yet luckless miss
The charms they sing,—martyrs at Fortune’s stake!
As though their soul’s capacity for bliss
Might else give Earth too much of Heaven and kill
The want that strengthens them for prowess still.
Wreathe then the Poet’s brows with blossoms bright!
Let waters ever, and the sway of trees
Sound through his thoughts, as the renewed delight
Of Even flows around him in a breeze
Laden with dying voices—till the night
Enroof him with her starry mysteries!
For Nature only (fated at his birth!)
May minister unto his love on Earth.
~ Charles Harpur,#NFDB
1294:He was beautiful.
Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge.
He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring.
Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes.
Good-he wasn’t looking at me.
I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him…
…and saw a picture of me, fast asleep.
It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me?
Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still.
“You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased.
My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked.
“You knew?” I asked, mortified.
Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?”
My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?”
He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.”
I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.”
“Hmm. Did you sort anything out?” he asked.
“Like I said, I can’t remember.”
I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look? ~ Hilary Duff,#NFDB
1295:The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath.
"Bonjour, uh...soup? Sopa? S'il vous plait?"
"Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris?
"Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?"
Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well."
My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food.
"Merci," I say.
"De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can-
"NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria.
I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time."
"My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself."
I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now.
"You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy."
Yeah.Thanks for pointing that out now. ~ Stephanie Perkins,#NFDB
1296:Beowulf (Episode 20)
HROTHGAR spake, helmet-of-Scyldings: -"Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, -seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
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from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back."
~ Anonymous Olde English,#NFDB
1297:Beowulf (Episode 01)
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that -- was -- 's queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
ia master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot he named it
whose message had might in many a land.
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
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how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
~ Anonymous Olde English,#NFDB
1298:Eagle in New Mexico
Towards the sun, towards the south-west
A scorched breast.
A scorched breast, breasting the sun like an answer,
Like a retort.
An eagle at the top of a low cedar-bush
On the sage-ash desert
Reflecting the scorch of the sun from his breast ;
Eagle, with the sickle dripping darkly above.
Erect, scorched-pallid out of the hair of the cedar,
Erect, with the god-thrust entering him from below,
Eagle gloved in feathers
In scorched white feathers
In burnt dark feathers
In feathers still fire-rusted ;
Sickle-overswept, sickle dripping over and above.
Sun-breaster,
Staring two ways at once, to right and left ;
Masked-one
Dark-visaged
Sickle-masked
With iron between your two eyes ;
You feather-gloved
To the feet ;
Foot-fierce ;
Erect one ;
The god-thrust entering you steadily from below.
You never look at the sun with your two eyes.
Only the inner eye of your scorched broad breast
Looks straight at the sun.
You are dark
Except scorch-pale-breasted ;
And dark cleaves down and weapon-hard downward curving
At your scorched breast,
Like a sword of Damocles,
Beaked eagle.
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You've dipped it in blood so many times
That dark face-weapon, to temper it well,
Blood-thirsty bird.
Why do you front the sun so obstinately,
American eagle ?
As if you owed him an old, old grudge, great sun : or an old, old allegiance.
When you pick the red smoky heart from a rabbit or a light-blooded bird
Do you lift it to the sun, as the Aztec priests used to lift red hearts of men ?
Does the sun need steam of blood do you think
In America, still,
Old eagle ?
Does the sun in New Mexico sail like a fiery bird of prey in the sky
Hovering ?
Does he shriek for blood ?
Does he fan great wings above the prairie, like a hovering, blood-thirsty bird ?
And are you his priest, big eagle
Whom the Indians aspire to ?
Is there a bond of bloodshed between you ?
Is your continent cold from the ice-age still, that the sun is so angry ?
Is the blood of your continent somewhat reptilian still,
That the sun should be greedy for it ?
I don't yield to you, big, jowl-faced eagle
Nor you nor your blood-thirsty sun
That sucks up blood
Leaving a nervous people.
Fly off, big bird with a big black back.
Fly slowly away, with a rust of fire in your tail,
Dark as you are on your dark side, eagle of heaven.
Even the sun in heaven can be curbed and chastened at last
By the life in the hearts of men.
And you, great bird, sun-starer, heavy black beak
Can be put out of office as sacrifice bringer.
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~ David Herbert Lawrence,#NFDB
1299:"O Death, thou lookst on an unfinished world
Assailed by thee and of its road unsure,
Peopled by imperfect minds and ignorant lives,
And sayest God is not and all is vain.
How shall the child already be the man?
Because he is infant, shall he never grow?
Because he is ignorant, shall he never learn?
In a small fragile seed a great tree lurks,
In a tiny gene a thinking being is shut;
A little element in a little sperm,
It grows and is a conqueror and a sage.
Then wilt thou spew out, Death, God's mystic truth,
Deny the occult spiritual miracle?
Still wilt thou say there is no spirit, no God?
A mute material Nature wakes and sees;
She has invented speech, unveiled a will.
Something there waits beyond towards which she strives,
Something surrounds her into which she grows:
To uncover the spirit, to change back into God,
To exceed herself is her transcendent task.
In God concealed the world began to be,
Tardily it travels towards manifest God:
Our imperfection towards perfection toils,
The body is the chrysalis of a soul:
The infinite holds the finite in its arms,
Time travels towards revealed eternity.
A miracle structure of the eternal Mage,
Matter its mystery hides from its own eyes,
A scripture written out in cryptic signs,
An occult document of the All-Wonderful's art.
All here bears witness to his secret might,
In all we feel his presence and his power.
A blaze of his sovereign glory is the sun,
A glory is the gold and glimmering moon,
A glory is his dream of purple sky.
A march of his greatness are the wheeling stars.
His laughter of beauty breaks out in green trees,
His moments of beauty triumph in a flower;
The blue sea's chant, the rivulet's wandering voice
Are murmurs falling from the Eternal's harp.
This world is God fulfilled in outwardness.
His ways challenge our reason and our sense;
By blind brute movements of an ignorant Force,
By means we slight as small, obscure or base,
A greatness founded upon little things,
He has built a world in the unknowing Void.
His forms he has massed from infinitesimal dust;
His marvels are built from insignificant things.
If mind is crippled, life untaught and crude,
If brutal masks are there and evil acts,
They are incidents of his vast and varied plot,
His great and dangerous drama's needed steps;
He makes with these and all his passion-play,
A play and yet no play but the deep scheme
Of a transcendent Wisdom finding ways
To meet her Lord in the shadow and the Night:
Above her is the vigil of the stars;
Watched by a solitary Infinitude
She embodies in dumb Matter the Divine,
In symbol minds and lives the Absolute.
~ Sri Aurobindo, Savitri, The Debate of Love and Death,#NFDB
1300:The Poor Relation
No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.
Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid
For memories that have no stain,
For triumph born to be defeated.
To those who come for what she was—
The few left who know where to find her—
She clings, for they are all she has;
And she may smile when they remind her,
As heretofore, of what they know
Of roses that are still to blow
By ways where not so much as grass
Remains of what she sees behind her.
They stay a while, and having done
What penance or the past requires,
They go, and leave her there alone
To count her chimneys and her spires.
Her lip shakes when they go away,
And yet she would not have them stay;
She knows as well as anyone
That Pity, having played, soon tires.
But one friend always reappears,
A good ghost, not to be forsaken;
Whereat she laughs and has no fears
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Of what a ghost may reawaken,
But welcomes, while she wears and mends
The poor relation’s odds and ends,
Her truant from a tomb of years—
Her power of youth so early taken.
Poor laugh, more slender than her song
It seems; and there are none to hear it
With even the stopped ears of the strong
For breaking heart or broken spirit.
The friends who clamored for her place,
And would have scratched her for her face,
Have lost her laughter for so long
That none would care enough to fear it.
None live who need fear anything
From her, whose losses are their pleasure;
The plover with a wounded wing
Stays not the flight that others measure;
So there she waits, and while she lives,
And death forgets, and faith forgives,
Her memories go foraging
For bits of childhood song they treasure.
And like a giant harp that hums
On always, and is always blending
The coming of what never comes
With what has past and had an ending,
The City trembles, throbs, and pounds
Outside, and through a thousand sounds
The small intolerable drums
Of Time are like slow drops descending.
Bereft enough to shame a sage
And given little to long sighing,
With no illusion to assuage
The lonely changelessness of dying,—
Unsought, unthought-of, and unheard,
She sings and watches like a bird,
Safe in a comfortable cage
From which there will be no more flying.
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~ Edwin Arlington Robinson,#NFDB
1301:Wordsworth At Dove Cottage
Wise Wordsworth, to avert your ken,
From half of human fate.
What is there in the ways of men,
Their struggles, or their state,
To make the calm recluse forswear
The garden path, the fire-side chair,
To journey with the Great?
The narrowest hamlet lends the heart
A realm as rich and wide
As kingdoms do, to play its part;
Who reaps not, that hath tried,
More rapture from the wayside flower
Than all the stairs and robes of power
And avenues of pride?
Whether we scan it from below,
Or bask in it above,
We weary of life's glittering show;
We tire of all save Love.
As, when fatigued with wood-notes shrill,
We listen with contentment still
To cooings of the dove.
In this low cottage nested near
Mountain and lake, you dwelt;
'Twas here you tilled the ground, 'twas here
You loved, and wrote, and knelt.
Hence, wheresoe'er your kindred dwell,
Your songs sincere our hearts compel
To feel the thing you felt.
Glory there is that lives entombed
In spacious-soaring shrine;
A tenement more narrow-roomed
Sufficient is for thine.
A homely temple haply found
Where peasants toil and streamlets sound,
Adorned not, but divine.
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Your sacred music still is heard,
When notes profane have died;
Like some familiar home-bred word,
You in our lives abide.
And when with trackless feet we rove
By meadow, mountain, mere, or grove,
We feel you at our side.
Thrice-happy bard! who found at home
All joys that needful be;
Whose longings were not forced to roam
Beyond your household Three:Your own proud genius, steadfast, calm,
A wife whose faith was household balm,
And heavenly Dorothy.
What is it sweetens tasteless Fame?
Makes shadowy Glory bliss?
What is the guerdon poets claim?
What should it be but this?A heart attuned to understand,
A listening ear, a loving hand,
A smile, a tear, a kiss!
Leave them but these, and let who will
Crave plaudits from the crowd,
Its vapid incense, aves shrill,
And favour of the proud.
The sweetest minister of Fame
Is she who broods upon one's name,
But calls it not aloud.
And this at least, in full, you had,
From sister, and from wife:
They made your gravest moments glad,
They havened you from strife;
Hallowed your verse, revered your tread,
Maintained a nimbus round your head,
And deified your life.
Hence, long as gentle brows shall bend
614
Over your rustic page,
Their pious love shall still befriend
The poet and the sage;
For, when we cross your cottage sill,
Virtue, no less than Genius, will
Invite the Pilgrimage.
The tallest tower that ever rose
Hath but a span to soar;
Palace and fane are passing shows,
But Time will be no more,
When Wordsworth's home no longer leads
Men's far-off feet to Grasmere's meads,
And sanctifies its shore.
~ Alfred Austin,#NFDB
1302:Et, en effet, une fois qu'on a cessé de confondre l'individualisme avec son
contraire, c'est-à-dire avec l'utilitarisme, toutes ces prétendues contradictions
s'évanouissent comme par enchantement. Cette religion de l'humanité a tout
ce qu'il faut pour parler à ses fidèles sur un ton non moins impératif que les
religions qu'elle remplace. Bien loin qu'elle se borne à flatter nos instincts, elle
nous assigne un idéal qui dépasse infiniment la nature ; car nous ne sommes
pas naturellement cette sage et pure raison qui, dégagée de tout mobile
personnel, légiférerait dans l'abstrait sur sa propre conduite. Sans doute, si la
dignité de l'individu lui venait de ses caractères individuels, des particularités
qui le distinguent d'autrui, on pourrait craindre qu'elle ne l'enfermât dans une
sorte d'égoïsme moral qui rendrait impossible toute solidarité. Mais, en réalité,
il la reçoit d'une source plus haute et qui lui est commune avec tous les
hommes. S'il a droit à ce respect religieux, c'est qu'il a en lui quelque chose de
l'humanité. C'est l'humanité qui est respectable et sacrée ; or elle n'est pas
toute en lui. Elle est répandue chez tous ses semblables ; par suite, il ne peut la
prendre pour fin de sa conduite sans être obligé de sortir de soi-même et de se répandre au-dehors. Le culte dont il est, à la fois, et l'objet et l'agent, ne
s'adresse pas à l'être particulier qu'il est et qui porte son nom, mais à la
personne humaine, où qu'elle se rencontre, sous quelque forme qu'elle
s'incarne. Impersonnelle et anonyme, une telle fin plane donc bien au-dessus
de toutes les consciences particulières et peut ainsi leur servir de centre de
ralliement. Le fait qu'elle ne nous est pas étrangère (par cela seul qu'elle est
humaine) n'empêche pas qu'elle ne nous domine. Or, tout ce qu'il faut aux
sociétés pour être cohérentes, c'est que leurs membres aient les yeux fixés sur
un même but, se rencontrent dans une même foi, mais il n'est nullement
nécessaire que l'objet de cette foi commune ne se rattache par aucun lien aux
natures individuelles. En définitive, l'individualisme ainsi entendu, c'est la
glorification, non du moi, mais de l'individu en général. Il a pour ressort, non
l'égoïsme, mais la sympathie pour tout ce qui est homme, une pitié plus large
pour toutes les douleurs, pour toutes les misères humaines, un plus ardent
besoin de les combattre et de les adoucir, une plus grande soif de justice. N'y
a-t-il pas là de quoi faire communier toutes les bonnes volontés. Sans doute, il
peut arriver que l'individualisme soit pratiqué dans un tout autre esprit.
Certains l'utilisent pour leurs fins personnelles, l'emploient comme un moyen
pour couvrir leur égoïsme et se dérober plus aisément à leurs devoirs envers la
société. Mais cette exploitation abusive de l'individualisme ne prouve rien
contre lui, de même que les mensonges utilitaires de l'hypocrisie religieuse ne
prouvent rien contre la religion. ~ mile Durkheim,#NFDB
1303:The Prose Poem
On the map it is precise and rectilinear as a chessboard, though driving past you
would hardly notice it, this boundary line or ragged margin, a shallow swale that
cups a simple trickle of water, less rill than rivulet, more gully than dell, a
tangled ditch grown up throughout with a fearsome assortment of wildflowers
and bracken. There is no fence, though here and there a weathered post asserts
a former claim, strands of fallen wire taken by the dust. To the left a cornfield
carries into the distance, dips and rises to the blue sky, a rolling plain of green
and healthy plants aligned in close order, row upon row upon row. To the right, a
field of wheat, a field of hay, young grasses breaking the soil, filling their allotted
land with the rich, slow-waving spectacle of their grain. As for the farmers, they
are, for the most part, indistinguishable: here the tractor is red, there yellow;
here a pair of dirty hands, there a pair of dirty hands. They are cultivators of the
soil. They grow crops by pattern, by acre, by foresight, by habit. What corn is to
one, wheat is to the other, and though to some eyes the similarities outweigh the
differences it would be as unthinkable for the second to commence planting corn
as for the first to switch over to wheat. What happens in the gully between them
is no concern of theirs, they say, so long as the plough stays out, the weeds stay
in the ditch where they belong, though anyone would notice the wind-sewn
cornstalks poking up their shaggy ears like young lovers run off into the bushes,
and the kinship of these wild grasses with those the farmer cultivates is too
obvious to mention, sage and dun-colored stalks hanging their noble heads,
hoarding exotic burrs and seeds, and yet it is neither corn nor wheat that truly
flourishes there, nor some jackalopian hybrid of the two. What grows in that
place is possessed of a beauty all its own, ramshackle and unexpected, even in
winter, when the wind hangs icicles from the skeletons of briars and small tracks
cross the snow in search of forgotten grain; in the spring the little trickle of water
swells to welcome frogs and minnows, a muskrat, a family of turtles, nesting
doves in the verdant grass; in summer it is a thoroughfare for raccoons and
opossums, field mice, swallows and black birds, migrating egrets, a passing fox;
in autumn the geese avoid its abundance, seeking out windrows of toppled
stalks, fatter grain more quickly discerned, more easily digested. Of those that
travel the local road, few pay that fertile hollow any mind, even those with an
eye for what blossoms, vetch and timothy, early forsythia, the fatted calf in the
fallow field, the rabbit running for cover, the hawk's descent from the lightningstruck tree. You've passed this way yourself many times, and can tell me, if you
would, do the formal fields end where the valley begins, or does everything that
surrounds us emerge from its embrace?
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~ Campbell McGrath,#NFDB
1304:Episode 38
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, -war-sick warrior, -- woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. -- Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. -- The blade of his lord
-- its edge was iron -- had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
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plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. -"For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave."
From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
"Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go."
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
~ Anonymous Olde English,#NFDB
1305:Hartung tells of a horrifying study by the Israeli psychologist George Tamarin. Tamarin presented to more than a thousand Israeli schoolchildren, aged between eight and fourteen, the account of the battle of Jericho in the book of Joshua: Joshua said to the people, ‘Shout; for the LORD has given you the city. And the city and all that is within it shall be devoted to the LORD for destruction . . . But all silver and gold, and vessels of bronze and iron, are sacred to the LORD; they shall go into the treasury of the LORD.’ . . . Then they utterly destroyed all in the city, both men and women, young and old, oxen, sheep, and asses, with the edge of the sword . . . And they burned the city with fire, and all within it; only the silver and gold, and the vessels of bronze and of iron, they put into the treasury of the house of the LORD. Tamarin then asked the children a simple moral question: ‘Do you think Joshua and the Israelites acted rightly or not?’ They had to choose between A (total approval), B (partial approval) and C (total disapproval). The results were polarized: 66 per cent gave total approval and 26 per cent total disapproval, with rather fewer (8 per cent) in the middle with partial approval. Here are three typical answers from the total approval (A) group: In my opinion Joshua and the Sons of Israel acted well, and here are the reasons: God promised them this land, and gave them permission to conquer. If they would not have acted in this manner or killed anyone, then there would be the danger that the Sons of Israel would have assimilated among the Goyim. In my opinion Joshua was right when he did it, one reason being that God commanded him to exterminate the people so that the tribes of Israel will not be able to assimilate amongst them and learn their bad ways. Joshua did good because the people who inhabited the land were of a different religion, and when Joshua killed them he wiped their religion from the earth. The justification for the genocidal massacre by Joshua is religious in every case. Even those in category C, who gave total disapproval, did so, in some cases, for backhanded religious reasons. One girl, for example, disapproved of Joshua’s conquering Jericho because, in order to do so, he had to enter it: I think it is bad, since the Arabs are impure and if one enters an impure land one will also become impure and share their curse. Two others who totally disapproved did so because Joshua destroyed everything, including animals and property, instead of keeping some as spoil for the Israelites: I think Joshua did not act well, as they could have spared the animals for themselves. I think Joshua did not act well, as he could have left the property of Jericho; if he had not destroyed the property it would have belonged to the Israelites. Once again the sage Maimonides, often cited for his scholarly wisdom, is in no doubt where he stands on this issue: ‘It is a positive commandment to destroy the seven nations, as it is said: Thou shalt utterly destroy them. If one does not put to death any of them that falls into one’s power, one transgresses a negative commandment, as it is said: Thou shalt save alive nothing that breatheth! ~ Richard Dawkins, #NFDB
1306:Democritus And His Neighbors
IN Vulgar Minds what Errors do arise!
How diff'ring are the Notions, they possess,
From theirs, whom better Sense do's bless,
Who justly are enroll'd amongst the Learn'd and Wise!
Democritus, whilst he all Science taught,
Was by his foolish Neighbors thought
Distracted in his Wits;
Who call his speculative Flights,
His solitary Walks in starry Nights,
But wild and frantick Fits.
Bless me, each cries, from such a working Brain!
And to Hippocrates they send
The Sage's long-acquainted Friend,
To put in Tune his jarring Mind again,
And Pericranium mend.
Away the Skilful Doctor comes
Of Recipes and Med'cines full,
To check the giddy Whirl of Nature's Fires,
If so th' unruly Case requires;
Or with his Cobweb-cleansing Brooms
To sweep and clear the over-crouded Scull,
If settl'd Spirits flag, and make the Patient dull.
But asking what the Symptoms were,
That made 'em think he was so bad?
The Man indeed, they cry'd, is wond'rous Mad.
You, at this Distance, may behold him there
Beneath that Tree in open Air,
Surrounded with the Engines of his Fate,
The Gimcracks of a broken Pate.
Those Hoops a Sphere he calls,
That Ball the Earth;
And when into his raving Fit he falls,
'Twou'd move at once your Pity, and your Mirth,
To hear him, as you will do soon,
Declaring, there's a Kingdom in the Moon;
And that each Star, for ought he knows,
May some Inhabitants enclose:
Philosophers, he says, may there abound,
Such Jugglers as himself be in them found;
60
Which if there be, the World may well turn round;
At least to those, whose Whimsies are so strange,
That, whilst they're fixt to one peculiar Place,
Pretend to measure far extended Space,
And 'mongst the Planets range.
Behold him now contemplating that Head,
From which long-since both Flesh, and Brains are fled;
Questioning, if that empty, hollow Bowl
Did not ere while contain the Human Soul:
Then starts a Doubt, if 't were not to the Heart
That Nature rather did that Gift impart.
Good Sir, employ the utmost of your Skill,
To make him Wiser, tho' against his Will;
Who thinks, that he already All exceeds,
And laughs at our most solemn Words and Deeds:
Tho' once amongst us he wou'd try a Cause,
And Bus'ness of the Town discuss,
Knowing as well as one of us,
The Price of Corn, and standing Market-Laws;
Wou'd bear an Office in his Turn,
For which good Purposes all Men were born;
Not to be making Circles in the Sand,
And scaling Heav'n, till they have sold their Land;
Or, when unstock'd below their Pasture lies,
To find out Bulls and Rams, amidst the Skies.
From these Mistakes his Madness we conclude;
And hearing, you was with much Skill endu'd,
Your Aid we sought. Hippocrates amaz'd,
Now on the Sage, now on the Rabble gaz'd;
And whilst he needless finds his artful Rules,
Pities a Man of Sense, judg'd by a Croud of Fools.
Then how can we with their Opinions join,
Who, to promote some Int'rest, wou'd define
The People's Voice to be the Voice Divine?
~ Anne Kingsmill Finch,#NFDB
1307:STUFFIN’ MUFFINS Preheat oven to 350 degrees F., rack in the middle position. 4 ounces salted butter (1 stick, 8 Tablespoons, ¼ pound) ½ cup finely chopped onion (you can buy this chopped or chop it yourself) ½ cup finely chopped celery ½ cup chopped apple (core, but do not peel before chopping) 1 teaspoon powdered sage 1 teaspoon powdered thyme 1 teaspoon ground oregano 8 cups herb stuffing (the kind in cubes that you buy in the grocery store—you can also use plain bread cubes and add a quarter-teaspoon more of ground sage, thyme, and oregano) 3 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon salt ½ teaspoon black pepper (freshly ground is best) 2 ounces (½ stick, 4 Tablespoons, pound) melted butter ¼ to ½ cup chicken broth (I used Swanson’s) Hannah’s 1st Note: I used a Fuji apple this time. I’ve also used Granny Smith apples, or Gala apples. Before you start, find a 12-cup muffin pan. Spray the inside of the cups with Pam or another nonstick cooking spray OR line them with cupcake papers. Get out a 10-inch or larger frying pan. Cut the stick of butter in 4 to 8 pieces and drop them inside. Put the pan over MEDIUM heat on the stovetop to melt the butter. Once the butter has melted, add the chopped onions. Give them a stir. Add the chopped celery. Stir it in. Add the chopped apple and stir that in. Sprinkle in the ground sage, thyme, and oregano. Sauté this mixture for 5 minutes. Then pull the frying pan off the heat and onto a cold burner. In a large mixing bowl, combine the 8 cups of herb stuffing. (If the boxed stuffing you bought has a separate herb packet, just sprinkle it over the top of the mixture in your frying pan. That way you’ll be sure to put it in!) Pour the beaten eggs over the top of the herb stuffing and mix them in. Sprinkle on the salt and the pepper. Mix them in. Pour the melted butter over the top and mix it in. Add the mixture from your frying pan on top of that. Stir it all up together. Measure out ¼ cup of chicken broth. Wash your hands. (Mixing the stuffing is going to be a lot easier if you use your impeccably clean hands to mix it.) Pour the ¼ cup of chicken broth over the top of your bowl. Mix everything with your hands. Feel the resulting mixture. It should be softened, but not wet. If you think it’s so dry that your muffins might fall apart after you bake them, mix in another ¼ cup of chicken broth. Once your Stuffin’ Muffin mixture is thoroughly combined, move the bowl close to the muffin pan you’ve prepared, and go wash your hands again. Use an ice cream scoop to fill your muffin cups. If you don’t have an ice cream scoop, use a large spoon. Mound the tops of the muffins by hand. (Your hands are still impeccably clean, aren’t they?) Bake the Stuffin’ Muffins at 350 degrees F. for 25 minutes. Yield: One dozen standard-sized muffins that can be served hot, warm, or at room temperature. Hannah’s 2nd Note: These muffins are a great accompaniment to pork, ham, chicken, turkey, duck, beef, or . . . well . . . practically anything! If there are any left over, you can reheat them in the microwave to serve the next day. Hannah’s 3rd Note: I’m beginning to think that Andrea can actually make Stuffin’ Muffins. It’s only April now, so she’s got seven months to practice. ~ Joanne Fluke, #NFDB
1308:Evil
Hasten towards the good, leave behind all evil thoughts, for to do good without enthusiasm is to have a mind which delights in evil.
If one does an evil action, he should not persist in it, he should not delight in it. For full of suffering is the accumulation of evil.
If one does a good action, he should persist in it and take delight in it. Full of happiness is the accumulation of good.
As long as his evil action has not yet ripened, an evildoer may experience contentment. But when it ripens, the wrong-doer knows unhappiness.
As long as his good action has not yet ripened, one who does good may experience unhappiness. But when it ripens, the good man knows happiness.
Do not treat evil lightly, saying, "That will not touch me." A jar is filled drop by drop; even so the fool fills himself little by little with wickedness.
Do not treat good lightly, saying, "That will not touch me." A jar is filled drop by drop; even so the sage fills himself little by little with goodness.
The merchant who is carrying many precious goods and who has but few companions, avoids dangerous roads; and a man who loves his life is wary of poison. Even so should one act regarding evil.
A hand that has no wound can carry poison with impunity; act likewise, for evil cannot touch the righteous man.
If you offend one who is pure, innocent and defenceless, the insult will fall back on you, as if you threw dust against the wind.
Some are reborn here on earth, evil-doers go to the worlds of Niraya,1 the just go to the heavenly worlds, but those who have freed themselves from all desire attain Nirvana.
Neither in the skies, nor in the depths of the ocean, nor in the rocky caves, nowhere upon earth does there exist a place where a man can find refuge from his evil actions.
Neither in the skies, nor in the depths of the ocean, nor in the rocky caves, nowhere upon earth does there exist a place where a man can hide from death.
People have the habit of dealing lightly with thoughts that come. And the atmosphere is full of thoughts of all kinds which do not in fact belong to anybody in particular, which move perpetually from one person to another, very freely, much too freely, because there are very few people who can keep their thoughts under control.
When you take up the Buddhist discipline to learn how to control your thoughts, you make very interesting discoveries. You try to observe your thoughts. Instead of letting them pass freely, sometimes even letting them enter your head and establish themselves in a quite inopportune way, you look at them, observe them and you realise with stupefaction that in the space of a few seconds there passes through the head a series of absolutely improbable thoughts that are altogether harmful.
...?
Conversion of the aim of life from the ego to the Divine: instead of seeking one's own satisfaction, to have the service of the Divine as the aim of life.
*
What you must know is exactly the thing you want to do in life. The time needed to learn it does not matter at all. For those who wish to live according to Truth, there is always something to learn and some progress to make. 2 October 1969 ~ The Mother, Questions And Answers 1929-1931,#NFDB
1309:Beowulf (Episode 25)
"UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
-- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
137
at dawn of day, be dealt between us!"
Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
"war-friend" winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
~ Anonymous Olde English,#NFDB
1310:The Angel In The House. Book I. The Prologue.
I.
Mine is no horse with wings, to gain
‘The region of the spheral chime;
‘He does but drag a rumbling wain,
‘Cheer'd by the coupled bells of rhyme;
‘And if at Fame's bewitching note
‘My homely Pegasus pricks an ear,
‘The world's cart-collar hugs his throat,
‘And he's too sage to kick or rear.’
II.
Thus ever answer'd Vaughan his Wife,
Who, more than he, desired his fame;
But, in his heart, his thoughts were rife
How for her sake to earn a name.
With bays poetic three times crown'd,
And other college honours won,
He, if he chose, might be renown'd,
He had but little doubt, she none;
And in a loftier phrase he talk'd
With her, upon their Wedding-Day,
(The eighth), while through the fields they walk'd,
Their children shouting by the way.
III.
‘Not careless of the gift of song,
‘Nor out of love with noble fame,
‘I, meditating much and long
‘What I should sing, how win a name,
‘Considering well what theme unsung,
‘What reason worth the cost of rhyme,
‘Remains to loose the poet's tongue
‘In these last days, the dregs of time,
‘Learn that to me, though born so late,
‘There does, beyond desert, befall
‘(May my great fortune make me great!)
‘The first of themes, sung last of all.
121
‘In green and undiscover'd ground,
‘Yet near where many others sing,
‘I have the very well-head found
‘Whence gushes the Pierian Spring.’
IV.
Then she: ‘What is it, Dear? The Life
‘Of Arthur, or Jerusalem's Fall?’
‘Neither: your gentle self, my Wife,
‘And love, that grows from one to all.
‘And if I faithfully proclaim
‘Of these the exceeding worthiness,
‘Surely the sweetest wreath of Fame
‘Shall, to your hope, my brows caress;
‘And if, by virtue of my choice
‘Of this, the most heart-touching theme
‘That ever tuned a poet's voice,
‘I live, as I am bold to dream,
‘To be delight to many days,
‘And into silence only cease
‘When those are still, who shared their bays
‘With Laura and with Beatrice,
‘Imagine, Love, how learned men
‘Will deep-conceiv'd devices find,
‘Beyond my purpose and my ken,
‘An ancient bard of simple mind.
‘You, Sweet, his Mistress, Wife, and Muse,
‘Were you for mortal woman meant?
Your praises give a hundred clues
‘To mythological intent!
And, severing thus the truth from trope,
‘In you the Commentators see
‘Outlines occult of abstract scope,
‘A future for philosophy!
‘Your arm's on mine! these are the meads
‘In which we pass our living days;
‘There Avon runs, now hid with reeds,
‘Now brightly brimming pebbly bays;
‘Those are our children's songs that come
‘With bells and bleatings of the sheep;
‘And there, in yonder English home,
122
‘We thrive on mortal food and sleep!’
She laugh'd. How proud she always was
To feel how proud he was of her!
But he had grown distraught, because
The Muse's mood began to stir.
V.
His purpose with performance crown'd,
He to his well-pleased Wife rehears'd,
When next their Wedding-Day came round,
His leisure's labour, ‘Book the First.’
~ Coventry Patmore,#NFDB
1311:The Angel In The House. Book I. The Prologue.
I.
Mine is no horse with wings, to gain
‘The region of the spheral chime;
‘He does but drag a rumbling wain,
‘Cheer'd by the coupled bells of rhyme;
‘And if at Fame's bewitching note
‘My homely Pegasus pricks an ear,
‘The world's cart-collar hugs his throat,
‘And he's too sage to kick or rear.’
II.
Thus ever answer'd Vaughan his Wife,
Who, more than he, desired his fame;
But, in his heart, his thoughts were rife
How for her sake to earn a name.
With bays poetic three times crown'd,
And other college honours won,
He, if he chose, might be renown'd,
He had but little doubt, she none;
And in a loftier phrase he talk'd
With her, upon their Wedding-Day,
(The eighth), while through the fields they walk'd,
Their children shouting by the way.
III.
‘Not careless of the gift of song,
‘Nor out of love with noble fame,
‘I, meditating much and long
‘What I should sing, how win a name,
‘Considering well what theme unsung,
‘What reason worth the cost of rhyme,
‘Remains to loose the poet's tongue
‘In these last days, the dregs of time,
‘Learn that to me, though born so late,
‘There does, beyond desert, befall
‘(May my great fortune make me great!)
‘The first of themes, sung last of all.
121
‘In green and undiscover'd ground,
‘Yet near where many others sing,
‘I have the very well-head found
‘Whence gushes the Pierian Spring.’
IV.
Then she: ‘What is it, Dear? The Life
‘Of Arthur, or Jerusalem's Fall?’
‘Neither: your gentle self, my Wife,
‘And love, that grows from one to all.
‘And if I faithfully proclaim
��Of these the exceeding worthiness,
‘Surely the sweetest wreath of Fame
‘Shall, to your hope, my brows caress;
‘And if, by virtue of my choice
‘Of this, the most heart-touching theme
‘That ever tuned a poet's voice,
‘I live, as I am bold to dream,
‘To be delight to many days,
‘And into silence only cease
‘When those are still, who shared their bays
‘With Laura and with Beatrice,
‘Imagine, Love, how learned men
‘Will deep-conceiv'd devices find,
‘Beyond my purpose and my ken,
‘An ancient bard of simple mind.
‘You, Sweet, his Mistress, Wife, and Muse,
‘Were you for mortal woman meant?
Your praises give a hundred clues
‘To mythological intent!
And, severing thus the truth from trope,
‘In you the Commentators see
‘Outlines occult of abstract scope,
‘A future for philosophy!
‘Your arm's on mine! these are the meads
‘In which we pass our living days;
‘There Avon runs, now hid with reeds,
‘Now brightly brimming pebbly bays;
‘Those are our children's songs that come
‘With bells and bleatings of the sheep;
‘And there, in yonder English home,
122
‘We thrive on mortal food and sleep!’
She laugh'd. How proud she always was
To feel how proud he was of her!
But he had grown distraught, because
The Muse's mood began to stir.
V.
His purpose with performance crown'd,
He to his well-pleased Wife rehears'd,
When next their Wedding-Day came round,
His leisure's labour, ‘Book the First.’
~ Coventry Patmore,#NFDB
1312:
ON THE DESPISES OF THE BODY
I want to speak to the despisers of the body. I would
not have them learn and teach differently, but merely
say farewell to their own bodies-and thus become
silent.
"Body am I, and soul"-thus speaks the child. And
why should one not speak like children?
But the awakened and knowing say: body am I entirely, and nothing else; and soul is only a word for
something about the body.
The body is a great reason, a plurality with one
sense, a war and a peace, a herd and a shepherd. An
instrument of your body is also your little reason, my
brother, which you call "spirit"-a little instrument
and toy of your great reason.
"I," you say, and are proud of the word. But greater
is that in which you do not wish to have faith-your
body and its great reason: that does not say "I," but
does "I."
What the sense feels, what the spirit knows, never
has its end in itself. But sense and spirit would persuade you that they are the end of all things: that is
how vain they are. Instruments and toys are sense and
spirit: behind them still lies the self. The self also
seeks with the eyes of the senses; it also listens with
the ears of the spirit. Always the self listens and seeks:
it compares, overpowers, conquers, destroys. It controls, and it is in control of the ego too.
Behind your thoughts and feelings, my brother,
there stands a mighty ruler, an unknown sage-whose
name is self. In your body he dwells; he is your
body.
There is more reason in your body than in your best
35
wisdom. And who knows why your body needs precisely your best wisdom?
Your self laughs at your ego and at its bold leaps.
"What are these leaps and flights of thought to me?"
it says to itself. "A detour to my end. I am the leading
strings of the ego and the prompter of its concepts."
The self says to the ego, "Feel pain here" Then the
ego suffers and thinks how it might suffer no more and that is why it is made to think.
The self says to the ego, "Feel pleasure here" Then
the ego is pleased and thinks how it might often be
pleased again-and that is why it is made to think.
I want to speak to the despisers of the body. It is
their respect that begets their contempt. What is it that
created respect and contempt and worth and will? The
creative self created respect and contempt; it created
pleasure and pain. The creative body created the spirit
as a hand for its will.
Even in your folly and contempt, you despisers of
the body, you serve your self. I say unto you: your self
itself wants to die and turns away from life. It is no
longer capable of what it would do above all else: to
create beyond itself. That is what it would do above
all else, that is its fervent wish.
But now it is too late for it to do this: so your self
wants to go under, 0 despisers of the body. Your self
wants to go under, and that is why you have become
despisers of the body For you are no longer able to
create beyond yourselves.
And that is why you are angry with life and the
earth. An unconscious envy speaks out of the squinteyed glance of your contempt.
I shall not go your way, 0 despisers of the body
You are no bridge to the overman!
Thus spoke Zarathustra.
36
~ Friedrich Nietzsche, ON THE DESPISERS OF THE BODY
,#NFDB
1313:True love is in despair and is enchanted over a glove lost
or a handkerchief found, and eternity is required for its devotion
and its hopes. It is composed both of the infinitely
great and the infinitely little.
If you are a stone, be adamant; if you are a plant, be the
sensitive plant; if you are a man, be love.
Free eBooks at Planet eBook.com 1579
Nothing suffices for love. We have happiness, we desire
paradise; we possess paradise, we desire heaven.
Oh ye who love each other, all this is contained in love.
Understand how to find it there. Love has contemplation as
well as heaven, and more than heaven, it has voluptuousness.
‘Does she still come to the Luxembourg?’ ‘No, sir.’ ‘This
is the church where she attends mass, is it not?’ ‘She no longer
comes here.’ ‘Does she still live in this house?’ ‘She has
moved away.’ ‘Where has she gone to dwell?’
‘She did not say.’
What a melancholy thing not to know the address of
one’s soul!
Love has its childishness, other passions have their pettinesses.
Shame on the passions which belittle man! Honor to
the one which makes a child of him!
There is one strange thing, do you know it? I dwell in the
night. There is a being who carried off my sky when she went
away.
Oh! would that we were lying side by side in the same
grave, hand in hand, and from time to time, in the darkness,
gently caressing a finger,—that would suffice for my
eternity!
Ye who suffer because ye love, love yet more. To die of
love, is to live in it.
Love. A sombre and starry transfiguration is mingled
with this torture. There is ecstasy in agony.
Oh joy of the birds! It is because they have nests that they
sing.
1580 Les Miserables
Love is a celestial respiration of the air of paradise.
Deep hearts, sage minds, take life as God has made it; it
is a long trial, an incomprehensible preparation for an unknown
destiny. This destiny, the true one, begins for a man
with the first step inside the tomb. Then something appears
to him, and he begins to distinguish the definitive. The definitive,
meditate upon that word. The living perceive the
infinite; the definitive permits itself to be seen only by the
dead. In the meanwhile, love and suffer, hope and contemplate.
Woe, alas! to him who shall have loved only bodies,
forms, appearances! Death will deprive him of all. Try to
love souls, you will find them again.
I encountered in the street, a very poor young man who
was in love. His hat was old, his coat was worn, his elbows
were in holes; water trickled through his shoes, and the stars
through his soul.
What a grand thing it is to be loved! What a far grander
thing it is to love! The heart becomes heroic, by dint of passion.
It is no longer composed of anything but what is pure; it
no longer rests on anything that is not elevated and great. An
unworthy thought can no more germinate in it, than a nettle
on a glacier. The serene and lofty soul, inaccessible to vulgar
passions and emotions, dominating the clouds and the
shades of this world, its follies, its lies, its hatreds, its vanities,
its miseries, inhabits the blue of heaven, and no longer feels
anything but profound and subterranean shocks of destiny,
as the crests of mountains feel the shocks of earthquake.
If there did not exist some one who loved, the sun would
become extinct. ~ Victor Hugo,#NFDB
1314:Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously. ~ Deepak Chopra, #NFDB
1315:Episode 42
A PERILOUS path, it proved, he trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view.
Wiglaf spake, the son of Weohstan: -"At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. -- This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
223
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, -- the way I show you, -where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
-- man beloved -- where long he shall bide
safe in the shelter of sovran God."
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far -- o'er the folk they ruled -for the famed-one's funeral. " Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb."
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
Then the woven gold on a wain was laden -countless quite! -- and the king was borne,
hoary hero, to Hrones-Ness.
224
~ Anonymous Olde English,#NFDB
1316:Episode 33
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron -- the earl's commander -a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. -- Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of thehoard! -Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
204
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. -- Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. -- A good king he!
205
~ Anonymous Olde English,#NFDB
1317:Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said.
“I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!”
“What? Wait a moment. Are you . . . jealous?”
“Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.”
“That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!”
“You might!” he blurted out. He sank down into the chair at his desk. “You just might.”
“Why are you acting like this?”
He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.”
I blinked.
“I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.”
I blinked.
The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.”
“Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk. ~ William Ritter,#NFDB
1318:Homère donne à un simple artisan le nom de sage, c'est ainsi qu'il s'exprime sur un certain Margites :
« Les dieux n'en firent ni un cultivateur ou fossoyeur, ni un sage en quoi que ce soit ; il ne réussit en aucun art. »
Hésiode, après avoir dit que Linus le joueur de harpe était versé dans toutes sortes de sagesses, ne craint pas de nommer sage un matelot. Il ne montre, écrit-il, aucune sagesse dans la navigation. Que dit le prophète Daniel :
« Les sages, les mages, les devins et les augures ne peuvent découvrir au roi le secret dont il s'inquiète; mais il est un Dieu dans le ciel qui révèle les mystères. »
Ainsi Daniel salue du nom de sages les savants de Babylone. Ce qui prouve clairement que l'Écri- 17 ture enveloppe sous la même dénomination de sagesse toute science ou tout art profane, enfin tout ce que l'esprit de l'homme a pu concevoir et imaginer, et que toute invention d'art ou de science vient de Dieu ; ajoutons les paroles suivantes, elles ne laisseront aucun doute :
« Et le Seigneur parla à Moïse en ces termes : Voilà que j'ai appelé Béséléel, fils d'Uri, fils de Hur, de la tribu de Juda, et je l'ai rempli d'un divin esprit de sagesse, d'intelligence et de science, pour inventer et exécuter toutes sortes d'ouvrages, pour travailler l'or et l'argent, et l'airain, et l'hyacinthe, et le porphyre, et le bois de l'arbre qui donne l'écarlate, et pour exécuter tous les travaux qui concernent l'architecte et le lapidaire, et pour travailler les bois, etc. »
Dieu poursuit de la sorte jusqu'à ces mots :
« Et tous les ouvrages. »
Puis il se sert d'une expression générale pour résumer ce qu'il vient de dire :
« Et j'ai mis l'intelligence dans le cœur de tous les ouvriers intelligents; »
c'est-à-dire, dans le cœur de tous ceux qui peuvent la recevoir par le travail et par l'exercice. Il est encore écrit d'une manière formelle, au nom du Seigneur :
« Et toi, parle à tous ceux qui ont la sagesse de la pensée, et que j'ai remplis d'un esprit d'intelligence. »
Ceux-là possèdent des avantages naturels tout particuliers; pour ceux qui font preuve d'une grande aptitude, ils ont reçu une double mesure, je dirai presque un double esprit d'intelligence. Ceux même qui s'appliquent à des arts grossiers, vulgaires, jouissent de sens excellents. L'organe de l'ouïe excelle dans le musicien, celui du tact dans le sculpteur, de la voix dans le chanteur, de l'odorat dans le parfumeur, de la vue dans celui qui sait graver des figures sur des cachets. Mais ceux qui se livrent aux sciences ont un sentiment spécial par lequel le poète a la perception du mètre; le rhéteur, du style; le dialecticien, du raisonnement ; le philosophe, de la contemplation qui lui est propre. Car, c'est à la faveur de ce sentiment ou instinct qu'on trouve et qu'on invente, puisque c'est lui seul qui peut déterminer l'application de notre esprit. Cette application s'accroit à raison de l'exercice continu. L'apôtre a 18 donc eu raison de dire que
« la sagesse de Dieu revêt mille formes diverses, »
puisque que pour notre bien elle nous révèle sa puissance en diverses occasions et de diverses manières, par les arts, par la science, par la foi, par la prophétie. Toute sagesse vient donc du Seigneur, et elle est avec lui pendant tous les siècles, comme le dit l'auteur du livre de la sagesse :
« Si tu invoques à grands cris l'intelligence et la science, si tu la cherches comme un trésor caché, et que tu fasses avec joie les plus grands efforts pour la trouver, tu comprendras le culte qu'il faut rendre au Seigneur, et tu découvriras la science de Dieu. » ~ Clement of Alexandria,#NFDB
1319:To Love And Time
TO MRS. MULSO.
On Stella's brow as lately envious Time
His crooked lines with iron pencil traced,
That brow, erewhile like ivory tablets smooth,
With Love's high trophies hung, and victories graced,
Digging him little caves in every cell,
And every dimple, once where Love was wont to dwell;
He spied the God: and wondered still to spy,
Who higher held his torch in Time's despite;
Nor seemed to care for aught that he could do.
Then sternly thus he sought him thence to' affright:
The sovereign boy entrenched in a smile,
At his sour crabbed speech sat mocking all the while.
“What dost thou here, fond boy? Away, for shame!
Mine is this field, by conquest fairly won;
Love cannot reap his joys where Time has ploughed,
Thou and thy light-winged troop should now begone.
Go revel with fresh Youth in scenes of folly,
Sage Thought I bring, and Care, and pale-eyed Melancholy.
“Thy streams are froze, that once so briskly ran,
Thy bough is shaken by the mellow year;
Boreas and Zephyr dwell not in one cave,
And swallows spread their wings when winter's near;
See where Florella's cheeks soft bloom disclose,
Go seek the springing bud, and leave the faded rose.”
Thus spake old Time, of Love the deadliest foe,—
Ah me, that gentle Love such foes should meet!
But nothing daunted he returned again,
Tempering with looks austere his native sweet;
And, “Fool!” said he, “to think I e'er shall fly
From that rich palace where my choicest treasures lie.
“Dost thou not see,—or art thou blind with age,—
How many Graces on her eyelids sit,
Linking those viewless chains that bind the soul,
And sharpening smooth discourse with pointed wit;
How many where she moves attendant wait,
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The slow smooth step inspire, or high commanding gait?
“Each one a several charm around her throws,
Some to attract, some powerful to repell,
Some mix the honeyed speech with winning smiles,
Or call wild Laughter from his antic cell;
Severer some, to strike with awful fear
Each rude licentious tongue that wounds the virtuous ear.
“Not one of them is of thy scythe in dread,
Or for thy cankered malice careth aught,
Thy shaking fingers never can untwist
The magic cæstus by their cunning wrought;
And I, their knight, their bidding must obey,
For where the Graces are, will Love for ever stay.
“In my rich fields now boast the ravage done,
Those lesser spoils,—her brow, her cheek, her hair,
All that the touches of decay can feel,—
Take these, she has enough besides to spare;
I cannot thee dislodge, nor shalt thou me,
So thou and I, old Time, perforce must once agree.
“Nor is the boasted ravage all thine own,
Nor was the field by conquest fairly gained;
For leagued with Sickness, Life and Nature's foe,
That fiend accurst thy savage wars maintained;
His hand the furrows sunk where thou didst plough,
He undermined the tree, where thou didst shake the bough.
“But both unite, for both I here defy;
Spoil ye have made, but have no triumphs won;
And though the daffodil more freshly blooms,
Spreading her gay leaves to the morning sun,
Yet never will I leave the faded rose,
Whilst the pale lovely flower such sweetness still bestows.”
This said, exulting Cupid clapped his wings.
The sullen power, who found his rage restrained,
And felt the strong controul of higher charms,
Shaking his glass, vowed while the sands would run
For many a year the strife should be maintained:
But Jove decreed no force should Love destroy,
Nor time should quell the might of that immortal boy.
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~ Anna Laetitia Barbauld,#NFDB
1320:There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.
There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise? ~ Charlotte Bront,#NFDB
1321:Proem
Alice, I need not tell you that the Art
That copies Nature, even at its best,
Is but the echo of a splendid tone,
Or like the answer of a little child
To the deep question of some frosted sage.
For Nature in her grand magnificence,
Compared to Art, must ever raise her head
Beyond the cognizance of human minds:
This is the spirit merely; that, the soul.
We watch her passing, like some gentle dream,
And catch sweet glimpses of her perfect face;
We see the flashing of her gorgeous robes,
And, if her mantle ever falls at all,
How few Elishas wear it sacredly,
As if it were a valued gift from heaven.
God has created; we but re-create,
According to the temper of our minds;
According to the grace He has bequeathed;
According to the uses we have made
Of His good-pleasure given unto us.
And so I love my art; chiefly, because
Through it I rev'rence Nature, and improve
The tone and tenor of the mind He gave.
God sends a Gift; we crown it with high Art,
And make it worthy the bestower, when
The talent is not hidden in the dust
Of pampered negligence and venial sin,
But put to studious use, that it may work
The end and aim for which it was bestowed.
All Good is God's; all Love and Truth are His;
We are His workers; and we dare not plead
But that He gave us largely of all these,
Demanding a discreet return, that when
The page of life is written to its close
It may receive the seal and autograph
Of His good pleasure-the right royal sign
And signet of approval, to the end
That we were worthy of the gift divine,
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And through it praised the Great Artificer.
In my long rambles through Orillian woods;
Out on the ever-changing Couchiching;
By the rough margin of the Lake St. John;
Down the steep Severn, where the artist sun,
In dainty dalliance with the blushing stream,
Transcribes each tree, branch, leaf, and rock and flower,
Perfect in shape and colour, clear, distinct,
With all the panoramic change of skyEven as Youth's bright river, toying with
The fairy craft where Inexperience dreams,
And subtle Fancy builds its airy halls,
In blest imagination pictures most
Of bright or lovely that adorn life's banks,
With the blue vault of heaven over all;
On that serene and wizard afternoon,
As hunters chase the wild and timid deer
We chased the quiet of Medonte's shades
Through the green windings of the forest road,
Past Nature's venerable rank and file
Of primal woods-her Old Guard, sylvan-plumedThe far-off Huron, like a silver thread,
The clue to some enchanted labyrinth,
Dimly perceived beyond the stretch of woods,
Th' approaches tinted by a purple haze,
And softened into beauty like the dream
Of some rapt seer's Apocalyptic mood;
And when at Rockridge we sat looking out
Upon the softened shadows of the night,
And the wild glory of the throbbing stars;
Where'er we bent our Eden-tinted way:
My brain was a weird wilderness of Thought:
My heart, love's sea of passion tossed and torn,
Calmed by the presence of the loving souls
By whom I was surrounded. All the while
They deemed me passing tame, and wondered when
My dreamy castle would come toppling down.
I was but driving back the aching past,
And mirroring the future. And these leaves
Of meditation are but perfumes from
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The censer of my feelings; honied drops
Wrung from the busy hives of heart and brain;
Mere etchings of the artist; grains of sand
From the calm shores of that unsounded deep
Of speculation, where all thought is lost
Amid the realms of Nature and of God.
~ Charles Sangster,#NFDB
1322:THE LAST SUPPER
For it was at this point that the soothsayer interrupted
the welcome, pushed forward like one who has no time
to lose, seized Zarathustra's hand, and shouted: "But
Zarathustral One thing is more necessary than another:
thus you say yourself. Well then, one thing is more
necessary to me now than anything else. A word at
the right time: did you not invite me to supper? And
here are many who have come a long way. Surely, you
would not feed us speeches alone? Also, all of you have
thought far too much, for my taste, of freezing, drowning, suffocating, and other physical distress; but nobody
has thought of my distress, namely, starving-(Thus spoke the soothsayer; but when Zarathustra's
animals heard these words they ran away in fright. For
they saw that whatever they had brought home during
the day would not be enough to fill this one soothsayer.)
"Including dying of thirst," continued the soothsayer.
"And although I hear water splashing nearby like
speeches of wisdom-that is, abundantly and tirelessly
-I want wine. Not everybody is a born water drinker
like Zarathustra. Nor is water fit for the weary and
wilted: we deserve wine. That alone gives sudden convalescence and immediate health."
On this occasion, as the soothsayer asked for wine, it
happened that the king at the left, the taciturn one, got
a word in too, for once. "For wine," he said, "we have
taken care-I together with my brother, the king at
the right; we have wine enough-a whole ass-load. So
nothing is lacking but bread."
"Bread?" countered Zarathustra, and he laughed.
"Bread is the one thing hermits do not have. But man
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does not live by bread alone, but also of the meat of
good lambs, of which I have two. These should be
slaughtered quickly and prepared tastily with sage: I
love it that way. Nor is there a lack of roots and fruit,
good enough even for gourmets and gourmands, nor of
nuts and other riddles to be cracked. Thus we shall
have a good meal in a short while. But whoever would
join in the eating must also help in the preparation,
even the kings. For at Zarathustra's even a king may be
cook."
This suggestion appealed to the hearts of all; only
the voluntary beggar objected to meat and wine and
spices. "Now listen to this glutton Zarathustral" he said
jokingly; "is that why one goes into caves and high
mountain ranges, to prepare such meals? Now indeed
I understand what he once taught us: 'Praised be a
little poverty!' And why he wants to abolish beggars."
"Be of good cheer," Zarathustra answered him, "as
I am. Stick to your custom, my excellent friend, crush
your grains, drink your water, praise your fare; as long
as it makes you gayl
"I am a law only for my kind, I am no law for all.
But whoever belongs with me must have strong bones
and light feet, be eager for war and festivals, not
gloomy, no dreamer, as ready for what is most difficult
as for his festival, healthy and wholesome. The best
belongs to my kind and to me; and when one does not
give it to us, we take it: the best food, the purest sky,
the strongest thoughts, the most beautiful women."
Thus spoke Zarathustra; but the king at the right
retorted: "Strangel Has one ever heard such clever
things out of the mouth of a sage? And verily, he is
the strangest sage who is also clever and no ass."
Thus spoke the king at the right, and he was amazed;
but the ass commented on his speech with evil intent:
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Yeah-Yuh. But this was the beginning of that longdrawn-out meal which the chronicles call "the last supper." And in the course of it, nothing else was discussed
but the higher man.
~ Friedrich Nietzsche, THE LAST SUPPER
,#NFDB
1323:The World-Soul
Thanks to the morning light,
Thanks to the seething sea,
To the uplands of New Hampshire,
To the green-haired forest free;
Thanks to each man of courage,
To the maids of holy mind,
To the boy with his games undaunted,
Who never looks behind.
Cities of proud hotels,
Houses of rich and great,
Vice nestles in your chambers,
Beneath your roofs of slate.
It cannot conquer folly,
Time-and-space-conquering steam,
And the light-outspeeding telegraph
Bears nothing on its beam.
The politics are base,
The letters do not cheer,
And 'tis far in the deeps of history
The voice that speaketh clear.
Trade and the streets ensnare us,
Our bodies are weak and worn,
We plot and corrupt each other,
And we despoil the unborn.
Yet there in the parlor sits
Some figure of noble guise,
Our angel in a stranger's form,
Or woman's pleading eyes;
Or only a flashing sunbeam
In at the window pane;
Or music pours on mortals
Its beautiful disdain.
The inevitable morning
Finds them who in cellars be,
And be sure the all-loving Nature
Will smile in a factory.
Yon ridge of purple landscape,
Yon sky between the walls,
Hold all the hidden wonders
In scanty intervals.
Alas, the sprite that haunts us
Deceives our rash desire,
It whispers of the glorious gods,
And leaves us in the mire:
We cannot learn the cipher
That's writ upon our cell,
Stars help us by a mystery
Which we could never spell.
If but one hero knew it,
The world would blush in flame,
The sage, till he hit the secret,
Would hang his head for shame.
But our brothers have not read it,
Not one has found the key,
And henceforth we are comforted,
We are but such as they.
Still, still the secret presses,
The nearing clouds draw down,
The crimson morning flames into
The fopperies of the town.
Within, without, the idle earth
Stars weave eternal rings,
The sun himself shines heartily,
And shares the joy he brings.
And what if trade sow cities
Like shells along the shore,
And thatch with towns the prairie broad
With railways ironed o'er;
They are but sailing foambells
Along Thought's causing stream,
And take their shape and Sun-color
From him that sends the dream.
For destiny does not like
To yield to men the helm,
And shoots his thought by hidden nerves
Throughout the solid realm.
The patient Dmon sits
With roses and a shroud,
He has his way, and deals his gifts
But ours is not allowed.
He is no churl or trifler,
And his viceroy is none,
Love-without-weakness,
Of genius sire and son;
And his will is not thwarted,
The seeds of land and sea
Are the atoms of his body bright,
And his behest obey.
He serveth the servant,
The brave he loves amain,
He kills the cripple and the sick,
And straight begins again;
For gods delight in gods,
And thrust the weak aside;
To him who scorns their charities,
Their arms fly open wide.
When the old world is sterile,
And the ages are effete,
He will from wrecks and sediment
The fairer world complete.
He forbids to despair,
His cheeks mantle with mirth,
And the unimagined good of men
Is yeaning at the birth.
Spring still makes spring in the mind,
When sixty years are told;
Love wakes anew this throbbing heart,
And we are never old.
Over the winter glaciers,
I see the summer glow,
And through the wild-piled snowdrift
The warm rose buds below.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, The World-Soul
,#NFDB
1324:The First Fire
OCTOBER 1st, 1815.
Ha, old acquaintance! many a month has past
Since last I viewed thy ruddy face; and I,
Shame on me! had mean time well nigh forgot
That such a friend existed. Welcome now!—
When summer suns ride high, and tepid airs
Dissolve in pleasing languor; then indeed
We think thee needless, and in wanton pride
Mock at thy grim attire and sooty jaws,
And breath sulphureous, generating spleen,—
As Frenchmen say; Frenchmen, who never knew
The sober comforts of a good coal fire.
—Let me imbibe thy warmth, and spread myself
Before thy shrine adoring:—magnet thou
Of strong attraction, daily gathering in
Friends, brethren, kinsmen, variously dispersed,
All the dear charities of social life,
To thy close circle. Here a man might stand,
And say, This is my world! Who would not bleed
Rather than see thy violated hearth
Prest by a hostile foot? The winds sing shrill;
Heap on the fuel! Not the costly board,
Nor sparkling glass, nor wit, nor music, cheer
Without thy aid. If thrifty thou dispense
Thy gladdening influence, in the chill saloon
The silent shrug declares the' unpleased guest.
—How grateful to belated traveller
Homeward returning, to behold the blaze
From cottage window, rendering visible
The cheerful scene within! There sits the sire,
Whose wicker chair, in sunniest nook enshrined,
His age's privilege,—a privilege for which
Age gladly yields up all precedence else
In gay and bustling scenes,—supports his limbs.
Cherished by thee, he feels the grateful warmth
Creep through his feeble frame and thaw the ice
Of fourscore years, and thoughts of youth arise.
—Nor less the young ones press within, to see
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Thy face delighted, and with husk of nuts,
Or crackling holly, or the gummy pine,
Feed thy immortal hunger: cheaply pleased
They gaze delighted, while the leaping flames
Dart like an adder's tongue upon their prey;
Or touch with lighted reed thy wreaths of smoke;
Or listen, while the matron sage remarks
Thy bright blue scorching flame and aspect clear,
Denoting frosty skies. Thus pass the hours,
While Winter spends without his idle rage.
—Companion of the solitary man,
From gayer scenes withheld! With thee he sits,
Converses, moralizes; musing asks
How many æras of uncounted time
Have rolled away since thy black unctuous food
Was green with vegetative life, and what
This planet then: or marks, in sprightlier mood,
Thy flickering smiles play round the' illumined room,
And fancies gay discourse, life, motion, mirth,
And half forgets he is a lonely creature.
—Nor less the bashful poet loves to sit
Snug, at the midnight hour, with only thee
Of his lone musings conscious. Oft he writes,
And blots, and writes again; and oft, by fits,
Gazes intent with eyes of vacancy
On thy bright face; and still at intervals,
Dreading the critic's scorn, to thee commits,
Sole confidant and safe, his fancies crude.
—O wretched he, with bolts and massy bars
In narrow cell immured, whose green damp walls,
That weep unwholesome dews, have never felt
Thy purifying influence! Sad he sits
Day after day, till in his youthful limbs
Life stagnates, and the hue of hope is fled
From his wan cheek.—And scarce less wretched he—
When wintry winds blow loud and frosts bite keen,—
The dweller of the clay-built tenement,
Poverty-struck, who, heartless, strives to raise
From sullen turf, or stick plucked from the hedge,
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The short-lived blaze; while chill around him spreads
The dreary fen, and Ague, sallow-faced,
Stares through the broken pane;—Assist him, ye
On whose warm roofs the sun of plenty shines,
And feel a glow beyond material fire!
~ Anna Laetitia Barbauld,#NFDB
1325:All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense.
"Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?"
Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification.
That'd be his headline.
"Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream."
That was exactly what I wanted.
But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything.
There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?"
"Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words.
"Say yes," he added, lips tipping up at one corner.
"Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too.
"Good girl," he said as he turned away.
And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane.
"Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow.
I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef.
"Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience.
She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for."
She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me.
"Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet.
"Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure.
Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well. ~ Jessica Gadziala,#NFDB
1326:Beowulf (Episode 21)
BEOWULF spake, bairn of Ecgtheow:
"Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her -- heed my promise! -enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one."
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
128
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness -such as oft essay at hour of morn
on the road-of-sails their ruthless quest, -and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed
the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
"Hrunting" they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
on paths of peril prepared to go
129
to folkstead of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
~ Anonymous Olde English,#NFDB
1327:I.
The awful shadow of some unseen Power
Floats through unseen among us, visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,--
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
II.
Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, why man has such a scope
For love and hate, despondency and hope?
III.
No voice from some sublimer world hath ever
To sage or poet these responses given
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells--whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone--; like mist o'er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.
IV.
Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers' eyes
Thou -- that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not -- lest the grave should be,
Like life and fear, a dark reality.
V.
While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard -- I saw them not --
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,--
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!
VI.
I vowed that I would dedicate my powers
To thee and thine -- have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight
Outwatched with me the envious night
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou - O awful Loveliness,
Wouldst give whate'er these words cannot express.
VII.
The day becomes more solemn and serene
When noon is past there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
Composed, probably, in Switzerland, in the summer of 1816. Published in Hunt's 'Examiner', January 19, 1817, and with 'Rosalind and Helen', 1819.
~ Percy Bysshe Shelley, Hymn to Intellectual Beauty
,#NFDB
1328:HERE I sit with my paper, my pen my ink,
First of this thing, and that thing,
and t'other thing think ;
I Then my thoughts come so pell and
I mell all into my mind,
That the sense or the subject I never can find :
This word is wrong placed, no
regard to the sense,
The present and future, instead of
past tense,
Then my grammar I want; O dear!
what a bore,
I think I shall never attempt to
write more,
With patience I then my thoughts
must arraign,
Have them all in due order like
mutes in a train,
Like them too must wait in due
patience and thought,
Or else my fine works will all come
to nought.
My wit too 's so copious, it flows
like a river,
But disperses its waters on black
and white never ;
Like smoke it appears independent
and free,
But ah luckless smoke! it all passes
like thee
Then at length all my patience entirely
lost,
My paper and pens in the fire are
tossed ;
But come, try again you must
never despair,
Our Murray's or Entick's are not
all so rare,
Implore their assistance they'll
come to your aid,
Perform all your business without
being paid,
They'll tell you the present tense,
future and past,
Which should come first, and which
should come last,
This Murray will do then to Entick
repair,
To find out the meaning of any
word rare.
This they friendly will tell, and
ne'er make you blush,
With a jeering look, taunt, or an
O fie! tush!
Then straight all your thoughts in
black and white put,
Not minding the if's, the be's, and
the but,
Then read it all over, see how it
will run,
How answers the wit, the retort,
and the pun,
Your writings may then with old
Socrates vie,
May on the same shelf with Demosthenes
lie,
May as Junius be sharp, or as Plato
be sage,
The pattern or satire to all of the
age;
But stop a mad author I mean not
to turn,
Nor with thirst of applause does my
heated brain burn,
Sufficient that sense, wit, and grammar
combined,
My letters may make some slight
food for the mind ;
That my thoughts to my friends I
may freely impart,
In all the warm language that flows
from the heart.
Hark! futurity calls! it loudly
complains,
It bids me step forward and just
hold the reins,
My excuse shall be humble, and
faithful, and true,
Such as I fear can be made but by
few
Of writers this age has abundance
and plenty,
Three score and a thousand, two
millions and twenty,
Three score of them wits who all
sharply vie,
To try what odd creature they best
can belie,
A thousand are prudes who for
Charity write,
And fill up their sheets with spleen,
envy, and spite,
One million are bards, who to
Heaven aspire,
And stuff their works full of bombast,
rant, and fire,
T'other million are wags who in
Grub-street attend,
And just like a cobbler the old writings
mend,
The twenty are those who for pulpits
indite,
And pore over sermons all Saturday
night.
And now my good friends who
come after I mean,
As I ne'er wore a cassock, or dined
with a dean,
Or like cobblers at mending I never
did try,
Nor with poets in lyrics attempted
to vie;
As for prudes these good souls I
both hate and detest,
So here I believe the matter must
rest.
I've heard your complaint my
answer I've made,
And since to your calls all the
tribute I've paid,
Adieu my good friend ; pray never
despair,
But grammar and sense and everything dare,
Attempt but to write dashing, easy,
and free,
Then take out your grammar and
pay him his fee,
Be not a coward, shrink not to a
tense,
But read it all over and make it
out sense.
What a tiresome girl! pray soon
make an end,
Else my limited patience you'll
quickly expend.
Well adieu, I no longer your patience
will try
So swift to the post now the letter
shall fly.
~ Percy Bysshe Shelley, HERE I sit with my paper
,#NFDB
1329:The Young Rat And His Dam, The Cock And The Cat
No Cautions of a Matron, Old and Sage,
Young Rattlehead to Prudence cou'd engage;
But forth the Offspring of her Bed wou'd go,
Nor reason gave, but that he wou'd do so.
Much Counsel was, at parting, thrown away,
Ev'n all, that Mother-Rat to Son cou'd say;
Who follow'd him with utmost reach of Sight,
Then, lost in Tears, and in abandon'd Plight,
Turn'd to her mournful Cell, and bid the World Good-Night.
But Fortune, kinder than her boding Thought,
In little time the Vagrant homewards brought,
Rais'd in his Mind, and mended in his Dress,
Who the Bel-air did every way confess,
Had learnt to flow'r his Wigg, nor brusht away
The falling Meal, that on his Shoulders lay;
And from a Nutshell, wimbl'd by a Worm,
Took Snuff, and cou'd the Government reform.
The Mother, weeping from Maternal Love,
To see him thus prodigiously improve,
Expected mighty Changes too, within,
And Wisdom to avoid the Cat, and Gin.
Whom did you chiefly note, Sweetheart, quoth she,
Of all the Strangers you abroad did see?
Who grac'd you most, or did your Fancy take?
The younger Rat than curs'd a noisy Rake,
That barr'd the best Acquaintance he cou'd make;
And fear'd him so, he trembl'd ev'ry Part;
Nor to describe him, scarce cou'd have the Heart.
High on his Feet (quoth he) himself he bore,
And terribly, in his own Language, swore;
A feather'd Arm came out from either Side,
Which loud he clapp'd, and Combatants defy'd,
And to each Leg a Bayonette was ty'd:
And certainly his Head with Wounds was sore;
For That, and both his Cheeks a Sanguine Colour wore.
188
Near Him there lay the Creature I admir'd,
And for a Friend by Sympathy desir'd:
His Make, like Ours, as far as Tail and Feet,
With Coat of Furr in parallel do meet;
Yet seeming of a more exalted Race,
Tho' humble Meekness beautify'd his Face:
A purring Sound compos'd his gentle Mind,
Whilst frequent Slumbers did his Eye-lids bind;
Whose soft, contracted Paw lay calmly still,
As if unus'd to prejudice, or kill.
I paus'd a while, to meditate a Speech,
And now was stepping just within his reach;
When that rude Clown began his hect'ring Cry,
And made me for my Life, and from th' Attempt to fly.
Indeed 'twas Time, the shiv'ring Beldam said,
To scour the Plain, and be of Life afraid.
Thou base, degen'rate Seed of injur'd Rats,
Thou veriest Fool (she cry'd) of all my Brats;
Would'st thou have shaken Hands with hostile Cats,
And dost not yet thine Own, and Country's Foe,
At this expence of Time, and Travel know?
Alas! that swearing, staring, bullying Thing,
That tore his Throat, and blustered with his Wing,
Was but some paltry, Dunghill, Craven Cock,
Who serves the early Household for a Clock.
And We his Oats, and Barley often steal,
Nor fear, he shou'd revenge the pilfer'd Meal:
Whilst that demure, and seeming harmless Puss
Herself, and mewing Chits regales with Us.
If then, of useful Sense thou'st gain'd no more,
Than ere thou'dst past the Threshold of my Door;
Be here, my Son, content to Dress and Dine,
Steeping the List of Beauties in thy Wine,
And neighb'ring Vermin with false Gloss outshine.
Amongst Mankind a Thousand Fops we see,
Who in their Rambles learn no more than Thee;
189
Cross o'er the Alpes, and make the Tour of France,
To learn a paltry Song, or antick Dance;
Bringing their Noddles, and Valizes pack'd
With Mysteries, from Shops and Taylors wreck'd:
But what may prejudice their Native Land;
Whose Troops are raising, or whose Fleet is mann'd,
Ne'er moves their Thoughts, nor do they understand.
Thou, my dear Rattlehead, and such as These
Might keep at home, and brood on Sloth and Ease:
Whilst Others, more adapted to the Age,
May vig'rously in Warlike Feats engage,
And live on foreign Spoils, or dying thin the Stage.
~ Anne Kingsmill Finch,#NFDB
1330:Episode 36
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: -as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela.
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. So the worm found out
when once in fight the foes had met!
Wiglaf spake, -- and his words were sage;
sad in spirit, he said to his comrades: -"I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
209
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, -- folk-defender
who hath got him glory greater than all men
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine!
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!"
Through slaughter-reek strode he to succor his chieftain,
his battle-helm bore, and brief words spake: -"Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee."
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, -blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
210
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
~ Anonymous Olde English,#NFDB
1331:The Vision Of The Rock
I SATE upon a lonely peak,
A backwood river’s course to view,
And watched the changing shadows freak
Its liquid length of gleaming blue,
Streaked by the crane slow gliding o’er,
Or chequering to the leafy roar
Of woods that ’neath me grew,
Or curdling dark, as high o’erhead
The gathering clouds before the sounding breezes fled.
Straight I bethought how once the scene
Spread in its primal horror there,
When, but some lone bird’s weary threne
Or howlings from the wild dog’s lair,
Or rush of startled kangaroo,
As near some stealthy savage drew
With hunger in his air,
Or, from the stream some murmur’d sound
Broke the dread slumbrous calm of solitude profound.
A change came o’er my thoughts—behind
A length of coming time I threw,
Till round me, on that rock reclined,
Its folds prophetic vision drew;
And purpling, like the morning, gave
Mine eyes of freedom’s births to have
A seeming ante-view;
As haply in brave promise stole
His country’s purer weal o’er youthful Hampden’s soul.
All round me villages upgrew
At once, with orchards clumped about,
And oft between, tall pine-rows through,
Some mansion’s pillard porch looked out,
And thickening up from alleys green,
Where rustic groups in dance were seen,
Came merry cry and shout;
While from tall groves beyond, the cheer
Of maiden’s laughter soft, broke in rich wavelets near.
216
And in the gusts that overpassed
The stir of neighbouring cities came,
Whose structures in the distance massed
Proclaimed their opulence and fame,
O’er fields of ripening plenty viewed,
Or hills with white flocks fleeced, and strewed
With herds that grazed the same;
While on the paven roads between
The crowding chariots came with rapid-rolling din.
Now gaining depth, the vision lay
Around my being like a law,
So that my spirit might not say
But all was real that I saw:
I mark a youth and maiden, pressed
By love’s sweet power, elude the rest,
And as they nearer draw
I list the vow that each imparts
Folded within the spells of harmonizing hearts.
But suddenly a grim-faced sire
Strides like a fatal wraith between
With that cold whiteness is his ire
Which in the bad alone is seen!
Alas! This world can never be
A poet’s Eden utterly—
Twill be what it hath been!
So long as love’s rich heart is red,
And beauty’s eyes are bright—so long shall tears be shed.
They pass; and lo, a lonely boy
With wandering step goes musing by;
Glory is in his air, and joy,
And all the poet in his eye!
And now, whilst rich emotions flush
His happy face, as cloud-hues blush
In morning’s radiant sky,
He sings—and to the charmful sound
Troops of angelic shapes throng into being round.
But ’neath a sombre cypress tree,
And clad in garbs of kindred gloom,
217
A mother and her child I see
Both mourning o’er a lowly tomb!
Ah! Life hath ever been a brief
Mixed dream of glory and grief—
Its earliest, latest doom!
That heart in which love’s tides first ran
Descends with all its risks to every child of man.
Now turning see, with locks all grey,
A form majestic; wisdom true
Illumes his brow—the power to weigh
All worth, and look all semblence through;
And stately youths of studious mien,
Children of light, with him are seen,
His auditory—who
Attend the speaking sage along
And hearken to the wisdom of his manna-dropping tongue.
And now doth his large utterance throw
A sacred solemnizing spell
O’er scenes that yet no record know,
Round names that now I may not tell;
But there was one—too long unknown!
Whereat, as with a household tone
Upon the ear it fell,
Each listener’s speaking eyes were given
To glisten with a tear and turn awhile to heaven.
Thus night came on; for hours had flown,
And yet its hold the vision kept,
Till lulled by many a dying tone,
I laid me on the rock and slept!
And now the moon hung big between
Two neighbouring summits sheath’d with sheen—
When all with dews dewept,
And roused by a loud coming gale,
I sought our camp-fire’s glow, deep in the darkening vale.
218
~ Charles Harpur,#NFDB
1332:O Muses, Accourez
O muses, accourez; solitaires divines,
Amantes des ruisseaux, des grottes, des collines!
Soit qu'en ses beaux vallons Nîme égare vos pas;
Soit que de doux pensers, en de riants climats,
Vous retiennent aux bords de Loire ou de Garonne;
Soit que parmi les choeurs de ces nymphes da Rhône,
La lune sur les prés, où son flambeau vous luit,
Dansantes vous admire au retour de la nuit;
Venez. J'ai fui la ville aux muses si contraire,
Et l'écho fatigué des clameurs du vulgaire.
Sur les pavés poudreux d'un bruyant carrefour
Les poétiques fleurs n'ont jamais vu le jour.
Le tumulte et les cris font fuir avec la lyre
L'oisive rêverie au suave délire;
Et les rapides chars et leurs cercles d'airain
Effarouchent les vers qui se taisent soudain.
Venez. Que vos bontés ne me soient point avares.
Mais, oh! faisant de vous mes pénates, mes lares,
Quand pourrai-je habiter un champ qui soit à moi,
Et, villageois tranquille, ayant pour tout emploi
Dormir et ne rien faire, inutile poète,
Goûter le doux oubli d'une vie inquiète?
Vous savez si toujours, dès mes plus jeunes ans,
Mes rustiques souhaits m'ont porté vers les champs;
Si mon coeur dévorait vos champêtres histoires,
Cet âge d'or si cher à vos doctes mémoires,
Ces fleuves, ces vergers, Éden aimé des cieux
Et du premier humain berceau délicieux;
L'épouse de Booz, chaste et belle indigente,
Qui suit d'un pas tremblant la moisson opulente;
Joseph, qui dans Sichem cherche et retrouve, hélas!
Ses dix frères pasteurs qui ne l'attendaient pas;
Rachel, objet sans prix qu'un amoureux courage
N'a pas trop acheté de quinze ans d'esclavage.
Oh! oui, je veux un jour en des bords retirés,
Sur un riche coteau ceint de bois et de prés,
Avoir un humble toit, une source d'eau vive
Qui parle, et dans sa fuite et féconde et plaintive
138
Nourrisse mon verger, abreuve mes troupeaux.
Là, je veux, ignorant le monde et ses travaux,
Loin du superbe ennui que l'éclat environne,
Vivre comme jadis, aux champs de Babylone,
Ont vécu, nous dit-on, ces pères des humains
Dont le nom aux autels remplit nos fastes saints;
Avoir amis, enfants, épouse belle et sage;
Errer, un livre en main, de bocage en bocage;
Savourer sans remords, sans crainte, sans désirs,
Une paix dont nul bien n'égale les plaisirs.
Douce mélancolie! aimable mensongère,
Des antres, des forêts déesse tutélaire,
Qui vient d'une insensible et charmante langueur
Saisir l'ami des champs et pénétrer son coeur,
Quand, sorti vers le soir des grottes reculées,
Il s'égare à pas lents au penchant des vallées,
Et voit des derniers feux le ciel se colorer,
Et sur les monts lointains un beau jour expirer,
Dans sa volupté sage, et pensive et muette,
Il s'assied, sur son sein laisse tomber sa tête.
Il regarde à ses pieds, dans le liquide azur
Du fleuve, qui s'étend comme lui calme et pur,
Se peindre les coteaux, les toits et les feuillages,
Et la pourpre en festons couronnant les nuages.
Il revoit près de lui, tout à coup animés,
Ces fantômes si beaux à nos pleurs tant aimés,
Dont la troupe immortelle habite sa mémoire:
Julie, amante faible et tombée avec gloire;
Clarisse, beauté sainte où respire le ciel,
Dont la douleur ignore et la haine et le fiel,
Qui souffre sans gémir, qui périt sans murmure;
Clémentine adorée, âme céleste et pure,
Qui, parmi les rigueurs d'une injuste maison,
Ne perd point l'innocence en perdant la raison;
Mânes aux yeux charmants, vos images chéries
Accourent occuper ses belles rêveries;
Ses yeux laissent tomber une larme. Avec vous
Il est dans vos foyers, il voit vos traits si doux.
A vos persécuteurs il reproche leur crime.
Il aime qui vous aime, il hait qui vous opprime.
Mais tout à coup il pense, ô mortels déplaisirs!
Que ces touchants objets de pleurs et de soupirs
139
Ne sont peut-être, hélas! que d'aimables chimères.
De l'âme et du génie enfants imaginaires.
Il se lève, il s'agite à pas tumultueux;
En projets enchanteurs il égare ses voeux.
Il ira, le coeur plein d'une image divine,
Chercher si quelques lieux ont une Clémentine,
Et dans quelque désert, loin des regards jaloux,
La servir, l'adorer et vivre à ses genoux.
~ Andre Marie de Chenier,#NFDB
1333:The Town Down By The River
Said the Watcher by the Way
To the young and the unladen,
To the boy and to the maiden,
"God be with you both to-day.
First your song came ringing,
Now you come, you two-Knowing naught of what you do,
Or of what your dreams are bringing.
"O you children who go singing
To the Town down the River,
Where the millions cringe and shiver,
Tell me what you know to-day;
Tell me how far you are going,
Tell me how you find your way.
O you children who are dreaming,
Tell me what you dream to-day."
"He is old and we have heard him,"
Said the boy then to the maiden;
"He is old and heavy laden
With a load we throw away.
Care may come to find us,
Age may lay us low;
Still, we seek the light we know,
And the dead we leave behind us.
"Did he think that he would blind us
Into such a small believing
As to live without achieving,
When the lights have led so far?
Let him watch or let him wither,-Shall he tell us where we are?
We know best, who go together,
Downward, onward, and so far."
II
358
Said the Watcher by the Way
To the fiery folk that hastened
To the loud and the unchastened,
"You are strong, I see, to-day.
Strength and hope may lead you
To the journey's end,-Each to be the other's friend
If the Town should fail to need you.
"And are ravens there to feed you
In the Town down the River,
Where the gift appalls the giver
And youth hardens day by day?
O you brave and you unshaken,
Are you truly on your way?
And are sirens in the River,
That you come so far to-day?"
"You are old and we have listened,"
Said the voice of one who halted;
"You are sage and self-exalted,
But your way is not our way.
You that cannot aid us
Give us words to eat.
Be assured that they are sweet,
And that we are as God made us.
"Not in vain have you delayed us,
Though the river still be calling
Through the twilight that is falling
And the Town be still so far.
By the whirlwind of your wisdom
Leagues are lifted as leaves are;
But a king without a kingdom
Fails us, who have come so far."
III
Said the Watcher by the Way
To the slower folk who stumbled,
To the weak and the world-humbled,
359
"Tell me how you fare to-day.
Some with ardor shaken,
All with honor scarred,
Do you falter, finding hard
The far chance that you have taken?
"Or, do you at length awaken
To an antic retribution,
Goading to a new confusion
The drugged hopes of yesterday?
O you poor mad men that hobble,
Will you not return or stay?
Do you trust, you broken people,
To a dawn without the day?"
"You speak well of what you know not,"
Muttered one; and then a second:
"You have begged, and you have beckoned,
But you see us on our way.
Who are you to scold us,
Knowing what we know?
Jeremiah, long ago,
Said as much as you have told us.
"As we are, then, you behold us:
Derelicts of all conditions,
Poets, rogues, and sick physicians,
Plodding forward from afar;
Forward now into the darkness
Where the men before us are;
Forward, onward, out of grayness,
To the light that shone so far."
IV
Said the Watcher by the Way
To some aged ones who lingered,
To the shrunken, the claw-fingered,
"So you come for me to-day."-"Yes, to give you warning;
You are old," one said;
"You have hairs on your head,
360
Fit for laurel, not for scorning.
"From the first of early morning
We have toiled along to find you;
We, as others, have maligned you,
But we need your scorn to-day.
By the light that we saw shining,
Let us not be lured alway;
Let us hear no River calling
When to-morrow is to-day."
"But your lanterns are unlighted
And the Town is far before you:
Let us hasten, I implore you,"
Said the Watcher by the Way.
"Long have I waited,
Longer have I known
That the Town would have its own,
And the call be for the fated.
"In the name of all created.
Let us hear no more my brothers;
Are we older than all others?
Are the planets in our way?"-"Hark," said one; I hear the River,
Calling always, night and day."-"Forward, then! The lights are shining,"
Said the Watcher by the Way.
~ Edwin Arlington Robinson,#NFDB
1334:I.
Low and mournful be the strain,
Haughty thought be far from me;
Tones of penitence and pain,
Moanings of the tropic sea;
Low and tender in the cell
Where a captive sits in chains,
Crooning ditties treasured well
From his Afric's torrid plains.
Sole estate his sire bequeathed--
Hapless sire to hapless son--
Was the wailing song he breathed,
And his chain when life was done.
What his fault, or what his crime?
Or what ill planet crossed his prime?
Heart too soft and will too weak
To front the fate that crouches near,--
Dove beneath the vulture's beak;--
Will song dissuade the thirsty spear?
Dragged from his mother's arms and breast,
Displaced, disfurnished here,
His wistful toil to do his best
Chilled by a ribald jeer.
Great men in the Senate sate,
Sage and hero, side by side,
Building for their sons the State,
Which they shall rule with pride.
They forbore to break the chain
Which bound the dusky tribe,
Checked by the owners' fierce disdain,
Lured by "Union" as the bribe.
Destiny sat by, and said,
'Pang for pang your seed shall pay,
Hide in false peace your coward head,
I bring round the harvest-day.'
II.
Freedom all winged expands,
Nor perches in a narrow place;
Her broad van seeks unplanted lands;
She loves a poor and virtuous race.
Clinging to a colder zone
Whose dark sky sheds the snow-flake down,
The snow-flake is her banner's star,
Her stripes the boreal streamers are.
Long she loved the Northman well:
Now the iron age is done,
She will not refuse to dwell
With the offspring of the Sun;
Foundling of the desert far,
Where palms plume, siroccos blaze,
He roves unhurt the burning ways
In climates of the summer star.
He has avenues to God
Hid from men of Northern brain,
Far beholding, without cloud,
What these with slowest steps attain.
If once the generous chief arrive
To lead him willing to be led,
For freedom he will strike and strive,
And drain his heart till he be dead.
III.
In an age of fops and toys,
Wanting wisdom, void of right,
Who shall nerve heroic boys
To hazard all in Freedom's fight,--
Break sharply off their jolly games,
Forsake their comrades gay,
And quit proud homes and youthful dames,
For famine, toil, and fray?
Yet on the nimble air benign
Speed nimbler messages,
That waft the breath of grace divine
To hearts in sloth and ease.
So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, Thou must,
The youth replies, I can.
IV.
O, well for the fortunate soul
Which Music's wings infold,
Stealing away the memory
Of sorrows new and old!
Yet happier he whose inward sight,
Stayed on his subtile thought,
Shuts his sense on toys of time,
To vacant bosoms brought.
But best befriended of the God
He who, in evil times,
Warned by an inward voice,
Heeds not the darkness and the dread,
Biding by his rule and choice,
Feeling only the fiery thread
Leading over heroic ground,
Walled with mortal terror round,
To the aim which him allures,
And the sweet heaven his deed secures.
Stainless soldier on the walls,
Knowing this,--and knows no more,--
Whoever fights, whoever falls,
Justice conquers evermore, Justice after as before,--
And he who battles on her side,
God, though he were ten times slain,
Crowns him victor glorified,
Victor over death and pain;
Forever: but his erring foe,
Self-assured that he prevails,
Looks from his victim lying low,
And sees aloft the red right arm
Redress the eternal scales.
He, the poor foe, whom angels foil,
Blind with pride, and fooled by hate,
Writhes within the dragon coil,
Reserved to a speechless fate.
V.
Blooms the laurel which belongs
To the valiant chief who fights;
I see the wreath, I hear the songs
Lauding the Eternal Rights,
Victors over daily wrongs:
Awful victors, they misguide
Whom they will destroy,
And their coming triumph hide
In our downfall, or our joy:
They reach no term, they never sleep,
In equal strength through space abide;
Though, feigning dwarfs, they crouch and creep,
The strong they slay, the swift outstride:
Fate's grass grows rank in valley clods,
And rankly on the castled steep,--
Speak it firmly, these are gods,
All are ghosts beside.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Voluntaries
,#NFDB
1335:
ON THE
TEACHERS OF
VIRTUE
A sage was praised to Zarathustra for knowing how
to speak well of sleep and of virtue: he was said to be
honored and rewarded highly for this, and all the
youths were said to be sitting at his feet. To him
Zarathustra went, and he sat at his feet with all the
youths. And thus spoke the sage:
"Honor sleep and be bashful before it-that first of
all. And avoid all who sleep badly and stay awake at
night. Even the thief is bashful before sleep: he always
steals silently through the night. Shameless, however,
is the watchman of the night; shamelessly he carries
his horn.
"Sleeping is no mean art: for its sake one must stay
awake all day. Ten times a day you must overcome
yourself: that makes you good and tired and is opium
for the soul. Ten times you must reconcile yourself
again with yourself; for, overcoming is bitterness, and
the unreconciled sleep badly. Ten truths a day you
must find; else you will still be seeking truth by night,
and your soul will remain hungry. Ten times a day you
must laugh and be cheerful; else you will be disturbed
at night by your stomach, this father of gloom.
"Few know it, but one must have all the virtues to
sleep well. Shall I bear false witness? Shall I commit
adultery? Shall I covet my neighbor's maid? All that
would go ill with good sleep.
"And even if one has all the virtues, there is one
further thing one must know: to send even the virtues
to sleep at the right time. Lest they quarrel with each
other, the fair little women, about you, child of mis-
29
fortune. Peace with God and the neighbor: that is
what good sleep demands. And peace even with the
neighbor's devil-else he will haunt you at night.
"Honor the magistrates and obey them-even the
crooked magistrates. Good sleep demands it. Is it my
fault that power likes to walk on crooked legs?
"I shall call him the best shepherd who leads his
sheep to the greenest pasture: that goes well with good
sleep.
"I do not want many honors, or great jewels: that inflames the spleen. But one sleeps badly without a good
name andl a little jewel.
"A little company is more welcome to me than evil
company: but they must go and come at the right
time. That goes well with good sleep.
"Much, too, do I like the poor in spirit: they promote sleep. Blessed are they, especially if one always
tells them that they are right.
"Thus passes the day of the virtuous. And when
night comes I guard well against calling sleep. For
sleep, who is the master of the virtues, does not want
to be called. Instead, I think about what I have done
and thought during the day. Chewing the cud, I ask
myself, patient as a cow, Well, what were your ten
overcomings? and what were your ten reconciliations
and the ten truths and the ten laughters with which
your heart edified itself? Weighing such matters and
rocked by forty thoughts, I am suddenly overcome by
sleep, the uncalled, the master of the virtues. Sleep
knocks at my eyes: they become heavy. Sleep touches
my mouth: it stays open. Verily, on soft soles he comes
to me, the dearest of thieves, and steals my thoughts:
stupid I stand, like this chair here. But not for long do
I stand like this: soon I lie."
When Zarathustra heard the sage speak thus he
laughed in his heart, for an insight had come to him.
And thus he spoke to his heart:
"This sage with his forty thoughts is a fool; but I
believe that he knows well how to sleep. Happy is he
that even lives near this sagel Such sleep is contagious-contagious even through a thick wall. There
is magic even in his chair; and it is not in vain that
the youths sit before this preacher of virtue. His wisdom is: to wake in order to sleep well. And verily,
if life had no sense and I had to choose nonsense,
then I too should consider this the most sensible
nonsense.
"Now I understand clearly what was once sought
above all when teachers of virtue were sought. Good
sleep was sought, and opiate virtues for it. For all these
much praised sages who were teachers of virtue, wisdom was the sleep without dreams: they knew no
better meaning of life.
"Today too there may still be a few like this
preacher of virtue, and not all so honest; but their time
is up. And not for long will they stand like this: soon
they will lie.
"Blessed are the sleepy ones: for they shall soon
drop off."
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE TEACHERS OF VIRTUE
,#NFDB
1336:The Pig And The Rooster
On a warm sunny day, in the midst of July,
A lazy young pig lay stretched out in his sty,
Like some of his betters, most solemnly thinking
That the best things on earth are good eating and drinking.
At length, to get rid of the gnats and the flies,
He resolv'd, from his sweet meditations to rise;
And, to keep is skin pleasant, and pliant, and cool,
He plung'd him, forthwith, in the next muddy pool.
When, at last, he thought fit to arouse from his bath,
A conceited young rooster came just in his path:
A precious smart prig, full in vanity drest,
Who thought, of all creatures, himself far the best.
'Hey day! little grunter, why where in the world
Are you going so perfum'd, pomatum'd, and curl'd?
Such delicate odors my senses assail,
And I see such a sly looking twist in your tail,
That you, sure are intent on some elegant sporting;
Hurra! I believe, on my life, you are courting;
And that figure which moves with such exquisite grace,
Combin'd with the charms of that soft-smiling face,
In one who's so neat and adorn'd with such art,
Cannot fail to secure the most obdurate heart.
And much joy do I wish you, both you and your wife,
For the prospect you have of a nice pleasant life.'
'Well, said, master Dunghill,' cried Pig in a rage,
'You're doubtless, the prettiest beau of the age,
With those sweet modest eyes staring out of your head,
And those lumps of raw flesh, all so bloody and red.
Mighty graceful you look with those beautiful legs,
Like a squash or a pumpkin on two wooden pegs.
And you've special good reason your own life to vaunt,
And the pleasures of others with insult to taunt;
Among crackling fools, always clucking or crowing,
And looking up this way and that way, so knowing,
And strutting and swelling, or stretching a wing,
To make you admired by each silly thing;
and so full of your own precious self, all the time,
That you think common courtesy almost a crime;
As if all the world was on the look out
To see a young rooster go scratching about.'
Hereupon, a debate, like a whirlwind arose,
Which seem'd fast approaching to bitings and blows;
'Mid squeaking and grunting, Pig's arguments flowing;
And Chick venting fury 'twixt screaming and crowing.
At length, to decide the affair, 'twas agreed
That to counsellor Owl they should straightway proceed;
While each, in his conscience, no motive could show,
But the laudable wish to exult o'er his foe.
Other birds, of all feather, their vigils were keeping,
While Owl, in his nook, was most learnedly sleeping:
For, like a true sage, he preferred the dark night,
When engaged in his work, to the sun's blessed light.
Each stated his plea, and the owl was required
To say whose condition should most be desired.
It seem'd to the judge a strange cause to be put on,
To tell which was better, a fop or a glutton;
Yet, like a good lawyer, he kept a calm face,
And proceeded, by rule, to examine the case;
With both his round eyes gave a deep-meaning wink,
And, extending one talon, he set him to think.
In fine, with a face much inclin'd for a joke,
And a mock solemn accent, the counsellor spoke -''Twixt Rooster and Roaster, this cause to decide,
Would afford me, my friends, much profesional pride.
Were each on the table serv'd up, and well dress'd,
I could easily tell which I fancied the best;
But while both here before me, so lively I see,
This cause is, in truth, too important for me;
Without trouble, however, among human kind,
Many dealers in questions like this you may find.
Yet, one sober truth, ere we part, I would teach -That the life you each lead is best fitted for each.
'Tis the joy of a cockerel to strut and look big,
And, to wallow in mire, is the bliss of a pig.
But, whose life is more pleasant, when viewed in itself,
Is a question had better be laid on the sheld,
10
Like many which puzzle deep reasoners' brains,
And reward them with nothing but words for their pains.
So now, my good clients, I have been long awake,
And I pray you, in peace, your departure to take.
let each one enjoy, with content, his own pleasure,
Nor attempt, by himself, other people to measure.'
Thus ended the strife, as does many a fight;
Each thought his foe wrong, and his own notions right.
Pig turn'd, with a grunt, to his mire anew,
And He-biddy, laughing, cried -- cock-a-doodle-doo.
~ Clement Clarke Moore,#NFDB
1337:Three Kinds Of A Rogue
Sharon, ambitious of immortal shame,
Fame's dead-wall daubed with his illustrious name
Served in the Senate, for our sins, his time,
Each word a folly and each vote a crime;
Law for our governance well skilled to make
By knowledge gained in study how to break;
Yet still by the presiding eye ignored,
Which only sought him when too loud he snored.
Auspicious thunder!-when he woke to vote
He stilled his own to cut his country's throat;
That rite performed, fell off again to sleep,
While statesmen ages dead awoke to weep!
For sedentary service all unfit,
By lying long disqualified to sit,
Wasting below as he decayed aloft,
His seat grown harder as his brain grew soft,
He left the hall he could not bring away,
And grateful millions blessed the happy day!
Whate'er contention in that hall is heard,
His sovereign State has still the final word:
For disputatious statesmen when they roar
Startle the ancient echoes of his snore,
Which from their dusty nooks expostulate
And close with stormy clamor the debate.
To low melodious thunders then they fade;
Their murmuring lullabies all ears invade;
Peace takes the Chair; the portal Silence keeps;
No motion stirs the dark Lethean deeps
Washoe has spoken and the Senate sleeps.
Lo! the new Sharon with a new intent,
Making no laws, but keen to circumvent
The laws of Nature (since he can't repeal)
That break his failing body on the wheel.
As Tantalus again and yet again
The elusive wave endeavors to restrain
To slake his awful thirst, so Sharon tries
To purchase happiness that age denies;
595
Obtains the shadow, but the substance goes,
And hugs the thorn, but cannot keep the rose;
For Dead Sea fruits bids prodigally, eats,
And then, with tardy reformation-cheats.
Alert his faculties as three score years
And four score vices will permit, he nears
Dicing with Death-the finish of the game,
And curses still his candle's wasting flame,
The narrow circle of whose feeble glow
Dims and diminishes at every throw.
Moments his losses, pleasures are his gains,
Which even in his grasp revert to pains.
The joy of grasping them alone remains.
Ring up the curtain and the play protract!
Behold our Sharon in his last mad act.
With man long warring, quarreling with God,
He crouches now beneath a woman's rod
Predestined for his back while yet it lay
Closed in an acorn which, one luckless day,
He stole, unconscious of its foetal twig,
From the scant garner of a sightless pig.
With bleeding shoulders pitilessly scored,
He bawls more lustily than once he snored.
The sympathetic Comstocks droop to hear,
And Carson river sheds a viscous tear,
Which sturdy tumble-bugs assail amain,
With ready thrift, and urge along the plain.
The jackass rabbit sorrows as he lopes;
The sage-brush glooms along the mountain slopes;
In rising clouds the poignant alkali,
Tearless itself, makes everybody cry.
Washoe canaries on the Geiger Grade
Subdue the singing of their cavalcade,
And, wiping with their ears the tears unshed,
Grieve for their family's unlucky head.
Virginia City intermits her trade
And well-clad strangers walk her streets unflayed.
Nay, all Nevada ceases work to weep
And the recording angel goes to sleep.
But in his dreams his goose-quill's creaking fount
596
Augments the debits in the long account.
And still the continents and oceans ring
With royal torments of the Silver King!
Incessant bellowings fill all the earth,
Mingled with inextinguishable mirth.
He roars, men laugh, Nevadans weep, beasts howl,
Plash the affrighted fish, and shriek the fowl!
With monstrous din their blended thunders rise,
Peal upon peal, and brawl along the skies,
Startle in hell the Sharons as they groan,
And shake the splendors of the great white throne!
Still roaring outward through the vast profound,
The spreading circles of receding sound
Pursue each other in a failing race
To the cold confines of eternal space;
There break and die along that awful shore
Which God's own eyes have never dared explore
Dark, fearful, formless, nameless evermore!
Look to the west! Against yon steely sky
Lone Mountain rears its holy cross on high.
About its base the meek-faced dead are laid
To share the benediction of its shade.
With crossed white hands, shut eyes and formal feet,
Their nights are innocent, their days discreet.
Sharon, some years, perchance, remain of life
Of vice and greed, vulgarity and strife;
And then-God speed the day if such His will
You'll lie among the dead you helped to kill,
And be in good society at last,
Your purse unsilvered and your face unbrassed.
~ Ambrose Bierce,#NFDB
1338:The Four Ages Of Man: 05 - Old Age
What you have been, ev'n such have I before,
And all you say, say I, and something more.
Babe's innocence, Youth's wildness I have seen,
And in perplexed Middle-age have been,
Sickness, dangers, and anxieties have past,
And on this Stage am come to act my last.
I have been young, and strong, and wise as you
But now, Bis pueri senes is too true.
In every Age I've found much vanity.
An end of all perfection now I see.
It's not my valour, honour, nor my gold,
My ruin'd house, now falling can uphold;
It's not my Learning, Rhetoric, wit so large,
Now hath the power, Death's Warfare, to discharge.
It's not my goodly house, nor bed of down,
That can refresh, or ease, if Conscience frown;
Nor from alliance now can I have hope,
But what I have done well, that is my prop.
He that in youth is godly, wise, and sage
Provides a staff for to support his age.
Great mutations, some joyful, and some sad,
In this short Pilgrimage I oft have had.
Sometimes the Heavens with plenty smil'd on me,
Sometimes, again, rain'd all adversity;
Sometimes in honour, sometimes in disgrace,
Sometime an abject, then again in place:
Such private changes oft mine eyes have seen.
In various times of state I've also been.
I've seen a Kingdom flourish like a tree
When it was rul'd by that Celestial she,
And like a Cedar others so surmount
That but for shrubs they did themselves account.
Then saw I France, and Holland sav'd, Calais won,
And Philip and Albertus half undone.
I saw all peace at home, terror to foes,
But ah, I saw at last those eyes to close,
And then, me thought, the world at noon grew dark
When it had lost that radiant Sun-like spark.
In midst of griefs, I saw some hopes revive
97
(For 'twas our hopes then kept our hearts alive):
I saw hopes dash't, our forwardness was shent,
And silenc'd we, by Act of Parliament.
I've seen from Rome, an execrable thing,
A plot to blow up Nobles and their King.
I've seen designs at Ree and Cades cross't,
And poor Palatinate for every lost.
I've seen a Prince to live on others' lands,
A Royal one, by alms from Subjects' hands.
I've seen base men, advanc'd to great degree,
And worthy ones, put to extremity,
But not their Prince's love, nor state so high,
Could once reverse, their shameful destiny.
I've seen one stabb'd, another lose his head,
And others fly their Country through their dread.
I've seen, and so have ye, for 'tis but late,
The desolation of a goodly State.
Plotted and acted so that none can tell
Who gave the counsell, but the Prince of hell.
I've seen a land unmoulded with great pain,
But yet may live to see't made up again.
I've seen it shaken, rent, and soak'd in blood,
But out of troubles ye may see much good.
These are no old wives' tales, but this is truth.
We old men love to tell, what's done in youth.
But I return from whence I stept awry;
My memory is short and brain is dry.
My Almond-tree (gray hairs) doth flourish now,
And back, once straight, begins apace to bow.
My grinders now are few, my sight doth fail,
My skin is wrinkled, and my cheeks are pale.
No more rejoice, at music's pleasant noise,
But do awake at the cock's clanging voice.
I cannot scent savours of pleasant meat,
Nor sapors find in what I drink or eat.
My hands and arms, once strong, have lost their might.
I cannot labour, nor I cannot fight:
My comely legs, as nimble as the Roe,
Now stiff and numb, can hardly creep or go.
My heart sometimes as fierce, as Lion bold,
Now trembling, and fearful, sad, and cold.
My golden Bowl and silver Cord, e're long,
98
Shall both be broke, by wracking death so strong.
I then shall go whence I shall come no more.
Sons, Nephews, leave, my death for to deplore.
In pleasures, and in labours, I have found
That earth can give no consolation sound
To great, to rich, to poor, to young, or old,
To mean, to noble, fearful, or to bold.
From King to beggar, all degrees shall find
But vanity, vexation of the mind.
Yea, knowing much, the pleasant'st life of all
Hath yet amongst that sweet, some bitter gall.
Though reading others' Works doth much refresh,
Yet studying much brings weariness to th' flesh.
My studies, labours, readings all are done,
And my last period can e'en elmost run.
Corruption, my Father, I do call,
Mother, and sisters both; the worms that crawl
In my dark house, such kindred I have store.
There I shall rest till heavens shall be no more;
And when this flesh shall rot and be consum'd,
This body, by this soul, shall be assum'd;
And I shall see with these same very eyes
My strong Redeemer coming in the skies.
Triumph I shall, o're Sin, o're Death, o're Hell,
And in that hope, I bid you all farewell.
~ Anne Bradstreet,#NFDB
1339:The Angel In The House. Book Ii. Canto I.
Preludes.
I The Song of Songs
The pulse of War, whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes and braggart flags,
Through quiet England, teach our breath
The courage corporate that drags
The coward to heroic death.
Too late for song! Who henceforth sings,
Must fledge his heavenly flight with more
Song-worthy and heroic things
Than hasty, home-destroying war.
While might and right are not agreed,
And battle thus is yet to wage,
So long let laurels be the meed
Of soldier as of poet sage;
But men expect the Tale of Love,
And weary of the Tale of Hate;
Lift me, O Muse, myself above,
And let the world no longer wait!
II The Kites
I saw three Cupids (so I dream'd),
Who made three kites, on which were drawn,
In letters that like roses gleam'd,
‘Plato,’ ‘Anacreon,’ and ‘Vaughan.’
The boy who held by Plato tried
His airy venture first; all sail,
It heav'nward rush'd till scarce descried,
Then pitch'd and dropp'd, for want of tail.
Anacreon's Love, with shouts of mirth
That pride of spirit thus should fall,
To his kite link'd a lump of earth,
And, lo, it would not soar at all.
Last, my disciple freighted his
124
With a long streamer made of flowers,
The children of the sod, and this
Rose in the sun, and flew for hours.
III Orpheus
The music of the Sirens found
Ulysses weak, though cords were strong;
But happier Orpheus stood unbound,
And shamed it with a sweeter song.
His mode be mine. Of Heav'n I ask,
May I, with heart-persuading might,
Pursue the Poet's sacred task
Of superseding faith by sight,
Till ev'n the witless Gadarene,
Preferring Christ to swine, shall know
That life is sweetest when it's clean.
To prouder folly let me show
Earth by divine light made divine;
And let the saints, who hear my word,
Say, ‘Lo, the clouds begin to shine
‘About the coming of the Lord!’
IV Nearest the Dearest
Till Eve was brought to Adam, he
A solitary desert trod,
Though in the great society
Of nature, angels, and of God.
If one slight column counterweighs
The ocean, 'tis the Maker's law,
Who deems obedience better praise
Than sacrifice of erring awe.
V Perspective
What seems to us for us is true.
The planet has no proper light,
And yet, when Venus is in view,
No primal star is half so bright.
Accepted.
125
I
What fortune did my heart foretell?
What shook my spirit, as I woke,
Like the vibration of a bell
Of which I had not heard the stroke?
Was it some happy vision shut
From memory by the sun's fresh ray?
Was it that linnet's song; or but
A natural gratitude for day?
Or the mere joy the senses weave,
A wayward ecstasy of life?
Then I remember'd, yester-eve
I won Honoria for my Wife.
II
Forth riding, while as yet the day
Was dewy, watching Sarum Spire,
Still beckoning me along my way,
And growing every minute higher,
I reach'd the Dean's. One blind was down,
Though nine then struck. My bride to be!
And had she rested ill, my own,
With thinking (oh, my heart!) of me?
I paced the streets; a pistol chose,
To guard my now important life
When riding late from Sarum Close;
At noon return'd. Good Mrs. Fife,
To my, ‘The Dean, is he at home?’
Said, ‘No, Sir; but Miss Honor is;’
And straight, not asking if I'd come,
Announced me, ‘Mr. Felix, Miss,’
To Mildred, in the Study. There
We talk'd, she working. We agreed
The day was fine; the Fancy-Fair
Successful; ‘Did I ever read
‘De Genlis?’ ‘Never.’ ‘Do! She heard
‘I was engaged.’ ‘To whom?’ ‘Miss Fry.’
‘Was it the fact?’ ‘No!’ ‘On my word?’
‘What scandal people talk'd!’ ‘Would I
‘Hold out this skein of silk.’ So pass'd
I knew not how much time away.
‘How were her sisters?’ ‘Well.’ At last
126
I summon'd heart enough to say,
‘I hoped to see Miss Churchill too.’
‘Miss Churchill, Felix! What is this?
‘I said, and now I find 'tis true,
‘Last night you quarrell'd! Here she is.’
III
She came, and seem'd a morning rose
When ruffling rain has paled its blush;
Her crown once more was on her brows;
And, with a faint, indignant flush,
And fainter smile, she gave her hand,
But not her eyes, then sate apart,
As if to make me understand
The honour of her vanquish'd heart.
But I drew humbly to her side;
And she, well pleased, perceiving me
Liege ever to the noble pride
Of her unconquer'd majesty,
Once and for all put it away;
The faint flush pass'd; and, thereupon,
Her loveliness, which rather lay
In light than colour, smiled and shone,
Till sick was all my soul with bliss;
Or was it with remorse and ire
Of such a sanctity as this
Subdued by love to my desire?
~ Coventry Patmore,#NFDB
1340:I. THE FLOWER'S NAME
Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.
II.
Down this side of the gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!
III.
This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.
IV.
Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.
V.
Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle-
Is not the dear mark still to be seen?
VI.
Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
-Ah, you may flout and turn up your faces-
Roses, you are not so fair after all!
II. SIBRANDUS SCHAFNABURGENSIS.
Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.
II.
Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.
III.
Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend.
IV.
Splash, went he, as under he ducked,
-At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.
V.
Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, de profundis, accentibus ltis,
Cantate! quoth I, as I got a rake;
And up I fished his delectable treatise.
VI.
Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!
VII.
How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover?
-When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?
VIII.
All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.
IX.
Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, sufficit!
See the snug niche I have made on my shelf!
A.'s book shall prop you up, B.'s shall cover you,
Here's C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!
~ Robert Browning, Garden Francies
,#NFDB
1341:Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous, calm and dead,
Borne on our shoulders.
Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, "New measures, other feet anon!
My dance is finished"?
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
"What's in the scroll," quoth he, "thou keepest furled
Show me their shaping,
Theirs who most studied man, the bard and sage,
Give!"So, he gowned him,
Straight got by heart that book to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
"Time to taste life," another would have said,
"Up with the curtain!"
This man said rather, "Actual life comes next?
Patience a moment!
Grant I have mastered learning's crabbed text,
Still there's the comment.
Let me know all! Prate not of most or least,
Painful or easy!
Even to the crumbs I'd fain eat up the feast,
Ay, nor feel queasy."
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!
(Here's the town-gate reached: there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live
No end to learning:
Earn the means firstGod surely will contrive
Use for our earning.
Others mistrust and say, "But time escapes:
Live now or never!"
He said, "What's time? Leave Now for dogs and apes!
Man has Forever."
Back to his book then: deeper drooped his head:
Calculus racked him:
Leaden before, his eyes grew dross of lead:
Tussis attacked him.
"Now, master, take a little rest!"not he!
(Caution redoubled
Step two abreast, the way winds narrowly!)
Not a whit troubled,
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.
Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God,
(He loves the burthen)
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothingheaven's success
Found, or earth's failure:
"Wilt thou trust death or not?" He answered "Yes:
Hence with life's pale lure!"
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding one to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world hereshould he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled Hoti's businesslet it be!
Properly based Oun
Gave us the doctrine of the enclitic De,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know
Bury this man there?
Herehere's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects:
Loftily lying,
Leave himstill loftier than the world suspects,
Living and dying.
~ Robert Browning, A Grammarian's Funeral Shortly After The Revival Of Learning
,#NFDB
1342: XVI - MARTHA'S GARDEN
MARGARET FAUST
MARGARET
Promise me, Henry!
FAUST
What I can!
MARGARET
How is't with thy religion, pray?
Thou art a dear, good-hearted man,
And yet, I think, dost not incline that way.
FAUST
Leave that, my child! Thou know'st my love is tender;
For love, my blood and life would I surrender,
And as for Faith and Church, I grant to each his own.
MARGARET
That's not enough: we must believe thereon.
FAUST
Must we?
MARGARET
Would that I had some influence!
Then, too, thou honorest not the Holy Sacraments.
FAUST
I honor them.
MARGARET
Desiring no possession
'Tis long since thou hast been to mass or to confession.
Believest thou in God?
FAUST
My darling, who shall dare
"I believe in God!" to say?
Ask priest or sage the answer to declare,
And it will seem a mocking play,
A sarcasm on the asker.
MARGARET
Then thou believest not!
FAUST
Hear me not falsely, sweetest countenance!
Who dare express Him?
And who profess Him,
Saying: I believe in Him!
Who, feeling, seeing,
Deny His being,
Saying: I believe Him not!
The All-enfolding,
The All-upholding,
Folds and upholds he not
Thee, me, Himself?
Arches not there the sky above us?
Lies not beneath us, firm, the earth?
And rise not, on us shining,
Friendly, the everlasting stars?
Look I not, eye to eye, on thee,
And feel'st not, thronging
To head and heart, the force,
Still weaving its eternal secret,
Invisible, visible, round thy life?
Vast as it is, fill with that force thy heart,
And when thou in the feeling wholly blessed art,
Call it, then, what thou wilt,
Call it Bliss! Heart! Love! God!
I have no name to give it!
Feeling is all in all:
The Name is sound and smoke,
Obscuring Heaven's clear glow.
MARGARET
All that is fine and good, to hear it so:
Much the same way the preacher spoke,
Only with slightly different phrases.
FAUST
The same thing, in all places,
All hearts that beat beneath the heavenly day
Each in its languagesay;
Then why not I, in mine, as well?
MARGARET
To hear it thus, it may seem passable;
And yet, some hitch in't there must be
For thou hast no Christianity.
FAUST
Dear love!
MARGARET
I've long been grieved to see
That thou art in such company.
FAUST
How so?
MARGARET
The man who with thee goes, thy mate,
Within my deepest, inmost soul I hate.
In all my life there's nothing
Has given my heart so keen a pang of loathing,
As his repulsive face has done.
FAUST
Nay, fear him not, my sweetest one!
MARGARET
I feel his presence like something ill.
I've else, for all, a kindly will,
But, much as my heart to see thee yearneth,
The secret horror of him returneth;
And I think the man a knave, as I live!
If I do him wrong, may God forgive!
FAUST
There must be such queer birds, however.
MARGARET
Live with the like of him, may I never!
When once inside the door comes he,
He looks around so sneeringly,
And half in wrath:
One sees that in nothing no interest he hath:
'Tis written on his very forehead
That love, to him, is a thing abhorrd.
I am so happy on thine arm,
So free, so yielding, and so warm,
And in his presence stifled seems my heart.
FAUST
Foreboding angel that thou art!
MARGARET
It overcomes me in such degree,
That wheresoe'er he meets us, even,
I feel as though I'd lost my love for thee.
When he is by, I could not pray to Heaven.
That burns within me like a flame,
And surely, Henry, 'tis with thee the same.
FAUST
There, now, is thine antipathy!
MARGARET
But I must go.
FAUST
Ah, shall there never be
A quiet hour, to see us fondly plighted,
With breast to breast, and soul to soul united?
MARGARET
Ah, if I only slept alone!
I'd draw the bolts to-night, for thy desire;
But mother's sleep so light has grown,
And if we were discovered by her,
'Twould be my death upon the spot!
FAUST
Thou angel, fear it not!
Here is a phial: in her drink
But three drops of it measure,
And deepest sleep will on her senses sink.
MARGARET
What would I not, to give thee pleasure?
It will not harm her, when one tries it?
FAUST
If 'twould, my love, would I advise it?
MARGARET
Ah, dearest man, if but thy face I see,
I know not what compels me to thy will:
So much have I already done for thee,
That scarcely more is left me to fulfil.
(Enter MEPHISTOPHELES.) [Exit.
MEPHISTOPHELES
The monkey! Is she gone?
FAUST
Hast played the spy again?
MEPHISTOPHELES
I've heard, most fully, how she drew thee.
The Doctor has been catechised, 'tis plain;
Great good, I hope, the thing will do thee.
The girls have much desire to ascertain
If one is prim and good, as ancient rules compel:
If there he's led, they think, he'll follow them as well.
FAUST
Thou, monster, wilt nor see nor own
How this pure soul, of faith so lowly,
So loving and ineffable,
The faith alone
That her salvation is,with scruples holy
Pines, lest she hold as lost the man she loves so well!
MEPHISTOPHELES
Thou, full of sensual, super-sensual desire,
A girl by the nose is leading thee.
FAUST
Abortion, thou, of filth and fire!
MEPHISTOPHELES
And then, how masterly she reads physiognomy!
When I am present she's impressed, she knows not how;
She in my mask a hidden sense would read:
She feels that surely I'm a genius now,
Perhaps the very Devil, indeed!
Well, well,to-night?
FAUST
What's that to thee?
MEPHISTOPHELES
Yet my delight 'twill also be!
Faust
~ Johann Wolfgang von Goethe, MARTHAS GARDEN
,#NFDB
1343:THE LEECH
And thoughtfully Zarathustra went farther and
deeper, through woods and past swampy valleys; but
as happens to everybody who reflects on grave matters,
he stepped on a man unwittingly. And behold, all at
once a cry of pain and two curses and twenty bad insults splashed into his face and startled him so that he
raised his stick and beat the man on whom he had
stepped. A moment later, however, he recovered his
senses, and his heart laughed at the folly he had just
committed.
"Forgive me," he said to the man he had stepped on,
who had angrily risen and sat down; "forgive me
and, above all, listen to a parable first. As a wanderer
who dreams of distant matters will unwittingly stumble
over a sleeping dog on a lonely road-a dog lying in
the sun-and both start and let fly at each other like
mortal enemies, because both are mortally frightened:
thus it happened to us. And yet-and yet, how little
was lacking, and they might have caressed each other,
249
this dog and this lonely man. For after all they were
both lonely."
"Whoever you may be," said the man he had stepped
on, still angry, "your parable too offends me, and not
only your foot. After all, am I a dog?" And at that the
seated man got up and pulled his bare arm out of the
swamp. For at first he had been lying stretched out on
the ground, concealed and unrecognizable, as one lying
in wait for some swamp animal.
"But what are you doing?" cried Zarathustra, startled,
for he saw that much blood was flowing down the bare
arm. 'What has happened to you? Did a bad animal
bite you, you poor wretch?"
The bleeding man laughed, still angry. 'What is that
to you?" he said and wanted to go on. "Here I am at
home and in my realm. Let whoever wants to, ask me;
but I certainly won't answer a bumpkin."
"You are wrong," said Zarathustra, full of pity, and
he held him back. "You are wrong. This is not your
realm but mine, and here nobody shall come to grief.
Call me whatever you like; I am who I must be. I call
myself Zarathustra. Well! Up there runs the path to
Zarathustra's cave, which is not far. Do you not want
to look after your wounds in my place? Things have
gone badly for you in this life, you poor wretch; first
the beast bit you and then man stepped on you."
When the man who had been stepped on heard
Zarathustra's name he changed completely. "What is
happening to me?" he cried out. "Who else matters to
me any more in this life but this one man, Zarathustra,
and that one beast which lives on blood, the leech?
For the leech's sake I lay here beside this swamp like
a fisherman, and my arm, which I had cast, had already
been bitten ten times when a still more beautiful leech
250
bit, seeking my blood, Zarathustra himself. 0 happiness!
o miracle Praised be this day that lured me into this
swamp! Praised be the best, the most alive cupper
living today, praised be the great leech of the conscience, Zarathustral"
Thus spoke the man who had been stepped on; and
Zarathustra enjoyed his words and their fine, respectful
manner. "Who are you?" he asked and offered him his
hand. "There is much between us that remains to be
cleared up and cheered up; but even now, it seems to
me, the day dawns pure and bright."
"I am the conscientious in spirit," replied the man;
"and in matters of the spirit there may well be none
stricter, narrower, and harder than I, except he from
whom I have learned it, Zarathustra himself.
"Rather know nothing than half-know much Rather
be a fool on one's own than a sage according to the
opinion of others I go to the ground-what does it
matter whether it be great or small? whether it be
called swamp or sky? A hand's breadth of ground
suffices me, provided it is really ground and foundation.
A hand's breadth of ground-on that one can stand.
In the conscience of science there is nothing great and
nothing small."
"Then perhaps you are the man who knows the
leech?" Zarathustra asked. "And do you pursue the
leech to its ultimate grounds, my conscientious friend?"
"O Zarathustra," replied the man who had been
stepped on, "that would be an immensity; how could I
presume so much That of which I am the master and
expert is the brain of the leech: that is my world. And
it really is a world too. Forgive me that here my pride
speaks up, for I have no equal here. That is why I said,
'Here is my home.' How long have I been pursuing this
one thing, the brain of the leech, lest the slippery truth
251
slip away from me here again Here is my realm. For
its sake I have thrown away everything else; for its
sake everything else has become indifferent to me; and
close to my knowledge lies my black ignorance.
"The conscience of my spirit demands of me that I
know one thing and nothing else: I loa the all the half
in spirit, all the vaporous that hover and rave.
"Where my honesty ceases, I am blind and I also
want to be blind. But where I want to know, I also
want to be honest-that is, hard, strict, narrow, cruel,
and inexorable.
"That you, 0 Zarathustra, once said, 'Spirit is the life
that itself cuts into life,' that introduced and seduced
me to your doctrine. And verily, with my own blood I
increased my own knowledge."
"As is quite apparent," Zarathustra interrupted, for
the blood still flowed down the bare arm of the conscientious man, ten leeches having bitten deep into it.
"O you strange fellow, how much I learn from what is
apparent here, namely from you. And perhaps I had
better not pour all of it into your strict ears. Well! Here
we part. But I should like to find you again. Up there
goes the path to my cave: tonight you shall be my dear
guest there. To your body too, I should like to make
up for Zarathustra's having stepped on you with his
feet: I shall reflect on that. Now, however, a cry of
distress urgently calls me away from you."
Thus spoke Zarathustra.
~ Friedrich Nietzsche, THE LEECH
,#NFDB
1344:The Shooting Of John Dillinger Outside The Biograph
Theater, July 22, 1934
Chicago ran a fever of a hundred and one that groggy Sunday.
A reporter fried an egg on a sidewalk; the air looked shaky.
And a hundred thousand people were in the lake like shirts in
a laundry.
Why was Johnny lonely?
Not because two dozen solid citizens, heat-struck, had keeled
over backward.
Not because those lawful souls had fallen out of their sockets
and melted.
But because the sun went down like a lump in a furnace or a
bull in the Stockyards.
Where was Johnny headed?
Under the Biograph Theater sign that said, "Our Air is
Refrigerated."
Past seventeen FBI men and four policemen who stood in
doorways and sweated.
Johnny sat down in a cold seat to watch Clark Gable get
electrocuted.
Had Johnny been mistreated?
Yes, but Gable told the D.A. he'd rather fry than be shut up
forever.
Two women sat by looked sweet, one looked like
J. Edgar Hoover.
Polly Hamilton made him feel hot, but Anna Sage made him
shiver.
Was Johnny a good lover?
Yes, but he passed out his share of squeezes and pokes like a
jittery masher
While Agent Purvis sneaked up and down the aisle like an
extra usher,
Trying to make sure they wouldn't slip out till the show was
over.
Was Johnny a fourflusher?
No, not if he knew the got it up or got it back.
But he liked to take snapshots of policemen with his own Kodak,
And once in a while he liked to take them with an automatic.
Why was Johnny frantic?
33
Because he couldn't take a walk or sit down in a movie
Without begin afraid he'd run smack into somebody
Who'd point at his rearranged face and holler, "Johnny!"
Was Johnny ugly?
Yes, because Dr. Wilhelm Loeser had given him a new profile
With a baggy jawline and squint eyes and an erased dimple,
With kangaroo-tendon cheekbones and a gigolo's mustache
that should've been illegal.
Did Johnny love a girl?
Yes, a good-looking, hard-headed Indian named Billie Frechette.
He wanted to marry her and lie down and try to get over it,
But she was locked in jail for giving him first-aid and comfort.
Did Johnny feel hurt?
He felt like breaking a bank or jumping over a railing
Into some panicky teller's cage to shout, "Reach for the ceiling!"
Or like kicking some vice president in the bum checks and
smiling.
What was he really doing?
Going up the aisle with the crowd and into the lobby
With Polly saying, "Would you do what Clark done?" And
Johnny saying, "Maybe."
And Anna saying, "If he'd been smart, he'd of acted like
Bing Crosby."
Did Johnny look flashy?
Yes, his white-on-white shirt and tie were luminous.
His trousers were creased like knives to the tops of his shoes,
And his yellow straw hat came down to his dark glasses.
Was Johnny suspicious?
Yes, and when Agent Purvis signalled with a trembling cigar,
Johnny ducked left and ran out of the theater,
And innocent Polly and squealing Anna were left nowhere.
Was Johnny a fast runner?
No, but he crouched and scurried past a friendly liquor store
Under the coupled arms of double-daters, under awnings,
under stars,
To the curb at the mouth of an alley. He hunched there.
Was Johnny a thinker?
No, but he was thinking more or less of Billie Frechette
Who was lost in prison for longer than he could possibly wait,
And then it was suddenly too hard to think around a bullet.
Did anyone shoot straight?
Yes, but Mrs. Etta Natalsky fell out from under her picture hat.
34
Theresa Paulus sprawled on the sidewalk, clutching her left foot.
And both of them groaned loud and long under the streetlight.
Did Johnny like that?
No, but he lay down with those strange women, his face
in the alley,
One shoe off, cinders in his mouth, his eyelids heavy.
When they shouted questions at him, he talked back to nobody.
Did Johnny lie easy?
Yes, holding his gun and holding his breath as a last trick,
He waited, but when the Agents came close, his breath
wouldn't work.
Clark Gable walked his last mile; Johnny ran a half a block.
Did he run out of luck?
Yes, before he was cool, they had him spread out on dished-in
marble
In the Cook County Morgue, surrounded by babbling people
With a crime reporter presiding over the head of the table.
Did Johnny have a soul?
Yes, and it was climbing his slippery wind-pipe like a trapped
burglar.
It was beating the inside of his ribcage, hollering, "Let me
out of here!"
Maybe it got out, and maybe it just stayed there.
Was Johnny a money-maker?
Yes, and thousands paid 25¢ to see him, mostly women,
And one said, "I wouldn't have come, except he's a moral
lesson,"
And another, "I'm feels like a dead man."
Did Johnny have a brain?
Yes, and it always worked best through the worst of dangers,
Through flat-footed hammerlocks, through guarded doors,
around corners,
But it got taken out in the morgue and sold to some doctors.
Could Johnny take orders?
No, but he stayed in the wicker basket carried by six men
Through the bulging crowd to the hearse and let himself be
locked in,
And he stayed put as it went driving south in a driving rain.
And he didn't get stolen?
No, not even after his old hard-nosed dad refused to sell
The quick-drawing corpse for $10,000 to somebody in a
carnival.
35
He figured he'd let Johnny decide how to get to Hell.
Did anyone wish him well?
Yes, half of Indiana camped in the family pasture,
And the minister said, "With luck, he could have been a
minister."
And up the sleeve of his oversized gray suit, Johnny twitched
a finger.
Does anyone remember?
Everyone still some dead ones.It was a new kind of
holiday
With hot and cold drinks and hot and cold planted
him in a cemetery
With three unknown vice presidents, Benjamin Harrison, and
James Whitcomb Riley,
Who never held up anybody.
~ David Wagoner,#NFDB
1345:Outside The Village Church
``The old Church doors stand open wide,
Though neither bells nor anthems peal.
Gazing so fondly from outside,
Why do you enter not and kneel?
``It is the sunset hour when all
Begin to feel the need to pray,
Upon our common Father call
To guard the night, condone the day.
``Is it proud scorn, or humble doubt,
That keeps you standing, lingering, there;
Half in the Church, and half without,
Midway betwixt the world and prayer?
``No meeter moment could there be
For man to talk alone with God.
The careless sexton has, you see,
Shouldered his spade, and homeward trod.
``The Vicar's daily round is done;
His back just sank below the brow.
He passed the porches, one by one,
That line the hamlet street, and now
``He, in his garden, cons the page,
And muses on to-morrow's text.
The homebound rustic counts his wage,
The same last week, the same the next.
``Nor priest nor hind are you, but each
Alike is welcome here within;
Both they who learn, and they who teach,
Have secret sorrow, secret sin.
``Enter, and bare your inmost sore;
Enter, and weep your stain away;
Leave doubt and darkness at the door;
Come in and kneel, come in and pray.''
367
Such were the words I seemed to hear,
By no one uttered, but alack!
The voice of many a bygone year,
Striking the church, and echoing back.
I entered not, but on a stone
Sate, that recorded some one's loss;
But name and date no more were shown,
The deep-cut lines were smooth with moss.
Below were longsome tags of rhyme,
But what, you could not now surmise.
Alas! alas! that death and time
Should overgrow love's eulogies.
Round me was Death that plainly spoke
The hopes and aims that life denied;
The curious pomp of simple folk,
The pedantry of rustic pride.
Some slept in square sepulchral caves,
Some were stretched flat, and some inurned;
And there were fresh brown baby graves,
Resembling cradles overturned.
From where I sate I still could watch
The old oak pews, the altar white.
Gable and oasthouse, tile and thatch,
Smiled softly in the sunset light.
From here and there a cottage roof,
Spires of blue vapour 'gan to steal;
To eyes of love a heavenly proof
The mother warmed the evening meal.
No more the mill-stream chafed and churned;
The wheel hung still, the meal lay whole;
From marsh and dyke the rooks returned,
And circled round and round the toll.
The lambs were mute, the sheep were couched,
368
The hop-poles bent 'neath leaf and bine;
Adown the road the vagrant slouched,
And glanced up at the alehouse sign.
Again I heard the unseen voice:
``Why do you come not in and rest?
Whether you grieve or you rejoice,
You here will be a welcome guest.
``To Heaven it is the half-way house,
Where hope can feed, and anguish may
Recline its limbs and rest its brows,
With simple thanks for ample pay.
``Was it not here you got the name
Which is of you so close a part,
That, uttered, it hath magic claim
To flush love's cheek, to flood love's heart?
``Here too it was, when youth confessed
The weariness of random ways,
And felt a surging in the breast
For faithful nights and fruitful days,
``You came with one who, conquering fear
When love surprised first thought to fly,
Acknowledged with a tender tear
The sweetness of captivity.
``And here 'twill be when you have ta'en
Last look of love, last look of Spring,
When hearts for you will yearn in vain,
And vain for you the birds will sing,
``That shuffling feet and slow will come,
With cumbrous coffin, gloomy pall,
And, while within you moulder dumb,
That prayers will rise and tears will fall.
``And should Death haply prove your friend,
And what in life was scorned should save,
Hither it is that feet will wend,
369
To read the name upon your grave.''
I heard the voice no more. The rooks
Had ceased to float, had ceased to caw;
The sunlight lingered but in nooks,
And, gazing toward the west, I saw,
Beyond the pasture's withered bents,
Upstanding hop, recumbent fleece,
And sheaves of wheat, like weathered tents,
A twilight bivouac of peace.
Into itself the voice withdrew.
A something subtle all around
Came floating on the rising dew,
And sweetness took the place of sound.
No word of mine, although my heart
Rebelled, the scented stillness shook;
But silence seemed to take my part,
Thus mildly answering mild rebuke:
``'Tis true I have to you not brought
My eager or despondent mood,
But still by wood and stream have sought
The sanctity of solitude.
``But as a youth who quits his home
To range in tracts of freër fame,
However far or wide he roam,
Dwells fondly on his mother's name;
``So bear me witness, dear old Church,
Although apart our ritual be,
I ne'er have breathed one word to smirch
The Creed that bore and suckled me.
``Not mine presumptuous thought to cope
With sage's faith, with saint's belief,
Or proudly mock the humble hope
That solaced the Repentant Thief.
370
``I do not let the elms, that shut
My garden in from world without,
Exclude your sacred presence, but
I lop them when they shoot and sprout;
``That I at eve, that I at dawn,
That I, when noons are warm and still,
Lying or lingering on the lawn,
May see your tower upon the hill.
``But when Faith grows a sophist's theme,
And chancels ring with doubt and din,
I sometimes think that they who seem
The most without, are most within.
``The name you gave, that name I bear;
The bond you sealed, I sacred keep;
And, when my brain is dust and air,
Let me within your precincts sleep.''
The sexton came and scanned once more
The neat square pit of smooth blue clay,
Then turned the key and locked the door,
And so, like him, I went my way.
I had the summons not obeyed;
I had nor knelt nor uttered word;
But somehow felt that I had prayed,
And somehow felt I had been heard.
~ Alfred Austin,#NFDB
1346:THE
ASS FESTIVAL
1
At this point of the litany Zarathustra could no longer
control himself and himself shouted Yea-Yuh, even
louder than the ass, and he jumped right into the middle
of his guests, who had gone mad. "But what are you
doing there, children of men?" he cried as he pulled the
praying men up from the floor. "Alas, if someone other
than Zarathustra had watched youth Everyone would
judge that with your new faith you were the worst
blasphemers or the most foolish of all little old women.
"And you too, old pope, how do you reconcile this
with yourself that you adore an ass in this way as a
god?"
"O Zarathustra," replied the pope, "forgive me, but
314
in what pertains to God I am even more enlightened
than you. And that is proper. Better to adore God in
this form than in no form at all! Think about this maxim,
my noble friend: you will quickly see that there is
wisdom in such a maxim.
"He who said, 'God is a spirit,' took the biggest step
and leap to disbelief that anybody has yet taken on
earth: such a saying can hardly be redressed on earth.
My old heart leaps and jumps that there is still something on earth to adore. Forgive, 0 Zarathustra, an old
pious pope's heart!"
"And you," Zarathustra said to the wanderer and
shadow, "you call and consider yourself a free spirit?
And you go in for such idolatry and popery? You are
behaving even more wickedly, verily, than with your
wicked brown girls, you wicked new believer."
"Wickedly enough," replied the wanderer and
shadow; "you are right: but is it my fault? The old god
lives again, Zarathustra, you may say what you will. It
is all the fault of the ugliest man: he has awakened him
again. And when he says that he once killed him-in
the case of gods death is always a mere prejudice."
"And you," said Zarathustra, "you wicked old magician, what have you done? Who should henceforth believe in you in this free age, if you believe in such theoasininities? It was a stupidity that you committed; how
could you, you clever one, commit such a stupidity?"
"O Zarathustra," replied the clever magician, "you are
right, it was a stupidity; and it was hard enough for me
too."
"And you of all people," said Zarathustra to the conscientious in spirit, "consider with a finger alongside
your nose: doesn't anything here go against your con-
science? Is your spirit not too clean for such praying
and the haze of these canters?"
315
"There is something in this," replied the conscientious
man, placing a finger alongside his nose; "there is something in this spectacle that even pleases my conscience.
Perhaps I may not believe in God; but it is certain
that God seems relatively most credible to me in this
form. God is supposed to be eternal, according to the
witness of the most pious: whoever has that much time,
takes his time. As slowly and as stupidly as possible:
in this way, one like that can still get very far.
"And whoever has too much spirit might well grow
foolishly fond of stupidity and folly itself. Think about
yourself, 0 Zarathustral You yourself-verily, overabundance and wisdom could easily turn you too into
an ass. Is not the perfect sage fond of walking on the
most crooked ways? The evidence shows this, 0 Zarathustra-and you are the evidence."
"And you yourself, finally," said Zarathustra, turning to the ugliest man, who still lay on the ground, and
raising his arm toward the ass (for he was offering him
wine to drink). "Speak, you inexpressible one, what
have you done? You seem changed to me, your eyes are
glowing, the cloak of the sublime lies over your ugliness: what have you done? Is it true what they say, that
you have wakened him again? And why? Had he not
been killed and finished for a reason? You yourself seem
awakened to me: what have you done? Why did you
revert? Why did you convert yourself? Speak, you inexpressible onel"
"O Zarathustra," replied the ugliest man, "you are a
roguel Whether that one still lives or lives again or is
thoroughly dead-which of the two of us knows that
best? I ask you. But one thing I do know; it was from
you yourself that I learned it once, 0 Zarathustra: whoever would kill most thoroughly, laughs.
"'Not by wrath does one kill, but by laughter'-thus
you once spoke. 0 Zarathustra, you hidden one, you
annihilator without wrath, you dangerous saint-you
are a rogue!"
2
But then it happened that Zarathustra, amazed at all
these roguish answers, jumped back toward the door of
his cave and, turning against all his guests, cried out
with a strong voice:
"O you roguish fools, all of you, you jestersl Why do
you dissemble and hide before me? How all your hearts
wriggled with pleasure and malice that at last you had
become again as little children, that is, pious; that at
last you did again what children do, namely, prayed,
folded your hands, and said, 'Dear God!' But now leave
this nursery, my own cave, where all childishness is at
home today! Cool your hot children's prankishness and
the noise of your hearts out there!
"To be sure: except ye become as little children, ye
shall not enter into that kingdom of heaven. (And Zarathustra pointed upward with his hands.) But we have
no wish whatever to enter into the kingdom of heaven:
we have become men-so we want the earth."
3
And yet once more Zarathustra began to speak. "O
my new friends," he said, "you strange higher men, how
well I like you now since you have become gay again.
Verily, you have all blossomed; it seems to me such
flowers as you are require new festivals, a little brave
nonsense, some divine service and ass festival, some old
gay fool of a Zarathustra, a roaring wind that blows your
souls bright.
"Do not forget this night and this ass festival, you
higher men. This you invented when you were with me
317
and I take that for a good sign: such things are invented only by convalescents.
"And when you celebrate it again, this ass festival,
do it for your own sakes, and also do it for my sake. And
in remembrance of me."
Thus spoke Zarathustra.
~ Friedrich Nietzsche, THE ASS FESTIVAL
,#NFDB
1347:Hear me, Lord of the Stars!
For thee I have worshipped ever
With stains and sorrows and scars,
With joyful, joyful endeavour.
Hear me, O lily-white goat!
O crisp as a thicket of thorns,
With a collar of gold for Thy throat,
A scarlet bow for Thy horns!
Here, in the dusty air,
I build Thee a shrine of yew.
All green is the garland I wear,
But I feed it with blood for dew!
After the orange bars
That ribbed the green west dying
Are dead, O Lord of the Stars,
I come to Thee, come to Thee crying.
The ambrosial moon that arose
With breasts slow heaving in splendour
Drops wine from her infinite snows.
Ineffably, utterly, tender.
O moon! ambrosial moon!
Arise on my desert of sorrow
That the Magical eyes of me swoon
With lust of rain to-morrow!
Ages and ages ago
I stood on the bank of a river
Holy and Holy and holy, I know,
For ever and ever and ever!
A priest in the mystical shrine
I muttered a redeless rune,
Till the waters were redder than wine
In the blush of the harlot moon.
I and my brother priests
Worshipped a wonderful woman
With a body lithe as a beast's
Subtly, horribly human.
Deep in the pit of her eyes
I saw the image of death,
And I drew the water of sighs
From the well of her lullaby breath.
She sitteth veiled for ever
Brooding over the waste.
She hath stirred or spoken never.
She is fiercely, manly chaste!
What madness made me awake
From the silence of utmost eld
The grey cold slime of the snake
That her poisonous body held?
By night I ravished a maid
From her father's camp to the cave.
I bared the beautiful blade;
I dipped her thrice i' the wave;
I slit her throat as a lamb's,
That the fount of blood leapt high
With my clamorous dithyrambs
Like a stain on the shield of the sky.
With blood and censer and song
I rent the mysterious veil:
My eyes gaze long and long
On the deep of that blissful bale.
My cold grey kisses awake
From the silence of utmost eld
The grey cold slime of the snake
That her beautiful body held.
But --- God! I was not content
With the blasphemous secret of years;
The veil is hardly rent
While the eyes rain stones for tears.
So I clung to the lips and laughed
As the storms of death abated,
The storms of the grevious graft
By the swing of her soul unsated.
Wherefore reborn as I am
By a stream profane and foul
In the reign of a Tortured Lamb,
In the realm of a sexless Owl,
I am set apart from the rest
By meed of the mystic rune
That reads in peril and pest
The ambrosial moon --- the moon!
For under the tawny star
That shines in the Bull above
I can rein the riotous car
Of galloping, galloping Love;
And straight to the steady ray
Of the Lion-heart Lord I career,
Pointing my flaming way
With the spasm of night for a spear!
O moon! O secret sweet!
Chalcedony clouds of caresses
About the flame of our feet,
The night of our terrible tresses!
Is it a wonder, then,
If the people are mad with blindness,
And nothing is stranger to men
Than silence, and wisdom, and kindness?
Nay! let him fashion an arrow
Whose heart is sober and stout!
Let him pierce his God to the marrow!
Let the soul of his God flow out!
Whether a snake or a sun
In his horoscope Heaven hath cast,
It is nothing; every one
Shall win to the moon at last.
The mage hath wrought by his art
A billion shapes in the sun.
Look through to the heart of his heart,
And the many are shapes of one!
An end to the art of the mage,
And the cold grey blank of the prison!
An end to the adamant age!
The ambrosial moon is arisen.
I have bought a lily-white goat
For the price of a crown of thorns,
A collar of gold for its throat,
A scarlet bow for its horns.
I have bought a lark in the lift
For the price of a butt of sherry:
With these, and God for a gift,
It needs no wine to be merry!
I have bought for a wafer of bread
A garden of poppies and clover;
For a water bitter and dead
A foam of fire flowing over.
From the Lamb and his prison fare
And the owl's blind stupor, arise
Be ye wise, and strong, and fair,
And the nectar afloat in your eyes!
Arise, O ambrosial moon
By the strong immemorial spell,
By the subtle veridical rune
That is mighty in heaven and hell!
Drip thy mystical dews
On the tongues of the tender fauns
In the shade of initiate yews
Remote from the desert dawns!
Satyrs and Fauns, I call.
Bring your beauty to man!
I am the mate for ye all'
I am the passionate Pan.
Come, O come to the dance
Leaping with wonderful whips,
Life on the stroke of a glance,
Death in the stroke of the lips!
I am hidden beyond,
Shed in a secret sinew
Smitten through by the fond
Folly of wisdom in you!
Come, while the moon (the moon!)
Sheds her ambrosial splendour,
Reels in the redeless rune
Ineffably, utterly, tender!
Hark! the appealing cry
Of deadly hurt in the hollow: ---
Hyacinth! Hyacinth! Ay!
Smitten to death by Apollo.
Swift, O maiden moon,
Send thy ray-dews after;
Turn the dolorous tune
To soft ambiguous laughter!
Mourn, O Maenads, mourn!
Surely your comfort is over:
All we laugh at you lorn.
Ours are the poppies and clover!
O that mouth and eyes,
Mischievous, male, alluring!
O that twitch of the thighs
Dorian past enduring!
Where is wisdom now?
Where the sage and his doubt?
Surely the sweat of the brow
Hath driven the demon out.
Surely the scented sleep
That crowns the equal war
Is wiser than only to weep ---
To weep for evermore!
Now, at the crown of the year,
The decadent days of October,
I come to thee, God, without fear;
Pious, chaste, and sober.
I solemnly sacrifice
This first-fruit flower of wine
For a vehicle of thy vice
As I am Thine to be mine.
For five in the year gone by
I pray Thee give to me one;
A love stronger than I,
A moon to swallow the sun!
May he be like a lily-white goat
Crisp as a thicket of thorns,
With a collar of gold for his throat,
A scarlet bow for his horns!
ELAINE CARR.
~ Aleister Crowley, The Priestess of Panormita
,#NFDB
1348:The Mummery
THE TWO CAVEES
DRAMATIS PERSONAE.
FITCH _a Pelter of Railrogues_
PICKERING _his Partner, an Enemy to Sin_
OLD NICK _a General Blackwasher_
DEAD CAT _a Missile_
ANTIQUE EGG _Another_
RAILROGUES, DUMP-CARTERS. NAVVIES and Unassorted SHOVELRY in the
Lower Distance
_Scene_-The Brink of a Railway Cut, a Mile Deep.
_Time_-1875.
FITCH:
Gods! what a steep declivity! Below
I see the lazy dump-carts come and go,
Creeping like beetles and about as big.
The delving PaddiesPICKERING:
Case of _infra dig._
FITCH:
Loring, light-minded and unmeaning quips
Come with but scant propriety from lips
Fringed with the blue-black evidence of age.
'Twere well to cultivate a style more sage,
For men will fancy, hearing how you pun,
Our foulest missiles are but thrown in fun.
(_Enter Dead Cat._)
516
Here's one that thoughtfully has come to hand;
Slant your fine eye below and see it land.
(_Seizes Dead Cat by the tail and swings it in act to throw._)
DEAD CAT (_singing_):
Merrily, merrily, round I goOver and under and at.
Swing wide and free, swing high and low
The anti-monopoly cat!
O, who wouldn't be in the place of me,
The anti-monopoly cat?
Designed to admonish,
Persuade and astonish
The capitalist andFITCH _(letting go):_
Scat!
_(Exit Dead Cat.)_
PICKERING:
Huzza! good Deacon, well and truly flung!
Pat Stanford it has grassed, and Mike de Young.
Mike drives a dump-cart for the villains, though
'Twere fitter that he pull it. Well, we owe
The traitor one for leaving us!-some day
We'll get, if not his place, his cart away.
Meantime fling missiles-any kind will do.
_(Enter Antique Egg.)_
Ha! we can give them an _ovation_, too!
ANTIQUE EGG:
In the valley of the Nile,
Where the Holy Crocodile
Of immeasurable smile
Blossoms like the early rose,
517
And the Sacred Onion grows
When the Pyramids were new
And the Sphinx possessed a nose,
By a storkess I was laid
In the cool papyrus shade,
Where the rushes later grew,
That concealed the little Jew,
Baby Mose.
Straining very hard to hatch,
I disrupted there my yolk;
And I felt my yellow streaming
Through my white;
And the dream that I was dreaming
Of posterity was broke
In a night.
Then from the papyrus-patch
By the rising waters rolled,
Passing many a temple old,
I proceeded to the sea.
Memnon sang, one morn, to me,
And I heard Cambyses sass
The tomb of Ozymandias!
FITCH:
O, venerablest orb of all the earth,
God rest the lady fowl that gave thee birth!
Fit missile for the vilest hand to throw
I freely tender thee mine own. Although
As a bad egg I am myself no slouch,
Thy riper years thy ranker worth avouch.
Now, Pickering, please expose your eye and say
If-whoop!_(Exit egg.)_
I've got the range.
PICKERING:
Hooray! hooray!
A grand good shot, and Teddy Colton's down:
It burst in thunderbolts upon his crown!
Larry O'Crocker drops his pick and flies,
518
And deafening odors scream along the skies!
Pelt 'em some more.
FITCH:
There's nothing left but tarwish I were a Yahoo.
PICKERING:
Well, you are.
But keep the tar. How well I recollect,
When Mike was in with us-proud, strong, erect
_Mens conscia recti_-flinging mud, he stood,
Austerely brave, incomparably good,
Ere yet for filthy lucre he began
To drive a cart as Stanford's hired man,
That pitch-pot bearing in his hand, Old Nick
Appeared and tarred us all with the same stick.
_(Enter Old Nick)_.
I hope he won't return and use his arts
To make us part with our immortal parts.
OLD NICK:
Make yourself easy on that score my lamb;
For both your souls I wouldn't give a damn!
I want my tar-pot-hello! where's the stick?
FITCH:
Don't look at _me_ that fashion!-look at Pick.
PICKERING:
Forgive me, father-pity my remorse!
Truth is-Mike took that stick to spank his horse.
It fills my pericardium with grief
That I kept company with such a thief.
(_Endeavoring to get his handkerchief, he opens his coat and
the tar-stick falls out. Nick picks it up, looks at the culprit
519
reproachfully and withdraws in tears._)
FITCH (_excitedly_):
O Pickering, come hither to the brinkThere's something going on down there, I think!
With many an upward smile and meaning wink
The navvies all are running from the cut
Like lunatics, to right and leftPICKERING:
Tut, tut'Tis only some poor sport or boisterous joke.
Let us sit down and have a quiet smoke.
(_They sit and light cigars._)
FITCH (_singing_):
When first I met Miss Toughie
I smoked a fine cigyar,
An' I was on de dummy
And she was in de cyar.
BOTH (_singing_):
An' I was on de dummy
And she was in de cyar.
FITCH (_singing_):
I couldn't go to her,
An' she wouldn't come to me;
An' I was as oneasy
As a gander on a tree.
BOTH (_singing_):
An' I was as oneasy
As a gander on a tree.
FITCH (_singing_):
520
But purty soon I weakened
An' lef' de dummy's bench,
An' frew away a ten-cent weed
To win a five-cent wench!
BOTH (_singing_)
An' frew away a ten-cent weed
To win a five-cent wench!
FITCH:
Is there not now a certain substance sold
Under the name of fulminate of gold,
A high explosive, popular for blasting,
Producing an effect immense and lasting?
PICKERING:
Nay, that's mere superstition. Rocks are rent
And excavations made by argument.
Explosives all have had their day and season;
The modern engineer relies on reason.
He'll talk a tunnel through a mountain's flank
And by fair speech cave down the tallest bank.
(_The earth trembles, a deep subterranean explosion is heard and a section of
the bank as big as El Capitan starts away and plunges thunderously into the cut.
A part of it strikes De Young's dumpcart abaft the axletree and flings him,
hurtling, skyward, a thing of legs and arms, to descend on the distant mountains,
where it is cold. Fitch and Pickering pull themselves out of the debris and stand
ungraveling their eyes and noses._)
FITCH:
Well, since I'm down here I will help to grade,
And do dirt-throwing henceforth with a spade.
PICKERING:
God bless my soul! it gave me quit a start.
Well, fate is fate-I guess I'll drive this cart.
521
~ Ambrose Bierce,#NFDB
1349:Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.
These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.
These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her breasts, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:she from a casket takes
A little book,and then a joy awakes
About each youthful heart,with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
Written in August, 1816. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To My Brother George
,#NFDB
1350:Part I: Visions In The Smoke
Rest, and be thankful ! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the 'ancient clay'.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies.
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision ;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann'd,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle's roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore ?
On ! on ! to the cannon's mouth they stride,
With never a swerve nor a shy,
Oh ! the minutes of yonder maddening ride,
Long years of pleasure outvie !
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
207
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there !
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I'll fix my overcoat buttons ;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend Bell, as the Frenchmen say,
We'll 'go back again to our muttons'.
There's a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp'd for the 'Melbourne Cup',
All gloss and polish and lustre ;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew'd,
Like a ribbon of green, stretched out between
The ranks of the multitude.
The flag is lowered. 'They're off !' 'They come !'
The squadron is sweeping on ;
A sway in the crowd—a murmuring hum !
'They're here !' 'They're past !' 'They're gone !'
They came with the rush of the southern surf,
On the bar of the storm-girt bay ;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
208
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O'er the sod where Lantern sleeps,
Though the turf is green on Fisherman's grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She's bringing the field to trouble ;
She's tailing them off, she's running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the bolt of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won't be caught ; she comes right away ;
Hurrah for Seagull and Fisher ;
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on 'the Gippsland flyer'.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler's flanks ;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking ;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker's roar ;
Now, Davis, rally ; now, Carter, ride,
As man never rode before.
When Sparrowhawk's backers cease to cheer,
When Yattendon's friends are dumb,
When hushed is the clamour for Volunteer—
Alone in the race they come !
209
They're neck and neck ; they're head and head ;
They're stroke for stroke in the running ;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained ;—
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer ?
The breed of his dam is a myth unknown,
And we've doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose 'scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh—laugh loud and long,
For pedigree you're a sticker ;
You may be right, I may be wrong,
Wiseacres both ! Let's liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d——d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still ;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll'd
Behind a curtain of sable cloud,
With a fringe of scarlet and gold ;
There's a misty glare in the yellow moon,
And the drift is scudding fast,
There'll be storm, and rattle, and tempest soon,
When the heavens are overcast.
210
The neutral tint of the sullen sea
Is fleck'd with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and—by Jove, it rains
(I thought I should come to grief) ;
Though it can't well damage my shabby hat,
Though my coat looks best when it's damp ;
Since the shaking I got (no matter where at),
I've a mortal dread of the cramp.
My matches are wet, my pipe's put out,
And the wind blows colder and stronger ;
I'll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
~ Adam Lindsay Gordon,#NFDB
1351:Spleen (Iii)
Je suis comme le roi d'un pays pluvieux,
Riche, mais impuissant, jeune et pourtant très vieux,
Qui, de ses précepteurs méprisant les courbettes,
S'ennuie avec ses chiens comme avec d'autres bêtes.
Rien ne peut l'égayer, ni gibier, ni faucon,
Ni son peuple mourant en face du balcon.
Du bouffon favori la grotesque ballade
Ne distrait plus le front de ce cruel malade;
Son lit fleurdelisé se transforme en tombeau,
Et les dames d'atour, pour qui tout prince est beau,
Ne savent plus trouver d'impudique toilette
Pour tirer un souris de ce jeune squelette.
Le savant qui lui fait de l'or n'a jamais pu
De son être extirper l'élément corrompu,
Et dans ces bains de sang qui des Romains nous viennent,
Et dont sur leurs vieux jours les puissants se souviennent,
II n'a su réchauffer ce cadavre hébété
Où coule au lieu de sang l'eau verte du Léthé
----------------------------------------------------------------------------------Spleen
I am like the king of a rainy land,
Wealthy but powerless, both young and very old,
Who contemns the fawning manners of his tutors
And is bored with his dogs and other animals.
Nothing can cheer him, neither the chase nor falcons,
Nor his people dying before his balcony.
The ludicrous ballads of his favorite clown
No longer smooth the brow of this cruel invalid;
His bed, adorned with fleurs-de-lis, becomes a grave;
The lady's maids, to whom every prince is handsome,
No longer can find gowns shameless enough
To wring a smile from this young skeleton.
The alchemist who makes his gold was never able
To extract from him the tainted element,
And in those baths of blood come down from Roman times,
And which in their old age the powerful recall,
432
He failed to warm this dazed cadaver in whose veins
Flows the green water of Lethe in place of blood.
— Translated by William Aggeler
----------------------------------------------------------------------------------Spleen
I'm like the King of some damp, rainy clime,
Grown impotent and old before my time,
Who scorns the bows and scrapings of his teachers
And bores himself with hounds and all such creatures.
Naught can amuse him, falcon, steed, or chase:
No, not the mortal plight of his whole race
Dying before his balcony. The tune,
Sung to this tyrant by his pet buffoon,
Irks him. His couch seems far more like a grave.
Even the girls, for whom all kings seem brave,
Can think no toilet up, nor shameless rig,
To draw a smirk from this funereal prig.
The sage who makes him gold, could never find
The baser element that rots his mind.
Even those blood-baths the old Romans knew
And later thugs have imitated too,
Can't warm this skeleton to deeds of slaughter,
Whose only blood is Lethe's cold, green water.
— Translated by Roy Campbell
----------------------------------------------------------------------------------Spleen
I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes his tutor's monologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
433
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
he cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.
— Translated by Robert Lowell
----------------------------------------------------------------------------------The King of the Rainy Country
A rainy country this, that I am monarch of, —
A rich but powerless king, worn-out while yet a boy;
For whom in vain the falcon falls upon the dove;
Not even his starving people's groans can give him joy;
Scorning his tutors, loathing his spaniels, finding stale
His favorite jester's quips, yawning at the droll tale.
His bed, for all its fleurs de lis, looks like a tomb;
The ladies of the court, attending him, to whom
He, being a prince, is handsome, see him lying there
Cold as a corpse, and lift their shoulders in despair:
No garment they take off, no garter they leave on
Excites the gloomy eye of this young skeleton.
The royal alchemist, who makes him gold from lead,
The baser element from out the royal head
Cannot extract; nor can those Roman baths of blood,
For some so efficacious, cure the hebetude
Of him, along whose veins, where flows no blood at all,
For ever the slow waters of green Lethe crawl.
— Translated by Edna St. Vincent Millay
----------------------------------------------------------------------------------Spleen
434
I'm like a king of rainy lands and cold
— wealthy, but impotent: still young, but old —
who, scornful of his tutors' bows, prefers
his hounds and boredom to such grovellers.
nor stag nor falcon rouse his apathy,
nor starving subjects 'neath his balcony.
his favourite jester's wildest ballads now
no longer clear his cruel, sickened brow;
his royal bed's a coffin drowned in care,
and court-ladies, to whom all kings are fair,
— seeking a smile from that young skeleton —
no longer find one shameless robe to don.
nor can the sage who makes him gold succeed
in purging him of Death's corruptive seed,
nor in the baths of blood the Romans knew,
wherein the agèd rich their strength renew,
learn how to warm that cold numb corpse, through whose
dull veins, for blood, green Lethe's waters ooze.
— Translated by Lewis Piaget Shanks
----------------------------------------------------------------------------------Spleen
I am like the king of a rainy country,
Rich, and yet powerless, young and yet most old,
Who, distrustful of the bows his tutors make,
Sits bored among his dogs as with his other beasts.
Nothing can lift his spirits: neither hawk nor game;
The dying subjects gathered to his balcony;
The grotesque ballad of his best-loved fool
--No more distracts him in this sickness cruel.
His lilied bed is changed into a tomb;
The ladies of his court all lords might love,
And yet they can no longer find shameless attire
To draw a smile from their young, wasted sire.
The alchemist who made him gold could not
Purge from his soul this corrupt element,
And in a blood bath, as in ancient Rome,
Remembered by the mighty in their latter days,
Knew not to warm this dazzled corpse
Where flows not blood but Lethe's waters green.
435
Translated by Anonymous
~ Charles Baudelaire,#NFDB
1352:Hymne A La Justice
A LA FRANCE
France! ô belle contrée, ô terre généreuse,
Que les dieux complaisants formaient pour être heureuse,
Tu ne sens point du nord les glaçantes horreurs,
Le midi de ses feux t'épargne les fureurs.
Tes arbres innocents n'ont point d'ombres mortelles;
Ni des poisons épars dans tes herbes nouvelles
Ne trompent une main crédule; ni tes bois
Des tigres frémissants ne redoutent la voix;
Ni les vastes serpents ne traînent sur tes plantes
En longs cercles hideux leurs écailles sonnantes.
Les chênes, les sapins et les ormes épais
En utiles rameaux ombragent tes sommets,
Et de Beaune et d'Aï les rives fortunées,
Et la riche Aquitaine, et les hauts Pyrénées,
Sous leurs bruyants pressoirs font couler en ruisseaux
Des vins délicieux mûris sur leurs coteaux.
La Provence odorante et de Zéphire aimée
Respire sur les mers une haleine embaumée,
Au bord des flots couvrant, délicieux trésor,
L'orange et le citron de leur tunique d'or,
Et plus loin, au penchant des collines pierreuses,
Forme la grasse olive aux liqueurs savoureuses,
Et ces réseaux légers, diaphanes habits,
Où la fraîche grenade enferme ses rubis.
Sur tes rochers touffus la chèvre se hérisse,
Tes prés enflent de lait la féconde génisse,
Et tu vois tes brebis, sur le jeune gazon,
Épaissir le tissu de leur blanche toison.
Dans les fertiles champs voisins de la Touraine,
Dans ceux où l'Océan boit l'urne de la Seine,
S'élèvent pour le frein des coursiers belliqueux.
Ajoutez cet amas de fleuves tortueux:
L'indomptable Garonne aux vagues insensées,
Le Rhône impétueux, fils des Alpes glacées,
La Seine au flot royal, la Loire dans son sein
Incertaine, et la Saône, et mille autres enfin
Qui, nourrissant partout, sur tes nobles rivages,
60
Fleurs, moissons et vergers, et bois et pâturages,
Rampent au pied des murs d'opulentes cités
Sous les arches de pierre à grand bruit emportés.
Dirai-je ces travaux, source de l'abondance,
Ces ports où des deux mers l'active bienfaisance
Amène les tributs du rivage lointain
Que visite Phoebus le soir ou le matin?
Dirai-je ces canaux, ces montagnes percées,
De bassins en bassins ces ondes amassées
Pour joindre au pied des monts l'une et l'autre Téthys,
Et ces vastes chemins en tous lieux départis,
Où l'étranger, à l'aise achevant son voyage,
Pense au nom des Trudaine et bénit leur ouvrage?
Ton peuple industrieux est né pour les combats.
Le glaive, le mousquet n'accablent point ses bras.
Il s'élance aux assauts, et son fer intrépide
Chassa l'impie Anglais, usurpateur avide.
Le ciel les fit humains, hospitaliers et bons,
Amis des doux plaisirs, des festins, des chansons;
Mais, faibles, opprimés, la tristesse inquiète
Glace ces chants joyeux sur leur bouche muette,
Pour les jeux, pour la danse appesantit leurs pas,
Renverse devant eux les tables des repas,
Flétrit de longs soucis, empreinte douloureuse,
Et leur front et leur âme. O France! trop heureuse
Si tu voyais tes biens, si tu profitais mieux
Des dons que tu reçus de la bonté des cieux!
Vois le superbe Anglais, l'Anglais dont le courage
Ne s'est sentais qu'aux lois d'un sénat libre et sage,
Qui t'épie, et, dans l'Inde éclipsant ta splendeur,
Sur tes fautes sans nombre élève sa grandeur.
Il triomphe, il t'insulte. Oh! combien tes collines
Tressailliraient de voir réparer tes ruines,
Et pour la liberté donneraient sans regrets
Et leur vin, et leur huile, et leurs belles forêts!
J'ai vu dans tes hameaux la plaintive misère,
La mendicité blême et la douleur amère.
Je t'ai vu dans tes biens, indigent laboureur,
D'un fisc avare et dur maudissant la rigueur,
Versant aux pieds des grands des larmes inutiles,
61
Tout trempé de sueurs pour toi-même infertiles,
Découragé de vivre, et plein d'un juste effroi
De mettre au jour des fils malheureux comme toi.
Tu vois sous les soldats les villes gémissantes;
Corvée, impôts rongeurs, tributs, taxes pesantes,
Le sel, fils de la terre, ou même l'eau des mers,
Sources d'oppression et de fléaux divers;
Mille brigands, couverts du nom sacré du prince,
S'unir à déchirer une triste province,
Et courir à l'envi, de son sang altérés,
Se partager entre eux ses membres déchirés!
O sainte Égalité! dissipe nos ténèbres,
Renverse les verrous, les bastilles funèbres.
Le riche indifférent, dans un char promené,
De ces gouffres secrets partout environné,
Rit avec les bourreaux, s'il n'est bourreau lui-même,
Près de ces noirs réduits de la misère extrême,
D'une maîtresse impure achète les transports,
Chante sur des tombeaux, et boit parmi des morts.
Malesherbes, Turgot, ô vous en qui la France
Vit luire, hélas! en vain, sa dernière espérance;
Ministres dont le coeur a connu la pitié,
Ministres dont le nom ne s'est point oublié,
Ah! si de telles mains, justement souveraines,
Toujours de cet empire avaient tenu les rênes!
L'équité clairvoyante aurait régné sur nous;
Le faible aurait osé respirer près de vous;
L'oppresseur, évitant d'armer d'injustes plaintes,
Sinon quelque pudeur, aurait ou quelques craintes;
Le délateur impie, opprimé par la faim,
Serait mort dans l'opprobre, et tant d'hommes enfin,
A l'insu de nos lois, à l'insu, du vulgaire,
Foudroyés sons les coups d'un pouvoir arbitraire,
De cris non entendus, de funèbres sanglots,
Ne feraient point gémir les voûtes des cachots.
Non, je ne veux plus vivre en ce séjour servile!
J'irai, j'irai bien loin me chercher un asile,
Un asile à ma vie en son paisible cours,
Une tombe à ma cendre à la fin de mes jours,
Où d'un grand au coeur dur l'opulence homicide
Du sang d'un peuple entier ne sera point avide,
62
Et ne me dira point, avec un rire affreux,
Qu'ils se plaignent sans cesse et qu'ils sont trop heureux;
Où, loin des ravisseurs, la main cultivatrice
Recueille les dons d'une terre propice;
Où mon coeur, respirant sous un ciel étranger,
Ne verra plus des maux qu'il ne peut soulager;
Où mes yeux, éloignés des publiques misères,
Ne verront plus partout les larmes de mes frères,
Et la pâle indigence à la mourante voix,
Et les crimes puissants qui font trembler les lois.
Toi donc, Équité sainte, ô toi, vierge adorée,
De nos tristes climats pour longtemps ignorée,
Daigne du haut des cieux goûter le libre encens
D'une lyre au coeur chaste, aux transports innocents,
Qui ne saura jamais, par des voeux mercenaires,
Flatter, à prix d'argent, des faveurs arbitraires,
Mais qui rendra toujours, par amour et par choix,
Un noble et pur hommage aux appuis de tes lois.
De voeux pour les humains tous ses chants retentissent:
La vérité l'enflamme, et ses cordes frémissent
Quand l'air qui l'environne auprès d'elle a porté
Le doux nom des vertus et de la liberté.
~ Andre Marie de Chenier,#NFDB
1353:Ami, Chez Nos Francois
Ami, chez nos Français ma muse voudrait plaire;
Mais j'ai fui la satire à leurs regards si chère.
Le superbe lecteur, toujours content de lui,
Et toujours plus content s'il peut rire d'autrui,
Veut qu'un nom imprévu, dont l'aspect le déride,
Égayé au bout du vers une rime perfide;
Il s'endort si quelqu'un ne pleure quand il rit.
Mais qu'Horace et sa troupe irascible d'esprit
Daignent me pardonner, si jamais ils pardonnent:
J'estime peu cet art, ces leçons qu'ils nous donnent
D'immoler bien un sot qui jure en son chagrin,
Au rire âcre et perçant d'un caprice malin.
Le malheureux déjà me semble assez à plaindre
D'avoir, même avant lui, vu sa gloire s'éteindre
Et son livre au tombeau lui montrer le chemin,
Sans aller, sous la terre au trop fertile sein,
Semant sa renommée et ses tristes merveilles,
Faire à tous les roseaux chanter quelles oreilles
Sur sa tête ont dressé leurs sommets et leurs poids.
Autres sont mes plaisirs. Soit, comme je le crois,
Que d'une débonnaire et généreuse argile
On ait pétri mon âme innocente et facile;
Soit, comme ici, d'un oeil caustique et médisant,
En secouant le front, dira quelque plaisant,
Que le ciel, moins propice, enviât à ma plume
D'un sel ingénieux la piquante amertume,
J'en profite à ma gloire, et je viens devant toi
Mépriser les raisins qui sont trop hauts pour moi.
Aux reproches sanglants d'un vers noble et sévère
Ce pays toutefois offre une ample matière:
Soldats tyrans du peuple obscur et gémissant,
Et juges endormis aux cris de l'innocent;
Ministres oppresseurs, dont la main détestable
Plonge au fond des cachots la vertu redoutable.
Mais, loin qu'ils aient senti la fureur de nos vers,
Nos vers rampent en foule aux pieds de ces pervers,
Qui savent bien payer d'un mépris légitime
Le lâche qui pour eux feint d'avoir quelque estime.
24
Certe, un courage ardent qui s'armerait contre eux
Serait utile au moins s'il était dangereux;
Non d'aller, aiguisant une vaine satire,
Chercher sur quel poète on a droit de médire;
Si tel livre deux fois ne s'est pas imprimé,
Si tel est mal écrit, tel autre mal rimé.
Ainsi donc, sans coûter de larmes à personne,
A mes goûts innocents, ami, je m'abandonne.
Mes regards vont errant sur mille et mille objets.
Sans renoncer aux vieux, plein de nouveaux projets,
Je les tiens; dans mon camp partout je les rassemble,
Les enrôle, les suis, les pousse tous ensemble.
S'égarant à son gré, mon ciseau vagabond
Achève à ce poème ou les pieds ou le front,
Creuse à l'autre les flancs, puis l'abandonne et vole
Travailler à cet autre ou la jambe ou l'épaule.
Tous, boiteux, suspendus, traînent; mais je les vois
Tous bientôt sur leurs pieds se tenir à la fois.
Ensemble lentement tous couvés sous mes ailes,
Tous ensemble quittant leurs coques maternelles,
Sauront d'un beau plumage ensemble se couvrir,
Ensemble sous le bois voltiger et courir.
Peut-être il vaudrait mieux, plus constant et plus sage,
Commencer, travailler, finir un seul ouvrage.
Mais quoi! cette constance est un pénible ennui.
'Eh bien! nous lirez-vous quelque chose aujourd'hui?
Me dit un curieux qui s'est toujours fait gloire
D'honorer les neuf Soeurs, et toujours, après boire,
Étendu dans sa chaise et se chauffant les piés,
Aime à dormir au bruit des vers psalmodiés.
--Qui, moi? Non, je n'ai rien. D'ailleurs je ne lis guère.
--Certe, un tel nous lut hier une épître!... et son frère
Termina par une ode où j'ai trouvé des traits!...
--Ces messieurs plus féconds, dis-je, sont toujours prêts.
Mais moi, que le caprice et le hasard inspire,
Je n'ai jamais sur moi rien qu'on puisse vous lire.
--Bon! bon! Et cet HERMÈS, dont vous ne parlez pas,
Que devient-il?--Il marche, il arrive à grands pas.
--Oh! je m'en fie à vous.--Hélas! trop, je vous jure.
--Combien de chants de faits?--Pas un, je vous assure.
--Comment?--Vous avez vu sous la main d'un fondeur
25
Ensemble se former, diverses en grandeur,
Trente cloches d'airain, rivales du tonnerre?
Il achève leur moule enseveli sous terre;
Puis, par un long canal en rameaux divisé,
Y fait couler les flots de l'airain embrasé;
Si bien qu'au même instant, cloches, petite et grande,
Sont prêtes, et chacune attend et ne demande
Qu'à sonner quelque mort, et du haut d'une tour
Réveiller la paroisse à la pointe du jour.
Moi, je suis ce fondeur: de mes écrits en foule
Je prépare longtemps et la forme et le moule;
Puis, sur tous à la fois je fais couler l'airain:
Rien n'est fait aujourd'hui, tout sera fait demain.'
Ami, Phoebus ainsi me verse ses largesses.
Souvent des vieux auteurs j'envahis les richesses.
Plus souvent leurs écrits, aiguillons généreux,
M'embrasent de leur flamme, et je crée avec eux.
Un juge sourcilleux, épiant mes ouvrages,
Tout à coup à grands cris dénonce vingt passages
Traduits de tel auteur qu'il nomme; et, les trouvant,
Il s'admire et se plaît de se voir si savant.
Que ne vient-il vers moi? je lui ferai connaître
Mille de mes larcins qu'il ignore peut-être.
Mon doigt sur mon manteau lui dévoile à l'instant
La couture invisible et qui va serpentant
Pour joindre à mon étoffe une pourpre étrangère.
Je lui montrerai l'art, ignoré du vulgaire,
De séparer aux yeux, en suivant leur lien,
Tous ces métaux unis dont j'ai formé le mien.
Tout ce que des Anglais la muse inculte et brave,
Tout ce que des Toscans la voix fière et suave,
Tout ce que les Romains, ces rois de l'univers,
M'offraient d'or et de soie, est passé dans mes vers.
Je m'abreuve surtout des flots que le Permesse
Plus féconds et plus purs fit couler dans la Grèce;
Là, Prométhée ardent, je dérobe les feux
Dont j'anime l'argile et dont je fais des dieux.
Tantôt chez un auteur j'adopte une pensée,
Mais qui revêt, chez moi, souvent entrelacée,
Mes images, mes tours, jeune et frais ornement;
Tantôt je ne retiens que les mots seulement:
26
J'en détourne le sens, et l'art sait les contraindre
Vers des objets nouveaux qu'ils s'étonnent de peindre.
La prose plus souvent vient subir d'autres lois,
Et se transforme, et fuît mes poétiques doigts;
De rimes couronnée, et légère et dansante,
En nombres mesurés elle s'agite et chante.
Des antiques vergers ces rameaux empruntés
Croissent sur mon terrain mollement transplantés;
Aux troncs de mon verger ma main avec adresse
Les attache, et bientôt même écorce les presse.
De ce mélange heureux l'insensible douceur
Donne à mes fruits nouveaux une antique saveur.
Dévot adorateur de ces maîtres antiques,
Je veux m'envelopper de leurs saintes reliques.
Dans leur triomphe admis, je veux le partager,
Ou bien de ma défense eux-mêmes les charger.
Le critique imprudent, qui se croit bien habile,
Donnera sur ma joue un soufflet à Virgile.
Et ceci (tu peux voir si j'observe ma loi),
Montaigne, il t'en souvient, l'avait dit avant moi.
~ Andre Marie de Chenier,#NFDB
1354:At hawthorn-time in Wiltshire travelling
In search of something chance would never bring,
An old man's face, by life and weather cut
And coloured, - rough, brown, sweet as any nut,
A land face, sea-blue-eyed, - hung in my mind
When I had left him many a mile behind.
All he said was: 'Nobody can't stop 'ee. It's
A footpath, right enough. You see those bits
Of mounds - that's where they opened up the barrows
Sixty years since, while I was scaring sparrows.
They thought as there was something to find there,
But couldn't find it, by digging, anywhere.'
To turn back then and seek him, where was the use?
There were three Manningfords, - Abbots, Bohun, and Bruce:
And whether Alton, not Manningford, it was,
My memory could not decide, because
There was both Alton Barnes and Alton Priors.
All had their churches, graveyards, farms, and byres,
Lurking to one side up the paths and lanes,
Seldom well seen except by aeroplanes;
And when bells rang, or pigs squealed, or cocks crowed,
Then only heard. Ages ago the road
Approached. The people stood and looked and turned.
Nor asked it to come nearer, nor yet learned
To move out there and dwell in all men's dust.
And yet withal they shot the weathercock, just
Because 'twas he crowed out of tune, they said;
So now the copper weathercock is dead.
If they had reaped their dandelions and sold
Them fairly, they could have afforded gold.
Many years passed, and I went back again
Among those villages, and looked for men
Who might have known my ancient. He himself
Had long been dead or laid upon the shelf,
I thought. One man I asked about him roared
At my description: ' 'Tis old Bottlesford
He means, Bill.' But another said: 'Of course,
55
It was Jack Button up at the White Horse.
He's dead, sir, these three years.' This lasted till
A girl proposed Walker of Walker's Hill,
'Old Adam Walker. Adam's Point you'll see
Marked on the maps.'
'That was her roguery.'
The next man said. He was a squire's son
Who loved wild bird and beast, and dog and gun
For killing them. He had loved them from his birth,
One with another, as he loved the earth.
'The man may be like Button, or Walker, or
Like Bottlesford, that you want, but far more
He sounds like one I saw when I was a child.
I could almost swear to him. The man was wild
And wandered. His home was where he was free.
Everybody has met one such man as he.
Does he keep clear old paths that no one uses
But once a lifetime when he loves or muses?
He is English as this gate, these flowers, this mire.
And when at eight years old Lob-lie-by-the-fire
Came in my books, this was the man I saw.
He has been in England as long as dove and daw,
Calling the wild cherry tree the merry tree,
The rose campion Bridget-in-her-bravery;
And in a tender mood he, as I guess,
Christened one flower Love-in-idleness,
And while he walked from Exeter to Leeds
One April called all cuckoo-flowers Milkmaids.
From him old herbal Gerard learnt, as a boy,
To name wild clematis the Traveller's-joy.
Our blackbirds sang no English till his ear
Told him they called his Jan Toy 'Pretty dear'.
(She was Jan Toy the Lucky, who, having lost
A shilling, and found a penny loaf, rejoiced.)
For reasons of his own to him the wren
Is Jenny Pooter. Before all other men
'Twas he first called the Hog's Back the Hog's Back.
That Mother Dunch's Buttocks should not lack
Their name was his care. He too could explain
Totteridge and Totterdown and Juggler's Lane:
He knows, if anyone. Why Tumbling Bay,
Inland in Kent, is called so, he might say.
56
'But little he says compared with what he does.
If ever a sage troubles him he will buzz
Like a beehive to conclude the tedious fray:
And the sage, who knows all languages, runs away.
Yet Lob has thirteen hundred names for a fool,
And though he never could spare time for school
To unteach what the fox so well expressed,
On biting the cock's head off, - Quietness is best, He can talk quite as well as anyone
After his thinking is forgot and done.
He first of all told someone else's wife,
For a farthing she'd skin a flint and spoil a knife
Worth sixpence skinning it. She heard him speak:
'She had a face as long as a wet week'
Said he, telling the tale in after years.
With blue smock and with gold rings in his ears,
Sometimes he is a pedlar, not too poor
To keep his wit. This is tall Tom that bore
The logs in, and with Shakespeare in the hall
Once talked, when icicles hung by the wall.
As Herne the Hunter he has known hard times.
On sleepless nights he made up weather rhymes
Which others spoilt. And, Hob being then his name,
He kept the hog that thought the butcher came
To bring his breakfast. 'You thought wrong', said Hob.
When there were kings in Kent this very Lob,
Whose sheep grew fat and he himself grew merry,
Wedded the king's daughter of Canterbury;
For he alone, unlike squire, lord, and king,
Watched a night by her without slumbering;
He kept both waking. When he was but a lad
He won a rich man's heiress, deaf, dumb, and sad,
By rousing her to laugh at him. He carried
His donkey on his back. So they were married.
And while he was a little cobbler's boy
He tricked the giant coming to destroy
Shrewsbury by flood. 'And how far is it yet?'
The giant asked in passing. 'I forget;
But see these shoes I've worn out on the road
and we're not there yet.' He emptied out his load
Of shoes for mending. The giant let fall from his spade
57
The earth for damming Severn, and thus made
The Wrekin hill; and little Ercall hill
Rose where the giant scraped his boots. While still
So young, our Jack was chief of Gotham's sages.
But long before he could have been wise, ages
Earlier than this, while he grew thick and strong
And ate his bacon, or, at times, sang a song
And merely smelt it, as Jack the giant-killer
He made a name. He too ground up the miller,
The Yorkshireman who ground men's bones for flour.
`Do you believe Jack dead before his hour?
Or that his name is Walker, or Bottlesford,
Or Button, a mere clown, or squire, or lord?
The man you saw, - Lob-lie-by-the-fire, Jack Cade,
Jack Smith, Jack Moon, poor Jack of every trade,
Young Jack, or old Jack, or Jack What-d'ye-call,
Jack-in-the-hedge, or Robin-run-by-the-wall,
Robin Hood, Ragged Robin, lazy Bob,
One of the lords of No Man's Land, good Lob, Although he was seen dying at Waterloo,
Hastings, Agincourt, and Sedgemoor too, Lives yet. He never will admit he is dead
Till millers cease to grind men's bones for bread ,
Not till our weathercock crows once again
And I remove my house out of the lane
the road.' With this he disappeared
In hazel and thorn tangled with old-man's-beard.
But one glimpse of his back, as there he stood,
Choosing his way, proved him of old Jack's blood,
Young Jack perhaps, and now a Wiltshireman
As he has oft been since his days began.
~ Edward Thomas,#NFDB
1355:To Angelo Mai,
ON HIS DISCOVERY OF THE LOST BOOKS OF CICERO,
'DE REPUBLICA.'
Italian bold, why wilt thou never cease
The fathers from their tombs to summon forth?
Why bring them, with this dead age to converse,
That stifled is by enemies and by sloth?
And why dost thou, voice of our ancestors,
That hast so long been mute,
Resound so loud and frequent in our ears?
Why all these grand discoveries?
As in a flash the fruitful pages come,
What hath this wretched age deserved,
That dusty cloisters have for it reserved
These hidden treasures of the wise and brave?
Illustrious man, with what strange power
Does Fate thy ardent zeal befriend?
Or does Fate vainly with man's will contend?
Without the lofty counsel of the gods,
It surely could not be, that now,
When we were never sunk so low,
In desperate oblivion of the Past,
Each moment, comes a cry renewed,
From our great sires, to shake our souls, at last!
Heaven still some pity shows for Italy;
Some god hath still our happiness at heart:
Since this, or else no other, is the hour,
Italian virtue to redeem,
And its old lustre once more to impart,
These pleading voices from the grave we hear;
Forgotten heroes rise from earth again,
To see, my country, if at this late day,
Thou still art pleased the coward's part to play.
And do ye cherish still,
Illustrious shades, some hope of us?
Have we not perished utterly?
118
To you, perhaps, it is allowed, to read
The book of destiny. _I_ am dismayed,
And have no refuge from my grief;
For dark to me the future is, and all
That I discern is such, as makes hope seem
A fable and a dream. To your old homes
A wretched crew succeed; to noble act or word,
They pay no heed; for your eternal fame
They know no envy, feel no blush of shame.
A filthy mob your monuments defile:
To ages yet unborn,
We have become a by-word and a scorn.
Thou noble spirit, if no others care
For our great Fathers' fame, oh, care thou still,
Thou, to whom Fate hath so benignant been,
That those old days appear again,
When, roused from dire oblivion's tomb,
Came forth, with all the treasures of their lore,
Those ancient bards, divine, with whom
Great Nature spake, but still behind her veil,
And with her mysteries graced
The holidays of Athens and of Rome.
O times, now buried in eternal sleep!
Our country's ruin was not then complete;
We then a life of wretched sloth disdained;
Still from our native soil were borne afar,
Some sparks of genius by the passing air.
Thy holy ashes still were warm,
Whom hostile fortune ne'er unmanned;
Unto whose anger and whose grief,
Hell was more grateful than thy native land.
Ah, what, but hell, has Italy become?
And thy sweet cords
Still trembled at the touch of thy right hand,
Unhappy bard of love.
Alas, Italian song is still the child
Of sorrow born.
And yet, less hard to bear,
Consuming grief than dull vacuity!
O blessed thou, whose life was one lament!
119
Disgust and nothingness are still our doom,
And by our cradle sit, and on our tomb.
But thy life, then, was with the stars and sea,
Liguria's hardy son,
When thou, beyond the columns and the shores,
Where oft, at set of sun,
The waves are heard to hiss,
As he into their depths has plunged,
Committed to the boundless deep,
Didst find again the sun's declining ray,
The new-born day didst find,
When it from us had passed away;
Defying Nature's every obstacle,
A land unknown didst win, the glorious spoils
Of all thy perils, all thy toils.
And yet, when known, the world seems smaller still;
And earth and ocean, and the heavenly sphere
More vast unto the child, than to the sage appear.
Where now are all the charming dreams
Of the mysterious retreats
Of dwellers unto us unknown,
Or where, by day, the stars to rest have gone,
Or of the couch remote of Eos bright,
Or of the sun's mysterious sleep at night?
They, in an instant, vanished all;
A little chart portrays this earthly ball.
Lo, all things are alike; discovery
But proves the way for dull vacuity.
Farewell to thee, O Fancy, dear,
If plain, unvarnished truth appear!
Thought more and more is still estranged from thee;
Thy power so mighty once, will soon be gone,
And our poor, wounded hearts be left forlorn.
But thou for these sweet dreams wast born,
And the _old_ sun upon thee shone,
Delightful singer of the arms, and loves,
That in an age far happier than our own,
Men's lives with pleasing errors filled.
New hope of Italy! O towers, O caves,
120
O ladies, cavaliers,
O gardens, palaces! Amenites,
At thought of which, the mind
Is lost in thousand splendid reveries!
Ye lovely fables, and ye thoughts grotesque,
Now banished! And what to us remains?
Now that the bloom from all things is removed?
Alas, the sole, the certain thought,
That all except our wretchedness, is nought.
Torquato, O Torquato, heaven to us
The rich gift of thy genius gave, to thee
Nought else but misery.
Ill-starred Torquato, whom thy song,
So sweet, could not console,
Nor melt the ice, to which
The genial current of thy soul
Was turned, by private envy, princely hate;
And then, by Love abandoned, life's last dream!
To thee, nought real seemed but nothingness,
The world a dreary wilderness.
Too late the honors came, so long deferred;
And yet, to die was unto thee a gain.
Who knows the evils of our mortal state,
Demands but death, no garland asks, of Fate.
Return, return to us,
Rise from thy silent, dreary tomb,
And feast thine eyes on our distress,
O thou, whose life was crowned with wretchedness!
Far worse than what appeared to thee so sad
And infamous, have all our lives become.
Dear friend, who now would pity thee,
When none save for himself hath thought or care?
Who would not thy keen anguish folly call,
When all things great and rare the name of folly bear?
When envy, no, but worse than envy, far,
Indifference pervades our rulers all?
Ah, who would now, when we all think
Of song so little, and so much of gain,
A laurel for thy brow prepare again?
121
Ah, since thy day, there has appeared but one,
Who has the fame of Italy redeemed:
Too good for his vile age, he stands alone;
One of the fierce Allobroges,
Whose manly virtue was derived
Direct from heavenly powers,
Not from this dry, unfruitful earth of ours;
Whence he alone, unarmed,-O matchless courage!--from the stage,
Did war upon the ruthless tyrants wage;
The only war, the only weapon left,
Against the crimes and follies of the age.
First, and alone, he took the field:
None followed him; all else were cowards tame,
Lost to all sense of honor, or of shame.
Devoured by anger and by grief,
His spotless life he passed,
Till from worse scenes released by death, at last.
O my Victorio, this was not for thee
The fitting age, or land.
Great souls congenial times and climes demand.
In mere repose we live content,
And vulgar mediocrity;
The wise man sinks, the mob ascends,
Till all at last in one dread level ends.
Go on, thou great discoverer!
Revive the dead, since all the living sleep!
Dead tongues of ancient heroes arm anew;
Till this vile age a new life strive to win
By noble deeds, or perish in its sin!
~ Count Giacomo Leopardi,#NFDB
1356:Beowulf (Episode 28-30)
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, -that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
"What came of thy quest, my kinsman Beowulf,
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!"
Beowulf spake, the bairn of Ecgtheow: -"'Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
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struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! -- But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, -she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair!
"Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, -- he is stern of mood,
144
heavy at heart, -- in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these: -Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
"So I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. -- But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him
145
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
146
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters -- 'tis widely known -that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, -- and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
~ Anonymous Olde English,#NFDB
1357:La Liberte
UN CHEVRIER, UN BERGER
LE CHEVRIER
Berger, quel es-tu donc? qui t'agite? et quels dieux
De noirs cheveux épars enveloppent tes yeux?
LE BERGER
Blond pasteur de chevreaux, oui, tu veux me l'apprendre:
Oui, ton front est plus beau, ton regard est plus tendre.
LE CHEVRIER
Quoi! tu sors de ces monts où tu n'as vu que toi,
Et qu'on n'approche point sans peine et sans effroi?
LE BERGER
Tu te plais mieux sans doute au bois, à la prairie;
Tu le peux. Assieds-toi parmi l'herbe fleurie:
Moi, sous un antre aride, en cet affreux séjour,
Je me plais sur le roc à voir passer le jour.
LE CHEVRIER
Mais Cérès a maudit cette terre âpre et dure;
Un noir torrent pierreux y roule une onde impure;
Tous ces rocs, calcinés sous un soleil rongeur,
Brûlent et font hâter les pas du voyageur.
Point de fleurs, point de fruits, nul ombrage fertile
N'y donne au rossignol un balsamique asile.
Quelque olivier au loin, maigre fécondité,
Y rampe et fait mieux voir leur triste nudité.
Comment as-tu donc su d'herbes accoutumées
Nourrir dans ce désert tes brebis affamées?
LE BERGER
88
Que m'importe! est-ce à moi qu'appartient ce troupeau?
Je suis esclave.
LE CHEVRIER
Au moins un rustique pipeau
A-t-il chassé l'ennui de ton rocher sauvage?
Tiens, veux-tu cette flûte? Elle fut mon ouvrage.
Prends: sur ce buis, fertile en agréables sons,
Tu pourras des oiseaux imiter les chansons.
LE BERGER
Non, garde tes présents. Les oiseaux de ténèbres,
La chouette et l'orfraie, et leurs accents funèbres,
Voilà les seuls chanteurs que je veuille écouter;
Voilà quelles chansons je voudrais imiter.
Ta flûte sous mes pieds serait bientôt brisée:
Je hais tous vos plaisirs. Les fleurs et la rosée,
Et de vos rossignols les soupirs caressants,
Rien ne plaît à mon coeur, rien ne flatte mes sens.
Je suis esclave.
LE CHEVRIER
Hélas! que je te trouve à plaindre!
Oui, l'esclavage est dur; oui, tout mortel doit craindre
De servir, de plier sous une injuste loi,
De vivre pour autrui, de n'avoir rien à soi.
Protège-moi toujours, ô liberté chérie!
O mère des vertus, mère de la patrie!
LE BERGER
Va, patrie et vertu ne sont que de vains noms.
Toutefois tes discours sont pour moi des affronts:
Ton prétendu bonheur et m'afflige et me brave;
Comme moi, je voudrais que tu fusses esclave.
LE CHEVRIER
89
Et moi, je te voudrais libre, heureux comme moi.
Mais les dieux n'ont-ils point de remède pour toi?
Il est des baumes doux, des lustrations pures
Qui peuvent de notre âme assoupir les blessures,
Et de magiques chants qui tarissent les pleurs.
LE BERGER
Il n'en est point; il n'est pour moi que des douleurs:
Mon sort est de servir, il faut qu'il s'accomplisse.
Moi, j'ai ce chien aussi qui tremble à mon service;
C'est mon esclave aussi. Mon désespoir muet
Ne peut rendre qu'à lui tous les maux qu'on me fait.
LE CHEVRIER
La terre, notre mère, et sa douce richesse,
Ne peut-elle, du moins, égayer ta tristesse?
Vois combien elle est belle! et vois l'été vermeil,
Prodigue de trésors, brillants fils du soleil,
Qui vient, fertile amant d'une heureuse culture,
Varier du printemps l'uniforme verdure;
Vois l'abricot naissant, sous les yeux d'un beau ciel,
Arrondir son fruit doux et blond comme le miel;
Vois la pourpre des fleurs dont le pêcher se pare
Nous annoncer l'éclat des fruits qu'il nous prépare.
Au bord de ces prés verts regarde ces guérets,
De qui les blés touffus, jaunissantes forêts,
Du joyeux moissonneur attendent la faucille.
D'agrestes déités quelle noble famille!
La Récolte et la Paix, aux yeux purs et sereins,
Les épis sur le front, les épis dans les mains,
Qui viennent, sur les pas de la belle Espérance,
Verser la corne d'or où fleurit l'abondance.
LE BERGER
Sans doute qu'à tes yeux elles montrent leurs pas;
Moi, j'ai des yeux d'esclave, et je ne les vois pas.
Je n'y vois qu'un sol dur, laborieux, servile,
Que j'ai, non pas pour moi, contraint d'être fertile;
Où, sous un ciel brûlant, je moissonne le grain
90
Qui va nourrir un autre, et me laisse ma faim.
Voilà quelle est la terre. Elle n'est point ma mère,
Elle est pour moi marâtre; et la nature entière
Est plus nue à mes yeux, plus horrible à mon coeur
Que ce vallon de mort qui te fait tant d'horreur.
LE CHEVRIER
Le soin de tes brebis, leur voix douce et paisible,
N'ont-ils donc rien qui plaise à ton âme insensible?
N'aimes-tu point à voir les jeux de tes agneaux?
Moi, je me plais auprès de mes jeunes chevreaux;
Je m'occupe à leurs jeux, j'aime leur voix bêlante;
Et quand sur la rosée et sur l'herbe brillante
Vers leur mère en criant je les vois accourir,
Je bondis avec eux de joie et de plaisir.
LE BERGER
Ils sont à toi: mais moi, j'eus une autre fortune;
Ceux-ci de mes tourments sont la cause importune
Deux fois, avec ennui, promenés chaque jour,
Un maître soupçonneux nous attend au retour
Rien ne le satisfait: ils ont trop peu de laine;
Ou bien ils sont mourants, ils se traînent à peine;
En un mot, tout est mal. Si le loup quelquefois
En saisit un, l'emporte et s'enfuit dans les bois,
C'est ma faute; il fallait braver ses dents avides.
Je dois rendre les loups innocents et timides!
Et puis, menaces, cris, injure, emportements,
Et lâches cruautés qu'il nomme châtiments.
LE CHEVRIER
Toujours à l'innocent les dieux sont favorables:
Pourquoi fuir leur présence, appui des misérables?
Autour de leurs autels, parés de nos festons,
Que ne viens-tu danser, offrir de simples dons,
Du chaume, quelques fleurs, et, par ces sacrifices,
Te rendre Jupiter et les nymphes propices?
LE BERGER
91
Non; les danses, les jeux, les plaisirs des bergers
Sont à mon triste coeur des plaisirs étrangers.
Que parles-tu de dieux, de nymphes et d'offrandes?
Moi, je n'ai pour les dieux ni chaume ni guirlandes;
Je les crains, car j'ai vu leur foudre et leurs éclairs;
Je ne les aime pas: ils m'ont donné des fers.
LE CHEVRIER
Eh bien, que n'aimes-tu? Quelle amertume extrême
Résiste aux doux souris d'une vierge qu'on aime?
L'autre jour, à la mienne, en ce bois fortuné,
Je vins offrir le don d'un chevreau nouveau-né.
Son oeil tomba sur moi, si doux, si beau, si tendre!...
Sa voix prit un accent!... Je crois toujours l'entendre.
LE BERGER
Eh! quel oeil virginal voudrait tomber sur moi?
Ai-je, moi, des chevreaux à donner comme toi?
Chaque jour, par ce maître inflexible et barbare,
Mes agneaux sont comptés avec un soin avare.
Trop heureux quand il daigne à mes cris superflus
N'en pas redemander plus que je n'en reçus!
O juste Némésis! si jamais je puis être
Le plus fort à mon tour, si je puis me voir maître,
Je serai dur, méchant, intraitable, sans foi,
Sanguinaire, cruel, comme on l'est avec moi!
LE CHEVRIER
Et moi, c'est vous qu'ici pour témoins j'en appelle,
Dieux! de mes serviteurs la cohorte fidèle
Me trouvera toujours humain, compatissant,
A leurs justes désirs facile et complaisant,
Afin qu'ils soient heureux et qu'ils aiment leur maître
Et bénissent en paix l'instant qui les vit naître.
LE BERGER
Et moi, je le maudis, cet instant douloureux
92
Qui me donna le jour pour être malheureux;
Pour agir quand un autre exige, veut, ordonne;
Pour n'avoir rien à moi, pour ne plaire à personne;
Pour endurer la faim, quand ma peine et mon deuil
Engraissent d'un tyran l'indolence et l'orgueil.
LE CHEVRIER
Berger infortuné! ta plaintive détresse
De ton coeur dans le mien fait passer la tristesse.
Vois cette chèvre mère et ces chevreaux, tous deux
Aussi blancs que le lait qu'elle garde pour eux;
Qu'ils aillent avec toi, je te les abandonne.
Adieu, puisse du moins ce peu que je te donne
De ta triste mémoire effacer tes malheurs,
Et, soigné par tes mains, distraire tes douleurs!
LE BERGER
Oui, donne et sois maudit; car, si j'étais plus sage,
Ces dons sont pour mon coeur d'un sinistre présage:
De mon despote avare ils choqueront les yeux.
Il ne croit pas qu'on donne; il est fourbe, envieux;
Il dira que chez lui j'ai volé le salaire
Dont j'aurai pu payer les chevreaux et la mère;
Et, d'un si bon prétexte ardent à se servir,
C'est à moi que lui-même il viendra les ravir.
~ Andre Marie de Chenier,#NFDB
1358:Can I, my friend, with thee condole?
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?
Poor martyr,most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;
A faithless wife,I grant the curse,
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!
What! dost thou think thyself undone,
Because thy rights are shared with one!
O, happy manbe more resigned,
My wife belongs to all mankind!
My wifeshe's found abroadat home;
But cross the Alps and she's at Rome;
Sail to the Balticthere you'll find her;
Lounge on the Boulevardskind and kinder:
In short, you've only just to drop
Where'er they sell the last new tale,
And, bound and lettered in the shop,
You'll find my lady up for sale!
She must her fair proportions render
To all whose praise can glory lend her;
Within the coach, on board the boat,
Let every pedant "take a note;"
Endure, for public approbation,
Each critic's "close investigation,"
And bravenay, court it as a flattery
Each spectacled Philistine's battery.
Just as it suits some scurvy carcase
In which she hails an Aristarchus,
Ready to fly with kindred souls,
O'er blooming flowers or burning coals,
To fame or shame, to shrine or gallows,
Let him but leadsublimely callous!
A Leipsic man(confound the wretch!)
Has made her topographic sketch,
A kind of map, as of a town,
Each point minutely dotted down;
Scarce to myself I dare to hint
What this dd fellow wants to print!
Thy wifehowe'er she slight the vows
Respects, at least, the name of spouse;
But mine to regions far too high
For that terrestrial name is carried;
My wife's "The famous Ninon!"I
"The gentleman that Ninon married!"
It galls you that you scarce are able
To stake a florin at the table
Confront the pit, or join the walk,
But straight all tongues begin to talk!
O that such luck could me befall,
Just to be talked about at all!
Behold me dwindling in my nook,
Edged at her left,and not a look!
A sort of rushlight of a life,
Put out by that great orbmy wife!
Scarce is the morning graybefore
Postman and porter crowd the door;
No premier has so dear a levee
She finds the mail-bag half its trade;
My Godthe parcels are so heavy!
And not a parcel carriage-paid!
But thenthe truth must be confessed
They're all so charmingly addressed:
Whate'er they cost, they well requite her
"To Madame Blank, the famous writer!"
Poor thing, she sleeps so soft! and yet
'Twere worth my life to spare her slumber;
"Madamefrom Jenathe Gazette
The Berlin Journalthe last number!"
Sudden she wakes; those eyes of blue
(Sweet eyes!) fall straighton the Review!
I by her sideall undetected,
While those cursed columns are inspected;
Loud squall the children overhead,
Still she reads on, till all is read:
At last she lays that darling by,
And asks"What makes the baby cry?"
Already now the toilet's care
Claims from her couch the restless fair;
The toilet's care!the glass has won
Just half a glance, and all is done!
A snappishpettish word or so
Warns the poor maid 'tis time to go:
Not at her toilet wait the Graces
Uncombed Erynnys takes their places;
So great a mind expands its scope
Far from the mean details ofsoap!
Now roll the coach-wheels to the muster
Now round my muse her votaries cluster;
Spruce Abbe MillefleursBaron Herman
The English Lord, who don't know German,
But all uncommonly well read
From matchless A to deathless Z!
Sneaks in the corner, shy and small,
A thing which men the husband call!
While every fop with flattery fires her,
Swears with what passion he admires her.
"'Passion!' 'admire!' and still you're dumb?"
Lord bless your soul, the worst's to come:
I'm forced to bow, as I'm a sinner,
And hopethe rogue will stay to dinner!
But oh, at dinner!there's the sting;
I see my cellar on the wing!
You know if Burgundy is dear?
Mine once emerged three times a year;
And now to wash these learned throttles,
In dozens disappear the bottles;
They well must drink who well do eat
(I've sunk a capital on meat).
Her immortality, I fear, a
Death-blow will prove to my Madeira;
It has given, alas! a mortal shock
To that old friendmy Steinberg hock!
If Faust had really any hand
In printing, I can understand
The fate which legends more than hint;
The devil take all hands that print!
And what my thanks for all?a pout
Sour looksdeep sighs; but what about?
About! O, that I well divine
That such a pearl should fall to swine
That such a literary ruby
Should grace the finger of a booby!
Spring comes;behold, sweet mead and lea
Nature's green splendor tapestries o'er;
Fresh blooms the flower, and buds the tree;
Larks singthe woodland wakes once more.
The woodland wakesbut not for her!
From Nature's self the charm has flown;
No more the Spring of earth can stir
The fond remembrance of our own!
The sweetest bird upon the bough
Has not one note of music now;
And, oh! how dull the grove's soft shade,
Where once(as lovers then)we strayed!
The nightingales have got no learning
Dull creatureshow can they inspire her?
The lilies are so undiscerning,
They never say"how they admire her!"
In all this jubilee of being,
Some subject for a point she's seeing
Some epigram(to be impartial,
Well turned)there may be worse in Martial!
But, hark! the goddess stoops to reason:
"The country now is quite in season,
I'll go!""What! to our country seat?"
"No!Travelling will be such a treat;
Pyrmont's extremely full, I hear;
But Carlsbad's quite the rage this year!"
Oh yes, she loves the rural Graces;
Nature is gayin watering-places!
Those pleasant spasour reigning passion
Where learned Dons meet folks of fashion;
Whereeach with each illustrious soul
Familiar as in Charon's boat,
All sorts of fame sit cheek-by-jowl,
Pearls in that stringthe table d'hote!
Where dames whom man has injuredfly,
To heal their wounds or to efface, them;
While others, with the waters, try
A course of flirting,just to brace them!
Well, there (O man, how light thy woes
Compared with minethou need'st must see!)
My wife, undaunted, greatly goes
And leaves the orphans (seven!!!) to me!
O, wherefore art thou flown so soon,
Thou first fair yearLove's honeymoon!
All, dream too exquisite for life!
Home's goddessin the name of wife!
Reared by each graceyet but to be
Man's household Anadyomene!
With mind from which the sunbeams fall,
Rejoice while pervading all;
Frank in the temper pleased to please
Soft in the feeling waked with ease.
So broke, as native of the skies,
The heart-enthraller on my eyes;
So saw I, like a morn of May,
The playmate given to glad my way;
With eyes that more than lips bespoke,
Eyes whencesweet words"I love thee!" broke!
SoAh, what transports then were mine!
I led the bride before the shrine!
And saw the future years revealed,
Glassed on my hopeone blooming field!
More wide, and widening more, were given
The angel-gates disclosing heaven;
Round us the lovely, mirthful troop
Of children cameyet still to me
The loveliestmerriest of the group
The happy mother seemed to be!
Mine, by the bonds that bind us more
Than all the oaths the priest before;
Mine, by the concord of content,
When heart with heart is music-blent;
When, as sweet sounds in unison,
Two lives harmonious melt in one!
Whensudden (O the villain!)came
Upon the scene a mind profound!
A bel esprit, who whispered "Fame,"
And shook my card-house to the ground.
What have I now instead of all
The Eden lost of hearth and hall?
What comforts for the heaven bereft?
What of the younger angel's left?
A sort of intellectual mule,
Man's stubborn mind in woman's shape,
Too hard to love, too frail to rule
A sage engrafted on an ape!
To what she calls the realm of mind,
She leaves that throne, her sex, to crawl,
The cestus and the charm resigned
A public gaping-show to all!
She blots from beauty's golden book
A name 'mid nature's choicest few,
To gain the glory of a nook
In Doctor Dunderhead's Review.
~ Friedrich Schiller, The Celebrated Woman - An Epistle By A Married Man
,#NFDB
1359:The Mosque Of Cordoba
The succession of day and night
Is the architect of events.
The succession of day and night
Is the fountain-head of life and death.
The succession of day and night
Is a two-tone silken twine,
With which the Divine Essence
Prepares Its apparel of Attributes.
The succession of day and night
Is the reverberation of the symphony of
Creation.
Through its modulations, the Infinite
demonstrates
The parameters of possibilities.
The succession of day and night
Is the touchstone of the universe;
Now sitting in judgement on you,
Now setting a value on me.
But what if you are found wanting.
What if I am found wanting.
Death is your ultimate destiny.
Death is my ultimate destiny.
What else is the reality of your days
and nights,
Besides a surge in the river of time,
Sans day, sans night.
Frail and evanescent, all miracles of
ingenuity,
Transient, all temporal attainments;
Ephemeral, all worldly accomplishments.
Annihilation is the end of all
beginnings.
Annihilation is the end of all ends.
56
Extinction, the fate of everything;
Hidden or manifest, old or new.
Yet in this very scenario
Indelible is the stamp of permanence
On the deeds of the good and godly.
Deeds of the godly radiate with Love,
The essence of life,
Which death is forbidden to touch.
Fast and free flows the tide of time,
But Love itself is a tide that stems all tides.
In the chronicle of Love there are times
Other than the past, the present and the
future;
Times for which no names have yet
been coined.
Love
Love
Love
Love
is
is
is
is
the
the
the
the
breath of Gabriel.
heart of Mustafa.
messenger of God.
Word of God.
Love is ecstasy lends luster to earthly
forms.
Love is the heady wine,
Love is the grand goblet.
Love is the commander of marching troops.
Love is a wayfarer with many a way-side
abode.
Love is the plectrum that brings
Music to the string of life.
Love is the light of life.
Love is the fire of life.
To Love, you owe your being,
O, Harem of Cordoba,
To Love, that is eternal;
57
Never waning, never fading.
Just the media these pigments, bricks
and stones;
This harp, these words and sounds, just
the media.
The miracle of art springs from the
lifeblood of the artist!
A droplet of the lifeblood
Transforms a piece of dead rock into a living
heart;
An impressive sound, into a song of
solicitude,
A refrain of rapture or a melody of mirth.
The aura you exude, illumines the
heart.
My plaint kindles the soul.
You draw the hearts to the Presence
Divine,
I inspire them to bloom and blossom.
No less exalted than the Exalted Throne,
Is the throne of the heart, the human breast!
Despite the limit of azure skies,
Ordained for this handful of dust.
Celestial beings, born of light,
Do have the privilege of supplication,
But unknown to them
Are the verve and warmth of
prostration.
An Indian infidel, perchance, am I;
But look at my fervour, my ardour.
‘Blessings and peace upon the Prophet,' sings
my heart.
‘Blessings and peace upon the Prophet,' echo
my lips.
My song is the song of aspiration.
58
My lute is the serenade of longing.
Every fibre of my being
Resonates with the refrains of Allah hoo!
Your beauty, your majesty,
Personify the graces of the man of faith.
You are beautiful and majestic.
He too is beautiful and majestic.
Your foundations are lasting,
Your columns countless,
Like the profusion of palms
In the plains of Syria.
Your arches, your terraces, shimmer with the
light
That once flashed in the valley of Aiman
Your soaring minaret, all aglow
In the resplendence of Gabriel's glory.
The Muslim is destined to last
As his Azan holds the key to the
mysteries
Of the perennial message of Abraham
and Moses.
His world knows no boundaries,
His horizon, no frontiers.
Tigris, Danube and Nile:
Billows of his oceanic expanse.
Fabulous, have been his times!
Fascinating, the accounts of his
achievements!
He it was, who bade the final adieu
To the outworn order.
A cup-bearer is he,
With the purest wine for the connoisseur;
A cavalier in the path of Love
With a sword of the finest steel.
59
A combatant, with la ilah
As his coat of mail.
Under the shadow of flashing
scimitars,
'La ilah' is his protection.
Your edifice unravels
The mystery of the faithful;
The fire of his fervent days,
The bliss of his tender nights.
Your grandeur calls to mind
The loftiness of his station,
The sweep of his vision,
His rapture, his ardour, his pride, his
humility.
The might of the man of faith
Is the might of the Almighty:
Dominant, creative, resourceful, consummate.
He is terrestrial with celestial aspect;
A being with the qualities of the
Creator.
His contented self has no demands
On this world or the other.
His desires are modest; his aims exalted;
His manner charming; his ways winsome.
Soft in social exposure,
Tough in the line of pursuit.
But whether in fray or in social
gathering,
Ever chaste at heart, ever clean in
conduct.
In the celestial order of the macrocosm,
His immutable faith is the centre of the Divine
Compass.
All else: illusion, sorcery, fallacy.
60
He is the journey's end for reason,
He is the raison d 'etre of Love.
An inspiration in the cosmic
communion.
O, Mecca of art lovers,
You are the majesty of the true tenet.
You have elevated Andalusia
To the eminence of the holy Harem.
Your equal in beauty,
If any under the skies,
Is the heart of the Muslim
And no one else.
Ah, those men of truth,
Those proud cavaliers of Arabia;
Endowed with a sublime character,
Imbued with candour and conviction.
Their reign gave the world an
unfamiliar concept;
That the authority of the brave and
spirited
Lay in modesty and simplicity,
Rather than pomp and regality.
Their sagacity guided the East and the West.
In the dark ages of Europe,
It was the light of their vision
That lit up the tracks.
A tribute to their blood it is,
That the Andalusians, even today,
Are effable and warm-hearted,
Ingenuous and bright of countenance.
Even today in this land,
Eyes like those of gazelles are a common
sight.
And darts shooting out of those eyes,
Even today, are on target.
61
Its breeze, even today,
Is laden with the fragrance of Yemen.
Its music, even today,
Carries strains of melodies from Hijaz.
Stars look upon your precincts as a piece of
heaven.
But for centuries, alas!
Your porticoes have not resonated
With the call of the muezzin.
What distant valley, what way-side abode
Is holding back
That valiant caravan of rampant Love.
Germany witnessed the upheaval of religious
reforms
That left no trace of the old perspective.
Infallibility of the church sage began to
ring false.
Reason, once more, unfurled its sails.
France too went through its revolution
That changed the entire orientation of
Western life.
Followers of Rome,
Feeling antiquated worshipping the
ancientry,
Also rejuvenated themselves
With the relish of novelty.
The same storm is raging today
In the soul of the Muslim.
A Divine secret it is,
Not for the lips to utter.
Let us see what surfaces
From the depths of the deep.
Let us see what colour
62
The blue sky changes into.
Clouds in the yonder valley
Are drenched in roseate twilight.
The parting sun has left behind
Mounds and mounds of rubies, the best from
Badakhshan.
Simple and doleful is the song
Of the peasant's daughter:
Tender feelings adrift in the tide of
youth.
O, the ever-flowing waters of Guadalquivir1,
Someone on your banks
Is seeing a vision of some other period of
time.
Tomorrow is still in the womb of
intention,
But its dawn is flashing before my
mind's eye.
Were I to lift the veil
From the profile of my reflections,
The West would be dazzled by its brilliance.
Life without change is death.
The tumult and turmoil of revolution
Keep the soul of a nation alive.
Keen, as a sword in the hands of Destiny
Is the nation
That evaluates its actions at each step.
Incomplete are all creations
Without the lifeblood of the creator.
Soulless is the melody
Without the lifeblood of the maestro.
[Translated by Saleem A. Gilani]
63
Not: This poem was written in in Spain, especially Cordoba
~ Allama Muhammad Iqbal,#NFDB
1360:The Oldest Inhabitant
'AND when came I to this town?' did he say!
A question asked for the asking's sake,
Answered merely an answer to make,
As stranger to stranger may;
Answered enough with ''Twas yesterday,'
And a talk of the journey travelled so fast.
Had I said, 'Since I dwelt here first have passed
Hundreds of years away'!
Aye, and there be who, if they knew,
Would envy me, as a cripple must long,
Looking on limbs erect and strong,
To have his freedom given him too
And rise and reach to whither he would:
'What!' they would think, 'Is the gift not good
Beyond all gifts for earth or for time?
Life, and no shadow of death o'ercast,
Life, and the joy of manhood's prime,
Life, and the lore of a boundless past,
Life, and still life to come and to last! '
And I even, even now,
I know not what that spirit might be,
Whether of love or of hate to me,
That stood in the dusk on the mountain's brow,
Alone with the stars I had climbed to see nigh,
And smiled, and gave, and was no more there.
There was no trace broke the sky,
There was no breath stirred the air,
Nought from the heaven or the earth to tell
If it were well:
And how much surer to-day know I
Whether he meant me a boon or a curse,
Whether to wait or to die be worse?
Ah, how I joyed for so many years!
Death under my heel with his hindering fears,
And I the lord of my life for ever!
Leisure and labour limitless,
And always the joy of the earned success
184
Crowned with the joy of the new endeavour!
And I thought 'I will make all wisdoms mine;'
And I thought 'The world shall be glad of me.'
Ah, how I joyed! for could I divine
What the fruit of immortal days must be?
But alas for the numbness of wont on all,
For the heart that has loved too often to prize,
For the eyes that have wept too often for tears,
For the listless feet and the careless ears,
For the brain that has learned that to learn is vain,
For forgotten joy and forgotten pain,
For the life too frequent for memories!
And I taste no joy because it will pall,
And I watch no grace because it will wane,
And I seek no good for it will not remain,
And I knit no tie because it will sever.
If I were not alone: if the gift were shared
With but some one soul in the world beside,
Some one for whom I might have cared,
Who would not so soon have grown old and died.
But ever and ever to build all anew,
And ever and ever to see all decay;
To fashion my life as the others do
And have my place among fellow-men,
To sit content in my home—and then
To have lived, and the rest has faded away:
There are the graves, and I part of the past,
Forgotten with them whom I outlast.
Let it be; 'tis a foolish game,
The game that children play on the beach,
With its ending always the same,
Building amain till the tide-waves reach
And the sands will be bare to build on to-morrow.
Let it be; for what is the worth?
Long since I wearied of saying good-bye:
And what or whom should I cherish on earth
Where I go as might one from some world on high
Unmeet for the short-lived pleasure or sorrow?
Only the men who look to die
Can have or hope in a world where death reigns:
Do I pity that slight ephemerous fly,
185
Whirling and resting there in the sun,
Because his day will be so soon done?
All remains while his day remains;
He will not have known that a rosebud wanes.
How if he lived for ever, as I?
Truly 'tis even so,
To die betimes is scarcely to know
How death is around us everywhere.
But ever for me the birth and blow
Are but a part of decay that is there,
And the living come but to go:
Till at length I am one who, drawing aside,
Where the crowd sweeps by in one jostling race,
Stands unstirred in his lonely place
And leaves off noting face after face;
I am one who wait stranded, alone, by the tide
Of Life, which has also Death for name
Because for the world the two are the same,
The tide that goes winding back whence it came,
Bearing all thither save me;
And I dream and I scarcely seem to be,
And I know no count of time as it flies,
And the river passes, passes, passes,
Smooth and for ever, and changelessly glasses
Summers and winters and changing skies,
Passes, and passes, and passes,
And nothing abides and nothing is strange;
And oh for rest to my languid eyes
Weary of change that is never change!
Ah! men might marvel to hear me say
The world of my youth is the world of to-day;
Here, in this very home of my birth,
How they would answer from some old book,
'Thus and thus was the past; now look,
Are we as they of the older earth,
We and our ways, and the fields we plough?'
And the first-met gossip who knows but Now
Counts chances a score in half a year,
Tells me this was that, and there was here,
A hall is burnt, a new market is made,
186
A railway runs where the school-boys played,
He is married, and he is dead,
And he so rich goes begging his bread;
''Tis a world of change,' he will soberly sigh
For point to his tales: why, and so say I;
Chances and changes enough, I deem,
In a world that goes on like a shifting dream;
But, oh, the long sameness! Ebb and flow:
Billows that come, and billows that go!
Nothing is but will drift away,
Nothing was but will come:
Future finds Past, old becomes new;
What men have done that they will do.
'Tis but the counting coins of to-day
To measure the former sum,
But the naming laterwise
Things and thoughts of an ancient guise:
And what change for me who see life as some star,
The expanses of earth in one from afar?
Hill grows valley and valley grows hills
'Tis a world of hills and valleys still.
Did I dream I could have been wearied thus,
With truth and with wisdoms left to seek?
Alas, my learners who heard me speak
'Is not to learn enough for us?
Is not to strive a strength for the soul,
Though she never gained one foot to the goal?'
If you could waken now where you lie,
You and your graves forgotten as I
In our town that would tell our names for its praise;
If you could hear, and your pitying gaze
Could know the teacher who made you bold!
Nay, sleep on unconscious there in the mould:
You died with a joy as of something gained,
Something given to the world you left;
I laboured on to be ever bereft
Of the skill achieved, of the science attained.
For, lo, the end of all learning is this,
Only to know one has learned amiss,
Only to know that the art or the lore
With its rules and its axioms was nothing more
187
Than a working guess that did for the while;
Only to know that sage after sage
Has passed on a dream from age to age,
Till the world awakes, and the children smile
At the thoughts of the foolish grown-men of old.
Aye, sleep, ye who counted your lives well spent,
Sleep, ye who dreamed; ye are content
Thou who hadst gained the secret of gold,
Save that one last fusion left me to find;
Thou who hadst tracked the sun's path through the air;
Thou with thy skill of the stars; thou there
In the chapel vault, with thy name still shown
To sauntering strangers, cut on the stone,
With thy chronicle of the world left behind;
Thou who hadst learned and hadst lighted on cures
For every ill man's body endures,
And leftst me thy leechcrafts for legacy;
Thou; and thou; and thou; oh, poor fools,
Who dreamed ye had found the thing ye sought,
Sleep, sleep and know not. All goes by,
Lores, and crafts, and beliefs, and schools;
Wrought is unravelled; thought is new-thought;
Till meseems that truth's very self must die,
And be born again unto younger rules.
Whereto is life for me? And I would
I had now departed and knew the end.
Death—'tis a way even I might wend—
But were it evil or good?
Oh, had it been but a word to speak,
But a blow at once, or a venomous draught,
Long since I had said, or struck, or quaffed:
But all a seven days' week!
Each dawn and each dusk of a seven days' week,
To will it unwavering: all a week!
Vain, vain, o'er and o'er,
A thousand times and a thousand yet:
Lo, life with some one poor hope once more,
Some one poor grace worth a while for regret;
Lo, death grown awful with dread and doubt.
And oh, feeble will, and oh, sluggish heart,
188
Almost too weary to long to depart!
Yet, dusk is at hand, see, the sunset fades out:
And here where was home life is loneliest to bear,
'Twere a goodly time to renew the test;
And I will it—Nay, is it worth the care?
'Tis but beginning a strife and unrest.
Seven days for life to lure back her thrall.
Oh, if I knew the end! knew all!
But, what if even life were the best?
What, if death were a new despair?
~ Augusta Davies Webster,#NFDB
1361:He sings.
I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice' streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.
She speaks.
Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
``This woman's heart and soul and brain
``Are mine as much as this gold chain
``She bids me wear; which'' (say again)
``I choose to make by cherishing
``A precious thing, or choose to fling
``Over the boat-side, ring by ring.''
And yet once more say no word more!
Since words are only words. Give o'er!
Unless you call me, all the same,
Familiarly by my pet name,
Which if the Three should hear you call,
And me reply to, would proclaim
At once our secret to them all.
Ask of me, too, command me, blame-
Do, break down the partition-wall
'Twixt us, the daylight world beholds
Curtained in dusk and splendid folds!
What's left but-all of me to take?
I am the Three's: prevent them, slake
Your thirst! 'Tis said, the Arab sage,
In practising with gems, can loose
Their subtle spirit in his cruce
And leave but ashes: so, sweet mage,
Leave them my ashes when thy use
Sucks out my soul, thy heritage!
He sings.
I.
Past we glide, and past, and past!
What's that poor Agnese doing
Where they make the shutters fast?
Grey Zanobi's just a-wooing
To his couch the purchased bride:
Past we glide!
II.
Past we glide, and past, and past!
Why's the Pucci Palace flaring
Like a beacon to the blast?
Guests by hundreds, not one caring
If the dear host's neck were wried:
Past we glide!
She sings.
I.
The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
II.
The bee's kiss, now!
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.
He sings.
I.
What are we two?
I am a Jew,
And carry thee, farther than friends can pursue,
To a feast of our tribe;
Where they need thee to bribe
The devil that blasts them unless he imbibe
Thy Scatter the vision for ever! And now,
As of old, I am I, thou art thou!
II.
Say again, what we are?
The sprite of a star,
I lure thee above where the destinies bar
My plumes their full play
Till a ruddier ray
Than my pale one announce there is withering away
Some Scatter the vision for ever! And now,
As of old, I am I, thou art thou!
He muses.
Oh, which were best, to roam or rest?
The land's lap or the water's breast?
To sleep on yellow millet-sheaves,
Or swim in lucid shallows just
Eluding water-lily leaves,
An inch from Death's black fingers, thrust
To lock you, whom release he must;
Which life were best on Summer eves?
He speaks, musing.
Lie back; could thought of mine improve you?
From this shoulder let there spring
A wing; from this, another wing;
Wings, not legs and feet, shall move you!
Snow-white must they spring, to blend
With your flesh, but I intend
They shall deepen to the end,
Broader, into burning gold,
Till both wings crescent-wise enfold
Your perfect self, from 'neath your feet
To o'er your head, where, lo, they meet
As if a million sword-blades hurled
Defiance from you to the world!
Rescue me thou, the only real!
And scare away this mad ideal
That came, nor motions to depart!
Thanks! Now, stay ever as thou art!
Still he muses.
I.
What if the Three should catch at last
Thy serenader? While there's cast
Paul's cloak about my head, and fast
Gian pinions me, himself has past
His stylet thro' my back; I reel;
And is it thou I feel?
II.
They trail me, these three godless knaves,
Past every church that saints and saves,
Nor stop till, where the cold sea raves
By Lido's wet accursed graves,
They scoop mine, roll me to its brink,
And on thy breast I sink
She replies, musing.
Dip your arm o'er the boat-side, elbow-deep,
As I do: thus: were death so unlike sleep,
Caught this way? Death's to fear from flame or steel,
Or poison doubtless; but from water-feel!
Go find the bottom! Would you stay me? There!
Now pluck a great blade of that ribbon-grass
To plait in where the foolish jewel was,
I flung away: since you have praised my hair,
'Tis proper to be choice in what I wear.
He speaks.
Row home? must we row home? Too surely
Know I where its front's demurely
Over the Giudecca piled;
Window just with window mating,
Door on door exactly waiting,
All's the set face of a child:
But behind it, where's a trace
Of the staidness and reserve,
And formal lines without a curve,
In the same child's playing-face?
No two windows look one way
O'er the small sea-water thread
Below them. Ah, the autumn day
I, passing, saw you overhead!
First, out a cloud of curtain blew,
Then a sweet cry, and last came you-
To catch your lory that must needs
Escape just then, of all times then,
To peck a tall plant's fleecy seeds,
And make me happiest of men.
I scarce could breathe to see you reach
So far back o'er the balcony
To catch him ere he climbed too high
Above you in the Smyrna peach
That quick the round smooth cord of gold,
This coiled hair on your head, unrolled,
Fell down you like a gorgeous snake
The Roman girls were wont, of old,
When Rome there was, for coolness' sake
To let lie curling o'er their bosoms.
Dear lory,*
may his beak retain
Ever its delicate rose stain
As if the wounded lotus-blossoms
Had marked their thief to know again!
Stay longer yet, for others' sake
Than mine! What should your chamber do?
-With all its rarities that ache
In silence while day lasts, but wake
At night-time and their life renew,
Suspended just to pleasure you
Who brought against their will together
These objects, and, while day lasts, weave
Around them such a magic tether
That dumb they look: your harp, believe,
With all the sensitive tight strings
Which dare not speak, now to itself
Breathes slumberously, as if some elf
Went in and out the chords, his wings
Make murmur wheresoe'er they graze,
As an angel may, between the maze
Of midnight palace-pillars, on
And on, to sow God's plagues, have gone
Through guilty glorious Babylon.
And while such murmurs flow, the nymph
Bends o'er the harp-top from her shell
As the dry limpet for the lymph
Come with a tune be knows so well.
And how your statues' hearts must swell!
And how your pictures must descend
To see each other, friend with friend!
Oh, could you take them by surprise,
You'd find Schidone's eager Duke
Doing the quaintest courtesies
To that prim saint by Haste-thee-Luke!
And, deeper into her rock den,
Bold Castelfranco's Magdalen
You'd find retreated from the ken
Of that robed counsel-keeping Ser-
As if the Tizian thinks of her,
And is not, rather, gravely bent
On seeing for himself what toys
Are these, his progeny invent,
What litter now the board employs
Whereon he signed a document
That got him murdered! Each enjoys
Its night so well, you cannot break
The sport up, so, indeed must make
More stay with me, for others' sake.
She speaks.
I.
To-morrow, if a harp-string, say,
Is used to tie the jasmine back
That overfloods my room with sweets,
Contrive your Zorzi somehow meets
My Zanze! If the ribbon's black,
The Three are watching: keep away!
II.
Your gondola-let Zorzi wreathe
A mesh of water-weeds about
its prow, as if he unaware
Had struck some quay or bridge-foot stair!
That I may throw a paper out
As you and he go underneath.
There's Zanze's vigilant taper; safe are we.
Only one minute more to-night with me?
Resume your past self of a month ago!
Be you the bashful gallant, I will be
The lady with the colder breast than snow.
Now bow you, as becomes, nor touch my hand
More than I touch yours when I step to land,
And say, ``All thanks, Siora!''-
Heart to heart
And lips to lips! Yet once more, ere we part,
Clasp me and make me thine, as mine thou art!
[He is surprised, and stabbed.
It was ordained to be so, sweet!-and best
Comes now, beneath thine eyes, upon thy breast.
Still kiss me! Care not for the cowards! Care
Only to put aside thy beauteous hair
My blood will hurt! The Three, I do not scorn
To death, because they never lived: but I
Have lived indeed, and so-(yet one more kiss)-can die!
~ Robert Browning, In A Gondola
,#NFDB
1362:Mementos
ARRANGING long-locked drawers and shelves
Of cabinets, shut up for years,
What a strange task we've set ourselves !
How still the lonely room appears !
How strange this mass of ancient treasures,
Mementos of past pains and pleasures;
These volumes, clasped with costly stone,
With print all faded, gilding gone;
These fans of leaves, from Indian trees
These crimson shells, from Indian seas
These tiny portraits, set in rings
Once, doubtless, deemed such precious things;
Keepsakes bestowed by Love on Faith,
And worn till the receiver's death,
Now stored with cameos, china, shells,
In this old closet's dusty cells.
I scarcely think, for ten long years,
A hand has touched these relics old;
And, coating each, slow-formed, appears,
The growth of green and antique mould.
All in this house is mossing over;
All is unused, and dim, and damp;
Nor light, nor warmth, the rooms discover
Bereft for years of fire and lamp.
The sun, sometimes in summer, enters
The casements, with reviving ray;
But the long rains of many winters
Moulder the very walls away.
And outside all is ivy, clinging
To chimney, lattice, gable grey;
Scarcely one little red rose springing
Through the green moss can force its way.
Unscared, the daw, and starling nestle,
32
Where the tall turret rises high,
And winds alone come near to rustle
The thick leaves where their cradles lie.
I sometimes think, when late at even
I climb the stair reluctantly,
Some shape that should be well in heaven,
Or ill elsewhere, will pass by me.
I fear to see the very faces,
Familiar thirty years ago,
Even in the old accustomed places
Which look so cold and gloomy now.
I've come, to close the window, hither,
At twilight, when the sun was down,
And Fear, my very soul would wither,
Lest something should be dimly shown.
Too much the buried form resembling,
Of her who once was mistress here;
Lest doubtful shade, or moonbeam trembling,
Might take her aspect, once so dear.
Hers was this chamber; in her time
It seemed to me a pleasant room,
For then no cloud of grief or crime
Had cursed it with a settled gloom;
I had not seen death's image laid
In shroud and sheet, on yonder bed.
Before she married, she was blest
Blest in her youth, blest in her worth;
Her mind was calm, its sunny rest
Shone in her eyes more clear than mirth.
And when attired in rich array,
Light, lustrous hair about her brow,
She yonder sata kind of day
Lit upwhat seems so gloomy now.
These grim oak walls, even then were grim;
That old carved chair, was then antique;
33
But what around looked dusk and dim
Served as a foil to her fresh cheek;
Her neck, and arms, of hue so fair,
Eyes of unclouded, smiling, light;
Her soft, and curled, and floating hair,
Gems and attire, as rainbow bright.
Reclined in yonder deep recess,
Ofttimes she would, at evening, lie
Watching the sun; she seemed to bless
With happy glance the glorious sky.
She loved such scenes, and as she gazed,
Her face evinced her spirit's mood;
Beauty or grandeur ever raised
In her, a deep-felt gratitude.
But of all lovely things, she loved
A cloudless moon, on summer night;
Full oft have I impatience proved
To see how long, her still delight
Would find a theme in reverie.
Out on the lawn, or where the trees
Let in the lustre fitfully,
As their boughs parted momently,
To the soft, languid, summer breeze.
Alas ! that she should e'er have flung
Those pure, though lonely joys away
Deceived by false and guileful tongue,
She gave her hand, then suffered wrong;
Oppressed, ill-used, she faded young,
And died of grief by slow decay.
Open that casketlook how bright
Those jewels flash upon the sight;
The brilliants have not lost a ray
Of lustre, since her wedding day.
But seeupon that pearly chain
How dim lies time's discolouring stain !
I've seen that by her daughter worn:
For, e'er she died, a child was born;
A child that ne'er its mother knew,
That lone, and almost friendless grew;
34
For, ever, when its step drew nigh,
Averted was the father's eye;
And then, a life impure and wild
Made him a stranger to his child;
Absorbed in vice, he little cared
On what she did, or how she fared.
The love withheld, she never sought,
She grew uncherishedlearnt untaught;
To her the inward life of thought
Full soon was open laid.
I know not if her friendlessness
Did sometimes on her spirit press,
But plaint she never made.
The book-shelves were her darling treasure,
She rarely seemed the time to measure
While she could read alone.
And she too loved the twilight wood,
And often, in her mother's mood,
Away to yonder hill would hie,
Like her, to watch the setting sun,
Or see the stars born, one by one,
Out of the darkening sky.
Nor would she leave that hill till night
Trembled from pole to pole with light;
Even then, upon her homeward way,
Longlong her wandering steps delayed
To quit the sombre forest shade,
Through which her eerie pathway lay.
You ask if she had beauty's grace ?
I know notbut a nobler face
My eyes have seldom seen;
A keen and fine intelligence,
And, better still, the truest sense
Were in her speaking mien.
But bloom or lustre was there none,
Only at moments, fitful shone
An ardour in her eye,
That kindled on her cheek a flush,
Warm as a red sky's passing blush
And quick with energy.
35
Her speech, too, was not common speech,
No wish to shine, or aim to teach,
Was in her words displayed:
She still began with quiet sense,
But oft the force of eloquence
Came to her lips in aid;
Language and voice unconscious changed,
And thoughts, in other words arranged,
Her fervid soul transfused
Into the hearts of those who heard,
And transient strength and ardour stirred,
In minds to strength unused.
Yet in gay crowd or festal glare,
Grave and retiring was her air;
'Twas seldom, save with me alone,
That fire of feeling freely shone;
She loved not awe's nor wonder's gaze,
Nor even exaggerated praise,
Nor even notice, if too keen
The curious gazer searched her mien.
Nature's own green expanse revealed
The world, the pleasures, she could prize;
On free hill-side, in sunny field,
In quiet spots by woods concealed,
Grew wild and fresh her chosen joys,
Yet Nature's feelings deeply lay
In that endowed and youthful frame;
Shrined in her heart and hid from day,
They burned unseen with silent flame;
In youth's first search for mental light,
She lived but to reflect and learn,
But soon her mind's maturer might
For stronger task did pant and yearn;
And stronger task did fate assign,
Task that a giant's strength might strain;
To suffer long and ne'er repine,
Be calm in frenzy, smile at pain.
Pale with the secret war of feeling,
Sustained with courage, mute, yet high;
The wounds at which she bled, revealing
Only by altered cheek and eye;
36
She bore in silencebut when passion
Surged in her soul with ceaseless foam,
The storm at last brought desolation,
And drove her exiled from her home.
And silent still, she straight assembled
The wrecks of strength her soul retained;
For though the wasted body trembled,
The unconquered mind, to quail, disdained.
She crossed the seanow lone she wanders
By Seine's, or Rhine's, or Arno's flow;
Fain would I know if distance renders
Relief or comfort to her woe.
Fain would I know if, henceforth, ever,
These eyes shall read in hers again,
That light of love which faded never,
Though dimmed so long with secret pain.
She will return, but cold and altered,
Like all whose hopes too soon depart;
Like all on whom have beat, unsheltered,
The bitter blasts that blight the heart.
No more shall I behold her lying
Calm on a pillow, smoothed by me;
No more that spirit, worn with sighing,
Will know the rest of infancy.
If still the paths of lore she follow,
'Twill be with tired and goaded will;
She'll only toil, the aching hollow,
The joyless blank of life to fill.
And oh ! full oft, quite spent and weary,
Her hand will pause, her head decline;
That labour seems so hard and dreary,
On which no ray of hope may shine.
Thus the pale blight of time and sorrow
37
Will shade with grey her soft, dark hair
Then comes the day that knows no morrow,
And death succeeds to long despair.
So speaks experience, sage and hoary;
I see it plainly, know it well,
Like one who, having read a story,
Each incident therein can tell.
Touch not that ring, 'twas his, the sire
Of that forsaken child;
And nought his relics can inspire
Save memories, sin-defiled.
I, who sat by his wife's death-bed,
I, who his daughter loved,
Could almost curse the guilty dead,
For woes, the guiltless proved.
And heaven did cursethey found him laid,
When crime for wrath was rife,
Coldwith the suicidal blade
Clutched in his desperate gripe.
'Twas near that long deserted hut,
Which in the wood decays,
Death's axe, self-wielded, struck his root,
And lopped his desperate days.
You know the spot, where three black trees,
Lift up their branches fell,
And moaning, ceaseless as the seas,
Still seem, in every passing breeze,
The deed of blood to tell.
They named him mad, and laid his bones
Where holier ashes lie;
Yet doubt not that his spirit groans,
In hell's eternity.
But, lo ! night, closing o'er the earth,
Infects our thoughts with gloom;
38
Come, let us strive to rally mirth,
Where glows a clear and tranquil hearth
In some more cheerful room.
~ Charlotte Brontë,#NFDB
1363:A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swolln front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,
Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.
SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.
Glocester. Now may we lift our bruised vizors up,
And take the flattering freshness of the air,
While the wide din of battle dies away
Into times past, yet to be echoed sure
In the silent pages of our chroniclers.
First Knight. Will Stephen's death be marked there, my good
Lord,
Or that we gave him lodging in yon towers?
Glocester. Fain would I know the great usurper's fate.
Enter two Captains severally.
First Captain. My Lord!
Second Captain. Most noble Earl!
First Captain. The King
Second Captain. The Empress greets
Glocester. What of the King?
First Captain. He sole and lone maintains
A hopeless bustle mid our swarming arms,
And with a nimble savageness attacks,
Escapes, makes fiercer onset, then anew
Eludes death, giving death to most that dare
Trespass within the circuit of his sword!
He must by this have fallen. Baldwin is taken;
And for the Duke of Bretagne, like a stag
He flies, for the Welsh beagles to hunt down.
God save the Empress!
Glocester. Now our dreaded Queen:
What message from her Highness?
Second Captain. Royal Maud
From the throng'd towers of Lincoln hath look'd down,
Like Pallas from the walls of Ilion,
And seen her enemies havock'd at her feet.
She greets most noble Glocester from her heart,
Intreating him, his captains, and brave knights,
To grace a banquet. The high city gates
Are envious which shall see your triumph pass;
The streets are full of music.
Enter Second Knight.
Glocester. Whence come you?
Second Knight. From Stephen, my good Prince, Stephen!
Stephen!
Glocester. Why do you make such echoing of his name?
Second Knight. Because I think, my lord, he is no man,
But a fierce demon, Anointed safe from wounds,
And misbaptized with a Christian name.
Glocester. A mighty soldier! Does he still hold out?
Second Knight. He shames our victory. His valour still
Keeps elbow-room amid our eager swords,
And holds our bladed falchions all aloof
His gleaming battle-axe being slaughter-sick,
Smote on the morion of a Flemish knight,
Broke short in his hand; upon the which he flung
The heft away with such a vengeful force,
It paunch'd the Earl of Chester's horse, who then
Spleen-hearted came in full career at him.
Glocester. Did no one take him at a vantage then?
Second Knight. Three then with tiger leap upon him flew,
Whom, with his sword swift-drawn and nimbly held,
He stung away again, and stood to breathe,
Smiling. Anon upon him rush'd once more
A throng of foes, and in this renew'd strife,
My sword met his and snapp'd off at the hilts.
Glocester. Come, lead me to this Mars and let us move
In silence, not insulting his sad doom
With clamorous trumpets. To the Empress bear
My salutation as befits the time.
[Exeunt GLOCESTER and Forces.
SCENE III. The Field of Battle. Enter STEPHEN unarmed.
Stephen. Another sword! And what if I could seize
One from Bellona's gleaming armoury,
Or choose the fairest of her sheaved spears!
Where are my enemies? Here, close at hand,
Here come the testy brood. O for a sword!
I'm faint a biting sword! A noble sword!
A hedge-stake or a ponderous stone to hurl
With brawny vengeance, like the labourer Cain.
Come on! Farewell my kingdom, and all hail
Thou superb, plum'd, and helmeted renown,
All hail I would not truck this brilliant day
To rule in Pylos with a Nestor's beard
Come on!
Enter DE KAIMS and Knights, &c.
De Kaims. Is 't madness, or a hunger after death,
That makes thee thus unarm'd throw taunts at us?
Yield, Stephen, or my sword's point dip in
"he gloomy current of a traitor's heart.
Stephen. Do it, De Kaims, I will not budge an inch.
De Kaims. Yes, of thy madness thou shalt take the meed.
Stephen. Darest thou?
De Kaims. How dare, against a man disarmed?
Stephen. What weapons has the lion but himself?
Come not near me, De Kaims, for by the price
Of all the glory I have won this day,
Being a king, I will not yield alive
To any but the second man of the realm,
Robert of Glocester.
De Kaims. Thou shalt vail to me.
Stephen. Shall I, when I have sworn against it, sir?
Thou think'st it brave to take a breathing king,
That, on a court-day bow'd to haughty Maud,
The awed presence-chamber may be bold
To whisper, there's the man who took alive
Stephen me prisoner. Certes, De Kaims,
The ambition is a noble one.
De Kaims. 'Tis true,
And, Stephen, I must compass it.
Stephen. No, no,
Do not tempt me to throttle you on the gorge,
Or with my gauntlet crush your hollow breast,
Just when your knighthood is grown ripe and full
For lordship.
A Soldier. Is an honest yeoman's spear
Of no use at a need? Take that.
Stephen. Ah, dastard!
De Kaims. What, you are vulnerable! my prisoner I
Stephen. No, not yet. I disclaim it, and demand
Death as a sovereign right unto a king
Who 'sdains to yield to any but his peer,
If not in title, yet in noble deeds,
The Earl of Glocester. Stab to the hilts, De Kaims,
For I will never by mean hands be led
From this so famous field. Do ye hear! Be quick!
[Trumpets. Enter the Earl of CHESTER and Knights.
SCENE IV. A Presence Chamber. Queen MAUD in a Chair of State, the
Earls of GLOCESTER and CHESTER, Lords, Attendants.
Maud. Glocester, no more: I will behold that Boulogne:
Set him before me. Not for the poor sake
Of regal pomp and a vain-glorious hour,
As thou with wary speech, yet near enough,
Hast hinted.
Glocester. Faithful counsel have I given ;
If wary, for your Highness' benefit.
Maud. The Heavens forbid that I should not think so,
For by thy valour have I won this realm,
Which by thy wisdom I will ever keep.
To sage advisers let me ever bend
"A meek attentive ear, so that they treat
Of the wide kingdom's rule and government,
Not trenching on our actions personal.
Advis'd, not school'd, I would be; and henceforth
Spoken to in clear, plain, and open terms,
Not side-ways sermon'd at.
Glocester. Then, in plain terms,
Once more for the fallen king
Maud. Your pardon, Brother,
I would no more of that; for, as I said,
Tis not for worldly pomp I wish to see
The rebel, but as dooming judge to give
A sentence something worthy of his guilt.
Glocester. If 't must be so, I'll bring him to your presence.
[Exit GLOCESTER,
Maud. A meaner summoner might do as well
My Lord of Chester, is 't true what I hear
Of Stephen of Boulogne, our prisoner,
That he, as a fit penance for his crimes,
Eats wholesome, sweet, and palatable food
Off Glocester's golden dishes drinks pure wine,
Lodgest soft?
Chester. More than that, my gracious Queen,
Has anger'd me. The noble Earl, methinks,
Full soldier as he is, and without peer
In counsel, dreams too much among his books.
It may read well, but sure 'tis out of date
To play the Alexander with Darius.
Maud. Truth! I think so. By Heavens it shall not last!
Chester. It would amaze your Highness now to mark
How Glocester overstrains his courtesy
To that crime-loving rebel, that Boulogne
Maud. That ingrate!
Chester. For whose vast ingratitude
To our late sovereign lord, your noble sire,
The generous Earl condoles in his mishaps,
And with a sort of lackeying friendliness,
Talks off the mighty frowning from his brow,
Woos him to hold a duet in a smile,
Or, if it please him, play an hour at chess
Maud. A perjured slave!
Chester. And for his perjury,
Glocester has fit rewards nay, I believe,
He sets his bustling household's wits at work
For flatteries to ease this Stephen's hours,
And make a heaven of his purgatory ;
Adorning bondage with the pleasant gloss
Of feasts and music, and all idle shows
Of indoor pageantry; while syren whispers,
Predestined for his ear, 'scape as half-check'd
From lips the courtliest and the rubiest
Of all the realm, admiring of his deeds.
Maud. A frost upon his summer!
Chester. A queen's nod
Can make his June December. Here he comes.
by owner. provided at no charge for educational purposes
~ John Keats, King Stephen
,#NFDB
1364:The Enchanted Ring
A Tale of Halloween
You ask me for a tale of Halloween?
'Tis well. I lately read a treasure tome
Within whose legend-haunted lone demesne
The free, wild Fancy finds herself at home.
Now, while the night wind wings the starlit dome,
And while the dead leaves eerie converse hold,
Through the rich Conjurer's Kingdom with me roam;
And, wandering there, the story shall be told
Of what befell in Leinster in the days of old.
II
In Leinster in the days of old, I wis,
There was no maiden of the countryside
But on All Hallows (such a night as this!)
In Love's dim chancery her fortune tried.
The bursting nut upon the hearth she plied;
Or, while a lighted candle she would bear,
Gazed in her glass with eyes intent and wide;
Or, with weird mutterings, like a witch's prayer,
She sowed three rows of nothing on the empty air!
III
All rites had little Barbara performed,
Yet nothing did she see, and nothing hear;
Her busy thoughts soon into dreamland swarmed.
The rosy apple lay, untasted, near
For him who, ere another rounded year,
Should taste Love's feast with her. And now the wind
(As on this very night) with sighings drear,
Spake close beneath her latticed window-blind
Such dreamwise things as it hath spoke time out of mind.
IV
16
Why moans our little sister? 'Rest thee, rest!
Fear naught.' Soon careful arms have clasp'd her round,
And a soft cheek against her own is pressed.
For thus, since childhood, Barbara hath found
In mother-love with sister's love upbound,
Swift respite from the terrors of the night.
But now, what sleep so restless, yet so sound,
That not for touch or tone will take its flight,
Or aught at all except the broadcast morning light!
'My precious one, such troubled dreams were thine;
Yet, though I strove, I could not waken thee.'
'Dear mother-sister- dearest sister mineMethought an unknown guide did beckon me
Far, far from here. My will I could not free;
I needs must follow through weald and waste.
Outworn I reached a manor fair to see;
Outworn, alone, through a long hall I paced,
That was with many a speaking, stately portrait graced.
VI
'Then, stilly as a spirit loosed from earth,
I climbed a stair, and to a chamber came,
Rich hung with broidered cloths. Upon the hearth
Dull embers held a little fitful flame.
A sudden trembling ran through all my frame,
When, from amidst those silken hangings rare,
A voice pronounced: 'Reveal thy face and name,
I conjure thee! At least, some token spare
That I may trace thee when thou goest I know not where!'
VII
'It was a grievous and a sinful thingBut over me was sovereign, stern command
I must obey. Thy gift, the birthday ring,
With my own name engraved within the bandThe ring, alas! I drew it from my hand,
17
And laid it on the marble mantel high.
Then died the flame from out the falling brand,
Then were the four walls darkling earth and sky;
And, once again, till dawn a wanderer was I.
VIII
'But, Agatha, thou art not vexed at me?
Thou dost not mourn the ring? 'Twas mine last eve,
This morning it is gone, as thou canst see!'
'Nay, darling, thou no reason hast to grieve:
I may not tell thee why, but I believe
That ere another wingèd year is flown
Some brightest threads for thee will Fortune weave.'
So spake her sister, sage of look and tone,
And held the little, fevered hand within her own.
IX
The Winter long is over in the land,
And mellow is the furrowed soil, and quick
With hopeful promise to the toiler's hand.
He, too, that toils not, leaning on his stick,
Is cheered to see the bean-flowers set so thick,
And thick the blossoms on the orchard bough.
How sweet the air! Hath any soul been sick?
Oh, let that soul drink health from beauty now;
Stand forth beneath the sky; unknit the careworn brow!
'Say, children, if ye guess, what aileth himThe stranger who oft leans beyond the hedge
To see our budding roses? Yet so dim
His eye, he knows them not from ragged sedge!
The black ox's hoof hath trod on him, I pledge
My hopes beyond the grave, he seeketh aye
For that which flees him to the world's far edge!
Come, children, tell me what the gossips say:
Your grandsire nothing hears- the old at home must stay!'
XI
18
Good Agatha replies with playful look:
'Let Barbara speak. And if she be the rose
(To us the sweetest flower in any nookOr tame or wild- that in our Leinster grows)
Hath drawn the stranger to our garden-close,
With what true eye hath he the best discerned.'
(A blush-rose, on the moment, springs and blows!)
'Ay, sister, grandsire, all that I have learned,
I freely tell you; since deceit I always spurned.
XII
'But twice have I had speech with him- no more,
First time he asked a rose, and spake me fair,
I gave it him, so sad a look he wore;
And on he passed, as one who doth not care.
Again, as I was searching everywhere
My bracelet that had fallen to the ground,
He leaped the hedge-row ere I was aware;
And he it was that, searching, quickly found
My bracelet. Surely, I to courtesy was bound.'
XIII
'Ay, surely, child. Your grandsire taught you that,
What said you then?' 'I bade him stay and rest;
And down upon the old oak bench we sat.
He spake of losses- how another's quest
'Twas ever his to aid, for he was blest
With wizard sight, save for the thing he soughtA thing not lost, since never yet possessed;
He had but dreamed of it! I answered naught;
But much, in truth, since then of what he said have thought.'
XIV
By this time closed are the ears of age,
And lid-fast are the eyes. And now, alone,
Spake carelessly good Agatha the sage:
'Great prudence, little Barbe, thou hast shown;
But I have heard the stranger well is known,
19
That gentle is his birth, and the estate
Is broad and fair, which singly he doth own.
'Tis said his health hath suffered much of late;
Wholesome this air; so he prolongs his visit's date.'
XV
Then subtly did fond Agatha contrive:
'Thou dost but a charitable deed,
If from his soul this withering gloom thou drive.
Lightly along the self-same channel lead
Thy talk. Say that thou gav'st his words good heed;
Since back to thee thy bracelet he could bring,
Thou would'st, once more, consult his wizard rede,
For thou hast lost a yet more precious thingThy sister's gift to thee- the name, too, on the ring!'
XVI
'That dare I not- !' broke in the little maid;
'For well thou knowest how the ring was lost,
And all the tricks at Halloween I played.
Alas, those charms were wrought at heavy cost,
To be, as I have been, a homeless ghostA shadow of myself- of self bereft!'
'Then, child, tell only what importeth mostA ring of thine was somewhere lost, or left;
And thou, once more, art fain to seek his counsel deft.'
XVII
The Rose sends challenge to the flower-world all:
What bloom like mint- at once both proud and sweet?
Unstored to the Rose's burning accents fall
Upon the twain within the garden-seat.
Yet, what can make the Rose's color fleet
From a young maiden's cheek- what sudden stress?
What words are these a young man may repeat,
While light springs up in eyes long lustreless?
But come, let us o'erhear- 'twere idle, still to guess?
XVIII
20
It thus had chanced: when came the moment fit,
Full simply little Barbara broached the theme
Directed by her sister's subtler wit:
Since he had found her bracelet, it would seem
A yet mor precious loss he might redeem:
A ring of hers had vanished- left no trace.
So great a wizard might some potent scheme
Devise, to bring it from its hiding-place.'
She lightly spake. Intent, her comrade scanned her face.
XIX
'Speak thou the truth, no word from me withhold;
Lift up thine eyes, and they the truth shall speak,
For it must be that slender ring of gold
Bounds the whole world of happiness I seek.
Tell me when thou this ring didst lose, and eke
All circumstance that did the time attend.'
'Twas then the Rose's color fled her cheek;
But since her tongue to guile she could not lend,
She told straightforwardly her story to the end.
XX
'As thou hast spoken truth, and naught beside'
He said, 'I'll speak the living truth to thee.
That night some charms of Halloween I tried,
Dared thus to do by a blithe company
In mine old hall, far in the West Country.
The charms performed, I thought of them no more;
Yet deemed it strange that sleep came not to me;
And as the rising wind shook blind and door,
I watched with half-shut eyes the firelight on the floor.
XXI
'Then glidingly, and noiseless as a dream,
A figure stoled in white, with floating hair,
Touched faintly by the embers' fitful gleam,
Approached the fireplace and stood wavering thereStood piteously, with tender feet all bare,
21
And tender palms reached out above the coals
(As they had borne too long the frosty air).
Then, I remembered me the time- All Souls,
When visions vanish as the hour of midnight tolls!
XXII
'Already was the clock upon the stroke,
Already had the vision turned to go
When, in a voice I scarcely knew, I spoke,
Desiring that the presence should bestow
Some sign, or constant pledge of truth, to show
When daylight should to disbelief incline.
The vision faded. On the mantel, lo!
This ring I found. And surely, it is thine,
And surely, maiden, both the ring and thou art mine!'
XXIII
Needs not to say what afterwards befellHow smiled the mother-sister sage and dear,
When came the fine confession, guessed full well;
Or how, before the rounding of the year,
She saw- through many a rainbow-lighted tearHer darling pace the aisle, a happy bride!
Nay!- rather must I counsel all who hear
Leave juggling wiles of Halloween untried,
Lest no such powers benign your doubtful venture guide!
~ Edith Matilda Thomas,#NFDB
1365:A Le Brun Et Au Marquis De Brazais
Le Brun, qui nous attends aux rives de la Seine,
Quand un destin jaloux loin de toi nous enchaîne;
Toi, Brazais, comme moi sur ces bords appelé,
Sans qui de l'univers je vivrais exilé;
Depuis que de Pandore un regard téméraire
Versa sur les humains un trésor de misère,
Pensez-vous que du ciel l'indulgente pitié
Leur ait fait un présent plus beau que l'amitié?
Ah! si quelque mortel est né pour la connaître.
C'est nous, âmes de feu, dont l'Amour est le maître.
Le cruel trop souvent empoisonne ses coups;
Elle garde à nos coeurs ses baumes les plus doux.
Malheur au jeune enfant seul, sans ami, sans guide,
Qui près de la beauté rougit et s'intimide,
Et, d'un pouvoir nouveau lentement dominé,
Par l'appât du plaisir doucement entraîné,
Crédule, et sur la foi d'un sourire volage,
A cette mer trompeuse et se livre et s'engage!
Combien de fois, tremblant et les larmes aux yeux,
Ses cris accuseront l'inconstance des dieux!
Combien il frémira d'entendre sur sa tête
Gronder les aquilons et la noire tempête,
Et d'écueils en écueils portera ses douleurs
Sans trouver une main pour essuyer ses pleurs!
Mais heureux dont le zèle, au milieu du naufrage,
Viendra le recueillir, le pousser au rivage;
Endormir dans ses flancs le poison ennemi;
Réchauffer dans son sein le sein de son ami,
Et de son fol amour étouffer la semence,
Ou du moins dans son coeur ranimer l'espérance!
Qu'il est beau de savoir, digne d'un tel lien,
Au repos d'un ami sacrifier le sien!
Plaindre de s'immoler l'occasion ravie,
Être heureux de sa joie et vivre de sa vie!
Si le ciel a daigné d'un regard amoureux
Accueillir ma prière et sourire à mes voeux,
Je ne demande point que mes sillons avides
Boivent l'or du Pactole et ses trésors liquides;
Ni que le diamant, sur la pourpre enchaîné,
Pare mon coeur esclave au Louvre prosterné;
Ni même, voeu plus doux! que la main d'Uranie
Embellisse mon front des palmes du génie;
Mais que beaucoup d'amis, accueillis dans mes bras,
Se partagent ma vie et pleurent mon trépas;
Que ces doctes héros, dont la main de la Gloire
A consacré les noms au temple de Mémoire,
Plutôt que leurs talents, inspirent à mon coeur
Les aimables vertus qui firent leur bonheur;
Et que de l'amitié ces antiques modèles
Reconnaissent mes pas sur leurs traces fidèles.
Si le feu qui respire en leurs divins écrits
D'une vive étincelle échauffa nos esprits;
Si leur gloire en nos coeurs souffle une noble envie,
Oh! suivons donc aussi l'exemple de leur vie:
Gardons d'en négliger la plus belle moitié;
Soyons heureux comme eux au sein de l'amitié.
Horace, loin des flots qui tourmentent Cythère,
Y retrouvait d'un port l'asile salutaire;
Lui-même au doux Tibulle, à ses tristes amours,
Prêta de l'amitié les utiles secours.
L'amitié rendit vains tous les traits de Lesbie;
Elle essuya les yeux que fit pleurer Cynthie.
Virgile n'a-t-il pas, d'un vers doux et flatteur,
De Gallus expirant consolé le malheur?
Voilà l'exemple saint que mon coeur leur demande.
Ovide, ah! qu'à mes yeux ton infortune est grande!
Non pour n'avoir pu faire aux tyrans irrités
Agréer de tes vers les lâches faussetés;
Je plains ton abandon, ta douleur solitaire.
Pas un coeur qui, du tien zélé dépositaire,
Vienne adoucir ta plaie, apaiser ton effroi,
Et consoler tes pleurs, et pleurer avec toi!
Ce n'est pas nous, amis, qu'un tel foudre menace.
Que des dieux et des rois l'éclatante disgrâce
Nous frappe: leur tonnerre aura trompé leurs mains;
Nous resterons unis en dépit des destins.
Qu'ils excitent sur nous la fortune cruelle;
Qu'elle arme tous ses traits: nous sommes trois contre elle.
Nos coeurs peuvent l'attendre, et, dans tous ses combats,
L'un sur l'autre appuyés, ne chancelleront pas.
Oui, mes amis, voilà le bonheur, la sagesse.
Que nous importe alors si le dieu du Permesse
Dédaigne de nous voir, entre ses favoris,
Charmer de l'Hélicon les bocages fleuris?
Aux sentiers où leur vie offre un plus doux exemple,
Où la félicité les reçut dans son temple,
Nous les aurons suivis, et, jusques au tombeau,
De leur double laurier su ravir le plus beau.
Mais nous pouvons, comme eux, les cueillir l'un et l'autre.
Ils reçurent du ciel un coeur tel que le nôtre;
Ce coeur fut leur génie; il fut leur Apollon,
Et leur docte fontaine, et leur sacré vallon.
Castor charme les dieux, et son frère l'inspire.
Loin de Patrocle, Achille aurait brisé sa lyre.
C'est près de Pollion, dans les bras de Varus,
Que Virgile envia le destin de Nisus.
Que dis-je? ils t'ont transmis ce feu qui les domine.
N'ai-je pas vu ta muse au tombeau de Racine,
Le Brun, faire gémir la lyre de douleurs
Que jadis Simonide anima de ses pleurs?
Et toi, dont le génie, amant de la retraite,
Et des leçons d'Ascra studieux interprète,
Accompagnant l'année en ses douze palais,
Étale sa richesse et ses vastes bienfaits;
Brazais, que de tes chants mon âme est pénétrée,
Quand ils vont couronner cette vierge adorée
Dont par la main du temps l'empire est respecté,
Et de qui la vieillesse augmente la beauté!
L'homme insensible et froid en vain s'attache à peindre
Ces sentiments du coeur que l'esprit ne peut feindre;
De ses tableaux fardés les frivoles appas
N'iront jamais au coeur dont ils ne viennent pas.
Eh! comment me tracer une image fidèle
Des traits dont votre main ignore le modèle?
Mais celui qui, dans soi descendant en secret,
Le contemple vivant, ce modèle parfait,
C'est lui qui nous enflamme au feu qui le dévore;
Lui qui fait adorer la vertu qu'il adore;
Lui qui trace, en un vers des Muses agréé,
Un sentiment profond que son coeur a créé.
Aimer, sentir, c'est là cette ivresse vantée
Qu'aux célestes foyers déroba Prométhée.
Calliope jamais daigna-t-elle enflammer
Un coeur inaccessible à la douceur d'aimer?
Non: l'amour, l'amitié, la sublime harmonie,
Tous ces dons précieux n'ont qu'un même génie;
Même souffle anima le poète charmant,
L'ami religieux et le parfait amant;
Ce sont toutes vertus d'une âme grande et fière.
Bavius et Zoïle, et Gacon et Linière,
Aux concerts d'Apollon ne furent point admis,
Vécurent sans maîtresse, et n'eurent point d'amis.
Et ceux qui, par leurs moeurs dignes de plus d'estime,
Ne sont point nés pourtant sous cet astre sublime,
Voyez-les, dans des vers divins, délicieux,
Vous habiller l'amour d'un clinquant précieux;
Badinage insipide où leur ennui se joue,
Et qu'autant que l'amour le bon sens désavoue.
Voyez si d'une belle un jeune amant épris
A tressailli jamais en lisant leurs écrits;
Si leurs lyres jamais, froides comme leurs âmes,
De la sainte amitié respirèrent les flammes.
O peuples de héros, exemples des mortels!
C'est chez vous que l'encens fuma sur ses autels;
C'est aux temps glorieux des triomphes d'Athène,
Aux temps sanctifiés par la vertu romaine;
Quand l'âme de Lélie animait Scipion,
Quand Nicoclès mourait au sein de Phocion;
C'est aux murs où Lycurgue a consacré sa vie,
Où les vertus étaient les lois de la patrie.
O demi-dieux amis! Atticus, Cicéron,
Caton, Brutus, Pompée, et Sulpice, et Varron!
Ces héros, dans le sein de leur ville perdue,
S'assemblaient pour pleurer la liberté vaincue.
Unis par la vertu, la gloire, le malheur,
Les arts et l'amitié consolaient leur douleur.
Sans l'amitié, quel antre ou quel sable infertile
N'eût été pour le sage un désirable asile,
Quand du Tibre avili le spectre ensanglanté
Armait la main du vice et la férocité;
Quand d'un vrai citoyen l'éclat et le courage
10
Réveillaient du tyran la soupçonneuse rage;
Quand l'exil, la prison, le vol, l'assassinat,
Étaient pour l'apaiser l'offrande du Sénat!
Thraséas, Soranus, Sénécion, Rustique,
Vous tous, dignes enfants de la patrie antique,
Je vous vois tous amis, entourés de bourreaux,
Braver du scélérat les indignes faisceaux,
Du lâche délateur l'impudente richesse,
Et du vil affranchi l'orgueilleuse bassesse.
Je vous vois, au milieu des crimes, des noirceurs,
Garder une patrie, et des lois, et des moeurs;
Traverser d'un pied sûr, sans tache, sans souillure,
Les flots contagieux de cette mer impure;
Vous créer, au flambeau de vos mâles aïeux,
Sur ce monde profane un monde vertueux.
Oh! viens rendre à leurs noms nos âmes attentives,
Amitié! de leur gloire ennoblis nos archives.
Viens, viens: que nos climats, par ton souffle épurés,
Enfantent des rivaux à ces hommes sacrés.
Rends-nous hommes comme eux. Fais sur la France heureuse
Descendre des Vertus la troupe radieuse,
De ces filles du ciel qui naissent dans ton sein,
Et toutes sur tes pas se tiennent par la main.
Ranime les beaux-arts, éveille leur génie,
Chasse de leur empire et la haine et l'envie:
Loin de toi dans l'opprobre ils meurent avilis;
Pour conserver leur trône ils doivent être unis.
Alors de l'univers ils forcent les hommages:
Tout, jusqu'à Plutus même, encense leurs images;
Tout devient juste alors; et le peuple et les grands,
Quand l'homme est respectable, honorent les talents.
Ainsi l'on vit les Grecs prôner d'un même zèle
La gloire d'Alexandre et la gloire d'Apelle;
La main de Phidias créa des immortels,
Et Smyrne à son Homère éleva des autels.
Nous, amis, cependant, de qui la noble audace
Veut atteindre aux lauriers de l'antique Parnasse,
Au rang de ces grands noms nous pouvons être admis;
Soyons cités comme eux entre les vrais amis.
Qu'au-delà du trépas notre âme mutuelle
Vive et respire encor sur la lyre immortelle.
11
Que nos noms soient sacrés, que nos chants glorieux
Soient pour tous les amis un code précieux.
Qu'ils trouvent dans nos vers leur âme et leurs pensées;
Qu'ils raniment encor nos muses éclipsées,
Et qu'en nous imitant ils s'attendent un jour
D'être chez leurs neveux imités à leur tour.
~ Andre Marie de Chenier,#NFDB
1366:financially and employed him as his unofficial secretary.
In March 768, he began his journey again and got as far as Hunan province,
where he died in Tanzhou (now Changsha) in November or December 770, in his
58th year. He was survived by his wife and two sons, who remained in the area
for some years at least. His last known descendant is a grandson who requested
a grave inscription for the poet from Yuan Zhen in 813.
Hung summarises his life by concluding that, "He appeared to be a filial son, an
affectionate father, a generous brother, a faithful husband, a loyal friend, a
dutiful official, and a patriotic subject."
Works
Criticism of ~ Du Fu
's works has focused on his strong sense of history, his moral
engagement, and his technical excellence.
History
Since the Song dynasty, critics have called ~ Du Fu
the "poet historian". The most
directly historical of his poems are those commenting on military tactics or the
successes and failures of the government, or the poems of advice which he wrote
to the emperor. Indirectly, he wrote about the effect of the times in which he
lived on himself, and on the ordinary people of China. As Watson notes, this is
information "of a kind seldom found in the officially compiled histories of the
era".
~ Du Fu
's political comments are based on emotion rather than calculation: his
prescriptions have been paraphrased as, "Let us all be less selfish, let us all do
what we are supposed to do". Since his views were impossible to disagree with,
his forcefully expressed truisms enabled his installation as the central figure of
Chinese poetic history.
Moral engagement
A second favourite epithet of Chinese critics is that of "poet sage" (?? shi shèng),
a counterpart to the philosophical sage, Confucius. One of the earliest surviving
works, The Song of the Wagons (from around 750), gives voice to the sufferings
of a conscript soldier in the imperial army, even before the beginning of the
rebellion; this poem brings out the tension between the need of acceptance and
fulfilment of one's duties, and a clear-sighted consciousness of the suffering
which this can involve. These themes are continuously articulated in the poems
on the lives of both soldiers and civilians which ~ Du Fu
produced throughout his
life.
Although ~ Du Fu
's frequent references to his own difficulties can give the
impression of an all-consuming solipsism, Hawkes argues that his "famous
compassion in fact includes himself, viewed quite objectively and almost as an
afterthought". He therefore "lends grandeur" to the wider picture by comparing it
to "his own slightly comical triviality".
~ Du Fu
's compassion, for himself and for others, was part of his general
broadening of the scope of poetry: he devoted many works to topics which had
previously been considered unsuitable for poetic treatment. Zhang Jie wrote that
for ~ Du Fu
, "everything in this world is poetry", and he wrote extensively on
subjects such as domestic life, calligraphy, paintings, animals, and other poems.
Technical excellence
~ Du Fu
's work is notable above all for its range. Chinese critics traditionally used
the term txt (jídàchéng- "complete symphony"), a reference to Mencius'
description of Confucius. Yuan Zhen was the first to note the breadth of ~ Du Fu
's
achievement, writing in 813 that his predecessor, "united in his work traits which
previous men had displayed only singly". He mastered all the forms of Chinese
poetry: Chou says that in every form he "either made outstanding advances or
contributed outstanding examples". Furthermore, his poems use a wide range of
registers, from the direct and colloquial to the allusive and self-consciously
literary. This variety is manifested even within individual works: Owen identifies
the, "rapid stylistic and thematic shifts" in poems which enable the poet to
represent different facets of a situation, while Chou uses the term "juxtaposition"
as the major analytical tool in her work. ~ Du Fu
is noted for having written more
on poetics and painting than any other writer of his time. He wrote eighteen
poems on painting alone, more than any other Tang poet. ~ Du Fu
's seemingly
negative commentary on the prized horse paintings of Han Gan ignited a
controversy that has persisted to the present day.
The tenor of his work changed as he developed his style and adapted to his
surroundings ("chameleon-like" according to Watson): his earliest works are in a
relatively derivative, courtly style, but he came into his own in the years of the
rebellion. Owen comments on the "grim simplicity" of the Qinzhou poems, which
mirrors the desert landscape; the works from his Chengdu period are "light, often
finely observed"; while the poems from the late Kuizhou period have a "density
and power of vision".
Influence
According to the Encyclopædia Britannica, ~ Du Fu
's writings are considered by
many literary critics to be among the greatest of all time, and it states "his
dense, compressed language makes use of all the connotative overtones of a
phrase and of all the intonational potentials of the individual word, qualities that
no translation can ever reveal."
In his lifetime and immediately following his death, ~ Du Fu
was not greatly
appreciated. In part this can be attributed to his stylistic and formal innovations,
some of which are still "considered extremely daring and bizarre by Chinese
critics." There are few contemporary references to him—only eleven poems from
six writers—and these describe him in terms of affection, but not as a paragon of
poetic or moral ideals. ~ Du Fu
is also poorly represented in contemporary
anthologies of poetry.
However, as Hung notes, he "is the only Chinese poet whose influence grew with
time", and his works began to increase in popularity in the ninth century. Early
positive comments came from Bai Juyi, who praised the moral sentiments of
some of ~ Du Fu
's works (although he found these in only a small fraction of the
poems), and from Han Yu, who wrote a piece defending ~ Du Fu
and Li Bai on
aesthetic grounds from attacks made against them. Both these writers showed
the influence of ~ Du Fu
in their own poetic work. By the beginning of the 10th
century, Wei Zhuang constructed the first replica of his thatched cottage in
Sichuan.
It was in the 11th century, during the Northern Song era that ~ Du Fu
's reputation
reached its peak. In this period a comprehensive re-evaluation of earlier poets
took place, in which Wang Wei, Li Bai and ~ Du Fu
came to be regarded as
representing respectively the Buddhist, Daoist and Confucian strands of Chinese
culture. At the same time, the development of Neo-Confucianism ensured that
~ Du Fu
, as its poetic exemplar, occupied the paramount position. Su Shi famously
expressed this reasoning when he wrote that ~ Du Fu
was "preeminent...
because... through all his vicissitudes, he never for the space of a meal forgot his
sovereign". His influence was helped by his ability to reconcile apparent
opposites: political conservatives were attracted by his loyalty to the established
order, while political radicals embraced his concern for the poor. Literary
conservatives could look to his technical mastery, while literary radicals were
inspired by his innovations. Since the establishment of the People's Republic of
China, ~ Du Fu
's loyalty to the state and concern for the poor have been
interpreted as embryonic nationalism and socialism, and he has been praised for
his use of simple, "people's language".
~ Du Fu
's popularity grew to such an extent that it is as hard to measure his
influence as that of Shakespeare in England: it was hard for any Chinese poet not
to be influenced by him. While there was never another ~ Du Fu
, individual poets
followed in the traditions of specific aspects of his work: Bai Juyi's concern for the
poor, Lu You's patriotism, and Mei Yaochen's reflections on the quotidian are a
few examples. More broadly, ~ Du Fu
's work in transforming the lushi from mere
word play into "a vehicle for serious poetic utterance" set the stage for every
subsequent writer in the genre.
~ Du Fu
has also been influential beyond China, although in common with the other
High Tang poets, his reception into the Japanese literary culture was relatively
late. It was not until the 17th century that he was accorded the same level of
fame in Japan as in China, but he then had a profound influence on poets such as
Matsuo Basho. In the 20th century, he was the favourite poet of Kenneth
Rexroth, who has described him as "the greatest non-epic, non-dramatic poet
who has survived in any language", and commented that, "he has made me a
better man, as a moral agent and as a perceiving organism".
A Homeless Man's Departure
After the Rebellion of 755, all was silent wasteland,
gardens and cottages turned to grass and thorns.
My village had over a hundred households,
but the chaotic world scattered them east and west.
No information about the survivors;
the dead are dust and mud.
I, a humble soldier, was defeated in battle.
I ran back home to look for old roads
and walked a long time through the empty lanes.
The sun was thin, the air tragic and dismal.
I met only foxes and raccoons,
their hair on end as they snarled in rage.
Who remains in my neighborhood?
One or two old widows.
A returning bird loves its old branches,
how could I give up this poor nest?
In spring I carry my hoe all alone,
yet still water the land at sunset.
The county governor's clerk heard I'd returned
and summoned me to practice the war-drum.
This military service won't take me from my state.
I look around and have no one to worry about.
It's just me alone and the journey is short,
but I will end up lost if I travel too far.
Since my village has been washed away,
near or far makes no difference.
I will forever feel pain for my long-sick mother.
I abandoned her in this valley five years ago.
She gave birth to me, yet I could not help her.
We cry sour sobs till our lives end.
In my life I have no family to say farewell to,
so how can I be called a human being?
~ Du Fu,#NFDB
1367:A Pastoral Dialogue - Ii
Melibæus, Alcippe, Asteria, Licida, Alcimedon, and Amira.
Melibæus. Welcome fair Nymphs, most welcome to this shade,
Distemp'ring Heats do now the Plains invade:
But you may sit, from Sun securely here,
If you an old mans company not fear.
Alcippe. Most Reverend Swaine, far from us ever be
The imputation of such Vanity.
From Hill to Holt w'ave thee unweary'd sought,
And bless the Chance that us hath hither brought.
Asteria. Fam'd Melibæus for thy Virtuous Lays,
If thou dost not disdain our Female Praise,
We come to sue thou would'st to us recite
One of thy Songs, which gives such high delight
To ev'ry Eare, wherein thou dost dispense
Sage Precepts cloath'd in flowing Eloquence.
Licida. Fresh Garlands we will make for thee each morne,
Thy reverend Head to shade, and to adorne;
To cooling Springs thy fainting Flock we'll guide,
All thou command'st, to do shall be our Pride.
Meli. Cease, gentle Nymphs, the Willing to entreat,
To have your Wish, each needs but take a Seat.
With joy I shall my ancient Art revive,
With which, when Young, I did for Glory strive.
Nor for my Verse will I accept a Hire,
Your bare Attentions all I shall require.
Alci. Lo, from the Plain I see draw near a Pair
That I could wish in our Converse might share.
Amira 'tis and young Alcimedon.
Lici. Serious Discourse industriously they shun.
Alci.
It being yet their luck to come this way,
The Fond Ones to our Lecture we'll betray:
And though they only sought a private shade,
Perhaps they may depart more Vertuous made.
I will accost them. Gentle Nymph and Swaine,
Good Melibæus us doth entertain
With Lays Divine: if you'll his Hearers be,
Take streight your Seats without Apology.
Alci. Paying short thanks, at fair Amiras feet,
I'le lay me down: let her choose where 'tis meet.
Al. Shepherd, behold, we all attentive sit.
Meli.
What shall I sing? what shall my Muse reherse?
Love is a Theme well sutes a Past'ral Verse,
That gen'ral Error, Universal Ill,
That Darling of our Weakness and our Will;
By which though many fall, few hold it shame;
Smile at the Fault, which they would seem to blame.
What wonder then, if those with Mischief play,
It to destruction them doth oft betray?
But by experience it is daily found,
That Love the softer Sex does sorest wound;
In Mind, as well as Body, far more weak
Than Men: therefore to them my Song shall speak,
Advising well, however it succeed:
But unto All I say, Of Love take heed.
So hazardous, because so hard to know
On whom they are we do our Hearts bestow;
How they will use them, or with what regard
Our Faith and high Esteem they will reward:
For few are found, that truly acted be
By Principles of Generosity.
That when they know a Virgins Heart they've gain'd,
(And though by many Vows and Arts obtain'd)
Will think themselves oblig'd their Faith to hold
Tempted by Friends, by Interest, or by Gold.
Expect it not most, Love their Pastime make,
Lightly they Like, and lightly they forsake;
10
Their Roving Humour wants but a pretence
With Oaths and what's most Sacred to dispence.
When unto such a Maid has given her Heart,
And said, Alone my Happiness thou art,
In thee and in thy Truth I place my Rest.
Her sad Surprize how can it be exprest,
When all on which she built her Joy she finds,
Vanish, like Clouds, disperst before the Winds;
Her self, who th' adored Idol wont to be,
A poor despis'd Idolater to see?
Regardless Tears she may profusely spend,
Unpitty'd sighs her tender Breast may rend:
But the false Image she will ne're erace,
Though far unworthy still to hold its place:
So hard it is, even Wiser grown, to take
Th' Impression out, which Fancy once did make.
Believe me Nymphs, believe my hoary hairs,
Truth and Experience waits on many years.
Before the Eldest of you Light beheld,
A Nymph we had, in Beauty all excell'd,
Rodanthe call'd, in whom each Grace did shine,
Could make a Mortal Maid appear Divine.
And none could say, where most her Charms did lye,
In her inchanting Tongue, or conquering Eye.
Her Vertue yet her Beauties so out-shon,
As Beauty did the Garments she put on!
Among the Swains, which here their Flocks then fed,
Alcander with the highest held his head;
The most Accomplish't was esteem'd to be,
Of comely Forme, well-grac't Activity;
The Muses too, like him, did none inspire,
None so did stop the Pipe, or touch the Lyre;
Sweet was his Voice, and Eloquent his Tongue;
Alike admired when he Spoke, or Sung!
But these so much Excelling parts the Swain,
With Imperfections no less Great, did stain:
For proud he was, of an Ungovern'd Will,
11
With Love Familiar, but a Stranger still
To Faith and Constancy; and did his Heart,
Retaining none, expose to ev'ry Dart.
Hapless Rodanthe, the Fond Rover, caught,
To whom, for Love, with usual Arts he sought;
Which she, ah too unwary, did bestow:
'Cause True her self, believ'd that he was so.
But he, alas, more wav'ring than the Wind,
Streight broke the Chain, she thought so fast did bind;
For he no sooner saw her Heart was gain'd,
But he as soon the Victory disdain'd;
Mad Love else-where, as if 'twere like Renown,
Hearts to subdue, as to take in a Town:
But in the One as Manhood does prevail,
Both Truth and Manhood in the other fail.
And now the Nymph (of late so gay and bright,
The Glory of the Plains and the Delight,
Who still in Wit and Mirth all Pastimes led)
Hung like a wither'd Flow'r her drooping Head.
I need not tell the Grief Rodanthe found,
How all that should asswage, enrag'd her Wound;
Her Form, her Fame, her Vertue, Riches, Wit,
Like Deaths sad Weights upon her Soul did sit:
Or else like Furies stood before her Face,
Still urging and Upbraiding her Disgrace,
In that the World could yield her no Content,
But what alone the False Alcander sent.
'Twas said, through just Disdain, at last she broke
The Disingenious and Unworthy Yoke:
But this I know, her Passion held long time,
Constancy, though Unhappy, is no Crime.
Remember when you Love, from that same hour
Your Peace you put into your Lovers Power:
From that same hour from him you Laws receive,
And as he shall ordain, you Joy, or Grieve,
Hope, Fear, Laugh, Weep; Reason aloof does stand,
Disabl'd both to Act, and to Command.
Oh Cruel Fetters! rather wish to feel,
On your soft Limbs, the Gauling Weight of Steel;
12
Rather to bloudy Wounds oppose your Breast
No Ill, by which the Body can be prest;
You will so sensible a Torment find,
As Shackles on your captivated Mind.
The Mind from Heaven its high Descent did draw,
And brooks uneasily any other Law,
Than what from Reason dictated shall be,
Reason, a kind of In-mate Deity.
Which only can adapt to ev'ry Soul
A Yoke so fit and light, that the Controle
All Liberty excels; so sweet a Sway,
The same 'tis to be Happy, and Obey;
Commands so Wise and with Rewards so drest
That the according Soul replys, I'm Blest.
This teaches rightly how to Love and Hate,
To fear and hope by Measure and just Weight;
What Tears in Grief ought from our Eyes to flow,
What Transport in Felicity to show;
In ev'ry Passion how to steer the Will,
Tho rude the Shock, to keep it steady still.
Oh happy Mind! what words, can speak thy Bliss,
When in a Harmony thou mov'st like this?
Your Hearts fair Virgins keep smooth as your Brow,
Not the least Am'rous Passion there allow;
Hold not a Parly with what may betray
Your inward Freedom to a Forraign Sway;
And while thus ore your selves you Queens remain,
Unenvy'd, ore the World, let others reign:
The highest Joy which from Dominion flows,
Is short of what a Mind well-govern'd knows.
Whither my Muse, would'st uncontrouled run?
Contend in Motion with the restless Sun?
Immortal thou, but I a mortal Sire
Exhaust my strength, and Hearers also tire.
Al. O Heaven-taught Bard! to Ages couldst prolong
Thy Soul-instructing, Health-infusing Song,
I with unweary'd Appetite could hear,
13
And wish my Senses were turn'd all to Ear.
Alcim. Old Man, thy frosty Precepts well betray
Thy Blood is cold, and that thy Head is grey:
Who past the Pleasure Love and Youth can give,
To spoyl't in others, now dost only live.
Wouldst thou, indeed, if so thou couldst perswade,
The Fair, whose Charms have many Lovers made,
Should feel Compassion for no one they wound,
But be to all Inexorable found?
Me. Young man, if my advice thou well hadst weigh'd,
Thou would'st have found, for either Sex 'twas made;
And would from Womens Beauty thee no less
Preserve, than them secure from thy Address.
But let thy Youth thy rash Reproach excuse.
Alci. Fairest Amira let him not abuse
Thy gentle Heart, by his imprinting there
His doting Maxims—But I will not fear:
For when 'gainst Love he fiercest did inveigh,
Methoughts I saw thee turn with Scorn away.
Ami. Alcimedon according to his Will
Does all my Words and Looks interpret still:
But I shall learn at length how to Disdain,
Or at the least more cunningly to feign.
Alci. No wonder thou Alcimedon art rude,
When with no Gen'rous Quality endu'd:
But hop'st by railing Words Vice to defend,
Which Foulers made, by having such a Friend.
Amira, thou art warn'd, wisely beware,
Leap not with Open-Eyes into the Snare:
The Faith that's given to thee, was given before
To Nais, Amoret, and many more:
The Perjur'd did the Gods to Witness call,
That unto each he was the only Thrall.
Aste. Y'ave made his Cheeks with Conscious blushes glow.
14
Alci. 'Tis the best Colour a False Heart can show;
And well it is with Guilt some shame remains.
Meli. Hast, Shepherd, hast to cleanse away thy stains,
Let not thy Youth, of Time the goodly spring,
Neglected pass, that nothing forth it bring
But noxious Weeds: which cultivated might
Produce such Crops, as now would thee delight,
And give thee after Fame For Vertues Fruit
Believe it, not alone with Age does sute,
Nought adorns Youth like to a Noble Mind,
In thee this Union let Amira find.
Lici. O fear her not! she'l serve him in his kind.
Meli. See how Discourse upon the Time does prey,
Those hours pass swiftest, that we talk away.
Declining Sol forsaken hath the Fields,
And Mountains highest Summits only gildes:
Which warns us home-wards with our Flocks to make.
Alci. Along with thee our Thanks and Praises take.
Aste. In which our Hearts do all in One unite,
Lici. Our Wishes too, That on thy Head may light,
What e're the Gods as their Best Gifts bestow.
Meli. Kind Nymphs on you may Equal Blessings flow.
~ Anne Killigrew,#NFDB
1368:To The Right Hon. Mr. Dodington
Long, Dodington, in debt, I long have sought
To ease the burden of my graceful thought:
And now a poet's gratitude you see:
Grant him two favours, and he'll ask for three:
For whose the present glory, or the gain?
You give protection, I a worthless strain.
You love and feel the poet's sacred flame,
And know the basis of a solid fame;
Though prone to like, yet cautious to commend,
You read with all the malice of a friend;
Nor favour my attempts that way alone,
But, more to raise my verse, conceal your own.
An ill-tim'd modesty! turn ages o'er,
When wanted Britain bright examples more?
Her learning, and her genius too, decays;
And dark and cold are her declining days;
As if men now were of another cast,
They meanly live on alms of ages past,
Men still are men; and they who boldly dare,
Shall triumph o'er the sons of cold despair;
Or, if they fail, they justly still take place
Of such who run in debt for their disgrace;
Who borrow much, then fairly make it known,
And damn it with improvements of their own.
We bring some new materials, and what's old
New cast with care, and in no borrow'd mould;
Late times the verse may read, if these refuse;
And from sour critics vindicate the Muse.
'Your work is long', the critics cry. 'Tis true,
And lengthens still, to take in fools like you:
Shorten my labour, if its length you blame:
For, grow but wise, you rob me of my game;
As haunted hags, who, while the dogs pursue,
Renounce their four legs, and start up on two.
Like the bold bird upon the banks of Nile
That picks the teeth of the dire crocodile,
Will I enjoy (dread feast!) the critic's rage,
And with the fell destroyer feed my page.
100
For what ambitious fools are more to blame,
Than those who thunder in the critic's name?
Good authors damn'd, have their revenge in this,
To see what wretches gain the praise they miss.
Balbutius, muffled in his sable cloak,
Like an old Druid from his hollow oak,
As ravens solemn, and as boding, cries,
'Ten thousand worlds for the three unities!'
Ye doctors sage, who through Parnassus teach,
Or quit the tub, or practise what you preach.
One judges as the weather dictates; right
The poem is at noon, and wrong at night:
Another judges by a surer gage,
An author's principles, or parentage;
Since his great ancestors in Flanders fell,
The poem doubtless must be written well.
Another judges by the writer's look;
Another judges, for he bought the book:
Some judge, their knack of judging wrong to keep;
Some judge, because it is too soon to sleep.
Thus all will judge, and with one single aim,
To gain themselves, not give the writer, fame.
The very best ambitiously advise,
Half to serve you, and half to pass for wise.
Critics on verse, as squibs on triumphs wait,
Proclaim the glory, and augment the state;
Hot, envious, noisy, proud, the scribbling fry
Burn, hiss, and bounce, waste paper, stink, and die.
Rail on, my friends! what more my verse can crown
Than Compton's smile, and your obliging frown?
Not all on books their criticism waste:
The genius of a dish some justly taste,
And eat their way to fame; with anxious thought
The salmon is refus'd, the turbot bought.
Impatient art rebukes the sun's delay
And bids December yield the fruits of May;
Their various cares in one great point combine
The business of their lives, that is--to dine.
101
Half of their precious day they give the feast;
And to a kind digestion spare the rest.
Apicius, here, the taster of the town,
Feeds twice a week, to settle their renown.
These worthies of the palate guard with care
The sacred annals of their bills of fare;
In those choice books their panegyrics read,
And scorn the creatures that for hunger feed.
If man by feeding well commences great,
Much more the worm to whom that man is meat.
To glory some advance a lying claim,
Thieves of renown, and pilferers of fame:
Their front supplies what their ambition lacks;
They know a thousand lords, behind their backs.
Cottil is apt to wink upon a peer,
When turn'd away, with a familiar leer;
And Harvey's eyes, unmercifully keen,
Have murdered fops, by whom she ne'er was seen.
Niger adopts stray libels; wisely prone,
To cover shame still greater than his own.
Bathyllus, in the winter of threescore,
Belies his innocence, and keeps a ----.
Absence of mind Brabantio turns to fame,
Learns to mistake, nor knows his brother's name;
Has words and thoughts in nice disorder set,
And takes a memorandum to forget.
Thus vain, not knowing what adorns or blots
Men forge the patents that create them sots.
As love of pleasure into pain betrays,
So most grow infamous through love of praise.
But whence for praise can such an ardour rise,
When those, who bring that incense, we despise?
For such the vanity of great and small,
Contempt goes round, and all men laugh at all.
Nor can even satire blame them; for 'tis true,
They have most ample cause for what they do
O fruitful Britain! doubtless thou wast meant
A nurse of fools, to stock the continent.
Though Phoebus and the Nine for ever mow,
102
Rank folly underneath the scythe will grow
The plenteous harvest calls me forward still,
Till I surpass in length my lawyer's bill;
A Welsh descent, which well-paid heralds damn;
Or, longer still, a Dutchman's epigram.
When, cloy'd, in fury I throw down my pen,
In comes a coxcomb, and I write again.
See Tityrus, with merriment possest,
Is burst with laughter, ere he hears the jest:
What need he stay? for when the jest is o'er,
His teeth will be no whiter than before.
Is there of thee, ye fair! so great a dearth,
That you need purchase monkeys for your mirth!
Some, vain of paintings, bid the world admire;
Of houses some; nay, houses that they hire:
Some (perfect wisdom!) of a beauteous wife;
And boast, like Cordeliers, a scourge for life.
Sometimes, through pride, the sexes change their airs;
My lord has vapours, and my lady swears;
Then, stranger still! on turning of the wind,
My lord wears breeches, and my lady's kind.
To show the strength, and infamy of pride,
By all 'tis follow'd, and by all denied.
What numbers are there, which at once pursue,
Praise, and the glory to contemn it, too?
Vincenna knows self-praise betrays to shame,
And therefore lays a stratagem for fame;
Makes his approach in modesty's disguise,
To win applause; and takes it by surprise.
'To err,' says he, 'in small things, is my fate.'
You know your answer, 'he's exact in great'.
'My style', says he, 'is rude and full of faults.'
'But oh! what sense! what energy of thoughts!'
That he wants algebra, he must confess;
'But not a soul to give our arms success'.
'Ah! that's an hit indeed,' Vincenna cries;
'But who in heat of blood was ever wise?
I own 'twas wrong, when thousands called me back
103
To make that hopeless, ill-advised attack;
All say, 'twas madness; nor dare I deny;
Sure never fool so well deserved to die.'
Could this deceive in others to be free,
It ne'er, Vincenna, could deceive in thee!
Whose conduct is a comment to thy tongue,
So clear, the dullest cannot take thee wrong.
Thou on one sleeve wilt thy revenues wear;
And haunt the court, without a prospect there.
Are these expedients for renown? Confess
Thy little self, that I may scorn thee less.
Be wise, Vincenna, and the court forsake;
Our fortunes there, nor thou, nor I, shall make.
Even men of merit, ere their point they gain,
In hardy service make a long campaign;
Most manfully besiege the patron's gate,
And oft repulsed, as oft attack the great
With painful art, and application warm.
And take, at last, some little place by storm;
Enough to keep two shoes on Sunday clean,
And starve upon discreetly, in Sheer-Lane.
Already this thy fortune can afford;
Then starve without the favour of my lord.
'Tis true, great fortunes some great men confer,
But often, even in doing right, they err:
From caprice, not from choice, their favours come:
They give, but think it toil to know to whom:
The man that's nearest, yawning, they advance:
'Tis inhumanity to bless by chance.
If merit sues, and greatness is so loth
To break its downy trance, I pity both.
Behold the masquerade's fantastic scene!
The Legislature join'd with Drury-Lane!
When Britain calls, th' embroider'd patriots run,
And serve their country--if the dance is done.
'Are we not then allow'd to be polite?'
Yes, doubtless; but first set your notions right.
Worth, of politeness is the needful ground;
Where that is wanting, this can ne'er be found.
Triflers not even in trifles can excel;
104
'Tis solid bodies only polish well.
Great, chosen prophet! for these latter days,
To turn a willing world from righteous ways!
Well, Heydegger, dost thou thy master serve;
Well has he seen his servant should not starve,
Thou to his name hast splendid temples raised
In various forms of worship seen him prais'd,
Gaudy devotion, like a Roman, shown,
And sung sweet anthems in a tongue unknown.
Inferior offerings to thy god of vice
Are duly paid, in fiddles, cards, and dice;
Thy sacrifice supreme, an hundred maids!
That solemn rite of midnight masquerades!
Though bold these truths, thou, Muse, with truths like these,
Wilt none offend, whom 'tis a praise to please;
Let others flatter to be flatter'd, thou
Like just tribunals, bend an awful brow.
How terrible it were to common-sense,
To write a satire, which gave none offence!
And, since from life I take the draughts you see.
If men dislike them, do they censure me?
The fool, and knave, 'tis glorious to offend,
And Godlike an attempt the world to mend,
The world, where lucky throws to blockheads fall,
Knaves know the game, and honest men pay all.
How hard for real worth to gain its price!
A man shall make his fortune in a trice,
If blest with pliant, though but slender, sense,
Feign'd modesty, and real impudence:
A supple knee, smooth tongue, an easy grace.
A curse within, a smile upon his face;
A beauteous sister, or convenient wife,
Are prizes in the lottery of life;
Genius and Virtue they will soon defeat,
And lodge you in the bosom of the great.
To merit, is but to provide a pain
For men's refusing what you ought to gain.
May, Dodington, this maxim fail in you,
Whom my presaging thoughts already view
105
By Walpole's conduct fired, and friendship grac'd,
Still higher in your Prince's favour plac'd:
And lending, here, those awful councils aid,
Which you, abroad, with such success obey'd!
Bear this from one, who holds your friendship dear;
What most we wish, with ease we fancy near.
~ Edward Young,#NFDB
1369:Inferno Canto 01
Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura
ché la diritta via era smarrita .
When I had journeyed half of our life's way,
I found myself within a shadowed forest,
for I had lost the path that does not stray.
Ahi quanto a dir qual era è cosa dura
esta selva selvaggia e aspra e forte
che nel pensier rinova la paura !
Ah, it is hard to speak of what it was,
that savage forest, dense and difficult,
which even in recall renews my fear:
Tant'è amara che poco è più morte;
ma per trattar del ben ch'i' vi trovai,
dirò de l'altre cose ch'i' v'ho scorte .
so bitter-death is hardly more severe!
But to retell the good discovered there,
I'll also tell the other things I saw.
Io non so ben ridir com'i' v'intrai,
tant'era pien di sonno a quel punto
che la verace via abbandonai .
I cannot clearly say how I had entered
the wood; I was so full of sleep just at
the point where I abandoned the true path.
Ma poi ch'i' fui al piè d'un colle giunto,
là dove terminava quella valle
che m'avea di paura il cor compunto ,
241
But when I'd reached the bottom of a hillit rose along the boundary of the valley
that had harassed my heart with so much fear-
guardai in alto, e vidi le sue spalle
vestite già de' raggi del pianeta
che mena dritto altrui per ogne calle .
I looked on high and saw its shoulders clothed
already by the rays of that same planet
which serves to lead men straight along all roads.
Allor fu la paura un poco queta
che nel lago del cor m'era durata
la notte ch'i' passai con tanta pieta .
At this my fear was somewhat quieted;
for through the night of sorrow I had spent,
the lake within my heart felt terror present.
E come quei che con lena affannata
uscito fuor del pelago a la riva
si volge a l'acqua perigliosa e guata ,
And just as he who, with exhausted breath,
having escaped from sea to shore, turns back
to watch the dangerous waters he has quit,
così l'animo mio, ch'ancor fuggiva,
si volse a retro a rimirar lo passo
che non lasciò già mai persona viva .
so did my spirit, still a fugitive,
turn back to look intently at the pass
that never has let any man survive.
242
Poi ch'èi posato un poco il corpo lasso,
ripresi via per la piaggia diserta,
sì che 'l piè fermo sempre era 'l più basso .
I let my tired body rest awhile.
Moving again, I tried the lonely slopemy firm foot always was the one below.
Ed ecco, quasi al cominciar de l'erta,
una lonza leggera e presta molto,
che di pel macolato era coverta ;
And almost where the hillside starts to riselook there!-a leopard, very quick and lithe,
a leopard covered with a spotted hide.
e non mi si partia dinanzi al volto,
anzi 'mpediva tanto il mio cammino,
ch'i' fui per ritornar più volte vòlto .
He did not disappear from sight, but stayed;
indeed, he so impeded my ascent
that I had often to turn back again.
Temp'era dal principio del mattino,
e 'l sol montava 'n sù con quelle stelle
ch'eran con lui quando l'amor divino
The time was the beginning of the morning;
the sun was rising now in fellowship
with the same stars that had escorted it
mosse di prima quelle cose belle;
sì ch'a bene sperar m'era cagione
di quella fiera a la gaetta pelle
when Divine Love first moved those things of beauty;
so that the hour and the gentle season
243
gave me good cause for hopefulness on seeing
l'ora del tempo e la dolce stagione;
ma non sì che paura non mi desse
la vista che m'apparve d'un leone .
that beast before me with his speckled skin;
but hope was hardly able to prevent
the fear I felt when I beheld a lion.
Questi parea che contra me venisse
con la test'alta e con rabbiosa fame,
sì che parea che l'aere ne tremesse .
His head held high and ravenous with hungereven the air around him seemed to shudderthis lion seemed to make his way against me.
Ed una lupa, che di tutte brame
sembiava carca ne la sua magrezza,
e molte genti fé già viver grame ,
And then a she-wolf showed herself; she seemed
to carry every craving in her leanness;
she had already brought despair to many.
questa mi porse tanto di gravezza
con la paura ch'uscia di sua vista,
ch'io perdei la speranza de l'altezza .
The very sight of her so weighted me
with fearfulness that I abandoned hope
of ever climbing up that mountain slope.
E qual è quei che volontieri acquista,
e giugne 'l tempo che perder lo face,
che 'n tutt'i suoi pensier piange e s'attrista ;
244
Even as he who glories while he gains
will, when the time has come to tally loss,
lament with every thought and turn despondent,
tal mi fece la bestia sanza pace,
che, venendomi 'ncontro, a poco a poco
mi ripigneva là dove 'l sol tace .
so was I when I faced that restless beast
which, even as she stalked me, step by step
had thrust me back to where the sun is speechless.
Mentre ch'i' rovinava in basso loco,
dinanzi a li occhi mi si fu offerto
chi per lungo silenzio parea fioco .
While I retreated down to lower ground,
before my eyes there suddenly appeared
one who seemed faint because of the long silence.
Quando vidi costui nel gran diserto,
«Miserere di me», gridai a lui,
«qual che tu sii, od ombra od omo certo !».
When I saw him in that vast wilderness,
"Have pity on me," were the words I cried,
"whatever you may be-a shade, a man."
Rispuosemi: «Non omo, omo già fui,
e li parenti miei furon lombardi,
mantoani per patria ambedui .
He answered me: "Not man; I once was man.
Both of my parents came from Lombardy,
and both claimed Mantua as native city.
245
Nacqui sub Iulio, ancor che fosse tardi,
e vissi a Roma sotto 'l buono Augusto
nel tempo de li dèi falsi e bugiardi .
And I was born, though late, sub Julio,
and lived in Rome under the good Augustusthe season of the false and lying gods.
Poeta fui, e cantai di quel giusto
figliuol d'Anchise che venne di Troia,
poi che 'l superbo Ilión fu combusto .
I was a poet, and I sang the righteous
son of Anchises who had come from Troy
when flames destroyed the pride of Ilium.
Ma tu perché ritorni a tanta noia?
perché non sali il dilettoso monte
ch'è principio e cagion di tutta gioia? ».
But why do you return to wretchedness?
Why not climb up the mountain of delight,
the origin and cause of every joy?"
«Or se' tu quel Virgilio e quella fonte
che spandi di parlar sì largo fiume?»,
rispuos'io lui con vergognosa fronte .
"And are you then that Virgil, you the fountain
that freely pours so rich a stream of speech?"
I answered him with shame upon my brow.
«O de li altri poeti onore e lume
vagliami 'l lungo studio e 'l grande amore
che m'ha fatto cercar lo tuo volume .
"O light and honor of all other poets,
may my long study and the intense love
246
that made me search your volume serve me now.
Tu se' lo mio maestro e 'l mio autore;
tu se' solo colui da cu' io tolsi
lo bello stilo che m'ha fatto onore .
You are my master and my author, youthe only one from whom my writing drew
the noble style for which I have been honored.
Vedi la bestia per cu' io mi volsi:
aiutami da lei, famoso saggio,
ch'ella mi fa tremar le vene e i polsi ».
You see the beast that made me turn aside;
help me, o famous sage, to stand against her,
for she has made my blood and pulses shudder,"
«A te convien tenere altro viaggio»,
rispuose poi che lagrimar mi vide,
«se vuo' campar d'esto loco selvaggio :
"It is another path that you must take,"
he answered when he saw my tearfulness,
"if you would leave this savage wilderness;
ché questa bestia, per la qual tu gride,
non lascia altrui passar per la sua via,
ma tanto lo 'mpedisce che l'uccide ;
the beast that is the cause of your outcry
allows no man to pass along her track,
but blocks him even to the point of death;
e ha natura sì malvagia e ria,
che mai non empie la bramosa voglia,
e dopo 'l pasto ha più fame che pria .
247
her nature is so squalid, so malicious
that she can never sate her greedy will;
when she has fed, she's hungrier than ever.
Molti son li animali a cui s'ammoglia,
e più saranno ancora, infin che 'l veltro
verrà, che la farà morir con doglia .
She mates with many living souls and shall
yet mate with many more, until the Greyhound
arrives, inflicting painful death on her.
Questi non ciberà terra né peltro,
ma sapienza, amore e virtute,
e sua nazion sarà tra feltro e feltro .
That Hound will never feed on land or pewter,
but find his fare in wisdom, love, and virtue;
his place of birth shall be between two felts.
Di quella umile Italia fia salute
per cui morì la vergine Cammilla,
Eurialo e Turno e Niso di ferute .
He will restore low-lying Italy for which
the maid Camilla died of wounds,
and Nisus, Turnus, and Euryalus.
Questi la caccerà per ogne villa,
fin che l'avrà rimessa ne lo 'nferno,
là onde 'nvidia prima dipartilla .
And he will hunt that beast through every city
until he thrusts her back again to Hell,
for which she was first sent above by envy.
248
Ond'io per lo tuo me' penso e discerno
che tu mi segui, e io sarò tua guida,
e trarrotti di qui per loco etterno ,
Therefore, I think and judge it best for you
to follow me, and I shall guide you, taking
you from this place through an eternal place,
ove udirai le disperate strida,
vedrai li antichi spiriti dolenti,
ch'a la seconda morte ciascun grida ;
where you shall hear the howls of desperation
and see the ancient spirits in their pain,
as each of them laments his second death;
e vederai color che son contenti
nel foco, perché speran di venire
quando che sia a le beate genti .
and you shall see those souls who are content
within the fire, for they hope to reachwhenever that may be-the blessed people.
A le quai poi se tu vorrai salire,
anima fia a ciò più di me degna:
con lei ti lascerò nel mio partire ;
If you would then ascend as high as these,
a soul more worthy than I am will guide you;
I'll leave you in her care when I depart,
ché quello imperador che là sù regna,
perch'i' fu' ribellante a la sua legge,
non vuol che 'n sua città per me si vegna .
because that Emperor who reigns above,
since I have been rebellious to His law,
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will not allow me entry to His city.
In tutte parti impera e quivi regge;
quivi è la sua città e l'alto seggio:
oh felice colui cu' ivi elegge! ».
He governs everywhere, but rules from there;
there is His city, His high capital:
o happy those He chooses to be there!"
E io a lui: «Poeta, io ti richeggio
per quello Dio che tu non conoscesti,
acciò ch'io fugga questo male e peggio ,
And I replied: "O poet-by that God
whom you had never come to know-I beg you,
that I may flee this evil and worse evils,
che tu mi meni là dov'or dicesti,
sì ch'io veggia la porta di san Pietro
e color cui tu fai cotanto mesti ».
to lead me to the place of which you spoke,
that I may see the gateway of Saint Peter
and those whom you describe as sorrowful."
Allor si mosse, e io li tenni dietro.
Then he set out, and I moved on behind him.
~ Dante Alighieri,#NFDB
1370:THE
DRUNKEN SONG
1
Meanwhile one after the other had stepped out
into the open and into the cool reflective night; but
Zarathustra himself led the ugliest man by the hand to
show him his night-world and the big round moon and
the silvery waterfalls near his cave. There they stood together at last in silence, old people all of them, but with
comforted brave hearts and secretly amazed at feeling
so well on this earth; but the secrecy of the night came
closer and closer to their hearts. And again Zarathustra
thought to himself: "How well I like them now, these
higher men!" But he did not say it out loud, for he
respected their happiness and their silence.
But then that happened which, on that whole long
amazing day, was the most amazing thing of all: the
ugliest man began once more and for the last time to
gurgle and snort, and when he found words, behold, a
question jumped out of his mouth, round and clean, a
good, deep, clear question, which moved the hearts of
all who were listening to him.
"My friends, all of you," said the ugliest man, "what
do you think? For the sake of this day, I am for the
first time satisfied that I have lived my whole life. And
that I attest so much is still not enough for me. Living
on earth is worth while: one day, one festival with
Zarathustra, taught me to love the earth.
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'Was that life?' I want to say to death. 'Well then!
Once more!'
"My friends, what do you think? Do you not want to
say to death as I do: Was that life? For Zarathustra's
sakel Well then! Once morel"
Thus spoke the ugliest man; but it was not long before midnight. And what do you suppose happened
then? As soon as the higher men had heard his question
they all at once became conscious of how they had
changed and convalesced and to whom they owed this:
then they jumped toward Zarathustra to thank, revere,
caress him, and kiss his hands, each according to his
own manner; and some were laughing and some were
crying. But the old soothsayer was dancing with joy; and
even if, as some of the chroniclers think, he was full of
sweet wine, he was certainly still fuller of the sweetness
of life and he had renounced all weariness. There are
even some who relate that the ass danced too, and that
it had not been for nothing that the ugliest man had
given him wine to drink before. Now it may have been
so or otherwise; and if the ass really did not dance that
night, yet greater and stranger wonders occurred than
the dancing of an ass would have been. In short, as the
proverb of Zarathustra says: "What does it matter?"
2
But when this happened to the ugliest man, Zarathustra stood there like a drunkard: his eyes grew dim,
his tongue failed, his feet stumbled. And who could
guess what thoughts were then running over Zarathustra's soul? But his spirit fled visibly and flew ahead
and was in remote distances and, as it were, "on a high
ridge," as it is written, "between two seas, wandering
like a heavy cloud between past and future." But as
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the higher men held him in their arms, he gradually
recovered his senses to some extent and with his hands
warded off the throng of the revering and worried; yet
he did not speak. All at once, however, he turned his
head quickly, for he seemed to be hearing something.
Then he put one finger to his mouth and said, "Comel"
And presently it became quiet and secret around; but
from the depth the sound of a bell came up slowly.
Zarathustra and the higher men listened for it; but then
he put one finger to his mouth another time and said
again, "Comel Come! Midnight approaches." And his
voice had changed. But still he did not stir from his
place. Then it grew still more quiet and secret, and
everything listened, even the ass and Zarathustra's animals of honor, the eagle and the serpent, as well as
Zarathustra's cave and the big cool moon and the night
itself. But Zarathustra put his hand to his mouth, for
the third time and said, "Comel Comel Let us wander
now! The hour has come: let us wander into the night!"
3
You higher men, midnight approaches: I want to
whisper something to you as that old bell whispers it
into my ears-as secretly, as terribly, as cordially as that
midnight bell, which has experienced more than any
man, says it to me. It has counted the beats even of
your fathers' hearts and smarts. Alas! Alasl How it
sighsl How it laughs in a dream! Old deep, deep midnightl
Still! Still Here things are heard that by day may not
become loud; but now in the cool air, when all the
noise of your hearts too has become still-now it speaks,
now it is heard, now it steals into nocturnal, overawake
souls. Alasl Alasl How it sighsl How it laughs in a dreamt
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Do you not hear how it speaks secretly, terribly, cordially to you-the old deep, deep midnight?
0 man, take care
4
Woe unto mel Where is time gone? Have I not sunk
into deep wells? The world sleeps. Alasl Alasl The dog
howls, the moon shines. Sooner would I die, die rather
than tell you what my midnight heart thinks now.
Now I have died. It is gone. Spider, what do you spin
around me? Do you want blood? Alasl Alasl The dew
falls, the hour approaches-the hour when I shiver and
freeze, which asks and asks and asks, "Who has heart
enough for it? Who shall be the lord of the earth? Who
will say: thus shall you run, you big and little rivers"
The hour approaches: 0 man, you higher man, take
care! This speech is for delicate ears, for your ears:
What does the deep midnight declare?
5
I am carried away, my soul dances. Day's work Day's
work! Who shall be the lord of the earth?
The moon is cool, the wind is silent. Alas! Alas! Have
you flown high enough yet? You have danced: but a leg
is no wing. You good dancers, now all pleasure is gone:
wine has become lees, every cup has become brittle,
the tombs stammer. You did not fly high enough: now
the tombs stammer, "Redeem the dead! Why does the
night last so long? Does not the moon make us
drunken?"
You higher men, redeem the tombs, awaken the
corpses! Alas, why does the worm still burrow? The
hour approaches, approaches; the bell hums, the heart
still rattles, the deathwatch, the heart-worm still burrows. Alas! Alasl The world is deep.
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6
Sweet lyrel Sweet lyre! I love your sound, your
drunken ranunculus' croaking. From how long ago, from
how far away your sound comes to me, from the distant
ponds of lovely You old bell, you sweet lyre! Every pain
has torn into your heart, father-pain, fathers' pain, fore-
fathers' pain; your speech grew ripe-ripe as golden
autumn and afternoon, as my hermit's heart; now you
say: the world itself has grown ripe, the grape is turning brown, now it would die, die of happiness. You
higher men, do you not smell it? A smell is secretly
welling up, a fragrance and smell of eternity, a roseblessed, brown gold-wine fragrance of old happiness, of
the drunken happiness of dying at midnight, that
sings. the world is deep, deeper than day had been
aware.
7
Leave me! Leave mel I am too pure for you. Do not
touch mel Did not my world become perfect just now?
My skin is too pure for your hands. Leave me, you stupid,
boorish, dumb dayl Is not the midnight brighter? The
purest shall be the lords of the earth-the most unknown, the strongest, the midnight souls who are
brighter and deeper than any day.
0 day, you grope for me? You seek my happiness? I
seem rich to you, lonely, a treasure pit, a gold-chamber?
0 world, you want me? Am I worldly to you? Am I
spiritual to you? Am I godlike to you? But day and
world, you are too ponderous; have cleverer hands, reach
for deeper happiness, for deeper unhappiness, reach for
any god, do not reach for me: my unhappiness, my
happiness is deep, you strange day, but I am yet no god,
no god's hell: deep is its woe.
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8
God's woe is deeper, you strange world Reach for
God's woe, not for me! What am I? a drunken sweet
lyre-a midnight lyre, an ominous bell-frog that nobody
understands but that must speak, before the deaf, you
higher men. For you do not understand mel
Gone! Gonel 0 youth! 0 noonl 0 afternoon! Now
evening has come and night and midnight-the dog
howls, the wind: is not the wind a dog? It whines, it
yelps, it howls. Alasl Alasl How the midnight sighsl
How it laughs, how it rattles and wheezesl
How she speaks soberly now, this drunken poetessl
Perhaps she overdrank her drunkenness? She became
overawake? She ruminates? Her woe she ruminates in
a dream, the old deep midnight, and even more her joy.
For joy, even if woe is deep, joy is deeper yet than
agony.
9
You vinel Why do you praise me? Did I not cut you?
I am cruel, you bleed; what does your praise of my
drunken cruelty mean?
"What has become perfect, all that is ripe-wants to
die"-thus you speak. Blessed, blessed be the vintager's
knife But all that is unripe wants to live: woel
Woe entreats: Gol Away, woel But all that suffers
wants to live, that it may become ripe and joyous and
longing-longing for what is farther, higher, brighter.
"I want heirs"-thus speaks all that suffers; "I want
children, I do not want myself."
Joy, however, does not want heirs, or children-joy
wants itself, wants eternity, wants recurrence, wants
everything eternally the same.
Woe says, "Break, bleed, heart! Wander, legal Wing,
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flyl Get onl Up! Pain!" Well then, old heart: Woe implores, "Gor'
10
You higher men, what do you think? Am I a
soothsayer? A dreamer? A drunkard? An interpreter of
dreams? A midnight bell? A drop of dew? A haze and
fragrance of eternity? Do you not hear it? Do you not
smell it? Just now my world became perfect; midnight
too is noon; pain too is a joy; curses too are a blessing;
night too is a sun-go away or you will learn: a sage
too is a fool.
Have you ever said Yes to a single joy? 0 my friends,
then you said Yes too to all woe. All things are entangled, ensnared, enamored; if ever you wanted one
thing twice, if ever you said, "You please me, happiness!
Abide, moment!" then you wanted all back. All anew,
all eternally, all entangled, ensnared, enamored-oh,
then you loved the world. Eternal ones, Jove it eternally
and evermore; and to woe too, you say: go, but return!
For all joy wants-eternity.
11
All joy wants the eternity of all things, wants honey,
wants lees, wants drunken midnight, wants tombs, wants
tomb-tears' comfort, wants gilded evening glow.
What does joy not want? It is thirstier, more cordial,
hungrier, more terrible, more secret than all woe; it
wants itself, it bites into itself, the ring's will strives in
it; it wants love, it wants hatred, it is overrich, gives,
throws away, begs that one might take it, thanks the
taker, it would like to be hated; so rich is joy that it
thirsts for woe, for hell, for hatred, for disgrace, for
the cripple, for world-this world, oh, you know itl
You higher men, for you it longs, joy, the intractable
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blessed one-for your woe, you failures. All eternal joy
longs for failures. For all joy wants itself, hence it also
wants agony. 0 happiness, 0 pain! Oh, break, heart!
You higher men, do learn this, joy wants eternity. Joy
wants the eternity of all things, wants deep, wants deep
eternity.
12
Have you now learned my song? Have you guessed its
intent? Well then, you higher men, sing me now my
round. Now you yourselves sing me the song whose
name is "Once More" and whose meaning is "into all
eternity"-sing, you higher men, Zarathustra's round!
O man, take care!
What does the deep midnight declare?
"I was asleepFrom a deep dream I woke and swear:
The world is deep,
Deeper than day had been aware.
Deep is its woe;
Joy-deeper yet than agony:
Woe implores: Gol
But all joy wants eternityWants deep, wants deep eternity."
~ Friedrich Nietzsche, THE DRUNKEN SONG
,#NFDB
1371:The Man Against The Sky
Between me and the sunset, like a dome
Against the glory of a world on fire,
Now burned a sudden hill,
Bleak, round, and high, by flame-lit height made higher,
With nothing on it for the flame to kill
Save one who moved and was alone up there
To loom before the chaos and the glare
As if he were the last god going home
Unto his last desire.
Dark, marvelous, and inscrutable he moved on
Till down the fiery distance he was gone,
Like one of those eternal, remote things
That range across a man’s imaginings
When a sure music fills him and he knows
What he may say thereafter to few men,—
The touch of ages having wrought
An echo and a glimpse of what he thought
A phantom or a legend until then;
For whether lighted over ways that save,
Or lured from all repose,
If he go on too far to find a grave,
Mostly alone he goes.
Even he, who stood where I had found him,
On high with fire all round him,
Who moved along the molten west,
And over the round hill’s crest
That seemed half ready with him to go down,
Flame-bitten and flame-cleft,
As if there were to be no last thing left
Of a nameless unimaginable town,—
Even he who climbed and vanished may have taken
Down to the perils of a depth not known,
From death defended though by men forsaken,
The bread that every man must eat alone;
He may have walked while others hardly dared
Look on to see him stand where many fell;
And upward out of that, as out of hell,
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He may have sung and striven
To mount where more of him shall yet be given,
Bereft of all retreat,
To sevenfold heat,—
As on a day when three in Dura shared
The furnace, and were spared
For glory by that king of Babylon
Who made himself so great that God, who heard,
Covered him with long feathers, like a bird.
Again, he may have gone down easily,
By comfortable altitudes, and found,
As always, underneath him solid ground
Whereon to be sufficient and to stand
Possessed already of the promised land,
Far stretched and fair to see:
A good sight, verily,
And one to make the eyes of her who bore him
Shine glad with hidden tears.
Why question of his ease of who before him,
In one place or another where they left
Their names as far behind them as their bones,
And yet by dint of slaughter toil and theft,
And shrewdly sharpened stones,
Carved hard the way for his ascendency
Through deserts of lost years?
Why trouble him now who sees and hears
No more than what his innocence requires,
And therefore to no other height aspires
Than one at which he neither quails nor tires?
He may do more by seeing what he sees
Than others eager for iniquities;
He may, by seeing all things for the best,
Incite futurity to do the rest.
Or with an even likelihood,
He may have met with atrabilious eyes
The fires of time on equal terms and passed
Indifferently down, until at last
His only kind of grandeur would have been,
Apparently, in being seen.
He may have had for evil or for good
319
No argument; he may have had no care
For what without himself went anywhere
To failure or to glory, and least of all
For such a stale, flamboyant miracle;
He may have been the prophet of an art
Immovable to old idolatries;
He may have been a player without a part,
Annoyed that even the sun should have the skies
For such a flaming way to advertise;
He may have been a painter sick at heart
With Nature’s toiling for a new surprise;
He may have been a cynic, who now, for all
Of anything divine that his effete
Negation may have tasted,
Saw truth in his own image, rather small,
Forbore to fever the ephemeral,
Found any barren height a good retreat
From any swarming street,
And in the sun saw power superbly wasted;
And when the primitive old-fashioned stars
Came out again to shine on joys and wars
More primitive, and all arrayed for doom,
He may have proved a world a sorry thing
In his imagining,
And life a lighted highway to the tomb.
Or, mounting with infirm unsearching tread,
His hopes to chaos led,
He may have stumbled up there from the past,
And with an aching strangeness viewed the last
Abysmal conflagration of his dreams,—
A flame where nothing seems
To burn but flame itself, by nothing fed;
And while it all went out,
Not even the faint anodyne of doubt
May then have eased a painful going down
From pictured heights of power and lost renown,
Revealed at length to his outlived endeavor
Remote and unapproachable forever;
And at his heart there may have gnawed
Sick memories of a dead faith foiled and flawed
And long dishonored by the living death
320
Assigned alike by chance
To brutes and hierophants;
And anguish fallen on those he loved around him
May once have dealt the last blow to confound him,
And so have left him as death leaves a child,
Who sees it all too near;
And he who knows no young way to forget
May struggle to the tomb unreconciled.
Whatever suns may rise or set
There may be nothing kinder for him here
Than shafts and agonies;
And under these
He may cry out and stay on horribly;
Or, seeing in death too small a thing to fear,
He may go forward like a stoic Roman
Where pangs and terrors in his pathway lie,—
Or, seizing the swift logic of a woman,
Curse God and die.
Or maybe there, like many another one
Who might have stood aloft and looked ahead,
Black-drawn against wild red,
He may have built, unawed by fiery gules
That in him no commotion stirred,
A living reason out of molecules
Why molecules occurred,
And one for smiling when he might have sighed
Had he seen far enough,
And in the same inevitable stuff
Discovered an odd reason too for pride
In being what he must have been by laws
Infrangible and for no kind of cause.
Deterred by no confusion or surprise
He may have seen with his mechanic eyes
A world without a meaning, and had room,
Alone amid magnificence and doom,
To build himself an airy monument
That should, or fail him in his vague intent,
Outlast an accidental universe—
To call it nothing worse—
Or, by the burrowing guile
Of Time disintegrated and effaced,
321
Like once-remembered mighty trees go down
To ruin, of which by man may now be traced
No part sufficient even to be rotten,
And in the book of things that are forgotten
Is entered as a thing not quite worth while.
He may have been so great
That satraps would have shivered at his frown,
And all he prized alive may rule a state
No larger than a grave that holds a clown;
He may have been a master of his fate,
And of his atoms,—ready as another
In his emergence to exonerate
His father and his mother;
He may have been a captain of a host,
Self-eloquent and ripe for prodigies,
Doomed here to swell by dangerous degrees,
And then give up the ghost.
Nahum’s great grasshoppers were such as these,
Sun-scattered and soon lost.
Whatever the dark road he may have taken,
This man who stood on high
And faced alone the sky,
Whatever drove or lured or guided him,—
A vision answering a faith unshaken,
An easy trust assumed of easy trials,
A sick negation born of weak denials,
A crazed abhorrence of an old condition,
A blind attendance on a brief ambition,—
Whatever stayed him or derided him,
His way was even as ours;
And we, with all our wounds and all our powers,
Must each await alone at his own height
Another darkness or another light;
And there, of our poor self dominion reft,
If inference and reason shun
Hell, Heaven, and Oblivion,
May thwarted will (perforce precarious,
But for our conservation better thus)
Have no misgiving left
Of doing yet what here we leave undone?
Or if unto the last of these we cleave,
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Believing or protesting we believe
In such an idle and ephemeral
Florescence of the diabolical,—
If, robbed of two fond old enormities,
Our being had no onward auguries,
What then were this great love of ours to say
For launching other lives to voyage again
A little farther into time and pain,
A little faster in a futile chase
For a kingdom and a power and a Race
That would have still in sight
A manifest end of ashes and eternal night?
Is this the music of the toys we shake
So loud,—as if there might be no mistake
Somewhere in our indomitable will?
Are we no greater than the noise we make
Along one blind atomic pilgrimage
Whereon by crass chance billeted we go
Because our brains and bones and cartilage
Will have it so?
If this we say, then let us all be still
About our share in it, and live and die
More quietly thereby.
Where was he going, this man against the sky?
You know not, nor do I.
But this we know, if we know anything:
That we may laugh and fight and sing
And of our transience here make offering
To an orient Word that will not be erased,
Or, save in incommunicable gleams
Too permanent for dreams,
Be found or known.
No tonic and ambitious irritant
Of increase or of want
Has made an otherwise insensate waste
Of ages overthrown
A ruthless, veiled, implacable foretaste
Of other ages that are still to be
Depleted and rewarded variously
Because a few, by fate’s economy,
Shall seem to move the world the way it goes;
323
No soft evangel of equality,
Safe-cradled in a communal repose
That huddles into death and may at last
Be covered well with equatorial snows—
And all for what, the devil only knows—
Will aggregate an inkling to confirm
The credit of a sage or of a worm,
Or tell us why one man in five
Should have a care to stay alive
While in his heart he feels no violence
Laid on his humor and intelligence
When infant Science makes a pleasant face
And waves again that hollow toy, the Race;
No planetary trap where souls are wrought
For nothing but the sake of being caught
And sent again to nothing will attune
Itself to any key of any reason
Why man should hunger through another season
To find out why ’twere better late than soon
To go away and let the sun and moon
And all the silly stars illuminate
A place for creeping things,
And those that root and trumpet and have wings,
And herd and ruminate,
Or dive and flash and poise in rivers and seas,
Or by their loyal tails in lofty trees
Hang screeching lewd victorious derision
Of man’s immortal vision.
Shall we, because Eternity records
Too vast an answer for the time-born words
We spell, whereof so many are dead that once
In our capricious lexicons
Were so alive and final, hear no more
The Word itself, the living word
That none alive has ever heard
Or ever spelt,
And few have ever felt
Without the fears and old surrenderings
And terrors that began
When Death let fall a feather from his wings
And humbled the first man?
Because the weight of our humility,
324
Wherefrom we gain
A little wisdom and much pain,
Falls here too sore and there too tedious,
Are we in anguish or complacency,
Not looking far enough ahead
To see by what mad couriers we are led
Along the roads of the ridiculous,
To pity ourselves and laugh at faith
And while we curse life bear it?
And if we see the soul’s dead end in death,
Are we to fear it?
What folly is here that has not yet a name
Unless we say outright that we are liars?
What have we seen beyond our sunset fires
That lights again the way by which we came?
Why pay we such a price, and one we give
So clamoringly, for each racked empty day
That leads one more last human hope away,
As quiet fiends would lead past our crazed eyes
Our children to an unseen sacrifice?
If after all that we have lived and thought,
All comes to Nought,—
If there be nothing after Now,
And we be nothing anyhow,
And we know that,—why live?
’Twere sure but weaklings’ vain distress
To suffer dungeons where so many doors
Will open on the cold eternal shores
That look sheer down
To the dark tideless floods of Nothingness
Where all who know may drown.
~ Edwin Arlington Robinson,#NFDB
1372:I stood tip-toe upon a little hill,
The air was cooling, and so very still,
That the sweet buds which with a modest pride
Pull droopingly, in slanting curve aside,
Their scantly leaved, and finely tapering stems,
Had not yet lost those starry diadems
Caught from the early sobbing of the morn.
The clouds were pure and white as flocks new shorn,
And fresh from the clear brook; sweetly they slept
On the blue fields of heaven, and then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves:
For not the faintest motion could be seen
Of all the shades that slanted oer the green.
There was wide wandring for the greediest eye,
To peer about upon variety;
Far round the horizons crystal air to skim,
And trace the dwindled edgings of its brim;
To picture out the quaint, and curious bending
Of a fresh woodland alley, never ending;
Or by the bowery clefts, and leafy shelves,
Guess where the jaunty streams refresh themselves.
I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels: I was light-hearted,
And many pleasures to my vision started;
So I straightway began to pluck a posey
Of luxuries bright, milky, soft and rosy.
A bush of May flowers with the bees about them;
Ah, sure no tasteful nook would be without them;
And let a lush laburnum oversweep them,
And let long grass grow round the roots to keep them
Moist, cool and green; and shade the violets,
That they may bind the moss in leafy nets.
A filbert hedge with wildbriar overtwined,
And clumps of woodbine taking the soft wind
Upon their summer thrones; there too should be
The frequent chequer of a youngling tree,
That with a score of light green breth[r]en shoots
From the quaint mossiness of aged roots:
Round which is heard a spring-head of clear waters
Babbling so wildly of its lovely daughters
The spreading blue bells: it may haply mourn
That such fair clusters should be rudely torn
From their fresh beds, and scattered thoughtlessly
By infant hands, left on the path to die.
Open afresh your round of starry folds,
Ye ardent marigolds!
Dry up the moisture from your golden lids,
For great Apollo bids
That in these days your praises should be sung
On many harps, which he has lately strung;
And when again your dewiness he kisses,
Tell him, I have you in my world of blisses:
So haply when I rove in some far vale,
His mighty voice may come upon the gale.
Here are sweet peas, on tip-toe for a flight:
With wings of gentle flush oer delicate white,
And taper fingers catching at all things,
To bind them all about with tiny rings.
Linger awhile upon some bending planks
That lean against a streamlets rushy banks,
And watch intently Natures gentle doings:
They will be found softer than ring-doves cooings.
How silent comes the water round that bend;
Not the minutest whisper does it send
To the oerhanging sallows: blades of grass
Slowly across the chequerd shadows pass.
Why, you might read two sonnets, ere they reach
To where the hurrying freshnesses aye preach
A natural sermon oer their pebbly beds;
Where swarms of minnows show their little heads,
Staying their wavy bodies gainst the streams,
To taste the luxury of sunny beams
Temperd with coolness. How they ever wrestle
With their own sweet delight, and ever nestle
Their silver bellies on the pebbly sand.
If you but scantily hold out the hand,
That very instant not one will remain;
But turn your eye, and they are there again.
The ripples seem right glad to reach those cresses,
And cool themselves among the emrald tresses;
The while they cool themselves, they freshness give,
And moisture, that the bowery green may live:
So keeping up an interchange of favours,
Like good men in the truth of their behaviours.
Sometimes goldfinches one by one will drop
From low hung branches; little space they stop;
But sip, and twitter, and their feathers sleek;
Then off at once, as in a wanton freak:
Or perhaps, to show their black, and golden wings
Pausing upon their yellow flutterings.
Were I in such a place, I sure should pray
That nought less sweet, might call my thoughts away,
Than the soft rustle of a maidens gown
Fanning away the dandelions down;
Than the light music of her nimble toes
Patting against the sorrel as she goes.
How she would start, and blush, thus to be caught
Playing in all her innocence of thought.
O let me lead her gently oer the brook,
Watch her half-smiling lips, and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me may she often turn
Her fair eyes looking through her locks auburne.
What next? A tuft of evening primroses,
Oer which the mind may hover till it dozes;
Oer which it well might take a pleasant sleep,
But that tis ever startled by the leap
Of buds into ripe flowers; or by the flitting
Of diverse moths, that aye their rest are quitting;
Or by the moon lifting her silver rim
Above a cloud, and with a gradual swim
Coming into the blue with all her light.
O Maker of sweet poets, dear delight
Of this fair world, and all its gentle livers;
Spangler of clouds, halo of crystal rivers,
Mingler with leaves, and dew and tumbling streams,
Closer of lovely eyes to lovely dreams,
Lover of loneliness, and wandering,
Of upcast eye, and tender pondering!
Thee must I praise above all other glories
That smile us on to tell delightful stories.
For what has made the sage or poet write
But the fair paradise of Natures light?
In the calm grandeur of a sober line,
We see the waving of the mountain pine;
And when a tale is beautifully staid,
We feel the safety of a hawthorn glade:
When it is moving on luxurious wings,
The soul is lost in pleasant smotherings:
Fair dewy roses brush against our faces,
And flowering laurels spring from diamond vases;
Oerhead we see the jasmine and sweet briar,
And bloomy grapes laughing from green attire;
While at our feet, the voice of crystal bubbles
Charms us at once away from all our troubles:
So that we feel uplifted from the world,
Walking upon the white clouds wreathd and curld.
So felt he, who first told, how Psyche went
On the smooth wind to realms of wonderment;
What Psyche felt, and Love, when their full lips
First touchd; what amorous and fondling nips
They gave each others cheeks; with all their sighs,
And how they kist each others tremulous eyes:
The silver lamp,the ravishment,the wonder
The darkness,loneliness,the fearful thunder;
Their woes gone by, and both to heaven upflown,
To bow for gratitude before Joves throne.
So did he feel, who pulld the boughs aside,
That we might look into a forest wide,
To catch a glimpse of Fawns, and Dryades
Coming with softest rustle through the trees;
And garlands woven of flowers wild, and sweet,
Upheld on ivory wrists, or sporting feet:
Telling us how fair, trembling Syrinx fled
Arcadian Pan, with such a fearful dread.
Poor Nymph,poor Pan,how did he weep to find,
Nought but a lovely sighing of the wind
Along the reedy stream; a half heard strain,
Full of sweet desolationbalmy pain.
What first inspired a bard of old to sing
Narcissus pining oer the untainted spring?
In some delicious ramble, he had found
A little space, with boughs all woven round;
And in the midst of all, a clearer pool
Than eer reflected in its pleasant cool,
The blue sky here, and there, serenely peeping
Through tendril wreaths fantastically creeping.
And on the bank a lonely flower he spied,
A meek and forlorn flower, with naught of pride,
Drooping its beauty oer the watery clearness,
To woo its own sad image into nearness:
Deaf to light Zephyrus it would not move;
But still would seem to droop, to pine, to love.
So while the Poet stood in this sweet spot,
Some fainter gleamings oer his fancy shot;
Nor was it long ere he had told the tale
Of young Narcissus, and sad Echos bale.
Where had he been, from whose warm head out-flew
That sweetest of all songs, that ever new,
That aye refreshing, pure deliciousness,
Coming ever to bless
The wanderer by moonlight? to him bringing
Shapes from the invisible world, unearthly singing
From out the middle air, from flowery nests,
And from the pillowy silkiness that rests
Full in the speculation of the stars.
Ah! surely he had burst our mortal bars;
Into some wondrous region he had gone,
To search for thee, divine Endymion!
He was a Poet, sure a lover too,
Who stood on Latmus top, what time there blew
Soft breezes from the myrtle vale below;
And brought in faintness solemn, sweet, and slow
A hymn from Dians temple; while upswelling,
The incense went to her own starry dwelling.
But though her face was clear as infants eyes,
Though she stood smiling oer the sacrifice,
The Poet wept at her so piteous fate,
Wept that such beauty should be desolate:
So in fine wrath some golden sounds he won,
And gave meek Cynthia her Endymion.
Queen of the wide air; thou most lovely queen
Of all the brightness that mine eyes have seen!
As thou exceedest all things in thy shine,
So every tale, does this sweet tale of thine.
O for three words of honey, that I might
Tell but one wonder of thy bridal night!
Where distant ships do seem to show their keels,
Phoebus awhile delayed his mighty wheels,
And turned to smile upon thy bashful eyes,
Ere he his unseen pomp would solemnize.
The evening weather was so bright, and clear,
That men of health were of unusual cheer;
Stepping like Homer at the trumpets call,
Or young Apollo on the pedestal:
And lovely women were as fair and warm,
As Venus looking sideways in alarm.
The breezes were ethereal, and pure,
And crept through half closed lattices to cure
The languid sick; it coold their feverd sleep,
And soothed them into slumbers full and deep.
Soon they awoke clear eyed: nor burnt with thirsting
Nor with hot fingers, nor with temples bursting:
And springing up, they met the wondring sight
Of their dear friends, nigh foolish with delight;
Who feel their arms, and breasts, and kiss and stare,
And on their placid foreheads part the hair.
Young men, and maidens at each other gazd
With hands held back, and motionless, amazd
To see the brightness in each others eyes;
And so they stood, filld with a sweet surprise,
Until their tongues were loosd in poesy.
Therefore no lover did of anguish die:
But the soft numbers, in that moment spoken,
Made silken ties, that never may be broken.
Cynthia! I cannot tell the greater blisses,
That followd thine, and thy dear shepherds kisses:
Was there a Poet born?but now no more,
My wandring spirit must no further soar.
I stood tip-toe upon a little hill : Leigh Hunt tells us in 'Lord Byron and Some of his Contemporaries' that "this poem was suggested to Keats by a delightful summer's-day, as he stood beside the gate that leads from the Battery on Hampstead Heath into a field by Caen Wood."
(lines 37-41) Of this passage Hunt says, "Any body who has seen a throng of young beeches, furnishing those natural clumpy seats at the root, must recognize the truth and grace of this description." He adds that the remainder of the poem, especially verses 47 to 86, "affords an exquisite proof of close observation of nature as well as the most luxuriant fancy."
(lines 61-80) Charles Cowden Clarke says Keats told him this passage was the recollection of the friends' "having frequently loitered over the rail of a foot-bridge that spanned ... a little brook in the last field upon entering Edmonton." Keats, he says, "thought the picture correct, and acknowledged to a partiality for it."
~The Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, I Stood Tip-Toe Upon A Little Hill
,#NFDB
1373:The Faerie Queene (Dedicatory Sonnets)
TO THE RIGHT HONOURABLE SIR CHRISTOPHER HATTON, LORD HIGH
CHAUNCELOR OF ENGLAND, &C.
THOSE prudent heads, that with theire counsels wise
Whylom the pillours of th' earth did sustaine,
And taught ambitious Rome to Tyrannise,
And in the neck of all the world to rayne,
Oft from those grave affaires were wont abstaine,
With the sweet, Lady Muses for to play:
So Ennius the elder Africane,
So Maro oft did Cæsars cares allay.
So you, great Lord, that with your counsell sway
The burdeine of this kingdom mightily,
With like delightes sometimes may eke delay
The rugged brow of carefull Policy;
And to these ydle rymes lend litle space,
Which for their titles sake may find more grace.
TO THE MOST HONOURABLE AND EXCELLENT LORD THE EARLE OF ESSEX.
GREAT MAISTER OF THE HORSE TO HER HIGHNESSE, AND KNIGHT OF THE
NOBLE ORDER OF THE GARTER, &C.
MAGNIFICKE Lord, whose vertues excellent
Doe merit a most famous poets witt,
To be thy living praises instrument,
Yet doe not sdeigne to let thy name be writt
In this base poeme, for thee far unfitt:
Nought is thy worth disparaged thereby.
But when my Muse, whose fethers, nothing flitt,
Doe yet but flagg, and lowly learne to fly,
With bolder wing shall dare alofte to sty
To the last praises of this Faery Queene,
Then shall it make more famous memory
Of thine heroicke parts, such as they beene.
Till then vouchsafe thy noble countenaunce,
To these first labours needed furtheraunce.
273
TO THE RIGHT HONOURABLE THE EARLE OF OXENFORD, LORD HIGH
CHAMBERLAYNE OF ENGLAND, &C.
RECEIVE, most noble Lord, in gentle gree
The unripe fruit of an unready wit,
Which by thy countenaunce doth crave to bee
Defended from foule Envies poisnous bit:
Which so to doe may thee right well befit,
Sith th' antique glory of thine auncestry
Under a shady vele is therein writ,
And eke thine owne long living memory,
Succeeding them in true nobility;
And also for the love which thou doest beare
To th' Heliconian ymps, and they to thee,
They unto thee, and thou to them, most deare.
Deare as thou art unto thy selfe, so love
That loves and honours thee, as doth behove.
TO THE RIGHT HONOURABLE THE EARLE OF NORTHUMBERLAND
THE SACRED Muses have made alwaies clame
To be the nourses of nobility,
And registres of everlasting fame,
To all that armes professe and chevalry.
Then, by like right, the noble progeny,
Which them succeed in fame and worth, are tyde
T'embrace the service of sweete poetry,
By whose endevours they are glorifide;
And eke from all of whom it is envide
To patronize the authour of their praise,
Which gives them life, that els would soone have dide,
And crownes their ashes with immortall baies.
To thee, therefore, right noble Lord, I send
This present of my paines, it to defend.
TO THE RIGHT HONOURABLE THE EARLE OF ORMOND AND OSSORY
274
RECEIVE, most noble Lord, a simple taste
Of the wilde fruit which salvage soyl hath bred,
Which, being through long wars left almost waste,
With brutish barbarisme is overspredd:
And in so faire a land as may be redd,
Not one Parnassus nor one Helicone
Left for sweete Muses to be harboured,
But where thy selfe hast thy brave mansione:
There in deede dwel faire Graces many one,
And gentle nymphes, delights of learned wits,
And in thy person without paragone
All goodly bountie and true honour sits.
Such, therefore, as that wasted soyl doth yield,
Receive, dear Lord, in worth, the fruit of barren field.
TO THE RIGHT HONOURABLE THE LORD CH. HOWARD, LORD HIGH ADMIRAL OF
ENGLAND, KNIGHT OF THE NOBLE ORDER OF THE GARTER, AND ONE OF HER
MAJESTIES PRIVIE COUNSEL, &C.
AND ye, brave Lord, whose goodly person age
And noble deeds, each other garnishing,
Make you ensample to the present age
Of th' old heroes, whose famous ofspring
The antique poets wont so much to sing,
In this same pageaunt have a worthy place,
Sith those huge castles of Castilian king,
That vainly threatned kingdomes to displace,
Like flying doves ye did before you chace,
And that proud people, woxen insolent
Through many victories, didst first deface:
Thy praises everlasting monument
Is in this verse engraven semblably,
That it may live to all posterity.
TO THE MOST RENOWMED AND VALIANT LORD, THE LORD GREY OF WILTON,
KNIGHT OF THE NOBLE ORDER OF THE GARTER, &C.
275
MOST noble Lord, the pillor of my life,
And patrone of my Muses pupillage,
Through whose large bountie, poured on me rife,
In the first season of my feeble age,
I now doe live, bound yours by vassalage:
Sith nothing ever may redeeme, nor reave
Out of your endlesse debt so sure a gage,
Vouchsafe in worth this small guift to receave,
Which in your noble hands for pledge I leave
Of all the rest that I am tyde t' account:
Rude rymes, the which a rustick Muse did weave
In savadge soyle, far from Parnassomount,
And roughly wrought in an unlearned loome:
The which vouchsafe, dear Lord, your favorable doome.
TO THE RIGHT NOBLE AND VALOROUS KNIGHT, SIR WALTER RALEIGH, LORD
WARDEIN OF THE STANNERYES, AND LIEFTENAUNT OF CORNEWAILE
TO thee that art the sommers Nightingale,
Thy soveraine Goddesses most deare delight,
Why doe I send this rusticke madrigale,
That may thy tunefull eare unseason quite?
Thou onely fit this argument to write,
In whose high thoughts Pleasure hath built her bowre,
And dainty Love learnd sweetly to endite.
My rimes I know unsavory and sowre,
To tast the streames, that like a golden showre
Flow from thy fruitfull head, of thy loves praise;
Fitter perhaps to thonder martiall stowre,
When so thee list thy lofty Muse to raise:
Yet till that thou thy poeme wilt make knowne,
Let thy faire Cinthias praises bee thus rudely showne.
TO THE RIGHT HONOURABLE THE LORD BURLEIGH, LORD HIGH THREASURER
OF ENGLAND
TO you, right noble Lord, whose carefull brest
To menage of most grave affaires is bent,
276
And on whose mightie shoulders most doth rest
The burdein of this kingdomes governement,
As the wide compasse of the firmament
On Atlas mighty shoulders is upstayd,
Unfitly I these ydle rimes present,
The labor of lost time, and wit unstayd:
Yet if their deeper sence be inly wayd,
And the dim vele, with which from comune vew
Their fairer parts are hid, aside be layd,
Perhaps not vaine they may appeare to you.
Such as they be, vouchsafe them to receave,
And wipe their faults out of your censure grave.
TO THE RIGHT HONOURABLE THE EARLE OF CUMBERLAND
REDOUBTED Lord, in whose corageous mind
The flowre of chevalry, now bloosming faire,
Doth promise fruite worthy the noble kind
Which of their praises have left you the haire;
To you this humble present I prepare,
For love of vertue and of martiall praise;
To which though nobly ye inclined are,
As goodlie well ye shew'd in late assaies,
Yet brave ensample of long passed daies,
In which trew honor yee may fashioned see,
To like desire of honor may ye raise,
And fill your mind with magnanimitee.
Receive it, Lord, therefore, as it was ment,
For honor of your name and high descent.
TO THE RIGHT HONOURABLE THE LORD OF HUNSDON, HIGH CHAMBERLAINE TO
HER MAJESTY
RENOWMED Lord, that for your worthinesse
And noble deeds, have your deserved place
High in the favour of that Emperesse,
The worlds sole glory and her sexes grace;
277
Here eke of right have you a worthie place,
Both for your nearnes to that Faerie Queene,
And for your owne high merit in like cace,
Of which apparaunt proofe was to be seene,
When that tumultuous rage and fearfull deene
Of Northerne rebels ye did pacify,
And their disloiall powre defaced clene,
The record of enduring memory.
Live, Lord, for ever in this lasting verse,
That all posteritie thy honor may reherse.
TO THE RIGHT HONOURABLE THE LORD OF BUCKHURST, ONE OF HER
MAJESTIES PRIVIE COUNSELL
IN vain I thinke, right honourable Lord,
By this rude rime to memorize thy name,
Whose learned Muse hath writ her owne record
In golden verse, worthy immortal fame:
Thou much more fit (were leasure to the same)
Thy gracious Soverains praises to compile,
And her imperiall majestie to frame
In loftie numbers and heroicke stile.
But sith thou maist not so, give leave a while
To baser wit his power therein to spend,
Whose grosse defaults thy daintie pen may file,
And unadvised oversights amend.
But evermore vouchsafe it to maintaine
Against vile Zoilus backbitings vaine.
TO THE RIGHT HONOURABLE SIR FR. WALSINGHAM, KNIGHT, PRINCIPALL
SECRETARY TO HER MAJESTY AND OF HER HONOURABLE PRIVY COUNSELL
THAT Mantuane poetes incompared spirit,
Whose girland now is set in highest place,
Had not Mecænas, for his worthy merit,
It first advaunst to great Augustus grace,
Might long, perhaps, have lien in silence bace,
Ne bene so much admir'd of later age.
278
This lowly Muse, that learns like steps to trace,
Flies for like aide unto your patronage;
That are the great Mecenas of this age,
As wel to al that civil artes professe,
As those that are inspir'd with martial rage,
And craves protection of her feeblenesse:
Which if ye yield, perhaps ye may her rayse
In bigger tunes to sound your living prayse.
TO THE RIGHT NOBLE LORD AND MOST VALIAUNT CAPTAINE, SIR JOHN
NORRIS, KNIGHT, LORD PRESIDENT OF MOUNSTER
WHO ever gave more honourable prize
To the sweet Muse then did the martiall crew,
That their brave deeds she might immortalize
In her shril tromp, and sound their praises dew?
Who then ought more to favour her then you,
Moste noble Lord, the honor of this age,
And precedent of all that armes ensue?
Whose warlike prowesse and manly courage,
Tempred with reason and advizement sage,
Hath fild sad Belgicke with victorious spoile,
In Fraunce and Ireland left a famous gage,
And lately shakt the Lusitanian soile.
Sith, then, each where thou hast dispredd thy fame,
Love him that hath eternized your name.
TO THE RIGHT HONOURABLE AND MOST VERTUOUS LADY, THE COUNTESSE OF
PENBROKE
REMEMBRAUNCE of that most heroicke spirit,
The hevens pride, the glory of our daies,
Which now triumpheth through immortall merit
Of his brave vertues, crownd with lasting baies
Of hevenlie blis and everlasting praies;
Who first my Muse did lift out of the flore,
To sing his sweet delights in lowlie laies;
Bids me, most noble Lady, to adore
279
His goodly image living evermore
In the divine resemblaunce of your face;
Which with your vertues ye embellish more,
And native beauty deck with hevenlie grace:
For his, and for your owne especial sake,
Vouchsafe from him this token in good worth to take.
TO THE MOST VERTUOUS AND BEAUTIFULL LADY, THE LADY CAREW
NE may I, without blot of endlesse blame,
You, fairest Lady, leave out of this place,
But with remembraunce of your gracious name,
Wherewith that courtly garlond most ye grace,
And deck the world, adorne these verses base.
Not that these few lines can in them comprise
Those glorious ornaments of hevenly grace,
Wherewith ye triumph over feeble eyes,
And in subdued harts do tyranyse;
For thereunto doth need a golden quill
And silver leaves, them rightly to devise;
But to make humble present of good will:
Which, whenas timely meanes it purchase may,
In ampler wise it selfe will forth display.
TO ALL THE GRATIOUS AND BEAUTIFULL LADIES IN THE COURT
THE CHIAN peincter, when he was requirde
To pourtraict Venus in her perfect hew,
To make his worke more absolute, desird
Of all the fairest maides to have the vew.
Much more me needs, to draw the semblant trew
Of Beauties Queene, the worlds sole wenderment,
To sharpe my sence with sundry beauties vew,
And steale from each some part of ornament.
If all the world to seeke I overwent,
A fairer crew yet no where could I see
Then that brave court doth to mine eie present,
That the worlds pride seemes gathered there to bee.
280
Of each a part I stole by cunning thefte:
Forgive it me, faire Dames, sith lesse ye have not lefte.
~ Edmund Spenser,#NFDB
1374:Hail to thee, mountain beloved, with thy glittering purple-dyed summit!
Hail to thee also, fair sun, looking so lovingly on!
Thee, too, I hail, thou smiling plain, and ye murmuring lindens,
Ay, and the chorus so glad, cradled on yonder high boughs;
Thee, too, peaceably azure, in infinite measure extending
Round the dusky-hued mount, over the forest so green,
Round about me, who now from my chamber's confinement escaping,
And from vain frivolous talk, gladly seek refuge with thee.
Through me to quicken me runs the balsamic stream of thy breezes,
While the energetical light freshens the gaze as it thirsts.
Bright o'er the blooming meadow the changeable colors are gleaming,
But the strife, full of charms, in its own grace melts away
Freely the plain receives me,with carpet far away reaching,
Over its friendly green wanders the pathway along.
Round me is humming the busy bee, and with pinion uncertain
Hovers the butterfly gay over the trefoil's red flower.
Fiercely the darts of the sun fall on me,the zephyr is silent,
Only the song of the lark echoes athwart the clear air.
Now from the neighboring copse comes a roar, and the tops of the alders
Bend low down,in the wind dances the silvery grass;
Night ambrosial circles me round; in the coolness so fragrant
Greets me a beauteous roof, formed by the beeches' sweet shade.
In the depths of the wood the landscape suddenly leaves me
And a serpentine path guides up my footsteps on high.
Only by stealth can the light through the leafy trellis of branches
Sparingly pierce, and the blue smilingly peeps through the boughs,
But in a moment the veil is rent, and the opening forest
Suddenly gives back the day's glittering brightness to me!
Boundlessly seems the distance before my gaze to be stretching,
And in a purple-tinged hill terminates sweetly the world.
Deep at the foot of the mountain, that under me falls away steeply,
Wanders the greenish-hued stream, looking like glass as it flows.
Endlessly under me see I the ether, and endlessly o'er
Giddily look I above, shudderingly look I below,
But between the infinite height and the infinite hollow
Safely the wanderer moves over a well-guarded path.
Smilingly past me are flying the banks all teeming with riches,
And the valley so bright boasts of its industry glad.
See how yonder hedgerows that sever the farmer's possessions
Have by Demeter been worked into the tapestried plain!
Kindly decree of the law, of the Deity mortal-sustaining,
Since from the brazen world love vanished forever away.
But in freer windings the measured pastures are traversed
(Now swallowed up in the wood, now climbing up to the hills)
By a glimmering streak, the highway that knits lands together;
Over the smooth-flowing stream, quietly glide on the rafts.
Ofttimes resound the bells of the flocks in the fields that seem living,
And the shepherd's lone song wakens the echo again.
Joyous villages crown the stream, in the copse others vanish,
While from the back of the mount, others plunge wildly below.
Man still lives with the land in neighborly friendship united,
And round his sheltering roof calmly repose still his fields;
Trustingly climbs the vine high over the low-reaching window,
While round the cottage the tree circles its far-stretching boughs.
Happy race of the plain! Not yet awakened to freedom,
Thou and thy pastures with joy share in the limited law;
Bounded thy wishes all are by the harvest's peaceable circuit,
And thy lifetime is spent e'en as the task of the day!
But what suddenly hides the beauteous view? A strange spirit
Over the still-stranger plain spreads itself quickly afar
Coyly separates now, what scarce had lovingly mingled,
And 'tis the like that alone joins itself on to the like.
Orders I see depicted; the haughty tribes of the poplars
Marshalled in regular pomp, stately and beauteous appear.
All gives token of rule and choice, and all has its meaning,
'Tis this uniform plan points out the Ruler to me.
Brightly the glittering domes in far-away distance proclaim him.
Out of the kernel of rocks rises the city's high wall.
Into the desert without, the fauns of the forest are driven,
But by devotion is lent life more sublime to the stone.
Man is brought into nearer union with man, and around him
Closer, more actively wakes, swifter moves in him the world.
See! the emulous forces in fiery conflict are kindled,
Much, they effect when they strive, more they effect when they join.
Thousands of hands by one spirit are moved, yet in thousands of bosoms
Beats one heart all alone, by but one feeling inspired
Beats for their native land, and glows for their ancestors' precepts;
Here on the well-beloved spot, rest now time-honored bones.
Down from the heavens descends the blessed troop of immortals,
In the bright circle divine making their festal abode;
Granting glorious gifts, they appear: and first of all, Ceres
Offers the gift of the plough, Hermes the anchor brings next,
Bacchus the grape, and Minerva the verdant olive-tree's branches,
Even his charger of war brings there Poseidon as well.
Mother Cybele yokes to the pole of her chariot the lions,
And through the wide-open door comes as a citizen in.
Sacred stones! 'Tis from ye that proceed humanity's founders,
Morals and arts ye sent forth, e'en to the ocean's far isles.
'Twas at these friendly gates that the law was spoken by sages;
In their Penates' defence, heroes rushed out to the fray.
On the high walls appeared the mothers, embracing their infants,
Looking after the march, till the distance 'twas lost.
Then in prayer they threw themselves down at the deities' altars,
Praying for triumph and fame, praying for your safe return.
Honor and triumph were yours, but naught returned save your glory,
And by a heart-touching stone, told are your valorous deeds.
"Traveller! when thou com'st to Sparta, proclaim to the people
That thou hast seen us lie here, as by the law we were bid."
Slumber calmly, ye loved ones! for sprinkled o'er by your life-blood,
Flourish the olive-trees there, joyously sprouts the good seed.
In its possessions exulting, industry gladly is kindled.
And from the sedge of the stream smilingly signs the blue god.
Crushingly falls the axe on the tree, the Dryad sighs sadly;
Down from the crest of the mount plunges the thundering load.
Winged by the lever, the stone from the rocky crevice is loosened;
Into the mountain's abyss boldly the miner descends.
Mulciber's anvil resounds with the measured stroke of the hammer;
Under the fist's nervous blow, spurt out the sparks of the steel.
Brilliantly twines the golden flax round the swift-whirling spindles,
Through the strings of the yarn whizzes the shuttle away.
Far in the roads the pilot calls, and the vessels are waiting,
That to the foreigner's land carry the produce of home;
Others gladly approach with the treasures of far-distant regions,
High on the mast's lofty head flutters the garland of mirth.
See how yon markets, those centres of life and of gladness, are swarming!
Strange confusion of tongues sounds in the wondering ear.
On to the pile the wealth of the earth is heaped by the merchant,
All that the sun's scorching rays bring forth on Africa's soil,
All that Arabia prepares, that the uttermost Thule produces,
High with heart-gladdening stores fills Amalthea her horn.
Fortune wedded to talent gives birth there to children immortal,
Suckled in liberty's arms, flourish the arts there of joy.
With the image of life the eyes by the sculptor are ravished,
And by the chisel inspired, speaks e'en the sensitive stone.
Skies artificial repose on slender Ionian columns,
And a Pantheon includes all that Olympus contains.
Light as the rainbow's spring through the air, as the dart from the bowstring,
Leaps the yoke of the bridge over the boisterous stream.
But in his silent chamber the thoughtful sage is projecting
Magical circles, and steals e'en on the spirit that forms,
Proves the force of matter, the hatreds and loves of the magnet,
Follows the tune through the air, follows through ether the ray,
Seeks the familiar law in chance's miracles dreaded,
Looks for the ne'er-changing pole in the phenomena's flight.
Bodies and voices are lent by writing to thought ever silent,
Over the centuries' stream bears it the eloquent page.
Then to the wondering gaze dissolves the cloud of the fancy,
And the vain phantoms of night yield to the dawning of day.
Man now breaks through his fetters, the happy one! Oh, let him never
Break from the bridle of shame, when from fear's fetters he breaks
Freedom! is reason's cry,ay, freedom! The wild raging passions
Eagerly cast off the bonds Nature divine had imposed.
Ah! in the tempest the anchors break loose, that warningly held him
On to the shore, and the stream tears him along in its flood,
Into infinity whirls him,the coasts soon vanish before him,
High on the mountainous waves rocks all-dismasted the bark;
Under the clouds are hid the steadfast stars of the chariot,
Naught now remains,in the breast even the god goes astray.
Truth disappears from language, from life all faith and all honor
Vanish, and even the oath is but a lie on the lips.
Into the heart's most trusty bond, and into love's secrets,
Presses the sycophant base, tearing the friend from the friend.
Treason on innocence leers, with looks that seek to devour,
And the fell slanderer's tooth kills with its poisonous bite.
In the dishonored bosom, thought is now venal, and love, too,
Scatters abroad to the winds, feelings once god-like and free.
All thy holy symbols, O truth, deceit has adopted,
And has e'en dared to pollute Nature's own voices so fair,
That the craving heart in the tumult of gladness discovers;
True sensations are now mute and can scarcely be heard.
Justice boasts at the tribune, and harmony vaunts in the cottage,
While the ghost of the law stands at the throne of the king.
Years together, ay, centuries long, may the mummy continue,
And the deception endure, apeing the fulness of life.
Until Nature awakes, and with hands all-brazen and heavy
'Gainst the hollow-formed pile time and necessity strikes.
Like a tigress, who, bursting the massive grating iron,
Of her Numidian wood suddenly, fearfully thinks,
So with the fury of crime and anguish, humanity rises
Hoping nature, long-lost in the town's ashes, to find.
Oh then open, ye walls, and set the captive at freedom
To the long desolate plains let him in safety return!
But where am I? The path is now hid, declivities rugged
Bar, with their wide-yawning gulfs, progress before and behind.
Now far behind me is left the gardens' and hedges' sure escort,
Every trace of man's hand also remains far behind.
Only the matter I see piled up, whence life has its issue,
And the raw mass of basalt waits for a fashioning hand.
Down through its channel of rock the torrent roaringly rushes,
Angrily forcing a path under the roots of the trees.
All is here wild and fearfully desolate. Naught but the eagle
Hangs in the lone realms of air, knitting the world to the clouds.
Not one zephyr on soaring pinion conveys to my hearing
Echoes, however remote, marking man's pleasures and pains.
Am I in truth, then, alone? Within thine arms, on thy bosom,
Nature, I lie once again!Ah, and 'twas only a dream
That assailed me with horrors so fearful; with life's dreaded phantom,
And with the down-rushing vale, vanished the gloomy one too.
Purer my life I receive again from thine altar unsullied,
Purer receive the bright glow felt by my youth's hopeful days.
Ever the will is changing its aim and its rule, while forever,
In a still varying form, actions revolve round themselves.
But in enduring youth, in beauty ever renewing.
Kindly Nature, with grace thou dost revere the old law!
Ever the same, for the man in thy faithful hands thou preservest
That which the child in its sport, that which the youth lent to thee;
At the same breast thou dost suckle the ceaselessly-varying ages;
Under the same azure vault, over the same verdant earth,
Races, near and remote, in harmony wander together,
See, even Homer's own sun looks on us, too, with a smile!
~ Friedrich Schiller, The Walk
,#NFDB
1375:The Supreme Discovery
IF WE want to progress integrally, we must build within our conscious being a strong and pure mental synthesis which can serve us as a protection against temptations from outside, as a landmark to prevent us from going astray, as a beacon to light our way across the moving ocean of life.
Each individual should build up this mental synthesis according to his own tendencies and affinities and aspirations. But if we want it to be truly living and luminous, it must be centred on the idea that is the intellectual representation symbolising That which is at the centre of our being, That which is our life and our light.
This idea, expressed in sublime words, has been taught in various forms by all the great Instructors in all lands and all ages.
The Self of each one and the great universal Self are one. Since all that is exists from all eternity in its essence and principle, why make a distinction between the being and its origin, between ourselves and what we place at the beginning?
The ancient traditions rightly said:
"Our origin and ourselves, our God and ourselves are one."
And this oneness should not be understood merely as a more or less close and intimate relationship of union, but as a true identity.
Thus, when a man who seeks the Divine attempts to reascend by degrees towards the inaccessible, he forgets that all his knowledge and all his intuition cannot take him one step forward in this infinite; neither does he know that what he wants to attain, what he believes to be so far from him, is within him.
For how could he know anything of the origin until he becomes conscious of this origin in himself?
It is by understanding himself, by learning to know himself, that he can make the supreme discovery and cry out in wonder like the patriarch in the Bible, "The house of God is here and I knew it not."
That is why we must express that sublime thought, creatrix of the material worlds, and make known to all the word that fills the heavens and the earth, "I am in all things and all beings."When all shall know this, the promised day of great transfigurations will be at hand. When in each atom of Matter men shall recognise the indwelling thought of God, when in each living creature they shall perceive some hint of a gesture of God, when each man can see God in his brother, then dawn will break, dispelling the darkness, the falsehood, the ignorance, the error and suffering that weigh upon all Nature. For, "all Nature suffers and laments as she awaits the revelation of the Sons of God."
This indeed is the central thought epitomising all others, the thought which should be ever present to our remembrance as the sun that illumines all life.
That is why I remind you of it today. For if we follow our path bearing this thought in our hearts like the rarest jewel, the most precious treasure, if we allow it to do its work of illumination and transfiguration within us, we shall know that it lives in the centre of all beings and all things, and in it we shall feel the marvellous oneness of the universe.
Then we shall understand the vanity and childishness of our meagre satisfactions, our foolish quarrels, our petty passions, our blind indignations. We shall see the dissolution of our little faults, the crumbling of the last entrenchments of our limited personality and our obtuse egoism. We shall feel ourselves being swept along by this sublime current of true spirituality which will deliver us from our narrow limits and bounds.
The individual Self and the universal Self are one; in every world, in every being, in every thing, in every atom is the Divine Presence, and man's mission is to manifest it.
In order to do that, he must become conscious of this Divine Presence within him. Some individuals must undergo a real apprenticeship in order to achieve this: their egoistic being is too all-absorbing, too rigid, too conservative, and their struggles against it are long and painful. Others, on the contrary, who are more impersonal, more plastic, more spiritualised, come easily into contact with the inexhaustible divine source of their being.But let us not forget that they too should devote themselves daily, constantly, to a methodical effort of adaptation and transformation, so that nothing within them may ever again obscure the radiance of that pure light.
But how greatly the standpoint changes once we attain this deeper consciousness! How understanding widens, how compassion grows!
On this a sage has said:
"I would like each one of us to come to the point where he perceives the inner God who dwells even in the vilest of human beings; instead of condemning him we would say, 'Arise, O resplendent Being, thou who art ever pure, who knowest neither birth nor death; arise, Almighty One, and manifest thy nature.'"
Let us live by this beautiful utterance and we shall see everything around us transformed as if by miracle.
This is the attitude of true, conscious and discerning love, the love which knows how to see behind appearances, understand in spite of words, and which, amid all obstacles, is in constant communion with the depths.
What value have our impulses and our desires, our anguish and our violence, our sufferings and our struggles, all these inner vicissitudes unduly dramatised by our unruly imagination - what value do they have before this great, this sublime and divine love bending over us from the innermost depths of our being, bearing with our weaknesses, rectifying our errors, healing our wounds, bathing our whole being with its regenerating streams?
For the inner Godhead never imposes herself, she neither demands nor threatens; she offers and gives herself, conceals and forgets herself in the heart of all beings and things; she never accuses, she neither judges nor curses nor condemns, but works unceasingly to perfect without constraint, to mend without reproach, to encourage without impatience, to enrich each one with all the wealth he can receive; she is the mother whose love bears fruit and nourishes, guards and protects, counsels and consoles; because she understands everything, she can endure everything, excuse and pardon everything, hope and prepare for everything; bearing everything within herself, she owns nothing that does not belong to all, and because she reigns over all, she is the servant of all; that is why all, great and small, who want to be kings with her and gods in her, become, like her, not despots but servitors among their brethren.
How beautiful is this humble role of servant, the role of all who have been revealers and heralds of the God who is within all, of the Divine Love that animates all things....
And until we can follow their example and become true servants even as they, let us allow ourselves to be penetrated and transformed by this Divine Love; let us offer Him, without reserve, this marvellous instrument, our physical organism. He shall make it yield its utmost on every plane of activity.
To achieve this total self-consecration, all means are good, all methods have their value. The one thing needful is to persevere in our will to attain this goal. For then everything we study, every action we perform, every human being we meet, all come to bring us an indication, a help, a light to guide us on the path.
Before I close, I shall add a few pages for those who have already made apparently fruitless efforts, for those who have encountered the pitfalls on the way and seen the measure of their weakness, for those who are in danger of losing their self-confidence and courage. These pages, intended to rekindle hope in the hearts of those who suffer, were written by a spiritual worker at a time when ordeals of every kind were sweeping down on him like purifying flames.
You who are weary, downcast and bruised, you who fall, who think perhaps that you are defeated, hear the voice of a friend. He knows your sorrows, he has shared them, he has suffered like you from the ills of the earth; like you he has crossed many deserts under the burden of the day, he has known thirst and hunger, solitude and abandonment, and the cruellest of all wants, the destitution of the heart. Alas! he has known too the hours of doubt, the errors, the faults, the failings, every weakness.
But he tells you: Courage! Hearken to the lesson that the rising sun brings to the earth with its first rays each morning. It is a lesson of hope, a message of solace.
You who weep, who suffer and tremble, who dare not expect an end to your ills, an issue to your pangs, behold: there is no night without dawn and the day is about to break when darkness is thickest; there is no mist that the sun does not dispel, no cloud that it does not gild, no tear that it will not dry one day, no storm that is not followed by its shining triumphant bow; there is no snow that it does not melt, nor winter that it does not change into radiant spring.
And for you too, there is no affliction which does not bring its measure of glory, no distress which cannot be transformed into joy, nor defeat into victory, nor downfall into higher ascension, nor solitude into radiating centre of life, nor discord into harmony - sometimes it is a misunderstanding between two minds that compels two hearts to open to mutual communion; lastly, there is no infinite weakness that cannot be changed into strength. And it is even in supreme weakness that almightiness chooses to reveal itself!
Listen, my little child, you who today feel so broken, so fallen perhaps, who have nothing left, nothing to cover your misery and foster your pride: never before have you been so great! How close to the summits is he who awakens in the depths, for the deeper the abyss, the more the heights reveal themselves!
Do you not know this, that the most sublime forces of the vasts seek to array themselves in the most opaque veils of Matter? Oh, the sublime nuptials of sovereign love with the obscurest plasticities, of the shadow's yearning with the most royal light!
If ordeal or fault has cast you down, if you have sunk into the nether depths of suffering, do not grieve - for there indeed the divine love and the supreme blessing can reach you! Because you have passed through the crucible of purifying sorrows, the glorious ascents are yours.
You are in the wilderness: then listen to the voices of the silence. The clamour of flattering words and outer applause has gladdened your ears, but the voices of the silence will gladden your soul and awaken within you the echo of the depths, the chant of divine harmonies!
You are walking in the depths of night: then gather the priceless treasures of the night. In bright sunshine, the ways of intelligence are lit, but in the white luminosities of the night lie the hidden paths of perfection, the secret of spiritual riches.
You are being stripped of everything: that is the way towards plenitude. When you have nothing left, everything will be given to you. Because for those who are sincere and true, from the worst always comes the best.
Every grain that is sown in the earth produces a thousand. Every wing-beat of sorrow can be a soaring towards glory.
And when the adversary pursues man relentlessly, everything he does to destroy him only makes him greater.
Hear the story of the worlds, look: the great enemy seems to triumph. He casts the beings of light into the night, and the night is filled with stars. He rages against the cosmic working, he assails the integrity of the empire of the sphere, shatters its harmony, divides and subdivides it, scatters its dust to the four winds of infinity, and lo! the dust is changed into a golden seed, fertilising the infinite and peopling it with worlds which now gravitate around their eternal centre in the larger orbit of space - so that even division creates a richer and deeper unity, and by multiplying the surfaces of the material universe, enlarges the empire that it set out to destroy.
Beautiful indeed was the song of the primordial sphere cradled in the bosom of immensity, but how much more beautiful and triumphant is the symphony of the constellations, the music of the spheres, the immense choir that fills the heavens with an eternal hymn of victory!
Hear again: no state was ever more precarious than that of man when he was separated on earth from his divine origin. Above him stretched the hostile borders of the usurper, and at his horizon's gates watched jailers armed with flaming swords. Then, since he could climb no more to the source of life, the source arose within him; since he could no more receive the light from above, the light shone forth at the very centre of his being; since he could commune no more with the transcendent love, that love offered itself in a holocaust and chose each terrestrial being, each human self as its dwelling-place and sanctuary.
That is how, in this despised and desolate but fruitful and blessed Matter, each atom contains a divine thought, each being carries within him the Divine Inhabitant. And if no being in all the universe is as frail as man, neither is any as divine as he!
In truth, in truth, in humiliation lies the cradle of glory! 28 April 1912 ~ The Mother, Words Of Long Ago, The Supreme Discovery,#NFDB
1376:An Epistle
I.
Master and Sage, greetings and health to thee,
From thy most meek disciple! Deign once more
Endure me at thy feet, enlighten me,
As when upon my boyish head of yore,
Midst the rapt circle gathered round thy knee
Thy sacred vials of learning thou didst pour.
By the large lustre of thy wisdom orbed
Be my black doubts illumined and absorbed.
II.
Oft I recall that golden time when thou,
Born for no second station, heldst with us
The Rabbi's chair, who art priest and bishop now;
And we, the youth of Israel, curious,
Hung on thy counsels, lifted reverent brow
Unto thy sanctity, would fain discuss
With thee our Talmud problems good and evil,
Till startled by the risen stars o'er Seville.
III.
For on the Synagogue's high-pillared porch
Thou didst hold session, till the sudden sun
Beyond day's purple limit dropped his torch.
Then we, as dreamers, woke, to find outrun
Time's rapid sands. The flame that may not scorch,
Our hearts caught from thine eyes, thou Shining One.
I scent not yet sweet lemon-groves in flower,
But I re-breathe the peace of that deep hour.
IV.
We kissed the sacred borders of thy gown,
29
Brow-aureoled with thy blessing, we went forth
Through the hushed byways of the twilight town.
Then in all life but one thing seemed of worth,
To seek, find, love the Truth. She set her crown
Upon thy head, our Master, at thy birth;
She bade thy lips drop honey, fired thine eyes
With the unclouded glow of sun-steeped skies.
V.
Forgive me, if I dwell on that which, viewed
From thy new vantage-ground, must seem a mist
Of error, by auroral youth endued
With alien lustre. Still in me subsist
Those reeking vapors; faith and gratitude
Still lead me to the hand my boy-lips kissed
For benison and guidance. Not in wrath,
Master, but in wise patience, point my path.
VI.
For I, thy servant, gather in one sheaf
The venomed shafts of slander, which thy word
Shall shrivel to small dust. If haply grief,
Or momentary pain, I deal, my Lord
Blame not thy servant's zeal, nor be thou deaf
Unto my soul's blind cry for light. AccordPitying my love, if too superb to care
For hate-soiled name-an answer to my prayer.
VII.
To me, who, vine to stone, clung close to thee,
The very base of life appeared to quake
When first I knew thee fallen from us, to be
A tower of strength among our foes, to make
'Twixt Jew and Jew deep-cloven enmity.
I have wept gall and blood for thy dear sake.
But now with temperate soul I calmly search
30
Motive and cause that bound thee to the Church.
VIII.
Four motives possible therefor I reachAmbition, doubt, fear, or mayhap-conviction.
I hear in turn ascribed thee all and each
By ignorant folk who part not truth from fiction.
But I, whom even thyself didst stoop to teach,
May poise the scales, weigh this with that confliction,
Yea, sift the hid grain motive from the dense,
Dusty, eye-blinding chaff of consequence.
IX.
Ambition first! I find no fleck thereof
In all thy clean soul. What! could glory, gold,
Or sated senses lure thy lofty love?
No purple cloak to shield thee from the cold,
No jeweled sign to flicker thereabove,
And dazzle men to homage-joys untold
Of spiritual treasure, grace divine,
Alone (so saidst thou) coveting for thine!
X.
I saw thee mount with deprecating air,
Step after step, unto our Jewish throne
Of supreme dignity, the Rabbi's chair;
Shrinking from public honors thrust upon
Thy meek desert, regretting even there
The placid habit of thy life foregone;
Silence obscure, vast peace and austere days
Passed in wise contemplation, prayer, and praise.
XI.
One less than thou had ne'er known such regret.
31
How must thou suffer, who so lov'st the shade,
In Fame's full glare, whom one stride more shall set
Upon the Papal seat! I stand dismayed,
Familiar with thy fearful soul, and yet
Half glad, perceiving modest worth repaid
Even by the Christians! Could thy soul deflect?
No, no, thrice no! Ambition I reject!
XII.
Next doubt. Could doubt have swayed thee, then I ask,
How enters doubt within the soul of man?
Is it a door that opens, or a mask
That falls? and Truth's resplendent face we scan.
Nay, 't is a creeping, small, blind worm, whose task
Is gnawing at Faith's base; the whole vast plan
Rots, crumbles, eaten inch by inch within,
And on its ruins falsehood springs and sin.
XIII.
But thee no doubt confused, no problems vexed.
Thy father's faith for thee proved bright and sweet.
Thou foundst no rite superfluous, no text
Obscure; the path was straight before thy feet.
Till thy baptismal day, thou, unperplexed
By foreign dogma, didst our prayers repeat,
Honor the God of Israel, fast and feast,
Even as thy people's wont, from first to least.
XIV.
Yes, Doubt I likewise must discard. Not sleek,
Full-faced, erect of head, men walk, when doubt
Writhes at their entrails; pinched and lean of cheek,
With brow pain-branded, thou hadst strayed about
As midst live men a ghost condemned to seek
That soul he may nor live nor die without.
No doubts the font washed from thee, thou didst glide
32
From creed to creed, complete, sane-souled, clear-eyed.
XV.
Thy pardon, Master, if I dare sustain
The thesis thou couldst entertain a fear.
I would but rout thine enemies, who feign
Ignoble impulse prompted thy career.
I will but weigh the chances and make plain
To Envy's self the monstrous jest appear.
Though time, place, circumstance confirmed in seeming,
One word from thee should frustrate all their scheming.
XVI.
Was Israel glad in Seville on the day
Thou didst renounce him? Then mightst thou indeed
Snap finger at whate'er thy slanderers say.
Lothly must I admit, just then the seed
Of Jacob chanced upon a grievous way.
Still from the wounds of that red year we bleed.
The curse had fallen upon our heads-the sword
Was whetted for the chosen of the Lord.
XVII.
There where we flourished like a fruitful palm,
We were uprooted, spoiled, lopped limb from limb.
A bolt undreamed of out of heavens calm,
So cracked our doom. We were destroyed by him
Whose hand since childhood we had clasped. With balm
Our head had been anointed, at the brim
Our cup ran over-now our day was done,
Our blood flowed free as water in the sun.
XVIII.
Midst the four thousand of our tribe who held
33
Glad homes in Seville, never a one was spared,
Some slaughtered at their hearthstones, some expelled
To Moorish slavery. Cunningly ensnared,
Baited and trapped were we; their fierce monks yelled
And thundered from our Synagogues, while flared
The Cross above the Ark. Ah, happiest they
Who fell unconquered martyrs on that day!
XIX.
For some (I write it with flushed cheek, bowed head),
Given free choice 'twixt death and shame, chose shame,
Denied the God who visibly had led
Their fathers, pillared in a cloud of flame,
Bathed in baptismal waters, ate the bread
Which is their new Lord's body, took the name
Marranos the Accursed, whom equally
Jew, Moor, and Christian hate, despise, and flee.
XX.
Even one no less than an Abarbanel
Prized miserable length of days, above
Integrity of soul. Midst such who fell,
Far be it, however, from my duteous love,
Master, to reckon thee. Thine own lips tell
How fear nor torture thy firm will could move.
How thou midst panic nowise disconcerted,
By Thomas of Aquinas wast converted!
XXI.
Truly I know no more convincing way
To read so wise an author, than was thine.
When burning Synagogues changed night to day,
And red swords underscored each word and line.
That was a light to read by! Who'd gainsay
Authority so clearly stamped divine?
On this side, death and torture, flame and slaughter,
34
On that, a harmless wafer and clean water.
XXII.
Thou couldst not fear extinction for our race;
Though Christian sword and fire from town to town
Flash double bladed lightning to efface
Israel's image-though we bleed, burn, drown
Through Christendom-'t is but a scanty space.
Still are the Asian hills and plains our own,
Still are we lords in Syria, still are free,
Nor doomed to be abolished utterly.
XXIII.
One sole conclusion hence at last I find,
Thou whom ambition, doubt, nor fear could swerve,
Perforce hast been persuaded through the mind,
Proved, tested the new dogmas, found them serve
Thy spirit's needs, left flesh and sense behind,
Accepted without shrinking or reserve,
The trans-substantial bread and wine, the Christ
At whose shrine thine own kin were sacrificed.
XXIV.
Here then the moment comes when I crave light.
All's dark to me. Master, if I be blind,
Thou shalt unseal my lids and bless with sight,
Or groping in the shadows, I shall find
Whether within me or without, dwell night.
Oh cast upon my doubt-bewildered mind
One ray from thy clear heaven of sun-bright faith,
Grieving, not wroth, at what thy servant saith.
XXV.
Where are the signs fulfilled whereby all men
35
Should know the Christ? Where is the wide-winged peace
Shielding the lamb within the lion's den?
The freedom broadening with the wars that cease?
Do foes clasp hands in brotherhood again?
Where is the promised garden of increase,
When like a rose the wilderness should bloom?
Earth is a battlefield and Spain a tomb.
XXVI.
Our God of Sabaoth is an awful God
Of lightnings and of vengeance,-Christians say.
Earth trembled, nations perished at his nod;
His Law has yielded to a milder sway.
Theirs is the God of Love whose feet have trod
Our common earth-draw near to him and pray,
Meek-faced, dove-eyed, pure-browed, the Lord of life,
Know him and kneel, else at your throat the knife!
XXVII.
This is the God of Love, whose altars reek
With human blood, who teaches men to hate;
Torture past words, or sins we may not speak
Wrought by his priests behind the convent-grate.
Are his priests false? or are his doctrines weak
That none obeys him? State at war with state,
Church against church-yea, Pope at feud with Pope
In these tossed seas what anchorage for hope?
XXVIII.
Not only for the sheep without the fold
Is the knife whetted, who refuse to share
Blessings the shepherd wise doth not withhold
Even from the least among his flock-but there
Midmost the pale, dissensions manifold,
Lamb flaying lamb, fierce sheep that rend and tear.
Master, if thou to thy pride's goal should come,
36
Where wouldst thou throne-at Avignon or Rome?
XXIX.
I handle burning questions, good my lord,
Such as may kindle fagots, well I wis.
Your Gospel not denies our older Word,
But in a way completes and betters this.
The Law of Love shall supersede the sword,
So runs the promise, but the facts I miss.
Already needs this wretched generation,
A voice divine-a new, third revelation.
XXX.
Two Popes and their adherents fulminate
Ban against ban, and to the nether hell
Condemn each other, while the nations wait
Their Christ to thunder forth from Heaven, and tell
Who is his rightful Vicar, reinstate
His throne, the hideous discord to dispel.
Where shall I seek, master, while such things be,
Celestial truth, revealed certainty!
XXXI.
Not miracles I doubt, for how dare man,
Chief miracle of life's mystery, say HE KNOWS?
How may he closely secret causes scan,
Who learns not whence he comes nor where he goes?
Like one who walks in sleep a doubtful span
He gropes through all his days, till Death unclose
His cheated eyes and in one blinding gleam,
Wakes, to discern the substance from the dream.
XXXII.
I say not therefore I deny the birth,
37
The Virgin's motherhood, the resurrection,
Who know not how mine own soul came to earth,
Nor what shall follow death. Man's imperfection
May bound not even in thought the height and girth
Of God's omnipotence; neath his direction
We may approach his essence, but that He
Should dwarf Himself to us-it cannot be!
XXXIII.
The God who balances the clouds, who spread
The sky above us like a molten glass,
The God who shut the sea with doors, who laid
The corner-stone of earth, who caused the grass
Spring forth upon the wilderness, and made
The darkness scatter and the night to passThat He should clothe Himself with flesh, and move
Midst worms a worm-this, sun, moon, stars disprove.
XXXIV.
Help me, O thou who wast my boyhood's guide,
I bend my exile-weary feet to thee,
Teach me the indivisible to divide,
Show me how three are one and One is three!
How Christ to save all men was crucified,
Yet I and mine are damned eternally.
Instruct me, Sage, why Virtue starves alone,
While falsehood step by step ascends the throne.
~ Emma Lazarus,#NFDB
1377:The Happy Harvester
I.
Autumn, like an old poet in a haze
Of golden visions, dreams away his days,
So Hafiz-like that one may almost hear
The singer's thoughts imbue the atmosphere;
Sweet as the dreamings of the nightingales
Ere yet their songs have waked the eastern vales,
Or stirred the airy echoes of the wood
That haunt the forest's social solitude.
His thoughts are pastorals; his days are rife
With the calm wisdom of that inner life
That makes the poet heir to worlds unknown,
All space his empire, and the sun his throne.
As the bee stores the sweetness of the flowers,
So into autumn's variegated hours
Is hived the Hybla richness of the year;
Choice souls imbibing the ambrosial cheer,
As autumn, seated on the highest hills,
Gleans honied secrets from the passing rills;
While from below, the harvest canzonas
Link vale to mountain with a chain of praise.
Foremost among the honoured sons of toil
Are they who overcome the stubborn soil;
Brave Cincinnatus in his country home
Was even greater than when lord of Rome.
Down sinks the sun behind the lofty pines
That skirt the mountain, like the straggling lines
Of Ceres' army looking from the height
On the dim lowlands deepening into night;
Soft-featured twilight, peering through the maze,
Sees the first starbeam pierce the purple haze;
Through all the vales the vespers of the birds
Cheer the young shepherds homeward with their herds;
And the stout axles of the heavy wain
Creak 'neath the fulness of the ripened grain,
As the swarth builders of the precious load,
Returning homewards, sing their Autumn Ode.
145
AUTUMN ODE.
God of the Harvest! Thou, whose sun
Has ripened all the golden grain,
We bless Thee for Thy bounteous store,
The cup of Plenty running o'er,
The sunshine and the rain.
The year laughs out for very joy,
Its silver treble echoing
Like a sweet anthem through the woods,
Till mellowed by the solitudes
It folds its glossy wing.
But our united voices blend
From day to day unweariedly;
Sure as the sun rolls up the morn,
Or twilight from the eve is born,
Our song ascends to Thee.
Where'er the various-tinted woods,
In all their autumn splendour dressed,
Impart their gold and purple dyes
To distant hills and farthest skies
Along the crimson west:
Across the smooth, extended plain,
By rushing stream and broad lagoon,
On shady height and sunny dale,
Wherever scuds the balmy gale,
Or gleams the autumn moon:
From inland seas of yellow grain,
Where cheerful Labour, heaven-blest,
With willing hands and keen-edged scythe,
And accents musically blythe,
Reveals its lordly crest:
From clover-fields and meadows wide,
Where moves the richly-laden wain
146
To barns well-stored with new-made hay,
Or where the flail at early day
Rolls out the ripened grain:
From meads and pastures on the hills,
And in the mountain valleys deep,
Alive with beeves and sweet-breathed kine
Of famous Ayr or Devon's line,
And shepherd-guarded sheep:
The spirits of the golden year,
From crystal caves and grottoes dim,
From forest depths and mossy sward,
Myriad-tongued, with one accord
Peal forth their harvest hymn.
II.
Their daily labour in the happy fields
A two-fold crop of grain and pleasure yields,
While round their hearths, before their evening fires,
Whore comfort reigns, whence weariness retires,
The level tracts, denuded of their grain,
In calm dispute are bravely shorn again,
Till some rough reaper, on a tide of song,
Like a bold pirate, captivates the throng:
A SONG FOR THE FLAIL.
A song, a song for the good old Flail,
And the brawny arms that wield it,
Hearty and hale, in our yeoman mail,
Like intrepid knights we'll shield it.
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the golden grain,
As it wooes the flail's embraces,
147
In wavy sheaves like a golden main,
With its bright spray in our faces.
Mirth hastens at our call,
Jovial hearts have we all!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
A song, a song for the good old Flail,
That our fathers used before us;
A song for the Flail, and the faces hale
Of the queenly dames that bore us!
We are old nature's peers,
Right royal cavaliers!
Knights of the Plough! for no Golden Fleece we sail,
We're Princes in our own right-our sceptre is the Flail.
III.
Fair was the maid, and lovely as the morn
From starry Night and rosy Twilight born,
Within whose mind a rivulet of song
Rehearsed the strains that from her lips ere long
Welled free and sparkling, as the vocal woods
Repeat the day-spring's sweetest interludes.
Her gentle eyes' serenest depths of blue
Shrined love and truth, and all their retinue;
The health and beauty of her youthful face
Made it the Harem of each maiden grace;
And such perfection blended with her air,
She seemed some stately Goddess moving there:
Beholding her, you thought she might have been
The long-lost, flower-loving Proserpine:
AN AUTUMN CHANGE.
'Oh, dreamy autumn days!
I seek your faded ways,
As one who calmly strays
Through visions of the past;
148
I walk the golden hours,
And where I gathered flowers
The stricken leaves in showers
Are hurled upon the blast.'
Thus mused the lonely maid,
As through the autumn glade,
With pensive heart, she strayed,
Regretting Love's delay;
In vain the traitor flies!
To pleading lips and eyes,
Sweet looks, and tender sighs,
He falls an easy prey.
'Oh, dreamy autumn days!
I tread your bridal ways,
As one who homeward strays,
Through realms divinely fair;
I walk Love's radiant hours,
Fragrant with passion flowers,
And blessings fall like dowers
Down the elysian air.'
Thus mused the maiden now,
With sunny heart and brow,
For Love had turned his prow
Towards the Golden Isles,
Where from Pierean springs
The soul of Music sings
Its sweet imaginings,
Through all the Land of Smiles.
IV.
Up the wide chimney rolls the social fire,
Warming the hearts of matron, youth, and sire;
Painting such grotesque shadows on the wall,
The stripling looms a giant stout and tall,
While they whose statures reach the common height
Seem spectres mocking the hilarious night.
149
From hand to hand the ripened fruit went round,
And rural sports a pleased acceptance found;
The youthful fiddler on his three-legged stool,
Fancied himself at least an Ole Bull;
Some easy bumpkin, seated on the floor,
Hunted the slipper till his ribs were sore;
Some chose the graceful waltz or lively reel,
While deeper heads the chess battalions wheel
Till some old veteran, compelled to yield,
More brave than skilful, vanquished, quits the field.
As a flushed harper, when the doubtful fight
Favors the prowess of some stately knight,
In stirring numbers of triumphal song
Upholds the spirits of the victor throng,
A sturdy ploughboy, wedded to the soil,
Thus sung the praises of the partner of his toil:
THE SOLDIERS OF THE PLOUGH.
No maiden dream, nor fancy theme,
Brown Labour's muse would sing;
Her stately mien and russet sheen
Demand a stronger wing,
Long ages since, the sage, the prince,
The man of lordly brow,
All honour gave that army brave,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
In every land, the toiling hand
Is blest as it deserves;
Not so the race who, in disgrace,
From honest labour swerves.
From fairest bowers bring rarest flowers,
To deck the swarthy brow
Of those whose toil improves the soil,
150
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
Blest is his lot, in hall or cot,
Who lives as nature wills,
Who pours his corn from Ceres' horn,
And quaffs his native rills!
No breeze that sweeps trade's stormy deeps,
Can touch his golden prow;
Their foes are few, their lives are true,
The Soldiers of the Plough.
Kind heaven speed the Plough!
And bless the hands that guide it;
God gives the seedThe bread we need,
Man's labour must provide it.
V.
Fast sped the rushing chariot of the Hours.
Without, the Harvest Moon, through fleecy bowers
Of hazy cloudlets, swept her graceful way,
Proud as an empress on her marriage-day;
The admiring planets lit her stately march
With smiles that gleamed along the silent arch,
And all the starry midnight blazed with light,
As if 'twere earth and heaven's nuptial-night;
The cock crowed, certain that the day had broke,
The aged house-dog suddenly awoke,
And bayed so loud a challenge to the moon,
From the old orchard fled the thievish 'coon;
Within, the lightest hearts that ever beat
Still found their harmless pleasures pure and sweet;
The fire still burned on the capacious hearth,
In sympathy with the redundant mirth;
Old graybeards felt the glow of youth revive,
151
Old matrons smiled upon the human hive,
Where life's rare nectar, fit for gods to sip,
In forfeit kisses passed from lip to lip.
Be hushed rude Mirth! as merry as the May
Is she who comes to sing her roundelay:
CLAIRE.
Whither now, blushing Claire?
Maid of the sylph-like air,
Blooming and debonair,
Whither so early?
Chasing the merry morn,
Down through the golden corn?
List'ning the hunter's horn
Ring through the barley?
'Flowerets fresh and fair,'
Answered the blushing Claire,
'Fit for my bridal hair,
Bloom 'mongst the barley;
Hark! 'tis the hunter's horn,
Waking the sylvan morn,
And through the yellow corn
Comes my brave Charlie.'
Through the dew-dripping grain
Pressed the heart-stricken swain,
Crushed with a weight of pain,
Drooped like the barley;
Ah! timid shepherd boy!
Man's love should ne'er be coy,
Sweet is Claire's maiden joy,
Kissing her Charlie!
VI.
A pleasant soul as ever trilled a song
Was hers who warbled 'Claire.' All the day long
152
Her voice was ringing like a bridal bell;
Gladness and joy leaped up at every swell;
And love was deeper, warmer, for the tone
That clasped the heart like an enchanted zone.
A youth was there more comely than the rest,
One who could turn a furrow with the best,
Compete for manly strength and portly air,
Or wield a scythe with any reaper there.
The spirit of her voice had moved above
The waters of his soul, and waked his song to Love:
BALLAD.
'Come tell me, merry Brooklet, of a gentle Maid I seek,
Thou'lt know her by the freshness of the rose upon her cheek;
Her eyes are chaste and tender, and so serenely bright,
You can read her heart's pure secrets by their warm religious light.'
'The Maid has not come hither,' said the Brooklet in reply;
'I've listened for her footfall ere the stars were in the sky;
The Fountain has been singing of a Maid, with eyes so bright
You may read the cherished secrets of her bosom by their light.'
'Pray tell me, merry Brooklet, what saith her thoughts of one
Who wronged her loving nature ere the setting of the sun?
What say they of yon autumn moon that smiles so mournfully
On the slowly-dying season, and the blasted moorland tree?'
'She sitteth by the Fountain,' the Brook replied again,
'Her heart as pure as heaven, and her thoughts without a stain;
'Oh, fickle moon, and changeful man!' she saith, 'a year ago
All the paths were true-love-lighted where I'm groping now in woe.'
'She sitteth by the Fountain, the gentle mists arise,
And kiss away the tear-pearls that tremble in her eyes,
The Fountain singeth to me that the Maiden in her dream
Shrinks as the vapours claim her as the Oread of the stream.'
Off sped the merry Streamlet adown the sloping vale;
The Shepherd seeks the Fountain, where sits the Maiden pale;
And to the wandering Brooklet, through many a lonely wild,
153
The burden of the Fountain was, that Love was reconciled.
VII.
But soon the Morn, on many a distant height,
Fingers the raven locks of lingering Night;
The last dark shadows that precede the day
Have stripped the splendour from the Milky Way;
And Nature seems disturbed by fitful dreams,
As one who shudders when the owlet screams;
The painful burden of the Whippoorwill,
Like a vague Sorrow, floats from hill to hill;
Along the vales the doleful accents run,
Where the white vapours dread the burning sun;
While human voices stir the haunted air,
One sings 'the Plough,' another warbles 'Claire:'
The Happy Harvesters, a lightsome throng,
Dispersing homewards, prove the excellence of Song.
~ Charles Sangster,#NFDB
1378:L'Aveugle
'Dieu dont l'arc est d'argent, dieu de Claros, écoute;
O Sminthée-Apollon, je périrai sans doute,
Si tu ne sers de guide à cet aveugle errant.'
C'est ainsi qu'achevait l'aveugle en soupirant,
Et près des bois marchait, faible, et sur une pierre
S'asseyait. Trois pasteurs, enfants de cette terre,
Le suivaient, accourus aux abois turbulents
Des molosses, gardiens de leurs troupeaux bêlants.
Ils avaient, retenant leur fureur indiscrète,
Protégé du vieillard la faiblesse inquiète;
Ils l'écoutaient de loin, et s'approchant de lui:
Quel est ce vieillard blanc, aveugle et sans appui?
Serait-ce un habitant de l'empire céleste?
Ses traits sont grands et fiers; de sa ceinture agreste
Pend une lyre informe; et les sons de sa voix
Émeuvent l'air et l'onde, et le ciel et les bois.'
Mais il entend leurs pas, prête l'oreille, espère,
Se trouble, et tend déjà les mains à la prière.
'Ne crains point, disent-ils, malheureux étranger,
Si plutôt, sous un corps terrestre et passager,
Tu n'es point quelque dieu protecteur de la Grèce,
Tant une grâce auguste ennoblit ta vieillesse!
Si tu n'es qu'un mortel, vieillard infortuné,
Les humains près de qui les flots t'ont amené
Aux mortels malheureux n'apportent point d'injures.
Les destins n'ont jamais de faveurs qui soient pures.
Ta voix noble et touchante est un bienfait des dieux;
Mais aux clartés du jour ils ont fermé tes yeux.
--Enfants, car votre voix est enfantine et tendre,
Vos discours sont prudents plus qu'on n'eût dû l'attendre;
Mais, toujours soupçonneux, l'indigent étranger
Croit qu'on rit de ses maux et qu'on veut l'outrager.
Ne me comparez point à la troupe immortelle:
Ces rides, ces cheveux, cette nuit éternelle,
Voyez, est-ce le front d'un habitant des cieux?
Je ne suis qu'un mortel, un des plus malheureux!
96
Si vous en savez un, pauvre, errant, misérable,
C'est à celui-là seul que je suis comparable;
Et pourtant je n'ai point, comme fit Thamyris,
Des chansons à Phoebus voulu ravir le prix;
Ni, livré comme Oedipe à la noire Euménide,
Je n'ai puni sur moi l'inceste parricide;
Mais les dieux tout-puissants gardaient à mon déclin
Les ténèbres, l'exil, l'indigence et la faim.
--Prends, et puisse bientôt changer ta destinée!'
Disent-ils. Et tirant ce que, pour leur journée,
Tient la peau d'une chèvre aux crins noirs et luisants,
Ils versent à l'envi, sur ses genoux pesants,
Le pain de pur froment, les olives huileuses,
Le fromage et l'amande et les figues mielleuses;
Et du pain à son chien entre ses pieds gisant,
Tout hors d'haleine encore, humide et languissant,
Qui, malgré les rameurs, se lançant à la nage,
L'avait loin du vaisseau rejoint sur le rivage.
'Le sort, dit le vieillard, n'est pas toujours de fer;
Je vous salue, enfants venus de Jupiter;
Heureux sont les parents qui tels vous firent naître!
Mais venez, que mes mains cherchent à vous connaître;
Je crois avoir des yeux. Vous êtes beaux tous trois.
Vos visages sont doux, car douce est votre voix.
Qu'aimable est la vertu que la grâce environne!
Croissez, comme j'ai vu ce palmier de Latone,
Alors qu'ayant des yeux je traversai les flots;
Car jadis, abordant à la sainte Délos,
Je vis près d'Apollon, à son autel de pierre,
Un palmier, don du ciel, merveille de la terre.
Vous croîtrez, comme lui, grands, féconds, révérés,
Puisque les malheureux sont par vous honorés.
Le plus âgé de vous aura vu treize années:
A peine, mes enfants, vos mères étaient nées,
Que j'étais presque vieux. Assieds-toi près de moi,
Toi, le plus grand de tous; je me confie à toi.
Prends soin du vieil aveugle.--O sage magnanime!
Comment, et d'où viens-tu? car l'onde maritime
Mugit de toutes parts sur nos bords orageux.
97
--Des marchands de Cymé m'avaient pris avec eux.
J'allais voir, m'éloignant des rives de Carie,
Si la Grèce pour moi n'aurait point de patrie,
Et des dieux moins jaloux, et de moins tristes jours;
Car jusques à la mort nous espérons toujours.
Mais pauvre et n'ayant rien pour payer mon passage,
Ils m'ont, je ne sais où, jeté sur le rivage.
--Harmonieux vieillard, tu n'as donc point chanté?
Quelques sons de ta voix auraient tout acheté.
--Enfants! du rossignol la voix pure et légère
N'a jamais apaisé le vautour sanguinaire;
Et les riches, grossiers, avares, insolents,
N'ont pas une âme ouverte à sentir les talents.
Guidé par ce bâton, sur l'arène glissante,
Seul, en silence, au bord de l'onde mugissante,
J'allais, et j'écoutais le bêlement lointain
De troupeaux agitant leurs sonnettes d'airain.
Puis j'ai pris cette lyre, et les cordes mobiles
Ont encor résonné sous mes vieux doigts débiles
Je voulais des grands dieux implorer la bonté,
Et surtout Jupiter, dieu d'hospitalité,
Lorsque d'énormes chiens à la voix formidable
Sont venus m'assaillir; et j'étais misérable,
Si vous (car c'était vous), avant qu'ils m'eussent pris,
N'eussiez armé pour moi les pierres et les cris.
--Mon père, il est donc vrai: tout est devenu pire,
Car jadis, aux accents d'une éloquente lyre,
Les tigres et les loups, vaincus, humiliés,
D'un chanteur comme toi vinrent baiser les pieds.
--Les barbares! J'étais assis près de la poupe.
'Aveugle vagabond, dit l'insolente troupe,
Chante, si ton esprit n'est point comme tes yeux,
Amuse notre ennui; tu rendras grâce aux dieux.'
J'ai fait taire mon coeur qui voulait les confondre:
Ma bouche ne s'est point ouverte à leur répondre;
Ils n'ont pas entendu ma voix, et sous ma main
J'ai retenu le dieu courroucé dans mon sein.
98
Cymé, puisque tes fils dédaignent Mnémosyne,
Puisqu'ils ont fait outrage à la muse divine,
Que leur vie et leur mort s'éteignent dans l'oubli,
Que ton nom dans la nuit demeure enseveli!
--Viens, suis-nous à la ville; elle est toute voisine,
Et chérit les amis de la muse divine.
Un siège aux clous d'argent te place à nos festins;
Et là les mets choisis, le miel et les bons vins,
Sous la colonne où pend une lyre d'ivoire,
Te feront de tes maux oublier la mémoire.
Et si, dans le chemin, rapsode ingénieux,
Ta veux nous accorder tes chants dignes des cieux,
Nous dirons qu'Apollon, pour charmer les oreilles,
T'a lui-même dicté de si douces merveilles.
--Oui, je le veux; marchons. Mais où m'entraînez-vous?
Enfants du vieil aveugle, en quel lieu sommes-nous?
--Syros est l'île heureuse où nous vivons, mon père.
--Salut, belle Syros, deux fois hospitalière!
Car sur ses bords heureux je suis déjà venu:
Amis, je la connais. Vos pères m'ont connu.
Ils croissaient comme vous; mes yeux s'ouvraient encore
Au soleil, au printemps, aux roses de l'aurore;
J'étais jeune et vaillant. Aux danses des guerriers,
A la course, aux combats, j'ai paru des premiers.
J'ai vu Corinthe, Argos, et Crète et les cent villes,
Et du fleuve Egyptus les rivages fertiles;
Mais la terre et la mer, et l'âge et les malheurs,
Ont épuisé ce corps fatigué de douleurs.
La voix me reste. Ainsi la cigale innocente,
Sur un arbuste assise, et se console et chante.
Commençons par les dieux: 'Souverain Jupiter,
Soleil qui vois, entends, connais tout, et toi, mer,
Fleuves, terre, et noirs dieux des vengeances trop lentes,
Salut! Venez à moi, de l'Olympe habitantes,
Muses! vous savez tout, vous, déesses, et nous,
Mortels, ne savons rien qui ne vienne de vous.''
Il poursuit; et déjà les antiques ombrages
99
Mollement en cadence inclinaient leurs feuillages;
Et pâtres oubliant leur troupeau délaissé,
Et voyageurs quittant leur chemin commencé,
Couraient. Il les entend près de son jeune guide,
L'un sur l'autre pressés, tendre une oreille avide;
Et nymphes et sylvains sortaient pour l'admirer,
Et l'écoutaient en foule, et n'osaient respirer,
Car en de longs détours de chansons vagabondes
Il enchaînait de tout les semences fécondes,
Les principes du feu, les eaux, la terre et l'air,
Les fleuves descendus du sein de Jupiter,
Les oracles, les arts, les cités fraternelles,
Et depuis le chaos les amours immortelles;
D'abord le roi divin, et l'Olympe, et les cieux,
Et le monde ébranlé d'un signe de ses yeux,
Et les dieux partagés en une immense guerre,
Et le sang plus qu'humain venant rougir la terre,
Et les rois assemblés, et sous les pieds guerriers
Une nuit de poussière, et les chars meurtriers,
Et les héros armés, brillant dans les campagnes
Comme un vaste incendie aux cimes des montagnes,
Les coursiers hérissant leur crinière à longs flots,
Et d'une voix humaine excitant les héros;
De là, portant ses pas dans les paisibles villes,
Les lois, les orateurs, les récoltes fertiles;
Mais bientôt de soldats les remparts entourés,
Les victimes tombant dans les parvis sacrés,
Et les assauts mortels aux épouses plaintives,
Et les mères en deuil, et les filles captives;
Puis aussi les moissons joyeuses, les troupeaux
Bêlants ou mugissants, les rustiques pipeaux,
Les chansons, les festins, les vendanges bruyantes,
Et la flûte et la lyre, et les noces dansantes.
Puis, déchaînant les vents à soulever les mers,
Il perdait les rochers sur les gouffres amers;
De là, dans le sein frais d'une roche azurée,
En foule il appelait les filles de Nérée,
Qui, bientôt à ses cris s'élevant sur les eaux,
Aux rivages troyens parcouraient les vaisseaux.
Puis il ouvrait du Styx la rive criminelle,
Et puis les demi-dieux et les champs d'asphodèle,
Et la foule des morts: vieillards seuls et souffrants,
100
Jeunes gens emportés aux yeux de leurs parents,
Enfants dont au berceau la vie est terminée,
Vierges dont le trépas suspendit l'hyménée.
Mais, ô bois, ô ruisseaux, ô monts, ô durs cailloux!
Quels doux frémissements vous agitèrent tous,
Quand bientôt à Lemnos, sur l'enclume divine,
Il forgeait cette trame irrésistible et fine
Autant que d'Arachné les pièges inconnus,
Et dans ce fer mobile emprisonnait Vénus,
Et quand il revêtait d'une pierre soudaine
La fière Niobé, cette mère thébaine;
Et quand il répétait en accents de douleur
De la triste Aédon l'imprudence et les pleurs,
Qui d'un fils méconnu marâtre involontaire,
Vola, doux rossignol, sous le bois solitaire!
Ensuite, avec le vin, il versait aux héros
Le puissant népenthès, oubli de tous les maux;
Il cueillait le moly, fleur qui rend l'homme sage;
Du paisible lotos il mêlait le breuvage:
Les mortels oubliaient, à ce philtre charmés,
Et la douce patrie et les parents aimés.
Enfin l'Ossa, l'Olympe et les bois du Pénée
Voyaient ensanglanter les banquets d'hyménée,
Quand Thésée, au milieu de la joie et du vin,
La nuit où son ami reçut à son festin
Le peuple monstrueux des enfants de la nue,
Fut contraint d'arracher l'épouse demi-nue
Au bras ivre et nerveux du sauvage Eurytus.
Soudain, le glaive en main, l'ardent Pirithoüs:
'Attends; il faut ici que mon affront s'expie,
Traître!' Mais avant lui, sur le centaure impie
Dryas a fait tomber, avec tous ses rameaux,
Un long arbre de fer hérissé de flambeaux.
L'insolent quadrupède en vain s'écrie; il tombe,
Et son pied bat le sol qui doit être sa tombe.
Sous l'effort de Nessus, la table du repas
Roule, écrase Cymèle, Évagre, Périphas.
Pirithoüs égorge Antimaque et Pétrée,
Et Cyllare aux pieds blancs, et le noir Macarée,
Qui de trois fiers lions, dépouillés par sa main,
Couvrait ses quatre flancs, armait son double sein.
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Courbé, levant un roc choisi pour leur vengeance,
Tout à coup, sous l'airain d'un vase antique, immense,
L'imprudent Bianor, par Hercule surpris,
Sent de sa tête énorme éclater les débris.
Hercule et la massue entassent en trophée
Clanis, Démoléon, Lycotas, et Riphée
Qui portait sur ses crins, de taches colorés,
L'héréditaire éclat des nuages dorés.
Mais d'un double combat Eurynome est avide,
Car ses pieds, agités en un cercle rapide,
Battent à coups pressés l'armure de Nestor;
Le quadrupède Hélops fuit; l'agile Crantor,
Le bras levé, l'atteint; Eurynome l'arrête;
D'un érable noueux il va fendre sa tête,
Lorsque le fils d'Égée, invincible, sanglant,
L'aperçoit, à l'autel prend un chêne brûlant,
Sur sa croupe indomptée, avec un cri terrible,
S'élance, va saisir sa chevelure horrible,
L'entraîne, et, quand sa bouche, ouverte avec effort,
Crie, il y plonge ensemble et la flamme et la mort.
L'autel est dépouillé. Tous vont s'armer de flamme,
Et le bois porte au loin des hurlements de femme,
L'ongle frappant la terre, et les guerriers meurtris,
Et les vases brisés, et l'injure, et les cris.
Ainsi le grand vieillard, en images hardies,
Déployait le tissu des saintes mélodies.
Les trois enfants émus, à son auguste aspect,
Admiraient, d'un regard de joie et de respect,
De sa bouche abonder les paroles divines,
Comme en hiver la neige aux sommets des collines.
Et, partout accourus, dansant sur son chemin,
Hommes, femmes, enfants, les rameaux à la main,
Et vierges et guerriers, jeunes fleurs de la ville,
Chantaient: 'Viens dans nos murs, viens habiter notre île;
Viens, prophète éloquent, aveugle harmonieux,
Convive du nectar, disciple aimé des dieux;
Des jeux, tous les cinq ans, rendront saint et prospère
Le jour où nous avons reçu le grand HOMÈRE.'
~ Andre Marie de Chenier,#NFDB
1379:Senlin: His Dark Origins
Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-Sailing from moon or sun on a river of light.'
He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.
The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.
Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, --ourselves,--the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .
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Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.
Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'
(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!--'
The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?
In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.
Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
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White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.
It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.
It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.
No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet weed hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
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Do sea-girls haunt these caves--do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.
Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.
Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.
'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'
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It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?--Or is this city Senlin,-Quietly watching the burial of the dead?
Dumbly observing the cortège of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.
In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.
'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.
"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
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A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel--the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'
. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.
Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!
First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.
What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
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This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.
Inside, the third, a fourth . . . and this the artist,-A priest, perhaps--did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.
And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.
And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.
'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?
Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
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Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.
Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-A helpless gesture of mist above the grasses.
In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.
The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams tinkle down from snow to boulders,
From boulders to white grass.
Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.
Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?
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Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see
The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.
'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
~ Conrad Potter Aiken,#NFDB
1380:An Essay On Man: Epistle Ii
I.
Know then thyself, presume not God to scan;
The proper study of mankind is man.
Plac'd on this isthmus of a middle state,
A being darkly wise, and rudely great:
With too much knowledge for the sceptic side,
With too much weakness for the stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a god, or beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of thought and passion, all confus'd;
Still by himself abus'd, or disabus'd;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd:
The glory, jest, and riddle of the world!
Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to th' empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his follow'rs trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
Go, teach Eternal Wisdom how to rule—
Then drop into thyself, and be a fool!
Superior beings, when of late they saw
A mortal Man unfold all Nature's law,
Admir'd such wisdom in an earthly shape,
And showed a Newton as we shew an Ape.
Could he, whose rules the rapid comet bind,
35
Describe or fix one movement of his mind?
Who saw its fires here rise, and there descend,
Explain his own beginning, or his end?
Alas what wonder! Man's superior part
Uncheck'd may rise, and climb from art to art;
But when his own great work is but begun,
What Reason weaves, by Passion is undone.
Trace science then, with modesty thy guide;
First strip off all her equipage of pride;
Deduct what is but vanity, or dress,
Or learning's luxury, or idleness;
Or tricks to show the stretch of human brain,
Mere curious pleasure, or ingenious pain;
Expunge the whole, or lop th' excrescent parts
Of all our Vices have created Arts;
Then see how little the remaining sum,
Which serv'd the past, and must the times to come!
II.
Two principles in human nature reign;
Self-love, to urge, and reason, to restrain;
Nor this a good, nor that a bad we call,
Each works its end, to move or govern all:
And to their proper operation still,
Ascribe all good; to their improper, ill.
Self-love, the spring of motion, acts the soul;
Reason's comparing balance rules the whole.
Man, but for that, no action could attend,
And but for this, were active to no end:
Fix'd like a plant on his peculiar spot,
To draw nutrition, propagate, and rot;
Or, meteor-like, flame lawless through the void,
Destroying others, by himself destroy'd.
Most strength the moving principle requires;
Active its task, it prompts, impels, inspires.
Sedate and quiet the comparing lies,
Form'd but to check, delib'rate, and advise.
Self-love still stronger, as its objects nigh;
36
Reason's at distance, and in prospect lie:
That sees immediate good by present sense;
Reason, the future and the consequence.
Thicker than arguments, temptations throng,
At best more watchful this, but that more strong.
The action of the stronger to suspend,
Reason still use, to reason still attend.
Attention, habit and experience gains;
Each strengthens reason, and self-love restrains.
Let subtle schoolmen teach these friends to fight,
More studious to divide than to unite,
And grace and virtue, sense and reason split,
With all the rash dexterity of wit:
Wits, just like fools, at war about a name,
Have full as oft no meaning, or the same.
Self-love and reason to one end aspire,
Pain their aversion, pleasure their desire;
But greedy that its object would devour,
This taste the honey, and not wound the flow'r:
Pleasure, or wrong or rightly understood,
Our greatest evil, or our greatest good.
III.
Modes of self-love the passions we may call:
'Tis real good, or seeming, moves them all:
But since not every good we can divide,
And reason bids us for our own provide;
Passions, though selfish, if their means be fair,
List under reason, and deserve her care;
Those, that imparted, court a nobler aim,
Exalt their kind, and take some virtue's name.
In lazy apathy let Stoics boast
Their virtue fix'd, 'tis fix'd as in a frost;
Contracted all, retiring to the breast;
But strength of mind is exercise, not rest:
The rising tempest puts in act the soul,
Parts it may ravage, but preserves the whole.
On life's vast ocean diversely we sail,
Reason the card, but passion is the gale;
37
Nor God alone in the still calm we find,
He mounts the storm, and walks upon the wind.
Passions, like elements, though born to fight,
Yet, mix'd and soften'd, in his work unite:
These 'tis enough to temper and employ;
But what composes man, can man destroy?
Suffice that reason keep to nature's road,
Subject, compound them, follow her and God.
Love, hope, and joy, fair pleasure's smiling train,
Hate, fear, and grief, the family of pain,
These mix'd with art, and to due bounds confin'd,
Make and maintain the balance of the mind:
The lights and shades, whose well accorded strife
Gives all the strength and colour of our life.
Pleasures are ever in our hands or eyes,
And when in act they cease, in prospect, rise:
Present to grasp, and future still to find,
The whole employ of body and of mind.
All spread their charms, but charm not all alike;
On diff'rent senses diff'rent objects strike;
Hence diff'rent passions more or less inflame,
As strong or weak, the organs of the frame;
And hence one master passion in the breast,
Like Aaron's serpent, swallows up the rest.
As man, perhaps, the moment of his breath,
Receives the lurking principle of death;
The young disease, that must subdue at length,
Grows with his growth, and strengthens with his strength:
So, cast and mingled with his very frame,
The mind's disease, its ruling passion came;
Each vital humour which should feed the whole,
Soon flows to this, in body and in soul.
Whatever warms the heart, or fills the head,
As the mind opens, and its functions spread,
Imagination plies her dang'rous art,
And pours it all upon the peccant part.
Nature its mother, habit is its nurse;
Wit, spirit, faculties, but make it worse;
38
Reason itself but gives it edge and pow'r;
As Heav'n's blest beam turns vinegar more sour.
We, wretched subjects, though to lawful sway,
In this weak queen some fav'rite still obey:
Ah! if she lend not arms, as well as rules,
What can she more than tell us we are fools?
Teach us to mourn our nature, not to mend,
A sharp accuser, but a helpless friend!
Or from a judge turn pleader, to persuade
The choice we make, or justify it made;
Proud of an easy conquest all along,
She but removes weak passions for the strong:
So, when small humours gather to a gout,
The doctor fancies he has driv'n them out.
Yes, nature's road must ever be preferr'd;
Reason is here no guide, but still a guard:
'Tis hers to rectify, not overthrow,
And treat this passion more as friend than foe:
A mightier pow'r the strong direction sends,
And sev'ral men impels to sev'ral ends.
Like varying winds, by other passions toss'd,
This drives them constant to a certain coast.
Let pow'r or knowledge, gold or glory, please,
Or (oft more strong than all) the love of ease;
Through life 'tis followed, ev'n at life's expense;
The merchant's toil, the sage's indolence,
The monk's humility, the hero's pride,
All, all alike, find reason on their side.
Th' eternal art educing good from ill,
Grafts on this passion our best principle:
'Tis thus the mercury of man is fix'd,
Strong grows the virtue with his nature mix'd;
The dross cements what else were too refin'd,
And in one interest body acts with mind.
As fruits, ungrateful to the planter's care,
On savage stocks inserted, learn to bear;
The surest virtues thus from passions shoot,
Wild nature's vigor working at the root.
What crops of wit and honesty appear
39
From spleen, from obstinacy, hate, or fear!
See anger, zeal and fortitude supply;
Ev'n av'rice, prudence; sloth, philosophy;
Lust, through some certain strainers well refin'd,
Is gentle love, and charms all womankind;
Envy, to which th' ignoble mind's a slave,
Is emulation in the learn'd or brave;
Nor virtue, male or female, can we name,
But what will grow on pride, or grow on shame.
Thus nature gives us (let it check our pride)
The virtue nearest to our vice allied:
Reason the byass turns to good from ill,
And Nero reigns a Titus, if he will.
The fiery soul abhorr'd in Catiline,
In Decius charms, in Curtius is divine:
The same ambition can destroy or save,
And make a patriot as it makes a knave.
IV.
This light and darkness in our chaos join'd,
What shall divide? The God within the mind.
Extremes in nature equal ends produce,
In man they join to some mysterious use;
Though each by turns the other's bound invade,
As, in some well-wrought picture, light and shade,
And oft so mix, the diff'rence is too nice
Where ends the virtue, or begins the vice.
Fools! who from hence into the notion fall,
That vice or virtue there is none at all.
If white and black blend, soften, and unite
A thousand ways, is there no black or white?
Ask your own heart, and nothing is so plain;
'Tis to mistake them, costs the time and pain.
V.
Vice is a monster of so frightful mien,
As, to be hated, needs but to be seen;
40
Yet seen too oft, familiar with her face,
We first endure, then pity, then embrace.
But where th' extreme of vice, was ne'er agreed:
Ask where's the North? at York, 'tis on the Tweed;
In Scotland, at the Orcades; and there,
At Greenland, Zembla, or the Lord knows where:
No creature owns it in the first degree,
But thinks his neighbour farther gone than he!
Ev'n those who dwell beneath its very zone,
Or never feel the rage, or never own;
What happier natures shrink at with affright,
The hard inhabitant contends is right.
VI.
Virtuous and vicious ev'ry man must be,
Few in th' extreme, but all in the degree;
The rogue and fool by fits is fair and wise;
And ev'n the best, by fits, what they despise.
'Tis but by parts we follow good or ill,
For, vice or virtue, self directs it still;
Each individual seeks a sev'ral goal;
But heav'n's great view is one, and that the whole:
That counterworks each folly and caprice;
That disappoints th' effect of ev'ry vice;
That, happy frailties to all ranks applied,
Shame to the virgin, to the matron pride,
Fear to the statesman, rashness to the chief,
To kings presumption, and to crowds belief,
That, virtue's ends from vanity can raise,
Which seeks no int'rest, no reward but praise;
And build on wants, and on defects of mind,
The joy, the peace, the glory of mankind.
Heav'n forming each on other to depend,
A master, or a servant, or a friend,
Bids each on other for assistance call,
'Till one man's weakness grows the strength of all.
Wants, frailties, passions, closer still ally
The common int'rest, or endear the tie:
To these we owe true friendship, love sincere,
Each home-felt joy that life inherits here;
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Yet from the same we learn, in its decline,
Those joys, those loves, those int'rests to resign;
Taught half by reason, half by mere decay,
To welcome death, and calmly pass away.
Whate'er the passion, knowledge, fame, or pelf,
Not one will change his neighbour with himself.
The learn'd is happy nature to explore,
The fool is happy that he knows no more;
The rich is happy in the plenty giv'n,
The poor contents him with the care of heav'n.
See the blind beggar dance, the cripple sing,
The sot a hero, lunatic a king;
The starving chemist in his golden views
Supremely blest, the poet in his Muse.
See some strange comfort ev'ry state attend,
And pride bestow'd on all, a common friend;
See some fit passion ev'ry age supply,
Hope travels through, nor quits us when we die.
Behold the child, by nature's kindly law,
Pleas'd with a rattle, tickl'd with a straw:
Some livelier plaything gives his youth delight,
A little louder, but as empty quite:
Scarfs, garters, gold, amuse his riper stage,
And beads and pray'r books are the toys of age:
Pleas'd with this bauble still, as that before;
'Till tir'd he sleeps, and life's poor play is o'er!
Meanwhile opinion gilds with varying rays
Those painted clouds that beautify our days;
Each want of happiness by hope supplied,
And each vacuity of sense by Pride:
These build as fast as knowledge can destroy;
In folly's cup still laughs the bubble, joy;
One prospect lost, another still we gain;
And not a vanity is giv'n in vain;
Ev'n mean self-love becomes, by force divine,
The scale to measure others' wants by thine.
See! and confess, one comfort still must rise,
'Tis this: Though man's a fool, yet God is wise.
42
~ Alexander Pope,#NFDB
1381:I - NIGHT
(A lofty-arched, narrow, Gothic chamber. FAUST, in a chair at his
desk, restless.)
FAUST
I've studied now Philosophy
And Jurisprudence, Medicine,
And even, alas! Theology,
From end to end, with labor keen;
And here, poor fool! with all my lore
I stand, no wiser than before:
I'm Magisteryea, Doctorhight,
And straight or cross-wise, wrong or right,
These ten years long, with many woes,
I've led my scholars by the nose,
And see, that nothing can be known!
That knowledge cuts me to the bone.
I'm cleverer, true, than those fops of teachers,
Doctors and Magisters, Scribes and Preachers;
Neither scruples nor doubts come now to smite me,
Nor Hell nor Devil can longer affright me.
For this, all pleasure am I foregoing;
I do not pretend to aught worth knowing,
I do not pretend I could be a teacher
To help or convert a fellow-creature.
Then, too, I've neither lands nor gold,
Nor the world's least pomp or honor hold
No dog would endure such a curst existence!
Wherefore, from Magic I seek assistance,
That many a secret perchance I reach
Through spirit-power and spirit-speech,
And thus the bitter task forego
Of saying the things I do not know,
That I may detect the inmost force
Which binds the world, and guides its course;
Its germs, productive powers explore,
And rummage in empty words no more!
O full and splendid Moon, whom I
Have, from this desk, seen climb the sky
So many a midnight,would thy glow
For the last time beheld my woe!
Ever thine eye, most mournful friend,
O'er books and papers saw me bend;
But would that I, on mountains grand,
Amid thy blessed light could stand,
With spirits through mountain-caverns hover,
Float in thy twilight the meadows over,
And, freed from the fumes of lore that swa the me,
To health in thy dewy fountains ba the me!
Ah, me! this dungeon still I see.
This drear, accursed masonry,
Where even the welcome daylight strains
But duskly through the painted panes.
Hemmed in by many a toppling heap
Of books worm-eaten, gray with dust,
Which to the vaulted ceiling creep,
Against the smoky paper thrust,
With glasses, boxes, round me stacked,
And instruments together hurled,
Ancestral lumber, stuffed and packed
Such is my world: and what a world!
And do I ask, wherefore my heart
Falters, oppressed with unknown needs?
Why some inexplicable smart
All movement of my life impedes?
Alas! in living Nature's stead,
Where God His human creature set,
In smoke and mould the fleshless dead
And bones of beasts surround me yet!
Fly! Up, and seek the broad, free land!
And this one Book of Mystery
From Nostradamus' very hand,
Is't not sufficient company?
When I the starry courses know,
And Nature's wise instruction seek,
With light of power my soul shall glow,
As when to spirits spirits speak.
Tis vain, this empty brooding here,
Though guessed the holy symbols be:
Ye, Spirits, comeye hover near
Oh, if you hear me, answer me!
(He opens the Book, and perceives the sign of the Macrocosm.)
Ha! what a sudden rapture leaps from this
I view, through all my senses swiftly flowing!
I feel a youthful, holy, vital bliss
In every vein and fibre newly glowing.
Was it a God, who traced this sign,
With calm across my tumult stealing,
My troubled heart to joy unsealing,
With impulse, mystic and divine,
The powers of Nature here, around my path, revealing?
Am I a God?so clear mine eyes!
In these pure features I behold
Creative Nature to my soul unfold.
What says the sage, now first I recognize:
"The spirit-world no closures fasten;
Thy sense is shut, thy heart is dead:
Disciple, up! untiring, hasten
To ba the thy breast in morning-red!"
(He contemplates the sign.)
How each the Whole its substance gives,
Each in the other works and lives!
Like heavenly forces rising and descending,
Their golden urns reciprocally lending,
With wings that winnow blessing
From Heaven through Earth I see them pressing,
Filling the All with harmony unceasing!
How grand a show! but, ah! a show alone.
Thee, boundless Nature, how make thee my own?
Where you, ye beasts? Founts of all Being, shining,
Whereon hang Heaven's and Earth's desire,
Whereto our withered hearts aspire,
Ye flow, ye feed: and am I vainly pining?
(He turns the leaves impatiently, and perceives the sign of the
Earth-Spirit.)
How otherwise upon me works this sign!
Thou, Spirit of the Earth, art nearer:
Even now my powers are loftier, clearer;
I glow, as drunk with new-made wine:
New strength and heart to meet the world incite me,
The woe of earth, the bliss of earth, invite me,
And though the shock of storms may smite me,
No crash of shipwreck shall have power to fright me!
Clouds gather over me
The moon conceals her light
The lamp's extinguished!
Mists rise,red, angry rays are darting
Around my head!There falls
A horror from the vaulted roof,
And seizes me!
I feel thy presence, Spirit I invoke!
Reveal thyself!
Ha! in my heart what rending stroke!
With new impulsion
My senses heave in this convulsion!
I feel thee draw my heart, absorb, exhaust me:
Thou must! thou must! and though my life it cost me!
(He seizes the book, and mysteriously pronounces the sign of
the Spirit. A ruddy flame flashes: the Spirit appears in
the flame.)
SPIRIT
Who calls me?
FAUST (with averted head)
Terrible to see!
SPIRIT
Me hast thou long with might attracted,
Long from my sphere thy food exacted,
And now
FAUST
Woe! I endure not thee!
SPIRIT
To view me is thine aspiration,
My voice to hear, my countenance to see;
Thy powerful yearning moveth me,
Here am I!what mean perturbation
Thee, superhuman, shakes? Thy soul's high calling, where?
Where is the breast, which from itself a world did bear,
And shaped and cherishedwhich with joy expanded,
To be our peer, with us, the Spirits, banded?
Where art thou, Faust, whose voice has pierced to me,
Who towards me pressed with all thine energy?
He art thou, who, my presence breathing, seeing,
Trembles through all the depths of being,
A writhing worm, a terror-stricken form?
FAUST
Thee, form of flame, shall I then fear?
Yes, I am Faust: I am thy peer!
SPIRIT
In the tides of Life, in Action's storm,
A fluctuant wave,
A shuttle free,
Birth and the Grave,
An eternal sea,
A weaving, flowing
Life, all-glowing,
Thus at Time's humming loom 'tis my hand prepares
The garment of Life which the Deity wears!
FAUST
Thou, who around the wide world wendest,
Thou busy Spirit, how near I feel to thee!
SPIRIT
Thou'rt like the Spirit which thou comprehendest,
Not me!
(Disappears.)
FAUST (overwhelmed)
Not thee!
Whom then?
I, image of the Godhead!
Not even like thee!
(A knock).
O Death!I know it'tis my Famulus!
My fairest luck finds no fruition:
In all the fullness of my vision
The soulless sneak disturbs me thus!
(Enter WAGNER, in dressing-gown and night-cap, a lamp in
his hand. FAUST turns impatiently.)
WAGNER
Pardon, I heard your declamation;
'Twas sure an old Greek tragedy you read?
In such an art I crave some preparation,
Since now it stands one in good stead.
I've often heard it said, a preacher
Might learn, with a comedian for a teacher.
FAUST
Yes, when the priest comedian is by nature,
As haply now and then the case may be.
WAGNER
Ah, when one studies thus, a prisoned creature,
That scarce the world on holidays can see,
Scarce through a glass, by rare occasion,
How shall one lead it by persuasion?
FAUST
You'll ne'er attain it, save you know the feeling,
Save from the soul it rises clear,
Serene in primal strength, compelling
The hearts and minds of all who hear.
You sit forever gluing, patching;
You cook the scraps from others' fare;
And from your heap of ashes hatching
A starveling flame, ye blow it bare!
Take children's, monkeys' gaze admiring,
If such your taste, and be content;
But ne'er from heart to heart you'll speak inspiring,
Save your own heart is eloquent!
WAGNER
Yet through delivery orators succeed;
I feel that I am far behind, indeed.
FAUST
Seek thou the honest recompense!
Beware, a tinkling fool to be!
With little art, clear wit and sense
Suggest their own delivery;
And if thou'rt moved to speak in earnest,
What need, that after words thou yearnest?
Yes, your discourses, with their glittering show,
Where ye for men twist shredded thought like paper,
Are unrefreshing as the winds that blow
The rustling leaves through chill autumnal vapor!
WAGNER
Ah, God! but Art is long,
And Life, alas! is fleeting.
And oft, with zeal my critic-duties meeting,
In head and breast there's something wrong.
How hard it is to compass the assistance
Whereby one rises to the source!
And, haply, ere one travels half the course
Must the poor devil quit existence.
FAUST
Is parchment, then, the holy fount before thee,
A draught wherefrom thy thirst forever slakes?
No true refreshment can restore thee,
Save what from thine own soul spontaneous breaks.
WAGNER
Pardon! a great delight is granted
When, in the spirit of the ages planted,
We mark how, ere our times, a sage has thought,
And then, how far his work, and grandly, we have brought.
FAUST
O yes, up to the stars at last!
Listen, my friend: the ages that are past
Are now a book with seven seals protected:
What you the Spirit of the Ages call
Is nothing but the spirit of you all,
Wherein the Ages are reflected.
So, oftentimes, you miserably mar it!
At the first glance who sees it runs away.
An offal-barrel and a lumber-garret,
Or, at the best, a Punch-and-Judy play,
With maxims most pragmatical and hitting,
As in the mouths of puppets are befitting!
WAGNER
But then, the world the human heart and brain!
Of these one covets some slight apprehension.
FAUST
Yes, of the kind which men attain!
Who dares the child's true name in public mention?
The few, who thereof something really learned,
Unwisely frank, with hearts that spurned concealing,
And to the mob laid bare each thought and feeling,
Have evermore been crucified and burned.
I pray you, Friend, 'tis now the dead of night;
Our converse here must be suspended.
WAGNER
I would have shared your watches with delight,
That so our learned talk might be extended.
To-morrow, though, I'll ask, in Easter leisure,
This and the other question, at your pleasure.
Most zealously I seek for erudition:
Much do I know but to know all is my ambition.
[Exit.
FAUST (solus)
That brain, alone, not loses hope, whose choice is
To stick in shallow trash forevermore,
Which digs with eager hand for buried ore,
And, when it finds an angle-worm, rejoices!
Dare such a human voice disturb the flow,
Around me here, of spirit-presence fullest?
And yet, this once my thanks I owe
To thee, of all earth's sons the poorest, dullest!
For thou hast torn me from that desperate state
Which threatened soon to overwhelm my senses:
The apparition was so giant-great,
It dwarfed and withered all my soul's pretences!
I, image of the Godhead, who began
Deeming Eternal Truth secure in nearness
Ye choirs, have ye begun the sweet, consoling chant,
Which, through the night of Death, the angels ministrant
Sang, God's new Covenant repeating?
CHORUS OF WOMEN
With spices and precious
Balm, we arrayed him;
Faithful and gracious,
We tenderly laid him:
Linen to bind him
Cleanlily wound we:
Ah! when we would find him,
Christ no more found we!
CHORUS OF ANGELS
Christ is ascended!
Bliss hath invested him,
Woes that molested him,
Trials that tested him,
Gloriously ended!
FAUST
Why, here in dust, entice me with your spell,
Ye gentle, powerful sounds of Heaven?
Peal rather there, where tender natures dwell.
Your messages I hear, but faith has not been given;
The dearest child of Faith is Miracle.
I venture not to soar to yonder regions
Whence the glad tidings hither float;
And yet, from childhood up familiar with the note,
To Life it now renews the old allegiance.
Once Heavenly Love sent down a burning kiss
Upon my brow, in Sabbath silence holy;
And, filled with mystic presage, chimed the church-bell slowly,
And prayer dissolved me in a fervent bliss.
A sweet, uncomprehended yearning
Drove forth my feet through woods and meadows free,
And while a thousand tears were burning,
I felt a world arise for me.
These chants, to youth and all its sports appealing,
Proclaimed the Spring's rejoicing holiday;
And Memory holds me now, with childish feeling,
Back from the last, the solemn way.
Sound on, ye hymns of Heaven, so sweet and mild!
My tears gush forth: the Earth takes back her child!
CHORUS OF DISCIPLES
Has He, victoriously,
Burst from the vaulted
Grave, and all-gloriously
Now sits exalted?
Is He, in glow of birth,
Rapture creative near?
Ah! to the woe of earth
Still are we native here.
We, his aspiring
Followers, Him we miss;
Weeping, desiring,
Master, Thy bliss!
CHORUS OF ANGELS
Christ is arisen,
Out of Corruption's womb:
Burst ye the prison,
Break from your gloom!
Praising and pleading him,
Lovingly needing him,
Brotherly feeding him,
Preaching and speeding him,
Blessing, succeeding Him,
Thus is the Master near,
Thus is He here!
~ Johann Wolfgang von Goethe, NIGHT
,#NFDB
1382:Sacred And Profane Love
In the dark shadow of the windless pines
Whose gloomy glory lines the obsequies
Of the gaunt Claudian Aqueduct along
The lone Campagna to sepulchral Rome,
A Northern youth, companionless, reclined,
Pondering on records of the Roman Past,
Kingdom, Republic, Empire, longwhile gone.
Hard-by, through marble tomb revivified,
Rippled and bubbled water crystalline,
Inwelling from the far-off Sabine hills.
When lo! upon the tomb's deep-dinted rim
Slowly there broadened on his gaze two shapes,
Material embodiment of those
The great Venetian in resplendent hues
Upon the canvas lastingly portrayed,
Christened by fame Profane and Sacred Love.
One was in rich habiliments arrayed,
With dimpling folds about her rounded limbs,
And heaving corset of embossed brocade,
Compressing beaker for her brimming breasts.
Jewels were in her hair, jewels entwined
Themselves round her columnar throat, and thus
On him she gazed unshrinkingly, and seemed
Sensuous seduction irresistible.
The other in nude innocency clad,
All save veined vineleaf cincture round her waist,
Sate with her gaze averted, and beheld
Only her image trembling in the wave.
Her had he fain accosted, but the dread
Of violating her aloofness checked
The movement of his mind, and held him mute.
So to the One resplendently enrobed,
Familiarly fearless as herself,
He turned, albeit his thought was otherwhere,
As elsewhere his desire, and boldly said:
``If with your earthly seeming be conjoined
Gift and capacity of earthly speech,
Speak to me, earthly, an you will, and break
The all too spacious silence with your voice.''
383
Her curving lips, whose fulness seemed to pledge
Intoxicating kisses, drooped apart,
And to her orbs upsurged volcanic fire,
As she with prompt unhesitating voice,
Commanding more than musical, rejoined.
Whereat that Other ever and anon
Would for a moment turn to him her face,
To note the interpretation of his heart
And wavering of his will, and then once more
Her look averted to the Sabine hills,
And cloudless vault of overarching Heaven.
Profane Love speaks
``I am the Goddess mortals call Profane,
Yet worship me as though I were divine;
Over their lives, unrecognised, I reign,
For all their thoughts are mine.
``I was coeval with the peopled Earth,
And, while it lasts, I likewise shall endure,
For Destiny endowed me at my birth
With every mundane lure.
``Men rear no marble temple to my name,
No statues mould in Minster or in mart,
Yet in their longings silently proclaim
My throne is on their heart.
``Unto the phantom Deities of air
They pay lip homage, carven altars raise,
To these bow down with ceremonial prayer,
And sycophantic praise.
``With them I kneel, but neither praise nor pray,
While tapers burn, hymns float, and organ rolls,
Because I know that there too can I sway
And stupefy their souls.
``Their pompous flatteries are not for me,
My panegyric is the secret sigh:
Wherefore should mortals monuments decree
To Me who cannot die?
384
``I am the fountain of wealth, titles, power,
'Tis I ordain the pedestal and bust,
When there doth toll the inevitable hour,
The hour of death and dust.
``Ruby, and pearl, and diamond, and the ore
Torn from the entrails of the Earth, are mine;
Mine are the cargoes shipped from shore to shore,
Spices, and silks, and wine:
``Wherewith men buy what crafty barter brings,Greater the gain, more hazardous the risks,Toil from the many, coronets from Kings,
And lust from odalisques.
``If such content not, since your hopes aspire
On heights of popularity to tower,
I can conduct you on yet swifter tire
To winning-peak of Power.
``Then without scruple, pity, or restraint,
Cleave you your conquering way; for there is nought,
Of all that worldlings crave and hirelings paint,
But can be seized or bought.
``Myriads from mine and furrow, quay and loom,
Shall congregate to hear you pledge and prate,
Hailing you heaven-sent warder-off of gloom,
And Saviour of the State.
``And lissom sirens, temptingly attired,
With heartless hearts, self-seeking as your own,
By your sonorous phrases will be fired,
And gather round your throne.
``Platform and Senate, Cabinet and Court,
You shall cajole, convert, or overawe;
Whithersoe'er you speciously disport,
Your wordy Will be law.
``But many and many a worshipper have I,
385
So cannot grant monopoly of power:
Others there be who fain would climb as high
As you, and have their hour.
``Then their ambition with your own will shock,
And they awhile on foremost seat may reign:
Men's favour is a quicksand, not a rock,
And veers like gust and vane.
``Then must you with invectives fume and rage
All through the land, denouncing evil times,
With histrionic passion; 'tis a stage
For mountebanks and mimes``Slandering the foes who slander you, and so,
If thousands hate, thousands will hail, your name,
Till you in notoriety shall grow,
The herd confound with Fame.
``Them that o'erwhelm, vindictiveness o'erwhelms,
So nought shall you from Fortune's wheel entice,
Gambling for Self's predominance with Realms
And Empires for your dice.
``If with the years male energy should wane,
Orders and honours on you shall be shed:
Thus will you still in man's remembrance reign,
A halo round your head.
``And when at length the End of all life's ends
Doth with the little lay the mighty down,
And domination finally descends
Graveward without its Crown,
``Processions populous, bedizened hearse,
And mourners ermined shall your dust convey
To pompous tomb, and vying prose and verse
Protract your little day.
``What though your name grow faint, as time recedes,
Like scarce-heard wave upon a far-off shore,
And wax the record of your words and deeds
386
A voice and nothing more,
``You will have drained all that the world can give,
All boons and blandishments of Love Profane,
Success and homage, for which sane men live,
And all the rest is vain.''
She ceased; and, as she ceased, then Sacred Love,
That ever and anon meanwhile had bent
On him her look, and smilingly surmised,
From his vague gaze and inattentive ears,
That he was only waiting for Her voice,
Like to the moon fleeting through fleecy clouds,
Her undissembled beauty on him bared,
And with a voice like sylvan rivulet
That haunts the woodlands, muffled half by leaves,
Serene and slow with silvery clearness spake.
``In the unseen first-fostering of breath
Whose secret is by Science vainly sought,
Uncertain borderland 'twixt Life and Death,
I share the silence of the Mother's thought.
``Her love is not more anxious than is mine,
Together we await the human cry,
For even then I, Sacred Love, divine
If it will grow to voice that may not die.
``And I its foster-mother am, and feed
Its suckling dreams, and watch it waxing strong,
Giving it for its plaything moorland reed,
That it may grow and ripen into Song.
``For Love Profane doth sleeplessly await
Its coming, to mislead it on its way,
Whispering, `Become what Greatness deemeth great,
Till mighty Rulers recognise your sway.'
``I listened tremblingly while Love Profane
Strove to entice you to the worldling's throne,
Along the worldling's way, but strove in vain.
Now hath She gone, and we are here alone.''
387
His gaze that had on Her who thuswise spake
Fastened, since indivisibly intent
Upon the cadence of her voice, quick turned
At these last words, to look for Love Profane.
But lo! its effigy from marble rim
Had vanished, like the face of Roman sway,
Kingship, Republic, Empire; and the flow
Of water welling through the rifled tomb
Was the sole sound he heard, until her voice
Melodiously measured, spake once more.
``Rise and come near to me, and take my hand,
And lay your cheek against my cheek, for sign
That you henceforth will know and understand
That all the children of the Muse are mine.
``Your parent am I, though I seem so young,
It is my birthright never to grow old;
Young shall I keep so long as songs are sung,
By such fresh offspring gladdened and consoled.
``I was beside the font when you were brought
Into the granite-pillared House of Prayer;
Smiled at your loneliness when first you sought
To sing away your load of childish care.
``Rapture maternal fluttered in my heart
When you yourself disdainfully denied
What worldlings prize, and chose the better part,
Wending where now I find you at my side.
``I know your present sorrow, since you fear
I have forsaken you and left you lone,
And Rome has silenced what you held so dear.
Wait! from the unseen seed the flower is grown.
``Rome is the tomb of Heroes, and of Kings,
Consuls, and conquerors, and world-wide sway:
What wonder, should it silence him that sings
Before he learns what he must sing and say?
388
``But you may live and die, a Voice unheard:
I promise not what I can not fulfil:
Only,-in the Beginning was the Word,
It was with God, and it is godlike still.
``But unto you, as unto all my line,
Or strong or weak, resounding or obscure,
I pledge the gifts inalienably mine,
Gifts that content and pleasures that endure:
``Companionship of woodlands, hills, and streams,
And gentle womenkind, to whom you owe
Youth in your heart, and shaping of your dreams,
And these will teach what more you need to know.
``Nature's still fresh society will keep
Your feelings young, as you each April follow
Coy maiden Spring, when she awakes from sleep
In windflower dell and primrose pillowed hollow:
``Watch Autumn wax in splendour day by day,
Then, slowly yielding unto Time's assault,
Her moribund magnificence decay,
To sleep entombed in Winter's icy vault;
``And when the boughs stretch bare and fallows hoar,
And plovers wheel about the moorland wide,
Hear the pinched wind wailing through chink and door,
With piteous prayer to share the warm fireside.
``Nature's capriciousness leaves just the same
Her inmost self; she does nor change nor veer;
Just as the seasons lend, with varying name,
Their contrast to the oneness of the year.
``The Poet's love no base-bred difference knows
Of high and low, the peasant and the peer,
Save that his tenderness more heed bestows
On humble sorrow than luxurious tear.
``Childhood's keen questioning, Youth's gropings blind,
Manhood's ambition, Age's graver part,
389
Alike can move his understanding mind,
And rouse his promptly sympathising heart.
``Here, 'mid the ruins that you now behold,
You will imbibe the meaning of the Past,
Learning to weigh the new by what is old,
The things that perish, and the things that last.
``Instructed thus, keep severed in your mind
The Passing from the Permanent, and prize
Only the precious heirlooms of Mankind,
Thought that ennobles, Art that vivifies.
``Vex not your mind with riddles that beguile
The unwise to wrangle over things unknown.
'Tis not for Song to enrage, but reconcile,
So to the Tower of Babel add no stone.
``But while from futile feuds you dwell apart,
Never forget to render what is due,
In hour of need, from manly hand and heart,
To the male Land whose soil engendered you.
``Should opulence, and ease, and base desire
Deaden effeminate ears to just alarms,
Sound all the clanging octaves of the lyre,
And rouse a nation's manhood unto arms,
``Save only then, no clamorous crowds must mar
The musing silence of secluded days,
Whose course should journey quiet as a star,
That moves alone along Heaven's trackless ways.
``Then will you 'mid deserted Abbey walls
Hear both the matin and the vesper bell,
The girdled Brothers chanting in their stalls,
And see the Prior praying in his cell.
``The Present and the Past shall seem but one,
Kingdoms, and Creeds, and Sceptres, passed away,
Stand out, in retrospection's noonday sun,
As Kingdoms, Creeds, and Sceptres, of to-day.
390
``In the fair hospitable Tuscan Land,
Where Raphael and Donatello wrought,
Sojourn, and ponder till you understand
The masculine restraint themselves were taught``Taught by the disentombed Minervan mind
That, in the days still governing if gone,
Within the rugged Parian block divined
Majestic calmness of the Parthenon.
``And when, departing hence, you wandering wend
Where the brief Attic splendour dawned and shone,
Pray to Athene she to you will lend
The golden curb she lent Bellerophon.
``Nor be the Hill Hellenic sculptors trod
Your one sole haunt, but, let who will condemn,
Kneel at all altars `To the Unknown God,'
Alike at Athens or Jerusalem.
``Siren and seraph, athlete, anchorite,
Saints of the cloister, satyrs of the grove,
In one and all seek meaning and delight,
Reigning Jehovah, abdicated Jove.
``Deem not the Oracles to-day are dumb;
They from their graves the World's course still forecast,
From things long gone expound the things to come,
And prophesy the Future from the Past.
``And not from Gothic shrine and classic urn,
From dome, or spire, or portico alone,
Study the mystery of Art, but learn
From each in turn to apprehend your own.
``Not least from its loved twin, melodious sound,
The universal unseen soul of things,
Whose utterance men invoke when words are found
Powerless to frame their vague imaginings.
``And, when the riper Youth that men call Age
391
Welcomes the closing dispensation, death,
Song that soothes sorrow and makes suffering sage,
Shall linger with you till your farewell breath.
``Not crowded aisle and ceremonial nave
Claim those that have from me life's lesson learned.
Who best have loved them bear them to their grave,
Where they near home lie `quietly inurned.'''
Then, like the cadence of a closing song,
Her soft voice sank to silence, and he felt
Her arms fold round him, and so widened his,
Eager to share in privileged embrace:
When, lo! the vision vanished with the voice,
And all he saw were the calm Sabine hills,
And all he heard, the lisping of the wave
Clear-welling through the rifled marble tomb.
But all She had said sank deep into his heart,
And what She said is truly written here.
~ Alfred Austin,#NFDB
1383:Monadnoc
Thousand minstrels woke within me,
Our music's in the hills;
Gayest pictures rose to win me,
Leopard-colored rills.
Up!If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;
Up!where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.
Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.
I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.
Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.
In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an arial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.
The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?
I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!
Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magicians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dullness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,
Nought the mountain yields thereof
But savage health and sinews tough.
On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:
Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.
Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone
Each can only take his own.
Let him heed who can and will,
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.
Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.
Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.
Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.
He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?
Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile erect
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime grope,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Monadnoc
,#NFDB
1384:The Faerie Queene, Book I, Canto Iv (Excerpts)
CANTO IIII
To sinfull house of Pride, Duessa
guides the faithfull knight,
Where brothers death to wreak Sansjoy
doth chalenge him to fight.
Young knight, what ever that dost armes professe,
And through long labours huntest after fame,
Beware of fraud, beware of ficklenesse,
In choice, and change of thy deare loved Dame,
Least thou of her beleeve too lightly blame,
And rash misweening doe thy hart remove:
For unto knight there is no greater shame,
Then lightnesse and inconstancie in love;
That doth this Redcrosse knights ensample plainly prove.
ii
Who after that he had faire Una lorne,
Through light misdeeming of her loialtie,
And false Duessa in her sted had borne,
Called Fidess', and so supposd to bee;
Long with her traveild, till at last they see
A goodly building, bravely garnished,
The house of mightie Prince it seemd to bee:
And towards it a broad high way that led,
All bare through peoples feet, which thither traveiled.
iii
Great troupes of people traveild thitherward
Both day and night, of each degree and place,
But few returned, having scaped hard,
With balefull beggerie, or foule disgrace,
Which ever after in most wretched case,
Like loathsome lazars, by the hedges lay.
Thither Duessa bad him bend his pace:
For she is wearie of the toilesome way,
282
And also nigh consumed is the lingring day.
iv
A stately Pallace built of squared bricke,
Which cunningly was without morter laid,
Whose wals were high, but nothing strong, nor thick,
And golden foile all over them displaid,
That purest skye with brightnesse they dismaid:
High lifted up were many loftie towres,
And goodly galleries farre over laid,
Full of faire windowes, and delightfull bowres;
And on the top a Diall told the timely howres.
It was a goodly heape for to behould,
And spake the praises of the workmans wit;
But full great pittie, that so faire a mould
Did on so weake foundation ever sit:
For on a sandie hill, that still did flit,
And fall away, it mounted was full hie,
That every breath of heaven shaked it:
And all the hinder parts, that few could spie,
Were ruinous and old, but painted cunningly.
vi
Arrived there they passed in forth right;
For still to all the gates stood open wide,
Yet charge of them was to a Porter hight
Cald Malven{'u}, who entrance none denide:
Thence to the hall, which was on every side,
With rich array and costly arras dight:
Infinite sorts of people did abide
There waiting long, to win the wished sight
Of her, that was the Lady of that Pallace bright.
vii
By them they passe, all gazing on them round,
And to the Presence mount; whose glorious vew
283
Their frayle amazed senses did confound:
In living Princes court none ever knew
Such endlesse richesse, and so sumptuous shew;
Ne Persia selfe, the nourse of pompous pride
Like ever saw. And there a noble crew
Of Lordes and Ladies stood on every side
Which with their presence faire, the place much beautifide.
viii
High above all a cloth of State was spred,
And a rich throne, as bright as sunny day,
On which there sate most brave embellished
With royall robes and gorgeous array,
A mayden Queene, that shone as Titans ray,
In glistring gold, and peerelesse pretious stone:
Yet her bright blazing beautie did assay
To dim the brightnesse of her glorious throne,
As envying her selfe, that too exceeding shone.
ix
Exceeding shone, like Phoebus fairest childe,
That did presume his fathers firie wayne,
And flaming mouthes of steedes unwonted wilde
Through highest heaven with weaker hand to rayne;
Proud of such glory and advancement vaine,
While flashing beames do daze his feeble eyen,
He leaves the welkin way most beaten plaine,
And rapt with whirling wheels, inflames the skyen,
With fire not made to burne, but fairely for to shyne.
So proud she shyned in her Princely state,
Looking to heaven; for earth she did disdayne,
And sitting high; for lowly she did hate:
Lo underneath her scornefull feete, was layne
A dreadfull Dragon with an hideous trayne,
And in her hand she held a mirrhour bright,
Wherein her face she often vewed fayne,
And in her selfe-lov'd semblance tooke delight;
284
For she was wondrous faire, as any living wight.
xi
Of griesly Pluto she the daughter was,
And sad Proserpina the Queene of hell;
Yet did she thinke her pearelesse worth to pas
That parentage, with pride so did she swell,
And thundring Jove, that high in heaven doth dwell,
And wield the world, she claymed for her syre,
Or if that any else did Jove excell:
For to the highest she did still aspyre,
Or if ought higher were then that, did it desyre.
xii
And proud Lucifera men did her call,
That made her selfe a Queene, and crownd to be,
Yet rightfull kingdome she had none at all,
Ne heritage of native soveraintie,
But did usurpe with wrong and tyrannie
Upon the scepter, which she now did hold:
Ne ruld her Realme with lawes, but pollicie,
And strong advizement of six wisards old,
That with their counsels bad her kingdome did uphold.
xiii
Soone as the Elfin knight in presence came,
And false Duessa seeming Lady faire,
A gentle Husher, Vanitie by name
Made rowme, and passage for them did prepaire:
So goodly brought them to the lowest stair
Of her high throne, where they on humble knee
Making obeyssance, did the cause declare,
Why they were come, her royall state to see,
To prove the wide report of her great Majestee.
xiv
285
With loftie eyes, halfe loth to looke so low,
She thanked them in her disdainefull wise,
Ne other grace vouchsafed them to show
Of Princesse worthy, scarse them bad arise.
Her Lordes and Ladies all this while devise
Themselves to setten forth to straungers sight:
Some frounce their curled haire in courtly guise,
Some prancke their ruffes, and others trimly dight
Their gay attire: each others greater pride does spight.
xv
Goodly they all that knight do entertaine,
Right glad with him to have increast their crew:
But to Duess' each one himselfe did paine
All kindnesse and faire courtesie to shew;
For in that court whylome her well they knew:
Yet the stout Faerie mongst the middest crowd
Thought all their glorie vaine in knightly vew,
And that great Princesse too exceeding prowd,
That to strange knight no better countenance allowd.
xvi
Suddein upriseth from her stately place
The royall Dame, and for her coche doth call:
All hurtlen forth, and she with Princely pace,
As faire Aurora in her purple pall,
Out of the East the dawning day doth call:
So forth she comes: her brightnesse brode doth blaze;
The heapes of people thronging in the hall,
Do ride each other, upon her to gaze:
Her glorious glitterand light doth all mens eyes amaze.
xvii
So forth she comes, and to her coche does clyme,
Adorned all with gold, and girlonds gay,
286
That seemd as fresh as Flora in her prime,
And strove to match, in royall rich array,
Great Junoes golden chaire, the which they say
The Gods stand gazing on, when she does ride
To Joves high house through heavens bras-paved way
Drawne of faire Pecocks, that excell in pride,
And full of Argus eyes their tailes dispredden wide.
xviii
But this was drawne of six unequall beasts,
On which her six sage Counsellours did ryde,
Taught to obay thelr bestiall beheasts,
With like conditions to their kinds applyde:
Of which the first, that all the rest did guyde,
Was sluggish Idlenesse the nourse of sin;
Upon a slouthfull Asse he chose to ryde,
Arayd in habit blacke, and amis thin,
Like to an holy Monck, the service to begin.
xix
And in his hand his Portesse still he bare,
That much was worne, but therein little red,
For of devotion he had little care,
Still drownd in sleepe, and most of his dayes ded;
Scarse could he once uphold his heavie hed,
To looken, whether it were night or day:
May seeme the wayne was very evill led,
When such an one had guiding of the way,
That knew not, whether right he went, or else astray.
xx
From worldly cares himselfe he did esloyne.
And greatly shunned manly exercise,
From every worke he chalenged essoyne.
For contemplation sake: yet otherwise,
His life he led in lawlesse riotise;
287
By which he grew to grievous malady;
For in his lustlesse limbs through evill guise
A shaking fever raignd continually:
Such one was Idlenesse, first of this company.
xxi
And by his side rode loathsome Gluttony,
Deformed creature, on a filthie swyne,
His belly was up-blowne with luxury,
And eke with fatnesse swollen were his eyne,
And like a Crane his necke was long and fyne,
With which he swallowd up excessive feast,
For want whereof poore people oft did pyne;
And all the way, most like a brutish beast,
He spued up his gorge, that all did him deteast.
xxii
In greene vine leaves he was right fitly clad;
For other clothes he could not weare for heat,
And on his head an yvie girland had,
From under which fast trickled downe the sweat:
Still as he rode, he somewhat still did eat,
And in his hand did beare a bouzing can,
Of which he supt so oft, that on his seat
His dronken corse he scarse upholden can,
In shape and life more like a monster, than man.
xxiii
Unfit he was for any worldly thing,
And eke unhable once to stirre or go,
Not meet to be of counsell to a king,
Whose mind in meat and drinke was drowned so,
That from his friend he seldome knew his fo:
Full of diseases was his carcas blew,
And a dry dropsie through his flesh did flow,
Which by misdiet daily greater grew:
288
Such one was Gluttony, the second of that crew.
xxiv
And next to him rode lustfull Lechery,
Upon a bearded Goat, whose rugged haire,
And whally eyes (the signe of gelosy,)
Was like the person selfe, whom he did beare:
Who rough, and blacke, and filthy did appeare,
Unseemely man to please faire Ladies eye;
Yet he of Ladies oft was loved deare,
When fairer faces were bid standen by:
O who does know the bent of womens fantasy?
xxv
In a greene gowne he clothed was full faire,
Which underneath did hide his filthinesse,
And in his hand a burning hart he bare,
Full of vaine follies, and new fanglenesse:
For he was false, and fraught with ficklenesse,
And learned had to love with secret lookes,
And well could daunce, and sing with ruefulnesse,
And fortunes tell, and read in loving bookes,
And thousand other wayes, to bait his fleshly hookes.
xxvi
Inconstant man, that loved all he saw,
And lusted after all, that he did love,
Ne would his looser life be tide to law,
But joyd weake wemens hearts to tempt, and prove
If from their loyall loves he might them move;
Which lewdnesse fild him with reprochfull paine
Of that fowle evill, which all men reprove,
That rots the marrow, and consumes the braine:
Such one was Lecherie, the third of all this traine.
xxvii
289
And greedy Avarice by him did ride,
Upon a Camell loaden all with gold;
Two iron coffers hong on either side,
With precious mettall full, as they might hold,
And in his lap an heape of coine he told;
For of his wicked pelfe his God he made,
And unto hell him selfe for money sold;
Accursed usurie was all his trade,
And right and wrong ylike in equall ballaunce waide.
xxviii
His life was nigh unto deaths doore yplast,
And thred-bare cote, and cobled shoes he ware,
Ne scarse good morsell all his life did tast,
But both from backe and belly still did spare,
To fill his bags, and richesse to compare;
Yet chylde ne kinsman living had he none
To leave them to; but thorough daily care
To get, and nightly feare to lose his owne,
He led a wretched life unto him selfe unknowne.
xxix
Most wretched wight, whom nothing might suffise,
Whose greedy lust did lacke in greatest store,
Whose need had end, but no end covetise,
Whose wealth was want, whose plenty made him pore,
Who had enough, yet wished ever more;
A vile disease, and eke in foote and hand
A grievous gout tormented him full sore,
That well he could not touch, nor go, nor stand:
Such one was Avarice, the fourth of this faire band.
xxx
And next to him malicious Envie rode,
290
Upon a ravenous wolfe, and still did chaw
Betweene his cankred teeth a venemous tode,
That all the poison ran about his chaw;
But inwardly he chawed his owne maw
At neighbours wealth, that made him ever sad;
For death it was, when any good he saw,
And wept, that cause of weeping none he had,
But when he heard of harme, he wexed wondrous glad.
xxxi
All in a kirtle of discolourd say
He clothed was, ypainted full of eyes;
And in his bosome secretly there lay
An hatefull Snake, the which his taile uptyes
In many folds, and mortall sting implyes.
Still as he rode, he gnasht his teeth, to see
Those heapes of gold with griple Covetyse,
And grudged at the great felicitie
Of proud Lucifera, and his owne companie.
xxxii
He hated all good workes and vertuous deeds,
And him no lesse, that any like did use,
And who with gracious bread the hungry feeds,
His almes for want of faith he doth accuse;
So every good to bad he doth abuse:
And eke the verse of famous Poets witt
He doth backebite, and spightfull poison spues
From leprous mouth on all, that ever writt:
Such one vile Envie was, that fifte in row did sitt.
xxxiii
And him beside rides fierce revenging Wrath,
Upon a Lion, loth for to be led;
And in his hand a burning brond he hath,
The which he brandisheth about his hed;
291
His eyes did hurle forth sparkles fiery red,
And stared sterne on all, that him beheld,
As ashes pale of hew and seeming ded;
And on his dagger still his hand he held,
Trembling through hasty rage, when choler in him sweld.
xxxiv
His ruffin raiment all was staind with blood,
Which he had spilt, and all to rags yrent,
Through unadvized rashnesse woxen wood;
For of his hands he had no governement,
Ne car'd for bloud in his avengement:
But when the furious fit was overpast,
His cruell facts he often would repent;
Yet wilfull man he never would forecast,
How many mischieves should ensue his heedlesse hast.
xxxv
Full many mischiefes follow cruell Wrath;
Abhorred bloudshed, and tumultuous strife,
Unmanly murder, and unthrifty scath,
Bitter despight, with rancours rusty knife,
And fretting griefe the enemy of life;
All these, and many evils moe haunt ire,
The swelling Splene, and Frenzy raging rife,
The shaking Palsey, and Saint Fraunces fire:
Such one was Wrath, the last of this ungodly tire.
xxxvi
And after all, upon the wagon beame
Rode Sathan, with a smarting whip in hand,
With which he forward lasht the laesie teme,
So oft as Slowth still in the mire did stand.
Huge routs of people did about them band,
Showting for joy, and still before their way
A foggy mist had covered all the land;
292
And underneath their feet, all scattered lay
Dead sculs and bones of men, whose life had gone astray.
~ Edmund Spenser,#NFDB
1385:Into The Silent Land
I.
'Oh for a pen of light, a tongue of fire,
That every word might burn in living flame
Upon the age's brow, and leave one name
Engraven on the future! One desire
Fills every nook and cranny of my heart;
One hope-one sorrow-one beloved aim!
She whose pure life was of my life a part,
As light is of the day, could she inspire
My unmelodious muse, or tune the lyre
To diapasons worthy of the theme,
How would her joy put on its robes of light,
And nestle in my bosom once again,
As when life, like an Oriental dream,
Fanned by Arabian airs, glode down the stream
To music whose remembrance is a pain.
The foot of time might trample on my strain,
But could not quench its essence. There was might,
And majesty, and greatness in the love
She blest me with-a blessing without stain,
And that was earthly; since her spirit-sight
Looked through the veil, and learned love's true delight,
Which sainted ministrants alone can prove
Who taste the waters of eternal love:
I pause to think how wonderful has grown
The love that was to me so wondrous here!
Chained as I am to this terrestrial sphere,
Groping my way through darkness, and alone,
Like a blind eaglet soaring towards the sun,
How would her full experience lift and cheer
The heart that never feels its duty done,
And with a girdle of pure light enzone
My flowery world of thought, and make it all her own.'
Thus mused the Minstrel, for his heart was sad.
Death had bereaved him of his bride, while youth,
And looming years of future trust and truth,
60
Knit them together, till their souls were clad
With joy ineffable. Love's great High Priest
Sacrificed in their hearts to Him that doeth
All things well; and such rare, perpetual feast
Of love and truth no mortals ever had,
To keep their memories green, their lives serene and glad,
He sat again within the quiet room,
Where Death had snapped one golden thread of life,
And the pale hand of Sickness, sorrow-rife,
Robbed the plump cheek of childhood of its bloom;
Where she, another Philomena, moved
Like a fond Charity-the coming wife
Ordained to crown his being: And he loved.
The future rose before him, joy and gloom;
For where the sunlight shone, there waved the sable plume.
And yet he failed not, for the coming pain;
The coming bliss would counterbalance all.
The sight prophetic that perceived the pall,
Looked far beyond for the celestial gain.
They do not truly love who cannot yield
The mortal up at the Immortal's call,
Or fail to triumph for the soul that's sealed.
His mind was strung to one harmonious strain:
To give when God should ask, and not resign in vain.
Love was to him life's chiefest victory;
He knew no greater, and he sought no less.
Like a green isle surrounded by the sea
That gives it health and vigour, so was he
The centre of love's sphere of perfectness;
He breathed its heavenly atmosphere; the key
That opened every chamber in love's court
Was in his hand; love's mystery was his sport,
He knelt within love's fane and worshipped thereBut not alone, for one was by his side
Whose love refined his being, filled the air
Of life's irradiated sky with light,
As the sun floods the heavens with a tide
Of renovating freshness, as the night
61
Is mellowed by the ample moon.
And hoping for the recompense
That would be theirs in life's approaching noon,
They built on hope's high eminence
Their airy palaces, whose magnificence
Surpassed the dreams that fancy drew,
So fair the promised land that lay within their view.
And here they lived; just within reach of heaven.
They could put forth their hands and touch the skies
That brooded o'er the walls of chrysolite,
The airy minarets, and golden domes
Of their new home, by Love, the Maker, given,
Steeped in his brightest dyes.
All nature opened up her ponderous tomes,
Whereby they had new knowledge and new sight,
Learned greater truths, and saw the paths of light,
Mosaic-paven, which to Duty led.
And there were secrets written overhead,
In burning hieroglyphs of thought,
From which they gleaned such lessons as are taught
Only to those whom heaven, in graciousness,
Lifts in her arms with a divine caress.
Earth, like a joyous maiden whose pure soul
Is filled with sudden ecstacy, became
A fruitful Eden; and the golden bowl
That held their elixir of life was filled
To overflowing with the rarest draught
Ever by gods or men in rapture quaffed;
Till from the altar of their hearts love's flame
Passed through the veins of the world, and thrilled
The soul of the rejoicing universe,
Which became theirs, and like true neophytes
They drained the sweet nepenthe, and love's rites
Wiped from their hearts all trace of the primeval curse.
The happy months rolled on; each wedded day
A bridal; and each calm and holy eve
Strewed with rare blessings all the sunny way
Through which they passed, with so divine a joy
That in his brain would meditation weave
62
Love's roses into garlands of sweet song,
To deck the brow of his devoted wife.
In this their El Dorado, no alloy
Mixed with the coinage of their wedded life;
The workmen in the mint an honest throng.
No wonder, then, that with go fine a bliss
Informing every fibre of his brain,
His thoughts begat impressions such as this;
Linking their lives together with a chain
Of melody as rare as some divine refrain:
Like dew to the thirsty flower,
Like sweets to the hungry bee,
Is love's divinest dower,
Its tenderness and power,
To thee, dear Wife! to thee.
Like light to the darkened spirit,
Like oil to the turbid sea,
Like truthful words to merit,
Are the blessings I inherit
With thee, dear Wife! with thee.
Afar in the distant ages,
Soul-ransomed, and spirit-free,
I'll read all being's pages,
Unread by mortal sages,
With thee, dear Wife! with thee.
None but the happy heart could carol thus;
A feather stolen from Devotion's wing,
To keep as a memento of the time
When earth met heaven, in life's duteous
And prayerful journey towards the shadowy clime;
Ere they descended from their height sublime,
Where at Love's well-filled table, banqueting,
They sat, and watched the first glad year,
Earthlike, revolving round the sun
Of their true life. Within that sphere
Was the new Eden. One by one
63
The precious moments dropped like golden sands,
And formed the solid hours. No perilous strands
Delayed life's blissful current, as it sped
Through flowery realms with blue skies overhead,
To songs and laughter musically sweet,
As if all sorrow had forever fled;
And idylls, sung with cheerful tone,
Haunted the calm, enchanted zone
That hemmed them in,
Where, like a stately queen,
Sate Peace, beatified, serene,
The guardian, heaven-sent, of this their fair demesne:
--LOVE'S ANNIVERSARY.
Like a bold, adventurous swain,
Just a year ago to-day,
I launched my bark on a radiant main,
And Hymen led the way:
'Breakers ahead!' he cried,
As he sought to overwhelm
My daring craft in the shrieking tide,
But Love, like a pilot bold and tried,
Sat, watchful, at the helm.
And we passed the treacherous shoals,
Where many a hope lay dead,
And splendid wrecks were piled, like the ghouls
Of joys forever fled.
Once safely over these,
We sped by a fairy realm,
Across the bluest and calmest seas
That were ever kissed by a truant breeze,
With Love still at the helm.
We sailed by sweet, odorous isles,
Where the flowers and trees were one;
Through lakes that vied with the golden smiles
Of heaven's unclouded sun:
Still speeds our merry bark,
64
Threading life's peaceful realm,
And 'tis ever morn with our marriage-lark,
For the Pilot-Love of our safety-ark
Stands, watchful, at the helm.
II.
A beautiful land is the Land of Dreams,
Green hills and valleys, and deep lagoons,
Swift-rushing torrents and gentle streams,
Glassing a myriad silver moons;
Mirror-like lakelets with lovely isles,
And verdurous headlands looking down
On the Neread shapes, whose smiles
Were worth the price of a peaceful crown.
We clutch at the silvery bars
Flung from the motionless stars,
And climb far into space,
Defying the race
Who ride in aerial cars.
We take up the harp of the mind,
And finger its delicate strings;
The notes, soft and light
As a moonbeam's flight,
Departing on viewless wings.
Afar in some fanciful bower,
Some region of exquisite calm,
Where the starlight falls in a gleaming shower,
We sink to repose
On our couch of rose,
Inhaling no mortal balm.
The worlds are no longer unknown,
We pass through the uttermost sky,
Our eyelids are kissed
By a gentle mist,
And we feel the tone
Of a calmer zone,
As if heaven were wondrous nigh.
65
A fanciful land is the Land of Dreams,
Where earth and heaven are clasping hands;
No heaven-no earth,
But one wide, new birth,
Where Beauty and Goodness, and human worth,
Make earth of heaven and heaven of earth;
And angels are walking on golden strands.
And the pearly gates of the universe
Of mind and fancy, opening
To the touch of the dainty finger-tips
Of elegant Peris with rose-bud lips,
Delicate, weird-like sounds are born
From the amber depths of odorous morn,
And spirits of beauty and light rehearse
Such strains as the young immortals sing,
When the souls of the blest
Are borne to their rest,
On luminous pinions of light serene
To the fragrant bowers of evergreen;
O'er the rosy plains, where the dying hours
Are changed by a spell to celestial flowers,
Where the skies have a hue no name can express,
For the tone of their passionate loveliness
Surpasseth all human imagining.
Such was their beautiful Dream of Life;
Each stern reality softened down;
Earth seemed to have ended her age of Strife,
And Harmony reigned, her olive crown
Besting on the Parian brow
Of the fair victor, like the gleam
Of the silvery moon on waves that flow
Thoughtfully down the summer stream.
Such was their earnest Dream of Life!
Was it some angel, with jealous eye,
Seeing such love beneath the sky
As never yet in world or star,
Or spheral height, that reached so far
'Twas never beheld by mortal sight,
Or elsewhere, save in highest heaven,
66
Was duly earned, or truly given,
That leagued with the usurper, Death,
To quench the light that shone so bright
That in all the earth there was not a breath
So foul as to change their day to night?
Alone! alone! Oh, word of fearful tone!
Well might the moon withhold her light,
The stars withdraw from human sight,
When Love was overthrown.
The Minstrel's heart how changed!
Love's principalities,
O'er which he reigned supreme,
Usurped by earth's realities;
The realm through which he ranged
Become a vanished dream!
And yet he sung, as sings
The dying swan that droops its wings
And drifts along the stream:
--THE LIGHT IN THE WINDOW PANE.
A joy from my soul's departed,
A bliss from my heart is flown,
As weary, weary-hearted,
I wander alone-alone!
The night wind sadly sigheth
A withering, wild refrain,
And my heart within me dieth
For the light in the window pane.
The stars overhead are shining,
As brightly as e'er they shone,
As heartless-sad-repining,
I wander alone-alone!
A sudden flash comes streaming,
And flickers adown the lane,
But no more for me is gleaming
The light in the window pane.
67
The voices that pass are cheerful,
Men laugh as the night winds moan;
They cannot tell how fearful
'Tis to wander alone-alone!
For them, with each night's returning,
Life singeth its tenderest strain,
Where the beacon of love is burningThe light in the window pane.
Oh, sorrow beyond all sorrows
To which human life is prone:
Without thee, through all the morrows,
To wander alone-alone!
Oh, dark, deserted dwelling!
Where Hope like a lamb was slain,
No voice from thy lone walls welling,
No light in thy window pane.
But memory, sainted angel!
Rolls back the sepulchral stone,
And sings like a sweet evangel:
'No-never, never alone!
True grief has its royal palace,
Each loss is a greater gain;
And Sorrow ne'er filled a chalice
That Joy did not wait to drain!
--'Man must be perfected
By suffering,' he said;
'And Death is but the stepping-stone, whereby
We mount towards the gate
Of heaven, soon or late.
Death is the penalty of life; we die,
Because we live; and life
Is but a constant strife
With the immortal Impulse that within
Our bodies seeks controlThe time-abiding Soul,
68
That wrestles with us-yet we fain would win.
And what? the victory
Would make us slaves; and we,
Who in our blindness struggle for the prize
Of this illusive state
Called Life, do but frustrate
The higher law-refusing to be wise.'
Rightly he knew, indeed,
Earth's brightest paths but lead
To the true wisdom of that perfect state,
Where Knowledge, heaven-born,
And Love's eternal morn,
Awaiteth those who would be truly great.
With what abiding trust
He rose from out the dust,
As Death's swift chariot passed him by the way;
No visionary dream
Was his-no trifling themeThe Soul's great Mystery before him lay:
--THE SOUL.
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
69
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealedSealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
70
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,#NFDB
1386:Scene.Inside the Turret on the Hill above Asolo.Luigi and his Mother entering.
Mother
If there blew wind, you'd hear a long sigh, easing
The utmost heaviness of music's heart.
Luigi
Here in the archway?
Mother
Oh no, noin farther,
Where the echo is made, on the ridge.
Luigi
Here surely, then.
How plain the tap of my heel as I leaped up!
Hark"Lucius Junius!" The very ghost of a voice
Whose body is caught and kept by . . . what are those?
Mere withered wallflowers, waving overhead?
They seem an elvish group with thin bleached hair
That lean out of their topmost fortresslook
And listen, mountain men, to what we say,
Hand under chin of each grave earthy face.
Up and show faces all of you!"All of you!"
That's the king dwarf with the scarlet comb; old Franz,
Come down and meet your fate? Hark"Meet your fate!"
Mother
Let him not meet it, my Luigido not
Go to his City! Putting crime aside,
Half of these ills of Italy are feigned:
Your Pellicos and writers for effect,
Write for effect.
Luigi
Hush! Say A. writes, and B.
Mother
These A.s and B.s write for effect, I say.
Then, evil is in its nature loud, while good
Is silent; you hear each petty injury,
None of his virtues; he is old beside,
Quiet and kind, and densely stupid. Why
Do A. and B. not kill him themselves?
Luigi
They teach
Others to kill himmeand, if I fail,
Others to succeed; now, if A. tried and failed,
I could not teach that: mine's the lesser task.
Mother, they visit night by night . . .
Mother
You, Luigi?
Ah, will you let me tell you what you are?
Luigi
Why not? Oh, the one thing you fear to hint,
You may assure yourself I say and say
Ever to myself! At timesnay, even as now
We sitI think my mind is touched, suspect
All is not sound: but is not knowing that,
What constitutes one sane or otherwise?
I know I am thusso, all is right again.
I laugh at myself as through the town I walk.
And see men merry as if no Italy
Were suffering; then I ponder"I am rich,
"Young, healthy; why should this fact trouble me,
"More than it troubles these?" But it does trouble.
No, trouble's a bad word: for as I walk
There's springing and melody and giddiness,
And old quaint turns and passages of my youth,
Dreams long forgotten, little in themselves,
Return to mewhatever may amuse me:
And earth seems in a truce with me, and heaven
Accords with me, all things suspend their strife,
The very cicala laughs "There goes he, and there!
"Feast him, the time is short; he is on his way
"For the world's sake: feast him this once, our friend!"
And in return for all this, I can trip
Cheerfully up the scaffold-steps. I go
This evening, mother!
Mother
But mistrust yourself
Mistrust the judgment you pronounce on him!
Luigi
Oh, there I feelam sure that I am right!
Mother
Mistrust your judgment then, of the mere means
To this wild enterprise. Say, you are right,
How should one in your state e'er bring to pass
What would require a cool head, a cold heart,
And a calm hand? You never will escape.
Luigi
Escape? To even wish that, would spoil all.
The dying is best part of it. Too much
Have I enjoyed these fifteen years of mine,
To leave myself excuse for longer life:
Was not life pressed down, running o'er with joy,
That I might finish with it ere my fellows
Who, sparelier feasted, make a longer stay?
I was put at the board-head, helped to all
At first; I rise up happy and content.
God must be glad one loves his world so much.
I can give news of earth to all the dead
Who ask me:last year's sunsets, and great stars
Which had a right to come first and see ebb
The crimson wave that drifts the sun away
Those crescent moons with notched and burning rims
That strengthened into sharp fire, and there stood,
Impatient of the azureand that day
In March, a double rainbow stopped the storm
May's warm slow yellow moonlit summer nights
Gone are they, but I have them in my soul!
Mother
(He will not go!)
Luigi
You smile at me? 'T is true,
Voluptuousness, grotesqueness, ghastliness,
Environ my devotedness as quaintly
As round about some antique altar wreathe
The rose festoons, goats' horns, and oxen's skulls.
Mother
See now: you reach the city, you must cross
His thresholdhow?
Luigi
Oh, that's if we conspired!
Then would come pains in plenty, as you guess
But guess not how the qualities most fit
For such an office, qualities I have,
Would little stead me, otherwise employed,
Yet prove of rarest merit only here.
Every one knows for what his excellence
Will serve, but no one ever will consider
For what his worst defect might serve: and yet
Have you not seen me range our coppice yonder
In search of a distorted ash?I find
The wry spoilt branch a natural perfect bow.
Fancy the thrice-sage, thrice-precautioned man
Arriving at the palace on my errand!
No, no! I have a handsome dress packed up
White satin here, to set off my black hair;
In I shall marchfor you may watch your life out
Behind thick walls, make friends there to betray you;
More than one man spoils everything. March straight
Only, no clumsy knife to fumble for.
Take the great gate, and walk (not saunter) on
Thro' guards and guardsI have rehearsed it all
Inside the turret here a hundred times.
Don't ask the way of whom you meet, observe!
But where they cluster thickliest is the door
Of doors; they'll let you passthey'll never blab
Each to the other, he knows not the favourite,
Whence he is bound and what's his business now.
Walk instraight up to him; you have no knife:
Be prompt, how should he scream? Then, out with you!
Italy, Italy, my Italy!
You're free, you're free! Oh mother, I could dream
They got about meAndrea from his exile,
Pier from his dungeon, Gualtier from his grave!
Mother
Well, you shall go. Yet seems this patriotism
The easiest virtue for a selfish man
To acquire: he loves himselfand next, the world
If he must love beyond,but nought between:
As a short-sighted man sees nought midway
His body and the sun above. But you
Are my adored Luigi, ever obedient
To my least wish, and running o'er with love:
I could not call you cruel or unkind.
Once more, your ground for killing him!then go!
Luigi
Now do you try me, or make sport of me?
How first the Austrians got these provinces . . .
(If that is all, I'll satisfy you soon)
Never by conquest but by cunning, for
That treaty whereby . . .
Mother
Well?
Luigi
(Sure, he's arrived,
The tell-tale cuckoo: spring's his confidant,
And he lets out her April purposes!)
Or . . . better go at once to modern time,
He has . . . they have . . . in fact, I understand
But can't restate the matter; that's my boast:
Others could reason it out to you, and prove
Things they have made me feel.
Mother
Why go to-night?
Morn's for adventure. Jupiter is now
A morning-star. I cannot hear you, Luigi!
Luigi
"I am the bright and morning-star," saith God
And, "to such an one I give the morning-star.
The gift of the morning-star! Have I God's gift
Of the morning-star?
Mother
Chiara will love to see
That Jupiter an evening-star next June.
Luigi
True, mother. Well for those who live through June!
Great noontides, thunder-storms, all glaring pomps
That triumph at the heels of June the god
Leading his revel through our leafy world.
Yes, Chiara will be here.
Mother
In June: remember,
Yourself appointed that month for her coming.
Luigi
Was that low noise the echo?
Mother
The night-wind.
She must be grownwith her blue eyes upturned
As if life were one long and sweet surprise:
In June she comes.
Luigi
We were to see together
The Titian at Treviso. There, again!
[From without is heard the voice of Pippa, singing]
A king lived long ago,
In the morning of the world,
When earth was nigher heaven than now:
And the king's locks curled,
Disparting o'er a forehead full
As the milk-white space 'twixt horn and horn
Of some sacrificial bull
Only calm as a babe new-born:
For he was got to a sleepy mood,
So safe from all decrepitude,
Age with its bane, so sure gone by,
(The gods so loved him while he dreamed)
That, having lived thus long, there seemed
No need the king should ever die.
Luigi
No need that sort of king should ever die!
Among the rocks his city was:
Before his palace, in the sun,
He sat to see his people pass,
And judge them every one
From its threshold of smooth stone.
They haled him many a valley-thief
Caught in the sheep-pens, robber-chief
Swarthy and shameless, beggar-cheat,
Spy-prowler, or rough pirate found
On the sea-sand left aground;
And sometimes clung about his feet,
With bleeding lip and burning cheek,
A woman, bitterest wrong to speak
Of one with sullen thickset brows:
And sometimes from the prison-house
The angry priests a pale wretch brought,
Who through some chink had pushed and pressed
On knees and elbows, belly and breast,
Worm-like into the temple,caught
He was by the very god,
Who ever in the darkness strode
Backward and forward, keeping watch
O'er his brazen bowls, such rogues to catch!
These, all and every one,
The king judged, sitting in the sun.
Luigi
That king should still judge sitting in the sun!
His councillors, on left and right,
Looked anxious up,but no surprise
Disturbed the king's old smiling eyes
Where the very blue had turned to white.
'T is said, a Python scared one day
The breathless city, till he came,
With forky tongue and eyes on flame
Where the old king sat to judge alway,
But when he saw the sweepy hair
Girt with a crown of berries rare
Which the god will hardly give to wear
To the maiden who singeth, dancing bare
In the altar-smoke by the pine-torch lights,
At his wondrous forest rites,
Seeing this, he did not dare
Approach that threshold in the sun,
Assault the old king smiling there.
Such grace had kings when the world begun!
[Pippa passes]
Luigi
And such grace have they, now that the world ends!
The Python at the city, on the throne,
And brave men, God would crown for slaying him,
Lurk in bye-corners lest they fall his prey.
Are crowns yet to be won in this late time,
Which weakness makes me hesitate to reach?
'T is God's voice calls: how could I stay? Farewell!
Talk by the way, while Pippa is passing from the Turret to the Bishop's Brother's House, close to the Duomo S. Maria. PoorGirls sitting on the steps.
1st Girl
There goes a swallow to Venicethe stout seafarer!
Seeing those birds fly, makes one wish for wings.
Let us all wish; you wish first!
2nd Girl
I? This sunset
To finish.
3rd Girl
That oldsomebody I know,
Greyer and older than my grandfather,
To give me the same treat he gave last week
Feeding me on his knee with fig-peckers,
Lampreys and red Breganze-wine, and mumbling
The while some folly about how well I fare,
Let sit and eat my supper quietly:
Since had he not himself been late this morning
Detained atnever mind where,had he not . . .
"Eh, baggage, had I not!"
2nd Girl
How she can lie!
3rd Girl
Look thereby the nails!
2nd Girl.
What makes your fingers red?
3rd Girl
Dipping them into wine to write bad words with
On the bright table: how he laughed!
1st Girl
My turn.
Spring's come and summer's coming. I would wear
A long loose gown, down to the feet and hands,
With plaits here, close about the throat, all day;
And all night lie, the cool long nights, in bed;
And have new milk to drink, apples to eat,
Deuzans and junetings, leather-coats . . ah, I should say,
This is away in the fieldsmiles!
3rd Girl
Say at once
You'd be at home: she'd always be at home!
Now comes the story of the farm among
The cherry orchards, and how April snowed
White blossoms on her as she ran. Why, fool,
They've rubved the chalk-mark out, how tall you were
Twisted your starling's neck, broken his cage,
Made a dung-hill of your garden!
1st Girl
They, destroy
My garden since I left them? wellperhaps!
I would have done so: so I hope they have!
A fig-tree curled out of our cottage wall;
They called it mine, I have forgotten why,
It must have been there long ere I was born:
CriccricI think I hear the wasps o'erhead
Pricking the papers strung to flutter there
And keep off birds in fruit-timecoarse long papers,
And the wasps eat them, prick them through and through.
3rd Girl
How her mouth twitches! Where was I?before
She broke in with her wishes and long gowns
And waspswould I be such a fool!Oh, here!
This is my way: I answer every one
Who asks me why I make so much of him
(If you say, "you love him"straight "he'll not be gulled!")
"He that seduced me when I was a girl
"Thus highhad eyes like yours, or hair like yours,
"Brown, red, white,"as the case may be: that pleases!
See how that beetle burnishes in the path!
There sparkles he along the dust: and, there
Your journey to that maize-tuft spoiled at least!
1st Girl
When I was young, they said if you killed one
Of those sunshiny beetles, that his friend
Up there, would shine no more that day nor next.
2nd Girl
When you were young? Nor are you young, that's true.
How your plump arms, that were, have dropped away!
Why, I can span them. Cecco beats you still?
No matter, so you keep your curious hair.
I wish they'd find a way to dye our hair
Your colourany lighter tint, indeed,
Than black: the men say they are sick of black,
Black eyes, black hair!
4th Girl
Sick of yours, like enough.
Do you pretend you ever tasted lampreys
And ortolans? Giovita, of the palace,
Engaged (but there's no trusting him) to slice me
Polenta with a knife that had cut up
An ortolan.
2nd Girl
Why, there! Is not that Pippa
We are to talk to, under the window,quick,
Where the lights are?
1st Girl
That she? No, or she would sing.
For the Intendant said . . .
3rd Girl
Oh, you sing first!
Then, if she listens and comes close . . I'll tell you,
Sing that song the young English noble made,
Who took you for the purest of the pure,
And meant to leave the world for youwhat fun!
2nd Girl
[sings]
You'll love me yet!and I can tarry
Your love's protracted growing:
June reared that bunch of flowers you carry,
From seeds of April's sowing.
I plant a heartful now: some seed
At least is sure to strike,
And yieldwhat you'll not pluck indeed,
Not love, but, may be, like.
You'll look at least on love's remains,
A grave's one violet:
Your look?that pays a thousand pains.
What's death? You'll love me yet!
3rd Girl
[to Pippa who approaches]
Oh, you may come closerwe shall not eat you! Why, you seem the very person that the great rich handsome Englishman has fallen so violently in love with. I'll tell you all about it.
~ Robert Browning, Pippa Passes - Part III - Evening
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1387:Love in a hut, with water and a crust,
IsLove, forgive us!cinders, ashes, dust;
Love in a palace is perhaps at last
More grievous torment than a hermits fast:
That is a doubtful tale from faery land,
Hard for the non-elect to understand.
Had Lycius livd to hand his story down,
He might have given the moral a fresh frown,
Or clenchd it quite: but too short was their bliss
To breed distrust and hate, that make the soft voice hiss.
Besides, there, nightly, with terrific glare,
Love, jealous grown of so complete a pair,
Hoverd and buzzd his wings, with fearful roar,
Above the lintel of their chamber door,
And down the passage cast a glow upon the floor.
For all this came a ruin: side by side
They were enthroned, in the even tide,
Upon a couch, near to a curtaining
Whose airy texture, from a golden string,
Floated into the room, and let appear
Unveild the summer heaven, blue and clear,
Betwixt two marble shafts:there they reposed,
Where use had made it sweet, with eyelids closed,
Saving a tythe which love still open kept,
That they might see each other while they almost slept;
When from the slope side of a suburb hill,
Deafening the swallows twitter, came a thrill
Of trumpetsLycius startedthe sounds fled,
But left a thought, a buzzing in his head.
For the first time, since first he harbourd in
That purple-lined palace of sweet sin,
His spirit passd beyond its golden bourn
Into the noisy world almost forsworn.
The lady, ever watchful, penetrant,
Saw this with pain, so arguing a want
Of something more, more than her empery
Of joys; and she began to moan and sigh
Because he mused beyond her, knowing well
That but a moments thought is passions passing bell.
Why do you sigh, fair creature? whisperd he:
Why do you think? returnd she tenderly:
You have deserted me;where am I now?
Not in your heart while care weighs on your brow:
No, no, you have dismissd me; and I go
From your breast houseless: ay, it must be so.
He answerd, bending to her open eyes,
Where he was mirrord small in paradise,
My silver planet, both of eve and morn!
Why will you plead yourself so sad forlorn,
While I am striving how to fill my heart
With deeper crimson, and a double smart?
How to entangle, trammel up and snare
Your soul in mine, and labyrinth you there
Like the hid scent in an unbudded rose?
Ay, a sweet kissyou see your mighty woes.
My thoughts! shall I unveil them? Listen then!
What mortal hath a prize, that other men
May be confounded and abashd withal,
But lets it sometimes pace abroad majestical,
And triumph, as in thee I should rejoice
Amid the hoarse alarm of Corinths voice.
Let my foes choke, and my friends shout afar,
While through the thronged streets your bridal car
Wheels round its dazzling spokes.The ladys cheek
Trembled; she nothing said, but, pale and meek,
Arose and knelt before him, wept a rain
Of sorrows at his words; at last with pain
Beseeching him, the while his hand she wrung,
To change his purpose. He thereat was stung,
Perverse, with stronger fancy to reclaim
Her wild and timid nature to his aim:
Besides, for all his love, in self despite,
Against his better self, he took delight
Luxurious in her sorrows, soft and new.
His passion, cruel grown, took on a hue
Fierce and sanguineous as twas possible
In one whose brow had no dark veins to swell.
Fine was the mitigated fury, like
Apollos presence when in act to strike
The serpentHa, the serpent! certes, she
Was none. She burnt, she lovd the tyranny,
And, all subdued, consented to the hour
When to the bridal he should lead his paramour.
Whispering in midnight silence, said the youth,
Sure some sweet name thou hast, though, by my truth,
I have not askd it, ever thinking thee
Not mortal, but of heavenly progeny,
As still I do. Hast any mortal name,
Fit appellation for this dazzling frame?
Or friends or kinsfolk on the citied earth,
To share our marriage feast and nuptial mirth?
I have no friends, said Lamia, no, not one;
My presence in wide Corinth hardly known:
My parents bones are in their dusty urns
Sepulchred, where no kindled incense burns,
Seeing all their luckless race are dead, save me,
And I neglect the holy rite for thee.
Even as you list invite your many guests;
But if, as now it seems, your vision rests
With any pleasure on me, do not bid
Old Apolloniusfrom him keep me hid.
Lycius, perplexd at words so blind and blank,
Made close inquiry; from whose touch she shrank,
Feigning a sleep; and he to the dull shade
Of deep sleep in a moment was betrayd.
It was the custom then to bring away
The bride from home at blushing shut of day,
Veild, in a chariot, heralded along
By strewn flowers, torches, and a marriage song,
With other pageants: but this fair unknown
Had not a friend. So being left alone,
(Lycius was gone to summon all his kin)
And knowing surely she could never win
His foolish heart from its mad pompousness,
She set herself, high-thoughted, how to dress
The misery in fit magnificence.
She did so, but tis doubtful how and whence
Came, and who were her subtle servitors.
About the halls, and to and from the doors,
There was a noise of wings, till in short space
The glowing banquet-room shone with wide-arched grace.
A haunting music, sole perhaps and lone
Supportress of the faery-roof, made moan
Throughout, as fearful the whole charm might fade.
Fresh carved cedar, mimicking a glade
Of palm and plantain, met from either side,
High in the midst, in honour of the bride:
Two palms and then two plantains, and so on,
From either side their stems branchd one to one
All down the aisled place; and beneath all
There ran a stream of lamps straight on from wall to wall.
So canopied, lay an untasted feast
Teeming with odours. Lamia, regal drest,
Silently paced about, and as she went,
In pale contented sort of discontent,
Missiond her viewless servants to enrich
The fretted splendour of each nook and niche.
Between the tree-stems, marbled plain at first,
Came jasper pannels; then, anon, there burst
Forth creeping imagery of slighter trees,
And with the larger wove in small intricacies.
Approving all, she faded at self-will,
And shut the chamber up, close, hushd and still,
Complete and ready for the revels rude,
When dreadful guests would come to spoil her solitude.
The day appeard, and all the gossip rout.
O senseless Lycius! Madman! wherefore flout
The silent-blessing fate, warm cloisterd hours,
And show to common eyes these secret bowers?
The herd approachd; each guest, with busy brain,
Arriving at the portal, gazd amain,
And enterd marveling: for they knew the street,
Rememberd it from childhood all complete
Without a gap, yet neer before had seen
That royal porch, that high-built fair demesne;
So in they hurried all, mazd, curious and keen:
Save one, who lookd thereon with eye severe,
And with calm-planted steps walkd in austere;
Twas Apollonius: something too he laughd,
As though some knotty problem, that had daft
His patient thought, had now begun to thaw,
And solve and melt:twas just as he foresaw.
He met within the murmurous vestibule
His young disciple. Tis no common rule,
Lycius, said he, for uninvited guest
To force himself upon you, and infest
With an unbidden presence the bright throng
Of younger friends; yet must I do this wrong,
And you forgive me. Lycius blushd, and led
The old man through the inner doors broad-spread;
With reconciling words and courteous mien
Turning into sweet milk the sophists spleen.
Of wealthy lustre was the banquet-room,
Filld with pervading brilliance and perfume:
Before each lucid pannel fuming stood
A censer fed with myrrh and spiced wood,
Each by a sacred tripod held aloft,
Whose slender feet wide-swervd upon the soft
Wool-woofed carpets: fifty wreaths of smoke
From fifty censers their light voyage took
To the high roof, still mimickd as they rose
Along the mirrord walls by twin-clouds odorous.
Twelve sphered tables, by silk seats insphered,
High as the level of a mans breast reard
On libbards paws, upheld the heavy gold
Of cups and goblets, and the store thrice told
Of Ceres horn, and, in huge vessels, wine
Came from the gloomy tun with merry shine.
Thus loaded with a feast the tables stood,
Each shrining in the midst the image of a God.
When in an antichamber every guest
Had felt the cold full sponge to pleasure pressd,
By ministring slaves, upon his hands and feet,
And fragrant oils with ceremony meet
Pourd on his hair, they all movd to the feast
In white robes, and themselves in order placed
Around the silken couches, wondering
Whence all this mighty cost and blaze of wealth could spring.
Soft went the music the soft air along,
While fluent Greek a voweld undersong
Kept up among the guests discoursing low
At first, for scarcely was the wine at flow;
But when the happy vintage touchd their brains,
Louder they talk, and louder come the strains
Of powerful instruments:the gorgeous dyes,
The space, the splendour of the draperies,
The roof of awful richness, nectarous cheer,
Beautiful slaves, and Lamias self, appear,
Now, when the wine has done its rosy deed,
And every soul from human trammels freed,
No more so strange; for merry wine, sweet wine,
Will make Elysian shades not too fair, too divine.
Soon was God Bacchus at meridian height;
Flushd were their cheeks, and bright eyes double bright:
Garlands of every green, and every scent
From vales deflowerd, or forest-trees branch rent,
In baskets of bright osierd gold were brought
High as the handles heapd, to suit the thought
Of every guest; that each, as he did please,
Might fancy-fit his brows, silk-pillowd at his ease.
What wreath for Lamia? What for Lycius?
What for the sage, old Apollonius?
Upon her aching forehead be there hung
The leaves of willow and of adders tongue;
And for the youth, quick, let us strip for him
The thyrsus, that his watching eyes may swim
Into forgetfulness; and, for the sage,
Let spear-grass and the spiteful thistle wage
War on his temples. Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angels wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine
Unweave a rainbow, as it erewhile made
The tender-persond Lamia melt into a shade.
By her glad Lycius sitting, in chief place,
Scarce saw in all the room another face,
Till, checking his love trance, a cup he took
Full brimmd, and opposite sent forth a look
Cross the broad table, to beseech a glance
From his old teachers wrinkled countenance,
And pledge him. The bald-head philosopher
Had fixd his eye, without a twinkle or stir
Full on the alarmed beauty of the bride,
Brow-beating her fair form, and troubling her sweet pride.
Lycius then pressd her hand, with devout touch,
As pale it lay upon the rosy couch:
Twas icy, and the cold ran through his veins;
Then sudden it grew hot, and all the pains
Of an unnatural heat shot to his heart.
Lamia, what means this? Wherefore dost thou start?
Knowst thou that man? Poor Lamia answerd not.
He gazd into her eyes, and not a jot
Ownd they the lovelorn piteous appeal:
More, more he gazd: his human senses reel:
Some hungry spell that loveliness absorbs;
There was no recognition in those orbs.
Lamia! he criedand no soft-toned reply.
The many heard, and the loud revelry
Grew hush; the stately music no more breathes;
The myrtle sickend in a thousand wreaths.
By faint degrees, voice, lute, and pleasure ceased;
A deadly silence step by step increased,
Until it seemd a horrid presence there,
And not a man but felt the terror in his hair.
Lamia! he shriekd; and nothing but the shriek
With its sad echo did the silence break.
Begone, foul dream! he cried, gazing again
In the brides face, where now no azure vein
Wanderd on fair-spaced temples; no soft bloom
Misted the cheek; no passion to illume
The deep-recessed vision:all was blight;
Lamia, no longer fair, there sat a deadly white.
Shut, shut those juggling eyes, thou ruthless man!
Turn them aside, wretch! or the righteous ban
Of all the Gods, whose dreadful images
Here represent their shadowy presences,
May pierce them on the sudden with the thorn
Of painful blindness; leaving thee forlorn,
In trembling dotage to the feeblest fright
Of conscience, for their long offended might,
For all thine impious proud-heart sophistries,
Unlawful magic, and enticing lies.
Corinthians! look upon that gray-beard wretch!
Mark how, possessd, his lashless eyelids stretch
Around his demon eyes! Corinthians, see!
My sweet bride withers at their potency.
Fool! said the sophist, in an under-tone
Gruff with contempt; which a death-nighing moan
From Lycius answerd, as heart-struck and lost,
He sank supine beside the aching ghost.
Fool! Fool! repeated he, while his eyes still
Relented not, nor movd; from every ill
Of life have I preservd thee to this day,
And shall I see thee made a serpents prey?
Then Lamia breathd death breath; the sophists eye,
Like a sharp spear, went through her utterly,
Keen, cruel, perceant, stinging: she, as well
As her weak hand could any meaning tell,
Motiond him to be silent; vainly so,
He lookd and lookd again a level--No!
A Serpent! echoed he; no sooner said,
Than with a frightful scream she vanished:
And Lycius arms were empty of delight,
As were his limbs of life, from that same night.
On the high couch he lay!his friends came round--
Supported himno pulse, or breath they found,
And, in its marriage robe, the heavy body wound.
(line 50): Keats adopted here, in the manuscript, a pointing notice before: he placed the note of interrogation at the end of this line, a semi-colon at the end of line 51, and a full-stop at the end of line 54. The pointing of the text is from the first edition.
(lines 124-6): Leigh Hunt notes - "This is the very quintessence of the romantic."
(line 140): Rejected reading, "wainscoated" for "marbled plain."
(line 239): In the Autobiography of Haydon, as edited by the late Mr. Tom Taylor, we read at page 354 of Volume 1 (edition of 1853) that Keats and Lamb, at one of the meetings at Haydon's house, agreed that Newton "had destroyed all the poetry of the rainbow, by reducing it to the prismatic colours." This meeting was what Haydon calls "the immortal dinner" of the 28th of December 1817; so that the idea appears to have persisted in Keats's mind.
Last line: The following extract is appended in Keats's edition as a note to the last line of Lamia:--
"Philostratus, in his fourth book 'de Vita Apollonii', hath a memorable instance in this kind, which I may not omit, of one Menippus Lycius, a young man twenty-five years of age, that going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phoenician by birth, and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she, being fair and lovely, would live and die with him, that was fair and lovely to behold. The young man, a philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her a while to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius; who, by some probable conjectures, found her out to be a serpent, a lamia; and that all her furniture was, like Tantalus' gold, descried by Homer, no substance but mere illusions. When she saw herself descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon she, plate, house, and all that was in it, vanished in an instant: many thousands took notice of this fact, for it was done in the midst of Greece." ~ John Keats, Lamia. Part II
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1388:Le Mendiant
C'était quand le printemps a reverdi les prés.
La fille de Lycus, vierge aux cheveux dorés,
Sous les monts Achéens, non loin de Cérynée,
Errait à l'ombre, aux bords du faible et pur Crathis,
Car les eaux du Crathis, sous des berceaux de frêne,
Entouraient de Lycus le fertile domaine.
Soudain, à l'autre bord,
Du fond d'un bois épais, un noir fantôme sort,
Tout pâle, demi-nu, la barbe hérissée:
Il remuait à peine une lèvre glacée,
Des hommes et des dieux implorait le secours,
Et dans la forêt sombre errait depuis deux jours;
Il se traîne, il n'attend qu'une mort douloureuse;
Il succombe. L'enfant, interdite et peureuse,
A ce hideux aspect sorti du fond des bois,
Veut fuir; mais elle entend sa lamentable voix.
Il tend les bras, il tombe à genoux; il lui crie
Qu'au nom de tous les dieux il la conjure, il prie,
Et qu'il n'est point à craindre, et qu'une ardente faim
L'aiguillonne et le tue, et qu'il expire enfin.
'Si, comme je le crois, belle dès ton enfance,
C'est le dieu de ces eaux qui t'a donné naissance,
Nymphe, souvent les voeux des malheureux humains
Ouvrent des immortels les bienfaisantes mains,
Ou si c'est quelque front porteur d'une couronne
Qui te nomme sa fille et te destine au trône,
Souviens-toi, jeune enfant, que le ciel quelquefois
Venge les opprimés sur la tête des rois.
Belle vierge, sans doute enfant d'une déesse,
Crains de laisser périr l'étranger en détresse:
L'étranger qui supplie est envoyé des dieux.'
Elle reste. A le voir, elle enhardit ses yeux,
. . . . . . . . et d'une voix encore
Tremblante: 'Ami, le ciel écoute qui l'implore.
Mais ce soir, quand la nuit descend sur l'horizon,
Passe le pont mobile, entre dans la maison;
111
J'aurai soin qu'on te laisse entrer sans méfiance.
Pour la douzième fois célébrant ma naissance,
Mon père doit donner une fête aujourd'hui.
Il m'aime, il n'a que moi: viens t'adresser à lui,
C'est le riche Lycus. Viens ce soir; il est tendre,
Il est humain: il pleure aux pleurs qu'il voit répandre.'
Elle achève ces mots, et, le coeur palpitant,
S'enfuit; car l'étranger sur elle, en l'écoutant,
Fixait de ses yeux creux l'attention avide.
Elle rentre, cherchant dans le palais splendide
L'esclave près de qui toujours ses jeunes ans
Trouvent un doux accueil et des soins complaisants.
Cette sage affranchie avait nourri sa mère;
Maintenant sous des lois de vigilance austère,
Elle et son vieil époux, au devoir rigoureux,
Rangent des serviteurs le cortège nombreux.
Elle la voit de loin dans le fond du portique,
Court, et, posant ses mains sur ce visage antique:
'Indulgente nourrice, écoute: il faut de toi
Que j'obtienne un grand bien. Ma mère, écoute-moi;
Un pauvre, un étranger, dans la misère extrême,
Gémit sur l'autre bord, mourant, affamé, blême...
Ne me décèle point. De mon père aujourd'hui
J'ai promis qu'il pourrait solliciter l'appui.
Fais qu'il entre: et surtout, ô mère de ma mère!
Garde que nul mortel a'insulte à sa misère.
--Oui, ma fille; chacun fera ce que tu veux,
Dit l'esclave en baisant son front et ses cheveux;
Oui, qu'à ton protégé ta fête soit ouverte,
Ta mère, mon élève (inestimable perte!),
Aimait à soulager les faibles abattus;
Tu lui ressembleras autant par tes vertus
Que par tes yeux si doux et tes grâces naïves,'
Mais cependant la nuit assemble les convives:
En habits somptueux, d'essences parfumés,
Ils entrent. Aux lambris d'ivoire et d'or formés
Pend le lin d'Ionie en brillantes courtines;
Le toit s'égaye et rit de mille odeurs divines.
La table au loin circule, et d'apprêts savoureux
Se charge. L'encens vole en longs flots vaporeux:
Sur leurs bases d'argent, des formes animées
Élèvent dans leurs mains des torches enflammées;
112
Les figures, l'onyx, le cristal, les métaux
En vases hérissés d'hommes ou d'animaux,
Partout, sur les buffets, sur la table, étincellent;
Plus d'une lyre est prête; et partout s'amoncellent
Et les rameaux de myrte et les bouquets de fleurs.
On s'étend sur les lits teints de mille couleurs;
Près de Lycus, sa fille, idole de la fête,
Est admise. La rose a couronné sa tête.
Mais, pour que la décence impose un juste frein,
Lui-même est par eux tous élu roi du festin.
Et déjà vins, chansons, joie, entretiens sans nombre,
Lorsque, la double porte ouverte, un spectre sombre
Entre, cherchant des yeux l'autel hospitalier.
La jeune enfant rougit. Il court vers le foyer,
Il embrasse l'autel, s'assied parmi la cendre;
Et tous, l'oeil étonné, se taisent pour l'entendre.
'Lycus, fils d'Évémon, que les dieux et le temps
N'osent jamais troubler tes destins éclatants!
Ta pourpre, tes trésors, ton front noble et tranquille,
Semblent d'un roi puissant, l'idole de sa ville.
A ton riche banquet un peuple convié
T'honore comme un dieu de l'Olympe envoyé.
Regarde un étranger qui meurt dans la poussière,
Si tu ne tends vers lui la main hospitalière.
Inconnu, j'ai franchi le seuil de ton palais:
Trop de pudeur peut nuire à qui vit de bienfaits.
Lycus, par Jupiter, par ta fille innocente
Qui m'a seule indiqué ta porte bienfaisante!...
Je fus riche autrefois: mon banquet opulent
N'a jamais repoussé l'étranger suppliant.
Et pourtant aujourd'hui la faim est mon partage,
La faim qui flétrit l'âme autant que le visage,
Par qui l'homme souvent, importun, odieux,
Est contraint de rougir et de baisser les yeux!
--Étranger, tu dis vrai, le hasard téméraire
Des bons ou des méchants fait le destin prospère.
Mais sois mon hôte. Ici l'on hait plus que l'enfer
Le public ennemi, le riche au coeur de fer,
Enfant de Némésis, dont le dédain barbare
Aux besoins des mortels ferme son coeur avare.
113
Je rends grâce à l'enfant qui t'a conduit ici.
Ma fille, c'est bien fait; poursuis toujours ainsi.
Respecter l'indigence est un devoir suprême.
Souvent les immortels (et Jupiter lui-même)
Sous des haillons poudreux, de seuil en seuil traînés,
Viennent tenter le coeur des humains fortunés.'
D'accueil et de faveur un murmure s'élève.
Lycus descend, accourt, tend la main, le relève:
'Salut, père étranger; et que puissent tes voeux
Trouver le ciel propice à tout ce que tu veux!
Mon hôte, lève-toi. Tu parais noble et sage;
Mais cesse avec ta main de cacher ton visage.
Souvent marchent ensemble indigence et vertu,
Souvent d'un vil manteau le sage revêtu,
Seul, vit avec les dieux et brave un sort inique.
Couvert de chauds tissus, à l'ombre du portique,
Sur de molles toisons, en un calme sommeil,
Tu peux ici, dans l'ombre, attendre le soleil.
Je te ferai revoir tes foyers, ta patrie,
Tes parents, si les dieux ont épargné leur vie.
Car tout mortel errant nourrit un long amour
D'aller revoir le sol qui lui donna le jour.
Mon hôte, tu franchis le seuil de ma famille
A l'heure qui jadis a vu naître ma fille.
Salut! Vois, l'on t'apporte et la table et le pain:
Sieds-toi. Tu vas d'abord rassasier ta faim.
Puis, si nulle raison ne te force au mystère,
Tu nous diras ton nom, ta patrie et ton père!'
Il retourne à sa place après que l'indigent
S'est assis. Sur ses mains, d'une aiguière d'argent,
Par une jeune esclave une eau pure est versée.
Une table de cèdre, où l'éponge est passée,
S'approche, et vient offrir à son avide main
Et les fumantes chairs sur le disque d'airain,
Et l'amphore vineuse, et la coupe aux deux anses.
'Mange et bois, dit Lycus; oublions les souffrances,
Ami! leur lendemain est, dit-on, un beau jour.'
Bientôt Lycus se lève et fait emplir sa coupe,
Et veut que l'échanson verse à toute la troupe:
114
'Pour boire à Jupiter, qui nous daigne envoyer
L'étranger devenu l'hôte de mon foyer.'
Le vin de main en main va coulant à la ronde;
Lycus lui-même emplit une coupe profonde,
L'envoie à l'étranger: 'Salut, mon hôte, bois.
De ta ville bientôt tu reverras les toits,
Fussent-ils par-delà les glaces du Caucase.'
Des mains de l'échanson l'étranger prend le vase,
Se lève et sur eux tous il invoque les dieux.
On boit; il se rassied. Et jusque sur ses yeux
Ses noirs cheveux toujours ombrageant son visage,
De sourire et de plainte il mêle son langage:
'Mon hôte, maintenant que sous tes nobles toits
De l'importun besoin j'ai calmé les abois,
Oserai-je à ma langue abandonner les rênes?
Je n'ai plus ni pays, ni parents, ni domaines.
Mais écoute: le vin, par toi-même versé,
M'ouvre la bouche. Ainsi, puisque j'ai commencé,
Entends ce que peut-être il eût mieux valu taire.
Excuse enfin ma langue, excuse ma prière;
Car du vin, tu le sais, la téméraire ardeur
Souvent à l'excès même enhardit la pudeur.
Meurtri de durs cailloux ou de sables arides,
Déchiré de buissons ou d'insectes avides,
D'un long jeûne flétri, d'un long chemin lassé
Et de plus d'un grand fleuve en nageant traversé,
Je parais énervé, sans vigueur, sans courage;
Mais je suis né robuste et n'ai point passé l'âge.
La force et le travail, que je n'ai point perdus,
Par un peu de repos me vont être rendus.
Emploie alors mes bras à quelques soins rustiques.
Je puis dresser au char tes coursiers olympiques,
Ou, sous les feux du jour, courbé vers le sillon,
Presser deux forts taureaux du piquant aiguillon.
Je puis même, tournant la meule nourricière,
Broyer le pur froment en farine légère.
Je puis, la serpe en main, planter et diriger
Et le cep et la treille, espoir de ton verger.
Je tiendrai la faucille ou la faux recourbée,
Et devant mes pas l'herbe ou la moisson tombée
Viendra remplir ta grange en la belle saison;
115
Afin que nul mortel ne dise en ta maison,
Me regardant d'un oeil insultant et colère:
O vorace étranger, qu'on nourrit à rien faire!
--Vénérable indigent, va, nul mortel chez moi
N'oserait élever sa langue contre toi.
Tu peux ici rester, même oisif et tranquille,
Sans craindre qu'un affront ne trouble ton asile.
--L'indigent se méfie.--Il n'est plus de danger.
--L'homme est né pour souffrir.--Il est né pour changer.
--Il change d'infortune!--Ami, reprends courage:
Toujours un vent glacé ne souffle point l'orage.
Le ciel d'un jour à l'autre est humide ou serein,
Et tel pleure aujourd'hui qui sourira demain.
--Mon hôte, en tes discours préside la sagesse.
Mais quoi! la confiante et paisible richesse
Parle ainsi!... L'indigent espère en vain du sort;
En espérant toujours il arrive à la mort.
Dévoré de besoins, de projets, d'insomnie,
Il vieillit dans l'opprobre et dans l'ignominie.
Rebuté des humains durs, envieux, ingrats,
Il a recours aux dieux qui ne l'entendent pas.
Toutefois ta richesse accueille mes misères;
Et puisque ton coeur s'ouvre à la voix des prières.
Puisqu'il sait, ménageant le faible humilié,
D'indulgence et d'égards tempérer la pitié,
S'il est des dieux du pauvre, ô Lycus! que ta vie
Soit un objet pour tous et d'amour et d'envie!
--Je te le dis encore: espérons, étranger.
Que mon exemple au moins serve à t'encourager
Des changements du sort j'ai fait l'expérience.
Toujours un même éclat n'a point à l'indigence
Fait du riche Lycus envier le destin.
J'ai moi-même été pauvre et j'ai tendu la main.
Cléotas de Larisse, en ses jardins immenses,
Offrit à mon travail de justes récompenses.
'Jeune ami, j'ai trouvé quelques vertus en toi;
Va, sois heureux, dit-il, et te souviens de moi.'
Oui, oui, je m'en souviens: Cléotas fut mon père;
Tu vois le fruit des dons de sa bonté prospère.
116
A tous les malheureux je rendrai désormais
Ce que dans mon malheur je dus à ses bienfaits.
Dieux, l'homme bienfaisant est votre cher ouvrage;
Vous n'avez point ici d'autre visible image;
Il porte votre empreinte, il sortit de vos mains
Pour vous représenter aux regards des humains.
Veillez sur Cléotas! Qu'une fleur éternelle,
Fille d'une âme pure, en ses traits étincelle;
Que nombre de bienfaits, ce sont là ses amours,
Fassent une couronne à chacun de ses jours;
Et quand une mort douce et d'amis entourée
Recevra sans douleur sa vieillesse sacrée,
Qu'il laisse avec ses biens ses vertus pour appui
A des fils, s'il se peut, encor meilleurs que lui.
--Hôte des malheureux, le sort inexorable
Ne prend point les avis de l'homme secourable.
Tous, par sa main de fer en aveugles poussés,
Nous vivons; et tes voeux ne sont point exaucés.
Cléotas est perdu; son injuste patrie
L'a privé de ses biens; elle a proscrit sa vie.
De ses concitoyens dès longtemps envié,
De ses nombreux amis en un jour oublié,
Au lieu de ces tapis qu'avait tissus l'Euphrate,
Au lieu de ces festins brillants d'or et d'agate
Où ses hôtes, parmi les chants harmonieux,
Savouraient jusqu'au jour les vins délicieux,
Seul maintenant, sa faim, visitant les feuillages,
Dépouille les buissons de quelques fruits sauvages;
Ou, chez le riche altier apportant ses douleurs,
Il mange un pain amer tout trempé de ses pleurs.
Errant et fugitif, de ses beaux jours de gloire
Gardant, pour son malheur, la pénible mémoire,
Sous les feux du midi, sous le froid des hivers,
Seul, d'exil en exil, de déserts en déserts,
Pauvre et semblable à moi, languissant et débile,
Sans appui qu'un bâton, sans foyer, sans asile,
Revêtu de ramée ou de quelques lambeaux,
Et sans que nul mortel attendri sur ses maux
D'un souhait de bonheur le flatte et l'encourage;
Les torrents et la mer, l'aquilon et l'orage,
Les corbeaux, et des loups les tristes hurlements
117
Répondant seuls la nuit à ses gémissements;
N'ayant d'autres amis que les bois solitaires,
D'autres consolateurs que ses larmes amères,
Il se traîne; et souvent sur la pierre il s'endort
A la porte d'un temple, en invoquant la mort.
--Que m'as-tu dit? La foudre a tombé sur ma tête.
Dieux! ah! grands dieux! partons. Plus de jeux, plus de fête!
Partons. Il faut vers lui trouver des chemins sûrs;
Partons. Jamais sans lui je ne revois ces murs.
Ah! dieux! quand dans le vin, les festins, l'abondance,
Enivré des vapeurs d'une folle opulence,
Celui qui lui doit tout chante, et s'oublie, et rit,
Lui peut-être il expire, affamé, nu, proscrit,
Maudissant, comme ingrat, son vieil ami qui l'aime.
Parle: était-ce bien lui? le connais-tu toi-même?
En quels lieux était-il? où portait-il ses pas?
Il sait où vit Lycus, pourquoi ne vient-il pas?
Parle: était-ce bien lui? parle, parle, te dis-je;
Où l'as-tu vu?--Mon hôte, à regret je t'afflige.
C'était lui, je l'ai vu ........................
.........................Les douleurs de son âme
Avaient changé ses traits. Ses deux fils et sa femme
A Delphes, confiés au ministre du dieu,
Vivaient de quelques dons offerts dans le saint lieu.
Par des sentiers secrets fuyant l'aspect des villes,
On les avait suivis jusques aux Thermopyles.
Il en gardait encore un douloureux effroi.
Je le connais; je fus son ami comme toi.
D'un même sort jaloux une même injustice
Nous a tous deux plongés au même précipice.
Il me donna jadis (ce bien seul m'est resté)
Sa marque d'alliance et d'hospitalité.
Vois si tu la connais.' De surprise immobile,
Lycus a reconnu son propre sceau d'argile;
Ce sceau, don mutuel d'immortelle amitié,
Jadis à Cléotas par lui-même envoyé.
Il ouvre un oeil avide, et longtemps envisage
L'étranger. Puis enfin sa voix trouve un passage.
'Est-ce toi, Cléotas? toi qu'ainsi je revoi?
Tout ici t'appartient. O mon père! est-ce toi?
118
Je rougis que mes yeux aient pu te méconnaître.
Cléotas! ô mon père! ô toi qui fus mon maître,
Viens; je n'ai fait ici que garder ton trésor,
Et ton ancien Lycus veut te servir encor;
J'ai honte à ma fortune en regardant la tienne.'
Et, dépouillant soudain la pourpre tyrienne
Que tient sur son épaule une agrafe d'argent,
Il l'attache lui-même à l'auguste indigent.
Les convives levés l'entourent; l'allégresse
Rayonne en tous les yeux. La famille s'empresse;
On cherche des habits, on réchauffe le bain.
La jeune enfant approche; il rit, lui tend la main:
'Car c'est toi, lui dit-il, c'est toi qui, la première,
Ma fille, m'as ouvert la porte hospitalière.'
~ Andre Marie de Chenier,#NFDB
1389:Gilgamesh spoke to Utanapishtim, the Faraway:
"I have been looking at you,
but your appearance is not strangeyou are like me!
You yourself are not differentyou are like me!
My mind was resolved to fight with you,
(but instead?) my arm lies useless over you.
Tell me, how is it that you stand in the Assembly of the Gods,
and have found life!"
Utanapishtim spoke to Gilgamesh, saying:
"I will reveal to you, Gilgamesh, a thing that is hidden,
a secret of the gods I will tell you!
Shuruppak, a city that you surely know,
situated on the banks of the Euphrates,
that city was very old, and there were gods inside it.
The hearts of the Great Gods moved them to inflict the Flood.
Their Father Anu uttered the oath (of secrecy),
Valiant Enlil was their Adviser,
Ninurta was their Chamberlain,
Ennugi was their Minister of Canals.
Ea, the Clever Prince(?), was under oath with them
so he repeated their talk to the reed house:
'Reed house, reed house! Wall, wall!
O man of Shuruppak, son of Ubartutu:
Tear down the house and build a boat!
Abandon wealth and seek living beings!
Spurn possessions and keep alive living beings!
Make all living beings go up into the boat.
The boat which you are to build,
its dimensions must measure equal to each other:
its length must correspond to its width.
Roof it over like the Apsu.
I understood and spoke to my lord, Ea:
'My lord, thus is the command which you have uttered
I will heed and will do it.
But what shall I answer the city, the populace, and the
Elders!'
Ea spoke, commanding me, his servant:
'You, well then, this is what you must say to them:
"It appears that Enlil is rejecting me
so I cannot reside in your city (?),
nor set foot on Enlil's earth.
I will go down to the Apsu to live with my lord, Ea,
and upon you he will rain down abundance,
a profusion of fowl, myriad(!) fishes.
He will bring to you a harvest of wealth,
in the morning he will let loaves of bread shower down,
and in the evening a rain of wheat!"'
Just as dawn began to glow
the land assembled around me-
the carpenter carried his hatchet,
the reed worker carried his (flattening) stone,
the men
The child carried the pitch,
the weak brought whatever else was needed.
On the fifth day I laid out her exterior.
It was a field in area,
its walls were each 10 times 12 cubits in height,
the sides of its top were of equal length, 10 times 12 cubits each.
I laid out its (interior) structure and drew a picture of it (?).
I provided it with six decks,
thus dividing it into seven (levels).
The inside of it I divided into nine (compartments).
I drove plugs (to keep out) water in its middle part.
I saw to the punting poles and laid in what was necessary.
Three times 3,600 (units) of raw bitumen I poured into the
bitumen kiln,
three times 3,600 (units of) pitchinto it,
there were three times 3,600 porters of casks who carried (vege-
table) oil,
apart from the 3,600 (units of) oil which they consumed (!)
and two times 3,600 (units of) oil which the boatman stored
away.
I butchered oxen for the meat(!),
and day upon day I slaughtered sheep.
I gave the workmen(?) ale, beer, oil, and wine, as if it were
river water,
so they could make a party like the New Year's Festival.
and I set my hand to the oiling(!).
The boat was finished by sunset.
The launching was very difficult.
They had to keep carrying a runway of poles front to back,
until two-thirds of it had gone into the water(?).
Whatever I had I loaded on it:
whatever silver I had 1 loaded on it,
whatever gold I had I loaded on it.
All the living beings that I had I loaded on it,
I had all my kith and kin go up into the boat,
all the beasts and animals of the field and the craftsmen I
had go up.
Shamash had set a stated time:
'In the morning I will let loaves of bread shower down,
and in the evening a rain of wheat!
Go inside the boat, seal the entry!'
That stated time had arrived.
In the morning he let loaves of bread shower down,
and in the evening a rain of wheat.
I watched the appearance of the weather
the weather was frightful to behold!
I went into the boat and sealed the entry.
For the caulking of the boat, to Puzuramurri, the boatman,
I gave the palace together with its contents.
Just as dawn began to glow
there arose from the horizon a black cloud.
Adad rumbled inside of it,
before him went Shullat and Hanish,
heralds going over mountain and land.
Erragal pulled out the mooring poles,
forth went Ninurta and made the dikes overflow.
The Anunnaki lifted up the torches,
setting the land ablaze with their flare.
Stunned shock over Adad's deeds overtook the heavens,
and turned to blackness all that had been light.
The land shattered like a pot.
All day long the South Wind blew,
blowing fast, submerging the mountain in water,
overwhelming the people like an attack.
No one could see his fellow,
they could not recognize each other in the torrent.
The gods were frightened by the Flood,
and retreated, ascending to the heaven of Anu.
The gods were cowering like dogs, crouching by the outer wall.
Ishtar shrieked like a woman in childbirth,
the sweet-voiced Mistress of the Gods wailed:
'The olden days have alas turned to clay,
because I said evil things in the Assembly of the Gods!
How could I say evil things in the Assembly of the Gods,
ordering a catastrophe to destroy my people!!
No sooner have I given birth to my dear people
than they fill the sea like so many fish!'
The godsthose of the Anunnakiwere weeping with her,
the gods humbly sat weeping, sobbing with grief(?),
their lips burning, parched with thirst.
Six days and seven nights
came the wind and flood, the storm flattening the land.
When the seventh day arrived, the storm was pounding,
the flood was a warstruggling with itself like a woman
writhing (in labor).
The sea calmed, fell still, the whirlwind (and) flood stopped up.
I looked around all day longquiet had set in
and all the human beings had turned to clay!
The terrain was as flat as a roof.
I opened a vent and fresh air (daylight!) fell upon the side of
my nose.
I fell to my knees and sat weeping,
tears streaming down the side of my nose.
I looked around for coastlines in the expanse of the sea,
and at twelve leagues there emerged a region (of land).
On Mt. Nimush the boat lodged firm,
Mt. Nimush held the boat, allowing no sway.
One day and a second Mt. Nimush held the boat, allowing
no sway.
A third day, a fourth, Mt. Nimush held the boat, allowing
no sway.
A fifth day, a sixth, Mt. Nimush held the boat, allowing
no sway.
When a seventh day arrived
I sent forth a dove and released it.
The dove went off, but came back to me;
no perch was visible so it circled back to me.
I sent forth a swallow and released it.
The swallow went off, but came back to me;
no perch was visible so it circled back to me.
I sent forth a raven and released it.
The raven went off, and saw the waters slither back.
It eats, it scratches, it bobs, but does not circle back to me.
Then I sent out everything in all directions and sacrificed
(a sheep).
I offered incense in front of the mountain-ziggurat.
Seven and seven cult vessels I put in place,
and (into the fire) underneath (or: into their bowls) I poured
reeds, cedar, and myrtle.
The gods smelled the savor,
the gods smelled the sweet savor,
and collected like flies over a (sheep) sacrifice.
Just then Beletili arrived.
She lifted up the large flies (beads) which Anu had made for
his enjoyment(!):
'You gods, as surely as I shall not forget this lapis lazuli
around my neck,
may I be mindful of these days, and never forget them!
The gods may come to the incense offering,
but Enlil may not come to the incense offering,
because without considering he brought about the Flood
and consigned my people to annihilation.'
Just then Enlil arrived.
He saw the boat and became furious,
he was filled with rage at the Igigi gods:
'Where did a living being escape?
No man was to survive the annihilation!'
Ninurta spoke to Valiant Enlil, saying:
'Who else but Ea could devise such a thing?
It is Ea who knows every machination!'
La spoke to Valiant Enlil, saying:
'It is yours, O Valiant One, who is the Sage of the Gods.
How, how could you bring about a Flood without consideration
Charge the violation to the violator,
charge the offense to the offender,
but be compassionate lest (mankind) be cut off,
be patient lest they be killed.
Instead of your bringing on the Flood,
would that a lion had appeared to diminish the people!
Instead of your bringing on the Flood,
would that a wolf had appeared to diminish the people!
Instead of your bringing on the Flood,
would that famine had occurred to slay the land!
Instead of your bringing on the Flood,
would that (Pestilent) Erra had appeared to ravage the land!
It was not I who revealed the secret of the Great Gods,
I (only) made a dream appear to Atrahasis, and (thus) he
heard the secret of the gods.
Now then! The deliberation should be about him!'
Enlil went up inside the boat
and, grasping my hand, made me go up.
He had my wife go up and kneel by my side.
He touched our forehead and, standing between us, he
blessed us:
'Previously Utanapishtim was a human being.
But now let Utanapishtim and his wife become like us,
the gods!
Let Utanapishtim reside far away, at the Mouth of the Rivers.'
They took us far away and settled us at the Mouth of the Rivers."
"Now then, who will convene the gods on your behalf,
that you may find the life that you are seeking!
Wait! You must not lie down for six days and seven nights."
soon as he sat down (with his head) between his legs
sleep, like a fog, blew upon him.
Utanapishtim said to his wife:
"Look there! The man, the youth who wanted (eternal) life!
Sleep, like a fog, blew over him."
his wife said to Utanapishtim the Faraway:
"Touch him, let the man awaken.
Let him return safely by the way he came.
Let him return to his land by the gate through which he left."
Utanapishtim said to his wife:
"Mankind is deceptive, and will deceive you.
Come, bake leaves for him and keep setting them by his head
and draw on the wall each day that he lay down."
She baked his leaves and placed them by his head
and marked on the wall the day that he lay down.
The first loaf was dessicated,
the second stale, the third moist(?), the fourth turned white,
its,
the fifth sprouted gray (mold), the sixth is still fresh.
the seventhsuddenly he touched him and the man awoke.
Gilgamesh said to Utanapishtim:
"The very moment sleep was pouring over me
you touched me and alerted me!"
Utanapishtim spoke to Gilgamesh, saying:
"Look over here, Gilgamesh, count your loaves!
You should be aware of what is marked on the wall!
Your first loaf is dessicated,
the second stale, the third moist, your fourth turned white,
its
the fifth sprouted gray (mold), the sixth is still fresh.
The seventhsuddenly he touched him and the man awoke.
Gilgamesh said to Utanapishtim:
"The very moment sleep was pouring over me
you touched me and alerted me!"
Utanapishtim spoke to Gilgamesh, saying:
"Look over here, Gilgamesh, count your leaves!
You should be aware of what is marked on the wall!
Your first loaf is dessicated,
the second stale, the third moist, your fourth turned white,
its
the fifth sprouted gray (mold), the sixth is still fresh.
The seventhat that instant you awoke!"
Gilgamesh said to Utanapishtim the Faraway:
"O woe! What shall I do, Utanapishtim, where shall I go!
The Snatcher has taken hold of my flesh,
in my bedroom Death dwells,
and wherever I set foot there too is Death!"
Home Empty-Handed
Utanapishtim said to Urshanabi, the ferryman:
"May the harbor reject you, may the ferry landing reject you!
May you who used to walk its shores be denied its shores!
The man in front of whom you walk, matted hair chains
his body,
animal skins have ruined his beautiful skin.
Take him away, Urshanabi, bring him to the washing place.
Let him wash his matted hair in water like ellu.
Let him cast away his animal skin and have the sea carry it off,
let his body be moistened with fine oil,
let the wrap around his head be made new,
let him wear royal robes worthy of him!
Until he goes off to his city,
until he sets off on his way,
let his royal robe not become spotted, let it be perfectly new!"
Urshanabi took him away and brought him to the washing place.
He washed his matted hair with water like ellu.
He cast off his animal skin and the sea carried it oh.
He moistened his body with fine oil,
and made a new wrap for his head.
He put on a royal robe worthy of him.
Until he went away to his city,
until he set off on his way,
his royal robe remained unspotted, it was perfectly clean.
Gilgamesh and Urshanabi bearded the boat,
they cast off the magillu-boat, and sailed away.
The wife of Utanapishtim the Faraway said to him:
"Gilgamesh came here exhausted and worn out.
What can you give him so that he can return to his land (with
honor) !"
Then Gilgamesh raised a punting pole
and drew the boat to shore.
Utanapishtim spoke to Gilgamesh, saying:
"Gilgamesh, you came here exhausted and worn out.
What can I give you so you can return to your land?
I will disclose to you a thing that is hidden, Gilgamesh,
a I will tell you.
There is a plant like a boxthorn,
whose thorns will prick your hand like a rose.
If your hands reach that plant you will become a young
man again."
Hearing this, Gilgamesh opened a conduit(!) (to the Apsu)
and attached heavy stones to his feet.
They dragged him down, to the Apsu they pulled him.
He took the plant, though it pricked his hand,
and cut the heavy stones from his feet,
letting the waves(?) throw him onto its shores.
Gilgamesh spoke to Urshanabi, the ferryman, saying:
"Urshanabi, this plant is a plant against decay(!)
by which a man can attain his survival(!).
I will bring it to Uruk-Haven,
and have an old man eat the plant to test it.
The plant's name is 'The Old Man Becomes a Young Man.'"
Then I will eat it and return to the condition of my youth."
At twenty leagues they broke for some food,
at thirty leagues they stopped for the night.
Seeing a spring and how cool its waters were,
Gilgamesh went down and was bathing in the water.
A snake smelled the fragrance of the plant,
silently came up and carried off the plant.
While going back it sloughed off its casing.'
At that point Gilgamesh sat down, weeping,
his tears streaming over the side of his nose.
"Counsel me, O ferryman Urshanabi!
For whom have my arms labored, Urshanabi!
For whom has my heart's blood roiled!
I have not secured any good deed for myself,
but done a good deed for the 'lion of the ground'!"
Now the high waters are coursing twenty leagues distant,'
as I was opening the conduit(?) I turned my equipment over
into it (!).
What can I find (to serve) as a marker(?) for me!
I will turn back (from the journey by sea) and leave the boat by
the shore!"
At twenty leagues they broke for some food,
at thirty leagues they stopped for the night.
They arrived in Uruk-Haven.
Gilgamesh said to Urshanabi, the ferryman:
"Go up, Urshanabi, onto the wall of Uruk and walk around.
Examine its foundation, inspect its brickwork thoroughly
is not (even the core of) the brick structure of kiln-fired brick,
and did not the Seven Sages themselves lay out its plan!
One league city, one league palm gardens, one league lowlands, the open area(?) of the Ishtar Temple,
three leagues and the open area(?) of Uruk it encloses.
~ Anonymous, The Epic of Gilgamesh Tablet XI The Story of the Flood
,#NFDB
1390:I
WHEN the pine tosses its cones
To the song of its waterfall tones,
Who speeds to the woodland walks?
To birds and trees who talks?
Csar of his leafy Rome,
There the poet is at home.
He goes to the river-side,
Not hook nor line hath he;
He stands in the meadows wide,
Nor gun nor scythe to see.
Sure some god his eye enchants:
What he knows nobody wants.
In the wood he travels glad,
Without better fortune had,
Melancholy without bad.
Knowledge this man prizes best
Seems fantastic to the rest:
Pondering shadows, colors, clouds,
Grass-buds and caterpillar-shrouds,
Boughs on which the wild bees settle,
Tints that spot the violet's petal,
Why Nature loves the number five,
And why the star-form she repeats:
Lover of all things alive,
Wonderer at all he meets,
Wonderer chiefly at himself,
Who can tell him what he is?
Or how meet in human elf
Coming and past eternities?
2
And such I knew, a forest seer,
A minstrel of the natural year,
Foreteller of the vernal ides,
Wise harbinger of spheres and tides,
A lover true, who knew by heart
Each joy the mountain dales impart;
It seemed that Nature could not raise
A plant in any secret place,
In quaking bog, on snowy hill,
Beneath the grass that shades the rill,
Under the snow, between the rocks,
In damp fields known to bird and fox.
But he would come in the very hour
It opened in its virgin bower,
As if a sunbeam showed the place,
And tell its long-descended race.
It seemed as if the breezes brought him,
It seemed as if the sparrows taught him;
As if by secret sight he knew
Where, in far fields, the orchis grew.
Many haps fall in the field
Seldom seen by wishful eyes,
But all her shows did Nature yield,
To please and win this pilgrim wise.
He saw the partridge drum in the woods;
He heard the woodcock's evening hymn;
He found the tawny thrushes' broods;
And the shy hawk did wait for him;
What others did at distance hear,
And guessed within the thicket's gloom,
Was shown to this philosopher,
And at his bidding seemed to come.
3
In unploughed Maine he sought the lumberers' gang
Where from a hundred lakes young rivers sprang;
He trod the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linna hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame'through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,
One crash, the death-hymn of the perfect tree,
Declares the close of its green century.
Low lies the plant to whose creation went
Sweet influence from every element;
Whose living towers the years conspired to build,
Whose giddy top the morning loved to gild.
Through these green tents, by eldest Nature dressed,
He roamed, content alike with man and beast.
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
Three moons his great heart him a hermit made,
So long he roved at will the boundless shade.
The timid it concerns to ask their way,
And fear what foe in caves and swamps can stray,
To make no step until the event is known,
And ills to come as evils past bemoan.
Not so the wise; no coward watch he keeps
To spy what danger on his pathway creeps;
Go where he will, the wise man is at home,
His hearth the earth,his hall the azure dome;
Where his clear spirit leads him, there's his road
By God's own light illumined and foreshowed.
4
'T was one of the charmd days
When the genius of God doth flow;
The wind may alter twenty ways,
A tempest cannot blow;
It may blow north, it still is warm;
Or south, it still is clear;
Or east, it smells like a clover-farm;
Or west, no thunder fear.
The musing peasant, lowly great,
Beside the forest water sate;
The rope-like pine-roots crosswise grown
Composed the network of his throne;
The wide lake, edged with sand and grass,
Was burnished to a floor of glass,
Painted with shadows green and proud
Of the tree and of the cloud.
He was the heart of all the scene;
On him the sun looked more serene;
To hill and cloud his face was known,
It seemed the likeness of their own;
They knew by secret sympathy
The public child of earth and sky.
'You ask,' he said,'what guide
Me through trackless thickets led,
Through thick-stemmed woodlands rough and wide.
I found the water's bed.
The watercourses were my guide;
I travelled grateful by their side,
Or through their channel dry;
They led me through the thicket damp,
Through brake and fern, the beavers' camp,
Through beds of granite cut my road,
And their resistless friendship showed.
The falling waters led me,
The foodful waters fed me,
And brought me to the lowest land
Unerring to the ocean sand.
The moss upon the forest bark
Was pole-star when the night was dark;
The purple berries in the wood
Supplied me necessary food;
For Nature ever faithful is
To such as trust her faithfulness.
When the forest shall mislead me,
When the night and morning lie,
When sea and land refuse to feed me,
'T will be time enough to die;
Then will yet my mother yield
A pillow in her greenest field,
Nor the June flowers scorn to cover
The clay of their departed lover.'
II
As sunbeams stream through liberal space
And nothing jostle or displace,
So waved the pine-tree through my thought
And fanned the dreams it never brought.
'Whether is better, the gift or the donor?
Come to me,'
Quoth the pine-tree,
'I am the giver of honor.
My garden is the cloven rock,
And my manure the snow;
And drifting sand-heaps feed my stock,
In summer's scorching glow.
He is great who can live by me:
The rough and bearded forester
Is better than the lord;
God fills the scrip and canister,
Sin piles the loaded board.
The lord is the peasant that was,
The peasant the lord that shall be;
The lord is hay, the peasant grass,
One dry, and one the living tree.
Who liveth by the ragged pine
Foundeth a heroic line;
Who liveth in the palace hall
Waneth fast and spendeth all.
He goes to my savage haunts,
With his chariot and his care;
My twilight realm he disenchants,
And finds his prison there.
'What prizes the town and the tower?
Only what the pine-tree yields;
Sinew that subdued the fields;
The wild-eyed boy, who in the woods
Chants his hymn to hills and floods,
Whom the city's poisoning spleen
Made not pale, or fat, or lean;
Whom the rain and the wind purgeth,
Whom the dawn and the day-star urgeth,
In whose cheek the rose-leaf blusheth,
In whose feet the lion rusheth,
Iron arms, and iron mould,
That know not fear, fatigue, or cold.
I give my rafters to his boat,
My billets to his boiler's throat,
And I will swim the ancient sea
To float my child to victory,
And grant to dwellers with the pine
Dominion o'er the palm and vine.
Who leaves the pine-tree, leaves his friend,
Unnerves his strength, invites his end.
Cut a bough from my parent stem,
And dip it in thy porcelain vase;
A little while each russet gem
Will swell and rise with wonted grace;
But when it seeks enlarged supplies,
The orphan of the forest dies.
Whoso walks in solitude
And inhabiteth the wood,
Choosing light, wave, rock and bird,
Before the money-loving herd,
Into that forester shall pass,
From these companions, power and grace.
Clean shall he be, without, within,
From the old adhering sin,
All ill dissolving in the light
Of his triumphant piercing sight:
Not vain, sour, nor frivolous;
Not mad, athirst, nor garrulous;
Grave, chaste, contented, though retired,
And of all other men desired.
On him the light of star and moon
Shall fall with purer radiance down;
All constellations of the sky
Shed their virtue through his eye.
Him Nature giveth for defence
His formidable innocence;
The mounting sap, the shells, the sea,
All spheres, all stones, his helpers be;
He shall meet the speeding year,
Without wailing, without fear;
He shall be happy in his love,
Like to like shall joyful prove;
He shall be happy whilst he wooes,
Muse-born, a daughter of the Muse.
But if with gold she bind her hair,
And deck her breast with diamond,
Take off thine eyes, thy heart forbear,
Though thou lie alone on the ground.
' Heed the old oracles,
Ponder my spells;
Song wakes in my pinnacles
When the wind swells.
Soundeth the prophetic wind,
The shadows shake on the rock behind,
And the countless leaves of the pine are strings
Tuned to the lay the wood-god sings.
Hearken! Hearken!
If thou wouldst know the mystic song
Chanted when the sphere was young.
Aloft, abroad, the pan swells;
O wise man! hear'st thou half it tells?
O wise man! hear'st thou the least part?
'T is the chronicle of art.
To the open ear it sings
Sweet the genesis of things,
Of tendency through endless ages,
Of star-dust, and star-pilgrimages,
Of rounded worlds, of space and time,
Of the old flood's subsiding slime,
Of chemic matter, force and form,
Of poles and powers, cold, wet, and warm:
The rushing metamorphosis
Dissolving all that fixture is,
Melts things that be to things that seem,
And solid nature to a dream.
O, listen to the undersong,
The ever old, the ever young;
And, far within those cadent pauses,
The chorus of the ancient Causes!
Delights the dreadful Destiny
To fling his voice into the tree,
And shock thy weak ear with a note
Breathed from the everlasting throat.
In music he repeats the pang
Whence the fair flock of Nature sprang.
O mortal! thy ears are stones;
These echoes are laden with tones
Which only the pure can hear;
Thou canst not catch what they recite
Of Fate and Will, of Want and Right,
Of man to come, of human life,
Of Death and Fortune, Growth and Strife.'
Once again the pine-tree sung:
' Speak not thy speech my boughs among:
Put off thy years, wash in the breeze;
My hours are peaceful centuries.
Talk no more with feeble tongue;
No more the fool of space and time,
Come weave with mine a nobler rhyme.
Only thy Americans
Can read thy line, can meet thy glance,
But the runes that I rehearse
Understands the universe;
The least breath my boughs which tossed
Brings again the Pentecost;
To every soul resounding clear
In a voice of solemn cheer,
"Am I not thine? Are not these thine?"
And they reply, "Forever mine!"
My branches speak Italian,
English, German, Basque, Castilian,
Mountain speech to Highlanders,
Ocean tongues to islanders,
To Fin and Lap and swart Malay,
To each his bosom-secret say.
'Come learn with me the fatal song
Which knits the world in music strong,
Come lift thine eyes to lofty rhymes,
Of things with things, of times with times,
Primal chimes of sun and shade,
Of sound and echo, man and maid,
The land reflected in the flood,
Body with shadow still pursued.
For Nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.
The wood is wiser far than thou;
The wood and wave each other know
Not unrelated, unaffied,
But to each thought and thing allied,
Is perfect Nature's every part,
Rooted in the mighty Heart.
But thou, poor child! unbound, unrhymed,
Whence camest thou, misplaced, mistimed,
Whence, O thou orphan and defrauded?
Is thy land peeled, thy realm marauded?
Who thee divorced, deceived and left?
Thee of thy faith who hath bereft,
And torn the ensigns from thy brow,
And sunk the immortal eye so low?
Thy cheek too white, thy form too slender,
Thy gait too slow, thy habits tender
For royal man;they thee confess
An exile from the wilderness,
The hills where health with health agrees,
And the wise soul expels disease.
Hark! in thy ear I will tell the sign
By which thy hurt thou may'st divine.
'When thou shalt climb the mountain cliff,
Or see the wide shore from thy skiff,
To thee the horizon shall express
But emptiness on emptiness;
There lives no man of Nature's worth
In the circle of the earth;
And to thine eye the vast skies fall,
Dire and satirical,
On clucking hens and prating fools,
On thieves, on drudges and on dolls.
And thou shalt say to the Most High,
"Godhead! all this astronomy,
And fate and practice and invention,
Strong art and beautiful pretension,
This radiant pomp of sun and star,
Throes that were, and worlds that are,
Behold! were in vain and in vain;
It cannot be,I will look again.
Surely now will the curtain rise,
And earth's fit tenant me surprise;
But the curtain doth not rise,
And Nature has miscarried wholly
Into failure, into folly."
'Alas! thine is the bankruptcy,
Blessed Nature so to see.
Come, lay thee in my soothing shade,
And heal the hurts which sin has made.
I see thee in the crowd alone;
I will be thy companion.
Quit thy friends as the dead in doom,
And build to them a final tomb;
Let the starred shade that nightly falls
Still celebrate their funerals,
And the bell of beetle and of bee
Knell their melodious memory.
Behind thee leave thy merchandise,
Thy churches and thy charities;
And leave thy peacock wit behind;
Enough for thee the primal mind
That flows in streams, that breathes in wind:
Leave all thy pedant lore apart;
God hid the whole world in thy heart.
Love shuns the sage, the child it crowns,
Gives all to them who all renounce.
The rain comes when the wind calls;
The river knows the way to the sea;
Without a pilot it runs and falls,
Blessing all lands with its charity;
The sea tosses and foams to find
Its way up to the cloud and wind;
The shadow sits close to the flying ball;
The date fails not on the palm-tree tall;
And thou,go burn thy wormy pages,
Shalt outsee seers, and outwit sages.
Oft didst thou thread the woods in vain
To find what bird had piped the strain:
Seek not, and the little eremite
Flies gayly forth and sings in sight.
'Hearken once more!
I will tell thee the mundane lore.
Older am I than thy numbers wot,
Change I may, but I pass not.
Hitherto all things fast abide,
And anchored in the tempest ride.
Trenchant time behoves to hurry
All to yean and all to bury:
All the forms are fugitive,
But the substances survive.
Ever fresh the broad creation,
A divine improvisation,
From the heart of God proceeds,
A single will, a million deeds.
Once slept the world an egg of stone,
And pulse, and sound, and light was none;
And God said, "Throb!" and there was motion
And the vast mass became vast ocean.
Onward and on, the eternal Pan,
Who layeth the world's incessant plan,
Halteth never in one shape,
But forever doth escape,
Like wave or flame, into new forms
Of gem, and air, of plants, and worms.
I, that to-day am a pine,
Yesterday was a bundle of grass.
He is free and libertine,
Pouring of his power the wine
To every age, to every race;.
Unto every race and age
He emptieth the beverage;
Unto each, and unto all,
Maker and original.
The world is the ring of his spells,
And the play of his miracles.
As he giveth to all to drink,
Thus or thus they are and think.
With one drop sheds form and feature;
With the next a special nature;
The third adds heat's indulgent spark;
The fourth gives light which eats the dark;
Into the fifth himself he flings,
And conscious Law is King of kings.
As the bee through the garden ranges,
From world to world the godhead changes;
As the sheep go feeding in the waste,
From form to form He maketh haste;
This vault which glows immense with light
Is the inn where he lodges for a night.
What reeks such Traveller if the bowers
Which bloom and fade like meadow flowers
A bunch of fragrant lilies be,
Or the stars of eternity?
Alike to him the better, the worse,
The glowing angel, the outcast corse.
Thou metest him by centuries,
And lo! he passes like the breeze;
Thou seek'st in globe and galaxy,
He hides in pure transparency;
Thou askest in fountains and in fires,
He is the essence that inquires.
He is the axis of the star;
He is the sparkle of the spar;
He is the heart of every creature;
He is the meaning of each feature;
And his mind is the sky.
Than all it holds more deep, more high.'
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Woodnotes
,#NFDB
1391:Raschi In Prague
Raschi of Troyes, the Moon of Israel,
The authoritative Talmudist, returned
From his wide wanderings under many skies,
To all the synagogues of the Orient,
Through Spain and Italy, the isles of Greece,
Beautiful, dolorous, sacred Palestine,
Dead, obelisked Egypt, floral, musk-breathed Persia,
Laughing with bloom, across the Caucasus,
The interminable sameness of bare steppes,
Through dark luxuriance of Bohemian woods,
And issuing on the broad, bright Moldau vale,
Entered the gates of Prague. Here, too, his fame,
Being winged, preceded him. His people swarmed
Like bees to gather the rich honey-dew
Of learning from his lips. Amazement filled
All eyes beholding him. No hoary sage,
He who had sat in Egypt at the feet
Of Moses ben-Maimuni, called him friend;
Raschi the scholiast, poet, and physician,
Who bore the ponderous Bible's storied wisdom,
The Mischna's tangled lore at tip of tongue,
Light as a garland on a lance, appeared
In the just-ripened glory of a man.
From his clear eye youth flamed magnificent;
Force, masked by grace, moved in his balanced frame;
An intellectual, virile beauty reigned
Dominant on domed brow, on fine, firm lips,
An eagle profile cut in gilded bronze,
Strong, delicate as a head upon a coin,
While, as an aureole crowns a burning lamp,
Above all beauty of the body and brain
Shone beauty of a soul benign with love.
Even as a tawny flock of huddled sheep,
Grazing each other's heels, urged by one will,
With bleat and baa following the wether's lead,
Or the wise shepherd, so o'er the Moldau bridge
Trotted the throng of yellow-caftaned Jews,
Chattering, hustling, shuffling. At their head
Marched Rabbi Jochanan ben-Eleazar,
165
High priest in Prague, oldest and most revered,
To greet the star of Israel. As a father
Yearns toward his son, so toward the noble Raschi
Leapt at first sight the patriarch's fresh old heart.
'My home be thine in Prague! Be thou my son,
Who have no offspring save one simple girl.
See, glorious youth, who dost renew the days
Of David and of Samuel, early graced
With God's anointing oil, how Israel
Delights to honor who hath honored him.'
Then Raschi, though he felt a ball of fire
Globe itself in his throat, maintained his calm,
His cheek's opaque, swart pallor while he kissed
Silent the Rabbi's withered hand, and bowed
Divinely humble, his exalted head
Craving the benison.
For each who asked
He had the word of counsel, comfort, help;
For all, rich eloquence of thanks. His voice,
Even and grave, thrilled secret chords and set
Plain speech to music. Certain folk were there
Sick in the body, dragging painful limbs,
To the physician. These he solaced first,
With healing touch, with simples from his pouch,
Warming and lulling, best with promises
Of constant service till their ills were cured.
And some, gray-bearded, bald, and curved with age,
Blear-eyed from poring over lines obscure
And knotty riddles of the Talmud, brought
Their problems to this youth, who cleared and solved,
Yielding prompt answer to a lifetime's search.
Then, followed, pushed by his obsequious tribe,
Who fain had pedestaled him on their backs,
Hemming his steps, choking the airs of heaven
With their oppressive honors, he advanced,
Midst shouts, tumultuous welcomes, kisses showered
Upon his road-stained garments, through Prague's streets,
Gaped at by Gentiles, hissed at and reviled,
But no whit altering his majestic mien
For overwhelming plaudits or contempt.
Glad tidings Raschi brought from West and East
Of thriving synagogues, of famous men,
166
And flourishing academies. In Rome
The Papal treasurer was a pious Jew,
Rabbi Jehiel, neath whose patronage
Prospered a noble school. Two hundred Jews
Dwelt free and paid no tributary mark.
Three hundred lived in peace at Capua,
Shepherded by the learned Rabbi David,
A prince of Israel. In Babylon
The Jews established their Academy.
Another still in Bagdad, from whose chair
Preached the great rabbi, Samuel Ha-levi,
Versed in the written and the oral law,
Who blindfold could repeat the whole vast text
Of Mischna and Gemara. On the banks
Of Eden-born Euphrates, one day's ride
From Bagdad, Raschi found in the wilderness,
Which once was Babylon, Ezekiel's tomb.
Thrice ten perpetual lamps starred the dim shrine,
Two hundred sentinels held the sleepless vigil,
Receiving offerings. At the Feast of Booths
Here crowded Jews by thousands, out of Persia,
From all the neighboring lands, to celebrate
The glorious memories of the golden days.
Ten thousand Jews with their Academy
Damascus boasted, while in Cairo shone
The pearl, the crown of Israel, ben-Maimuni,
Physician at the Court of Saladin,
The second Moses, gathering at his feet
Sages from all the world.
As Raschi spake,
Forgetting or ignoring the chief shrine,
The Exile's Home, whereunto yearned all hearts,
All ears were strained for tidings. Some one asked:
'What of Jerusalem? Speak to us of Zion.'
The light died from his eyes. From depths profound
Issued his grave, great voice: 'Alas for Zion!
Verily is she fallen! Where our race
Dictated to the nations, not a handful,
Nay, not a score, not ten, not two abide!
One, only one, one solitary Jew,
The Rabbi Abraham Haceba, flits
Ghostlike amid the ruins; every year
167
Beggars himself to pay the idolaters
The costly tax for leave to hold a-gape
His heart's live wound; to weep, a mendicant,
Amidst the crumbled stones of palaces
Where reigned his ancestors, upon the graves
Where sleep the priests, the prophets, and the kings
Who were his forefathers. Ask me no more!'
Now, when the French Jew's advent was proclaimed,
And his tumultuous greeting, envious growls
And ominous eyebeams threatened storm in Prague.
'Who may this miracle of learning be?
The Anti-Christ! The century-long-awaited,
The hourly-hoped Messiah, come at last!
Else dared they never wax so arrogant,
Flaunting their monstrous joy in Christian eyes,
And strutting peacock-like, with hideous screams,
Who are wont to crawl, mute reptiles underfoot.'
A stone or two flung at some servile form,
Liveried in the yellow gaberdine
(With secret happiness but half suppressed
On features cast for misery), served at first
For chance expression of the rabble's hate;
But, swelling like a snow-ball rolled along
By mischief-plotting boys, the rage increased,
Grew to a mighty mass, until it reached
The palace of Duke Vladislaw. He heard
With righteous wrath his injured subjects' charge
Against presumptuous aliens: how these blocked
His avenues, his bridges; bared to the sun
The canker-taint of Prague's obscurest coigne;
Paraded past the churches of the Lord
One who denied Him, one by them hailed Christ.
Enough! This cloud, no bigger than one's hand,
Gains overweening bulk. Prague harbored, first,
Out of contemptuous ruth, a wretched band
Of outcast paupers, gave them leave to ply
Their money-lending trade, and leased them land
On all too facile terms. Behold! to-day,
Like leeches bloated with the people's blood,
They batten on Bohemia's poverty;
168
They breed and grow; like adders, spit back hate
And venomed perfidy for Christian love.
Thereat the Duke, urged by wise counsellorsNarzerad the statesman (half whose wealth was pledged
To the usurers), abetted by the priest,
Bishop of Olmutz, who had visited
The Holy Sepulchre, whose long, full life
Was one clean record of pure pietyThe Duke, I say, by these persuasive tongues,
Coaxed to his darling aim, forbade his guards
To hinder the just anger of his town,
And ordered to be led in chains to him
The pilgrim and his host.
At noontide meal
Raschi sat, full of peace, with Jochanan,
And the sole daughter of the house, Rebekah,
Young, beautiful as her namesake when she brought
Her firm, frail pitcher balanced on her neck
Unto the well, and gave the stranger drink,
And gave his camels drink. The servant set
The sparkling jar's refreshment from his lips,
And saw the virgin's face, bright as the moon,
Beam from the curled luxuriance of black locks,
And cast-back linen veil's soft-folded cloud,
Then put the golden ear-ring by her cheek,
The bracelets on her hands, his master's pledge,
Isaac's betrothal gift, whom she should wed,
And be the mother of millions-one whose seed
Dwells in the gates of those which hate them.
So
Yearned Raschi to adorn the radiant girl
Who sat at board before him, nor dared lift
Shy, heavy lids from pupils black as grapes
That dart the imprisoned sunshine from their core.
But in her ears keen sense was born to catch,
And in her heart strange power to hold, each tone
O' the low-keyed, vibrant voice, each syllable
O' the eloquent discourse, enriched with tales
Of venturous travel, brilliant with fine points
Of delicate humor, or illustrated
With living portraits of world-famoused men,
169
Jews, Saracens, Crusaders, Islamites,
Whose hand he had grasped-the iron warrior,
Godfrey of Bouillon, the wise infidel
Who in all strength, wit, courtesy excelled
The kings his foes-imperial Saladin.
But even as Raschi spake an abrupt noise
Of angry shouts, of battering staves that shook
The oaken portal, stopped the enchanted voice,
The uplifted wine spilled from the nerveless hand
Of Rabbi Jochanan. 'God pity us!
Our enemies are upon us once again.
Hie thee, Rebekah, to the inmost chamber,
Far from their wanton eyes' polluting gaze,
Their desecrating touch! Kiss me! Begone!
Raschi, my guest, my son'-But no word more
Uttered the reverend man. With one huge crash
The strong doors split asunder, pouring in
A stream of soldiers, ruffians, armed with pikes,
Lances, and clubs-the unchained beast, the mob.
'Behold the town's new guest!' jeered one who tossed
The half-filled golden wine-cup's contents straight
In the noble pure young face. 'What, master Jew!
Must your good friends of Prague break bolts and bars
To gain a peep at this prodigious pearl
You bury in your shell? Forth to the day!
Our Duke himself claims share of your new wealth;
Summons to court the Jew philosopher!'
Then, while some stuffed their pokes with baubles snatched
From board and shelf, or with malignant sword
Slashed the rich Orient rugs, the pictured woof
That clothed the wall; others had seized and bound,
And gagged from speech, the helpless, aged man;
Still others outraged, with coarse, violent hands,
The marble-pale, rigid as stone, strange youth,
Whose eye like struck flint flashed, whose nether lip
Was threaded with a scarlet line of blood,
Where the compressed teeth fixed it to forced calm.
He struggled not while his free limbs were tied,
His beard plucked, torn and spat upon his robeSeemed scarce to know these insults were for him;
But never swerved his gaze from Jochanan.
Then, in God's language, sealed from these dumb brutes,
170
Swiftly and low he spake: 'Be of good cheer,
Reverend old man. I deign not treat with these.
If one dare offer bodily hurt to thee,
By the ineffable Name! I snap my chains
Like gossamer, and in his blood, to the hilt,
Bathe the prompt knife hid in my girdle's folds.
The Duke shall hear me. Patience. Trust in me.'
Somewhat the authoritative voice abashed,
Even hoarse and changed, the miscreants, who feared
Some strong curse lurked in this mysterious tongue,
Armed with this evil eye. But brief the spell.
With gibe and scoff they dragged their victims forth,
The abused old man, the proud, insulted youth,
O'er the late path of his triumphal march,
Befouled with mud, with raiment torn, wild hair
And ragged beard, to Vladislaw. He sat
Expectant in his cabinet. On one side
His secular adviser, Narzerad,
Quick-eyed, sharp-nosed, red-whiskered as a fox;
On the other hand his spiritual guide,
Bishop of Olmutz, unctuous, large, and bland.
'So these twain are chief culprits!' sneered the Duke,
Measuring with the noble's ignorant scorn
His masters of a lesser caste. 'Stand forth!
Rash, stubborn, vain old man, whose impudence
Hath choked the public highways with thy brood
Of nasty vermin, by our sufferance hid
In lanes obscure, who hailed this charlatan
With sky-flung caps, bent knees, and echoing shouts,
Due to ourselves alone in Prague; yea, worse,
Who offered worship even ourselves disclaim,
Our Lord Christ's meed, to this blaspheming JewThy crimes have murdered patience. Thou hast wrecked
Thy people's fortune with thy own. But first
(For even in anger we are just) recount
With how great compensation from thy store
Of hoarded gold and jewels thou wilt buy
Remission of the penalty. Be wise.
Hark how my subjects, storming through the streets,
Vent on thy tribe accursed their well-based wrath.'
And, truly, through closed casements roared the noise
Of mighty surging crowds, derisive cries,
171
And victims' screams of anguish and affright.
Then Raschi, royal in his rags, began:
'Hear me, my liege!' At that commanding voice,
The Bishop, who with dazed eyes had perused
The grieved, wise, beautiful, pale face, sprang up,
Quick recognition in his glance, warm joy
Aflame on his broad cheeks. 'No more! No more!
Thou art the man! Give me the hand to kiss
That raised me from the shadow of the grave
In Jaffa's lazar-house! Listen, my liege!
During my pilgrimage to Palestine
I, sickened with the plague and nigh to death,
Languished 'midst strangers, all my crumbling flesh
One rotten mass of sores, a thing for dogs
To shy from, shunned by Christian as by Turk,
When lo! this clean-breathed, pure-souled, blessed youth,
Whom I, not knowing for an infidel,
Seeing featured like the Christ, believed a saint,
Sat by my pillow, charmed the sting from pain,
Quenched the fierce fever's heat, defeated Death;
And when I was made whole, had disappeared,
No man knew whither, leaving no more trace
Than a re-risen angel. This is he!'
Then Raschi, who had stood erect, nor quailed
From glances of hot hate or crazy wrath,
Now sank his eagle gaze, stooped his high head,
Veiling his glowing brow, returned the kiss
Of brother-love upon the Christian's hand,
And dropping on his knees implored the three,
'Grace for my tribe! They are what ye have made.
If any be among them fawning, false,
Insatiable, revengeful, ignorant, meanAnd there are many such-ask your own hearts
What virtues ye would yield for planted hate,
Ribald contempt, forced, menial servitude,
Slow centuries of vengeance for a crime
Ye never did commit? Mercy for these!
Who bear on back and breast the scathing brand
Of scarlet degradation, who are clothed
In ignominious livery, whose bowed necks
Are broken with the yoke. Change these to men!
That were a noble witchcraft simply wrought,
172
God's alchemy transforming clods to gold.
If there be one among them strong and wise,
Whose lips anoint breathe poetry and love,
Whose brain and heart served ever Christian needAnd there are many such-for his dear sake,
Lest ye chance murder one of God's high priests,
Spare his thrice-wretched tribe! Believe me, sirs,
Who have seen various lands, searched various hearts,
I have yet to touch that undiscovered shore,
Have yet to fathom that impossible soul,
Where a true benefit's forgot; where one
Slight deed of common kindness sown yields not
As now, as here, abundant crop of love.
Every good act of man, our Talmud says,
Creates an angel, hovering by his side.
Oh! what a shining host, great Duke, shall guard
Thy consecrated throne, for all the lives
Thy mercy spares, for all the tears thy ruth
Stops at the source. Behold this poor old man,
Last of a line of princes, stricken in years,
As thy dead father would have been to-day.
Was that white beard a rag for obscene hands
To tear? a weed for lumpish clowns to pluck?
Was that benignant, venerable face
Fit target for their foul throats' voided rheum?
That wrinkled flesh made to be pulled and pricked,
Wounded by flinty pebbles and keen steel?
Behold the prostrate, patriarchal form,
Bruised, silent, chained. Duke, such is Israel!'
'Unbind these men!' commanded Vladislaw.
'Go forth and still the tumult of my town.
Let no Jew suffer violence. Raschi, rise!
Thou who hast served the Christ-with this priest's life,
Who is my spirit's counselor-Christ serves thee.
Return among thy people with my seal,
The talisman of safety. Let them know
The Duke's their friend. Go, publish the glad news!'
Raschi the Saviour, Raschi the Messiah,
Back to the Jewry carried peace and love.
But Narzerad fed his venomed heart with gall,
Vowing to give his fatal hatred vent,
Despite a world of weak fantastic Dukes
173
And heretic bishops. He fulfilled his vow.
~ Emma Lazarus,#NFDB
1392:Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron. All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Typhon, and Dolor, and Porphyrion,
With many more, the brawniest in assault,
Were pent in regions of laborious breath;
Dungeon'd in opaque element, to keep
Their clenched teeth still clench'd, and all their limbs
Lock'd up like veins of metal, crampt and screw'd;
Without a motion, save of their big hearts
Heaving in pain, and horribly convuls'd
With sanguine feverous boiling gurge of pulse.
Mnemosyne was straying in the world;
Far from her moon had Phoebe wandered;
And many else were free to roam abroad,
But for the main, here found they covert drear.
Scarce images of life, one here, one there,
Lay vast and edgeways; like a dismal cirque
Of Druid stones, upon a forlorn moor,
When the chill rain begins at shut of eve,
In dull November, and their chancel vault,
The Heaven itself, is blinded throughout night.
Each one kept shroud, nor to his neighbour gave
Or word, or look, or action of despair.
Creus was one; his ponderous iron mace
Lay by him, and a shatter'd rib of rock
Told of his rage, ere he thus sank and pined.
Iapetus another; in his grasp,
A serpent's plashy neck; its barbed tongue
Squeez'd from the gorge, and all its uncurl'd length
Dead: and because the creature could not spit
Its poison in the eyes of conquering Jove.
Next Cottus: prone he lay, chin uppermost,
As though in pain; for still upon the flint
He ground severe his skull, with open mouth
And eyes at horrid working. Nearest him
Asia, born of most enormous Caf,
Who cost her mother Tellus keener pangs,
Though feminine, than any of her sons:
More thought than woe was in her dusky face,
For she was prophesying of her glory;
And in her wide imagination stood
Palm-shaded temples, and high rival fanes
By Oxus or in Ganges' sacred isles.
Even as Hope upon her anchor leans,
So leant she, not so fair, upon a tusk
Shed from the broadest of her elephants.
Above her, on a crag's uneasy shelve,
Upon his elbow rais'd, all prostrate else,
Shadow'd Enceladus; once tame and mild
As grazing ox unworried in the meads;
Now tiger-passion'd, lion-thoughted, wroth,
He meditated, plotted, and even now
Was hurling mountains in that second war,
Not long delay'd, that scar'd the younger Gods
To hide themselves in forms of beast and bird.
Not far hence Atlas; and beside him prone
Phorcus, the sire of Gorgons. Neighbour'd close
Oceanus, and Tethys, in whose lap
Sobb'd Clymene among her tangled hair.
In midst of all lay Themis, at the feet
Of Ops the queen; all clouded round from sight,
No shape distinguishable, more than when
Thick night confounds the pine-tops with the clouds:
And many else whose names may not be told.
For when the Muse's wings are air-ward spread,
Who shall delay her flight? And she must chaunt
Of Saturn, and his guide, who now had climb'd
With damp and slippery footing from a depth
More horrid still. Above a sombre cliff
Their heads appear'd, and up their stature grew
Till on the level height their steps found ease:
Then Thea spread abroad her trembling arms
Upon the precincts of this nest of pain,
And sidelong fix'd her eye on Saturn's face:
There saw she direst strife; the supreme God
At war with all the frailty of grief,
Of rage, of fear, anxiety, revenge,
Remorse, spleen, hope, but most of all despair.
Against these plagues he strove in vain; for Fate
Had pour'd a mortal oil upon his head,
A disanointing poison: so that Thea,
Affrighted, kept her still, and let him pass
First onwards in, among the fallen tribe.
As with us mortal men, the laden heart
Is persecuted more, and fever'd more,
When it is nighing to the mournful house
Where other hearts are sick of the same bruise;
So Saturn, as he walk'd into the midst,
Felt faint, and would have sunk among the rest,
But that he met Enceladus's eye,
Whose mightiness, and awe of him, at once
Came like an inspiration; and he shouted,
"Titans, behold your God!" at which some groan'd;
Some started on their feet; some also shouted;
Some wept, some wail'd, all bow'd with reverence;
And Ops, uplifting her black folded veil,
Show'd her pale cheeks, and all her forehead wan,
Her eye-brows thin and jet, and hollow eyes.
There is a roaring in the bleak-grown pines
When Winter lifts his voice; there is a noise
Among immortals when a God gives sign,
With hushing finger, how he means to load
His tongue with the filll weight of utterless thought,
With thunder, and with music, and with pomp:
Such noise is like the roar of bleak-grown pines;
Which, when it ceases in this mountain'd world,
No other sound succeeds; but ceasing here,
Among these fallen, Saturn's voice therefrom
Grew up like organ, that begins anew
Its strain, when other harmonies, stopt short,
Leave the dinn'd air vibrating silverly.
Thus grew it up-"Not in my own sad breast,
Which is its own great judge and searcher out,
Can I find reason why ye should be thus:
Not in the legends of the first of days,
Studied from that old spirit-leaved book
Which starry Uranus with finger bright
Sav'd from the shores of darkness, when the waves
Low-ebb'd still hid it up in shallow gloom;-
And the which book ye know I ever kept
For my firm-based footstool:-Ah, infirm!
Not there, nor in sign, symbol, or portent
Of element, earth, water, air, and fire,-
At war, at peace, or inter-quarreling
One against one, or two, or three, or all
Each several one against the other three,
As fire with air loud warring when rain-floods
Drown both, and press them both against earth's face,
Where, finding sulphur, a quadruple wrath
Unhinges the poor world;-not in that strife,
Wherefrom I take strange lore, and read it deep,
Can I find reason why ye should be thus:
No, nowhere can unriddle, though I search,
And pore on Nature's universal scroll
Even to swooning, why ye, Divinities,
The first-born of all shap'd and palpable Gods,
Should cower beneath what, in comparison,
Is untremendous might. Yet ye are here,
O'erwhelm'd, and spurn'd, and batter'd, ye are here!
O Titans, shall I say 'Arise!'-Ye groan:
Shall I say 'Crouch!'-Ye groan. What can I then?
O Heaven wide! O unseen parent dear!
What can I? Tell me, all ye brethren Gods,
How we can war, how engine our great wrath!
O speak your counsel now, for Saturn's ear
Is all a-hunger'd. Thou, Oceanus,
Ponderest high and deep; and in thy face
I see, astonied, that severe content
Which comes of thought and musing: give us help!"
So ended Saturn; and the God of the sea,
Sophist and sage, from no Athenian grove,
But cogitation in his watery shades,
Arose, with locks not oozy, and began,
In murmurs, which his first-endeavouring tongue
Caught infant-like from the far-foamed sands.
"O ye, whom wrath consumes! who, passion-stung,
Writhe at defeat, and nurse your agonies!
Shut up your senses, stifle up your ears,
My voice is not a bellows unto ire.
Yet listen, ye who will, whilst I bring proof
How ye, perforce, must be content to stoop:
And in the proof much comfort will I give,
If ye will take that comfort in its truth.
We fall by course of Nature's law, not force
Of thunder, or of Jove. Great Saturn, thou
Hast sifted well the atom-universe;
But for this reason, that thou art the King,
And only blind from sheer supremacy,
One avenue was shaded from thine eyes,
Through which I wandered to eternal truth.
And first, as thou wast not the first of powers,
So art thou not the last; it cannot be:
Thou art not the beginning nor the end.
From Chaos and parental Darkness came
Light, the first fruits of that intestine broil,
That sullen ferment, which for wondrous ends
Was ripening in itself. The ripe hour came,
And with it Light, and Light, engendering
Upon its own producer, forthwith touch'd
The whole enormous matter into life.
Upon that very hour, our parentage,
The Heavens and the Earth, were manifest:
Then thou first born, and we the giant race,
Found ourselves ruling new and beauteous realms.
Now comes the pain of truth, to whom 'tis pain;
O folly! for to bear all naked truths,
And to envisage circumstance, all calm,
That is the top of sovereignty. Mark well!
As Heaven and Earth are fairer, fairer far
Than Chaos and blank Darkness, though once chiefs;
And as we show beyond that Heaven and Earth
In form and shape compact and beautiful,
In will, in action free, companionship,
And thousand other signs of purer life;
So on our heels a fresh perfection treads,
A power more strong in beauty, born of us
And fated to excel us, as we pass
In glory that old Darkness: nor are we
Thereby more conquer'd, than by us the rule
Of shapeless Chaos. Say, doth the dull soil
Quarrel with the proud forests it hath fed,
And feedeth still, more comely than itself?
Can it deny the chiefdom of green groves?
Or shall the tree be envious of the dove
Because it cooeth, and hath snowy wings
To wander wherewithal and find its joys?
We are such forest-trees, and our fair boughs
Have bred forth, not pale solitary doves,
But eagles golden-feather'd, who do tower
Above us in their beauty, and must reign
In right thereof; for 'tis the eternal law
That first in beauty should be first in might:
Yea, by that law, another race may drive
Our conquerors to mourn as we do now.
Have ye beheld the young God of the seas,
My dispossessor? Have ye seen his face?
Have ye beheld his chariot, foam'd along
By noble winged creatures he hath made?
I saw him on the calmed waters scud,
With such a glow of beauty in his eyes,
That it enforc'd me to bid sad farewell
To all my empire: farewell sad I took,
And hither came, to see how dolorous fate
Had wrought upon ye; and how I might best
Give consolation in this woe extreme.
Receive the truth, and let it be your balm."
Whether through pos'd conviction, or disdain,
They guarded silence, when Oceanus
Left murmuring, what deepest thought can tell?
But so it was, none answer'd for a space,
Save one whom none regarded, Clymene;
And yet she answer'd not, only complain'd,
With hectic lips, and eyes up-looking mild,
Thus wording timidly among the fierce:
"O Father! I am here the simplest voice,
And all my knowledge is that joy is gone,
And this thing woe crept in among our hearts,
There to remain for ever, as I fear:
I would not bode of evil, if I thought
So weak a creature could turn off the help
Which by just right should come of mighty Gods;
Yet let me tell my sorrow, let me tell
Of what I heard, and how it made me weep,
And know that we had parted from all hope.
I stood upon a shore, a pleasant shore,
Where a sweet clime was breathed from a land
Of fragrance, quietness, and trees, and flowers.
Full of calm joy it was, as I of grief;
Too full of joy and soft delicious warmth;
So that I felt a movement in my heart
To chide, and to reproach that solitude
With songs of misery, music of our woes;
And sat me down, and took a mouthed shell
And murmur'd into it, and made melody-
O melody no more! for while I sang,
And with poor skill let pass into the breeze
The dull shell's echo, from a bowery strand
Just opposite, an island of the sea,
There came enchantment with the shifting wind,
That did both drown and keep alive my ears.
I threw my shell away upon the sand,
And a wave fill'd it, as my sense was fill'd
With that new blissful golden melody.
A living death was in each gush of sounds,
Each family of rapturous hurried notes,
That fell, one after one, yet all at once,
Like pearl beads dropping sudden from their string:
And then another, then another strain,
Each like a dove leaving its olive perch,
With music wing'd instead of silent plumes,
To hover round my head, and make me sick
Of joy and grief at once. Grief overcame,
And I was stopping up my frantic ears,
When, past all hindrance of my trembling hands,
A voice came sweeter, sweeter than all tune,
And still it cried, 'Apollo! young Apollo!
The morning-bright Apollo! young Apollo!'
I fled, it follow'd me, and cried 'Apollo!'
O Father, and O Brethren, had ye felt
Those pains of mine; O Saturn, hadst thou felt,
Ye would not call this too indulged tongue
Presumptuous, in thus venturing to be heard."
So far her voice flow'd on, like timorous brook
That, lingering along a pebbled coast,
Doth fear to meet the sea: but sea it met,
And shudder'd; for the overwhelming voice
Of huge Enceladus swallow'd it in wrath:
The ponderous syllables, like sullen waves
In the half-glutted hollows of reef-rocks,
Came booming thus, while still upon his arm
He lean'd; not rising, from supreme contempt.
"Or shall we listen to the over-wise,
Or to the over-foolish, Giant-Gods?
Not thunderbolt on thunderbolt, till all
That rebel Jove's whole armoury were spent,
Not world on world upon these shoulders piled,
Could agonize me more than baby-words
In midst of this dethronement horrible.
Speak! roar! shout! yell! ye sleepy Titans all.
Do ye forget the blows, the buffets vile?
Are ye not smitten by a youngling arm?
Dost thou forget, sham Monarch of the waves,
Thy scalding in the seas? What! have I rous'd
Your spleens with so few simple words as these?
O joy! for now I see ye are not lost:
O joy! for now I see a thousand eyes
Wide-glaring for revenge!"-As this he said,
He lifted up his stature vast, and stood,
Still without intermission speaking thus:
"Now ye are flames, I'll tell you how to burn,
And purge the ether of our enemies;
How to feed fierce the crooked stings of fire,
And singe away the swollen clouds of Jove,
Stifling that puny essence in its tent.
O let him feel the evil he hath done;
For though I scorn Oceanus's lore,
Much pain have I for more than loss of realms:
The days of peace and slumbrous calm are fled;
Those days, all innocent of scathing war,
When all the fair Existences of heaven
Carne open-eyed to guess what we would speak:-
That was before our brows were taught to frown,
Before our lips knew else but solemn sounds;
That was before we knew the winged thing,
Victory, might be lost, or might be won.
And be ye mindful that Hyperion,
Our brightest brother, still is undisgraced-
Hyperion, lo! his radiance is here!"
All eyes were on Enceladus's face,
And they beheld, while still Hyperion's name
Flew from his lips up to the vaulted rocks,
A pallid gleam across his features stern:
Not savage, for he saw full many a God
Wroth as himself. He look'd upon them all,
And in each face he saw a gleam of light,
But splendider in Saturn's, whose hoar locks
Shone like the bubbling foam about a keel
When the prow sweeps into a midnight cove.
In pale and silver silence they remain'd,
Till suddenly a splendor, like the morn,
Pervaded all the beetling gloomy steeps,
All the sad spaces of oblivion,
And every gulf, and every chasm old,
And every height, and every sullen depth,
Voiceless, or hoarse with loud tormented streams:
And all the everlasting cataracts,
And all the headlong torrents far and near,
Mantled before in darkness and huge shade,
Now saw the light and made it terrible.
It was Hyperion:-a granite peak
His bright feet touch'd, and there he stay'd to view
The misery his brilliance had betray'd
To the most hateful seeing of itself.
Golden his hair of short Numidian curl,
Regal his shape majestic, a vast shade
In midst of his own brightness, like the bulk
Of Memnon's image at the set of sun
To one who travels from the dusking East:
Sighs, too, as mournful as that Memnon's harp
He utter'd, while his hands contemplative
He press'd together, and in silence stood.
Despondence seiz'd again the fallen Gods
At sight of the dejected King of day,
And many hid their faces from the light:
But fierce Enceladus sent forth his eyes
Among the brotherhood; and, at their glare,
Uprose Iapetus, and Creus too,
And Phorcus, sea-born, and together strode
To where he towered on his eminence.
There those four shouted forth old Saturn's name;
Hyperion from the peak loud answered, "Saturn!"
Saturn sat near the Mother of the Gods,
In whose face was no joy, though all the Gods
Gave from their hollow throats the name of "Saturn!"
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book II
,#NFDB
1393:Karshish, the picker-up of learning's crumbs,
The not-incurious in God's handiwork
(This man's-flesh he hath admirably made,
Blown like a bubble, kneaded like a paste,
To coop up and keep down on earth a space
That puff of vapour from his mouth, man's soul)
To Abib, all-sagacious in our art,
Breeder in me of what poor skill I boast,
Like me inquisitive how pricks and cracks
Befall the flesh through too much stress and strain,
Whereby the wily vapour fain would slip
Back and rejoin its source before the term,
And aptest in contrivance (under God)
To baffle it by deftly stopping such:
The vagrant Scholar to his Sage at home
Sends greeting (health and knowledge, fame with peace)
Three samples of true snakestonerarer still,
One of the other sort, the melon-shaped,
(But fitter, pounded fine, for charms than drugs)
And writeth now the twenty-second time.
My journeyings were brought to Jericho;
Thus I resume. Who studious in our art
Shall count a little labour unrepaid?
I have shed sweat enough, left flesh and bone
On many a flinty furlong of this land.
Also, the country-side is all on fire
With rumours of a marching hitherward:
Some say Vespasian cometh, some, his son.
A black lynx snarled and pricked a tufted ear;
Lust of my blood inflamed his yellow balls:
I cried and threw my staff and he was gone.
Twice have the robbers stripped and beaten me,
And once a town declared me for a spy;
But at the end, I reach Jerusalem,
Since this poor covert where I pass the night,
This Bethany, lies scarce the distance thence
A man with plague-sores at the third degree
Runs till he drops down dead. Thou laughest here!
'Sooth, it elates me, thus reposed and safe,
To void the stuffing of my travel-scrip
And share with thee whatever Jewry yields
A viscid choler is observable
In tertians, I was nearly bold to say;
And falling-sickness hath a happier cure
Than our school wots of: there's a spider here
Weaves no web, watches on the ledge of tombs,
Sprinkled with mottles on an ash-grey back;
Take five and drop them . . . but who knows his mind,
The Syrian runagate I trust this to?
His service payeth me a sublimate
Blown up his nose to help the ailing eye.
Best wait: I reach Jerusalem at morn,
There set in order my experiences,
Gather what most deserves, and give thee all
Or I might add, Judea's gum-tragacanth
Scales off in purer flakes, shines clearer-grained,
Cracks 'twixt the pestle and the porphyry,
In fine exceeds our produce. Scalp-disease
Confounds me, crossing so with leprosy
Thou hadst admired one sort I gained at Zoar
But zeal outruns discretion. Here I end.
Yet stay: my Syrian blinketh gratefully,
Protesteth his devotion is my price
Suppose I write what harms not, though he steal?
I half resolve to tell thee, yet I blush,
What set me off a-writing first of all.
An itch I had, a sting to write, a tang!
For, be it this town's barrennessor else
The Man had something in the look of him
His case has struck me far more than 'tis worth.
So, pardon if(lest presently I lose
In the great press of novelty at hand
The care and pains this somehow stole from me)
I bid thee take the thing while fresh in mind,
Almost in sightfor, wilt thou have the truth?
The very man is gone from me but now,
Whose ailment is the subject of discourse.
Thus then, and let thy better wit help all!
'Tis but a case of maniasubinduced
By epilepsy, at the turning-point
Of trance prolonged unduly some three days:
When, by the exhibition of some drug
Or spell, exorcization, stroke of art
Unknown to me and which 'twere well to know,
The evil thing out-breaking all at once
Left the man whole and sound of body indeed,
But, flinging (so to speak) life's gates too wide,
Making a clear house of it too suddenly,
The first conceit that entered might inscribe
Whatever it was minded on the wall
So plainly at that vantage, as it were,
(First come, first served) that nothing subsequent
Attaineth to erase those fancy-scrawls
The just-returned and new-established soul
Hath gotten now so thoroughly by heart
That henceforth she will read or these or none.
And firstthe man's own firm conviction rests
That he was dead (in fact they buried him)
That he was dead and then restored to life
By a Nazarene physician of his tribe:
'Sayeth, the same bade "Rise," and he did rise.
"Such cases are diurnal," thou wilt cry.
Not so this figment!not, that such a fume,
Instead of giving way to time and health,
Should eat itself into the life of life,
As saffron tingeth flesh, blood, bones and all!
For see, how he takes up the after-life.
The manit is one Lazarus a Jew,
Sanguine, proportioned, fifty years of age,
The body's habit wholly laudable,
As much, indeed, beyond the common health
As he were made and put aside to show.
Think, could we penetrate by any drug
And bathe the wearied soul and worried flesh,
And bring it clear and fair, by three days' sleep!
Whence has the man the balm that brightens all?
This grown man eyes the world now like a child.
Some elders of his tribe, I should premise,
Led in their friend, obedient as a sheep,
To bear my inquisition. While they spoke,
Now sharply, now with sorrow,told the case,
He listened not except I spoke to him,
But folded his two hands and let them talk,
Watching the flies that buzzed: and yet no fool.
And that's a sample how his years must go.
Look, if a beggar, in fixed middle-life,
Should find a treasure,can he use the same
With straitened habits and with tastes starved small,
And take at once to his impoverished brain
The sudden element that changes things,
That sets the undreamed-of rapture at his hand
And puts the cheap old joy in the scorned dust?
Is he not such an one as moves to mirth
Warily parsimonious, when no need,
Wasteful as drunkenness at undue times?
All prudent counsel as to what befits
The golden mean, is lost on such an one
The man's fantastic will is the man's law.
So herewe call the treasure knowledge, say,
Increased beyond the fleshly faculty
Heaven opened to a soul while yet on earth,
Earth forced on a soul's use while seeing heaven:
The man is witless of the size, the sum,
The value in proportion of all things,
Or whether it be little or be much.
Discourse to him of prodigious armaments
Assembled to besiege his city now,
And of the passing of a mule with gourds
'Tis one! Then take it on the other side,
Speak of some trifling facthe will gaze rapt
With stupor at its very littleness,
(Far as I see) as if in that indeed
He caught prodigious import, whole results;
And so will turn to us the bystanders
In ever the same stupor (note this point)
That we too see not with his opened eyes.
Wonder and doubt come wrongly into play,
Preposterously, at cross purposes.
Should his child sicken unto death,why, look
For scarce abatement of his cheerfulness,
Or pretermission of the daily craft!
While a word, gesture, glance, from that same child
At play or in the school or laid asleep,
Will startle him to an agony of fear,
Exasperation, just as like. Demand
The reason why" `tis but a word," object
"A gesture"he regards thee as our lord
Who lived there in the pyramid alone
Looked at us (dost thou mind?) when, being young,
We both would unadvisedly recite
Some charm's beginning, from that book of his,
Able to bid the sun throb wide and burst
All into stars, as suns grown old are wont.
Thou and the child have each a veil alike
Thrown o'er your heads, from under which ye both
Stretch your blind hands and trifle with a match
Over a mine of Greek fire, did ye know!
He holds on firmly to some thread of life
(It is the life to lead perforcedly)
Which runs across some vast distracting orb
Of glory on either side that meagre thread,
Which, conscious of, he must not enter yet
The spiritual life around the earthly life:
The law of that is known to him as this,
His heart and brain move there, his feet stay here.
So is the man perplext with impulses
Sudden to start off crosswise, not straight on,
Proclaiming what is right and wrong across,
And not along, this black thread through the blaze
"It should be" baulked by "here it cannot be."
And oft the man's soul springs into his face
As if he saw again and heard again
His sage that bade him "Rise" and he did rise.
Something, a word, a tick of the blood within
Admonishes: then back he sinks at once
To ashes, who was very fire before,
In sedulous recurrence to his trade
Whereby he earneth him the daily bread;
And studiously the humbler for that pride,
Professedly the faultier that he knows
God's secret, while he holds the thread of life.
Indeed the especial marking of the man
Is prone submission to the heavenly will
Seeing it, what it is, and why it is.
'Sayeth, he will wait patient to the last
For that same death which must restore his being
To equilibrium, body loosening soul
Divorced even now by premature full growth:
He will live, nay, it pleaseth him to live
So long as God please, and just how God please.
He even seeketh not to please God more
(Which meaneth, otherwise) than as God please.
Hence, I perceive not he affects to preach
The doctrine of his sect whate'er it be,
Make proselytes as madmen thirst to do:
How can he give his neighbour the real ground,
His own conviction? Ardent as he is
Call his great truth a lie, why, still the old
"Be it as God please" reassureth him.
I probed the sore as thy disciple should:
"How, beast," said I, "this stolid carelessness
Sufficeth thee, when Rome is on her march
To stamp out like a little spark thy town,
Thy tribe, thy crazy tale and thee at once?"
He merely looked with his large eyes on me.
The man is apathetic, you deduce?
Contrariwise, he loves both old and young,
Able and weak, affects the very brutes
And birdshow say I? flowers of the field
As a wise workman recognizes tools
In a master's workshop, loving what they make.
Thus is the man as harmless as a lamb:
Only impatient, let him do his best,
At ignorance and carelessness and sin
An indignation which is promptly curbed:
As when in certain travels I have feigned
To be an ignoramus in our art
According to some preconceived design,
And happed to hear the land's practitioners,
Steeped in conceit sublimed by ignorance,
Prattle fantastically on disease,
Its cause and cureand I must hold my peace!
Thou wilt objectwhy have I not ere this
Sought out the sage himself, the Nazarene
Who wrought this cure, inquiring at the source,
Conferring with the frankness that befits?
Alas! it grieveth me, the learned leech
Perished in a tumult many years ago,
Accused,our learning's fate,of wizardry,
Rebellion, to the setting up a rule
And creed prodigious as described to me.
His death, which happened when the earthquake fell
(Prefiguring, as soon appeared, the loss
To occult learning in our lord the sage
Who lived there in the pyramid alone)
Was wrought by the mad peoplethat's their wont!
On vain recourse, as I conjecture it,
To his tried virtue, for miraculous help
How could he stop the earthquake? That's their way!
The other imputations must be lies:
But take one, though I loathe to give it thee,
In mere respect for any good man's fame.
(And after all, our patient Lazarus
Is stark mad; should we count on what he says?
Perhaps not: though in writing to a leech
'Tis well to keep back nothing of a case.)
This man so cured regards the curer, then
AsGod forgive me! who but God himself,
Creator and sustainer of the world,
That came and dwelt in flesh on 't awhile!
'Sayeth that such an one was born and lived,
Taught, healed the sick, broke bread at his own house,
Then died, with Lazarus by, for aught I know,
And yet was . . . what I said nor choose repeat,
And must have so avouched himself, in fact,
In hearing of this very Lazarus
Who saithbut why all this of what he saith?
Why write of trivial matters, things of price
Calling at every moment for remark?
I noticed on the margin of a pool
Blue-flowering borage, the Aleppo sort,
Aboundeth, very nitrous. It is strange!
Thy pardon for this long and tedious case,
Which, now that I review it, needs must seem
Unduly dwelt on, prolixly set forth!
Nor I myself discern in what is writ
Good cause for the peculiar interest
And awe indeed this man has touched me with.
Perhaps the journey's end, the weariness
Had wrought upon me first. I met him thus:
I crossed a ridge of short sharp broken hills
Like an old lion's cheek teeth. Out there came
A moon made like a face with certain spots
Multiform, manifold, and menacing:
Then a wind rose behind me. So we met
In this old sleepy town at unaware,
The man and I. I send thee what is writ.
Regard it as a chance, a matter risked
To this ambiguous Syrianhe may lose,
Or steal, or give it thee with equal good.
Jerusalem's repose shall make amends
For time this letter wastes, thy time and mine;
Till when, once more thy pardon and farewell!
The very God! think, Abib; dost thou think?
So, the All-Great, were the All-Loving too
So, through the thunder comes a human voice
Saying, "O heart I made, a heart beats here!
Face, my hands fashioned, see it in myself!
Thou hast no power nor mayst conceive of mine,
But love I gave thee, with myself to love,
And thou must love me who have died for thee!"
The madman saith He said so: it is strange.
NOTES
Form:
unrhyming
1.
Karshish, the Arab physician, and his friend
Abib are the creatures of the poet's imagination\; the time
is some forty years after the raising of Lazarus (see note
on line 28 below). For the story of Lazarus, see John 11: 1--44.
The meaning of Karshish's name in Arabic is paraphrased
in "picker-up of learning's crumbs."
20-1.
Karshish numbers his regular letters to Abib to provide
a check on their arrival. This letter is the twenty-second\; in the
twenty-first he had brought the account of his journeyings up
to his arrival at Jericho.
28.
It was Titus who besieged and captured Jernsalem in
A.D. 70\; he was emperor, 79-81\; Vespasian, his father, was
emperor, 70-79 A.D.
36.
Bethany: "Bethany, the town of Mary and his sister Martha"
(John 11: 1).
42.
choler: in its original sense, bile. Browning has Karshish
think in terms of the old physiology of "humours." Karshish
hopes that he may have found a way of diagnosing fever from
the consistency of the blood when he phlebotomises the patient.
43.
tertians: fevers which recur every other day\; i.e. on every third
day in the inclusive Roman way of counting.
50.
sublimate: in old-fashioned chemistry, the name for compounds
made by heating bodies to a vapour and then allowing this to condense.
55.
gum-tragacanth: a gum produced by certain thorny shrubs in
Asia Minor and Persia.
57.
Porphyry: a sort of stone used for the manufacture of vases, etc.\;
here used by metonymy for the mortar made out of it.
58.
scalp-disease: undoubtedly alopicia (from which Chaucer's
Pardoner suffered), which has a connection with leprosy.
82.
Exhibition is the old term for "administration" of a remedy.
89.
conceit: here used in the early sense of "idea, concept, fancy."
96.
The whole passage from line 79 is Karshish's attempt to find an
explanation in terms of a mechanist psychology for the fixed idea in Lazarus' mind.
100.
Nazarene: Christ: see Matthew 2: 23.
103.
fume: used here as a derogatory term for Lazarus' idea that he has
been restored to life.
106.
saffron: a drug derived from a plant of the same name (Crocus
sativus), formerly much used both as a medicine and as a dye.
109.
sanguine: again part of the terminology of humours. The "sanguine"
type was not, like the "melancholic," given to delusions and attacks of
fancy--this makes Lazarus' case still more strange.
110.
laudable: another technical medical term here, suggesting perfect health.
146-47.
See lines 26-28 above and note.
177.
Greek fire: an explosive compound, the nearest approach to
gunpowder known to the ancients.
184.
To Lazarus, who now sees with a knowledge far beyond the human,
the spiritual or moral law is as clear and certain as the physical.
Compare A Death in the Desert, 251-298.
228.
affects: in the sense of "shows affection for."
251.
Karshish uses "prodigious" here in a derogatory sense.
252.
when the earthquake fell. "And behold the veil of the temple was
rent in twain from the top to the bottom\; and the earth did quake, and
the rocks were rent" (Matthew 27: 51).
265.
leech: old-fashioned word for physician.
304-11.
Compare the passage in Saul, 300-12.
~ Robert Browning, An Epistle Containing the Strange Medical Experience of Kar
,#NFDB
1394: The Rishi
King Manu in the former ages of the world, when the
Arctic continent still subsisted, seeks knowledge from the Rishi of the Pole, who after long baffling him with conflicting side-lights of the knowledge, reveals to him what it chiefly concerns man to know.
MANU
Rishi who trance-held on the mountains old
Art slumbering, void
Of sense or motion, for in the spirit's hold
Of unalloyed
Immortal bliss thou dreamst protected! Deep
Let my voice glide
Into thy dumb retreat and break thy sleep
Abysmal. Hear!
The frozen snows that heap thy giant bed
Ice-cold and clear,
The chill and desert heavens above thee spread
Vast, austere,
Are not so sharp but that thy warm limbs brook
Their bitter breath,
Are not so wide as thy immense outlook
On life and death:
Their vacancy thy silent mind and bright
Outmeasureth.
But ours are blindly active and thy light
We have forgone.
RISHI
Who art thou, warrior armed gloriously
Like the sun?
Thy gait is as an empire and thine eye
Dominion.
Poems from Ahana and Other Poems
MANU
King Manu, of the Aryan peoples lord,
Greets thee, Sage.
RISHI
I know thee, King, earth to whose sleepless sword
Was heritage.
The high Sun's distant glories gave thee forth
On being's edge:
Where the slow skies of the auroral North
Lead in the morn
And flaming dawns for ever on heaven's verge
Wheel and turn,
Thundering remote the clamorous Arctic surge
Saw thee born.
There 'twas thy lot these later Fates to build,
This race of man
New-fashion. O watcher with the mountains wild,
The icy plain,
Thee I too, asleep, have watched, both when the Pole
Was brightening wan
And when like a wild beast the darkness stole
Prowling and slow
Alarming with its silent march the soul.
O King, I know
Thy purpose; for the vacant ages roll
Since man below
Conversed with God in friendship. Thou, reborn
For men perplexed,
Seekest in this dim aeon and forlorn
With evils vexed
The vanished light. For like this Arctic land
Death has annexed
To sleep, our being's summits cold and grand
Where God abides,
Repel the tread of thought. I too, O King,
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In winds and tides
Have sought Him, and in armies thundering,
And where Death strides
Over whole nations. Action, thought and peace
Were questioned, sleep,
And waking, but I had no joy of these,
Nor ponderings deep,
And pity was not sweet enough, nor good
My will could keep.
Often I found Him for a moment, stood
Astonished, then
It fell from me. I could not hold the bliss,
The force for men,
My brothers. Beauty ceased my heart to please,
Brightness in vain
Recalled the vision of the light that glows
Suns behind:
I hated the rich fragrance of the rose;
Weary and blind,
I tired of the suns and stars; then came
With broken mind
To heal me of the rash devouring flame,
The dull disease,
And sojourned with this mountain's summits bleak,
These frozen seas.
King, the blind dazzling snows have made me meek,
Cooled my unease.
Pride could not follow, nor the restless will
Come and go;
My mind within grew holy, calm and still
Like the snow.
MANU
O thou who wast with chariots formidable
And with the bow!
Voiceless and white the cold unchanging hill,
Poems from Ahana and Other Poems
Has it then
A mightier presence, deeper mysteries
Than human men?
The warm low hum of crowds, towns, villages,
The sun and rain,
The village maidens to the water bound,
The happy herds,
The fluting of the shepherd lads, the sound
Myriad of birds,
Speak these not clearer to the heart, convey
More subtle words?
Here is but great dumb night, an awful day
Inert and dead.
RISHI
The many's voices fill the listening ear,
Distract the head:
The One is silence; on the snows we hear
Silence tread.
MANU
What hast thou garnered from the crags that lour,
The icy field?
RISHI
O King, I spurned this body's death; a Power
There was, concealed,
That raised me. Rescued from the pleasant bars
Our longings build,
My winged soul went up above the stars
Questing for God.
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MANU
Oh, didst thou meet Him then? in what bright field
Upon thy road?
RISHI
I asked the heavenly wanderers as they wheeled
For His abode.
MANU
Could glorious Saturn and his rings of hue
Direct thy flight?
RISHI
Sun could not tell, nor any planet knew
Its source of light,
Nor could I glean that knowledge though I paced
The world's beyond
And into outer nothingness have gazed.
Time's narrow sound
I crossed, the termless flood where on the Snake
One slumbers throned,
Attempted. But the ages from Him break
Blindly and Space
Forgets its origin. Then I returned
Where luminous blaze
Deathless and ageless in their ease unearned
The ethereal race.
MANU
Did the gods tell thee? Has Varuna seen
The high God's face?
Poems from Ahana and Other Poems
RISHI
How shall they tell of Him who marvel at sin
And smile at grief?
MANU
Did He not send His blissful Angels down
For thy relief?
RISHI
The Angels know Him not, who fear His frown,
Have fixed belief.
MANU
Is there no heaven of eternal light
Where He is found?
RISHI
The heavens of the Three have beings bright
Their portals round,
And I have journeyed to those regions blest,
Those hills renowned.
In Vishnu's house where wide Love builds his nest,
My feet have stood.
MANU
Is he not That, the blue-winged Dove of peace,
Father of Good?
RISHI
Nor Brahma, though the suns and hills and seas
Are called his brood.
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MANU
Is God a dream then? are the heavenly coasts
Visions vain?
RISHI
I came to Shiva's roof; the flitting ghosts
Compelled me in.
MANU ls He then God whom the forsaken seek,
Things of sin?
RISHI
He sat on being's summit grand, a peak
Immense of fire.
MANU
Knows He the secret of release from tears
And from desire?
RISHI
His voice is the last murmur silence hears,
Tranquil and dire.
MANU
The silence calls us then and shall enclose?
RISHI
Our true abode
Is here and in the pleasant house He chose
To harbour God.
Poems from Ahana and Other Poems
MANU
In vain thou hast travelled the unwonted stars
And the void hast trod!
RISHI
King, not in vain. I knew the tedious bars
That I had fled,
To be His arms whom I have sought; I saw
How earth was made
Out of His being; I perceived the Law,
The Truth, the Vast,
From which we came and which we are; I heard
The ages past
Whisper their history, and I knew the Word
That forth was cast
Into the unformed potency of things
To build the suns.
Through endless Space and on Time's iron wings
A rhythm runs
Our lives pursue, and till the strain's complete
That now so moans
And falters, we upon this greenness meet,
That measure tread.
MANU
Is earth His seat? this body His poor hold
Infirmly made?
RISHI
I flung off matter like a robe grown old;
Matter was dead.
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MANU
Sages have told of vital force behind:
It is God then?
RISHI
The vital spirits move but as a wind
Within men.
MANU
Mind then is lord that like a sovereign sways
Delight and pain?
RISHI
Mind is His wax to write and, written, rase
Form and name.
MANU
Is Thought not He who has immortal eyes
Time cannot dim?
RISHI
Higher, O King, the still voice bade me rise
Than thought's clear dream.
Deep in the luminous secrecy, the mute
Profound of things,
Where murmurs never sound of harp or lute
And no voice sings,
Light is not, nor our darkness, nor these bright
Thunderings,
In the deep steady voiceless core of white
And burning bliss,
The sweet vast centre and the cave divine
Called Paradise,
Poems from Ahana and Other Poems
He dwells within us all who dwells not in
Aught that is.
MANU
Rishi, thy thoughts are like the blazing sun
Eye cannot face.
How shall our souls on that bright awful One
Hope even to gaze
Who lights the world from His eternity
With a few rays?
RISHI
Dare on thyself to look, thyself art He,
O Aryan, then.
There is no thou nor I, beasts of the field,
Nor birds, nor men,
But flickerings on a many-sided shield
Pass, or remain,
And this is winged and that with poisonous tongue
Hissing coils.
We love ourselves and hate ourselves, are wrung
With woes and toils
To slay ourselves or from ourselves to win
Shadowy spoils.
And through it all, the rumour and the din,
Voices roam,
Voices of harps, voices of rolling seas,
That rarely come
And to our inborn old affinities
Call us home.
Shadows upon the many-sided Mind
Arrive and go,
Shadows that shadows see; the vain pomps wind
Above, below,
While in their hearts the single mighty God
Whom none can know,
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Guiding the mimic squadrons with His nod
Watches it all -
Like transient shapes that sweep with half-guessed truth
A luminous wall.
MANU
Alas! is life then vain? Our gorgeous youth
Li the and tall,
Our sweet fair women with their tender eyes
Outshining stars,
The mighty meditations of the wise,
The grandiose wars,
The blood, the fiery strife, the clenched dead hands,
The circle sparse,
The various labour in a hundred lands,
Are all these shows
To please some audience cold? as in a vase
Lily and rose,
Mixed snow and crimson, for a moment blaze
Till someone throws
The withered petals in some outer dust,
Heeding not, -
The virtuous man made one with the unjust,
Is this our lot?
RISHI
O King, sight is not vain, nor any sound.
Weeds that float
Upon a puddle and the majestic round
Of the suns
Are thoughts eternal, - what man loves to laud
And what he shuns;
Through glorious things and base the wheel of God
For ever runs.
O King, no thought is vain; our very dreams
Substantial are;
Poems from Ahana and Other Poems
The light we see in fancy, yonder gleams
In the star.
MANU
Rishi, are we both dreams and real? the near
Even as the far?
RISHI
Dreams are we not, O King, but see dreams, fear
Therefore and strive.
Like poets in a wondrous world of thought
Always we live,
Whose shapes from out ourselves to being brought
Abide and thrive.
The poet from his vast and labouring mind
Brings brilliant out
A living world; forth into space they wind,
The shining rout,
And hate and love, and laugh and weep, enjoy,
Fight and shout,
King, lord and beggar, tender girl and boy,
Foemen, friends;
So to His creatures God's poetic mind
A substance lends.
The Poet with dazzling inspiration blind,
Until it ends,
Forgets Himself and lives in what He forms;
For ever His soul
Through chaos like a wind creating storms,
Till the stars roll
Through ordered space and the green lands arise,
The snowy Pole,
Ocean and this great heaven full of eyes,
And sweet sounds heard,
Man with his wondrous soul of hate and love,
And beast and bird, -
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Yes, He creates the worlds and heaven above
With a single word;
And these things being Himself are real, yet
Are they like dreams,
For He awakes to self He could forget
In what He seems.
Yet, King, deem nothing vain: through many veils
This Spirit gleams.
The dreams of God are truths and He prevails.
Then all His time
Cherish thyself, O King, and cherish men,
Anchored in Him.
MANU
Upon the silence of the sapphire main
Waves that sublime
Rise at His word and when that fiat's stilled
Are hushed again,
So is it, Rishi, with the Spirit concealed,
Things and men?
RISHI
Hear then the truth. Behind this visible world
The eyes see plain,
Another stands, and in its folds are curled
Our waking dreams.
Dream is more real, which, while here we wake,
Unreal seems.
From that our mortal life and thoughts we take.
Its fugitive gleams
Are here made firm and solid; there they float
In a magic haze,
Melody swelling note on absolute note,
A lyric maze,
Beauty on beauty heaped pell-mell to chain
The enchanted gaze,
Poems from Ahana and Other Poems
Thought upon mighty thought with grandiose strain
Weaving the stars.
This is that world of dream from which our race
Came; by these bars
Of body now enchained, with laggard pace,
Borne down with cares,
A little of that rapture to express
We labour hard,
A little of that beauty, music, thought
With toil prepared;
And if a single strain is clearly caught,
Then our reward
Is great on earth, and in the world that floats
Lingering awhile
We hear the fullness and the jarring notes
Reconcile, -
Then travel forwards. So we slowly rise,
And every mile
Of our long journey mark with eager eyes;
So we progress
With gurge of revolution and recoil,
Slaughter and stress
Of anguish because without fruit we toil,
Without success;
Even as a ship upon the stormy flood
With fluttering sails
Labours towards the shore; the angry mood
Of Ocean swells,
Calms come and favouring winds, but yet afar
The harbour pales
In evening mists and Ocean threatens war:
Such is our life.
Of this be sure, the mighty game goes on,
The glorious strife,
Until the goal predestined has been won.
Not on the cliff
To be shattered has our ship set forth of old,
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Nor in the surge
To founder. Therefore, King, be royal, bold,
And through the urge
Of winds, the reboant thunders and the close
Tempestuous gurge
Press on for ever laughing at the blows
Of wind and wave.
The haven must be reached; we rise from pyre,
We rise from grave,
We mould our future by our past desire,
We break, we save,
We find the music that we could not find,
The thought think out
We could not then perfect, and from the mind
That brilliant rout
Of wonders marshal into living forms.
End then thy doubt;
Grieve not for wounds, nor fear the violent storms,
For grief and pain
Are errors of the clouded soul; behind
They do not stain
The living spirit who to these is blind.
Torture, disdain,
Defeat and sorrow give him strength and joy:
'Twas for delight
He sought existence, and if pains alloy,
'Tis here in night
Which we call day. The Yogin knows, O King,
Who in his might
Travels beyond the mind's imagining,
The worlds of dream.
For even they are shadows, even they
Are not, - they seem.
Behind them is a mighty blissful day
From which they stream.
The heavens of a million creeds are these:
Peopled they teem
Poems from Ahana and Other Poems
By creatures full of joy and radiant ease.
There is the mint
From which we are the final issue, types
Which here we print
In dual letters. There no torture grips,
Joy cannot stint
Her streams, - beneath a more than mortal sun
Through golden air
The spirits of the deathless regions run.
But we must dare
To still the mind into a perfect sleep
And leave this lair
Of gross material flesh which we would keep
Always, before
The guardians of felicity will ope
The golden door.
That is our home and that the secret hope
Our hearts explore.
To bring those heavens down upon the earth
We all descend,
And fragments of it in the human birth
We can command.
Perfect millenniums are sometimes, until
In the sweet end
All secret heaven upon earth we spill,
Then rise above
Taking mankind with us to the abode
Of rapturous Love,
The bright epiphany whom we name God,
Towards whom we drove
In spite of weakness, evil, grief and pain.
He stands behind
The worlds of Sleep; He is and shall remain
When they grow blind
To individual joys; for even these
Are shadows, King,
And gloriously into that lustre cease
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From which they spring.
We are but sparks of that most perfect fire,
Waves of that sea:
From Him we come, to Him we go, desire
Eternally,
And so long as He wills, our separate birth
Is and shall be.
Shrink not from life, O Aryan, but with mirth
And joy receive
His good and evil, sin and virtue, till
He bids thee leave.
But while thou livest, perfectly fulfil
Thy part, conceive
Earth as thy stage, thyself the actor strong,
The drama His.
Work, but the fruits to God alone belong,
Who only is.
Work, love and know, - so shall thy spirit win
Immortal bliss.
Love men, love God. Fear not to love, O King,
Fear not to enjoy;
For Death's a passage, grief a fancied thing
Fools to annoy.
From self escape and find in love alone
A higher joy.
MANU
O Rishi, I have wide dominion,
The earth obeys
And heaven opens far beyond the sun
Her golden gaze.
But Him I seek, the still and perfect One, -
The Sun, not rays.
Poems from Ahana and Other Poems
RISHI
Seek Him upon the earth. For thee He set
In the huge press
Of many worlds to build a mighty state
For man's success,
Who seeks his goal. Perfect thy human might,
Perfect the race.
For thou art He, O King. Only the night
Is on thy soul
By thy own will. Remove it and recover
The serene whole
Thou art indeed, then raise up man the lover
To God the goal.
~ Sri Aurobindo, - The Rishi
,#NFDB
1395: XXI - WALPURGIS-NIGHT
THE HARTZ MOUNTAINS.
District of Schierke and Elend.
FAUST MEPHISTOPHELES
MEPHISTOPHELES
DOST thou not wish a broomstick-steed's assistance?
The sturdiest he-goat I would gladly see:
The way we take, our goal is yet some distance.
FAUST
So long as in my legs I feel the fresh existence.
This knotted staff suffices me.
What need to shorten so the way?
Along this labyrinth of vales to wander,
Then climb the rocky ramparts yonder,
Wherefrom the fountain flings eternal spray,
Is such delight, my steps would fain delay.
The spring-time stirs within the fragrant birches,
And even the fir-tree feels it now:
Should then our limbs escape its gentle searches?
MEPHISTOPHELES
I notice no such thing, I vow!
'Tis winter still within my body:
Upon my path I wish for frost and snow.
How sadly rises, incomplete and ruddy,
The moon's lone disk, with its belated glow,
And lights so dimly, that, as one advances,
At every step one strikes a rock or tree!
Let us, then, use a Jack-o'-lantern's glances:
I see one yonder, burning merrily.
Ho, there! my friend! I'll levy thine attendance:
Why waste so vainly thy resplendence?
Be kind enough to light us up the steep!
WILL-O'-THE-WISP
My reverence, I hope, will me enable
To curb my temperament unstable;
For zigzag courses we are wont to keep.
MEPHISTOPHELES
Indeed? he'd like mankind to imitate!
Now, in the Devil's name, go straight,
Or I'll blow out his being's flickering spark!
WILL-O'-THE-WISP
You are the master of the house, I mark,
And I shall try to serve you nicely.
But then, reflect: the mountain's magic-mad to-day,
And if a will-o'-the-wisp must guide you on the way,
You mustn't take things too precisely.
FAUST, MEPHISTOPHELES, WILL-O'-THE-WISP
(in alternating song)
We, it seems, have entered newly
In the sphere of dreams enchanted.
Do thy bidding, guide us truly,
That our feet be forwards planted
In the vast, the desert spaces!
See them swiftly changing places,
Trees on trees beside us trooping,
And the crags above us stooping,
And the rocky snouts, outgrowing,
Hear them snoring, hear them blowing!
O'er the stones, the grasses, flowing
Stream and streamlet seek the hollow.
Hear I noises? songs that follow?
Hear I tender love-petitions?
Voices of those heavenly visions?
Sounds of hope, of love undying!
And the echoes, like traditions
Of old days, come faint and hollow.
Hoo-hoo! Shoo-hoo! Nearer hover
Jay and screech-owl, and the plover,
Are they all awake and crying?
Is't the salamander pushes,
Bloated-bellied, through the bushes?
And the roots, like serpents twisted,
Through the sand and boulders toiling,
Fright us, weirdest links uncoiling
To entrap us, unresisted:
Living knots and gnarls uncanny
Feel with polypus-antennae
For the wanderer. Mice are flying,
Thousand-colored, herd-wise hieing
Through the moss and through the heather!
And the fire-flies wink and darkle,
Crowded swarms that soar and sparkle,
And in wildering escort gather!
Tell me, if we still are standing,
Or if further we're ascending?
All is turning, whirling, blending,
Trees and rocks with grinning faces,
Wandering lights that spin in mazes,
Still increasing and expanding!
MEPHISTOPHELES
Grasp my skirt with heart undaunted!
Here a middle-peak is planted,
Whence one seeth, with amaze,
Mammon in the mountain blaze.
FAUST
How strangely glimmers through the hollows
A dreary light, like that of dawn!
Its exhalation tracks and follows
The deepest gorges, faint and wan.
Here steam, there rolling vapor sweepeth;
Here burns the glow through film and haze:
Now like a tender thread it creepeth,
Now like a fountain leaps and plays.
Here winds away, and in a hundred
Divided veins the valley braids:
There, in a corner pressed and sundered,
Itself detaches, spreads and fades.
Here gush the sparkles incandescent
Like scattered showers of golden sand;
But, see! in all their height, at present,
The rocky ramparts blazing stand.
Under the old ribs of the rock retreating
Under the old ribs of the rock retreating
MEPHISTOPHELES
Has not Sir Mammon grandly lighted
His palace for this festal night?
'Tis lucky thou hast seen the sight;
The boisterous guests approach that were invited.
FAUST
How raves the tempest through the air!
With what fierce blows upon my neck 'tis beating!
MEPHISTOPHELES
Under the old ribs of the rock retreating,
Hold fast, lest thou be hurled down the abysses there!
The night with the mist is black;
Hark! how the forests grind and crack!
Frightened, the owlets are scattered:
Hearken! the pillars are shattered.
The evergreen palaces shaking!
Boughs are groaning and breaking,
The tree-trunks terribly thunder,
The roots are twisting asunder!
In frightfully intricate crashing
Each on the other is dashing,
And over the wreck-strewn gorges
The tempest whistles and surges!
Hear'st thou voices higher ringing?
Far away, or nearer singing?
Yes, the mountain's side along,
Sweeps an infuriate glamouring song!
WITCHES (in chorus)
The witches ride to the Brocken's top,
The stubble is yellow, and green the crop.
There gathers the crowd for carnival:
Sir Urian sits over all.
And so they go over stone and stock;
The witch she-s, and-s the buck.
A VOICE
Alone, old Baubo's coming now;
She rides upon a farrow-sow.
CHORUS
Then honor to whom the honor is due!
Dame Baubo first, to lead the crew!
A tough old sow and the mother thereon,
Then follow the witches, every one.
A VOICE
Which way com'st thou hither?
VOICE
O'er the Ilsen-stone.
I peeped at the owl in her nest alone:
How she stared and glared!
VOICE
Betake thee to Hell!
Why so fast and so fell?
VOICE
She has scored and has flayed me:
See the wounds she has made me!
WITCHES (chorus)
The way is wide, the way is long:
See, what a wild and crazy throng!
The broom it scratches, the fork it thrusts,
The child is stifled, the mother bursts.
WIZARDS (semichorus)
As doth the snail in shell, we crawl:
Before us go the women all.
When towards the Devil's House we tread,
Woman's a thousand steps ahead.
OTHER SEMICHORUS
We do not measure with such care:
Woman in thousand steps is theft.
But howsoe'er she hasten may,
Man in one leap has cleared the way.
VOICE (from above)
Come on, come on, from Rocky Lake!
VOICE (from below)
Aloft we'd fain ourselves betake.
We've washed, and are bright as ever you will,
Yet we're eternally sterile still.
BOTH CHORUSES
The wind is hushed, the star shoots by.
The dreary moon forsakes the sky;
The magic notes, like spark on spark,
Drizzle, whistling through the dark.
VOICE (from below)
Halt, there! Ho, there!
VOICE (from above)
Who calls from the rocky cleft below there?
VOICE (below)
Take me, too! take me, too!
I'm climbing now three hundred years,
And yet the summit cannot see:
Among my equals I would be.
BOTH CHORUSES
Bears the broom and bears the stock,
Bears the fork and bears the buck:
Who cannot raise himself to-night
Is evermore a ruined wight.
HALF-WITCH (below)
So long I stumble, ill bestead,
And the others are now so far ahead!
At home I've neither rest nor cheer,
And yet I cannot gain them here.
CHORUS OF WITCHES
To cheer the witch will salve avail;
A rag will answer for a sail;
Each trough a goodly ship supplies;
He ne'er will fly, who now not flies.
BOTH CHORUSES
When round the summit whirls our flight,
Then lower, and on the ground alight;
And far and wide the heather press
With witchhood's swarms of wantonness!
(They settle down.)
MEPHISTOPHELES
They crowd and push, they roar and clatter!
They whirl and whistle, pull and chatter!
They shine, and spirt, and stink, and burn!
The true witch-element we learn.
Keep close! or we are parted, in our turn,
Where art thou?
FAUST (in the distance)
Here!
MEPHISTOPHELES
What! whirled so far astray?
Then house-right I must use, and clear the way.
Make room! Squire Voland comes! Room, gentle rabble,
room!
Here, Doctor, hold to me: in one jump we'll resume
An easier space, and from the crowd be free:
It's too much, even for the like of me.
Yonder, with special light, there's something shining clearer
Within those bushes; I've a mind to see.
Come on! we'll slip a little nearer.
FAUST
Spirit of Contradiction! On! I'll follow straight.
'Tis planned most wisely, if I judge aright:
We climb the Brocken's top in the Walpurgis-Night,
That arbitrarily, here, ourselves we isolate.
MEPHISTOPHELES
But see, what motley flames among the heather!
There is a lively club together:
In smaller circles one is not alone.
FAUST
Better the summit, I must own:
There fire and whirling smoke I see.
They seek the Evil One in wild confusion:
Many enigmas there might find solution.
MEPHISTOPHELES
But there enigmas also knotted be.
Leave to the multitude their riot!
Here will we house ourselves in quiet.
It is an old, transmitted trade,
That in the greater world the little worlds are made.
I see stark-nude young witches congregate,
And old ones, veiled and hidden shrewdly:
On my account be kind, nor treat them rudely!
The trouble's small, the fun is great.
I hear the noise of instruments attuning,
Vile din! yet one must learn to bear the crooning.
Come, come along! It must be, I declare!
I'll go ahead and introduce thee there,
Thine obligation newly earning.
That is no little space: what say'st thou, friend?
Look yonder! thou canst scarcely see the end:
A hundred fires along the ranks are burning.
They dance, they chat, they cook, they drink, they court:
Now where, just tell me, is there better sport?
FAUST
Wilt thou, to introduce us to the revel,
Assume the part of wizard or of devil?
MEPHISTOPHELES
I'm mostly used, 'tis true, to go incognito,
But on a gala-day one may his orders show.
The Garter does not deck my suit,
But honored and at home is here the cloven foot.
Perceiv'st thou yonder snail? It cometh, slow and steady;
So delicately its feelers pry,
That it hath scented me already:
I cannot here disguise me, if I try.
But come! we'll go from this fire to a newer:
I am the go-between, and thou the wooer.
(To some, who are sitting around dying embers:)
Old gentlemen, why at the outskirts? Enter!
I'd praise you if I found you snugly in the centre,
With youth and revel round you like a zone:
You each, at home, are quite enough alone.
GENERAL
Say, who would put his trust in nations,
Howe'er for them one may have worked and planned?
For with the people, as with women,
Youth always has the upper hand.
MINISTER
They're now too far from what is just and sage.
I praise the old ones, not unduly:
When we were all-in-all, then, truly,
Then was the real golden age.
PARVENU
We also were not stupid, either,
And what we should not, often did;
But now all things have from their bases slid,
Just as we meant to hold them fast together.
AUTHOR
Who, now, a work of moderate sense will read?
Such works are held as antiquate and mossy;
And as regards the younger folk, indeed,
They never yet have been so pert and saucy.
MEPHISTOPHELES
(who all at once appears very old)
I feel that men are ripe for Judgment-Day,
Now for the last time I've the witches'-hill ascended:
Since to the lees my cask is drained away,
The world's, as well, must soon be ended.
HUCKSTER-WITCH
Ye gentlemen, don't pass me thus!
Let not the chance neglected be!
Behold my wares attentively:
The stock is rare and various.
And yet, there's nothing I've collected
No shop, on earth, like this you'll find!
Which has not, once, sore hurt inflicted
Upon the world, and on mankind.
No dagger's here, that set not blood to flowing;
No cup, that hath not once, within a healthy frame
Poured speedy death, in poison glowing:
No gems, that have not brought a maid to shame;
No sword, but severed ties for the unwary,
Or from behind struck down the adversary.
MEPHISTOPHELES
Gossip! the times thou badly comprehendest:
What's done has happedwhat haps, is done!
'Twere better if for novelties thou sendest:
By such alone can we be won.
FAUST
Let me not lose myself in all this pother!
This is a fair, as never was another!
MEPHISTOPHELES
The whirlpool swirls to get above:
Thou'rt shoved thyself, imagining to shove.
FAUST
But who is that?
MEPHISTOPHELES
Note her especially,
Tis Lilith.
FAUST
Who?
MEPHISTOPHELES
Adam's first wife is she.
Beware the lure within her lovely tresses,
The splendid sole adornment of her hair!
When she succeeds therewith a youth to snare,
Not soon again she frees him from her jesses.
FAUST
Those two, the old one with the young one sitting,
They've danced already more than fitting.
MEPHISTOPHELES
No rest to-night for young or old!
They start another dance: come now, let us take hold!
FAUST (dancing with the young witch)
A lovely dream once came to me;
I then beheld an apple-tree,
And there two fairest apples shone:
They lured me so, I climbed thereon.
THE FAIR ONE
Apples have been desired by you,
Since first in Paradise they grew;
And I am moved with joy, to know
That such within my garden grow.
MEPHISTOPHELES (dancing with the old one)
A dissolute dream once came to me:
Therein I saw a cloven tree,
Which had a;
Yet,as 'twas, I fancied it.
THE OLD ONE
I offer here my best salute
Unto the knight with cloven foot!
Let him aprepare,
If himdoes not scare.
PROKTOPHANTASMIST
Accursd folk! How dare you venture thus?
Had you not, long since, demonstration
That ghosts can't stand on ordinary foundation?
And now you even dance, like one of us!
THE FAIR ONE (dancing)
Why does he come, then, to our ball?
FAUST (dancing)
O, everywhere on him you fall!
When others dance, he weighs the matter:
If he can't every step bechatter,
Then 'tis the same as were the step not made;
But if you forwards go, his ire is most displayed.
If you would whirl in regular gyration
As he does in his dull old mill,
He'd show, at any rate, good-will,
Especially if you heard and heeded his hortation.
PROKTOPHANTASMIST
You still are here? Nay, 'tis a thing unheard!
Vanish, at once! We've said the enlightening word.
The pack of devils by no rules is daunted:
We are so wise, and yet is Tegel haunted.
To clear the folly out, how have I swept and stirred!
Twill ne'er be clean: why, 'tis a thing unheard!
THE FAIR ONE
Then cease to bore us at our ball!
PROKTOPHANTASMIST
I tell you, spirits, to your face,
I give to spirit-despotism no place;
My spirit cannot practise it at all.
(The dance continues)
Naught will succeed, I see, amid such revels;
Yet something from a tour I always save,
And hope, before my last step to the grave,
To overcome the poets and the devils.
MEPHISTOPHELES
He now will seat him in the nearest puddle;
The solace this, whereof he's most assured:
And when upon his rump the leeches hang and fuddle,
He'll be of spirits and of Spirit cured.
(To FAUST, who has left the dance:)
Wherefore forsakest thou the lovely maiden,
That in the dance so sweetly sang?
FAUST
Ah! in the midst of it there sprang
A red mouse from her mouthsufficient reason.
MEPHISTOPHELES
That's nothing! One must not so squeamish be;
So the mouse was not gray, enough for thee.
Who'd think of that in love's selected season?
FAUST
Then saw I.
MEPHISTOPHELES
What?
FAUST
Mephisto, seest thou there,
Alone and far, a girl most pale and fair?
She falters on, her way scarce knowing,
As if with fettered feet that stay her going.
I must confess, it seems to me
As if my kindly Margaret were she.
MEPHISTOPHELES
Let the thing be! All thence have evil drawn:
It is a magic shape, a lifeless eidolon.
Such to encounter is not good:
Their blank, set stare benumbs the human blood,
And one is almost turned to stone.
Medusa's tale to thee is known.
FAUST
Forsooth, the eyes they are of one whom, dying,
No hand with loving pressure closed;
That is the breast whereon I once was lying,
The body sweet, beside which I reposed!
MEPHISTOPHELES
Tis magic all, thou fool, seduced so easily!
Unto each man his love she seems to be.
FAUST
The woe, the rapture, so ensnare me,
That from her gaze I cannot tear me!
And, strange! around her fairest throat
A single scarlet band is gleaming,
No broader than a knife-blade seeming!
MEPHISTOPHELES
Quite right! The mark I also note.
Her head beneath her arm she'll sometimes carry;
Twas Perseus lopped it, her old adversary.
Thou crav'st the same illusion still!
Come, let us mount this little hill;
The Prater shows no livelier stir,
And, if they've not bewitched my sense,
I verily see a theatre.
What's going on?
SERVIBILIS
'Twill shortly recommence:
A new performance'tis the last of seven.
To give that number is the custom here:
'Twas by a Dilettante written,
And Dilettanti in the parts appear.
That now I vanish, pardon, I entreat you!
As Dilettante I the curtain raise.
MEPHISTOPHELES
When I upon the Blocksberg meet you,
I find it good: for that's your proper place.
Faust
~ Johann Wolfgang von Goethe, WALPURGIS-NIGHT
,#NFDB
1396:The Conference
Grace said in form, which sceptics must agree,
When they are told that grace was said by me;
The servants gone to break the scurvy jest
On the proud landlord, and his threadbare guest;
'The King' gone round, my lady too withdrawn;
My lord, in usual taste, began to yawn,
And, lolling backward in his elbow-chair,
With an insipid kind of stupid stare,
Picking his teeth, twirling his seals about-Churchill, you have a poem coming out:
You've my best wishes; but I really fear
Your Muse, in general, is too severe;
Her spirit seems her interest to oppose,
And where she makes one friend, makes twenty foes.
_C_. Your lordship's fears are just; I feel their force,
But only feel it as a thing of course.
The man whose hardy spirit shall engage
To lash, the vices of a guilty age,
At his first setting forward ought to know
That every rogue he meets must be his foe;
That the rude breath of satire will provoke
Many who feel, and more who fear the stroke.
But shall the partial rage of selfish men
From stubborn Justice wrench the righteous pen?
Or shall I not my settled course pursue,
Because my foes are foes to Virtue too?
_L_. What is this boasted Virtue, taught in schools,
And idly drawn from antiquated rules?
What is her use? Point out one wholesome end.
Will she hurt foes, or can she make a friend?
When from long fasts fierce appetites arise,
Can this same Virtue stifle Nature's cries?
Can she the pittance of a meal afford,
Or bid thee welcome to one great man's board?
When northern winds the rough December arm
With frost and snow, can Virtue keep thee warm?
Canst thou dismiss the hard unfeeling dun
Barely by saying, thou art Virtue's son?
Or by base blundering statesmen sent to jail,
128
Will Mansfield take this Virtue for thy bail?
Believe it not, the name is in disgrace;
Virtue and Temple now are out of place.
Quit then this meteor, whose delusive ray
Prom wealth and honour leads thee far astray.
True virtue means--let Reason use her eyes-Nothing with fools, and interest with the wise.
Wouldst thou be great, her patronage disclaim,
Nor madly triumph in so mean a name:
Let nobler wreaths thy happy brows adorn,
And leave to Virtue poverty and scorn.
Let Prudence be thy guide; who doth not know
How seldom Prudence can with Virtue go?
To be successful try thy utmost force,
And Virtue follows as a thing of course.
Hirco--who knows not Hirco?--stains the bed
Of that kind master who first gave him bread;
Scatters the seeds of discord through the land,
Breaks every public, every private band;
Beholds with joy a trusting friend undone;
Betrays a brother, and would cheat a son:
What mortal in his senses can endure
The name of Hirco? for the wretch is poor!
Let him hang, drown, starve, on a dunghill rot,
By all detested live, and die forgot;
Let him--a poor return--in every breath
Feel all Death's pains, yet be whole years in death,
Is now the general cry we all pursue.
Let Fortune change, and Prudence changes too;
Supple and pliant, a new system feels,
Throws up her cap, and spaniels at his heels:
Long live great Hirco, cries, by interest taught,
And let his foes, though I prove one, be nought.
_C_. Peace to such men, if such men can have peace;
Let their possessions, let their state increase;
Let their base services in courts strike root,
And in the season bring forth golden fruit.
I envy not; let those who have the will,
And, with so little spirit, so much skill,
With such vile instruments their fortunes carve;
Rogues may grow fat, an honest man dares starve.
_L_. These stale conceits thrown off, let us advance
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For once to real life, and quit romance.
Starve! pretty talking! but I fain would view
That man, that honest man, would do it too.
Hence to yon mountain which outbraves the sky,
And dart from pole to pole thy strengthen'd eye,
Through all that space you shall not view one man,
Not one, who dares to act on such a plan.
Cowards in calms will say, what in a storm
The brave will tremble at, and not perform.
Thine be the proof, and, spite of all you've said,
You'd give your honour for a crust of bread.
_C_. What proof might do, what hunger might effect,
What famish'd Nature, looking with neglect
On all she once held dear; what fear, at strife
With fainting virtue for the means of life,
Might make this coward flesh, in love with breath,
Shuddering at pain, and shrinking back from death,
In treason to my soul, descend to boar,
Trusting to fate, I neither know nor care.
Once,--at this hour those wounds afresh I feel,
Which, nor prosperity, nor time, can heal;
Those wounds which Fate severely hath decreed,
Mention'd or thought of, must for ever bleed;
Those wounds which humbled all that pride of man,
Which brings such mighty aid to Virtue's plan-Once, awed by Fortune's most oppressive frown,
By legal rapine to the earth bow'd clown,
My credit at last gasp, my state undone,
Trembling to meet the shock I could not shun,
Virtue gave ground, and blank despair prevail'd;
Sinking beneath the storm, my spirits fail'd
Like Peter's faith, till one, a friend indeed-May all distress find such in time of need!-One kind good man, in act, in word, in thought,
By Virtue guided, and by Wisdom taught,
Image of Him whom Christians should adore,
Stretch'd forth his hand, and brought me safe to shore.
Since, by good fortune into notice raised,
And for some little merit largely praised,
Indulged in swerving from prudential rules,
Hated by rogues, and not beloved by fools;
Placed above want, shall abject thirst of wealth,
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So fiercely war 'gainst my soul's dearest health,
That, as a boon, I should base shackles crave,
And, born to freedom, make myself a slave?
That I should in the train of those appear,
Whom Honour cannot love, nor Manhood fear?
That I no longer skulk from street to street,
Afraid lest duns assail, and bailiffs meet;
That I from place to place this carcase bear;
Walk forth at large, and wander free as air;
That I no longer dread the awkward friend.
Whose very obligations must offend;
Nor, all too froward, with impatience burn
At suffering favours which I can't return;
That, from dependence and from pride secure,
I am not placed so high to scorn the poor,
Nor yet so low that I my lord should fear,
Or hesitate to give him sneer for sneer;
That, whilst sage Prudence my pursuits confirms,
I can enjoy the world on equal terms;
That, kind to others, to myself most true,
Feeling no want, I comfort those who do,
And, with the will, have power to aid distress:
These, and what other blessings I possess,
From the indulgence of the public rise,
All private patronage my soul defies.
By candour more inclined to save, than damn,
A generous Public made me what I am.
All that I have, they gave; just Memory bears
The grateful stamp, and what I am is theirs.
_L_. To feign a red-hot zeal for Freedom's cause,
To mouth aloud for liberties and laws,
For public good to bellow all abroad,
Serves well the purposes of private fraud.
Prudence, by public good intends her own;
If you mean otherwise, you stand alone.
What do we mean by country and by court?
What is it to oppose? what to support?
Mere words of course; and what is more absurd
Than to pay homage to an empty word?
Majors and minors differ but in name;
Patriots and ministers are much the same;
The only difference, after all their rout,
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Is, that the one is in, the other out.
Explore the dark recesses of the mind,
In the soul's honest volume read mankind,
And own, in wise and simple, great and small,
The same grand leading principle in all.
Whate'er we talk of wisdom to the wise,
Of goodness to the good, of public ties
Which to our country link, of private bands
Which claim most dear attention at our hands;
For parent and for child, for wife and friend,
Our first great mover, and our last great end
Is one, and, by whatever name we call
The ruling tyrant, Self is all in all.
This, which unwilling Faction shall admit,
Guided in different ways a Bute and Pitt;
Made tyrants break, made kings observe the law;
And gave the world a Stuart and Nassau.
Hath Nature (strange and wild conceit of pride!)
Distinguished thee from all her sons beside?
Doth virtue in thy bosom brighter glow,
Or from a spring more pure doth action flow?
Is not thy soul bound with those very chains
Which shackle us? or is that Self, which reigns
O'er kings and beggars, which in all we see
Most strong and sovereign, only weak in thee?
Fond man, believe it not; experience tells
'Tis not thy virtue, but thy pride rebels.
Think, (and for once lay by thy lawless pen)
Think, and confess thyself like other men;
Think but one hour, and, to thy conscience led
By Reason's hand, bow down and hang thy head:
Think on thy private life, recall thy youth,
View thyself now, and own, with strictest truth,
That Self hath drawn thee from fair Virtue's way
Farther than Folly would have dared to stray;
And that the talents liberal Nature gave,
To make thee free, have made thee more a slave.
Quit then, in prudence quit, that idle train
Of toys, which have so long abused thy brain.
And captive led thy powers; with boundless will
Let Self maintain her state and empire still;
But let her, with more worthy objects caught,
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Strain all the faculties and force of thought
To things of higher daring; let her range
Through better pastures, and learn how to change;
Let her, no longer to weak Faction tied,
Wisely revolt, and join our stronger side.
_C_. Ah! what, my lord, hath private life to do
With things of public nature? Why to view
Would you thus cruelly those scenes unfold
Which, without pain and horror to behold,
Must speak me something more or less than man,
Which friends may pardon, but I never can?
Look back! a thought which borders on despair,
Which human nature must, yet cannot bear.
'Tis not the babbling of a busy world,
Where praise and censure are at random hurl'd,
Which can the meanest of my thoughts control,
Or shake one settled purpose of my soul;
Free and at large might their wild curses roam,
If all, if all, alas! were well at home.
No--'tis the tale which angry Conscience tells,
When she with more than tragic horror swells
Each circumstance of guilt; when, stern but true,
She brings bad actions forth into review;
And like the dread handwriting on the wall,
Bids late Remorse awake at Reason's call;
Arm'd at all points, bids scorpion Vengeance pass,
And to the mind holds up Reflection's glass,-The mind which, starting, heaves the heartfelt groan,
And hates that form she knows to be her own.
Enough of this,--let private sorrows rest,-As to the public, I dare stand the test;
Dare proudly boast, I feel no wish above
The good of England, and my country's love.
Stranger to party-rage, by Reason's voice,
Unerring guide! directed in my choice,
Not all the tyrant powers of earth combined,
No, nor of hell, shall make me change my mind.
What! herd with men my honest soul disdains,
Men who, with servile zeal, are forging chains
For Freedom's neck, and lend a helping hand
To spread destruction o'er my native land?
What! shall I not, e'en to my latest breath,
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In the full face of danger and of death,
Exert that little strength which Nature gave,
And boldly stem, or perish in the wave?
_L_. When I look backward for some fifty years,
And see protesting patriots turn'd to peers;
Hear men, most loose, for decency declaim,
And talk of character, without a name;
See infidels assert the cause of God,
And meek divines wield Persecution's rod;
See men transferred to brutes, and brutes to men;
See Whitehead take a place, Ralph change his pen;
I mock the zeal, and deem the men in sport,
Who rail at ministers, and curse a court.
Thee, haughty as thou art, and proud in rhyme,
Shall some preferment, offer'd at a time
When Virtue sleeps, some sacrifice to Pride,
Or some fair victim, move to change thy side.
Thee shall these eyes behold, to health restored,
Using, as Prudence bids, bold Satire's sword,
Galling thy present friends, and praising those
Whom now thy frenzy holds thy greatest foes.
_C_. May I (can worse disgrace on manhood fall?)
Be born a Whitehead, and baptized a Paul;
May I (though to his service deeply tied
By sacred oaths, and now by will allied),
With false, feign'd zeal an injured God defend,
And use his name for some base private end;
May I (that thought bids double horrors roll
O'er my sick spirits, and unmans my soul)
Ruin the virtue which I held most dear,
And still must hold; may I, through abject fear,
Betray my friend; may to succeeding times,
Engraved on plates of adamant, my crimes
Stand blazing forth, whilst, mark'd with envious blot,
Each little act of virtue is forgot;
Of all those evils which, to stamp men cursed,
Hell keeps in store for vengeance, may the worst
Light on my head; and in my day of woe,
To make the cup of bitterness o'erflow,
May I be scorn'd by every man of worth,
Wander, like Cain, a vagabond on earth;
Bearing about a hell in my own mind,
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Or be to Scotland for my life confined;
If I am one among the many known
Whom Shelburne fled, and Calcraft blush'd to own.
_L_. Do you reflect what men you make your foes?
_C_. I do, and that's the reason I oppose.
Friends I have made, whom Envy must commend,
But not one foe whom I would wish a friend.
What if ten thousand Butes and Hollands bawl?
One Wilkes had made a large amends for all.
'Tis not the title, whether handed down
From age to age, or flowing from the crown
In copious streams, on recent men, who came
From stems unknown, and sires without a name:
Tis not the star which our great Edward gave
To mark the virtuous, and reward the brave,
Blazing without, whilst a base heart within
Is rotten to the core with filth and sin;
'Tis not the tinsel grandeur, taught to wait,
At Custom's call, to mark a fool of state
From fools of lesser note, that soul can awe,
Whose pride is reason, whose defence is law.
_L_. Suppose, (a thing scarce possible in art,
Were it thy cue to play a common part)
Suppose thy writings so well fenced in law,
That Norton cannot find nor make a flaw-Hast thou not heard, that 'mongst our ancient tribes,
By party warp'd, or lull'd asleep by bribes,
Or trembling at the ruffian hand of Force,
Law hath suspended stood, or changed its course?
Art thou assured, that, for destruction ripe,
Thou may'st not smart beneath the self-same gripe?
What sanction hast thou, frantic in thy rhymes,
Thy life, thy freedom to secure?
_G_. The Times.
'Tis not on law, a system great and good,
By wisdom penn'd, and bought by noblest blood,
My faith relies; by wicked men and vain,
Law, once abused, may be abused again.
No; on our great Lawgiver I depend,
Who knows and guides her to her proper end;
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Whose royalty of nature blazes out
So fierce, 'twere sin to entertain a doubt.
Did tyrant Stuarts now the law dispense,
(Bless'd be the hour and hand which sent them hence!)
For something, or for nothing, for a word
Or thought, I might be doom'd to death, unheard.
Life we might all resign to lawless power,
Nor think it worth the purchase of an hour;
But Envy ne'er shall fix so foul a stain
On the fair annals of a Brunswick's reign.
If, slave to party, to revenge, or pride;
If, by frail human error drawn aside,
I break the law, strict rigour let her wear;
'Tis hers to punish, and 'tis mine to bear;
Nor, by the voice of Justice doom'd to death
Would I ask mercy with my latest breath:
But, anxious only for my country's good,
In which my king's, of course, is understood;
Form'd on a plan with some few patriot friends,
Whilst by just means I aim at noblest ends,
My spirits cannot sink; though from the tomb
Stern Jeffries should be placed in Mansfield's room;
Though he should bring, his base designs to aid,
Some black attorney, for his purpose made,
And shove, whilst Decency and Law retreat,
The modest Norton from his maiden seat;
Though both, in ill confederates, should agree,
In damned league, to torture law and me,
Whilst George is king, I cannot fear endure;
Not to be guilty, is to be secure.
But when, in after-times, (be far removed
That day!) our monarch, glorious and beloved,
Sleeps with his fathers, should imperious Fate,
In vengeance, with fresh Stuarts curse our state;
Should they, o'erleaping every fence of law,
Butcher the brave to keep tame fools in awe;
Should they, by brutal and oppressive force,
Divert sweet Justice from her even course;
Should they, of every other means bereft,
Make my right hand a witness 'gainst my left;
Should they, abroad by inquisitions taught,
Search out my soul, and damn me for a thought;
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Still would I keep my course, still speak, still write,
Till Death had plunged me in the shades of night.
Thou God of truth, thou great, all-searching eye,
To whom our thoughts, our spirits, open lie!
Grant me thy strength, and in that needful hour,
(Should it e'er come) when Law submits to Power,
With firm resolve my steady bosom steel,
Bravely to suffer, though I deeply feel.
Let me, as hitherto, still draw my breath,
In love with life, but not in fear of death;
And if Oppression brings me to the grave,
And marks me dead, she ne'er shall mark a slave.
Let no unworthy marks of grief be heard,
No wild laments, not one unseemly word;
Let sober triumphs wait upon my bier;
I won't forgive that friend who drops one tear.
Whether he's ravish'd in life's early morn,
Or in old age drops like an ear of corn,
Full ripe he falls, on Nature's noblest plan,
Who lives to Reason, and who dies a Man.
~ Charles Churchill,#NFDB
1397:Tired
No not to-night, dear child; I cannot go;
I'm busy, tired; they knew I should not come;
you do not need me there. Dear, be content,
and take your pleasure; you shall tell me of it.
There, go to don your miracles of gauze,
and come and show yourself a great pink cloud.
So, she has gone with half a discontent;
but it will die before her curls are shaped,
and she'll go forth intent on being pleased,
and take her ponderous pastime like the rest-patient delightedly, prepared to talk
in the right voice for the right length of time
on any thing that anybody names,
prepared to listen with the proper calm
to any song that anybody sings;
wedged in their chairs, all soberness and smiles,
one steady sunshine like an August day:
a band of very placid revellers,
glad to be there but gladder still to go.
She like the rest: it seems so strange to me,
my simple peasant girl, my nature's grace,
one with the others; my wood violet
stuck in a formal rose box at a show.
Well, since it makes her happier. True I thought
the artless girl, come from her cottage home
knowing no world beyond her village streets,
come stranger into our elaborate life
with such a blithe and wondering ignorance
as a young child's who sees new things all day,
would learn it my way and would turn to me
out of the solemn follies "What are these?
why must we live by drill and laugh by drill;
may we not be ourselves then, you and I?"
I thought she would have nestled here by me
"I cannot feign, and let me stay with you."
I thought she would have shed about my life
the unalloyed sweet freshness of the fields
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pure from your cloying fashionable musks:
but she "will do what other ladies do"-my sunburnt Madge I saw, with skirts pinned up,
carrying her father's dinner where he sat
to take his noon-day rest beneath the hedge,
and followed slowly for her clear loud song.
And she did then, she says, as others did
who were her like. 'Tis logical enough:
as every woman lives, (tush! as we all,
following such granted patterns for our souls
as for our hats and coats), she lived by rules
how to be as her neighbours, though I, trained
to my own different code, discerned it not
(mistaking other laws for lawlessness,
like raw and hasty travellers): and now
why should she, in a new world, all unapt
to judge its judgments, take so much on her
she did not in her old world, pick and choose
her pleasures and her tastes, her aims, her faiths,
breaking her smooth path with the thorny points
of upstart questions? She is just a bird
born in a wicker cage and brought away
into a gilded one: she does not pine
to make her nest in uncontrolled far woods,
but, unconceiving freedom, chirrups on,
content to see her prison bars so bright.
Yes, best for her; and, if not best for me,
I've my fault in it too: she's logical,
but what am I, who, having chosen her
for being all unlike the tutored type,
next try and mould her to it--chose indeed
my violet for being not a rose,
then bade it hold itself as roses do,
that passers by may note no difference?
The peasant ways must go, the homely burr,
the quaint strong English--ancient classic turns
mixed up with rustic blunders and misuse,
old grammar shot with daring grammarlessness;
the village belle's quick pertness, toss of head,
and shriek of saucy laughter--graces there,
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and which a certain reckless gracefulness,
half hoydenish, half fawnlike, made in her
graces in even my eyes ... there; the ease
of quick companionship; the unsoftened "no's;"
the ready quarrels, ready makings up;
all these must go, I would not have her mocked
among the other women who have learned
sweet level speech and quiet courtesies-and then they jarred upon me like the noise
of music out of rule, which, heard at first,
took the fresh ear with novel melody,
but makes you restless, listened to too long,
with missing looked for rhythms. So I teach,
or let her learn, the way to speak, to look,
to walk, to sit, to dance, to sing, to laugh,
and then ...... the prized dissimilarity
was outer husk and not essential core:
my wife is just the wife my any friend
selects among my any friend's good girls,
(a duplicate except that here and there
the rendering's faulty or touched in too strong);
my little rugged bit of gold I mined,
cleared from its quartz and dross and pieced for use
with recognized alloy, is minted down
one of a million stamped and current coins.
My poor dear Madge, it half seems treasonous
to let regret touch any thought of you,
loyal and loving to me as you are;
and you are very very dear to me,
I could not spare you, would not change your love
to have the rich ideal of my hope
in any other woman; as you are
I love you, being you. And for the rest,
if I, my theory's too eager fool,
mistook the freedom of blunt ignorance
for one with freedom of the instructed will,
and took yours for a nature made to keep
its hardiness in culture, gaining strength
to be itself more fully; if I looked
for some rare perfectness of natural gifts,
developing not changed, pruned and not dwarfed;
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if I believed you would be that to me
so many men have sung by women's names
and known no woman for, where is your fault,
who did but give yourself as you were then,
and with so true a giving? Violet,
whose is the blame if, rooted from your place,
where you grew truly to your natural law,
set by my hand in artificial soil,
bound to unwonted props, whose blame if you
are not quite violet and not quite rose?
She's happy though, I think: she does not bear
the pain of my mistake, and shall not bear;
and she'll not ever guess of a mistake.
Mistake--'tis a hard word. Well let it pass:
it shall not wrong her: for was it in her
or in myself I was mistaken most?
What, I, who have been bold to hurl revolt
at great Queen Bugaboo Society,
did I not teach her suit and service first,
wincing when she infringed some useless law?
do I not wince to-day beside the fire
at every word or gesture she shall use
not scheduled in the warrant what to do?
do I not bid her have the table thus,
assort such viands, use such furniture,
wear such a stuff at morning, such at night,
all to the warrant of Queen Bugaboo,
and feel a something missing when she fails,
a discord setting all my teeth on edge?
Why, what a score of small observances;
mere fashionable tricks, are to my life
the butter on the bread, without which salve
the bit's too coarse to swallow; what a score
of other small observances and tricks,
worn out of fashion or not yet come in,
reek worse than garlic to my pampered taste,
making the wholesomest food too difficult!
And that which in an ancient yesterday
was but some great man's humour is to me
duty by rote to-day. I had not felt
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my own life that punctilious copy-book,
writ to stock patterns set to all a school,
I have called usual lives, but my poor Madge
has unawares informed me of myself.
We can no other; 'tis as natural
to men to take this artificial kind
as to the flowers, which, grown in neighbour ranks,
taste the same winds and feed on the same soil,
to take inoculation by the bees
of one another's dyes and be alike
in new unlikeness to their primal types.
Our gift is imitation and to share
the subtle current of all sympathies;
we breathe each other's thoughts, as in a crowd
we breathe each other's breaths, unconsciously;
and if there could be a mere human man
to singly be creator, make the thing
which none has hoped for near him, say the things
which none has thought beside him, were there one
to be the god we claim in our rash word
original, needs were he such a one
as we call savage, one apart in woods
and friendless deserts, planning by himself
some first instinctive art, or questioning
blank ignorance and wonder into thoughts.
And as for us, the men who live in days
when what the West has whispered finds the East
across an ocean in a breath of time;
when the old era's painful manuscripts,
too choice and rare for less than sage's needs,
reach the new era changed to daily showers
of schoolboys' text-books raining from the press;
when we shake hands with our antipodes
for being neighbour to us; when, like streets
of the city where we are burghers, half the world
is our admitted home, the other half
our summer pleasure-grounds outside our walls;
we, who are scholars of all times and lands,
must be content, each several man, to feel
we are no sovereign units each to rule
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the small world of himself, but knitted links,
one drawing on the other in a chain-A bondage say, but have we not its worth,
help, movement, and the chain grows lengthening on
to span the universe? A braggart whim,
were it a possible, if any link,
breaking away from hundreds side by side,
would be a separate spangle.
Yet, alack,
sometimes we links get drawn we know not where,
but think there's mud about us. Still the chain
lies in God's hands, though the sly devil comes
and gives a crooked tug or so at times.
Links in a chain--my metaphor goes well,
convinces me where first I was convinced-links in a chain, drawing each other on:
but never yet material metaphor
would fit a mind's whole thought, and the hitch comes
where I bid mine good-bye. Links in a chain,
but what of hearts and wills that are in us,
hopes, aims, beliefs? must we go measuring them
Ay "the world says," "so other people think,"
dock our near tastes and natures to the shapes
in common wear, make lay figures of our lives,
as women of their bodies, to be decked
and draped or trimmed and swathed or let go bare
by strict indefinite despots out of sight?
Why, let us have that freedom we accord
inanimate things, to grow each to his kind
and to his best, cattle and servile beasts,
to grow each to his kind and to his best;
but we--oh, monstrous folly--we, designed
each man so much unlike to all men else
as one whole kind of beasts to other kinds,
must train and pattern our reluctant souls
into one liveried sameness!
Oh, I am tired!
tired, tired, of this bland smiling slavery,
monotonous waste of life. And, while we fools
203
are making curtsies and brave compliments
to our rare century, and, courtierly,
swaddling our strength in trammels of soft silk,
the rotten depths grow rottener. Every day
more crime, more pain, more horror. We are good
no doubt, we "better classes"--oh, we boast
our modern virtues in the dead men's teeth
that were our fathers--we are earnest now,
and charitable, and we wash ourselves,
and have a very fair morality;
most well brought up, in fine, of any men
that any age has nurtured, and besides
so equal in our manners and our coats:
and then the classes which, though bettering,
are not quite better yet, are the most shrewd,
most apt, most honest, most intelligent,
that ever the world saw yet. True all of it
for aught I know, some of it as I think,
but underneath--great God, how many souls
are born an hour as provender for hell!
Oh horrible days! our goodness growing ripe,
a spreading scent of sweets, but with no power
to disinfect the spreading foulnesses;
and by mere birth-rate vice made multiplex!
From the murk lanes, and from the fetid courts,
and from the shameful dens where poverty
hobnobs with wolfish crime, out of the reek
of lust and filth, out of the festering homes
of pestilence and famine, the hoarse cry
grows multitudinous, the cavernous cry
of shame and ignorance hunger and greed
become despair and devilishness ..... And we
gravely thank God for culture and new lights!
Most horrible days: and we who know the worst,
(or dream it, sitting in our easy chairs,
sorry that all men have not easy chairs,)
and would do somewhat, do it all amiss.
We pelt our broad-cast gold into the mire,
then comes a scramble, foul grows fouler yet;
with a Samaritan hand we feed and feed
204
the daughters of the horseleech, drunkenness
and dissolute idleness, that cry "give, give,"
sucking the lifeblood from our people's heart;
we pension beggars, buy the burglar tools
and the sot gin, and pay the harlot's rent:
societies, committees, vestry rooms,
with fingers in our purses, lavish wealth,
past common counting, to keep up the tale
of pauper legions and bribe new recruits,
sow coin that, like the pestilent dragon's teeth,
bear us a poisonous crop of human harm:
all all endeavours go, like witches' prayers,
backwards against the meaning, and bring down
the counter-curse of blessings that were asked.
What should we do? I know not; but I think
there's moral in a hackneyed classic tale:
when the great gulf still yawned, after the gold
and treasures had been thrown, there came a man
and gave himself, and then the great gulf closed.
But how? how? And I know not; but I think
if the strong pith and freshness of our lives
were not so sucked and dried away, our span
not maimed and dwarfed, our sight not warped untrue,
by eating custom, petty disciplines,
footlight perspectives cramped to suit our stage,
if we were men, not types and portraitures
and imitative shadows, some of us
might learn-Learn, learn, and if we learned,
saw by what boldness, or what sacrifice,
or what endurance, or what vehemence,
the goal of our beginning might be reached,
the padded skeleton we call the world,
that mumming glib Duessa who usurps
the true world's rule and rights, would trip us up
with half a league of silken barriers
too soft for us to break and breaking us.
Oh, but I know it, I, who time by time,
fierce with the turbulent goodness of my youth,
205
rushed to the clamourous call of new crusades,
and time by time dropped baffled and worn weak
before a rampart as of dancing pumps,
a wind as if it blew from ladies' fans,
till now I sit a weary man growing old
among the ruins of his purposes,
hopeless of any good to be by him.
Oh, with how full a hope, when morning glowed,
I donned my armour, who at night ride back
foolish and broken! I have set myself
to fight with shadows stronger than a man,
being impalpable and everywhere,
and striking done no hurt but to myself;
and I have ridden at ranks in adamant
and fallen, strained and useless, under foot;
and I have sieged impenetrable walls
and waited day by day till I grew faint;
and never have I triumphed in my cause,
whether it were a great one, or a dream,
a pettish whim, or too divinely large:
for if I strove against contagious ills
cankering the core of us or but at spots
that fleck the smooth gloss of our drawingrooms,
and if I rose to claim some wide desire
of general good or but my own escape
from some small prickings of our social gyves,
always I was against the multitude,
against strong Custom's army plodding on,
unconquerable, calm, like a great stream
whose power is that its waters drift one way.
Tired, tired--grown sick of battle and defeat,
lying in harbour, like a man worn out
by storms, and yet not patient of my rest:
how if I went to some kind southern clime
where, as they say, lost in long summer dreams,
the mind grows careless with sun-drunkenness
and sleeps and wakens softly like a child?
Would Madge be over sorry to come out
into free loneliness with me a while?
clear tints and sunshine, glowing seas and skies,
206
beauty of mountains and of girdled plains,
the strangeness of new peoples, change and rest,
would these atone to her for so much lost
which she counts precious? For she loves that round
of treadmill ceremonies, mimic tasks,
we make our women's lives--Good heavens what work
to set the creatures to, whom we declare
God purposed for companions to us men...
companions to each other only now,
their business but to waste each other's time.
So much to do among us, and we spend
so many human souls on only this!
in petty actress parts in the long game
(grave foolery like children playing school,
setting themselves hard tasks and punishments,)
that lasts till death and is Society:
the sunlight working hours all chopped and chipped
in stray ten minutes by some score of friends
who, grieved their friend's not out, come rustling in
by ones and twos to say the weather's fine;
or paid away, poor soul, on pilgrimage
reciprocally due to tell them so:
each woman owing tax of half her life
as plaything for the others' careless hours,
each woman setting down her foot to hold
her sister tightly to the tethered round,
will she or nill she: all with rights on each
greater than hers ... and I might say than God's,
since He made work the natural food of minds,
cheated of which they dwindle and go dead
like palsied limbs, and gives to each that sense
of beasts, who know their food, to know its work,
choosing the great or little.
But myself,
have I befooled the instinct by warped use?
for is not the fruit rotten I have found
by all my labours; nothing to the world
and to me bitterness? And I forget
the strong joy of endeavour, and the fire
of hope is burned out in me; all grows dull,
rest is not rest and I am sick of toil:
207
I count the cost, and-Ready, love, at last?
Why, what a rosy June! A flush of bloom
sparkling with crystal dews--Ah silly one,
you love these muslin roses better far
than those that wear the natural dew of heaven.
I thought you prettier when, the other day,
the children crowned you with the meadow-sweets:
I like to hear you teach them wild flowers' names
and make them love them; but yourself-What's that?
"The wild flowers in a room's hot stifling glare
would die in half a minute." True enough:
your muslin roses are the wiser wear.
Well, I must see you start. Draw your hood close:
and are you shawled against this east wind's chills?
~ Augusta Davies Webster,#NFDB
1398:SCENE I. A part of the Forest.
Enter CONRAD and AURANTHE.
Auranthe. Go no further; not a step more; thou art
A master-plague in the midst of miseries.
Go I fear thee. I tremble every limb,
Who never shook before. There's moody death
In thy resolved looks Yes, I could kneel
To pray thee far away. Conrad, go, go
There! yonder underneath the boughs I see
Our horses!
Conrad. Aye, and the man.
Auranthe. Yes, he is there.
Go, go, no blood, no blood; go, gentle Conrad!
Conrad. Farewell!
Auranthe. Farewell, for this Heaven pardon you.
[Exit AURANTHE,
Conrad. If he survive one hour, then may I die
In unimagined tortures or breathe through
A long life in the foulest sink of the world!
He dies 'tis well she do not advertise
The caitiff of the cold steel at his back.
[Exit CONRAD.
Enter LUDOLPH and PAGE.
Ludolph. Miss'd the way, boy, say not that on your peril!
Page. Indeed, indeed I cannot trace them further.
Ludolph. Must I stop here? Here solitary die?
Stifled beneath the thick oppressive shade
Of these dull boughs, this oven of dark thickets,
Silent, without revenge? pshaw! bitter end,
A bitter death, a suffocating death,
A gnawing silent deadly, quiet death!
Escaped? fled? vanish'd? melted into air?
She's gone! I cannot clutch her! no revenge!
A muffled death, ensnar'd in horrid silence!
Suck'd to my grave amid a dreamy calm!
O, where is that illustrious noise of war,
To smother up this sound of labouring breath,
This rustle of the trees!
[AURANTHE shrieks at a distance.
Page. My Lord, a noise!
This way hark!
Ludolph. Yes, yes! A hope! A music!
A glorious clamour! How I live again! [Exeunt.
SCENE II. Another part of the Forest,
Enter ALBERT (wounded).
Albert. O for enough life to support me on
To Otho's feet
Enter LUDOLPH.
Ludolph. Thrice villainous, stay there
Tell me where that detested woman is
Or this is through thee!
Albert. My good Prince, with me
The sword has done its worst; not without worst
Done to another Conrad has it home
I see you know it all
Ludolph. Where is his sister?
AURANTHE rushes in.
Auranthe. Albert!
Ludolph. Ha! There! there! He is the paramour I
There hug him dying! O, thou innocence,
Shrine him and comfort him at his last gasp,
Kiss down his eyelids! Was he not thy love?
Wilt thou forsake him at his latest hour?
Keep fearful and aloof from his last gaze,
His most uneasy moments, when cold death
Stands with the door ajar to let him in?
Albert. O that that door with hollow slam would close
Upon me sudden, for I cannot meet,
In all the unknown chambers of the dead,
Such horrors
Ludolph. Auranthe! what can he mean?
What horrors? Is it not a joyous time?
Am I not married to a paragon
"Of personal beauty and untainted soul"?
A blushing fair-eyed Purity! A Sylph,
Whose snowy timid hand has never sin'd
Beyond a flower pluck'd, white as itself?
Albert, you do insult my Bride your Mistress
To talk of horrors on our wedding night.
Albert. Alas! poor Prince, I would you knew my heart.
'Tis not so guilty
Ludolph. Hear you he pleads not guilty
You are not? or if so what matters it?
You have escap'd me, free as the dusk air
Hid in the forest safe from my revenge;
I cannot catch you--You should laugh at me,
Poor cheated Ludolph, make the forest hiss
With jeers at me You tremble; faint at once,
You will come to again. O Cockatrice,
I have you. Whither wander those fair eyes
To entice the Devil to your help, that he
May change you to a Spider, so to crawl
Into some cranny to escape my wrath?
Albert. Sometimes the counsel of a dying man
Doth operate quietly when his breath is gone
Disjoin those hands part--part, do not destroy
Each other forget her our miseries
Are equal shar'd, and mercy is
Ludolph. A boon
When one can compass it. Auranthe, try
Your oratory your breath is not so hitch'd
Aye, stare for help
[ALBERT groans and dies.
There goes a spotted soul
Howling in vain along the hollow night
Hear him he calls you Sweet Auranthe, come!
Auranthe. Kill me.
Ludolph. No! What? upon our Marriage-night!
The earth would shudder at so foul a deed
A fair Bride, a sweet Bride, an innocent Bride!
No, we must revel it, as 'tis in use
In times of delicate brilliant ceremony:
Come, let me lead you to our halls again
Nay, linger not make no resistance sweet
Will you Ah wretch, thou canst not, for I have
The strength of twenty lions 'gainst a lamb
Now one adieu for Albert come away.
[Exeunt.
SCENE III. An inner Court of the Castle.
Enter SIGIFRED, GONFRED, and THEODORE meeting.
Theodore. Was ever such a night?
Sigifred. What horrors more?
Things unbeliev'd one hour, so strange they are,
The next hour stamps with credit.
Theodore. Your last news ?
Gonfred. After the Page's story of the death
Of Albert and Duke Conrad?
Sigifred. And the return
Of Ludolph with the Princess.
Gonfred. No more save
Prince Gersa's freeing Abbot Ethelbert,
And the sweet lady, fair Erminia,
From prison.
Theodore. Where are they now? hast yet heard?
Gonfred. With the sad Emperor they are closeted ;
I saw the three pass slowly up the stairs,
The lady weeping, the old Abbot cowl'd.
Sigifred. What next?
Thedore. I ache to think on't.
Gonfred. Tis with fate.
Theodore. One while these proud towers are hush'd as death.
Gonfred. The next our poor Prince fills the arched rooms
With ghastly ravings.
Sigifred. I do fear his brain.
Gonfred. I will see more. Bear you so stout a heart?
[Exeunt into the Castle.
SCENE IV. A Cabinet, opening towards a Terrace.
OTHO, ERMINIA, ETHELBERT, and a Physician, discovered.
Otho. O, my poor Boy! my Son! my Son! My Ludolph!
Have ye no comfort for me, ye Physicians
Of the weak Body and Soul?
Ethelbert. Tis not the Medicine
Either of heaven or earth can cure unless
Fit time be chosen to administer
Otho. A kind forbearance, holy Abbot come
Erminia, here sit by me, gentle Girl;
Give me thy hand hast thou forgiven me?
Erminia. Would I were with the saints to pray for you!
Otho. Why will ye keep me from my darling child?
Physician. Forgive me, but he must not see thy face
Otho. Is then a father's countenance a Gorgon?
Hath it not comfort in it? Would it not
Console my poor Boy, cheer him, heal his spirits?
Let me embrace him, let me speak to him
I will who hinders me? Who's Emperor?
Physician. You may not, Sire 'twould overwhelm him quite,
He is so full of grief and passionate wrath,
Too heavy a sigh would kill him or do worse.
He must be sav'd by fine contrivances
And most especially we must keep clear
Out of his sight a Father whom he loves
His heart is full, it can contain no more,
And do its ruddy office.
Ethelbert. Sage advice;
We must endeavour how to ease and slacken
The tight-wound energies of his despair,
Not make them tenser
Otho. Enough! I hear, I hear.
Yet you were about to advise more I listen.
Ethelbert. This learned doctor will agree with me,
That not in the smallest point should he be thwarted
Or gainsaid by one word his very motions,
Nods, becks and hints, should be obey'd with care,
Even on the moment: so his troubled mind
May cure itself
Physician. There is no other means.
Otho. Open the door: let's hear if all is quiet
Physician. Beseech you, Sire, forbear.
Erminia. Do, do.
Otho. I command!
Open it straight hush! quiet my lost Boy!
My miserable Child!
Ludolph (indistinctly without). Fill, fill my goblet,
Here's a health!
Erminia. O, close the door!
Otho. Let, let me hear his voice; this cannot last
And fain would I catch up his dying words
Though my own knell they be this cannot last
O let me catch his voice for lo! I hear
This silence whisper me that he is dead!
It is so. Gersa?
Enter GERSA.
Physician. Say, how fares the prince?
Gersa. More calm his features are less wild and flushed
Once he complain'd of weariness
Physician. Indeed!
'Tis good 'tis good let him but fall asleep,
That saves him.
Otho. Gersa, watch him like a child
Ward him from harm and bring me better news
Physician. Humour him to the height. I fear to go;
For should he catch a glimpse of my dull garb,
It might affright him fill him with suspicion
That we believe him sick, which must not be
Gersa. I will invent what soothing means I can.
[Exit GERSA.
Physician. This should cheer up your Highness weariness
Is a good symptom, and most favourable
It gives me pleasant hopes. Please you walk forth
Onto the Terrace; the refreshing air
Will blow one half of your sad doubts away.
[Exeunt.
SCENE V. A Banqueting Hall, brilliantly illuminated, and set forth
with all costly magnificence, with Supper-tables, laden with services
of Gold and Silver. A door in the back scene, guarded by two Soldiers.
Lords, Ladies, Knights, Gentlemen, &c., whispering sadly,
and ranging themselves; part entering and part discovered.
First Knight. Grievously are we tantaliz'd, one and all
Sway'd here and there, commanded to and fro
As though we were the shadows of a dream
And link'd to a sleeping fancy. What do we here?
Gonfred. I am no Seer you know we must obey
The prince from A to Z though it should be
To set the place in flames. I pray hast heard
Where the most wicked Princess is?
First Knight. There, Sir,
In the next room have you remark'd those two
Stout soldiers posted at the door?
Gonfred. For what?
[They whisper.
First Lady. How ghast a train!
Second Lady. Sure this should be some splendid burial.
First Lady. What fearful whispering! See, see, Gersa there.
Enter GERSA.
Gersa. Put on your brightest looks; smile if you can;
Behave as all were happy; keep your eyes
From the least watch upon him ;
if he speaks
To any one, answer collectedly,
Without surprise, his questions, howe'er strange.
Do this to the utmost, though, alas! with me
The remedy grows hopeless! Here he comes,
Observe what I have said, show no surprise.
Enter LUDOLPH, followed by SIGIFRED and Page.
Ludolph. A splendid company! rare beauties here!
I should have Orphean lips, and Plato's fancy,
Amphion's utterance, toned with his lyre,
Or the deep key of Jove's sonorous mouth,
To give fit salutation. Methought I heard,
As I came in, some whispers, what of that?
'Tis natural men should whisper; at the kiss
Of Psyche given by Love, there was a buzz
Among the gods! and silence is as natural.
These draperies are fine, and, being a mortal,
I should desire no better; yet, in truth,
There must be some superiour costliness,
Some wider-domed high magnificence!
I would have, as a mortal I may not,
Hanging of heaven's clouds, purple and gold,
Slung from the spheres; gauzes of silver mist,
Loop'd up with cords of twisted wreathed light,
And tassell'd round with weeping meteors!
These pendent lamps and chandeliers are bright
As earthly fires from dull dross can be cleansed;
Yet could my eyes drink up intenser beams
Undazzled, this is darkness, when I close
These lids, I see far fiercer brilliances,
Skies full of splendid moons, and shooting stars,
And spouting exhalations, diamond fires,
And panting fountains quivering with deep glows!
Yes this is dark is it not dark?
Sigifred. My Lord,
'Tis late; the lights of festival are ever
Quench'd in the morn.
Ludolph. 'Tis not to-morrow then?
Sigifred. Tis early dawn.
Gersa. Indeed full time we slept;
Say you so, Prince?
Ludolph. I say I quarreled with you ; We did not tilt each other, that's a blessing,
Good gods! no innocent blood upon my head!
Sigifred. Retire, Gersa!
Ludolph. There should be three more here:
For two of them, they stay away perhaps,
Being gloomy-minded, haters of fair revels,
They know their own thoughts best.
As for the third,
Deep blue eyes semi-shaded in white lids,
Finished with lashes fine for more soft shade,
Completed by her twin-arch'd ebon brows
White temples of exactest elegance,
Of even mould felicitous and smooth
Cheeks fashioned tenderly on either side,
So perfect, so divine that our poor eyes
Are dazzled with the sweet proportioning,
And wonder that 'tis so, the magic chance!
Her nostrils, small, fragrant, faery-delicate;
Her lips -I swear no human bones e'er wore
So taking a disguise you shall behold her!
We'll have her presently; aye, you shall see her,
And wonder at her, friends, she is so fair
She is the world's chief Jewel, and by heaven
She's mine by right of marriage she is mine!
Patience, good people, in fit time I send
A Summoner she will obey my call,
Being a wife most mild and dutiful.
First I would hear what music is prepared
To herald and receive her let me hear!
Sigifred. Bid the musicians soothe him tenderly.
[A soft strain of Music.
Ludolph. Ye have none better no I am content;
'Tis a rich sobbing melody, with reliefs
Full and majestic; it is well enough,
And will be sweeter, when ye see her pace
Sweeping into this presence, glisten'd o'er
With emptied caskets, and her train upheld
By ladies, habited in robes of lawn,
Sprinkled with golden crescents; (others bright
In silks, with spangles shower'd,) and bow'd to
By Duchesses and pearled Margravines
Sad, that the fairest creature of the earth
I pray you mind me not 'tis sad, I say,
That the extremest beauty of the world
Should so entrench herself away from me,
Behind a barrier of engender 'd guilt!
Second Lady. Ah! what a moan!
First Knight. Most piteous indeed!
Ludolph. She shall be brought before this company,
And then then
First Lady. He muses.
Gersa. O, Fortune, where will this end?
Sigifred. I guess his purpose! Indeed he must not have
That pestilence brought in, that cannot be,
There we must stop him.
Gersa. I am lost! Hush, hushl
He is about to rave again.
Ludolph. A barrier of guilt! I was the fool.
She was the cheater! Who's the cheater now,
And who the fool? The entrapp'd, the caged fool,
The bird-limy raven? She shall croak to death
Secure! Methinks I have her in my fist,
To crush her with my heel! Wait, wait! I marvel
My father keeps away: good friend, ah! Sigifred!
Do bring him to me and Erminia
I fain would see before I sleep and Ethelbert,
That he may bless me, as I know he will
Though I have curs'd him.
Sigifred. Rather suffer me
To lead you to them
Ludolph. No, excuse me, no
The day is not quite done go bring them hither.
[Exit SIGIFRED.
Certes, a father's smile should, like sunlight,,
Slant on my sheafed harvest of ripe bliss
Besides, I thirst to pledge my lovely Bride
In a deep goblet: let me see what wine?
The strong Iberian juice, or mellow Greek?
Or pale Calabrian? Or the Tuscan grape?
Or of old tna's pulpy wine presses,
Black stain'd with the fat vintage, as it were
The purple slaughter-house, where Bacchus' self
Prick'd his own swollen veins? Where is my Page?
Page. Here, here!
Ludolph. Be ready to obey me; anon thou shalt
Bear a soft message for me for the hour
Draws near when I must make a winding up
Of bridal Mysteries a fine-spun vengeance!
Carve it on my Tomb, that when I rest beneath
Men shall confess This Prince was gulled and cheated,
But from the ashes of disgrace he rose
More than a fiery Phoenix and did burn
His ignominy up in purging fires
Did I not send, Sir, but a moment past,
For my Father?
Gersa. You did.
Ludolph. Perhaps 'twould be
Much better he came not.
Gersa. He enters now!
Enter OTHO, ERMINIA, ETHELBERT, SIGIFRED, and Physician.
Ludolph. O thou good Man, against whose sacred head
I was a mad conspirator, chiefly too
For the sake of my fair newly wedded wife,
Now to be punish'd, do not look so sad!
Those charitable eyes will thaw my heart,
Those tears will wash away a just resolve,
A verdict ten times sworn! Awake awake
Put on a judge's brow, and use a tongue
Made iron-stern by habit! Thou shalt see
A deed to be applauded, 'scribed in gold!
Join a loud voice to mine, and so denounce
What I alone will execute!
Otho. Dear son,
What is it? By your father's love, I sue
That it be nothing merciless!
Ludolph. To that demon?
Not so! No! She is in temple-stall
Being garnish'd for the sacrifice, and I,
The Priest of Justice, will immolate her
Upon the altar of wrath! She stings me through!-
Even as the worm doth feed upon the nut,
So she, a scorpion, preys upon my brain!
I feel her gnawing here! Let her but vanish,
Then, father, I will lead your legions forth,
Compact in steeled squares, and speared files,
And bid our trumpets speak a fell rebuke
To nations drows'd in peace!
Otho. To-morrow, Son,
Be your word law forget to-day
Ludolph. I will
When I have finish 'd it now! now! I'm pight,
Tight-footed for the deed!
Erminia. Alas! Alas!
Ludolph. What Angels voice is that? Erminia!
Ah! gentlest creature, whose sweet innocence
Was almost murder'd; I am penitent,
Wilt thou forgive me? And thou, holy Man,
Good Ethelbert, shall I die in peace with you?
Erminia. Die, my lord!
Ludolph. I feel it possible.
Otho. Physician?
Physician. I fear me he is past my skill.
Otho. Not so!
Ludolph. I see it, I see it I have been wandering
Half-mad not right here I forget my purpose.
Bestir, bestir, Auranthe! ha! ha! ha!
Youngster! Page! go bid them drag her to me!
Obey! This shall finish it! [Draws a dagger.
Otho. O my Son! my Son!
Sigifred. This must not be stop there!
Ludolph. Am I obey'd?
A little talk with her no harm haste ! haste !
[Exit Page.
Set her before me never fear I can strike.
Several Voices. My Lord! My Lord!
Gersa. Good Prince!
Ludolph. Why do ye trouble me? out-out-out away!
There she is! take that! and that! no, no-
That's not well done Where is she?
The doors open. Enter Page. Several women are seen grouped
about AURANTHE in the inner room.
Page. Alas! My Lord, my Lord! they cannot move her!
Her arms are stiff, her fingers clench'd and cold
Ludolph. She's dead!
[Staggers and jails into their arms.
Ethelbert. Take away the dagger.
Gersa. Softly; so!
Otho. Thank God for that!
Sigifred. I fear it could not harm him.
Gersa. No! brief be his anguish!
Ludolph. She's gone I am content Nobles, good night!
We are all weary faint set ope the doors
I will to bed! To-morrow [Dies.
THE CURTAIN FALLS.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act V
,#NFDB
1399:The Author
Accursed the man, whom Fate ordains, in spite,
And cruel parents teach, to read and write!
What need of letters? wherefore should we spell?
Why write our names? A mark will do as well.
Much are the precious hours of youth misspent,
In climbing Learning's rugged, steep ascent;
When to the top the bold adventurer's got,
He reigns, vain monarch, o'er a barren spot;
Whilst in the vale of Ignorance below,
Folly and Vice to rank luxuriance grow;
Honours and wealth pour in on every side,
And proud Preferment rolls her golden tide.
O'er crabbed authors life's gay prime to waste,
To cramp wild genius in the chains of taste,
To bear the slavish drudgery of schools,
And tamely stoop to every pedant's rules;
For seven long years debarr'd of liberal ease,
To plod in college trammels to degrees;
Beneath the weight of solemn toys to groan,
Sleep over books, and leave mankind unknown;
To praise each senior blockhead's threadbare tale,
And laugh till reason blush, and spirits fail;
Manhood with vile submission to disgrace,
And cap the fool, whose merit is his place,
Vice-Chancellors, whose knowledge is but small,
And Chancellors, who nothing know at all:
Ill-brook'd the generous spirit in those days
When learning was the certain road to praise,
When nobles, with a love of science bless'd,
Approved in others what themselves possess'd.
But now, when Dulness rears aloft her throne,
When lordly vassals her wide empire own;
When Wit, seduced by Envy, starts aside,
And basely leagues with Ignorance and Pride;
What, now, should tempt us, by false hopes misled,
Learning's unfashionable paths to tread;
To bear those labours which our fathers bore,
That crown withheld, which they in triumph wore?
When with much pains this boasted learning's got,
98
'Tis an affront to those who have it not:
In some it causes hate, in others fear,
Instructs our foes to rail, our friends to sneer.
With prudent haste the worldly-minded fool
Forgets the little which he learn'd at school:
The elder brother, to vast fortunes born,
Looks on all science with an eye of scorn;
Dependent brethren the same features wear,
And younger sons are stupid as the heir.
In senates, at the bar, in church and state,
Genius is vile, and learning out of date.
Is this--oh, death to think!--is this the land
Where Merit and Reward went hand in hand?
Where heroes, parent-like, the poet view'd,
By whom they saw their glorious deeds renew'd?
Where poets, true to honour, tuned their lays,
And by their patrons sanctified their praise?
Is this the land, where, on our Spenser's tongue,
Enamour'd of his voice, Description hung?
Where Jonson rigid Gravity beguiled,
Whilst Reason through her critic fences smiled?
Where Nature listening stood whilst Shakspeare play'd,
And wonder'd at the work herself had made?
Is this the land, where, mindful of her charge
And office high, fair Freedom walk'd at large?
Where, finding in our laws a sure defence,
She mock'd at all restraints, but those of sense?
Where, Health and Honour trooping by her side,
She spread her sacred empire far and wide;
Pointed the way, Affliction to beguile,
And bade the face of Sorrow wear a smile;
Bade those, who dare obey the generous call,
Enjoy her blessings, which God meant for all?
Is this the land, where, in some tyrant's reign,
When a weak, wicked, ministerial train,
The tools of power, the slaves of interest, plann'd
Their country's ruin, and with bribes unmann'd
Those wretches, who, ordain'd in Freedom's cause,
Gave up our liberties, and sold our laws;
When Power was taught by Meanness where to go,
Nor dared to love the virtue of a foe;
When, like a leprous plague, from the foul head
99
To the foul heart her sores Corruption spread;
Her iron arm when stern Oppression rear'd;
And Virtue, from her broad base shaken, fear'd
The scourge of Vice; when, impotent and vain,
Poor Freedom bow'd the neck to Slavery's chain?
Is this the land, where, in those worst of times,
The hardy poet raised his honest rhymes
To dread rebuke, and bade Controlment speak
In guilty blushes on the villain's cheek;
Bade Power turn pale, kept mighty rogues in awe,
And made them fear the Muse, who fear'd not law?
How do I laugh, when men of narrow souls,
Whom Folly guides, and Prejudice controls;
Who, one dull drowsy track of business trod,
Worship their Mammon, and neglect their God;
Who, breathing by one musty set of rules,
Dote from their birth, and are by system fools;
Who, form'd to dulness from their very youth,
Lies of the day prefer to gospel truth;
Pick up their little knowledge from Reviews,
And lay out all their stock of faith in news;
How do I laugh, when creatures, form'd like these,
Whom Reason scorns, and I should blush to please,
Rail at all liberal arts, deem verse a crime,
And hold not truth, as truth, if told in rhyme!
How do I laugh, when Publius, hoary grown
In zeal for Scotland's welfare, and his own,
By slow degrees, and course of office, drawn
In mood and figure at the helm to yawn,
Too mean (the worst of curses Heaven can send)
To have a foe, too proud to have a friend;
Erring by form, which blockheads sacred hold,
Ne'er making new faults, and ne'er mending old,
Rebukes my spirit, bids the daring Muse
Subjects more equal to her weakness choose;
Bids her frequent the haunts of humble swains,
Nor dare to traffic in ambitious strains;
Bids her, indulging the poetic whim
In quaint-wrought ode, or sonnet pertly trim,
Along the church-way path complain with Gray,
Or dance with Mason on the first of May!
'All sacred is the name and power of kings;
100
All states and statesmen are those mighty things
Which, howsoe'er they out of course may roll,
Were never made for poets to control.'
Peace, peace, thou dotard! nor thus vilely deem
Of sacred numbers, and their power blaspheme.
I tell thee, wretch, search all creation round,
In earth, in heaven, no subject can be found:
(Our God alone except) above whose height
The poet cannot rise, and hold his state.
The blessed saints above in numbers speak
The praise of God, though there all praise is weak;
In numbers here below the bard shall teach
Virtue to soar beyond the villain's reach;
Shall tear his labouring lungs, strain his hoarse throat,
And raise his voice beyond the trumpet's note,
Should an afflicted country, awed by men
Of slavish principles, demand his pen.
This is a great, a glorious point of view,
Fit for an English poet to pursue;
Undaunted to pursue, though, in return,
His writings by the common hangman burn
How do I laugh, when men, by fortune placed
Above their betters, and by rank disgraced,
Who found their pride on titles which they stain,
And, mean themselves, are of their fathers vain;
Who would a bill of privilege prefer,
And treat a poet like a creditor;
The generous ardour of the Muse condemn,
And curse the storm they know must break on them!
'What! shall a reptile bard, a wretch unknown,
Without one badge of merit but his own,
Great nobles lash, and lords, like common men,
Smart from the vengeance of a scribbler's pen?'
What's in this name of lord, that I should fear
To bring their vices to the public ear?
Flows not the honest blood of humble swains
Quick as the tide which swells a monarch's veins?
Monarchs, who wealth and titles can bestow,
Cannot make virtues in succession flow.
Wouldst thou, proud man! be safely placed above
The censure of the Muse? Deserve her love:
Act as thy birth demands, as nobles ought;
101
Look back, and, by thy worthy father taught,
Who earn'd those honours thou wert born to wear,
Follow his steps, and be his virtue's heir.
But if, regardless of the road to fame,
You start aside, and tread the paths of shame;
If such thy life, that should thy sire arise,
The sight of such a son would blast his eyes,
Would make him curse the hour which gave thee birth,
Would drive him shuddering from the face of earth,
Once more, with shame and sorrow, 'mongst the dead
In endless night to hide his reverend head;
If such thy life, though kings had made thee more
Than ever king a scoundrel made before;
Nay, to allow thy pride a deeper spring,
Though God in vengeance had made thee a king,
Taking on Virtue's wing her daring flight,
The Muse should drag thee, trembling, to the light,
Probe thy foul wounds, and lay thy bosom bare
To the keen question of the searching air.
Gods! with what pride I see the titled slave,
Who smarts beneath the stroke which Satire gave,
Aiming at ease, and with dishonest art
Striving to hide the feelings of his heart!
How do I laugh, when, with affected air,
(Scarce able through despite to keep his chair,
Whilst on his trembling lip pale Anger speaks,
And the chafed blood flies mounting to his cheeks)
He talks of Conscience, which good men secures
From all those evil moments Guilt endures,
And seems to laugh at those who pay regard
To the wild ravings of a frantic bard.
'Satire, whilst envy and ill-humour sway
The mind of man, must always make her way;
Nor to a bosom, with discretion fraught,
Is all her malice worth a single thought.
The wise have not the will, nor fools the power,
To stop her headstrong course; within the hour,
Left to herself, she dies; opposing strife
Gives her fresh vigour, and prolongs her life.
All things her prey, and every man her aim,
I can no patent for exemption claim,
Nor would I wish to stop that harmless dart
102
Which plays around, but cannot wound my heart;
Though pointed at myself, be Satire free;
To her 'tis pleasure, and no pain to me.'
Dissembling wretch! hence to the Stoic school,
And there amongst thy brethren play the fool;
There, unrebuked, these wild, vain doctrines preach.
Lives there a man whom Satire cannot reach?
Lives there a man who calmly can stand by,
And see his conscience ripp'd with steady eye?
When Satire flies abroad on Falsehood's wing,
Short is her life, and impotent her sting;
But when to Truth allied, the wound she gives
Sinks deep, and to remotest ages lives.
When in the tomb thy pamper'd flesh shall rot,
And e'en by friends thy memory be forgot,
Still shalt thou live, recorded for thy crimes,
Live in her page, and stink to after-times.
Hast thou no feeling yet? Come, throw off pride,
And own those passions which thou shalt not hide.
Sandwich, who, from the moment of his birth,
Made human nature a reproach on earth,
Who never dared, nor wish'd, behind to stay,
When Folly, Vice, and Meanness led the way,
Would blush, should he be told, by Truth and Wit,
Those actions which he blush'd not to commit.
Men the most infamous are fond of fame,
And those who fear not guilt, yet start at shame.
But whither runs my zeal, whose rapid force,
Turning the brain, bears Reason from her course;
Carries me back to times, when poets, bless'd
With courage, graced the science they profess'd;
When they, in honour rooted, firmly stood,
The bad to punish, and reward the good;
When, to a flame by public virtue wrought,
The foes of freedom they to justice brought,
And dared expose those slaves who dared support
A tyrant plan, and call'd themselves a Court?
Ah! what are poets now? As slavish those
Who deal in verse, as those who deal in prose.
Is there an Author, search the kingdom round,
In whom true worth and real spirit's found?
The slaves of booksellers, or (doom'd by Fate
103
To baser chains) vile pensioners of state;
Some, dead to shame, and of those shackles proud
Which Honour scorns, for slavery roar aloud;
Others, half-palsied only, mutes become,
And what makes Smollett write, makes Johnson dumb.
Why turns yon villain pale? Why bends his eye
Inward, abash'd, when Murphy passes by?
Dost thou sage Murphy for a blockhead take,
Who wages war with Vice for Virtue's sake?
No, no, like other worldlings, you will find
He shifts his sails and catches every wind.
His soul the shock of Interest can't endure:
Give him a pension then, and sin secure.
With laurell'd wreaths the flatterer's brows adorn:
Bid Virtue crouch, bid Vice exalt her horn;
Bid cowards thrive, put Honesty to flight,
Murphy shall prove, or try to prove it right.
Try, thou state-juggler, every paltry art;
Ransack the inmost closet of my heart;
Swear thou'rt my friend; by that base oath make way
Into my breast, and flatter to betray.
Or, if those tricks are vain; if wholesome doubt
Detects the fraud, and points the villain out;
Bribe those who daily at my board are fed,
And make them take my life who eat my bread.
On Authors for defence, for praise depend;
Pay him but well, and Murphy is thy friend:
He, he shall ready stand with venal rhymes,
To varnish guilt, and consecrate thy crimes;
To make Corruption in false colours shine,
And damn his own good name, to rescue thine.
But, if thy niggard hands their gifts withhold,
And Vice no longer rains down showers of gold,
Expect no mercy; facts, well-grounded, teach,
Murphy, if not rewarded, will impeach.
What though each man of nice and juster thought,
Shunning his steps, decrees, by Honour taught,
He ne'er can be a friend, who stoops so low
To be the base betrayer of a foe?
What though, with thine together link'd, his name
Must be with thine transmitted down to shame?
To every manly feeling callous grown,
104
Rather than not blast thine, he 'll blast his own.
To ope the fountain whence sedition springs,
To slander government, and libel kings;
With Freedom's name to serve a present hour,
Though born and bred to arbitrary power;
To talk of William with insidious art,
Whilst a vile Stuart's lurking in his heart;
And, whilst mean Envy rears her loathsome head,
Flattering the living, to abuse the dead,
Where is Shebbeare? Oh, let not foul reproach,
Travelling thither in a city-coach,
The pillory dare to name: the whole intent
Of that parade was fame, not punishment;
And that old staunch Whig, Beardmore, standing by,
Can in full court give that report the lie.
With rude unnatural jargon to support,
Half-Scotch, half-English, a declining court;
To make most glaring contraries unite,
And prove beyond dispute that black is white;
To make firm Honour tamely league with Shame,
Make Vice and Virtue differ but in name;
To prove that chains and freedom are but one,
That to be saved must mean to be undone,
Is there not Guthrie? Who, like him, can call
All opposites to proof, and conquer all?
He calls forth living waters from the rock;
He calls forth children from the barren stock;
He, far beyond the springs of Nature led,
Makes women bring forth after they are dead;
He, on a curious, new, and happy plan,
In wedlock's sacred bands joins man to man;
And to complete the whole, most strange, but true,
By some rare magic, makes them fruitful too;
Whilst from their loins, in the due course of years,
Flows the rich blood of Guthrie's 'English Peers.'
Dost thou contrive some blacker deed of shame,
Something which Nature shudders but to name,
Something which makes the soul of man retreat,
And the life-blood run backward to her seat?
Dost thou contrive, for some base private end,
Some selfish view, to hang a trusting friend;
To lure him on, e'en to his parting breath,
105
And promise life, to work him surer death?
Grown old in villany, and dead to grace,
Hell in his heart, and Tyburn in his face,
Behold, a parson at thy elbow stands,
Lowering damnation, and with open hands,
Ripe to betray his Saviour for reward,
The Atheist chaplain of an Atheist lord!
Bred to the church, and for the gown decreed,
Ere it was known that I should learn to read;
Though that was nothing, for my friends, who knew
What mighty Dulness of itself could do,
Never design'd me for a working priest,
But hoped I should have been a Dean at least:
Condemn'd, (like many more, and worthier men,
To whom I pledge the service of my pen)
Condemn'd (whilst proud and pamper'd sons of lawn,
Cramm'd to the throat, in lazy plenty yawn)
In pomp of reverend beggary to appear,
To pray, and starve on forty pounds a-year:
My friends, who never felt the galling load,
Lament that I forsook the packhorse road,
Whilst Virtue to my conduct witness bears,
In throwing off that gown which Francis wears.
What creature's that, so very pert and prim,
So very full of foppery, and whim,
So gentle, yet so brisk; so wondrous sweet,
So fit to prattle at a lady's feet;
Who looks as he the Lord's rich vineyard trod,
And by his garb appears a man of God?
Trust not to looks, nor credit outward show;
The villain lurks beneath the cassock'd beau;
That's an informer; what avails the name?
Suffice it that the wretch from Sodom came.
His tongue is deadly--from his presence run,
Unless thy rage would wish to be undone.
No ties can hold him, no affection bind,
And fear alone restrains his coward mind;
Free him from that, no monster is so fell,
Nor is so sure a blood-hound found in Hell.
His silken smiles, his hypocritic air,
His meek demeanour, plausible and fair,
Are only worn to pave Fraud's easier way,
106
And make gull'd Virtue fall a surer prey.
Attend his church--his plan of doctrine view-The preacher is a Christian, dull, but true;
But when the hallow'd hour of preaching's o'er,
That plan of doctrine's never thought of more;
Christ is laid by neglected on the shelf,
And the vile priest is gospel to himself.
By Cleland tutor'd, and with Blacow bred,
(Blacow, whom, by a brave resentment led,
Oxford, if Oxford had not sunk in fame,
Ere this, had damn'd to everlasting shame)
Their steps he follows, and their crimes partakes;
To virtue lost, to vice alone he wakes,
Most lusciously declaims 'gainst luscious themes,
And whilst he rails at blasphemy, blasphemes.
Are these the arts which policy supplies?
Are these the steps by which grave churchmen rise?
Forbid it, Heaven; or, should it turn out so,
Let me and mine continue mean and low.
Such be their arts whom interest controls;
Kidgell and I have free and modest souls:
We scorn preferment which is gain'd by sin,
And will, though poor without, have peace within.
~ Charles Churchill,#NFDB
1400:Upon a time, before the faery broods
Drove Nymph and Satyr from the prosperous woods,
Before King Oberon's bright diadem,
Sceptre, and mantle, clasp'd with dewy gem,
Frighted away the Dryads and the Fauns
From rushes green, and brakes, and cowslip'd lawns,
The ever-smitten Hermes empty left
His golden throne, bent warm on amorous theft:
From high Olympus had he stolen light,
On this side of Jove's clouds, to escape the sight
Of his great summoner, and made retreat
Into a forest on the shores of Crete.
For somewhere in that sacred island dwelt
A nymph, to whom all hoofed Satyrs knelt;
At whose white feet the languid Tritons poured
Pearls, while on land they witherd and adored.
Fast by the springs where she to bathe was wont,
And in those meads where sometime she might haunt,
Were strewn rich gifts, unknown to any Muse,
Though Fancys casket were unlockd to choose.
Ah, what a world of love was at her feet!
So Hermes thought, and a celestial heat
Burnt from his winged heels to either ear,
That from a whiteness, as the lily clear,
Blushd into roses mid his golden hair,
Fallen in jealous curls about his shoulders bare.
From vale to vale, from wood to wood, he flew,
Breathing upon the flowers his passion new,
And wound with many a river to its head,
To find where this sweet nymph prepard her secret bed:
In vain; the sweet nymph might nowhere be found,
And so he rested, on the lonely ground,
Pensive, and full of painful jealousies
Of the Wood-Gods, and even the very trees.
There as he stood, he heard a mournful voice,
Such as once heard, in gentle heart, destroys
All pain but pity: thus the lone voice spake:
When from this wreathed tomb shall I awake!
When move in a sweet body fit for life,
And love, and pleasure, and the ruddy strife
Of hearts and lips! Ah, miserable me!
The God, dove-footed, glided silently
Round bush and tree, soft-brushing, in his speed,
The taller grasses and full-flowering weed,
Until he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake.
She was a gordian shape of dazzling hue,
Vermilion-spotted, golden, green, and blue;
Striped like a zebra, freckled like a pard,
Eyed like a peacock, and all crimson barrd;
And full of silver moons, that, as she breathed,
Dissolvd, or brighter shone, or interwreathed
Their lustres with the gloomier tapestries
So rainbow-sided, touchd with miseries,
She seemd, at once, some penanced lady elf,
Some demons mistress, or the demons self.
Upon her crest she wore a wannish fire
Sprinkled with stars, like Ariadnes tiar:
Her head was serpent, but ah, bitter-sweet!
She had a womans mouth with all its pearls complete:
And for her eyes: what could such eyes do there
But weep, and weep, that they were born so fair?
As Proserpine still weeps for her Sicilian air.
Her throat was serpent, but the words she spake
Came, as through bubbling honey, for Loves sake,
And thus; while Hermes on his pinions lay,
Like a stoopd falcon ere he takes his prey.
Fair Hermes, crownd with feathers, fluttering light,
I had a splendid dream of thee last night:
I saw thee sitting, on a throne of gold,
Among the Gods, upon Olympus old,
The only sad one; for thou didst not hear
The soft, lute-fingerd Muses chaunting clear,
Nor even Apollo when he sang alone,
Deaf to his throbbing throats long, long melodious moan.
I dreamt I saw thee, robed in purple flakes,
Break amorous through the clouds, as morning breaks,
And, swiftly as a bright Phoebean dart,
Strike for the Cretan isle; and here thou art!
Too gentle Hermes, hast thou found the maid?
Whereat the star of Lethe not delayd
His rosy eloquence, and thus inquired:
Thou smooth-lippd serpent, surely high inspired!
Thou beauteous wreath, with melancholy eyes,
Possess whatever bliss thou canst devise,
Telling me only where my nymph is fled,
Where she doth breathe! Bright planet, thou hast said,
Returnd the snake, but seal with oaths, fair God!
I swear, said Hermes, by my serpent rod,
And by thine eyes, and by thy starry crown!
Light flew his earnest words, among the blossoms blown.
Then thus again the brilliance feminine:
Too frail of heart! for this lost nymph of thine,
Free as the air, invisibly, she strays
About these thornless wilds; her pleasant days
She tastes unseen; unseen her nimble feet
Leave traces in the grass and flowers sweet;
From weary tendrils, and bowd branches green,
She plucks the fruit unseen, she bathes unseen:
And by my power is her beauty veild
To keep it unaffronted, unassaild
By the love-glances of unlovely eyes,
Of Satyrs, Fauns, and bleard Silenus sighs.
Pale grew her immortality, for woe
Of all these lovers, and she grieved so
I took compassion on her, bade her steep
Her hair in weird syrops, that would keep
Her loveliness invisible, yet free
To wander as she loves, in liberty.
Thou shalt behold her, Hermes, thou alone,
If thou wilt, as thou swearest, grant my boon!
Then, once again, the charmed God began
An oath, and through the serpents ears it ran
Warm, tremulous, devout, psalterian.
Ravishd, she lifted her Circean head,
Blushd a live damask, and swift-lisping said,
I was a woman, let me have once more
A womans shape, and charming as before.
I love a youth of CorinthO the bliss!
Give me my womans form, and place me where he is.
Stoop, Hermes, let me breathe upon thy brow,
And thou shalt see thy sweet nymph even now.
The God on half-shut feathers sank serene,
She breathd upon his eyes, and swift was seen
Of both the guarded nymph near-smiling on the green.
It was no dream; or say a dream it was,
Real are the dreams of Gods, and smoothly pass
Their pleasures in a long immortal dream.
One warm, flushd moment, hovering, it might seem
Dashd by the wood-nymphs beauty, so he burnd;
Then, lighting on the printless verdure, turnd
To the swoond serpent, and with languid arm,
Delicate, put to proof the lythe Caducean charm.
So done, upon the nymph his eyes he bent,
Full of adoring tears and blandishment,
And towards her stept: she, like a moon in wane,
Faded before him, cowerd, nor could restrain
Her fearful sobs, self-folding like a flower
That faints into itself at evening hour:
But the God fostering her chilled hand,
She felt the warmth, her eyelids opend bland,
And, like new flowers at morning song of bees,
Bloomd, and gave up her honey to the lees.
Into the green-recessed woods they flew;
Nor grew they pale, as mortal lovers do.
Left to herself, the serpent now began
To change; her elfin blood in madness ran,
Her mouth foamd, and the grass, therewith besprent,
Witherd at dew so sweet and virulent;
Her eyes in torture fixd, and anguish drear,
Hot, glazd, and wide, with lid-lashes all sear,
Flashd phosphor and sharp sparks, without one cooling tear.
The colours all inflamd throughout her train,
She writhd about, convulsd with scarlet pain:
A deep volcanian yellow took the place
Of all her milder-mooned bodys grace;
And, as the lava ravishes the mead,
Spoilt all her silver mail, and golden brede;
Made gloom of all her frecklings, streaks and bars,
Eclipsd her crescents, and lickd up her stars:
So that, in moments few, she was undrest
Of all her sapphires, greens, and amethyst,
And rubious-argent: of all these bereft,
Nothing but pain and ugliness were left.
Still shone her crown; that vanishd, also she
Melted and disappeard as suddenly;
And in the air, her new voice luting soft,
Cried, Lycius! gentle Lycius!Borne aloft
With the bright mists about the mountains hoar
These words dissolvd: Cretes forests heard no more.
Whither fled Lamia, now a lady bright,
A full-born beauty new and exquisite?
She fled into that valley they pass oer
Who go to Corinth from Cenchreas shore;
And rested at the foot of those wild hills,
The rugged founts of the Peraean rills,
And of that other ridge whose barren back
Stretches, with all its mist and cloudy rack,
South-westward to Cleone. There she stood
About a young birds flutter from a wood,
Fair, on a sloping green of mossy tread,
By a clear pool, wherein she passioned
To see herself escapd from so sore ills,
While her robes flaunted with the daffodils.
Ah, happy Lycius!for she was a maid
More beautiful than ever twisted braid,
Or sighd, or blushd, or on spring-flowered lea
Spread a green kirtle to the minstrelsy:
A virgin purest lippd, yet in the lore
Of love deep learned to the red hearts core:
Not one hour old, yet of sciential brain
To unperplex bliss from its neighbour pain;
Define their pettish limits, and estrange
Their points of contact, and swift counterchange;
Intrigue with the specious chaos, and dispart
Its most ambiguous atoms with sure art;
As though in Cupids college she had spent
Sweet days a lovely graduate, still unshent,
And kept his rosy terms in idle languishment.
Why this fair creature chose so fairily
By the wayside to linger, we shall see;
But first tis fit to tell how she could muse
And dream, when in the serpent prison-house,
Of all she list, strange or magnificent:
How, ever, where she willd, her spirit went;
Whether to faint Elysium, or where
Down through tress-lifting waves the Nereids fair
Wind into Thetis bower by many a pearly stair;
Or where God Bacchus drains his cups divine,
Stretchd out, at ease, beneath a glutinous pine;
Or where in Plutos gardens palatine
Mulcibers columns gleam in far piazzian line.
And sometimes into cities she would send
Her dream, with feast and rioting to blend;
And once, while among mortals dreaming thus,
She saw the young Corinthian Lycius
Charioting foremost in the envious race,
Like a young Jove with calm uneager face,
And fell into a swooning love of him.
Now on the moth-time of that evening dim
He would return that way, as well she knew,
To Corinth from the shore; for freshly blew
The eastern soft wind, and his galley now
Grated the quaystones with her brazen prow
In port Cenchreas, from Egina isle
Fresh anchord; whither he had been awhile
To sacrifice to Jove, whose temple there
Waits with high marble doors for blood and incense rare.
Jove heard his vows, and betterd his desire;
For by some freakful chance he made retire
From his companions, and set forth to walk,
Perhaps grown wearied of their Corinth talk:
Over the solitary hills he fared,
Thoughtless at first, but ere eves star appeared
His phantasy was lost, where reason fades,
In the calmd twilight of Platonic shades.
Lamia beheld him coming, near, more near
Close to her passing, in indifference drear,
His silent sandals swept the mossy green;
So neighbourd to him, and yet so unseen
She stood: he passd, shut up in mysteries,
His mind wrappd like his mantle, while her eyes
Followd his steps, and her neck regal white
Turndsyllabling thus, Ah, Lycius bright,
And will you leave me on the hills alone?
Lycius, look back! and be some pity shown.
He did; not with cold wonder fearingly,
But Orpheus-like at an Eurydice;
For so delicious were the words she sung,
It seemd he had lovd them a whole summer long:
And soon his eyes had drunk her beauty up,
Leaving no drop in the bewildering cup,
And still the cup was full,while he afraid
Lest she should vanish ere his lip had paid
Due adoration, thus began to adore;
Her soft look growing coy, she saw his chain so sure:
Leave thee alone! Look back! Ah, Goddess, see
Whether my eyes can ever turn from thee!
For pity do not this sad heart belie
Even as thou vanishest so I shall die.
Stay! though a Naiad of the rivers, stay!
To thy far wishes will thy streams obey:
Stay! though the greenest woods be thy domain,
Alone they can drink up the morning rain:
Though a descended Pleiad, will not one
Of thine harmonious sisters keep in tune
Thy spheres, and as thy silver proxy shine?
So sweetly to these ravishd ears of mine
Came thy sweet greeting, that if thou shouldst fade
Thy memory will waste me to a shade:
For pity do not melt!If I should stay,
Said Lamia, here, upon this floor of clay,
And pain my steps upon these flowers too rough,
What canst thou say or do of charm enough
To dull the nice remembrance of my home?
Thou canst not ask me with thee here to roam
Over these hills and vales, where no joy is,
Empty of immortality and bliss!
Thou art a scholar, Lycius, and must know
That finer spirits cannot breathe below
In human climes, and live: Alas! poor youth,
What taste of purer air hast thou to soothe
My essence? What serener palaces,
Where I may all my many senses please,
And by mysterious sleights a hundred thirsts appease?
It cannot beAdieu! So said, she rose
Tiptoe with white arms spread. He, sick to lose
The amorous promise of her lone complain,
Swoond, murmuring of love, and pale with pain.
The cruel lady, without any show
Of sorrow for her tender favourites woe,
But rather, if her eyes could brighter be,
With brighter eyes and slow amenity,
Put her new lips to his, and gave afresh
The life she had so tangled in her mesh:
And as he from one trance was wakening
Into another, she began to sing,
Happy in beauty, life, and love, and every thing,
A song of love, too sweet for earthly lyres,
While, like held breath, the stars drew in their panting fires
And then she whisperd in such trembling tone,
As those who, safe together met alone
For the first time through many anguishd days,
Use other speech than looks; bidding him raise
His drooping head, and clear his soul of doubt,
For that she was a woman, and without
Any more subtle fluid in her veins
Than throbbing blood, and that the self-same pains
Inhabited her frail-strung heart as his.
And next she wonderd how his eyes could miss
Her face so long in Corinth, where, she said,
She dwelt but half retird, and there had led
Days happy as the gold coin could invent
Without the aid of love; yet in content
Till she saw him, as once she passd him by,
Where gainst a column he leant thoughtfully
At Venus temple porch, mid baskets heapd
Of amorous herbs and flowers, newly reapd
Late on that eve, as twas the night before
The Adonian feast; whereof she saw no more,
But wept alone those days, for why should she adore?
Lycius from death awoke into amaze,
To see her still, and singing so sweet lays;
Then from amaze into delight he fell
To hear her whisper womans lore so well;
And every word she spake enticd him on
To unperplexd delight and pleasure known.
Let the mad poets say whateer they please
Of the sweets of Fairies, Peris, Goddesses,
There is not such a treat among them all,
Haunters of cavern, lake, and waterfall,
As a real woman, lineal indeed
From Pyrrhas pebbles or old Adams seed.
Thus gentle Lamia judgd, and judgd aright,
That Lycius could not love in half a fright,
So threw the goddess off, and won his heart
More pleasantly by playing womans part,
With no more awe than what her beauty gave,
That, while it smote, still guaranteed to save.
Lycius to all made eloquent reply,
Marrying to every word a twinborn sigh;
And last, pointing to Corinth, askd her sweet,
If twas too far that night for her soft feet.
The way was short, for Lamias eagerness
Made, by a spell, the triple league decrease
To a few paces; not at all surmised
By blinded Lycius, so in her comprized.
They passd the city gates, he knew not how
So noiseless, and he never thought to know.
As men talk in a dream, so Corinth all,
Throughout her palaces imperial,
And all her populous streets and temples lewd,
Mutterd, like tempest in the distance brewd,
To the wide-spreaded night above her towers.
Men, women, rich and poor, in the cool hours,
Shuffled their sandals oer the pavement white,
Companiond or alone; while many a light
Flared, here and there, from wealthy festivals,
And threw their moving shadows on the walls,
Or found them clusterd in the corniced shade
Of some archd temple door, or dusky colonnade.
Muffling his face, of greeting friends in fear,
Her fingers he pressd hard, as one came near
With curld gray beard, sharp eyes, and smooth bald crown,
Slow-steppd, and robed in philosophic gown:
Lycius shrank closer, as they met and past,
Into his mantle, adding wings to haste,
While hurried Lamia trembled: Ah, said he,
Why do you shudder, love, so ruefully?
Why does your tender palm dissolve in dew?
Im wearied, said fair Lamia: tell me who
Is that old man? I cannot bring to mind
His features:Lycius! wherefore did you blind
Yourself from his quick eyes? Lycius replied,
Tis Apollonius sage, my trusty guide
And good instructor; but to-night he seems
The ghost of folly haunting my sweet dreams.
While yet he spake they had arrived before
A pillar'd porch, with lofty portal door,
Where hung a silver lamp, whose phosphor glow
Reflected in the slabbed steps below,
Mild as a star in water; for so new,
And so unsullied was the marble hue,
So through the crystal polish, liquid fine,
Ran the dark veins, that none but feet divine
Could e'er have touch'd there. Sounds Aeolian
Breath'd from the hinges, as the ample span
Of the wide doors disclos'd a place unknown
Some time to any, but those two alone,
And a few Persian mutes, who that same year
Were seen about the markets: none knew where
They could inhabit; the most curious
Were foil'd, who watch'd to trace them to their house:
And but the flitter-winged verse must tell,
For truth's sake, what woe afterwards befel,
'Twould humour many a heart to leave them thus,
Shut from the busy world of more incredulous.
(line 48): Originally, "Cerulean-spotted." Leigh Hunt says of this passage, "The admiration, pity, and horror, to be excited by humanity in a brute shape, were never perhaps called upon by a greater mixture of beauty and deformity than in the picture of this creature. Our pity and suspicions are begged by the first word: the profuse and vital beauties with which she is covered seem proportioned to her misery and natural rights; and lest we should lose sight of them in this gorgeousness, the 'woman's mouth' fills us at once with shuddering and compassion."
(line 158): The manuscript reads "vulcanian," the first edition "volcanian." It seems to me more likely that the manuscript accords with the poet's intention than that printed text does, for this old orthography is the more characteristic of the vocabulary of this particular poem, as introducing the more conspicuously the mythic personal origin of the common noun "volcano" or "vulcano."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lamia. Part I
,#NFDB
1401:The Creek Of The Four Graves
I verse a Settler's tale of olden times
One told me by our sage friend, Egremont;
Who then went forth, meetly equipt, with four
Of his most trusty and adventrous men
Into the wilderness - went forth to seek
New streams and wider pastures for his fast
Augmenting flocks and herds. On foot were all
For horses then were beast of too great price
To be much ventured on mountain routes,
And over wild wolds clouded up with brush,
And cut with marshes, perilously deep.
So went they forth at dawn: and now the sun
That rose behind them as they journeyed out,
Was firing with his nether rim a range
Of unknown mountains that, like ramparts, towered
Full in their front, and his last glances fell
Into the gloomy forest's eastern glades
In golden massses, transiently, or flashed
Down to the windings of a nameless Creek,
That noiseless ran betwixt the pioneers
And those new Apennines - ran, shaded up
With boughs of the wild willow, hanging mixed
From either bank, or duskily befringed
With upward tapering feathery swamp-oaks The sylvan eyelash always of remote
Australian waters, whether gleaming still
In lake or pool, or bickering along
Between the marges of some eager stream.
Before then, thus extended, wilder grew
The scene each moment - and more beautiful!
For when the sun was all but sunk below
Those barrier mountains, - in the breeze that o'er
Their rough enormous backs deep-fleeced with wood
Came whispering down, the wide up-slanting sea
Of fanning leaves in the descending rays
Danced interdazzingly, as if the trees
147
That bore them, were all thrilling, - tingling all
Even to the roots for very happiness:
So prompted from within, so sentient seemed
The bright quick motion - wildly beautiful.
But when the sun had wholly disappeared
Behind those mountains - O what words, what hues
Might paint the wild magnificence of view
That opened westward! Out extending, lo,
The heights rose crowding, with their summits all
Dissolving, as it seemed, and partly lost
In the exceeding radiancy aloft;
And thus transfigured, for awhile they stood
Like a great company of Archaeons, crowned
With burning diadems, and tented o'er
With canopies of purple and of gold!
Here halting wearied, now the sun was set,
Our travellers kindled for their first night's camp
The brisk and crackling fire, which also looked
A wilder creature than 'twas elsewhere wont,
Because of the surrounding savageness.
And soon in cannikins the tea was made,
Fragrant and stong; long fresh-sliced rashers then
Impaled on whittled skewers, were deftly broiled
On the live embers, and when done, transferred
To quadrants from an ample damper cut,
Their only trenchers - soon to be dispatched
With all the savoury morsels they sustained,
By the keen tooth of healthful appitite.
And as they supped, birds of new shape and plume
And wild strange voice came by,nestward repairing by,
Oft too their wonder; or betwixt the gaps
In the ascending forest growths they saw
Perched on the bare abutments of the hills,
Where haply yet some lingering gleam fell through,
The wallaroo look forth: till aastward all
The view had wasted into formless gloom,
Night's front; and westward, the high massing woods
Steeped in a swart but mellowed Indian hue A deep dusk loveliness, lay ridged and heaped
148
Only the more distinctly for their shade
Against the twilight heaven - a cloudless depth
Yet luminous with the sunset's fading glow;
And thus awhile, in the lit dusk, they seemed
To hang like mighty pictures of themselves
In the still chambers of some vaster world.
The silent business of their supper done,
The Echoes of the solitary place,
Came as in sylvan wonder wide about
To hear, and imitate tentatively,
Stange voice moulding a strange speech, as then
Within the pleasant purlieus of the fire
Lifted in glee - but to be hushed erelong,
As with the night in kindred darkness came
O'er the adventurers, each and all, some sense Some vague-felt intimation from without,
Of danger lurking in its forest lairs.
But nerved by habit, and all settled soon
About the well-built fire, whose nimble tongues
Sent up continually a strenuous roar
Of fierce delight, and from their fuming pipes
Fu11 charged and fragrant with the Indian weed,
Drawing rude comfort,- typed without, as 'twere,
By tiny clouds over their several heads
Quietly curling upward; - thus disposed
Within the pleasant firelight, grave discourse
of their peculiar business brought to each
A steadier mood, that reached into the night.
The simple subject to their minds at length
Fully discussed, their couches they prepared
Of rushes, and the long green tresses pulled
Down from the boughs of the wild willows near.
The four, as prearranged, stretched out their limbs
Under the dark arms of the forest trees
That mixed aloft, high in the starry air,
In arcs and leafy domes whose crossing curves
And roof-like features, - blurring as they ran
Into some denser intergrowth of sprays, Were seen in mass traced out against the clear
149
Wide gaze of heaven; and trustful of the watch
Kept near them by their thoughtful Master, soon
Drowsing away, forgetful of their toil,
And of the perilous vast wilderness
That lay around them like a spectral world,
Slept, breathing deep; - whilst all things there as well
Showed slumbrous, - yea, the circling forest trees,
Their foremost holes carved from a crowded mass
Less visible, by the watchfire's bladed gleams,
As quick and spicular, from the broad red ring
Of its more constant light they ran in spurts
Far out and under the umbrageous dark;
And even the shaded and enormous mounts,
Their bluff brows grooming through the stirless air,
Looked in their quiet solemnly asleep:
Yea, thence surveyed, the Universe might have seemed
Coiled in vast rest, - only that one dim cloud,
Diffused and shapen like a huge spider,
Crept as with scrawling legs along the sky;
And that the stars, in their bright orders, still
Cluster by cluster glowingly revealed
As this slow cloud moved on, - high over all, Looked wakeful - yea, looked thoughtful in their peace.
II
Meanwhile the cloudless eastem heaven had grown
More and more luminous - and now the Moon
Up from behind a giant hill was seen
Conglobing, till - a mighty mass - she brought
Her under border level with its cone,
As thereon it were resting: when, behold
A wonder! Instantly that cone's whole bulk
Erewhile so dark, seemed inwardly a-glow
With her instilled irradiance; while the trees
That fringed its outline, - their huge statures dwarfed,
By distance into brambles, and yet all
Clearly defined against her ample orb, Out of its very disc appeared to swell
In shadowy relief, as they had been
All sculptured from its substance as she rose.
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Thus o'er that dark height her great orb arose,
Till her full light, in silvery sequence still
Cascading forth from ridgy slope to slope,
Like the dropt foldings of a lucent veil,
Chased mass by mass the broken darkness down
Into the dense-brushtd valleys, where it crouched,
And shrank, and struggled, like a dragon doubt
Glooming some lonely spirit that doth still
Resist the Truth with obstinate shifts and shows,
Though shining out of heaven, and from defect
Winning a triumph that might else not be.
There standing in his lone watch, Egremont
On all this solemn beauty of the world,
Looked out, yet wakeful; for sweet thoughts of home
And all the sacred charities it held,
Ingathered to his heart, as by some nice
And subtle interfusion that connects
The loved and cherished (then the most, perhaps,
When absent, or when passed, or even when lost)
With all serene and beautiful and bright
And lasting things of Nature. So then thought
The musing Egremont: when sudden - hark!
A bough crackt loudly in a neighboring brake,
And drew at once, as with alarum, all
His spirits thitherward in wild surmise.
But summoning caution, and back stepping close
Against the shade-side of a bending gum,
With a strange horror gathering to his heart,
As if his blood were charged with insect life
And writhed along in clots, he stilled himself,
Listening long and heedfully, with head
Bent forward sideways, till his held breath grew
A pang, and his ears rung. But Silence there
Had recomposed her ruffled wings, and now
Brooded it seemed even stillier than before,
Deep nested in the darkness: so that he
Unmasking from the cold shade, grew erelong
More reassured from wishing to be so,
And to muse, Memory's suspended mood,
Though with an effort, quietly recurred.
151
But there again - crack upon crack! And hark!
O Heaven! have Hell's worst fiends burst howling up
Into the death-doom'd world? Or whence, if not
From diabolic rage, could surge a yell
So horrible as that which now affrights
The shuddering dark! Beings as fell are near!
Yea, Beings, in their dread inherited hate
And deadly enmity, as vengeful, come
In vengeance! For behold, from the long grass
And nearer brakes, a semi-belt of stript
And painted Savages divulge at once
Their bounding forms! - full in the flaring light
Thrown outward by the fire, that roused and lapped
The rounding darkness with its ruddy tongues
More fiercely than before, - as though even it
Had felt the sudden shock the air received
From those dire cries, so terrible to hear!
A moment in wild agitation seen
Thus, as they bounded up, on then they came
Closing, with weapons brandished high, and so
Rushed in upon the sleepers! three of whom
But started, and then weltered prone beneath
The first fell blow dealt down on each by three
Of the most stalwart of their pitiless foes!
But One again, and yet again, heaved up Up to his knees, under the crushing strokes
Of huge-clubbed nulla-nullas, till his own
Warm blood was blinding him! For he was one
Who had with Misery nearly all his days
Lived lonely, and who therefore, in his soul
Did hunger after hope, and thirst for what
Hope still had promised him, - some taste at least
Of human good however long deferred,
And now he could not, even in dying, loose
His hold on life's poor chances of tomorrow Could not but so dispute the terrible fact
Of death, e'en in Death's presence! Strange it is:
Yet oft 'tis seen that Fortune's pampered child
Consents to his untimely power with less
Reluctance, less despair, than does the wretch
152
Who hath been ever blown about the world
The straw-like sport of Fate's most bitter blasts,
Vagrant and tieless; - ever still in him
The craving spirit thus grieves to itself:
'I never yet was happy - never yet
Tasted unmixed enjoyment, and I would
Yet pass on the bright Earth that I have loved
Some season, though most brief, of happiness;
So should I walk thenceforward to my grave,
Wherever in her green maternal breast
It might await me, more than now prepared
To house me in its gloom, - resigned at heart,
Subjected to its certainty and soothed
Even by the consciousness of having shaped
Some personal good in being; - strong myself,
And strengthening others. But to have lived long years
Of wasted breath, because of woe and want,
And disappointed hope, - and now, at last,
To die thus desolate, is horrible!'
And feeling thus through many foregone moods
Whose lives had in the temper of his soul
All mixed, and formed one habit, - that poor man,
Though the black shadows of untimely death,
Inevitably, under every stroke,
But thickened more and more, - against them still
Upstruggled, nor would cease: until one last
Tremendous blow, dealt down upon his head
As if in mercy, gave him to the dust
With all his many woes and frustrate hope.
Struck through with a cold horror, Egremont,
Standing apart, - yea, standing as it were
In marble effigy, saw this, saw all!
And when outthawing from his frozen heart
His blood again rushed tingling - with a leap
Awaking from the ghastly trance which there
Had bound him, as with chill petrific bonds,
He raised from instinct more than conscious thought
His death-charged tube, and at that murderous crew
Firing! saw one fall ox-like to the earth; -
153
Then turned and fled. Fast fled he, but as fast
His deadly foes went thronging on his track!
Fast! for in full pursuit, behind him yelled
Wild men whose wild speech had no word for mercy!
And as he fled, the forest beasts as well,
In general terror, through the brakes a-head
Crashed scattering, or with maddening speed athwart
His course came frequent. On - still on he flies Flies for dear life! and still behind him hears
Nearer and nearer, the so rapid dig
Of many feet, - nearer and nearer still.
III
So went the chase! And now what should he do?
Abruptly turning, the wild Creek lay right
Before him! But no time was there for thought:
So on he kept, and from a bulging rock
That beaked the bank like a bare promontory,
Plunging right forth and shooting feet-first down,
Sunk to his middle in the flashing stream In which the imaged stars seemed all at once
To burst like rockets into one wide blaze
Of intewrithing light. Then wading through
The ruffled waters, forth he sprang and seized
A snake-like root that from the opponent bank
Protruded, and round which his earnest fear
Did clench his cold hand like a clamp of steel,
A moment, - till as swiftly thence he swung
His dripping form aloft, and up the dark
O'erjutting ledge, went clambering in the blind
And breathless haste of one who flies for life:
When its face - 0 verily our God
Hath those in his peculiar care for whom
The daily prayers of spotless Womanhood
And helpless Infancy, are offered up! When in its face a cavity he felt,
The upper earth of which in one rude mass
Was held fast bound by the enwoven roots
Of two old trees, - and which, beneath the mould,
Just o'er the clammy vacancy below,
Twisted and lapped like knotted snakes, and made
154
A natural loft-work. Under this he crept,
Just as the dark forms of his hunters thronged
The bulging rock whence he before had plunged.
Duskily visible, thereon a space
They paused to mark what bent his course might take
Over the farther bank, thereby intent
To hold upon the chase, which way soe'er
It might incline, more surely. But no form
Amongst the moveless fringe of fern was seen
To shoot up from its outline, - up and forth
Into the moonlight that lay bright beyond
In torn and shapless blocks, amid the boles
And mxing shadows of the taller trees,
All standing now in the keen radiance there
So ghostly still, as in a solemn trance,
But nothing in the silent prospect stirred No fugitive apparition in the view
Rose, as they stared in fierce expectancy:
Wherefore they augured that their prey was yet
Somewhere between, - and the whole group with that
Plunged forward, till the fretted current boiled
Amongst their crowd'ing trunks from bank to bank;
And searching thus the stream across, and then
Lengthwise, along the ledges, - combing down
Still, as they went, with dripping fingers, cold
And cruel as inquisitive, each clump
Of long-flagged swamp-grass where it flourished high, The whole dark line passed slowly, man by man,
Athwart the cavity - so fearfully near,
That as they waded by the Fugitive
Felt the strong odour of their wetted skins
Pass with them, trailing as their bodies moved
Stealthily on, coming with each, and going.
But their keen search was keen in vain. And now
Those wild men marvelled, - till, in consultation,
There grouped in dark knots standing in the stream
That glimmered past them, moaning as it went,
His Banishment, so passing strange it seemed,
They coupled with the mystery of some crude
Old fable of their race; and fear-struck all,
155
And silent, then withdrew. And when the sound
Of their receding steps had from his ear
Died off, as back to the stormed Camp again
They hurried to despoil the yet warm dead,
Our Friend slid forth, and springing up the bank.
Renewed his flight, nor rested from it, till
He gained the welcoming shelter of his Home.
Return we for a moment to the scene
Of recent death. There the late flaring fire
Now smouldered, for its brands were strewn about,
And four stark corses plundered to the skin
And brutally mutilated, seemed to stare
With frozen eyeballs up into the pale
Round visage of the Moon, who, high in heaven,
With all her stars, in golden bevies, gazed
As peacefully down as on a bridal there
Of the warm Living - not, alas! on them
Who kept in ghastly silence through the night
Untimely spousals with a desert death.
0 God! and thus this lovely world hath been
Accursed forever by the bloody deeds
Of its prime Creature - Man. Erring or wise,
Savage or civilised, still hath he made
This glorious residence, the Earth, a Hell
Of wrong and robbery and untimely death!
Some dread Intelligence opposed to Good
Did, of a surety, over all the earth
Spread out from Eden - or it were not so!
For see the bright beholding Moon, and all
The radiant Host of Heaven, evince no touch
Of sympathy with Man's wild violence; Only evince in their calm course, their part
In that original unity of Love,
Which, like the soul that dwelleth in a harp,
Under God's hand, in the beginning, chimed
The sabbath concord of the Universe;
And look on a gay clique of maidens, met
In village tryst, and interwhirling all
In glad Arcadian dances on the green Or on a hermit, in his vigils long,
156
Seen kneeling at the doorway, of his cell Or on a monster battlefield where lie
In swelterin heaps, the dead and dying both,
On the cold gory grounds - as they that night
Looked in bright peace, down on the doomful Wild.
Afterwards there, for many changeful years,
Within a glade that sloped into the bank
Of that wild mountain Creek - midway within,
In partial record of a terrible hour
Of human agony and loss extreme,
Four grassy mounds stretched lengthwise side by side,
Startled the wanderer; - four long grassy mounds
Bestrewn with leaves, and withered spraylets, stript
By the loud wintry wing gales that roamed
Those solitudes, from the old trees which there
Moaned the same leafy dirges that had caught
The heed of dying Ages: these were all;
And thence the place was long by travellers called
The Creek of the Four Graves. Such was the Tale
Egremont told us of the wild old times.
~ Charles Harpur,#NFDB
1402:Scene.Over Orcana. The house of Jules, who crosses its threshold with Phene: she is silent, on which Jules begins
Do not die, Phene! I am yours now, you
Are mine now; let fate reach me how she likes,
If you'll not die: so, never die! Sit here
My work-room's single seat. I over-lean
This length of hair and lustrous front; they turn
Like an entire flower upward: eyes, lips, last
Your chinno, last your throat turns: 't is their scent
Pulls down my face upon you. Nay, look ever
This one way till I change, grow youI could
Change into you, beloved!
You by me,
And I by you; this is your hand in mine,
And side by side we sit: all's true. Thank God!
I have spoken: speak you!
O my life to come!
My Tydeus must be carved that's there in clay;
Yet how be carved, with you about the room?
Where must I place you? When I think that once
This room-full of rough block-work seemed my heaven
Without you! Shall I ever work again,
Get fairly into my old ways again,
Bid each conception stand while, trait by trait,
My hand transfers its lineaments to stone?
Will my mere fancies live near you, their truth
The live truth, passing and repassing me,
Sitting beside me?
Now speak!
Only first,
See, all your letters! Was't not well contrived?
Their hiding-place is Psyche's robe; she keeps
Your letters next her skin: which drops out foremost?
Ah,this that swam down like a first moonbeam
Into my world!
Again those eyes complete
Their melancholy survey, sweet and slow,
Of all my room holds; to return and rest
On me, with pity, yet some wonder too:
As if God bade some spirit plague a world,
And this were the one moment of surprise
And sorrow while she took her station, pausing
O'er what she sees, finds good, and must destroy!
What gaze you at? Those? Books, I told you of;
Let your first word to me rejoice them, too:
This minion, a Coluthus, writ in red
Bistre and azure by Bessarion's scribe
Read this line . . . no, shameHomer's be the Greek
First breathed me from the lips of my Greek girl!
This Odyssey in coarse black vivid type
With faded yellow blossoms 'twixt page and page,
To mark great places with due gratitude;
"He said, and on Antinous directed
"A bitter shaft" . . . a flower blots out the rest!
Again upon your search? My statues, then!
Ah, do not mind thatbetter that will look
When cast in bronzean Almaign Kaiser, that,
Swart-green and gold, with truncheon based on hip.
This, rather, turn to! What, unrecognized?
I thought you would have seen that here you sit
As I imagined you,Hippolyta,
Naked upon her bright Numidian horse.
Recall you this then? "Carve in bold relief"
So you commanded"carve, against I come,
"A Greek, in Athens, as our fashion was,
"Feasting, bay-filleted and thunder-free,
"Who rises 'neath the lifted myrtle-branch.
"'Praise those who slew Hipparchus!' cry the guests,
"'While o'er thy head the singer's myrtle waves
"'As erst above our champion: stand up, all!'"
See, I have laboured to express your thought.
Quite round, a cluster of mere hands and arms,
(Thrust in all senses, all ways, from all sides,
Only consenting at the branch's end
They strain toward) serves for frame to a sole face,
The Praiser's, in the centre: who with eyes
Sightless, so bend they back to light inside
His brain where visionary forms throng up,
Sings, minding not that palpitating arch
Of hands and arms, nor the quick drip of wine
From the drenched leaves o'erhead, nor crowns cast off,
Violet and parsley crowns to trample on
Sings, pausing as the patron-ghosts approve,
Devoutly their unconquerable hymn.
But you must say a "well" to thatsay "well!"
Because you gazeam I fantastic, sweet?
Gaze like my very life's-stuff, marblemarbly
Even to the silence! Why, before I found
The real flesh Phene, I inured myself
To see, throughout all nature, varied stuff
For better nature's birth by means of art:
With me, each substance tended to one form
Of beautyto the human archetype.
On every side occurred suggestive germs
Of thatthe tree, the floweror take the fruit,
Some rosy shape, continuing the peach,
Curved beewise o'er its bough; as rosy limbs,
Depending, nestled in the leaves; and just
From a cleft rose-peach the whole Dryad sprang.
But of the stuffs one can be master of,
How I divined their capabilities!
From the soft-rinded smoothening facile chalk
That yields your outline to the air's embrace,
Half-softened by a halo's pearly gloom;
Down to the crisp imperious steel, so sure
To cut its one confided thought clean out
Of all the world. But marble!'neath my tools
More pliable than jellyas it were
Some clear primordial creature dug from depths
In the earth's heart, where itself breeds itself,
And whence all baser substance may be worked;
Refine it off to air, you may,condense it
Down to the diamond;is not metal there,
When o'er the sudden speck my chisel trips?
Not flesh, as flake off flake I scale, approach,
Lay bare those bluish veins of blood asleep?
Lurks flame in no strange windings where, surprised
By the swift implement sent home at once,
Flushes and glowings radiate and hover
About its track?
Phene? whatwhy is this?
That whitening cheek, those still dilating eyes!
Ah, you will dieI knew that you would die!
Phene begins, on his having long remained silent.
Now the end's coming; to be sure, it must
Have ended sometime! Tush, why need I speak
Their foolish speech? I cannot bring to mind
One half of it, beside; and do not care
For old Natalia now, nor any of them.
Oh, youwhat are you?if I do not try
To say the words Natalia made me learn,
To please your friends,it is to keep myself
Where your voice lifted me, by letting that
Proceed: but can it? Even you, perhaps,
Cannot take up, now you have once let fall,
The music's life, and me along with that
No, or you would! We'll stay, then, as we are:
Above the world.
You creature with the eyes!
If I could look for ever up to them,
As now you let me,I believe, all sin,
All memory of wrong done, suffering borne,
Would drop down, low and lower, to the earth
Whence all that's low comes, and there touch and stay
Never to overtake the rest of me,
All that, unspotted, reaches up to you,
Drawn by those eyes! What rises is myself,
Not me the shame and suffering; but they sink,
Are left, I rise above them. Keep me so,
Above the world!
But you sink, for your eyes
Are alteringaltered! Stay"I love you, love" . . .
I could prevent it if I understood:
More of your words to me: was't in the tone
Or the words, your power?
Or stayI will repeat
Their speech, if that contents you! Only change
No more, and I shall find it presently
Far back here, in the brain yourself filled up.
Natalia threatened me that harm should follow
Unless I spoke their lesson to the end,
But harm to me, I thought she meant, not you.
Your friends,Natalia said they were your friends
And meant you well,because, I doubted it,
Observing (what was very strange to see)
On every face, so different in all else,
The same smile girls like me are used to bear,
But never men, men cannot stoop so low;
Yet your friends, speaking of you, used that smile,
That hateful smirk of boundless self-conceit
Which seems to take possession of the world
And make of God a tame confederate,
Purveyor to their appetites . . . you know!
But still Natalia said they were your friends,
And they assented though they smiled the more,
And all came round me,that thin Englishman
With light lank hair seemed leader of the rest;
He held a paper"What we want," said he,
Ending some explanation to his friends
"Is something slow, involved and mystical,
"To hold Jules long in doubt, yet take his taste
"And lure him on until, at innermost
"Where he seeks sweetness' soul, he may findthis!
"As in the apple's core, the noisome fly:
"For insects on the rind are seen at once,
"And brushed aside as soon, but this is found
"Only when on the lips or loathing tongue."
And so he read what I have got by heart:
I'll speak it,"Do not die, love! I am yours."
Nois not that, or like that, part of words
Yourself began by speaking? Strange to lose
What cost such pains to learn! Is this more right?
I am a painter who cannot paint;
In my life, a devil rather than saint;
In my brain, as poor a creature too:
No end to all I cannot do!
Yet do one thing at least I can
Love a man or hate a man
Supremely: thus my lore began.
Through the Valley of Love I went,
In the lovingest spot to abide,
And just on the verge where I pitched my tent,
I found Hate dwelling beside.
(Let the Bridegroom ask what the painter meant,
Of his Bride, of the peerless Bride!)
And further, I traversed Hate's grove,
In the hatefullest nook to dwell;
But lo, where I flung myself prone, couched Love
Where the shadow threefold fell.
(The meaningthose black bride's-eyes above,
Not a painter's lip should tell!)
"And here," said he, "Jules probably will ask,
"'You have black eyes, Love,you are, sure enough,
"'My peerless bride,then do you tell indeed
"'What needs some explanation! What means this?'"
And I am to go on, without a word
So, I grew wise in Love and Hate,
From simple that I was of late.
Once, when I loved, I would enlace
Breast, eyelids, hands, feet, form and face
Of her I loved, in one embrace
As if by mere love I could love immensely!
Once, when I hated, I would plunge
My sword, and wipe with the first lunge
My foe's whole life out like a sponge
As if by mere hate I could hate intensely!
But now I am wiser, know better the fashion
How passion seeks aid from its opposite passion:
And if I see cause to love more, hate more
Than ever man loved, ever hated before
And seek in the Valley of Love,
The nest, or the nook in Hate's Grove,
Where my soul may surely reach
The essence, nought less, of each,
The Hate of all Hates, the Love
Of all Loves, in the Valley or Grove,
I find them the very warders
Each of the other's borders.
When I love most, Love is disguised
In Hate; and when Hate is surprised
In Love, then I hate most: ask
How Love smiles through Hate's iron casque,
Hate grins through Love's rose-braided mask,
And how, having hated thee,
I sought long and painfully
To reach thy heart, nor prick
The skin but pierce to the quick
Ask this, my Jules, and be answered straight
By thy bridehow the painter Lutwyche can hate!
Jules interposes
Lutwyche! Who else? But all of them, no doubt,
Hated me: they at Venicepresently
Their turn, however! You I shall not meet:
If I dreamed, saying this would wake me.
Keep
What's here, the goldwe cannot meet again,
Consider! and the money was but meant
For two years' travel, which is over now,
All chance or hope or care or need of it.
Thisand what comes from selling these, my casts
And books and medals, except . . . let them go
Together, so the produce keeps you safe
Out of Natalia's clutches! If by chance
(For all's chance here) I should survive the gang
At Venice, root out all fifteen of them,
We might meet somewhere, since the world is wide.
[From without is heard the voice of Pippa, singing]
Give her but a least excuse to love me!
Whenwhere
Howcan this arm establish her above me,
If fortune fixed her as my lady there,
There already, to eternally reprove me?
("Hist!"said Kate the Queen;
But "Oh!"cried the maiden, binding her tresses,
"'T is only a page that carols unseen,
"Crumbling your hounds their messes!")
Is she wronged?To the rescue of her honour,
My heart!
Is she poor?What costs it to be styled a donor?
Merely an earth to cleave, a sea to part.
But that fortune should have thrust all this upon her!
("Nay, list!"bade Kate the Queen;
And still cried the maiden, binding her tresses,
"'T is only a page that carols unseen,
"Fitting your hawks their jesses!")
[Pippa passes]
Jules resumes
What name was that the little girl sang forth?
Kate? The Cornaro, doubtless, who renounced
The crown of Cyprus to be lady here
At Asolo, where still her memory stays,
And peasants sing how once a certain page
Pined for the grace of her so far above
His power of doing good to, "Kate the Queen
"She never could be wronged, be poor," he sighed,
"Need him to help her!"
Yes, a bitter thing
To see our lady above all need of us;
Yet so we look ere we will love; not I,
But the world looks so. If whoever loves
Must be, in some sort, god or worshipper,
The blessing or the blest one, queen or page,
Why should we always choose the page's part?
Here is a woman with utter need of me,
I find myself queen here, it seems!
How strange!
Look at the woman here with the new soul,
Like my own Psyche,fresh upon her lips
Alit, the visionary butterfly.
Waiting my word to enter and make bright,
Or flutter off and leave all blank as first.
This body had no soul before, but slept
Or stirred, was beauteous or ungainly, free
From taint or foul with stain, as outward things
Fastened their image on its passiveness:
Now, it will wake, feel, liveor die again!
Shall to produce form out of unshaped stuff
Be Artand further, to evoke a soul
From form be nothing? This new soul is mine!
Now, to kill Lutwyche, what would that do?save
A wretched dauber, men will hoot to death
Without me, from their hooting. Oh, to hear
God's voice plain as I heard it first, before
They broke in with their laughter! I heard them
Henceforth, not God.
To AnconaGreecesome isle!
I wanted silence only; there is clay
Everywhere. One may do whate'er one likes
In Art: the only thing is, to make sure
That one does like itwhich takes pains to know.
Scatter all this, my Phenethis mad dream!
Who, what is Lutwyche, what Natalia's friends,
What the whole world except our lovemy own,
Own Phene? But I told you, did I not,
Ere night we travel for your landsome isle
With the sea's silence on it? Stand aside
I do but break these paltry models up
To begin Art afresh. Meet Lutwyche, I
And save him from my statue meeting him?
Some unspected isle in the far seas!
Like a god going through his world, there stands
One mountain for a moment in the dusk,
Whole brotherhoods of cedars on its brow:
And you are ever by me while I gaze
Are in my arms as nowas nowas now!
Some unsuspected isle in the far seas!
Some unsuspected isle in far-off seas!
Talk by the way, while Pippa is passing from Orcana to the Turret. Two or three of the Austrian Police loitering with Bluphocks, an English vagabond, just in view of the Turret.
Bluphocks
So, that is your Pippa, the little girl who passed us singing? Well, your Bishop's Intendant's money shall be honestly earned:now, don't make me that sour face because I bring the Bishop's name into the business; we know he can have nothing to do with such horrors: we know that he is a saint and all that a bishop should be, who is a great man beside. Oh were but every worm a maggot, Every fly a grig, Every bough a Christmas ****, Every tune a jig! In fact, I have abjured all religions; but the last I inclined to, was the Armenian: for I have travelled, do you see, and at Koenigsberg, Prussia Improper (so styled because there's a sort of bleak hungry sun there), you might remark over a venerable house-porch, a certain Chaldee inscription; and brief as it is, a mere glance at it used absolutely to change the mood of every bearded passenger. In they turned, one and all; the young and lightsome, with no irreverent pause, the aged and decrepit, with a sensible alacrity: 't was the Grand Rabbi's abode, in short. Struck with curiosity, I lost no time in learning Syriac (these are vowels, you dogs,follow my stick's end in the mudCelarent, Darii, Ferio!) and one morning presented myself, spelling-book in hand, a, b, c,I picked it out letter by letter, and what was the purport of this miraculous posy? Some cherished legend of the past, you'll say"How Moses hocus-pocussed Egypt's land with fly and locust,"or, "How to Jonah sounded harshish, Get thee up and go to Tarshish,"or, "How the angel meeting Balaam, Straight his **** returned a salaam," In no wise! "ShackabrackBoachsomebody or other Isaach, Re-cei-ver, Pur-cha-ser and Ex-chan-ger ofStolen Goods! " So, talk to me of the religion of a bishop! I have renounced all bishops save Bishop Beveridgemean to live soand dieAs some Greek dog-sage, dead and merry, Hellward bound in Charon's wherry, With food for both worlds, under and upper, Lupine-seed and Hecate's supper, And never an obolus . . . (Though thanks to you, or this Intendant through you, or this Bishop through his IntendantI possess a burning pocketful of zwanzigers) . . . To pay the Stygian Ferry!
1st Policeman
There is the girl, then; go and deserve them the moment you have pointed out to us Signor Luigi and his mother. [To the rest.]
I have been noticing a house yonder, this long while: not a shutter unclosed since morning!
2nd Policeman
Old Luca Gaddi's, that owns the silkmills here: he dozes by the hour, wakes up, sighs deeply, says he should like to be Prince Metternich, and then dozes again, after having bidden young Sebald, the foreigner, set his wife to playing draughts. Never molest such a household, they mean well.
Bluphocks
Only, cannot you tell me something of this little Pippa, I must have to do with? One could make something of that name. Pippathat is, short for Felippa rhyming to Panurge consults HertrippaBelievest thou, King Agrippa? Something might be done with that name.
2nd Policeman
Put into rhyme that your head and a ripe musk-melon would not be dear at half a zwanziger! Leave this fooling, and look out; the afternoon's over or nearly so.
3rd Policeman
Where in this passport of Signor Luigi does our Principal instruct you to watch him so narrowly? There? What's there beside a simple signature? (That English fool's busy watching.)
2nd Policeman
Flourish all round"Put all possible obstacles in his way;" oblong dot at the end"Detain him till further advices reach you;" scratch at bottom "Send him back on pretence of some informality in the above;" ink-spirt on right-hand side (which is the case here)"Arrest him at once." Why and wherefore, I don't concern myself, but my instructions amount to this: if Signor Luigi leaves home to-night for Vienna well and good, the passport deposed with us for our visa is really for his own use, they have misinformed the Office, and he means well; but let him stay over to-nightthere has been the pretence we suspect, the accounts of his corresponding and holding intelligence with the Carbonari are correct, we arrest him at once, to-morrow comes Venice, and presently Spielberg. Bluphocks makes the signal, sure enough! That is he, entering the turret with his mother, no doubt.
~ Robert Browning, Pippa Passes - Part II - Noon
,#NFDB
1403:The Ghost - Book I
With eager search to dart the soul,
Curiously vain, from pole to pole,
And from the planets' wandering spheres
To extort the number of our years,
And whether all those years shall flow
Serenely smooth, and free from woe,
Or rude misfortune shall deform
Our life with one continual storm;
Or if the scene shall motley be.
Alternate joy and misery,
Is a desire which, more or less.
All men must feel, though few confess.
Hence, every place and every age
Affords subsistence to the sage,
Who, free from this world and its cares,
Holds an acquaintance with the stars,
From whom he gains intelligence
Of things to come some ages hence,
Which unto friends, at easy rates.
He readily communicates.
At its first rise, which all agree on,
This noble science was Chaldean;
That ancient people, as they fed
Their flocks upon the mountain's head,
Gazed on the stars, observed their motions,
And suck'd in astrologic notions,
Which they so eagerly pursue,
As folks are apt whate'er is new,
That things below at random rove,
Whilst they're consulting things above;
And when they now so poor were grown,
That they'd no houses of their own,
They made bold with their friends the stars,
And prudently made use of theirs.
To Egypt from Chaldee it travell'd,
And Fate at Memphis was unravell'd:
The exotic science soon struck root,
And flourish'd into high repute.
Each learned priest, oh strange to tell!
177
Could circles make, and cast a spell;
Could read and write, and taught the nation
The holy art of divination.
Nobles themselves, for at that time
Knowledge in nobles was no crime,
Could talk as learned as the priest,
And prophesy as much, at least.
Hence all the fortune-telling crew,
Whose crafty skill mars Nature's hue,
Who, in vile tatters, with smirch'd face,
Run up and down from place to place,
To gratify their friends' desires,
From Bampfield Carew, to Moll Squires,
Are rightly term'd Egyptians all;
Whom we, mistaking, Gypsies call.
The Grecian sages borrow'd this,
As they did other sciences,
From fertile Egypt, though the loan
They had not honesty to own.
Dodona's oaks, inspired by Jove,
A learned and prophetic grove,
Turn'd vegetable necromancers,
And to all comers gave their answers.
At Delphos, to Apollo dear,
All men the voice of Fate might hear;
Each subtle priest on three-legg'd stool,
To take in wise men, play'd the fool.
A mystery, so made for gain,
E'en now in fashion must remain;
Enthusiasts never will let drop
What brings such business to their shop;
And that great saint we Whitefield call,
Keeps up the humbug spiritual.
Among the Romans, not a bird
Without a prophecy was heard;
Fortunes of empires often hung
On the magician magpie's tongue,
And every crow was to the state
A sure interpreter of Fate.
Prophets, embodied in a college
(Time out of mind your seat of knowledge;
For genius never fruit can bear
178
Unless it first is planted there,
And solid learning never falls
Without the verge of college walls)
Infallible accounts would keep
When it was best to watch or sleep,
To eat or drink, to go or stay,
And when to fight or run away;
When matters were for action ripe,
By looking at a double tripe;
When emperors would live or die,
They in an ass's skull could spy;
When generals would their station keep,
Or turn their backs, in hearts of sheep.
In matters, whether small or great,
In private families or state
As amongst us, the holy seer
Officiously would interfere;
With pious arts and reverend skill
Would bend lay bigots to his will;
Would help or injure foes or friends,
Just as it served his private ends.
Whether in honest way of trade
Traps for virginity were laid;
Or if, to make their party great,
Designs were form'd against the state,
Regardless of the common weal,
By interest led, which they call zeal,
Into the scale was always thrown
The will of Heaven to back their own.
England--a happy land we know,
Where follies naturally grow,
Where without culture they arise
And tower above the common size;
England, a fortune-telling host,
As numerous as the stars, could boast,-Matrons, who toss the cup, and see
The grounds of Fate in grounds of tea,
Who, versed in every modest lore,
Can a lost maidenhead restore,
Or, if their pupils rather choose it,
Can show the readiest way to lose it;
Gypsies, who every ill can cure,
179
Except the ill of being poor,
Who charms 'gainst love and agues sell,
Who can in hen-roost set a spell,
Prepared by arts, to them best known,
To catch all feet except their own,
Who, as to fortune, can unlock it
As easily as pick a pocket;
Scotchmen, who, in their country's right,
Possess the gift of second-sight,
Who (when their barren heaths they quit,
Sure argument of prudent wit,
Which reputation to maintain,
They never venture back again)
By lies prophetic heap up riches,
And boast the luxury of breeches.
Amongst the rest, in former years,
Campbell (illustrious name!) appears,
Great hero of futurity,
Who, blind, could every thing foresee,
Who, dumb, could every thing foretell,
Who, Fate with equity to sell,
Always dealt out the will of Heaven
According to what price was given.
Of Scottish race, in Highlands born,
Possess'd with native pride and scorn,
He hither came, by custom led,
To curse the hands which gave him bread.
With want of truth, and want of sense,
Amply made up by impudence
(A succedaneum, which we find
In common use with all mankind);
Caress'd and favour'd too by those
Whose heart with patriot feelings glows,
Who foolishly, where'er dispersed,
Still place their native country first;
(For Englishmen alone have sense
To give a stranger preference,
Whilst modest merit of their own
Is left in poverty to groan)
Campbell foretold just what he would,
And left the stars to make it good,
On whom he had impress'd such awe,
180
His dictates current pass'd for law;
Submissive, all his empire own'd;
No star durst smile, when Campbell frown'd.
This sage deceased,--for all must die,
And Campbell's no more safe than I,
No more than I can guard the heart,
When Death shall hurl the fatal dart,-Succeeded, ripe in art and years,
Another favourite of the spheres;
Another and another came,
Of equal skill, and equal fame;
As white each wand, as black each gown,
As long each beard, as wise each frown,
In every thing so like, you'd swear
Campbell himself was sitting there:
To all the happy art was known,
To tell our fortunes, make their own.
Seated in garret,--for, you know,
The nearer to the stars we go
The greater we esteem his art,-Fools, curious, flock'd from every part;
The rich, the poor, the maid, the married,
And those who could not walk, were carried.
The butler, hanging down his head,
By chambermaid, or cookmaid led,
Inquires, if from his friend the Moon
He has advice of pilfer'd spoon.
The court-bred woman of condition,
(Who, to approve her disposition
As much superior as her birth
To those composed of common earth,
With double spirit must engage
In every folly of the age)
The honourable arts would buy,
To pack the cards, and cog a die.
The hero--who, for brawn and face,
May claim right honourable place
Amongst the chiefs of Butcher-row:
Who might, some thirty years ago,
If we may be allow'd to guess
At his employment by his dress,
Put medicines off from cart or stage,
181
The grand Toscano of the age;
Or might about the country go
High-steward of a puppet-show,-Steward and stewardship most meet,
For all know puppets never eat:
Who would be thought (though, save the mark!
That point is something in the dark)
The man of honour, one like those
Renown'd in story, who loved blows
Better than victuals, and would fight,
Merely for sport, from morn to night:
Who treads like Mavors firm, whose tongue
Is with the triple thunder hung,
Who cries to Fear, 'Stand off--aloof,'
And talks as he were cannon-proof;
Would be deem'd ready, when you list,
With sword and pistol, stick and fist,
Careless of points, balls, bruises, knocks,
At once to fence, fire, cudgel, box,
But at the same time bears about,
Within himself, some touch of doubt,
Of prudent doubt, which hints--that fame
Is nothing but an empty name;
That life is rightly understood
By all to be a real good;
That, even in a hero's heart,
Discretion is the better part;
That this same honour may be won,
And yet no kind of danger run-Like Drugger comes, that magic powers
May ascertain his lucky hours;
For at some hours the fickle dame,
Whom Fortune properly we name,
Who ne'er considers wrong or right,
When wanted most, plays least in sight,
And, like a modern court-bred jilt,
Leaves her chief favourites in a tilt.
Some hours there are, when from the heart
Courage into some other part,
No matter wherefore, makes retreat,
And Fear usurps the vacant seat;
Whence, planet-struck, we often find
182
Stuarts and Sackvilles of mankind.
Farther, he'd know (and by his art
A conjurer can that impart)
Whether politer it is reckon'd
To have, or not to have, a second;
To drag the friends in, or alone
To make the danger all their own;
Whether repletion is not bad,
And fighters with full stomachs mad;
Whether, before he seeks the plain,
It were not well to breathe a vein;
Whether a gentle salivation,
Consistently with reputation,
Might not of precious use be found,
Not to prevent, indeed, a wound,
But to prevent the consequence
Which oftentimes arises thence,
Those fevers, which the patient urge on
To gates of death, by help of surgeon;
Whether a wind at east or west
Is for green wounds accounted best;
Whether (was he to choose) his mouth
Should point towards the north or south;
Whether more safely he might use,
On these occasions, pumps or shoes;
Whether it better is to fight
By sunshine or by candlelight;
Or, lest a candle should appear
Too mean to shine in such a sphere,
For who could of a candle tell
To light a hero into hell;
And, lest the sun should partial rise
To dazzle one or t'other's eyes,
Or one or t'other's brains to scorch,
Might not Dame Luna hold a torch?
These points with dignity discuss'd,
And gravely fix'd,--a task which must
Require no little time and pains,
To make our hearts friends with our brains,-The man of war would next engage
The kind assistance of the sage,
Some previous method to direct,
183
Which should make these of none effect.
Could he not, from the mystic school
Of Art, produce some sacred rule,
By which a knowledge might be got
Whether men valiant were, or not;
So he that challenges might write
Only to those who would not fight?
Or could he not some way dispense
By help of which (without offence
To Honour, whose nice nature's such
She scarce endures the slightest touch)
When he, for want of t'other rule,
Mistakes his man, and, like a fool,
With some vain fighting blade gets in,
He fairly may get out again?
Or should some demon lay a scheme
To drive him to the last extreme,
So that he must confess his fears,
In mercy to his nose and ears,
And like a prudent recreant knight,
Rather do anything than fight,
Could he not some expedient buy
To keep his shame from public eye?
For well he held,--and, men review,
Nine in ten hold the maxim too,-That honour's like a maidenhead,
Which, if in private brought to bed,
Is none the worse, but walks the town,
Ne'er lost, until the loss be known.
The parson, too, (for now and then
Parsons are just like other men,
And here and there a grave divine
Has passions such as yours and mine)
Burning with holy lust to know
When Fate preferment will bestow,
'Fraid of detection, not of sin,
With circumspection sneaking in
To conjurer, as he does to whore,
Through some bye-alley or back-door,
With the same caution orthodox
Consults the stars, and gets a pox.
The citizen, in fraud grown old,
184
Who knows no deity but gold,
Worn out, and gasping now for breath,
A medicine wants to keep off death;
Would know, if that he cannot have,
What coins are current in the grave;
If, when the stocks (which, by his power,
Would rise or fall in half an hour;
For, though unthought of and unseen,
He work'd the springs behind the screen)
By his directions came about,
And rose to par, he should sell out;
Whether he safely might, or no,
Replace it in the funds below?
By all address'd, believed, and paid,
Many pursued the thriving trade,
And, great in reputation grown,
Successive held the magic throne.
Favour'd by every darling passion,
The love of novelty and fashion,
Ambition, avarice, lust, and pride,
Riches pour'd in on every side.
But when the prudent laws thought fit
To curb this insolence of wit;
When senates wisely had provided,
Decreed, enacted, and decided,
That no such vile and upstart elves
Should have more knowledge than themselves;
When fines and penalties were laid
To stop the progress of the trade,
And stars no longer could dispense,
With honour, further influence;
And wizards (which must be confess'd
Was of more force than all the rest)
No certain way to tell had got
Which were informers, and which not;
Affrighted sages were, perforce,
Obliged to steer some other course.
By various ways, these sons of Chance
Their fortunes labour'd to advance,
Well knowing, by unerring rules,
Knaves starve not in the land of fools.
Some, with high titles and degrees,
185
Which wise men borrow when they please,
Without or trouble, or expense,
Physicians instantly commence,
And proudly boast an Equal skill
With those who claim the right to kill.
Others about the country roam,
(For not one thought of going home)
With pistol and adopted leg,
Prepared at once to rob or beg.
Some, the more subtle of their race,
(Who felt some touch of coward grace,
Who Tyburn to avoid had wit,
But never fear'd deserving it)
Came to their brother Smollett's aid,
And carried on the critic trade.
Attach'd to letters and the Muse,
Some verses wrote, and some wrote news;
Those each revolving month are seen,
The heroes of a magazine;
These, every morning, great appear
In Ledger, or in Gazetteer,
Spreading the falsehoods of the day,
By turns for Faden and for Say.
Like Swiss, their force is always laid
On that side where they best are paid:
Hence mighty prodigies arise,
And daily monsters strike our eyes;
Wonders, to propagate the trade,
More strange than ever Baker made,
Are hawk'd about from street to street,
And fools believe, whilst liars eat.
Now armies in the air engage,
To fright a superstitious age;
Now comets through the ether range,
In governments portending change;
Now rivers to the ocean fly
So quick, they leave their channels dry;
Now monstrous whales on Lambeth shore
Drink the Thames dry, and thirst for more;
And every now and then appears
An Irish savage, numbering years
More than those happy sages could
186
Who drew their breath before the flood;
Now, to the wonder of all people,
A church is left without a steeple;
A steeple now is left in lurch,
And mourns departure of the church,
Which, borne on wings of mighty wind,
Removed a furlong off we find;
Now, wrath on cattle to discharge,
Hailstones as deadly fall, and large,
As those which were on Egypt sent,
At once their crime and punishment;
Or those which, as the prophet writes,
Fell on the necks of Amorites,
When, struck with wonder and amaze,
The sun, suspended, stay'd to gaze,
And, from her duty longer kept,
In Ajalon his sister slept.
But if such things no more engage
The taste of a politer age,
To help them out in time of need
Another Tofts must rabbits breed:
Each pregnant female trembling hears,
And, overcome with spleen and fears,
Consults her faithful glass no more,
But, madly bounding o'er the floor,
Feels hairs all o'er her body grow,
By Fancy turn'd into a doe.
Now, to promote their private ends,
Nature her usual course suspends,
And varies from the stated plan
Observed e'er since the world began.
Bodies--which foolishly we thought,
By Custom's servile maxims taught,
Needed a regular supply,
And without nourishment must die-With craving appetites, and sense
Of hunger easily dispense,
And, pliant to their wondrous skill,
Are taught, like watches, to stand still,
Uninjured, for a month or more,
Then go on as they did before.
The novel takes, the tale succeeds,
187
Amply supplies its author's needs,
And Betty Canning is at least,
With Gascoyne's help, a six months' feast.
Whilst, in contempt of all our pains,
The tyrant Superstition reigns
Imperious in the heart of man,
And warps his thoughts from Nature's plan;
Whilst fond Credulity, who ne'er
The weight of wholesome doubts could bear,
To Reason and herself unjust,
Takes all things blindly upon trust;
Whilst Curiosity, whose rage
No mercy shows to sex or age,
Must be indulged at the expense
Of judgment, truth, and common sense,
Impostures cannot but prevail;
And when old miracles grow stale,
Jugglers will still the art pursue,
And entertain the world with new.
For them, obedient to their will,
And trembling at their mighty skill,
Sad spirits, summon'd from the tomb,
Glide, glaring ghastly, through the gloom;
In all the usual pomp of storms,
In horrid customary forms,
A wolf, a bear, a horse, an ape,
As Fear and Fancy give them shape,
Tormented with despair and pain,
They roar, they yell, and clank the chain.
Folly and Guilt (for Guilt, howe'er
The face of Courage it may wear,
Is still a coward at the heart)
At fear-created phantoms start.
The priest--that very word implies
That he's both innocent and wise-Yet fears to travel in the dark,
Unless escorted by his clerk.
But let not every bungler deem
Too lightly of so deep a scheme;
For reputation of the art,
Each ghost must act a proper part,
Observe Decorum's needful grace,
188
And keep the laws of Time and Place;
Must change, with happy variation,
His manners with his situation;
What in the country might pass down,
Would be impertinent in town.
No spirit of discretion here
Can think of breeding awe and fear;
'Twill serve the purpose more by half
To make the congregation laugh.
We want no ensigns of surprise,
Locks stiff with gore, and saucer eyes;
Give us an entertaining sprite,
Gentle, familiar, and polite,
One who appears in such a form
As might an holy hermit warm,
Or who on former schemes refines,
And only talks by sounds and signs,
Who will not to the eye appear,
But pays her visits to the ear,
And knocks so gently, 't would not fright
A lady in the darkest night.
Such is our Fanny, whose good-will,
Which cannot in the grave lie still,
Brings her on earth to entertain
Her friends and lovers in Cock-lane.
~ Charles Churchill,#NFDB
1404:How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!
Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!
Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.
When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,
The honest sense 'gainst vice put forth its powers,
Before a Solon had devised the laws
That slowly bring to light their languid flowers.
Before Eternity's vast scheme
Was to the thinker's mind revealed,
Was't not foreshadowed in his dream,
Whose eyes explored yon starry field?
Urania,the majestic dreaded one,
Who wears a glory of Orions twined
Around her brow, and who is seen by none
Save purest spirits, when, in splendor shrined,
She soars above the stars in pride,
Ascending to her sunny throne,
Her fiery chaplet lays aside,
And now, as beauty, stands alone;
While, with the Graces' girdle round her cast,
She seems a child, by children understood;
For we shall recognize as truth at last,
What here as beauty only we have viewed.
When the Creator banished from his sight
Frail man to dark mortality's abode,
And granted him a late return to light,
Only by treading reason's arduous road,
When each immortal turned his face away,
She, the compassionate, alone
Took up her dwelling in that house of clay,
With the deserted, banished one.
With drooping wing she hovers here
Around her darling, near the senses' land,
And on his prison-walls so drear
Elysium paints with fond deceptive hand.
While soft humanity still lay at rest,
Within her tender arms extended,
No flame was stirred by bigots' murderous zest,
No guiltless blood on high ascended.
The heart that she in gentle fetters binds,
Views duty's slavish escort scornfully;
Her path of light, though fairer far it winds,
Sinks in the sun-track of morality.
Those who in her chaste service still remain,
No grovelling thought can tempt, no fate affright;
The spiritual life, so free from stain,
Freedom's sweet birthright, they receive again,
Under the mystic sway of holy might.
The purest among millions, happy they
Whom to her service she has sanctified,
Whose mouths the mighty one's commands convey,
Within whose breasts she deigneth to abide;
Whom she ordained to feed her holy fire
Upon her altar's ever-flaming pyre,
Whose eyes alone her unveiled graces meet,
And whom she gathers round in union sweet
In the much-honored place be glad
Where noble order bade ye climb,
For in the spirit-world sublime,
Man's loftiest rank ye've ever had!
Ere to the world proportion ye revealed,
That every being joyfully obeys,
A boundless structure, in night's veil concealed,
Illumed by naught but faint and languid rays,
A band of phantoms, struggling ceaselessly,
Holding his mind in slavish fetters bound,
Unsociable and rude as be,
Assailing him on every side around,
Thus seemed to man creation in that day!
United to surrounding forms alone
By the blind chains the passions had put on,
Whilst Nature's beauteous spirit fled away
Unfelt, untasted, and unknown.
And, as it hovered o'er with parting ray,
Ye seized the shades so neighborly,
With silent hand, with feeling mind,
And taught how they might be combined
In one firm bond of harmony.
The gaze, light-soaring, felt uplifted then,
When first the cedar's slender trunk it viewed;
And pleasingly the ocean's crystal flood
Reflected back the dancing form again.
Could ye mistake the look, with beauty fraught,
That Nature gave to help ye on your way?
The image floating on the billows taught
The art the fleeting shadow to portray.
From her own being torn apart,
Her phantom, beauteous as a dream,
She plunged into the silvery stream,
Surrendering to her spoiler's art.
Creative power soon in your breast unfolded;
Too noble far, not idly to conceive,
The shadow's form in sand, in clay ye moulded,
And made it in the sketch its being leave.
The longing thirst for action then awoke,
And from your breast the first creation broke.
By contemplation captive made,
Ensnared by your discerning eye,
The friendly phantom's soon betrayed
The talisman that roused your ecstasy.
The laws of wonder-working might,
The stores by beauty brought to light,
Inventive reason in soft union planned
To blend together 'neath your forming hand.
The obelisk, the pyramid ascended,
The Hermes stood, the column sprang on high,
The reed poured forth the woodland melody,
Immortal song on victor's deeds attended.
The fairest flowers that decked the earth,
Into a nosegay, with wise choice combined,
Thus the first art from Nature had its birth;
Into a garland then were nosegays twined,
And from the works that mortal hands had made,
A second, nobler art was now displayed.
The child of beauty, self-sufficient now,
That issued from your hands to perfect day,
Loses the chaplet that adorned its brow,
Soon as reality asserts its sway.
The column, yielding to proportion's chains,
Must with its sisters join in friendly link,
The hero in the hero-band must sink,
The Muses' harp peals forth its tuneful strains.
The wondering savages soon came
To view the new creation's plan
"Behold!"the joyous crowds exclaim,
"Behold, all this is done by man!"
With jocund and more social aim
The minstrel's lyre their awe awoke,
Telling of Titans, and of giant's frays
And lion-slayers, turning, as he spoke,
Even into heroes those who heard his lays.
For the first time the soul feels joy,
By raptures blessed that calmer are,
That only greet it from afar,
That passions wild can ne'er destroy,
And that, when tasted, do not cloy.
And now the spirit, free and fair,
Awoke from out its sensual sleep;
By you unchained, the slave of care
Into the arms of joy could leap.
Each brutish barrier soon was set at naught,
Humanity first graced the cloudless brow,
And the majestic, noble stranger, thought,
From out the wondering brain sprang boldly now.
Man in his glory stood upright,
And showed the stars his kingly face;
His speaking glance the sun's bright light
Blessed in the realms sublime of space.
Upon the cheek now bloomed the smile,
The voice's soulful harmony
Expanded into song the while,
And feeling swam in the moist eye;
And from the mouth, with spirit teeming o'er,
Jest, sweetly linked with grace, began to pour.
Sunk in the instincts of the worm,
By naught but sensual lust possessed,
Ye recognized within his breast
Love-spiritual's noble germ;
And that this germ of love so blest
Escaped the senses' abject load,
To the first pastoral song he owed.
Raised to the dignity of thought,
Passions more calm to flow were taught
From the bard's mouth with melody.
The cheeks with dewy softness burned;
The longing that, though quenched, still yearned,
Proclaimed the spirit-harmony.
The wisest's wisdom, and the strongest's vigor,
The meekest's meekness, and the noblest's grace,
By you were knit together in one figure,
Wreathing a radiant glory round the place.
Man at the Unknown's sight must tremble,
Yet its refulgence needs must love;
That mighty Being to resemble,
Each glorious hero madly strove;
The prototype of beauty's earliest strain
Ye made resound through Nature's wide domain.
The passions' wild and headlong course,
The ever-varying plan of fate,
Duty and instinct's twofold force,
With proving mind and guidance straight
Ye then conducted to their ends.
What Nature, as she moves along,
Far from each other ever rends,
Become upon the stage, in song,
Members of order, firmly bound.
Awed by the Furies' chorus dread,
Murder draws down upon its head
The doom of death from their wild sound.
Long e'er the wise to give a verdict dared,
An Iliad had fate's mysteries declared
To early ages from afar;
While Providence in silence fared
Into the world from Thespis' car.
Yet into that world's current so sublime
Your symmetry was borne before its time,
When the dark hand of destiny
Failed in your sight to part by force.
What it had fashioned 'neath your eye,
In darkness life made haste to die,
Ere it fulfilled its beauteous course.
Then ye with bold and self-sufficient might
Led the arch further through the future's night:
Then, too, ye plunged, without a fear,
Into Avernus' ocean black,
And found the vanished life so dear
Beyond the urn, and brought it back.
A blooming Pollux-form appeared now soon,
On Castor leaning, and enshrined in light
The shadow that is seen upon the moon,
Ere she has filled her silvery circle bright!
Yet higher,higher still above the earth
Inventive genius never ceased to rise:
Creations from creations had their birth,
And harmonies from harmonies.
What here alone enchants the ravished sight,
A nobler beauty yonder must obey;
The graceful charms that in the nymph unite,
In the divine Athene melt away;
The strength with which the wrestler is endowed,
In the god's beauty we no longer find:
The wonder of his timeJove's image proud
In the Olympian temple is enshrined.
The world, transformed by industry's bold hand,
The human heart, by new-born instincts moved,
That have in burning fights been fully proved,
Your circle of creation now expand.
Advancing man bears on his soaring pinions,
In gratitude, art with him in his flight,
And out of Nature's now-enriched dominions
New worlds of beauty issue forth to light.
The barriers upon knowledge are o'erthrown;
The spirit that, with pleasure soon matured,
Has in your easy triumphs been inured
To hasten through an artist-whole of graces,
Nature's more distant columns duly places.
And overtakes her on her pathway lone.
He weighs her now with weights that human are,
Metes her with measures that she lent of old;
While in her beauty's rites more practised far,
She now must let his eye her form behold.
With youthful and self-pleasing bliss,
He lends the spheres his harmony,
And, if he praise earth's edifice,
'Tis for its wondrous symmetry.
In all that now around him breathes,
Proportion sweet is ever rife;
And beauty's golden girdle wreathes
With mildness round his path through life;
Perfection blest, triumphantly,
Before him in your works soars high;
Wherever boisterous rapture swells,
Wherever silent sorrow flees,
Where pensive contemplation dwells,
Where he the tears of anguish sees,
Where thousand terrors on him glare,
Harmonious streams are yet behind
He sees the Graces sporting there,
With feeling silent and refined.
Gentle as beauty's lines together linking,
As the appearances that round him play,
In tender outline in each other sinking,
The soft breath of his life thus fleets away.
His spirit melts in the harmonious sea,
That, rich in rapture, round his senses flows,
And the dissolving thought all silently
To omnipresent Cytherea grows.
Joining in lofty union with the Fates,
On Graces and on Muses calm relying,
With freely-offered bosom he awaits
The shaft that soon against him will be flying
From the soft bow necessity creates.
Favorites beloved of blissful harmony,
Welcome attendants on life's dreary road,
The noblest and the dearest far that she,
Who gave us life, to bless that life bestowed!
That unyoked man his duties bears in mind,
And loves the fetters that his motions bind,
That Chance with brazen sceptre rules him not,
For this eternity is now your lot,
Your heart has won a bright reward for this.
That round the cup where freedom flows,
Merrily sport the gods of bliss,
The beauteous dream its fragrance throws,
For this, receive a loving kiss!
The spirit, glorious and serene,
Who round necessity the graces trains,
Who bids his ether and his starry plains
Upon us wait with pleasing mien,
Who, 'mid his terrors, by his majesty gives joy,
And who is beauteous e'en when seeking to destroy,
Him imitate, the artist good!
As o'er the streamlet's crystal flood
The banks with checkered dances hover,
The flowery mead, the sunset's light,
Thus gleams, life's barren pathway over,
Poesy's shadowy world so bright.
In bridal dress ye led us on
Before the terrible Unknown,
Before the inexorable fate,
As in your urns the bones are laid,
With beauteous magic veil ye shade
The chorus dread that cares create.
Thousands of years I hastened through
The boundless realm of vanished time
How sad it seems when left by you
But where ye linger, how sublime!
She who, with fleeting wing, of yore
From your creating hand arose in might,
Within your arms was found once more,
When, vanquished by Time's silent flight,
Life's blossoms faded from the cheek,
And from the limbs all vigor went,
And mournfully, with footstep weak,
Upon his staff the gray-beard leant.
Then gave ye to the languishing,
Life's waters from a new-born spring;
Twice was the youth of time renewed,
Twice, from the seeds that ye had strewed.
When chased by fierce barbarian hordes away,
The last remaining votive brand ye tore
From Orient's altars, now pollution's prey,
And to these western lands in safety bore.
The fugitive from yonder eastern shore,
The youthful day, the West her dwelling made;
And on Hesperia's plains sprang up once more
Ionia's flowers, in pristine bloom arrayed.
Over the spirit fairer Nature shed,
With soft refulgence, a reflection bright,
And through the graceful soul with stately tread
Advanced the mighty Deity of light.
Millions of chains were burst asunder then,
And to the slave then human laws applied,
And mildly rose the younger race of men,
As brethren, gently wandering side by side,
With noble inward ecstasy,
The bliss imparted ye receive,
And in the veil of modesty,
With silent merit take your leave.
If on the paths of thought, so freely given,
The searcher now with daring fortune stands,
And, by triumphant Paeans onward driven,
Would seize upon the crown with dauntless hands
If he with grovelling hireling's pay
Thinks to dismiss his glorious guide
Or, with the first slave's-place array
Art near the throne his dream supplied
Forgive him!O'er your head to-day
Hovers perfection's crown in pride,
With you the earliest plant Spring had,
Soul-forming Nature first began;
With you, the harvest-chaplet glad,
Perfected Nature ends her plan.
The art creative, that all-modestly arose
From clay and stone, with silent triumph throws
Its arms around the spirit's vast domain.
What in the land of knowledge the discoverer knows,
He knows, discovers, only for your gain
The treasures that the thinker has amassed,
He will enjoy within your arms alone,
Soon as his knowledge, beauty-ripe at last.
To art ennobled shall have grown,
Soon as with you he scales a mountain-height,
And there, illumined by the setting sun,
The smiling valley bursts upon his sight.
The richer ye reward the eager gaze
The higher, fairer orders that the mind
May traverse with its magic rays,
Or compass with enjoyment unconfined
The wider thoughts and feelings open lie
To more luxuriant floods of harmony.
To beauty's richer, more majestic stream,
The fair members of the world's vast scheme,
That, maimed, disgrace on his creation bring,
He sees the lofty forms then perfecting
The fairer riddles come from out the night
The richer is the world his arms enclose,
The broader stream the sea with which he flows
The weaker, too, is destiny's blind might
The nobler instincts does he prove
The smaller he himself, the greater grows his love.
Thus is he led, in still and hidden race,
By poetry, who strews his path with flowers,
Through ever-purer forms, and purer powers,
Through ever higher heights, and fairer grace.
At length, arrived at the ripe goal of time,
Yet one more inspiration all-sublime,
Poetic outburst of man's latest youth,
Andhe will glide into the arms of truth!
Herself, the gentle Cypria,
Illumined by her fiery crown,
Then stands before her full-grown son
Unveiledas great Urania;
The sooner only by him caught,
The fairer he had fled away!
Thus stood, in wonder rapture-fraught,
Ulysses' noble son that day,
When the sage mentor who his youth beguiled;
Herself transfigured as Jove's glorious child!
Man's honor is confided to your hand,
There let it well protected be!
It sinks with you! with you it will expand!
Poesy's sacred sorcery
Obeys a world-plan wise and good;
In silence let it swell the flood
Of mighty-rolling harmony.
By her own time viewed with disdain,
Let solemn truth in song remain,
And let the Muses' band defend her!
In all the fullness of her splendor,
Let her survive in numbers glorious,
More dread, when veiled her charms appear,
And vengeance take, with strains victorious,
On her tormentor's ear!
The freest mother's children free,
With steadfast countenance then rise
To highest beauty's radiancy,
And every other crown despise!
The sisters who escaped you here,
Within your mother's arms ye'll meet;
What noble spirits may revere,
Must be deserving and complete.
High over your own course of time
Exalt yourselves with pinion bold,
And dimly let your glass sublime
The coming century unfold!
On thousand roads advancing fast
Of ever-rich variety,
With fond embraces meet at last
Before the throne of harmony!
As into seven mild rays we view
With softness break the glimmer white,
As rainbow-beams of sevenfold hue
Dissolve again in that soft light,
In clearness thousandfold thus throw
Your magic round the ravished gaze,
Into one stream of light thus flow,
One bond of truth that ne'er decays!
~ Friedrich Schiller, The Artists
,#NFDB
1405:Senlin: His Futile Preoccupations
I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .
I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.
I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.
Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.
127
It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .
It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.
Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.
128
It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.
There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .
It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .
. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .
Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.
I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?
129
These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.
Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?
Does he remember, suddenly, with amazement,
The yesterday he left in sleep,--his name,-Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?
I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.
The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.
That woman--did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.
But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
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She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.
. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .
But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,--she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.
Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-This dull and futile flesh attract such fire?
I,--with a trowel's dullness in hand and brain!-Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.
And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb
Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.
Yes, it is true that woman tried to attract me:
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It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.
I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.
It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.
Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.
The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.
Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
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And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.
Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.
It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.
Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.
Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.
Death himself in the grass, death himself,
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Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.
Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.
It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!
Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!
It is noontime, Senlin says. The sky is brilliant
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Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.
It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.
Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.
Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?
It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
135
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.
The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.
My work is uncompleted; and yet I hurry,-Hearing the whispered pulsing of those drums,-To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!
I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.
My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
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To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!
Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-Come--then--come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.
Whispers upon the haunted air-Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,--it seems to say,-The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!
I leave my work once more and walk
Along a street that sways in the wind.
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I leave these stones, and walk once more
Along infinity's shore.
I climb the golden-laddered stair;
Among the stars in the void I climb:
I ascend the golden-laddered hair
Of the harlot-queen of time:
She laughs from a window in the sky,
Her white arms downward reach to me!
We are the universe that spins
In a dim ethereal sea.
It is evening, Senlin says, and in the evening
The throbbing of drums has languidly died away.
Forest and sea are still. We breathe in silence
And strive to say the things flesh cannot say.
The soulless wind falls slowly about the earth
And finds no rest.
The lover stares at the setting star,--the wakeful lover
Who finds no peace on his lover's breast.
The snare of desire that bound us in is broken;
Softly, in sorrow, we draw apart, and see,
Far off, the beauty we thought our flesh had captured,-The star we longed to be but could not be.
Come back! We will laugh once more at the words we said!
We say them slowly again, but the words are dead.
Come back beloved! . . . The blue void falls between,
We cry to each other: alone; unknown; unseen.
We are the grains of sand that run and rustle
In the dry wind,
We are the grains of sand who thought ourselves
Immortal.
You touch my hand, time bears you away,-An alien star for whom I have no word.
What are the meaningless things you say?
I answer you, but am not heard.
It is evening, Senlin says;
And a dream in ruin falls.
Once more we turn in pain, bewildered,
138
Among our finite walls:
The walls we built ourselves with patient hands;
For the god who sealed a question in our flesh.
10
It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves, remote in a pale blue starlight,
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown . . .
There are houses hanging above the stars,
And stars hung under a sea:
And a wind from the long blue vault of time
Waves my curtain for me . . .
I wait in the dark once more,
Swung between space and space:
Before my mirror I lift my hands
And face my remembered face.
Is it I who stand in a question here,
Asking to know my name? . . .
It is I, yet I know not whither I go,
Nor why, nor whence I came.
It is I, who awoke at dawn
And arose and descended the stair,
Conceiving a god in the eye of the sun,-In a woman's hands and hair.
It is I whose flesh is gray with the stones
I builded into a wall:
With a mournful melody in my brain
Of a tune I cannot recall . . .
There are roses to kiss: and mouths to kiss;
And the sharp-pained shadow of death.
I remember a rain-drop on my cheek,--
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A wind like a fragrant breath . . .
And the star I laugh on tilts through heaven;
And the heavens are dark and steep . . .
I will forget these things once more
In the silence of sleep.
~ Conrad Potter Aiken,#NFDB
1406:The Dunciad: Book Ii.
High on a gorgeous seat, that far out-shone
Henley's gilt tub, or Flecknoe's Irish throne,
Or that where on her Curlls the public pours,
All-bounteous, fragrant grains and golden showers,
Great Cibber sate: the proud Parnassian sneer,
The conscious simper, and the jealous leer,
Mix on his look: all eyes direct their rays
On him, and crowds turn coxcombs as they gaze.
His peers shine round him with reflected grace,
New edge their dulness, and new bronze their face.
So from the sun's broad beam, in shallow urns
Heaven's twinkling sparks draw light, and point their horns.
Not with more glee, by hands Pontific crown'd,
With scarlet hats wide-waving circled round,
Rome in her Capitol saw Querno sit,
Throned on seven hills, the Antichrist of wit.
And now the queen, to glad her sons, proclaims
By herald hawkers, high heroic games.
They summon all her race: an endless band
Pours forth, and leaves unpeopled half the land.
A motley mixture! in long wigs, in bags,
In silks, in crapes, in garters, and in rags,
From drawing-rooms, from colleges, from garrets,
On horse, on foot, in hacks, and gilded chariots:
All who true dunces in her cause appear'd,
And all who knew those dunces to reward.
Amid that area wide they took their stand,
Where the tall maypole once o'er-looked the Strand,
But now (so Anne and piety ordain)
A church collects the saints of Drury Lane.
With authors, stationers obey'd the call,
(The field of glory is a field for all).
Glory and gain the industrious tribe provoke;
And gentle Dulness ever loves a joke.
A poet's form she placed before their eyes,
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And bade the nimblest racer seize the prize;
No meagre, muse-rid mope, adust and thin,
In a dun night-gown of his own loose skin;
But such a bulk as no twelve bards could raise,
Twelve starveling bards of these degenerate days.
All as a partridge plump, full-fed, and fair,
She form'd this image of well-bodied air;
With pert flat eyes she window'd well its head;
A brain of feathers, and a heart of lead;
And empty words she gave, and sounding strain,
But senseless, lifeless! idol void and vain!
Never was dash'd out, at one lucky hit,
A fool, so just a copy of a wit;
So like, that critics said, and courtiers swore,
A wit it was, and call'd the phantom More.
All gaze with ardour: some a poet's name,
Others a sword-knot and laced suit inflame.
But lofty Lintot in the circle rose:
'This prize is mine; who tempt it are my foes;
With me began this genius, and shall end.'
He spoke: and who with Lintot shall contend?
Fear held them mute. Alone, untaught to fear,
Stood dauntless Curll: 'Behold that rival here!
The race by vigour, not by vaunts is won;
So take the hindmost Hell.' He said, and run.
Swift as a bard the bailiff leaves behind,
He left huge Lintot, and out-stripp'd the wind.
As when a dab-chick waddles through the copse
On feet and wings, and flies, and wades, and hops:
So labouring on, with shoulders, hands, and head,
Wide as a wind-mill all his figure spread,
With arms expanded Bernard rows his state,
And left-legg'd Jacob seems to emulate.
Full in the middle way there stood a lake,
Which Curll's Corinna chanced that morn to make:
(Such was her wont, at early dawn to drop
Her evening cates before his neighbour's shop,)
Here fortuned Curll to slide; loud shout the band,
And Bernard! Bernard! rings through all the Strand.
Obscene with filth the miscreant lies bewray'd,
Fallen in the plash his wickedness had laid:
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Then first (if poets aught of truth declare)
The caitiff vaticide conceived a prayer:
'Hear, Jove! whose name my bards and I adore,
As much at least as any god's, or more;
And him and his if more devotion warms,
Down with the Bible, up with the Pope's arms.'
A place there is, betwixt earth, air, and seas,
Where, from Ambrosia, Jove retires for ease.
There in his seat two spacious vents appear,
On this he sits, to that he leans his ear,
And hears the various vows of fond mankind;
Some beg an eastern, some a western wind:
All vain petitions, mounting to the sky,
With reams abundant this abode supply;
Amused he reads, and then returns the bills
Sign'd with that ichor which from gods distils.
In office here fair Cloacina stands,
And ministers to Jove with purest hands.
Forth from the heap she pick'd her votary's prayer,
And placed it next him, a distinction rare!
Oft had the goddess heard her servant's call,
From her black grottos near the Temple-wall,
Listening delighted to the jest unclean
Of link-boys vile, and watermen obscene;
Where as he fish'd her nether realms for wit,
She oft had favour'd him, and favours yet.
Renew'd by ordure's sympathetic force,
As oil'd with magic juices for the course,
Vigorous he rises; from the effluvia strong
Imbibes new life, and scours and stinks along;
Repasses Lintot, vindicates the race,
Nor heeds the brown dishonours of his face.
And now the victor stretch'd his eager hand
Where the tall Nothing stood, or seem'd to stand;
A shapeless shade, it melted from his sight,
Like forms in clouds, or visions of the night.
To seize his papers, Curll, was next thy care;
His papers light, fly diverse, toss'd in air;
Songs, sonnets, epigrams the winds uplift,
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And whisk them back to Evans, Young, and Swift.
The embroider'd suit at least he deem'd his prey,
That suit an unpaid tailor snatch'd away.
No rag, no scrap, of all the beau, or wit,
That once so flutter'd, and that once so writ.
Heaven rings with laughter: of the laughter vain,
Dulness, good queen, repeats the jest again.
Three wicked imps, of her own Grub Street choir,
She deck'd like Congreve, Addison, and Prior;
Mears, Warner, Wilkins run: delusive thought!
Breval, Bond, Bezaleel, the varlets caught.
Curll stretches after Gay, but Gay is gone,
He grasps an empty Joseph for a John:
So Proteus, hunted in a nobler shape,
Became, when seized, a puppy, or an ape.
To him the goddess: 'Son! thy grief lay down,
And turn this whole illusion on the town:
As the sage dame, experienced in her trade,
By names of toasts retails each batter'd jade;
(Whence hapless Monsieur much complains at Paris
Of wrongs from duchesses and Lady Maries
Be thine, my stationer! this magic gift;
Cook shall be Prior, and Concanen, Swift:
So shall each hostile name become our own,
And we too boast our Garth and Addison.'
With that she gave him (piteous of his case,
Yet smiling at his rueful length of face)
A shaggy tapestry, worthy to be spread
On Codrus' old, or Dunton's modern bed;
Instructive work! whose wry-mouth'd portraiture
Display'd the fates her confessors endure.
Earless on high, stood unabash'd Defoe,
And Tutchin flagrant from the scourge below.
There Ridpath, Roper, cudgell'd might ye view,
The very worsted still look'd black and blue.
Himself among the storied chiefs he spies,
As, from the blanket, high in air he flies,
And oh! (he cried) what street, what lane but knows
Our purgings, pumpings, blanketings, and blows?
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In every loom our labours shall be seen,
And the fresh vomit run for ever green!
See in the circle next, Eliza placed,
Two babes of love close clinging to her waist;
Fair as before her works she stands confess'd,
In flowers and pearls by bounteous Kirkall dress'd.
The goddess then: 'Who best can send on high
The salient spout, far-streaming to the sky;
His be yon Juno of majestic size,
With cow-like udders, and with ox-like eyes.
This China Jordan let the chief o'ercome
Replenish, not ingloriously, at home.'
Osborne and Curll accept the glorious strife,
(Though this his son dissuades, and that his wife
One on his manly confidence relies,
One on his vigour and superior size.
First Osborne lean'd against his letter'd post;
It rose, and labour'd to a curve at most.
So Jove's bright bow displays its watery round
(Sure sign, that no spectator shall be drown'd),
A second effort brought but new disgrace,
The wild meander wash'd the artist's face:
Thus the small jet, which hasty hands unlock,
Spurts in the gardener's eyes who turns the cock.
Not so from shameless Curll; impetuous spread
The stream, and smoking flourish'd o'er his head.
So (famed like thee for turbulence and horns)
Eridanus his humble fountain scorns;
Through half the heavens he pours the exalted urn;
His rapid waters in their passage burn.
Swift as it mounts, all follow with their eyes:
Still happy impudence obtains the prize.
Thou triumph'st, victor of the high-wrought day,
And the pleased dame, soft-smiling, lead'st away.
Osborne, through perfect modesty o'ercome,
Crown'd with the Jordan, walks contented home.
But now for authors nobler palms remain;
Room for my lord! three jockeys in his train;
183
Six huntsmen with a shout precede his chair:
He grins, and looks broad nonsense with a stare.
His honour's meaning Dulness thus express'd,
'He wins this patron, who can tickle best.'
He chinks his purse, and takes his seat of state:
With ready quills the dedicators wait;
Now at his head the dext'rous task commence,
And, instant, fancy feels the imputed sense;
Now gentle touches wanton o'er his face,
He struts Adonis, and affects grimace:
Rolli the feather to his ear conveys,
Then his nice taste directs our operas:
Bentley his mouth with classic flattery opes,
And the puff'd orator bursts out in tropes.
But Welsted most the poet's healing balm
Strives to extract from his soft, giving palm;
Unlucky Welsted! thy unfeeling master,
The more thou ticklest, gripes his fist the faster.
While thus each hand promotes the pleasing pain,
And quick sensations skip from vein to vein;
A youth unknown to Phoebus, in despair,
Puts his last refuge all in Heaven and prayer.
What force have pious vows! The Queen of Love
Her sister sends, her votaress, from above.
As taught by Venus, Paris learn'd the art
To touch Achilles' only tender part;
Secure, through her, the noble prize to carry,
He marches off, his Grace's secretary.
'Now turn to different sports (the goddess cries),
And learn, my sons, the wondrous power of noise.
To move, to raise, to ravish every heart,
With Shakspeare's nature, or with Jonson's art,
Let others aim: 'tis yours to shake the soul
With thunder rumbling from the mustard bowl,
With horns and trumpets now to madness swell,
Now sink in sorrows with a tolling bell;
Such happy arts attention can command,
When fancy flags, and sense is at a stand.
Improve we these. Three cat-calls be the bribe
184
Of him whose chattering shames the monkey tribe:
And his this drum whose hoarse heroic bass
Drowns the loud clarion of the braying ass.'
Now thousand tongues are heard in one loud din:
The monkey-mimics rush discordant in;
'Twas chattering, grinning, mouthing, jabbering all,
And noise and Norton, brangling and Breval,
Dennis and dissonance, and captious art,
And snip-snap short, and interruption smart,
And demonstration thin, and theses thick,
And major, minor, and conclusion quick.
'Hold' (cried the queen) 'a cat-call each shall win;
Equal your merits! equal is your din!
But that this well-disputed game may end,
Sound forth, nay brayers, and the welkin rend.'
As when the long-ear'd milky mothers wait
At some sick miser's triple-bolted gate,
For their defrauded, absent foals they make
A moan so loud, that all the guild awake;
Sore sighs Sir Gilbert, starting at the bray,
From dreams of millions, and three groats to pay.
So swells each windpipe; ass intones to ass,
Harmonic twang! of leather, horn, and brass;
Such as from labouring lungs the enthusiast blows,
High sound, attemper'd to the vocal nose,
Or such as bellow from the deep divine;
There, Webster! peal'd thy voice, and, Whitfield! thine.
But far o'er all, sonorous Blackmore's strain;
Walls, steeples, skies, bray back to him again.
In Tottenham fields, the brethren, with amaze,
Prick all their ears up, and forget to graze;
'Long Chancery Lane retentive rolls the sound,
And courts to courts return it round and round;
Thames wafts it thence to Rufus' roaring hall,
And Hungerford re-echoes bawl for bawl.
All hail him victor in both gifts of song,
Who sings so loudly, and who sings so long.
This labour past, by Bridewell all descend,
(As morning prayer, and flagellation end)
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To where Fleet-ditch with disemboguing streams
Rolls the large tribute of dead dogs to Thames,
The king of dikes! than whom no sluice of mud
With deeper sable blots the silver flood.
'Here strip, my children! here at once leap in,
Here prove who best can dash through thick and thin,
And who the most in love of dirt excel,
Or dark dexterity of groping well.
Who flings most filth, and wide pollutes around
The stream, be his the weekly journals bound;
A pig of lead to him who dives the best;
A peck of coals a-piece shall glad the rest.'
In naked majesty Oldmixon stands,
And, Milo-like, surveys his arms and hands;
Then sighing, thus, 'And am I now threescore?
Ah why, ye gods! should two and two make four?'
He said, and climb'd a stranded lighter's height,
Shot to the black abyss, and plunged downright.
The senior's judgment all the crowd admire,
Who but to sink the deeper, rose the higher.
Next Smedley dived; slow circles dimpled o'er
The quaking mud, that closed, and oped no more.
All look, all sigh, and call on Smedley lost;
'Smedley!' in vain, resounds through all the coast.
Then Hill essay'd; scarce vanish'd out of sight,
He buoys up instant, and returns to light:
He bears no token of the sable streams,
And mounts far off among the swans of Thames.
True to the bottom, see Concanen creep,
A cold, long-winded, native of the deep:
If perseverance gain the diver's prize,
Not everlasting Blackmore this denies:
No noise, no stir, no motion can'st thou make,
The unconscious stream sleeps o'er thee like a lake.
Next plunged a feeble, but a desperate pack,
With each a sickly brother at his back:
Sons of a day! just buoyant on the flood,
186
Then number'd with the puppies in the mud.
Ask ye their names? I could as soon disclose
The names of these blind puppies as of those.
Fast by, like Niobe (her children gone)
Sits Mother Osborne, stupified to stone!
And monumental brass this record bears,
'These are,-ah no! these were, the gazetteers!'
Not so bold Arnall; with a weight of skull,
Furious he dives, precipitately dull.
Whirlpools and storms his circling arm invest,
With all the might of gravitation bless'd.
No crab more active in the dirty dance,
Downward to climb, and backward to advance.
He brings up half the bottom on his head,
And loudly claims the journals and the lead.
The plunging Prelate, and his ponderous Grace,
With holy envy gave one layman place.
When, lo! a burst of thunder shook the flood,
Slow rose a form, in majesty of mud:
Shaking the horrors of his sable brows,
And each ferocious feature grim with ooze.
Greater he looks, and more than mortal stares:
Then thus the wonders of the deep declares.
First he relates, how sinking to the chin,
Smit with his mien, the mud-nymphs suck'd him in:
How young Lutetia, softer than the down,
Nigrina black, and Merdamante brown,
Vied for his love in jetty bowers below,
As Hylas fair was ravish'd long ago.
Then sung, how, shown him by the nut-brown maids;
A branch of Styx here rises from the shades,
That, tinctured as it runs with Lethe's streams,
And wafting vapours from the land of dreams,
(As under seas Alpheus' secret sluice
Bears Pisa's offerings to his Arethuse,)
Pours into Thames: and hence the mingled wave
Intoxicates the pert, and lulls the grave:
Here brisker vapours o'er the Temple creep,
There, all from Paul's to Aldgate drink and sleep.
187
Thence to the banks where reverend bards repose,
They led him soft; each reverend bard arose;
And Milbourn chief, deputed by the rest,
Gave him the cassock, surcingle, and vest.
'Receive (he said) these robes which once were mine,
Dulness is sacred in a sound divine.'
He ceased, and spread the robe; the crowd confess
The reverend Flamen in his lengthen'd dress.
Around him wide a sable army stand,
A low-born, cell-bred, selfish, servile band,
Prompt or to guard or stab, to saint or damn,
Heaven's Swiss, who fight for any god, or man.
Through Lud's famed gates, along the well-known Fleet
Rolls the black troop, and overshades the street,
Till showers of sermons, characters, essays,
In circling fleeces whiten all the ways:
So clouds replenish'd from some bog below,
Mount in dark volumes, and descend in snow.
Here stopp'd the goddess; and in pomp proclaims
A gentler exercise to close the games.
'Ye critics! in whose heads, as equal scales,
I weigh what author's heaviness prevails,
Which most conduce to soothe the soul in slumbers,
My Henley's periods, or my Blackmore's numbers,
Attend the trial we propose to make:
If there be man, who o'er such works can wake,
Sleep's all-subduing charms who dares defy,
And boasts Ulysses' ear with Argus' eye;
To him we grant our amplest powers to sit
Judge of all present, past, and future wit;
To cavil, censure, dictate, right or wrong,
Full and eternal privilege of tongue.'
Three college Sophs, and three pert Templars came,
The same their talents, and their tastes the same;
Each prompt to query, answer, and debate,
And smit with love of poesy and prate.
The ponderous books two gentle readers bring;
The heroes sit, the vulgar form a ring.
188
The clamorous crowd is hush'd with mugs of mum,
Till all, tuned equal, send a general hum.
Then mount the clerks, and in one lazy tone
Through the long, heavy, painful page drawl on;
Soft creeping, words on words, the sense compose,
At every line they stretch, they yawn, they doze.
As to soft gales top-heavy pines bow low
Their heads, and lift them as they cease to blow,
Thus oft they rear, and oft the head decline,
As breathe, or pause, by fits, the airs divine;
And now to this side, now to that they nod,
As verse or prose infuse the drowsy god.
Thrice Budgell aim'd to speak, but thrice suppress'd
By potent Arthur, knock'd his chin and breast.
Toland and Tindal, prompt at priests to jeer,
Yet silent bow'd to Christ's no kingdom here.
Who sate the nearest, by the words o'ercome,
Slept first; the distant nodded to the hum.
Then down are roll'd the books; stretch'd o'er 'em lies
Each gentle clerk, and, muttering, seals his eyes,
As what a Dutchman plumps into the lakes,
One circle first, and then a second makes;
What Dulness dropp'd among her sons impress'd
Like motion from one circle to the rest;
So from the midmost the nutation spreads
Round and more round, o'er all the sea of heads.
At last Centlivre felt her voice to fail,
Motteux himself unfinished left his tale,
Boyer the state, and Law the stage gave o'er,
Morgan and Mandeville could prate no more;
Norton, from Daniel and Ostroea sprung,
Bless'd with his father's front and mother's tongue,
Hung silent down his never-blushing head;
And all was hush'd, as Polly's self lay dead.
Thus the soft gifts of sleep conclude the day,
And stretch'd on bulks, as usual, poets lay.
Why should I sing what bards the nightly Muse
Did slumbering visit, and convey to stews;
Who prouder march'd, with magistrates in state,
To some famed round-house, ever open gate!
How Henley lay inspired beside a sink,
189
And to mere mortals seem'd a priest in drink;
While others, timely, to the neighbouring Fleet
(Haunt of the Muses!) made their safe retreat?
~ Alexander Pope,#NFDB
1407:The Kalevala - Rune Xlvi
OTSO THE HONEY-EATER.
Came the tidings to Pohyola,
To the village of the Northland,
That Wainola had recovered
From her troubles and misfortunes,
From her sicknesses and sorrows.
Louhi, hostess of the Northland,
Toothless dame of Sariola,
Envy-laden, spake these measures:
'Know I other means of trouble,
I have many more resources;
I will drive the bear before me,
From the heather and the mountain,
Drive him from the fen and forest,
Drive great Otso from the glen-wood
On the cattle of Wainola,
On the flocks of Kalevala.'
Thereupon the Northland hostess
Drove the hungry bear of Pohya
From his cavern to the meadows,
To Wainola's plains and pastures.
Wainamoinen, ancient minstrel,
To his brother spake as follows:
'O thou blacksmith, Ilmarinen,
Forge a spear from magic metals,
Forge a lancet triple-pointed,
Forge the handle out of copper,
That I may destroy great Otso,
Slay the mighty bear of Northland,
That he may not eat my horses,
Nor destroy my herds of cattle,
Nor the flocks upon my pastures.'
Thereupon the skillful blacksmith
Forged a spear from magic metals,
Forged a lancet triple-pointed,
Not the longest, nor the shortest,
Forged the spear in wondrous beauty.
242
On one side a bear was sitting,
Sat a wolf upon the other,
On the blade an elk lay sleeping,
On the shaft a colt was running,
Near the hilt a roebuck bounding.
Snows had fallen from the heavens,
Made the flocks as white as ermine
Or the hare, in days of winter,
And the minstrel sang these measures:
'My desire impels me onward
To the Metsola-dominions,
To the homes of forest-maidens,
To the courts of the white virgins;
I will hasten to the forest,
Labor with the woodland-forces.
'Ruler of the Tapio-forests,
Make of me a conquering hero,
Help me clear these boundless woodlands.
O Mielikki, forest-hostess,
Tapio's wife, thou fair Tellervo,
Call thy dogs and well enchain them,
Set in readiness thy hunters,
Let them wait within their kennels.
'Otso, thou O Forest-apple,
Bear of honey-paws and fur-robes,
Learn that Wainamoinen follows,
That the singer comes to meet thee;
Hide thy claws within thy mittens,
Let thy teeth remain in darkness,
That they may not harm the minstrel,
May be powerless in battle.
Mighty Otso, much beloved,
Honey-eater of the mountains,
Settle on the rocks in slumber,
On the turf and in thy caverns;
Let the aspen wave above thee,
Let the merry birch-tree rustle
O'er thy head for thy protection.
Rest in peace, thou much-loved Otso,
Turn about within thy thickets,
Like the partridge at her brooding,
In the spring-time like the wild-goose.'
243
When the ancient Wainamoinen
Heard his dog bark in the forest,
Heard his hunter's call and echo,
He addressed the words that follow:
'Thought it was the cuckoo calling,
Thought the pretty bird was singing;
It was not the sacred cuckoo,
Not the liquid notes of songsters,
'Twas my dog that called and murmured,
'Twas the echo of my hunter
At the cavern-doors of Otso,
On the border of the woodlands.'
Wainamoinen, old and trusty,
Finds the mighty bear in waiting,
Lifts in joy the golden covers,
Well inspects his shining fur-robes;
Lifts his honey-paws in wonder,
Then addresses his Creator:
'Be thou praised, O mighty Ukko,
As thou givest me great Otso,
Givest me the Forest-apple,
Thanks be paid to thee unending.'
To the bear he spake these measures:
'Otso, thou my well beloved,
Honey-eater of the woodlands,
Let not anger swell thy bosom;
I have not the force to slay thee,
Willingly thy life thou givest
As a sacrifice to Northland.
Thou hast from the tree descended,
Glided from the aspen branches,
Slippery the trunks in autumn,
In the fog-days, smooth the branches.
Golden friend of fen and forest,
In thy fur-robes rich and beauteous,
Pride of woodlands, famous Light-foot,
Leave thy cold and cheerless dwelling,
Leave thy home within the alders,
Leave thy couch among the willows,
Hasten in thy purple stockings,
Hasten from thy walks restricted,
Come among the haunts of heroes,
244
Join thy friends in Kalevala.
We shall never treat thee evil,
Thou shalt dwell in peace and plenty,
Thou shalt feed on milk and honey,
Honey is the food of strangers.
Haste away from this thy covert,
From the couch of the unworthy,
To a couch beneath the rafters
Of Wainola's ancient dwellings.
Haste thee onward o'er the snow-plain,
As a leaflet in the autumn;
Skip beneath these birchen branches,
As a squirrel in the summer,
As a cuckoo in the spring-time.'
Wainamoinen, the magician,
The eternal wisdom-singer,
O'er the snow-fields hastened homeward,
Singing o'er the hills and mountains,
With his guest, the ancient Otso,
With his friend, the, famous Light-foot,
With the Honey-paw of Northland.
Far away was heard the singing,
Heard the playing of the hunter,
Heard the songs of Wainamoinen;
All the people heard and wondered,
Men and maidens, young and aged,
From their cabins spake as follows:
'Hear the echoes from the woodlands,
Hear the bugle from the forest,
Hear the flute-notes of the songsters,
Hear the pipes of forest-maidens!'
Wainamoinen, old and trusty,
Soon appears within the court-yard.
Rush the people from their cabins,
And the heroes ask these questions:
'Has a mine of gold been opened,
Hast thou found a vein of silver,
Precious jewels in thy pathway?
Does the forest yield her treasures,
Give to thee the Honey-eater?
Does the hostess of the woodlands,
Give to thee the lynx and adder,
245
Since thou comest home rejoicing,
Playing, singing, on thy snow-shoes?'
Wainamoinen, ancient minstrel,
Gave this answer to his people:
'For his songs I caught the adder,
Caught the serpent for his wisdom;
Therefore do I come rejoicing,
Singing, playing, on my snow-shoes.
Not the mountain lynx, nor serpent,
Comes, however, to our dwellings;
The Illustrious is coming,
Pride and beauty of the forest,
'Tis the Master comes among us,
Covered with his friendly fur-robe.
Welcome, Otso, welcome, Light-foot,
Welcome, Loved-one from the glenwood!
If the mountain guest is welcome,
Open wide the gates of entry;
If the bear is thought unworthy,
Bar the doors against the stranger.'
This the answer of the tribe-folk:
'We salute thee, mighty Otso,
Honey-paw, we bid thee welcome,
Welcome to our courts and cabins,
Welcome, Light-foot, to our tables
Decorated for thy coming!
We have wished for thee for ages,
Waiting since the days of childhood,
For the notes of Tapio's bugle,
For the singing of the wood-nymphs,
For the coming of dear Otso,
For the forest gold and silver,
Waiting for the year of plenty,
Longing for it as for summer,
As the shoe waits for the snow-fields,
As the sledge for beaten highways,
As the, maiden for her suitor,
And the wife her husband's coming;
Sat at evening by the windows,
At the gates have, sat at morning,
Sat for ages at the portals,
Near the granaries in winter, Vanished,
246
Till the snow-fields warmed and
Till the sails unfurled in joyance,
Till the earth grew green and blossomed,
Thinking all the while as follows:
'Where is our beloved Otso,
Why delays our forest-treasure?
Has he gone to distant Ehstland,
To the upper glens of Suomi?'
Spake the ancient Wainamoinen:
'Whither shall I lead the stranger,
Whither take the golden Light-foot?
Shall I lead him to the garner,
To the house of straw conduct him?'
This the answer of his tribe-folk:
'To the dining-hall lead Otso,
Greatest hero of the Northland.
Famous Light-foot, Forest-apple,
Pride and glory of the woodlands,
Have no fear before these maidens,
Fear not curly-headed virgins,
Clad in silver-tinselled raiment
Maidens hasten to their chambers
When dear Otso joins their number,
When the hero comes among them.'
This the prayer of Wainamoinen:
'Grant, O Ukko, peace and plenty
Underneath these painted rafters,
In this ornamented dweling;
Thanks be paid to gracious Ukko!'
Spake again the ancient minstrel:
'Whither shall we lead dear Otso,
'Whither take the fur-clad stranger?
This the answer of his people:
'Hither let the fur-robed Light-foot
Be saluted on his coming;
Let the Honey-paw be welcomed
To the hearth-stone of the penthouse,
Welcomed to the boiling caldrons,
That we may admire his fur-robe,
May behold his cloak with joyance.
Have no care, thou much-loved Otso,
Let not anger swell thy bosom
247
As thy coat we view with pleasure;
We thy fur shall never injure,
Shall not make it into garments
To protect unworthy people.'
Thereupon wise Wainamoinen
Pulled the sacred robe from Otso,
Spread it in the open court-yard,
Cut the, members into fragments,
Laid them in the heating caldrons,
In the copper-bottomed vesselsO'er the fire the crane was hanging,
On the crane were hooks of copper,
On the hooks the broiling-vessels
Filled with bear-steak for the feasting,
Seasoned with the salt of Dwina,
From the Saxon-land imported,
From the distant Dwina-waters,
From the salt-sea brought in shallops.
Ready is the feast of Otso;
From the fire are swung the kettles
On the crane of polished iron;
In the centers of the tables
Is the bear displayed in dishes,
Golden dishes, decorated;
Of the fir-tree and the linden
Were the tables newly fashioned;
Drinking cups were forged from copper,
Knives of gold and spoons of silver;
Filled the vessels to their borders
With the choicest bits of Light-foot,
Fragments of the Forest-apple.
Spake the ancient Wainamoinen
'Ancient one with bosom golden,
Potent voice in Tapio's councils
Metsola's most lovely hostess,
Hostess of the glen and forest,
Hero-son of Tapiola,
Stalwart youth in cap of scarlet,
Tapio's most beauteous virgin,
Fair Tellervo of the woodlands,
Metsola with all her people,
Come, and welcome, to the feasting,
248
To the marriage-feast of Otso!
All sufficient, the provisions,
Food to eat and drink abundant,
Plenty for the hosts assembled,
Plenty more to give the village.'
This the question of the people:
'Tell us of the birth of Otso!
Was be born within a manger,
Was he nurtured in the bath-room
Was his origin ignoble?'
This is Wainamoinen's answer:
'Otso was not born a beggar,
Was not born among the rushes,
Was not cradled in a manger;
Honey-paw was born in ether,
In the regions of the Moon-land,
On the shoulders of Otava,
With the daughters of creation.
'Through the ether walked a maiden,
On the red rims of the cloudlets,
On the border of the heavens,
In her stockings purple-tinted,
In her golden-colored sandals.
In her hand she held a wool-box,
With a hair-box on her shoulder;
Threw the wool upon the ocean,
And the hair upon the rivers;
These are rocked by winds and waters,
Water-currents bear them onward,
Bear them to the sandy sea-shore,
Land them near the Woods of honey,
On an island forest-covered.
'Fair Mielikki, woodland hostess,
Tapio's most cunning daughter,
Took the fragments from the sea-side,
Took the white wool from the waters,
Sewed the hair and wool together,
Laid the bundle in her basket,
Basket made from bark of birch-wood,
Bound with cords the magic bundle;
With the chains of gold she bound it
To the pine-tree's topmost branches.
249
There she rocked the thing of magic,
Rocked to life the tender baby,
Mid the blossoms of the pine-tree,
On the fir-top set with needles;
Thus the young bear well was nurtured,
Thus was sacred Otso cradled
On the honey-tree of Northland,
In the middle of the forest.
'Sacred Otso grew and flourished,
Quickly grew with graceful movements,
Short of feet, with crooked ankles,
Wide of mouth and broad of forehead,
Short his nose, his fur-robe velvet;
But his claws were not well fashioned,
Neither were his teeth implanted.
Fair Mielikki, forest hostess,
Spake these words in meditation:
'Claws I should be pleased to give him,
And with teeth endow the wonder,
Would be not abuse the favor.'
'Swore the bear a promise sacred,
On his knees before Mielikki,
Hostess of the glen and forest,
And before omniscient Ukko,
First and last of all creators,
That he would not harm the worthy,
Never do a deed of evil.
Then Mielikki, woodland hostess,
Wisest maid of Tapiola,
Sought for teeth and claws to give him,
From the stoutest mountain-ashes,
From the juniper and oak tree,
From the dry knots of the alder.
Teeth and claws of these were worthless,
Would not render goodly service.
'Grew a fir-tree on the mountain,
Grew a stately pine in Northland,
And the fir had silver branches,
Bearing golden cones abundant;
These the sylvan maiden gathered,
Teeth and claws of these she fashioned
In the jaws and feet of Otso,
250
Set them for the best of uses.
Then she freed her new-made creature,
Let the Light-foot walk and wander,
Let him lumber through the marshes,
Let him amble through the forest,
Roll upon the plains and pastures;
Taught him how to walk a hero,
How to move with graceful motion,
How to live in ease and pleasure,
How to rest in full contentment,
In the moors and in the marshes,
On the borders of the woodlands;
How unshod to walk in summer,
Stockingless to run in autumn;
How to rest and sleep in winter
In the clumps of alder-bushes
Underneath the sheltering fir-tree,
Underneath the pine's protection,
Wrapped securely in his fur-robes,
With the juniper and willow.
This the origin of Otso,
Honey-eater of the Northlands,
Whence the sacred booty cometh.
Thus again the people questioned:
Why became the woods so gracious,
Why so generous and friendly?
Why is Tapio so humored,
That he gave his dearest treasure,
Gave to thee his Forest-apple,
Honey-eater of his kingdom?
Was he startled with thine arrows,
Frightened with the spear and broadsword?'
Wainamoinen, the magician,
Gave this answer to the question:
'Filled with kindness was the forest,
Glen and woodland full of greetings,
Tapio showing greatest favor.
Fair Mielikki, forest hostess,
Metsola's bewitching daughter,
Beauteous woodland maid, Tellervo,
Gladly led me on my journey,
Smoothed my pathway through the glen-wood.
251
Marked the trees upon the, mountains,
Pointing me to Otso's caverns,
To the Great Bear's golden island.
'When my journeyings had ended,
When the bear had been discovered,
Had no need to launch my javelins,
Did not need to aim the arrow;
Otso tumbled in his vaulting,
Lost his balance in his cradle,
In the fir-tree where he slumbered;
Tore his breast upon the branches,
Freely gave his life to others.
'Mighty Otso, my beloved,
Thou my golden friend and hero,
Take thy fur-cap from thy forehead,
Lay aside thy teeth forever,
Hide thy fingers in the darkness,
Close thy mouth and still thine anger,
While thy sacred skull is breaking.
'Now I take the eyes of Otso,
Lest he lose the sense of seeing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the ears of Otso,
Lest he lose the sense of 'hearing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the nose of Otso,
Lest he lose the sense of smelling,
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the tongue of Otso,
Lest he lose the sense of tasting
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the brain of Otso,
Lest he lose the means of thinking,
Lest his consciousness should fail him,
252
Lest his former instincts weaken;
Though I take not all his members,
Not alone must this be taken.
'I will reckon him a hero,
That will count the teeth of Light-foot,
That will loosen Otso's fingers
From their settings firmly fastened.'
None he finds with strength sufficient
To perform the task demanded.
Therefore ancient Wainamoinen
Counts the teeth of sacred Otso;
Loosens all the claws of Light-foot,
With his fingers strong as copper,
Slips them from their firm foundations,
Speaking to the bear these measures:
'Otso, thou my Honey-eater,
Thou my Fur-ball of the woodlands,
Onward, onward, must thou journey
From thy low and lonely dwelling,
To the court-rooms of the village.
Go, my treasure, through the pathway
Near the herds of swine and cattle,
To the hill-tops forest covered,
To the high and rising mountains,
To the spruce-trees filled with needles,
To the branches of the pine-tree;
There remain, my Forest-apple,
Linger there in lasting slumber,
Where the silver bells are ringing,
To the pleasure of the shepherd.'
Thus beginning, and thus ending,
Wainamoinen, old and truthful,
Hastened from his emptied tables,
And the children thus addressed him:
'Whither hast thou led thy booty,
Where hast left thy Forest-apple,
Sacred Otso of the woodlands?
Hast thou left him on the iceberg,
Buried him upon the snow-field?
Hast thou sunk him in the quicksand,
Laid him low beneath the heather?'
Wainamoinen spake in answer:
253
'Have not left him on the iceberg,
Have not buried him in snow-fields;
There the dogs would soon devour him,
Birds of prey would feast upon him;
Have not hidden him in Swamp-land,
Have not buried him in heather;
There the worms would live upon him,
Insects feed upon his body.
Thither I have taken Otso,
To the summit of the Gold-hill,
To the copper-bearing mountain,
Laid him in his silken cradle
In the summit of a pine-tree,
Where the winds and sacred branches
Rock him to his lasting slumber,
To the pleasure of the hunter,
To the joy of man and hero.
To the east his lips are pointing,
While his eyes are northward looking;
But dear Otso looks not upward,
For the fierceness of the storm-winds
Would destroy his sense of vision.'
Wainamoinen, ancient minstrel,
Touched again his harp of joyance,
Sang again his songs enchanting,
To the pleasure of the evening,
To the joy of morn arising.
Spake the singer of Wainola:
'Light for me a torch of pine-wood,
For the darkness is appearing,
That my playing may be joyous
And my wisdom-songs find welcome.'
Then the ancient sage and singer,
Wise and worthy Wainamoinen,
Sweetly sang and played, and chanted,
Through the long and dreary evening,
Ending thus his incantation:
'Grant, O Ukko, my Creator,
That the people of Wainola
May enjoy another banquet
In the company of Light-foot;
Grant that we may long remember
254
Kalevala's feast with Otso!
'Grant, O Ukko, my Creator,
That the signs may guide our footsteps,
That the notches in the pine-tree
May direct my faithful people
To the bear-dens of the woodlands;
That great Tapio's sacred bugle
May resound through glen and forest;
That the wood-nymph's call may echo,
May be heard in field and hamlet,
To the joy of all that listen!
Let great Tapio's horn for ages
Ring throughout the fen and forest,
Through the hills and dales of Northland
O'er the meadows and the mountains,
To awaken song and gladness
In the forests of Wainola,
On the snowy plains of Suomi,
On the meads of Kalevala,
For the coming generations.'
~ Elias Lönnrot,#NFDB
1408:The Kalevala - Rune Ix
ORIGIN OF IRON.
Wainamoinen, thus encouraged,
Quickly rises in his snow-sledge,
Asking no one for assistance,
Straightway hastens to the cottage,
Takes a seat within the dwelling.
Come two maids with silver pitchers,
Bringing also golden goblets;
Dip they up a very little,
But the very smallest measure
Of the blood of the magician,
From the wounds of Wainamoinen.
From the fire-place calls the old man,
Thus the gray-beard asks the minstrel:
'Tell me who thou art of heroes,
Who of all the great magicians?
Lo! thy blood fills seven sea-boats,
Eight of largest birchen vessels,
Flowing from some hero's veinlets,
From the wounds of some magician.
Other matters I would ask thee;
Sing the cause of this thy trouble,
Sing to me the source of metals,
Sing the origin of iron,
How at first it was created.'
Then the ancient Wainamoinen
Made this answer to the gray-beard:
'Know I well the source of metals,
Know the origin of iron;
f can tell bow steel is fashioned.
Of the mothers air is oldest,
Water is the oldest brother,
And the fire is second brother,
And the youngest brother, iron;
Ukko is the first creator.
Ukko, maker of the heavens,
Cut apart the air and water,
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Ere was born the metal, iron.
Ukko, maker of the heavens,
Firmly rubbed his hands together,
Firmly pressed them on his knee-cap,
Then arose three lovely maidens,
Three most beautiful of daughters;
These were mothers of the iron,
And of steel of bright-blue color.
Tremblingly they walked the heavens,
Walked the clouds with silver linings,
With their bosoms overflowing
With the milk of future iron,
Flowing on and flowing ever,
From the bright rims of the cloudlets
To the earth, the valleys filling,
To the slumber-calling waters.
'Ukko's eldest daughter sprinkled
Black milk over river channels
And the second daughter sprinkled
White milk over hills and mountains,
While the youngest daughter sprinkled
Red milk over seas and oceans.
Whero the black milk had been sprinked,
Grew the dark and ductile iron;
Where the white milk had been sprinkled.
Grew the iron, lighter-colored;
Where the red milk had been sprinkled,
Grew the red and brittle iron.
'After Time had gone a distance,
Iron hastened Fire to visit,
His beloved elder brother,
Thus to know his brother better.
Straightway Fire began his roarings,
Labored to consume his brother,
His beloved younger brother.
Straightway Iron sees his danger,
Saves himself by fleetly fleeing,
From the fiery flame's advances,
Fleeing hither, fleeing thither,
Fleeing still and taking shelter
In the swamps and in the valleys,
In the springs that loudly bubble,
55
By the rivers winding seaward,
On the broad backs of the marshes,
Where the swans their nests have builded,
Where the wild geese hatch their goslings.
'Thus is iron in the swamp-lands,
Stretching by the water-courses,
Hidden well for many ages,
Hidden in the birchen forests,
But he could not hide forever
From the searchings of his brother;
Here and there the fire has caught him,
Caught and brought him to his furnace,
That the spears, and swords, and axes,
Might be forged and duly hammered.
In the swamps ran blackened waters,
From the heath the bears came ambling,
And the wolves ran through the marshes.
Iron then made his appearance,
Where the feet of wolves had trodden,
Where the paws of bears had trampled.
'Then the blacksmith, Ilmarinen,
Came to earth to work the metal;
He was born upon the Coal-mount,
Skilled and nurtured in the coal-fields;
In one hand, a copper hammer,
In the other, tongs of iron;
In the night was born the blacksmith,
In the morn he built his smithy,
Sought with care a favored hillock,
Where the winds might fill his bellows;
Found a hillock in the swamp-lands,
Where the iron hid abundant;
There he built his smelting furnace,
There he laid his leathern bellows,
Hastened where the wolves had travelled,
Followed where the bears had trampled,
Found the iron's young formations,
In the wolf-tracks of the marshes,
In the foot-prints of the gray-bear.
'Then the blacksmith, Ilmarinen,
'Thus addressed the sleeping iron:
Thou most useful of the metals,
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Thou art sleeping in the marshes,
Thou art hid in low conditions,
Where the wolf treads in the swamp-lands,
Where the bear sleeps in the thickets.
Hast thou thought and well considered,
What would be thy future station,
Should I place thee in the furnace,
Thus to make thee free and useful?'
'Then was Iron sorely frightened,
Much distressed and filled with horror,
When of Fire he heard the mention,
Mention of his fell destroyer.
'Then again speaks Ilmarinen,
Thus the smith addresses Iron:
'Be not frightened, useful metal,
Surely Fire will not consume thee,
Will not burn his youngest brother,
Will not harm his nearest kindred.
Come thou to my room and furnace,
Where the fire is freely burning,
Thou wilt live, and grow, and prosper,
Wilt become the swords of heroes,
Buckles for the belts of women.'
'Ere arose the star of evening,
Iron ore had left the marshes,
From the water-beds had risen,
Had been carried to the furnace,
In the fire the smith had laid it,
Laid it in his smelting furnace.
Ilmarinen starts the bellows,
Gives three motions of the handle,
And the iron flows in streamlets
From the forge of the magician,
Soon becomes like baker's leaven,
Soft as dough for bread of barley.
Then out-screamed the metal, Iron:
'Wondrous blacksmith, Ilmarinen,
Take, O take me from thy furnace,
From this fire and cruel torture.'
'Ilmarinen thus made answer:
'I will take thee from my furnace,
'Thou art but a little frightened,
57
Thou shalt be a mighty power,
Thou shalt slay the best of heroes,
Thou shalt wound thy dearest brother.'
'Straightway Iron made this promise,
Vowed and swore in strongest accents,
By the furnace, by the anvil,
By the tongs, and by the hammer,
These the words he vowed and uttered:
'Many trees that I shall injure,
Shall devour the hearts of mountains,
Shall not slay my nearest kindred,
Shall not kill the best of heroes,
Shall not wound my dearest brother;
Better live in civil freedom,
Happier would be my life-time,
Should I serve my fellow-beings,
Serve as tools for their convenience,
Than as implements of warfare,
Slay my friends and nearest. kindred,
Wound the children of my mother.'
'Now the master, Ilmarinen,
The renowned and skilful blacksmith,
From the fire removes the iron,
Places it upon the anvil,
Hammers well until it softens,
Hammers many fine utensils,
Hammers spears, and swords, and axes,
Hammers knives, and forks, and hatchets,
Hammers tools of all descriptions.
'Many things the blacksmith needed,
Many things he could not fashion,
Could not make the tongue of iron,
Could not hammer steel from iron,
Could not make the iron harden.
Well considered Ilmarinen,
Deeply thought and long reflected.
Then he gathered birchen ashes,
Steeped the ashes in the water,
Made a lye to harden iron,
Thus to form the steel most needful.
With his tongue he tests the mixture,
Weighs it long and well considers,
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And the blacksmith speaks as follows:
'All this labor is for nothing,
Will not fashion steel from iron,
Will not make the soft ore harden.'
'Now a bee flies from the meadow,
Blue-wing coming from the flowers,
Flies about, then safely settles
Near the furnace of the smithy.
''Thus the smith the bee addresses,
These the words of Ilmarinen:
'Little bee, thou tiny birdling,
Bring me honey on thy winglets,
On thy tongue, I pray thee, bring me
Sweetness from the fragrant meadows,
From the little cups of flowers,
From the tips of seven petals,
That we thus may aid the water
To produce the steel from iron.'
'Evil Hisi's bird, the hornet,
Heard these words of Ilmarinen,
Looking from the cottage gable,
Flying to the bark of birch-trees,
While the iron bars were heating
While the steel was being tempered;
Swiftly flew the stinging hornet,
Scattered all the Hisi horrors,
Brought the blessing of the serpent,
Brought the venom of the adder,
Brought the poison of the spider,
Brought the stings of all the insects,
Mixed them with the ore and water,
While the steel was being, tempered.
'Ilmarinen, skilful blacksmith,
First of all the iron-workers,
Thought the bee had surely brought him
Honey from the fragrant meadows,
From the little cups of flowers,
From the tips of seven petals,
And he spake the words that follow:
'Welcome, welcome, is thy coming,
Honeyed sweetness from the flowers
Thou hast brought to aid the water,
59
Thus to form the steel from iron!'
'Ilmarinen, ancient blacksmith,
Dipped the iron into water,
Water mixed with many poisons,
Thought it but the wild bee's honey;
Thus he formed the steel from iron.
When he plunged it into water,
Water mixed with many poisons,
When be placed it in the furnace,
Angry grew the hardened iron,
Broke the vow that he had taken,
Ate his words like dogs and devils,
Mercilessly cut his brother,
Madly raged against his kindred,
Caused the blood to flow in streamlets
From the wounds of man and hero.
This, the origin of iron,
And of steel of light blue color.'
From the hearth arose the gray-beard,
Shook his heavy looks and answered:
'Now I know the source of iron,
Whence the steel and whence its evils;
Curses on thee, cruel iron,
Curses on the steel thou givest,
Curses on thee, tongue of evil,
Cursed be thy life forever!
Once thou wert of little value,
Having neither form nor beauty,
Neither strength nor great importance,
When in form of milk thou rested,
When for ages thou wert hidden
In the breasts of God's three daughters,
Hidden in their heaving bosoms,
On the borders of the cloudlets,
In the blue vault of the heavens.
'Thou wert once of little value,
Having neither form nor beauty,
Neither strength nor great importance,
When like water thou wert resting
On the broad back of the marshes,
On the steep declines of mountains,
When thou wert but formless matter,
60
Only dust of rusty color.
'Surely thou wert void of greatness,
Having neither strength nor beauty,
When the moose was trampling on thee,
When the roebuck trod upon thee,
When the tracks of wolves were in thee,
And the bear-paws scratched thy body.
Surely thou hadst little value
When the skilful Ilmarinen,
First of all the iron-workers,
Brought thee from the blackened swamp-lands,
Took thee to his ancient smithy,
Placed thee in his fiery furnace.
Truly thou hadst little vigor,
Little strength, and little danger,
When thou in the fire wert hissing,
Rolling forth like seething water,
From the furnace of the smithy,
When thou gavest oath the strongest,
By the furnace, by the anvil,
By the tongs, and by the hammer,
By the dwelling of the blacksmith,
By the fire within the furnace.
'Now forsooth thou hast grown mighty,
Thou canst rage in wildest fury;
Thou hast broken all thy pledges,
All thy solemn vows hast broken,
Like the dogs thou shamest honor,
Shamest both thyself and kindred,
Tainted all with breath of evil.
Tell who drove thee to this mischief,
Tell who taught thee all thy malice,
Tell who gavest thee thine evil!
Did thy father, or thy mother,
Did the eldest of thy brothers,
Did the youngest of thy sisters,
Did the worst of all thy kindred
Give to thee thine evil nature?
Not thy father, nor thy mother,
Not the eldest of thy brothers,
Not the youngest of thy sisters,
Not the worst of all thy kindred,
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But thyself hast done this mischief,
Thou the cause of all our trouble.
Come and view thine evil doings,
And amend this flood of damage,
Ere I tell thy gray-haired mother,
Ere I tell thine aged father.
Great indeed a mother's anguish,
Great indeed a father's sorrow,
When a son does something evil,
When a child runs wild and lawless.
'Crimson streamlet, cease thy flowing
From the wounds of Wainamoinen;
Blood of ages, stop thy coursing
From the veins of the magician;
Stand like heaven's crystal pillars,
Stand like columns in the ocean,
Stand like birch-trees in the forest,
Like the tall reeds in the marshes,
Like the high-rocks on the sea-coast,
Stand by power of mighty magic!
'Should perforce thy will impel thee,
Flow thou on thine endless circuit,
Through the veins of Wainamoinen,
Through the bones, and through the muscles,
Through the lungs, and heart, and liver,
Of the mighty sage and singer;
Better be the food of heroes,
Than to waste thy strength and virtue
On the meadows and the woodlands,
And be lost in dust and ashes.
Flow forever in thy circle;
Thou must cease this crimson out-flow;
Stain no more the grass and flowers,
Stain no more these golden hill-tops,
Pride and beauty of our heroes.
In the veins of the magician,
In the heart of Wainamoinen,
Is thy rightful home and storehouse.
Thither now withdraw thy forces,
Thither hasten, swiftly flowing;
Flow no more as crimson currents,
Fill no longer crimson lakelets,
62
Must not rush like brooks in spring-tide,
Nor meander like the rivers.
'Cease thy flow, by word of magic,
Cease as did the falls of Tyrya,
As the rivers of Tuoni,
When the sky withheld her rain-drops,
When the sea gave up her waters,
In the famine of the seasons,
In the years of fire and torture.
If thou heedest not this order,
I shall offer other measures,
Know I well of other forces;
I shall call the Hisi irons,
In them I shall boil and roast thee,
Thus to check thy crimson flowing,
Thus to save the wounded hero.
'If these means be inefficient,
Should these measures prove unworthy,
I shall call omniscient Ukko,
Mightiest of the creators,
Stronger than all ancient heroes,
Wiser than the world-magicians;
He will check the crimson out-flow,
He will heal this wound of hatchet.
'Ukko, God of love and mercy,
God and Master Of the heavens,
Come thou hither, thou art needed,
Come thou quickly I beseech thee,
Lend thy hand to aid thy children,
Touch this wound with healing fingers,
Stop this hero's streaming life-blood,
Bind this wound with tender leaflets,
Mingle with them healing flowers,
Thus to check this crimson current,
Thus to save this great magician,
Save the life of Wainamoinen.'
Thus at last the blood-stream ended,
As the magic words were spoken.
Then the gray-beard, much rejoicing,
Sent his young son to the smithy,
There to make a healing balsam,
From the herbs of tender fibre,
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From the healing plants and flowers,
From the stalks secreting honey,
From the roots, and leaves, and blossoms.
On the way he meets an oak-tree,
And the oak the son addresses:
'Hast thou honey in thy branches,
Does thy sap run full of sweetness?'
Thus the oak-tree wisely answers:
'Yea, but last night dripped the honey
Down upon my spreading branches,
And the clouds their fragrance sifted,
Sifted honey on my leaflets,
From their home within the heavens.'
Then the son takes oak-wood splinters,
Takes the youngest oak-tree branches,
Gathers many healing grasses,
Gathers many herbs and flowers,
Rarest herbs that grow in Northland,
Places them within the furnace
In a kettle made of copper;
Lets them steep and boil together,
Bits of bark chipped from the oak-tree,
Many herbs of healing virtues;
Steeps them one day, then a second,
Three long days of summer weather,
Days and nights in quick succession;
Then he tries his magic balsam,
Looks to see if it is ready,
If his remedy is finished;
But the balsam is unworthy.
Then he added other grasses,
Herbs of every healing virtue,
That were brought from distant nations,
Many hundred leagues from Northland,
Gathered by the wisest minstrels,
Thither brought by nine enchanters.
Three days more be steeped the balsam,
Three nights more the fire be tended,
Nine the days and nights be watched it,
Then again be tried the ointment,
Viewed it carefully and tested,
Found at last that it was ready,
64
Found the magic balm was finished.
Near by stood a branching birch-tree.
On the border of the meadow,
Wickedly it had been broken,
Broken down by evil Hisi;
Quick he takes his balm of healing,
And anoints the broken branches,
Rubs the balsam in the fractures,
Thus addresses then the birch-tree:
'With this balsam I anoint thee,
With this salve thy wounds I cover,
Cover well thine injured places;
Now the birch-tree shall recover,
Grow more beautiful than ever.'
True, the birch-tree soon recovered,
Grew more beautiful than ever,
Grew more uniform its branches,
And its bole more strong and stately.
Thus it was be tried the balsam,
Thus the magic salve he tested,
Touched with it the splintered sandstone,
Touched the broken blocks of granite,
Touched the fissures in the mountains,
And the broken parts united,
All the fragments grew together.
Then the young boy quick returning
With the balsam he had finished,
To the gray-beard gave the ointment,
And the boy these measures uttered
'Here I bring the balm of healing,
Wonderful the salve I bring thee;
It will join the broken granite,
Make the fragments grow together,
Heat the fissures in the mountains,
And restore the injured birch-tree.'
With his tongue the old man tested,
Tested thus the magic balsam,
Found the remedy effective,
Found the balm had magic virtues;
Then anointed he the minstrel,
Touched the wounds of Wainamoinen,
Touched them with his magic balsam,
65
With the balm of many virtues;
Speaking words of ancient wisdom,
These the words the gray-beard uttered:
'Do not walk in thine own virtue,
Do not work in thine own power,
Walk in strength of thy Creator;
Do not speak in thine own wisdom,
Speak with tongue of mighty Ukko.
In my mouth, if there be sweetness,
It has come from my Creator;
If my bands are filled with beauty,
All the beauty comes from Ukko.'
When the wounds had been anointed,
When the magic salve had touched them,
Straightway ancient Wainamoinen
Suffered fearful pain and anguish,
Sank upon the floor in torment,
Turning one way, then another,
Sought for rest and found it nowhere,
Till his pain the gray-beard banished,
Banished by the aid of magic,
Drove away his killing torment
To the court of all our trouble,
To the highest hill of torture,
To the distant rocks and ledges,
To the evil-bearing mountains,
To the realm of wicked Hisi.
Then be took some silken fabric,
Quick he tore the silk asunder,
Making equal strips for wrapping,
Tied the ends with silken ribbons,
Making thus a healing bandage;
Then he wrapped with skilful fingers
Wainamoinen's knee and ankle,
Wrapped the wounds of the magician,
And this prayer the gray-beard uttered
'Ukko's fabric is the bandage,
Ukko's science is the surgeon,
These have served the wounded hero,
Wrapped the wounds of the magician.
Look upon us, God of mercy,
Come and guard us, kind Creator,
66
And protect us from all evil!
Guide our feet lest they may stumble,
Guard our lives from every danger,
From the wicked wilds of Hisi.'
Wainamoinen, old and truthful,
Felt the mighty aid of magic,
Felt the help of gracious Ukko,
Straightway stronger grew in body,
Straightway were the wounds united,
Quick the fearful pain departed.
Strong and hardy grew the hero,
Straightway walked in perfect freedom,
Turned his knee in all directions,
Knowing neither pain nor trouble.
Then the ancient Wainamoinen
Raised his eyes to high Jumala,
Looked with gratitude to heaven,
Looked on high, in joy and gladness,
Then addressed omniscient Ukko,
This the prayer the minstrel uttered:
'O be praised, thou God of mercy,
Let me praise thee, my Creator,
Since thou gavest me assistance,
And vouchsafed me thy protection,
Healed my wounds and stilled mine anguish,
Banished all my pain and trouble,
Caused by Iron and by Hisi.
O, ye people of Wainola,
People of this generation,
And the folk of future ages,
Fashion not in emulation,
River boat, nor ocean shallop,
Boasting of its fine appearance,
God alone can work completion,
Give to cause its perfect ending,
Never hand of man can find it,
Never can the hero give it,
Ukko is the only Master.'
~ Elias Lönnrot,#NFDB
1409:The Hammers
Frindsbury, Kent, 1786
Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Tap! Tap!
Two years they have seasoned her ribs on the ways,
Tapping, tapping.
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
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Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
Joiners, calkers,
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:
'The second in command was blear-eyed Ned:
While the surgeon his limb was a-lopping,
A nine-pounder came and smack went his head,
Pull away, pull away, pull away! I say;
Rare news for my Meg of Wapping!'
Every Sunday
People come in crowds
(After church-time, of course)
In curricles, and gigs, and wagons,
And some have brought cold chicken and flagons
Of wine,
And beer in stoppered jugs.
'Dear! Dear! But I tell 'ee 'twill be a fine ship.
There's none finer in any of the slips at Chatham.'
The third Summer's roses have started in to blow,
When the fine stern carving is begun.
Flutings, and twinings, and long slow swirls,
Bits of deal shaved away to thin spiral curls.
Tap! Tap! A cornucopia is nailed into place.
Rap-a-tap! They are putting up a railing filigreed like Irish lace.
The Three Town's people never saw such grace.
And the paint on it! The richest gold leaf!
Why, the glitter when the sun is shining passes belief.
And that row of glass windows tipped toward the sky
Are rubies and carbuncles when the day is dry.
Oh, my! Oh, my!
They have coppered up the bottom,
And the copper nails
Stand about and sparkle in big wooden pails.
Bang! Clash! Bang!
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'And he swigg'd, and Nick swigg'd,
And Ben swigg'd, and Dick swigg'd,
And I swigg'd, and all of us swigg'd it,
And swore there was nothing like grog.'
It seems they sing,
Even though coppering is not an easy thing.
What a splendid specimen of humanity is a true British workman,
Say the people of the Three Towns,
As they walk about the dockyard
To the sound of the evening church-bells.
And so artistic, too, each one tells his neighbour.
What immense taste and labour!
Miss Jessie Prime, in a pink silk bonnet,
Titters with delight as her eyes fall upon it,
When she steps lightly down from Lawyer Green's whisky;
Such amazing beauty makes one feel frisky,
She explains.
Mr. Nichols says he is delighted
(He is the firm);
His work is all requited
If Miss Jessie can approve.
Miss Jessie answers that the ship is 'a love'.
The sides are yellow as marigold,
The port-lids are red when the ports are up:
Blood-red squares like an even chequer
Of yellow asters and portulaca.
There is a wide 'black strake' at the waterline
And above is a blue like the sky when the weather is fine.
The inner bulwarks are painted red.
'Why?' asks Miss Jessie. ''Tis a horrid note.'
Mr. Nichols clears his throat,
And tells her the launching day is set.
He says, 'Be careful, the paint is wet.'
But Miss Jessie has touched it, her sprigged muslin gown
Has a blood-red streak from the shoulder down.
'It looks like blood,' says Miss Jessie with a frown.
Tap! Tap! Rap!
An October day, with waves running in blue-white lines and a capful of wind.
Three broad flags ripple out behind
Where the masts will be:
Royal Standard at the main,
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Admiralty flag at the fore,
Union Jack at the mizzen.
The hammers tap harder, faster,
They must finish by noon.
The last nail is driven.
But the wind has increased to half a gale,
And the ship shakes and quivers upon the ways.
The Commissioner of Chatham Dockyard is coming
In his ten-oared barge from the King's Stairs;
The Marine's band will play 'God Save Great George Our King';
And there is to be a dinner afterwards at the Crown, with speeches.
The wind screeches, and flaps the flags till they pound like hammers.
The wind hums over the ship,
And slips round the dog-shores,
Jostling them almost to falling.
There is no time now to wait for Commissioners and marine bands.
Mr. Nichols has a bottle of port in his hands.
He leans over, holding his hat, and shouts to the men below:
'Let her go!'
Bang! Bang! Pound!
The dog-shores fall to the ground,
And the ship slides down the greased planking.
A splintering of glass,
And port wine running all over the white and copper stem timbers.
'Success to his Majesty's ship, the Bellerophon!'
And the red wine washes away in the waters of the Medway.
II
Paris, March, 1814
Fine yellow sunlight down the rue du Mont Thabor.
Ten o'clock striking from all the clock-towers of Paris.
Over the door of a shop, in gilt letters:
'Martin - Parfumeur', and something more.
A large gilded wooden something.
Listen! What a ringing of hammers!
Tap!
Tap!
Squeak!
Tap! Squeak! Tap-a-tap!
'Blaise.'
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'Oui, M'sieu.'
'Don't touch the letters. My name stays.'
'Bien, M'sieu.'
'Just take down the eagle, and the shield with the bees.'
'As M'sieu pleases.'
Tap! Squeak! Tap!
The man on the ladder hammers steadily for a minute or two,
Then stops.
'He! Patron!
They are fastened well, Nom d'un Chien!
What if I break them?'
'Break away,
You and Paul must have them down to-day.'
'Bien.'
And the hammers start again,
Drum-beating at the something of gilded wood.
Sunshine in a golden flood
Lighting up the yellow fronts of houses,
Glittering each window to a flash.
Squeak! Squeak! Tap!
The hammers beat and rap.
A Prussian hussar on a grey horse goes by at a dash.
From other shops, the noise of striking blows:
Pounds, thumps, and whacks;
Wooden sounds: splinters - cracks.
Paris is full of the galloping of horses and the knocking of hammers.
'Hullo! Friend Martin, is business slack
That you are in the street this morning? Don't turn your back
And scuttle into your shop like a rabbit to its hole.
I've just been taking a stroll.
The stinking Cossacks are bivouacked all up and down the Champs Elysees.
I can't get the smell of them out of my nostrils.
Dirty fellows, who don't believe in frills
Like washing. Ah, mon vieux, you'd have to go
Out of business if you lived in Russia. So!
We've given up being perfumers to the Emperor, have we?
Blaise,
Be careful of the hen,
Maybe I can find a use for her one of these days.
That eagle's rather well cut, Martin.
But I'm sick of smelling Cossack,
Take me inside and let me put my head into a stack
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Of orris-root and musk.'
Within the shop, the light is dimmed to a pearl-and-green dusk
Out of which dreamily sparkle counters and shelves of glass,
Containing phials, and bowls, and jars, and dishes; a mass
Of aqueous transparence made solid by threads of gold.
Gold and glass,
And scents which whiff across the green twilight and pass.
The perfumer sits down and shakes his head:
'Always the same, Monsieur Antoine,
You artists are wonderful folk indeed.'
But Antoine Vernet does not heed.
He is reading the names on the bottles and bowls,
Done in fine gilt letters with wonderful scrolls.
'What have we here? `Eau Imperial Odontalgique.'
I must say, mon cher, your names are chic.
But it won't do, positively it will not do.
Elba doesn't count. Ah, here is another:
`Baume du Commandeur'. That's better. He needs something to smother
Regrets. A little lubricant, too,
Might be useful. I have it,
`Sage Oil', perhaps he'll be good now; with it we'll submit
This fine German rouge. I fear he is pale.'
'Monsieur Antoine, don't rail
At misfortune. He treated me well and fairly.'
'And you prefer him to Bourbons, admit it squarely.'
'Heaven forbid!' Bang! Whack!
Squeak! Squeak! Crack!
CRASH!
'Oh, Lord, Martin! That shield is hash.
The whole street is covered with golden bees.
They look like so many yellow peas,
Lying there in the mud. I'd like to paint it.
`Plum pudding of Empire'. That's rather quaint, it
Might take with the Kings. Shall I try?' 'Oh, Sir,
You distress me, you do.' 'Poor old Martin's purr!
But he hasn't a scratch in him, I know.
Now let us get back to the powders and patches.
Foolish man,
The Kings are here now. We must hit on a plan
To change all these titles as fast as we can.
`Bouquet Imperatrice'. Tut! Tut! Give me some ink `Bouquet de la Reine', what do you think?
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Not the same receipt?
Now, Martin, put away your conceit.
Who will ever know?
`Extract of Nobility' - excellent, since most of them are killed.'
'But, Monsieur Antoine -'
'You are self-willed,
Martin. You need a salve
For your conscience, do you?
Very well, we'll halve
The compliments, also the pastes and dentifrices;
Send some to the Kings, and some to the Empresses.
`Oil of Bitter Almonds' - the Empress Josephine can have that.
`Oil of Parma Violets' fits the other one pat.'
Rap! Rap! Bang!
'What a hideous clatter!
Blaise seems determined to batter
That poor old turkey into bits,
And pound to jelly my excellent wits.
Come, come, Martin, you mustn't shirk.
`The night cometh soon' - etc. Don't jerk
Me up like that. `Essence de la Valliere' That has a charmingly Bourbon air.
And, oh! Magnificent! Listen to this! `Vinaigre des Quatre Voleurs'. Nothing amiss
With that - England, Austria, Russia and Prussia!
Martin, you're a wonder,
Upheavals of continents can't keep you under.'
'Monsieur Antoine, I am grieved indeed
At such levity. What France has gone through -'
'Very true, Martin, very true,
But never forget that a man must feed.'
Pound! Pound! Thump!
Pound!
'Look here, in another minute Blaise will drop that bird on the ground.'
Martin shrugs his shoulders. 'Ah, well, what then? -'
Antoine, with a laugh: 'I'll give you two sous for that antiquated hen.'
The Imperial Eagle sells for two sous,
And the lilies go up.
A man must choose!
III
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Paris, April, 1814
Cold, impassive, the marble arch of the Place du Carrousel.
Haughty, contemptuous, the marble arch of the Place du Carrousel.
Like a woman raped by force, rising above her fate,
Borne up by the cold rigidity of hate,
Stands the marble arch of the Place du Carrousel.
Tap! Clink-a-tink!
Tap! Rap! Chink!
What falls to the ground like a streak of flame?
Hush! It is only a bit of bronze flashing in the sun.
What are all those soldiers? Those are not the uniforms of France.
Alas! No! The uniforms of France, Great Imperial France, are done.
They will rot away in chests and hang to dusty tatters in barn lofts.
These are other armies. And their name?
Hush, be still for shame;
Be still and imperturbable like the marble arch.
Another bright spark falls through the blue air.
Over the Place du Carrousel a wailing of despair.
Crowd your horses back upon the people, Uhlans and Hungarian Lancers,
They see too much.
Unfortunately, Gentlemen of the Invading Armies, what they do not see,
they hear.
Tap! Clink-a-tink!
Tap!
Another sharp spear
Of brightness,
And a ringing of quick metal lightness
On hard stones.
Workmen are chipping off the names of Napoleon's victories
From the triumphal arch of the Place du Carrousel.
Do they need so much force to quell the crowd?
An old Grenadier of the line groans aloud,
And each hammer tap points the sob of a woman.
Russia, Prussia, Austria, and the faded-white-lily Bourbon king
Think it well
To guard against tumult,
A mob is an undependable thing.
Ding! Ding!
Vienna is scattered all over the Place du Carrousel
In glittering, bent, and twisted letters.
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Your betters have clattered over Vienna before,
Officer of his Imperial Majesty our Father-in-Law!
Tink! Tink!
A workman's chisel can strew you to the winds,
Munich.
Do they think
To pleasure Paris, used to the fall of cities,
By giving her a fall of letters!
It is a month too late.
One month, and our lily-white Bourbon king
Has done a colossal thing;
He has curdled love,
And soured the desires of a people.
Still the letters fall,
The workmen creep up and down their ladders like lizards on a wall.
Tap! Tap! Tink!
Clink! Clink!
'Oh, merciful God, they will not touch Austerlitz!
Strike me blind, my God, my eyes can never look on that.
I would give the other leg to save it, it took one.
Curse them! Curse them! Aim at his hat.
Give me the stone. Why didn't you give it to me?
I would not have missed. Curse him!
Curse all of them! They have got the `A'!'
Ding! Ding!
'I saw the Terror, but I never saw so horrible a thing as this.
`Vive l'Empereur! Vive l'Empereur!''
'Don't strike him, Fritz.
The mob will rise if you do.
Just run him out to the `quai',
That will get him out of the way.
They are almost through.'
Clink! Tink! Ding!
Clear as the sudden ring
Of a bell
'Z' strikes the pavement.
Farewell, Austerlitz, Tilsit, Presbourg;
Farewell, greatness departed.
Farewell, Imperial honours, knocked broadcast by the beating hammers
of ignorant workmen.
Straight, in the Spring moonlight,
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Rises the deflowered arch.
In the silence, shining bright,
She stands naked and unsubdued.
Her marble coldness will endure the march
Of decades.
Rend her bronzes, hammers;
Cast down her inscriptions.
She is unconquerable, austere,
Cold as the moon that swims above her
When the nights are clear.
IV
Croissy, Ile-de-France, June, 1815
'Whoa! Victorine.
Devil take the mare! I've never seen so vicious a beast.
She kicked Jules the last time she was here,
He's been lame ever since, poor chap.'
Rap! Tap!
Tap-a-tap-a-tap! Tap! Tap!
'I'd rather be lame than dead at Waterloo, M'sieu Charles.'
'Sacre Bleu! Don't mention Waterloo, and the damned grinning British.
We didn't run in the old days.
There wasn't any running at Jena.
Those were decent days,
And decent men, who stood up and fought.
We never got beaten, because we wouldn't be.
See!'
'You would have taught them, wouldn't you, Sergeant Boignet?
But to-day it's everyone for himself,
And the Emperor isn't what he was.'
'How the Devil do you know that?
If he was beaten, the cause
Is the green geese in his army, led by traitors.
Oh, I say no names, Monsieur Charles,
You needn't hammer so loud.
If there are any spies lurking behind the bellows,
I beg they come out. Dirty fellows!'
The old Sergeant seizes a red-hot poker
And advances, brandishing it, into the shadows.
The rows of horses flick
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Placid tails.
Victorine gives a savage kick
As the nails
Go in. Tap! Tap!
Jules draws a horseshoe from the fire
And beats it from red to peacock-blue and black,
Purpling darker at each whack.
Ding! Dang! Dong!
Ding-a-ding-dong!
It is a long time since any one spoke.
Then the blacksmith brushes his hand over his eyes,
'Well,' he sighs,
'He's broke.'
The Sergeant charges out from behind the bellows.
'It's the green geese, I tell you,
Their hearts are all whites and yellows,
There's no red in them. Red!
That's what we want. Fouche should be fed
To the guillotine, and all Paris dance the carmagnole.
That would breed jolly fine lick-bloods
To lead his armies to victory.'
'Ancient history, Sergeant.
He's done.'
'Say that again, Monsieur Charles, and I'll stun
You where you stand for a dung-eating Royalist.'
The Sergeant gives the poker a savage twist;
He is as purple as the cooling horseshoes.
The air from the bellows creaks through the flues.
Tap! Tap! The blacksmith shoes Victorine,
And through the doorway a fine sheen
Of leaves flutters, with the sun between.
By a spurt of fire from the forge
You can see the Sergeant, with swollen gorge,
Puffing, and gurgling, and choking;
The bellows keep on croaking.
They wheeze,
And sneeze,
Creak! Bang! Squeeze!
And the hammer strokes fall like buzzing bees
Or pattering rain,
Or faster than these,
Like the hum of a waterfall struck by a breeze.
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Clank! from the bellows-chain pulled up and down.
Clank!
And sunshine twinkles on Victorine's flank,
Starting it to blue,
Dropping it to black.
Clack! Clack!
Tap-a-tap! Tap!
Lord! What galloping! Some mishap
Is making that man ride so furiously.
'Francois, you!
Victorine won't be through
For another quarter of an hour.' 'As you hope to die,
Work faster, man, the order has come.'
'What order? Speak out. Are you dumb?'
'A chaise, without arms on the panels, at the gate
In the far side-wall, and just to wait.
We must be there in half an hour with swift cattle.
You're a stupid fool if you don't hear that rattle.
Those are German guns. Can't you guess the rest?
Nantes, Rochefort, possibly Brest.'
Tap! Tap! as though the hammers were mad.
Dang! Ding! Creak! The farrier's lad
Jerks the bellows till he cracks their bones,
And the stifled air hiccoughs and groans.
The Sergeant is lying on the floor
Stone dead, and his hat with the tricolore
Cockade has rolled off into the cinders. Victorine snorts and lays back
her ears.
What glistens on the anvil? Sweat or tears?
St. Helena, May, 1821
Tap! Tap! Tap!
Through the white tropic night.
Tap! Tap!
Beat the hammers,
Unwearied, indefatigable.
They are hanging dull black cloth about the dead.
Lustreless black cloth
Which chokes the radiance of the moonlight
365
And puts out the little moving shadows of leaves.
Tap! Tap!
The knocking makes the candles quaver,
And the long black hangings waver
Tap! Tap! Tap!
Tap! Tap!
In the ears which do not heed.
Tap! Tap!
Above the eyelids which do not flicker.
Tap! Tap!
Over the hands which do not stir.
Chiselled like a cameo of white agate against the hangings,
Struck to brilliance by the falling moonlight,
A face!
Sharp as a frozen flame,
Beautiful as an altar lamp of silver,
And still. Perfectly still.
In the next room, the men chatter
As they eat their midnight lunches.
A knife hits against a platter.
But the figure on the bed
Between the stifling black hangings
Is cold and motionless,
Played over by the moonlight from the windows
And the indistinct shadows of leaves.
Tap! Tap!
Upholsterer Darling has a fine shop in Jamestown.
Tap! Tap!
Andrew Darling has ridden hard from Longwood to see to the work in his shop
in Jamestown.
He has a corps of men in it, toiling and swearing,
Knocking, and measuring, and planing, and squaring,
Working from a chart with figures,
Comparing with their rules,
Setting this and that part together with their tools.
Tap! Tap! Tap!
Haste indeed!
So great is the need
That carpenters have been taken from the new church,
Joiners have been called from shaping pews and lecterns
To work of greater urgency.
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Coffins!
Coffins is what they are making this bright Summer morning.
Coffins - and all to measurement.
There is a tin coffin,
A deal coffin,
A lead coffin,
And Captain Bennett's best mahogany dining-table
Has been sawed up for the grand outer coffin.
Tap! Tap! Tap!
Sunshine outside in the square,
But inside, only hollow coffins and the tapping upon them.
The men whistle,
And the coffins grow under their hammers
In the darkness of the shop.
Tap! Tap! Tap!
Tramp of men.
Steady tramp of men.
Slit-eyed Chinese with long pigtails
Bearing oblong things upon their shoulders
March slowly along the road to Longwood.
Their feet fall softly in the dust of the road;
Sometimes they call gutturally to each other and stop to shift shoulders.
Four coffins for the little dead man,
Four fine coffins,
And one of them Captain Bennett's dining-table!
And sixteen splendid Chinamen, all strong and able
And of assured neutrality.
Ah! George of England, Lord Bathhurst & Co.
Your princely munificence makes one's heart glow.
Huzza! Huzza! For the Lion of England!
Tap! Tap! Tap!
Marble likeness of an Emperor,
Dead man, who burst your heart against a world too narrow,
The hammers drum you to your last throne
Which always you shall hold alone.
Tap! Tap!
The glory of your past is faded as a sunset fire,
Your day lingers only like the tones of a wind-lyre
In a twilit room.
Here is the emptiness of your dream
367
Scattered about you.
Coins of yesterday,
Double napoleons stamped with Consul or Emperor,
Strange as those of Herculaneum And you just dead!
Not one spool of thread
Will these buy in any market-place.
Lay them over him,
They are the baubles of a crown of mist
Worn in a vision and melted away at waking.
Tap! Tap!
His heart strained at kingdoms
And now it is content with a silver dish.
Strange World! Strange Wayfarer!
Strange Destiny!
Lower it gently beside him and let it lie.
Tap! Tap! Tap!
~ Amy Lowell,#NFDB
1410:The Botanic Garden (Part Vii)
THE LOVES OF THE PLANTS.
CANTO III.
And now the Goddess founds her silver shell,
And shakes with deeper tones the inchanted dell;
Pale, round her grassy throne, bedew'd with tears,
Flit the thin forms of Sorrows, and of Fears;
Soft Sighs responsive whisper to the chords,
And Indignations half-unsheath their swords.
'Thrice round the grave CIRCÆA prints her tread,
And chaunts the numbers, which disturb the dead;
Shakes o'er the holy earth her sable plume,
Waves her dread wand, and strikes the echoing tomb!
-Pale shoot the stars across the troubled night,
The timorous moon withholds her conscious light;
Shrill scream the famish'd bats, and shivering owls,
And loud and long the dog of midnight howls!-Then yawns the bursting ground!- two imps obscene
Rise on broad wings, and hail the baleful queen;
Each with dire grin salutes the potent wand,
And leads the sorceress with his sooty hand;
Onward they glide, where sheds the sickly yew
O'er many a mouldering bone its nightly dew;
The ponderous portals of the church unbar,Hoarse on their hinge the ponderous portals jar;
As through the colour'd glass the moon-beam falls,
Huge shapeless spectres quiver on the walls;
Low murmurs creep along the hollow ground,
And to each step the pealing ailes resound;
By glimmering lamps, protecting saints among,
The shrines all tremble as they pass along,
O'er the still choir with hideous laugh they move,
(Fiends yell below, and angels weep above!)
Their impious march to God's high altar bend,
With feet impure the sacred steps ascend;
With wine unbless'd the holy chalice stain,
Assume the mitre, and the cope profane;
To heaven their eyes in mock devotion throw,
54
And to the cross with horrid mummery bow;
Adjure by mimic rites the powers above,
And plite alternate their Satanic love.
Avaunt, ye Vulgar! from her sacred groves
With maniac step the Pythian LAURA moves;
Full of the God her labouring bosom sighs,
Foam on her lips, and fury in her eyes,
Strong writhe her limbs, her wild dishevell'd hair
Starts from her laurel-wreath, and swims in air.While twenty Priests the gorgeous shrine surround
Cinctur'd with ephods, and with garlands crown'd,
Contending hosts and trembling nations wait
The firm immutable behests of Fate;
-She speaks in thunder from her golden throne
With words unwill'd , and wisdom not her own.
So on his NIGHTMARE through the evening fog
Flits the squab Fiend o'er fen, and lake, and bog;
Seeks some love-wilder'd Maid with sleep oppress'd,
Alights, and grinning fits upon her breast.
-Such as of late amid the murky sky
Was mark'd by FUSELI'S poetic eye;
Whose daring tints, with SHAKESPEAR'S happiest grace,
Gave to the airy phantom form and place.Back o'er her pillow sinks her blushing head,
Her snow-white limbs hang helpless from the bed;
While with quick sighs, and suffocative breath,
Her interrupted heart-pulse swims in death.
-Then shrieks of captured towns, and widows' tears,
Pale lovers stretch'd upon their blood-stain'd biers,
The headlong precipice that thwarts her flight,
The trackless desert, the cold starless night,
And stern-eye'd Murder with his knife behind,
In dread succession agonize her mind.
O'er her fair limbs convulsive tremors fleet,
Start in her hands, and struggle in her feet;
In vain to scream with quivering lips she tries,
And strains in palsy'd lids her tremulous eyes;
In vain she wills to run, fly, swim, walk, creep;
The WILL presides not in the bower of SLEEP.
-On her fair bosom sits the Demon-Ape
Erect, and balances his bloated shape;
Rolls in their marble orbs his Gorgon-eyes,
55
And drinks with leathern ears her tender cries.
Arm'd with her ivory beak, and talon-hands,
Descending FICA dives into the sands;
Chamber'd in earth with cold oblivion lies;
Nor heeds, ye Suitor-train , your amorous sighs;
Erewhile with renovated beauty blooms,
Mounts into air, and moves her leafy plumes.
-Where HAMPS and MANIFOLD, their cliffs among,
Each in his flinty channel winds along;
With lucid lines the dusky Moor divides,
Hurrying to intermix their sister tides.
Where still their silver-bosom'd Nymphs abhor,
The blood-smear'd mansion of gigantic THOR,-Erst, fires volcanic in the marble womb
Of cloud-wrapp'd WETTON raised the massy dome;
Rocks rear'd on rocks in huge disjointed piles
Form the tall turrets, and the lengthen'd ailes;
Broad ponderous piers sustain the roof, and wide
Branch the vast rain-bow ribs from side to side.
While from above descends in milky streams
One scanty pencil of illusive beams,
Suspended crags and gaping gulphs illumes,
And gilds the horrors of the deepen'd glooms.
-Here oft the Naiads, as they chanced to play
Near the dread Fane on THOR'S returning day,
Saw from red altars streams of guiltless blood
Stain their green reed-beds, and pollute their flood;
Heard dying babes in wicker prisons wail,
And shrieks of matrons thrill the affrighted Gale;
While from dark caves infernal Echoes mock,
And Fiends triumphant shout from every rock!
--So still the Nymphs emerging lift in air
Their snow-white shoulders and their azure hair;
Sail with sweet grace the dimpling streams along,
Listening the Shepherd's or the Miner's song;
But, when afar they view the giant-cave,
On timorous fins they circle on the wave,
With streaming eyes and throbbing hearts recoil,
Plunge their fair forms, and dive beneath the soil.Closed round their heads reluctant eddies sink,
And wider rings successive dash the brink.Three thousand steps in sparry clefts they stray,
56
Or seek through sullen mines their gloomy way;
On beds of Lava sleep in coral cells,
Or sigh o'er jasper fish, and agate shells.
Till, where famed ILAM leads his boiling floods
Through flowery meadows and impending woods,
Pleased with light spring they leave the dreary night,
And 'mid circumfluent surges rise to light;
Shake their bright locks, the widening vale pursue,
Their sea-green mantles fringed with pearly dew;
In playful groups by towering THORP they move,
Bound o'er the foaming wears, and rush into the Dove.
With fierce distracted eye IMPATIENS stands,
Swells her pale cheeks, and brandishes her hands,
With rage and hate the astonish'd groves alarms,
And hurls her infants from her frantic arms.
-So when MEDÆA left her native soil
Unaw'd by danger, unsubdued by toil;
Her weeping sire and beckoning friends withstood,
And launch'd enamour'd on the boiling flood;
One ruddy boy her gentle lips caress'd,
And one fair girl was pillow'd on her breast;
While high in air the golden treasure burns,
And Love and Glory guide the prow by turns.
But, when Thessalia's inauspicious plain
Received the matron-heroine from the main;
While horns of triumph sound, and altars burn,
And shouting nations hail their Chief's return:
Aghaft, She saw new-deck'd the nuptial bed,
And proud CREUSA to the temple led;
Saw her in JASON'S mercenary arms
Deride her virtues, and insult her charms;
Saw her dear babes from fame and empire torn,
In foreign realms deserted and forlorn;
Her love rejected, and her vengeance braved,
By Him her beauties won, her virtues saved.With stern regard she eyed the traitor-king,
And felt, Ingratitude! thy keenest sting;
'Nor Heaven,' She cried, 'nor Earth, nor Hell can hold
'A Heart abandon'd to the thirst of Gold!'
Stamp'd with wild foot, and shook her horrent brow,
And call'd the furies from their dens below.
-Slow out of earth, before the festive crowds,
57
On wheels of fire, amid a night of clouds,
Drawn by fierce fiends arose a magic car,
Received the Queen, and hovering flamed in air.As with raised hands the suppliant traitors kneel
And fear the vengeance they deserve to feel,
Thrice with parch'd lips her guiltless babes she press'd,
And thrice she clasp'd them to her tortur'd breast;
Awhile with white uplifted eyes she stood,
Then plung'd her trembling poniards in their blood.
'Go, kiss your sire! go, share the bridal mirth!'
She cry'd, and hurl'd their quivering limbs on earth.
Rebellowing thunders rock the marble towers,
And red-tongued lightnings shoot their arrowy showers;
Earth yawns!-the crashing ruin sinks!-o'er all
Death with black hands extends his mighty Pall;
Their mingling gore the Fiends of Vengeance quaff,
And Hell receives them with convulsive laugh.
Round the vex'd isles where fierce tornados roar,
Or tropic breezes sooth the sultry shore;
What time the eve her gauze pellucid spreads
O'er the dim flowers, and veils the misty meads;
Slow, o'er the twilight sands or leafy walks,
With gloomy dignity DICTAMNA stalks;
In sulphurous eddies round the weird dame
Plays the light gas, or kindles into flame.
If rests the traveller his weary head,
Grim MANCINELLA haunts the mossy bed,
Brews her black hebenon, and, stealing near,
Pours the curst venom in his tortured ear.Wide o'er the mad'ning throng URTICA flings
Her barbed shafts, and darts her poison'd stings.
And fell LOBELIA'S suffocating breath
Loads the dank pinion of the gale with death.With fear and hate they blast the affrighted groves,
Yet own with tender care their kindred Loves! So, where PALMIRA 'mid her wasted plains,
Her shatter'd aqueducts, and prostrate sanes,
(As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O'er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams),
Sad o'er the mighty wreck in silence bends,
58
Lifts her wet eyes, her tremulous hands extends.If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
O'er the moist rock the fell Hyæna prowls,
The Leopard hisses, and the Panther growls;
On quivering wing the famish'd Vulture screams,
Dips his dry beak, and sweeps the gushing streams;
With foamy jaws, beneath, and sanguine tongue,
Laps the lean Wolf, and pants, and runs along;
Stern stalks the Lion, on the rustling brinks
Hears the dread Snake, and trembles as he drinks;
Quick darts the scaly Monster o'er the plain,
Fold after fold, his undulating train;
And, bending o'er the lake his crested brow,
Starts at the Crocodile, that gapes below.
Where seas of glass with gay reflections smile
Round the green coasts of Java's palmy isle;
A spacious plain extends its upland scene,
Rocks rise on rocks, and fountains gush between;
Soft zephyrs blow, eternal summers reign,
And showers prolific bless the soil,-in vain!
-No spicy nutmeg scents the vernal gales,
Nor towering plaintain shades the mid-day vales;
No grassy mantle hides the sable hills,
No flowery chaplet crowns the trickling rills;
Nor tufted moss, nor leathery lichen creeps
In russet tapestry o'er the crumbling steeps.
-No step retreating, on the sand impress'd,
Invites the visit of a second guest;
No refluent fin the unpeopled stream divides,
No revolant pinion cleaves the airy tides;
Nor handed moles, nor beaked worms return,
That mining pass the irremeable bourn.Fierce in dread silence on the blasted heath
Fell UPAS sits, the HYDRA-TREE of death.
Lo! from one root, the envenom'd soil below,
A thousand vegetative serpents grow;
In shining rays the scaly monster spreads
O'er ten square leagues his far-diverging heads;
Or in one trunk entwists his tangled form,
Looks o'er the clouds, and hisses in the storm.
Steep'd in fell poison, as his sharp teeth part,
59
A thousand tongues in quick vibration dart;
Snatch the proud Eagle towering o'er the heath,
Or pounce the Lion, as he stalks beneath;
Or strew, as marshall'd hosts contend in vain,
With human skeletons the whiten'd plain.
-Chain'd at his root two scion-demons dwell,
Breathe the faint hiss, or try the shriller yell;
Rise, fluttering in the air on callow wings,
And aim at insect-prey their little stings.
So Time's strong arms with sweeping scythe erase
Art's cumberous works, and empires, from their base;
While each young Hour its sickle fine employs,
And crops the sweet buds of domestic joys!
With blushes bright as morn fair ORCHIS charms,
And lulls her infant in her fondling arms;
Soft play Affection round her bosom's throne,
And guards his life, forgetful of her own.
So wings the wounded Deer her headlong flight,
Pierced by some ambush'd archer of the night,
Shoots to the woodlands with her bounding fawn,
And drops of blood bedew the conscious lawn;
There hid in shades she shuns the cheerful day,
Hangs o'er her young, and weeps her life away.
So stood Eliza on the wood-crown'd height,
O'er Minden's plain, spectatress of the sight,
Sought with bold eye amid the bloody strife
Her dearer self, the partner of her life;
From hill to hill the rushing host pursued,
And view'd his banner, or believed she view'd.
Pleased with the distant roar, with quicker tread
Fast by his hand one lisping boy she led;
And one fair girl amid the loud alarm
Slept on her kerchief, cradled by her arm;
While round her brows bright beams of Honour dart,
And Love's warm eddies circle round her heart
-Near and more near the intrepid Beauty press'd,
Saw through the driving smoke his dancing crest,
Heard the exulting shout, 'they run! they run!'
'Great GOD!' she cried, 'He's safe! the battle's won!'
-A ball now hisses through the airy tides,
(Some Fury wing'd it, and some Demon guides!)
Parts the fine locks, her graceful head that deck,
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Wounds her fair ear, and sinks into her neck;
The red stream, issuing from her azure veins,
Dyes her white veil, her ivory bosom stains.-'Ah me!' she cried, and, sinking on the ground,
Kiss'd her dear babes, regardless of the wound;
'Oh, cease not yet to beat, thou Vital Urn!
'Wait, gushing Life, oh, wait my Love's return!'Hoarse barks the wolf, the vulture screams from far!
'The angel, Pity, shuns the walks of war!-'Oh, spare ye War-hounds, spare their tender age!'On me, on me,' she cried, 'exhaust your rage!'Then with weak arms her weeping babes caress'd,
And sighing bid them in her blood-stain'd vest.
From tent to tent the impatient warrior flies,
Fear in his heart, and frenzy in his eyes;
Eliza's name along the camp he calls,
Eliza echoes through the canvas walls;
Quick through the murmuring gloom his footsteps tread,
O'er groaning heaps, the dying and the dead,
Vault o'er the plain, and in the tangled wood,
Lo! dead Eliza weltering in her blood!-Soon hears his listening son the welcome sounds,
With open arms and sparkling eyes he bounds:'Speak low,' he cries, and gives his little hand,
'Eliza sleeps upon the dew-cold sand;
'Poor weeping Babe with bloody fingers press'd,
'And tried with pouting lips her milkless breast;
'Alas! we both with cold and hunger quake'Why do you weep?-Mama will soon awake.'
-'She'll wake no more!' the hopeless mourner cried
Upturn'd his eyes, and clasp'd his hands, and sigh'd;
Stretch'd on the ground awhile entranc'd he lay,
And press'd warm kisses on the lifeless clay;
And then unsprung with wild convulsive start,
And all the Father kindled in his heart;
'Oh, Heavens!' he cried, 'my first rash vow forgive!
'These bind to earth, for these I pray to live!'Round his chill babes he wrapp'd his crimson vest,
And clasp'd them sobbing to his aching breast.
Two Harlot-Nymphs, the fair CUSCUTAS, please
With labour'd negligence, and studied ease;
In the meek garb of modest worth disguised,
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The eye averted, and the smile chastised,
With sly approach they spread their dangerous charms,
And round their victim wind their wiry arms.
So by Scamander when LAOCOON stood,
Where Troy's proud turrets glitter'd in the flood,
Raised high his arm, and with prophetic call
To shrinking realms announced her fatal fall;
Whirl'd his fierce spear with more than mortal force,
And pierced the thick ribs of the echoing horse;
Two Serpent-forms incumbent on the main,
Lashing the white waves with redundant train,
Arch'd their blue necks, and (hook their towering crests,
And plough'd their foamy way with speckled breasts;
Then darting fierce amid the affrighted throngs,
Roll'd their red eyes, and shot their forked tongues,-Two daring Youths to guard the hoary fire
Thwart their dread progress, and provoke their ire.
Round sire and sons the scaly monsters roll'd,
Ring above ring, in many a tangled fold,
Close and more close their writhing limbs surround,
And fix with foamy teeth the envenom'd wound.
-With brow upturn'd to heaven the holy Sage
In silent agony sustains their rage;
While each fond Youth, in vain, with piercing cries
Bends on the tortured Sire his dying eyes.
'Drink deep, sweet youths' seductive VITIS cries,
The maudlin tear-drop glittering in her eyes;
Green leaves and purple clusters crown her head,
And the tall Thyrsus stays her tottering tread.
- Five hapless swains with soft assuasive smiles
The harlot meshes in her deathful toils;
'Drink deep,' she carols, as she waves in air
The mantling goblet, 'and forget your care.'O'er the dread feast malignant Chemia scowls,
And mingles poison in the nectar'd bowls;
Fell Gout peeps grinning through the flimsy scene,
And bloated Dropsy pants behind unseen;
Wrapp'd in his robe white Lepra hides his stains,
And silent Frenzy writhing bites his chains.
So when PROMETHEUS braved the Thunderer's ire,
Stole from his blazing throne etherial fire,
And, lantern'd in his breast, from realms of day
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Bore the bright treasure to his Man of clay;High on cold Caucasus by VULCAN bound,
The lean impatient Vulture fluttering round,
His writhing limbs in vain he twists and strains
To break or loose the adamantine chains.
The gluttonous bird, exulting in his pangs,
Tears his swoln liver with remorseless fangs.
The gentle CYCLAMEN with dewy eye
Breathes o'er her lifeless babe the parting sigh;
And, bending low to earth, with pious hands
Inhumes her dear Departed in the sands.
'Sweet Nursling! withering in thy tender hour,
'Oh, sleep,' She cries, 'and rise a fairer flower!'
-So when the Plague o'er London's gasping crowds
Shook her dank wing, and steer'd her murky clouds;
When o'er the friendless bier no rites were read,
No dirge slow-chanted, and no pall out-spread;
While Death and Night piled up the naked throng,
And Silence drove their ebon cars along;
Six lovely daughters, and their father, swept
To the throng'd grave CLEONE saw, and wept;
Her tender mind, with meek Religion fraught,
Drank all-resigned Affliction's bitter draught;
Alive and listening to the whisper'd groan
Of others' woes, unconscious of her own!One smiling boy, her last sweet hope, she warms
Hushed on her bosom, circled in her arms,Daughter of woe! ere morn, in vain caress'd,
Clung the cold Babe upon thy milkless breast,
With feeble cries thy last sad aid required,
Stretch'd its stiff limbs, and on thy lap expired!-Long with wide eye-lids on her Child she gazed,
And long to heaven their tearless orbs she raised;
Then with quick foot and throbbing heart she found
Where Chartreuse open'd deep his holy ground;
Bore her last treasure through the midnight gloom,
And kneeling dropp'd it in the mighty tomb;
'I follow next!' the frantic mourner said,
And living plunged amid the festering dead.
Where vast Ontario rolls his brineless tides,
And feeds the trackless forests on his sides,
Fair CASSIA trembling hears the howling woods,
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And trusts her tawny children to the floods.Cinctured with gold while ten fond brothers stand,
And guard the beauty on her native land,
Soft breathes the gale, the current gently moves,
And bears to Norway's coasts her infant-loves.
-So the sad mother at the noon of night
From bloody Memphis stole her silent flight;
Wrapp'd her dear babe beneath her folded vest,
And clasp'd the treasure to her throbbing breast,
With soothing whispers hushed its feeble cry,
Pressed the soft kiss, and breathed the secret sigh.-With dauntless step she seeks the winding shore,
Hears unappall'd the glimmering torrents roar;
With Paper-flags a floating cradle weaves,
And hides the smiling boy in Lotus-leaves;
Gives her white bosom to his eager lips,
The salt tears mingling with the milk he sips;
Waits on the reed-crown'd brink with pious guile,
And trusts the scaly monsters of the Nile.-Erewhile majestic from his lone abode,
Embassador of Heaven, the Prophet trod;
Wrench'd the red Scourge from proud Oppression's hands,
And broke, curst Slavery! thy iron bands.
Hark! heard ye not that piercing cry,
Which shook the waves and rent the sky!E'en now, e'en now, on yonder Western shores
Weeps pale Despair, and writhing Anguish roars:
E'en now in Afric's groves with hideous yell
Fierce SLAVERY stalks, and slips the dogs of hell;
From vale to vale the gathering cries rebound,
And sable nations tremble at the sound!-YE BANDS OF SENATORS! whose suffrage sways
Britannia's realms, whom either Ind obeys;
Who right the injured, and reward the brave,
Stretch your strong arm, for ye have power to save!
Throned in the vaulted heart, his dread resort,
Inexorable CONSCIENCE holds his court;
With still small voice the plots of Guilt alarms,
Bares his mask'd brow, his lifted hand disarms;
But, wrapp'd in night with terrors all his own,
He speaks in thunder, when the deed is done.
Hear him ye Senates! hear this truth sublime,
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'HE, WHO ALLOWS OPPRESSION, SHARES THE CRIME.'
No radiant pearl, which crested Fortune wears,
No gem, that twinkling hangs from Beauty's ears,
Not the bright stars, which Night's blue arch adorn,
Nor rising suns that gild the vernal morn,
Shine with such lustre as the tear, that breaks
For other's woe down Virtue's manly cheeks.'
Here ceased the MUSE, and dropp'd her tuneful shell,
Tumultuous woes her panting bosom swell,
O'er her flush'd cheek her gauzy veil she throws,
Folds her white arms, and bends her laurel'd brows;
For human guilt awhile the Goddess sighs,
And human sorrows dim celestial eyes.
~ Erasmus Darwin,#NFDB
1411:The Farewell
_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise-If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
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To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,
And in each sentence, worthy of the schools,
Varnish'd with sophistry, to deal out rules
Most fit for practice, but for one poor fault
That into practice they can ne'er be brought.
At home, and sitting in your elbow-chair,
You praise Japan, though you was never there:
But was the ship this moment under sail,
Would not your mind be changed, your spirits fail?
Would you not cast one longing eye to shore,
And vow to deal in such wild schemes no more?
Howe'er our pride may tempt us to conceal
Those passions which we cannot choose but feel,
There's a strange something, which, without a brain,
Fools feel, and which e'en wise men can't explain,
Planted in man to bind him to that earth,
In dearest ties, from whence he drew his birth.
If Honour calls, where'er she points the way
The sons of Honour follow, and obey;
If need compels, wherever we are sent
'Tis want of courage not to be content;
But, if we have the liberty of choice,
And all depends on our own single voice,
To deem of every country as the same
Is rank rebellion 'gainst the lawful claim
Of Nature, and such dull indifference
May be philosophy, but can't be sense.
_F_. Weak and unjust distinction, strange design,
Most peevish, most perverse, to undermine
Philosophy, and throw her empire down
By means of Sense, from whom she holds her crown,
Divine Philosophy! to thee we owe
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All that is worth possessing here below;
Virtue and wisdom consecrate thy reign,
Doubled each joy, and pain no longer pain.
When, like a garden, where, for want of toil
And wholesome discipline, the rich, rank soil
Teems with incumbrances; where all around,
Herbs, noxious in their nature, make the ground,
Like the good mother of a thankless son,
Curse her own womb, by fruitfulness undone;
Like such a garden, when the human soul,
Uncultured, wild, impatient of control,
Brings forth those passions of luxuriant race,
Which spread, and stifle every herb of grace;
Whilst Virtue, check'd by the cold hand of Scorn,
Seems withering on the bed where she was born,
Philosophy steps in; with steady hand,
She brings her aid, she clears the encumber'd land;
Too virtuous to spare Vice one stroke, too wise
One moment to attend to Pity's cries-See with what godlike, what relentless power
She roots up every weed!
_P_. And every flower.
Philosophy, a name of meek degree,
Embraced, in token of humility,
By the proud sage, who, whilst he strove to hide,
In that vain artifice reveal'd his pride;
Philosophy, whom Nature had design'd
To purge all errors from the human mind,
Herself misled by the philosopher,
At once her priest and master, made us err:
Pride, pride, like leaven in a mass of flour,
Tainted her laws, and made e'en Virtue sour.
Had she, content within her proper sphere,
Taught lessons suited to the human ear,
Which might fair Virtue's genuine fruits produce,
Made not for ornament, but real use,
The heart of man, unrivall'd, she had sway'd,
Praised by the good, and by the bad obey'd;
But when she, overturning Reason's throne,
Strove proudly in its place to plant her own;
When she with apathy the breast would steel,
And teach us, deeply feeling, not to feel;
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When she would wildly all her force employ,
Not to correct our passions, but destroy;
When, not content our nature to restore,
As made by God, she made it all new o'er;
When, with a strange and criminal excess,
To make us more than men, she made us less;
The good her dwindled power with pity saw,
The bad with joy, and none but fools with awe.
Truth, with a simple and unvarnish'd tale,
E'en from the mouth of Norton might prevail,
Could she get there; but Falsehood's sugar'd strain
Should pour her fatal blandishments in vain,
Nor make one convert, though the Siren hung,
Where she too often hangs, on Mansfield's tongue.
Should all the Sophs, whom in his course the sun
Hath seen, or past, or present, rise in one;
Should he, whilst pleasure in each sentence flows,
Like Plato, give us poetry in prose;
Should he, full orator, at once impart
The Athenian's genius with the Roman's art;
Genius and Art should in this instance fail,
Nor Rome, though join'd with Athens, here prevail.
'Tis not in man, 'tis not in more than man,
To make me find one fault in Nature's plan.
Placed low ourselves, we censure those above,
And, wanting judgment, think that she wants love;
Blame, where we ought in reason to commend,
And think her most a foe when most a friend.
Such be philosophers--their specious art,
Though Friendship pleads, shall never warp my heart,
Ne'er make me from this breast one passion tear,
Which Nature, my best friend, hath planted there.
_F_. Forgiving as a friend, what, whilst I live,
As a philosopher I can't forgive,
In this one point at last I join with you,
To Nature pay all that is Nature's due;
But let not clouded Reason sink so low,
To fancy debts she does not, cannot owe:
Bear, to full manhood grown, those shackles bear,
Which Nature meant us for a time to wear,
As we wear leading-strings, which, useless grown,
Are laid aside, when we can walk alone;
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But on thyself, by peevish humour sway'd,
Wilt thou lay burdens Nature never laid?
Wilt thou make faults, whilst Judgment weakly errs,
And then defend, mistaking them for hers?
Darest thou to say, in our enlighten'd age,
That this grand master passion, this brave rage,
Which flames out for thy country, was impress'd
And fix'd by Nature in the human breast?
If you prefer the place where you were born,
And hold all others in contempt and scorn,
On fair comparison; if on that land
With liberal, and a more than equal hand,
Her gifts, as in profusion, Plenty sends;
If Virtue meets with more and better friends;
If Science finds a patron 'mongst the great;
If Honesty is minister of state;
If Power, the guardian of our rights design'd,
Is to that great, that only end, confined;
If riches are employ'd to bless the poor;
If Law is sacred, Liberty secure;
Let but these facts depend on proofs of weight,
Reason declares thy love can't be too great,
And, in this light could he our country view,
A very Hottentot must love it too.
But if, by Fate's decrees, you owe your birth
To some most barren and penurious earth,
Where, every comfort of this life denied,
Her real wants are scantily supplied;
Where Power is Reason, Liberty a joke,
Laws never made, or made but to be broke;
To fix thy love on such a wretched spot,
Because in Lust's wild fever there begot;
Because, thy weight no longer fit to bear,
By chance, not choice, thy mother dropp'd thee there,
Is folly, which admits not of defence;
It can't be Nature, for it is not sense.
By the same argument which here you hold,
(When Falsehood's insolent, let Truth be told)
If Propagation can in torments dwell,
A devil must, if born there, love his Hell.
_P_. Had Fate, to whose decrees I lowly bend,
And e'en in punishment confess a friend,
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Ordain'd my birth in some place yet untried,
On purpose made to mortify my pride,
Where the sun never gave one glimpse of day,
Where Science never yet could dart one ray,
Had I been born on some bleak, blasted plain
Of barren Scotland, in a Stuart's reign,
Or in some kingdom, where men, weak, or worse,
Turn'd Nature's every blessing to a curse;
Where crowns of freedom, by the fathers won,
Dropp'd leaf by leaf from each degenerate son;
In spite of all the wisdom you display,
All you have said, and yet may have to say,
My weakness here, if weakness I confess,
I, as my country, had not loved her less.
Whether strict Reason bears me out in this,
Let those who, always seeking, always miss
The ways of Reason, doubt with precious zeal;
Theirs be the praise to argue, mine to feel.
Wish we to trace this passion to the root,
We, like a tree, may know it by its fruit;
From its rich stem ten thousand virtues spring,
Ten thousand blessings on its branches cling;
Yet in the circle of revolving years
Not one misfortune, not one vice, appears.
Hence, then, and what you Reason call, adore;
This, if not Reason, must be something more.
But (for I wish not others to confine;
Be their opinions unrestrain'd as mine)
Whether this love's of good or evil growth,
A vice, a virtue, or a spice of both,
Let men of nicer argument decide;
If it is virtuous, soothe an honest pride
With liberal praise; if vicious, be content,
It is a vice I never can repent;
A vice which, weigh'd in Heaven, shall more avail
Than ten cold virtues in the other scale.
_F_. This wild, untemper'd zeal (which, after all,
We, candour unimpeach'd, might madness call)
Is it a virtue? That you scarce pretend;
Or can it be a vice, like Virtue's friend,
Which draws us off from and dissolves the force
Of private ties, nay, stops us in our course
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To that grand object of the human soul,
That nobler love which comprehends the whole?
Coop'd in the limits of this petty isle,
This nook, which scarce deserves a frown or smile,
Weigh'd with Creation, you, by whim undone,
Give all your thoughts to what is scarce worth one.
The generous soul, by Nature taught to soar,
Her strength confirm'd in philosophic lore,
At one grand view takes in a world with ease,
And, seeing all mankind, loves all she sees.
_P_. Was it most sure, which yet a doubt endures,
Not found in Reason's creed, though found in yours,
That these two services, like what we're told,
And know, of God's and Mammon's, cannot hold
And draw together; that, however both,
We neither serve, attempting to serve both,
I could not doubt a moment which to choose,
And which in common reason to refuse.
Invented oft for purposes of art,
Born of the head, though father'd on the heart,
This grand love of the world must be confess'd
A barren speculation at the best.
Not one man in a thousand, should he live
Beyond the usual term of life, could give,
So rare occasion comes, and to so few,
Proof whether his regards are feign'd, or true.
The love we bear our country is a root
Which never fails to bring forth golden fruit;
'Tis in the mind an everlasting spring
Of glorious actions, which become a king,
Nor less become a subject; 'tis a debt
Which bad men, though they pay not, can't forget;
A duty, which the good delight to pay,
And every man can practise every day.
Nor, for my life (so very dim my eye,
Or dull your argument) can I descry
What you with faith assert, how that dear love,
Which binds me to my country, can remove,
And make me of necessity forego,
That general love which to the world I owe.
Those ties of private nature, small extent,
In which the mind of narrow cast is pent,
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Are only steps on which the generous soul
Mounts by degrees till she includes the whole.
That spring of love, which, in the human mind,
Founded on self, flows narrow and confined,
Enlarges as it rolls, and comprehends
The social charities of blood and friends,
Till, smaller streams included, not o'erpast,
It rises to our country's love at last;
And he, with liberal and enlarged mind,
Who loves his country, cannot hate mankind.
_F_. Friend, as you would appear, to Common Sense,
Tell me, or think no more of a defence,
Is it a proof of love by choice to run
A vagrant from your country?
_P_. Can the son
(Shame, shame on all such sons!) with ruthless eye,
And heart more patient than the flint, stand by,
And by some ruffian, from all shame divorced,
All virtue, see his honour'd mother forced?
Then--no, by Him that made me! not e'en then,
Could I with patience, by the worst of men,
Behold my country plunder'd, beggar'd, lost
Beyond redemption, all her glories cross'd,
E'en when occasion made them ripe, her fame
Fled like a dream, while she awakes to shame.
_F_. Is it not more the office of a friend,
The office of a patron, to defend
Her sinking state, than basely to decline
So great a cause, and in despair resign?
_P_. Beyond my reach, alas! the grievance lies,
And, whilst more able patriots doubt, she dies.
From a foul source, more deep than we suppose,
Fatally deep and dark, this grievance flows.
'Tis not that peace our glorious hopes defeats:
'Tis not the voice of Faction in the streets;
'Tis not a gross attack on Freedom made;
Tis not the arm of Privilege display'd,
Against the subject, whilst she wears no sting
To disappoint the purpose of a king;
These are no ills, or trifles, if compared
With those which are contrived, though not declared.
Tell me, Philosopher, is it a crime
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To pry into the secret womb of Time;
Or, born in ignorance, must we despair
To reach events, and read the future there?
Why, be it so--still 'tis the right of man,
Imparted by his Maker, where he can,
To former times and men his eye to cast,
And judge of what's to come, by what is past.
Should there be found, in some not distant year,
(Oh, how I wish to be no prophet here!)
Amongst our British Lords should there be found
Some great in power, in principles unsound,
Who look on Freedom with an evil eye,
In whom the springs of Loyalty are dry;
Who wish to soar on wild Ambition's wings,
Who hate the Commons, and who love not Kings;
Who would divide the people and the throne,
To set up separate interests of their own;
Who hate whatever aids their wholesome growth,
And only join with, to destroy them both;
Should there be found such men in after-times,
May Heaven, in mercy to our grievous crimes,
Allot some milder vengeance, nor to them,
And to their rage, this wretched land condemn,
Thou God above, on whom all states depend,
Who knowest from the first their rise, and end,
If there's a day mark'd in the book of Fate,
When ruin must involve our equal state;
When law, alas! must be no more, and we,
To freedom born, must be no longer free;
Let not a mob of tyrants seize the helm,
Nor titled upstarts league to rob the realm;
Let not, whatever other ills assail,
A damned aristocracy prevail.
If, all too short, our course of freedom run,
'Tis thy good pleasure we should be undone,
Let us, some comfort in our griefs to bring,
Be slaves to one, and be that one a king.
_F_. Poets, accustom'd by their trade to feign,
Oft substitute creations of the brain
For real substance, and, themselves deceived,
Would have the fiction by mankind believed.
Such is your case--but grant, to soothe your pride,
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That you know more than all the world beside,
Why deal in hints, why make a moment's doubt?
Resolved, and like a man, at once speak out;
Show us our danger, tell us where it lies,
And, to ensure our safety, make us wise.
_P_. Rather than bear the pain of thought, fools stray;
The proud will rather lose than ask their way:
To men of sense what needs it to unfold,
And tell a tale which they must know untold?
In the bad, interest warps the canker'd heart,
The good are hoodwink'd by the tricks of art;
And, whilst arch, subtle hypocrites contrive
To keep the flames of discontent alive;
Whilst they, with arts to honest men unknown,
Breed doubts between the people and the throne,
Making us fear, where Reason never yet
Allow'd one fear, or could one doubt admit,
Themselves pass unsuspected in disguise,
And 'gainst our real danger seal our eyes.
_F_. Mark them, and let their names recorded stand
On Shame's black roll, and stink through all the land.
_P_. That might some courage, but no prudence be;
No hurt to them, and jeopardy to me.
_F_. Leave out their names.
_P_. For that kind caution, thanks;
But may not judges sometimes fill up blanks?
_F_. Your country's laws in doubt then you reject?
_P_. The laws I love, the lawyers I suspect.
Amongst twelve judges may not one be found
(On bare, bare possibility I ground
This wholesome doubt) who may enlarge, retrench,
Create, and uncreate, and from the bench,
With winks, smiles, nods, and such like paltry arts,
May work and worm into a jury's hearts?
Or, baffled there, may, turbulent of soul,
Cramp their high office, and their rights control;
Who may, though judge, turn advocate at large,
And deal replies out by the way of charge,
Making Interpretation all the way,
In spite of facts, his wicked will obey,
And, leaving Law without the least defence,
May damn his conscience to approve his sense?
174
_F_. Whilst, the true guardians of this charter'd land,
In full and perfect vigour, juries stand,
A judge in vain shall awe, cajole, perplex.
_P_. Suppose I should be tried in Middlesex?
_F_. To pack a jury they will never dare.
_P_. There's no occasion to pack juries there.
_F_. 'Gainst prejudice all arguments are weak;
Reason herself without effect must speak.
Fly then thy country, like a coward fly,
Renounce her interest, and her laws defy.
But why, bewitch'd, to India turn thine eyes?
Cannot our Europe thy vast wrath suffice?
Cannot thy misbegotten Muse lay bare
Her brawny arm, and play the butcher there?
_P_. Thy counsel taken, what should Satire do?
Where could she find an object that is new?
Those travell'd youths, whom tender mothers wean,
And send abroad to see, and to be seen;
With whom, lest they should fornicate, or worse,
A tutor's sent by way of a dry nurse;
Each of whom just enough of spirit bears
To show our follies, and to bring home theirs,
Have made all Europe's vices so well known,
They seem almost as natural as our own.
_F_. Will India for thy purpose better do?
_P_. In one respect, at least--there's something new.
_F_. A harmless people, in whom Nature speaks
Free and untainted,'mongst whom Satire seeks,
But vainly seeks, so simply plain their hearts,
One bosom where to lodge her poison'd darts.
_P_. From knowledge speak you this? or, doubt on doubt
Weigh'd and resolved, hath Reason found it out?
Neither from knowledge, nor by Reason taught,
You have faith every where, but where you ought.
India or Europe--what's there in a name?
Propensity to vice in both the same,
Nature alike in both works for man's good,
Alike in both by man himself withstood.
Nabobs, as well as those who hunt them down,
Deserve a cord much better than a crown,
And a Mogul can thrones as much debase
As any polish'd prince of Christian race.
175
_F_. Could you,--a task more hard than you suppose,-Could you, in ridicule whilst Satire glows,
Make all their follies to the life appear,
'Tis ten to one you gain no credit here;
Howe'er well drawn, the picture, after all,
Because we know not the original,
Would not find favour in the public eye.
_P_. That, having your good leave, I mean to try:
And if your observations sterling hold,
If the piece should be heavy, tame, and cold,
To make it to the side of Nature lean,
And meaning nothing, something seem to mean:
To make the whole in lively colours glow,
To bring before us something that we know,
And from all honest men applause to win,
I'll group the Company, and put them in.
_F_. Be that ungenerous thought by shame suppress'd,
Add not distress to those too much distress'd;
Have they not, by blind zeal misled, laid bare
Those sores which never might endure the air?
Have they not brought their mysteries so low,
That what the wise suspected not, fools know?
From their first rise e'en to the present hour,
Have they not proved their own abuse of power,
Made it impossible, if fairly view'd,
Ever to have that dangerous power renew'd,
Whilst, unseduced by ministers, the throne
Regards our interests, and knows its own?
_P_. Should every other subject chance to fail,
Those who have sail'd, and those who wish'd to sail
In the last fleet, afford an ample field,
Which must beyond my hopes a harvest yield.
_F_. On such vile food Satire can never thrive.
_P_. She cannot starve, if there was only Clive.
~ Charles Churchill,#NFDB
1412:The Botanic Garden (Part V)
THE LOVES OF THE PLANTS.
CANTO I.
Descend, ye hovering Sylphs! aerial Quires,
And sweep with little hands your silver lyres;
With fairy footsteps print your grassy rings,
Ye Gnomes! accordant to the tinkling strings;
While in soft notes I tune to oaten reed
Gay hopes, and amorous sorrows of the mead.From giant Oaks, that wave their branches dark,
To the dwarf Moss, that clings upon their bark,
What Beaux and Beauties crowd the gaudy groves,
And woo and win their vegetable Loves.
How Snowdrops cold, and blue-eyed Harebels blend
Their tender tears, as o'er the stream they bend;
The lovesick Violet, and the Primrose pale
Bow their sweet heads, and whisper to the gale;
With secret sighs the Virgin Lily droops,
And jealous Cowslips hang their tawny cups.
How the young Rose in beauty's damask pride
Drinks the warm blushes of his bashful bride;
With honey'd lips enamour'd Woodbines meet,
Clasp with fond arms, and mix their kisses sweet.Stay thy soft-murmuring waters, gentle Rill;
Hush, whispering Winds, ye ruflling Leaves, be still;
Rest, silver Butterflies, your quivering wings;
Alight, ye Beetles, from your airy rings;
Ye painted Moths, your gold-eyed plumage furl,
Bow your wide horns, your spiral trunks uncurl;
Glitter, ye Glow-worms, on your mossy beds;
Descend, ye Spiders, on your lengthen'd threads;
Slide here, ye horned Snails, with varnish'd shells;
Ye Bee-nymphs, listen in your waxen cells!BOTANIC MUSE! who in this latter age
Led by your airy hand the Swedish sage,
Bad his keen eye your secret haunts explore
On dewy dell, high wood, and winding shore;
Say on each leaf how tiny Graces dwell;
27
How laugh the Pleasures in a blossom's bell;
How insect Loves arise on cobweb wings,
Aim their light shafts, and point their little stings.
First the tall CANNA lifts his curled brow
Erect to heaven, and plights his nuptial vow;
The virtuous pair, in milder regions born,
Dread the rude blast of Autumn's icy morn;
Round the chill fair he folds his crimson vest,
And clasps the timorous beauty to his breast.
Thy love, CALLITRICHE,
two
Virgins share,
Smit with thy starry eye and radiant hair;On the green margin sits the youth, and laves
His floating train of tresses in the waves;
Sees his fair features paint the streams that pass,
And bends for ever o'er the watery glass.
Two
brother swains, of COLLIN'S gentle name,
The same their features, and their forms the same,
With rival love for fair COLLINIA sigh,
Knit the dark brow, and roll the unsteady eye.
With sweet concern the pitying beauty mourns,
And sooths with smiles the jealous pair by turns.
Sweet blooms GENISTA in the myrtle shade,
And
ten
fond brothers woo the haughty maid.
Two
knights before thy fragrant altar bend,
Adored MELISSA! and
two
squires attend.
MEADIA'S soft chains
five
suppliant beaux confess,
And hand in hand the laughing belle address;
Alike to all, she bows with wanton air,
Rolls her dark eye, and waves her golden hair.
Woo'd with long care, CURCUMA cold and shy
28
Meets her fond husband with averted eye:
Four
beardless youths the obdurate beauty move
With soft attentions of Platonic love.
With vain desires the pensive ALCEA burns,
And, like sad ELOISA, loves and mourns.
The freckled IRIS owns a fiercer flame,
And
three
unjealous husbands wed the dame.
CUPRESSUS dark disdains his dusky bride,
One
dome contains them, but
two
beds divide.
The proud OSYRIS flies his angry fair,
Two
houses hold the fashionable pair.
With strange deformity PLANTAGO treads,
A Monster-birth! and lifts his hundred heads;
Yet with soft love a gentle belle he charms,
And clasps the beauty in his hundred arms.
So hapless DESDEMONA, fair and young,
Won by OTHELLO'S captivating tongue,
Sigh'd o'er each strange and piteous tale, distress'd,
And sunk enamour'd on his sooty breast.
Two
gentle shepherds and their sister-wives
With thee, ANTHOXA! lead ambrosial lives;
Where the wide heath in purple pride extends,
And scatter'd furze its golden lustre blends,
Closed in a green recess, unenvy'd lot!
The blue smoak rises from their turf-built cot;
Bosom'd in fragrance blush their infant train,
Eye the warm sun, or drink the silver rain.
The fair OSMUNDA seeks the silent dell,
The ivy canopy, and dripping cell;
There hid in shades
29
clandestine
rites approves,
Till the green progeny betrays her loves.
With charms despotic fair CHONDRILLA reigns
O'er the soft hearts of
five
fraternal swains;
If sighs the changeful nymph, alike they mourn;
And, if she smiles, with rival raptures burn.
So, tun'd in unison, Eolian Lyre!
Sounds in sweet symphony thy kindred wire;
Now, gently swept by Zephyr's vernal wings,
Sink in soft cadences the love-sick strings;
And now with mingling chords, and voices higher,
Peal the full anthems of the aerial choir.
Five
sister-nymphs to join Diana's train
With thee, fair LYCHNIS! vow,-but vow in vain;
Beneath one roof resides the virgin band,
Flies the fond swain, and scorns his offer'd hand;
But when soft hours on breezy pinions move,
And smiling May attunes her lute to love,
Each wanton beauty, trick'd in all her grace,
Shakes the bright dew-drops from her blushing face;
In gay undress displays her rival charms,
And calls her wondering lovers to her arms.
When the young Hours amid her tangled hair
Wove the fresh rose-bud, and the lily fair,
Proud GLORIOSA led
three
chosen swains,
The blushing captives of her virgin chains.-When Time's rude hand a bark of wrinkles spread
Round her weak limbs, and silver'd o'er her head,
Three
other youths her riper years engage,
The flatter'd victims of her wily age.
So, in her wane of beauty, NINON won
With fatal smiles her gay unconscious son.Clasp'd in his arms she own'd a mother's name,-
30
'Desist, rash youth! restrain your impious flame,
'First on that bed your infant-form was press'd,
'Born by my throes, and nurtured at my breast.'Back as from death he sprung, with wild amaze
Fierce on the fair he fix'd his ardent gaze;
Dropp'd on one knee, his frantic arms outspread,
And stole a guilty glance toward the bed;
Then breath'd from quivering lips a whisper'd vow,
And bent on heaven his pale repentant brow;
'Thus, thus!' he cried, and plung'd the furious dart,
And life and love gush'd mingled from his heart.
The fell SILENE and her sisters fair,
Skill'd in destruction, spread the viscous snare.
The harlot-band
ten
lofty bravoes screen,
And frowning guard the magic nets unseen.Haste, glittering nations, tenants of the air,
Oh, steer from hence your viewless course afar!
If with soft words, sweet blushes, nods, and smiles,
The
three
dread Syrens lure you to their toils,
Limed by their art in vain you point your stings,
In vain the efforts of your whirring wings!Go, seek your gilded mates and infant hives,
Nor taste the honey purchas'd with your lives!
When heaven's high vault condensing clouds deform,
Fair AMARYLLIS flies the incumbent storm,
Seeks with unsteady step the shelter'd vale,
And turns her blushing beauties from the gale.Six
rival youths, with soft concern impress'd,
Calm all her fears, and charm her cares to rest.So shines at eve the sun-illumin'd fane,
Lifts its bright cross, and waves its golden vane;
From every breeze the polish'd axle turns,
And high in air the dancing meteor burns.
Four
of the giant brood with ILEX stand,
31
Each grasps a thousand arrows in his hand;
A thousand steely points on every scale
Form the bright terrors of his bristly male.So arm'd, immortal Moore uncharm'd the spell,
And slew the wily dragon of the well.Sudden with rage their
injur'd
bosoms burn,
Retort the insult, or the wound return;
Unwrong'd
, as gentle as the breeze that sweeps
The unbending harvests or undimpled deeps,
They guard, the Kings of Needwood's wide domains,
Their sister-wives and fair infantine trains;
Lead the lone pilgrim through the trackless glade,
Or guide in leafy wilds the wand'ring maid.
So WRIGHT's bold pencil from Vesuvio's hight
Hurls his red lavas to the troubled night;
From Calpè starts the intolerable flash,
Skies burst in flames, and blazing oceans dash;Or bids in sweet repose his shades recede,
Winds the still vale, and slopes the velvet mead;
On the pale stream expiring Zephyrs sink,
And Moonlight sleeps upon its hoary brink.
Gigantic Nymph! the fair KLEINHOVIA reigns,
The grace and terror of Orixa's plains;
O'er her warm cheek the blush of beauty swims,
And nerves Herculean bend her sinewy limbs;
With frolic eye she views the affrighted throng,
And shakes the meadows, as she towers along,
With playful violence displays her charms,
And bears her trembling lovers in her arms.
So fair THALESTRIS shook her plumy crest,
And bound in rigid mail her jutting breast;
Poised her long lance amid the walks of war,
And Beauty thunder'd from Bellona's car;
Greece arm'd in vain, her captive heroes wove
The chains of conquest with the wreaths of love.
When o'er the cultured lawns and dreary wastes
Retiring Autumn flings her howling blasts,
Bends in tumultuous waves the struggling woods,
32
And showers their leafy honours on the floods,
In withering heaps collects the flowery spoil,
And each chill insect sinks beneath the soil;
Quick flies fair TULIPA the loud alarms,
And folds her infant closer in her arms;
In some lone cave, secure pavilion, lies,
And waits the courtship of serener skies.So, six cold moons, the Dormouse charm'd to rest,
Indulgent Sleep! beneath thy eider breast,
In fields of Fancy climbs the kernel'd groves,
Or shares the golden harvest with his loves.But bright from earth amid the troubled air
Ascends fair COLCHICA with radiant hair,
Warms the cold bosom of the hoary year,
And lights with Beauty's blaze the dusky sphere.
Three
blushing Maids the intrepid Nymph attend,
And
six
gay Youths, enamour'd train! defend.
So shines with silver guards the Georgian star,
And drives on Night's blue arch his glittering car;
Hangs o'er the billowy clouds his lucid form,
Wades through the mist, and dances in the storm.
GREAT HELIANTHUS guides o'er twilight plains
In gay solemnity his Dervise-trains;
Marshall'd in
fives
each gaudy band proceeds,
Each gaudy band a plumed Lady leads;
With zealous step he climbs the upland lawn,
And bows in homage to the rising dawn;
Imbibes with eagle-eye the golden ray,
And watches, as it moves, the orb of day.
Queen of the marsh, imperial DROSERA treads
Rush-fringed banks, and moss-embroider'd beds;
Redundant folds of glossy silk surround
Her slender waist, and trail upon the ground;
Five
sister-nymphs collect with graceful ease,
33
Or spread the floating purple to the breeze;
And
five
fair youths with duteous love comply
With each soft mandate of her moving eye.
As with sweet grace her snowy neck she bows,
A zone of diamonds trembles round her brows;
Bright shines the silver halo, as she turns;
And, as she steps, the living lustre burns.
Fair LONICERA prints the dewy lawn,
And decks with brighter blush the vermil dawn;
Winds round the shadowy rocks, and pansied vales,
And scents with sweeter breath the summer-gales;
With artless grace and native ease she charms,
And bears the Horn of Plenty in her arms.
Five
rival Swains their tender cares unfold,
And watch with eye askance the treasured gold.
Where rears huge Tenerif his azure crest,
Aspiring DRABA builds her eagle nest;
Her pendant eyry icy caves surround,
Where erst Volcanos min'd the rocky ground.
Pleased round the Fair
four
rival Lords ascend
The shaggy steeps,
two
menial youths attend.
High in the setting ray the beauty stands,
And her tall shadow waves on distant lands.
Stay, bright inhabitant of air, alight,
Ambitious VISCA, from thy eagle-flight!--Scorning the sordid soil, aloft she springs,
Shakes her white plume, and claps her golden wings;
High o'er the fields of boundless ether roves,
And seeks amid the clouds her soaring loves!
Stretch'd on her mossy couch, in trackless deeps,
Queen of the coral groves, ZOSTERA sleeps;
The silvery sea-weed matted round her bed,
And distant surges murmuring o'er her head.High in the flood her azure dome ascends,
34
The crystal arch on crystal columns bends;
Roof'd with translucent shell the turrets blaze,
And far in ocean dart their colour'd rays;
O'er the white floor successive shadows move,
As rise and break the ruffled waves above.Around the nymph her mermaid-trains repair,
And weave with orient pearl her radiant hair;
With rapid fins she cleaves the watery way,
Shoots like a diver meteor up to day;
Sounds a loud conch, convokes a scaly band,
Her sea-born lovers, and ascends the strand.
E'en round the pole the flames of Love aspire,
And icy bosoms feel the
secret
fire!Cradled in snow and fann'd by arctic air
Shines, gentle BAROMETZ! thy golden hair;
Rooted in earth each cloven hoof descends,
And round and round her flexile neck she bends;
Crops the grey coral moss, and hoary thyme,
Or laps with rosy tongue the melting rime;
Eyes with mute tenderness her distant dam,
Or seems to bleat, a
Vegetable Lamb
-So, warm and buoyant in his oily mail,
Gambols on seas of ice the unwieldy Whale;
Wide-waving fins round floating islands urge
His bulk gigantic through the troubled surge;
With hideous yawn the flying shoals He seeks,
Or clasps with fringe of horn his massy cheeks;
Lifts o'er the tossing wave his nostrils bare,
And spouts pellucid columns into air;
The silvery arches catch the setting beams,
And transient rainbows tremble o'er the streams.
Weak with nice sense, the chaste MIMOSA stands,
From each rude touch withdraws her timid hands;
Oft as light clouds o'er-pass the Summer-glade,
Alarm'd she trembles at the moving shade;
And feels, alive through all her tender form,
The whisper'd murmurs of the gathering storm;
Shuts her sweet eye-lids to approaching night;
35
And hails with freshen'd charms the rising light.
Veil'd, with gay decency and modest pride,
Slow to the mosque she moves, an eastern bride;
There her soft vows unceasing love record,
Queen of the bright seraglio of her Lord.So sinks or rises with the changeful hour
The liquid silver in its glassy tower.
So turns the needle to the pole it loves,
With fine librations quivering as it moves.
All wan and shivering in the leafless glade
The sad ANEMONE reclined her head;
Grief on her cheeks had paled the roseate hue,
And her sweet eye-lids dropp'd with pearly dew.
-'See, from bright regions, borne on odorous gales
The Swallow, herald of the summer, sails;
'Breathe, gentle AIR! from cherub-lips impart
Thy balmy influence to my anguish'd heart;
Thou, whose soft voice calls forth the tender blooms,
Whose pencil paints them, and whose breath perfumes;
O chase the Fiend of Frost, with leaden mace
Who seals in death-like sleep my hapless race;
Melt his hard heart, release his iron hand,
And give my ivory petals to expand.
So may each bud, that decks the brow of spring,
Shed all its incense on thy wafting wing!'To her fond prayer propitious Zephyr yields,
Sweeps on his sliding shell through azure fields,
O'er her fair mansion waves his whispering wand,
And gives her ivory petals to expand;
Gives with new life her filial train to rise,
And hail with kindling smiles the genial skies.
So shines the Nymph in beauty's blushing pride,
When Zephyr wafts her deep calash aside;
Tears with rude kiss her bosom's gauzy veil,
And flings the fluttering kerchief to the gale.
So bright, the folding canopy undrawn,
Glides the gilt Landau o'er the velvet lawn,
Of beaux and belles displays the glittering throng;
And soft airs fan them, as they roll along.
Where frowning Snowden bends his dizzy brow
O'er Conway, listening to the surge below;
Retiring LICHEN climbs the topmost stone,
36
And 'mid the airy ocean dwells alone.Bright shine the stars unnumber'd
o'er her head
And the cold moon-beam gilds her flinty bed;
While round the rifted rocks hoarse whirlwinds breathe,
And dark with thunder sail the clouds
beneath
.The steepy path her plighted swain pursues,
And tracks her light step o'er th' imprinted dews,
Delighted Hymen gives his torch to blaze,
Winds round the craggs, and lights the mazy ways;
Sheds o'er their
secret
vows his influence chaste,
And decks with roses the admiring waste.
High in the front of heaven when Sirius glares,
And o'er Britannia shakes his fiery hairs;
When no soft shower descends, no dew distills,
Her wave-worn channels dry, and mute her rills;
When droops the sickening herb, the blossom fades,
And parch'd earth gapes beneath the withering glades.
-With languid step fair DYPSACA retreats;
'Fall gentle dews!' the fainting nymph repeats;
Seeks the low dell, and in the sultry shade
Invokes in vain the Naiads to her aid.Four
silvan youths in crystal goblets bear
The untasted treasure to the grateful fair;
Pleased from their hands with modest grace she sips,
And the cool wave reflects her coral lips.
With nice selection modest RUBIA blends,
Her vermil dyes, and o'er the cauldron bends;
Warm 'mid the rising steam the Beauty glows,
As blushes in a mist the dewy rose.
With chemic art
four
favour'd youths aloof
Stain the white fleece, or stretch the tinted woof;
O'er Age's cheek the warmth of youth diffuse,
37
Or deck the pale-eyed nymph in roseate hues.
So when MEDEA to exulting Greece
From plunder'd COLCHIS bore the golden fleece;
On the loud shore a magic pile she rais'd,
The cauldron bubbled, and the faggots blaz'd;-Pleased on the boiling wave old ÆSON swims,
And feels new vigour stretch his swelling limbs;
Through his thrill'd nerves forgotten ardors dart,
And warmer eddies circle round his heart;
With softer fires his kindling eye-balls glow,
And darker tresses wanton round his brow.
As dash the waves on India's breezy strand,
Her flush'd cheek press'd upon her lily hand,
VALLISNER sits, up-turns her tearful eyes,
Calls her lost lover, and upbraids the skies;
For him she breathes the silent sigh, forlorn,
Each setting-day; for him each rising morn.'Bright orbs, that light yon high etherial plain,
Or bathe your radiant tresses in the main;
Pale moon, that silver'st o'er night's sable brow;For ye were witness to his parting vow!Ye shelving rocks, dark waves, and sounding shore,Ye echoed sweet the tender words he swore!Can stars or seas the sails of love retain?
O guide my wanderer to my arms again!'Her buoyant skiff intrepid ULVA guides,
And seeks her Lord amid the trackless tides;
Her
secret
vows the Cyprian Queen approves,
And hovering halcyons guard her infant-loves;
Each in his floating cradle round they throng,
And dimpling Ocean bears the fleet along.Thus o'er the waves, which gently bend and swell,
Fair GALATEA steers her silver shell;
Her playful Dolphins stretch the silken rein,
Hear her sweet voice, and glide along the main.
As round the wild meandering coast she moves
By gushing rills, rude cliffs, and nodding groves;
Each by her pine the Wood-nymphs wave their locks,
And wondering Naiads peep amid the rocks;
Pleased trains of Mermaids rise from coral cells,
38
Admiring Tritons sound their twisted shells;
Charm'd o'er the car pursuing Cupids sweep,
Their snow-white pinions twinkling in the deep;
And, as the lustre of her eye she turns,
Soft sighs the Gale, and amorous Ocean burns.
On DOVE'S green brink the fair TREMELLA stood,
And view'd her playful image in the flood;
To each rude rock, lone dell, and echoing grove
Sung the sweet sorrows of her
secret
love.
'Oh, stay!-return!'-along the sounding shore
Cry'd the sad Naiads,-she return'd no more!Now girt with clouds the sullen Evening frown'd,
And withering Eurus swept along the ground;
The misty moon withdrew her horned light,
And sunk with Hesper in the skirt of night;
No dim electric streams, (the northern dawn,)
With meek effulgence quiver'd o'er the lawn;
No star benignant shot one transient ray
To guide or light the wanderer on her way.
Round the dark craggs the murmuring whirlwinds blow,
Woods groan above, and waters roar below;
As o'er the steeps with pausing foot she moves,
The pitying Dryads shriek amid their groves;
She flies,-she stops,-she pants-she looks behind,
And hears a demon howl in every wind.
-As the bleak blast unfurls her fluttering vest,
Cold beats the snow upon her shuddering breast;
Through her numb'd limbs the chill sensations dart,
And the keen ice bolt trembles at her heart.
'I sink, I fall! oh, help me, help!' she cries,
Her stiffening tongue the unfinish'd sound denies;
Tear after tear adown her cheek succeeds,
And pearls of ice bestrew the glittering meads;
Congealing snows her lingering feet surround,
Arrest her flight, and root her to the ground;
With suppliant arms she pours the silent prayer;
Her suppliant arms hang crystal in the air;
Pellucid films her shivering neck o'erspread,
Seal her mute lips, and silver o'er her head,
Veil her pale bosom, glaze her lifted hands,
39
And shrined in ice the beauteous statue stands.
-DOVE'S azure nymphs on each revolving year
For fair TREMELLA shed the tender tear;
With rush-wove crowns in sad procession move,
And sound the sorrowing shell to hapless love.'
Here paused the MUSE,-across the darken'd pole
Sail the dim clouds, the echoing thunders roll;
The trembling Wood-nymphs, as the tempest lowers,
Lead the gay Goddess to their inmost bowers;
Hang the mute lyre the laurel shade beneath,
And round her temples bind the myrtle wreath.
-Now the light swallow with her airy brood
Skims the green meadow, and the dimpled flood;
Loud shrieks the lone thrush from his leafless thorn,
Th' alarmed beetle sounds his bugle horn;
Each pendant spider winds with fingers fine
His ravel'd clue, and climbs along the line;
Gay Gnomes in glittering circles stand aloof
Beneath a spreading mushroom's fretted roof;
Swift bees returning seek their waxen cells,
And Sylphs cling quivering in the lily's bells.
Through the still air descend the genials showers,
And pearly rain-drops deck the laughing flowers.
~ Erasmus Darwin,#NFDB
1413:The Botanic Garden (Part Vi)
THE LOVES OF THE PLANTS.
CANTO II.
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
41
And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
42
Five
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
five
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
release
The tanged knots, and smooth the ravell'd fleece;
Next moves the
iron-band
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
move,
And these retain, and those extend the
rove
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
43
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
44
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
-Here
45
Time's
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
Hours
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
Moment
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
46
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As
eight
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
47
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
48
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
II.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
III.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
IV.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
49
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
50
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
51
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
Four
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
52
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,#NFDB
1414:Gotham - Book I
Far off (no matter whether east or west,
A real country, or one made in jest,
Nor yet by modern Mandevilles disgraced,
Nor by map-jobbers wretchedly misplaced)
There lies an island, neither great nor small,
Which, for distinction sake, I Gotham call.
The man who finds an unknown country out,
By giving it a name, acquires, no doubt,
A Gospel title, though the people there
The pious Christian thinks not worth his care
Bar this pretence, and into air is hurl'd
The claim of Europe to the Western world.
Cast by a tempest on the savage coast,
Some roving buccaneer set up a post;
A beam, in proper form transversely laid,
Of his Redeemer's cross the figure made-Of that Redeemer, with whose laws his life,
From first to last, had been one scene of strife;
His royal master's name thereon engraved,
Without more process the whole race enslaved,
Cut off that charter they from Nature drew,
And made them slaves to men they never knew.
Search ancient histories, consult records,
Under this title the most Christian lords
Hold (thanks to conscience) more than half the ball;
O'erthrow this title, they have none at all;
For never yet might any monarch dare,
Who lived to Truth, and breathed a Christian air,
Pretend that Christ, (who came, we all agree,
To bless his people, and to set them free)
To make a convert, ever one law gave
By which converters made him first a slave.
Spite of the glosses of a canting priest,
Who talks of charity, but means a feast;
Who recommends it (whilst he seems to feel
The holy glowings of a real zeal)
To all his hearers as a deed of worth,
To give them heaven whom they have robb'd of earth;
Never shall one, one truly honest man,
25
Who, bless'd with Liberty, reveres her plan,
Allow one moment that a savage sire
Could from his wretched race, for childish hire,
By a wild grant, their all, their freedom pass,
And sell his country for a bit of glass.
Or grant this barbarous right, let Spain and France,
In slavery bred, as purchasers advance;
Let them, whilst Conscience is at distance hurl'd,
With some gay bauble buy a golden world:
An Englishman, in charter'd freedom born,
Shall spurn the slavish merchandise, shall scorn
To take from others, through base private views,
What he himself would rather die, than lose.
Happy the savage of those early times,
Ere Europe's sons were known, and Europe's crimes!
Gold, cursed gold! slept in the womb of earth,
Unfelt its mischiefs, as unknown its worth;
In full content he found the truest wealth,
In toil he found diversion, food, and health;
Stranger to ease and luxury of courts,
His sports were labours, and his labours sports;
His youth was hardy, and his old age green;
Life's morn was vigorous, and her eve serene;
No rules he held, but what were made for use,
No arts he learn'd, nor ills which arts produce;
False lights he follow'd, but believed them true;
He knew not much, but lived to what he knew.
Happy, thrice happy now the savage race,
Since Europe took their gold, and gave them grace!
Pastors she sends to help them in their need,
Some who can't write; with others who can't read;
And on sure grounds the gospel pile to rear,
Sends missionary felons every year;
Our vices, with more zeal than holy prayers,
She teaches them, and in return takes theirs.
Her rank oppressions give them cause to rise,
Her want of prudence, means and arms supplies,
Whilst her brave rage, not satisfied with life,
Rising in blood, adopts the scalping-knife.
Knowledge she gives, enough to make them know
How abject is their state, how deep their woe;
The worth of freedom strongly she explains,
26
Whilst she bows down, and loads their necks with chains.
Faith, too, she plants, for her own ends impress'd,
To make them bear the worst, and hope the best;
And whilst she teaches, on vile Interest's plan,
As laws of God, the wild decrees of man,
Like Pharisees, of whom the Scriptures tell,
She makes them ten times more the sons of Hell.
But whither do these grave reflections tend?
Are they design'd for any, or no end?
Briefly but this--to prove, that by no act
Which Nature made, that by no equal pact
'Twixt man and man, which might, if Justice heard,
Stand good; that by no benefits conferr'd,
Or purchase made, Europe in chains can hold
The sons of India, and her mines of gold.
Chance led her there in an accursed hour;
She saw, and made the country hers by power;
Nor, drawn by virtue's love from love of fame,
Shall my rash folly controvert the claim,
Or wish in thought that title overthrown
Which coincides with and involves my own.
Europe discover'd India first; I found
My right to Gotham on the self-same ground;
I first discover'd it, nor shall that plea
To her be granted, and denied to me;
I plead possession, and, till one more bold
Shall drive me out, will that possession hold.
With Europe's rights my kindred rights I twine;
Hers be the Western world, be Gotham mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
As on a day, a high and holy day,
Let every instrument of music play,
Ancient and modern; those which drew their birth
(Punctilios laid aside) from Pagan earth,
As well as those by Christian made and Jew;
Those known to many, and those known to few;
Those which in whim and frolic lightly float,
27
And those which swell the slow and solemn note;
Those which (whilst Reason stands in wonder by)
Make some complexions laugh, and others cry;
Those which, by some strange faculty of sound,
Can build walls up, and raze them to the ground;
Those which can tear up forests by the roots,
And make brutes dance like men, and men like brutes;
Those which, whilst Ridicule leads up the dance,
Make clowns of Monmouth ape the fops of France;
Those which, where Lady Dulness with Lord Mayors
Presides, disdaining light and trifling airs,
Hallow the feast with psalmody; and those
Which, planted in our churches to dispose
And lift the mind to Heaven, are disgraced
With what a foppish organist calls Taste:
All, from the fiddle (on which every fool,
The pert son of dull sire, discharged from school,
Serves an apprenticeship in college ease,
And rises through the gamut to degrees)
To those which (though less common, not less sweet)
From famed Saint Giles's, and more famed Vine Street,
(Where Heaven, the utmost wish of man to grant,
Gave me an old house, and an older aunt)
Thornton, whilst Humour pointed out the road
To her arch cub, hath hitch'd into an ode;-All instruments (attend, ye listening spheres!
Attend, ye sons of men! and hear with ears),
All instruments (nor shall they seek one hand
Impress'd from modern Music's coxcomb band),
All instruments, self-acted, at my name
Shall pour forth harmony, and loud proclaim,
Loud but yet sweet, to the according globe,
My praises; whilst gay Nature, in a robe,
A coxcomb doctor's robe, to the full sound
Keeps time, like Boyce, and the world dances round.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Infancy, straining backward from the breast,
28
Tetchy and wayward, what he loveth best
Refusing in his fits, whilst all the while
The mother eyes the wrangler with a smile,
And the fond father sits on t' other side,
Laughs at his moods, and views his spleen with pride,
Shall murmur forth my name, whilst at his hand
Nurse stands interpreter, through Gotham's land.
Childhood, who like an April morn appears,
Sunshine and rain, hopes clouded o'er with fears,
Pleased and displeased by starts, in passion warm,
In reason weak; who, wrought into a storm,
Like to the fretful billows of the deep,
Soon spends his rage, and cries himself asleep;
Who, with a feverish appetite oppress'd,
For trifles sighs, but hates them when possess'd;
His trembling lash suspended in the air,
Half-bent, and stroking back his long lank hair,
Shall to his mates look up with eager glee,
And let his top go down to prate of me.
Youth, who, fierce, fickle, insolent, and vain,
Impatient urges on to Manhood's reign,
Impatient urges on, yet with a cast
Of dear regard looks back on Childhood past,
In the mid-chase, when the hot blood runs high,
And the quick spirits mount into his eye;
When pleasure, which he deems his greatest wealth,
Beats in his heart, and paints his cheeks with health;
When the chafed steed tugs proudly at the rein,
And, ere he starts, hath run o'er half the plain;
When, wing'd with fear, the stag flies full in view,
And in full cry the eager hounds pursue,
Shall shout my praise to hills which shout again,
And e'en the huntsman stop to cry, Amen.
Manhood, of form erect, who would not bow
Though worlds should crack around him; on his brow
Wisdom serene, to passion giving law,
Bespeaking love, and yet commanding awe;
Dignity into grace by mildness wrought;
Courage attemper'd and refined by thought;
Virtue supreme enthroned; within his breast
The image of his Maker deep impress'd;
Lord of this earth, which trembles at his nod,
29
With reason bless'd, and only less than God;
Manhood, though weeping Beauty kneels for aid,
Though Honour calls, in Danger's form array'd,
Though clothed with sackloth, Justice in the gates,
By wicked elders chain'd, Redemption waits,
Manhood shall steal an hour, a little hour,
(Is't not a little one?) to hail my power.
Old Age, a second child, by Nature cursed
With more and greater evils than the first;
Weak, sickly, full of pains, in every breath
Railing at life, and yet afraid of death;
Putting things off, with sage and solemn air,
From day to day, without one day to spare;
Without enjoyment, covetous of pelf,
Tiresome to friends, and tiresome to himself;
His faculties impair'd, his temper sour'd,
His memory of recent things devour'd
E'en with the acting, on his shatter'd brain
Though the false registers of youth remain;
From morn to evening babbling forth vain praise
Of those rare men, who lived in those rare days,
When he, the hero of his tale, was young;
Dull repetitions faltering on his tongue;
Praising gray hairs, sure mark of Wisdom's sway,
E'en whilst he curses Time, which made him gray;
Scoffing at youth, e'en whilst he would afford
All but his gold to have his youth restored,
Shall for a moment, from himself set free,
Lean on his crutch, and pipe forth praise to me.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Things without life shall in this chorus join,
And, dumb to others' praise, be loud in mine.
The snowdrop, who, in habit white and plain,
Comes on, the herald of fair Flora's train;
The coxcomb crocus, flower of simple note,
Who by her side struts in a herald's coat;
The tulip, idly glaring to the view,
30
Who, though no clown, his birth from Holland drew;
Who, once full dress'd, fears from his place to stir,
The fop of flowers, the More of a parterre;
The woodbine, who her elm in marriage meets,
And brings her dowry in surrounding sweets;
The lily, silver mistress of the vale;
The rose of Sharon, which perfumes the gale;
The jessamine, with which the queen of flowers,
To charm her god, adorns his favourite bowers,
Which brides, by the plain hand of Neatness dress'd,
Unenvied rival, wear upon their breast,
Sweet as the incense of the morn, and chaste
As the pure zone which circles Dian's waist;
All flowers, of various names, and various forms,
Which the sun into strength and beauty warms,
From the dwarf daisy, which, like infants, clings,
And fears to leave the earth from whence it springs,
To the proud giant of the garden race,
Who, madly rushing to the sun's embrace,
O'ertops her fellows with aspiring aim,
Demands his wedded love, and bears his name;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Forming a gloom, through which, to spleen-struck minds,
Religion, horror-stamp'd, a passage finds,
The ivy crawling o'er the hallow'd cell
Where some old hermit's wont his beads to tell
By day, by night; the myrtle ever green,
Beneath whose shade Love holds his rites unseen;
The willow, weeping o'er the fatal wave
Where many a lover finds a watery grave;
The cypress, sacred held, when lovers mourn
Their true love snatch'd away; the laurel worn
By poets in old time, but destined now,
In grief, to wither on a Whitehead's brow;
The fig, which, large as what in India grows,
31
Itself a grove, gave our first parents clothes;
The vine, which, like a blushing new-made bride,
Clustering, empurples all the mountain's side;
The yew, which, in the place of sculptured stone,
Marks out the resting-place of men unknown;
The hedge-row elm; the pine, of mountain race;
The fir, the Scotch fir, never out of place;
The cedar, whose top mates the highest cloud,
Whilst his old father Lebanon grows proud
Of such a child, and his vast body laid
Out many a mile, enjoys the filial shade;
The oak, when living, monarch of the wood;
The English oak, which, dead, commands the flood;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The showers, which make the young hills, like young lambs,
Bound and rebound; the old hills, like old rams,
Unwieldy, jump for joy; the streams which glide,
Whilst Plenty marches smiling by their side,
And from their bosom rising Commerce springs;
The winds, which rise with healing on their wings,
Before whose cleansing breath Contagion flies;
The sun, who, travelling in eastern skies,
Fresh, full of strength, just risen from his bed,
Though in Jove's pastures they were born and bred,
With voice and whip can scarce make his steeds stir,
Step by step, up the perpendicular;
Who, at the hour of eve, panting for rest,
Rolls on amain, and gallops down the west
As fast as Jehu, oil'd for Ahab's sin,
Drove for a crown, or postboys for an inn;
The moon, who holds o'er night her silver reign,
Regent of tides, and mistress of the brain,
Who to her sons, those sons who own her power,
And do her homage at the midnight hour,
Gives madness as a blessing, but dispenses
32
Wisdom to fools, and damns them with their senses;
The stars, who, by I know not what strange right,
Preside o'er mortals in their own despite,
Who, without reason, govern those who most
(How truly, judge from thence!) of reason boast,
And, by some mighty magic yet unknown,
Our actions guide, yet cannot guide their own;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The moment, minute, hour, day, week, month, year,
Morning and eve, as they in turn appear;
Moments and minutes, which, without a crime,
Can't be omitted in accounts of time,
Or, if omitted, (proof we might afford)
Worthy by parliaments to be restored;
The hours, which, dress'd by turns in black and white,
Ordain'd as handmaids, wait on Day and Night;
The day, those hours, I mean, when light presides,
And Business in a cart with Prudence rides;
The night, those hours, I mean, with darkness hung,
When Sense speaks free, and Folly holds her tongue;
The morn, when Nature, rousing from her strife
With death-like sleep, awakes to second life;
The eve, when, as unequal to the task,
She mercy from her foe descends to ask;
The week, in which six days are kindly given
To think of earth, and one to think of heaven;
The months, twelve sisters, all of different hue,
Though there appears in all a likeness too;
Not such a likeness as, through Hayman's works,
Dull mannerist! in Christians, Jews, and Turks,
Cloys with a sameness in each female face,
But a strange something, born of Art and Grace,
Which speaks them all, to vary and adorn,
At different times of the same parents born;
All, one and all, shall in this chorus join,
33
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Frore January, leader of the year,
Minced-pies in van, and calves' heads in the rear;
Dull February, in whose leaden reign
My mother bore a bard without a brain;
March, various, fierce, and wild, with wind-crack'd cheeks,
By wilder Welshmen led, and crown'd with leeks;
April, with fools, and May, with bastards bless'd;
June, with White Roses on her rebel breast;
July, to whom, the Dog-star in her train,
Saint James gives oysters, and Saint Swithin rain;
August, who, banish'd from her Smithfield stand,
To Chelsea flies, with Doggett in her hand;
September, when by custom (right divine)
Geese are ordain'd to bleed at Michael's shrine,
Whilst the priest, not so full of grace as wit,
Falls to, unbless'd, nor gives the saint a bit;
October, who the cause of Freedom join'd,
And gave a second George to bless mankind;
November, who, at once to grace our earth,
Saint Andrew boasts, and our Augusta's birth;
December, last of months, but best, who gave
A Christ to man, a Saviour to the slave,
Whilst, falsely grateful, man, at the full feast,
To do God honour makes himself a beast;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The seasons as they roll; Spring, by her side
Lechery and Lent, lay-folly and church-pride,
By a rank monk to copulation led,
34
A tub of sainted salt-fish on her head;
Summer, in light transparent gauze array'd,
Like maids of honour at a masquerade,
In bawdry gauze, for which our daughters leave
The fig, more modest, first brought up by Eve,
Panting for breath, inflamed with lustful fires,
Yet wanting strength to perfect her desires,
Leaning on Sloth, who, fainting with the heat,
Stops at each step, and slumbers on his feet;
Autumn, when Nature, who with sorrow feels
Her dread foe Winter treading on her heels,
Makes up in value what she wants in length,
Exerts her powers, and puts forth all her strength,
Bids corn and fruits in full perfection rise,
Corn fairly tax'd, and fruits without excise;
Winter, benumb'd with cold, no longer known
By robes of fur, since furs became our own;
A hag, who, loathing all, by all is loathed,
With weekly, daily, hourly, libels clothed,
Vile Faction at her heels, who, mighty grown,
Would rule the ruler, and foreclose the throne,
Would turn all state affairs into a trade,
Make laws one day, the next to be unmade,
Beggar at home, a people fear'd abroad,
And, force defeated, make them slaves by fraud;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The year, grand circle! in whose ample round
The seasons regular and fix'd are bound,
(Who, in his course repeated o'er and o'er,
Sees the same things which he had seen before;
The same stars keep their watch, and the same sun
Runs in the track where he from first hath run;
The same moon rules the night; tides ebb and flow;
Man is a puppet, and this world a show;
Their old dull follies, old dull fools pursue,
35
And vice in nothing, but in mode, is new;
He ---- a lord (now fair befall that pride,
He lived a villain, but a lord he died)
Dashwood is pious, Berkeley fix'd as Fate,
Sandwich (thank Heaven!) first minister of state;
And, though by fools despised, by saints unbless'd,
By friends neglected, and by foes oppress'd,
Scorning the servile arts of each court elf,
Founded on honour, Wilkes is still himself)
The year, encircled with the various train
Which waits, and fills the glories of his reign,
Shall, taking up this theme, in chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Thus far in sport--nor let our critics hence,
Who sell out monthly trash, and call it sense,
Too lightly of our present labours deem,
Or judge at random of so high a theme:
High is our theme, and worthy are the men
To feel the sharpest stroke of Satire's pen;
But when kind Time a proper season brings,
In serious mood to treat of serious things,
Then shall they find, disdaining idle play,
That I can be as grave and dull as they.
Thus far in sport--nor let half patriots, those
Who shrink from every blast of Power which blows,
Who, with tame cowardice familiar grown,
Would hear my thoughts, but fear to speak their own;
Who (lest bold truths, to do sage Prudence spite,
Should burst the portals of their lips by night,
Tremble to trust themselves one hour in sleep)
Condemn our course, and hold our caution cheap;
When brave Occasion bids, for some great end,
When Honour calls the poet as a friend,
Then shall they find that, e'en on Danger's brink,
He dares to speak what they scarce dare to think.
36
~ Charles Churchill,#NFDB
1415:The Temple Of Fame
In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
245
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,
Spread, and grow brighter with the length of days.
So Zembla's rocks (the beauteous work of frost)
Rise white in air, and glitter o'er the coast;
Pale suns, unfelt, at distance roll away,
And on th' impassive ice the light'nings play;
Eternal snows the growing mass supply,
Till the bright mountains prop th' incumbent sky:
As Atlas fix'd, each hoary pile appears,
The gather'd winter of a thousand years.
On this foundation Fame's high temple stands;
Stupendous pile! not rear'd by mortal hands.
Whate'er proud Rome or artful Greece beheld,
Or elder Babylon, its frame excell'd.
Four faces had the dome, and ev'ry face
Of various structure, but of equal grace:
Four brazen gates, on columns lifted high,
Salute the diff'rent quarters of the sky.
Here fabled Chiefs in darker ages born,
Or Worthies old, whom arms or arts adorn,
Who cities rais'd, or tam'd a monstrous race;
The walls in venerable order grace:
Heroes in animated marble frown,
And Legislators seem to think in stone.
Westward, a sumptuous frontispiece appear'd,
On Doric pillars of white marble rear'd,
Crown'd with an architrave of antique mold,
And sculpture rising on the roughen'd mold,
In shaggy spoils here Theseus was beheld,
And Perseus dreadful with Minerva's shield:
There great Alcides stooping with his toil,
Rests on his club, and holds th' Hesperian spoil.
246
Here Orpheus sings; trees moving to the sound
Start from their roots, and form a shade around:
Amphion there the loud creating lyre
Strikes, and beholds a sudden Thebes aspire!
Cithaeron's echoes answer to his call,
And half the mountain rolls into a wall:
There might you see the length'ning spires ascend,
The domes swell up, the wid'ning arches bend,
The growing tow'rs, like exhalations rise,
And the huge columns heave into the skies.
The Eastern front was glorious to behold,
With di'mond flaming, and Barbaric gold.
There Ninus shone, who spread th' Assyrian fame,
And the great founder of the Persian name:
There in long robes the royal Magi stand,
Grave Zoroaster waves the circling wand,
The sage Chaldaeans rob'd in white appear'd,
And Brahmans, deep in desert woods rever'd.
These stop'd the moon, and call'd th' unbody'd shades
To midnight banquets in the glimm'ring glades;
Made visionary fabrics round them rise,
And airy spectres skim before their eyes;
Of Talismans and Sigils knew the pow'r,
And careful watch'd the Planetary hour.
Superior, and alone, Confucius stood,
Who taught that useful science, to be good.
But on the South, a long majestic race
Of AEgypt's Priests the gilded niches grace,
Who measur'd earth, describ'd the starry spheres,
And trac'd the long records of lunar years.
High on his car Sesostris struck my view,
Whom scepter'd slaves in golden harness drew:
His hands a bow and pointed javelin hold;
His giant limbs are arm'd in scales of gold.
Between the statues Obelisks were plac'd,
And the learn'd walls with Hieroglyphics grac'd.
Of Gothic structure was the Northern side,
O'erwrought with ornaments of barb'rous pride.
There huge Colosses rose, with trophies crown'd,
And Runic characters were grav'd around.
There sate Zamolxis with erected eyes,
And Odin here in mimic trances dies.
247
There on rude iron columns, smear'd with blood,
The horrid forms of Scythian heroes stood,
Druids and Bards (their once loud harps unstrung)
And youths that died to be by Poets sung.
These and a thousand more of doubtful fame,
To whom old fables gave a lasting name,
In ranks adorn'd the Temple's outward face;
The wall in lustre and effect like Glass,
Which o'er each object casting various dyes,
Enlarges some, and others multiplies:
Nor void of emblem was the mystic wall,
For thus romantic Fame increases all.
The Temple shakes, the sounding gates unfold,
Wide vaults appear, and roofs of fretted gold:
Rais'd on a thousand pillars, wreath'd around
With laurel-foliage, and with eagles crown'd:
Of bright, transparent beryl were the walls,
The friezes gold, an gold the capitals:
As heav'n with stars, the roof with jewels glows,
And ever-living lamps depend in rows.
Full in the passage of each spacious gate,
The sage Historians in white garments wait;
Grav'd o'er their seats the form of Time was found,
His scythe revers'd, and both his pinions bound.
Within stood Heroes, who thro' loud alarms
In bloody fields pursu'd renown in arms.
High on a throne with trophies charg'd, I view'd
The Youth that all things but himself subdu'd;
His feet on sceptres and tiara's trod,
And his horn'd head bely'd the Libyan God.
There Caesar, grac'd with both Minerva's, shone;
Unmov'd, superior still in ev'ry state,
And scarce detested in his Country's fate.
But chief were those, who not for empire fought,
But with their toils their people's safety bought:
High o'er the rest Epaminondas stood;
Timoleon, glorious in his brother's blood;
Bold Scipio, saviour of the Roman state;
Great in his triumphs, in retirement great;
And wise Aurelius, in whose well-taught mind
With boundless pow'r unbounded virtue join'd,
His own strict judge, and patron of mankind.
248
Much-suff'ring heroes next their honours claim,
Those of less noisy, and less guilty fame,
Fair Virtue's silent train: supreme of these
Here ever shines the godlike Socrates:
He whom ungrateful Athens could expell,
At all times just, but when he sign'd the Shell:
Here his abode the martyr'd Phocion claims,
With Agis, not the last of Spartan names:
Unconquered Cato shews the wound he tore,
And Brutus his ill Genius meets no more.
But in the centre of the hallow'd choir,
Six pompous columns o'er the rest aspire;
Around the shrine itself of Fame they stand,
Hold the chief honours, and the fane command.
High on the first, the mighty Homer shone;
Eternal Adamant compos'd his throne;
Father of verse! in holy fillets drest,
His silver beard wav'd gently o'er his breast;
Tho' blind, a boldness in his looks appears;
In years he seem'd, but not impair'd by years.
The wars of Troy were round the Pillar seen:
Here fierce Tydides wounds the Cyprian Queen;
Here Hector glorious from Patroclus' fall,
Here dragg'd in triumph round the Trojan wall,
Motion and life did ev'ry part inspire,
Bold was the work, and prov'd the master's fire;
A strong expression most he seem'd t' affect,
And here and there disclos'd a brave neglect.
A golden column next in rank appear'd,
On which a shrine of purest gold was rear'd;
Finish'd the whole, and labour'd ev'ry part,
With patient touches of unweary'd art:
The Mantuan there in sober triumph sate,
Compos'd his posture, and his look sedate;
On Homer still he fix'd a rev'rend eye,
Great without pride, in modest majesty.
In living sculpture on the sides were spread
The Latian Wars, and haughty Turnus dead;
Eliza stretch'd upon the fun'ral pyre,
AEneas ending with his aged sire:
Troy flam'd in burning gold, and o'er the throne
249
Arms of the Man in golden cyphers shone.
Four swans sustain a car of silver bright,
With heads advanc'd, and pinions stretch'd for flight:
Here, like some furious prophet, Pindar rode,
And seem'd to labour with th' inspiring God.
Across the harp a careless hand he flings,
And boldly sinks into the sounding strings.
The figur'd games of Greece the column grace,
Neptune and Jove survey the rapid race.
The youths hand o'er their chariots as they run;
The fiery steeds seem starting from the stone;
The champions in distorted postures threat;
And all appear'd irregularly great.
Here happy Horace tun'd th' Ausonian lyre
To sweeter sounds, and temper'd Pindar's fire:
Pleas'd with Alcaeus' manly rage t' infuse
The softer spirit of the Sapphic Muse.
The polish'd pillar diff'rent sculptures grace;
A work outlasting monumental brass.
Here smiling Loves and Bacchanals appear,
The Julian star, and great Augustus here,
The Doves that round the infant poet spread
Myrtles and bays, hung hov'ring o'er his head.
Here in a shrine that cast a dazzling light,
Sate fix'd in thought the mighty Stagirite;
His sacred head a radiant Zodiac crown'd,
And various Animals his sides surround;
His piercing eyes, erect, appear to view
Superior worlds, and look all Nature through.
With equal rays immortal Tully shone,
The Roman Rostra deck'd the Consul's throne:
Gath'ring his flowing robe, he seem'd to stand
In act to speak, and graceful stretch'd his hand.
Behind, Rome's Genius waits with Civic crowns,
And the great Father of his country owns.
These massy columns in a circle rise,
O'er which a pompous dome invades the skies:
Scarce to the top I stretch'd my aching sight,
So large it spread, and swell'd to such a height.
Full in the midst proud Fame's imperial seat,
With jewels blaz'd, magnificently great;
The vivid em'ralds there revive the eye,
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The flaming rubies shew their sanguine dye,
Bright azure rays from lively sapphrys stream,
And lucid amber casts a golden gleam.
With various-colour'd light the pavement shone,
And all on fire appear'd the glowing throne;
The dome's high arch reflects the mingled blaze,
And forms a rainbow of alternate rays.
When on the Goddess first I cast my sight,
Scarce seem'd her stature of a cubit's height;
But swell'd to larger size, the more I gaz'd,
Till to the roof her tow'ring front she rais'd.
With her, the Temple ev'ry moment grew,
And ampler Vista's open'd to my view:
Upward the columns shoot, the roofs ascend,
And arches widen, and long aisles extend.
Such was her form as ancient bards have told,
Wings raise her arms, and wings her feet infold;
A thousand busy tongues the Goddess bears,
And thousand open eyes, and thousand list'ning ears.
Beneath, in order rang'd, the tuneful Nine
(Her virgin handmaids) still attend the shrine:
With eyes on Fame for ever fix'd, they sing;
For Fame they raise the voice, and tune the string;
With time's first birth began the heav'nly lays,
And last, eternal, thro' the length of days.
Around these wonders as I cast a look,
The trumpet sounded, and the temple shoo,
And all the nations, summon'd at the call,
From diff'rent quarters fill the crowded hall:
Of various tongues the mingled sounds were heard;
In various garbs promiscuous throngs appear'd;
Thick as the bees, that with the spring renew
Their flow'ry toils, and sip the fragrant dew,
When the wing'd colonies first tempt the sky,
O'er dusky fields and shaded waters fly,
Or settling, seize the sweets the blossoms yield,
And a low murmur runs along the field.
Millions of suppliant crowds the shrine attend,
And all degrees before the Goddess bend;
The poor, the rich, the valiant and the sage,
And boasting youth, and narrative old-age.
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Their pleas were diff'rent, their request the same:
For good and bad alike are fond of Fame.
Some she disgrac'd, and some with honours crown'd;
Unlike successes equal merits found.
Thus her blind sister, fickle Fortune, reigns,
And, undiscerning, scatters crowns and chains.
First at the shrine the Learned world appear,
And to the Goddess thus prefer their play'r.
'Long have we sought t' instruct and please mankind,
With studies pale, with midnight vigils blind;
But thank'd by few, rewarded yet by none,
We here appeal to thy superior throne:
On wit and learning the just prize bestow,
For fame is all we must expect below.'
The Goddess heard, and bade the Muses raise
The golden Trumpet of eternal Praise:
From pole to pole the winds diffuse the sound,
That fills the circuit of the world around;
Not all at once, as thunder breaks the cloud;
The notes at first were rather sweet than loud:
By just degrees they ev'ry moment rise,
Fill the wide earth, and gain upon the skies.
At ev'ry breath were balmy odours shed,
Which still grew sweeter as they wider spread;
Less fragrant scents th' unfolding rose exhales,
Or spices breathing in Arabian gales.
Next these the good and just, an awful train,
Thus on their knees address the sacred fane.
'Since living virtue is with envy curs'd,
And the best men are treated like the worst,
Do thou, just Goddess, call our merits forth,
And give each deed th' exact intrinsic worth.'
'Not with bare justice shall your act be crown'd'
(Said Fame) 'but high above desert renown'd:
Let fuller notes th' applauding world amaze,
And the full loud clarion labour in your praise.'
This band dismiss'd, behold another croud
The constant tenour of whose well-spent days
No less deserv'd a just return of praise.
But strait the direful Trump of Slander sounds;
Thro' the big dome the doubling thunder bounds;
Loud as the burst of cannon rends the skies,
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The dire report thro' ev'ry region flies,
In ev'ry ear incessant rumours rung,
And gath'ring scandals grew on ev'ry tongue.
From the black trumpet's rusty concave broke
Sulphureous flames, and clouds of rolling smoke:
The pois'nous vapour blots the purple skies,
And withers all before it as it flies.
A troop came next, who crowns and armour wore,
And proud defiance in their looks they bore:
'For thee' (they cry'd) 'amidst alarms and strife,
We sail'd in tempests down the stream of life;
For thee whole nations fill'd with flames and blood,
And swam to empire thro' the purple flood.
Those ills we dar'd, thy inspiration own,
What virtue seem'd, was done for thee alone.'
'Ambitious fools!' (the Queen reply'd, and frown'd)
'Be all your acts in dark oblivion drown'd;
There sleep forgot, with mighty tyrants gone,
Your statues moulder'd, and your names unknown!'
A sudden cloud straight snatch'd them from my sight,
And each majestic phantom sunk in night.
Then came the smallest tribe I yet had seen;
Plain was their dress, and modest was their mien.
'Great idol of mankind! we neither claim
The praise of merit, nor aspire to fame!
But safe in deserts from th' applause of men,
Would die unheard of, as we liv'd unseen,
'Tis all we beg thee, to conceal from sight
Those acts of goodness, which themselves requite.
To follow virtue ev'n for virtue's sake.'
'And live there men, who slight immortal fame?
Who then with incense shall adore our name?
But mortals! know, 'tis still our greatest pride
To blaze those virtues, which the good would hide.
Rise! Muses, rise; add all your tuneful breath,
These must not sleep in darkness and in death.'
She said: in air the trembling music floats,
And on the winds triumphant swell the notes;
So soft, tho' high, so loud, and yet so clear,
Ev'n list'ning Angels lean'd from heav'n to hear:
To farthest shores th' Ambrosial spirit flies,
Sweet to the world, and grateful to the skies.
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Next these a youthful train their vows express'd,
With feathers crown'd, with gay embroid'ry dress'd:
'Hither,' they cry'd, 'direct your eyes, and see
The men of pleasure, dress, and gallantry;
Ours is the place at banquets, balls, and plays,
Sprightly our nights, polite are all our days;
Courts we frequent, where 'tis our pleasing care
To pay due visits, and address the fair:
In fact, 'tis true, no nymph we could persuade,
But still in fancy vanquish'd ev'ry maid;
Of unknown Duchesses lewd tales we tell,
Yet, would the world believe us, all were well.
The joy let others have, and we the name,
And what we want in pleasure, grant in fame.'
The Queen assents, the trumpet rends the skies,
And at each blast a Lady's honour dies.
Pleas'd with the strange success, vast numbers prest
Around the shrine, and made the same request:
'What? you,' (she cry'd) 'unlearn'd in arts to please,
Slaves to yourselves, and ev'n fatigu'd with ease,
Who lose a length of undeserving days,
Would you usurp the lover's dear-bought praise?
To just contempt, ye vain pretenders, fall,
The people's fable, and the scorn of all.'
Straight the black clarion sends a horrid sound,
Loud laughs burst out, and bitter scoffs fly round,
Whispers are heard, with taunts reviling loud,
And scornful hisses run thro' the crowd.
Last, those who boast of mighty mischiefs done,
Enslave their country, or usurp a throne;
Or who their glory's dire foundation lay'd
On Sov'reigns ruin'd, or on friends betray'd;
Calm, thinking villains, whom no faith could fix,
Of crooked counsels and dark politics;
Of these a gloomy tribe surround the throne,
And beg to make th' immortal treasons known.
The trumpet roars, long flaky flames expire,
With sparks, that seem'd to set the world on fire.
At the dread sound, pale mortals stood aghast,
And startled nature trembled with the blast.
This having heard and seen, and snatch'd me from the throne.
Before my view appear'd a structure fair,
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Its site uncertain, if in earth or air;
With rapid motion turn'd the mansion round;
With ceaseless noise the ringing walls resound;
Not less in number were the spacious doors,
Than leaves on trees, or sand upon the shores;
Which still unfolded stand, by night, by day,
Pervious to winds, and open ev'ry way.
As flames by nature to the skies ascend,
As weighty bodies to the centre tend,
As to the sea returning rivers toll,
And the touch'd needle trembles to the pole;
Hither, as to their proper place, arise
All various sounds from earth, and seas, and skies,
Or spoke aloud, or whisper'd in the ear;
Nor ever silence, rest, or peace is here.
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface by the motion stir'd,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the wat'ry plain, and to the margin dance:
Thus ev'ry voice and sound, when first they break,
On neighb'ring air a soft impression make;
Another ambient circle then they move;
That, in its turn, impels the next above;
Thro' undulating air the sounds are sent,
And spread o'er all the fluid element.
There various news I heard of love and strife,
Of peace and war, health, sickness, death, and life,
Of loss and gain, of famine and of store,
Of storms at sea, and travels on the shore,
Of prodigies, and portents seen in air,
Of fires and plagues, and stars with blazing hair,
Of turns of fortune, changes in the state,
The falls of fav'rites, projects of the great,
Of old mismanagements, taxations new:
All neither wholly false, nor wholly true.
Above, below, without, within, around.
Confus'd, unnumber'd multitudes are found,
Who pass, repass, advance, and glide away;
Hosts rais'd by fear, and phantoms of a day:
Astrologers, that future fates foreshew,
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Projectors, quacks, and lawyers not a few;
And priests, and party-zealots, num'rous bands
With home-born lies, or tales from foreign lands;
Each talk'd aloud, or in some secret place,
And wild impatience star'd in ev'ry face.
The flying rumours gather'd as they roll'd,
Scarce any tale was sooner heard than told;
And all who told it added something new,
And all who heard it, made enlargements too,
In ev'ry ear it spread, on ev'ry tongue it grew.
Thus flying east and west, and north and south,
News travel'd with increase from mouth to mouth.
So from a spark, that kindled first by chance,
With gath'ring force the quick'ning flames advance;
Till to the clouds their curling heads aspire,
And tow'rs and temples sink in floods of fire.
When thus ripe lies are to perfection sprung,
Full grown, and fit to grace a mortal tongue,
Thro' thousand vents, impatient, forth they flow,
And rush in millions on the world below.
Fame sits aloft, and points them out their course,
Their date determines, and prescribes their force:
Some to remain, and some to perish soon;
Or wane and wax alternate like the moon.
Around, a thousand winged wonders fly,
Borne by the trumpet's blast, and scatter'd thro' the sky.
There, at one passage, oft you might survey
A lie and truth contending for the way;
And long 'twas doubtful, both so closely pent,
Which first should issue thro' the narrow vent:
At last agreed, together out they fly,
Inseparable now, the truth and lie;
The strict companions are for ever join'd,
And this or that unmix'd, no mortal e'er shall find.
While thus I stood, intent to see and hear,
One came, methought, and whisper'd in my ear:
What could thus high thy rash ambition raise?
Art thou, fond youth, a candidate for praise?
'Tis true, said I, not void of hopes I came,
For who so fond as youthful bards of Fame?
But few, alas! the casual blessing boast,
So hard to gain, so easy to be lost.
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How vain that second life in others breath,
Th' estate which wits inherit after death!
Ease, health, and life, for this they must resign,
(Unsure the tenure, but how vast the fine!)
The great man's curse, without the gains endure,
Be envy'd, wretched, and be flatter'd, poor;
All luckless wits their enemies profest,
And all successful, jealous friends at best.
Nor Fame I slight, nor for her favours call;
She comes unlook'd for, if she comes at all.
But if the purchase costs so dear a price,
As soothing Folly, or exalting Vice:
Oh! if the Muse must flatter lawless sway,
And follow still where fortune leads the way;
Or if no basis bear my rising name,
But the fall'n ruin of another's fame;
Then teach me, heav'n! to scorn the guilty bays,
Drive from my breast that wretched lust of praise,
Unblemish'd let me live, or die unknown;
Oh grant an honest fame, or grant me none!
~ Alexander Pope,#NFDB
1416:The Kalevala - Rune Xxvi
ORIGIN OF THE SERPENT.
Ahti, living on the island,
Near the Kauko-point and harbor,
Plowed his fields for rye and barley,
Furrowed his extensive pastures,
Heard with quickened ears an uproar,
Heard the village in commotion,
Heard a noise along the sea-shore,
Heard the foot-steps on the ice-plain,
Heard the rattle of the sledges;
Quick his mind divined the reason,
Knew it was Pohyola's wedding,
Wedding of the Rainbow-virgin.
Quick he stopped in disappointment,
Shook his sable locks in envy,
Turned his hero-head in anger,
While the scarlet blood ceased flowing
Through his pallid face and temples;
Ceased his plowing and his sowing,
On the field he left the furrows,
On his steed he lightly mounted,
Straightway galloped fleetly homeward
To his well-beloved mother,
To his mother old and golden,
Gave his mother these directions,
These the words of Lemminkainen:
'My beloved, faithful mother,
Quickly bring me beer and viands,
Bring me food for I am hungry,
Food and drink for me abundant,
Have my bath-room quickly heated,
Quickly set the room in order,
That I may refresh my body,
Dress myself in hero-raiment.'
Lemminkainen's aged mother
Brings her hero food in plenty,
Beer and viands for the hungry,
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For her thirsting son and hero;
Quick she heats the ancient bath-room,
Quickly sets his bath in order.
Then the reckless Lemminkainen
Ate his meat with beer inspiring,
Hastened to his bath awaiting;
Only was the bullfinch bathing,
With the many-colored bunting;
Quick the hero laved his temples,
Laved himself to flaxen whiteness,
Quick returning to his mother,
Spake in haste the words that follow:
'My beloved, helpful mother,
Go at once to yonder mountain,
To the store-house on the hill-top,
Bring my vest of finest texture,
Bring my hero-coat of purple,
Bring my suit of magic colors,
Thus to make me look attractive,
Thus to robe myself in beauty.'
First the ancient mother asked him,
Asked her son this simple question:
'Whither dost thou go, my hero?
Dost thou go to hunt the roebuck,
Chase the lynx upon the mountains,
Shoot the squirrel in the woodlands?'
Spake the reckless Lemminkainen,
Also known as Kaukomieli:
'Worthy mother of my being,
Go I not to hunt the roebuck,
Chase the lynx upon the mountains,
Shoot the squirrel on the tree-tops;
I am going to Pohyola,
To the feasting of her people.
Bring at once my purple vestments,
Straightway bring my nuptial outfit,
Let me don it for the marriage
Of the maiden of the Northland.'
But the ancient dame dissented,
And the wife forebade the husband;
Two of all the best of heroes,
Three of nature's fairest daughters,
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Strongly urged wild Lemminkainen
Not to go to Sariola,
To Pohyola's great carousal,
To the marriage-feast of Northland,
'Since thou hast not been invited,
Since they do not wish thy presence.'
Spake the reckless Lemminkainen.
These the words of Kaukomieli:
'Where the wicked are invited,
There the good are always welcome,
Herein lies my invitation;
I am constantly reminded
By this sword of sharpened edges,
By this magic blade and scabbard,
That Pohyola needs my presence.'
Lemminkainen's aged mother
Sought again to stay her hero:
'Do not go, my son beloved,
To the feasting in Pohyola;
Full of horrors are the highways,
On the road are many wonders,
Three times Death appears to frighten,
Thrice destruction hovers over!'
Spake the reckless Lemminkainen,
These the words of Kaukomieli:
'Death is seen by aged people,
Everywhere they see perdition,
Death can never frighten heroes,
Heroes do not fear the spectre;
Be that as it may, dear mother,
Tell that I may understand thee,
Name the first of all destructions,
Name the first and last destroyers!'
Lemminkainen's mother answered:
'I will tell thee, son and hero,
Not because I wish to speak it,
But because the truth is worthy;
I will name the chief destruction,
Name the first of the destroyers.
When thou hast a distance journeyed,
Only one day hast thou travelled,
Comes a stream along the highway,
442
Stream of fire of wondrous beauty,
In the stream a mighty fire-spout,
In the spout a rock uprising,
On the rock a fiery hillock,
On the top a flaming eagle,
And his crooked beak he sharpens,
Sharpens too his bloody talons,
For the coming of the stranger,
For the people that approach him.'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Women die beneath the eagle,
Such is not the death of heroes;
Know I well a magic lotion,
That will heal the wounds of eagles;
Make myself a steed of alders,
That will walk as my companion,
That will stride ahead majestic;
As a duck I'll drive behind him,
Drive him o'er the fatal waters,
Underneath the flaming eagle,
With his bloody beak and talons.
Worthy mother of my being,
Name the second of destroyers.'
Lemminkainen's mother answered:
'This the second of destroyers:
When thou hast a distance wandered,
Only two clays hast thou travelled,
Comes a pit of fire to meet thee,
In the centre of the highway,
Eastward far the pit extending,
Stretches endless to the westward,
Filled with burning coals and pebbles,
Glowing with the heat of ages;
Hundreds has this monster swallowed,
In his jaws have thousands perished,
Hundreds with their trusty broadswords,
Thousands on their fiery chargers.'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Never will the hero perish
In the jaws of such a monster;
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Know I well the means of safety,
Know a remedy efficient:
I will make of snow a master,
On the snow-clad fields, a hero,
Drive the snow-man on before me,
Drive him through the flaming vortex,
Drive him through the fiery furnace,
With my magic broom of copper;
I will follow in his shadow,
Follow close the magic image,
Thus escape the frightful monster,
With my golden locks uninjured,
With my flowing beard untangled.
Ancient mother of my being,
Name the last of the destructions,
Name the third of the destroyers.'
Lemminkainen's mother answered:
'This the third of fatal dangers:
Hast thou gone a greater distance,
Hast thou travelled one day longer,
To the portals of Pohyola,
To the narrowest of gate-ways,
There a wolf will rise to meet thee,
There the black-bear sneak upon thee-,
In Pohyola's darksome portals,
Hundreds in their jaws have perished,
Have devoured a thousand heroes;
Wherefore will they not destroy thee,
Since thy form is unprotected?'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Let them eat the gentle lambkins,
Feed upon their tender tissues,
They cannot devour this hero;
I am girded with my buckler,
Girded with my belt of copper,
Armlets wear I of the master,
From the wolf and bear protected,
Will not hasten to Untamo.
I can meet the wolf of Lempo,
For the bear I have a balsam,
For his mouth I conjure bridles,
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For the wolf, forge chains of iron;
I will smite them as the willow,
Chop them into little fragments,
Thus I'll gain the open court-yard,
Thus triumphant end my journey.'
Lemminkainen's mother answered:
'Then thy journey is not ended,
Greater dangers still await thee,
Great the wonders yet before thee,
Horrors three within thy pathway;
Three great dangers of the hero
Still await thy reckless footsteps,
These the worst of all thy dangers:
When thou hast still farther wandered,
Thou wilt reach the Court of Pohya,
Where the walls are forged from iron,
And from steel the outer bulwark;
Rises from the earth to heaven,
Back again to earth returning;
Double spears are used for railings,
On each spear are serpents winding,
On each rail are stinging adders;
Lizards too adorn the bulwarks,
Play their long tails in the sunlight,
Hissing lizards, venomed serpents,
Jump and writhe upon the rampart,
Turn their horrid heads to meet thee;
On the greensward lie the monsters,
On the ground the things of evil,
With their pliant tongues of venom,
Hissing, striking, crawling, writhing;
One more horrid than the others,
Lies before the fatal gate-way,
Longer than the longest rafters,
Larger than the largest portals;
Hisses with the tongue of anger,
Lifts his head in awful menace,
Raises it to strike none other
Than the hero of the islands.'
Spake the warlike Lemminkainen,
Handsome hero, Kaukomieli:
'By such things the children perish,
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Such is not the death of heroes;
Know I well the fire to manage,
I can quench the flames of passion,
I can meet the prowling wild-beasts,
Can appease the wrath of serpents,
I can heal the sting of adders,
I have plowed the serpent-pastures,
Plowed the adder-fields of Northland;
While my hands were unprotected,
Held the serpents in my fingers,
Drove the adders to Manala,
On my hands the blood of serpents,
On my feet the fat of adders.
Never will thy hero stumble
On the serpents of the Northland;
With my heel I'll crush the monsters,
Stamp the horrid things to atoms;
I will banish them from Pohya,
Drive them to Manala's kingdom,
Step within Pohyola's mansion,
Walk the halls of Sariola!'
Lemminkainen's mother answered:
'Do not go, my son beloved,
To the firesides of Pohyola,
Through the Northland fields and fallows;
There are warriors with broadswords,
Heroes clad in mail of copper,
Are on beer intoxicated,
By the beer are much embittered;
They will charm thee, hapless creature,
On the tips of swords of magic;
Greater heroes have been conjured,
Stronger ones have been outwitted.'
Spake the reckless Lemminkainen:
'Formerly thy son resided
In the hamlets of Pohyola;
Laplanders cannot enchant me,
Nor the Turyalanders harm me
I the, Laplander will conjure,
Charm him with my magic powers,
Sing his shoulders wide asunder,
In his chin I'll sing a fissure,
446
Sing his collar-bone to pieces,
Sing his breast to thousand fragments.'
Lemminkainen's mother answered:
'Foolish son, ungrateful wizard,
Boasting of thy former visit,
Boasting of thy fatal journey!
Once in Northland thou wert living,
In the homesteads of Pohyola;
There thou tried to swim the whirlpool,
Tasted there the dog-tongue waters,
Floated down the fatal current,
Sank beneath its angry billows;
Thou hast seen Tuoni's river,
Thou hast measured Mana's waters,
There to-day thou wouldst be sleeping,
Had it not been for thy mother!
What I tell thee well remember,
Shouldst thou gain Pohyola's chambers,
Filled with stakes thou'lt find the court-yard,
These to hold the heads of heroes;
There thy head will rest forever,
Shouldst thou go to Sariola.'
Spake the warlike Lemminkainen:
'Fools indeed may heed thy counsel,
Cowards too may give attention;
Those of seven conquest-summers
Cannot heed such weak advising.
Bring to me my battle-armor.
Bring my magic mail of copper,
Bring me too my father's broadsword,
Keep the old man's blade from rusting;
Long it has been cold and idle,
Long has lain in secret places,
Long and constantly been weeping,
Long been asking for a bearer.'
Then he took his mail of copper,
Took his ancient battle-armor,
Took his father's sword of magic,
Tried its point against the oak-wood,
Tried its edge upon the sorb-tree;
In his hand the blade was bended,
Like the limber boughs of willow,
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Like the juniper in summer.
Spake the hero, Lemminkainen:
'There is none in Pohya's hamlets,
In the courts of Sariola,
That with me can measure broadswords,
That can meet this blade ancestral.'
From the nail he took a cross-bow,
Took the strongest from the rafters,
Spake these words in meditation:
'I shall recognize as worthy,
Recognize that one a hero
That can bend this mighty cross-bow,
That can break its magic sinews,
In the hamlets of Pohyola.'
Lemminkainen, filled with courage,
Girds himself in suit of battle,
Dons his mighty mail of copper,
To his servant speaks as follows:
'Trusty slave, and whom I purchased,
Whom I bought with gold and silver,
Quick prepare my fiery charger,
Harness well my steed of battle;
I am going to the feasting,
To the banquet-fields of Lempo.'
Quick obeys the faithful servant,
Hitches well the noble war-horse,
Quick prepares the fire-red stallion,
Speaks these words when all is I ready:
'I have done what thou hast hidden,
Ready harnessed is the charger,
Waiting to obey his master.'
Comes the hour of the departing
Of the hero, Lemminkainen,
Right hand ready, left unwilling,
All his anxious fingers pain him,
Till at last in full obedience,
All his members give permission;
Starts the hero on his journey,
While the mother gives him counsel,
At the threshold of the dwelling,
At the highway of the court-yard:
'Child of courage, my beloved,
448
Son of strength, my wisdom-hero,
If thou goest to the feasting,
Shouldst thou reach the great carousal,
Drink thou only a half a cupful,
Drink the goblet to the middle,
Always give the half remaining,
Give the worse half to another,
To another more unworthy;
In the lower half are serpents,
Worms, and frogs, and hissing lizards,
Feeding on the slimy bottom.'
Furthermore she tells her hero,
Gives her son these sage directions,
On the border of the court-yard,
At the portals farthest distant:
'If thou goest to the banquet,
Shouldst thou reach the great carousal,
Occupy but half the settle,
Take but half a stride in walking,
Give the second half to others,
To another less deserving;
Only thus thou'lt be a hero,
Thus become a son immortal;
In the guest-rooms look courageous,
Bravely move about the chambers,
In the gatherings of heroes,
With the hosts of magic valor.'
Thereupon wild Lemminkainen
Quickly leaped upon the cross-bench
Of his battle-sledge of wonder,
Raised his pearl-enamelled birch-rod,
Snapped his whip above his charger,
And the steed flew onward fleetly,
Galloped on his distant journey.
He had travelled little distance,
When a flight of hazel-chickens
Quick arose before his coming,
Flew before the foaming racer.
There were left some feathers lying,
Feathers of the hazel-chickens,
Lying in the hero's pathway.
These the reckless Lemminkainen
449
Gathered for their magic virtues,
Put them in his pouch of leather,
Did not know what things might happen
On his journey to Pohyola;
All things have some little value,
In a strait all things are useful.
Then he drove a little distance,
Galloped farther on the highway,
When his courser neighed in danger,
And the fleet-foot ceased his running.
Then the stout-heart, Lemminkainen,
Handsome hero, Kaukomieli,
Rose upon his seat in wonder,
Craned his neck and looked about him
Found it as his mother told him,
Found a stream of fire opposing;
Ran the fire-stream like a river,
Ran across the hero's pathway.
In the river was a fire-fall,
In the cataract a fire-rock,
On the rock a fiery hillock,
On its summit perched an eagle,
From his throat the fire was streaming
To the crater far below him,
Fire out-shooting from his feathers,
Glowing with a fiery splendor;
Long he looked upon the hero,
Long he gazed on Lemminkainen,
Then the eagle thus addressed him:
'Whither art thou driving, Ahti,
Whither going, Lemminkainen?'
Kaukomieli spake in answer:
'To the feastings of Pohyola,
To the drinking-halls of Louhi,
To the banquet of her people;
Move aside and let me journey,
Move a little from my pathway,
Let this wanderer pass by thee,
I am warlike Lemminkainen.'
This the answer of the eagle,
Screaming from his throat of splendor:
'Though thou art wild Lemminkainen,
450
I shall let thee wander onward,
Through my fire-throat let thee journey,
Through these flames shall be thy passage
To the banquet-halls of Louhi,
To Pohyola's great carousal!'
Little heeding, Kaukomieli
Thinks himself in little trouble,
Thrusts his fingers in his pockets,
Searches in his pouch of leather,
Quickly takes the magic feathers,
Feathers from the hazel-chickens,
Rubs them into finest powder,
Rubs them with his magic fingers
Whence a flight of birds arises,
Hazel-chickens from the feathers,
Large the bevy of the young birds.
Quick the wizard, Lemminkainen,
Drives them to the eagle's fire-mouth,
Thus to satisfy his hunger,
Thus to quench the fire out-streaming.
Thus escapes the reckless hero,
Thus escapes the first of dangers,
Passes thus the first destroyer,
On his journey to Pohyola.
With his whip he strikes his courser,
With his birch-whip, pearl-enamelled;
Straightway speeds the fiery charger,
Noiselessly upon his journey,
Gallops fast and gallops faster,
Till the flying steed in terror
Neighs again and ceases running.
Lemminkainen, quickly rising,
Cranes his neck and looks about him,
Sees his mother's words were truthful,
Sees her augury well-taken.
Lo! before him yawned a fire-gulf,
Stretching crosswise through his pathway;
Far to east the gulf extending,
To the west an endless distance,
Filled with stones and burning pebbles,
Running streams of burning matter.
Little heeding, Lemminkainen
451
Cries aloud in prayer to Ukko:
'Ukko, thou O God above me,
Dear Creator, omnipresent,
From the north-west send a storm-cloud,
From the east, dispatch a second,
From the south send forth a third one;
Let them gather from the south-west,
Sew their edges well together,
Fill thou well the interspaces,
Send a snow-fall high as heaven,
Let it fall from upper ether,
Fall upon the flaming fire-pit,
On the cataract and whirlpool!'
Mighty Ukko, the Creator,
Ukko, father omnipresent,
Dwelling in the courts of heaven,
Sent a storm-cloud from the north-west,
From the east he sent a second,
From the south despatched a third one,
Let them gather from the south-west,
Sewed their edges well together,
Filled their many interspaces,
Sent a snow-fall high as heaven,
From the giddy heights of ether,
Sent it seething to the fire-pit,
On the streams of burning matter;
From the snow-fall in the fire-pond,
Grows a lake with rolling billows.
Quick the hero, Lemminkainen,
Conjures there of ice a passage
From one border to the other,
Thus escapes his second danger,
Thus his second trouble passes.
Then the reckless Lemminkainen
Raised his pearl-enamelled birch-rod,
Snapped his whip above his racer,
And the steed flew onward swiftly,
Galloped on his distant journey
O'er the highway to Pohyola;
Galloped fast and galloped faster,
Galloped on a greater distance,
When the stallion loudly neighing,
452
Stopped and trembled on the highway,
Then the lively Lemminkainen
Raised himself upon the cross-bench,
Looked to see what else had happened;
Lo I a wolf stands at the portals,
in the passage-way a black-bear,
At the high-gate of Pohyola,
At the ending of the journey.
Thereupon young Lemminkainen,
Handsome hero, Kaukomieli,
Thrusts his fingers in his pockets,
Seeks his magic pouch of leather,
Pulls therefrom a lock of ewe-wool,
Rubs it firmly in his fingers,
In his hands it falls to powder;
Breathes the breath of life upon it,
When a flock of sheep arises,
Goats and sheep of sable color;
On the flock the black-wolf pounces,
And the wild-bear aids the slaughter,
While the reckless Lemminkainen
Rushes by them on his journey;
Gallops on a little distance,
To the court of Sariola,
Finds the fence of molten iron,
And of steel the rods and pickets,
In the earth a hundred fathoms,
To the azure sky, a thousand,
Double-pointed spears projecting;
On each spear were serpents twisted,
Adders coiled in countless numbers,
Lizards mingled with the serpents,
Tails entangled pointing earthward,
While their heads were skyward whirling,
Writhing, hissing mass of evil.
Then the stout-heart, Kaukomieli,
Deeply thought and long considered:
'It is as my mother told me,
This the wall that she predicted,
Stretching from the earth to heaven;
Downward deep are serpents creeping,
Deeper still the rails extending;
453
High as highest flight of eagles,
Higher still the wall shoots upward.'
But the hero, Lemminkainen,
Little cares, nor feels disheartened,
Draws his broadsword from its scabbard,
Draws his mighty blade ancestral,
Hews the wall with might of magic,
Breaks the palisade in pieces,
Hews to atoms seven pickets,
Chops the serpent-wall to fragments;
Through the breach he quickly passes
To the portals of Pohyola.
In the way, a serpent lying,
Lying crosswise in the entry,
Longer than the longest rafters,
Larger than the posts of oak-wood;
Hundred-eyed, the heinous serpent,
And a thousand tongues, the monster,
Eyes as large as sifting vessels,
Tongues as long as shafts of javelins,
Teeth as large as hatchet-handles,
Back as broad as skiffs of ocean.
Lemminkainen does not venture
Straightway through this host opposing,
Through the hundred heads of adders,
Through the thousand tongues of serpents.
Spake the magic Lemminkainen:
'Venomed viper, thing of evil,
Ancient adder of Tuoni,
Thou that crawlest in the stubble,
Through the flower-roots of Lempo,
Who has sent thee from thy kingdom,
Sent thee from thine evil coverts,
Sent thee hither, crawling, writhing,
In the pathway I would travel?
Who bestowed thy mouth of venom,
Who insisted, who commanded,
Thou shouldst raise thy head toward heaven,
Who thy tail has given action?
Was this given by the father,
Did the mother give this power,
Or the eldest of the brothers,
454
Or the youngest of the sisters,
Or some other of thy kindred?
'Close thy mouth, thou thing of evil,
Hide thy pliant tongue of venom,
In a circle wrap thy body,
Coil thou like a shield in silence,
Give to me one-half the pathway,
Let this wanderer pass by thee,
Or remove thyself entirely;
Get thee hence to yonder heather,
Quick retreat to bog and stubble,
Hide thyself in reeds and rushes,
In the brambles of the lowlands.
Like a ball of flax enfolding,
Like a sphere of aspen-branches,
With thy head and tail together,
Roll thyself to yonder mountain;
In the heather is thy dwelling,
Underneath the sod thy caverns.
Shouldst thou raise thy head in anger,
Mighty Ukko will destroy it,
Pierce it with his steel-tipped arrows,
With his death-balls made of iron!'
Hardly had the hero ended,
When the monster, little heeding,
Hissing with his tongue in anger,
Plying like the forked lightning,
Pounces with his mouth of venom
At the head of Lemminkainen;
But the hero, quick recalling,
Speaks the master-words of knowledge,
Words that came from distant ages,
Words his ancestors had taught him,
Words his mother learned in childhood,
These the words of Lemminkainen:
'Since thou wilt not heed mine order,
Since thou wilt not leave the highway,
Puffed with pride of thine own greatness,
Thou shall burst in triple pieces.
Leave thy station for the borders,
I will hunt thine ancient mother,
Sing thine origin of evil,
455
How arose thy head of horror;
Suoyatar, thine ancient mother,
Thing of evil, thy creator!'
'Suoyatar once let her spittle
Fall upon the waves of ocean;
This was rocked by winds and waters,
Shaken by the ocean-currents,
Six years rocked upon the billows,
Rocked in water seven summers,
On the blue-back of the ocean,
On the billows high as heaven;
Lengthwise did the billows draw it,
And the sunshine gave it softness,
To the shore the billows washed it,
On the coast the waters left it.
'Then appeared Creation's daughters,
Three the daughters thus appearing,
On the roaring shore of ocean,
There beheld the spittle lying,
And the daughters spake as follows:
'What would happen from this spittle,
Should the breath of the Creator
Fall upon the writhing matter,
Breathe the breath of life upon it,
Give the thing the sense of vision?
'The Creator heard these measures,
Spake himself the words that follow:
'Evil only comes from evil,
This is the expectoration
Of fell Suoyatar, its mother;
Therefore would the thing be evil,
Should I breathe a soul within it,
Should I give it sense of vision.'
'Hisi heard this conversation,
Ever ready with his mischief,
Made himself to be creator,
Breathed a soul into the spittle,
To fell Suoyatar's fierce anger.
Thus arose the poison-monster,
Thus was born the evil serpent,
This the origin of evil.
'Whence the life that gave her action'?
456
From the carbon-pile of Hisi.
Whence then was her heart created?
From the heart-throbs of her mother
Whence arose her brain of evil?
From the foam of rolling waters.
Whence was consciousness awakened?
From the waterfall's commotion.
Whence arose her head of venom?
From the seed-germs of the ivy.
Whence then came her eyes of fury?
From the flaxen seeds of Lempo.
Whence the evil ears for hearing?
From the foliage of Hisi.
Whence then was her mouth created?
This from Suoyatar's foam-currents
Whence arose thy tongue of anger r
From the spear of Keitolainen.
Whence arose thy fangs of poison?
From the teeth of Mana's daughter.
Whence then was thy back created?
From the carbon-posts of Piru.
How then was thy tail created?
From the brain of the hobgoblin.
Whence arose thy writhing entrails?
From the death-belt of Tuoni.
'This thine origin, O Serpent,
This thy charm of evil import,
Vilest thing of God's creation,
Writhing, hissing thing of evil,
With the color of Tuoni,
With the shade of earth and heaven,
With the darkness of the storm-cloud.
Get thee hence, thou loathsome monster,
Clear the pathway of this hero.
I am mighty Lemminkainen,
On my journey to Pohyola,
To the feastings and carousals,
In the halls of darksome Northland.'
Thereupon the snake uncoiling,
Hundred-eyed and heinous monster,
Crawled away to other portals,
That the hero, Kaukomieli,
457
Might proceed upon his errand,
To the dismal Sariola,
To the feastings and carousals
In the banquet-halls of Pohya.
~ Elias Lönnrot,#NFDB
1417:Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray
Burned slow & inconsumably, & sent
Their odorous sighs up to the smiling air,
And in succession due, did Continent,
Isle, Ocean, & all things that in them wear
The form & character of mortal mould
Rise as the Sun their father rose, to bear
Their portion of the toil which he of old
Took as his own & then imposed on them;
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the Deep
Was at my feet, & Heaven above my head
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew
That I had felt the freshness of that dawn,
Bathed in the same cold dew my brow & hair
And sate as thus upon that slope of lawn
Under the self same bough, & heard as there
The birds, the fountains & the Ocean hold
Sweet talk in music through the enamoured air.
And then a Vision on my brain was rolled.
As in that trance of wondrous thought I lay
This was the tenour of my waking dream.
Methought I sate beside a public way
Thick strewn with summer dust, & a great stream
Of people there was hurrying to & fro
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, yet so
Was borne amid the crowd as through the sky
One of the million leaves of summer's bier.
Old age & youth, manhood & infancy,
Mixed in one mighty torrent did appear,
Some flying from the thing they feared & some
Seeking the object of another's fear,
And others as with steps towards the tomb
Pored on the trodden worms that crawled beneath,
And others mournfully within the gloom
Of their own shadow walked, and called it death
And some fled from it as it were a ghost,
Half fainting in the affliction of vain breath.
But more with motions which each other crost
Pursued or shunned the shadows the clouds threw
Or birds within the noonday ether lost,
Upon that path where flowers never grew;
And weary with vain toil & faint for thirst
Heard not the fountains whose melodious dew
Out of their mossy cells forever burst
Nor felt the breeze which from the forest told
Of grassy paths, & wood lawns interspersed
With overarching elms & caverns cold,
And violet banks where sweet dreams brood, but they
Pursued their serious folly as of old.
And as I gazed methought that in the way
The throng grew wilder, as the woods of June
When the South wind shakes the extinguished day.
And a cold glare, intenser than the noon
But icy cold, obscured with [[blank]] light
The Sun as he the stars. Like the young moon
When on the sunlit limits of the night
Her white shell trembles amid crimson air
And whilst the sleeping tempest gathers might
Doth, as a herald of its coming, bear
The ghost of her dead Mother, whose dim form
Bends in dark ether from her infant's chair,
So came a chariot on the silent storm
Of its own rushing splendour, and a Shape
So sate within as one whom years deform
Beneath a dusky hood & double cape
Crouching within the shadow of a tomb,
And o'er what seemed the head, a cloud like crape,
Was bent a dun & faint etherial gloom
Tempering the light; upon the chariot's beam
A Janus-visaged Shadow did assume
The guidance of that wonder-winged team.
The Shapes which drew it in thick lightnings
Were lost: I heard alone on the air's soft stream
The music of their ever moving wings.
All the four faces of that charioteer
Had their eyes banded . . . little profit brings
Speed in the van & blindness in the rear,
Nor then avail the beams that quench the Sun
Or that his banded eyes could pierce the sphere
Of all that is, has been, or will be done.
So ill was the car guided, but it past
With solemn speed majestically on . . .
The crowd gave way, & I arose aghast,
Or seemed to rise, so mighty was the trance,
And saw like clouds upon the thunder blast
The million with fierce song and maniac dance
Raging around; such seemed the jubilee
As when to greet some conqueror's advance
Imperial Rome poured forth her living sea
From senatehouse & prison & theatre
When Freedom left those who upon the free
Had bound a yoke which soon they stooped to bear.
Nor wanted here the true similitude
Of a triumphal pageant, for where'er
The chariot rolled a captive multitude
Was driven; althose who had grown old in power
Or misery,all who have their age subdued,
By action or by suffering, and whose hour
Was drained to its last sand in weal or woe,
So that the trunk survived both fruit & flower;
All those whose fame or infamy must grow
Till the great winter lay the form & name
Of their own earth with them forever low,
All but the sacred few who could not tame
Their spirits to the Conqueror, but as soon
As they had touched the world with living flame
Fled back like eagles to their native noon,
Of those who put aside the diadem
Of earthly thrones or gems, till the last one
Were there;for they of Athens & Jerusalem
Were neither mid the mighty captives seen
Nor mid the ribald crowd that followed them
Or fled before . . Now swift, fierce & obscene
The wild dance maddens in the van, & those
Who lead it, fleet as shadows on the green,
Outspeed the chariot & without repose
Mix with each other in tempestuous measure
To savage music. Wilder as it grows,
They, tortured by the agonizing pleasure,
Convulsed & on the rapid whirlwinds spun
Of that fierce spirit, whose unholy leisure
Was soothed by mischief since the world begun,
Throw back their heads & loose their streaming hair,
And in their dance round her who dims the Sun
Maidens & youths fling their wild arms in air
As their feet twinkle; they recede, and now
Bending within each other's atmosphere
Kindle invisibly; and as they glow
Like moths by light attracted & repelled,
Oft to new bright destruction come & go.
Till like two clouds into one vale impelled
That shake the mountains when their lightnings mingle
And die in rain,the fiery band which held
Their natures, snaps . . . ere the shock cease to tingle
One falls and then another in the path
Senseless, nor is the desolation single,
Yet ere I can say where the chariot hath
Past over them; nor other trace I find
But as of foam after the Ocean's wrath
Is spent upon the desert shore.Behind,
Old men, and women foully disarrayed
Shake their grey hair in the insulting wind,
Limp in the dance & strain, with limbs decayed,
Seeking to reach the light which leaves them still
Farther behind & deeper in the shade.
But not the less with impotence of will
They wheel, though ghastly shadows interpose
Round them & round each other, and fulfill
Their work and to the dust whence they arose
Sink & corruption veils them as they lie
And frost in these performs what fire in those.
Struck to the heart by this sad pageantry,
Half to myself I said, "And what is this?
Whose shape is that within the car? & why"-
I would have added"is all here amiss?"
But a voice answered . . "Life" . . . I turned & knew
(O Heaven have mercy on such wretchedness!)
That what I thought was an old root which grew
To strange distortion out of the hill side
Was indeed one of that deluded crew,
And that the grass which methought hung so wide
And white, was but his thin discoloured hair,
And that the holes it vainly sought to hide
Were or had been eyes."lf thou canst forbear
To join the dance, which I had well forborne,"
Said the grim Feature, of my thought aware,
"I will now tell that which to this deep scorn
Led me & my companions, and relate
The progress of the pageant since the morn;
"If thirst of knowledge doth not thus abate,
Follow it even to the night, but I
Am weary" . . . Then like one who with the weight
Of his own words is staggered, wearily
He paused, and ere he could resume, I cried,
"First who art thou?" . . . "Before thy memory
"I feared, loved, hated, suffered, did, & died,
And if the spark with which Heaven lit my spirit
Earth had with purer nutriment supplied
"Corruption would not now thus much inherit
Of what was once Rousseaunor this disguise
Stained that within which still disdains to wear it.
"If I have been extinguished, yet there rise
A thousand beacons from the spark I bore."
"And who are those chained to the car?" "The Wise,
"The great, the unforgotten: they who wore
Mitres & helms & crowns, or wreathes of light,
Signs of thought's empire over thought; their lore
"Taught them not thisto know themselves; their might
Could not repress the mutiny within,
And for the morn of truth they feigned, deep night
"Caught them ere evening." "Who is he with chin
Upon his breast and hands crost on his chain?"
"The Child of a fierce hour; he sought to win
"The world, and lost all it did contain
Of greatness, in its hope destroyed; & more
Of fame & peace than Virtue's self can gain
"Without the opportunity which bore
Him on its eagle's pinion to the peak
From which a thousand climbers have before
"Fall'n as Napoleon fell."I felt my cheek
Alter to see the great form pass away
Whose grasp had left the giant world so weak
That every pigmy kicked it as it lay
And much I grieved to think how power & will
In opposition rule our mortal day
And why God made irreconcilable
Good & the means of good; and for despair
I half disdained mine eye's desire to fill
With the spent vision of the times that were
And scarce have ceased to be . . . "Dost thou behold,"
Said then my guide, "those spoilers spoiled, Voltaire,
"Frederic, & Kant, Catherine, & Leopold,
Chained hoary anarch, demagogue & sage
Whose name the fresh world thinks already old
"For in the battle Life & they did wage
She remained conquerorI was overcome
By my own heart alone, which neither age
"Nor tears nor infamy nor now the tomb
Could temper to its object.""Let them pass"
I cried"the world & its mysterious doom
"Is not so much more glorious than it was
That I desire to worship those who drew
New figures on its false & fragile glass
"As the old faded.""Figures ever new
Rise on the bubble, paint them how you may;
We have but thrown, as those before us threw,
"Our shadows on it as it past away.
But mark, how chained to the triumphal chair
The mighty phantoms of an elder day
"All that is mortal of great Plato there
Expiates the joy & woe his master knew not;
That star that ruled his doom was far too fair
"And Life, where long that flower of Heaven grew not,
Conquered the heart by love which gold or pain
Or age or sloth or slavery could subdue not
"And near [[blank]] walk the [[blank]] twain,
The tutor & his pupil, whom Dominion
Followed as tame as vulture in a chain.
"The world was darkened beneath either pinion
Of him whom from the flock of conquerors
Fame singled as her thunderbearing minion;
"The other long outlived both woes & wars,
Throned in new thoughts of men, and still had kept
The jealous keys of truth's eternal doors
"If Bacon's spirit [[blank]] had not leapt
Like lightning out of darkness; he compelled
The Proteus shape of Nature's as it slept
"To wake & to unbar the caves that held
The treasure of the secrets of its reign
See the great bards of old who inly quelled
"The passions which they sung, as by their strain
May well be known: their living melody
Tempers its own contagion to the vein
"Of those who are infected with itI
Have suffered what I wrote, or viler pain!
"And so my words were seeds of misery
Even as the deeds of others.""Not as theirs,"
I saidhe pointed to a company
In which I recognized amid the heirs
Of Caesar's crime from him to Constantine,
The Anarchs old whose force & murderous snares
Had founded many a sceptre bearing line
And spread the plague of blood & gold abroad,
And Gregory & John and men divine
Who rose like shadows between Man & god
Till that eclipse, still hanging under Heaven,
Was worshipped by the world o'er which they strode
For the true Sun it quenched."Their power was given
But to destroy," replied the leader"I
Am one of those who have created, even
"If it be but a world of agony."
"Whence camest thou & whither goest thou?
How did thy course begin," I said, "& why?
"Mine eyes are sick of this perpetual flow
Of people, & my heart of one sad thought.
Speak.""Whence I came, partly I seem to know,
"And how & by what paths I have been brought
To this dread pass, methinks even thou mayst guess;
Why this should be my mind can compass not;
"Whither the conqueror hurries me still less.
But follow thou, & from spectator turn
Actor or victim in this wretchedness,
"And what thou wouldst be taught I then may learn
From thee.Now listen . . . In the April prime
When all the forest tops began to burn
"With kindling green, touched by the azure clime
Of the young year, I found myself asleep
Under a mountain which from unknown time
"Had yawned into a cavern high & deep,
And from it came a gentle rivulet
Whose water like clear air in its calm sweep
"Bent the soft grass & kept for ever wet
The stems of the sweet flowers, and filled the grove
With sound which all who hear must needs forget
"All pleasure & all pain, all hate & love,
Which they had known before that hour of rest:
A sleeping mother then would dream not of
"The only child who died upon her breast
At eventide, a king would mourn no more
The crown of which his brow was dispossest
"When the sun lingered o'er the Ocean floor
To gild his rival's new prosperity.
Thou wouldst forget thus vainly to deplore
"Ills, which if ills, can find no cure from thee,
The thought of which no other sleep will quell
Nor other music blot from memory
"So sweet & deep is the oblivious spell.
Whether my life had been before that sleep
The Heaven which I imagine, or a Hell
"Like this harsh world in which I wake to weep,
I know not. I arose & for a space
The scene of woods & waters seemed to keep,
"Though it was now broad day, a gentle trace
Of light diviner than the common Sun
Sheds on the common Earth, but all the place
"Was filled with many sounds woven into one
Oblivious melody, confusing sense
Amid the gliding waves & shadows dun;
"And as I looked the bright omnipresence
Of morning through the orient cavern flowed,
And the Sun's image radiantly intense
"Burned on the waters of the well that glowed
Like gold, and threaded all the forest maze
With winding paths of emerald firethere stood
"Amid the sun, as he amid the blaze
Of his own glory, on the vibrating
Floor of the fountain, paved with flashing rays,
"A shape all light, which with one hand did fling
Dew on the earth, as if she were the Dawn
Whose invisible rain forever seemed to sing
"A silver music on the mossy lawn,
And still before her on the dusky grass
Iris her many coloured scarf had drawn.
"In her right hand she bore a crystal glass
Mantling with bright Nepenthe;the fierce splendour
Fell from her as she moved under the mass
"Of the deep cavern, & with palms so tender
Their tread broke not the mirror of its billow,
Glided along the river, and did bend her
"Head under the dark boughs, till like a willow
Her fair hair swept the bosom of the stream
That whispered with delight to be their pillow.
"As one enamoured is upborne in dream
O'er lily-paven lakes mid silver mist
To wondrous music, so this shape might seem
"Partly to tread the waves with feet which kist
The dancing foam, partly to glide along
The airs that roughened the moist amethyst,
"Or the slant morning beams that fell among
The trees, or the soft shadows of the trees;
And her feet ever to the ceaseless song
"Of leaves & winds & waves & birds & bees
And falling drops moved in a measure new
Yet sweet, as on the summer evening breeze
"Up from the lake a shape of golden dew
Between two rocks, athwart the rising moon,
Moves up the east, where eagle never flew.
"And still her feet, no less than the sweet tune
To which they moved, seemed as they moved, to blot
The thoughts of him who gazed on them, & soon
"All that was seemed as if it had been not,
As if the gazer's mind was strewn beneath
Her feet like embers, & she, thought by thought,
"Trampled its fires into the dust of death,
As Day upon the threshold of the east
Treads out the lamps of night, until the breath
"Of darkness reillumines even the least
Of heaven's living eyeslike day she came,
Making the night a dream; and ere she ceased
"To move, as one between desire and shame
Suspended, I said'If, as it doth seem,
Thou comest from the realm without a name,
" 'Into this valley of perpetual dream,
Shew whence I came, and where I am, and why
Pass not away upon the passing stream.'
" 'Arise and quench thy thirst,' was her reply,
And as a shut lily, stricken by the wand
Of dewy morning's vital alchemy,
"I rose; and, bending at her sweet command,
Touched with faint lips the cup she raised,
And suddenly my brain became as sand
"Where the first wave had more than half erased
The track of deer on desert Labrador,
Whilst the fierce wolf from which they fled amazed
"Leaves his stamp visibly upon the shore
Until the second burstsso on my sight
Burst a new Vision never seen before.
"And the fair shape waned in the coming light
As veil by veil the silent splendour drops
From Lucifer, amid the chrysolite
"Of sunrise ere it strike the mountain tops
And as the presence of that fairest planet
Although unseen is felt by one who hopes
"That his day's path may end as he began it
In that star's smile, whose light is like the scent
Of a jonquil when evening breezes fan it,
"Or the soft note in which his dear lament
The Brescian shepherd breathes, or the caress
That turned his weary slumber to content.
"So knew I in that light's severe excess
The presence of that shape which on the stream
Moved, as I moved along the wilderness,
"More dimly than a day appearing dream,
The ghost of a forgotten form of sleep
A light from Heaven whose half extinguished beam
"Through the sick day in which we wake to weep
Glimmers, forever sought, forever lost.
So did that shape its obscure tenour keep
"Beside my path, as silent as a ghost;
But the new Vision, and its cold bright car,
With savage music, stunning music, crost
"The forest, and as if from some dread war
Triumphantly returning, the loud million
Fiercely extolled the fortune of her star.
"A moving arch of victory the vermilion
And green & azure plumes of Iris had
Built high over her wind-winged pavilion,
"And underneath aetherial glory clad
The wilderness, and far before her flew
The tempest of the splendour which forbade
Shadow to fall from leaf or stone;the crew
Seemed in that light like atomies that dance
Within a sunbeam.Some upon the new
"Embroidery of flowers that did enhance
The grassy vesture of the desart, played,
Forgetful of the chariot's swift advance;
"Others stood gazing till within the shade
Of the great mountain its light left them dim.
Others outspeeded it, and others made
"Circles around it like the clouds that swim
Round the high moon in a bright sea of air,
And more did follow, with exulting hymn,
"The chariot & the captives fettered there,
But all like bubbles on an eddying flood
Fell into the same track at last & were
"Borne onward.I among the multitude
Was swept; me sweetest flowers delayed not long,
Me not the shadow nor the solitude,
"Me not the falling stream's Lethean song,
Me, not the phantom of that early form
Which moved upon its motion,but among
"The thickest billows of the living storm
I plunged, and bared my bosom to the clime
Of that cold light, whose airs too soon deform.
"Before the chariot had begun to climb
The opposing steep of that mysterious dell,
Behold a wonder worthy of the rhyme
"Of him whom from the lowest depths of Hell
Through every Paradise & through all glory
Love led serene, & who returned to tell
"In words of hate & awe the wondrous story
How all things are transfigured, except Love;
For deaf as is a sea which wrath makes hoary
"The world can hear not the sweet notes that move
The sphere whose light is melody to lovers-
A wonder worthy of his rhymethe grove
"Grew dense with shadows to its inmost covers,
The earth was grey with phantoms, & the air
Was peopled with dim forms, as when there hovers
"A flock of vampire-bats before the glare
Of the tropic sun, bring ere evening
Strange night upon some Indian isle,thus were
"Phantoms diffused around, & some did fling
Shadows of shadows, yet unlike themselves,
Behind them, some like eaglets on the wing
"Were lost in the white blaze, others like elves
Danced in a thousand unimagined shapes
Upon the sunny streams & grassy shelves;
"And others sate chattering like restless apes
On vulgar paws and voluble like fire.
Some made a cradle of the ermined capes
"Of kingly mantles, some upon the tiar
Of pontiffs sate like vultures, others played
Within the crown which girt with empire
"A baby's or an idiot's brow, & made
Their nests in it; the old anatomies
Sate hatching their bare brood under the shade
"Of demon wings, and laughed from their dead eyes
To reassume the delegated power
Arrayed in which these worms did monarchize
"Who make this earth their charnel.Others more
Humble, like falcons sate upon the fist
Of common men, and round their heads did soar,
"Or like small gnats & flies, as thick as mist
On evening marshes, thronged about the brow
Of lawyer, statesman, priest & theorist,
"And others like discoloured flakes of snow
On fairest bosoms & the sunniest hair
Fell, and were melted by the youthful glow
"Which they extinguished; for like tears, they were
A veil to those from whose faint lids they rained
In drops of sorrow.I became aware
"Of whence those forms proceeded which thus stained
The track in which we moved; after brief space
From every form the beauty slowly waned,
"From every firmest limb & fairest face
The strength & freshness fell like dust, & left
The action & the shape without the grace
"Of life; the marble brow of youth was cleft
With care, and in the eyes where once hope shone
Desire like a lioness bereft
"Of its last cub, glared ere it died; each one
Of that great crowd sent forth incessantly
These shadows, numerous as the dead leaves blown
"In Autumn evening from a popular tree
Each, like himself & like each other were,
At first, but soon distorted, seemed to be
"Obscure clouds moulded by the casual air;
And of this stuff the car's creative ray
Wrought all the busy phantoms that were there
"As the sun shapes the cloudsthus, on the way
Mask after mask fell from the countenance
And form of all, and long before the day
"Was old, the joy which waked like Heaven's glance
The sleepers in the oblivious valley, died,
And some grew weary of the ghastly dance
"And fell, as I have fallen by the way side,
Those soonest from whose forms most shadows past
And least of strength & beauty did abide."
"Then, what is Life?" I said . . . the cripple cast
His eye upon the car which now had rolled
Onward, as if that look must be the last,
And answered. "Happy those for whom the fold
Of
Composed at Lerici on the Gulf of Spezzia in the spring and early summer of 1822 -- the poem on which Shelley was engaged at the time of his death. Published by Mrs. Shelley in the Posthumous Poems of 1824, from a MS. (now in the Bodleian library), whose corrections, omitted words, passages of unrevised improvisation, difficult hand, and long inaccessibility have so far prevented much certainty in the establishment of a text.
Form: terza rima.
The reference to Dante's Divine Comedy in lines 471-76 and to Petrarch's Triumphs in the title (both of which, like The Triumph of Life, are written in terza
rima stanzas) suggests two probable models for the poem.
132-34.
Mary Shelley's text seems impossible, but no textual authority has been
adduced for amending it. Misreading or miswriting of some kind must be
responsible for that apparently parallel, but conflicting, pair, "were there" and
"were neither." W. M. Rossetti makes some sense out of the passage by amending
"or" in 132 to "for" and "were there" in 134 to "whether", and by placing a
semi-colon at the end of 131.
134.
Of Athens or Jerusalem. Commentators assume that the renouncing figures
of which Shelley is thinking are Socrates in Athens and Jesus in Jerusalem. But
the corruption of the text here makes any interpretation doubtful.
190.
Grim Feature: a reminiscence of Paradise Lost, X, 279, where it
represents Death and carries the Latin meaning of "factura" or "creature."
204.
Rousseau. Compare Byron's portrait of Rousseau in Childe Harold's
Pilgrimage, III, lxxvii-lxxxii.
236.
Frederick and Paul, Catherine and Leopold: Frederick the Great of Prussia,
Czar Paul and Catherine the Great of Russia, and Leopold II of the Holy Roman
Empire.
254.
Plato. In the lines which follow, Shelley refers to the legend that Plato in
his old age fell in love with a boy, whose name, Aster, is Greek for a star as
well as for a particular (and short-lived) flower.
261.
The tutor and his pupil: Aristotle and Alexander the Great.
283-84.
The heirs of Caesar's crime from him to Constantine. Julius Caesar's
crime was to undermine the Roman republic and prepare the way for the
Roman emperors ("anarch chiefs" in 286), a procession of which up to
Constantine Shelley now observes.
288.
Gregory and John. "Gregory the Great is appropriate, as the true founder
of the independent political power of the papacy. Which of many Johns is
involved, there is no way of telling" (H. Bloom).
414.
Lucifer: the Morning Star.
421-22.
The soft note in which his dear lament the Brescian shepherd breathes.
"The favourite song, 'Stanco di pascolar le peccorelle, [being weary of pasturing
the little sheep], is a Brescian national air" (Mrs. Shelley's note).
439.
Iris: classical goddess of the rainbow.
472.
Him: Dante in The Divine Comedy.
544.
Here the MS. breaks off.
~ Percy Bysshe Shelley, The Triumph Of Life
,#NFDB
1418:The Botanic Garden( Part I)
The Economy Of Vegetation
Canto I
STAY YOUR RUDE STEPS! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
'But THOU! whose mind the well-attemper'd ray
Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower expands it's lucid form
To meet the sun, and shuts it to the storm;For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smooths his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
Or win with sinuous train their trackless way;
My plumy pairs in gay embroidery dress'd
Form with ingenious bill the pensile nest,
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
'And, if with Thee some hapless Maid should stray,
Disasterous Love companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
While at sweet intervals each falling note
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Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.'Winds of the North! restrain your icy gales,
Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
-Hither, emerging from yon orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
And wave thy emerald banner star'd with gold.'
Thus spoke the GENIUS, as He stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led with modest skill
The willing pathway, and the truant rill,
Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Raised the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.She comes!-the GODDESS!-through the whispering air,
Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers intwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love,
Pleased GNOMES, ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue NYMPHS emerging leave their sparkling streams,
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And FIERY FORMS alight from orient beams;
Musk'd in the rose's lap fresh dews they shed,
Or breathe celestial lustres round her head.
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.So the clear Lens collects with magic power
The countless glories of the midnight hour;
Stars after stars with quivering lustre fall,
And twinkling glide along the whiten'd wall.Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I. 'NYMPHS OF PRIMEVAL FIRE! YOUR vestal train
Hung with gold-tresses o'er the vast inane,
Pierced with your silver shafts the throne of Night,
And charm'd young Nature's opening eyes with light;
When LOVE DIVINE, with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
'-LET THERE BE LIGHT!' proclaim'd the ALMIGHTY LORD,
Astonish'd Chaos heard the potent word;Through all his realms the kindling Ether runs,
And the mass starts into a million suns;
Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
-Onward they move amid their bright abode,
Space without bound, THE BOSOM OF THEIR GOD!
II. 'ETHEREAL POWERS! YOU chase the shooting stars,
Or yoke the vollied lightenings to your cars,
Cling round the aërial bow with prisms bright,
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And pleased untwist the sevenfold threads of light;
Eve's silken couch with gorgeous tints adorn,
And fire the arrowy throne of rising Morn.
-OR, plum'd with flame, in gay battalion's spring
To brighter regions borne on broader wing;
Where lighter gases, circumfused on high,
Form the vast concave of exterior sky;
With airy lens the scatter'd rays assault,
And bend the twilight round the dusky vault;
Ride, with broad eye and scintillating hair,
The rapid Fire-ball through the midnight air;
Dart from the North on pale electric streams,
Fringing Night's sable robe with transient beams.
-OR rein the Planets in their swift careers,
Gilding with borrow'd light their twinkling spheres;
Alarm with comet-blaze the sapphire plain,
The wan stars glimmering through its silver train;
Gem the bright Zodiac, stud the glowing pole,
Or give the Sun's phlogistic orb to roll.
III. NYMPHS! YOUR fine forms with steps impassive mock
Earth's vaulted roofs of adamantine rock;
Round her still centre tread the burning soil,
And watch the billowy Lavas, as they boil;
Where, in basaltic caves imprison'd deep,
Reluctant fires in dread suspension sleep;
Or sphere on sphere in widening waves expand,
And glad with genial warmth the incumbent land.
So when the Mother-bird selects their food
With curious bill, and feeds her callow brood;
Warmth from her tender heart eternal springs,
And pleased she clasps them with extended wings.
'YOU from deep cauldrons and unmeasured caves
Blow flaming airs, or pour vitrescent waves;
O'er shining oceans ray volcanic light,
Or hurl innocuous embers to the night.While with loud shouts to Etna Heccla calls,
And Andes answers from his beacon'd walls;
Sea-wilder'd crews the mountain-stars admire,
And Beauty beams amid tremendous fire.
'Thus when of old, as mystic bards presume,
Huge CYCLOPS dwelt in Etna's rocky womb,
83
On thundering anvils rung their loud alarms,
And leagued with VULCAN forged immortal arms;
Descending VENUS sought the dark abode,
And sooth'd the labours of the grisly God.While frowning Loves the threatening falchion wield,
And tittering Graces peep behind the shield,
With jointed mail their fairy limbs o'erwhelm,
Or nod with pausing step the plumed helm;
With radiant eye She view'd the boiling ore,
Heard undismay'd the breathing bellows roar,
Admired their sinewy arms, and shoulders bare,
And ponderous hammers lifted high in air,
With smiles celestial bless'd their dazzled sight,
And Beauty blazed amid infernal night.
IV. 'EFFULGENT MAIDS! YOU round deciduous day,
Tressed with soft beams, your glittering bands array;
On Earth's cold bosom, as the Sun retires,
Confine with folds of air the lingering fires;
O'er Eve's pale forms diffuse phosphoric light,
And deck with lambent flames the shrine of Night.
So, warm'd and kindled by meridian skies,
And view'd in darkness with dilated eyes,
BOLOGNA'S chalks with faint ignition blaze,
BECCARI'S shells emit prismatic rays.
So to the sacred Sun in MEMNON's fane,
Spontaneous concords quired the matin strain;
-Touch'd by his orient beam, responsive rings
The living lyre, and vibrates all it's strings;
Accordant ailes the tender tones prolong,
And holy echoes swell the adoring song.
'YOU with light Gas the lamps nocturnal feed,
Which dance and glimmer o'er the marshy mead;
Shine round Calendula at twilight hours,
And tip with silver all her saffron flowers;
Warm on her mossy couch the radiant Worm,
Guard from cold dews her love-illumin'd form,
From leaf to leaf conduct the virgin light,
Star of the earth, and diamond of the night.
You bid in air the tropic Beetle burn,
And fill with golden flame his winged urn;
Or gild the surge with insect-sparks, that swarm
84
Round the bright oar, the kindling prow alarm;
Or arm in waves, electric in his ire,
The dread Gymnotus with ethereal fire.Onward his course with waving tail he helms,
And mimic lightenings scare the watery realms,
So, when with bristling plumes the Bird of JOVE
Vindictive leaves the argent fields above,
Borne on broad wings the guilty world he awes,
And grasps the lightening in his shining claws.
V. 1. 'NYMPHS! Your soft smiles uncultur'd man subdued,
And charm'd the Savage from his native wood;
You, while amazed his hurrying Hords retire
From the fell havoc of devouring FIRE,
Taught, the first Art! with piny rods to raise
By quick attrition the domestic blaze,
Fan with soft breath, with kindling leaves provide,
And lift the dread Destroyer on his side.
So, with bright wreath of serpent-tresses crown'd,
Severe in beauty, young MEDUSA frown'd;
Erewhile subdued, round WISDOM'S Aegis roll'd
Hiss'd the dread snakes, and flam'd in burnish'd gold;
Flash'd on her brandish'd arm the immortal shield,
And Terror lighten'd o'er the dazzled field.
2. NYMPHS! YOU disjoin, unite, condense, expand,
And give new wonders to the Chemist's hand;
On tepid clouds of rising steam aspire,
Or fix in sulphur all it's solid fire;
With boundless spring elastic airs unfold,
Or fill the fine vacuities of gold;
With sudden flash vitrescent sparks reveal,
By fierce collision from the flint and steel;
Or mark with shining letter KUNKEL's name
In the pale Phosphor's self-consuming flame.
So the chaste heart of some enchanted Maid
Shines with insidious light, by Love betray'd;
Round her pale bosom plays the young Desire,
And slow she wastes by self-consuming fire.
3. 'YOU taught mysterious BACON to explore
Metallic veins, and part the dross from ore;
With sylvan coal in whirling mills combine
The crystal'd nitre, and the sulphurous mine;
85
Through wiry nets the black diffusion strain,
And close an airy ocean in a grain.Pent in dark chambers of cylindric brass
Slumbers in grim repose the sooty mass;
Lit by the brilliant spark, from grain to grain
Runs the quick fire along the kindling train;
On the pain'd ear-drum bursts the sudden crash,
Starts the red flame, and Death pursues the flash.Fear's feeble hand directs the fiery darts,
And Strength and Courage yield to chemic arts;
Guilt with pale brow the mimic thunder owns,
And Tyrants tremble on their blood-stain'd thrones.
VI. NYMPHS! You erewhile on simmering cauldrons play'd,
And call'd delighted SAVERY to your aid;
Bade round the youth explosive STEAM aspire
In gathering clouds, and wing'd the wave with fire;
Bade with cold streams the quick expansion stop,
And sunk the immense of vapour to a drop.Press'd by the ponderous air the Piston falls
Resistless, sliding through it's iron walls;
Quick moves the balanced beam, of giant-birth,
Wields his large limbs, and nodding shakes the earth.
'The Giant-Power from earth's remotest caves
Lifts with strong arm her dark reluctant waves;
Each cavern'd rock, and hidden den explores,
Drags her dark coals, and digs her shining ores.Next, in close cells of ribbed oak confined,
Gale after gale, He crowds the struggling wind;
The imprison'd storms through brazen nostrils roar,
Fan the white flame, and fuse the sparkling ore.
Here high in air the rising stream He pours
To clay-built cisterns, or to lead-lined towers;
Fresh through a thousand pipes the wave distils,
And thirsty cities drink the exuberant rills.There the vast mill-stone with inebriate whirl
On trembling floors his forceful fingers twirl.
Whose flinty teeth the golden harvests grind,
Feast without blood! and nourish human-kind.
'Now his hard hands on Mona's rifted crest,
Bosom'd in rock, her azure ores arrest;
With iron lips his rapid rollers seize
86
The lengthening bars, in thin expansion squeeze;
Descending screws with ponderous fly-wheels wound
The tawny plates, the new medallions round;
Hard dyes of steel the cupreous circles cramp,
And with quick fall his massy hammers stamp.
The Harp, the Lily and the Lion join,
And GEORGE and BRITAIN guard the sterling coin.
'Soon shall thy arm, UNCONQUER'D STEAM! afar
Drag the slow barge, or drive the rapid car;
Or on wide-waving wings expanded bear
The flying-chariot through the fields of air.
-Fair crews triumphant, leaning from above,
Shall wave their fluttering kerchiefs as they move;
Or warrior-bands alarm the gaping crowd,
And armies shrink beneath the shadowy cloud.
'So mighty HERCULES o'er many a clime
Waved his vast mace in Virtue's cause sublime,
Unmeasured strength with early art combined,
Awed, served, protected, and amazed mankind.First two dread Snakes at JUNO'S vengeful nod
Climb'd round the cradle of the sleeping God;
Waked by the shrilling hiss, and rustling sound,
And shrieks of fair attendants trembling round,
Their gasping throats with clenching hands he holds;
And Death untwists their convoluted folds.
Next in red torrents from her sevenfold heads
Fell HYDRA'S blood on Lerna's lake he sheds;
Grasps ACHELOUS with resistless force,
And drags the roaring River to his course;
Binds with loud bellowing and with hideous yell
The monster Bull, and threefold Dog of Hell.
'Then, where Nemea's howling forests wave,
He drives the Lion to his dusky cave;
Seized by the throat the growling fiend disarms,
And tears his gaping jaws with sinewy arms;
Lifts proud ANTEUS from his mother-plains,
And with strong grasp the struggling Giant strains;
Back falls his fainting head, and clammy hair,
Writhe his weak limbs, and flits his life in air;By steps reverted o'er the blood-dropp'd fen
He tracks huge CACUS to his murderous den;
Where breathing flames through brazen lips he fled,
87
And shakes the rock-roof'd cavern o'er his head.
'Last with wide arms the solid earth He tears,
Piles rock on rock, on mountain mountain rears;
Heaves up huge ABYLA on Afric's sand,
Crowns with high CALPÈ Europe's saliant strand,
Crests with opposing towers the splendid scene,
And pours from urns immense the sea between.-Loud o'er her whirling flood Charybdis roars,
Affrighted Scylla bellows round his shores,
Vesuvio groans through all his echoing caves,
And Etna thunders o'er the insurgent waves.
VII. 1. NYMPHS! YOUR fine hands ethereal floods amass
From the warm cushion, and the whirling glass;
Beard the bright cylinder with golden wire,
And circumfuse the gravitating fire.
Cold from each point cerulean lustres gleam,
Or shoot in air the scintillating stream.
So, borne on brazen talons, watch'd of old
The sleepless dragon o'er his fruits of gold;
Bright beam'd his scales, his eye-balls blazed with ire,
And his wide nostrils breath'd inchanted fire.
'YOU bid gold-leaves, in crystal lantherns held,
Approach attracted, and recede repel'd;
While paper-nymphs instinct with motion rife,
And dancing fauns the admiring Sage surprize.
OR, if on wax some fearless Beauty stand,
And touch the sparkling rod with graceful hand;
Through her fine limbs the mimic lightnings dart,
And flames innocuous eddy round her heart;
O'er her fair brow the kindling lustres glare,
Blue rays diverging from her bristling hair;
While some fond Youth the kiss ethereal sips.
And soft fires issue from their meeting lips.
So round the virgin Saint in silver streams
The holy Halo shoots it's arrowy beams.
'YOU crowd in coated jars the denser fire,
Pierce the thin glass, and fuse the blazing wire;
Or dart the red flash through the circling band
Of youths and timorous damsels, hand in hand.
-Starts the quick Ether through the fibre-trains
Of dancing arteries, and of tingling veins,
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Goads each fine nerve, with new sensation thrill'd,
Bends the reluctant limbs with power unwill'd;
Palsy's cold hands the fierce concussion own,
And Life clings trembling on her tottering throne.So from dark clouds the playful lightning springs,
Rives the firm oak, or prints the Fairy-rings.
2. NYMPHS! on that day YE shed from lucid eyes.
Celestial tears, and breathed ethereal sighs!
When RICHMAN rear'd, by fearless haste betrayed,
The wiry rod in Nieva's fatal shade;Clouds o'er the Sage, with fringed skirts succeed,
Flash follows flash, the warning corks recede;
Near and more near He ey'd with fond amaze
The silver streams, and watch'd the saphire blaze;
Then burst the steel, the dart electric sped,
And the bold Sage lay number'd with the dead!NYMPHS! on that day YE shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
3. 'YOU led your FRANKLIN to your glazed retreats,
Your air-built castles, and your silken seats;
Bade his bold arm invade the lowering sky,
And seize the tiptoe lightnings, ere they fly;
O'er the young Sage your mystic mantle spread,
And wreath'd the crown electric round his head.Thus when on wanton wing intrepid LOVE
Snatch'd the raised lightning from the arm of JOVE;
Quick o'er his knee the triple bolt He bent,
The cluster'd darts and forky arrows rent,
Snapp'd with illumin'd hands each flaming shaft,
His tingling fingers shook, and stamp'd, and laugh'd;
Bright o'er the floor the scatter'd fragments blaz'd,
And Gods retreating trembled as they gaz'd;
The immortal Sire, indulgent to his child,
Bow'd his ambrosial locks, and Heaven relenting smiled.
VIII. 'When Air's pure essence joins the vital flood,
And with phosphoric Acid dyes the blood,
YOUR VIRGIN TRAINS the transient HEAT dispart,
And lead the soft combustion round the heart;
Life's holy lamp with fires successive feed,
From the crown'd forehead to the prostrate weed,
From Earth's proud realms to all that swim or sweep
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The yielding ether or tumultuous deep.
You swell the bulb beneath the heaving lawn,
Brood the live seed, unfold the bursting spawn;
Nurse with soft lap, and warm with fragrant breath
The embryon panting in the arms of Death;
Youth's vivid eye with living light adorn,
And fire the rising blush of Beauty's golden morn.
'Thus when the Egg of Night, on Chaos hurl'd,
Burst, and disclosed the cradle of the world;
First from the gaping shell refulgent sprung
IMMORTAL LOVE, his bow celestial strung;O'er the wide waste his gaudy wings unfold,
Beam his soft smiles, and wave his curls of gold;With silver darts He pierced the kindling frame,
And lit with torch divine the ever-living flame.'
IX. The GODDESS paused, admired with conscious pride
The effulgent legions marshal'd by her side,
Forms sphered in fire with trembling light array'd,
Ens without weight, and substance without shade;
And, while tumultuous joy her bosom warms,
Waves her white hand, and calls her hosts to arms,
'Unite, ILLUSTRIOUS NYMPHS! your radiant powers,
Call from their long repose the VERNAL HOURS.
Wake with soft touch, with rosy hands unbind
The struggling pinions of the WESTERN WIND;
Chafe his wan cheeks, his ruffled plumes repair,
And wring the rain-drops from his tangled hair.
Blaze round each frosted rill, or stagnant wave,
And charm the NAIAD from her silent cave;
Where, shrined in ice, like NIOBE she mourns,
And clasps with hoary arms her empty urns.
Call your bright myriads, trooping from afar,
With beamy helms, and glittering shafts of war;
In phalanx firm the FIEND OF FROST assail,
Break his white towers, and pierce his crystal mail;
To Zembla's moon-bright coasts the Tyrant bear,
And chain him howling to the Northern Bear.
'So when enormous GRAMPUS, issuing forth
From the pale regions of the icy North;
Waves his broad tail, and opes his ribbed mouth,
And seeks on winnowing fin the breezy South;
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From towns deserted rush the breathless hosts,
Swarm round the hills, and darken all the coasts;
Boats follow boats along the shouting tides,
And spears and javelins pierce his blubbery sides;
Now the bold Sailor, raised on pointed toe,
Whirls the wing'd harpoon on the slimy foe;
Quick sinks the monster in his oozy bed,
The blood-stain'd surges circling o'er his head,
Steers to the frozen pole his wonted track,
And bears the iron tempest on his back.
X. 'On wings of flame, ETHEREAL VIRGINS! sweep
O'er Earth's fair bosom, and complacent deep;
Where dwell my vegetative realms benumb'd,
In buds imprison'd, or in bulbs intomb'd,
Pervade, PELLUCID FORMS! their cold retreat,
Ray from bright urns your viewless floods of
heat
From earth's deep wastes
electric
torrents pour,
Or shed from heaven the scintillating shower;
Pierce the dull root, relax its fibre-trains,
Thaw the thick blood, which lingers in its veins;
Melt with warm breath the fragrant gums, that bind
The expanding foliage in its scaly rind;
And as in air the laughing leaflets play,
And turn their shining bosoms to the ray,
NYMPHS! with sweet smile each opening glower invite,
And on its damask eyelids pour the
light
'So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
High-towering palms, that part the Southern flood
With shadowy isles and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime,
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Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
'Thus with Hermetic art the ADEPT combines
The royal acid with cobaltic mines;
Marks with quick pen, in lines unseen portrayed,
The blushing mead, green dell, and dusky glade;
Shades with pellucid clouds the tintless field,
And all the future Group exists conceal'd;
Till waked by fire the dawning tablet glows,
Green springs the herb, the purple floret blows,
Hills vales and woods in bright succession rise,
And all the living landscape charms his eyes.
XI. 'With crest of gold should sultry SIRIUS glare,
And with his kindling tresses scorch the air;
With points of flame the shafts of Summer arm,
And burn the beauties he designs to warm;-So erst when JOVE his oath extorted mourn'd,
And clad in glory to the Fair return'd;
While Loves at forky bolts their torches light,
And resting lightnings gild the car of Night;
His blazing form the dazzled Maid admir'd,
Met with fond lips, and in his arms expir'd;NYMPHS! on light pinion lead your banner'd hosts
High o'er the cliffs of ORKNEY'S gulphy coasts;
Leave on your left the red volcanic light,
Which HECCLA lifts amid the dusky night;
Mark on the right the DOFRINE'S snow-capt brow,
Where whirling MAELSTROME roars and foams below;
Watch with unmoving eye, where CEPHEUS bends
His triple crown, his scepter'd hand extends;
Where studs CASSIOPE with stars unknown
Her golden chair, and gems her sapphire zone;
Where with vast convolution DRACO holds
The ecliptic axis in his scaly folds,
O'er half the skies his neck enormous rears,
And with immense meanders parts the BEARS;
Onward, the kindred BEARS with footstep rude
Dance round the Pole, pursuing and pursued.
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'There in her azure coif and starry stole,
Grey TWILIGHT sits, and rules the slumbering Pole;
Bends the pale moon-beams round the sparkling coast,
And strews with livid hands eternal frost.
There, NYMPHS! alight, array your dazzling powers,
With sudden march alarm the torpid Hours;
On ice-built isles expand a thousand sails,
Hinge the strong helms, and catch the frozen gales;
The winged rocks to feverish climates guide,
Where fainting Zephyrs pant upon the tide;
Pass, where to CEUTA CALPE'S thunder roars,
And answering echoes shake the kindred shores;
Pass, where with palmy plumes CANARY smiles,
And in her silver girdle binds her isles;
Onward, where NIGER'S dusky Naiad laves
A thousand kingdoms with prolific waves,
Or leads o'er golden sands her threefold train
In steamy channels to the fervid main,
While swarthy nations croud the sultry coast,
Drink the fresh breeze, and hail the floating Frost,
NYMPHS! veil'd in mist, the melting treasures steer,
And cool with arctic snows the tropic year.
So from the burning Line by Monsoons driven
Clouds sail in squadrons o'er the darken'd heaven;
Wide wastes of sand the gelid gales pervade,
And ocean cools beneath the moving shade.
XII. Should SOLSTICE, stalking through the sickening bowers,
Suck the warm dew-drops, lap the falling showers;
Kneel with parch'd lip, and bending from it's brink
From dripping palm the scanty river drink;
NYMPHS! o'er the soil ten thousand points erect,
And high in air the electric flame collect.
Soon shall dark mists with self-attraction shroud
The blazing day, and sail in wilds of cloud;
Each silvery Flower the streams aerial quaff,
Bow her sweet head, and infant Harvest laugh.
'Thus when ELIJA mark'd from Carmel's brow
In bright expanse the briny flood below;
Roll'd his red eyes amid the scorching air,
Smote his firm breast, and breathed his ardent prayer;
High in the midst a massy altar stood,
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And slaughter'd offerings press'd the piles of wood;
While ISRAEL'S chiefs the sacred hill surround,
And famish'd armies crowd the dusty ground;
While proud Idolatry was leagued with dearth,
And wither'd famine swept the desert earth.'OH, MIGHTY LORD! thy woe-worn servant hear,
'Who calls thy name in agony of prayer;
'Thy fanes dishonour'd, and thy prophets slain,
'Lo! I alone survive of all thy train!'Oh send from heaven thy sacred fire,-and pour
'O'er the parch'd land the salutary shower,'So shall thy Priest thy erring flock recal,'And speak in thunder, 'THOU ART LORD OF ALL.'He cried, and kneeling on the mountain-sands,
Stretch'd high in air his supplicating hands.
-Descending flames the dusky shrine illume;
Fire the wet wood, the sacred bull consume;
Wing'd from the sea the gathering mists arise,
And floating waters darken all the skies;
The King with shifted reins his chariot bends,
And wide o'er earth the airy flood descends;
With mingling cries dispersing hosts applaud,
And shouting nations own THE LIVING GOD.'
The GODDESS ceased,-the exulting tribes obey,
Start from the soil, and win their airy way;
The vaulted skies with streams of transient rays
Shine, as they pass, and earth and ocean blaze.
So from fierce wars when lawless Monarch's cease,
Or Liberty returns with laurel'd Peace;
Bright fly the sparks, the colour'd lustres burn,
Flash follows f
Blue serpents sweep along the dusky air,
Imp'd by long trains of scintillating hair;
Red rockets rise, loud cracks are heard on high,
And showers of stars rush headlong from the sky,
Burst, as in silver lines they hiss along,
And the quick flash unfolds the gazing throng.
~ Erasmus Darwin,#NFDB
1419:The Botanic Garden( Part Ii)
The Economy Of Vegetation
Canto II
AND NOW THE GODDESS with attention sweet
Turns to the GNOMES, that circle round her feet;
Orb within orb approach the marshal'd trains,
And pigmy legions darken all the plains;
Thrice shout with silver tones the applauding bands,
Bow, ere She speaks, and clap their fairy hands.
So the tall grass, when noon-tide zephyr blows,
Bends it's green blades in undulating rows;
Wide o'er the fields the billowy tumult spreads,
And rustling harvests bow their golden heads.
I. 'GNOMES! YOUR bright forms, presiding at her birth,
Clung in fond squadrons round the new-born EARTH;
When high in ether, with explosion dire,
From the deep craters of his realms of fire,
The whirling Sun this ponderous planet hurl'd,
And gave the astonish'd void another world.
When from it's vaporous air, condensed by cold,
Descending torrents into oceans roll'd;
And fierce attraction with relentless force
Bent the reluctant wanderer to it's course.
'Where yet the Bull with diamond-eye adorns
The Spring's fair forehead, and with golden horns;
Where yet the Lion climbs the ethereal plain,
And shakes the Summer from his radiant mane;
Where Libra lifts her airy arm, and weighs,
Poised in her silver ballance, nights and days;
With paler lustres where Aquarius burns,
And showers the still snow from his hoary urns;
YOUR ardent troops pursued the flying sphere,
Circling the starry girdle of the year;
While sweet vicissitudes of day and clime
Mark'd the new annals of enascent Time.
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II. 'You trod with printless step Earth's tender globe,
While Ocean wrap'd it in his azure robe;
Beneath his waves her hardening strata spread,
Raised her PRIMEVAL ISLANDS from his bed,
Stretch'd her wide lawns, and sunk her winding dells,
And deck'd her shores with corals, pearls, and shells.
'O'er those blest isles no ice-crown'd mountains tower'd,
No lightnings darted, and no tempests lower'd;
Soft fell the vesper-drops, condensed below,
Or bent in air the rain-refracted bow;
Sweet breathed the zephyrs, just perceiv'd and lost;
And brineless billows only kiss'd the coast;
Round the bright zodiac danced the vernal hours,
And Peace, the Cherub, dwelt in mortal bowers!
'So young DIONE, nursed beneath the waves,
And rock'd by Nereids in their coral caves,
Charm'd the blue sisterhood with playful wiles,
Lisp'd her sweet tones, and tried her tender smiles.
Then, on her beryl throne by Triton's borne,
Bright rose the Goddess like the Star of morn;
When with soft fires the milky dawn He leads,
And wakes to life and love the laughing meads;With rosy fingers, as uncurl'd they hung
Round her fair brow, her golden locks she wrung;
O'er the smooth surge on silver sandals flood,
And look'd enchantment on the dazzled flood.The bright drops, rolling from her lifted arms,
In slow meanders wander o'er her charms,
Seek round her snowy neck their lucid track,
Pearl her white shoulders, gem her ivory back,
Round her fine waist and swelling bosom swim,
And star with glittering brine each crystal limb.-The immortal form enamour'd Nature hail'd,
And Beauty blazed to heaven and earth, unvail'd.
III. 'You! who then, kindling after many an age,
Saw with new fires the first VOLCANO rage,
O'er smouldering heaps of livid sulphur swell
At Earth's firm centre, and distend her shell,
Saw at each opening cleft the furnace glow,
And seas rush headlong on the gulphs below.-
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GNOMES! how you shriek'd! when through the troubled air
Roar'd the fierce din of elemental war;
When rose the continents, and sunk the main,
And Earth's huge sphere exploding burst in twain.GNOMES! how you gazed! when from her wounded side
Where now the South-Sea heaves its waste of tide,
Rose on swift wheels the MOON'S refulgent car,
Circling the solar orb; a sister-star,
Dimpled with vales, with shining hills emboss'd,
And roll'd round Earth her airless realms of frost.
'GNOMES! how you trembled! with the dreadful force
When Earth recoiling stagger'd from her course;
When, as her Line in slower circles spun,
And her shock'd axis nodded from the sun,
With dreadful march the accumulated main
Swept her vast wrecks of mountain, vale, and plain;
And, while new tides their shouting floods unite,
And hail their Queen, fair Regent of the night;
Chain'd to one centre whirl'd the kindred spheres,
And mark'd with lunar cycles solar years.
IV. 'GNOMES! you then bade dissolving SHELLS distil
From the loose summits of each shatter'd hill,
To each fine pore and dark interstice flow,
And fill with liquid chalk the mass below.
Whence sparry forms in dusky caverns gleam
With borrow'd light, and twice refract the beam;
While in white beds congealing rocks beneath
Court the nice chissel, and desire to breathe.'Hence wearied HERCULES in marble rears
His languid limbs, and rests a thousand years;
Still, as he leans, shall young ANTINOUS please
With careless grace, and unaffected ease;
Onward with loftier step APOLLO spring,
And launch the unerring arrow from the string;
In Beauty's bashful form, the veil unfurl'd,
Ideal VENUS win the gazing world.
Hence on ROUBILIAC'S tomb shall Fame sublime
Wave her triumphant wings, and conquer Time;
Long with soft touch shall DAMER'S chissel charm,
With grace delight us, and with beauty warm;
FOSTER'S fine form shall hearts unborn engage,
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And MELBOURN's smile enchant another age.
V. GNOMES! you then taught transuding dews to pass
Through time-fall'n woods, and root-inwove morass
Age after age; and with filtration fine
Dispart, from earths and sulphurs, the saline.
1. 'HENCE with diffusive SALT old Ocean steeps
His emerald shallows, and his sapphire deeps.
Oft in wide lakes, around their warmer brim
In hollow pyramids the crystals swim;
Or, fused by earth-born fires, in cubic blocks
Shoot their white forms, and harden into rocks.
'Thus, cavern'd round in CRACOW'S mighty mines,
With crystal walls a gorgeous city shines;
Scoop'd in the briny rock long streets extend
Their hoary course, and glittering domes ascend;
Down the bright steeps, emerging into day,
Impetuous fountains burst their headlong way,
O'er milk-white vales in ivory channels spread,
And wondering seek their subterraneous bed.
Form'd in pellucid salt with chissel nice,
The pale lamp glimmering through the sculptured ice,
With wild reverted eyes fair LOTTA stands,
And spreads to Heaven, in vain, her glassy hands;
Cold dews condense upon her pearly breast,
And the big tear rolls lucid down her vest.
Far gleaming o'er the town transparent fanes
Rear their white towers, and wave their golden vanes;
Long lines of lustres pour their trembling rays,
And the bright vault returns the mingled blaze.
2. 'HENCE orient NITRE owes it's sparkling birth,
And with prismatic crystals gems the earth,
O'er tottering domes in filmy foliage crawls,
Or frosts with branching plumes the mouldering walls.
As woos Azotic Gas the virgin Air,
And veils in crimson clouds the yielding Fair,
Indignant Fire the treacherous courtship flies,
Waves his light wing, and mingles with the skies.
'So Beauty's GODDESS, warm with new desire,
Left, on her silver wheels, the GOD of Fire;
Her faithless charms to fiercer MARS resign'd,
Met with fond lips, with wanton arms intwin'd.
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-Indignant VULCAN eyed the parting Fair,
And watch'd with jealous step the guilty pair;
O'er his broad neck a wiry net he flung,
Quick as he strode, the tinkling meshes rung;
Fine as the spider's flimsy thread He wove
The immortal toil to lime illicit love;
Steel were the knots, and steel the twisted thong,
Ring link'd in ring, indissolubly strong;
On viewless hooks along the fretted roof
He hung, unseen, the inextricable woof.-Quick start the springs, the webs pellucid spread,
And lock the embracing Lovers on their bed;
Fierce with loud taunts vindictive VULCAN springs,
Tries all the bolts, and tightens all the strings,
Shakes with incessant shouts the bright abodes,
Claps his rude hands, and calls the festive Gods.-With spreading palms the alarmed Goddess tries
To veil her beauties from celestial eyes,
Writhes her fair limbs, the slender ringlets strains,
And bids her Loves untie the obdurate chains;
Soft swells her panting bosom, as she turns,
And her flush'd cheek with brighter blushes burns.
Majestic grief the Queen of Heaven avows,
And chaste Minerva hides her helmed brows;
Attendant Nymphs with bashful eyes askance
Steal of intangled MARS a transient glance;
Surrounding Gods the circling nectar quaff,
Gaze on the Fair, and envy as they laugh.
3. 'HENCE dusky IRON sleeps in dark abodes,
And ferny foliage nestles in the nodes;
Till with wide lungs the panting bellows blow,
And waked by fire the glittering torrents flow;
-Quick whirls the wheel, the ponderous hammer falls,
Loud anvils ring amid the trembling walls,
Strokes follow strokes, the sparkling ingot shines,
Flows the red slag, the lengthening bar refines;
Cold waves, immersed, the glowing mass congeal,
And turn to adamant the hissing Steel.
'Last MICHELL'S hands with touch of potent charm
The polish'd rods with powers magnetic arm;
With points directed to the polar stars
In one long line extend the temper'd bars;
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Then thrice and thrice with steady eye he guides,
And o'er the adhesive train the magnet slides;
The obedient Steel with living instinct moves,
And veers for ever to the pole it loves.
'Hail, adamantine STEEL! magnetic Lord!
King of the prow, the plowshare, and the sword!
True to the pole, by thee the pilot guides
His steady helm amid the struggling tides,
Braves with broad sail the immeasurable sea,
Cleaves the dark air, and asks no star but Thee.By thee the plowshare rends the matted plain,
Inhumes in level rows the living grain;
Intrusive forests quit the cultured ground,
And Ceres laughs with golden fillets crown'd.O'er restless realms when scowling Discord flings
Her snakes, and loud the din of battle rings;
Expiring Strength, and vanquish'd Courage feel
Thy arm resistless, adamantine STEEL!
4. 'HENCE in fine streams diffusive ACIDS flow,
Or wing'd with fire o'er Earth's fair bosom blow;
Transmute to glittering Flints her chalky lands,
Or sink on Ocean's bed in countless Sands.
Hence silvery Selenite her chrystal moulds,
And soft Asbestus smooths his silky folds;
His cubic forms phosphoric Fluor prints,
Or rays in spheres his amethystine tints.
Soft cobweb clouds transparent Onyx spreads,
And playful Agates weave their colour'd threads;
Gay pictured Mochoes glow with landscape-dyes,
And changeful Opals roll their lucid eyes;
Blue lambent light around the Sapphire plays,
Bright Rubies blush, and living Diamonds blaze.
'Thus, for attractive earth, inconstant JOVE
Mask'd in new shapes forsook his realms above.First her sweet eyes his Eagle-form beguiles,
And HEBE feeds him with ambrosial smiles;
Next the chang'd God a Cygnet's down assumes,
And playful LEDA smooths his glossy plumes;
Then glides a silver Serpent, treacherous guest!
And fair OLYMPIA folds him in her breast;
Now lows a milk-white Bull on Afric's strand,
And crops with dancing head the daisy'd land.-
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With rosy wreathes EUROPA'S hand adorns
His fringed forehead, and his pearly horns;
Light on his back the sportive Damsel bounds,
And pleased he moves along the flowery grounds;
Bears with slow step his beauteous prize aloof,
Dips in the lucid flood his ivory hoof;
Then wets his velvet knees, and wading laves
His silky sides amid the dimpling waves.
While her fond train with beckoning hands deplore,
Strain their blue eyes, and shriek along the shore;
Beneath her robe she draws her snowy feet,
And, half-reclining on her ermine seat,
Round his raised neck her radiant arms she throws,
And rests her fair cheek on his curled brows;
Her yellow tresses wave on wanton gales,
And high in air her azure mantle sails.
-Onward He moves, applauding Cupids guide,
And skim on shooting wing the shining tide;
Emerging Triton's leave their coral caves,
Sound their loud conchs, and smooth the circling waves,
Surround the timorous Beauty, as she swims,
And gaze enamour'd on her silver limbs.
-Now Europe's shadowy shores with loud acclaim
Hail the fair fugitive, and shout her name;
Soft echoes warble, whispering forests nod,
And conscious Nature owns the present God.
-Changed from the Bull, the rapturous God assumes
Immortal youth, with glow celestial blooms,
With lenient words her virgin fears disarms,
And clasps the yielding Beauty in his arms;
Whence Kings and Heroes own illustrious birth,
Guards of mankind, and demigods on earth.
VI. 'GNOMES! as you pass'd beneath the labouring soil,
The guards and guides of Nature's chemic toil,
YOU saw, deep-sepulchred in dusky realms,
Which Earth's rock-ribbed ponderous vault o'erwhelms,
With self-born fires the mass fermenting glow,
And flame-wing'd sulphurs quit the earths below.
1. 'HENCE ductile CLAYS in wide expansion spread,
Soft as the Cygnet's down, their snow-white bed;
With yielding flakes successive forms reveal,
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And change obedient to the whirling wheel.
-First CHINA'S sons, with early art elate,
Form'd the gay tea-pot, and the pictured plate;
Saw with illumin'd brow and dazzled eyes
In the red stove vitrescent colours rise;
Speck'd her tall beakers with enamel'd stars,
Her monster-josses, and gigantic jars;
Smear'd her huge dragons with metallic hues,
With golden purples, and cobaltic blues;
Bade on wide hills her porcelain castles glare,
And glazed Pagodas tremble in the air.
'ETRURIA! next beneath thy magic hands
Glides the quick wheel, the plaistic clay expands,
Nerved with fine touch, thy fingers (as it turns)
Mark the nice bounds of vases, ewers, and urns;
Round each fair form in lines immortal trace
Uncopied Beauty, and ideal Grace.
'GNOMES! as you now dissect with hammers fine
The granite-rock, the nodul'd flint calcine;
Grind with strong arm, the circling chertz betwixt,
Your pure Ka-o-lins and Pe-tun-tses mixt;
O'er each red saggars burning cave preside,
The keen-eyed Fire-Nymphs blazing by your side;
And pleased on WEDGWOOD ray your partial smile,
A new Etruria decks Britannia's isle.Charm'd by your touch, the flint liquescent pours
Through finer sieves, and falls in whiter showers;
Charm'd by your touch, the kneaded clay refines,
The biscuit hardens, the enamel shines;
Each nicer mould a softer feature drinks,
The bold Cameo speaks, the soft Intaglio thinks.
'To call the pearly drops from Pity's eye,
Or stay Despair's disanimating sigh,
Whether, O Friend of art! the gem you mould
Rich with new taste, with antient virtue bold;
Form the poor fetter'd SLAVE on bended knee
From Britain's sons imploring to be free;
Or with fair HOPE the brightening scenes improve,
And cheer the dreary wastes at Sydney-cove;
Or bid Mortality rejoice and mourn
O'er the fine forms on PORTLAND'S mystic urn.'
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Here
by fall'n columns and disjoin'd arcades,
On mouldering stones, beneath deciduous shades,
Sits HUMANKIND in hieroglyphic state,
Serious, and pondering on their changeful state;
While with inverted torch, and swimming eyes,
Sinks the fair shade of MORTAL LIFE, and dies.
There
the pale GHOST through Death's wide portal bends
His timid feet, the dusky steep descends;
With smiles assuasive LOVE DIVINE invites,
Guides on broad wing, with torch uplifted lights;
IMMORTAL LIFE, her hand extending, courts
The lingering form, his tottering step supports;
Leads on to Pluto's realms the dreary way,
And gives him trembling to Elysian day.
Beneath
in sacred robes the PRIESTESS dress'd,
The coif close-hooded, and the fluttering vest,
With pointing finger guides the initiate youth,
Unweaves the many-colour'd veil of Truth,
Drives the profane from Mystery's bolted door,
And Silence guards the Eleusinian lore.'Whether, O Friend of Art! your gems derive
Fine forms from Greece, and fabled Gods revive;
Or bid from modern life the Portrait breathe,
And bind round Honour's brow the laurel wreath;
Buoyant shall sail, with Fame's historic page,
Each fair medallion o'er the wrecks of age;
Nor Time shall mar; nor steel, nor fire, nor rust
Touch the hard polish of the immortal bust.
2. 'HENCE sable COAL his massy couch extends,
And stars of gold the sparkling Pyrite blends;
Hence dull-eyed Naphtha pours his pitchy streams,
And Jet uncolour'd drinks the solar beams,
Bright Amber shines on his electric throne,
And adds ethereal lustres to his own.
-Led by the phosphor-light, with daring tread
Immortal FRANKLIN sought the fiery bed;
Where, nursed in night, incumbent Tempest shrouds
103
The seeds of Thunder in circumfluent clouds,
Besieged with iron points his airy cell,
And pierced the monster slumbering in the shell.
'So, born on sounding pinions to the WEST,
When Tyrant-Power had built his eagle nest;
While from his eyry shriek'd the famish'd brood,
Clenched their sharp claws, and champ'd their beaks for blood,
Immortal FRANKLIN watch'd the callow crew,
And stabb'd the struggling Vampires, ere they flew.
-The patriot-flame with quick contagion ran,
Hill lighted hill, and man electrised man;
Her heroes slain awhile COLUMBIA mourn'd,
And crown'd with laurels LIBERTY return'd.
'The Warrior, LIBERTY, with bending sails
Helm'd his bold course to fair HIBERNIA'S vales;Firm as he steps, along the shouting lands,
Lo! Truth and Virtue range their radiant bands;
Sad Superstition wails her empire torn,
Art plies his oar, and Commerce pours her horn.
'Long had the Giant-form on GALLIA'S plains
Inglorious slept, unconscious of his chains;
Round his large limbs were wound a thousand strings
By the weak hands of Confessors and Kings;
O'er his closed eyes a triple veil was bound,
And steely rivets lock'd him to the ground;
While stern Bastile with iron cage inthralls
His folded limbs, and hems in marble walls.
-Touch'd by the patriot-flame, he rent amazed
The flimsy bonds, and round and round him gazed;
Starts up from earth, above the admiring throng
Lifts his Colossal form, and towers along;
High o'er his foes his hundred arms He rears,
Plowshares his swords, and pruning hooks his spears;
Calls to the Good and Brave with voice, that rolls
Like Heaven's own thunder round the echoing poles;
Gives to the winds his banner broad unfurl'd,
And gathers in its shade the living world!
VII. 'GNOMES! YOU then taught volcanic airs to force
Through bubbling Lavas their resistless course,
O'er the broad walls of rifted Granite climb,
And pierce the rent roof of incumbent Lime,
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Round sparry caves metallic lustres fling,
And bear phlogiston on their tepid wing.
'HENCE glows, refulgent Tin! thy chrystal grains,
And tawny Copper shoots her azure veins;
Zinc lines his fretted vault with sable ore,
And dull Galena tessellates the floor;
On vermil beds in Idria's mighty caves
The living Silver rolls its ponderous waves;
With gay refractions bright Platina shines,
And studs with squander'd stars his dusky mines;
Long threads of netted gold, and silvery darts,
Inlay the Lazuli, and pierce the Quartz;-Whence roof'd with silver beam'd PERU, of old,
And hapless MEXICO was paved with gold.
'Heavens! on my sight what sanguine colours blaze!
Spain's deathless shame! the crimes of modern days!
When Avarice, shrouded in Religion's robe,
Sail'd to the West, and slaughter'd half the globe;
While Superstition, stalking by his side,
Mock'd the loud groans, and lap'd the bloody tide;
For sacred truths announced her frenzied dreams,
And turn'd to night the sun's meridian beams.Hear, oh, BRITANNIA! potent Queen of isles,
On whom fair Art, and meek Religion smiles,
Now AFRIC'S coasts thy craftier sons invade
With murder, rapine, theft,-and call it Trade!
-The SLAVE, in chains, on supplicating knee,
Spreads his wide arms, and lifts his eyes to Thee;
With hunger pale, with wounds and toil oppress'd,
'ARE WE NOT BRETHREN?' sorrow choaks the rest;-AIR! bear to heaven upon thy azure flood
Their innocent cries!-EARTH! cover not their blood!
VIII. 'When Heaven's dread justice smites in crimes o'ergrown
The blood-nursed Tyrant on his purple throne,
GNOMES! YOUR bold forms unnumber'd arms outstretch,
And urge the vengeance o'er the guilty wretch.Thus when CAMBYSES led his barbarous hosts
From Persia's rocks to Egypt's trembling coasts,
Defiled each hallowed fane, and sacred wood,
And, drunk with fury, swell'd the Nile with blood;
Waved his proud banner o'er the Theban states,
105
And pour'd destruction through her hundred gates;
In dread divisions march'd the marshal'd bands,
And swarming armies blacken'd all the lands,
By Memphis these to ETHIOP'S sultry plains,
And those to HAMMON'S sand-incircled fanes.Slow as they pass'd, the indignant temples frown'd,
Low curses muttering from the vaulted ground;
Long ailes of Cypress waved their deepen'd glooms,
And quivering spectres grinn'd amid the tombs;
Prophetic whispers breathed from S
And MEMNON'S lyre with hollow murmurs rung;
Burst from each pyramid expiring groans,
And darker shadows stretch'd their lengthen'd cones.Day after day their deathful rout They steer,
Lust in the van, and rapine in the rear.
'GNOMES! as they march'd, You hid the gathered fruits,
The bladed grass, sweet grains, and mealy roots;
Scared the tired quails, that journey'd o'er their heads,
Retain'd the locusts in their earthy beds;
Bade on your sands no night-born dews distil,
Stay'd with vindictive hands the scanty rill.Loud o'er the camp the Fiend of Famine shrieks,
Calls all her brood, and champs her hundred beaks;
O'er ten square leagues her pennons broad expand,
And twilight swims upon the shuddering sand;
Perch'd on her crest the Griffin Discord clings,
And Giant Murder rides between her wings;
Blood from each clotted hair, and horny quill,
And showers of tears in blended streams distil;
High-poised in air her spiry neck she bends,
Rolls her keen eye, her Dragon-claws extends,
Darts from above, and tears at each fell swoop
With iron fangs the decimated troop.
'Now o'er their head the whizzing whirlwinds breathe,
And the live desert pants, and heaves beneath;
Tinged by the crimson sun, vast columns rise
Of eddying sands, and war amid the skies,
In red arcades the billowy plain surround,
And stalking turrets dance upon the ground.
-Long ranks in vain their shining blades extend,
To Demon-Gods their knees unhallow'd bend,
Wheel in wide circle, form in hollow square,
106
And now they front, and now they fly the war,
Pierce the deaf tempest with lamenting cries,
Press their parch'd lips, and close their blood-shot eyes.
-GNOMES! o'er the waste YOU led your myriad powers,
Climb'd on the whirls, and aim'd the flinty showers!Onward resistless rolls the infuriate surge,
Clouds follow clouds, and mountains mountains urge;
Wave over wave the driving desert swims,
Bursts o'er their heads, inhumes their struggling limbs;
Man mounts on man, on camels camels rush,
Hosts march o'er hosts, and nations nations crush,Wheeling in air the winged islands fall,
And one great earthy Ocean covers all!Then ceased the storm,-NIGHT bow'd his Ethiop brow
To earth, and listen'd to the groans below,Grim HORROR shook,-awhile the living hill
Heaved with convulsive throes,-and all was still!
IX. 'GNOMES! whose fine forms, impassive as the air,
Shrink with soft sympathy for human care;
Who glide unseen, on printless slippers borne,
Beneath the waving grass, and nodding corn;
Or lay your tiny limbs, when noon-tide warms,
Where shadowy cowslips stretch their golden arms,So mark'd on orreries in lucid signs,
Star'd with bright points the mimic zodiac shines;
Borne on fine wires amid the pictured skies
With ivory orbs the planets set and rise;
Round the dwarf earth the pearly moon is roll'd,
And the sun twinkling whirls his rays of gold.Call your bright myriads, march your mailed hosts,
With spears and helmets glittering round the coasts;
Thick as the hairs, which rear the Lion's mane,
Or fringe the Boar, that bays the hunter-train;
Watch, where proud Surges break their treacherous mounds,
And sweep resistless o'er the cultured grounds;
Such as erewhile, impell'd o'er Belgia's plain,
Roll'd her rich ruins to the insatiate main;
With piles and piers the ruffian waves engage,
And bid indignant Ocean stay his rage.
'Where, girt with clouds, the rifted mountain yawns,
And chills with length of shade the gelid lawns,
107
Climb the rude steeps, the granite-cliffs surround,
Pierce with steel points, with wooden wedges wound;
Break into clays the soft volcanic slaggs,
Or melt with acid airs the marble craggs;
Crown the green summits with adventurous flocks,
And charm with novel flowers the wondering rocks.
-So when proud Rome the Afric Warrior braved,
And high on Alps his crimson banner waved;
While rocks on rocks their beetling brows oppose
With piny forests, and unfathomed snows;
Onward he march'd, to Latium's velvet ground
With fires and acids burst the obdurate bound,
Wide o'er her weeping vales destruction hurl'd,
And shook the rising empire of the world.
X. 'Go, gentle GNOMES! resume your vernal toil,
Seek my chill tribes, which sleep beneath the soil;
On grey-moss banks, green meads, or furrow'd lands
Spread the dark mould, white lime, and crumbling sands;
Each bursting bud with healthier juices feed,
Emerging scion, or awaken'd seed.
So, in descending streams, the silver Chyle
Streaks with white clouds the golden floods of bile;
Through each nice valve the mingling currents glide,
Join their fine rills, and swell the sanguine tide;
Each countless cell, and viewless fibre seek,
Nerve the strong arm, and tinge the blushing cheek.
'Oh, watch, where bosom'd in the teeming earth,
Green swells the germ, impatient for its birth;
Guard from rapacious worms its tender shoots,
And drive the mining beetle from its roots;
With ceaseless efforts rend the obdurate clay,
And give my vegetable babes to day!
-Thus when an Angel-form, in light array'd,
Like HOWARD pierced the prison's noisome shade;
Where chain'd to earth, with eyes to heaven upturn'd,
The kneeling Saint in holy anguish mourn'd;Ray'd from his lucid vest, and halo'd brow
O'er the dark roof celestial lustres glow,
'PETER, arise!' with cheering voice He calls,
And sounds seraphic echo round the walls;
Locks, bolts, and chains his potent touch obey,
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And pleased he leads the dazzled Sage to day.
XI. 'YOU! whose fine fingers fill the organic cells,
With virgin earth, of woods and bones and shells;
Mould with retractile glue their spongy beds,
And stretch and strengthen all their fibre-threads.Late when the mass obeys its changeful doom,
And sinks to earth, its cradle and its tomb,
GNOMES! with nice eye the slow solution watch,
With fostering hand the parting atoms catch,
Join in new forms, combine with life and sense,
And guide and guard the transmigrating Ens.
'So when on Lebanon's sequester'd hight
The fair ADONIS left the realms of light,
Bow'd his bright locks, and, fated from his birth
To change eternal, mingled with the earth;With darker horror shook the conscious wood,
Groan'd the sad gales, and rivers blush'd with blood;
On cypress-boughs the Loves their quivers hung,
Their arrows scatter'd, and their bows unstrung;
And BEAUTY'S GODDESS, bending o'er his bier,
Breathed the soft sigh, and pour'd the tender tear.Admiring PROSERPINE through dusky glades
Led the fair phantom to Elysian shades,
Clad with new form, with finer sense combined,
And lit with purer flame the ethereal mind.
-Erewhile, emerging from infernal night,
The bright Assurgent rises into light,
Leaves the drear chambers of the insatiate tomb,
And shines and charms with renovated bloom.While wondering Loves the bursting grave surround,
And edge with meeting wings the yawning ground,
Stretch their fair necks, and leaning o'er the brink
View the pale regions of the dead, and shrink;
Long with broad eyes ecstatic BEAUTY stands,
Heaves her white bosom, spreads her waxen hands;
Then with loud shriek the panting Youth alarms,
'My Life! my Love!' and springs into his arms.'
The GODDESS ceased,-the delegated throng
O'er the wide plains delighted rush along;
In dusky squadrons, and in shining groups,
Hosts follow hosts, and troops succeed to troops;
109
Scarce bears the bending grass the moving freight,
And nodding florets bow beneath their weight.
So when light clouds on airy pinions sail,
Flit the soft shadows o'er the waving vale;
Shade follows shade, as laughing Zephyrs drive,
And all the chequer'd landscape seems alive.
~ Erasmus Darwin,#NFDB
1420:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
Ah me!
Aprile.
But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
Whom can you see
Through the accursed darkness?
Aprile.
Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.
~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,#NFDB
1421:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
375
Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
376
Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
377
When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
378
Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
379
Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
380
Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
381
Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
382
At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
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Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
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Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
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Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
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All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
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Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
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On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
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In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
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When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
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'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,#NFDB
1422:The Botanic Garden (Part Iv)
The Economy Of Vegetation
Canto IV
As when at noon in Hybla's fragrant bowers
CACALIA opens all her honey'd flowers;
Contending swarms on bending branches cling,
And nations hover on aurelian wing;
So round the GODDESS, ere she speaks, on high
Impatient SYLPHS in gawdy circlets fly;
Quivering in air their painted plumes expand,
And coloured shadows dance upon the land.
I. 'SYLPHS! YOUR light troops the tropic Winds confine,
And guide their streaming arrows to the Line;
While in warm floods ecliptic breezes rise,
And sink with wings benumb'd in colder skies.
You bid Monsoons on Indian seas reside,
And veer, as moves the sun, their airy tide;
While southern gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
Your playful trains, on sultry islands born,
Turn on fantastic toe at eve and morn;
With soft susurrant voice alternate sweep
Earth's green pavilions and encircling deep.
OR in itinerant cohorts, borne sublime
On tides of ether, float from clime to clime;
O'er waving Autumn bend your airy ring,
Or waft the fragrant bosom of the Spring.
II. 'When Morn, escorted by the dancing Hours,
O'er the bright plains her dewy lustre showers;
Till from her sable chariot Eve serene
Drops the dark curtain o'er the brilliant scene;
You form with chemic hands the airy surge,
Mix with broad vans, with shadowy tridents urge.
SYLPHS! from each sun-bright leaf, that twinkling shakes
O'er Earth's green lap, or shoots amid her lakes,
Your playful bands with simpering lips invite,
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And wed the enamour'd OXYGENE to LIGHT.Round their white necks with fingers interwove,
Cling the fond Pair with unabating love;
Hand link'd in hand on buoyant step they rise,
And soar and glisten in unclouded skies.
Whence in bright floods the VITAL AIR expands,
And with concentric spheres involves the lands;
Pervades the swarming seas, and heaving earths,
Where teeming Nature broods her myriad births;
Fills the fine lungs of all that
breathe
or
bud
Warms the new heart, and dyes the gushing blood;
With Life's first spark inspires the organic frame,
And, as it wastes, renews the subtile flame.
'So pure, so soft, with sweet attraction shone
Fair PSYCHE, kneeling at the ethereal throne;
Won with coy smiles the admiring court of Jove,
And warm'd the bosom of unconquer'd LOVE.Beneath a moving shade of fruits and flowers
Onward they march to HYMEN'S sacred bowers;
With lifted torch he lights the festive train,
Sublime, and leads them in his golden chain;
Joins the fond pair, indulgent to their vows,
And hides with mystic veil their blushing brows.
Round their fair forms their mingling arms they fling,
Meet with warm lip, and clasp with rustling wing.-Hence plastic Nature, as Oblivion whelms
Her fading forms, repeoples all her realms;
Soft Joys disport on purple plumes unfurl'd,
And Love and Beauty rule the willing world.
III. 1. 'SYLPHS! Your bold myriads on the withering heath
Stay the fell SYROC'S suffocative breath;
Arrest SIMOOM in his realms of sand,
The poisoned javelin balanced in his hand;Fierce on blue streams he rides the tainted air,
Points his keen eye, and waves his whistling hair;
While, as he turns, the undulating soil
Rolls in red waves, and billowy deserts boil.
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You seize TORNADO by his locks of mist,
Burst his dense clouds, his wheeling spires untwist;
Wide o'er the West when borne on headlong gales,
Dark as meridian night, the Monster sails,
Howls high in air, and shakes his curled brow,
Lashing with serpent-train the waves below,
Whirls his black arm, the forked lightning flings,
And showers a deluge from his demon-wings.
2. 'SYLPHS! with light shafts YOU pierce the drowsy FOG,
That lingering slumbers on the sedge-wove bog,
With webbed feet o'er midnight meadows creeps,
Or flings his hairy limbs on stagnant deeps.
YOU meet CONTAGION issuing from afar,
And dash the baleful conqueror from his car;
When, Guest of DEATH! from charnel vaults he steals,
And bathes in human gore his armed wheels.
'Thus when the PLAGUE, upborne on Belgian air,
Look'd through the mist and shook his clotted hair,
O'er shrinking nations steer'd malignant clouds,
And rain'd destruction on the gasping crouds.
The beauteous AEGLE felt the venom'd dart,
Slow roll'd her eye, and feebly throbb'd her heart;
Each fervid sigh seem'd shorter than the last,
And starting Friendship shunn'd her, as she pass'd.
-With weak unsteady step the fainting Maid
Seeks the cold garden's solitary shade,
Sinks on the pillowy moss her drooping head,
And prints with lifeless limbs her leafy bed.
-On wings of Love her plighted Swain pursues,
Shades her from winds, and shelters her from dews,
Extends on tapering poles the canvas roof,
Spreads o'er the straw-wove matt the flaxen woof,
Sweet buds and blossoms on her bolster strows,
And binds his kerchief round her aching brows;
Sooths with soft kiss, with tender accents charms,
And clasps the bright Infection in his arms.With pale and languid smiles the grateful Fair
Applauds his virtues, and rewards his care;
Mourns with wet cheek her fair companions fled
On timorous step, or number'd with the dead;
Calls to its bosom all its scatter'd rays,
And pours on THYRSIS the collected blaze;
12
Braves the chill night, caressing and caress'd,
And folds her Hero-lover to her breast.Less bold, LEANDER at the dusky hour
Eyed, as he swam, the far love-lighted tower;
Breasted with struggling arms the tossing wave,
And sunk benighted in the watery grave.
Less bold, TOBIAS claim'd the nuptial bed,
Where seven fond Lovers by a Fiend had bled;
And drove, instructed by his Angel-Guide,
The enamour'd Demon from the fatal bride.-SYLPHS! while your winnowing pinions fan'd the air,
And shed gay visions o'er the sleeping pair;
LOVE round their couch effused his rosy breath,
And with his keener arrows conquer'd DEATH.
IV. 1. 'You charm'd, indulgent SYLPHS! their learned toil,
And crown'd with fame your TORRICELL, and BOYLE;
Taught with sweet smiles, responsive to their prayer,
The spring and pressure of the viewless air.
-How up exhausted tubes bright currents flow
Of liquid silver from the lake below,
Weigh the long column of the incumbent skies,
And with the changeful moment fall and rise.
-How, as in brazen pumps the pistons move,
The membrane-valve sustains the weight above;
Stroke follows stroke, the gelid vapour falls,
And misty dew-drops dim the crystal walls;
Rare and more rare expands the fluid thin,
And Silence dwells with Vacancy within.So in the mighty Void with grim delight
Primeval Silence reign'd with ancient Night.
2. 'SYLPHS! your soft voices, whispering from the skies,
Bade from low earth the bold MONGULFIER rise;
Outstretch'd his buoyant ball with airy spring,
And bore the Sage on levity of wing;Where were ye, SYLPHS! when on the ethereal main
Young ROSIERE launch'd, and call'd your aid in vain?
Fair mounts the light balloon, by Zephyr driven,
Parts the thin clouds, and sails along the heaven;
Higher and yet higher the expanding bubble flies,
Lights with quick flash, and bursts amid the skies.Headlong He rushes through the affrighted air
13
With limbs distorted, and dishevel'd hair,
Whirls round and round, the flying croud alarms,
And DEATH receives him in his sable arms!So erst with melting wax and loosen'd strings
Sunk hapless ICARUS on unfaithful wings;
His scatter'd plumage danced upon the wave,
And sorrowing Mermaids deck'd his watery grave;
O'er his pale corse their pearly sea-flowers shed,
And strew'd with crimson moss his marble bed;
Struck in their coral towers the pausing bell,
And wide in ocean toll'd his echoing knell.
V. 'SYLPHS! YOU, retiring to sequester'd bowers,
Where oft your PRIESTLEY woos your airy powers,
On noiseless step or quivering pinion glide,
As sits the Sage with Science by his side;
To his charm'd eye in gay undress appear,
Or pour your secrets on his raptured ear.
How nitrous Gas from iron ingots driven
Drinks with red lips the purest breath of heaven;
How, while Conferva from its tender hair
Gives in bright bubbles empyrean air;
The crystal floods phlogistic ores calcine,
And the pure ETHER marries with the MINE.
'So in Sicilia's ever-blooming shade
When playful PROSERPINE from CERES stray'd,
Led with unwary step her virgin trains
O'er Etna's steeps, and Enna's golden plains;
Pluck'd with fair hand the silver-blossom'd bower,
And purpled mead,-herself a fairer flower;
Sudden, unseen amid the twilight glade,
Rush'd gloomy DIS, and seized the trembling maid.Her starting damsels sprung from mossy seats,
Dropp'd from their gauzy laps the gather'd sweets,
Clung round the struggling Nymph, with piercing cries,
Pursued the chariot, and invoked the skies;Pleased as he grasps her in his iron arms,
Frights with soft sighs, with tender words alarms,
The wheels descending roll'd in smoky rings,
Infernal Cupids flapp'd their demon wings;
Earth with deep yawn received the Fair, amaz'd,
And far in Night celestial Beauty blaz'd.
14
VI. 'Led by the Sage, Lo! Britain's sons shall guide
Huge SEA-BALLOONS beneath the tossing tide;
The diving castles, roof'd with spheric glass,
Ribb'd with strong oak, and barr'd with bolts of brass,
Buoy'd with pure air shall endless tracks pursue,
And PRIESTLEY'S hand the vital flood renew.Then shall BRITANNIA rule the wealthy realms,
Which Ocean's wide insatiate wave o'erwhelms;
Confine in netted bowers his scaly flocks,
Part his blue plains, and people all his rocks.
Deep, in warm waves beneath the Line that roll,
Beneath the shadowy ice-isles of the Pole,
Onward, through bright meandering vales, afar,
Obedient Sharks shall trail her sceptred car,
With harness'd necks the pearly flood disturb,
Stretch the silk rein, and champ the silver curb;
Pleased round her triumph wondering Tritons play,
And Seamaids hail her on the watery way.
-Oft shall she weep beneath the crystal waves
O'er shipwreck'd lovers weltering in their graves;
Mingling in death the Brave and Good behold
With slaves to glory, and with slaves to gold;
Shrin'd in the deep shall DAY and SPALDING mourn,
Each in his treacherous bell, sepulchral urn!Oft o'er thy lovely daughters, hapless PIERCE!
Her sighs shall breathe, her sorrows dew their hearse.With brow upturn'd to Heaven, 'WE WILL NOT PART!'
He cried, and clasp'd them to his aching heart,-Dash'd in dread conflict on the rocky grounds,
Crash the mock'd masts, the staggering wreck rebounds;
Through gaping seams the rushing deluge swims,
Chills their pale bosoms, bathes their shuddering limbs,
Climbs their white shoulders, buoys their streaming hair,
And the last sea-shriek bellows in the air.Each with loud sobs her tender sire caress'd,
And gasping strain'd him closer to her breast!-Stretch'd on one bier they sleep beneath the brine,
And their white bones with ivory arms intwine!
'VII. SYLPHS OF NICE EAR! with beating wings you guide
The fine vibrations of the aerial tide;
15
Join in sweet cadences the measured words,
Or stretch and modulate the trembling cords.
You strung to melody the Grecian lyre,
Breathed the rapt song, and fan'd the thought of fire,
Or brought in combinations, deep and clear,
Immortal harmony to HANDEL'S ear.YOU with soft breath attune the vernal gale,
When breezy evening broods the listening vale;
Or wake the loud tumultuous sounds, that dwell
In Echo's many-toned diurnal shell.
YOU melt in dulcet chords, when Zephyr rings
The Eolian Harp, and mingle all its strings;
Or trill in air the soft symphonious chime,
When rapt CECILIA lifts her eye sublime,
Swell, as she breathes, her bosoms rising snow,
O'er her white teeth in tuneful accents slow,
Through her fair lips on whispering pinions move,
And form the tender sighs, that kindle love!
'So playful LOVE on Ida's flowery sides
With ribbon-rein the indignant Lion guides;
Pleased on his brinded back the lyre he rings,
And shakes delirious rapture from the strings;
Slow as the pausing Monarch stalks along,
Sheaths his retractile claws, and drinks the song;
Soft Nymphs on timid step the triumph view,
And listening Fawns with beating hoofs pursue;
With pointed ears the alarmed forest starts,
And Love and Music soften savage hearts.
VIII. 'SYLPHS! YOUR bold hosts, when Heaven with justice dread
Calls the red tempest round the guilty head,
Fierce at his nod assume vindictive forms,
And launch from airy cars the vollied storms.From Ashur's vales when proud SENACHERIB trod,
Pour'd his swoln heart, defied the living GOD,
Urged with incessant shouts his glittering powers;
And JUDAH shook through all her massy towers;
Round her sad altars press'd the prostrate crowd,
Hosts beat their breasts, and suppliant chieftains bow'd;
Loud shrieks of matrons thrill'd the troubled air,
And trembling virgins rent their scatter'd hair;
High in the midst the kneeling King adored,
16
Spread the blaspheming scroll before the Lord,
Raised his pale hands, and breathed his pausing sighs,
And fixed on Heaven his dim imploring eyes,'Oh! MIGHTY GOD! amidst thy Seraph-throng
'Who sit'st sublime, the Judge of Right and Wrong;
'Thine the wide earth, bright sun, and starry zone,
'That twinkling journey round thy golden throne;
'Thine is the crystal source of life and light,
'And thine the realms of Death's eternal night.
'Oh, bend thine ear, thy gracious eye incline,
'Lo! Ashur's King blasphemes thy holy shrine,
'Insults our offerings, and derides our vows,-'Oh! strike the diadem from his impious brows,
'Tear from his murderous hand the bloody rod,
'And teach the trembling nations, 'THOU ART GOD!'-SYLPHS! in what dread array with pennons broad
Onward ye floated o'er the ethereal road,
Call'd each dank steam the reeking marsh exhales,
Contagious vapours, and volcanic gales,
Gave the soft South with poisonous breath to blow,
And rolled the dreadful whirlwind on the foe!Hark! o'er the camp the venom'd tempest sings,
Man falls on Man, on buckler buckler rings;
Groan answers groan, to anguish anguish yields,
And DEATH'S loud accents shake the tented fields!
-High rears the Fiend his grinning jaws, and wide
Spans the pale nations with colossal stride,
Waves his broad falchion with uplifted hand,
And his vast shadow darkens all the land.
IX. 1. 'Ethereal cohorts! Essences of Air!
Make the green children of the Spring your care!
Oh, SYLPHS! disclose in this inquiring age
One GOLDEN SECRET to some favour'd sage;
Grant the charm'd talisman, the chain, that binds,
Or guides the changeful pinions of the winds!
-No more shall hoary Boreas, issuing forth
With Eurus, lead the tempests of the North;
Rime the pale Dawn, or veil'd in flaky showers
Chill the sweet bosoms of the smiling Hours.
By whispering Auster waked shall Zephyr rise,
Meet with soft kiss, and mingle in the skies,
17
Fan the gay floret, bend the yellow ear,
And rock the uncurtain'd cradle of the year;
Autumn and Spring in lively union blend,
And from the skies the Golden Age descend.
2. 'Castled on ice, beneath the circling Bear,
A vast CAMELION spits and swallows air;
O'er twelve degrees his ribs gigantic bend,
And many a league his leathern jaws extend;
Half-fish, beneath, his scaly volutes spread,
And vegetable plumage crests his head;
Huge fields of air his wrinkled skin receives,
From panting gills, wide lungs, and waving leaves;
Then with dread throes subsides his bloated form,
His shriek the thunder, and his sigh the storm.
Oft high in heaven the hissing Demon wins
His towering course, upborne on winnowing fins;
Steers with expanded eye and gaping mouth,
His mass enormous to the affrighted South;
Spreads o'er the shuddering Line his shadowy limbs,
And Frost and Famine follow as he swims.SYLPHS! round his cloud-built couch your bands array,
And mould the Monster to your gentle sway;
Charm with soft tones, with tender touches check,
Bend to your golden yoke his willing neck,
With silver curb his yielding teeth restrain,
And give to KIRWAN'S hand the silken rein.
-Pleased shall the Sage, the dragon-wings between,
Bend o'er discordant climes his eye serene,
With Lapland breezes cool Arabian vales,
And call to Hindostan antarctic gales,
Adorn with wreathed ears Kampschatca's brows,
And scatter roses on Zealandic snows,
Earth's wondering Zones the genial seasons share,
And nations hail him 'MONARCH OF THE AIR.'
X. 1. 'SYLPHS! as you hover on ethereal wing,
Brood the green children of parturient Spring!Where in their bursting cells my Embryons rest,
I charge you guard the vegetable nest;
Count with nice eye the myriad SEEDS, that swell
Each vaulted womb of husk, or pod, or shell;
Feed with sweet juices, clothe with downy hair,
18
Or hang, inshrined, their little orbs in air.
'So, late descry'd by HERSCHEL'S piercing sight,
Hang the bright squadrons of the twinkling Night;
Ten thousand marshall'd stars, a silver zone,
Effuse their blended lustres round her throne;
Suns call to suns, in lucid clouds conspire,
And light exterior skies with golden fire;
Resistless rolls the illimitable sphere,
And one great circle forms the unmeasured year.
-Roll on, YE STARS! exult in youthful prime,
Mark with bright curves the printless steps of Time;
Near and more near your beamy cars approach,
And lessening orbs on lessening orbs encroach;Flowers of the sky! ye too to age must yield,
Frail as your silken sisters of the field!
Star after star from Heaven's high arch shall rush,
Suns sink on suns, and systems systems crush,
Headlong, extinct, to one dark centre fall,
And Death and Night and Chaos mingle all!
-Till o'er the wreck, emerging from the storm,
Immortal NATURE lifts her changeful form,
Mounts from her funeral pyre on wings of flame,
And soars and shines, another and the same.
2. 'Lo! on each SEED within its slender rind
Life's golden threads in endless circles wind;
Maze within maze the lucid webs are roll'd,
And, as they burst, the living flame unfold.
The pulpy acorn, ere it swells, contains
The Oak's vast branches in its milky veins;
Each ravel'd bud, fine film, and fibre-line
Traced with nice pencil on the small design.
The young Narcissus, in it's bulb compress'd,
Cradles a second nestling on its breast;
In whose fine arms a younger embryon lies,
Folds its thin leaves, and shuts its floret-eyes;
Grain within grain successive harvests dwell,
And boundless forests slumber in a shell.
-So yon grey precipice, and ivy'd towers,
Long winding meads, and intermingled bowers,
Green files of poplars, o'er the lake that bow,
And glimmering wheel, which rolls and foams below,
In one bright point with nice distinction lie
19
Plan'd on the moving tablet of the eye.
-So, fold on fold, Earth's wavy plains extend,
And, sphere in sphere, its hidden strata bend;Incumbent Spring her beamy plumes expands
O'er restless oceans, and impatient lands,
With genial lustres warms the mighty ball,
And the GREAT SEED evolves, disclosing ALL;
LIFE
buds
or
breathes
from Indus to the Poles,
And the vast surface kindles, as it rolls!
3. 'Come, YE SOFT SYLPHS! who sport on Latian land,
Come, sweet-lip'd Zephyr, and Favonius bland!
Teach the fine SEED, instinct with life, to shoot
On Earth's cold bosom its descending root;
With Pith elastic stretch its rising stem,
Part the twin Lobes, expand the throbbing Gem;
Clasp in your airy arms the aspiring Plume,
Fan with your balmy breath its kindling bloom,
Each widening scale and bursting film unfold,
Swell the green cup, and tint the flower with gold;
While in bright veins the silvery Sap ascends,
And refluent blood in milky eddies bends;
While, spread in air, the leaves respiring play,
Or drink the golden quintessence of day.
-So from his shell on Delta's shower-less isle
Bursts into life the Monster of the Nile;
First in translucent lymph with cobweb-threads
The Brain's fine floating tissue swells, and spreads;
Nerve after nerve the glistening spine descends,
The red Heart dances, the Aorta bends;
Through each new gland the purple current glides,
New veins meandering drink the refluent tides;
Edge over edge expands the hardening scale,
And sheaths his slimy skin in silver mail.
-Erewhile, emerging from the brooding sand,
With Tyger-paw He prints the brineless strand,
High on the flood with speckled bosom swims,
Helm'd with broad tail, and oar'd with giant limbs;
Rolls his fierce eye-balls, clasps his iron claws,
20
And champs with gnashing teeth his massy jaws;
Old Nilus sighs along his cane-crown'd shores,
And swarthy Memphis trembles and adores.
XI. 'Come, YE SOFT SYLPHS! who fan the Paphian groves,
And bear on sportive wings the callow Loves;
Call with sweet whisper, in each gale that blows,
The slumbering Snow-drop from her long repose;
Charm the pale Primrose from her clay-cold bed,
Unveil the bashful Violet's tremulous head;
While from her bud the playful Tulip breaks,
And young Carnations peep with blushing cheeks;
Bid the closed
Petals
from nocturnal cold
The virgin
Style
in silken curtains fold,
Shake into viewless air the morning dews,
And wave in light their iridescent hues;
While from on high the bursting
Anthers
trust
To the mild breezes their prolific dust;
Or bend in rapture o'er the central Fair,
Love out their hour, and leave their lives in air.
So in his silken sepulchre the Worm,
Warm'd with new life, unfolds his larva-form;
Erewhile aloft in wanton circles moves,
And woos on Hymen-wings his velvet loves.
XII. 1. 'If prouder branches with exuberance rude
Point their green gems, their barren shoots protrude;
Wound them, ye SYLPHS! with little knives, or bind
A wiry ringlet round the swelling rind;
Bisect with chissel fine the root below,
Or bend to earth the inhospitable bough.
So shall each germ with new prolific power
Delay the leaf-bud, and expand the flower;
Closed in the
Style
the tender pith shall end,
21
The lengthening Wood in circling
Stamens
bend;
The smoother Rind its soft embroidery spread
In vaulted
Petals
o'er their fertile bed;
While the rough Bark, in circling mazes roll'd,
Forms the green
Cup
with many a wrinkled fold;
And each small bud-scale spreads its foliage hard,
Firm round the callow germ, a
Floral Guard
2. 'Where cruder juices swell the leafy vein,
Stint the young germ, the tender blossom stain;
On each lop'd shoot a softer scion bind,
Pith press'd to pith, and rind applied to rind,
So shall the trunk with loftier crest ascend,
And wide in air its happier arms extend;
Nurse the new buds, admire the leaves unknown,
And blushing bend with fruitage not its own.
'Thus when in holy triumph Aaron trod,
And offer'd on the shrine his mystic rod;
First a new bark its silken tissue weaves,
New buds emerging widen into leaves;
Fair fruits protrude, enascent flowers expand,
And blush and tremble round the living wand.
XIII. 1. 'SYLPHS! on each Oak-bud wound the wormy galls,
With pigmy spears, or crush the venom'd balls;
Fright the green Locust from his foamy bed,
Unweave the Caterpillar's gluey thread;
Chase the fierce Earwig, scare the bloated Toad,
Arrest the snail upon his slimy road;
Arm with sharp thorns the Sweet-brier's tender wood,
And dash the Cynips from her damask bud;
Steep in ambrosial dews the Woodbine's bells,
And drive the Night-moth from her honey'd cells.
So where the Humming-bird in Chili's bowers
On murmuring pinions robs the pendent flowers;
22
Seeks, where fine pores their dulcet balm distill,
And sucks the treasure with proboscis-bill;
Fair CYPREPEDIA with successful guile
Knits her smooth brow, extinguishes her smile;
A Spiders bloated paunch and jointed arms
Hide her fine form, and mask her blushing charms;
In ambush sly the mimic warrior lies,
And on quick wing the panting plunderer flies.
2. 'Shield the young Harvest from devouring blight,
The Smut's dark poison, and the Mildew white;
Deep-rooted Mould, and Ergot's horn uncouth,
And break the Canker's desolating tooth.
First in one point the festering wound confin'd
Mines unperceived beneath the shrivel'd rin'd;
Then climbs the branches with increasing strength,
Spreads as they spread, and lengthens with their length;
-Thus the slight wound ingraved on glass unneal'd
Runs in white lines along the lucid field;
Crack follows crack, to laws elastic just,
And the frail fabric shivers into dust.
XIV. 1. 'SYLPHS! if with morn destructive Eurus springs,
O, clasp the Harebel with your velvet wings;
Screen with thick leaves the Jasmine as it blows,
And shake the white rime from the shuddering Rose;
Whilst Amaryllis turns with graceful ease
Her blushing beauties, and eludes the breeze.SYLPHS! if at noon the Fritillary droops,
With drops nectareous hang her nodding cups;
Thin clouds of Gossamer in air display,
And hide the vale's chaste Lily from the ray;
Whilst Erythrina o'er her tender flower
Bends all her leaves, and braves the sultry hour;Shield, when cold Hesper sheds his dewy light,
Mimosa's soft sensations from the night;
Fold her thin foilage, close her timid flowers,
And with ambrosial slumbers guard her bowers;
O'er each warm wall while Cerea flings her arms,
And wastes on night's dull eye a blaze of charms.
2. Round her tall Elm with dewy fingers twine
The gadding tendrils of the adventurous Vine;
From arm to arm in gay festoons suspend
23
Her fragrant flowers, her graceful foliage bend;
Swell with sweet juice her vermil orbs, and feed
Shrined in transparent pulp her pearly seed;
Hang round the Orange all her silver bells,
And guard her fragrance with Hesperian spells;
Bud after bud her polish'd leaves unfold,
And load her branches with successive gold.
So the learn'd Alchemist exulting sees
Rise in his bright matrass DIANA'S trees;
Drop after drop, with just delay he pours
The red-fumed acid on Potosi's ores;
With sudden flash the fierce bullitions rise,
And wide in air the gas phlogistic flies;
Slow shoot, at length, in many a brilliant mass
Metallic roots across the netted glass;
Branch after branch extend their silver stems,
Bud into gold, and blossoms into gems.
So sits enthron'd in vegetable pride
Imperial KEW by Thames's glittering side;
Obedient sails from realms unfurrow'd bring
For her the unnam'd progeny of spring;
Attendant Nymphs her dulcet mandates hear,
And nurse in fostering arms the tender year,
Plant the young bulb, inhume the living seed,
Prop the weak stem, the erring tendril lead;
Or fan in glass-built fanes the stranger flowers
With milder gales, and steep with warmer showers.
Delighted Thames through tropic umbrage glides,
And flowers antarctic, bending o'er his tides;
Drinks the new tints, the sweets unknown inhales,
And calls the sons of science to his vales.
In one bright point admiring Nature eyes
The fruits and foliage of discordant skies,
Twines the gay floret with the fragrant bough,
And bends the wreath round GEORGE'S royal brow.
-Sometimes retiring, from the public weal
One tranquil hour the ROYAL PARTNERS steal;
Through glades exotic pass with step sublime,
Or mark the growths of Britain's happier clime;
With beauty blossom'd, and with virtue blaz'd,
Mark the fair Scions, that themselves have rais'd;
Sweet blooms the Rose, the towering Oak expands,
24
The Grace and Guard of Britain's golden lands.
XV. SYLPHS! who, round earth on purple pinions borne,
Attend the radiant chariot of the morn;
Lead the gay hours along the ethereal hight,
And on each dun meridian shower the light;
SYLPHS! who from realms of equatorial day
To climes, that shudder in the polar ray,
From zone to zone pursue on shifting wing,
The bright perennial journey of the spring;
Bring my rich Balms from Mecca's hallow'd glades,
Sweet flowers, that glitter in Arabia's shades;
Fruits, whose fair forms in bright succession glow
Gilding the Banks of Arno, or of Po;
Each leaf, whose fragrant steam with ruby lip
Gay China's nymphs from pictur'd vases sip;
Each spicy rind, which sultry India boasts,
Scenting the night-air round her breezy coasts;
Roots whose bold stems in bleak Siberia blow,
And gem with many a tint the eternal snow;
Barks, whose broad umbrage high in ether waves
O'er Ande's steeps, and hides his golden caves;
-And, where yon oak extends his dusky shoots
Wide o'er the rill, that bubbles from his roots;
Beneath whose arms, protected from the storm
A turf-built altar rears it's rustic form;
SYLPHS! with religious hands fresh garlands twine,
And deck with lavish pomp HYGEIA'S shrine.
'Call with loud voice the Sisterhood, that dwell
On floating cloud, wide wave, or bubbling well;
Stamp with charm'd foot, convoke the alarmed Gnomes
From golden beds, and adamantine domes;
Each from her sphere with beckoning arm invite,
Curl'd with red flame, the Vestal Forms of light.
Close all your spotted wings, in lucid ranks
Press with your bending knees the crowded banks,
Cross your meek arms, incline your wreathed brows,
And win the Goddess with unwearied vows.
'Oh, wave, HYGEIA! o'er BRITANNIA'S throne
Thy serpent-wand, and mark it for thy own;
Lead round her breezy coasts thy guardian trains,
Her nodding forests, and her waving plains;
25
Shed o'er her peopled realms thy beamy smile,
And with thy airy temple crown her isle!'
The GODDESS ceased,-and calling from afar
The wandering Zephyrs, joins them to her car;
Mounts with light bound, and graceful, as she bends,
Whirls the long lash, the flexile rein extends;
On whispering wheels the silver axle slides,
Climbs into air, and cleaves the crystal tides;
Burst from its pearly chains, her amber hair
Streams o'er her ivory shoulders, buoy'd in air;
Swells her white veil, with ruby clasp confined
Round her fair brow, and undulates behind;
The lessening coursers rise in spiral rings,
Pierce the slow-sailing clouds, and stretch their shadowy wings.
~ Erasmus Darwin,#NFDB
1423: Ahana
Ahana
(Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
Vision delightful alone on the hills whom the silences cover,
Closer yet lean to mortality; human, stoop to thy lover.
Wonderful, gold like a moon in the square of the sun where thou strayest
Glimmers thy face amid crystal purities; mighty thou playest
Sole on the peaks of the world, unafraid of thy loneliness. Glances
Leap from thee down to us, dream-seas and light-falls and magical trances;
Sun-drops flake from thy eyes and the heart's caverns packed are with pleasure
Strange like a song without words or the dance of a measureless measure.
Tread through the edges of dawn, over twilight's grey-lidded margin;
Heal earth's unease with thy feet, O heaven-born delicate virgin.
Children of Time whose spirits came down from eternity, seizing
Joys that escape us, yoked by our hearts to a labour unceasing,
Earth-bound, torn with our longings, our life is a brief incompleteness.
Thou hast the stars to sport with, the winds run like bees to thy sweetness.
Art thou not heaven-bound even as I with the earth? Hast thou ended
All desirable things in a stillness lone and unfriended?
Only is calm so sweet? is our close tranquillity only?
Cold are the rivers of peace and their banks are leafless and lonely.
Heavy is godhead to bear with its mighty sun-burden of lustre.
Art thou not weary of only the stars in their solemn muster,
Sky-hung the chill bare plateaus and peaks where the eagle rejoices
In the inhuman height of his nesting, solitude's voices
Making the heart of the silence lonelier? strong and untiring,
Deaf with the cry of the waterfall, lonely the pine lives aspiring.
Two are the ends of existence, two are the dreams of the Mother:
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Pondicherry, c. 1910 - 1920
Heaven unchanging, earth with her time-beats yearn to each other, -
Earth-souls needing the touch of the heavens peace to recapture,
Heaven needing earth's passion to quiver its peace into rapture.
Marry, O lightning eternal, the passion of a moment-born fire!
Out of thy greatness draw close to the breast of our mortal desire!
Is he thy master, Rudra the mighty, Shiva ascetic?
Has he denied thee his world? In his dance that they tell of, ecstatic,
Slaying, creating, calm in the midst of the movement and madness,
Stole there no rhythm of an earthly joy and a mortal sadness?
Wast thou not made in the shape of a woman? Sweetness and beauty
Move like a song of the gods in thy limbs and to love is thy duty
Graved in thy heart as on tablets of fate; joy's delicate blossom
Sleeps in thy lids of delight; all Nature hides in thy bosom
Claiming her children unborn and the food of her love and her laughter.
Is he the first? was there none then before him? shall none come after?
He who denies and his blows beat down on our hearts like a hammer's,
He whose calm is the silent reply to our passion and clamours!
Is not there deity greater here new-born in a noble
Labour and sorrow and struggle than stilled into rapture immobile?
Earth has beatitudes warmer than heaven's that are bare and undying,
Marvels of Time on the crest of the moments to Infinity flying.
Earth has her godheads; the Tritons sway on the toss of the billows,
Emerald locks of the Nereids stream on their foam-crested pillows,
Dryads peer out from the branches, Naiads glance up from the waters;
High are her flame-points of joy and the gods are ensnared by her daughters.
Artemis calls as she flees through the glades and the breezes pursue her;
Cypris laughs in her isles where the ocean-winds linger to woo her.
Here thou shalt meet amid beauty forgotten the dance of the Graces;
Night shall be haunted for ever with strange and delicate faces.
Music is here of the fife and the flute and the lyre and the timbal,
Wind in the forests, bees in the grove, - spring's ardent cymbal
Thrilling, the cry of the cuckoo; the nightingale sings in the branches,
Human laughter is heard and the cattle low in the ranches.
Frankly and sweetly she gives to her children the bliss of her body,
Breath of her lips and the green of her garments, rain-pourings heady
Tossed from her cloud-carried beaker of tempest, oceans and streamlets,
Dawn and the mountain-air, corn-fields and vineyards, pastures and hamlets,
Ahana
479
Tangles of sunbeams asleep, mooned dream-depths, twilight's shadows,
Taste and scent and the fruits of her trees and the flowers of her meadows,
Life with her wine-cup of longing under the purple of her tenture,
Death as her gate of escape and rebirth and renewal of venture.
Still must they mutter that all here is vision and passing appearance,
Magic of Maya with falsehood and pain for its only inherence.
One is there only, apart in his greatness, the End and Beginning, -
He who has sent through his soul's wide spaces the universe spinning.
One eternal, Time an illusion, life a brief error!
One eternal, Master of heaven - and of hell and its terror!
Spirit of silence and purity rapt and aloof from creation, -
Dreaming through aeons unreal his splendid and empty formation!
Spirit all-wise in omnipotence shaping a world but to break it, -
Pushed by what mood of a moment, the breath of what fancy to make it?
None is there great but the eternal and lonely, the unique and unmated,
Bliss lives alone with the self-pure, the single, the forever-uncreated.
Truths? or thought's structures bridging the vacancy mute and unsounded
Facing the soul when it turns from the stress of the figures around it?
Solely we see here a world self-made by some indwelling Glory
Building with forms and events its strange and magnificent story.
Yet at the last has not all been solved and unwisdom demolished,
Myth cast out and all dreams of the soul, and all worship abolished?
All now is changed, the reverse of the coin has been shown to us; Reason
Waking, detecting the hoax of the spirit, at last has arisen,
Captured the Truth and built round her its bars that she may not skedaddle,
Gallop again with the bit in her teeth and with Fancy in the saddle.
Now have the wise men discovered that all is the craft of a superMagic of Chance and a movement of Void and inconscient Stupor.
Chance by a wonderful accident ever her ripples expanding
Out of a gaseous circle of Nothingness, implacably extending
Freak upon freak, repeating rigidly marvels on marvels,
Making a world out of Nothing, started on the arc of her travels.
Nothingness born into feeling and action dies back to Nothing.
Sea of a vague electricity, romping through space-curves and clothing
Strangely the Void with a semblance of Matter, painfully flowered
Into this giant phenomenon universe. Man who has towered
Out of the plasm and struggled by thought to Divinity's level,
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Pondicherry, c. 1910 - 1920
Man, this miniature second creator of good and of evil,
He too was only a compost of Matter made living, organic,
Forged as her thinking tool by an Energy blind and mechanic.
Once by an accident queer but quite natural, provable, simple,
Out of blind Space-Nought lashed into life, wearing Mind as its wimple,
Dupe of a figment of consciousness, doped with behaviour and feature,
Matter deluded claimed to be spirit and sentient creature.
All the high dreams man has dreamed and his hopes and his deeds, his soul's greatness
Are but a food-seeking animal's acts with the mind for their witness, -
Mind a machine for the flickers of thought, Matter's logic unpremissed, -
Are but a singular fireworks, chemistry lacking the chemist,
Matter's nervous display; the heart's passion, the sorrow and burning
Fire of delight and sweet ecstasy, love and its fathomless yearning,
Boundless spiritual impulses making us one with world-being,
Outbursts of vision opening doors to a limitless seeing,
Gases and glands and the genes and the nerves and the brain-cells have done it,
Brooded out drama and epic, structured the climb of the sonnet,
Studied the stars and discovered the brain and the laws of its thinking,
Sculptured the cave-temple, reared the cathedral, infinity drinking
Wrought manufacturing God and the soul for the uplift of Nature, -
Science, philosophy, head of his mystical chemical stature,
Music and painting revealing the godhead in sound and in colour,
Acts of the hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
Only a trick of the atom, its marvellous magical blunder.
Who can believe it? Something or someone, a Force or a Spirit
Conscious, creative, wonderful shaped out a world to inherit
Here for the beings born from its vast universal existence, -
Fields of surprise and adventure, vistas of light-haunted distance,
Play-routes of wisdom and vision and struggle and rapture and sorrow,
Sailing in Time through the straits of today to the sea of tomorrow.
Worlds and their wonders, suns and their flamings, earth and her nations,
Voyages endless of Mind through the surge of its fate-tossed creations,
Star upon star throbbing out in the silence of infinite spaces,
Species on species, bodies on bodies, faces on faces,
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Souls without number crossing through Time towards eternity, aeons
Crowding on aeons, loving and battle, dirges and paeans,
Thoughts ever leaping, hopes ever yearning, lives ever streaming,
Millions and millions on trek through the days with their doings and dreaming,
Herds of the Sun who move on at the cry of the radiant drover, -
Countless, surviving the death of the centuries, lost to recover,
Finished, but only to begin again, who is its tireless creator,
Cause or the force of its driving, its thinker or formless dictator?
Surely no senseless Vacancy made it, surely 'twas fashioned
By an almighty One million-ecstasied, thousand-passioned.
Self-made? then by what self from which thought could arise and emotion,
Waves that well up to the surface, born from what mysteried ocean?
Nature alone is the fountain. But what is she? Is she not only
Figure and name for what none understands, though all feel, or a lonely
Word in which all finds expression, spirit-heights, dumb work of Matter, -
Vague designation filling the gaps of our thought with its clatter?
Power without vision that blunders in man into thinking and sinning?
Rigid, too vast inexhaustible mystery void of a meaning?
Energy blindly devising, unconsciously ranging in order?
Chance in the march of a cosmic Insanity crossing the border
Out of the eternal silence to thought and its strangeness and splendour?
Consciousness born by an accident until an accident end her?
Nought else is she but the power of the Spirit who dwells in her ever,
Witness and cause of her workings, lord of her pauseless endeavour.
All things she knows, though she seems here unseeing; even in her slumber
Wondrous her works are, design and its magic and magic of number,
Plan of her mighty cosmic geometry, balance of forces,
Universe flung beyond universe, law of the stars and their courses,
Cosmos atomic stretched to the scale of the Infinite's measure.
Mute in the trance of the Eternal she sleeps with the stone and the azure.
Now she awakes; for life has just stirred in her, stretching first blindly
Outward for sense and its pleasure and pain and the gifts of the kindly
Mother of all, for her light and her air and the sap from her flowing,
Pleasure of bloom and inconscient beauty, pleasure of growing.
Then into mind she arises; heart's yearning awakes and reflection
Looks out on struggle and harmony, - conscious, her will of selection
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Studies her works and illumines the choice of her way; last, slowly
Inward she turns and stares at the Spirit within her. Holy
Silences brood in her heart and she feels in her ardent recesses
Passions too great for her frame, on her body immortal caresses.
Into the calm of the Greatness beyond her she enters, burning
Now with a light beyond thought's, towards Self and Infinity turning,
Turned to beatitude, turned to eternity, spiritual grandeur,
Power without limit, ecstasy imperishable, shadowless splendour.
Then to her mortals come, flashing, thoughts that are wisdom's fire-kernel;
Leaping her flame-sweeps of might and delight and of vision supernal
Kindle the word and the act, the Divine and humanity fusing,
Illuminations, trance-seeds of silence, flowers of musing, -
Light of our being that yet has to be, its glory and glimmer
Smiting with sunrise the soul of the sage and the heart of the dreamer.
Or is it all but a vain expectation and effort ungrounded,
Wings without body, sight without object, waters unsounded,
Hue of a shimmer that steals through some secret celestial portal,
Glory of a gleam or a dream in an animal brief-lived and mortal?
Are they not radiances native to heaven's more fortunate ether,
Won when we part from this body, this temporal house of a nether
Mystery of life lived in vain? Upon earth is the glory forbidden,
Nature for ever accursed, frustrated, grief-vexed, fate-ridden?
Half of the glory she dreamed of forgotten or lost in earth's darkness,
Half of it mangled and missed as the death-wheels whirl in their starkness,
Cast out from heaven a goddess rebellious with mind for her mirror,
Cursed with desire and self-will and doomed to self-torture and error,
Came she to birth then with God for her enemy? Were we created
He unwilling or sleeping? did someone transgress the fated
Limits he set, outwitting God? In the too hasty vision
Marred of some demiurge filmed there the blur of a fatal misprision,
Making a world that revolves on itself in a circuit of failure,
Aeons of striving, death for a recompense, Time for our tenure?
Out of him rather she came and for him are her cry and her labour;
Deep are her roots in him; topless she climbs, to his greatness a neighbour.
All is himself in her, brooding in darkness, mounting the sun-ways;
Air-flight to him is man's journey with heaven and earth for the runways.
He is the witness and doer, he is the loved and the lover,
Ahana
483
He the eternal Truth that we look in ourselves to discover.
All is his travel in Time; it is he who turns history's pages,
Act and event and result are the trail that he leaves through the ages;
Form and idea are his signs and number and sound are his symbols,
Music and singing, the word and its rhythm are Divinity's cymbals,
Thunder and surge are the drums of his marching. Through us, with urges
Self-ward, form-bound, mute, motionless, slowly inevitably emerges
Vast as the cosmos, minute as the atom, the Spirit eternal.
Often the gusts of his force illumining moments diurnal
Flame into speech and idea; transcendences splendid and subtle
Suddenly shoot through the weft of our lives from a magical shuttle;
Hid in our hearts is his glory; the Spirit works in our members.
Silence is he, with our voices he speaks, in our thoughts he remembers.
Deep in our being inhabits the voiceless invisible Teacher;
Powers of his godhead we live; the Creator dwells in the creature.
Out of his Void we arise to a mighty and shining existence,
Out of Inconscience, tearing the black Mask's giant resistance;
Waves of his consciousness well from him into these bodies in Nature,
Forms are put round him; his oneness, divided by mind's nomenclature,
High on the summits of being ponders immobile and single,
Penetrates atom and cell as the tide drenches sand-grain and shingle.
Oneness unknown to us dwells in these millions of figures and faces,
Wars with itself in our battles, loves in our clinging embraces,
Inly the self and the substance of things and their cause and their mover
Veiled in the depths which the foam of our thoughts and our life's billows cover,
Heaves like the sea in its waves; like heaven with its star-fires it gazes
Watching the world and its works. Interned in the finite's mazes,
Still shall he rise to his vast superconscience, we with him climbing;
Truth of man's thought with the truth of God's spirit faultlessly timing,
That which was mortal shall enter immortality's golden precincts,
Hushed breath of ecstasy, honey of lotus depths where the bee sinks,
Timeless expanses too still for the voice of the hours to inveigle,
Spaces of spirit too vast for the flight of the God-bearing eagle, -
Enter the Splendour that broods now unseen on us, deity invading,
Sight without error, light without shadow, beauty unfading,
Infinite largeness, rapture eternal, love none can sever,
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Life, not this death-play, but a power God-driven and blissful for ever.
"No," cry the wise, "for a circle was traced, there was pyloned a limit
Only we escape through dream's thin passages. None can disclaim it;
All things created are made by their borders, sketched out and coded;
Vain is the passion to divinise manhood, humanise godhead.
None can exceed himself; even to find oneself hard for our search is:
Only we see as in night by a lustre of flickering torches.
To be content with our measure, our space is the law of our living.
All of thyself to thy manhood and Nature and Circumstance giving,
Be what thou must be or be what thou canst be, one hour in an era.
Knowing the truth of thy days, shun the light of ideal and chimera:
Curb heart's impatience, bind thy desires down, pause from self-vexing."
Who is the nomad then? who is the seeker, the gambler risking
All for a dream in a dream, the old and the sure and the stable
Flung as a stake for a prize that was never yet laid on the table?
Always the world is expanding and growing from minute to minute;
Playing the march of the adventure of Time with our lives for her spinet
Maya or Nature, the wonderful Mother, strikes out surprising
Strains of the spirit disprisoned; creation heavenward rising
Wrestles with Time and Space and the Unknown to give form to the Formless.
Bliss is her goal, but her road is through whirlwind and death-blast and storm-race.
All is a wager and danger, all is a chase and a battle.
Vainly man, crouched in his corner of safety, shrinks from the fatal
Lure of the Infinite. Guided by Powers that surround and precede us
Fearful and faltering steps are our perishing efforts that lead us
On through the rooms of the finite till open the limitless spaces
And we can look into all-seeing eyes and imperishable faces.
But we must pass through the aeons; Space is a bar twixt our ankles,
Time is a weight that we drag and the scar of the centuries rankles:
Caught by the moments, held back from the spirit's timelessness, slowly
Wading in shallows we take not the sea-plunge vastly and wholly.
Hard is the way to the Eternal for the mind-born will of the mortal
Bound by the body and life to the gait of the house-burdened turtle.
Here in this world that knows not its morrow, this reason that stumbles
Onward from error to truth and from truth back to error while crumbles
All that it fashioned, after the passion and travail are ended,
Ahana
485
After the sacrifice offered when the will and the strength are expended,
Nothing is done but to have laid down one stone of a road without issue,
Added our quota of evil and good to an ambiguous tissue.
Destiny's lasso, its slip-knot tied by delight and repining,
Draws us through tangles of failure and victory's inextricable twining.
In the hard reckoning made by the grey-robed accountant at even
Pain is the ransom we pay for the smallest foretaste of heaven.
Ignorance darkens, death and inconscience gape to absorb us;
Thick and persistent the Night confronts us, its hunger enormous
Swallowing our work and our lives. Our love and our knowledge squandered
Lie like a treasure refused and trod down on the ways where we wandered;
All we have done is effaced by the thousands behind us arriving.
Trapped in a round fixed for ever circles our thought and our living.
Fiercely the gods in their jealousy strike down the heads that have neighboured
Even for a moment their skies; in the sands our achievements are gravured.
Yet survives bliss in the rhythm of our heart-beats, yet is there wonder,
Beauty's immortal delight, and the seals of the mystery sunder.
Honied a thousand whispers come, in the birds, in the breezes,
Moonlight, the voices of streams; with a hundred marvellous faces
Always he lures us to love him, always he draws us to pleasure
Leaving remembrance and anguish behind for our only treasure.
Passionate we seek for him everywhere, yearn for some sign of him, calling,
Scanning the dust for his footprints, praying and stumbling and falling;
Nothing is found and no answer comes from the masks that are passing.
Memories linger, lines from the past like a half-faded tracing.
He has passed on into silence wearing his luminous mantle.
Out of the melodied distance a laugh rings pure-toned, infantile,
Sole reminder that he is, last signal recalling his presence.
There is a joy behind suffering; pain digs our road to his pleasance.
All things have bliss for their secret; only our consciousness falters
Fearing to offer itself as a victim on ecstasy's altars.
Is not the world his disguise? when that cloak is tossed back from his shoulders,
Beauty looks out like a sun on the hearts of the ravished beholders.
Mortals, your end is beatitude, rapture eternal his meaning:
Joy, which he most now denies, is his purpose: the hedges, the screening
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Were but the rules of his play; his denials came to lure farther.
These too were magic of Maya, smiles of the marvellous Mother.
Oh, but the cruelty! oh, but the empty pain we go rueing!
Edges of opposite sweetness, calls to a closer pursuing.
All that we meet is a symbol and gateway; cryptic intention
Lurks in a common appearance, smiles from a casual mention:
Opposites hide in each other; in the laughter of Nature is danger,
Glory and greatness their embryos form in the womb of her anger.
Why are we terrified? wherefore cry out and draw back from the smiting -
Blows from the hands of a lover to direr exactions exciting,
Fiery points of his play! Was he Rudra only the mighty?
Whose were the whispers of sweetness, whose were the murmurs of pity?
Something opposes our grasp on the light and the sweetness and power,
Something within us, something without us, trap-door or tower,
Nature's gap in our being - or hinge! That device could we vanquish,
Once could we clasp him and hold, his joy we could never relinquish.
Then we could not be denied, for our might would be single and flawless.
Sons of the Eternal, sovereigns of Nature absolute and lawless,
Termlessly our souls would possess as he now enjoys and possesses,
Termlessly probe the delight of his laughter's lurking recesses,
Chasing its trail to the apex of sweetness and secrecy. Treasured
Close to the beats of Eternity's heart in a greatness unmeasured,
Locked into a miracle and mystery of Light we would live in him, - seated
Deep in his core of beatitude ceaselessly by Nature repeated,
Careless of Time, with no fear of an end, with no need for endeavour
Caught by his ecstasy dwell in a rapture enduring for ever.
What was the garden he built when the stars were first set in their places,
Soul and Nature together mid streams and in cloudless spaces
Naked and innocent? Someone offered a fruit of derision,
Knowledge of good and of evil, cleaving in God a division.
Though He who made all said, "It is good; I have fashioned perfection,"
"No, there is evil," someone whispered, "'tis screened from detection."
Wisest he of the beasts of the field, one cunning and creeping;
"See it," he said, "be wise; you shall be as the gods are, unsleeping,
They who know all." And they ate. The roots of our being were shaken;
Hatred and weeping and wrath at once trampled a world overtaken,
Terror and fleeing and anguish and shame and desires unsated;
Ahana
487
Cruelty stalked like a lion; Revenge and her brood were created.
Out to the desert he drove the rebellious. Flaming behind them
Streamed out the sword of his wrath and it followed leaping to find them,
Stabbing at random. The pure and the evil, the strong and the tempted,
All are confounded in punishment; justly is no one exempted.
Virtuous? yes, there are many, but who is there innocent? Toiling
Therefore we seek, but find not that Eden. Planting and spoiling,
"This is the garden," we say, "lo, the trees and this is the river."
Vainly redeemers came, not one has availed to deliver.
Never can Nature go back to her careless and childlike beginning,
Laugh of the babe and the song of the wheel in its delicate spinning,
Smile of the sun upon flowers and earth's beauty, life without labour
Plucking the fruits of the soil and rejoicing in cottage and arbour.
Once we have chosen to be as the gods, we must follow that motion.
Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp hymeneal.
Was it not he once in Brindavan? Woods divine to our yearning,
Memorable always! O flowers, O delight on the tree-tops burning,
Grasses his herds have grazed and crushed by his feet in the dancing,
Yamuna flowing with song, through the greenness always advancing,
You unforgotten remind; for his flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go stumbling, maddened and thrilled to his dreadful embraces,
Slaves of his rapture to Brindavan crowded with amorous faces,
Luminous kine in the green glades seated, soft-eyed gazing,
Flowers on the branches distressing us, moonbeams unearthly amazing,
Yamuna flowing before us, laughing low with her voices,
Brindavan arching o'er us where Shyama sports and rejoices.
Inly the miracle trembles repeated; mist-walls are broken
Hiding that country of God and we look on the wonderful token,
Clasp the beautiful body of the Eternal; his flute-call of yearning
Cries in our breast with its blissful anguish for ever returning;
Life flows past us with passionate voices, a heavenly river,
All our being goes back as a bride of his bliss to the Giver.
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Pondicherry, c. 1910 - 1920
Even an hour of the soul can unveil the Unborn, the Everlasting,
Gaze on its mighty Companion; the load of mortality casting,
Mind hushes stilled in eternity; waves of the Infinite wander
Thrilling body and soul and its endless felicity squander;
All world-sorrow is finished, the cry of the parting is over;
Ecstasy laughs in our veins, in our heart is the heart of the Lover.
As when a stream from a highl and plateau green mid the mountains
Draws through broad lakes of delight the gracious sweep of its fountains,
Life from its heaven of desire comes down to the toil of the earth-ways;
Streaming through mire it pours still the mystical joy of its birthplace,
Green of its banks and the green of its trees and the hues of the flower.
Something of child-heart beauty, something of greatness and power,
Dwell with it still in its early torrent laughter and brightness,
Call in the youth of its floods and the voice of the wideness and whiteness.
But in its course are set darkness and fall and the spirit's ordeal.
Hating its narrowness, forced by an ardour to see all and be all,
Dashed on the inconscient rocks and straining through mud, over gravel,
Flows, like an ardent prisoner bound to the scenes of his travail,
Life, the river of the Spirit, consenting to anguish and sorrow
If by her heart's toil a loan-light of joy from the heavens she can borrow.
Out of the sun-rays and moon-rays, the winds' wing-glimmer and revel,
Out of the star-fields of wonder, down to earth's danger and evil
Headlong cast with a stridulant thunder, the doom-ways descending,
Shuddering below into sunless depths, across chasms unending,
Baulked of the might of its waters, a thread in a mountainous vastness,
Parcelled and scanted it hurries as if storming a Titan fastness,
Carving the hills with a sullen and lonely gigantic labour.
Hurled into strangling ravines it escapes with a leap and a quaver,
Breaks from the channels of hiding it grooves out and chisels and twistens,
Angry, afraid, white, foaming. A stony and monstrous resistance
Meets it piling up stubborn limits. Afflicted the river
Treasures a scattered sunbeam, moans for a god to deliver,
Longing to lapse through the plain's green felicity, yearning to widen
Joined to the ocean's shoreless eternity far-off and hidden.
High on the cliffs the Great Ones are watching, the Mighty and Deathless,
Soaring and plunging the roadway of the Gods climbs uplifted and breathless;
Ahana
489
Ever we hear in the heart of the peril a flute go before us,
Luminous beckoning hands in the distance invite and implore us.
Ignorant, circled with death and the abyss, we have dreamed of a human
Paradise made from the mind of a man, from the heart of a woman,
Dreamed of the Isles of the Blest in a light of perpetual summer,
Dreamed of the joy of an earthly life with no pain for incomer.
Never, we said, can these waters from heaven be lost in the marshes,
Cease in the sands of the desert, die where the simoom parches;
Plains are beyond, there are hamlets and fields where the river rejoices
Pacing once more with a quiet step and with amical voices:
Bright amid woodlands red with the berries and cool with the breezes
Glimmer the leaves; all night long the heart of the nightingale eases
Sweetly its burden of pity and sorrow. There amid flowers
We shall take pleasure in arbours delightful, leng thening the hours,
Time for our servitor waiting our fancy through moments unhasting,
Under the cloudless blue of those skies of tranquillity resting,
Lying on beds of lilies, hearing the bells of the cattle
Tinkle, and drink red wine of life and go forth to the battle,
Fight and unwounded return to our beautiful home by the waters,
Fruit of our joy rear tall strong sons and radiant daughters.
Then shall the Virgins of Light come down to us clad in clear raiment
Woven from sunbeam and moonbeam and lightnings, limitless payment
Bring of our toil and our sorrow, carrying life-giving garlands
Plucked by the fountains of Paradise, bring from imperishable star-lands
Hymn-words of wisdom, visions of beauty, heaven-fruit ruddy,
Wine-cups of ecstasy sending the soul like a stream through the body.
Fate shall not know; if her spies come down to our beautiful valley,
They shall grow drunk with its grapes and wander in woodl and and alley.
There leaps the anger of Rudra? there will his lightnings immortal
Circle around with their red eye of cruelty stabbing the portal?
Fearless is there life's play; I shall sport with my dove from his highlands,
Drinking her laughter of bliss like a god in my Grecian islands.
Life in my limbs shall grow deathless, flesh with the God-glory tingle,
Lustre of Paradise, light of the earth-ways marry and mingle.
These are but dreams and the truth shall be greater. Heaven made woman!
Flower of beatitude! living shape of the bliss of the Brahman!
Art thou not she who shall bring into life and time the Eternal?
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Pondicherry, c. 1910 - 1920
Body of the summer of the Gods, a sweetness virginal, vernal,
Breathes from thy soul into Nature; Love sits dreaming in thy bosom,
Wisdom gazes from thy eyes, thy breasts of God-rapture are the blossom.
If but the joy of thy feet once could touch our spaces smiting
Earth with a ray from the Unknown, on the world's heart heaven's script writing,
All then would change into harmony and beauty, Time's doors shudder
Swinging wide on their hinges into Eternity, other
Voices than earth's would be fire in our speech and make deathless our thinking.
One who is hidden in Light would grow visible, multitudes linking,
Lyres of a single ecstasy, throbs of the one heart beating,
Wonderful bodies and souls in the spirit's identity meeting
Even as stars in sky-vastness know their kindred in grandeur.
Yet may it be that although in the hands of our destiny stands sure
Fixed to its hour the Decree of the Advent, still it is fated
Only when kindling earth's bodies a mightier Soul is created.
Far-off the gold and the greatness, the rapture too splendid and dire.
Are not the ages too young? too low in our hearts burns the fire.
Bringest thou only a gleam on the summits, a cry in the distance,
Seen by the eyes that are wakened, heard by a spirit that listens?
Form of the formless All-Beautiful, lodestar of Nature's aspirance,
Music of prelude giving a voice to the ineffable Silence,
First white dawn of the God-Light cast on these creatures that perish,
Word-key of a divine and eternal truth for mortals to cherish,
Come! let thy sweetness and force be a breath in the breast of the future
Making the god-ways alive, immortality's golden-red suture:
Deep in our lives there shall work out a honeyed celestial leaven,
Bliss shall grow native to being and earth be a kin-soil to heaven.
Open the barriers of Time, the world with thy beauty enamour.
Trailing behind thee the purple of thy soul and the dawn-moment's glamour,
Forcing the heart of the Midnight where slumber and secrecy linger,
Guardians of Mystery, touching her bosom with thy luminous finger,
Daughter of Heaven, break through to me moonlike, mystic and gleaming;
Tread through the margins of twilight, cross over borders of dreaming.
Vision delightful alone on the peaks whom the silences cover,
Vision of bliss, stoop down to mortality, lean to thy lover.
Ahana
491
AHANA
Voice of the sensuous mortal, heart of eternal longing,
Thou who hast lived as in walls, thy soul with thy senses wronging!
But I descend at last. Fickle and terrible, sweet and deceiving,
Poison and nectar one has dispensed to thee, luring thee, leaving.
We two together shall capture the flute and the player relentless.
Son of man, thou hast crowned thy life with the flowers that are scentless,
Chased the delights that wound. But I come and midnight shall sunder.
Lo, I come, and behind me Knowledge descends and with thunder
Filling the spaces Strength, the Angel, bears on his bosom
Joy to thy arms. Thou shalt look on her face like a child's or a blossom,
Innocent, free as in Eden of old, not afraid of her playing,
When thy desires I have seized and devoured like a lioness preying.
Thou shalt not suffer always nor cry to me lured and forsaken:
I have a snare for his footsteps, I have a chain for him taken.
Come then to Brindavan, soul of the joyous; faster and faster
Follow the dance I shall teach thee with Shyama for slave and for master.
Follow the notes of the flute with a soul aware and exulting;
Trample Delight that submits and crouch to a sweetness insulting.
Then shalt thou know what the dance meant, fathom the song and the singer,
Hear behind thunder its rhymes, touched by lightning thrill to his finger,
Brindavan's rustle shalt understand and Yamuna's laughter,
Take thy place in the Ras1 and thy share of the ecstasy after.
1 The dance-round of Krishna with the cowherdesses in the moonlit groves of Brindavan, type of the dance of Divine Delight with the souls of men liberated in the world of
Bliss secret within us.
Poems from Manuscripts
Circa 1912 - 1913
~ Sri Aurobindo, - Ahana
,#NFDB
1424:The Candidate
This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.
Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
108
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,
Should I recall poor Murphy from the dead?
Why may not Langhorne, simple in his lay,
Effusion on effusion pour away;
With friendship and with fancy trifle here,
Or sleep in pastoral at Belvidere?
Sleep let them all, with Dulness on her throne,
Secure from any malice but their own.
Enough of Critics--let them, if they please,
Fond of new pomp, each month pass new decrees;
Wide and extensive be their infant state,
Their subjects many, and those subjects great,
Whilst all their mandates as sound law succeed,
With fools who write, and greater fools who read.
What though they lay the realms of Genius waste,
Fetter the fancy and debauch the taste;
Though they, like doctors, to approve their skill,
Consult not how to cure, but how to kill;
Though by whim, envy, or resentment led,
They damn those authors whom they never read;
Though, other rules unknown, one rule they hold,
To deal out so much praise for so much gold:
Though Scot with Scot, in damned close intrigues,
Against the commonwealth of letters leagues;
Uncensured let them pilot at the helm,
And rule in letters, as they ruled the realm:
Ours be the curse, the mean tame coward's curse,
(Nor could ingenious Malice make a worse,
To do our sense and honour deep despite)
To credit what they say, read what they write.
Enough of Scotland--let her rest in peace;
The cause removed, effects of course should cease;
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Why should I tell, how Tweed, too mighty grown,
And proudly swell'd with waters not his own,
Burst o'er his banks, and, by Destruction led,
O'er our fair England desolation spread,
Whilst, riding on his waves, Ambition, plumed
In tenfold pride, the port of Bute assumed,
Now that the river god, convinced, though late,
And yielding, though reluctantly, to Fate,
Holds his fair course, and with more humble tides,
In tribute to the sea, as usual, glides?
Enough of States, and such like trifling things;
Enough of kinglings, and enough of kings;
Henceforth, secure, let ambush'd statesmen lie,
Spread the court web, and catch the patriot fly;
Henceforth, unwhipt of Justice, uncontroll'd
By fear or shame, let Vice, secure and bold,
Lord it with all her sons, whilst Virtue's groan
Meets with compassion only from the throne.
Enough of Patriots--all I ask of man
Is only to be honest as he can:
Some have deceived, and some may still deceive;
'Tis the fool's curse at random to believe.
Would those, who, by opinion placed on high,
Stand fair and perfect in their country's eye,
Maintain that honour, let me in their ear
Hint this essential doctrine--Persevere.
Should they (which Heaven forbid) to win the grace
Of some proud courtier, or to gain a place,
Their king and country sell, with endless shame
The avenging Muse shall mark each traitorous name;
But if, to Honour true, they scorn to bend,
And, proudly honest, hold out to the end,
Their grateful country shall their fame record,
And I myself descend to praise a lord.
Enough of Wilkes--with good and honest men
His actions speak much stronger than my pen,
And future ages shall his name adore,
When he can act and I can write no more.
England may prove ungrateful and unjust,
But fostering France shall ne'er betray her trust:
'Tis a brave debt which gods on men impose,
To pay with praise the merit e'en of foes.
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When the great warrior of Amilcar's race
Made Rome's wide empire tremble to her base,
To prove her virtue, though it gall'd her pride,
Rome gave that fame which Carthage had denied.
Enough of Self--that darling luscious theme,
O'er which philosophers in raptures dream;
Of which with seeming disregard they write,
Then prizing most, when most they seem to slight;
Vain proof of folly tinctured strong with pride!
What man can from himself, himself divide?
For me,(nor dare I lie) my leading aim
(Conscience first satisfied) is love of fame;
Some little fame derived from some brave few,
Who, prizing Honour, prize her votaries too.
Let all (nor shall resentment flush my cheek)
Who know me well, what they know, freely speak,
So those (the greatest curse I meet below)
Who know me not, may not pretend to know.
Let none of those whom, bless'd with parts above
My feeble genius, still I dare to love,
Doing more mischief than a thousand foes,
Posthumous nonsense to the world expose,
And call it mine; for mine though never known,
Or which, if mine, I living blush'd to own.
Know all the world, no greedy heir shall find,
Die when I will, one couplet left behind.
Let none of those, whom I despise, though great,
Pretending friendship to give malice weight,
Publish my life; let no false sneaking peer,
(Some such there are) to win the public ear,
Hand me to shame with some vile anecdote.
Nor soul-gall'd bishop damn me with a note.
Let one poor sprig of bay around my head
Bloom whilst I live, and point me out when dead;
Let it (may Heaven, indulgent, grant that prayer!)
Be planted on my grave, nor wither there;
And when, on travel bound, some rhyming guest
Roams through the churchyard, whilst his dinner's dress'd,
Let it hold up this comment to his eyes-'Life to the last enjoy'd, here Churchill lies;'
Whilst (oh, what joy that pleasing flattery gives!)
Reading my works, he cries--'Here Churchill lives.'
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Enough of Satire--in less harden'd times
Great was her force, and mighty were her rhymes.
I've read of men, beyond man's daring brave,
Who yet have trembled at the strokes she gave;
Whose souls have felt more terrible alarms
From her one line, than from a world in arms.
When in her faithful and immortal page
They saw transmitted down from age to age
Recorded villains, and each spotted name
Branded with marks of everlasting shame,
Succeeding villains sought her as a friend,
And, if not really mended, feign'd to mend;
But in an age, when actions are allow'd
Which strike all honour dead, and crimes avow'd
Too terrible to suffer the report,
Avow'd and praised by men who stain a court,
Propp'd by the arm of Power; when Vice, high born,
High-bred, high-station'd, holds rebuke in scorn;
When she is lost to every thought of fame,
And, to all virtue dead, is dead to shame;
When Prudence a much easier task must hold
To make a new world, than reform the old,
Satire throws by her arrows on the ground,
And if she cannot cure, she will not wound.
Come, Panegyric--though the Muse disdains,
Founded on truth, to prostitute her strains
At the base instance of those men, who hold
No argument but power, no god but gold,
Yet, mindful that from Heaven she drew her birth,
She scorns the narrow maxims of this earth;
Virtuous herself, brings Virtue forth to view,
And loves to praise, where praise is justly due.
Come, Panegyric--in a former hour,
My soul with pleasure yielding to thy power,
Thy shrine I sought, I pray'd--but wanton air,
Before it reach'd thy ears, dispersed my prayer;
E'en at thy altars whilst I took my stand,
The pen of Truth and Honour in my hand,
Fate, meditating wrath 'gainst me and mine,
Chid my fond zeal, and thwarted my design,
Whilst, Hayter brought too quickly to his end,
I lost a subject and mankind a friend.
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Come, Panegyric--bending at thy throne,
Thee and thy power my soul is proud to own
Be thou my kind protector, thou my guide,
And lead me safe through passes yet untried.
Broad is the road, nor difficult to find,
Which to the house of Satire leads mankind;
Narrow and unfrequented are the ways,
Scarce found out in an age, which lead to praise.
What though no theme I choose of vulgar note,
Nor wish to write as brother bards have wrote,
So mild, so meek in praising, that they seem
Afraid to wake their patrons from a dream;
What though a theme I choose, which might demand
The nicest touches of a master's hand;
Yet, if the inward workings of my soul
Deceive me not, I shall attain the goal,
And Envy shall behold, in triumph raised,
The poet praising, and the patron praised.
What patron shall I choose? Shall public voice,
Or private knowledge, influence my choice?
Shall I prefer the grand retreat of Stowe,
Or, seeking patriots, to friend Wildman's go?
'To Wildman's!' cried Discretion, (who had heard,
Close standing at my elbow, every word)
'To Wildman's! Art thou mad? Canst thou be sure
One moment there to have thy head secure?
Are they not all, (let observation tell)
All mark'd in characters as black as Hell,
In Doomsday book, by ministers set down,
Who style their pride the honour of the crown?
Make no reply--let Reason stand aloof-Presumptions here must pass as solemn proof.
That settled faith, that love which ever springs
In the best subjects, for the best of kings,
Must not be measured now by what men think,
Or say, or do;--by what they eat and drink,
Where, and with whom, that question's to be tried,
And statesmen are the judges to decide;
No juries call'd, or, if call'd, kept in awe;
They, facts confess'd, in themselves vest the law.
Each dish at Wildman's of sedition smacks;
Blasphemy may be gospel at Almacks.'
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Peace, good Discretion! peace--thy fears are vain;
Ne'er will I herd with Wildman's factious train;
Never the vengeance of the great incur,
Nor, without might, against the mighty stir.
If, from long proof, my temper you distrust,
Weigh my profession, to my gown be just;
Dost thou one parson know so void of grace
To pay his court to patrons out of place?
If still you doubt (though scarce a doubt remains)
Search through my alter'd heart, and try my reins;
There, searching, find, nor deem me now in sport,
A convert made by Sandwich to the court.
Let madmen follow error to the end,
I, of mistakes convinced, and proud to mend,
Strive to act better, being better taught,
Nor blush to own that change which Reason wrought:
For such a change as this, must Justice speak;
My heart was honest, but my head was weak.
Bigot to no one man, or set of men,
Without one selfish view, I drew my pen;
My country ask'd, or seem'd to ask, my aid,
Obedient to that call, I left off trade;
A side I chose, and on that side was strong,
Till time hath fairly proved me in the wrong:
Convinced, I change, (can any man do more?)
And have not greater patriots changed before?
Changed, I at once, (can any man do less?)
Without a single blush, that change confess;
Confess it with a manly kind of pride,
And quit the losing for the winning side,
Granting, whilst virtuous Sandwich holds the rein,
What Bute for ages might have sought in vain.
Hail, Sandwich!--nor shall Wilkes resentment show,
Hearing the praises of so brave a foe-Hail, Sandwich!--nor, through pride, shalt thou refuse
The grateful tribute of so mean a Muse-Sandwich, all hail!--when Bute with foreign hand,
Grown wanton with ambition, scourged the land;
When Scots, or slaves to Scotsmen, steer'd the helm;
When peace, inglorious peace, disgraced the realm,
Distrust, and general discontent prevail'd;
But when, (he best knows why) his spirits fail'd;
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When, with a sudden panic struck, he fled,
Sneak'd out of power, and hid his recreant head;
When, like a Mars, (Fear order'd to retreat)
We saw thee nimbly vault into his seat,
Into the seat of power, at one bold leap,
A perfect connoisseur in statesmanship;
When, like another Machiavel, we saw
Thy fingers twisting, and untwisting law,
Straining, where godlike Reason bade, and where
She warranted thy mercy, pleased to spare;
Saw thee resolved, and fix'd (come what, come might)
To do thy God, thy king, thy country right;
All things were changed, suspense remain'd no more,
Certainty reign'd where Doubt had reign'd before:
All felt thy virtues, and all knew their use,
What virtues such as thine must needs produce.
Thy foes (for Honour ever meets with foes)
Too mean to praise, too fearful to oppose,
In sullen silence sit; thy friends (some few,
Who, friends to thee, are friends to Honour too)
Plaud thy brave bearing, and the Commonweal
Expects her safety from thy stubborn zeal.
A place amongst the rest the Muses claim,
And bring this freewill-offering to thy fame;
To prove their virtue, make thy virtues known,
And, holding up thy fame, secure their own.
From his youth upwards to the present day,
When vices, more than years, have mark'd him gray;
When riotous Excess, with wasteful hand,
Shakes life's frail glass, and hastes each ebbing sand,
Unmindful from what stock he drew his birth,
Untainted with one deed of real worth,
Lothario, holding honour at no price,
Folly to folly added, vice to vice,
Wrought sin with greediness, and sought for shame
With greater zeal than good men seek for fame.
Where (Reason left without the least defence)
Laughter was mirth, obscenity was sense:
Where Impudence made Decency submit;
Where noise was humour, and where whim was wit;
Where rude, untemper'd license had the merit
Of liberty, and lunacy was spirit;
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Where the best things were ever held the worst,
Lothario was, with justice, always first.
To whip a top, to knuckle down at taw,
To swing upon a gate, to ride a straw,
To play at push-pin with dull brother peers,
To belch out catches in a porter's ears,
To reign the monarch of a midnight cell,
To be the gaping chairman's oracle;
Whilst, in most blessed union, rogue and whore
Clap hands, huzza, and hiccup out, 'Encore;'
Whilst gray Authority, who slumbers there
In robes of watchman's fur, gives up his chair;
With midnight howl to bay the affrighted moon,
To walk with torches through the streets at noon;
To force plain Nature from her usual way,
Each night a vigil, and a blank each day;
To match for speed one feather 'gainst another,
To make one leg run races with his brother;
'Gainst all the rest to take the northern wind,
Bute to ride first, and he to ride behind;
To coin newfangled wagers, and to lay 'em,
Laying to lose, and losing not to pay 'em;
Lothario, on that stock which Nature gives,
Without a rival stands, though March yet lives.
When Folly, (at that name, in duty bound,
Let subject myriads kneel, and kiss the ground,
Whilst they who, in the presence, upright stand,
Are held as rebels through the loyal land)
Queen every where, but most a queen in courts,
Sent forth her heralds, and proclaim'd her sports;
Bade fool with fool on her behalf engage,
And prove her right to reign from age to age,
Lothario, great above the common size,
With all engaged, and won from all the prize;
Her cap he wears, which from his youth he wore,
And every day deserves it more and more.
Nor in such limits rests his soul confined;
Folly may share but can't engross his mind;
Vice, bold substantial Vice, puts in her claim,
And stamps him perfect in the books of Shame.
Observe his follies well, and you would swear
Folly had been his first, his only care;
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Observe his vices, you'll that oath disown,
And swear that he was born for vice alone.
Is the soft nature of some hapless maid,
Fond, easy, full of faith, to be betray'd?
Must she, to virtue lost, be lost to fame,
And he who wrought her guilt declare her shame?
Is some brave friend, who, men but little known,
Deems every heart as honest as his own,
And, free himself, in others fears no guile,
To be ensnared, and ruin'd with a smile?
Is Law to be perverted from her course?
Is abject fraud to league with brutal force?
Is Freedom to be crush'd, and every son
Who dares maintain her cause, to be undone?
Is base Corruption, creeping through the land,
To plan, and work her ruin, underhand,
With regular approaches, sure, though slow?
Or must she perish by a single blow?
Are kings, who trust to servants, and depend
In servants (fond, vain thought!) to find a friend,
To be abused, and made to draw their breath
In darkness thicker than the shades of death?
Is God's most holy name to be profaned,
His word rejected, and his laws arraign'd,
His servants scorn'd, as men who idly dream'd,
His service laugh'd at, and his Son blasphemed?
Are debauchees in morals to preside?
Is Faith to take an Atheist for her guide?
Is Science by a blockhead to be led?
Are States to totter on a drunkard's head?
To answer all these purposes, and more,
More black than ever villain plann'd before,
Search earth, search hell, the Devil cannot find
An agent like Lothario to his mind.
Is this nobility, which, sprung from kings,
Was meant to swell the power from whence it springs;
Is this the glorious produce, this the fruit,
Which Nature hoped for from so rich a root?
Were there but two, (search all the world around)
Were there but two such nobles to be found,
The very name would sink into a term
Of scorn, and man would rather be a worm
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Than be a lord: but Nature, full of grace,
Nor meaning birth and titles to be base,
Made only one, and having made him, swore,
In mercy to mankind, to make no more:
Nor stopp'd she there, but, like a generous friend,
The ills which Error caused, she strove to mend,
And having brought Lothario forth to view,
To save her credit, brought forth Sandwich too.
Gods! with what joy, what honest joy of heart,
Blunt as I am, and void of every art,
Of every art which great ones in the state
Practise on knaves they fear, and fools they hate,
To titles with reluctance taught to bend,
Nor prone to think that virtues can descend,
Do I behold (a sight, alas! more rare
Than Honesty could wish) the noble wear
His father's honours, when his life makes known
They're his by virtue, not by birth alone;
When he recalls his father from the grave,
And pays with interest back that fame he gave:
Cured of her splenetic and sullen fits,
To such a peer my willing soul submits,
And to such virtue is more proud to yield
Than 'gainst ten titled rogues to keep the field.
Such, (for that truth e'en Envy shall allow)
Such Wyndham was, and such is Sandwich now.
O gentle Montague! in blessed hour
Didst thou start up, and climb the stairs of power;
England of all her fears at once was eased,
Nor, 'mongst her many foes, was one displeased:
France heard the news, and told it cousin Spain;
Spain heard, and told it cousin France again;
The Hollander relinquished his design
Of adding spice to spice, and mine to mine;
Of Indian villanies he thought no more,
Content to rob us on our native shore:
Awed by thy fame, (which winds with open mouth
Shall blow from east to west, from north to south)
The western world shall yield us her increase,
And her wild sons be soften'd into peace;
Rich eastern monarchs shall exhaust their stores,
And pour unbounded wealth on Albion's shores;
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Unbounded wealth, which from those golden scenes,
And all acquired by honourable means,
Some honourable chief shall hither steer,
To pay our debts, and set the nation clear.
Nabobs themselves, allured by thy renown,
Shall pay due homage to the English crown;
Shall freely as their king our king receive-Provided the Directors give them leave.
Union at home shall mark each rising year,
Nor taxes be complain'd of, though severe;
Envy her own destroyer shall become,
And Faction with her thousand mouths be dumb:
With the meek man thy meekness shall prevail,
Nor with the spirited thy spirit fail:
Some to thy force of reason shall submit,
And some be converts to thy princely wit:
Reverence for thee shall still a nation's cries,
A grand concurrence crown a grand excise;
And unbelievers of the first degree,
Who have no faith in God, have faith in thee.
When a strange jumble, whimsical and vain,
Possess'd the region of each heated brain;
When some were fools to censure, some to praise,
And all were mad, but mad in different ways;
When commonwealthsmen, starting at the shade
Which in their own wild fancy had been made,
Of tyrants dream'd, who wore a thorny crown,
And with state bloodhounds hunted Freedom down;
When others, struck with fancies not less vain,
Saw mighty kings by their own subjects slain,
And, in each friend of Liberty and Law,
With horror big, a future Cromwell saw,
Thy manly zeal stept forth, bade discord cease,
And sung each jarring atom into peace;
Liberty, cheer'd by thy all-cheering eye,
Shall, waking from her trance, live and not die;
And, patronised by thee, Prerogative
Shall, striding forth at large, not die, but live;
Whilst Privilege, hung betwixt earth and sky,
Shall not well know whether to live or die.
When on a rock which overhung the flood,
And seem'd to totter, Commerce shivering stood;
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When Credit, building on a sandy shore,
Saw the sea swell, and heard the tempest roar,
Heard death in every blast, and in each wave
Or saw, or fancied that she saw her grave;
When Property, transferr'd from hand to band,
Weaken'd by change, crawl'd sickly through the land;
When mutual confidence was at an end,
And man no longer could on man depend;
Oppress'd with debts of more than common weight,
When all men fear'd a bankruptcy of state;
When, certain death to honour, and to trade,
A sponge was talk'd of as our only aid;
That to be saved we must be more undone,
And pay off all our debts, by paying none;
Like England's better genius, born to bless,
And snatch his sinking country from distress,
Didst thou step forth, and, without sail or oar,
Pilot the shatter'd vessel safe to shore:
Nor shalt thou quit, till, anchor'd firm and fast,
She rides secure, and mocks the threatening blast!
Born in thy house, and in thy service bred,
Nursed in thy arms, and at thy table fed,
By thy sage counsels to reflection brought,
Yet more by pattern than by precept taught,
Economy her needful aid shall join
To forward and complete thy grand design,
And, warm to save, but yet with spirit warm,
Shall her own conduct from thy conduct form.
Let friends of prodigals say what they will,
Spendthrifts at home, abroad are spendthrifts still.
In vain have sly and subtle sophists tried
Private from public justice to divide;
For credit on each other they rely,
They live together, and together die,
'Gainst all experience 'tis a rank offence,
High treason in the eye of Common-sense,
To think a statesman ever can be known
To pay our debts, who will not pay his own:
But now, though late, now may we hope to see
Our debts discharged, our credit fair and free,
Since rigid Honesty (fair fall that hour!)
Sits at the helm, and Sandwich is in power.
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With what delight I view thee, wondrous man,
With what delight survey thy sterling plan,
That plan which all with wonder must behold,
And stamp thy age the only age of Gold.
Nor rest thy triumphs here--that Discord fled,
And sought with grief the hell where she was bred;
That Faction, 'gainst her nature forced to yield,
Saw her rude rabble scatter'd o'er the field,
Saw her best friends a standing jest become,
Her fools turn'd speakers, and her wits struck dumb;
That our most bitter foes (so much depends
On men of name) are turn'd to cordial friends;
That our offended friends (such terror flows
From men of name) dare not appear our foes;
That Credit, gasping in the jaws of Death,
And ready to expire with every breath,
Grows stronger from disease; that thou hast saved
Thy drooping country; that thy name, engraved
On plates of brass, defies the rage of Time;
Than plates of brass more firm, that sacred rhyme
Embalms thy memory, bids thy glories live,
And gives thee what the Muse alone can give:-These heights of Virtue, these rewards of Fame,
With thee in common other patriots claim.
But, that poor sickly Science, who had laid
And droop'd for years beneath Neglect's cold shade,
By those who knew her purposely forgot,
And made the jest of those who knew her not:
Whilst Ignorance in power, and pamper'd pride,
'Clad like a priest, pass'd by on t'other side,'
Recover'd from her wretched state, at length
Puts on new health, and clothes herself with strength,
To thee we owe, and to thy friendly hand
Which raised, and gave her to possess the land:
This praise, though in a court, and near a throne,
This praise is thine, and thine, alas! alone.
With what fond rapture did the goddess smile,
What blessings did she promise to this isle,
What honour to herself, and length of reign,
Soon as she heard that thou didst not disdain
To be her steward; but what grief, what shame,
What rage, what disappointment, shook her frame,
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When her proud children dared her will dispute,
When Youth was insolent, and Age was mute!
That young men should be fools, and some wild few,
To Wisdom deaf, be deaf to Interest too,
Moved not her wonder; but that men, grown gray
In search of wisdom; men who own'd the sway
Of Reason; men who stubbornly kept down
Each rising passion; men who wore the gown;
That they should cross her will, that they should dare
Against the cause of Interest to declare;
That they should be so abject and unwise,
Having no fear of loss before their eyes,
Nor hopes of gain; scorning the ready means
Of being vicars, rectors, canons, deans,
With all those honours which on mitres wait,
And mark the virtuous favourites of state;
That they should dare a Hardwicke to support,
And talk, within the hearing of a court,
Of that vile beggar, Conscience, who, undone,
And starved herself, starves every wretched son;
This turn'd her blood to gall, this made her swear
No more to throw away her time and care
On wayward sons who scorn'd her love, no more
To hold her courts on Cam's ungrateful shore.
Rather than bear such insults, which disgrace
Her royalty of nature, birth, and place,
Though Dulness there unrivall'd state doth keep,
Would she at Winchester with Burton sleep;
Or, to exchange the mortifying scene
For something still more dull, and still more mean,
Rather than bear such insults, she would fly
Far, far beyond the search of English eye,
And reign amongst the Scots: to be a queen
Is worth ambition, though in Aberdeen.
Oh, stay thy flight, fair Science! what though some,
Some base-born children, rebels are become?
All are not rebels; some are duteous still,
Attend thy precepts, and obey thy will;
Thy interest is opposed by those alone
Who either know not, or oppose their own.
Of stubborn virtue, marching to thy aid,
Behold in black, the livery of their trade,
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Marshall'd by Form, and by Discretion led,
A grave, grave troop, and Smith is at their head,
Black Smith of Trinity; on Christian ground
For faith in mysteries none more renown'd.
Next, (for the best of causes now and then
Must beg assistance from the worst of men)
Next (if old story lies not) sprung from Greece,
Comes Pandarus, but comes without his niece:
Her, wretched maid! committed to his trust,
To a rank letcher's coarse and bloated lust
The arch, old, hoary hypocrite had sold,
And thought himself and her well damn'd for gold.
But (to wipe off such traces from the mind,
And make us in good humour with mankind)
Leading on men, who, in a college bred,
No woman knew, but those which made their bed;
Who, planted virgins on Cam's virtuous shore,
Continued still male virgins at threescore,
Comes Sumner, wise, and chaste as chaste can be,
With Long, as wise, and not less chaste than he.
Are there not friends, too, enter'd in thy cause
Who, for thy sake, defying penal laws,
Were, to support thy honourable plan,
Smuggled from Jersey, and the Isle of Man?
Are there not Philomaths of high degree
Who, always dumb before, shall speak for thee?
Are there not Proctors, faithful to thy will,
One of full growth, others in embryo still,
Who may, perhaps, in some ten years, or more,
Be ascertain'd that two and two make four,
Or may a still more happy method find,
And, taking one from two, leave none behind?
With such a mighty power on foot, to yield
Were death to manhood; better in the field
To leave our carcases, and die with fame,
Than fly, and purchase life on terms of shame.
Sackvilles alone anticipate defeat,
And ere they dare the battle, sound retreat.
But if persuasions ineffectual prove,
If arguments are vain, nor prayers can move,
Yet in thy bitterness of frantic woe
Why talk of Burton? why to Scotland go?
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Is there not Oxford? she, with open arms,
Shall meet thy wish, and yield up all her charms:
Shall for thy love her former loves resign,
And jilt the banish'd Stuarts to be thine.
Bow'd to the yoke, and, soon as she could read,
Tutor'd to get by heart the despot's creed,
She, of subjection proud, shall knee thy throne,
And have no principles but thine alone;
She shall thy will implicitly receive,
Nor act, nor speak, nor think, without thy leave.
Where is the glory of imperial sway
If subjects none but just commands obey?
Then, and then only, is obedience seen,
When by command they dare do all that's mean:
Hither, then, wing thy flight, here fix thy stand,
Nor fail to bring thy Sandwich in thy hand.
Gods! with what joy, (for Fancy now supplies,
And lays the future open to my eyes)
Gods! with what joy I see the worthies meet,
And Brother Litchfield Brother Sandwich greet!
Blest be your greetings, blest each dear embrace;
Blest to yourselves, and to the human race.
Sickening at virtues, which she cannot reach,
Which seem her baser nature to impeach,
Let Envy, in a whirlwind's bosom hurl'd,
Outrageous, search the corners of the world,
Ransack the present times, look back to past,
Rip up the future, and confess at last,
No times, past, present, or to come, could e'er
Produce, and bless the world with such a pair.
Phillips, the good old Phillips, out of breath,
Escaped from Monmouth, and escaped from death,
Shall hail his Sandwich with that virtuous zeal,
That glorious ardour for the commonweal,
Which warm'd his loyal heart and bless'd his tongue,
When on his lips the cause of rebels hung;
Whilst Womanhood, in habit of a nun,
At Medenham lies, by backward monks undone;
A nation's reckoning, like an alehouse score,
Whilst Paul, the aged, chalks behind a door,
Compell'd to hire a foe to cast it up,
Dashwood shall pour, from a communion cup,
124
Libations to the goddess without eyes,
And hob or nob in cider and excise.
From those deep shades, where Vanity, unknown,
Doth penance for her pride, and pines alone,
Cursed in herself, by her own thoughts undone,
Where she sees all, but can be seen by none;
Where she, no longer mistress of the schools,
Hears praise loud pealing from the mouths of fools,
Or hears it at a distance, in despair
To join the crowd, and put in for a share,
Twisting each thought a thousand different ways,
For his new friends new-modelling old praise;
Where frugal sense so very fine is spun,
It serves twelve hours, though not enough for one,
King shall arise, and, bursting from the dead,
Shall hurl his piebald Latin at thy head.
Burton (whilst awkward affectation hung
In quaint and labour'd accents on his tongue,
Who 'gainst their will makes junior blockheads speak,
Ignorant of both, new Latin and new Greek,
Not such as was in Greece and Latium known,
But of a modern cut, and all his own;
Who threads, like beads, loose thoughts on such a string,
They're praise and censure; nothing, every thing;
Pantomime thoughts, and style so full of trick,
They even make a Merry Andrew sick;
Thoughts all so dull, so pliant in their growth,
They're verse, they're prose, they're neither, and they're both)
Shall (though by nature ever both to praise)
Thy curious worth set forth in curious phrase;
Obscurely stiff, shall press poor Sense to death,
Or in long periods run her out of breath;
Shall make a babe, for which, with all his fame,
Adam could not have found a proper name,
Whilst, beating out his features to a smile,
He hugs the bastard brat, and calls it Style.
Hush'd be all Nature as the land of Death;
Let each stream sleep, and each wind hold his breath;
Be the bells muffled, nor one sound of Care,
Pressing for audience, wake the slumbering air;
Browne comes--behold how cautiously he creeps-How slow he walks, and yet how fast he sleeps--
125
But to thy praise in sleep he shall agree;
He cannot wake, but he shall dream of thee.
Physic, her head with opiate poppies crown'd,
Her loins by the chaste matron Camphire bound;
Physic, obtaining succour from the pen
Of her soft son, her gentle Heberden,
If there are men who can thy virtue know,
Yet spite of virtue treat thee as a foe,
Shall, like a scholar, stop their rebel breath,
And in each recipe send classic death.
So deep in knowledge, that few lines can sound
And plumb the bottom of that vast profound,
Few grave ones with such gravity can think,
Or follow half so fast as he can sink;
With nice distinctions glossing o'er the text,
Obscure with meaning, and in words perplex'd,
With subtleties on subtleties refined,
Meant to divide and subdivide the mind,
Keeping the forwardness of youth in awe,
The scowling Blackstone bears the train of law.
Divinity, enrobed in college fur,
In her right hand a new Court Calendar,
Bound like a book of prayer, thy coming waits
With all her pack, to hymn thee in the gates.
Loyalty, fix'd on Isis' alter'd shore,
A stranger long, but stranger now no more,
Shall pitch her tabernacle, and, with eyes
Brimful of rapture, view her new allies;
Shall, with much pleasure and more wonder, view
Men great at court, and great at Oxford too.
O sacred Loyalty! accursed be those
Who, seeming friends, turn out thy deadliest foes,
Who prostitute to kings thy honour'd name,
And soothe their passions to betray their fame;
Nor praised be those, to whose proud nature clings
Contempt of government, and hate of kings,
Who, willing to be free, not knowing how,
A strange intemperance of zeal avow,
And start at Loyalty, as at a word
Which without danger Freedom never heard.
Vain errors of vain men--wild both extremes,
And to the state not wholesome, like the dreams,
126
Children of night, of Indigestion bred,
Which, Reason clouded, seize and turn the head;
Loyalty without Freedom is a chain
Which men of liberal notice can't sustain;
And Freedom without Loyalty, a name
Which nothing means, or means licentious shame.
Thine be the art, my Sandwich, thine the toil,
In Oxford's stubborn and untoward soil
To rear this plant of union, till at length,
Rooted by time, and foster'd into strength,
Shooting aloft, all danger it defies,
And proudly lifts its branches to the skies;
Whilst, Wisdom's happy son but not her slave,
Gay with the gay, and with the grave ones grave,
Free from the dull impertinence of thought,
Beneath that shade, which thy own labours wrought
And fashion'd into strength, shalt thou repose,
Secure of liberal praise, since Isis flows,
True to her Tame, as duty hath decreed,
Nor longer, like a harlot, lust for Tweed,
And those old wreaths, which Oxford once dared twine
To grace a Stuart brow, she plants on thine.
~ Charles Churchill,#NFDB
1425:Scene. Wrzburg; a garden in the environs. 1512.
Festus, Paracelsus, Michal.
Paracelsus.
Come close to me, dear friends; still closer; thus!
Close to the heart which, though long time roll by
Ere it again beat quicker, pressed to yours,
As now it beatsperchance a long, long time
At least henceforth your memories shall make
Quiet and fragrant as befits their home.
Nor shall my memory want a home in yours
Alas, that it requires too well such free
Forgiving love as shall embalm it there!
For if you would remember me aright,
As I was born to be, you must forget
All fitful strange and moody waywardness
Which e'er confused my better spirit, to dwell
Only on moments such as these, dear friends!
My heart no truer, but my words and ways
More true to it: as Michal, some months hence,
Will say, "this autumn was a pleasant time,"
For some few sunny days; and overlook
Its bleak wind, hankering after pining leaves.
Autumn would fain be sunny; I would look
Liker my nature's truth: and both are frail,
And both beloved, for all our frailty.
Michal.
Aureole!
Paracelsus.
Drop by drop! she is weeping like a child!
Not so! I am contentmore than content;
Nay, autumn wins you best by this its mute
Appeal to sympathy for its decay:
Look up, sweet Michal, nor esteem the less
Your stained and drooping vines their grapes bow down,
Nor blame those creaking trees bent with their fruit,
That apple-tree with a rare after-birth
Of peeping blooms sprinkled its wealth among!
Then for the windswhat wind that ever raved
Shall vex that ash which overlooks you both,
So proud it wears its berries? Ah, at length,
The old smile meet for her, the lady of this
Sequestered nest!this kingdom, limited
Alone by one old populous green wall
Tenanted by the ever-busy flies,
Grey crickets and shy lizards and quick spiders,
Each family of the silver-threaded moss
Which, look through near, this way, and it appears
A stubble-field or a cane-brake, a marsh
Of bulrush whitening in the sun: laugh now!
Fancy the crickets, each one in his house,
Looking out, wondering at the worldor best,
Yon painted snail with his gay shell of dew,
Travelling to see the glossy balls high up
Hung by the caterpillar, like gold lamps.
Michal.
In truth we have lived carelessly and well.
Paracelsus.
And shall, my perfect pair!each, trust me, born
For the other; nay, your very hair, when mixed,
Is of one hue. For where save in this nook
Shall you two walk, when I am far away,
And wish me prosperous fortune? Stay: that plant
Shall never wave its tangles lightly and softly,
As a queen's languid and imperial arm
Which scatters crowns among her lovers, but you
Shall be reminded to predict to me
Some great success! Ah see, the sun sinks broad
Behind Saint Saviour's: wholly gone, at last!
Festus.
Now, Aureole, stay those wandering eyes awhile!
You are ours to-night, at least; and while you spoke
Of Michal and her tears, I thought that none
Could willing leave what he so seemed to love:
But that last look destroys my dreamthat look
As if, where'er you gazed, there stood a star!
How far was Wrzburg with its church and spire
And garden-walls and all things they contain,
From that look's far alighting?
Paracelsus.
I but spoke
And looked alike from simple joy to see
The beings I love best, shut in so well
From all rude chances like to be my lot,
That, when afar, my weary spirit,disposed
To lose awhile its care in soothing thoughts
Of them, their pleasant features, looks and words,
Needs never hesitate, nor apprehend
Encroaching trouble may have reached them too,
Nor have recourse to fancy's busy aid
And fashion even a wish in their behalf
Beyond what they possess already here;
But, unobstructed, may at once forget
Itself in them, assured how well they fare.
Beside, this Festus knows he holds me one
Whom quiet and its charms arrest in vain,
One scarce aware of all the joys I quit,
Too filled with airy hopes to make account
Of soft delights his own heart garners up:
Whereas behold how much our sense of all
That's beauteous proves alike! When Festus learns
That every common pleasure of the world
Affects me as himself; that I have just
As varied appetite for joy derived
From common things; a stake in life, in short,
Like his; a stake which rash pursuit of aims
That life affords not, would as soon destroy;
He may convince himself that, this in view,
I shall act well advised. And last, because,
Though heaven and earth and all things were at stake,
Sweet Michal must not weep, our parting eve.
Festus.
True: and the eve is deepening, and we sit
As little anxious to begin our talk
As though to-morrow I could hint of it
As we paced arm-in-arm the cheerful town
At sun-dawn; or could whisper it by fits
(Trithemius busied with his class the while)
In that dim chamber where the noon-streaks peer
Half-frightened by the awful tomes around;
Or in some grassy lane unbosom all
From even-blush to midnight: but, to-morrow!
Have I full leave to tell my inmost mind?
We have been brothers, and henceforth the world
Will rise between us:all my freest mind?
'T is the last night, dear Aureole!
Paracelsus.
Oh, say on!
Devise some test of love, some arduous feat
To be performed for you: say on! If night
Be spent the while, the better! Recall how oft
My wondrous plans and dreams and hopes and fears
Havenever wearied you, oh no!as I
Recall, and never vividly as now,
Your true affection, born when Einsiedeln
And its green hills were all the world to us;
And still increasing to this night which ends
My further stay at Wrzburg. Oh, one day
You shall be very proud! Say on, dear friends!
Festus.
In truth? 'T is for my proper peace, indeed,
Rather than yours; for vain all projects seem
To stay your course: I said my latest hope
Is fading even now. A story tells
Of some far embassy despatched to win
The favour of an eastern king, and how
The gifts they offered proved but dazzling dust
Shed from the ore-beds native to his clime.
Just so, the value of repose and love,
I meant should tempt you, better far than I
You seem to comprehend; and yet desist
No whit from projects where repose nor love
Has part.
Paracelsus.
Once more? Alas! As I foretold.
Festus.
A solitary briar the bank puts forth
To save our swan's nest floating out to sea.
Paracelsus.
Dear Festus, hear me. What is it you wish?
That I should lay aside my heart's pursuit,
Abandon the sole ends for which I live,
Reject God's great commission, and so die!
You bid me listen for your true love's sake:
Yet how has grown that love? Even in a long
And patient cherishing of the self-same spirit
It now would quell; as though a mother hoped
To stay the lusty manhood of the child
Once weak upon her knees. I was not born
Informed and fearless from the first, but shrank
From aught which marked me out apart from men:
I would have lived their life, and died their death,
Lost in their ranks, eluding destiny:
But you first guided me through doubt and fear,
Taught me to know mankind and know myself;
And now that I am strong and full of hope,
That, from my soul, I can reject all aims
Save those your earnest words made plain to me,
Now that I touch the brink of my design,
When I would have a triumph in their eyes,
A glad cheer in their voicesMichal weeps,
And Festus ponders gravely!
Festus.
When you deign
To hear my purpose . . .
Paracelsus.
Hear it? I can say
Beforehand all this evening's conference!
'T is this way, Michal, that he uses: first,
Or he declares, or I, the leading points
Of our best scheme of life, what is man's end
And what God's will; no two faiths e'er agreed
As his with mine. Next, each of us allows
Faith should be acted on as best we may;
Accordingly, I venture to submit
My plan, in lack of better, for pursuing
The path which God's will seems to authorize.
Well, he discerns much good in it, avows
This motive worthy, that hope plausible,
A danger here to be avoided, there
An oversight to be repaired: in fine
Our two minds go togetherall the good
Approved by him, I gladly recognize,
All he counts bad, I thankfully discard,
And nought forbids my looking up at last
For some stray comfort in his cautious brow.
When, lo! I learn that, spite of all, there lurks
Some innate and inexplicable germ
Of failure in my scheme; so that at last
It all amounts to thisthe sovereign proof
That we devote ourselves to God, is seen
In living just as though no God there were;
A life which, prompted by the sad and blind
Folly of man, Festus abhors the most;
But which these tenets sanctify at once,
Though to less subtle wits it seems the same,
Consider it how they may.
Michal.
Is it so, Festus
He speaks so calmly and kindly: is it so?
Paracelsus.
Reject those glorious visions of God's love
And man's design; laugh loud that God should send
Vast longings to direct us; say how soon
Power satiates these, or lust, or gold; I know
The world's cry well, and how to answer it.
But this ambiguous warfare . . .
Festus.
. . . Wearies so
That you will grant no last leave to your friend
To urge it?for his sake, not yours? I wish
To send my soul in good hopes after you;
Never to sorrow that uncertain words
Erringly apprehended, a new creed
Ill understood, begot rash trust in you,
Had share in your undoing.
Paracelsus.
Choose your side,
Hold or renounce: but meanwhile blame me not
Because I dare to act on your own views,
Nor shrink when they point onward, nor espy
A peril where they most ensure success.
Festus.
Prove that to mebut that! Prove you abide
Within their warrant, nor presumptuous boast
God's labour laid on you; prove, all you covet
A mortal may expect; and, most of all,
Prove the strange course you now affect, will lead
To its attainmentand I bid you speed,
Nay, count the minutes till you venture forth!
You smile; but I had gathered from slow thought
Much musing on the fortunes of my friend
Matter I deemed could not be urged in vain;
But it all leaves me at my need: in shreds
And fragments I must venture what remains.
Michal.
Ask at once, Festus, wherefore he should scorn . . .
Festus.
Stay, Michal: Aureole, I speak guardedly
And gravely, knowing well, whate'er your error,
This is no ill-considered choice of yours,
No sudden fancy of an ardent boy.
Not from your own confiding words alone
Am I aware your passionate heart long since
Gave birth to, nourished and at length matures
This scheme. I will not speak of Einsiedeln,
Where I was born your elder by some years
Only to watch you fully from the first:
In all beside, our mutual tasks were fixed
Even then't was mine to have you in my view
As you had your own soul and those intents
Which filled it when, to crown your dearest wish,
With a tumultuous heart, you left with me
Our childhood's home to join the favoured few
Whom, here, Trithemius condescends to teach
A portion of his lore: and not one youth
Of those so favoured, whom you now despise,
Came earnest as you came, resolved, like you,
To grasp all, and retain all, and deserve
By patient toil a wide renown like his.
Now, this new ardour which supplants the old
I watched, too; 't was significant and strange,
In one matched to his soul's content at length
With rivals in the search for wisdom's prize,
To see the sudden pause, the total change;
From contest, the transition to repose
From pressing onward as his fellows pressed,
To a blank idleness, yet most unlike
The dull stagnation of a soul, content,
Once foiled, to leave betimes a thriveless quest.
That careless bearing, free from all pretence
Even of contempt for what it ceased to seek
Smiling humility, praising much, yet waiving
What it professed to praisethough not so well
Maintained but that rare outbreaks, fierce and brief,
Revealed the hidden scorn, as quickly curbed.
That ostentatious show of past defeat,
That ready acquiescence in contempt,
I deemed no other than the letting go
His shivered sword, of one about to spring
Upon his foe's throat; but it was not thus:
Not that way looked your brooding purpose then.
For after-signs disclosed, what you confirmed,
That you prepared to task to the uttermost
Your strength, in furtherance of a certain aim
Whichwhile it bore the name your rivals gave
Their own most puny effortswas so vast
In scope that it included their best flights,
Combined them, and desired to gain one prize
In place of many,the secret of the world,
Of man, and man's true purpose, path and fate.
That you, not nursing as a mere vague dream
This purpose, with the sages of the past,
Have struck upon a way to this, if all
You trust be true, which following, heart and soul,
You, if a man may, dare aspire to know:
And that this aim shall differ from a host
Of aims alike in character and kind,
Mostly in this,that in itself alone
Shall its reward be, not an alien end
Blending therewith; no hope nor fear nor joy
Nor woe, to elsewhere move you, but this pure
Devotion to sustain you or betray:
Thus you aspire.
Paracelsus.
You shall not state it thus:
I should not differ from the dreamy crew
You speak of. I profess no other share
In the selection of my lot, than this
My ready answer to the will of God
Who summons me to be his organ. All
Whose innate strength supports them shall succeed
No better than the sages.
Festus.
Such the aim, then,
God sets before you; and't is doubtless need
That he appoint no less the way of praise
Than the desire to praise; for, though I hold
With you, the setting forth such praise to be
The natural end and service of a man,
And hold such praise is best attained when man
Attains the general welfare of his kind
Yet this, the end, is not the instrument.
Presume not to serve God apart from such
Appointed channel as he wills shall gather
Imperfect tributes, for that sole obedience
Valued perchance! He seeks not that his altars
Blaze, careless how, so that they do but blaze.
Suppose this, then; that God selected you
To know (heed well your answers, for my faith
Shall meet implicitly what they affirm)
I cannot think you dare annex to such
Selection aught beyond a steadfast will,
An intense hope; nor let your gifts create
Scorn or neglect of ordinary means
Conducive to success, make destiny
Dispense with man's endeavour. Now, dare you search
Your inmost heart, and candidly avow
Whether you have not rather wild desire
For this distinction than security
Of its existence? whether you discern
The path to the fulfilment of your purpose
Clear as that purposeand again, that purpose
Clear as your yearning to be singled out
For its pursuer. Dare you answer this?
Paracelsus
[after a pause].
No, I have nought to fear! Who will may know
The secret'st workings of my soul. What though
It be so?if indeed the strong desire
Eclipse the aim in me?if splendour break
Upon the outset of my path alone,
And duskest shade succeed? What fairer seal
Shall I require to my authentic mission
Than this fierce energy?this instinct striving
Because its nature is to strive?enticed
By the security of no broad course,
Without success forever in its eyes!
How know I else such glorious fate my own,
But in the restless irresistible force
That works within me? Is it for human will
To institute such impulses?still less,
To disregard their promptings! What should I
Do, kept among you all; your loves, your cares,
Your lifeall to be mine? Be sure that God
Ne'er dooms to waste the strength he deigns impart!
Ask the geier-eagle why she stoops at once
Into the vast and unexplored abyss,
What full-grown power informs her from the first,
Why she not marvels, strenuously beating
The silent boundless regions of the sky!
Be sure they sleep not whom God needs! Nor fear
Their holding light his charge, when every hour
That finds that charge delayed, is a new death.
This for the faith in which I trust; and hence
I can abjure so well the idle arts
These pedants strive to learn and teach; Black Arts,
Great Works, the Secret and Sublime, forsooth
Let others prize: too intimate a tie
Connects me with our God! A sullen fiend
To do my bidding, fallen and hateful sprites
To help mewhat are these, at best, beside
God helping, God directing everywhere,
So that the earth shall yield her secrets up,
And every object there be charged to strike,
Teach, gratify her master God appoints?
And I am young, my Festus, happy and free!
I can devote myself; I have a life
To give; I, singled out for this, the One!
Think, think! the wide East, where all Wisdom sprung;
The bright South, where she dwelt; the hopeful North,
All are passed o'erit lights on me! 'T is time
New hopes should animate the world, new light
Should dawn from new revealings to a race
Weighed down so long, forgotten so long; thus shall
The heaven reserved for us at last receive
Creatures whom no unwonted splendours blind,
But ardent to confront the unclouded blaze.
Whose beams not seldom blessed their pilgrimage,
Not seldom glorified their life below.
Festus.
My words have their old fate and make faint stand
Against your glowing periods. Call this, truth
Why not pursue it in a fast retreat,
Some one of Learning's many palaces,
After approved example?seeking there
Calm converse with the great dead, soul to soul,
Who laid up treasure with the like intent
So lift yourself into their airy place,
And fill out full their unfulfilled careers,
Unravelling the knots their baffled skill
Pronounced inextricable, true!but left
Far less confused. A fresh eye, a fresh hand,
Might do much at their vigour's waning-point;
Succeeding with new-breathed new-hearted force,
As at old games the runner snatched the torch
From runner still: this way success might be.
But you have coupled with your enterprise,
An arbitrary self-repugnant scheme
Of seeking it in strange and untried paths.
What books are in the desert? Writes the sea
The secret of her yearning in vast caves
Where yours will fall the first of human feet?
Has wisdom sat there and recorded aught
You press to read? Why turn aside from her
To visit, where her vesture never glanced,
Nowsolitudes consigned to barrenness
By God's decree, which who shall dare impugn?
Nowruins where she paused but would not stay,
Old ravaged cities that, renouncing her,
She called an endless curse on, so it came:
Or worst of all, nowmen you visit, men,
Ignoblest troops who never heard her voice
Or hate it, men without one gift from Rome
Or Athens,these shall Aureole's teachers be!
Rejecting past example, practice, precept,
Aidless'mid these he thinks to stand alone:
Thick like a glory round the Stagirite
Your rivals throng, the sages: here stand you!
Whatever you may protest, knowledge is not
Paramount in your love; or for her sake
You would collect all help from every source
Rival, assistant, friend, foe, all would merge
In the broad class of those who showed her haunts,
And those who showed them not.
Paracelsus.
What shall I say?
Festus, from childhood I have been possessed
By a fireby a true fire, or faint or fierce,
As from without some master, so it seemed,
Repressed or urged its current: this but ill
Expresses what would I convey: but rather
I will believe an angel ruled me thus,
Than that my soul's own workings, own high nature,
So became manifest. I knew not then
What whispered in the evening, and spoke out
At midnight. If some mortal, born too soon,
Were laid away in some great trancethe ages
Coming and going all the whiletill dawned
His true time's advent; and could then record
The words they spoke who kept watch by his bed,
Then I might tell more of the breath so light
Upon my eyelids, and the fingers light
Among my hair. Youth is confused; yet never
So dull was I but, when that spirit passed,
I turned to him, scarce consciously, as turns
A water-snake when fairies cross his sleep.
And having this within me and about me
While Einsiedeln, its mountains, lakes and woods
Confined mewhat oppressive joy was mine
When life grew plain, and I first viewed the thronged,
The everlasting concourse of mankind!
Believe that ere I joined them, ere I knew
The purpose of the pageant, or the place
Consigned me in its rankswhile, just awake,
Wonder was freshest and delight most pure
'T was then that least supportable appeared
A station with the brightest of the crowd,
A portion with the proudest of them all.
And from the tumult in my breast, this only
Could I collect, that I must thenceforth die
Or elevate myself far, far above
The gorgeous spectacle. I seemed to long
At once to trample on, yet save mankind,
To make some unexampled sacrifice
In their behalf, to wring some wondrous good
From heaven or earth for them, to perish, winning
Eternal weal in the act: as who should dare
Pluck out the angry thunder from its cloud,
That, all its gathered flame discharged on him,
No storm might threaten summer's azure sleep:
Yet never to be mixed with men so much
As to have part even in my own work, share
In my own largess. Once the feat achieved,
I would withdraw from their officious praise,
Would gently put aside their profuse thanks.
Like some knight traversing a wilderness,
Who, on his way, may chance to free a tribe
Of desert-people from their dragon-foe;
When all the swarthy race press round to kiss
His feet, and choose him for their king, and yield
Their poor tents, pitched among the sand-hills, for
His realm: and he points, smiling, to his scarf
Heavy with riveled gold, his burgonet
Gay set with twinkling stonesand to the East,
Where these must be displayed!
Festus.
Good: let us hear
No more about your nature, "which first shrank
"From all that marked you out apart from men!"
Paracelsus.
I touch on that; these words but analyse
The first mad impulse: 't was as brief as fond,
For as I gazed again upon the show,
I soon distinguished here and there a shape
Palm-wreathed and radiant, forehead and full eye.
Well pleased was I their state should thus at once
Interpret my own thoughts:"Behold the clue
"To all," I rashly said, "and what I pine
"To do, these have accomplished: we are peers.
"They know and therefore rule: I, too, will know!"
You were beside me, Festus, as you say;
You saw me plunge in their pursuits whom fame
Is lavish to attest the lords of mind,
Not pausing to make sure the prize in view
Would satiate my cravings when obtained,
But since they strove I strove. Then came a slow
And strangling failure. We aspired alike,
Yet not the meanest plodder, Tritheim counts
A marvel, but was all-sufficient, strong,
Or staggered only at his own vast wits;
While I was restless, nothing satisfied,
Distrustful, most perplexed. I would slur over
That struggle; suffice it, that I loathed myself
As weak compared with them, yet felt somehow
A mighty power was brooding, taking shape
Within me; and this lasted till one night
When, as I sat revolving it and more,
A still voice from without said"Seest thou not,
"Desponding child, whence spring defeat and loss?
"Even from thy strength. Consider: hast thou gazed
"Presumptuously on wisdom's countenance,
"No veil between; and can thy faltering hands,
"Unguided by the brain the sight absorbs,
"Pursue their task as earnest blinkers do
"Whom radiance ne'er distracted? Live their life
"If thou wouldst share their fortune, choose their eyes
"Unfed by splendour. Let each task present
"Its petty good to thee. Waste not thy gifts
"In profitless waiting for the gods' descent,
"But have some idol of thine own to dress
"With their array. Know, not for knowing's sake,
"But to become a star to men for ever;
"Know, for the gain it gets, the praise it brings,
"The wonder it inspires, the love it breeds:
"Look one step onward, and secure that step!"
And I smiled as one never smiles but once,
Then first discovering my own aim's extent,
Which sought to comprehend the works of God,
And God himself, and all God's intercourse
With the human mind; I understood, no less,
My fellows' studies, whose true worth I saw,
But smiled not, well aware who stood by me.
And softer came the voice"There is a way:
"'T is hard for flesh to tread therein, imbued
"With frailtyhopeless, if indulgence first
"Have ripened inborn germs of sin to strength:
"Wilt thou adventure for my sake and man's,
"Apart from all reward?" And last it breathed
"Be happy, my good soldier; I am by thee,
"Be sure, even to the end!"I answered not,
Knowing him. As he spoke, I was endued
With comprehension and a steadfast will;
And when he ceased, my brow was sealed his own.
If there took place no special change in me,
How comes it all things wore a different hue
Thenceforward?pregnant with vast consequence,
Teeming with grand result, loaded with fate?
So that when, quailing at the mighty range
Of secret truths which yearn for birth, I haste
To contemplate undazzled some one truth,
Its bearings and effects aloneat once
What was a speck expands into a star,
Asking a life to pass exploring thus,
Till I near craze. I go to prove my soul!
I see my way as birds their trackless way.
I shall arrive! what time, what circuit first,
I ask not: but unless God send his hail
Or blinding fireballs, sleet or stifling snow,
In some time, his good time, I shall arrive:
He guides me and the bird. In his good time!
Michal.
Vex him no further, Festus; it is so!
Festus.
Just thus you help me ever. This would hold
Were it the trackless air, and not a path
Inviting you, distinct with footprints yet
Of many a mighty marcher gone that way.
You may have purer views than theirs, perhaps,
But they were famous in their daythe proofs
Remain. At least accept the light they lend.
Paracelsus.
Their light! the sum of all is briefly this:
They laboured and grew famous, and the fruits
Are best seen in a dark and groaning earth
Given over to a blind and endless strife
With evils, what of all their lore abates?
No; I reject and spurn them utterly
And all they teach. Shall I still sit beside
Their dry wells, with a white lip and filmed eye,
While in the distance heaven is blue above
Mountains where sleep the unsunned tarns?
Festus.
And yet
As strong delusions have prevailed ere now.
Men have set out as gallantly to seek
Their ruin. I have heard of such: yourself
Avow all hitherto have failed and fallen.
Michal.
Nay, Festus, when but as the pilgrims faint
Through the drear way, do you expect to see
Their city dawn amid the clouds afar?
Paracelsus.
Ay, sounds it not like some old well-known tale?
For me, I estimate their works and them
So rightly, that at times I almost dream
I too have spent a life the sages' way,
And tread once more familiar paths. Perchance
I perished in an arrogant self-reliance
Ages ago; and in that act, a prayer
For one more chance went up so earnest, so
Instinct with better light let in by death,
That life was blotted outnot so completely
But scattered wrecks enough of it remain,
Dim memories, as now, when once more seems
The goal in sight again. All which, indeed,
Is foolish, and only meansthe flesh I wear,
The earth I tread, are not more clear to me
Than my belief, explained to you or no.
Festus.
And who am I, to challenge and dispute
That clear belief? I will divest all fear.
Michal.
Then Aureole is God's commissary! he shall
Be great and grandand all for us!
Paracelsus.
No, sweet!
Not great and grand. If I can serve mankind
'T is well; but there our intercourse must end:
I never will be served by those I serve.
Festus.
Look well to this; here is a plague-spot, here,
Disguise it how you may! 'T is true, you utter
This scorn while by our side and loving us;
'T is but a spot as yet: but it will break
Into a hideous blotch if overlooked.
How can that course be safe which from the first
Produces carelessness to human love?
It seems you have abjured the helps which men
Who overpass their kind, as you would do,
Have humbly sought; I dare not thoroughly probe
This matter, lest I learn too much. Let be
That popular praise would little instigate
Your efforts, nor particular approval
Reward you; put reward aside; alone
You shall go forth upon your arduous task,
None shall assist you, none partake your toil,
None share your triumph: still you must retain
Some one to cast your glory on, to share
Your rapture with. Were I elect like you,
I would encircle me with love, and raise
A rampart of my fellows; it should seem
Impossible for me to fail, so watched
By gentle friends who made my cause their own.
They should ward off fate's envythe great gift,
Extravagant when claimed by me alone,
Being so a gift to them as well as me.
If danger daunted me or ease seduced,
How calmly their sad eyes should gaze reproach!
Michal.
O Aureole, can I sing when all alone,
Without first calling, in my fancy, both
To listen by my sideeven I! And you?
Do you not feel this? Say that you feel this!
Paracelsus.
I feel't is pleasant that my aims, at length
Allowed their weight, should be supposed to need
A further strengthening in these goodly helps!
My course allures for its own sake, its sole
Intrinsic worth; and ne'er shall boat of mine
Adventure forth for gold and apes at once.
Your sages say, "if human, therefore weak:"
If weak, more need to give myself entire
To my pursuit; and by its side, all else . . .
No matter! I deny myself but little
In waiving all assistance save its own.
Would there were some real sacrifice to make!
Your friends the sages threw their joys away,
While I must be content with keeping mine.
Festus.
But do not cut yourself from human weal!
You cannot thrivea man that dares affect
To spend his life in service to his kind
For no reward of theirs, unbound to them
By any tie; nor do so, Aureole! No
There are strange punishments for such. Give up
(Although no visible good flow thence) some part
Of the glory to another; hiding thus,
Even from yourself, that all is for yourself.
Say, say almost to God"I have done all
"For her, not for myself!"
Paracelsus.
And who but lately
Was to rejoice in my success like you?
Whom should I love but both of you?
Festus.
I know not:
But know this, you, that't is no will of mine
You should abjure the lofty claims you make;
And this the causeI can no longer seek
To overlook the truth, that there would be
A monstrous spectacle upon the earth,
Beneath the pleasant sun, among the trees:
A being knowing not what love is. Hear me!
You are endowed with faculties which bear
Annexed to them as't were a dispensation
To summon meaner spirits to do their will
And gather round them at their need; inspiring
Such with a love themselves can never feel,
Passionless'mid their passionate votaries.
I know not if you joy in this or no,
Or ever dream that common men can live
On objects you prize lightly, but which make
Their heart's sole treasure: the affections seem
Beauteous at most to you, which we must taste
Or die: and this strange quality accords,
I know not how, with you; sits well upon
That luminous brow, though in another it scowls
An eating brand, a shame. I dare not judge you.
The rules of right and wrong thus set aside,
There's no alternativeI own you one
Of higher order, under other laws
Than bind us; therefore, curb not one bold glance!
'T is best aspire. Once mingled with us all . . .
Michal.
Stay with us, Aureole! cast those hopes away,
And stay with us! An angel warns me, too,
Man should be humble; you are very proud:
And God, dethroned, has doleful plagues for such!
Warns me to have in dread no quick repulse,
No slow defeat, but a complete success:
You will find all you seek, and perish so!
Paracelsus
[after a pause].
Are these the barren firstfruits of my quest?
Is love like this the natural lot of all?
How many years of pain might one such hour
O'erbalance? Dearest Michal, dearest Festus,
What shall I say, if not that I desire
To justify your love; and will, dear friends,
In swerving nothing from my first resolves.
See, the great moon! and ere the mottled owls
Were wide awake, I was to go. It seems
You acquiesce at last in all save this
If I am like to compass what I seek
By the untried career I choose; and then,
If that career, making but small account
Of much of life's delight, will yet retain
Sufficient to sustain my soul: for thus
I understand these fond fears just expressed.
And first; the lore you praise and I neglect,
The labours and the precepts of old time,
I have not lightly disesteemed. But, friends,
Truth is within ourselves; it takes no rise
From outward things, whate'er you may believe.
There is an inmost centre in us all,
Where truth abides in fulness; and around,
Wall upon wall, the gross flesh hems it in,
This perfect, clear perceptionwhich is truth.
A baffling and perverting carnal mesh
Binds it, and makes all error: and to know
Rather consists in opening out a way
Whence the imprisoned splendour may escape,
Than in effecting entry for a light
Supposed to be without. Watch narrowly
The demonstration of a truth, its birth,
And you trace back the effluence to its spring
And source within us; where broods radiance vast,
To be elicited ray by ray, as chance
Shall favour: chancefor hitherto, your sage
Even as he knows not how those beams are born,
As little knows he what unlocks their fount:
And men have oft grown old among their books
To die case-hardened in their ignorance,
Whose careless youth had promised what long years
Of unremitted labour ne'er performed:
While, contrary, it has chanced some idle day,
To autumn loiterers just as fancy-free
As the midges in the sun, gives birth at last
To truthproduced mysteriously as cape
Of cloud grown out of the invisible air.
Hence, may not truth be lodged alike in all,
The lowest as the highest? some slight film
The interposing bar which binds a soul
And makes the idiot, just as makes the sage
Some film removed, the happy outlet whence
Truth issues proudly? See this soul of ours!
How it strives weakly in the child, is loosed
In manhood, clogged by sickness, back compelled
By age and waste, set free at last by death:
Why is it, flesh enthrals it or enthrones?
What is this flesh we have to penetrate?
Oh, not alone when life flows still, do truth
And power emerge, but also when strange chance
Ruffles its current; in unused conjuncture,
When sickness breaks the bodyhunger, watching,
Excess or languoroftenest death's approach,
Peril, deep joy or woe. One man shall crawl
Through life surrounded with all stirring things,
Unmoved; and he goes mad: and from the wreck
Of what he was, by his wild talk alone,
You first collect how great a spirit he hid.
Therefore, set free the soul alike in all,
Discovering the true laws by which the flesh
Accloys the spirit! We may not be doomed
To cope with seraphs, but at least the rest
Shall cope with us. Make no more giants, God,
But elevate the race at once! We ask
To put forth just our strength, our human strength,
All starting fairly, all equipped alike,
Gifted alike, all eagle-eyed, true-hearted
See if we cannot beat thine angels yet!
Such is my task. I go to gather this
The sacred knowledge, here and there dispersed
About the world, long lost or never found.
And why should I be sad or lorn of hope?
Why ever make man's good distinct from God's,
Or, finding they are one, why dare mistrust?
Who shall succeed if not one pledged like me?
Mine is no mad attempt to build a world
Apart from his, like those who set themselves
To find the nature of the spirit they bore,
And, taught betimes that all their gorgeous dreams
Were only born to vanish in this life,
Refused to fit them to its narrow sphere,
But chose to figure forth another world
And other frames meet for their vast desires,
And all a dream! Thus was life scorned; but life
Shall yet be crowned: twine amaranth! I am priest!
And all for yielding with a lively spirit
A poor existence, parting with a youth
Like those who squander every energy
Convertible to good, on painted toys,
Breath-bubbles, gilded dust! And though I spurn
All adventitious aims, from empty praise
To love's award, yet whoso deems such helps
Important, and concerns himself for me,
May know even these will follow with the rest
As in the steady rolling Mayne, asleep
Yonder, is mixed its mass of schistous ore.
My own affections laid to rest awhile,
Will waken purified, subdued alone
By all I have achieved. Till thentill then . . .
Ah, the time-wiling loitering of a page
Through bower and over lawn, till eve shall bring
The stately lady's presence whom he loves
The broken sleep of the fisher whose rough coat
Enwraps the queenly pearlthese are faint types!
See, see, they look on me: I triumph now!
But one thing, Festus, Michal! I have told
All I shall e'er disclose to mortal: say
Do you believe I shall accomplish this?
Festus.
I do believe!
Michal.
I ever did believe!
Paracelsus.
Those words shall never fade from out my brain!
This earnest of the end shall never fade!
Are there not, Festus, are there not, dear Michal,
Two points in the adventure of the diver,
Onewhen, a beggar, he prepares to plunge,
Onewhen, a prince, he rises with his pearl?
Festus, I plunge!
Festus.
We wait you when you rise!
~ Robert Browning, Paracelsus - Part I - Paracelsus Aspires
,#NFDB
1426:The thought of Eglamor's least like a thought,
And yet a false one, was, "Man shrinks to nought
"If matched with symbols of immensity;
"Must quail, forsooth, before a quiet sky
"Or sea, too little for their quietude:"
And, truly, somewhat in Sordello's mood
Confirmed its speciousness, while eve slow sank
Down the near terrace to the farther bank,
And only one spot left from out the night
Glimmered upon the river opposite
A breadth of watery heaven like a bay,
A sky-like space of water, ray for ray,
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To die. Nor turned he till Ferrara's din
(Say, the monotonous speech from a man's lip
Who lets some first and eager purpose slip
In a new fancy's birththe speech keeps on
Though elsewhere its informing soul be gone)
Aroused him, surely offered succour. Fate
Paused with this eve; ere she precipitate
Herself,best put off new strange thoughts awhile,
That voice, those large hands, that portentous smile,
What help to pierce the future as the past
Lay in the plaining city?
And at last
The main discovery and prime concern,
All that just now imported him to learn,
Truth's self, like yonder slow moon to complete
Heaven, rose again, and, naked at his feet,
Lighted his old life's every shift and change,
Effort with counter-effort; nor the range
Of each looked wrong except wherein it checked,
Some otherwhich of these could he suspect,
Prying into them by the sudden blaze?
The real way seemed made up of all the ways
Mood after mood of the one mind in him;
Tokens of the existence, bright or dim,
Of a transcendent all-embracing sense
Demanding only outward influence,
A soul, in Palma's phrase, above his soul,
Power to uplift his power,such moon's control
Over such sea-depths,and their mass had swept
Onward from the beginning and still kept
Its course: but years and years the sky above
Held none, and so, untasked of any love,
His sensitiveness idled, now amort,
Alive now, and, to sullenness or sport
Given wholly up, disposed itself anew
At every passing instigation, grew
And dwindled at caprice, in foam-showers spilt,
Wedge-like insisting, quivered now a gilt
Shield in the sunshine, now a blinding race
Of whitest ripples o'er the reeffound place
For much display; not gathered up and, hurled
Right from its heart, encompassing the world.
So had Sordello been, by consequence,
Without a function: others made pretence
To strength not half his own, yet had some core
Within, submitted to some moon, before
Them still, superior still whate'er their force,
Were able therefore to fulfil a course,
Nor missed life's crown, authentic attribute.
To each who lives must be a certain fruit
Of having lived in his degree,a stage,
Earlier or later in men's pilgrimage,
To stop at; and to this the spirits tend
Who, still discovering beauty without end,
Amass the scintillations, make one star
Something unlike them, self-sustained, afar,
And meanwhile nurse the dream of being blest
By winning it to notice and invest
Their souls with alien glory, some one day
Whene'er the nucleus, gathering shape alway,
Round to the perfect circlesoon or late,
According as themselves are formed to wait;
Whether mere human beauty will suffice
The yellow hair and the luxurious eyes,
Or human intellect seem best, or each
Combine in some ideal form past reach
On earth, or else some shade of these, some aim,
Some love, hate even, take their place, the same,
So to be servedall this they do not lose,
Waiting for death to live, nor idly choose
What must be Hella progress thus pursued
Through all existence, still above the food
That 's offered them, still fain to reach beyond
The widened range, in virtue of their bond
Of sovereignty. Not that a Palma's Love,
A Salinguerra's Hate, would equal prove
To swaying all Sordello: but why doubt
Some love meet for such strength, some moon without
Would match his sea?or fear, Good manifest,
Only the Best breaks faith?Ah but the Best
Somehow eludes us ever, still might be
And is not! Crave we gems? No penury
Of their material round us! Pliant earth
And plastic flamewhat balks the mage his birth
Jacinth in balls or lodestone by the block?
Flinders enrich the strand, veins swell the rock;
Nought more! Seek creatures? Life 's i' the tempest, thought
Clothes the keen hill-top, mid-day woods are fraught
With fervours: human forms are well enough!
But we had hoped, encouraged by the stuff
Profuse at nature's pleasure, men beyond
These actual men!and thus are over-fond
In arguing, from Goodthe Best, from force
Dividedforce combined, an ocean's course
From this our sea whose mere intestine pants
Might seem at times sufficient to our wants.
External power! If none be adequate,
And he stand forth ordained (a prouder fate)
Himself a law to his own sphere? "Remove
"All incompleteness!" for that law, that love?
Nay, if all other laws be feints,truth veiled
Helpfully to weak vision that had failed
To grasp aught but its special want,for lure,
Embodied? Stronger vision could endure
The unbodied want: no partthe whole of truth!
The People were himself; nor, by the ruth
At their condition, was he less impelled
To alter the discrepancy beheld,
Than if, from the sound whole, a sickly part
Subtracted were transformed, decked out with art,
Then palmed on him as alien woethe Guelf
To succour, proud that he forsook himself.
All is himself; all service, therefore, rates
Alike, nor serving one part, immolates
The rest: but all in time! "That lance of yours
"Makes havoc soon with Malek and his Moors,
"That buckler 's lined with many a giant's beard
"Ere long, our champion, be the lance upreared,
"The buckler wielded handsomely as now!
"But view your escort, bear in mind your vow,
"Count the pale tracts of sand to pass ere that,
"And, if you hope we struggle through the flat,
"Put lance and buckler by! Next half-month lacks
"Mere sturdy exercise of mace and axe
"To cleave this dismal brake of prickly-pear
"Which bristling holds Cydippe by the hair,
"Lames barefoot Agathon: this felled, we 'll try
"The picturesque achievements by and by
"Next life!"
Ay, rally, mock, O People, urge
Your claims!for thus he ventured, to the verge,
Push a vain mummery which perchance distrust
Of his fast-slipping resolution thrust
Likewise: accordingly the Crowd(as yet
He had unconsciously contrived forget
I' the whole, to dwell o' the points . . . one might assuage
The signal horrors easier than engage
With a dim vulgar vast unobvious grief
Not to be fancied off, nor gained relief
In brilliant fits, cured by a happy quirk,
But by dim vulgar vast unobvious work
To correspond . . .) this Crowd then, forth they stood.
"And now content thy stronger vision, brood
"On thy bare want; uncovered, turf by turf,
"Study the corpse-face thro' the taint-worms' scurf!"
Down sank the People's Then; uprose their Now.
These sad ones render service to! And how
Piteously little must that service prove
Had surely proved in any case! for, move
Each other obstacle away, let youth
Become aware it had surprised a truth
'T were service to impartcan truth be seized,
Settled forthwith, and, of the captive eased,
Its captor find fresh prey, since this alit
So happily, no gesture luring it,
The earnest of a flock to follow? Vain,
Most vain! a life to spend ere this he chain
To the poor crowd's complacence: ere the crowd
Pronounce it captured, he descries a cloud
Its kin of twice the plume; which he, in turn,
If he shall live as many lives, may learn
How to secure: not else. Then Mantua called
Back to his mind how certain bards were thralled
Buds blasted, but of breath more like perfume
Than Naddo's staring nosegay's carrion bloom;
Some insane rose that burnt heart out in sweets,
A spendthrift in the spring, no summer greets;
Some Dularete, drunk with truths and wine,
Grown bestial, dreaming how become divine.
Yet to surmount this obstacle, commence
With the commencement, merits crowning! Hence
Must truth be casual truth, elicited
In sparks so mean, at intervals dispread
So rarely, that 't is like at no one time
Of the world's story has not truth, the prime
Of truth, the very truth which, loosed, had hurled
The world's course right, been really in the world
Content the while with some mean spark by dint
Of some chance-blow, the solitary hint
Of buried fire, which, rip earth's breast, would stream
Sky-ward!
Sordello's miserable gleam
Was looked for at the moment: he would dash
This badge. and all it brought, to earth,abash
Taurello thus, perhaps persuade him wrest
The Kaiser from his purpose,would attest
His own belief, in any case. Before
He dashes it however, think once more!
For, were that little, truly service? "Ay,
"I' the end, no doubt; but meantime? Plain you spy
"Its ultimate effect, but many flaws
"Of vision blur each intervening cause.
"Were the day's fraction clear as the life's sum
"Of service, Now as filled as teems To-come
"With evidence of goodnor too minute
"A share to vie with evil! No dispute,
"'T were fitliest maintain the Guelfs in rule:
"That makes your life's work: but you have to school
"Your day's work on these natures circumstanced
"Thus variously, which yet, as each advanced
"Or might impede the Guelf rule, must be moved
"Now, for the Then's sake,hating what you loved,
"Loving old hatreds! Nor if one man bore
"Brand upon temples while his fellow wore
"The aureole, would it task you to decide:
"But, portioned duly out, the future vied
"Never with the unparcelled present! Smite
"Or spare so much on warrant all so slight?
"The present's complete sympathies to break,
"Aversions bear with, for a future's sake
"So feeble? Tito ruined through one speck,
"The Legate saved by his sole lightish fleck?
"This were work, true, but work performed at cost
"Of other work; aught gained here, elsewhere lost.
"For a new segment spoil an orb half-done?
"Rise with the People one step, and sinkone?
"Were it but one step, less than the whole face
"Of things, your novel duty bids erase!
"Harms to abolish! What, the prophet saith,
"The minstrel singeth vainly then? Old faith,
"Old courage, only born because of harms,
"Were not, from highest to the lowest, charms?
"Flame may persist; but is not glare as staunch?
"Where the salt marshes stagnate, crystals branch;
"Blood dries to crimson; Evil 's beautified
"In every shape. Thrust Beauty then aside
"And banish Evil! Wherefore? After all,
"Is Evil a result less natural
"Than Good? For overlook the seasons' strife
"With tree and flower,the hideous animal life,
"(Of which who seeks shall find a grinning taunt
"For his solution, and endure the vaunt
"Of nature's angel, as a child that knows
"Himself befooled, unable to propose
"Aught better than the fooling)and but care
"For men, for the mere People then and there,
"In these, could you but see that Good and Ill
"Claimed you alike! Whence rose their claim but still
"From Ill, as fruit of Ill? What else could knit
"You theirs but Sorrow? Any free from it
"Were also free from you! Whose happiness
"Could be distinguished in this morning's press
"Of miseries?the fool's who passed a gibe
"'On thee,' jeered he, `so wedded to thy tribe,
"`Thou carriest green and yellow tokens in
"'Thy very face that thou art Ghibellin!'
"Much hold on you that fool obtained! Nay mount
"Yet higherand upon men's own account
"Must Evil stay: for, what is joy?to heave
"Up one obstruction more, and common leave
"What was peculiar, by such act destroy
"Itself; a partial death is every joy;
"The sensible escape, enfranchisement
"Of a sphere's essence: once the vexedcontent,
"The crampedat large, the growing circleround,
"All 's to begin againsome novel bound
"To break, some new enlargement to entreat;
"The sphere though larger is not more complete.
"Now for Mankind's experience: who alone
"Might style the unobstructed world his own?
"Whom palled Goito with its perfect things?
"Sordello's self: whereas for Mankind springs
"Salvation by each hindrance interposed.
"They climb; life's view is not at once disclosed
"To creatures caught up, on the summit left,
"Heaven plain above them, yet of wings bereft:
"But lower laid, as at the mountain's foot.
"So, range on range, the girdling forests shoot
"'Twixt your plain prospect and the throngs who scale
"Height after height, and pierce mists, veil by veil,
"Heartened with each discovery; in their soul,
"The Whole they seek by Partsbut, found that Whole,
"Could they revert, enjoy past gains? The space
"Of time you judge so meagre to embrace
"The Parts were more than plenty, once attained
"The Whole, to quite exhaust it: nought were gained
"But leave to looknot leave to do: Beneath
"Soon sates the lookerlook Above, and Death
"Tempts ere a tithe of Life be tasted. Live
"First, and die soon enough, Sordello! Give
"Body and spirit the first right they claim,
"And pasture soul on a voluptuous shame
"That you, a pageant-city's denizen,
"Are neither vilely lodged midst Lombard men
"Can force joy out of sorrow, seem to truck
"Bright attributes away for sordid muck,
"Yet manage from that very muck educe
"Gold; then subject nor scruple, to your cruce
"The world's discardings! Though real ingots pay
"Your pains, the clods that yielded them are clay
"To all beside,would clay remain, though quenched
"Your purging-fire; who 's robbed then? Had you wrenched
"An ampler treasure forth!As 't is, they crave
"A share that ruins you and will not save
"Them. Why should sympathy command you quit
"The course that makes your joy, nor will remit
"Their woe? Would all arrive at joy? Reverse
"The order (time instructs you) nor coerce
"Each unit till, some predetermined mode,
"The total be emancipate; men's road
"Is one, men's times of travel many; thwart
"No enterprising soul's precocious start
"Before the general march! If slow or fast
"All straggle up to the same point at last,
"Why grudge your having gained, a month ago,
"The brakes at balm-shed, asphodels in blow,
"While they were landlocked? Speed their Then, but how
"This badge would suffer you improve your Now!"
His time of action for, against, or with
Our world (I labour to extract the pith
Of this his problem) grew, that even-tide,
Gigantic with its power of joy, beside
The world's eternity of impotence
To profit though at his whole joy's expense.
"Make nothing of my day because so brief?
"Rather make more: instead of joy, use grief
"Before its novelty have time subside!
"Wait not for the late savour, leave untried
"Virtue, the creaming honey-wine, quick squeeze
"Vice like a biting spirit from the lees
"Of life! Together let wrath, hatred, lust,
"All tyrannies in every shape, be thrust
"Upon this Now, which time may reason out
"As mischiefs, far from benefits, no doubt;
"But long ere then Sordello will have slipt
"Away; you teach him at Goito's crypt,
"There 's a blank issue to that fiery thrill.
"Stirring, the few cope with the many, still:
"So much of sand as, quiet, makes a mass
"Unable to produce three tufts of grass,
"Shall, troubled by the whirlwind, render void
"The whole calm glebe's endeavour: be employed!
"And e'en though somewhat smart the Crowd for this,
"Contribute each his pang to make your bliss,
"'T is but one pangone blood-drop to the bowl
"Which brimful tempts the sluggish asp uncowl
"At last, stains ruddily the dull red cape,
"And, kindling orbs grey as the unripe grape
"Before, avails forthwith to disentrance
"The portent, soon to lead a mystic dance
"Among you! For, who sits alone in Rome?
"Have those great hands indeed hewn out a home,
"And set me there to live? Oh life, life-breath,
"Life-blood,ere sleep, come travail, life ere death!
"This life stream on my soul, direct, oblique,
"But always streaming! Hindrances? They pique:
"Helps? such . . . but why repeat, my soul o'ertops
"Each height, then every depth profoundlier drops?
"Enough that I can live, and would live! Wait
"For some transcendent life reserved by Fate
"To follow this? Oh, never! Fate, I trust
"The same, my soul to; for, as who flings dust,
"Perchance (so facile was the deed) she chequed
"The void with these materials to affect
"My soul diversely: these consigned anew
"To nought by death, what marvel if she threw
"A second and superber spectacle
"Before me? What may serve for sun, what still
"Wander a moon above me? What else wind
"About me like the pleasures left behind,
"And how shall some new flesh that is not flesh
"Cling to me? What 's new laughter? Soothes the fresh
"Sleep like sleep? Fate 's exhaustless for my sake
"In brave resource: but whether bids she slake
"My thirst at this first rivulet, or count
"No draught worth lip save from some rocky fount
"Above i' the clouds, while here she 's provident
"Of pure loquacious pearl, the soft tree-tent
"Guards, with its face of reate and sedge, nor fail
"The silver globules and gold-sparkling grail
"At bottom? Oh, 't were too absurd to slight
"For the hereafter the to-day's delight!
"Quench thirst at this, then seek next well-spring: wear
"Home-lilies ere strange lotus in my hair!
"Here is the Crowd, whom I with freest heart
"Offer to serve, contented for my part
"To give life up in service,only grant
"That I do serve; if otherwise, why want
"Aught further of me? If men cannot choose
"But set aside life, why should I refuse
"The gift? I take itI, for one, engage
"Never to falter through my pilgrimage
"Nor end it howling that the stock or stone
"Were enviable, truly: I, for one,
"Will praise the world, you style mere anteroom
"To palacebe it so! shall I assume
"My foot the courtly gait, my tongue the trope,
"My mouth the smirk, before the doors fly ope
"One moment? What? with guarders row on row,
"Gay swarms of varletry that come and go,
"Pages to dice with, waiting-girls unlace
"The plackets of, pert claimants help displace,
"Heart-heavy suitors get a rank for,laugh
"At yon sleek parasite, break his own staff
"'Cross Beetle-brows the Usher's shoulder,why
"Admitted to the presence by and by,
"Should thought of having lost these make me grieve
"Among new joys I reach, for joys I leave?
"Cool citrine-crystals, fierce pyropus-stone,
"Are floor-work there! But do I let alone
"That black-eyed peasant in the vestibule
"Once and for ever?Floor-work? No such fool!
"Rather, were heaven to forestall earth, I 'd say
"I, is it, must be blest? Then, my own way
"Bless me! Giver firmer arm and fleeter foot,
"I 'll thank you: but to no mad wings transmute
"These limbs of mineour greensward was so soft!
"Nor camp I on the thunder-cloud aloft:
"We feel the bliss distinctlier, having thus
"Engines subservient, not mixed up with us.
"Better move palpably through heaven: nor, freed
"Of flesh, forsooth, from space to space proceed
"'Mid flying synods of worlds! No: in heaven's marge
"Show Titan still, recumbent o'er his targe
"Solid with starsthe Centaur at his game,
"Made tremulously out in hoary flame!
"Life! Yet the very cup whose extreme dull
"Dregs, even, I would quaff, was dashed, at full,
"Aside so oft; the death I fly, revealed
"So oft a better life this life concealed,
"And which sage, champion, martyr, through each path
"Have hunted fearlesslythe horrid bath,
"The crippling-irons and the fiery chair.
"'T was well for them; let me become aware
"As they, and I relinquish life, too! Let
"What masters life disclose itself! Forget
"Vain ordinances, I have one appeal
"I feel, am what I feel, know what I feel;
"So much is truth to me. What Is, then? Since
"One object, viewed diversely, may evince
"Beauty and uglinessthis way attract,
"That way repel,why gloze upon the fact?
"Why must a single of the sides be right?
"What bids choose this and leave the opposite?
"Where 's abstract Right for me?in youth endued
"With Right still present, still to be pursued,
"Thro' all the interchange of circles, rife
"Each with its proper law and mode of life,
"Each to be dwelt at ease in: where, to sway
"Absolute with the Kaiser, or obey
"Implicit with his serf of fluttering heart,
"Or, like a sudden thought of God's, to start
"Up, Brutus in the presence, then go shout
"That some should pick the unstrung jewels out
"Each, well!"
And, as in moments when the past
Gave partially enfranchisement, he cast
Himself quite through mere secondary states
Of his soul's essence, little loves and hates,
Into the mid deep yearnings overlaid
By these; as who should pierce hill, plain, grove, glade,
And on into the very nucleus probe
That first determined there exist a globe.
As that were easiest, half the globe dissolved,
So seemed Sordello's closing-truth evolved
By his flesh-half's break-up; the sudden swell
Of his expanding soul showed Ill and Well,
Sorrow and Joy, Beauty and Ugliness,
Virtue and Vice, the Larger and the Less,
All qualities, in fine, recorded here,
Might be but modes of Time and this one sphere,
Urgent on these, but not of force to bind
Eternity, as Timeas MatterMind,
If Mind, Eternity, should choose assert
Their attributes within a Life: thus girt
With circumstance, next change beholds them cinct
Quite otherwisewith Good and Ill distinct,
Joys, sorrows, tending to a like result
Contrived to render easy, difficult,
This or the other course of . . . what new bond
In place of flesh may stop their flight beyond
Its new sphere, as that course does harm or good
To its arrangements. Once this understood,
As suddenly he felt himself alone,
Quite out of Time and this world: all was known.
What made the secret of his past despair?
Most imminent when he seemed most aware
Of his own self-sufficiency: made mad
By craving to expand the power he had,
And not new power to be expanded?just
This made it; Soul on Matter being thrust,
Joy comes when so much Soul is wreaked in Time
On Matter: let the Soul's attempt sublime
Matter beyond the scheme and so prevent
By more or less that deed's accomplishment,
And Sorrow follows: Sorrow how avoid?
Let the employer match the thing employed,
Fit to the finite his infinity,
And thus proceed for ever, in degree
Changed but in kind the same, still limited
To the appointed circumstance and dead
To all beyond. A sphere is but a sphere;
Small, Great, are merely terms we bandy here;
Since to the spirit's absoluteness all
Are like. Now, of the present sphere we call
Life, are conditions; take but this among
Many; the body was to be so long
Youthful, no longer: but, since no control
Tied to that body's purposes his soul,
She chose to understand the body's trade
More than the body's selfhad fain conveyed
Her boundless to the body's bounded lot.
Hence, the soul permanent, the body not,
Scarcely its minute for enjoying here,
The soul must needs instruct her weak compeer,
Run o'er its capabilities and wring
A joy thence, she held worth experiencing:
Which, far from half discovered even,lo,
The minute gone, the body's power let go
Apportioned to that joy's acquirement! Broke
Morning o'er earth, he yearned for all it woke
From the volcano's vapour-flag, winds hoist
Black o'er the spread of sea,down to the moist
Dale's silken barley-spikes sullied with rain,
Swayed earthwards, heavily to rise again
The Small, a sphere as perfect as the Great
To the soul's absoluteness. Meditate
Too long on such a morning's cluster-chord
And the whole music it was framed afford,
The chord's might half discovered, what should pluck
One string, his finger, was found palsy-struck.
And then no marvel if the spirit, shown
A saddest sightthe body lost alone
Through her officious proffered help, deprived
Of this and that enjoyment Fate contrived,
Virtue, Good, Beauty, each allowed slip hence,
Vain-gloriously were fain, for recompense,
To stem the ruin even yet, protract
The body's term, supply the power it lacked
From her infinity, compel it learn
These qualities were only Time's concern,
And body may, with spirit helping, barred
Advance the same, vanquishedobtain reward,
Reap joy where sorrow was intended grow,
Of Wrong make Right, and turn Ill Good below.
And the result is, the poor body soon
Sinks under what was meant a wondrous boon,
Leaving its bright accomplice all aghast.
So much was plain then, proper in the past;
To be complete for, satisfy the whole
Series of spheresEternity, his soul
Needs must exceed, prove incomplete for, each
Single sphereTime. But does our knowledge reach
No farther? Is the cloud of hindrance broke
But by the failing of the fleshly yoke,
Its loves and hates, as now when death lets soar
Sordello, self-sufficient as before,
Though during the mere space that shall elapse
'Twixt his enthralment in new bonds perhaps?
Must life be ever just escaped, which should
Have been enjoyed?nay, might have been and would,
Each purpose ordered rightthe soul 's no whit
Beyond the body's purpose under it.
Like yonder breadth of watery heaven, a bay,
And that sky-space of water, ray for ray
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To diewould soul, proportioned thus, begin
Exciting discontent, or surelier quell
The body if, aspiring, it rebel?
But how so order life? Still brutalize
The soul, the sad world's way, with muffled eyes
To all that was before, all that shall be
After this sphereall and each quality
Save some sole and immutable Great, Good
And Beauteous whither fate has loosed its hood
To follow? Never may some soul see All
The Great Before and After, and the Small
Now, yet be saved by this the simplest lore,
And take the single course prescribed before,
As the king-bird with ages on his plumes
Travels to die in his ancestral glooms?
But where descry the Love that shall select
That course? Here is a soul whom, to affect,
Nature has plied with all her means, from trees
And flowers e'en to the Multitude!and these,
Decides he save or no? One word to end!
Ah my Sordello, I this once befriend
And speak for you. Of a Power above you still
Which, utterly incomprehensible,
Is out of rivalry, which thus you can
Love, tho' unloving all conceived by man
What need! And ofnone the minutest duct
To that out-nature, nought that would instruct
And so let rivalry begin to live
But of a Power its representative
Who, being for authority the same,
Communication different, should claim
A course, the first chose but this last revealed
This Human clear, as that Divine concealed
What utter need!
What has Sordello found?
Or can his spirit go the mighty round,
End where poor Eglamor begun? So, says
Old fable, the two eagles went two ways
About the world: where, in the midst, they met,
Though on a shifting waste of sand, men set
Jove's temple. Quick, what has Sordello found?
For they approachapproachthat foot's rebound
Palma? No, Salinguerra though in mail;
They mount, have reached the threshold, dash the veil
Asideand you divine who sat there dead,
Under his foot the badge: still, Palma said,
A triumph lingering in the wide eyes,
Wider than some spent swimmer's if he spies
Help from above in his extreme despair,
And, head far back on shoulder thrust, turns there
With short quick passionate cry: as Palma pressed
In one great kiss, her lips upon his breast,
It beat.
By this, the hermit-bee has stopped
His day's toil at Goito: the new-cropped
Dead vine-leaf answers, now 't is eve, he bit,
Twirled so, and filed all day: the mansion 's fit,
God counselled for. As easy guess the word
That passed betwixt them, and become the third
To the soft small unfrighted bee, as tax
Him with one faultso, no remembrance racks
Of the stone maidens and the font of stone
He, creeping through the crevice, leaves alone.
Alas, my friend, alas Sordello, whom
Anon they laid within that old font-tomb,
And, yet again, alas!
And now is 't worth
Our while bring back to mind, much less set forth
How Salinguerra extricates himself
Without Sordello? Ghibellin and Guelf
May fight their fiercest out? If Richard sulked
In durance or the Marquis paid his mulct,
Who cares, Sordello gone? The upshot, sure,
Was peace; our chief made some frank overture
That prospered; compliment fell thick and fast
On its disposer, and Taurello passed
With foe and friend for an outstripping soul,
Nine days at least. Then,fairly reached the goal,
He, by one effort, blotted the great hope
Out of his mind, nor further tried to cope
With Este, that mad evening's style, but sent
Away the Legate and the League, content
No blame at least the brothers had incurred,
Dispatched a message to the Monk, he heard
Patiently first to last, scarce shivered at,
Then curled his limbs up on his wolfskin mat
And ne'er spoke more,informed the Ferrarese
He but retained their rule so long as these
Lingered in pupilage,and last, no mode
Apparent else of keeping safe the road
From Germany direct to Lombardy
For Friedrich,none, that is, to guarantee
The faith and promptitude of who should next
Obtain Sofia's dowry,sore perplexed
(Sofia being youngest of the tribe
Of daughters, Ecelin was wont to bribe
The envious magnates withnor, since he sent
Henry of Egna this fair child, had Trent
Once failed the Kaiser's purposes"we lost
"Egna last year, and who takes Egna's post
"Opens the Lombard gate if Friedrich knock?")
Himself espoused the Lady of the Rock
In pure necessity, and, so destroyed
His slender last of chances, quite made void
Old prophecy, and spite of all the schemes
Overt and covert, youth's deeds, age's dreams,
Was sucked into Romano. And so hushed
He up this evening's work that, when 't was brushed
Somehow against by a blind chronicle
Which, chronicling whatever woe befell
Ferrara, noted this the obscure woe
Of "Salinguerra's sole son Giacomo
"Deceased, fatuous and doting, ere his sire,"
The townsfolk rubbed their eyes, could but admire
Which of Sofia's five was meant.
The chaps
Of earth's dead hope were tardy to collapse,
Obliterated not the beautiful
Distinctive features at a crash: but dull
And duller these, next year, as Guelfs withdrew
Each to his stronghold. Then (securely too
Ecelin at Campese slept; close by,
Who likes may see him in Solagna lie,
With cushioned head and gloved hand to denote
The cavalier he was)then his heart smote
Young Ecelin at last; long since adult.
And, save Vicenza's business, what result
In blood and blaze? (So hard to intercept
Sordello till his plain withdrawal!) Stepped
Then its new lord on Lombardy. I' the nick
Of time when Ecelin and Alberic
Closed with Taurello, come precisely news
That in Verona half the souls refuse
Allegiance to the Marquis and the Count
Have cast them from a throne they bid him mount,
Their Podest, thro' his ancestral worth.
Ecelin flew there, and the town henceforth
Was wholly hisTaurello sinking back
From temporary station to a track
That suited. News received of this acquist,
Friedrich did come to Lombardy: who missed
Taurello then? Another year: they took
Vicenza, left the Marquis scarce a nook
For refuge, and, when hundreds two or three
Of Guelfs conspired to call themselves "The Free,"
Opposing Alberic,vile Bassanese,
(Without Sordello!)Ecelin at ease
Slaughtered them so observably, that oft
A little Salinguerra looked with soft
Blue eyes up, asked his sire the proper age
To get appointed his proud uncle's page.
More years passed, and that sire had dwindled down
To a mere showy turbulent soldier, grown
Better through age, his parts still in repute,
Subtlehow else?but hardly so astute
As his contemporaneous friends professed;
Undoubtedly a brawler: for the rest,
Known by each neighbour, and allowed for, let
Keep his incorrigible ways, nor fret
Men who would miss their boyhood's bugbear: "trap
"The ostrich, suffer our bald osprey flap
"A battered pinion!"was the word. In fine,
One flap too much and Venice's marine
Was meddled with; no overlooking that!
She captured him in his Ferrara, fat
And florid at a banquet, more by fraud
Than force, to speak the truth; there 's slender laud
Ascribed you for assisting eighty years
To pull his death on such a man; fate shears
The life-cord prompt enough whose last fine threads
You fritter: so, presiding his board-head,
The old smile, your assurance all went well
With Friedrich (as if he were like to tell!)
In rushed (a plan contrived before) our friends,
Made some pretence at fighting, some amends
For the shame done his eighty years(apart
The principle, none found it in his heart
To be much angry with Taurello)gained
Their galleys with the prize, and what remained
But carry him to Venice for a show?
Set him, as 't were, down gentlyfree to go
His gait, inspect our square, pretend observe
The swallows soaring their eternal curve
'Twixt Theodore and Mark, if citizens
Gathered importunately, fives and tens,
To point their children the Magnifico,
All but a monarch once in firm-land, go
His gait among them now"it took, indeed,
"Fully this Ecelin to supersede
"That man," remarked the seniors. Singular!
Sordello's inability to bar
Rivals the stage, that evening, mainly brought
About by his strange disbelief that aught
Was ever to be done,this thrust the Twain
Under Taurello's tutelage,whom, brain
And heart and hand, he forthwith in one rod
Indissolubly bound to baffle God
Who loves the worldand thus allowed the thin
Grey wizened dwarfish devil Ecelin,
And massy-muscled big-boned Alberic
(Mere man, alas!) to put his problem quick
To demonstrationprove wherever's will
To do, there's plenty to be done, or ill
Or good. Anointed, then, to rend and rip
Kings of the gag and flesh-hook, screw and whip,
They plagued the world: a touch of Hildebrand
(So far from obsolete!) made Lombards band
Together, cross their coats as for Christ's cause,
And saving Milan win the world's applause.
Ecelin perished: and I think grass grew
Never so pleasant as in Valley R
By San Zenon where Alberic in turn
Saw his exasperated captors burn
Seven children and their mother; then, regaled
So far, tied on to a wild horse, was trailed
To death through raunce and bramble-bush. I take
God's part and testify that 'mid the brake
Wild o'er his castle on the pleasant knoll,
You hear its one tower left, a belfry, toll
The earthquake spared it last year, laying flat
The modern church beneath,no harm in that!
Chirrups the contumacious grasshopper,
Rustles the lizard and the cushats chirre
Above the ravage: there, at deep of day
A week since, heard I the old Canon say
He saw with his own eyes a barrow burst
And Alberic's huge skeleton unhearsed
Only five years ago. He added, "June 's
"The month for carding off our first cocoons
"The silkworms fabricate"a double news,
Nor he nor I could tell the worthier. Choose!
And Naddo gone, all's gone; not Eglamor!
Believe, I knew the face I waited for,
A guest my spirit of the golden courts!
Oh strange to see how, despite ill-reports,
Disuse, some wear of years, that face retained
Its joyous look of love! Suns waxed and waned,
And still my spirit held an upward flight,
Spiral on spiral, gyres of life and light
More and more gorgeousever that face there
The last admitted! crossed, too, with some care
As perfect triumph were not sure for all,
But, on a few, enduring damp must fall,
A transient struggle, haply a painful sense
Of the inferior nature's clingingwhence
Slight starting tears easily wiped away,
Fine jealousies soon stifled in the play
Of irrepressible admirationnot
Aspiring, all considered, to their lot
Who ever, just as they prepare ascend
Spiral on spiral, wish thee well, impend
Thy frank delight at their exclusive track,
That upturned fervid face and hair put back!
Is there no more to say? He of the rhymes
Many a tale, of this retreat betimes,
Was born: Sordello die at once for men?
The Chroniclers of Mantua tired their pen
Telling how Sordello Prince Visconti saved
Mantua, and elsewhere notably behaved
Who thus, by fortune ordering events,
Passed with posterity, to all intents,
For just the god he never could become.
As Knight, Bard, Gallant, men were never dumb
In praise of him: while what he should have been,
Could be, and was notthe one step too mean
For him to take,we suffer at this day
Because of: Ecelin had pushed away
Its chance ere Dante could arrive and take
That step Sordello spurned, for the world's sake:
He did muchbut Sordello's chance was gone.
Thus, had Sordello dared that step alone,
Apollo had been compassed: 't was a fit
He wished should go to him, not he to it
As one content to merely be supposed
Singing or fighting elsewhere, while he dozed
Really at homeone who was chiefly glad
To have achieved the few real deeds he had,
Because that way assured they were not worth
Doing, so spared from doing them henceforth
A tree that covets fruitage and yet tastes
Never itself, itself. Had he embraced
Their cause then, men had plucked Hesperian fruit
And, praising that, just thrown him in to boot
All he was anxious to appear, but scarce
Solicitous to be. A sorry farce
Such life is, after all! Cannot I say
He lived for some one better thing? this way.
Lo, on a heathy brown and nameless hill
By sparkling Asolo, in mist and chill,
Morning just up, higher and higher runs
A child barefoot and rosy. See! the sun's
On the square castle's inner-court's low wall
Like the chine of some extinct animal
Half turned to earth and flowers; and through the haze
(Save where some slender patches of grey maize
Are to be overleaped) that boy has crossed
The whole hill-side of dew and powder-frost
Matting the balm and mountain camomile.
Up and up goes he, singing all the while
Some unintelligible words to beat
The lark, God's poet, swooning at his feet,
So worsted is he at "the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer,"all that's left
Of the Goito lay! And thus bereft,
Sleep and forget, Sordello! In effect
He sleeps, the feverish poetI suspect
Not utterly companionless; but, friends,
Wake up! The ghost's gone, and the story ends
I'd fain hope, sweetly; seeing, peri or ghoul,
That spirits are conjectured fair or foul,
Evil or good, judicious authors think,
According as they vanish in a stink
Or in a perfume. Friends, be frank! ye snuff
Civet, I warrant. Really? Like enough!
Merely the savour's rareness; any nose
May ravage with impunity a rose:
Rifle a musk-pod and 't will ache like yours!
I'd tell you that same pungency ensures
An after-gust, but that were overbold.
Who would has heard Sordello's story told.
~ Robert Browning, Sordello - Book the Sixth
,#NFDB
1427:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.
II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.
III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.
IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.
V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.
VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!
VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.
VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.
IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.
X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.
XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.
XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.
XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.
XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.
XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.
XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!
XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!
XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?
XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"
XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.
XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.
XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."
XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.
XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.
XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.
XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.
XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.
XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."
XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."
XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.
XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.
XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.
XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!
XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"
XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.
XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.
XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."
XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.
XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.
XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"
XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."
XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."
XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."
XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."
XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."
XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."
XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.
XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.
XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.
L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.
LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!
LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!
LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."
LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."
LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."
LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."
LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.
LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *
LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"
LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."
LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."
LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."
LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.
LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.
LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.
LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.
LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."
LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!
LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.
LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.
LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!
LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.
LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.
LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.
LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.
LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.
LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.
LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.
LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.
LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.
LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.
LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.
LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.
LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.
LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.
LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.
LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.
LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."
His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,#NFDB
1428:class:Classics
BOOK THE THIRD
The Story of of Cadmus
When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.
"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."
No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.
Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.
Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.
The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.
And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.
Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.
The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.
Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.
He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.
So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.
Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.
The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.
Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.
Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?
The Transformation of Actaeon into a Stag
In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.
Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.
Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.
Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."
This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.
As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.
He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.
The Birth of Bacchus
Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.
Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.
"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.
Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."
Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.
To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.
The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.
But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.
The Transformation of Tiresias
'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.
It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.
The Transformation of Echo
Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.
The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.
Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.
Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.
This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.
The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.
The Story of Narcissus
Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.
There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.
What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.
Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.
"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."
This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.
She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.
For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.
The Story of Pentheus
This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.
Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."
Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.
So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.
But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.
The Mariners transform'd to Dolphins
Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."
The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,
"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.
"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.
"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.
"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.
"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?
"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.
"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."
"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.
The Death of Pentheus
But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.
A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."
Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.
By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.
----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD
,#NFDB
1429:Scene. Salzburg; a cell in the Hospital of St. Sebastian. 1541.
Festus, Paracelsus.
Festus.
No change! The weary night is well-nigh spent,
The lamp burns low, and through the casement-bars
Grey morning glimmers feebly: yet no change!
Another night, and still no sigh has stirred
That fallen discoloured mouth, no pang relit
Those fixed eyes, quenched by the decaying body,
Like torch-flame choked in dust. While all beside
Was breaking, to the last they held out bright,
As a stronghold where life intrenched itself;
But they are dead nowvery blind and dead:
He will drowse into death without a groan.
My Aureolemy forgotten, ruined Aureole!
The days are gone, are gone! How grand thou wast!
And now not one of those who struck thee down
Poor glorious spiritconcerns him even to stay
And satisfy himself his little hand
Could turn God's image to a livid thing.
Another night, and yet no change! 'T is much
That I should sit by him, and bathe his brow,
And chafe his hands; 't is much: but he will sure
Know me, and look on me, and speak to me
Once morebut only once! His hollow cheek
Looked all night long as though a creeping laugh
At his own state were just about to break
From the dying man: my brain swam, my throat swelled,
And yet I could not turn away. In truth,
They told me how, when first brought here, he seemed
Resolved to live, to lose no faculty;
Thus striving to keep up his shattered strength,
Until they bore him to this stifling cell:
When straight his features fell, an hour made white
The flushed face, and relaxed the quivering limb,
Only the eye remained intense awhile
As though it recognized the tomb-like place,
And then he lay as here he lies.
Ay, here!
Here is earth's noblest, nobly garlanded
Her bravest champion with his well-won prize
Her best achievement, her sublime amends
For countless generations fleeting fast
And followed by no trace;the creature-god
She instances when angels would dispute
The title of her brood to rank with them.
Angels, this is our angel! Those bright forms
We clothe with purple, crown and call to thrones,
Are human, but not his; those are but men
Whom other men press round and kneel before;
Those palaces are dwelt in by mankind;
Higher provision is for him you seek
Amid our pomps and glories: see it here!
Behold earth's paragon! Now, raise thee, clay!
God! Thou art love! I build my faith on that
Even as I watch beside thy tortured child
Unconscious whose hot tears fall fast by him,
So doth thy right hand guide us through the world
Wherein we stumble. God! what shall we say?
How has he sinned? How else should he have done?
Surely he sought thy praisethy praise, for all
He might be busied by the task so much
As half forget awhile its proper end.
Dost thou well, Lord? Thou canst not but prefer
That I should range myself upon his side
How could he stop at every step to set
Thy glory forth? Hadst thou but granted him
Success, thy honour would have crowned success,
A halo round a star. Or, say he erred,
Save him, dear God; it will be like thee: bathe him
In light and life! Thou art not made like us;
We should be wroth in such a case; but thou
Forgivestso, forgive these passionate thoughts
Which come unsought and will not pass away!
I know thee, who hast kept my path, and made
Light for me in the darkness, tempering sorrow
So that it reached me like a solemn joy;
It were too strange that I should doubt thy love.
But what am I? Thou madest him and knowest
How he was fashioned. I could never err
That way: the quiet place beside thy feet,
Reserved for me, was ever in my thoughts:
But hethou shouldst have favoured him as well!
Ah! he wakens! Aureole, I am here! 't is Festus!
I cast away all wishes save one wish
Let him but know me, only speak to me!
He mutters; louder and louder; any other
Than I, with brain less laden, could collect
What he pours forth. Dear Aureole, do but look!
Is it talking or singing, this he utters fast?
Misery that he should fix me with his eye,
Quick talking to some other all the while!
If he would husband this wild vehemence
Which frustrates its intent!I heard, I know
I heard my name amid those rapid words.
Oh, he will know me yet! Could I divert
This current, lead it somehow gently back
Into the channels of the past!His eye
Brighter than ever! It must recognize me!
I am Erasmus: I am here to pray
That Paracelsus use his skill for me.
The schools of Paris and of Padua send
These questions for your learning to resolve.
We are your students, noble master: leave
This wretched cell, what business have you here?
Our class awaits you; come to us once more!
(O agony! the utmost I can do
Touches him not; how else arrest his ear?)
I am commissioned . . . I shall craze like him.
Better be mute and see what God shall send.
Paracelsus.
Stay, stay with me!
Festus.
I will; I am come here
To stay with youFestus, you loved of old;
Festus, you know, you must know!
Paracelsus.
Festus! Where's
Aprile, then? Has he not chanted softly
The melodies I heard all night? I could not
Get to him for a cold hand on my breast,
But I made out his music well enough,
O well enough! If they have filled him full
With magical music, as they freight a star
With light, and have remitted all his sin,
They will forgive me too, I too shall know!
Festus.
Festus, your Festus!
Paracelsus.
Ask him if Aprile
Knows as he Lovesif I shall Love and Know?
I try; but that cold hand, like leadso cold!
Festus.
My hand, see!
Paracelsus.
Ah, the curse, Aprile, Aprile!
We get so nearso very, very near!
'T is an old tale: Jove strikes the Titans down,
Not when they set about their mountain-piling
But when another rock would crown the work.
And Phaetondoubtless his first radiant plunge
Astonished mortals, though the gods were calm,
And Jove prepared his thunder: all old tales!
Festus.
And what are these to you?
Paracelsus.
Ay, fiends must laugh
So cruelly, so well! most like I never
Could tread a single pleasure underfoot,
But they were grinning by my side, were chuckling
To see me toil and drop away by flakes!
Hell-spawn! I am glad, most glad, that thus I fail!
Your cunning has o'ershot its aim. One year,
One month, perhaps, and I had served your turn!
You should have curbed your spite awhile. But now,
Who will believe 't was you that held me back?
Listen: there's shame and hissing and contempt,
And none but laughs who names me, none but spits
Measureless scorn upon me, me alone,
The quack, the cheat, the liar,all on me!
And thus your famous plan to sink mankind
In silence and despair, by teaching them
One of their race had probed the inmost truth,
Had done all man could do, yet failed no less
Your wise plan proves abortive. Men despair?
Ha, ha! why, they are hooting the empiric,
The ignorant and incapable fool who rushed
Madly upon a work beyond his wits;
Nor doubt they but the simplest of themselves
Could bring the matter to triumphant issue.
So, pick and choose among them all, accursed!
Try now, persuade some other to slave for you,
To ruin body and soul to work your ends!
No, no; I am the first and last, I think.
Festus.
Dear friend, who are accursed? who has done
Paracelsus.
What have I done? Fiends dare ask that? or you,
Brave men? Oh, you can chime in boldly, backed
By the others! What had you to do, sage peers?
Here stand my rivals; Latin, Arab, Jew,
Greek, join dead hands against me: all I ask
Is, that the world enrol my name with theirs,
And even this poor privilege, it seems,
They range themselves, prepared to disallow.
Only observe! why, fiends may learn from them!
How they talk calmly of my throes, my fierce
Aspirings, terrible watchings, each one claiming
Its price of blood and brain; how they dissect
And sneeringly disparage the few truths
Got at a life's cost; they too hanging the while
About my neck, their lies misleading me
And their dead names browbeating me! Grey crew,
Yet steeped in fresh malevolence from hell,
Is there a reason for your hate? My truths
Have shaken a little the palm about each prince?
Just think, Aprile, all these leering dotards
Were bent on nothing less than to be crowned
As we! That yellow blear-eyed wretch in chief
To whom the rest cringe low with feigned respect,
Galen of Pergamos and hellnay speak
The tale, old man! We met there face to face:
I said the crown should fall from thee. Once more
We meet as in that ghastly vestibule:
Look to my brow! Have I redeemed my pledge?
Festus.
Peace, peace; ah, see!
Paracelsus.
Oh, emptiness of fame!
Oh Persic Zoroaster, lord of stars!
Who said these old renowns, dead long ago,
Could make me overlook the living world
To gaze through gloom at where they stood, indeed,
But stand no longer? What a warm light life
After the shade! In truth, my delicate witch,
My serpent-queen, you did but well to hide
The juggles I had else detected. Fire
May well run harmless o'er a breast like yours!
The cave was not so darkened by the smoke
But that your white limbs dazzled me: oh, white,
And panting as they twinkled, wildly dancing!
I cared not for your passionate gestures then,
But now I have forgotten the charm of charms,
The foolish knowledge which I came to seek,
While I remember that quaint dance; and thus
I am come back, not for those mummeries,
But to love you, and to kiss your little feet
Soft as an ermine's winter coat!
Festus.
A light
Will struggle through these thronging words at last.
As in the angry and tumultuous West
A soft star trembles through the drifting clouds.
These are the strivings of a spirit which hates
So sad a vault should coop it, and calls up
The past to stand between it and its fate.
Were he at Einsiedelnor Michal here!
Paracelsus.
Cruel! I seek her nowI kneelI shriek
I clasp her vesturebut she fades, still fades;
And she is gone; sweet human love is gone!
'T is only when they spring to heaven that angels
Reveal themselves to you; they sit all day
Beside you, and lie down at night by you
Who care not for their presence, muse or sleep,
And all at once they leave you, and you know them!
We are so fooled, so cheated! Why, even now
I am not too secure against foul play;
The shadows deepen and the walls contract:
No doubt some treachery is going on.
'T is very dusk. Where are we put, Aprile?
Have they left us in the lurch? This murky loathsome
Death-trap, this slaughter-house, is not the hall
In the golden city! Keep by me, Aprile!
There is a hand groping amid the blackness
To catch us. Have the spider-fingers got you,
Poet? Hold on me for your life! If once
They pull you!Hold!
'Tis but a dreamno more!
I have you still; the sun comes out again;
Let us be happy: all will yet go well!
Let us confer: is it not like, Aprile,
That spite of trouble, this ordeal passed,
The value of my labours ascertained,
Just as some stream foams long among the rocks
But after glideth glassy to the sea,
So, full content shall henceforth be my lot?
What think you, poet? Louder! Your clear voice
Vibrates too like a harp-string. Do you ask
How could I still remain on earth, should God
Grant me the great approval which I seek?
I, you, and God can comprehend each other,
But men would murmur, and with cause enough;
For when they saw me, stainless of all sin,
Preserved and sanctified by inward light,
They would complain that comfort, shut from them,
I drank thus unespied; that they live on,
Nor taste the quiet of a constant joy,
For ache and care and doubt and weariness,
While I am calm; help being vouchsafed to me,
And hid from them.'T were best consider that!
You reason well, Aprile; but at least
Let me know this, and die! Is this too much?
I will learn this, if God so please, and die!
If thou shalt please, dear God, if thou shalt please!
We are so weak, we know our motives least
In their confused beginning. If at first
I sought . . . but wherefore bare my heart to thee?
I know thy mercy; and already thoughts
Flock fast about my soul to comfort it,
And intimate I cannot wholly fail,
For love and praise would clasp me willingly
Could I resolve to seek them. Thou art good,
And I should be content. Yetyet first show
I have done wrong in daring! Rather give
The supernatural consciousness of strength
Which fed my youth! Only one hour of that
With thee to helpO what should bar me then!
Lost, lost! Thus things are ordered here! God's creatures,
And yet he takes no pride in us!none, none!
Truly there needs another life to come!
If this be all(I must tell Festus that)
And other life await us notfor one,
I say 't is a poor cheat, a stupid bungle,
A wretched failure. I, for one, protest
Against it, and I hurl it back with scorn.
Well, onward though alone! Small time remains,
And much to do: I must have fruit, must reap
Some profit from my toils. I doubt my body
Will hardly serve me through; while I have laboured
It has decayed; and now that I demand
Its best assistance, it will crumble fast:
A sad thought, a sad fate! How very full
Of wormwood 't is, that just at altar-service,
The rapt hymn rising with the rolling smoke,
When glory dawns and all is at the best,
The sacred fire may flicker and grow faint
And die for want of a wood-piler's help!
Thus fades the flagging body, and the soul
Is pulled down in the overthrow. Well, well
Let men catch every word, let them lose nought
Of what I say; something may yet be done.
They are ruins! Trust me who am one of you!
All ruins, glorious once, but lonely now.
It makes my heart sick to behold you crouch
Beside your desolate fane: the arches dim,
The crumbling columns grand against the moon,
Could I but rear them up once morebut that
May never be, so leave them! Trust me, friends,
Why should you linger here when I have built
A far resplendent temple, all your own?
Trust me, they are but ruins! See, Aprile,
Men will not heed! Yet were I not prepared
With better refuge for them, tongue of mine
Should ne'er reveal how blank their dwelling is:
I would sit down in silence with the rest.
Ha, what? you spit at me, you grin and shriek
Contempt into my earmy ear which drank
God's accents once? you curse me? Why men, men,
I am not formed for it! Those hideous eyes
Will be before me sleeping, waking, praying,
They will not let me even die. Spare, spare me,
Sinning or no, forget that, only spare me
The horrible scorn! You thought I could support it.
But now you see what silly fragile creature
Cowers thus. I am not good nor bad enough,
Not Christ nor Cain, yet even Cain was saved
From Hate like this. Let me but totter back!
Perhaps I shall elude those jeers which creep
Into my very brain, and shut these scorched
Eyelids and keep those mocking faces out.
Listen, Aprile! I am very calm:
Be not deceived, there is no passion here
Where the blood leaps like an imprisoned thing:
I am calm: I will exterminate the race!
Enough of that: 't is said and it shall be.
And now be merry: safe and sound am I
Who broke through their best ranks to get at you.
And such a havoc, such a rout, Aprile!
Festus.
Have you no thought, no memory for me,
Aureole? I am so wretchedmy pure Michal
Is gone, and you alone are left me now,
And even you forget me. Take my hand
Lean on me thus. Do you not know me, Aureole?
Paracelsus.
Festus, my own friend, you are come at last?
As you say, 't is an awful enterprise;
But you believe I shall go through with it:
'T is like you, and I thank you. Thank him for me,
Dear Michal! See how bright St. Saviour's spire
Flames in the sunset; all its figures quaint
Gay in the glancing light: you might conceive them
A troop of yellow-vested white-haired Jews
Bound for their own land where redemption dawns.
Festus.
Not that blest timenot our youth's time, dear God!
Paracelsus.
Hastay! true, I forgetall is done since,
And he is come to judge me. How he speaks,
How calm, how well! yes, it is true, all true;
All quackery; all deceit; myself can laugh
The first at it, if you desire: but still
You know the obstacles which taught me tricks
So foreign to my natureenvy and hate,
Blind opposition, brutal prejudice,
Bald ignorancewhat wonder if I sunk
To humour men the way they most approved?
My cheats were never palmed on such as you,
Dear Festus! I will kneel if you require me,
Impart the meagre knowledge I possess,
Explain its bounded nature, and avow
My insufficiencywhate'er you will:
I give the fight up: let there be an end,
A privacy, an obscure nook for me.
I want to be forgotten even by God.
But if that cannot be, dear Festus, lay me,
When I shall die, within some narrow grave,
Not by itselffor that would be too proud
But where such graves are thickest; let it look
Nowise distinguished from the hillocks round,
So that the peasant at his brother's bed
May tread upon my own and know it not;
And we shall all be equal at the last,
Or classed according to life's natural ranks,
Fathers, sons, brothers, friendsnot rich, nor wise,
Nor gifted: lay me thus, then say, "He lived
"Too much advanced before his brother men;
"They kept him still in front: 't was for their good
"But yet a dangerous station. It were strange
"That he should tell God he had never ranked
"With men: so, here at least he is a man."
Festus.
That God shall take thee to his breast, dear spirit,
Unto his breast, be sure! and here on earth
Shall splendour sit upon thy name for ever.
Sun! all the heaven is glad for thee: what care
If lower mountains light their snowy phares
At thine effulgence, yet acknowledge not
The source of day? Their theft shall be their bale:
For after-ages shall retrack thy beams,
And put aside the crowd of busy ones
And worship thee alonethe master-mind,
The thinker, the explorer, the creator!
Then, who should sneer at the convulsive throes
With which thy deeds were born, would scorn as well
The sheet of winding subterraneous fire
Which, pent and writhing, sends no less at last
Huge islands up amid the simmering sea.
Behold thy might in me! thou hast infused
Thy soul in mine; and I am grand as thou,
Seeing I comprehend theeI so simple,
Thou so august. I recognize thee first;
I saw thee rise, I watched thee early and late,
And though no glance reveal thou dost accept
My homagethus no less I proffer it,
And bid thee enter gloriously thy rest.
Paracelsus.
Festus!
Festus.
I am for noble Aureole, God!
I am upon his side, come weal or woe.
His portion shall be mine. He has done well.
I would have sinned, had I been strong enough,
As he has sinned. Reward him or I waive
Reward! If thou canst find no place for him,
He shall be king elsewhere, and I will be
His slave for ever. There are two of us.
Paracelsus.
Dear Festus!
Festus.
Here, dear Aureole! ever by you!
Paracelsus.
Nay, speak on, or I dream again. Speak on!
Some story, anythingonly your voice.
I shall dream else. Speak on! ay, leaning so!
Festus.
Thus the Mayne glideth
Where my Love abideth.
Sleep's no softer: it proceeds
On through lawns, on through meads,
On and on, whate'er befall,
Meandering and musical,
Though the ****rd pasturage
Bears not on its shaven ledge
Aught but weeds and waving grasses
To view the river as it passes,
Save here and there a scanty patch
Of primroses too faint to catch
A weary bee.
Paracelsus.
More, more; say on!
Festus.
And scarce it pushes
Its gentle way through strangling rushes
Where the glossy kingfisher
Flutters when noon-heats are near,
Glad the shelving banks to shun,
Red and steaming in the sun,
Where the shrew-mouse with pale throat
Burrows, and the speckled stoat;
Where the quick sandpipers flit
In and out the marl and grit
That seems to breed them, brown as they:
Nought disturbs its quiet way,
Save some lazy stork that springs,
Trailing it with legs and wings,
Whom the shy fox from the hill
Rouses, creep he ne'er so still.
Paracelsus.
My heart! they loose my heart, those simple words;
Its darkness passes, which nought else could touch:
Like some dark snake that force may not expel,
Which glideth out to music sweet and low.
What were you doing when your voice broke through
A chaos of ugly images? You, indeed!
Are you alone here?
Festus.
All alone: you know me?
This cell?
Paracelsus.
An unexceptionable vault:
Good brick and stone: the bats kept out, the rats
Kept in: a snug nook: how should I mistake it?
Festus.
But wherefore am I here?
Paracelsus.
Ah, well remembered!
Why, for a purposefor a purpose, Festus!
'T is like me: here I trifle while time fleets,
And this occasion, lost, will ne'er return.
You are here to be instructed. I will tell
God's message; but I have so much to say,
I fear to leave half out. All is confused
No doubt; but doubtless you will learn in time.
He would not else have brought you here: no doubt
I shall see clearer soon.
Festus.
Tell me but this
You are not in despair?
Paracelsus.
I? and for what?
Festus.
Alas, alas! he knows not, as I feared!
Paracelsus.
What is it you would ask me with that earnest
Dear searching face?
Festus.
How feel you, Aureole?
Paracelsus.
Well:
Well. 'T is a strange thing: I am dying, Festus,
And now that fast the storm of life subsides,
I first perceive how great the whirl has been.
I was calm then, who am so dizzy now
Calm in the thick of the tempest, but no less
A partner of its motion and mixed up
With its career. The hurricane is spent,
And the good boat speeds through the brightening weather;
But is it earth or sea that heaves below?
The gulf rolls like a meadow-swell, o'erstrewn
With ravaged boughs and remnants of the shore;
And now some slet, loosened from the land,
Swims past with all its trees, sailing to ocean;
And now the air is full of uptorn canes,
Light strippings from the fan-trees, tamarisks
Unrooted, with their birds still clinging to them,
All high in the wind. Even so my varied life
Drifts by me; I am young, old, happy, sad,
Hoping, desponding, acting, taking rest,
And all at once: that is, those past conditions
Float back at once on me. If I select
Some special epoch from the crowd, 't is but
To will, and straight the rest dissolve away,
And only that particular state is present
With all its long-forgotten circumstance
Distinct and vivid as at firstmyself
A careless looker-on and nothing more,
Indifferent and amused, but nothing more.
And this is death: I understand it all.
New being waits me; new perceptions must
Be born in me before I plunge therein;
Which last is Death's affair; and while I speak,
Minute by minute he is filling me
With power; and while my foot is on the threshold
Of boundless lifethe doors unopened yet,
All preparations not complete within
I turn new knowledge upon old events,
And the effect is . . . but I must not tell;
It is not lawful. Your own turn will come
One day. Wait, Festus! You will die like me.
Festus.
'T is of that past life that I burn to hear.
Paracelsus.
You wonder it engages me just now?
In truth, I wonder too. What 's life to me?
Where'er I look is fire, where'er I listen
Music, and where I tend bliss evermore.
Yet how can I refrain? 'T is a refined
Delight to view those chances,one last view.
I am so near the perils I escape,
That I must play with them and turn them over,
To feel how fully they are past and gone.
Still, it is like, some further cause exists
For this peculiar moodsome hidden purpose;
Did I not tell you something of it, Festus?
I had it fast, but it has somehow slipt
Away from me; it will return anon.
Festus.
(Indeed his cheek seems young again, his voice
Complete with its old tones: that little laugh
Concluding every phrase, with upturned eye,
As though one stooped above his head to whom
He looked for confirmation and approval,
Where was it gone so long, so well preserved?
Then, the fore-finger pointing as he speaks,
Like one who traces in an open book
The matter he declares; 't is many a year
Since I remarked it last: and this in him,
But now a ghastly wreck!)
And can it be,
Dear Aureole, you have then found out at last
That worldly things are utter vanity?
That man is made for weakness, and should wait
In patient ignorance, till God appoint . . .
Paracelsus.
Ha, the purpose: the true purpose: that is it!
How could I fail to apprehend! You here,
I thus! But no more trifling: I see all,
I know all: my last mission shall be done
If strength suffice. No trifling! Stay; this posture
Hardly befits one thus about to speak:
I will arise.
Festus.
Nay, Aureole, are you wild?
You cannot leave your couch.
Paracelsus.
No help; no help;
Not even your hand. So! there, I stand once more!
Speak from a couch? I never lectured thus.
My gownthe scarlet lined with fur; now put
The chain about my neck; my signet-ring
Is still upon my hand, I thinkeven so;
Last, my good sword; ah, trusty Azoth, leapest
Beneath thy master's grasp for the last time?
This couch shall be my throne: I bid these walls
Be consecrate, this wretched cell become
A shrine, for here God speaks to men through me.
Now, Festus, I am ready to begin.
Festus.
I am dumb with wonder.
Paracelsus.
Listen, therefore, Festus!
There will be time enough, but none to spare.
I must content myself with telling only
The most important points. You doubtless feel
That I am happy, Festus; very happy.
Festus.
'T is no delusion which uplifts him thus!
Then you are pardoned, Aureole, all your sin?
Paracelsus.
Ay, pardoned: yet why pardoned?
Festus.
'T is God's praise
That man is bound to seek, and you . . .
Paracelsus.
Have lived!
We have to live alone to set forth well
God's praise. 'T is true, I sinned much, as I thought,
And in effect need mercy, for I strove
To do that very thing; but, do your best
Or worst, praise rises, and will rise for ever
Pardon from him, because of praise denied
Who calls me to himself to exalt himself?
He might laugh as I laugh!
Festus.
But all comes
To the same thing. 'T is fruitless for mankind
To fret themselves with what concerns them not;
They are no use that way: they should lie down
Content as God has made them, nor go mad
In thriveless cares to better what is ill.
Paracelsus.
No, no; mistake me not; let me not work
More harm than I have worked! This is my case:
If I go joyous back to God, yet bring
No offering, if I render up my soul
Without the fruits it was ordained to bear,
If I appear the better to love God
For sin, as one who has no claim on him,-
Be not deceived! It may be surely thus
With me, while higher prizes still await
The mortal persevering to the end.
Beside I am not all so valueless:
I have been something, though too soon I left
Following the instincts of that happy time.
Festus.
What happy time? For God's sake, for man's sake,
What time was happy? All I hope to know
That answer will decide. What happy time?
Paracelsus.
When but the time I vowed myself to man?
Festus.
Great God, thy judgments are inscrutable!
Paracelsus.
Yes, it was in me; I was born for it
I, Paracelsus: it was mine by right.
Doubtless a searching and impetuous soul
Might learn from its own motions that some task
Like this awaited it about the world;
Might seek somewhere in this blank life of ours
For fit delights to stay its longings vast;
And, grappling Nature, so prevail on her
To fill the creature full she dared thus frame
Hungry for joy; and, bravely tyrannous,
Grow in demand, still craving more and more,
And make each joy conceded prove a pledge
Of other joy to followbating nought
Of its desires, still seizing fresh pretence
To turn the knowledge and the rapture wrung
As an extreme, last boon, from destiny,
Into occasion for new coyetings,
New strifes, new triumphs:doubtless a strong soul,
Alone, unaided might attain to this,
So glorious is our nature, so august
Man's inborn uninstructed impulses,
His naked spirit so majestical!
But this was born in me; I was made so;
Thus much time saved: the feverish appeties,
The tumult of unproved desire, the unaimed
Uncertain yearnings, aspirations blind,
Distrust, mistake, and all that ends in tears
Were saved me; thus I entered on my course.
You may be sure I was not all exempt
From human trouble; just so much of doubt
As bade me plant a surer foot upon
The sun-road, kept my eye unruined 'mid
The fierce and flashing splendour, set my heart
Trembling so much as warned me I stood there
On sufferancenot to idly gaze, but cast
Light on a darkling race; save for that doubt,
I stood at first where all aspire at last
To stand: the secret of the world was mine.
I knew, I felt, (perception unexpressed,
Uncomprehended by our narrow thought,
But somehow felt and known in every shift
And change in the spirit,nay, in every pore
Of the body, even,)what God is, what we are,
What life ishow God tastes an infinite joy
In infinite waysone everlasting bliss,
From whom all being emanates, all power
Proceeds; in whom is life for evermore,
Yet whom existence in its lowest form
Includes; where dwells enjoyment there is he;
With still a flying point of bliss remote,
A happiness in store afar, a sphere
Of distant glory in full view; thus climbs
Pleasure its heights for ever and for ever.
The centre-fire heaves underneath the earth,
And the earth changes like a human face;
The molten ore bursts up among the rocks,
Winds into the stone's heart, outbranches bright
In hidden mines, spots barren river-beds,
Crumbles into fine sand where sunbeams bask
God joys therein. The wroth sea's waves are edged
With foam, white as the bitten lip of hate,
When, in the solitary waste, strange groups
Of young volcanos come up, cyclops-like,
Staring together with their eyes on flame
God tastes a pleasure in their uncouth pride.
Then all is still; earth is a wintry clod:
But spring-wind, like a dancing psaltress, passes
Over its breast to waken it, rare verdure
Buds tenderly upon rough banks, between
The withered tree-roots and the cracks of frost,
Like a smile striving with a wrinkled face;
The grass grows bright, the boughs are swoln with blooms
Like chrysalids impatient for the air,
The shining dorrs are busy, beetles run
Along the furrows, ants make their ado;
Above, birds fly in merry flocks, the lark
Soars up and up, shivering for very joy;
Afar the ocean sleeps; white fishing-gulls
Flit where the strand is purple with its tribe
Of nested limpets; savage creatures seek
Their loves in wood and plainand God renews
His ancient rapture. Thus he dwells in all,
From life's minute beginnings, up at last
To manthe consummation of this scheme
Of being, the completion of this sphere
Of life: whose attributes had here and there
Been scattered o'er the visible world before,
Asking to be combined, dim fragments meant
To be united in some wondrous whole,
Imperfect qualities throughout creation,
Suggesting some one creature yet to make,
Some point where all those scattered rays should meet
Convergent in the faculties of man.
Powerneither put forth blindly, nor controlled
Calmly by perfect knowledge; to be used
At risk, inspired or checked by hope and fear:
Knowledgenot intuition, but the slow
Uncertain fruit of an enhancing toil,
Strengthened by love: lovenot serenely pure,
But strong from weakness, like a chance-sown plant
Which, cast on stubborn soil, puts forth changed buds
And softer stains, unknown in happier climes;
Love which endures and doubts and is oppressed
And cherished, suffering much and much sustained,
And blind, oft-failing, yet believing love,
A half-enlightened, often-chequered trust:
Hints and previsions of which faculties,
Are strewn confusedly everywhere about
The inferior natures, and all lead up higher,
All shape out dimly the superior race,
The heir of hopes too fair to turn out false,
And man appears at last. So far the seal
Is put on life; one stage of being complete,
One scheme wound up: and from the grand result
A supplementary reflux of light,
Illustrates all the inferior grades, explains
Each back step in the circle. Not alone
For their possessor dawn those qualities,
But the new glory mixes with the heaven
And earth; man, once descried, imprints for ever
His presence on all lifeless things: the winds
Are henceforth voices, wailing or a shout,
A querulous mutter or a quick gay laugh,
Never a senseless gust now man is born.
The herded pines commune and have deep thoughts
A secret they assemble to discuss
When the sun drops behind their trunks which glare
Like grates of hell: the peerless cup afloat
Of the lake-lily is an urn, some nymph
Swims bearing high above her head: no bird
Whistles unseen, but through the gaps above
That let light in upon the gloomy woods,
A shape peeps from the breezy forest-top,
Arch with small puckered mouth and mocking eye.
The morn has enterprise, deep quiet droops
With evening, triumph takes the sunset hour,
Voluptuous transport ripens with the corn
Beneath a warm moon like a happy face:
And this to fill us with regard for man.
With apprehension of his passing worth,
Desire to work his proper nature out,
And ascertain his rank and final place,
For these things tend still upward, progress is
The law of life, man is not Man as yet.
Nor shall I deem his object served, his end
Attained, his genuine strength put fairly forth,
While only here and there a star dispels
The darkness, here and there a towering mind
O'erlooks its prostrate fellows: when the host
Is out at once to the despair of night,
When all mankind alike is perfected,
Equal in full-blown powersthen, not till then,
I say, begins man's general infancy.
For wherefore make account of feverish starts
Of restless members of a dormant whole,
Impatient nerves which quiver while the body
Slumbers as in a grave? Oh long ago
The brow was twitched, the tremulous lids astir,
The peaceful mouth disturbed; half-uttered speech
Ruffled the lip, and then the teeth were set,
The breath drawn sharp, the strong right-hand clenched stronger,
As it would pluck a lion by the jaw;
The glorious creature laughed out even in sleep!
But when full roused, each giant-limb awake,
Each sinew strung, the great heart pulsing fast,
He shall start up and stand on his own earth,
Then shall his long triumphant march begin,
Thence shall his being date,thus wholly roused,
What he achieves shall be set down to him.
When all the race is perfected alike
As man, that is; all tended to mankind,
And, man produced, all has its end thus far:
But in completed man begins anew
A tendency to God. Prognostics told
Man's near approach; so in man's self arise
August anticipations, symbols, types
Of a dim splendour ever on before
In that eternal circle life pursues.
For men begin to pass their nature's bound,
And find new hopes and cares which fast supplant
Their proper joys and griefs; they grow too great
For narrow creeds of right and wrong, which fade
Before the unmeasured thirst for good: while peace
Rises within them ever more and more.
Such men are even now upon the earth,
Serene amid the half-formed creatures round
Who should be saved by them and joined with them.
Such was my task, and I was born to it
Free, as I said but now, from much that chains
Spirits, high-dowered but limited and vexed
By a divided and delusive aim,
A shadow mocking a reality
Whose truth avails not wholly to disperse
The flitting mimic called up by itself,
And so remains perplexed and nigh put out
By its fantastic fellow's wavering gleam.
I, from the first, was never cheated thus;
I never fashioned out a fancied good
Distinct from man's; a service to be done,
A glory to be ministered unto
With powers put forth at man's expense, withdrawn
From labouring in his behalf; a strength
Denied that might avail him. I cared not
Lest his success ran counter to success
Elsewhere: for God is glorified in man,
And to man's glory vowed I soul and limb.
Yet, constituted thus, and thus endowed,
I failed: I gazed on power till I grew blind.
Power; I could not take my eyes from that:
That only, I thought, should be preserved, increased
At any risk, displayed, struck out at once-
The sign and note and character of man.
I saw no use in the past: only a scene
Of degradation, ugliness and tears,
The record of disgraces best forgotten,
A sullen page in human chronicles
Fit to erase. I saw no cause why man
Should not stand all-sufficient even now,
Or why his annals should be forced to tell
That once the tide of light, about to break
Upon the world, was sealed within its spring:
I would have had one day, one moment's space,
Change man's condition, push each slumbering claim
Of mastery o'er the elemental world
At once to full maturity, then roll
Oblivion o'er the work, and hide from man
What night had ushered morn. Not so, dear child
Of after-days, wilt thou reject the past
Big with deep warnings of the proper tenure
By which thou hast the earth: for thee the present
Shall have distinct and trembling beauty, seen
Beside that past's own shade when, in relief,
Its brightness shall stand out: nor yet on thee
Shall burst the future, as successive zones
Of several wonder open on some spirit
Flying secure and glad from heaven to heaven:
But thou shalt painfully attain to joy,
While hope and fear and love shall keep thee man!
All this was hid from me: as one by one
My dreams grew dim, my wide aims circumscribed,
As actual good within my reach decreased,
While obstacles sprung up this way and that
To keep me from effecting half the sum,
Small as it proved; as objects, mean within
The primal aggregate, seemed, even the least,
Itself a match for my concentred strength
What wonder if I saw no way to shun
Despair? The power I sought for man, seemed God's.
In this conjuncture, as I prayed to die,
A strange adventure made me know, one sin
Had spotted my career from its uprise;
I saw Aprilemy Aprile there!
And as the poor melodious wretch disburthened
His heart, and moaned his weakness in my ear,
I learned my own deep error; love's undoing
Taught me the worth of love in man's estate,
And what proportion love should hold with power
In his right constitution; love preceding
Power, and with much power, always much more love;
Love still too straitened in his present means,
And earnest for new power to set love free.
I learned this, and supposed the whole was learned:
And thus, when men received with stupid wonder
My first revealings, would have worshipped me,
And I despised and loathed their proffered praise
When, with awakened eyes, they took revenge
For past credulity in casting shame
On my real knowledge, and I hated them
It was not strange I saw no good in man,
To overbalance all the wear and waste
Of faculties, displayed in vain, but born
To prosper in some better sphere: and why?
In my own heart love had not been made wise
To trace love's faint beginnings in mankind,
To know even hate is but a mask of love's,
To see a good in evil, and a hope
In ill-success; to sympathize, be proud
Of their half-reasons, faint aspirings, dim
Struggles for truth, their poorest fallacies,
Their prejudice and fears and cares and doubts;
All with a touch of nobleness, despite
Their error, upward tending all though weak,
Like plants in mines which never saw the sun,
But dream of him, and guess where he may be,
And do their best to climb and get to him.
All this I knew not, and I failed. Let men
Regard me, and the poet dead long ago
Who loved too rashly; and shape forth a third
And better-tempered spirit, warned by both:
As from the over-radiant star too mad
To drink the life-springs, beamless thence itself
And the dark orb which borders the abyss,
Ingulfed in icy night,might have its course
A temperate and equidistant world.
Meanwhile, I have done well, though not all well.
As yet men cannot do without contempt;
'T is for their good, and therefore fit awhile
That they reject the weak, and scorn the false,
Rather than praise the strong and true, in me:
But after, they will know me. If I stoop
Into a dark tremendous sea of cloud,
It is but for a time; I press God's lamp
Close to my breast; its splendour, soon or late,
Will pierce the gloom: I shall emerge one day.
You understand me? I have said enough?
Festus.
Now die, dear Aureole!
Paracelsus.
Festus, let my hand
This hand, lie in your own, my own true friend!
Aprile! Hand in hand with you, Aprile!
Festus.
And this was Paracelsus!
~ Robert Browning, Paracelsus - Part V - Paracelsus Attains
,#NFDB
1430: Book III: The Book of the Assembly
But as the nation beset betwixt doom and a shameful surrender
Waited mute for a voice that could lead and a heart to encourage,
Up in the silence deep Laocoon rose up, far-heard,
Heard by the gods in their calm and heard by men in their passion
Cloud-haired, clad in mystic red, flamboyant, sombre,
Priams son Laocoon, fate-darkened seer of Apollo.
As when the soul of the Ocean arises rapt in the dawning
And mid the rocks and the foam uplifting the voice of its musings
Opens the chant of its turbulent harmonies, so rose the far-borne
Voice of Laocoon soaring mid columns of Ilions glories,
Claiming the earth and the heavens for the field of its confident rumour.
Trojans, deny your hearts to the easeful flutings of Hades!
Live, O nation! he thundered forth and Troys streets and her pillars
Sent back their fierce response. Restored to her leonine spirits
Ilion rose in her agora filling the heavens with shoutings,
Bearing a name to the throne of Zeus in her mortal defiance.
As when a sullen calm of the heavens discourages living,
Nature and man feel the pain of the lightnings repressed in their bosoms,
Dangerous and dull is the air, then suddenly strong from the anguish
Zeus of the thunders starts into glories releasing his storm-voice,
Earth exults in the kiss of the rain and the life-giving laughters,
So from the silence broke forth the thunder of Troya arising;
Fiercely she turned from prudence and wisdom and turned back to greatness
Casting her voice to the heavens from the depths of her fathomless spirit.
Raised by those clamours, triumphant once more on this scene of his greatness,
Tool of the gods, but he deemed of his strength as a leader in Nature,
Took for his own a voice that was given and dreamed that he fashioned
Fate that fashions us all, Laocoon stood mid the shouting
Leaned on the calm of an ancient pillar. In eyes self-consuming
Kindled the flame of the prophet that blinds at once and illumines;
Quivering thought-besieged lips and shaken locks of the lion,
Lifted his gaze the storm-led enthusiast. Then as the shouting
Tired of itself at last disappeared in the bosom of silence,
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Once more he started erect and his voice oer the hearts of his hearers
Swept like Oceans impatient cry when it calls from its surges,
Ocean loud with a thought sublime in its measureless marching,
Each man felt his heart like foam in the rushing of waters.
Ilion is vanquished then! she abases her grandiose spirit
Mortal found in the end to the gods and the Greeks and Antenor,
And when a barbarous chieftains menace and insolent mercy
Bring here their pride to insult the columned spirit of Ilus,
Trojans have sat and feared! For a man has arisen and spoken,
One whom the gods in their anger have hired. Since the Argive prevailed not,
Armed with his strength and his numbers, in Troya they sought for her slayer,
Gathered their wiles in a voice and they chose a man famous and honoured,
Summoned Ate to aid and corrupted the heart of Antenor.
Flute of the breath of the Hell-witch, always he scatters among you
Doubt, affliction and weakness chilling the hearts of the fighters,
Always his voice with its cadenced and subtle possession for evil
Breaks the constant will and maims the impulse heroic.
Therefore while yet her heroes fight and her arms are unconquered,
Troy in your hearts is defeated! The souls of your Fathers have heard you
Dallying, shamefast, with vileness, lured by the call of dishonour.
Such is the power Zeus gave to the wingd words of a mortal!
Foiled in his will, disowned by the years that stride on for ever,
Yet in the frenzy cold of his greed and his fallen ambition
Doom from heaven he calls down on his countrymen, Trojan abuses
Troy, his country, extolling her enemies, blessing her slayers.
Such are the gods Antenor has made in his hearts own image
That if one evil man have not way for his greed and his longing
Cities are doomed and kings must be slain and a nation must perish!
But from the mind of the free and the brave I will answer thy bodings,
Gold-hungry raven of Troy who croakst from thy nest at her princes.
Only one doom irreparable treads down the soul of a nation,
Only one downfall endures; tis the ruin of greatness and virtue,
Mourning when Freedom departs from the life and the heart of a people,
Into her room comes creeping the mind of the slave and it poisons
Manhood and joy and the voice to lying is trained and subjection
Easy feels to the neck of man who is next to the godheads.
Not of the fire am I terrified, not of the sword and its slaying;
Vileness of men appals me, baseness I fear and its voices.
What can man suffer direr or worse than enslaved from a victor
Boons to accept, to take safety and ease from the foe and the stranger,
Fallen from the virtue stern that heaven permits to a mortal?
Death is not keener than this nor the slaughter of friends and our dear ones.
Out and alas! earths greatest are earth and they fail in the testing,
Conquered by sorrow and doubt, fates hammerers, fires of her furnace.
God in their souls they renounce and submit to their clay and its promptings.
Else could the heart of Troy have recoiled from the loom of the shadow
Cast by Achilles spear or shrunk at the sound of his car-wheels?
Now he has graven an oath austere in his spirit unpliant
Victor at last to constrain in his stride the walls of Apollo
Burning Troy ere he sleeps. Tis the vow of a high-crested nature;
Shall it break ramparted Troy? Yea, the soul of a man too is mighty
More than the stone and the mortar! Troy had a soul once, O Trojans,
Firm as her god-built ramparts. When by the spears overtaken,
Strong Sarpedon fell and Zeus averted his visage,
Xanthus red to the sea ran sobbing with bodies of Trojans,
When in the day of the silence of heaven the far-glancing helmet
Ceased from the ways of the fight, and panic slew with Achilles
Hosts who were left unshepherded pale at the fall of their greatest,
Godlike Troy lived on. Do we speak mid a citys ruins?
Lo! she confronts her heavens as when Tros and Laomedon ruled her.
All now is changed, these mutter and sigh to you, all now is ended;
Strength has renounced you, Fate has finished the thread of her spinning.
Hector is dead, he walks in the shadows; Troilus fights not;
Resting his curls on the asphodel he has forgotten his country:
Strong Sarpedon lies in Bellerophons city sleeping:
Memnon is slain and the blood of Rhesus has dried on the Troad:
All of the giant Asius sums in a handful of ashes.
Grievous are these things; our hearts still keep all the pain of them treasured,
Hard though they grow by use and iron caskets of sorrow.
Hear me yet, O fainters in wisdom snared by your pathos,
Know this iron world we live in where Hell casts its shadow.
Blood and grief are the ransom of men for the joys of their transience,
For we are mortals bound in our strength and beset in our labour.
This is our human destiny; every moment of living
Toil and loss have gained in the constant siege of our bodies.
Men must sow earth with their hearts and their tears that their country may prosper;
Earth who bore and devours us that life may be born from our remnants.
Then shall the Sacrifice gather its fruits when the war-shout is silent,
Nor shall the blood be in vain that our mother has felt on her bosom
Nor shall the seed of the mighty fail where Death is the sower.
Still from the loins of the mother eternal are heroes engendered,
Still Deiphobus shouts in the war-front trampling the Argives,
Strong Aeneas far-borne voice is heard from our ramparts,
Paris hands are swift and his feet in the chases of Ares.
Lo, when deserted we fight by Asias soon-wearied peoples,
Men ingrate who enjoyed the protection and loathed the protector,
Heaven has sent us replacing a continent Penthesilea!
Low has the heart of Achaia sunk since it shook at her war-cry.
Ajax has bit at the dust; it is all he shall have of the Troad;
Tall Meriones lies and measures his portion of booty.
Who is the fighter in Ilion thrills not rejoicing to hearken
Even her name on unwarlike lips, much more in the mellay
Shout of the daughter of battles, armipotent Penthesilea?
If there were none but these only, if hosts came not surging behind them,
Young men burning-eyed to outdare all the deeds of their elders,
Each in his beauty a Troilus, each in his valour a Hector,
Yet were the measures poised in the equal balance of Ares.
Who then compels you, O people unconquered, to sink down abjuring
All that was Troy? For O, if she yield, let her use not ever
One of her titles! shame not the shades of Teucer and Ilus,
Soil not Tros! Are you awed by the strength of the swift-foot Achilles?
Is it a sweeter lure in the cadenced voice of Antenor?
Or are you weary of Time and the endless roar of the battle?
Wearier still are the Greeks! their eyes look out oer the waters
Nor with the flight of their spears is the wing of their hopes towards Troya.
Dull are their hearts; they sink from the war-cry and turn from the spear-stroke
Sullenly dragging backwards, desiring the paths of the Ocean,
Dreaming of hearths that are far and the children growing to manhood
Who are small infant faces still in the thoughts of their fathers.
Therefore these call you to yield lest they wake and behold in the dawn-light
All Poseidon whitening lean to the west in his waters
Thick with the sails of the Greeks departing beaten to Hellas.
Who is it calls? Antenor the statesman, Antenor the patriot,
Thus who loves his country and worships the soil of his fathers!
Which of you loves like him Troya? which of the children of heroes
Yearns for the touch of a yoke on his neck and desires the aggressor?
If there be any so made by the gods in the nation of Ilus,
Leaving this city which freemen have founded, freemen have dwelt in,
Far on the beach let him make his couch in the tents of Achilles,
Not in this mighty Ilion, not with this lioness fighting,
Guarding the lair of her young and roaring back at her hunters.
We who are souls descended from Ilus and seeds of his making,
Other-hearted shall march from our gates to answer Achilles.
What! shall this ancient Ilion welcome the day of the conquered?
She who was head of the world, shall she live in the guard of the Hellene
Cherished as slavegirls are, who are taken in war, by their captors?
Europe shall walk in our streets with the pride and the gait of the victor?
Greeks shall enter our homes and prey on our mothers and daughters?
This Antenor desires and this Ucalegon favours.
Traitors! whether tis cowardice drives or the sceptic of virtue,
Cold-blooded age, or gold insatiably tempts from its coffers
Pleading for safety from foreign hands and the sack and the plunder.
Leave them, my brothers! spare the baffled hypocrites! Failure
Sharpest shall torture their hearts when they know that still you are Trojans.
Silence, O reason of man! for a voice from the gods has been uttered!
Dardanans, hearken the sound divine that comes to you mounting
Out of the solemn ravines from the mystic seat on the tripod!
Phoebus, the master of Truth, has promised the earth to our peoples.
Children of Zeus, rejoice! for the Olympian brows have nodded
Regal over the world. In earths rhythm of shadow and sunlight
Storm is the dance of the locks of the God assenting to greatness,
Zeus who with secret compulsion orders the ways of our nature;
Veiled in events he lives and working disguised in the mortal
Builds our strength by pain, and an empire is born out of ruins.
Then if the tempest be loud and the thunderbolt leaping incessant
Shatters the roof, if the lintels flame at last and each cornice
Shrieks with the pain of the blast, if the very pillars totter,
Keep yet your faith in Zeus, hold fast to the word of Apollo.
Not by a little pain and not by a temperate labour
Trained is the nation chosen by Zeus for a dateless dominion.
Long must it labour rolled in the foam of the fathomless surges,
Often neighbour with death and ere Ares grow firm to its banners
Feel on the pride of its Capitol tread of the triumphing victor,
Hear the barbarian knock at its gates or the neighbouring foeman
Glad of the transient smile of his fortune suffer insulting;
They, the nation eternal, brook their taunts who must perish!
Heaviest toils they must bear; they must wrestle with Fate and her Titans,
And when some leader returns from the battle sole of his thousands
Crushed by the hammers of God, yet never despair of their country.
Dread not the ruin, fear not the storm-blast, yield not, O Trojans.
Zeus shall rebuild. Death ends not our days, the fire shall not triumph.
Death? I have faced it. Fire? I have watched it climb in my vision
Over the timeless domes and over the rooftops of Priam;
But I have looked beyond and have seen the smile of Apollo.
After her glorious centuries, after her world-wide triumphs,
If near her ramparts outnumbered she fights, by the nations forsaken,
Lonely again on her hill, by her streams, and her meadows and beaches,
Once where she revelled, shake to the tramp of her countless invaders,
Testings are these from the god. For Fate severe like a mother
Teaches our wills by disaster and strikes down the props that would weaken,
Fate and the Thought on high that is wiser than yearnings of mortals.
Troy has arisen before, but from ashes, not shame, not surrender!
Souls that are true to themselves are immortal; the soulless for ever
Lingers helpless in Hades a shade among shades disappointed.
Now is the god in my bosom mighty compelling me, Trojans,
Now I release what my spirit has kept and it saw in its vision;
Nor will be silent for gibe of the cynic or sneer of the traitor.
Troy shall triumph! Hear, O ye peoples, the word of Apollo.
Hear it and tremble, O Greece, in thy youth and the dawn of thy future;
Rather forget while thou canst, but the gods in their hour shall remind thee.
Tremble, O nations of Asia, false to the greatness within you.
Troy shall surge back on your realms with the sword and the yoke of the victor.
Troy shall triumph! Though nations conspire and gods lead her foemen,
Fate that is born of the spirit is greater than they and will shield her.
Foemen shall help her with war; her defeats shall be victorys moulders.
Walls that restrain shall be rent; she shall rise out of sessions unsettled.
Oceans shall be her walls at the end and the desert her limit;
Indus shall send to her envoys; her eyes shall look northward from Thule.
She shall enring all the coasts with her strength like the kingly Poseidon,
She shall oervault all the lands with her rule like the limitless azure.
Ceasing from speech Laocoon, girt with the shouts of a nation,
Lapsed on his seat like one seized and abandoned and weakened; nor ended
Only in iron applause, but throughout with a stormy approval
Ares broke from the hearts of his people in ominous thunder.
Savage and dire was the sound like a wild beasts tracked out and hunted,
Wounded, yet trusting to tear out the entrails live of its hunters,
Savage and cruel and threatening doom to the foe and opponent.
Yet when the shouting sank at last, Ucalegon rose up
Trembling with age and with wrath and in accents hurried and piping
Faltered a senile fierceness forth on the maddened assembly.
Ah, it is even so far that you dare, O you children of Priam,
Favourites vile of a people sent mad by the gods, and thou risest,
Dark Laocoon, prating of heroes and spurning as cowards,
Smiting for traitors the aged and wise who were grey when they spawned thee!
Imp of destruction, mane of mischief! Ah, spur us with courage,
Thou who hast never prevailed against even the feeblest Achaian.
Rather twice hast thou raced in the rout to the ramparts for shelter,
Leading the panic, and shrieked as thou ranst to the foemen for mercy
Who were a mile behind thee, O matchless and wonderful racer.
Safely counsel to others the pride and the firmness of heroes.
Thou wilt not die in the battle! For even swiftest Achilles
Could not oertake thee, I ween, nor wind-footed Penthesilea.
Mask of a prophet, heart of a coward, tongue of a trickster,
Timeless Ilion thou alone ruinest, helped by the Furies.
I, Ucalegon, first will rend off the mask from thee, traitor.
For I believe thee suborned by the cynic wiles of Odysseus
And thou conspirest to sack this Troy with the greed of the Cretan.
Hasting unstayed he pursued like a brook that scolds amid pebbles,
Voicing angers shrill; for the people astonished were silent.
Long he pursued not; a shouting broke from that stupor of fury,
Men sprang pale to their feet and hurled out menaces lethal;
All that assembly swayed like a forest swept by the stormwind.
Obstinate, straining his age-dimmed eyes Ucalegon, trembling
Worse yet with anger, clamoured feebly back at the people,
Whelmed in their roar. Unheard was his voice like a swimmer in surges
Lost, yet he spoke. But the anger grew in the throats of the people
Lion-voiced, hurting the heart with sound and daunting the nature,
Till from some stalwart hand a javelin whistling and vibrant
Missing the silvered head of the senator rang disappointed
Out on the distant wall of a house by the side of the market.
Not even then would the old man hush or yield to the tempest.
Wagging his hoary beard and shifting his aged eyeballs,
Tossing his hands he stood; but Antenor seized him and Aetor,
Dragged him down on his seat though he strove, and chid him and silenced,
Cease, O friend, for the gods have won. It were easier piping
High with thy aged treble to alter the rage of the Ocean
Than to oerbear this people stirred by Laocoon. Leave now
Effort unhelpful, wrap thy days in a mantle of silence;
Give to the gods their will and dry-eyed wait for the ending.
So now the old men ceased from their strife with the gods and with Troya;
Cowed by the storm of the peoples wrath they desisted from hoping.
But though the roar long swelled, like the sea when the winds have subsided,
One man yet rose up unafraid and beckoned for silence,
Not of the aged, but ripe in his look and ruddy of visage,
Stalwart and bluff and short-limbed, Halamus son of Antenor.
Forward he stood from the press and the people fell silent and listened,
For he was ever first in the mellay and loved by the fighters.
He with a smile began: Come, friends, debate is soon ended
If there is right but of lungs and you argue with javelins. Wisdom
Rather pray for her aid in this dangerous hour of your fortunes.
Not to exalt Laocoon, too much praising his swiftness,
Trojans, I rise; for some are born brave with the spear in the war-car,
Others bold with the tongue, nor equal gifts unto all men
Zeus has decreed who guides his world in a round that is devious
Carried this way and that like a ship that is tossed on the waters.
Why should we rail then at one who is lame by the force of Cronion?
Not by his will is he lame; he would race, if he could, with the swiftest.
Yet is the halt man no runner, nor, friends, must you rise up and slay me,
If I should say of this priest, he is neither Sarpedon nor Hector.
Then, if my father whom once you honoured, ancient Antenor,
Hugs to him Argive gold which I see not, his son in his mansion,
Me too accusest thou, prophet Laocoon? Friends, you have watched me
Sometimes fight. Did you see with my houses allies how I gambolled,
Changed, when with sportive spear I was tickling the ribs of my Argives,
Nudges of friendly counsel inviting to entry in Troya?
Men, these are visions of lackbrains; men, these are myths of the market.
Let us have done with them, brothers and friends; hate only the Hellene.
Prophet, I bow to the oracles. Wise are the gods in their silence,
Wise when they speak; but their speech is other than ours and their wisdom
Hard for a mortal mind to hold and not madden or wander;
But for myself I see only the truth as a soldier who battles
Judging the strength of his foes and the chances of iron encounter.
Few are our armies, many the Greeks, and we waste in the combat
Bound to our numbers, they by the ocean hemmed from their kinsmen,
We by our fortunes, waves of the gods that are harder to master,
They like a rock that is chipped, but we like a mist that disperses.
Then if Achilles, bound by an oath, bring peace to us, healing,
Bring to us respite, help, though bought at a price, yet full-measured,
Strengths of the North at our side and safety assured from the Achaian,
For he is true though a Greek, will you shun this mighty advantage?
Peace at least we shall have, though gold we lose and much glory;
Peace we will use for our strength to brea the in, our wounds to recover,
Teaching Time to prepare for happier wars in the future.
Pause ere you fling from you life; you are mortals, not gods in your glory.
Not for submission to new ally or to ancient foeman
Peace these desire; for who would exchange wide death for subjection?
Who would submit to a yoke? Or who shall rule Trojans in Troya?
Swords are there still at our sides, there are warriors hearts in our bosoms.
Peace your senators welcome, not servitude, breathing they ask for.
But if for war you pronounce, if a noble death you have chosen,
That I approve. What fitter end for this warlike nation,
Knowing that empires at last must sink and perish all cities,
Than to preserve to the end posteritys praise and its greatness
Ceasing in clangour of arms and a citys flames for our death-pyre?
Choose then with open eyes what the dread gods offer to Troya.
Hope not now Hector is dead and Sarpedon, Asia inconstant,
We but a handful, Troy can prevail over Greece and Achilles.
Play not with dreams in this hour, but sternly, like men and not children,
Choose with a noble and serious greatness fates fit for Troya.
Stark we will fight till buried we fall under Ilions ruins,
Or, unappeased, we will curb our strength for the hope of the future.
Not without praise of his friends and assent of the thoughtfuller Trojans,
Halamus spoke and ceased. But now in the Ilian forum
Bright, of the sungod a ray, and even before he had spoken
Sending the joy of his brilliance into the hearts of his hearers,
Paris arose. Not applauded his rising, but each man towards him
Eagerly turned as if feeling that all before which was spoken
Were but a prelude and this was the note he has waited for always.
Sweet was his voice like a harps, when it chants of war, and its cadence
Softened with touches of music thoughts that were hard to be suffered,
Sweet like a string that is lightly struck, but it penetrates wholly.
Calm with the greatness you hold from your sires by the right of your nature
I too would have you decide before Heaven in the strength of your spirits,
Not to the past and its memories moored like the thoughts of Antenor
Hating the vivid march of the present, nor towards the future
Panting through dreams like my brother Laocoon vexed by Apollo.
Dead is the past; the void has possessed it; its drama is ended,
Finished its music. The future is dim and remote from our knowledge;
Silent it lies on the knees of the gods in their luminous stillness.
But to our gaze Gods light is a darkness, His plan is a chaos.
Who shall foretell the event of a battle, the fall of a footstep?
Oracles, visions and prophecies voice but the dreams of the mortal,
And tis our spirit within is the Pythoness tortured in Delphi.
Heavenly voices to us are a silence, those colours a whiteness.
Neither the thought of the statesman prevails nor the dream of the prophet,
Whether one cry, Thus devise and thy heart shall be given its wanting,
Vainly the other, The heavens have spoken; hear then their message.
Who can point out the way of the gods and the path of their travel,
Who shall impose on them bounds and an orbit? The winds have their treading,
They can be followed and seized, not the gods when they move towards their purpose.
They are not bound by our deeds and our thinkings. Sin exalted
Seizes secure on the thrones of the world for her glorious portion,
Down to the bottomless pit the good man is thrust in his virtue.
Leave to the gods their godhead and, mortal, turn to thy labour;
Take what thou canst from the hour that is thine and be fearless in spirit;
This is the greatness of man and the joy of his stay in the sunlight.
Now whether over the waste of Poseidon the ships of the Argives
Empty and sad shall return or sacred Ilion perish,
Priam be slain and for ever cease this imperial nation,
These things the gods are strong to conceal from the hopings of mortals.
Neither Antenor knows nor Laocoon. Only of one thing
Man can be sure, the will in his heart and his strength in his purpose:
This too is Fate and this too the gods, nor the meanest in Heaven.
Paris keeps what he seized from Time and from Fate while unconquered
Life speeds warm through his veins and his heart is assured of the sunlight.
After tis cold, none heeds, none hinders. Not for the dead man
Earth and her wars and her cares, her joys and her gracious concessions,
Whether for ever he sleeps in the chambers of Nature unmindful
Or into wideness wakes like a dreamer called from his visions.
Ilion in flames I choose, not fallen from the heights of her spirit.
Great and free has she lived since they raised her twixt billow and mountain,
Great let her end; let her offer her freedom to fire, not the Hellene.
She was not founded by mortals; gods erected her ramparts,
Lifted her piles to the sky, a seat not for slaves but the mighty.
All men marvelled at Troy; by her deeds and her spirit they knew her
Even from afar, as the lion is known by his roar and his preying.
Sole she lived royal and fell, erect in her leonine nature.
So, O her children, still let her live unquelled in her purpose
Either to stand with your feet on the world oppressing the nations
Or in your ashes to lie and your name be forgotten for ever.
Justly your voices approve me, armipotent children of Ilus;
Straight from Zeus is our race and the Thunderer lives in our nature.
Long I have suffered this taunt that Paris was Ilions ruin
Born on a night of the gods and of Ate, clothed in a body.
Scornful I strode on my path secure of the light in my bosom,
Turned from the muttering voices of envy, their hates who are fallen,
Voices of hate that cling round the wheels of the triumphing victor;
Now if I speak, tis the strength in me answers, not to belittle,
That excusing which most I rejoice in and glory for ever,
Tyndaris rape whom I seized by the will of divine Aphrodite.
Mortal this error that Greece would have slumbered apart in her mountains,
Sunk, by the trumpets of Fate unaroused and the morning within her,
Only were Paris unborn and the world had not gazed upon Helen.
Fools, who say that a spark was the cause of this giant destruction!
War would have stridden on Troy though Helen were still in her Sparta
Tending an Argive loom, not the glorious prize of the Trojans,
Greece would have banded her nations though Paris had drunk not Eurotas.
Coast against coast I set not, nor Ilion opposite Argos.
Phryx accuse who upreared Troys domes by the azure Aegean,
Curse Poseidon who fringed with Greece the blue of his waters:
Then was this war first decreed and then Agamemnon was fashioned;
Armed he strode forth in the secret Thought that is womb of the future.
Fate and Necessity guided those vessels, captained their armies.
When they stood mailed at her gates, when they cried in the might of their union,
Troy, renounce thy alliances, draw back humbly from Hellas,
Should she have hearkened persuading her strength to a shameful compliance,
Ilion queen of the world whose voice was the breath of the storm-gods?
Should she have drawn back her foot as it strode towards the hills of the Latins?
Thrace left bare to her foes, recoiled from Illyrian conquests?
If all this without battle were possible, people of Priam,
Blame then Paris, say then that Helen was cause of the struggle.
But I have sullied the hearth, I have trampled the gift and the guest-rite,
Heaven I have armed with my sin and unsealed the gaze of the Furies,
So was Troy doomed who righteous had triumphed, locked with the Argive.
Fools or hypocrites! Meanest falsehood is this among mortals,
Veils of purity weaving, names misplacing ideal
When our desires we disguise and paint the lusts of our nature.
Men, ye are men in your pride and your strength, be not sophists and tonguesters.
Lie not! prate not that nations live by righteousness, justice
Shields them, gods out of heaven look down wroth on the crimes of the mighty!
Known have men what thing has screened itself mouthing these semblances. Crouching
Dire like a beast in the green of the thickets, selfishness silent
Crunches the bones of its prey while the priest and the statesman are glozing.
So are the nations soothed and deceived by the clerics of virtue,
Taught to reconcile fear of the gods with their lusts and their passions;
So with a lie on their lips they march to the rapine and slaughter.
Truly the vanquished were guilty! Else would their cities have perished,
Shrieked their ravished virgins, their peasants been hewn in the vineyards?
Truly the victors were tools of the gods and their glorious servants!
Else would the war-cars have ground triumphant their bones whom they hated?
Servants of God are they verily, even as the ape and the tiger.
Does not the wild-beast too triumph enjoying the flesh of his captives?
Tell us then what was the sin of the antelope, wherefore they doomed her,
Wroth at her many crimes? Come, justify God to his creatures!
Not to her sins was she offered, not to the Furies or Justice,
But to the strength of the lion the high gods offered a victim,
Force that is God in the lions breast with the forest for altar.
What, in the cities stormed and sacked by Achilles in Troas
Was there no just man slain? Was Brises then a transgressor?
Hearts that were pierced in his walls, were they sinners tracked by the Furies?
No, they were pious and just and their altars burned for Apollo,
Reverent flamed up to Pallas who slew them aiding the Argives.
Or if the crime of Paris they shared and his doom has embraced them,
Whom had the island cities offended, stormed by the Locrian,
Wave-kissed homes of peace but given to the sack and the spoiler?
Was then King Atreus just and the house accursd of Pelops,
Tantalus race, whose deeds men shuddering hear and are silent?
Look! they endure, their pillars are firm, they are regnant and triumph.
Or are Thyestean banquets sweet to the gods in their savour?
Only a womans heart is pursued in their wrath by the Furies!
No, when the wrestlers meet and embrace in the mighty arena,
Not at their sins and their virtues the high gods look in that trial;
Which is the strongest, which is the subtlest, this they consider.
Nay, there is none in the world to befriend save ourselves and our courage;
Prowess alone in the battle is virtue, skill in the fighting
Only helps, the gods aid only the strong and the valiant.
Put forth your lives in the blow, you shall beat back the banded aggressors.
Neither believe that for justice denied your subjects have left you
Nor that for justice trampled Pallas and Hera abandon.
Two are the angels of God whom men worship, strength and enjoyment.
Into this life which the sunlight bounds and the greenness has cradled,
Armed with strength we have come; as our strength is, so is our joyance.
What but for joyance is birth and what but for joyance is living?
But on this earth that is narrow, this stage that is crowded, increasing
One on another we press. There is hunger for lands and for oxen,
Horses and armour and gold desired; possession allures us
Adding always as field to field some fortunate farmer.
Hearts too and minds are our prey; we seize on mens souls and their bodies,
Slaves to our works and desires that our hearts may bask golden in leisure.
One on another we prey and one by another are mighty.
This is the world and we have not made it; if it is evil,
Blame first the gods; but for us, we must live by its laws or we perish.
Power is divine; divinest of all is power over mortals.
Power then the conqueror seeks and power the imperial nation,
Even as luminous, passionless, wonderful, high over all things
Sit in their calmness the gods and oppressing our grief-tortured nations
Stamp their wills on the world. Nor less in our death-besieged natures
Gods are and altitudes. Earth resists, but my soul in me widens
Helped by the toil behind and the agelong effort of Nature.
Even in the worm is a god and it writhes for a form and an outlet.
Workings immortal obscurely struggling, hints of a godhead
Labour to form in this clay a divinity. Hera widens,
Pallas aspires in me, Phoebus in flames goes battling and singing,
Ares and Artemis chase through the fields of my soul in their hunting.
Last in some hour of the Fates a Birth stands released and triumphant;
Poured by its deeds over earth it rejoices fulfilled in its splendour.
Conscious dimly of births unfinished hid in our being
Rest we cannot; a world cries in us for space and for fullness.
Fighting we strive by the spur of the gods who are in us and oer us,
Stamping our image on men and events to be Zeus or be Ares.
Love and the need of mastery, joy and the longing for greatness
Rage like a fire unquenchable burning the world and creating,
Nor till humanity dies will they sink in the ashes of Nature.
All is injustice of love or all is injustice of battle.
Man over woman, woman oer man, over lover and foeman
Wrestling we strive to expand in our souls, to be wide, to be happy.
If thou wouldst only be just, then wherefore at all shouldst thou conquer?
Not to be just, but to rule, though with kindness and high-seated mercy,
Taking the world for our own and our will from our slaves and our subjects,
Smiting the proud and sparing the suppliant, Trojans, is conquest.
Justice was base of thy government? Vainly, O statesman, thou liest.
If thou wert just, thou wouldst free thy slaves and be equal with all men.
Such were a dream of some sage at night when he muses in fancy,
Imaging freely a flawless world where none were afflicted,
No man inferior, all could sublimely equal and brothers
Live in a peace divine like the gods in their luminous regions.
This, O Antenor, were justice known but in words to us mortals.
But for the justice thou vauntest enslaving men to thy purpose,
Setting an iron yoke, nor regarding their need and their nature,
Then to say I am just; I slay not, save by procedure,
Rob not save by law, is an outrage to Zeus and his creatures.
Terms are these feigned by the intellect making a pact with our yearnings,
Lures of the sophist within us draping our passions with virtue.
When thou art weak, thou art just, when thy subjects are strong and remember.
Therefore, O Trojans, be firm in your will and, though all men abandon,
Bow not your heads to reproach nor your hearts to the sin of repentance;
For you have done what the gods desired in your breasts and are blameless.
Proudly enjoy the earth that they gave you, enthroning their natures,
Fight with the Greeks and the world and trample down the rebellious,
What you have lost, recover, nor yield to the hurricane passing.
You cannot utterly die while the Power lives untired in your bosoms;
When tis withdrawn, not a moment of life can be added by virtue.
Faint not for helpers fled! Though your yoke had been mild as a fathers
They would have gone as swiftly. Strength men desire in their masters;
All men worship success and in failure and weakness abandon.
Not for his justice they clung to Teucer, but for their safety,
Seeing in Troy a head and by barbarous foemen afflicted.
Faint not, O Trojans, cease not from battle, persist in your labour!
Conquer the Greeks, your allies shall be yours and fresh nations your subjects.
One care only lodge in your hearts, how to fight, how to conquer.
Peace has smiled out of Phthia; a hand comes outstretched from the Hellene.
Who would not join with the godlike? who would not grasp at Achilles?
There is a price for his gifts; it is such as Achilles should ask for,
Never this nation concede. O Antenors golden phrases
Glorifying rest to the tired and confuting patience and courage,
Garbed with a subtlety lax and the hopes that palliate surrender!
Charmed men applaud the skilful purpose, the dexterous speaker;
This they forget that a Force decides, not the wiles of the statesman.
Now let us yield, do you say, we will rise when our masters are weakened?
Nay, then, our masters master shall find us an easy possession!
Easily nations bow to a yoke when their virtue relaxes;
Hard is the breaking fetters once worn, for the virtue has perished.
Hope you when custom has shaped men into the mould of a vileness,
Hugging their chains when the weak feel easier trampled than rising
Or though they groan, yet have heart nor strength for the anguish of effort,
Then to cast down whom, armed and strong, you were mastered opposing?
Easy is lapse into uttermost hell, not easy salvation.
Or have you dreamed that Achilles, this son of the gods and the ocean,
Aught else can be with the strong and the bold save pursuer or master?
Know you so little the mood of the mighty? Think you the lion
Only will lick his prey, that his jaws will refrain from the banquet?
Rest from thy bodings, Antenor! Not all the valour of Troya
Perished with Hector, nor with Polydamas vision has left her;
Troy is not eager to slay her soul on a pyre of dishonour.
Still she has children left who remember the mood of their mother.
Helen none shall take from me living, gold not a drachma
Travels from coffers of Priam to Greece. Let another and older
Pay down his wealth if he will and his daughters serve Menelaus.
Rather from Ilion I will go forth with my brothers and kinsmen;
Troy I will leave and her shame and live with my heart and my honour
Refuged with lions on Ida or build in the highlands a city
Or in an isle of the seas or by dark-driven Pontic waters.
Dear are the halls of our childhood, dear are the fields of our fathers,
Yet to the soul that is free no spot on the earth is an exile.
Rather wherever sunlight is bright, flowers bloom and the rivers
Flow in their lucid streams to the Ocean, there is our country.
So will I live in my souls wide freedom, never in Troya
Shorn of my will and disgraced in my strength and the mock of my rivals.
First had you yielded, shame at least had not stained your surrender.
Strength indulges the weak! But what Hector has fallen refusing,
Men! what through ten loud years we denied with the spear for our answer,
That what Trojan will ever renounce, though his city should perish?
Once having fought we will fight to the end nor that end shall be evil.
Clamour the Argive spears on our walls? Are the ladders erected?
Far on the plain is their flight, on the farther side of the Xanthus.
Where are the deities hostile? Vainly the eyes of the tremblers
See them stalking vast in the ranks of the Greeks and the shoutings
Dire of Poseidon they hear and are blind with the aegis of Pallas.
Who then sustained so long this Troy, if the gods are against her?
Even the hills could not stand save upheld by their concert immortal.
Now not with Tydeus son, not now with Odysseus and Ajax
Trample the gods in the sound of their chariot-wheels, victory leading:
Argos falls red in her heaps to their scythes; they shelter the Trojans;
Victory unleashed follows and fawns upon Penthesilea.
Ponder no more, O Ilion, city of ancient Priam!
Rise, O beloved of the gods, and go forth in thy strength to the battle.
Not by the dreams of Laocoon strung to the faith that is febrile,
Nor with the tremblings vain and the haunted thoughts of Antenor,
But with a noble and serious strength and an obstinate valour
Suffer the shock of your foes, O nation chosen by Heaven;
Proudly determine on victory, live by disaster unshaken.
Either Fate receive like men, nay, like gods, nay, like Trojans.
So like an army that streams and that marches, speeding and pausing,
Drawing in horn and wing or widened for scouting and forage,
Bridging the floods, avoiding the mountains, threading the valleys,
Fast with their flashing panoply clad in gold and in iron
Moved the array of his thoughts; and throughout delight and approval
Followed their march, in triumph led but like prisoners willing,
Glad and unbound to a land they desire. Triumphant he ended,
Lord of opinion, though by the aged frowned on and censured,
But to this voice of their thoughts the young men vibrated wholly.
Loud like a storm on the ocean mounted the roar of the people.
Cease from debate, men cried, arise, O thou warlike Aeneas!
Speak for this nation, launch like a spear at the tents of the Hellene
Ilions voice of war! Then up mid a limitless shouting
Stern and armed from his seat like a war-god helmd Aeneas
Rose by King Priam approved in this last of Ilions sessions,
Holding the staff of the senates authority. Silence, O commons,
Hear and assent or refuse as your right is, masters of Troya,
Ancient and sovereign people, act that your kings have determined
Sitting in council high, their reply to the strength of Achilles.
Son of the Aeacids, vain is thy offer; the pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen be led back, the Tyndarid, weeping to Argos,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail oer us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours.
Not of such sires were we born, but of kings and of gods, O Larissan.
Not with her gold Troy traffics for safety, but with her spear-points.
Stand with thy oath in the war-front, Achilles; call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So Aeneas resonant spoke, stern, fronted like Ares,
And with a voice that conquered the earth and invaded the heavens
Loud they approved their doom and fulfilled their impulse immortal.
Last Deiphobus rose in their meeting, head of their mellay:
Proudly and well have you answered, O nation beloved of Apollo;
Fearless of death they must walk who would live and be mighty for ever.
Now, for the sun is hastening up the empyrean azure,
Hasten we also. Tasting of food round the call of your captains
Meet in your armd companies, chariots and hoplites and archers.
Strong be your hearts, let your courage be stern like the sun when it blazes;
Fierce will the shock be today ere he sink blood-red in the waters.
They with a voice as of Oceans meeting rose from their session,
Filling the streets with her tread Troy strode from her Ilian forum.
***
~ Sri Aurobindo, 3 - The Book of the Assembly
,#NFDB
1431:Colin Clouts Come Home Againe
Colin Clouts Come Home Againe
THe shepheards boy (best knowen by that name)
That after Tityrus first sung his lay,
Laies of sweet loue, without rebuke or blame,
Sate (as his custome was) vpon a day,
Charming his oaten pipe vnto his peres,
The shepheard swaines, that did about him play:
Who all the while with greedie listfull eares,
Did stand astonisht at his curious skill,
Like hartlesse deare, dismayed with thunders sound.
At last when as he piped had his fill,
He rested him: and sitting then around,
One of those groomes (a iolly groome was he,
As euer piped on an oaten reed,
And lou'd this shepheard dearest in degree,
Hight Hobbinol) gan thus to him areed.
Colin my liefe, my life, how great a losse
Had all the shepheards nation by thy lacke?
And I poore swaine of many greatest crosse:
That sith thy Muse first since thy turning backe
Was heard to sound as she was wont on hye,
Hast made vs all so blessed and so blythe.
Whilest thou wast hence, all dead in dole did lye:
The woods were heard to waile full many a sythe,
And all their birds with silence to complaine:
The fields with faded flowers did seem to mourne,
And all their flocks from feeding to refraine:
The running waters wept for thy returne,
And all their fish with langour did lament:
But now both woods and fields, and floods reuiue,
Sith thou art come, their cause of meriment,
That vs late dead, hast made againe aliue:
But were it not too painfull to repeat
The passed fortunes, which to thee befell
In thy late voyage, we thee would entreat,
Now at thy leisure them to vs to tell.
To whom the shepheard gently answered thus,
Hobbin thou temptest me to that I couet:
For of good passed newly to discus,
77
By dubble vsurie doth twise renew it.
And since I saw that Angels blessed eie,
Her worlds bright sun, her heauens fairest light,
My mind full of my thoughts satietie,
Doth feed on sweet contentment of that sight:
Since that same day in nought I take delight,
Ne feeling haue in any earthly pleasure,
But in remembrance of that glorious bright,
My lifes sole blisse, my hearts eternall threasure.
Wake then my pipe, my sleepie Muse awake,
Till I haue told her praises lasting long:
Hobbin desires, thou maist it not forsake,
Harke then ye iolly shepheards to my song.
With that they all gan throng about him neare,
With hungrie eares to heare his harmonie:
The whiles their flocks deuoyd of dangers feare,
Did round about them feed at libertie.
One day (quoth he) I sat, (as was my trade)
Vnder the foot of Mole that mountaine hore,
Keeping my sheepe amongst the cooly shade,
Of the greene alders by the Mullaes shore:
There a straunge shepherd chaunst to find me out,
Whether allured with my pipes delight,
Whose pleasing sound yshrilled far about,
Or thither led by chaunce, I know not right:
VVhom when I asked from what place he came,
And how he hight, himselfe he did ycleepe,
The shepheard of the Ocean by name,
And said he came far from the main-sea deepe.
He sitting me beside in that same shade,
Prouoked me to plaie some pleasant fit,
And when he heard the musicke which I made,
He found himselfe full greatly pleased at it:
Yet æmuling my pipe, he tooke in hond
My pipe before that æmuled of many,
And plaid thereon; (for well that skill he cond)
Himselfe as skilfull in that art as any.
He pip'd, I sung; and when he sung, I piped,
By chaunge of turnes, each making other mery,
Neither enuying other, nor enuied,
So piped we, vntill we both were weary,
There interrupting him, a bonie swaine,
78
That Cuddy hight, him thus atweene bespake:
And should it not thy ready course restraine,
I would request thee Colin, for my sake,
To tell what thou didst sing, when he did plaie.
For well I weene it worth recounting was,
VVhether it were some hymne, or morall laie,
Or carol made to praise thy loued lasse.
Nor of my loue, nor of my losse (quoth he)
I then did sing, as then occasion fell:
For loue had me forlorne, forlorne of me,
That made me in that desart chose to dwell.
But of my riuer Bregogs loue I soong,
VVhich to the shiny Mulla he did beare,
And yet doth beare, and euer will, so long
As water doth within his bancks appeare.
Of fellowship (said then that bony Boy)
Record to vs that louely lay againe:
The staie whereof, shall nought these eares annoy,
VVho all that Colin makes, do couet faine.
Heare then (quoth he) the tenor of my tale,
In sort as I it to that shepheard told:
No leasing new, nor Grandams fable stale,
But auncient truth confirm'd with credence old.
Old father Mole, (Mole hight that mountain gray
That walls the Northside of Armulla dale)
He had a daughter fresh as floure of May,
VVhich gaue that name vnto that pleasant vale;
Mulla the daughter of oldMole, so hight
The Nimph, which of that water course has charge,
That springing out of Mole, doth run downe right
to Butteuant where spreding forth at large,
It giueth name vnto that auncient Cittie,
VVhich Kilnemullah cleped is of old:
VVhose ragged ruines breed great ruth and pittie,
To travailers, which it from far behold.
Full faine she lou'd, and was belou'd full faine,
Of her owne brother riuer, Bregog hight,
So hight because of this deceitfull traine,
VVhich he with Mulla wrought to win delight.
But her old sire more carefull of her good,
And meaning her much better to preferre,
Did thinke to match her with the neighbour flood,
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VVhich Allo hight, Broad water called farre:
And wrought so well with his continuall paine,
That he that riuer for his daughter wonne:
The dowre agreed, the day assigned plaine,
The place appointed where it should be doone.
Nath lesse the Nymph her former liking held;
For loue will not be drawne, but must be ledde,
And Bregog did so well her fancie weld,
That her good will he got her first to wedde.
But for her father sitting still on hie,
Did warily still watch which way she went,
And eke from far obseru'd with iealous eie,
VVhich way his course the wanton Bregog bent,
Him to deceiue for all his watchfull ward,
The wily louer did deuise this slight:
First into many parts his streame he shar'd,
That whilest the one was watcht, the other might
Passe vnespide to meete her by the way;
And then besides, those little streames so broken
He vnder ground so closely did conuay,
That of their passage doth appeare no token,
Till they into the Mullaes water slide.
So secretly did he his loue enioy:
Yet not so secret, but it was descried,
And told her father by a shepheards boy.
Who wondrous wroth for that so foule despight,
In great auenge did roll downe from his hill
Huge mightie stones, the which encomber might
His passage, and his water-courses spill.
So of a Riuer, which he was of old,
He none was made, but scattred all to nought,
And lost emong those rocks into him rold,
Did lose his name: so deare his loue he bought.
Which hauing said, him Thestylis bespake,
Now by my life this was a mery lay:
Worthie of Colin selfe, that did it make.
But read now eke of friendship I thee pray,
What dittie did that other shepheard sing?
For I do couet most the same to heare,
As men vse most to couet forreine thing
That shall I eke (quoth he) to you declare.
His song was all a lamentable lay,
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Of great vnkindnesse, and of vsage hard,
Of Cynthia the Ladie of the sea,
Which from her presence faultlesse him debard.
And euer and anon with singults rife,
He cryed out, to make his vndersong
Ah my loues queene, and goddesse of my life,
Who shall me pittie, when thou doest me wrong?
Then gan a gentle bonylasse to speake,
That Marin hight, Right well he sure did plaine:
That could great Cynthiaes sore displeasure breake,
And moue to take him to her grace againe.
But tell on further Colin, as befell
Twixt him and thee, that thee did hence dissuade.
When thus our pipes we both had wearied well,
(Quoth he) and each an end of singing made,
He gan to cast great lyking to my lore,
And great dislyking to my lucklesse lot:
That banisht had my selfe, like wight forlore,
Into that waste, where I was quite forgot.
The which to leaue, thenceforth he counseld mee,
Vnmeet for man, in whom was ought regardfull,
And wend with him, his Cynthia to see:
Whose grace was great, & bounty most rewardful.
Besides her peerlesse skill in making well
And all the ornaments of wondrous wit,
Such as all womankynd did far excell:
Such as the world admyr'd and praised it:
So what with hope of good, and hate of ill,
He me perswaded forth with him to fare.
Nought tooke I with me, but mine oaten quill:
Small needments else need shepheard to prepare.
So to the sea we came; the sea? that is
A world of waters heaped vp on hie,
Rolling like mountaines in wide wildernesse,
Horrible, hideous, roaring with hoarse crie.
And is the sea (quoth Coridon) so fearfull?
Fearful much more (quoth he) the[n] hart can fear:
Thousand wyld beasts with deep mouthes gaping direfull
Therein stil wait poore passengers to teare.
Who life doth loath, and longs death to behold,
Before he die, alreadie dead with feare,
And yet would liue with heart halfe stonie cold,
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Let him to sea, and he shall see it there.
Before he die, alreadie dead with feare:
And yet as ghastly dreadfull, as it seemes,
Bold men presuming life for gaine to sell,
Dare tempt that gulf, and in those wandring stremes
Seek waies vnknowne, waies leading down to hell.
For as we stood there waiting on the strond,
Behold an huge great vessell to vs came,
Dauncing vpon the waters back to lond,
As if it scornd the daunger of the same;
Yet it was but a wooden frame and fraile,
Glewed togither with some subtile matter,
Yet had it armes and wings, and head and taile,
And life to moue it selfe vpon the water.
Strange thing, how bold & swift the monster was,
That neither car'd for wynd, nor haile, nor raine,
Nor swelling waues, but thorough them did passe
So proudly, that she made them roare againe.
The same aboord vs gently did receaue,
And without harme vs farre away did beare,
So farre that land our mother vs did leaue,
And nought but sea and heauen to vs appeare.
Then hartlesse quite and full of inward feare,
That shepheard I besought to me to tell,
Vnder what skie, or in what world we were,
In which I saw no liuing people dwell,
Who me recomforting all that he might,
Told me that that same was the Regiment
Of a great shepheardesse, that Cynthia hight,
His leige his Ladie, and his lifes Regient.
If then (quoth I) a shepheardesse she bee,
Where be the flockes and heards, which she doth keep?
And where may I the hills and pastures see,
On which she vseth for to feede her sheepe?
These be the hills (quoth he) the surges hie,
On which faire Cynthia her heards doth feed:
Her heards be thousand fishes with their frie,
Which in the bosome of the billowes breed.
Of them the shepheard which hath charge in chief,
Is Triton blowing loud his wreathed horne:
At sound whereof, they all for their relief
Wend too and fro at euening and at morne.
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And Proteus eke with him does driue his heard
Of stinking Seales and Porcpisces together,
With hoary head and deawy dropping beard,
Compelling them which way he list, and whether.
And I among the rest of many least,
Haue in the Ocean charge to me assigned:
Where I will liue or die at her beheast,
And serue and honour her with faithfull mind.
Besides an hundred Nymphs all heauenly borne,
And of immortall race, doo still attend
To wash faire Cynthiaes sheep whe[n] they be shorne,
And fold them vp, when they haue made an end.
Those be the shepheards which my Cynthia serue,
At sea, beside a thousand moe at land:
Froe land and sea my Cynthia doth deserue
To haue in her commandement at hand.
Thereat I wondred much, till wondring more
And more, at length we land far off descryde:
Which sight much gladded me; for much afore
I feard, least land we neuer should haue eyde:
Thereto our ship her course directly bent,
As if the way she perfectly had knowne.
We Lunday passe; by that same name is ment
An Island, which the first to west was showne.
From thence another world of land we kend,
Floting amid the sea in ieopardie,
And round about with mightie white rocks hemd,
Against the seas encroaching crueltie.
Those same the shepheard told me, were the fields
In which dame Cynthia her landheards fed:
Faire goodly fields, then which Armulla yields
None fairer, nor more fruitfull to be red.
The first to which we nigh approched, was
An high headland thrust far into the sea,
Like to an horne, whereof the neame it has,
Yet seemd to be a goodly pleasant lea:
There did a loftie mount at first vs greet,
Which did a stately heape of stones vpreare,
That seemd amid the surges for to fleet,
Much greater then that frame, which vs did beare:
There did our ship her fruitfull womb vnlade,
And put vs all ashore on Cynthias land.
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What land is that thou meanst (then Cuddy sayd)
And is there other, then whereon we stand?
Ah Cuddy (then quoth Colin) thous a fon,
That hast not seene least part of natures work:
Much more there is vnkend, then thou doest kon,
And much more that does from mens knowledge lurke.
For that same land much larger is then this,
And other men and beasts and birds doth feed:
There fruitfull corne, faire trees, fresh herbage is
And all things else that liuing creatures need.
Besides most goodly riuers there appeare,
No whit inferiour to thy Funchins praise,
Or vnto Allo or to Mulla cleare:
Nought hast thou foolish boy seene in thy daies,
But if that land be there (quoth he) as here,
And is theyr heauen likewise there all one?
And if like heauen, be heauenly graces there,
Like as in this same world where we do wone?
Both heauen and heauenly graces do much more
(Quoth he) abound in that same land, then this.
For there all happie peace and plenteous store
Conspire in one to make contented bliss:
No wayling there nor wretchednesse is heard,
No bloodie issues nor no leprosies,
No griesly famine, nor no raging sweard,
No nightly bo[r]drags, nor no hue and cries;
The shepheards there abroad may safely lie,
On hills and downes, withouten dread or daunger:
No rauenous wolues the good mans hope destroy,
Nor outlawes fell affray the forest raunger.
There learned arts do florish in great honor,
And Poets wits are had in peerlesse price:
Religion hath lay powre to rest vpon her,
Aduauncing vertue and suppressing vice.
For end, all good, all grace it gratefully to vse:
For God his gifts there plenteously bestowes,
But gracelesse men them greatly do abuse.
But say on further, then said Corylas,
The rest of thine aduentures, that betyded.
Foorth on our voyage we by land did passe,
(Quoth he) as that same shepheard still vs guyded,
Vntill that we to Cynthiaes presence came:
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Whose glorie greater then my simple thought,
I found much greater then the former fame;
Such greatnes I cannot compare to ought:
But if I her like ought on earth might read,
I would her lyken to a crowne of lillies,
Vpon a virgin brydes adorned head,
With Roses dight and Goolds and Daffadillies;
Or like the circlet of a Turtle true,
In which all colours of the rainbow bee;
Or like faire Phebes garlond shining new,
In which all pure perfection one may see.
But vaine it is to thinke by paragone
Of earthly things, to iudge of things diuine:
Her power, her mercy, and her wisedome, none
Can deeme, but who the Godhead can define.
Why then do I base shepheard bold and blind,
Presume the things so sacred to prophane?
More fit it is t'adore with humble mind,
The image of the heauens in shape humane.
With that Alexis broke his tale asunder,
Saying, By wondring at thy Cynthiaes praise:
Colin, thy selfe thou mak'st vs more to wonder,
And her vpraising, Doest thy selfe vpraise.
But let vs heare what grace she shewed thee,
And how that shepheard strange, thy cause advanced?
The shepheard of the Ocean (quoth he)
Vnto that Goddesse grace me first enhanced,
And to mine oaten pipe enclin'd her eare,
That she thenceforth therein gan take delight,
And it desir'd at timely houres to heare,
All were my notes but rude and roughly dight;
For not by measure of her owne great mynd,
And wondrous worth she mott my simple song,
But ioyd that country shepheard ought could fynd
Worth harkening to, emongst the learned throng.
Why? (said Alexis then) what needeth shee
That is so great a shepheardesse her selfe,
And hath so many shepheards in her fee,
To heare thee sing, a simple silly Elfe?
Or be the shepheardes which do serue her laesie,
That they list not their mery pipes applie?
Or be their pipes vntunable and craesie,
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That they cannot her honour worthylie?
Ah nay (said Colin) neither so, nor so:
For better shepheards be not vnder skie,
Nor better hable, when they list to blow,
Their pipes aloud, her name to glorifie.
There is good Harpalus now woxen aged,
In faithfull seruice of faire Cynthia:
And there is Corydon, though meanly waged,
Yet hablest wit of most I know this day.
And there is sad Alcyon bent to mourne,
Though fit to frame an euerlasting dittie,
Whose gentle spright for Daphnes death doth tourn
Sweet layes of loue to endlesse plaints of pittie.
Ah pensiue boy pursue that braue conceipt,
In thy sweet Eglantine of Meriflure,
Lift vp thy notes vnto their wonted height,
That may thy Muse and mates to mirth allure.
There eke is Palin worthie of great praise,
Albe he envie at my rustick quill:
And there is pleasing Alcon, could he raise
His tunes from laies to matter of more skill.
And there is old Palemon free from spight,
Whose carefull pipe may make the hearer rew:
Yet he himselfe may rewed be more right,
That sung so long vntill quite hoarse he grew.
And there is Alabaster throughly taught,
In all this skill, though knowen yet to few,
Yet were he knowne to Cynthia as he ought,
His Eliseïs would be redde anew.
Who liues that can match that heroick song,
Which he hath of that mightie Princesse made?
O dreaded Dread, do not thy selfe that wrong,
To let thy fame lie so in hidden shade:
But call it forth, O call him forth to thee,
To ende thy glorie which he hath begun:
That when he finisht hath as it should be,
No brauer Poeme can be vnder Sun.
Nor Po nor Tyburs swans so much renowned,
Nor all the brood of Greece so highly praised,
Can match that Muse whe[n] it with bayes is crowned,
And to the pitch of her perfection raised.
And there is a new shepheard late vp sprong,
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The which doth all afore him far surpasse:
Appearing well in that well tuned song,
Which late he sung vnto a scornefull lasse.
Yet doth his trembling Muse but lowly flie,
As daring not too rashly mount on hight,
And doth her tender plumes as yet but trie,
In loues soft lais and looser thoughts delight.
Then rouze thy feathers quickly Daniell,
And to what course thou please thy selfe aduaunce:
But most me seemes, thy accent will excell,
In Tragick plaints and passionate mischance.
And there that shepheard of the Ocean is,
That spends his wit in loues consuming smart:
Full sweetly tempred is that Muse of his
That can empierce a Princes mightie hart.
There also is (ah no, he is not now)
But since I said he is, he is quite gone,
Amyntas quite is gone, and lies full low,
Hauing his Amaryllis left to mone.
Helpe, O ye shepheards helpe ye all in this,
Helpe Amaryllis this her losse to mourne:
Her losse is yours, your losse Amyntas is,
Amyntas floure of Shepheards pride forlorne:
He whilest he liued was the noblest swaine,
That euer piped in an oaten quill:
Both did he other, which could pipe, maintaine,
And eke could pipe himselfe with passing skill.
And there though last not least is Aetion,
A gentler shepheard may no where be found:
Whose Muse full of high thoughts inuention,
Doth like himselfe Heroically sound.
All these, and many others mo remaine,
Now after Astrofell is dead and gone:
But while as Astrofell did liue and raine,
Amongst all these was none his Paragone.
All these do florish in their sundry kynd,
And do their Cynthia immortall make:
Yet found I lyking in her royall mynd,
Not for my skill, but for that shepheards sake.
Then spake a louely lasse, hight Lucida,
Shepheard, enough of shepheards thou hast told,
Which fauour thee, and honour Cynthia:
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But of so many Nymphs which she doth hold
In her retinew, thou hast nothing sayd;
That seems with none of the[m] thou fauor foundest,
Or art ingratefull to each gentle mayd,
That none of all their due deserts resoundest.
Ah far be it (quoth Colin Clout) fro me,
That I of gentle Mayds should ill deserue:
For that my selfe I do professe to be
Vassall to one, whom all my dayes I serue;
The beame of beautie sparkled from aboue,
The floure of vertue and pure chastitie,
The blossome of sweet ioy and perfect loue,
The pearle of peerlesse grace and modestie:
To her my thoughts I daily dedicate,
To her my heart I nightly martyrize:
To her my loue I lowly do prostrate,
To her my life I wholly sacrifice:
My thoughts, my heart, my loue, my life is shee,
And I hers euer onely, euer one:
One euer I all vowed hers to bee,
One euer I, and others neuer none.
Then thus Melissa said; Thrice happie Mayd,
Whom thou doest so enforce to deify:
That woods, and hills, and valleyes thou hast made
Her name to eccho vnto heauen hie.
But say, who else vouchsafed thee of grace?
They all (quoth he) me graced goodly well,
That all I praise, but in the highest place,
Vrania, sister vnto Astrofell,
In whose braue mynd as in a golden cofer,
All heauenly gifts and riches locked are,
More rich then pearles of Ynde, or gold of Opher,
And in her sex more wonderfull and rare.
Ne lesse praise worthie I Theana read,
Whose goodly beames though they be ouer dight
With mourning stole of carefull widowhead,
Yet through that darksome vale do glister bright;
She is the well of bountie and braue mynd,
Excelling most in glorie and great light:
She is the ornament of womankynd,
And Courts chief garlond with all vertues dight.
Therefore great Cynthia her in chiefest grace
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Doth hold, and next vnto her selfe aduaunce,
Well worthie of so honourable place,
For her great worth and noble gouernance.
Ne lesse praise worthie is her sister deare,
Faire Marian, the Muses onely darling:
Whose beautie shyneth as the morning cleare,
With siluer deaw vpon the roses pearling.
Ne lesse praise worthie is Mansilia,
Best knowne by bearing vp great Cynthiaes traine:
That same is she to whom Daphnaida
Vpon her neeces death I did complaine.
She is the paterne of true womanhead,
And onely mirrhor of feminitie:
Worthie next after Cynthia to tread,
As she is next her in nobilitie.
Ne lesse praise worthie Galathea seemes,
Then best of all that honourable crew,
Faire Galathea with bright shining beames,
Inflaming feeble eyes that do her view.
She there then waited vpon Cynthia,
Yet there is not her won, but here with vs
About the borders of our rich Coshma,
Now made of Maa the nymph delitious.
Ne lesse praiseworthie faire Neæra is,
Neæra ours, not theirs, though there she be,
For of the famous Shure, the Nymph she is,
For high desert, aduaunst to that degree.
She is the blosome of grace and curtesie,
Adorned with all honourable parts:
She is the braunch of true nobilitie,
Belou'd of high and low with faithfull harts.
Ne lesse praiseworthie Stella do I read,
Though nought my praises of her needed arre,
Whom verse of noblest shepheard lately dead
Hath prais'd and rais'd aboue each other starre.
Ne lesse paiseworthie are the sister three,
The honor of the noble familie:
Of which I meanest boast my selfe to be,
And most that vnto them I am so nie.
Phyllis, Charyllis, and sweet Amaryllis:
Phyllis the faire, is eldest of the three:
The next to her, is bountifull Charyllis:
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But th'youngest is the highest in degree.
Phyllis the floure of rare perfection,
Faire spreading forth her leaues with fresh delight,
That with their beauties amorous reflexion,
Bereaue of sence each rash beholders sight.
But sweet Charyllis is the Paragone
Of peerlesse price, and ornament of praise,
Admyr'd of all, yet envied of none,
Through the myld temperance of her goodly raies
Thrise happie do I hold thee noble swaine,
The which art of so rich a spoile possest,
And it embracing deare without disdaine,
Hast sole possession in so chaste a brest:
Of all the shepheards daughters which there bee,
And yet there be the fairest vnder skie,
Or that elsewhere I euer yet did see.
A fairer Nymph yet neuer saw mine eie:
She is the pride and primrose of the rest,
Made by the maker selfe to be admired:
And like a goodly beacon high addrest,
That is with sparks of heauenle beautie fired.
But Amaryllis, whether fortunate,
Or else vnfortunate may I aread.
That freed is from Cupids yoke by fate,
Since which she doth new bands aduenture dread.
Shepheard what euer thou hast heard to be
In this or that praysd diuersly apart,
In her thou maist them all assembled see,
And seald vp in the threasure of her hart.
Ne thee lesse worthie gentle Flauia,
For thy chaste life and vertue I esteeme:
Ne thee lesse worthie curteous Candida,
For thy true loue and loyaltie I deeme.
Besides yet many mo that Cynthia serue,
Right noble Nymphs, and high to be commended:
But if I all should praise as they deserue,
This sun would faile me ere I halfe had ended.
Therefore in closure of a thankfull mynd,
I deeme it best to hold eternally,
Their bounteous deeds and noble fauours shrynd,
Then by discourse them to indignifie.
So hauing said, Aglaura him bespake:
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Colin, well worthie were those goodly fauours
Bestowd on thee, that so of them doest make,
And them requitest with thy thankful labours.
But of great Cynthiaes goodnesse and high grace,
Finish the storie which thou hast begunne.
More eath (quoth he) it is in such a case
How to begin, then know how to haue donne.
For euerie gift and euerie goodly meed
Which she on me bestowd, demaunds a day;
And euerie day, in which she did a deed,
Demaunds a yeare it duly to display.
Her words were like a streame of honnyfleeting,
The which doth softly trickle from the hiue:
Hable to melt the hearers heart vnweeting,
And eke to make the dead againe aliue.
Her deeds were like great clusters of ripe grapes,
Which load the b[ra]unches of the fruitfull vine:
Offring to fall into each mouth that gapes,
And fill the same with store of timely wine.
Her lookes were like beames of the morning Sun,
Forth looking through the windowes of the East:
When first the fleecie cattell haue begun
Vpon the perled grasse to make their feast.
Her thoughts are like the fume of Franckincence,
Which from a golden Censer forth doth rise:
And throwing forth sweet odours mou[n]ts fro the[n]ce
In rolling globes vp to the vauted skies.
There she beholds with high aspiring thought,
The cradle of her owne creation:
Emongst the seats of Angels heauenly wrought,
Much like an Angell in all forme and fashion.
Colin (said Cuddy then) thou hast forgot
Thy selfe, me seemes, too much, to mount so hie:
Such loftie flight, base shepheard seemeth not,
From flocks and fields, to Angels and to skie.
True (answered he) but her great excellence,
Lifts me aboue the measure of my might:
That being fild with furious insolence,
I feele my selfe like one yrapt in spright.
For when I thinke of her, as oft I ought,
Then want I words to speake it fitly forth:
And when I speake of her what I haue thought,
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I cannot thinke according to her worth.
Yet will I thinke of her, yet will I speake,
So long as life my limbs doth hold together,
And when as death these vitall bands shall breake,
Her name recorded I will leaue for euer.
Her name in euery tree I will endosse,
That as the trees do grow, her name may grow.
And in the ground each where will it engrosse,
And fill with stones, that all men may it know.
The speaking woods and murmuring waters fall,
Her name Ile teach in knowen termes to frame:
And eke my lambs when for their dams they call,
Ile teach to call for Cynthia by name.
And long while after I am dead and rotten:
Amõgst the shepheards daughters dancing rownd,
My layes made of her shall not be forgotten,
But sung by them with flowry gyrlonds crownd.
And ye, who so ye be, that shall suruiue:
When as ye heare her memory renewed,
Be witnesse of her bounty here aliue,
Which she to Colin her poore shepheard shewed.
Much was the whole assembly of those heards,
Moou'd at his speech, so feelingly he spake:
And stood awhile astonisht at his words,
Till Thestylis at last their silence brake,
Saying, Why Colin, since thou foundst such grace
With Cynthia and all her noble crew:
Why didst thou euer leaue that happie place,
In which such wealth might vnto thee accrew?
And back returnedst to this barrein soyle,
Where cold and care and penury do dwell:
Here to keepe sheepe, with hunger and with toyle,
Most wretched he, that is and cannot tell.
Happie indeed (said Colin) I him hold,
That may that blessed presence still enioy,
Of fortune and of enuy vncomptrold,
Which still are wont most happie states t'annoy:
But I by that which little while I prooued:
Some part of those enormities did see,
The which in Court continually hooued,
And followd those which happie seemd to bee.
Therefore I silly man, whose former dayes
92
Had in rude fields bene altogether spent,
Durst not aduenture such vnknowen wayes,
Nor trust the guile of fortunes blandishment,
But rather chose back to my sheep to tourne,
Whose vtmost hardnesse I before had tryde,
Then hauing learnd repentance late, to mourne
Emongst those wretches which I there descryde.
Shepheard (said Thestylis) it seems of spight
Thou speakest thus gainst their felicitie,
Which thou enuiest, rather then of right
That ought in them blameworthie thou dost spie.
Cause haue I none (quoth he) of cancred will
To quite them ill, that me demeand so well:
But selfe-regard of priuate good or ill,
Moues me of each, so as I found, to tell
And eke to warne yong shepheards wandring wit,
Which through report of that liues painted blisse,
Abandon quiet home, to seeke for it,
And leaue their lambes to losse misled amisse.
For sooth to say, it is no sort of life,
For shepheard fit to lead in that same place,
Where each one seeks with malice and with strife,
To thrust downe other into foule disgrace,
Himselfe to raise: and he doth soonest rise
That best can handle his deceitfull wit,
In subtil shifts, and finest sleights deuise,
Either by slaundring his well deemed name,
Through leasings lewd, and fained forgerie:
Or else by breeding him some blot of blame,
By creeping close into his secrecie;
To which him needs, a guilefull hollow hart,
Masked with faire dissembling curtesie,
A filed toung furnisht with tearmes of art,
No art of schoole, but Courtiers schoolery.
For arts of schoole haue there small countenance,
Counted but toyes to busie idle braines,
And there professours find small maintenance,
But to be instruments of others gaines.
Ne is there place for any gentle wit,
Vnlesse to please, it selfe it can applie:
But shouldred is, or out of doore quite shit,
As base, or blunt, vnmeet for melodie.
93
For each mans worth is measured by his weed,
As harts by hornes, or asses by their eares:
Yet asses been not all whose eares exceed,
Nor yet all harts, that hornes the highest beares.
For highest lookes haue not the highest mynd,
Nor haughtie words most full of highest thoughts:
But are like bladders blowen vp with wynd,
That being prickt do vanish into noughts.
Euen such is all their vaunted vanitie,
Nought else but smoke, that fumeth soone away,
Such is their glorie that in simple eie
Seeme greatest, when their garments are most gay.
So they themselues for praise of fooles do sell,
And all their wealth for painting on a wall;
With price whereof, they buy a golden bell,
And purchase highest rowmes in bowre and hall:
Whiles single Truth and simple honestie
Do wander vp and downe despys'd of all;
Their plaine attire such glorious gallantry
Disdaines so much, that none them in doth call.
Ah Colin (then said Hobbinol) the blame
Which thou imputest, is too generall,
As if not any gentle wit of name,
Nor honest mynd might there be found at all.
For well I wot, sith I my selfe was there,
To wait on Lobbin (Lobbin well thow knewest)
Full many worrhie ones then waiting were,
As euer elfe in Princes Court thou vewest.
Of which, among you many yet remaine,
Whose names I cannot readily now ghesse:
Those that poore Sutors papers do retaine,
And those that skill of medicine professe.
And those that do to Cynthia expound,
The ledden of straunge languages in charge:
For Cynthia doth in sciences abound,
And giues to their professors stipend large.
Therefore vniustly thou doest wyte them all,
For that which thou mislikedst in a few.
Blame is (quoth he) more blamelesse generall,
Then that which priuate errours doth pursew:
For well I wot, that there amongst them bee
Full many persons of right worthie parts,
94
Both for report of spotlesse honestie,
And for profession of all learned arts,
Whose praise hereby no whit impaired is,
Though blame do light on those that faultie bee,
For all the rest do most-what far[e] amis,
And yet their owne misfaring will not see:
For either they be puffed vp with pride,
Or fraught with enuie that their galls do swell,
Or they their dayes to ydlenesse diuide,
Or drownded lie in pleasures wastefull well,
In which like Moldwarps noursling still they lurke,
Vnmyndfull of chiefe parts of manlinesse,
And do themselues for want of other worke,
Vaine votaries of laesie loue professe,
Whose seruice high so basely they ensew,
That Cupid selfe of them ashamed is,
And mustring all his men in Venus vew,
Denies them quite for seruitors of his.
And is loue then (said Corylas once knowne
In Court, and his sweet lore professed there?
I weened sure he was our God alone,
And only woond in feilds and forests here.
Not so (quoth he) loue most aboundeth there.
For all the walls and windows there are writ,
All full of loue, and loue, and loue my deare,
And all their talke and studie is of it.
Ne any there doth braue or valiant seeme,
Vnlesse that some gay Mistresse badge he beares:
Ne any one himselfe doth ought esteeme,
Vnlesse he swim in loue up to the eares.
But they of loue and of his sacred lere,
(As it should be) all otherwise deuise,
Then we poore shepheards are accustomd here,
And him do sue and serue all otherwise.
For with lewd speeches and licentious deeds,
His mightie mysteries they do prophane,
And vse his ydle name to other needs,
But as a complement for courting vaine.
So him they do not serue as they professe,
But make him serue to them for sordid vses.
Ah my dread Lord, that doest liege hearts possese;
Auenge thy selfe on them for their abuses.
95
But we poore shepheards whether rightly so,
Or through our rudenesse into errour led:
Do make religion how we rashly go,
To serue that God, that is so greatly dred;
For him the greatest of the Gods we deeme,
Borne without Syre or couples of one kynd,
For Venus selfe doth soly couples seeme,
Both male and female though commixture ioynd.
So pure and spotlesse Cupid forth she brought,
And in the gardens of Adonis nurst:
Where growing he, his owne perfection wrought,
And shortly was of all the Gods the first.
Then got he bow and shafts of gold and lead,
In which so fell and puissant he grew,
That Ioue himselfe his powre began to dread,
And taking him vp to heauen, him godded new.
From thence he shootes his arrowes euery where
Into the world, at randon as he will,
On vs fraile men, his wretched vassals here,
Like as himselfe vs pleaseth, saue or spill.
So we him worship, so we him adore
With humble hearts to heauen vplifted hie,
That to true loues he may vs euermore
Preferre, and of their grace vs dignifie:
Ne is there shepheard, ne yet shepheards swaine,
What euer feeds in forest or in field,
That dare with euil deed or leasing vaine
Blaspheme his powre, or termes vnworthie yield.
Shepheard it seemes that some celestiall rage
Of loue (quoth Cuddy) is breath'd into thy brest,
That powreth forth these oracles so sage,
Of that high powre, wherewith thou art possest.
But neuer wist I till this present day
Albe of loue I alwayes humbly deemed,
That he was such an one, as thou doest say,
And so religiously to be esteemed.
Well may it seeme by this thy deep insight,
That of that God the Priest thou shouldest bee:
So well thou wot'st the mysterie of his might,
As if his godhead thou didst present see.
Of loues perfection perfectly to speake,
Or of his nature rightly to define,
96
Indeed (said Colin) passeth reasons reach,
And needs his priest t'expresse his powre diuine.
For long before the world he was y'bore
And bred aboue in Venus bosome deare:
For by his powre the world was made of yore,
And all that therein wondrous doth appeare.
For how should else things so far from attone
And so great enemies as of them bee,
Be euer drawne together into one,
And taught in such accordance to agree.
Through him the cold began to couet heat,
And water fire; the light to mount on hie,
And th'heauie down to peize; the hungry t'eat,
And voydnesse to seeke full satietie,
So being former foes, they wexed friends,
And gan by litle learne to loue each other:
So being knit, they brought forth other kynds
Out of the fruitfull wombe of their great mother.
Then first gan heauen out of darknesse dread
For to appeare, and brought forth chearfull day:
Next gan the earth to shew her naked head,
Out of deep waters which her drownd alway.
And shortly after euerie liuing wight,
Crept forth like wormes out of her slimy nature.
Soone as on them the Suns life-giuing light,
had powred kindly heat and formall feature,
Thenceforth they gan each one his like to loue,
And like himselfe desire for to beget:
The Lyon chose his mate the Turtle doue
Her deare, the Dolphin his owne Dolphinet,
But man that had the sparke of reasons might,
More then the rest to rule his passion:
Chose for his loue the fairest in his sight,
Like as himselfe was fairest by creation.
For beautie is the bayt which with delight
Doth man allure, for to enlarge his kynd,
Beautie the burning lamp of heauens light,
Darting her beames into each feeble mynd:
Against whose powre, nor God nor man can fynd,
Defence, ne ward the daunger of the wound,
But being hurt, seeke to be medicynd
Of her that first did stir that mortall stownd.
97
Then do they cry and call to loue apace,
With praiers lowd importuning the skie,
Whence he them heares, & whe[n] he list shew grace,
Does graunt them grace that otherwise would die.
So loue is Lord of all the world by right,
And rules their creatures by his powrfull saw:
All being made the vassalls of his might,
Through secret sence which therto doth the[m] draw.
Thus ought all louers of their lord to deeme:
And with chaste heart to honor him alway:
But who so else doth otherwise esteeme,
Are outlawes, and his lore do disobay.
For their desire is base, and doth not merit,
The name of loue, but of disloyall lust:
Ne mongst true louers they shall place inherit,
But as Exuls out of his court be thrust.
So hauing said, Melissa spake at will,
Colin, thou now full deeply hast diuynd:
Of loue and beautie and with wondrous skill,
Hast Cupid selfe depainted in his kynd.
To thee are all true louers greatly bound,
That doest their cause so mightily defend:
But most, all wemen are thy debtors found,
That doest their bountie still so much commend.
That ill (said Hobbinol) they him requite,
For hauing loued euer one most deare:
He is repayd with scorne and foule despite,
That yrkes each gentle heart which it doth heare.
Indeed (said Lucid) I haue often heard
Faire Rosalind of diuers fowly blamed:
For being to that swaine too cruell hard,
That her bright glorie else hath much defamed.
But who can tell what cause had that faire Mayd
To vse him so that vsed her so well:
Or who with blame can iustly her vpbrayd,
For louing not? for who can loue compell.
And sooth to say, it is foolhardie thing,
Rashly to wyten creatures so diuine,
For demigods they be, and first did spring
From heauen, though graft in frailnesse feminine.
And well I wote, that oft I heard it spoken,
How one that fairest Helene did reuile:
98
Through iudgement of the Gods to been ywroken
Lost both his eyes and so remaynd long while,
Till he recanted had his wicked rimes,
And made amends to her with treble praise:
Beware therefore, ye groomes, I read betimes,
How rashly blame of Rosalind ye raise.
Ah shepheards (then said Colin) ye ne weet
How great a guilt vpon your heads ye draw:
To make so bold a doome with words vnmeet,
Of thing celestiall which ye neuer saw.
For she is not like as the other crew
Of shepheards daughters which emongst you bee,
But of diuine regard and heauenly hew,
Excelling all that euer ye did see.
Not then to her that scorned thing so base,
But to my selfe the blame that lookt so hie:
So hie her thoughts as she her selfe haue place,
And loath each lowly thing with loftie eie.
Yet so much grace let her vouchsafe to grant
To simple swaine, sith her I may not loue:
Yet that I may her honour parauant,
And praise her worth, though far my wit aboue
Such grace shall be some guerdon for the griefe,
And long affliction which I haue endured:
Such grace sometimes shall giue me some reliefe,
And ease of paine which cannot be recured.
And ye my fellow shepheards which do see
And heare the langours of my too long dying,
Vnto the world for euer witnesse bee,
That hers I die, nought to the world denying,
This simple trophe of her great conquest.
So hauing ended, he from ground did rise,
And after him vprose eke all the rest:
All loth to part, but that the glooming skies,
Warnd them to draw their bleating flocks to rest.
~ Edmund Spenser,#NFDB
1432:TO J. MILSAND, OF DIJON.
1840.
BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
"Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
"The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.
~ Robert Browning, Sordello - Book the First
,#NFDB
1433:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
(Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
"Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.
~ Robert Browning, Sordello - Book the Second
,#NFDB
1434:There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen breasts,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe
Few, who with gorgeous pageantry enrobe
Our piece of heavenwhose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades 'mong oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.The mighty deeps,
The monstrous sea is thinethe myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.
Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.
On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.
Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.
"What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-topthe sage's pen
The poet's harpthe voice of friendsthe sun;
Thou wast the riverthou wast glory won;
Thou wast my clarion's blastthou wast my steed
My goblet full of winemy topmost deed:
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss
My strange love cameFelicity's abyss!
She came, and thou didst fade, and fade away
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.Dearest love, forgive
That I can think away from thee and live!
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.
The old man rais'd his hoary head and saw
The wilder'd strangerseeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:
"Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some sucking pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, andah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"
He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:
"Arise, good youth, for sacred Phoebus' sake!
I know thine inmost bosom, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."
So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading scum,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.
"I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.
"Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost privilege that ocean's sire
Could grant in benediction: to be free
Of all his kingdom. Long in misery
I wasted, ere in one extremest fit
I plung'd for life or death. To interknit
One's senses with so dense a breathing stuff
Might seem a work of pain; so not enough
Can I admire how crystal-smooth it felt,
And buoyant round my limbs. At first I dwelt
Whole days and days in sheer astonishment;
Forgetful utterly of self-intent;
Moving but with the mighty ebb and flow.
Then, like a new fledg'd bird that first doth shew
His spreaded feathers to the morrow chill,
I tried in fear the pinions of my will.
'Twas freedom! and at once I visited
The ceaseless wonders of this ocean-bed.
No need to tell thee of them, for I see
That thou hast been a witnessit must be
For these I know thou canst not feel a drouth,
By the melancholy corners of that mouth.
So I will in my story straightway pass
To more immediate matter. Woe, alas!
That love should be my bane! Ah, Scylla fair!
Why did poor Glaucus everever dare
To sue thee to his heart? Kind stranger-youth!
I lov'd her to the very white of truth,
And she would not conceive it. Timid thing!
She fled me swift as sea-bird on the wing,
Round every isle, and point, and promontory,
From where large Hercules wound up his story
Far as Egyptian Nile. My passion grew
The more, the more I saw her dainty hue
Gleam delicately through the azure clear:
Until 'twas too fierce agony to bear;
And in that agony, across my grief
It flash'd, that Circe might find some relief
Cruel enchantress! So above the water
I rear'd my head, and look'd for Phoebus' daughter.
Aeaea's isle was wondering at the moon:
It seem'd to whirl around me, and a swoon
Left me dead-drifting to that fatal power.
"When I awoke, 'twas in a twilight bower;
Just when the light of morn, with hum of bees,
Stole through its verdurous matting of fresh trees.
How sweet, and sweeter! for I heard a lyre,
And over it a sighing voice expire.
It ceasedI caught light footsteps; and anon
The fairest face that morn e'er look'd upon
Push'd through a screen of roses. Starry Jove!
With tears, and smiles, and honey-words she wove
A net whose thraldom was more bliss than all
The range of flower'd Elysium. Thus did fall
The dew of her rich speech: "Ah! Art awake?
O let me hear thee speak, for Cupid's sake!
I am so oppress'd with joy! Why, I have shed
An urn of tears, as though thou wert cold dead;
And now I find thee living, I will pour
From these devoted eyes their silver store,
Until exhausted of the latest drop,
So it will pleasure thee, and force thee stop
Here, that I too may live: but if beyond
Such cool and sorrowful offerings, thou art fond
Of soothing warmth, of dalliance supreme;
If thou art ripe to taste a long love dream;
If smiles, if dimples, tongues for ardour mute,
Hang in thy vision like a tempting fruit,
O let me pluck it for thee." Thus she link'd
Her charming syllables, till indistinct
Their music came to my o'er-sweeten'd soul;
And then she hover'd over me, and stole
So near, that if no nearer it had been
This furrow'd visage thou hadst never seen.
"Young man of Latmos! thus particular
Am I, that thou may'st plainly see how far
This fierce temptation went: and thou may'st not
Exclaim, How then, was Scylla quite forgot?
"Who could resist? Who in this universe?
She did so breathe ambrosia; so immerse
My fine existence in a golden clime.
She took me like a child of suckling time,
And cradled me in roses. Thus condemn'd,
The current of my former life was stemm'd,
And to this arbitrary queen of sense
I bow'd a tranced vassal: nor would thence
Have mov'd, even though Amphion's harp had woo'd
Me back to Scylla o'er the billows rude.
For as Apollo each eve doth devise
A new appareling for western skies;
So every eve, nay every spendthrift hour
Shed balmy consciousness within that bower.
And I was free of haunts umbrageous;
Could wander in the mazy forest-house
Of squirrels, foxes shy, and antler'd deer,
And birds from coverts innermost and drear
Warbling for very joy mellifluous sorrow
To me new born delights!
"Now let me borrow,
For moments few, a temperament as stern
As Pluto's sceptre, that my words not burn
These uttering lips, while I in calm speech tell
How specious heaven was changed to real hell.
"One morn she left me sleeping: half awake
I sought for her smooth arms and lips, to slake
My greedy thirst with nectarous camel-draughts;
But she was gone. Whereat the barbed shafts
Of disappointment stuck in me so sore,
That out I ran and search'd the forest o'er.
Wandering about in pine and cedar gloom
Damp awe assail'd me; for there 'gan to boom
A sound of moan, an agony of sound,
Sepulchral from the distance all around.
Then came a conquering earth-thunder, and rumbled
That fierce complain to silence: while I stumbled
Down a precipitous path, as if impell'd.
I came to a dark valley.Groanings swell'd
Poisonous about my ears, and louder grew,
The nearer I approach'd a flame's gaunt blue,
That glar'd before me through a thorny brake.
This fire, like the eye of gordian snake,
Bewitch'd me towards; and I soon was near
A sight too fearful for the feel of fear:
In thicket hid I curs'd the haggard scene
The banquet of my arms, my arbour queen,
Seated upon an uptorn forest root;
And all around her shapes, wizard and brute,
Laughing, and wailing, groveling, serpenting,
Shewing tooth, tusk, and venom-bag, and sting!
O such deformities! Old Charon's self,
Should he give up awhile his penny pelf,
And take a dream 'mong rushes Stygian,
It could not be so phantasied. Fierce, wan,
And tyrannizing was the lady's look,
As over them a gnarled staff she shook.
Oft-times upon the sudden she laugh'd out,
And from a basket emptied to the rout
Clusters of grapes, the which they raven'd quick
And roar'd for more; with many a hungry lick
About their shaggy jaws. Avenging, slow,
Anon she took a branch of mistletoe,
And emptied on't a black dull-gurgling phial:
Groan'd one and all, as if some piercing trial
Was sharpening for their pitiable bones.
She lifted up the charm: appealing groans
From their poor breasts went sueing to her ear
In vain; remorseless as an infant's bier
She whisk'd against their eyes the sooty oil.
Whereat was heard a noise of painful toil,
Increasing gradual to a tempest rage,
Shrieks, yells, and groans of torture-pilgrimage;
Until their grieved bodies 'gan to bloat
And puff from the tail's end to stifled throat:
Then was appalling silence: then a sight
More wildering than all that hoarse affright;
For the whole herd, as by a whirlwind writhen,
Went through the dismal air like one huge Python
Antagonizing Boreas,and so vanish'd.
Yet there was not a breath of wind: she banish'd
These phantoms with a nod. Lo! from the dark
Came waggish fauns, and nymphs, and satyrs stark,
With dancing and loud revelry,and went
Swifter than centaurs after rapine bent.
Sighing an elephant appear'd and bow'd
Before the fierce witch, speaking thus aloud
In human accent: "Potent goddess! chief
Of pains resistless! make my being brief,
Or let me from this heavy prison fly:
Or give me to the air, or let me die!
I sue not for my happy crown again;
I sue not for my phalanx on the plain;
I sue not for my lone, my widow'd wife;
I sue not for my ruddy drops of life,
My children fair, my lovely girls and boys!
I will forget them; I will pass these joys;
Ask nought so heavenward, so tootoo high:
Only I pray, as fairest boon, to die,
Or be deliver'd from this cumbrous flesh,
From this gross, detestable, filthy mesh,
And merely given to the cold bleak air.
Have mercy, Goddess! Circe, feel my prayer!"
That curst magician's name fell icy numb
Upon my wild conjecturing: truth had come
Naked and sabre-like against my heart.
I saw a fury whetting a death-dart;
And my slain spirit, overwrought with fright,
Fainted away in that dark lair of night.
Think, my deliverer, how desolate
My waking must have been! disgust, and hate,
And terrors manifold divided me
A spoil amongst them. I prepar'd to flee
Into the dungeon core of that wild wood:
I fled three dayswhen lo! before me stood
Glaring the angry witch. O Dis, even now,
A clammy dew is beading on my brow,
At mere remembering her pale laugh, and curse.
"Ha! ha! Sir Dainty! there must be a nurse
Made of rose leaves and thistledown, express,
To cradle thee my sweet, and lull thee: yes,
I am too flinty-hard for thy nice touch:
My tenderest squeeze is but a giant's clutch.
So, fairy-thing, it shall have lullabies
Unheard of yet; and it shall still its cries
Upon some breast more lily-feminine.
Oh, noit shall not pine, and pine, and pine
More than one pretty, trifling thousand years;
And then 'twere pity, but fate's gentle shears
Cut short its immortality. Sea-flirt!
Young dove of the waters! truly I'll not hurt
One hair of thine: see how I weep and sigh,
That our heart-broken parting is so nigh.
And must we part? Ah, yes, it must be so.
Yet ere thou leavest me in utter woe,
Let me sob over thee my last adieus,
And speak a blessing: Mark me! thou hast thews
Immortal, for thou art of heavenly race:
But such a love is mine, that here I chase
Eternally away from thee all bloom
Of youth, and destine thee towards a tomb.
Hence shalt thou quickly to the watery vast;
And there, ere many days be overpast,
Disabled age shall seize thee; and even then
Thou shalt not go the way of aged men;
But live and wither, cripple and still breathe
Ten hundred years: which gone, I then bequeath
Thy fragile bones to unknown burial.
Adieu, sweet love, adieu!"As shot stars fall,
She fled ere I could groan for mercy. Stung
And poisoned was my spirit: despair sung
A war-song of defiance 'gainst all hell.
A hand was at my shoulder to compel
My sullen steps; another 'fore my eyes
Moved on with pointed finger. In this guise
Enforced, at the last by ocean's foam
I found me; by my fresh, my native home.
Its tempering coolness, to my life akin,
Came salutary as I waded in;
And, with a blind voluptuous rage, I gave
Battle to the swollen billow-ridge, and drave
Large froth before me, while there yet remain'd
Hale strength, nor from my bones all marrow drain'd.
"Young lover, I must weepsuch hellish spite
With dry cheek who can tell? While thus my might
Proving upon this element, dismay'd,
Upon a dead thing's face my hand I laid;
I look'd'twas Scylla! Cursed, cursed Circe!
O vulture-witch, hast never heard of mercy?
Could not thy harshest vengeance be content,
But thou must nip this tender innocent
Because I lov'd her?Cold, O cold indeed
Were her fair limbs, and like a common weed
The sea-swell took her hair. Dead as she was
I clung about her waist, nor ceas'd to pass
Fleet as an arrow through unfathom'd brine,
Until there shone a fabric crystalline,
Ribb'd and inlaid with coral, pebble, and pearl.
Headlong I darted; at one eager swirl
Gain'd its bright portal, enter'd, and behold!
'Twas vast, and desolate, and icy-cold;
And all aroundBut wherefore this to thee
Who in few minutes more thyself shalt see?
I left poor Scylla in a niche and fled.
My fever'd parchings up, my scathing dread
Met palsy half way: soon these limbs became
Gaunt, wither'd, sapless, feeble, cramp'd, and lame.
"Now let me pass a cruel, cruel space,
Without one hope, without one faintest trace
Of mitigation, or redeeming bubble
Of colour'd phantasy; for I fear 'twould trouble
Thy brain to loss of reason: and next tell
How a restoring chance came down to quell
One half of the witch in me. On a day,
Sitting upon a rock above the spray,
I saw grow up from the horizon's brink
A gallant vessel: soon she seem'd to sink
Away from me again, as though her course
Had been resum'd in spite of hindering force
So vanish'd: and not long, before arose
Dark clouds, and muttering of winds morose.
Old Eolus would stifle his mad spleen,
But could not: therefore all the billows green
Toss'd up the silver spume against the clouds.
The tempest came: I saw that vessel's shrouds
In perilous bustle; while upon the deck
Stood trembling creatures. I beheld the wreck;
The final gulphing; the poor struggling souls:
I heard their cries amid loud thunder-rolls.
O they had all been sav'd but crazed eld
Annull'd my vigorous cravings: and thus quell'd
And curb'd, think on't, O Latmian! did I sit
Writhing with pity, and a cursing fit
Against that hell-born Circe. The crew had gone,
By one and one, to pale oblivion;
And I was gazing on the surges prone,
With many a scalding tear and many a groan,
When at my feet emerg'd an old man's hand,
Grasping this scroll, and this same slender wand.
I knelt with painreached out my handhad grasp'd
These treasurestouch'd the knucklesthey unclasp'd
I caught a finger: but the downward weight
O'erpowered meit sank. Then 'gan abate
The storm, and through chill aguish gloom outburst
The comfortable sun. I was athirst
To search the book, and in the warming air
Parted its dripping leaves with eager care.
Strange matters did it treat of, and drew on
My soul page after page, till well-nigh won
Into forgetfulness; when, stupefied,
I read these words, and read again, and tried
My eyes against the heavens, and read again.
O what a load of misery and pain
Each Atlas-line bore off!a shine of hope
Came gold around me, cheering me to cope
Strenuous with hellish tyranny. Attend!
For thou hast brought their promise to an end.
"In the wide sea there lives a forlorn wretch,
Doom'd with enfeebled carcase to outstretch
His loath'd existence through ten centuries,
And then to die alone. Who can devise
A total opposition? No one. So
One million times ocean must ebb and flow,
And he oppressed. Yet he shall not die,
These things accomplish'd:If he utterly
Scans all the depths of magic, and expounds
The meanings of all motions, shapes, and sounds;
If he explores all forms and substances
Straight homeward to their symbol-essences;
He shall not die. Moreover, and in chief,
He must pursue this task of joy and grief
Most piously;all lovers tempest-tost,
And in the savage overwhelming lost,
He shall deposit side by side, until
Time's creeping shall the dreary space fulfil:
Which done, and all these labours ripened,
A youth, by heavenly power lov'd and led,
Shall stand before him; whom he shall direct
How to consummate all. The youth elect
Must do the thing, or both will be destroy'd."
"Then," cried the young Endymion, overjoy'd,
"We are twin brothers in this destiny!
Say, I intreat thee, what achievement high
Is, in this restless world, for me reserv'd.
What! if from thee my wandering feet had swerv'd,
Had we both perish'd?""Look!" the sage replied,
"Dost thou not mark a gleaming through the tide,
Of divers brilliances? 'tis the edifice
I told thee of, where lovely Scylla lies;
And where I have enshrined piously
All lovers, whom fell storms have doom'd to die
Throughout my bondage." Thus discoursing, on
They went till unobscur'd the porches shone;
Which hurryingly they gain'd, and enter'd straight.
Sure never since king Neptune held his state
Was seen such wonder underneath the stars.
Turn to some level plain where haughty Mars
Has legion'd all his battle; and behold
How every soldier, with firm foot, doth hold
His even breast: see, many steeled squares,
And rigid ranks of ironwhence who dares
One step? Imagine further, line by line,
These warrior thousands on the field supine:
So in that crystal place, in silent rows,
Poor lovers lay at rest from joys and woes.
The stranger from the mountains, breathless, trac'd
Such thousands of shut eyes in order plac'd;
Such ranges of white feet, and patient lips
All ruddy,for here death no blossom nips.
He mark'd their brows and foreheads; saw their hair
Put sleekly on one side with nicest care;
And each one's gentle wrists, with reverence,
Put cross-wise to its heart.
"Let us commence,
Whisper'd the guide, stuttering with joy, even now."
He spake, and, trembling like an aspen-bough,
Began to tear his scroll in pieces small,
Uttering the while some mumblings funeral.
He tore it into pieces small as snow
That drifts unfeather'd when bleak northerns blow;
And having done it, took his dark blue cloak
And bound it round Endymion: then struck
His wand against the empty air times nine.
"What more there is to do, young man, is thine:
But first a little patience; first undo
This tangled thread, and wind it to a clue.
Ah, gentle! 'tis as weak as spider's skein;
And shouldst thou break itWhat, is it done so clean?
A power overshadows thee! Oh, brave!
The spite of hell is tumbling to its grave.
Here is a shell; 'tis pearly blank to me,
Nor mark'd with any sign or charactery
Canst thou read aught? O read for pity's sake!
Olympus! we are safe! Now, Carian, break
This wand against yon lyre on the pedestal."
'Twas done: and straight with sudden swell and fall
Sweet music breath'd her soul away, and sigh'd
A lullaby to silence."Youth! now strew
These minced leaves on me, and passing through
Those files of dead, scatter the same around,
And thou wilt see the issue."'Mid the sound
Of flutes and viols, ravishing his heart,
Endymion from Glaucus stood apart,
And scatter'd in his face some fragments light.
How lightning-swift the change! a youthful wight
Smiling beneath a coral diadem,
Out-sparkling sudden like an upturn'd gem,
Appear'd, and, stepping to a beauteous corse,
Kneel'd down beside it, and with tenderest force
Press'd its cold hand, and weptand Scylla sigh'd!
Endymion, with quick hand, the charm applied
The nymph arose: he left them to their joy,
And onward went upon his high employ,
Showering those powerful fragments on the dead.
And, as he pass'd, each lifted up its head,
As doth a flower at Apollo's touch.
Death felt it to his inwards; 'twas too much:
Death fell a weeping in his charnel-house.
The Latmian persever'd along, and thus
All were re-animated. There arose
A noise of harmony, pulses and throes
Of gladness in the airwhile many, who
Had died in mutual arms devout and true,
Sprang to each other madly; and the rest
Felt a high certainty of being blest.
They gaz'd upon Endymion. Enchantment
Grew drunken, and would have its head and bent.
Delicious symphonies, like airy flowers,
Budded, and swell'd, and, full-blown, shed full showers
Of light, soft, unseen leaves of sounds divine.
The two deliverers tasted a pure wine
Of happiness, from fairy-press ooz'd out.
Speechless they eyed each other, and about
The fair assembly wander'd to and fro,
Distracted with the richest overflow
Of joy that ever pour'd from heaven.
"Away!"
Shouted the new-born god; "Follow, and pay
Our piety to Neptunus supreme!"
Then Scylla, blushing sweetly from her dream,
They led on first, bent to her meek surprise,
Through portal columns of a giant size,
Into the vaulted, boundless emerald.
Joyous all follow'd, as the leader call'd,
Down marble steps; pouring as easily
As hour-glass sandand fast, as you might see
Swallows obeying the south summer's call,
Or swans upon a gentle waterfall.
Thus went that beautiful multitude, nor far,
Ere from among some rocks of glittering spar,
Just within ken, they saw descending thick
Another multitude. Whereat more quick
Moved either host. On a wide sand they met,
And of those numbers every eye was wet;
For each their old love found. A murmuring rose,
Like what was never heard in all the throes
Of wind and waters: 'tis past human wit
To tell; 'tis dizziness to think of it.
This mighty consummation made, the host
Mov'd on for many a league; and gain'd, and lost
Huge sea-marks; vanward swelling in array,
And from the rear diminishing away,
Till a faint dawn surpris'd them. Glaucus cried,
"Behold! behold, the palace of his pride!
God Neptune's palaces!" With noise increas'd,
They shoulder'd on towards that brightening east.
At every onward step proud domes arose
In prospect,diamond gleams, and golden glows
Of amber 'gainst their faces levelling.
Joyous, and many as the leaves in spring,
Still onward; still the splendour gradual swell'd.
Rich opal domes were seen, on high upheld
By jasper pillars, letting through their shafts
A blush of coral. Copious wonder-draughts
Each gazer drank; and deeper drank more near:
For what poor mortals fragment up, as mere
As marble was there lavish, to the vast
Of one fair palace, that far far surpass'd,
Even for common bulk, those olden three,
Memphis, and Babylon, and Nineveh.
As large, as bright, as colour'd as the bow
Of Iris, when unfading it doth shew
Beyond a silvery shower, was the arch
Through which this Paphian army took its march,
Into the outer courts of Neptune's state:
Whence could be seen, direct, a golden gate,
To which the leaders sped; but not half raught
Ere it burst open swift as fairy thought,
And made those dazzled thousands veil their eyes
Like callow eagles at the first sunrise.
Soon with an eagle nativeness their gaze
Ripe from hue-golden swoons took all the blaze,
And then, behold! large Neptune on his throne
Of emerald deep: yet not exalt alone;
At his right hand stood winged Love, and on
His left sat smiling Beauty's paragon.
Far as the mariner on highest mast
Can see all round upon the calmed vast,
So wide was Neptune's hall: and as the blue
Doth vault the waters, so the waters drew
Their doming curtains, high, magnificent,
Aw'd from the throne aloof;and when storm-rent
Disclos'd the thunder-gloomings in Jove's air;
But sooth'd as now, flash'd sudden everywhere,
Noiseless, sub-marine cloudlets, glittering
Death to a human eye: for there did spring
From natural west, and east, and south, and north,
A light as of four sunsets, blazing forth
A gold-green zenith 'bove the Sea-God's head.
Of lucid depth the floor, and far outspread
As breezeless lake, on which the slim canoe
Of feather'd Indian darts about, as through
The delicatest air: air verily,
But for the portraiture of clouds and sky:
This palace floor breath-air,but for the amaze
Of deep-seen wonders motionless,and blaze
Of the dome pomp, reflected in extremes,
Globing a golden sphere.
They stood in dreams
Till Triton blew his horn. The palace rang;
The Nereids danc'd; the Syrens faintly sang;
And the great Sea-King bow'd his dripping head.
Then Love took wing, and from his pinions shed
On all the multitude a nectarous dew.
The ooze-born Goddess beckoned and drew
Fair Scylla and her guides to conference;
And when they reach'd the throned eminence
She kist the sea-nymph's cheek,who sat her down
A toying with the doves. Then,"Mighty crown
And sceptre of this kingdom!" Venus said,
"Thy vows were on a time to Nais paid:
Behold!"Two copious tear-drops instant fell
From the God's large eyes; he smil'd delectable,
And over Glaucus held his blessing hands.
"Endymion! Ah! still wandering in the bands
Of love? Now this is cruel. Since the hour
I met thee in earth's bosom, all my power
Have I put forth to serve thee. What, not yet
Escap'd from dull mortality's harsh net?
A little patience, youth! 'twill not be long,
Or I am skilless quite: an idle tongue,
A humid eye, and steps luxurious,
Where these are new and strange, are ominous.
Aye, I have seen these signs in one of heaven,
When others were all blind; and were I given
To utter secrets, haply I might say
Some pleasant words:but Love will have his day.
So wait awhile expectant. Pr'ythee soon,
Even in the passing of thine honey-moon,
Visit my Cytherea: thou wilt find
Cupid well-natured, my Adonis kind;
And pray persuade with theeAh, I have done,
All blisses be upon thee, my sweet son!"
Thus the fair goddess: while Endymion
Knelt to receive those accents halcyon.
Meantime a glorious revelry began
Before the Water-Monarch. Nectar ran
In courteous fountains to all cups outreach'd;
And plunder'd vines, teeming exhaustless, pleach'd
New growth about each shell and pendent lyre;
The which, in disentangling for their fire,
Pull'd down fresh foliage and coverture
For dainty toying. Cupid, empire-sure,
Flutter'd and laugh'd, and oft-times through the throng
Made a delighted way. Then dance, and song,
And garlanding grew wild; and pleasure reign'd.
In harmless tendril they each other chain'd,
And strove who should be smother'd deepest in
Fresh crush of leaves.
O 'tis a very sin
For one so weak to venture his poor verse
In such a place as this. O do not curse,
High Muses! let him hurry to the ending.
All suddenly were silent. A soft blending
Of dulcet instruments came charmingly;
And then a hymn.
"KING of the stormy sea!
Brother of Jove, and co-inheritor
Of elements! Eternally before
Thee the waves awful bow. Fast, stubborn rock,
At thy fear'd trident shrinking, doth unlock
Its deep foundations, hissing into foam.
All mountain-rivers lost, in the wide home
Of thy capacious bosom ever flow.
Thou frownest, and old Eolus thy foe
Skulks to his cavern, 'mid the gruff complaint
Of all his rebel tempests. Dark clouds faint
When, from thy diadem, a silver gleam
Slants over blue dominion. Thy bright team
Gulphs in the morning light, and scuds along
To bring thee nearer to that golden song
Apollo singeth, while his chariot
Waits at the doors of heaven. Thou art not
For scenes like this: an empire stern hast thou;
And it hath furrow'd that large front: yet now,
As newly come of heaven, dost thou sit
To blend and interknit
Subdued majesty with this glad time.
O shell-borne King sublime!
We lay our hearts before thee evermore
We sing, and we adore!
"Breathe softly, flutes;
Be tender of your strings, ye soothing lutes;
Nor be the trumpet heard! O vain, O vain;
Not flowers budding in an April rain,
Nor breath of sleeping dove, nor river's flow,
No, nor the Eolian twang of Love's own bow,
Can mingle music fit for the soft ear
Of goddess Cytherea!
Yet deign, white Queen of Beauty, thy fair eyes
On our souls' sacrifice.
"Bright-winged Child!
Who has another care when thou hast smil'd?
Unfortunates on earth, we see at last
All death-shadows, and glooms that overcast
Our spirits, fann'd away by thy light pinions.
O sweetest essence! sweetest of all minions!
God of warm pulses, and dishevell'd hair,
And panting bosoms bare!
Dear unseen light in darkness! eclipser
Of light in light! delicious poisoner!
Thy venom'd goblet will we quaff until
We fillwe fill!
And by thy Mother's lips"
Was heard no more
For clamour, when the golden palace door
Opened again, and from without, in shone
A new magnificence. On oozy throne
Smooth-moving came Oceanus the old,
To take a latest glimpse at his sheep-fold,
Before he went into his quiet cave
To muse for everThen a lucid wave,
Scoop'd from its trembling sisters of mid-sea,
Afloat, and pillowing up the majesty
Of Doris, and the Egean seer, her spouse
Next, on a dolphin, clad in laurel boughs,
Theban Amphion leaning on his lute:
His fingers went across itAll were mute
To gaze on Amphitrite, queen of pearls,
And Thetis pearly too.
The palace whirls
Around giddy Endymion; seeing he
Was there far strayed from mortality.
He could not bear itshut his eyes in vain;
Imagination gave a dizzier pain.
"O I shall die! sweet Venus, be my stay!
Where is my lovely mistress? Well-away!
I dieI hear her voiceI feel my wing"
At Neptune's feet he sank. A sudden ring
Of Nereids were about him, in kind strife
To usher back his spirit into life:
But still he slept. At last they interwove
Their cradling arms, and purpos'd to convey
Towards a crystal bower far away.
Lo! while slow carried through the pitying crowd,
To his inward senses these words spake aloud;
Written in star-light on the dark above:
Dearest Endymion! my entire love!
How have I dwelt in fear of fate: 'tis done
Immortal bliss for me too hast thou won.
Arise then! for the hen-dove shall not hatch
Her ready eggs, before I'll kissing snatch
Thee into endless heaven. Awake! awake!
The youth at once arose: a placid lake
Came quiet to his eyes; and forest green,
Cooler than all the wonders he had seen,
Lull'd with its simple song his fluttering breast.
How happy once again in grassy nest!
(line 1): Woodhouse notes that "Keats said, with much simplicity, 'It will be easily seen what I think of the present ministers, by the beginning of the third Book.'"
(line 407): Whether the reference is to the Pillars of Hercules, the confluence of the Mediterranean and Atlantic, or to the scene of the Death of Hercules, is not very clear; but probably "wound up his story" refers rather to his last labour than to his death on Mount ta.
(lines 863-65): This simile must surely be a reminiscence of Perrin's Fables Amusantes or some similar book used in Mr. Clarke's School. I remember the Fable of the old eagle and her young stood first in the book I used at school. The draft gives line 860 thus -- 'But soon like eagles natively their gaze...'
At the end of this Book Keats wrote in the draft, "Oxf: Sept. 26."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book III
,#NFDB
1435:class:Classics
BOOK THE FIFTH
The Story of Perseus continu'd
While Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
Chief in the riot Phineus first appear'd,
The rash ringleader of this boist'rous herd,
And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.
Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.
Who, springing nimbly up, return'd the dart,
And almost plung'd it in his rival's heart;
But he for safety to the altar ran,
Unfit protection for so vile a man;
Yet was the stroke not vain, as Rhaetus found,
Who in his brow receiv'd a mortal wound;
Headlong he tumbled, when his skull was broke,
From which his friends the fatal weapon took,
While he lay trembling, and his gushing blood
In crimson streams around the table flow'd.
But this provok'd th' unruly rabble worse,
They flung their darts, and some in loud discourse
To death young Perseus, and the monarch doom;
But Cepheus left before the guilty room,
With grief appealing to the Gods above,
Who laws of hospitality approve,
Who faith protect, and succour injur'd right,
That he was guiltless of this barb'rous fight.
Pallas her brother Perseus close attends,
And with her ample shield from harm defends,
Raising a sprightly courage in his heart:
But Indian Athis took the weaker part,
Born in the chrystal grottoes of the sea,
Limnate's son, a fenny nymph, and she
Daughter of Ganges; graceful was his mein,
His person lovely, and his age sixteen.
His habit made his native beauty more;
A purple mantle fring'd with gold he wore;
His neck well-turn'd with golden chains was grac'd,
His hair with myrrh perfum'd, was nicely dress'd.
Tho' with just aim he cou'd the javelin throw,
Yet with more skill he drew the bending bow;
And now was drawing it with artful hand,
When Perseus snatching up a flaming brand,
Whirl'd sudden at his face the burning wood,
Crush'd his eyes in, and quench'd the fire with blood;
Thro' the soft skin the splinter'd bones appear,
And spoil'd the face that lately was so fair.
When Lycabas his Athis thus beheld,
How was his heart with friendly horror fill'd!
A youth so noble, to his soul so dear,
To see his shapeless look, his dying groans to hear!
He snatch'd the bow the boy was us'd to bend,
And cry'd, With me, false traytor, dare contend;
Boast not a conquest o'er a child, but try
Thy strength with me, who all thy pow'rs defy;
Nor think so mean an act a victory.
While yet he spoke he flung the whizzing dart,
Which pierc'd the plaited robe, but miss'd his heart:
Perseus defy'd, upon him fiercely press'd
With sword, unsheath'd, and plung'd it in his breast;
His eyes o'erwhelm'd with night, he stumbling falls,
And with his latest breath on Athis calls;
Pleas'd that so near the lovely youth he lies,
He sinks his head upon his friend, and dies.
Next eager Phorbas, old Methion's son,
Came rushing forward with Amphimedon;
When the smooth pavement, slippery made with gore,
Trip'd up their feet, and flung 'em on the floor;
The sword of Perseus, who by chance was nigh,
Prevents their rise, and where they fall, they lye:
Full in his ribs Amphimedon he smote,
And then stuck fiery Phorbas in the throat.
Eurythus lifting up his ax, the blow
Was thus prevented by his nimble foe;
A golden cup he seizes, high embost,
And at his head the massy goblet tost:
It hits, and from his forehead bruis'd rebounds,
And blood, and brains he vomits from his wounds;
With his slain fellows on the floor he lies,
And death for ever shuts his swimming eyes.
Then Polydaemon fell, a Goddess-born;
Phlegias, and Elycen with locks unshorn
Next follow'd; next, the stroke of death he gave
To Clytus, Abanis, and Lycetus brave;
While o'er unnumber'd heaps of ghastly dead,
The Argive heroe's feet triumphant tread.
But Phineus stands aloof, and dreads to feel
His rival's force, and flies his pointed steel:
Yet threw a dart from far; by chance it lights
On Idas, who for neither party fights;
But wounded, sternly thus to Phineus said,
Since of a neuter thou a foe hast made,
This I return thee, drawing from his side
The dart; which, as he strove to fling, he dy'd.
Odites fell by Clymenus's sword,
The Cephen court had not a greater lord.
Hypseus his blade does in Protenor sheath,
But brave Lyncides soon reveng'd his death.
Here too was old Emathion, one that fear'd
The Gods, and in the cause of Heav'n appear'd,
Who only wishing the success of right,
And, by his age, exempted from the fight,
Both sides alike condemns: This impious war
Cease, cease, he cries; these bloody broils forbear.
This scarce the sage with high concern had said,
When Chromis at a blow struck off his head,
Which dropping, on the royal altar roul'd,
Still staring on the crowd with aspect bold;
And still it seem'd their horrid strife to blame,
In life and death, his pious zeal the same;
While clinging to the horns, the trunk expires,
The sever'd head consumes amidst the fires.
Then Phineus, who from far his javelin threw,
Broteas and Ammon, twins and brothers, slew;
For knotted gauntlets matchless in the field;
But gauntlets must to swords and javelins yield.
Ampycus next, with hallow'd fillets bound,
As Ceres' priest, and with a mitre crown'd,
His spear transfix'd, and struck him to the ground.
O Iapetides, with pain I tell
How you, sweet lyrist, in the riot fell;
What worse than brutal rage his breast could fill,
Who did thy blood, o bard celestial! spill?
Kindly you press'd amid the princely throng,
To crown the feast, and give the nuptial song:
Discord abhorr'd the musick of thy lyre,
Whose notes did gentle peace so well inspire;
Thee, when fierce Pettalus far off espy'd,
Defenceless with thy harp, he scoffing cry'd,
Go; to the ghosts thy soothing lessons play;
We loath thy lyre, and scorn thy peaceful lay:
And, as again he fiercely bid him go,
He pierc'd his temples with a mortal blow.
His harp he held, tho' sinking on the ground,
Whose strings in death his trembling fingers found
By chance, and tun'd by chance a dying sound.
With grief Lycormas saw him fall, from far,
And, wresting from the door a massy bar,
Full in his poll lays on a load of knocks,
Which stun him, and he falls like a devoted ox.
Another bar Pelates would have snach'd,
But Corynthus his motions slily watch'd;
He darts his weapon from a private stand,
And rivets to the post his veiny hand:
When strait a missive spear transfix'd his side,
By Abas thrown, and as he hung, he dy'd.
Melaneus on the prince's side was slain;
And Dorylas, who own'd a fertile plain,
Of Nasamonia's fields the wealthy lord,
Whose crowded barns, could scarce contain their board.
A whizzing spear obliquely gave a blow,
Stuck in his groin, and pierc'd the nerves below;
His foe behld his eyes convulsive roul,
His ebbing veins, and his departing soul;
Then taunting said, Of all thy spacious plain,
This spot thy only property remains.
He left him thus; but had no sooner left,
Than Perseus in revenge his nostrils cleft;
From his friend's breast the murd'ring dart he drew,
And the same weapon at the murderer threw;
His head in halves the darted javelin cut,
And on each side the brain came issuing out.
Fortune his friend, in deaths around he deals,
And this his lance, and that his faulchion feels:
Now Clytius dies; and by a diff'rent wound,
The twin, his brother Clanis, bites the ground.
In his rent jaw the bearded weapon sticks,
And the steel'd dart does Clytius' thigh transfix.
With these Mendesian Celadon he slew:
And Astreus next, whose mother was a Jew,
His sire uncertain: then by Perseus fell
Aethion, who cou'd things to come foretell;
But now he knows not whence the javelin flies
That wounds his breast, nor by whose arm he dies.
The squire to Phineus next his valour try'd,
And fierce Agyrtes stain'd with paricide.
As these are slain, fresh numbers still appear,
And wage with Perseus an unequal war;
To rob him of his right, the maid he won,
By honour, promise, and desert his own.
With him, the father of the beauteous bride,
The mother, and the frighted virgin side;
With shrieks, and doleful cries they rend the air:
Their shrieks confounded with the din of war,
With dashing arms, and groanings of the slain,
They grieve unpitied, and unheard complain.
The floor with ruddy streams Bellona stains,
And Phineus a new war with double rage maintains.
Perseus begirt, from all around they pour
Their lances on him, a tempestuous show'r,
Aim'd all at him; a cloud of darts, and spears,
Or blind his eyes, or whistle round his ears.
Their numbers to resist, against the wall
He guards his back secure, and dares them all.
Here from the left Molpeus renews the fight,
And bold Ethemon presses on the right:
As when a hungry tyger near him hears
Two lowing herds, a-while he both forbears;
Nor can his hopes of this, or that renounce,
So strong he lusts to prey on both at once;
Thus Perseus now with that, or this is loth
To war distinct:, but fain would fall on both.
And first Chaonian Molpeus felt his blow,
And fled, and never after fac'd his foe;
Then fierce Ethemon, as he turn'd his back,
Hurried with fury, aiming at his neck,
His brandish'd sword against the marble struck
With all his might; the brittle weapon broke,
And in his throat the point rebounding stuck.
Too slight the wound for life to issue thence,
And yet too great for battel, or defence;
His arms extended in this piteous state,
For mercy he wou'd sue, but sues too late;
Perseus has in his bosom plung'd the sword,
And, ere he speaks, the wound prevents the word.
The crowds encreasing, and his friends distress'd,
Himself by warring multitudes oppress'd:
Since thus unequally you fight, 'tis time,
He cry'd, to punish your presumptuous crime;
Beware, my friends; his friends were soon prepar'd,
Their sight averting, high the head he rear'd,
And Gorgon on his foes severely star'd.
Vain shift! says Thescelus, with aspect bold,
Thee, and thy bugbear monster, I behold
With scorn; he lifts his arm, but ere he threw
The dart, the heroe to a statue grew.
In the same posture still the marble stands,
And holds the warrior's weapons in its hands.
Amphyx, whom yet this wonder can't alarm,
Heaves at Lyncides' breast his impious arm;
But, while thus daringly he presses on,
His weapon and his arm are turn'd to stone.
Next Nileus, he who vainly said he ow'd
His origin to Nile's prolifick flood;
Who on his shield seven silver rivers bore,
His birth to witness by the arms he wore;
Full of his sev'n-fold father, thus express'd
His boast to Perseus, and his pride confess'd:
See whence we sprung; let this thy comfort be
In thy sure death, that thou didst die by me.
While yet he spoke, the dying accents hung
In sounds imperfect on his marble tongue;
Tho' chang'd to stone, his lips he seem'd to stretch,
And thro' th' insensate rock wou'd force a speech.
This Eryx saw, but seeing wou'd not own;
The mischief by your selves, he cries, is done,
'Tis your cold courage turns your hearts to stone.
Come, follow me; fall on the stripling boy,
Kill him, and you his magick arms destroy.
Then rushing on, his arm to strike he rear'd,
And marbled o'er his varied frame appear'd.
These for affronting Pallas were chastis'd,
And justly met the death they had despis'd.
But brave Aconteus, Perseus' friend, by chance
Look'd back, and met the Gorgon's fatal glance:
A statue now become, he ghastly stares,
And still the foe to mortal combat dares.
Astyages the living likeness knew,
On the dead stone with vengeful fury flew;
But impotent his rage, the jarring blade
No print upon the solid marble made:
Again, as with redoubled might he struck,
Himself astonish'd in the quarry stuck.
The vulgar deaths 'twere tedious to rehearse,
And fates below the dignity of verse;
Their safety in their flight two hundred found,
Two hundred, by Medusa's head were ston'd.
Fierce Phineus now repents the wrongful fight,
And views his varied friends, a dreadful sight;
He knows their faces, for their help he sues,
And thinks, not hearing him, that they refuse:
By name he begs their succour, one by one,
Then doubts their life, and feels the friendly stone.
Struck with remorse, and conscious of his pride,
Convict of sin, he turn'd his eyes aside;
With suppliant mein to Perseus thus he prays,
Hence with the head, as far as winds and seas
Can bear thee; hence, o quit the Cephen shore,
And never curse us with Medusa more,
That horrid head, which stiffens into stone
Those impious men who, daring death, look on.
I warr'd not with thee out of hate or strife,
My honest cause was to defend my wife,
First pledg'd to me; what crime cou'd I suppose,
To arm my friends, and vindicate my spouse?
But vain, too late I see, was our design;
Mine was the title, but the merit thine.
Contending made me guilty, I confess;
But penitence shou'd make that guilt the less:
'Twas thine to conquer by Minerva's pow'r;
Favour'd of Heav'n, thy mercy I implore;
For life I sue; the rest to thee I yield;
In pity, from my sight remove the shield.
He suing said; nor durst revert his eyes
On the grim head: and Perseus thus replies:
Coward, what is in me to grant, I will,
Nor blood, unworthy of my valour spill:
Fear not to perish by my vengeful sword,
From that secure; 'tis all the Fates afford.
Where I now see thee, thou shalt still be seen,
A lasting monument to please our queen;
There still shall thy betroth'd behold her spouse,
And find his image in her father's house.
This said; where Phineus turn'd to shun the shield
Full in his face the staring head he held;
As here and there he strove to turn aside,
The wonder wrought, the man was petrify'd:
All marble was his frame, his humid eyes
Drop'd tears, which hung upon the stone like ice.
In suppliant posture, with uplifted hands,
And fearful look, the guilty statue stands.
Hence Perseus to his native city hies,
Victorious, and rewarded with his prize.
Conquest, o'er Praetus the usurper, won,
He re-instates his grandsire in the throne.
Praetus, his brother dispossess'd by might,
His realm enjoy'd, and still detain'd his right:
But Perseus pull'd the haughty tyrant down,
And to the rightful king restor'd the throne.
Weak was th' usurper, as his cause was wrong;
Where Gorgon's head appears, what arms are strong?
When Perseus to his host the monster held,
They soon were statues, and their king expell'd.
Thence, to Seriphus with the head he sails,
Whose prince his story treats as idle tales:
Lord of a little isle, he scorns to seem
Too credulous, but laughs at that, and him.
Yet did he not so much suspect the truth,
As out of pride, or envy, hate the youth.
The Argive prince, at his contempt enrag'd,
To force his faith by fatal proof engag'd.
Friends, shut your eyes, he cries; his shield he takes,
And to the king expos'd Medusa's snakes.
The monarch felt the pow'r he wou'd not own,
And stood convict of folly in the stone.
Minerva's Interview with the Muses
Thus far Minerva was content to rove
With Perseus, offspring of her father Jove:
Now, hid in clouds, Seriphus she forsook;
And to the Theban tow'rs her journey took.
Cythnos and Gyaros lying to the right,
She pass'd unheeded in her eager flight;
And chusing first on Helicon to rest,
The virgin Muses in these words address'd:
Me, the strange tidings of a new-found spring,
Ye learned sisters, to this mountain bring.
If all be true that Fame's wide rumours tell,
'Twas Pegasus discover'd first your well;
Whose piercing hoof gave the soft earth a blow,
Which broke the surface where these waters flow.
I saw that horse by miracle obtain
Life, from the blood of dire Medusa slain;
And now, this equal prodigy to view,
From distant isles to fam'd Boeotia flew.
The Muse Urania said, Whatever cause
So great a Goddess to this mansion draws;
Our shades are happy with so bright a guest,
You, Queen, are welcome, and we Muses blest.
What Fame has publish'd of our spring is true,
Thanks for our spring to Pegasus are due.
Then, with becoming courtesy, she led
The curious stranger to their fountain's head;
Who long survey'd, with wonder, and delight,
Their sacred water, charming to the sight;
Their ancient groves, dark grottos, shady bow'rs,
And smiling plains adorn'd with various flow'rs.
O happy Muses! she with rapture cry'd,
Who, safe from cares, on this fair hill reside;
Blest in your seat, and free your selves to please
With joys of study, and with glorious ease.
The Fate of Pyreneus
Then one replies: O Goddess, fit to guide
Our humble works, and in our choir preside,
Who sure wou'd wisely to these fields repair,
To taste our pleasures, and our labours share,
Were not your virtue, and superior mind
To higher arts, and nobler deeds inclin'd;
Justly you praise our works, and pleasing seat,
Which all might envy in this soft retreat,
Were we secur'd from dangers, and from harms;
But maids are frighten'd with the least alarms,
And none are safe in this licentious time;
Still fierce Pyreneus, and his daring crime,
With lasting horror strikes my feeble sight,
Nor is my mind recover'd from the fright.
With Thracian arms this bold usurper gain'd
Daulis, and Phocis, where he proudly reign'd:
It happen'd once, as thro' his lands we went,
For the bright temple of Parnassus bent,
He met us there, and in his artful mind
Hiding the faithless action he design'd,
Confer'd on us (whom, oh! too well he knew)
All honours that to Goddesses are due.
Stop, stop, ye Muses, 'tis your friend who calls,
The tyrant said; behold the rain that falls
On ev'ry side, and that ill-boding sky,
Whose lowring face portends more storms are nigh.
Pray make my house your own, and void of fear,
While this bad weather lasts, take shelter here.
Gods have made meaner places their resort,
And, for a cottage, left their shining court.
Oblig'd to stop, by the united force
Of pouring rains, and complaisant discourse,
His courteous invitation we obey,
And in his hall resolve a-while to stay.
Soon it clear'd up; the clouds began to fly,
The driving north refin'd the show'ry sky;
Then to pursue our journey we began:
But the false traitor to his portal ran,
Stopt our escape, the door securely barr'd,
And to our honour, violence prepar'd.
But we, transform'd to birds, avoid his snare,
On pinions rising in the yielding air.
But he, by lust and indignation fir'd,
Up to his highest tow'r with speed retir'd,
And cries, In vain you from my arms withdrew,
The way you go your lover will pursue.
Then, in a flying posture wildly plac'd,
And daring from that height himself to cast,
The wretch fell headlong, and the ground bestrew'd
With broken bones, and stains of guilty blood.
The Story of the Pierides
The Muse yet spoke; when they began to hear
A noise of wings that flutter'd in the air;
And strait a voice, from some high-spreading bough,
Seem'd to salute the company below.
The Goddess wonder'd, and inquir'd from whence
That tongue was heard, that spoke so plainly sense
(It seem'd to her a human voice to be,
But prov'd a bird's; for in a shady tree
Nine magpies perch'd lament their alter'd state,
And, what they hear, are skilful to repeat).
The sister to the wondring Goddess said,
These, foil'd by us, by us were thus repaid.
These did Evippe of Paeonia bring
With nine hard labour-pangs to Pella's king.
The foolish virgins of their number proud,
And puff'd with praises of the senseless crowd,
Thro' all Achaia, and th' Aemonian plains
Defy'd us thus, to match their artless strains;
No more, ye Thespian girls, your notes repeat,
Nor with false harmony the vulgar cheat;
In voice or skill, if you with us will vye,
As many we, in voice or skill will try.
Surrender you to us, if we excell,
Fam'd Aganippe, and Medusa's well.
The conquest yours, your prize from us shall be
The Aemathian plains to snowy Paeone;
The nymphs our judges. To dispute the field,
We thought a shame; but greater shame to yield.
On seats of living stone the sisters sit,
And by the rivers swear to judge aright.
The Song of the Pierides
Then rises one of the presumptuous throng,
Steps rudely forth, and first begins the song;
With vain address describes the giants' wars,
And to the Gods their fabled acts prefers.
She sings, from Earth's dark womb how Typhon rose,
And struck with mortal fear his heav'nly foes.
How the Gods fled to Egypt's slimy soil,
And hid their heads beneath the banks of Nile:
How Typhon, from the conquer'd skies, pursu'd
Their routed godheads to the sev'n-mouth'd flood;
Forc'd every God, his fury to escape,
Some beastly form to take, or earthly shape.
Jove (so she sung) was chang'd into a ram,
From whence the horns of Libyan Ammon came.
Bacchus a goat, Apollo was a crow,
Phaebe a cat; die wife of Jove a cow,
Whose hue was whiter than the falling snow.
Mercury to a nasty Ibis turn'd,
The change obscene, afraid of Typhon, mourn'd;
While Venus from a fish protection craves,
And once more plunges in her native waves.
She sung, and to her harp her voice apply'd;
Then us again to match her they defy'd.
But our poor song, perhaps, for you to hear,
Nor leisure serves, nor is it worth your ear.
That causeless doubt remove, O Muse rehearse,
The Goddess cry'd, your ever-grateful verse.
Beneath a chequer'd shade she takes her seat,
And bids the sister her whole song repeat.
The sister thus: Calliope we chose
For the performance. The sweet virgin rose,
With ivy crown'd she tunes her golden strings,
And to her harp this composition sings.
The Song of the Muses
First Ceres taught the lab'ring hind to plow
The pregnant Earth, and quickning seed to sow.
She first for Man did wholsome food provide,
And with just laws the wicked world supply'd:
All good from her deriv'd, to her belong
The grateful tri butes of the Muse's song.
Her more than worthy of our verse we deem,
Oh! were our verse more worthy of the theme.
Jove on the giant fair Trinacria hurl'd,
And with one bolt reveng'd his starry world.
Beneath her burning hills Tiphaeus lies,
And, strugling always, strives in vain to rise.
Down does Pelorus his right hand suppress
Tow'rd Latium, on the left Pachyne weighs.
His legs are under Lilybaeum spread,
And Aetna presses hard his horrid head.
On his broad back he there extended lies,
And vomits clouds of ashes to the skies.
Oft lab'ring with his load, at last he tires,
And spews out in revenge a flood of fires.
Mountains he struggles to o'erwhelm, and towns;
Earth's inmost bowels quake, and Nature groans.
His terrors reach the direful king of Hell;
He fears his throws will to the day reveal
The realms of night, and fright his trembling ghosts.
This to prevent, he quits the Stygian coasts,
In his black carr, by sooty horses drawn,
Fair Sicily he seeks, and dreads the dawn.
Around her plains he casts his eager eyes,
And ev'ry mountain to the bottom tries.
But when, in all the careful search, he saw
No cause of fear, no ill-suspected flaw;
Secure from harm, and wand'ring on at will,
Venus beheld him from her flow'ry hill:
When strait the dame her little Cupid prest
With secret rapture to her snowy breast,
And in these words the flutt'ring boy addrest.
O thou, my arms, my glory, and my pow'r,
My son, whom men, and deathless Gods adore;
Bend thy sure bow, whose arrows never miss'd,
No longer let Hell's king thy sway resist;
Take him, while stragling from his dark abodes
He coasts the kingdoms of superior Gods.
If sovereign Jove, if Gods who rule the waves,
And Neptune, who rules them, have been thy slaves;
Shall Hell be free? The tyrant strike, my son,
Enlarge thy mother's empire, and thy own.
Let not our Heav'n be made the mock of Hell,
But Pluto to confess thy pow'r compel.
Our rule is slighted in our native skies,
See Pallas, see Diana too defies
Thy darts, which Ceres' daughter wou'd despise.
She too our empire treats with aukward scorn;
Such insolence no longer's to be born.
Revenge our slighted reign, and with thy dart
Transfix the virgin's to the uncle's heart.
She said; and from his quiver strait he drew
A dart that surely wou'd the business do.
She guides his hand, she makes her touch the test,
And of a thousand arrows chose the best:
No feather better pois'd, a sharper head
None had, and sooner none, and surer sped.
He bends his bow, he draws it to his ear,
Thro' Pluto's heart it drives, and fixes there.
The Rape of Proserpine
Near Enna's walls a spacious lake is spread,
Fam'd for the sweetly-singing swans it bred;
Pergusa is its name: and never more
Were heard, or sweeter on Cayster's shore.
Woods crown the lake; and Phoebus ne'er invades
The tufted fences, or offends the shades:
Fresh fragrant breezes fan the verdant bow'rs,
And the moist ground smiles with enamel'd flow'rs
The chearful birds their airy carols sing,
And the whole year is one eternal spring.
Here, while young Proserpine, among the maids,
Diverts herself in these delicious shades;
While like a child with busy speed and care
She gathers lillies here, and vi'lets there;
While first to fill her little lap she strives,
Hell's grizly monarch at the shade arrives;
Sees her thus sporting on the flow'ry green,
And loves the blooming maid, as soon as seen.
His urgent flame impatient of delay,
Swift as his thought he seiz'd the beauteous prey,
And bore her in his sooty carr away.
The frighted Goddess to her mother cries,
But all in vain, for now far off she flies;
Far she behind her leaves her virgin train;
To them too cries, and cries to them in vain,
And, while with passion she repeats her call,
The vi'lets from her lap, and lillies fall:
She misses 'em, poor heart! and makes new moan;
Her lillies, ah! are lost, her vi'lets gone.
O'er hills, the ravisher, and vallies speeds,
By name encouraging his foamy steeds;
He rattles o'er their necks the rusty reins,
And ruffles with the stroke their shaggy manes.
O'er lakes he whirls his flying wheels, and comes
To the Palici breathing sulph'rous fumes.
And thence to where the Bacchiads of renown
Between unequal havens built their town;
Where Arethusa, round th' imprison'd sea,
Extends her crooked coast to Cyane;
The nymph who gave the neighb'ring lake a name,
Of all Sicilian nymphs the first in fame,
She from the waves advanc'd her beauteous head,
The Goddess knew, and thus to Pluto said:
Farther thou shalt not with the virgin run;
Ceres unwilling, canst thou be her son?
The maid shou'd be by sweet perswasion won.
Force suits not with the softness of the fair;
For, if great things with small I may compare,
Me Anapis once lov'd; a milder course
He took, and won me by his words, not force.
Then, stretching out her arms, she stopt his way;
But he, impatient of the shortest stay,
Throws to his dreadful steeds the slacken'd rein,
And strikes his iron sceptre thro' the main;
The depths profound thro' yielding waves he cleaves,
And to Hell's center a free passage leaves;
Down sinks his chariot, and his realms of night
The God soon reaches with a rapid flight.
Cyane dissolves to a Fountain
But still does Cyane the rape bemoan,
And with the Goddess' wrongs laments her own;
For the stoln maid, and for her injur'd spring,
Time to her trouble no relief can bring.
In her sad heart a heavy load she bears,
'Till the dumb sorrow turns her all to tears.
Her mingling waters with that fountain pass,
Of which she late immortal Goddess was;
Her varied members to a fluid melt,
A pliant softness in her bones is felt;
Her wavy locks first drop away in dew,
And liquid next her slender fingers grew.
The body's change soon seizes its extreme,
Her legs dissolve, and feet flow off in stream.
Her arms, her back, her shoulders, and her side,
Her swelling breasts in little currents glide,
A silver liquor only now remains
Within the channel of her purple veins;
Nothing to fill love's grasp; her husb and chaste
Bathes in that bosom he before embrac'd.
A Boy transform'd to an Eft
Thus, while thro' all the Earth, and all the main,
Her daughter mournful Ceres sought in vain;
Aurora, when with dewy looks she rose,
Nor burnish'd Vesper found her in repose,
At Aetna's flaming mouth two pitchy pines
To light her in her search at length she tines.
Restless, with these, thro' frosty night she goes,
Nor fears the cutting winds, nor heeds the snows;
And, when the morning-star the day renews,
From east to west her absent child pursues.
Thirsty at last by long fatigue she grows,
But meets no spring, no riv'let near her flows.
Then looking round, a lowly cottage spies,
Smoaking among the trees, and thither hies.
The Goddess knocking at the little door,
'Twas open'd by a woman old and poor,
Who, when she begg'd for water, gave her ale
Brew'd long, but well preserv'd from being stale.
The Goddess drank; a chuffy lad was by,
Who saw the liquor with a grutching eye,
And grinning cries, She's greedy more than dry.
Ceres, offended at his foul grimace,
Flung what she had not drunk into his face,
The sprinklings speckle where they hit the skin,
And a long tail does from his body spin;
His arms are turn'd to legs, and lest his size
Shou'd make him mischievous, and he might rise
Against mankind, diminutives his frame,
Less than a lizzard, but in shape the same.
Amaz'd the dame the wondrous sight beheld,
And weeps, and fain wou'd touch her quondam child.
Yet her approach th' affrighted vermin shuns,
And fast into the greatest crevice runs.
A name they gave him, which the spots exprest,
That rose like stars, and varied all his breast.
What lands, what seas the Goddess wander'd o'er,
Were long to tell; for there remain'd no more.
Searching all round, her fruitless toil she mourns,
And with regret to Sicily returns.
At length, where Cyane now flows, she came,
Who cou'd have told her, were she still the same
As when she saw her daughter sink to Hell;
But what she knows she wants a tongue to tell.
Yet this plain signal manifestly gave,
The virgin's girdle floating on a wave,
As late she dropt it from her slender waste,
When with her uncle thro' the deep she past.
Ceres the token by her grief confest,
And tore her golden hair, and beat her breast.
She knows not on what land her curse shou'd fall,
But, as ingrate, alike upbraids them all,
Unworthy of her gifts; Trinacria most,
Where the last steps she found of what she lost.
The plough for this the vengeful Goddess broke,
And with one death the ox, and owner struck,
In vain the fallow fields the peasant tills,
The seed, corrupted ere 'tis sown, she kills.
The fruitful soil, that once such harvests bore,
Now mocks the farmer's care, and teems no more.
And the rich grain which fills the furrow'd glade,
Rots in the seed, or shrivels in the blade;
Or too much sun burns up, or too much rain
Drowns, or black blights destroy the blasted plain;
Or greedy birds the new-sown seed devour,
Or darnel, thistles, and a crop impure
Of knotted grass along the acres stand,
And spread their thriving roots thro' all the land.
Then from the waves soft Arethusa rears
Her head, and back she flings her dropping hairs.
O mother of the maid, whom thou so far
Hast sought, of whom thou canst no tidings hear;
O thou, she cry'd, who art to life a friend,
Cease here thy search, and let thy labour end.
Thy faithful Sicily's a guiltless clime,
And shou'd not suffer for another's crime;
She neither knew, nor cou'd prevent the deed;
Nor think that for my country thus I plead;
My country's Pisa, I'm an alien here,
Yet these abodes to Elis I prefer,
No clime to me so sweet, no place so dear.
These springs I Arethusa now possess,
And this my seat, o gracious Goddess, bless:
This island why I love, and why I crost
Such spacious seas to reach Ortygia's coast,
To you I shall impart, when, void of care,
Your heart's at ease, and you're more fit to hear;
When on your brow no pressing sorrow sits,
For gay content alone such tales admits.
When thro' Earth's caverns I a-while have roul'd
My waves, I rise, and here again behold
The long-lost stars; and, as I late did glide
Near Styx, Proserpina there I espy'd.
Fear still with grief might in her face be seen;
She still her rape laments; yet, made a queen,
Beneath those gloomy shades her sceptre sways,
And ev'n th' infernal king her will obeys.
This heard, the Goddess like a statue stood,
Stupid with grief; and in that musing mood
Continu'd long; new cares a-while supprest
The reigning of her immortal breast.
At last to Jove her daughter's sire she flies,
And with her chariot cuts the chrystal skies;
She comes in clouds, and with dishevel'd hair,
Standing before his throne, prefers her pray'r.
King of the Gods, defend my blood and thine,
And use it not the worse for being mine.
If I no more am gracious in thy sight,
Be just, o Jove, and do thy daughter right.
In vain I sought her the wide world around,
And, when I most despair'd to find her, found.
But how can I the fatal finding boast,
By which I know she is for ever lost?
Without her father's aid, what other Pow'r
Can to my arms the ravish'd maid restore?
Let him restore her, I'll the crime forgive;
My child, tho' ravish'd, I'd with joy receive.
Pity, your daughter with a thief shou'd wed,
Tho' mine, you think, deserves no better bed.
Jove thus replies: It equally belongs
To both, to guard our common pledge from wrongs.
But if to things we proper names apply,
This hardly can be call'd an injury.
The theft is love; nor need we blush to own
The thief, if I can judge, to be our son.
Had you of his desert no other proof,
To be Jove's brother is methinks enough.
Nor was my throne by worth superior got,
Heav'n fell to me, as Hell to him, by lot:
If you are still resolv'd her loss to mourn,
And nothing less will serve than her return;
Upon these terms she may again be yours
(Th' irrevocable terms of fate, not ours),
Of Stygian food if she did never taste,
Hell's bounds may then, and only then, be past.
The Transformation of Ascalaphus into an Owl
The Goddess now, resolving to succeed,
Down to the gloomy shades descends with speed;
But adverse fate had otherwise decreed.
For, long before, her giddy thoughtless child
Had broke her fast, and all her projects spoil'd.
As in the garden's shady walk she stray'd,
A fair pomegranate charm'd the simple maid,
Hung in her way, and tempting her to taste,
She pluck'd the fruit, and took a short repast.
Seven times, a seed at once, she eat the food;
The fact Ascalaphus had only view'd;
Whom Acheron begot in Stygian shades
On Orphne, fam'd among Avernal maids;
He saw what past, and by discov'ring all,
Detain'd the ravish'd nymph in cruel thrall.
But now a queen, she with resentment heard,
And chang'd the vile informer to a bird.
In Phlegeton's black stream her hand she dips,
Sprinkles his head, and wets his babling lips.
Soon on his face, bedropt with magick dew,
A change appear'd, and gawdy feathers grew.
A crooked beak the place of nose supplies,
Rounder his head, and larger are his eyes.
His arms and body waste, but are supply'd
With yellow pinions flagging on each side.
His nails grow crooked, and are turn'd to claws,
And lazily along his heavy wings he draws.
Ill-omen'd in his form, the unlucky fowl,
Abhorr'd by men, and call'd a scrieching owl.
The Daughters of Achelous transform'd to Sirens
Justly this punishment was due to him,
And less had been too little for his crime;
But, o ye nymphs that from the flood descend,
What fault of yours the Gods cou'd so offend,
With wings and claws your beauteous forms to spoil,
Yet save your maiden face, and winning smile?
Were you not with her in Pergusa's bow'rs,
When Proserpine went forth to gather flow'rs?
Since Pluto in his carr the Goddess caught,
Have you not for her in each climate sought?
And when on land you long had search'd in vain,
You wish'd for wings to cross the pathless main;
That Earth and Sea might witness to your care:
The Gods were easy, and return'd your pray'r;
With golden wing o'er foamy waves you fled,
And to the sun your plumy glories spread.
But, lest the soft enchantment of your songs,
And the sweet musick of your flat'ring tongues
Shou'd quite be lost (as courteous fates ordain),
Your voice and virgin beauty still remain.
Jove some amends for Ceres lost to make,
Yet willing Pluto shou'd the joy partake,
Gives 'em of Proserpine an equal share,
Who, claim'd by both, with both divides the year.
The Goddess now in either empire sways,
Six moons in Hell, and six with Ceres stays.
Her peevish temper's chang'd; that sullen mind,
Which made ev'n Hell uneasy, now is kind,
Her voice refines, her mein more sweet appears,
Her forehead free from frowns, her eyes from tears,
As when, with golden light, the conqu'ring day
Thro' dusky exhalations clears a way.
Ceres her daughter's rape no longer mourn'd,
But back to Arethusa's spring return'd;
And sitting on the margin, bid her tell
From whence she came, and why a sacred well.
The Story of Arethusa
Still were the purling waters, and the maid
From the smooth surface rais'd her beauteous head,
Wipes off the drops that from her tresses ran,
And thus to tell Alpheus' loves began.
In Elis first I breath'd the living air,
The chase was all my pleasure, all my care.
None lov'd like me the forest to explore,
To pitch the toils, and drive the bristled boar.
Of fair, tho' masculine, I had the name,
But gladly wou'd to that have quitted claim:
It less my pride than indignation rais'd,
To hear the beauty I neglected, prais'd;
Such compliments I loath'd, such charms as these
I scorn'd, and thought it infamy to please.
Once, I remember, in the summer's heat,
Tir'd with the chase, I sought a cool retreat;
And, walking on, a silent current found,
Which gently glided o'er the grav'ly ground.
The chrystal water was so smooth, so clear,
My eye distinguish'd ev'ry pebble there.
So soft its motion, that I scarce perceiv'd
The running stream, or what I saw believ'd.
The hoary willow, and the poplar, made
Along the shelving bank a grateful shade.
In the cool rivulet my feet I dipt,
Then waded to the knee, and then I stript;
My robe I careless on an osier threw,
That near the place commodiously grew;
Nor long upon the border naked stood,
But plung'd with speed into the silver flood.
My arms a thousand ways I mov'd, and try'd
To quicken, if I cou'd, the lazy tide;
Where, while I play'd my swimming gambols o'er,
I heard a murm'ring voice, and frighted sprung to shore.
Oh! whither, Arethusa, dost thou fly?
From the brook's bottom did Alpheus cry;
Again, I heard him, in a hollow tone,
Oh! whither, Arethusa, dost thou run?
Naked I flew, nor cou'd I stay to hide
My limbs, my robe was on the other side;
Alpheus follow'd fast, th' inflaming sight
Quicken'd his speed, and made his labour light;
He sees me ready for his eager arms,
And with a greedy glance devours my charms.
As trembling doves from pressing danger fly,
When the fierce hawk comes sousing from the sky;
And, as fierce hawks the trembling doves pursue,
From him I fled, and after me he flew.
First by Orchomenus I took my flight,
And soon had Psophis and Cyllene in sight;
Behind me then high Maenalus I lost,
And craggy Erimanthus scal'd with frost;
Elis was next; thus far the ground I trod
With nimble feet, before the distanc'd God.
But here I lagg'd, unable to sustain
The labour longer, and my flight maintain;
While he more strong, more patient of the toil,
And fir'd with hopes of beauty's speedy spoil,
Gain'd my lost ground, and by redoubled pace,
Now left between us but a narrow space.
Unweary'd I 'till now o'er hills, and plains,
O'er rocks, and rivers ran, and felt no pains:
The sun behind me, and the God I kept,
But, when I fastest shou'd have run, I stept.
Before my feet his shadow now appear'd;
As what I saw, or rather what I fear'd.
Yet there I could not be deceiv'd by fear,
Who felt his breath pant on my braided hair,
And heard his sounding tread, and knew him to be near.
Tir'd, and despairing, O celestial maid,
I'm caught, I cry'd, without thy heav'nly aid.
Help me, Diana, help a nymph forlorn,
Devoted to the woods, who long has worn
Thy livery, and long thy quiver born.
The Goddess heard; my pious pray'r prevail'd;
In muffling clouds my virgin head was veil'd,
The am'rous God, deluded of his hopes,
Searches the gloom, and thro' the darkness gropes;
Twice, where Diana did her servant hide
He came, and twice, O Arethusa! cry'd.
How shaken was my soul, how sunk my heart!
The terror seiz'd on ev'ry trembling part.
Thus when the wolf about the mountain prowls
For prey, the lambkin hears his horrid howls:
The tim'rous hare, the pack approaching nigh,
Thus hearkens to the hounds, and trembles at the cry;
Nor dares she stir, for fear her scented breath
Direct the dogs, and guide the threaten'd death.
Alpheus in the cloud no traces found
To mark my way, yet stays to guard the ground,
The God so near, a chilly sweat possest
My fainting limbs, at ev'ry pore exprest;
My strength distill'd in drops, my hair in dew,
My form was chang'd, and all my substance new.
Each motion was a stream, and my whole frame
Turn'd to a fount, which still preserves my name.
Resolv'd I shou'd not his embrace escape,
Again the God resumes his fluid shape;
To mix his streams with mine he fondly tries,
But still Diana his attempt denies.
She cleaves the ground; thro' caverns dark I run
A diff'rent current, while he keeps his own.
To dear Ortygia she conducts my way,
And here I first review the welcome day.
Here Arethusa stopt; then Ceres takes
Her golden carr, and yokes her fiery snakes;
With a just rein, along mid-heaven she flies
O'er Earth, and seas, and cuts the yielding skies.
She halts at Athens, dropping like a star,
And to Triptolemus resigns her carr.
Parent of seed, she gave him fruitful grain,
And bad him teach to till and plough the plain;
The seed to sow, as well in fallow fields,
As where the soil manur'd a richer harvest yields.
The Transformation of Lyncus
The youth o'er Europe and o'er Asia drives,
'Till at the court of Lyncus he arrives.
The tyrant Scythia's barb'rous empire sway'd;
And, when he saw Triptolemus, he said,
How cam'st thou, stranger, to our court, and why?
Thy country, and thy name? The youth did thus reply:
Triptolemus my name; my country's known
O'er all the world, Minerva's fav'rite town,
Athens, the first of cities in renown.
By land I neither walk'd, nor sail'd by sea,
But hither thro' the Aether made my way.
By me, the Goddess who the fields befriends,
These gifts, the greatest of all blessings, sends.
The grain she gives if in your soil you sow,
Thence wholsom food in golden crops shall grow.
Soon as the secret to the king was known,
He grudg'd the glory of the service done,
And wickedly resolv'd to make it all his own.
To hide his purpose, he invites his guest,
The friend of Ceres, to a royal feast,
And when sweet sleep his heavy eyes had seiz'd,
The tyrant with his steel attempts his breast.
Him strait a lynx's shape the Goddess gives,
And home the youth her sacred dragons drives.
The Pierides transform'd to Magpies
The chosen Muse here ends her sacred lays;
The nymphs unanimous decree the bays,
And give the Heliconian Goddesses the praise.
Then, far from vain that we shou'd thus prevail,
But much provok'd to hear the vanquish'd rail,
Calliope resumes: Too long we've born
Your daring taunts, and your affronting scorn;
Your challenge justly merited a curse,
And this unmanner'd railing makes it worse.
Since you refuse us calmly to enjoy
Our patience, next our passions we'll employ;
The dictates of a mind enrag'd pursue,
And, what our just resentment bids us, do.
The railers laugh, our threats and wrath despise,
And clap their hands, and make a scolding noise:
But in the fact they're seiz'd; beneath their nails
Feathers they feel, and on their faces scales;
Their horny beaks at once each other scare,
Their arms are plum'd, and on their backs they bear
Py'd wings, and flutter in the fleeting air.
Chatt'ring, the scandal of the woods they fly,
And there continue still their clam'rous cry:
The same their eloquence, as maids, or birds,
Now only noise, and nothing then but words.
----------------------------------------------------------------------
~ Ovid, BOOK THE FIFTH
,#NFDB
1436:Scene. Basil; a chamber in the house of Paracelsus. 1526.
Paracelsus, Festus.
Paracelsus.
Heap logs and let the blaze laugh out!
Festus.
True, true!
'T is very fit all, time and chance and change
Have wrought since last we sat thus, face to face
And soul to soulall cares, far-looking fears,
Vague apprehensions, all vain fancies bred
By your long absence, should be cast away,
Forgotten in this glad unhoped renewal
Of our affections.
Paracelsus.
Oh, omit not aught
Which witnesses your own and Michal's own
Affection: spare not that! Only forget
The honours and the glories and what not,
It pleases you to tell profusely out.
Festus.
Nay, even your honours, in a sense, I waive:
The wondrous Paracelsus, life's dispenser,
Fate's commissary, idol of the schools
And courts, shall be no more than Aureole still,
Still Aureole and my friend as when we parted
Some twenty years ago, and I restrained
As best I could the promptings of my spirit
Which secretly advanced you, from the first,
To the pre-eminent rank which, since, your own
Adventurous ardour, nobly triumphing,
Has won for you.
Paracelsus.
Yes, yes. And Michal's face
Still wears that quiet and peculiar light
Like the dim circlet floating round a pearl?
Festus.
Just so.
Paracelsus.
And yet her calm sweet countenance,
Though saintly, was not sad; for she would sing
Alone. Does she still sing alone, bird-like,
Not dreaming you are near? Her carols dropt
In flakes through that old leafy bower built under
The sunny wall at Wrzburg, from her lattice
Among the trees above, while I, unseen,
Sat conning some rare scroll from Tritheim's shelves
Much wondering notes so simple could divert
My mind from study. Those were happy days.
Respect all such as sing when all alone!
Festus.
Scarcely alone: her children, you may guess,
Are wild beside her.
Paracelsus.
Ah, those children quite
Unsettle the pure picture in my mind:
A girl, she was so perfect, so distinct:
No change, no change! Not but this added grace
May blend and harmonize with its compeers,
And Michal may become her motherhood;
But't is a change, and I detest all change,
And most a change in aught I loved long since.
So, Michalyou have said she thinks of me?
Festus.
O very proud will Michal be of you!
Imagine how we sat, long winter-nights,
Scheming and wondering, shaping your presumed
Adventure, or devising its reward;
Shutting out fear with all the strength of hope.
For it was strange how, even when most secure
In our domestic peace, a certain dim
And flitting shade could sadden all; it seemed
A restlessness of heart, a silent yearning,
A sense of something wanting, incomplete
Not to be put in words, perhaps avoided
By mute consentbut, said or unsaid, felt
To point to one so loved and so long lost.
And then the hopes rose and shut out the fears
How you would laugh should I recount them now
I still predicted your return at last
With gifts beyond the greatest of them all,
All Tritheim's wondrous troop; did one of which
Attain renown by any chance, I smiled,
As well aware of who would prove his peer
Michal was sure some woman, long ere this,
As beautiful as you were sage, had loved . . .
Paracelsus.
Far-seeing, truly, to discern so much
In the fantastic projects and day-dreams
Of a raw restless boy!
Festus.
Oh, no: the sunrise
Well warranted our faith in this full noon!
Can I forget the anxious voice which said
"Festus, have thoughts like these ere shaped themselves
"In other brains than mine? have their possessors
"Existed in like circumstance? were they weak
"As I, or ever constant from the first,
"Despising youth's allurements and rejecting
"As spider-films the shackles I endure?
"Is there hope for me?"and I answered gravely
As an acknowledged elder, calmer, wiser,
More gifted mortal. O you must remember,
For all your glorious . . .
Paracelsus.
Glorious? ay, this hair,
These handsnay, touch them, they are mine! Recall
With all the said recallings, times when thus
To lay them by your own ne'er turned you pale
As now. Most glorious, are they not?
Festus.
Whywhy
Something must be subtracted from success
So wide, no doubt. He would be scrupulous, truly,
Who should object such drawbacks. Still, still, Aureole,
You are changed, very changed! 'T were losing nothing
To look well to it: you must not be stolen
From the enjoyment of your well-won meed.
Paracelsus.
My friend! you seek my pleasure, past a doubt:
You will best gain your point, by talking, not
Of me, but of yourself.
Festus.
Have I not said
All touching Michal and my children? Sure
You know, by this, full well how Aennchen looks
Gravely, while one disparts her thick brown hair;
And Aureole's glee when some stray gannet builds
Amid the birch-trees by the lake. Small hope
Have I that he will honour (the wild imp)
His namesake. Sigh not! 't is too much to ask
That all we love should reach the same proud fate.
But you are very kind to humour me
By showing interest in my quiet life;
You, who of old could never tame yourself
To tranquil pleasures, must at heart despise . . .
Paracelsus.
Festus, strange secrets are let out by death
Who blabs so oft the follies of this world:
And I am death's familiar, as you know.
I helped a man to die, some few weeks since,
Warped even from his go-cart to one end
The living on princes' smiles, reflected from
A mighty herd of favourites. No mean trick
He left untried, and truly well-nigh wormed
All traces of God's finger out of him:
Then died, grown old. And just an hour before,
Having lain long with blank and soulless eyes,
He sat up suddenly, and with natural voice
Said that in spite of thick air and closed doors
God told him it was June; and he knew well,
Without such telling, harebells grew in June;
And all that kings could ever give or take
Would not be precious as those blooms to him.
Just so, allowing I am passing sage,
It seems to me much worthier argument
Why pansies,[1] eyes that laugh, bear beauty's prize
From violets, eyes that dream(your Michal's choice)
Than all fools find to wonder at in me
Or in my fortunes. And be very sure
I say this from no prurient restlessness,
No self-complacency, itching to turn,
Vary and view its pleasure from all points,
And, in this instance, willing other men
May be at pains, demonstrate to itself
The realness of the very joy it tastes.
What should delight me like the news of friends
Whose memories were a solace to me oft,
As mountain-baths to wild fowls in their flight?
Ofter than you had wasted thought on me
Had you been wise, and rightly valued bliss.
But there's no taming nor repressing hearts:
God knows I need such!So, you heard me speak?
Festus.
Speak? when?
Paracelsus.
When but this morning at my class?
There was noise and crowd enough. I saw you not.
Surely you know I am engaged to fill
The chair here?that't is part of my proud fate
To lecture to as many thick-skulled youths
As please, each day, to throng the theatre,
To my great reputation, and no small
Danger of Basil's benches long unused
To crack beneath such honour?
Festus.
I was there;
I mingled with the throng: shall I avow
Small care was mine to listen?too intent
On gathering from the murmurs of the crowd
A full corroboration of my hopes!
What can I learn about your powers? but they
Know, care for nought beyond your actual state,
Your actual value; yet they worship you,
Those various natures whom you sway as one!
But ere I go, be sure I shall attend . . .
Paracelsus.
Stop, o' God's name: the thing's by no means yet
Past remedy! Shall I read this morning's labour
At least in substance? Nought so worth the gaining
As an apt scholar! Thus then, with all due
Precision and emphasisyou, beside, are clearly
Guiltless of understanding more, a whit,
The subject than your stoolallowed to be
A notable advantage.
Festus.
Surely, Aureole,
You laugh at me!
Paracelsus.
I laugh? Ha, ha! thank heaven,
I charge you, if't be so! for I forget
Much, and what laughter should be like. No less,
However, I forego that luxury
Since it alarms the friend who brings it back.
True, laughter like my own must echo strangely
To thinking men; a smile were better far;
So, make me smile! If the exulting look
You wore but now be smiling, 't is so long
Since I have smiled! Alas, such smiles are born
Alone of hearts like yours, or herdsmen's souls
Of ancient time, whose eyes, calm as their flocks,
Saw in the stars mere garnishry of heaven,
And in the earth a stage for altars only.
Never change, Festus: I say, never change!
Festus.
My God, if he be wretched after all
Paracelsus.
When last we parted, Festus, you declared,
Or Michal, yes, her soft lips whispered words
I have preserved. She told me she believed
I should succeed (meaning, that in the search
I then engaged in, I should meet success)
And yet be wretched: now, she augured false.
Festus.
Thank heaven! but you spoke strangely: could I venture
To think bare apprehension lest your friend,
Dazzled by your resplendent course, might find
Henceforth less sweetness in his own, could move
Such earnest mood in you? Fear not, dear friend,
That I shall leave you, inwardly repining
Your lot was not my own!
Paracelsus.
And this for ever!
For ever! gull who may, they will be gulled!
They will not look nor think;'t is nothing new
In them: but surely he is not of them!
My Festus, do you know, I reckoned, you
Though all beside were sand-blindyou, my friend,
Would look at me, once close, with piercing eye
Untroubled by the false glare that confounds
A weaker vision: would remain serene,
Though singular amid a gaping throng.
I feared you, or I had come, sure, long ere this,
To Einsiedeln. Well, error has no end,
And Rhasis is a sage, and Basil boasts
A tribe of wits, and I am wise and blest
Past all dispute! 'T is vain to fret at it.
I have vowed long ago my worshippers
Shall owe to their own deep sagacity
All further information, good or bad.
Small risk indeed my reputation runs,
Unless perchance the glance now searching me
Be fixed much longer; for it seems to spell
Dimly the characters a simpler man
Might read distinct enough. Old Eastern books
Say, the fallen prince of morning some short space
Remained unchanged in semblance; nay, his brow
Was hued with triumph: every spirit then
Praising, his heart on flame the while:a tale!
Well, Festus, what discover you, I pray?
Festus.
Some foul deed sullies then a life which else
Were raised supreme?
Paracelsus.
Good: I do well, most well
Why strive to make men hear, feel, fret themselves
With what is past their power to comprehend?
I should not strive now: only, having nursed
The faint surmise that one yet walked the earth,
One, at least, not the utter fool of show,
Not absolutely formed to be the dupe
Of shallow plausibilities alone:
One who, in youth, found wise enough to choose
The happiness his riper years approve,
Was yet so anxious for another's sake,
That, ere his friend could rush upon a mad
And ruinous course, the converse of his own,
His gentle spirit essayed, prejudged for him
The perilous path, foresaw its destiny,
And warned the weak one in such tender words,
Such accentshis whole heart in every tone
That oft their memory comforted that friend
When it by right should have increased despair:
Having believed, I say, that this one man
Could never lose the light thus from the first
His portionhow should I refuse to grieve
At even my gain if it disturb our old
Relation, if it make me out more wise?
Therefore, once more reminding him how well
He prophesied, I note the single flaw
That spoils his prophet's title. In plain words,
You were deceived, and thus were you deceived
I have not been successful, and yet am
Most miserable; 't is said at last; nor you
Give credit, lest you force me to concede
That common sense yet lives upon the world!
Festus.
You surely do not mean to banter me?
Paracelsus.
You know, orif you have been wise enough
To cleanse your memory of such mattersknew,
As far as words of mine could make it clear,
That't was my purpose to find joy or grief
Solely in the fulfilment of my plan
Or plot or whatsoe'er it was; rejoicing
Alone as it proceeded prosperously,
Sorrowing then only when mischance retarded
Its progress. That was in those Wrzburg days!
Not to prolong a theme I thoroughly hate,
I have pursued this plan with all my strength;
And having failed therein most signally,
Cannot object to ruin utter and drear
As all-excelling would have been the prize
Had fortune favoured me. I scarce have right
To vex your frank good spirit late so glad
In my supposed prosperity, I know,
And, were I lucky in a glut of friends,
Would well agree to let your error live,
Nay, strengthen it with fables of success.
But mine is no condition to refuse
The transient solace of so rare a godsend,
My solitary luxury, my one friend:
Accordingly I venture to put off
The wearisome vest of falsehood galling me,
Secure when he is by. I lay me bare
Prone at his mercybut he is my friend!
Not that he needs retain his aspect grave;
That answers not my purpose; for't is like,
Some sunny morningBasil being drained
Of its wise population, every corner
Of the amphitheatre crammed with learned clerks,
Here OEcolampadius, looking worlds of wit,
Here Castellanus, as profound as he,
Munsterus here, Frobenius there, all squeezed
And staring,that the zany of the show,
Even Paracelsus, shall put off before them
His trappings with a grace but seldom judged
Expedient in such cases:the grim smile
That will go round! Is it not therefore best
To venture a rehearsal like the present
In a small way? Where are the signs I seek,
The first-fruits and fair sample of the scorn
Due to all quacks? Why, this will never do!
Festus.
These are foul vapours, Aureole; nought beside!
The effect of watching, study, weariness.
Were there a spark of truth in the confusion
Of these wild words, you would not outrage thus
Your youth's companion. I shall ne'er regard
These wanderings, bred of faintness and much study.
'T is not thus you would trust a trouble to me,
To Michal's friend.
Paracelsus.
I have said it, dearest Festus!
For the manner, 't is ungracious probably;
You may have it told in broken sobs, one day,
And scalding tears, ere long: but I thought best
To keep that off as long as possible.
Do you wonder still?
Festus.
No; it must oft fall out
That one whose labour perfects any work,
Shall rise from it with eye so worn that he
Of all men least can measure the extent
Of what he has accomplished. He alone
Who, nothing tasked, is nothing weary too,
May clearly scan the little he effects:
But we, the bystanders, untouched by toil,
Estimate each aright.
Paracelsus.
This worthy Festus
Is one of them, at last! 'T is so with all!
First, they set down all progress as a dream;
And next, when he whose quick discomfiture
Was counted on, accomplishes some few
And doubtful steps in his career,behold,
They look for every inch of ground to vanish
Beneath his tread, so sure they spy success!
Festus.
Few doubtful steps? when death retires before
Your presencewhen the noblest of mankind,
Broken in body or subdued in soul,
May through your skill renew their vigour, raise
The shattered frame to pristine stateliness?
When men in racking pain may purchase dreams
Of what delights them most, swooning at once
Into a sea of bliss or rapt along
As in a flying sphere of turbulent light?
When we may look to you as one ordained
To free the flesh from fell disease, as frees
Our Luther's burning tongue the fettered soul?
When . . .
Paracelsus.
When and where, the devil, did you get
This notable news?
Festus.
Even from the common voice;
From those whose envy, daring not dispute
The wonders it decries, attributes them
To magic and such folly.
Paracelsus.
Folly? Why not
To magic, pray? You find a comfort doubtless
In holding, God ne'er troubles him about
Us or our doings: once we were judged worth
The devil's tempting . . . I offend: forgive me,
And rest content. Your prophecy on the whole
Was fair enough as prophesyings go;
At fault a little in detail, but quite
Precise enough in the main; and hereupon
I pay due homage: you guessed long ago
(The prophet!) I should failand I have failed.
Festus.
You mean to tell me, then, the hopes which fed
Your youth have not been realized as yet?
Some obstacle has barred them hitherto?
Or that their innate . . .
Paracelsus.
As I said but now,
You have a very decent prophet's fame,
So you but shun details here. Little matter
Whether those hopes were mad,the aims they sought,
Safe and secure from all ambitious fools;
Or whether my weak wits are overcome
By what a better spirit would scorn: I fail.
And now methinks't were best to change a theme
I am a sad fool to have stumbled on.
I say confusedly what comes uppermost;
But there are times when patience proves at fault,
As now: this morning's strange encounteryou
Beside me once again! you, whom I guessed
Alive, since hitherto (with Luther's leave)
No friend have I among the saints at peace,
To judge by any good their prayers effect.
I knew you would have helped mewhy not he,
My strange competitor in enterprise,
Bound for the same end by another path,
Arrived, or ill or well, before the time,
At our disastrous journey's doubtful close?
How goes it with Aprile? Ah, they miss
Your lone sad sunny idleness of heaven,
Our martyrs for the world's sake; heaven shuts fast:
The poor mad poet is howling by this time!
Since you are my sole friend then, here or there,
I could not quite repress the varied feelings
This meeting wakens; they have had their vent,
And now forget them. Do the rear-mice still
Hang like a fretwork on the gate (or what
In my time was a gate) fronting the road
From Einsiedeln to Lachen?
Festus.
Trifle not:
Answer me, for my sake alone! You smiled
Just now, when I supposed some deed, unworthy
Yourself, might blot the else so bright result;
Yet if your motives have continued pure,
Your will unfaltering, and in spite of this,
You have experienced a defeat, why then
I say not you would cheerfully withdraw
From contestmortal hearts are not so fashioned
But surely you would ne'ertheless withdraw.
You sought not fame nor gain nor even love,
No end distinct from knowledge,I repeat
Your very words: once satisfied that knowledge
Is a mere dream, you would announce as much,
Yourself the first. But how is the event?
You are defeatedand I find you here!
Paracelsus.
As though "here" did not signify defeat!
I spoke not of my little labours here,
But of the break-down of my general aims:
For you, aware of their extent and scope,
To look on these sage lecturings, approved
By beardless boys, and bearded dotards worse,
As a fit consummation of such aims,
Is worthy notice. A professorship
At Basil! Since you see so much in it,
And think my life was reasonably drained
Of life's delights to render me a match
For duties arduous as such post demands,
Be it far from me to deny my power
To fill the petty circle lotted out
Of infinite space, or justify the host
Of honours thence accruing. So, take notice,
This jewel dangling from my neck preserves
The features of a prince, my skill restored
To plague his people some few years to come:
And all through a pure whim. He had eased the earth
For me, but that the droll despair which seized
The vermin of his household, tickled me.
I came to see. Here, drivelled the physician,
Whose most infallible nostrum was at fault;
There quaked the astrologer, whose horoscope
Had promised him interminable years;
Here a monk fumbled at the sick man's mouth
With some undoubted relica sudary
Of the Virgin; while another piebald knave
Of the same brotherhood (he loved them ever)
Was actively preparing 'neath his nose
Such a suffumigation as, once fired,
Had stunk the patient dead ere he could groan.
I cursed the doctor and upset the brother,
Brushed past the conjurer, vowed that the first gust
Of stench from the ingredients just alight
Would raise a cross-grained devil in my sword,
Not easily laid: and ere an hour the prince
Slept as he never slept since prince he was.
A dayand I was posting for my life,
Placarded through the town as one whose spite
Had near availed to stop the blessed effects
Of the doctor's nostrum which, well seconded
By the sudary, and most by the costly smoke
Not leaving out the strenuous prayers sent up
Hard by in the abbeyraised the prince to life:
To the great reputation of the seer
Who, confident, expected all along
The glad eventthe doctor's recompense
Much largess from his highness to the monks
And the vast solace of his loving people,
Whose general satisfaction to increase,
The prince was pleased no longer to defer
The burning of some dozen heretics
Remanded till God's mercy should be shown
Touching his sickness: last of all were joined
Ample directions to all loyal folk
To swell the complement by seizing me
Whodoubtless some rank sorcererendeavoured
To thwart these pious offices, obstruct
The prince's cure, and frustrate heaven by help
Of certain devils dwelling in his sword.
By luck, the prince in his first fit of thanks
Had forced this bauble on me as an earnest
Of further favours. This one case may serve
To give sufficient taste of many such,
So, let them pass. Those shelves support a pile
Of patents, licences, diplomas, titles
From Germany, France, Spain, and Italy;
They authorize some honour; ne'ertheless,
I set more store by this Erasmus sent;
He trusts me; our Frobenius is his friend,
And him "I raised" (nay, read it) "from the dead."
I weary you, I see. I merely sought
To show, there's no great wonder after all
That, while I fill the class-room and attract
A crowd to Basil, I get leave to stay,
And therefore need not scruple to accept
The utmost they can offer, if I please:
For't is but right the world should be prepared
To treat with favour e'en fantastic wants
Of one like me, used up in serving her.
Just as the mortal, whom the gods in part
Devoured, received in place of his lost limb
Some virtue or othercured disease, I think;
You mind the fables we have read together.
Festus.
You do not think I comprehend a word.
The time was, Aureole, you were apt enough
To clothe the airiest thoughts in specious breath;
But surely you must feel how vague and strange
These speeches sound.
Paracelsus.
Well, then: you know my hopes;
I am assured, at length, those hopes were vain;
That truth is just as far from me as ever;
That I have thrown my life away; that sorrow
On that account is idle, and further effort
To mend and patch what's marred beyond repairing,
As useless: and all this was taught your friend
By the convincing good old-fashioned method
Of forceby sheer compulsion. Is that plain?
Festus.
Dear Aureole, can it be my fears were just?
God wills not . . .
Paracelsus.
Now, 't is this I most admire
The constant talk men of your stamp keep up
Of God's will, as they style it; one would swear
Man had but merely to uplift his eye,
And see the will in question charactered
On the heaven's vault. 'T is hardly wise to moot
Such topics: doubts are many and faith is weak.
I know as much of any will of God
As knows some dumb and tortured brute what Man,
His stern lord, wills from the perplexing blows
That plague him every way; but there, of course,
Where least he suffers, longest he remains
My case; and for such reasons I plod on,
Subdued but not convinced. I know as little
Why I deserve to fail, as why I hoped
Better things in my youth. I simply know
I am no master here, but trained and beaten
Into the path I tread; and here I stay,
Until some further intimation reach me,
Like an obedient drudge. Though I prefer
To view the whole thing as a task imposed
Which, whether dull or pleasant, must be done
Yet, I deny not, there is made provision
Of joys which tastes less jaded might affect;
Nay, some which please me too, for all my pride
Pleasures that once were pains: the iron ring
Festering about a slave's neck grows at length
Into the flesh it eats. I hate no longer
A host of petty vile delights, undreamed of
Or spurned before; such now supply the place
Of my dead aims: as in the autumn woods
Where tall trees used to flourish, from their roots
Springs up a fungous brood sickly and pale,
Chill mushrooms coloured like a corpse's cheek.
Festus.
If I interpret well your words, I own
It troubles me but little that your aims,
Vast in their dawning and most likely grown
Extravagantly since, have baffled you.
Perchance I am glad; you merit greater praise;
Because they are too glorious to be gained,
You do not blindly cling to them and die;
You fell, but have not sullenly refused
To rise, because an angel worsted you
In wrestling, though the world holds not your peer;
And though too harsh and sudden is the change
To yield content as yet, still you pursue
The ungracious path as though't were rosv-strewn.
'T is well: and your reward, or soon or late,
Will come from him whom no man serves in vain.
Paracelsus.
Ah, very fine! For my part, I conceive
The very pausing from all further toil,
Which you find heinous, would become a seal
To the sincerity of all my deeds.
To be consistent I should die at once;
I calculated on no after-life;
Yet (how crept in, how fostered, I know not)
Here am I with as passionate regret
For youth and health and love so vainly lavished,
As if their preservation had been first
And foremost in my thoughts; and this strange fact
Humbled me wondrously, and had due force
In rendering me the less averse to follow
A certain counsel, a mysterious warning
You will not understandbut't was a man
With aims not mine and yet pursued like mine,
With the same fervour and no more success,
Perishing in my sight; who summoned me
As I would shun the ghastly fate I saw,
To serve my race at once; to wait no longer
That God should interfere in my behalf,
But to distrust myself, put pride away,
And give my gains, imperfect as they were,
To men. I have not leisure to explain
How, since, a singular series of events
Has raised me to the station you behold,
Wherein I seem to turn to most account
The mere wreck of the past,perhaps receive
Some feeble glimmering token that God views
And may approve my penance: therefore here
You find me, doing most good or least harm.
And if folks wonder much and profit little
'T is not my fault; only, I shall rejoice
When my part in the farce is shuffled through,
And the curtain falls: I must hold out till then.
Festus.
Till when, dear Aureole?
Paracelsus.
Till I'm fairly thrust
From my proud eminence. Fortune is fickle
And even professors fall: should that arrive,
I see no sin in ceding to my bent.
You little fancy what rude shocks apprise us
We sin; God's intimations rather fail
In clearness than in energy: 't were well
Did they but indicate the course to take
Like that to be forsaken. I would fain
Be spared a further sample. Here I stand,
And here I stay, be sure, till forced to flit.
Festus.
Be you but firm on that head! long ere then
All I expect will come to pass, I trust:
The cloud that wraps you will have disappeared.
Meantime, I see small chance of such event:
They praise you here as one whose lore, already
Divulged, eclipses all the past can show,
But whose achievements, marvellous as they be,
Are faint anticipations of a glory
About to be revealed. When Basil's crowds
Dismiss their teacher, I shall be content
That he depart.
Paracelsus.
This favour at their hands
I look for earlier than your view of things
Would warrant. Of the crowd you saw to-day,
Remove the full half sheer amazement draws,
Mere novelty, nought else; and next, the tribe
Whose innate blockish dulness just perceives
That unless miracles (as seem my works)
Be wrought in their behalf, their chance is slight
To puzzle the devil; next, the numerous set
Who bitterly hate established schools, and help
The teacher that oppugns them, till he once
Have planted his own doctrine, when the teacher
May reckon on their rancour in his turn;
Take, too, the sprinkling of sagacious knaves
Whose cunning runs not counter to the vogue
But seeks, by flattery and crafty nursing,
To force my system to a premature
Short-lived development. Why swell the list?
Each has his end to serve, and his best way
Of serving it: remove all these, remains
A scantling, a poor dozen at the best,
Worthy to look for sympathy and service,
And likely to draw profit from my pains.
Festus.
'T is no encouraging picture: still these few
Redeem their fellows. Once the germ implanted,
Its growth, if slow, is sure.
Paracelsus.
God grant it so!
I would make some amends: but if I fail,
The luckless rogues have this excuse to urge,
That much is in my method and my manner,
My uncouth habits, my impatient spirit,
Which hinders of reception and result
My doctrine: much to say, small skill to speak!
These old aims suffered not a looking-off
Though for an instant; therefore, only when
I thus renounced them and resolved to reap
Some present fruitto teach mankind some truth
So dearly purchasedonly then I found
Such teaching was an art requiring cares
And qualities peculiar to itself:
That to possess was one thingto display
Another. With renown first in my thoughts,
Or popular praise, I had soon discovered it:
One grows but little apt to learn these things.
Festus.
If it be so, which nowise I believe,
There needs no waiting fuller dispensation
To leave a labour of so little use.
Why not throw up the irksome charge at once?
Paracelsus.
A task, a task!
But wherefore hide the whole
Extent of degradation, once engaged
In the confessing vein? Despite of all
My fine talk of obedience and repugnance,
Docility and what not, 't is yet to learn
If when the task shall really be performed,
My inclination free to choose once more,
I shall do aught but slightly modify
The nature of the hated task I quit.
In plain words, I am spoiled; my life still tends
As first it tended; I am broken and trained
To my old habits: they are part of me.
I know, and none so well, my darling ends
Are proved impossible: no less, no less,
Even now what humours me, fond fool, as when
Their faint ghosts sit with me and flatter me
And send me back content to my dull round?
How can I change this soul?this apparatus
Constructed solely for their purposes,
So well adapted to their every want,
To search out and discover, prove and perfect;
This intricate machine whose most minute
And meanest motions have their charm to me
Though to none elsean aptitude I seize,
An object I perceive, a use, a meaning,
A property, a fitness, I explain
And I alone:how can I change my soul?
And this wronged body, worthless save when tasked
Under that soul's dominionused to care
For its bright master's cares and quite subdue
Its proper cravingsnot to ail nor pine
So he but prosperwhither drag this poor
Tried patient body? God! how I essayed
To live like that mad poet, for a while,
To love alone; and how I felt too warped
And twisted and deformed! What should I do,
Even tho'released from drudgery, but return
Faint, as you see, and halting, blind and sore,
To my old life and die as I began?
I cannot feed on beauty for the sake
Of beauty only, nor can drink in balm
From lovely objects for their loveliness;
My nature cannot lose her first imprint;
I still must hoard and heap and class all truths
With one ulterior purpose: I must know!
Would God translate me to his throne, believe
That I should only listen to his word
To further my own aim! For other men,
Beauty is prodigally strewn around,
And I were happy could I quench as they
This mad and thriveless longing, and content me
With beauty for itself alone: alas,
I have addressed a frock of heavy mail
Yet may not join the troop of sacred knights;
And now the forest-creatures fly from me,
The grass-banks cool, the sunbeams warm no more.
Best follow, dreaming that ere night arrive,
I shall o'ertake the company and ride
Glittering as they!
Festus.
I think I apprehend
What you would say: if you, in truth, design
To enter once more on the life thus left,
Seek not to hide that all this consciousness
Of failure is assumed!
Paracelsus.
My friend, my friend,
I toil, you listen; I explain, perhaps
You understand: there our communion ends.
Have you learnt nothing from to-day's discourse?
When we would thoroughly know the sick man's state
We feel awhile the fluttering pulse, press soft
The hot brow, look upon the languid eye,
And thence divine the rest. Must I lay bare
My heart, hideous and beating, or tear up
My vitals for your gaze, ere you will deem
Enough made known? You! who are you, forsooth?
That is the crowning operation claimed
By the arch-demonstratorheaven the hall,
And earth the audience. Let Aprile and you
Secure good places: 't will be worth the while.
Festus.
Are you mad, Aureole? What can I have said
To call for this? I judged from your own words.
Paracelsus.
Oh, doubtless! A sick wretch describes the ape
That mocks him from the bed-foot, and all gravely
You thither turn at once: or he recounts
The perilous journey he has late performed,
And you are puzzled much how that could be!
You find me here, half stupid and half mad;
It makes no part of my delight to search
Into these matters, much less undergo
Another's scrutiny; but so it chances
That I am led to trust my state to you:
And the event is, you combine, contrast
And ponder on my foolish words as though
They thoroughly conveyed all hidden here
Here, loathsome with despair and hate and rage!
Is there no fear, no shrinking and no shame?
Will you guess nothing? will you spare me nothing?
Must I go deeper? Ay or no?
Festus.
Dear friend . . .
Paracelsus.
True: I am brutal't is a part of it;
The plague's signyou are not a lazar-haunter,
How should you know? Well then, you think it strange
I should profess to have failed utterly,
And yet propose an ultimate return
To courses void of hope: and this, because
You know not what temptation is, nor how
'T is like to ply men in the sickliest part.
You are to understand that we who make
Sport for the gods, are hunted to the end:
There is not one sharp volley shot at us,
Which 'scaped with life, though hurt, we slacken pace
And gather by the wayside herbs and roots
To staunch our wounds, secure from further harm:
We are assailed to life's extremest verge.
It will be well indeed if I return,
A harmless busy fool, to my old ways!
I would forget hints of another fate,
Significant enough, which silent hours
Have lately scared me with.
Festus.
Another! and what?
Paracelsus.
After all, Festus, you say well: I am
A man yet: I need never humble me.
I would have beensomething, I know not what;
But though I cannot soar, I do not crawl.
There are worse portions than this one of mine.
You say well!
Festus.
Ah!
Paracelsus.
And deeper degradation!
If the mean stimulants of vulgar praise,
If vanity should become the chosen food
Of a sunk mind, should stifle even the wish
To find its early aspirations true,
Should teach it to breathe falsehood like life-breath
An atmosphere of craft and trick and lies;
Should make it proud to emulate, surpass
Base natures in the practices which woke
Its most indignant loathing once . . . No, no!
Utter damnation is reserved for hell!
I had immortal feelings; such shall never
Be wholly quenched: no, no!
My friend, you wear
A melancholy face, and certain't is
There's little cheer in all this dismal work.
But was it my desire to set abroach
Such memories and forebodings? I foresaw
Where they would drive. 'T were better we discuss
News from Lucerne or Zurich; ask and tell
Of Egypt's flaring sky or Spain's cork-groves.
Festus.
I have thought: trust me, this mood will pass away!
I know you and the lofty spirit you bear,
And easily ravel out a clue to all.
These are the trials meet for such as you,
Nor must you hope exemption: to be mortal
Is to be plied with trials manifold.
Look round! The obstacles which kept the rest
From your ambition, have been spurned by you;
Their fears, their doubts, the chains that bind themall,
Were flax before your resolute soul, which nought
Avails to awe save these delusions bred
From its own strength, its selfsame strength disguised,
Mocking itself. Be brave, dear Aureole! Since
The rabbit has his shade to frighten him,
The fawn a rustling bough, mortals their cares,
And higher natures yet would slight and laugh
At these entangling fantasies, as you
At trammels of a weaker intellect,
Measure your mind's height by the shade it casts!
I know you.
Paracelsus.
And I know you, dearest Festus!
And how you love unworthily; and how
All admiration renders blind.
Festus.
You hold
That admiration blinds?
Paracelsus.
Ay and alas!
Festus.
Nought blinds you less than admiration, friend!
Whether it be that all love renders wise
In its degree; from love which blends with love
Heart answering heartto love which spends itself
In silent mad idolatry of some
Pre-eminent mortal, some great soul of souls,
Which ne'er will know how well it is adored.
I say, such love is never blind; but rather
Alive to every the minutest spot
Which mars its object, and which hate (supposed
So vigilant and searching) dreams not of.
Love broods on such: what then? When first perceived
Is there no sweet strife to forget, to change,
To overflush those blemishes with all
The glow of general goodness they disturb?
To make those very defects an endless source
Of new affection grown from hopes and fears?
And, when all fails, is there no gallant stand
Made even for much proved weak? no shrinking-back
Lest, since all love assimilates the soul
To what it loves, it should at length become
Almost a rival of its idol? Trust me,
If there be fiends who seek to work our hurt,
To ruin and drag down earth's mightiest spirits
Even at God's foot, 't will be from such as love,
Their zeal will gather most to serve their cause;
And least from those who hate, who most essay
By contumely and scorn to blot the light
Which forces entrance even to their hearts:
For thence will our defender tear the veil
And show within each heart, as in a shrine,
The giant image of perfection, grown
In hate's despite, whose calumnies were spawned
In the untroubled presence of its eyes.
True admiration blinds not; nor am I
So blind. I call your sin exceptional;
It springs from one whose life has passed the bounds
Prescribed to life. Compound that fault with God!
I speak of men; to common men like me
The weakness you reveal endears you more,
Like the far traces of decay in suns.
I bid you have good cheer!
Paracelsus.
Proeclare! Optime!
Think of a quiet mountain-cloistered priest
Instructing Paracelsus! yet't is so.
Come, I will show you where my merit lies.
'T is in the advance of individual minds
That the slow crowd should ground their expectation
Eventually to follow; as the sea
Waits ages in its bed till some one wave
Out of the multitudinous mass, extends
The empire of the whole, some feet perhaps,
Over the strip of sand which could confine
Its fellows so long time: thenceforth the rest,
Even to the meanest, hurry in at once,
And so much is clear gained. I shall be glad
If all my labours, failing of aught else,
Suffice to make such inroad and procure
A wider range for thought: nay, they do this;
For, whatsoe'er my notions of true knowledge
And a legitimate success, may be,
I am not blind to my undoubted rank
When classed with others: I precede my age:
And whoso wills is very free to mount
These labours as a platform whence his own
May have a prosperous outset. But, alas!
My followersthey are noisy as you heard;
But, for intelligence, the best of them
So clumsily wield the weapons I supply
And they extol, that I begin to doubt
Whether their own rude clubs and pebble-stones
Would not do better service than my arms
Thus vilely swayedif error will not fall
Sooner before the old awkward batterings
Than my more subtle warfare, not half learned.
Festus.
I would supply that art, then, or withhold
New arms until you teach their mystery.
Paracelsus.
Content you, 't is my wish; I have recourse
To the simplest training. Day by day I seek
To wake the mood, the spirit which alone
Can make those arms of any use to men.
Of course they are for swaggering forth at once
Graced with Ulysses' bow, Achilles' shield
Flash on us, all in armour, thou Achilles!
Make our hearts dance to thy resounding step!
A proper sight to scare the crows away!
Festus.
Pity you choose not then some other method
Of coming at your point. The marvellous art
At length established in the world bids fair
To remedy all hindrances like these:
Trust to Frobenius' press the precious lore
Obscured by uncouth manner, or unfit
For raw beginners; let his types secure
A deathless monument to after-time;
Meanwhile wait confidently and enjoy
The ultimate effect: sooner or later
You shall be all-revealed.
Paracelsus.
The old dull question
In a new form; no more. Thus: I possess
Two sorts of knowledge; one,vast, shadowy,
Hints of the unbounded aim I once pursued:
The other consists of many secrets, caught
While bent on nobler prize,perhaps a few
Prime principles which may conduct to much:
These last I offer to my followers here.
Now, bid me chronicle the first of these,
My ancient study, and in effect you bid
Revert to the wild courses just abjured:
I must go find them scattered through the world.
Then, for the principles, they are so simple
(Being chiefly of the overturning sort),
That one time is as proper to propound them
As any otherto-morrow at my class,
Or half a century hence embalmed in print.
For if mankind intend to learn at all,
They must begin by giving faith to them
And acting on them: and I do not see
But that my lectures serve indifferent well:
No doubt these dogmas fall not to the earth,
For all their novelty and rugged setting.
I think my class will not forget the day
I let them know the gods of Israel,
Atius, Oribasius, Galen, Rhasis,
Serapion, Avicenna, Averres,
Were blocks!
Festus.
And that reminds me, I heard something
About your waywardness: you burned their books,
It seems, instead of answering those sages.
Paracelsus.
And who said that?
Festus.
Some I met yesternight
With OEcolampadius. As you know, the purpose
Of this short stay at Basil was to learn
His pleasure touching certain missives sent
For our Zuinglius and himself. 'T was he
Apprised me that the famous teacher here
Was my old friend.
Paracelsus.
Ah, I forgot: you went . . .
Festus.
From Zurich with advices for the ear
Of Luther, now at Wittenberg(you know,
I make no doubt, the differences of late
With Carolostadius)and returning sought
Basil and . . .
Paracelsus.
I remember. Here's a case, now,
Will teach you why I answer not, but burn
The books you mention. Pray, does Luther dream
His arguments convince by their own force
The crowds that own his doctrine? No, indeed!
His plain denial of established points
Ages had sanctified and men supposed
Could never be oppugned while earth was under
And heaven above thempoints which chance or time
Affected notdid more than the array
Of argument which followed. Boldly deny!
There is much breath-stopping, hair-stiffening
Awhile; then, amazed glances, mute awaiting
The thunderbolt which does not come: and next,
Reproachful wonder and inquiry: those
Who else had never stirred, are able now
To find the rest out for themselves, perhaps
To outstrip him who set the whole at work,
As never will my wise class its instructor.
And you saw Luther?
Festus.
'T is a wondrous soul!
Paracelsus.
True: the so-heavy chain which galled mankind
Is shattered, and the noblest of us all
Must bow to the deliverernay, the worker
Of our own projectwe who long before
Had burst our trammels, but forgot the crowd,
We should have taught, still groaned beneath the load:
This he has done and nobly. Speed that may!
Whatever be my chance or my mischance,
What benefits mankind must glad me too;
And men seem made, though not as I believed,
For something better than the times produce.
Witness these gangs of peasants your new lights
From Suabia have possessed, whom Mnzer leads,
And whom the duke, the landgrave and the elector
Will calm in blood! Well, well; 't is not my world!
Festus.
Hark!
Paracelsus.
'T is the melancholy wind astir
Within the trees; the embers too are grey:
Morn must be near.
Festus.
Best ope the casement: see,
The night, late strewn with clouds and flying stars,
Is blank and motionless: how peaceful sleep
The tree-tops altogether! Like an asp,
The wind slips whispering from bough to bough.
Paracelsus.
Ay; you would gaze on a wind-shaken tree
By the hour, nor count time lost.
Festus.
So you shall gaze:
Those happy times will come again.
Paracelsus.
Gone, gone,
Those pleasant times! Does not the moaning wind
Seem to bewail that we have gained such gains
And bartered sleep for them?
Festus.
It is our trust
That there is yet another world to mend
All error and mischance.
Paracelsus.
Another world!
And why this world, this common world, to be
A make-shift, a mere foil, how fair soever,
To some fine life to come? Man must be fed
With angels' food, forsooth; and some few traces
Of a diviner nature which look out
Through his corporeal baseness, warrant him
In a supreme contempt of all provision
For his inferior tastessome straggling marks
Which constitute his essence, just as truly
As here and there a gem would constitute
The rock, their barren bed, one diamond.
But were it sowere man all mindhe gains
A station little enviable. From God
Down to the lowest spirit ministrant,
Intelligence exists which casts our mind
Into immeasurable shade. No, no:
Love, hope, fear, faiththese make humanity;
These are its sign and note and character,
And these I have lost!gone, shut from me for ever,
Like a dead friend safe from unkindness more!
See, morn at length. The heavy darkness seems
Diluted, grey and clear without the stars;
The shrubs bestir and rouse themselves as if
Some snake, that weighed them down all night, let go
His hold; and from the East, fuller and fuller
Day, like a mighty river, flowing in;
But clouded, wintry, desolate and cold.
Yet see how that broad prickly star-shaped plant,
Half-down in the crevice, spreads its woolly leaves
All thick and glistering with diamond dew.
And you depart for Einsiedeln this day,
And we have spent all night in talk like this!
If you would have me better for your love,
Revert no more to these sad themes.
Festus.
One favour,
And I have done. I leave you, deeply moved;
Unwilling to have fared so well, the while
My friend has changed so sorely. If this mood
Shall pass away, if light once more arise
Where all is darkness now, if you see fit
To hope and trust again, and strive again,
You will remembernot our love alone
But that my faith in God's desire that man
Should trust on his support, (as I must think
You trusted) is obscured and dim through you:
For you are thus, and this is no reward.
Will you not call me to your side, dear Aureole?
~ Robert Browning, Paracelsus - Part III - Paracelsus
,#NFDB
1437:The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
259
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
260
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:-At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,-Let Favour speak for others, Worth for me.-For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows-At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
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Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view-What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
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Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
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What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
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Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
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Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
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By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
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From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,-Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
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With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know-It was the fashion twenty years ago.
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Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last-He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
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'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
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Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came-Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
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Can none remember? Yes--I know all must-When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
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Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
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Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
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Talk not to me of diffidence and fear-I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,-Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
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Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
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The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
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The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly-Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
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Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:-From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
280
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
281
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
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In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low-Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause-'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
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If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught-Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,-Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:-If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
284
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
~ Charles Churchill,#NFDB
1438: Book VIII: The Book of the Gods
So on the earth the seed that was sown of the centuries ripened;
Europe and Asia, met on their borders, clashed in the Troad.
All over earth men wept and bled and laboured, world-wide
Sowing Fate with their deeds and had other fruit than they hoped for,
Out of desires and their passionate griefs and fleeting enjoyments
Weaving a tapestry fit for the gods to admire, who in silence
Joy, by the cloud and the sunbeam veiled, and men know not their movers.
They in the glens of Olympus, they by the waters of Ida
Or in their temples worshipped in vain or with heart-strings of mortals
Sated their vast desire and enjoying the world and each other
Sported free and unscourged; for the earth was their prey and their playground.
But from his luminous deep domain, from his estate of azure
Zeus looked forth; he beheld the earth in its flowering greenness
Spread like an emerald dream that the eyes have enthroned in the sunlight,
Heard the symphonies old of the ocean recalling the ages
Lost and dead from its marches salt and unharvested furrows,
Felt in the pregnant hour the unborn hearts of the future.
Troubled kingdoms of men he beheld, the hind in the furrow,
Lords of the glebe and the serf subdued to the yoke of his fortunes,
Slavegirls tending the fire and herdsmen driving the cattle,
Artisans labouring long for a little hire in mens cities,
Labour long and the meagre reward for a toil that is priceless.
Kings in their seats august or marching swift with their armies
Founded ruthlessly brittle empires. Merchant and toiler
Patiently heaped up our transient wealth like the ants in their hillock.
And to preserve it all, to protect this dust that must perish,
Hurting the eternal soul and maiming heaven for some metal
Judges condemned their brothers to chains and to death and to torment,
Criminals scourgers of crime, for so are these ant-heaps founded,
Punishing sin by a worse affront to our crucified natures.
All the uncertainty, all the mistaking, all the delusion
Naked were to his gaze; in the moonlit orchards there wandered
Lovers dreaming of love that endurestill the moment of treason;
Helped by the anxious joy of their kindred supported their anguish
Women with travail racked for the child who shall rack them with sorrow.
Hopes that were confident, fates that sprang dire from the seed of a moment,
Yearning that claimed all time for its date and all life for its fuel,
All that we wonder at gazing back when the passion has fallen,
Labour blind and vain expense and sacrifice wasted,
These he beheld with a heart unshaken; to each side he studied
Seas of confused attempt and the strife and the din and the crying.
All things he pierced in us gazing down with his eyelids immortal,
Lids on which sleep dare not settle, the Father of men on his creatures;
Nor by the cloud and the mist was obscured which baffles our eyeballs,
But he distinguished our source and saw to the end of our labour.
He in the animal racked knew the god that is slowly delivered;
Therefore his heart rejoiced. Not alone the mind in its trouble
God beholds, but the spirit behind that has joy of the torture.
Might not our human gaze on the smoke of a furnace, the burning
Red, intolerable, anguish of ore that is fused in the hell-heat,
Shrink and yearn for coolness and peace and condemn all the labour?
Rather look to the purity coming, the steel in its beauty,
Rather rejoice with the master who stands in his gladness accepting
Heat of the glorious god and the fruitful pain of the iron.
Last the eternal gaze was fixed on Troy and the armies
Marching swift to the shock. It beheld the might of Achilles
Helmed and armed, knew all the craft in the brain of Odysseus,
Saw Deiphobus stern in his car and the fates of Aeneas,
Greece of her heroes empty, Troy enringed by her slayers,
Paris a setting star and the beauty of Penthesilea.
These things he saw delighted; the heart that contains all our ages
Blessed our toil and grew full of its fruits, as the Artist eternal
Watched his vehement drama staged twixt the sea and the mountains,
Phrased in the clamour and glitter of arms and closed by the firebrand,
Act itself out in blood and in passions fierce on the Troad.
Yet as a father his children, who sits in the peace of his study
Hearing the noise of his brood and pleased with their play and their quarrels,
So he beheld our mortal race. Then, turned from the armies,
Into his mind he gazed where Time is reflected and, conscient,
Knew the iron knot of our human fates in their warfare.
Calm he arose and left our earth for his limitless kingdoms.
Far from this lower blue and high in the death-scorning spaces
Lifted oer mortal mind where Time and Space are but figures
Lightly imagined by Thought divine in her luminous stillness,
Zeus has his palace high and there he has stabled his war-car.
Thence he descends to our mortal realms; where the heights of our mountains
Meet with the divine air, he touches and enters our regions.
Now he ascended back to his natural realms and their rapture,
There where all life is bliss and each feeling an ecstasy mastered.
Thence his eagle Thought with its flashing pinions extended
Winged through the world to the gods, and they came at the call, they ascended
Up from their play and their calm and their works through the infinite azure.
Some from our mortal domains in grove or by far-flowing river
Cool from the winds of the earth or quivering with perishable fragrance
Came, or our laughter they bore and the song of the sea in their paces.
Some from the heavens above us arrived, our vital dominions
Whence we draw breath; for there all things have life, the stone like the ilex,
Clay of those realms like the children of men and the brood of the giants.
There Enceladus groans oppressed and draws strength from his anguish
Under a living Aetna and flames that have joy of his entrails.
Fiercely he groans and rejoices expecting the end of his foemen
Hastened by every pang and counts long Time by his writhings.
There in the champaigns unending battle the gods and the giants,
There in eternal groves the lovers have pleasure for ever,
There are the faery climes and there are the wonderful pastures.
Some from a marvellous Paradise hundred-realmed in its musings,
Million-ecstasied, climbed like flames that in silence aspire
Windless, erect in a motionless dream, yet ascending for ever.
All grew aware of the will divine and were drawn to the Father.
Grandiose, calm in her gait, imperious, awing the regions,
Hera came in her pride, the spouse of Zeus and his sister.
As at her birth from the foam of the spaces white Aphrodite
Rose in the cloud of her golden hair like the moon in its halo.
Aegis-bearing Athene, shielded and helmeted, answered
Rushing the call and the heavens thrilled with the joy of her footsteps
Dumbly repeating her name, as insulted and trampled by beauty
Thrill might the soul of a lover and cry out the name of its tyrant.
Others there were as mighty; for Artemis, archeress ancient,
Came on her sandals lightning-tasselled. Up the vast incline
Shaking the world with the force of his advent thundered Poseidon;
Space grew full of his stride and his cry. Immortal Apollo
Shone and his silver clang was heard with alarm in our kingdoms.
Ares impetuous eyes looked forth from a cloud-drift of splendour;
Themis steps appeared and Ananke, the mystic Erinnys;
Nor was Hephaestus flaming strength from his father divided.
Even the ancient Dis to arrive dim-featured, eternal,
Seemed; but his rays are the shades and his voice is the call of the silence.
Into the courts divine they crowded, radiant, burning,
Perfect in utter grace and light. The joy of their spirits
Calls to eternal Time and the glories of Space are his answer:
Thence were these bright worlds born and persist by the throb of their heart-beats.
Not in the forms that mortals have seen when assisted they scatter
Mists of this earthly dust from their eyes in their moments of greatness
Shone those unaging Powers; nor as in our centuries radiant
Mortal-seeming bodies they wore when they mixed with our nations.
Then the long youth of the world had not faded still out of our natures,
Flowers and the sunlight were felt and the earth was glad like a mother.
Then for a human delight they were masked in this denser vesture
Earth desires for her bliss, thin veils, for the god through them glimmered.
Quick were mens days with the throng of the brilliant presences near them:
Gods from the wood and the valley, gods from the obvious wayside,
Gods on the secret hills leaped out from their light on the mortal.
Oft in the haunt and the grove they met with our kind and their touches
Seized and subjected our clay to the greatness of passions supernal,
Grasping the earthly virgin and forcing heaven on this death-dust.
Glorifying human beauty Apollo roamed in our regions
Clymene when he pursued or yearned in vain for Marpessa;
Glorifying earth with a human-seeming face of the beauty
Brought from her heavenly climes Aphrodite mixed with Anchises.
Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces,
Dryad and Naiad in river and forest, Oreads haunting
Glens and the mountain-glades where they played with the manes of our lions
Glimmered on death-claimed eyes; for the gods then were near us and clasped us,
Heaven leaned down in love with our clay and yearned to its transience.
But we have coarsened in heart and in mood; we have turned in our natures
Nearer our poorer kindred; leaned to the ant and the ferret.
Sight we have darkened with sense and power we have stifled with labour,
Likened in mood to the things we gaze at and are in our vestures:
Therefore we toil unhelped; we are left to our weakness and blindness.
Not in those veils now they rose to their skies, but like loose-fitting mantles
Dropped in the vestibules huge of their vigorous realms that besiege us
All that reminded of earth; then clothed with raiment of swiftness
Straight they went quivering up in a glory like fire or the storm-blast.
Even those natural vestures of puissance they leave when they enter
Minds more subtle fields and agree with its limitless regions
Peopled by creatures of bliss and forms more true than earths shadows,
Mind that pure from this density, throned in her splendours immortal
Looks up at Light and suffers bliss from ineffable kingdoms
Where beyond Mind and its rays is the gleam of a glory supernal:
There our sun cannot shine and our moon has no place for her lustres,
There our lightnings flash not, nor fire of these spaces is suffered.
They with bodies impalpable here to our touch and our seeing,
But for a higher delight, to a brighter sense, with more sweetness
Palpable there and visible, thrilled with a lordlier joyance,
Came to the courts of Zeus and his heavens sang to their footsteps.
Harmonies flowed through the blissful coils of the kingdoms of rapture.
Then by his mighty equals surrounded the Thunderer regnant
Veiled his thought in sound that was heard in their souls as they listened.
Veiled are the high gods always lest there should dawn on the mortal
Light too great from the skies and men to their destiny clear-eyed
Walk unsustained like the gods; then Night and Dawn were defeated
And of their masks the deities robbed would be slaves to their subjects.
Children of Immortality, gods who are joyous for ever,
Rapture is ours and eternity measures our lives by his aeons.
For we desireless toil who have joy in the fall as the triumph,
Knowledge eternal possessing we work for an end that is destined
Long already beyond by the Will of which Time is the courser.
Therefore death cannot alter our lives nor pain our enjoyment.
But in the world of mortals twilight is lord of its creatures.
Nothing they perfectly see, but all things seek and imagine,
Out of the clod who have come and would climb from their mire to our heavens.
Yet are the heavenly seats not easy even for the chosen:
Rough and remote is that path; that ascent is too hard for the death-bound.
Hard are Gods terms and few can meet them of men who are mortal.
Mind resists; their breath is a clog; by their tools they are hampered,
Blindly mistaking the throb of their mortal desires for our guidance.
How shall they win in their earth to our skies who are clay and a life-wind,
But that their hearts we invade? Our shocks on their lives come incessant,
Ease discourage and penetrate coarseness; sternness celestial
Forces their souls towards the skies and their bodies by anguish are sifted.
We in the mortal wake an immortal strength by our tortures
And by the flame of our lightnings choose out the vessels of godhead.
This is the nature of earth that to blows she responds and by scourgings
Travails excited; pain is the bed of her blossoms of pleasure.
Earth that was wakened by pain to life and by hunger to thinking
Left to her joys rests inert and content with her gains and her station.
But for the unbearable whips of the gods back soon to her matter
She would go glad and the goal would be missed and the aeons be wasted.
But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his feet to the journey.
But in their minds to impression made subject, by forms of things captured
Blind is the thought and presumptuous the hope and they swerve from our goading;
Blinded are human hearts by desire and fear and possession,
Darkened is knowledge on earth by hope the helper of mortals.
Now too from earth and her children voices of anger and weeping
Beat at our thrones; tis the grief and the wrath of fate-stricken creatures,
Mortals struggling with destiny, hearts that are slaves to their sorrow.
We unmoved by the cry will fulfil our unvarying purpose.
Troy shall fall at last and the ancient ages shall perish.
You who are lovers of Ilion turn from the moans of her people,
Chase from your hearts their prayers, blow back from your nostrils the incense.
Let not one nation resist by its glory the good of the ages.
Twilight thickens over man and he moves to his winter of darkness.
Troy that displaced with her force and her arms the luminous ancients,
Sinks in her turn by the ruder strength of the half-savage Achaians.
They to the Hellene shall yield and the Hellene fall by the Roman.
Rome too shall not endure, but by strengths ill-shaped shall be broken,
Nations formed in the ice and mist, confused and crude-hearted.
So shall the darker and ruder always prevail oer the brilliant
Till in its turn to a ruder and darker it falls and is shattered.
So shall mankind make speed to destroy what twas mighty creating.
Ever since knowledge failed and the ancient ecstasy slackened,
Light has been helper to death and darkness increases the victor.
So shall it last till the fallen ages return to their greatness.
For if the twilight be helped not, night oer the world cannot darken;
Night forbidden how shall a greater dawn be effected?
Gods of the light who know and resist that the doomed may have succour,
Always then shall desire and passion strive with Ananke?
Conquer the cry of your heart-strings that man too may conquer his sorrow,
Stilled in his yearnings. Cease, O ye gods, from the joy of rebellion.
Open the eye of the soul, admit the voice of the Silence.
So in the courts of Heaven august the Thunderer puissant
Spoke to his sons in their souls and they heard him, mighty in silence.
Then to her brother divine the white-armed passionless Hera:
Zeus, we remember; thy sons forget, Apollo and Ares.
Hera, queen of the heavens, they forget not, but choose to be mindless.
This is the greatness of gods that they know and can put back the knowledge;
Doing the work they have chosen they turn not for fruit nor for failure,
Griefless they walk to their goal and strain not their eyes towards the ending.
Light that they have they can lose with a smile, not as souls in the darkness
Clutch at every beam and mistake their one ray for all splendour.
All things are by Time and the Will eternal that moves us,
And for each birth its hour is set in the night or the dawning.
There is an hour for knowledge, an hour to forget and to labour.
Great Cronion ceased and high in the heavenly silence
Rose in their midst the voice of the loud impetuous Ares
Sounding far in the luminous fields of his soul as with thunder.
Father, we know and we have not forgotten. This is our godhead,
Still to strive and never to yield to the evil that conquers.
I will not dwell with the Greeks nor aid them save forced by Ananke
And because lives of the great and the blood of the strong are my portion.
This too thou knowest, our nature enjoys in mankind its fulfilment.
War is my nature and greatness and hardness, the necks of the vanquished;
Force is my soul and strength is my bosom; I shout in the battle
Breaking cities like toys and the nations are playthings of Ares:
Hither and thither I shove them and throw down or range on my table.
Constancy most I love, nobility, virtue and courage;
Fugitive hearts I abhor and the nature fickle as sea-foam.
Now if the ancient spirit of Titan battle is over,
Tros fights no more on the earth, nor now Heracles tramples and struggles,
Bane of the hydra or slaying the Centaurs oer Pelion driven,
Now if the earth no more must be shaken by Titan horsehooves,
Since to a pettier framework all things are fitted consenting,
Yet will I dwell not in Greece nor favour the nurslings of Pallas.
I will await the sons of my loins and the teats of the she-wolf,
Consuls browed like the cliffs and plebeians stern of the wolf-brood,
Senates of kings and armies of granite that grow by disaster;
Such be the nation august that is fit for the favour of Ares!
They shall fulfil me and honour my mother, imperial Hera.
Then with an iron march they shall move to their world-wide dominion,
Through the long centuries rule and at last because earth is impatient,
Slowly with haughtiness perish compelled by mortalitys transience
Leaving a Roman memory stamped on the ages of weakness.
But to his son far-sounding the Father high of the Immortals:
So let it be since such is the will in thee, mightiest Ares;
Thou shalt till sunset prevail, O war-god, fighting for Troya.
So he decreed and the soul of the Warrior sternly consented.
He from his seats arose and down on the summits of Ida
Flaming through Space in his cloud in a headlong glory descended,
Prone like a thunderbolt flaming down from the hand of the Father.
Thence in his chariot drawn by living fire and by swiftness,
Thundered down to earths plains the mighty impetuous Ares.
Far where Deiphobus stern was labouring stark and outnumbered
Smiting the Achaian myriads back on the right of the carnage,
Over the hosts in his car he stood and darkened the Argives.
But in the courts divine the Thunderer spoke to his children:
Ares resisting a present Fate for the hope of the future,
Gods, has gone forth from us. Choose thou thy paths, O my daughter,
More than thy brother assailed by the night that darkens oer creatures.
Choose the silence in heaven or choose the struggle mid mortals,
Golden joy of the worlds, O thou roseate white Aphrodite.
Then with her starry eyes and bosom of bliss from the immortals
Glowing and rosy-limbed cried the wonderful white Aphrodite,
Drawing her fingers like flowers through the flowing gold of her tresses,
Calm, discontented, her perfect mouth like a rose of resistance
Chidingly budded gainst Fate, a charm to their senses enamoured.
Well do I know thou hast given my world to Hera and Pallas.
What though my temples shall stand in Paphos and island Cythera
And though the Greek be a priest for my thoughts and a lyre for my singing,
Beauty pursuing and light through the figures of grace and of rhythm,
Forms shall he mould for mens eyes that the earth has forgotten and mourns for,
Mould even the workings of Pallas to commune with Paphias sweetness,
Mould Hephaestus craft in the gaze of the gold Aphrodite,
Only my form he pursues that I wear for a mortal enchantment,
He to whom now thou givest the world, the Ionian, the Hellene,
But for my might is unfit which Babylon worshipped and Sidon
Palely received from the past in images faint of the gladness
Once that was known by the children of men when the thrill of their members
Was but the immortal joy of the spirit overflowing their bodies,
Wine-cups of Gods desire; but their clay from my natural greatness
Falters betrayed to pain, their delight they have turned into ashes.
Nor to my peaks shall he rise and the perfect fruit of my promptings,
There where the senses swoon but the heart is delivered by rapture:
Never my touch can cling to his soul nor reply from his heart-strings.
Once could my godhead surprise all the stars with the seas of its rapture;
Once the world in its orbit danced to a marvellous rhythm.
Men in their limits, gods in their amplitudes answered my calling;
Life was moved by a chant of delight that sang from the spaces,
Sang from the Soul of the Vast, its rapture clasping its creatures.
Sweetly agreed my fire with their soil and their hearts were as altars.
Pure were its crests; twas not dulled with earth, twas not lost in the hazes
Then when the sons of earth and the daughters of heaven together
Met on lone mountain peaks or, linked on wild beach and green meadow,
Twining embraced. For I danced on Taygetus peaks and oer Ida
Naked and loosing my golden hair like a nimbus of glory
Oer a deep-ecstasied earth that was drunk with my roses and whiteness.
There was no shrinking nor veil in our old Saturnian kingdoms.
Equals were heaven and earth, twin gods on the lap of Dione.
Now shall my waning greatness perish and pass out of Nature.
For though the Romans, my children, shall grasp at the strength of their mother,
They shall not hold the god, but lose in unsatisfied orgies
Yet what the earth has kept of my joy, my glory, my puissance,
Who shall but drink for a troubled hour in the dusk of the sunset
Dregs of my wine Pandemian missing the Uranian sweetness.
So shall the night descend on the greatness and rapture of living;
Creeds that refuse shall persuade the world to revolt from its mother.
Pallas adorers shall loa the me and Heras scorn me for lowness;
Beauty shall pass from mens work and delight from their play and their labour;
Earth restored to the Cyclops shall shrink from the gold Aphrodite.
So shall I live diminished, owned but by beasts in the forest,
Birds of the air and the gods in their heavens, but disgraced in the mortal.
Then to the discontented rosy-mouthed Aphrodite
Zeus replied, the Father divine: O goddess Astarte,
What are these thoughts thou hast suffered to wing from thy rose-mouth immortal?
Bees that sting and delight are the words from thy lips, Cytherea.
Art thou not womb of the world and from thee are the thronging of creatures?
And didst thou cease the worlds too would cease and the aeons be ended.
Suffer my Greeks; accept who accept thee, O gold Dionaean.
They in the works of their craft and their dreams shall enthrone thee for ever,
Building thee temples in Paphos and Eryx and island Cythera,
Building the fane more enduring and bright of thy golden ideal.
Even if natures of men could renounce thee and God do without thee,
Rose of love and sea of delight, O my child Aphrodite,
Still wouldst thou live in the worship they gave thee protected from fading,
Splendidly statued and shrined in mens works and mens thoughts, Cytherea.
Pleased and blushing with bliss of her praise and the thought of her empire
Answered, as cries a harp in heaven, the gold Aphrodite:
Father, I know and I spoke but to hear from another my praises.
I am the womb of the world and the cause of this teeming of creatures,
And if discouraged I ceased, Gods world would lose heart and would perish.
How will you do then without me your works of wisdom and greatness,
Hera, queen of heaven, and thou, O my sister Athene?
Yes, I shall reign and endure though the pride of my workings be conquered.
What though no second Helen find a second Paris,
Lost though their glories of form to the earth, though their confident gladness
Pass from a race misled and forgetting the sap that it sprang from,
They are eternal in man in the worship of beauty and rapture.
Ever while earth is embraced by the sun and hot with his kisses
And while a Will supernal works through the passions of Nature,
Me shall men seek with my light or their darkness, sweetly or crudely,
Cold on the ice of the north or warm in the heats of the southland,
Slowly enduring my touch or with violence rapidly burning.
I am the sweetness of living, I am the touch of the Master.
Love shall die bound to my stake like a victim adorned as for bridal,
Life shall be bathed in my flames and be purified gold or be ashes.
I, Aphrodite, shall move the world for ever and ever.
Yet now since most to me, Father of all, the ages arriving,
Hostile, rebuke my heart and turn from my joy and my sweetness,
I will resist and not yield, nor care what I do, so I conquer.
Often I curbed my mood for your sakes and was gracious and kindly,
Often I lay at Heras feet and obeyed her commandments
Tranquil and proud or oercome by a honeyed and ancient compulsion
Fawned on thy pureness and served thy behests, O my sister Pallas.
Deep was the love that united us, happy the wrestle and clasping;
Love divided, Love united, Love was our mover.
But since you now overbear and would scourge me and chain and control me,
War I declare on you all, O my Father and brothers and sisters.
Henceforth I do my will as the joy in me prompts or the anger.
Ranging the earth with my beauty and passion and golden enjoyments
All whom I can, I will bind; I will drive at the bliss of my workings,
Whether mens hearts are seized by the joy or seized by the torture.
Most I will plague your men, your worshippers and in my malice
Break up your works with confusion divine, O my mother and sister;
Then shall you fume and resist and be helpless and pine with my torments.
Yet will I never relent but always be sweet and malignant,
Cruel and tyrannous, hurtful and subtle, a charm and a torture.
Thou too, O father Zeus, shalt always be vexed with my doings;
Called in each moment to judge thou shalt chafe at our cry and our quarrels,
Often grope for thy thunderbolt, often frown magisterial
Joining in vain thy awful brows oer thy turbulent children.
Yet in thy wrath recall my might and my wickedness, Father;
Hurt me not then too much lest the world and thyself too should suffer.
Save, O my Father, life and grace and the charm of the senses;
Love preserve lest the heart of the world grow dulled and forsaken.
Smiling her smile immortal of love and of mirth and of malice
White Aphrodite arose in her loveliness armed for the conflict.
Golden and careless and joyous she went like a wild bird that winging
Flits from bough to bough and resumes its chant interrupted.
Love where her white feet trod bloomed up like a flower from the spaces;
Mad round her touches billowed incessantly laughter and rapture.
Thrilled with her feet was the bosom of Space, for her amorous motion
Floated, a flower on the wave of her bliss or swayed like the lightning.
Rich as a summer fruit and fresh as Springs blossoms her body
Gleaming and blushing, veiled and bare and with ecstasy smiting
Burned out rosy and white through her happy ambrosial raiment,
Golden-tressed and a charm, her bosom a fragrance and peril.
So was she framed to the gaze as she came from the seats of the Mighty,
So embodied she visits the hearts of men and their dwellings
And in her breathing tenement laughs at the eyes that can see her.
Swift-footed down to the Troad she hastened thrilling the earth-gods.
There with ambrosial secrecy veiled, admiring the heroes
Strong and beautiful, might of the warring and glory of armour,
Over her son Aeneas she stood, his guard in the battle.
But in the courts divine the Thunderer spoke mid his children:
Thou for a day and a night and another day and a nightfall,
White Aphrodite, prevail; oer thee too the night is extended.
She has gone forth who made men like gods in their glory and gladness.
Now in the darkness coming all beauty must wane or be tarnished;
Joy shall fade and mighty Love grow fickle and fretful;
Even as a child that is scared in the night, he shall shake in his chambers.
Yet shall a portion be kept for these, Ares and white Aphrodite.
Thou whom already thy Pythoness bears not, torn by thy advent,
Caverned already who sittest in Delphi knowing thy future,
What wilt thou do with the veil and the night, O burning Apollo?
Then from the orb of his glory unbearable save to immortals
Bright and austere replied the beautiful mystic Apollo:
Zeus, I know that I fade; already the night is around me.
Dusk she extends her reign and obscures my lightnings with error.
Therefore my prophets mislead mens hearts to the ruin appointed,
Therefore Cassandra cries in vain to her sire and her brothers.
All I endure I foresee and the strength in me waits for its coming;
All I foresee I approve; for I know what is willed, O Cronion.
Yet is the fierce strength wroth in my breast at the need of approval
And for the human race fierce pity works in my bosom;
Wroth is my splendid heart with the cowering knowledge of mortals,
Wroth are my burning eyes with the purblind vision of reason.
I will go forth from your seats and descend to the night among mortals
There to guard the flame and the mystery; vast in my moments
Rare and sublime to sound like a sea against Time and its limits,
Cry like a spirit in pain in the hearts of the priest and the poet,
Cry against limits set and disorder sanities bounded.
Jealous for truth to the end my might shall prevail and for ever
Shatter the moulds that men make to imprison their limitless spirits.
Dire, overpowering the brain I shall speak out my oracles splendid.
Then in their ages of barren light or lucidity fruitful
Whenso the clear gods think they have conquered earth and its mortals,
Hidden God from all eyes, they shall wake from their dream and recoiling
Still they shall find in their paths the fallen and darkened Apollo.
So he spoke, repressing his dreadful might in his bosom,
And from their high seats passed, his soul august and resplendent
Drawn to the anguish of men and the fierce terrestrial labour.
Down he dropped with a roar of light invading the regions,
And in his fierce and burning spirit intense and uplifted
Sure of his luminous truth and careless for weakness of mortals
Flaming oppressed the earth with his dire intolerant beauty.
Over the summits descending that slept in the silence of heaven,
He through the spaces angrily drew towards the tramp and the shouting
Over the speeding of Xanthus and over the pastures of Troya.
Clang of his argent bow was the wrath restrained of the mighty,
Stern was his pace like Fates; so he came to the warfare of mortals
And behind Paris strong and inactive waited Gods moment
Knowing what should arrive, nor disturbed like men by their hopings.
But in the courts of Heaven Zeus to his brother immortal
Turned like a menaced king on his counsellor smiling augustly:
Seest thou, Poseidon, this sign that great gods revolting have left us,
Follow their hearts and strive with Ananke? Yet though they struggle,
Thou and I will do our will with the world, O earth-shaker.
Answered to Zeus the besieger of earth, the voice of the waters:
This is our strength and our right, for we are the kings and the masters.
Too much pity has been and yielding of Heaven to mortals.
I will go down with my chariot drawn by my thunder-maned coursers
Into the battle and thrust down Troy with my hand to the silence,
Even though she cling round the snowy knees of our child Aphrodite
Or with Apollos sun take refuge from Night and her shadows.
I will not pity her pain, who am ruthless even as my surges.
Brother, thou knowest, O Zeus, that I am a king and a trader;
For on my paths I receive earths skill and her merchandise gather,
Traffic richly in pearls and bear the swift ships on my bosom.
Blue are my waves and they call mens hearts to wealth and adventure.
Lured by the shifting surges they launch their delight and their treasures
Trusting the toil of years to the perilous moments of Ocean.
Huge mans soul in its petty frame goes wrestling with Nature
Over her vasts and his fragile ships between my horizons
Buffeting death in his solitudes labour through swell and through storm-blast
Bound for each land with her sons and watched for by eyes in each haven.
I from Tyre up to Gades trace on my billows their trade-routes
And on my vast and spuming Atlantic suffer their rudders.
Carthage and Greece are my children, the marts of the world are my term-posts.
Who then deserves the earth if not he who enriches and fosters?
But thou hast favoured thy sons, O Zeus; O Hera, earths sceptres
Still were denied me and kept for strong Ares and brilliant Apollo.
Now all your will shall be done, so you give me the earth for my nations.
Gold shall make men like gods and bind their thoughts into oneness;
Peace I will build with gold and heaven with the pearls of my caverns.
Smiling replied to his brothers craft the mighty Cronion:
Lord of the boundless seas, Poseidon, soul of the surges,
Well thou knowest that earth shall be seized as a booth for the trader.
Rome nor Greece nor France can drive back Carthage for ever.
Always each birth of the silence attaining the field and the movement
Takes from Time its reign; for it came for its throne and its godhead.
So too shall Mammon take and his sons their hour from the ages.
Yet is the flame and the dust last end of the silk and the iron,
And at their end the king and the prophet shall govern the nations.
Even as Troy, so shall Babylon flame up to heaven for the spoiler
Wailed by the merchant afar as he sees the red glow from the ocean.
Up from the seats of the Mighty the Earth-shaker rose. His raiment
Round him purple and dominant rippled and murmured and whispered,
Whispered of argosies sunk and the pearls and the Nereids playing,
Murmured of azure solitudes, sounded of storm and the death-wail.
Even as the march of his waters so was the pace of the sea-god
Flowing on endless through Time; with the glittering symbol of empire
Crowned were his fatal brows; in his grasp was the wrath of the trident,
Tripled force, life-shattering, brutal, imperial, sombre.
Resonant, surging, vast in the pomp of his clamorous greatness
Proud and victorious he came to his home in the far-spuming waters.
Even as a soul from the heights of thought plunges back into living,
So he plunged like a rock through the foam; for it falls from a mountain
Overpeering the waves in some silence of desolate waters
Left to the wind and the sea-gull where Ocean alone with the ages
Dreams of the calm of the skies or tosses its spray to the wind-gods,
Tosses for ever its foam in the solitude huge of its longings
Far from the homes and the noises of men. So the dark-browed Poseidon
Came to his coral halls and the sapphire stables of Nereus
Ever where champ their bits the harnessed steeds of the Ocean
Watched by foam-white girls in the caverns of still Amphitrite.
There was his chariot yoked by the Tritons, drawn by his coursers
Born of the fleeing sea-spray and shod with the northwind who journey
Black like the front of the storm and clothed with their manes as with thunder.
This now rose from its depths to the upper tumults of Ocean
Bearing the awful brows and the mighty form of the sea-god
And from the roar of the surges fast oer the giant margin
Came remembering the storm and the swiftness wide towards the Troad.
So among men he arrived to the clamorous labours of Ares,
Close by the stern Diomedes stood and frowned oer the battle.
He for the Trojan slaughter chose for his mace and his sword-edge
Iron Tydeus son and the adamant heart of young Pyrrhus.
But in the courts divine the Father high of the immortals
Turned in his heart to the brilliant offspring born of his musings,
She who tranquil observes and judges her father and all things.
What shall I say to the thought that is calm in thy breasts, O Athene?
Have I not given thee earth for thy portion, throned thee and armoured,
Darkened Cypris smile, dimmed Heras son and Latonas?
Swift in thy silent ambition, proud in thy radiant sternness,
Girl, thou shalt rule with the Greek and the Saxon, the Frank and the Roman.
Worker and fighter and builder and thinker, light of the reason,
Men shall leave all temples to crowd in thy courts, O Athene.
Go then and do my will, prepare mans tribes for their fullness.
But with her high clear smile on him answered the mighty Athene,
Wisely and soberly, tenderly smiled she chiding her father
Even as a mother might rail at her child when he hides and dissembles:
Zeus, I see and I am not deceived by thy words in my spirit.
We but build forms for thy thought while thou smilest down high oer our toiling;
Even as men are we tools for thee, who are thy children and dear ones.
All this life is thy sport and thou workst like a boy at his engines
Making a toil of the game and a play of the serious labour.
Then to that play thou callest us wearing a sombre visage,
This consulting, that to our wills confiding, O Ruler;
Choosing thy helpers, hastened by those whom thou lurest to oppose thee
Guile thou usest with gods as with mortals, scheming, deceiving,
And at the wrath and the love thou hast prompted laughest in secret.
So we two who are sisters and enemies, lovers and rivals,
Fondled and baffled in turn obey thy will and thy cunning,
I, thy girl of war, and the rosy-white Aphrodite.
Always we served but thy pleasure since our immortal beginnings,
Always each other we helped by our play and our wrestlings and quarrels.
This too I know that I pass preparing the paths of Apollo
And at the end as his sister and slave and bride I must sojourn
Rapt to his courts of mystic light and unbearable brilliance.
Was I not ever condemned since my birth from the toil of thy musings
Seized like a lyre in my body to sob and to laugh out his music,
Shake as a leaf in his fierceness and leap as a flame in his splendours!
So must I dwell overpowered and so must I labour subjected
Robbed of my loneliness pure and coerced in my radiant freedom,
Now whose clearness and pride are the sovereign joy of thy creatures.
Such the reward that thou keepst for my labour obedient always.
Yet I work and I do thy will, for tis mine, O my father.
Proud of her ruthless lust of thought and action and battle,
Swift-footed rose the daughter of Zeus from her sessions immortal:
Breasts of the morning unveiled in a purity awful and candid,
Head of the mighty Dawn, the goddess Pallas Athene!
Strong and rapacious she swooped on the world as her prey and her booty
Down from the courts of the Mighty descending, darting on Ida.
Dire she descended, a god in her reason, a child in her longings,
Joy and woe to the world that is given to the whims of the child-god
Greedy for rule and play and the minds of men and their doings!
So with her aegis scattering light oer the heads of the nations
Shining-eyed in her boyish beauty severe and attractive
Came to the fields of the Troad, came to the fateful warfare,
Veiled, the goddess calm and pure in her luminous raiment
Zoned with beauty and strength. Rejoicing, spurring the fighters
Close oer Odysseus she stood and clear-eyed governed the battle.
Zeus to Hephaestus next, the Cyclopean toiler
Turned, Hephaestus the strong-souled, priest and king and a bond-slave,
Servant of men in their homes and their workshops, servant of Nature,
He who has built these worlds and kindles the fire for a mortal.
Thou, my son, art obedient always. Wisdom is with thee,
Therefore thou knowst and obeyest. Submission is wisdom and knowledge;
He who is blind revolts and he who is limited struggles:
Strife is not for the infinite; wisdom observes to accomplish.
Troy and her sons and her works are thy food today, O Hephaestus.
And to his father the Toiler answered, the silent Seer:
Yes, I obey thee, my Father, and That which than thou is more mighty;
Even as thou obeyest by rule, so I by my labour.
Now must I heap the furnace, now must I toil at the smithy,
I who have flamed on the altar of sacrifice helping the sages.
I am the Cyclops, the lamester, who once was pure and a high-priest.
Holy the pomp of my flames ascendant from pyre and from altar
Robed mens souls for their heavens and my smoke was a pillar to Nature.
Though I have burned in the sight of the sage and the heart of the hero,
Now is no nobler hymn for my ear than the clanging of metal,
Breath of human greed and the dolorous pant of the engines.
Still I repine not, but toil; for to toil I was yoked by my Maker.
I am your servant, O Gods, and his of whom you are servants.
But to the toiler Zeus replied, to the servant of creatures:
What is the thought thou hast uttered betrayed by thy speech, O Hephaestus?
True is it earth shall grow as a smithy, the smoke of the furnace
Fill mens eyes and their souls shall be stunned with the clang of the hammers;
Yet in the end there is rest on the peak of a labour accomplished.
Nor shall the might of the thinker be quelled by that iron oppression,
Nor shall the soul of the warrior despair in the darkness triumphant;
For when the night shall be deepest, dawn shall increase on the mountains
And in the heart of the worst the best shall be born by my wisdom.
Pallas thy sister shall guard mans knowledge fighting the earth-smoke.
Thou too art mighty to live through the clamour even as Apollo.
Work then, endure; expect from the Silence an end and thy wages.
So King Hephaestus arose and passed from the courts of his father;
Down upon earth he came with his lame omnipotent motion;
And with uneven steps absorbed and silent the Master
Worked employed mid the wheels of the cars as a smith in his smithy,
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
Helping Ajax war and the Theban and Phocian fighters.
Zeus to his grandiose helper next, who proved and unmoving,
Calm in her greatness waited the mighty comm and of her husband:
Hera, sister and spouse, what my will is thou knowest, O consort.
One are our blood and our hearts, nor the thought for the words of the speaker
Waits, but each other we know and ourselves and the Vast and the heavens,
Life and all between and all beyond and the ages.
That which Space not knows nor Time, we have known, O my sister.
Therefore our souls are one soul and our minds become mirrors of oneness.
Go then and do my will, O thou mighty one, burning down Troya.
Silent she rose from the seats of the Blissful, Hera majestic,
And with her flowing garment and mystical zone through the spaces
Haloed came like the moon on an evening of luminous silence
Down upon Ida descending, a snow-white swan on the greenness,
Down upon Ida the mystic haunted by footsteps immortal
Ever since out of the Ocean it rose and lived gazing towards heaven.
There on a peak of the mountains alone with the sea and the azure
Voiceless and mighty she paused like a thought on the summits of being
Clasped by all heaven; the winds at play in her gust-scattered raiment
Sported insulting her gracious strength with their turbulent sweetness,
Played with their mother and queen; but she stood absorbed and unheeding,
Mute, with her sandalled foot for a moment thrilling the grasses,
Dumbly adored by a soul in the mountains, a thought in the rivers,
Roared to loud by her lions. The voice of the cataracts falling
Entered her soul profound and it heard eternitys rumour.
Silent its gaze immense contained the wheeling of aeons.
Huge-winged through Time flew her thought and its grandiose vast revolutions
Turned and returned. So musing her timeless creative spirit,
Master of Time, its instrument, grieflessly hastening forward
Parted with greatnesses dead and summoned new strengths from their stables;
Maned they came to her call and filled with their pacings the future.
Calm, with the vision satisfied, thrilled by the grandeurs within her,
Down in a billow of whiteness and gold and delicate raiment
Gliding the daughter of Heaven came to the earth that received her
Glad of the tread divine and bright with her more than with sunbeams.
King Agamemnon she found and smiling on Spartas levies
Mixed unseen with the far-glinting spears of haughty Mycenae.
Then to the Mighty who tranquil abode and august in his regions
Zeus, while his gaze over many forms and high-seated godheads
Passed like a swift-fleeing eagle over the peaks and the glaciers
When to his eyrie he flies alone through the vastness and silence:
Artemis, child of my loins and you, O legioned immortals,
All you have heard. Descend, O ye gods, to your sovereign stations,
Labour rejoicing whose task is joy and your bliss is creation;
Shrink from no act that Necessity asks from your luminous natures.
Thee I have given no part in the years that come, O my daughter,
Huntress swift of the worlds who with purity all things pursuest.
Yet not less is thy portion intended than theirs who oerpass thee:
Helped are the souls that wait more than strengths soon fulfilled and exhausted.
Archeress, brilliance, wait thine hour from the speed of the ages.
So they departed, Artemis leading lightning-tasselled.
Ancient Themis remained and awful Dis and Ananke.
Then mid these last of the gods who shall stand when all others have perished,
Zeus to the Silence obscure under iron brows of that goddess,
Griefless, unveiled was her visage, dire and unmoved and eternal:
Thou and I, O Dis, remain and our sister Ananke.
That which the joyous hearts of our children, radiant heaven-moths
Flitting mid flowers of sense for the honey of thought have not captured,
That which Poseidon forgets mid the pomp and the roar of his waters,
We three keep in our hearts. By the Light that I watch for unsleeping,
By thy tremendous consent to the silence and darkness, O Hades,
By her delight renounced and the prayers and the worship of mortals
Making herself as an engine of God without bowels or vision,
Yet in that engine are only heart-beats, yet is her riddle
Only Love that is veiled and pity that suffers and slaughters,
We three are free from ourselves, O Dis, and free from each other.
Do then, O King of the Night, observe then with Time for thy servant
Not my behest, but What she and thou and I are for ever.
Mute the Darkness sat like a soul unmoved through the aeons,
Then came a voice from the silence of Dis, from the night there came wisdom.
Yes, I have chosen and that which I chose I endure, O Cronion,
Though to the courts of the gods I come as a threat and a shadow,
Even though none to their counsels call me, none to their pastime,
None companions me willingly; even thy daughter, my consort,
Trembling whom once from our sister Demeter I plucked like a blossom
Torn from Sicilian fields, while Fate reluctant, consenting,
Bowed her head, lives but by her gasps of the sun and the azure;
Stretched are her hands to the light and she seeks for the clasp of her mother.
I, I am Night and her reign and that of which Night is a symbol.
All to me comes, even thou shalt come to me, brilliant Cronion.
All here exists by me whom all walk fearing and shunning;
He who shuns not, He am I and thou and Ananke.
All things I take to my bosom that Life may be swift in her voyage;
For out of death is Life and not by birth and her motions
And behind Night is light and not in the sun and his splendours.
Troy to the Night I will gather a wreath for my shadows, O grower.
So in his arrogance dire the vast invincible Death-god
Triumphing passed out of heaven with Themis and silent Ananke.
Zeus alone in the spheres of his bliss, in his kingdoms of brilliance
Sat divine and alarmed; for even the gods in their heavens
Scarce shall live who have gazed on the unveiled face of Ananke,
Heard the accents dire of the Darkness that waits for the ages.
Awful and dull grew his eyes and mighty and still grew his members.
Back from his nature he drew to the passionless peaks of the spirit,
Throned where it dwells for ever uplifted and silent and changeless
Far beyond living and death, beyond Nature and ending of Nature.
There for a while he dwelt veiled, protected from Dis and his greatness;
Then to the works of the world he returned and the joy of his musings.
Life and the blaze of the mighty soul that he was of Gods making
Dawned again in the heavenly eyes and the majestied semblance.
Comforted heaven he beheld, to the green of the earth was attracted.
But through this Space unreal, but through these worlds that are shadows
Went the awful Three. None saw them pass, none felt them.
Only in the heavens was a tread as of death, in the air was a winter,
Earth oppressed moaned long like a woman striving with anguish.
Ida saw them not, but her grim lions cowered in their caverns,
Ceased for a while on her slopes the eternal laughter of fountains.
Over the ancient ramparts of Dardanus high-roofed city
Darkening her victor domes and her gardens of life and its sweetness
Silent they came. Unseen and unheard was the dreadful arrival.
Troy and her gods dreamed secure in the moment flattered by sunlight.
Dim to the citadel high they arrived and their silence invaded
Pallas marble shrine where stern and white in her beauty,
Armed on her pedestal, trampling the prostrate image of darkness
Mighty Athenes statue guarded imperial Troya.
Dim and vast they entered in. Then through all the great city
Huge a rushing sound was heard from her gardens and places
And in their musings her seers as they strove with night and with error
And in the fane of Apollo Laocoon torn by his visions
Heard aghast the voice of Troys deities fleeing from Troya,
Saw the flaming lords of her households drive in a death-rout
Forth from her ancient halls and their noble familiar sessions.
Ghosts of her splendid centuries wailed on the wings of the doom-blast.
Moaning the Dryads fled and her Naiads passed from Scamander
Leaving the world to deities dumb of the clod and the earth-smoke,
And from their tombs and their shrines the shadowy Ancestors faded.
Filled was the air with their troops and the sound of a vast lamentation.
Wailing they went, lamenting mortalitys ages of greatness,
Ruthless Anankes deeds and the mortal conquests of Hades.
Then in the fane Palladian the shuddering priests of Athene
Entered the darkened shrine and saw on the suffering marble
Shattered Athenes mighty statue prostrate as conquered,
But on its pedestal rose oer the unhurt image of darkness
Awful shapes, a Trinity dim and dire unto mortals.
Dumb they fell down on the earth and the life-breath was slain in their bosoms.
And in the noon there was night. And Apollo passed out of Troya.
***
~ Sri Aurobindo, 8 - The Book of the Gods
,#NFDB
1439:BOOK THE SIXTH
The Transformation of Arachne into a Spider
Pallas, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
Low was her birth, and small her native town,
She from her art alone obtain'd renown.
Idmon, her father, made it his employ,
To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.
Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.
The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.
Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek
A pardon for your bold presumption seek;
The Goddess will forgive. At this the maid,
With passion fir'd, her gliding shuttle stay'd;
And, darting vengeance with an angry look,
To Pallas in disguise thus fiercely spoke.
Thou doating thing, whose idle babling tongue
But too well shews the plague of living long;
Hence, and reprove, with this your sage advice,
Your giddy daughter, or your aukward neice;
Know, I despise your counsel, and am still
A woman, ever wedded to my will;
And, if your skilful Goddess better knows,
Let her accept the tryal I propose.
She does, impatient Pallas strait replies,
And, cloath'd with heavenly light, sprung from her odd disguise.
The Nymphs, and virgins of the plain adore
The awful Goddess, and confess her pow'r;
The maid alone stood unappall'd; yet show'd
A transient blush, that for a moment glow'd,
Then disappear'd; as purple streaks adorn
The opening beauties of the rosy morn;
Till Phoebus rising prevalently bright,
Allays the tincture with his silver light.
Yet she persists, and obstinately great,
In hopes of conquest hurries on her fate.
The Goddess now the challenge waves no more,
Nor, kindly good, advises as before.
Strait to their posts appointed both repair,
And fix their threaded looms with equal care:
Around the solid beam the web is ty'd,
While hollow canes the parting warp divide;
Thro' which with nimble flight the shuttles play,
And for the woof prepare a ready way;
The woof and warp unite, press'd by the toothy slay.
Thus both, their mantles button'd to their breast,
Their skilful fingers ply with willing haste,
And work with pleasure; while they chear the eye
With glowing purple of the Tyrian dye:
Or, justly intermixing shades with light,
Their colourings insensibly unite.
As when a show'r transpierc'd with sunny rays,
Its mighty arch along the heav'n displays;
From whence a thousand diff'rent colours rise,
Whose fine transition cheats the clearest eyes;
So like the intermingled shading seems,
And only differs in the last extreams.
Then threads of gold both artfully dispose,
And, as each part in just proportion rose,
Some antique fable in their work disclose.
Pallas in figures wrought the heav'nly Pow'rs,
And Mars's hill among th' Athenian tow'rs.
On lofty thrones twice six celestials sate,
Jove in the midst, and held their warm debate;
The subject weighty, and well-known to fame,
From whom the city shou'd receive its name.
Each God by proper features was exprest,
Jove with majestick mein excell'd the rest.
His three-fork'd mace the dewy sea-God shook,
And, looking sternly, smote the ragged rock;
When from the stone leapt forth a spritely steed,
And Neptune claims the city for the deed.
Herself she blazons, with a glitt'ring spear,
And crested helm that veil'd her braided hair,
With shield, and scaly breast-plate, implements of war.
Struck with her pointed launce, the teeming Earth
Seem'd to produce a new surprizing birth;
When, from the glebe, the pledge of conquest sprung,
A tree pale-green with fairest olives hung.
And then, to let her giddy rival learn
What just rewards such boldness was to earn,
Four tryals at each corner had their part,
Design'd in miniature, and touch'd with art.
Haemus in one, and Rodope of Thrace
Transform'd to mountains, fill'd the foremost place;
Who claim'd the titles of the Gods above,
And vainly us'd the epithets of Jove.
Another shew'd, where the Pigmaean dame,
Profaning Juno's venerable name,
Turn'd to an airy crane, descends from far,
And with her Pigmy subjects wages war.
In a third part, the rage of Heav'n's great queen,
Display'd on proud Antigone, was seen:
Who with presumptuous boldness dar'd to vye,
For beauty with the empress of the sky.
Ah! what avails her ancient princely race,
Her sire a king, and Troy her native place:
Now, to a noisy stork transform'd, she flies,
And with her whiten'd pinions cleaves the skies.
And in the last remaining part was drawn
Poor Cinyras that seem'd to weep in stone;
Clasping the temple steps, he sadly mourn'd
His lovely daughters, now to marble turn'd.
With her own tree the finish'd piece is crown'd,
And wreaths of peaceful olive all the work surround.
Arachne drew the fam'd intrigues of Jove,
Chang'd to a bull to gratify his love;
How thro' the briny tide all foaming hoar,
Lovely Europa on his back he bore.
The sea seem'd waving, and the trembling maid
Shrunk up her tender feet, as if afraid;
And, looking back on the forsaken strand,
To her companions wafts her distant hand.
Next she design'd Asteria's fabled rape,
When Jove assum'd a soaring eagle's shape:
And shew'd how Leda lay supinely press'd,
Whilst the soft snowy swan sate hov'ring o'er her breast,
How in a satyr's form the God beguil'd,
When fair Antiope with twins he fill'd.
Then, like Amphytrion, but a real Jove,
In fair Alcmena's arms he cool'd his love.
In fluid gold to Danae's heart he came,
Aegina felt him in a lambent flame.
He took Mnemosyne in shepherd's make,
And for Deois was a speckled snake.
She made thee, Neptune, like a wanton steer,
Pacing the meads for love of Arne dear;
Next like a stream, thy burning flame to slake,
And like a ram, for fair Bisaltis' sake.
Then Ceres in a steed your vigour try'd,
Nor cou'd the mare the yellow Goddess hide.
Next, to a fowl transform'd, you won by force
The snake-hair'd mother of the winged horse;
And, in a dolphin's fishy form, subdu'd
Melantho sweet beneath the oozy flood.
All these the maid with lively features drew,
And open'd proper landskips to the view.
There Phoebus, roving like a country swain,
Attunes his jolly pipe along the plain;
For lovely Isse's sake in shepherd's weeds,
O'er pastures green his bleating flock he feeds,
There Bacchus, imag'd like the clust'ring grape,
Melting bedrops Erigone's fair lap;
And there old Saturn, stung with youthful heat,
Form'd like a stallion, rushes to the feat.
Fresh flow'rs, which twists of ivy intertwine,
Mingling a running foliage, close the neat design.
This the bright Goddess passionately mov'd,
With envy saw, yet inwardly approv'd.
The scene of heav'nly guilt with haste she tore,
Nor longer the affront with patience bore;
A boxen shuttle in her hand she took,
And more than once Arachne's forehead struck.
Th' unhappy maid, impatient of the wrong,
Down from a beam her injur'd person hung;
When Pallas, pitying her wretched state,
At once prevented, and pronounc'd her fate:
Live; but depend, vile wretch, the Goddess cry'd,
Doom'd in suspence for ever to be ty'd;
That all your race, to utmost date of time,
May feel the vengeance, and detest the crime.
Then, going off, she sprinkled her with juice,
Which leaves of baneful aconite produce.
Touch'd with the pois'nous drug, her flowing hair
Fell to the ground, and left her temples bare;
Her usual features vanish'd from their place,
Her body lessen'd all, but most her face.
Her slender fingers, hanging on each side
With many joynts, the use of legs supply'd:
A spider's bag the rest, from which she gives
A thread, and still by constant weaving lives.
The Story of Niobe
Swift thro' the Phrygian towns the rumour flies,
And the strange news each female tongue employs:
Niobe, who before she married knew
The famous nymph, now found the story true;
Yet, unreclaim'd by poor Arachne's fate,
Vainly above the Gods assum'd a state.
Her husband's fame, their family's descent,
Their pow'r, and rich dominion's wide extent,
Might well have justify'd a decent pride;
But not on these alone the dame rely'd.
Her lovely progeny, that far excell'd,
The mother's heart with vain ambition swell'd:
The happiest mother not unjustly styl'd,
Had no conceited thoughts her tow'ring fancy fill'd.
For once a prophetess with zeal inspir'd,
Their slow neglect to warm devotion fir'd;
Thro' ev'ry street of Thebes who ran possess'd,
And thus in accents wild her charge express'd:
Haste, haste, ye Theban matrons, and adore,
With hallow'd rites, Latona's mighty pow'r;
And, to the heav'nly twins that from her spring,
With laurel crown'd, your smoaking incense bring.
Strait the great summons ev'ry dame obey'd,
And due submission to the Goddess paid:
Graceful, with laurel chaplets dress'd, they came,
And offer'd incense in the sacred flame.
Mean-while, surrounded with a courtly guard,
The royal Niobe in state appear'd;
Attir'd in robes embroider'd o'er with gold,
And mad with rage, yet lovely to behold:
Her comely tresses, trembling as she stood,
Down her fine neck with easy motion flow'd;
Then, darting round a proud disdainful look,
In haughty tone her hasty passion broke,
And thus began: What madness this, to court
A Goddess, founded meerly on report?
Dare ye a poor pretended Pow'r invoke,
While yet no altars to my godhead smoke?
Mine, whose immediate lineage stands confess'd
From Tantalus, the only mortal guest
That e'er the Gods admitted to their feast.
A sister of the Pleiads gave me birth;
And Atlas, mightiest mountain upon Earth,
Who bears the globe of all the stars above,
My grandsire was, and Atlas sprung from Jove.
The Theban towns my majesty adore,
And neighb'ring Phrygia trembles at my pow'r:
Rais'd by my husband's lute, with turrets crown'd,
Our lofty city stands secur'd around.
Within my court, where-e'er I turn my eyes,
Unbounded treasures to my prospect rise:
With these my face I modestly may name,
As not unworthy of so high a claim;
Seven are my daughters, of a form divine,
With seven fair sons, an indefective line.
Go, fools! consider this; and ask the cause
From which my pride its strong presumption draws;
Consider this; and then prefer to me
Caeus the Titan's vagrant progeny;
To whom, in travel, the whole spacious Earth
No room afforded for her spurious birth.
Not the least part in Earth, in Heav'n, or seas,
Would grant your out-law'd Goddess any ease:
'Till pitying hers, from his own wand'ring case,
Delos, the floating island, gave a place.
There she a mother was, of two at most;
Only the seventh part of what I boast.
My joys all are beyond suspicion fix'd;
With no pollutions of misfortune mix'd;
Safe on the Basis of my pow'r I stand,
Above the reach of Fortune's fickle hand.
Lessen she may my inexhausted store,
And much destroy, yet still must leave me more.
Suppose it possible that some may dye
Of this my num'rous lovely progeny;
Still with Latona I might safely vye.
Who, by her scanty breed, scarce fit to name,
But just escapes the childless woman's shame.
Go then, with speed your laurel'd heads uncrown,
And leave the silly farce you have begun.
The tim'rous throng their sacred rites forbore,
And from their heads the verdant laurel tore;
Their haughty queen they with regret obey'd,
And still in gentle murmurs softly pray'd.
High, on the top of Cynthus' shady mount,
With grief the Goddess saw the base affront;
And, the abuse revolving in her breast,
The mother her twin-offspring thus addrest.
Lo I, my children, who with comfort knew
Your God-like birth, and thence my glory drew;
And thence have claim'd precedency of place
From all but Juno of the heav'nly race,
Must now despair, and languish in disgrace.
My godhead question'd, and all rites divine,
Unless you succour, banish'd from my shrine.
Nay more, the imp of Tantalus has flung
Reflections with her vile paternal tongue;
Has dar'd prefer her mortal breed to mine,
And call'd me childless; which, just fate, may she repine!
When to urge more the Goddess was prepar'd,
Phoebus in haste replies, Too much we've heard,
And ev'ry moment's lost, while vengeance is defer'd.
Diana spoke the same. Then both enshroud
Their heav'nly bodies in a sable cloud;
And to the Theban tow'rs descending light,
Thro' the soft yielding air direct their flight.
Without the wall there lies a champian ground
With even surface, far extending round,
Beaten and level'd, while it daily feels
The trampling horse, and chariot's grinding wheels.
Part of proud Niobe's young rival breed,
Practising there to ride the manag'd steed,
Their bridles boss'd with gold, were mounted high
On stately furniture of Tyrian dye.
Of these, Ismenos, who by birth had been
The first fair issue of the fruitful queen,
Just as he drew the rein to guide his horse,
Around the compass of the circling course,
Sigh'd deeply, and the pangs of smart express'd,
While the shaft stuck, engor'd within his breast:
And, the reins dropping from his dying hand,
He sunk quite down, and tumbled on the sand.
Sipylus next the rattling quiver heard,
And with full speed for his escape prepar'd;
As when the pilot from the black'ning skies
A gath'ring storm of wintry rain descries,
His sails unfurl'd, and crowded all with wind,
He strives to leave the threat'ning cloud behind:
So fled the youth; but an unerring dart
O'ertook him, quick discharg'd, and sped with art;
Fix'd in his neck behind, it trembling stood,
And at his throat display'd the point besmear'd with blood
Prone, as his posture was, he tumbled o'er,
And bath'd his courser's mane with steaming gore.
Next at young Phaedimus they took their aim,
And Tantalus who bore his grandsire's name:
These, when their other exercise was done,
To try the wrestler's oily sport begun;
And, straining ev'ry nerve, their skill express'd
In closest grapple, joining breast to breast:
When from the bending bow an arrow sent,
Joyn'd as they were, thro' both their bodies went:
Both groan'd, and writhing both their limbs with pain,
They fell together bleeding on the plain;
Then both their languid eye-balls faintly roul,
And thus together brea the away their soul.
With grief Alphenor saw their doleful plight,
And smote his breast, and sicken'd at the sight;
Then to their succour ran with eager haste,
And, fondly griev'd, their stiff'ning limbs embrac'd;
But in the action falls: a thrilling dart,
By Phoebus guided, pierc'd him to the heart.
This, as they drew it forth, his midriff tore,
Its barbed point the fleshy fragments bore,
And let the soul gush out in streams of purple gore.
But Damasichthon, by a double wound,
Beardless, and young, lay gasping on the ground.
Fix'd in his sinewy ham, the steely point
Stuck thro' his knee, and pierc'd the nervous joint:
And, as he stoop'd to tug the painful dart,
Another struck him in a vital part;
Shot thro' his wezon, by the wing it hung.
The life-blood forc'd it out, and darting upward sprung,
Ilioneus, the last, with terror stands,
Lifting in pray'r his unavailing hands;
And, ignorant from whom his griefs arise,
Spare me, o all ye heav'nly Pow'rs, he cries:
Phoebus was touch'd too late, the sounding bow
Had sent the shaft, and struck the fatal blow;
Which yet but gently gor'd his tender side,
So by a slight and easy wound he dy'd.
Swift to the mother's ears the rumour came,
And doleful sighs the heavy news proclaim;
With anger and surprize inflam'd by turns,
In furious rage her haughty stomach burns:
First she disputes th' effects of heav'nly pow'r,
Then at their daring boldness wonders more;
For poor Amphion with sore grief distrest,
Hoping to sooth his cares by endless rest,
Had sheath'd a dagger in his wretched breast.
And she, who toss'd her high disdainful head,
When thro' the streets in solemn pomp she led
The throng that from Latona's altar fled,
Assuming state beyond the proudest queen;
Was now the miserablest object seen.
Prostrate among the clay-cold dead she fell,
And kiss'd an undistinguish'd last farewel.
Then her pale arms advancing to the skies,
Cruel Latona! triumph now, she cries.
My grieving soul in bitter anguish drench,
And with my woes your thirsty passion quench;
Feast your black malice at a price thus dear,
While the sore pangs of sev'n such deaths I bear.
Triumph, too cruel rival, and display
Your conqu'ring standard; for you've won the day.
Yet I'll excel; for yet, tho' sev'n are slain,
Superior still in number I remain.
Scarce had she spoke; the bow-string's twanging sound
Was heard, and dealt fresh terrors all around;
Which all, but Niobe alone, confound.
Stunn'd, and obdurate by her load of grief,
Insensible she sits, nor hopes relief.
Before the fun'ral biers, all weeping sad,
Her daughters stood, in vests of sable clad,
When one, surpriz'd, and stung with sudden smart,
In vain attempts to draw the sticking dart:
But to grim death her blooming youth resigns,
And o'er her brother's corpse her dying head reclines.
This, to asswage her mother's anguish tries,
And, silenc'd in the pious action, dies;
Shot by a secret arrow, wing'd with death,
Her fault'ring lips but only gasp'd for breath.
One, on her dying sister, breathes her last;
Vainly in flight another's hopes are plac'd:
This hiding, from her fate a shelter seeks;
That trembling stands, and fills the air with shrieks.
And all in vain; for now all six had found
Their way to death, each by a diff'rent wound.
The last, with eager care the mother veil'd,
Behind her spreading mantle close conceal'd,
And with her body guarded, as a shield.
Only for this, this youngest, I implore,
Grant me this one request, I ask no more;
O grant me this! she passionately cries:
But while she speaks, the destin'd virgin dies.
The Transformation of Niobe
Widow'd, and childless, lamentable state!
A doleful sight, among the dead she sate;
Harden'd with woes, a statue of despair,
To ev'ry breath of wind unmov'd her hair;
Her cheek still red'ning, but its colour dead,
Faded her eyes, and set within her head.
No more her pliant tongue its motion keeps,
But stands congeal'd within her frozen lips.
Stagnate, and dull, within her purple veins,
Its current stop'd, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms, and neck their graceful gestures lose:
Action, and life from ev'ry part are gone,
And ev'n her entrails turn to solid stone;
Yet still she weeps, and whirl'd by stormy winds,
Born thro' the air, her native country finds;
There fix'd, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil.
The Peasants of Lycia transform'd to Frogs
Then all, reclaim'd by this example, show'd
A due regard for each peculiar God:
Both men, and women their devoirs express'd,
And great Latona's awful pow'r confess'd.
Then, tracing instances of older time,
To suit the nature of the present crime,
Thus one begins his tale.- Where Lycia yields
A golden harvest from its fertile fields,
Some churlish peasants, in the days of yore,
Provok'd the Goddess to exert her pow'r.
The thing indeed the meanness of the place
Has made obscure, surprizing as it was;
But I my self once happen'd to behold
This famous lake of which the story's told.
My father then, worn out by length of days,
Nor able to sustain the tedious ways,
Me with a guide had sent the plains to roam,
And drive his well-fed stragling heifers home.
Here, as we saunter'd thro' the verdant meads,
We spy'd a lake o'er-grown with trembling reeds,
Whose wavy tops an op'ning scene disclose,
From which an antique smoaky altar rose.
I, as my susperstitious guide had done,
Stop'd short, and bless'd my self, and then went on;
Yet I enquir'd to whom the altar stood,
Faunus, the Naids, or some native God?
No silvan deity, my friend replies,
Enshrin'd within this hallow'd altar lies.
For this, o youth, to that fam'd Goddess stands,
Whom, at th' imperial Juno's rough commands,
Of ev'ry quarter of the Earth bereav'd,
Delos, the floating isle, at length receiv'd.
Who there, in spite of enemies, brought forth,
Beneath an olive's shade, her great twin-birth.
Hence too she fled the furious stepdame's pow'r,
And in her arms a double godhead bore;
And now the borders of fair Lycia gain'd,
Just when the summer solstice parch'd the land.
With thirst the Goddess languishing, no more
Her empty'd breast would yield its milky store;
When, from below, the smiling valley show'd
A silver lake that in its bottom flow'd:
A sort of clowns were reaping, near the bank,
The bending osier, and the bullrush dank;
The cresse, and water-lilly, fragrant weed,
Whose juicy stalk the liquid fountains feed.
The Goddess came, and kneeling on the brink,
Stoop'd at the fresh repast, prepar'd to drink.
Then thus, being hinder'd by the rabble race,
In accents mild expostulates the case.
Water I only ask, and sure 'tis hard
From Nature's common rights to be debar'd:
This, as the genial sun, and vital air,
Should flow alike to ev'ry creature's share.
Yet still I ask, and as a favour crave,
That which, a publick bounty, Nature gave.
Nor do I seek my weary limbs to drench;
Only, with one cool draught, my thirst I'd quench.
Now from my throat the usual moisture dries,
And ev'n my voice in broken accents dies:
One draught as dear as life I should esteem,
And water, now I thirst, would nectar seem.
Oh! let my little babes your pity move,
And melt your hearts to charitable love;
They (as by chance they did) extend to you
Their little hands, and my request pursue.
Whom would these soft perswasions not subdue,
Tho' the most rustick, and unmanner'd crew?
Yet they the Goddess's request refuse,
And with rude words reproachfully abuse:
Nay more, with spiteful feet the villains trod
O'er the soft bottom of the marshy flood,
And blacken'd all the lake with clouds of rising mud.
Her thirst by indignation was suppress'd;
Bent on revenge, the Goddess stood confess'd.
Her suppliant hands uplifting to the skies,
For a redress, to Heav'n she now applies.
And, May you live, she passionately cry'd,
Doom'd in that pool for ever to abide.
The Goddess has her wish; for now they chuse
To plunge, and dive among the watry ooze;
Sometimes they shew their head above the brim,
And on the glassy surface spread to swim;
Often upon the bank their station take,
Then spring, and leap into the cooly lake.
Still, void of shame, they lead a clam'rous life,
And, croaking, still scold on in endless strife;
Compell'd to live beneath the liquid stream,
Where still they quarrel, and attempt to skream.
Now, from their bloated throat, their voice puts on
Imperfect murmurs in a hoarser tone;
Their noisy jaws, with bawling now grown wide,
An ugly sight! extend on either side:
Their motly back, streak'd with a list of green,
Joyn'd to their head, without a neck is seen;
And, with a belly broad and white, they look
Meer frogs, and still frequent the muddy brook.
The Fate of Marsyas
Scarce had the man this famous story told,
Of vengeance on the Lycians shown of old,
When strait another pictures to their view
The Satyr's fate, whom angry Phoebus slew;
Who, rais'd with high conceit, and puff'd with pride,
At his own pipe the skilful God defy'd.
Why do you tear me from my self, he cries?
Ah cruel! must my skin be made the prize?
This for a silly pipe? he roaring said,
Mean-while the skin from off his limbs was flay'd.
All bare, and raw, one large continu'd wound,
With streams of blood his body bath'd the ground.
The blueish veins their trembling pulse disclos'd,
The stringy nerves lay naked, and expos'd;
His guts appear'd, distinctly each express'd,
With ev'ry shining fibre of his breast.
The Fauns, and Silvans, with the Nymphs that rove
Among the Satyrs in the shady grove;
Olympus, known of old, and ev'ry swain
That fed, or flock, or herd upon the plain,
Bewail'd the loss; and with their tears that flow'd,
A kindly moisture on the earth bestow'd;
That soon, conjoyn'd, and in a body rang'd,
Sprung from the ground, to limpid water chang'd;
Which, down thro' Phrygia's rocks, a mighty stream,
Comes tumbling to the sea, and Marsya is its name.
The Story of Pelops
From these relations strait the people turn
To present truths, and lost Amphion mourn:
The mother most was blam'd, yet some relate
That Pelops pity'd, and bewail'd her fate,
And stript his cloaths, and laid his shoulder bare,
And made the iv'ry miracle appear.
This shoulder, from the first, was form'd of flesh,
As lively as the other, and as fresh;
But, when the youth was by his father slain,
The Gods restor'd his mangled limbs again;
Only that place which joins the neck and arm,
The rest untouch'd, was found to suffer harm:
The loss of which an iv'ry piece sustain'd;
And thus the youth his limbs, and life regain'd.
The Story of Tereus, Procne, and Philomela
To Thebes the neighb'ring princes all repair,
And with condolance the misfortune share.
Each bord'ring state in solemn form address'd,
And each betimes a friendly grief express'd.
Argos, with Sparta's, and Mycenae's towns,
And Calydon, yet free from fierce Diana's frowns.
Corinth for finest brass well fam'd of old,
Orthomenos for men of courage bold:
Cleonae lying in the lowly dale,
And rich Messene with its fertile vale:
Pylos, for Nestor's City after fam'd,
And Troezen, not as yet from Pittheus nam'd.
And those fair cities, which are hem'd around
By double seas within the Isthmian ground;
And those, which farther from the sea-coast stand,
Lodg'd in the bosom of the spacious land.
Who can believe it? Athens was the last:
Tho' for politeness fam'd for ages past.
For a strait siege, which then their walls enclos'd,
Such acts of kind humanity oppos'd:
And thick with ships, from foreign nations bound,
Sea-ward their city lay invested round.
These, with auxiliar forces led from far,
Tereus of Thrace, brave, and inur'd to war,
Had quite defeated, and obtain'd a name,
The warrior's due, among the sons of Fame.
This, with his wealth, and pow'r, and ancient line,
From Mars deriv'd, Pandions's thoughts incline
His daughter Procne with the prince to joyn.
Nor Hymen, nor the Graces here preside,
Nor Juno to befriend the blooming bride;
But Fiends with fun'ral brands the process led,
And Furies waited at the Genial bed:
And all night long the scrieching owl aloof,
With baleful notes, sate brooding o'er the roof.
With such ill Omens was the match begun,
That made them parents of a hopeful son.
Now Thrace congratulates their seeming joy,
And they, in thankful rites, their minds employ.
If the fair queen's espousals pleas'd before,
Itys, the new-born prince, now pleases more;
And each bright day, the birth, and bridal feast,
Were kept with hallow'd pomp above the rest.
So far true happiness may lye conceal'd,
When, by false lights, we fancy 'tis reveal'd!
Now, since their nuptials, had the golden sun
Five courses round his ample zodiac run;
When gentle Procne thus her lord address'd,
And spoke the secret wishes of her breast:
If I, she said, have ever favour found,
Let my petition with success be crown'd:
Let me at Athens my dear sister see,
Or let her come to Thrace, and visit me.
And, lest my father should her absence mourn,
Promise that she shall make a quick return.
With thanks I'd own the obligation due
Only, o Tereus, to the Gods, and you.
Now, ply'd with oar, and sail at his command,
The nimble gallies reach'd th' Athenian land,
And anchor'd in the fam'd Piraean bay,
While Tereus to the palace takes his way;
The king salutes, and ceremonies past,
Begins the fatal embassy at last;
The occasion of his voyage he declares,
And, with his own, his wife's request prefers:
Asks leave that, only for a little space,
Their lovely sister might embark for Thrace.
Thus while he spoke, appear'd the royal maid,
Bright Philomela, splendidly array'd;
But most attractive in her charming face,
And comely person, turn'd with ev'ry grace:
Like those fair Nymphs, that are describ'd to rove
Across the glades, and op'nings of the grove;
Only that these are dress'd for silvan sports,
And less become the finery of courts.
Tereus beheld the virgin, and admir'd,
And with the coals of burning lust was fir'd:
Like crackling stubble, or the summer hay,
When forked lightnings o'er the meadows play.
Such charms in any breast might kindle love,
But him the heats of inbred lewdness move;
To which, tho' Thrace is naturally prone,
Yet his is still superior, and his own.
Strait her attendants he designs to buy,
And with large bribes her governess would try:
Herself with ample gifts resolves to bend,
And his whole kingdom in th' attempt expend:
Or, snatch'd away by force of arms, to bear,
And justify the rape with open war.
The boundless passion boils within his breast,
And his projecting soul admits no rest.
And now, impatient of the least delay,
By pleading Procne's cause, he speeds his way:
The eloquence of love his tongue inspires,
And, in his wife's, he speaks his own desires;
Hence all his importunities arise,
And tears unmanly trickle from his eyes.
Ye Gods! what thick involving darkness blinds
The stupid faculties of mortal minds!
Tereus the credit of good-nature gains
From these his crimes; so well the villain feigns.
And, unsuspecting of his base designs,
In the request fair Philomela joyns;
Her snowy arms her aged sire embrace,
And clasp his neck with an endearing grace:
Only to see her sister she entreats,
A seeming blessing, which a curse compleats.
Tereus surveys her with a luscious eye,
And in his mind forestalls the blissful joy:
Her circling arms a scene of lust inspire,
And ev'ry kiss foments the raging fire.
Fondly he wishes for the father's place,
To feel, and to return the warm embrace;
Since not the nearest ties of filial blood
Would damp his flame, and force him to be good.
At length, for both their sakes, the king agrees;
And Philomela, on her bended knees,
Thanks him for what her fancy calls success,
When cruel fate intends her nothing less.
Now Phoebus, hastning to ambrosial rest,
His fiery steeds drove sloping down the west:
The sculptur'd gold with sparkling wines was fill'd,
And, with rich meats, each chearful table smil'd.
Plenty, and mirth the royal banquet close,
Then all retire to sleep, and sweet repose.
But the lewd monarch, tho' withdrawn apart,
Still feels love's poison rankling in his heart:
Her face divine is stamp'd within his breast,
Fancy imagines, and improves the rest:
And thus, kept waking by intense desire,
He nourishes his own prevailing fire.
Next day the good old king for Tereus sends,
And to his charge the virgin recommends;
His hand with tears th' indulgent father press'd,
Then spoke, and thus with tenderness address'd.
Since the kind instances of pious love,
Do all pretence of obstacle remove;
Since Procne's, and her own, with your request,
O'er-rule the fears of a paternal breast;
With you, dear son, my daughter I entrust,
And by the Gods adjure you to be just;
By truth, and ev'ry consanguineal tye,
To watch, and guard her with a father's eye.
And, since the least delay will tedious prove,
In keeping from my sight the child I love,
With speed return her, kindly to asswage
The tedious troubles of my lingring age.
And you, my Philomel, let it suffice,
To know your sister's banish'd from my eyes;
If any sense of duty sways your mind,
Let me from you the shortest absence find.
He wept; then kiss'd his child; and while he speaks,
The tears fall gently down his aged cheeks.
Next, as a pledge of fealty, he demands,
And, with a solemn charge, conjoyns their hands;
Then to his daughter, and his grandson sends,
And by their mouth a blessing recommends;
While, in a voice with dire forebodings broke,
Sobbing, and faint, the last farewel was spoke.
Now Philomela, scarce receiv'd on board,
And in the royal gilded bark secur'd,
Beheld the dashes of the bending oar,
The ruffled sea, and the receding shore;
When strait (his joy impatient of disguise)
We've gain'd our point, the rough Barbarian cries;
Now I possess the dear, the blissful hour,
And ev'ry wish subjected to my pow'r.
Transports of lust his vicious thoughts employ,
And he forbears, with pain, th' expected joy.
His gloting eyes incessantly survey'd
The virgin beauties of the lovely maid:
As when the bold rapacious bird of Jove,
With crooked talons stooping from above,
Has snatcht, and carry'd to his lofty nest
A captive hare, with cruel gripes opprest;
Secure, with fix'd, and unrelenting eyes,
He sits, and views the helpless, trembling prize.
Their vessels now had made th' intended land,
And all with joy descend upon the strand;
When the false tyrant seiz'd the princely maid,
And to a lodge in distant woods convey'd;
Pale, sinking, and distress'd with jealous fears,
And asking for her sister all in tears.
The letcher, for enjoyment fully bent,
No longer now conceal'd his base intent;
But with rude haste the bloomy girl deflow'r'd,
Tender, defenceless, and with ease o'erpower'd.
Her piercing accents to her sire complain,
And to her absent sister, but in vain:
In vain she importunes, with doleful cries,
Each unattentive godhead of the skies.
She pants and trembles, like the bleating prey,
From some close-hunted wolf just snatch'd away;
That still, with fearful horror, looks around,
And on its flank regards the bleeding wound.
Or, as the tim'rous dove, the danger o'er,
Beholds her shining plumes besmear'd with gore,
And, tho' deliver'd from the faulcon's claw,
Yet shivers, and retains a secret awe.
But when her mind a calm reflection shar'd,
And all her scatter'd spirits were repair'd:
Torn, and disorder'd while her tresses hung,
Her livid hands, like one that mourn'd, she wrung;
Then thus, with grief o'erwhelm'd her languid eyes,
Savage, inhumane, cruel wretch! she cries;
Whom not a parent's strict commands could move,
Tho' charg'd, and utter'd with the tears of love;
Nor virgin innocence, nor all that's due
To the strong contract of the nuptial vow:
Virtue, by this, in wild confusion's laid,
And I compell'd to wrong my sister's bed;
Whilst you, regardless of your marriage oath,
With stains of incest have defil'd us both.
Tho' I deserv'd some punishment to find,
This was, ye Gods! too cruel, and unkind.
Yet, villain, to compleat your horrid guilt,
Stab here, and let my tainted blood be spilt.
Oh happy! had it come, before I knew
The curs'd embrace of vile perfidious you;
Then my pale ghost, pure from incestuous love,
Had wander'd spotless thro' th' Elysian grove.
But, if the Gods above have pow'r to know,
And judge those actions that are done below;
Unless the dreaded thunders of the sky,
Like me, subdu'd, and violated lye;
Still my revenge shall take its proper time,
And suit the baseness of your hellish crime.
My self, abandon'd, and devoid of shame,
Thro' the wide world your actions will proclaim;
Or tho' I'm prison'd in this lonely den,
Obscur'd, and bury'd from the sight of men,
My mournful voice the pitying rocks shall move,
And my complainings eccho thro' the grove.
Hear me, o Heav'n! and, if a God be there,
Let him regard me, and accept my pray'r.
Struck with these words, the tyrant's guilty breast
With fear, and anger, was, by turns, possest;
Now, with remorse his conscience deeply stung,
He drew the faulchion that beside her hung,
And first her tender arms behind her bound,
Then drag'd her by the hair along the ground.
The princess willingly her throat reclin'd,
And view'd the steel with a contented mind;
But soon her tongue the girding pinchers strain,
With anguish, soon she feels the piercing pain:
Oh father! father! would fain have spoke,
But the sharp torture her intention broke;
In vain she tries, for now the blade has cut
Her tongue sheer off, close to the trembling root.
The mangled part still quiver'd on the ground,
Murmuring with a faint imperfect sound:
And, as a serpent writhes his wounded train,
Uneasy, panting, and possess'd with pain;
The piece, while life remain'd, still trembled fast,
And to its mistress pointed to the last.
Yet, after this so damn'd, and black a deed,
Fame (which I scarce can credit) has agreed,
That on her rifled charms, still void of shame,
He frequently indulg'd his lustful flame,
At last he ventures to his Procne's sight,
Loaded with guilt, and cloy'd with long delight;
There, with feign'd grief, and false, dissembled sighs,
Begins a formal narrative of lies;
Her sister's death he artfully declares,
Then weeps, and raises credit from his tears.
Her vest, with flow'rs of gold embroider'd o'er,
With grief distress'd, the mournful matron tore,
And a beseeming suit of gloomy sable wore.
With cost, an honorary tomb she rais'd,
And thus th' imaginary ghost appeas'd.
Deluded queen! the fate of her you love,
Nor grief, nor pity, but revenge should move.
Thro' the twelve signs had pass'd the circling sun,
And round the compass of the Zodiac run;
What must unhappy Philomela do,
For ever subject to her keeper's view?
Huge walls of massy stone the lodge surround,
From her own mouth no way of speaking's found.
But all our wants by wit may be supply'd,
And art makes up, what fortune has deny'd:
With skill exact a Phrygian web she strung,
Fix'd to a loom that in her chamber hung,
Where in-wrought letters, upon white display'd,
In purple notes, her wretched case betray'd:
The piece, when finish'd, secretly she gave
Into the charge of one poor menial slave;
And then, with gestures, made him understand,
It must be safe convey'd to Procne's hand.
The slave, with speed, the queen's apartment sought,
And render'd up his charge, unknowing what he brought.
But when the cyphers, figur'd in each fold,
Her sister's melancholy story told
(Strange that she could!) with silence, she survey'd
The tragick piece, and without weeping read:
In such tumultuous haste her passions sprung,
They choak'd her voice, and quite disarm'd her tongue.
No room for female tears; the Furies rise,
Darting vindictive glances from her eyes;
And, stung with rage, she bounds from place to place,
While stern revenge sits low'ring in her face.
Now the triennial celebration came,
Observ'd to Bacchus by each Thracian dame;
When, in the privacies of night retir'd,
They act his rites, with sacred rapture fir'd:
By night, the tinkling cymbals ring around,
While the shrill notes from Rhodope resound;
By night, the queen, disguis'd, forsakes the court,
To mingle in the festival resort.
Leaves of the curling vine her temples shade,
And, with a circling wreath, adorn her head:
Adown her back the stag's rough spoils appear,
Light on her shoulder leans a cornel spear.
Thus, in the fury of the God conceal'd,
Procne her own mad headstrong passion veil'd;
Now, with her gang, to the thick wood she flies,
And with religious yellings fills the skies;
The fatal lodge, as 'twere by chance, she seeks,
And, thro' the bolted doors, an entrance breaks;
From thence, her sister snatching by the hand,
Mask'd like the ranting Bacchanalian band,
Within the limits of the court she drew,
Shading, with ivy green, her outward hue.
But Philomela, conscious of the place,
Felt new reviving pangs of her disgrace;
A shiv'ring cold prevail'd in ev'ry part,
And the chill'd blood ran trembling to her heart.
Soon as the queen a fit retirement found,
Stript of the garlands that her temples crown'd,
She strait unveil'd her blushing sister's face,
And fondly clasp'd her with a close embrace:
But, in confusion lost, th' unhappy maid,
With shame dejected, hung her drooping head,
As guilty of a crime that stain'd her sister's bed.
That speech, that should her injur'd virtue clear,
And make her spotless innocence appear,
Is now no more; only her hands, and eyes
Appeal, in signals, to the conscious skies.
In Procne's breast the rising passions boil,
And burst in anger with a mad recoil;
Her sister's ill-tim'd grief, with scorn, she blames,
Then, in these furious words her rage proclaims.
Tears, unavailing, but defer our time,
The stabbing sword must expiate the crime;
Or worse, if wit, on bloody vengeance bent,
A weapon more tormenting can invent.
O sister! I've prepar'd my stubborn heart,
To act some hellish, and unheard-of part;
Either the palace to surround with fire,
And see the villain in the flames expire;
Or, with a knife, dig out his cursed eyes,
Or, his false tongue with racking engines seize;
Or, cut away the part that injur'd you,
And, thro' a thousand wounds, his guilty soul pursue.
Tortures enough my passion has design'd,
But the variety distracts my mind.
A-while, thus wav'ring, stood the furious dame,
When Itys fondling to his mother came;
From him the cruel fatal hint she took,
She view'd him with a stern remorseless look:
Ah! but too like thy wicked sire, she said,
Forming the direful purpose in her head.
At this a sullen grief her voice supprest,
While silent passions struggle in her breast.
Now, at her lap arriv'd, the flatt'ring boy
Salutes his parent with a smiling joy:
About her neck his little arms are thrown,
And he accosts her in a pratling tone.
Then her tempestuous anger was allay'd,
And in its full career her vengeance stay'd;
While tender thoughts, in spite of passion, rise,
And melting tears disarm her threat'ning eyes.
But when she found the mother's easy heart,
Too fondly swerving from th' intended part;
Her injur'd sister's face again she view'd:
And, as by turns surveying both she stood,
While this fond boy (she said) can thus express
The moving accents of his fond address;
Why stands my sister of her tongue bereft,
Forlorn, and sad, in speechless silence left?
O Procne, see the fortune of your house!
Such is your fate, when match'd to such a spouse!
Conjugal duty, if observ'd to him,
Would change from virtue, and become a crime;
For all respect to Tereus must debase
The noble blood of great Pandion's race.
Strait at these words, with big resentment fill'd,
Furious her look, she flew, and seiz'd her child;
Like a fell tigress of the savage kind,
That drags the tender suckling of the hind
Thro' India's gloomy groves, where Ganges laves
The shady scene, and rouls his streamy waves.
Now to a close apartment they were come,
Far off retir'd within the spacious dome;
When Procne, on revengeful mischief bent,
Home to his heart a piercing ponyard sent.
Itys, with rueful cries, but all too late,
Holds out his hands, and deprecates his fate;
Still at his mother's neck he fondly aims,
And strives to melt her with endearing names;
Yet still the cruel mother perseveres,
Nor with concern his bitter anguish hears.
This might suffice; but Philomela too
Across his throat a shining curtlass drew.
Then both, with knives, dissect each quiv'ring part,
And carve the butcher'd limbs with cruel art;
Which, whelm'd in boiling cauldrons o'er the fire,
Or turn'd on spits, in steamy smoak aspire:
While the long entries, with their slipp'ry floor,
Run down in purple streams of clotted gore.
Ask'd by his wife to this inhuman feast,
Tereus unknowingly is made a guest:
Whilst she her plot the better to disguise,
Styles it some unknown mystick sacrifice;
And such the nature of the hallow'd rite,
The wife her husb and only could invite,
The slaves must all withdraw, and be debarr'd the sight.
Tereus, upon a throne of antique state,
Loftily rais'd, before the banquet sate;
And glutton like, luxuriously pleas'd,
With his own flesh his hungry maw appeas'd.
Nay, such a blindness o'er his senses falls,
That he for Itys to the table calls.
When Procne, now impatient to disclose
The joy that from her full revenge arose,
Cries out, in transports of a cruel mind,
Within your self your Itys you may find.
Still, at this puzzling answer, with surprise,
Around the room he sends his curious eyes;
And, as he still inquir'd, and call'd aloud,
Fierce Philomela, all besmear'd with blood,
Her hands with murder stain'd, her spreading hair
Hanging dishevel'd with a ghastly air,
Stept forth, and flung full in the tyrant's face
The head of Itys, goary as it was:
Nor ever so much to use her tongue,
And with a just reproach to vindicate her wrong.
The Thracian monarch from the table flings,
While with his cries the vaulted parlour rings;
His imprecations eccho down to Hell,
And rouze the snaky Furies from their Stygian cell.
One while he labours to disgorge his breast,
And free his stomach from the cursed feast;
Then, weeping o'er his lamentable doom,
He styles himself his son's sepulchral tomb.
Now, with drawn sabre, and impetuous speed,
In close pursuit he drives Pandion's breed;
Whose nimble feet spring with so swift a force
Across the fields, they seem to wing their course.
And now, on real wings themselves they raise,
And steer their airy flight by diff'rent ways;
One to the woodland's shady covert hies,
Around the smoaky roof the other flies;
Whose feathers yet the marks of murder stain,
Where stampt upon her breast, the crimson spots remain.
Tereus, through grief, and haste to be reveng'd,
Shares the like fate, and to a bird is chang'd:
Fix'd on his head, the crested plumes appear,
Long is his beak, and sharpen'd like a spear;
Thus arm'd, his looks his inward mind display,
And, to a lapwing turn'd, he fans his way.
Exceeding trouble, for his children's fate,
Shorten'd Pandion's days, and chang'd his date;
Down to the shades below, with sorrow spent,
An earlier, unexpected ghost he went.
Boreas in Love
Erechtheus next th' Athenian sceptre sway'd,
Whose rule the state with joynt consent obey'd;
So mix'd his justice with his valour flow'd,
His reign one scene of princely goodness shew'd.
Four hopeful youths, as many females bright,
Sprung from his loyns, and sooth'd him with delight.
Two of these sisters, of a lovelier air,
Excell'd the rest, tho' all the rest were fair.
Procris, to Cephalus in wedlock ty'd,
Bless'd the young silvan with a blooming bride:
For Orithyia Boreas suffer'd pain,
For the coy maid sued long, but sued in vain;
Tereus his neighbour, and his Thracian blood,
Against the match a main objection stood;
Which made his vows, and all his suppliant love,
Empty as air and ineffectual prove.
But when he found his soothing flatt'ries fail,
Nor saw his soft addresses cou'd avail;
Blust'ring with ire, he quickly has recourse
To rougher arts, and his own native force.
'Tis well, he said; such usage is my due,
When thus disguis'd by foreign ways I sue;
When my stern airs, and fierceness I disclaim,
And sigh for love, ridiculously tame;
When soft addresses foolishly I try,
Nor my own stronger remedies apply.
By force and violence I chiefly live,
By them the lowring stormy tempests drive;
In foaming billows raise the hoary deep,
Wri the knotted oaks, and sandy desarts sweep;
Congeal the falling flakes of fleecy snow,
And bruise, with ratling hall, the plains below.
I, and my brother-winds, when joyn'd above,
Thro' the waste champian of the skies we rove,
With such a boist'rous full career engage,
That Heav'n's whole concave thunders at our rage.
While, struck from nitrous clouds, fierce lightnings play,
Dart thro' the storm, and gild the gloomy day.
Or when, in subterraneous caverns pent,
My breath, against the hollow Earth, is bent,
The quaking world above, and ghosts below,
My mighty pow'r, by dear experience, know,
Tremble with fear, and dread the fatal blow.
This is the only cure to be apply'd,
Thus to Erechtheus I should be ally'd;
And thus the scornful virgin should be woo'd,
Not by intreaty, but by force subdu'd.
Boreas, in passion, spoke these huffing things,
And, as he spoke, he shook his dreadful wings;
At which, afar the shiv'ring sea was fan'd,
And the wide surface of the distant land:
His dusty mantle o'er the hills he drew,
And swept the lowly vallies, as he flew;
Then, with his yellow wings, embrac'd the maid,
And, wrapt in dusky clouds, far off convey'd.
The sparkling blaze of Love's prevailing fire
Shone brighter as he flew, and flam'd the higher.
And now the God, possess'd of his delight,
To northern Thrace pursu'd his airy flight,
Where the young ravish'd nymph became his bride,
And soon the luscious sweets of wedlock try'd.
Two lovely twins, th' effect of this embrace,
Crown their soft labours, and their nuptials grace;
Who, like their mother, beautiful, and fair,
Their father's strength, and feather'd pinions share:
Yet these, at first, were wanting, as 'tis said,
And after, as they grew, their shoulders spread.
Zethes and Calais, the pretty twins,
Remain'd unfledg'd, while smooth their beardless chins;
But when, in time, the budding silver down
Shaded their face, and on their cheeks was grown,
Two sprouting wings upon their shoulders sprung,
Like those in birds, that veil the callow young.
Then as their age advanc'd, and they began
From greener youth to ripen into man,
With Jason's Argonauts they cross'd the seas,
Embark'd in quest of the fam'd golden fleece;
There, with the rest, the first frail vessel try'd,
And boldly ventur'd on the swelling tide.
----------------------------------------------------------------------
~ Ovid, BOOK THE SIXTH
,#NFDB
1440:The Witch Of Hebron
A Rabbinical Legend
Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.
But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.
Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
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Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance
Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.
The page led on, the rabbi following close,
And reached a still and distant chamber, where
In more than orient pomp, and dazzling all
The else-unrivalled splendour of the rest,
A queenly woman lay; so beautiful,
That though upon her moon-bright visage, pain
And langour like eclipsing shadows gloomed,
The rabbi’s aged heart with tremor thrilled;
Then o’er her face a hectic colour passed,
Only to leave that pallor which portends
The nearness of the tomb.
From youth to age
The rabbi Joseph still had sought in herbs
And minerals the virtues they possess,
And now of his medicaments he chose
What seemed most needful in her sore estate;
“Alas, not these,” the dying woman said,
“A malady like mine thou canst not cure,
’Tis fatal as the funeral march of Time!
But that I might at length discharge my mind
Of a dread secret, that hath been to me
An ever-haunting and most ghostly fear,
Darkening my whole life like an ominous cloud
And which must end it ere the morning come,
Therefore did I entreat thy presence here.”
The rabbi answered, “If indeed it stand
Within my power to serve thee, speak at once
223
All that thy heart would say. But if ’tis vain,
If this thy sin hath any mortal taint,
Forbear, O woman, to acquaint my soul
With aught that could thenceforth with horror chase
The memory of a man of Israel.”
“I am,” she said “the daughter of thy friend
Rabbi Ben Bachai—be his memory blest!
Once at thy side a laughing child I played;
I married with an Arab Prince, a man
Of lofty lineage, one of Ishmael’s race;
Not great in gear. Behold’st thou this abode?
Did ever yet the tent-born Arab build
Thus for his pride or pleasure? See’st thou
These riches? An no! Such were ne’er amassed
By the grey desert’s wild and wandering son;
Deadly the game by which I won them all!
And with a burning bitterness at best
Have I enjoyed them! And how gladly now
Would I, too late, forego them all, to mend
My broken peace with a repentant heed
In abject poverty!”
She ceased, and lay
Calm in her loveliness, with dreamy looks
Roaming, perhaps, in thought the fateful past;
Then suddenly her beauteous countenance grew
Bedimm’d and drear, then dark with mortal pangs,
While fierce convulsions shook her tortured frame,
And from her foaming lips such words o’erran,
That rabbi Joseph sank upon his knees,
And bowed his head a space in horror down
While ardent, pitying prayers for her great woe
Rose from his soul; when, lo! The woman’s face
Was cloudless as a summer heaven! The late
Dark brow was bright, the late pale cheek suffused
With roseate bloom; and, wondrous more than all,
Here weary eyes were changed to splendours now
That shot electric influence, and her lips
Were full and crimson, curled with stormy pride.
The doubting rabbi stood in wild amaze
To see the dying woman bold and fierce
224
In bright audacity of passion’s power.
“These are the common changes,” then she said,
“Of the fell ailment, that with torments strange,
Which search my deepest life, is tearing up
The dark foundations of my mortal state,
And sinking all its structures, hour by hour,
Into the dust of death. For nothing now
Is left me but to meet my nearing doom
As best I may in silent suffering.”
Then as he heard her words and saw her face,
The rabbi in his wisdom knew some strong
Indwelling evil spirit troubled her,
And straighway for an unction sent, wherewith
The famous ancestor whose name he bore,
Herod the Great’s chief hakim, had expelled
The daemon haunter of the dying king.
With this he touched her forehead and her eyes
And all her finger-tips. Forthwith he made
Within a consecrated crucible
A fire of citron-wood and cinnamon;
Then splashed the flames with incense, mingling all
With the strong influence of fervent prayer;
And, as the smoke arose, he bowed her head
Into its coils, that so she might inhale
Its salutary odour—till the fiend
That dwelt within her should be exorcised.
Her face once more grew pale with pain; she writhed
In burning torment, uttering many words
Of most unhallowed meaning! Yet her eyes
Were fixed the while, and motionless her lips!
Whereby the rabbi certainly perceived
’Twas not the woman of herself that spake,
But the dread spirit that possessed her soul,
And thus it cried aloud.
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Part II.
“WHY am I here, in this my last resort,
Perturbed with incense and anointings? Why
Compelled to listen to the sound of prayers
That smite me through as with the fire of God?
O pain, pain, pain! Is not this chamber full
Of the implacable stern punishers?
Full of avenging angels, holding each
A scourge of thunder in his potent hand,
Ready to lighten forth! And then, thus armed,
For ever chase and wound us as we fly!
Nor end with this—but, in each wound they make,
Pour venom sweltered from that tree As-gard,
Whose deadly shadow in its blackness falls
Over the lake of everlasting doom!
“Five hundred years ago, I, who thus speak,
Was an Egyptian of the splendid court
Of Ptolemy Philadelphus. To the top
Of mountainous power, though roughened with unrest,
And girt with dangers as with thunder-clouds,
Had I resolved by all resorts to climb;
By truth and falsehood, right and wrong alike;
And I did climb! Then firmly built in power
Second alone to my imperial lord’s,
I crowned with its impunity my lust
Of beauty, sowing broadcast everywhere
Such sensual baits wide round me, as should lure
Through pleasure, or through interest entrap,
The fairest daughters of the land, and lo!
Their lustrous eyes surcharged with passionate light
The chambers of my harem! But at length
Wearied of these, though sweet, I set my heart
On riches, heaped to such a fabulous sum
As never one man’s hoard in all the world
Might match; and to acquire them, steeped my life
In every public, every private wrong,
In lies, frauds, secret murders; till at last
A favoured minion I had trusted most,
And highest raised, unveiled before the king
The dark abysmal badness of my life;
But dearly did he rue it; nor till then
Guessed I how deadly grateful was revenge!
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I stole into his chamber as he slept,
And with a sword, whose double edge for hours
I had whetted for the purpose of the deed,
There staked him through the midriff to his bed.
I fled; but first I sent, as oft before,
A present to the household of the man
Who had in secret my betrayer bribed.
Twas scented wine, and rich Damascus cakes;
On these he feasted, and fell sudden down,
Rolling and panting in his dying pangs,
A poisoned desert dog!
“But I had fled.
A swift ship bore me, which my forecast long
Had kept prepared against such need as this.
Over the waves three days she proudly rode;
Then came a mighty storm, and trampled all
Her masted bravery flat, and still drove on
The wave-swept ruin towards a reefy shore!
Meanwhile amongst the terror-stricken crew
An ominous murmur went from mouth to mouth;
They grouped themselves in councils, and, ere long,
Grew loud and furious with surmises wild,
And maniac menaces, all aimed at me!
My fugitive head it was at which so loud
The thunder bellowed! The wild-shrieking winds
And roaring waters held in vengeful chase
Me only! Me! Whose signal crimes alone
Had brought on us this anger of the gods!
And thus reproaching me with glaring eyes,
They would have seized and slain me, but I sprang
Back from amongst them, and, outstriking, stabbed
With sudden blow their leader to the heart;
Then, with my poniard scaring off the rest,
Leaped from the deck, and swimming reached the shore,
From which, in savage triumph, I beheld
The battered ship, with all her howling crew,
Heel, and go down, amid the whelming waves.
“Inland my course now lay for many days,
O’er barren hills and glens, whose herbless scopes
Never grew luminous with a water gleam,
227
Or heard the pleasant bubble of a brook,
For vast around the Afric desert stretched.
Starving and sun-scorched and afire with thirst,
I wandered ever on, until I came
To where, amid the dun and level waste,
In frightful loneliness, a mouldered group
Of ancient tombs stood ghostly. Here at last,
Utterly spent, in my despair I lay
Down on the burning sand, to gasp and die!
When from among the stones a withered man,
Old-seeming as the desert where he lived,
Came and stood by me, saying ‘get thee up!
Not much have I to give, but these at least
I offer to thy need, water and bread.’
“Then I arose and followed to his cell,—
A dismal cell, that seemed itself a tomb,
So lightless was it, and so foul with damp,
And at its entrance there were skulls and bones.
Long and deep drank I of the hermit’s draught,
And munched full greedily the hermit’s bread;
But with the strength which thence my frame derived,
Fierce rage devoured me, and I cursed my fate!
Whereat the withered creature laughed in scorn,
And mocked me with the malice of his eyes,
That sometimes, like a snake’s, shrank small, and then
Enlarging blazed as with infernal fire!
Then, on a sudden, with an oath that seemed
To wake a stir in the grey musty tombs,
As if their silence shuddered, he averred
That he could life me once more to the height
Of all my wishes—nay, even higher, but
On one condition only. Dared I swear,
By the dread angel of the second death,
I would be wholly his, both body and soul,
After a hundred years?
“Why should I not?
I answered, quivering with a stormy haste,
A rampart unreluctance! For so great
Was still my fury against all mankind,
And my desire of pomp and riches yet
228
So monstrous, that I felt I could have drunk
Blood, fire, or worse, to wear again the power
That fortune, working through my enemies’ hands,
Had stript away from me. So, word by word,
I swore the oath as he repeated it;
Nor much it moved me, in my eagerness,
To feel a damp and earthy odour break
Out of each tomb, from which there darkling rose
At every word a hissing as of snakes;
And yet the fell of hair upon my scalp
Rose bristling under a cold creeping thrill:
But I failed not, I swore the dread oath through,
And then the tombs grew silent as their dead.
But through my veins a feeling of strong youth
Coursed bold along, and summered in my heart,
Till there before him in my pride I stood
In stately strength, and swift as is the wind,
Magnificant as a desert-nurtured steed
Of princeliest pedigree, with nostrils wide
Dilated, and with eyes effusing flame.
‘Begone,’ he said, ’and live thy hundred years
Of splendour, power, pleasure, ease.’ His voice
Sighed off into the distance. He was gone:
Only a single raven, far aloft,
Was beating outwards with its sable wings;
The tombs had vanished, and the desert grey
Merged its whole circle with the bending sky.
--------------------------------------------------------------------------------
Part III.
“OUT of these wilds to Egypt I returned:
Men thought that I had perished with the ship,
And no one knew me now, because my face
And form were greatly changed,—from passing fair
To fairer yet; from manly, to a pile
So nobly built, that in all eyes I seemed
Beauteous as Thammuz! And my heart was changed;
Ambition wilder than a leopard’s thirst
229
For blood of roe, or flying hart, possessed
My spirit, like the madness of a god!
But this I yet even in its fiercest strain
Could curb and guide with sovereign strength of will.
From small beginnings onward still I worked,
Stepping as up a stair from rival head
To rival head,—from high to higher still,
Unto the loftiest post that might be held
Under the Ptolemies; and meantime paid
Each old unsettled score, defeating those
Who erst had worked against me, sweeping them
Out of all posts, all places; for though time
And change had wide dispersed them through the land,
The sleuth-hounds of my vengeance found them out!
Which things not being in a corner done,
What wonder was it that all Egypt now,
From end to end, even like a shaken hive,
Buzzed as disturbed with my portentous fame?
“And what to me were secret enemies?
Had I not also spies, who could pin down
A whisper in the dark and keep it there?
Could dash a covert frown by the same means
An open charge had challenged? Hence my name
Became a sound that struck through every heart
Ineffable dismay! And yet behold
There more I trampled on mankind, the more
Did fawning flatterers praise me as I swept
Like a magnificant meteor through the land!
The more I hurled the mighty from their seats,
And triumphed o’er them prostrate in the dust,
The human hounds that licked my master hand
But multiplied the more! And still I strode
From bad to worse, corrupting as I went,
Making the lowly ones more abject yet;
Awing as with a thunder-bearing hand
The high and affluent; while I bound the strong
To basest service, even with chains of gold.
All hated, cursed and feared me, for in vain
Daggers were levelled at my brazen heart—
They glanced, and slew some minion at my side
Poison was harmless as a heifer’s milk
When I had sipped it with my lips of scorn;
230
All that paraded pomp and smiling power
Could draw against me from the envious hearts
Of men in will as wicked as myself
I challenged, I encountered, and o’erthrew!
“But, after many years, exhaustion sere
Spread through the branches of my tree of life;
My forces flagged, my senses more and more
Were blunted, and incapable of joy;
The splendours of my rank availed me not;
A poverty as naked as a slave’s
Peered from them mockingly. The pride of power
That glowed so strong within me in my youth
Was now like something dying at my heart.
To cheat or stimulate my jaded taste,
Feasts, choice or sumptuous, were devised in vain;
there was disfavour, there was fraud within,
Like that which filled the fair-appearing rind
Of those delusive apples that of old
Grew on the Dead Sea shore.
“And yet, though thus
All that gave pleasure to my younger life
Was withering from my path like summer grass,
I still had one intense sensation, which
Grew ever keener as my years increased—
A hatred of mankind; to pamper which
I gloated, with a burning in my soul,
Over their degradation; and like one
Merry with wine, I revelled day by day
In scattering baits that should corrupt them more:
The covetous I sharpened into thieves,
Urged the vindictive, hardened the malign,
Whetted the ruffian with self-interest,
And flung him then, a burning brand, abroad.
And the decadence of the state in which
My fortunes had recast me, served me well.
Excess reeled shameless in the court itself,
Or, staggering thence, was rivalled by the wild
Mad looseness of the crowd. Down to its death
The old Greek dynasty was sinking fast;
Waste and pale want, extortion, meanness, fraud—
231
These, welling outwards from the throne itself,
Spread through the land.
“But now there seized my soul
A new ambition—from his feeble throne
To hurl the king, and mount thereon myself!
To this end still I lured him into ill,
And daily wove around him cunning snares,
That reached and trammelled too his fawning court;
And all went well, the end at last was near,
But in my triumph one thing I forgot—
My name was measured. At a banquet held
In the king’s chamber, lo! A guest appeared,
Chief of a Bactrian tribe, who tendered gold
To pay for some great wrong his desert horde
Had done our caravans; his age, men said,
Was wonderful; his craft more wondrous still;
For this his fame had spread through many lands,
And the dark seekers of forbidden lore
Knew his decrepit wretch to be their lord.
“The first glance that I met of his weird eye
Had sent into my soul a fearful doubt
That I had seen that cramp-shrunk withered form
And strange bright eye in some forgotten past.
But at the dry croak of his raven voice
Remembrance wok; I knew that I beheld
The old man of the tombs: I saw, and fell
Into the outer darkness of despair.
The day that was to close my dread account
Was come at last. The long triumphant feast
Of life had ended in a funeral treat.
I was to die—to suffer with the damned
The hideous torments of the second death!
The days, weeks, months of a whole hundred years
Seemed crushed into a thought, and burning out
In that brief period which was left me now.
“Stung with fierce horror, shame, and hate I fled;
I seized my sword, to plunge its ready point
Into my maddened heart, but on my arm
I felt a strong forbidding grasp! I turned;
232
The withered visage of the Bactrian met
My loathing eyes; I struggled to be free
From the shrunk wretch in vain; his spidery hands
Were strong as fetters of Ephesian brass,
And all my strength, though now with madness strung,
Was as a child’s to his. He calmly smiled:
‘Forbear, thou fool! Am I not Sammael?
Whom to resist is vain, and from whom yet
Has never mercy flowed; for what to me
Are feelings which thou knowest even in men
Are found the most in fools. But wide around
A prince of lies I reign. ’Tis I that fill
the Persian palaces with lust and wrong,
Till like the darkling heads of sewers they flow
With a corruption that in fretting thence
Taints all the region round with rankest ill;
’Tis I that clot the Bactrian sand with blood;
And now I come to fling the brands of war
Through all this people, this most ill-mixed mob,
Where Afric’s savage hordes meet treacherous Greeks,
And swarming Asia’s luxury-wasted sons.
This land throughout shall be a deluge soon
Of blood and fire, till ruin stalk alone,
A grisly spectre, in its grass-grown marts.’
The fiery eyes within his withered face
Glowed like live coals, as he triumphant spake,
And his strange voice, erewhile so thin and dry,
Came as if bellowed from the vaults of doom.
Prone fell I, powerless to move or speak;
And now he was about to plunge me down
Ten thousand times ten thousand fathoms deep
Through the earth’s crust, and through the slimy beds
Of nether ocean—down! Still down, below
The darkling roots of all this upper world
Into the regions of the courts of hell!
“To stamp me downward to the convict dead
His heel was raised, when suddenly I heard
Him heave a groan of superhuman pain,
So deep twas drawn! And as he groaned, I saw
A mighty downburst of celestial light
233
Enwrap his shrivelled form from head to foot,
As with a robe within whose venomous folds
He writhed in torment. Then above him stood
A shining shape, unspeakably sublime,
And gazed upon him! One of the high sons
Of Paradise, who still keep watch and ward
O’er Israel’s progeny, where’er dispersed;
And now they fought for me with arms that filled
The air wide round with flashes and swift gleams
Of dazzling light; full soon the Evil One
Fell conquered. Then forth sprang he from the ground
And with dark curses wrapped him in a cloud
That moved aloft, low thundering as it went.
“And then the shining son of paradise
Came where I lay and spoke, his glorious face
Severe with wrath, and yet divinely fair—
‘O Child of Guilt! Should vengeance not be wrought
On thee as well? On Sammael’s willing slave?’
I clasped his radiant knees—I wept—I groaned—
I beat my bosom in my wild distress.
At last the sacred Presence, who had held
The blow suspended still, spoke thus: ‘Thou’rt spared;
From no weak pity, but because thou art
Descended from the line of Israel:
For that cause spared;—yet must thou at my hand
Find some meet punishment.’ And as he spake,
He laid his hand with a life-crushing weight
Upon my forehead—and I fell, as dead!
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Part IV.
“AWAKING as from sleep, I bounded up,
Stung with a feeling of enormous strength,
Though yet half wild with horror. Onward then
Ramping I went, out through the palace gates,
Down the long streets, and into the highways,
Forth to the wilds, amazed at my own speed!
234
And now afar, in long-drawn line appeared
A caravan upon its outward way
Over the desert of Pentapolis.
And strange the instinct seemed that urged me then
to rush amongst them—and devour: for I
Was fierce with hunger, and inflamed with thirst.
“Amidst a laggard company I leaped
That rested yet beside a cooling spring;
One of those clear springs that, like giant pearls,
Inlay the burning borders of the grey
Enormous desert. All at once they rose!
Some fled, some threw themselves amongst the brakes,
Some seized their swords and lances; this to see
Filled me at once with a mysterious rage
And savage joy! The sternness of their looks,
Their fearful cries, the gleaming of their spears
Seemed to insult me, and I rushed on them.
Then sudden spasms of pain searched deep my side,
Wherein a fell lance quivered. On I rushed;
I roared a roar that startled e’en myself,
So loud and hoarse and terrible its tone,
Then bounding, irresistible it seemed
As some huge fragment from a crag dislodged,
Against the puny wretch that sent the lance,
Instantly tore him, as he were a kid,
All into gory shreds! The others fled
At sight of this, nor would I chase them then,
All wearied by my flight. Besides, the well
Was gleaming in its coolness by me there.
“And as I stooped to quench my parching thirst,
Behold, reversed within the water clear,
The semblance of a monstrous lion stood!
I saw his shaggy mane, I saw his red
And glaring eyeballs rolling in amaze,
His rough and grinning lips, his long sharp fangs
All foul with gore and hung with strings of flesh!
I shrank away in horrible dismay.
But as the sun each moment fiercer grew,
I soon returned to stoop and slake my thirst.
Again was that tremendous presence there
Standing reversed, as erewhile, in the clear
235
And gleaming mirror of the smiling well!
The horrid truth smote like a rush of fire
Upon my brain! The dreadful thing I saw
Was my own shadow! I was a wild beast.”
“They did not fable, then, who held that oft
The guilty dead are punished in the shapes
Of beasts, if brutal were their lives as men.”
“Long lapped I the cool lymph, while still my tongue
Made drip for drip against the monstrous one,
Which, as in ugly mockery, from below
Seemed to lap up against it. But though thirst
Was quenched at length, what was there might appease
The baffled misery of my fated soul?
The thought that I no more was human, ran
Like scorpion venom through my mighty frame;
Fiercely I bounded, tearing up the sands,
That, like a drab mist, coursed me as I went
Out on my homeless track. I made my fangs
Meet in my flesh, trusting to find in pain
Some respite from the anguish of regret.
From morn to night, from night to morn, I fled,
Chased by the memory of my lost estate;
Then, worn and bleeding, in the burning sands
I lay down, as to die. In vain!—in vain!
The savage vigour of my lion-life
Might yield alone to the long tract of time.
“From hill to valley rushing after prey,
With whirlwind speed, was now my daily wont,
For all things fled before me—all things shrank
In mortal terror at my shaggy front.
Sometimes I sought those close-fenced villages,
Wherein the desert-dwellers hide their swart
And naked bodies from the scorching heats,
Hoping that I might perish by their shafts.
And often was I wounded—often bore
Their poisoned arrows in my burning flesh—
But still I lived.
“The tenor of my life
236
Was always this—the solitary state
Of a wild beast of prey, that hunted down
The antelope, the boar, the goat, the gorged
Their quivering flesh, and lapped their steaming blood;
Then slept till hunger, or the hunter’s cry,
Roused him again to battle or to slay,
To flight, pursuit, blood, stratagem, and wounds.
And to make this rude life more hideous yet,
I still retained a consciousness of all
The nobler habits of my eariler time,
And had a keen sense of what most had moved
My nature as a man, and knew besides
That this my punishment was fixed by One
Too mighty to be questioned, and too just
One tittle of its measure to remit.
“How long this haggard course of life went on
I might not even guess, for I had lost
The human faculty that measures time.
But still from night to night I found myself
Roaming the desert, howling at the moon,
Whose cold light always, as she poured it down,
Awoke a drear distemper in my brain:
But much I shunned the sunblaze, which at once
Inflamed me, and revealed my dread approach.
“Homelessly roaming thus for evermore,
The tempests beat on my unsheltered bulk,
In those bleak seasons when the drenching rains
Drove into covert all those gentler beasts
That were my natural prey. I swinkt beneath
The furnace heats of the midsummer sun,
When even the palm of the oasis stood
All withered, like a weed: and for how long,
Yet knew not.
“Thus the sun and moon arose
Through an interminable tract of time,
And yet though sense was dim, the view of all
My human life was ever at my beck,
Nay, opened out before me of itself
Plain as the pictures in a wizard’s glass!
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I saw again the trains that round my car
Streamed countless, saw its pageants and its pomps,
Its faces fair and passionate, and felt
Lie’s eager pleasures, even its noble pangs!
Then in the anguish of my goaded heart
Would I roll howling in the burning sand.
“At length this life of horror seemed to near
Its fated bourn. The slow but sure approach
Of old decay was felt in every limb
And every function of my lion frame.
My massive strength seemed spent, my speed was gone,
The antelope escaped me! Wearily
I sought a mountain cavern, shut from day
By savage draperies of tangled briers,
And only dragged my tardy bulk abroad
When hunger urged. It chanced on such a day
I sprange amid a herd of buffaloes
And tore their leader down, who bellowing fell.
When, lo! The chief of those that drove them came
Against me, and I turned my rage on him:
But though the long lapse of so many years
Of ever-grinding wretchedness had dulled
My memory, I felt that I had seen
His withered visage twice before; and straight
A shuddering awe subdued me, and I crouched
Beneath him in the dust. My lust of blood,
My ruthless joy at sight of mortal pain,
Within me died, and if in human speech
I might have told the wild desire that filled
My being, I had prayed him once for all
To crush me out of life, and to consign
My misery to the pit of final death!
But when, all hopeless, I again looked up,
The tawney presence of the desert chief
Was gone, and I beheld the shining son
Of paradise, from whose majestic brow
There flashed the lightings of a wrath divine.
Yea, twas the angel that with Sammael
Had fought for me in Egypt; and once more
He laid his crushing had upon my front;
And earth and sky, and all that in them is,
238
Became to me a darkness, swimming blank
In the Eternal, round that point where now
My body lay, stretched dead upon the sand.
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Part V.
“AGAIN I lived—again I felt. But now
The winds of heaven seemed under me, and I
Was sweeping, like the spirit of a storm
That bellowed round me, in its murky glooms,
All heaving with a motion wide and swift
That seemed yet mightier than the darkling swells
Of ocean, wrestling with a midnight gale!
The wild winds tossed me; I was drenched throughout
With heavy moisture, and at intervals
Amid the ragged gaps of moving cloud,
Methought I caught dim glimpses of the sun
Hanging aloft, as if in drear eclipse;
But as my senses cleared, I saw my limbs
Were clothed with plumage; and long-taloned claws
Were closing eagerly with fierce desire
And sudden hunger after blood and prey!
An impulse to pursue and to destroy
Both on the earth and in the air, ran quick
Out from my heart and shivered in my wings;
And as a thing more central yet, I felt
Pregnant within me, throned o’er all, a lone
And sullen, yet majestic, glow of pride.
“’Twas plain that I, who had aforetime been
Crushed out of human being into that
Of a wild beast, had thence again passed on
Into the nature of some mighty thing
That now swept sailing on wide van-like wings,
Amid the whirls of an aërial gloom,
That out extending in one mighty cope
Hung heaving, like a black tent-roof, o’er all
The floor of Africa.
239
“Still on I swept,
And still as far as my keen vision went,
That now was gifted with a power that seemed
To pierce all space, I saw the vapours roll
In dreadful continuous of black
And shapeless masses, by the winds convulsed;
But soon in the remotest distance came
A change: the clouds were touched with sunny light,
And, as I nearer drew, I saw them dash,
Like the wild surges of an uproused sea
Of molten gold, against the marble sides
Of lofty mountains, which, though far below
My flight, yet pierced up through them all, and stood
With splintered cones and monster-snouted crags,
Immovable as fate. Beneath me, lo!
The grandeur of the kingdom of the air
Was circling in its magnitude! It was
A dread magnificence of which before
I might not even dream. I saw its quick
And subtle interchange of forms and hues,
Saw its black reservoirs of densest rain,
Its awful forges of the thunderstorm.
“At last, as onward still I swept, above
A milky mass of vapour far outspread,
Behold, reflected in its quiet gleam,
I saw an image that swept on with me,
Reversed as was the lion’s in the well,
With van-like wings, with eyeballs seething fire,
With taloned claws, and cruel down-bent beak,—
The mightiest eagle that had ever sailed
The seas of space since Adam named the first!
“My fated soul had passed into the form
Of that huge eagle which swept shadowed there.
Cold horror thrilled me! I was once again
Imprisoned in the being of a brute,
In the base being of a nature yet
Inferior by what infinite descent
To that poor remnant of intelligence
Which still kept with me,—like a put-back soul
Burningly conscious of its powers foregone,
240
Its inborn sovreignty of kind, and yet
So latent, self-less; once again to live
A life of carnage, and to sail abroad
A terror to all birds and gentle beasts
That heard the stormy rushings of my wings!
A royal bird indeed, who lived alone
In the great stillness of the mighty hills,
Or in the highest heavens.
“But in truth
Not much for many seasons had I need
To search for prey, for countless hosts of men,
Forth mustering over all the face of earth,
Cast the quick gleam of arms o’er trampled leagues
Of golden corn, and as they onward marched
They left behind them seas of raging fire,
In whose red surges cities thronged with men
And happy hamlets, homes of health and peace,
That rang erewhile with rural thankfulness,
Were whelmed in one wide doom; or in their strength
Confronted upon some set field of fight,
Their sullen masses charged with dreadful roar
That far out-yelled the fiercest yells of beasts,
And with brute madness rushed on wounds and death;
Or else about fenced cities they would pitch
Their crowded camps, and leaguer them for years,
Sowing the fields about them with a slime
Of carnage, till their growths were plagues alone.
What is the ravage made by brutes on brutes
To that man makes on man?
“With mingled pain
And joy I saw the wondrous ways of men,
(For ever when I hungered, close at hand,
Some fresh slain man lay smoking in his gore)
And though the instincts of the eagle’s life
Were fierce within me, yet I felt myself
Cast in a lot more capable of joy;
Safe from pursuit, from famine, and from wounds.
Some solaces, though few and far between,
Were added to me; and I argued thence,
In the dark musings of my eagle heart,
241
That not for ever was my soul condemned
To suffer in the body of a brute;
For though remembrance of the towering crimes
And matchless lusts, that filled my whole career
Of human life, worked in me evermore,
No longer did they shed about my life
So venomous a blight. Nay, I could think
How often I had looked with longing eyes
Up at the clear Egyptian heavens, and watched
The wings that cleft them, envying every bird
That, soaring in the sunshine, seemed to be
Exempt from all the grovelling cares of men.
I thought how once, when with my hunting train
I pierced that region round the cataracts,
I watched an eagle as it rose aloft
Into the lovely blue, and wished to change
My being with it as it floated on,
So inaccessible to hate or hurt,
So peaceful, at a height in heaven so safe;
And then it passed away through gorgeous clouds
Against the sunset, through the feathered flags
Of royal purple edged with burning gold.
“These fields of space were my dominion now;
Motion alone within a world so rich
Was something noble: but to move at will,
Upward or forward, or in circles vast,
Through boundless spaces with a rushing speed
No living thing might rival, and to see
The glory of the everlasting hills
Beneath me, and the myriad-peopled plains,
Broad rivers, and the towery towns that sate
Beside their spacious mouths, with out beyond
The lonely strength of the resounding seas—
This liberty began to move my sense
As something godlike; and in moving made
A sure impression that kept graining still
Into the texture of my brute estate—
Yea, graining in through all its fleshy lusts
And savage wonts.
“Hence ever more and more
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The temper of a better spirit grew
Within me, as from inkling roots, and moved
E’en like an embryon in its moist recess:
A sensibility to beauteous things
As now I saw them in the heavens displayed,
And in the bright luxuriance of the earth;
Some power of just comparison, some sense
Of how a man would rank them, could he see
Those earthly grandeurs from the sovreign height
Whence I beheld them. And with this a wish
To commune even with the human race,
And pour the loftier wonders of my life
Into their ears, through a rich-worded song
Whose golden periods in mellow flow
Should witch all ears that heard them—ev’n old men s,
Ev’n jaded monarchs; not to speak of theirs,
Those spirit-lovely ones—yea, moons of love,
That rise at first in the Circassian hills—
And they should tingle all like tiny shells
Of roseate whiteness to its perfect chords.
“One day amid the mountains of the moon,
Behold a sudden storm had gatherd up
Out of my view, hid by a neighbouring height,
But which, thence wheeling with terrific force,
Wide tossed me with its gusts—aloft, and then
Downward as far; then whirlingly about,
Ev’n like a withered leaf. My strength of wing
Availed me nought, so mightily it raged;
Then suddenly, in the dim distance, lo!
I saw, as from the storm’s Plutonian heart,
A mass of white-hot light come writing forth,
And then the figure of a withered man
Seemed dropping headlong through the lurid clouds;
While full within the radiant light, again
The conquering son of paradise appeared,
Upon whose brow divine I yet might trace
Some sing of wrath. Onward the vision rushed,
Orbed in white light. I felt a stifling heat,
One cruel blasting pang, and headlong then
Fell earthward—dead; a plumb descending mass.
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Part VI.
“WITHIN a rustic chamber, dark and low,
Thronged with wild-looking men and women strange,
I seemed to waken. Inwardly I felt
No briskness of existence, but a sense
Of languor rather, or revival slow:
And evermore the men and women came
And gazed upon me, shouting in amaze,
Then would they whirl about the room in dance,
Abandoned to their barbarous delight.
“I turned mine eyes about the low-roofed room,
Half fearing and half hoping I might see
The mighty angel that now ruled my life;
They thought I needed air, and I was borne
to a low casement. Like a picture lay
The world without. On all sides wide around
Nothing but mountains, feathered to their tops
With a dense growth of pines, and valleys filled
With a cold darkness that was lit alone
By the broad flashes of the furious streams
That leaped in thunder our of marble gaps!
Dull vapours, like a canopy of smoke,
Did so obscure the sun, that I had thought
The scene that now I saw was not of earth,
But for a golden flush that now and then
Would touch the highest ranges. What I was
I knew not, but I felt my former wants,
And oft I made vain efforts to expand
The wings I had no longer, and sail off,
And through those sullen vapours—up, and up—
Into the mighty silence of the blue.
“The day was fading, and a blare of horns,
With many voices and much trampling noise,
Heard from without, aroused me; and, ere long,
Women rushed in, each bearing some rich robe
Or some gay bauble, wherewithal they next
244
Arrayed me to their taste; and then they held
A mirror up before me, and I saw
My soul had this time passed into the form
Of a fair damsel. She, whose form I now
Re-animated, was—so learned I soon—
The only child of a Circassian chief,
Who had been long regarded by her house
As its chief treasure, for her beauty rare;
Reserved for him, no matter whence he came,
Whose hand could dip into the longest purse.
But envy lurks in the Circassian hills
As elsewhere, and a dose of opium,
Administered by one who had been long
The rival beauty of a neighbouring tribe,
Had served to quash a bargain quite complete
Save in the final payment of the gold,
Which had been even offered and told down,
And only not accepted, through some old
Delaying ceremony of the tribe;
And in this luckless circumstances, twas plain
That both my admirable parents saw
The unkindest turn of all.
“On all hands forth
Had scouts been sent to summon the whole tribe
To attend my obsequies, and then forthwith
Exterminate our ancient enemies
Through all their tents—such was the fierce resolve.
But while these things were pending, lo! The light
Had broken like a new morn from the eyes
Of the dead beauty; on her cheeks had dawned
A roseate colour; from her moistening lips
Low murmurs, too, had broken; whereupon
My parents in exulting hope transformed
The funeral to a general tribal feast,
And loaded me with all the ancient gauds
And ornaments they held. The Persian, too,
Had been invited to renew his suit,
And carry me at once beyond the reach
Of future opium doses.
“Soon he came
245
Galloping back to bear me to the arms
Of his long-bearded lord. He paid the price;
My worthy parents took a fond farewell
Of me, with tears declaring me to be
The life-light of their eyes, their rose of joy,—
Then stretched their palms out for the stranger’s gold,
And hurried off to count it o’er again—
The dear recovered treasure they so late
Had mourned as lost for ever. On that night
I was packed neatly on a camel’s back
Beside a precious case of porcelain pipes,
And carried Persia-ward, by stages safe,
From the Circassian mountains.
“At the court
I soon became the favourite of the king;
Lived sumptuously, but in perpetual fear:
For all my luxury and gold and gems,
I envied the poor slaves who swept the floors.
I was the favourite of my Persian lord
For one whole month, perhaps a little more,
And then I learned my place was to be filled;
And though I loathed him, as we loathe some cold
And reptile creature, yet I could not bear
To see a newer rival take my place,
For I was beautiful, and therefore vain:
So, that I might regain his favour past,
I now arrayed myself in airy robes,
While scarfs of purple like an orient queen’s
Barred them with brilliant tints, and gold and pearls
Confined the wavelets of my sunny hair.
“The harem all applauded, and there seemed
Even in his own dull eyes almost a flash
As of extorted joy, but this became
At the next moment a malignant scowl,
Which had its dark cause in such thoughts as these:
‘What! Did so soft and ignorant a thing
Hope to enchant again a man so wise
As he was—he! The paragon of kings!
By floating in before him like a swan,
A little better feathered than before?’
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And then he waved the harem ladies forth,
And with him kept only a Nubian girl,
Whom he thought dull, and altogether his:
A conclave of those strange demoniac dwarfs
Who from their secret dens and crypts would come
On given signals forth, was summoned in:
Wizard-like beings, with enormous heads,
Splay-feet, and monstrous spider-fingered hands.
Nor was the council long; I on that night
Was to be poisoned with a pomegranate.
Then stole the Nubian girl away, and brought
Me word of all; yet her news moved me not,
So sure I felt that this was not my doom;
Or moved me only to prepare for flight
With the poor Nubian girl. Unseen I came
To my own chamber, where I packed my goods;
And whence, unseen by all, we swiftly fled.
’Twas plain and patent to my inmost self
That in this last change I had always been
Regenerating more and more; for though
I had a love of mischief in my head,
At heart I was not bad, and they who knew
Me closely, or at least the woman sort,
Loved me,—nay, served me, as the Nubian did.
And now, as no one else might sell me,—lo!
I sold myself, and found myself installed
Queen of a rude baboon-like Afric king.
“Then I was captive to a Bedouin sheik,
Was sold in the slave-mart of Astrachan,
And carried thence to India, to be crowned
A rajahpoot’s sultana; from which state
Flying at length, I fell into a worse,
Being pounced on by a Turkoman horse-stealer.
At Alexandra I became the slave
Of a harsh Roman matron, who was wont
To flog and famish me to make me good,
And when I owned myself converted, then
She flogged and famished me the more, to make
My goodness lasting; and I finally
Fell stabbed in Cairo—slaughtered by a slave.
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Part VII.
“AFTER some short and intermediate terms
Of transmigration, all in female forms,
In which, through kindly offices performed,
It seemed the temper of my spirit much
Had humanized, and in the last of which
Twas mine to die for once a natural death,
Again I had some deep-down hold on being,
Dim as an oyster’s in its ocean-bed;
Then came a sense of light and air, of space,
Of hunger, comfort, warmth, of sight and sound
I caught at length the drift of speech, and knew
That all who came to see me and admire
Called me Ben Bachai’s daughter.
“Dark indeed,
But lovely as a starry night I grew,
A maid, the glory of her father’s house,
Her mother’s dovelet, filling all her wonts
With tenderness and joy. Still as I grew,
By strange degrees the memory of all
That I had been came back upon my mind
To fill it with wild sorrow and dismay;
To know I was a cheat, nor wholly what
I seemed to my fond parents—that I was
But half their daughter, and the rest a fiend,
With a fiend’s destiny,—ah! This, I say,
Would smite me even in dreams with icy pangs
Or wordless woe, yea, even while I slept
So innocently as it seemed, and so
Securely happy in the arms of love!”
As this was said, the Rabbi looked, and saw
That now again the woman seemed to speak
As of herself, and not as heretofore
With moveless lips, and prisoned voice, that came
As from some dark duality within.
248
Her looks had changed, too, with the voice, and now
Again she lay, a queen-like creature, racked
With mortal sufferings, who, when these grew less,
Or for a time remitted, even thus
Took up her tale again.
“At length upgrown
To womanhood, by some mysterious pact
Existing twixt my father’s house and that
Of an Arabian prince time out of mind,
I was now wedded ere I wished, and he,
My husband, finally had come to claim
And bear me from my home, that happiest home
Which I should know no more: a man most fair
To look upon, but void of force, in truth
The weakling of a worn-out line, who yet
(What merit in a prince!) Was not depraved,
Not wicked, not the mendicant of lust,
But mild, and even affectionate and just.
My dowry was immense, and flushed with this
The prince had summoned from his vassal tribe
Five hundred horse, all spearmen, to escort
And guard us desert-ward. And as we went
These ever and anon, at signal given,
Would whirl around us like a thunder-cloud
Wind-torn, and shooting instant shafts of fire!
And thus we roamed about the Arabian wastes,
Pitching our camp amid the fairest spots.
Beneath an awning oft I lay, and gazed
Out at the cloudless ether, where it wrapt
The silent hills, like to a conscious power
Big with the soul of an eternal past.
“But long this life might last not, for the prince
Sickened and died;—died poor, his wealth and mine
Having been squandered on the hungry horde
That wont to prance about us; who ere long,
Divining my extremity, grew loud
And urgent for rewards, till on a day,
By concert as it seemed, the tribe entire
Came fiercely round me, all demanding gifts,
Gifts that I had not; as they nearer pressed,
249
Wearing his way among them, lo! I saw
The old man of the tombs! The Bactrian sage!
With signs of awe they made him room to pass;
He fixed me with his shrunk and serpent eyes,
Waved off the abject Arabs, and then asked
‘Why art thou poor? With needs so great upon thee?
I offer thee long life and wealth and power.’
“I turned to him and said: ‘Should I not know,
By all the past, the nature of thy gifts?
Shows and delusions, evil, sin-stained all,
And terminating in eternal loss.’
‘Well, take it as thou wilt,’ he said; ‘my gifts
Are not so weighed by all.’ And saying this
He went his way, while I retired within
My lonely tent to weep.
“Next day the tribes
Again assembled, and with threats and cries,
And insults loud, they raised a passion in me.
My blood arose: I chid them angrily,
Called them all things but men, till they, alarmed,
Fell back in sullen silence for a while,
Crouching like tigers ready for a spring.
Humbled, perplexed, and frightened, I returned
Into my tent, and there within its folds
Stood the weird Bactrian with his snaky eyes,
And wiry voice that questioned as before:
‘Why art thou poor? Why dost thou suffer wrong,
With all this petty baseness brattling round?
Am I not here to help thee? I, thy one
Sole friend—not empty, but with ample means.
Behold the secrets of the inner earth!
There, down among the rock-roots of the hills,
What seest thou there? Look, as I point, even those
Strange miscreations, as they seem to thee,
Are demoniac moilers that obey
Such arts as I possess; the gnomish brood
Of Demogorgon. See them how they moil
Amid those diamonds shafts and reefs of gold
Embedded in the oldest drifts of time,
And in the mire that was the first crude floor
250
And blind extension of the infant earth:
Why art thou poor, then, when such slaves as they
Might work for thee, and glut thy need with all
The matchless values which are there enwombed,
Serving thee always as they now serve me?
Nor these alone: turn thou thy looks aloft,
And watch the stars as they go swimming past.
Behold their vastness, each a world,’ he said;
‘The secrets of all these, too, thou shalt know,
The spirits of all these shall be thy slaves,
If thou wilt swear as erst amid the tombs.’
“The woe of desolation wrapped me round,
The joy to know all mysteries tempted me,
And with a shudder that shook me to the soul
I swore, as erst I swore amid the tombs.
“As on my hand he placed a signet-ring,
Suddenly loud the desert winds arose,
And blew with mighty stress among the tents;
And instantly aloft the thunder ran,
A mighty issue of miraculous light
Burst shaft-like forward, smiting him in twain,
Or so it seemed, down through the solid earth.
In vain I shrunk into a dim recess;
Before me stood the son of paradise.
Then leapt the soul to life within my heart—
Leapt into life with fear, and pain, and woe—
Anger and sadness both were on his brow.
“‘Could’st thou no trial bear—all but redeemed;
Could’st thou not rest content? A rabbi’s child!
Enjoy as best thou may this ill-won power
Over the darker agencies of time,
And bide the end, which end is punishment
But the more terrible, the more delayed;
Yet know this also, thou shalt thus no more
Be punished in a body built of clay.’
He vanished, leaving me to sharp remorse,
And harrowed with the thought of his grieved look.
‘And yet no power in heaven or hell,’ I said,
‘May now annul my deed.’
251
“And not one day
Of joy has brought to me my ‘ill-won power.’
I built vast palaces in quiet view
Of ancient cities, or by famous streams;
I filled my halls with men and women fair,
And with these pages of a beauty rare
Like striplings kidnapped from some skirt of heaven;
Yet sorrowful of countenance withal,
As knowing that their mortal doom is joined
With mine irrevocably, that with me
’Tis theirs to own these shows of time, with me
To live—with me to die. And as, ’tis said,
A hunted roe will evermore beat round
Towards whence he started first, I felt at length
An ardent longing for my native place;
That spot in all the earth where only I,
In tasting of it, had divined the worth
And Sabbath quality of household peace.
Then coming hither, thus constrained, I pitched
My dwelling here, even this thou seest; built fair,
And filled with splendours such as never yet
Under one roof-tree on this earth were stored.
See yon surpassing lustres! Could this orb
Show such? From Mars came that; from Venus this;
And yonder mass of sun-bright glory, that
From Mercury came, whence came these viols, too,
Instinct with fervent music such as ne’er
From earthly instruments might thrill abroad.”
Then seizing one of them, even as she spake,
Over its chords she moved her ivory hand,
And instantly the palace domes throughout
Rang resonant, as every hall and crypt
Were pulsing music from a thousand shells
That still ran confluent with a mellow slide
And intercourse of cadence: sweet, and yet
Most mournful and most weird, and oft intoned
With a wild wilfulness of power that worked
For madness more than joy. “Even such, ” she said
“Are the delights with which I most converse
In the dark loneness of my fated soul,
252
For all is show, not substance. All I hold
But darkens more the certainty I have
Of wrath to come, from which no change of place,
No earthly power, no power of heaven nor hell,
May shield me now. I see it shadowing forth
Even like a coming night, in whose dark folds
My soul would ask to hide itself in vain.
And now I go to meet the angel’s face;
I will not claim my hundred years of pride,
I trample underneath my feet the gift
For which I sold my soul; I will not touch
The ring of Sammael, nor use his power
To stay the torments that devour my life;
Misery, shame, remorse, and dread are mine;
Yet shall the angel see repentent eyes,
And know at last I could one trial bear;
Too late, too late.”
As thus the woman spake,
Her brow grew dark, and suddenly she shrieked
In her great agony. “Oh pray for me!
Pray, rabbi! For the daughter of thy friend!
The hour is coming, nay, the hour is come!”
There was a rustle as of wings aloft,
A sudden flicker in the lights below,
And she, who until now seemed speaking, sank
Back on her pillow and in silence lay
Beautiful in the marble calm of death.
The rabbi gazed on her, and thought the while
Of those far times, when, as a child, her grace
Had filled with pleasantness her father’s house.
Then to her servants gave in charge the corpse,
And forth he paced, much musing as he went.
At length he turned to gaze once more upon
The silent house of death. Can such things be?
All had evanished like a morning mist!
Only the woods that hung like clouds about
The steeps of Hebron, in the whitening dawn
Lay dark against the sky! Only a pool
Gleamed flat before him, where it seemed erewhile
The splendid palace had adorned the view!
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Perplexed in mind, the rabbi turned again
And hurried homeward, muttering as he went:
Was it a vision? Can such marvels be?
But what in truth are all things, even those
That seem most solid—dust and air at last
~ Charles Harpur,#NFDB
1441:Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
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A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
With a long, shuddering sigh he glanced to earth,
Finding himself among the Horsel cliffs.
Gray, sullen, gaunt, they towered on either side;
Scant shrubs sucked meagre life between the rifts
Of their huge crags, and made small darker spots
Upon their wrinkled sides; the jaded horse
Stumbled upon loose, rattling, fallen stones,
Amidst the gathering dusk, and blindly fared
Through the weird, perilous pass. As darkness waxed,
And an oppressive mystery enwrapped
The roadstead and the rocks, Sir Tannhauser
Fancied he saw upon the mountain-side
The fluttering of white raiment. With a sense
Of wild joy and horror, he gave pause,
For his sagacious horse that reeked of sweat,
Trembling in every limb, confirmed his thought,
That nothing human scaled that haunted cliff.
The white thing seemed descending,-now a cloud
It looked, and now a rag of drifted mist,
Torn in the jagged gorge precipitous,
And now an apparition clad in white,
Shapely and real,-then he lost it quite,
Gazing on nothing with blank, foolish face.
As with wide eyes he stood, he was aware
Of a strange splendor at his very side,
A presence and a majesty so great,
That ere he saw, he felt it was divine.
He turned, and, leaping from his horse, fell prone,
In speechless adoration, on the earth,
Before the matchless goddess, who appeared
With no less freshness of immortal youth
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Than when first risen from foam of Paphian seas.
He heard delicious strains of melody,
Such as his highest muse had ne'er attained,
Float in the air, while in the distance rang,
Harsh and discordant, jarring with those tones,
The gallop of his frightened horse's hoofs,
Clattering in sudden freedom down the pass.
A voice that made all music dissonance
Then thrilled through heart and flesh of that prone knight,
Triumphantly: 'The gods need but appear,
And their usurped thrones are theirs again!'
Then tenderly: 'Sweet knight, I pray thee, rise;
Worship me not, for I desire thy love.
Look on me, follow me, for I am fain
Of thy fair, human face.' He rose and looked,
Stirred by that heavenly flattery to the soul.
Her hair, unbraided and unfilleted,
Rained in a glittering shower to the ground,
And cast forth lustre. Round her zone was clasped
The scintillant cestus, stiff with flaming gold,
Thicker with restless gems than heaven with stars.
She might have flung the enchanted wonder forth;
Her eyes, her slightest gesture would suffice
To bind all men in blissful slavery.
She sprang upon the mountain's dangerous side,
With feet that left their print in flowers divine,Flushed amaryllis and blue hyacinth,
Impurpled amaranth and asphodel,
Dewy with nectar, and exhaling scents
Richer than all the roses of mid-June.
The knight sped after her, with wild eyes fixed
Upon her brightness, as she lightly leapt
From crag to crag, with flying auburn hair,
Like a gold cloud, that lured him ever on,
Higher and higher up the haunted cliff.
At last amidst a grove of pines she paused,
Until he reached her, breathing hard with haste,
Delight, and wonder. Then upon his hand
She placed her own, and all his blood at once
Tingled and hotly rushed to brow and cheek,
At the supreme caress; but the mere touch
Infused fresh life, and when she looked at him
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With gracious tenderness, he felt himself
Strong suddenly to bear the blinding light
Of those great eyes. 'Dear knight,' she murmured low,
'For love of me, wilt thou accord this boon,To grace my weary home in banishment?'
His hungry eyes gave answer ere he spoke,
In tones abrupt that startled his own ears
With their strange harshness; but with thanks profuse
She guided him, still holding his cold hand
In her warm, dainty palm, unto a cave,
Whence a rare glory issued, and a smell
Of spice and roses, frankincense and balm.
They entering stood within a marble hall,
With straight, slim pillars, at whose farther end
The goddess led him to a spiral flight
Of stairs, descending always 'midst black gloom
Into the very bowels of the earth.
Down these, with fearful swiftness, they made way,
The knight's feet touching not the solid stair,
But sliding down as in a vexing dream,
Blind, feeling but that hand divine that still
Empowered him to walk on empty air.
Then he was dazzled by a sudden blaze,
In vast palace filled with reveling folk.
Cunningly pictured on the ivory walls
Were rolling hills, cool lakes, and boscage green,
And all the summer landscape's various pomp.
The precious canopy aloft was carved
In semblance of the pleached forest trees,
Enameled with the liveliest green, wherethrough
A light pierced, more resplendent than the day.
O'er the pale, polished jasper of the floor
Of burnished metal, fretted and embossed
With all the marvelous story of her birth
Painted in prodigal splendor of rich tincts,
And carved by heavenly artists,-crystal seas,
And long-haired Nereids in their pearly shells,
And all the wonder of her lucent limbs
Sphered in a vermeil mist. Upon the throne
She took her seat, the knight beside her still,
Singing on couches of fresh asphodel,
And the dance ceased, and the flushed revelers came
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In glittering phalanx to adore their queen.
Beautiful girls, with shining delicate heads,
Crested with living jewels, fanned the air
With flickering wings from naked shoulders soft.
Then with preluding low, a thousand harps,
And citherns, and strange nameless instruments,
Sent through the fragrant air sweet symphonies,
And the winged dancers waved in mazy rounds,
With changing lustres like a summer sea.
Fair boys, with charming yellow hair crisp-curled,
And frail, effeminate beauty, the knight saw,
But of strong, stalwart men like him were none.
He gazed thereon bewitched, until the hand
Of Venus, erst withdrawn, now fell again
Upon his own, and roused him from his trance.
He looked on her, and as he looked, a cloud
Auroral, flaming as at sunrising,
Arose from nothing, floating over them
In luminous folds, like that vermilion mist
Penciled upon the throne, and as it waxed
In density and brightness, all the throng
Of festal dancers, less and less distinct,
Grew like pale spirits in a vague, dim dream,
And vanished altogether; and these twain,
Shut from the world in that ambrosial cloud,
Now with a glory inconceivable,
Vivid and conflagrant, looked each on each.
All hours came laden with their own delights
In that enchanted place, wherein Time
Knew no divisions harsh of night and day,
But light was always, and desire of sleep
Was satisfied at once with slumber soft,
Desire of food with magical repast,
By unseen hands on golden tables spread.
But these the knight accepted like a god,
All less was lost in that excess of joy,
The crowning marvel of her love for him,
Assuring him of his divinity.
Meanwhile remembrance of the earth appeared
Like the vague trouble of a transient dream,The doubt, the scruples, the remorse for thoughts
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Beyond his own control, the constant thirst
For something fairer than his life, more real
Than airy revelations of his Muse.
Here was his soul's desire satisfied.
All nobler passions died; his lyre he flung
Recklessly forth, with vows to dedicate
His being to herself. She knew and seized
The moment of her mastery, and conveyed
The lyre beyond his sight and memory.
With blandishment divine she changed for him,
Each hour, her mood; a very woman now,
Fantastic, voluble, affectionate,
And jealous of the vague, unbodied air,
Exacting, penitent, and pacified,
All in a breath. And often she appeared
Majestic with celestial wrath, with eyes
That shot forth fire, and a heavy brow,
Portentous as the lowering front of heaven,
When the reverberant, sullen thunder rolls
Among the echoing clouds. Thus she denounced
Her ancient, fickle worshippers, who left
Her altars desecrate, her fires unfed,
Her name forgotten. 'But I reign, I reign!'
She would shrill forth, triumphant; 'yea, I reign.
Men name me not, but worship me unnamed,
Beauty and Love within their heart of hearts;
Not with bent knees and empty breath of words,
But with devoted sacrifice of lives.'
Then melting in a moment, she would weep
Ambrosial tears, pathetic, full of guile,
Accusing her own base ingratitude,
In craving worship, when she had his heart,
Her priceless knight, her peerless paladin,
Her Tannhauser; then, with an artful glance
Of lovely helplessness, entreated him
Not to desert her, like the faithless world,
For these unbeautiful and barbarous gods,
Or she would never cease her prayers to Jove,
Until he took from her the heavy curse
Of immortality. With closer vows,
The knight then sealed his worship and forswore
All other aims and deeds to serve her cause.
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Thus passed unnoted seven barren years
Of reckless passion and voluptuous sloth,
Undignified by any lofty thought
In his degraded mind, that sometime was
Endowed with noble capability.
From revelry to revelry he passed,
Craving more pungent pleasure momently,
And new intoxications, and each hour
The siren goddess answered his desires.
Once when she left him with a weary sense
Of utter lassitude, he sat alone,
And, raising listless eyes, he saw himself
In a great burnished mirror, wrought about
With cunning imagery of twisted vines.
He scarcely knew those sunken, red-rimmed eyes,
For his who in the flush of manhood rode
Among the cliffs, and followed up the crags
The flying temptress; and there fell on him
A horror of her beauty, a disgust
For his degenerate and corrupted life,
With irresistible, intense desire,
To feel the breath of heaven on his face.
Then as Fate willed, who rules above the gods,
He saw, within the glass, behind him glide
The form of Venus. Certain of her power,
She had laid by, in fond security,
The enchanted cestus, and Sir Tannhauser,
With surfeited regard, beheld her now,
No fairer than the women of the earth,
Whom with serenity and health he left,
Duped by a lovely witch. Before he moved,
She knew her destiny; and when he turned,
He seemed to drop a mask, disclosing thus
An alien face, and eyes with vision true,
That for long time with glamour had been blind.
Hiding the hideous rage within her breast,
With girlish simpleness of folded hands,
Auroral blushes, and sweet, shamefast mien,
She spoke: 'Behold, my love, I have cast forth
All magic, blandishments and sorcery,
For I have dreamed a dream so terrible,
That I awoke to find my pillow stained
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With tears as of real woe. I thought my belt,
By Vulcan wrought with matchless skill and power,
Was the sole bond between us; this being doffed,
I seemed to thee an old, unlovely crone,
Wrinkled by every year that I have seen.
Thou turnedst from me with a brutal sneer,
So that I woke with weeping. Then I rose,
And drew the glittering girdle from my zone,
Jealous thereof, yet full of fears, and said,
'If it be this he loves, then let him go!
I have no solace as a mortal hath,
No hope of change or death to comfort me
Through all eternity; yet he is free,
Though I could hold him fast with heavy chains,
Bound in perpetual imprisonment.'
Tell me my vision was a baseless dream;
See, I am kneeling, and kiss thy hands,In pity, look on me, before thy word
Condemns me to immortal misery!'
As she looked down, the infernal influence
Worked on his soul again; for she was fair
Beyond imagination, and her brow
Seemed luminous with high self-sacrifice.
He bent and kissed her head, warm, shining, soft,
With its close-curling gold, and love revived.
But ere he spoke, he heard the distant sound
Of one sweet, smitten lyre, and a gleam
Of violent anger flashed across the face
Upraised to his in feigned simplicity
And singleness of purpose. Then he sprang,
Well-nigh a god himself, with sudden strength
to vanquish and resist, beyond her reach,
Crying, 'My old Muse calls me, and I hear!
Thy fateful vision is no baseless dream;
I will be gone from this accursed hall!'
Then she, too, rose, dilating over him,
And sullen clouds veiled all her rosy limbs,
Unto her girdle, and her head appeared
Refulgent, and her voice rang wrathfully:
'Have I cajoled and flattered thee till now,
To lose thee thus! How wilt thou make escape?
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ONCE BEING MINE THOU ART FOREVER MINE:
Yea, not my love, but my poor slave and fool.'
But he, with both hands pressed upon his eyes,
Against that blinding lustre, heeded not
Her thundered words, and cried in sharp despair,
'Help me, O Virgin Mary! and thereat,
The very bases of the hall gave way,
The roof was rived, the goddess disappeared,
And Tannhauser stood free upon the cliff,
Amidst the morning sunshine and fresh air.
Around him were the tumbled blocks and crags,
Huge ridges and sharp juts of flinty peaks,
Black caves, and masses of the grim, bald rock.
The ethereal, unfathomable sky,
Hung over him, the valley lay beneath,
Dotted with yellow hayricks, that exhaled
Sweet, healthy odors to the mountain-top.
He breathed intoxicate the infinite air,
And plucked the heather blossoms where they blew,
Reckless with light and dew, in crannies green,
And scarcely saw their darling bells for tears.
No sounds of labor reached him from the farms
And hamlets trim, nor from the furrowed glebe;
But a serene and sabbath stillness reigned,
Till broken by the faint, melodious chimes
Of the small village church that called to prayer.
He hurried down the rugged, scarped cliff,
And swung himself from shelving granite slopes
To narrow foot-holds, near wide-throated chasms,
Tearing against the sharp stones his bleeding hands,
With long hair flying from his dripping brow,
Uncovered head, and white, exalted face.
No memory had he of his smooth ascent,
No thought of fear upon those dreadful hills;
He only heard the bell, inviting him
To satisfy the craving of his heart,
For worship 'midst his fellow men. He reached
The beaten, dusty road, and passed thereon
The pious peasants faring towards the church,
And scarce refrained from greeting them like friends
Dearly beloved, after long absence met.
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How more than fair the sunburnt wenches looked,
In their rough, homespun gowns and coifs demure,
After the beauty of bare, rosy limbs,
And odorous, loose hair! He noted not
Suspicious glances on his garb uncouth,
His air extravagant and face distraught,
With bursts of laughter from the red-cheeked boys,
And prudent crossings of the women's breasts.
He passed the flowering close about the church,
And trod the well worn-path, with throbbing heart,
The little heather-bell between his lips,
And his eyes fastened on the good green grass.
Thus entered he the sanctuary, lit
With frequent tapers, and with sunbeams stained
Through painted glass. How pure and innocent
The waiting congregation seemed to him,
Kneeling, or seated with calm brows upraised!
With faltering strength, he cowered down alone,
And held sincere communion with the Lord,
For one brief moment, in a sudden gush
Of blessed tears. The minister of God
Rose to invoke a blessing on his flock,
And then began the service,-not in words
To raise the lowly, and to heal the sick,
But an alien tongue, with phrases formed,
And meaningless observances. The knight,
Unmoved, yet thirsting for the simple word
That might have moved him, held his bitter thoughts,
But when in his own speech a new priest spake,
Looked up with hope revived, and heard the text:
'Go, preach the Gospel unto all the world.
He that believes and is baptized, is saved.
He that believeth not, is damned in hell!'
He sat with neck thrust forth and staring eyes;
The crowded congregation disappeared;
He felt alone in some black sea of hell,
While a great light smote one exalted face,
Vivid already with prophetic fire,
Whose fatal mouth now thundered forth his doom.
He longed in that void circle to cry out,
With one clear shriek, but sense and voice seemed bound,
And his parched tongue clave useless to his mouth.
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As the last words resounded through the church,
And once again the pastor blessed his flock,
Who, serious and subdued, passed slowly down
The arrow aisle, none noted, near the wall,
A fallen man with face upon his knees,
A heap of huddled garments and loose hair,
Unconscious 'mid the rustling, murmurous stir,
'Midst light and rural smell of grass and flowers,
Let in athwart the doorway. One lone priest,
Darkening the altar lights, moved noiselessly,
Now with the yellow glow upon his face,
Now a black shadow gliding farther on,
Amidst the smooth, slim pillars of hewn ash.
But from the vacant aisles he heard at once
A hollow sigh, heaved from a depth profound.
Upholding his last light above his head,
And peering eagerly amidst the stalls,
He cried, 'Be blest who cometh in God's name.'
Then the gaunt form of Tannhauser arose.
'Father, I am a sinner, and I seek
Forgiveness and help, by whatso means
I can regain the joy of peace with God.'
'The Lord hath mercy on the penitent.
'Although thy sins be scarlet,' He hath said,
'Will I not make them white as wool?' Confess,
And I will shrive you.' Thus the good priest moved
Towards the remorseful knight and pressed his hand.
But shrinking down, he drew his fingers back
From the kind palm, and kissed the friar's feet.
'Thy pure hand is anointed, and can heal.
The cool, calm pressure brings back sanity,
And what serene, past joys! yet touch me not,
My contact is pollution,-hear, O hear,
While I disburden my charged soul.' He lay,
Casting about for words and strength to speak.
'O father, is there help for such a one,'
In tones of deep abasement he began,
'Who hath rebelled against the laws of God,
With pride no less presumptuous than his
Who lost thereby his rank in heaven?' 'My son,
There is atonement for all sins,-or slight
Or difficult, proportioned to the crime.
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Though this may be the staining of thy hands
With blood of kinsmen or of fellow-men.'
'My hands are white,-my crime hath found no name,
This side of hell; yet though my heart-strings snap
To live it over, let me make the attempt.
I was a knight and bard, with such a gift
Of revelation that no hour of life
Lacked beauty and adornment, in myself
The seat and centre of all happiness.
What inspiration could my lofty Muse
Draw from those common and familiar themes,
Painted upon the windows and the walls
Of every church,-the mother and her child,
The miracle and mystery of the birth,
The death, the resurrection? Fool and blind!
That saw not symbols of eternal truth
In that grand tragedy and victory,
Significant and infinite as life.
What tortures did my skeptic soul endure,
At war against herself and all mankind!
The restless nights of feverish sleeplessness,
With balancing of reasons nicely weighed;
The dawn that brought no hope nor energy,
The blasphemous arraignment of the Lord,
Taxing His glorious divinity
With all the grief and folly of the world.
Then came relapses into abject fear,
And hollow prayer and praise from craven heart.
Before a sculptured Venus I would kneel,
Crown her with flowers, worship her, and cry,
'O large and noble type of our ideal,
At least my heart and prayer return to thee,
Amidst a faithless world of proselytes.
Madonna Mary, with her virgin lips,
And eyes that look perpetual reproach,
Insults and is a blasphemy on youth.
Is she to claim the worship of a man
Hot with the first rich flush of ripened life?'
Realities, like phantoms, glided by,
Unnoted 'midst the torment and delights
Of my conflicting spirit, and I doffed
the modest Christian weeds of charity
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And fit humility, and steeled myself
In pagan panoply of stoicism
And self-sufficing pride. Yet constantly
I gained men's charmed attention and applause,
With the wild strains I smote from out my lyre,
To me the native language of my soul,
To them attractive and miraculous,
As all things whose solution and whose source
Remain a mystery. Then came suddenly
The summons to attend the gathering
Of minstrels at the Landgrave Hermann's court.
Resolved to publish there my pagan creed
In harmonies so high and beautiful
That all the world would share my zeal and faith,
I journeyed towards the haunted Horsel cliffs.
O God! how may I tell you how SHE came,
The temptress of a hundred centuries,
Yet fresh as April? She bewitched my sense,
Poisoned my judgment with sweet flatteries,
And for I may not guess how many years
Held me a captive in degrading bonds.
There is no sin of lust so lewd and foul,
Which I learned not in that alluring hell,
Until this morn, I snapped the ignoble tie,
By calling on the Mother of our Lord.
O for the power to stand again erect,
And look men in the eyes! What penitence,
What scourging of the flesh, what rigid fasts,
What terrible privations may suffice
To cleanse me in the sight of God and man?'
Ill-omened silence followed his appeal.
Patient and motionless he lay awhile,
Then sprang unto his feet with sudden force,
Confronting in his breathless vehemence,
With palpitating heart, the timid priest.
'Answer me, as you hope for a response,
One day, at the great judgment seat yourself.'
'I cannot answer,' said the timid priest,
'I have not understood.' 'Just God! is this
The curse Thou layest upon me? I outstrip
The sympathy and brotherhood of men,
So far removed is my experience
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From their clean innocence. Inspire me,
Prompt me to words that bring me near to them!
Father,' in gentler accents he resumed,
'Thank Heaven at your every orison
That sin like mine you cannot apprehend.
More than the truth perchance I have confessed,
But I have sinned, and darkly,-this is true;
And I have suffered, and am suffering now.
Is there no help in your great Christian creed
Of liberal charity, for such a one?'
'My son,' the priest replied, 'your speech distraught
Hath quite bewildered me. I fain would hope
That Christ's large charity can reach your sin,
But I know naught. I cannot but believe
That the enchantress who first tempted you
Must be the Evil one,-your early doubt
Was the possession of your soul by him.
Travel across the mountain to the town,
The first cathedral town upon the road
That leads to Rome,-a sage and reverend priest,
The Bishop Adrian, bides there. Say you have come
From his leal servant, Friar Lodovick;
He hath vast lore and great authority,
And may absolve you freely of your sin.'
Over the rolling hills, through summer fields,
By noisy villages and lonely lanes,
Through glowing days, when all the landscape stretched
Shimmering in the heat, a pilgrim fared
Towards the cathedral town. Sir Tannhauser
Had donned the mournful sackcloth, girt his loins
With a coarse rope that ate into his flesh,
Muffled a cowl about his shaven head,
Hung a great leaden cross around his neck;
And bearing in his hands a knotty staff,
With swollen, sandaled feet he held his course.
He snatched scant rest at twilight or at dawn,
When his forced travel was least difficult.
But most he journeyed when the sky, o'ercast,
Uprolled its threatening clouds of dusky blue,
And angry thunder grumbled through the hills,
And earth grew dark at noonday, till the flash
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Of the thin lightning through the wide sky leapt.
And tumbling showers scoured along the plain.
Then folk who saw the pilgrim penitent,
Drenched, weird, and hastening as as to some strange doom,
Swore that the wandering Jew had crossed their land,
And the Lord Christ had sent the deadly bolt
Harmless upon his cursed, immortal head.
At length the hill-side city's spires and roofs,
With all its western windows smitten red
By a rich sunset, and with massive towers
Of its cathedral overtopping all,
greeted his sight. Some weary paces more,
And as the twilight deepened in the streets,
He stood within the minster. How serene,
In sculptured calm of centuries, it seemed!
How cool and spacious all the dim-lit aisles,
Still hazy with fumes of frankincense!
The vesper had been said, yet here and there
A wrinkled beldam, or mourner veiled,
Or burly burgher on the cold floor knelt,
And still the organist, with wandering hands,
Drew from the keys mysterious melodies,
And filled the church with flying waifs of song,
That with ethereal beauty moved the soul
To a more tender prayer and gentler faith
Than choral anthems and the solemn mass.
A thousand memories, sweet to bitterness,
Rushed on the knight and filled his eyes with tears;
Youth's blamelessness and faith forever lost,
The love of his neglected lyre, his art,
Revived by these aerial harmonies.
He was unworthy now to touch the strings,
Too base to stir men's soul to ecstasy
And high resolves, as in the days agone;
And yet, with all his spirit's earnestness,
He yearned to feel the lyre between his hands,
To utter all the trouble of his life
Unto the Muse who understands and helps.
Outworn with travel, soothed to drowsiness
By dying music and sweet-scented air,
His limbs relaxed, and sleep possessed his frame.
Auroral light the eastern oriels touched,
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When with delicious sense of rest he woke,
Amidst the cast and silent empty aisles.
'God's peace hath fallen upon me in this place;
This is my Bethel; here I feel again
A holy calm, if not of innocence,
Yet purest after that, the calm serene
Of expiation and forgiveness.'
He spake, and passed with staff and wallet forth
Through the tall portal to the open square,
And turning, paused to look upon the pile.
The northern front against the crystal sky
Loomed dark and heavy, full of sombre shade,
With each projecting buttress, carven cross,
Gable and mullion, tipped with laughing light
By the slant sunbeams of the risen morn.
The noisy swallows wheeled above their nests,
Builded in hidden nooks about the porch.
No human life was stirring in the square,
Save now and then a rumbling market-team,
Fresh from the fields and farms without the town.
He knelt upon the broad cathedral steps,
And kissed the moistened stone, while overhead
The circling swallows sang, and all around
The mighty city lay asleep and still.
To stranger's ears must yet again be made
The terrible confession; yet again
A deathly chill, with something worse than fear,
Seized the knight's heart, who knew his every word
Widened the gulf between his kind and him.
The Bishop sat with pomp of mitred head,
In pride of proven virtue, hearkening to all
With cold, official apathy, nor made
A sign of pity nor encouragement.
The friar understood the pilgrim's grief,
The language of his eyes; his speech alone
Was alien to these kind, untutored ears.
But this was truly to be misconstrued,
To tear each palpitating word alive
From out the depths of his remorseful soul,
And have it weighed with the precision cool
And the nice logic of a reasoning mind.
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This spiritual Father judged his crime
As the mad mischief of a reckless boy,
That call for strict, immediate punishment.
But Tannhauser, who felt himself a man,
Though base, yet fallen through passions and rare gifts
Of an exuberant nature rankly rich,
And knew his weary head was growing gray
With a life's terrible experience,
Found his old sense of proper worth revive;
But modestly he ended: 'Yet I felt,
O holy Father, in the church, this morn,
A strange security, a peace serene,
As though e'en yet the Lord regarded me
With merciful compassion; yea, as though
Even so vile a worm as I might work
Mine own salvation, through repentant prayers.'
'Presumptuous man, it is no easy task
To expiate such sin; a space of prayer
That deprecates the anger of the Lord,
A pilgrimage through pleasant summer lands,
May not atone for years of impious lust;
Thy heart hath lied to thee in offering hope.'
'Is there no hope on earth?' the pilgrim sighed.
'None through thy penance,' said the saintly man.
'Yet there may be through mediation, help.
There is a man who by a blameless life
Hath won the right to intercede with God.
No sins of his own flesh hath he to purge,The Cardinal Filippo,-he abides,
Within the Holy City. Seek him out;
This is my only counsel,-through thyself
Can be no help and no forgiveness.'
How different from the buoyant joy of morn
Was this discouraged sense of lassitude,
The Bishop's words were ringing in his ears,
Measured and pitiless, and blent with these,
The memory of the goddess' last wild cry,'ONCE BEING MINE, THOU ART FOREVER MINE.'
Was it the truth, despite his penitence,
And the dedication of his thought to God,
That still some portion of himself was hers,
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Some lust survived, some criminal regret,
For her corrupted love? He searched his heart:
All was remorse, religious and sincere,
And yet her dreadful curse still haunted him;
For all men shunned him, and denied him help,
Knowing at once in looking on his face,
Ploughed with deep lines and prematurely old,
That he had struggled with some deadly fiend,
And that he was no longer kin to them.
Just past the outskirts of the town, he stopped,
To strengthen will and courage to proceed.
The storm had broken o'er the sultry streets,
But now the lessening clouds were flying east,
And though the gentle shower still wet his face,
The west was cloudless while the sun went down,
And the bright seven-colored arch stood forth,
Against the opposite dull gray. There was
A beauty in the mingled storm and peace,
Beyond clear sunshine, as the vast, green fields
Basked in soft light, though glistening yet with rain.
The roar of all the town was now a buzz
Less than the insects' drowsy murmuring
That whirred their gauzy wings around his head.
The breeze that follows on the sunsetting
Was blowing whiffs of bruised and dripping grass
Into the heated city. But he stood,
Disconsolate with thoughts of fate and sin,
Still wrestling with his soul to win it back
From her who claimed it to eternity.
Then on the delicate air there came to him
The intonation of the minster bells,
Chiming the vespers, musical and faint.
He knew not what of dear and beautiful
There was in those familiar peals, that spake
Of his first boyhood and his innocence,
Leading him back, with gracious influence,
To pleasant thoughts and tender memories,
And last, recalling the fair hour of hope
He passed that morning in the church. Again,
The glad assurance of God's boundless love
Filled all his being, and he rose serene,
And journeyed forward with a calm content.
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Southward he wended, and the landscape took
A warmer tone, the sky a richer light.
The gardens of the graceful, festooned with hops,
With their slight tendrils binding pole to pole,
Gave place to orchards and the trellised grape,
The hedges were enwreathed with trailing vines,
With clustering, shapely bunches, 'midst the growth
Of tangled greenery. The elm and ash
Less frequent grew than cactus, cypresses,
And golden-fruited or large-blossomed trees.
The far hills took the hue of the dove's breast,
Veiled in gray mist of olive groves. No more
He passed dark, moated strongholds of grim knights,
But terraces with marble-paven steps,
With fountains leaping in the sunny air,
And hanging gardens full of sumptuous bloom.
Then cloisters guarded by their dead gray walls,
Where now and then a golden globe of fruit
Or full-flushed flower peered out upon the road,
Nodding against the stone, and where he heard
Sometimes the voices of the chanting monks,
Sometimes the laugh of children at their play,
Amidst the quaint, old gardens. But these sights
Were in the suburbs of the wealthy towns.
For many a day through wildernesses rank,
Or marshy, feverous meadow-lands he fared,
The fierce sun smiting his close-muffled head;
Or 'midst the Alpine gorges faced the storm,
That drave adown the gullies melted snow
And clattering boulders from the mountain-tops.
At times, between the mountains and the sea
Fair prospects opened, with the boundless stretch
Of restless, tideless water by his side,
And their long wash upon the yellow sand.
Beneath this generous sky the country-folk
Could lead a freer life,-the fat, green fields
Offered rich pasturage, athwart the air
Rang tinkling cow-bells and the shepherds' pipes.
The knight met many a strolling troubadour,
Bearing his cithern, flute, or dulcimer;
And oft beneath some castle's balcony,
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At night, he heard their mellow voices rise,
Blent with stringed instruments or tambourines,
Chanting some lay as natural as a bird's.
Then Nature stole with healthy influence
Into his thoughts; his love of beauty woke,
His Muse inspired dreams as in the past.
But after this came crueler remorse,
And he would tighten round his loins the rope,
And lie for hours beside some wayside cross,
And feel himself unworthy to enjoy
The splendid gift and privilege of life.
Then forth he hurried, spurred by his desire
To reach the City of the Seven Hills,
And gain his absolution. Some leagues more
Would bring him to the vast Campagna land,
When by a roadside well he paused to rest.
'T was noon, and reapers in the field hard by
Lay neath the trees upon the sun-scorched grass.
But from their midst one came towards the well,
Not trudging like a man forespent with toil,
But frisking like a child at holiday,
With light steps. The pilgrim watched him come,
And found him scarcely older than a child,
A large-mouthed earthen pitcher in his hand,
And a guitar upon his shoulder slung.
A wide straw hat threw all his face in shade,
But doffing this, to catch whatever breeze
Might stir among the branches, he disclosed
A charming head of rippled, auburn hair,
A frank, fair face, as lovely as a girls,
With great, soft eyes, as mild and grave as kine's.
Above his head he slipped the instrument,
And laid it with his hat upon the turf,
Lowered his pitcher down the well-head cool,
And drew it dripping upward, ere he saw
The watchful pilgrim, craving (as he thought)
The precious draught. 'Your pardon, holy sir,
Drink first,' he cried, 'before I take the jar
Unto my father in the reaping-field.'
Touched by the cordial kindness of the lad,
The pilgrim answered,-'Thanks, my thirst is quenched
From mine own palm.' The stranger deftly poised
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The brimming pitcher on his head, and turned
Back to the reaping-folk, while Tannhauser
Looked after him across the sunny fields,
Clasping each hand about his waist to bear
The balanced pitcher; then, down glancing, found
The lad's guitar near by, and fell at once
To striking its tuned string with wandering hands,
And pensive eyes filled full of tender dreams.
'Yea, holy sir, it is a worthless thing,
And yet I love it, for I make it speak.'
The boy again stood by him and dispelled
His train of fantasies half sweet, half sad.
'That was not in my thought,' the knight replied.
'Its worth is more than rubies; whoso hath
The art to make this speak is raised thereby
Above all loneliness or grief or fear.'
More to himself than to the lad he spake,
Who, understanding not, stood doubtfully
At a loss for answer; but the knight went on:
'How came it in your hands, and who hath tuned
your voice to follow it.' 'I am unskilled,
Good father, but my mother smote its strings
To music rare.' Diverted from one theme,
Pleased with the winsome candor of the boy,
The knight encouraged him to confidence;
Then his own gift of minstrelsy revealed,
And told bright tales of his first wanderings,
When in lords' castles and kings' palaces
Men still made place for him, for in his land
The gift was rare and valued at its worth,
And brought great victory and sounding fame.
Thus, in retracing all his pleasant youth,
His suffering passed as though it had not been.
Wide-eyed and open-mouthed the boy gave ear,
His fair face flushing with the sudden thoughts
That went and came,-then, as the pilgrim ceased,
Drew breath and spake: 'And where now is your lyre?'
The knight with both hands hid his changed, white face,
Crying aloud, 'Lost! lost! forever lost!'
Then, gathering strength, he bared his face again
Unto the frightened, wondering boy, and rose
With hasty fear. 'Ah, child, you bring me back
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Unwitting to remembrance of my grief,
For which I donned eternal garb of woe;
And yet I owe you thanks for one sweet hour
Of healthy human intercourse and peace.
'T is not for me to tarry by the way.
Farewell!' The impetuous, remorseful boy,
Seeing sharp pain on that kind countenance,
Fell at his feet and cried, 'Forgive my words,
Witless but innocent, and leave me not
Without a blessing.' Moved unutterably,
The pilgrim kissed with trembling lips his head,
And muttered, 'At this moment would to God
That I were worthy!' Then waved wasted hands
Over the youth in act of blessing him,
But faltered, 'Cleanse me through his innocence,
O heavenly Father!' and with quickening steps
Hastened away upon the road to Rome.
The noon was past, the reapers drew broad swaths
With scythes sun-smitten 'midst the ripened crop.
Thin shadows of the afternoon slept soft
On the green meadows as the knight passed forth.
He trudged amidst the sea of poisonous flowers
On the Campagna's undulating plain,
With Rome, the many-steepled, many-towered,
Before him regnant on her throne of hills.
A thick blue cloud of haze o'erhung the town,
But the fast-sinking sun struck fiery light
From shining crosses, roofs, and flashing domes.
Across his path an arching bridge of stone
Was raised above a shrunken yellow stream,
Hurrying with the light on every wave
Towards the great town and outward to the sea.
Upon the bridge's crest he paused, and leaned
Against the barrier, throwing back his cowl,
And gazed upon the dull, unlovely flood
That was the Tiber. Quaggy banks lay bare,
Muddy and miry, glittering in the sun,
And myriad insects hovered o'er the reeds,
Whose lithe, moist tips by listless airs were stirred.
When the low sun had dropped behind the hills,
He found himself within the streets of Rome,
228
Walking as in a sleep, where naught seemed real.
The chattering hubbub of the market-place
Was over now; but voices smote his ear
Of garrulous citizens who jostled past.
Loud cries, gay laughter, snatches of sweet song,
The tinkling fountains set in gardens cool
About the pillared palaces, and blent
With trickling of the conduits in the squares,
The noisy teams within the narrow streets,All these the stranger heard and did not hear,
While ringing bells pealed out above the town,
And calm gray twilight skies stretched over it.
Wide open stood the doors of every church,
And through the porches pressed a streaming throng.
Vague wonderment perplexed him, at the sight
Of broken columns raised to Jupiter
Beside the cross, immense cathedrals reared
Upon a dead faith's ruins; all the whirl
And eager bustle of the living town
Filling the storied streets, whose very stones
Were solemn monuments, and spake of death.
Although he wrestled with himself, the thought
Of that poor, past religion smote his heart
With a huge pity and deep sympathy,
Beyond the fervor which the Church inspired.
Where was the noble race who ruled the world,
Moulded of purest elements, and stuffed
With sternest virtues, every man a king,
Wearing the purple native in his heart?
These lounging beggars, stealthy monks and priests,
And womanish patricians filled their place.
Thus Tannhauser, still half an infidel,
Pagan through mind and Christian through the heart,
Fared thoughtfully with wandering, aimless steps,
Till in the dying glimmer of the day
He raised his eyes and found himself alone
Amid the ruined arches, broken shafts,
And huge arena of the Coliseum.
He did not see it as it was, dim-lit
By something less than day and more than night,
With wan reflections of the rising moon
Rather divined than seen on ivied walls,
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And crumbled battlements, and topless columnsBut by the light of all the ancient days,
Ringed with keen eager faces, living eyes,
Fixed on the circus with a savage joy,
Where brandished swords flashed white, and human blood
Streamed o'er the thirsty dust, and Death was king.
He started, shuddering, and drew breath to see
The foul pit choked with weeds and tumbled stones,
The cross raised midmost, and the peaceful moon
Shining o'er all; and fell upon his knees,
Restored to faith in one wise, loving God.
Day followed day, and still he bode in Rome,
Waiting his audience with the Cardinal,
And from the gates, on pretext frivolous,
Passed daily forth,-his Eminency slept,Again, his Eminency was fatigued
By tedious sessions of the Papal court,
And thus the patient pilgrim was referred
Unto a later hour. At last the page
Bore him a missive with Filippo's seal,
That in his name commended Tannhauser
Unto the Pope. The worn, discouraged knight
Read the brief scroll, then sadly forth again,
Along the bosky alleys of the park,
Passed to the glare and noise of summer streets.
'Good God!' he muttered, 'Thou hast ears for all,
And sendest help and comfort; yet these men,
Thy saintly ministers, must deck themselves
With arrogance, and from their large delight
In all the beauty of the beauteous earth,
And peace of indolent, untempted souls,
Deny the hungry outcast a bare word.'
Yet even as he nourished bitter thoughts,
He felt a depth of clear serenity,
Unruffled in his heart beneath it all.
No outward object now had farther power
To wound him there, for the brooding o'er those deeps
Of vast contrition was boundless hope.
Yet not to leave a human chance untried,
He sought the absolution of the Pope.
In a great hall with airy galleries,
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Thronged with high dignitaries of the Church,
He took his seat amidst the humblest friars.
Through open windows came sweet garden smells,
Bright morning light, and twittered song of birds.
Around the hall flashed gold and sunlit gems,
And splendid wealth of color,-white-stoled priests,
And scarlet cardinals, and bishops clad
In violet vestments,-while beneath the shade
Of the high gallery huddled dusky shapes,
With faded, travel-tattered, sombre smocks,
And shaven heads, and girdles of coarse hemp;
Some, pilgrims penitent like Tannhauser;
Some, devotees to kiss the sacred feet.
The brassy blare of trumpets smote the air,
Shrill pipes and horns with swelling clamor came,
And through the doorway's wide-stretched tapestries
Passed the Pope's trumpeters and mace-bearers,
His vergers bearing slender silver wands,
Then mitred bishops, red-clad cardinals,
The stalwart Papal Guard with halberds raised,
And then, with white head crowned with gold ingemmed,
The vicar of the lowly Galilean,
Holding his pastoral rod of smooth-hewn wood,
With censer swung before and peacock fans
Waved constantly by pages, either side.
Attended thus, they bore him to his throne,
And priests and laymen fell upon their knees.
Then, after pause of brief and silent prayer,
The pilgrims singly through the hall defiled,
To kiss the borders of the papal skirts,
Smiting their foreheads on the paven stone;
Some silent, abject, some accusing them
Of venial sins in accents of remorse,
Craving his grace, and passing pardoned forth.
Sir Tannhauser came last, no need for him
To cry 'Peccavi,' and crook suppliant knees.
His gray head rather crushed than bowed, his face
Livid and wasted, his deep thoughtful eyes,
His tall gaunt form in those unseemly weeds,
Spake more than eloquence. His hollow voice
Brake silence, saying, 'I am Tannhauser.
For seven years I lived apart from men,
231
Within the Venusberg.' A horror seized
The assembled folk; some turbulently rose;
Some clamored, 'From the presence cast him forth!'
But the knight never ceased his steady gaze
Upon the Pope. At last,-'I have not spoken
To be condemned,' he said, 'by such as these.
Thou, spiritual Father, answer me.
Look thou upon me with the eyes of Christ.
Can I through expiation gain my shrift,
And work mine own redemption?' 'Insolent man!'
Thundered the outraged Pope, 'is this the tone
Wherewith thou dost parade thy loathsome sin?
Down on thy knees, and wallow on the earth!
Nay, rather go! there is no ray of hope,
No gleam, through cycles of eternity,
For the redemption of a soul like thine.
Yea, sooner shall my pastoral rod branch forth
In leaf and blossom, and green shoots of spring,
Than Christ will pardon thee.' And as he spoke,
He struck the rod upon the floor with force
That gave it entrance 'twixt two loosened tiles,
So that it stood, fast-rooted and alone.
The knight saw naught, he only heard his judge
Ring forth his curses, and the court cry out
'Anathema!' and loud, and blent therewith,
Derisive laughter in the very hall,
And a wild voice that thrilled through flesh and heart:
'ONCE BEING MINE, THOU ART FOREVER MINE!'
Half-mad he clasped both hands upon his brow,
Amidst the storm of voices, till they died,
And all was silence, save the reckless song
Of a young bird upon a twig without.
Then a defiant, ghastly face he raised,
And shrieked, ''T is false! I am no longer thine!'
And through the windows open to the park,
Rushed forth, beyond the sight and sound of men.
By church nor palace paused he, till he passed
All squares and streets, and crossed the bridge of stone,
And stood alone amidst the broad expanse
Of the Campagna, twinkling in the heat.
He knelt upon a knoll of turf, and snapped
232
The cord that held the cross about his neck,
And far from him the leaden burden flung.
'O God! I thank Thee, that my faith in Thee
Subsists at last, through all discouragements.
Between us must no type nor symbol stand,
No mediator, were he more divine
Than the incarnate Christ. All forms, all priests,
I part aside, and hold communion free
Beneath the empty sky of noon, with naught
Between my nothingness and thy high heavensSpirit with spirit. O, have mercy, God!
Cleanse me from lust and bitterness and pride,
Have mercy in accordance with my faith.'
Long time he lay upon the scorching grass,
With his face buried in the tangled weeds.
Ah! who can tell the struggles of his soul
Against its demons in that sacred hour,
The solitude, the anguish, the remorse?
When shadows long and thin lay on the ground,
Shivering with fever, helpless he arose,
But with a face divine, ineffable,
Such as we dream the face of Israel,
When the Lord's wrestling angel, at gray dawn,
Blessed him, and disappeared.
Upon the marsh,
All night, he wandered, striving to emerge
From the wild, pathless plain,-now limitless
And colorless beneath the risen moon;
Outstretching like a sea, with landmarks none,
Save broken aqueducts and parapets,
And ruined columns glinting 'neath the moon.
His dress was dank and clinging with the dew;
A thousand insects fluttered o'er his head,
With buzz and drone; unseen cicadas chirped
Among the long, rank grass, and far and near
The fire-flies flickered through the summer air.
Vague thoughts and gleams prophetic filled his brain.
'Ah, fool!' he mused, 'to look for help from men.
Had they the will to aid, they lack the power.
In mine own flesh and soul the sin had birth,
Through mine own anguish it must be atoned.
Our saviours are not saints and ministers,
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But tear-strung women, children soft of heart,
Or fellow-sufferers, who, by some chance word,
Some glance of comfort, save us from despair.
These I have found, thank heaven! to strengthen trust
In mine own kind, when all the world grew dark.
Make me not proud in spirit, O my God!
Yea, in thy sight I am one mass of sin,
One black and foul corruption, yet I know
My frailty is exceeded by thy love.
Neither is this the slender straw of hope,
Whereto I, drowning, cling, but firm belief,
That fills my inmost soul with vast content.
As surely as the hollow faiths of old
Shriveled to dust before one ray of Truth,
So will these modern temples pass away,
Piled upon rotten doctrines, baseless forms,
And man will look in his own breast for help,
Yea, search for comfort his own inward reins,
Revere himself, and find the God within.
Patience and patience!' Through the sleepless night
He held such thoughts; at times before his eyes
Flashed glimpses of the Church that was to be,
Sublimely simple in the light serene
Of future ages; then the vision changed
To the Pope's hall, thronged with high priests, who hurled
Their curses on him. Staggering, he awoke
Unto the truth, and found himself alone,
Beneath the awful stars. When dawn's first chill
Crept though the shivering grass and heavy leaves,
Giddy and overcome, he fell and slept
Upon the dripping weeds, nor dreamed nor stirred,
Until the wide plain basked in noon's broad light.
He dragged his weary frame some paces more,
Unto a solitary herdsman's hut,
Which, in the vagueness of the moonlit night,
Was touched with lines of beauty, till it grew
Fair as the ruined works of ancient art,
Now squat and hideous with its wattled roof,
Decaying timbers, and loose door wide oped,
Half-fallen from the hinge. A drowsy man,
Bearded and burnt, in shepherd habit lay,
Stretched on the floor, slow-munching, half asleep,
234
His frugal fare; for thus, at blaze of noon,
The shepherds sought a shelter from the sun,
Leaving their vigilant dogs beside their flock.
The knight craved drink and bread, and with respect
For pilgrim weeds, the Roman herdsman stirred
His lazy length, and shared with him his meal.
Refreshed and calm, Sir Tannhauser passed forth,
Yearning with morbid fancy once again
To see the kind face of the minstrel boy
He met beside the well. At set of sun
He reached the place; the reaping-folk were gone,
The day's toil over, yet he took his seat.
A milking-girl with laden buckets full,
Came slowly from the pasture, paused and drank.
From a near cottage ran a ragged boy,
And filled his wooden pail, and to his home
Returned across the fields. A herdsman came,
And drank and gave his dog to drink, and passed,
Greeting the holy man who sat there still,
Awaiting. But his feeble pulse beat high
When he descried at last a youthful form,
Crossing the field, a pitcher on his head,
Advancing towards the well. Yea, this was he,
The same grave eyes, and open, girlish face.
But he saw not, amidst the landscape brown,
The knight's brown figure, who, to win his ear,
Asked the lad's name. 'My name is Salvator,
To serve you, sir,' he carelessly replied,
With eyes and hands intent upon his jar,
Brimming and bubbling. Then he cast one glance
Upon his questioner, and left the well,
Crying with keen and sudden sympathy,
'Good Father, pardon me, I knew you not.
Ah! you have travelled overmuch: your feet
Are grimed with mud and wet, your face is changed,
Your hands are dry with fever.' But the knight:
'Nay, as I look on thee, I think the Lord
Wills not that I should suffer any more.'
'Then you have suffered much,' sighed Salvator,
With wondering pity. 'You must come with me;
My father knows of you, I told him all.
A knight and minstrel who cast by his lyre,
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His health and fame, to give himself to God,Yours is a life indeed to be desired!
If you will lie with us this night, our home
Will verily be blessed.' By kindness crushed,
Wandering in sense and words, the broken knight
Resisted naught, and let himself be led
To the boy's home. The outcast and accursed
Was welcomed now by kindly human hands;
Once more his blighted spirit was revived
By contact with refreshing innocence.
There, when the morning broke upon the world,
The humble hosts no longer knew their guest.
His fleshly weeds of sin forever doffed,
Tannhauser lay and smiled, for in the night
The angel came who brings eternal peace.
__________
Far into Wartburg, through all Italy,
In every town the Pope sent messengers,
Riding in furious haste; among them, one
Who bore a branch of dry wood burst in bloom;
The pastoral rod had borne green shoots of spring,
And leaf and blossom. God is merciful.
~ Emma Lazarus,#NFDB
1442:The Golden Age
Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.
Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.
Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
486
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.
Ofttimes would ruthless winds or torrents raze
The ripening fruit of toilsome nights and days.
Each one in turn grew jealous of his own,
And fenced his patch with ditch and churlish stone.
As greed uprose, and greed engendered strife,
Contention raged coincident with life.
Man against man, maid against maiden turned,
And the soft breast with envious passions burned.
The loss of one was hailed as others' gain,
And pleasure took unnatural birth from pain.
Goaded by woe, and through tradition's lore
Mindful of all the blissfulness of yore,
The Human Race, its sorrows to assuage,
Dreamed afar off a second Golden Age;
Not in the dim irrevocable Past,
But in a Future just as vague and vast.
The prophet's lips, the poet's flattering pen,
Revelled in forecasts of that golden Then.
The days should come when grief would be no more,
And Peace and Plenty rule from shore to shore;
All men alike enjoy what none did earn,
And even more than Saturn's Reign return.
As years rolled on, as centuries went by,
And still that Promised Time seemed no more nigh,
Mankind at length, outwearied with delays,
Gave up all hope of those seductive days.
Then other prophets, other scribes arose,
A nearer, surer Eden to disclose.
`O, long-befooled!' they said, `awake, and deem
The Past a tale, the Future but a dream.
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Here, in the living Present, act your part,
Straining its vulgar blessings to your heart.
Let hand with hand and brain with brain contend,
And each one labour to some selfish end.
In wealth and riot, luxury and power,
Baffle the mockery of the transient hour.
If thousands fall, if tens of thousands bleed,
Will not a hundred, or a score, succeed?
Let those who cannot yield to those who canFate has its piles of victims; why not Man?
Better a furious fight where some one wins,
Than sluggish life which ends as it begins.
Vain was the bard who, whilst the World was new,
'Twixt men and beasts the fond distinction drew,
That these confine their downward gaze to earth,
Whilst man looks up, enamoured of his birth.
Not in the skies, but deep beneath the soil,
There will you find your happiness and spoil.
Enough for brutes its simple face to know,
But godlike man must pierce and delve below.
Deep in its bowels seek the shining ore,
And at its touch shall Saturn reign once more.
For him whose thews are sound, whose vision clear,
Whose purpose firm, the Golden Age is here.'
Never from cave or tripod, mount or glade,
Issued a voice so welcomed, so obeyed.
From zone to zone the Golden Gospel flew,
And in its train mankind obedient drew.
See from their seats the ancient Gods dethroned,
Altars upset, and oracles disown'd.
The Muses, scared, conceal the smothered lyre;
No longer prized, the Graces swift retire;
Virtue, a butt for ribalds, seeks her shroud,
And even Venus veils herself in cloud.
Religion, Ethics, all men erst adored,
Hymned on the harp, or fought for with the sword,
All lofty scopes, all ends esteemed of old,
Dissolve like mist before the rage for gold.
The priest for gold makes traffic of his robe;
For gold the soldier desolates the globe;
The poet shapes for gold his venal lays;
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Through gold Vice stalks caparisoned with praise.
Tempted by gold, the virgin sells her charms,
Though no Immortal slips into her arms.
Saddled with gold, the adventurer can buy
Titles, precedence, place, and dignity.
High, middle, low, the young, the ripe, the old,
Man, woman, child, live, die, are damned for Gold.
Soon as the youthful mind begins to ope,
It searches Life's significance and scope;
And, fed by generous impulse year by year,
Dreams for itself some glorious career.
Its shall it be, instructed by the Muse,
Truth to abet, and beauty to diffuse;
With full-blown sail, and genius at the helm,
To steer men's thoughts to a serener realm.
Perhaps the ingenuous boy would fain recall
Tintoret's canvas, Memmi's fresco'd wall;
With godlike pencil purify the mart,
And life ennoble with the breath of Art.
Maybe he burns, by Plato's failure fired,
To scale the heights which every wing have tired,
Seize first each part, then comprehend the whole,
And solve the eternal problem of the Soul.
Be these his aims, or, nobler still, to train
His kind to mutiny till Virtue reign,
Soon doth he learn to count his lovely schemes
A host of bubbles in a world of dreams.
Experience whispers early, Have a care!
Who with the Muse would live must live on air.
The tempting maid is but a poet's lie,
`Who gave to song what gold could never buy.'
Confront the world, take counsel with the throng;
Their verdict what? `The thing's not worth a song.'
Are you content you now have learnt your price?
Come, sink the Muse, and don't be quite so nice.
Start a new Company, and float the shares,
Then lunch with Ministers and dine with Mayors.
Pimp for a Party, praise a Premier's heart,
Head a subscription, and then shine-a Bart.
Return your income fifty thousand clearThe devil's in it, or you'll die a peer.
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Success so great is never done by halves'Tis only virtue, when 'tis greatest, starves.
Perhaps his breast, untutored yet to serve,
Spurns the base counsel with a proud reserve;
For Youth is stubborn, and when Nature draws,
In vain a parent's warning, wisdom's saws.
Let cravens straight their impotence confess,
And sell their birthright for a filthy mess;
In flowers see, bee-like, nought but stuff for hives,
And for foul lucre prostitute their lives;
They have not failed who never once have tried,
Or, if they failed, they failed for want of pride.
He, he at least his soul will ne'er demean,
But 'mong the foul will keep his honour clean.
O touching sight, to witness day by day
His splendid generous day-dreams fade away!
His sire reproaches, and his brothers scoff,
His mother doubts, his sisters e'en fall off.
The neighbours pity, strangers deem him mad;
Girls, smiling, whisper, What a foolish lad!
Meanwhile his compeers, started in the race,
Are swiftly marching on to power and place.
One makes a coup, and weds a wife of rank;
Another's junior partner in a bank.
A third in sugar with unscriptural hand,
Traffics, and builds a lasting house on sand.
A fourth, for beer and piety renowned,
Owns all the publics in the country round;
Its drink adulterates with face demure,
But burns with zeal to keep opinion pure;
Cares not one jot for bodies drunk or sick,
But scans your soul like a new Dominick.
The fifth, the patron of a new balloon,
Projects a Company to reach the moon;
Baits his prospectus with a batch of peers,
And vows nought pays like money in the Spheres.
Shares in the moon advanced-advancing still.
Then comes a crash-stock guaranteed at nil.
But sure, the man is ruined? Not at all;
He scarce can tumble who has sense to crawl.
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Your modern Icarus is much too wise
On his own pinions to attempt the skiesOn others' soaring follies doth he rise.
Long ere the bubble burst his shares were sold;
Just at that moment he had need of gold.
Singed wings, you know, are but for simple folk;
He, with his peers, 'scapes safe from flame and smoke,
And buys a borough with the happy stroke.
Few are the souls who die for Cato's creed:
To fail seems base, when all around succeed.
Foiled in his purpose, both by foe and friend,
Through noble means to reach a noble end,
The baffled boy forswears his cherished dream,
And learns to swim, like others, with the stream.
Keen to recover precious moments lost,
And taught by bitter tasks what Virtue cost,
He midst the rush, whilst others rise and fall,
Swims on, the most unscrupulous of all.
Let others chouse with care, he cheats with pluck,
And millions stake their all upon his luck.
His daring overawes the small, the great,
And whilst he plunders they but peculate.
He lures the easy, makes the fat his spoil,
Pares the lean wage of proletarian toil;
Swindles the widow of her hoarded mite,
Drags the poor pensioner once more to fight;
Robs age of rest, and youth of prospects fair,
Plunges the sanguine bridegroom in despair;
Severs the ties made sacred long by home,
And sends the son from sire across the foam;
Dashes the faith of plighted swain and maid,
And helps alone the cynic sexton's spade:
Does all that well beseems a Fallen StarIt needs a Lucifer to fall so far!
Sometimes will Fortune on the traitor scowl,
And e'en with gold not pay a deed so foul.
He who was born a glittering child of light,
Trenchant as Raphael, as Ithuriel bright,
Yet sells his soul a vulgar prize to reap,
And for brute guerdons holds his honour cheap,
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Too often finds that he who, grovelling, flies
From unrewarded reverie in the skies,
And seeks in venal efforts to employ
The gifts God formed for beauty and for joy,
Makes but a barren barter of his birth,
And Heaven foregoes, without securing earth.
See how he sinks! The more he strains to clutch
Terrestrial spoil, unworthy of his touch,
It seems, for him, to take elusive shapes,
And like a shadow from his grasp escapes.
As baser wax his aims, more mean his scope,
More and still more he sprawls-the sport of Hope.
Still as he tries to suffocate his soul,
Farther beyond him seems the carnal goal.
In vain he turns to catch the favouring gale;
Becalmed he lies-he labours but to fail.
Poor and despised, he now would fain retrace
His erring steps to his first dwelling-place,
But finds, alas! baseness hath borne its fruit;
Wings long unused have withered at the root.
He who in vain has crawled in vain would fly,
And rots abandoned both by earth and sky.
Meaner his end than that poor tradesman's doom,
Who, asked what words of honour on his tomb
His friends should place, with cynic touch replied,
`Here lies who, born a man, a grocer died!'
Whom doth this foe of human virtue spare?
Look round! More sweet its victims, the more fair.
Its natural slaves, who, spawned from wealth, are born
To Traffic's tricks they lack the soul to scorn,
Whose lust for lucre is their proper lot,
It just as oft impoverishes as not.
'Tis those in whom the Unseen God inspires
The restless leaven of divine desires;
Who, from the moment that they lisp, betray
An alien spirit housed within their clay;
Whose fretful youth life's narrow limits chafe,
And yearns for worlds more spacious, if less safe;
Striving to reach, despite its fleshly thrall,
That larger Something which surrounds us all;These, these the souls-and not that baser band-
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To whom Gold loves to stretch a helping hand;
With early smiles their generous aims to bless,
And lead them, blind, to ruinous success.
When Lelius chanted first his fragrant lays,
Men praised, and he was amply paid with praise.
Not salons' sycophant, nor Fashion's bard,
No glittering heaps did his sweet notes reward.
He was content with audience fit, though few,
When to his side the cunning demon drew.
`Your pen's worth gold; you need but blunt its point;
Come, cut the Muse; the times are out of joint.
Fame's well enough, but comfort has its laws;
You'll make a damned poor supper off applause.
Sing, be select, and starve. Prose is the thingThe thing that pays. The Million now is King.
Write gossip, scandal, slander-what you will;
A well-filled purse awaits a ready quill.'
The curst insidious demon has his way,
And Grub-street swallows Lelius for aye.
Turn from the pen, and for a while survey
The wide domains which brush and canvas sway.
Enter those realms, and what do we behold?
Art, heavenly Art, the slave and pimp of gold!
Time was when its poor votaries were too proud
To sate the itch of a vain-glorious crowd,
Serve the mean aims of narrow personal pelf,
And swell the ignoble retinue of Self.
Only the State, which merges private ends,
Or sacred Church, which lifts them and extends,
Might then presume the artist's craft to claim,
And paid him, happy, with immortal Fame.
Here, Friendship's guest, where fairest Florence lies,
A dream in stone, stretched out before mine eyes,
I think of all the treasures there enshrined,
And what small dole nurtured each master mind;
Or led by memory o'er the classic chain
Which Umbrian slope divides from Tuscan plain,
I all the priceless unbought gems recall
That link with heaven Assisi's frescoed wall;
Then, borne on wings of weakness, I repair
To mine own land, and groan to think that there,
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Debased by Fashion to a venal trade,
Art counts its triumphs by its fortunes made;
Spurned by the State, and by the Church unsought,
Works but for wealth, and by the base is bought;
Stranger to altars, palaces, or domes,
Pampers the pomp of ostentatious homes.
How changed the days since Duccio's hand of old
On Saints and Virgins lavished costly gold;
But for himself asked but a few poor crowns,
Less than we give to harlequins and clowns.
Now do our mercenary tricksters grudge
Almost the very canvas that they smudge;
Yet scan with greedy eyes the glittering heap
That opulent folly holds, for once, so cheap.
See, too, how Genius, when its touch was true,
On humble walls its lasting fancies drew;
Whose modern apes, ridiculously bold,
Hang their ephemeral daubs in frames of gold.
In vain doth Heaven, while Gold thus rules the earth,
With generous instincts sow the soul at birth.
Swift in the genial soil the seed takes root,
Then seeks the sun with many a venturous shoot.
But, ah, how soon the cruel outer air
Checks the brave growth and nips its promise fair!
Warmed by the glow of Tasso's splendid lay,
Or borne by Dante to the gates of Day;
Softly seduced by Scott's romantic strain
To deem all ends, excepting honour, vain;
Or nobly trained by Shelley's burning song
To cherish an eternal feud with wrong,The simple girl constructs a future fair,
Rears a whole world of castles in the air,
And nowhere warned, or deaf to warning, deems
That life will clothe and justify her dreams.
As year by year the maiden grows apace,
And half the woman mantles in her face,
With sickening sense, sad eye, and sinking heart,
She sees her forecasts one by one depart.
Slowly, but, ah, too surely doth she find
That poets' tales no longer rule mankind;
That Peace is homeless as the hunted hare,
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And Love far less a shelter than a snare;
That godlike Valour meets a demon's doom,
Whilst Prudence prospers even from the tomb;
That Youth, save schooled in Mammon's miry ways,
Groans o'er the lapse of unrequited days;
That Beauty, Genius, all are vain and cold,
Till foully touched and fertilised by Gold.
Soon as the time so dear to mother's vows
Draws nigh, to find the maid some fitting spouse,
Then most of all she learns what leading part
Is played by Gold in dramas of the heart.
Chance to young Hylas, beautiful as Dawn,
And sweet as fair, she feels her fancy drawn.
Are you a nymph? one whispers. Let him pass.
He doth but gather daisies in the grass.
Where your cool wave, hidden from human eyes,
In which to lure and love him till he dies?
Bid him rejoin his Hercules, and seize
The golden apples of the Hesperides;
And then perchance, should none more rich than he
Engage your love, you may his Hera be.
Alas, poor Hylas! worse than Mysian fate
Doth his meandering flowery feet await.
If that a Solon, versed in every art
Of song and science, touch the maiden's heart,
The neighbours softly whisper, Have a care;
Can Erudition keep a chaise and pair?
Pundits, alas, like fools, must pay their bills,
And Knowledge figures sorrily in wills.
For single life learning is well enough,
But marriage should be made of sterner stuff.
Should Cato's fame her pious soul attract,
The whole world cries, The woman must be cracked.
What! wed with Virtue! Is the girl awake?
Sure, she confounds the altar with the stake.
Send for the doctor. Try a change of air.
Swear Cato drinks. In war and love all's fair.
Bring Croesus to the front. At four he's freeThere's no one left to swindle after three.
In one brief hour behold him curled and drest,
And borne on wings of fashion to the West!
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What though to regions fondly deemed refined,
He brings his City manners, City mind,
And cynics titter?-he laughs best who wins,A Greenwhich dinner covers many sins.
What! dine with Croesus? Surely. Is a feast
One jot the worse because the host's a beast?
He's worse than that-a snob-a cad. Agreed;
But then his goblets smack of Ganymede?
Do some strange freaks his conversation mar?
He stops your censure with a prime cigar.
A Norway stream, a shooting-lodge in Perth,
In practice look uncommonly like worth.
The Town to hear some new soprano flocks.
You long to go? Well, Croesus has a box.
How at this hour are tickets to be got
For the Regatta? Croesus has a yacht.
Goodwood is here. Your hopes begin to flag.
One chance awaits you: Croesus has a drag.
You doat on Flower-shows: Croesus has a bone.
Be friends with Croesus, and the World's your own.
Who could resist seductions such as these?
Or what could charm, if Croesus failed to please?
Blinded and bribed, the critical are cured,
And loud extol whom late they scarce endured.
Caressed and courted, Croesus grows the rage,
The type and glory of our Golden Age;
And Cato, Hylas, Solon, shoved aside,
Our heavenly maid is hailed as Croesus' bride.
Shade of Lucretius! if thy lyre waxed wild
With sacred rage for Clytemnestra's child,
And nought could hold thee as thy soul surveyed
The cursëd ills Religion can persuade,
How would thy verse impetuously shower
Sonorous scorn on Gold's atrocious power;
Embalm its victims with a touch divine,
And damn the monster in one sounding line!
Can honeyed forms or stereotyped applause
Alter the scope of Heaven's eternal laws?
What though with gifts should massive sideboards groan,
And every heart be glad except her own,
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And troops of blooming girls behold with pride,
Perchance with envy, this resplendent bride;
Though vieing voices hail her Fashion's queen,
And even a Bishop's blessing crown the scene,
No rites, no rings, no altars, can avail
To make a sacred contract of a sale,
Stir the far depths of the reluctant mind,
Or join the hearts which love hath failed to bind.
If soul stands passive whilst the flesh is sold,
Is there no foul aroma in the gold?
Is the base barter covered by the price,
And do huge figures make the nasty nice?
The nameless outcast, prowling for her prey,
Renews her filthy bargain day by day;
Let Croesus give her what he gave his wife,
She's virtuous too-at least, she's his for life.
Croesus-but hold! Let Charity presume
That Croesus' wife but dimly knew her doom.
The luckless maid, since knowledge comes too late,
In splendour seeks oblivion of her fate;
Of every tender pious aim bereft,
Hugs in despair the only idol left;
In alien worship seeks to be consoled,
And builds her hopes of happiness on Gold.
Gold rules her steps, determines her desiresMere puppet she, whilst Mammon jerks the wires.
Futile to ask if London suits her healthWould you consult her doctor, not her wealth?
You soon are answered: Whether ill or well,
A house in Town is indispensable.
Where shall it be? On gravel or on clay?
Wherever tenants have the most to pay.
Price is the thing, not soil. If Fashion's camp
Be pitched just here, what matter dry or damp?
But, health apart, 'tis known that Croesus' wife,
If left to choose, prefers a country life.
Well, she shall have it when the Parks are brown,
And Fashion, wearied, hath dispersed the Town.
But whilst the woods are leafy, and the lanes
With lush wild-flowers rob life of half its pains;
While sweetest scents and softest sounds combine
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To make existence, did they last, divine;
Not for the world must Croesus' wife be missed
From fetid streets, foul rooms, and Fashion's list;
And only thence to rural refuge flies
As, self-exhausted, pleasant Summer dies.
Say, shall we marvel, amid scenes like these,
With all to dazzle, but with nought to please,
If links of simple gold should fail to cleave,
And tempters prompt their webs not vainly weave?
See, Plutus, first in each ignoble strife,
Battered and bored, bethinks him of a wife.
The happy tidings, spreading through the West,
Fires each maternal mercenary breast.
The soaring dames parade their daughters' charms,
To lure the hug of Plutus' palsied arms;
And as brave Eld for one fair woman fought,
For one foul man our world to rage is wrought.
At last, opining he might chance do worse,
Plutus to proud Olympia flings his purse.
Olympia lifts it with triumphant smile,
Whilst round her crowds congratulating guile,
Escorts her to the altar, decks her brows
With orange-buds, then leaves her with her spouse,
Who, though his suit by golden showers throve,
Can grasp his Danaë with no thews of Jove.
O, who shall tell Olympia's tale aright,
Each splendid day, each miserable night;
Her thirst divine by human draughts but slaked,
Her smiling face whilst the heart sorely ached,
Or note the edge whence one we loved so well
To sweet, seductive, base perdition fell?
I cast no stone, but half by rage consoled,
I snatch the lyre and curse this fiendish Gold.
Though Beauty's fame oft spreads through all the land,
Splendour is far more curiously scanned;
And they who once upon Olympia threw
A passing glance, since she was fair to view,
Now gilded pomp and Ostentation's choir
Attend her path, of gazing never tire;
Suck up her speech, translate her silent eyes,
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Each movement, look, and posture scrutinise,
Stalk all her steps, as matron, friend, and wife,
And feed in greedy gossip on her life.
Not mine to follow to the noisome den
Where woman's frailty stands the gaze of men,
And well-coached menials, limed with gold, detail
The piteous scenes that pass behind the veil.
Enough to know that, thanks to wealth, once more
Plutus can woo, e'en richer than before.
The tottering cuckold leaves the court consoled;
Considerate juries tip his horns with Gold!
Sure some malicious demon in the brain
It needs must be, drives men reputed sane
To spurn the joys adjacent to their feet,
In the fond chase of this receding cheat?
Say, when the Stoic on his tranquil height,
And swinish crowd, sweating in miry fight,
In every age a like conclusion reach,
And sage and simple one same sermon preachThat whether Heaven hath made one serf or king,
Reason alone true happiness can bringCan we but stand astounded as we scan
This race untaught, unteachable, called Man?
Would you be truly rich, how small the heap
Your aims require, the price how passing cheap!
A modest house, from urban jars removed,
By thrist selected, yet by taste approved;
Whose walls are gay with every sweet that blows,
Whose windows scented by the blushing rose;
Whose chambers few to no fine airs pretend,
Yet never are too full to greet a friend;
A garden plot, whither unbidden come
Bird's idle pipe and bee's laborious hum;
Smooth-shaven lawn, whereon in pastime's hours
The mallet rings within a belt of flowers;
A leafy nook where to enjoy at will
Gibbon's rich prose or Shakespeare's wizard quill;
A neighbouring copse wherein the stock-doves coo,
And a wild stream unchecked sings all day through;
Two clean bright stalls, where midday, night, and morn,
Two good stout roadsters champ their well-earned corn;
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A few learned shelves from modern rubbish free,
Yet always, Mill, with just a place for Thee;
Head ne'er at dawn by clownish bouts obscured,
And limbs by temperate exercise inured;
A few firm friendships made in early life,
Yet doubly fastened by a pleasant wife;
A wholesome board, a draught of honest wine;This is true wealth; and this, thank Heaven, is mine!
And though you ransacked worlds from shore to shore,
From sea to sky, you could not give me more.
And if, all these beyond, I still should crave
Something impossible this side the grave,
Let humbler souls my soaring hopes forgiveAfter my life still in my verse to live.
Well would it be if Mammon's feverish rage
Did but the vulgar and the base engage;
If those alone whose undistinguished name,
Haply if fouled, would shed no slur on Fame,
Sought in this sordid, despicable strife,
To find the good and snatch the crown of life.
But in the mire of venal fight embroiled,
Have we not seen the noblest scutcheons soiled?
Not the proud thought that many a splendid fray,
When crowns obeyed the fortunes of the day,
To stalwart arms its pregnant issue owed,
Whose glorious blood in their own body flowed;
Not the remembrance that their sires did share
The toils that made this England great and fair;
Not their resplendent pedigree, nor all
The line of haught fierce faces on the wall,
That tells the tale of their ancestral hall,
Have yet availed, in days like these, to hold
Men, thus seduced, from the coarse race for Gold.
Have we not seen the generous beast, whose sires
Once bore their fathers into battle's fires,
By titled gamblers' mercenary taste
His once stout loins to nimble flanks debased,
Made for curst gold to sweat through all his pores,
The panting pet of blacklegs, lords, and whores?
On such a course what dismal woes await,
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Let the world learn by young Lucullus' fate.
Whilst yet the bloom of boyhood matched his cheek,
And all his duty was to master Greek.
Make a long score, bound o'er the running brook,
Cleave the clear wave, Lucullus had a book.
No glorious volume was't, whose subtle page
The wisdom breathed of many a studious age.
No wealth of wit, no Learning's garnered sheaves
Lay, like a treasure, lurking in its leaves.
But, in their place, crabbed Calculation scrawled
Symbols which shocked and figures that appalled.
Not for sweet Fancy, nor the simple stake
Of generous sports, did he his tasks forsake.
Ere sentiment could move, or sense control,
Adventurous Greed had swallowed up his soul.
If Gold Acrisius' Tower of Brass could flout,
How will the playground shut the monster out?
Thus by his own base instincts first betrayed,
The race of harpies lend their shameful aid,
With evil eye his smiling lands behold,
And smooth his path to infamy with gold.
At length behold him grown to man's estate,
Rich, noble, noted, lord of his own fate.
Here Duty beckons, Honour there incites,
And Love entices to its saving rites.
He heeds them not; he joins the madding crowd,
King of the base, the vulgar, and the loud;
Builds his most precious friendships on a bet,
And through the gutter trails his coronet.
Vain fool! inflamed by flattery and conceit,
He marks no pitfalls yawning at his feet;
But, winning, deems the cunning snare his luck,
And losing, pays, to plume him on his pluck;
Accepts each challenge, doubles every stake,
While tipsy plaudits follow in his wake.
But what avails, if Fortune quits his side?
Curse on the jade, he cries, she always lied!
Well, now's an end! . . . A comrade plucks his gown:
An end as yet, man! cut the timber down.
The luck will turn; you lost for want of skill;
Come, play again-you'll win. . . . By G-, I will!
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Done soon as said. The swift sure axe resounds
Through the green stretch of his ancestral grounds.
The soaring elm, whose topmost boughs defied
The scaling valour of his boyish pride;
The umbrageous beech, beneath whose courtly shade
The loves that issued in his life were made;
The lordly oak, young when his line was young,
To which with pride inherited had clung
His sires and they from whom his sires were sprung;
Behold them now, around the naked hall,
One after one in fell succession fall.
Lo, the wide woods which centuries had seen
By frosts unmoved, mid thunder-fugues serene,
By thousand suns, by tens of thousand showers,
Fostered and fed, one greedy day devours.
And all in vain! Lured by the severed spoil,
The foul fierce harpies fasten on the soil.
`My lands on luck.' We take you. Clear the course;
Twenty to one upon Lucullus' horse!
One minute more, and poor Lucullus flies,
The beggared heir of all the centuries.
Then scoffed, and scourged, and stripped of all his wealth,
His last friends leave him-energy and health.
Anxiety and fierce Excitement's flame
Have scorched his blood and shrivelled up his frame.
`Plum to a pony!' hear the cripple call;
`Ere six months pass, the grave will end it all.'
Lucky at last, he wins his bootless bet,
And dies of drink, debauchery, and debt.
Gone are the times indeed when savage Might
Usurped the throne and claimed the wage of Right.
No longer now the tiller of the soil
Sees his fair fields the lusty robber's spoil;
No timid burgher now grows rich by stealth,
Lest some rude noble swoop upon his wealth;
The quiet citizen no longer fears
A raid upon his money or his ears,
That local turmoil or imperial strife
Will wreck his home or leave him bare for life.
But say, is Force the only fearful foe,
502
Or the keen Sword worst source of human woe?
Wielding base weapons Violence disdained,
Cunning prevails where once Compulsion reigned.
The tyrant's lance, Oppression's piercing shaft,
Torment no more, but abdicate to Craft.
Could feudal despot swooping on his prey,
Could bandit burning for the unequal fray,
Could fire, sword, famine, spread more wreck abroad,
Than marks the path of Greed allied with Fraud;
Or waits on life, where no rude signs portend
When the dread bolt of Ruin will descend?
See the poor father, who for years has toiled,
At one fell stroke of all his store despoiled.
His was the pious wish, by daily care
And safe degrees to make his hearth more fair;
His the ambition-far too meek to roamTo swell the simple luxuries of home;
By loving thrift to deck his comely spouse
With some poor gem, the summit of her vows;
To instruct his boys in every generous art
Which trains the man to act a shining part;
By culture's aid to see his daughters armed
With each fair grace that in their mother charmed;
Year after year, as strength and vigour waned,
To find his fondest forecasts all attained;
And then, since faithful to the final stage,
Doff the hard harness from the back of age.
But watchful Greed with jealous eye beheld
Day after day his little earnings swelled;
Studied the tender workings of his mind,
Marked the fond aims to which his heart inclined;
With specious lips his trusting senses stole,
And with false visions fired his prudent soul.
Poor wretch! but yesterday in modest state
He lived, secure from every bolt of Fate.
To-day, he wanders feverish and depressed,
As though whole Andes weighed upon his breast.
To-morrow, back unto his home he crawls,
A beggared man, and at the threshold falls.
Now will no more his trustful wife behold
The gladsome face returning as of old,
503
And read in sparkling eye and smiling cheek
The day's good tidings e'en before he speak;
Never again in hastening footsteps guess
Some pretty love-gift, token of success.
Their blooming boys, for whom parental hope
So oft had cast the fairest horoscope,
And seen with fond anticipating eyes
Each proud successive civic honour rise,
Torn from their noble studies, have to crave
From base pursuits the pittance of a slave,
Pour the soul's wine into the body's sieve,
And grand life lose in mean attempts to live.
Perchance, at home their humble wants denied,
Gaunt Hunger drives them from their mother's side;
Leaves her to weep alone o'er what hath been,
And places ocean, pitiless, between.
The tender girls, their father's pride and joy,
Whose dreams a fiend had scrupled to destroy;
From childhood's earliest days whose only care
Was to be gracious, virtuous, and fair,
And who from Heaven could nothing else implore
Save to be all their mother was before;
Who pictured as their perfect scheme of life
A clinging daughter and a helpful wife,At one rude flash behold the world enlarge,
And stand, pale victims, trembling on the marge.
Little, alas, now boots it where they roam,
Since they must leave the tranquil shores of home.
Whether, poor slaves, they crawl with aching feet
Hour after hour from dreary street to street,
Or, as in mockery of home, alas!
Beneath the stranger's icy portal pass,
And thankless task and miserable wage
Their exiled cheerless energies engage,
Their youth, their life, is blasted at the core,
And Hope's sweet sap will mount their veins no more.
Should every door their humble prayers repel,
Scorning to buy what Hunger kneels to sell,
And they, half thankful that the strangers spurn,
To their own roof be driven to return,
How strange the scene that meets their wearied gaze!
How changed the hearth, the home, of other days!
504
Contracting Care usurps the mother's face,
Whose smiles of old spread sunshine through the place.
Alone she weeps; but should she chance to hear
Her husband's steps, she hides the furtive tear;
Follows his movements with an anxious dread,
Studies his brow, and scans his restless tread;
Assails his woe with every female wile,
Prattles of hope, and simulates a smile.
He, broken man, wrapt in perpetual gloom,
Wanders anon from vacant room to room;
Then, creeping back, the image of despair,
With a deep sigh he sinks into his chair.
He seldom speaks; and when his voice is heard,
Peevish its tone, and querulous his word;
And vain laments and childish tears attest
The lamp of life is dying in his breast.
Perhaps his death some timely pittance frees,
Secured by prudence in their days of ease;
And, O the pity! posthumous relief
Stanches love's wounds, and blunts the edge of grief.
Unless, indeed-for this too hath been knownAll-grasping Greed hath made that mite its own,
Filched from the widow her last hopes of bread,
And whom it ruined living, plunders dead!
These are thy triumphs, Gold! thy trophies these,
To nurture fraud, and rob the world of ease,
Faith to befool, young genius to seduce,
And blight at once its beauty and its use.
Thine is the bait, as loveless hearths avouch,
Which drags fresh victims to the venal couch;
Thine the foul traps wherewith our ways are rife,
That lure them first, then close upon their life;
Thine, thine the springes, set in regions fair,
Whose unseen nooses strangle whom they snare;
The cynic glory thine to lie in wait
To make men little who had else been great,
Frustrate our plenty, aggravate our dearth,
And keep eternal feud 'twixt Heaven and Earth!
Lo, where huge London, huger day by day,
505
O'er six fair counties spreads its hideous sway,
A tract there lies by Fortune's favours blest,
And at Fame's font yclept the happy West.
There, as by wizard touch, for miles on miles,
Rise squares, streets, crescents of palatial piles.
In the brave days when England's trusty voice
Made grappling rivals tremble or rejoice;
When, foremost shield of Weakness or of Right,
She scorned to warn unless resolved to smite;
When, few but firm, her stalwart children bore
The terror of her Flag from shore to shore,
Purged Christ's dear tomb from sacrilege and shame,
And made the Moslem quake at Richard's name;
Taught the vain Gaul, though gallant, still to kneel,
And Spain's proud sons the weight of northern steel;Then were her best in no such splendour nursed
As now awaits her basest and her worst.
No kingly Harry glittering with renown,
No Edward radiant in a peaceful crown,
Was housed as now, at turn of Fortune's wrist,
Some lucky navvy turned capitalist,
Some convict's bastard who a-sudden shines
In the bright splendour of Australian mines,
Or subtle Greek, who, skilled in Eastern ways,
Exposes all Golconda to our gaze.
These, as to Pomp's pretentious peaks they rush,
Heed not the crowds their sordid conquests crush:
Secure in glaring opulence, they scan
With placid eyes the miseries of man;
Fat units, watch the leanness of the whole,
And gag remonstrance with a paltry dole:
Mid harrowing want, with conscience unafraid,
Die on the golden dirt-heaps they have made.
Here Plenty gorges gifts from every zone,
There thankful Hunger gnaws its meagre bone;
Profusion here melts more than pearls in wine,
There craves gaunt Penury some shucks from swine;
And whilst rich rogues quaff deep round roaring fires,
At Dives' portal Lazarus expires!
Betwixt these fierce extremes of wealth and woe,
A crowd of strugglers hustles to and fro,
506
Whose one sole aim and only hope in life
Are just to wrench subsistence from the strife.
To what base shifts these hideous straits compel
The straining wretches, let our records tell.
Victims of greedy Competition's craft,
We drain cheap poison in each sparkling draught,
Purchase a lie in every vaunted ware,
And swallow filth in the most frugal fare.
Building a refuge for our age, we find
The crumbling mortar lets in wet and wind;
Face the rude waves, by science freed from awe,
To sink, poor dupes, on life-belts made of straw!
Nor this the worst! When ripened Shame would hide
Fruits of that hour when Passion conquered Pride,
There are not wanting in this Christian land
The breast remorseless and the Thuggish hand,
To advertise the dens where Death is sold,
And quench the breath of baby-life for gold!
Nor man alone, case-hardened man, surveys
These shocking contrasts with a careless gaze.
Fair melting woman of the tender breast
Here finds no room for pity as her guest.
Unsexed, she strains to Ostentation's goal,
While Splendour's dreams demoralise her soul;
Drains, like a goddess, hecatombs of lives,
Nor heeds who lags, provided she arrives.
See Claribel, by every gift designed
Mid anguish keen to be an angel kind,
Once plunged in rival factions' golden fight,
Turned to a demon in her own despite.
Behold, to-morrow in the Royal smile
Will bask the birth and wealth of all the Isle.
She, long abroad, received the summons late.
What's to be done? Nor time nor tide will wait.
She turns her wardrobe over, racks her brain;
Nothing will do. She wants a dress and train.
Drive to the modiste's. Not a finger free.
There's only Clara. Clara let it be.
But Clara's sick and sorry. Give her gold;
Her aches will cease, her sorrows be consoled.
507
It must be done. Sure Lilian there will glow
In gorgeous newness decked from top to toe;
Shall it be said that Claribel did less?
To-morrow, then, in time the train and dress.
So Clara drags her weary limbs from bed,
O'er the brave finery hangs her throbbing head;
Still as her senses swim sews on and on,
Till day dies out and twilight pale is gone.
Then, by the taper's soft and silent light,
Like a pale flower that opens most by night,
Her pace she quickens, and the needle moves
Subtler and swifter through the gauzy grooves;
But as the dawn on guttering sockets gains,
Her tired lids drop, and sleep arrests her pains.
But sleep how short! She feels her shoulder clutched:
`Clara, awake! the train's not even touched!
Day strides apace. See, there's the morning sun,
And ere again he sinks, 't must all be done.'
Again, again, the shooting thread she plies,
In silent agony of smothered sighs.
She seems to breathe her breath into the gown,
To give it life the while she lays hers down.
Fast as the task advances set by pride,
So fast within her ebbs the vital tide.
The daylight goes, and softly comes the moon's,
And then poor Clara over the last stitch swoons.
Meanwhile, the panting Claribel awaits
The precious gown within her golden gates.
It comes-it comes. Now who shall shine her down?
Not Lilian, surely? No, not the entire Town.
She not for worlds had lost this courtly chance;
And Clara dies that Claribel may dance!
If private worth, thus languishing, expires,
Will public Virtue keep alive her fires?
The slaves of wealth, in Britain as in Rome,
Bring to the Forum vices formed at home.
First the community, and then the State,
Falls to their fangs, which naught can satiate.
Not born nor bred to rule, of culture void,
508
And by no wave of young ambition buoyed,
Anxious on heights conspicuous to flaunt
Nought but the tawdry trophies they can vaunt,
They woo the grasping crowd with golden guile,
And spread Corruption's canker through the Isle.
You want a seat? Then boldly sate your itch.
Be very radical, and very rich.
Sell your opinions first to please the pure,
Then buy the sordid, and your triumph's sure.
Do all, in brief, that honest men abhor,
And England hails another Senator.
See the vain Tribune who, in lust of power,
Bows to the base exactions of the hour,
And, fooled by sycophants, stands forth at last
A devotee turned sworn iconoclast!
Behind him sit dense rows of golden mutes,
Deaf to whate'er demonstrates or refutes,
Ready to vote, rescind, obey in all
The whip demands, as hounds the huntsman's call.
They neither know nor reck what helpful deeds
In this grave hour their perilled Country needs.
They want to see their daughters nobly wed,
Their wives at Court, their own names trumpeted,
Their private Bills advanced another stage,
Their schemes of plunder foisted on the age.
Leave them but these, the gamblers come to call,
Nor heed an Empire nodding to its fall!
When Power is built on props like these, how vain
The hope that Law the giddy will restrain!
Spoilt by twin sops, servility and gold,
The headstrong crowd is then but ill controlled.
In vain they now would sway who lately served,
And Riot cows Authority unnerved.
Better that such base compromise should end,
And the dread bolt of Anarchy descend!
Goths of the gutter, Vandals of the slum,
Thieves and Reformers, come! Barbarians, come!
Before your might let rails and rules be hurled,
And sweep Civilisation from the world!
509
Nor now, alas, do Commoners alone
To private ends the public weal postpone.
Those too, whom worth ancestral plants on seats
High above where all vulgar Clamour beats,
With paltry fear to their clipped ermine cling,
And shrink from right, lest right should ruin bring.
The Peers stand firm; the Commons disagree.
The Peers be-well, it now is close on three.
By five, a world of reasons will be found.
Throw Jonas over, or the ship's aground.
You know the fury of the hand that steers;
And what were Britain with no House of Peers?
Would Primogeniture its fall survive,
Or even Property be kept alive?
Let Herbert fume, or frantic Cecil chafe,
Better a deal to choose the side that's safe;
Bow to the will of Finlen and his hordes,
And still thank Heavën for a House of Lords!
Thus may the British breast exult to think.
That noble names can sell ignoble ink;
That ill-got gains, if deftly spent, unlock
Birth's choicest circles to the ambitious smock;
That Dives foul mounts fine Aristo's stairs,
If but Aristo Dives' plunder shares;
And half Debrett urbanely flocks to White's,
To back the boor who saves them from the kites.
His son succeeds him. `Make the son a Peer.
Why not? His income's eighty thousand clear.
New blood is wanted. Here's the very stuff.
Besides, he wields the county vote.' Enough.
But hold! there's Cato. `Cato! are you sane?
Why, Cato's means but one small hearth sustain.
Ennoble Cato, you'll have Peers for life,
Or else forbid the man to take a wife.
He can't maintain the necessary state,
And would you have a poor name legislate?
No, Dives' son's the very man we need.
What says the Crown?' The Crown! Of course, Agreed.
And the young fool, enriched by parent knaves,
From Ruin's jaws our Constitution saves!
Is there no path of honour for the great,
510
No sound and clean salvation for the State?
Must we for ever fly to shifts like this,
And trust to Gold to save us from the abyss?
Must honours old by new-got wealth be vamped,
And Valour's stock by plutocrats be swamped?
Back to your lands, base sons of splendid sires!
From spendthrift squares back to your native shires!
Back, back from Baden, and leave Homburg's shades
To dazzling Jews and mercenary jades.
Leave London's round of vulgar joys to those
Who seek in such from base pursuits repose.
Cease to contend with upstart Wealth's parade,
To wring your lands to vie with tricks of trade;
And, proudly spurning Glitter's transient lies,
At least be honest, if you can't be wise!
Worship your household gods, and spend at home
The solid earnings of the generous loam.
Delve, fence, and drain; the dripping waste reclaim;
With spreading woodlands multiply your fame.
Yours let it be to screen the reverent hind,
Who loves your presence, 'gainst the frost and wind;
Scorning to count the profit, raise his lot;
Lure the shy Graces to his lowly cot;
Be, one and all, acknowledged, far and wide,
Patriarchs and patterns of the country side.
And whether demagogues shall rise or fall,
A Cleon mount, or Boänerges bawl,
True to yourselves and native duty, thus
Save this poor England by being virtuous!
And you, Sir, hope of this once famous isle,
Round whom its halo plays, its favours smile,
Hark to the Muse, which, poised on Candour's wings,
Flouts the base crowd, but scorns to flatter kings.
Hark, while she tells you, nor her counsel spurn,
From giddy Pleasure's gilded toys to turn;
That not from minions opulent or coarse
Do Princes gain their lustre and their force;
That Reverence anchors not in deep carouse,
And that a Crown fits only kingly brows!
Fired by each bright example, shun the shade,
Where Scandal best can ply her noxious trade.
511
Learn from your pious Father how to share
With hands, too lonely now, a Kingdom's care.
Be by your fair loved Consort's pattern moved,
And like your virtuous Mother, stand approved;
Do for this England all the Sceptre can,
And be at least a stainless gentleman.
Be this too much, you well may live to find
That firmest Thrones can fail the weak and blind,
And, though no Samson, sharing half his fate,
Pull down the pillars of a mighty State!
Whilst our domestic fortunes thus obey
All-searching Gold's demoralising sway,
We hug the limits of our puny shore,
And Glory knows our once great name no more.
First are we still in every bloodless fray,
Where piles of gold adventurous prows repay;
But when flushed Honour sets the world on fire,
We furl our sails and to our coasts retire;
And, basely calm whilst outraged nations bleed,
Invent new doctrines to excuse our greed.
When gallant Denmark, now the spoiler's prey,
Flashed her bright blade, and faced the unequal fray,
And, all abandoned both by men and gods,
Fell, faint with wounds, before accursèd odds,Where, where was England's vindicating sword,
Her promised arm, to stay the invading horde;
Bid the rude German drop his half-clutched spoil,
And scare the robber from ancestral soil?
The fair young Dane, beloved by every Grace,
And all the Virtues shining in her face,
Who, more an angel than a princess deemed,
Withal was even sweeter than she seemed,
With noisy throats we summoned o'er the foam,
And with cheap cheers escorted to her home.
But when with streaming eye and throbbing breast
She, pious child, her loving fears confessed,
And, leagued with Honour's voice and Valour's ire,
Prayed us to save her country and her sire,
We turned away, and opulently cold,
Put back our swords of steel in sheaths of gold!
512
And yet what sandy base doth Gold afford,
Though crowned by Law, and fenced round by the Sword,
Learn from that Empire which, a scorn for aye,
Grew in a night and perished in a day!
Helped by a magic name and doubtful hour,
See the Adventurer scale the steeps of Power.
Upon him groups of desperate gamesters wait,
To snatch their profit from a sinking State.
Folly, and Fate which Folly still attends,
Conspire to shape and expedite their ends.
The Hour, the Man are here! No pulse? No breath?
Wake, Freedom, wake! In vain! She sleeps like Death.
The impious hands, emboldened by her swoon,
Choke in the night, and slay her in the noon!
Then, when vain crowds with dilatory glaive
Rush to avenge the life they would not save,
The prompt conspirators with lavish hand
Fling their last pieces to a pampered band,
Bribe cut-throat blades Vengeance' choked ways to hold,
And bar the avenues of rage with gold!
Then mark how soon, amid triumphant hymns,
The Imperial purple girds the blood-stained limbs.
The perjured hands a golden sceptre gain,
A crown of gold screens the seared brow of Cain,
And golden eagles, erst of simpler ore,
Assert the Caesar, and his rod restore.
See round his throne Pomp's servile tributes swell,
Not Nero knew, e'er Rome to ruin fell,
Far from his feet the lust of glitter spread,
And the vain herd on Splendour's follies fed!
Nor they alone, the shallow, base, and gay,
Bend to this Idol with the feet of clay:
Statesmen and soldiers kneel with flattering suit,
Kings are his guests, e'en queens his cheeks salute;
Senates extol him, supple priests caress,
And even thou, O Pius, stoop'st to bless!
And the World's verdict, ever blind as base,
Welcomes the `Second Saviour' of the race!
And yet how weak this Empire girt with gold
Did prove to save when Battle's torrents rolled,
513
Have we not seen in ruin, rout, and shame,
Burnt deep in Gaul's for ever broken fame?
What then availed her courts of pomp and pride,
What her bright camps with glittering shows allied?
What, in that hour, the luxury which passed
To soldiers' lips the sybarite repast?
Did all her gold suffice, when steel withstood
Her stride, to make her rash, vain challenge good?
Behold her Chief, in comfort longwhile slung,
By War's rough couch and random fare unstrung
His vaunted Leaders, who to Power had mown
Their path with swords that propped a venal Throne,
Brandishing rival blades, his brain confound,
While still, but sure, the solid foe press round.
See her soft sons, whom arms enervate lead,
Spurn the long marches which to victory speed,
And, fondly deeming Science served by Wealth
Will snatch the fight at distance and by stealth,
Smitten with fear at Valour's downright face,
And taught swift limbs in Flight's ignoble chase!
See one, see all, before the Victor fleet,
Then lay their swords, submissive, at his feet!
O hapless France! e'en then insurgent ire
Had your soiled scutcheon lifted from the mire,
Placed the bright helm on Honour's front once more,
And laurels reaped more lasting than of yore,
Had not rich ease your manhood's marrow stole,
And gold emollient softened all your soul.
O, what a sight-a sight these eyes beheldHer fair green woods by the invader felled;
Her fields and vineyards by the Teuton trod,
Those she once smote encamped upon her sod;
Her homes, in dread, abandoned to the foe,
Or saved from rapine by obsequience low;
Her cities ransomed, provinces o'erawed,
Her iron strongholds wrenched by force or fraud;
Her once proud Paris grovelling in the dust,
And-crowning irony, if lesson justThe grasping victor, loth to quit his hold,
Coaxed slowly homewards o'er a bridge of gold!
514
Is there no warning, England, here, for thee?
Or are Heaven's laws balked by a strip of sea?
Are thy foundations, Albion, so approved,
Thou canst behold such downfall all unmoved?
Have we not marked how this Briarean Gold
Doth all our life and energies enfold?
And as our practice, so our doctrines tooWe shape new ethics for our vices new;
Our sires forswear, our splendid Past defame,
And in high places glory in our shame!
Hear our loud-tinkling Tribunes all declare
Once lavish England hath no blood to spare,
No gold to spend; within her watery wall
She needs to roll and wallow in it all.
Doth towering Might some poor faint Cause oppress,
They bid her turn, impartial, from distress;
Indulge her tears, but hide her ire from sight,
Lest a like doom her angry front invite.
And when this craven caution fails to save
Her peaceful fortunes from the braggart glaive,
They bid her still be moral and be meek,
Hug tight her gold, and turn the other cheek.
Her very sons, sprung from her mighty loins,
We aliens make, to save some paltry coins;
With our own hands destroy our Empire old,
And stutter, `All is lost, except our gold!'
With languid limbs, by comfortable fire,
We see our glories, one by one, expire;
A Nelson's flag, a Churchill's flashing blade,
Debased to menials of rapacious Trade;
Lost by a Cardwell what a Wellesley won,
And by a Gladstone Chatham's world undone!
Pale, gibbering spectres fumbling at the helm,
Whilst dark winds howl, and billowy seas o'erwhelm.
Yet deem you, England, that you thus will save,
Even your wealth from rapine or the grave?
Will your one chain of safety always hold,
Or `silver streak' for ever guard your gold?
If through long slumbrous years the ignoble rust
Of selfish ease your erst bright steel encrust,
When Storm impends, you vainly will implore
The Gods of Ocean to protect your shore.
515
Bribed by the foe, behold Britannia stand
At Freedom's portals with a traitress hand,
Help the Barbarian to its sacred hold,
Then, like Tarpeia, sink oppressed with Gold!
Perish the thought! O, rather let me see
Conspiring myriads bristling on the sea,
Our tranquil coasts bewildered by alarms,
And Britain, singly, face a World in arms!
What if a treacherous Heaven befriend our foes?
Let us go down in glory, as we rose!
And if that doom-the best that could betideBe to our Fame by envious Fate denied,
Then come, primeval clouds and seasons frore,
And wrap in gloom our luckless land once more!
Come, every wind of Heaven that rudely blows,
Plunge back our Isle in never-ending snows!
Rage, Eurus, rage! fierce Boreas, descend!
With glacial mists lost Albion befriend!
E'en of its name be every trace destroyed,
And Dark sit brooding o'er the formless Void!
~ Alfred Austin,#NFDB
1443:MANTIS EIM ESQLWN AGWNWN
--Oedip. Colon.
TO HIS EXCELLENCY PRINCE ALEXANDER MAVROCORDATO LATE SECRETARY FOR FOREIGN AFFAIRS TO THE HOSPODAR OF WALLACHIA THE DRAMA OF HELLAS IS INSCRIBED AS AN IMPERFECT TOKEN OF THE ADMIRATION, SYMPATHY, AND FRIENDSHIP OF THE AUTHOR.
PROLOGUE TO HELLAS
Herald of Eternity.
It is the day when all the sons of God
Wait in the roofless senate-house, whose floor
Is Chaos, and the immovable abyss
Frozen by His steadfast word to hyaline...
The shadow of God, and delegate
Of that before whose breath the universe
Is as a print of dew.
Hierarchs and kings
Who from your thrones pinnacled on the past
Sway the reluctant present, ye who sit
Pavilioned on the radiance or the gloom
Of mortal thought, which like an exhalation
Steaming from earth, conceals the...of heaven
Which gave it birth,...assemble here
Before your Father's throne; the swift decree
Yet hovers, and the fiery incarnation
Is yet withheld, clothd in which it shall
...annul
The fairest of those wandering isles that gem
The sapphire space of interstellar air,
That green and azure sphere, that earth enwrapped
Less in the beauty of its tender light
Than in an atmosphere of living spirit
Which interpenetrating all the...
...it rolls from realm to realm
And age to age, and in its ebb and flow
Impels the generations
To their appointed place,
Whilst the high Arbiter
Beholds the strife, and at the appointed time
Sends His decrees veiled in eternal...
Within the circuit of this pendent orb
There lies an antique region, on which fell
The dews of thought in the world's golden dawn
Earliest and most benign, and from it sprung
Temples and cities and immortal forms
And harmonies of wisdom and of song,
And thoughts, and deeds worthy of thoughts so fair.
And when the sun of its dominion failed,
And when the winter of its glory came,
The winds that stripped it bare blew on and swept
That dew into the utmost wildernesses
In wandering clouds of sunny rain that thawed
The unmaternal bosom of the North.
Haste, sons of God,...for ye beheld,
Reluctant, or consenting, or astonished,
The stern decrees go forth, which heaped on Greece
Ruin and degradation and despair.
A fourth now waits: assemble, sons of God,
To speed or to prevent or to suspend,
If, as ye dream, such power be not withheld,
The unaccomplished destiny...
Chorus.
The curtain of the Universe
Is rent and shattered,
The splendour-wingd worlds disperse
Like wild doves scattered.
Space is roofless and bare,
And in the midst a cloudy shrine,
Dark amid thrones of light.
In the blue glow of hyaline
Golden worlds revolve and shine.
In...flight
From every point of the Infinite,
Like a thousand dawns on a single night
The splendours rise and spread;
And through thunder and darkness dread
Light and music are radiated,
And in their pavilioned chariots led
By living wings high overhead
The giant Powers move,
Gloomy or bright as the thrones they fill...
A chaos of light and motion
Upon that glassy ocean...
The senate of the Gods is met,
Each in his rank and station set;
There is silence in the spaces
Lo! Satan, Christ, and Mahomet
Start from their places!
Christ.
Almighty Father!
Low-kneeling at the feet of Destiny. . .
There are two fountains in which spirits weep
When mortals err, Discord and Slavery named,
And with their bitter dew two Destinies
Filled each their irrevocable urns; the third,
Fiercest and mightiest, mingled both, and added
Chaos and Death, and slow Oblivion's lymph,
And hate and terror, and the poisoned rain. . .
The Aurora of the nations. By this brow
Whose pores wept tears of blood, by these wide wounds,
By this imperial crown of agony,
By infamy and solitude and death,
For this I underwent, and by the pain
Of pity for those who would...for me
The unremembered joy of a revenge,
For this I feltby Plato's sacred light,
Of which my spirit was a burning morrow
By Greece and all she cannot cease to be,
Her quenchless words, sparks of immortal truth,
Stars of all nighther harmonies and forms,
Echoes and shadows of what Love adores
In thee, I do compel thee, send forth Fate,
Thy irrevocable child: let her descend,
A seraph-wingd Victory [arrayed]
In tempest of the omnipotence of God
Which sweeps through all things.
From hollow leagues, from Tyranny which arms
Adverse miscreeds and emulous anarchies
To stamp, as on a wingd serpent's seed,
Upon the name of Freedom; from the storm
Of faction, which like earthquake shakes and sickens
The solid heart of enterprise; from all
By which the holiest dreams of highest spirits
Are stars beneath the dawn...
She shall arise
Victorious as the world arose from Chaos!
And as the Heavens and the Earth arrayed
Their presence in the beauty and the light
Of Thy first smile, O Father,as they gather
The spirit of Thy love which paves for them
Their path o'er the abyss, till every sphere
Shall be one living Spirit,-- so shall Greece--
Satan.
Be as all things beneath the empyrean,
Mine! Art thou eyeless like old Destiny,
Thou mockery-king, crowned with a wreath of thorns?
Whose sceptre is a reed, the broken reed
Which pierces thee! whose throne a chair of scorn;
For seest thou not beneath this crystal floor
The innumerable worlds of golden light
Which are my empire, and the least of them
...which thou wouldst redeem from me?
Know'st thou not them my portion?
Or wouldst rekindle the...strife
Which our great Father then did arbitrate
Which he assigned to his competing sons
Each his apportioned realm?
Thou Destiny,
Thou who art mailed in the omnipotence
Of Him who sends thee forth, whate'er thy task,
Speed, spare not to accomplish, and be mine
Thy trophies, whether Greece again become
The fountain in the desert whence the earth
Shall drink of freedom, which shall give it strength
To suffer, or a gulf of hollow death
To swallow all delight, all life, all hope.
Go, thou Vicegerent of my will, no less
Than of the Father's; but lest thou shouldst faint,
The wingd hounds, Famine and Pestilence,
Shall wait on thee, the hundred-forkd snake
Insatiate Superstition still shall...
The earth behind thy steps, and War shall hover
Above, and Fraud shall gape below, and Change
Shall flit before thee on her dragon wings,
Convulsing and consuming, and I add
Three vials of the tears which daemons weep
When virtuous spirits through the gate of Death
Pass triumphing over the thorns of life,
Sceptres and crowns, mitres and swords and snares,
Trampling in scorn, like Him and Socrates.
The first is Anarchy; when Power and Pleasure,
Glory and science and security,
On Freedom hang like fruit on the green tree,
Then pour it forth, and men shall gather ashes.
The second Tyranny--
Christ.
Obdurate spirit!
Thou seest but the Past in the To-come.
Pride is thy error and thy punishment.
Boast not thine empire, dream not that thy worlds
Are more than furnace-sparks or rainbow-drops
Before the Power that wields and kindles them.
True greatness asks not space, true excellence
Lives in the Spirit of all things that live,
Which lends it to the worlds thou callest thine...
Mahomet.
Haste thou and fill the waning crescent
With beams as keen as those which pierced the shadow
Of Christian night rolled back upon the West,
When the orient moon of Islam rode in triumph
From Tmolus to the Acroceraunian snow...
Wake, thou Word
Of God, and from the throne of Destiny
Even to the utmost limit of thy way
May Triumph...........
Be thou a curse on them whose creed
Divides and multiplies the most high God.
HELLAS
DRAMATIS PERSONAE
Mahmud.
Hassan.
Daood.
Ahasuerus, a Jew.
Chorus of Greek Captive Women.
The Phantom of Mahomet II.
Messengers, Slaves, and Attendants.
Scene, Constantinople. Time, Sunset.
Scene--A Terrace on the Seraglio. Mahmud sleeping, an Indian Slave sitting beside his Couch.
Chorus of Greek Captive Women.
We strew these opiate flowers
On thy restless pillow,
They were stripped from Orient bowers,
By the Indian billow.
Be thy sleep
Calm and deep,
Like theirs who fellnot ours who weep!
Indian.
Away, unlovely dreams!
Away, false shapes of sleep!
Be his, as Heaven seems,
Clear, and bright, and deep!
Soft as love, and calm as death,
Sweet as a summer night without a breath.
Chorus.
Sleep, sleep! our song is laden
With the soul of slumber;
It was sung by a Samian maiden,
Whose lover was of the number
Who now keep
That calm sleep
Whence none may wake, where none shall weep.
Indian.
I touch thy temples pale!
I breathe my soul on thee!
And could my prayers avail,
All my joy should be
Dead, and I would live to weep,
So thou mightst win one hour of quiet sleep.
Chorus.
Breathe low, low
The spell of the mighty mistress now!
When Conscience lulls her sated snake,
And Tyrants sleep, let Freedom wake.
Breathe lowlow
The words which, like secret fire, shall flow
Through the veins of the frozen earthlow, low!
Semichorus I.
Life may change, but it may fly not;
Hope may vanish, but can die not;
Truth be veiled, but still it burneth;
Love repulsed,but it returneth!
Semichorus II.
Yet were life a charnel where
Hope lay coffined with Despair;
Yet were truth a sacred lie,
Love were lust
Semichorus I.
If Liberty
Lent not life its soul of light,
Hope its iris of delight,
Truth its prophet's robe to wear,
Love its power to give and bear.
Chorus.
In the great morning of the world,
The Spirit of God with might unfurled
The flag of Freedom over Chaos,
And all its banded anarchs fled,
Like vultures frighted from Imaus,
Before an earthquake's tread.
So from Time's tempestuous dawn
Freedom's splendour burst and shone:
Thermopylae and Marathon
Caught, like mountains beacon-lighted,
The springing Fire.The wingd glory
On Philippi half-alighted,
Like an eagle on a promontory.
Its unwearied wings could fan
The quenchless ashes of Milan.[1]
From age to age, from man to man,
It lived; and lit from land to land
Florence, Albion, Switzerland.
Then night fell; and, as from night,
Reassuming fiery flight,
From the West swift Freedom came,
Against the course of Heaven and doom,
A second sun arrayed in flame,
To burn, to kindle, to illume.
From far Atlantis its young beams
Chased the shadows and the dreams.
France, with all her sanguine steams,
Hid, but quenched it not; again
Through clouds its shafts of glory rain
From utmost Germany to Spain.
As an eagle fed with morning
Scorns the embattled tempest's warning,
When she seeks her aerie hanging
In the mountain-cedar's hair,
And her brood expect the clanging
Of her wings through the wild air,
Sick with famine:Freedom, so
To what of Greece remaineth now
Returns; her hoary ruins glow
Like Orient mountains lost in day;
Beneath the safety of her wings
Her renovated nurslings prey,
And in the naked lightenings
Of truth they purge their dazzled eyes.
Let Freedom leavewhere'er she flies,
A Desert, or a Paradise:
Let the beautiful and the brave
Share her glory, or a grave.
Semichorus I.
With the gifts of gladness
Greece did thy cradle strew;
Semichorus II.
With the tears of sadness
Greece did thy shroud bedew!
Semichorus I.
With an orphan's affection
She followed thy bier through Time;
Semichorus II.
And at thy resurrection
Reappeareth, like thou, sublime!
Semichorus I.
If Heaven should resume thee,
To Heaven shall her spirit ascend;
Semichorus II.
If Hell should entomb thee,
To Hell shall her high hearts bend.
Semichorus I.
If Annihilation
Semichorus II.
Dust let her glories be!
And a name and a nation
Be forgotten, Freedom, with thee!
Indian.
His brow grows darkerbreathe notmove not!
He startshe shuddersye that love not,
With your panting loud and fast,
Have awakened him at last.
Mahmud
(starting from his sleep).
Man the Seraglio-guard! make fast the gate!
What! from a cannonade of three short hours?
'Tis false! that breach towards the Bosphorus
Cannot be practicable yetwho stirs?
Stand to the match; that when the foe prevails
One spark may mix in reconciling ruin
The conqueror and the conquered! Heave the tower
Into the gapwrench off the roof!
(Enter Hassan.)
Ha! what!
The truth of day lightens upon my dream
And I am Mahmud still.
Hassan.
Your Sublime Highness
Is strangely moved.
Mahmud.
The times do cast strange shadows
On those who watch and who must rule their course,
Lest they, being first in peril as in glory,
Be whelmed in the fierce ebb:and these are of them.
Thrice has a gloomy vision hunted me
As thus from sleep into the troubled day;
It shakes me as the tempest shakes the sea,
Leaving no figure upon memory's glass.
Would thatno matter. Thou didst say thou knewest
A Jew, whose spirit is a chronicle
Of strange and secret and forgotten things.
I bade thee summon him:'tis said his tribe
Dream, and are wise interpreters of dreams.
Hassan.
The Jew of whom I spake is old,so old
He seems to have outlived a world's decay;
The hoary mountains and the wrinkled ocean
Seem younger still than he;his hair and beard
Are whiter than the tempest-sifted snow;
His cold pale limbs and pulseless arteries
Are like the fibres of a cloud instinct
With light, and to the soul that quickens them
Are as the atoms of the mountain-drift
To the winter wind:but from his eye looks forth
A life of unconsumd thought which pierces
The Present, and the Past, and the To-come.
Some say that this is he whom the great prophet
Jesus, the son of Joseph, for his mockery,
Mocked with the curse of immortality.
Some feign that he is Enoch: others dream
He was pre-adamite and has survived
Cycles of generation and of ruin.
The sage, in truth, by dreadful abstinence
And conquering penance of the mutinous flesh,
Deep contemplation, and unwearied study,
In years outstretched beyond the date of man,
May have attained to sovereignty and science
Over those strong and secret things and thoughts
Which others fear and know not.
Mahmud.
I would talk
With this old Jew.
Hassan.
Thy will is even now
Made known to him, where he dwells in a sea-cavern
'Mid the Demonesi, less accessible
Than thou or God! He who would question him
Must sail alone at sunset, where the stream
Of Ocean sleeps around those foamless isles,
When the young moon is westering as now,
And evening airs wander upon the wave;
And when the pines of that bee-pasturing isle,
Green Erebinthus, quench the fiery shadow
Of his gilt prow within the sapphire water,
Then must the lonely helmsman cry aloud
'Ahasuerus!' and the caverns round
Will answer 'Ahasuerus!' If his prayer
Be granted, a faint meteor will arise
Lighting him over Marmora, and a wind
Will rush out of the sighing pine-forest,
And with the wind a storm of harmony
Unutterably sweet, and pilot him
Through the soft twilight to the Bosphorus:
Thence at the hour and place and circumstance
Fit for the matter of their conference
The Jew appears. Few dare, and few who dare
Win the desired communionbut that shout
Bodes
[A shout within.
Mahmud.
Evil, doubtless; like all human sounds.
Let me converse with spirits.
Hassan.
That shout again.
Mahmud.
This Jew whom thou hast summoned
Hassan.
Will be here
Mahmud.
When the omnipotent hour to which are yoked
He, I, and all things shall compelenough!
Silence those mutineersthat drunken crew,
That crowd about the pilot in the storm.
Ay! strike the foremost shorter by a head!
They weary me, and I have need of rest.
Kings are like starsthey rise and set, they have
The worship of the world, but no repose.
[Exeunt severally.
Chorus[2].
Worlds on worlds are rolling ever
From creation to decay,
Like the bubbles on a river
Sparkling, bursting, borne away.
But they are still immortal
Who, through birth's orient portal
And death's dark chasm hurrying to and fro,
Clothe their unceasing flight
In the brief dust and light
Gathered around their chariots as they go;
New shapes they still may weave,
New gods, new laws receive,
Bright or dim are they as the robes they last
On Death's bare ribs had cast.
A power from the unknown God,
A Promethean conqueror, came;
Like a triumphal path he trod
The thorns of death and shame.
A mortal shape to him
Was like the vapour dim
Which the orient planet animates with light;
Hell, Sin, and Slavery came,
Like bloodhounds mild and tame,
Nor preyed, until their Lord had taken flight;
The moon of Mahomet
Arose, and it shall set:
While blazoned as on Heaven's immortal noon
The cross leads generations on.
Swift as the radiant shapes of sleep
From one whose dreams are Paradise
Fly, when the fond wretch wakes to weep,
And Day peers forth with her blank eyes;
So fleet, so faint, so fair,
The Powers of earth and air
Fled from the folding-star of Bethlehem:
Apollo, Pan, and Love,
And even Olympian Jove
Grew weak, for killing Truth had glared on them;
Our hills and seas and streams,
Dispeopled of their dreams,
Their watrs turned to blood, their dew to tears,
Wailed for the golden years.
Enter Mahmud, Hassan, Daood, and others.
Mahmud.
More gold? our ancestors bought gold with victory,
And shall I sell it for defeat?
Daood.
The Janizars
Clamour for pay.
Mahmud.
Go! bid them pay themselves
With Christian blood! Are there no Grecian virgins
Whose shrieks and spasms and tears they may enjoy?
No infidel children to impale on spears?
No hoary priests after that Patriarch[3]
Who bent the curse against his country's heart,
Which clove his own at last? Go! bid them kill,
Blood is the seed of gold.
Daood.
It has been sown,
And yet the harvest to the sicklemen
Is as a grain to each.
Mahmud.
Then, take this signet,
Unlock the seventh chamber in which lie
The treasures of victorious Solyman,
An empire's spoil stored for a day of ruin.
O spirit of my sires! is it not come?
The prey-birds and the wolves are gorged and sleep;
But these, who spread their feast on the red earth,
Hunger for gold, which fills not.See them fed;
Then, lead them to the rivers of fresh death. [Exit Daood.
O miserable dawn, after a night
More glorious than the day which it usurped!
O faith in God! O power on earth! O word
Of the great prophet, whose o'ershadowing wings
Darkened the thrones and idols of the West,
Now bright!For thy sake cursd be the hour,
Even as a father by an evil child,
When the orient moon of Islam rolled in triumph
From Caucasus to White Ceraunia!
Ruin above, and anarchy below;
Terror without, and treachery within;
The Chalice of destruction full, and all
Thirsting to drink; and who among us dares
To dash it from his lips? and where is Hope?
Hassan.
The lamp of our dominion still rides high;
One God is GodMahomet is His prophet.
Four hundred thousand Moslems, from the limits
Of utmost Asia, irresistibly
Throng, like full clouds at the Sirocco's cry;
But not like them to weep their strength in tears:
They bear destroying lightning, and their step
Wakes earthquake to consume and overwhelm,
And reign in ruin. Phrygian Olympus,
Tmolus, and Latmos, and Mycale, roughen
With horrent arms; and lofty ships even now,
Like vapours anchored to a mountain's edge,
Freighted with fire and whirlwind, wait at Scala
The convoy of the ever-veering wind.
Samos is drunk with blood;the Greek has paid
Brief victory with swift loss and long despair.
The false Moldavian serfs fled fast and far,
When the fierce shout of 'Allah-illa-Allah!'
Rose like the war-cry of the northern wind
Which kills the sluggish clouds, and leaves a flock
Of wild swans struggling with the naked storm.
So were the lost Greeks on the Danube's day!
If night is mute, yet the returning sun
Kindles the voices of the morning birds;
Nor at thy bidding less exultingly
Than birds rejoicing in the golden day,
The Anarchies of Africa unleash
Their tempest-wingd cities of the sea,
To speak in thunder to the rebel world.
Like sulphurous clouds, half-shattered by the storm,
They sweep the pale Aegean, while the Queen
Of Ocean, bound upon her island-throne,
Far in the West, sits mourning that her sons
Who frown on Freedom spare a smile for thee:
Russia still hovers, as an eagle might
Within a cloud, near which a kite and crane
Hang tangled in inextricable fight,
To stoop upon the victor;for she fears
The name of Freedom, even as she hates thine.
But recreant Austria loves thee as the Grave
Loves Pestilence, and her slow dogs of war
Fleshed with the chase, come up from Italy,
And howl upon their limits; for they see
The panther, Freedom, fled to her old cover,
Amid seas and mountains, and a mightier brood
Crouch round. What Anarch wears a crown or mitre,
Or bears the sword, or grasps the key of gold,
Whose friends are not thy friends, whose foes thy foes?
Our arsenals and our armouries are full;
Our forts defy assault; ten thousand cannon
Lie ranged upon the beach, and hour by hour
Their earth-convulsing wheels affright the city;
The galloping of fiery steeds makes pale
The Christian merchant; and the yellow Jew
Hides his hoard deeper in the faithless earth.
Like clouds, and like the shadows of the clouds,
Over the hills of Anatolia,
Swift in wide troops the Tartar chivalry
Sweep;the far flashing of their starry lances
Reverberates the dying light of day.
We have one God, one King, one Hope, one Law;
But many-headed Insurrection stands
Divided in itself, and soon must fall.
Mahmud.
Proud words, when deeds come short, are seasonable:
Look, Hassan, on yon crescent moon, emblazoned
Upon that shattered flag of fiery cloud
Which leads the rear of the departing day;
Wan emblem of an empire fading now!
See how it trembles in the blood-red air,
And like a mighty lamp whose oil is spent
Shrinks on the horizon's edge, while, from above,
One star with insolent and victorious light
Hovers above its fall, and with keen beams,
Like arrows through a fainting antelope,
Strikes its weak from to death.
Hassan.
Even as that moon
Renews itself
Mahmud.
Shall we be not renewed!
Far other bark than ours were needed now
To stem the torrent of descending time:
The Spirit that lifts the slave before his lord
Stalks through the capitals of armd kings,
And spreads his ensign in the wilderness:
Exults in chains; and, when the rebel falls,
Cries like the blood of Abel from the dust;
And the inheritors of the earth, like beasts
When earthquake is unleashed, with idiot fear
Cower in their kingly densas I do now.
What were Defeat when Victory must appal?
Or Danger, when Security looks pale?
How said the messengerwho, from the fort
Islanded in the Danube, saw the battle
Of Bucharest?that
Hassan.
Ibrahim's scimitar
Drew with its gleam swift victory from Heaven,
To burn before him in the night of battle
A light and a destruction.
Mahmud.
Ay! the day
Was ours: but how?
Hassan.
The light Wallachians,
The Arnaut, Servian, and Albanian allies
Fled from the glance of our artillery
Almost before the thunderstone alit.
One half the Grecian army made a bridge
Of safe and slow retreat, with Moslem dead;
The other
Mahmud.
Speaktremble not.
Hassan.
Islanded
By victor myriads, formed in hollow square
With rough and steadfast front, and thrice flung back
The deluge of our foaming cavalry;
Thrice their keen wedge of battle pierced our lines.
Our baffled army trembled like one man
Before a host, and gave them space; but soon,
From the surrounding hills, the batteries blazed,
Kneading them down with fire and iron rain:
Yet none approached; till, like a field of corn
Under the hook of the swart sickleman,
The band, intrenched in mounds of Turkish dead,
Grew weak and few.Then said the Pacha, 'Slaves,
Render yourselvesthey have abandoned you
What hope of refuge, or retreat, or aid?
We grant your lives.' 'Grant that which is thine own!'
Cried one, and fell upon his sword and died!
Another'God, and man, and hope abandon me;
But I to them, and to myself, remain
Constant:'he bowed his head, and his heart burst.
A third exclaimed, 'There is a refuge, tyrant,
Where thou darest not pursue, and canst not harm
Shouldst thou pursue; there we shall meet again.'
Then held his breath, and, after a brief spasm,
The indignant spirit cast its mortal garment
Among the slaindead earth upon the earth!
So these survivors, each by different ways,
Some strange, all sudden, none dishonourable,
Met in triumphant death; and when our army
Closed in, while yet wonder, and awe, and shame
Held back the base hyaenas of the battle
That feed upon the dead and fly the living,
One rose out of the chaos of the slain:
And if it were a corpse which some dread spirit
Of the old saviours of the land we rule
Had lifted in its anger, wandering by;
Or if there burned within the dying man
Unquenchable disdain of death, and faith
Creating what it feigned;I cannot tell
But he cried, 'Phantoms of the free, we come!
Armies of the Eternal, ye who strike
To dust the citadels of sanguine kings,
And shake the souls throned on their stony hearts,
And thaw their frostwork diadems like dew;
O ye who float around this clime, and weave
The garment of the glory which it wears,
Whose fame, though earth betray the dust it clasped,
Lies sepulchred in monumental thought;
Progenitors of all that yet is great,
Ascribe to your bright senate, O accept
In your high ministrations, us, your sons
Us first, and the more glorious yet to come!
And ye, weak conquerors! giants who look pale
When the crushed worm rebels beneath your tread,
The vultures and the dogs, your pensioners tame,
Are overgorged; but, like oppressors, still
They crave the relic of Destruction's feast.
The exhalations and the thirsty winds
Are sick with blood; the dew is foul with death;
Heaven's light is quenched in slaughter: thus, where'er
Upon your camps, cities, or towers, or fleets,
The obscene birds the reeking remnants cast
Of these dead limbs,upon your streams and mountains,
Upon your fields, your gardens, and your housetops,
Where'er the winds shall creep, or the clouds fly,
Or the dews fall, or the angry sun look down
With poisoned lightFamine, and Pestilence,
And Panic, shall wage war upon our side!
Nature from all her boundaries is moved
Against ye: Time has found ye light as foam.
The Earth rebels; and Good and Evil stake
Their empire o'er the unborn world of men
On this one cast;but ere the die be thrown,
The renovated genius of our race,
Proud umpire of the impious game, descends,
A seraph-wingd Victory, bestriding
The tempest of the Omnipotence of God,
Which sweeps all things to their appointed doom,
And you to oblivion!'More he would have said,
But
Mahmud.
Diedas thou shouldst ere thy lips had painted
Their ruin in the hues of our success.
A rebel's crime, gilt with a rebel's tongue!
Your heart is Greek, Hassan.
Hassan.
It may be so:
A spirit not my own wrenched me within,
And I have spoken words I fear and hate;
Yet would I die for
Mahmud.
Live! oh live! outlive
Me and this sinking empire. But the fleet
Hassan.
Alas!
Mahmud.
The fleet which, like a flock of clouds
Chased by the wind, flies the insurgent banner!
Our wingd castles from their merchant ships!
Our myriads before their weak pirate bands!
Our arms before their chains! our years of empire
Before their centuries of servile fear!
Death is awake! Repulse is on the waters!
They own no more the thunder-bearing banner
Of Mahmud; but, like hounds of a base breed,
Gorge from a stranger's hand, and rend their master.
Hassan.
Latmos, and Ampelos, and Phanae saw
The wreck
Mahmud.
The caves of the Icarian isles
Told each to the other in loud mockery,
And with the tongue as of a thousand echoes,
First of the sea-convulsing fightand, then,
Thou darest to speaksenseless are the mountains:
Interpret thou their voice!
Hassan.
My presence bore
A part in that day's shame. The Grecian fleet
Bore down at daybreak from the North, and hung
As multitudinous on the ocean line,
As cranes upon the cloudless Thracian wind.
Our squadron, convoying ten thousand men,
Was stretching towards Nauplia when the battle
Was kindled.
First through the hail of our artillery
The agile Hydriote barks with press of sail
Dashed:ship to ship, cannon to cannon, man
To man were grappled in the embrace of war,
Inextricable but by death or victory.
The tempest of the raging fight convulsed
To its crystlline depths that stainless sea,
And shook Heaven's roof of golden morning clouds,
Poised on an hundred azure mountain-isles.
In the brief trances of the artillery
One cry from the destroyed and the destroyer
Rose, and a cloud of desolation wrapped
The unforeseen event, till the north wind
Sprung from the sea, lifting the heavy veil
Of battle-smokethen victoryvictory!
For, as we thought, three frigates from Algiers
Bore down from Naxos to our aid, but soon
The abhorrd cross glimmered behind, before,
Among, around us; and that fatal sign
Dried with its beams the strength in Moslem hearts,
As the sun drinks the dew.What more? We fled!
Our noonday path over the sanguine foam
Was beaconed,and the glare struck the sun pale,
By our consuming transports: the fierce light
Made all the shadows of our sails blood-red,
And every countenance blank. Some ships lay feeding
The ravening fire, even to the water's level;
Some were blown up; some, settling heavily,
Sunk; and the shrieks of our companions died
Upon the wind, that bore us fast and far,
Even after they were dead. Nine thousand perished!
We met the vultures legioned in the air
Stemming the torrent of the tainted wind;
They, screaming from their cloudy mountain-peaks,
Stooped through the sulphurous battle-smoke and perched
Each on the weltering carcase that we loved,
Like its ill angel or its damnd soul,
Riding upon the bosom of the sea.
We saw the dog-fish hastening to their feast.
Joy waked the voiceless people of the sea,
And ravening Famine left his ocean cave
To dwell with War, with us, and with Despair.
We met night three hours to the west of Patmos,
And with night, tempest
Mahmud.
Cease!
Enter a Messenger.
Messenger.
Your Sublime Highness,
That Christian hound, the Muscovite Ambassador,
Has left the city.If the rebel fleet
Had anchored in the port, had victory
Crowned the Greek legions in the Hippodrome,
Panic were tamer.Obedience and Mutiny,
Like giants in contention planet-struck,
Stand gazing on each other.There is peace
In Stamboul.
Mahmud.
Is the grave not calmer still?
Its ruins shall be mine.
Hassan.
Fear not the Russian:
The tiger leagues not with the stag at bay
Against the hunter.Cunning, base, and cruel,
He crouches, watching till the spoil be won,
And must be paid for his reserve in blood.
After the war is fought, yield the sleek Russian
That which thou canst not keep, his deserved portion
Of blood, which shall not flow through streets and fields,
Rivers and seas, like that which we may win,
But stagnate in the veins of Christian slaves!
Enter second Messenger.
Second Messenger.
Nauplia, Tripolizza, Mothon, Athens,
Navarin, Artas, Monembasia,
Corinth, and Thebes are carried by assault,
And every Islamite who made his dogs
Fat with the flesh of Galilean slaves
Passed at the edge of the sword: the lust of blood,
Which made our warriors drunk, is quenched in death;
But like a fiery plague breaks out anew
In deeds which make the Christian cause look pale
In its own light. The garrison of Patras
Has store but for ten days, nor is there hope
But from the Briton: at once slave and tyrant,
His wishes still are weaker than his fears,
Or he would sell what faith may yet remain
From the oaths broke in Genoa and in Norway;
And if you buy him not, your treasury
Is empty even of promiseshis own coin.
The freedman of a western poet-chief[4]
Holds Attica with seven thousand rebels,
And has beat back the Pacha of Negropont:
The agd Ali sits in Yanina
A crownless metaphor of empire:
His name, that shadow of his withered might,
Holds our besieging army like a spell
In prey to famine, pest, and mutiny;
He, bastioned in his citadel, looks forth
Joyless upon the sapphire lake that mirrors
The ruins of the city where he reigned
Childless and sceptreless. The Greek has reaped
The costly harvest his own blood matured,
Not the sower, Aliwho has bought a truce
From Ypsilanti with ten camel-loads
Of Indian gold.
Enter a third Messenger.
Mahmud.
What more?
Third Messenger.
The Christian tribes
Of Lebanon and the Syrian wilderness
Are in revolt;Damascus, Hems, Aleppo
Tremble;the Arab menaces Medina,
The Aethiop has intrenched himself in Sennaar,
And keeps the Egyptian rebel well employed,
Who denies homage, claims investiture
As price of tardy aid. Persia demands
The cities on the Tigris, and the Georgians
Refuse their living tribute. Crete and Cyprus,
Like mountain-twins that from each other's veins
Catch the volcano-fire and earthquake-spasm,
Shake in the general fever. Through the city,
Like birds before a storm, the Santons shriek,
And prophesyings horrible and new
Are heard among the crowd: that sea of men
Sleeps on the wrecks it made, breathless and still.
A Dervise, learnd in the Koran, preaches
That it is written how the sins of Islam
Must raise up a destroyer even now.
The Greeks expect a Saviour from the West[5],
Who shall not come, men say, in clouds and glory,
But in the omnipresence of that Spirit
In which all live and are. Ominous signs
Are blazoned broadly on the noonday sky:
One saw a red cross stamped upon the sun;
It has rained blood; and monstrous births declare
The secret wrath of Nature and her Lord.
The army encamped upon the Cydaris
Was roused last night by the alarm of battle,
And saw two hosts conflicting in the air,
The shadows doubtless of the unborn time
Cast on the mirror of the night. While yet
The fight hung balanced, there arose a storm
Which swept the phantoms from among the stars.
At the third watch the Spirit of the Plague
Was heard abroad flapping among the tents;
Those who relieved watch found the sentinels dead.
The last news from the camp is, that a thousand
Have sickened, and
Enter a fourth Messenger.
Mahmud.
And thou, pale ghost, dim shadow
Of some untimely rumour, speak!
Fourth Messenger.
One comes
Fainting with toil, covered with foam and blood:
He stood, he says, on Chelonites'
Promontory, which o'erlooks the isles that groan
Under the Briton's frown, and all their waters
Then trembling in the splendour of the moon,
When as the wandering clouds unveiled or hid
Her boundless light, he saw two adverse fleets
Stalk through the night in the horizon's glimmer,
Mingling fierce thunders and sulphureous gleams,
And smoke which strangled every infant wind
That soothed the silver clouds through the deep air.
At length the battle slept, but the Sirocco
Awoke, and drove his flock of thunder-clouds
Over the sea-horizon, blotting out
All objectssave that in the faint moon-glimpse
He saw, or dreamed he saw, the Turkish admiral
And two the loftiest of our ships of war,
With the bright image of that Queen of Heaven,
Who hid, perhaps, her face for grief, reversed;
And the abhorrd cross
Enter an Attendant.
Attendant.
Your Sublime Highness,
The Jew, who
Mahmud.
Could not come more seasonably:
Bid him attend. I'll hear no more! too long
We gaze on danger through the mist of fear,
And multiply upon our shattered hopes
The images of ruin. Come what will!
To-morrow and to-morrow are as lamps
Set in our path to light us to the edge
Through rough and smooth, nor can we suffer aught
Which He inflicts not in whose hand we are.
[Exeunt.
Semichorus I.
Would I were the wingd cloud
Of a tempest swift and loud!
I would scorn
The smile of morn
And the wave where the moonrise is born!
I would leave
The spirits of eve
A shroud for the corpse of the day to weave
From other threads than mine!
Bask in the deep blue noon divine.
Who would? Not I.
Semichorus II.
Whither to fly?
Semichorus I.
Where the rocks that gird th'Aegean
Echo to the battle paean
Of the free
I would flee
A tempestuous herald of victory!
My golden rain
For the Grecian slain
Should mingle in tears with the bloody main,
And my solemn thunder-knell
Should ring to the world the passing-bell
Of Tyranny!
Semichorus II.
Ah king! wilt thou chain
The rack and the rain?
Wilt thou fetter the lightning and hurricane?
The storms are free,
But we
Chorus.
O Slavery! thou frost of the world's prime,
Killing its flowers and leaving its thorns bare!
Thy touch has stamped these limbs with crime,
These brows thy branding garland bear,
But the free heart, the impassive soul
Scorn thy control!
Semichorus I.
Let there be light! said Liberty,
And like sunrise from the sea,
Athens arose!Around her born,
Shone like mountains in the morn
Glorious states;and are they now
Ashes, wrecks, oblivion?
Semichorus II.
Go,
Where Thermae and Asopus swallowed
Persia, as the sand does foam;
Deluge upon deluge followed,
Discord, Macedon, and Rome:
And lastly thou!
Semichorus I.
Temples and towers,
Citadels and marts, and they
Who live and die there, have been ours,
And may be thine, and must decay;
But Greece and her foundations are
Built below the tide of war,
Based on the crystlline sea
Of thought and its eternity;
Her citizens, imperial spirits,
Rule the present from the past,
On all this world of men inherits
Their seal is set.
Semichorus II.
Hear ye the blast,
Whose Orphic thunder thrilling calls
From ruin her Titanian walls?
Whose spirit shakes the sapless bones
Of Slavery? Argos, Corinth, Crete
Hear, and from their mountain thrones
The daemons and the nymphs repeat
The harmony.
Semichorus I.
I hear! I hear!
Semichorus II.
The world's eyeless charioteer,
Destiny, is hurrying by!
What faith is crushed, what empire bleeds
Beneath her earthquake-footed steeds?
What eagle-wingd victory sits
At her right hand? what shadow flits
Before? what splendour rolls behind?
Ruin and renovation cry
'Who but We?'
Semichorus I.
I hear! I hear!
The hiss as of a rushing wind,
The roar as of an ocean foaming,
The thunder as of earthquake coming.
I hear! I hear!
The crash as of an empire falling,
The shrieks as of a people calling
'Mercy! mercy!'How they thrill!
Then a shout of 'kill! kill! kill!'
And then a small still voice, thus
Semichorus II.
For
Revenge and Wrong bring forth their kind,
The foul cubs like their parents are,
Their den is in the guilty mind,
And Conscience feeds them with despair.
Semichorus I.
In sacred Athens, near the fane
Of Wisdom, Pity's altar stood:
Serve not the unknown God in vain,
But pay that broken shrine again,
Love for hate and tears for blood.
Enter Mahmud and Ahasuerus.
Mahmud.
Thou art a man, thou sayest, even as we.
Ahasuerus.
No more!
Mahmud.
But raised above thy fellow-men
By thought, as I by power.
Ahasuerus.
Thou sayest so.
Mahmud.
Thou art an adept in the difficult lore
Of Greek and Frank philosophy; thou numberest
The flowers, and thou measurest the stars;
Thou severest element from element;
Thy spirit is present in the Past, and sees
The birth of this old world through all its cycles
Of desolation and of loveliness,
And when man was not, and how man became
The monarch and the slave of this low sphere,
And all its narrow circlesit is much
I honour thee, and would be what thou art
Were I not what I am; but the unborn hour,
Cradled in fear and hope, conflicting storms,
Who shall unveil? Nor thou, nor I, nor any
Mighty or wise. I apprehended not
What thou hast taught me, but I now perceive
That thou art no interpreter of dreams;
Thou dost not own that art, device, or God,
Can make the Future presentlet it come!
Moreover thou disdainest us and ours;
Thou art as God, whom thou contemplatest.
Ahasuerus.
Disdain thee?not the worm beneath thy feet!
The Fathomless has care for meaner things
Than thou canst dream, and has made pride for those
Who would be what they may not, or would seem
That which they are not. Sultan! talk no more
Of thee and me, the Future and the Past;
But look on that which cannot changethe One,
The unborn and the undying. Earth and ocean,
Space, and the isles of life or light that gem
The sapphire floods of interstellar air,
This firmament pavilioned upon chaos,
With all its cressets of immortal fire,
Whose outwall, bastioned impregnably
Against the escape of boldest thoughts, repels them
As Calpe the Atlantic cloudsthis Whole
Of suns, and worlds, and men, and beasts, and flowers,
With all the silent or tempestuous workings
By which they have been, are, or cease to be,
Is but a vision;all that it inherits
Are motes of a sick eye, bubbles and dreams;
Thought is its cradle and its grave, nor less
The Future and the Past are idle shadows
Of thought's eternal flightthey have no being:
Nought is but that which feels itself to be.
Mahmud.
What meanest thou? Thy words stream like a tempest
Of dazzling mist within my brainthey shake
The earth on which I stand, and hang like night
On Heaven above me. What can they avail?
They cast on all things surest, brightest, best,
Doubt, insecurity, astonishment.
Ahasuerus.
Mistake me not! All is contained in each.
Dodona's forest to an acorn's cup
Is that which has been, or will be, to that
Which isthe absent to the present. Thought
Alone, and its quick elements, Will, Passion,
Reason, Imagination, cannot die;
They are, what that which they regard appears,
The stuff whence mutability can weave
All that it hath dominion o'er, worlds, worms,
Empires, and superstitions. What has thought
To do with time, or place, or circumstance?
Wouldst thou behold the Future?ask and have!
Knock and it shall be openedlook, and lo!
The coming age is shadowed on the Past
As on a glass.
Mahmud.
Wild, wilder thoughts convulse
My spiritDid not Mahomet the Second
Win Stamboul?
Ahasuerus.
Thou wouldst ask that giant spirit
The written fortunes of thy house and faith.
Thou wouldst cite one out of the grave to tell
How what was born in blood must die.
Mahmud.
Thy words
Have power on me! I see
Ahasuerus.
What hearest thou?
Mahmud.
A far whisper
Terrible silence.
Ahasuerus.
What succeeds?
Mahmud.
The sound
As of the assault of an imperial city[6],
The hiss of inextinguishable fire,
The roar of giant cannon; the earthquaking
Fall of vast bastions and precipitous towers,
The shock of crags shot from strange enginery,
The clash of wheels, and clang of armd hoofs,
And crash of brazen mail as of the wreck
Of adamantine mountainsthe mad blast
Of trumpets, and the neigh of raging steeds,
The shrieks of women whose thrill jars the blood,
And one sweet laugh, most horrible to hear,
As of a joyous infant waked and playing
With its dead mother's breast, and now more loud
The mingled battle-cry,ha! hear I not
'En toutwi nikh!' 'Allah-illa-Allah!'?
Ahasuerus.
The sulphurous mist is raisedthou seest
Mahmud.
A chasm,
As of two mountains, in the wall of Stamboul;
And in that ghastly breach the Islamites,
Like giants on the ruins of a world,
Stand in the light of sunrise. In the dust
Glimmers a kingless diadem, and one
Of regal port has cast himself beneath
The stream of war. Another proudly clad
In golden arms spurs a Tartarian barb
Into the gap, and with his iron mace
Directs the torrent of that tide of men,
And seemshe isMahomet!
Ahasuerus.
What thou seest
Is but the ghost of thy forgotten dream.
A dream itself, yet less, perhaps, than that
Thou call'st reality. Thou mayst behold
How cities, on which Empire sleeps enthroned,
Bow their towered crests to mutability.
Poised by the flood, e'en on the height thou holdest,
Thou mayst now learn how the full tide of power
Ebbs to its depths.Inheritor of glory,
Conceived in darkness, born in blood, and nourished
With tears and toil, thou seest the mortal throes
Of that whose birth was but the same. The Past
Now stands before thee like an Incarnation
Of the To-come; yet wouldst thou commune with
That portion of thyself which was ere thou
Didst start for this brief race whose crown is death,
Dissolve with that strong faith and fervent passion
Which called it from the uncreated deep,
Yon cloud of war, with its tempestuous phantoms
Of raging death; and draw with mighty will
The imperial shade hither.
[Exit Ahasuerus. The Phantom of Mahomet the Second appears.
Mahmud.
Approach!
Phantom.
I come
Thence whither thou must go! The grave is fitter
To take the living than give up the dead;
Yet has thy faith prevailed, and I am here.
The heavy fragments of the power which fell
When I arose, like shapeless crags and clouds,
Hang round my throne on the abyss, and voices
Of strange lament soothe my supreme repose,
Wailing for glory never to return.
A later Empire nods in its decay:
The autumn of a greener faith is come,
And wolfish change, like winter, howls to strip
The foliage in which Fame, the eagle, built
Her aerie, while Dominion whelped below.
The storm is in its branches, and the frost
Is on its leaves, and the blank deep expects
Oblivion on oblivion, spoil on spoil,
Ruin on ruin:Thou art slow, my son;
The Anarchs of the world of darkness keep
A throne for thee, round which thine empire lies
Boundless and mute; and for thy subjects thou,
Like us, shalt rule the ghosts of murdered life,
The phantoms of the powers who rule thee now
Mutinous passions, and conflicting fears,
And hopes that sate themselves on dust, and die!
Stripped of their mortal strength, as thou of thine.
Islam must fall, but we will reign together
Over its ruins in the world of death:
And if the trunk be dry, yet shall the seed
Unfold itself even in the shape of that
Which gathers birth in its decay. Woe! woe!
To the weak people tangled in the grasp
Of its last spasms.
Mahmud.
Spirit, woe to all!
Woe to the wronged and the avenger! Woe
To the destroyer, woe to the destroyed!
Woe to the dupe, and woe to the deceiver!
Woe to the oppressed, and woe to the oppressor!
Woe both to those that suffer and inflict;
Those who are born and those who die! but say,
Imperial shadow of the thing I am,
When, how, by whom, Destruction must accomplish
Her consummation!
Phantom.
Ask the cold pale Hour,
Rich in reversion of impending death,
When he shall fall upon whose ripe gray hairs
Sit Care, and Sorrow, and Infirmity
The weight which Crime, whose wings are plumed with years,
Leaves in his flight from ravaged heart to heart
Over the heads of men, under which burthen
They bow themselves unto the grave: fond wretch!
He leans upon his crutch, and talks of years
To come, and how in hours of youth renewed
He will renew lost joys, and
Voice without.
Victory! Victory!
[The Phantom vanishes.
Mahmud.
What sound of the importunate earth has broken
My mighty trance?
Voice without.
Victory! Victory!
Mahmud.
Weak lightning before darkness! poor faint smile
Of dying Islam! Voice which art the response
Of hollow weakness! Do I wake and live?
Were there such things, or may the unquiet brain,
Vexed by the wise mad talk of the old Jew,
Have shaped itself these shadows of its fear?
It matters not!for nought we see or dream,
Possess, or lose, or grasp at, can be worth
More than it gives or teaches: Come what may,
The Future must become the Past, and I
As they were to whom once this present hour,
This gloomy crag of time to which I cling,
Seemed an Elysian isle of peace and joy
Never to be attained.I must rebuke
This drunkenness of triumph ere it die,
And dying, bring despair. Victory! poor slaves!
Exit Mahmud.
Voice without.
Shout in the jubilee of death! The Greeks
Are as a brood of lions in the net
Round which the kingly hunters of the earth
Stand smiling. Anarchs, ye whose daily food
Are curses, groans, and gold, the fruit of death,
From Thule to the girdle of the world,
Come, feast! the board groans with the flesh of men;
The cup is foaming with a nation's blood,
Famine and Thirst await! eat, drink, and die!
Semichorus I.
Victorious Wrong, with vulture scream,
Salutes the rising sun, pursues the flying day!
I saw her, ghastly as a tyrant's dream,
Perch on the trembling pyramid of night,
Beneath which earth and all her realms pavilioned lay
In visions of the dawning undelight.
Who shall impede her flight?
Who rob her of her prey?
Voice without.
Victory! Victory! Russia's famished eagles
Dare not to prey beneath the crescent's light.
Impale the remnant of the Greeks! despoil!
Violate! make their flesh cheaper than dust!
Semichorus II.
Thou voice which art
The herald of the ill in splendour hid!
Thou echo of the hollow heart
Of monarchy, bear me to thine abode
When desolation flashes o'er a world destroyed:
Oh, bear me to those isles of jaggd cloud
Which float like mountains on the earthquake, mid
The momentary oceans of the lightning,
Or to some toppling promontory proud
Of solid tempest whose black pyramid,
Riven, overhangs the founts intensely bright'ning
Of those dawn-tinted deluges of fire
Before their waves expire,
When heaven and earth are light, and only light
In the thunder-night!
Voice without.
Victory! Victory! Austria, Russia, England,
And that tame serpent, that poor shadow, France,
Cry peace, and that means death when monarchs speak.
Ho, there! bring torches, sharpen those red stakes,
These chains are light, fitter for slaves and poisoners
Than Greeks. Kill! plunder! burn! let none remain.
Semichorus I.
Alas! for Liberty!
If numbers, wealth, or unfulfilling years,
Or fate, can quell the free!
Alas! for Virtue, when
Torments, or contumely, or the sneers
Of erring judging men
Can break the heart where it abides.
Alas! if Love, whose smile makes this obscure world splendid,
Can change with its false times and tides,
Like hope and terror,
Alas for Love!
And Truth, who wanderest lone and unbefriended,
If thou canst veil thy lie-consuming mirror
Before the dazzled eyes of Error,
Alas for thee! Image of the Above.
Semichorus II.
Repulse, with plumes from conquest torn,
Led the ten thousand from the limits of the morn
Through many an hostile Anarchy!
At length they wept aloud, and cried, 'The Sea! the Sea!'
Through exile, persecution, and despair,
Rome was, and young Atlantis shall become
The wonder, or the terror, or the tomb
Of all whose step wakes Power lulled in her savage lair:
But Greece was as a hermit-child,
Whose fairest thoughts and limbs were built
To woman's growth, by dreams so mild,
She knew not pain or guilt;
And now, O Victory, blush! and Empire, tremble
When ye desert the free
If Greece must be
A wreck, yet shall its fragments reassemble,
And build themselves again impregnably
In a diviner clime,
To Amphionic music on some Cape sublime,
Which frowns above the idle foam of Time.
Semichorus I.
Let the tyrants rule the desert they have made;
Let the free possess the Paradise they claim;
Be the fortune of our fierce oppressors weighed
With our ruin, our resistance, and our name!
Semichorus II.
Our dead shall be the seed of their decay,
Our survivors be the shadow of their pride,
Our adversity a dream to pass away
Their dishonour a remembrance to abide!
Voice without.
Victory! Victory! The bought Briton sends
The keys of ocean to the Islamite.
Now shall the blazon of the cross be veiled,
And British skill directing Othman might,
Thunder-strike rebel victory. Oh, keep holy
This jubilee of unrevengd blood!
Kill! crush! despoil! Let not a Greek escape!
Semichorus I.
Darkness has dawned in the East
On the noon of time:
The death-birds descend to their feast
From the hungry clime.
Let Freedom and Peace flee far
To a sunnier strand,
And follow Love's folding-star
To the Evening land!
Semichorus II.
The young moon has fed
Her exhausted horn
With the sunset's fire:
The weak day is dead,
But the night is not born;
And, like loveliness panting with wild desire
While it trembles with fear and delight,
Hesperus flies from awakening night,
And pants in its beauty and speed with light
Fast-flashing, soft, and bright.
Thou beacon of love! thou lamp of the free!
Guide us far, far away,
To climes where now veiled by the ardour of day
Thou art hidden
From waves on which weary Noon
Faints in her summer swoon,
Between kingless continents sinless as Eden,
Around mountains and islands inviolably
Pranked on the sapphire sea.
Semichorus I.
Through the sunset of hope,
Like the shapes of a dream,
What Paradise islands of glory gleam!
Beneath Heaven's cope,
Their shadows more clear float by
The sound of their oceans, the light of their sky,
The music and fragrance their solitudes breathe
Burst, like morning on dream, or like Heaven on death,
Through the walls of our prison;
And Greece, which was dead, is arisen!
Chorus[7].
The world's great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faiths and empires gleam,
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains
From waves serener far;
A new Peneus rolls his fountains
Against the morning star.
Where fairer Tempes bloom, there sleep
Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main,
Fraught with a later prize;
Another Orpheus sings again,
And loves, and weeps, and dies.
A new Ulysses leaves once more
Calypso for his native shore.
Oh, write no more the tale of Troy,
If earth Death's scroll must be!
Nor mix with Laian rage the joy
Which dawns upon the free:
Although a subtler Sphinx renew
Riddles of death Thebes never knew.
Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendour of its prime;
And leave, if nought so bright may live,
All earth can take or Heaven can give.
Saturn and Love their long repose
Shall burst[8], more bright and good
Than all who fell, than One who rose,
Than many unsubdued:
Not gold, not blood, their altar dowers,
But votive tears and symbol flowers.
Oh, cease! must hate and death return?
Cease! must men kill and die?
Cease! drain not to its dregs the urn
Of bitter prophecy.
The world is weary of the past,
Oh, might it die or rest at last!
Hellas was composed at Pisa in the autumn of 1821, and dispatched to London, November 11. It was published, with the author's name, by C. & J. Ollier in the spring of 1822. A transcript of the poem by Edward Williams is in the Rowfant Library.
Note by Mrs. Shelley: 'Hellas was among the last of his compositions, and is among the most beautiful. The choruses are singularly imaginative, and melodious in their versification. There are some stanzas that beautifully exemplify Shelley's peculiar style; as, for instance, the assertion of the intellectual empire which must be for ever the inheritance of the country of Homer, Sophocles, and Plato:--
''But Greece and her foundations are
Built below the tide of war,
Based on the crystalline sea
Of thought and its eternity.'''
~ Percy Bysshe Shelley, Hellas - A Lyrical Drama
,#NFDB
1444:ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
And my o'erburdened memory
Seeks yet its lost repose in thee.
I share thy crime. I cannot choose
But weep for thee; mine own strange grief
But seldom stoops to such relief;
Nor ever did I love thee less,
Though mourning o'er thy wickedness
Even with a sister's woe. I knew
What to the evil world is due,
And therefore sternly did refuse
To link me with the infamy
Of one so lost as Helen. Now,
Bewildered by my dire despair,
Wondering I blush, and weep that thou
Shouldst love me stillthou only!There,
Let us sit on that gray stone
Till our mournful talk be done.
HELEN
Alas! not there; I cannot bear
The murmur of this lake to hear.
A sound from there, Rosalind dear,
Which never yet I heard elsewhere
But in our native land, recurs,
Even here where now we meet. It stirs
Too much of suffocating sorrow!
In the dell of yon dark chestnut wood
Is a stone seat, a solitude
Less like our own. The ghost of peace
Will not desert this spot. To-morrow,
If thy kind feelings should not cease,
We may sit here.
ROSALIND
Thou lead, my sweet,
And I will follow.
HENRY
'T is Fenici's seat
Where you are going? This is not the way,
Mamma; it leads behind those trees that grow
Close to the little river.
HELEN
Yes, I know;
I was bewildered. Kiss me and be gay,
Dear boy; why do you sob?
HENRY
I do not know;
But it might break any one's heart to see
You and the lady cry so bitterly.
HELEN
It is a gentle child, my friend. Go home,
Henry, and play with Lilla till I come.
We only cried with joy to see each other;
We are quite merry now. Good night.
The boy
Lifted a sudden look upon his mother,
And, in the gleam of forced and hollow joy
Which lightened o'er her face, laughed with the glee
Of light and unsuspecting infancy,
And whispered in her ear, 'Bring home with you
That sweet strange lady-friend.' Then off he flew,
But stopped, and beckoned with a meaning smile,
Where the road turned. Pale Rosalind the while,
Hiding her face, stood weeping silently.
In silence then they took the way
Beneath the forest's solitude.
It was a vast and antique wood,
Through which they took their way;
And the gray shades of evening
O'er that green wilderness did fling
Still deeper solitude.
Pursuing still the path that wound
The vast and knotted trees around,
Through which slow shades were wandering,
To a deep lawny dell they came,
To a stone seat beside a spring,
O'er which the columned wood did frame
A roofless temple, like the fane
Where, ere new creeds could faith obtain,
Man's early race once knelt beneath
The overhanging deity.
O'er this fair fountain hung the sky,
Now spangled with rare stars. The snake,
The pale snake, that with eager breath
Creeps here his noontide thirst to slake,
Is beaming with many a mingled hue,
Shed from yon dome's eternal blue,
When he floats on that dark and lucid flood
In the light of his own loveliness;
And the birds, that in the fountain dip
Their plumes, with fearless fellowship
Above and round him wheel and hover.
The fitful wind is heard to stir
One solitary leaf on high;
The chirping of the grasshopper
Fills every pause. There is emotion
In all that dwells at noontide here;
Then through the intricate wild wood
A maze of life and light and motion
Is woven. But there is stillness now
Gloom, and the trance of Nature now.
The snake is in his cave asleep;
The birds are on the branches dreaming;
Only the shadows creep;
Only the glow-worm is gleaming;
Only the owls and the nightingales
Wake in this dell when daylight fails,
And gray shades gather in the woods;
And the owls have all fled far away
In a merrier glen to hoot and play,
For the moon is veiled and sleeping now.
The accustomed nightingale still broods
On her accustomed bough,
But she is mute; for her false mate
Has fled and left her desolate.
This silent spot tradition old
Had peopled with the spectral dead.
For the roots of the speaker's hair felt cold
And stiff, as with tremulous lips he told
That a hellish shape at midnight led
The ghost of a youth with hoary hair,
And sate on the seat beside him there,
Till a naked child came wandering by,
When the fiend would change to a lady fair!
A fearful tale! the truth was worse;
For here a sister and a brother
Had solemnized a monstrous curse,
Meeting in this fair solitude;
For beneath yon very sky,
Had they resigned to one another
Body and soul. The multitude,
Tracking them to the secret wood,
Tore limb from limb their innocent child,
And stabbed and trampled on its mother;
But the youth, for God's most holy grace,
A priest saved to burn in the market-place.
Duly at evening Helen came
To this lone silent spot,
From the wrecks of a tale of wilder sorrow
So much of sympathy to borrow
As soothed her own dark lot.
Duly each evening from her home,
With her fair child would Helen come
To sit upon that antique seat,
While the hues of day were pale;
And the bright boy beside her feet
Now lay, lifting at intervals
His broad blue eyes on her;
Now, where some sudden impulse calls,
Following. He was a gentle boy
And in all gentle sorts took joy.
Oft in a dry leaf for a boat,
With a small feather for a sail,
His fancy on that spring would float,
If some invisible breeze might stir
Its marble calm; and Helen smiled
Through tears of awe on the gay child,
To think that a boy as fair as he,
In years which never more may be,
By that same fount, in that same wood,
The like sweet fancies had pursued;
And that a mother, lost like her,
Had mournfully sate watching him.
Then all the scene was wont to swim
Through the mist of a burning tear.
For many months had Helen known
This scene; and now she thither turned
Her footsteps, not alone.
The friend whose falsehood she had mourned
Sate with her on that seat of stone.
Silent they sate; for evening,
And the power its glimpses bring,
Had with one awful shadow quelled
The passion of their grief. They sate
With linkd hands, for unrepelled
Had Helen taken Rosalind's.
Like the autumn wind, when it unbinds
The tangled locks of the nightshade's hair
Which is twined in the sultry summer air
Round the walls of an outworn sepulchre,
Did the voice of Helen, sad and sweet,
And the sound of her heart that ever beat
As with sighs and words she breathed on her,
Unbind the knots of her friend's despair,
Till her thoughts were free to float and flow;
And from her laboring bosom now,
Like the bursting of a prisoned flame,
The voice of a long-pent sorrow came.
ROSALIND
I saw the dark earth fall upon
The coffin; and I saw the stone
Laid over him whom this cold breast
Had pillowed to his nightly rest!
Thou knowest not, thou canst not know
My agony. Oh! I could not weep.
The sources whence such blessings flow
Were not to be approached by me!
But I could smile, and I could sleep,
Though with a self-accusing heart.
In morning's light, in evening's gloom,
I watchedand would not thence depart
My husband's unlamented tomb.
My children knew their sire was gone;
But when I told them, 'He is dead,'
They laughed aloud in frantic glee,
They clapped their hands and leaped about,
Answering each other's ecstasy
With many a prank and merry shout.
But I sate silent and alone,
Wrapped in the mock of mourning weed.
They laughed, for he was dead; but I
Sate with a hard and tearless eye,
And with a heart which would deny
The secret joy it could not quell,
Low muttering o'er his loathd name;
Till from that self-contention came
Remorse where sin was none; a hell
Which in pure spirits should not dwell.
I 'll tell thee truth. He was a man
Hard, selfish, loving only gold,
Yet full of guile; his pale eyes ran
With tears which each some falsehood told,
And oft his smooth and bridled tongue
Would give the lie to his flushing cheek;
He was a coward to the strong;
He was a tyrant to the weak,
On whom his vengeance he would wreak;
For scorn, whose arrows search the heart,
From many a stranger's eye would dart,
And on his memory cling, and follow
His soul to its home so cold and hollow.
He was a tyrant to the weak,
And we were such, alas the day!
Oft, when my little ones at play
Were in youth's natural lightness gay,
Or if they listened to some tale
Of travellers, or of fairyland,
When the light from the wood-fire's dying brand
Flashed on their faces,if they heard
Or thought they heard upon the stair
His footstep, the suspended word
Died on my lips; we all grew pale;
The babe at my bosom was hushed with fear
If it thought it heard its father near;
And my two wild boys would near my knee
Cling, cowed and cowering fearfully.
I 'll tell thee truth: I loved another.
His name in my ear was ever ringing,
His form to my brain was ever clinging;
Yet, if some stranger breathed that name,
My lips turned white, and my heart beat fast.
My nights were once haunted by dreams of flame,
My days were dim in the shadow cast
By the memory of the same!
Day and night, day and night,
He was my breath and life and light,
For three short years, which soon were passed.
On the fourth, my gentle mother
Led me to the shrine, to be
His sworn bride eternally.
And now we stood on the altar stair,
When my father came from a distant land,
And with a loud and fearful cry
Rushed between us suddenly.
I saw the stream of his thin gray hair,
I saw his lean and lifted hand,
And heard his wordsand live! O God!
Wherefore do I live?'Hold, hold!'
He cried, 'I tell thee 't is her brother!
Thy mother, boy, beneath the sod
Of yon churchyard rests in her shroud so cold;
I am now weak, and pale, and old;
We were once dear to one another,
I and that corpse! Thou art our child!'
Then with a laugh both long and wild
The youth upon the pavement fell.
They found him dead! All looked on me,
The spasms of my despair to see;
But I was calm. I went away;
I was clammy-cold like clay.
I did not weep; I did not speak;
But day by day, week after week,
I walked about like a corpse alive.
Alas! sweet friend, you must believe
This heart is stoneit did not break.
My father lived a little while,
But all might see that he was dying,
He smiled with such a woful smile.
When he was in the churchyard lying
Among the worms, we grew quite poor,
So that no one would give us bread;
My mother looked at me, and said
Faint words of cheer, which only meant
That she could die and be content;
So I went forth from the same church door
To another husband's bed.
And this was he who died at last,
When weeks and months and years had passed,
Through which I firmly did fulfil
My duties, a devoted wife,
With the stern step of vanquished will
Walking beneath the night of life,
Whose hours extinguished, like slow rain
Falling forever, pain by pain,
The very hope of death's dear rest;
Which, since the heart within my breast
Of natural life was dispossessed,
Its strange sustainer there had been.
When flowers were dead, and grass was green
Upon my mother's gravethat mother
Whom to outlive, and cheer, and make
My wan eyes glitter for her sake,
Was my vowed task, the single care
Which once gave life to my despair
When she was a thing that did not stir,
And the crawling worms were cradling her
To a sleep more deep and so more sweet
Than a baby's rocked on its nurse's knee,
I lived; a living pulse then beat
Beneath my heart that awakened me.
What was this pulse so warm and free?
Alas! I knew it could not be
My own dull blood. 'T was like a thought
Of liquid love, that spread and wrought
Under my bosom and in my brain,
And crept with the blood through every vein,
And hour by hour, day after day,
The wonder could not charm away
But laid in sleep my wakeful pain,
Until I knew it was a child,
And then I wept. For long, long years
These frozen eyes had shed no tears;
But now't was the season fair and mild
When April has wept itself to May;
I sate through the sweet sunny day
By my window bowered round with leaves,
And down my cheeks the quick tears ran
Like twinkling rain-drops from the eaves,
When warm spring showers are passing o'er.
O Helen, none can ever tell
The joy it was to weep once more!
I wept to think how hard it were
To kill my babe, and take from it
The sense of light, and the warm air,
And my own fond and tender care,
And love and smiles; ere I knew yet
That these for it might, as for me,
Be the masks of a grinning mockery.
And haply, I would dream, 't were sweet
To feed it from my faded breast,
Or mark my own heart's restless beat
And watch the growing soul beneath
Dawn in faint smiles; and hear its breath,
Half interrupted by calm sighs,
And search the depth of its fair eyes
For long departed memories!
And so I lived till that sweet load
Was lightened. Darkly forward flowed
The stream of years, and on it bore
Two shapes of gladness to my sight;
Two other babes, delightful more,
In my lost soul's abandoned night,
Than their own country ships may be
Sailing towards wrecked mariners
Who cling to the rock of a wintry sea.
For each, as it came, brought soothing tears;
And a loosening warmth, as each one lay
Sucking the sullen milk away,
About my frozen heart did play,
And weaned it, oh, how painfully
As they themselves were weaned each one
From that sweet foodeven from the thirst
Of death, and nothingness, and rest,
Strange inmate of a living breast,
Which all that I had undergone
Of grief and shame, since she who first
The gates of that dark refuge closed
Came to my sight, and almost burst
The seal of that Lethean spring
But these fair shadows interposed.
For all delights are shadows now!
And from my brain to my dull brow
The heavy tears gather and flow.
I cannot speakoh, let me weep!
The tears which fell from her wan eyes
Glimmered among the moonlight dew.
Her deep hard sobs and heavy sighs
Their echoes in the darkness threw.
When she grew calm, she thus did keep
The tenor of her tale:
He died;
I know not how; he was not old,
If age be numbered by its years;
But he was bowed and bent with fears,
Pale with the quenchless thirst of gold,
Which, like fierce fever, left him weak;
And his strait lip and bloated cheek
Were warped in spasms by hollow sneers;
And selfish cares with barren plough,
Not age, had lined his narrow brow,
And foul and cruel thoughts, which feed
Upon the withering life within,
Like vipers on some poisonous weed.
Whether his ill were death or sin
None knew, until he died indeed,
And then men owned they were the same.
Seven days within my chamber lay
That corse, and my babes made holiday.
At last, I told them what is death.
The eldest, with a kind of shame,
Came to my knees with silent breath,
And sate awe-stricken at my feet;
And soon the others left their play,
And sate there too. It is unmeet
To shed on the brief flower of youth
The withering knowledge of the grave.
From me remorse then wrung that truth.
I could not bear the joy which gave
Too just a response to mine own.
In vain. I dared not feign a groan;
And in their artless looks I saw,
Between the mists of fear and awe,
That my own thought was theirs; and they
Expressed it not in words, but said,
Each in its heart, how every day
Will pass in happy work and play,
Now he is dead and gone away!
After the funeral all our kin
Assembled, and the will was read.
My friend, I tell thee, even the dead
Have strength, their putrid shrouds within,
To blast and torture. Those who live
Still fear the living, but a corse
Is merciless, and Power doth give
To such pale tyrants half the spoil
He rends from those who groan and toil,
Because they blush not with remorse
Among their crawling worms. Behold,
I have no child! my tale grows old
With grief, and staggers; let it reach
The limits of my feeble speech,
And languidly at length recline
On the brink of its own grave and mine.
Thou knowest what a thing is Poverty
Among the fallen on evil days.
'T is Crime, and Fear, and Infamy,
And houseless Want in frozen ways
Wandering ungarmented, and Pain,
And, worse than all, that inward stain,
Foul Self-contempt, which drowns in sneers
Youth's starlight smile, and makes its tears
First like hot gall, then dry forever!
And well thou knowest a mother never
Could doom her children to this ill,
And well he knew the same. The will
Imported that, if e'er again
I sought my children to behold,
Or in my birthplace did remain
Beyond three days, whose hours were told,
They should inherit nought; and he,
To whom next came their patrimony,
A sallow lawyer, cruel and cold,
Aye watched me, as the will was read,
With eyes askance, which sought to see
The secrets of my agony;
And with close lips and anxious brow
Stood canvassing still to and fro
The chance of my resolve, and all
The dead man's caution just did call;
For in that killing lie 't was said
'She is adulterous, and doth hold
In secret that the Christian creed
Is false, and therefore is much need
That I should have a care to save
My children from eternal fire.'
Friend, he was sheltered by the grave,
And therefore dared to be a liar!
In truth, the Indian on the pyre
Of her dead husband, half consumed,
As well might there be false as I
To those abhorred embraces doomed,
Far worse than fire's brief agony.
As to the Christian creed, if true
Or false, I never questioned it;
I took it as the vulgar do;
Nor my vexed soul had leisure yet
To doubt the things men say, or deem
That they are other than they seem.
All present who those crimes did hear,
In feigned or actual scorn and fear,
Men, women, children, slunk away,
Whispering with self-contented pride
Which half suspects its own base lie.
I spoke to none, nor did abide,
But silently I went my way,
Nor noticed I where joyously
Sate my two younger babes at play
In the courtyard through which I passed;
But went with footsteps firm and fast
Till I came to the brink of the ocean green,
And there, a woman with gray hairs,
Who had my mother's servant been,
Kneeling, with many tears and prayers,
Made me accept a purse of gold,
Half of the earnings she had kept
To refuge her when weak and old.
With woe, which never sleeps or slept,
I wander now. 'T is a vain thought
But on yon Alp, whose snowy head
'Mid the azure air is islanded,
(We see ito'er the flood of cloud,
Which sunrise from its eastern caves
Drives, wrinkling into golden waves,
Hung with its precipices proud
From that gray stone where first we met)
Therenow who knows the dead feel nought?
Should be my grave; for he who yet
Is my soul's soul once said: ''T were sweet
'Mid stars and lightnings to abide,
And winds, and lulling snows that beat
With their soft flakes the mountain wide,
Where weary meteor lamps repose,
And languid storms their pinions close,
And all things strong and bright and pure,
And ever during, aye endure.
Who knows, if one were buried there,
But these things might our spirits make,
Amid the all-surrounding air,
Their own eternity partake?'
Then 't was a wild and playful saying
At which I laughed or seemed to laugh.
They were his wordsnow heed my praying,
And let them be my epitaph.
Thy memory for a term may be
My monument. Wilt remember me?
I know thou wilt; and canst forgive,
Whilst in this erring world to live
My soul disdained not, that I thought
Its lying forms were worthy aught,
And much less thee.
HELEN
Oh, speak not so!
But come to me and pour thy woe
Into this heart, full though it be,
Aye overflowing with its own.
I thought that grief had severed me
From all beside who weep and groan,
Its likeness upon earth to be
Its express image; but thou art
More wretched. Sweet, we will not part
Henceforth, if death be not division;
If so, the dead feel no contrition.
But wilt thou hear, since last we parted,
All that has left me broken-hearted?
ROSALIND
Yes, speak. The faintest stars are scarcely shorn
Of their thin beams by that delusive morn
Which sinks again in darkness, like the light
Of early love, soon lost in total night.
HELEN
Alas! Italian winds are mild,
But my bosom is coldwintry cold;
When the warm air weaves, among the fresh leaves,
Soft music, my poor brain is wild,
And I am weak like a nursling child,
Though my soul with grief is gray and old.
ROSALIND
Weep not at thine own words, though they must make
Me weep. What is thy tale?
HELEN
I fear 't will shake
Thy gentle heart with tears. Thou well
Rememberest when we met no more;
And, though I dwelt with Lionel,
That friendless caution pierced me sore
With grief; a wound my spirit bore
Indignantlybut when he died,
With him lay dead both hope and pride.
Alas! all hope is buried now.
But then men dreamed the aged earth
Was laboring in that mighty birth
Which many a poet and a sage
Has aye foreseenthe happy age
When truth and love shall dwell below
Among the works and ways of men;
Which on this world not power but will
Even now is wanting to fulfil.
Among mankind what thence befell
Of strife, how vain, is known too well;
When Liberty's dear pan fell
'Mid murderous howls. To Lionel,
Though of great wealth and lineage high,
Yet through those dungeon walls there came
Thy thrilling light, O Liberty!
And as the meteor's midnight flame
Startles the dreamer, sun-like truth
Flashed on his visionary youth,
And filled him, not with love, but faith,
And hope, and courage mute in death;
For love and life in him were twins,
Born at one birth. In every other
First life, then love, its course begins,
Though they be children of one mother;
And so through this dark world they fleet
Divided, till in death they meet;
But he loved all things ever. Then
He passed amid the strife of men,
And stood at the throne of armd power
Pleading for a world of woe.
Secure as one on a rock-built tower
O'er the wrecks which the surge trails to and fro,
'Mid the passions wild of humankind
He stood, like a spirit calming them;
For, it was said, his words could bind
Like music the lulled crowd, and stem
That torrent of unquiet dream
Which mortals truth and reason deem,
But is revenge and fear and pride.
Joyous he was; and hope and peace
On all who heard him did abide,
Raining like dew from his sweet talk,
As where the evening star may walk
Along the brink of the gloomy seas,
Liquid mists of splendor quiver.
His very gestures touched to tears
The unpersuaded tyrant, never
So moved before; his presence stung
The torturers with their victim's pain,
And none knew how; and through their ears
The subtle witchcraft of his tongue
Unlocked the hearts of those who keep
Gold, the world's bond of slavery.
Men wondered, and some sneered to see
One sow what he could never reap;
For he is rich, they said, and young,
And might drink from the depths of luxury.
If he seeks fame, fame never crowned
The champion of a trampled creed;
If he seeks power, power is enthroned
'Mid ancient rights and wrongs, to feed
Which hungry wolves with praise and spoil
Those who would sit near power must toil;
And such, there sitting, all may see.
What seeks he? All that others seek
He casts away, like a vile weed
Which the sea casts unreturningly.
That poor and hungry men should break
The laws which wreak them toil and scorn
We understand; but Lionel,
We know, is rich and nobly born.
So wondered they; yet all men loved
Young Lionel, though few approved;
All but the priests, whose hatred fell
Like the unseen blight of a smiling day,
The withering honey-dew which clings
Under the bright green buds of May
Whilst they unfold their emerald wings;
For he made verses wild and queer
On the strange creeds priests hold so dear
Because they bring them land and gold.
Of devils and saints and all such gear
He made tales which whoso heard or read
Would laugh till he were almost dead.
So this grew a proverb: 'Don't get old
Till Lionel's Banquet in Hell you hear,
And then you will laugh yourself young again.'
So the priests hated him, and he
Repaid their hate with cheerful glee.
Ah, smiles and joyance quickly died,
For public hope grew pale and dim
In an altered time and tide,
And in its wasting withered him,
As a summer flower that blows too soon
Droops in the smile of the waning moon,
When it scatters through an April night
The frozen dews of wrinkling blight.
None now hoped more. Gray Power was seated
Safely on her ancestral throne;
And Faith, the Python, undefeated
Even to its blood-stained steps dragged on
Her foul and wounded train; and men
Were trampled and deceived again,
And words and shows again could bind
The wailing tribes of humankind
In scorn and famine. Fire and blood
Raged round the raging multitude,
To fields remote by tyrants sent
To be the scornd instrument
With which they drag from mines of gore
The chains their slaves yet ever wore;
And in the streets men met each other,
And by old altars and in halls,
And smiled again at festivals.
But each man found in his heart's brother
Cold cheer; for all, though half deceived,
The outworn creeds again believed,
And the same round anew began
Which the weary world yet ever ran.
Many then wept, not tears, but gall,
Within their hearts, like drops which fall
Wasting the fountain-stone away.
And in that dark and evil day
Did all desires and thoughts that claim
Men's careambition, friendship, fame,
Love, hope, though hope was now despair
Indue the colors of this change,
As from the all-surrounding air
The earth takes hues obscure and strange,
When storm and earthquake linger there.
And so, my friend, it then befell
To many,most to Lionel,
Whose hope was like the life of youth
Within him, and when dead became
A spirit of unresting flame,
Which goaded him in his distress
Over the world's vast wilderness.
Three years he left his native land,
And on the fourth, when he returned,
None knew him; he was stricken deep
With some disease of mind, and turned
Into aught unlike Lionel.
On himon whom, did he pause in sleep,
Serenest smiles were wont to keep,
And, did he wake, a wingd band
Of bright Persuasions, which had fed
On his sweet lips and liquid eyes,
Kept their swift pinions half outspread
To do on men his least command
On him, whom once 't was paradise
Even to behold, now misery lay.
In his own heart 't was merciless
To all things else none may express
Its innocence and tenderness.
'T was said that he had refuge sought
In love from his unquiet thought
In distant lands, and been deceived
By some strange show; for there were found,
Blotted with tearsas those relieved
By their own words are wont to do
These mournful verses on the ground,
By all who read them blotted too.
'How am I changed! my hopes were once like fire;
I loved, and I believed that life was love.
How am I lost! on wings of swift desire
Among Heaven's winds my spirit once did move.
I slept, and silver dreams did aye inspire
My liquid sleep; I woke, and did approve
All Nature to my heart, and thought to make
A paradise of earth for one sweet sake.
'I love, but I believe in love no more.
I feel desire, but hope not. Oh, from sleep
Most vainly must my weary brain implore
Its long lost flattery now! I wake to weep,
And sit through the long day gnawing the core
Of my bitter heart, and, like a miser, keep
Since none in what I feel take pain or pleasure
To my own soul its self-consuming treasure.'
He dwelt beside me near the sea;
And oft in evening did we meet,
When the waves, beneath the starlight, flee
O'er the yellow sands with silver feet,
And talked. Our talk was sad and sweet,
Till slowly from his mien there passed
The desolation which it spoke;
And smilesas when the lightning's blast
Has parched some heaven-delighting oak,
The next spring shows leaves pale and rare,
But like flowers delicate and fair,
On its rent boughsagain arrayed
His countenance in tender light;
His words grew subtle fire, which made
The air his hearers breathed delight;
His motions, like the winds, were free,
Which bend the bright grass gracefully,
Then fade away in circlets faint;
And wingd Hopeon which upborne
His soul seemed hovering in his eyes,
Like some bright spirit newly born
Floating amid the sunny skies
Sprang forth from his rent heart anew.
Yet o'er his talk, and looks, and mien,
Tempering their loveliness too keen,
Past woe its shadow backward threw;
Till, like an exhalation spread
From flowers half drunk with evening dew,
They did become infectioussweet
And subtle mists of sense and thought,
Which wrapped us soon, when we might meet,
Almost from our own looks and aught
The wild world holds. And so his mind
Was healed, while mine grew sick with fear;
For ever now his health declined,
Like some frail bark which cannot bear
The impulse of an altered wind,
Though prosperous; and my heart grew full,
'Mid its new joy, of a new care;
For his cheek became, not pale, but fair,
As rose-o'ershadowed lilies are;
And soon his deep and sunny hair,
In this alone less beautiful,
Like grass in tombs grew wild and rare.
The blood in his translucent veins
Beat, not like animal life, but love
Seemed now its sullen springs to move,
When life had failed, and all its pains;
And sudden sleep would seize him oft
Like death, so calm,but that a tear,
His pointed eye-lashes between,
Would gather in the light serene
Of smiles whose lustre bright and soft
Beneath lay undulating there.
His breath was like inconstant flame
As eagerly it went and came;
And I hung o'er him in his sleep,
Till, like an image in the lake
Which rains disturb, my tears would break
The shadow of that slumber deep.
Then he would bid me not to weep,
And say, with flattery false yet sweet,
That death and he could never meet,
If I would never part with him.
And so we loved, and did unite
All that in us was yet divided;
For when he said, that many a rite,
By men to bind but once provided,
Could not be shared by him and me,
Or they would kill him in their glee,
I shuddered, and then laughing said
'We will have rites our faith to bind,
But our church shall be the starry night,
Our altar the grassy earth outspread,
And our priest the muttering wind.'
'T was sunset as I spoke. One star
Had scarce burst forth, when from afar
The ministers of misrule sent
Seized upon Lionel, and bore
His chained limbs to a dreary tower,
In the midst of a city vast and wide.
For he, they said, from his mind had bent
Against their gods keen blasphemy,
For which, though his soul must roasted be
In hell's red lakes immortally,
Yet even on earth must he abide
The vengeance of their slaves: a trial,
I think, men call it. What avail
Are prayers and tears, which chase denial
From the fierce savage nursed in hate?
What the knit soul that pleading and pale
Makes wan the quivering cheek which late
It painted with its own delight?
We were divided. As I could,
I stilled the tingling of my blood,
And followed him in their despite,
As a widow follows, pale and wild,
The murderers and corse of her only child;
And when we came to the prison door,
And I prayed to share his dungeon floor
With prayers which rarely have been spurned,
And when men drove me forth, and I
Stared with blank frenzy on the sky,
A farewell look of love he turned,
Half calming me; then gazed awhile,
As if through that black and massy pile,
And through the crowd around him there,
And through the dense and murky air,
And the thronged streets, he did espy
What poets know and prophesy;
And said, with voice that made them shiver
And clung like music in my brain,
And which the mute walls spoke again
Prolonging it with deepened strain
'Fear not the tyrants shall rule forever,
Or the priests of the bloody faith;
They stand on the brink of that mighty river,
Whose waves they have tainted with death;
It is fed from the depths of a thousand dells,
Around them it foams, and rages, and swells,
And their swords and their sceptres I floating see,
Like wrecks, in the surge of eternity.'
I dwelt beside the prison gate;
And the strange crowd that out and in
Passed, some, no doubt, with mine own fate,
Might have fretted me with its ceaseless din,
But the fever of care was louder within.
Soon but too late, in penitence
Or fear, his foes released him thence.
I saw his thin and languid form,
As leaning on the jailor's arm,
Whose hardened eyes grew moist the while
To meet his mute and faded smile
And hear his words of kind farewell,
He tottered forth from his damp cell.
Many had never wept before,
From whom fast tears then gushed and fell;
Many will relent no more,
Who sobbed like infants then; ay, all
Who thronged the prison's stony hall,
The rulers or the slaves of law,
Felt with a new surprise and awe
That they were human, till strong shame
Made them again become the same.
The prison bloodhounds, huge and grim,
From human looks the infection caught,
And fondly crouched and fawned on him;
And men have heard the prisoners say,
Who in their rotting dungeons lay,
That from that hour, throughout one day,
The fierce despair and hate which kept
Their trampled bosoms almost slept,
Where, like twin vultures, they hung feeding
On each heart's wound, wide torn and bleeding,
Because their jailors' rule, they thought,
Grew merciful, like a parent's sway.
I know not how, but we were free;
And Lionel sate alone with me,
As the carriage drove through the streets apace;
And we looked upon each other's face;
And the blood in our fingers intertwined
Ran like the thoughts of a single mind,
As the swift emotions went and came
Through the veins of each united frame.
So through the long, long streets we passed
Of the million-peopled City vast;
Which is that desert, where each one
Seeks his mate yet is alone,
Beloved and sought and mourned of none;
Until the clear blue sky was seen,
And the grassy meadows bright and green.
And then I sunk in his embrace
Enclosing there a mighty space
Of love; and so we travelled on
By woods, and fields of yellow flowers,
And towns, and villages, and towers,
Day after day of happy hours.
It was the azure time of June,
When the skies are deep in the stainless noon,
And the warm and fitful breezes shake
The fresh green leaves of the hedge-row briar;
And there were odors then to make
The very breath we did respire
A liquid element, whereon
Our spirits, like delighted things
That walk the air on subtle wings,
Floated and mingled far away
'Mid the warm winds of the sunny day.
And when the evening star came forth
Above the curve of the new bent moon,
And light and sound ebbed from the earth,
Like the tide of the full and the weary sea
To the depths of its own tranquillity,
Our natures to its own repose
Did the earth's breathless sleep attune;
Like flowers, which on each other close
Their languid leaves when daylight's gone,
We lay, till new emotions came,
Which seemed to make each mortal frame
One soul of interwoven flame,
A life in life, a second birth
In worlds diviner far than earth;
Which, like two strains of harmony
That mingle in the silent sky,
Then slowly disunite, passed by
And left the tenderness of tears,
A soft oblivion of all fears,
A sweet sleep:so we travelled on
Till we came to the home of Lionel,
Among the mountains wild and lone,
Beside the hoary western sea,
Which near the verge of the echoing shore
The massy forest shadowed o'er.
The ancient steward with hair all hoar,
As we alighted, wept to see
His master changed so fearfully;
And the old man's sobs did waken me
From my dream of unremaining gladness;
The truth flashed o'er me like quick madness
When I looked, and saw that there was death
On Lionel. Yet day by day
He lived, till fear grew hope and faith,
And in my soul I dared to say,
Nothing so bright can pass away;
Death is dark, and foul, and dull,
But he isoh, how beautiful!
Yet day by day he grew more weak,
And his sweet voice, when he might speak,
Which ne'er was loud, became more low;
And the light which flashed through his waxen cheek
Grew faint, as the rose-like hues which flow
From sunset o'er the Alpine snow;
And death seemed not like death in him,
For the spirit of life o'er every limb
Lingered, a mist of sense and thought.
When the summer wind faint odors brought
From mountain flowers, even as it passed,
His cheek would change, as the noonday sea
Which the dying breeze sweeps fitfully.
If but a cloud the sky o'ercast,
You might see his color come and go,
And the softest strain of music made
Sweet smiles, yet sad, arise and fade
Amid the dew of his tender eyes;
And the breath, with intermitting flow,
Made his pale lips quiver and part.
You might hear the beatings of his heart,
Quick but not strong; and with my tresses
When oft he playfully would bind
In the bowers of mossy lonelinesses
His neck, and win me so to mingle
In the sweet depth of woven caresses,
And our faint limbs were intertwined,
Alas! the unquiet life did tingle
From mine own heart through every vein,
Like a captive in dreams of liberty,
Who beats the walls of his stony cell.
But his, it seemed already free,
Like the shadow of fire surrounding me!
On my faint eyes and limbs did dwell
That spirit as it passed, till soon
As a frail cloud wandering o'er the moon,
Beneath its light invisible,
Is seen when it folds its gray wings again
To alight on midnight's dusky plain
I lived and saw, and the gathering soul
Passed from beneath that strong control,
And I fell on a life which was sick with fear
Of all the woe that now I bear.
Amid a bloomless myrtle wood,
On a green and sea-girt promontory
Not far from where we dwelt, there stood,
In record of a sweet sad story,
An altar and a temple bright
Circled by steps, and o'er the gate
Was sculptured, 'To Fidelity;'
And in the shrine an image sate
All veiled; but there was seen the light
Of smiles which faintly could express
A mingled pain and tenderness
Through that ethereal drapery.
The left hand held the head, the right
Beyond the veil, beneath the skin,
You might see the nerves quivering within
Was forcing the point of a barbd dart
Into its side-convulsing heart.
An unskilled hand, yet one informed
With genius, had the marble warmed
With that pathetic life. This tale
It told: A dog had from the sea,
When the tide was raging fearfully,
Dragged Lionel's mother, weak and pale,
Then died beside her on the sand,
And she that temple thence had planned;
But it was Lionel's own hand
Had wrought the image. Each new moon
That lady did, in this lone fane,
The rites of a religion sweet
Whose god was in her heart and brain.
The seasons' loveliest flowers were strewn
On the marble floor beneath her feet,
And she brought crowns of sea-buds white
Whose odor is so sweet and faint,
And weeds, like branching chrysolite,
Woven in devices fine and quaint;
And tears from her brown eyes did stain
The altar; need but look upon
That dying statue, fair and wan,
If tears should cease, to weep again;
And rare Arabian odors came,
Through the myrtle copses, steaming thence
From the hissing frankincense,
Whose smoke, wool-white as ocean foam,
Hung in dense flocks beneath the dome
That ivory dome, whose azure night
With golden stars, like heaven, was bright
O'er the split cedar's pointed flame;
And the lady's harp would kindle there
The melody of an old air,
Softer than sleep; the villagers
Mixed their religion up with hers,
And, as they listened round, shed tears.
One eve he led me to this fane.
Daylight on its last purple cloud
Was lingering gray, and soon her strain
The nightingale began; now loud,
Climbing in circles the windless sky,
Now dying music; suddenly
'T is scattered in a thousand notes;
And now to the hushed ear it floats
Like field-smells known in infancy,
Then, failing, soothes the air again.
We sate within that temple lone,
Pavilioned round with Parian stone;
His mother's harp stood near, and oft
I had awakened music soft
Amid its wires; the nightingale
Was pausing in her heaven-taught tale.
'Now drain the cup,' said Lionel,
'Which the poet-bird has crowned so well
With the wine of her bright and liquid song!
Heard'st thou not sweet words among
That heaven-resounding minstrelsy?
Heard'st thou not that those who die
Awake in a world of ecstasy?
That love, when limbs are interwoven,
And sleep, when the night of life is cloven,
And thought, to the world's dim boundaries clinging,
And music, when one beloved is singing,
Is death? Let us drain right joyously
The cup which the sweet bird fills for me.'
He paused, and to my lips he bent
His own; like spirit his words went
Through all my limbs with the speed of fire;
And his keen eyes, glittering through mine,
Filled me with the flame divine
Which in their orbs was burning far,
Like the light of an unmeasured star
In the sky of midnight dark and deep;
Yes, 't was his soul that did inspire
Sounds which my skill could ne'er awaken;
And first, I felt my fingers sweep
The harp, and a long quivering cry
Burst from my lips in symphony;
The dusk and solid air was shaken,
As swift and swifter the notes came
From my touch, that wandered like quick flame,
And from my bosom, laboring
With some unutterable thing.
The awful sound of my own voice made
My faint lips tremble; in some mood
Of wordless thought Lionel stood
So pale, that even beside his cheek
The snowy column from its shade
Caught whiteness; yet his countenance,
Raised upward, burned with radiance
Of spirit-piercing joy whose light,
Like the moon struggling through the night
Of whirlwind-rifted clouds, did break
With beams that might not be confined.
I paused, but soon his gestures kindled
New power, as by the moving wind
The waves are lifted; and my song
To low soft notes now changed and dwindled,
And, from the twinkling wires among,
My languid fingers drew and flung
Circles of life-dissolving sound,
Yet faint; in ary rings they bound
My Lionel, who, as every strain
Grew fainter but more sweet, his mien
Sunk with the sound relaxedly;
And slowly now he turned to me,
As slowly faded from his face
That awful joy; with look serene
He was soon drawn to my embrace,
And my wild song then died away
In murmurs; words I dare not say
We mixed, and on his lips mine fed
Till they methought felt still and cold.
'What is it with thee, love?' I said;
No word, no look, no motion! yes,
There was a change, but spare to guess,
Nor let that moment's hope be told.
I looked,and knew that he was dead;
And fell, as the eagle on the plain
Falls when life deserts her brain,
And the mortal lightning is veiled again.
Oh, that I were now dead! but such
Did they not, love, demand too much,
Those dying murmurs?he forbade.
Oh, that I once again were mad!
And yet, dear Rosalind, not so,
For I would live to share thy woe.
Sweet boy! did I forget thee too?
Alas, we know not what we do
When we speak words.
No memory more
Is in my mind of that sea-shore.
Madness came on me, and a troop
Of misty shapes did seem to sit
Beside me, on a vessel's poop,
And the clear north wind was driving it.
Then I heard strange tongues, and saw strange flowers,
And the stars methought grew unlike ours,
And the azure sky and the stormless sea
Made me believe that I had died
And waked in a world which was to me
Drear hell, though heaven to all beside.
Then a dead sleep fell on my mind,
Whilst animal life many long years
Had rescued from a chasm of tears;
And, when I woke, I wept to find
That the same lady, bright and wise,
With silver locks and quick brown eyes,
The mother of my Lionel,
Had tended me in my distress,
And died some months before. Nor less
Wonder, but far more peace and joy,
Brought in that hour my lovely boy.
For through that trance my soul had well
The impress of thy being kept;
And if I waked or if I slept,
No doubt, though memory faithless be,
Thy image ever dwelt on me;
And thus, O Lionel, like thee
Is our sweet child. 'T is sure most strange
I knew not of so great a change
As that which gave him birth, who now
Is all the solace of my woe.
That Lionel great wealth had left
By will to me, and that of all
The ready lies of law bereft
My child and me,might well befall.
But let me think not of the scorn
Which from the meanest I have borne,
When, for my child's belovd sake,
I mixed with slaves, to vindicate
The very laws themselves do make;
Let me not say scorn is my fate,
Lest I be proud, suffering the same
With those who live in deathless fame.
She ceased.'Lo, where red morning through the woods
Is burning o'er the dew!' said Rosalind.
And with these words they rose, and towards the flood
Of the blue lake, beneath the leaves, now wind
With equal steps and fingers intertwined.
Thence to a lonely dwelling, where the shore
Is shadowed with steep rocks, and cypresses
Cleave with their dark green cones the silent skies
And with their shadows the clear depths below,
And where a little terrace from its bowers
Of blooming myrtle and faint lemon flowers
Scatters its sense-dissolving fragrance o'er
The liquid marble of the windless lake;
And where the aged forest's limbs look hoar
Under the leaves which their green garments make,
They come. 'T is Helen's home, and clean and white,
Like one which tyrants spare on our own land
In some such solitude; its casements bright
Shone through their vine-leaves in the morning sun,
And even within 't was scarce like Italy.
And when she saw how all things there were planned
As in an English home, dim memory
Disturbed poor Rosalind; she stood as one
Whose mind is where his body cannot be,
Till Helen led her where her child yet slept,
And said, 'Observe, that brow was Lionel's,
Those lips were his, and so he ever kept
One arm in sleep, pillowing his head with it.
You cannot see his eyesthey are two wells
Of liquid love. Let us not wake him yet.'
But Rosalind could bear no more, and wept
A shower of burning tears which fell upon
His face, and so his opening lashes shone
With tears unlike his own, as he did leap
In sudden wonder from his innocent sleep.
So Rosalind and Helen lived together
Thenceforthchanged in all else, yet friends again,
Such as they were, when o'er the mountain heather
They wandered in their youth through sun and rain.
And after many years, for human things
Change even like the ocean and the wind,
Her daughter was restored to Rosalind,
And in their circle thence some visitings
Of joy 'mid their new calm would intervene.
A lovely child she was, of looks serene,
And motions which o'er things indifferent shed
The grace and gentleness from whence they came.
And Helen's boy grew with her, and they fed
From the same flowers of thought, until each mind
Like springs which mingle in one flood became;
And in their union soon their parents saw
The shadow of the peace denied to them.
And Rosalindfor when the living stem
Is cankered in its heart, the tree must fall
Died ere her time; and with deep grief and awe
The pale survivors followed her remains
Beyond the region of dissolving rains,
Up the cold mountain she was wont to call
Her tomb; and on Chiavenna's precipice
They raised a pyramid of lasting ice,
Whose polished sides, ere day had yet begun,
Caught the first glow of the unrisen sun,
The last, when it had sunk; and through the night
The charioteers of Arctos wheeld round
Its glittering point, as seen from Helen's home,
Whose sad inhabitants each year would come,
With willing steps climbing that rugged height,
And hang long locks of hair, and garlands bound
With amaranth flowers, which, in the clime's despite,
Filled the frore air with unaccustomed light;
Such flowers as in the wintry memory bloom
Of one friend left adorned that frozen tomb.
Helen, whose spirit was of softer mould,
Whose sufferings too were less, death slowlier led
Into the peace of his dominion cold.
She died among her kindred, being old.
And know, that if love die not in the dead
As in the living, none of mortal kind
Are blessed as now Helen and Rosalind.
Begun at Marlow, 1817 (summer); already in the press, March, 1818; finished at the Baths of Lucca, August, 1818; published with other poems, as the title-piece of a slender volume, by C. & J. Ollier, London, 1819 (spring).
Note by Mrs. Shelley: 'Rosalind and Helen was begun at Marlow, and thrown aside -- till I found it; and, at my request, it was completed. Shelley had no care for any of his poems that did not emanate from the depths of his mind and develop some high or abstruse truth. When he does touch on human life and the human heart, no pictures can be more faithful, more delicate, more subtle, or more pathetic. He never mentioned Love but he shed a grace borrowed from his own nature, that scarcely any other poet has bestowed, on that passion. When he spoke of it as the law of life, which inasmuch as we rebel against we err and injure ourselves and others, he promulgated that which he considered an irrefragable truth. In his eyes it was the essence of our being, and all woe and pain arose from the war made against it by selfishness, or insensibility, or mistake. By reverting in his mind to this first principle, he discovered the source of many emotions, and could disclose the secrets of all hearts; and his delineations of passion and emotion touch the finest chords of our nature.
Rosalind and Helen was finished during the summer of 1818, while we were at the baths of Lucca.'
~ Percy Bysshe Shelley, Rosalind and Helen - a Modern Eclogue
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1445:The Court Of Love
With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.
The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right
No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.
Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,
That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
748
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.
But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:
To her be all the plesure of this boke,
That, whan her like, she may it rede and loke.
When I was yong, at eighteen yere of age,
Lusty and light, desirous of pleasaunce,
Approching on full sadde and ripe corage,
Love arted me to do myn observaunce
To his astate, and doon him obeysaunce,
Commaunding me the Court of Love to see,
A lite beside the mount of Citharee,
There Citherea goddesse was and quene
Honoured highly for her majestee;
And eke her sone, the mighty god, I wene,
Cupid the blind, that for his dignitee
A thousand lovers worship on their knee;
There was I bid, on pain of death, t'apere,
By Mercury, the winged messengere.
So than I went by straunge and fer contrees,
Enquiring ay what costes to it drew,
The Court of Love: and thiderward, as bees,
At last I sey the peple gan pursue:
Anon, me thought, som wight was there that knew
Where that the court was holden, ferre or ny,
And after thaim ful fast I gan me hy.
749
Anone as I theim overtook, I said,
'Hail, frendes! whider purpose ye to wend?'
'Forsooth,' quod oon that answered lich a maid,
'To Loves Court now go we, gentill frend.'
'Where is that place,' quod I, 'my felowe hend?'
'At Citheron, sir,' seid he, 'without dowte,
The King of Love, and all his noble rowte,
Dwelling within a castell ryally.'
So than apace I jorned forth among,
And as he seid, so fond I there truly.
For I beheld the towres high and strong,
And high pinácles, large of hight and long,
With plate of gold bespred on every side,
And presious stones, the stone-werk for to hide.
No saphir ind, no rubè riche of price,
There lakked than, nor emeraud so grene,
Baleis Turkeis, ne thing to my devise,
That may the castell maken for to shene:
All was as bright as sterres in winter been;
And Phebus shoon, to make his pees agayn,
For trespas doon to high estates tweyn,
Venus and Mars, the god and goddesse clere,
Whan he theim found in armes cheined fast:
Venus was then full sad of herte and chere.
But Phebus bemes, streight as is the mast,
Upon the castell ginneth he to cast,
To plese the lady, princesse of that place,
In signe he loketh aftir Loves grace.
For there nis god in heven or helle, y-wis,
But he hath ben right soget unto Love:
Jove, Pluto, or what-so-ever he is,
Ne creature in erth, or yet above;
Of thise the révers may no wight approve.
But furthermore, the castell to descry,
750
Yet saw I never non so large and high.
For unto heven it streccheth, I suppose,
Within and out depeynted wonderly,
With many a thousand daisy, rede as rose,
And white also, this saw I verily:
But what tho daises might do signify,
Can I not tell, sauf that the quenes flour
Alceste it was that kept there her sojour;
Which under Venus lady was and quene,
And Admete king and soverain of that place,
To whom obeyed the ladies gode ninetene,
With many a thowsand other, bright of face.
And yong men fele came forth with lusty pace,
And aged eke, their homage to dispose;
But what thay were, I could not well disclose.
Yet ner and ner furth in I gan me dresse
Into an halle of noble apparaile,
With arras spred and cloth of gold, I gesse,
And other silk of esier availe:
Under the cloth of their estate, saunz faile,
The king and quene ther sat, as I beheld:
It passed joye of Helisee the feld.
There saintes have their comming and resort,
To seen the king so ryally beseyn,
In purple clad, and eke the quene in sort:
And on their hedes saw I crownes tweyn,
With stones fret, so that it was no payn,
Withouten mete and drink, to stand and see
The kinges honour and the ryaltee.
And for to trete of states with the king,
That been of councell chief, and with the quene,
The king had Daunger ner to him standing,
751
The Quene of Love, Disdain, and that was seen:
For by the feith I shall to god, I wene,
Was never straunger [non] in her degree
Than was the quene in casting of her ee.
And as I stood perceiving her apart,
And eke the bemes shyning of her yen,
Me thought thay were shapen lich a dart,
Sherp and persing, smale, and streight as lyne.
And all her here, it shoon as gold so fyne,
Dishevel, crisp, down hinging at her bak
A yarde in length: and soothly than I spak:—
'O bright Regina, who made thee so fair?
Who made thy colour vermelet and white?
Where woneth that god? how fer above the eyr?
Greet was his craft, and greet was his delyt.
Now marvel I nothing that ye do hight
The Quene of Love, and occupy the place
Of Citharee: now, sweet lady, thy grace.'
In mewet spak I, so that nought astert,
By no condicion, word that might be herd;
B[ut] in myn inward thought I gan advert,
And oft I seid, 'My wit is dulle and hard:'
For with her bewtee, thus, god wot, I ferd
As doth the man y-ravisshed with sight,
When I beheld her cristall yen so bright,
No respect having what was best to doon;
Till right anon, beholding here and there,
I spied a frend of myne, and that full soon,
A gentilwoman, was the chamberer
Unto the quene, that hote, as ye shall here,
Philobone, that lovëd all her life:
Whan she me sey, she led me furth as blyfe;
752
And me demaunded how and in what wise
I thider com, and what myne erand was?
'To seen the court,' quod I, 'and all the guyse;
And eke to sue for pardon and for grace,
And mercy ask for all my greet trespace,
That I non erst com to the Court of Love:
Foryeve me this, ye goddes all above!'
'That is well seid,' quod Philobone, 'in-dede:
But were ye not assomoned to apere
By Mercury? For that is all my drede.'
'Yes, gentil fair,' quod I, 'now am I here;
Ye, yit what tho, though that be true, my dere?'
'Of your free will ye shuld have come unsent:
For ye did not, I deme ye will be shent.
For ye that reign in youth and lustinesse,
Pampired with ese, and jolif in your age,
Your dewtee is, as fer as I can gesse,
To Loves Court to dressen your viage,
As sone as Nature maketh you so sage,
That ye may know a woman from a swan,
Or whan your foot is growen half a span.
But sith that ye, by wilful necligence,
This eighteen yere have kept yourself at large,
The gretter is your trespace and offence,
And in your nek ye moot bere all the charge:
For better were ye ben withouten barge,
Amiddë see, in tempest and in rain,
Than byden here, receiving woo and pain,
That ordeined is for such as thaim absent
Fro Loves Court by yeres long and fele.
I ley my lyf ye shall full soon repent;
For Love will reyve your colour, lust, and hele:
Eke ye must bait on many an hevy mele:
No force, y-wis, I stired you long agoon
753
To draw to court,' quod litell Philobon.
'Ye shall well see how rough and angry face
The King of Love will shew, when ye him see;
By myn advyse kneel down and ask him grace,
Eschewing perell and adversitee;
For well I wot it wol non other be,
Comfort is non, ne counsel to your ese;
Why will ye than the King of Love displese?'
'O mercy, god,' quod ich, 'I me repent,
Caitif and wrecche in hert, in wille, and thought!
And aftir this shall be myne hole entent
To serve and plese, how dere that love be bought:
Yit, sith I have myn own penaunce y-sought,
With humble spirit shall I it receive,
Though that the King of Love my life bereyve.
And though that fervent loves qualitè
In me did never worch truly, yit I
With all obeisaunce and humilitè,
And benign hert, shall serve him til I dye:
And he that Lord of might is, grete and highe,
Right as him list me chastice and correct,
And punish me, with trespace thus enfect.'
Thise wordes seid, she caught me by the lap,
And led me furth intill a temple round,
Large and wyde: and, as my blessed hap
And good avénture was, right sone I found
A tabernacle reised from the ground,
Where Venus sat, and Cupid by her syde;
Yet half for drede I gan my visage hyde.
And eft again I loked and beheld,
Seeing full sundry peple in the place,
And mister folk, and som that might not weld
754
Their limmes well, me thought a wonder cas;
The temple shoon with windows all of glas,
Bright as the day, with many a fair image;
And there I sey the fresh quene of Cartage,
Dido, that brent her bewtee for the love
Of fals Eneas; and the weymenting
Of hir, Anelida, true as turtill-dove,
To Arcite fals: and there was in peinting
Of many a prince, and many a doughty king,
Whose marterdom was shewed about the walles;
And how that fele for love had suffered falles.
But sore I was abasshed and astonied
Of all tho folk that there were in that tyde;
And than I asked where thay had [y-]woned:
'In dyvers courtes,' quod she, 'here besyde.'
In sondry clothing, mantil-wyse full wyde,
They were arrayed, and did their sacrifice
Unto the god and goddesse in their guyse.
'Lo! yonder folk,' quod she, 'that knele in blew,
They were the colour ay, and ever shall,
In sign they were, and ever will be trew
Withouten chaunge: and sothly, yonder all
That ben in blak, with morning cry and call
Unto the goddes, for their loves been
Som fer, som dede, som all to sherpe and kene.'
'Ye, than,' quod I, 'what doon thise prestes here,
Nonnes and hermits, freres, and all thoo
That sit in white, in russet, and in grene?'
'For-soth,' quod she, 'they wailen of their wo.'
'O mercy, lord! may thay so come and go
Freely to court, and have such libertee?'
'Ye, men of ech condicion and degree,
755
And women eke: for truly, there is non
Excepcion mad, ne never was ne may:
This court is ope and free for everichon,
The King of Love he will nat say thaim nay:
He taketh all, in poore or riche array,
That meekly sewe unto his excellence
With all their herte and all their reverence.'
And, walking thus about with Philobone,
I sey where cam a messenger in hy
Streight from the king, which let commaund anon,
Through-out the court to make an ho and cry:
'A! new-come folk, abyde! and wot ye why?
The kinges lust is for to seen you soon:
Com ner, let see! his will mot need be doon.'
Than gan I me present to-fore the king,
Trembling for fere, with visage pale of hew,
And many a lover with me was kneling,
Abasshed sore, till unto tyme thay knew
The sentence yeve of his entent full trew:
And at the last the king hath me behold
With stern visage, and seid, 'What doth this old,
Thus fer y-stope in yeres, come so late
Unto the court?' 'For-soth, my liege,' quod I,
'An hundred tyme I have ben at the gate
Afore this tyme, yit coud I never espy
Of myn acqueyntaunce any with mine y;
And shamefastnes away me gan to chace;
But now I me submit unto your grace.'
'Well! all is perdoned, with condicion
That thou be trew from hensforth to thy might,
And serven Love in thyn entencion:
Swere this, and than, as fer as it is right,
Thou shalt have grace here in my quenes sight.'
'Yis, by the feith I ow your crown, I swere,
756
Though Deth therfore me thirlith with his spere!'
And whan the king had seen us everichoon,
He let commaunde an officer in hy
To take our feith, and shew us, oon by oon,
The statuts of the court full besily.
Anon the book was leid before their y,
To rede and see what thing we must observe
In Loves Court, till that we dye and sterve.
And, for that I was lettred, there I red
The statuts hole of Loves Court and hall:
The first statut that on the boke was spred,
Was, To be true in thought and dedes all
Unto the King of Love, the Lord ryall;
And to the Quene, as feithful and as kind,
As I coud think with herte, and will and mind.
The secund statut, Secretly to kepe
Councell of love, nat blowing every-where
All that I know, and let it sink or flete;
It may not sown in every wightes ere:
Exyling slaunder ay for dred and fere,
And to my lady, which I love and serve,
Be true and kind, her grace for to deserve.
The thrid statut was clerely write also,
Withouten chaunge to live and dye the same,
Non other love to take, for wele ne wo,
For brind delyt, for ernest nor for game:
Without repent, for laughing or for grame,
To byden still in full perseveraunce:
Al this was hole the kinges ordinaunce.
The fourth statut, To purchace ever to here,
And stiren folk to love, and beten fyr
On Venus awter, here about and there,
757
And preche to thaim of love and hot desyr,
And tell how love will quyten well their hire:
This must be kept; and loth me to displese:
If love be wroth, passe forby is an ese.
The fifth statut, Not to be daungerous,
If that a thought wold reyve me of my slepe:
Nor of a sight to be over squeymous;
And so, verily, this statut was to kepe,
To turne and walowe in my bed and wepe,
When that my lady, of her crueltè,
Wold from her herte exylen all pitè.
The sixt statut, it was for me to use,
Alone to wander, voide of company,
And on my ladys bewtee for to muse,
And to think [it] no force to live or dye;
And eft again to think the remedy,
How to her grace I might anon attain,
And tell my wo unto my souverain.
The seventh statut was, To be pacient,
Whether my lady joyfull were or wroth;
For wordes glad or hevy, diligent,
Wheder that she me helden lefe or loth:
And hereupon I put was to myn oth,
Her for to serve, and lowly to obey,
Shewing my chere, ye, twenty sith a-day.
The eighth statut, to my rememb[e]raunce,
Was, To speke, and pray my lady dere,
With hourly labour and gret attendaunce,
Me for to love with all her herte entere,
And me desyre, and make me joyfull chere,
Right as she is, surmounting every faire,
Of bewtie well, and gentill debonaire.
758
The ninth statut, with lettres writ of gold,
This was the sentence, How that I and all
Shuld ever dred to be to over-bold
Her to displese; and truly, so I shall;
But ben content for thing[es] that may falle,
And meekly take her chastisement and yerd,
And to offende her ever ben aferd.
The tenth statut was, Egally discern
By-twene thy lady and thyn abilitee,
And think, thy-self art never like to yern,
By right, her mercy, nor of equitee,
But of her grace and womanly pitee:
For though thy-self be noble in thy strene,
A thowsand-fold more nobill is thy quene,
Thy lyves lady, and thy souverayn,
That hath thyn herte all hole in governaunce.
Thou mayst no wyse hit taken to disdayn,
To put thee humbly at her ordinaunce,
And give her free the rein of her plesaunce;
For libertee is thing that women loke,
And truly, els the mater is a-croke.
The eleventh statut, Thy signes for to con
With y and finger, and with smyles soft,
And low to cough, and alway for to shon,
For dred of spyes, for to winken oft:
But secretly to bring a sigh a-loft,
And eke beware of over-moch resort;
For that, paraventure, spilleth al thy sport.
The twelfth statut remember to observe:
For al the pain thow hast for love and wo,
All is to lite her mercy to deserve,
Thow must then think, where-ever thou ryde or go;
And mortall woundes suffer thow also,
All for her sake, and thinke it well beset
759
Upon thy love, for it may be no bet.
The thirteenth statut, Whylom is to thinke,
What thing may best thy lady lyke and plese,
And in thyn hertes botom let it sinke:
Som thing devise, and take [it] for thyn ese,
And send it her, that may her herte apese:
Some hert, or ring, or lettre, or device,
Or precious stone; but spare not for no price.
The fourteenth statut eke thou shalt assay
Fermly to kepe the most part of thy lyfe:
Wish that thy lady in thyne armes lay,
And nightly dreme, thow hast thy hertes wyfe
Swetely in armes, straining her as blyfe:
And whan thou seest it is but fantasy,
See that thow sing not over merily,
For to moche joye hath oft a wofull end.
It longith eke, this statut for to hold,
To deme thy lady evermore thy frend,
And think thyself in no wyse a cocold.
In every thing she doth but as she shold:
Construe the best, beleve no tales newe,
For many a lie is told, that semeth full trewe.
But think that she, so bounteous and fair,
Coud not be fals: imagine this algate;
And think that tonges wikke wold her appair,
Slaundering her name and worshipfull estat,
And lovers true to setten at debat:
And though thow seest a faut right at thyne y,
Excuse it blyve, and glose it pretily.
The fifteenth statut, Use to swere and stare,
And counterfet a lesing hardely,
To save thy ladys honour every-where,
760
And put thyself to fight [for her] boldly:
Sey she is good, virtuous, and gostly,
Clere of entent, and herte, and thought and wille;
And argue not, for reson ne for skille,
Agayn thy ladys plesir ne entent,
For love wil not be countrepleted, indede:
Sey as she seith, than shalt thou not be shent,
The crow is whyte; ye, truly, so I rede:
And ay what thing that she thee will forbede,
Eschew all that, and give her sovereintee,
Her appetyt folow in all degree.
The sixteenth statut, kepe it if thow may:—
Seven sith at night thy lady for to plese,
And seven at midnight, seven at morow-day;
And drink a cawdell erly for thyn ese.
Do this, and kepe thyn hede from all disese,
And win the garland here of lovers all,
That ever come in court, or ever shall.
Ful few, think I, this statut hold and kepe;
But truly, this my reson giveth me fele,
That som lovers shuld rather fall aslepe,
Than take on hand to plese so oft and wele.
There lay non oth to this statut a-dele,
But kepe who might, as gave him his corage:
Now get this garland, lusty folk of age.
Now win who may, ye lusty folk of youth,
This garland fresh, of floures rede and whyte,
Purpill and blewe, and colours ful uncouth,
And I shal croune him king of all delyt!
In al the court there was not, to my sight,
A lover trew, that he ne was adred,
When he expresse hath herd the statut red.
761
The seventeenth statut, Whan age approchith on,
And lust is leid, and all the fire is queint,
As freshly than thou shalt begin to fon,
And dote in love, and all her image paint
In rémembraunce, til thou begin to faint,
As in the first seson thyn hert began:
And her desire, though thou ne may ne can
Perform thy living actuell, and lust;
Regester this in thy rememb[e]raunce:
Eke when thou mayst not kepe thy thing from rust,
Yit speke and talk of plesaunt daliaunce;
For that shall make thyn hert rejoise and daunce.
And when thou mayst no more the game assay,
The statut bit thee pray for hem that may.
The eighteenth statut, hoolly to commend,
To plese thy lady, is, That thou eschewe
With sluttishness thy-self for to offend;
Be jolif, fresh, and fete, with thinges newe,
Courtly with maner, this is all thy due,
Gentill of port, and loving clenlinesse;
This is the thing that lyketh thy maistresse.
And not to wander lich a dulled ass,
Ragged and torn, disgysed in array,
Ribaud in speche, or out of mesure pass,
Thy bound exceding; think on this alway:
For women been of tender hertes ay,
And lightly set their plesire in a place;
Whan they misthink, they lightly let it passe.
The nineteenth statut, Mete and drink forgete:
Ech other day, see that thou fast for love,
For in the court they live withouten mete,
Sauf such as cometh from Venus all above;
They take non heed, in pain of greet reprove,
Of mete and drink, for that is all in vain;
762
Only they live by sight of their soverain.
The twentieth statut, last of everichoon,
Enroll it in thyn hertes privitee;
To wring and wail, to turn, and sigh and grone,
When that thy lady absent is from thee;
And eke renew the wordes [all] that she
Bitween you twain hath seid, and all the chere
That thee hath mad thy lyves lady dere.
And see thyn herte in quiet ne in rest
Sojorn, to tyme thou seen thy lady eft;
But wher she won by south, or est, or west,
With all thy force, now see it be not left:
Be diligent, till tyme thy lyfe be reft,
In that thou mayst, thy lady for to see;
This statut was of old antiquitee.
An officer of high auctoritee,
Cleped Rigour, made us swere anon:
He nas corrupt with parcialitee,
Favour, prayer, ne gold that cherely shoon;
'Ye shall,' quod he, 'now sweren here echoon,
Yong and old, to kepe, in that ye may,
The statuts truly, all, aftir this day.'
O god, thought I, hard is to make this oth!
But to my pouer shall I thaim observe;
In all this world nas mater half so loth,
To swere for all; for though my body sterve,
I have no might the hole for to reserve.
But herkin now the cace how it befell:
After my oth was mad, the trouth to tell,
I turned leves, loking on this boke,
Where other statuts were of women shene;
And right furthwith Rigour on me gan loke
763
Full angrily, and seid unto the quene
I traitour was, and charged me let been:
'There may no man,' quod he, 'the statut[s] know,
That long to woman, hy degree ne low.
In secret wyse thay kepten been full close,
They sowne echon to libertie, my frend;
Plesaunt thay be, and to their own purpose;
There wot no wight of thaim, but god and fend,
Ne naught shall wit, unto the worldes end.
The quene hath yeve me charge, in pain to dye,
Never to rede ne seen thaim with myn ye.
For men shall not so nere of councell ben,
With womanhode, ne knowen of her gyse,
Ne what they think, ne of their wit th'engyn;
I me report to Salamon the wyse,
And mighty Sampson, which begyled thryes
With Dalida was: he wot that, in a throw,
There may no man statut of women knowe.
For it paravénture may right so befall,
That they be bound by nature to disceive,
And spinne, and wepe, and sugre strewe on gall,
The hert of man to ravissh and to reyve,
And whet their tong as sharp as swerd or gleyve:
It may betyde, this is their ordinaunce;
So must they lowly doon the observaunce,
And kepe the statut yeven thaim of kind,
Or such as love hath yeve hem in their lyfe.
Men may not wete why turneth every wind,
Nor waxen wyse, nor ben inquisityf
To know secret of maid, widow, or wyfe;
For they their statutes have to thaim reserved,
And never man to know thaim hath deserved.
764
Now dress you furth, the god of Love you gyde!'
Quod Rigour than, 'and seek the temple bright
Of Cither[e]a, goddess here besyde;
Beseche her, by [the] influence and might
Of al her vertue, you to teche a-right,
How for to serve your ladies, and to plese,
Ye that ben sped, and set your hert in ese.
And ye that ben unpurveyed, pray her eke
Comfort you soon with grace and destinee,
That ye may set your hert there ye may lyke,
In suche a place, that it to love may be
Honour and worship, and felicitee
To you for ay. Now goth, by one assent.'
'Graunt mercy, sir!' quod we, and furth we went
Devoutly, soft and esy pace, to see
Venus the goddes image, all of gold:
And there we founde a thousand on their knee,
Sum freshe and feire, som dedely to behold,
In sondry mantils new, and som were old,
Som painted were with flames rede as fire,
Outward to shew their inward hoot desire:
With dolefull chere, full fele in their complaint
Cried 'Lady Venus, rewe upon our sore!
Receive our billes, with teres all bedreint;
We may not wepe, there is no more in store;
But wo and pain us frettith more and more:
Thou blisful planet, lovers sterre so shene,
Have rowth on us, that sigh and carefull been;
And ponish, Lady, grevously, we pray,
The false untrew with counterfet plesaunce,
That made their oth, be trew to live or dey,
With chere assured, and with countenaunce;
And falsly now thay foten loves daunce,
Barein of rewth, untrue of that they seid,
765
Now that their lust and plesire is alleyd.'
Yet eft again, a thousand milion,
Rejoysing, love, leding their life in blis:
They seid:—'Venus, redresse of all division,
Goddes eterne, thy name y-heried is!
By loves bond is knit all thing, y-wis,
Best unto best, the erth to water wan,
Bird unto bird, and woman unto man;
This is the lyfe of joye that we ben in,
Resembling lyfe of hevenly paradyse;
Love is exyler ay of vice and sin;
Love maketh hertes lusty to devyse;
Honour and grace have thay, in every wyse,
That been to loves law obedient;
Love makith folk benigne and diligent;
Ay stering theim to drede[n] vice and shame:
In their degree it maketh thaim honorable;
And swete it is of love [to] bere the name,
So that his love be feithfull, true, and stable:
Love prunith him, to semen amiable;
Love hath no faut, there it is exercysed,
But sole with theim that have all love dispised.
Honour to thee, celestiall and clere
Goddes of love, and to thy celsitude,
That yevest us light so fer down from thy spere,
Persing our hertes with thy pulcritude!
Comparison non of similitude
May to thy grace be mad in no degree,
That hast us set with love in unitee.
Gret cause have we to praise thy name and thee,
For [that] through thee we live in joye and blisse.
Blessed be thou, most souverain to see!
766
Thy holy court of gladness may not misse:
A thousand sith we may rejoise in this,
That we ben thyn with harte and all y-fere,
Enflamed with thy grace, and hevinly fere.'
Musing of tho that spakin in this wyse,
I me bethought in my rememb[e]raunce
Myne orison right goodly to devyse,
And plesauntly, with hartes obeisaunce,
Beseech the goddes voiden my grevaunce;
For I loved eke, sauf that I wist nat where;
Yet down I set, and seid as ye shall here.
'Fairest of all that ever were or be!
Lucerne and light to pensif crëature!
Myn hole affiaunce, and my lady free,
My goddes bright, my fortune and my ure,
I yeve and yeld my hart to thee full sure,
Humbly beseching, lady, of thy grace
Me to bestowe into som blessed place.
And here I vow me feithfull, true, and kind,
Without offence of mutabilitee,
Humbly to serve, whyl I have wit and mind,
Myn hole affiaunce, and my lady free!
In thilkë place, there ye me sign to be:
And, sith this thing of newe is yeve me, ay
To love and serve, needly must I obey.
Be merciable with thy fire of grace,
And fix myne hert there bewtie is and routh,
For hote I love, determine in no place,
Sauf only this, by god and by my trouth,
Trowbled I was with slomber, slepe, and slouth
This other night, and in a visioun
I sey a woman romen up and down,
767
Of mene stature, and seemly to behold,
Lusty and fresh, demure of countynaunce,
Yong and wel shap, with here [that] shoon as gold,
With yen as cristall, farced with plesaunce;
And she gan stir myne harte a lite to daunce;
But sodenly she vanissh gan right there:
Thus I may sey, I love and wot not where.
For what she is, ne her dwelling I not,
And yet I fele that love distraineth me:
Might ich her know, that wold I fain, god wot,
Serve and obey with all benignitee.
And if that other be my destinee,
So that no wyse I shall her never see,
Than graunt me her that best may lyken me,
With glad rejoyse to live in parfit hele,
Devoide of wrath, repent, or variaunce;
And able me to do that may be wele
Unto my lady, with hertes hy plesaunce:
And, mighty goddes! through thy purviaunce
My wit, my thought, my lust and love so gyde,
That to thyne honour I may me provyde
To set myne herte in place there I may lyke,
And gladly serve with all affeccioun.
Gret is the pain which at myn hert doth stik,
Till I be sped by thyn eleccioun:
Help, lady goddes! that possessioun
I might of her have, that in all my lyfe
I clepen shall my quene and hertes wife.
And in the Court of Love to dwell for ay
My wille it is, and don thee sacrifice:
Daily with Diane eke to fight and fray,
And holden werre, as might well me suffice:
That goddes chaste I kepen in no wyse
To serve; a fig for all her chastitee!
768
Her lawe is for religiositee.'
And thus gan finish preyer, lawde, and preise,
Which that I yove to Venus on my knee,
And in myne hert to ponder and to peise,
I gave anon hir image fressh bewtie;
'Heil to that figure sweet! and heil to thee,
Cupide,' quod I, and rose and yede my way;
And in the temple as I yede I sey
A shryne sormownting all in stones riche,
Of which the force was plesaunce to myn y,
With diamant or saphire; never liche
I have non seyn, ne wrought so wonderly.
So whan I met with Philobone, in hy
I gan demaund, 'Who[s] is this sepulture?'
'Forsoth,' quod she, 'a tender creature
Is shryned there, and Pitè is her name.
She saw an egle wreke him on a fly,
And pluk his wing, and eke him, in his game,
And tender herte of that hath made her dy:
Eke she wold wepe, and morn right pitously
To seen a lover suffre gret destresse.
In all the court nas non that, as I gesse,
That coude a lover half so well availe,
Ne of his wo the torment or the rage
Aslaken, for he was sure, withouten faile,
That of his grief she coud the hete aswage.
In sted of Pitè, spedeth hot corage
The maters all of court, now she is dede;
I me report in this to womanhede.
For weile and wepe, and crye, and speke, and pray,—
Women wold not have pitè on thy plaint;
Ne by that mene to ese thyn hart convey,
769
But thee receiven for their own talent:
And sey, that Pitè causith thee, in consent
Of rewth, to take thy service and thy pain
In that thow mayst, to plese thy souverain.
But this is councell, keep it secretly;'
Quod she, 'I nold, for all the world abowt,
The Quene of Love it wist; and wit ye why?
For if by me this matter springen out,
In court no lenger shuld I, owt of dowt,
Dwellen, but shame in all my life endry:
Now kepe it close,' quod she, 'this hardely.
Well, all is well! Now shall ye seen,' she seid,
'The feirest lady under son that is:
Come on with me, demene you liche a maid,
With shamefast dred, for ye shall spede, y-wis,
With her that is the mir[th] and joy and blis:
But sumwhat straunge and sad of her demene
She is, be ware your countenaunce be sene,
Nor over light, ne recheless, ne to bold,
Ne malapert, ne rinning with your tong;
For she will you abeisen and behold,
And you demaund, why ye were hens so long
Out of this court, without resort among:
And Rosiall her name is hote aright,
Whose harte as yet [is] yeven to no wight.
And ye also ben, as I understond,
With love but light avaunced, by your word;
Might ye, by hap, your fredom maken bond,
And fall in grace with her, and wele accord,
Well might ye thank the god of Love and lord;
For she that ye sawe in your dreme appere,
To love suche one, what are ye than the nere?
770
Yit wot ye what? as my rememb[e]raunce
Me yevith now, ye fayn, where that ye sey
That ye with love had never acqueintaunce,
Sauf in your dreme right late this other day:
Why, yis, parde! my life, that durst I lay,
That ye were caught upon an heth, when I
Saw you complain, and sigh full pitously;
Within an erber, and a garden fair
With floures growe, and herbes vertuous,
Of which the savour swete was and the eyr,
There were your-self full hoot and amorous:
Y-wis, ye ben to nice and daungerous;
A! wold ye now repent, and love som new?'—
'Nay, by my trouth,' I seid, 'I never knew
The goodly wight, whos I shall be for ay:
Guyde me the lord that love hath made and me.'
But furth we went in-till a chambre gay,
There was Rosiall, womanly to see,
Whose stremes sotell-persing of her ee
Myn hart gan thrill for bewtie in the stound:
'Alas,' quod I, 'who hath me yeve this wound?'
And than I dred to speke, till at the last
I gret the lady reverently and wele,
Whan that my sigh was gon and over-past;
And down on knees full humbly gan I knele,
Beseching her my fervent wo to kele,
For there I took full purpose in my mind,
Unto her grace my painfull hart to bind.
For if I shall all fully her discryve,
Her hede was round, by compace of nature,
Her here as gold,—she passed all on-lyve,—
And lily forhede had this crëature,
With lovelich browes, flawe, of colour pure,
Bytwene the which was mene disseveraunce
771
From every brow, to shewe[n] a distaunce.
Her nose directed streight, and even as lyne,
With fourm and shap therto convenient,
In which the goddes milk-whyt path doth shine;
And eke her yen ben bright and orient
As is the smaragde, unto my juggement,
Or yet thise sterres hevenly, smale and bright;
Her visage is of lovely rede and whyte.
Her mouth is short, and shit in litell space,
Flaming somdele, not over-rede, I mene,
With pregnant lippes, and thik to kiss, percas;
(For lippes thin, not fat, but ever lene,
They serve of naught, they be not worth a bene;
For if the basse ben full, there is delyt,
Maximian truly thus doth he wryte.)
But to my purpose:—I sey, whyte as snow
Ben all her teeth, and in order thay stond
Of oon stature; and eke hir breth, I trow,
Surmounteth alle odours that ever I fond
In sweetnes; and her body, face, and hond
Ben sharply slender, so that from the hede
Unto the fote, all is but womanhede.
I hold my pees of other thinges hid:—
Here shall my soul, and not my tong, bewray:—
But how she was arrayed, if ye me bid,
That shall I well discover you and say:
A bend of gold and silk, full fressh and gay;
With here in tresse[s], browdered full well,
Right smothly kept, and shyning every-del.
About her nek a flour of fressh devyse
With rubies set, that lusty were to sene;
And she in gown was, light and somer-wyse,
772
Shapen full wele, the colour was of grene,
With aureat seint about her sydes clene,
With dyvers stones, precious and riche:—
Thus was she rayed, yet saugh I never her liche.
For if that Jove had [but] this lady seyn,
Tho Calixto ne [yet] Alcmenia,
Thay never hadden in his armes leyn;
Ne he had loved the faire Europa;
Ye, ne yet Dane ne Antiopa!
For al their bewtie stood in Rosiall;
She semed lich a thing celestiall
In bowntè, favor, port, and semliness,
Plesaunt of figure, mirrour of delyt,
Gracious to sene, and rote of gentilness,
With angel visage, lusty rede and white:
There was not lak, sauf daunger had a lite
This goodly fressh in rule and governaunce;
And somdel straunge she was, for her plesaunce.
And truly sone I took my leve and went,
Whan she had me enquyred what I was;
For more and more impressen gan the dent
Of Loves dart, whyl I beheld her face;
And eft again I com to seken grace,
And up I put my bill, with sentence clere
That folwith aftir; rede and ye shall here.
'O ye [the] fressh, of [all] bewtie the rote,
That nature hath fourmed so wele and made
Princesse and Quene! and ye that may do bote
Of all my langour with your wordes glad!
Ye wounded me, ye made me wo-bestad;
Of grace redress my mortall grief, as ye
Of all myne harm the verrey causer be.
773
Now am I caught, and unwar sodenly,
With persant stremes of your yën clere,
Subject to ben, and serven you meekly,
And all your man, y-wis, my lady dere,
Abiding grace, of which I you requere,
That merciles ye cause me not to sterve;
But guerdon me, liche as I may deserve.
For, by my troth, the dayes of my breth
I am and will be youre in wille and hert,
Pacient and meek, for you to suffre deth
If it require; now rewe upon my smert;
And this I swere, I never shall out-stert
From Loves Court for none adversitee,
So ye wold rewe on my distresse and me.
My destinee, my fate, and ure I bliss,
That have me set to ben obedient
Only to you, the flour of all, y-wis:
I trust to Venus never to repent;
For ever redy, glad, and diligent
Ye shall me finde in service to your grace,
Till deth my lyfe out of my body race.
Humble unto your excellence so digne,
Enforcing ay my wittes and delyt
To serve and plese with glad herte and benigne,
And ben as Troilus, [old] Troyes knight,
Or Antony for Cleopatre bright,
And never you me thinkes to reney:
This shall I kepe unto myne ending-day.
Enprent my speche in your memorial
Sadly, my princess, salve of all my sore!
And think that, for I wold becomen thrall,
And ben your own, as I have seyd before,
Ye must of pity cherissh more and more
Your man, and tender aftir his desert,
774
And yive him corage for to ben expert.
For where that oon hath set his herte on fire,
And findeth nether refut ne plesaunce,
Ne word of comfort, deth will quyte his hire.
Allas! that there is none allegeaunce
Of all their wo! allas, the gret grevaunce
To love unloved! But ye, my Lady dere,
In other wyse may govern this matere.'
'Truly, gramercy, frend, of your good will,
And of your profer in your humble wyse!
But for your service, take and kepe it still.
And where ye say, I ought you well cheryse,
And of your gref the remedy devyse,
I know not why: I nam acqueinted well
With you, ne wot not sothly where ye dwell.'
'In art of love I wryte, and songes make,
That may be song in honour of the King
And Quene of Love; and than I undertake,
He that is sad shall than full mery sing.
And daunger[o]us not ben in every thing
Beseche I you, but seen my will and rede,
And let your aunswer put me out of drede.'
'What is your name? reherse it here, I pray,
Of whens and where, of what condicion
That ye ben of? Let see, com of and say!
Fain wold I know your disposicion:—
Ye have put on your old entencion;
But what ye mene to servë me I noot,
Sauf that ye say ye love me wonder hoot.'
'My name? alas, my hert, why [make it straunge?]
Philogenet I cald am fer and nere,
Of Cambrige clerk, that never think to chaunge
775
Fro you that with your hevenly stremes clere
Ravissh myne herte and gost and all in-fere:
This is the first, I write my bill for grace,
Me think, I see som mercy in your face.
And what I mene, by god that al hath wrought,
My bill, that maketh finall mencion,
That ye ben, lady, in myne inward thought
Of all myne hert without offencion,
That I best love, and have, sith I begon
To draw to court. Lo, than! what might I say?
I yeld me here, [lo!] unto your nobley.
And if that I offend, or wilfully
By pompe of hart your precept disobey,
Or doon again your will unskillfully,
Or greven you, for ernest or for play,
Correct ye me right sharply than, I pray,
As it is sene unto your womanhede,
And rewe on me, or ellis I nam but dede.'
'Nay, god forbede to feffe you so with grace,
And for a worde of sugred eloquence,
To have compassion in so litell space!
Than were it tyme that som of us were hens!
Ye shall not find in me suche insolence.
Ay? what is this? may ye not suffer sight?
How may ye loke upon the candill-light,
That clere[r] is and hotter than myn y?
And yet ye seid, the bemes perse and frete:—
How shall ye than the candel-[l]ight endry?
For wel wot ye, that hath the sharper hete.
And there ye bid me you correct and bete,
If ye offend,—nay, that may not be doon:
There come but few that speden here so soon.
776
Withdraw your y, withdraw from presens eke:
Hurt not yourself, through foly, with a loke;
I wold be sory so to make you seke:
A woman shuld be ware eke whom she toke:
Ye beth a clark:—go serchen [in] my boke,
If any women ben so light to win:
Nay, byde a whyl, though ye were all my kin.
So soon ye may not win myne harte, in trouth
The gyse of court will seen your stedfastness,
And as ye don, to have upon you rewth.
Your own desert, and lowly gentilness,
That will reward you joy for heviness;
And though ye waxen pale, and grene and dede,
Ye must it use a while, withouten drede,
And it accept, and grucchen in no wyse;
But where as ye me hastily desyre
To been to love, me think, ye be not wyse.
Cese of your language! cese, I you requyre!
For he that hath this twenty yere ben here
May not obtayn; than marveile I that ye
Be now so bold, of love to trete with me.'
'Ah! mercy, hart, my lady and my love,
My rightwyse princesse and my lyves guyde!
Now may I playn to Venus all above,
That rewthles ye me give these woundes wyde!
What have I don? why may it not betyde,
That for my trouth I may received be?
Alas! your daunger and your crueltè!
In wofull hour I got was, welaway!
In wofull hour [y-]fostred and y-fed,
In wofull hour y-born, that I ne may
My supplicacion swetely have y-sped!
The frosty grave and cold must be my bedde,
Without ye list your grace and mercy shewe,
777
Deth with his axe so faste on me doth hewe.
So greet disese and in so litell whyle,
So litell joy, that felte I never yet;
And at my wo Fortune ginneth to smyle,
That never erst I felt so harde a fit:
Confounded ben my spirits and my wit,
Till that my lady take me to her cure,
Which I love best of erthely crëature.
But that I lyke, that may I not com by;
Of that I playn, that have I habondaunce;
Sorrow and thought, thay sit me wounder ny;
Me is withhold that might be my plesaunce:
Yet turne again, my worldly suffisaunce!
O lady bright! and save your feithfull true,
And, er I die, yet on[e]s upon me rewe.'
With that I fell in sounde, and dede as stone,
With colour slain, and wan as assh[es] pale;
And by the hand she caught me up anon,
'Aryse,' quod she, 'what? have ye dronken dwale?
Why slepen ye? it is no nightertale.'
'Now mercy, swete,' quod I, y-wis affrayed:
'What thing,' quod she, 'hath mad you so dismayed?
Now wot I well that ye a lover be,
Your hewe is witnesse in this thing,' she seid:
'If ye were secret, [ye] might know,' quod she,
'Curteise and kind, all this shuld be allayed:
And now, myn herte! all that I have misseid,
I shall amend, and set your harte in ese.'
'That word it is,' quod I, 'that doth me plese.'
'But this I charge, that ye the statuts kepe,
And breke thaim not for sloth nor ignoraunce.'
With that she gan to smyle and laughen depe.
778
'Y-wis,' quod I, 'I will do your plesaunce;
The sixteenth statut doth me grete grevaunce,
But ye must that relesse or modifie.'
'I graunt,' quod she, 'and so I will truly.'
And softly than her colour gan appeare,
As rose so rede, through-out her visage all,
Wherefore me think it is according here,
That she of right be cleped Rosiall.
Thus have I won, with wordes grete and small,
Some goodly word of hir that I love best,
And trust she shall yit set myne harte in rest.
'Goth on,' she seid to Philobone, 'and take
This man with you, and lede him all abowt
Within the court, and shew him, for my sake,
What lovers dwell withinne, and all the rowte
Of officers; for he is, out of dowte,
A straunger yit:'—'Come on,' quod Philobone,
'Philogenet, with me now must ye gon.'
And stalking soft with esy pace, I saw
About the king [ther] stonden environ,
Attendaunce, Diligence, and their felaw
Fortherer, Esperaunce, and many oon;
Dred-to-offend there stood, and not aloon;
For there was eke the cruell adversair,
The lovers fo, that cleped is Dispair,
Which unto me spak angrely and fell,
And said, my lady me deceiven shall:
'Trowest thow,' quod she, 'that all that she did tell,
Is true? Nay, nay, but under hony gall!
Thy birth and hers, [they] be nothing egall:
Cast of thyn hart, for all her wordes whyte,
For in good faith she lovith thee but a lyte.
779
And eek remember, thyn habilite
May not compare with hir, this well thow wot.'
Ye, than cam Hope and said, 'My frend, let be!
Beleve him not: Dispair, he ginneth dote.'
'Alas,' quod I, 'here is both cold and hot:
The tone me biddeth love, the toder nay;
Thus wot I not what me is best to say.
But well wot I, my lady graunted me,
Truly to be my woundes remedy;
Her gentilness may not infected be
With dobleness, thus trust I till I dy.'
So cast I void Dispaires company,
And taken Hope to councell and to frend.
'Ye, kepe that wele,' quod Philobone, 'in mind.'
And there besyde, within a bay-window,
Stood oon in grene, full large of brede and length,
His berd as blak as fethers of the crow;
His name was Lust, of wounder might and strength;
And with Delyt to argue there he thenkth,
For this was all his [hool] opinion,
That love was sin! and so he hath begon
To reson fast, and legge auctoritè:
'Nay,' quod Delyt, 'love is a vertue clere,
And from the soule his progress holdeth he:
Blind appetyt of lust doth often stere,
And that is sin: for reson lakketh there,
For thow [dost] think thy neigbours wyfe to win:
Yit think it well that love may not be sin;
For god and seint, they love right verely,
Void of all sin and vice: this knowe I wele,
Affeccion of flessh is sin, truly;
But verray love is vertue, as I fele,
For love may not thy freil desire akele:
For [verray] love is love withouten sin.'
780
'Now stint,' quoth Lust, 'thow spekest not worth a pin.'
And there I left thaim in their arguing,
Roming ferther in the castell wyde,
And in a corner Lier stood talking
Of lesings fast, with Flatery there besyde;
He seid that women were attire of pryde,
And men were founde of nature variaunt,
And coud be false, and shewen beau semblaunt.
Than Flatery bespake and seid, y-wis:
'See, so she goth on patens faire and fete,
Hit doth right wele: what prety man is this
That rometh here? Now truly, drink ne mete
Nede I not have; myne hart for joye doth bete
Him to behold, so is he goodly fressh:
It semeth for love his harte is tender nessh.'
This is the court of lusty folk and glad,
And wel becometh their habit and array:
O why be som so sorry and so sad,
Complaining thus in blak and whyte and gray?
Freres they ben, and monkes, in good fay:
Alas, for rewth! greet dole it is to seen,
To see thaim thus bewaile and sory been.
See how they cry and wring their handes whyte,
For they so sone went to religion!
And eke the nonnes, with vaile and wimple plight,
There thought that they ben in confusion:
'Alas,' thay sayn, 'we fayn perfeccion,
In clothes wide, and lak our libertè;
But all the sin mote on our frendes be.
For, Venus wot, we wold as fayn as ye,
That ben attired here and wel besene,
Desiren man, and love in our degree,
781
Ferme and feithfull, right as wold the quene:
Our frendes wikke, in tender youth and grene,
Ayenst our will made us religious;
That is the cause we morne and wailen thus.'
Than seid the monks and freres in the tyde,
'Wel may we curse our abbeys and our place,
Our statuts sharp, to sing in copes wyde,
Chastly to kepe us out of loves grace,
And never to fele comfort ne solace;
Yet suffre we the hete of loves fire,
And after than other haply we desire.
O Fortune cursed, why now and wherefore
Hast thow,' they seid, 'beraft us libertè,
Sith nature yave us instrument in store,
And appetyt to love and lovers be?
Why mot we suffer suche adversitè,
Diane to serve, and Venus to refuse?
Ful often sith this matier doth us muse.
We serve and honour, sore ayenst our will,
Of chastitè the goddes and the quene;
Us leffer were with Venus byden still,
And have reward for love, and soget been
Unto thise women courtly, fressh, and shene.
Fortune, we curse thy whele of variaunce!
There we were wele, thou revest our plesaunce.'
Thus leve I thaim, with voice of pleint and care,
In raging wo crying ful pitously;
And as I yede, full naked and full bare
Some I behold, looking dispitously,
On povertè that dedely cast their y;
And 'Welaway!' they cried, and were not fain,
For they ne might their glad desire attain.
782
For lak of richesse worldely and of gode,
They banne and curse, and wepe, and sein, 'Alas,
That poverte hath us hent that whylom stode
At hartis ese, and free and in good case!
But now we dar not shew our-self in place,
Ne us embolde to duelle in company,
There-as our hart wold love right faithfully.'
And yet againward shryked every nonne,
The prang of love so straineth thaim to cry:
'Now wo the tyme,' quod thay, 'that we be boun!
This hateful ordre nyse will don us dy!
We sigh and sobbe, and bleden inwardly,
Freting our-self with thought and hard complaint,
That ney for love we waxen wode and faint.'
And as I stood beholding here and there,
I was war of a sort full languisshing,
Savage and wild of loking and of chere,
Their mantels and their clothës ay tering;
And oft thay were of nature complaining,
For they their members lakked, fote and hand,
With visage wry and blind, I understand.
They lakked shap, and beautie to preferre
Theim-self in love: and seid, that god and kind
Hath forged thaim to worshippen the sterre,
Venus the bright, and leften all behind
His other werkes clene and out of mind:
'For other have their full shape and bewtee,
And we,' quod they, 'ben in deformitè.'
And nye to thaim there was a company,
That have the susters waried and misseid;
I mene, the three of fatall destinè,
That be our werdes; and sone, in a brayd,
Out gan they cry as they had been affrayd,
'We curse,' quod thay, 'that ever hath nature
783
Y-formed us, this wofull lyfe t'endure!'
And there he was contrite, and gan repent,
Confessing hole the wound that Citherè
Hath with the dart of hot desire him sent,
And how that he to love must subjet be:
Than held he all his skornes vanitè,
And seid, that lovers lede a blisful lyfe,
Yong men and old, and widow, maid and wyfe.
'Bereve me, goddesse,' quod he, '[of] thy might,
My skornes all and skoffes, that I have
No power forth, to mokken any wight,
That in thy service dwell: for I did rave:
This know I well right now, so god me save,
And I shal be the chief post of thy feith,
And love uphold, the révers who-so seith.'
Dissemble stood not fer from him in trouth,
With party mantill, party hood and hose;
And said, he had upon his lady rowth,
And thus he wound him in, and gan to glose
Of his entent full doble, I suppose:
And al the world, he seid, he loved it wele;
But ay, me thoughte, he loved her nere a dele.
Eek Shamefastness was there, as I took hede,
That blusshed rede, and durst nat ben a-knowe
She lover was, for thereof had she drede;
She stood and hing her visage down alowe;
But suche a sight it was to sene, I trow,
As of these roses rody on their stalk:
There cowd no wight her spy to speke or talk
In loves art, so gan she to abasshe,
Ne durst not utter all her privitè:
Many a stripe and many a grevous lasshe
784
She gave to thaim that wolden loveres be,
And hindered sore the simpill comonaltè,
That in no wyse durst grace and mercy crave;
For were not she, they need but ask and have;
Where if they now approchin for to speke,
Than Shamefastness returnith thaim again:
Thay think, if we our secret councell breke,
Our ladies will have scorn on us, certain,
And [per]aventure thinken greet disdain:
Thus Shamefastness may bringin in Dispeir,
Whan she is dede, the toder will be heir.
Com forth, Avaunter! now I ring thy bell!
I spyed him sone; to god I make a-vowe,
He loked blak as fendes doth in hell:—
'The first,' quod he, 'that ever [I] did wowe,
Within a word she com, I wot not how,
So that in armes was my lady free;
And so hath ben a thousand mo than she.
In Englond, Bretain, Spain, and Pycardie,
Arteys, and Fraunce, and up in hy Holand,
In Burgoyne, Naples, and [in] Italy,
Naverne, and Grece, and up in hethen land,
Was never woman yit that wold withstand
To ben at myn commaundement, whan I wold:
I lakked neither silver, coin, ne gold.
And there I met with this estate and that;
And here I broched her, and here, I trow:
Lo! there goth oon of myne; and wot ye what?
Yon fressh attired have I leyd full low;
And such oon yonder eke right well I know:
I kept the statut whan we lay y-fere;
And yet yon same hath made me right good chere.'
785
Thus hath Avaunter blowen every-where
Al that he knowith, and more, a thousand-fold;
His auncetrye of kin was to Lière,
For firste he makith promise for to hold
His ladies councell, and it not unfold;
Wherfore, the secret when he doth unshit,
Than lyeth he, that all the world may wit.
For falsing so his promise and behest,
I wounder sore he hath such fantasie;
He lakketh wit, I trowe, or is a best,
That can no bet him-self with reson gy.
By myn advice, Love shal be contrarie
To his availe, and him eke dishonoure,
So that in court he shall no more sojoure.
'Take hede,' quod she, this litell Philobone,
'Where Envy rokketh in the corner yond,
And sitteth dirk; and ye shall see anone
His lenë bodie, fading face and hond;
Him-self he fretteth, as I understond;
Witnesse of Ovid Methamorphosose;
The lovers fo he is, I wil not glose.
For where a lover thinketh him promote,
Envy will grucch, repyning at his wele;
Hit swelleth sore about his hartes rote,
That in no wyse he can not live in hele;
And if the feithfull to his lady stele,
Envy will noise and ring it round aboute,
And sey moche worse than don is, out of dowte.'
And Prevy Thought, rejoysing of him-self,
Stood not fer thens in habit mervelous;
'Yon is,' thought [I], 'som spirit or some elf,
His sotill image is so curious:
How is,' quod I, 'that he is shaded thus
With yonder cloth, I not of what colour?'
786
And nere I went, and gan to lere and pore,
And frayned him [a] question full hard.
'What is,' quod I, 'the thing thou lovest best?
Or what is boot unto thy paines hard?
Me think, thow livest here in grete unrest;
Thow wandrest ay from south to est and west,
And est to north; as fer as I can see,
There is no place in court may holden thee.
Whom folowest thow? where is thy harte y-set?
But my demaunde asoile, I thee require.'
'Me thought,' quod he, 'no crëature may let
Me to ben here, and where-as I desire:
For where-as absence hath don out the fire,
My mery thought it kindleth yet again,
That bodily, me think, with my souverain
I stand and speke, and laugh, and kisse, and halse,
So that my thought comforteth me full oft:
I think, god wot, though all the world be false,
I will be trewe; I think also how soft
My lady is in speche, and this on-loft
Bringeth myn hart to joye and [greet] gladnesse;
This prevey thought alayeth myne hevinesse.
And what I thinke, or where to be, no man
In all this erth can tell, y-wis, but I:
And eke there nis no swallow swift, ne swan
So wight of wing, ne half [so] yern can fly;
For I can been, and that right sodenly,
In heven, in helle, in paradise, and here,
And with my lady, whan I will desire.
I am of councell ferre and wyde, I wot,
With lord and lady, and their previtè
I wot it all; but be it cold or hot,
787
They shall not speke without licence of me,
I mene, in suche as sesonable be;
For first the thing is thought within the hert,
Ere any word out from the mouth astert.'
And with that word Thought bad farewell and yede:
Eke furth went I to seen the courtes gyse:
And at the dore cam in, so god me spede,
Twey courteours of age and of assyse
Liche high, and brode, and, as I me advyse,
The Golden Love, and Leden Love thay hight:
The ton was sad, the toder glad and light.
...
'Yis! draw your hart, with all your force and might,
To lustiness, and been as ye have seid;
And think that I no drop of favour hight,
Ne never had to your desire obeyd,
Till sodenly, me thought, me was affrayed,
To seen you wax so dede of countenaunce;
And Pitè bad me don you some plasaunce.
Out of her shryne she roos from deth to lyve,
And in myne ere full prevely she spak,
'Doth not your servaunt hens away to dryve,
Rosiall,' quod she; and than myn harte [it] brak,
For tender reuth: and where I found moch lak
In your persoune, than I my-self bethought;
And seid, 'This is the man myne harte hath sought.''
'Gramercy, Pitè! might I but suffice
To yeve the lawde unto thy shryne of gold,
God wot, I wold; for sith that thou did rise
From deth to lyve for me, I am behold
To thanken you a thousand tymes told,
And eke my lady Rosiall the shene,
Which hath in comfort set myn harte, I wene.
788
And here I make myn protestacion,
And depely swere, as [to] myn power, to been
Feithfull, devoid of variacion,
And her forbere in anger or in tene,
And serviceable to my worldes quene,
With al my reson and intelligence,
To don her honour high and reverence.'
I had not spoke so sone the word, but she,
My souverain, did thank me hartily,
And seid, 'Abyde, ye shall dwell still with me
Till seson come of May; for than, truly,
The King of Love and all his company
Shall hold his fest full ryally and well:'
And there I bode till that the seson fell.
On May-day, whan the lark began to ryse,
To matens went the lusty nightingale
Within a temple shapen hawthorn-wise;
He might not slepe in all the nightertale,
But 'Domine labia,' gan he crye and gale,
'My lippes open, Lord of Love, I crye,
And let my mouth thy preising now bewrye.'
The eagle sang 'Venite, bodies all,
And let us joye to love that is our helth.'
And to the deske anon they gan to fall,
And who come late, he pressed in by stelth:
Than seid the fawcon, our own hartis welth,
'Domine, Dominus noster, I wot,
Ye be the god that don us bren thus hot.'
'Celi enarrant,' said the popingay,
'Your might is told in heven and firmament.'
And than came in the goldfinch fresh and gay,
And said this psalm with hertly glad intent,
789
'Domini est terra; this Laten intent,
The god of Love hath erth in governaunce:'
And than the wren gan skippen and to daunce.
'Jube, Domine, Lord of Love, I pray
Commaund me well this lesson for to rede;
This legend is of all that wolden dey
Marters for love; god yive the sowles spede!
And to thee, Venus, sing we, out of drede,
By influence of all thy vertue grete,
Beseching thee to kepe us in our hete.'
The second lesson robin redebrest sang,
'Hail to the god and goddess of our lay!'
And to the lectorn amorously he sprang:—
'Hail,' quod [he] eke, 'O fresh seson of May,
Our moneth glad that singen on the spray!
Hail to the floures, rede, and whyte, and blewe,
Which by their vertue make our lustes newe!'
The thrid lesson the turtill-dove took up,
And therat lough the mavis [as] in scorn:
He said, 'O god, as mot I dyne or sup,
This folissh dove will give us all an horn!
There been right here a thousand better born,
To rede this lesson, which, as well as he,
And eke as hot, can love in all degree.'
The turtill-dove said, 'Welcom, welcom, May,
Gladsom and light to loveres that ben trewe!
I thank thee, Lord of Love, that doth purvey
For me to rede this lesson all of dewe;
For, in gode sooth, of corage I pursue
To serve my make till deth us must depart:'
And than 'Tu autem' sang he all apart.
'Te deum amoris,' sang the thrustell-cok:
790
Tuball him-self, the first musician,
With key of armony coude not unlok
So swete [a] tewne as that the thrustill can:
'The Lord of Love we praisen,' quod he than,
'And so don all the fowles, grete and lyte;
Honour we May, in fals lovers dispyte.'
'Dominus regnavit,' seid the pecok there,
'The Lord of Love, that mighty prince, y-wis,
He hath received her[e] and every-where:
Now Jubilate sing:'—'What meneth this?'
Seid than the linet; 'welcom, Lord of blisse!'
Out-stert the owl with 'Benedicite,'
What meneth al this mery fare?' quod he.
'Laudate,' sang the lark with voice full shrill;
And eke the kite, 'O admirabile;
This quere will throgh myne eris pers and thrill;
But what? welcom this May seson,' quod he;
'And honour to the Lord of Love mot be,
That hath this feest so solemn and so high:'
'Amen,' seid all; and so seid eke the pye.
And furth the cokkow gan procede anon,
With 'Benedictus' thanking god in hast,
That in this May wold visite thaim echon,
And gladden thaim all whyl the fest shall last:
And therewithall a-loughter out he brast,
'I thank it god that I shuld end the song,
And all the service which hath been so long.'
Thus sang thay all the service of the fest,
And that was don right erly, to my dome;
And furth goth all the Court, both most and lest,
To feche the floures fressh, and braunche and blome;
And namly, hawthorn brought both page and grome.
With fressh garlandës, partie blewe and whyte,
And thaim rejoysen in their greet delyt.
791
Eke eche at other threw the floures bright,
The prymerose, the violet, the gold;
So than, as I beheld the ryall sight,
My lady gan me sodenly behold,
And with a trew-love, plited many-fold,
She smoot me through the [very] hert as blyve;
And Venus yet I thanke I am alyve.
~ Anonymous Olde English,#NFDB
1446:BOOK THE EIGHTH
The Story of Nisus and Scylla
Now shone the morning star in bright array,
To vanquish night, and usher in the day:
The wind veers southward, and moist clouds arise,
That blot with shades the blue meridian skies.
Cephalus feels with joy the kindly gales,
His new allies unfurl the swelling sails;
Steady their course, they cleave the yielding main,
And, with a wish, th' intended harbour gain.
Mean-while King Minos, on the Attick strand,
Displays his martial skill, and wastes the land.
His army lies encampt upon the plains,
Before Alcathoe's walls, where Nisus reigns;
On whose grey head a lock of purple hue,
The strength, and fortune of his kingdom, grew.
Six moons were gone, and past, when still from far
Victoria hover'd o'er the doubtful war.
So long, to both inclin'd, th' impartial maid
Between 'em both her equal wings display'd.
High on the walls, by Phoebus vocal made,
A turret of the palace rais'd its head;
And where the God his tuneful harp resign'd.
The sound within the stones still lay enshrin'd:
Hither the daughter of the purple king
Ascended oft, to hear its musick ring;
And, striking with a pebble, wou'd release
Th' enchanted notes, in times of happy peace.
But now, from thence, the curious maid beheld
Rough feats of arms, and combats of the field:
And, since the siege was long, had learnt the name
Of ev'ry chief, his character, and fame;
Their arms, their horse, and quiver she descry'd,
Nor cou'd the dress of war the warriour hide.
Europa's son she knew above the rest,
And more, than well became a virgin breast:
In vain the crested morion veils his face,
She thinks it adds a more peculiar grace:
His ample shield, embost with burnish'd gold,
Still makes the bearer lovelier to behold:
When the tough jav'lin, with a whirl, he sends,
His strength and skill the sighing maid commends;
Or, when he strains to draw the circling bow,
And his fine limbs a manly posture show,
Compar'd with Phoebus, he performs so well,
Let her be judge, and Minos shall excell.
But when the helm put off, display'd to sight,
And set his features in an open light;
When, vaulting to his seat, his steed he prest,
Caparison'd in gold, and richly drest;
Himself in scarlet sumptuously array'd,
New passions rise, and fire the frantick maid.
O happy spear! she cries, that feels his touch;
Nay, ev'n the reins he holds are blest too much.
Oh! were it lawful, she cou'd wing her way
Thro' the stern hostile troops without dismay;
Or throw her body to the distant ground,
And in the Cretans happy camp be found.
Wou'd Minos but desire it! she'd expose
Her native country to her country's foes;
Unbar the gates, the town with flames infest,
Or any thing that Minos shou'd request.
And as she sate, and pleas'd her longing sight,
Viewing the king's pavilion veil'd with white,
Shou'd joy, or grief, she said, possess my breast,
To see my country by a war opprest?
I'm in suspense! For, tho' 'tis grief to know
I love a man that is declar'd my foe;
Yet, in my own despite, I must approve
That lucky war, which brought the man I love.
Yet, were I tender'd as a pledge of peace,
The cruelties of war might quickly cease.
Oh! with what joy I'd wear the chains he gave!
A patient hostage, and a willing slave.
Thou lovely object! if the nymph that bare
Thy charming person, were but half so fair;
Well might a God her virgin bloom desire,
And with a rape indulge his amorous fire.
Oh! had I wings to glide along the air,
To his dear tent I'd fly, and settle there:
There tell my quality, confess my flame,
And grant him any dowry that he'd name.
All, all I'd give; only my native land,
My dearest country, shou'd excepted stand,
For, perish love, and all expected joys,
E're, with so base a thought, my soul complies.
Yet, oft the vanquish'd some advantage find,
When conquer'd by a noble, gen'rous mind.
Brave Minos justly has the war begun,
Fir'd with resentment for his murder'd son:
The righteous Gods a righteous cause regard,
And will, with victory, his arms reward:
We must be conquer'd; and the captive's fate
Will surely seize us, tho' it seize us late.
Why then shou'd love be idle, and neglect
What Mars, by arms and perils, will effect?
Oh! Prince, I dye, with anxious fear opprest,
Lest some rash hand shou'd wound my charmer's breast:
For, if they saw, no barb'rous mind cou'd dare
Against that lovely form to raise a spear.
But I'm resolv'd, and fix'd in this decree,
My father's country shall my dowry be.
Thus I prevent the loss of life and blood,
And, in effect, the action must be good.
Vain resolution! for, at ev'ry gate
The trusty centinels, successive, wait:
The keys my father keeps; ah! there's my grief;
'Tis he obstructs all hopes of my relief.
Gods! that this hated light I'd never seen!
Or, all my life, without a father been!
But Gods we all may be; for those that dare,
Are Gods, and Fortune's chiefest favours share.
The ruling Pow'rs a lazy pray'r detest,
The bold adventurer succeeds the best.
What other maid, inspir'd with such a flame,
But wou'd take courage, and abandon shame?
But wou'd, tho' ruin shou'd ensue, remove
Whate'er oppos'd, and clear the way to love?
This, shall another's feeble passion dare?
While I sit tame, and languish in despair:
No; for tho' fire and sword before me lay,
Impatient love thro' both shou'd force its way.
Yet I have no such enemies to fear,
My sole obstruction is my father's hair;
His purple lock my sanguine hope destroys,
And clouds the prospect of my rising joys.
Whilst thus she spoke, amid the thick'ning air
Night supervenes, the greatest nurse of care:
And, as the Goddess spreads her sable wings,
The virgin's fears decay, and courage springs.
The hour was come, when Man's o'er-labour'd breast
Surceas'd its care, by downy sleep possest:
All things now hush'd, Scylla with silent tread
Urg'd her approach to Nisus' royal bed:
There, of the fatal lock (accursed theft!)
She her unwitting father's head bereft.
In safe possession of her impious prey,
Out at a postern gate she takes her way.
Embolden'd, by the merit of the deed
She traverses the adverse camp with speed,
'Till Minos' tent she reach'd: the righteous king
She thus bespoke, who shiver'd at the thing.
Behold th' effect of love's resistless sway!
I, Nisus' royal seed, to thee betray
My country, and my Gods. For this strange task,
Minos, no other boon but thee I ask.
This purple lock, a pledge of love, receive;
No worthless present, since in it I give
My father's head.- Mov'd at a crime so new,
And with abhorrence fill'd, back Minos drew,
Nor touch'd th' unhallow'd gift; but thus exclaim'd
(With mein indignant, and with eyes inflam'd),
Perdition seize thee, thou, thy kind's disgrace!
May thy devoted carcass find no place
In earth, or air, or sea, by all out-cast!
Shall Minos, with so foul a monster, blast
His Cretan world, where cradled Jove was nurst?
Forbid it Heav'n!- away, thou most accurst!
And now Alcathoe, its lord exchang'd,
Was under Minos' domination rang'd.
While the most equal king his care applies
To curb the conquer'd, and new laws devise,
The fleet, by his command, with hoisted sails,
And ready oars, invites the murm'ring gales.
At length the Cretan hero anchor weigh'd,
Repaying, with neglect, th' abandon'd maid.
Deaf to her cries, he furrows up the main:
In vain she prays, sollicits him in vain.
And now she furious grows in wild despair,
She wrings her hands, and throws aloft her hair.
Where run'st thou? (thus she vents her deep distress)
Why shun'st thou her that crown'd thee with success?
Her, whose fond love to thee cou'd sacrifice
Her country, and her parent, sacred ties!
Can nor my love, nor proffer'd presents find
A passage to thy heart, and make thee kind?
Can nothing move thy pity? O ingrate,
Can'st thou behold my lost, forlorn estate,
And not be soften'd? Can'st thou throw off one
Who has no refuge left but thee alone?
Where shall I seek for comfort? whither fly?
My native country does in ashes lye:
Or were't not so, my treason bars me there,
And bids me wander. Shall I next repair
To a wrong'd father, by my guilt undone?-
Me all Mankind deservedly will shun.
I, out of all the world, my self have thrown,
To purchase an access to Crete alone;
Which, since refus'd, ungen'rous man, give o'er
To boast thy race; Europa never bore
A thing so savage. Thee some tygress bred,
On the bleak Syrt's inhospitable bed;
Or where Charybdis pours its rapid tide
Tempestuous. Thou art not to Jove ally'd;
Nor did the king of Gods thy mother meet
Beneath a bull's forg'd shape, and bear to Crete.
That fable of thy glorious birth is feign'd;
Some wild outrageous bull thy dam sustain'd.
O father Nisus, now my death behold;
Exult, o city, by my baseness sold:
Minos, obdurate, has aveng'd ye all;
But 'twere more just by those I wrong'd to fall:
For why shou'dst thou, who only didst subdue
By my offending, my offence pursue?
Well art thou matcht to one whose am'rous flame
Too fiercely rag'd, for human-kind to tame;
One who, within a wooden heifer thrust,
Courted a low'ring bull's mistaken lust;
And, from whose monster-teeming womb, the Earth
Receiv'd, what much it mourn'd, a bi-form birth.
But what avails my plaints? the whistling wind,
Which bears him far away, leaves them behind.
Well weigh'd Pasiphae, when she prefer'd
A bull to thee, more brutish than the herd.
But ah! Time presses, and the labour'd oars
To distance drive the fleet, and lose the less'ning shores.
Think not, ungrateful man, the liquid way
And threat'ning billows shall inforce my stay.
I'll follow thee in spite: My arms I'll throw
Around thy oars, or grasp thy crooked prow,
And drag thro' drenching seas. Her eager tongue
Had hardly clos'd the speech, when forth she sprung
And prov'd the deep. Cupid with added force
Recruits each nerve, and aids her wat'ry course.
Soon she the ship attains, unwelcome guest;
And, as with close embrace its sides she prest,
A hawk from upper air came pouring down
('Twas Nisus cleft the sky with wings new grown).
At Scylla's head his horny bill he aims;
She, fearful of the blow, the ship disclaims,
Quitting her hold: and yet she fell not far,
But wond'ring, finds her self sustain'd in air.
Chang'd to a lark, she mottled pinions shook,
And, from the ravish'd lock, the name of Ciris took.
The Labyrinth
Now Minos, landed on the Cretan shore,
Performs his vows to Jove's protecting pow'r;
A hundred bullocks of the largest breed,
With flowrets crown'd, before his altar bleed:
While trophies of the vanquish'd, brought from far
Adorn the palace with the spoils of war.
Mean-while the monster of a human-beast,
His family's reproach, and stain, increas'd.
His double kind the rumour swiftly spread,
And evidenc'd the mother's beastly deed.
When Minos, willing to conceal the shame
That sprung from the reports of tatling Fame,
Resolves a dark inclosure to provide,
And, far from sight, the two-form'd creature hide.
Great Daedalus of Athens was the man
That made the draught, and form'd the wondrous plan;
Where rooms within themselves encircled lye,
With various windings, to deceive the eye.
As soft Maeander's wanton current plays,
When thro' the Phrygian fields it loosely strays;
Backward and forward rouls the dimpl'd tide,
Seeming, at once, two different ways to glide:
While circling streams their former banks survey,
And waters past succeeding waters see:
Now floating to the sea with downward course,
Now pointing upward to its ancient source,
Such was the work, so intricate the place,
That scarce the workman all its turns cou'd trace;
And Daedalus was puzzled how to find
The secret ways of what himself design'd.
These private walls the Minotaur include,
Who twice was glutted with Athenian blood:
But the third tri bute more successful prov'd,
Slew the foul monster, and the plague remov'd.
When Theseus, aided by the virgin's art,
Had trac'd the guiding thread thro' ev'ry part,
He took the gentle maid, that set him free,
And, bound for Dias, cut the briny sea.
There, quickly cloy'd, ungrateful, and unkind,
Left his fair consort in the isle behind,
Whom Bacchus saw, and straining in his arms
Her rifled bloom, and violated charms,
Resolves, for this, the dear engaging dame
Shou'd shine for ever in the rolls of Fame;
And bids her crown among the stars be plac'd,
With an eternal constellation grac'd.
The golden circlet mounts; and, as it flies,
Its diamonds twinkle in the distant skies;
There, in their pristin form, the gemmy rays
Between Alcides, and the dragon blaze.
The Story of Daedalus and Icarus
In tedious exile now too long detain'd,
Daedalus languish'd for his native land:
The sea foreclos'd his flight; yet thus he said:
Tho' Earth and water in subjection laid,
O cruel Minos, thy dominion be,
We'll go thro' air; for sure the air is free.
Then to new arts his cunning thought applies,
And to improve the work of Nature tries.
A row of quils in gradual order plac'd,
Rise by degrees in length from first to last;
As on a cliff th' ascending thicket grows,
Or, different reeds the rural pipe compose.
Along the middle runs a twine of flax,
The bottom stems are joyn'd by pliant wax.
Thus, well compact, a hollow bending brings
The fine composure into real wings.
His boy, young Icarus, that near him stood,
Unthinking of his fate, with smiles pursu'd
The floating feathers, which the moving air
Bore loosely from the ground, and wasted here and there.
Or with the wax impertinently play'd,
And with his childish tricks the great design delay'd.
The final master-stroke at last impos'd,
And now, the neat machine compleatly clos'd;
Fitting his pinions on, a flight he tries,
And hung self-ballanc'd in the beaten skies.
Then thus instructs his child: My boy, take care
To wing your course along the middle air;
If low, the surges wet your flagging plumes;
If high, the sun the melting wax consumes:
Steer between both: nor to the northern skies,
Nor south Orion turn your giddy eyes;
But follow me: let me before you lay
Rules for the flight, and mark the pathless way.
Then teaching, with a fond concern, his son,
He took the untry'd wings, and fix'd 'em on;
But fix'd with trembling hands; and as he speaks,
The tears roul gently down his aged cheeks.
Then kiss'd, and in his arms embrac'd him fast,
But knew not this embrace must be the last.
And mounting upward, as he wings his flight,
Back on his charge he turns his aking sight;
As parent birds, when first their callow care
Leave the high nest to tempt the liquid air.
Then chears him on, and oft, with fatal art,
Reminds the stripling to perform his part.
These, as the angler at the silent brook,
Or mountain-shepherd leaning on his crook,
Or gaping plowman, from the vale descries,
They stare, and view 'em with religious eyes,
And strait conclude 'em Gods; since none, but they,
Thro' their own azure skies cou'd find a way.
Now Delos, Paros on the left are seen,
And Samos, favour'd by Jove's haughty queen;
Upon the right, the isle Lebynthos nam'd,
And fair Calymne for its honey fam'd.
When now the boy, whose childish thoughts aspire
To loftier aims, and make him ramble high'r,
Grown wild, and wanton, more embolden'd flies
Far from his guide, and soars among the skies.
The soft'ning wax, that felt a nearer sun,
Dissolv'd apace, and soon began to run.
The youth in vain his melting pinions shakes,
His feathers gone, no longer air he takes:
Oh! Father, father, as he strove to cry,
Down to the sea he tumbled from on high,
And found his Fate; yet still subsists by fame,
Among those waters that retain his name.
The father, now no more a father, cries,
Ho Icarus! where are you? as he flies;
Where shall I seek my boy? he cries again,
And saw his feathers scatter'd on the main.
Then curs'd his art; and fun'ral rites confer'd,
Naming the country from the youth interr'd.
A partridge, from a neighb'ring stump, beheld
The sire his monumental marble build;
Who, with peculiar call, and flutt'ring wing,
Chirpt joyful, and malicious seem'd to sing:
The only bird of all its kind, and late
Transform'd in pity to a feather'd state:
From whence, O Daedalus, thy guilt we date.
His sister's son, when now twelve years were past,
Was, with his uncle, as a scholar plac'd;
The unsuspecting mother saw his parts,
And genius fitted for the finest arts.
This soon appear'd; for when the spiny bone
In fishes' backs was by the stripling known,
A rare invention thence he learnt to draw,
Fil'd teeth in ir'n, and made the grating saw.
He was the first, that from a knob of brass
Made two strait arms with widening stretch to pass;
That, while one stood upon the center's place,
The other round it drew a circling space.
Daedalus envy'd this, and from the top
Of fair Minerva's temple let him drop;
Feigning, that, as he lean'd upon the tow'r,
Careless he stoop'd too much, and tumbled o'er.
The Goddess, who th' ingenious still befriends,
On this occasion her asssistance lends;
His arms with feathers, as he fell, she veils,
And in the air a new made bird he sails.
The quickness of his genius, once so fleet,
Still in his wings remains, and in his feet:
Still, tho' transform'd, his ancient name he keeps,
And with low flight the new-shorn stubble sweeps,
Declines the lofty trees, and thinks it best
To brood in hedge-rows o'er its humble nest;
And, in remembrance of the former ill,
Avoids the heights, and precipices still.
At length, fatigu'd with long laborious flights,
On fair Sicilia's plains the artist lights;
Where Cocalus the king, that gave him aid,
Was, for his kindness, with esteem repaid.
Athens no more her doleful tri bute sent,
That hardship gallant Theseus did prevent;
Their temples hung with garlands, they adore
Each friendly God, but most Minerva's pow'r:
To her, to Jove, to all, their altars smoak,
They each with victims, and perfumes invoke.
Now talking Fame, thro' every Grecian town,
Had spread, immortal Theseus, thy renown.
From him the neighb'ring nations in distress,
In suppliant terms implore a kind redress.
The Story of Meleager and Atalanta
From him the Caledonians sought relief;
Though valiant Meleagros was their chief.
The cause, a boar, who ravag'd far and near:
Of Cynthia's wrath, th' avenging minister.
For Oeneus with autumnal plenty bless'd,
By gifts to Heav'n his gratitude express'd:
Cull'd sheafs, to Ceres; to Lyaeus, wine;
To Pan, and Pales, offer'd sheep and kine;
And fat of olives, to Minerva's shrine.
Beginning from the rural Gods, his hand
Was lib'ral to the Pow'rs of high command:
Each deity in ev'ry kind was bless'd,
'Till at Diana's fane th' invidious honour ceas'd.
Wrath touches ev'n the Gods; the Queen of Night,
Fir'd with disdain, and jealous of her right,
Unhonour'd though I am, at least, said she,
Not unreveng'd that impious act shall be.
Swift as the word, she sped the boar away,
With charge on those devoted fields to prey.
No larger bulls th' Aegyptian pastures feed,
And none so large Sicilian meadows breed:
His eye-balls glare with fire suffus'd with blood;
His neck shoots up a thick-set thorny wood;
His bristled back a trench impal'd appears,
And stands erected, like a field of spears;
Froth fills his chaps, he sends a grunting sound,
And part he churns, and part befoams the ground,
For tusks with Indian elephants he strove,
And Jove's own thunder from his mouth he drove.
He burns the leaves; the scorching blast invades
The tender corn, and shrivels up the blades:
Or suff'ring not their yellow beards to rear,
He tramples down the spikes, and intercepts the year:
In vain the barns expect their promis'd load,
Nor barns at home, nor recks are heap'd abroad:
In vain the hinds the threshing-floor prepare,
And exercise their flail in empty air.
With olives ever-green the ground is strow'd,
And grapes ungather'd shed their gen'rous blood.
Amid the fold he rages, nor the sheep
Their shepherds, nor the grooms their bulls can keep.
From fields to walls the frighted rabble run,
Nor think themselves secure within the town:
'Till Meleagros, and his chosen crew,
Contemn the danger, and the praise pursue.
Fair Leda's twins (in time to stars decreed)
One fought on foot, one curb'd the fiery steed;
Then issu'd forth fam'd Jason after these,
Who mann'd the foremost ship that sail'd the seas;
Then Theseus join'd with bold Perithous came;
A single concord in a double name:
The Thestian sons, Idas who swiftly ran,
And Ceneus, once a woman, now a man.
Lynceus, with eagle's eyes, and lion's heart;
Leucippus, with his never-erring dart;
Acastus, Phileus, Phoenix, Telamon,
Echion, Lelix, and Eurytion,
Achilles' father, and great Phocus' son;
Dryas the fierce, and Hippasus the strong;
With twice old Iolas, and Nestor then but young.
Laertes active, and Ancaeus bold;
Mopsus the sage, who future things foretold;
And t' other seer, yet by his wife unsold.
A thousand others of immortal fame;
Among the rest, fair Atalanta came,
Grace of the woods: a diamond buckle bound
Her vest behind, that else had flow'd upon the ground,
And shew'd her buskin'd legs; her head was bare,
But for her native ornament of hair;
Which in a simple knot was ty'd above,
Sweet negligence! unheeded bait of love!
Her sounding quiver, on her shoulder ty'd,
One hand a dart, and one a bow supply'd.
Such was her face, as in a nymph display'd
A fair fierce boy, or in a boy betray'd
The blushing beauties of a modest maid.
The Caledonian chief at once the dame
Beheld, at once his heart receiv'd the flame,
With Heav'ns averse. O happy youth, he cry'd;
For whom thy fates reserve so fair a bride!
He sigh'd, and had no leisure more to say;
His honour call'd his eyes another way,
And forc'd him to pursue the now-neglected prey.
There stood a forest on a mountain's brow,
Which over-look'd the shaded plains below.
No sounding ax presum'd those trees to bite;
Coeval with the world, a venerable sight.
The heroes there arriv'd, some spread around
The toils; some search the footsteps on the ground:
Some from the chains the faithful dogs unbound.
Of action eager, and intent in thought,
The chiefs their honourable danger sought:
A valley stood below; the common drain
Of waters from above, and falling rain:
The bottom was a moist, and marshy ground,
Whose edges were with bending oziers crown'd:
The knotty bulrush next in order stood,
And all within of reeds a trembling wood.
From hence the boar was rous'd, and sprung amain,
Like lightning sudden, on the warrior train;
Beats down the trees before him, shakes the ground.
The forest echoes to the crackling sound;
Shout the fierce youth, and clamours ring around.
All stood with their protended spears prepar'd,
With broad steel heads the brandish'd weapons glar'd.
The beast impetuous with his tusks aside
Deals glancing wounds; the fearful dogs divide:
All spend their mouths aloof, but none abide.
Echion threw the first, but miss'd his mark,
And stuck his boar-spear on a maple's bark.
Then Jason; and his javelin seem'd to take,
But fail'd with over-force, and whiz'd above his back.
Mopsus was next; but e'er he threw, address'd
To Phoebus, thus: O patron, help thy priest:
If I adore, and ever have ador'd
Thy pow'r divine, thy present aid afford;
That I may reach the beast. The God allow'd
His pray'r, and smiling, gave him what he cou'd:
He reach'd the savage, but no blood he drew:
Dian unarm'd the javelin, as it flew.
This chaf'd the boar, his nostrils flames expire,
And his red eye-balls roul with living fire.
Whirl'd from a sling, or from an engine thrown,
Amid the foes, so flies a mighty stone,
As flew the beast: the left wing put to flight,
The chiefs o'er-born, he rushes on the right.
Eupalamos and Pelagon he laid
In dust, and next to death, but for their fellows' aid.
Onesimus far'd worse, prepar'd to fly,
The fatal fang drove deep within his thigh,
And cut the nerves: the nerves no more sustain
The bulk; the bulk unprop'd, falls headlong on the plain.
Nestor had fail'd the fall of Troy to see,
But leaning on his lance, he vaulted on a tree;
Then gath'ring up his feet, look'd down with fear,
And thought his monstrous foe was still too near.
Against a stump his tusk the monster grinds,
And in the sharpen'd edge new vigour finds;
Then, trusting to his arms, young Othrys found,
And ranch'd his hips with one continu'd wound.
Now Leda's twins, the future stars, appear;
White were their habits, white their horses were:
Conspicuous both, and both in act to throw,
Their trembling lances brandish'd at the foe:
Nor had they miss'd; but he to thickets fled,
Conceal'd from aiming spears, not pervious to the steed.
But Telamon rush'd in, and happ'd to meet
A rising root, that held his fastned feet;
So down he fell, whom, sprawling on the ground,
His brother from the wooden gyves unbound.
Mean-time the virgin-huntress was not slow
T' expel the shaft from her contracted bow:
Beneath his ear the fastned arrow stood,
And from the wound appear'd the trickling blood.
She blush'd for joy: but Meleagros rais'd
His voice with loud applause, and the fair archer prais'd.
He was the first to see, and first to show
His friends the marks of the successful blow.
Nor shall thy valour want the praises due,
He said; a virtuous envy seiz'd the crew.
They shout; the shouting animates their hearts,
And all at once employ their thronging darts:
But out of order thrown, in air they joyn,
And multitude makes frustrate the design.
With both his hands the proud Ancaeus takes,
And flourishes his double-biting ax:
Then, forward to his fate, he took a stride
Before the rest, and to his fellows cry'd,
Give place, and mark the diff'rence, if you can,
Between a woman warrior, and a man,
The boar is doom'd; nor though Diana lend
Her aid, Diana can her beast defend.
Thus boasted he; then stretch'd, on tiptoe stood,
Secure to make his empty promise good.
But the more wary beast prevents the blow,
And upward rips the groin of his audacious foe.
Ancaeus falls; his bowels from the wound
Rush out, and clotted blood distains the ground.
Perithous, no small portion of the war,
Press'd on, and shook his lance: to whom from far
Thus Theseus cry'd; O stay, my better part,
My more than mistress; of my heart, the heart.
The strong may fight aloof; Ancaeus try'd
His force too near, and by presuming dy'd:
He said, and while he spake his javelin threw,
Hissing in air th' unerring weapon flew;
But on an arm of oak, that stood betwixt
The marks-man and the mark, his lance he fixt.
Once more bold Jason threw, but fail'd to wound
The boar, and slew an undeserving hound,
And thro' the dog the dart was nail'd to ground.
Two spears from Meleager's hand were sent,
With equal force, but various in th' event:
The first was fix'd in earth, the second stood
On the boar's bristled back, and deeply drank his blood.
Now while the tortur'd savage turns around,
And flings about his foam, impatient of the wound,
The wound's great author close at hand provokes
His rage, and plies him with redoubled strokes;
Wheels, as he wheels; and with his pointed dart
Explores the nearest passage to his heart.
Quick, and more quick he spins in giddy gires,
Then falls, and in much foam his soul expires.
This act with shouts heav'n-high the friendly band
Applaud, and strain in theirs the victor's hand.
Then all approach the slain with vast surprize,
Admire on what a breadth of earth he lies,
And scarce secure, reach out their spears afar,
And blood their points, to prove their partnership of war.
But he, the conqu'ring chief, his foot impress'd
On the strong neck of that destructive beast;
And gazing on the nymph with ardent eyes,
Accept, said he, fair Nonacrine, my prize,
And, though inferior, suffer me to join
My labours, and my part of praise, with thine:
At this presents her with the tusky head
And chine, with rising bristles roughly spread.
Glad she receiv'd the gift; and seem'd to take
With double pleasure, for the giver's sake.
The rest were seiz'd with sullen discontent,
And a deaf murmur through the squadron went:
All envy'd; but the Thestyan brethren show'd
The least respect, and thus they vent their spleen aloud:
Lay down those honour'd spoils, nor think to share,
Weak woman as thou art, the prize of war:
Ours is the title, thine a foreign claim,
Since Meleagrus from our lineage came.
Trust not thy beauty; but restore the prize,
Which he, besotted on that face, and eyes,
Would rend from us: at this, enflam'd with spite,
From her they snatch the gift, from him the giver's right.
But soon th' impatient prince his fauchion drew,
And cry'd, Ye robbers of another's due,
Now learn the diff'rence, at your proper cost,
Betwixt true valour, and an empty boast.
At this advanc'd, and sudden as the word,
In proud Plexippus' bosom plung'd the sword:
Toxeus amaz'd, and with amazement slow,
Or to revenge, or ward the coming blow,
Stood doubting; and while doubting thus he stood,
Receiv'd the steel bath'd in his brother's blood.
Pleas'd with the first, unknown the second news;
Althaea to the temples pays their dues
For her son's conquest; when at length appear
Her grisly brethren stretch'd upon the bier:
Pale at the sudden sight, she chang'd her cheer,
And with her cheer her robes; but hearing tell
The cause, the manner, and by whom they fell,
'Twas grief no more, or grief and rage were one
Within her soul; at last 'twas rage alone;
Which burning upwards in succession, dries
The tears, that stood consid'ring in her eyes.
There lay a log unlighted on the hearth,
When she was lab'ring in the throws of birth
For th' unborn chief; the fatal sisters came,
And rais'd it up, and toss'd it on the flame:
Then on the rock a scanty measure place
Of vital flax, and turn'd the wheel apace;
And turning sung, To this red brand and thee,
O new born babe, we give an equal destiny;
So vanish'd out of view. The frighted dame
Sprung hasty from her bed, and quench'd the flame:
The log, in secret lock'd, she kept with care,
And that, while thus preserv'd, preserv'd her heir.
This brand she now produc'd; and first she strows
The hearth with heaps of chips, and after blows;
Thrice heav'd her hand, and heav'd, she thrice repress'd:
The sister and the mother long contest,
Two doubtful titles, in one tender breast:
And now her eyes, and cheeks with fury glow,
Now pale her cheeks, her eyes with pity flow:
Now low'ring looks presage approaching storms,
And now prevailing love her face reforms:
Resolv'd, she doubts again; the tears she dry'd
With burning rage, are by new tears supply'd;
And as a ship, which winds and waves assail
Now with the current drives, now with the gale,
Both opposite, and neither long prevail:
She feels a double force, by turns obeys
Th' imperious tempest, and th' impetuous seas:
So fares Althaea's mind, she first relents
With pity, of that pity then repents:
Sister, and mother long the scales divide,
But the beam nodded on the sister's side.
Sometimes she softly sigh'd, then roar'd aloud;
But sighs were stifled in the cries of blood.
The pious, impious wretch at length decreed,
To please her brothers' ghost, her son should bleed:
And when the fun'ral flames began to rise,
Receive, she said, a sister's sacrifice;
A mother's bowels burn: high in her hand,
Thus while she spoke, she held the fatal brand;
Then thrice before the kindled pile she bow'd,
And the three Furies thrice invok'd aloud:
Come, come, revenging sisters, come, and view
A sister paying her dead brothers due:
A crime I punish, and a crime commit;
But blood for blood, and death for death is fit:
Great crimes must be with greater crimes repaid,
And second fun'rals on the former laid.
Let the whole houshold in one ruin fall,
And may Diana's curse o'ertake us all.
Shall Fate to happy Oenus still allow
One son, while Thestius stands depriv'd of two?
Better three lost, than one unpunish'd go.
Take then, dear ghosts (while yet admitted new
In Hell you wait my duty), take your due:
A costly off'ring on your tomb is laid,
When with my blood the price of yours is paid.
Ah! whither am I hurry'd? Ah! forgive,
Ye shades, and let your sister's issue live;
A mother cannot give him death; tho' he
Deserves it, he deserves it not from me.
Then shall th' unpunish'd wretch insult the slain,
Triumphant live, nor only live, but reign?
While you, thin shades, the sport of winds, are tost
O'er dreary plains, or tread the burning coast.
I cannot, cannot bear; 'tis past, 'tis done;
Perish this impious, this detested son:
Perish his sire, and perish I withal;
And let the house's heir, and the hop'd kingdom fall.
Where is the mother fled, her pious love,
And where the pains with which ten months I strove!
Ah! had'st thou dy'd, my son, in infant years,
Thy little herse had been bedew'd with tears.
Thou liv'st by me; to me thy breath resign;
Mine is the merit, the demerit thine.
Thy life by double title I require;
Once giv'n at birth, and once preserv'd from fire:
One murder pay, or add one murder more,
And me to them who fell by thee restore.
I would, but cannot: my son's image stands
Before my sight; and now their angry hands
My brothers hold, and vengeance these exact;
This pleads compassion, and repents the fact.
He pleads in vain, and I pronounce his doom:
My brothers, though unjustly, shall o'ercome.
But having paid their injur'd ghosts their due,
My son requires my death, and mine shall his pursue.
At this, for the last time, she lifts her hand,
Averts her eyes, and, half unwilling, drops the brand.
The brand, amid the flaming fewel thrown,
Or drew, or seem'd to draw, a dying groan;
The fires themselves but faintly lick'd their prey,
Then loath'd their impious food, and would have shrunk away.
Just then the heroe cast a doleful cry,
And in those absent flames began to fry:
The blind contagion rag'd within his veins;
But he with manly patience bore his pains:
He fear'd not Fate, but only griev'd to die
Without an honest wound, and by a death so dry.
Happy Ancaeus, thrice aloud he cry'd,
With what becoming fate in arms he dy'd!
Then call'd his brothers, sisters, sire around,
And, her to whom his nuptial vows were bound,
Perhaps his mother; a long sigh she drew,
And his voice failing, took his last adieu.
For as the flames augment, and as they stay
At their full height, then languish to decay,
They rise and sink by fits; at last they soar
In one bright blaze, and then descend no more:
Just so his inward heats, at height, impair,
'Till the last burning breath shoots out the soul in air.
Now lofty Calidon in ruins lies;
All ages, all degrees unsluice their eyes,
And Heav'n, and Earth resound with murmurs, groans, and cries.
Matrons and maidens beat their breasts, and tear
Their habits, and root up their scatter'd hair:
The wretched father, father now no more,
With sorrow sunk, lies prostrate on the floor,
Deforms his hoary locks with dust obscene,
And curses age, and loaths a life prolong'd with pain.
By steel her stubborn soul his mother freed,
And punish'd on her self her impious deed.
Had I a hundred tongues, a wit so large
As could their hundred offices discharge;
Had Phoebus all his Helicon bestow'd
In all the streams, inspiring all the God;
Those tongues, that wit, those streams, that God in vain
Would offer to describe his sisters' pain:
They beat their breasts with many a bruizing blow,
'Till they turn livid, and corrupt the snow.
The corps they cherish, while the corps remains,
And exercise, and rub with fruitless pains;
And when to fun'ral flames 'tis born away,
They kiss the bed on which the body lay:
And when those fun'ral flames no longer burn
(The dust compos'd within a pious urn),
Ev'n in that urn their brother they confess,
And hug it in their arms, and to their bosoms press.
His tomb is rais'd; then, stretch'd along the ground,
Those living monuments his tomb surround:
Ev'n to his name, inscrib'd, their tears they pay,
'Till tears, and kisses wear his name away.
But Cynthia now had all her fury spent,
Not with less ruin than a race content:
Excepting Gorge, perish'd all the seed,
And her whom Heav'n for Hercules decreed.
Satiate at last, no longer she pursu'd
The weeping sisters; but With Wings endu'd,
And horny beaks, and sent to flit in air;
Who yearly round the tomb in feather'd flocks repair.
The Transformation of the Naiads
Theseus mean-while acquitting well his share
In the bold chace confed'rate like a war,
To Athens' lofty tow'rs his march ordain'd,
By Pallas lov'd, and where Erectheus reign'd.
But Achelous stop'd him on the way,
By rains a deluge, and constrain'd his stay.
O fam'd for glorious deeds, and great by blood,
Rest here, says he, nor trust the rapid flood;
It solid oaks has from its margin tore,
And rocky fragments down its current bore,
The murmur hoarse, and terrible the roar.
Oft have I seen herds with their shelt'ring fold
Forc'd from the banks, and in the torrent roul'd;
Nor strength the bulky steer from ruin freed,
Nor matchless swiftness sav'd the racing steed.
In cataracts when the dissolving snow
Falls from the hills, and floods the plains below;
Toss'd by the eddies with a giddy round,
Strong youths are in the sucking whirlpools drown'd.
'Tis best with me in safety to abide,
'Till usual bounds restrain the ebbing tide,
And the low waters in their channel glide.
Theseus perswaded, in compliance bow'd:
So kind an offer, and advice so good,
O Achelous, cannot be refus'd;
I'll use them both, said he; and both he us'd.
The grot he enter'd, pumice built the hall,
And tophi made the rustick of the wall;
The floor, soft moss, an humid carpet spread,
And various shells the chequer'd roof inlaid.
'Twas now the hour when the declining sun
Two thirds had of his daily journey run;
At the spread table Theseus took his place,
Next his companions in the daring chace;
Perithous here, there elder Lelex lay,
His locks betraying age with sprinkled grey.
Acharnia's river-God dispos'd the rest,
Grac'd with the equal honour of the feast,
Elate with joy, and proud of such a guest.
The nymphs were waiters, and with naked feet
In order serv'd the courses of the meat.
The banquet done, delicious wine they brought,
Of one transparent gem the cup was wrought.
Then the great heroe of this gallant train,
Surveying far the prospect of the main:
What is that land, says he, the waves embrace?
(And with his finger pointed at the place);
Is it one parted isle which stands alone?
How nam'd? and yet methinks it seems not one.
To whom the watry God made this reply;
'Tis not one isle, but five; distinct they lye;
'Tis distance which deceives the cheated eye.
But that Diana's act may seem less strange,
These once proud Naiads were, before their change.
'Twas on a day more solemn than the rest,
Ten bullocks slain, a sacrificial feast:
The rural Gods of all the region near
They bid to dance, and taste the hallow'd cheer.
Me they forgot: affronted with the slight,
My rage, and stream swell'd to the greatest height;
And with the torrent of my flooding store,
Large woods from woods, and fields from fields I tore.
The guilty nymphs, oh! then, remembring me,
I, with their country, wash'd into the sea;
And joining waters with the social main,
Rent the gross land, and split the firm champagne.
Since, the Echinades, remote from shore
Are view'd as many isles, as nymphs before.
Perimele turn'd into an Island
But yonder far, lo, yonder does appear
An isle, a part to me for ever dear.
From that (it sailors Perimele name)
I doating, forc'd by rape a virgin's fame.
Hippodamas's passion grew so strong,
Gall'd with th' abuse, and fretted at the wrong,
He cast his pregnant daughter from a rock;
I spread my waves beneath, and broke the shock;
And as her swimming weight my stream convey'd,
I su'd for help divine, and thus I pray'd:
O pow'rful thou, whose trident does comm and
The realm of waters, which surround the land;
We sacred rivers, wheresoe'er begun,
End in thy lot, and to thy empire run.
With favour hear, and help with present aid;
Her whom I bear 'twas guilty I betray'd.
Yet if her father had been just, or mild,
He would have been less impious to his child;
In her, have pity'd force in the abuse;
In me, admitted love for my excuse.
O let relief for her hard case be found,
Her, whom paternal rage expell'd from ground,
Her, whom paternal rage relentless drown'd.
Grant her some place, or change her to a place,
Which I may ever clasp with my embrace.
His nodding head the sea's great ruler bent,
And all his waters shook with his assent.
The nymph still swam, tho' with the fright distrest,
I felt her heart leap trembling in her breast;
But hardning soon, whilst I her pulse explore,
A crusting Earth cas'd her stiff body o'er;
And as accretions of new-cleaving soil
Inlarg'd the mass, the nymph became an isle.
The Story of Baucis and Philemon
Thus Achelous ends: his audience hear
With admiration, and admiring, fear
The Pow'rs of Heav'n; except Ixion's Son,
Who laugh'd at all the Gods, believ'd in none:
He shook his impious head, and thus replies.
These legends are no more than pious lies:
You attri bute too much to heav'nly sway,
To think they give us forms, and take away.
The rest of better minds, their sense declar'd
Against this doctrine, and with horror heard.
Then Lelex rose, an old experienc'd man,
And thus with sober gravity began;
Heav'n's pow'r is infinite: Earth, Air, and Sea,
The manufacture mass, the making Pow'r obey:
By proof to clear your doubt; in Phrygian ground
Two neighb'ring trees, with walls encompass'd round,
Stand on a mod'rate rise, with wonder shown,
One a hard oak, a softer linden one:
I saw the place, and them, by Pittheus sent
To Phrygian realms, my grandsire's government.
Not far from thence is seen a lake, the haunt
Of coots, and of the fishing cormorant:
Here Jove with Hermes came; but in disguise
Of mortal men conceal'd their deities;
One laid aside his thunder, one his rod;
And many toilsome steps together trod:
For harbour at a thousand doors they knock'd,
Not one of all the thousand but was lock'd.
At last an hospitable house they found,
A homely shed; the roof, not far from ground,
Was thatch'd with reeds, and straw, together bound.
There Baucis and Philemon liv'd, and there
Had liv'd long marry'd, and a happy pair:
Now old in love, though little was their store,
Inur'd to want, their poverty they bore,
Nor aim'd at wealth, professing to be poor.
For master, or for servant here to call,
Was all alike, where only two were all.
Command was none, where equal love was paid,
Or rather both commanded, both obey'd.
From lofty roofs the Gods repuls'd before,
Now stooping, enter'd through the little door:
The man (their hearty welcome first express'd)
A common settle drew for either guest,
Inviting each his weary limbs to rest.
But ere they sate, officious Baucis lays
Two cushions stuff'd with straw, the seat to raise;
Coarse, but the best she had; then rakes the load
Of ashes from the hearth, and spreads abroad
The living coals; and, lest they should expire,
With leaves, and bark she feeds her infant fire:
It smoaks; and then with trembling breath she blows,
'Till in a chearful blaze the flames arose.
With brush-wood, and with chips she streng thens these,
And adds at last the boughs of rotten trees.
The fire thus form'd, she sets the kettle on
(Like burnish'd gold the little seether shone),
Next took the coleworts which her husb and got
From his own ground (a small well-water'd spot);
She stripp'd the stalks of all their leaves; the best
She cull'd, and them with handy care she drest.
High o'er the hearth a chine of bacon hung;
Good old Philemon seiz'd it with a prong,
And from the sooty rafter drew it down,
Then cut a slice, but scarce enough for one;
Yet a large portion of a little store,
Which for their sakes alone he wish'd were more.
This in the pot he plung'd without delay,
To tame the flesh, and drain the salt away.
The time beween, before the fire they sat,
And shorten'd the delay by pleasing chat.
A beam there was, on which a beechen pail
Hung by the handle, on a driven nail:
This fill'd with water, gently warm'd, they set
Before their guests; in this they bath'd their feet,
And after with clean towels dry'd their sweat.
This done, the host produc'd the genial bed,
Sallow the feet, the borders, and the sted,
Which with no costly coverlet they spread,
But coarse old garments; yet such robes as these
They laid alone, at feasts, on holidays.
The good old housewife, tucking up her gown,
The table sets; th' invited Gods lie down.
The trivet-table of a foot was lame,
A blot which prudent Baucis overcame,
Who thrusts beneath the limping leg a sherd,
So was the mended board exactly rear'd:
Then rubb'd it o'er with newly gather'd mint,
A wholsom herb, that breath'd a grateful scent.
Pallas began the feast, where first was seen
The party-colour'd olive, black, and green:
Autumnal cornels next in order serv'd,
In lees of wine well pickled, and preserv'd.
A garden-sallad was the third supply,
Of endive, radishes, and succory:
Then curds, and cream, the flow'r of country fare,
And new-laid eggs, which Baucis' busie care
Turn'd by a gentle fire, and roasted rare.
All these in ear then ware were serv'd to board;
And next in place, an ear then pitcher stor'd,
With liquor of the best the cottage could afford.
This was the table's ornament and pride,
With figures wrought: like pages at his side
Stood beechen bowls; and these were shining clean,
Varnish'd with wax without, and lin'd within.
By this the boiling kettle had prepar'd,
And to the table sent the smoaking lard;
On which with eager appetite they dine,
A sav'ry bit, that serv'd to relish wine:
The wine itself was suiting to the rest,
Still working in the must, and lately press'd.
The second course succeeds like that before,
Plums, apples, nuts, and of their wintry store
Dry figs, and grapes, and wrinkled dates were set
In canisters, t' enlarge the little treat:
All these a milk-white honey-comb surround,
Which in the midst the country-banquet crown'd:
But the kind hosts their entertainment grace
With hearty welcome, and an open face:
In all they did, you might discern with ease,
A willing mind, and a desire to please.
Mean-time the beechen bowls went round, and still,
Though often empty'd, were observ'd to fill;
Fill'd without hands, and of their own accord
Ran without feet, and danc'd about the board.
Devotion seiz'd the pair, to see the feast
With wine, and of no common grape, increas'd;
And up they held their hands, and fell to pray'r,
Excusing, as they could, their country fare.
One goose they had ('twas all they could allow),
A wakeful centry, and on duty now,
Whom to the Gods for sacrifice they vow:
Her with malicious zeal the couple view'd;
She ran for life, and limping they pursu'd:
Full well the fowl perceiv'd their bad intent,
And would not make her master's compliment;
But persecuted, to the Pow'rs she flies,
And close between the legs of Jove she lies:
He with a gracious ear the suppliant heard,
And sav'd her life; then what he has declar'd,
And own'd the God. The neighbourhood, said he,
Shall justly perish for impiety:
You stand alone exempted; but obey
With speed, and follow where we lead the way:
Leave these accurs'd; and to the mountain's height
Ascend; nor once look backward in your flight.
They haste, and what their tardy feet deny'd,
The trusty staff (their better leg) supply'd.
An arrow's flight they wanted to the top,
And there secure, but spent with travel, stop;
Then turn their now no more forbidden eyes;
Lost in a lake the floated level lies:
A watry desart covers all the plains,
Their cot alone, as in an isle, remains.
Wondring, with weeping eyes, while they deplore
Their neighbours' fate, and country now no more,
Their little shed, scarce large enough for two,
Seems, from the ground increas'd, in height and bulk to grow.
A stately temple shoots within the skies,
The crotches of their cot in columns rise:
The pavement polish'd marble they behold,
The gates with sculpture grac'd, the spires and tiles of gold.
Then thus the sire of Gods, with looks serene,
Speak thy desire, thou only just of men;
And thou, o woman, only worthy found
To be with such a man in marriage bound.
A-while they whisper; then, to Jove address'd,
Philemon thus prefers their joint request:
We crave to serve before your sacred shrine,
And offer at your altars rites divine:
And since not any action of our life
Has been polluted with domestick strife;
We beg one hour of death, that neither she
With widow's tears may live to bury me,
Nor weeping I, with wither'd arms may bear
My breathless Baucis to the sepulcher.
The Godheads sign their suit. They run their race
In the same tenour all th' appointed space:
Then, when their hour was come, while they relate
These past adventures at the temple gate,
Old Baucis is by old Philemon seen
Sprouting with sudden leaves of spritely green:
Old Baucis look'd where old Philemon stood,
And saw his leng then'd arms a sprouting wood:
New roots their fasten'd feet begin to bind,
Their bodies stiffen in a rising rind:
Then, ere the bark above their shoulders grew,
They give, and take at once their last adieu.
At once, Farewell, o faithful spouse, they said;
At once th' incroaching rinds their closing lips invade.
Ev'n yet, an ancient Tyanaean shows
A spreading oak, that near a linden grows;
The neighbourhood confirm the prodigy,
Grave men, not vain of tongue, or like to lie.
I saw my self the garlands on their boughs,
And tablets hung for gifts of granted vows;
And off'ring fresher up, with pious pray'r,
The good, said I, are God's peculiar care,
And such as honour Heav'n, shall heav'nly honour share.
The Changes of Proteus
He ceas'd in his relation to proceed,
Whilst all admir'd the author, and the deed;
But Theseus most, inquisitive to know
From Gods what wondrous alterations grow.
Whom thus the Calydonian stream address'd,
Rais'd high to speak, the couch his elbow press'd.
Some, when transform'd, fix in the lasting change;
Some with more right, thro' various figures range.
Proteus, thus large thy privilege was found,
Thou inmate of the seas, which Earth surround.
Sometimes a bloming youth you grac'd the shore;
Oft a fierce lion, or a furious boar:
With glist'ning spires now seem'd an hissing snake,
The bold would tremble in his hands to take:
With horns assum'd a bull; sometimes you prov'd
A tree by roots, a stone by weight unmov'd:
Sometimes two wav'ring contraries became,
Flow'd down in water, or aspir'd in flame.
The Story of Erisichthon
In various shapes thus to deceive the eyes,
Without a settled stint of her disguise,
Rash Erisichthon's daughter had the pow'r,
And brought it to Autolicus in dow'r.
Her atheist sire the slighted Gods defy'd,
And ritual honours to their shrines deny'd.
As fame reports, his hand an ax sustain'd,
Which Ceres' consecrated grove prophan'd;
Which durst the venerable gloom invade,
And violate with light the awful shade.
An ancient oak in the dark center stood,
The covert's glory, and itself a wood:
Garlands embrac'd its shaft, and from the boughs
Hung tablets, monuments of prosp'rous vows.
In the cool dusk its unpierc'd verdure spread,
The Dryads oft their hallow'd dances led;
And oft, when round their gaging arms they cast,
Full fifteen ells it measu'rd in the waste:
Its height all under standards did surpass,
As they aspir'd above the humbler grass.
These motives, which would gentler minds restrain,
Could not make Triope's bold son abstain;
He sternly charg'd his slaves with strict decree,
To fell with gashing steel the sacred tree.
But whilst they, lingring, his commands delay'd,
He snatch'd an Ax, and thus blaspheming said:
Was this no oak, nor Ceres' favourite care,
But Ceres' self, this arm, unaw'd, shou'd dare
Its leafy honours in the dust to spread,
And level with the earth its airy head.
He spoke, and as he poiz'd a slanting stroak,
Sighs heav'd, and tremblings shook the frighted oak;
Its leaves look'd sickly, pale its acorns grew,
And its long branches sweat a chilly dew.
But when his impious hand a wound bestow'd,
Blood from the mangled bark in currents flow'd.
When a devoted bull of mighty size,
A sinning nation's grand atonement, dies;
With such a plenty from the spouting veins,
A crimson stream the turfy altars stains.
The wonder all amaz'd; yet one more bold,
The fact dissuading, strove his ax to hold.
But the Thessalian, obstinately bent,
Too proud to change, too harden'd to repent,
On his kind monitor, his eyes, which burn'd
With rage, and with his eyes his weapon turn'd;
Take the reward, says he, of pious dread:
Then with a blow lopp'd off his parted head.
No longer check'd, the wretch his crime pursu'd,
Doubled his strokes, and sacrilege renew'd;
When from the groaning trunk a voice was heard,
A Dryad I, by Ceres' love preferr'd,
Within the circle of this clasping rind
Coeval grew, and now in ruin join'd;
But instant vengeance shall thy sin pursue,
And death is chear'd with this prophetick view.
At last the oak with cords enforc'd to bow,
Strain'd from the top, and sap'd with wounds below,
The humbler wood, partaker of its fate,
Crush'd with its fall, and shiver'd with its weight.
The grove destroy'd, the sister Dryads moan,
Griev'd at its loss, and frighted at their own.
Strait, suppliants for revenge to Ceres go,
In sable weeds, expressive of their woe.
The beauteous Goddess with a graceful air
Bow'd in consent, and nodded to their pray'r.
The awful motion shook the fruitful ground,
And wav'd the fields with golden harvests crown'd.
Soon she contriv'd in her projecting mind
A plague severe, and piteous in its kind
(If plagues for crimes of such presumptuous height
Could pity in the softest breast create).
With pinching want, and hunger's keenest smart,
To tear his vitals, and corrode his heart.
But since her near approach by Fate's deny'd
To famine, and broad climes their pow'rs divide,
A nymph, the mountain's ranger, she address'd,
And thus resolv'd, her high commands express'd.
The Description of Famine
Where frozen Scythia's utmost bound is plac'd,
A desart lies, a melancholy waste:
In yellow crops there Nature never smil'd,
No fruitful tree to shade the barren wild.
There sluggish cold its icy station makes,
There paleness, frights, and aguish trembling shakes,
Of pining famine this the fated seat,
To whom my orders in these words repeat:
Bid her this miscreant with her sharpest pains
Chastise, and sheath herself into his veins;
Be unsubdu'd by plenty's baffled store,
Reject my empire, and defeat my pow'r.
And lest the distance, and the tedious way,
Should with the toil, and long fatigue dismay,
Ascend my chariot, and convey'd on high,
Guide the rein'd dragons thro' the parting sky.
The nymph, accepting of the granted carr,
Sprung to the seat, and posted thro' the air;
Nor stop'd 'till she to a bleak mountain came
Of wondrous height, and Caucasus its name.
There in a stony field the fiend she found,
Herbs gnawing, and roots scratching from the ground.
Her elfelock hair in matted tresses grew,
Sunk were her eyes, and pale her ghastly hue,
Wan were her lips, and foul with clammy glew.
Her throat was furr'd, her guts appear'd within
With snaky crawlings thro' her parchment skin.
Her jutting hips seem'd starting from their place,
And for a belly was a belly's space,
Her dugs hung dangling from her craggy spine,
Loose to her breast, and fasten'd to her chine.
Her joints protuberant by leanness grown,
Consumption sunk the flesh, and rais'd the bone.
Her knees large orbits bunch'd to monstrous size,
And ancles to undue proportion rise.
This plague the nymph, not daring to draw near,
At distance hail'd, and greeted from afar.
And tho' she told her charge without delay,
Tho' her arrival late, and short her stay,
She felt keen famine, or she seem'd to feel,
Invade her blood, and on her vitals steal.
She turn'd, from the infection to remove,
And back to Thessaly the serpents drove.
The fiend obey'd the Goddess' comm and
(Tho' their effects in opposition stand),
She cut her way, supported by the wind,
And reach'd the mansion by the nymph assign'd.
'Twas night, when entring Erisichthon's room,
Dissolv'd in sleep, and thoughtless of his doom,
She clasp'd his limbs, by impious labour tir'd,
With battish wings, but her whole self inspir'd;
Breath'd on his throat and chest a tainting blast,
And in his veins infus'd an endless fast.
The task dispatch'd, away the Fury flies
From plenteous regions, and from rip'ning skies;
To her old barren north she wings her speed,
And cottages distress'd with pinching need.
Still slumbers Erisichthon's senses drown,
And sooth his fancy with their softest down.
He dreams of viands delicate to eat,
And revels on imaginary meat,
Chaws with his working mouth, but chaws in vain,
And tires his grinding teeth with fruitless pain;
Deludes his throat with visionary fare,
Feasts on the wind, and banquets on the air.
The morning came, the night, and slumbers past,
But still the furious pangs of hunger last;
The cank'rous rage still gnaws with griping pains,
Stings in his throat, and in his bowels reigns.
Strait he requires, impatient in demand,
Provisions from the air, the seas, the land.
But tho' the land, air, seas, provisions grant,
Starves at full tables, and complains of want.
What to a people might in dole be paid,
Or victual cities for a long blockade,
Could not one wolfish appetite asswage;
For glutting nourishment increas'd its rage.
As rivers pour'd from ev'ry distant shore,
The sea insatiate drinks, and thirsts for more;
Or as the fire, which all materials burns,
And wasted forests into ashes turns,
Grows more voracious, as the more it preys,
Recruits dilate the flame, and spread the blaze:
So impious Erisichthon's hunger raves,
Receives refreshments, and refreshments craves.
Food raises a desire for food, and meat
Is but a new provocative to eat.
He grows more empty, as the more supply'd,
And endless cramming but extends the void.
The Transformations of Erisichthon's Daughter
Now riches hoarded by paternal care
Were sunk, the glutton swallowing up the heir.
Yet the devouring flame no stores abate,
Nor less his hunger grew with his estate.
One daughter left, as left his keen desire,
A daughter worthy of a better sire:
Her too he sold, spent Nature to sustain;
She scorn'd a lord with generous disdain,
And flying, spread her hand upon the main.
Then pray'd: Grant, thou, I bondage may escape,
And with my liberty reward thy rape;
Repay my virgin treasure with thy aid
('Twas Neptune who deflower'd the beauteous maid).
The God was mov'd, at what the fair had su'd,
When she so lately by her master view'd
In her known figure, on a sudden took
A fisher's habit, and a manly look.
To whom her owner hasted to enquire;
O thou, said he, whose baits hide treach'rous wire;
Whose art can manage, and experienc'd skill
The taper angle, and the bobbing quill,
So may the sea be ruffled with no storm,
But smooth with calms, as you the truth inform;
So your deceit may no shy fishes feel,
'Till struck, and fasten'd on the bearded steel.
Did not you standing view upon the strand,
A wand'ring maid? I'm sure I saw her stand;
Her hair disorder'd, and her homely dress
Betray'd her want, and witness'd her distress.
Me heedless, she reply'd, whoe'er you are,
Excuse, attentive to another care.
I settled on the deep my steady eye;
Fix'd on my float, and bent on my employ.
And that you may not doubt what I impart,
So may the ocean's God assist my art,
If on the beach since I my sport pursu'd,
Or man, or woman but my self I view'd.
Back o'er the sands, deluded, he withdrew,
Whilst she for her old form put off her new.
Her sire her shifting pow'r to change perceiv'd;
And various chapmen by her sale deceiv'd.
A fowl with spangled plumes, a brinded steer,
Sometimes a crested mare, or antler'd deer:
Sold for a price, she parted, to maintain
Her starving parent with dishonest gain.
At last all means, as all provisions, fail'd;
For the disease by remedies prevail'd;
His muscles with a furious bite he tore,
Gorg'd his own tatter'd flesh, and gulph'd his gore.
Wounds were his feast, his life to life a prey,
Supporting Nature by its own decay.
But foreign stories why shou'd I relate?
I too my self can to new forms translate,
Tho' the variety's not unconfin'd,
But fix'd, in number, and restrain'd in kind:
For often I this present shape retain,
Oft curl a snake the volumes of my train.
Sometimes my strength into my horns transfer'd,
A bull I march, the captain of the herd.
But whilst I once those goring weapons wore,
Vast wresting force one from my forehead tore.
Lo, my maim'd brows the injury still own;
He ceas'd; his words concluding with a groan.
----------------------------------------------------------------------
~ Ovid, BOOK THE EIGHTH
,#NFDB
1447:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
418
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
419
Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
420
The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
421
But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
422
And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
423
And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
424
Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
428
XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
429
XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
475
And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,#NFDB
1448:The Ghost - Book Iv
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
190
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
Who prove, with all becoming state,
Their voice to be the voice of Fate;
Prepared with essence, drop, and pill,
To be another Ward or Hill,
Before they can obtain their ends,
To sign death-warrants for their friends,
And talents vast as theirs employ,
_Secundum artem_ to destroy,
Must pass (or laws their rage restrain)
Before the chiefs of Warwick Lane:
Thrice happy Lane! where, uncontroll'd,
In power and lethargy grown old,
Most fit to take, in this bless'd land,
The reins--which fell from Wyndham's hand,
Her lawful throne great Dulness rears,
Still more herself, as more in years;
Where she, (and who shall dare deny
Her right, when Reeves and Chauncy's by?)
Calling to mind, in ancient time,
One Garth, who err'd in wit and rhyme,
Ordains, from henceforth, to admit
None of the rebel sons of Wit,
And makes it her peculiar care
That Schomberg never shall be there.
Not such as those, whom Polly trains
To letters, though unbless'd with brains,
Who, destitute of power and will
To learn, are kept to learning still;
Whose heads, when other methods fail,
Receive instruction from the tail,
Because their sires,--a common case
191
Which brings the children to disgrace,-Imagine it a certain rule
They never could beget a fool,
Must pass, or must compound for, ere
The chaplain, full of beef and prayer,
Will give his reverend permit,
Announcing them for orders fit;
So that the prelate (what's a name?
All prelates now are much the same)
May, with a conscience safe and quiet,
With holy hands lay on that fiat
Which doth all faculties dispense,
All sanctity, all faith, all sense;
Makes Madan quite a saint appear,
And makes an oracle of Cheere.
Not such as in that solemn seat,
Where the Nine Ladies hold retreat,-The Ladies Nine, who, as we're told,
Scorning those haunts they loved of old,
The banks of Isis now prefer,
Nor will one hour from Oxford stir,-Are held for form, which Balaam's ass
As well as Balaam's self might pass,
And with his master take degrees,
Could he contrive to pay the fees.
Men of sound parts, who, deeply read,
O'erload the storehouse of the head
With furniture they ne'er can use,
Cannot forgive our rambling Muse
This wild excursion; cannot see
Why Physic and Divinity,
To the surprise of all beholders,
Are lugg'd in by the head and shoulders;
Or how, in any point of view,
Oxford hath any thing to do.
But men of nice and subtle learning,
Remarkable for quick discerning,
Through spectacles of critic mould,
Without instruction, will behold
That we a method here have got
To show what is, by what is not;
And that our drift (parenthesis
192
For once apart) is briefly this:
Within the brain's most secret cells
A certain Lord Chief-Justice dwells,
Of sovereign power, whom, one and all,
With common voice, we Reason call;
Though, for the purposes of satire,
A name, in truth, is no great matter;
Jefferies or Mansfield, which you will-It means a Lord Chief-Justice still.
Here, so our great projectors say,
The Senses all must homage pay;
Hither they all must tribute bring,
And prostrate fall before their king;
Whatever unto them is brought,
Is carried on the wings of Thought
Before his throne, where, in full state,
He on their merits holds debate,
Examines, cross-examines, weighs
Their right to censure or to praise:
Nor doth his equal voice depend
On narrow views of foe and friend,
Nor can, or flattery, or force
Divert him from his steady course;
The channel of Inquiry's clear,
No sham examination's here.
He, upright justicer, no doubt,
_Ad libitum_ puts in and out,
Adjusts and settles in a trice
What virtue is, and what is vice;
What is perfection, what defect;
What we must choose, and what reject;
He takes upon him to explain
What pleasure is, and what is pain;
Whilst we, obedient to the whim,
And resting all our faith on him,
True members of the Stoic Weal,
Must learn to think, and cease to feel.
This glorious system, form'd for man
To practise when and how he can,
If the five Senses, in alliance,
To Reason hurl a proud defiance,
And, though oft conquer'd, yet unbroke,
193
Endeavour to throw off that yoke,
Which they a greater slavery hold
Than Jewish bondage was of old;
Or if they, something touch'd with shame,
Allow him to retain the name
Of Royalty, and, as in sport,
To hold a mimic formal court;
Permitted--no uncommon thing-To be a kind of puppet king,
And suffer'd, by the way of toy,
To hold a globe, but not employ;
Our system-mongers, struck with fear,
Prognosticate destruction near;
All things to anarchy must run;
The little world of man's undone.
Nay, should the Eye, that nicest sense,
Neglect to send intelligence
Unto the Brain, distinct and clear,
Of all that passes in her sphere;
Should she, presumptuous, joy receive
Without the Understanding's leave,
They deem it rank and daring treason
Against the monarchy of Reason,
Not thinking, though they're wondrous wise,
That few have reason, most have eyes;
So that the pleasures of the mind
To a small circle are confined,
Whilst those which to the senses fall
Become the property of all.
Besides, (and this is sure a case
Not much at present out of place)
Where Nature reason doth deny,
No art can that defect supply;
But if (for it is our intent
Fairly to state the argument)
A man should want an eye or two,
The remedy is sure, though new:
The cure's at hand--no need of fear-For proof--behold the Chevalier!-As well prepared, beyond all doubt,
To put eyes in, as put them out.
But, argument apart, which tends
194
To embitter foes and separate friends,
(Nor, turn'd apostate from the Nine,
Would I, though bred up a divine,
And foe, of course, to Reason's Weal,
Widen that breach I cannot heal)
By his own sense and feelings taught,
In speech as liberal as in thought,
Let every man enjoy his whim;
What's he to me, or I to him?
Might I, though never robed in ermine,
A matter of this weight determine,
No penalties should settled be
To force men to hypocrisy,
To make them ape an awkward zeal,
And, feeling not, pretend to feel.
I would not have, might sentence rest
Finally fix'd within my breast,
E'en Annet censured and confined,
Because we're of a different mind.
Nature, who, in her act most free,
Herself delights in liberty,
Profuse in love, and without bound,
Pours joy on every creature round;
Whom yet, was every bounty shed
In double portions on our head,
We could not truly bounteous call,
If Freedom did not crown them all.
By Providence forbid to stray,
Brutes never can mistake their way;
Determined still, they plod along
By instinct, neither right nor wrong;
But man, had he the heart to use
His freedom, hath a right to choose;
Whether he acts, or well, or ill,
Depends entirely on his will.
To her last work, her favourite Man,
Is given, on Nature's better plan,
A privilege in power to err.
Nor let this phrase resentment stir
Amongst the grave ones, since indeed
The little merit man can plead
In doing well, dependeth still
195
Upon his power of doing ill.
Opinions should be free as air;
No man, whate'er his rank, whate'er
His qualities, a claim can found
That my opinion must be bound,
And square with his; such slavish chains
From foes the liberal soul disdains;
Nor can, though true to friendship, bend
To wear them even from a friend.
Let those, who rigid judgment own,
Submissive bow at Judgment's throne,
And if they of no value hold
Pleasure, till pleasure is grown cold,
Pall'd and insipid, forced to wait
For Judgment's regular debate
To give it warrant, let them find
Dull subjects suited to their mind.
Theirs be slow wisdom; be my plan,
To live as merry as I can,
Regardless, as the fashions go,
Whether there's reason for't or no:
Be my employment here on earth
To give a liberal scope to mirth,
Life's barren vale with flowers to adorn,
And pluck a rose from every thorn.
But if, by Error led astray,
I chance to wander from my way,
Let no blind guide observe, in spite,
I'm wrong, who cannot set me right.
That doctor could I ne'er endure
Who found disease, and not a cure;
Nor can I hold that man a friend
Whose zeal a helping hand shall lend
To open happy Folly's eyes,
And, making wretched, make me wise:
For next (a truth which can't admit
Reproof from Wisdom or from Wit)
To being happy here below,
Is to believe that we are so.
Some few in knowledge find relief;
I place my comfort in belief.
Some for reality may call;
196
Fancy to me is all in all.
Imagination, through the trick
Of doctors, often makes us sick;
And why, let any sophist tell,
May it not likewise make us well?
This I am sure, whate'er our view,
Whatever shadows we pursue,
For our pursuits, be what they will,
Are little more than shadows still;
Too swift they fly, too swift and strong,
For man to catch or hold them long;
But joys which in the fancy live,
Each moment to each man may give:
True to himself, and true to ease,
He softens Fate's severe decrees,
And (can a mortal wish for more?)
Creates, and makes himself new o'er,
Mocks boasted vain reality,
And is, whate'er he wants to be.
Hail, Fancy!--to thy power I owe
Deliverance from the gripe of Woe;
To thee I owe a mighty debt,
Which Gratitude shall ne'er forget,
Whilst Memory can her force employ,
A large increase of every joy.
When at my doors, too strongly barr'd,
Authority had placed a guard,
A knavish guard, ordain'd by law
To keep poor Honesty in awe;
Authority, severe and stern,
To intercept my wish'd return;
When foes grew proud, and friends grew cool,
And laughter seized each sober fool;
When Candour started in amaze,
And, meaning censure, hinted praise;
When Prudence, lifting up her eyes
And hands, thank'd Heaven that she was wise;
When all around me, with an air
Of hopeless sorrow, look'd despair;
When they, or said, or seem'd to say,
There is but one, one only way
Better, and be advised by us,
197
Not be at all, than to be thus;
When Virtue shunn'd the shock, and Pride,
Disabled, lay by Virtue's side,
Too weak my ruffled soul to cheer,
Which could not hope, yet would not fear;
Health in her motion, the wild grace
Of pleasure speaking in her face,
Dull regularity thrown by,
And comfort beaming from her eye,
Fancy, in richest robes array'd,
Came smiling forth, and brought me aid;
Came smiling o'er that dreadful time,
And, more to bless me, came in rhyme.
Nor is her power to me confined;
It spreads, it comprehends mankind.
When (to the spirit-stirring sound
Of trumpets breathing courage round,
And fifes well-mingled, to restrain
And bring that courage down again;
Or to the melancholy knell
Of the dull, deep, and doleful bell,
Such as of late the good Saint Bride
Muffled, to mortify the pride
Of those who, England quite forgot,
Paid their vile homage to the Scot;
Where Asgill held the foremost place,
Whilst my lord figured at a race)
Processions ('tis not worth debate
Whether they are of stage or state)
Move on, so very, very slow,
Tis doubtful if they move, or no;
When the performers all the while
Mechanically frown or smile,
Or, with a dull and stupid stare,
A vacancy of sense declare,
Or, with down-bending eye, seem wrought
Into a labyrinth of thought,
Where Reason wanders still in doubt,
And, once got in, cannot get out;
What cause sufficient can we find,
To satisfy a thinking mind,
Why, duped by such vain farces, man
198
Descends to act on such a plan?
Why they, who hold themselves divine,
Can in such wretched follies join,
Strutting like peacocks, or like crows,
Themselves and Nature to expose?
What cause, but that (you'll understand
We have our remedy at hand,
That if perchance we start a doubt,
Ere it is fix'd, we wipe it out;
As surgeons, when they lop a limb,
Whether for profit, fame, or whim,
Or mere experiment to try,
Must always have a styptic by)
Fancy steps in, and stamps that real,
Which, _ipso facto_, is ideal.
Can none remember?--yes, I know,
All must remember that rare show
When to the country Sense went down,
And fools came flocking up to town;
When knights (a work which all admit
To be for knighthood much unfit)
Built booths for hire; when parsons play'd,
In robes canonical array'd,
And, fiddling, join'd the Smithfield dance,
The price of tickets to advance:
Or, unto tapsters turn'd, dealt out,
Running from booth to booth about,
To every scoundrel, by retail,
True pennyworths of beef and ale,
Then first prepared, by bringing beer in,
For present grand electioneering;
When heralds, running all about
To bring in Order, turn'd it out;
When, by the prudent Marshal's care,
Lest the rude populace should stare,
And with unhallow'd eyes profane
Gay puppets of Patrician strain,
The whole procession, as in spite,
Unheard, unseen, stole off by night;
When our loved monarch, nothing both,
Solemnly took that sacred oath,
Whence mutual firm agreements spring
199
Betwixt the subject and the king,
By which, in usual manner crown'd,
His head, his heart, his hands, he bound,
Against himself, should passion stir
The least propensity to err,
Against all slaves, who might prepare,
Or open force, or hidden snare,
That glorious Charter to maintain,
By which we serve, and he must reign;
Then Fancy, with unbounded sway,
Revell'd sole mistress of the day,
And wrought such wonders, as might make
Egyptian sorcerers forsake
Their baffled mockeries, and own
The palm of magic hers alone.
A knight, (who, in the silken lap
Of lazy Peace, had lived on pap;
Who never yet had dared to roam
'Bove ten or twenty miles from home,
Nor even that, unless a guide
Was placed to amble by his side,
And troops of slaves were spread around
To keep his Honour safe and sound;
Who could not suffer, for his life,
A point to sword, or edge to knife;
And always fainted at the sight
Of blood, though 'twas not shed in fight;
Who disinherited one son
For firing off an alder gun,
And whipt another, six years old,
Because the boy, presumptuous, bold
To madness, likely to become
A very Swiss, had beat a drum,
Though it appear'd an instrument
Most peaceable and innocent,
Having, from first, been in the hands
And service of the City bands)
Graced with those ensigns, which were meant
To further Honour's dread intent,
The minds of warriors to inflame,
And spur them on to deeds of fame;
With little sword, large spurs, high feather,
200
Fearless of every thing but weather,
(And all must own, who pay regard
To charity, it had been hard
That in his very first campaign
His honours should be soil'd with rain)
A hero all at once became,
And (seeing others much the same
In point of valour as himself,
Who leave their courage on a shelf
From year to year, till some such rout
In proper season calls it out)
Strutted, look'd big, and swagger'd more
Than ever hero did before;
Look'd up, look'd down, look'd all around,
Like Mavors, grimly smiled and frown'd;
Seem'd Heaven, and Earth, and Hell to call
To fight, that he might rout them all,
And personated Valour's style
So long, spectators to beguile,
That, passing strange, and wondrous true,
Himself at last believed it too;
Nor for a time could he discern,
Till Truth and Darkness took their turn,
So well did Fancy play her part,
That coward still was at the heart.
Whiffle (who knows not Whiffle's name,
By the impartial voice of Fame
Recorded first through all this land
In Vanity's illustrious band?)
Who, by all-bounteous Nature meant
For offices of hardiment,
A modern Hercules at least,
To rid the world of each wild beast,
Of each wild beast which came in view,
Whether on four legs or on two,
Degenerate, delights to prove
His force on the parade of Love,
Disclaims the joys which camps afford,
And for the distaff quits the sword;
Who fond of women would appear
To public eye and public ear,
But, when in private, lets them know
201
How little they can trust to show;
Who sports a woman, as of course,
Just as a jockey shows a horse,
And then returns her to the stable,
Or vainly plants her at his table,
Where he would rather Venus find
(So pall'd, and so depraved his mind)
Than, by some great occasion led,
To seize her panting in her bed,
Burning with more than mortal fires,
And melting in her own desires;
Who, ripe in years, is yet a child,
Through fashion, not through feeling, wild;
Whate'er in others, who proceed
As Sense and Nature have decreed,
From real passion flows, in him
Is mere effect of mode and whim;
Who laughs, a very common way,
Because he nothing has to say,
As your choice spirits oaths dispense
To fill up vacancies of sense;
Who, having some small sense, defies it,
Or, using, always misapplies it;
Who now and then brings something forth
Which seems indeed of sterling worth;
Something, by sudden start and fit,
Which at a distance looks like wit,
But, on examination near,
To his confusion will appear,
By Truth's fair glass, to be at best
A threadbare jester's threadbare jest;
Who frisks and dances through the street,
Sings without voice, rides without seat,
Plays o'er his tricks, like Aesop's ass,
A gratis fool to all who pass;
Who riots, though he loves not waste,
Whores without lust, drinks without taste,
Acts without sense, talks without thought,
Does every thing but what he ought;
Who, led by forms, without the power
Of vice, is vicious; who one hour,
Proud without pride, the next will be
202
Humble without humility:
Whose vanity we all discern,
The spring on which his actions turn;
Whose aim in erring, is to err,
So that he may be singular,
And all his utmost wishes mean
Is, though he's laugh'd at, to be seen:
Such, (for when Flattery's soothing strain
Had robb'd the Muse of her disdain,
And found a method to persuade
Her art to soften every shade,
Justice, enraged, the pencil snatch'd
From her degenerate hand, and scratch'd
Out every trace; then, quick as thought,
From life this striking likeness caught)
In mind, in manners, and in mien,
Such Whiffle came, and such was seen
In the world's eye; but (strange to tell!)
Misled by Fancy's magic spell,
Deceived, not dreaming of deceit,
Cheated, but happy in the cheat,
Was more than human in his own.
Oh, bow, bow all at Fancy's throne,
Whose power could make so vile an elf
With patience bear that thing, himself.
But, mistress of each art to please,
Creative Fancy, what are these,
These pageants of a trifler's pen,
To what thy power effected then?
Familiar with the human mind,
And swift and subtle as the wind,
Which we all feel, yet no one knows,
Or whence it comes, or where it goes,
Fancy at once in every part
Possess'd the eye, the head, the heart,
And in a thousand forms array'd,
A thousand various gambols play'd.
Here, in a face which well might ask
The privilege to wear a mask
In spite of law, and Justice teach
For public good to excuse the breach,
Within the furrow of a wrinkle
203
'Twixt eyes, which could not shine but twinkle,
Like sentinels i' th' starry way,
Who wait for the return of day,
Almost burnt out, and seem to keep
Their watch, like soldiers, in their sleep;
Or like those lamps, which, by the power
Of law, must burn from hour to hour,
(Else they, without redemption, fall
Under the terrors of that Hall,
Which, once notorious for a hop,
Is now become a justice shop)
Which are so managed, to go out
Just when the time comes round about,
Which yet, through emulation, strive
To keep their dying light alive,
And (not uncommon, as we find,
Amongst the children of mankind)
As they grow weaker, would seem stronger,
And burn a little, little longer:
Fancy, betwixt such eyes enshrined,
No brush to daub, no mill to grind,
Thrice waved her wand around, whose force
Changed in an instant Nature's course,
And, hardly credible in rhyme,
Not only stopp'd, but call'd back Time;
The face of every wrinkle clear'd,
Smooth as the floating stream appear'd,
Down the neck ringlets spread their flame,
The neck admiring whence they came;
On the arch'd brow the Graces play'd;
On the full bosom Cupid laid;
Suns, from their proper orbits sent,
Became for eyes a supplement;
Teeth, white as ever teeth were seen,
Deliver'd from the hand of Green,
Started, in regular array,
Like train-bands on a grand field day,
Into the gums, which would have fled,
But, wondering, turn'd from white to red;
Quite alter'd was the whole machine,
And Lady ---- ---- was fifteen.
Here she made lordly temples rise
204
Before the pious Dashwood's eyes,
Temples which, built aloft in air,
May serve for show, if not for prayer;
In solemn form herself, before,
Array'd like Faith, the Bible bore.
There over Melcombe's feather'd head-Who, quite a man of gingerbread,
Savour'd in talk, in dress, and phiz,
More of another world than this,
To a dwarf Muse a giant page,
The last grave fop of the last age-In a superb and feather'd hearse,
Bescutcheon'd and betagg'd with verse,
Which, to beholders from afar,
Appear'd like a triumphal car,
She rode, in a cast rainbow clad;
There, throwing off the hallow'd plaid,
Naked, as when (in those drear cells
Where, self-bless'd, self-cursed, Madness dwells)
Pleasure, on whom, in Laughter's shape,
Frenzy had perfected a rape,
First brought her forth, before her time,
Wild witness of her shame and crime,
Driving before an idol band
Of drivelling Stuarts, hand in hand;
Some who, to curse mankind, had wore
A crown they ne'er must think of more;
Others, whose baby brows were graced
With paper crowns, and toys of paste,
She jigg'd, and, playing on the flute,
Spread raptures o'er the soul of Bute.
Big with vast hopes, some mighty plan,
Which wrought the busy soul of man
To her full bent; the Civil Law,
Fit code to keep a world in awe,
Bound o'er his brows, fair to behold,
As Jewish frontlets were of old;
The famous Charter of our land
Defaced, and mangled in his hand;
As one whom deepest thoughts employ,
But deepest thoughts of truest joy,
Serious and slow he strode, he stalk'd;
205
Before him troops of heroes walk'd,
Whom best he loved, of heroes crown'd,
By Tories guarded all around;
Dull solemn pleasure in his face,
He saw the honours of his race,
He saw their lineal glories rise,
And touch'd, or seem'd to touch, the skies:
Not the most distant mark of fear,
No sign of axe or scaffold near,
Not one cursed thought to cross his will
Of such a place as Tower Hill.
Curse on this Muse, a flippant jade,
A shrew, like every other maid
Who turns the corner of nineteen,
Devour'd with peevishness and spleen;
Her tongue (for as, when bound for life,
The husband suffers for the wife,
So if in any works of rhyme
Perchance there blunders out a crime,
Poor culprit bards must always rue it,
Although 'tis plain the Muses do it)
Sooner or later cannot fail
To send me headlong to a jail.
Whate'er my theme, (our themes we choose,
In modern days, without a Muse;
Just as a father will provide
To join a bridegroom and a bride,
As if, though they must be the players,
The game was wholly his, not theirs)
Whate'er my theme, the Muse, who still
Owns no direction but her will,
Plies off, and ere I could expect,
By ways oblique and indirect,
At once quite over head and ears
In fatal politics appears.
Time was, and, if I aught discern
Of fate, that time shall soon return,
When, decent and demure at least,
As grave and dull as any priest,
I could see Vice in robes array'd,
Could see the game of Folly play'd
Successfully in Fortune's school,
206
Without exclaiming rogue or fool.
Time was, when, nothing both or proud,
I lackey'd with the fawning crowd,
Scoundrels in office, and would bow
To cyphers great in place; but now
Upright I stand, as if wise Fate,
To compliment a shatter'd state,
Had me, like Atlas, hither sent
To shoulder up the firmament,
And if I stoop'd, with general crack,
The heavens would tumble from my back.
Time was, when rank and situation
Secured the great ones of the nation
From all control; satire and law
Kept only little knaves in awe;
But now, Decorum lost, I stand
Bemused, a pencil in my hand,
And, dead to every sense of shame,
Careless of safety and of fame,
The names of scoundrels minute down,
And libel more than half the town.
How can a statesman be secure
In all his villanies, if poor
And dirty authors thus shall dare
To lay his rotten bosom bare?
Muses should pass away their time
In dressing out the poet's rhyme
With bills, and ribands, and array
Each line in harmless taste, though gay;
When the hot burning fit is on,
They should regale their restless son
With something to allay his rage,
Some cool Castalian beverage,
Or some such draught (though they, 'tis plain,
Taking the Muse's name in vain,
Know nothing of their real court,
And only fable from report)
As makes a Whitehead's Ode go down,
Or slakes the Feverette of Brown:
But who would in his senses think,
Of Muses giving gall to drink,
Or that their folly should afford
207
To raving poets gun or sword?
Poets were ne'er designed by Fate
To meddle with affairs of state,
Nor should (if we may speak our thought
Truly as men of honour ought)
Sound policy their rage admit,
To launch the thunderbolts of Wit
About those heads, which, when they're shot,
Can't tell if 'twas by Wit or not.
These things well known, what devil, in spite,
Can have seduced me thus to write
Out of that road, which must have led
To riches, without heart or head,
Into that road, which, had I more
Than ever poet had before
Of wit and virtue, in disgrace
Would keep me still, and out of place;
Which, if some judge (you'll understand
One famous, famous through the land
For making law) should stand my friend,
At last may in a pillory end;
And all this, I myself admit,
Without one cause to lead to it?
For instance, now--this book--the Ghost-Methinks I hear some critic Post
Remark most gravely--'The first word
Which we about the Ghost have heard.'
Peace, my good sir!--not quite so fast-What is the first, may be the last,
Which is a point, all must agree,
Cannot depend on you or me.
Fanny, no ghost of common mould,
Is not by forms to be controll'd;
To keep her state, and show her skill,
She never comes but when she will.
I wrote and wrote, (perhaps you doubt,
And shrewdly, what I wrote about;
Believe me, much to my disgrace,
I, too, am in the self-same case
But still I wrote, till Fanny came
Impatient, nor could any shame
On me with equal justice fall
208
If she had never come at all.
An underling, I could not stir
Without the cue thrown out by her,
Nor from the subject aid receive
Until she came and gave me leave.
So that, (ye sons of Erudition
Mark, this is but a supposition,
Nor would I to so wise a nation
Suggest it as a revelation)
If henceforth, dully turning o'er
Page after page, ye read no more
Of Fanny, who, in sea or air,
May be departed God knows where,
Rail at jilt Fortune; but agree
No censure can be laid on me;
For sure (the cause let Mansfield try)
Fanny is in the fault, not I.
But, to return--and this I hold
A secret worth its weight in gold
To those who write, as I write now,
Not to mind where they go, or how,
Through ditch, through bog, o'er hedge and stile,
Make it but worth the reader's while,
And keep a passage fair and plain
Always to bring him back again.
Through dirt, who scruples to approach,
At Pleasure's call, to take a coach?
But we should think the man a clown,
Who in the dirt should set us down.
But to return--if Wit, who ne'er
The shackles of restraint could bear,
In wayward humour should refuse
Her timely succour to the Muse,
And, to no rules and orders tied,
Roughly deny to be her guide,
She must renounce Decorum's plan,
And get back when, and how she can;
As parsons, who, without pretext,
As soon as mention'd, quit their text,
And, to promote sleep's genial power,
Grope in the dark for half an hour,
Give no more reason (for we know
209
Reason is vulgar, mean, and low)
Why they come back (should it befall
That ever they come back at all)
Into the road, to end their rout,
Than they can give why they went out.
But to return--this book--the Ghost-A mere amusement at the most;
A trifle, fit to wear away
The horrors of a rainy day;
A slight shot-silk, for summer wear,
Just as our modern statesmen are,
If rigid honesty permit
That I for once purloin the wit
Of him, who, were we all to steal,
Is much too rich the theft to feel:
Yet in this book, where Base should join
With Mirth to sugar every line;
Where it should all be mere chit-chat,
Lively, good-humour'd, and all that;
Where honest Satire, in disgrace,
Should not so much as show her face,
The shrew, o'erleaping all due bounds,
Breaks into Laughter's sacred grounds,
And, in contempt, plays o'er her tricks
In science, trade, and politics.
By why should the distemper'd scold
Attempt to blacken men enroll'd
In Power's dread book, whose mighty skill
Can twist an empire to their will;
Whose voice is fate, and on their tongue
Law, liberty, and life are hung;
Whom, on inquiry, Truth shall find
With Stuarts link'd, time out of mind,
Superior to their country's laws,
Defenders of a tyrant's cause;
Men, who the same damn'd maxims hold
Darkly, which they avow'd of old;
Who, though by different means, pursue
The end which they had first in view,
And, force found vain, now play their part
With much less honour, much more art?
Why, at the corners of the streets,
210
To every patriot drudge she meets,
Known or unknown, with furious cry
Should she wild clamours vent? or why,
The minds of groundlings to inflame,
A Dashwood, Bute, and Wyndham name?
Why, having not, to our surprise,
The fear of death before her eyes,
Bearing, and that but now and then,
No other weapon but her pen,
Should she an argument afford
For blood to men who wear a sword?
Men, who can nicely trim and pare
A point of honour to a hair-(Honour!--a word of nice import,
A pretty trinket in a court,
Which my lord, quite in rapture, feels
Dangling and rattling with his seals-Honour!--a word which all the Nine
Would be much puzzled to define-Honour!--a word which torture mocks,
And might confound a thousand Lockes-Which--for I leave to wiser heads,
Who fields of death prefer to beds
Of down, to find out, if they can,
What honour is, on their wild plan-Is not, to take it in their way,
And this we sure may dare to say
Without incurring an offence,
Courage, law, honesty, or sense):
Men, who, all spirit, life, and soul
Neat butchers of a button-hole,
Having more skill, believe it true
That they must have more courage too:
Men who, without a place or name,
Their fortunes speechless as their fame,
Would by the sword new fortunes carve,
And rather die in fight than starve
At coronations, a vast field,
Which food of every kind might yield;
Of good sound food, at once most fit
For purposes of health and wit,
Could not ambitious Satire rest,
211
Content with what she might digest?
Could she not feast on things of course,
A champion, or a champion's horse?
A champion's horse--no, better say,
Though better figured on that day,
A horse, which might appear to us,
Who deal in rhyme, a Pegasus;
A rider, who, when once got on,
Might pass for a Bellerophon,
Dropt on a sudden from the skies,
To catch and fix our wondering eyes,
To witch, with wand instead of whip,
The world with noble horsemanship,
To twist and twine, both horse and man,
On such a well-concerted plan,
That, Centaur-like, when all was done,
We scarce could think they were not one?
Could she not to our itching ears
Bring the new names of new-coin'd peers,
Who walk'd, nobility forgot,
With shoulders fitter for a knot
Than robes of honour; for whose sake
Heralds in form were forced to make,
To make, because they could not find,
Great predecessors to their mind?
Could she not (though 'tis doubtful since
Whether he plumber is, or prince)
Tell of a simple knight's advance
To be a doughty peer of France?
Tell how he did a dukedom gain,
And Robinson was Aquitain?
Tell how her city chiefs, disgraced,
Were at an empty table placed,-A gross neglect, which, whilst they live,
They can't forget, and won't forgive;
A gross neglect of all those rights
Which march with city appetites,
Of all those canons, which we find
By Gluttony, time out of mind,
Established, which they ever hold
Dearer than any thing but gold?
Thanks to my stars--I now see shore--
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Of courtiers, and of courts no more-Thus stumbling on my city friends,
Blind Chance my guide, my purpose bends
In line direct, and shall pursue
The point which I had first in view,
Nor more shall with the reader sport
Till I have seen him safe in port.
Hush'd be each fear--no more I bear
Through the wide regions of the air
The reader terrified, no more
Wild ocean's horrid paths explore.
Be the plain track from henceforth mine-Cross roads to Allen I resign;
Allen, the honor of this nation;
Allen, himself a corporation;
Allen, of late notorious grown
For writings, none, or all, his own;
Allen, the first of letter'd men,
Since the good Bishop holds his pen,
And at his elbow takes his stand,
To mend his head, and guide his hand.
But hold--once more, Digression hence-Let us return to Common Sense;
The car of Phoebus I discharge,
My carriage now a Lord Mayor's barge.
Suppose we now--we may suppose
In verse, what would be sin in prose-The sky with darkness overspread,
And every star retired to bed;
The gewgaw robes of Pomp and Pride
In some dark corner thrown aside;
Great lords and ladies giving way
To what they seem to scorn by day,
The real feelings of the heart,
And Nature taking place of Art;
Desire triumphant through the night,
And Beauty panting with delight;
Chastity, woman's fairest crown,
Till the return of morn laid down.
Then to be worn again as bright
As if not sullied in the night;
Dull Ceremony, business o'er,
213
Dreaming in form at Cottrell's door;
Precaution trudging all about
To see the candles safely out,
Bearing a mighty master-key,
Habited like Economy,
Stamping each lock with triple seals;
Mean Avarice creeping at her heels.
Suppose we too, like sheep in pen,
The Mayor and Court of Aldermen
Within their barge, which through the deep,
The rowers more than half asleep,
Moved slow, as overcharged with state;
Thames groan'd beneath the mighty weight,
And felt that bauble heavier far
Than a whole fleet of men of war.
Sleep o'er each well-known faithful head
With liberal hand his poppies shed;
Each head, by Dulness render'd fit
Sleep and his empire to admit.
Through the whole passage not a word,
Not one faint, weak half-sound was heard;
Sleep had prevail'd to overwhelm
The steersman nodding o'er the helm;
The rowers, without force or skill,
Left the dull barge to drive at will;
The sluggish oars suspended hung,
And even Beardmore held his tongue.
Commerce, regardful of a freight
On which depended half her state,
Stepp'd to the helm; with ready hand
She safely clear'd that bank of sand,
Where, stranded, our west-country fleet
Delay and danger often meet,
Till Neptune, anxious for the trade,
Comes in full tides, and brings them aid.
Next (for the Muses can survey
Objects by night as well as day;
Nothing prevents their taking aim,
Darkness and light to them the same)
They pass'd that building which of old
Queen-mothers was design'd to hold;
At present a mere lodging-pen,
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A palace turn'd into a den;
To barracks turn'd, and soldiers tread
Where dowagers have laid their head.
Why should we mention Surrey Street,
Where every week grave judges meet
All fitted out with hum and ha,
In proper form to drawl out law,
To see all causes duly tried
'Twixt knaves who drive, and fools who ride?
Why at the Temple should we stay?
What of the Temple dare we say?
A dangerous ground we tread on there,
And words perhaps may actions bear;
Where, as the brethren of the seas
For fares, the lawyers ply for fees.
What of that Bridge, most wisely made
To serve the purposes of trade,
In the great mart of all this nation,
By stopping up the navigation,
And to that sand bank adding weight,
Which is already much too great?
What of that Bridge, which, void of sense
But well supplied with impudence,
Englishmen, knowing not the Guild,
Thought they might have a claim to build,
Till Paterson, as white as milk,
As smooth as oil, as soft as silk,
In solemn manner had decreed
That on the other side the Tweed
Art, born and bred, and fully grown,
Was with one Mylne, a man unknown,
But grace, preferment, and renown
Deserving, just arrived in town:
One Mylne, an artist perfect quite
Both in his own and country's right,
As fit to make a bridge as he,
With glorious Patavinity,
To build inscriptions worthy found
To lie for ever under ground.
Much more worth observation too,
Was this a season to pursue
The theme, our Muse might tell in rhyme:
215
The will she hath, but not the time;
For, swift as shaft from Indian bow,
(And when a goddess comes, we know,
Surpassing Nature acts prevail.
And boats want neither oar nor sail)
The vessel pass'd, and reach'd the shore
So quick, that Thought was scarce before.
Suppose we now our City court
Safely delivered at the port.
And, of their state regardless quite,
Landed, like smuggled goods, by night,
The solemn magistrate laid down,
The dignity of robe and gown,
With every other ensign gone,
Suppose the woollen nightcap on;
The flesh-brush used, with decent state,
To make the spirits circulate,
(A form which, to the senses true,
The lickerish chaplain uses too,
Though, something to improve the plan,
He takes the maid instead of man)
Swathed, and with flannel cover'd o'er,
To show the vigour of threescore,
The vigour of threescore and ten,
Above the proof of younger men,
Suppose, the mighty Dulman led
Betwixt two slaves, and put to bed;
Suppose, the moment he lies down,
No miracle in this great town,
The drone as fast asleep as he
Must in the course of nature be,
Who, truth for our foundation take,
When up, is never half awake.
There let him sleep, whilst we survey
The preparations for the day;
That day on which was to be shown
Court pride by City pride outdone.
The jealous mother sends away,
As only fit for childish play,
That daughter who, to gall her pride,
Shoots up too forward by her side.
The wretch, of God and man accursed,
216
Of all Hell's instruments the worst,
Draws forth his pawns, and for the day
Struts in some spendthrift's vain array;
Around his awkward doxy shine
The treasures of Golconda's mine;
Each neighbour, with a jealous glare,
Beholds her folly publish'd there.
Garments well saved, (an anecdote
Which we can prove, or would not quote)
Garments well saved, which first were made
When tailors, to promote their trade,
Against the Picts in arms arose,
And drove them out, or made them clothes;
Garments immortal, without end,
Like names and titles, which descend
Successively from sire to son;
Garments, unless some work is done
Of note, not suffer'd to appear
'Bove once at most in every year,
Were now, in solemn form, laid bare,
To take the benefit of air,
And, ere they came to be employ'd
On this solemnity, to void
That scent which Russia's leather gave,
From vile and impious moth to save.
Each head was busy, and each heart
In preparation bore a part;
Running together all about
The servants put each other out,
Till the grave master had decreed,
The more haste ever the worse speed.
Miss, with her little eyes half-closed,
Over a smuggled toilette dosed;
The waiting-maid, whom story notes
A very Scrub in petticoats,
Hired for one work, but doing all,
In slumbers lean'd against the wall.
Milliners, summon'd from afar,
Arrived in shoals at Temple Bar,
Strictly commanded to import
Cart loads of foppery from Court;
With labour'd visible design,
217
Art strove to be superbly fine;
Nature, more pleasing, though more wild,
Taught otherwise her darling child,
And cried, with spirited disdain,
Be Hunter elegant and plain!
Lo! from the chambers of the East,
A welcome prelude to the feast,
In saffron-colour'd robe array'd,
High in a car, by Vulcan made,
Who work'd for Jove himself, each steed,
High-mettled, of celestial breed,
Pawing and pacing all the way,
Aurora brought the wish'd-for day,
And held her empire, till out-run
By that brave jolly groom, the Sun.
The trumpet--hark! it speaks--it swells
The loud full harmony; it tells
The time at hand when Dulman, led
By Form, his citizens must head,
And march those troops, which at his call
Were now assembled, to Guildhall,
On matters of importance great,
To court and city, church and state.
From end to end the sound makes way,
All hear the signal and obey;
But Dulman, who, his charge forgot,
By Morpheus fetter'd, heard it not;
Nor could, so sound he slept and fast,
Hear any trumpet, but the last.
Crape, ever true and trusty known,
Stole from the maid's bed to his own,
Then in the spirituals of pride,
Planted himself at Dulman's side.
Thrice did the ever-faithful slave,
With voice which might have reach'd the grave,
And broke Death's adamantine chain,
On Dulman call, but call'd in vain.
Thrice with an arm, which might have made
The Theban boxer curse his trade,
The drone he shook, who rear'd the head,
And thrice fell backward on his bed.
What could be done? Where force hath fail'd,
218
Policy often hath prevail'd;
And what--an inference most plain-Had been, Crape thought might be again.
Under his pillow (still in mind
The proverb kept, 'fast bind, fast find')
Each blessed night the keys were laid,
Which Crape to draw away assay'd.
What not the power of voice or arm
Could do, this did, and broke the charm;
Quick started he with stupid stare,
For all his little soul was there.
Behold him, taken up, rubb'd down,
In elbow-chair, and morning-gown;
Behold him, in his latter bloom,
Stripp'd, wash'd, and sprinkled with perfume;
Behold him bending with the weight
Of robes, and trumpery of state;
Behold him (for the maxim's true,
Whate'er we by another do,
We do ourselves; and chaplain paid,
Like slaves in every other trade,
Had mutter'd over God knows what,
Something which he by heart had got)
Having, as usual, said his prayers,
Go titter, totter to the stairs:
Behold him for descent prepare,
With one foot trembling in the air;
He starts, he pauses on the brink,
And, hard to credit, seems to think;
Through his whole train (the chaplain gave
The proper cue to every slave)
At once, as with infection caught,
Each started, paused, and aim'd at thought;
He turns, and they turn; big with care,
He waddles to his elbow-chair,
Squats down, and, silent for a season,
At last with Crape begins to reason:
But first of all he made a sign,
That every soul, but the divine,
Should quit the room; in him, he knows,
He may all confidence repose.
'Crape--though I'm yet not quite awake--
219
Before this awful step I take,
On which my future all depends,
I ought to know my foes and friends.
My foes and friends--observe me still-I mean not those who well or ill
Perhaps may wish me, but those who
Have't in their power to do it too.
Now if, attentive to the state,
In too much hurry to be great,
Or through much zeal,--a motive, Crape,
Deserving praise,--into a scrape
I, like a fool, am got, no doubt
I, like a wise man, should get out:
Note that remark without replies;
I say that to get out is wise,
Or, by the very self-same rule,
That to get in was like a fool.
The marrow of this argument
Must wholly rest on the event,
And therefore, which is really hard,
Against events too I must guard.
Should things continue as they stand,
And Bute prevail through all the land
Without a rival, by his aid
My fortunes in a trice are made;
Nay, honours on my zeal may smile,
And stamp me Earl of some great Isle:
But if, a matter of much doubt,
The present minister goes out,
Fain would I know on what pretext
I can stand fairly with the next?
For as my aim, at every hour,
Is to be well with those in power,
And my material point of view,
Whoever's in, to be in too,
I should not, like a blockhead, choose
To gain these, so as those to lose:
'Tis good in every case, you know,
To have two strings unto our bow.'
As one in wonder lost, Crape view'd
His lord, who thus his speech pursued:
'This, my good Crape, is my grand point;
220
And as the times are out of joint,
The greater caution is required
To bring about the point desired.
What I would wish to bring about
Cannot admit a moment's doubt;
The matter in dispute, you know,
Is what we call the _Quomodo_.
That be thy task.'--The reverend slave,
Becoming in a moment grave,
Fix'd to the ground and rooted stood,
Just like a man cut out out of wood,
Such as we see (without the least
Reflection glancing on the priest)
One or more, planted up and down,
Almost in every church in town;
He stood some minutes, then, like one
Who wish'd the matter might be done,
But could not do it, shook his head,
And thus the man of sorrow said:
'Hard is this task, too hard I swear,
By much too hard for me to bear;
Beyond expression hard my part,
Could mighty Dulman see my heart,
When he, alas! makes known a will
Which Crape's not able to fulfil.
Was ever my obedience barr'd
By any trifling nice regard
To sense and honour? Could I reach
Thy meaning without help of speech,
At the first motion of thy eye
Did not thy faithful creature fly?
Have I not said, not what I ought,
But what my earthly master taught?
Did I e'er weigh, through duty strong,
In thy great biddings, right and wrong?
Did ever Interest, to whom thou
Canst not with more devotion bow,
Warp my sound faith, or will of mine
In contradiction run to thine?
Have I not, at thy table placed,
When business call'd aloud for haste,
Torn myself thence, yet never heard
221
To utter one complaining word,
And had, till thy great work was done,
All appetites, as having none?
Hard is it, this great plan pursued
Of voluntary servitude;
Pursued without or shame, or fear,
Through the great circle of the year,
Now to receive, in this grand hour,
Commands which lie beyond my power,
Commands which baffle all my skill,
And leave me nothing but my will:
Be that accepted; let my lord
Indulgence to his slave afford:
This task, for my poor strength unfit,
Will yield to none but Dulman's wit.'
With such gross incense gratified,
And turning up the lip of pride,
'Poor Crape'--and shook his empty head-'Poor puzzled Crape!' wise Dulman said,
'Of judgment weak, of sense confined,
For things of lower note design'd;
For things within the vulgar reach,
To run of errands, and to preach;
Well hast thou judged, that heads like mine
Cannot want help from heads like thine;
Well hast thou judged thyself unmeet
Of such high argument to treat;
Twas but to try thee that I spoke,
And all I said was but a joke.
Nor think a joke, Crape, a disgrace,
Or to my person, or my place;
The wisest of the sons of men
Have deign'd to use them now and then.
The only caution, do you see,
Demanded by our dignity,
From common use and men exempt,
Is that they may not breed contempt.
Great use they have, when in the hands
Of one like me, who understands,
Who understands the time and place,
The person, manner, and the grace,
Which fools neglect; so that we find,
222
If all the requisites are join'd,
From whence a perfect joke must spring,
A joke's a very serious thing.
But to our business--my design,
Which gave so rough a shock to thine,
To my capacity is made
As ready as a fraud in trade;
Which, like broad-cloth, I can, with ease,
Cut out in any shape I please.
Some, in my circumstance, some few,
Aye, and those men of genius too,
Good men, who, without love or hate,
Whether they early rise or late,
With names uncrack'd, and credit sound,
Rise worth a hundred thousand pound,
By threadbare ways and means would try
To bear their point--so will not I.
New methods shall my wisdom find
To suit these matters to my mind;
So that the infidels at court,
Who make our city wits their sport,
Shall hail the honours of my reign,
And own that Dulman bears a brain.
Some, in my place, to gain their ends,
Would give relations up, and friends;
Would lend a wife, who, they might swear
Safely, was none the worse for wear;
Would see a daughter, yet a maid,
Into a statesman's arms betray'd;
Nay, should the girl prove coy, nor know
What daughters to a father owe,
Sooner than schemes so nobly plann'd
Should fail, themselves would lend a hand;
Would vote on one side, whilst a brother,
Properly taught, would vote on t'other;
Would every petty band forget;
To public eye be with one set,
In private with a second herd,
And be by proxy with a third;
Would, (like a queen, of whom I read,
The other day--her name is fled-In a book,--where, together bound,
223
'Whittington and his Cat' I found-A tale most true, and free from art,
Which all Lord Mayors should have by heart;
A queen oh!--might those days begin
Afresh, when queens would learn to spin-Who wrought, and wrought, but for some plot,
The cause of which I've now forgot,
During the absence of the sun
Undid what she by day had done)
Whilst they a double visage wear,
What's sworn by day, by night unswear.
Such be their arts, and such, perchance,
May happily their ends advance;
Prom a new system mine shall spring,
A _locum tenens_ is the thing.
That's your true plan. To obligate
The present ministers of state,
My shadow shall our court approach,
And bear my power, and have my coach;
My fine state-coach, superb to view,
A fine state-coach, and paid for too.
To curry favour, and the grace
Obtain of those who're out of place;
In the mean time I--that's to say,
I proper, I myself--here stay.
But hold--perhaps unto the nation,
Who hate the Scot's administration,
To lend my coach may seem to be
Declaring for the ministry,
For where the city-coach is, there
Is the true essence of the Mayor:
Therefore (for wise men are intent
Evils at distance to prevent,
Whilst fools the evils first endure,
And then are plagued to seek a cure)
No coach--a horse--and free from fear,
To make our Deputy appear,
Fast on his back shall he be tied,
With two grooms marching by his side;
Then for a horse--through all the land,
To head our solemn city-band,
Can any one so fit be found
224
As he who in Artillery-ground,
Without a rider, (noble sight!)
Led on our bravest troops to fight?
But first, Crape, for my honour's sake-A tender point--inquiry make
About that horse, if the dispute
Is ended, or is still in suit:
For whilst a cause, (observe this plan
Of justice) whether horse or man
The parties be, remains in doubt,
Till 'tis determined out and out,
That power must tyranny appear
Which should, prejudging, interfere,
And weak, faint judges overawe,
To bias the free course of law.
You have my will--now quickly run,
And take care that my will be done.
In public, Crape, you must appear,
Whilst I in privacy sit here;
Here shall great Dulman sit alone,
Making this elbow-chair my throne,
And you, performing what I bid,
Do all, as if I nothing did.'
Crape heard, and speeded on his way;
With him to hear was to obey;
Not without trouble, be assured,
A proper proxy was procured
To serve such infamous intent,
And such a lord to represent;
Nor could one have been found at all
On t'other side of London Wall.
The trumpet sounds--solemn and slow
Behold the grand procession go,
All moving on, cat after kind,
As if for motion ne'er design'd.
Constables, whom the laws admit
To keep the peace by breaking it;
Beadles, who hold the second place
By virtue of a silver mace,
Which every Saturday is drawn,
For use of Sunday, out of pawn;
Treasurers, who with empty key
225
Secure an empty treasury;
Churchwardens, who their course pursue
In the same state, as to their pew
Churchwardens of St Margaret's go,
Since Peirson taught them pride and show,
Who in short transient pomp appear,
Like almanacs changed every year;
Behind whom, with unbroken locks,
Charity carries the poor's box,
Not knowing that with private keys
They ope and shut it when they please:
Overseers, who by frauds ensure
The heavy curses of the poor;
Unclean came flocking, bulls and bears,
Like beasts into the ark, by pairs.
Portentous, flaming in the van,
Stalk'd the professor, Sheridan,
A man of wire, a mere pantine,
A downright animal machine;
He knows alone, in proper mode,
How to take vengeance on an ode,
And how to butcher Ammon's son
And poor Jack Dryden both in one:
On all occasions next the chair
He stands, for service of the Mayor,
And to instruct him how to use
His A's and B's, and P's and Q's:
O'er letters, into tatters worn,
O'er syllables, defaced and torn,
O'er words disjointed, and o'er sense,
Left destitute of all defence,
He strides, and all the way he goes
Wades, deep in blood, o'er Criss-cross-rows:
Before him every consonant
In agonies is seen to pant;
Behind, in forms not to be known,
The ghosts of tortured vowels groan.
Next Hart and Duke, well worthy grace
And city favour, came in place;
No children can their toils engage,
Their toils are turn'd to reverend age;
When a court dame, to grace his brows
226
Resolved, is wed to city-spouse,
Their aid with madam's aid must join,
The awkward dotard to refine,
And teach, whence truest glory flows,
Grave sixty to turn out his toes.
Each bore in hand a kit; and each
To show how fit he was to teach
A cit, an alderman, a mayor,
Led in a string a dancing bear.
Since the revival of Fingal,
Custom, and custom's all in all,
Commands that we should have regard,
On all high seasons, to the bard.
Great acts like these, by vulgar tongue
Profaned, should not be said, but sung.
This place to fill, renown'd in fame,
The high and mighty Lockman came,
And, ne'er forgot in Dulman's reign,
With proper order to maintain
The uniformity of pride,
Brought Brother Whitehead by his side.
On horse, who proudly paw'd the ground,
And cast his fiery eyeballs round,
Snorting, and champing the rude bit,
As if, for warlike purpose fit,
His high and generous blood disdain'd,
To be for sports and pastimes rein'd,
Great Dymock, in his glorious station,
Paraded at the coronation.
Not so our city Dymock came,
Heavy, dispirited, and tame;
No mark of sense, his eyes half-closed,
He on a mighty dray-horse dozed:
Fate never could a horse provide
So fit for such a man to ride,
Nor find a man with strictest care,
So fit for such a horse to bear.
Hung round with instruments of death,
The sight of him would stop the breath
Of braggart Cowardice, and make
The very court Drawcansir quake;
With dirks, which, in the hands of Spite,
227
Do their damn'd business in the night,
From Scotland sent, but here display'd
Only to fill up the parade;
With swords, unflesh'd, of maiden hue,
Which rage or valour never drew;
With blunderbusses, taught to ride
Like pocket-pistols, by his side,
In girdle stuck, he seem'd to be
A little moving armoury.
One thing much wanting to complete
The sight, and make a perfect treat,
Was, that the horse, (a courtesy
In horses found of high degree)
Instead of going forward on,
All the way backward should have gone.
Horses, unless they breeding lack,
Some scruple make to turn their back,
Though riders, which plain truth declares,
No scruple make of turning theirs.
Far, far apart from all the rest,
Fit only for a standing jest,
The independent, (can you get
A better suited epithet?)
The independent Amyand came,
All burning with the sacred flame
Of Liberty, which well he knows
On the great stock of Slavery grows;
Like sparrow, who, deprived of mate,
Snatch'd by the cruel hand of Fate,
From spray to spray no more will hop,
But sits alone on the house-top;
Or like himself, when all alone
At Croydon he was heard to groan,
Lifting both hands in the defence
Of interest, and common sense;
Both hands, for as no other man
Adopted and pursued his plan,
The left hand had been lonesome quite,
If he had not held up the right;
Apart he came, and fix'd his eyes
With rapture on a distant prize,
On which, in letters worthy note,
228
There 'twenty thousand pounds' was wrote.
False trap, for credit sapp'd is found
By getting twenty thousand pound:
Nay, look not thus on me, and stare,
Doubting the certainty--to swear
In such a case I should be loth-But Perry Cust may take his oath.
In plain and decent garb array'd,
With the prim Quaker, Fraud, came Trade;
Connivance, to improve the plan,
Habited like a juryman,
Judging as interest prevails,
Came next, with measures, weights, and scales;
Extortion next, of hellish race
A cub most damn'd, to show his face
Forbid by fear, but not by shame,
Turn'd to a Jew, like Gideon came;
Corruption, Midas-like, behold
Turning whate'er she touch'd to gold;
Impotence, led by Lust, and Pride,
Strutting with Ponton by her side;
Hypocrisy, demure and sad,
In garments of the priesthood clad,
So well disguised, that you might swear,
Deceived, a very priest was there;
Bankruptcy, full of ease and health,
And wallowing in well-saved wealth,
Came sneering through a ruin'd band,
And bringing B---- in her hand;
Victory, hanging down her head,
Was by a Highland stallion led;
Peace, clothed in sables, with a face
Which witness'd sense of huge disgrace,
Which spake a deep and rooted shame
Both of herself and of her name,
Mourning creeps on, and, blushing, feels
War, grim War, treading on her heels;
Pale Credit, shaken by the arts
Of men with bad heads and worse hearts,
Taking no notice of a band
Which near her were ordain'd to stand,
Well-nigh destroyed by sickly fit,
229
Look'd wistful all around for Pitt;
Freedom--at that most hallow'd name
My spirits mount into a flame,
Each pulse beats high, and each nerve strains,
Even to the cracking; through my veins
The tides of life more rapid run,
And tell me I am Freedom's son-Freedom came next, but scarce was seen,
When the sky, which appear'd serene
And gay before, was overcast;
Horror bestrode a foreign blast,
And from the prison of the North,
To Freedom deadly, storms burst forth.
A car like those, in which, we're told,
Our wild forefathers warr'd of old,
Loaded with death, six horses bear
Through the blank region of the air.
Too fierce for time or art to tame,
They pour'd forth mingled smoke and flame
From their wide nostrils; every steed
Was of that ancient savage breed
Which fell Geryon nursed; their food
The flesh of man, their drink his blood.
On the first horses, ill-match'd pair,
This fat and sleek, that lean and bare,
Came ill-match'd riders side by side,
And Poverty was yoked with Pride;
Union most strange it must appear,
Till other unions make it clear.
Next, in the gall of bitterness,
With rage which words can ill express,
With unforgiving rage, which springs
From a false zeal for holy things,
Wearing such robes as prophets wear,
False prophets placed in Peter's chair,
On which, in characters of fire,
Shapes antic, horrible, and dire
Inwoven flamed, where, to the view,
In groups appear'd a rabble crew
Of sainted devils; where, all round,
Vile relics of vile men were found,
Who, worse than devils, from the birth
230
Perform'd the work of hell on earth,
Jugglers, Inquisitors, and Popes,
Pointing at axes, wheels, and ropes,
And engines, framed on horrid plan,
Which none but the destroyer, Man,
Could, to promote his selfish views,
Have head to make or heart to use,
Bearing, to consecrate her tricks,
In her left hand a crucifix,
'Remembrance of our dying Lord,'
And in her right a two-edged sword,
Having her brows, in impious sport,
Adorn'd with words of high import,
'On earth peace, amongst men good will,
Love bearing and forbearing still,'
All wrote in the hearts' blood of those
Who rather death than falsehood chose:
On her breast, (where, in days of yore,
When God loved Jews, the High Priest wore
Those oracles which were decreed
To instruct and guide the chosen seed)
Having with glory clad and strength,
The Virgin pictured at full length,
Whilst at her feet, in small pourtray'd,
As scarce worth notice, Christ was laid,-Came Superstition, fierce and fell,
An imp detested, e'en in hell;
Her eye inflamed, her face all o'er
Foully besmear'd with human gore,
O'er heaps of mangled saints she rode;
Fast at her heels Death proudly strode,
And grimly smiled, well pleased to see
Such havoc of mortality;
Close by her side, on mischief bent,
And urging on each bad intent
To its full bearing, savage, wild,
The mother fit of such a child,
Striving the empire to advance
Of Sin and Death, came Ignorance.
With looks, where dread command was placed,
And sovereign power by pride disgraced,
Where, loudly witnessing a mind
231
Of savage, more than human kind,
Not choosing to be loved, but fear'd,
Mocking at right, Misrule appear'd.
With eyeballs glaring fiery red,
Enough to strike beholders dead,
Gnashing his teeth, and in a flood
Pouring corruption forth and blood
From his chafed jaws; without remorse
Whipping and spurring on his horse,
Whose sides, in their own blood embay'd,
E'en to the bone were open laid,
Came Tyranny, disdaining awe,
And trampling over Sense and Law;
One thing, and only one, he knew,
One object only would pursue;
Though less (so low doth passion bring)
Than man, he would be more than king.
With every argument and art
Which might corrupt the head and heart,
Soothing the frenzy of his mind,
Companion meet, was Flattery join'd;
Winning his carriage, every look
Employed, whilst it conceal'd a hook;
When simple most, most to be fear'd;
Most crafty, when no craft appear'd;
His tales, no man like him could tell;
His words, which melted as they fell,
Might even a hypocrite deceive,
And make an infidel believe,
Wantonly cheating o'er and o'er
Those who had cheated been before:-Such Flattery came, in evil hour,
Poisoning the royal ear of Power,
And, grown by prostitution great,
Would be first minister of state.
Within the chariot, all alone,
High seated on a kind of throne,
With pebbles graced, a figure came,
Whom Justice would, but dare not name.
Hard times when Justice, without fear,
Dare not bring forth to public ear
The names of those who dare offend
232
'Gainst Justice, and pervert her end!
But, if the Muse afford me grace,
Description shall supply the place.
In foreign garments he was clad;
Sage ermine o'er the glossy plaid
Cast reverend honour; on his heart,
Wrought by the curious hand of Art,
In silver wrought, and brighter far
Than heavenly or than earthly star,
Shone a White Rose, the emblem dear
Of him he ever must revere;
Of that dread lord, who, with his host
Of faithful native rebels lost,
Like those black spirits doom'd to hell,
At once from power and virtue fell:
Around his clouded brows was placed
A bonnet, most superbly graced
With mighty thistles, nor forgot
The sacred motto--'Touch me not.'
In the right hand a sword he bore
Harder than adamant, and more
Fatal than winds, which from the mouth
Of the rough North invade the South;
The reeking blade to view presents
The blood of helpless innocents,
And on the hilt, as meek become
As lamb before the shearers dumb,
With downcast eye, and solemn show
Of deep, unutterable woe,
Mourning the time when Freedom reign'd,
Fast to a rock was Justice chain'd.
In his left hand, in wax impress'd,
With bells and gewgaws idly dress'd,
An image, cast in baby mould,
He held, and seem'd o'erjoy'd to hold
On this he fix'd his eyes; to this,
Bowing, he gave the loyal kiss,
And, for rebellion fully ripe,
Seem'd to desire the antitype.
What if to that Pretender's foes
His greatness, nay, his life, he owes;
Shall common obligations bind,
233
And shake his constancy of mind?
Scorning such weak and petty chains,
Faithful to James he still remains,
Though he the friend of George appear:
Dissimulation's virtue here.
Jealous and mean, he with a frown
Would awe, and keep all merit down,
Nor would to Truth and Justice bend,
Unless out-bullied by his friend:
Brave with the coward, with the brave
He is himself a coward slave:
Awed by his fears, he has no heart
To take a great and open part:
Mines in a subtle train he springs,
And, secret, saps the ears of kings;
But not e'en there continues firm
'Gainst the resistance of a worm:
Born in a country, where the will
Of one is law to all, he still
Retain'd the infection, with full aim
To spread it wheresoe'er he came;
Freedom he hated, Law defied,
The prostitute of Power and Pride;
Law he with ease explains away,
And leads bewilder'd Sense astray;
Much to the credit of his brain,
Puzzles the cause he can't maintain;
Proceeds on most familiar grounds,
And where he can't convince, confounds;
Talents of rarest stamp and size,
To Nature false, he misapplies,
And turns to poison what was sent
For purposes of nourishment.
Paleness, not such as on his wings
The messenger of Sickness brings,
But such as takes its coward rise
From conscious baseness, conscious vice,
O'erspread his cheeks; Disdain and Pride,
To upstart fortunes ever tied,
Scowl'd on his brow; within his eye,
Insidious, lurking like a spy,
To Caution principled by Fear,
234
Not daring open to appear,
Lodged covert Mischief; Passion hung
On his lip quivering; on his tongue
Fraud dwelt at large; within his breast
All that makes villain found a nest;
All that, on Hell's completest plan,
E'er join'd to damn the heart of man.
Soon as the car reach'd land, he rose,
And, with a look which might have froze
The heart's best blood, which was enough
Had hearts been made of sterner stuff
In cities than elsewhere, to make
The very stoutest quail and quake,
He cast his baleful eyes around:
Fix'd without motion to the ground,
Fear waiting on Surprise, all stood,
And horror chill'd their curdled blood;
No more they thought of pomp, no more
(For they had seen his face before)
Of law they thought; the cause forgot,
Whether it was or ghost, or plot,
Which drew them there: they all stood more
Like statues than they were before.
What could be done? Could Art, could Force.
Or both, direct a proper course
To make this savage monster tame,
Or send him back the way he came?
What neither art, nor force, nor both,
Could do, a Lord of foreign growth,
A Lord to that base wretch allied
In country, not in vice and pride,
Effected; from the self-same land,
(Bad news for our blaspheming band
Of scribblers, but deserving note)
The poison came and antidote.
Abash'd, the monster hung his head,
And like an empty vision fled;
His train, like virgin snows, which run,
Kiss'd by the burning bawdy sun,
To love-sick streams, dissolved in air;
Joy, who from absence seem'd more fair,
Came smiling, freed from slavish Awe;
235
Loyalty, Liberty, and Law,
Impatient of the galling chain,
And yoke of Power, resumed their reign;
And, burning with the glorious flame
Of public virtue, Mansfield came.
~ Charles Churchill,#NFDB
1449:The Third Monarchy, Being The Grecian, Beginning
Under Alexander The Great In The 112. Olympiad.
Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
129
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.
Thirty two thousand made up his Foot force,
To which were joyn'd five thousand goodly horse.
Then on he marcht, in's way he view'd old Troy,
And on Achilles tomb with wondrous joy
He offer'd, and for good success did pray
To him, his Mothers Ancestors, (men say)
When news of Alexander came to Court,
To scorn at him Darius had good sport;
Sends him a frothy and contemptuous Letter,
Stiles him disloyal servant, and no better;
Reproves him for his proud audacity
To lift his hand 'gainst such a Monarchy.
Then to's Lieftenant he in Asia sends
That he be ta'ne alive, for he intends
To whip him well with rods, and so to bring
That boy so mallipert before the King.
Ah! fond vain man, whose pen ere while
In lower terms was taught a higher stile.
To River Granick Alexander hyes
Which in Phrygia near Propontike lyes.
The Persians ready for encounter stand,
And strive to keep his men from off the land;
Those banks so steep the Greeks yet scramble up,
And beat the coward Persians from the top,
And twenty thousand of their lives bereave,
Who in their backs did all their wounds receive.
This victory did Alexander gain,
With loss of thirty four of his there slain;
Then Sardis he, and Ephesus did gain,
130
VVhere stood of late, Diana's wondrous Phane,
And by Parmenio (of renowned Fame,)
Miletus and Pamphilia overcame.
Hallicarnassus and Pisidia
He for his Master takes with Lycia.
Next Alexander marcht towards the black Sea,
And easily takes old Gordium in his way;
Of Ass ear'd Midas, once the Regal Seat,
VVhose touch turn'd all to gold, yea even his meat
VVhere the Prophetick knot he cuts in twain,
VVhich who so doth, must Lord of all remain.
Now news of Memnon's death (the Kings Viceroy)
To Alexanders heart's no little joy,
For in that Peer, more valour did abide,
Then in Darius multitude beside:
In's stead, was Arses plac'd, but durst not stay,
Yet set one in his room, and ran away;
His substitute as fearfull as his master,
Runs after two, and leaves all to Disaster.
Then Alexander all Cilicia takes,
No stroke for it he struck, their hearts so quakes.
To Greece he thirty thousand talents sends,
To raise more Force to further his intends:
Then o're he goes Darius now to meet,
Who came with thousand thousands at his feet.
Though some there be (perhaps) more likely write
He but four hundred thousand had to fight,
The rest Attendants, which made up no less,
Both Sexes there was almost numberless.
For this wise King had brought to see the sport,
With him the greatest Ladyes of the Court,
His mother, his beauteous Queen and daughters,
It seems to see the Macedonian slaughters.
Its much beyond my time and little art,
To shew how great Darius plaid his part;
The splendor and the pomp he marched in,
For since the world was no such Pageant seen.
Sure 'twas a goodly sight there to behold,
The Persians clad in silk, and glistering gold,
The stately horses trapt, the lances gilt,
As if addrest now all to run a tilt.
The holy fire was borne before the host,
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(For Sun and Fire the Persians worship most)
The Priests in their strange habit follow after,
An object, not so much of fear as laughter.
The King sate in a chariot made of gold,
With crown and Robes most glorious to behold,
And o're his head his golden Gods on high,
Support a party coloured Canopy.
A number of spare horses next were led,
Lest he should need them in his Chariots stead;
But those that saw him in this state to lye,
Suppos'd he neither meant to fight nor flye.
He fifteen hundred had like women drest;
For thus to fright the Greeks he judg'd was best.
Their golden ornaments how to set forth,
Would ask more time then was their bodies worth
Great Sysigambis she brought up the Reer,
Then such a world of waggons did appear,
Like several houses moving upon wheels,
As if she'd drawn whole Shushan at her heels:
This brave Virago to the King was mother,
And as much good she did as any other.
Now lest this gold, and all this goodly stuff
Had not been spoyle and booty rich enough
A thousand mules and Camels ready wait
Loaden with gold, with jewels and with plate:
For sure Darius thought at the first sight,
The Greeks would all adore, but none would fight
But when both Armies met, he might behold
That valour was more worth then pearls or gold,
And that his wealth serv'd but for baits to 'lure
To make his overthrow more fierce and sure.
The Greeks came on and with a gallant grace
Let fly their arrows in the Persians face.
The cowards feeling this sharp stinging charge
Most basely ran, and left their king at large:
Who from his golden coach is glad to 'light,
And cast away his crown for swifter flight:
Of late like some immoveable he lay,
Now finds both legs and horse to run away.
Two hundred thousand men that day were slain,
And forty thousand prisoners also tane,
Besides the Queens and Ladies of the court,
132
If Curtius be true in his report.
The Regal Ornaments were lost, the treasure
Divided at the Macedonians pleasure;
Yet all this grief, this loss, this overthrow,
Was but beginning of his future woe.
The royal Captives brought to Alexander
T'ward them demean'd himself like a Commander
For though their beauties were unparaled,
Conquer'd himself now he had conquered,
Preserv'd their honour, us'd them bounteously,
Commands no man should doe them injury:
And this to Alexander is more fame
Then that the Persian King he overcame.
Two hundred eighty Greeks he lost in fight,
By too much heat, not wounds (as authors write)
No sooner had this Victor won the field,
But all Phenicia to his pleasure yield,
Of which the Goverment he doth commit
Unto Parmenio of all most fit.
Darius now less lofty then before,
To Alexander writes he would restore
Those mournfull Ladies from Captivity,
For whom he offers him a ransome high:
But down his haughty stomach could not bring,
To give this Conquerour the Stile of King.
This Letter Alexander doth disdain,
And in short terms sends this reply again,
A King he was, and that not only so,
But of Darius King, as he should know.
Next Alexander unto Tyre doth goe,
His valour and his victoryes they know:
To gain his love the Tyrians intend,
Therefore a crown and great Provision send,
Their present he receives with thankfullness,
Desires to offer unto Hercules,
Protector of their town, by whom defended,
And from whom he lineally descended.
But they accept not this in any wise,
Lest he intend more fraud then sacrifice,
Sent word that Hercules his temple stood
In the old town, (which then lay like a wood)
With this reply he was so deep enrag'd,
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To win the town, his honour he ingag'd:
And now as Babels King did once before,
He leaves not till he made the sea firm shore,
But far less time and cost he did expend,
The former Ruines forwarded his end:
Moreover had a Navy at command,
The other by his men fetcht all by land.
In seven months time he took that wealthy town,
Whose glory now a second time's brought down.
Two thousand of the chief he crucifi'd,
Eight thousand by the sword then also di'd,
And thirteen thousand Gally slaves he made,
And thus the Tyrians for mistrust were paid.
The rule of this he to Philotas gave
Who was the son of that Parmenio brave.
Cilicia to Socrates doth give,
For now's the time Captains like Kings may live.
Zidon he on Ephestion bestowes;
(For that which freely comes, as freely goes)
He scorns to have one worse then had the other,
So gives his little Lordship to another.
Ephestion having chief command of th'Fleet,
At Gaza now must Alexander meet.
Darius finding troubles still increase,
By his Ambassadors now sues for peace,
And layes before great Alexanders eyes
The dangers difficultyes like to rise,
First at Euphrates what he's like to 'bide,
And then at Tygris and Araxis side,
These he may scape, and if he so desire,
A league of friendship make firm and entire.
His eldest daughter he in mariage profers,
And a most princely dowry with her offers.
All those rich Kingdomes large that do abide
Betwixt the Hellespont and Halys side.
But he with scorn his courtesie rejects,
And the distressed King no whit respects,
Tells him, these proffers great, in truth were none
For all he offers now was but his own.
But quoth Parmenio that brave Commander,
Was I as great, as is great Alexander,
Darius offers I would not reject,
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But th'kingdomes and the Lady soon accept.
To which proud Alexander made reply,
And so if I Parmenio was, would I.
He now to Gaza goes, and there doth meet,
His Favorite Ephestion with his Fleet,
Where valiant Betis stoutly keeps the town,
(A loyal Subject to Darius Crown)
For more repulse the Grecians here abide
Then in the Persian Monarchy beside;
And by these walls so many men were slain,
That Greece was forc'd to yield supply again.
But yet this well defended Town was taken,
For 'twas decree'd, that Empire should be shaken;
Thus Betis ta'en had holes bor'd through his feet,
And by command was drawn through every street
To imitate Achilles in his shame,
Who did the like to Hector (of more fame)
What hast thou lost thy magnimity,
Can Alexander deal thus cruelly?
Sith valour with Heroicks is renown'd,
Though in an Enemy it should be found;
If of thy future fame thou hadst regard,
Why didst not heap up honours and reward?
From Gaza to Jerusalem he goes,
But in no hostile way, (as I suppose)
Him in his Priestly Robes high Jaddus meets,
Whom with great reverence Alexander greets;
The Priest shews him good Daniel's Prophesy,
How he should overthrow this Monarchy,
By which he was so much encouraged,
No future dangers he did ever dread.
From thence to fruitful Egypt marcht with speed,
Where happily in's wars he did succeed;
To see how fast he gain'd was no small wonder,
For in few dayes he brought that Kingdome under.
Then to the Phane of Jupiter he went,
To be install'd a God, was his intent.
The Pagan Priest through hire, or else mistake,
The Son of Jupiter did streight him make:
He Diobolical must needs remain,
That his humanity will not retain.
Thence back to Egypt goes, and in few dayes;
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Fair Alexandria from the ground doth raise;
Then setling all things in less Asia;
In Syria, Egypt, and Phenicia,
Unto Euphrates marcht and overgoes,
For no man's there his Army to oppose;
Had Betis now been there but with his band,
Great Alexander had been kept from Land.
But as the King, so is the multitude,
And now of valour both are destitute.
Yet he (poor prince) another Host doth muster,
Of Persians, Scythians, Indians in a cluster;
Men but in shape and name, of valour none
Most fit, to blunt the Swords of Macedon.
Two hundred fifty thousand by account,
Of Horse and Foot his Army did amount;
For in his multitudes his trust still lay,
But on their fortitude he had small stay;
Yet had some hope that on the spacious plain,
His numbers might the victory obtain.
About this time Darius beautious Queen,
Who had sore travail and much sorrow seen,
Now bids the world adue, with pain being spent,
Whose death her Lord full sadly did lament.
Great Alexander mourns as well as he,
The more because not set at liberty;
When this sad news (at first Darius hears,
Some injury was offered he fears:
But when inform'd how royally the King,
Had used her, and hers, in every thing,
He prays the immortal Gods they would reward
Great Alexander for this good regard;
And if they down his Monarchy will throw,
Let them on him this dignity bestow.
And now for peace he sues as once before,
And offers all he did and Kingdomes more;
His eldest daughter for his princely bride,
(Nor was such match in all the world beside)
And all those Countryes which (betwixt) did lye
Phanisian Sea, and great Euphrates high:
With fertile Egypt and rich Syria,
And all those Kingdomes in less Asia.
With thirty thousand Talents to be paid,
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For the Queen Mother, and the royal maid;
And till all this be well perform'd, and sure,
Ochus his Son for Hostage should endure.
To this stout Alexander gives no ear,
No though Parmenio plead, yet will not hear;
Which had he done. (perhaps) his fame he'd kept,
Nor Infamy had wak'd, when he had slept,
For his unlimited prosperity
Him boundless made in vice and Cruelty.
Thus to Darius he writes back again,
The Firmament, two Suns cannot contain.
Two Monarchyes on Earth cannot abide,
Nor yet two Monarchs in one world reside;
The afflicted King finding him set to jar,
Prepares against to morrow, for the war,
Parmenio, Alexander, wisht that night,
To force his Camp, so vanquish them by flight.
For tumult in the night doth cause most dread,
And weakness of a Foe is covered,
But he disdain'd to steal a victory:
The Sun should witness of his valour be,
And careless in his bed, next morne he lyes,
By Captains twice is call'd before hee'l rise,
The Armyes joyn'd a while, the Persians fight,
And spilt the Greeks some bloud before their flight
But long they stood not e're they're forc'd to run,
So made an end, As soon as well begun.
Forty five thousand Alexander had,
But is not known what slaughter here was made,
Some write th'other had a million, some more,
But Quintus Curtius as before.
At Arbela this victory was gain'd,
Together with the Town also obtain'd;
Darius stript of all to Media came,
Accompan'ed with sorrow, fear, and shame,
At Arbela left his Ornaments and Treasure,
Which Alexander deals as suits his pleasure.
This conqueror to Babylon then goes,
Is entertain'd with joy and pompous showes,
With showrs of flours the streets along are strown,
And incense burnt the silver Altars on.
The glory of the Castle he admires,
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The strong Foundation and the lofty Spires,
In this, a world of gold and Treasure lay,
Which in few hours was carried all away.
With greedy eyes he views this City round,
Whose fame throughout the world was so renownd
And to possess he counts no little bliss
The towres and bowres of proud Semiramis,
Though worne by time, and rac'd by foes full sore,
Yet old foundations shew'd and somewhat more.
With all the pleasures that on earth are found,
This city did abundantly abound,
Where four and thirty dayes he now did stay,
And gave himself to banqueting and play:
He and his souldiers wax effeminate,
And former discipline begin to hate.
Whilst revelling at Babylon he lyes,
Antipater from Greece sends fresh supplyes.
He then to Shushan goes with his new bands,
But needs no force, tis rendred to his hands.
He likewise here a world of treasure found;
For 'twas the seat of Persian Kings renownd.
Here stood the royal Houses of delight,
Where Kings have shown their glory wealth and might
The sumptuous palace of Queen Esther here,
And of good Mordicai, her kinsman dear,
Those purple hangings, mixt with green and white
Those beds of gold, and couches of delight.
And furniture the richest in all lands,
Now fall into the Macedonians hands.
From Shushan to Persipolis he goes,
Which news doth still augment Darius woes.
In his approach the governour sends word,
For his receipt with joy they all accord,
With open gates the wealthy town did stand,
And all in it was at his high command.
Of all the Cities that on earth was found,
None like to this in riches did abound:
Though Babylon was rich and Shushan too
Yet to compare with this they might not doe:
Here lay the bulk of all those precious things
That did pertain unto the Persian Kings:
For when the souldiers rifled had their pleasure,
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And taken money plate and golden treasure,
Statues some gold, and silver numberless,
Yet after all, as storyes do express
The share of Alexander did amount
To an hundred thousand talents by account.
Here of his own he sets a Garison,
(As first at Shushan and at Babylon)
On their old Governours titles he laid,
But on their faithfulness he never staid,
Their place gave to his Captains (as was just)
For such revolters false, what King can trust?
The riches and the pleasures of this town
Now makes this King his virtues all to drown,
That wallowing in all licentiousness,
In pride and cruelty to high excess.
Being inflam'd with wine upon a season,
Filled with madness, and quite void of reason,
He at a bold proud strumpets leud desire,
Commands to set this goodly town on fire.
Parmenio wise intreats him to desist
And layes before his eyes if he persist
His fames dishonour, loss unto his state,
And just procuring of the Persians hate:
But deaf to reason, bent to have his will,
Those stately streets with raging flame did fill.
Then to Darius he directs his way,
Who was retir'd as far as Media,
And there with sorrows, fears & cares surrounded
Had now his army fourth and last compounded.
Which forty thousand made, but his intent
Was these in Bactria soon to augment:
But hearing Alexander was so near,
Thought now this once to try his fortunes here,
And rather chose an honourable death,
Then still with infamy to draw his breath:
But Bessus false, who was his chief Commander
Perswades him not to fight with Alexander.
With sage advice he sets before his eyes
The little hope of profit like to rise:
If when he'd multitudes the day he lost,
Then with so few, how likely to be crost.
This counsel for his safety he pretended,
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But to deliver him to's foe intended.
Next day this treason to Darius known
Transported sore with grief and passion,
Grinding his teeth, and plucking off his hair,
Sate overwhelm'd with sorrow and dispair:
Then bids his servant Artabasus true,
Look to himself, and leave him to that crew,
Who was of hopes and comforts quite bereft,
And by his guard and Servitors all left.
Straight Bessus comes, & with his trait'rous hands
Layes hold on's Lord, and binding him with bands
Throws him into a Cart, covered with hides,
Who wanting means t'resist these wrongs abides,
Then draws the cart along with chains of gold,
In more despight the thraled prince to hold,
And thus t'ward Alexander on he goes,
Great recompence for this, he did propose:
But some detesting this his wicked fact,
To Alexander flyes and tells this act,
Who doubling of his march, posts on amain,
Darius from that traitors hands to gain.
Bessus gets knowledg his disloyalty
Had Alexanders wrath incensed high,
Whose army now was almost within sight,
His hopes being dasht prepares himself for flight:
Unto Darius first he brings a horse,
And bids him save himself by speedy course:
The wofull King his courtesie refuses,
Whom thus the execrable wretch abuses,
By throwing darts gave him his mortal wound,
Then slew his Servants that were faithfull found,
Yea wounds the beasts that drew him unto death,
And leaves him thus to gasp out his last breath.
Bessus his partner in this tragedy,
Was the false Governour of Media.
This done, they with their host soon speed away,
To hide themselves remote in Bactria.
Darius bath'd in blood, sends out his groans,
Invokes the heav'ns and earth to hear his moans:
His lost felicity did grieve him sore,
But this unheard of treachery much more:
But above all, that neither Ear nor Eye
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Should hear nor see his dying misery;
As thus he lay, Polistrates a Greek,
Wearied with his long march, did water seek,
So chanc'd these bloudy Horses to espy,
Whose wounds had made their skins of purple dye
To them repairs then looking in the Cart,
Finds poor Darius pierced to the heart,
Who not a little chear'd to have some eye,
The witness of this horrid Tragedy;
Prays him to Alexander to commend
The just revenge of this his woful end:
And not to pardon such disloyalty,
Of Treason, Murther, and base Cruelty.
If not, because Darius thus did pray,
Yet that succeeding Kings in safety may
Their lives enjoy, their Crowns and dignity,
And not by Traitors hands untimely dye.
He also sends his humble thankfulness,
For all the Kingly grace he did express;
To's Mother, Children dear, and wife now gone.
Which made their long restraint seem to be none:
Praying the immortal Gods, that Sea and Land
Might be subjected to his royal hand,
And that his Rule as far extended be,
As men the rising, setting Sun shall see,
This said, the Greek for water doth intreat,
To quench his thirst, and to allay his heat:
Of all good things (quoth he) once in my power,
I've nothing left, at this my dying hour;
Thy service and compassion to reward,
But Alexander will, for this regard.
This said, his fainting breath did fleet away,
And though a Monarch late, now lyes like clay;
And thus must every Son of Adam lye,
Though Gods on Earth like Sons of men they dye.
Now to the East, great Alexander goes,
To see if any dare his might oppose,
For scarce the world or any bounds thereon,
Could bound his boundless fond Ambition;
Such as submits again he doth restore
Their riches, and their honours he makes more,
On Artabaces more then all bestow'd,
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For his fidelity to's Master show'd.
Thalestris Queen of th'Amazons now brought
Her Train to Alexander, (as 'tis thought.)
Though most of reading best and soundest mind,
Such Country there, nor yet such people find.
Then tell her errand, we had better spare
To th'ignorant, her title will declare:
As Alexander in his greatness grows,
So dayly of his virtues doth he lose.
He baseness counts, his former Clemency,
And not beseeming such a dignity;
His past sobriety doth also bate,
As most incompatible to his State;
His temperance is but a sordid thing,
No wayes becoming such a mighty King;
His greatness now he takes to represent
His fancy'd Gods above the Firmament.
And such as shew'd but reverence before,
Now are commanded strictly to adore;
With Persian Robes himself doth dignifie,
Charging the same on his nobility,
His manners habit, gestures, all did fashion
After that conquer'd and luxurious Nation.
His Captains that were virtuously inclin'd,
Griev'd at this change of manners and of mind.
The ruder sort did openly deride,
His feigned Diety and foolish pride;
The certainty of both comes to his Ears,
But yet no notice takes of what he hears:
With those of worth he still desires esteem,
So heaps up gifts his credit to redeem
And for the rest new wars and travails finds,
That other matters might take up their minds,
And hearing Bessus, makes himself a King,
Intends that Traitor to his end to bring.
Now that his Host from luggage might be free,
And with his burthen no man burthened be;
Commands forthwith each man his fardle bring,
Into the market place before the King;
VVhich done, sets fire upon those goodly spoyles,
The recompence of travails wars and toyles.
And thus unwisely in a mading fume,
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The wealth of many Kingdomes did consume,
But marvell 'tis that without mutiny,
The Souldiers should let pass this injury;
Nor wonder less to Readers may it bring,
Here to observe the rashness of the King.
Now with his Army doth he post away
False Bessus to find out in Bactria:
But much distrest for water in their march,
The drought and heat their bodies sore did parch.
At length they came to th'river Oxus brink,
Where so immoderately these thirsty drink,
Which more mortality to them did bring,
Then all their warrs against the Persian King.
Here Alexander's almost at a stand,
To pass the River to the other land.
For boats here's none, nor near it any wood,
To make them Rafts to waft them o're the flood:
But he that was resolved in his mind,
Would without means some transportation find.
Then from the Carriages the hides he takes,
And stuffing them with straw, he bundles makes.
On these together ti'd, in six dayes space,
They all pass over to the other place.
Had Bessus had but valour to his will,
With little pain there might have kept them still:
But Coward durst not fight, nor could he fly,
Hated of all for's former treachery,
Is by his own now bound in iron chains,
A Coller of the same, his neck contains.
And in this sort they rather drag then bring
This Malefactor vile before the King,
Who to Darius brother gives the wretch,
With racks and tortures every limb to stretch.
Here was of Greeks a town in Bactria,
Whom Xerxes from their Country led away,
These not a little joy'd, this day to see,
Wherein their own had got the sov'raignty
And now reviv'd, with hopes held up their head
From bondage long to be Enfranchised.
But Alexander puts them to the sword
Without least cause from them in deed or word;
Nor Sex, nor age, nor one, nor other spar'd,
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But in his cruelty alike they shar'd:
Nor reason could he give for this great wrong,
But that they had forgot their mother tongue.
While thus some time he spent in Bactria,
And in his camp strong and securely lay,
Down from the mountains twenty thousand came
And there most fiercely set upon the same:
Repelling these, two marks of honour got
Imprinted in his leg, by arrows shot.
The Bactrians against him now rebel;
But he their stubborness in time doth quell.
From hence he to Jaxartis River goes,
Where Scythians rude his army doth oppose,
And with their outcryes in an hideous sort
Beset his camp, or military court,
Of darts and arrows, made so little spare,
They flew so thick, they seem'd to dark the air:
But soon his souldiers forc'd them to a flight,
Their nakedness could not endure their might.
Upon this rivers bank in seventeen dayes
A goodly City doth compleatly raise,
Which Alexandria he doth likewise name,
And sixty furlongs could but round the same.
A third Supply Antipater now sent,
Which did his former forces much augment;
And being one hundred twenty thousand strong;
He enters then the Indian Kings among:
Those that submit, he gives them rule again,
Such as do not, both them and theirs are slain.
His warrs with sundry nations I'le omit,
And also of the Mallians what is writ.
His Fights, his dangers, and the hurts he had,
How to submit their necks at last they're glad.
To Nisa goes by Bacchus built long since,
Whose feasts are celebrated by this prince;
Nor had that drunken god one who would take
His Liquors more devoutly for his sake.
When thus ten days his brain with wine he'd soakt,
And with delicious meats his palate choakt:
To th'River Indus next his course he bends,
Boats to prepare, Ephestion first he sends,
Who coming thither long before his Lord,
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Had to his mind made all things to accord,
The vessels ready were at his command,
And Omphis King of that part of the land,
Through his perswasion Alexander meets,
And as his Sov'raign Lord him humbly greets
Fifty six Elephants he brings to's hand,
And tenders him the strength of all his land;
Presents himself first with a golden crown,
Then eighty talents to his captains down:
But Alexander made him to behold
He glory sought, no silver nor no gold;
His presents all with thanks he did restore,
And of his own a thousand talents more.
Thus all the Indian Kings to him submit,
But Porus stout, who will not yeild as yet:
To him doth Alexander thus declare,
His pleasure is that forthwith he repair
Unto his Kingdomes borders, and as due,
His homage to himself as Soveraign doe:
But kingly Porus this brave answer sent,
That to attend him there was his intent,
And come as well provided as he could,
But for the rest, his sword advise him should.
Great Alexander vext at this reply,
Did more his valour then his crown envy,
Is now resolv'd to pass Hydaspes flood,
And there by force his soveraignty make good.
Stout Porus on the banks doth ready stand
To give him welcome when he comes to land.
A potent army with him like a King,
And ninety Elephants for warr did bring:
Had Alexander such resistance seen
On Tygris side, here now he had not been.
Within this spacious River deep and wide
Did here and there Isles full of trees abide.
His army Alexander doth divide
With Ptolemy sends part to th'other side;
Porus encounters them and thinks all's there,
When covertly the rest get o're else where,
And whilst the first he valiantly assail'd,
The last set on his back, and so prevail'd.
Yet work enough here Alexander found,
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For to the last stout Porus kept his ground:
Nor was't dishonour at the length to yield,
When Alexander strives to win the field.
The kingly Captive 'fore the Victor's brought,
In looks or gesture not abased ought,
But him a Prince of an undaunted mind
Did Alexander by his answers find:
His fortitude his royal foe commends,
Restores him and his bounds farther extends.
Now eastward Alexander would goe still,
But so to doe his souldiers had no will,
Long with excessive travails wearied,
Could by no means be farther drawn or led,
Yet that his fame might to posterity
Be had in everlasting memory,
Doth for his Camp a greater circuit take,
And for his souldiers larger Cabbins make.
His mangers he erected up so high
As never horse his Provender could eye.
Huge bridles made, which here and there he left,
Which might be found, and for great wonders kept
Twelve altars then for monuments he rears,
Whereon his acts and travels long appears.
But doubting wearing time might these decay,
And so his memory would fade away,
He on the fair Hydaspes pleasant side,
Two Cities built, his name might there abide,
First Nicea, the next Bucephalon,
Where he entomb'd his stately Stalion.
His fourth and last supply was hither sent,
Then down Hydaspes with his Fleet he went;
Some time he after spent upon that shore,
Whether Ambassadors, ninety or more,
Came with submission from the Indian Kings,
Bringing their presents rare, and precious things,
These all he feasts in state on beds of gold,
His Furniture most sumptuous to behold;
His meat & drink, attendants, every thing,
To th'utmost shew'd the glory of a King.
With rich rewards he sent them home again,
Acknowledged their Masters sovereign;
Then sailing South, and coming to that shore,
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Those obscure Nations yielded as before:
A City here he built, call'd by his Name,
Which could not sound too oft with too much fame
Then sailing by the mouth of Indus floud,
His Gallyes stuck upon the flats and mud;
Which the stout Macedonians amazed sore,
Depriv'd at once the use of Sail and Oar:
Observing well the nature of the Tide,
In those their fears they did not long abide.
Passing fair Indus mouth his course he steer'd
To th'coast which by Euphrates mouth appear'd;
Whose inlets near unto, he winter spent,
Unto his starved Souldiers small content,
By hunger and by cold so many slain,
That of them all the fourth did scarce remain.
Thus winter, Souldiers, and provisions spent,
From hence he then unto Gedrosia went.
And thence he marcht into Carmania,
And so at length drew near to Persia,
Now through these goodly Countryes as he past,
Much time in feasts and ryoting did waste;
Then visits Cyrus Sepulchre in's way,
Who now obscure at Passagardis lay:
Upon his Monument his Robe he spread,
And set his Crown on his supposed head.
From hence to Babylon, some time there spent,
He at the last to royal Shushan went;
A wedding Feast to's Nobles then he makes,
And Statyra, Darius daughter takes,
Her Sister gives to his Ephestian dear,
That by this match he might be yet more near;
He fourscore Persian Ladies also gave,
At this same time unto his Captains brave:
Six thousand guests unto this Feast invites,
Whose Sences all were glutted with delights.
It far exceeds my mean abilities
To shadow forth these short felicities,
Spectators here could scarce relate the story,
They were so rapt with this external glory:
If an Ideal Paradise a man would frame,
He might this Feast imagine by the same;
To every guess a cup of gold he sends,
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So after many dayes the Banquet ends.
Now Alexanders conquests all are done,
And his long Travails past and overgone;
His virtues dead, buried, and quite forgot,
But vice remains to his Eternal blot.
'Mongst those that of his cruelty did tast,
Philotus was not least, nor yet the last,
Accus'd because he did not certifie
The King of treason and conspiracy:
Upon suspition being apprehended,
Nothing was prov'd wherein he had offended
But silence, which was of such consequence,
He was judg'd guilty of the same offence,
But for his fathers great deserts the King
His royal pardon gave for this foul thing.
Yet is Phylotas unto judgment brought,
Must suffer, not for what is prov'd, but thought.
His master is accuser, judge and King,
Who to the height doth aggravate each thing,
Inveighs against his father now absent,
And's brethren who for him their lives had spent.
But Philotas his unpardonable crime,
No merit could obliterate, or time:
He did the Oracle of Jove deride,
By which his Majesty was diefi'd.
Philotas thus o'recharg'd with wrong and grief
Sunk in despair without hope of Relief,
Fain would have spoke and made his own defence,
The King would give no ear, but went from thence
To his malicious Foes delivers him,
To wreak their spight and hate on every limb.
Philotas after him sends out this cry,
O Alexander, thy free clemency
My foes exceeds in malice, and their hate
Thy kingly word can easily terminate.
Such torments great as wit could worst invent,
Or flesh and life could bear, till both were spent
Were now inflicted on Parmenio's son
He might accuse himself, as they had done,
At last he did, so they were justifi'd,
And told the world, that for his guilt he di'd.
But how these Captains should, or yet their master
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Look on Parmenio, after this disaster
They knew not, wherefore best now to be done,
Was to dispatch the father as the son.
This sound advice at heart pleas'd Alexander,
Who was so much ingag'd to this Commander,
As he would ne're confess, nor yet reward,
Nor could his Captains bear so great regard:
Wherefore at once, all these to satisfie,
It was decreed Parmenio should dye:
Polidamus, who seem'd Parmenio's friend
To do this deed they into Media send:
He walking in his garden to and fro,
Fearing no harm, because he none did doe,
Most wickedly was slain without least crime,
(The most renowned captain of his time)
This is Parmenio who so much had done
For Philip dead, and his surviving son,
Who from a petty King of Macedon
By him was set upon the Persian throne,
This that Parmenio who still overcame,
Yet gave his Master the immortal fame,
Who for his prudence, valour, care and trust
Had this reward, most cruel and unjust.
The next, who in untimely death had part,
Was one of more esteem, but less desert;
Clitus belov'd next to Ephestian,
And in his cups his chief companion;
When both were drunk, Clitus was wont to jeer,
Alexander to rage, to kill, and swear;
Nothing more pleasing to mad Clitus tongue,
Then's Masters Godhead to defie and wrong;
Nothing toucht Alexander to the quick,
Like this against his Diety to kick:
Both at a Feast when they had tippled well,
Upon this dangerous Theam fond Clitus fell;
From jest to earnest, and at last so bold,
That of Parmenio's death him plainly told.
Which Alexanders wrath incens'd so high,
Nought but his life for this could satisfie;
From one stood by he snatcht a partizan,
And in a rage him through the body ran,
Next day he tore his face for what he'd done,
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And would have slain himself for Clitus gone:
This pot Companion he did more bemoan,
Then all the wrongs to brave Parmenio done.
The next of worth that suffered after these,
Was learned, virtuous, wise Calisthenes,
VVho lov'd his Master more then did the rest,
As did appear, in flattering him the least;
In his esteem a God he could not be,
Nor would adore him for a Diety:
For this alone and for no other cause,
Against his Sovereign, or against his Laws,
He on the Rack his Limbs in pieces rent,
Thus was he tortur'd till his life was spent.
Of this unkingly act doth Seneca
This censure pass, and not unwisely say,
Of Alexander this th'eternal crime,
VVhich shall not be obliterate by time.
VVhich virtues fame can ne're redeem by far,
Nor all felicity of his in war.
VVhen e're 'tis said he thousand thousands slew,
Yea, and Calisthenes to death he drew.
The mighty Persian King he overcame,
Yea, and he kill'd Calistthenes of fame.
All Countryes, Kingdomes, Provinces, he wan
From Hellispont, to th'farthest Ocean.
All this he did, who knows' not to be true?
But yet withal, Catisthenes he slew.
From Macedon, his Empire did extend
Unto the utmost bounds o' th'orient:
All this he did, yea, and much more, 'tis true,
But yet withal, Catisthenes he slew.
Now Alexander goes to Media,
Finds there the want of wise Parmenio;
Here his chief favourite Ephestian dies,
He celebrates his mournful obsequies:
Hangs his Physitian, the Reason why
He suffered, his friend Ephestian dye.
This act (me-thinks) his Godhead should a shame,
To punish where himself deserved blame;
Or of necessity he must imply,
The other was the greatest Diety.
The Mules and Horses are for sorrow shorne,
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The battlements from off the walls are torne.
Of stately Ecbatane who now must shew,
A rueful face in this so general woe;
Twelve thousand Talents also did intend,
Upon a sumptuous monument to spend:
What e're he did, or thought not so content,
His messenger to Jupiter he sent,
That by his leave his friend Ephestion,
Among the Demy Gods they might inthrone.
From Media to Babylon he went,
To meet him there t'Antipater he'd sent,
That he might act also upon the Stage,
And in a Tragedy there end his age.
The Queen Olimpias bears him deadly hate,
Not suffering her to meddle with the State,
And by her Letters did her Son incite,
This great indignity he should requite;
His doing so, no whit displeas'd the King,
Though to his Mother he disprov'd the thing.
But now Antipater had liv'd so long,
He might well dye though he had done no wrong;
His service great is suddenly forgot,
Or if remembred, yet regarded not:
The King doth intimate 'twas his intent,
His honours and his riches to augment;
Of larger Provinces the rule to give,
And for his Counsel near the King to live.
So to be caught, Antipater's too wise,
Parmenio's death's too fresh before his eyes;
He was too subtil for his crafty foe.
Nor by his baits could be insnared so:
But his excuse with humble thanks he sends,
His Age and journy long he then pretends;
And pardon craves for his unwilling stay,
He shews his grief, he's forc'd to disobey.
Before his Answer came to Babylon,
The thread of Alexanders life was spun;
Poyson had put an end to's dayes ('twas thought)
By Philip and Cassander to him brought,
Sons to Antipater, and bearers of his Cup,
Lest of such like their Father chance to sup;
By others thought, and that more generally,
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That through excessive drinking he did dye:
The thirty third of's Age do all agree,
This Conquerour did yield to destiny.
When this sad news came to Darius Mother,
She laid it more to heart, then any other,
Nor meat, nor drink, nor comfort would she take,
But pin'd in grief till life did her forsake;
All friends she shuns, yea, banished the light,
Till death inwrapt her in perpetual night.
This Monarchs fame must last whilst world doth stand,
And Conquests be talkt of whilest there is land;
His Princely qualities had he retain'd,
Unparalled for ever had remain'd.
But with the world his virtues overcame,
And so with black beclouded, all his fame;
Wise Aristotle Tutor to his youth.
Had so instructed him in moral Truth:
The principles of what he then had learn'd
Might to the last (when sober) be discern'd.
Learning and learned men he much regarded,
And curious Artist evermore rewarded:
The Illiads of Homer he still kept.
And under's pillow laid them when he slept.
Achilles happiness he did envy,
'Cause Homer kept his acts to memory.
Profusely bountifull without desert,
For such as pleas'd him had both wealth and heart
Cruel by nature and by custome too,
As oft his acts throughout his reign doth shew:
Ambitious so, that nought could satisfie,
Vain, thirsting after immortality,
Still fearing that his name might hap to dye,
And fame not last unto eternity.
This Conqueror did oft lament (tis said)
There were no more worlds to be conquered.
This folly great Augustus did deride,
For had he had but wisdome to his pride,
He would had found enough there to be done,
To govern that he had already won.
His thoughts are perisht, he aspires no more,
Nor can he kill or save as heretofore.
A God alive, him all must Idolize,
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Now like a mortal helpless man he lyes.
Of all those Kingdomes large which he had got,
To his Posterity remain'd no jot;
For by that hand which still revengeth bloud,
None of his kindred, nor his race long stood:
But as he took delight much bloud to spill,
So the same cup to his, did others fill.
Four of his Captains now do all divide,
As Daniel before had prophysi'd.
The Leopard down, the four wings 'gan to rise,
The great horn broke, the less did tyranize.
What troubles and contentions did ensue
We may hereafter shew in season due.
Aridæus.
Great Alexander dead, his Armyes left,
Like to that Giant of his Eye bereft;
When of his monstrous bulk it was the guide,
His matchless force no creature could abide.
But by Ulisses having lost his sight,
All men began streight to contemn his might;
For aiming still amiss, his dreadful blows
Did harm himself, but never reacht his Foes.
Now Court and Camp all in confusion be,
A King they'l have, but who, none can agree;
Each Captain wisht this prize to bear away,
But none so hardy found as so durst say:
Great Alexander did leave Issue none,
Except by Artabasus daughter one;
And Roxane fair whom late he married,
Was near her time to be delivered.
By natures right these had enough to claim,
But meaness of their mothers bar'd the same,
Alledg'd by those who by their subtile Plea
Had hope themselves to bear the Crown away.
A Sister Alexander had, but she
Claim'd not, perhaps, her Sex might hindrance be.
After much tumult they at last proclaim'd
His base born brother Aridæus nam'd,
That so under his feeble wit and reign,
Their ends they might the better still attain.
This choice Perdiccas vehemently disclaim'd,
And Babe unborn of Roxane he proclaim'd;
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Some wished him to take the style of King,
Because his Master gave to him his Ring,
And had to him still since Ephestion di'd
More then to th'rest his favour testifi'd.
But he refus'd, with feigned modesty,
Hoping to be elect more generally.
He hold on this occasion should have laid,
For second offer there was never made.
'Mongst these contentions, tumults, jealousies,
Seven dayes the corps of their great master lies
Untoucht, uncovered slighted and neglected,
So much these princes their own ends respected:
A Contemplation to astonish Kings,
That he who late possest all earthly things,
And yet not so content unless that he
Might be esteemed for a Diety;
Now lay a Spectacle to testifie,
The wretchedness of mans mortality.
After some time, when stirs began to calm,
His body did the Egyptians embalme;
His countenance so lively did appear,
That for a while they durst not come so near:
No sign of poyson in his intrails sound,
But all his bowels coloured, well and sound.
Perdiccas seeing Arideus must be King,
Under his name began to rule each thing.
His chief Opponent who Control'd his sway,
Was Meleager whom he would take away,
And by a wile he got him in his power,
So took his life unworthily that hour.
Using the name, and the command of th'King
To authorize his acts in every thing.
The princes seeing Perdiccas power and pride,
For their security did now provide.
Antigonus for his share Asia takes,
And Ptolemy next sure of Egypt makes:
Seleucus afterward held Babylon,
Antipater had long rul'd Macedon.
These now to govern for the king pretends,
But nothing less each one himself intends.
Perdiccas took no province like the rest,
But held command of th'Army (which was best)
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And had a higher project in his head,
His Masters sister secretly to wed:
So to the Lady, covertly he sent,
(That none might know, to frustrate his intent)
But Cleopatra this Suitor did deny,
For Leonatus more lovely in her eye,
To whom she sent a message of her mind,
That if he came good welcome he should find.
In these tumultuous dayes the thralled Greeks,
Their Ancient Liberty afresh now seeks.
And gladly would the yoke shake off, laid on
Sometimes by Philip and his conquering son.
The Athenians force Antipater to fly
To Lamia where he shut up doth lye.
To brave Craterus then he sends with speed
For succours to relieve him in his need.
The like of Leonatus he requires,
(Which at this time well suited his desires)
For to Antipater he now might goe,
His Lady take in th'way, and no man know.
Antiphilus the Athenian General
With speed his Army doth together call;
And Leonatus seeks to stop, that so
He joyne not with Antipater their foe.
The Athenian Army was the greater far,
(Which did his Match with Cleopatra mar)
For fighting still, while there did hope remain
The valiant Chief amidst his foes was slain.
'Mongst all the princes of great Alexander
For personage, none like to this Commander.
Now to Antipater Craterus goes,
Blockt up in Lamia still by his foes,
Long marches through Cilicia he makes,
And the remains of Leonatus takes:
With them and his he into Grecia went,
Antipater releas'd from prisonment:
After which time the Greeks did never more
Act any thing of worth, as heretofore:
But under servitude their necks remain'd,
Nor former liberty or glory gain'd.
Now di'd about the end of th'Lamian war
Demosthenes, that sweet-tongue'd Orator,
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Who fear'd Antipater would take his life
For animating the Athenian strife:
To end his dayes by poison rather chose
Then fall into the hands of mortal foes.
Craterus and Antipater now joyne,
In love and in affinity combine,
Craterus doth his daughter Phila wed
Their friendship might the more be strengthened.
Whilst they in Macedon do thus agree,
In Asia they all asunder be.
Perdiccas griev'd to see the princes bold
So many Kingdomes in their power to hold,
Yet to regain them, how he did not know,
His souldiers 'gainst those captains would not goe
To suffer them go on as they begun,
Was to give way himself might be undone.
With Antipater to joyne he sometimes thought,
That by his help, the rest might low be brought,
But this again dislikes; he would remain,
If not in stile, in deed a soveraign;
(For all the princes of great Alexander
Acknowledged for Chief that old Commander)
Desires the King to goe to Macedon,
Which once was of his Ancestors the throne,
And by his presence there to nullifie
The acts of his Vice-Roy now grown so high.
Antigonus of treason first attaints,
And summons him to answer his complaints.
This he avoids, and ships himself and son,
goes to Antipater and tells what's done.
He and Craterus, both with him do joyne,
And 'gainst Perdiccas all their strength combine.
Brave Ptolemy, to make a fourth then sent
To save himself from danger imminent.
In midst of these garboyles, with wondrous state
His masters funeral doth celebrate:
In Alexandria his tomb he plac'd,
Which eating time hath scarcely yet defac'd.
Two years and more, since natures debt he paid,
And yet till now at quiet was not laid.
Great love did Ptolemy by this act gain,
And made the souldiers on his side remain.
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Perdiccas hears his foes are all combin'd,
'Gainst which to goe, is not resolv'd in mind.
But first 'gainst Ptolemy he judg'd was best,
Neer'st unto him, and farthest from the rest,
Leaves Eumenes the Asian Coast to free
From the invasions of the other three,
And with his army unto Egypt goes
Brave Ptolemy to th'utmost to oppose.
Perdiccas surly cariage, and his pride
Did alinate the souldiers from his side.
But Ptolemy by affability
His sweet demeanour and his courtesie,
Did make his own, firm to his cause remain,
And from the other side did dayly gain.
Perdiccas in his pride did ill intreat
Python of haughty mind, and courage great.
Who could not brook so great indignity,
But of his wrongs his friends doth certifie;
The souldiers 'gainst Perdiccas they incense,
Who vow to make this captain recompence,
And in a rage they rush into his tent,
Knock out his brains: to Ptolemy then went
And offer him his honours, and his place,
With stile of the Protector, him to grace.
Next day into the camp came Ptolemy,
And is receiv'd of all most joyfully.
Their proffers he refus'd with modesty,
Yields them to Python for his courtesie.
With what he held he was now more content,
Then by more trouble to grow eminent.
Now comes there news of a great victory
That Eumenes got of the other three.
Had it but in Perdiccas life ariv'd,
With greater joy it would have been receiv'd.
Thus Ptolemy rich Egypt did retain,
And Python turn'd to Asia again.
Whilst Perdiccas encamp'd in Affrica,
Antigonus did enter Asia,
And fain would Eumenes draw to their side,
But he alone most faithfull did abide:
The other all had Kingdomes in their eye,
But he was true to's masters family,
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Nor could Craterus, whom he much did love.
From his fidelity once make him move:
Two Battles fought, and had of both the best,
And brave Craterus slew among the rest:
For this sad strife he poures out his complaints,
And his beloved foe full sore laments.
I should but snip a story into bits
And his great Acts and glory much eclipse,
To shew the dangers Eumenes befel,
His stratagems wherein he did excel:
His Policies, how he did extricate
Himself from out of Lab'rinths intricate:
He that at large would satisfie his mind,
In Plutarchs Lives his history may find.
For all that should be said, let this suffice,
He was both valiant, faithfull, patient, wise.
Python now chose Protector of the state,
His rule Queen Euridice begins to hate,
Sees Arrideus must not King it long,
If once young Alexander grow more strong,
But that her husband serve for supplement,
To warm his seat, was never her intent.
She knew her birth-right gave her Macedon,
Grand-child to him who once sat on that throne
Who was Perdiccas, Philips eldest brother,
She daughter to his son, who had no other.
Pythons commands, as oft she countermands;
What he appoints, she purposely withstands.
He wearied out at last would needs be gone,
Resign'd his place, and so let all alone:
In's room the souldiers chose Antipater,
Who vext the Queen more then the other far.
From Macedon to Asia he came,
That he might settle matters in the same.
He plac'd, displac'd, control'd rul'd as he list,
And this no man durst question or resist;
For all the nobles of King Alexander
Their bonnets vail'd to him as chief Commander.
When to his pleasure all things they had done,
The King and Queen he takes to Macedon,
Two sons of Alexander, and the rest,
All to be order'd there as he thought best.
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The Army to Antigonus doth leave,
And Government of Asia to him gave.
And thus Antipater the ground-work layes,
On which Antigonus his height doth raise,
Who in few years, the rest so overtops,
For universal Monarchy he hopes.
With Eumenes he diverse Battels fought,
And by his slights to circumvent him sought:
But vain it was to use his policy,
'Gainst him that all deceits could scan and try.
In this Epitome too long to tell
How finely Eumenes did here excell,
And by the self same Traps the other laid,
He to his cost was righteously repaid.
But while these Chieftains doe in Asia fight,
To Greece and Macedon lets turn our sight.
When great Antipater the world must leave,
His place to Polisperchon did bequeath,
Fearing his son Cassander was unstaid,
Too rash to bear that charge, if on him laid.
Antigonus hearing of his decease
On most part of Assyria doth seize.
And Ptolemy next to incroach begins,
All Syria and Phenicia he wins,
Then Polisperchon 'gins to act in's place,
Recalls Olimpias the Court to grace.
Antipater had banish'd her from thence
Into Epire for her great turbulence;
This new Protector's of another mind,
Thinks by her Majesty much help to find.
Cassander like his Father could not see,
This Polisperchons great ability,
Slights his Commands, his actions he disclaims,
And to be chief himself now bends his aims;
Such as his Father had advanc'd to place,
Or by his favours any way had grac'd
Are now at the devotion of the Son,
Prest to accomplish what he would have done;
Besides he was the young Queens favourite,
On whom (t'was thought) she set her chief delight:
Unto these helps at home he seeks out more,
Goes to Antigonus and doth implore,
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By all the Bonds 'twixt him and's Father past,
And for that great gift which he gave him last.
By these and all to grant him some supply,
To take down Polisperchon grown so high;
For this Antigonus did need no spurs,
Hoping to gain yet more by these new stirs,
Streight furnish'd him with a sufficient aid,
And so he quick returns thus well appaid,
With Ships at Sea, an Army for the Land,
His proud opponent hopes soon to withstand.
But in his absence Polisperchon takes
Such friends away as for his Interest makes
By death, by prison, or by banishment,
That no supply by these here might be lent,
Cassander with his Host to Grecia goes,
Whom Polisperchon labours to oppose;
But beaten was at Sea, and foil'd at Land,
Cassanders forces had the upper hand,
Athens with many Towns in Greece beside,
Firm (for his Fathers sake) to him abide.
Whil'st hot in wars these two in Greece remain,
Antigonus doth all in Asia gain;
Still labours Eumenes, would with him side,
But all in vain, he faithful did abide:
Nor Mother could, nor Sons of Alexander,
Put trust in any but in this Commander.
The great ones now began to shew their mind,
And act as opportunity they find.
Aridæus the scorn'd and simple King,
More then he bidden was could act no thing.
Polisperchon for office hoping long,
Thinks to inthrone the Prince when riper grown;
Euridice this injury disdains,
And to Cassandar of this wrong complains.
Hateful the name and house of Alexander,
Was to this proud vindicative Cassander;
He still kept lockt within his memory,
His Fathers danger, with his Family;
Nor thought he that indignity was small,
When Alexander knockt his head to th'wall.
These with his love unto the amorous Queen,
Did make him vow her servant to be seen.
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Olimpias, Aridæus deadly hates,
As all her Husbands, Children by his mates,
She gave him poyson formerly ('tis thought)
Which damage both to mind and body brought;
She now with Polisperchon doth combine,
To make the King by force his Seat resigne:
And her young grand-child in his State inthrone,
That under him, she might rule, all alone.
For aid she goes t'Epire among her friends,
The better to accomplish these her ends;
Euridice hearing what she intends,
In haste unto her friend Cassander sends,
To leave his siege at Tegea, and with speed,
To save the King and her in this their need:
Then by intreaties, promises and Coyne,
Some forces did procure with her to joyn.
Olimpias soon enters Macedon,
The Queen to meet her bravely marches on,
But when her Souldiers saw their ancient Queen,
Calling to mind what sometime she had been;
The wife and Mother of their famous Kings,
Nor darts, nor arrows, now none shoots or flings.
The King and Queen seeing their destiny,
To save their lives t'Amphipolis do fly;
But the old Queen pursues them with her hate,
And needs will have their lives as well as State:
The King by extream torments had his end,
And to the Queen these presents she did send;
A Halter, cup of poyson, and a Sword,
Bids chuse her death, such kindness she'l afford.
The Queen with many a curse, and bitter check,
At length yields to the Halter her fair neck;
Praying that fatal day might quickly haste,
On which Olimpias of the like might taste.
This done the cruel Queen rests not content,
'Gainst all that lov'd Cassander she was bent;
His Brethren, Kinsfolk and his chiefest friends,
That fell within her reach came to their ends:
Dig'd up his brother dead, 'gainst natures right,
And threw his bones about to shew her spight:
The Courtiers wondring at her furious mind,
Wisht in Epire she had been still confin'd.
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In Peloponesus then Cassander lay,
Where hearing of this news he speeds away,
With rage, and with revenge he's hurried on,
To find this cruel Queen in Macedon;
But being stopt, at streight Thermopoly,
Sea passage gets, and lands in Thessaly:
His Army he divides, sends post away,
Polisperchon to hold a while in play;
And with the rest Olimpias pursues,
For all her cruelty, to give her dues.
She with the chief o' th'Court to Pydna flyes,
Well fortifi'd, (and on the Sea it lyes)
There by Cassander she's blockt up so long,
Untill the Famine grows exceeding strong,
Her Couzen of Epire did what he might,
To raise the Siege, and put her Foes to flight.
Cassander is resolved there to remain,
So succours and endeavours proves but vain;
Fain would this wretched Queen capitulate,
Her foe would give no Ear, (such is his hate)
The Souldiers pinched with this scarcity,
By stealth unto Cassander dayly fly;
Olimpias means to hold out to the last,
Expecting nothing but of death to tast:
But his occasions calling him away,
Gives promise for her life, so wins the day.
No sooner had he got her in his hand,
But made in judgement her accusers stand;
And plead the blood of friends and kindreds spilt,
Desiring justice might be done for guilt;
And so was he acquitted of his word,
For justice sake she being put to th'Sword:
This was the end of this most cruel Queen,
Whose fury scarcely parallel'd hath been.
The daughter, sister, Mother, Wife to Kings,
But Royalty no good conditions brings;
To Husbands death ('tis thought) she gave consent,
The murtherer she did so much lament:
With Garlands crown'd his head, bemoan'd his fates,
His Sword unto Apollo consecrates.
Her Outrages too tedious to relate,
How for no cause but her inveterate hate;
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Her Husbands wives and Children after's death,
Some slew, some fry'd, of others stopt the breath:
Now in her Age she's forc'd to tast that Cup,
Which she had others often made to sup.
Now many Towns in Macedon supprest,
And Pellas fain to yield among the rest;
The Funerals Cassander celebrates,
Of Aridæus and his Queen with State:
Among their Ancestors by him they're laid,
And shews of lamentation for them made.
Old Thebes he then rebuilt so much of fame,
And Cassandria rais'd after his name.
But leave him building, others in their Urne,
Let's for a while, now into Asia turn.
True Eumenes endeavours by all Skill,
To keep Antigonus from Shushan still;
Having command o'th' Treasure he can hire,
Such as no threats, nor favour could acquire.
In divers Battels he had good success,
Antigonus came off still honourless;
When Victor oft he'd been, and so might still,
Peucestes did betray him by a wile.
T'Antigonus, who took his Life unjust,
Because he never would forgoe his trust;
Thus lost he all for his fidelity,
Striving t'uphold his Masters Family.
But to a period as that did haste,
So Eumenes (the prop) of death must tast;
All Persia now Antigonus doth gain,
And Master of the Treasure sole remain:
Then with Seleucus streight at odds doth fall,
And he for aid to Ptolomy doth call,
The Princes all begin now to envy
Antigonus, he growing up so high;
Fearing his force, and what might hap e're long,
Enters into a Combination strong,
Seleucus, Ptolemy, Cassander joynes,
Lysimachus to make a fourth combines:
Antigonus desirous of the Greeks,
To make Cassander odious to them seeks,
Sends forth his declarations near and far,
And clears what cause he had to make this war,
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Cassanders outrages at large doth tell,
Shews his ambitious practises as well.
The mother of their King to death he'd put,
His wife and son in prison close had shut:
And aiming now to make himself a king,
And that some title he might seem to bring,
Thessalonica he had newly wed,
Daughter to Philip their renowned head:
Had built and call'd a City by his name,
Which none e're did, but those of royal fame:
And in despight of their two famous Kings
Hatefull Olinthians to Greece rebrings.
Rebellious Thebes he had reedified,
Which their late King in dust had damnified,
Requires them therefore to take up their arms
And to requite this traitor for these harms.
Then Ptolemy would gain the Greeks likewise,
And he declares the others injuryes:
First how he held the Empire in his hands,
Seleucus driven from Goverment and lands,
The valiant Eumenes unjustly slain,
And Lord of royal Shushan did remain;
Therefore requests their help to take him down
Before he wear the universal Crown.
These princes at the sea soon had a fight,
Where great Antigonus was put to flight:
His son at Gaza likewise lost the field,
So Syria to Ptolemy did yield:
And Seleucus recovers Babylon,
Still gaining Countryes eastward he goes on.
Demetrius with Ptolemy did fight,
And coming unawares, put him to flight;
But bravely sends the prisoners back again,
With all the spoyle and booty he had tane.
Courteous as noble Ptolemy, or more,
VVho at Gaza did the like to him before.
Antigonus did much rejoyce, his son
VVith victory, his lost repute had won.
At last these princes tired out with warrs,
Sought for a peace, and laid aside their jarrs:
The terms of their agreement, thus express
That each should hold what now he did possess,
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Till Alexander unto age was grown,
VVho then should be enstalled in the throne.
This toucht Cassander sore for what he'd done,
Imprisoning both the mother and the son:
He sees the Greeks now favour their young Prince
Whom he in durance held, now, and long since,
That in few years he must be forc'd or glad,
To render up such Kingdomes as he had;
Resolves to quit his fears by one deed done,
So puts to death the Mother and her Son.
This Roxane for her beauty all commend,
But for one act she did, just was her end.
No sooner was great Alexander dead,
But she Darius daughters murthered.
Both thrown into a well to hide her blot,
Perdiccas was her Partner in this plot.
The heavens seem'd slow in paying her the same;
But at the last the hand of vengeance came.
And for that double fact which she had done,
The life of her must goe, and of her son
Perdiccas had before for his amiss,
But by their hands who thought not once of this.
Cassanders deed the princes do detest,
But 'twas in shew; in heart it pleas'd them best.
That he is odious to the world, they'r glad:
And now they were free Lords of what they had.
When this foul tragedy was past and done,
Polysperchon brings the other son
Call'd Hercules, and elder then his brother,
(But Olimpias would prefer the other)
The Greeks toucht with the murther done of late,
This Orphan prince 'gan to compassionate,
Begin to mutter much 'gainst proud Cassander,
And place their hopes on th'heir of Alexander.
Cassander fear'd what might of this ensue,
So Polisperchon to his counsel drew,
And gives Peloponesus for his hire,
Who slew the prince according to desire.
Thus was the race and house of Alexander
Extinct by this inhumane wretch Cassander.
Antigonus, for all this doth not mourn,
He knows to's profit, this at last will turn,
165
But that some Title now he might pretend,
To Cleopatra doth for marriage send;
Lysimachus and Ptolemy the same,
And lewd Cassander too, sticks not for shame:
She then in Lydia at Sardis lay,
Where by Embassage all these Princes pray.
Choice above all, of Ptolemy she makes,
With his Embassador her journy takes;
Antigonus Lieutenant stayes her still,
Untill he further know his Masters will:
Antigonus now had a Wolf by th'Ears,
To hold her still, or let her go he fears.
Resolves at last the Princess should be slain,
So hinders him of her, he could not gain;
Her women are appointed for this deed,
They for their great reward no better speed:
For by command, they streight were put to death,
As vile Conspirators that stopt her breath.
And now he hopes, he's order'd all so well,
The world must needs believe what he doth tell;
Thus Philips house was quite extinguished,
Except Cassanders wife who yet not dead.
And by their means who thought of nothing less,
Then vengeance just, against them to express;
Now blood was paid with blood for what was done
By cruel Father, Mother, cruel Son:
Thus may we hear, and fear, and ever say,
That hand is righteous still which doth repay.
These Captains now the stile of Kings do take,
For to their Crowns their's none can Title make;
Demetrius first the royal stile assum'd,
By his Example all the rest presum'd.
Antigonus himself to ingratiate,
Doth promise liberty to Athens State;
With Arms and with provision stores them well,
The better 'gainst Cassander to rebel.
Demetrius thether goes, is entertain'd
Not like a King, but like some God they feign'd;
Most grosly base was their great Adulation,
Who Incense burnt, and offered oblation:
These Kings afresh fall to their wars again,
Demetrius of Ptolemy doth gain.
166
'Twould be an endless Story to relate
Their several Battels and their several fate,
Their fights by Sea, their victories by Land,
How some when down, straight got the upper hand
Antigonus and Seleucus then fight
Near Ephesus, each bringing all his might,
And he that Conquerour shall now remain,
The Lordship of all Asia shall retain;
This day 'twixt these two Kings ends all the strife,
For here Antigonus lost rule and life:
Nor to his Son, did e're one foot remain
Of those vast Kingdomes, he did sometimes gain.
Demetrius with his Troops to Athens flyes,
Hopes to find succours in his miseries;
But they adoring in prosperity,
Now shut their gates in his adversity:
He sorely griev'd at this his desperate State
Tryes Foes, sith friends will not compassionate.
His peace he then with old Seleucus makes,
Who his fair daughter Stratonica takes,
Antiochus, Seleucus, dear lov'd Son,
Is for this fresh young Lady quite undone;
Falls so extreamly sick, all fear'd his life,
Yet durst not say, he lov'd his Fathers wife,
When his disease the skill'd Physitian found,
His Fathers mind he wittily did sound,
Who did no sooner understand the same,
But willingly resign'd the beautious Dame:
Cassander now must dye his race is run,
And leaves the ill got Kingdomes he had won.
Two Sons he left, born of King Philips daughter,
Who had an end put to their dayes by slaughter;
Which should succeed at variance they fell,
The Mother would, the youngest might excell:
The eld'st inrag'd did play the Vipers part,
And with his Sword did run her through the heart:
Rather then Philips race should longer live,
He whom she gave his life her death shall give.
This by Lysimacus was after slain,
Whose daughter he not long before had ta'ne;
Demetrius is call'd in by th'youngest Son,
Against Lysimachus who from him won.
167
But he a Kingdome more then's friend did eye,
Seaz'd upon that, and slew him traitrously.
Thus Philips and Cassander's race both gone,
And so falls out to be extinct in one;
And though Cassander died in his bed,
His Seed to be extirpt, was destined;
For blood, which was decre'd that he should spill,
Yet must his Children pay for Fathers ill;
Jehu in killing Ahab's house did well,
Yet be aveng'd must blood of Jezerel.
Demetrius thus Cassander's Kingdoms gains,
And now in Macedon as King he reigns;
Though men and mony both he hath at will,
In neither finds content if he sits still:
That Seleucus holds Asia grievs him sore,
Those Countryes large his Father got before.
These to recover, musters all his might,
And with his Son in Law will needs go fight;
A mighty Navy rig'd, an Army stout,
With these he hopes to turn the world about:
Leaving Antigonus his eldest Son,
In his long absence to rule Macedon.
Demetrius with so many troubles met,
As Heaven and Earth against him had been set;
Disaster on disaster him pursue,
His story seems a Fable more then true.
At last he's taken and imprisoned
Within an Isle that was with pleasures fed,
Injoy'd what ere beseem'd his Royalty,
Only restrained of his liberty:
After three years he died, left what he'd won,
In Greece unto Antigonus his Son.
For his Posterity unto this day,
Did ne're regain one foot in Asia;
His Body Seleucus sends to his Son,
Whose obsequies with wondrous pomp was done.
Next di'd the brave and noble Ptolemp,
Renown'd for bounty, valour, clemency,
Rich Egypt left, and what else he had won,
To Philadelphus his more worthy Son.
Of the old Heroes, now but two remain,
Seleucus and Lysimachus these twain,
168
Must needs go try their fortune and their might,
And so Lysimachus was slain in fight;
'Twas no small joy unto Seleucus breast,
That now he had out-lived all the rest:
Possession of Europe thinks to take,
And so himself the only Monarch make;
Whilst with these hopes in Greece he did remain,
He was by Ptolemy Ceraunus slain.
The second Son of the first Ptolemy,
Who for Rebellion unto him did fly;
Seleucus was a Father and a friend,
Yet by him had this most unworthy end.
Thus with these Kingly Captains have we done,
A little now how the Succession run,
Antigonus, Seleucus and Cassander,
With Ptolemy, reign'd after Alexander;
Cassander's Sons soon after's death were slain,
So three Successors only did remain:
Antigonus his Kingdomes lost and life,
Unto Seleucus, Author of that strife.
His Son Demetrius, all Cassanders gains,
And his posterity, the same retains;
Demetrius Son was call'd Antigonus,
And his again was nam'd Demetrius.
I must let pass those many Battels fought,
Betwixt those Kings, and noble Pyrrhus stout,
And his Son Alexander of Epire,
Whereby immortal honour they acquire;
Demetrius had Philip to his Son,
(Part of whose Kingdomes Titus Quintius won)
Philip had Perseus, who was made a Thrale
T'Emilius the Roman General;
Him with his Sons in Triumph lead did he,
Such riches too as Rome did never see:
This of Antigonus, his Seed's the Fate,
VVhose Empire was subdu'd to th'Roman State.
Longer Seleucus held the royalty,
In Syria by his Posterity;
Antiochus Soter his Son was nam'd,
To whom the old Berosus (so much fam'd,)
His Book of Assurs Monarchs dedicates,
Tells of their names, their wars, their riches, fates;
169
But this is perished with many more,
VVhich oft we wish was extant as before.
Antiochus Theos was Soter's Son,
VVho a long war with Egypts King begun;
The Affinityes and Wars Daniel sets forth,
And calls them there the Kings of South & North,
This Theos murther'd was by his lewd wife,
Seleucus reign'd, when he had lost his life.
A third Seleucus next sits on the Seat,
And then Antiochus sirnam'd the great,
VVhose large Dominions after was made small,
By Scipio the Roman General;
Fourth Seleucus Antiochus succeeds,
And next Epiphanes whose wicked deeds,
Horrid Massacres, Murthers, cruelties,
Amongst the Jews we read in Machabees.
Antiochus Eupater was the next,
By Rebels and Impostors dayly vext;
So many Princes still were murthered,
The Royal Blood was nigh extinguished;
Then Tygranes the great Armenian King,
To take the Government was called in,
Lucullus, Him, (the Roman General)
Vanquish'd in fight, and took those Kingdomes all;
Of Greece and Syria thus the rule did end,
In Egypt next, a little time wee'l spend.
First Ptolemy being dead, his famous Son
Call'd Philadelphus, did possess the Throne.
At Alexandria a Library did build,
And with seven hundred thousand Volumes fill'd;
The seventy two Interpreters did seek,
They might translate the Bible into Greek.
His Son was Evergetes the last Prince,
That valour shew'd, virtue, or excellence,
Philopater was Evergetes Son,
After Epiphanes sate on the Throne;
Philometor, Evergetes again,
And after him, did false Lathurus reign:
Then Alexander in Lathurus stead,
Next Auletes, who cut off Pompeys head.
To all these names, we Ptolemy must add,
For since the first, they still that Title had.
170
Fair Cleopatra next, last of that race,
Whom Julius Cæsar set in Royal place,
She with her Paramour, Mark Anthony
Held for a time, the Egyptian Monarchy,
Till great Augustus had with him a fight
At Actium, where his Navy's put to flight;
He seeing his honour lost, his Kingdome end,
Did by his Sword his life soon after send.
His brave Virago Aspes sets to her Arms,
To take her life, and quit her from all harms;
For 'twas not death nor danger she did dread,
But some disgrace in triumph to be led.
Here ends at last the Grecian Monarchy,
Which by the Romans had its destiny;
Thus King & Kingdomes have their times & dates,
Their standings, overturnings, bounds and fates:
Now up, now down now chief, & then broght under,
The heavn's thus rule, to fil the world with wonder
The Assyrian Monarchy long time did stand,
But yet the Persian got the upper hand;
The Grecian them did utterly subdue,
And millions were subjected unto few:
The Grecian longer then the Persian stood,
Then came the Roman like a raging flood;
And with the torrent of his rapid course,
Their Crowns their Titles, riches bears by force.
The first was likened to a head of gold.
Next Arms and breast of silver to behold,
The third, Belly and Thighs of brass in sight,
And last was Iron, which breaketh all with might;
The stone out of the mountain then did rise,
and smote those feet those legs, those arms & thighs
Then gold, silver, brass, Iron and all the store,
Became like Chaff upon the threshing Floor.
The first a Lion, second was a Bear,
The third a Leopard, which four wings did rear;
The last more strong and dreadful then the rest,
Whose Iron teeth devoured every Beast,
And when he had no appetite to eat,
The residue he stamped under feet;
Yet shall this Lion, Bear, this Leopard, Ram,
All trembling stand before the powerful Lamb.
171
With these three Monarchyes now have I done,
But how the fourth, their Kingdomes from them won,
And how from small beginnings it did grow,
To fill the world with terrour and with woe;
My tyred brain leavs to some better pen,
This task befits not women like to men:
For what is past, I blush, excuse to make,
But humbly stand, some grave reproof to take;
Pardon to crave for errours, is but vain,
The Subject was too high, beyond my strain,
To frame Apology for some offence,
Converts our boldness into impudence:
This my presumption some now to requite,
Ne sutor ultra crepidum may write.
The End of the Grecian Monarchy.
~ Anne Bradstreet,#NFDB
1450:Cleanness
Clannesse who so kyndly cowþe comende
& rekken vp alle þe resounz þat ho by ri3t askez,
Fayre formez my3t he fynde in for[þ]ering his speche
& in þe contrare kark & combraunce huge.
For wonder wroth is þe Wy3þat wro3t alle þinges
Wyth þe freke þat in fylþe fol3es Hym after,
As renkez of relygioun þat reden & syngen
& aprochen to hys presens & prestez arn called;
Thay teen vnto his temmple & temen to hym seluen,
Reken with reuerence þay rychen His auter;
Þay hondel þer his aune body & vsen hit boþe.
If þay in clannes be clos þay cleche gret mede;
Bot if þay conterfete crafte & cortaysye wont,
As be honest vtwyth & inwith alle fylþez,
Þen ar þay synful hemself & sulped altogeder
Boþe God & His gere, & hym to greme cachen.
He is so clene in His courte, þe Kyng þat al weldez,
& honeste in His housholde & hagherlych serued
With angelez enourled in alle þat is clene,
Boþ withine & withouten in wedez ful bry3t;
Nif he nere scoymus & skyg & non scaþe louied,
Hit were a meruayl to much, hit mo3t not falle.
Kryst kydde hit Hymself in a carp onez,
Þeras He heuened a3t happez & hy3t hem her medez.
Me mynez on one amonge oþer, as Maþew recordez,
Þat þus clanness vnclosez a ful cler speche:
Þe haþel clene of his hert hapenez ful fayre,
For he schal loke on oure Lorde with a bone chere';
As so saytz, to þat sy3t seche schal he neuer
Þat any vnclannesse hatz on, auwhere abowte;
For He þat flemus vch fylþe fer fro His hert
May not byde þat burre þat hit His body ne3en.
Forþy hy3not to heuen in haterez totorne,
Ne in þe harlatez hod, & handez vnwaschen.
For what vrþly haþel þat hy3honour haldez
Wolde lyke if a ladde com lyþerly attyred,
When he were sette solempnely in a sete ryche,
Abof dukez on dece, with dayntys serued?
Þen þe harlot with haste helded to þe table,
55
With rent cokrez at þe kne & his clutte traschez,
& his tabarde totorne, & his totez oute,
Oþer ani on of alle þyse, he schulde be halden vtter,
With mony blame ful bygge, a boffet peraunter,
Hurled to þe halle dore & harde þeroute schowued,
& be forboden þat bor3e to bowe þider neuer,
On payne of enprysonment & puttyng in stokkez;
& þus schal he be schent for his schrowde feble,
Þa3neuer in talle ne in tuch he trespas more.
& if vnwelcum he were to a worþlych prynce,
3et hym is þe hy3e Kyng harder in her euen;
As Maþew melez in his masse of þat man ryche,
Þat made þe mukel mangerye to marie his here dere,
& sende his sonde þen to say þat þay samne schulde,
& in comly quoyntis to com to his feste:
'For my boles & my borez arn bayted & slayne,
& my fedde foulez fatted with scla3t,
My polyle þat is penne-fed & partrykez boþe,
Wyth scheldez of wylde swyn, swanez & cronez,
Al is roþeled & rosted ry3t to þe sete;
Comez cof to my corte, er hit colde worþe.'
When þay knewen his cal þat þider com schulde,
Alle excused hem by þe skyly he scape by mo3t.
On hade bo3t hym a bor3, he sayde, by hys trawþe:
'Now turne I þeder als tyd þe toun to byholde.'
Anoþer nayed also & nurned þis cawse:
'I haf 3erned & 3at 3okkez of oxen,
& for my hy3ez hem bo3t; to bowe haf I mester,
To see hem pulle in þe plow aproche me byhouez.'
'& I haf wedded a wyf,' so wer hym þe þryd;
'Excuse me at þe court, I may not com þere.'
Þus þay dro3hem adre3with daunger vchone,
Þat non passed to þe plate þa3he prayed were.
Thenne þe ludych lorde lyked ful ille,
& hade dedayn of þat dede; ful dry3ly he carpez.
He saytz: 'Now for her owne sor3e þay forsaken habbez;
More to wyte is her wrange þen any wylle gentyl.
Þenne gotz forth, my gomez, þe grete streetez,
& forsettz on vche a syde þe cete aboute;
Þe wayferande frekez, on fote & on hors,
Boþe burnez & burdez, þe better & þe wers,
Laþez hem alle luflyly to lenge at my fest,
56
& bryngez hem blyþly to bor3e as barounez þay were,
So þat my palays plat ful be py3t al aboute;
Þise oþer wrechez iwysse worþy no3t wern.'
Þen þay cayred & com þat þe cost waked,
Bro3ten bachlerez hem wyth þat þay by bonkez metten,
Swyerez þat swyftly swyed on blonkez,
& als fele vpon fote, of fre & of bonde.
When þay com to þe courte keppte weren þay fayre,
Sty3tled with þe stewarde, stad in þe halle,
Ful manerly with marchal mad for to sitte,
As he watz dere of degre dressed his seete.
Þenne seggez to þe souerayn sayden þerafter:
'Lo! Lorde, with your leue, at your lege heste
& at þi banne we haf bro3t, as þou beden habbez,
Mony renischsche renkez, & 3et is roum more.'
Sayde þe lorde to þo ledez, 'Laytez 3et ferre,
Ferre out in þe felde, & fechez mo gestez;
Waytez gorstez & greuez, if ani gomez lyggez;
Whatkyn folk so þer fare, fechez hem hider;
Be þay fers, be þay feble, forlotez none,
Be þay hol, be þay halt, be þay ony3ed,
& þa3þay ben boþe blynde & balterande cruppelez,
Þat my hous may holly by halkez by fylled.
For, certez, þyse ilk renkez þat me renayed habbe,
& denounced me no3t now at þis tyme,
Schul neuer sitte in my sale my soper to fele,
Ne suppe on sope of my seve, þa3þa3þay swelt schulde.'
Thenne þe sergauntez, at þat sawe, swengen þeroute,
& diden þe dede þat [watz] demed, as he deuised hade,
& with peple of alle plytez þe palays þay fyllen;
Hit weren not alle on wyuez sunez, wonen with on fader.
Wheþer þay wern worþy oþer wers, wel wern
þay stowed,
Ay þe best byfore & bry3test atyred,
Þe derrest at þe hy3e dese, þat dubbed wer fayrest,
& syþen on lenþe bilooghe ledez inogh.
& ay a[s] segge[s] [serly] semed by her wedez,
So with marschal at her mete mensked þay were.
Clene men in compaynye forknowen wern lyte,
& 3et þe symplest in þat sale watz serued to þe fulle,
Boþe with menske & with mete & mynstrasy noble,
& alle þe laykez þat a lorde a3t in londe schewe.
57
& þay bigonne to be glad þat god drink haden.
& vch mon with his mach made hym at ese.
Now inmyddez þe mete þe mayster hym biþo3t
Þat he wolde se þe semble þat samned was þere,
& rehayte rekenly þe riche & þe pou[eren],
& cherisch hem alle with his cher, & chaufen her joye.
Þen he bowez fro his bour into þe brode halle
& to þe best on þe bench, & bede hym be myry,
Solased hem with semblaunt & syled fyrre,
Tron fro table to table & talkede ay myrþe.
Bot as he ferked ouer þe flor, he fande with his y3e,
Hit watz not for a halyday honestly arayed,
A þral þry3t in þe þrong vnþryuandely
cloþed,
Ne no festiual frok, bot fyled with werkkez;
Þe gome watz vngarnyst with god men to dele.
& gremed þerwith þe grete lorde, & greue hym he þo3t.
'Say me, frende,' quoþ þe freke with a felle chere,
'Hov wan þou into þis won in wedez so fowle?
Þe abyt þat þou hatz vpon, no halyday hit menskez;
Þou, burne, for no brydale art busked in wedez.
How watz þou hardy þis hous for þyn vnhap [to] ne3e
In on so ratted a robe & rent at þe sydez?
Þow art a gome vngoderly in þat goun febele;
Þou praysed me & my place ful pouer & ful [g]nede,
Þat watz so prest to aproche my presens hereinne.
Hopez þou I be a harlot þi erigaut to prayse?'
Þat oper burne watz abayst of his broþe wordez,
& hurkelez doun with his hede, þe vrþe he biholdez;
He watz so scoumfit of his scylle, lest he skaþe hent,
Þat he ne wyst on worde what he warp schulde.
Þen þe lorde wonder loude laled & cryed,
& talkez to his tormenttourez: 'Takez hym,' he biddez,
'Byndez byhynde, at his bak, boþe two his handez,
& felle fetterez to his fete festenez bylyue;
Stik hym stifly in stokez, & stekez hym þerafter
Depe in my doungoun þer doel euer dwellez,
Greuing & gretyng & gryspyng harde
Of teþe tenfully togeder, to teche hym be quoynt.'
Thus comparisunez Kryst þe kyndom of heuen
To þis frelych feste þat fele arn to called;
For alle arn laþed luflyly, þe luþer & þe better,
58
Þat euer wern ful3ed in font, þat fest to haue.
Bot war þe wel, if þou wylt, þy wedez ben clene
& honest for þe halyday, lest þou harme lache,
For aproch þou to þat Prynce of parage noble,
He hates helle no more þen hem þat ar sowle.
Wich arn þenne þy wedez þou wrappez þe inne,
Þat schal schewe hem so schene schrowde of þe best?
Hit arn þy werkez, wyterly, þat þou wro3t hauez,
& lyued with þe lykyng þat ly3e in þyn hert;
Þat þo be frely & fresch fonde in þy lyue,
& fetyse of a fayr forme to fote & to honde,
& syþen alle þyn oþer lymez lapped ful clene;
Þenne may þou se þy Sauior & His sete ryche.
For fele[r] fautez may a freke forfete his blysse,
Þat he þe Souerayn ne se, þen for slauþe one;
As for bobaunce & bost & bolnande priyde
Þroly into þe deuelez þrote man þryngez bylyue.
For couetyse & colwarde & croked dedez,
For monsworne & menscla3t & to much drynk,
For þefte & for þrepyng, vnþonk may mon haue;
For roborrye & riboudrye & resounez vntrwe,
& dsyheriete & depryue dowrie of wydoez,
For marryng of maryagez & mayntnaunce of schrewez,
For traysoun & trichcherye & tyrauntyre boþe,
& for fals famacions & fayned lawez;
Man may mysse þe myrþe þat much is to prayse
For such vnþewez as þise, & þole much payne,
& in þe Creatores cort com neuermore,
Ne neuer see Hym with sy3t for such sour tournez.
Bot I haue herkned & herde of mony hy3e clerkez,
& als in resounez of ry3t red hit myseluen,
Þat þat ilk proper Prynce þat paradys weldez
Is displesed at vch a poynt þat plyes to scaþe;
Bot neuer 3et in no boke breued I herde
Þat euer He wrek so wyþerly on werk þat He made,
Ne venged for no vilte of vice ne synne,
Ne so hastyfly watz hot for hatel of His wylle,
Ne neuer so sodenly so3t vnsoundely to weng,
As for fylþe of þe flesch þat foles han vsed;
For, as I fynde, þer He for3et alle His fre þewez,
& wex wod to þe wrache for wrath at His hert.
For þe fyrste felonye þe falce fende wro3t
59
Whyl he watz hy3e in þe heuen houen vpon lofte,
Of alle þyse aþel aungelez attled þe fayrest:
& he vnkyndely, as a karle, kydde a reward.
He se3no3t bot hymself how semly he were,
Bot his Souerayn he forsoke & sade þyse wordez:
`I schal telde vp my trone in þe tramountayne,
& by lyke to þat Lorde þat þe lyft made.'
With þis worde þat he warp, þe wrake on hym ly3t:
Dry3tyn with His dere dom hym drof to þe abyme,
In þe mesure of His mode, His metz neuer þe lasse.
Bot þer He tynt þe tyþe dool of His tour ryche:
Þa3þe feloun were so fers for his fayre wedez
& his glorious glem þat glent so bry3t,
As sone as Dry3tynez dome drof to hymseluen,
Þikke þowsandez þro þrwen þeroute,
Fellen fro þe frymament fendez ful blake,
Sweued at þe fryst swap as þe snaw þikke,
Hurled into helle-hole as þe hyue swarmez.
Fylter fenden folk forty dayez lencþe,
Er þat styngande storme stynt ne my3t;
Bot as smylt mele vnder smal siue smokez forþikke.
So fro heuen to helle þat hatel schor laste,
On vche syde of þe worlde aywhere ilyche.
3is, hit watz a brem brest & a byge wrache,
& 3et wrathed not þe Wy3; ne þe wrech sa3tled,
Ne neuer wolde, for wyl[fulnes], his worþy God knawe,
Ne pray Hym for no pite, so proud watz his wylle.
Forþy þa3þe rape were rank, þe rawþe watz
lytt[el];
Þa3he be kest into kare, he kepes no better.
Bot þat oper wrake þat wex, on wy3ez hit ly3t
Þur3þe faut of a freke þat fayled in trawþe,
Adam inobedyent, ordaynt to blysse.
Þer pryuely in paradys his place watz devised,
To lyue þer in lykyng þe lenþe of a terme,
& þenne enherite þat home þat aungelez forgart;
Bot þur3þe eggyng of Eue he ete of an apple
Þat enpoysened alle peplez þat parted fro hem boþe,
For a defence þat watz dy3t of Dry3tyn Seluen,
& a payne þeron put & pertly halden.
Þe defence watz þe fryt þat þe freke towched,
& þe dom is þe deþe þat drepez vus alle;
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Al in mesure & meþe watz mad þe vengiaunce,
& efte amended with a mayden þat make had neuer.
Bot in þe þryd watz forþrast al þat þryue schuld:
Þer watz malys mercyles & mawgre much scheued,
Þat watz for fylþe vpon folde þat þe folk vsed,
Þat þen wonyed in þe worlde withouten any maysterz.
Hit wern þe fayrest of forme & of face als,
Þe most & þe myriest þat maked wern euer,
Þe styfest, þe stalworþest þat stod euer on fete,
& lengest lyf in hem lent of ledez alle oþer.
For hit was þe forme foster þat þe folde bred,
Þe aþel aunceterez sunez pat Adam watz called,
To wham God hade geuen alle þat gayn were,
Alle þe blysse boute blame þat bodi my3t haue;
& þose lykkest to þe lede, þat lyued next after;
Forþy so semly to see syþen wern none.
Þer watz no law to hem layd bot loke to kynde,
& kepe to hit, & alle hit cors clanly fulfylle.
& þenne founden þay fylþe in fleschlych dedez,
& controeued agayn kynde contrare werkez,
& vsed hem vnþryftyly vchon on oþer,
& als with oþer, wylsfully, upon a wrange wyse:
So ferly fowled her flesch þat þe fende loked
How þe de3ter of þe douþe wern derelych fayre,
& fallen in fela3schyp with hem on folken wyse,
& engendered on hem jeauntez with her japez ille.
Þose wern men meþelez & ma3ty on vrþe,
Þat for her lodlych laykez alosed þay were;
He watz famed for fre þat fe3t loued best,
& ay þe bigest in bale þe best watz halden.
& þenne euelez on erþe ernestly grewen
& multyplyed monyfolde inmongez mankynde,
For þat þe ma3ty on molde so marre þise oþer
Þat þe Wy3e þat al wro3t ful wroþly bygynnez.
When He knew vche contre coruppte in hitseluen,
& vch freke forloyned fro þe ry3t wayez,
Felle temptande tene towched His hert.
As wy3e wo hym withinne, werp to Hymseluen:
'Me forþynkez ful much þat euer I mon made,
Bot I schal delyuer & do away þat doten on þis molde,
& fleme out of þe folde al þat flesch werez,
Fro þe burne to þe best, fro bryddez to fyschez;
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Al schal doun & be ded & dryuen out of erþe
Þat euer I sette saule inne; & sore hit Me rwez
Þat euer I made hem Myself; bot if I may herafter,
I schal wayte to be war her wrenchez to kepe.'
Þenne in worlde watz a wy3e wonyande on lyue,
Ful redy & ful ry3twys, & rewled hym fayre,
In þe drede of Dry3tyn his dayez he vsez,
& ay glydande wyth his God, his grace watz þe more.
Hym watz þe nome Noe, as is innoghe knawen.
He had þre þryuen sunez, & þay þre wyuez:
Sem soþly þat on, þat oþer hy3t Cam,
& þe jolef Japheth watz gendered þe þryd.
Now God in nwy to Noe con speke
Wylde wrakful wordez, in His wylle greued:
'Þe ende of alle kynez flesch þat on vrþe meuez
Is fallen forþwyth My face, & forþer hit I þenk.
With her vnworþelych werk Me wlatez withinne;
Þe gore þerof Me hatz greued & þe glette nwyed.
I schal strenkle My distresse, & strye al togeder,
Boþe ledez & londe & alle þat lyf habbez.
Bot make to þe a mancioun, & þat is My wylle,
A cofer closed of tres, clanlych planed.
Wyrk wonez þerinne for wylde & for tame,
& þenne cleme hit with clay comly within[n]e,
& alle þe endentur dryuen daube withouten.
& þus of lenþe & of large þat lome þou make:
Þre hundred of cupydez þou holde to þe lenþe,
Of fyfty fayre ouerþwert forme þe brede;
& loke euen þat þyn ark haue of he3þe þrette,
& a wyndow wyd vpon[ande] wro3t vpon lo[f]te,
In þe compas of a cubit kyndely sware;
A wel dutande dor, don on þe syde;
Haf hallez þerinne & halkez ful mony,
Boþe boske[n]z & bourez & wel bounden penez.
For I schal waken vp a water to wasch alle þe worlde,
& quelle alle þat is quik with quauende flodez,
Alle þat glydez & gotz & gost of lyf habbez;
I schal wast with My wrath þat wons vpon vrþe.
Bot My forwarde with þe I festen on þis wyse,
For þou in reysoun hatz rengned & ry3twys ben euer:
Þou schal enter þis ark with þyn aþel barnez
& þy wedded wyf; with þe þou take
62
Þe makez of þy myry sunez; þis meyny of a3te
I schal saue of monnez saulez, & swelt þose oþer.
Of vche best þat berez lyf busk þe a cupple,
Of vche clene comly kynde enclose seuen makez,
Of vche horwed in ark halde bot a payre,
For to saue Me þe sede of alle ser kyndez.
& ay þou meng with þe malez þe mete ho-bestez,
Vche payre by payre to plese ayþer oþer;
With alle þe fode þat may be founde frette þy cofer,
For sustnaunce to yowself & also þose oþer.'
Ful grayþely gotz þis god man & dos Godez hestes,
In dry3dred & daunger þat durst do non oþer.
Wen hit watz fettled & forged & to þe fulle grayþed,
Þenn con Dry3ttyn hym dele dry3ly þyse wordez.
'Now Noe,' quoþ oure Lorde, 'art þou al redy?
Hatz þou closed þy kyst with clay alle aboute?'
'3e, Lorde, with þy leue,' sayde þe lede þenne,
Al is wro3t at Þi worde, as Þou me wyt lantez.'
'Enter in, þenn,' quoþ He, & haf þi wyf with þe,
Þy þre sunez, withouten þrep, & her þre wyuez;
Bestez, as I bedene haue, bosk þerinne als,
& when 3e arn staued, styfly stekez yow þerinne.
Fro seuen dayez ben seyed I sende out bylyue
Such a rowtande ryge þat rayne schal swyþe
Þat schal wasch alle þe worlde of werkez of fylþe;
Schal no flesch vpon folde by fonden onlyue,
Outtaken yow a3t in þis ark staued
& sed þat I wyl saue of þyse ser bestez.'
Now Noe neuer sty[n]tez, þat niy3[t] he bygynnez,
Er al wer stawed & stoken as þe steuen wolde.
Thenne sone com þe seuenþe day, when samned wern alle,
& alle woned in þe whichche, þe wylde & þe tame.
Þen bolned þe abyme, & bonkez con ryse,
Waltes out vch walle-heued in ful wode stremez;
Watz no brymme þat abod vnbrosten bylyue;
Þe mukel lauande loghe to þe lyfte rered.
Mony clustered clowde clef alle in clowtez;
Torent vch a rayn-ryfte & rusched to þe vrþe,
Fon neuer in forty dayez. & þen þe flod ryses,
Ouerwaltez vche a wod & þe wyde feldez.
For when þe water of þe welkyn with þe worlde mette,
Alle þat deth mo3t dry3e drowned þerinne.
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Þer watz moon for to make when meschef was cnowen,
Þat no3t dowed bot þe deth in þe depe stremez;
Water wylger ay wax, wonez þat stryede,
Hurled into vch hous, hent þat þer dowelled.
Fryst feng to þe fly3t alle þat fle my3t;
Vuche burde with her barne þe byggyng þay leuez
& bowed to þe hy3bonk þer brentest hit wern,
& heterly to þe hy3e hyllez þay [h]aled on faste.
Bot al watz nedlez her note, for neuer cowþe stynt
Þe ro3e raynande ryg, þe raykande wawez,
Er vch boþom watz brurdful to þe bonkez eggez,
& vche a dale so depe þat demmed at þe brynkez.
Þe moste mountaynez on mor þenne watz no more dry3e,
& þeron flokked þe folke, for ferde of þe wrake.
Syþen þe wylde of þe wode on þe water flette;
Summe swymmed þeron þat saue hemself trawed,
Summe sty3e to a stud & stared to þe heuen,
Rwly wyth a loud rurd rored for drede.
Harez, herttez also, to þe hy3e runnen;
Bukkez, bausenez, & bulez to þe bonkkez hy3ed;
& alle cryed for care to þe Kyng of heuen,
Recouerer of þe Creator þay cryed vchone,
Þat amounted þe masse, þe mase His mercy watz passed,
& alle His pyte departed fro peple þat He hated.
Bi þat þe flod to her fete flo3ed & waxed,
Þen vche a segge se3wel þat synk hym byhoued.
Frendez fellen in fere & faþmed togeder,
To dry3her delful deystyne & dy3en alle samen;
Luf lokez to luf & his leue takez,
For to ende alle at onez & for euer twynne.
By forty dayez wern faren, on folde no flesch styryed
Þat þe flod nade al freten with fe3tande wa3ez;
For hit clam vche a clyffe, cubites fyftene
Ouer þe hy3est hylle þat hurkled on erþe.
Þenne mourkne in þe mudde most ful nede
Alle þat spyrakle inspranc, no sprawlyng awayled,
Saue þe haþel vnder hach & his here straunge,
Noe þat ofte neuened þe name of oure Lorde,
Hym a3tsum in þat ark, as aþel God lyked,
Þer alle ledez in lome lenged druye.
Þe arc houen watz on hy3e with hurlande gotez,
Kest to kythez vncouþe þe clowdez ful nere.
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Hit waltered on þe wylde flod, went as hit lyste,
Drof vpon þe depe dam, in daunger hit semed,
Withouten mast, oþer myke, oþer myry bawelyne,
Kable, oþer capstan to clyppe to her ankrez,
Hurrok, oþer hande-helme hasped on roþer,
Oþer any sweande sayl to seche after hauen,
Bot flote forthe with þe flyt of þe felle wyndez.
Whederwarde so þe water wafte, hit rebounde;
Ofte hit roled on rounde & rered on ende;
Nyf oure Lorde hade ben her lodezmon hem had lumpen harde.
Of þe lenþe of Noe lyf to lay a lel date,
Þe sex hundreth of his age & none odde 3erez,
Of secounde monyth þe seuen[ten]þe day ry3tez,
Towalten alle þyse welle-hedez & þe water flowed;
& þryez fyfty þe flod of folwande dayez;
Vche hille watz þer hidde with y[þ]ez ful graye.
Al watz wasted þat þer wonyed þe worlde withinne,
Þ[at] euer flote, oþer flwe, oþer on fote 3ede,
That ro3ly watz þe remnaunt þat þe rac dryuez
Þat alle gendrez so joyst wern joyned wythinne
Bot quen þe Lorde of þe lyfte lyked Hymseluen
For to mynne on His mon His meth þat abydez,
Þen He wakened a wynde on watterez to blowe;
Þenne lasned þe llak þat large watz are.
Þen He stac vp þe stangez, stoped þe wellez,
Bed blynne of þe rayn: hit batede as faste;
Þenne lasned þe lo3lowkande togeder.
After harde dayez wern out an hundreth & fyfte,
As þat lyftande lome luged aboute.
Where þe wynde & þe weder warpen hit wolde,
Hit sa3tled on a softe day, synkande to grounde;
On a rasse of a rok hit rest at þe laste,
On þe mounte of Mararach of Armene hilles.
Þat oþerwayez on Ebrv hit hat þe Thanes.
Bot þa3þe kyste in þe cragez wern closed to byde,
3et fyned not þe flod ne fel to þe boþemez,
Bot þe hy3est of þe eggez vnhuled weren a lyttel,
Þat þe burne bynne borde byhelde þe bare erþe.
Þenne wafte he vpon his wyndowe, & wysed þeroute
A message fro þat meyny hem moldez to seche:
Þat watz þe rauen so ronk, þat rebel watz euer;
He watz colored as þe cole, corbyal vntrwe.
65
& he fongez to þe fly3t & fannez on þe wyndez,
Halez hy3e vpon hy3t to herken tyþyngez.
He croukez for comfort when carayne he fyndez
Kast vp on a clyffe þer costese lay drye;
He hade þe smelle of þe smach & smoltes þeder sone,
Fallez on þe foule flesch & fyllez his wombe,
& sone 3ederly for3ete 3isterday steuen,
How þe cheuetayn hym charged þat þe kyst 3emed.
Þe rauen raykez hym forth, þat reches ful lyttel
How alle fodez þer fare, ellez he fynde mete;
Bot þe burne bynne borde þat bod to hys come
Banned hym ful bytterly with bestes alle samen.
He sechez anoþer sondezmon, & settez on þe dou[u]e,
Bryngez þat bry3t vpon borde, blessed, & sayde:
'Wende, worþelych wy3t, vus wonez to seche;
Dryf ouer þis dymme water; if þou druye fyndez
Bryng bodworde to bot blysse to vus alle.
Þa3þat fowle be false, fre be þou euer.'
Ho wyrle out on þe weder on wyngez ful scharpe,
Dre3ly alle alonge day þat dorst neuer ly3t;
& when ho fyndez no folde her fote on to pyche,
Ho vmbekestez þe coste & þe kyst sechez.
Ho hittez on þe euentyde & on þe ark sittez;
Noe nymmes hir anon & naytly hir stauez.
Noe on anoþer day nymmez efte þe doveue,
& byddez hir bowe ouer þe borne efte bonkez to seche;
& ho skyrmez vnder skwe & skowtez aboute,
Tyl hit watz ny3e at þe na3t, & Noe þen sechez.
On ark on an euentyde houez þe dowue;
On stamyn ho stod & stylle hym abydez.
What! ho bro3t in hir beke a bronch of olyue,
Gracyously vmbegrouen al with grene leuez;
Þat watz þe syngne of sauyte þat sende hem oure Lorde,
& þe sa3tlyng of Hymself with þo sely bestez.
Þen watz þer joy on þat gyn where jumpred er dry3ed,
& much comfort in þat cofer þat watz clay-daubed.
Myryly on a fayr morn, monyth þe fyrst,
Þat fallez formast in þe 3er, & þe fyrst day,
Ledez lo3en in þat lome & loked þeroute,
How þat watterez wern woned & þe worlde dryed.
Vchon loued oure Lorde, bot lenged ay stylle
Tyl þay had tyþyng fro þe Tolke þat tyned hem
66
þerinne.
Þen Godez glam to hem glod þat gladed hem alle,
Bede hem drawe to þe dor: delyuer hem He wolde.
Þen went þay to þe wykket, hit walt vpon sone;
Boþe þe burne & his barnez bowed þeroute,
Her wyuez walkez hem wyth & þe wylde after,
Þroly þrublande in þronge, þrowen ful þykke.
Bot Noe of vche honest kynde nem out an odde,
& heuened vp an auter & hal3ed hit fayre,
& sette a sakerfyse þeron of vch a ser kynde
Þat watz comly & clene: God kepez non oþer.
When bremly brened þose bestez, & þe breþe rysed,
Þe sauour of his sacrafyse so3t to Hym euen
Þat al spedez & spyllez; He spekes with þat ilke
In comly comfort ful clos & cortays wordez:
'Now, Noe, no more nel I neuer wary
Alle þe mukel mayny [on] molde for no mannez synnez,
For I se wel þat hit is sothe þat alle mannez wyttez
To vnþryfte arn alle þrawen with þo3t of her herttez,
& ay hatz ben, & wyl be 3et; fro her barnage
Al is þe mynde of þe man to malyce enclyned.
Forþy schal I neuer schende so schortly at ones
As dysstrye al for manez synne, dayez of þis erþe.
Bot waxez now & wendez forth & worþez to monye,
Multyplyez on þis molde, & menske yow bytyde.
Sesounez schal yow neuer sese of sede ne of heruest,
Ne hete, ne no harde forst, vmbre ne dro3þe,
Ne þe swetnesse of somer, ne þe sadde wynter,
Ne þe ny3t, ne þe day, ne þe newe 3erez,
Bot euer renne restlez: rengnez 3e þerinne.'
Þerwyth He blessez vch a best, & byta3t hem þis erþe.
Þen watz a skylly skyualde, quen scaped alle þe wylde,
Vche fowle to þe fly3t þat fyþerez my3t serue,
Vche fysch to þe flod þat fynne couþe nayte.
Vche beste to þe bent þat þat bytes on erbez;
Wylde wormez to her won wryþez in þe erþe,
Þe fox & þe folmarde to þe fryth wyndez,
Herttes to hy3e heþe, harez to gorstez,
& lyounez & lebardez to þe lake-ryftes:
Hernez & hauekez to þe hy3e rochez,
Þe hole-foted fowle to þe flod hy3ez,
& vche best at a brayde þer hym best lykez;
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Þe fowre frekez of þe folde fongez þe empyre.
Lo! suche a wrakful wo for wlatsum dedez
Parformed þe hy3e Fader on folke þat He made;
Þat He chysly hade cherisched He chastysed ful hardee,
In devoydynge þe vylanye þat venkquyst His þewez.
Forþy war þe now, wy3e þat worschyp desyres
In His comlych courte þat Kyng is of blysse,
In þe fylþe of þe flesch þat þou be founden
neuer,
Tyl any water in þe worlde to wasche þe fayly.
For is no segge vnder sunne so seme of his craftez,
If he be sulped in synne, þat syttez vnclene;
On spec of spote may spede to mysse
Of þe sy3te of þe Souerayn þat syttez so hy3e;
For þat schewe me schale in þo schyre howsez,
As þe beryl bornyst byhouez be clene.
Þat is sounde on vche a syde & no sem habes,
Withouten maskle oþer mote, as margerye-perle.
Syþen þe Souerayn in sete so sore forþo3t
Þat euer He man vpon molde merked to lyuy,
For he in fylþe watz fallen, felly He uenged,
Quen fourferde alle þe flesch þat He formed hade.
Hym rwed þat He hem vprerde & ra3t hem lyflode;
& efte þat He hem vndyd, hard hit Hym þo3t.
For quen þe swemande sor3e so3t to His hert,
He knyt a couenaunde cortaysly with monkynde þere,
In þe mesure of His mode & meþe of His wylle,
Þat He schulde neuer for no syt smyte al at onez,
As to quelle alle quykez for qued þat my3t falle,
Whyl of þe lenþe of þe londe lastez þe terme.
Þat ilke skyl for no scaþe ascaped Hym neuer.
Wheder wonderly He wrak on wykked men after,
Ful felly for þat ilk faute forferde a kyth ryche,
In þe anger of His ire, þat ar3ed mony;
& al watz for þis ilk euel, þat vnhappen glette,
Þe venym & þe vylanye & þe vycios fylþe
Þat bysulpez mannez saule in vnsounde hert,
Þat he his Saueour ne see with sy3t of his y3en.
Alle illez He hates as helle þat alle stynkkez;
Bot non nuyez Hym on na3t ne neuer vpon dayez
As harlottrye vnhonest, heþyng of seluen:
Þat schamez for no schrewedschyp, schent mot he worþe.
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Bot sauyour, mon, in þyself, þa3þou a sotte lyuie,
Þa3þou bere þyself babel, byþenk þe sumtyme
Wheþer He þat stykked vche a stare in vche steppe y3e,
3if Hymsel[f] be bore blynde hit is a brod wonder;
& He þat fetly in face fettled alle eres,
If he hatz losed þe lysten hit lyftez meruayle:
Trave þou neuer þat tale, vntrwe þou hit fyndez.
Þer is no dede so derne þat dittez His y3en;
Þer is no wy3e in his werk so war ne so stylle
Þat hit ne þrawez to Hym þr[o] er he hit þo3t haue.
For He is þe gropande God, þe grounde of alle dedez,
Rypande of vche a ring þe reynyez & hert.
& þere He fyndez al fayre a freke wythinne,
Þat hert honest & hol, þat haþel He honourez,
Sendez hym a sad sy3t: to se His auen face,
& harde honysez þise oþer, & of His erde flemez.
Bot of þe dome of þe douþe for dedez of schame,
He is so skoymos of þat skaþe, He scarrez bylyue;
He may not dry3e to draw allyt, bot drepez in hast:
& þat watz schewed schortly by a scaþe onez.
Olde Abraham in erde onez he syttez
Euen byfore his hous-dore, vnder an oke grene;
Bry3t blykked þe bem of þe brode heuen;
In þe hy3e hete þerof Abraham bidez:
He watz schunt to þe schadow vnder schyre leuez.
Þenne watz he war on þe waye of wlonk Wy3ez þrynne;
If þay wer farande & fre & fayre to beholde
Hit is eþe to leue by þe last ende.
For þe lede þat þer laye þe leuez anvnder,
When he hade of Hem sy3t he hy3ez bylyue,
& as to God þe goodmon gos Hem agaynez
& haylsed Hem in onhede, & sayde: 'Hende Lorde,
3if euer Þy mon vpon molde merit disserued,
Lenge a lyttel with Þy lede, I lo3ly biseche;
Passe neuer fro Þi pouere, 3if I hit pray durst,
Er Þou haf biden with Þi burne & vnder bo3e restted,
& I schal wynne Yow wy3t of water a lyttel,
& fast aboute schal I fare Your fette wer waschene.
Resttez here on þis rote & I schal rachche after
& brynge a morsel of bred to banne Your hertte.'
'Fare forthe,' quoþ þe Frekez, '& fech as þou seggez;
By bole of þis brode tre We byde þe here.'
69
Þenne orppedly into his hous he hy3ed to Sare,
Commaunded hir to be cof & quyk at þis onez:
'Þre mettez of mele menge & ma kakez;
Vnder askez ful hote happe hem byliue;
Quyl I fete sumquat fat, þou þe fyr bete,
Prestly at þis ilke poynte sum polment to make.'
He cached to his covhous & a calf bryngez,
Þat watz tender & not to3e, bed tyrue of þe hyde,
& sayde to his seruaunt þat hit seþe faste;
& he deruely at his dome dy3t hit bylyue.
Þe burne to be bare-heued buskez hym þenne,
Clechez to a clene cloþe & kestez on þe grene,
Þrwe þryftyly þeron þo þre þerue kakez,
& bryngez butter wythal & by þe bred settez;
Mete messez of mylke he merkkez bytwene,
Syþen potage & polment in plater honest.
As sewer in a god assyse he serued Hem fayre,
Wyth sadde semblaunt & swete of such as he hade;
& God as a glad gest mad god chere
Þat watz fayn of his frende, & his fest praysed.
Abraham, al hodlez, with armez vp-folden,
Mynystred mete byfore þo Men þat my3tes al weldez.
Þenne Þay sayden as Þay sete samen alle
þrynne,
When þe mete watz remued & Þay of mensk speken,
'I schal efte hereaway, Abram,' Þay sayden,
'3et er þy lyuez ly3t leþe vpon erþe,
& þenne schal Sare consayue & a sun bere,
Þat schal be Abrahamez ayre & after hym wynne
With wele & wyth worschyp þe worþely peple
Þat schal halde in heritage þat I haf men 3ark[ed].'
Þenne þe burde byhynde þe dor for busmar la3ed;
& sayde sothly to hirself Sare þe madde:
'May þou traw for tykle þat þou tonne mo3tez,
& I so hy3e out of age, & also my lorde?'
For soþely, as says þe wryt, he wern of sadde elde,
Boþe þe wy3e & his wyf, such werk watz hem fayled
Fro mony a brod day byfore; ho barayn ay byene,
Þat selue Sare, withouten sede into þat same tyme.
Þenne sayde oure Syre þer He sete: 'Se! so Sare la3es,
Not trawande þe tale þat I þe to schewed.
Hopez ho o3t may be harde My hondez to work?
70
& 3et I avow verayly þe avaunt þat I made;
I schal 3eply a3ayn & 3elde þat I hy3t,
& sothely send to Sare a soun & an hayre.'
Þenne swenged forth Sare & swer by hir trawþe
Þat for lot þat Þay laused ho la3ed neuer.
'Now innoghe: hit is not so,' þenne nurned þe Dry3tyn,
'For þou la3ed alo3, bot let we hit one.'
With þat Þay ros vp radly, as Þay rayke schulde,
& setten toward Sodamas Her sy3t alle at onez;
For þat cite þerbysyde watz sette in a vale,
No mylez fro Mambre mo þen tweyne,
Whereso wonyed þis ilke wy3, þat wendez with oure Lorde
For to tent Hym with tale & teche Hym þe gate.
Þen glydez forth God; þe godmon Hym fol3ez;
Abraham heldez Hem wyth, Hem to conueye
In towarde þe cety of Sodamas þat synned had þenne
In þe faute of þis fylþe. Þe Fader hem þretes,
& sayde þus to þe segg þat sued Hym after:
'How my3t I hyde Myn hert fro Habraham þe trwe,
Þat I ne dyscouered to his corse My counsayl so dere,
Syþen he is chosen to be chef chyldryn fader,
Þat so folk schal falle fro to flete alle þe worlde,
& vche blod in þat burne blessed schal worþe?
Me bos telle to þat tolk þe tene of My wylle,
& alle Myn atlyng to Abraham vnhaspe bilyue.
The grete soun of Sodamas synkkez in Myn erez,
& þe gult of Gomorre garez Me to wrath.
I schal ly3t into þat led & loke Myseluen
[If] þay haf don as þe dyne dryuez on lofte.
Þay han lerned a lyst þat lykez me ille,
Þat þay han founden in her flesch of fautez þe werst:
Vch male matz his mach a man as hymseluen,
& fylter folyly in fere on femmalez wyse.
I compast hem a kynde crafte & kende hit hem derne,
& amed hit in Myn ordenaunce oddely dere,
& dy3t drwry þerinne, doole alþer-swettest,
& þe play of paramorez I portrayed Myseluen,
& made þerto a maner myriest of oþer:
When two true togeder had ty3ed hemseluen,
Bytwene a male & his make such merþe schulde conne,
Welny3e pure paradys mo3t preue no better;
Ellez þay mo3t honestly ayþer oþer welde,
71
At a stylle stollen steuen, vnstered wyth sy3t,
Luf-lowe hem bytwene lasched so hote
Þat alle þe meschefez on mold mo3t hit not sleke.
Now haf þay skyfted My skyl & scorned natwre,
& henttez hem in heþyng an vsage vnclene.
Hem to smyte for þat smod smartly I þenk,
Þat wy3ez schal be by hem war, worlde withouten ende.'
Þenne ar3ed Abraham & alle his mod chaunge[d],
For hope of þe harde hate þat hy3t hatz oure Lorde.
Al sykande he sayde: 'Sir, with Yor leue,
Schal synful & saklez suffer al on payne?
Weþer euer hit lyke my Lorde to lyfte such domez
Þat þe wykked & þe worþy schal on wrake suffer,
& weye vpon þe worre half þat wrathed Þe neuer?
Þat watz neuer Þy won þat wro3tez vus alle.
Now fyfty fyn frendez wer founde in 3onde toune,
In þe cety of Sodamas & also Gomorre,
Þat neuer lakked Þy laue, bot loued ay trauþe,
& re3tful wern & resounable & redy Þe to serue,
Schal þay falle in þe faute þat oþer frekez wro3t,
& joyne to her juggement, her juise to haue?
Þat nas neuer Þyn note, vnneuened hit worþe,
Þat art so gaynly a God & of goste mylde.'
'Nay, for fyfty,' quoþ þe Fader, '& þy fayre speche,
& þay be founden in þat folk of her fylþe clene,
I schal forgyue alle þe gylt þur3My grace one,
& let hem smolt al unsmyten smoþely at onez.'
'Aa! blessed be Þow,' quoþ þe burne, 'so boner &
þewed,
& al haldez in Þy honde, þe heuen & þe erþe;
Bot, for I haf þis talke tatz to non ille
3if I mele a lyttel more þat mul am & askez.
What if fyue faylen of fyfty þe noumbre,
& þe remnaunt be reken, how restes Þy wylle?'
'And fyue wont of fyfty,' quoþ God, 'I schal for3ete alle
& wythhalde My honde for hortyng on lede.'
'& quat if faurty be fre & fauty þyse oþer:
Schalt Þow schortly al schende & schape non oþer?'
'Nay, þa3faurty forfete, 3et fryst I a whyle,
& voyde away My vengaunce, þa3Me vyl þynk.'
Þen Abraham obeched Hym & lo3ly Him þonkkez:
'Now sayned be Þou, Sauiour, so symple in Þy wrath!
72
I am bot erþe ful euel & vsle so blake,
For to mele wyth such a Mayster as my3tez hatz alle.
Bot I haue bygonnen wyth my God, & He hit gayn þynkez;
3if I forloyne as a fol Þy fraunchyse may serue.
What if þretty þryuande be þrad in 3on tounez,
What schal I leue of my Lorde, [i]f He hem leþe wolde?'
Þenne þe godlych God gef hym onsware:
'3et for þretty in þrong I schal My þro steke,
& spare spakly of spyt in space of My þewez,
& My rankor refrayne four þy reken wordez.'
'What for twenty,' quoþ þe tolke, 'vntwynez Þou hem
þenne?'
'Nay, 3if þou 3ernez hit 3et, 3ark I hem grace;
If þat twenty be trwe, I tene hem no more,
Bot relece alle þat regioun of her ronk werkkez.'
'Now, aþel Lorde,' quoþ Abraham, 'onez a speche,
& I schal schape no more þo schalkkez to helpe.
If ten trysty in toune be tan in Þi werkkez,
Wylt Þou mese Þy mode & menddyng abyde?'
'I graunt,' quoþ þe grete God, 'Graunt mercy,' þat
oþer;
& þenne arest þe renk & ra3t no fyrre.
& Godde glydez His gate by þose grene wayez,
& he conueyen Hym con with cast of his y3e;
& als he loked along þereas oure Lorde passed,
3et he cryed Hym after with careful steuen:
'Meke Mayster, on Þy mon to mynne if Þe lyked,
Loth lengez in 3on leede þat is my lef broþer;
He syttez þer in Sodomis, þy seruaunt so pouere,
Among þo mansed men þat han Þe much greued.
3if Þou tynez þat toun, tempre Þyn yre,
As Þy mersy may malte, Þy meke to spare.'
Þen he wendez, wendez his way, wepande for care,
Towarde þe mere of Mambre, wepande for sorewe;
& þere in longyng al ny3t he lengez in wones,
Whyl þe Souerayn to Sodamas sende to spye.
His sondes into Sodamas watz sende in þat tyme,
In þat ilk euentyde, by aungels tweyne,
Meuand meuande mekely togeder as myry men 3onge,
As Loot in a loge dor lened hym alone,
In a porche of þat place py3t to þe 3ates,
Þat watz ryal & ryche so watz þe renkes seluen.
73
As he stared into þe strete þer stout men played,
He sy3e þer swey in asent swete men tweyne;
Bolde burnez wer þay boþe with berdles chynnez,
Ryol rollande fax to raw sylk lyke,
Of ble as þe brere-flour whereso þe bare scheweed.
Ful clene watz þe countenaunce of her cler y3en;
Wlonk whit watz her wede & wel hit hem semed.
Of alle feturez ful fyn & fautlez boþe;
Watz non autly in ouþer, for aungels hit wern,
& þat þe 3ep vnder3ede þat in þe 3ate syttez;
He ros vp ful radly & ran hem to mete,
& lo3e he loutez hem to, Loth, to þe grounde,
& syþen soberly: 'Syrez, I yow byseche
Þat 3e wolde ly3t at my loge & lenge þerinne.
Comez to your knaues kote, I craue at þis onez;
I schal fette yow a fatte your fette for to wasche;
I norne yow bot for on ny3t ne3e me to lenge,
& in þe myry mornyng 3e may your waye take.'
& þay nay þat þay nolde ne3no howsez,
Bot stylly þer in þe strete as þay stadde wern
Þay wolde lenge þe long na3t & logge þeroute:
Hit watz hous inno3e to hem þe heuen vpon lofte.
Loth laþed so longe wyth luflych wordez
Þat þay hym graunted to go & gru3t no lenger.
Þe bolde to his byggyng bryngez hem bylyue,
Þat [watz] ryally arayed, for he watz ryche euer.
Þe wy3ez wern welcom as þe wyf couþe;
His two dere do3terez deuoutly hem haylsed,
Þat wer maydenez ful meke, maryed not 3et,
& þay wer semly & swete, & swyþe wel arayed.
Loth þenne ful ly3tly lokez hym aboute,
& his men amonestes mete for to dy3t:
'Bot þenkkez on hit be þrefte what þynk so 3e make,
For wyth no sour no no salt seruez hym neuer.'
Bot 3et I wene þat þe wyf hit wroth to dyspyt,
& sayde softely to hirself: 'Þis vn[s]auere hyne
Louez no salt in her sauce; 3et hit no skyl were
Þat oþer burne be boute, þa3boþe be nyse.'
Þenne ho sauerez with salt her seuez vchone,
Agayne þe bone of þe burne þat hit forboden hade,
& als ho scelt hem in scorne þat wel her skyl knewen.
Why watz ho, wrech, so wod? Ho wrathed oure Lorde.
74
Þenne seten þay at þe soper, wern serued bylyue,
Þe gestes gay & ful glad, of glam debonere,
Welawynnely wlonk, tyl þay waschen hade,
Þe trestes tylt to þe wo3e & þe table boþe.
Fro þe seggez haden souped & seten bot a whyle,
Er euer þay bosked to bedde, þe bor3watz al vp,
Alle þat weppen my3t welde, þe wakker & þe stronger,
To vmbely3e Lothez hous þe ledez to take.
In grete flokkez of folk þay fallen to his 3atez;
As a scowte-wach scarred so þe asscry rysed;
With kene clobbez of þat clos þay clatz on þe wowez,
& wyth a schrylle scarp schout þay schewe þyse worde[z]:
'If þou louyez þy lyf, Loth, in þyse wones,
3ete vus out þose 3ong men þat 3ore-whyle here entred,
Þat we may lere hym of lof, as oure lyst biddez,
As is þe asyse of Sodomas to seggez þat passen.'
Whatt! þay sputen & speken of so spitous fylþe,
What! þay 3e3ed & 3olped of 3estande sor3e,
Þat 3et þe wynd & þe weder & þe worlde stynkes
Of þe brych þat vpbraydez þose broþelych wordez.
Þe godman glyfte with þat glam & gloped for noyse;
So scharpe schame to hym schot, he schrank at þe hert.
For he knew þe costoum þat kyþed þose wrechez,
He doted neuer for no doel so depe in his mynde.
'Allas!' sayd hym þenne Loth, & ly3tly he rysez,
& bowez forth fro þe bench into þe brode 3ates.
What! he wonded no woþe of wekked knauez,
Þat he ne passed þe port þe p[er]il to abide.
He went forthe at þe wyket & waft hit hym after,
Þat a clyket hit cle3t clos hym byhynde.
Þenne he meled to þo men mesurable wordez,
For harlotez with his hendelayk he hoped to chast:
'Oo, my frendez so fre, your fare is to strange;
Dotz away your derf dyn & derez neuer my gestes.
Avoy! hit is your vylaynye, 3e vylen yourseluen;
& 3e are jolyf gentylmen, your japez ar ille
Bot I schal kenne yow by kynde a crafte þat is better:
I haf a tresor in my telde of tow my fayre de3ter,
Þat ar maydenez vnmard for alle men 3ette;
In Sodamas, þa3I hit say, non semloker burdes;
Hit arn ronk, hit arn rype, & redy to manne;
To samen wyth þo semly þe solace is better.
75
I schal biteche yow þo two þat tayt arn & quoynt,
& laykez wyth hem as yow lyst, & letez my gestes one.'
Þenne þe rebaudez so ronk rerd such a noyse
Þat a3ly hurled in his erez her harlotez speche:
'Wost þou not wel þat þou wonez here a wy3e strange,
An outcomlyng, a carle? We kylle of þyn heued!
Who joyned þe be jostyse oure japez to blame,
Þat com a boy to þis bor3, þa3þou be burne ryche?'
Þus þay þrobled & þrong & þrwe vmbe his
erez,
& distresed hym wonder strayt with strenkþe in þe prece,
Bot þat þe 3onge men, so 3epe, 3ornen þeroute,
Wapped vpon þe wyket & wonnen hem tylle,
& by þe hondez hym hent & horyed hym withinne,
& steken þe 3ates ston-harde wyth stalworth barrez.
Þay blwe a boffet inblande þat banned peple,
Þat þay blustered, as blynde as Bayard watz euer;
Þay lest of Lotez logging any lysoun to fynde,
Bot nyteled þer alle þe ny3t for no3t at þe last.
Þenne vch tolke ty3t hem, þat hade of tayt fayled,
& vchon roþeled to þe rest þat he reche mo3t;
Bot þay wern wakned al wrank þat þer in won lenged,
Of on þe vglokest vnhap þat euer on erd suffred.
Ruddon of þe day-rawe ros vpon v3ten,
When merk of þe mydny3t mo3t no more last.
Ful erly þose aungelez þis haþel þay ruþen,
& glopnedly on Godez halue gart hym vpryse;
Fast þe freke ferkez vp ful ferd at his hert;
Þay comaunded hym cof to cach þat he hade,
'Wyth þy wyf & þy wy3ez & þy wlonc de3tters,
For we laþe þe, sir Loth, þat þou þy lyf haue.
Cayre tid of þis kythe er combred þou worþe,
With alle þi here vpon haste, tyl þou a hil fynde;
Foundez faste on your fete; bifore your face lokes,
Bot bes neuer so bolde to blusch yow bihynde,
& loke 3e stemme no stepe, bot strechez on faste;
Til 3e reche to a reset, rest 3e neuer.
For we schal tyne þis toun & trayþely disstrye,
Wyth alle þise wy3ez so wykke wy3tly devoyde,
& alle þe londe with þise ledez we losen at onez;
Sodomas schal ful sodenly synk into grounde,
& þe grounde of Gomorre gorde into helle,
76
& vche a koste of þis kythe clater vpon hepes.'
Þen laled Loth: 'Lorde, what is best?
If I me fele vpon fote þat I fle mo3t,
Hov schulde I huyde me fro H[y]m þat hatz His hate kynned
In þe brath of His breth þat brennez alle þinkez?
To crepe fro my Creatour & know not wheder,
Ne wheþer His fooschip me fol3ez bifore oþer bihynde.'
Þe freke sayde: 'No foschip oure Fader hatz þe schewed,
Bot hi3ly heuened þi hele fro hem þat arn combred.
Nov wale þe a wonnyng þat þe warisch my3t,
& He schal saue hit for þy sake þat hatz vus sende hider,
For þou art oddely þyn one out of þis fylþe,
& als Abraham þyn eme hit at Himself asked.'
'Lorde, loued He worþe,' quoþ Loth, 'vpon erþe!
Þen is a cite herbisyde þat Segor hit hatte,
Here vtter on a rounde hil hit houez hit one.
I wolde, if His wylle wore, to þat won scape.'
'Þenn fare forth,' quoþ þat fre, '& fyne þou neuer,
With þose ilk þat þow wylt þat þrenge þe
after,
& ay goande on your gate, wythouten agayn-tote,
For alle þis londe schal be lorne longe er þe sonne rise.'
Þe wy3e wakened his wyf & his wlonk de3teres,
& oþer two myri men þo maydenez schulde wedde;
& þay token hit as tyt & tented hit lyttel;
Þa3fast laþed hem Loth, þay le3en ful stylle.
Þe aungelez hasted þise oþer & a3ly hem þratten,
& enforsed alle fawre forth at þe 3atez:
Þo wern Loth & his lef, his luflyche de3ter;
Þer so3t no mo to sauement of cities aþel fyue.
Þise aungelez hade hem by hande out at þe 3atez,
Prechande hem þe perile, & beden hem passe fast:
'Lest 3e be taken in þe teche of tyrauntez here,
Loke 3e bowe now bi bot; bowez fast hence!'
& þay kayre ne con, & kenely flowen.
Erly, er any heuen-glem, þay to a hil comen.
Þe grete God in His greme bygynnez on lofte
To wakan wederez so wylde; þe wyndez He callez,
& þay wroþely vpwafte & wrastled togeder,
Fro fawre half of þe folde flytande loude.
Clowdez clustered bytwene kesten vp torres,
Þat þe þik þunder-þrast þirled hem ofte.
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Þe rayn rueled adoun, ridlande þikke
Of felle flaunkes of fyr & flakes of soufre,
Al in smolderande smoke smachande ful ille,
Swe aboute Sodamas & hit sydez alle,
Gorde to Gomorra, þat þe grounde laused,
Abdama & Syboym, þise ceteis alle faure
Al birolled wyth þe rayn, rostted & brenned,
& ferly flayed þat folk þat in þose fees lenged.
For when þat þe Helle herde þe houndez of heuen,
He watz ferlyly fayn, vnfolded bylyue;
Þe grete barrez of þe abyme he barst vp at onez,
Þat alle þe regioun torof in riftes ful grete,
& clouen alle in lyttel cloutes þe clyffez aywhere,
As lauce leuez of þe boke þat lepes in twynne.
Þe brethe of þe brynston bi þat hit blende were,
Al þo citees & her sydes sunkken to helle.
Rydelles wern þo grete rowtes of renkkes withinne,
When þay wern war of þe wrake þat no wy3e achaped;
Such a 3omerly 3arm of 3ellyng þer rysed,
Þerof clatered þe cloudes, þat Kryst my3t haf rawþe.
Þe segge herde þat soun to Segor þat 3ede,
& þe wenches hym wyth þat by þe way fol3ed;
Ferly ferde watz her flesch þat flowen ay ilyche,
Trynande ay a hy3e trot, þat torne neuer dorsten.
Loth & þo luly-whit, his lefly two de3ter,
Ay fol3ed here face, bifore her boþe y3en;
Bot þe balleful burde, þat neuer bode keped,
Blusched byhynden her bak þat bale for to herkken.
Hit watz lusty Lothes wyf þat ouer he[r] lyfte schulder
Ones ho bluschet to þe bur3e, bot bod ho no lenger
Þat ho nas stadde a stiffe ston, a stalworth image,
Al so salt as ani se, & so ho 3et standez.
Þay slypped bi & sy3e hir not þat wern hir samen-feres,
Tyl þay in Segor wern sette, & sayned our Lorde;
Wyth ly3t louez vplyfte þay loued Hym swyþe,
Þat so His seruauntes wolde see & saue of such woþe.
Al watz dampped & don & drowned by þenne;
Þe ledez of þat lyttel toun wern lopen out for drede
Into þat malscrande mere, marred bylyue,
Þat no3t saued watz bot Segor, þat sat on a lawe.
Þe þre ledez þerin, Loth & his de3ter;
For his make watz myst, þat on þe mount lenged
78
In a stonen statue þat salt sauor habbes,
For two fautes þat þe fol watz founde in mistrauþe:
On, ho serued at þe soper salt bifore Dry3tyn,
& syþen, ho blusched hir bihynde, þa3hir forboden were;
For on ho standes a ston, & salt for þat oþer,
& alle lyst on hir lik þat arn on launde bestes.
Abraham ful erly watz vp on þe morne,
Þat alle na3t much niye hade no mon in his hert,
Al in longing for Loth leyen in a wache;
Þer he lafte hade oure Lorde he is on lofte wonnen;
He sende toward Sodomas þe sy3t of his y3en,
Þat euer hade ben an erde of erþe þe swettest,
As aparaunt to paradis, þat plantted þe Dry3tyn;
Nov is hit plunged in a pit like of pich fylled.
Suche a roþun of a reche ros fro þe blake,
Askez vpe in þe arye & vsellez þer flowen,
As a fornes ful of flot þat vpon fyr boyles
When bry3t brennande brondez ar bet þeranvnder.
Þis watz a uengaunce violent þat voyded þise places,
Þat foundered hatz so fayr a folk & þe folde sonkken.
Þer þe fyue citees wern set nov is a see called,
Þat ay is drouy & dym, & ded in hit kynde,
Blo, blubrande, & blak, vnblyþe to ne3e;
As a stynkande stanc þat stryed synne,
Þat euer of synne & of smach smart is to fele.
Forþy þe derk Dede See hit is demed euermore,
For hit dedez of deþe duren þere 3et;
For hit is brod & boþemlez, & bitter as þe galle,
& no3t may lenge in þat lake þat any lyf berez,
& alle þe costez of kynde hit combrez vchone.
For lay þeron a lump of led, & hit on loft fletez,
& folde þeron a ly3t fyþer, & hit to founs synkkez;
& þer water may walter to wete any erþe
Schal neuer grene þeron growe, gresse ne wod nawþer.
If any schalke to be schent wer schowued þerinne,
Þa3he bode in þat boþem broþely a monyth,
He most ay lyue in þat lo3e in losyng euermore,
& neuer dry3e no dethe to dayes of ende.
& as hit is corsed of kynde & hit coostez als,
Þe clay þat clenges þerby arn corsyes strong,
As alum & alkaran, þat angre arn boþe,
Soufre sour & saundyuer, & oþer such mony;
79
& þer waltez of þat water in waxlokes grete
Þe spuniande aspaltoun þat spyserez sellen;
& suche is alle þe soyle by þat se halues,
Þat fel fretes þe flesch & festred bones.
& þer ar tres by þat terne of traytoures,
& þay borgounez & beres blomez ful fayre,
& þe fayrest fryt þat may on folde growe,
As orenge & oþer fryt & apple-garnade,
Also red & so ripe & rychely hwed
As any dom my3t deuice of dayntyez oute;
Bot quen hit is brused oþer broken, oþer byten in twynne,
No worldez goud hit wythinne, bot wyndowande askes.
Alle þyse ar teches & tokenes to trow vpon 3et,
& wittnesse of þat wykked werk, & þe wrake after
Þat oure Fader forferde for fylþe of þose ledes.
Þenne vch wy3e may wel wyt þat He þe wlonk louies;
& if He louyes clene layk þat is oure Lorde ryche,
& to be couþe in His courte þou coueytes þenne,
To se þat Semly in sete & His swete face,
Clerrer counseyl, counseyl con I non, bot þat þou clene
worþe.
For Clopyngnel in þe compas of his clene Rose,
Þer he expounez a speche to hym þat spede wolde
Of a lady to be loued: 'Loke to hir sone
Of wich beryng þat ho be, & wych ho best louyes,
& be ry3t such in vch a bor3e of body & of dedes,
& fol3þe fet of þat fere þat þou fre haldes;
& if þou wyrkkes on þis wyse, þa3ho wyk were,
Hir schal lyke þat layk þat lyknes hir tylle.'
If þou wyl dele drwrye wyth Dry3tyn þenne,
& lelly louy þy Lorde & His leef worþe,
Þenne confourme þe to Kryst, & þe clene make,
Þat euer is polyced als playn as þe perle seluen.
For, loke, fro fyrst þat He ly3t withinne þe lel mayden,
By how comly a kest He watz clos þere,
When venkkyst watz no vergynyte, ne vyolence maked,
Bot much clener watz hir corse, God kynned þerinne.
& efte when He borne watz in Beþelen þe ryche,
In wych puryte þay departed; þa3þay pouer were,
Watz neuer so blysful a bour as watz a bos þenne,
Ne no schroude hous so schene as a schepon þare,
Ne non so glad vnder God as ho þat grone schulde.
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For þer watz seknesse al sounde þat sarrest is halden,
& þer watz rose reflayr where rote hatz ben euer,
& þer watz solace & songe wher sor3hatz ay cryed;
For aungelles with instrumentes of organes & pypes,
& rial ryngande rotes & þe reken fyþel,
& alle hende þat honestly mo3t an hert glade,
Aboutte my lady watz lent quen ho delyuer were.
Þenne watz her blyþe Barne burnyst so clene
Þat boþe þe ox & þe asse Hym hered at ones;
Þay knewe Hym by His clannes for Kyng of nature,
For non so clene of such a clos com neuer er þenne.
& 3if clanly He þenne com, ful cortays þerafter,
Þat alle þat longed to luþer ful lodly He hated,
By nobleye of His norture He nolde neuer towche
O3t þat watz vngoderly oþer ordure watz inne.
3et comen lodly to þat Lede, as lazares monye,
Summe lepre, summe lome, & lomerande blynde,
Poysened, & parlatyk, & pyned in fyres,
Drye folk & ydropike, & dede at þe laste,
Alle called on þat Cortayse & claymed His grace.
He heled hem wyth hynde speche of þat þay ask after,
For whatso He towched also tyd tourned to hele,
Wel clanner þen any crafte cowþe devyse.
So clene watz His hondelyng vche ordure hit schonied,
& þe gropyng so goud of God & Man boþe,
Þat for fetys of His fyngeres fonded He neuer
Nauþer to cout ne to kerue with knyf ne wyth egge;
Forþy brek He þe bred blades wythouten,
For hit ferde freloker in fete in His fayre honde,
Displayed more pryuyly when He hit part schulde,
Þenne alle þe toles of Tolowse mo3t ty3t hit to kerue.
Þus is He kyryous & clene þat þou His cort askes:
Hov schulde þou com to His kyth bot if þou clene were?
Nov ar we sore & synful & sovly vchone;
How schulde we se, þen may we say, þat Syre vpon throne?
3is, þat Mayster is mercyable, þa3þou be man fenny,
& al tomarred in myre whyle þou on molde lyuyes;
Þou may schyne þur3schryfte, þa3þou haf
schome serued,
& pure þe with penaunce tyl þou a perle worþe.
Perle praysed is prys þer perre is schewed,
Þa3hym not derrest be demed to dele for penies.
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Quat may þe cause be called bot for hir clene hwes,
Þat wynnes worschyp abof alle whyte stones?
For ho schynes so schyr þat is of schap rounde,
Wythouten faut oþer fylþe 3if ho fyn were,
& wax euer in þe worlde in weryng so olde,
3et þe perle payres not whyle ho in pyese lasttes;
& if hit cheue þe chaunce vncheryst ho worþe,
Þat ho blyndes of ble in bour þer ho lygges,
Nobot wasch hir wyth wourchyp in wyn as ho askes,
Ho by kynde schal becom clerer þen are.
So if folk be defowled by vnfre chaunce,
Þat he be sulped in sawle, seche to schryfte,
& he may polyce hym at þe prest, by penaunce taken,
Wel bry3ter þen þe beryl oþer browden perles.
Bot war þe wel, if þou be waschen wyth water of schryfte,
& polysed als playn as parchmen schauen,
Sulp no more þenne in synne þy saule þerafter,
For þenne þou Dry3tyn dyspleses with dedes ful sore,
& entyses Hym to tene more trayþly þen euer,
& wel hatter to hate þen hade þou no waschen.
For when a sawele is sa3tled & sakred to Dry3tyn,
He holly haldes hit His & haue hit He wolde;
Þenne efte lastes hit likkes, He loses hit ille,
As hit were rafte wyth vnry3t & robbed wyth þewes.
War þe þenne for þe wrake: His wrath is achaufed
For þat þat ones watz His schulde efte be vnclene,
Þa3hit be bot a bassyn, a bolle oþer a scole,
A dysche oþer a dobler, þat Dry3tyn onez serued.
To defowle hit euer vpon folde fast He forbedes,
So is He scoymus of scaþe þat scylful is euer.
& þat watz bared in Babyloyn in Baltazar tyme,
Hov harde vnhap þer hym hent & hastyly sone,
For he þe vesselles avyled þat vayled in þe temple
In seruyse of þe Souerayn sumtyme byfore.
3if 3e wolde ty3t me a tom telle hit I wolde,
Hov charged more watz his chaunce þat hem cherych nolde
Þen his fader forloyne þat feched hem wyth strenþe,
& robbed þe relygioun of relykes alle.
Danyel in his dialokez devysed sumtyme,
As 3et is proued expresse in his profecies,
Hov þe gentryse of Juise & Jherusalem þe ryche
Watz disstryed wyth distres, & drawen to þe erþe.
82
For þat folke in her fayth watz founden vntrwe,
Þat haden hy3t þe hy3e God to halde of Hym euer;
& He hem hal3ed for His & help at her nede
In mukel meschefes mony, þat meruayl [is] to here.
& þay forloyne her fayth & fol3ed oþer goddes,
& þat wakned His wrath & wrast hit so hy3e
Þat He fylsened þe faythful in þe falce lawe
To forfare þe falce in þe faythe trwe.
Hit watz sen in þat syþe þat Zedethyas rengned
In Juda, þat justised þe Juyne kynges.
He sete on Salamones solie on solemne wyse,
Bot of leaute he watz lat to his Lorde hende:
He vsed abominaciones of idolatrye,
& lette ly3t bi þe lawe þat he watz lege tylle.
Forþi oure Fader vpon folde a foman hym wakned:
Nabigodenozar nuyed hym swyþe.
He pursued into Palastyn with proude men mony,
& þer he wast wyth with werre þe wones of þorpes;
He her3ed vp alle Israel & hent of þe beste,
& þe gentylest of Judee in Jerusalem biseged,
Vmbewalt alle þe walles wyth wy3es ful stronge,
At vche a dor a do3ty duk, & dutte hem wythinne;
For þe bor3watz so bygge baytayled alofte,
& stoffed wythinne with stout men to stalle hem þeroute.
Þenne watz þe sege sette þe cete aboute,
Skete skarmoch skelt, much skaþe lached;
At vch brugge a berfray on basteles wyse
Þat seuen syþe vch a day asayled þe 3ates;
Trwe tulkkes in toures teueled wythinne,
In bigge brutage of borde bulde on þe walles;
Þay fe3t & þay fende of, & fylter togeder
Til two 3er ouertorned, 3et tok þay hit neuer.
At þe laste, vpon longe, þo ledes wythinne,
Faste fayled hem þe fode, enfannined monie;
Þe hote hunger wythinne hert hem wel sarre
Þen any dunt of þat douthe þat dowelled þeroute.
Þenne wern þo rowtes redles in þo ryche wones;
Fro þat mete watz myst, megre þay wexen,
& þay stoken so strayt þat þay ne stray my3t
A fote fro þat forselet to forray no goudes.
Þenne þe kyng of þe kyth a counsayl hym takes
Wyth þe best of his burnes, a blench for to make;
83
Þay stel out on a stylle ny3t er any steuen rysed,
& harde hurles þur3þe oste er enmies hit wyste.
Bot er þay atwappe ne mo3t þe wach wythoute
Hi3e skelt watz þe askry þe skewes anvnder.
Loude alarom vpon launde lulted watz þenne;
Ryche, ruþed of her rest, ran to here wedes,
Hard hattes þay hent & on hors lepes;
Cler claryoun crak cryed on lofte.
By þat watz alle on a hepe hurlande swyþee,
Fol3ande þat oþer flote, & fonde hem bilyue,
Ouertok hem as tyd, tult hem of sadeles,
Tyl vche prynce hade his per put to þe grounde.
& þer watz þe kyng ka3t wyth Calde prynces,
& alle hise gentyle forjusted on Jerico playnes,
& presented wern as presoneres to þe prynce rychest,
Nabigodenozar, noble in his chayer;
& he þe faynest freke þat he his fo hade,
& speke spitously hem to, & spylt þerafter.
Þe kynges sunnes in his sy3t he slow euervch one,
& holkked out his auen y3en heterly boþe,
& bede þe burne to be bro3t to Babyloyn þe ryche,
& þere in dongoun be don to dre3e þer his wyrdes.
Now se, so þe Soueray[n] set hatz His wrake:
Nas hit not for Nabugo ne his noble nauþer
Þat oþer depryued watz of pryde with paynes stronge,
Bot for his beryng so badde agayn his blyþe Lorde;
For hade þe Fader ben his frende, þat hym bifore keped,
Ne neuer trespast to Him in teche of mysseleue,
To colde wer alle Calde & kythes of Ynde,
3et take Torkye hem wyth, her tene hade ben little.
3et nolde neuer Nabugo þis ilke note leue
Er he hade tuyred þis toun & torne hit to grounde.
He joyned vnto Jerusalem a gentyle duc þenne,
His name watz Nabuzardan, to noye þe Jues;
He watz mayster of his men & my3ty himseluen,
Þe chef of his cheualrye his chekkes to make;
He brek þe bareres as bylyue, & þe bur3after,
& enteres in ful ernestly, in yre of his hert.
What! þe maysterry watz mene: þe men wern away,
Þe best bo3ed wyth þe burne þat þe bor33emed,
& þo þat byden wer [s]o biten with þe bale hunger
Þat on wyf hade ben worþe þe welgest fourre.
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Nabizardan no3t forþy nolde not spare,
Bot bede al to þe bronde vnder bare egge;
Þay slowen of swettest semlych burdes,
Baþed barnes in blod & her brayn spylled;
Prestes & prelates þay presed to deþe,
Wyues & wenches her wombes tocoruen,
Þat her boweles outborst aboute þe diches,
& al watz carfully kylde þat þay cach my3t.
And alle swypped, vnswol3ed of þe sworde kene,
Þay wer cagged & ka3t on capeles al bare,
Festned fettres to her fete vnder fole wombes,
& broþely bro3t to Babyloyn þer bale to suffer,
To sytte in seruage & syte, þat sumtyme wer gentyle.
Now ar chaunged to chorles & charged wyth werkkes,
Boþe to cayre at þe kart & þe kuy mylke,
Þat sumtyme sete in her sale syres & burdes.
& 3et Nabuzardan nyl neuer stynt
Er he to þe tempple tee wyth his tulkkes alle;
Betes on þe barers, brestes vp þe 3ates,
Slouen alle at a slyp þat serued þerinne,
Pulden prestes bi þe polle & plat of her hedes,
Di3ten dekenes to deþe, dungen doun clerkkes,
& alle þe maydenes of þe munster ma3tyly hokyllen
Wyth þe swayf of þe sworde þat swol3ed hem alle.
Þenne ran þay to þe relykes as robbors wylde,
& pyled alle þe apparement þat pented to þe kyrke,
Þe pure pyleres of bras pourtrayd in golde,
& þe chef chaundeler charged with þe ly3t,
Þat ber þe lamp vpon lofte þat lemed euermore
Bifore þ[e] sancta sanctorumþer
selcouth watz ofte.
Þay ca3t away þat condelstik, & þe crowne als
Þat þe auter hade vpon, of aþel golde ryche,
Þe gredirne & þe goblotes garnyst of syluer,
Þe bases of þe bry3t postes & bassynes so schyre,
Dere disches of golde & dubleres fayre,
Þe vyoles & þe vesselment of vertuous stones.
Now hatz Nabuzardan nomen alle þyse noble þynges,
& pyled þat precious place & pakked þose godes;
Þe golde of þe gazafylace to swyþe gret noumbre,
Wyth alle þe vrnmentes of þat hous, he hamppred togeder;
Alle he spoyled spitously in a sped whyle
85
Þat Salomon so mony a sadde 3er so3t to make.
Wyth alle þe coyntyse þat he cowþe clene to wyrke,
Deuised he þe vesselment, þe vestures clene;
Wyth sly3t of his ciences, his Souerayn to loue,
Þe hous & þe anournementes he hy3tled togedere.
Now hatz Nabuzardan numnend hit al samen,
& syþen bet doun þe bur3& brend hit in askes.
Þenne wyth legiounes of ledes ouer londes he rydes,
Her3ez of Israel þe hyrne aboute;
Wyth charged chariotes þe cheftayn he fynde,
Bikennes þe catel to þe kyng, þat he ca3t hade;
Presented him þe prisoneres in pray þat þay token,
Moni a worþly wy3e whil her worlde laste,
Moni semly syre soun, & swyþe rych maydenes,
Þe pruddest of þe prouince, & prophetes childer,
As Ananie & Azarie & als Mizael,
& dere Daniel also, þat watz deuine noble,
With moni a modey moder-chylde mo þen innoghe.
& Nabugo_de_nozar makes much joye,
Nov he þe kyng hatz conquest & þe kyth wunnen,
& dreped alle þe do3tyest & derrest in armes,
& þe lederes of her lawe layd to þe grounde,
& þe pryce of þe profetie prisoners maked.
Bot þe joy of þe juelrye so gentyle & ryche,
When hit watz schewed hym so schene, scharp watz his wonder;
Of such vessel auayed, þat vayled so huge,
Neuer 3et nas Nabugo_de_nozar er þenne.
He sesed hem with solemnete, þe Souerayn he praysed
Þat watz aþel ouer alle, Israel Dry3tyn:
Such god, such gomes, such gay vesselles,
Comen neuer out of kyth to Caldee reames.
He trussed hem in his tresorye in a tryed place,
Rekenly, wyth reuerens, as he ry3t hade;
& þer he wro3t as þe wyse, as 3e may wyt hereafter,
For hade he let of hem ly3t, hym mo3t haf lumpen worse.
Þat ryche in gret rialte rengned his lyue,
As conquerour of vche a cost he cayser watz hatte,
Emperour of alle þe erþe & also þe saudan,
& als þe god of þe grounde watz grauen his name.
& al þur3dome of Daniel, fro he deuised hade
Þat alle goudes com of God, & gef hit hym bi samples,
Þat he ful clanly bicnv his carp bi þe laste,
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& ofte hit mekned his mynde, his maysterful werkkes.
Bot al drawes to dy3e with doel vp[o]n ende:
Bi a haþel neuer so hy3e, he heldes to grounde.
& so Nabugo_de_nozar, as he nedes moste,
For alle his empire so hi3e in erþe is he grauen.
Bot þenn þe bolde Baltazar, þat watz his barn aldest,
He watz stalled in his stud, & stabled þe rengne
In þe bur3of Babiloyne, þe biggest he trawed,
Þat nauþer in heuen ne [on] erþe hade no pere;
For he bigan in alle þe glori þat hym þe gome lafte,
Nabugo_de_nozar, þat watz his noble fader.
So kene a kyng in Caldee com neu[er] er þenne;
Bot honoured he not Hym þat in heuen wonies.
Bot fals fantummes of fendes, formed with handes,
Wyth tool out of harde tre, & telded on lofte,
& of stokkes & stones, he stoute goddes callz,
When þay ar gilde al with golde & gered wyth syluer;
& þere he kneles & callez & clepes after help.
& þay reden him ry3t rewarde he hem hetes,
& if þay gruchen him his grace, to gremen his hert,
He cleches to a gret klubbe & knokkes hem to peces.
Þus in pryde & olipraunce his empyre he haldes,
In lust & in lecherye & loþelych werkkes,
& hade a wyf for to welde, a worþelych quene,
& mony a lemman, neuer þe later, þat ladis wer called.
In þe clernes of his concubines & curious wedez,
In notyng of nwe metes & of nice gettes,
Al watz þe mynde of þat man on misschapen þinges,
Til þe Lorde of þe lyfte liste hit abate.
Thenne þis bolde Baltazar biþenkkes hym ones
To vouche on avayment of his vayne g[l]orie;
Hit is not innoghe to þe nice al no3ty þink vse
Bot if alle þe worlde wyt his wykked dedes.
Baltazar þur3Babiloyn his banne gart crye,
& þur3þe cuntre of Caldee his callyng con spryng,
Þat alle þe grete vpon grounde schulde geder hem samen
& assemble at a set day at þe saudans fest.
Such a mangerie to make þe man watz auised,
Þat vche a kythyn kyng schuld com þider,
Vche duk wyth his duthe, & oþer dere lordes,
Schulde com to his court to kyþe hym for lege,
& to reche hym reuerens, & his reuel herkken,
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To loke on his lemanes & ladis hem calle.
To rose hym in his rialty rych men so3tten,
& mony a baroun ful bolde, to Babyloyn þe noble.
Þer bowed toward Babiloyn burnes so mony,
Kynges, cayseres ful kene, to þe court wonnen,
Mony ludisch lordes þat ladies bro3ten,
Þat to neuen þe noumbre to much nye were.
For þe bour3watz so brod & so bigge alce,
Stalled in þe fayrest stud þe sterrez anvnder,
Prudly on a plat playn, plek alþer-fayrest,
Vmbesweyed on vch a syde with seuen grete wateres,
With a wonder wro3t walle wruxeled ful hi3e,
With koynt carneles aboue, coruen ful clene,
Troched toures bitwene, twenty spere lenþe,
& þiker þrowen vmbeþour with ouerþwert palle.
Þe place þat plyed þe pursaunt wythinne
Watz longe & ful large & euer ilych sware,
& vch a syde vpon soyle helde seuen myle,
& þe saudans sete sette in þe myddes.
Þat watz a palayce of pryde passande alle oþer,
Boþe of werk & of wunder, & walle[d] al aboute;
He3e houses withinne, þe halle to hit med,
So brod bilde in a bay þat blonkkes my3t renne.
When þe terme of þe tyde watz towched of þe feste,
Dere dro3en þerto & vpon des metten,
& Baltazar vpon bench was busked to sete,
Stepe stayred stones of his stoute throne.
Þenne watz alle þe halle flor hiled with kny3tes,
& barounes at þe sidebordes bounet aywhere,
For non watz dressed vpon dece bot þe dere seluen,
& his clere concubynes in cloþes ful bry3t.
When alle segges were þet set þen seruyse bygynnes,
Sturnen trumpen strake steuen in halle,
Aywhere by þe wowes wrasten krakkes,
& brode baneres þerbi blusnande of gold,
Burnes berande þe bredes vpon brode skeles
Þat were of sylueren sy3t, & served þerwyth,
Lyfte logges þerouer & on lofte coruen,
Pared out of paper & poynted of golde,
Broþe baboynes abof, besttes anvnder,
Foles in foler flakerande bitwene,
& al in asure & ynde enaumayld ryche;
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& al on blonkken bak bere hit on honde.
& ay þe nakeryn noyse, notes of pipes,
Tymbres & tabornes, tulket among,
Symbales & sonetez sware þe noyse,
& bougounz busch batered so þikke.
So watz serued fele syþe þe sale alle aboute,
With solace at þe sere course, bifore þe self lorde,
Þer þe lede & alle his loue lenged at þe table:
So faste þay we3ed to him wyne hit warmed his hert
& breyþed vppe into his brayn & blemyst his mynde,
& al waykned his wyt, & welne3e he foles;
For he waytez on wyde, his wenches he byholdes,
& his bolde baronage aboute bi þe wo3es.
Þenne a dotage ful depe drof to his hert,
& a caytif counsayl he ca3t bi hymseluen;
Maynly his marschal þe mayster vpon calles,
& comaundes hym cofly coferes to lauce,
& fech forþ þe vessel þat his fader bro3t,
Nabugo_de_nozar, noble in his strenþe,
Conquered with his kny3tes & of kyrk rafte
In Jude, in Jerusalem, in gentyle wyse:
'Bryng hem now to my borde, of beuerage hem fylles,
Let þise ladyes of hem lape, I luf hem in hert;
Þat schal I cortaysly kyþe, & þay schin knawe sone,
Þer is no bounte in burne lyk Baltazar þewes.'
Þenne towched to þe tresour þis tale watz sone,
& he with keyes vncloses kystes ful mony;
Mony burþen ful bry3t watz bro3t into halle,
& couered mony a cupborde with cloþes ful quite.
Þe jueles out of Jerusalem with gemmes ful bry3t
Bi þe syde of þe sale were semely arayed;
Þe aþel auter of brasse watz hade into place,
Þe gay coroun of golde gered on lofte.
Þat hade ben blessed bifore wyth bischopes hondes
& wyth besten blod busily anoynted,
In þe solempne sacrefyce þat goud sauor hade
Bifore þe Lorde of þe lyfte in louyng Hymseluen,
Now is sette, for to serue Satanas þe blake,
Bifore þe bolde Baltazar wyth bost & wyth pryde;
Houen vpon þis auter watz aþel vessel
Þat wyth [s]o curious a crafte coruen watz wyly.
Salamon sete him s[eue]n 3ere & a syþe more,
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With alle þe syence þat hym sende þe souerayn Lorde,
For to compas & kest to haf hem clene wro3t.
For þer wer bassynes ful bry3t of brende golde clere,
Enaumaylde with azer, & eweres of sute,
Couered cowpes foul clene, as casteles arayed,
Enbaned vnder batelment with bantelles quoynt,
& fyled out of fygures of ferlyle schappes.
Þe coperounes of þe canacles þat on þe cuppe reres
Wer fetysely formed out in fylyoles longe;
Pinacles py3t þer apert þat profert bitwene,
& al bolled abof with braunches & leues,
Pyes & papejayes purtrayed withinne,
As þay prudly hade piked of pomgarnades;
For alle þe blomes of þe bo3es wer blyknande perles,
& alle þe fruyt in þo formes of flaumbeande gemmes,
Ande safyres, & sardiners, & semely topace,
Alabaundarynes, & amaraunz, & amaffised stones,
Casydoynes, & crysolytes, & clere rubies,
Penitotes, & pynkardines, ay perles bitwene;
So trayled & tryfled atrauerce wer alle,
Bi vche bekyrande þe bolde, þe brurdes al vmbe;
Þe gobelotes of golde grauen aboute,
& fyoles fretted with flores & fleez of golde;
Vpon þat avter watz al aliche dresset.
Þe candelstik bi a cost watz cayred þider sone,
Vpon þe pyleres apyked, þat praysed hit mony,
Vpon hit basez of brasse þat ber vp þe werkes,
Þe bo3es bry3t þerabof, brayden of golde,
Braunches bredande þeron, & bryddes þer seten
Of mony kyndes, of fele kyn hues,
As þay with wynge vpon wynde hade waged her fyþeres.
Inmong þe leues of þe lampes wer grayþed,
& oþer louflych ly3t þat lemed ful fayre,
As mony morteres of wax merkked withoute
With mony a borlych best al of brende golde.
Hit watz not wonte in þat wone to wast no serges,
Bot in temple of þe trauþe trwly to stonde
Bifore þe sancta sanctorum, soþefast Dry3tyn
Expouned His speche spiritually to special prophetes.
Leue þou wel þat þe Lorde þat þe lyfte 3emes
Displesed much at þat play in þat plyt stronge,
Þat His jueles so gent wyth jaueles wer fouled,
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Þat presyous in His presens wer proued sumwhyle.
Soberly in His sacrafyce summe wer anoynted,
Þur3þe somones of Himselfe þat syttes so hy3e;
Now a boster on benche bibbes þerof
Tyl he be dronkken as þe deuel, & dotes þer he syttes.
So þe Worcher of þis worlde wlates þerwyth
Þat in þe poynt of her play He poruayes a mynde;
Bot er harme hem He wolde in haste of His yre,
He wayned hem a warnyng þat wonder hem þo3t.
Nov is alle þis guere geten glotounes to serue,
Stad in a ryche stal, & stared ful bry3t[e];
Baltazar in a brayd: 'Bede vus þerof!
We3e wyn in þis won! Wassayl!' he cryes.
Swyfte swaynes ful swyþe swepen þertylle,
Kyppe kowpes in honde kyngez to serue;
In bry3t bollez ful bayn birlen þise oþer,
& vche mon for his mayster machches alone.
Þer watz rynging, on ry3t, of ryche metalles,
Quen renkkes in þat ryche rok rennen hit to cache;
Clatering of couaclez þat kesten þo burdes
As sonet out of sau[t]eray songe als myry.
Þen þe dotel on dece drank þat he my3t;
& þenne arn dressed dukez & prynces,
Concubines & kny3tes, bi cause of þat merthe;
As vchon hade hym inhelde he haled of þe cuppe.
So long likked þise lordes þise lykores swete,
& gloryed on her falce goddes, & her grace calles,
Þat were of stokkes & stones, stille euermore,
Neuer steuen hem astel, so stoken [is] hor tonge.
Alle þe goude golden goddes þe gaulez 3et neuenen,
Belfagor & Belyal, & Belssabub als,
Heyred hem as hy3ly as heuen wer þayres,
Bot Hym þat alle goudes giues, þat God þay for3eten.
For þer a ferly bifel þat fele folk se3en;
Fryst knew hit þe kyng & alle þe cort after:
In þe palays pryncipale, vpon þe playn wowe,
In contrary of þe candelstik, þat clerest hit schyned,
Þer apered a paume, with poyntel in fyngres,
Þat watz grysly & gret, & grymly he wrytes;
Non oþer forme bot a fust faylande þe wryste
Pared on þe parget, purtrayed lettres.
When þat bolde Baltazar blusched to þat neue,
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Such a dasande drede dusched to his hert
Þat al falewed his face & fayled þe chere;
Þe stronge strok of þe stonde strayned his joyntes,
His cnes cachches toclose, & cluchches his hommes,
& he with plattyng his paumes displayes his ler[e]s,
& romyes as a rad ryth þat rorez for drede,
Ay biholdand þe honde til hit hade al grauen
& rasped on þe ro3wo3e runisch sauez.
When hit þe scrypture hade scraped wyth a strof penne,
As a coltour in clay cerues þo for3es,
Þenne hit vanist verayly & voyded of sy3t,
Bt þe lettres bileued ful large vpon plaster.
Sone so þe kynge for his care carping my3t wynne,
He bede his burnes bo3to þat were bok-lered,
To wayte þe wryt þat hit wolde, & wyter hym to say,
'For al hit frayes my flesche, þe fyngres so grymme.'
Scoleres skelten þeratte þe skyl for to fynde,
Bot þer watz neuer on so wyse couþe on worde rede,
Ne what ledisch lore ne langage nauþer,
What tyþyng ne tale tokened þo dra3tes.
Þenne þe bolde Baltazar bred ner wode,
& ede þe cete to seche segges þur3out
Þat wer wyse of wychecrafte, & warla3es oþer
Þat con dele wyth demerlayk & deuine lettres.
'Calle hem alle to my cort, þo Calde clerkkes,
Vnfolde hem alle þis ferly þat is bifallen here,
& calle wyth a hi3e cry: "He þat þe kyng wysses,
In expounyng of speche þat spredes in þise lettres,
& make þe mater to malt my mynde wythinne,
Þat I may wyterly wyt what þat wryt menes,
He schal be gered ful gaye in gounes of porpre,
& a coler of cler golde clos vmbe his þrote;
He schal be prymate & prynce of pure clergye,
& of my þreuenest lordez þe þrydde he schal,
& of my reme þe rychest to ryde wyth myseluen,
Outtaken bare two, & þenne he þe þrydde."'
Þis cry watz vpcaste, & þer comen mony
Clerkes out of Caldye þat kennest wer knauen,
As þe sage sathrapas þat sorsory couþe,
Wychez & walkyries wonnen to þat sale,
Deuinores of demorlaykes þat dremes cowþe rede,
Sorsers & exorsismus & fele such clerkes;
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& alle þat loked on þat letter as lewed þay were
As þay had loked in þe leþer of my lyft bote.
Þenne cryes þe kyng & kerues his wedes.
What! he corsed his clerkes & calde hem chorles;
To henge þe harlotes he he3ed ful ofte:
So watz þe wy3e wytles he wed wel ner.
Ho herde hym chyde to þe chambre þat watz þe chef quene.
When ho watz wytered bi wy3es what watz þe cause,
Suche a chaungande chaunce in þe chef halle,
Þe lady, to lauce þat los þat þe lorde hade,
Glydes doun by þe grece & gos to þe kyng.
Ho kneles on þe colde erþe & carpes to hymseluen
Wordes of worchyp wyth a wys speche.
'Kene kyng,' quoþ þe quene, 'kayser of vrþe,
Euer laste þy lyf in lenþe of dayes!
Why hatz þou rended þy robe for redles hereinne,
Þa3þose ledes ben lewed lettres to rede,
& hatz a haþel in þy holde, as I haf herde ofte,
Þat hatz þe gostes of God þat gyes alle soþes?
His sawle is ful of syence, sa3es to schawe,
To open vch a hide þyng of aunteres vncowþe.
Þat is he þat ful ofte hatz heuened þy fader
Of mony anger ful hote with his holy speche.
When Nabugo_de_nozar watz nyed in stoundes,
He devysed his dremes to þe dere trawþe;
He keuered hym with his counsayl of caytyf wyrdes;
Alle þat he spured hym, in space he expowned clene,
Þur3þe sped of þe spyryt, þat sprad hym withinne,
Of þe godelest goddez þat gaynes aywhere.
For his depe diuinite & his dere sawes,
Þy bolde fader Baltazar bede by his name,
Þat now is demed Danyel, of derne coninges,
Þat ca3t watz in þe captyuide in cuntre of Jues;
Nabuzardan hym nome, & now is he here,
A prophete of þat prouince & pryce of þe worlde.
Sende into þe cete to seche hym bylyue,
& wynne hym with þe worchyp to wayne þe bote;
& þa3þe mater be merk þat merked is 3ender,
He schal declar hit also as hit on clay stande.'
Þat gode counseyl at þe quene watz cached as swyþe;
Þe burne byfore Baltazar watz bro3t in a whyle.
When he com bifore þe kyng & clanly had halsed,
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Baltazar vmbebrayde hym, & 'Leue sir,' he sayde,
'Hit is tolde me bi tulkes þat þou trwe were
Profete of þat prouynce þat prayed my fader,
Ande þat þou hatz in þy hert holy connyng,
Of sapyence þi sawle ful, soþes to schawe;
Goddes gost is þe geuen þat gyes alle þynges,
& þou vnhyles vch hidde þat Heuen-Kyng myntes.
& here is a ferly byfallen, & I fayn wolde
Wyt þe wytte of þe wryt þat on þe wowe clyues,
For alle Calde clerkes han cowwardely fayled.
If þou with quayntyse con quere hit, I quyte þe þy mede:
For if þou redes hit by ry3t & hit to resoun brynges,
Fyrst telle me þe tyxte of þe tede lettres,
& syþen þe mater of þe mode mene me þerafter,
& I schal halde þe þe hest þat I þe hy3t haue,
Apyke þe in porpre cloþe, palle alþer-fynest,
& þe by3e of bry3t golde abowte þyn nekke,
& þe þryd þryuenest þat þrynges me after,
Þou schal be baroun vpon benche, bede I þe no lasse.'
Derfly þenne Danyel deles þyse wordes:
'Ryche kyng of þis rengne, rede þe oure Lorde!
Hit is surely soth þe Souerayn of heuen
Fylsened euer þy fader & vpon folde cheryched,
Gart hym grattest to be of gouernores alle,
& alle þe worlde in his wylle welde as hym lykes.
Whoso wolde wel do, wel hym bityde,
& quos deth so he dezyre, he dreped als fast;
Whoso hym lyked to lyft, on lofte watz he sone,
& quoso hym lyked to lay watz lo3ed bylyue.
So watz noted þe note of Nabugo_de_nozar,
Styfly stabled þe rengne bi þe stronge Dry3tyn,
For of þe Hy3est he hade a hope in his hert,
Þat vche pouer past out of þat Prynce euen.
& whyle þat watz cle3t clos in his hert
Þere watz no mon vpon molde of my3t as hymseluen;
Til hit bitide on a tyme towched hym pryde
For his lordeschyp so large & his lyf ryche;
He hade so huge an insy3t to his aune dedes
Þat þe power of þe hy3e Prynce he purely for3etes.
Þenne blynnes he not of blasfemy on to blame þe Dry3tyn;
His my3t mete to Goddes he made with his wordes:
"I am god of þe grounde, to gye as me lykes.
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As He þat hy3e is in heuen, His aungeles þat weldes.
If He hatz formed þe folde & folk þervpone,
I haf bigged Babiloyne, bur3alþer-rychest,
Stabled þerinne vche a ston in strenkþe of myn armes;
Mo3t neuer my3t bot myn make such anoþer."
Watz not þis ilke worde wonnen of his mowþe one
Er þenne þe Souerayn sa3e souned in his eres:
"Now Nabugo_de_nozar inno3e hatz spoken,
Now is alle þy pryncipalte past at ones,
& þou, remued fro monnes sunes, on mor most abide
& in wasturne walk & wyth þe wylde dowelle,
As best, byte on þe bent of braken & erbes,
With wroþe wolfes to won & wyth wylde asses."
Inmydde þe poynt of his pryde departed he þere
Fro þe soly of his solempnete; his solace he leues,
& carfully is outkast to contre vnknawen,
Fer into a fyr fryth þere frekes neuer comen.
His hert heldet vnhole; he hoped non oþer
Bot a best þat he be, a bol oþer an oxe.
He fares forth on alle faure, fogge watz his mete,
& ete ay as a horce when erbes were fallen;
Þus he countes hym a kow þat watz a kyng ryche,
Quyle seuen syþez were ouerseyed, someres I trawe.
By þat mony þik thy3e þry3t vmbe his lyre,
Þat alle watz dubbed & dy3t in þe dew of heuen;
Faxe, fyltered & felt, flosed hym vmbe,
Þat schad fro his schulderes to his schyre wykes,
& twenty-folde twynande hit to his tos ra3t,
Þer mony clyuy as clyde hit cly3t togeder.
His berde ibrad alle his brest to þe bare vrþe,
His browes bresed as breres aboute his brode chekes;
Hol3e were his y3en & vnder campe hores,
& al watz gray as þe glede, with ful grymme clawres
Þat were croked & kene as þe kyte paune;
Erne-hwed he watz & al ouerbrawden,
Til he wyst ful wel who wro3t alle my3tes,
& cowþe vche kyndam tokerue & keuer when Hym lyked.
Þenne He wayned hym his wyt, þat hade wo soffered,
Þat he com to knawlach & kenned hymseluen;
Þenne he loued þat Lorde & leued in trawþe
Hit watz non oþer þen He þat hade al in honde.
Þenne sone watz he sende agayn, his sete restored;
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His barounes bo3ed hym to, blyþe of his come,
Ha3erly in his aune hwe his heued watz couered,
& so 3eply watz 3arked & 3olden his state.
Bot þou, Baltazar, his barne & his bolde ayre,
Se3þese syngnes with sy3t & set hem at lyttel,
Bot ay hatz hofen þy hert agaynes þe hy3e Dry3t[y]n,
With bobaunce & with blasfamye bost at Hym kest,
& now His vessayles avyled in vanyte vnclene,
Þat in His hows Hym to honour were heuened of fyrst;
Bifore þe barounz hatz hom bro3t, & byrled þerinne
Wale wyne to þy wenches in waryed stoundes;
Bifore þy borde hatz þou bro3t beuerage in þede,
Þat blyþely were fyrst blest with bischopes hondes,
Louande þeron lese goddez þat lyf haden neuer,
Made of stokkes & stonez þat neuer styry mo3t.
& for þat froþande fylþe, þe Fader of heuen
Hatz sende into þis sale þise sy3tes vncowþe,
Þe fyste with þe fyngeres þat flayed þi hert,
Þat rasped renyschly þe wo3e with þe ro3penne.
Þise ar þe wordes here wryten, withoute werk more,
By vch fygure, as I fynde, as oure Fader lykes:
Mane, Techal, Phares: merked in þrynne,
Þat þretes þe of þyn vnþryfte vpon þre
wyse.
Now expowne þe þis speche spedly I þenk:
Manemenes als much as "Maynful Gode
Hatz counted þy kyndam bi a clene noumbre,
& fulfylled hit in fayth to þe fyrre ende".
To teche þe of Techal, þat terme þus menes:
"þy wale rengne is walt in we3tes to heng,
& is funde ful fewe of hit fayth-dedes."
& Pharesfol3es for þose fawtes, to frayst þe trawþe;
In Phares fyndeI forsoþe þise felle sa3es:
"Departed is þy pryncipalte, depryued þou worpes,
Þy rengne rafte is þe fro, & ra3t is þe Perses;
Þe Medes schal be maysteres here, & þou of menske schowued."'
Þe kyng comaunded anon to cleþe þat wyse
In frokkes of fyn cloþ, as forward hit asked;
Þenne sone watz Danyel dubbed in ful dere porpor,
& a coler of cler golde kest vmbe his swyre.
Þen watz demed a decre bi þe duk seluen:
Bolde Baltazar bed þat hym bowe schulde
96
Þe comynes al of Calde þat to þe kyng longed,
As to þe prynce pryuyest preued þe þrydde,
He3est of alle oþer saf onelych tweyne,
To bo3after Baltazar in bor3e & in felde.
Þys watz cryed & knawen in cort als fast,
& alle þe folk þerof fayn þat fol3ed hym tylle.
Bot howso Danyel watz dy3t, þat day ouer3ede;
Ny3t ne3ed ry3t now with nyes fol mony,
For da3ed neuer anoþer day, þat ilk derk after,
Er dalt were þat ilk dome þat Danyel deuysed.
Þe solace of þe solempnete in þat sale dured
Of þat farand fest, tyl fayled þe sunne;
Þenne blykned þe ble of þe bry3t skwes,
Mourkenes þe mery weder, & þe myst dryues
Þor3þe lyst of þe lyfte, bi þe lo3medoes.
Vche haþel to his home hy3es ful fast,
Seten at her soper & songen þerafter;
Þen foundez vch a fela3schyp fyrre at forþ na3tes.
Baltazar to his bedd with blysse watz caryed;
Reche þe rest as hym lyst: he ros neuer þerafter.
For his foes in þe felde in flokkes ful grete,
Þat longe hade layted þat lede his londes to strye,
Now ar þay sodenly assembled at þe self tyme.
Of hem wyst no wy3e þat in þat won dowelled.
Hit watz þe dere Daryus, þe duk of þise Medes,
Þe prowde prynce of Perce, & Porros of Ynde,
With mony a legioun ful large, with ledes of armes,
Þat now hatz spyed a space to spoyle Caldeez.
Þay þrongen þeder in þe þester on
þrawen hepes,
Asscaped ouer þe skyre watteres & scaþed þe walles,
Lyfte laddres ful longe & vpon lofte wonen,
Stelen stylly þe toun er any steuen rysed.
Withinne an oure of þe niy3t an entre þay hade,
3et afrayed þay no freke. Fyrre þay passen,
& to þe palays pryncipal þay aproched ful stylle,
Þenne ran þay in on a res on rowtes ful grete;
Blastes out of bry3t brasse brestes so hy3e,
Ascry scarred on þe scue, þat scomfyted mony.
Segges slepande were slayne er þay slyppe my3t;
Vche hous heyred watz withinne a hondewhyle.
Baltazar in his bed watz beten to deþe,
97
Þat boþe his blod & his brayn blende on þe cloþes;
The kyng in his cortyn watz ka3t bi þe heles,
Feryed out bi þe fete & fowle dispysed.
Þat watz so do3ty þat day & drank of þe vessayl
Now is a dogge also dere þat in a dych lygges.
For þe mayster of þyse Medes on þe morne ryses,
Dere Daryous þat day dy3t vpon trone,
Þat cete seses ful sounde, & sa3tlyng makes
Wyth alle þe barounz þeraboute, þat bowed hym after.
& þus watz þat londe lost for þe lordes synne,
& þe fylþe of þe freke þat defowled hade
Þe ornementes of Goddez hous þat holy were maked.
He watz corsed for his vnclannes, & cached þerinne,
Done doun of his dyngnete for dedez vnfayre,
& of þyse worldes worchyp wrast out for euer,
& 3et of lykynges on lofte letted, I trowe:
To loke on oure lofly Lorde late bitydes.
Þus vpon þrynne wyses I haf yow þro schewed
Þat vnclannes tocleues in corage dere
Of þat wynnelych Lorde þat wonyes in heuen,
Entyses Hym to be tene, telled vp His wrake;
Ande clannes is His comfort, & coyntyse He louyes,
& þose þat seme arn & swete schyn se His face.
Þat we gon gay in oure gere þat grace He vus sende,
Þat we may serue in His sy3t, þer solace neuer blynnez.
Amen.
~ Anonymous Americas,#NFDB
1451:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
60
I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
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But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
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'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
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And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
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Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
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But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
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Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
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Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
75
Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
80
Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
81
By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
83
The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
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When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
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Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
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And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
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To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
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Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
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Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
94
He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
96
Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
97
[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
98
Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
102
Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
103
To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
111
Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,#NFDB
1452:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?
ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
They dare not.
Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
And what art thou,
O, melancholy Voice?
The Earth.
I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
And through their lulling plumes arise,
A Shape, a throng of sounds;
May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
Clothed in dark purple, star-inwoven.
A sceptre of pale gold
To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
He speaks! O shelter me!
Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
They were thine.
Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
Let me but look into his eyes!
Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
Prometheus!
Second Fury.
Immortal Titan!
Third Fury.
Champion of Heaven's slaves!
Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
Fire is left for future burning:
It will burst in bloodier flashes
When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
Misery's yet unkindled fuel:
Leave Hell's secrets half unchanted
To the maniac dreamer; cruel
More than ye can be with hate
Is he with fear.
Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
It is torn.
Chorus.
The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
One came forth of gentle worth
Smiling on the sanguine earth;
His words outlived him, like swift poison
Withering up truth, peace, and pity.
Look! where round the wide horizon
Many a million-peopled city
Vomits smoke in the bright air.
Hark that outcry of despair!
'Tis his mild and gentle ghost
Wailing for the faith he kindled:
Look again, the flames almost
To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
Are to us as soft winds be
To shepherd boys, the prophecy
Which begins and ends in thee.
Ione.
Where are the Spirits fled?
Panthea.
Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.
ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
Lift up thine eyes,
And let me read thy dream.
Panthea.
As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
Follow! Follow!
Panthea.
It is mine other dream.
Asia.
It disappears.
Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
Follow, follow!
Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
Child of Ocean!
Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
I hear.
Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
Child of Ocean!
Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
Child of Ocean!
Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
Child of Ocean!
Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
And first there comes a gentle sound
To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
Down, down!
While the sound whirls around,
Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
Down, down!
Through the gray, void abysm,
Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
Down, down!
In the depth of the deep,
Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
Down, down!
We have bound thee, we guide thee;
Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
By that alone.
Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
Ask what thou wouldst know.
Asia.
What canst thou tell?
Demogorgon.
All things thou dar'st demand.
Asia.
Who made the living world?
Demogorgon.
God.
Asia.
Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
Merciful God.
Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
He reigns.
Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
I feel, I know it: who?
Demogorgon.
He reigns.
Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
Behold!
Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
Thus I am answered: strange!
Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
Alas! it could not.
Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
Yes, I feel
Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
List! Spirits speak.
Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.
ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
Awful shape, what art thou? Speak!
Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.
It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
Farewell.
Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.
For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
What; as Asia loves Prometheus?
Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
Listen; look!
[The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.
ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
But where are ye?
A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
But where are ye?
The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
But where are ye?
Ione.
What charioteers are these?
Panthea.
Where are their chariots?
Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
In the deep?
Semichorus II.
Oh, below the deep.
Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
Worse than his visions were!
Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
Unite!
Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
Yet feel you no delight
From the past sweetness?
Panthea.
As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
Through me, through me!
The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
On mine, on mine!
Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
'Tis love, all love!
The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
Thy vales more deep.
The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
On mine, on mine!
The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
Full, oh, too full!
Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
Upon its snow
The Earth.
And the weak day weeps
That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.
Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,#NFDB
1453:Knyghthode And Bataile
A XVth Century Verse Paraphrase of Flavius Vegetius Renatus' Treatise 'DE RE
MILITARI'
Proemium.
Salue, festa dies
i martis,
Mauortis! auete
Kalende. Qua Deus
ad celum subleuat
ire Dauid.
Hail, halyday deuout! Alhail Kalende
Of Marche, wheryn Dauid the Confessour
Commaunded is his kyngis court ascende;
Emanuel, Jhesus the Conquerour,
This same day as a Tryumphatour,
Sette in a Chaire & Throne of Maiestee,
To London is comyn. O Saviour,
Welcome a thousand fold to thi Citee!
And she, thi modir Blessed mot she be
That cometh eke, and angelys an ende,
Wel wynged and wel horsed, hidir fle,
Thousendys on this goode approche attende;
And ordir aftir ordir thei commende,
As Seraphin, as Cherubyn, as Throne,
As Domynaunce, and Princys hidir sende;
And, at o woord, right welcom euerychone!
But Kyng Herry the Sexte, as Goddes Sone
Or themperour or kyng Emanuel,
To London, welcomer be noo persone;
O souuerayn Lord, welcom! Now wel, Now wel!
Te Deum to be songen, wil do wel,
And Benedicta Sancta Trinitas!
364
Now prosperaunce and peax perpetuel
Shal growe,-and why? ffor here is Vnitas.
Therof to the Vnitee 'Deo gracias'
In Trinitee! The Clergys and Knyghthode
And Comynaltee better accorded nas
Neuer then now; Now nys ther noon abode,
But out on hem that fordoon Goddes forbode,
Periurous ar, Rebellovs and atteynte,
So forfaytinge her lyif and lyvelode,
Although Ypocrisie her faytys peynte.
Now, person of Caleys, pray euery Seynte
In hevenys & in erth of help Thavaile.
It is, That in this werk nothing ne feynte,
But that beforn good wynde it go ful sayle;
And that not oonly prayer But travaile
Heron be sette, Enserche & faste inquere.
Thi litil book of knyghthode & bataile,
What Chiualer is best, on it bewere.
Whil Te Deum Laudamus vp goth there
At Paulis, vp to Westmynster go thee;
The Kyng comyng, Honor, Virtus the Quene,
So glad goth vp that blisse it is to see.
Thi bille vnto the Kyng is red, and He
Content withal, and wil it not foryete.
What seith my lord Beaumont? 'Preste, vnto me
Welcom.' (here is tassay, entre to gete).
'Of knyghthode & Bataile, my lord, as trete
The bookys olde, a werk is made now late,
And if it please you, it may be gete.'
'What werk is it?' 'Vegetius translate
Into Balade.' 'O preste, I pray the, late
Me se that werk.' 'Therto wil I you wise.
Lo, here it is!' Anon he gan therate
To rede, thus: 'Sumtyme it was the gise'-
365
And red therof a part. 'For my seruyse
Heer wil I rede (he seith) as o psaultier.'
'It pleaseth you right wel; wil your aduyse
Suppose that the kyng heryn pleasier
May haue?' 'I wil considir the matier;
I fynde it is right good and pertynente
Vnto the kyng; his Celsitude is hier;
I halde it wel doon, hym therwith presente.
Almyghti Maker of the firmament,
O mervailous in euery creature,
So singuler in this most excellent
Persone, our Souuerayn Lord! Of what stature
Is he, what visagynge, how fair feture,
How myghti mad, and how strong in travaile!
In oonly God & hym it is tassure
As in a might, that noo wight dar assaile.
Lo, Souuerayn Lord, of Knyghthode & bataile
This litil werk your humble oratour,
Ye, therwithal your Chiualers, travaile,
Inwith your hert to Crist the Conquerour
Offreth for ye. Ther, yeueth him thonour;
His true thought, accepte it, he besecheth,
Accepte; it is to this Tryumphatour,
That myghti werre exemplifying techeth.
He redeth, and fro poynt to poynt he secheth,
How hath be doon, and what is now to done;
His prouidence on aftirward he strecheth,
By see & lond; he wil provide sone
To chace his aduersaryes euerychone;
Thei hem by lond, thei hem by see asseyle;The Kyng his Oratoure, God graunt his bone,
Ay to prevaile in knyghthode & bataile.
366
Amen.
I.
Sumtyme it was the gise among the wise
To rede and write goode and myghti thingis,
And have therof the dede in exercise;
Pleasaunce heryn hadde Emperour and Kingis.
O Jesse flour, whos swete odour our Kinge is,
Do me to write of knyghthode and bataile
To thin honour and Chiualers tavaile.
Mankyndys lyfe is mylitatioun,
And she, thi wife, is named Militaunce,
Ecclesia; Jhesu, Saluatioun,
My poore witte in thi richesse avaunce,
Cast out therof the cloude of ignoraunce,
Sette vp theryn thi self, the verrey light,
Therby to se thi Militaunce aright.
O Lady myn, Maria, Lode sterre,
Condite it out of myst & nyght, that dark is,
To write of al by see & lond the werre.
Help, Angelys, of knyghthode ye Ierarkys
In heven & here; o puissaunt Patriarkys,
Your valiaunce and werre in see & londe
Remembering, to this werk putte your honde.
Apostolys, ye, with thalmyghti swoorde
Of Goddis woord, that were Conquerourys
Of al the world, and with the same woorde
Ye Martirys that putte of sharpe shourys,
Ye Virgynys pleasaunt and Confessourys
That with the same sworde haue had victory,
Help heer to make of werre a good memory.
And euery werreour wil I beseche,
Impropurly where of myn ignoraunce
367
Of werre I write, as putte in propre speche
And mende me, prayinge herof pleasaunce
To God be first, by Harry Kyng of Fraunce
And Englond, and thenne ereither londe,
Peasibilly that God putte in his honde.
Thus seide an humble Inuocatioun
To Criste, his Modir, and his Sayntis alle,
With confidence of illustratioun,
Criste me to spede, and prayer me to walle,
Myn inwit on this werk wil I let falle,
And sey what is kynyghthode, and in bataile,
By lond & see, what feat may best prevaile.
Knyghthode an ordir is, the premynent;
Obeysaunt in God, and rather deye
Then disobeye; and as magnificent
As can be thought; exiled al envye;
As confident the right to magnifie
As wil the lawe of Goddis mandement,
And as perseueraunt and patient.
The premynent is first thalmyghti Lord,
Emanuel, that euery lord is vndir
And good lyver; but bataile and discord
With him hath Sathanas; thei are asondir
As day & nyght, and as fier wasteth tundir,
So Sathanas his flok; and Cristis oste
In gemmy gold goth ardent, euery cooste.
Themanuel, this Lord of Sabaoth,
Hath ostis angelik that multitude,
That noon of hem, nor persone erthly, woote
Their numbir or vertue or pulcritude;
Our chiualers of hem similitude
Take as thei may, but truely ? fer is,
As gemmys are ymagyned to sterrys.
368
Folk angelik, knyghthode archangelike,
And the terrible tourmys pryncipaunt,
The Potestates myght, ho may be like,The vigoroux vertue so valyaunt,
The Regalye of thordir domynaunt,
The Thronys celsitude of Cherubyn?
Who hath the light or flamme of Seraphyn?
Yit true it is, Man shal ben angelike;
Forthi their hosteyinye the Lord hath shewed
Ofte vnto man, the crafte therof to pike,
In knyghthode aftir hem man to be thewed:
By Lucyfer falling, rebate and fewed
Her numbir was, and it is Goddis wille,
That myghti men her numbir shal fulfille.
Of myghty men first is thelectioun
To make, & hem to lerne, & exercise
An ooste of hem for his perfectioun,
Be numbred thenne; and aftir se the gise
Of strong bataile, fighting in dyuers wise;
In craft to bilde, and art to make engyne
For see & lond, this tretys I wil fyne.
Thelectioun of werreours is good
In euery londe; and southward ay the more,
The more wit thei haue & lesse blood,
Forthi to blede thei drede it, and therfore
Reserue theim to labour & to lore,
And northeward hath more blood and lesse
Wit, and to fight & blede an hardinesse.
But werreours to worthe wise & bolde,
Is good to take in mene atwix hem twayne,
Where is not ouer hote nor ouer colde;
And to travaile & swete in snow & rayne,
In colde & hete, in wode & feeldys playne,
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With rude fode & short, thei that beth vsed,
To chere it is the Citesens seclused.
And of necessitee, if thei be take
To that honour as to be werreourys,
In grete travaile her sleuth is of to shake,
And tolleraunce of sonne & dust & shourys,
To bere & drawe, & dayes delve and hourys
First vse thei, and reste hem in a cave,
And throute among, and fode a smal to haue.
In soden case emergent hem elonge
Fro their Cite, streyt out of that pleasaunce;
So shal thei worthe, ye, bothe bolde & stronge;
But feithfully the feld may most avaunce
A myghti ooste; of deth is his doubtaunce
Ful smal, that hath had smal felicite.
To lyve, and lande-men such lyuers be.
Of yonge folk is best electioun,
In puberte thing lightlier is lerned,
Of tendre age vp goth perfectioun
Of chiualers, as it is wel gouerned;
Alacrite to lepe & renne vnwerned,
Not oonly be, but therto sette hem stronge
And chere theim therwith, whil thei beth yonge.
For better is ?ge men compleyne
On yerys yet commyng and nat fulfilled,
Then olde men dolorouxly disdeyne,
That thei here yougthe in negligence haspilde.
The yonge may seen alle his daies filde
In disciplyne of were and exercise,
That age may not haue in eny wise.
Not litil is the discipline of werre,
O fote, on hors, with sword or shild or spere,
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The place & poort to kepe and not to erre,
Ne truble make, and his shot wel bewere,
To dike and voyde a dike, and entir there,
As is to do; lerned this gouernaunce,
No fere is it to fight, but pleasaunce.
The semelyest, sixe foote or litil lesse,
The first arayes of the legyoun,
Or wyngys horsyd, it is in to dresse;
Yet is it founde in euery regioun,
That smale men have had myght & renoun:
Lo, Tideus, as telleth swete Homere,
That litil man in vigour had no pere.
And him, that is to chese, it is to se
The look, the visagynge, the lymys stronge,
That thei be sette to force & firmytee;
For bellatours, men, horsis, hondis yonge,
As thei be wel fetured, is to fonge,
As in his book seith of the bee Virgile,
Too kyndis are, a gentil and a vile.
The gentil is smal, rutilaunt, glad-chered,
That other horribil, elenge and sloggy,
Drawinge his wombe abrede, and vgly-hered,
To grete the bolk, and tremulent and droggy,
The lymes hery, scabious & ruggy;
That be wil litil do, but slepe & ete,
And al deuoure, as gentil bees gete.
So for bataile adolescentys yonge
Of grym visage and look pervigilaunt,
Vpright-necked, brod-brested, boned stronge.
Brawny, bigge armes, fyngeres elongaunt,
Kne deep, smal wombe, and leggys valiaunt,
To renne & lepe: of these and suche signys
Thelectioun to make ascribed digne is.
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For better is, of myghti werryourys
To haue ynogh, then ouer mych of grete.What crafty men tabide on werrys shourys,
It is to se; fisshers, foulers, forlete
Hem alle, and pigmentaryes be foryete,
And alle they that are of idil craftys,
Their insolence & feet to be forlafte is.
The ferrour and the smyth, the carpenter,
The huntere of the hert & of the boor,
The bocher & his man, bed hem com nere,
For alle tho may do and kepe stoor.
An old prouerbe is it: Stoor is not soor,
And commyn wele it is, a werreour
To have aswel good crafte as grete vigour.
The reaumys myght, the famys fundament,
Stont in the first examynatioun
Or choys, wheryn is good be diligent.
Of the provynce that is defensioun;
A wysdom and a just intensioun
Is him to have, an ost that is to chese,
Wheryn is al to wynne or al to lese.
If chiualers, a land that shal defende,
Be noble born, and have lond & fee,
With thewys goode, as can noman amende,
Thei wil remembir ay their honeste,
And shame wil refreyne hem not to fle;
Laude & honour, hem sporynge on victory,
To make fame eternal in memory.
What helpeth it, if ignobilitee
Have exercise in werre and wagys large;
A traitour or a coward if he be,
Thenne his abode is a disceypt & charge;
If cowardise hym bere away by barge
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Or ship or hors, alway he wil entende
To marre tho that wolde make or mende.
Ciuilians or officers to make
Of hem that have habilite to werre,
Is not the worship of a lond tawake,
Sumtyme also lest noughti shuld com nerre,
Thei sette hym to bataile, & theryn erre;
Therfore it is by good discretioun
And grete men to make electioun.
And not anoon to knyghthode is to lyft
A bacheler elect; let first appare
And preve it wel that he be stronge & swift
And wil the discipline of werrys lere,
With confidence in conflict as he were.
Ful oftyn he that is right personabil,
Is aftir pref reported right vnabil.
He putte apart, putte in his place an other;
Conflicte is not so sure in multitude,
As in the myght. Thus proved oon & other
Of werre an entre or similitude,
In hem to shewe. But this crafte dissuetude
Hath take away; here is noon exercise
Of disciplyne, as whilom was the gise.
How may I lerne of hym that is vnlerned,
How may a thing informal fourme me?
Thus I suppose is best to be gouerned:
Rede vp thistories of auctoritee,
And how thei faught, in theym it is to se,
Or better thus: Celsus Cornelius
Be red, or Caton, or Vegetius.
Vegetius it is, that I entende
Aftir to goon in lore of exercise,
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Besechinge hem that fynde a faut, amende
It to the best, or me tamende it wise;
As redy wil I be with my seruyce
Tamende that, as ferther to procede.
Now wel to go, the good angel vs lede.
First is to lerne a chiualerys pace,
That is to serue in journey & bataile;
Gret peril is, if they theryn difface,
That seyn: our enemye wil our oste assaile
And jumpe light; to goon is gret availe,
And pace in howrys fyve
Wel may they goon, and not goon ouer blyve.
And wightly may thei go moo,
But faster and they passe, it is to renne;
In rennyng exercise is good also,
To smyte first in fight, and also whenne
To take a place our foomen wil, forrenne,
And take it erst; also to serche or sture,
Lightly to come & go, rennynge is sure.
Rennynge is also right good at the chace,
And forto lepe a dike, is also good,
To renne & lepe and ley vppon the face,
That it suppose a myghti man go wood
And lose his hert withoute sheding blood;
For myghtily what man may renne & lepe,
May wel devicte and saf his party kepe.
To swymme is eek to lerne in somer season;
Men fynde not a brigge as ofte as flood,
Swymmyng to voide and chace an oste wil eson;
Eeke aftir rayn the ryueres goth wood;
That euery man in thoost can swymme, is good.
Knyght, squyer, footman, cook & cosynere
And grome & page in swymmyng is to lere.
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Of fight the disciplyne and exercise
Was this: to haue a pale or pile vpright
Of mannys hight, thus writeth olde wyse;
Therwith a bacheler or a yong knyght
Shal first be taught to stonde & lerne fight;
A fanne of doubil wight tak him his shelde,
Of doubil wight a mace of tre to welde.
This fanne & mace, which either doubil wight is
Of shelde & sword in conflicte or bataile,
Shal exercise as wel swordmen as knyghtys,
And noo man (as thei seyn) is seyn prevaile
In felde or in gravel though he assaile,
That with the pile nath first gret exercise;
Thus writeth werreourys olde & wise.
Have vche his pile or pale vpfixed faste,
And, as in werre vppon his mortal foo,
With wightynesse & wepon most he caste
To fighte stronge, that he ne shape him fro,On him with shild & sword avised so,
That thou be cloos, and prest thi foo to smyte,
Lest of thin owne deth thou be to wite.
Empeche his hed, his face, have at his gorge,
Bere at the breste, or serue him on the side
With myghti knyghtly poort, eue as Seynt George,
Lepe o thi foo, loke if he dar abide;
Wil he nat fle, wounde him; mak woundis wide,
Hew of his honde, his legge, his thegh, his armys;
It is the Turk: though he be sleyn, noon harm is.
And forto foyne is better then to smyte;
The smyter is deluded mony oonys,
The sword may nat throgh steel & bonys bite,
Thentrailys ar couert in steel & bonys,
But with a foyn anoon thi foo fordoon is;
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Tweyne vnchys entirfoyned hurteth more
Then kerf or ege, although it wounde sore.
Eek in the kerf, thi right arm is disclosed,
Also thi side; and in the foyn, couert
Is side & arm, and er thou be supposed
Redy to fight, the foyn is at his hert
Or ellys where, a foyn is euer smert;
Thus better is to foyne then to kerve;
In tyme & place ereither is tobserue.
This fanne & mace ar ay of doubil wight,
That when the Bacheler hath exercise
Of hevy gere, and aftir taketh light
Herneys, as sheeld & sword of just assise,
His hert avaunceth, hardynes tarise.
My borthon is delyuered, thinketh he,
And on he goth, as glad as he may be.
And ouer this al, exercise in armys
The doctour is to teche and discipline,
For double wage a wurthi man of armys
Was wont to take, if he wer proved digne
Aforn his prince, ye, tymes VIII or IX;
And whete he had, and barly had the knyght
That couthe nat as he in armys fight.
Res publica right commendabil is,
If chiualers and armys there abounde,
For, they present, may nothing fare amys,
And ther thei are absent, al goth to grounde;
In gemme, in gold, in silk be thei fecounde,
It fereth not; but myghti men in armys,
They fereth with the drede of deth & harmys.
Caton the Wise seith: where as men erre
In other thinge, it may be wel amended;
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But emendatioun is noon in werre;
The cryme doon, forthwith the grace is spended,
Or slayn anoon is he that there offended,
Or putte to flight, and euer aftir he
Is lesse worth then they that made him fle.
But turne ageyn, Inwit, to thi preceptys!
With sword & sheld the lerned chiualer
At pale or pile, in artilaunce excepte is;
A dart of more wight then is mester,
Tak him in honde, and teche hym it to ster,
And caste it at that pile, as at his foo,
So that it route, and right vppon hym go.
Of armys is the doctour heer tattende,
That myghtily this dart be take & shake,
And shot as myghtily, forthright on ende,
And smyte sore, or nygh, this pile or stake;
Herof vigour in tharmys wil awake
And craft to caste & smyte shal encrece;
The werreours thus taught, shal make peax.
But bachilers, the thridde or firthe part,
Applied ar to shote in bowes longe
With arowys; heryn is doctryne & art,
The stringys vp to breke in bowes stronge,
And swift and craftily the taclis fonge,
Starkly the lifte arm holde with the bowe,
Drawe with the right, and smyte, and ouerthrowe.
Set hert & eye vppon that pile or pale,
Shoot nygh or on, and if so be thou ride
On hors, is eek the bowys bigge vp hale;
Smyte in the face or breste or bak or side,
Compelle fle, or falle, if that he bide.
Cotidian be mad this exercise,
On fote & hors, as writeth olde wise.
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That archery is grete vtilitee,
It nedeth not to telle eny that here is;
Caton, therof in bookys writeth he,
Among the discipline of chiualerys,
And Claudius, that werred mony yeres,
Wel seide, and Affricanus Scipio
With archerys confounded ofte his foo.
Vse eek the cast of stoon with slynge or honde;
It falleth ofte, if other shot ther noon is,
Men herneysed in steel may not withstonde
The multitude & myghti caste of stonys;
It breketh ofte & breseth flesh & bonys,
And stonys in effecte are euerywhere,
And slyngys ar not noyous forto bere.
And otherwhile in stony stede is fight,
A mountayn otherwhile is to defende,
An hil, a toun, a tour, and euery knyght
And other wight may caste stoon on ende.
The stonys axe, if other shot be spende,
Or ellys thus: save other shot with stonys,
Or vse hem, as requireth, both atonys.
The barbulys that named ar plumbatys,
Set in the sheld is good to take fyve,
That vsed hem of old, wer grete estatys;
As archerys, they wolde shote and dryve
Her foo to flight, or leve him not alyve;
This shot commended Dioclisian
And his Coemperour Maxymyan.
The Chiualers and werreourys alle,
Quicly to lepe on hors, and so descende
Vppon the right or lyft side, if it falle,
That exercise is forto kepe an ende;
Vnarmed first, and armed thenne ascende,
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And aftir with a spere or sword & shelde,
This feet is good, when troubled is the felde.
And LX pounde of weght it hade to bere
And go therwith a chiualerys pace,
Vitaile & herneysing and sword & spere,
Frely to bere; al this is but solace;
Thinge exercised ofte in tyme & space,
Hard if it be, with vse it wil ben eased,
The yonge men herwith beth best appesed.
And exercise him vche in his armure,
As is the gise adayes now to were,
And se that euery peece herneys be sure,
Go quycly in, and quyk out of the gere,
And kepe it cler, as gold or gemme it were;
Corraged is that hath his herneys bright,
And he that is wel armed, dar wel fight.
To warde & wacche an oste it is to lerne
Both holsom is that fvlly and necessary,
Withinne a pale an oste is to gouerne,
That day & nyght saftly theryn they tary
And take reste, and neuer oon myscary;
For faute of wacch, ha worthi not myscheved
Now late, and al to rathe? Is this nat preved?
To make a fortresse, if the foon be nygh,
Assure a grounde, and se that ther be fode
For man & beest, and watir deep mydthigh,
Not fer; and se there wode or grovys goode.
Now signe it, lyne it out by yerde or rode,
An hil if ther be nygh, wherby the foo
May hurte, anoon set of the ground therfro.
Ther flood is wont the felde to ouer flete,
Mak ther noo strength; and as is necessary
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Vnto thyn oste, as mych is out to mete,
And cariage also theryn most tary;
Men dissipat, here enemy may myscary,
And combred is an oste that is compressed;
Tak eue ynough, and hoom have vch man dressed.
Trianguler, or square, or dymyrounde
The strength it is to make of hosteyinge;
Thavis therof is taken at the grounde;And estward, or vppon thi foo comynge,
The yatys principal have vssuynge,
To welcom him; and if an ost journey,
The yatis ar to sette vppon his wey.
The centenaryes thervppon shal picche
Her pavilons, and dragonys and signys
Shal vp be set, and Gorgona the wicche
Vpsette they; to juste batail condigne is
Vch helply thing; another yate & signe is,
Ther trespassers shal go to their juesse,
That oponeth north, or westward, as I gesse.
In maneer a strengthe is to be walled,
If ther oppresse noo necessitee:
Delve vp the torf, have it togedir malled,
Therof the wal be mad high footys
Above grounde; the dike withouten be
IX foote brode, and deep dounright;
Thus dike & wal is wel fote in hight.
This werk they calle a dike tumultuary;
To stynte a rore, and if the foo be kene,
Legytymat dykinge is necessary;
XII foote brod that dike is to demene,
And nyne deep; his sidys to sustene,
And hege it as is best on either side,
That diked erth vpheged stonde & bide.
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Above grounde arise it foure foote;
Thus hath the dike in brede footys XII,
And XIII is it high fro crop to roote,
That stake of pith which euery man him selve
Hath born, on oneward is it forto delve.
And this to do, pikens, mattok and spade
And tole ynough ther most be redy made.
But and the foo lene on forwith to fight,
The hors men alle, and half the folk ofoote
Embataile hem, to showve away their myght,
That other half, to dike foot by foote,
Be sette, and an heraude expert by roote,
The Centrions other the Centenaryis
In ordre forth hem calle, as necessary is.
And ay among the centrions enserch,
The werk, if it be wrought, kept the mesure,
In brede & deep & high, perch aftir perch,
And chastise him, that hath nat doon his cure.
An hoste thus exercised may ensure
In prevalence, whos debellatioun
Shal not be straught by perturbatioun.
Wel knowen is, nothinge is more in fight
Then exercise and daily frequentaunce;
Vch werreour therfore do his myght
To knowe it wel and kepe his ordynaunce;
An ooste to thicke, I sette, is encombraunce,
And also perilous is ouer thynne,
Thei sone fle that be to fer atwynne.
We werreours, forthi go we to feelde;
And as our name in ordir in the rolle is,
Our ordynaunt, so sette vs, dart & sheelde
And bowe & axe, and calle vs first by pollys;
Triangulys, quadrangulys, and rollys,
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We may be made; and thus vs embataile,
Gouerned, vndir grate to prevaile.
A sengil ege is first to strecch in longe,
Withoute bosomynge or curuature,
With dowbeling forwith let make it stronge,
That also fele assiste, in like mesure,
And with a woord turne hem to quadrature,
And efte trianguler, and then hem rounde,
And raunge hem efte, and keep euerych his grounde.
This ordynaunce of right is to prevaile;
Doctryne hem eek, whenne it is best to square,
And when a triangul may more availe,
And orbys, how they necessary are;
How may be to condense, and how to rare;
The werreours that ha this exercise,
Be preste with hardynesse, & stronge & wise.
And ouer this, an olde vsage it was
To make walk thryes in euery mone,
And tho they wente a chiualerys paas
X myle outward, the men of armys, none
Vnharneysed; the footmen euerychone
Bowed, tacled, darted, jacked, saladed;
Vitaile eke born withal, her hertis gladed.
In hom comynge, among thei wente faste
And ranne among. Eek tourmys of ryderys
Sumtyme journeyed on foote in haste,
Shelded & herneysed with myghti sperys;
Not oonly in the playn, but also where is
A mountayn or a clif or streyt passagys.
Thus hadde thei both exercise and wagys.
Ereithre ege in this wise exercised
Was by & by, so that no chaunce of newe
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Nas to be thought, that thei nere of avised,
And hadde way the daungerys teschewe
Vndaungered; and this wisdom thei knewe
By discipline of their doctour of armys,
To wynne honour withouten hate or harmys.
Thelectioun and exercise anended,
An ooste is now to numbre & dyvide,
And seen vch officer his part commended,
And how to sette a feeld to fight & bide.
Goode Angelys and Sayntys, ye me gide
And lighte me, o Lady Saynte Mary!
To write wel this werk & not to tary.-
II.
Electrix ita Milicie pars prima recedit,
Et pars partitrix ecce secunda subit.
The firste parte of IIII is here at ende;
Now to the part secounde! er we procede
To knowe this, His grace God vs sende!
Myn auctour ofte aduiseth vs to rede
And to the sense of it to taken hede;
To rede a thinge withoute intelligence,
As seith Cato the Wise, is negligence.
But this I leve vnto the sapience
Of chiualers, and to my werk retorne,
Theryn to do my feithful diligence
For their pleasaunce, out of this prosis storne
The resonaunce of metris wolde I borne.
As myghti herte in ryngynge herneysinge,
So gentil wit wil in good metris springe.
And for thonour of theuerlastyng kynge,
Our saviour Jhesus and his Ierarkys,
383
His Angelys, and for that swete thinge,
His Modre, patronesse of al my warkys,
For His prophetys love and patriarkys,
And for thapostolis that made our Crede,
As do me fauour, ye that wil me rede.
Virgile seith (an high poete is he)
That werre in armys stont and mannys myght,
The man on hors, o fote, or on the see;
Riders be wyngis clept, for swift & light,
On either half of thege eke ar thei dight;
But now that ege is called the banere
Or banerye, hauyng his banereer.
Also ther are riders legyonaryis;
Thei are annexed to the legioun.
In too maner of shippes men to cary is,
Their namys ar couth in this regioun;
Orthwart go they the flood, and vp & doun;
Riders in playn, footmen goth euery where,
By theyme the commyn wele is to conquere;
Riders a fewe, and haue o foote fele,
Thei spende smal, and horsmen spende fre.
Footmen o tweyne is to dyuide & dele:
Or legiaunt or aydaunt for to be.
Confederat men aydaunt is to se,
That is to say, by trewce or toleraunce,
As Frensh ar suffred here, and we in Fraunce.
Aydaunt be they, but in the legioun
Lith thordinaunce in werre to prevaile.
A legioun out of electioun
Hath take his name, as elect to bataile.
Her diligence and feith is not to faile;
Thi legyaunt forthi to multiplie
Is right, but aydauntys a fewe applie.
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Thousant werreours was a phalange
In dayis olde, and of men
Was a caterve, but this diagalange
Is, as to this, not worth a pulled hen.
The legioun, departed into X,
Is vs to lerne, and legions how fele
It is to haue, and how asondir dele.
The consules legiounys ladden,
Al aldermeest; but thei hadde exercise,
Wherof the felde victoriously thei hadden;
To chose a legioun, this was the gise,
In bookys as they seyn, these olde wise:
Wyis, hardy, strong, doctryned, high statured,
In feet of werre ofte vsed & wel vred.
That was the man, he was mad mylitaunt,
When al the world to the Romayn Empire
Was made obey, by knyghthod valiaunt;A sacramental oth doth it requyre,
To write pleyn this matere I desire,
By God & Criste and Holy Goost swar he,
And by that Emperourys maiestee.
Next God is hym to drede and hym to honour is;
Right as to God ther bodily present,
To themperour, when he mad Emperour is,
Devotioun; vch loyal ympendent
Is to be vigilaunt, his seruyent;
God serueth he, both knyght & comynere,
That loueth him, to God that regneth here.
God, Criste Jhesus, and Holy Goste; was sworn
By theim, and themperourys maiestee,
That his commaundementys shuld be born
And strenuously be doon, be what thei be;
Fro mylitaunce that thei shal neuer fle
385
Ner voyde deth, but rather deth desire
For themperour, and wele of his Empire.
Thus sworn, vch knyght is of the legioun.
The legioun stont in cohortys;
Cohors the Latyn is, this regioun
Tenglish it fore, help vs, good Lord! Amen.
The dignite and number of the men
Hath in the firste cohors an excellence
Of noble blood, manhode and sapience.
This feleshepe, most worshipful, most digne,
Bar thegil and thymage of themperour;
As God present was holden either signe,
Thei hadde both attendaunce & honour;
Of chiualers heryn was doon the flour,
A an and footmen,
And of wight horsmen.
The military cohors, or the choors,
Thus named it the wise, and the secounde
Cohors, like as the bonet to his coors
Is set, thei sette it footmen stronge & sounde,
And an half, and abounde
In hit, with sixe & sixti hors, and it
The Quyngentary called men of wit.
As fele & myghty choys putte in the thridde is,
For in their honde espeyre is al to thryve;
Her place in ordynaunce is in the myddys,
And for the firth choors is to discrive
Footmen and an half,
With sixe & sixti hors, and eue as fele,
With better hors, vnto the fifthe dele.
For as the first cohors is the right horn,
So in the lift horn is the fifthe choors;
386
For V choors stonde in the frounte aforn,
Or the vawarde; of termys is noo foors,
So the conceyt be had. The sixt cohors
Hath, as the fifthe, yet lusty men & yonge;
To thegil next to stonde it is to fonge,
That is the right horn; in the myddil warde
The nexte choors hath eue as mony as she,
The nexte as fele, and therto is tawarde
The myghti men, amyddis forto be;
The nynth is of the same quantitie,
The tenth is eue as is the choors beforn,
But make it strong, for it is the lift horn.
The legioun in ten is thus cohorted,
And an see men on foote,
Hors, and therty therto soorted,
Of fewer hors is not to speke or moote
In eny legioun; yet, crop & roote
To seyn, of hors ther may be take moo,
Commaundement if ther be so to do.
Exployed heer thusage and ordynaunce
Of legyoun, vnto the principal
Of chiualers retourne our remembraunce;
The dignitie and name in special
Of euery prince enrolled, and who shal
Do what, and whenne, and where, it is to write;
Good angel, help vs al this werk tendite.
The grete Trybune is mad by Themperour,
And by patent, and send by jugement;
Thundir Trybune is hent of his labour.An Ordyner for fighters forth present
Is forto sette; eek Themperour content
Is ofte to sende and make secoundaryis;
What name is heer for hem? Coordinaryis.
387
An Egiller bar thegil, and thymage
Of themperour bar an Ymaginary;
And moo then oon ther were of those in wage;
A Banereer, tho clept a Draconary,
A Kyng Heralde, tho clept a Tesserary,The baner he, he bar commaundement,
Al thoost tobeye her princys hole entent.
Campigeners made exercise in feeldys,
Campymeters mesured out the grounde,
To picche pavilons, tentys and teeldys,
The forteresse triangeler or rounde
Or square to be made or dymyrounde,
His part hit was; and he that was Library,
Thaccomptys wrot, that rekenyng ne vary.
The Clarioner, Trompet, and Hornycler,
With horn, & trompe of bras, and clarioun,
In terribil batailis bloweth cleer,
That hors & man reioyceth at the soun;
The firmament therto making resoun
Or resonaunce; thus joyneth thei bataile;
God stonde with the right, that it prevaile!
A Mesurer, that is our Herbagere,
For paviloun & tent assigneth he
The grounde, and seith: 'Be ye ther, be ye here!'
Vch hostel eek, in castel and citee,
Assigneth he, vch aftir his degre.
A wreth o golde is signe of grete estate;
That wered it, was called a Torquate.
Sengil ther were of these, and duplicate
And triplicate, and so to for and fiv,
That hadde wage, vche aftir his estate.
Tho namys goon, such personys alyve,
It may be thought, therof wil I not scryve.
388
Ther were eek worthymen clept Candidate,
And last, the souldeours, vch othrys mate.
The principal prince of the legioun,
Sumtyme it was, and yet is a like gise,
To make a Primypile, a centurioun;
A Lieutenaunt men calle him in our wise;
And him beforn is Thegil forto arise;
Four hudred knyghtis eek of valiaunce
This prymypile hadde in his gouernaunce.
He in the frounte of al the legioun
Was as a vicaptayn, a gouernour,
And took availe at vch partitioun.
The First Spere was next, a lusty flour;
Two hundred to gouerne is his honour,
Wherof thei named him a Ducennary,
The name fro the numbir not to vary.
The Prince an hundred and an half gouerned,
Eek he gouerned al the legioun
In ordynaunce; oueral he went vnwerned.
The nexte spere, of name and of renoun,
As mony hadde in his directioun;
The First Triari hadde an hundred men;
A Chevetayn was eke of euery ten
Thus hath the first cohors fyve Ordinayris,
And euery ten an hed, a Cheveteyne,
To rewle theim; and so it necessayr is,
An hundred and fyve on this choors to reigne:
Four Ordinayris and the cheef Captayne,
That is their Ordinary General,
And seyde is ofte of him: He rewleth al.
So high honour, so gret vtilitee
Hath euerych estate of this renoun
389
Prouided hem by sage Antiquitee,
That euery persone in the legioun
With al labour, with al deuotioun
To that honour attended to ascende,
And that avail to wynne, her bodyis bende.
The nexte choors, named the Quyngentary,
Hath Centurions or Centenerys fyve;
Thridde choors as fele hath necessary;
The firthe fyve, and, forto spede vs blyve,
In euery choors the Centyners oo fyve
In numbir make, and so the legioun
Of hem hath fyvty-fyve vp & doun.
Not fyvty-fyve Whi? For fyve thordinayrys
In their Estate and stede of fyve stonde;
To graunte this, me semeth, noo contrary is;
Though in my book so wryton I ne fonde,
Of LV, wel I vndirstonde
And fynde cleer, so that it most appere,
That vndir Ordynayrys V were.
The consulys, for themperour Legatys
Sende vnto the oste; to thaim obtemperaunt
Was al the legioun, and al the statys;
They were of al the werres ordynaunt;
To theim obeyed euerych aydaunt;
In stede of whom illustres Lordes, Peerys,
Be substitute, Maistrys of Chiualerys;
By whom not oonly legiounys twayn,
But grete numbrys hadde gouernaunce.
The propre juge is the Provost, certayn,
With worthinesse of the first ordynaunce;
The vilegate is he by mynystraunce
Of his power, to hym the Centeners
Obey, and the Trybune and Chiualers.
390
Of him the rolle of wacch and of progresse
Thei crave and haue, and if a knyght offende,
At his precepte he was put to juesse
By the trybune, in payne or deth tanende.
Hors, herneys, wage & cloth, vitail to spende,
His cure it was tordeyn, and disciplyne
Vnto euery man, seuerous or benygne.
His justising, with sobre diligence,
And pite doon vppon his legioun,
Assured hem to longh obedience
And reuerence, and high deuotioun;
Good gouernaunce at his promotioun
Kept euery man; and his honour, him thoughte
It was, when euery man dede as him oughte.
The Maister or Provost of Ordynaunce,
Although he were of lower dignitie,
His estimatioun & gouernaunce,
The bastilys, dich, & pale is to se;
And wher the tabernaculys shal be
And tent & teelde & case & paviloun
And cariage of al the legioun.
For seeke men the leche and medycyne
Procureth he, for larderye and toolys;
Of euery werk cartyng he most assigne,
For bastile or engyne or myne. And fole is
He noon, that is expert in these scolys;
This was a wise, appreved chiualere,
That, as he dede himself, couth other lere.
And ouer this, the ferrour & the smyth,
The tymbre men, hewer & carpenter,
The peyntour, and vch other craft goth with,
To make a frame or engyne euerywhere,
Hem to defense and her foomen to fere;
391
Tormentys olde and carrys to repare
And make newe, as they to broken are.
Foregys and artelryis, armeryis,
To make tole, horshoon, shot & armurre;
And euery thing that nede myght aspie, is
In thooste; and eek mynours that can go sure
Vndir the dich, and al the wal demure
Or brynge in thoost; herof the Maister Smyth
Had al the rule, and euer went he with.
The legioun is seide haue choorsis X.
The military first, or miliary,
The best and gentilest and wisest men
And myghtiest, therto be necessary;
Eek letterure is good & light to cary.
Her gouernour was a Trybune of Armys,
Wise & honest, that body strong & arm is.
The choorsys aftir that, Trybunys cured
Or Maysterys, as it the prince pleased;
Vch chiualeer in exercise assured
So was, that God & man therwith was pleased;
And first to se the prince do, mych eased
The hertys alle. Fresh herneys, armur bright,
Wit, hardinesse & myght had euery knyght.
The firste signe of al the legioun
An Egil is, born by an Egeler,
And thenne in euery Choors is a Dragoun,
Born by a Draconair or Banereer;
A baner eek had euery Centener
Other a signe, inscrived so by rowe,
His Chevetayn that euery man may knowe.
The Centeners had also werreourys,
Hardy, wel harneysed, in their salet
392
That had a creste of fetherys or lik flourys,
That noon errour were in the batail set,
To his Cristate and to his Baneret
And to his Decanair euerych his sight
May caste, and in his place anoon be pight.
Right as the footmen haue a Centurion,
That hath in rewle an C men & X,
So haue the riders a Decurion,
That hath in rewle XXXII horsmen.
By his banere him knoweth alle his men,
And ouer that, right as it is to chese
A myghti man for thaym, so is for these.
For theim a stronge & wel fetured man,
That can a spere, a dart, a sword wel caste,
And also fight, and rounde a sheld wel can,
And spende his wepon wel withoute waste,
Redier to fight then flite, and ner agaste,
That can be sobre, sadde, & quyk & quyver,
And with his foo com of and him delyuer;
Obeyssaunt his premynentys wille,
And rather do the feat then of it crake,
Impatient that day or tyme spille
In armys exercise and art to wake,
And of himself a sampeler to make
Among his men, wel shod, honestly dight,
And make hem fourbe her armure euer bright.
Right so it is, for these men to chese
A Decurioun, thorugh lik to him in fourme,
Impatient that thei the tyme lese,
Wel herneysed, and euerych of hys tourme
In euery poynt of armys wil enfourme,
And armed wil his hors so sone ascende,
That mervaile is, and course hym stronge anende,
393
And vse wel a dart, a shaft, a spere,
And teche chiualers vndir his cure,
Right as himself to torne hem in her gere,
The brigandyn, helmet, and al procure,
It oftyn wipe clene,-and knowe sure,
With herneysing and myghti poort affrayed
Is ofte a foo, and forto fight dismayed.
Is it to sey: 'he is a werrely knyght,'
Whos herneys is horribil & beduste,
Not onys vsed in a fourte nyght,
And al that iron is or steel, beruste;
Vnkept his hors, how may he fight or juste?
The knyghtis and her horsys in his tourme
This Capitayn shal procure & refourme.
III.
Tercia bellatrix pars est et pacificatrix,
In qua quosque bonos concomitatur honos.
Comprised is in smal this part secounde,
An ooste to numbir, and a legioun;
In foylis is it fewe, in fruyt fecounde;
The saluature of al religioun
Is founde heryn for euery regioun.
Wel to digeste this God graunte vs grace,
And by the werre his reste to purchace.
O gracious our Kyng! Thei fleth his face.
Where ar they now? Summe are in Irelonde,
In Walys other are, in myghti place,
And other han Caleys with hem to stonde,
Thei robbeth & they reveth see & londe;
The kyng, or his ligeaunce or amytee,
Thei robbe anende, and sle withoute pitee.
394
The golden Eagle and his briddys III,
Her bellys ha they broke, and jessys lorne;
The siluer Bere his lynkys al to fle,
And bare is he behinde & eke beforne;
The lily whit lyoun, alas! forsworne
Is his colour & myght; and yet detrude
Entende thei the lond, and it conclude.
Of bestialite, lo, ye so rude,
The Noblis alle attende on the Antilope;
Your self & youris, ye yourself exclude,
And lose soule & lyif. Aftir your coope
Axe humble grace, and sette yourself in hope,
For and ye wiste, hou hard lyif is in helle,
No lenger wolde ye with the murthre melle.
Ye se at eye, it nedeth not you telle,
Hou that the beestis and the foulys alle,
That gentil are, ar sworn your wrong to quelle;
Ypocrisie of oothis wil not walle
You fro the sword, but rather make it falle
On your auarous evel gouernaunce,
That may be called pride & arrogaunce.
This yeve I theim to kepe in remembraunce;
Goode Antilop, that eny blood shal spille,
Is not thi wille; exiled is vengeaunce
From al thi thought; hemself, alas, thei kille.
O noble pantere! of thi breth the smylle,
Swete and pleasaunt to beest & briddis alle,
It oonly fleth the dragon fild with galle.
What helpeth it, lo, thangelis wil falle
On him with al our werreours attonys;
Thei muste nede his membris al to malle.Of this matere I stynte vntil eftsonys,
And fast I hast to write as it to doone is,
395
That myght in right vppon the wrong prevaile
In londe & see, by knyghthode & bataile.
Lo, thus thelectioun with exercise
And ordynaunce, as for a legioun,
Exployed is, as writeth olde wise.
What ha we next? Belligeratioun.
O Jesse flour! Jhesu, Saluatioun
And Savyour, commaunde that my penne
To thin honour go right heryn & renne.
An oste of exercise 'exercitus'
Hath holde of olde his name; a legioun
As an electioun is named thus,
And a choors of cohortatioun.
The princys of her mynystratioun
Her namys have, and aftir her degre
The Chevetaynys vndir named be.
Exercitus, that is to seyn an Ooste,
Is legiounys, or a legioun;
Tweyne is ynough, and IIII is with the moste,
And oon suffiseth in sum regioun;
Therof, with ayde and horsmen of renoun,
As needful is, groweth good gouernaunce
In euery londe, and parfit prosperaunce.
What is an ayde? It is stipendiaryis
Or souldiours conduct of straunge londe,
To such a numbir as it necessary is,
Aftir the legioun thei for to stonde
In ordynaunce, to make a myghti honde;
Heryn who wil be parfit and not erre,
Tak Maysterys of armys and of werre.
This was the wit of Princys wel appreved,
And ofte it hath be seid and is conclude,
396
That oostis ouer grete be myscheved
More of her owne excessif multitude
Then of her foon, that thenne wil delude
Her ignoraunce, that can not modifie
The suffisaunce, an ooste to geder & gye.
To gret an oost is hurt in mony cace:
First, slough it is in journeyinge & longe;
Forthi mysaventure it may difface,
Passagis hard, and floodis hye amonge;
Expense eek of vitaile is ouer stronge,
And if thei turne bak and onys fle,
They that escape, aferd ay aftir be.
Therfore it was the gise amonge the wise,
That of ?es had experience,
Oonly to take an oost as wil suffice,
Of preved & acheved sapience,
In chiualerys that han done diligence
In exercise of werre; a lerned ooste
Is sure, an vnlerned is cost for loste.
In light bataile, oon legioun with ayde,
That is, X Ml. men o fote, and too
Thousand on hors, sufficed as thei saide;
They with a lord no grete estat to goo,
And with a gret Estate as mony mo;
And for an infinit rebellioun
Twey dukys and tweyn oostys went adoun.
Prouisioun be mad for sanytee
In watre, place & tyme & medycyne
And exercise. In place ?h be
The pestilence, his place anoon resigne,
To weet marice and feeld to hard declyne;
To high, to lough, to light, to derk, to colde,
To hoot, is ille; attemperaunce be holde.
397
In snow & hail & frost & wintir shouris,
An ooste beyng, most nedes kacche colde;
For wyntir colde affrayeth somer flourys,
And mareys watir is vnholsom holde;
Good drinke and holsom mete away wil folde
Infirmytee; and fer is he fro wele,
That with his foon & sekenesse shal dele.
Cotidian at honde ha medycyne,
First for the prince; as needful is his helth
To thooste, as to the world the sonne shyne;
His prosperaunce procureth euery welth;
But let not exercise goon o stelthe;
Holde euer it. Ful seelde be thei seek
That euer vppon exercise seeke.
In ouer colde & hoot, kepe the couert,
And exercise in tymes temperate;
Footmen in high & lough, feeld & desert;
An hors to lepe a dich, an hege, a yate.
Tranquillite with peax & no debate
Be sadly kept, exiled al envie;
Grace in this gouernaunce wil multiplie.
Ha purviaunce of forage & vitaile
For man & hors; for iron smyteth not
So sore as honger doth, if foode faile.
The colde fyer of indigence is hoote,
And wood theron goth euery man, God woot;
For other wepen is ther remedie,
But on the dart of hongir is to deye.
Or have ynough, or make a litil werre,
And do the stuf in placys stronge & sure;
In more then ynough, me may not erre;
The moneyles by chevishaunce procure,
As lauful is, I mene, nat vsure;
398
But tak aforn the day of payment;
It loseth not, that to the prince is lent.
What man is hool in his possessioun,
If he ha no defense of men of armys?
Beseged if me be, progressioun
That ther be noon, and noo vitail in arm is,
O woful wight, ful careful thin alarm is!
Honger within, and enmytee abowte,
A warse foo withinn is then withoute.
And though thi foo withoute an honger be,
He wil abide on honger thee to sle;
Forthi comynge a foo, vitaile the,
And leve hym noght, or lite, vnworth a stre;
Whete and forage and flesh, fissh of ?
Wyn, salt & oyle, fewel and euery thinge
That helpeth man or beest to his lyvinge:
Tak al, thi foo comyng, and mak an oye
That euery man to strengthes ha ther goodis,
As thei of good & lyves wil ha joye,
And negligentys to compelle it good is.
The feriage be take away fro flodis,
The briggis on the ryverys to breke,
And passagis with falling tymbour steke.
The yatis and the wallys to repare,
The gunnys and engynys & tormente,
And forge newe, ynowe if that ther nare;
Ful late is it, if thi foo be presente,
And fere ingoth, if hardinesse absente.
Be war of this, and euery thing prouide,
That fere fle, and good corage abide.
Golde it is good to kepe, and make stoor
Of other thing, and spende in moderaunce;
399
More and ynough to haue, it is not soor,
And spare wel, whil ther is aboundaunce;
To spare of litil thing may lite avaunce.
By pollys dele, and not by dignitee,
So was the rewle in sage antiquytee.
And best be war, when that thin aduersary
Wil swere grete, ye by the Sacrament,
And vse that, ye and by seint Mary,
And al that is vndir the firmament:
Beleve nat his othe, his false entent
Is this: thi trewe entent for to begile.
The pref herof nys passed but a while.
Wel ofter hath fals simulatioun
Desceyved vs, then opon werre; and where
Me swereth ofte, it is deceptioun.
Judas, away from vs! cum thou no nere:
Thou gretest, Goddis child as thaugh thou were;
But into the is entred Sathanas,
And thou thi self wilt hange! an hevy cas.
Sumtyme amonge an ooste ariseth roore.
Of berth, of age, of contre, of corage
Dyuers thei are, and hoom thei longe sore,
And to bataile thei wil, or out of wage.
What salue may this bolnyng best aswage?
Wherof ariseth it? Of ydilnesse.
What may aswage it best? Good bisinesse.
With drede in oost to fight thei are anoyed,
And speke of fight, when theim wer leuer fle,
And with the fode and wacch thei are acloyed.
'Where is this felde? Shal we no batail see?
Wil we goon hoom? What say ye, sirs?' 'Ye, ye!'
And with her hed to fighting are thei ripe
Al esily, but he the swellinge wipe.
400
A remedie is, when thei are asonder,
The graunt Tribune, or els his lieutenaunt,
With discipline of armys holde hem vndir
Seuerously, tech hem be moderaunte,
To God deuout, and fait of werrys haunte,
The dart, baliste, and bowe, and cast of stoon,
And swymme & renne & leep, tech euerychoon.
Armure to bere, and barrys like a sworde,
To bere on with the foyn, and not to shere,
And smyte thorgh a plank other a boorde,
And myghtily to shake and caste a spere,
And loke grym, a Ml. men to fere,
And course a myghti hors with spere & shelde,
And daily se ho is flour of the feelde.
To falle a grove or wode, and make a gate
Thorgh it, and make a dike, and hewe a doun
A cragge, or thurl an hil, other rebate
A clyf, to make an even regioun,
Or dowbil efte the dike abowte a toun;
To bere stoon, a boolewerk forto make,
Other sum other gret werk vndirtake.
The chiualer, be he legionary,
As seide it is beforn, on hors or foote,
Or aydaunt, that is auxiliary,
On hors or foote,-if that thei talk or mote
Of werre, and reyse roore, vp by the roote
Hit shal be pulde with myghti exercise
Of werreourys, gouerned in this wise.
Commende, and exercise, and holde hem inne,
For when thei ha the verrey craft to fight,
Thei wil desire it, wel this for to wynne.
He dar go to, that hath both art & myght.
And if a tale is tolde that eny knyght
401
Is turbulent other sedicious,
Examyne it the duke, proceding thus:
The envious man, voide his suggestioun,
And knowe the trowth of worthi & prudent
Personys, that withouten questioun
Wil say the soth, of feith and trewe entent,
And if the duke so fynde him turbulent,
Disseuer him, and sende hym ellys where,
Sum myghti feet to doon as thaugh it were:
To kepe a castel, make a providence,
Or warde a place, and do this by thaduyce
Of counsel, and commende his sapience,
That he suppose hym self heryn so wise,
That therof hath he this honour & price;
So wittily do this, that he, reiecte,
Suppose that to honour he is electe.
For verreily, the hole multitude
Of oon assent entendeth not rebelle,
But egged ar of theim that be to rude,
And charge not of heven or of helle,
With mony folk myght thei her synnys melle;
Thei were at ease her synnys forto wynne,
Suppose thei, if mony be ther inne.
But vse not the medycyne extreme
Save in thin vtterest necessitee,
That is, the crymynous to deth to deme,
The principals; by hem that other be
Aferd to roore, yet better is to se
An oost of exercise in temperaunce
Obeysaunt, then for feere of vengeaunce.
The werriours ha myche thing to lerne;
And grace is noon, to graunte negligence,
402
Wher mannys helth is taken to gouerne;
To lose that, it is a gret offense;
And sikerly, the best diligence
Vnto thonour of victory tascende,
The seygnys is or tokenys tattende.
For in bataile, when al is on a roore,
The kynge or princys precept who may here
In such a multitude? And euermore
Is thinge of weght in hond, & gret matere,
And how to doon, right nedful is to lere;
Therfore in euery oste antiquitee
Hath ordeyned III signys forto be.
Vocal is oon, and that is mannys voys,
Semyvocal is trompe & clarioun
And pipe or horn; the thridde macth no noys,
And mute it hight or dombe, as is dragoun
Or thegil or thimage or the penoun,
Baner, pensel, pleasaunce or tufte or creste
Or lyuereys on shildir, arm or breste.
Signys vocal in wacch and in bataile
Be made, as wacch woordis: 'Feith, hope & grace,'
Or 'Help vs God,' or 'Shipman, mast & saile,'
Or other such, aftir the tyme and place;
Noo ryme or geeste in hem be, ner oon trace,
Ne go thei not amonge vs, lest espyes
With wepon of our owne out putte our eyis.
Semyvocals, as Trumpe and Clarioun
And pipe or horn, an hornepipe thoo
It myghte be; the trumpe, of gretter soun,
Toward batail blewe vp 'Go to, go to!';
The clarions techeth the knyghtys do,
And signys, hornys move; and when thei fight,
Attonys vp the soun goth al on hight.
403
To wacch or worch or go to felde, a trumpe
Hem meved out, and to retourne; and signys
Were moved, how to do, by hornys crompe,
First to remeve, and fixe ayeyn ther digne is.
Oonly the clarioun the knyghtis signe is;
Fight & retrayt and chace or feer or neer,
The clarion his voys declareth cleer.
What so the duke commaundeth to be doon
In werk or wacch or feeld, or frith or werre,
At voys of these it was fulfild anoon.The signys mute, in aventure a sterre,
A portcolys, a sonne, it wil not erre,
In hors, in armature, and in array
They signifie, and make fresh & gay.
Al this in exercise and longe vsage
Is to be knowe; and if a dust arise,
Theere is an oost, or sum maner outrage;
With fiyr a signe is mad in dyuers wise
Or with a beem, vche in his contre gise
His signys hath; and daily is to lerne,
That aftir hem men gide hem & gouerne.
Tho that of werre have had experience,
Afferme that ther is in journeyinge
Gretter peril, then is in resistence
Of fers batail; for in the counterynge
Men armed are oonly for yeynstondinge
And expugnatioun of hem present
In fight; theron oonly ther bowe hath bent.
Their sword & hert al preste ereither fight,
In journeyinge ereither lesse attente is;
Assault sodeyne a day other by nyght,
For vnavised men ful turbulent is.
Wherfore avised wel and diligent is
404
The duke to be purveyed for vnwist,
And redy is the forseyn to resiste.
A journal is in euery regioun
First to be had, wheryn he thinketh fight,
Wheryn haue he a pleyn descriptioun
Of euery place, and passage a forsight,
The maner, wey, both turnyng & forthright,
The dale & hil, the mountayn & the flood;
Purtreyed al to have is holdon good.
This journal is to shewe dukys wise
Of that province, or as nygh as may be,
The purtreyture & writing forto advise;
And of the contrey men a serch secre
Himself he make, and lerne in veritee
Of hem, that on her lyf wil vndirtake,
That thus it is, and vnder warde hem make.
Tak gidis out of hem, beheste hem grete,
As to be trewe, her lyif and grete rewarde,
And other if thei be, with deth hem threte,
And sette a wayt secret on hem, frowarde
Whethor thei thinke be other towarde;
Thei, this seynge, wil wel condite & lede,
Of grete rewarde & deth for hope & drede.
Tak wise and vsed men, and not to fewe;
Good is it not to sette on II or III
The doubte of al, though thei be parfit trewe;
The simpil man supposeth ofte he be
Weywiser then he is, and forthi he
Behesteth that he can not bringe aboute;
And such simpilnesse is forto doubte.
And good it is, that whidirward goth thooste,
Secret it be. The Mynotaurys mase
405
Doctryned hem to sey: 'Whidir thou gooste,
Kepe it secret; whil thi foomen go gase
Aboute her bekenys, to tende her blase,
Go thou the way that thei suppose leeste
Thou woldest go; for whi? it is sureste.'
Espyis are, of hem be war! also
The proditours that fle from oost to ooste,
Be war of hem; for swere thei neuer so,
They wil betray, and make of it their booste.
Escurynge is to haue of euery cooste;
Men wittiest on wightiest hors by nyght
May do it best, but se the hors be wight.
In a maner himself betrayeth he,
Whos taken is by negligence thespie;
Forthi be war, and quicly charge hem se
On euery side, and fast ayeyn hem hye;
Horsmen beforn eke euer haue an eye;
On vch an half footmen, and cariage
Amyddis is to kepe in the viage.
Footmen it is to haue & of the beste
Horsmen behinde; vppon the tail a foo
Wil sette among, and sumtyme on the breste,
And on the sidis wil he sette also.
With promptitude it is to putte him fro;
Light herneysed, and myghtiest that ride,
Doubte if ther is, putte hem vppon that side.
And archery withal is good to take;
And if the foo falle on on euery side,
Good wacch on euery side it is to make;
Charge euery man in herneys fast abide,
And wepynys in hondys to prouide.
Selde hurteth it, that is wel seyn beforn,
And whos is taken sleping, hath a scorn.
406
Antiquitee prouided eek, that roore
Arise not in thoost, for trowbelinge
The chiualers behinde other before,
As when the folk that cariage bringe,
Ar hurt, or are aferd of on comynge,
And make noyse; herfore helmettis wight
A fewe vppon the cariours were dight.
A baner hadde thei togedre to,
Alway CC vndir oon banere;
The forfighters a-sondred so ther-fro,
That no turbatioun amonge hem were,
If that ther felle a conflicte enywhere.
And as the journeyinge hadde variaunce,
So the defense had diuers ordynaunce.
In open felde horsmen wold rather falle
On then footmen; in hil, mareys & woodis,
Footmen rather. In feeld & frith to walle
An oost with myght, as wil the place, it good is,
And to be war that slough viage or floodis
Asondre not the chiualerys; for thynne
If that me be, ther wil the foo bygynne.
Therfore amonge it is to sette wyse
Doctours, as of the feelde, or other grete;
The forgoer to sette vnto his sise,
And hem that beth to slough, forthward to gete.
To fer aforn, and sole, a foo may bete;
He may be clipped of, that goth behinde;
And to goon hole as o man, that is kynde.
In placys as him semeth necessary,
And aduersaunt wil sette his busshement,
Not in apert, but in couert to tary,
And falle vppon; the duke heer diligent
It is to be, to haue his foomen shent;
407
But euery place it is the duke to knowe,
So that his witte her wylis ouerthrowe.
If thei dispose in mountayn oponly
Tassaulte, anoon ha prevely men sent
To an herre hil, that be therto neer by,
And so sette on, that of the busshement
Aboue her hed, and of thi self present
Thei be aferd, and sech away to fle,
When ouer hede and in the frount thei se.
And if the way be streyt and therwith sure,
Let hewe adoun aboute, and make it large;
In large way, peril is noo good vre;
Also this is tattende as thinge of charge,
Ye rather then gouerne ship or barge,
That wher the foo by nyght other by day
Is vsed oon to falle and make affray.
And, voyde that, it is to seen also,
What is his vse, on hors outher o foote,
With fele or fewe his feetys for to doo,
That sapience his werkys alle vnroote.
Of balys also grete is this the boote,
Dayly to gynne go in such an hour
As may be sure both oost & gouernour:
And yet bewar of simulatioun;
To festeyng call in sum fugitif
And here him wel with comendatioun,
And lerne first, hou fellen thei in strif,
And him beheste an honorabil lif;
Lerne of him al, and thenne aday or nyght,
When thei suppose leest, mak hem afright.
Agreved ofte are oostis negligent,
When it is hard passage ouer the floodys,
408
For if the cours be ouer violent
Or ouer deep, gret peril in that flood is.
A remedy to fynde heryn right good is,
For hevy men, pagis and cariage
Ar drowned oftyn tyme in such a rage.
The depth assay, and make of horsys hye
Tweyne eggys; oon be sette ayenst the streem,
The myght therof to breke; another plye
Benethe that, tawayte vppon the fleem
And charge theim, that thei attende on hem
That faile foote, and brynge theim alonde,
And thus til thooste be ouer, shal they stonde.
The flood is ouer deep in playn cuntre,
Departe it ofte, and make it transmeabil:
That most be doon with dykis gret plente,
And wil it not be so, sette ore a gabil,
On empti vesselling ley mony a tabil
Fro lond to lond a brigge is made anoon,
And sure ynough it is for hors & mon.
Horsmen haue had of reed or seggis shevys,
Theron carying their armure as thei swymme,
But better is, to voiden al myschevys,
Ha skafys smale, and hem togedir trymme
With coorde alonge, atteynynge either brymme,
And anchore it and tabil it at large,
And sure it is as arch or shippe or barge.
Yet war the foo; for vppon this passage
He leyt awayt; anoon thin ooste dyuide
And stakys picch, encounter their viage,
And in that stede, if good is thought tabide,
Mak vp a strong bastel on eyther side,
And there, as axeth chaunce, it is to stonde
And ha vitaile out of ereither londe.
409
Now castellinge in journey is to write.
Not euerywhere is founden a citee,
An ooste to loge, and vilagis to lite
For it ther ar, and siker thei ne be,
As, to be sure, it is necessitee
To take a grounde as good as may be fonde,
And thervppon to make our castel stonde.
Leve not the better grounde vnto thi foo,
Be war of that; se, watir, ayer & londe
Holsom be there, and foode ynough ther to
For man & hors, and woode ynough at honde.
No force if rounde or anguler it stonde,
But feyrest is the place and moost of strengthe,
When twey in brede is thryis in the lengthe.
Mesure a grounde, as wil thin ooste suffice;
To wide it is: thin ooste therin is rare;
To streyt: thei be to thicke; a myddil sise
Is beste.-Now make it vp, no labour spare;
It mot be doon, theryn is our welfare;
As for a nyght, mak vp of turf a wale
And stake it on our foo, the poyntis tavale.
A turf it is, when gras & herbe is grave
Vp with the grounde, with irons mad therfore;
A foote brode, a foote & half it haue
In lengthe, and half a foote thick, no more.
But if the lond solute be, not herfore
Turf like a brik to make of necessary,
Thenne is to make a dike tumultuary.
Make it III foote deep, and V obrede,
And stake it as beforn, vtward to stonde;
O nyght to dwelle heryn it is no drede.
And if thi foo be nygh, him to yeynstonde,
A gretter werk it is to take on honde.
410
Sette vp in ordir euery man his sheeld,
Whil princys and prudentys parte a feeld.
Vch centyner take vp the werk footmel,
With sword igord, anoon caste vp the dich,
And IX foote obrede wil do wel,
XI is as good; but poore and rich
Most on this werk, & even worch ilich,
XIII foote obrede or XVII
Is best of alle a werre to sustene.
The numbir odde is euer to obserue,
And hege it other stake it vp to stonde,
Therto ramayle and bowys ar to kerve,
Areyse it to his hegth aboue londe,
And make it castellike with myghti honde,
With loupis, archeturis, and with tourys.
O Chiualers! in this werk your honour is.
X footemel the centeneris take
This werk to doon, and ther vppon attende,
That euery company his cant vp make
And stynte not, vntil a parfit ende
Of al be mad; and who doth mys, is shende.
Forwhi? the prince himself goth al aboute
And by & by behaldeth euery rowte.
But lest assault felle on hem labouringe,
The hors, and thei on foote of dignitee,
That shal not worch, in circuyte a rynge
Shal make, and kepe of al hostilitie;
And first, as for the signys maiestie
Assigne place; for more venerabil
Then thei, ther is nothing, this is notabil.
And aftir that, the Duke & Erlys have
The pretory, a grounde out set therfore,
411
And for Trybunys out a grounde thei grave,
Her tabernaclis thei theryn tenstore
For legions & aydis, lesse & more,
On hors other o foote; a regioun
And place is had to picch her paviloun.
And IIII on hors and IIII o foote anyght
In euery centeyn hadde wacch to kepe,
And it departed was, to make it light,
That reasonabil tymys myght thei slepe;
For right as houris aftir houris crepe,
So went the wach, and kept his cours aboute,
Footmen withinne, & horsed men withoute.
Thei go to wacch by warnyng of the trumpe,
And there abide vntil their houris ende;
Away thei go by voys of hornys crumpe.
A wacch of serch also ther was tattende
That wel the tyme of wacchinge were spende;
Trybunys made of theim thelectioun,
That hadde of al the wacch directioun.
And twye a day the contrey was escured
By horsmen, in the morn and aftir noon;
Not by the same alway, for that endured
Shuld not ha been. This feleship hath doon:
They most reste, and other wynne her shoon;
Thus bothe man & hors may be releved,
Ye, ofte ynough, and not but litil greved.
And on the duk hangeth the gouernaunce,
That in this castellinge he ha vitaile
For euery wight withoutyn variaunce,
Clooth, wepon, herneysing, that nothing faile;
And in fortressis nygh it is availe
Footmen to haue & hors; ferde is thi foo,
If thou on euery side vppon him goo.
412
Mortal bataile in hourys II or III
Termyned is, and hope on that oon side
Is al agoon; but a good prince is he,
That can him & his ooste so wisely gide,
With litil slaught to putte his foo fro pride;
Pluck him vnwar and fray his folk to renne
Away, and myghtily sette aftir thenne.
On this behalve it is ful necessary,
That olde & exercised sapience
The duke to counsel have, and with hem tary,
As wil the tyme, and here their sentence
Of vinqueshinge couertly by prudence
Or by apert conflict, that is, bataile;
The surer way to take and moost availe.
Here hem heryn, and what folk hath thi foo,
And charge that thei glose not, for it
Doth oftyn harm; and here theim also
Speke of her exercise, her strength & wit,
And to their aduersayrys how thei quyt
Hemself aforn, and whether his horsmen
Be myghtier in fight, or his footmen.
Also the place of conflicte is to lerne,
And what thi foo himself is, what his frendis;
Wher he be wys a werre to gouerne,
And whar thei lyue as angelis or fendis;
Wher variaunt, or vchon others frend is,
And wher thei vse fight in ordynaunce
Or foliously, withoute gouernaunce.
And euery poynt forseyd, and other moo,
Considir in thin oost, and tak avis
Of hem, what is the beste to be do;
And peyse al in balaunce, and ay be wys;
And if thin ooste is ace, and his is syis,
413
What so thei sey, couertly by prudence
Dispose the to make resistence.
Dischere nat thi folk in eny wise;
The ferde anoon is redy for to fle;
Be vigilaunt and holde inne exercise,
And se thin hour; ful oftyn tyme hath he
The herre hand, that kepeth him secre;
Avaunte not for colde nor for hete,
For smale dooth that speketh ouer grete.
Certeyn it is, that knyghthode & bataile
So stronge is it, that therby libertee
Receyued is with encreste and availe;
Therby the Croune is hol in Maiestee
And vche persone in his dignitee,
Chastised is therby rebellioun,
Rewarded and defensed is renoun.
Forthi the duke, that hath the gouernaunce,
Therof may thinke he is a Potestate,
To whom betakyn is the prosperaunce
Of al a lond and euerych Estate.
The Chiualers, if I be fortunate,
The Citesens, and alle men shal be
If I gouerne wel, in libertee.
And if a faut is founden in my dede,
Not oonly me, but al the commyn wele
So hurteth it, that gretly is to drede
Dampnatioun, though noman with me dele;
And forthi, negligence I wil repele
And do my cure in feithful diligence
With fauoraunce of Goddis excellence.
If al is out of vse and exercise,
As forto fight in euery legioun
414
Chese out the myghtiest, the wight & wise
And aydis with, of like condicioun;
With their avice vnto correctioun
Reduce it al by his auctorite
The duke, & vse a grete seueritee.
Amended al as sone as semeth the,
Make out of hem a stronge electioun;
Disparpiled lerne if thi foomen bee,
And when thei lest suppose in their reasoun,
Fal on, and putte hem to confusioun.
Therof thi folk shal take an hardinesse
And daily be desirous on prowesse.
At brigge or hard passage, or hillis browe,
Is good to falle vppon; or if ther be
Mire or mareys or woode or grovis rowe
Or aggravaunt other difficultee,
To falle vppon is thenne vtilitee;
The hors to sech vnarmed or aslepe
To falle vppon is good to take kepe.
Thus hardy hem; for whos is vnexpert
Of werre, and woundis seeth, and summe slayn,
He weneth euery strok go to his hert,
And wiste he how, he wolde fle ful fayn.
But and he fle, retourne him fast agayn.
Thus with seueritee and good vsage
Ther wil revive in theim a fyne corage.
Dissensioun among foomen to meve,
Be thei rebellious or myscreaunt,
It is to do, theim selven thei myscheve.
The traditour Judas was desperaunt,
Him self he hynge: so wulle thei that haunt
Rebellioun or ellis heresie.
Alas! to fele thus wil lyve & deye.
415
Oon thinge heryn is wisely to be seyn,
Of this matier that ther noman dispayre;
As hath be doon, it may be doon ayeyn;
A desolat Castel man may repayre.
In wynter colde, in somer dayis fayre
Is good to se. So fareth exercise
Of knyghthode & of werre, as seyn the wise.
In Engelond til now was ther no werre
This LX yere, savynge at Seynt Albane,
And oon bataile aftir the blasing sterre,
And longe on hem that whirleth as the fane.
Is not their owne cryme her owne bane?
Ther leve I that, and sey that exercise
Of werre may in peax revyue & rise.
Seyde ofte it is: the wepon bodeth peax,
And in the londe is mony a chiualere,
That ha grete exercise doubtlesse
And think I wil that daily wil thei lere,
And of antiquitee the bokys here,
And that thei here, putte it in deuoyre,
That desperaunce shal fle comynge espoyre.
More esily a thing is al mad newe
In many cas, then is an olde repared;
The plauntys growe, as olde tren vp grewe,
And otherwhile a riche thing is spared.
It nedeth not to crave this declared,
But go we se, what helpeth to prevaile
Vppon the feelde in sette apert bataile.
Here is the day of conflict vncerteyn,
Here is to se deth, lif, honour & shame.
Glade vs, o Lord, this day & make vs fayn,
And make vs of this grete ernest a game!
Lord, make in vs magnificent thi name,
416
Thin angelis commaunde in vs tattende,
And she, thi modir, have vs recommende.
Now is the Duke the rather diligent,
That forth he goth bytwene espoyre & drede;
Now glorious the Prince is sapient,
Now thignoraunt shal deye or harde spede.
In this moment manhode & knyghtly dede
With Goddis honde is oonly to prevaile;
Now let se first, how wil our foon assaile.
The chiualers set forth first at the yate,
Whether ye dwelle in Castell or Citee,
And sette a frount or eny foo come ate,
Til thooste come out vndir securitee.
Go not to fer ne faste, for ye se,
A wery wyght hath spended half his myght,
And with the fresh is hard for him to fight.
And if thi foo the yatis ha forsette,
Delay it and attende what thei mene;
Let hem revile and gnaste & gomys whette,
And breke her ordynaunce, and when thei wene
Ye be aslepe, and they foryeton clene,
Breke on hem vnavised day or nyght;
This wisdom is to do, manhode & myght.
It is to frayne also with diligence,
Wher chiualerys think it be to fight,
Her countynaunce of fere or confidence
Wil be the juge, and truste not the knyght
That is aferd, ner hym ?his myght
Presumeth, inexpert what is bataile,
Conforte hem yet, telle hem thei shal prevaile.
And reasounynge reherce rebellioun
Or myscreaunce, and how thei be forsake
417
Of alle goode, a Prynce as a lyoun
May telle that aforn thei ha be shake;
And if he may with reasounynge awake
An hardinesse in hem he may procede
And ellys vttirly he stont in drede.
The first sight is ferdfullest for tho
That neuer were in fight; and remedie
Is in beholdinge ofte vppon her foo
Out of a siker place or placys heye;
Confort therof comyng, dispayr wil deye,
Eke issuynge on hem with a prevaile
Is hardyinge to falle to bataile.
Part of the victory is for to chese
The herre grounde, and ay the herre it be,
The more myght thou hast thi foo to ceese,
And more sharp dounward the taclys fle,
Thi foon her fight is with the grounde & the;
Yet footmen hors, and hors footmen tassaile,
Theire is the cleef, the playn is hem tavaile.
And if thou may ha with the sonne & wynde,
Ereither on the bak is grete availe,
Ereither also wil thi foomen blynde;
Ayeinst the wynde to fight, it is travaile,
A cloude of dust wil therwithal assaile
Thi foomen in the frount, and stony hem so
That they her wit shal seke what to do.
Forthi the Prince it is be prouident
And haue a sight to wynde & dust & sonne,
And on the turnyng take avisement,
Remembering hou certeyn hourys ronne.
It wil not stonde, as stood when thei begonne;
West wil the sonne and happely the wynde,
But seen he wil that thei come ay behinde,
418
And euer smyte his foomen in the face;
And there an ende of that. Now wil we se,
This ooste embateled vch in his place,
That noon errour in eny parti be;
Therof wel ordeyned vtilitee
Wil nede arise, and his inordynaunce
May brynge (as God defende) vs to myschaunce.
First is to sette a frounte, an Ege his name
Is. Whi? The foon it shal behalde & bite;
Ther chiualers, the worthiest of fame,
That wil with wisdom & with wepon smyte,
Noo knyght apostata, noon ypocrite,
Feers, feithful, ofte appreved, olde & wise
Knyghtys be thei, none other in no wise.
This ege in dayis olde a principaunt
Of wurthi men, as princys, had his name;
In thordre next personys valiaunt,
Such as ha sought honour and voyded shame
That vre haue had, to make her foomen tame,
Sette hem theryn, armure and shot & spere
That myghtily can vse and wel bewere.
Next to the firste frount this is secounde,
And as of old thei called hem hastate
By cause of vse of spere & shaftis rounde,
Of armure is noon of hem desolate.
III foote atwene had euery man his state,
So in a Ml. pace olength stood fixe
A Ml CC LX and VI
Footmen were alle these, and stode in kynde
In duble raunge, and euerych hadde III
Foote, as byforn is seide, and VI behinde
The raungis hadde a sondir, so that he
That stood beforn, vnlatted shulde be
419
To drawe & welde his wepon, and to take
His veer to lepe or renne, assaut to make.
In tho tweyn orderys wer ripe & olde
Appreved werryours of confidence,
That worthi men of armys had ben holde,
With wighti herneysing for to defense;
These as a wal to make resistence
Ay stille stode, hem may noo man constreyne
Tavaunce forth or reere o foote ayeyne.
Thei trouble not, lest other troubled were,
But fixe abide, and welcom thaduersary
With sword & axe, with shot & cast of spere,
Vntil thei yeve her coors to seyntewary,
Or fle; for whi? thei dar no lenger tary.
Thenne aftir hem that ar to go for al,
For these stille abide as doth a wal.
Tho tweyne eggys ar clept 'the grete armure,'
And aftir hem the thridde cours is sette
Of wighte & yonge and light herneysed sure,
With dartys and with taclis sharpply whette,
In dayis olde thei ferentayris hette;
The firthe cours was called the scutate,
Spedy to renne and glad to go therate.
Wight archery with hem to shote stronge,
The yongest and the best and lustyeste
Archers with crankelons & bowys longe;
The ferenters and thei to gedir keste
Named the light armure, as for the beste
Thorgh shulde passe and first with shot prouoke
The aduerse part, and on hem reyse a smoke.
If foomen fle, thei and horsmen the chase
Go swift vppon, and ellis thei retrete
420
And thorgh the frount indresse hem to their place.
The grete armure, if thei com on an hete,
Is hem to yeve of sword and axis grete,
On hem the feeld is now for to defende.
Thei gynne wel, God graunte hem a good ende!
The fifthe cours was the carrobaliste,
Manubalistys and fundibulary
And funditours; but now it is vnwiste,
Al this aray, and bumbardys thei cary,
And gunne & serpentyn that wil not vary,
Fouler, covey, crappaude and colueryne
And other soortis moo then VIII or IXne.
Heer faughte thei, that hadde as yet no sheelde,
As bachelers, with shot of dart or spere.
The sixte cours, and last of al the feelde
Wer sheeldys, of the myghtiest that were,
The bellatourys beste in euery gere;
Antiquytee denamed hem Triayrys,
In theym, as in the thridde, al to repayre is.
Thei to be sadde in strength and requyete,
More feruently to make inuasioun,
To take her ease in ordir alwey seete,
And if aforn wer desolatioun,
In theym therof was reparatioun;
In eny part if ther wer desperaunce,
Thei turned it anoon to prosperaunce.
Now the podisme, as whos wil sey, the space
Of grounde, vpon to fight; it to se,
Aforn is seide, hou in a Ml. pace
XVI C LX and VI may be,
So chiualers euerych ha footis III
To stonde vpon a foote and VI abacke
That for his veer and leep no rowme hym lacke.
421
VI eggys heer sette in a Ml. pace
Shal holde II and XLti. feet in brede,
And so X Ml. wil this grounde embrace;
Thus tembataile is sure, and fer fro drede;
And to II Ml. pas III cours for nede
In long goth out, so that the latitute
In XXI foote it self enclude.
As here is taught, X Ml. men may stonde
In oon or ellys in II Ml. pace,
And XXti. Ml. in the double londe,
And XXXti. Ml. in the threfolde space,
And XL Ml IIII folde is tembrace;
And this mesure is named the Pidisme,
Vntaught in doctrinal or in Grecisme.
A prince heryn expert, and hath to fight
His feelde and of his folk the multitude,
Shal seen anoon how thei shal stonde aright,
And if the feeld is short & brod, conclude
On rangis IX, and by this similitude,
Be short and huge in brede, or longe & rare,
But myghtier is brede, and mo may spare.
And rare, an ooste if thaduersary seeth,
He breketh on with hurt peraventure,
Wher thicke outholdeth him ayenst his teeth;
And ther an ende of that; but hoo shal cure
Ereither, horn and myddis, to be sure,
Ordeyne that, or aftir dignitee
Or aftir thaduersayris qualitee.
The feelde ofoote ordeyned in this gise,
To sette it is these hors at eyther horn,
As writeth in her werkys olde wise,
That herneysed sperys be sette aforn,
Vnharneysed abak, that of be born
422
The storm fro theym, whil myghti hors defende
Stronge archerye o foote to shote on ende.
For to defende haue horsis myghtieste,
Tho hornys in attempting is to sende
Out hors the swiftest & the wightieste,
To trouble theym sette on a pace on ende.
The duke it is to knowe & comprehende,
What hors ayenst what throngys ar to goon,
And whar he have hors as goode as his foon.
Their hors ar ouer vs; theryn is boote:
Tak wight and yonge men with sheeldis light,
With twene on hors, sette one of theim o foote;
With hem resiste our aduersayrys myght.
But this to take effecte and spede aright,
These yonge men herof grete exercise
Moste have, as telleth werreourys wise.
And aftir al his ooste, a duke shal haue
A myghti choyce of men on hors & foote,
Ereither horn and breste for to save,
That if the boorys hed in wolde wrote,
A sharre shere his groyn of by the roote.
(The boorys hed is a triangulere
Of men, a boorys hed as thaugh it were).
If that come on, with tuskys forto breke
The breste or egge or wynge or outher horn,
A sharre clippe hem of, right by the cheke,
And with the same his wrot away be shorn;
And set it al in ordir as beforn,
And if a place feynte, anoon a yawe
Of myghti men aforn it is to drawe.
Tribunys, Erlis or their lieutenauntys,
Of these, myghtiest to renne & ride
423
Wer mad the Capitayns & gouernauntys,
And werriours hem named the subside;
For thei releved thoost on euery side,
So that noman remeued from his place,
For so to doon, myght al an oost difface.
Eek out herof thei make a Boorys hed
And Cuneus thei name it, or a wege;
As thondirynge with leyting flammys red
It russheth on our aduersayrys egge
And shaketh of, ye mony a myghti segge,
And if it falle on either of the hornys,
It cracketh hem, as fier tocracketh thornys.
This stood behinde al other ordynaunce.
Now is to se the place of vche estate:
On the right honde, withoute variaunce
The principal Captayn or potestate,
That al the gouernaunce is taken ate,
There as the footmen and the hors dyuide,
He hath his place, al to gouerne & gide.
Footmen and hors to rewle heer stondeth he,
The potestate and al this oost to gide,
By premynence of his auctorite,
To chere theim that myghtily shal ride,
And theim o foote, as myghtily tabide.
A wynge is him to bringe aboute the horn
Him counteringe and on comynge beforn,
That is the lift horn of our aduersary,
Aboute a wynge, and on the backe hem clappe,
And thei of their comyng the tyme wary;
And if (as God defende) amys it happe,
Anoon the subside is to stoppe a gappe;
For soueraynly on hym that is tattende,
And, as the cas requyreth, come on ende.
424
The Duke secounde, and next in gouernaunce,
Amydde the frounte or forfrount is to stonde
And sustene it tabide in ordinaunce;
The boorys hed his part is to withstonde,
A sharre out of the subside is at honde,
Clappe it theron, and if ther nede a yawe,
Out of the same anoon it is to drawe.
The thridde Duke, right wys & vigorous,
His part it is to stonde on the lift horn
And myghti men with hym, for dangerous
Is that to kepe, as writon is beforn.
His wynge he muste extende, and hadde thei sworn
It, let hem not her wynge aboute hym clappe,
Subside at him be sone, if ought mys happe.
A clamour, clept an harrow or a shout,
Vntil the fight begynne, noon is to rere;
No werreour that wise is, out of doubt,
Wil shoute afer, therwith his foo to fere;
But when the shoute & shaftys fille his ere,
Then voyce yfere is so fel & horribil,
That for to fere, it is not incredibil.
Be redy first, and first to sette vppon,
And first to shote & shoute & make affray,
With myghti countynaunce, that is the mon,
That mornynge is to haue a ful fayr day.
This promptitude & wit & stronge aray
Thi foo seynge, is trembeling to fle,
The palme of victory goynge with the.
And ay bewar, lest his right wynge clappe
Aboute thi lift horn; this is remedie:
To rech it out; and if that wil not happe,
The wynge aboute thyn horn bacward replie
And fende hem of; now fight for the maistrye,
425
And if a bosh come on on eny side,
A better bosh on hem from our subside.
Here angelike valiaunce, here is puissaunce
Archangelik in ooste and legioun,
And it gouerneth Dukys principaunce
With myght, power, and dominatioun.
Omnipotens, this is his champioun;
God loueth this, his throne & sapience
Is sette heron, justice to dispence.
What is this oost, aduerse, rebelliouns
Presumptuous, periurious, mischevous,
Heresious with circumcelliouns?
A legioun attaynte, vntaken thevous,
That, as thei ar myscheved, wold myscheve vs.
Her lord is Lucifer, the kyng of pride,
In euery feeld with him doun goth his side.
Thei ha no breste, here hornys & her wyngis
Ful febil are and out of ordynaunce;
Subside is goon, no socour in their kynge is,
And moost amonge hem self is variaunce.
They wil away, now fle they to myschaunce;
Goon is their herte, and if the body dwelle,
Their hope is aftir deth and aftir helle.
Here is .o. breste, here hornys are & wyngys
And myghtieste in raunge & ordynaunce;
Subside is here, and socour in our kynge is,
Amonge vs is ther noo contrariaunce.
We wil abide vndir our gouernaunce,
Here is noo drede of deth or peyne of helle;
Here or with angelys is vs to dwelle.
Therfore our eye is to the kyngis signe,
We here his voys, as trumpe & clarioun,
426
His eyes are obeyed, we enclyne
Attonys vnto hym, his legioun
We are, and aftir God, his regioun.
His capitayn and his vicapitaynys
Tobey euerych of vs right glad & fayn is.
This champioun, this ooste & Goddis knyght
With fele and also fewe may prevaile,
Miraclis here & there God sheweth myght;
But first (as seide is erste) is hem tassaile.
The gretter ooste is this; now moste availe
Is ordinat bataile, as is beforn
Seide, and with wyngys clappe in eyther horn.
With wyngis wight hem vmbego, ley on
Behinde and holde hem streyt on euery side,
And cleche hem vp; whi wolde they be foon?
Tech hem obeyssaunce; sey: 'Fy! o pride!
Com on your way, we wil our self you gide.'
This way is good, so that this bestes ride
Be not a gret horribil multitude.
With multitude we myght been vmbegoon,
War that perile; holde of on other side
With wyngis wight, and strengthe hem faste anoon;
With myghtiest elect of the subside
Prevaile on hem; yet more is to prouide,
That if the boorys hed com in, a sharre
Be made for him, his tuskys forto marre.
But wurthi men are in this ooste afewe,
Sette hem in wise and myghti gouernaunce;
For heer the Lord wil his myracle shewe,
Their multitude or myght be noo turbaunce;
Truste in thi Lord and mak good ordynaunce;
Ordeyned wel, in fewe is to prevaile,
So that theryn no poynt or poyntis faile.
427
Do thus when thegys are at the congresse;
Thi lift hond, hold it from thin aduersary,
That of his shot it have noo distresse
And thi ryght wynge vppon hem wightly cary.
Theer to begynne it is most necessary;
Sette on in circuyte, and bringe abowte,
And to prevaile it nedeth nat to doubte.
But do this with thin horsmen myghtyeste
And footmen of the beste, and ha noo drede,
Thi foomen vndir foote to be keste;
And if thi foo to the the same bede,
A myghtiest subside vppon hym lede
Of horsmen and footmen, and thus delude
Hir arte with arte, and thervppon conclude.
Or otherwise, if men be myghtieste
On the lift hond, the right is to retrete
And fal on her right horn with wightieste
Footmen & hors; and til thei yelde hem, bete
Hem on the bak and breeste, and ouergete
Hem myghtily; but the right honde elonge,
That of thi foo noo forfeture it fonge.
War heer the boorys hed and euerywhere,
Or otherwise al putte in ordynaunce
CCCC or D pace yfere
Aforn the counteringe it is tavaunce
Our wyngis wight vppon their ignoraunce.
Prudence it is on hem to make affray,
Whil thei beth out of reule and of aray.
If hors be myghtiest, this wey is best
And doon anoon, and ellis is grete drede;
A remedy therfore is to be keste,
That al the light armure wightly procede,
And archerye, as sparkil out of glede.
428
And embataile anoon the frounte aforn,
The breste to defende, and either horn.
If this be doon, the frounte alonge is sure,
Vnlabored with fight, or otherwise,
Like as beforn is seyde, it is to cure,
That thi right wynge vppon his lift horn rise;
But myghtiest and wittiest dyuise
Vnto that feat, and archers with hem fonge
Of wighte men, ofoote that be stronge.
And this doyng, retrete thi lifte horn
Fer, al abak, and raunge it like a spere,
Dyuers heryn vnto the way beforn,
So that the foo noo strook theron bewere.
This wil devicte anoon withoute fere.
In this manere a smal & myghti ooste
Shal ouerthrowe a multitude of booste;
Or finally, this ooste is but of fewe
And not so myghti men as hath the foo:
Heer hath the werreour his craft to shewe,
And embataile hym nygh a flood that goo
On outher half; a cragge is good also,
Lake or marice or castel or citee,
A side to defende is good to se.
There embataile and putte ereither wynge
On oon side, and herwith pul of his horn,
But fro behinde aboute is beste it brynge,
And with the boorys hede route in beforn.
The myghtiest to this be not forborn,
Ner they, theryn that haue had exercise,
Thus hath be seyde of werryourys wise.
The foo peraventure is ferde and fled
Into sum holde, and ferther wolde he fle
429
Fayn, wiste he how. What is the beste reed
That he go forth, or heer beseged be?
To lete hem goon is moste vtilitee
And no perile is it that foo to chace
That turneth vs the bak & nat the face.
Yet heer be wys and sende a fewe aforn,
Right aftir hem, and with a myghty honde
Another way on even or amorn
Caste to come in and in their light to stonde.
When thei that aftir go, wynne on hem londe,
Her part it is tattempte hem esily
And so departe, aferd to bide therby.
This seyn, thei wil, suppose a wayt be goon,
And disolute anoon be negligent,
Thenne is the wit, that myghti honde come on
And take hem vp aslepe or vynolent;
Thus easily we haue our owne entent,
Therof to God the commendatioun
Be madde, and doon sacrificatioun.
If part of thooste be fled, & part prevaile,
Heryn the Prince exploye his valiaunce,
Hem myghtily retournyng to bataile.
Forwhi? the foon be fled vnto myschaunce.
Arere anoon vnto your ordynaunce;
The feelde is youre, and trumpe & clarioun
And scryis make of victory resoun.
Of knyghthode and bataile in special
Thus seide thelectioun & ordynaunce,
Here is to sette vp rewlys general,
As this: The gracious good gouernaunce
Obserueth euerywhere; al suffisaunce
Hath he that is content; al may be born
Saue wele; and: scorned is that vseth scorn;
430
Thi disavaile availe is to thi foo,
His hurt availeth the; voide his advice,
Do thin availe; do not as he hath do;
In thin electioun se thou be wys,
War negligence, do euery man justice,
Be vigilaunt, attende thin honour,
Thi prouidence be to thin oost socour.
Ha not to fight a knyght vnexercised;
Ha confidence in preved thing; secre
Thi counsel have; lerne of thi self disgised;
The fugitif herd and vntrested be;
Be gided wel by folk of that contre,
That thou wilt ouer ride; haue in writynge
Euery passage, and eke in purtreyinge.
Better is brede in oost to fight then lengthe;
Good is in stoor to haue a grete subside;
With sapience socoure a feebil strength,
Sende of thi foo; Let not thin oost diuide;
Whette vp thin ege; bidde horsmen wightly ride;
Fight in a raunge aforn with multitude
Ayenst a fewe, and hem anoon detrude.
A fewer oost falle on with the right horn,
And crokyng of the lift horn is telonge,
So that the myghtiest be sette beforn;
And if the lift horn be both wyce and stronge,
Sette it beforn, and bak the right be wronge;
Or on thin vnaduised foo with wight
And myghti wyngis go beforn & fight.
The light armure and euery ferentary
Aforn thi frount in nede anoon procede
With subside on the wyngys for to tary;
And he that hath a litil ooste, hath nede
Of mych wit, and myghti men in dede,
431
And on his honde a flood or place of strengthe,
And either wynge on his oon horn tenlengthe.
Ye truste in hors: the playn is beste; ye truste
Vppon footmen: the cleef is good. Espie
Amongis vs to be ther is distruste:
That euery man go hoom, anoon do crye,
And which is he, forwith me shal espie.
But sodenly this most be doon be day,
The yatis shitte, lest he go stele away.
What is to doon, with mony take advice;
What shalbe doon, tak fewe or be alone;
Tak his advice that is secret & wyce,
Be juste, indifferent to euerychone;
For idelnesse haue ay sumwhat to doone;
To straunge not, not to familier,
Make of a lord; chere a good Chiualeer.
And here anende I thus the thridde part
In this Tretice of knyghthode & bataile.
What ha we next ? Forsothe, a subtil art
To bilde a stronge Citee, and for tassaile
It and defense; and aftir, fight Navayle,
That is bataile in ship, I here entende
For chiualers to write, and make an ende.
IV.
Vltima pars vrbes parat, obsidet atque tuetur,
Bello nauali finit & ornat opus.
This IIIde part, as long as othre tweyne,
Halt prouidence of myghtiest bataile,
The morthereer to bringe vndir the cheyne.
There al his olde craft shal nought availe,
But hate of ire and angush of travaile
To fynde; and aftir al that to descende
432
To theuerlasting deth, if he namende.
In Brutis Albion is not to spende
This myghti knyghthode & bataile alone;
To Normandie and Fraunce it is tassende,
Til Cristis & the kyngis foos vchone
Be dryven out or chastised, and noone
Alyve ylefte, that wil not wel beleve
And vttirly the myscreaunt myscheve.
Here ende I that, and to my werk releve
The laste part, anoon to bringe an ende,
And aftir in correctioun it preve;
Criste truste I, that the kyng it wil attende
And werreours to knowe it condescende;
That leve I there, and write as is thavaile
To bilde and sette assege, and see bataile.
Nature or art assureth a Citee,
A dongeoun, a castel, or a tour,
In lake or in mareys or in the see
Sette it, that element is thi socour;
And if the lond shalbe propugnatour,
A mountayne or a clyef, a cragge, a rok
Sette it vppon, and saf it is fro strok.
And in foreste, in feelde or in champayne,
With craft or art it is tomake a strengthe,
And if nature assiste, it is tattayne
Effect anoon, as when the brede or lenghe
A rok, ryuer, mareys or see wil strengthe;
But art alone if noon herof availe,
Shal make it stronge with wisdam & travaile.
Mak bosumy and angulous the wal,
And so sette out therof the fundament
With touris and turrettis oueral,
433
That scale, engyne or rammer therto sent
Be ouer sette, and faile of his entent,
When he is vnbegon and al to donge
With al that may be kest fro wallis stronge.
In this manere a wal it is to make,
To stonde an infallibil thing for euer:
An interualle of XXti feet be take,
A wal on either side herof dissevre,
Caste in the moolde, sadde it with mal & lever,
Out of the dich caste it bitwix the wallys,
And ramme it doun with punchonys & mallis.
Mak the inner wal wel lower then withoute,
That esily, as by the clif, ascende
Me may vnto the loupis al aboute,
Or by an esi grice hem to defende;
Thus mad a wal, the ram may nat offende;
For thaugh he fronte awey this vttir cruste,
The grounde is stronge ynough with him to juste.
For firing of the yatis make obstacle,
Couer hem with hidys and with iron plate,
And make aforn a myghti propugnacle,
A portcolys to plumpe adoun therate,
Aftir thi foon atwixte it and the yate
Thei checked ar. The machcoling may thenne
Chastise hem that thei shal nat sle ner brenne.
The dichis ar to make brode at al
And deep at al, so that me may not fille
Hem in no wise, and renne vppon the wal;
The myner is his labour heer to spille,
And rathest if the watir hem fulfille;
For now hath he twey grete Impedymentys;
Depnesse is oon, another thelement is.
434
The multitude of shot is to repelle
With sheeld, pavice an here and duble say;
Shot perceth not ther thorgh; eek wittis felle
Han cratys fild with stoon at euery bay,
And if thassault come vp, adoun go they
Out of the crate, at euery loup is oon
Of these. It quelleth ordynaunce & mon.
In mony wise assault is and defense;
And on manere is by enfameyinge.
Hoolde foode away, and watir, kepe it thens,
And hem to honde anoon shal honger bringe.
But if we wite a seege on vs comynge,
Anoon gete al the foode within our wonys
And faste haue in the multitude of stonys.
Corn euerydel, larder, fisch, foul, forage,
And that may not be brought in, is to brenne,
Wyn, aysel, herbe, & fruyt and cariage,
Logyng, let brenne it vp, or cary it thenne;
So bare it for our foon that whenne thei renne,
Thei fynde nought; and vse we vitaile
With such attemperaunce, that it ne faile.
Glew, tar & picch and oyle incendiary,
And sulphour herwithal to brenne engyne,
Charcole & cole, and al that necessary
Is forto make armure and arowys fyne
And shelde & spere, hundirdys VIII or IX,
And coggys, cogulys & pibblis rounde,
Fil vp the wal with hem by roof & grounde.
Stoon of the flood is saddest and so best,
For fourneysinge a wal & euery loupe,
And outher with engynys to be kest
On hegh, adoun to falle on hed or croupe,
Or fro the scalyng forto make hem stoupe
And have of grene tymbour grete rollys
435
And loggys leyd to route vppon her pollys.
And beemys is to haue of euery sise
And boord of euery soort, and also nayl.
Ayenst engyne, engyne is to devise,
And that the stuf be prest, is thin availe.
High if it be, pulle ouer their top sail,
And if thei come in touris ambulary,
Hem myghtily to mete is necessary.
Nerf is to haue or senewis aboundaunce,
The crosbowyng to stringe and bowe of brake;
Hors her of mane & tail, if suffisaunce
Therof ther is, therto good is to take;
Of wymmen here tho stryngis eke thei make:
With stryngys of their her Romaynys wyvis
Saved her owne & her husbondis lyvis.
Raw hidis ar to kepe, and euery horn
The portcolis to couere, eek sheeld & targe
And mony a thing, it may not be forborn;
And if so be your watir be not large,
To synke a welle anoon it is to charge,
For lak therof; theym that the water brynge,
With shot defende outward & hoom comynge.
And if the welle is out of our shotinge,
Make vp a tour and putte archerys there,
For to defende tho that watir brynge;
Cisternys who can make, it is tenquere;
Make vp of theym in placis euerywhere,
Rayn watir kepe in hem; when wellys faile,
Rayn watir in cisternys may availe.
A See Citee this is, and salt is geson:
Kest watre salt in vesselling that sprede,
Salt wil the sonne it make in litil season;
436
But thus we dar not fette it in for drede,
The see gravel, gete it vp in this nede,
Fresh watir it, and let it drie in sonne,
And salt withoute doubte herof is wonne.
They that the wal assaulteth, bith terribil
A multitude, and trumpis proudly rynge;
The Citee nys but simpil and paisibil,
And ferde thei are at this first counteringe,
And in goth they; but if the spritis springe
And putte hem of, in comth an hardinesse,
And egal is fro now forth the congresse.
The tortoys or the snayl, the rammys grete,
The sekel or the sithe, and vyneyerd,
The cagys pluteal it is to gete
And tourys ambulary nere aferd;
The musculys eke with the pety berde,
Lo alle these wil this Citee assaile
With crafte, and yet with craft shal it prevaile.
Of tymbir and of boord it is to make
A tortoys or a shelled snail, and so
They name it; whi? for when hem liste awake
It, out therof the hed & hornys go
And in and out ayein; oon horn or too,
Croked or streght, hath it, right as a snaile,
Right as it semeth hem their moost availe.
The bak of this tortoys, snail or testude,
Wherof it hath figure and also name,
With felt & heere & hidis rawe or crude,
Lest theron fier doun cast, brenne vp the frame.
Wel couered is, the sidis beth the same;
Pendaunt theryn, ther goth a beem alonge,
Therof the hed is iron steeled stronge.
437
Tweyne hornys if it have, it is a snaile;
Streght may thei stonde, or the lifte horn may croke
Outher the right, as may be moost availe,
The wal to breke & stonys out to Rooke;
And if it haue but oon horn, & it hooke
A croche, it is a sikel or a sithe,
It breketh and out bringeth stonys swithe.
And when the frount is mad to breke & brese,
It is a ram for that similitude,
To rush vppon the wal and al to crese
The stuf in it; yet wil thei this delude,
And with oo crafte thoo craftis III conclude:
Of quylt & felt a trusse thei depende,
Ther as the ram entendeth for toffende.
Or by the hed they kecch it with a gnare
And hale it vp, or by the wal endlonge,
Or turne it vpsodoun thei wil not spare;
Hem semeth it to hurte it is no wronge;
And other haue a wulf, this ram to fonge:
That wulf is as a payre of smythis tongys,
Toothed, that in a wayt alway to honge is.
That wulf gooth on the ram, and by the hed
Or necke anoon pulde is he vp so doun,
Or so suspended that his myght is deed,
And other fro the wallis of the town
Or out of tourys hye or of dongeoun
Wil caste an huge ston or a pilere
Of marbil, and so breke it al yfere.
And if the wal be thorled therwithal,
As happeth ofte, or doun it gooth anoon:
Awey with euery hous, and mak a wal
Withinne that of planke or lyme & ston;
And if thin aduersayris come vppon,
Conclude theym bitwixt the wallis tweyne,
438
And so be quyte of this perile & peyne.
The vyneyerde is lighter tymburynge,
VIII foote brode, VI footys high, XVI
Footys in length, and dubil couertinge
Hath it of boord & fleyk; of twyggis grene
The sidis are, and fier for to sustene,
With felt & hidis grene it couere they,
So that to brenne or breke it, is no wey.
And made ynowe of these, ar sette yfere
Vnto the wal, as summe sette a vyne,
And tre pilers vpsetting heer & there,
To make it falle, vndir the wal thei myne,
That, puld away the stulpis VIII or IXne,
Doun go the wal, this vyneyerd remeved,
Lest it and al ther vndir be myscheved.
The cage pluteal of twiggis plat,
Of heerys hath couert and hidis grene;
Not ouer high the roof ner ouer flatte,
That shot & fier suffice it to sustene.
On whelis III to go thei thise demene,
As goth a cart; and fele herof thei make
With mony a wit the wallis forto awake.
The muscle shelle is but a smal engyne,
Mightily mad on whelis for to go,
And bere away the wallis when thei myne;
Thei bringe stuf the dich to fille also;
And on the werk it may go to & fro
And sadde it vp, that tourys ambulary
May men ynowe vppon the wallis cary.
The muscul eke is good, the way to mende,
For eny thing, of tourys ambulary.
To se the crafte is now to condescende,
439
Thartificeer it nedeth not to vary;
Make hem like other housing necessary,
A XXXti foote or XL foote square,
And otherwhile of Lti feet thei are.
Of bemys and of boord be thei compacte,
And competent the brede hath altitude,
With hidis, grene or felt sadly coacte
The robinge & the sidis are enclude.
Their apparaile ashameth wallys rude,
At euery lyme herof ar huge whelys
And brood withal the sole of euery whel is.
Present perile is, if this tour ammoeve
Vnto the wal, the place is in a doubte;
And impossibil is it of to shove.
Of myghtieste theryn is mony a route,
And briggis in, to renne on from withoute,
And scalis of al maner farsioun,
From eny part to renne on vp & doun.
The rammys are alongh as first engyne,
And not a fewe, a wal to ouerthrowe,
And vndir as a vyneyerd they myne
And briggis in the myddis are a rowe,
And fro the toppe they shote & stonys throwe;
Thus vndir and above and euerywhere
The wall besette; who dar abide there?
Yet here ayenst is diuers medycyne:
First, if the Chiualers with confidence
Go myghti out, and fire this engyne,
First pulde away the firys resistence,
And if thei ha not this magnificence,
Shote at hem molliols, also fallayrys;
But what thei ar, to knowe it necessayir is.
440
A malliol, a bolt of wilde fier is,
A fallary, a shafte is of the same;
Thorgh felt & hide hem shoote: al on a fier is;
But shoote hem thorgh into the tymber frame;
With myghti alblastris go to this game,
Brymston, rosyn, glewe, oyle incendiary
With flax doon on this shafte is necessary.
Or preuely with fier out of the toun
Ouer the wal, whil this tour is asclepe,
A feleship of fewe is let adoun,
That fiere it, as noo watir may it kepe;
And triced vp at hoom thei skippe & lepe
To se this ambulary touris brenne;
This hath be doon, & yet ful seelde whenne.
And otherwise is doun, the wal tarise,
And ouer go the touris altitude;
Yet ther ayenst is vsed to deuise
A subtiltee, tho wallis to delude;
In the vtter tour, an inner tour tenclude,
And when thei sette vppon this wallis blynde
With gabils & polifs hem ouerwynde.
And beemys otherwhile, ye ouerlonge,
Ordeyne thei, and sette on iron hornys,
And as a rammys hed thei make hem honge;
This tour with hem forbeton and throgh born is,
And sette ofiere, and vtturly for lorn is;
Yet otherwise, out of the toun a myne,
Vndir the way therof, sleth this engyne.
When this engyne on that concavitee
Goth with his wight vppon his myghti whelis,
Doun goth it, into helle as it wold fle;
And this to se, the toun in joy & wele is.
But thooste withoute al in dolour & deel is,
Al desperate of help by their engyne,
441
And al by witty makyng of a myne.
But if this tour sauf sette vppon the wallis
With euery shot of dart, of shaft, of spere,
And dynt of axe, of swoord, billys & mallys,
And caste of stoon thei ley on euerywhere,
That fro the wal awey they fle for fere,
Now to the wal, the briggis forto avale is,
And mony oon goth doun anoon by scalys.
Thei trice in other with the Tollenon:
The tollenon a tymbir pece on ende
Is sette, another twye as long theron,
The lighter ende of it adoun thei bende;
A cageful of men therwith thei sende
Vppon the wal, when they with cordis drawe
Adoun that other ende, as is the lawe.
Sumtyme ayen this werk, the bowe of brake,
Carribalistys and Arcubalistis,
Onagris and fustibulis wer take,
And mony a dart that vncouth & vnwiste is
Amonge vs heer. The taberinge of the fistis
Vppon the bowe, and trumpyng of the gunne
Hath famed vs as fer as shyneth sonne.
Thei trumpe adoun the tourys ambulary,
Thei ouerthrowe as wel ram as tortoys,
The cage and vyneyerd therby myscary,
The muscul may not with his dynt & voys;
And countir as it goth, ther is noo choys,
But deed or quyt; for and it onys touche,
It goth for al that hangeth in the pouche.
A conynger, that now they calle a myne,
Goth vndir erth vnwist; by that cauerne
Come in tatoun, ye, tourmys VIII or IXne,
442
And prevely they rise in sum tauerne
Or desolat hous, so noo wight hem werne;
And sodenly by nyght vppon the yate
They hewe, and leet their frendis in therate.
And ther ayenst, if that the dwellers be
In touris, on the wal, or housys hye,
Vppon the strete,-is ther yit comfort? Ye,
So stonys out of numbir on hem flye,
As thaugh the buldir hailed from the skye;
They wil anoon retrete out at the yatis,
Now steke hem out; and stynted this debate is.
And if thei do not thus, anoon their foo
Of prouidence her yatis may lete stonde,
Vntil as fele as fle, wil been ago,
And thenne in ease have hous & toun & londe;
But God defende vs that we be not fonde
Aslepe so that foon lede vs away
Withoute strook, or seide hem onys nay!
Lo, man, womman and childe may keste stoon
Vppon his foo from euery place o lofte,
And ther to redy sone are euerychon
By day & nyght; this holpen hath full ofte.
Ha stonys out of flood or feeld or crofte,
Store hem on high, that in a sodeyn fere
Fynde hem ye may, and on your foo bewere.
This conynger hath eek another gise,
Vndir the wal to crepe pryvely,
And sette vp postis heer, & ther by sise
And pike away the fundament wightly,
Ramayle it wel. the postis by & by,
And when their ooste was redy, make it brenne;
Doun goth the wall; in and vppon hem thenne!
443
Peraventure ther is a countir myne,
So that thei faile, and feyneth a dispayre,
And hem remeveth mylys VIII or IXne;
Now best be war, at market or at fayre,
Or day or nyght, thei thinketh to repayre,
If there appere among hem negligence;
Therfore now do grettest diligence.
Now se the wacch abide vppon the wall,
And houndis wise & grete is good to kepe;
Eek gees is good to haue in special,
For thei wil wake folke that ar aslepe,
The foo comynge her welth away to repe;
The mavlard in the dich and in the wallis,
The martilet at scaling wont to calle is.
The toun eke on thassege sodenly
Is wont to falle, if it be negligent;
Therfore a dich thei make vp myghtily,
Without shot of euerych instrument,
And stake it, pale it, toure it to thentent,
Ther to be sure hem self and holde hem inne;
Thus wayteth vch an other for to wynne.
The craft tassaulte a citee and defende
By myght and wit of knyghthode & bataile,
Honour to God, therof is mad an ende.
Now go we forth vnto this fight navaile,
That is fight on the see, no light travaile,
And not o londe; as there is so grete drede,
Therfore of gouernaunce hath it gret nede.
To make an hous, good stuf it is to take
Good farsioun, and good stuf is the hous;
But rather he that shippis is to make,
Se that his stuffe ne be nat vicious;
A feebil hous nys not so perilous
As is a feebil ship, other a barge,
444
Forthy therof the more it is to charge.
Fir and cipresse and the pynappul tre
Therfore is good, as seyn the bookys olde,
And ook is holden good in this cuntre;
The nayles are of bras wel better holde
Then iron. Whi? For ruste thei wil & olde
And kanker and consume, there as bras,
Consumed al the ship, is as it was.
Fro Juyl Kalendis vnto the Kalende
Of Janyveer, that is by monthis sixe
The seson is, tymbur to falle an ende;
Thumour dryinge in treen, now sad & fixe
Is euery pith; but fallinge is bitwixe
XV and XXIIti, when the mone
Is wanyng, dayis VII is this to done.
In other tyme or seson if me falle,
Wormeton wil it ben, eek it wil rote;
The tymbourmen of craft this knoweth alle;
Of rynde or bark is rende away the cote
And dryed thorgh, er it be put to note,
For tymbir weet, so wroght, wil aftir shrynke
And ryve and with right grete disconfort drynke.
For if the shippe vnto the maryner
Drynke of the see, sone aftir of the same
Thei drinketh al, and are of hevy cher;
Forthi, the carpenter is wurthi blame
That into shippis wil weet tymbour frame,
And wurthi thonk is he, that frameth drye,
So that in his defaulte no men deye.
The namys of the shippis as for werre
Myn auctour writeth not, save a liburne
He writeth of as mightier & herre
445
Of boord, and wight of foote, and light to turne.
As to the wastom of this shippis storne,
Thei hadde V or IIII ordris of ooris,
Or fewer, as the vessel lesse or more is.
And euery grete liburne a balynger
Hath had, and that a scafe exploratory
Was named, for to aspie fer & neer;
Of oorys hadde thei not but oon story.
But wight it was to go for a victory;
The seyl, the maste, and euery marynere
With see colour wer clad for to vnnapere.
A navey and an oost that wil gouerne
Vppon the see, him nedeth forto knowe
The wyndis, and the wedir to discerne;
He moste ha wit, leste he be ouerthrowe;
And first the foure cardinals arowe
Be knowe, as Est & West & North & South,
How thei amonge hem self discorde, is couth.
Theest cardinal is called subsolan,
And on his lifte hond hath he Sir Vulturne,
And Colchyas is on his right hond tan,
Septentrion, that cardinal so storne
Out of the North the see wil ouer torne,
Thocastias his right, and his lift side
Halt Aquylo, what se may theim abide.
Auster is cardinal meridian,
Nothus ful grymly goth on his right side,
And Chorus on the lift hond forth thei han,
And Zephirus that cardinal, abide
Wil in the west, and when him list to ride,
Grete Affricus shal ride on his right honde,
And Duk Fauonius on his lift honde.
446
If III or oon or tweyne of these vp blowe,
Tethis, of hir nater that is tranquylle,
Thei lene vppon, oppresse and ouerthrowe,
And causeth al crye out that wold be stille;
Thei ror ayeyn, of her thei haue her wille;
The shippe that this conflict seeth & hereth
(Heryn beleve me) his hert it fereth.
Sum varyaunce of tyme will refreyne
Her cruelous & feers rebellioun,
A nothir helpith hem to shake her cheyne
As all the firmament shuld falle adoun
And Occian lepe ouer Caleys Toun;
And after in a while it is tranquylle
And playne & calme, as whos seith 'husht, be stille!'
Therfore a storme is whisedom to preuyde,
And good it is forse serenyte,
And fro the storme abide or stopp atide,
And with meanabil wynd sette on the see;
Ful hard it is in peril hym to se,
That of the wyndes had inspeccioun,
Is raysonabil in direccioun.
Thenne is to se the monthis & the dayes
Of Nauygaunce, forwhy? not al the yere
The wyndis on the shippis make affrayes,
Sum monthis euer are of mery cheer,
And summe loure a while, & after cleer
Ynough they loke, & summe ar intractabil
And ragy wood, ancour to breke & gabil.
The VIth kalende of Juyn, when Pliades
Appereth: what is that? the sterrys VII;The wyndes alle ar bounden to the pees,
So that ther nys no truble vndir heuen,
Vntil the berth of Arcture al is even,
That is of Octobir the XVIIIth kalende,
447
Seecraft plesaunt hath at this day an ende.
Tho dayis euer are of mery cheer,
And thenne vnto the IIIde Ide of Nouembre
The dayis wil now loure and now be cleer;
For vnto now, as bookys me remembre,
Arcture, as from the first Ide of Septembre,
His reigne he hath, and in this meane while
The firmament wil loure amonge & smyle.
Nouembir in tempest is al to shake,
And aftir vnto Marchis Idus VI,
Viage thenne on see nys noon to take,
But in the woose it is tabide fixe;
Also by londe vnvsed is betwixe
Alhaleweday & March to goon or ride,
But if a grete necessitee betide.
Short is the day, the nyght is ouerlonge,
Thicke is the myst, and thestir is the mone,
And aftir in ther comth of wynde a thronge,
That forto stonde he hath ynough to done,
That is o londe; a strom is aftir sone
Of leyt, of wynd, of rayn, of hail, of thondir,
That woful is the wight that goth thervndir.
And, ovir this, in Marche, Aprile & May,
Antiquytee of Navigatioun
Dyuers sollemnytee and grete aray
Was vsed have in high deuotioun,
And eke of arte exercitatioun
To kepe in honde, and as for feat of werre,
Thei bood vntil the sonne ascended herre.
And tokenys of tranquille and tempeste,
Of wynde and rayn, thei hadden in the moone;
Of tokenys this was surest & best:
448
Reed is the mone, it wil be wynde right sone,
To take see theryn is good to shone;
The pale mone is lyke to haue a rayn,
The pale rede is wynde & storm, thei sayn
And when the mone ariseth glad & bright,
And namely the day that is the pryme,
Withoute humour, in hornys sharpe & light,
To take a grete viage is right good tyme.
But if the sonne telle of eny cryme,
As is if he arise vndir a cloude,
That day in rayn & wynd is wont to croude.
His bright aristh is like a mery day,
His rede aristh is like a breef to blowe,
And maculous, is shour or cloudis ay,
And pale aristh wil reyn or ellis snowe;
A tokyn eke of rayn is the raynbowe.
In wynde and ayer, in fish & foule, Virgile
The signys seyth that may noman begile.
The maryners, thei sayn, haue al this art
Of wydiringe, and thei be wedir wise,
By discipline of it ha thei no part,
But of a longe vsage or exercise.
Wel knowe thei, the Reume if it arise,
An aker is it clept, I vndirstonde,
Whos myght ther may no ship or wynd withstonde.
This Reume in Thoccian of propur kynde
Withoute wynde hath his commotioun,
The maryner therof may not be blinde,
But whenne & where in euery regioun
It regneth, he moste haue inspectioun;
For in viage it may both hast & tary
And vnaduised therof al mys cary.
449
The marinere, er he come at congresse
Or counturinge, vppon the see bataile,
Wil his Navey so for the Reume adresse,
As may been his aduerser dissavaile
And hindiraunce, and also his availe.
This may be doon anoon, for a liburne
With wynde or oorys, as me wil, may turne.
The Maister Marynere, the gouernour,
He knoweth euery cooste in his viage
And port saluz; and forthi grete honour
He hath, as worthi is, and therto wage.
The depper see, the gladder he; for rage
Of wynde or of bataile if ther abounde,
The surer he, the ferre he be fro grounde.
He knoweth euery rok and euery race,
The swolewys & the starrys, sonde & sholde,
And where is deep ynough his foo to chace;
And chese a feeld he can, bataile to holde,
And myghtily sette on liburnys bolde,
First with the frounte al vndir see to route,
And as a thought, anoon be brought aboute.
The maister of the shippe, he muste be wyis;
The mariners most be ful diligent,
And myghti rowing vp at point device
Is to been had at his commaundement,
That storne and ooris go by oon assent
Forth right to sette vppon, and light to turne,
Ful gret avauntage haldeth this liburne.
And as o londe an oost may be prevent
And leyde awayt vppon, right so by see
At ilis or in streytys pertynent
A bushement to falle vppon may be
Rathest; out of aray is good to se
When that thei be; the reume & strem & wynde
450
With you & countour hem is good to fynde.
Or wayte on hem, for wery or aslepe,
Or when thei leest of thi comynge suppose,
Or in a rode as is no wey to crepe
Away, but that ye must been in their nose.
Al that is you to wynne, is hem to lose,
And if thei can avoyde alle your cautelis,
Thenne vch his right, the feeld & fight to dele is.
Thenne in a feelde a frounte of this liburnys
It is to sette, and not as on the londe
An oost; and whi? for inward it to turne is,
The hornys as a sharp cressaunt to stonde,
A bosomynge amyddis to be founde,
That vmbego ye may your aduersary
And close hem enviroun, and with you cary.
But on the hornys be liburnys sturne
With myghtiest & booldest men of werre,
Aboute our foon of myscreaunce to turne,
With confidence hem for to seyn: 'Ye erre;
Com vndir vs, and knowe your ouer herre
Moost gracioux, knowe him your souuerayne;
And wil ye not? At youre perile & peyne!'
The beemys, vp thei goth out of the trumpe
And euery brayn astonyeth their reson;
The firmament, lo! clariounys crumpe
To crye vppon, and lo! it comth adoun
With angelis, ye, mony a legioun,
To countour periurie & myscreaunce
And surquydrye and disobeyssaunce.
In euery man thei setteth fortitude
And high magnificence and confidence,
Perseueraunt for trouth to conclude
451
With adiuuaunce of myghti patience,
And on the part aduerse, an impotence
With couwardise & diffident dispayre
Wil ferdfully with trembelyng repayre.
The canonys, the bumbard & the gunne,
Thei bloweth out the voys & stonys grete,
Thorgh maste & side & other be thei runne,
In goth the serpentyne aftir his mete;
The colueryne is besy for to gete
An hole into the top, and the crappaude
Wil in; the fouler eek wil haue his laude.
The covey fleeth as foulis thorgh the sayle,
The pavice are accombred with coventys,
Yet on thei come, and vs thei wil assaile;
The bowe vnnumerabil redy bent is,
The shaft fro there an ende it goth. Apprentys
Thonagir is and the carribaliste,
The fundubal and the manubaliste.
The catafract, plumbate & scorpioun,
The dart and arpagoun in dayis olde
Were had, and are amonge vs leyde adoun;
Crosbowys yet and crankelons ar bolde
With wilde fier to brenne al in the folde,
The malliol goth out with the fallary,
The wildefier to bere our aduersary.
Yet on they come: awaite vppon the toppe
Good archery; the storm of shot as hail
So rayketh on, thei dar not shewe her croppe
Ner in the mastys topp, ner vndir sail,
Yet haile hem in a myghti voys: 'hail, hail!
Come vndir your Kyng Harry! fy! o pride!'
Thei wil not throf attonys on hem ride.
452
Bende vp, breke euerych oore in the mytside
That hath a rash; help hem, lo, thei goth vndir;
To this mysaventure hemself thei gide;
Lo, how thei cracke on euery side a sondir,
What tempest is on hem, what leyt & thondir!
On grapesinge anoon let se their fleete,
What hertys are in hem with vs to mete!
Armure & axe & spere of ouer wight
Is ouer light; as sparkelys in rede,
So sparkel they on helm & herneys bright
The rammys and twibil the side out shrede
Of ship & mast; doun goth the sail in dede,
Vp goth our hook, now it is on their gabil;
Lo, ther it lyeth; this batail is notabil.
Summe into se go, fisshes forto fede,
Summe vndir hacch ar falde adoun for fere,
And summe above, her hert blood to bleede,
And summe seke, hem self they wote ner where;
And summe crye 'alas, that we come there!
Myschefe vpon mysgouernaunce betide!
Lo, pride hath vs betrapped! Fy, o pride!'
'Com on! with vs ye shal go se the kyng,
The gracious,-have of anoon this gere!
Ye muste have on another herneysing:
A gyngeling of jessis shal ye were.
Ye shal no lenger stondyn in this fere.
O siluer bere, o lilial lioun,
O goldon Eagle! where is your renoun!'
Thus may be doon, if that it be forseyn
Of our meryte in souuerayn providence;
Forthi forwith do euery wight his peyne,
Sleuth out to holde, and haue in diligence,
Sette vp the werk, and spare noon expense;
Of Goddis honde although ye have victory,
453
Yet in the knotte is al thonour & glory.
Knytte vp the werk, and say: 'Hail haliday!'
The werre intraneous of al this londe
Is at an ende, here nys no more affray;
Justice is heer peasibilly to stonde,
And al the world shal telle of Engelonde
And of the kyngis high magnificence,
And been adred tattempte it with offense.
But forto knytte a knotte vppon this book,
That is to sey, therof to make an ende,
What is the ram, this twibil & this hook,
That helpeth vs this shippis thus to shende?
The ram, a beem is, by the mast suspende,
That as a saylis yerde is smal & longe,
On either ende an iron hed to fonge.
A rammys or a snailis hed theron
Ther may be sette, with streght or caumber horn,
On either side it may sette on our foon,
With myghti hand adoun that thei be born.
Ther nys nothing may stonde ther beforn;
For of the shippe it breketh out the side,
Vnnethe may the mast his myght abide.
The hook of iron kene is & of strengthe,
And like a sithe vppon a myghti sperre,
And not to gret, but of an huge lengthe,
And polissed to bace & make it herre;
The gabelis that in a ship of werre
Bere vp the sail, herwith may be fordone,
So may the stay & shroudis euerychone.
The twibil is an axe with double bite,
And therwithal in myddis of the maste;
What maryneris dede, is hard to wite,
454
But fele it hurte, and fele it made agaste.Now faste vntil and ende I wil me haste,
Yet first thonagir and carribaliste,
What thing it was, it were good we wiste.
Thonagir was an huge & myghti bowe,
Strynged with nerf, therwith the stonys grete,
In maner of a thonderynge were throwe,
And for defaute of nerf, hors heer was gete
To strynge hem with, and rather then forlete
The help therof, their heer Romaynys wyvis
Kitte of, to strynge hem with, and saue her lyvys.
Theim leuer was to haue her goode husbandis
With honestee, & with their hedis bare,
Then dishonest be led to straunge londys,
Dispareged, her mariage forfare.
O, mony oon of yon goode wyvys are,
That charge more vertue and honestee
Then worldly good or bodily beautee.
In carris had for hem, carribalistis
Wer sette; thei were, as bowis are, of brake;
Oon more of hem then X manubalistis;
Of nerf or heer stringes for hem wer take.
Their myghti shot made herte & herneys quake;
They and thonagre bowys myghtieste,
Tymbir that oon, stonys that other keste.
Of tholde world the brightest herneysinge,
Best ordinaunce and myghtieste mad were;
O Chiualers, to you this is to bringe;
The beste ye chese, and yet a point go nerre.
O Lady myn, Maria, lode sterre,
Licence me toward the lond; beholde,
See seke am I, fulfayn o lande I wolde!
455
Hail, porte saluz! with thi pleasaunt accesse,
Alhail Caleis! ther wolde I faynest londe;
That may not I - oo, whi so? for thei distresse
Alle, or to deye or with her wrong to stonde.
That wil I not, to wynne al Engelonde!
What myght availe, a litil heer to dwelle,
And world withouten ende abide in helle.
O litil case, o pouere hous, my poort
Saluz thou be, vntil that ayer amende,
That is to sey, vntil an other soort
Gouerne there, that by the kyng be sende.
Yit let me se, what way my wit is wende:
In this tretys, first is thelectioun
Of werreours, as for the legioun,
Yonge, and statured wel, of vp o londe
And laborers be taught to pace & renne
And lepe and shote and with a dart in honde
Shakyng vppon the Sarrasins that grenne,
To shote quyk, and to swymme ouer, whenne
The ryuer is to deep, there euery gise
Of hosteyinge & fight hath exercise.
The part secounde hath the diuisioun
Of al an oost, wheryn is tolde of thaide,
That subsequent is to the legioun,
Wherin teuerych office his part is leyde;
Theer of a feeld al ordinaunce is seyde,
With evitatioun of al perile;
Who redeth it, therate among wil smyle.
The IIIde part prouideth and vitaileth
And paeseth thooste, and voydeth al myschaunce,
And al that in the journeyinge availeth,
Is here to rede, and what feeld may avaunce
An ooste to fighte, and euery ordinaunce
How is to sette, and in conflicte how VII
456
Weyis ther ar the quyckest vndir heven.
The firthe part in crafte & in nature
Strengtheth a place and techeth it tassaile,
Engynys eek to make & putte in vre,
And to resiste hemself to disavaile;
And on the see to make a stronge bataile,
Where euery feat of werre it is to spende,
And of this werk theryn is mad an ende.
Go, litil book, and humbilly beseche
The werriourys, and hem that wil the rede,
That where a fault is or impropir speche,
Thei vouchesafe amende my mysdede.
Thi writer eek, pray him to taken hede
Of thi cadence and kepe Ortographie,
That neither he take of ner multiplye.
Finis
~ Anonymous Olde English,#NFDB
1454:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
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Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
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aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
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To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
100
with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
101
dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
102
Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
103
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
104
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
105
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
106
A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
107
for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
108
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
109
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
112
Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
114
His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
115
From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
121
so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,#NFDB
193 Integral Yoga
150 Poetry
69 Yoga
41 Philosophy
30 Occultism
23 Hinduism
23 Christianity
16 Fiction
15 Psychology
10 Mysticism
6 Philsophy
6 Mythology
6 Kabbalah
3 Baha i Faith
2 Sufism
2 Science
1 Theosophy
1 Thelema
1 Alchemy
139 Sri Aurobindo
72 The Mother
72 Nolini Kanta Gupta
52 Satprem
38 Sri Ramakrishna
28 William Wordsworth
18 Vyasa
15 Swami Vivekananda
15 Robert Browning
14 John Keats
14 Friedrich Nietzsche
13 Swami Krishnananda
13 Carl Jung
12 Plotinus
12 Percy Bysshe Shelley
12 Aleister Crowley
9 Aldous Huxley
8 William Butler Yeats
8 Walt Whitman
8 Saint Augustine of Hippo
7 Sri Ramana Maharshi
6 Ralph Waldo Emerson
6 Rabbi Moses Luzzatto
6 H P Lovecraft
5 Li Bai
4 Plato
4 Ovid
4 James George Frazer
3 Swami Sivananda Saraswati
3 Pierre Teilhard de Chardin
3 Nirodbaran
3 Ken Wilber
3 Johann Wolfgang von Goethe
3 Friedrich Schiller
3 Baha u llah
3 Anonymous
2 Shankara
2 Mahendranath Gupta
2 Kabir
2 Joseph Campbell
2 Jorge Luis Borges
2 Hsuan Chueh of Yung Chia
2 George Van Vrekhem
37 The Gospel of Sri Ramakrishna
28 Wordsworth - Poems
26 The Synthesis Of Yoga
18 Vishnu Purana
16 The Life Divine
15 Collected Works of Nolini Kanta Gupta - Vol 01
15 Browning - Poems
14 Savitri
14 Keats - Poems
13 The Study and Practice of Yoga
13 Essays On The Gita
13 Collected Works of Nolini Kanta Gupta - Vol 02
12 Shelley - Poems
12 Questions And Answers 1956
11 Talks
11 Mysterium Coniunctionis
11 Essays In Philosophy And Yoga
11 Collected Works of Nolini Kanta Gupta - Vol 07
11 Collected Works of Nolini Kanta Gupta - Vol 05
10 Thus Spoke Zarathustra
9 The Perennial Philosophy
9 Collected Works of Nolini Kanta Gupta - Vol 04
9 Bhakti-Yoga
8 Yeats - Poems
8 Whitman - Poems
8 Sri Aurobindo or the Adventure of Consciousness
8 Letters On Yoga II
8 City of God
7 Words Of Long Ago
7 The Secret Of The Veda
7 The Divine Comedy
7 On the Way to Supermanhood
7 Magick Without Tears
7 Collected Works of Nolini Kanta Gupta - Vol 03
6 Vedic and Philological Studies
6 The Secret Doctrine
6 Questions And Answers 1957-1958
6 Lovecraft - Poems
6 Kena and Other Upanishads
6 General Principles of Kabbalah
6 Emerson - Poems
6 Collected Poems
6 Agenda Vol 08
5 Raja-Yoga
5 Questions And Answers 1929-1931
5 Plotinus - Complete Works Vol 02
5 Li Bai - Poems
5 Hymns to the Mystic Fire
5 Agenda Vol 10
5 Agenda Vol 03
4 Twilight of the Idols
4 The Golden Bough
4 Plotinus - Complete Works Vol 01
4 Metamorphoses
4 Agenda Vol 04
4 Agenda Vol 02
3 Twelve Years With Sri Aurobindo
3 The Zen Teaching of Bodhidharma
3 The Lotus Sutra
3 The Blue Cliff Records
3 Sex Ecology Spirituality
3 Schiller - Poems
3 Questions And Answers 1953
3 Plotinus - Complete Works Vol 04
3 Isha Upanishad
3 Faust
3 Essays Divine And Human
3 Crowley - Poems
3 Collected Works of Nolini Kanta Gupta - Vol 08
3 Anonymous - Poems
3 Amrita Gita
3 Agenda Vol 06
3 Agenda Vol 05
3 5.1.01 - Ilion
2 Words Of The Mother II
2 The Human Cycle
2 The Hero with a Thousand Faces
2 The Book of Certitude
2 Preparing for the Miraculous
2 On Thoughts And Aphorisms
2 Letters On Yoga IV
2 Letters On Yoga I
2 Beating the Cloth Drum Letters of Zen Master Hakuin
2 Agenda Vol 09
2 Agenda Vol 01
2 A Garden of Pomegranates - An Outline of the Qabalah
0.00a - Introduction, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
The Qabalah is a trustworthy guide, leading to a comprehension both of the Universe and one's own Self. Sages have long taught that Man is a miniature of the Universe, containing within himself the diverse elements of that macrocosm of which he is the microcosm. Within the Qabalah is a glyph called the Tree of Life which is at once a symbolic map of the Universe in its major aspects, and also of its smaller counterpart, Man.
Manly P. Hall, in The Secret Teachings of All Ages, deplores the failure of modern science to "sense the profundity of these philosophical deductions of the ancients." Were they to do so, he says, they "would realize those who fabricated the structure of the Qabalah possessed a knowledge of the celestial plan comparable in every respect with that of the modern savant."
0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
The anguish of the inner soul of India found expression through these passionate words of the young Gadadhar. For what did his unsophisticated eyes see around him in Calcutta, at that time the metropolis of India and the centre of modem culture and learning? Greed and lust held sway in the higher levels of society, and the occasional religious practices were merely outer forms from which the soul had long ago departed. Gadadhar had never seen anything like this at Kamarpukur among the simple and pious villagers. The sadhus and wandering monks whom he had served in his boyhood had revealed to him an altogether different India. He had been impressed by their devotion and purity, their self-control and renunciation. He had learnt from them and from his own intuition that the ideal of life as taught by the ancient Sages of India was the realization of God.
When Ramkumar reprimanded Gadadhar for neglecting a "bread-winning education", the inner voice of the boy reminded him that the legacy of his ancestors — the legacy of Rama, Krishna, Buddha, Sankara, Ramanuja, Chaitanya — was not worldly security but the Knowledge of God. And these noble Sages were the true representatives of Hindu society. Each of them was seated, as it were, on the crest of the wave that followed each successive trough in the tumultuous course of Indian national life. All demonstrated that the life current of India is spirituality. This truth was revealed to Gadadhar through that inner vision which scans past and future in one sweep, unobstructed by the barriers of time and space. But he was unaware of the history of the profound change that had taken place in the land of his birth during the previous one hundred years.
Hindu society during the eighteenth century had been passing through a period of decadence. It was the twilight of the Mussalman rule. There were anarchy and confusion in all spheres. Superstitious practices dominated the religious life of the people. Rites and rituals passed for the essence of spirituality. Greedy priests became the custodians of heaven. True philosophy was supplanted by dogmatic opinions. The pundits took delight in vain polemics.
--
From now on Sri Ramakrishna began to seek the company of devotees and holy men. He had gone through the storm and stress of spiritual disciplines and visions. Now he realized an inner calmness and appeared to others as a normal person. But he could not bear the company of worldly people or listen to their talk. Fortunately the holy atmosphere of Dakshineswar and the liberality of Mathur attracted monks and holy men from all parts of the country. Sadhus of all denominations — monists and dualists, Vaishnavas and Vedantists, Saktas and worshippers of Rama — flocked there in ever increasing numbers. Ascetics and visionaries came to seek Sri Ramakrishna's advice. Vaishnavas had come during the period of his Vaishnava sadhana, and Tantriks when he practised the disciplines of Tantra. Vedantists began to arrive after the departure of Totapuri. In the room of Sri Ramakrishna, who was then in bed with dysentery, the Vedantists engaged in scriptural discussions, and, forgetting his own physical suffering, he solved their doubts by referring directly to his own experiences. Many of the visitors were genuine spiritual souls, the unseen pillars of Hinduism, and their spiritual lives were quickened in no small measure by the Sage of Dakshineswar. Sri Ramakrishna in turn learnt from them anecdotes concerning the ways and the conduct of holy men, which he subsequently narrated to his devotees and disciples. At his request Mathur provided him with large stores of food-stuffs, clothes, and so forth, for distribution among the wandering monks.
"Sri Ramakrishna had not read books, yet he possessed an encyclopedic knowledge of religions and religious philosophies. This he acquired from his contacts with innumerable holy men and scholars. He had a unique power of assimilation; through meditation he made this knowledge a part of his being. Once, when he was asked by a disciple about the source of his seemingly inexhaustible knowledge, he replied; "I have not read; but I have heard the learned. I have made a garland of their knowledge, wearing it round my neck, and I have given it as an offering at the feet of the Mother."
--
In 1878 a schism divided Keshab's Samaj. Some of his influential followers accused him of infringing the Brahmo principles by marrying his daughter to a wealthy man before she had attained the marriageable age approved by the Samaj. This group seceded and established the Sadharan Brahmo Samaj, Keshab remaining the leader of the Navavidhan. Keshab now began to be drawn more and more toward the Christ ideal, though under the influence of Sri Ramakrishna his devotion to the Divine Mother also deepened. His mental oscillation between Christ and the Divine Mother of Hinduism found no position of rest. In Bengal and some other parts of India the Brahmo movement took the form of unitarian Christianity, scoffed at Hindu rituals, and preached a crusade against image worship. Influenced by Western culture, it declared the supremacy of reason, advocated the ideals of the French Revolution, abolished the caste-system among its own members, stood for the emancipation of women, agitated for the abolition of early marriage, sanctioned the remarriage of widows, and encouraged various educational and social-reform movements. The immediate effect of the Brahmo movement in Bengal was the checking of the proselytizing activities of the Christian missionaries. It also raised Indian culture in the estimation of its English masters. But it was an intellectual and eclectic religious ferment born of the necessity of the time. Unlike Hinduism, it was not founded on the deep inner experiences of Sages and prophets. Its influence was confined to a comparatively few educated men and women of the country, and the vast masses of the Hindus remained outside it. It sounded monotonously only one of the notes in the rich gamut of the Eternal Religion of the Hindus.
--- ARYA SAMAJ
--
To spread his mes Sage to the four corners of the earth Sri Ramakrishna needed a strong instrument. With his frail body and delicate limbs he could not make great journeys across wide spaces. And such an instrument was found in Narendranath Dutta, his beloved Naren, later known to the world as Swami Vivekananda. Even before meeting Narendranath, the Master had seen him in a vision as a Sage, immersed in the meditation of the Absolute, who at Sri Ramakrishna's request had agreed to take human birth to assist him in his work.
Narendra was born in Calcutta on January 12, 1863, of an aristocratic kayastha family. His mother was steeped in the great Hindu epics, and his father, a distinguished attorney of the Calcutta High Court, was an agnostic about religion, a friend of the poor, and a mocker at social conventions. Even in his boyhood and youth Narendra possessed great physical courage and presence of mind, a vivid imagination, deep power of thought, keen intelligence, an extraordinary memory, a love of truth, a passion for purity, a spirit of independence, and a tender heart. An expert musician, he also acquired proficiency in physics, astronomy, mathematics, philosophy, history, and literature. He grew up into an extremely handsome young man. Even as a child he practised meditation and showed great power of concentration. Though free and passionate in word and action, he took the vow of austere religious chastity and never allowed the fire of purity to be extinguished by the slightest defilement of body or soul.
--
But during his third visit Narendra fared no better. This time, at the Master's touch, he lost consciousness entirely. While he was still in that state, Sri Ramakrishna questioned him concerning his spiritual antecedents and whereabouts, his mission in this world, and the duration of his mortal life. The answers confirmed what the Master himself had known and inferred. Among other things, he came to know that Narendra was a Sage who had already attained perfection, and that the day he learnt his real nature he would give up his body in yoga, by an act of will.
A few more meetings completely removed from Narendra's mind the last traces of the notion that Sri Ramakrishna might be a monomaniac or wily hypnotist. His integrity, purity, renunciation, and unselfishness were beyond question. But Narendra could not accept a man, an imperfect mortal, as his guru. As a member of the Brahmo Samaj, he could not believe that a human intermediary was necessary between man and God. Moreover, he openly laughed at Sri Ramakrishna's visions as hallucinations. Yet in the secret chamber of his heart he bore a great love for the Master.
--
"I shall make the whole thing public before I go", the Master had said some time before. On January 1, 1886, he felt better and came down to the garden for a little stroll. It was about three o'clock in the afternoon. Some thirty lay disciples were in the hall or sitting about under the trees. Sri Ramakrishna said to Girish, "Well, Girish, what have you seen in me, that you proclaim me before everybody as an Incarnation of God?" Girish was not the man to be taken by surprise. He knelt before the Master and said, with folded hands, "What can an insignificant person like myself say about the One whose glory even Sages like Vyasa and Valmiki could not adequately measure?" The Master was profoundly moved. He said: "What more shall I say? I bless you all. Be illumined!" He fell into a spiritual mood. Hearing these words the devotees, one and all, became overwhelmed with emotion. They rushed to him and fell at his feet. He touched them all, and each received an appropriate benediction. Each of them, at the touch of the Master, experienced ineffable bliss. Some laughed, some wept, some sat down to meditate, some began to pray. Some saw light, some had visions of their Chosen Ideals, and some felt within their bodies the rush of spiritual power.
Narendra, consumed with a terrific fever for realization, complained to the Master that all the others had attained peace and that he alone was dissatisfied. The Master asked what he wanted. Narendra begged for samadhi, so that he might altogether forget the world for three or four days at a time. "You are a fool", the Master rebuked him. "There is a state even higher than that. Isn't it you who sing, 'All that exists art Thou'? First of all settle your family affairs and then come to me. You will experience a state even higher than samadhi."
0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
O Mage! Sage! Gauge thy Wage, or in the Page of
Thine Age is written Rage!
0.00 - THE GOSPEL PREFACE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
An appropriate allusion indeed! Bhagavata, the great scripture that has given the word of Sri Krishna to mankind, was composed by the Sage Vysa under similar circumstances. When caught up in a mood of depression like that of M, Vysa was advised by the Sage Nrada that he would gain peace of mind only qn composing a work exclusively devoted to the depiction of the Lord's glorious attributes and His teachings on Knowledge and Devotion, and the result was that the world got from Vysa the invaluable gift of the Bhagavata Purana depicting the life and teachings of Sri Krishna.
From the mental depression of the modem Vysa, the world has obtained the Kathmrita (Bengali Edition) the Gospel of Sri Ramakrishna in English.
Sri Ramakrishna was a teacher for both the Orders of mankind, Sannysins and householders. His own life offered an ideal example for both, and he left behind disciples who followed the highest traditions he had set in respect of both these ways of life. M., along with Nag Mahashay, exemplified how a householder can rise to the highest level of Sagehood. M. was married to Nikunja Devi, a distant relative of Keshab Chander Sen, even when he was reading at College, and he had four children, two sons and two daughters. The responsibility of the family, no doubt, made him dependent on his professional income, but the great devotee that he was, he never compromised with ideals and principles for this reason. Once when he was working as the headmaster in a school managed by the great Vidysgar, the results of the school at the public examination happened to be rather poor, and Vidysgar attri buted it to M's preoccupation with the Master and his consequent failure to attend adequately to the school work. M. at once resigned his post without any thought of the morrow. Within a fortnight the family was in poverty, and M. was one day pacing up and down the verandah of his house, musing how he would feed his children the next day. Just then a man came with a letter addressed to 'Mahendra Babu', and on opening it, M. found that it was a letter from his friend Sri Surendra Nath Banerjee, asking whether he would like to take up a professorship in the Ripon College. In this way three or four times he gave up the job that gave him the wherewithal to support the family, either for upholding principles or for practising spiritual Sadhanas in holy places, without any consideration of the possible dire worldly consequences; but he was always able to get over these difficulties somehow, and the interests of his family never suffered. In spite of his disregard for worldly goods, he was, towards the latter part of his life, in a fairly flourishing condition as the proprietor of the Morton School which he developed into a noted educational institution in the city. The Lord has said in the Bhagavad Git that in the case of those who think of nothing except Him, He Himself would take up all their material and spiritual responsibilities. M. was an example of the truth of the Lord's promise.
Though his children received proper attention from him, his real family, both during the Master's lifetime and after, consisted of saints, devotees, Sannysins and spiritual aspirants. His life exemplifies the Master's teaching that an ideal householder must be like a good maidservant of a family, loving and caring properly for the children of the house, but knowing always that her real home and children are elsewhere. During the Master's lifetime he spent all his Sundays and other holidays with him and his devotees, and besides listening to the holy talks and devotional music, practised meditation both on the Personal and the Impersonal aspects of God under the direct guidance of the Master. In the pages of the Gospel the reader gets a picture of M.'s spiritual relationship with the Master how from a hazy belief in the Impersonal God of the Brahmos, he was step by step brought to accept both Personality and Impersonality as the two aspects of the same Non-dual Being, how he was convinced of the manifestation of that Being as Gods, Goddesses and as Incarnations, and how he was established in a life that was both of a Jnni and of a Bhakta. This Jnni-Bhakta outlook and way of living became so dominant a feature of his life that Swami Raghavananda, who was very closely associated with him during his last six years, remarks: "Among those who lived with M. in latter days, some felt that he always lived in this constant and conscious union with God even with open eyes (i.e., even in waking consciousness)." (Swami Raghavananda's article on M. in Prabuddha Bharata vol. XXXVII. P. 442.)
0.08 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
already be a great Sage to know what is truly favourable or
unfavourable to oneself.
01.01 - The New Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
That Power, that Spirit has been growing and gathering its strength during all the millenniums that humanity has lived through. On the momentous day when man appeared on earth, the Higher Man also took his birth. Since the hour the Spirit refused to be imprisoned in its animal sheath and came out as man, it approached by that very uplift a greater freedom and a vaster movement. It was the crest of that underground wave which peered over the surface from age to age, from clime to clime through the experiences of poets and prophets and Sages the Head of the Sacrificial Horse galloping towards the Dawn.
And now the days of captivity or rather of inner preparation are at an end. The voice in the wilderness was necessary, for it was a call and a communion in the silence of the soul. Today the silence seeks utterance. Today the shell is ripe enough to break and to bring out the mature and full-grown being. The king that was in hiding comes in glory and triumph, in his complete regalia.
01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
It is the bare truth, "truth in its own home", as I have said already using a phrase of the ancient Sages, that is formulated here without the prop of any external symbolism. There is no veil, no mist, no uncertainty or ambiguity. It is clarity itself, an almost scientific exactness and precision. In all this there is something of the straightness and fullness of vision that characterised the Vedic Rishis, something of their supernal genius which could mould speech into the very expression of what is beyond speech, which could sublimate the small and the finite into forms of the Vast and the Infinite. Mark how in these aphoristic lines embodying a deep spiritual experience, the inexpressible has been expressed with a luminous felicity:
Delight that labours in its opposite,
01.04 - The Intuition of the Age, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
The worship of man as something essentially and exclusively human necessitates as a corollary, the other doctrine, viz the deification of Reason; and vice versa. Humanism and Scientism go together and the whole spirit and mentality of the age that is passing may be summed up in those two words. So Nietzsche says, "All our modern world is captured in the net of the Alexandrine culture and has, for its ideal, the theoretical man, armed with the most powerful instruments of knowledge, toiling in the service of science and whose prototype and original ancestor is Socrates." Indeed, it may be generally asserted that the nation whose prophet and Sage claimed to have brought down Philosophia from heaven to dwell upon earth among men was precisely the nation, endowed with a clear and logical intellect, that was the very embodiment of rationality and reasonableness. As a matter of fact, it would not be far, wrong to say that it is the Hellenic culture which has been moulding humanity for ages; at least, it is this which has been the predominating factor, the vital and dynamic element in man's nature. Greece when it died was reborn in Rome; Rome, in its return, found new life in France; and France means Europe. What Europe has been and still is for the world and humanity one knows only too much. And yet, the Hellenic genius has not been the sole motive power and constituent element; there has been another leaven which worked constantly within, if intermittently without. If Europe represented mind and man and this side of existence, Asia always reflected that which transcends the mind the spirit, the Gods and the Beyonds.
However, we are concerned more with the immediate past, the mentality that laid its supreme stress upon the human rationality. What that epoch did not understand was that Reason could be overstepped, that there was something higher, something greater than Reason; Reason being the sovereign faculty, it was thought there could be nothing beyond, unless it were draison. The human attribute par excellence is Reason. Exactly so. But the fact is that man is not bound by his humanity and that reason can be transformed and sublimated into other more powerful faculties.
01.05 - Rabindranath Tagore: A Great Poet, a Great Man, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The spirit of the age demands this new gospel. Mankind needs and awaits a fresh revelation. The world and life are not an illusion or a lesser reality: they are, if taken rightly, as real as the pure Spirit itself. Indeed, Spirit and Flesh, Consciousness and Matter are not antinomies; to consider them as such is itself an illusion. In fact, they are only two poles or modes or aspects of the same reality. To separate or divide them is a one-sided concentration or abstraction on the part of the human mind. The fulfilment of the Spirit is in its expression through Matter; human life too reaches its highest term, its summum bonum, in embodying the spiritual consciousness here on earth and not dissolving itself in the Transcendence. That is the new Dispensation which answers to the deepest aspiration in man and towards which he has been travelling through the ages in the course of the evolution of his consciousness. Many, however, are the prophets and Sages who have set this ideal before humanity and more and more insistently and clearly as we come nearer to the age we live in. But none or very few have expressed it with such beauty and charm and compelling persuasion. It would be carping criticism to point out-as some, purists one may call them, have done-that in poetising and aesthetising the spiritual truth and reality, in trying to make it human and terrestrial, he has diminished and diluted the original substance, in endeavouring to render the diamond iridescent, he has turned it into a baser alloy. Tagore's is a poetic soul, it must be admitted; and it is not necessary that one should find in his ideas and experiences and utterances the cent per cent accuracy and inevitability of a Yogic consciousness. Still his major perceptions, those that count, stand and are borne out by the highest spiritual realisation.
Tagore is no inventor or innovator when he posits Spirit as Beauty, the spiritual consciousness as the ardent rhythm of ecstasy. This experience is the very core of Vaishnavism and for which Tagore is sometimes called a Neo-Vaishnava. The Vaishnava sees the world pulsating in glamorous beauty as the Lila (Play) of the Lord, and the Lord, God himself, is nothing but Love and Beauty. Still Tagore is not all Vaishnava or merely a Vaishnava; he is in addition a modern (the carping voice will say, there comes the dilution and adulteration)in the sense that problems exist for himsocial, political, economic, national, humanitarianwhich have to be faced and solved: these are not merely mundane, but woven into the texture of the fundamental problem of human destiny, of Soul and Spirit and God. A Vaishnava was, in spite of his acceptance of the world, an introvert, to use a modern psychological phrase, not necessarily in the pejorative sense, but in the neutral scientific sense. He looks upon the universe' and human life as the play of the Lord, as an actuality and not mere illusion indeed; but he does not participate or even take interest in the dynamic working out of the world process, he does not care to know, has no need of knowing that there is a terrestrial purpose and a diviner fulfilment of the mortal life upon earth. The Vaishnava dwells more or less absorbed in the Vaikuntha of his inner consciousness; the outer world, although real, is only a symbolic shadowplay to which he can but be a witness-real, is only a nothing more.
01.08 - Walter Hilton: The Scale of Perfection, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
From the twentieth century back to the fourteenth is a far cry: a far cry indeed from the modern scientific illumination to mediaeval superstition, from logical positivists and mathematical rationalists to visionary mystics, from Russell and Huxley to Ruysbroeck and Hilton. The mystic lore, the Holy Writ, the mediaeval Sage says, echoing almost the very words of the Eastern Masters, "may not be got by study nor through man's travail only, but principally by the grace of the Holy Ghost." As for the men living and moving in the worldly way, there are "so mickle din and crying in their heart and vain thoughts and fleshly desires" that it is impossible for them to listen or understand the still small voice. It is the pure soul touched by the Grace that alone "seeth soothfastness of Holy Writ wonderly shewed and opened, above study and travail and reason of man's kindly (i.e. natural) wit."
What is day to us is night to the mystics and what is day to the mystics is night for us. The first thing the mystic asks is to close precisely those doors and windows which we, on the contrary, feel obliged to keep always open in order to know and to live and move. The Gita says: "The Sage is wakeful when it is night for all creatures and when all creatures are wakeful, that is night for the Sage." Even so this Sage from the West says: "The more I sleep from outward things, the more wakeful am I in knowing of Jhesu and of inward things. I may not wake to Jhesu, but if I sleep to the world."
Close the senses. Turn within. And then go forward, that is to say, more and more inward. In that direction lies your itinerary, the journey of your consciousness. The sense-ridden secular man, who goes by his physical eye, has marked in his own way the steps of his forward march and progress. His knowledge and his power grew as he proceeded in his survey from larger masses of physical objects to their component molecules and from molecules to their component atoms and from atoms once more into electrons and protons or energy-points pure and simple, or otherwise as, in another direction, he extended his gaze from earth to the solar system, from the solar system to other starry systems, to far-off galaxies and I from galaxies to spaces beyond. The record of this double-track march to infinityas perceived or conceived by the physical sensesis marvellous, no doubt. The mystic offers the spectacle of a still more marvellous march to another kind of infinity.
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Indeed, it would be interesting to compare and contrast the Eastern and Western approach to Divine Love, the Christian and the Vaishnava, for example. Indian spirituality, whatever its outer form or credal formulation, has always a background of utter unity. This unity, again, is threefold or triune and is expressed in those great Upanishadic phrases,mahvkyas,(1) the transcendental unity: the One alone exists, there is nothing else than theOneekamevdvityam; (2) the cosmic unity: all existence is one, whatever exists is that One, thereare no separate existences:sarvam khalvidam brahma neha nnsti kincaa; (3) That One is I, you too are that One:so' ham, tattvamasi; this may be called the individual unity. As I have said, all spiritual experiences in India, of whatever school or line, take for granted or are fundamentally based upon this sense of absolute unity or identity. Schools of dualism or pluralism, who do not apparently admit in their tenets this extreme monism, are still permeated in many ways with that sense and in some form or other take cognizance of the truth of it. The Christian doctrine too says indeed, 'I and my Father in Heaven are one', but this is not identity, but union; besides, the human soul is not admitted into this identity, nor the world soul. The world, we have seen, according to the Christian discipline has to be altogether abandoned, negatived, as we go inward and upward towards our spiritual status reflecting the divine image in the divine company. It is a complete rejection, a cutting off and casting away of world and life. One extreme Vedantic path seems to follow a similar line, but there it is not really rejection, but a resolution, not the rejection of what is totally foreign and extraneous, but a resolution of the external into its inner and inmost substance, of the effect into its original cause. Brahman is in the world, Brahman is the world: the world has unrolled itself out of the Brahmansi, pravttiit has to be rolled back into its, cause and substance if it is to regain its pure nature (that is the process of nivitti). Likewise, the individual being in the world, "I", is the transcendent being itself and when it withdraws, it withdraws itself and the whole world with it and merges into the Absolute. Even the Maya of the Mayavadin, although it is viewed as something not inherent in Brahman but superimposed upon Brahman, still, has been accepted as a peculiar power of Brahman itself. The Christian doctrine keeps the individual being separate practically, as an associate or at the most as an image of God. The love for one's neighbour, charity, which the Christian discipline enjoins is one's love for one's kind, because of affinity of nature and quality: it does not dissolve the two into an integral unity and absolute identity, where we love because we are one, because we are the One. The highest culmination of love, the very basis of love, according to the Indian conception, is a transcendence of love, love trans-muted into Bliss. The Upanishad says, where one has become the utter unity, who loves whom? To explain further our point, we take two examples referred to in the book we are considering. The true Christian, it is said, loves the sinner too, he is permitted to dislike sin, for he has to reject it, but he must separate from sin the sinner and love him. Why? Because the sinner too can change and become his brother in spirit, one loves the sinner because there is the possibility of his changing and becoming a true Christian. It is why the orthodox Christian, even such an enlightened and holy person as this mediaeval Canon, considers the non-Christian, the non-baptised as impure and potentially and fundamentally sinners. That is also why the Church, the physical organisation, is worshipped as Christ's very body and outside the Church lies the pagan world which has neither religion nor true spirituality nor salvation. Of course, all this may be symbolic and it is symbolic in a sense. If Christianity is taken to mean true spirituality, and the Church is equated with the collective embodiment of that spirituality, all that is claimed on their behalf stands justified. But that is an ideal, a hypothetical standpoint and can hardly be borne out by facts. However, to come back to our subject, let us ow take the second example. Of Christ himself, it is said, he not only did not dislike or had any aversion for Judas, but that he positively loved the traitor with a true and sincere love. He knew that the man would betray him and even when he was betraying and had betrayed, the Son of Man continued to love him. It was no make-believe or sham or pretence. It was genuine, as genuine as anything can be. Now, why did he love his enemy? Because, it is said, the enemy is suffered by God to do the misdeed: he has been allowed to test the faith of the faithful, he too has his utility, he too is God's servant. And who knows even a Judas would not change in the end? Many who come to scoff do remain to pray. But it can be asked, 'Does God love Satan too in the same way?' The Indian conception which is basically Vedantic is different. There is only one reality, one truth which is viewed differently. Whether a thing is considered good or evil or neutral, essentially and truly, it is that One and nothing else. God's own self is everywhere and the Sage makes no difference between the Brahmin and the cow and the elephant. It is his own self he finds in every person and every objectsarvabhtsthitam yo mm bhajati ekatvamsthitah"he has taken his stand upon oneness and loves Me in all beings."2
This will elucidate another point of difference between the Christian's and the Vaishnava's love of God, for both are characterised by an extreme intensity and sweetness and exquisiteness of that divine feeling. This Christian's, however, is the union of the soul in its absolute purity and simplicity and "privacy" with her lord and master; the soul is shred here of all earthly vesture and goes innocent and naked into the embrace of her Beloved. The Vaishnava feeling is richer and seems to possess more amplitude; it is more concrete and less ethereal. The Vaishnava in his passionate yearning seeks to carry as it were the whole world with him to his Lord: for he sees and feels Him not only in the inmost chamber of his soul, but meets Him also in and I through his senses and in and through the world and its objects around. In psychological terms one can say that the Christian realisation, at its very source, is that of the inmost soul, what we call the "psychic being" pure and simple, referred to in the book we are considering; as: "His sweet privy voice... stirreth thine heart full stilly." Whereas the Vaishnava reaches out to his Lord with his outer heart too aflame with passion; not only his inmost being but his vital being also seeks the Divine. This bears upon the occult story of man's spiritual evolution upon earth. The Divine Grace descends from the highest into the deepest and from the deepest to the outer ranges of human nature, so that the whole of it may be illumined and transformed and one day man can embody in his earthly life the integral manifestation of God, the perfect Epiphany. Each religion, each line of spiritual discipline takes up one limb of manone level or mode of his being and consciousness purifies it and suffuses it with the spiritual and divine consciousness, so that in the end the whole of man, in his integral living, is recast and remoulded: each discipline is in charge of one thread as it were, all together weave the warp and woof in the evolution of the perfect pattern of a spiritualised and divinised humanity.
01.09 - William Blake: The Marriage of Heaven and Hell, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Such is to be the ideal, the perfect, the spiritual man. Have we here the progenitor of the Nietzschean Superman? Both smell almost the same sulphurous atmosphere. But that also seems to lie in the direction to which the whole world is galloping in its evolutionary course. Humanity in its agelong travail has passed through the agony, one might say, of two extreme and opposite experiences, which are epitomised in the classic phrasing of Sri Aurobindo as: (1) the Denial of the Materialist and (2) the Refusal of the Ascetic.1 Neither, however, the Spirit alone nor the body alone is man's reality; neither only the earth here nor only the heaven there embodies man's destiny. Both have to be claimed, both have to belivedubhayameva samrt, as the old Sage, Yajnavalkya, declared.
The earliest dream of humanity is also the last fulfilment. The Vedic Rishis sang of the marriage of heaven and earthHeaven is my father and this Earth my mother. And Blake and Nietzsche are fiery apostles of that dream and ideal in an age crippled with doubt, falsehood, smallness, crookedness, impotence, colossal ignorance.
01.10 - Nicholas Berdyaev: God Made Human, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Nicholas Berdyaev is an ardent worker, as a Russian is naturally expected to be, in the cause of the spiritual rehabilitation of mankind. He is a Christian, a neo-Christian: some of his conclusions are old-world truths and bear repetition and insistence; others are of a more limited, conditional and even doubtful nature. His conception of the value of human person, the dignity and the high reality he gives to it, can never be too welcome in a world where the individual seems to have gone the way of vanished empires and kings and princes. But even more important and interesting is the view he underlines that the true person is a spiritual being, that is to say, it is quite other than the empirical ego that man normally is"not this that one worships" as the Upanishads too declare. Further, in his spiritual being man, the individual, is not simply a portion or a fraction; he is, on the contrary, an integer, a complete whole, a creative focus; the true individual is a microcosm yet holding in it and imaging the macrocosm. Only perhaps greater stress is laid upon the aspect of creativity or activism. An Eastern Sage, a Vedantin, would look for the true spiritual reality behind the flux of forces: Prakriti or Energy is only the executive will of the Purusha, the Conscious Being. The personality in Nature is a formulation and emanation of the transcendent impersonality.
There is another aspect of personality as viewed by Berdyaev which involves a bias of the more orthodox Christian faith: the Christ is inseparable from the Cross. So he says: "There is no such thing as personality if there is no capacity for suffering. Suffering is inherent in God too, if he is a personality, and not merely an abstract idea. God shares in the sufferings of men. He yearns for responsive love. There are divine as well as human passions and therefore divine or creative personality must always suffer to the end of time. A condition of anguish and distress is inherent in it." The view is logically enforced upon the Christian, it is said, if he is to accept incarnation, God becoming flesh. Flesh cannot but be weak. This very weakness, so human, is and must be specially characteristic of God also, if he is one with man and his lover and saviour.
01.11 - Aldous Huxley: The Perennial Philosophy, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
This latest work of Aldous Huxley is a collection of sayings of Sages and saints and philosophers from all over the world and of all times. The sayings are arranged under several heads such as "That art Thou", "The Nature of the Ground", "Divine Incarnation", "Self-Knowledge", "Silence", "Faith" etc., which clearly give an idea of the contents and also of the "Neo-Brahmin's" own personal preoccupation. There is also a running commentary, rather a note on each saying, meant to elucidate and explain, naturally from the compiler's standpoint, what is obviously addressed to the initiate.
A similar compilation was published in the Arya, called The Eternal Wisdom (Les Paroles ternelles, in French) a portion of which appeared later on in book-form: that was more elaborate, the contents were arranged in such a way that no comments were needed, they were self-explanatory, divided as they were in chapters and sections and subsections with proper headings, the whole thing put in a logical and organised sequence. Huxley's compilation begins under the title of the Upanishadic text "That art Thou" with this saying of Eckhart: "The more God is in all things, the more He is outside them. The more He is within, the more without". It will be interesting to note that the Arya compilation too starts with the same idea under the title "The God of All; the God who is in All", the first quotation being from Philolaus, "The Universe is a Unity".The Eternal Wisdom has an introduction called "The Song of Wisdom" which begins with this saying from the Book of Wisdom: "We fight to win sublime Wisdom; therefore men call us warriors".
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There is a beautiful quotation from the Chinese Sage, Wu Ch'ng-n, regarding the doubtful utility of written Scriptures:
"'Listen to this!' shouted Monkey. 'After all the trouble we had getting here from China, and after you specially ordered that we were to be given the scriptures, Ananda and Kasyapa made a fraudulent delivery of goods. They gave us blank copies to take away; I ask you, what is the good of that to us?' 'You needn't shout,' said the Buddha, smiling. 'As a matter of fact, it is such blank scrolls as these that are the true scriptures. But I quite see that the people of China are too foolish and ignorant to believe this, so there is nothing for it but to give them copies with some writing on.' "
A Sage can smile and smile delightfully! The parable illustrates the well-known Biblical phrase, 'the letter killeth, but the spirit giveth life'. The monkey is symbolical of the ignorant, arrogant, fussy human mind. There is another Buddhistic story about the monkey quoted in the book and it is as delightful; but being somewhat long, we cannot reproduce it here. It tells how the mind-monkey is terribly agile, quick, clever, competent, moving lightning-fast, imagining that it can easily go to the end of the world, to Paradise itself, to Brahmic status. But alas! when he thought he was speeding straight like a rocket or an arrow and arrive right at the target, he found that he was spinning like a top at the same spot, and what he very likely took to be the very fragrance of the topmost supreme heaven was nothing but the aroma of his own urine.
***
01.11 - The Basis of Unity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
However, coming to historical times, we see wave after wave of the most heterogeneous and disparate elementsSakas and Huns and Greeks, each bringing its quota of exotic materialenter into the oceanic Indian life and culture, lose their separate foreign identity and become part and parcel of the common whole. Even so,a single unitary body was formed out of such varied and shifting materialsnot in the political, but in a socio-religious sense. For a catholic religious spirit, not being solely doctrinal and personal, admitted and embraced in its supple and wide texture almost an infinite variety of approaches to the Divine, of forms and norms of apprehending the Beyond. It has been called Hinduism: it is a vast synthesis of multiple affiliations. It expresses the characteristic genius of India and hence Hinduism and Indianism came to be looked upon as synonymous terms. And the same could be defined also as Vedic religion and culture, for its invariable basis the bed-rock on which it stood firm and erectwas the Vedas, the Knowledge seen by the Sages. But there had already risen a voice of dissidence and discord that of Buddha, not so much, perhaps, of Buddha as of Buddhism. The Buddhistic enlightenment and discipline did not admit the supreme authority of the Vedas; it sought other bases of truth and reality. It was a great denial; and it meant and worked for a vital schism. The denial of the Vedas by itself, perhaps, would not be serious, but it became so, as it was symptomatic of a deeper divergence. Denying the Vedas, the Buddhistic spirit denied life. It was quite a new thing in the Indian consciousness and spiritual discipline. And it left such a stamp there that even today it stands as the dominant character of the Indian outlook. However, India's synthetic genius rose to the occasion and knew how to bridge the chasm, close up the fissure, and present again a body whole and entire. Buddha became one of the Avataras: the discipline of Nirvana and Maya was reserved as the last duty to be performed at the end of life, as the culmination of a full-length span of action and achievement; the way to Moksha lay through Dharma and Artha and Kama, Sannyasa had to be built upon Brahmacharya and Garhasthya. The integral ideal was epitomized by Kalidasa in his famous lines about the character of the Raghus:
They devoted themselves to study in their boyhood, in youth they pursued the objects of life; when old they took to spiritual austerities, and in the end they died united with the higher consciousness.
01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The modern temper is especially partial to harmony: it cannot assert and reject unilaterally and categorically, it wishes to go round an object and view all its sides; it asks for a synthesis and reconciliation of differences and contraries. Two major chords of life-experience that demand accord are Life and Death, Time and Eternity. Indeed, the problem of Time hangs heavy on the human consciousness. It has touched to the quick philosophers and Sages in all ages and climes; it is the great question that confronts the spiritual seeker, the riddle that the Sphinx of life puts to the journeying soul for solution.
A modern Neo-Brahmin, Aldous Huxley, has given a solution of the problem in his now famous Shakespearean apothegm, "Time must have a stop". That is an old-world solution rediscovered by the modern mind in and through the ravages of Time's storm and stress. It means, salvation lies, after all, beyond the flow of Time, one must free oneself from the vicious and unending circle of mortal and mundane life. As the Rajayogi controls and holds his breath, stills all life-movement and realises a dead-stop of consciousness (Samadhi), even so one must control and stop all secular movements in oneself and attain a timeless stillness and vacancy in which alone the true spiritual light and life can descend and manifest. That is the age-long and ancient solution to which the Neo-Brahmin as well the Neo-Christian adheres.
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The Word was made flesh and the Word was made Poetry. To express the supreme Word in life, that is the work of the Sage, the Rishi. To express the Word in speech, that is the labour of the Poet. Eliot undertook this double function of the poet and the Sage and he found the task difficult. The poet has to utter the unutterable, if he is to clo the in words the mystic experience of the Sage in him. That is Eliot's ambition:
.... Words, after speech, reach
01.14 - Nicholas Roerich, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The call that stirred a Western soul, made him a wanderer over the world in quest of the Holy Grail and finally lodged him in the Home of the Snows is symbolic of a more than individual destiny. It is representative of the secret history of a whole culture and civilisation that have been ruling humanity for some centuries, its inner want and need and hankering and fulfilment. The West shall come to the East and be reborn. That is the prophecy of occult seers and Sages.
I speak of Roerich as a Western soul, but more precisely perhaps he is a soul of the mid-region (as also in another sense we shall see subsequently) intermediary between the East and the West. His external make-up had all the characteristic elements of the Western culture, but his mind and temperament, his inner soul was oriental. And yet it was not the calm luminous staticancientsoul that an Indian or a Chinese Sage is; it is a nomad soul, newly awakened, young and fresh and ardent, something primitive, pulsating with the unspoilt green sap of life something in the manner of Whitman. And that makes him all the more representative of the young and ardent West yearning for the light that was never on sea or land.
Is it not strange that one should look to the East for the light? There is a light indeed that dwells in the setting suns, but that is the inferior light, the light that moves level with the earth, pins us down to the normal and ordinary life and consciousness: it" leads into the Night, into Nihil, pralaya. It is the light of the morning sun that man looks up to in his forward march, the sun that rises in the East whom the Vedic Rishi invoked in these magnificent lines:
0 1958-05-10, #Agenda Vol 01, #unset, #Zen
This body has neither the uncontested authority of a god nor the imperturbable calm of the Sage.
So, what then?
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Afterwards, when he left and I had to do the Yoga myself, to be able to take his physical place, I could have adopted the attitude of the Sage, which is what I did since I was in an unparalleled state of calm when he left. As he left his body and entered into mine, he told me, You will continue, you will go right to the end of the work. It was then that I imposed a calm upon this body the calm of total detachment. And I could have remained like that.
But in a way, absolute calm implies withdrawal from action, so a choice had to be made between one or the other. I said to myself, I am neither exclusively this nor exclusively that. And actually, to do Sri Aurobindos work is to realize the Supramental on earth. So I began that work and, as a matter of fact, this was the only thing I asked of my body. I told it, Now you shall set right everything which is out of order and gradually realize this intermediate supermanhood between man and the supramental being or, in other words, what I call the superman.
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Thats where I am. I have renounced the uncontested authority of a god, I have renounced the unshakable calm of the Sage in order to become the superman. I have concentrated everything upon that.
We shall see.
0 1959-06-07, #Agenda Vol 01, #unset, #Zen
1) X spoke to me of the Vedic times when a single emperor or Sage ruled the entire world with the help of governors; then these governors gradually became independent kings, and conflicts were born. So I asked him what was going to happen after this next war and whether the world would be better. He replied as follows: Yes, great Sages like Sri Aurobindo who are wandering now in their subtle bodies will appear. Some Sages may take the physical body of political leaders in the West. It will be the end of ignorant atomic machines and the beginning of a new age with great Sages leading the world. So it seems that Xs vision links up with Sri Aurobindos prediction for 1967.
He did not give me any further details about this war, except to say that the countries which will suffer the most will be the countries of the North and the East, and he cited Burma, Japan, China and Russia. He said rather categorically that Russia would be swept away and that America would triumph.
0 1961-02-04, #Agenda Vol 02, #The Mother, #Integral Yoga
We used to go for walks in the nearby countryside to see the tombs (it was a Muslim country). I no longer recall their Arabic name, but there is always a guardian at Muslim tombsa Sage, like the fakirs of India, a kind of priest responsible for the tomb. Pilgrims go there as well. Theon was friendly with one particular Sage, and would speak with him and tell him things (at these times I would see the mischief in Theons eyes). One day, Theon took me along. (According to Islamic tradition I should have been fully covered, but I always went out in a type of kimono!) Theon addressed the Sage in Arabic; I didnt understand what he said, but the Sage rose, bowed to me very ceremoniously and went off into another room, returning with three cups of sweetened mint tea (not teacups, they put it in special little glassesextremely sweet tea, almost like mint syrup). The Sage was watching me, I was obliged to take it.8
The pine tree story is also from Tlemcen.
0 1961-03-04, #Agenda Vol 02, #The Mother, #Integral Yoga
Its outrageous! First of all, they use Sri Aurobindos name, putting it on a level with Vinoba Bhave or Dr. Schweitzer or who knows what other Sage; then at the end they launch an appeal for people to enroll! So the reader is left wondering, But I thought Sri Aurobindo. You understand, this indiscriminate mixture, this diminishing.
I wrote them a letter where I stuck this nonsense of theirs right under their noses.
0 1961-07-15, #Agenda Vol 02, #The Mother, #Integral Yoga
Before coming downstairs I felt like writing a few words. These words are the result of everything now being done. They almost expressed a protest. After all, I thought, to be a saint or a Sage is not very difficult! (Mother laughs) But the supramental transformation is another affair. Oh!
And it has become acute since.1 No, I dont read these days, because Ive had a hemorrhage in this eye. There have been too many letters, and its difficult for me to decipher handwriting the result is this hemorrhage. So I have gone on strike. All right, I said, I wont read any letters for a week. People can write as much as they please, its all the same to me Im not reading any more. But just before stopping (I stopped reading for only three days), I read a pas Sage where Sri Aurobindo speaks of his own experience and his own work and explains in full what he means by the supramental transformation. This pas Sage confirmed and made me understand many experiences I had after that experience of the bodys ascent [January 24, 1961] (the ascent of the body-consciousness, followed by the descent of the supramental force into the body); immediately afterwards, everything (how to put it?) outwardly, according to ordinary consciousness, I fell ill; but its stupid to speak this way I did not fall ill! All possible difficulties in the bodys subconscient rose up en masseit had to happen, and it surely happened to Sri Aurobindo, too. How well I understood! How well, indeed. And its no joke, you know! I had wondered why these difficulties had hounded him so ferociouslynow I understand, because I am being attacked in the same relentless fashion.
--
For the past two days there has been the feeling of not knowing anythingNOTHING at all. I have had this feeling for a very long time, but now it has become extremely acute, as it always does at times of crisis, at times when things are on the verge of changingor of getting clarified, or of exploding, or. From the purely material standpointchemically, biologically, medically, therapeutically speaking I dont believe many people do know (there may be some). But it doesnt seem very clear to mein any case, I dont know. Yogically (I dont mean spiritually: that was the first stage of my sadhana), its very easy to be a saint! Oh, even to be a Sage is very easy. I feel I was born with itits spontaneous and natural for me, and so simple! You know all that has to be done, and doing it is as easy as knowing it. Its nothing. But this transformation of Matter! What has to be done? How is it to be done? What is the path?
Is there a path? Is there a procedure? Probably not.
--
From experience, I know perfectly well that when one is satisfied with being a saint or a Sage and constantly maintains the right attitude, all goes well the body doesnt get sick, and even if there are attacks it recovers very easily; all goes very well AS LONG AS THERE IS NOT THIS WILL TO TRANSFORM. All the difficulties arise in protest against the will to transform; while if one says, Very well, its all right, let things be as they are, I dont care, I am perfectly happy, in a blissful state, then the body begins to feel content!
Thats the problem: something totally new is being introduced into Matter, and the body is protesting.
--
For example, as I was saying at the beginning, the bodys formation has a very minimal, a quite subordinate importance for a saint or a Sage. But for this supramental work, the way the body is formed has an almost crucial importance, and not at all in relation to spiritual elements nor even to mental power: these aspects have no importance AT ALL. The capacity to endure, to last is the important thing.
Well, in that respect, it is absolutely undeniable that my body has an infinitely greater capacity than Sri Aurobindos had.
0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
But we have not yet reached the heart of the Vedic secret. The birth of Agni, the soul (and so many men are still unborn) is merely the start of the voyage. This inner flame seeks, it is the seeker within us, for it is a spark of the great primordial Fire and will never be satisfied until it has recovered its solar totality, the lost sun of which the Veda incessantly speaks. Yet even when we have risen from plane to plane and the Flame has taken successive births in the triple world of our lower existence (the physical, vital and mental world), it will still remain unsatisfiedit wants to ascend, ascend further. And soon we reach a mental frontier where there seems to be nothing to grasp any longer, nor even to see, and nothing remains but to abolish everything and leap into the ecstasy of a great Light. At this point, we feel almost painfully the imprisoning carapace of matter all around us, preventing that apotheosis of the Flame; then we understand the cry, My kingdom is not of this world, and the insistence of Indias Vedantic Sagesand perhaps the Sages of all worlds and all religions that we must abandon this body to embrace the Eternal. Will our flame thus forever be truncated here below and our quest always end in disappointment? Shall we always have to choose one or the other, to renounce earth to gain heaven?
Yet beyond the lower triple world, the Rishis had discovered a certain fourth, touryam svid; they found the vast dwelling place, the solar world, Swar: I have arisen from earth to the mid-world [life], I have arisen from the mid-world to heaven [mind], from the level of the firmament of heaven I have gone to the Sun-world, the Light (Yajur-veda 17.67). And it is said, Mortals, they achieved immortality (Rig-veda I.110.4). What then was their secret? How did they pass from a heaven of mind to the great heaven without leaving the body, without, as it were, going off into ecstasies?
0 1962-02-27, #Agenda Vol 03, #The Mother, #Integral Yoga
Ultimately, absolute sincerity is the great deciding factor for those who predict or foresee. Unfortunately, because of peoples curiosity, their insistence and the pressure they exert (which very few can resist), an almost involuntary mechanism of inner imagination comes to add just that small missing element to something not seen with precision or exactness. Thats what causes flaws in prediction. Very few have the courage to say, Ah no, I dont know this, I dont see that, this eludes me. They dont even have the courage to say it to themselves! So then, with a tiny drop of imagination, which acts almost subconsciously, the vision or information gets rounded outit can turn out to be anything at all! Very few people can resist this tendency. I have known many, many psychics, many extraordinarily gifted beings, and only a handful were able to stop just at the point where their knowledge stopped. Or else they embellish. Thats what gives these faculties their slightly dubious quality. One would have to be a great saint, a great Sage, and completely free from other peoples influences (I dont speak of those who seek fame: they fall into the most flagrant traps); because even goodwillwanting to satisfy people, please them, help themis enough to distort the vision.
(Smiling) Are you satisfied? Have I answered everything?
0 1962-08-14, #Agenda Vol 03, #The Mother, #Integral Yoga
Anyway, V. went there, sat down next to him, and after a while the man went into a sort of trance and began to tell V. about his life (the boys life, not his own!). So V. was interested and wanted to know more. Where do I come from? he asked. The man answered, Oh, from an ashram by the sea the sea is there. Then he began to speak (I must mention that outwardly he knew nothing about Sri Aurobindo or me or the Ashram, absolutely nothing at all), and he told V. that a great Sage and the Mother were there, and that they wanted to do something on earth that had never been done before something very difficult. Then, I dont know whether he mentioned I was alone now (I have no idea), but he said, Oh, she has had to withdraw2 because the people around her dont understand and life there has become very difficult. It will be very difficult until 1964.
Perhaps he was reading the boys mind (I dont know), but not his conscious mind. And he said several times, They want to do something that has never been done before, its very difficultvery difficultand thats why they came, to do that.
0 1962-09-18, #Agenda Vol 03, #The Mother, #Integral Yoga
Sa volont trempe par le brasier du soleil de la Sagesse
Et le silence flamboyant de son coeur damour?
0 1962-10-30, #Agenda Vol 03, #The Mother, #Integral Yoga
Hes a Sage!
***
0 1962-11-20, #Agenda Vol 03, #The Mother, #Integral Yoga
I woke up after two thousand years with a rejuvenated body. It was a very amusing little story. And I say vision, but you dont watch these things like a movie: you LIVE them. I somehow extricated myself from that sort of sealed grotto, and where Pondicherry had once stood (it had been completely razed), I came upon some people working. They were VERY DIFFERENT, and quite bizarre. I myself must have looked funny, with a kind of costume totally alien to their epoch. (My clothing had also survived the destruction the whole thing was right out of a storybook!) So of course I attracted some curiosity and they tried to make me understand. Ah, yes I know one of them said (I understood them because I could understand their thoughtsthose two thousand years had enabled me to read peoples minds), and they led me to a very old Sage, a wise old fellow. I spoke to him and he began leafing through all kinds of books (he had many, many books), and suddenly he exclaimed, Ah, French! An ancient language, you see (Mother laughs).
It was very funny. I told the story to Sri Aurobindo, and he had a good laugh.
0 1963-02-19, #Agenda Vol 04, #The Mother, #Integral Yoga
Thats what I always tell those who criticize the government: You deserve to be put in the place of the Prime Minister, or any other minister, with decisions to make; and with the responsibility placed on you, suppose you suddenly had to decide on things of which you know nothingyoud soon see what fun it is! You see, to govern properly, you have to be you have to be a Sage! You should have a universal vision and be above all personal questions. There is not onenot one.
Some are sluggish (theyre the best, because I can make them do what I want them to do); theyre like automatons, so you can get something out of them. But unfortunately they think they are they have the sense of their responsibility, so they think they are very superior then its terrible!
0 1963-06-03, #Agenda Vol 04, #The Mother, #Integral Yoga
Yesterday I saw a seven-month-old baby who is a Sage.
He looks at you with his soul. When I looked at him, his eyes lit up.
0 1963-07-03, #Agenda Vol 04, #The Mother, #Integral Yoga
Oh, yes! To go about the world preaching, to go about fighting with ideas, like, for instance, the great Sages here who fought through speech that, of course. But not as the general-in-chief of an army!
No!
0 1963-08-10, #Agenda Vol 04, #The Mother, #Integral Yoga
I remember someone who told me (someone who claimed to be a Sage), he told me, But if its untrue that the same beings reincarnate many times, then the dead increase more and more in number, and the atmosphere is going to be terribly crowded with all those dead! Theyll become a plague. What will we do with all that? They will be far more numerous than the living and will crowd everythingwhat will we do with all that? There, you see the type of reflection.
(silence)
0 1964-01-18, #Agenda Vol 05, #The Mother, #Integral Yoga
The other conceit seems to me more serious than the American one the European conceit. Because they really think they are very intelligent. The Americans want to helptheyre children. But the Westerners are Sages of the intellect; so it takes some doing to penetrate their minds! Theres nothing they need to learn.
I have very little contact with those people.
0 1964-07-22, #Agenda Vol 05, #The Mother, #Integral Yoga
All those stories those so-called saints and Sages told about Gods Love coming and going, oh, its unspeakably stupid!Its THERE, eternally; It has always been there, eternally; It will always be there, eternally, always the same and at the highest of its possibility.
It hasnt left, and now it wont be able to leave.
0 1964-11-28, #Agenda Vol 05, #The Mother, #Integral Yoga
Its like those mes Sages people ask me every other minute: Send me a mes Sage. Thats it: you drop two coins into the box, and out it must come! I have nothing for the first page of my magazine, send me a mes Sage, or else, My daughter is getting married, send me a mes Sage, or else, Its the anniversary of the opening of my school, send me a mes Sage. Its at the rate of three or four a day. This made me suddenly write a note the other day; I saw the image of those music boxes, you know, you dropped two coins into them and then the music would come out. So I said, For ordinary men, the Sage is like a music box of Wisdom: you only have to insert two coins worth of question and automatically the answer comes out. Because, really, it has become ridiculous: Were moving into a new house, send us a mes Sage.
But why do you let yourself get snowed under? You shouldnt send any mes Sages!
0 1965-01-12, #Agenda Vol 06, #The Mother, #Integral Yoga
108When he watched the actions of Janaka,3 even Narada the divine Sage4 thought him a luxurious worldling and libertine. Unless thou canst see the soul, how shalt thou say that a man is free or bound?
This raises all sorts of questions. For instance, how is it that Narada was unable to see the soul?
--
Narada: a wandering Sage who goes about playing the vina. Immortal like the gods, he appears on earth whenever he wishes. He is mentioned as far back as the Upanishads.
It was in fact an attack of tuberculosis.
0 1965-05-08, #Agenda Vol 06, #The Mother, #Integral Yoga
And I KNOW its the same for everything, for all illnesses, without exception. I see, I know the origin of illnesses, of the various disorders, all that is now crystal clear (its a story that it could take hours and days to tell), and thats how it is. So when, in a more or less dogmatic or literary way, the Sages say, Disorder occurs because the nature has decided to be in disorder, its not so silly.
Its oh, a spinelessness which is one of the things most contrary to the divine Glory. The spinelessness that accepts illness, you know. And I am saying this to my body, not to anyone elseothers, thats not my business, its their work, not mine; I mean, I am present [in them] only as the divine Consciousness, and then its very easy, a very easy work; but the work here, the sadhana in here
0 1965-08-07, #Agenda Vol 06, #The Mother, #Integral Yoga
For what Sri Aurobindo represents in the worlds history is not a teaching, not even a revelation: it is an action.5 Sri Aurobindo is not a thinker or a Sage, not a mystic or a dreamer. He is a force of the future that takes hold of the present and leads us towards,
The miracle for which our life was made.6
0 1966-03-30, #Agenda Vol 07, #The Mother, #Integral Yoga
It lasted about fifteen to twenty minutes in complete stability and I continued doing my normal activities (it was during the time of my toilet I wash my mouth and gargle), purposely it comes at that time to show that it is absolutely independent from the activity. And it comes more often at that time than when I sit in meditation. When I sit in meditation generally begins a kind of all-around-the-earth activity or even universal activity, it becomes conscious of that, but this bodys experiences are not thereto have the body experience you must live in your body! It is why the ancient Sages or saints didnt know what to do with the body, because they went out of it and sat, and then the body is no more concerned. But when you remain active, then its the body that has the experience.
That is the secret.
0 1967-04-05, #Agenda Vol 08, #The Mother, #Integral Yoga
Its still the old idea. Still the old idea of the Sage, the yogi, the sannyasi, the who represents spiritual life, while all others represent ordinary life but its not true! Its not true, not true at all.
If they still need to oppose one thing to another (because that wretched mind doesnt work when its not given an opposition), if they need an opposition, let them take the opposition between Truth and Falsehood, its somewhat better (I am not saying its perfect, but its somewhat better). But then, in all things Falsehood and Truth are there, mixed, everywhere; in the so-called spiritual life, in the sannyasins, the swamis, those who think they represent divine life on earth, all that, there is also that mixture of Falsehood and Truth.
0 1967-06-07, #Agenda Vol 08, #The Mother, #Integral Yoga
I told you the other day that I had met D. before she left (in search of a Tibetan guru) and we had spoken. I spoke to her of Sri Aurobindo and his teaching. And she has been converted! Yes, really. She wrote me another letter today, which Ive just received (its the second letter she has written to me from up there), in which she says she has met that famous Tibetan Sage with whom she wanted to discuss. He seems to have made fun of her (she doesnt say so), but she says he constantly brings you face to face with your mental formations (he must have shown her that she was feeding on words). And then she adds, But as for me, I feel, I do feel your love always with me, and everything is fine.Never! Its the first time in her life she has told me this.
So it gave me the idea of writing down what I told her about Sri Aurobindos teaching:
0 1967-08-26, #Agenda Vol 08, #The Mother, #Integral Yoga
In any case, to come back to the down-to-earth question in his notebook, I dont think any Sage in any age said, Be good and all will outwardly go well for youbecause thats nonsense. In a world of disorder and a world of falsehood, to hope for that isnt reasonable. But if you are sincere enough and total enough in your way of being, you can have the inner joy and the full satisfaction, whatever the circumstancesand nobody, nothing has the power to touch that. But thats something else. But to ask for your business to do well, for your wife to be faithful and your children not to fall sick and all those things, that of course is nonsense!
***
0 1967-09-20, #Agenda Vol 08, #The Mother, #Integral Yoga
Only an observation, which is really very interesting: its that everyone has said the same thing, all those who have had the Experience have said the same thing but each one in his own way, so it looks like something different. Yesterday it was so clear, and again the whole morning, from early morning: this way, that way, this one here, that one there (Mother shows different facets), the philosophers, founders of religions, Sages of all countries they have always said the same thing. For instance, the Buddhas teaching and, say, the Christian teaching, seem to be so different, but its always the same thing. That is to say, there is ONE state (if you catch hold of it), ONE state in which you are conscious of the divine Consciousness (not conscious of: conscious through or conscious with, I dont know how to explain its the divine Consciousness which is conscious, that is, the Consciousness in its essence), and there are no more problems there, no more complications, no more explanations, nothing anymoreeverything is as clear as can be. So then, each one has tried to explain that, and naturally it has become confused, incomplete, incorrect, with one explanation clashing with anotherwhile everyone is talking about the same thing!
It came yesterday in relation to a boy who sent me the letter from one of his friends, in which he said the usual nonsense: I dont believe in God because I cant see him. The usual little stupidity. And in that connection, I saw (I looked, like that, looked for a long time), I saw that the one who rejects, the one who asserts, the one all that, all of it is (how could I put it?) variations on the same theme, even when it appears to be saying the contrary.
0 1967-09-30, #Agenda Vol 08, #The Mother, #Integral Yoga
While the leaders of the West are politicians, in the land of India they are mystics and Sages.
Yes.
--
One can well understand why saints and Sages, those who wanted to feel themselves live constantly in this divine atmosphere, had got rid of all material thingsbecause they werent transformed, and so they fell back into the old way of being. And there comes a moment when its unpleasant. But if you transform that its in-com-pa-rably, vastly superior, in the sense that it gives an extraordinary STABILITY and consciousness and REALITY. Things become the TRUE vision, the TRUE consciousness; it becomes so concrete, so real!
Nothingnothing else, nothing else can give that fullness.
0 1967-12-30, #Agenda Vol 08, #The Mother, #Integral Yoga
You meant that those who basically are Sages, who work within, wont have to
Yes, thats right. Those who have a higher knowledge wont have to work with their hands, thats what I mean.
--
That may be what the Sages of old meant when they spoke of handing the power of Nature or the power of the Prakriti over to the Purushahanding it from the Prakriti over to the Purusha. Perhaps it was their way of expressing the same thing.
***
0 1968-04-10, #Agenda Vol 09, #The Mother, #Integral Yoga
That is, it can be done as long as they accept the direction of a Sage.
Yes.
0 1968-04-13, #Agenda Vol 09, #The Mother, #Integral Yoga
But in the past, in Vedic times, Sages were advisers to the kings. In the past it was like that.
Or rather thats what were told!
0 1969-02-08, #Agenda Vol 10, #The Mother, #Integral Yoga
Each one will have to provide work for the collectivity according to his possibilities and aspirationsnever to get money, but to serve the collectivity. In exchange, each one will receive what he needs to live. Giving everyone the same thing is out of question, everyone will receive what his real nature requires. Of course, that will be very difficult to determine, and there will have to be at the center of Auroville a gathering of Sages
(Mother smiles)
0 1969-04-02, #Agenda Vol 10, #The Mother, #Integral Yoga
Thats the best. Then youll make a reputation for yourself as a great Sage! (Mother laughs) And at the same time youll get some rest!
Theyre unbearable! I see some of them here (God knows I see them!), but its understood that I dont say a word, and when they speak to me, I dont hear anything. So when they see theres no reply, they keep quiet.
--
You could be in meditation. (Ironically) Youll make a reputation for yourself as a Sage!
And when I speak with them, very strangely, theres a sort of warrior in me, and some people give rise to reactions: I feel like striking. Sometimes its quite brutal, I dont know why. It comes and strikes. With others, on the contrary, I am very tranquil. Some tell Me, Youre hard!
--
But I want you to be strong and solid. Act the great Sage, itll be fun! (Mother laughs)
It was by the Rolling Stones.
0 1969-08-23, #Agenda Vol 10, #The Mother, #Integral Yoga
Yesterday I saw Y. She told me what she wanted to do: her new method of education. It was rather amusing! It seems there is in a box the miniature reproduction of as many things of the earth as can be represented: humans, animals, objects, houses, and so on. All that is mixed together in a big box, on a sort of table, and the big and small children are put there, all of them together, and given a fixed time (I think): they have to make something out of the objects on the tableabsolutely free, they do what they like. And it seems that according to what they do, the way they use the objects and assemble them, you can tell their character As an illustration, she told me they put someone there (she didnt tell me who), apparently a Sage, a Sage who knows about the existence of yoga, and the result of his work was this: a Red Indian taking aim to shoot another, the second Red Indian taking aim to shoot another, and the third Red Indian taking aim to shoot anotherfour like that, in a row. Then the last Red Indian, the fourth, taking aim to kill a lion, and the lion rushing at a deer to kill it. Theres his tableau! And he told them that was an image of life.
According to that, they are sure of knowing his character! (Mother laughs mockingly) I found it prodigiously amusing!
The Sage must have played a good joke on them (!), he must have pulled their leg and they didnt realize it, they took it seriously They seem to have asked him what it was, and he said, This is life. We see it this way, but its the other way round: it really begins with the lion running after the deer, then the Red Indian coming to stop the lion and shooting at it, then I found it very amusing!
She is convinced that its the way to discover someones character.
0 1969-09-24, #Agenda Vol 10, #The Mother, #Integral Yoga
Yes. Then the woman died the day after giving birth, and the child is now seventeen, I think. He told me, Thats how it is: there is NO power, it doesnt existthere is That, the Harmony; everyone has the capacity to call this Harmony, and It acts. And It acts in a second, instantly. But then, he told me, Here is my question (as far as I can express what he said). Basically, he is aware of quite an extraordinary Powerthough I should say I didnt feel a shadow of ego in this man, theres no trace of ego. He read my book, but that didnt teach him things, it only confirmed some experiences. This man spoke to me for more than three hours, and apart from you and Sri Aurobindo, I have heard no one speak like him. It was a Sage who spoke, a living experience that sprang forth, there wasnt one thing he said you wouldnt subscribe to: those great Forces of Harmony that must be embodied on earth, brought down on earth It was really a Sage who spoke, and those were your words, Sri Aurobindos words.
Thats what A. told me; the first day when he received him, he told me, I thought I was listening to you or to Sri Aurobindo!
0 1969-10-11, #Agenda Vol 10, #The Mother, #Integral Yoga
Where a South Indian Sage, Ramana Maharshi, lived; he died of cancer in April 1950.
In 1948 or 1949.
--
The Sage, staged in December, 1953.
***
0 1970-07-11, #Agenda Vol 11, #The Mother, #Integral Yoga
Then here is the text of this Sage, translated from the Tamil:
Extract from Joti Agaval
0 1971-10-16, #Agenda Vol 12, #The Mother, #Integral Yoga
No, I read the preface, but theres nothing about the passing of Thon. He says, the Eastern Sage, Max Thon, thats all.
He was. I dont know if he was Russian or Polish.
02.01 - Metaphysical Thought and the Supreme Truth, #The Integral Yoga, #Sri Aurobindo, #Integral Yoga
Indian position. Even those who see that mental Thought must be overpassed and admit a supramental "Other", do not seem to escape from the feeling that it must be through mental Thought, sublimating and transmuting itself, that this other Truth must be reached and made to take the place of the mental limitation and ignorance. And again Western thought has ceased to be dynamic; it has sought after a theory of things, not after realisation. It was still dynamic amongst the ancient Greeks, but for moral and aesthetic rather than spiritual ends. Later on, it became yet more purely intellectual and academic; it became intellectual speculation only without any practical ways and means for the attainment of the Truth by spiritual experiment, spiritual discovery, a spiritual transformation. If there were not this difference, there would be no reason for seekers like yourself to turn to the East for guidance; for in the purely intellectual field, the Western thinkers are as competent as any Eastern Sage.
It is the spiritual way, the road that leads beyond the intellectual levels, the pas Sage from the outer being to the inmost Self, which has been lost by the over-intellectuality of the mind of Europe.
02.01 - The World War, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
A great opportunity is offered to India's soul, a mighty auspicious moment is come, if she can choose. If she chooses rightly, then can she arrive at the perfect fulfilment of her agelong endeavour, her life mission. India has preserved and fostered through the immemorial spiritual living of her saints and seers and Sages the invaluable treasure, the vitalising, the immortalising power of spirituality, so that it can be placed at the service of terrestrial life for the deliverance of mankind, for the transfiguration of the human type. It is this for which India lives; by losing this India loses all her reason of existenceraison d'tre the earth and humanity too lose all significance. Today we are in the midst of an incomparable ordeal. If we know how to take the final and crucial step, we come out of it triumphant, a new soul and a new body, and we make the path straight for the Lord. We have to recognise clearly and unequivocally that victory on' one side will mean that the path of the Divineof progress and evolution and fulfilmentwill remain open, become wider and smoother and safer; but if the victory is on the other side, the path will be closed perhaps for ever, at least for many ages and even then the travail will have to be undergone again under the most difficult conditions and circumstances. Not with a political shortsightedness, not out of -the considerations of convenience or diplomacy, of narrow parochial interests, but with the steady vision of the soul that encompasses the supreme welfare of humanity, we have to make our choice, we have to go over to the right side and oppose the wrong one with all the integrity of our life and being. The Allies, as they have been justly called, are really our allies, our friends and comrades, in spite of their thousand faults and defects; they have stood on the side of the Truth whose manifestation and triumph is our goal. Even though they did not know perhaps in, the beginning what they stood for, even though perhaps as yet they do not comprehend the full sense and solemnity of the issues, still they have chosen a side which is ours, and we have to stand by them whole-heartedly in an all-round comradeship if we want to be saved from a great perdition.
This war is a great menace; it is also a great opportunity. It can land humanity into a catastrophe; it can also raise it to levels which would not have been within its reach but for the occasion. The Forces of Darkness have precipitated themselves with all their might upon the world, but by their very downrush have called upon the higher Forces of Light also to descend. The true' use of the opportunity offered to man would be to bring about a change, better still, a reversal, in his consciousness, that is to say, it will be of highest utility if it forces upon him by the pressure of inexorable circumstancessince normally he is so unwilling and incapable to do it through a spontaneous inner awakening the inescapable decision that he must change and shall change; and the change is to be for or towards the birth of a spiritual consciousness in earthly life. Indeed the war might be viewed" as the birth-pangs of such a spiritual consciousness. Whether the labour would be sublimely fruitful here and how or end in barrenness is the question the Fates and the gods are asking of man the mortal beingtoday.
02.05 - Federated Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
The last great war, out of its bloody welter, threw up a mantra for the human consciousness to contemplate and seize and realise: it was self-determination. The present world-war has likewise cast up a mantra that is complementary. The problem of the unification of the whole human race has engaged the attention of seers and Sages, idealists and men of action, since time immemorial; but only recently its demand has become categorically imperative for a solution in the field of practical politics. Viewed from another angle, one can say that it is also a problem Nature has set before herself, has been dealing with through the ages, elaborating and leading to a final issue.
The original unit of the human aggregate is the family; it is like the original cell which lies at the back of the entire system that is called the human body or, for that matter, any organic body. A living and stable nucleus is needed round which a crystallisation and growth can occur. The family furnished such a nucleus in the early epochs of humanity. But with the growth of human life there came a time when, for a better and more efficient organization in collective life, larger units were needed. The original unit had to be enlarged in order to meet the demands of a wider and more complex growth. Also it is to be noted that the living body is not merely a conglomeration of cells, all more or less equal and autonomous something like a democratic or an anarchic organization; but it consists of a grouping of such cells in spheres or regions or systems according to differing functions. And as we rise in the scale of evolution the grouping becomes more and more complex, well-defined and hierarchical. Human collectivity also shows a similar development in organization. The original, the primitive unit the familywas first taken up into a larger unit, the clan; the clan, in its turn, gave place to the tribe and finally the tribe merged into the nation. A similar widening of the unit can also be noticed in man's habitat, in his geographical environment. The primitive man was confined to the village; the village gradually grew into the township and the city state. Then came the regional unit and last of all we arrived at the country.
02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
A twilight Sage whose shadow seems to him self,
Moving from minute to brief minute lives;
02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
Thus is it even with the seer and Sage;
For still the human limits the divine:
02.12 - Mysticism in Bengali Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
It is Him that saints and Sages through the ages
had sought and pursued.
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One great characteristic of these mystics, particularly the older ones, is the conception of the spiritual or divine being asa human being the soul, "the man there within this man here," is a human person and the human form has a significant charm which none other possesses. The Spirit, the Divine individualised and concretised in an earth-made man is a blazing experience with the Siddhacharyas and the experience continues down to our days. The Siddhacharyas themselves have added a peculiar, rather strange form to the conception. The soul, the inmost divine being is a woman whom one loves and seeks: she is an outcaste maid who dwells beyond the walls of the city; one, that is to say, the conscient being in us, loves her all the more passionately because she is so. The city means this normally flourishing confine of outer consciousness where we dwell usually; the Divine is kept outside the pale of this inferior nature. To our consciousness that which is beyond it is an obscure, valueless, worthless, miserable non -entity; but to the consciousness of the Sage-poet, that is the only thing valuable and adorable. These mystics further say that the true person, the divinity that lies neglected and even despised in our secular life is truly the idol of all worship and when she is accepted, when she puts off her beggarly robes, the obscurities of our mind and heart and senses, then she becomes the mistress of the house, the queen whom none thenceforth can disobeyall the limbs become her willing servitors and adorers. The divine Law rules even the external personality.
The significance of the human personality, the role of the finite in the play of the infinite and universal, the sanctity of the material form as an expression and objectification of the transcendent, the body as a function of Consciousness-Force Delight are some of the very cardinal and supreme experiences in Bengali mysticism from its origin down to the present day.
02.13 - On Social Reconstruction, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
What is the thing in human society which makes it valuable, worthy of humanity, gives it a place of honour and the right to live and continue to live? It is its culture and civilisation, as everyone knows. Greece or Rome, China or India did not attain, at least according to modern conceptions, a high stage in economic evolution: the production and distribution of wealth, the classification and organization of producers and consumers, their relation and functions were, in many respects, what is called primitive. An American of today would laugh at their uncouth simplicity. And yet America has to bow down to those creators of other values that are truly valuable. And the values are the creations of the great poets, artists, philosophers, law-givers; Sages and seers. It is they who made the glory that was Greece or Rome or China or India or Egypt. Indeed they are the builders of Culture, culture which is the inner life of a civilisation. The decline of culture and civilisation means precisely the displacement of the "cultured" man by the economic man. In the present age when economic values have been grossly exaggerated holding the entire social fabric in its stifling grip, the culture spirit has been pushed into the background and made subservient to economic and other cruder forces. That was what Julien Benda, the famous French critic and moralist, once stigmatised as "La Trahison des Clercs"; only, the "clercs" did not voluntarily betray, but circumstanced as they were they could do no better. The process reached its climaxperhaps one should say the very nadirin the Nazi experiment and something of it still continues in the Russian dispensation. There the intellectuals or the intelligentsia are totally harnessed to the political machine, their capacities are prostituted in the service of a socio-economic plan. Poets and artists and thinkers are made to be protagonists and propagandists of the new order. It is a significant sign of the times how almost the whole body of scientists the entire Brain Trust of mankind today, one might sayhave been mobilised for the fabrication of the Atom Bomb. Otherwise they cannot subsist, they lose all economic status.
In the older order, however, a kindlier treatment was meted out to this class, this class of the creators of values. They had patrons who looked after their physical well-being. They had the necessary freedom and leisure to follow their own bent and urge of creativity. Kings and princes, the court and the nobility, in spite of all the evils ascribed to them, and often very justly, have nevertheless been the nursery of art and culture, of all the art and culture of the ancient times. One remembers Shakespeare reading or enacting his drama before the Great Queen, or the poignant scene of Leonardo dying in the arms of Francis the First. Those were the truly great classical ages, and art or man's creative genius hardly ever rose to that height ever since. The downward curve started with the advent and growth of the bourgeoisie when the artist or the creative genius lost their supporters and had to earn their own living by the sweat of their brow. Indeed the greatest tragedies of frustration because of want and privation, occur, not as much among the "lowest" classes who are usually considered as the poorest and the most miserable in society, but in that section from where come the intellectuals, "men of light and leading," to use the epithet they are honoured with. For very few of this group are free to follow their inner trend and urge, but have either to coerce and suppress them or stultify them in the service of lesser alien duties, which mean "forced labour." The punishment for refusing to be drawn away and to falsify oneself is not unoften the withdrawal of the bare necessities of life, in certain cases sheer destitution. A Keats wasting his energies in a work that has no relation to his inner life and light, or a Madhusudan dying in a hospital as a pauper, are examples significant of the nature of the social structure man lives in.
03.01 - Humanism and Humanism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The Indian Sage is not and cannot be human in the human way. For the end of his whole spiritual effort is to transcend the human way and establish himself in the divine way, in the way of the Spirit. The feeling he has towards his fellow beingsmen and animals, the sentient or the insentient, the entire creation in factis one of identity in the One Self. And therefore he does not need to embrace physically his brother, like the Christian saint, to express or justify the perfect inner union or unity. The basis of his relation with the world and its objects is not the human heart, however purified and widened, but something behind it and hidden by it, the secret soul and self. It was Vivekananda who very often stressed the point that the distinctive characteristic of the Vedantist was that he did not look upon created beings as his brethren but as himself, as the one and the same self. The profound teaching of the Upanishadic Rishi iswhat may appear very egoistic and inadmissible to the Christian saint that one loves the wife or the I son or anybody or anything in the world not for the sake of the wife or the son or that body or thing but for the sake of the self, for the sake of oneself that is in the object which one seems to love.
The pragmatic man requires an outward gesture, an external emotion to express and demonstrate his kinship with creation. Indeed the more concrete and tangible the expression the more human it is considered to be and all the more worthy for it. There are not a few who think that giving alms to the poor is more nobly human than, say, the abstract feeling of a wide commonalty, experienced solely in imagination or contemplation in the Wordsworthian way.
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The Upanishadic summit is not suffused with humanism or touched by it, because it is supra-human, not because there is a lack or want or deficiency in the human feeling, but because there is a heightening and a transcendence in the consciousness and being. To man, to human valuation, the Boddhisattwa may appear to be greater than the Buddha; even so to the sick a physician or a nurse may seem to be a diviner angel than any saint or Sage or perhaps God Himself but that is an inferior viewpoint, that of particular or local interest.
It is sometimes said that to turn away from the things of human concern, to seek liberation and annihilation in the Self and the Beyond is selfishness, egoism; on the contrary, to sacrifice the personal delight of losing oneself in the Impersonal so that one may live and even suffer in the company of ordinary humanity in order to succour and serve it is the nobler aim. But we may ask if it is egoism and selfishness to seek delight in one's own salvation beyond, would it be less selfish and egoistic to enjoy the pleasure of living on a level with humanity with the idea of aiding and uplifting it? Indeed, in either case, the truth discovered by Yajnavalkya, to which we have already referred, stands always justified, that it is not for the sake of this or that that one loves this or that but for the sake of the self that one loves this or that.
03.02 - Yogic Initiation and Aptitude, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Now what exactly is this wonderful thing? This power that brings into being the non-being, realises the impossible? Whose is this Call, from where does it come? It is none other than the call of your own inmost being, of your secret self. It is the categorical imperative of the Divine seated within your heart. Indeed, the first dawning of the spiritual life means the coming forward, the unveiling of this inner being. The ignorant and animal life of man persists so long as the inner being remains in the background, away from the dynamic life, so long as man is subject to the needs and impulses of his mind and life and body. True, through the demands and urges of this lower complex, it is always the inner being that gains and has its dictates carried out and is always the secret lord and enjoyer; but that is an indirect effect and it is a phenomenon that takes place behind the veil. The evolution, in other words, of the inner or psychic being proceeds through many and diverse experiencesmental, vital and physical. Its consciousness, on the one hand, grows, that is, enlarges itself, becomes wider and wider, from what was infinitesimal it moves towards infinity, and on the other, streng thens, intensifies itself, comes up from behind and takes its stand in front visibly and dynamically. Man's true individual being starts on its career of evolution as a tiny focus of consciousness totally submerged under the huge surface surge of mind and life and body consciousness. It stores up in itself and assimilates the essence of the various experiences that the mind and life and body bring to it in its unending series of incarnations; as it enriches itself thus, it increases in substance and potency, even like fire that feeds upon fuels. A time comes when the pressure of the developed inner being upon the mind and life and body becomes so great that they begin to lose their aboriginal and unregenerate freedom the freedom of doing as they like; they have now to pause in their unreflecting career, turn round, as it were, and imbibe and acquire the habit of listening to the deeper, the inner voice, and obey the direction, the comm and of the Call. This is the Word inviolate (anhata-vn) of which the Sages speak; this is also referred to as the still small voice, for indeed it is scarcely audible at present amidst the din and clamour of the wild surges of the body and life and mind consciousness.
Now, when this call comes clear and distinct, there is no other way for the man than to cut off the old moorings and jump into the shore less unknown. It is the categorical demand of such an overwhelming experience that made the Indian spirant declare:
03.04 - The Other Aspect of European Culture, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Nor is it a fact that Europe is and has been merely profane and materialistic in her outlook and attainment. The godless and mechanistic civilisation which is rampant today in Europe is a distemper of comparatively recent growth. Its farthest limit does not go beyond the sixteenth or the fifteenth century when the first seeds were sown by the Humanists of the Renaissance. It sprouted with the rationalists of the eighteenth century and the French Revolution cleared the ground for its free and untrammelled growth. But only in the nineteenth and the twentieth centuries has it reached such vast and disconcerting proportions as to swallow all Europe's other motives and velleities and to appear as the only form of her life-expression. But in the earlier centuries, those that preceded the New Enlightenment, Europe had a different conception of culture and civilisation, she possessed almost another soul. The long period that is known as the mediaeval age was not after all so dark and unregenerate as it has been the familiar custom to represent it. Christian Europe the Europe of cathedrals and monasteries, of saints and Sages, of St. Francis and St. Teresa, of Boehme and Bernard, of Thomas Aquinas and Augustine, had an enlightenment all her own, which was real and living and dynamic, possessing a far-extending and deeply penetrating influence; in as much as it was this that called into being and fashioned the more abiding forces, which underlie Europe's cultural life and social institutions, although latterly "fallen on evil days and on evil tongues".
Even the still more ancient Grco-Latin Europe which was not, to a general and apparent view, quite spiritual or other-worldly, was yet not so exclusively materialistic and profane as modern Europe. Classical culture was rationalistic, without doubt; but that rationalism was the function of a sublimated intelligence and a refined sensibility and served as a vehicle for a Higher Perceptiona ratiocinative and ultra-logical mind, like that of Socrates, could yet be so passive and upgazing as to receive and obey the commandments of a Dmon; whereas the rationalism, which is in vogue today and to which orthodox Scientism has affixed its royal sign manual, is the product of mere brain-power, vigorous but crude, of an intellect shut up in its self-complacent cunningness, obfuscated by its infinite but shallow inquisitiveness.
And the secret soul of this Classical culture was not inherited by those who professed to be its champions and adorers the torch-bearers of the New Enlightenment; no, its direct descendants were to be found among the builders of the Christian civilization. Plato and Pythagoras and Heraclitus and the initiates to the Orphic and the Eleusinian mysteries continued to live in and through Plotinus and Anselm and Paracelsus and the long line of Christian savants and Sages. The Middle Age had its own spiritual discoveries and achievements founded on the Cult of the Christ; to these it added what it could draw and assimilate from the mystic and spiritual traditions of the Grco-Latin world. The esoteric discipline of the Jewish Kabala also was not without influence in shaping the more secret undercurrents of Europe's creative and formative genius. The composite culture which they grew and developed had undisputed empire over Europe for some ten or twelve centuries; and it was nothing, if not at heart a spiritual and religious and other-worldly culture.
Herein lay Europe's soul; and to it turned often and anon the gaze of those who, among a profane humanity, are still the guardians of the Spiritpoets and artistswho, even in the very midst of the maelstrom of Modernism, sought to hark back, back to the rock of the ages. The mediaevalism and archaicism of which a Rossetti or a Morris, for example, is often accused embodies only a defensive reaction on the part of Europe's soul; it is an attempt to return to her more fundamental life-intuition.
03.05 - The Spiritual Genius of India, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
The psychological atmosphere in India is of a luminous tenuity. Here, it appears, the veil between this world and the other has so thinned away that the two meet and interpenetrate easily and freely; immersed in one, you can at the same time ba the in the other. Owing to the cumulative effect of the sadhana of her saints and Sages who appeared in countless number down countless ages, or, perhaps, owing to the grace of a descent into her consciousness, or some immanence there, of the breath and light of a Superior World, India has developed and possesses, already prepared, a magnetic field, a luminous zone of spiritual consciousness; and to enter into it the Indian has only to turn aside, to go round a corner, to take one step forward. However thick and hard the crust of the Ignorance may lie upon the Indian soul, once that soul awakes and is upon the path, it finds itself on a familiar ground; it is in a domain which it has the impression of having frequented often and anon and for long.
But in Europe the division between this world and the other, in the inner consciousness of the people, is more rigorous, a thick wall divides the two and to pass from the one to the other demands a violent break, a total revolution; and even when the Rubicon is crossed, one feels oneself in unfamiliar surroundings, moving in a shadowy world, and with the uncertain and faltering steps of a child.
03.06 - Divine Humanism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
The Indian Sage is not and cannot be human in the human way. For the end of his whole spiritual effort is to transcend the human way and establish himself in the divine way, in the way of the Spirit. The feeling he has towards his fellow-beingsmen and animals, the sentient and the insentient, the entire creation, in factis one of identity in the One Self. And, therefore, he does not need to embrace physically his brother, like the Christian saint, to express or justify the perfect inner union or unity. The basis of his relation with the world and its objects is not the human heart, however purified and widened, but something behind it and hidden by it, the secret soul and self. It was Vivekananda who very often stressed the point that the distinctive characteristic of the Vedantin was that he did not look upon created beings as his brethren, but as himself, as the one and the same self. The profound teaching of the Upanishadic Rishi iswhat may appear very egoistic and inadmissible to the Christian saint that one loves the wife or the son or anybody or anything in the world, not for the sake of the wife or the son or that body or that thing, but for the sake of the self, for the sake of one's own self that is in the object which one seems to love.
The pragmatic man requires an outward gesture, an external emotion to express and demonstrate his kinship with the creation. Indeed the more concrete and tangible the expression, the more human it is considered to be and all the more worthy for it. There are not a few who think that giving alms to the poor is more nobly human than, say, to have the abstract feeling of a wide commonalty, experienced solely in imagination or contemplation in the Wordsworthian way.
--
The Upanishadic summit is not suffused with humanism or touched by it, because it is supra-human, not because there is a lack or deficiency in the human feeling, but because there is a heightening and a transcendence in the consciousness and being. To man, to human valuation, the Bodhisattva may appear to be greater than the Buddha; even so to the sick a physician or a nurse may seem to be a diviner angel than any saint or Sage or perhaps God himself but that is an inferior view-point, that of particular or local interest.
It is sometimes said that to turn away from the things of human concern, to seek liberation and annihilation in the Self and the Beyond, is selfishness, egoism; on the contrary, to sacrifice the personal delight of losing oneself in the Impersonal so that one may live and even suffer in the company of ordinary humanity, in order to succour and serve it, is the nobler aim. But one may ask, if it is egoism and selfishness to seek delight in one's own salvation beyond, would it be less selfish and egoistic to enjoy the pleasure of living on a level with humanity with the idea of aiding and uplifting it? Indeed, in either case, the truth discovered by Yajnavalkya, to which we have already referred, stands always justified,that it is not for the sake of this or that thing that one loves this or that thing, but for the sake of the Self that one loves this or that thing.
03.06 - The Pact and its Sanction, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The whole difficulty centres upon the question: who rouses whom, and what is the principle that is meant to rouse. There is a slogan that incited the Red Terror of the French Revolution; there is the other one which inspired the Nazis; there is still another one rampant that had the seal and sanction of Stalin and his politburo. These have spread their dark wings and covered the saviour light. On the other hand, the voice of the Vedic Rishi that hymned the community of faith and speech and act, the kindly light that Buddha carried to suffering humanity, the love and sacrifice of Christ showing and embleming the way of redemption, the saints and Sages in our own epoch who have visioned the ideal of human unity in a divine humanity, even secular leaders who labour for "one world", "a brave new world"all point to the other line of growth and development that man can follow and must and shall follow. The choice has to be made and the right direction given. In India today, there are these two voices put against each other and clear in their call: one asks for unity and harmony, wideness and truth, the other its contrary working for separativeness, disintegration, narrowness, and make-believe and falsehood. One must have the courage and the sagacity to fix one's loyalty and adhesion.
A true covenant there can be only between parties that work for the light, are inspired by the same divine purpose. Otherwise if there is a fundamental difference in the motive, in the soul-impulse, then it is no longer a pact between comrades, but a patchwork of irreconcilable elements. I have spoken of the threefold sanction of the covenant. The sanction from the top initiates, plans and supports, the sanction from the bottom establishes and furnishes the field, but it is the sanction from the mid-region that inspires, executes, makes a living reality of what is no more than an idea, a possibility. On one side are the Elders, the seasoned statesmen, the wise ones; on the other, the general body of mankind waiting to be moved and guided; in between is the army of young enthusiasts, enlightened or illumined (not necessarily young in age) who form the pra, the vital sheath of the body politic. Allby far the largest part of itdepends upon the dreams that the Prana has been initiated and trained to dream.
03.10 - Hamlet: A Crisis of the Evolving Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
A poignant vision or experience of evil in God's world which otherwise appears so work living in, the perception of the canker in the rose, has been the turning-point of many a destiny. It has been the occasion of the birth of saints and Sages, souls that have traversed beyond and found the solution of the enigma. It has also hurled back into confusion and ruin souls that faced the Sphinx but could not answer her riddlesuch, for example, as were Hamlet and Faust.
In these latter the human consciousness has reached its high water-mark of normal development. They are the finest expression of mans capacities and powers in the ordinary nature. Here we have the play of the higher, even perhaps the highest ranges of the Mind the mind, that is to say, of the poet and the philosopher. But here also stands revealed the counterfoil, the obverse of that high achievement the feet of clay on which is reared the head of gold, the flesh that is tied irrevocably to the spirit.
03.13 - Human Destiny, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
On a comparatively shorter view of the human evolution we observe as, for example, Spengler has shown, a serial or serials of the rise and fall of races and nations and cultures. Is that a mere repetition, more or less of the same or very similar facts of life, or is there a running thread that points to a growth, at least a movement towards some goal or purpose to attain and fulfil? The present cycle of humanity, which we may call and is usually called the historic age, dates from the early Egyptians and, in India, from the ancestral Vedic Sages (prve pitra). On a longer outlook, what has been the nature of man's curve of life since then to the present day? Races and cultures have risen and have perished, but they have been pursuing one line, moving towards one direction the growth of homo fabricus the term coined by NietzscheMan the artisan. Man has become man through the discovery and use of toolsfrom tools of stone to tools of iron, that marks his growth from primitiveness to civilisation. And the degree of civilisation, the distance he has travelled from his origins is measured precisely by the development of his tools in respect of precision, variety, efficiency, serviceability. Viewed from that standpoint the modern man has travelled indeed very far and has civilised himself consummately. For the tools have become the whole man; man has lost his human element and almost become a machine. A machine cannot run indefinitely, it has got to stop when life is not there. So it is often prognosticated now that man is at the end of his career. He is soon going to be a thing of the past, an extinct racelike one of the prehistoric species that died out because they could not change with the circumstances of life, because they became unchanging, hard and brittle, soto say, and fell to pieces, or otherwise they continued to exist but in a degraded, a mere vegetative form.
But, as we have said, man seems to have yet retained his youthfulness. He always just falls short of the perfect perfection, that is to say, in any single form or expression of life. Life did become stereotyped, mechanised, and therefore fossilised, more or less, in Egypt of the later Dynasties; in India too life did not become less inert and vegetative during two long periods, once just preceding the advent of the Buddha,.
03.14 - From the Known to the Unknown?, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
That is why it is said constantly by the ancient Sages that the truth cannot be found by much inquiry and much study, the truth is found only when it condescends to reveal itself to the inquirer. The true truth is not at our beck and call, you cannot get it as and when you like, it does not wait comfortably just at the terminus of your investigations and argumentations. This does not mean, however, that we remain helpless and hopeless until the manna falls from heaven. No, something lies in our power, a spontaneous and natural faculty, to create at least favourable conditions for the light to descend and appear. A quiet awaiting in the being, calm concentration and aspiration, a sincere opening are some of the conditions under which it is easier for the unknownxto reveal its identity.
It is not a blunder and it need not lead inevitably to a catastrophe if, for example, a child were given its first education not through his mother tongue, but through what is termed a foreign language. Would it, for that matter, harm a child invariably and necessarily, if he did not confine himself within the walls of his school in the midst of the known and the familiar, if he were to stir out and venture into wildshow otherwise would Alice discover her Wonderland? A foreign tongue, a foreign atmosphere would often interest a child more than things known and familiar. The very distance and imprecision and even the peculiar difficulties exert a charm and evoke greater attention in the child. This is not to say that familiarity breeds contempt, but that unfamiliarity does not repel but attracts also.
04.01 - The Divine Man, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
This is a truth, a fact of creationgiving the whole clue to the riddle of this world that has not been envi Saged at all in the past or otherwise overlooked and not given the value and importance that it has. Poets and seers, Sages and saints along with common men from the very birth of humanity have mourned this vale of tears, this sorrowful transient earthly life, anityam asukha lokam ima1, into which they have been thrown: they have wished and willed and endeavoured to change or reform or re-create it, but have always failed, and in the end, finding it ultimately incorrigible, concluded that escape was the only solution, the only issue, either like the Sage going out into Nirvana, spiritual dissolution, or like the atheist stoically going down with a crumbling world into a material disintegration. The truth of the matter is, however, different as Sri Aurobindo sees it. The spectacle is not so gloomy and irremediable. The world has a future and man has hope.
The world is not doomed nor man past cure; for it is not that the world has been merely created by God but that God has become and is the world at the same time: man is not merely God's creature but that he is made of God's substance and is God himself. The Spirit has shed its supreme consciousness, that is to say, overtly has become dead matter; God has veiled his effulgent infinity and has taken up a human figure. The Divine has clothed his inviolable felicity in pain and suffering, has become an earthly creature, you and me, a mortal of mortals. And thus, viewed in another perspective because Matter is essentially Spirit, because man is essentially God, therefore Matter can be resolved and transformed into Spirit and man too can become utterly divine. The urge of the spiritual consciousness that is the essence of matter even, the massed energy imbedded or lying frozen in it, manifests itself in the forward drive of evolution that brings out gradually, step by step, the various modes of the consciousness in different degrees and potentials till the original summit is revealed.
04.01 - The March of Civilisation, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
To sum up then. Man progresses through cycles of crest movements. They mark an ever-widening circle of the descent of Light, the growth of consciousness. Thus there is at first a small circle of elite, a few chosen people at the top, then gradually the limited aristocracy is widened out into a larger and larger democracy. One may describe the phenomenon in the Indian terms of the Four Orders. In the beginning there is the Brahminic culture, culture confined only to the highest and the fewest possible select representatives. Then came the wave of Kshatriya culture which found a broader scope among a larger community. In India, after the age of the Veda and the Upanishad, came the age of the Ramayana and the Mahabharata which was pre-eminently an age of Kshatriya-hood. In Europe too it was the bards and minstrels, Sages and soothsayers who originally created, preserved and propagated the cultural movement: next came the epoch of the Arthurian legends, the age of chivalry, of knights and templars with their heroic code of conduct and high living. In the epoch that followed, culture was still further broad-based and spread to the Vaishya order. It is the culture of the bourgeoisie: it was brought about, developed and maintained by that class in society preoccupied with the production or earning of wealth. The economic bias of the literature of the period has often been pointed out. Lastly the fourth dimension of culture has made its appearance today when it seeks to be coterminous with the proletariate. With the arrival of the Sudra, culture has extended to the very base of the social pyramid in its widest commonalty.
This movement of extension, looked at from the standpoint of intensiveness, is also a movement of devolution, of reclamation. The Brahminic stage represents culture that is knowledge; it touches the mind, it is the brain that is the recipient and instrument of the Light. The Kshatriya comes into the field when the light, the vibration of awakening, from the mind comes down into the vital energies, from the brain to the heart region. The Vaishya spirit has taken up man still at a lower region, the lower vital: the economic man that has his gaze fixed upon his stomach and entrails. Lastly, the final stage is reached when physical work, bodily labour, material service have attained supreme importance and are considered almost as the only values worth the name for a human being. To walk and work firmly upon Earth the Light needs a strong pair of feet. Therefore, the Veda says, Padbhym sudro ajyata, out of the feet of the Cosmic Godhead the Sudra was born.
04.03 - The Call to the Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
The Sages ponder in unsubstantial light,
The poets lend their voice to outward dreams,
04.04 - A Global Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Viewed as a progressive growth of consciousness and transformation of nature, man's advance has been marked out in a few very definite stages. The first was the purely animal manPasuwhen man lived merely as a physical being, concerned solely about his body. Then came the Pisacha, the man of vital urges in their crudest form, the man of ignorant passions and dark instincts who has been imaged in the popular mind as the ghoul. At the next stage, with a further release of the consciousness, when the larger vital impulses come into play man becomes the Rakshasa, the demon. Egoistic hunger for possession, enjoyment, enlarged and increased appetite are his characteristics. Next came the Asura, the Titan, the egoistic mental man in his earlier avatar seeking to emerge out of the purely vital nature. Ambition and pride are his guiding spirit. Prometheus is his prototype. There are still two higher types which have been established in the human consciousness and in the world atmosphere as dynamic ideals, if not as common concrete facts of the material world. The first is the ethical man, who seeks to govern his life according to some principles of light and purity, such, for example, as unselfishness, altruism, chivalry, self-abnegation, rectitude, truthfulness etc. He is the Sattwic man, as known in India. There is also a still higher category, where consciousness endeavours to go beyond mind, enters into the consciousness of the Spirit; then we have the spiritual man, the saint and the Sage. Beyond lie the supra-mental domains formed of the consciousness of the gods.
Man, individually and collectively, has passed and is passing through these steps of evolution. The last one is his goal at the present stage. To be a saint, seer or Sage is not enough for man. He must be a god. Indeed when he has succeeded to be a god then only would it be possible for him to become what a saint or a seer or Sage has to be in order to fulfil himself totally and integrally. The human race as a whole is progressing along the same line towards the same consummation. That is the secret purpose and end of Nature, to evolve a growing developing material form housing, embodying higher and wider ranges of consciousness, integrating all elements into a more and more intimate and inviolable unity and harmony.
This progress towards ever higher and wider consciousness means also in man's social or collective life the formation of larger and larger aggregates, unification of mankind in ever widening groups. From man the solitary animal, through the family, the clan, the tribe to the nation the race has been increasing the circle of its sympathy and kinship. The birth of the modern nation out of regional and local groupings is a triumph of the emerging consciousness in humanity pointing to another signal and supreme triumph, the emergence of the global sense hi man that is to bind humanity as a single indissoluble indivisible unity in actual life.
04.04 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
A progressive revelation of higher and higher and more integral states of the spiritual consciousness in and through the realisations of mystics and Sages and seersdivine men of all ages, such is the process of evolution that marks the life of man upon earth. This spiritual evolution, however, may not be obviously visible in the external life and character of man: it has been a phenomenon more in his inner being and consciousness, an occult phenomenon. Hence there has intervened a veil, wall of separation between the two. The veil has not been rent precisely because the very highest spiritual potential has not been reached and brought into play. The call of the present age is just to do away with this veil, make of human nature a unified, a streamlined entity, a complete incarnation of the spiritual consciousness in the fullness of its own nature at its source and origin.
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04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
These Sages breathed for God's delight in things.
Assisting the slow entries of the gods,
04.06 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
A progressive revelation of higher and higher and more integral states of the spiritual consciousness in and through the realisations of mystics and Sages and seersdivine menof all ages, such is the process of evolution that marks the life of man upon earth. This spiritual evolution, however, may not be obviously visible in the external life and character of man: it has been a phenomenon more in his inner being and consciousness, an occult phenomenon. Hence there has intervened a veil, a wall of separation between the two. The veil has not been rent precisely because the very highest spiritual potential has not been reached and brought into play. The call of the present age is just to do away with this veil, make of human nature a unified, a streamlined entity, a complete incarnation of the spiritual consciousness in the fullness of its own nature at its source and origin.
***
05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
I sat with the forest Sages in their trance:
There poured awakening streams of diamond light,
05.05 - In Quest of Reality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
One remarkable thing in the material world that has always attracted and captivated man's attention, since almost the very dawn of his consciousness, is the existence of a pattern, of an artistic layout in the composition and movement of material things. When the Vedic Rishi sings out: "These countless stars that appear glistening night after night, where do they vanish during the day?" he is awed by the inviolable rhythm of the Universe, which other Sages in other climes sang as the music of the spheres. The presence of Design in Nature has been in the eyes of Believers an incontrovertible proof of the existence of a Designer. What we want to say is not that a watch (if we regard the universe as a watch) presupposes the existence of a watch-maker: we say the pattern itself is the expression of an idea, it involves a conception not imposed or projected from outside but inherent in itself. The Greek view of the artist's mode of operation is very illuminating in this connection. The artist, according to this view, when he carves out a statue for example, does not impose upon the stone a figure that he has only in his mind, but that the stone itself contains the figure, the artist has the vision to see it, his chisel follows the lines he sees imbedded in the stone. It is why we say that the geometry in the structure of a crystal or an atom or an astronomical system, the balance and harmony, the symmetry and polarity that govern the composition of objects and their relations, the blend of colour schemes, the marshalling of lines and the building of volumes, in a word, the artistic make-up, perfect in detail and in the ensemble that characterise all nature's body and limbs and finally the mathematical laws that embrace and picture as it were Nature's movements, all point to the existence of a truth, a reality whose characteristic marks are or are very much like those of consciousness and Idea-Force. We fight shy of the wordconsciousness for it brings in a whole association of anthropomorphism and pathetic fallacy. But in our anxiety to avoid a ditch let us not fall over a precipice. If it is blindness to see nothing but the spirit, it is not vision to see nothing but Matter.
A hypothesis, however revolutionary or unorthodox it may seem for the moment, has to be tested by its effective application, in its successful working out. All scientific discoveries in the beginning appear as inconveniences that upset the known and accepted order. Copernicus, Newton, Galileo, Kepler, Maxwell or Einstein in our day enunciated principles that were not obvious sense-given axioms. These are at the outset more or less postulates that have to be judged by their applicability.
05.05 - Man the Prototype, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
The conception of the Purusha at the origin of things, as the very source of things, so familiar to the Indian tradition, gives this high primacy to the human figure. We know also of the cosmic godhead cast in man's mouldalthough with multiple heads and feetvisioned and hymned by Sages and seers. The gods themselves seem to possess a human frame. The Upanishads say that once upon a time the gods looked about for a proper body to dwell in, they were disappointed with all others; it is only when the human form was presented that they exclaimed, This is indeed a perfect form, a perfect form indeed. All that indicates the feeling and perception that there is something eternal and transcendent in the human body-frame.
***
05.21 - Being or Becoming and Having, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Again, in this ceaseless continuity of progression it is indeed not necessary at all to stop a while or somewhere and become something for one's perfection or fulfilment. The normal ideal that is placed before man or which he himself seeks is that he should become something, a definite pattern of some particular achievement, and possess something in the sense of an acquisition. An ordinary man must have an occupation and even an extraordinary man, the saint or the Sage, must embody, that is to say, enchain himself in the name and form of a particular realisationa siddhnta or a siddhi. A man has to be -a soldier, a merchant, a politician or a poet, a philosopher: even so he has to be a bhaktaor a jni, a maunior a vksiddha. Each human being should have a ticket and a roll number, an identity card. Now, for the soul of man none of these or other adjuncts are necessary: its progress and its growth are independent of such auxiliaries or correlates. A soul can be and even express itself perfectly at the highest point of its being without formulating itself, binding itself in a scheme of some external achievement or functioning. The soul need not possess any of the gloriesaiwaryasto realise itself, in order to be the abode of the Divine. Its very existence is full to the brim of the substance of the truth and its simple living marks the law or rhythm of that Truth.
A soulful man, whatever he says, thinks, feels or acts, always embodies wholly the Divine. Not that because he says, acts, thinks or feels in a certain manner that he has attained perfection or is in dynamic union with the summit a d integral consciousness. As the Mother brings out the distinction, although in a somewhat different context, the perfect soul-existence .cannot be judged by the forms it takes, the forms themselves have to be judged by the soul-existence.
06.01 - The Word of Fate, #Savitri, #Sri Aurobindo, #Integral Yoga
Narad the heavenly Sage from Paradise
Came chanting through the large and lustrous air.
--
Nearing until the rapt eyes of the Sage
Looked out from luminous cloud and, strangely limned,
--
There welcomed him the Sage and thoughtful king,
At his side a creature beautiful, passionate, wise,
--
"O deathless Sage who knowest all things here,
If I could read by the ray of my own wish
--
Then might the Sage have spoken, but the king
In haste broke out and stayed the dangerous word:
--
Then cried the Sage piercing the mother's heart,
Forcing to steel the will of Savitri,
06.24 - When Imperfection is Greater Than Perfection, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
A perfected consciousness is attained in the highest status of being, when it is full of light and delight, peace and purity, one with the Divine Consciousness. Such a Consciousness, when it comes down upon earth in its original unmixed clarity, lives as a foreign element and has no real contact with the world; it can have only a very indirect influence upon men and things. If the perfect, the Divine Consciousness has to be truly effective, has to change human and world nature, it must put on partially at least that nature; it must share in the imperfection of ignorance so that it can show how that imperfection can be dealt with and transformed. The Divine has to become human, even the ordinary human, in a sense, in the outward instrumental aspect, to a greater or lesser degree as needed, so that He may come in living contact with the obscure lower consciousness and put His light into it and gradually purify and illumine it. If, however, the consciousness retains its fullness of power and light makes its appearance as such, it may dazzle and overwhelm, as a meteor miracle, but leave nothing substantial behind. This is what has happened in the past of man's history. The saints and Sages, the greatest and the most genuine among them, mostly dwelt apart from humanity in consciousness and even away from human contact; the earth could not profit wholly by their example.
Therefore the Mother says in her Prayers and Meditations that having gone beyond all desires still she had to live in the midst of desires; she had no choice of her own, no preference, no attachment, no need of anything, yet she was put in the conditions of very ordinary life, the normal human life; she had to deal with the common man, handle the small insignificant objects of material existence. In one part of her being she had to identify herself with ignorance and obscurity, so much so that even the distinction between consciousness and unconsciousness the conscient and the inconscientwas for a time obliterated. Naturally, the inmost being in its inner self remained always calm, luminous, inviolable, but it put around itself this body of ordinary nature to meet its ordinary reactions and through them gradually to uplift and train it to manifest and incarnate the inmost divine.
06.27 - To Learn and to Understand, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Indeed it was not very much necessary for the ancient Sages and occultists to try to hide their knowledge in an obscure language, in codes and symbols and ciphers for fear of misuse by the common uninitiate; even if they had expressed their knowledge in ordinary language, ordinary people would not have understood it at all. It would be like my speaking to you in Chinese-, you would not make out anything of it. One comprehends only what one already possesses, that is to say, you must have within you something at least of what you want to know and understand, something corresponding to it, similar in nature and vibration. That is what I mean when I say that you should be open, your mind and consciousness should be turned and attuned to the object it wishes to seize; it must have some light in it in order to receive the light outside and beyond. If it is mere obscurity, the light does not light; even if it manages to come it departs soon or is engulfed in the darkness.
The human mind can seize things only in three dimensions. A three-dimensional knowledge is its normal possession. But there is a fourth and a fifth dimension (which some intellectuals in Europe have begun to guess at): indeed there are at least as many as twelve dimensions in reference to the present creation. We cannot readily picture a four-dimensional object, a fifth dimension borders on the bizarre and beyond that it is all a blank to the human consciousness. If I spoke of these multi-dimensional experiences, what would you make of them?
07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
But to the too satisfied and confident Sage
Savitri replied casting into his world
07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
And the calm autocracy of the Sage's rule.
He is the high and solitary Thought
07.05 - This Mystery of Existence, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Have you ever asked yourself why there is this universe at all, at least this earth with which we are so much concerned and which seems to us so real, so au thentic? It would perhaps be very wise on your part if you did not! I have often spoken to you of Theon. He was truly a Sage in his own way. People used to come to him and ask questions. Many asked why there was a universe. He would answer, But what is that to you? Some would ask, Why is the universe like this? To that ht would say, It is what it is, how does it matter? Others again would remark, I do not consider the world a satisfactory affair. There, we begin to come more to the point. To those who find the world unsatisfactory I would say, Get to work, try to change it. Find a way that it may be otherwise, that it may be made better. Things are what they are, it is no use speculating over that and getting worried. Seek for the means of remedy, so that things may be made what they should be. Why are things what they are? Not that one cannot know the reason, although one may not always be sure of it. The best thing to do is to take whatever is as it is and try to change it towards that which it ought to be. Now the wonder of it is that if you are sincere, if you want to know sincerely and work sincerely, you will come to know why things are what they are the cause, the origin and the process, for they are all one. There is one truth at the base of things; if that were not there, nothing would be. If you seize that truth, you seize at the same time the origin of the creation and the means of changing it as well. In other words, if you are in contact with the Divine for the Divine is that baseyou are in possession of the key to all things, you know the why, the how and the process for change. One thing to do then is to start doing the thing. But you might say, it is too much, too difficult, too big for youto work in the world or for the world. Well then, start with yourself. You are a little mass of substance, a symbol or representative of the universe. Let your work then be to form and refashion that particle. Concentrate upon it, go withineven within that little person of yourself you will find the long looked-for key.
***
07.07 - The Discovery of the Cosmic Spirit and the Cosmic Consciousness, #Savitri, #Sri Aurobindo, #Integral Yoga
Or, listening to the Sages of the woods,
In question and in answer broke from her
08.03 - Death in the Forest, #Savitri, #Sri Aurobindo, #Integral Yoga
He sang high snatches of a Sage's chant
563
09.06 - How Can Time Be a Friend?, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
She was a militant personality and a great Buddhist luminary. When she came to India she wanted to see some of the great Indian Sages, Gurus, that is to say, and she went to one of them I do not give you his namewho looked at her and asked her, as the talk was about Yoga and personal effort and all that, whether she was indifferent to criticism. She answered him in the classical expression: "Does one mind the barking of a dog?" She added, when she was narrating to me the story, with much humour: "Happily, he did not ask me whether I was indifferent to praise for that is much more difficult!"
So then, you should not consider yourself superior to others and I shall tell you why; you must know that in a being, human or other, it is the consciousness that matters and you are either conscious or unconscious: you can consider yourself superior only when you are unconscious; the very moment you are conscious, truly conscious, you lose the sense of superiority or inferiority. In either case you must not feel superior, for it is smallness, pettiness; but you must be full of goodwill and sympathy and care little about what one says or does not say; however, be always polite, for it is always better to be polite than to be impolite. In that way you put yourself in relation with forces that are more harmonious and you can fight better against the forces of destruction and ugliness. But in reality you must rise above all that and feel yourself interested only in the Divine, in what He expects of you and in what to do for Him, for that is the only thing that counts. The rest has no importance.
09.07 - How to Become Indifferent to Criticism?, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
There are other procedures. A Chinese Sage, I read out to you once, advises you to lie down on the flow of events as on a plank in the ocean, and imagine yourself to be on the vast immensity, drifting upon the waves, contemplating the sky above. In Chinese they call it Wu Wei. When you can do that all trouble disappears.
I knew one Irishman who used to lie on his back and look up to the sky in the night when there were stars. He looked, contemplated upon the sky, imagined as if he were floating in this immensity studded with countless luminous points and immediately he felt all his troubles were' gone. There are many such ways. What you have to do is to get the sense of relativity, your little person and the importance you attach to things concerning you as against the boundless infinity of the universe. Naturally, there is the other way of separating yourself from the earthly consciousness and rising into a higher consciousness, there earthly things take their true place, that is to say, they become small things.
1.001 - The Aim of Yoga, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
The ancient Sages and masters, both of the East and the West, have deeply pondered over this question, and one of the most magnificent proclamations of a solution to these problems is found in the Veda. Among the many aspects of this solution that are presented before us by these mighty revelations, I can quote one which to my mind appears to be a final solution at least, I have taken it as a solution to all my problems - which comes in the Rig Veda, the Yajur Veda, the Sama Veda and the Atharva Veda. In all the four Vedas it occurs: tam eva viditv atimtyum eti nnya panth vidyate ayanya. This is a great proclamation. What is the meaning of this proclamation? There is no way of escape from this problem, says this mantra, other than knowing 'That'. This is a very simple aphoristic precept that is before us: Knowing 'That' is the solution, and we have no other solution. Now, knowing 'That' what is this 'That'.
Knowing has been generally regarded as a process of understanding and accumulation of information, gathering intellectual or scientific definitive descriptions in respect of things. These days, this is what we call education. We gather definitions of things and try to understand the modes of their apparent functions in temporal life. This is what we call knowing, ordinarily speaking. I know that the sun is rising. This is a kind of knowledge. What do I mean by this knowledge? I have only a functional perception of a phenomenon that is taking place which I regard as the rise of the sun. This is not real knowledge. When I say, "I know that the sun is rising", I cannot say that I have a real knowledge of the sun, because, first of all, the sun is not rising it is a mistake of my senses. Secondly, the very idea of rising itself is a misconception in the mind. Unless I am static and immovable, I cannot know that something is moving. So when I say, "The sun is moving", I mean that I am not moving; it is understood there. But it is not true that I am not moving. I am also in a state of motion for other reasons which are not easily understandable. So it is not possible for a moving body to say that something else is moving. Nothing that is in a state of motion can say that something else is in motion. There is a relative motion of things, and so perception of the condition of any object ultimately would be impossible. This is a reason why scientific knowledge fails.
10.02 - The Gospel of Death and Vanity of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
Vain was the Sage's thought, the prophet's voice;
609
10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
It grows and is a conqueror and a Sage.
Then wilt thou spew out, Death, God's mystic truth,
--
Whose fire burns in the eyes of seer and Sage;
A lightning flash of visionary sight,
--
Dreaded by aspiring saint and austere Sage,
Is shunned, a dangerous and ambiguous cheat,
10.04 - Lord of Time, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
The drunken Sage of heaven
6 in the Vedas of joy
10.04 - The Dream Twilight of the Earthly Real, #Savitri, #Sri Aurobindo, #Integral Yoga
Must the Sage deny the Light, the seer his soul?
I am not bound by thought or sense or shape;
1.007 - Initial Steps in Yoga Practice, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
We have a wrong notion about everything, including our own self. And with this wrong notion we go headlong into such a serious practice as is meditation because, just as a small sand particle getting stuck in the eye causes us annoyance, so too a little mistake in the beginning will loom large and become a serious obstacle in the end a factor which can be studied from the history of institutions and the lives of saints, Sages and sadhakas. These small mistakes look like normal things, and not serious obstacles, because they do not stand against us. They appear to be unconcerned externals; but there is no such thing as an unconcerned external. Every external is connected with us, and the very fact of our perception of it will be enough reason why it can take action, for or against us, one day or the other.
So, we have to chalk out very carefully, as in a spiritual diary, the little mistakes that a person can commit by injudicious thinking, irrational analysis of conditions due to a false view of life, a false judgement of things, and due to a woeful lack of knowledge of human nature and psychology. These are the difficulties that arise due to ignorance of the true nature of things that drives us into committing small mistakes, which will stand before us like devils one day and prevent us from going further. These mistakes must be avoided, and we have to consider them in some detail.
1.009 - Perception and Reality, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
In the previous chapter we were discussing a very important subject which every student of yoga should remember: how the two types of perception, about which Sage Patanjali tells us some very important aspects, tell upon not only our personal and social life, but upon our efforts towards spiritual perfection. The determinate aspects of psychological experience were touched upon briefly as consisting principally of self-affirmation or egoism, which projects itself as love and hatred. Also, we had occasion to go a little deep into the mystery of love and hatred as to why they arise at all. Generally this is the type of life that the individual lives in the world, getting identified with these psychological processes to such an extent that one cannot know that one is so involved.
The worst thing for a person would be to get involved in something and not know that it has happened, because in such a case, observation, experiment, and analysis would not be possible. There should be some sort of a possibility for objective observation by a state of mind which will act as a witness of these conditions which are to be observed. But when these conditions to be observed get identified with the witnessing consciousness itself, then observation is not possible. So, self-analysis is a very difficult process. It is a difficult process because in the self which is to be analysed, the subject and the object cannot be distinguished, and we are used to only those types and kinds of analyses where the objects of observation stand outside the subject of investigation. Self-investigation is difficult merely for this reason. One cannot know oneself, analyse oneself, study oneself, examine oneself, or treat oneself, for obvious reasons.
--
While the physical scientist thinks that the atom has really split into a millionfold parts, the Sages tell us that really it has not split itself like that it is only an appearance. Really there is no split, because if it has really split, we cannot go back into the original, just as curd cannot be converted into milk once it has become curd since the change is irreversible. But that is not the case here. If that had happened, there would be no urge of the part to go back to the whole. If we really have been cut off, then it is finished; the matter is over. Why are we urging back to unite ourselves with the whole? That means a real split has not taken place. A kind of mysterious bifurcation has taken place.
To put it in modern psychological terms, a kind of cosmic schizophrenia has taken place. In schizophrenia the person does not become split, but looks like a split personality. In this condition, which sometimes is compared to a dream split of consciousness, a real isolation does not take place. This is another analogy. Our personality splits itself into the observer and the observed world in dream. But are we really split? No. Otherwise, we would not wake up as a whole individual. The perception of real objects in dream, by a real subject dreaming, and a real attitude of like, dislike, etc., which that subject projects towards the object all of this drama looking very, very real is not truly real, because if that had really taken place, there would be no waking up of the individual into a wholeness of consciousness. So this is explained only as a mystery beyond human comprehension.
1.00b - INTRODUCTION, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
the name of saint or prophet, Sage or enlightened one. And it is mainly to
these, because there is good reason for supposing that they knew what they were
--
astrolabe of Gods mysteries. If one is not oneself a Sage or saint, the best thing
one can do, in the field of metaphysics, is to study the works of those who were, and
1.013 - Defence Mechanisms of the Mind, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
A political manoeuvre is adopted by the mind by the manufacture of certain mechanisms psychologically, which are usually called by psychologists as defence mechanisms. These defence mechanisms are very peculiar structures like bulldozers and tanks which we have in armies and public works which the mind manufactures for its stability, security, sustenance and permanent establishment in the world of diversities. These defence mechanisms are terrible machineries which the mind manufactures and keeps secret, unknown to people, like secret weapons which one may wield, not allowing them to come to the knowledge of other people. If everyone knows what weapons we have got, then they won't be effective, because others also may manufacture the same weapons. So we keep our weapons very secret and use them only when they are necessary, in warfare or on a battlefield. Everyone has these weapons, and they are not made of material objects. They are psychological apparatuses which the mind always keeps ready at hand, whenever there is any kind of threat to the psychological security or individual happiness. The adepts who have made deep study of this subject are the psychoanalysts in the Western world and the teachers of yoga in the East, particularly Sage Patanjali; and certain other texts like the Upanishads have made a study of the subtle devices that the mind employs for the purpose of its individual security and permanent satisfaction.
These mechanisms of the mind are to be studied very well before we try to adopt the method of self-control. Otherwise, we will be pursuing what they call a wild goose chase and we will get nothing out of our efforts. The mind is a terrible trickster, and it cannot be easily tackled by open methods. Frontal attacks will not always succeed, because these mechanisms of the mind are invisible weapons; they are not visible to the eye. The reactions that the mind sets up in respect of persons outside and things around are indications of the presence of these defence mechanisms. Even when these reactions are set up by the mind in respect of externals, the mechanisms are not made visible we see only reactions, and not the source or the cause of the reactions. They will all be kept hidden so that the nature of a person cannot be known, and even when the person sets up a reaction, that nature is kept secret always. That is another device of the mind. Through all of our outward behaviour and conduct, we cannot be studied properly by a mere look at our faces, because we are very secret inside, looking like something else outside. This deep-rooted secrecy of the mental structure has to be dug out and brought to the surface of consciousness before any successful effort can be made in the direction of self-control.
1.01 - Adam Kadmon and the Evolution, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
able series of articles on the pre-Socratic Sage Heraclitus,
he writes for instance that in one of Heraclitus sayings
1.01 - A NOTE ON PROGRESS, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
"Nothing moves," a first Sage will say. "The eye of common
sense sees it and science confirms it."
1.01f - Introduction, #The Lotus Sutra, #Anonymous, #Various
The buddhas, the Sage Lord (Narendrasih),
Who teach the subtle and supreme sutra
--
Having seen the Great Sage
Renounce household life,
--
And, as the leader of all the Sages,
5b
1.01 - Foreward, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
Rishis, seers and Sages, who received in their illumined minds
rather than mentally constructed a great universal, eternal and
--
and source. The name given to these Sages was Kavi, which
afterwards came to mean any poet, but at the time had the sense
--
Many of the lines, many whole hymns even of the Veda bear on their face a mystic meaning; they are evidently an occult form of speech, have an inner meaning. When the seer speaks of Agni as "the luminous guardian of the Truth shining out in his own home", or of Mitra and Varuna or other gods as "in touch with the Truth and making the Truth grow" or as "born in the Truth", these are words of a mystic poet, who is thinking of that inner Truth behind things of which the early Sages were the seekers.
He is not thinking of the Nature-Power presiding over the outer element of fire or of the fire of the ceremonial sacrifice. Or he speaks of Saraswati as one who impels the words of Truth and awakes to right thinkings or as one opulent with the thought: Saraswati awakes to consciousness or makes us conscious of the "Great Ocean and illumines all our thoughts." It is surely not the River Goddess whom he is thus hymning but the Power, theRiver if you will, of inspiration, the word of the Truth, bringing its light into our thoughts, building up in us that Truth, an inner knowledge. The Gods constantly stand out in their psychological functions; the sacrifice is the outer symbol of an inner work, an inner interchange between the gods and men, - man givingwhat he has, the gods giving in return the horses of power, the herds of light, the heroes of Strength to be his retinue, winning for him victory in his battle with the hosts of Darkness, Vritras, Dasyus, Panis. When the Rishi says, "Let us become conscious whether by the War-Horse or by the Word of a Strength beyond men", his words have either a mystic significance or they have no coherent meaning at all. In the portions translated in this book we have many mystic verses and whole hymns which, however mystic, tear the veil off the outer sacrificial images covering the real sense of the Veda. "Thought", says the Rishi, "has nourished for us human things in the Immortals, in the Great Heavens; it is the milch-cow which milks of itself the wealth of many forms" - the many kinds of wealth, cows, horses and the rest for which the sacrificer prays; evidently this is no material wealth, it is something which Thought, the Thought embodied in the Mantra, can give and it is the result of the same Thought that nourishes our human things in the Immortals, in the Great Heavens. A process of divinisation, and of a bringing down of great and luminous riches, treasures won from the Gods by the inner work of sacrifice, is hinted at in terms necessarily covert but still for one who knows how to read these secret words, nin.ya vacamsi, sufficiently expressive, kavaye nivacana. Again, Night and Dawn the eternal sisters are like "joyful weaving women weaving the weft of our perfected works into the form of a sacrifice."
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seers as well as Sages, they were men of vision who saw things in
their meditation in images, often symbolic images which might
1.01 - Introduction, #unset, #Arthur C Clarke, #Fiction
The mind that looks deeply into existence, finds there no shadow but that of appearances, and the most obscure and infinitesimal of these can uncover to its search sovereign realities, once it has accustomed its gaze to the light of the mystery which every appearance conceals. Where the indifferent sees only a valueless object or a fortuitous and unimportant detail, the thinker whom no coverings can deceive, is able to detect one of the signs by which eternal laws yield up their secret. A stone that falls, a ripe fruit that opens, become to his vision initiating symbols, keys to a supreme knowledge. By relativities that all disdain, the Absolute delivers up to him the secrets reserved for the Sages.
For him the very darkness becomes light, because all is light. But what light can be sufficient for eyes that keep themselves closed, for the mind which remains sealed?
1.01 - Maitreya inquires of his teacher (Parashara), #Vishnu Purana, #Vyasa, #Hinduism
Maitreya[10], having saluted him reverentially, thus addressed Parāśara, the excellent Sage, the grandson of Vaśiṣṭha, who was versed in traditional history, and the Purāṇas; who was acquainted with the Vedas, and the branches of science dependent upon them; and skilled in law and philosophy; and who had performed the morning rites of devotion.
Maitreya said, Master! I have been instructed by you in the whole of the Vedas, and in the institutes of law and of sacred science: through your favour, other men, even though they be my foes, cannot accuse me of having been remiss in the acquirement of knowledge. I am now desirous, oh thou who art profound in piety! to hear from thee, how this world was, and how in future it will be? what is its substance, oh Brahman, and whence proceeded animate and inanimate things? into what has it been resolved, and into what will its dissolution again occur? how were the elements manifested? whence proceeded the gods and other beings? what are the situation and extent of the oceans and the mountains, the earth, the sun, and the planets? what are the families of the gods and others, the Menus, the periods called Manvantaras, those termed Kalpas, and their subdivisions, and the four ages: the events that happen at the close of a Kalpa, and the terminations of the several ages[11]: the histories, oh great Muni, of the gods, the Sages, and kings; and how the Vedas were divided into branches (or schools), after they had been arranged by Vyāsa: the duties of the Brahmans, and the other tribes, as well as of those who pass through the different orders of life? All these things I wish to hear from you, grandson of Vaśiṣṭha. Incline thy thoughts benevolently towards me, that I may, through thy favour, be informed of all I desire to know. Parāśara replied, Well inquired, pious Maitreya. You recall to my recollection that which was of old narrated by my father's father, Vaśiṣṭha. I had heard that my father had been devoured by a Rākṣas employed by Visvāmitra: violent anger seized me, and I commenced a sacrifice for the destruction of the Rākṣasas: hundreds of them were reduced to ashes by the rite, when, as they were about to be entirely extirpated, my grandfather Vaśiṣṭha thus spake to me: Enough, my child; let thy wrath be appeased: the Rākṣasas are not culpable: thy father's death was the work of destiny. Anger is the passion of fools; it becometh not a wise man. By whom, it may be asked, is any one killed? Every man reaps the consequences of his own acts. Anger, my son, is the destruction of all that man obtains by arduous exertions, of fame, and of devout austerities; and prevents the attainment of heaven or of emancipation. The chief Sages always shun wrath: he not thou, my child, subject to its influence. Let no more of these unoffending spirits of darkness be consumed. Mercy is the might of the righteous[12].
Being thus admonished by my venerable grandsire, I immediately desisted from the rite, in obedience to his injunctions, and Vaśiṣṭha, the most excellent of Sages, was content with me. Then arrived Pulastya, the son of Brahmā[13], who was received by my grandfather with the customary marks of respect. The illustrious brother of Pulaha said to me; Since, in the violence of animosity, you have listened to the words of your progenitor, and have exercised clemency, therefore you shall become learned in every science: since you have forborne, even though incensed, to destroy my posterity, I will bestow upon you another boon, and, you shall become the author of a summary of the Purāṇas[14]; you shall know the true nature of the deities, as it really is; and, whether engaged in religious rites, or abstaining from their performance[15], your understanding, through my favour, shall be perfect, and exempt from). doubts. Then my grandsire Vaśiṣṭha added; Whatever has been said to thee by Pulastya, shall assuredly come to pass.
Now truly all that was told me formerly by Vaśiṣṭha, and by the wise Palastya, has been brought to my recollection by your questions, and I will relate to you the whole, even all you have asked. Listen to the complete compendium of the Pur pas, according to its tenour. The world was produced from Viṣṇu: it exists in him: he is the cause of its continuance and cessation: he is the world[16].
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[8]: Brahmā and the rest is said to apply to the series of teachers through whom this Purāṇa was transmitted from its first reputed author, Brahmā, to its actual narrator, the Sage Parāśara. See also b. VI. c. 8.
[9]: The Guru, or spiritual preceptor, is said to be Kapila or Sāraswata; the latter is included in the series of teachers of the Purāṇa. Parāśara must be considered also as a disciple of Kapila, as a teacher of the Sā
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[10]: Maitreya is the disciple of Parāśara, who relates the Viṣṇu Purāṇa to him; he is also one of the chief interlocutors in the Bhāgavata, and is introduced in the Mahābhārata (Vana Parva, s. 10.) as a great Ṛṣi, or Sage, who denounces Duryodhana's death. In the Bhāgavata he is also termed Kauṣāravi, or the son of Kuṣarava.
[11]: One copy reads Yuga dherma, the duties peculiar to the four ages, or their characteristic properties, instead of Yugānta.
[12]: Sacrifice of Parāśara. The story of Parāśara's birth is narrated in detail in the Mahābhārata (Ādi Parva, s. 176). King Kalmāṣapāda meeting with Sakti, the son of Vaśiṣṭha, in a narrow path in a thicket, desired him to stand out of his way. The Sage refused: on which the Rāja beat him with his whip, and Sakti cursed him to become a Rākṣas, a man-devouring spirit. The Rāja in this transformation killed and ate its author, or Sakti, together with all the other sons of Vaśiṣṭha. Sakti left his wife Adriśyantī pregnant, and she gave birth to Parāśara, who was brought up by p. 5 his grandfather. When he grew up, and was informed of his father's death, he instituted a sacrifice for the destruction of all the Rākṣasas; but was dissuaded from its completion by Vaśiṣṭha and other Sages or Atri, Pulastya, Pulaha, and Kratu. The Mahābhārata adds, that when he desisted from the rite, he scattered the remaining sacrificial fire upon the northern face of the Himālaya mountain, where it still blazes forth at the phases of the moon, consuming Rākṣasas, forests, and mountains. The legend alludes possibly to some transhimalayan volcano. The transformation of Kalmāṣapāda is ascribed in other places to a different cause; but he is every where regarded as the devourer of Sakti or Saktri, as the name also occurs. The story is told in the Li
ga Purāṇa (Pūrvārddha, s. 64) in the same manner, with the addition, conformably to the Saiva tendency of that work, that Parāśara begins his sacrifice by propitiating Mahādeva. Vaśiṣṭha's dissuasion, and Pulastya's appearance, are given in the very words of our text; and the story concludes, 'thus through the favour of Pulastya and of the wise Vaśiṣṭha, Parāśara composed the Vaiṣṇava (Viṣṇu) Purāṇa, containing ten thousand stanzas, and being the third of the Purāṇa compilations' (Purāṇasanhitā). The Bhāgavata (b. III. s. 8) also alludes, though obscurely, to this legend. In recapitulating the succession of the narrators of part of the Bhāgavata, Maitreya states that this first Purāṇa was communicated to him by his Guru Parāśara, as he had been desired by Pulastya: i. e. according to the commentator, agreeably to the boon given by Pulastya to Parāśara, saying, You shall be a narrator of Purāṇas;. The Mahābhārata makes no mention of the communication of this faculty to Parāśara by Pulastya; and as the Bhāgavata could not derive this particular from that source, it here most probably refers unavowedly, as the Li
1.01 - MASTER AND DISCIPLE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Among the ever-free we may count Sages like Narada. They live in the world for the good of others, to teach men spiritual truth.
"Those in bondage are sunk in worldliness and forgetful of God. Not even by mistake do they think of God.
1.01 - NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
What says the Sage, now first I recognize:
"The spirit-world no closures fasten;
--
We mark how, ere our times, a Sage has thought,
And then, how far his work, and grandly, we have brought.
1.01 - Prayer, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
Bhakti has been the one constant theme of our Sages. Apart from the special writers on Bhakti, such as Shndilya or Narada, the great commentators on the Vysa-Sutras, evidently advocates of knowledge (Jnna), have also something very suggestive to say about love. Even when the commentator is anxious to explain many, if not all, of the texts so as to make them import a sort of dry knowledge, the Sutras, in the chapter on worship especially, do not lend themselves to be easily manipulated in that fashion.
There is not really so much difference between knowledge (Jnana) and love (Bhakti) as people sometimes imagine. We shall see, as we go on, that in the end they converge and meet at the same point. So also is it with Rja-Yoga, which when pursued as a means to attain liberation, and not (as unfortunately it frequently becomes in the hands of charlatans and mystery-mongers) as an instrument to hoodwink the unwary, leads us also to the same goal.
1.01 - THAT ARE THOU, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
The truth of Brahman may be understood intellectually. But (even in those who so understand) the desire for personal separateness is deep-rooted and powerful, for it exists from beginningless time. It creates the notion, I am the actor, I am he who experiences. This notion is the cause of bondage to conditional existence, birth and death. It can be removed only by the earnest effort to live constantly in union with Brahman. By the Sages, the eradication of this notion and the craving for personal separateness is called Liberation.
It is ignorance that causes us to identify ourselves with the body, the ego, the senses, or anything that is not the Atman. He is a wise man who overcomes this ignorance by devotion to the Atman.
1.01 - The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil., #The Divine Comedy, #Dante Alighieri, #Christianity
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble."
1.01 - The First Steps, #Raja-Yoga, #Swami Vivkenanda, #unset
A god and a demon went to learn about the Self from a great Sage. They studied with him for a long time. At last the Sage told them, "You yourselves are the Being you are seeking." Both of them thought that their bodies were the Self. They went back to their people quite satisfied and said, "We have learned everything that was to be learned; eat, drink, and be merry; we are the Self; there is nothing beyond us." The nature of the demon was ignorant, clouded; so he never inquired any further, but was perfectly contented with the idea that he was God, that by the Self was meant the body. The god had a purer nature. He at first committed the mistake of thinking: I, this body, am Brahman: so keep it strong and in health, and well dressed, and give it all sorts of enjoyments. But, in a few days, he found out that that could not be the meaning of the Sage, their master; there must be something higher. So he came back and said, "Sir, did you teach me that this body was the Self? If so, I see all bodies die; the Self cannot die." The Sage said, "Find it out; thou art That." Then the god thought that the vital forces which work the body were what the Sage meant. But after a time, he found that if he ate, these vital forces remained strong, but, if he starved, they became weak. The god then went back to the Sage and said, "Sir, do you mean that the vital forces are the Self?" The Sage said, "Find out for yourself; thou art That." The god returned home once more, thinking that it was the mind, perhaps, that was the Self. But in a short while he saw that thoughts were so various, now good, again bad; the mind was too changeable to be the Self. He went back to the Sage and said, "Sir, I do not think that the mind is the Self; did you mean that?" "No," replied the Sage, "thou art That; find out for yourself." The god went home, and at last found that he was the Self, beyond all thought, one without birth or death, whom the sword cannot pierce or the fire burn, whom the air cannot dry or the water melt, the beginningless and endless, the immovable, the intangible, the omniscient, the omnipotent Being; that It was neither the body nor the mind, but beyond them all. So he was satisfied; but the poor demon did not get the truth, owing to his fondness for the body.
This world has a good many of these demoniac natures, but there are some gods too. If one proposes to teach any science to increase the power of sense-enjoyment, one finds multitudes ready for it. If one undertakes to show the supreme goal, one finds few to listen to him. Very few have the power to grasp the higher, fewer still the patience to attain to it. But there are a few also who know that even if the body can be made to live for a thousand years, the result in the end will be the same. When the forces that hold it together go away, the body must fall. No man was ever born who could stop his body one moment from changing. Body is the name of a series of changes. "As in a river the masses of water are changing before you every moment, and new masses are coming, yet taking similar form, so is it with this body." Yet the body must be kept strong and healthy. It is the best instrument we have.
1.01 - The Mental Fortress, #On the Way to Supermanhood, #Satprem, #Integral Yoga
That is where we are. The illusion is not dead; it even rages with unprecedented violence, equipped with all the arms we have so obligingly polished up for it. But these are the last convulsions of a colossus with feet of clay which is actually a gnome, an oversized, overoutfitted gnome. The ancient Sages of India knew it well. They divided human evolution into four concentric circles: that of the men of knowledge (Brahmins), who lived at the beginning of humanity, in the age of truth; that of the nobles and warriors (Kshatriya), when only three fourths of the truth was left; that of the merchants and middle class (Vaishya), who had only half of the truth; and finally ours, the age of the little men, the Shudra, the servants (of the machine, of the ego, of desire), the great proletariat of regimented liberties the Dark Age, Kali Yuga, when no truth is left at all. But because this circle is the most extreme, because all the truths have been tried and exhausted, and all possible roads explored, we are nearing the right solution, the true solution, the emergence of a new age of truth, the supramental age Sri Aurobindo spoke of, like the buttercup breaking its last envelope to free its golden fruit. If the parallel holds true between the collective body and our human body, we could say that the center governing the age of the Sages was located at the level of the forehead, while that of the age of the nobles was at the level of the heart, that of the age of the merchants, at the stomach, and the one governing our age is at the level of sex and matter. The descent is complete. But that descent has a meaning a meaning for matter. Had we stayed forever at the forehead level of the divine truths of the mind, this earth and body would never have been changed, and we would have probably ended up escaping into some spiritual heaven or nirvana. Now, everything must be transformed, even the body and matter, since we are right in it. Ironically, this is the greatest service this dark, materialistic and scientific age may have rendered us: to compel such a plunge of the spirit into matter that it had either to lose itself in it or to be transformed with it. Absolute darkness is but the shadow of a greater Sun, which digs its abysses in order to raise up a more stable beauty, founded on the purified base of our earthly subconscious and seated erect in truth down to the very cells of our bodies.
O Force-compelled, Fate-driven earth-born race,
1.01 - To Watanabe Sukefusa, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
12). Hakuin's ideas on the subject may be summed up fairly well in the calligraphic works he prepared and distributed in large numbers to people. These works consisted of one large character, filiality or parent, followed by the inscription, "There is no more valuable act of filiality than to save one's father and mother from the sad fate of an unfortunate rebirth in the next life"-exactly the sentiments Hakuin had expressed to Sukefusa as a young monk. a It was considered extremely unfilial to injure or disfigure the body of one's (male) children. This was especially heinous in the case of an eldest son, who, according to the canons of filial piety, is venerated because of his superior birth, age, and gender. b Although not all of these references can be traced, most of them are found in Tales of the TwentyFour Paragons of Filial Virtue (Ehr-shih-ssu hsiao), a popular Confucian text of the Yuan dynasty that was reprinted and widely read in Edo Japan. c A legendary Sage ruler of ancient China. According to Mencius, when ministers came to him with good advice, Yu always received it with deep gratitude.
24
1.02.3.2 - Knowledge and Ignorance, #Isha Upanishad, #unset, #Zen
to Avidya. This was the knowledge of the ancient Sages who
were dhra, steadfast in the gaze of their thought, not drawn
1.024 - Affiliation With Larger Wholes, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
Among the many recipes that Sage Patanjali prescribes in his system of yoga for the control of the mind, a masterstroke is given in a single aphorism as a prescription for every type of mental modification when he says, tatpratiedhrtham ekatattv abhysa (I.32): The practice of one reality checks the movement of the mind. It means that the movement of the mind is due to its weddedness to various realities, and not to one reality. Ekatattva is one truth, one being, one substance, one reality anything that is single and comprehensive. The practice of one reality is the ultimate remedy for all psychological modifications. But, as far as the human mind is concerned, there is no such thing as one reality. The human mind sees many realities and, therefore, it has manifold approaches to the various forms of reality which it sees in the world.
The mind moves only to realities, and never to unrealities. There is no such thing as the mind getting attracted to unreal things. Anything that it considers to be real becomes the object of its consideration and action. The subsequent transcendence of a particular concept of reality does not in any way affect the mind from getting interested in whatever level of reality it considers valuable at a given moment in time. In every stage of life the mind is confronted only by realities, because should it be convinced that its perceptions or cognitions are unreal, it will not bother itself about them. A reality is that which can fulfil a particular need at a given time; whether or not it is is ultimately real is a different question altogether. A thing may not be ultimately real, and yet it may be real enough to satisfy a particular requisition of the mind under a given condition.
10.24 - Savitri, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Ashwapati now passes into the higher luminous regions. He enters regions of larger breath and wider movement the higher vital and then into the yet more luminous region of the higher mind. He reaches the heavens where immortal Sages and the divinities and the gods themselves dwell. Even these Ashwapati finds to be only partial truths, various aspects, true but limited, of the One Reality beyond. Thus he leaves all behind and reaches into the single sole Reality, the transcendental Truth of things, the status vast and infinite and eternal, immutable existence and consciousness and bliss.
A Vastness brooded free from sense of Space,
1.025 - Sadhana - Intensifying a Lighted Flame, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
In the practice of one reality, ekatattva abhyasah, mentioned by Sage Patanjali in one of his sutras for the purpose of restraining the modifications of the mind, there are, again, grades of approach. The one reality is not necessarily the Absolute Reality, though that is the aim, ultimately. As was mentioned previously, a reality, for the purpose of practice, is that condition which can fulfil a particular need of a specific state of mind under a given condition. So until the Absolute Reality is reached, all other realities are relative realities. Every reality, as far as we are concerned empirically, is relative subject to transcendence. Nevertheless, it is a reality to us, which only goes to prove that we are also only relative realities. We, as individuals, are not absolute realities and, therefore, we are satisfied with what is relative. We are not in daily contact with the Absolute; what we are in contact with is a relative reality. And inasmuch as the subject experiencing and the object experienced are on the same level or degree of reality, it goes without saying that the empirical subjects that we all are come under relative reality, and not the Absolute Reality.
In the concentration of the mind on one reality, ekatattva, what is intended is that the attention should be focused on a system or order of values which is immediately superior to, or transcendent to, the current state of affairs, the present state of experience, and the conditions through which we are passing through at this moment. Anything which can include particulars in a more organised whole can be regarded as a higher reality for this purpose. There are tentative realities created for the purpose of practical convenience by organisations, associations or systems which we have created for the purpose of subjugating the individual ego and compelling it to affiliate itself to a larger body to which also it ought to belong and is made to belong.
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It has been said that all great things are mysteries. They are not calculated effects produced logically by imagined causes, but are mysteries, which is another way of saying that all of this is unthinkable by the human mind. Knowledge somehow arises. One fine morning we get up and find that we are fired with a love for God. What has happened to us? Why is it that we suddenly we say, "Oh, today I am something different." Why we are something different today? From where has this inspiration come? Nobody knows what has happened. If we read the lives of great masters, Sages and saints, we will find that they were all suddenly fired with a longing which they could not explain, and no one can explain ordinarily. That knowledge, that aspiration, that love of God has not come from books. It has not come from any imaginable source. It has simply come that is all. How? Nobody knows.
Inasmuch as it is a super-logical mystery, there would be no necessity on our part to investigate the causes thereof and the methods thereof, logically or scientifically, beyond a certain limit, though logical and scientific thinking is a help to corroborate the presence of this aspiration. The aspiration is already present within us. It is not created by logical thinking and, therefore, such logical thinking is only a bulwark that we create to reinforce the aspiration that is already there. We already have a faith in God. We already believe that God-realisation is the goal of life. This belief has taken possession of us already, and now all that we do is only an ancillary process which is contri butory to streng thening this aspiration and enabling it to become more and more potent and influential in our daily life. We cannot create a concept of God by any amount of effort.
1.028 - Bringing About Whole-Souled Dedication, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
The other point is that this practice will not bring results in only a few days. Sa tu drghakla nairantarya satkra sevita dhabhmi (I.14), says Patanjali. In many cases the result will not follow at all, due to obstructing prarabdhas. There were great seekers, sadhakas, who used to perform japa purascharana, the chanting of a mantra, for years and years together, with the hope of having the vision of the deity. But they had no vision of the deity. We hear of the story of the purascharanas performed by Sage Vidyaranya of yore, Yogi Sri Madhusudana Saraswati and others, but they had no vision. The reason mentioned is that they had obstructing prarabdhas.
We have three kinds of prarabdha the tamasica, the rajasica and the sattvica. The tamasica and rajasica prarabdhas will not allow even the rise of aspiration for God. The tamasica prarabdha will always bring the most intense form of obstacles, including a mood of lethargy, indolence, sleepiness, and even doubt of the possibility of gaining any such realisation at all, as yoga promises. Atheism, materialism and lack of faith are due to the working of tamasica prarabdhas. As long as these types of prarabdha function, as long as the tamasica prarabdhas are active, there is no question of the practice of yoga we can do nothing.
1.02 - IN THE COMPANY OF DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "Everybody will surely be liberated. But one should follow the instructions of the guru; if one follows a devious path, one will suffer in trying to retrace one's steps. It takes a long time to achieve liberation. A man may fail to obtain it in this life. Perhaps he will realize God only after many births. Sages like Janaka performed worldly duties. They performed them, bearing God in their minds, as a dancing-girl dances, keeping jars or trays on her head. Haven't you seen how the women in northwest India walk, talking and laughing while carrying water-pitchers on their beads?"
NEIGHBOUR: "You just referred to the instructions of the guru. How shall we find him?"
1.02 - Karma Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
6. Share what you have with others. Serve the saints and Sages.
7. Serve the sick. Serve the poor. Serve your parents. Serve your motherland. Serve humanity in general.
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29. Sanchita is destroyed by Brahma-Jnana. You will have to enjoy the Prarabdha. Agami has no binding force as there is no agency or egoism in the Sage.
30. Do not be attached to the work itself. You must be able to give it up at any moment.
1.02 - On the Knowledge of God., #The Alchemy of Happiness, #Al-Ghazali, #Sufism
Beloved, in proportion as a man analyzes the nature of his body and the variety of uses of its several members, his reverence and love for its Creator and Maker will increase. Let a man observe, for example, that his hands are made like columns and separated from the body, to serve as an instrument to seize, or take hold of, or to defend it from an enemy. At the extremity of the hands are five fingers, four of which are in a row, and some long and some short, SO that when they take hold of anything, they may come equally together in the palm of the hand. The thumb, which is opposite to the four fingers, is shorter than any of them and stronger, that it may be a help to the whole and render them capable of retaining and grasping. The four fingers have three joints each, and the thumb has but two, that when contracted they may become like the bowl of a spoon or ladle, and that when open they may become like a plate, and so discharge an infinity of services. The front teeth were formed sharp, to cut and separate the food : the side teeth were formed broad to mash and grind the food. The tongue was formed like a spoon to throw the food into the throat. There is, also, under the tongue, an organ by which water is poured out, and the food is made of the consistence of dough, that it may be more easily swallowed and digested. All the organs, in short, have been devised with the best arrangement and form for use, and each one of them is punctual day and night in discharging its function. Think not, that they are lazy or sleeping. If the minds of the intelligent, the science of the learned, and the wisdom of the Sage had been united and had been employed since the beginning of the world, in reflection and contrivance, they could not have discovered anything more excellent than the present arrangement, [44] nor any forms more useful and beautiful. If the eye had been attached to the top of the head, or the ear to the nape of the neck, or the mouth to the back of the body, or if three fingers had been given instead of four, it is plain to a person of intelligence that the existing advantages would not have been secured, and the present beauty of form and appearance would have been imperfect.
Let us notice, also, the daily necessities of man, his need of food, of clothing and of a dwelling; his need of rain, clouds, wind, heat and cold : and that he needs the weaver, the cotton-spinner, the clothier and the fuller to provide him with clothing; and that each one of these has need of so many instruments, and of so many trades, like those of the blacksmith, the farmer, the carpenter, the dyer, and the tanner; and besides, their need of iron, lead, wood and the like. Notice at the same time, the adaptation of these workmen to their instruments, and of the instruments to the trades, and how each art has given rise to several others, and the mind is astonished and distracted. The adaptation of all these instruments comes from the pure grace and perfect mercy of God, and from the fountain of his benevolence. Moreover, God's creating prophets, sending them to us, and leading us to their law and to love them, is a perfume of His universal beneficence. He proclaims himself, "My mercy surpasses my anger," and the Prophet has said: "Verily, God is more full of compassion to his servants, than the affectionate mother to her nursing child."
1.02 - ON THE TEACHERS OF VIRTUE, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
A Sage was praised to Zarathustra for knowing how
to speak well of sleep and of virtue: he was said to be
--
youths. And thus spoke the Sage:
"Honor sleep and be bashful before it-that first of
--
When Zarathustra heard the Sage speak thus he
laughed in his heart, for an insight had come to him.
--
"This Sage with his forty thoughts is a fool; but I
believe that he knows well how to sleep. Happy is he
that even lives near this Sagel Such sleep is contagious-contagious even through a thick wall. There
is magic even in his chair; and it is not in vain that
--
much praised Sages who were teachers of virtue, wisdom was the sleep without dreams: they knew no
better meaning of life.
1.02 - Outline of Practice, #The Zen Teaching of Bodhidharma, #Bodhidharma, #Buddhism
other, the oneness of mortal and Sage, and who remain unmoved
even by scriptures are in complete and unspoken agreement with
1.02 - Prayer of Parashara to Vishnu, #Vishnu Purana, #Vyasa, #Hinduism
Having glorified him who is the support of all things; who is the smallest of the small[4]; who is in all created things; the unchanged, imperishable[5] Puruṣottama[6]; who is one with true wisdom, as truly known[7]; eternal and incorrupt; and who is known through false appearances by the nature of visible objects[8]: having bowed to Viṣṇu, the destroyer, and lord of creation and preservation; the ruler of the world; unborn, imperishable, undecaying: I will relate to you that which was originally imparted by the great father of all (Brahmā), in answer to the questions of Dakṣa and other venerable Sages, and repeated by them to Purukutsa, a king who reigned on the banks of the Narmadā. It was next related by him to Sāraswata, and by Sāraswata to me[9]. Who can describe him who is not to be apprehended by the senses: who is the best of all things; the supreme soul, self-existent: who is devoid of all the distinguishing characteristics of complexion, caste, or the like; and is exempt front birth, vicissitude, death, or decay: who is always, and alone: who exists every where, and in whom all things here exist; and who is thence named Vāsudeva[10]? He is Brahma[11], supreme, lord, eternal, unborn, imperishable, undecaying; of one essence; ever pure as free from defects. He, that Brahma, was all things; comprehending in his own nature the indiscrete and discrete. He then existed in the forms of Puruṣa and of Kāla. Puruṣa (spirit) is the first form, of the supreme; next proceeded two other forms, the discrete and indiscrete; and Kāla (time) was the last. These four-Pradhāna (primary or crude matter), Puruṣa (spirit), Vyakta (visible substance), and Kāla (time)-the wise consider to be the pure and supreme condition of Viṣṇu[12]. These four forms, in their due proportions, are the causes of the production of the phenomena of creation, preservation, and destruction. Viṣṇu being thus discrete and indiscrete substance, spirit, and time, sports like a playful boy, as you shall learn by listening to his frolics[13].
That chief principle (Pradhāna), which is the indiscrete cause, is called by the Sages also Prakriti (nature): it is subtile, uniform, and comprehends what is and what is not (or both causes and effects); is durable, self-sustained, illimitable, undecaying, and stable; devoid of sound or touch, and possessing neither colour nor form; endowed with the three qualities (in equilibrium); the mother of the world; without beginning; and that into which all that is produced is resolved[14]. By that principle all things were invested in the period subsequent to the last dissolution of the universe, and prior to creation[15]. For Brahmans learned in the Vedas, and teaching truly their doctrines, explain such pas Sages as the following as intending the production of the chief principle (Pradhāna). "There was neither day nor night, nor sky nor earth, nor darkness nor light, nor any other thing, save only One, unapprehensible by intellect, or That which is Brahma and Pumān (spirit) and Pradhāna (matter)[16]." The two forms which are other than the essence of unmodified Viṣṇu, are Pradhāna (matter) and Puruṣa (spirit); and his other form, by which those two are connected or separated, is called Kāla (time)[17]. When discrete substance is aggregated in crude nature, as in a foregone dissolution, that dissolution is termed elemental (Prākrita). The deity as Time is without beginning, and his end is not known; and from him the revolutions of creation, continuance, and dissolution unintermittingly succeed: for when, in the latter season, the equilibrium of the qualities (Pradhāna) exists, and spirit (Pumān) is detached from matter, then the form of Viṣṇu which is Time abides[18]. Then the supreme Brahma, the supreme soul, the substance of the world, the lord of all creatures, the universal soul, the supreme ruler, Hari, of his own will having entered into matter and spirit, agitated the mutable and immutable principles, the season of creation being arrived, in the same manner as fragrance affects the mind from its proximity merely, and not from any immediate operation upon mind itself: so the Supreme influenced the elements of creation[19]. Puruṣottama is both the agitator and the thing to be agitated; being present in the essence of matter, both when it is contracted and expanded[20]. Viṣṇu, supreme over the supreme, is of the nature of discrete forms in the atomic productions, Brahmā and the rest (gods, men, &c.)
Then from that equilibrium of the qualities (Pradhāna), presided over by soul[21], proceeds the unequal developement of those qualities (constituting the principle Mahat or Intellect) at the time of creation[22]. The Chief principle then invests that Great principle, Intellect, and it becomes threefold, as affected by the quality of goodness, foulness, or darkness, and invested by the Chief principle (matter) as seed is by its skin. From the Great principle (Mahat) Intellect, threefold Egotism, (Aha
--
Then, ether, air, light, water, and earth, severally united with the properties of sound and the rest, existed as distinguishable according to their qualities, as soothing, terrific, or stupifying; but possessing various energies, and being unconnected, they could not, without combination, create living beings, not having blended with each other. Having combined, therefore, with one another, they assumed, through their mutual association, the character of one mass of entire unity; and from the direction of spirit, with the acquiescence of the indiscrete Principle[29], Intellect and the rest, to the gross elements inclusive, formed an egg[30], which gradually expanded like a bubble of water. This vast egg, O Sage, compounded of the elements, and resting on the waters, was the excellent natural abode of Viṣṇu in the form of Brahmā; and there Viṣṇu, the lord of the universe, whose essence is inscrutable, assumed a perceptible form, and even he himself abided in it in the character of Brahmā[31]. Its womb, vast as the mountain Meru, was composed of the mountains; and the mighty oceans were the waters that filled its cavity. In that egg, O Brahman, were the continents and seas and mountains, the planets and divisions of the universe, the gods, the demons, and mankind. And this egg was externally invested by seven natural envelopes, or by water, air, fire, ether, and Aha
kāra the origin of the elements, each tenfold the extent of that which it invested; next came the principle of Intelligence; and, finally, the whole was surrounded by the indiscrete Principle: resembling thus the cocoa-nut, filled interiorly with pulp, and exteriorly covered by husk and rind.
1.02 - SADHANA PADA, #Patanjali Yoga Sutras, #Swami Vivekananda, #Hinduism
that is what we always forget. That is why Sages and holy
persons, who have so much of this Sattva quality, are
1.02 - Skillful Means, #The Lotus Sutra, #Anonymous, #Various
The Great Sage Lord has illuminated
The highest meaning
1.02 - The Concept of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
of the mystic Sage and I was the neophyte. He felt he was the
sun-god himself, creating the wind by wagging his head to and
1.02 - The Doctrine of the Mystics, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
That ascension has already been effected by the Ancients, the human forefa thers, and the spirits of these great Ancestors still assist their offspring; for the new dawns repeat the old and lean forward in light to join the dawns of the future. Kanwa, Kutsa, Atri, Kakshiwan, Gotama, Shunahshepa have become types of certain spiritual victories which tend to be constantly repeated in the experience of humanity. The seven Sages, the Angirasas, are waiting still and always, ready to chant the word, to rend the cavern, to find the lost herds, to recover the hidden Sun. Thus the soul is a battlefield full of helpers and hurters, friends and enemies. All this lives, teems, is personal, is conscious, is active.
We create for ourselves by the sacrifice and by the word shining seers, heroes to fight for us, children of our works. The Rishis and the Gods find for us our luminous herds; the Ribhus fashion by the mind the chariots of the gods and their horses and their shining weapons. Our life is a horse that neighing and galloping bears us onward and upward; its forces are swift-hoofed steeds, the liberated powers of the mind are wide-winging birds; this mental being or this soul is the upsoaring Swan or the Falcon that breaks out from a hundred iron walls and wrests from the jealous guardians of felicity the wine of the Soma. Every shining godward Thought that arises from the secret abysses of the heart is a priest and a creator and chants a divine hymn of luminous realisation and puissant fulfilment. We seek for the shining gold of the Truth; we lust after a heavenly treasure.
1.02 - The Great Process, #On the Way to Supermanhood, #Satprem, #Integral Yoga
But the damage does not stop there. Nothing is stickier than falsehood. It sticks to the soles of our shoes even though we have turned away from the wrong path. Others had indeed seen the earthly relevance of the Great Process the Zen Buddhists, the Tantric initiates, the Sufis and others and, more and more, disconcerted minds are turning to it and to themselves: never have so many more or less esoteric schools flourished. But the old error is holding fast (to tell the truth, we don't know whether error is ever an appropriate term, for the so-called error always turns out to be a roundabout route of the same Truth leading to a wider view of itself). It took so much effort out of the Sages of those days, and out of the lesser Sages of these days, so many indispensable conditions of peace, austerity, silence and purity for them to achieve their more or less illumined goal, that our subconscious mind was as if branded by a red-hot iron with the idea that, without special conditions and special masters and somewhat special or mystical or innate gifts, it was not really possible to set out on that path, or at best the results would be meager and proportionate to the effort expended. And it was still, of course, an individual undertaking, a lofty extension of book learning. But this new dichotomy threatens to be more serious than the other one, more potentially harmful, between an unredeemed mass and an enlightened elite juggling lights about which anything can be said since there is no microscope to check it. Drugs, too, are a cheap ticket to dizzying glimpses of dazzling lights.
But we still do not have the key, the simple key. Yet the Great Process is there, the simple process.
1.02 - The Necessity of Magick for All, #Magick Without Tears, #Aleister Crowley, #Philosophy
Let me sum up, very succinctly; as usual, my enthusiasm has lured me into embroidering my Sage discourse with Poets' Imagery!
Why should you study and practice Magick? Because you can't help doing it, and you had better do it well than badly. You are on the links, whether you like it or not; why go on topping your drive, and slicing your brassie, and fluffing your niblick, and pulling your iron, and socketing your mashie and not being up with your putt that's 6, and you are not allowed to pick up. It's a far cry to the Nineteenth, and the sky threatens storm before the imminent night.
1.02 - The Philosophy of Ishvara, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
We shall now try to understand what the great representative of the Advaita School has to say on the point. We shall see how the Advaita system maintains all the hopes and aspirations of the dualist intact, and at the same time propounds its own solution of the problem in consonance with the high destiny of divine humanity. Those who aspire to retain their individual mind even after liberation and to remain distinct will have ample opportunity of realising their aspirations and enjoying the blessing of the qualified Brahman. These are they who have been spoken of in the Bhgavata Purna thus: "O king, such are the, glorious qualities of the Lord that the Sages whose only pleasure is in the Self, and from whom all fetters have fallen off, even they love the Omnipresent with the love that is for love's sake." These are they who are spoken of by the Snkhyas as getting merged in nature in this cycle, so that, after attaining perfection, they may come out in the next as lords of world-systems. But none of these ever becomes equal to God (Ishvara). Those who attain to that state where there is neither creation, nor created, nor creator, where there is neither knower, nor knowable, nor knowledge, where there is neither I, nor thou, nor he, where there is neither subject, nor object, nor relation, "there, who is seen by whom?" such persons have gone beyond everything to "where words cannot go nor mind", gone to that which the Shrutis declare as "Not this, not this"; but for those who cannot, or will not reach this state, there will inevitably remain the triune vision of the one undifferentiated Brahman as nature, soul, and the interpenetrating sustainer of both Ishvara. So, when Prahlda forgot himself, he found neither the universe nor its cause; all was to him one Infinite, undifferentiated by name and form; but as soon as he remembered that he was Prahlada, there was the universe before him and with it the Lord of the universe "the Repository of an infinite number of blessed qualities". So it was with the blessed Gopis. So long as they had lost sense of their own personal identity and individuality, they were all Krishnas, and when they began again to think of Him as the One to be worshipped, then they were Gopis again, and immediately Bhakti, then, can be directed towards Brahman, only in His personal aspect.
"The way is more difficult for those whose mind is attached to the Absolute!" Bhakti has to float on smoothly with the current of our nature. True it is that we cannot have; any idea of the Brahman which is not anthropomorphic, but is it not equally true of everything we know? The greatest psychologist the world has ever known, Bhagavan Kapila, demonstrated ages ago that human consciousness is one of the elements in the make-up of all the objects of our perception and conception, internal as well as external. Beginning with our bodies and going up to Ishvara, we may see that every object of our perception is this consciousness plus something else, whatever that may be; and this unavoidable mixture is what we ordinarily think of as reality. Indeed it is, and ever will be, all of the reality that is possible for the human mind to know. Therefore to say that Ishvara is unreal, because He is anthropomorphic, is sheer nonsense. It sounds very much like the occidentals squabble on idealism and realism, which fearful-looking quarrel has for its foundation a mere play on the word "real". The idea of Ishvara covers all the ground ever denoted and connoted by the word real, and Ishvara is as real as anything else in the universe; and after all, the word real means nothing more than what has now been pointed out. Such is our philosophical conception of Ishvara.
1.02 - THE PROBLEM OF SOCRATES, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
reply. These great Sages of all periods should first be examined more
closely! Is it possible that they were, everyone of them, a little
--
This irreverent belief that the great Sages were decadent types, first
occurred to me precisely in regard to that case concerning which both
--
in the matter on which they agreed. It proved rather that these Sages
themselves must have been alike in some physiological particular, in
--
these great Sages were not only decadents, but that they were not even
wise? Let me however return to the problem of Socrates.
1.02 - THE QUATERNIO AND THE MEDIATING ROLE OF MERCURIUS, #Mysterium Coniunctionis, #Carl Jung, #Psychology
Our Mercurius is therefore that same [Microcosm], who contains within him the perfections, virtues, and powers of Sol [in the dual sense of sun and gold], and who goes through the streets [vicos] and houses of all the planets, and in his regeneration has obtained the power of Above and Below, wherefore he is to be likened to their marriage, as is evident from the white and the red that are conjoined in him. The Sages have affirmed in their wisdom that all creatures are to be brought to one united substance.61
Accordingly Mercurius, in the crude form of the prima materia, is in very truth the Original Man disseminated through the physical world, and in his sublimated form he is that reconstituted totality.62 Altogether, he is very like the redeemer of the Basilidians, who mounts upward through the planetary spheres, conquering them or robbing them of their power. The remark that he contains the powers of Sol reminds us of the above-mentioned pas Sage in Abul-Qasim, where Hermes says that he unites the sun and the planets and causes them to be within him as a crown. This may be the origin of the designation of the lapis as the crown of victory.63 The power of Above and Below refers to that ancient authority the Tabula smaragdina, which is of Alexandrian origin.64 Besides this, our text contains allusions to the Song of Songs: through the streets and houses of the planets recalls Song of Songs 3 : 2: I will . . . go about the city in the streets, and in the broad ways I will seek him whom my soul loveth.65 The white and red of Mercurius refers to 5 : 10: My beloved is white and ruddy. He is likened to the matrimonium or coniunctio; that is to say he is this marriage on account of his androgynous form.
1.032 - Our Concept of God, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
vara praidhnt v (I.23), is a sutra of Sage Patanjali. One of the methods of controlling the mind is surrender to God. According to many, it is perhaps the principal method of controlling the mind. This is a most positive approach, of the many that can be thought of. When our mind is absorbed in love for something 'absorbed' is the word, completely occupied with the thought of a particular thing there is no chance for the mind to think of anything else. The modifications of the mind, the vrittis in respect of objects, should cease spontaneously when they are all focused in the direction of love of God. There is no need for any struggle in the form of breathing exercises or any type of hardship in the control of the mind or its vrittis, if it is absorbed in a love which is all-consuming.
The extent of our love of God, the intensity of our feeling for God, will depend upon our idea of God, our concept of God. There are various concepts of the Creator, of God, the Absolute, etc., according to the various philosophical theories, doctrines, and religious traditions. One of the primitive forms of conceiving God is that He is the Creator of the world. We have a childish idea of a creator. A creator is one who makes things, and God is someone who has made this world. "God made this world" is an old saying which we often repeat. God made the world and, therefore, God is the Creator of the world. God is the Father of the world and, therefore, all His children should love Him as the Supreme Parent. The idea of creatorship that is in our minds is the conditioning factor of our love towards this Creator. We have seen in this world that if someone makes something, he is the efficient or sometimes the instrumental cause of that particular thing that he has made, and the thing that he has made is an effect that is produced by him, standing outside him. God can thus be regarded as extra-cosmic, which is the usual way in which we conceive God.
10.32 - The Mystery of the Five Elements, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
The material world, as the ancient Sages viewed it, is composed of five elements. They are, as we know, (I) earth (kiti), (2) water (ap), (3) fire (tej), (4) air (marut), and (5) space or ether (vyom), mounting from the grossest to those that are more and more subtle. The subtlest, the topmost in the scale is space or ether. As we descend in the scale, each succeeding element becomes more and more concrete than the preceding one. Thus air is denser than space, fire is denser than air, water is denser than fire and earth is the densest of allsolidity belongs to earth alone. Water is liquid, fire gaseous, air is fluid, and ether is the most tenuous. Now this hierarchy can be considered also as a pyramid of qualities, qualities of matter and the material world tapering upward. The first one, the topmost, space, possesses the quality of sound or vibration; it is the field giving out waves that originate sound.1 The next element is air, its special quality as found in the ancient knowledge is the quality of touch: it gives the sensation of touch, you can touch it, it touches you and you recognise its existence in that way. Touch however is its own, its primary quality but it takes up also the quality of the previous, the subtler element, in order to become more and more evolved, more and more concrete, that is to say, in the material way. Air has thus a double quality, sound and touch It is tactile, and it is sonorous. The third one, fire, has the quality of possessing a form; it has visibility in addition to the two qualities of the two previous elements, which it takes up: thus fire is visible, it can be touchedyes, it may burn also and it gives out sound. The fourth element, water, adds a fourth quality which is its own, namely, taste. Water has taste, very delightful taste to mortals. A Greek poet2 says water has the best taste, hudor men ariston. So you can taste water, you can see its form, you can touch it, you can hear it gurgle. Coming to the last, earth has all these, qualities: in addition, what it has is, curious to say, smell. So you can hear earth's vibrations, you can touch it, see it, taste it for some earth has a very savoury taste but its own special quality is smell: it is odorous, it is sweet-scented. Kalidasa speaks with ecstasy of the strange scent that the earth emits when the fresh rains fall upon it.
So, the five senses open out to the five elements, each sense linked to its own element, each sense presenting a particular aspect of the material universe. Thus ether, the subtlest element, is present to the ear, the organ of hearing, air to the skin (twak) the organ of touch, the fire-element (radiant energy) to the eye, the liquid to the organ of taste, and earth is given over to smell. Earth is linked with smell, perhaps because it is the perfume of creation, the dense aroma of God's material energy. Also earth is the summation of all the elements and all the qualities of matter. It is the epitome of the material creation. The physical beauty of earth is well-known, the landscape and seascape, its rich variegated coloration, we all admire standing upon its bosom, but up in the air, in the wide open spaces earth appears with even a more magical beauty to which cosmonauts have given glowing tri bute. But even this visible beauty pales, I suppose, before the perfume it emits which is its celestial quality, that can only be described indeed as the sweet-scented body of the Divine Substance.
1.035 - The Recitation of Mantra, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
Also, there is a special tradition of chanting mantra, known as purascharana in India, and it is supposed to be the recitation of the mantra as many lakhs of times (a lakh is one hundred thousand) as there are letters in a mantra, so that the completion of the purascharana is supposed to be the completion of a round of sadhana, the completion of a given cycle. As many lakhs of japa as there are letters in a mantra are to be chanted, and then it produces a novel effect in oneself. There are devotees, even today, and there were many previously, who did numerous purascharanas of this kind for the purpose of the realisation of the deity of the mantra. I personally feel that for the minds of today, japa is perhaps the best sadhana, because it is a technique by which the mind can be automatically drawn towards the point of concentration by habitual recitation repetition of the mantra. It does not require much logic, study, or analysis, or anything of that sort. It requires merely a will to do that is all. There were many saints and Sages who had spiritual realisation merely through this japa sadhana, because japa or recitation of the Divine Name or the mantra is virtually the same as meditation. As Patanjali mentions, japa is charged with the notion, idea or concentration of the mind on the meaning of the mantra.
1.036 - The Rise of Obstacles in Yoga Practice, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
For a long time it may look as if nothing is happening in spiritual practice. This has been the experience of all yogis, saints and Sages. For years and years together we will have no experience whatsoever. It will look like everything is dead, there is no life in anything, that we are striking a brick wall or a hard stone with no effect whatsoever, that our japas produce no effect, our meditations mean nothing, our worships are perhaps not heard by God, and there is only suffering. This condition may persist for several years, and the number of years or the extent of their duration depends upon the nature of the case, just as the purifying medical effect of a medicine depends upon the nature of the disease, the intensity of the disease, and the particular case on hand, to give an instance. But, suddenly, there will be a miracle. This is always the case in spiritual experience it always comes like a miracle. It doesn't come very, very slowly with halting steps, giving previous notice. It will give no notice. When there is illumination, we will not know that it is coming; and when we are going to be opposed, we will not know that it is going to happen. Both things will happen without our having previous knowledge of what is happening.
But there is a great and solacing admonition given by Sage Patanjali here in this sutra, a very beautiful phrase that says continued practice shall result in the revelation of the inner consciousness pratyakcetana adhigamah. 'Adhigamah' is a term that has many meanings. It means knowledge, or it may mean acquisition, attaining, contacting, facing, realising, entering all of these meanings are hidden in this peculiar phrase, adhigamah. Tata pratyakcetana adhigama then comes the revelation of the inner consciousness. The word 'pratyak' may be translated as inner, or the introverted one. Though this is a literal translation of the term 'pratyak', its connotation is more profound. We come in contact with, attain to, and enter into a new type of consciousness altogether, different from the one with which we have been acquainted and which we have been befriending as the sole endowment of perception and knowledge in empirical life. A new type of knowledge will be the result of this practice.
What is this new type of knowledge? A third eye will open. The physical eyes would not be essential at that time, because whatever knowledge is gained through the perception of the senses would be inadequate to the purpose. The knowledge that we have to acquire through yoga is not a sensory knowledge it not a psychological cognition. It is an insight into the Truth of things. This insight is pratyakcetana adhigamah, where we begin to recognise what is in front of us. Up to that time we have not been able to recognise anything. We are not able to know what is in front of us when we are looking at things with our eyes, because the eyes, the senses, do not give us the truth of things - only a camouflage is presented before us. All that we see with our eyes is a camouflage, because the essence of things is covered over by a relational form in which alone the object is presented, and through which alone the cognition of the object is made possible. But, this form is lifted when there is pratyakcetana adhigamah, or inner attainment. The veil that covers the object is removed, and we see what is really there inside.
10.37 - The Golden Bridge, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
If it is asked how does then the world itself exist? has it not come out of the Truth? is it not an expression of the Divine? well, an easy answer is: Look at the world and see what kind of expression it is. Is it a divine creation? What truth is there? In truth, it is an expression of falsehood, it is all an error. So it has been declared by the great Sages of the past that this is a false creation; it is an illusion, a delusion. Why is it so? How is it so? Go beyond it, into the Truth beyond, you will know. Being in the illusion, how can you perceive that it is an illusion, or why or how is it an illusion? This is one way of looking at the problem, we may say, a very categorical or radical way. But there are other possibilities, other lines of approach.
This creation as an expression of the Divine Truth may not be altogether a falsehood. It is an inadequate expression, as it stands at present, as it has been till now; but it is a growing, a progressive expression. In other words, the instruments of expression, to start with, are not fully developed, they have to be developed; they are being developed, through the evolutionary movement of Nature, in the course of advancing time. Indeed evolution in Nature means that and a great deal of that. Take for example, speech, which is a special organ of expression for man. Now, originally speech, that is to say, the vocabulary on man's tongue consisted of vocables related only to the familiar objects around him, in the ordinary day to day movement of life. The field was narrow and limited, level to the ground. Observe the language also, the written language. The original written language started with images, pictorial diagrams: there was no alphabet but things and movements were presented, that is represented, almost actually. Thus for man a figure of man was drawn, that is to say, straight lines sticking out representing hands and legs and a dot for the head; the sun was a circle and so on. As consciousness grew and as the mind developed and reason became active, the images, the figures and the symbols gradually changed into more and more abstract signs. At first there was the pictogram, then the ideogram, and then, at the end, came the alphabet. Evidently, it appears, language could not develop so quickly as the consciousness or the mind did, for we see even in the earlier epochs of human civilisation and culture, man could and did come in contact with the Truth and Realities beyond his normal sense-bound consciousness. And the experiences the seers had on those levels were of such a kind that whenever they sought to express them, communicate them to others in the outward mind and speech, they had to take refuge in symbolism: they had to use the words of everyday life as signs and symbols pointing to other realities, other-worldly and unfamiliar. Thus, horse was to them life-force, cow the radiance of truth, the wind thought energies, the sun consciousness or Truth, night as ignorance, light as knowledge, wine (soma means both wine and moon) as delight and ecstasy, the sky as infinity or transcendence. And so on.
1.03 - A Parable, #The Lotus Sutra, #Anonymous, #Various
The best of the Sages.
All sentient beings are my children.
1.03 - Bloodstream Sermon, #The Zen Teaching of Bodhidharma, #Bodhidharma, #Buddhism
novice, a Sage or a fool, a buddha or a mortal. It strives for no
realization and suffers no karma. It has no strength or form. It's
--
the Sacred Self, the Immortal, the Great Sage. Its names vary but
not its essence. Buddhas vary too, but none leaves his own mind.
--
zen is one that remains a puzzle to both mortals and Sages. Seeing
your nature is zen. Unless you see your nature, it's not zen.
--
farther they get from the Sage's meaning. All day long they invoke
buddhas and read sutras. But they remain blind to their own divine
1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
Consults the Sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
1.03 - Master Ma is Unwell, #The Blue Cliff Records, #Yuanwu Keqin, #Zen
mitted by a thousand Sagesi students trouble themselves with
forms like monkeys grasping at reflections."
1.03 - Measure of time, Moments of Kashthas, etc., #Vishnu Purana, #Vyasa, #Hinduism
The essential properties of existent things are objects of observation, of which no foreknowledge is attainable; and creation, and hundreds of properties, belong to Brahma, as inseparable parts of his essence, as heat, oh chief of Sages, is inherent in fire[1]. Hear then how the deity Nārāyāna, in the person of Brahmā, the great parent of the world, created all existent things.
Brahmā is said to be born: a familiar phrase, to signify his manifestation; and, as the peculiar measure of his presence, a hundred of his years is said to constitute his life: that period is also called Param, and the half of it, Parārddham[2]. I have already declared to you, oh sinless Brahman, that Time is a form of Viṣṇu: hear now how it is applied to measure the duration of Brahmā, and of all other sentient beings, as well as of those which are unconscious, as the mountains, oceans, and the like.
Oh best of Sages, fifteen twinklings of the eye make a Kāṣṭhā; thirty Kāṣṭhās, one Kalā; and thirty Kalās, one Muhūrtta[3]. Thirty Muhūrttas constitute a day and night of mortals: thirty such days make a month, divided into two half-months: six months form an Ayana (the period of the sun's progress north or south of the ecliptic): and two Ayanas compose a year. The southern Ayana is a night, and the northern a day of the gods. Twelve thousand divine years, each composed of (three hundred and sixty) such days, constitute the period of the four Yugas, or ages. They are thus distributed: the Krita age has four thousand divine years; the Tretā three thousand; the Dvāpara two thousand; and the Kali age one thousand: so those acquainted with antiquity have declared. The period that precedes a Yuga is called a Sandhyā, and it is of as many hundred years as there are thousands in the Yuga: and the period that follows a Yuga, termed the Sandhyānsa, is of similar duration. The interval between the Sandhyā and the Sandhyānsa is the Yuga, denominated Krita, Tretā, &c. The Krita, Tretā, Dvāpara, and Kali, constitute a great age, or aggregate of four ages: a thousand such aggregates are a day of Brahmā, and fourteen Menus reign within that term. Hear the division of time which they measure[4].
Seven Ṛṣis, certain (secondary) divinities, Indra, Manu, and the kings his sons, are created and perish at one period[5]; and the interval, called a Manvantara, is equal to seventy-one times the number of years contained in the four Yugas, with some additional years: this is the duration of the Manu, the (attendant) divinities, and the rest, which is equal to 852.000 divine years, or to 306.720.000 years of mortals, independent of the additional period[6]. Fourteen times this period constitutes a Brāhma day, that is, a day of Brahmā; the term (Brāhma) being the derivative form. At the end of this day a dissolution of the universe occurs, when all the three worlds, earth, and the regions of space, are consumed with fire. The dwellers of Maharloka (the region inhabited by the saints who survive the world), distressed by the heat, repair then to Janaloka (the region of holy men after their decease). When the-three worlds are but one mighty ocean, Brahmā, who is one with Nārāyaṇa, satiate with the demolition of the universe, sleeps upon his serpent-bed-contemplated, the lotus born, by the ascetic inhabitants of the Janaloka-for a night of equal duration with his day; at the close of which he creates anew. Of such days and nights is a year of Brahmā composed; and a hundred such years constitute his whole life[7]. One Parārddha[8], or half his existence, has expired, terminating with the Mahā Kalpa[9] called Pādma. The Kalpa (or day of Brahmā) termed Vārāha is the first of the second period of Brahmā's existence.
--
[9]: In theory the Kalpas are infinite; as the Bhaviṣya: 'Excellent Sages, thousands of millions of Kalpas have passed, and as many are to come.' In the Li
ga Purāṇa, and others of the Saiva division, above thirty Kalpas are named, and some account given of several, but they are evidently sectarial embellishments. The only Kalpas usually specified are those which follow in the text: the one which was the last, or the Pādma, and the present p. 26 or Vārāha. The first is also commonly called the Brāhma; but the Bhāgavata distinguishes the Brāhma, considering it to be the first of Brahmā's life, whilst the Pādma was the last of the first Parārddha. The terms Manā, or great Kalpa, applied to the Padma, is attached to it only in a general sense; or, according to the commentator, because it comprises, as a minor Kalpa, that in which Brahmā was born from a lotus. Properly, a great Kalpa is not a day, but a life of Brahmā; as in the Brahma Vaivartta: 'Chronologers compute a Kalpa by the life of Brahmā. Minor Kalpas, as Samvartta and the rest, are numerous.' Minor Kalpas here denote every period of destruction, or those in which the Samvartta wind, or other destructive agents, operate. Several other computations of time are found in different Purāṇas, but it will be sufficient to notice one which occurs in the Hari Vaṃśa, as it is peculiar, and because it is not quite correctly given in M. Langlois' translation. It is the calculation of the Mānava time, or time of a Menu.
1.03 - Self-Surrender in Works - The Way of The Gita, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
There are certain semblances of an equal spirit which must not be mistaken for the profound and vast spiritual equality which the Gita teaches. There is an equality of disappointed resignation, an equality of pride, an equality of hardness and indifference: all these are egoistic in their nature. Inevitably they come in the course of the sadhana, but they must be rejected or transformed into the true quietude. There is too, on a higher level, the equality of the stoic, the equality of a devout resignation or a Sage detachment, the equality of a soul aloof from the world and indifferent to its doings. These too are insufficient; first approaches they can be, but they are at most early soul-phases only or imperfect mental preparations for our entry into the true and absolute self-existent wide evenness of the spirit.
For it is certain that so great a result cannot be arrived at immediately and without any previous stages. At first we have to learn to bear the shocks of the world with the central part of our being untouched and silent, even when the surface mind, heart, life are strongly shaken; unmoved there on the bedrock of our life, we must separate the soul watching behind or immune deep within from these outer workings of our nature. Afterwards, extending this calm and steadfastness of the detached soul to its instruments, it will become slowly possible to radiate peace from the luminous centre to the darker peripheries. In this process we may take the passing help of many minor phases; a certain stoicism, a certain calm philosophy, a certain religious exaltation may help us towards some nearness to our aim, or we may call in even less strong and exalted but still useful powers of our mental nature. In the end we must either discard or transform them and arrive instead at an entire equality, a perfect self-existent peace within and even, if we can, a total unassailable, self-poised and spontaneous delight in all our members.
1.03 - Spiritual Realisation, The aim of Bhakti-Yoga, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
The vast mass of those whose religion is like this, are conscious or unconscious materialists the end and aim of their lives here and hereafter being enjoyment, which indeed is to them the alpha and the omega of human life, and which is their Ishtpurta; work like street-cleaning and scavengering, intended for the material comfort of man is, according to them, the be-all and end-all of human existence; and the sooner the followers of this curious mixture of ignorance and fanaticism come out in their true colours and join, as they well deserve to do, the ranks of atheists and materialists, the better will it be for the world. One ounce of the practice of righteousness and of spiritual Self-realisation outweighs tons and tons of frothy talk and nonsensical sentiments. Show us one, but one gigantic spiritual genius growing out of all this dry dust of ignorance and fanaticism; and if you cannot, close your mouths, open the windows of your hearts to the clear light of truth, and sit like children at the feet of those who know what they are talking about the Sages of India. Let us then listen attentively to what they say.
next chapter: 1.04 - The Need of Guru
1.03 - The Gods, Superior Beings and Adverse Forces, #Words Of The Mother III, #The Mother, #Integral Yoga
For ordinary men, the Sage is a sort of music box of wisdom into which it is enough to put the penny of a question in order to receive the answer automatically.
For them to recognise a god, he must have a halo behind his head; for them to recognise a king, he must have a sceptre in his hand.
1.03 - The Psychic Prana, #Raja-Yoga, #Swami Vivkenanda, #unset
Thus the rousing of the Kundalini is the one and only way to attaining Divine Wisdom, superconscious perception, realisation of the spirit. The rousing may come in various ways, through love for God, through the mercy of perfected Sages, or through the power of the analytic will of the philosopher. Wherever there was any manifestation of what is ordinarily called supernatural power or wisdom, there a little current of Kundalini must have found its way into the Sushumna. Only, in the vast majority of such cases, people had ignorantly stumbled on some practice which set free a minute portion of the coiled-up Kundalini. All worship, consciously or unconsciously, leads to this end. The man who thinks that he is receiving response to his prayers does not know that the fulfilment comes from his own nature, that he has succeeded by the mental attitude of prayer in waking up a bit of this infinite power which is coiled up within himself. What, thus, men ignorantly worship under various names, through fear and tribulation, the Yogi declares to the world to be the real power coiled up in every being, the mother of eternal happiness, if we but know how to approach her. And Rja-Yoga is the science of religion, the rationale of all worship, all prayers, forms, ceremonies, and miracles.
1.03 - To Layman Ishii, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
'Why is that?' asked the monk. 'I won't say. I won't say,' replied Tao-wu. p Tao-wu did not refuse to speak because he was reluctant to teach the monk. He was trying to protect him. Anything he had tried to teach him would only have harmed him. In fact, there is no way a teacher can teach the Buddhapatriarchs' marvelous, untransmittable Dharma to others. If a priest tells you he has liberated students by teaching them the Dharma, you can be sure of two things: he has not penetrated the source, and he is not a genuine Zen teacher. But for you what is essential is not whether he is genuine or not. What is essential is to pledge that you will never have anything to do with false teachers like him. Zen practice must be true and au thentic, and it must be practiced under a true and au thentic teacher. Could you call Zen Sages like Bodhidharma, Hui-neng, Huang-po, Hsueh-feng, and Tao-wu dead otters?
Would you charac-terize venerable teachers like Hui-k'o, Nan-yueh, Lin-chi, Hsuan-sha, and Hsiangyen as dumb sheep?
--
maintained without alteration or diminution to the present day. Even students who have broken free of the adamantine cage and negotiated their way through the thicket of razor-edged briars, unless they also encounter a genuine teacher along the way and receive his personal instruction, they will be unable to grasp this matter even in their dreams. Why is that? Because from the very beginning, the Sage teachers have been like celestial dragons grasping the precious night-shining gem tightly in their claws, not allowing turtles, sea urchins, fish, or other inhabitants of the deep to observe it. They are like venerable dragons, masters of the clouds and rain, whose essential role is totally beyond the ken of frogs and earthworms and other denizens of the waters. I speak of Zen masters like Nan-ch'uan,
Ch'ang-sha, Huang-po, Su-shan, Tz'u-ming, Shao-shih, Chen-ching, Hsi-keng, Dai, and Wu-hsueh
1.03 - VISIT TO VIDYASAGAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Though they are rajasic, they are influenced by sattva. Compassion springs from sattva. Though work for the good of others belongs to rajas, yet this rajas has sattva for its basis, and is not harmful. Suka and other Sages cherished compassion in their minds to give people religious instruction, to teach them about God. You are distributing food and learning. That is good too. If these activities are done in a selfless spirit they lead to God. But most people work for fame or to acquire merit. Their activities are not selfless. Besides, you are already a siddha."
VIDYASAGAR: "How is that, sir?"
--
"Men often think they have understood Brahman fully. Once an ant went to a hill of sugar. One grain filled its stomach. Taking another grain in its mouth it started homeward. On its way it thought, 'Next time I shall carry home the whole hill.' That is the way shallow minds think. They don't know that Brahman is beyond one's words and thought. However great a man may be, how much can he know of Brahman? Sukadeva and Sages like him may have been big ants; but even they could carry at the utmost eight or ten grains of sugar!
"As for what has been said in the Vedas and the Puranas, do you know what it is like?
--
"Suka and other Sages stood on the shore of this Ocean of Brahman and saw and touched the water. According to one school of thought they never plunged into it.
Those who do, cannot come back to the world again.
1.04 - ADVICE TO HOUSEHOLDERS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Everything is possible for Him. There lived at a certain place two yogis who were practising spiritual discipline. The Sage Narada was passing that way one day. Realizing who he was, one of the yogis said: 'You have just come from God Himself. What is He doing now?' Narada replied, 'Why, I saw Him making camels and elephants pass and repass through the eye of a needle.' At this the yogi said: 'Is that anything to wonder at?
Everything is possible for God.' But the other yogi said: 'What? Making elephants pass through the eye of a needle - is that ever possible? You have never been to the Lord's dwelling-place.' "
1.04 - GOD IN THE WORLD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
Than all the Sages can.
St. Bernard speaks in what seems a similar strain. What I know of the divine sciences and Holy Scripture, I learnt in woods and fields. I have had no other masters than the beeches and the oaks. And in another of his letters he says: Listen to a man of experience: thou wilt learn more in the woods than in books. Trees and stones will teach thee more than thou canst acquire from the mouth of a magister. The phrases are similar; but their inner significance is very different. In Augustines language, God alone is to be enjoyed; creatures are not to be enjoyed but usedused with love and compassion and a wondering, detached appreciation, as means to the knowledge of that which may be enjoyed. Wordsworth, like almost all other literary Nature-worshippers, preaches the enjoyment of creatures rather than their use for the attainment of spiritual endsa use which, as we shall see, entails much self-discipline for the user. For Bernard it goes without saying that his correspondents are actively practising this self-discipline and that Nature, though loved and heeded as a teacher, is only being used as a means to God, not enjoyed as though she were God. The beauty of flowers and landscape is not merely to be relished as one wanders lonely as a cloud about the countryside, is not merely to be pleasurably remembered when one is lying in vacant or in pensive mood on the sofa in the library, after tea. The reaction must be a little more strenuous and purposeful. Here, my brothers, says an ancient Buddhist author, are the roots of trees, here are empty places; meditate. The truth is, of course, that the world is only for those who have deserved it; for, in Philos words, even though a man may be incapable of making himself worthy of the creator of the cosmos, yet he ought to try to make himself worthy of the cosmos. He ought to transform himself from being a man into the nature of the cosmos and become, if one may say so, a little cosmos. For those who have not deserved the world, either by making themselves worthy of its creator (that is to say, by non-attachment and a total self-naughting), or, less arduously, by making themselves worthy of the cosmos (by bringing order and a measure of unity to the manifold confusion of undisciplined human personality), the world is, spiritually speaking, a very dangerous place.
That Nirvana and Samsara are one is a fact about the nature of the universe; but it is a fact which cannot be fully realized or directly experienced, except by souls far advanced in spirituality. For ordinary, nice, unregenerate people to accept this truth by hearsay, and to act upon it in practice, is merely to court disaster. All the dismal story of antinomianism is there to warn us of what happens when men and women make practical applications of a merely intellectual and unrealized theory that all is God and God is all. And hardly less depressing than the spectacle of antinomianism is that of the earnestly respectable well-rounded life of good citizens who do their best to live sacramentally, but dont in fact have any direct acquaintance with that for which the sacramental activity really stands. Dr. Oman, in his The Natural and the Supernatural, writes at length on the theme that reconciliation to the evanescent is revelation of the eternal; and in a recent volume, Science, Religion and the Future, Canon Raven applauds Dr. Oman for having stated the principles of a theology, in which there could be no ultimate antithesis between nature and grace, science and religion, in which, indeed, the worlds of the scientist and the theologian are seen to be one and the same. All this is in full accord with Taoism and Zen Buddhism and with such Christian teachings as St. Augustines Ama et fac quod vis and Father Lallemants advice to theocentric contemplatives to go out and act in the world, since their actions are the only ones capable of doing any real good to the world. But what neither Dr. Oman nor Canon Raven makes sufficiently clear is that nature and grace, Samsara and Nirvana, perpetual perishing and eternity, are really and experientially one only to persons who have fulfilled certain conditions. Fac quod vis in the temporal world but only when you have learnt the infinitely difficult art of loving God with all your mind and heart and your neighbor as yourself. If you havent learnt this lesson, you will either be an antinomian eccentric or criminal or else a respectable well-rounded-lifer, who has left himself no time to understand either nature or grace. The Gospels are perfectly clear about the process by which, and by which alone, a man may gain the right to live in the world as though he were at home in it: he must make a total denial of selfhood, submit to a complete and absolute mortification. At one period of his career, Jesus himself seems to have undertaken austerities, not merely of the mind, but of the body. There is the record of his forty days fast and his statement, evidently drawn from personal experience, that some demons cannot be cast out except by those who have fasted much as well as prayed. (The Cur dArs, whose knowledge of miracles and corporal penance was based on personal experience, insists on the close correlation between severe bodily austerities and the power to get petitionary prayer answered in ways that are sometimes supernormal.) The Pharisees reproached Jesus because he came eating and drinking, and associated with publicans and sinners; they ignored, or were unaware of, the fact that this apparently worldly prophet had at one time rivalled the physical austerities of John the Baptist and was practising the spiritual mortifications which he consistently preached. The pattern of Jesus life is essentially similar to that of the ideal Sage, whose career is traced in the Oxherding Pictures, so popular among Zen Buddhists. The wild ox, symbolizing the unregenerate self, is caught, made to change its direction, then tamed and gradually transformed from black to white. Regeneration goes so far that for a time the ox is completely lost, so that nothing remains to be pictured but the full-orbed moon, symbolizing Mind, Suchness, the Ground. But this is not the final stage. In the end, the herdsman comes back to the world of men, riding on the back of his ox. Because he now loves, loves to the extent of being identified with the divine object of his love, he can do what he likes; for what he likes is what the Nature of Things likes. He is found in company with wine-bibbers and butchers; he and they are all converted into Buddhas. For him, there is complete reconciliation to the evanescent and, through that reconciliation, revelation of the eternal. But for nice ordinary unregenerate people the only reconciliation to the evanescent is that of indulged passions, of distractions submitted to and enjoyed. To tell such persons that evanescence and eternity are the same, and not immediately to qualify the statement, is positively fatalfor, in practice, they are not the same except to the saint; and there is no record that anybody ever came to sanctity, who did not, at the outset of his or her career, behave as if evanescence and eternity, nature and grace, were profoundly different and in many respects incompatible. As always, the path of spirituality is a knife-edge between abysses. On one side is the danger of mere rejection and escape, on the other the danger of mere acceptance and the enjoyment of things which should only be used as instruments or symbols. The versified caption which accompanies the last of the Oxherding Pictures runs as follows.
Even beyond the ultimate limits there extends a pas Sageway,
1.04 - HOW THE .TRUE WORLD. ULTIMATELY BECAME A FABLE, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
1. The true world, attainable to the Sage, the pious man and the man of
virtue,--he lives in it, _he is it._
--
the Sage, to the pious man and to the man of virtue ("to the sinner who
repents").
1.04 - Magic and Religion, #The Golden Bough, #James George Frazer, #Occultism
into lower depths, are questions rather for the Sage, the moralist,
and the statesman, whose eagle vision scans the future, than for the
1.04 - Narayana appearance, in the beginning of the Kalpa, as the Varaha (boar), #Vishnu Purana, #Vyasa, #Hinduism
Tell me, mighty Sage, how, in the commencement of the (present) Kalpa, Nārāyaṇa, who is named Brahmā, created all existent things[1].
Parāśara said:-
--
The auspicious supporter of the world, being thus hymned by the earth, emitted a low murmuring sound, like the chanting of the Sāma veda; and the mighty boar, whose eyes were like the lotus, and whose body, vast as the Nīla mountain, was of the dark colour of the lotus leaves[6], uplifted upon his ample tusks the earth from the lowest regions. As he reared up his head, the waters shed from his brow purified the great Sages, Sanandana and others, residing in the sphere of the saints. Through the indentations made by his hoofs, the waters rushed into the lower worlds with a thundering noise. Before his breath, the pious denizens of Janaloka were scattered, and the Munis sought for shelter amongst the bristles upon the scriptural body of the boar, trembling as he rose up, supporting the earth, and dripping with moisture. Then the great Sages, Sanandana and the rest, residing continually in the sphere of saints, were inspired with delight, and bowing lowly they praised the stern-eyed upholder of the earth.
The Yogis.-Triumph, lord of lords supreme; Keśava, sovereign of the earth, the wielder of the mace, the shell, the discus, and the sword: cause of production, destruction, and existence. THOU ART, oh god: there is no other supreme condition, but thou. Thou, lord, art the person of sacrifice: for thy feet are the Vedas; thy tusks are the stake to which the victim is bound; in thy teeth are the offerings; thy mouth is the altar; thy tongue is the fire; and the hairs of thy body are the sacrificial grass. Thine eyes, oh omnipotent, are day and night; thy head is the seat of all, the place of Brahma; thy mane is all the hymns of the Vedas; thy nostrils are all oblations: oh thou, whose snout is the ladle of oblation; whose deep voice is the chanting of the Sāma veda; whose body is the hall of sacrifice; whose joints are the different ceremonies; and whose ears have the properties of both voluntary and obligatory rites[7]: do thou, who art eternal, who art in size a mountain, be propitious. We acknowledge thee, who hast traversed the world, oh universal form, to be the beginning, the continuance, and the destruction of all things: thou art the supreme god. Have pity on us, oh lord of conscious and unconscious beings. The orb of the earth is seen seated on the tip of thy tusks, as if thou hadst been sporting amidst a lake where the lotus floats, and hadst borne away the leaves covered with soil. The space between heaven and earth is occupied by thy body, oh thou of unequalled glory, resplendent with the power of pervading the universe, oh lord, for the benefit of all. Thou art the aim of all: there is none other than thee, sovereign of the world: this is thy might, by which all things, fixed or movable, are pervaded. This form, which is now beheld, is thy form, as one essentially with wisdom. Those who have not practised devotion, conceive erroneously of the nature of the world. The ignorant, who do not perceive that this universe is of the nature of wisdom, and judge of it as an object of perception only, are lost in the ocean of spiritual ignorance. But they who know true wisdom, and whose minds are pure, behold this whole world as one with divine knowledge, as one with thee, oh god. Be favourable, oh universal spirit: raise up this earth, for the habitation of created beings. Inscrutable deity, whose eyes are like lotuses, give us felicity. Oh lord, thou art endowed with the quality of goodness: raise up, Govinda, this earth, for the general good. Grant us happiness, oh lotus-eyed. May this, thy activity in creation, be beneficial to the earth. Salutation to thee. Grant us happiness, oh lotus-eyed. arāśara said:-
The supreme being thus eulogized, upholding the earth, raised it quickly, and placed it on the summit of the ocean, where it floats like a mighty vessel, and from its expansive surface does not sink beneath the waters. Then, having levelled the earth, the great eternal deity divided it into portions, by mountains: he who never wills in vain, created, by his irresistible power, those mountains again upon the earth which had been consumed at the destruction of the world. Having then divided the earth into seven great portions or continents, as it was before, he constructed in like manner the four (lower) spheres, earth, sky, heaven, and the sphere of the Sages (Maharloka). Thus Hari, the four-faced god, invested with the quality of activity, and taking the form of Brahmā, accomplished the creation: but he (Brahmā) is only the instrumental cause of things to be created; the things that are capable of being created arise from nature as a common material cause: with exception of one instrumental cause alone, there is no need of any other cause, for (imperceptible) substance becomes perceptible substance according to the powers with which it is originally imbued[8].
This page consists solely of footnotes
1.04 - ON THE DESPISERS OF THE BODY, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
there stands a mighty ruler, an unknown Sage-whose
name is self. In your body he dwells; he is your
1.04 - The Divine Mother - This Is She, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
Here is another small instance, gathered from the private diary of a young sadhika, to show how the Mother in the midst of her crammed activities found time to push individuals or groups on the path of their soul's aspiration. She used to see ten or twelve young girls in the evening at about 8 p.m. before she came down for meditation. But many a day they had to wait for hours, even up to 10 p.m. They would feel hungry or sleepy and had to go without their dinner, for the meditation followed immediately after their meeting. One day one of them lost patience and went away, leaving her flowers in a dish for the Mother. Just then, the Mother came. The girls were very much struck by this coincidence. What a test, they thought! As soon as one girl approached the Mother, the Mother asked, "Who has left this dish of flowers here? Oh, is it X? You really surprise me! You can't wait even a little while for me, you get so impatient? Do you know how the gods and goddesses yearn to have my darshan, and the saints and Sages consider themselves most blessed when they see me in their meditation even for a minute?"
"But, Mother," replied the girl, "we look upon you as our friend. When we stand under the shelter of a tree, do we think of it giving us a cool shade?" That sweet answer disarmed the Mother completely and she immediately took her into her arms.
1.04 - The First Circle, Limbo Virtuous Pagans and the Unbaptized. The Four Poets, Homer, Horace, Ovid, and Lucan. The Noble Castle of Philosophy., #The Divine Comedy, #Dante Alighieri, #Christianity
Through portals seven I entered with these Sages;
We came into a meadow of fresh verdure.
1.04 - The Fork in the Road, #On the Way to Supermanhood, #Satprem, #Integral Yoga
From this point on, the road forks, and taking one path rather than the other entails far-reaching consequences that can extend over an entire lifetime. Not that one path is true and the other false, for we tend to believe that everything is ultimately true, since it exists, but this is a truth that grows, and falsehood is merely dawdling or persisting in a truth that has outlived its time and usefulness. From the moment we have broken loose from the machine, the outer as well as the inner one (the former is really a reflection or expression of the latter, and once we change inside, we will necessarily change outside; if we cease to mentalize life, it will cease being a mental round and become another life), from that moment on, we literally begin to have a certain latitude. No longer bound to the shadowy little person like a tethered goat, we can choose to move in two distinct directions. We can take the ascending path, that is, subtilize ourselves more and more, cast off the earthly burden, soar off in the enchanted little rocket of light we are beginning to sense, and come upon freer realms of consciousness, explore airy ranges, discover higher mental planes that are like the pure source of everything that takes place, distorted and approximate here, the angel face of what is looking more and more like a caricature.7 It is very tempting, so tempting in fact that all the Sages and rather hasty seekers, or even simply those we would today call advanced minds or geniuses, have taken it it has lasted for thousands of years. But, unfortunately, once we reach those higher strata, it is very difficult to come back down; and even if we wish to come down, moved by some charitable or humanitarian urge, we notice that the ways above are fairly ineffective here. There seems to be an unbridgeable gulf between that light and this darkness, and what we want (or are able) to bring down from up there reaches here diminished, diluted, disfigured, leaden, finally to be lost in the Machine's great morasses.
But too bright were our heavens, too far away,
1.04 - The Gods of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
We do not find that the Rishi Mahachamasya succeeded in getting his fourth vyahriti accepted by the great body of Vedantic thinkers. With a little reflection we can see the reason why. The vijnana or mahat is superior to reasoning. It sees and knows, hears and knows, remembers & knows by the ideal principles of drishti, sruti and smriti; it does not reason and know.Or withdrawing into the Mahan Atma, it is what it exercises itself upon and therefore knowsas it were, by conscious identity; for that is the nature of the Mahan Atma to be everything separately and collectively & know it as an object of his Knowledge and yet as himself. Always vijnana knows things in the whole & therefore in the part, in the mass & therefore in the particular. But when ideal knowledge, vijnana, looks out on the phenomenal world in its separate details, it then acquires an ambiguous nature. So long as it is not assailed by mind, it is still the pure buddhi and free from liability to errors. The pure buddhi may assign its reasons, but it knows first & reasons afterwards,to explain, not to justify. Assailed by mind, the ideal buddhi ceases to be pure, ceases to be ideal, becomes sensational, emotional, is obliged to found itself on data, ends not in knowledge but in opinion and is obliged to hold doubt with one hand even while it tries to grasp certainty by the other. For it is the nature of mind to be shackled & frightened by its data. It looks at things as entirely outside itself, separate from itself and it approaches them one by one, groups them & thus arrives at knowledge by synthesis; or if [it] looks at things in the mass, it has to appreciate them vaguely and then take its parts and qualities one by one, arriving at knowledge by a process of analysis. But it cannot be sure that the knowledge it acquires, is pure truth; it can never be safe against mixture of truth & error, against one-sided knowledge which leads to serious misconception, against its own sensations, passions, prejudices and false associations. Such truth as it gets can only be correct even so far as it goes, if all the essential data have been collected and scrupulously weighed without any false weights or any unconscious or semi-conscious interference with the balance. A difficult undertaking! So we can form reliable conclusions, and then too always with some reserve of doubt,about the past & the present.Of the future the mind can know nothing except in eternally fixed movements, for it has no data. We try to read the future from the past & present and make the most colossal blunders. The practical man of action who follows there his will, his intuition & his instinct, is far more likely to be correct than the scientific reasoner. Moreover, the mind has to rely for its data on the outer senses or on its own inner sensations & perceptions & it can never be sure that these are informing it correctly or are, even, in their nature anything but lying instruments. Therefore we say we know the objective world on the strength of a perpetual hypothesis. The subjective world we know only as in a dream, sure only of our own inner movements & the little we can learn from them about others, but there too sure only of this objective world & end always in conflict of transitory opinions, a doubt, a perhaps. Yet sure knowledge, indubitable Truth, the Vedic thinkers have held, is not only possible to mankind, but is the goal of our journey. Satyam eva jayate nanritam satyena pantha vitato devayanah yenakramantyrishayo hyaptakama yatra tat satyasya paramam nidhanam. Truth conquers and not falsehood, by truth the path has been extended which the gods follow, by which Sages attaining all their desire arrive where is that Supreme Abode of Truth. The very eagerness of man for Truth, his untameable yearning towards an infinite reality, an infinite extension of knowledge, the fact that he has the conception of a fixed & firm truth, nay the very fact that error is possible & persistent, mare indications that pure Truth exists.We follow no chimaera as a supreme good, nor do the Powers of Darkness fight against a mere shadow. The ideal Truth is constantly coming down to us, constantly seeking to deliver us from our slavery to our senses and the magic circle of our limited data. It speaks to our hearts & creates the phenomenon of Faith, but the heart has its lawless & self-regarding emotions & disfigures the mes Sage. It speaks to the Imagination, our great intellectual instrument which liberates us from the immediate fact and opens the mind to infinite possibility; but the imagination has her pleasant fictions & her headlong creative impulse and exaggerates the truth & distorts & misplaces circumstances. It speaks to the intellect itself, bids it criticise its instruments by vichara and creates the critical reason, bids it approach the truth directly by a wide passionless & luminous use of the pure judgment, and creates shuddha buddhi or Kants pure reason; bids it divine truth & learn to hold the true divination & reject the counterfeit, and creates the intuitive reason & its guardian, intuitive discrimination or viveka. But the intellect is impatient of error, eager for immediate results and hurries to apply what it receives before it has waited & seen & understood. Therefore error maintains & even extends her reign. At last come the logician & modern rationalist thinker; disgusted with the exaggeration of these movements, seeing their errors, unable to see their indispensable utility, he sets about sweeping them away as intellectual rubbish, gets rid of faith, gets rid of flexibility of mind, gets rid of sympathy, pure reason & intuition, puts critical reason into an ill lightened dungeon & thinks now, delivered from these false issues, to compass truth by laborious observation & a rigid logic. To live on these dry & insufficient husks is the last fate of impure vijnanam or buddhi confined in the data of the mind & sensesuntil man wronged in his nature, cabined in his possibilities revolts & either prefers a luminous error or resumes his broadening & upward march.
It was this aspect of impure mahas, vijnanam working not in its own home, swe dame but in the house of a stranger, as a servant of an inferior faculty, reason as we call it, which led the Rishi Mahachamasya to include mahas among the vyahritis. But vijnana itself is an integral part of the supreme movement, it is divine thought in divine being,therefore not a vyahriti. The Veda uses to express this pure Truth &ideal knowledge another word, equivalent in meaning to mahat,the word brihat and couples with it two other significant expressions, satyam & ritam. This trinity of satyam ritam brihatSacchidananda objectivisedis the Mahan Atma. Satyam is Truth, the principle of infinite & divine Being, Sat objectivised to Knowledge as the Truth of things self-manifested; Ritam is Law, the motion of things thought out, the principle of divine self-aware energy, Chit-shakti objectivised to knowledge as the Truth of things selfarranged; Brihat is full content & fullness, satisfaction, Nature, the principle of divine Bliss objectivised to knowledge as the Truth of things contented with its own manifestation in law of being & law of action. For, as the Vedanta tells us, there is no lasting satisfaction in the little, in the unillumined or half-illumined things of mind & sense, satisfaction there is only in the large, the self-true & self-existent. Nalpe sukham asti bhumaiva sukham. Bhuma, brihat, mahat, that is God. It is Ananda therefore that insists on largeness & constitutes the mahat or brihat. Ananda is the soul of Nature, its essentiality, creative power & peace. The harmony of creative power & peace, pravritti & nivritti, jana & shama, is the divine state which we feelas Wordsworth felt itwhen we go back to the brihat, the wide & infinite which, containing & contented with its works, says of it Sukritam, What I have made, is good. Whoever enters this kingdom of Mahat, this Maho Arnas or great sea of ideal knowledge, comes into possession of his true being, true knowledge, true bliss. He attains the ideal powers of drishti, sruti, smritisees truth face to face, hears her unerring voice or knows her by immediate recognising memoryjust as we say of a friend This is he and need no reasoning of observation, comparison, induction or deduction to tell us who he is or to explain our knowledge to ourselvesthough we may, already knowing the truth, use a self-evident reasoning masterfully in order to convince others. The characteristic of ideal knowledge is first that it is direct in its approach, secondly, that it is self-evident in its revelation, swayamprakasha, thirdly, that it is unerring fact of being, sat, satyam in its substance. Moreover, it is always perfectly satisfied & divinely pleasurable; it is atmarati & atmastha, confines itself to itself & does not reach out beyond itself to grasp at error or grope within itself to stumble over ignorance. It is, too, perfectly effective whether for knowledge, speech or action, satyakarma, satyapratijna, satyavadi. The man who rising beyond the state of the manu, manishi or thinker which men are now, becomes the kavi or direct seer, containing what he sees,he who draws the manomaya purusha up into the vijnanamaya,is in all things true. Truth is his characteristic, his law of being, the stamp that God has put upon him. But even for the manishi ideal Truth has its bounties. For from thence come the intuitions of the poet, the thinker, the artist, scientist, man of action, merchant, craftsman, labourer each in his sphere, the seed of the great thoughts, discoveries, faiths that help the world and save our human works & destinies from decay & dissolution. But in utilising these mes Sages from our higher selves for the world, in giving them a form or a practical tendency, we use our intellects, feelings or imaginations and alter to their moulds or colour with their pigments the Truth. That alloy seems to be needed to make this gold from the mines above run current among men. This then is Maho Arnas.The psychological conceptions of our remote forefa thers concerning it have so long been alien to our thought & experience that they may be a little difficult to follow & more difficult to accept mentally. But we must understand & grasp them in their fullness if we have any desire to know the meaning of the Veda. For they are the very centre & keystone of Vedic psychology. Maho Arnas, the Great Ocean, is the stream of our being which at once divides & connects the human in us from the divine, & to cross over from the human to the divine, from this small & divided finite to that one, great & infinite, from this death to that immortality, leaving Diti for Aditi, alpam for bhuma, martyam for amritam is the great preoccupation & final aim of Veda & Vedanta.
1.04 - The Sacrifice the Triune Path and the Lord of the Sacrifice, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
For it is behind the mystery of the presence of personality in an apparently impersonal universeas in that of consciousness manifesting out of the Inconscient, life out of the inanimate, soul out of brute Matter that is hidden the solution of the riddle of existence. Here again is another dynamic Duality more pervading than appears at first view and deeply necessary to the play of the slowly self-revealing Power. It is possible for the seeker in his spiritual experience, standing at one pole of the Duality, to follow Mind in seeing a fundamental Impersonality everywhere. The evolving soul in the material world begins from a vast impersonal Inconscience in which our inner sight yet perceives the presence of a veiled infinite Spirit; it proceeds with the emergence of a precarious consciousness and personality that even at their fullest have the look of an episode, but an episode that repeats itself in a constant series; it arises through experience of life out of mind into an infinite, impersonal and absolute Superconscience in which personality, mind-consciousness, life-consciousness seem all to disappear by a liberating annihilation, Nirvana. At a lower pitch he still experiences this fundamental impersonality as an immense liberating force everywhere. It releases his knowledge from the narrowness of personal mind, his will from the clutch of personal desire, his heart from the bondage of petty mutable emotions, his life from its petty personal groove, his soul from ego, and it allows them to embrace calm, equality, wideness, universality, infinity. A Yoga of works would seem to require Personality as its mainstay, almost its source, but here too the impersonal is found to be the most direct liberating force; it is through a wide egoless impersonality that one can become a free worker and a divine creator. It is not surprising that the overwhelming power of this experience from the impersonal pole of the Duality should have moved the Sages to declare this to be the one way and an impersonal Superconscience to be the sole truth of the Eternal.
But still to the seeker standing at the opposite pole of the Duality another line of experience appears which justifies an intuition deeply-seated behind the heart and in our very life-force, that personality, like consciousness, life, soul, is not a brief-lived stranger in an impersonal Eternity, but contains the very meaning of existence. This fine flower of the cosmic Energy carries in it a forecast of the aim and a hint of the very motive of the universal labour. As an occult vision opens in him, he becomes aware of worlds behind in which consciousness and personality hold an enormous place and assume a premier value; even here in the material world to this occult vision the inconscience of Matter fills with a secret pervading consciousness, its inanimation harbours a vibrant life, its mechanism is the device of an indwelling Intelligence, God and soul are everywhere. Above all stands an infinite conscious Being who is variously self-expressed in all these worlds; impersonality is only a first means of that expression. It is a field of principles and forces, an equal basis of manifestation; but these forces express themselves through beings, have conscious spirits at their head and are the emanation of a One Conscious Being who is their source. A multiple innumerable personality expressing that One is the very sense and central aim of the manifestation and if now personality seems to be narrow, fragmentary, restrictive, it is only because it has not opened to its source or flowered into its own divine truth and fullness packing itself with the universal and the infinite. Thus the world-creation is no more an illusion, a fortuitous mechanism, a play that need not have happened, a flux without consequence; it is an intimate dynamism of the conscious and living Eternal.
1.04 - The Silent Mind, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
we are not seeking a lesser being but a better being and above all a vaster one: Has it not occurred to you that if they really sought for something cold, dark and gloomy as the supreme good, they would not be Sages but asses?28 Sri Aurobindo once humorously remarked.
Actually, one makes all kinds of discoveries when the mental machine stops, and first of all one realizes that if the power to think is a remarkable gift, the power not to think29 is a far greater one yet; let the seeker try it for just a few minutes, and he will soon see what this means! He will realize that he lives in a surreptitious racket, an exhausting and ceaseless whirlwind exclusively filled with his thoughts, his feelings, his impulses, his reactions him, always him,
1.04 - Wake-Up Sermon, #The Zen Teaching of Bodhidharma, #Bodhidharma, #Buddhism
from Sages. The sutras say that the impartial Dharma is something
that mortals can't penetrate and Sages can't practice. T he impartial
Dharma is only practiced by great bodhisattvas and buddhas. To
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is true. Thus, the Sage doesn't use his mind to look for reality, or
reality to look for his mind, or his mind to look for his mind, or
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a mortal and nonexistence as a Sage are conceptions with which a
Sage has nothing to do. His heart is empty and spacious as the sky.
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Someone who understands the teaching of Sages is a Sage.
Someone who understands the teaching of mortals is a mortal. A
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teaching of Sages becomes a Sage. But the fools of this world prefer
to look for Sages far away. They don't believe that the wisdom of
their own mind is the Sage. The sutras say, "Among men of no
understanding, don't preach this sutra." And the sutras say, "Mind
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become a Sage. They prefer to look for distant knowledge and long
for things in space, buddha-images, light, incense, and colors. They
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about hunger. Theirs is the Great Uncertainty. But Sages don't
consider the past. And they don't worry about the future. Nor do
1.053 - A Very Important Sadhana, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
For the purpose of those students of yoga who would not be in a position to practise these meditations daily as has been indicated up to this time, the great Sage Patanjali says that the same goal can be reached, though with a greater effort and in a longer period of time, by milder techniques of sadhana if intense meditation is difficult. The very attempt at the control of the senses austerity, about which we were discussing previously generates a new strength in the mind and sets the mind in tune with more impersonal powers. Thus, meditation becomes less difficult than it would have been otherwise.
It is the pressure of the senses towards objects that prevents the mind from taking to exclusive spiritual meditations. The objects of sense are so real to the senses that they cannot easily be ignored or forgotten. Even the very thought of an object will draw the mind towards it, and every particularised thought in the direction of an object is a further affirmation of the falsity that Reality is only in some place, in some object, in some thing, in some person, etc., and it is not universal in its nature. The universality of Truth is denied by the senses, at every moment of time, in their activities towards sense gratification.
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The mind needs variety, no doubt, and it cannot exist without variety. It always wants change. Monotonous food will not be appreciated by the mind, and so the scriptures, especially the larger ones like the Epics, the Puranas, the Agamas, the Tantras, etc., provide a large area of movement for the mind wherein it leisurely roams about to its deep satisfaction, finds variety in plenty, reads stories of great saints and Sages, and feels very much thrilled by the anecdotes of Incarnations, etc. But at the same time, with all its variety, we will find that it is a variety with a unity behind it. There is a unity of pattern, structure and aim in the presentation of variety in such scriptures as the Srimad Bhagavata, for instance. There are 18,000 verses giving all kinds of detail everything about the cosmic creation and the processes of the manifestation of different things in their gross form, subtle form, causal form, etc. Every type of story is found there. It is very interesting to read it. The mind rejoices with delight when going through such a large variety of detail with beautiful comparisons, etc. But all this variety is like a medical treatment by which we may give varieties of medicine with a single aim. We may give one tablet, one capsule, one injection, and all sorts of things at different times in a day to treat a single disease. The purpose is the continued assertion that God is All, and the whole of creation is a play of the glory of God.
The goal of life in every stage of its manifestation is the vision of God, the experience of God, the realisation of God that God is the Supreme Doer and the Supreme Existence. This is the principle that is driven into the mind again and again by the Srimad Bhagavata Mahapurana or such similar texts. If a continued or sustained study of such scriptures is practised, it is purifying. It is a tapas by itself, and it is a study of the nature of ones own Self, ultimately. The word sva is used here to designate this process of study svadhyaya. Also, we are told in one sutra of Patanjali, tad drau svarpe avasthnam (I.3), that the seer finds himself in his own nature when the vrittis or the various psychoses of the mind are inhibited. The purpose of every sadhana is only this much: to bring the mind back to its original source.
1.05 - Adam Kadmon, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
He is thus remote, alone, lost in dreams, reveries, aspira- tions and holiness" - brooding upon cosmic things, far above and beyond the petty mean things of earth. Here, too, is attri buted the highest of the Chakras, the Sahasrara, which in the enlightened Sage is likened to a beautiful lotus of one thousand and one petals.
In the descent towards manifestation and matter, the
1.05 - BOOK THE FIFTH, #Metamorphoses, #Ovid, #Poetry
This scarce the Sage with high concern had said,
When Chromis at a blow struck off his head,
1.05 - Hymns of Bharadwaja, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
3. In thee the understanding is full of riches and it desires the gods, the divine births, that the word may be spoken and the sacrifice done, when the singer, the Sage, wisest of the Angirases chants his honey-rhythm in the rite.
4. He has leaped into radiance and is wise of heart and wide of light; O Fire, sacrifice to the largeness of Earth and Heaven. All the five peoples lavish the oblation with obeisance of surrender and anoint as the living being Fire the bringer of their satisfactions.
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the head of every chanting Sage.
aTvZ, .
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16 Or, on Pushkara; or, the Lotus of the head of every chanting Sage.
17 Or, let not the fullness of thy treasures meet the eye only of the few;
1.05 - Ritam, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
Varuna & Mitra, the two great Vedic Twins, meet us in their united activity in the first crucial pas Sage of the Veda informed with the clear & unmistakable idea of the Ritam which so largely dominates the thinking of the Vedic Sages. Varuna & Mitra again, but this time helped by their companion Aryaman, govern a second pas Sage which we shall find of equal importance in forming our conceptions of the Truth towards which our ancestors lifted so strenuous an aspiration of prayer and sacrifice. It occurs in the forty-first hymn of the Mandala, a hymn of the Rishi Kanwa son of Ghora to the three children of Aditi, & covers six out of the nine slokas of the hymn. It is fortunately a sufficiently clear & easy hymn, except precisely in the three closing riks with which we are not now concerned; we have to pause only for a moment [at] the word avakhdah, over which Sayana gives himself very unnecessary trouble,for it means clearly a pitfall or an abrupt descent, and the sense of dhtaye, taken by Sayana in the ritualistic significance, for your eating, and by myself, following my hypothesis, in the psychological sense conceded by Sayana in a number of other pas Sages; dhti means literally holding & usually holding in the mind, thinking; it expresses then the fixed action of dh, the thought faculty. Otherwise the only difficulty is in the word toka which the ritualistic commentators interpret invariably in the sense of son, putra.
Yam rakshanti prachetaso Varuno Mitra Aryam
1.05 - The Destiny of the Individual, #The Life Divine, #Sri Aurobindo, #Integral Yoga
2:But this unity is in its nature indefinable. When we seek to envi Sage it by the mind we are compelled to proceed through an infinite series of conceptions and experiences. And yet in the end we are obliged to negate our largest conceptions, our most comprehensive experiences in order to affirm that the Reality exceeds all definitions. We arrive at the formula of the Indian Sages, neti neti, "It is not this, It is not that", there is no experience by which we can limit It, there is no conception by which It can be defined.
3:An Unknowable which appears to us in many states and attributes of being, in many forms of consciousness, in many activities of energy, this is what Mind can ultimately say about the existence which we ourselves are and which we see in all that is presented to our thought and senses. It is in and through those states, those forms, those activities that we have to approach and know the Unknowable. But if in our haste to arrive at a Unity that our mind can seize and hold, if in our insistence to confine the Infinite in our embrace we identify the Reality with any one definable state of being however pure and eternal, with any particular attri bute however general and comprehensive, with any fixed formulation of consciousness however vast in its scope, with any energy or activity however boundless its application, and if we exclude all the rest, then our thoughts sin against Its unknowableness and arrive not at a true unity but at a division of the Indivisible.
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5:Such is the teaching, calm, wise and clear, of our most ancient Sages. They had the patience and the strength to find and to know; they had also the clarity and humility to admit the limitation of our knowledge. They perceived the borders where it has to pass into something beyond itself. It was a later impatience of heart and mind, vehement attraction to an ultimate bliss or high masterfulness of pure experience and trenchant intelligence which sought the One to deny the Many and because it had received the breath of the heights scorned or recoiled from the secret of the depths. But the steady eye of the ancient wisdom perceived that to know God really, it must know Him everywhere equally and without distinction, considering and valuing but not mastered by the oppositions through which He shines.
6:We will put aside then the trenchant distinctions of a partial logic which declares that because the One is the reality, the Many are an illusion, and because the Absolute is Sat, the one existence, the relative is Asat and non-existent. If in the Many we pursue insistently the One, it is to return with the benediction and the revelation of the One confirming itself in the Many.
1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
substance or the other. The goal of the Chinese Sage physician, spiritual leader or social administrator
is to establish or re-establish the harmony between the fundamental feminine and masculine principles,
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fathers house, unto a land that I will show thee (Genesis 12:1), which the midrash (Bin Gorion, Sagen
der Juden, Vol. II, Die Erzvater, XI) interprets as meaning that Abraham is to destory the gods of his
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redemptive possibility. Tales of the travelling Sage, wandering magician or courageous adventurer
constitute recognition of the utility of such potential. From the perspective of such narratives, a totality of
1.05 - THE MASTER AND KESHAB, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"It is extremely difficult to teach others. A man can teach only if God reveals Himself to him and gives the command. Narada, Sukadeva, and Sages like them had such a comm and from God, and Sankara had it too. Unless you have a comm and from God, who will listen to your words?
"Don't you know how easily the people of Calcutta get excited? The milk in the kettle puffs up and boils as long as the fire burns underneath. Take away the fuel and all becomes quiet. The people of Calcutta love sensations. You may see them digging a well at a certain place. They say they want water. But if they strike a stone they give up that place; they begin at another place. And there, perchance, they find sand; they give up the second place too. Next they begin at a third. And so it goes. But it won't do if a man only imagines that he has God's command.
1.05 - The New Consciousness, #On the Way to Supermanhood, #Satprem, #Integral Yoga
This is the great new Fact in the world. This is the new consciousness announced by Sri Aurobindo, the microscopic beginning of an earth-of-truth. Because they had not seen (or the time had not come), the Sages of old searched for heaven by scaling the high peaks of the Spirit. But heaven is in our midst. It is growing by our look, becoming stronger with each obstacle, each gesture of truth, each second really lived; it is outlining its graceful hills under our surprised footsteps and vibrates imperceptibly in a little eruption of being wrested from our great wastelands.
1.05 - The Universe The 0 = 2 Equation, #Magick Without Tears, #Aleister Crowley, #Philosophy
S. The Chinese, like ourselves, begin with the idea of "Absolute Nothing." They "make an effort, and call it the Tao;" but that is exactly what the Tao comes to mean, when we examine it. They see quite well, as we have done above, that merely to assert Nothing is not to explain the Universe; and they proceed to do so by means of a mathematical equation even simpler than ours, involving as it does no operations beyond simple addition and subtraction. They say "Nothing obviously means Nothing; it has no qualities nor quantities." (The Advaitists said the same, and then stultified themselves completely by calling it One!) "But," continue the Sages of the Middle Kingdom, "it is always possible to reduce any expression to Nothing by taking any two equal and opposite terms." (Thus n = (-n) = 0.) "We ought therefore to be able to get any expression that we want from Nothing; we merely have to be careful that the terms shall be precisely opposite and equal." (0 = n + (-n). This then they did, and began to diagrammatize the Universe as the a pair of opposites, the Yang or active male, and the Yin or passive Female, principles. They represented the Yang by an unbroken ( ), the Yin by a broken ( ), line. (The first manifestation in Nature of these two is Thi Yang, the Sun, and the Thi Yin, the Moon.) This being a little large and loose, they doubled these lines, and obtained the four Hsiang. They then took them three at a time, and got the eight Kwa. These represent the development from the original {S.B. cap "I"} to the Natural Order of the Elements.
I shall call the male principle M, the Female F.
1.05 - Vishnu as Brahma creates the world, #Vishnu Purana, #Vyasa, #Hinduism
Now unfold to me, Brahman, how this deity created the gods, Sages, progenitors, demons, men, animals, trees, and the rest, that abide on earth, in heaven, or in the waters: how Brahmā at creation made the world with the qualities, the characteristics, and the forms of things[1].
Parāśara said:-
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MAITREYA. Thou hast briefly related to me, Muni, the creation of the gods and other beings: I am desirous, chief of Sages, to hear from thee a more ample account of their creation.
Parāśara said:-
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kṣipya is not 'repandant,' but 'restraining;' and Tiṣṭhatah being in the dual number, relates of course to only two of the series. The correct rendering is, 'These seven (Prajāpatis) created progeny, and so did Rudra; but Skanda and Sanatkumāra, restraining their power, abstained (from creation).' So the commentator: ###. These Sages, however, live as long as Brahmā, and they are only created by him in the first Kalpa, although their generation is very commonly, but inconsistently, introduced in the Vārāha or Pādma Kalpas. This creation, says the text, is both primary (Prākrita) and secondary (Vaikrita). It is the latter, according to the commentator, as regards the origin of these saints from Brahmā: it is the former as affects Rudra, who, though proceeding from Brahmā, in a certain form was in essence equally an immediate production of the first principle. These notions, the birth of Rudra and the saints, seem to have been borrowed from the Saivas, and to have been awkwardly engrafted upon the Vaiṣṇava system. Sanatkumāra and his brethren are always described in the Saiva Purāṇas as Yogis: as the Kūrma, after enumerating them, adds, 'These five, oh Brahmans, were Yogis, p. 39 who acquired entire exemption from passion:' and the Hari Vaṃśa, although rather Vaiṣṇava than Saiva, observes, that the Yogis celebrate these six, along with Kapila, in Yoga works. The idea seems to have been amplified also in the Saiva works; for the Li
ga P. describes the repeated birth of Śiva, or Vāmadeva, as a Kumāra, or boy, from Brahmā, in each Kalpa, who again becomes four. Thus in the twenty-ninth Kalpa Swetalohita is the Kumāra, and he becomes Sananda, Nandana, Viswananda, Upanandana; all of a white complexion: in the thirtieth the Kumāra becomes Virajas, Vivāhu, Visoka, Vīswabhāvana; all of a red colour: in the thirty-first he becomes four youths of a yellow colour: and in the thirty-second the four Kumāras were black. All these are, no doubt, comparatively recent additions to the original notion of the birth of Rudra and the Kumāras; itself obviously a sectarial innovation upon the primitive doctrine of the birth of the Prajāpatis, or will-born sons of Brahmā.
1.06 - Agni and the Truth, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
In the early Vedantic teaching of the Upanishads we come across a conception of the Truth which is often expressed by formulas taken from the hymns of the Veda, such as the expression already quoted, satyam r.tam br.hat, - the truth, the right, the vast. This Truth is spoken of in the Veda as a path leading to felicity, leading to immortality. In the Upanishads also it is by the path of the Truth that the Sage or seer, Rishi or Kavi, passes beyond. He passes out of the falsehood, out of the mortal
Agni and the Truth
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Whoever is in possession of this truth-consciousness or open to the action of these faculties, is the Rishi or Kavi, Sage or seer. It is these conceptions of the truth, satyam and r.tam, that we have to apply in this opening hymn of the Veda.
Agni in the Veda is always presented in the double aspect of force and light. He is the divine power that builds up the worlds, a power which acts always with a perfect knowledge, for it is jatavedas, knower of all births, visvani vayunani vidvan,
1.06 - BOOK THE SIXTH, #Metamorphoses, #Ovid, #Poetry
Hence, and reprove, with this your Sage advice,
Your giddy daughter, or your aukward neice;
1.06 - Dhyana and Samadhi, #Raja-Yoga, #Swami Vivkenanda, #unset
But it does not end here. There is a still higher plane upon which the mind can work. It can go beyond consciousness. Just as unconscious work is beneath consciousness, so there is another work which is above consciousness, and which also is not accompanied with the feeling of egoism. The feeling of egoism is only on the middle plane. When the mind is above or below that line, there is no feeling of "I", and yet the mind works. When the mind goes beyond this line of self-consciousness, it is called Samdhi or superconsciousness. How, for instance, do we know that a man in Samadhi has not gone below consciousness, has not degenerated instead of going higher? In both cases the works are unaccompanied with egoism. The answer is, by the effects, by the results of the work, we know that which is below, and that which is above. When a man goes into deep sleep, he enters a plane beneath consciousness. He works the body all the time, he breathes, he moves the body, perhaps, in his sleep, without any accompanying feeling of ego; he is unconscious, and when he returns from his sleep, he is the same man who went into it. The sum total of the knowledge which he had before he went into the sleep remains the same; it does not increase at all. No enlightenment comes. But when a man goes into Samadhi, if he goes into it a fool, he comes out a Sage.
What makes the difference? From one state a man comes out the very same man that he went in, and from another state the man comes out enlightened, a Sage, a prophet, a saint, his whole character changed, his life changed, illumined. These are the two effects. Now the effects being different, the causes must be different. As this illumination with which a man comes back from Samadhi is much higher than can be got from unconsciousness, or much higher than can be got by reasoning in a conscious state, it must, therefore, be superconsciousness, and Samadhi is called the superconscious state.
This, in short, is the idea of Samadhi. What is its application? The application is here. The field of reason, or of the conscious workings of the mind, is narrow and limited. There is a little circle within which human reason must move. It cannot go beyond. Every attempt to go beyond is impossible, yet it is beyond this circle of reason that there lies all that humanity holds most dear. All these questions, whether there is an immortal soul, whether there is a God, whether there is any supreme intelligence guiding this universe or not, are beyond the field of reason. Reason can never answer these questions. What does reason say? It says, "I am agnostic; I do not know either yea or nay." Yet these questions are so important to us. Without a proper answer to them, human life will be purposeless. All our ethical theories, all our moral attitudes, all that is good and great in human nature, have been moulded upon answers that have come from beyond the circle. It is very important, therefore, that we should have answers to these questions. If life is only a short play, if the universe is only a "fortuitous combination of atoms," then why should I do good to another? Why should there be mercy, justice, or fellow-feeling? The best thing for this world would be to make hay while the sun shines, each man for himself. If there is no hope, why should I love my brother, and not cut his throat? If there is nothing beyond, if there is no freedom, but only rigorous dead laws, I should only try to make myself happy here. You will find people saying nowadays that they have utilitarian grounds as the basis of morality. What is this basis? Procuring the greatest amount of happiness to the greatest number. Why should I do this? Why should I not produce the greatest unhappiness to the greatest number, if that serves my purpose? How will utilitarians answer this question? How do you know what is right, or what is wrong? I am impelled by my desire for happiness, and I fulfil it, and it is in my nature; I know nothing beyond. I have these desires, and must fulfil them; why should you complain? Whence come all these truths about human life, about morality, about the immortal soul, about God, about love and sympathy, about being good, and, above all, about being unselfish?
1.06 - Man in the Universe, #The Life Divine, #Sri Aurobindo, #Integral Yoga
11:To the Life-Spirit, therefore, the individual in whom its potentialities centre is pre-eminently Man, the Purusha. It is the Son of Man who is supremely capable of incarnating God. This Man is the Manu, the thinker, the Manomaya Purusha, mental person or soul in mind of the ancient Sages. No mere superior mammal is he, but a conceptive soul basing itself on the animal body in Matter. He is conscious Name or Numen accepting and utilising form as a medium through which Person can deal with substance. The animal life emerging out of Matter is only the inferior term of his existence. The life of thought, feeling, will, conscious impulsion, that which we name in its totality Mind, that which strives to seize upon Matter and its vital energies and subject them to the law of its own progressive transformation, is the middle term in which he takes his effectual station. But there is equally a supreme term which Mind in man searches after so that having found he may affirm it in his mental and bodily existence. This practical affirmation of something essentially superior to his present self is the basis of the divine life in the human being.
12:Awakened to a profounder self-knowledge than his first mental idea of himself, Man begins to conceive some formula and to perceive some appearance of the thing that he has to affirm. But it appears to him as if poised between two negations of itself. If, beyond his present attainment, he perceives or is touched by the power, light, bliss of a self-conscious infinite existence and translates his thought or his experience of it into terms convenient for his mentality, - Infinity, Omniscience, Omnipotence, Immortality, Freedom, Love, Beatitude, God, - yet does this sun of his seeing appear to shine between a double Night, - a darkness below, a mightier darkness beyond. For when he strives to know it utterly, it seems to pass into something which neither any one of these terms nor the sum of them can at all represent. His mind at last negates God for a Beyond, or at least it seems to find God transcending Himself, denying Himself to the conception. Here also, in the world, in himself, and around himself, he is met always by the opposites of his affirmation. Death is ever with him, limitation invests his being and his experience, error, inconscience, weakness, inertia, grief, pain, evil are constant oppressors of his effort. Here also he is driven to deny God, or at least the Divine seems to negate or to hide itself in some appearance or outcome which is other than its true and eternal reality.
1.06 - MORTIFICATION, NON-ATTACHMENT, RIGHT LIVELIHOOD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
The Christian simplicity, of which Grou and Fnelon write, is the same thing as the virtue so much admired by Lao Tzu and his successors. According to these Chinese Sages, personal sins and social maladjustments are all due to the fact that men have separated themselves from their divine source and live according to their own will and notions, not according to Taowhich is the Great Way, the Logos, the Nature of Things, as it manifests itself on every plane from the physical, up through the animal and the mental, to the spiritual. Enlightenment comes when we give up self-will and make ourselves docile to the workings of Tao in the world around us and in our own bodies, minds and spirits. Sometimes the Taoist philosophers write as though they believed in Rousseaus Noble Savage, and (being Chinese and therefore much more concerned with the concrete and the practical than with the merely speculative) they are fond of prescribing methods by which rulers may reduce the complexity of civilization and so preserve their subjects from the corrupting influences of man-made and therefore Tao-eclipsing conventions of thought, feeling and action. But the rulers who are to perform this task for the masses must themselves be Sages; and to become a Sage, one must get rid of all the rigidities of unregenerate adulthood and become again as a little child. For only that which is soft and docile is truly alive; that which conquers and outlives everything is that which adapts itself to everything, that which always seeks the lowest placenot the hard rock, but the water that wears away the everlasting hills. The simplicity and spontaneity of the perfect Sage are the fruits of mortificationmortification of the will and, by recollectedness and meditation, of the mind. Only the most highly disciplined artist can recapture, on a higher level, the spontaneity of the child with its first paint-box. Nothing is more difficult than to be simple.
May I ask, said Yen Hui, in what consists the fasting of the heart?
1.06 - On Thought, #Words Of Long Ago, #The Mother, #Integral Yoga
Ceasing to delight in joy, he remained indifferent, conscious, self-controlled, and attained the third dhma, experiencing the inmost contentment proclaimed by the Sages, saying, One who, self-controlled, dwells in indifference, experiences an inner well-being.
Setting aside this well-being, rejecting pain, dead to both joy and suffering, he attained the state of most pure and perfect self-mastery and serenity which constitute the fourth dhma.
1.06 - Origin of the four castes, #Vishnu Purana, #Vyasa, #Hinduism
Thou hast briefly noticed, illustrious Sage, the creation termed Arvāksrotas, or that of mankind: now explain to me more fully how Brahmā accomplished it; how he created the four different castes; what duties he assigned to the Brahmans and the rest[1].
Parāśara said:-
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[10]: These worlds, some of which will be more particularly described in a different section, are the seven Lokas or spheres above the earth: 1. Prājāpatya or Pitri loka: 2. Indra loka or Swerga: 3. Marut loka or Diva loka, heaven: 4. Gandharva loka, the region of celestial spirits; also called Maharloka: 5. Janaloka, or the sphere of saints; some copies read eighteen thousand; others, as in the text, which is also the reading of the Padma Purāṇa: 6. Tapaloka, the world of the seven Sages: and 7. Brahma loka or Satya loka, the world of infinite wisdom and truth. The eighth, or high world of Viṣṇu, is a sectarial addition, which in the Bhāgavata is called Vaikuntha, and in the Brahma Vaivartta, Goloka; both apparently, and most certainly the last, modern inventions.
[11]: The divisions of Naraka, or hell, here named, are again more particularly enumerated, b. II. c. 6.
1.06 - THE MASTER WITH THE BRAHMO DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Generally the body does not remain alive after the attainment of samdhi. The only exceptions are such Sages as Narada, who keep their bodies alive in order to bring spiritual light to others. It is also true of Divine Incarnations, like Chaitanya. After the well is dug, one generally throws away the spade and the basket. But some keep them in order to help their neighbours. The great souls who retain their bodies after samdhi feel compassion for the suffering of others. They are not so selfish as to be satisfied with their own illumination. You are well aware of the nature of selfish people. If you ask them to spit at a particular place, they won't, lest it should do you good. If you ask them to bring a sweetmeat worth a cent from the store, they will perhaps lick it on the way back. (All laugh.)
"But the manifestations of Divine Power are different in different beings. Ordinary souls are afraid to teach others. A piece of worthless timber may itself somehow float across the water, but it sinks even under the weight of a bird. Sages like Narada are like a heavy log of wood, which not only floats on the water but also can carry men, cows, and even elephants.
(To Shivanath and the other Brahmo devotees) "Can you tell me why you dwell so much on the powers and glories of God? I asked the same thing of Keshab Sen. One day Keshab and his party came to the temple garden at Dakshineswar. I told them I wanted to hear how they lectured. A meeting was arranged in the paved courtyard above the bathing-ghat on the Ganges, where Keshab gave a talk. He spoke very well. I went into a trance. After the lecture I said to Keshab, 'Why do you so often say such things as: "O
1.06 - The Three Schools of Magick 1, #Magick Without Tears, #Aleister Crowley, #Philosophy
Therefore the Sage concentrateth upon one Will, and it is as a light to the whole world. Hiding himself, he shineth; withdrawing himself, he attracteth notice; humbling himself, he gaineth force to achieve his Will. Because he striveth not, no man may contend against him.
XLIII 1
1.06 - Yun Men's Every Day is a Good Day, #The Blue Cliff Records, #Yuanwu Keqin, #Zen
the Sages since antiquity."
For twenty years Ling Shu did not appoint a head monk. He
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the Knowing Sage Ch'an Master, since he knew of all past and
future events in advance.
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Later Yun Men produced the Four Sages: Tung Shan Shou
Ch'u, Chih Men Shih Kuan, Te Shan Yuan Mi, and Hsiang Lin
1.075 - Self-Control, Study and Devotion to God, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
Even Garuda, who is the fastest of birds, cannot move if he is shackled with iron chains. What is the use of saying that he is a very fast bird? He cannot move, because he has been tied to a peg with strong ropes or chains. Likewise, whatever be our ardour, whatever be our longing or fervour, that would be set at naught by the calls of the earth the demands of the senses, the feelings of the mind, and the loves of the emotions. These are terrific things, and the teacher of yoga has been cautious in laying the basic foundations in the very beginning itself so that these impediments may be obviated to a large extent. No one can be completely free from them, not even the best of Sages. One day or the other they will come in some form, but at least they will be in a milder form not in a violent, wind-like form.
The advice intended by these sutras propounding the yamas and the niyamas is that no one, not even the best of students of yoga, can be free from the possibility of a reversion. There is no such thing as the best of students everyone is in some stage which is other than the best. And so, there is always a chance of it being possible for one to listen to the calls of the realms which one has attempted to transcend, inasmuch as the senses, or the means of perception belonging to the earlier stages, are still present.
1.07 - A Song of Longing for Tara, the Infallible, #How to Free Your Mind - Tara the Liberator, #Thubten Chodron, #unset
The great Indian Sage Shantideva practiced in a similar way. In fact, the
other monks used to call him The One Who Does Three Things. What
1.07 - Hui Ch'ao Asks about Buddha, #The Blue Cliff Records, #Yuanwu Keqin, #Zen
The thousand Sages have not transmitted the single word be
fore sound; if you have never seen it personally, it's as if it were
1.07 - Jnana Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
25. The liberated Sage is ever blissful. He rests in his own Satchidananda Svaroopa. He is free from egoism, lust, hatred, greed, anger and the pairs of opposites. He has equal vision and balanced mind. He is Brahman Himself.
26. OM is the symbol of Brahman. OM is your real name. Meditate on Om with Bhava and its meaning. You will attain Self-realisation.
1.07 - Note on the word Go, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
There is only one other pas Sage we have now left for examination but it is of considerable importance & interest. It is in the hymn ascribed to the son of Madhuchchhanda, though very probably it isMadhuchchhandas own, the eleventh hymn and the fifth verse. Twam Valasya gomato apavar adrivo bilam, Twam deva abibhyushas tujyamanasa avishuh. Thou, O dweller on the mountain, didst uncover the lair of Vala the luminous, Thee the gods entered unfearing & protected. Indra, the dweller on the mountain of being, he who established in Swarga looks ever upward, has, to assist the strivings of man, uncovered the lair of Vala the luminous. Who is Vala the luminous? Does gomat mean the fellow who has the cows & is Vala a demon of cloud or darkness afflicted with the cow-stealing propensities, the Titanic bovi-kleptomania attributed by tradition to the Panis? He is, I suggest, one of the Titans who deny a higher ascent to man, a Titan who possesses but withholds & hides the luminous realms of ideal truth from man,interposing the hiranmayam patram of the Isha Upanishad, the golden cover or lid, by which the face of truth is concealed, satyasyapihitam mukham. Tat twam Pushan apavrinu, cries the Vedantic Sage, using the same word apavri, but he calls to Surya, not to Indra, because he seeks the possession of the Vedanta, the sight of the rupam kalyanatamam which belongs to those who can meet Surya in his own home. The Vedic seer, at an earlier stage of the struggle, is satisfied with the minor conquests of Indra. He does not yet rise to those heights where Indra working in the mind is no longer a supreme helper, but may even be, as the Puranas tell us, an obstacle and an opponentbecause activity of mind even the highest, so long as it is not abandoned and overpassed, interferes with a yet higher attainment. It is only by rejecting Indra that we can dwell with Surya in his luminous halls, Tena tyaktena bhunjithah. Nevertheless the conquest over Bala is for humanity in its present stage a great conquest, and when & because it is accomplished the other gods can enter safely into the mental force & work in it, fearless because protected by Indras victorious might. For he is now Balabhid; he has pierced Bala & is no longer liable to that fear which overtook him when Vritra only had been overthrowna fear due to his perceiving the immensity of the task that still remained & the more formidable enemies beyond. We shall come again to Bala & the Titans & the meaning of these divine battles,viryani yani chakara prathamani vajri.
All the pas Sages I have quoted proceed from the hymns of Madhuchchhanda son of Viswamitra, the opening eleven hymns of the Rigveda. This seer is one of the deepest & profoundest of the spirits chosen as vessels & channels of the divine knowledge of the Veda, one of those who least loses the thing symbolised in the material symbol, but who tends rather to let the symbol disappear in that which it symbolises. The comparison of the maker of beautiful images to the milch cow & Indra to the milker is an example of his constant tendency the word gavam is avoided with sudugham, so that the idea of milking or pressing forth may be suggested without insisting on the material image of the cow, & in goduhe, the symbol of the cow melts away into the thing symbolised, knowledge, light, illumination. A comparison with Medhatithi son of Kanwa brings out the difference. In Madhuchchhandas hymns the materialist rendering is often inapplicable & even when applicable yields a much poorer sense than the symbolic renderingbecause the seer is little concerned with the symbol except as the recognised means of suggesting things supramaterial. But Medhatithi is much concerned with the symbol & not indifferent to the outer life; in his hymns the materialist rendering gives us a good sense without excluding the symbolic, but often the symbolic has to be sought for & if we did not know the true Vedic tradition from Madhuchchhanda we could not gather it unaided from Medhatithi. The son of Viswamitra is deeply concerned with knowledge & with immortality & rapture as its attendant circumstances & conditions, the son of Kanwa, though not indifferent to knowledge, with the intoxication of the wine of immortality & its outpouring in mortal life & action. To use Vedic symbolism, one is a herder of kine, the other a herder of horses; Madhuchchhandas totem is the meditative cow, Medhatithis the rapid & bounding horse. There is a great calm, depth & nobility in the first eleven hymns, a great verve, joy, energy & vibrant force in the twelve that follow.
1.07 - Production of the mind-born sons of Brahma, #Vishnu Purana, #Vyasa, #Hinduism
Madhusūdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prākritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual[15]: The first, also termed the Brāhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the Sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prākrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Purāṇas, constant creation. In this manner the mighty Viṣṇu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Viṣṇu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns. ootnotes and references:
[1]: It is not clear which of the previous narratives is here referred to, but it seems most probable that the account in p. 35, 36. is intended.
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[15]: The three first of these are more particularly described in the last book: the last, the Nitya, or constant, is differently described by Col. Vans Kennedy (Ancient and Hindu Mythology, p. 224, note). "In the 7th chapter," he observes, "of the Viṣṇu Purāṇa four kinds of Pralaya are described. The Naimittika takes place when Brahmā slumbers: the Prākritika when this universe returns to its original nature: Atyantika proceeds from divine knowledge: and Nitya is the extinction of life, like the extinction of a lamp, in sleep at night." For this last characteristic, however, our text furnishes no warrant; nor can it be explained to signify, that the Nitya Pralaya means no more p. 57 than "a man's falling into a sound sleep at night." All the copies consulted on the present occasion coñcur in reading ### as rendered above. The commentator supplies the illustration, 'like the flame of a lamp;' but he also writes, 'That which is the destruction of all that are born, night and day, is the Nitya, or constant.' Again, in a verse presently following we have the Nitya Sarga, 'constant or perpetual creation,' as opposed to constant dissolution: 'That in which, oh excellent Sages, beings are daily born, is termed constant creation, by those learned in the Purāṇas.' The commentator explains this, 'The constant flow or succession of the creation of ourselves and other creatures is the Nitya or constant creation: this is the meaning of the text.' It is obvious, therefore, that the alternation intended is that of life and death, not of waking and sleep.
1.07 - Raja-Yoga in Brief, #Raja-Yoga, #Swami Vivkenanda, #unset
The following are helps to success in Yoga and are called Niyama or regular habits and observances; Tapas, austerity; Svdhyya, study; Santosha, contentment; Shaucha, purity; Ishvara-pranidhna, worshipping God. Fasting, or in other ways controlling the body, is called physical Tapas. Repeating the Vedas and other Mantras, by which the Sattva material in the body is purified, is called study, Svadhyaya. There are three sorts of repetitions of these Mantras. One is called the verbal, another semi-verbal, and the third mental. The verbal or audible is the lowest, and the inaudible is the highest of all. The repetition which is loud is the verbal; the next one is where only the lips move, but no sound is heard. The inaudible repetition of the Mantra, accompanied with the thinking of its meaning, is called the "mental repetition," and is the highest. The Sages have said that there are two sorts of purification, external and internal. The purification of the body by water, earth, or other materials is the external purification, as bathing etc. Purification of the mind by truth, and by all the other virtues, is what is called internal purification. Both are necessary. It is not sufficient that a man should be internally pure and externally dirty. When both are not attainable the internal purity is the better, but no one will be a Yogi until he has both. Worship of God is by praise, by thought, by devotion.
We have spoken about Yama and Niyama. The next is Asana (posture). The only thing to understand about it is leaving the body free, holding the chest, shoulders, and head straight. Then comes Pranayama. Prana means the vital forces in one's own body, yma means controlling them. There are three sorts of Pranayama, the very simple, the middle, and the very high. Pranayama is divided into three parts: filling, restraining, and emptying. When you begin with twelve seconds it is the lowest Pranayama; when you begin with twenty-four seconds it is the middle Pranayama; that Pranayama is the best which begins with thirty-six seconds. In the lowest kind of Pranayama there is perspiration, in the medium kind, quivering of the body, and in the highest Pranayama levitation of the body and influx of great bliss. There is a Mantra called the Gyatri. It is a very holy verse of the Vedas. "We meditate on the glory of that Being who has produced this universe; may He enlighten our minds." Om is joined to it at the beginning and the end. In one Pranayama repeat three Gayatris. In all books they speak of Pranayama being divided into Rechaka (rejecting or exhaling), Puraka (inhaling), and Kurnbhaka (restraining, stationary). The Indriyas, the organs of the senses, are acting outwards and coming in contact with external objects. Bringing them under the control of the will is what is called Pratyahara or gathering towards oneself. Fixing the mind on the lotus of the heart, or on the centre of the head, is what is called Dharana. Limited to one spot, making that spot the base, a particular kind of mental waves rises; these are not swallowed up by other kinds of waves, but by degrees become prominent, while all the others recede and finally disappear. Next the multiplicity of these waves gives place to unity and one wave only is left in the mind. This is Dhyana, meditation. When no basis is necessary, when the whole of the mind has become one wave, one-formedness, it is called Samadhi. Bereft of all help from places and centres, only the meaning of the thought is present. If the mind can be fixed on the centre for twelve seconds it will be a Dharana, twelve such Dharanas will be a Dhyana, and twelve such Dhyanas will be a Samadhi.
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There was a great god- Sage called Nrada. Just as there are Sages among mankind, great Yogis, so there are great Yogis among the gods. Narada was a good Yogi, and very great. He travelled everywhere. One day he was passing through a forest, and saw a man who had been meditating until the white ants had built a huge mound round his body so long had he been sitting in that position. He said to Narada, "Where are you going?" Narada replied, "I am going to heaven." "Then ask God when He will be merciful to me; when I shall attain freedom." Further on Narada saw another man. He was jumping about, singing, dancing, and said, "Oh, Narada, where are you going?" His voice and his gestures were wild. Narada said, "I am going to heaven." "Then, ask when I shall be free." Narada went on. In the course of time he came again by the same road, and there was the man who had been meditating with the ant-hill round him. He said, "Oh, Narada, did you ask the Lord about me?" "Oh, yes." "What did He say?" "The Lord told me that you would attain freedom in four more births." Then the man began to weep and wail, and said, "I have meditated until an ant-hill has grown around me, and I have four more births yet!" Narada went to the other man. "Did you ask my question?" "Oh, yes. Do you see this tamarind tree? I have to tell you that as many leaves as there are on that tree, so many times, you shall be born, and then you shall attain freedom." The man began to dance for joy, and said, "I shall have freedom after such a short time!" A voice came, "My child, you will have freedom this minute." That was the reward for his perseverance. He was ready to work through all those births, nothing discouraged him. But the first man felt that even four more births were too long. Only perseverance, like that of the man who was willing to wait aeons brings about the highest result.
1.07 - The Farther Reaches of Human Nature, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
First and foremost, if this higher unfolding is to be called "religious" or "spiritual," it is a very far cry from what is ordinarily meant by those terms. We have spent several chapters painstakingly reviewing the earlier developments of the archaic, magic, and mythic structures (which are usually associated with the world's great religions), precisely because those structures are what transpersonal and contemplative development is not. And here we can definitely agree with Campbell: if 99.9 percent of people want to call magic and mythic "real religion," then so be it for them (that is a legitimate use);10 but that is not what the world's greatest yogis, saints, and Sages mean by mystical or "really religious" development, and in any event is not what I have in mind. Campbell, however, is quite right that a very, very few individuals, during the magic and mythic and rational eras, were indeed able to go beyond magic, beyond mythic, and beyond rational-into the transrational and transpersonal domains. And even if their teachings (such as those of Buddha, Christ, Patanjali, Padmasambhava, Rumi, and Chih-i) were snapped up by the masses and translated downward into magic and mythic and egoic terms-"the salvation of the individual soul"-that is not what their teachings clearly and even blatantly stated, nor did they intentionally lend any support to such endeavors. Their teachings were about the release from individuality, and not about its everlasting perpetuation, a grotesque notion that was equated flat-out with hell or samsara. Their teachings, and their contemplative endeavors, were (and are) transrational through and through. That is, although all of the contemplative traditions aim at going within and beyond reason, they all start with reason, start with the notion that truth is to be established by evidence, that truth is the result of experimental methods, that truth is to be tested in the laboratory of personal experience, that these truths are open to all those who wish to try the experiment and thus disclose for themselves the truth or falsity of the spiritual claims-and that dogmas or given beliefs are precisely what hinder the emergence of deeper truths and wider visions.
Thus, each of these spiritual or transpersonal endeavors (which we will carefully examine) claims that there exist higher domains of awareness, embrace, love, identity, reality, self, and truth. But these claims are not dogmatic; they are not believed in merely because an authority proclaimed them, or because sociocentric tradition hands them down, or because salvation depends upon being a "true believer." Rather, the claims about these higher domains are a conclusion based on hundreds of years of experimental introspection and communal verification. False claims are rejected on the basis of consensual evidence, and further evidence is used to adjust and fine-tune the experimental conclusions.
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But one must be adequate to the experience, or it remains an invisible other world. When the yogis and Sages and contemplatives make a statement like, "The entire world is a manifestation of one Self," that is not a merely rational statement that we are to think about and see if it makes logical sense. It is rather a description, often poetic, of a direct apprehension or a direct experience, and we are to test this direct experience, not by mulling it over philosophically, but by taking up the experimental method of contemplative awareness, developing the requisite cognitive tools, and then directly looking for ourselves.
As Emerson put it, "What we are, that only can we see."
1.07 - The Fourth Circle The Avaricious and the Prodigal. Plutus. Fortune and her Wheel. The Fifth Circle The Irascible and the Sullen. Styx., #The Divine Comedy, #Dante Alighieri, #Christianity
And that benignant Sage, who all things knew,
Said, to encourage me: "Let not thy fear
1.07 - The Mantra - OM - Word and Wisdom, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
This direction of the worshipper's mind is guided by its prevailing elements or Tattvas. The result is that the same God will be seen in various manifestations as the possessor of various predominant qualities, and the same universe will appear as full of manifold forms. Even as in the case of the least differentiated and the most universal symbol Om, thought and sound-symbol are seen to be inseparably associated with each other, so also this law of their inseparable association applies to the many differentiated views of God and the universe: each of them therefore must have a particular wordsymbol to express it. These word-symbols, evolved out of the deepest spiritual perception of Sages, symbolise and express, as nearly as possible the particular view of God and the universe they stand for.
And as the Om represents the Akhanda, the undifferentiated Brahman, the others represent the Khanda or the differentiated views of the same Being; and they are all helpful to divine meditation and the acquisition of true knowledge.
1.07 - THE MASTER AND VIJAY GOSWAMI, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
The Master continued: "There are some who come down, as it were, after attaining the Knowledge of Brahman-after samdhi-and retain the 'ego of Knowledge' or the 'ego of Devotion', just as there are people who, of their own sweet will, stay in the marketplace after the market breaks up. This was the case with Sages like Narada. They kept the 'ego of Devotion' for the purpose of teaching men. Sankaracharya kept the 'ego of Knowledge' for the same purpose.
"God cannot be realized if there is the slightest attachment to the things of the world. A thread cannot pass through the eye of a needle if the tiniest fibre sticks out.
1.07 - The Psychic Center, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
Furthermore, the spiritualists could hardly have reached a conclusion different in nature from their premises. Having started from the idea that the earthly world is an illusion, or an intermediate realm more or less surrendered to the flesh and the devil, they could only arrive where their premises took them: they typically sought liberation and salvation outside the world. Instead of patiently exploring all the human resources mental, vital, physical, and psychic to free them from their sclerosis and to widen them, that is, divinize them as the Vedic Sages had done (perhaps also the Sages of the ancient Mysteries,
not to mention Sri Aurobindo), they rejected everything and sought to shoot at once from pure mind to pure spirit. 85 So naturally they could not see what they would not see. The materialists, too, are guilty of evasion, but in a reverse way: they have explored a speck of physical reality and rejected everything else; starting from the idea that matter alone is real and the rest is hallucination, they, too, could only end up where their premises took them. However, if we start in all simplicity,
1.07 - TRUTH, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
Wait a minute, he said presently, Id better just leave a record of some kind, in case I have trouble with Buddha. He plucked a hair and blew on it with magic breath, crying, Change! It changed at once into a writing brush charged with heavy ink, and at the base of the central pillar he wrote, The Great Sage Equal to Heaven reached this place. Then, to mark his disrespect, he relieved nature at the bottom of the first pillar, and somersaulted back to where he had come from. Standing on Buddhas palm, he said, Well, Ive gone and come back. You can go and tell the Jade Emperor to hand over the palaces of Heaven.
You stinking ape, said Buddha, youve been on the palm of my hand all the time.
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Monkey peered down with his fiery, steely eyes, and there at the base of the middle finger of Buddhas hand he saw written the words, The Great Sage Equal to Heaven reached this place, and from the fork between the thumb and first finger came a smell of monkeys urine.
From Monkey
1.08 - Adhyatma Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
46. Worship the Gods, the preceptor, the wise, Sages, Yogis, Munis, saints and Sannyasins, learned Brahmins. Be straightforward. Be pure. Observe Brahmacharya. Practise Ahimsa. This is austerity of body.
47. Speak the truth. Speak that which generates love. Speak that which is beneficent. This is austerity of speech.
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51. A liberated Sage is free from passion, attachment, fear, anger, egoism. He has a balanced mind and equal vision.
52. No one can slay or destroy this Atman or soul because It is extremely subtle, formless. It is Spirit, not matter.
1.08 - BOOK THE EIGHTH, #Metamorphoses, #Ovid, #Poetry
Mopsus the Sage, who future things foretold;
And t' other seer, yet by his wife unsold.
1.08 - Civilisation and Barbarism, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
Moreover, although man has not yet really heard and understood the mes Sage of the Sages,know thyself, he has accepted the mes Sage of the thinker, educate thyself, and, what is more, he has understood that the possession of education imposes on him the duty of imparting his knowledge to others. The idea of the necessity of general education means the recognition by the race that the mind and not the life and the body are the man and that without the development of the mind he does not possess his true manhood. The idea of education is still primarily that of intelligence and mental capacity and knowledge of the world and things, but secondarily also of moral training and, though as yet very imperfectly, of the development of the aesthetic faculties. The intelligent thinking being, moralised, controlling his instincts and emotions by his will and his reason, acquainted with all that he should know of the world and his past, capable of organising intelligently by that knowledge his social and economic life, ordering rightly his bodily habits and physical being, this is the conception that now governs civilised humanity. It is, in essence, a return to and a larger development of the old Hellenic ideal, with a greater stress on capacity and utility and a very diminished stress on beauty and refinement. We may suppose, however, that this is only a passing phase; the lost elements are bound to recover their importance as soon as the commercial period of modern progress has been overpassed, and with that recovery, not yet in sight but inevitable, we shall have all the proper elements for the development of man as a mental being.
The old Hellenic or Graeco-Roman civilisation perished, among other reasons, because it only imperfectly generalised culture in its own society and was surrounded by huge masses of humanity who were still possessed by the barbarian habit of mind. Civilisation can never be safe so long as, confining the cultured mentality to a small minority, it nourishes in its bosom a tremendous mass of ignorance, a multitude, a proletariate. Either knowledge must enlarge itself from above or be always in danger of submergence by the ignorant night from below. Still more must it be unsafe, if it allows enormous numbers of men to exist outside its pale uninformed by its light, full of the natural vigour of the barbarian, who may at any moment seize upon the physical weapons of the civilised without undergoing an intellectual transformation by their culture. The Graeco-Roman culture perished from within and from without, from without by the floods of Teutonic barbarism, from within by the loss of its vitality. It gave the proletariate some measure of comfort and amusement, but did not raise it into the light. When light came to the masses, it was from outside in the form of the Christian religion which arrived as an enemy of the old culture. Appealing to the poor, the oppressed and the ignorant, it sought to capture the soul and the ethical being, but cared little or not at all for the thinking mind, content that that should remain in darkness if the heart could be brought to feel religious truth. When the barbarians captured the Western world, it was in the same way content to Christianise them, but made it no part of its function to intellectualise. Distrustful even of the free play of intelligence, Christian ecclesiasticism and monasticism became anti-intellectual and it was left to the Arabs to reintroduce the beginnings of scientific and philosophical knowledge into a semi-barbarous Christendom and to the half-pagan spirit of the Renaissance and a long struggle between religion and science to complete the return of a free intellectual culture in the re-emerging mind of Europe. Knowledge must be aggressive, if it wishes to survive and perpetuate itself; to leave an extensive ignorance either below or around it, is to expose humanity to the perpetual danger of a barbaric relapse.
1.08 - Origin of Rudra: his becoming eight Rudras, #Vishnu Purana, #Vyasa, #Hinduism
giras; Viśvavasu, with his bands of heavenly choristers; the Sages Nārada and Pārvata; and innumerable troops of celestial nymphs. The breeze blew upon the mountain, bland, pure, and fragrant; and the trees were decorated with flowers, that blossomed in every season. The Vidyādharas and Siddhas, affluent in devotion, waited upon Mahādeva, the lord of living creatures; and many other beings, of various forms, did him homage. Rākṣasas of terrific semblance, and Pisācas of great strength, of different shapes and features, armed with various weapons, and blazing like fire, were delighted to be present, as the followers of the god. There stood the royal Nandī, high in the favour of his lord, armed with a fiery trident, shining with inherent lustre; and there the best of rivers, Ga
gā, the assemblage of all holy waters, stood adoring the mighty deity. Thus worshipped by all the most excellent of Sages and of gods, abode the omnipotent and all-glorious Mahādeva.
"In former times, Dakṣa commenced a holy sacrifice on the side of Himavān, at the sacred spot Ga
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gadvāra, as tradition reports[2]. They found Dakṣa, the best of the devout, surrounded by the singers and nymphs of heaven, and by numerous Sages, beneath the shade of clustering trees and climbing plants; and all of them, whether dwellers on earth, in air, or in the regions above the skies, approached the patriarch with outward gestures of respect. The Ādityas, Vasus, Rudras, Maruts, all entitled to partake of the oblations, together with Jiṣṇu, were present. The four classes of Pitris, Ushmapās, Somapās, Ājyapās, and Dhūmapās, or those who feed upon the flame, the acid juice, the butter, or the smoke of offerings, the Aswins and the progenitors, came along with Brahmā. Creatures of every class, born from the womb, the egg, from vapour, or vegetation, came upon their invocation; as did all the gods, with their brides, who in their resplendent vehicles blazed like so many fires. Beholding them thus assembled, the Sage Dadhīca was filled with indignation, and observed, 'The man who worships what ought not to be worshipped, or pays not reverence where veneration is due, is guilty, most assuredly, of heinous sin.' Then addressing Dakṣa, he said to him, 'Why do you not offer homage to the god who is the lord of life (Paśubhartri)?' Dakṣa spake; 'I have already many Rudras present, armed with tridents, wearing braided hair, and existing in eleven forms: I recognise no other Mahādeva.' Dadhīca spake; 'The invocation that is not addressed to Īśa, is, for all, but a solitary (and imperfect) summons. Inasmuch as I behold no other divinity who is superior to Śa
kara, this sacrifice of Dakṣa will not be completed.' Dakṣa spake; I offer, in a golden cup, this entire oblation, which has been consecrated by many prayers, as an offering ever due to the unequalled Viṣṇu, the sovereign lord of all[3].'
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[1]: The sacrifice of Dakṣa is a legend of some interest, from its historical and archeological relations. It is obviously intended to intimate a struggle between the worshippers of Śiva and of Viṣṇu, in which at first the latter, but finally the former, acquired the ascendancy. It is also a favourite subject of Hindu sculpture, at least with the Hindus of the Śaiva division, and makes a conspicuous figure both at Elephanta and Ellora. A representation of the dispersion and mutilation of the gods and Sages by Vīrabhadra, at the former, is published in the Archæologia, VII. 326, where it is described as the Judgment of Solomon! a figure of Vīrabhadra is given by Niebuhr, vol. II. tab. 10: and the entire group in the Bombay Transactions, vol. I. p. 220. It is described, p. 229; but Mr. Erskine has not verified the subject, although it cannot admit of doubt. The groupe described, p. 224, probably represents the introductory details given in our text. Of the Ellora sculptures, a striking one occurs in what Sir C. Malet calls the Doomar Leyna cave, where is "Veer Budder, with eight hands. In one is suspended the slain Rajah Dutz." A. R. VI. 396. And there is also a representation of 'Ehr Budr,' in one of the colonades of Kailas; being, in fact, the same figure as that at Elephanta. Bombay Tr. III. 287. The legend of Dakṣa therefore was popular when those cavern temples were excavated. The story is told in much more detail in several other Purāṇas, and with some variations, which will be noticed: but the above has been selected as a specimen of the style of the Vāyu Purāṇa, and as being a narration which, from its inartificial, obscure, tautological, and uncircumstantial construction, is probably of an ancient date. The same legend, in the same words, is given in the Brāhma P.
[2]: Or this may he understood to imply, that the original story is in the Vedas; the term being, as usual in such a reference, ###. Ga
1.08 - The Change of Vision, #On the Way to Supermanhood, #Satprem, #Integral Yoga
But once more we are struck by the same peculiarity. What we discover are not eternal and sublime truths, not triumphs of the geometrical mind that confines the world in an equation, not seeds of dogma or revelations atop the Sinais of the world, but minuscule little truths, vivid and light, smiles of truth along the path and in everyday commonplaceness a minuscule, contagious truth which seems to spread from place to place and light up even the rocks: a truth of the earth, a truth of matter. And when we can trap a single one of these little whimsical smiles, we are richer than if the illuminations of all the Sages put together were bestowed on us, because we have touched the truth with our eyes wide open and with our body maybe because the Supreme Truth is also there, in an infinitesimal wisp of straw as much as in the totality of all the ages.
But, beyond all meanings being released from their hiding place, the seeker touches upon an even greater mystery, something so elusive and so strong, which makes his heart flutter every time he thinks he has caught a glimpse of it oh, something that is well hidden, that will not let itself be caught and put into thoughts or mental ciphers: a supreme Cipher that deciphers all and is like the true key to the new world. Behind all his gropings and stumblings and dozens of wrong turns every day, his cries in the dark, he senses a sort of Help something is answering.... One must have walked long in the dark to appreciate the marvel of that particular answer. Something answers, moves, hears, knows where we are going! As if the new world were all here, already done, innumerably mapped under our steps and under each step of each being at each instant and we gradually enter its geography. This is really the sign of the new world: it is here; there is no distance to travel, no waiting in prayer, no cry to echo across empty spaces in order to seduce the godhead veiled in the clouds, no intensity of concentration, no long-drawn-out years or protracted efforts or arduous repetitions to try to move a deaf Force it is here, the instantaneous answer, the boon in the flesh, the vital sign, the living demonstration. It takes but a simple call. It takes but a little cry of pure truth. Actually, we do not seek; we are sought. We do not call; we are called. We grope about only as long as we want to do everything by ourselves. There is nothing to do! There is everything to undo, and let the new world flow freely, let its unexpected rivers and paths run under our steps. One brief second of abandon, and it comes in; it is there, smiling. Everything is already there! When the ape felt he was exerting himself so much to capture a subtle little vibration, when he caught hold of a thought by chance, without knowing how or why, at the moment when his simian machinery was not working as usual, he, too, perhaps was walking in a new mental geography that was waiting for his lapses of apehood and a brief second of abandon to the mystery of the new world. We think that everything comes out of our wonderful brains, but we are the tools of a greater self, the translators of an approaching marvel, the transmitters of a growing music. But the music must be allowed to flow freely; the instrument must be clear.
1.08 - The Depths of the Divine, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
I have chosen Meister Eckhart and Sri Ramana Maharshi to illustrate both of these "stages" (causal and nondual), since we find in both of them not only a breakthrough to the causal, but also through the causal to the ultimate or Nondual, and as inadequate and misleading as words here invariably are, at least an indication of these two "movements" can be clearly and unmistakably discerned in both of these extraordinary Sages.
Sri Ramana Maharshi (echoing Shankara) summarizes the "viewpoint" of the ultimate or Nondual realization:
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Like Eckhart, Sri Ramana Maharshi, India's greatest modern Sage, begins by merely giving us some verbal pointers and information about the Self and its relation to God (and Godhead). But he will soon, we will see, go beyond mere chatter and point directly to the unknown and unknowing Source. So here he speaks in "positive" terms, before drawing us into Divine Ignorance.
The Self is known to everyone but not clearly. The Being is the Self. "I am" is the name of God. Of all the definitions of God, none is indeed so well put as the Biblical statement I AM THAT I AM. The Absolute Being is what is-It is the Self. It is God. Knowing the Self, God is known. In fact, God is none other than the Self.50
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As for the pure Self/Spirit or Godhead, Ramana constantly repeats, in words virtually identical to Eckhart's (and to the Sages of this level the world over) that the Self is not body, not mind, not thought; it is not feelings, not sensations, not perceptions; it is radically free of all objects, all subjects, all dualities; it cannot be seen, cannot be known, cannot be thought. "In that state there is Being alone. There is no you, nor I, nor he; no present, nor past, nor future. It is beyond time and space, beyond expression. It is ever there."52
The Self is "not this, not that," which in Sanskrit is the "neti, neti" I bracketed in Eckhart's quotation. The Self is not this, not that, precisely because it is the pure Witness of this or that, and thus in all cases transcends any this and any that. The Self cannot even be said to be "One," for that is just another quality, another object that is perceived or witnessed. The Self is not "Spirit"; rather, it is that which, right now, is witnessing that concept. The Self is not the "Witness"-that is just another word or concept, and the Self is that which is witnessing that concept. The Self is not Emptiness, the Self is not a pure Self-and so on.
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The Self is not born nor does it die. The Sages see everything in the Self. There is no diversity in it. If a man thinks that he is born and cannot avoid the fear of death, let him find out if the Self has any birth. He will discover that the Self always exists, that the body which is born resolves itself into thought and that the emergence of thought is the root of all mischief. Find the source of thoughts. Then you will abide in the everpresent inmost Self and be free from the idea of birth and the fear of death.55
As one pursues this "self-inquiry" into the source of thoughts, into the source of "I" and the "world," one enters a state of pure empty awareness, free of all objects whatsoever-precisely Eckhart's "completely unaware of all things"-which in Vedanta is known as nirvikalpa samadhi (nirvikalpa means "without any qualities or objects"). In awareness, there is perfect clarity, perfect consciousness, but the entire manifest world (up to and including the subtle) simply ceases to arise, and one is directly introduced to what Eckhart called "the naked existence of Godhead." Sri Ramana:
1.08 - The Gods of the Veda - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
Moreover, even their moralised gods were only the superficial & exterior aspect of the Greek religion. Its deeper life fed itself on the mystic rites of Orpheus, Bacchus, the Eleusinian mysteries which were deeply symbolic and remind us in some of their ideas & circumstances of certain aspects of Indian Yoga. The mysticism & symbolism were not an entirely modern development. Orpheus, Bacchus & Demeter are the centre of an antique and prehistoric, even preliterary mind-movement. The element may have been native to Greek religious sentiment; it may have been imported from the East through the Aryan races or cultures of Asia Minor; but it may also have been common to the ancient systems of Greece & India. An original community or a general diffusion is at least possible. The double aspect of exoteric practice and esoteric symbolism may have already been a fundamental characteristic of the Vedic religion. Is it entirely without significance that to the Vedic mind men were essentially manu, thinkers, the original father of the race was the first Thinker, and the Vedic poets in the idea of their contemporaries not merely priests or sacred singers or wise bards but much more characteristically manishis & rishis, thinkers & Sages?We can conceive with difficulty such ideas as belonging to that undeveloped psychological condition of the semi-savage to which sacrifices of propitiation & Nature-Gods helpful only for material life, safety & comfort were all-sufficient. Certainly, also, the earliest Indian writings subsequent to Vedic times bear out these indications. To the writers of the Brahmanas the sacrificial ritual enshrined an elaborate symbolism. The seers of the Upanishad worshipped Surya & Agni as great spiritual & moral forces and believed the Vedic hymns to be effective only because they contained a deep knowledge & a potent spirituality. They may have been in errormay have been misled by a later tradition or themselves have read mystic refinements into a naturalistic text. But also & equally, they may have had access to an unbroken line of knowledge or they may have been in direct touch or in closer touch than the moderns with the mentality of the Vedic singers.
The decision of these questions will determine our whole view of Vedic religions and decide the claim of the Veda to be a living Scripture of Hinduism. It is of primary importance to know what in their nature and functions were the gods of the Veda. I have therefore made this fundamental question form the sole subject matter of the present volume. I make no attempt here to present a complete or even a sufficient justification of the conclusions which I have been led to. Nor do I present my readers with a complete enquiry into the nature & functions of the Vedic pantheon. Such a justification, such an enquiry can only be effected by a careful philological analysis & rendering of the Vedic hymns and an exhaustive study of the origins of the Sanscrit language. That is a labour of very serious proportions & burdened with numerous difficulties which I have begun and hope one day to complete myself or to leave to others ready for completion. But in the present volume I can only attempt to establish a prima facie [case] for a reconsideration of the whole question. I offer the suggestion that the Vedic creed & thought were not a simple, but a complex, not a barbarous but a subtle & advanced, not a naturalistic but a mystic & Vedantic system.
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For the rest, Sayana in this particular pas Sage lends some support [to] this suggestion of Saraswatis etymological good luck; for he tells us that Saraswati has two aspects, the embodied goddess of Speech and the figure of a river. He distributes, indeed, these two capacities with a strange inconsistency and in his interpretation, as in so many of these harsh & twisted scholastic renderings, European & Indian, of the old melodious subtleties of thought & language, the Sages of the Veda come before us only to be convicted of a baffling incoherence of sense and a pointless inaptness of language. But possibly, after all, it is the knowledge of the scholar that is at fault, not the intellect of the Vedic singers that was confused, stupid and clumsy! Nevertheless we must consider the possibility that Sayanas distribution of the sense may be ill-guided, & yet his suggestion about the double role of the goddess may in itself be well-founded. There are few pas Sages of the ancient Sanhita, into which these ingenuities of the ritualistic & naturalistic interpretations do not pursue us. Our inquiry would protract itself into an intolerable length, if we had at every step to clear away from the path either the heavy ancient lumber or the brilliant modern rubbish. It is necessary to determine, once for all, whether the Vedic scholars, prve ntan uta, are guides worthy of trustwhe ther they are as sure in taste & insight as they are painstaking and diligent in their labour,whether, in a word, these ingenuities are the outcome of an imaginative licence of speculation or a sound & keen intuition of the true substance of Veda. Here is a crucial pas Sage. Let us settle at least one side of the account the ledger of the great Indian scholiast.
Madhuchchhanda turns to Saraswati at the close of his hymn after successively calling to the Aswins, Indra & the Visvadevas. To each of these deities he has addressed three riks of praise & invocation; the last three of the twelve reiterate in each verse the name, epithets & functions of Saraswati. The Sukta falls therefore into four equal parts of which the last alone immediately concerns us.
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This explanation of vjebhir vjinvat leads at once to the figurative sense of maho arnas. Arnas or samudra is the image of the sea, flood or stream in which the Vedic seers saw the substance of being and its different states. Sometimes one great sea, sometimes seven streams of being are spoken of by the Rishis; they are the origin of the seven seas of the Purana. It cannot be doubted that the minds of the old thinkers were possessed with this image of ocean or water as the very type & nature of the flux of existence, for it occurs with a constant insistence in the Upanishads. The sole doubt is whether the image was already present to the minds of the primitive Vedic Rishis. The Europeans hold that these were the workings of a later imagination transfiguring the straightforward material expressions & physical ideas of the Veda; they admit no real parentage of Vedantic ideas in the preexistent Vedic notions, but only a fictitious derivation. I hold, on the contrary, that Vedantic ideas have a direct & true origin & even a previous existence in the religion & psychology of the Vedas. If, indeed, there were no stuff of high thinking or moral sensibility in the hymns of the Vedic Sages, then I should have no foundation to stand upon and no right to see this figure in the Vedic arnas or samudra. But when these early minds,early to us, but not perhaps really so primitive in human history as we imagine,were capable of such high thoughts & perceptions as these three Riks bear on their surface, it would be ridiculous to deny them the capacity of conceiving these great philosophical images & symbols. A rich poetic imagery expressing a clear, direct & virgin perception of the facts of mind and being, is not by any means impossible, but rather natural in these bright-eyed sons of the morning not yet dominated in their vision by the dry light of the intellect or in their speech & thought by the abstractions & formalities of metaphysical thinking. Water was to them, let us hold in our hypothesis, the symbol of unformed substance of being, earth of the formed substance. They even saw a mystic identity between the thing symbolised & the symbol.
What then is maho arnas? Is it the great sea of general being, substance of general existence out of which the substance of thought & speech are formed? It is possible; but such an interpretation is not entirely in consonance with the context of this pas Sage. The suggestion I shall advance will therefore be different. Mahas, as a neuter adjective, means great,maho arnas, the great water; but mahas may be equally a noun and then maho arnas will mean Mahas the sea. In some pas Sages again, mahas is genitive singular or accusative plural of a noun mah; maho arnas may well be the flowing stream or flood of Mah, as in the expression vasvo arnavam, the sea of substance, in a later Sukta.We are therefore likely to remain in doubt unless we can find an actual symbolic use of either word Mah or Mahas in a psychological sense which would justify us in supposing this Maho Arnas to be a sea of substance of knowledge rather than vaguely the sea of general substance of being. For this is the significance which alone entirely suits the actual phraseology of the last Rik of the Sukta. We find our clue in the Taittiriya Upanishad. It is said there that there are three recognised vyahritis of the Veda, Bhur, Bhuvar, Swah, but the Rishi Mahachamasya affirmed a fourth. The name of this doubtful fourth vyahriti is Mahas. Now the mystic vyahritis of the Veda are the shabdas or sacred words expressing objectively the three worlds, subjectively mentalised material being, mentalised vital being & pure mental being, the three manifest states of our phenomenal consciousness. Mahas, therefore, must express a fourth state of being, which is so much superior to the other three or so much beyond the ordinary attainment of our actual human consciousness that it is hardly considered in Vedic thought a vyahriti, whatever one or two thinkers may have held to the contrary. What do we know of this Mahas from Vedantic or later sources? Bhuh, Bhuvah, Swar of the Veda rest substantially upon the Annam, Prana, Manas, matter, life & mind of the Upanishads. But the Upanishads speak of a fourth state of being immediately aboveManas, preceding it therefore & containing it, Vijnanam, ideal knowledge, and a fifth immediately above Vijnanam, Ananda or Bliss. Physically, these five are the pancha kshitayah, five earths or dwelling-places, of the Rig Veda and they are the pancha koshas, five sheaths or bodies of the Upanishads. But in our later Yogic systems we recognise seven earths, seven standing grounds of the soul on which it experiences phenomenal existence. The Purana gives us their names [the names of the two beyond the five already mentioned], Tapas and Satya, Energy&Truth. They are the outward expressions of the two psychological principles, Self-Awareness &Self-Being (Chit&Sat) which with Ananda, Self-Bliss, are the triune appearance in the soul of the supreme Existence which the Vedanta calls Brahman. Sat, Chit & Ananda constitute to Vedantic thought the parardha or spiritual higher half [of] our existence; in less imaginative language, we are in our supreme existence self-existence, self-awareness & self-delight. Annam, Prana & Manas constitute to Vedantic thought the aparardha or lower half; again, in more abstract speech, we are in our lower phenomenal existence mind, life & matter. Vijnana is the link; standing in ideal knowledge we are aware, looking upward, of our spiritual existence, looking downward, we pour it out into the three vyahritis, Bhur, Bhuvah & Swar, mental, vital & material existence, the phenomenal symbols of our self-expression. Objectively vijnana becomes mahat, the great, wide or extended state of phenomenal being,called also brihat, likewise signifying vast or great,into which says the Gita, the Self or Lord casts his seed as into a womb in order to engender all these objects & creatures. The Self, standing in vijnanam or mahat, is called the Mahan Atma, the great Self; so that, if we apply the significance [of] these terms to the Vedic words mah, mahas, mahi, mahn, then, even accepting mahas as an adjective and maho arnas in the sense of the great Ocean, it may very well be the ocean of the ideal or pure ideative state of existence in true knowledge which is intended, the great ocean slumbering in our humanity and awakened by the divine inspiration of Saraswati. But have we at all the right to read these high, strange & subtle ideas of a later mysticism into the primitive accents of the Veda? Let us at least support for a while that hypothesis. We may very well ask, if not from the Vedic forefa thers, whence did the Aryan thinkers get these striking images, this rich & concrete expression of the most abstract ideas and persist in them even after the Indian mind had rarefied & lifted its capacity to the height of the most difficult severities & abstractions known to any metaphysical thinking? Our hypothesis of a Vedic origin remains not only a possible suggestion but the one hypothesis in lawful possession of the field, unless a foreign source or a later mixed ideation can be proved. At present this later ideation may be assumed, it has not been & cannot be proved. The agelong tradition of India assigns the Veda as the source & substance of our theosophies; Brahmana, Aranyaka, Upanishad & Purana as only the interpretation & later expression; the burden of disproof rests on those who negative the tradition.
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The Aswins, then, are the gods of youthful delight & youthful strength, yuvn pitar, always young yet fathers of men, (purudansas, abundantly creating), as they are described in another sukta. They have a brilliant strength mental & physical, nar, a bright, strong & eager understanding, avray dhiy, full hands of bounty and strong fertility of creation, dasr, purudansas; an insatiable enjoyment, purubhuj; a swift speed and fiery energy in action, dravatpn rudravartan; they are the lords of bliss who give physical, vital & mental well-being to men and that inferior ease, pleasure and delight they lift into the high regions of the original & luminous Ananda supported on the ritam jyotih of Mahas of which all these things are but pallid & broken rays penetrating into this lower play of subjective light & shade which is called the triple world. Because of this double aspect of delight and the force for action & knowledge which is given by delight, of force and the delight in action & enjoyment which is sustained by force, they are twin gods and not one; it may be that Castor is more essentially the lord of delight, Polydeuces of force, but they are too like each other not to share in each others qualities. Eternal youth is the essence of their character & the bestowal, maintenance, & increase in men of the gifts which attend youth, is their function. This, if I do not err, was the subjective aspect of the great Twin Brethren to the Sages of the Veda.
For what functions are they called to the Sacrifice by Madhuchchhanda? First, they have to take delight in the spiritual forces generated in him by the action of the internal Yajna. These they have to accept, to enter into them and use them for delight, their delight and the sacrificers, yajwarr isho .. chanasyatam; a wide enjoyment, a mastery of joy & all pleasant things, a swiftness in action like theirs is what their advent should bring & therefore these epithets are attached to this action. Then they are to accept the words of the mantra, vanatam girah. In fact, vanatam means more than acceptance, it is a pleased, joyous almost loving acceptance; for vanas is the Latin venus, which means charm, beauty, gratification, and the Sanscrit vanit means woman or wife, she who charms, in whom one takes delight or for whom one has desire. Therefore vanatam takes up the idea of chanasyatam, enlarges it & applies it to a particular part of the Yajna, the mantras, the hymn or sacred words of the stoma. The immense effectiveness assigned to rhythmic Speech & the meaning & function of the mantra in the Veda & in later Yoga is a question of great interest & importance which must be separately considered; but for our present purpose it will be sufficient to specify its two chief functions, the first, to settle, fix, establish the god & his qualities & activities in the Sacrificer,this is the true meaning of the word stoma, and, secondly, to effectualise them in action & creation subjective or objective,this is the true meaning of the words rik and arka. The later senses, praise and hymn were the creation of actual ceremonial practice, and not the root intention of these terms of Veda. Therefore the Aswins, the lords of force & joy, are asked to take up the forces of the sacrifice, yajwarr isho, fill them with their joy & activity and carry that joy & activity into the understanding so that it becomes avra, full of a bright and rapid strength.With that strong, impetuously rapid working they are to take up the words of the mantra into the understanding and by their joy & activity make them effective for action or creation. For this reason the epithet purudansas is attached to this action, abundantly active or, rather, abundantly creative of forms into which the action of the yajwarr ishah is to be thrown. But this can only be done as the Sacrificer wishes if they are in the acceptance of the mantra dhishny, firm and steady.Sayana suggests wise or intelligent as the sense of dhishnya, but although dhishan, like dh, can mean the understanding & dhishnya therefore intelligent, yet the fundamental sense is firm or steadily holding & the understanding is dh or dhishan because it takes up perceptions, thoughts & feelings & holds them firmly in their places.Vehemence & rapidity may be the causes of disorder & confusion, therefore even in their utmost rapidity & rapture of action & formation the Aswins are to be dhishnya, firm & steady. This discipline of a mighty, inalienable calm supporting & embracing the greatest fierceness of action & intensity of joy, the combination of dhishny & rudravartan , is one of the grandest secrets of the old Vedic discipline. For by this secret men can enjoy the world as God enjoys it, with unstinted joy, with unbridled power, with undarkened knowledge.
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When we look carefully at the pas Sage before us, we find an expression which strikes one as a very extraordinary phrase in reference to a god of lightning and rain. Indryhi, says Madhuchchhanda, dhiyeshito viprajtah. On any ordinary acceptance of the meaning of words, we have to render this line, Come, O Indra, impelled by the understanding, driven by the Wise One. Sayana thinks that vipra means Brahmin and the idea is that Indra is moved to come by the intelligent sacrificing priests and he explains dhiyeshito, moved to come by our understanding, that is to say, by our devotion. But understanding does not mean devotion and the artificiality of the interpretation is apparent.We will, as usual, put aside the ritualistic & naturalistic traditions and see to what the natural sense of the words themselves leads us. I question the traditional acceptance of viprajta as a compound of vipra & jta; it seems tome clearly to be vi prajtah, driven forward variously or in various directions. I am content to accept the primary sense of impelled for ishita, although, whether we read dhiy ishito with the Padapatha, or dhiy shito, it may equally well mean, controlled by the understanding; but of themselves the expressions impelled & driven forward in various paths imply a perfect control.We have then, Come, O Indra, impelled (or controlled, governed) by the understanding and driven forward in various paths. What is so driven forward? Obviously not the storm, not the lightning, not any force of material Nature, but a subjective force, and, as one can see at a glance, a force of mind. Now Indra is the king of Swar and Swar in the symbolical interpretation of the Vedic terms current in after times is the mental heaven corresponding to the principle of Manas, mind. His name means the Strong. In the Puranas he is that which the Rishis have to conquer in order to attain their goal, that which sends the Apsaras, the lower delights & temptations of the senses to bewilder the Sage and the hero; and, as is well known, in the Indian system of Yoga it is the Mind with its snares, sensuous temptations & intellectual delusions which is the enemy that has to be overcome & the strong kingdom that has to be conquered. In this pas Sage Indra is not thought of in his human form, but as embodied in the principle of light or tejas; he is harivas, substance of brightness; he is chitrabhnu, of a rich & various effulgence, epithets not easily applicable to a face or figure, but precisely applicable to the principle of mind which has always been supposed in India to be in its material element made of tejas or pure light.We may conclude, therefore, that in Indra, master of Swarga, we have the divine lord of mental force & power. It is as this mental power that he comes sutvatah upa brahmni vghatah, to the soul-movements of the chanter of the sacred song, of the holder of the nectar-wine. He is asked to come, impelled or controlled by the understanding and driven forward by it in the various paths of sumati & snrit, right thinking & truth. We remember the image in the Kathopanishad in which the mind & senses are compared to reins & horses and the understanding to the driver. We look back & see at once the connection with the function demanded of the Aswins in the preceding verses; we look forward & see easily the connection with the activity of Saraswati in the closing riks. The thought of the whole Sukta begins to outline itself, a strong, coherent and luminous progression of psychological images begins to emerge.
Brahmni, says Sayana, means the hymnal chants; vghatah is the ritwik, the sacrificial priest. These ritual senses belong to the words but we must always inquire how they came to bear them. As to vghat, we have little clue or evidence, but on the system I have developed in another work (the Origins of Aryan Speech), it may be safely concluded that the lost roots vagh & vgh, must have conveyed the sense of motion evident in the Latin vagus & vagari, wandering & to wander & the sense of crying out, calling apparent in the Latin vagire, to cry, & the Sanscrit vangh, to abuse, censure. Vghat may mean the sacrificial priest because he is the one who calls to the deity in the chant of the brahma, the sacred hymn. It may also mean one who increases in being, in his brahma, his soul, who is getting vja or substance.
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We have gathered much from this brief hymn, one of the deepest in thought in the Veda. If our construction is correct, then this at least appears that the Veda is no loose, empty & tawdry collection of vague images & shallow superstitions, but there are some portions of it at least which present a clear, well-knit writing full of meaning & stored with ideas. We have the work of Sages & thinkers, rishayah, kavayah, manshinah, subtle practical psychologists & great Yogins, not the work of savage medicine-men evolving out of primitive barbarism the first glimpses of an embryonic culture in the half-coherent fumble, the meaningless ritual of a worship of personified rain, wind, fire, sun & constellations. The gods of the Veda have a clear & fixed personality & functions & its conceptions are founded on a fairly advanced knowledge & theory at least of our subjective nature. Nor when we look at the clearness, fixity & frequently psychological nature of the functions of the Greek gods, Apollo, Hermes, Pallas, Aphrodite, [have we] the right to expect anything less from the ancestors of the far more subtle-minded, philosophical & spiritual Indian nation.
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1.08 - The Historical Significance of the Fish, #Aion, #Carl Jung, #Psychology
says, there was a great Sage who was reputed to be unable to
read the Eighty-ninth Psalm because it saddened him too much.
1.08 - THE MASTERS BIRTHDAY CELEBRATION AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (to Kedr): "Oh, don't you understand? He upholds the doctrine of the rishis of olden times. They once said to Rama: 'O Rama, we know You only as the son of Dasaratha. Let Sages like Bharadvaja worship You as God Incarnate. We want to realize Brahman, the Indivisible Existence-Knowledge-Bliss Absolute.' At these words Rama smiled and went away."
KEDR: "Those rishis could not recognize Rama as an Incarnation of God. They must have been fools,"
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MASTER (to the devotees): "Ordinary people do not recognize the advent of an Incarnation of God. He comes in secret. Only a few of His intimate disciples can recognize Him. That Rama was both Brahman Absolute and a perfect Incarnation of God in human form was known only to twelve rishis. The other Sages said to Him, 'Rama, we know You only as Dasaratha's son.'
"Can everyone comprehend Brahman, the Indivisible Existence-Knowledge-Bliss Absolute? He alone has attained perfect love of God who, having reached the Absolute, keeps himself in the realm of the Relative in order to enjoy the divine lila. A man can describe the ways and activities of the Queen if he has previously visited her in England.
Only then will his description of the Queen be correct. Sages like Bharadvaja adored Rama and said: 'O Rama, You are nothing but the Indivisible Satchidananda. You have appeared before us as a human being, but You look like a man because You have shrouded Yourself with Your own maya.' These rishis were great devotees of Rama: and had supreme love for God."
Master's different spiritual moods
1.08 - The Methods of Vedantic Knowledge, #The Life Divine, #Sri Aurobindo, #Integral Yoga
10:Such is the scheme of the human understanding upon which the conclusions of the most ancient Vedanta were built. To develop the results arrived at on this foundation by the ancient Sages is not my object, but it is necessary to pass briefly in review some of their principal conclusions so far as they affect the problem of the divine Life with which alone we are at present concerned. For it is in those ideas that we shall find the best previous foundation of that which we seek now to rebuild and although, as with all knowledge, old expression has to be replaced to a certain extent by new expression suited to a later mentality and old light has to merge itself into new light as dawn succeeds dawn, yet it is with the old treasure as our initial capital or so much of it as we can recover that we shall most advantageously proceed to accumulate the largest gains in our new commerce with the ever-changeless and ever-changing Infinite.
11:Sad Brahman, Existence pure, indefinable, infinite, absolute, is the last concept at which Vedantic analysis arrives in its view of the universe, the fundamental Reality which Vedantic experience discovers behind all the movement and formation which constitute the apparent reality. It is obvious that when we posit this conception, we go entirely beyond what our ordinary consciousness, our normal experience contains or warrants. The senses and sense-mind know nothing whatever about any pure or absolute existence. All that our sense-experience tells us of, is form and movement. Forms exist, but with an existence that is not pure, rather always mixed, combined, aggregated, relative. When we go within ourselves, we may get rid of precise form, but we cannot get rid of movement, of change. Motion of Matter in Space, motion of change in Time seem to be the condition of existence. We may say indeed, if we like, that this is existence and that the idea of existence in itself corresponds to no discoverable reality. At the most in the phenomenon of selfawareness or behind it, we get sometimes a glimpse of something immovable and immutable, something that we vaguely perceive or imagine that we are beyond all life and death, beyond all change and formation and action. Here is the one door in us that sometimes swings open upon the splendour of a truth beyond and, before it shuts again, allows a ray to touch us, - a luminous intimation which, if we have the strength and firmness, we may hold to in our faith and make a starting-point for another play of consciousness than that of the sense-mind, for the play of Intuition.
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14:We see this succession in the Upanishads and the subsequent Indian philosophies. The Sages of the Veda and Vedanta relied entirely upon intuition and spiritual experience. It is by an error that scholars sometimes speak of great debates or discussions in the Upanishad. Wherever there is the appearance of a controversy, it is not by discussion, by dialectics or the use of logical reasoning that it proceeds, but by a comparison of intuitions and experiences in which the less luminous gives place to the more luminous, the narrower, faultier or less essential to the more comprehensive, more perfect, more essential. The question asked by one Sage of another is "What dost thou know?", not "What dost thou think?" nor "To what conclusion has thy reasoning arrived?" Nowhere in the Upanishads do we find any trace of logical reasoning urged in support of the truths of Vedanta. Intuition, the Sages seem to have held, must be corrected by a more perfect intuition; logical reasoning cannot be its judge.
15:And yet the human reason demands its own method of satisfaction. Therefore when the age of rationalistic speculation began, Indian philosophers, respectful of the heritage of the past, adopted a double attitude towards the Truth they sought. They recognised in the Sruti, the earlier results of Intuition or, as they preferred to call it, of inspired Revelation, an authority superior to Reason. But at the same time they started from Reason and tested the results it gave them, holding only those conclusions to be valid which were supported by the supreme authority. In this way they avoided to a certain extent the besetting sin of metaphysics, the tendency to battle in the clouds because it deals with words as if they were imperative facts instead of symbols which have always to be carefully scrutinised and brought back constantly to the sense of that which they represent. Their speculations tended at first to keep near at the centre to the highest and profoundest experience and proceeded with the united consent of the two great authorities, Reason and Intuition. Nevertheless, the natural trend of Reason to assert its own supremacy triumphed in effect over the theory of its subordination. Hence the rise of conflicting schools each of which founded itself in theory on the Veda and used its texts as a weapon against the others. For the highest intuitive Knowledge sees things in the whole, in the large and details only as sides of the indivisible whole; its tendency is towards immediate synthesis and the unity of knowledge. Reason, on the contrary, proceeds by analysis and division and assembles its facts to form a whole; but in the assemblage so formed there are opposites, anomalies, logical incompatibilities, and the natural tendency of Reason is to affirm some and to negate others which conflict with its chosen conclusions so that it may form a flawlessly logical system. The unity of the first intuitional knowledge was thus broken up and the ingenuity of the logicians was always able to discover devices, methods of interpretation, standards of varying value by which inconvenient texts of the Scripture could be practically annulled and an entire freedom acquired for their metaphysical speculation.
1.08 - The Supreme Discovery, #Words Of Long Ago, #The Mother, #Integral Yoga
On this a Sage has said:
I would like each one of us to come to the point where he perceives the inner God who dwells even in the vilest of human beings; instead of condemning him we would say, Arise, O resplendent Being, thou who art ever pure, who knowest neither birth nor death; arise, Almighty One, and manifest thy nature.
1.08 - The Supreme Will, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
7:At first, the higher Love and Truth will fulfil its movement in the sadhaka according to the essential law or way of his own nature. For that is the special aspect of the divine Nature, the particular power of the supreme Shakti, out of which his soul has emerged into the Play, not limited indeed by the forms of this law or way, for the soul is infinite. But still its stuff of nature bears that stamp, evolves fluently along those lines or turns around the spiral curves of that dominating influence. He will manifest the divine Truth-movement according to the temperament of the Sage or the lion-like fighter or the lover and enjoyer or the worker and servant or in any combination of essential attributes (gunas) that may constitute the form given to his being by its own inner urge. It is this self-nature playing freely in his acts which men will see in him and not a conduct cut, chalked out, artificially regulated, by any lesser rule or by any law from outside.
8:But there is a yet higher attainment, there is an infinity (anantya) in which even this last limitation is exceeded, because the nature is utterly fulfilled and its boundaries vanish. There the soul lives without any boundaries; for it uses all forms and moulds according to the divine Will in it, but it is not restrained, it is not tied down, it is not imprisoned in any power or form that it uses. This is the summit of the path of works and this the utter liberty of the soul in its actions. In reality, it has there no actions; for all its activities are a rhythm of the Supreme and sovereignly proceed from That alone like a spontaneous music out of the Infinite.
1.08 - Worship of Substitutes and Images, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
But where Brahman Himself is the object of worship, and the Pratika stands only as a substitute or a suggestion thereof, that is to say, where, through the Pratika the omnipresent Brahman is worshipped the Pratika itself being idealised into the cause of all, Brahman the worship is positively beneficial; nay, it is absolutely necessary for all mankind until they have all got beyond the primary or preparatory state of the mind in regard to worship. When, therefore, any gods or other beings are worshipped in and for themselves, such worship is only a ritualistic Karma; and as a Vidy (science) it gives us only the fruit belonging to that particular Vidya; but when the Devas or any other beings are looked upon as Brahman and worshipped, the result obtained is the same as by the worshipping of Ishvara. This explains how, in many cases, both in the Shrutis and the Smritis, a god, or a Sage, or some other extraordinary being is taken up and lifted, as it were, out of his own nature and idealised into Brahman, and is then worshipped. Says the Advaitin, "Is not everything Brahman when the name and the form have been removed from it?" "Is not He, the Lord, the innermost Self of every one?" says the Vishishtdvaitin.
"The fruition of even the worship of Adityas etc. Brahman Himself bestows, because He is the Ruler of all." Says Shankara in his Brahma-Sutra-Bhsya
1.09 - Equality and the Annihilation of Ego, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
8:This equality cannot come except by a protracted ordeal and patient self-discipline; so long as desire is strong, equality cannot come at all except in periods of quiescence and the fatigue of desire, and it is then more likely to be an inert indifference or desire's recoil from itself than the true calm and the positive spiritual oneness. Moreover, this discipline or this growth into equality of spirit has its necessary epochs and stages. Ordinarily we have to begin with a period of endurance; for we must learn to confront, to suffer and to assimilate all contacts. Each fibre in us must be taught not to wince away from that which pains and repels and not to run eagerly towards that which pleases and attracts, but rather to accept, to face, to bear and to conquer. All touches we must be strong to bear, not only those that are proper and personal to us but those born of our sympathy or our conflict with the worlds around, above or below us and with their peoples. We shall endure tranquilly the action and impact on us of men and things and forces, the pressure of the Gods and the assaults of Titans; we shall face and engulf in the unstirred seas of our spirit all that can possibly come to us down the ways of the soul's infinite experience. This is the stoical period of the preparation of equality, its most elementary and yet its heroic age. But this steadfast endurance of the flesh and heart and mind must be reinforced by a sustained sense of spiritual submission to a divine Will: this living clay must yield not only with a stern or courageous acquiescence, but with knowledge or with resignation, even in suffering, to the touch of the divine Hand that is preparing its perfection. A Sage, a devout or even a tender stoicism of the God-lover is possible, and these are better than the merely pagan self-reliant endurance which may lend itself to a too great hardening of the vessel of God: for this kind prepares the strength that is capable of wisdom and of love; its tranquillity is a deeply moved calm that passes easily into bliss. The gain of this period of resignation and endurance is the soul's strength equal to all shocks and contacts.
9:There is next a period of high-seated impartiality and indifference in which the soul becomes free from exultation and depression and escapes from the snare of the eagerness of joy as from the dark net of the pangs of grief and suffering. All things and persons and forces, all thoughts and feelings and sensations and actions, one's own no less than those of others, are regarded from above by a spirit that remains intact and immutable and is not disturbed by these things. This is the philosophic period of the preparation of equality, a wide and august movement. But indifference must not settle into an inert turning away from action and experience; it must not be an aversion born of weariness, disgust and distaste, a recoil of disappointed or satiated desire, the sullenness of a baffled and dissatisfied egoism forced back from its passionate aims. These recoils come inevitably in the unripe soul and may in some way help the progress by a discouragement of the eager desire-driven vital nature, but they are not the perfection towards which we labour. The indifference or the impartiality that we must seek after is a calm superiority of the high-seated soul above the contacts of things;1 it regards and accepts or rejects them but is not moved in the rejection and is not subjected by the acceptance. It begins to feel itself near, kin to, one with a silent Self and Spirit self-existent and separate from the workings of Nature which it supports and makes possible, part of or merged in the motionless calm Reality that transcends the motion and action of the universe. The gain of this period of high transcendence is the soul's peace unrocked and unshaken by the pleasant ripplings or by the tempestuous waves and billows of the world's movement.
10:If we can pass through these two stages of the inner change without being arrested or fixed in either, we are admitted to a greater divine equality which is capable of a spiritual ardour and tranquil passion of delight, a rapturous, all-understanding and all-possessing equality of the perfected soul, an intense and even wideness and fullness of its being embracing all things. This is the supreme period and the pas Sage to it is through the joy of a total self-giving to the Divine and to the universal Mother For strength is then crowned by a happy mastery, peace deepens into bliss, the possession of the divine calm is uplifted and made the ground for the possession of the divine movement. But if this greater perfection is to arrive, the soul's impartial high-seatedness looking down from above on the flux of forms and personalities and movements and forces must be modified and change into a new sense of strong and calm submission and a powerful and intense surrender. This submission will be no longer a resigned acquiescence but a glad acceptance: for there will be no sense of suffering or of the bearing of a burden or cross; love and delight and the joy of self-giving will be its brilliant texture. And this surrender will be not only to a divine Will which we perceive and accept and obey, but to a divine Wisdom in the Will which we recognise and a divine Love in it which we feel and rapturously suffer, the wisdom and love of a supreme Spirit and Self of ourselves and all with which we can achieve a happy and perfect unity. A lonely power, peace and stillness is the last word of the philosophic equality of the Sage; but the soul in its integral experience liberates itself from this self-created status and enters into the sea of a supreme and allembracing ecstasy of the beginningless and endless beatitude of the Eternal. Then we are at last capable of receiving all contacts with a blissful equality, because we feel in them the touch of the imperishable Love and Delight, the happiness absolute that hides ever in the heart of things. The gain of this culmination in a universal and equal rapture is the soul's delight and the opening gates of the Bliss that is infinite, the Joy that surpasses all understanding.
11:Before this labour for the annihilation of desire and the conquest of the soul's equality can come to its absolute perfection and fruition, that turn of the spiritual movement must have been completed which leads to the abolition of the sense of ego. But for the worker the renunciation of the egoism of action is the most important element in this change. For even when by giving up the fruits and the desire of the fruits to the Master of the Sacrifice we have parted with the egoism of rajasic desire, we may still have kept the egoism of the worker. Still we are subject to the sense that we are ourselves the doer of the act, ourselves its source and ourselves the giver of the sanction. It is still the "I" that chooses and determines, it is still the "I" that undertakes the responsibility and feels the demerit or the merit.
1.09 - Legend of Lakshmi, #Vishnu Purana, #Vyasa, #Hinduism
kara (Śiva)[1], was wandering over the earth; when be beheld, in the hands of a nymph of air[2], a garland of flowers culled from the trees of heaven, the fragrant odour of which spread throughout the forest, and enraptured all who dwelt beneath its shade. The Sage, who was then possessed by religious phrensy[3], when he beheld that garland, demanded it of the graceful and full-eyed nymph, who, bowing to him reverentially, immediately presented it to him. He, as one frantic, placed the chaplet upon his brow, and thus decorated resumed his path; when he beheld (Indra) the husband of Śacī, the ruler of the three worlds, approach, seated on his infuriated elephant Airāvata, and attended by the gods. The phrensied Sage, taking from his head the garland of flowers, amidst which the bees collected ambrosia, threw it to the king of the gods, who caught it, and suspended it on the brow of Airāvata, where it shone like the river Jāhnavī, glittering on the dark summit of the mountain Kailāsa. The elephant, whose eyes were dim with inebriety, and attracted by the smell, took hold of the garland with his trunk, and cast it on the earth. That chief of Sages, Durvāsas, was highly incensed at this disrespectful treatment of his gift, and thus angrily addressed the sovereign of the immortals: "Inflated with the intoxication of power, Vāsava, vile of spirit, thou art an idiot not to respect the garland I presented to thee, which was the dwelling of Fortune (Śrī). Thou hast not acknowledged it as a largess; thou hast not bowed thyself before me; thou hast not placed the wreath upon thy head, with thy countenance expanding with delight. Now, fool, for that thou hast not infinitely prized the garland that I gave thee, thy sovereignty over the three worlds shall be subverted. Thou confoundest me, Śakra, with other Brahmans, and hence I have suffered disrespect from thy arrogance: but in like manner as thou hast cast the garland I gave thee down on the ground, so shall thy dominion over the universe be whelmed in ruin. Thou hast offended one whose wrath is dreaded by all created things, king of the gods, even me, by thine excessive pride."
Descending hastily from his elephant, Mahendra endeavoured to appease the sinless Durvāsas: but to the excuses and prostrations of the thousand-eyed, the Muni answered, "I am not of a compassionate heart, nor is forgiveness congenial to my nature. Other Munis may relent; but know me, Śakra, to be Durvāsas. Thou hast in vain been rendered insolent by Gautama and others; for know me, Indra, to be Durvāsas, whose nature is a stranger to remorse. Thou hast been flattered by Vaśiṣṭha and other tender-hearted saints, whose loud praises (lave made thee so arrogant, that thou hast insulted me. But who is there in the universe that can behold my countenance, dark with frowns, and surrounded by my blazing hair, and not tremble? What need of words? I will not forgive, whatever semblance of humility thou mayest assume."
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"We glorify him who is all things; the lord supreme over all; unborn, imperishable; the protector of the mighty ones of creation; the unperceived, indivisible Nārāyaṇa; the smallest of the smallest, the largest of the largest, of the elements; in whom are all things, from whom are all things; who was before existence; the god who is all beings; who is the end of ultimate objects; who is beyond final spirit, and is one with supreme soul; who is contemplated as the cause of final liberation by Sages anxious to be free; in whom are not the qualities of goodness, foulness, or darkness, that belong to undeveloped nature. May that purest of all pure spirits this day be propitious to us. May that Hari be propitious to us, whose inherent might is not an object of the progressive chain of moments or of days, that make up time. May he who is called the supreme god, who is not in need of assistance, Hari, the soul of all embodied substance, be favourable unto us. May that Hari, who is both cause and effect; who is the cause of cause, the effect of effect; he who is the effect of successive effect; who is the effect of the effect of the effect himself; the product of the effect of the effect of the effect, or elemental substance; to him I bow[5]. The cause of the cause; the cause of the cause of the cause; the cause of them all; to him I bow. To him who is the enjoyer and thing to be enjoyed; the creator and thing to be created; who is the agent and the effect; to that supreme being I bow. The infinite nature of Viṣṇu is pure, intelligent, perpetual, unborn, undecayable, inexhaustible, inscrutable, immutable; it is neither gross nor subtile, nor capable of being defined: to that ever holy nature of Viṣṇu I bow. To him whose faculty to create the universe abides in but a part of but the ten-millionth part of him; to him who is one with the inexhaustible supreme spirit, I bow: and to the glorious nature of the supreme Viṣṇu, which nor gods, nor Sages, nor I, nor Śa
kara apprehend; that nature which the Yogis, after incessant effort, effacing both moral merit and demerit, behold to be contemplated in the mystical monosyllable Om: the supreme glory of Viṣṇu, who is the first of all; of whom, one only god, the triple energy is the same with Brahmā, Viṣṇu, and Śiva: oh lord of all, great soul of all, asylum of all, undecayable, have pity upon thy servants; oh Viṣṇu, be manifest unto us."
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From the ocean, thus churned by the gods and Dānavas, first uprose the cow Surabhi, the fountain of milk and curds, worshipped by the divinities, and beheld by them and their associates with minds disturbed, and eyes glistening with delight. Then, as the holy Siddhas in the sky wondered what this could be, appeared the goddess Vārunī (the deity of wine), her eyes rolling with intoxication. Next, from the whirlpool of the deep, sprang the celestial Pārijāta tree, the delight of the nymphs of heaven, perfuming the world with its blossoms. The troop of Āpsarasas, the nymphs of heaven, were then produced, of surprising loveliness, endowed with beauty and with taste. The cool-rayed moon next rose, and was seized by Mahādeva: and then poison was engendered from the sea, of which the snake gods (Nāgas) took possession. Dhanwantari, robed in white, and bearing in his hand the cup of Amrita, next came forth: beholding which, the sons of Diti and of Danu, as well as the Munis, were filled with satisfaction and delight. Then, seated on a full-blown lotus, and holding a water-lily in her hand, the goddess Śrī, radiant with beauty, rose from the waves. The great Sages, enraptured, hymned her with the song dedicated to her praise[7]. Viśvavasu and other heavenly quiristers sang, and Ghritācī and other celestial nymphs danced before her. Ga
gā and other holy streams attended for her ablutions; and the elephants of the skies, taking up their pure waters in vases of gold, poured them over the goddess, the queen of the universal world. The sea of milk in person presented her with a wreath of never-fading flowers; and the artist of the gods (Viswakermā) decorated her person with heavenly ornaments. Thus bathed, attired, and adorned, the goddess, in the view of the celestials, cast herself upon the breast of Hari; and there reclining, turned her eyes upon the deities, who were inspired with rapture by her gaze. Not so the Daityas, who, with Viprachitti at their head, were filled with indignation, as Viṣṇu turned away from them, and they were abandoned by the goddess of prosperity (Lakṣmī.)
1.09 - The Chosen Ideal, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
This is indeed the most poetical and forcible way in which the theory of Ishta-Nishtha has ever been put. This Eka-Nishtha or devotion to one ideal is absolutely necessary for the beginner in the practice of religious devotion. He must say with Hanuman in the Rmyana, "Though I know that the Lord of Shri and the Lord of Jnaki are both manifestations of the same Supreme Being, yet my all in all is the lotus-eyed Rma." Or, as was said by the Sage Tulasidsa, he must say, "Take the sweetness of all, sit with all, take the name of all, say yea, yea, but keep your seat firm." Then, if the devotional aspirant is sincere, out of this little seed will come a gigantic tree like the Indian banyan, sending out branch after branch and root after root to all sides, till it covers the entire field of religion. Thus will the true devotee realise that He who was his own ideal in life is worshipped in all ideals by all sects, under all names, and through all forms.
next chapter: 1.10 - The Methods and the Means
1.09 - The Greater Self, #On the Way to Supermanhood, #Satprem, #Integral Yoga
This all, this great all has been seen by Sages in their visions and by a few rare poets and thinkers: All this is Brahman immortal, naught else; Brahman is in front of us, Brahman behind us, to the south of us and to the North of us and below us and above us; it stretches everywhere. All this is Brahman alone, all this magnificent universe.19 Thou art woman and thou art man also; Thou art the boy and girl, and Thou art yonder worn and aged man that walkest bending upon a staff.... Thou art the blue bird and the green and the scarlet eyed.20 Thou art That, O Swetaketu.21 This great all that is us has shined at the summit of human accomplishment, left a few hieroglyphic traces on the walls of Thebes, and nourished initiates here and there at times we have entered a white radiance above the worlds where, in a flash, we have dissolved the little self and emerged into a cosmic consciousness.... But none of that has changed the world. We still did not have the clue that would connect that vision to this earth and make a new world with a new look. Our truths remained fragile; the earth remained refractory and rightly so. Why should it obey the illuminations from above if that light does not affect its matter, if it itself does not see and it itself is not illuminated? In truth, wisdom is very wise and the earth's darkness is not a negation of the Spirit, any more than night is a negation of day; it is an expectation and a calling for light, and so long as we do not call the light here, why should it trouble itself to move from its summits? So long as we do not turn our nocturnal half toward its sun, why should it be filled with light? If we seek solar wholeness on the summits of the mind, we shall have wholeness there, in a lovely thought; if we seek it in the heart, we shall have it there, in a tender emotion if we seek it in matter at every instant, we shall have that same wholeness in matter and at every instant of matter. We have to know where we are looking. We cannot reasonably find the light where we are not looking. Then, perhaps, we shall realize that this earth was not so dark after all. It was our look that was dark, our want of being that brought about the want of things. The earth's resistance is our own resistance and the promise of a solid truth: an innumerable bursting of rainbows into incarnate myriads instead of an empty radiance on the heights of the Spirit.
But the seeker of the new world has not pursued his quest in a straight line; he has not closed his doors, rejected matter, muffled his soul. He has taken his quest along wherever he went, on the boulevards and on the stairways, in the crowd and in the empty obscurity of millions of senseless gestures. He has pervaded all the wastelands with being, kindled his fire in all the vanities, and fed his need on the very inanity that stifled him. He was not a little one-pointed concentration that rose straight up to the heights and then fell asleep in the white peace of the spirit; he was this chaos and turmoil, this wandering back and forth, in nothing. He pulled all into his net the ups and downs, the blacks and less blacks and so-called whites, the falls and setbacks he held everything within his little circumference, with a fire at the center, a need for truth amid this chaos, a cry for help in this nothingness. He was a tangled course, an endless meandering of which he knew nothing, except that he carried his fire there his fire for nothing, for everything. He no longer even expected anything from anything; he was only like a mellowness of burning, as if that fire were the goal in itself, the being amid all this emptiness, the only presence in this enormous absence. It even ended up becoming a sort of quiet love, for nothing, for everything, here and there. And little by little, this nothingness was lit up; this emptiness was set afire by his look; this futility stirred with the same little warmth. And everything began to answer. The world came to life everywhere, but infinitesimal, microscopic: a powdering of little truths dancing here and there, in facts and gestures, in things and meetings it even seems as if they came to meet him. It was a strange multiplication, a kind of golden contagion.
11.03 - Cosmonautics, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Modern science, modern applied science, has brought about and is bringing about more and more a big change in the earth atmosphere. It is not merely the dust and smoke, gases and fumes thrown out by the modern machineries from the earth into the sky that have been increasing ominously in volume, but the less patent vibrations that have been released by advanced scientific projects and experiments and that have been encircling the earth more and more in a tight embrace. A quiet and clean air was such a treasure for human beings; men have always longed for it as a necessity and also as a diversion, and it was so readily available. The saints and Sages went up to mountain-tops and into deep forests and far away into open meadows for a full-breath draught of that heavenly element.
But now physically, materially, we know that the radio waves and innumerable other cosmic waves have been constantly, ceaselessly hammering, churning the earth-atmosphere all around us. Human bodies are immersed in a real turmoil. They are bathed in a whirlwind constantly. The nerves and tissues are being shaken from within to their very roots throughout one's life, day and night. There is no peace, no tranquillity upon earth; physical and material repose has altogether disappeared. The high hill-tops or mountain-sides do not help any more nor the ocean depths nor any African jungle nor even the Sahara desert.
11.05 - The Ladder of Unconsciousness, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Likewise unconsciousness too has its own various degrees. As consciousness rises up to higher and higher grades of consciousness, so unconsciousness too descends into lower and lower grades of unconsciousness. The first degree of unconsciousness is simple forgetfulness. It is the absence of consciousness, not the loss of consciousness. The consciousness is there but it is not apparent or expressed, it is held back for the time. One can recall it; it can be remembered and brought forward. The abeyance of consciousness, when it persists, when it amounts to a turn of nature, is called ignorance. Yet ignorance is not the negation of consciousness, it is clouded or veiled consciousness; it is not that the sun is set and gone but simply that it is behind the clouds, it is up in the sky but shrouded. This behind-the-veil consciousness is the subliminal consciousness or simply sub-consciousness. Sub-consciousness is a consciousness that is not dormant or asleep, stilled into silence, it is at work but behind the normal waking state It is the swapna-state as the Indian Sages termed it. Lower down is the state of unconsciousness proper. It is a still more diminished degree of consciousness, apparently a total absence of consciousness, not merely an abeyance or subsidence of consciousness, it is a lack of consciousness. The animal consciousness might be taken as an instance or expression of the ignorant consciousness, likewise the plant consciousness parallels the subliminal consciousness the Indian description of it is antapraja. Next to it is the consciousness in the mineral, it is unconsciousness. By unconsciousness it is meant here naturally the absence of the mental consciousness: the presence or absence of consciousness means the presence or absence of the mental consciousness. There is a generic consciousness, consciousness in itself, or pure consciousness, which is imbedded in all created things, for creation itself is at bottom a vibration or pulsation of consciousness (vijana-vijmbhaam). There is a range or rung still further below with a still lesser degree of consciousness: it is called the inconscient, which is a totally total, in depth and in extent, absence of consciousness. In the other degree that is above it, there is the probability of consciousness in the midst of apparent absence, here it is reduced almost to nothingness or to just a possibility: for, as I have said, some consciousness, the presence of Sachchidananda is always there everywhere in the core of things. Yet there is also an absolute negation and this has been termed Nescience, it is the zero of things, where there is no question of possibility or impossibility: it is the final and definite end, sunyam of the Buddhists, termed asat by the Vedantists.
Now, the curious and most interesting thing is that the end is not the end of things; for beyond the zero there is the minus sign and what does minus mean? I t does not mean mere negation, it means a realitya negative real. It is a moot problem in philosophyphilosophers have questioned, argued, discussed at length about itwhether negation means only denial, just the contrary of affirmation. If affirmation means a real, negation means simply the unreal. It has been declared by competent authorities that negation, like affirmation, is also a reality but of the opposite sign. We know in mathematics the minus sign is as real as the plus.
1.107 - The Bestowal of a Divine Gift, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
A very important aphorism now comes before us which points out that even at an advanced stage, one cannot be too confident that obstacles may not recur. This is the meaning of the sutra, tat cchidreu pratyayntari saskrebhya (IV.27), which is a very small statement with a very large significance and meaning. The movement on the path of yoga is not a smooth and unobstructed, unimpeded progress. Sometimes there are retrogressions, and even in highly advanced conditions of yoga the previously existent samskaras in the mind may come up to the surface and prevent the continuous flow of consciousness. This is the reason why we find, many a time, in the lives of saints, Sages and yogis, that novel features and behaviours manifest themselves which cannot be understood by the public eye. It is not that they have turned back from the path of yoga; it is because they have to face that which was already inside but had been kept controlled by hard thinking and strenuous meditation.
Very powerful acts of concentration of mind keep the vrittis in respect of objects under subjection. If the practice is continuous, done daily without any break, and the meditation becomes a habit with us, these vrittis in respect of objects of sense will never be allowed to come to the surface, so that it may appear that there is a continuous flow of consciousness in the direction of the aim of yoga. That may be so for a time for such time as opportunities do not arise for those subjected vrittis to rise to the surface. It is impossible for even a Hercules in yoga to keep up this continuity of consciousness in meditation, because it is a labour and an effort of the mind which has to be exerted against the normal tendencies in respect of physical objects.
11.07 - The Labours of the Gods: The five Purifications, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
All the different elements are but varied formulations of one and the same divine Creative Energy. Therefore the Vedic Rishi declares: It is all one single reality, the Sages give it different names.
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1.10 - Concentration - Its Practice, #Raja-Yoga, #Swami Vivkenanda, #unset
Now we shall understand the aphorism that the states of the qualities are defined, undefined, indicated only, and signess. By the "defined" are meant the gross elements, which we can sense. By the "undefined" are meant the very fine materials, the Tanmatras, which cannot be sensed by ordinary men. If you practise Yoga, however, says Patanjali, after a while your perceptions will become so fine that you will actually see the Tanmatras. For instance, you have heard how every man has a certain light about him; every living being emits a certain light, and this, he says, can be seen by the Yogi. We do not all see it, but we all throw out these Tanmatras, just as a flower continuously sends out fine particles which enable us to smell it. Every day of our lives we throw out a mass of good or evil, and everywhere we go the atmosphere is full of these materials. That is how there came to the human mind, unconsciously, the idea of building temples and churches. Why should man build churches in which to worship God? Why not worship Him anywhere? Even if he did not know the reason, man found that the place where people worshipped God became full of good Tanmatras. Every day people go there, and the more they go the holier they get, and the holier that place becomes. If any man who has not much Sattva in him goes there, the place will influence him and arouse his Sattva quality. Here, therefore, is the significance of all temples and holy places, but you must remember that their holiness depends on holy people congregating there. The difficulty with man is that he forgets the original meaning, and puts the cart before the horse. It was men who made these places holy, and then the effect became the cause and made men holy. If the wicked only were to go there, it would become as bad as any other place. It is not the building, but the people that make a church, and that is what we always forget. That is why Sages and holy persons, who have much of this Sattva quality, can send it out and exert a tremendous influence day and night on their surroundings. A man may become so pure that his purity will become tangible. Whosoever comes in contact with him becomes pure.
Next "the indicated only" means the Buddhi, the intellect. "The indicated only" is the first manifestation of nature; from it all other manifestations proceed. The last is "the signless". There seems to be a great difference between modern science and all religions at this point. Every religion has the idea that the universe comes out of intelligence. The theory of God, taking it in its psychological significance, apart from all ideas of personality, is that intelligence is first in the order of creation, and that out of intelligence comes what we call gross matter. Modern philosophers say that intelligence is the last to come. They say that unintelligent things slowly evolve into animals, and from animals into men. They claim that instead of everything coming out of intelligence, intelligence itself is the last to come. Both the religious and the scientific statements, though seeming directly opposed to each other are true. Take an infinite series, ABAB AB. etc. The question is which is first, A or B? If you take the series as AB. you will say that A is first, but if you take it as BA, you will say that B is first. It depends upon the way we look at it. Intelligence undergoes modification and becomes the gross matter, this again merges into intelligence, and thus the process goes on. The Sankhyas, and other religionists, put intelligence first, and the series becomes intelligence, then matter. The scientific man puts his finger on matter, and says matter, then intelligence. They both indicate the same chain. Indian philosophy, however, goes beyond both intelligence and matter, and finds a Purusha, or Self, which is beyond intelligence, of which intelligence is but the borrowed light.
1.10 - Farinata and Cavalcante de' Cavalcanti. Discourse on the Knowledge of the Damned., #The Divine Comedy, #Dante Alighieri, #Christianity
Against thyself," that Sage commanded me,
"And now attend here;" and he raised his finger.
1.10 - GRACE AND FREE WILL, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
Chinese verbs are tenseless. This statement as to a hypothetical event in history refers at the same time to the present and the future. It means simply this: that with the rise of self-consciousness, animal grace is no longer sufficient for the conduct of life, and must be supplemented by conscious and deliberate choices between right and wrongchoices which have to be made in the light of a clearly formulated ethical code. But, as the Taoist Sages are never tired of repeating, codes of ethics and deliberate choices made by the surface will are only a second best. The individualized will and the superficial intelligence are to be used for the purpose of recapturing the old animal relation to Tao, but on a higher, spiritual level. The goal is perpetual inspiration from sources beyond the personal self; and the means are human kindness and morality, leading to the charity, which is unitive knowledge of Tao, as at once the Ground and Logos.
Lord, Thou has given me my being of such a nature that it can continually make itself more able to receive thy grace and goodness. And this power, which I have of Thee, wherein I have a living image of thine almighty power, is free will. By this I can either enlarge or restrict my capacity for Thy grace.
1.10 - Harmony, #On the Way to Supermanhood, #Satprem, #Integral Yoga
Some poets and Sages have touched this Harmony, some rare musicians have heard it and attempted to translate a few notes of that singing vastness. It flows on high, on the summits of consciousness, an endless rhythm without high or low, through blue eternities, flowing and flowing like a joy that would sing itself, rolling its immense flood over eternal hills, carrying those heavenly bodies and all those earths and seas, carrying everything in its blazing and tranquil surge an unutterable sound that would contain all sounds and all notes in one, a fusion of music, a golden outburst one single time of a cry of love or a cry of joy issuing from the abyss of time; a pure triumph that has seen all those worlds and ages in a glance, and the sorrow of a child on the bank of that blue river and the softness of the paddy fields and the death of that old man, the tiny tranquillity of a leaf quivering in the south wind, and others, countless others that are always the same, that go up and down the great river, cross here or there, pass without ever passing, grow up and disappear in the distance, into a great golden sea whence they came, carried by a little rhythm of the great rhythm, a little spark of the great undying golden fire, a persisting little note that pervades all lives, all deaths, all sorrows and joys; an ineffable blue expansion of space that fills the lungs with a sort of eternal air, a sort of resurrection; a bursting out of music everywhere as if space were nothing but music, nothing but singing azure a powerful, triumphant flowing that carries us on forever, as if wrapped in its wings of glory. And all is fulfilled. The universe is a miracle.
But the earth, the little earth, reels below, reels in its pain. It does not know or see the joy upholding it, and which it is for how could anything be without that joy which holds everything, that persistent memory of joy which pulls at the heart of things and beings?
1.10 - The descendants of the daughters of Daksa married to the Rsis, #Vishnu Purana, #Vyasa, #Hinduism
giras, Smriti, bore daughters named Sinivālī, Kuhu, Rākā, and Anumati (phases of the moon[3]). Anasūyā, the wife of Atri, was the mother of three sinless sons, Soma (the moon), Durvāsas, and the ascetic Dattātreya[4]. Pulastya had, by Prīti, a son called in a former birth, or in the Svāyambhuva Manvantara, Dattoli, who is now known as the Sage Agastya[5]. Kṣamā, the wife of the patriarch Pulaha, was the mother of three sons, Karmasa, Arvarīvat, and Sahiṣṇu[6]. The wife of Kratu, Sannati, brought forth the sixty thousand Bālakhilyas, pigmy Sages, no bigger than a joint of the thumb, chaste, pious, resplendent as the rays of the sun[7]. Vaśiṣṭha had seven sons by his wife Urjjā, Rajas, Gātra, Ūrddhabāhu, Savana, Anagha, Sutapas, and Śukra, the seven pure Sages[8]. The Agni named Abhimānī, who is the eldest born of
Brahmā, had, by Svāhā, three sons of surpassing brilliancy, Pāvaka, Pavamāna, and Śuci, who drinks up water: they had forty-five sons, who, with the original son of Brahmā and his three descendants, constitute the forty-nine fires[9]. The progenitors (Pitris), who, as I have mentioned, were created by Brahmā, were the Agniṣvāttas and Varhiṣads; the former being devoid of, and the latter possessed of, fires[10]. By them, Swadhā had two daughters, Menā and Dhāranī, who were both acquainted with theological truth, and both addicted to religious meditation; both accomplished in perfect wisdom, and adorned with all estimable qualities[11]. Thus has been explained the progeny of the daughters of Dakṣa[12]. He who with faith recapitulates the account, shall never want offspring.
--
[3]: The Bhāgavata adds, that in the Svārociṣa Manvantara the Sages Uttathya and Vrihaspati were also sons of A
giras; and the Vāyu, &c. specify Agni and Kīrttimat as the sons of the patriarch in the first Manvantara. Agni, married to Sadvatī, has Parjanya, married to Marīci; and their son is Hiranyaroman, a Lokapāla. Kīrttimat has, by Dhenukā, two sons, Cariṣṇu and Dhritimat.
1.10 - THE MASTER WITH THE BRAHMO DEVOTEES (II), #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "Once a salt doll went to the ocean to measure its depth. But it could not come back to give a report. According to one school of thought, Sages like Sukadeva saw and touched the Ocean of Brahman, but did not plunge into It.
"Once I said to Vidyasagar, 'Everything else but Brahman has been polluted, as it were, like food touched by the tongue.' In other words, no one has been able to describe what Brahman is. A thing once uttered by the tongue becomes polluted. Vidyasagar, great pundit though he was, was highly pleased with my remarks.
--
The great King Harischandra of the Purana was the embodiment of generosity. No one ever went away from him empty-handed. Now, the Sage Viswamitra, wanting to test the extent of the king's charity, extracted from him a promise to grant any boon that he might ask. Then the Sage asked for the gift of the sea-girt world, of which Harischandra was king. Without the slightest hesitation the king gave away his kingdom. Then Viswamitra demanded the auxiliary fee, which alone makes charity valid and meritorious. The kathak continued his recitation: Viswamitra said to the king: "O King, you have given away the entire world, which was your kingdom. It now belongs to me; you cannot claim any place here. But you may live in Benares, which belongs to iva. I shall lead you there with your wife Saibya, and Rohitasva, your son. There you can procure the auxiliary fee that you owe me." The royal family, accompanied by the Sage, reached Benares and visited the temple of iva.
At the very mention of iva, the Master went into spiritual mood and repeated the holy name several times indistinctly.
--
The king could not procure the fee and was compelled to sell Saibya, his royal consort, to a brahmin. With her went Prince Rohitasva. But since even that was not enough to redeem his pledge to the Sage, Harischandra sold himself to an untouchable who kept a cremation ground. He was ordered to supervise the cremations. One day, while plucking flowers for his brahmin master, Prince Rohitasva was bitten by a venomous snake and that very night died. The cruel brahmin would not leave his bed to help the poor mother cremate the body. The night was dark and stormy. Lightning rent the black clouds. Saibya started for the cremation ground alone, carrying the body of her son in her arms. Smitten with fear and overpowered with grief, the queen filled heaven and earth with her wailing. Arriving at the cremation ground, she did not recognize her husband, who demanded the usual fee for the cremation. Saibya was penniless and wept bitterly at her unending misfortunes. The impenetrable darkness was illumined only by the terrible flames of the cremation pyres. Above her the thunder roared, and before her the uncouth guardian of the cremation ground demanded his fee. She who had once been queen of the world sat there with her only child dead and cold on her lap.
The devotees burst into tears and loudly lamented this tragic episode of a royal life. And what was the Master doing? He was listening to the recital with rapt attention. Tear-drops appeared in his eyes and he wiped them away.
--
Finally the Sage Viswamitra appeared and told them that he had only wanted to put the king's charitable impulses to a crucial test. Then, through his spiritual power, the Sage brought the prince back to life and returned to the king his lost kingdom.
Story of Uddhava
1.10 - The Methods and the Means, #Bhakti-Yoga, #Swami Vivekananda, #Hinduism
All the immense possibilities of divine realisation in the soul cannot get actualised without struggle and without such practice on the part of the aspiring devotee. "The mind must always think of the Lord." It is very hard at first to compel the mind to think of the Lord always, but with every new effort the power to do so grows stronger in us. "By practice, O son of Kunti, and by non-attachment is it attained", says Shri Krishna in the Gita. And then as to sacrificial work, it is understood that the five great sacrificed (To gods, Sages, manes, guests, and all creatures.) (Panchamahyajna) have to be performed as usual.
Purity is absolutely the basic work, the bed-rock upon which the whole Bhakti-building rests.
1.10 - Theodicy - Nature Makes No Mistakes, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
And he has the divine Sage Narad say to Savitris royal
parents:
1.10 - The Revolutionary Yogi, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
Such are the mental, vital, physical and psychic discoveries that Sri Aurobindo pursued alone, step by step, between the ages of twenty and thirty, simply by following the thread of consciousness. The remarkable thing is that he practiced yoga in circumstances and places where one would usually not do yoga: while giving his lectures in French or English at the State College of Baroda, during his work at the court of the Maharaja, and more and more in the midst of his secret revolutionary activities. The hours of the night that were not devoted to studying his mother tongue or Sanskrit or to political work were spent writing poetry. "Aurobindo had the habit of writing poetry till late into the night," his Bengali teacher recalls, "and consequently he did not get up very early in the morning. . . . He would concentrate for a minute before starting, then the poetry would flow from his pen like a stream." From writing poetry, Sri Aurobindo would pass to his experimental sleep. In 1901, at the age of twenty-nine, he married Mrinalini Devi and tried to share his spiritual life with her. I am experiencing all the signs and symptoms, he wrote to her in a letter found in the archives of the British police. I should like to take you with me along this path. But Mrinalini did not understand him, and Sri Aurobindo would remain alone. We could search Sri Aurobindo's life in vain for those moving or miraculous anecdotes that adorn the lives of great Sages and mystics, in vain for sensational yogic methods;
everything seemed so ordinary, apparently, that nothing attracted one's attention, just as in life itself. Perhaps he had found more miracles in the ordinary than in the extraordinary: With me all is different, all is uncommon, he wrote in a letter to Mrinalini. All is deep and strange to the eyes that see.103 And perhaps that is what he wants us to discover through his example, his work, his yoga all those unknown riches beneath the ordinary crust. Our lives [are] a deeper mystery than we 103
1.10 - The Yoga of the Intelligent Will, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Certainly self-discipline, self-control is never easy. All intelligent human beings know that they must exercise some control over themselves and nothing is more common than this advice to control the senses; but ordinarily it is only advised imperfectly and practised imperfectly in the most limited and insufficient fashion. Even, however, the Sage, the man of clear, wise and discerning soul who really labours to acquire complete self-mastery finds himself hurried and carried away by the senses. That is because the mind naturally lends itself to the senses; it observes the objects of sense with an inner interest, settles upon them and makes them the object of absorbing thought for the intelligence and of strong interest for the will. By that attachment comes, by attachment desire, by desire distress, passion and anger when the desire is not satisfied or is thwarted or opposed, and by passion the soul is obscured, the intelligence and will forget to see and be seated in the calm observing soul; there is a fall from the memory of one's true self, and by that lapse the intelligent will is also obscured, destroyed even. For, for the time being, it no longer exists to our memory of ourselves, it disappears in a cloud of passion; we become passion, wrath, grief and cease to be self and intelligence and will. This then must be prevented
The Yoga of the Intelligent Will
--
is a particular intensity, not the essential sign. The test is the expulsion of all desires, their inability to get at the mind, and it is the inner state from which this freedom arises, the delight of the soul gathered within itself with the mind equal and still and highpoised above the attractions and repulsions, the alternations of sunshine and storm and stress of the external life. It is drawn inward even when acting outwardly; it is concentrated in self even when gazing out upon things; it is directed wholly to the Divine even when to the outward vision of others busy and preoccupied with the affairs of the world. Arjuna, voicing the average human mind, asks for some outward, physical, practically discernible sign of this great Samadhi; how does such a man speak, how sit, how walk? No such signs can be given, nor does the Teacher attempt to supply them; for the only possible test of its possession is inward and that there are plenty of hostile psychological forces to apply. Equality is the great stamp of the liberated soul and of that equality even the most discernible signs are still subjective. "A man with mind untroubled by sorrows, who has done with desire for pleasures, from whom liking and wrath and fear have passed away, such is the Sage whose understanding has become founded in stability." He is "without the triple action of the qualities of Prakriti, without the dualities, ever based in his true being, without getting or having, possessed of his self."
For what gettings and havings has the free soul? Once we are possessed of the Self, we are in possession of all things.
--
"Yoga is skill in works." But all action directed towards life leads away from the universal aim of the Yogin which is by common consent to escape from bondage to this distressed and sorrowful human birth? Not so, either; the Sages who do works without desire for fruits and in Yoga with the Divine are liberated from the bondage of birth and reach that other perfect status in which there are none of the maladies which afflict the mind and life of a suffering humanity.
The status he reaches is the Brahmic condition; he gets to firm standing in the Brahman, brahm sthiti. It is a reversal of the whole view, experience, knowledge, values, seeings of earthbound creatures. This life of the dualities which is to them their day, their waking, their consciousness, their bright condition of activity and knowledge, is to him a night, a troubled sleep and darkness of the soul; that higher being which is to them a night, a sleep in which all knowledge and will cease, is to the self-mastering Sage his waking, his luminous day of true being, knowledge and power. They are troubled and muddy waters disturbed by every little inrush of desire; he is an ocean of wide being and consciousness which is ever being filled, yet ever motionless in its large poise of his soul; all the desires of the
104
11.15 - Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Standing on the mental plane, immured within the dimensions of Reason and mental intelligence, it is not easy to contemplate the type of consciousness that will be; even as it was difficult for the ape to envi Sage the advent of his successor, man. But certain characteristic signs, rudimentary or fragmentary movements of the higher status are visible in the mental consciousness even as it is: the ape likewise was not without a glimmer of Reason and logic, even the faculty of ratiocination that seems to be the exclusive property of man. There is, for example, a movement we call Intuition, so different from Reason to which even Scientists and Mathematicians acknowledge their debt of gratitude for so many of their discoveries and inventions. There is also the other analogous movement called Inspiration that rules the poet and the artist disclosing to them a world of beauty and reality that is not available to the normal human consciousness. Again, there is yet another group of human beings at the top of the ladder of evolutionmystics and Sageswho see the truth, possess the truth direct through a luminous immediacy of perception, called Revelation. Now, all these functionings of consciousness that happen frequently enough within the domain of normal humanity are still expressions of a higher mode of consciousness: they are not the product or play of Reason or logical intelligence which marks the character, the differentia of human consciousness.
But, as at present, these are mere glimmers and glimpses from elsewhere and man has no comm and or control over them. They are beyond the habitual conscious will, they come and go as they like, happy visitations from another world, they do not abide our question and are not at our beck and call. The Supermind, on the contrary, is in full possession of that consciousness of which these are faint beginnings and distant echoes. The Superman will be born when man has risen above his mind and emerged into the supramental consciousness.
--
Lastly, another point and we have done. It is that all human efforts in the past in any realm or domain towards a higher life has been contri butory to this supreme consummation that Sri Aurobindo envi Sages as coming or sure to come. It is very often asserted that human nature is irremediable and although we may try at a little amelioration of his instinctive life, especially as a social being, there can be no permanent or radical cure of the original sin of Ignorance and Inconscience with which his earthly nature is branded. Reformers, idealists, even saints and Sages have seen and sought to counter the evilsome tried to get rid of it, others round it: but it is still there, as rampant as ever, apparently with no effect upon it. For one thing, evil was sought to be cured by its opposite, the good, but the good that belongs to the level of consciousness to which evil too belongs. In other words, we tried to deal with the world and treat it with the force of the Mind, even though in some cases, the mind was a high or even the highest spiritual mind. To touch the roots of the malady that extend into our deepest fibres, our most material being, dead inconscience, one must rise to the very source of consciousness, the creative truth-consciousness: the Supermind alone can transform the earth, transfigure the earthly life. In the second place, the past attempts did not all go in vain: they were preparations, the first ground-work, on various levels and in various domains of human life and consciousness where the light infiltrated, to whatever extent it may be and things, and forces were shaken and reshuffled to admit of other forces and inspirations; if nothing else, at least the possibility was created.
Sri Aurobindo's aim, we have said, is not an individual fulfilment, however glorious and successful it might be, and not merely the fulfilment of one limb only of the individual however deep and high. Sri Aurobindo embraced the whole man and the whole society. A fulfilled life in society upon earth the highest and completest life possible, not only possible but inevitable to the human being that is the work for which he laboured. Man's mind and intelligence, his life energy, his body-form are all taken up, purified of the lower formulation, remoulded into the mode and pattern of the supramental truth-consciousness: he becomes a complete, integral perfect being expressing and embodying in all his limbs and movements the supreme reality made of utter truth and knowledge and power and delight. This being his individual life, his collective or social life too would figure the same pattern. A new society in which men have found their soul and soul function is a harmonious, a unitary body, com posed of individuals who by living each one in his self live in all and living in all each one lives in his self. Likewise, an aggregate of such societiesa society of nations, as it is already called somewhat in a prophetic vein,will also be an inherently harmonious and unified, even a unitary body too, since all these larger units will express through their corporate life each in its own special way the glory and greatness of the Divine Consciousness.
1.11 - Correspondence and Interviews, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
"When I visited Sri Aurobindo in 1950, after a lapse of more than forty years, I saw before me a being completely transformed, radiant, blissful, enveloped in an atmosphere of godlike calm. He spoke in a low, clear voice, which stirred the depths of my being. I talked to him of my spiritual needs. The Sage replied: '...I wrote to you that I would help you and in my own way I am helping you.... I will watch over your progress.'
"Then we discussed Indian culture. I said: 'The younger generation is being fed on theories and beliefs which are undermining the higher life of India.' The Master replied: 'You must overcome this lack of faith. Rest assured that our culture cannot be undermined. This is only a passing phase.' Then the Mahayogi sprang a surprise on me. 'When do you expect India to be united?' he asked. I was taken aback. I explained to him how our leaders had agreed to partition. I then said: 'So far as the present generation of politicians is concerned I cannot think of any time when the two countries India and Pakistan can be united.' Sri Aurobindo smiled and averred: 'India will be reunited. I see it clearly.'
1.11 - Legend of Dhruva, the son of Uttanapada, #Vishnu Purana, #Vyasa, #Hinduism
Dhruva said; "Excellent Sages, I wish not for riches, neither do I want dominion: I aspire to such a station as no one before me has attained. Tell me what I must do to effect this object; how I may reach an elevation superior to all other dignities." The Ṛṣis severally thus replied.-Marīci said; "The best of stations is not within the reach of men who fail to propitiate Govinda. Do thou, prince, worship the undecaying (Achyuta)." Atri said; "He with whom the first of spirits, Janārddana, is pleased, obtains imperishable dignity. I declare unto you the truth." A
giras said; "If you desire an exalted station, worship that Govinda in whom, immutable and undecaying, all that is, exists." Pulastya said; "He who adores the divine Hari, the supreme soul, supreme glory, who is the supreme Brahma, obtains what is difficult of attainment, eternal liberation." "When that Janārddana," observed Kratu, "who in sacrifices is the soul of sacrifice, and who in abstract contemplation is supreme spirit, is pleased, there is nothing man may not acquire." Pulaha said; "Indra, having worshipped" the lord of the world, obtained the dignity of king of the celestials. Do thou adore, pious youth, that Viṣṇu, the lord of sacrifice." "Any thing, child, that the mind covets," exclaimed Vaśiṣṭha, "may be obtained by propitiating Viṣṇu, even though it he the station that is the most excellent in the three worlds."
1.11 - Oneness, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
am He," so'ham the Sages of India say; indeed, this is the truth all liberated men discover, whether they be from the East or the West,
from the past or the present. This is the eternal Fact we must all discover. This "I," the self who asserts its identity with God, is not that of a privileged individual as if there were any room left for a little personal and exclusive self in that triumphant blossoming, or as if the Sages of the Upanishads, the Vedic rishis, or Christ had once and for all monopolized every divine relationship. This is in fact the voice of all men fused into a single cosmic consciousness, and we are all the sons of God. There are two ways of making this Discovery, or two stages. The first one is to find the soul, the psychic being, eternally one with the Divine, the little light from that great Light: "The Spirit who is here in man and the Spirit who is there in the Sun, lo, it is One Spirit and there is no other," says the Upanishad 145 ; "whoever thinks 'Other is he and I am other,' he knows not." 146 Some six or seven thousand years ago the Veda called this discovery of the Spirit within "the birth of the Son": "The red glowing mass of him is seen: a great 144
145
1.11 - ON THE NEW IDOL, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
inventors and the treasures of the Sages for themselves;
"education" they call their theft-and everything turns
1.11 - The Seven Rivers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
If there were any doubt whether these waters of Vasishtha's prayer are the same as the waters of Vamadeva's great hymn, madhuman urmih., ghr.tasya dharah., it is entirely removed by another Sukta of the Sage Vasishtha, (VII.47). In the forty-ninth hymn he refers briefly to the divine waters as honey-streaming,
112
--
Vedic Sages. For the rest, Vasishtha makes it clear enough to us; for he says that these are the waters which Surya has formed by his rays and which, unlike earthly movements, do not limit or diminish the workings of Indra, the supreme Mind. They are, in other words, the waters of the Vast Truth, r.tam br.hat and, as we have always seen that this Truth creates the Bliss, so here we find that these waters of the Truth, r.tasya dharah., as they are plainly called in other hymns (e.g. V.12.2, "O perceiver of the Truth, perceive the Truth alone, cleave out many streams of the Truth"), establish for men the supreme good and the supreme good2 is the felicity, the bliss of the divine existence.
Still, neither in these hymns nor in Vamadeva's is there an express mention of the seven rivers. We will turn therefore to the first hymn of Vishwamitra, his hymn to Agni, from its second to its fourteenth verse. The pas Sage is a long one, but it is sufficiently important to cite and translate in full.
1.11 - WITH THE DEVOTEES AT DAKSHINEWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"One night a fisherman went into a garden and cast his net into the lake in order to steal some fish. The owner heard him and surrounded him with his servants. They brought lighted torches and began to search for him. In the mean time the fisherman smeared his body with ashes and sat under a tree, pretending to be a holy man. The owner and his men searched a great deal but could not find the thief. All they saw was a holy man covered with ashes, meditating under a tree. The next day the news spread in the neighbourhood that a great Sage was staying in the garden. People gathered there and saluted him with offerings of fruit, flowers, and sweets. Many also offered silver and copper coins. 'How strange!' thought the fisherman. 'I am not a genuine holy man, and still people show such devotion to me. I shall certainly realize God if I become a true sadhu. There is no doubt about it.'
"If a mere pretence of religious life can bring such spiritual awakening, you can imagine the effect of real sadhana. In that state you will surely realize what is real and what is unreal. God alone is real, and the world is illusory."
--
Jamuna, if I have not eaten anything today, then may your waters part so that we may all walk to the other side.' No sooner did the Sage utter these words than the waters of the Jamuna parted. The gopis were speechless with wonder. 'He ate so much just now,'
they said to themselves, 'and he says, "If I have not eaten anything. . ."!' Vyasa had the firm conviction that it was not himself, but the Narayana who dwelt in his heart, that had partaken of the food.
--
"Eternally perfect Sages like Prahlada also practise meditation and prayer. But they have realized the fruit, God-vision, even before their spiritual practice. They are like gourds and pumpkins, which grow fruit first and then flowers.
(Looking at Rkhl 's father) "Even though an eternally perfect soul is born in a low family, still he retains his innate perfection. He cannot do anything else. A pea germinating in a heap of cow-dung still grows into a pea-plant.
--
MASTER (to the devotees): "Why shouldn't one be able to attain spirituality, living the life of a householder? But it is extremely difficult. Sages like Janaka entered the world after attaining Knowledge. But still the world is a place of terror. Even a detached householder has to be careful. Once Janaka bent down his head at the sight of a bhairavi. He shrank from seeing a woman. The bhairavi said to him: 'Janaka, I see you have not yet attained Knowledge. You still differentiate between man and woman.'
"If you move about in a room filled with soot, you will soil your body, however slightly, no matter how clever you may be. I have seen householder devotees filled with spiritual emotion while performing their daily worship wearing their silk clothes. They maintain that attitude even until they take their refreshments after the worship. But afterwards they become their old selves again. They display their rajasic and tamasic natures.
1.11 - Works and Sacrifice, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Shastra. But if the principle of the action is not to be external to the nature but subjective, if the actions even of the liberated and the Sage are to be controlled and determined by his nature, svabhava-niyatam, then the only subjective principle of action is desire of whatever kind, lust of the flesh or emotion of the heart or base or noble aim of the mind, but all subject to the gun.as of
Prakriti. Let us then interpret the niyata karma of the Gita as the nityakarma of the Vedic rule, its kartavya karma or work that has to be done as the Aryan rule of social duty and let us take too its work done as a sacrifice to mean simply these Vedic sacrifices and this fixed social duty performed disinterestedly and without any personal object. This is how the Gita's doctrine of desireless work is often interpreted. But it seems to me that the Gita's teaching is not so crude and simple, not so local and temporal and narrow as all that. It is large, free, subtle and profound; it is for all time and for all men, not for a particular age and country.
1.1.2 - Commentary, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
Therefore it is said that what the Sages seek is to distinguish and
see the Brahman in all existences; by that discovery, realisation
1.12 - Delight of Existence - The Solution, #The Life Divine, #Sri Aurobindo, #Integral Yoga
15:Since the nature of suffering is a failure of the consciousforce in us to meet the shocks of existence and a consequent shrinking and contraction and its root is an inequality of that receptive and possessing force due to our self-limitation by egoism consequent on the ignorance of our true Self, of Sachchidananda, the elimination of suffering must first proceed by the substitution of titiks.a, the facing, enduring and conquest of all shocks of existence for jugupsa, the shrinking and contraction: by this endurance and conquest we proceed to an equality which may be either an equal indifference to all contacts or an equal gladness in all contacts; and this equality again must find a firm foundation in the substitution of the Sachchidananda consciousness which is All-Bliss for the ego-consciousness which enjoys and suffers. The Sachchidananda consciousness may be transcendent of the universe and aloof from it, and to this state of distant Bliss the path is equal indifference; it is the path of the ascetic. Or the Sachchidananda consciousness may be at once transcendent and universal; and to this state of present and all-embracing Bliss the path is surrender and loss of the ego in the universal and possession of an all-pervading equal delight; it is the path of the ancient Vedic Sages. But neutrality to the imperfect touches of pleasure and the perverse touches of pain is the first direct and natural result of the soul's self-discipline and the conversion to equal delight can, usually, come only afterwards. The direct transformation of the triple vibration into Ananda is possible, but less easy to the human being.
16:Such then is the view of the universe which arises out of the integral Vedantic affirmation. An infinite, indivisible existence all-blissful in its pure self-consciousness moves out of its fundamental purity into the varied play of Force that is consciousness, into the movement of Prakriti which is the play of Maya. The delight of its existence is at first self-gathered, absorbed, subconscious in the basis of the physical universe; then emergent in a great mass of neutral movement which is not yet what we call sensation; then further emergent with the growth of mind and ego in the triple vibration of pain, pleasure and indifference originating from the limitation of the force of consciousness in the form and from its exposure to shocks of the universal Force which it finds alien to it and out of harmony with its own measure and standard; finally, the conscious emergence of the full Sachchidananda in its creations by universality, by equality, by self-possession and conquest of Nature. This is the course and movement of the world.
1.12 - Dhruva commences a course of religious austerities, #Vishnu Purana, #Vyasa, #Hinduism
THE prince, having received these instructions, respectfully saluted the Sages, and departed from the forest, fully confiding in the accomplishment of his purposes. He repaired to the holy place, on the banks of the Yamunā, called Madhu or Madhuvana, the grove of Madhu, after the demon of that name, who formerly abided there. Śatrughna (the younger brother of Rāma) having slain the Rākṣas Lavaṇa, the son of Madhu, founded a city on the spot, which was named Mathurā. At this holy shrine, the purifier from all sin, which enjoyed the presence of the sanctifying god of gods, Dhruva performed penance, as enjoined by Marīci and the Sages: he contemplated Viṣṇu, the sovereign of all the gods, seated in himself. Whilst his mind was wholly absorbed in meditation, the mighty Hari, identical with all beings and with all natures, (took possession of his heart.) Viṣṇu being thus present in his mind, the earth, the supporter of elemental life, could not sustain the weight of the ascetic. As he stood upon his left foot, one hemisphere bent beneath him; and when he stood upon his right, the other half of the earth sank down. When he touched the earth with his toes, it shook with all its mountains, and the rivers and the seas were troubled, and the gods partook of the universal agitation.
The celestials called Yāmas, being excessively alarmed, then took counsel with Indra how they should interrupt the devout exercises of Dhruva; and the divine beings termed Kushmāṇḍas, in company with their king, commenced anxious efforts to distract his meditations. One, assuming the semblance of his mother Sunīti, stood weeping before him, and calling in tender accents, "My son, my son, desist from destroying thy strength by this fearful penance. I have gained thee, my son, after much anxious hope: thou canst not have the cruelty to quit me, helpless, alone, and unprotected, on account of the unkindness of my rival. Thou art my only refuge; I have no hope but thou. What hast thou, a child but five years old, to do with rigorous penance? Desist from such fearful practices, that yield no beneficial fruit. First comes the season of youthful pastime; and when that is over, it is the time for study: then succeeds the period of worldly enjoyment; and lastly, that of austere devotion. This is thy season of pastime, my child. Hast thou engaged in these practices to put an end to thine existence? Thy chief duty is love for me: duties are according to time of life. Lose not thyself in bewildering error: desist from such unrighteous actions. If not, if thou wilt not desist from these austerities, I will terminate my life before thee."
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kāra), primeval nature, and the pure, subtile, all-pervading soul, that surpasses nature. Salutation to that spirit that is void of qualities; that is supreme over all the elements and all the objects of sense, over intellect, over nature and spirit. I have taken refuge with that pure form of thine, oh supreme, which is one with Brahma, which is spirit, which transcends all the world. Salutation to that form which, pervading and supporting all, is designated Brahma, unchangeable, and contemplated by religious Sages. Thou art the male with a thousand heads, a thousand eyes, a thousand feet, who traversest the universe, and passest ten inches beyond its contact[2]. Whatever has been, or is to be, that, Puruṣottama, thou art. From thee sprang Virāt, Svarāt, Samrāt, and Adhipuruṣa[3]. The lower, and upper, and middle parts of the earth are not independent of thee: from thee is all this universe, all that has been, and that shall be: and all this world is in thee, assuming this universal form[4]. From thee is sacrifice derived, and all oblations, and curds, and ghee, and animals of either class (domestic or wild). From thee the Rig-Veda, the Sāma, the metres of the Vedas, and the Yajur-Véda are born. Horses, and cows having teeth in one jaw only[5], proceed from thee; and from thee come goats, sheep, deer. Brahmans sprang from thy mouth; warriors from thy arms; Vaisyas from thy thighs; and Śūdras from thy feet. From thine eyes come the sun; from thine ears, the wind; and from thy mind, the moon: the vital airs from thy central vein; and fire from thy mouth: the sky from thy navel; and heaven from thy head: the regions from thine ears; the earth from thy feet. All this world was derived from thee. As the wide-spreading Nyagrodha (Indian fig) tree is compressed in a small seed[6], so, at the time of dissolution, the whole universe is comprehended in thee as its germ. As the Nyagrodha germinates from the seed, and becomes first a shoot, and then rises into loftiness, so the created world proceeds from thee, and expands into magnitude. As the bark and leaves of the Plantain tree are to be seen in its stem, so thou art the stem of the universe, and all things are visible in thee. The faculties of the intellect, that are the cause of pleasure and of pain, abide in thee as one with all existence; but the sources of pleasure and of pain, singly or blended, do not exist in thee, who art exempt from all qualities[7]. Salutation to thee, the subtile rudiment, which, being single, becomes manifold, Salutation to thee, soul of existent things, identical with the great elements. Thou, imperishable, art beheld in spiritual knowledge as perceptible objects, as nature, as spirit, as the world, as Brahmā, as Manu, by internal contemplation. But thou art in all, the element of all; thou art all, assuming every form; all is from thee, and thou art from thyself. I salute thee, universal soul: glory be to thee. Thou art one with all things: oh lord of all, thou art present in all things. What can I say unto thee? thou knowest all that is in the heart, oh soul of all, sovereign lord of all creatures, origin of all things. Thou, who art all beings, knowest the desires of all creatures. The desire that I cerished has been gratified, lord, by thee: my devotions have been crowned with success, in that I have seen thee."
Viṣṇu said to Dhruva; "The object of thy devotions has in truth been attained, in that thou hast seen me; for the sight of me, young prince, is never unproductive. Ask therefore of me what boon thou desirest; for men in whose sight I appear obtain all their wishes." To this, Dhruva answered; "Lord god of all creatures, who abidest in the hearts of all, how should the wish that I cerish be unknown to thee? I will confess unto thee the hope that my presumptuous heart has entertained; a hope that it would be difficult to gratify, but that nothing is difficult when thou, creator of the world, art pleased. Through thy favour, Indra reigns over the three worlds. The sister-queen of my mother has said to me, loudly and arrogantly, 'The royal throne is not for one who is not born of me;' and I now solicit of the support of the universe an exalted station, superior to all others, and one that shall endure for ever." Viṣṇu said to him; "The station that thou askest thou shalt obtain; for I was satisfied with thee of old in a prior existence. Thou wast formerly a Brahman, whose thoughts were ever devoted to me, ever dutiful to thy parents, and observant of thy duties. In course of time a prince became thy friend, who was in the period of youth, indulged in all sensual pleasures, .and was of handsome appearance and elegant form. Beholding, in consequence of associating with him, his affluence, you formed the desire that you might be subsequently born as the son of a king; and, according to your wish, you obtained a princely birth in the illustrious mansion of Uttānapāda. But that which would have been thought a great boon by others, birth in the race of Svāyambhuva, you have not so considered, and therefore have propitiated me. The man who worships me obtains speedy liberation from life. What is heaven to one whose mind is fixed on me? A station shall be assigned to thee, Dhruva, above the three worlds[8]; one in which thou shalt sustain the stars and the planets; a station above those of the sun, the moon, Mars, the son of Soma (Mercury), Venus, the son of Sūrya (Saturn), and all the other constellations; above the regions of the seven Ṛṣis, and the divinities who traverse the atmosphere[9]. Some celestial beings endure for four ages; some for the reign of a Manu: to thee shall be granted the duration of a Kalpa. Thy mother Sunīti, in the orb of a bright star, shall abide near thee for a similar term; and all those who, with minds attentive, shall glorify thee at dawn or at eventide, shall acquire exceeding religious merit.
Thus the Sage Dhruva, having received a boon from Janārddana, the god of gods, and lord of the world, resides in an exalted station. Beholding his glory, Uśanas, the preceptor of the gods and demons, repeated these verses: "Wonderful is the efficacy of this penance, marvellous is its reward, that the seven Ṛṣis should be preceded by Dhruva. This too is the pious Sunīti, his parent, who is called Sūnritā[10]." Who can celebrate her greatness, who, having given birth to Dhruva, has become the asylum of the three worlds, enjoying to all future time an elevated station, a station eminent above all? He who shall worthily describe the ascent into the sky of Dhruva, for ever shall be freed from all sin, and enjoy the heaven of Indra. Whatever be his dignity, whether upon earth or in heaven, he shall never fall from it, but shall long enjoy life, possessed of every blessing[11].
Footnotes and references:
1.12 - The Minotaur. The Seventh Circle The Violent. The River Phlegethon. The Violent against their Neighbours. The Centaurs. Tyrants., #The Divine Comedy, #Dante Alighieri, #Christianity
My Sage towards him shouted: "Peradventure
Thou think'st that here may be the Duke of Athens,
1.12 - The Superconscient, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
At the extreme summit of the overmind, there only remain great waves of multi-hued light, says the Mother, the play of spiritual forces, which later translate sometimes much later into new ideas, social changes, or earthly events, after crossing one by one all the layers of consciousness and suffering a considerable distortion and loss of light in the process. There are some rare and silent Sages on this earth who can wield and combine these forces and draw them down onto the earth, the way others combine sounds to write a poem. Perhaps they are the true poets. Their existence is a living mantra precipitating the Real upon earth. This concludes the description of the ascent Sri Aurobindo underwent alone in his cell at Alipore. We have only presented a few human reflections of these higher regions; we have said nothing about their essence, nothing about these worlds as they exist in their glory, independently of our pale translations: one must hear and see that for oneself!
Calm heavens of imperishable Light,
1.12 - TIME AND ETERNITY, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
See all the Sages and the holy serpents.
Universal Form, I see you without limit,
1.13 - Conclusion - He is here, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
Again the unexpected! All of a sudden the curtain dropped on the divine drama that had been unrolled for twelve years. Who could have foreseen it? The Supreme Actor who had apparently been quite well and given darshan to the bhaktas on his birthday, August 15, as well as on November 24, most unexpectedly left the stage! When the news was announced on the radio, it came as a heart-rending to the devotees all over the world and just at a time when his name spelt a word of hope to aspiring humanity, as a Yogi, Rishi, poet, philosopher, lover of mankind and bringer of new Light. It was hard to believe and many rushed to Pondicherry by whatever means available to have the last darshan of the Sage.
It is now twenty-two years since he left us; His Birth Centenary in which the Government of India is taking a significant part as a modest recognition of Sri Aurobindo's greatness, is going to be observed all over India and in many parts of the world. Meanwhile the Supramental Manifestation has taken place and the Ashram in consequence has come to be regarded by the world as a spiritual institution from which a new Light is radiating upon earth. Politically, India is gaining a world-status and a serious obstacle to her greatness has been partially removed fulfilling his prophecy. We see then the purpose for which Sri Aurobindo took birth and the dreams he cherished and worked for are on their way to realisation. He did not come for a few individuals only, or for a single nation or race; he came for the transformation of earth-nature which had been abandoned to herself by God and man. God-men came to give some relief to the suffering humanity or to show it a door of escape from suffering, but none before Sri Aurobindo, the Supramental Avatar, accepting Matter as essentially Brahman, came to divinise it. When the work was going apace the curtain dropped, all of a sudden.
1.13 - Dawn and the Truth, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
Therefore she is the leader not only of happy truths, but of our spiritual wealth and joy, bringer of the felicity which is reached by man or brought to him by the Truth, es.a netr radhasah. sunr.tanam (VII.76.7). This wealth for which the Rishis pray is described under the figure of material riches; it is gomad asvavad vravad or it is gomad asvavad rathavac ca radhah.. Go, the cow, asva, the horse, praja or apatya, the offspring, nr. or vra, the man or hero, hiran.ya, gold, ratha, the chariot, sravas, - food or fame, according to the ritualist interpretation, - these are the constituents of the wealth desired by the Vedic Sages.
Nothing, it would seem, could be more matter-of-fact, earthy, material; these are indeed the blessings for which a race of lusty barbarians full of vigorous appetite, avid of earth's goods would pray to their primitive gods. But we have seen that hiran.ya is used in another sense than that of earthly gold. We have seen that the "cows" return constantly in connection with the Dawn as a figure for the Light and we have seen that this light is connected with mental vision and with the truth that brings the bliss. And asva, the horse, is always in these concrete images of psychological suggestions coupled with the symbolic figure of the cow: Dawn is gomat asvavat. Vasishtha has a verse
1.13 - Posterity of Dhruva, #Vishnu Purana, #Vyasa, #Hinduism
Best of Munis, tell me why was the right hand of Veṇa rubbed by the holy Sages, in consequence of which the heroic Prithu was produced.
Parāśara said:-
Sunīthā was originally the daughter of Mrityu, by whom she was given to Anga to wife. She bore him Veṇa, who inherited the evil propensities of his maternal grandfather. When he was inaugurated by the Ṛṣis monarch of the earth, he caused. it to be every where proclaimed, that no worship should be performed, no oblations offered, no gifts bestowed upon the Brahmans. "I, the king," said he, "am the lord of sacrifice; for who but I am entitled to the oblations." The Ṛṣis, respectfully approaching the sovereign, addressed him in melodious accents, and said, "Gracious prince, we salute you; hear what we have to represent. For the preservation of your kingdom and your life, and for the benefit of all your subjects, permit us to worship Hari, the lord of all sacrifice, the god of gods, with solemn and protracted rites[2]; a portion of the fruit of which will revert to you[3]. Viṣṇu, the god of oblations, being propitiated with sacrifice by us, will grant you, oh king, all your desires. Those princes have all their wishes gratified, in whose realms Hari, the lord of sacrifice, is adored with sacrificial rites." "Who," exclaimed Veṇa, "is superior to me? who besides me is entitled to worship? who is this Hari, whom you style the lord of sacrifice? Brahmā, Janārddana. Śambhu, Indra, Vāyu, Ravi (the sun), Hutabhuk (fire), Varuṇa, Dhātā, Pūṣā, (the sun), Bhūmi (earth), the lord of night (the moon); all these, and whatever other gods there be who listen to our vows; all these are present in the person of a king: the essence of a sovereign is all that is divine. Conscious of this, I have issued my commands, and look that you obey them. You are not to sacrifice, not to offer oblations, not to give alms. As the first duty of women is obedience to their lords, so observance of my orders is iñcumbent, holy men, on you." "Give command, great king," replied the Ṛṣis, "that piety may suffer no decrease. All this world is but a transmutation of oblations; and if devotion be suppressed, the world is at an end." But Veṇa was entreated in vain; and although this request was repeated by the Sages, he refused to give the order they suggested. Then those pious Munis were filled with wrath, and cried out to each other, "Let this wicked wretch be slain. The impious man who has reviled the god of sacrifice who is without beginning or end, is not fit to reign over the earth." And they fell upon the king, and beat him with blades of holy grass, consecrated by prayer, and slew him, who had first been destroyed by his impiety towards god.
Afterwards the Munis beheld a great dust arise, and they said to the people who were nigh, "What is this?" and the people answered and said, "Now that the kingdom is without a king, the dishonest men have begun to seize the property of their neighbours. The great dust that you behold, excellent Munis, is raised by troops of clustering robbers, hastening to fall upon their prey." The Sages, hearing this, consulted, and together rubbed the thigh of the king, who had left no offspring, to produce a son. From the thigh, thus rubbed, came forth a being of the complexion of a charred stake, with flattened features (like a negro), and of dwarfish stature. "What am I to do?" cried he eagerly to the Munis. "Sit down" (Nishida), said they; and thence his name was Niṣāda. His descendants, the inhabitants of the Vindhya mountain, great Muni, are still called Niṣādas, and are characterized by the exterior tokens of depravity[4]. By this means the wickedness of Versa was expelled; those Niṣādas being born of his sins, and carrying them away. The Brahmans then proceeded to rub the right arm of the king, from which friction was engendered the illustrious son of Veṇa, named Prithu, resplendent in person, as if the blazing deity of Fire bad been manifested.
There then fell from the sky the primitive bow (of Mahādeva) named Ajagava, and celestial arrows, and panoply from heaven. At the birth of Prithu all living creatures rejoiced; and Veṇa, delivered by his being born from the hell named Put, ascended to the realms above. The seas and rivers, bringing jewels from their depths, and water to perform the ablutions of his installation, appeared. The great parent of all, Brahmā, with the gods and the descendants of A
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The mighty Prithu, the son of Veda, being thus invested with universal dominion by those who were skilled in the rite, soon removed the grievances of the people whom his father had oppressed, and from winning their affections he derived the title of Rāja, or king[6]. The waters became solid, when he traversed the ocean: the mountains opened him a path: his banner passed unbroken (through the forests): the earth needed not cultivation; and at a thought food was prepared: all kine were like the cow of plenty: honey was stored in every flower. At the sacrifice of the birth of Prithu, which was performed by Brahmā, the intelligent Sūta (herald or bard) was produced, in the juice of the moon-plant, on the very birth-day[7]: at that great sacrifice also was produced the accomplished Māgadha: and the holy Sages said to these two persons, "Praise ye the king Prithu, the illustrious son of Veṇa; for this is your especial function, and here is a fit subject for your praise." But they respectfully replied to the Brahmans, "We know not the acts of the new-born king of the earth; his merits are not understood by us; his fame is not spread abroad: inform us upon what subject we may dilate in his praise." "Praise the king," said the Ṛṣis, "for the acts this heroic monarch will perform; praise him for the virtues he will display." The king, hearing these words, was much pleased, and reflected that persons acquire commendation by virtuous actions, and that consequently his virtuous conduct would be the theme of the eulogium which the bards were about to pronounce: whatever merits, then, they should panegyrize in their encomium, he determined that he would endeavour to acquire; and if they should point out what faults ought to be avoided, he would try to shun them. He therefore listened attentively, as the sweet-voiced encomiasts celebrated the future virtues of Prithu, the enlightened son of Veṇa.
"The king is a speaker of truth, bounteous, an observer of his promises; he is wise, benevolent, patient, valiant, and a terror to the wicked; he knows his duties; he acknowledges services; he is compassionate and kind-spoken; he respects the venerable; he performs sacrifices; he reverences the Brahmans; he cherishes the good; and in administering justice is indifferent to friend or foe."
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Prithu accordingly uprooted the mountains, by hundreds and thousands, for myriads of leagues, and they were thenceforth piled upon one another. Before his time there were no defined boundaries of villages or towns, upon the irregular surface of the earth; there was no cultivation, no pasture, no agriculture, no highway for merchants: all these things (or all civilization) originated in the reign of Prithu. Where the ground was made level, the king induced his subjects to take up their abode. Before his time, also, the fruits and roots which constituted the food of the people were procured with great difficulty, all vegetables having been destroyed; and he therefore, having made Svāyambhuva Manu the calf[8], milked the Earth, and received the milk into his own hand, for the benefit of mankind. Thence proceeded all kinds of corn and vegetables upon which people subsist now and perpetually. By granting life to the Earth, Prithu was as her father, and she thence derived the patronymic appellation Prithivī (the daughter of Prithu). Then the gods, the Sages, the demons, the Rākṣasas, the Gandharbhas, Yakṣas, Pitris, serpents, mountains, and trees, took a milking vessel suited to their kind, and milked the earth of appropriate milk, and the milker and the calf were both peculiar to their own species[9].
This Earth, the mother, the nurse, the receptacle, and nourisher of all existent things, was produced from the sole of the foot of Viṣṇu. And thus was born the mighty Prithu, the heroic son of Veṇa, who was the lord of the earth, and who, from conciliating the affections of the people, was the first ruler to whom the title of Rāja was ascribed. Whoever shall recite this story of the birth of Prithu, the son of Veṇa, shall never suffer any retribution for the evil he may have committed: and such is the virtue of the tale of Prithu's birth, that those who hear it repeated shall be relieved from affliction[10].
1.13 - The Lord of the Sacrifice, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Nature, the impersonal and infinite in life, the impersonal and infinite in his own subjectivity, the less he is bound by his ego and by the circle of the finite, the more he feels a sense of largeness, peace, pure happiness. The pleasure, joy, satisfaction which the finite by itself can give or the ego in its own right attain, is transitory, petty and insecure. To dwell entirely in the ego-sense and its finite conceptions, powers, satisfactions is to find this world for ever full of transience and suffering, anityam asukham; the finite life is always troubled by a certain sense of vanity for this fundamental reason that the finite is not the whole or the highest truth of life; life is not entirely real until it opens into the sense of the infinite. It is for this reason that the Gita opens its gospel of works by insisting on the Brahmic consciousness, the impersonal life, that great object of the discipline of the ancient Sages. For the impersonal, the infinite, the One in which all
The Lord of the Sacrifice
1.13 - THE MASTER AND M., #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "But what about Sages like Nrada?"
CAPTAIN: "They talked because they were moved by the sufferings of others."
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"But there is a stage beyond even Brahmajnana. After jnna comes vijnna. He who is aware of knowledge is also aware of ignorance. The Sage Vasishtha was stricken with grief at the death of his hundred sons. Asked by Lakshmana why a man of knowledge should grieve for such a reason, Rma said, 'Brother, go beyond both knowledge and ignorance.' He who has knowledge has ignorance also. If a thorn has entered your foot, get another thorn and with its help take out the first; then throwaway the second also."
M: "Should one throwaway both knowledge and ignorance?"
1.13 - The Wood of Thorns. The Harpies. The Violent against themselves. Suicides. Pier della Vigna. Lano and Jacopo da Sant' Andrea., #The Divine Comedy, #Dante Alighieri, #Christianity
My Sage made answer, "O thou wounded soul,
What only in my verses he has seen,
1.13 - Under the Auspices of the Gods, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
the truth of Love, the truth of Force, of Beauty, of Intellect all the truths of the countless Sages, sects, churches, and visionaries that have imparted the Word to us. All are divine truths, all are true and genuine experiences within themselves, but each one is still only a single ray of the total Light. Naturally, these great prophets were wise enough to recognize the truth in other divine expressions they were wiser than their churches or their followers! yet they still remained bound by an essential impairment of consciousness, which could not help dividing,
as a prism divides light. Whether mental or overmental, the consciousness can experience only one truth at a time. This is what all the past and present mythologies express: each god is the incarnation of a single cosmic power love, wisdom, destruction, preservation,
1.14 - Descendants of Prithu, #Vishnu Purana, #Vyasa, #Hinduism
You can inform me, great Sage, why the magnanimous Pracetasas engaged in penance in the waters of the sea.
Parāśara said:-
1.14 - INSTRUCTION TO VAISHNAVS AND BRHMOS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"At the beginning of a yatra performance much light-hearted restlessness is to be observed on the stage. At that time one does not see Krishna. Next the Sage Nrada enters with his flute and sings longingly, 'O Govinda! O my Life! O my Soul!' Then Krishna can no longer remain away and appears with the cowherd boys."
Tuesday, October 16, 1883
1.14 - The Principle of Divine Works, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
The Indian social tendency has been to subordinate the individual to the claims of society, but Indian religious thought and spiritual seeking have been always loftily individualistic in their aims. An Indian system of thought like the Gita's cannot possibly fail to put first the development of the individual, the highest need of the individual, his claim to discover and exercise his largest spiritual freedom, greatness, splendour, royalty, - his aim to develop into the illumined seer and king in the spiritual sense of seerdom and kingship, which was the first great charter of the ideal humanity promulgated by the ancient Vedic Sages.
To exceed himself was their goal for the individual, not by losing all his personal aims in the aims of an organised human society, but by enlarging, heightening, aggrandising himself into the consciousness of the Godhead. The rule given here by the Gita is the rule for the master man, the superman, the divinised human being, the Best, not in the sense of any Nietzschean, any onesided and lopsided, any Olympian, Apollonian or Dionysian, any angelic or demoniac supermanhood, but in that of the man whose whole personality has been offered up into the being, nature and consciousness of the one transcendent and universal
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and arithmise in the standards of the universe. Yet neither is he merely an impersonal indeterminate, nor a mere stuff of conscious existence for all determinations and personalisings to draw upon for their material, but a supreme Being, the one original conscious Existent, the perfect Personality capable of all relations even to the most human, concrete and intimate; for he is friend, comrade, lover, playmate, guide, teacher, master, ministrant of knowledge or ministrant of joy, yet in all relations unbound, free and absolute. This too the divinised man becomes in the measure of his attainment, impersonal in his personality, unbound by quality or action even when maintaining the most personal and intimate relations with men, unbound by any dharma even when following in appearance this or that dharma. Neither the dynamism of the kinetic man nor the actionless light of the ascetic or quietist, neither the vehement personality of the man of action nor the indifferent impersonality of the philosophic Sage is the complete divine ideal. These are the two conflicting standards of the man of this world and the ascetic or the quietist philosopher, one immersed in the action of the Kshara, the other striving to dwell entirely in the peace of the Akshara; but the complete divine ideal proceeds from the nature of the Purushottama which transcends this conflict and reconciles all divine possibilities.
The kinetic man is not satisfied with any ideal which does not depend upon the fulfilment of this cosmic nature, this play of the three qualities of that nature, this human activity of mind and heart and body. The highest fulfilment of that activity, he might say, is my idea of human perfection, of the divine possibility in man; some ideal that satisfies the intellect, the heart, the moral being, some ideal of our human nature in its action can alone satisfy the human being; he must have something that he can seek in the workings of his mind and life and body. For that is his nature, his dharma, and how can he be fulfilled in something outside his nature? For to his nature each being is bound and within it he must seek for his perfection. According to our human nature must be our human perfection; and each man must strive for it according to the line of his personality, his svadharma, but
1.15 - The Possibility and Purpose of Avatarhood, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Sun-God, Vivasvan gave it to Manu, the father of men, Manu gave it to Ikshvaku, head of the Solar line, and so it came down from royal Sage to royal Sage till it was lost in the great lapse of Time and is now renewed for Arjuna, because he is the lover and devotee, friend and comrade of the Avatar. For this, he says, is the highest secret, - thus claiming for it a superiority to all other forms of Yoga, because those others lead to the impersonal Brahman or to a personal Deity, to a liberation in actionless knowledge or a liberation in absorbed beatitude, but this gives the highest secret and the whole secret; it brings us to divine peace and divine works, to divine knowledge, action and ecstasy unified in a perfect freedom; it unites into itself all the Yogic paths as the highest being of the Divine reconciles and makes one in itself all the different and even contrary powers and principles of its manifested being. Therefore this Yoga of the Gita is not, as some contend, only the Karmayoga, one and the lowest, according to them, of the three paths, but a highest
Yoga synthetic and integral directing Godward all the powers of our being.
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If there were not this rising of man into the Godhead to be helped by the descent of God into humanity, Avatarhood for the sake of the Dharma would be an otiose phenomenon, since mere Right, mere justice or standards of virtue can always be upheld by the divine omnipotence through its ordinary means, by great men or great movements, by the life and work of Sages and kings and religious teachers, without any actual incarnation.
The Avatar comes as the manifestation of the divine nature in the human nature, the apocalypse of its Christhood, Krishnahood,
1.15 - The Suprarational Good, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
We begin to see, through the principle and law of our religious being, through the principle and law of our aesthetic being, the universality of a principle and law which is that of all being and which we must therefore hold steadily in view in regard to all human activities. It rests on a truth on which the Sages have always agreed, though by the intellectual thinker it may be constantly disputed. It is the truth that all active being is a seeking for God, a seeking for some highest self and deepest Reality secret within, behind and above ourselves and things, a seeking for the hidden Divinity: the truth which we glimpse through religion, lies concealed behind all life; it is the great secret of life, that which it is in labour to discover and to make real to its self-knowledge.
The seeking for God is also, subjectively, the seeking for our highest, truest, fullest, largest self. It is the seeking for a Reality which the appearances of life conceal because they only partially express it or because they express it from behind veils and figures, by oppositions and contraries, often by what seem to be perversions and opposites of the Real. It is the seeking for something whose completeness comes only by a concrete and all-occupying sense of the Infinite and Absolute; it can be established in its integrality only by finding a value of the infinite in all finite things and by the attemptnecessary, inevitable, however impossible or paradoxical it may seem to the normal reasonto raise all relativities to their absolutes and to reconcile their differences, oppositions and contraries by elevation and sublimation to some highest term in which all these are unified. Some perfect highest term there is by which all our imperfect lower terms can be justified and their discords harmonised if once we can induce them to be its conscious expressions, to exist not for themselves but for That, as contri butory values of that highest Truth, fractional measures of that highest and largest common measure. A One there is in which all the entangled discords of this multiplicity of separated, conflicting, intertwining, colliding ideas, forces, tendencies, instincts, impulses, aspects, appearances which we call life, can find the unity of their diversity, the harmony of their divergences, the justification of their claims, the correction of their perversions and aberrations, the solution of their problems and disputes. Knowledge seeks for that in order that Life may know its own true meaning and transform itself into the highest and most harmonious possible expression of a divine Reality. All seeks for that, each power feels out for it in its own way: the infrarational gropes for it blindly along the line of its instincts, needs, impulses; the rational lays for it its trap of logic and order, follows out and gathers together its diversities, analyses them in order to synthetise; the suprarational gets behind and above things and into their inmost parts, there to touch and lay hands on the Reality itself in its core and essence and enlighten all its infinite detail from that secret centre.
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In fact ethics is not in its essence a calculation of good and evil in the action or a laboured effort to be blameless according to the standards of the world,those are only crude appearances,it is an attempt to grow into the divine nature. Its parts of purity are an aspiration towards the inalienable purity of Gods being; its parts of truth and right are a seeking after conscious unity with the law of the divine knowledge and will; its parts of sympathy and charity are a movement towards the infinity and universality of the divine love; its parts of strength and manhood are an edification of the divine strength and power. That is the heart of its meaning. Its high fulfilment comes when the being of the man undergoes this transfiguration; then it is not his actions that standardise his nature but his nature that gives value to his actions; then he is no longer laboriously virtuous, artificially moral, but naturally divine. Actively, too, he is fulfilled and consummated when he is not led or moved either by the infrarational impulses or the rational intelligence and will, but inspired and piloted by the divine knowledge and will made conscious in his nature. And that can only be done, first by communication of the truth of these things through the intuitive mind as it purifies itself progressively from the invasion of egoism, self-interest, desire, passion and all kinds of self-will, finally through the suprarational light and power, no longer communicated but present and in possession of his being. Such was the supreme aim of the ancient Sages who had the wisdom which rational man and rational society have rejected because it was too high a truth for the comprehension of the reason and for the powers of the normal limited human will too bold and immense, too infinite an effort.
Therefore it is with the cult of Good, as with the cult of Beauty and the cult of the spiritual. Even in its first instincts it is already an obscure seeking after the divine and absolute; it aims at an absolute satisfaction, it finds its highest light and means in something beyond the reason, it is fulfilled only when it finds God, when it creates in man some image of the divine Reality. Rising from its infrarational beginnings through its intermediate dependence on the reason to a suprarational consummation, the ethical is like the aesthetic and the religious being of man a seeking after the Eternal.
1.15 - The world overrun with trees; they are destroyed by the Pracetasas, #Vishnu Purana, #Vyasa, #Hinduism
WHILST the Pracetasas were thus absorbed in their devotions, the trees spread and overshadowed the unprotected earth, and the people perished: the winds could not blow; the sky was shut out by the forests; and mankind was unable to labour for ten thousand years. When the Sages, coming forth from the deep, beheld this, they were angry, and, being incensed, wind and flame issued from their mouths. The strong wind tore up the trees by their roots, and left them sear and dry, and the fierce fire consumed them, and the forests were cleared away. When Soma (the moon), the sovereign of the vegetable world, beheld all except a few of the trees destroyed, he went to the patriarchs, the Pracetasas, and said, "Restrain your indignation, princes, and listen to me. I will form an alliance between you and the trees. Prescient of futurity, I have nourished with my rays this precious maiden, the daughter of the woods. She is called Māṛṣā, and is assuredly the offspring of the trees. She shall be your bride, and the multiplier of the race of Dhruva. From a portion of your lustre and a portion of mine, oh mighty Sages, the patriarch Dakṣa shall be born of her, who, endowed with a part of me, and composed of your vigour, shall be as resplendent as fire, and shall multiply the human race.
"There was formerly (said Soma) a Sage named Kaṇḍu, eminent in holy wisdom, who practised pious austerities on the lovely borders of the Gomati river. The king of the gods sent the nymph Pramlocā to disturb his penance, and the sweet-smiling damsel diverted the Sage from his devotions. They lived together, in the valley of Mandara, for a hundred and fifty years; during which, the mind of the Muni was wholly given up to enjoyment. At the expiration of this period the nymph requested his permission to return to heaven; but the Muni, still fondly attached to her, prevailed upon her to remain for some time longer; and the graceful damsel continued to reside for another hundred years, and delight the great Sage by her fascinations. Then again she preferred her suit to be allowed to return to the abodes of the gods; and again the Muni desired her to remain. At the expiration of more than a century the nymph once more said to him, with a smiling countenance, 'Brahman, I depart;' but the Muni, detaining the fine-eyed damsel, replied, 'Nay, stay yet a little; you will go hence for a long period.' Afraid of iñcurring an imprecation, the graceful nymph continued with the Sage for nearly two hundred years more, repeatedly asking his permission to go to the region of the king of the gods, but as often desired by him to remain. Dreading to be cursed by him, and excelling in amiable manners, well knowing also the pain that is inflicted by separation from an object of affection, she did not quit the Muni, whose mind, wholly subdued by love, became every day more strongly attached to her.
"On one occasion the Sage was going forth from their cottage in a great hurry. The nymph asked him where he was going. 'The day,' he replied, 'is drawing fast to a close: I must perform the Sandhya worship, or a duty will be neglected.' The nymph smiled mirthfully as she rejoined, 'Why do you talk, grave sir, of this day drawing to a close: your day is a day of many years, a day that must be a marvel to all: explain what this means.' The Muni said, 'Fair damsel, you came to the river-side at dawn; I beheld you then, and you then entered my hermitage. It is now the revolution of evening, and the day is gone. What is the meaning of this laughter? Tell me the truth.' Pramlocā. answered, 'You say rightly,' venerable Brahman, 'that I came hither at morning dawn, but several hundred years have passed since the time of my arrival. This is the truth.' The Muni, on hearing this, was seized with astonishment, and asked her how long he had enjoyed her society: to which the nymph replied, that they had lived together nine hundred and seven years, six months, and three days. The Muni asked her if she spoke the truth, or if she was in jest; for it appeared to him that they had spent but one day together: to which Pramlocā replied, that she should not dare at any time to tell him who lived in the path of piety an untruth, but particularly when she had been enjoined by him to inform him what had passed.
"When the Muni, princes, had heard these words, and knew that it was the truth, he began to reproach himself bitterly, exclaiming, 'Fie, fie upon me; my penance has been interrupted; the treasure of the learned and the pious has been stolen from me; my judgment has been blinded: this woman has been created by some one to beguile me: Brahma is beyond the reach of those agitated by the waves of infirmity[1]. I had subdued my passions, and was about to attain divine knowledge. This was foreseen by him by whom this girl has been sent hither. Fie on the passion that has obstructed my devotions. All the austerities that would have led to acquisition of the wisdom of the Vedas have been rendered of no avail by passion that is the road to hell.' The pious Sage, having thus reviled himself, turned to the nymph, who was sitting nigh, and said to her, 'Go, deceitful girl, whither thou wilt: thou hast performed the office assigned thee by the monarch of the gods, of disturbing my penance by thy fascinations. I will not reduce thee to ashes by the fire of my wrath. Seven paces together is sufficient for the friendship of the virtuous, but thou and I have dwelt together. And in truth what fault hast thou committed? why should I be wroth with thee? The sin is wholly mine, in that I could not subdue my passions: yet fie upon thee, who, to gain favour with Indra, hast disturbed my devotions; vile bundle of delusion.'
"Thus spoken to by the Muni, Pramlocā stood trembling, whilst big drops of perspiration started from every pore; till he angrily cried to her, 'Depart, begone.' She then, reproached by him, went forth from his dwelling, and, passing through the air, wiped the perspiration from her person with the leaves of the trees. The nymph went from tree to tree, and as with the dusky shoots that crowned their summits she dried her limbs, which were covered with moisture, the child she had conceived by the Ṛṣi came forth from the pores of her skin in drops of perspiration. The trees received the living dews, and the winds collected them into one mass. "This," said Soma, "I matured by my rays, and gradually it increased in size, till the exhalation that had rested on the tree tops became the lovely girl named Māṛṣā. The trees will give her to you, Pracetasas: let your indignation be appeased. She is the progeny of Kaṇḍu, the child of Pramlocā, the nursling of the trees, the daughter of the wind and of the moon. The holy Kaṇḍu, after the interruption of his pious exercises, went, excellent princes, to the region of Viṣṇu, termed Puruṣottama, where, Maitreya[2], with his whole mind he devoted himself to the adoration of Hari; standing fixed, with uplifted arms, and repeating the prayers that comprehend the essence of divine truth[3]."
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Soma having concluded, the Pracetasas took Māṛṣā, as he had enjoined them, righteously to wife, relinquishing their indignation against the trees: and upon her they begot the eminent patriarch Dakṣa, who had (in a former life) been born as the son of Brahmā[5]. This great Sage, for the furtherance of creation, and the increase of mankind, created progeny. Obeying the command of Brahmā, he made movable and immovable things, bipeds and quadrupeds; and subsequently, by his will, gave birth to females, ten of whom he bestowed on Dharma, thirteen on Kaśyapa, and twenty-seven, who regulate the course of time, on the moon[6]. Of these, the gods, the Titans, the snake-gods, cattle, and birds, the singers and dancers of the courts of heaven, the spirits of evil, and other beings, were born. From that period forwards living creatures were engendered by sexual intercourse: before the time of Dakṣa they were variously propagated, by the will, by sight, by touch, and by the influence of religious austerities practised by devout Sages and holy saints.
Maitreya said:-
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Birth and death are constant in all creatures: Ṛṣis and Sages, possessing divine vision, are not perplexed by this. Dakṣa and the other eminent Munis are present in every age, and in the interval of destruction cease to be[7]: of this the wise man entertains no doubt. Amongst them of old there was neither senior nor junior; rigorous penance and acquired power were the sole causes of any difference of degree amongst these more than human beings. aitreya said:-
Narrate to me, venerable Brahman, at length, the birth of the gods, Titans, Gandharvas, serpents, and goblins.
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giras[25], descended from the holy Sage: and the deified weapons of the gods[26] were the progeny of Kriśāśva.
These classes of thirty-three divinities[27] are born again at the end of a thousand ages, according to their own pleasure; and their appearance and disappearance is here spoken of as birth and death: but, Maitreya, these divine personages exist age after age in the same manner as the sun sets and rises again.
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[7]: 'They are removed', which the commentator explains by 'are absorbed, as if they were fast asleep;' but in every age or Yuga, according to the text-in every Manvantara, according to the comment-the Ṛṣis reappear, the circumstances of their origin only being varied. Dakṣa therefore, as remarked in the preceding note, is the son of Brahmā in one period, the son of the Pracetasas in another. So Soma, in the Svāyambhuva Manvantara, was born as the son of Atri; in the Cākṣuṣa, he was produced by churning the ocean. The words of our text occur in the Hari Vaṃśa, with an unimportant variation: 'Birth and obstruction are constant in all beings, but Ṛṣis and those men who are wise are not perplexed by this;' that is, not, as rendered above, by the alternation of life and death; but, according to the commentator on the Hari Vaṃśa, by a very different matter, the prohibition of unlawful marriages. Utpatti, 'birth of progeny,' is the result of their will; Nirodha, 'obstruction,' is the law prohibiting the intermarriage of persons connected by the offering of the funeral cake; to which Ṛṣis and Sages are not subject, either from their matrimonial unions being merely platonic, or from the bad example set by Brahmā, who, according to the Vedas, approached his own daughter; we have already had occasion to advert to (p. 51. n. 5). The explanation of the text, however, given by the commentator appears forced, and less natural than the interpretation preferred above.
[8]: This is the usual account of Dakṣa's marriage, and is that of the Mahābhārata, Adi P. (p. 113), and of the Brāhma Purāṇa, which the Hari Vaṃśa, in the first part, repeats. In another portion, the Puṣkara Māhātmya, however, Dakṣa, it is said, converts half himself into a female, by whom he begets the daughters presently to be noticed: ###. This seems to be merely a new edition of an old story.
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ga, Padma, Agni, and Bhāgavata Purāṇas tell the story much as in the text, and not unfrequently in the same words. In general they merely refer to the imprecation denounced upon Nārada, as above. The Bhāgavata specifies the imprecation to be perpetual peripateticism. Dakṣa says to him, 'There shall not be a resting-place for thee in all these regions.' The Kūrma repeats the imprecation merely to the effect that Nārada shall perish, and gives no legend. In the Brahma Vaivartta, Nārada is cursed by Brahmā, on a similar occasion, to become the chief of the Gandharvas, whence his musical propensities: but the Bhāgavata, VI. 7, has the reverse of this legend, and makes him first a Gandharva, then a Śūdra, then the son of Brahmā. The Brāhma P., and after it the Hari Vaṃśa and the Vāyu P., have a different and not very intelligible story. Dakṣa, being about to pronounce an imprecation upon Nārada, was appeased by Brahmā and the Ṛṣis, and it was agreed between them that Nārada should be again born, as the son of Kaśyapa, by one of Dakṣa's daughters. This seems to be the gist of the legend, but it is very confusedly told. The version of the Brāhma P., which is the same as that of Hari Vaṃśa, may be thus rendered: "The smooth-speaking Nārada addressed the sons of Dakṣa for their destruction and his own; for the Muni Kaśyapa begot him as a son, who was the son of Brahmā, on the daughter of Dakṣa, through fear of the latter's imprecation. He was formerly the son of Parameṣṭhī (Brahmā), and the excellent Sage Kaśyapa next begot him, as if he were his father, on Asiknī, the daughter of Vīraṇa. Whilst he was engaged in beguiling the sons of the patriarch, Dakṣa, of resistless power, determined on his destruction; but he was solicited by Brahmā, in the presence of the great Sages, and it was agreed between them that Nārada, the son of Brahmā, should be born of a daughter of Dakṣa. Consequently Dakṣa gave his daughter to Parameṣṭhī, and by her was Nārada born." Now several difficulties occur here. Asiknī is the wife, not the daughter, of Dakṣa; but this may be a blunder of the compiler, for in the parallel pas Sage of the Vāyu no name occurs. In the next place, who is this daughter? for, as we shall see, the progeny of all Dakṣa's daughters are fully detailed, and in no p. 119 authority consulted is Nārada mentioned as the son of either of them, or as the son of Kaśyapa. Dakṣa, too, gives his daughter, not to Kaśyapa, but to Parameṣṭhī, or Brahmā. The commentator on the Hari Vaṃśa solves this by saying he gives her to Brahmā for Kaśyapa. The same bargain is noticed in the Vāyu, but Nārada is also said there to be adopted by Kaśyapa. Again, however, it gives Dakṣa's imprecation in the same words as the Hari Vaṃśa; a pas Sage, by the way, omitted in the Brāhma: 'Nārada, perish (in your present form), and take up your abode in the womb.' Whatever may be the original of this legend, it is evidently imperfectly given by the authorities here cited. The French translation of the pas Sage in the Hari Vaṃśa can scarcely be admitted as correct: assuredly is not 'le Devarchi Dakcha, epoux d''Asiknī, fille de Virāna, fut l'aïeul de cet illustri mouni ainsi régénéré.' ### is more consistently said by the commentator to mean Kaśyapa. The Vāyu P. in another part, a description of the different orders of Ṛṣis, states that the Devarṣis Parvata and Nāreda were sons of Kaśyapa: In the account of Kārttavīrya, in the Brāhma P. and Hari Vaṃśa, Nārada is introduced as a Gandharva, the son of Varidāsa; being the same, according to the commentator on the latter, as the Gandharva elsewhere called Upavarhana.
[11]: The prior specification (p. 115) was fifty. The Mahābhārata, Adi P. 113, and, again, Mokṣa Dharma, has the same number. The Bhāgavata, Kūrma, Padma, Li
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[26]: The Śastra devatas, 'gods of the divine weapons;' a hundred are enumerated in the Rāmāyaṇa, and they are there termed the sons of Kriśāśva by Jayā and Vijayā, daughters of the Prajāpati; that is, of Dakṣa. The Bhāgavata terms the two wives of Kriśāśva, Archish (flame) and Dhiṣaṇā; the former is the mother of Dhūmaketu (comet); the latter, of four Sages, Devala, Vedaśiras, Vayuṇa, and Manu. The allegorical origin of the weapons is undoubtedly the more ancient.
[27]: This number is founded upon a text of the Vedas, which to the eight Vasus, eleven Rudras, and twelve Ādityas, adds Prajāpati, either Brahmā or Dakṣa, and Vashatkāra, 'deified oblation.' They have the epithet Chandajā, as born in different Manvantaras, of their own will.
1.16 - Inquiries of Maitreya respecting the history of Prahlada, #Vishnu Purana, #Vyasa, #Hinduism
Venerable Muni, you have described to me the races of human beings, and the eternal Viṣṇu, the cause of this world; but who was this mighty Prahlāda, of whom you have last spoken; whom fire could not burn; who died not, when pierced by weapons; at whose presence in the waters earth trembled, shaken by his movements, even though in bonds; and who, overwhelmed with rocks, remained unhurt. I am desirous to hear an account of the unequalled might of that Sage worshipper of Viṣṇu, to whose marvellous history you have alluded. Why was he assailed by the weapons of the sons of Diti? why was so righteous a person thrown into the sea? wherefore was he overwhelmed with rocks? why bitten by venomous snakes? why hurled from the mountain crest? why cast into the flames? why was he made a mark for the tusks of the elephants of the spheres? wherefore was the blast of death directed against him by the enemies of the gods? why did the priests of the Daityas practise ceremonies for his destruction? why were the thousand illusions of Samvara exercised upon him? and for what purpose was deadly poison administered to him by the servants of the king, but which was innocuous as food to his sagacious son? All this I am anxious to hear: the history of the magnanimous Prahlāda; a legend of great marvels. Not that it is a wonder that he should have been uninjured by the Daityas; for who can injure the man that fixes his whole heart on Viṣṇu? but it is strange that such inveterate hatred should have been shewn, by his own kin, to one so virtuous, so unweariedly occupied in worshipping Viṣṇu. You can explain to me for what reason the sons of Diti offered violence to one so pious, so illustrious, so attached to Viṣṇu, so free from guile. Generous enemies wage no war with such as he was, full of sanctity and every excellence; how should his own father thus behave towards him? Tell me therefore, most illustrious Muni, the whole story in detail: I wish to hear the entire narrative of the sovereign of the Daitya race.
1.16 - Man, A Transitional Being, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
It would be wrong, however, to identify Sri Aurobindo with the Vedic revelation. As striking as it may seem to us, it was for him only one sign along the way a confirmation after the fact, as it were. To resurrect the Veda in the twentieth century, as if it embodied the total Truth once and for all, would be a futile endeavor since the Truth never repeats itself twice. Sri Aurobindo himself wrote in a humorous vein: Truly this shocked reverence for the past is a wonderful and fearful thing! After all, the Divine is infinite and the unrolling of the Truth may be an infinite process . . . not a thing in a nutshell cracked and its contents exhausted once and for all by the first seer or Sage,
while the others must religiously crack the same nutshell all over again.300 Sri Aurobindo was not going to work only toward an individual realization, like the rishis, but toward a collective one, and in conditions that were no longer those of the prehistoric shepherds.
1.16 - MARTHAS GARDEN, #Faust, #Johann Wolfgang von Goethe, #Poetry
Ask priest or Sage the answer to declare,
And it will seem a mocking play,
1.16 - The Process of Avatarhood, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
(Arjuna) among the Pandavas, Vyasa among the Sages, the seerpoet Ushanas among the seer-poets," the first in each category,
The Process of Avatarhood
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and a heightening of its powers of light and love and strength and purity; and to show also how it can be done. If the Avatar were to act in an entirely supernormal fashion, this object would not be fulfilled. A merely supernormal or miraculous Avatar would be a meaningless absurdity; not that there need be an entire absence of the use of supernormal powers such as Christ's socalled miracles of healing, for the use of supernormal powers is quite a possibility of human nature; but there need not be that at all, nor in any case is it the root of the matter, nor would it at all do if the life were nothing else but a display of supernormal fireworks. The Avatar does not come as a thaumaturgic magician, but as the divine leader of humanity and the exemplar of a divine humanity. Even human sorrow and physical suffering he must assume and use so as to show, first, how that suffering may be a means of redemption, - as did Christ, - secondly, to show how, having been assumed by the divine soul in the human nature, it can also be overcome in the same nature, - as did Buddha. The rationalist who would have cried to Christ, "If thou art the Son of God, come down from the cross," or points out Sagely that the Avatar was not divine because he died and died too by disease, - as a dog dieth, - knows not what he is saying: for he has missed the root of the whole matter. Even, the
Avatar of sorrow and suffering must come before there can be the Avatar of divine joy; the human limitation must be assumed in order to show how it can be overcome; and the way and the extent of the overcoming, whether internal only or external also, depends upon the stage of the human advance; it must not be done by a non-human miracle.
1.16 - WITH THE DEVOTEES AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Rma had married Sita after breaking the great bow of iva. On the way to Ayhodhya with His bride, Rma was confronted by the warrior Sage Parasurama, who was about to make trouble for Him. Parasurama threw a bow at Rma and challenged Him to string it. Dasaratha, Rma's father, was seized with fear. With a smile, Rma took the bow in His left hand and strung it. Then twanging the bow-string, He fixed an arrow and asked Parasurama where to shoot it. That curbed the pride of the warrior Sage. Prostrating himself before Rma, Parasurama worshipped Him as the Supreme Brahman.
As Sri Ramakrishna listened to Parasurama's hymn, he went into a spiritual mood and now and then chanted the name of Rma in his melodious voice.
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"At one time Rma was overpowered by the spirit of renunciation. Dasaratha, worried at this, went to the SageVasishtha and begged him to persuade Rma not to give up the world. The Sage came to Rma and found him in a gloomy mood. The fire of intense renunciation had been raging in the Prince's mind. Vasishtha said: 'Rma, why should You renounce the world? Is the world outside God? Reason with me.' Rma realized that the world had evolved from the Supreme Brahman. So, He said nothing.
"Buttermilk is made from the same substance as butter. One who realizes this knows that butter goes with buttermilk and buttermilk with butter. After separating the butter with great effort-that is to say, after attaining Brahmajnana-you will realize that as long as butter exists, buttermilk also must exist. Wherever there is butter there must be buttermilk as well. As long as one feels that Brahman exists, one must also be aware that the universe, living beings, and the twenty-four cosmic principles exist as well.
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"A man, gets rid of all desires when he has Perfect Knowledge. He becomes like a child five years old. Sages like Dattatreya and Jadabharata had the nature of a child."
M: "One hears about them. But there were many others like them that the world doesn't hear about."
1.17 - M. AT DAKSHINEWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"It is said that Sages like Dattatreya and Jadabharata did not return to the relative plane after having the visition of Brahman. According to some people Sukadeva tasted only a drop of that Ocean of Brahman-Consciousness. He saw and heard the rumbling of the waves of that Ocean, but did not dive into It.
"A brahmachari once said to me, 'One who goes beyond Kedr cannot keep his body alive.' Likewise, a man cannot preserve his body after attaining Brahmajnana.1 The body drops off in twenty-one days.
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"The rishis once said to Rma: 'O Rma, Sages like Bharadvaja may very well call you an Incarnation of God, but we cannot do that. We adore the Word-Brahman. 3 We do not want the human form of God.' Rma smiled and went away, pleased with their adoration.
Different manifestations of the Absolute
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as Isvara, as the gods, as man, and as the universe. The Incarnation is the play of the Absolute as man. Do you know how the Absolute plays as man? It is like the rushing down of water from a big roof through a pipe; the power of Satchidananda-nay, Satchidananda Itself-descends through the conduit of a human form as water descends through the pipe. Only twelve Sages, Bharadvaja and the others, recognized Rma as an Incarnation of God. Not everyone can recognize an Incarnation.
"It is God alone who incarnates Himself as man to teach people the ways of love and knowledge. Well, what do you think of me?
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(To Surendra) "You have both-yoga and bhoga. There are different classes of Sages: the brahmarshi, the devarshi, and the rajarshi. Sukadeva is an example of the brahmarshi. He didn't keep even one book with him. An example of the devarhi is Nrada. Janaka was a rajarshi, devoted to selfless work.
"The devotee of the Divine Mother attains dharma and moksha. He enjoys artha and kama as well. Once I saw you in a vision as the child of the Divine Mother. You have both-yoga and bhoga; otherwise your countenance would look dry.
1.17 - The Divine Soul, #The Life Divine, #Sri Aurobindo, #Integral Yoga
9:If we suppose this soul to take its poise, its centre in the consciousness of the individual Divine living and acting in distinct relation with the "others", still it will have in the foundation of its consciousness the entire unity from which all emerges and it will have in the background of that consciousness the extended and the modified unity and to any of these it will be capable of returning and of contemplating from them its individuality. In the Veda all these poises are asserted of the gods. In essence the gods are one existence which the Sages call by different names; but in their action founded in and proceeding from the large Truth and Right Agni or another is said to be all the other gods, he is the One that becomes all; at the same time he is said to contain all the gods in himself as the nave of a wheel contains the spokes, he is the One that contains all; and yet as Agni he is described as a separate deity, one who helps all the others, exceeds them in force and knowledge, yet is inferior to them in cosmic position and is employed by them as messenger, priest and worker, - the creator of the world and father, he is yet the son born of our works, he is, that is to say, the original and the manifested indwelling Self or Divine, the One that inhabits all.
10:All the relations of the divine soul with God or its supreme Self and with its other selves in other forms will be determined by this comprehensive self-knowledge. These relations will be relations of being, of consciousness and knowledge, of will and force, of love and delight. Infinite in their potentiality of variation, they need exclude no possible relation of soul with soul that is compatible with the preservation of the inalienable sense of unity in spite of every phenomenon of difference. Thus in its relations of enjoyment the divine soul will have the delight of all its own experience in itself; it will have the delight of all its experience of relation with others as a communion with other selves in other forms created for a varied play in the universe; it will have too the delight of the experiences of its other selves as if they were its own - as indeed they really are. And all this capacity it will have because it will be aware of its own experiences, of its relations with others and of the experiences of others and their relations with itself as all the joy or Ananda of the One, the supreme Self, its own self, differentiated by its separate habitation of all these forms comprehended in its own being but still one in difference. Because this unity is the basis of all its experience, it will be free from the discords of our divided consciousness, divided by ignorance and a separatist egoism; all these selves and their relations will play consciously into each other's hands; they will part and melt into each other as the numberless notes of an eternal harmony.
1.17 - The Seven-Headed Thought, Swar and the Dashagwas, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
true godhead of these shining gods and these divine, luminous Sages.
The Angiras Rishis are at once divine and human seers. This double character is not in itself an extraordinary feature or peculiar in the Veda to these Sages. The Vedic gods also have a double action; divine and pre-existent in themselves, they are human in their working upon the mortal plane when they grow in man to the great ascension. This has been strikingly expressed in the allocution to Usha, the Dawn, "goddess human in mortals", devi martes.u manus.i. But in the imagery of the Angiras Rishis this double character is farther complicated by the tradition which makes them the human fathers, discoverers of the Light, the
Path and the Goal. We must see how this complication affects our theory of the Vedic creed and the Vedic symbolism.
The Angiras Rishis are ordinarily described as seven in number: they are sapta viprah., the seven Sages who have come down to us in the Puranic tradition1 and are enthroned by
Indian astronomy in the constellation of the Great Bear. But they are also described as Navagwas and Dashagwas, and if in
1.17 - The Transformation, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
unless we relinquish these mortifying half-truths, from above or below, and immerse ourselves in the true Source, within, to recover the practical secret of the Spirit in Matter. "That which is immortal in mortals . . . is a god and established inwardly as an energy working out in our divine powers." (Rig Veda IV.2.1) Because they knew this Secret, neither the rishis nor the Sages of the ancient Mysteries ever created the monumental schism that presently undermines our lives:
"our Father in heaven, our Mother the earth"; and they did not ever attempt to settle the problem by relegating an earthly human fulfillment to a celestial hereafter: "Let us conquer even here, let us run this battle-race of a hundred leadings." Having reached the summits of consciousness, they did not vanish in a pale ecstasy: "I am a son of Earth, the soil is my mother. . . ." (Atharva Veda XII.1)
1.18 - The Divine Worker, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
They are recognisable only by the light of the soul from which they come. For, it says, "what is action and what is inaction, as to this even the Sages are perplexed and deluded," because, judging by practical, social, ethical, intellectual standards, they discriminate by accidentals and do not go to the root of the matter; "I will declare to thee that action by the knowledge of which thou shalt be released from all ills. One has to understand about action as well as to understand about wrong action and about inaction one has to understand; thick and tangled is the way of works." Action in the world is like a deep forest, gahana, through which man goes stumbling as best he can, by the light of the ideas of his time, the standards of his personality, his environment, or rather of many times, many personalities, layers of thought and ethics from many social stages all inextricably confused together, temporal and conventional amidst all their claim to absoluteness and immutable truth, empirical and irrational in spite of their aping of right reason. And finally the Sage seeking in the midst of it all a highest foundation of fixed law and an original truth finds himself obliged to raise the
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But, says Krishna, in this matter even the Sages are perplexed and deluded. For by action, by works, not by inaction comes the knowledge and the release.
What then is the solution? what is that type of works by which we shall be released from the ills of life, from this doubt, this error, this grief, from this mixed, impure and baffling result even of our purest and best-intentioned acts, from these million forms of evil and suffering? No outward distinctions need be made, is the reply; no work the world needs, be shunned; no limit or hedge set round our human activities; on the contrary, all actions should be done, but from a soul in Yoga with the Divine, yuktah. kr.tsna-karma-kr.t. Akarma, cessation from action is not the way; the man who has attained to the insight of the highest reason, perceives that such inaction is itself a constant action, a state subject to the workings of Nature and her qualities. The mind that takes refuge in physical inactivity, is still under the delusion that it and not Nature is the doer of works; it has mistaken inertia for liberation; it does not see that even in what seems absolute inertia greater than that of the stone or clod,
1.18 - The Human Fathers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
HESE characteristics of the Angiras Rishis seem at first sight to indicate that they are in the Vedic system a class of demigods, in their outward aspect personifications or rather personalities of the Light and the Voice and the Flame, but in their inner aspect powers of the Truth who second the gods in their battles. But even as divine seers, even as sons of Heaven and heroes of the Lord, these Sages represent aspiring humanity. True, they are originally the sons of the gods, devaputrah., children of Agni, forms of the manifoldly born Brihaspati, and in their ascent to the world of the Truth they are described as ascending back to the place from whence they came; but even in these characteristics they may well be representative of the human soul which has itself descended from that world and has to reascend; for it is in its origin a mental being, son of immortality (amr.tasya putrah.), a child of Heaven born in Heaven and mortal only in the bodies that it assumes. And the part of the Angiras Rishis in the sacrifice is the human part, to find the word, to sing the hymn of the soul to the gods, to sustain and increase the divine Powers by the praise, the sacred food and the
Soma-wine, to bring to birth by their aid the divine Dawn, to win the luminous forms of the all-radiating Truth and to ascend to its secret, far and high-seated home.
1.19 - Equality, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
It is the spiritual nature of the equality enjoined, high and universal in its character and comprehension, which gives its distinctive note to the teaching of the Gita in this matter. For otherwise the mere teaching of equality in itself as the most desirable status of the mind, feelings and temperament in which we rise superior to human weakness, is by no means peculiar to the Gita. Equality has always been held up to admiration as the philosophic ideal and the characteristic temperament of the Sages. The Gita takes up indeed this philosophic ideal, but carries it far beyond into a higher region where we find ourselves breathing a larger and purer air. The Stoic poise, the philosophic poise of the soul are only its first and second steps of ascension out of the whirl of the passions and the tossings of desire to a serenity and bliss, not of the Gods, but of the Divine himself in his supreme self-mastery. The Stoic equality, making character its pivot, founds itself upon self-mastery by austere endurance; the happier and serener philosophic equality prefers self-mastery by knowledge, by detachment, by a high intellectual indifference seated above the disturbances to which our nature is prone, udasnavad asnah., as the Gita expresses it; there is also the religious or Christian equality which is a perpetual kneeling or a prostrate resignation and submission to the will of God. These are the three steps and means towards divine peace, heroic endurance, Sage indifference, pious resignation, titiks.a, udasnata, namas or nati. The Gita takes them all in its large synthetic manner and weaves them into its upward soul-movement, but it gives to each a profounder root, a larger outlook, a more universal and transcendent significance. For to each it gives the values of the spirit, its power of spiritual being beyond the strain of character, beyond the difficult poise of the understanding, beyond the stress of the emotions.
The ordinary human soul takes a pleasure in the customary disturbances of its nature-life; it is because it has this pleasure and because, having it, it gives a sanction to the troubled play of the lower nature that the play continues perpetually; for the
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whom liking and fear and wrath have passed away, is the Sage of settled understanding. Who in all things is without affection though visited by this good or that evil and neither hates nor rejoices, his intelligence sits firmly founded in wisdom." If one abstains from food, it says, giving a physical example, the object of sense ceases to affect, but the affection itself of the sense, the rasa, remains; it is only when, even in the exercise of the sense, it can keep back from seeking its sensuous aim in the object, artha, and abandon the affection, the desire for the pleasure of taste, that the highest level of the soul is reached. It is by using the mental organs on the objects, "ranging over them with the senses," vis.ayan indriyais caran, but with senses subject to the self, freed from liking and disliking, that one gets into a large and sweet clearness of soul and temperament in which passion and grief find no place. All desires have to enter into the soul, as waters into the sea, and yet it has to remain immovable, filled but not disturbed: so in the end all desires can be abandoned.
To be freed from wrath and passion and fear and attraction is repeatedly stressed as a necessary condition of the liberated status, and for this we must learn to bear their shocks, which cannot be done without exposing ourselves to their causes. "He who can bear here in the body the velocity of wrath and desire, is the Yogin, the happy man." Titiks.a, the will and power to endure, is the means. "The material touches which cause heat and cold, happiness and pain, things transient which come and go, these learn to endure. For the man whom these do not trouble nor pain, the firm and wise who is equal in pleasure and suffering, makes himself apt for immortality." The equalsouled has to bear suffering and not hate, to receive pleasure and not rejoice. Even the physical affections are to be mastered by endurance and this too is part of the Stoic discipline. Age, death, suffering, pain are not fled from, but accepted and vanquished by a high indifference.1 Not to flee appalled from Nature in her
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The pure philosopher, the thinker, the born Sage not only relies upon the sattwic principle in him as his ultimate justification, but uses it from the beginning as his instrument of self-mastery.
He starts from the sattwic equality. He too observes the transitoriness of the material and external world and its failure to satisfy the desires or to give the true delight, but this causes in him no grief, fear or disappointment. He observes all with an eye of tranquil discernment and makes his choice without repulsion or perplexity. "The enjoyments born of the touches of things are
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causes of sorrow, they have a beginning and an end; therefore the Sage, the man of awakened understanding, budhah., does not place his delight in these." "The self in him is unattached to the touches of external things; he finds his happiness in himself."
He sees, as the Gita puts it, that he is himself his own enemy and his own friend, and therefore he takes care not to dethrone himself by casting his being into the hands of desire and passion, natmanam avasadayet, but delivers himself out of that imprisonment by his own inner power, uddhared atmanatmanam; for whoever has conquered his lower self, finds in his higher self his best friend and ally. He becomes satisfied with knowledge, master of his senses, a Yogin by sattwic equality, - for equality is
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Even by the pretensions of learning and purity and virtue and the claims to superiority which men base upon these things, he is not led away. He is equal-souled to all men, to the sinner and the saint, to the virtuous, learned and cultured Brahmin and the fallen outcaste. All these are the Gita's descriptions of the sattwic equality, and they sum up well enough what is familiar to the world as the calm philosophic equality of the Sage.
Where then is the difference between this and the larger equality taught by the Gita? It lies in the difference between the intellectual and philosophic discernment and the spiritual, the Vedantic knowledge of unity on which the Gita founds its teaching. The philosopher maintains his equality by the power of the buddhi, the discerning mind; but even that by itself is a doubtful foundation. For, though master of himself on the whole by a constant attention or an acquired habit of mind, in reality he is not free from his lower nature, and it does actually assert itself in many ways and may at any moment take a violent revenge for its rejection and suppression. For, always, the play of the lower nature is a triple play, and the rajasic and tamasic qualities are ever lying in wait for the sattwic man. "Even the mind of the
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wise man who labours for perfection is carried away by the vehement insistence of the senses." Perfect security can only be had by resorting to something higher than the sattwic quality, something higher than the discerning mind, to the Self, - not the philosopher's intelligent self, but the divine Sage's spiritual self which is beyond the three gunas. All must be consummated by a divine birth into the higher spiritual nature.
And the philosopher's equality is like the Stoic's, like the world-fleeing ascetic's, inwardly a lonely freedom, remote and aloof from men; but the man born to the divine birth has found the Divine not only in himself, but in all beings. He has realised his unity with all and his equality is therefore full of sympathy and oneness. He sees all as himself and is not intent on his lonely salvation; he even takes upon himself the burden of their happiness and sorrow by which he is not himself affected or subjected. The perfect Sage, the Gita more than once repeats, is ever engaged with a large equality in doing good to all creatures and makes that his occupation and delight, sarvabhutahite ratah.. The perfect Yogin is no solitary musing on the Self in his ivory tower of spiritual isolation, but yuktah. kr.tsna-karma-kr.t, a many-sided universal worker for the good of the world, for
God in the world. For he is a bhakta, a lover and devotee of the Divine, as well as a Sage and a Yogin, a lover who loves
God wherever he finds Him and who finds Him everywhere; and what he loves, he does not disdain to serve, nor does action carry him away from the bliss of union, since all his acts proceed from the One in him and to the One in all they are directed. The equality of the Gita is a large synthetic equality in which all is lifted up into the integrality of the divine being and the divine nature.
1.19 - The Practice of Magical Evocation, #The Practice of Magical Evocation, #Franz Bardon, #Occultism
1. Zone Girdling the Earth: Sage powder and elder-pith, in equal parts;
2. Moon-sphere: aloe-powder as the. only drug to be used, or intensified in the form of a mixture in equal parts of aloe, white poppy, storax, benZoe and pulveris camphoris (of the latter, however, only a very small pinch!);
1.200-1.224 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
(by waking up from the ego-dream, which amounts to killing the egosense). The experience of deep sleep clearly teaches that happiness consists in being without the body. The wise also confirm it, speaking of liberation after the body is given up. Thus the Sage is awaiting the casting off of the body. Just as a labourer carrying a load on his head for the sake of wages bears the burden with no pleasure, carries it to the destination, and finally unburdens himself with relief and joy; so also the Sage bears this body, awaiting the right and destined time to discard it. If now you are relieved of one half of the burden, i.e., the wife, should you not be thankful and be happy for it?
Nevertheless you cannot be so because of your physical outlook.
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Therefore we say that the Self-Realised Sage knows by his mind, but
Talks with Sri Ramana Maharshi his mind is pure. Again we say that the vibrating mind is impure and the placid mind is pure. The pure mind is itself Brahman; therefore it follows that Brahman is not other than the mind of the Sage.
The Mundaka Upanishad says: The knower of Brahman becomes the Self of Brahman. Is it not ludicrous? To know Him and become
Him? They are mere words. The Sage is Brahman - that is all. Mental functioning is necessary to communicate his experience. He is said to be contemplating the unbroken expanse. The Creator, Suka and others are also said never to swerve from such contemplation.
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The gods and the Sages experience the Infinite continuously and eternally, without their vision being obscured at any moment. Their minds are surmised by the spectators to function; but in fact they do not. Such surmise is due to the sense of individuality in those who draw inferences. There is no mental function in the absence of individuality. Individuality and mind functions are co-existent. The one cannot remain without the other.
The light of the Self can be experienced only in the intellectual sheath.
12.01 - The Return to Earth, #Savitri, #Sri Aurobindo, #Integral Yoga
Then one spoke there who seemed a priest and Sage:
"O woman soul, what light, what power revealed,
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Is all the truth I know or seek, O Sage."
Wondering at her and her too luminous words
1.20 - Equality and Knowledge, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Gita accepts the endurance and fortitude of our struggle with the lower nature as a preliminary movement; but if a certain mastery comes by our individual strength, the freedom of mastery only comes by our union with God, by a merging or dwelling of the personality in the one divine Person and the loss of the personal will in the divine Will. There is a divine Master of Nature and her works, above her though inhabiting her, who is our highest being and our universal self; to be one with him is to make ourselves divine. By union with God we enter into a supreme freedom and a supreme mastery. The ideal of the Stoic, the Sage who is king because by self-rule he becomes master also of outward conditions, resembles superficially the Vedantic idea of the selfruler and all-ruler, svarat. samrat.; but it is on a lower plane.
The Stoic kingship is maintained by a force put upon self and environment; the entirely liberated kingship of the Yogin exists naturally by the eternal royalty of the divine nature, a union with its unfettered universality, a finally unforced dwelling in its superiority to the instrumental nature through which it acts.
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vanity of the world's differences and distinctions, the superiority of the inner calm, peace, light, self-dependence. It is an equality of philosophic indifference; it brings a high calm, but not the greater spiritual joy; it is an isolated freedom, a wisdom like that of the Lucretian Sage high in his superiority upon the cliff-top whence he looks down on men tossed still upon the tempestuous waters from which he has escaped, - in the end something after all aloof and ineffective. The Gita admits the philosophic motive of indifference as a preliminary movement; but the indifference to which it finally arrives, if indeed that inadequate word can be at all applied, has nothing in it of the philosophic aloofness. It is indeed a position as of one seated above, udasnavat, but as the Divine is seated above, having no need at all in the world, yet he does works always and is present everywhere supporting, helping, guiding the labour of creatures. This equality is founded upon oneness with all beings. It brings in what is wanting to the philosophic equality; for its soul is the soul of peace, but also it is the soul of love. It sees all beings without exception in the Divine, it is one self with the Self of all existences and therefore it is in supreme sympathy with all of them. Without exception, ases.en.a, not only with all that is good and fair and pleases; nothing and no one, however vile, fallen, criminal, repellent in appearance, can be excluded from this universal, this whole-souled sympathy and spiritual oneness. Here there is no room, not merely for hatred or anger or uncharitableness, but for aloofness, disdain or any petty pride of superiority. A divine compassion for the ignorance of the struggling mind, a divine will to pour forth on it all light and power and happiness there will be, indeed, for the apparent man; but for the divine Soul within him there will be more, there will be adoration and love. For from all, from the thief and the harlot and the outcaste as from the saint and the Sage, the Beloved looks forth and cries to us, "This is I." "He who loves Me in all beings," - what greater word of power for the utmost intensities and profundities of divine and universal love, has been uttered by any philosophy or any religion?
Resignation is the basis of a kind of religious equality, submission to the divine will, a patient bearing of the cross, a
1.20 - RULES FOR HOUSEHOLDERS AND MONKS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "The sound Om is Brahman. The rishis and Sages practised austerity to realize that Sound-Brahman. After attaining perfection one hears the sound of this eternal Word rising spontaneously from the navel.
"'What will you gain', some Sages ask, 'by merely hearing this sound?' You hear the roar of the ocean from a distance. By following the roar you can reach the ocean. As long as there is the roar, there must also be the ocean. By following the trail of Om you attain Brahman, of which the Word is the symbol. That Brahman has been described by the Vedas as the ultimate goal. But such vision is not possible as long as you are conscious of your ego. A man realizes Brahman only when he feels neither 'I' nor 'you', neither 'one' nor 'many'.
"Think of the sun and of ten jars filled with water. The sun is reflected in each jar. At first you see one real sun and ten reflected ones. If you break nine of the jars, there will remain only the real sun and one reflection. Each jar represents a jiva. Following the reflection one can find the real sun. Through the individual soul one can reach the Supreme Soul. Through spiritual discipline the individual soul can get the vision of the Supreme Soul. What remains when the last jar is broken cannot be described.
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"To be able to realize God, one must practise absolute continence. Sages like Sukadeva are examples of an urdhvareta. Their chastity was absolutely unbroken. There is another class, who previously have had discharges of semen but who later on have controlled them. A man controlling the seminal fluid for twelve years develops a special power. He grows a new inner nerve called the nerve of memory. Through that nerve he remembers all, he understands all.
"Loss of semen impairs the strength. But it does not injure one if one loses it in a dream. That semen one gets from food. What remains after nocturnal discharge is enough. But one must not know a woman.
1.20 - TANTUM RELIGIO POTUIT SUADERE MALORUM, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
While the Right Law still prevailed, innumerable were the converts who fathomed the depths of the Dharma by merely listening to half a stanza or even to a single phrase of the Buddhas teaching. But as we come to the age of similitude and to these latter days of Buddhism, we are indeed far away from the Sage. People find themselves drowning in a sea of letters; they do not know how to get at the one substance which alone is truth. This was what caused the appearance of the Fathers (of Zen Buddhism) who, pointing directly at the human mind, told us to see here the ultimate ground of all things and thereby to attain Buddhahood. This is known as a special transmission outside the scriptural teaching. If one is endowed with superior talents or a special sharpness of mind, a gesture or a word will suffice to give one an immediate knowledge of the truth. Hence, since they were advocates of special transmission, Ummon treated the (historical) Buddha with the utmost irreverence and Yakusan forbade his followers even to read the sutras.
Zen is the name given to this branch of Buddhism, which keeps itself away from the Buddha. It is also called the mystical branch, because it does not adhere to the literal meaning of the sutras. It is for this reason that those who blindly follow the steps of Buddha are sure to deride Zen, while those who have no liking for the letter are naturally inclined towards the mystical approach. The followers of the two schools know how to shake the head at each other, but fail to realize that they are after all complementary. Is not Zen one of the six virtues of perfection? If so, how can it conflict with the teachings of the Buddha? In my view, Zen is the outcome of the Buddhas teaching, and the mystical issues from the letters. There is no reason why a man should shun Zen because of the Buddhas teaching; nor need we disregard the letters on account of the mystical teachings of Zen. Students of scriptural Buddhism run the risk of becoming sticklers for the scriptures, the real meaning of which they fail to understand. By such men ultimate reality is never grasped, and for them Zen would mean salvation. Whereas those who study Zen are too apt to run into the habit of making empty talks and practising sophistry. They fail to understand the significance of letters. To save them, the study of Buddhist scriptures is recommended. It is only when these one-sided views are mutually corrected that there is a perfect appreciation of the Buddhas teaching.
1.21 - Families of the Daityas, #Vishnu Purana, #Vyasa, #Hinduism
[21]: The Padma, second series, makes Vāch the mother of both Apsarasas and Gandharvas: the Vāyu has long lists of the names of both classes, as well as of Vidyādharas and Kinnaras. The Apsarasas are distinguished as of two kinds, Laukika, 'worldly,' of whom thirty-four are specified; and Daivika, or 'divine,' ten in number: the latter furnish the individuals most frequently engaged in the interruption of the penances of holy Sages, such as Menakā, Sahajanyā, Ghritācī, Pramlocā, Visvāci, and Pūrvacitti. Urvaśī is of a different order to both, being the daughter of Nārāyaṇa. Rambhā, Tilotamā Misrakeśī, are included amongst the Laukika nymphs. There are also fourteen Gaṇas, or troops, of Apsarasas, bearing peculiar designations, as Āhūtas, Sobhayantīs, Vegavatīs, &c.
[22]: The Kūrma, Matsya, Brāhma, Li
ga, Agni, Padma, and Vāyu Purāṇas agree generally with our text in the description of Kaśyapa's wives and progeny. The Vāyu enters most into details, and contains very long catalogues of the names of the different characters descended from the Sage. The Padma and Matsya and the Hari Vaṃśa repeat the story, but admit several variations, some of which have been adverted to in the preceding notes.
[23]: We have a considerable variation here in the commentary, and it may be doubted if the allusion in the text is accurately explained by either of the versions. In one it is said that 'Brahmā, the grandsire of p. 151 the Gandharvas, &c., appointed the seven Ṛṣis, who were born in a former Manvantara, to be his sons, or to be the intermediate agents in creation: he created no other beings himself, being engrossed by the sacrificial ceremony.' Instead of "putratwe," 'in the state of sons,' the reading is sometimes "pitratwe," 'in the character of fathers;' that is, to all other beings. Thus the gods and the rest, who in a former Manvantara originated from Kaśyapa, were created in the present period as the offspring of the seven Ṛṣis. The other explanation agrees with the preceding in ascribing the birth of all creatures to the intermediate agency of the seven Ṛṣis, but calls them the actual sons of Brahmā, begotten at the sacrifice of Vanilla, in the sacrificial fire. The authority for the story is not given, beyond its being in other Purāṇas, it has the air of a modern mystification. The latter member of the pas Sage is separated altogether from the foregoing, and carried on to what follows: thus; "In the war of the Gandharvas, serpents, gods, and demons, Diti having lost her children," &c.; the word 'virodha' being understood, it is said, This is defended by the authority of the Hari Vaṃśa, where the pas Sage occurs word for word, except in the last half stanza, which, instead of ### occurs ###. The parallel pas Sages are thus rendered by M. Langlois: 'Le Mouni Swarotchicha avoit cessé de régner quand cette création eut lieu: c'était sous l'empire du Menou Vevaswata le sacrifice de Varouna avait commencé. La première création fut celle de Brahmā, quand il jugea qu'il était temps de procéder à son sacrifice, et que, souverain aïeul du monde, il forma lui-meme dans sa pensée et enfanta les sept Brahmarchis.'
1.21 - WALPURGIS-NIGHT, #Faust, #Johann Wolfgang von Goethe, #Poetry
They're now too far from what is just and Sage.
I praise the old ones, not unduly:
1.22 - Dominion over different provinces of creation assigned to different beings, #Vishnu Purana, #Vyasa, #Hinduism
kāra) in its twofold division, into elements and organs of sense, in the emblems of his conch-shell and his bow. In his hand Viṣṇu holds, in the form of his discus, the mind, whose thoughts (like the weapon) fly swifter than the winds. The necklace of the deity Vaijayantī, composed of five precious gems[8], is the aggregate of the five elemental rudiments. Janārddana bears, in his numerous shafts, the faculties both of action and of perception. The bright sword of Achyuta is holy wisdom, concealed at some seasons in the scabbard of ignorance. In this manner soul, nature, intellect, egotism, the elements, the senses, mind, ignorance, and wisdom, are all assembled in the person of Hṛṣikeśa. Hari, in a delusive form, embodies the shapeless elements of the world, as his weapons and his ornaments, for the salvation of mankind[9]. Puṇḍarikākṣa, the lord of all, assumes nature, with all its products, soul and all the world. All that is wisdom, all that is ignorance, all that is, all that is not, all that is everlasting, is centred in the destroyer of Madhu, the lord of all creatures. The supreme, eternal Hari is time, with its divisions of seconds, minutes, days, months, seasons, and years: he is the seven worlds, the earth, the sky, heaven, the world of patriarchs, of Sages, of saints, of truth: whose form is all worlds; first-born before all the first-born; the supporter of all beings, himself self-sustained: who exists in manifold forms, as gods, men, and animals; and is thence the sovereign lord of all, eternal: whose shape is all visible things; who is without shape or form: who is celebrated in the Vedanta as the Rich, Yajush, Sāma, and Atharva Vedas, inspired history, and sacred science. The Vedas, and their divisions; the institutes of Manu and other lawgivers; traditional scriptures, and religious manuals[10]; poems, and all that is said or sung; are the body of the mighty Viṣṇu, assuming the form of sound. All kinds of substances, with or without shape, here or elsewhere, are the body of Viṣṇu. I am Hari. All that I behold is Janārddana; cause and effect are from none other than him. The man who knows these truths shall never again experience the afflictions of worldly existence.
Thus, Brahman, has the first portion of this Purāṇa been duly revealed to you: listening to which, expiates all offences. The man who hears this Purāṇa obtains the fruit of bathing in the Puṣkara lake[11] for twelve years, in the month of Kārtik. The gods bestow upon him who hears this work the dignity of a divine Sage, of a patriarch, or of a spirit of heaven.
Footnotes and references:
1.22 - ON THE GIFT-GIVING VIRTUE, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
wenn sie Sagen: "ich bin gerecht," so klingt es immer
gleich wie: "ich bin gerdcht!"
1.23 - FESTIVAL AT SURENDRAS HOUSE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"My entangles a man and turns him away from God. But through daya one realizes God. Sages like Sukadeva and Nrada always cherished daya in their hearts."
PRATAP: "Revered sir, are those who live with you making progress in spiritual life?"
1.23 - The Double Soul in Man, #The Life Divine, #Sri Aurobindo, #Integral Yoga
10:The true soul secret in us - subliminal, we have said, but the word is misleading, for this presence is not situated below the threshold of waking mind, but rather burns in the temple of the inmost heart behind the thick screen of an ignorant mind, life and body, not subliminal but behind the veil, - this veiled psychic entity is the flame of the Godhead always alight within us, inextinguishable even by that dense unconsciousness of any spiritual self within which obscures our outward nature. It is a flame born out of the Divine and, luminous inhabitant of the Ignorance, grows in it till it is able to turn it towards the Knowledge. It is the concealed Witness and Control, the hidden Guide, the Daemon of Socrates, the inner light or inner voice of the mystic. It is that which endures and is imperishable in us from birth to birth, untouched by death, decay or corruption, an indestructible spark of the Divine. Not the unborn Self or Atman, for the Self even in presiding over the existence of the individual is aware always of its universality and transcendence, it is yet its deputy in the forms of Nature, the individual soul, caitya purus.a, supporting mind, life and body, standing behind the mental, the vital, the subtle-physical being in us and watching and profiting by their development and experience. These other person-powers in man, these beings of his being, are also veiled in their true entity, but they put forward temporary personalities which compose our outer individuality and whose combined superficial action and appearance of status we call ourselves: this inmost entity also, taking form in us as the psychic Person, puts forward a psychic personality which changes, grows, develops from life to life; for this is the traveller between birth and death and between death and birth, our nature parts are only its manifold and changing vesture. The psychic being can at first exercise only a concealed and partial and indirect action through the mind, the life and the body, since it is these parts of Nature that have to be developed as its instruments of self-expression, and it is long confined by their evolution. Missioned to lead man in the Ignorance towards the light of the Divine Consciousness, it takes the essence of all experience in the Ignorance to form a nucleus of soul-growth in the nature; the rest it turns into material for the future growth of the instruments which it has to use until they are ready to be a luminous instrumentation of the Divine. It is this secret psychic entity which is the true original Conscience in us deeper than the constructed and conventional conscience of the moralist, for it is this which points always towards Truth and Right and Beauty, towards Love and Harmony and all that is a divine possibility in us, and persists till these things become the major need of our nature. It is the psychic personality in us that flowers as the saint, the Sage, the seer; when it reaches its full strength, it turns the being towards the Knowledge of Self and the Divine, towards the supreme Truth, the supreme Good, the supreme Beauty, Love and Bliss, the divine heights and largenesses, and opens us to the touch of spiritual sympathy, universality, oneness. On the contrary, where the psychic personality is weak, crude or ill-developed, the finer parts and movements in us are lacking or poor in character and power, even though the mind may be forceful and brilliant, the heart of vital emotions hard and strong and masterful, the life-force dominant and successful, the bodily existence rich and fortunate and an apparent lord and victor. It is then the outer desire-soul, the pseudo-psychic entity, that reigns and we mistake its misinterpretations of psychic suggestion and aspiration, its ideas and ideals, its desires and yearnings for true soul-stuff and wealth of spiritual experience.7 If the secret psychic Person can come forward into the front and, replacing the desire-soul, govern overtly and entirely and not only partially and from behind the veil this outer nature of mind, life and body, then these can be cast into soul images of what is true, right and beautiful and in the end the whole nature can be turned towards the real aim of life, the supreme victory, the ascent into spiritual existence.
11:But it might seem then that by bringing this psychic entity, this true soul in us, into the front and giving it there the lead and rule we shall gain all the fulfilment of our natural being that we can seek for and open also the gates of the kingdom of the Spirit. And it might well be reasoned that there is no need for any intervention of a superior Truth-Consciousness or principle of Supermind to help us to attain to the divine status or the divine perfection. Yet, although the psychic transformation is one necessary condition of the total transformation of our existence, it is not all that is needed for the largest spiritual change. In the first place, since this is the individual soul in Nature, it can open to the hidden diviner ranges of our being and receive and reflect their light and power and experience, but another, a spiritual transformation from above is needed for us to possess our self in its universality and transcendence. By itself the psychic being at a certain stage might be content to create a formation of truth, good and beauty and make that its station; at a farther stage it might become passively subject to the worldself, a mirror of the universal existence, consciousness, power, delight, but not their full participant or possessor. Although more nearly and thrillingly united to the cosmic consciousness in knowledge, emotion and even appreciation through the senses, it might become purely recipient and passive, remote from mastery and action in the world; or, one with the static self behind the cosmos, but separate inwardly from the world-movement, losing its individuality in its Source, it might return to that Source and have neither the will nor the power any further for that which was its ultimate mission here, to lead the nature also towards its divine realisation. For the psychic being came into Nature from the Self, the Divine, and it can turn back from Nature to the silent Divine through the silence of the Self and a supreme spiritual immobility. Again, an eternal portion of the Divine,8 this part is by the law of the Infinite inseparable from its Divine Whole, this part is indeed itself that Whole, except in its frontal appearance, its frontal separative self-experience; it may awaken to that reality and plunge into it to the apparent extinction or at least the merging of the individual existence. A small nucleus here in the mass of our ignorant Nature, so that it is described in the Upanishad as no bigger than a man's thumb, it can by the spiritual influx enlarge itself and embrace the whole world with the heart and mind in an intimate communion or oneness. Or it may become aware of its eternal Companion and elect to live for ever in His presence, in an imperishable union and oneness as the eternal lover with the eternal Beloved, which of all spiritual experiences is the most intense in beauty and rapture. All these are great and splendid achievements of our spiritual self-finding, but they are not necessarily the last end and entire consummation; more is possible.
1.240 - 1.300 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
The Sages see everything in and of the Self. There is no diversity in it. Therefore there is neither birth nor death.
D.: If sleep be such a good state, why does not one like to be always in it?
--
Since the Self is not now understood to be Sat, the company of the Sage who has thus understood it is sought. That is Sat-sanga.
Introversion results. Then Sat is revealed.
--
"I am the body". It is the experience of the Sage as also of the ignorant.
The ignorant man believes that the Self is confined to the body only, whereas the wise man believes that the body cannot remain apart from the Self. The Self is infinite for him and includes the body also.
1.240 - Talks 2, #Talks, #Sri Ramana Maharshi, #Hinduism
The Sages see everything in and of the Self. There is no diversity in it. Therefore there is neither birth nor death.
D.: If sleep be such a good state, why does not one like to be always in it?
--
Since the Self is not now understood to be Sat, the company of the Sage who has thus understood it is sought. That is Sat-sanga.
Introversion results. Then Sat is revealed.
--
I am the body. It is the experience of the Sage as also of the ignorant.
The ignorant man believes that the Self is confined to the body only, whereas the wise man believes that the body cannot remain apart from the Self. The Self is infinite for him and includes the body also.
--
Talks with Sri Ramana Maharshi any real purpose? However, some people read them and then seek Sages only to see if they can meet their questions. To read them, to discover new doubts and to solve them, is a source of pleasure to them. Knowing it to be sheer waste, the Sages do not encourage such people. Encourage them once and there will be no end.
Only the enquiry into the Self can be of use.
--
D.: Should not a Jnani (a Sage) be insensible to pain?
M.: Physical pain only follows body-consciousness; it cannot be in the absence of body-consciousness. Mind, being unaware of the body, cannot be aware of its pains or pleasures. Read the story of Indra and Ahalya in
--
Such confusion is due to ignorance. If ignorance be wiped out the confusion will cease to exist and the true knowledge will be unfolded. By remaining in contact with realised Sages the man gradually loses the ignorance until its removal is complete. The eternal Self is thus revealed.
This is the meaning conveyed by the story of Ashtavakra and Janaka.
--
D.: Does not education make a Sage more useful to the world than illiteracy?
M.: Even a learned man must bow before the illiterate Sage.
Illiteracy is ignorance: education is learned ignorance. Both of them are ignorant of their true aim; whereas a Sage is not ignorant because there is no aim for him.
Talk 356.
--
The puranas which record this incident have also said that Siva had previously saved the Devas and the universe by consuming the poison halahala at the time of churning the ocean of milk. He, who could save the world from the deadly poison and lead the Sages to emancipation, had also wandered nude amongst their women. Their actions are incomprehensible to ordinary intellects. One must be a
Jnani to understand a Jnani or Isvara.
--
Thus we see that each of these illustrations serves a distinct purpose in establishing the stages of unreality. The realised Sage finally declares that in the regenerate state the jagrat world also is found to be as unreal as the dream world is found to be in the jagrat state.
Each illustration should be understood in its proper context; it should not be studied as an isolated statement. It is a link in a chain.
--
Sri Bhagavan observed: There were rishis like Visvamitra who could duplicate the universe if they wished. They lived during the lifetime of Ravana who caused agony even to Sita and Rama among others. Could not Visvamitra have destroyed Ravana by his occult powers? Though capable he kept still. Why? The occurrences are known to the Sages, but pass away without leaving an impression on their minds. Even a deluge will appear a trifle to them; they do not care for anything.
7th June, 1937
--
D.: Can you enter into nirvikalpa samadhi at will? Is it not necessary that Sages should influence their surroundings?
Another man asked: Can Sri Bhagavan help us to realise the Truth?
1.24 - Necromancy and Spiritism, #Magick Without Tears, #Aleister Crowley, #Philosophy
So what use would they be to Lvi? Even if there were among them a few such elements as would serve his purpose, they would have been devitalized and frittered away by the mere lapse of the centuries, since they had lost connection with the reality of the Sage. Alternatively, they might have been caught up and adopted by some wandering Entity, quite probably some malignant demon.
Qlipoth Shells of the Dead Obsessing Spirits! Here we are back in the pestilent purlieus of Walham Green, and the frowsty atmosphere of the frowsy "medium" and the squalid sance. "Look! but do not speak to them!" as Virgil warned Dante.
1.24 - PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "You may say that about Sages like Nrada, Prahlada, or Sukadeva. I am like your son.
"Of course, in one sense your words are true. It is said that in one respect the devotee of God is greater than God Himself, because he carries God in his heart. (All rejoice.) It is said in the Vaishnava books: 'A devotee regards himself as a higher, and God as a lower, being.' Yaoda, the mother of Krishna, was about to fetter Krishna, who was God Incarnate, with chains. She believed that no one but herself could take care of Krishna.
1.24 - The Seventh Bolgia - Thieves. Vanni Fucci. Serpents., #The Divine Comedy, #Dante Alighieri, #Christianity
Even thus by the great Sages 'tis confessed
The phoenix dies, and then is born again,
1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"The rishis of old had timid natures. They were easily frightened. Do you know their attitude? It was this: 'Let me somehow get my own salvation; who cares for others?' A hollow piece of drift-wood somehow manages to float; but it sinks if even a bird sits on it. But Nrada and Sages of his kind are like a huge log that not only can float across to the other shore but can carry many animals and other creatures as well. A steamship itself crosses the ocean and also carries people across.
The vijnni is fearless and joyous
--
MASTER: "Add your tears to your yearning. And if you can renounce everything through discrimination and dispassion, then you will be able to see God. That yearning brings about God-intoxication, whether you follow the path of knowledge or the path of devotion. The Sage Durvasa was mad with the Knowledge of God.
"There is a great deal of difference between the knowledge of a householder and that of an all-renouncing sannyasi. The householder's knowledge is like the light of a lamp, which illumines only the inside of a room. He cannot see anything, with the help of such knowledge, except his own body and his immediate family. But the knowledge of the all-renouncing monk is like the light of the sun. Through that light he can see both, inside and outside the room. Chaitanyadeva's knowledge had the brilliance of the sun-the sun of Knowledge. Further, he radiated the soothing light of the moon of Devotion. He was endowed with both-the Knowledge of Brahman and ecstatic love of God.
--
"Sometimes the paramahamsa behaves like a madman. When I experienced that divine madness I used to worship my own sexual organ as the iva-phallus. But I can't do that now. A few days after the dedication of the temple at Dakshineswar, a madman came there who was really a Sage endowed with the Knowledge of Brahman. He had a bamboo twig in one hand and a potted mango-plant in the other, and was wearing torn shoes. He didn't follow any social conventions. After bathing in the Ganges he didn't perform any religious rites. He ate something that he carried in a corner of his wearing-cloth. Then he entered the Kli temple and chanted hymns to the Deity. The temple trembled. Haladhri was then in the shrine. The madman wasn't allowed to eat at the guesthouse, but he paid no attention to this slight. He searched for food in the rubbish heap where the dogs were eating crumbs from the discarded leaf-plates. Now and then he pushed the dogs aside to get his crumbs. The dogs didn't mind either. Haladhri followed him and asked: 'Who are you? Are you a purnajnani?' The madman whispered, 'Sh! Yes, I am a purnajnani.' My heart began to palpitate as Haladhri told me about it. I clung to Hriday.
I said to the Divine Mother, 'Mother, shall I too have to pass through such a state?' We all went to see the man. He spoke words of great wisdom to us but behaved like a madman before others. Haladhri followed him a great way when he left the garden.
1.26 - FESTIVAL AT ADHARS HOUSE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Hanuman kept the 'servant ego' after realizing God in both His Personal and His Impersonal aspects. He thought of himself as the servant of God. The great Sages, such as Nrada, Sanaka, Sananda, Sanatana, and Sanatkumra, after attaining the Knowledge of Brahman, kept the 'servant ego' and the 'ego of Devotion'. They are like big steamships, which not only cross the ocean themselves but carry many passengers to the other shore.
Two classes of Paramahamsas
--
"Some eat mangoes secretly and remove all trace of them by wiping their mouths with a towel. But some share the fruit with others. There are Sages who, even after attaining Knowledge, work to help others and also to enjoy the Bliss of God in the company of devotees. 'I want to eat sugar. I don't want to be sugar.'
"The Gopis of Vrindvan, too, attained the Knowledge of Brahman; but they were not seeking It. They wanted to enjoy God, looking on themselves as His mother, His friend, His handmaid, or His lover."
1.27 - AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (smiling): "You are Jnan. Then why should you have ajnan, ignorance? Oh, I understand. Where there is knowledge there is also ignorance. The Sage Vasishtha was endowed with great knowledge and still he wept at the death of his sons. Therefore I ask you to go beyond both knowledge and ignorance. The thorn of ignorance has pierced the sole of a man's foot. He needs the thorn of knowledge to take it out. Afterwards he throws away both thorns. The Jnni says, 'This world is a "framework of illusion".' But he who is beyond both knowledge and ignorance describes it as a 'mansion of mirth'. He sees that it is God Himself who has become the universe, all living beings, and the twenty-four cosmic principles.
Living in the world after realization of God
--
"He alone who, after reaching the Nitya, the Absolute, can dwell in the Lila, the Relative, and again climb from the Lila to the Nitya, has ripe knowledge and devotion. Sages like Nrada cherished love of God after attaining the Knowledge of Brahman. This is called vijnna.
"Mere dry knowledge is like an ordinary rocket: it bursts into a few sparks and then dies out. But the Knowledge of Sages like Nrada and Sukadeva is like a good rocket: for a while it showers balls of different colours, and then it stops; again it throws out new balls, and again it stops; and thus it goes on. Those Sages had prema for God. Prema is the rope by which one can reach Satchidananda."
The Master finished his midday meal and rested a few minutes. Bhavanath, M., the Mukherji brothers, Hazra, and several other devotees sat down under the bakul-tree and began to converse. The Master stopped there awhile on his way to the pine-grove.
1.27 - CONTEMPLATION, ACTION AND SOCIAL UTILITY, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
In cases where the one-pointed contemplation is of God there is also a risk that the minds unemployed capacities may atrophy. The hermits of Tibet and the Thebad were certainly one-pointed, but with a one-pointedness of exclusion and mutilation. It may be, however, that if they had been more truly docile to the Holy Ghost, they would have come to understand that the one-pointedness of exclusion is at best a preparation for the one-pointedness of inclusion the realization of God in the fulness of cosmic being as well as in the interior height of the individual soul. Like the Taoist Sage, they would at last have turned back into the world riding on their tamed and regenerate individuality; they would have come eating and drinking, would have associated with publicans and sinners or their Buddhist equivalents, wine-bibbers and butchers. For the fully enlightened, totally liberated person, samsara and nirvana, time and eternity, the phenomenal and the Real, are essentially one. His whole life is an unsleeping and one-pointed contemplation of the Godhead in and through the things, lives, minds and events of the world of becoming. There is here no mutilation of the soul, no atrophy of any of its powers and capacities. Rather, there is a general enhancement and intensification of consciousness, and at the same time an extension and transfiguration. No saint has ever complained that absorption in God was a cursed evil.
In the beginning was the Word; behold Him to whom Mary listened. And the Word was made flesh; behold Him whom Martha served.
--
Action, says Aquinas, should be something added to the life of prayer, not something taken away from it. One of the reasons for this recommendation is strictly utilitarian; action that is taken away from the life of prayer is action unenlightened by contact with Reality, uninspired and unguided; consequently it is apt to be ineffective and even harmful. The Sages of old, says Chuang Tzu, first got Tao for themselves, then got it for others. There can be no taking of motes out of other peoples eyes so long as the beam in our own eye prevents us from seeing the divine Sun and working by its light. Speaking of those who prefer immediate action to acquiring, through contemplation, the power to act well, St. John of the Cross asks, What do they accomplish? And he answers, Poco mas que nada, y a veces nada, y aun a veces dano (Little more than nothing, and sometimes nothing at all, and sometimes even harm). Income must balance expenditure. This is necessary not merely on the economic level, but also on the physiological, the intellectual, the ethical and the spiritual. We cannot put forth physical energy unless we stoke our body with fuel in the form of food. We cannot hope to utter anything worth saying, unless we read and inwardly digest the utterances of our betters. We cannot act rightly and effectively unless we are in the habit of laying ourselves open to leadings of the divine Nature of Things. We must draw in the goods of eternity in order to be able to give out the goods of time. But the goods of eternity cannot be had except by giving up at least a little of our time to silently waiting for them. This means that the life, in which ethical expenditure is balanced by spiritual income, must be a life in which action alternates with repose, speech with alertly passive silence. Otium sanctum quaerit caritas veritatis; negotium justum suscipit necessitas caritatis (The love of Truth seeks holy leisure; the necessity of love undertakes righteous action). The bodies of men and animals are reciprocating engines, in which tension is always succeeded by relaxation. Even the unsleeping heart rests between beat and beat. There is nothing in living Nature that even distantly resembles mans greatest technical invention, the continuously revolving wheel. (It is this fact, no doubt, which accounts for the boredom, weariness and apathy of those who, in modern factories, are forced to adapt their bodily and mental movements to circular motions of mechanically uniform velocity.) What a man takes in by contemplation, says Eckhart, that he pours out in love. The well-meaning humanist and the merely muscular Christian, who imagines that he can obey the second of the great commandments without taking time even to think how best he may love God with all his heart, soul and mind, are people engaged in the impossible task of pouring unceasingly from a container that is never replenished.
Daughters of Charity ought to love prayer as the body loves the soul. And just as the body cannot live without the soul, so the soul cannot live without prayer. And in so far as a daughter prays as she ought to pray, she will do well. She will not walk, she will run in the ways of the Lord, and will be raised to a high degree of the love of God.
1.28 - Supermind, Mind and the Overmind Maya, #The Life Divine, #Sri Aurobindo, #Integral Yoga
9:If we regard the Powers of the Reality as so many Godheads, we can say that the Overmind releases a million Godheads into action, each empowered to create its own world, each world capable of relation, communication and interplay with the others. There are in the Veda different formulations of the nature of the Gods: it is said they are all one Existence to which the Sages give different names; yet each God is worshipped as if he by himself is that Existence, one who is all the other Gods together or contains them in his being; and yet again each is a separate Deity acting sometimes in unison with companion deities, sometimes separately, sometimes even in apparent opposition to other Godheads of the same Existence. In the Supermind all this would be held together as a harmonised play of the one Existence; in the Overmind each of these three conditions could be a separate action or basis of action and have its own principle of development and consequences and yet each keep the power to combine with the others in a more composite harmony. As with the One Existence, so with its Consciousness and Force. The One Consciousness is separated into many independent forms of consciousness and knowledge; each follows out its own line of truth which it has to realise. The one total and manysided Real-Idea is split up into its many sides; each becomes an independent Idea-Force with the power to realise itself. The one Consciousness-Force is liberated into its million forces, and each of these forces has the right to fulfil itself or to assume, if needed, a hegemony and take up for its own utility the other forces. So too the Delight of Existence is loosed out into all manner of delights and each can carry in itself its independent fullness or sovereign extreme. Overmind thus gives to the One Existence-Consciousness-Bliss the character of a teeming of infinite possibilities which can be developed into a multitude of worlds or thrown together into one world in which the endlessly variable outcome of their play is the determinant of the creation, of its process, its course and its consequence.
10:Since the Consciousness-Force of the eternal Existence is the universal creatrix, the nature of a given world will depend on whatever self-formulation of that Consciousness expresses itself in that world. Equally, for each individual being, his seeing or representation to himself of the world he lives in will depend on the poise or make which that Consciousness has assumed in him. Our human mental consciousness sees the world in sections cut by the reason and sense and put together in a formation which is also sectional; the house it builds is planned to accommodate one or another generalised formulation of Truth, but excludes the rest or admits some only as guests or dependents in the house. Overmind Consciousness is global in its cognition and can hold any number of seemingly fundamental differences together in a reconciling vision. Thus the mental reason sees Person and the Impersonal as opposites: it conceives an impersonal Existence in which person and personality are fictions of the Ignorance or temporary constructions; or, on the contrary, it can see Person as the primary reality and the impersonal as a mental abstraction or only stuff or means of manifestation. To the Overmind intelligence these are separable Powers of the one Existence which can pursue their independent self-affirmation and can also unite together their different modes of action, creating both in their independence and in their union different states of consciousness and being which can be all of them valid and all capable of coexistence. A purely impersonal existence and consciousness is true and possible, but also an entirely personal consciousness and existence; the Impersonal Divine, Nirguna Brahman, and the Personal Divine, Saguna Brahman, are here equal and coexistent aspects of the Eternal. Impersonality can manifest with person subordinated to it as a mode of expression; but, equally, Person can be the reality with impersonality as a mode of its nature: both aspects of manifestation face each other in the infinite variety of conscious Existence. What to the mental reason are irreconcilable differences present themselves to the Overmind intelligence as coexistent correlatives; what to the mental reason are contraries are to the Overmind intelligence complementaries. Our mind sees that all things are born from Matter or material Energy, exist by it, go back into it; it concludes that Matter is the eternal factor, the primary and ultimate reality, Brahman. Or it sees all as born of Life-Force or Mind, existing by Life or by Mind, going back into the universal Life or Mind, and it concludes that this world is a creation of the cosmic Life-Force or of a cosmic Mind or Logos. Or again it sees the world and all things as born of, existing by and going back to the Real Idea or Knowledge-Will of the Spirit or to the Spirit itself and it concludes on an idealistic or spiritual view of the universe. It can fix on any of these ways of seeing, but to its normal separative vision each way excludes the others. Overmind consciousness perceives that each view is true of the action of the principle it erects; it can see that there is a material world-formula, a vital world-formula, a mental world-formula, a spiritual worldformula, and each can predominate in a world of its own and at the same time all can combine in one world as its constituent powers. The self-formulation of Conscious Force on which our world is based as an apparent Inconscience that conceals in itself a supreme Conscious-Existence and holds all the powers of Being together in its inconscient secrecy, a world of universal Matter realising in itself Life, Mind, Overmind, Supermind, Spirit, each of them in its turn taking up the others as means of its selfexpression, Matter proving in the spiritual vision to have been always itself a manifestation of the Spirit, is to the Overmind view a normal and easily realisable creation. In its power of origination and in the process of its executive dynamis Overmind is an organiser of many potentialities of Existence, each affirming its separate reality but all capable of linking themselves together in many different but simultaneous ways, a magician craftsman empowered to weave the multicoloured warp and woof of manifestation of a single entity in a complex universe.
1.28 - The Killing of the Tree-Spirit, #The Golden Bough, #James George Frazer, #Occultism
having once been the most serious occupation of the Sage, become at
last the idle sport of children. It is in this final stage of decay
1.2 - Katha Upanishads, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
25. He to whom the Sages are as meat and heroes as food for
His eating and Death is an ingredient of His banquet, how
--
that path, say the Sages.
15. That in which sound is not, nor touch, nor shape, nor
--
of creatures Sages behold everywhere.
yTA st, p;zqA(k
1.300 - 1.400 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
Talks with Sri Ramana Maharshi any real purpose? However, some people read them and then seek Sages only to see if they can meet their questions. To read them, to discover new doubts and to solve them, is a source of pleasure to them. Knowing it to be sheer waste, the Sages do not encourage such people. Encourage them once and there will be no end.
Only the enquiry into the Self can be of use.
--
D.: Should not a Jnani (a Sage) be insensible to pain?
M.: Physical pain only follows body-consciousness; it cannot be in the absence of body-consciousness. Mind, being unaware of the body, cannot be aware of its pains or pleasures. Read the story of Indra and Ahalya in
--
Such confusion is due to ignorance. If ignorance be wiped out the confusion will cease to exist and the true knowledge will be unfolded. By remaining in contact with realised Sages the man gradually loses the ignorance until its removal is complete. The eternal Self is thus revealed.
This is the meaning conveyed by the story of Ashtavakra and Janaka.
--
D.: Does not education make a Sage more useful to the world than illiteracy?
M.: Even a learned man must bow before the illiterate Sage.
Illiteracy is ignorance: education is learned ignorance. Both of them are ignorant of their true aim; whereas a Sage is not ignorant because there is no aim for him.
Talk 356.
--
The puranas which record this incident have also said that Siva had previously saved the Devas and the universe by consuming the poison halahala at the time of churning the ocean of milk. He, who could save the world from the deadly poison and lead the Sages to emancipation, had also wandered nude amongst their women. Their actions are incomprehensible to ordinary intellects. One must be a
Jnani to understand a Jnani or Isvara."
--
Thus we see that each of these illustrations serves a distinct purpose in establishing the stages of unreality. The realised Sage finally declares that in the regenerate state the jagrat world also is found to be as unreal as the dream world is found to be in the jagrat state.
Each illustration should be understood in its proper context; it should not be studied as an isolated statement. It is a link in a chain.
13.06 - The Passing of Satyavan, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
. . . high snatches of a Sage's chant
That pealed of conquered death and demons slain, ||133.23||
1.34 - The Tao 1, #Magick Without Tears, #Aleister Crowley, #Philosophy
"Thus also the Sage, seeking not any goal, attaineth all things; he does not interfere in the affairs of his body, and so that body acteth without friction. It is because he meddleth not with his personal aims that these come to pass with simplicity." Tao Teh King, VII, 2.
The ideal analogy seems to be that of a planet in its orbit. It has its "true motion;" it meets the minimum of friction from circumambient space. When it suffers the attraction of another body, it sways slightly to make the proper adjustment without effort or argument; it can, consequently, continue indefinitely in its orbit.
1.3 - Mundaka Upanishads, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
1. This is That, the Truth of things: works which the Sages
beheld in the Mantras1 were in the Treta2 manifoldly extended. Works do ye perform religiously with one passion
--
the wise and the Sages" - fools are they and they wander
around beaten and stumbling like blind men led by the
--
the Sages winning their desire ascend there where Truth has
its supreme abode.
1.400 - 1.450 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
Sri Bhagavan observed: There were rishis like Visvamitra who could duplicate the universe if they wished. They lived during the lifetime of Ravana who caused agony even to Sita and Rama among others. Could not Visvamitra have destroyed Ravana by his occult powers? Though capable he kept still. Why? The occurrences are known to the Sages, but pass away without leaving an impression on their minds. Even a deluge will appear a trifle to them; they do not care for anything.
7th June, 1937
--
D.: Can you enter into nirvikalpa samadhi at will? Is it not necessary that Sages should influence their surroundings?
Another man asked: Can Sri Bhagavan help us to realise the Truth?
--
Realise what is present here and now. The Sages did so before and still do that only. Hence they say that it looks as if newly got. Once veiled by ignorance and later revealed, Reality looks as if newly realised. But it is not new.
D.: Karma, bhakti, yoga and jnana and their subdivisions only confuse the mind. To follow the elders' words seems to be the only right thing to do. What should I hold? Please tell me. I cannot sift the srutis and smritis; they are too vast. So please advise me.
--
We had a great Sage for our Guru. He advised us to "take the name of Hari," saying that it is all in all; no effort is necessary for concentrating the mind. Concentration will come of itself if Harinam is persisted in. So we are doing it. The Guru passed away. We felt like a rudderless ship in mid-ocean. In our anxiety to find a safe guide we read and heard of you and so desired to come here. Our desire has been fulfilled after two years' longing. On coming here and hearing Sri Bhagavan we understand that the Master teaches
Atma-vichara (self-quest). This is the method of knowledge (jnana marga), whereas the other master taught us bhakti marga (method of devotion).
--
He was a still-born child. The ladies cried and appealed to Sri Krishna to save the child. The Sages round about wondered how Krishna was going to save the child from the effects of the arrows (apandavastra)
438
14.03 - Janaka and Yajnavalkya, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
King janak was a great king and a great Sage. He wielded an empire without and equally an empire within: he had realised the Truth, known Brahman. He was svart and samrt. A friend and intimate of his was Rishi Yajnavalkya, who also was a Sage in fact, considered to be the greatest Sage of the time, a supreme knower of Brahman.
Once upon a time King Janaka invited Sages from everywhere, whoever wanted to come to the assembly. The king from time to time used to call such assemblies for spiritual discussion and interchange of experiences. This time he summoned the assembly for a special reason. He had collected a herd of one thousand cows and nuggets of gold were tied to the horns of each. When all had gathered and taken their places he announced that whoever considered himself the best knower of Brahman (Brahmishtha) might come forward and take away the cows. None stirred. No one had the temerity to declare that he was the best knower and the most eligible for the prize. The king repeated his announcement. Then all of a sudden people saw Yajnavalkya advancing and telling his disciples to take hold of the herd and drive it home. A hue and cry arose: How is it? How dare he? One came forward and asked Yajnavalkya: How is it, Yajnavalkya? Do you consider yourself the most wise in the matter of Brahman? First prove your claim and then touch the cows. Yajnavalkya in great humility bowed down and said to the assembly: I bow down to the great Sages. I have come here solely with the intention of getting the cows. As for the knowledge of Brahman, I leave it to the knowers of Brahman. All the others in one voice said: That will not do, Yajnavalkya. You cannot get away so easily. Come, sit down and prove your worth. Yajnavalkya had no way of escape. So one by one the Sages came up and put questions and enigmas to Yagnavalkya. All he answered quietly and perfectly to their full satisfaction. Towards the end a woman stood up, Gargi, a fair and famous name too. She said: Yajnavalkya, I shall put two questions to you like two arrows directed at you, even as a king shoots his arrows at his enemies; if you can meet and parry them, yours the victory. Yajnavalkaya: "Let me hear then". Gargi: "Yajnavalkya, you once said that the earth is the warp and woof woven upon water; upon what is woven the water?" Yajnavalkya: "Air". "Upon what then is air woven?" "Sky". "Upon what is woven the sky?" "The world of Gandharvas." "Upon what the Gandharvas?""Upon the Sun." She continued her questioning. And thus she was led successively through higher and higher worlds from the Sun to the Moon, then to the Stars, then to the Gods and the King of Gods, then to the Creator of the Gods and the peoples1 and finally to the Brahmaloka (the world of the One Supreme Transcendent Reality).
Gargi still continued and asked again: "Upon what is Brahman woven?" To this Yajnavalkya cried halt and warned her: "Now, Gargi, your questioning goes too far, beyond the limits. If you question farther, your head will fall off. You are questioning about a thing that does not bear questioning m ati prksih anati prany devat the Gods abide not our question." So Gargi had to desist and Yajnavalkya was accepted as the best of the Sages (Brahmishtha) and he could drive his cattle away home.
The ultimate reality does not lie within the ken of the questioning mind, the Upanishad emphatically declares. We all know the famous mantra: nais tarkena matirpaney this consciousness cannot be reached by reasoning nor by intelligence nor by much learning. Indeed the Self, the Divine discloses his body to him alone whom he chooses as his own.
14.06 - Liberty, Self-Control and Friendship, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
Au fond, on ne devrait prendre pour amis que des gens plus Sages que soi-mme, des gens done la compagnie vous ennoblit et vous aide vous surmonter, progresser, agir mieux et voir plus clair. Et finalement, le meilleur ami que l'on puisse avoir, n'est-ce point le Divin? le Divin qui l'on peut tout dire, tout rvler, payee que cest la quest la source de toute misricorde, de tout pouvoir d' effacer l'erreur quand elle ne se reproduit plus, qui peut ouvrir la route vers la realisation veritable; le Divin qui peut tout com prendre, tout gurir, qui vous aide sur le chemin ne pas faiblir, ne pas broncher, ne pas tomber et qui vous mne tout droit au but. C' est Lui, l' ami vrai, l' ami des bans et des mauvais jours, celui qui ne fait jamais dfaut. Quand on l'appelle sincrement, Il est toujours l pour vous guider, pour vous soutenir et pour vous aimer de la vraie faon.2
So you see, the best friend that you can have, the Mother says, is the Divine Himself, that is to say, the Mother Herself. You can find no other friend so friendly, so loving and so lovable. Do not think she is too great for you, she is very far and you are very small. It is not true. She can be, she can make herself as small as yourself to be with you: because she is you.
1.439, #Talks, #Sri Ramana Maharshi, #Hinduism
Realise what is present here and now. The Sages did so before and still do that only. Hence they say that it looks as if newly got. Once veiled by ignorance and later revealed, Reality looks as if newly realised. But it is not new.
D.: Karma, bhakti, yoga and jnana and their subdivisions only confuse the mind. To follow the elders words seems to be the only right thing to do. What should I hold? Please tell me. I cannot sift the srutis and smritis; they are too vast. So please advise me.
--
We had a great Sage for our Guru. He advised us to take the name of Hari, saying that it is all in all; no effort is necessary for concentrating the mind. Concentration will come of itself if Harinam is persisted in. So we are doing it. The Guru passed away. We felt like a rudderless ship in mid-ocean. In our anxiety to find a safe guide we read and heard of you and so desired to come here. Our desire has been fulfilled after two years longing. On coming here and hearing Sri Bhagavan we understand that the Master teaches
Atma-vichara (self-quest). This is the method of knowledge (jnana marga), whereas the other master taught us bhakti marga (method of devotion).
--
He was a still-born child. The ladies cried and appealed to Sri Krishna to save the child. The Sages round about wondered how Krishna was going to save the child from the effects of the arrows (apandavastra)
Talks with Sri Ramana Maharshi of Asvatthama. Krishna said, If the child be touched by one eternally celibate (nityabrahmachari) the child would be brought to life. Even
--
A pas Sage from Arunachala Mahatmya (the Glory of Arunachala) was read out. It related to Pangunni (a lame Sage) who had his legs made whole by the grace of Sri Arunachala. Sri Bhagavan then related the story of a man whom Sri Maharshi had seen when He was in Gurumurtham. The man was one Kuppu Iyer. His legs were useless and he could not walk.
He was once on his way to Vettavalam, moving on his buttocks. An old man suddenly appeared before him and said Get up and walk. Why do you move on your buttocks? Kuppu Iyer was excited and beside himself. Involuntarily he rose up and walked freely. After going a short distance, he looked behind to see the stranger who made him walk. But he could not find anyone. He narrated the incident to all those who were surprised to see him walk. Any old man in the town can bear witness to
--
Dr. Stanley Jones, a Christian missionary, visited Maharshi. He writes books and delivers lectures. He has two Asramams under his control in North India. He was accompanied by another gentleman and two ladies. He is at present writing a book On the Indian Road and wants to meet the spiritually great men in India so that he may collect material for the book. He desired to know how the Indian Sages have proceeded and what they have found as their experience in divinity. So he asked questions. (This is only a short sketch of his interview).
D.: What is your quest? What is the goal? How far have you progressed?
--
How then can the benefit be made lasting? It is by finding the cause of misery. Misery is due to objects. If they are not there, there will be no contingent thoughts and so misery is wiped off. How will objects cease to be? is the next question. The shrutis and the Sages say that the objects are only mental creations. They have no substantive being. Investigate the matter and ascertain the truth of the statement.
The result will be the conclusion that the objective world is in the subjective consciousness. The Self is thus the only Reality which permeates and also envelops the world. Since there is no duality, no
--
M.: By means of devotion and company of the Sages.
D.: Loss of individuality was just before mentioned as a prerequisite to moksha. Now devotion and association with the wise are advised as the methods. Is there not individuality implied in them e.g., in
--
The Sages (that have conquered the senses) attain that Sat which is more supreme than Heaven and shining all alone in the Heart.
The adepts who by renunciation and one-pointedness are pure in heart and have known the certainty of Truth by the special knowledge
--
Talks with Sri Ramana Maharshi senses can be recognised by them as knowledge: this habit is so strong with them. A stanza in Thevaram says: O Sages, eager to get over all misery, worry not about inferences and examples! Our Light is ever shining forth from within! With mind clear, live in God!
This is direct perception. Will the common people admit it? They want
--
The temple again came into view as usual. Such was the brief but very eventful life of the Sage.
In one of his tours he had come to Ariyanainallur or Tirukkoilur, eighteen miles from Tiruvannamalai. The place is famous for its Siva temple.
--
When the ancient Sage was staying in Ariyanainallur an old man who carried a flower-basket came to him. The young Sage asked the old man who he was. The latter replied that he was a servitor of Sri
Arunachala the God residing as the Hill here.
--
They went together, with a large crowd following the Sage. After walking some distance the Sage wanted to ask how much further the place was.
But the old man had disappeared in the meantime. Soon after, a gang of dacoits waylaid the pilgrims who surrendered all that they had with them.
They plodded their way and reached their destination. The young Sage fell into contemplation. God appeared and said that the dacoits were only
His followers and that his needs would be met. Accordingly, the group of pilgrims found all their wants. The Sage had sung hymns in praise of
Sri Arunachala. In one of the stanzas, he says:
--
Sri Bhagavan often speaks of namaskar (prostration) in the following strain: This namaskar was originally meant by the ancient Sages to serve as a means of surrender to God. The act still prevails but not the spirit behind it. The doer of namaskar intends to deceive the object of worship by his act. It is mostly insincere and deceitful. It is meant to cover up innumerable sins. Can God be deceived? The man thinks that God accepts his namaskar and that he himself is free to continue his old life. They need not come to me. I am not pleased with these namaskars. The people should keep their minds clean; instead of that they bend themselves or lie prostrate before me. I am not deceived by such acts.
Talk 550.
--
Does the Sage, liberated while alive (Jivanmukta), see the world? Is he affected by Karma?
What is liberation after being disembodied? Is one liberated only after being disembodied or even while alive in the body? Should the body of the Sage resolve itself in light or disappear from view in any other manner? Can he be liberated though the body is left behind as a corpse?
Their questions are endless. Why worry oneself in so many ways?
--
Sikhidhvaja was a pious king. His spouse was Chudala. They received instructions from a Sage. The king, being busy with the administration of his kingdom, could not put the instructions into practice, whereas Chudala put them into practice and gained
Self-Realisation. Consequently she appeared more charming than before. The king was struck by her growing charm and asked her about it. She said that all charm was due to the Self and he was only noting the charm of Self-Realisation in her. He said that she was silly. There were great tapasvis who could not realise the Self even after long periods of tapas and what about a silly woman who was all along in the family and in the worldly life?
--
benefit of others by Self-Realised persons also. But the Sages are
not deluded by the possession of such powers.
D.: Does the Sage use occult powers for making others realise the Self
or is the mere fact of his Self-Realisation enough for it?
--
his non-action the Sage governs all.
Sri Bhagavan remarked: Non-action is unceasing activity. The Sage
is characterised by eternal and intense activity. His stillness is like
--
rotating. So is the apparent inaction of the Sage.
This must be explained because the people generally mistake stillness
--
but the Sage is always aware. Thus the sleep state differs from the
state in which the Sage is established.
Still more, the sleep state is free from thoughts and their impression
--
the Sage alone can give the right turn to our thoughts from time to time.
That is the necessity for Satsanga i.e., association with the Wise.]
--
by a Sage like Sri Bhagavan. So I pray for Thy help.
Sri Bhagavan looked at him for a few minutes. The devotee interrupted,
1.450 - 1.500 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
A pas Sage from Arunachala Mahatmya (the Glory of Arunachala) was read out. It related to Pangunni (a lame Sage) who had his legs made whole by the grace of Sri Arunachala. Sri Bhagavan then related the story of a man whom Sri Maharshi had seen when He was in Gurumurtham. The man was one Kuppu Iyer. His legs were useless and he could not walk.
He was once on his way to Vettavalam, moving on his buttocks. An old man suddenly appeared before him and said "Get up and walk. Why do you move on your buttocks?" Kuppu Iyer was excited and beside himself. Involuntarily he rose up and walked freely. After going a short distance, he looked behind to see the stranger who made him walk. But he could not find anyone. He narrated the incident to all those who were surprised to see him walk. Any old man in the town can bear witness to
--
Dr. Stanley Jones, a Christian missionary, visited Maharshi. He writes books and delivers lectures. He has two Asramams under his control in North India. He was accompanied by another gentleman and two ladies. He is at present writing a book On the Indian Road and wants to meet the spiritually great men in India so that he may collect material for the book. He desired to know how the Indian Sages have proceeded and what they have found as their experience in divinity. So he asked questions. (This is only a short sketch of his interview).
D.: What is your quest? What is the goal? How far have you progressed?
--
How then can the benefit be made lasting? It is by finding the cause of misery. Misery is due to objects. If they are not there, there will be no contingent thoughts and so misery is wiped off. "How will objects cease to be?" is the next question. The shrutis and the Sages say that the objects are only mental creations. They have no substantive being. Investigate the matter and ascertain the truth of the statement.
The result will be the conclusion that the objective world is in the subjective consciousness. The Self is thus the only Reality which permeates and also envelops the world. Since there is no duality, no
1.53 - The Propitation of Wild Animals By Hunters, #The Golden Bough, #James George Frazer, #Occultism
and makes after his body. Acting on this Sage calculation, the
Indians pluck feathers from the breast of the bird and strew them at
--- Overview of noun sage
The noun sage has 3 senses (first 2 from tagged texts)
1. (1) sage ::: (a mentor in spiritual and philosophical topics who is renowned for profound wisdom)
2. (1) sage ::: (aromatic fresh or dried grey-green leaves used widely as seasoning for meats and fowl and game etc)
3. sage, salvia ::: (any of various plants of the genus Salvia; a cosmopolitan herb)
--- Overview of adj sage
The adj sage has 2 senses (no senses from tagged texts)
1. sage ::: (having wisdom that comes with age and experience)
2. sage, sage-green ::: (of the grey-green color of sage leaves)
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun sage
3 senses of sage
Sense 1
sage
=> mentor, wise man
=> intellectual, intellect
=> person, individual, someone, somebody, mortal, soul
=> organism, being
=> living thing, animate thing
=> whole, unit
=> object, physical object
=> physical entity
=> entity
=> causal agent, cause, causal agency
=> physical entity
=> entity
Sense 2
sage
=> herb
=> flavorer, flavourer, flavoring, flavouring, seasoner, seasoning
=> ingredient, fixings
=> foodstuff, food product
=> food, nutrient
=> substance
=> matter
=> physical entity
=> entity
Sense 3
sage, salvia
=> herb, herbaceous plant
=> vascular plant, tracheophyte
=> plant, flora, plant life
=> organism, being
=> living thing, animate thing
=> whole, unit
=> object, physical object
=> physical entity
=> entity
--- Hyponyms of noun sage
3 senses of sage
Sense 1
sage
=> Hakham
=> mahatma
HAS INSTANCE=> Balthazar, Balthasar
HAS INSTANCE=> Caspar, Gaspar
HAS INSTANCE=> Melchior
Sense 2
sage
=> clary sage
Sense 3
sage, salvia
=> blue sage, Salvia azurea
=> clary sage, Salvia clarea
=> blue sage, mealy sage, Salvia farinacea
=> blue sage, Salvia reflexa, Salvia lancifolia
=> purple sage, chaparral sage, Salvia leucophylla
=> cancerweed, cancer weed, Salvia lyrata
=> common sage, ramona, Salvia officinalis
=> meadow clary, Salvia pratensis
=> clary, Salvia sclarea
=> pitcher sage, Salvia spathacea
=> Mexican mint, Salvia divinorum
=> wild sage, wild clary, vervain sage, Salvia verbenaca
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun sage
3 senses of sage
Sense 1
sage
=> mentor, wise man
Sense 2
sage
=> herb
Sense 3
sage, salvia
=> herb, herbaceous plant
--- Similarity of adj sage
2 senses of sage
Sense 1
sage
=> wise (vs. foolish)
Sense 2
sage, sage-green
=> chromatic (vs. achromatic)
--- Antonyms of adj sage
2 senses of sage
Sense 1
sage
INDIRECT (VIA wise) -> foolish
Sense 2
sage, sage-green
INDIRECT (VIA chromatic) -> achromatic, neutral
--- Coordinate Terms (sisters) of noun sage
3 senses of sage
Sense 1
sage
-> mentor, wise man
=> sage
Sense 2
sage
-> herb
=> fines herbes
=> basil, sweet basil
=> bay leaf
=> borage
=> hyssop
=> caraway
=> chervil
=> chives
=> comfrey, healing herb
=> coriander, Chinese parsley, cilantro
=> costmary
=> fennel, common fennel
=> lemon balm
=> lovage
=> marjoram, oregano
=> mint
=> parsley
=> rosemary
=> rue
=> sage
=> savory, savoury
=> sweet woodruff, waldmeister
=> sweet cicely
=> tarragon, estragon
=> thyme
=> angelica
=> dill, dill weed
=> tea, tea leaf
Sense 3
sage, salvia
-> herb, herbaceous plant
=> barrenwort, bishop's hat, Epimedium grandiflorum
=> mayapple, May apple, wild mandrake, Podophyllum peltatum
=> buttercup, butterflower, butter-flower, crowfoot, goldcup, kingcup
=> goldthread, golden thread, Coptis groenlandica, Coptis trifolia groenlandica
=> winter aconite, Eranthis hyemalis
=> hepatica, liverleaf
=> goldenseal, golden seal, yellow root, turmeric root, Hydrastis Canadensis
=> false rue anemone, false rue, Isopyrum biternatum
=> giant buttercup, Laccopetalum giganteum
=> false bugbane, Trautvetteria carolinensis
=> globeflower, globe flower
=> legume, leguminous plant
=> clover, trefoil
=> periwinkle, rose periwinkle, Madagascar periwinkle, old maid, Cape periwinkle, red periwinkle, cayenne jasmine, Catharanthus roseus, Vinca rosea
=> arum, aroid
=> ginseng, nin-sin, Panax ginseng, Panax schinseng, Panax pseudoginseng
=> American ginseng, sang, Panax quinquefolius
=> wild ginger
=> heartleaf, heart-leaf, Asarum shuttleworthii
=> caryophyllaceous plant
=> mouse-ear chickweed, mouse eared chickweed, mouse ear, clammy chickweed, chickweed
=> drypis
=> coral necklace, Illecebrum verticullatum
=> chickweed
=> New Zealand spinach, Tetragonia tetragonioides, Tetragonia expansa
=> amaranth
=> thorny amaranth, Amaranthus spinosus
=> red fox, Celosia argentea
=> cockscomb, common cockscomb, Celosia cristata, Celosia argentea cristata
=> cottonweed
=> goosefoot
=> orach, orache
=> halogeton, Halogeton glomeratus
=> barilla, Halogeton souda
=> glasswort, samphire, Salicornia europaea
=> pokeweed
=> purslane
=> rock purslane
=> Indian lettuce
=> spiderflower, cleome
=> clammyweed, Polanisia graveolens, Polanisia dodecandra
=> crucifer, cruciferous plant
=> stonecress, stone cress
=> horseradish, horse radish, red cole, Armoracia rusticana
=> hoary alison, hoary alyssum, Berteroa incana
=> sea-rocket, Cakile maritima
=> sea kale, sea cole, Crambe maritima
=> tansy mustard, Descurainia pinnata
=> wall rocket, Diplotaxis muralis, Diplotaxis tenuifolia
=> white rocket, Diplotaxis erucoides
=> draba
=> rocket, roquette, garden rocket, rocket salad, arugula, Eruca sativa, Eruca vesicaria sativa
=> tansy-leaved rocket, Hugueninia tanacetifolia, Sisymbrium tanacetifolia
=> woad
=> bladderpod
=> honesty, silver dollar, money plant, satin flower, satinpod, Lunaria annua
=> bladderpod
=> chamois cress, Pritzelago alpina, Lepidium alpina
=> hedge mustard, Sisymbrium officinale
=> fringepod, lacepod
=> bladderpod
=> wasabi
=> prickly poppy, argemone, white thistle, devil's fig
=> bloodroot, puccoon, redroot, tetterwort, Sanguinaria canadensis
=> fumitory, fumewort, fumeroot, Fumaria officinalis
=> bleeding heart, lyreflower, lyre-flower, Dicentra spectabilis
=> Dutchman's breeches, Dicentra cucullaria
=> squirrel corn, Dicentra canadensis
=> achillea
=> white snakeroot, white sanicle, Ageratina altissima, Eupatorium rugosum
=> pellitory, pellitory-of-Spain, Anacyclus pyrethrum
=> andryala
=> ladies' tobacco, lady's tobacco, Antennaria plantaginifolia
=> cat's foot, cat's feet, pussytoes, Antennaria dioica
=> arnica
=> lamb succory, dwarf nipplewort, Arnoseris minima
=> ayapana, Ayapana triplinervis, Eupatorium aya-pana
=> balsamroot
=> Indian plantain
=> safflower, false saffron, Carthamus tinctorius
=> chamomile, camomile, Chamaemelum nobilis, Anthemis nobilis
=> chaenactis
=> chicory, succory, chicory plant, Cichorium intybus
=> endive, witloof, Cichorium endivia
=> coreopsis, tickseed, tickweed, tick-weed
=> leopard's-bane, leopardbane
=> globe thistle
=> elephant's-foot
=> tassel flower, Emilia coccinea, Emilia javanica, Emilia flammea, Cacalia javanica, Cacalia lutea
=> tassel flower, Emilia sagitta
=> hemp agrimony, Eupatorium cannabinum
=> dog fennel, Eupatorium capillifolium
=> Joe-Pye weed, spotted Joe-Pye weed, Eupatorium maculatum
=> boneset, agueweed, thoroughwort, Eupatorium perfoliatum
=> Joe-Pye weed, purple boneset, trumpet weed, marsh milkweed, Eupatorium purpureum
=> gumweed, gum plant, tarweed, rosinweed
=> vegetable sheep, sheep plant, Haastia pulvinaris
=> sneezeweed
=> hawkweed
=> alpine coltsfoot, Homogyne alpina, Tussilago alpina
=> inula
=> krigia
=> lettuce
=> leopard plant
=> tarweed
=> sweet false chamomile, wild chamomile, German chamomile, Matricaria recutita, Matricaria chamomilla
=> pineapple weed, rayless chamomile, Matricaria matricarioides
=> rattlesnake root
=> lion's foot, gall of the earth, Nabalus serpentarius, Prenanthes serpentaria
=> butterweed
=> golden groundsel, golden ragwort, Packera aurea, Senecio aureus
=> butterbur, bog rhubarb, Petasites hybridus, Petasites vulgaris
=> winter heliotrope, sweet coltsfoot, Petasites fragrans
=> sweet coltsfoot, Petasites sagitattus
=> hawkweed
=> stevia
=> rattlesnake root, Prenanthes purpurea
=> pteropogon, Pteropogon humboltianum
=> fleabane, feabane mullet, Pulicaria dysenterica
=> sheep plant, vegetable sheep, Raoulia lutescens, Raoulia australis
=> creeping zinnia, Sanvitalia procumbens
=> costusroot, Saussurea costus, Saussurea lappa
=> black salsify, viper's grass, scorzonera, Scorzonera hispanica
=> sawwort, Serratula tinctoria
=> milk thistle, lady's thistle, Our Lady's mild thistle, holy thistle, blessed thistle, Silybum marianum
=> stevia
=> costmary, alecost, bible leaf, mint geranium, balsam herb, Tanacetum balsamita, Chrysanthemum balsamita
=> camphor dune tansy, Tanacetum camphoratum
=> pyrethrum, Dalmatian pyrethrum, Dalmatia pyrethrum, Tanacetum cinerariifolium, Chrysanthemum cinerariifolium
=> feverfew, Tanacetum parthenium, Chrysanthemum parthenium
=> dandelion, blowball
=> salsify, oyster plant, vegetable oyster, Tragopogon porrifolius
=> wild vanilla, Trilisa odoratissima
=> scentless camomile, scentless false camomile, scentless mayweed, scentless hayweed, corn mayweed, Tripleurospermum inodorum, Matricaria inodorum
=> turfing daisy, Tripleurospermum oreades tchihatchewii, Matricaria oreades
=> turfing daisy, Tripleurospermum tchihatchewii, Matricaria tchihatchewii
=> coltsfoot, Tussilago farfara
=> ironweed, vernonia
=> loasa
=> campanula, bellflower
=> primrose, primula
=> pimpernel
=> sea milkwort, sea trifoly, black saltwort, Glaux maritima
=> loosestrife
=> plumbago
=> gramineous plant, graminaceous plant
=> herbage, pasturage
=> bur reed
=> lobelia
=> okra, gumbo, okra plant, lady's-finger, Abelmoschus esculentus, Hibiscus esculentus
=> vegetable
=> simple
=> galax, galaxy, wandflower, beetleweed, coltsfoot, Galax urceolata
=> wintergreen, pyrola
=> pipsissewa, prince's pine
=> one-flowered wintergreen, one-flowered pyrola, Moneses uniflora, Pyrola uniflora
=> columbo, American columbo, deer's-ear, deer's-ears, pyramid plant, American gentian
=> green gentian, Frasera speciosa, Swertia speciosa
=> marsh felwort, Swertia perennia
=> bloodwort
=> kangaroo paw, kangaroo's paw, kangaroo's-foot, kangaroo-foot plant, Australian sword lily, Anigozanthus manglesii
=> willowherb
=> evening primrose
=> canna
=> maranta
=> banana, banana tree
=> Abyssinian banana, Ethiopian banana, Ensete ventricosum, Musa ensete
=> bird of paradise, Strelitzia reginae
=> ginger
=> turmeric, Curcuma longa, Curcuma domestica
=> grains of paradise, Guinea grains, Guinea pepper, melagueta pepper, Aframomum melegueta
=> cardamom, cardamon, Elettaria cardamomum
=> reseda
=> viola
=> false nettle, bog hemp
=> pellitory-of-the-wall, wall pellitory, pellitory, Parietaria difussa
=> kniphofia, tritoma, flame flower, flame-flower, flameflower
=> asparagus, edible asparagus, Asparagus officinales
=> asparagus fern, Asparagus setaceous, Asparagus plumosus
=> aspidistra, cast-iron plant, bar-room plant, Aspidistra elatio
=> climbing onion, Bowiea volubilis
=> plantain lily, day lily
=> herb Paris, Paris quadrifolia
=> pia, Indian arrowroot, Tacca leontopetaloides, Tacca pinnatifida
=> flax
=> wild senna, Senna marilandica, Cassia marilandica
=> kidney vetch, Anthyllis vulneraria
=> crotalaria, rattlebox
=> prairie mimosa, prickle-weed, Desmanthus ilinoensis
=> goat's rue, goat rue, Galega officinalis
=> licorice, liquorice, Glycyrrhiza glabra
=> wild licorice, wild liquorice, American licorice, American liquorice, Glycyrrhiza lepidota
=> winged pea, asparagus pea, Lotus tetragonolobus
=> medic, medick, trefoil
=> sainfoin, sanfoin, holy clover, esparcet, Onobrychis viciifolia, Onobrychis viciaefolia
=> shamrock pea, Parochetus communis
=> breadroot, Indian breadroot, pomme blanche, pomme de prairie, Psoralea esculenta
=> bush pea
=> bird's foot trefoil, Trigonella ornithopodioides
=> fenugreek, Greek clover, Trigonella foenumgraecum
=> plantain
=> buckwheat, Polygonum fagopyrum, Fagopyrum esculentum
=> rhubarb, rhubarb plant
=> dock, sorrel, sour grass
=> spiderwort, dayflower
=> pineapple, pineapple plant, Ananas comosus
=> agrimonia, agrimony
=> strawberry
=> salad burnet, burnet bloodwort, pimpernel, Poterium sanguisorba
=> bedstraw
=> feverroot, horse gentian, tinker's root, wild coffee, Triostium perfoliatum
=> teasel, teazel, teasle
=> jewelweed, lady's earrings, orange balsam, celandine, touch-me-not, Impatiens capensis
=> geranium
=> oxalis, sorrel, wood sorrel
=> rue, herb of grace, Ruta graveolens
=> fraxinella, dittany, burning bush, gas plant, Dictamnus alba
=> nasturtium
=> carnivorous plant
=> Australian pitcher plant, Cephalotus follicularis
=> sedum
=> saxifrage, breakstone, rockfoil
=> astilbe
=> bergenia
=> umbrella plant, Indian rhubarb, Darmera peltata, Peltiphyllum peltatum
=> alumroot, alumbloom
=> miterwort, mitrewort, bishop's cap
=> suksdorfia
=> foamflower, coolwart, false miterwort, false mitrewort, Tiarella cordifolia
=> pickaback plant, piggyback plant, youth-on-age, Tolmiea menziesii
=> polemonium
=> phlox
=> acanthus
=> borage, tailwort, Borago officinalis
=> common amsinckia, Amsinckia intermedia
=> large-flowered fiddleneck, Amsinckia grandiflora
=> anchusa
=> Chinese forget-me-not, Cynoglossum amabile
=> hound's-tongue, Cynoglossum officinale
=> hound's-tongue, Cynoglossum virginaticum
=> blueweed, blue devil, blue thistle, viper's bugloss, Echium vulgare
=> stickweed
=> gromwell, Lithospermum officinale
=> puccoon, Lithospermum caroliniense
=> hoary puccoon, Indian paint, Lithospermum canescens
=> Virginia bluebell, Virginia cowslip, Mertensia virginica
=> garden forget-me-not, Myosotis sylvatica
=> forget-me-not, mouse ear, Myosotis scorpiodes
=> false gromwell
=> comfrey, cumfrey
=> gesneria
=> waterleaf
=> yellow bells, California yellow bells, whispering bells, Emmanthe penduliflora
=> nemophila
=> baby blue-eyes, Nemophila menziesii
=> fiesta flower, Pholistoma auritum, Nemophila aurita
=> basil thyme, basil balm, mother of thyme, Acinos arvensis, Satureja acinos
=> giant hyssop
=> bugle, bugleweed
=> black horehound, black archangel, fetid horehound, stinking horehound, Ballota nigra
=> wood mint
=> calamint
=> wild basil, cushion calamint, Clinopodium vulgare, Satureja vulgaris
=> horse balm, horseweed, stoneroot, stone-root, richweed, stone root, Collinsonia canadensis
=> coleus, flame nettle
=> dragonhead, dragon's head, Dracocephalum parviflorum
=> elsholtzia
=> hemp nettle, dead nettle, Galeopsis tetrahit
=> pennyroyal, American pennyroyal, Hedeoma pulegioides
=> hyssop, Hyssopus officinalis
=> dead nettle
=> dagga, Cape dagga, red dagga, wilde dagga, Leonotis leonurus
=> lion's-ear, Leonotis nepetaefolia, Leonotis nepetifolia
=> motherwort, Leonurus cardiaca
=> bugleweed, Lycopus virginicus
=> water horehound, Lycopus americanus
=> gipsywort, gypsywort, Lycopus europaeus
=> origanum
=> horehound
=> lemon balm, garden balm, sweet balm, bee balm, beebalm, Melissa officinalis
=> mint
=> yerba buena, Micromeria chamissonis, Micromeria douglasii, Satureja douglasii
=> savory, Micromeria juliana
=> molucca balm, bells of Ireland, Molucella laevis
=> monarda, wild bergamot
=> mustang mint, Monardella lanceolata
=> catmint, catnip, Nepeta cataria
=> basil
=> beefsteak plant, Perilla frutescens crispa
=> physostegia
=> self-heal, heal all, Prunella vulgaris
=> mountain mint
=> rosemary, Rosmarinus officinalis
=> sage, salvia
=> savory
=> skullcap, helmetflower
=> blue pimpernel, blue skullcap, mad-dog skullcap, mad-dog weed, Scutellaria lateriflora
=> hedge nettle, dead nettle, Stachys sylvatica
=> hedge nettle, Stachys palustris
=> thyme
=> martynia, Martynia annua
=> sesame, benne, benni, benny, Sesamum indicum
=> common unicorn plant, devil's claw, common devil's claw, elephant-tusk, proboscis flower, ram's horn, Proboscidea louisianica
=> sand devil's claw, Proboscidea arenaria, Martynia arenaria
=> sweet unicorn plant, Proboscidea fragrans, Martynia fragrans
=> false foxglove, Aureolaria pedicularia, Gerardia pedicularia
=> false foxglove, Aureolaria virginica, Gerardia virginica
=> foxglove, digitalis
=> mullein, flannel leaf, velvet plant
=> eggplant, aubergine, brinjal, eggplant bush, garden egg, mad apple, Solanum melongena
=> belladonna, belladonna plant, deadly nightshade, Atropa belladonna
=> henbane, black henbane, stinking nightshade, Hyoscyamus niger
=> Egyptian henbane, Hyoscyamus muticus
=> tomato, love apple, tomato plant, Lycopersicon esculentum
=> mandrake, devil's apples, Mandragora officinarum
=> apple of Peru, shoo fly, Nicandra physaloides
=> tobacco, tobacco plant
=> cupflower, nierembergia
=> ground cherry, husk tomato
=> salpiglossis
=> Scopolia carniolica
=> herb mercury, herbs mercury, boys-and-girls, Mercurialis annua
=> dog's mercury, dog mercury, Mercurialis perennis
=> spurge nettle, tread-softly, devil nettle, pica-pica, Cnidoscolus urens, Jatropha urens, Jatropha stimulosus
=> umbellifer, umbelliferous plant
=> dill, Anethum graveolens
=> angelica, angelique
=> chervil, beaked parsley, Anthriscus cereifolium
=> cow parsley, wild chervil, Anthriscus sylvestris
=> wild celery, Apium graveolens
=> celery, cultivated celery, Apium graveolens dulce
=> celeriac, celery root, knob celery, root celery, turnip-rooted celery, Apium graveolens rapaceum
=> astrantia, masterwort
=> caraway, Carum carvi
=> earthnut, Conopodium denudatum
=> coriander, coriander plant, Chinese parsley, cilantro, Coriandrum sativum
=> cumin, Cuminum cyminum
=> carrot, cultivated carrot, Daucus carota sativa
=> button snakeroot, Eryngium aquaticum
=> fennel
=> cow parsnip, hogweed, Heracleum sphondylium
=> lovage, Levisticum officinale
=> sweet cicely, Myrrhis odorata
=> parsnip, Pastinaca sativa
=> parsley, Petroselinum crispum
=> anise, anise plant, Pimpinella anisum
=> sanicle, snakeroot
=> moon carrot, stone parsley
=> stone parsley, Sison amomum
=> Alexander, Alexanders, black lovage, horse parsley, Smyrnium olusatrum
=> corn salad
=> wort
=> peperomia
=> yerba mansa, Anemopsis californica
=> asclepiad
=> milkweed, silkweed
=> stapelia, carrion flower, starfish flower
--- Pertainyms of adj sage
2 senses of sage
Sense 1
sage
Sense 2
sage, sage-green
--- Derived Forms of adj sage
--- Grep of noun sage
air passage
bird of passage
black sage
blood sausage
blue sage
bologna sausage
california sage
cardiac massage
chaparral sage
clary sage
commercial message
common sage
corsage
dosage
dressage
expressage
gray sage
grey sage
heart massage
ill-usage
inland passage
inside passage
jerusalem sage
liver sausage
massage
mealy sage
message
musical passage
northwest passage
osage
passage
petrissage
phone message
pitcher sage
pork sausage
prairie sage
presage
purple passage
purple sage
rite of passage
sage
sage brush
sage green
sage grouse
sage hen
sage willow
sagebrush
sagebrush buttercup
sagebrush lizard
sagebrush mariposa tulip
sagebrush state
sand sage
sausage
silver sage
surplusage
swedish massage
telephone message
usage
vervain sage
vienna sausage
visage
white sage
wild sage
windward passage
wood sage
wormwood sage
Wikipedia - Aaron Sagers -- American journalist
Wikipedia - Abaris the Hyperborean -- Legendary ancient Greek sage and priest
Wikipedia - AbM-CM-.me -- A vertical shaft in karst terrain that may be very deep and usually opens into a network of subterranean passages
Wikipedia - Abstraction -- Conceptual process where general rules and concepts are derived from the usage and classification of specific examples
Wikipedia - Academic studies about Wikipedia -- Research on Wikipedia's usage and the quality of its content and administration
Wikipedia - Accolade -- Central act in the rite of passage ceremonies conferring knighthood
Wikipedia - Across the Universe (message)
Wikipedia - Acrostic -- Writing in which the first letter, syllable or word of each line, paragraph or other recurring feature in the text spells out a word or a message
Wikipedia - Action Message Format
Wikipedia - Active SETI -- Attempt to send messages to intelligent extraterrestrials
Wikipedia - Adelinde Cornelissen -- Dutch dressage rider
Wikipedia - Affair of the Sausages -- Event that sparked the Reformation in Zurich
Wikipedia - Agastya -- Vedic sage
Wikipedia - Agnete Kirk Thinggaard -- Danish dressage rider
Wikipedia - Agulhas Passage -- Abyssal channel south of South Africa between the Agulhas Bank and Agulhas Plateau
Wikipedia - Ahalya -- Wife of the sage Gautama Maharishi in Hinduism
Wikipedia - Ajugeae -- Tribe of flowering plants in the sage family Lamiaceae
Wikipedia - Ajugoideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Alaska Passage -- 1959 film
Wikipedia - Alexandre Ayache -- French dressage rider
Wikipedia - All-Star Final Vote -- Annual Internet and text message ballot
Wikipedia - Alsager Hay Hill -- English social reformer
Wikipedia - Amazon SageMaker -- Cloud machine-learning platform
Wikipedia - A Message from Earth
Wikipedia - A Message from Mars (1921 film) -- 1921 film directed by Maxwell Karger
Wikipedia - Amman Message
Wikipedia - Anabel Balkenhol -- German dressage rider
Wikipedia - Anders Dahl (equestrian) -- Danish Olympic dressage rider
Wikipedia - Andouille -- type of sausage
Wikipedia - Andreas Helgstrand -- Danish dressage rider
Wikipedia - Andre Messager -- French opera composer and conductor
Wikipedia - Andrew P. Sage
Wikipedia - Angiras (sage)
Wikipedia - Anna Kasprzak -- Danish dressage rider
Wikipedia - Anna M-EM-^Aukasik -- Polish dressage rider
Wikipedia - Anne Meulendijks -- Dutch dressage rider (born 1993)
Wikipedia - Annette Messager -- French artist
Wikipedia - Annie Bersagel -- American long-distance runner and lawyer
Wikipedia - Annie Peavy -- American Paralympic dressage rider
Wikipedia - A Passage to India (film) -- 1984 drama film directed by David Lean
Wikipedia - A Passage to India -- 1924 novel by E. M. Forster
Wikipedia - A Passage to Infinity -- The Social Origins of the Kerala School
Wikipedia - Apollo 11 Goodwill Messages
Wikipedia - Apollo 11 goodwill messages
Wikipedia - App Store (iMessage)
Wikipedia - AP Stylebook -- book on English usage by Associated Press
Wikipedia - Arecibo message -- 1974 message into space from the Arecibo Observatory
Wikipedia - Aromatherapy -- Usage of aromatic materials for improving well-being
Wikipedia - A Rough Passage -- 1922 film
Wikipedia - ARRL Numbered Radiogram -- Brevity code for sending standard Ham radio messages
Wikipedia - Artificial reef -- A human-created underwater structure, typically built to promote marine life, control erosion, block ship passage, block the use of trawling nets, or improve surfing
Wikipedia - Aruni -- Vedic sage
Wikipedia - Asado -- Dish of beef, sausages, and sometimes other meats, cooked on a grill (parrilla) or an open fire, traditional in Uruguay, Argentina and Chile
Wikipedia - Ashtavakra -- Ancient sage in Hinduism
Wikipedia - Atmospheric entry -- Passage of an object through the gases of an atmosphere from outer space
Wikipedia - Augustin Sageret -- French botanist
Wikipedia - August: Osage County (film) -- 2013 American drama film directed by John Wells
Wikipedia - Avatar Flight of Passage -- Attraction at Pandora, Disney's Animal Kingdom
Wikipedia - Ayurvedic acupressure -- Type of massage
Wikipedia - Bahama Passage -- 1941 film
Wikipedia - Ballota acetabulosa -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Ballota hirsuta -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Ballota nigra -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Ballota pseudodictamnus -- Species of flowering plant in the sage family Lamiaceae
Wikipedia - Ballota undulata -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Ballota -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Banner -- Flag or other piece of cloth bearing a symbol, logo, slogan or other message
Wikipedia - Bards and Sages Quarterly -- Speculative fiction magazine
Wikipedia - Barostriction -- obstruction of pressure equalization passages
Wikipedia - Barry Sage -- British sound engineer
Wikipedia - Battle of Doro Passage -- 1827 naval battle between the U.S. Navy and Greek pirates
Wikipedia - Battle of the Mona Passage -- On 19 April 1782
Wikipedia - Beata Stremler -- Polish dressage rider
Wikipedia - Belinda Trussell -- Canadian dressage rider
Wikipedia - Berry -- small edible fruit, in culinary usage
Wikipedia - Bharadwaja -- Ancient Indian sage
Wikipedia - Bible code -- Purported set of secret messages encoded within the Hebrew text of the Torah
Wikipedia - Birds of Passage (film) -- 2018 film
Wikipedia - Bitmessage -- Peer to peer encrypted communication protocol
Wikipedia - Blackstone's ratio -- Message that government and the courts must err on the side of innocence
Wikipedia - Blind carbon copy -- Allows the sender of a message to conceal the person entered in the BCC field from the other recipients
Wikipedia - Blood-brain barrier -- Semipermeable capillary border that allows selective passage of blood constituents into the brain
Wikipedia - Blood sausage -- Traditional sausage dish
Wikipedia - Bluejacking -- Sending of unsolicited messages over Bluetooth to Bluetooth-enabled devices
Wikipedia - Blue sage -- Wikipedia disambiguation page
Wikipedia - BM-aM-9M-^[haspati -- Vedic sage, alternatively the Indic name of planet Jupiter, also a Hindu deity
Wikipedia - Bob Saget -- American stand-up comedian, actor, television host and director
Wikipedia - Bologna sausage -- Finely ground pork sausage
Wikipedia - Book:Interstellar messages
Wikipedia - Borja Carrascosa -- Spanish dressage rider
Wikipedia - Botifarra -- Catalan sausage dish
Wikipedia - Boudin -- Types of sausage
Wikipedia - Bounce message -- Automated message from an email system
Wikipedia - Braadworst -- Large Dutch sausage composed of pork
Wikipedia - Breakthrough Message
Wikipedia - Brief Messages from the Heart Museum -- Museum of letters in Fukui Prefecture, Japan
Wikipedia - Bronchiole -- Passageways by which air passes through the nose or mouth to the alveoli of the lungs
Wikipedia - Budae-jjigae -- South Korean sausage stew
Wikipedia - Bud Sagendorf -- American cartoonist, 1915-1994
Wikipedia - Bullens pilsnerkorv -- Swedish sausage product
Wikipedia - Calls from the Message of Fatima
Wikipedia - Canyon Passage -- 1946 film by Jacques Tourneur
Wikipedia - Carl Hester -- British dressage rider
Wikipedia - Carlos Pinto (equestrian) -- Portuguese dressage rider
Wikipedia - Carole Bayer Sager
Wikipedia - Caroline HM-CM-$cki -- Swiss dressage rider
Wikipedia - Catacombs -- Subterranean passageways used as burial place
Wikipedia - Category:Album chart usages for France
Wikipedia - Category:Articles using small message boxes
Wikipedia - Category:Hindu sages
Wikipedia - Category:Interstellar messages
Wikipedia - Category:Russell Sage Foundation
Wikipedia - Category:Vocabulary and usage stubs
Wikipedia - Cathrine Dufour -- Danish dressage rider
Wikipedia - Cellphone surveillance -- Tracking, bugging, monitoring, interception and recording of conversations and text messages on mobile phones.
Wikipedia - Cellular Message Encryption Algorithm
Wikipedia - Ceremonial deism -- Governmental religious references and practices deemed to be mere ritual and non-religious through long customary usage
Wikipedia - Certificate signing request -- Message from an applicant to a certificate authority to apply for a digital identity certificate; lists the public key the certificate should be issued for, identifying information (e.g. domain name) and integrity protection (e.g. digital signature)
Wikipedia - Cesar Parra -- Dressage rider
Wikipedia - CFEP-FM -- Radio station in Eastern Passage, Nova Scotia
Wikipedia - Chazal -- Jewish sages of the Mishna, Tosefta and Talmud eras
Wikipedia - Chere Burger -- South African dressage rider
Wikipedia - China Passage -- 1937 American mystery film directed by Edward Killy
Wikipedia - Chinese telegraph code -- Four-digit decimal character encoding for electrically telegraphing messages written with Chinese characters
Wikipedia - Choripan -- Sausage-filled Latin American sandwich
Wikipedia - Chrestomathy -- Collection of choice literary passages, used especially as an aid in learning a subject
Wikipedia - Christian country music -- Music genre, country music with Christian message
Wikipedia - Christian Schumach -- Austrian dressage rider
Wikipedia - Christoph Koschel -- German dressage rider
Wikipedia - Chronology of the Bible -- Means by which the passage of events is measured
Wikipedia - Citizens! During shelling this side of the street is the most dangerous -- Public warning message displayed in the USSR during World War II
Wikipedia - Claudia Fassaert -- Belgian Olympic dressage rider
Wikipedia - Claudio Castilla Ruiz -- Spanish dressage rider
Wikipedia - Close reading -- Careful, sustained interpretation of a brief passage of a text
Wikipedia - Coda (music) -- Term in written music, passage that brings a piece to an end
Wikipedia - Communication protocol -- System for exchanging messages between computing systems
Wikipedia - Computer Usage Company
Wikipedia - Conus visagenus -- Species of sea snail
Wikipedia - CPU usage
Wikipedia - Craig Sager -- sports reporter
Wikipedia - Crassagena -- Genus of beetles
Wikipedia - Cressage railway station -- Former railway station in Shropshire, England
Wikipedia - Cryptographic Message Syntax
Wikipedia - Cymbalaria pallida -- Species of flowering plant in the mint and sage family Plantaginaceae
Wikipedia - Cymbalaria -- Genus of flowering plants in the mint and sage family Plantaginaceae
Wikipedia - Danielle Heijkoop -- Dutch dressage rider
Wikipedia - Datagram Congestion Control Protocol -- Message-oriented transport layer protocol
Wikipedia - Datagram Transport Layer Security -- Communications protocol; lets datagram-based applications communicate in a way designed to prevent eavesdropping, tampering, or message forgery
Wikipedia - David Marcus (equestrian) -- Canadian dressage rider
Wikipedia - Deadly Messages -- 1985 film by Jack Bender
Wikipedia - Denise Hallion -- South African dressage rider
Wikipedia - Depsages granulosa -- Genus of beetles
Wikipedia - Devala -- Hindu sage
Wikipedia - Devissage -- Mathematical technique in algebraic geometry
Wikipedia - Devon (sausage) -- Manufactured meat product
Wikipedia - Diane Erpelding -- Luxembourgian dressage rider
Wikipedia - Diederik van Silfhout -- Dutch dressage rider
Wikipedia - Dilator -- Surgical instrument or medical implement used to expand an opening or passage
Wikipedia - Dina Ellermann -- Estonian dressage rider
Wikipedia - Dirtbag left -- Mode of left-wing politics that eschews civility in order to convey a socialist or left-wing populist message using subversive vulgarity
Wikipedia - Disk Usage Analyzer
Wikipedia - Disputed Passage -- 1939 film by Frank Borzage
Wikipedia - Dominica Passage -- Strait in the Caribbean
Wikipedia - Dorothee Schneider -- German dressage rider
Wikipedia - Dosage form
Wikipedia - Drake Passage -- body of water between South America and the South Shetland Islands of Antarctica
Wikipedia - Dressage To Win -- Television series
Wikipedia - Durvasa -- A sage in Hindu scriptures
Wikipedia - Dynasty (horse) -- Dark bay Hanoverian gelding; dressage competitor
Wikipedia - Easter egg (media) -- Intentional inside joke, hidden message or image, or secret feature of a work
Wikipedia - Edward Gal -- Dutch dressage rider
Wikipedia - Electrical resistance and conductance -- Opposition to the passage of an electric current
Wikipedia - Electronic mailing list -- Special usage of email that allows for widespread distribution of information to many Internet users
Wikipedia - Elena Sidneva -- Russian dressage rider
Wikipedia - Ellen Birgitte Farbrot -- Norwegian dressage rider
Wikipedia - Email address -- Identifier of the destination where email messages are delivered
Wikipedia - Email spoofing -- Creating email spam or phishing messages with a forged sender identity or address
Wikipedia - Email storm -- A spike of "reply all" messages on an email distribution list
Wikipedia - Email -- Method of exchanging digital messages between people over a network
Wikipedia - Embolization -- Passage and lodging of an embolus within the bloodstream
Wikipedia - Emilie Nyrerod -- Swedish dressage rider
Wikipedia - Emmelie Scholtens -- Dutch dressage rider
Wikipedia - Emoji -- Ideograms or smileys used in electronic messages and webpages
Wikipedia - End of message -- End of a message, often an e-mail message
Wikipedia - Energy demand management -- Modification of consumer energy usage during peak hours
Wikipedia - English usage controversies
Wikipedia - Equestrian at the 1912 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1920 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1924 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1928 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1928 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1932 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1932 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1936 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1936 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1948 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1948 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1952 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1952 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1956 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1956 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1960 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1964 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1964 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1968 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1968 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1972 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1972 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1976 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1976 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1980 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1980 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1984 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1984 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1988 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1988 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1992 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1992 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 1996 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2000 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2004 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2004 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2008 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2008 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2012 Summer Olympics - Individual dressage -- Equestrian at the Olympics
Wikipedia - Equestrian at the 2012 Summer Olympics - Team dressage -- Equestrian at the Olympics
Wikipedia - Ernst Sagebiel -- German architect
Wikipedia - Error messages
Wikipedia - Error message -- Message displayed on a monitor screen or printout indicating that an incorrect instruction has been given or that there is an error resulting from faulty software or hardware
Wikipedia - Eugenie Sage -- New Zealand politician
Wikipedia - Evelyn Haim-Swarovski -- Austrian dressage rider
Wikipedia - Everybody Loves Sausages -- 2013 album
Wikipedia - Evolution as fact and theory -- A discussion of the meaning and usage of the terms evolution, fact and theory
Wikipedia - Expressive suppression -- Willful curtailing of emotional visage
Wikipedia - Fabienne Muller-Lutkemeier -- German dressage rider
Wikipedia - FastEcho -- Message processing package for FTN
Wikipedia - Favstar -- Twitter usage tracking website
Wikipedia - File size -- Measure of data usage by computer files
Wikipedia - Filipe Canelas -- Portuguese dressage rider
Wikipedia - Filipino middle names -- History, popularity, and usage of middle names in the Philippines
Wikipedia - Folding bridge -- Moveable bridge capable of folding to allow passage of watercraft
Wikipedia - Follett's Modern American Usage -- Book by Wilson Follett
Wikipedia - Forbidden Passage -- 1941 film
Wikipedia - Four Kumaras -- four sages from the Puranic texts of Hinduism
Wikipedia - Four Sages
Wikipedia - Fram Strait -- passage between Greenland and Svalbard
Wikipedia - Frank E. Sagendorph, 2nd -- American industrailist (1883-1972)
Wikipedia - Full Body Massage -- 1995 TV film directed by Nicolas Roeg
Wikipedia - Fundal massage -- Medical procedure used to treat uterine atony
Wikipedia - Gabriel's Message -- Basque Christmas folk carol
Wikipedia - Galatians 3:28 -- Biblical passage
Wikipedia - Galeries Royales Saint-Hubert -- Covered passageways in Brussels, Belgium
Wikipedia - Galois Message Authentication Code
Wikipedia - Ganimedes -- Black Westphalian gelding; dressage competitor
Wikipedia - Garga (sage)
Wikipedia - Gautama Maharishi -- Ancient Hindu sage
Wikipedia - Gelbwurst -- Traditional sausage from Germany
Wikipedia - Georgeann Robinson -- Osage activist and artist
Wikipedia - Georges-Louis Le Sage
Wikipedia - GIS in archaeology -- Aspect of GIS usage
Wikipedia - GIUK gap -- The passages between the northern Atlantic Ocean and the Norwegian Sea
Wikipedia - Glechoma hederacea -- Species of flowering plants in the mint and sage family Lamiaceae
Wikipedia - Glechoma -- Genus of flowering plants in the mint and sage family Lamiaceae
Wikipedia - Global Internet usage -- Estimates of how many people use the Internet
Wikipedia - Goncalo Carvalho -- Portuguese dressage rider
Wikipedia - Great Allegheny Passage -- Rail trail connecting Cumberland, Maryland and Pittsburgh, Pennsylvania
Wikipedia - Greater sage-grouse -- Species of bird
Wikipedia - Gretha Ferreira -- South African dressage rider
Wikipedia - Halston Sage -- American actress
Wikipedia - Hanna Karasiova (equestrian) -- Belarusian dressage rider
Wikipedia - Hans Staub -- Olympic dressage rider
Wikipedia - Hathersage railway station -- Railway station in Derbyshire, England
Wikipedia - Hathersage Road (Sheffield) -- Road in South Yorkshire and Derbyshire, England
Wikipedia - Hayley Sage -- British diver
Wikipedia - Heather Blitz -- American dressage rider
Wikipedia - Heinz Pollay -- German dressage horse rider
Wikipedia - Helen Langehanenberg -- German dressage rider
Wikipedia - Help:Cite messages
Wikipedia - Help:Convert messages -- Help page
Wikipedia - Help:Creation and usage of media files
Wikipedia - Help:System message
Wikipedia - Henri Ruoste -- Finnish dressage rider
Wikipedia - Hidden message -- Information that is not noticeable
Wikipedia - High Passage -- Science-fiction role-playing game magazine
Wikipedia - History of the potato -- Domestication, spread, and popular usage of the potato in history
Wikipedia - Hormone -- Chemical released by a cell or a gland in one part of the body that sends out messages that affect cells in other parts of the organism
Wikipedia - Hospital emergency codes -- Coded messages often announced over a public address system of a hospital
Wikipedia - Hot dog -- Sausage in a bun
Wikipedia - Hughes TH-55 Osage -- Piston-powered light training helicopter produced for the United States Army
Wikipedia - Hungarian sausages
Wikipedia - Hunter Passage 42 -- Sailboat class
Wikipedia - Hunter Passage 450 -- Sailboat class
Wikipedia - Hydro massage -- Use of water pressure for massage techniques
Wikipedia - Hymn of the Pearl -- Passage of the apocryphal Acts of Thomas
Wikipedia - Hypercorrection -- Non-standard language usage from the over-application of a perceived prescriptive rule
Wikipedia - Hyssopus (plant) -- Genus of flowering plants in the mint and sage family Lamiaceae
Wikipedia - IBM 728 -- Magnetic tape drive used on the SAGE AN/FSQ-7 computer
Wikipedia - IMessage -- Instant messaging service by Apple
Wikipedia - Independent SAGE -- Unofficial group of scientists aiming to provide advice to the UK government
Wikipedia - Inessa Merkulova -- Russian dressage rider
Wikipedia - Innocent passage -- Concept in the Law of the Sea
Wikipedia - Instant -- An infinitesimal interval in time, whose passage is instantaneous
Wikipedia - Intelligent Design: Message from the Designers -- RaM-CM-+lism book
Wikipedia - Interface Message Processor
Wikipedia - Internet Control Message Protocol for IPv6
Wikipedia - Internet Control Message Protocol -- Internet protocol used for error messages in network operations
Wikipedia - Internet Message Access Protocol -- Application layer internet protocol for e-mail retrieval and storage
Wikipedia - In the Light of Truth: The Grail Message -- Book by Oskar Ernst Bernhardt
Wikipedia - InVisage Technologies
Wikipedia - Iryna Lis -- Belarusian dressage rider
Wikipedia - Isagenix -- multi-level marketing company
Wikipedia - Island View High School -- High school in Eastern Passage, Nova Scotia
Wikipedia - Jacqueline Brooks -- Canadian dressage rider
Wikipedia - James Connor (equestrian) -- Irish dressage rider
Wikipedia - JAM Message Base Format -- DOS file format
Wikipedia - Janette Bouman -- Dutch-born Kazakhstani dressage rider
Wikipedia - Jan Sagedal -- Norwegian shot putter
Wikipedia - Jaratkaru -- Rishi (sage) in Hindu mythology
Wikipedia - Jean-Marie Saget -- French military pilot
Wikipedia - Jeanna Hogberg -- Swedish dressage rider
Wikipedia - Jeff's Gourmet Sausage Factory -- Sausage factory and restaurant in Los Angeles
Wikipedia - Jesper Frismann -- Danish dressage rider
Wikipedia - Jessica Michel -- French dressage rider
Wikipedia - Jessica von Bredow-Werndl -- German dressage rider
Wikipedia - Jodel Lesage -- Haitian military officer
Wikipedia - John Hall Sage
Wikipedia - Johnsonville Foods -- Sausage company headquartered in Sheboygan Falls, Wisconsin
Wikipedia - Jorinde Verwimp -- Belgian dressage rider
Wikipedia - Joule heating -- Process by which the passage of an electric current through a conductor produces heat
Wikipedia - Judy Reynolds -- Irish dressage rider
Wikipedia - Julie de Deken -- Belgian dressage rider
Wikipedia - Juliette Ramel -- Swedish dressage rider
Wikipedia - Kanada (philosopher) -- Vedic sage and founder of Vaisheshika school of Hindu philosophy
Wikipedia - Kapila -- Vedic sage
Wikipedia - Karen Pavicic -- Dressage rider
Wikipedia - Karen Tebar -- German-French dressage rider
Wikipedia - Kargyong -- Fermented sausage from Sikkim
Wikipedia - Karin Kosak -- Austrian dressage rider
Wikipedia - Karni Mata -- Female Hindu warrior sage
Wikipedia - Katarzyna Milczarek -- Polish dressage rider
Wikipedia - Kay Sage
Wikipedia - Kielbasa -- Smoked Polish sausage
Wikipedia - Kiichi Harada -- Japanese Dressage Rider
Wikipedia - Kiolbassa Sausage -- American company
Wikipedia - KMXN -- Radio station in Osage City, Kansas
Wikipedia - KnudM-CM-%ge Riisager -- Danish composer
Wikipedia - Krakowska -- Cracovian sausage from Poland
Wikipedia - KRBK -- Fox affiliate in Osage Beach, Missouri
Wikipedia - Kristina Broring-Sprehe -- German dressage rider
Wikipedia - Lamiaceae -- Family of flowering plants that includes sage and mint
Wikipedia - Lamioideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Language usage
Wikipedia - Lao sausage -- Seasoned port sausage in Laos and Thailand
Wikipedia - Lars Onsager Prize
Wikipedia - Lars Onsager
Wikipedia - Lars Petersen -- Danish dressage rider
Wikipedia - Laura Tomlinson -- British dressage rider
Wikipedia - Laurence Vanommeslaghe -- Belgian dressage rider
Wikipedia - Laurens van Lieren -- Dutch dressage rider (born 1981)
Wikipedia - Lawrence G. Sager -- American academic
Wikipedia - Leeward Passage -- A channel between Hans Lollik Island and northern St. Thomas Island in the United States Virgin Islands
Wikipedia - Le Grand Paysage d'Alexis Droeven -- 1981 film
Wikipedia - Le Message -- Short story by HonorM-CM-) de Balzac
Wikipedia - Lendon Gray -- American dressage champion and author
Wikipedia - Leonardo Tiozzo -- Italian dressage rider
Wikipedia - Le Passage, Isere -- Commune in Auvergne-Rhone-Alpes, France
Wikipedia - Le Sage's theory of gravitation
Wikipedia - Letter (message) -- Written message from one to another
Wikipedia - Lillann Jebsen -- Norwegian dressage rider
Wikipedia - Linux Counter -- Web service of statistics about usage and spread of Linux
Wikipedia - Lisbeth Seierskilde -- Danish dressage rider
Wikipedia - List of aircraft by date and usage category -- Wikipedia list article
Wikipedia - List of backmasked messages -- Wikipedia list article
Wikipedia - List of Bluetooth profiles -- Standardized usage of Bluetooth short-range radio communications
Wikipedia - List of compositions by AndrM-CM-) Messager -- Wikipedia list article
Wikipedia - List of countries by mobile banking usage -- Wikipedia list article
Wikipedia - List of countries by rail usage -- Wikipedia list article
Wikipedia - List of English words with disputed usage -- Wikipedia list article
Wikipedia - List of interstellar radio messages
Wikipedia - List of nontraditional bagpipe usage -- Wikipedia list article
Wikipedia - List of people known as Sage -- Wikimedia list article
Wikipedia - List of sausage dishes -- Wikipedia list article
Wikipedia - List of sausages -- Wikipedia list article
Wikipedia - List of SCSI message codes -- Wikipedia list article
Wikipedia - List of U.S. states by Alford plea usage -- Wikimedia list article
Wikipedia - Litta Soheila Sohi -- Iranian dressage rider
Wikipedia - Local usage details -- Detailed record of local telephone calls made and received
Wikipedia - Lorne sausage -- Traditional Scottish food usually made from minced meat, rusk and spices
Wikipedia - Lp0 on fire -- Old printer error message in some operating systems
Wikipedia - Lucy Gossage -- British triathlete
Wikipedia - Lyder Sagen -- Norwegian educator and author
Wikipedia - Maeshowe -- Neolithic chambered cairn and passage grave situated on Mainland Orkney, Scotland
Wikipedia - Maksim Kovshov -- Ukrainian dressage rider
Wikipedia - Man-in-the-middle attack -- Form of message tampering
Wikipedia - Manitou Passage -- Navigable Lake Michigan waterway
Wikipedia - Manuel Veiga (rider) -- Portuguese dressage rider
Wikipedia - Manufacturing Message Specification
Wikipedia - Marc Boblet -- French dressage rider
Wikipedia - Marcela Krinke-Susmelj -- Swiss dressage rider
Wikipedia - Maree Tomkinson -- Australian dressage rider
Wikipedia - Margaritaville Lake Resort -- Resort near Osage Beach, Missouri
Wikipedia - Maria Angelica Ayala -- Filipina dressage rider
Wikipedia - Maria Caetano -- Portuguese dressage rider
Wikipedia - Maria InM-CM-)s Garcia -- Colombian dressage rider
Wikipedia - Marina Aframeeva -- Russian Olympic dressage rider
Wikipedia - Marion Sage -- South African figure skater
Wikipedia - Marius Curteanu -- Romanian dressage rider and trainer
Wikipedia - Markandeya -- Sage in Hindu scriptures
Wikipedia - Mar son of Ravina -- 3rd century talmudic sage
Wikipedia - Martha Del Valle -- Mexican dressage rider
Wikipedia - Massage parlor -- Business offering the services of masseuses/masseurs
Wikipedia - Massage Parlours Act 1978 -- Act of Parliament in New Zealand
Wikipedia - Massage Practitioner -- 1922 film
Wikipedia - Massage -- mechanical manipulation of skin, connective tissue, and muscles through stretching and pressure stimulus
Wikipedia - Matthias Alexander Rath -- German dressage rider
Wikipedia - Maxwell Street Polish -- Sausage from Chicago
Wikipedia - Maze -- Puzzle game in the form of a complex branching passage
Wikipedia - MD5 -- Message-digest hashing algorithm
Wikipedia - M-DM-^@dityas -- Offspring of the goddess Aditi and her husband the sage Kashyapa
Wikipedia - Megan Lane -- Canadian dressage rider
Wikipedia - Melanie Hofmann -- Swiss dressage rider
Wikipedia - Melanie's Marvelous Measles -- Book with dangerous message that contracting the measles is beneficial.
Wikipedia - M-EM-;aneta Skowronska -- Polish dressage rider
Wikipedia - Sruti -- Authoritative scripture of Hinduism, created by Rishis (sages), after inspired creativity
Wikipedia - Menahem the Essene -- Jewish Tanna sage living during the era of the Zugot
Wikipedia - Mentheae -- Tribe of flowering plants in the sage family Lamiaceae
Wikipedia - Merete Riisager -- Danish politician
Wikipedia - Message authentication code
Wikipedia - Message authentication
Wikipedia - Message (computer science)
Wikipedia - Message digest
Wikipedia - Message from space (science fiction)
Wikipedia - Message from Turnberry -- Diplomatic message from the North Atlantic Council
Wikipedia - Message in a Bottle (film) -- 1999 American romantic drama Warner Bros. film directed by Luis Mandoki
Wikipedia - Message in a bottle -- A form of communication in which a written message sealed in a container is released into the conveyance medium
Wikipedia - Message in the Music -- 1976 album by The O'Jays
Wikipedia - MessageMe -- Instant messaging software
Wikipedia - Message-oriented middleware
Wikipedia - MessagePack
Wikipedia - MessagePad -- Personal digital assistant made by Apple in 1993
Wikipedia - Message passing in computer clusters
Wikipedia - Message Passing Interface -- Message-passing system for parallel computers
Wikipedia - Message passing
Wikipedia - Message-passing
Wikipedia - Message picture
Wikipedia - Message precedence -- Indicator attached to telegraph message indicating its level of urgency
Wikipedia - Message queue
Wikipedia - Message queuing
Wikipedia - Messages (album) -- 1974 album by Steve Swindells
Wikipedia - Messages (Apple) -- Instant messaging software applications
Wikipedia - Message Sequence Chart
Wikipedia - Messages from the Sea -- 2010 film
Wikipedia - Messages (Google)
Wikipedia - Message switching
Wikipedia - Message to Love -- 1997 film by Murray Lerner
Wikipedia - Message to Myself -- 2007 single by Melissa Etheridge
Wikipedia - Message transfer agent
Wikipedia - Message -- Discrete unit of communication intended by the source for consumption by some recipient or group of recipients
Wikipedia - Michael Eilberg -- British dressage rider
Wikipedia - Michal Rapcewicz -- Polish dressage rider
Wikipedia - Michelle Visage -- American singer, radio DJ, and media personality
Wikipedia - Microsoft Message Queuing
Wikipedia - Middle Passage (novel) -- 1990 novel by Charles Johnson
Wikipedia - Middle Passage -- Transoceanic segment of the Atlantic slave trade
Wikipedia - Mikala Munter -- Danish dressage rider
Wikipedia - Mind of a Toy -- 1981 single by Visage
Wikipedia - Minimum message length -- Formal information theory restatement of Occam's Razor
Wikipedia - Minkowski sausage -- Fractal first proposed by Hermann Minkowski
Wikipedia - Misfit stream -- a river too large or too small to have eroded the valley or cave passage in which it flows
Wikipedia - Mobile computing -- Human-computer interaction in which a computer is expected to be transported during normal usage
Wikipedia - Modified-release dosage -- Mechanism that delivers a drug with a delay after its administration
Wikipedia - Mona Passage -- Strait that connects the Atlantic Ocean and Caribbean Sea
Wikipedia - Monardella -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Moore Island (Boat Passage) -- Uninhabited island in the Qikiqtaaluk Region, Nunavut, Canada
Wikipedia - Moore Island (Intrepid Passage) -- Uninhabited island in the Qikiqtaaluk Region, Nunavut, Canada
Wikipedia - Moral -- Message that is conveyed or lesson to be learned from a story or event
Wikipedia - Morse Message (1962) -- Radio message broadcast to Venus in 1962
Wikipedia - Mortadella -- Large Italian (pork) sausage
Wikipedia - Moussages -- Commune in Auvergne-Rhone-Alpes, France
Wikipedia - MT940 -- Message format used by the SWIFT network
Wikipedia - Muhammad's letters to the heads of state -- Messages to rulers of the world, inviting them to Islam
Wikipedia - Multimedia Messaging Service -- Standard way to send messages
Wikipedia - Muni (Saint) -- Ancient Indian sages and hermits or ancient Indian ascetics
Wikipedia - Mustard (condiment) -- Usage of mustard condiment in foods
Wikipedia - Nanna Skodborg Merrald -- Danish dressage rider
Wikipedia - Naomi Sager -- Computational linguistics expert
Wikipedia - Narada -- Sage in Hindu mythology
Wikipedia - Narrows -- A restricted land or water passage
Wikipedia - Nasal concha -- Piece of bone in the breathing passage of humans and other animals
Wikipedia - Nasal irrigation -- Personal hygiene practice for rinsing out nasal passages
Wikipedia - Nasal meatus -- Nasal passage of the nasal cavity
Wikipedia - Nasal voice -- Speaking voice affected by nasal passages
Wikipedia - National Holistic Institute -- Private, for-profit college of massage therapy in Emeryville, California, US
Wikipedia - Navigability -- Capacity of a body of water to allow the passage of vessels at a given time
Wikipedia - Nepetoideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Neurocriminology -- Usage of neuroscience in criminology
Wikipedia - New Passage -- Hamlet in South Gloucestershire, England
Wikipedia - New Riders of the Purple Sage -- American country rock band
Wikipedia - Newsagent's shop -- Shop or person selling newspapers and magazines
Wikipedia - Nicolas Wagner -- Luxembourg dressage rider
Wikipedia - Nicole Smith -- South African dressage rider
Wikipedia - Night Passage (film) -- 1957 film by James Neilson
Wikipedia - Non-malleable code -- Codes with the property that slight modifications of messages are difficult to make
Wikipedia - Northwest Passage (film) -- 1940 film
Wikipedia - Northwest Passage -- the Sea route north of North America
Wikipedia - Oberto Sausage Company -- American food company
Wikipedia - Odile Lesage -- French heptathlete
Wikipedia - Official bilingualism in Canada -- Policy that the English and French languages have equal status and usage in Canadian government
Wikipedia - Olof Sager-Nelson -- Swedish painter
Wikipedia - One Way Passage -- 1932 film
Wikipedia - Open MPI -- Message Passing Interface software library
Wikipedia - Open-source software -- Software licensed to ensure source code usage rights
Wikipedia - Operation Passage to Freedom -- United States-facilitated transport of people from North Vietnam to South Vietnam between 1954-1955
Wikipedia - Orphan of the Sage -- 1928 film
Wikipedia - Osage Battalion -- Native American infantry unit of the Confederate States Army
Wikipedia - Osage language -- Siouan language
Wikipedia - Osage, Minnesota -- Unincorporated community in Minnesota, US
Wikipedia - Ouroboros: Seasons of Life-Women's Passages -- Neopagan oratorio by Kay Gardner
Wikipedia - Oviduct -- Passageway from the ovaries in vertebrates other than mammals
Wikipedia - Papazov Passage -- Antarctic strait
Wikipedia - Pas d'armes -- The pas d'armes or passage of arms was a type of chivalric hastilude that evolved in the late 14th century and remained popular through the 15th century
Wikipedia - Pas de la Bergere -- Passage of arms organized in 1449 in France
Wikipedia - Passage fee
Wikipedia - Passage from Hong Kong -- 1941 film
Wikipedia - Passage grave -- Type of megalithic tomb
Wikipedia - Passage Home -- 1955 film
Wikipedia - Passage Island (Michigan) -- Island in Lake Superior, United States
Wikipedia - Passage of Curupayty (1867) -- Part of the Paraguayan War
Wikipedia - Passage of Martin Luther King Jr. Day -- Political process behind the American holiday
Wikipedia - Passage Peak -- Mountain summit in Alaska
Wikipedia - Passages couverts de Paris
Wikipedia - Passages (film) -- 2004 film
Wikipedia - Passage tombs in Ireland -- Megalithic monument category
Wikipedia - Passage (video game)
Wikipedia - PC LOAD LETTER -- Printer error message
Wikipedia - Perfusion -- Passage of fluid through the circulatory or lymphatic system to an organ or tissue
Wikipedia - Periphrasis -- The usage of multiple separate words to carry the meaning of prefixes, suffixes or verbs
Wikipedia - Personalized marketing -- Marketing strategy using data analysis to deliver individualized messages and products
Wikipedia - Phlegm -- Mucus produced by the respiratory system (excluding the nasal passages)
Wikipedia - Phlomis bourgaei -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Phlomis chrysophylla -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Phlomis fruticosa -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Phlomis -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Phlomoides -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Pigs in a blanket -- Variety of different sausage-based dishes
Wikipedia - Pinkel -- Type of sausage
Wikipedia - PowWow (chat program) -- Internet instant message and chat program
Wikipedia - Promiscuous mode -- Network interface controller mode that eavesdrops on messages intended for others
Wikipedia - Prophecy -- Message that is claimed by a prophet to have been communicated to them by a deity
Wikipedia - Prophets and messengers in Islam -- Individuals who Muslims believe were sent by Allah to various villages and towns in order to serve as examples of ideal human behavior and to spread God's message on Earth
Wikipedia - Prostantheroideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Prostate massage -- Massage of the prostate gland via the rectum or perineum
Wikipedia - Prunella (plant) -- Genus of flowering plants in the sage and mint family Lamiaceae
Wikipedia - Psychotropica -- 2009 film by Damien Sage
Wikipedia - Public service announcement -- A message in the public interest communicated widely
Wikipedia - Pulaha (sage)
Wikipedia - Pum-Nahara Academy -- Ewish Yeshiva academy in Babylon, during the era of the Jewish Amora sages
Wikipedia - Qazi -- Horsemeat sausages
Wikipedia - QN Signals -- A Morse code operating signal for Amateur radio messages
Wikipedia - QuM-CM-)bec City Jean Lesage International Airport -- International airport in Sainte-Foy, Quebec, Canada
Wikipedia - Quotation marks in English -- Usage of punctuation
Wikipedia - Rabbi Akiva -- Jewish scholar and sage
Wikipedia - RabbitMQ -- Open source message broker, sometimes referred to as "Rabbit"
Wikipedia - Rachael Sage -- American singer-songwriter
Wikipedia - Ramana Maharshi -- Indian Sage
Wikipedia - Randy Sageman -- Canadian diver
Wikipedia - Raymond Lesage -- French racewalker
Wikipedia - Regensburg Sausage Kitchen -- Restaurant in Regensburg, Germany
Wikipedia - Renate Voglsang -- Austrian dressage rider
Wikipedia - Renegades of the Sage -- 1949 film by Ray Nazarro
Wikipedia - Repoussage
Wikipedia - Reverse speech -- Pseudoscientific claim of subconscious hidden messages
Wikipedia - Richard Davison (equestrian) -- Olympic dressage rider
Wikipedia - Riders of the Purple Sage (1918 film) -- 1918 film by Frank Lloyd
Wikipedia - Riders of the Purple Sage (1925 film) -- 1925 film
Wikipedia - Riders of the Purple Sage (1931 film) -- 1931 film
Wikipedia - Riders of the Purple Sage (1941 film) -- 1941 film by James Tinling
Wikipedia - Riders of the Purple Sage (1996 film) -- 1996 television film
Wikipedia - Ringtone -- Sound made by a telephone to indicate an incoming call or text message
Wikipedia - Rishabha (hindu sage)
Wikipedia - Rite of passage -- Ceremony or ritual of the passage which occurs when an individual leaves one group to enter another
Wikipedia - Rites of Passage (1999 film) -- 1999 film by Victor Salva
Wikipedia - Roberta Foster -- Barbadian dressage rider
Wikipedia - Robin Sage -- Fictional American information technology specialist
Wikipedia - Robocall -- Phone call delivering pre-recorded message
Wikipedia - Royal Christmas Message -- Christmas Broadcast made by the Sovereign of the Commonwealth realms to the Commonwealth
Wikipedia - Rudiger Sagel -- German politician
Wikipedia - Rumspringa -- Rite of passage used by some Amish and Mennonite communities
Wikipedia - Russell Sage College
Wikipedia - Russell Sage Foundation
Wikipedia - Ruth Sager -- American geneticist
Wikipedia - Saddles and Sagebrush -- 1943 film by William Berke
Wikipedia - Safe (Sage song) -- 2018 song by Sage
Wikipedia - Sage 300
Wikipedia - SAGE air defense system
Wikipedia - Sagebach -- River in Germany
Wikipedia - Sage Bank -- Defunct bank
Wikipedia - Sage Brocklebank -- Canadian actor
Wikipedia - Sagebrush and Silver -- 1941 film
Wikipedia - Sagebrush Heroes -- 1945 film by Benjamin H. Kline
Wikipedia - Sagebrush Politics -- 1930 film by Denver Dixon
Wikipedia - Sagebrush Ranch -- Legal brothel in Mound House, Nevada
Wikipedia - Sagebrush steppe -- Grassland ecosystem
Wikipedia - Sagebrush Trail -- 1933 film
Wikipedia - Sagebrush vole -- Species of mammal
Wikipedia - Sagebrush
Wikipedia - Sage Chapel -- Non-denominational chapel on the campus of Cornell University in Ithaca, NY, US
Wikipedia - Sage College
Wikipedia - Sage (comics)
Wikipedia - Sage Dixon -- American politician from Idaho
Wikipedia - SAGE Electrochromics -- Company based in Minnesota, U.S.
Wikipedia - Sage Elsesser -- American skateboarder, musician and model
Wikipedia - Sage Erickson -- American professional surfer
Wikipedia - Sage Fox -- US Army Veteran
Wikipedia - Sage Francis -- American rapper
Wikipedia - SAGE (game engine)
Wikipedia - Sage Group
Wikipedia - Sage Ja! -- 2000 single by Unheilig
Wikipedia - SAGE Journals
Wikipedia - Sage Kambhoja
Wikipedia - Sage Kambu Swayambhuva
Wikipedia - SageMath
Wikipedia - Sagem myX-2 -- Telephone
Wikipedia - Sagemont, Houston
Wikipedia - Sage (Mozilla Firefox extension)
Wikipedia - Sagenopteris trapialensis -- Extinct species of seed ferns
Wikipedia - Sage (philosophy) -- Someone who has attained wisdom
Wikipedia - SAGE Project
Wikipedia - SAGE Publications
Wikipedia - Sage Publications
Wikipedia - SAGE Publishing
Wikipedia - Sageraea laurifolia -- Species of plant
Wikipedia - Sageretia brandrethiana -- Species of plant
Wikipedia - Sage Sharp
Wikipedia - Sage (Sophos)
Wikipedia - Sage Steele -- American sports announcer
Wikipedia - Sage Watson -- Canadian athlete
Wikipedia - Sage Weil
Wikipedia - Sageworks -- Private financial information company headquartered in Raleigh, North Carolina
Wikipedia - Sage writing
Wikipedia - Sage X3
Wikipedia - Saint-Usage, Aube -- Commune in Grand Est, France
Wikipedia - Salami -- Cured sausage, fermented and air-dried meat
Wikipedia - Salvia hispanica -- Species of flowering plant in the mint and sage family Lamiaceae
Wikipedia - Sand Springs, Oklahoma -- City in Osage, Creek, and Tulsa counties, Oklahoma, United States
Wikipedia - Sanskara (rite of passage) -- Rites of passage described in ancient Sanskrit texts
Wikipedia - Sars Bank -- Bank in the Drake Passage
Wikipedia - Sausage casing -- Material used in sausage-making
Wikipedia - Sausage making -- Sausage production processes
Wikipedia - Sausage Party -- 2016 3D adult animated film
Wikipedia - Sausage roll -- savoury pastry snack
Wikipedia - Sausage sandwich -- sandwich containing cooked sausage
Wikipedia - Sausage -- Meat product
Wikipedia - Scare quotes -- Quotation marks used to indicate non-standard usage
Wikipedia - Schublig -- Type of Swiss smoked sausage
Wikipedia - Scutellaria galericulata -- Species of flowering plant in the mint and sage family Lamiaceae
Wikipedia - Scutellarioideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Secret (app) -- Anonymous message sharing app
Wikipedia - Seldom Seen -- American dressage horse
Wikipedia - Sender-Message-Channel-Receiver Model of Communication -- Mathematical model of communication
Wikipedia - Sergey Buikevich -- Kazakhstani dressage and endurance rider
Wikipedia - Serial passage -- Growing bateria or viruses in iterations
Wikipedia - Server Message Block
Wikipedia - Server message block
Wikipedia - Seven Sages of Greece
Wikipedia - Seven Sages of the Bamboo Grove
Wikipedia - Sexting -- Act of sending sexually explicit text messages between mobile phones
Wikipedia - Shackleton Fracture Zone -- An undersea fracture zone and fault in the Drake Passage between the Scotia and Antarctic Plates
Wikipedia - Shadows on the Sage -- 1942 film
Wikipedia - Shandilya (Rishi) -- Ancient Indian sage
Wikipedia - Sheriff of Sage Valley -- 1942 film by Sam Newfield
Wikipedia - Shmaya (tanna) -- Rabbinic sage
Wikipedia - Short code -- short digit sequences used to address SMS messages
Wikipedia - Short Message Peer-to-Peer
Wikipedia - Sierra Passage -- 1950 film
Wikipedia - Signage -- Design or use of signs and symbols to communicate a message
Wikipedia - Silver on the Sage -- 1939 film by Lesley Selander
Wikipedia - Simple Symmetric Transport Protocol -- Protocol for delivering messages between clients and servers
Wikipedia - Sivagyana Munivar -- Indian sage
Wikipedia - Sjef Janssen -- Dutch dressage trainer
Wikipedia - Slang -- Language (words, phrases, and usages) used by particular in-groups
Wikipedia - Smart meter -- Online recorder of utility usage
Wikipedia - SMS gateway -- |SMS or MMS gateway allows a computer to send or receive text messages (Short Message Service or Multimedia Messaging Service) to or from a telecommunications network
Wikipedia - Social media and psychology -- Interaction between usage of social media and psychology of social media users
Wikipedia - Solar power in India -- Article about solar power implementation and usage in India
Wikipedia - Spamming -- Unsolicited electronic messages, especially advertisements
Wikipedia - Spargapises -- Massagetae general and son of the Massagetae queen Tomyris
Wikipedia - Sphincter -- Circular muscle that normally maintains constriction of a natural body passage or orifice
Wikipedia - Sremska kobasica -- Serbian sausage
Wikipedia - Stachys -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Standard language -- Language variety with substantially codified usage and often attributed to professional/public contexts
Wikipedia - Stardust on the Sage -- 1942 film by Betty Burbridge
Wikipedia - Station usage in County Durham -- Wikipedia list article
Wikipedia - Station usage in Northumberland -- Wikipedia list article
Wikipedia - Station usage in North Yorkshire -- Wikipedia list article
Wikipedia - Station usage in Tyne and Wear -- Wikipedia list article
Wikipedia - Status message
Wikipedia - Steganography -- Hiding messages in other messages
Wikipedia - Stella Hagelstam -- Finnish dressage rider
Wikipedia - Stile -- Structure which provides people a passage through or over a fence or boundary
Wikipedia - StM-CM-)phane Sageder -- French weightlifter
Wikipedia - Stornoway black pudding -- Esteemed blood sausage from the Western Isles, Scotland
Wikipedia - Subliminal message
Wikipedia - Sujuk -- Sausage of origins
Wikipedia - Sump (cave) -- A passage in a cave that is submerged under water
Wikipedia - Sundae (sausage) -- Korean blood sausage
Wikipedia - Survey of English Usage
Wikipedia - Susanne Slotsager -- Danish female curler
Wikipedia - Symphorematoideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Tannaim -- Rabbinic sages whose views are recorded in the Mishnah, from approximately 10-220 CE
Wikipedia - Tanya Seymour -- South African dressage rider
Wikipedia - Tanzil -- Descent of God's message from heaven to earth where it was revealed to Muhammad
Wikipedia - Tatiana Dorofeeva (equestrian) -- Russian dressage rider
Wikipedia - Teen Age Message
Wikipedia - Telecommunications engineering -- Engineering science that deals with the recording, transmission, processing and storage of messages
Wikipedia - Telegraph key -- Electrical switch used to transmit text messages in Morse code
Wikipedia - Teleprinter -- Device for transmitting messages in written form by electrical signals
Wikipedia - Template talk:Hidden messages
Wikipedia - Template talk:Interstellar messages
Wikipedia - Temple of Confucius -- A temple for the veneration of Confucius and the sages and philosophers of Confucianism in Chinese folk religion and other East Asian religions
Wikipedia - Tetradenia riparia -- Species of flowering plant in the mint and sage family Lamiaceae
Wikipedia - Text message
Wikipedia - Text messaging -- Act of typing and sending a brief, digital message
Wikipedia - Text-to-9-1-1 -- Technology that enables 9-1-1 dispatchers to receive text messages
Wikipedia - The Abode of the Message
Wikipedia - The Book of the Sage and Disciple
Wikipedia - The CosmonautM-bM-^@M-^Ys Last Message to the Woman He Once Loved in the Former Soviet Union -- 1999 play by David Greig
Wikipedia - The Daily Stormer -- American neo-Nazi, white supremacist, and Holocaust denial commentary and message board website
Wikipedia - The Goddess of Sagebrush Gulch -- 1912 film
Wikipedia - The Great Passage (TV series) -- Television anime
Wikipedia - The Hidden Messages in Water
Wikipedia - The Measure of Your Passage -- 1992 Canadian documentary film
Wikipedia - The medium is the message -- Communication theory phrase
Wikipedia - The Message (Bible) -- Idiomatic translation of the original languages of the Bible
Wikipedia - The Message (Cymande song) -- song written by Patrick Patterson and Steve Scipio
Wikipedia - The Message (Grandmaster Flash and the Furious Five song) -- Single by Grandmaster Flash and the Furious Five featuring Melle Mel and Duke Bootee
Wikipedia - The Message of the Mouse -- 1917 film directed by J. Stuart Blackton
Wikipedia - The Message of the Sphinx -- Book by Graham Hancock
Wikipedia - The Message to the Planet -- Novel by Iris Murdoch
Wikipedia - The Middle Passage (book) -- 1962 book by V. S. Naipaul
Wikipedia - The Midnight Message -- 1926 film by Paul Hurst
Wikipedia - The Night Message -- 1924 film
Wikipedia - The Passage of the Delaware -- Painting by Thomas Sully
Wikipedia - The Passage (TV series) -- 2019 American thriller television series
Wikipedia - The Prayer of Azariah and Song of the Three Holy Children -- Passage that appears after Daniel 3:23 in the Septuagint, but not in the Masoretic
Wikipedia - The Sagebrusher -- 1920 film by Edward Sloman
Wikipedia - The Sagebrush Troubadour -- 1935 film by Joseph Kane
Wikipedia - The Sage Colleges -- Private educational institution in New York state, United States
Wikipedia - The Sage Hen -- 1921 film directed by Edgar Lewis
Wikipedia - The Sausage-Maker Who Disappeared -- 1941 film by Toralf Sando
Wikipedia - The Vital Message
Wikipedia - The Zenith Passage -- American band
Wikipedia - Thomas Alsager -- English journalist
Wikipedia - Three Angels' Messages
Wikipedia - Time Passages
Wikipedia - Tina Irwin -- Canadian dressage rider and coach
Wikipedia - Tobacco packaging warning messages
Wikipedia - Toll road -- Roadway for which a fee (or toll) is assessed for passage
Wikipedia - Tomiris (film) -- Historical film about Massagetae queen Tomyris
Wikipedia - Tomyris -- 6th-century BC queen of the Massagetae
Wikipedia - Torah reading -- A Jewish religious tradition that involves the public reading of a set of passages from a Torah scroll
Wikipedia - Totilas -- Dressage horse
Wikipedia - Toynbee tiles -- Messages of unknown origin found embedded in asphalt of streets
Wikipedia - Traffic analysis -- Process of intercepting and examining messages
Wikipedia - Traffic message channel -- Technology for delivering traffic and travel information to motor vehicle drivers
Wikipedia - Transcreation -- Process of creatively adapting a message from one language to another
Wikipedia - Trude Hestengen -- Norwegian dressage rider
Wikipedia - Tsageri
Wikipedia - Tunnel -- An underground passage made for traffic
Wikipedia - Underwater acoustic communication -- Wireless technique of sending and receiving messages through water.
Wikipedia - Unlicense -- Public domain-like license with a focus on an anti-copyright message
Wikipedia - Upanayana -- Hindu rite of passage that marks a student's acceptance by a guru
Wikipedia - Usage-based linguistics
Wikipedia - Usage-based models of language
Wikipedia - Usage-centered design
Wikipedia - Usage data -- Data about the usage of a website
Wikipedia - Usage (language)
Wikipedia - Usage of electronic cigarettes -- Overview about the usage of electronic cigarettes
Wikipedia - Usage share of BitTorrent clients
Wikipedia - Usage share of operating systems
Wikipedia - Usage share of web browsers -- Relative market adoption of web browsers
Wikipedia - Usage
Wikipedia - User talk:Spasage
Wikipedia - Utilization behavior -- Neurobehavioral disorder involving irresistible usage of objects in view
Wikipedia - Variable-message sign -- Electronic traffic sign with changeable messages
Wikipedia - Vasari Corridor -- Elevated enclosed passageway in Florence, Italy
Wikipedia - Vasishtha -- Ancient Hindu sage
Wikipedia - Vegetarian sausage
Wikipedia - Verney Passage -- Channel in the North Coast of British Columbia
Wikipedia - Veronique Henschen -- Luxembourgian dressage rider
Wikipedia - Vexillology -- Study of the history, symbolism and usage of flags
Wikipedia - Vic (film) -- 2006 short film by Sage Stallone
Wikipedia - Victoria Max-Theurer -- Austrian dressage rider
Wikipedia - Viral messages
Wikipedia - Visage SDK
Wikipedia - Visage (video game) -- Survival horror video game
Wikipedia - Vishvamitra -- Ancient Hindu sage
Wikipedia - Vitamin C megadosage -- Consumption or injection of very large doses of vitamin C
Wikipedia - Vitex agnus-castus -- Species of flowering plants in the sage family Lamiaceae
Wikipedia - Vitex -- Genus of flowering plants in the sage family Lamiaceae
Wikipedia - Viticoideae -- Subfamily of flowering plants in the sage family Lamiaceae
Wikipedia - Vomitorium -- A passage in a theatre allowing crowds to exit
Wikipedia - Vyasa (title) -- Title given to the sage or Rishi who divides the Hindu holy scripture Vedas in every Dvapara Yuga of every Yuga cycle
Wikipedia - Vyasa -- Sage in ancient India
Wikipedia - Walnut Grove School (Osage, Iowa) -- Historic one-room schoolhouse in Iowa
Wikipedia - Warped Passages -- Book by Lisa Randall
Wikipedia - Water usage effectiveness -- Sustainability metric
Wikipedia - Wave base -- The maximum depth at which a water wave's passage causes significant water motion
Wikipedia - Weaponry in Anglo-Saxon England -- Types and usage of weaponry in Anglo-Saxon England
Wikipedia - Web tracking -- Collection of information regarding user usage by websites.
Wikipedia - Web usage mining
Wikipedia - Westward Passage -- 1932 film by Robert Milton
Wikipedia - Whispering Sage -- 1927 film
Wikipedia - Wiener sausage
Wikipedia - Wikipedia:Manual of Style/Icons -- Usage guidelines for icons in Wikipedia articles
Wikipedia - Wikipedia:Template index/User talk namespace -- List of template messages for user talk pages
Wikipedia - William Sage Rapson
Wikipedia - Window -- Opening in a wall, door, roof or vehicle that allows the passage of light and may also allow the passage of sound and sometimes air
Wikipedia - Windward Passage -- Strait in the Caribbean Sea, between the islands of Cuba and Hispaniola
Wikipedia - Word usage
Wikipedia - Xavier Lesage -- French equestrian
Wikipedia - XMPP -- Communications protocol for message-oriented middleware
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Bob Saget ::: Born: May 17, 1956; Occupation: Comedian;
Angie Sage ::: Born: June 19, 1952; Occupation: Author;
Alain-Rene Lesage ::: Born: May 6, 1668; Died: November 17, 1747; Occupation: Novelist;
Howard Gossage ::: Born: 1917; Died: 1969;
Sage Francis ::: Born: November 18, 1976; Occupation: Hip-hop artist;
John Gossage ::: Born: 1946; Occupation: Photographer;
Michelle Visage ::: Born: September 20, 1968; Occupation: Singer;
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https://familypedia.wikia.org/wiki/User_blog:Greatwakering19081939/Message_for_Bennie.#WikiaArticleComments
https://github.com/Wikia/MessageCachePerformance
https://greekmythology.wikia.org/wiki/File:800px-Apollo_Musagetes_Pio-Clementino_Inv310.jpg
https://lanormejuridique.wikia.org/wiki/La_norme_juridique:Lignes_de_Messagerie
https://military.wikia.org/wiki/Ali_Khamenei#Amman_Message
https://military.wikia.org/wiki/File:Message-editor_1517881053068-f-15a_louisiana_ang_launching_aim-120_2002.jpeg.jpg
https://military.wikia.org/wiki/Message_Wall:Coldstreamer
https://military.wikia.org/wiki/Message_Wall:CR_-87_3140_FBE
https://military.wikia.org/wiki/Message_Wall:HuangZungHuangZung
https://military.wikia.org/wiki/Message_Wall:J_1982
https://military.wikia.org/wiki/Message_Wall:King_Fondren_Bai_ll
https://military.wikia.org/wiki/Message_Wall:Lieutenant_H
https://military.wikia.org/wiki/Message_Wall:Mr_Taz
https://military.wikia.org/wiki/Message_Wall:Reguyla
https://military.wikia.org/wiki/Message_Wall:Tomvenam
https://religion.wikia.org/wiki/Anointing#Christian_sacramental_usage
https://religion.wikia.org/wiki/Anointing#Early_Christian_usage
https://religion.wikia.org/wiki/Anointing#Orthodox_usage
https://religion.wikia.org/wiki/Anointing#Roman_Catholic_usage
https://religion.wikia.org/wiki/Antinomianism#Pauline_passages_opposing_antinomianism
https://religion.wikia.org/wiki/Antinomianism#Pauline_passages_supporting_antinomianism
https://religion.wikia.org/wiki/Apocrypha#Majority_Christian_usage
https://religion.wikia.org/wiki/Arete#Examples_of_usage
https://religion.wikia.org/wiki/Atheism#Other_usage_of_the_term_.22Positive_Atheism.22
https://religion.wikia.org/wiki/Ayahuasca#Usage
https://religion.wikia.org/wiki/Biblical_law_in_Christianity#Law-related_passages_with_disputed_interpretation
https://religion.wikia.org/wiki/Brahmacharya#Usage
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Usage
https://religion.wikia.org/wiki/Calea_zacatechichi#Preparation_and_dosage
https://religion.wikia.org/wiki/Canonical_hours#Anglican_usage
https://religion.wikia.org/wiki/Canonical_hours#Armenian_Usage
https://religion.wikia.org/wiki/Canonical_hours#Coptic_Usage
https://religion.wikia.org/wiki/Canonical_hours#Eastern_Orthodox_and_Greek-Catholic_usage
https://religion.wikia.org/wiki/Canonical_hours#Oriental_Orthodox_Usage
https://religion.wikia.org/wiki/Canonical_hours#Reformed_and_Lutheran_usage
https://religion.wikia.org/wiki/Canonical_hours#Syrian_Usage
https://religion.wikia.org/wiki/Category:Message_of_Gurbani
https://religion.wikia.org/wiki/Category:Rites_of_passage
https://religion.wikia.org/wiki/Christ#Slang_usage
https://religion.wikia.org/wiki/Cilice#Usage
https://religion.wikia.org/wiki/Clairvoyance#Usage
https://religion.wikia.org/wiki/Confiteor#Usage_in_Lutheranism
https://religion.wikia.org/wiki/Crusades#Etymology_and_usage
https://religion.wikia.org/wiki/Deacon#Scots_usage
https://religion.wikia.org/wiki/Eschatology#Biblical_passages_on_life_after_death
https://religion.wikia.org/wiki/Eternal_sin#Biblical_passages
https://religion.wikia.org/wiki/Fenghuang#Modern_usage
https://religion.wikia.org/wiki/File:Skirnir%27s_message_to_Gerd.jpg
https://religion.wikia.org/wiki/Gandaberunda#Usage
https://religion.wikia.org/wiki/Guardian_angel#Literary_usage
https://religion.wikia.org/wiki/Hadith#Definition_and_usage
https://religion.wikia.org/wiki/Historical_reliability_of_the_Acts_of_the_Apostles#Problematic_passages
https://religion.wikia.org/wiki/Hosanna#Other_examples_of_modern_usage
https://religion.wikia.org/wiki/Hyoscyamus_niger#Toxicity_and_historical_usage
https://religion.wikia.org/wiki/Jehovah#Usage_in_English
https://religion.wikia.org/wiki/Judeo-Christian#Usage_in_the_US
https://religion.wikia.org/wiki/Koran_Litary_Usage
https://religion.wikia.org/wiki/Lavabo#Ecclesiastical_usage
https://religion.wikia.org/wiki/Lavabo#Secular_usage
https://religion.wikia.org/wiki/Mescaline#History_and_usage
https://religion.wikia.org/wiki/Message_of_Guru_Granth_Sahib
https://religion.wikia.org/wiki/Message_of_sukhmani
https://religion.wikia.org/wiki/Message_to_the_Hajj_Pilgrims
https://religion.wikia.org/wiki/Mindstream#The_mindstream_as_experiential_phenomenon:_usage_and_application_in_sadhana
https://religion.wikia.org/wiki/Nazarene_(sect)#Modern_Hebrew_usage
https://religion.wikia.org/wiki/Nephite#Various_usages
https://religion.wikia.org/wiki/New_Testament#The_history_of_translation_and_usage_of_the_term_New_Testament
https://religion.wikia.org/wiki/Passage_of_the_Red_Sea
https://religion.wikia.org/wiki/Paten#Byzantine-Rite_Usage
https://religion.wikia.org/wiki/Piscina#Usage
https://religion.wikia.org/wiki/Psalms#Protestant_usage
https://religion.wikia.org/wiki/Psilocybin_mushrooms#Dosage_and_legality
https://religion.wikia.org/wiki/Pyx#Usage
https://religion.wikia.org/wiki/Qur'an#Literary_usage
https://religion.wikia.org/wiki/Responsorial_Psalm#Roman_Catholic_usage
https://religion.wikia.org/wiki/Rite_of_passage
https://religion.wikia.org/wiki/Russell's_teapot#Contemporary_usage
https://religion.wikia.org/wiki/Sola_fide#Passages_used_to_argue_against_sola_fide
https://religion.wikia.org/wiki/Sola_fide#Passages_used_to_defend_sola_fide
https://religion.wikia.org/wiki/Son#The_ministry_and_message_of_Jesus
https://religion.wikia.org/wiki/Spirit#Metaphorical_usage
https://religion.wikia.org/wiki/Synaxarium#Byzantine_Usage
https://religion.wikia.org/wiki/The_Day_of_the_Lord#New_Testament_usage
https://religion.wikia.org/wiki/The_Day_of_the_Lord#Old_Testament_usage
https://religion.wikia.org/wiki/The_Guru's_Message
https://religion.wikia.org/wiki/Thurible#Eastern_Orthodox_and_Eastern_Catholic_Usage
https://religion.wikia.org/wiki/Yana_(Buddhism)#Usage
https://religion.wikia.org/wiki/Yellow_badge#Usage
https://.wikia.com/wiki/Message_Wall:Example
http://threekingdoms.wikia.com/wiki/Message_Wall:Zantam03
auromere - messages-on-subtle-planes
auromere - the-message-of-the-gita
Integral World - Some comments on Ken's message to the readers of critical essays on the "World of Ken Wilber" site, Mark Edwards
Integral World - The Enchanted Land, The Sage: Ramana Maharshi, David Lane
Integral World - Uma passagem para Atenas, Ken Wilber
Integral World - Minimalist Metaphysics? Comments on Ken Wilber's Post-Metaphysical Relativism, Magnus Riisager
Integral World - The Integral Perspective, Magnus Riisager
Integral World - Was ich wirklich sagen wollte, war....
selforum - sri aurobindo sage of great intellect
selforum - revolutionary turned into sage
selforum - message of this mighty spiritual path
selforum - thompson presages riding on shoulders
selforum - sri aurobindo gave unambiguous message
selforum - cosmic connection messages for better
selforum - santayanas message is clear
https://thoughtsandvisions-searle88.blogspot.com/2012/10/the-unknowing-sage.html
dedroidify.blogspot - mcluhan-medium-is-massage-21
dedroidify.blogspot - hypertextthe-metaphor-is-message
dedroidify.blogspot - daily-dedroidify-timothy-learys-message
dedroidify.blogspot - putin-message-for-west-and-usa
dedroidify.blogspot - video-is-someone-reading-passage-from
dedroidify.blogspot - sage-francis-best-of-times
dedroidify.blogspot - terence-mckenna-message
https://esotericotherworlds.blogspot.com/2013/10/messages-from-gods-outsider-art-and.html
wiki.auroville - Message_in_a_Bottle
wiki.auroville - Ritam_"Evolution_towards_Human_Unity:_Some_passages_from_Sri_Aurobindo_and_the_Mother_with_comments_on_their_application_to_Auroville"
Dharmapedia - Gods,_Sages,_and_Kings:_Vedic_Secrets_of_Ancient_Civilization
Dharmapedia - Massage
Psychology Wiki - Psychology_Wiki:Community_Portal#Usage_update
Stanford Encyclopedia of Philosophy - african-sage
Occultopedia - massage_therapy
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/AnimeAndManga
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/FanWorks
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/Literature
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https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/LiveActionTV
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/VideoGames
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/WebComics
https://tvtropes.org/pmwiki/pmwiki.php/AirVentPassageway/WesternAnimation
https://tvtropes.org/pmwiki/pmwiki.php/Analysis/AvengersAgeOfUltron
https://tvtropes.org/pmwiki/pmwiki.php/AudioPlay/PassageToMoauv
https://tvtropes.org/pmwiki/pmwiki.php/CallBack/AvengersAgeOfUltron
https://tvtropes.org/pmwiki/pmwiki.php/Characters/HyruleWarriorsAgeOfCalamity
https://tvtropes.org/pmwiki/pmwiki.php/Characters/ThePassage
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/DarkSoulsAgeOfFire
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/StarWarsAgeOfRepublic
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/StarWarsAgeOfResistance
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/USAgent
https://tvtropes.org/pmwiki/pmwiki.php/ContinuityNod/AvengersAgeOfUltron
https://tvtropes.org/pmwiki/pmwiki.php/Creator/AngieSage
https://tvtropes.org/pmwiki/pmwiki.php/Creator/BobSaget
https://tvtropes.org/pmwiki/pmwiki.php/Creator/MichelleVisage
https://tvtropes.org/pmwiki/pmwiki.php/Creator/SageBrocklebank
https://tvtropes.org/pmwiki/pmwiki.php/DiegeticSoundtrackUsage/AnimeAndManga
https://tvtropes.org/pmwiki/pmwiki.php/DiegeticSoundtrackUsage/LiveActionFilms
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https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/TheGreatToadSageOfBrocktonBay
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/TheSagesDisciple
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https://tvtropes.org/pmwiki/pmwiki.php/Film/PassageToMarseille
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheAvengersAgeOfUltron
https://tvtropes.org/pmwiki/pmwiki.php/Film/ThePassage
https://tvtropes.org/pmwiki/pmwiki.php/Film/ThePassage2018
https://tvtropes.org/pmwiki/pmwiki.php/Film/ThePassageOfVenus
https://tvtropes.org/pmwiki/pmwiki.php/Film/TransformersAgeOfExtinction
https://tvtropes.org/pmwiki/pmwiki.php/ImageLinks/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/DiegeticSoundtrackUsage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/APassageToIndia
https://tvtropes.org/pmwiki/pmwiki.php/Literature/LesMessagersDuTemps
https://tvtropes.org/pmwiki/pmwiki.php/Literature/PassageToNovember
https://tvtropes.org/pmwiki/pmwiki.php/Literature/PerilousPassage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/ResonanceBookOneBirdsOfPassage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SageAdair
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SausageySanta
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SimonVsTheHomoSapiensAgenda
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheDungeonCallsForASage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheGreatPassage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheMessage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/ThePassage
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheSageAdairHistoricalMysteries
https://tvtropes.org/pmwiki/pmwiki.php/Main/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/Main/BarefootSage
https://tvtropes.org/pmwiki/pmwiki.php/Main/BookcasePassage
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https://tvtropes.org/pmwiki/pmwiki.php/Main/DisobeyThisMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/DontShootTheMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/DumpedViaTextMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/ForgedMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/FrighteningPowerUsage
https://tvtropes.org/pmwiki/pmwiki.php/Main/HappyEndingMassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/IApprovedThisMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/IrrevocableMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/IslandHelpMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/MassageOfLove
https://tvtropes.org/pmwiki/pmwiki.php/Main/MasterOfTheMixedMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/MessageBoard
https://tvtropes.org/pmwiki/pmwiki.php/Main/MessageInABottle
https://tvtropes.org/pmwiki/pmwiki.php/Main/MessageinABottle
https://tvtropes.org/pmwiki/pmwiki.php/Main/MiserableMassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/OminousMessageFromTheFuture
https://tvtropes.org/pmwiki/pmwiki.php/Main/PredefinedMessages
https://tvtropes.org/pmwiki/pmwiki.php/Main/PublicSecretMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/RecklessGunUsage
https://tvtropes.org/pmwiki/pmwiki.php/Main/RiteOfPassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/SausageStringSilliness
https://tvtropes.org/pmwiki/pmwiki.php/Main/SecretMessageWink
https://tvtropes.org/pmwiki/pmwiki.php/Main/SecretPassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/SecretUndergroundPassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/SexAsRiteOfPassage
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkyscraperMessages
https://tvtropes.org/pmwiki/pmwiki.php/Main/SuspiciousMissedMessages
https://tvtropes.org/pmwiki/pmwiki.php/Main/TheCallLeftAMessage
https://tvtropes.org/pmwiki/pmwiki.php/Main/TimePassageBeard
https://tvtropes.org/pmwiki/pmwiki.php/Main/UnconventionalFoodUsage
https://tvtropes.org/pmwiki/pmwiki.php/Main/UnintentionalFinalMessage
https://tvtropes.org/pmwiki/pmwiki.php/Music/LisaGermano
https://tvtropes.org/pmwiki/pmwiki.php/Music/LisaGerrard
https://tvtropes.org/pmwiki/pmwiki.php/Music/PaysageDHiver
https://tvtropes.org/pmwiki/pmwiki.php/Music/SageFrancis
https://tvtropes.org/pmwiki/pmwiki.php/Music/TheMessage
https://tvtropes.org/pmwiki/pmwiki.php/Music/Visage
https://tvtropes.org/pmwiki/pmwiki.php/PlayingWith/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/PlayingWith/DiegeticSoundtrackUsage
https://tvtropes.org/pmwiki/pmwiki.php/Podcast/TheMessage
https://tvtropes.org/pmwiki/pmwiki.php/Quotes/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/Quotes/DiegeticSoundtrackUsage
https://tvtropes.org/pmwiki/pmwiki.php/Recap/StevenUniverseS2E28MessageReceived
https://tvtropes.org/pmwiki/pmwiki.php/Series/PrincessAgents
https://tvtropes.org/pmwiki/pmwiki.php/Theatre/AugustOsageCounty
https://tvtropes.org/pmwiki/pmwiki.php/VideoExamples/AirVentPassageway
https://tvtropes.org/pmwiki/pmwiki.php/VideoExamples/DiegeticSoundtrackUsage
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/HyruleWarriorsAgeOfCalamity
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/KingdomHearts02BirthBySleepAFragmentaryPassage
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Passage
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/RingRunnerFlightOfTheSages
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheClueFindersReadingAdventuresAges912MysteryOfTheMissingAmulet
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TorinsPassage
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Visage
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/RiverPassage
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/SaffronAndSage
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/BennettTheSage
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/HollywoodNewsAgency
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/OrdinarySausage
https://tvtropes.org/pmwiki/pmwiki.php/WebVideo/TheLegendOfZeldaTheSageOfDarkness
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/PiratesPassage
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/SausageParty
https://tvtropes.org/pmwiki/pmwiki.php/Westernanimation/SausageParty
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/DreamSage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Kossage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Mythsage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Pvsage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/RaineSageRocks
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/RavenKingSage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SageAllen
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Sageheart
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/TheDogSage
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/TheSausageTroper
https://knowyourarchetypes.com/archetypes-list/#Sage_Archetype
https://knowyourarchetypes.com/sage-archetype/
https://en.wikiquote.org/wiki/Alain-Ren_Lesage
https://en.wikiquote.org/wiki/Bob_Saget
https://en.wikiquote.org/wiki/Dark_Passage_(film)
https://en.wikiquote.org/wiki/Dressage
https://en.wikiquote.org/wiki/File:1edicao_Mensagem_1934.jpg
https://en.wikiquote.org/wiki/File:Arecibo_message.svg
https://en.wikiquote.org/wiki/File:Messagebox_info.png
https://en.wikiquote.org/wiki/Message
https://en.wikiquote.org/wiki/Messages
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https://en.wikiquote.org/wiki/Sage
https://en.wikiquote.org/wiki/Sage_(philosophy)
https://en.wikiquote.org/wiki/Sausage_Party
https://en.wikiquote.org/wiki/Seven_Sages_of_Greece
https://en.wikiquote.org/wiki/Special:AllMessages
https://en.wikiquote.org/wiki/Special:ApiFeatureUsage
https://en.wikiquote.org/wiki/Special:EntityUsage
https://en.wikiquote.org/wiki/Special:GadgetUsage
https://en.wikiquote.org/wiki/Special:GlobalUsage
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Full House (1987 - 1995) - Full House is centered around a sports broadcaster later turned morning talk show host, Wake Up San Francisco, Danny Tanner (Bob Saget) and his three little girls D.J. , Stephanie and Michelle Tanner. In the beginning of the series Danny Tanner's wife is killed by a drunk driver so, he needs help r...
Bill Nye: the Science Guy (1993 - 1997) - Smash Beakmans World on the ground. Pick up the pieces and put them into a blender. Smash Bob Saget and Pee-Wee Herman together and put that into the blender as well. Add a book called everything you nedded to know about Science, then add some kids, milk, eggs, and sugar, and cheesey childrens hip h...
America's Funniest Home Videos (1990 - Current) - America's Funniest Home Videos is ABC's longest-running comedy series. The show began with original host Bob Saget as a one-off special in 1989, becoming a regular series in 1990. The series was an instant sensation on Sunday nights and ran for seven successful seasons. The show was re-launched with...
The Ghost Busters (1975 - Current) - The Ghost Busters were a trio (Jake Kong, Eddie Spencer, and Tracy, the gorilla) that dealt with ghosts and other supernatural creatures. At the beginning of each episode, the trio get a taped message outlining their new mission. Once the message plays, the recording self destructs (ala Mission: Imp...
The Slayers Next (1996 - 1996) - Lina, Gourry, Zelgadis, and Amelia coincidently meet up again and begin to search for the Clair Bible. During their search they run into a mysterious priest named Xelloss who seems to know a thing or two about the passages they're looking for, but he tends to get them into more trouble instead of ou...
America's Funniest Home Videos (1989 - Current) - America's Funniest Home Videos is a reality show on ABC where people can send in funny videos of things including incidents and practical jokes. The funniest video of each episode wins $10,000 with 7 winners then competing for $100,000. First hosted by Bob Saget who would humorously voice the clips...
The More You Know (1989 - Current) - The More You Know is a series of public service announcements (PSAs) broadcast on the NBC family of channels in the United States and other locations, featuring educational messages. These PSAs are broadcast occasionally during NBC's network programming.
Alien(1979) - An ore processing barge called the Nostromo recieves an unknown alien message, and the onboard computer wakes the crew to investigate. The crew investigates, finding an abandoned alient spacecraft filled with strange eggs. One of the eggs hatches, attaching a parasite to a crewmember, who is taken...
The Texas Chainsaw Massacre Part 2(1986) - Young DJ Vantia Block is hosting a music show when two renegade hoodlums phone her and start making trouble. The situation changes rapidly as the kids drive to a passageway and get sawed to pieces by Leatherface while the shocked DJ listens the kids' screams. Local sheriff approaches Block and convi...
Six-String Samurai(1998) - In 1957, The Soviet Union dropped the atomic bomb on the U.S. and won the war. The only place left where freedom is not outlawed is Las Vegas where Elvis rules as King. 40 years later Elvis has died and the message gets sent out over the radiowaves to one and all that Vegas needs a new King. Cue Bud...
Sausage Party(2016) - A parody of Disney and Pixar films (such as Toy Story), "Sausage Party" follows an anthropomorphic sausage who lives in a supermarket and discovers the truth about his existence. He goes on a journey with his friends to escape their fate while also facing a psychopathic douche who wants to kill him....
Lethal Weapon 4(1998) - Detectives Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) reteamed for their fourth foray together in this buddy-cop action-comedy series based on characters created by Shane Black. With the passage of years, Murtagh's daughter Rianne (Traci Wolfe) is now about to upgrade Murtagh to gra...
Singles(1992) - Set amidst the burgeoning Seattle alternative music scene of the early '90s, Singles follows a group of twentysomethings as they try to find love and try to come to terms with their passage into adulthood. Arranged as an episodic comedy, the film follows a group of friends who live in the same apart...
Field of Dreams(1989) - Iowa farmer Ray Kinsella hears a voice in his corn field tell him, "If you build it, he will come." He interprets this message as an instruction to build a baseball field on his farm, upon which appear the ghosts of Shoeless Joe Jackson and the other seven Chicago White Sox players banned from the g...
Stigmata(1999) - An ordinary young woman is affected by mysterious wounds called Stigmata. When a Catholic Priest comes to investigate the so called "miracle", he discovers this woman may be possessed by someone...or something...and a message originating from the time of Jesus Christ.
The Day the Earth Stood Still(1951) - A flying saucer lands in Washington D.C. with a visitor named Klaatu, He brings a message of peace but he is shot by a soldier when he pulls out a device that appeared treating. The solders soon learn that Klaatu is not alone as he has brought a robot named Gort with him. As Klaatu recovers in the h...
Saturday the 14th Strikes Back(1988) - Eddie and his family have just inherited a spooky wreck of a house. What they do not know about the house is that it was built over an evil passage way, but they are soon to discover the wacky evil it releases.
Species(1995) - In an exchange of information, Earth sends a message to space, hoping that there will be aliens out there to receive it. The aliens, in turn, send Earth a message about how alien DNA can be mixed with human DNA. The result of that is sex and violence in the form of an alien named Sil (Natasha Henstr...
Jumpin' Jack Flash(1986) - Terry works for a bank, and uses computers to communicate with clients all over the world. One day she gets a strange message from an unknown source. The message is coded. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout she...
Southie(1998) - Southie" is common usage in Massachusetts for a resident of South Boston. John Shea directed and co-scripted (with James Cummings and Dave McLaughlin) this low-budget crime drama which won the American Independent Award at the 1998 Seattle Film Festival. Out of money and out of luck, Danny Quinn (Do...
Rosalie Goes Shopping(1989) - A housewife,with very little money,goes on a shopping spree by scamming the credit card company.Starring Marianne Sagebrecth,Brad Davis, and Judge Reinhold.
Baghdad Cafe(1987) - At a Mojave Desert truck stop a waitress(C.C.H. Pounder)and a German woman,whose husband abandoned her,(Marianne Sagebrecht)form a friendship.
Goof Troop Christmas(1992) - Big-hearted Goofy tries to go all out to give Max a great Christmas but as usual catastrophe follows Goofy's intentions. Excellent Christmas message of Family, Friends and Love conveyed.
The Adventures of Tintin(2011) - Steven Spielberg's film adaptation of the popular Belgium comic strip character brought to life by Peter Jackson's Weta Digital. The film revolves reporter Tintin who after buying a ship containing a hidden message sets out to find the lost treasure of Red Rackham.
Ghost in the Shell 2: Innocence(2004) - With Major Motoko Kusanagi missing, Section 9's Batou is assigned to investigate a string of gruesome murdersseemingly at the hands of faulty gynoids, or sex robots. But when a faulty gynoid leaves Batou a cryptic message, he begins to question the cause of their malfunctions. Suspicions of politic...
Dark Passage(1947) - A woman(Lauren Bacall)helps a wrongfully accused escaped convict(Humphrey Bogart)prove his innocence.
A Passage To India(1984) - Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.
P.S I Love You(2007) - A young widow discovers that her late husband has left her 10 messages intended to help ease her pain and start a new life.
One Missed Call(2008) - In this remake of the Japanese horror film "Chakushin Ari", several people start receiving voice-mails from their future selves -- messages which include the date, time, and some of the details of their deaths.
Rudolph's Shiny New Year(1976) - The animated sequel to the classic 1964 holiday special. Rudolph has just gotten back from helping Santa deliver presents when he gets an alarming message from Father Time, Happy the Baby New Year has run away after everyone made fun of his large ears, even though not serious. If he is not returned...
Learn Gun Safety With Eddie Eagle(1992) - This excellent animated video, hosted by Jason Priestley, isan entertaining and effective way to teach children the impor-tant safety message that guns are not toys. The Eddie EagleGun Safety Program reaches over a million parents and chil-dren each year.Time: 7 minutes
Message From Space(1978) - In this Star Wars take-off, the peaceful planet of Jillucia has been nearly wiped out by the Gavanas, whose leader takes orders from his mother (played a comic actor in drag) rather than the Emperor. King Kaiba sends out eight Liabe holy seeds, each to be received by a chosen one to defend the Gavan...
Futureworld(1976) - Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and becomes killed before he could tell anyone about it. They visit Futureworld to find out what he knew.
Freddy vs. Jason(2003) - A cross-over between the Friday the 13th and A Nightmare on Elm Street film series. In the film, Freddy has grown incapable of haunting people's dreams, as the citizens of fictional Springwood, Ohio have mostly forgotten about Freddy with the passage of time. In order to regain his power, Freddy res...
The Matrix Reloaded(2003) - Six months after the events of the first movie, Neo and Trinity are now lovers. Morpheus receives a message from Captain Niobe of the Logos calling an emergency meeting of all of Zion's ships. Zion has confirmed the last transmission of the Osiris: an army of Sentinels is tunneling towards Zion and...
Wake Up, Ron Burgundy: The Lost Movie(2004) - A spiritual successor to the 2004 film "Anchorman". The plot of the film features the KVWN Channel Four News team, led by Ron Burgundy and Veronica Corningstone, investigating an extremist organization known as The Alarm Clock who are robbing banks while trying to convey a message they haven't figur...
Valiant(2005) - In May 1944, 5 years since the declaration of World War II, three Royal Homing Pigeon Service war pigeons are flying across the English Channel with the White Cliffs of Dover in sight, carrying vital messages to Great Britain. Despite the poor weather conditions the pigeons have nearly reached their...
Jonah: A Veggie Tales Movie(2002) - After a roadside accident causes the Veggie Family to take refuge at a french seafood restaurant, they seem to all want to blame each other. The group soon meets the Pirates Who Don't Do Anything who begin telling them the story of Jonah, a prophet from Israel who must deliver a message from God to...
Meet the Spartans(2008) - A parody film parodying many medieval adventure films. After Brad Pitt and Angelina Jolie adopt a child and notice he already has a beard and a six-pack, they decide to raise him as a Spartan. Years later, the spartan Leonidas is training his own son when he gets a message from a Persian messenger....
Quiet Cool(1986) - Joe Dylanne is a plainclothes NYC cop with a badge... and a robust personality. He always resorts to unconventional methods in order to capture the city's slickest criminals. When Dylanne receives a message from Katy, an old sweetheart of his, the news is not as pleasant as he anticipated. Rather, i...
Unfriended(2015) - One night, while teenagers Blaire, Mitch, Jess, Adam Ken and Val take part in an online group chat session, they are suddenly joined by a user known only as "Billie227." Thinking it's just a technical glitch, the friends carry on their conversation... until Blaire begins receiving messages from some...
Tron: Legacy(2010) - Years after Flynn's original adventure, adult son Sam responds to a message from his long-lost father and is transported into a virtual reality called "the Grid," where Sam, his father, and the algorithm Quorra must stop the malevolent program Clu from invading the real world.
Growing Up Wild(2016) - Travel to the wildest corners of the planet as five courageous animals tackle the very first challenges of their young lives. With a little guidance from sage family members, each must figure out how to find food and recognize danger.
Unfriended: Dark Web(2018) - After finding a laptop, a young man goes online to play a game with five of his good friends. He shows them a mysterious folder that plays disturbing videos of people who appear to be in danger. They then receive an anonymous message that tells them they will all die if they disconnect or call the p...
https://myanimelist.net/anime/1267/Yoroiden_Samurai_Troopers_Message -- Adventure, Fantasy, Samurai, Shounen
https://myanimelist.net/anime/25537/Fate_stay_night_Movie__Heavens_Feel_-_I_Presage_Flower --
https://myanimelist.net/anime/29697/Tennis_no_Ouji-sama__Message_in_a_Bottle -- Comedy, Sports, School, Shounen
https://myanimelist.net/anime/5751/Tennis_no_Ouji-sama__Another_Story_-_Kako_to_Mirai_no_Message -- Comedy, Sports, School, Shounen
https://myanimelist.net/anime/6999/Tennis_no_Ouji-sama__Another_Story_-_Kako_to_Mirai_no_Message_Specials -- Comedy, Sports
https://myanimelist.net/anime/814/Tennis_no_Ouji-sama__Atobe_kara_no_Okurimono_-_Kimi_ni_Sasageru_Tennis_Prince_Matsuri -- Comedy, Sports, Shounen
https://myanimelist.net/anime/8752/Message_Song -- Music, Kids
https://myanimelist.net/anime/9890/Major__Message -- Comedy, Drama, Shounen, Sports
https://myanimelist.net/manga/11920/Aishi_Kimi_ni_Sasageru
https://myanimelist.net/manga/129431/Majo_ni_Sasageru_Trick
https://myanimelist.net/manga/19270/Anata_ni_Hana_wo_Sasagemashou
https://myanimelist.net/manga/85982/Ikujinashi_no_Kimi_ni_Sasageru
1917 (2019) ::: 8.3/10 -- R | 1h 59min | Drama, Thriller, War | 10 January 2020 (USA) -- April 6th, 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1,600 men from walking straight into a deadly trap. Director: Sam Mendes Writers:
A.D. The Bible Continues -- 44min | Drama | TV Series (2015) ::: Follows the book of ACTS. Shows the complete message of Christ and the transformation of Saul to Paul and how the high priest of Judea does not believe in what has taken place after the Crucifixion of Christ. Stars:
America America (1963) ::: 7.8/10 -- Approved | 2h 54min | Drama | 17 June 1964 (France) -- A young Greek stops at nothing to secure a passage to America. Director: Elia Kazan Writer: Elia Kazan
A Passage to India (1984) ::: 7.3/10 -- PG | 2h 44min | Adventure, Drama, History | 1 February 1985 (USA) -- Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator. Director: David Lean Writers:
August: Osage County (2013) ::: 7.2/10 -- R | 2h 1min | Comedy, Drama | 10 January 2014 (USA) -- A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them. Director: John Wells Writers:
Birds of Passage (2018) ::: 7.5/10 -- Pjaros de verano (original title) -- Birds of Passage Poster -- During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture. Directors: Cristina Gallego, Ciro Guerra
Cold War (2012) ::: 6.6/10 -- Hon zin (original title) -- Cold War Poster -- The police department has long been untouchable until tonight when hijackers kidnap 5 highly trained officers. Cryptic messages from the hijackers expose a mole within the task force. Directors: Lok Man Leung (as Longman Leung), Kim-Ching Luk (as Sunny Luk) Writers:
Dark Passage (1947) ::: 7.5/10 -- Passed | 1h 46min | Film-Noir, Thriller | 27 September 1947 (USA) -- A man convicted of murdering his wife escapes from prison and works with a woman to try and prove his innocence. Director: Delmer Daves Writers: Delmer Daves (screen play by), David Goodis (from the novel by)
Diner (1982) ::: 7.1/10 -- R | 1h 50min | Comedy, Drama | 21 May 1982 (USA) -- A group of college-age buddies struggle with their imminent passage into adulthood in 1959 Baltimore. Director: Barry Levinson Writer: Barry Levinson
Dirty Work (1998) ::: 6.5/10 -- PG-13 | 1h 22min | Comedy | 12 June 1998 (USA) -- A loser finds success in the revenge-for-hire business. Director: Bob Saget Writers: Frank Sebastiano, Norm MacDonald | 1 more credit Stars: Norm MacDonald, Jack Warden, Artie Lange
Fierce People (2005) ::: 6.5/10 -- R | 1h 47min | Drama, Thriller | 30 November 2007 (USA) -- A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey. Director: Griffin Dunne Writers:
Ghost Whisperer ::: TV-PG | 1h | Drama, Fantasy | TV Series (20052010) -- A newlywed with the ability to communicate with the earthbound spirits of the recently deceased overcomes skepticism and doubt to help send their important messages to the living and allow the dead to pass on to the other side. Creator:
History of Swear Words ::: TV-MA | 2h 4min | Documentary, Comedy | TV Series (2021 ) -- An education in expletives: the history lesson you didnt know you needed hosted by Nicolas Cage. A loud and proudly profane series that explores the origins, pop culture-usage, science and cultural impact of curse words. Stars:
Jesse Stone: Night Passage (2006) ::: 7.3/10 -- Not Rated | 1h 29min | Crime, Drama | TV Movie 15 January 2006 -- In this prequel to 'Stone Cold,' Tom Selleck reprises his role as Jesse Stone, an L.A. cop who relocates to a small town only to find himself immersed in one mystery after the other. Director: Robert Harmon Writers: Robert B. Parker (novel), Tom Epperson (teleplay) Stars:
Journey Into Fear (1943) ::: 6.5/10 -- Approved | 1h 8min | Drama, Film-Noir, Thriller | 12 February 1943 -- Journey Into Fear Poster An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board. Directors: Norman Foster, Orson Welles (uncredited) Writers: Orson Welles (screen play), Joseph Cotten (screen play) | 1 more credit
Kim Bok-nam salinsageonui jeonmal (2010) ::: 7.3/10 -- Not Rated | 1h 55min | Drama, Horror, Thriller | 2 September 2010 -- Kim Bok-nam salinsageonui jeonmal Poster -- A woman subject to mental, physical and sexual abuse on a remote island seeks a way out. Director: Cheol-soo Jang (as Chul-soo Jang) Writer:
Lost Highway (1997) ::: 7.6/10 -- R | 2h 14min | Mystery, Thriller | 27 February 1997 (Canada) -- Anonymous videotapes presage a musician's murder conviction, and a gangster's girlfriend leads a mechanic astray. Director: David Lynch Writers: David Lynch, Barry Gifford
Message from the King (2016) ::: 6.4/10 -- R | 1h 42min | Action, Crime, Drama | 4 August 2017 (USA) -- A mysterious outsider from South Africa, named Jacob King, arrives in Los Angeles to look for his missing younger sister. Director: Fabrice du Welz Writers: Oliver Butcher, Stephen Cornwell
Night Passage (1957) ::: 6.7/10 -- Approved | 1h 30min | Action, Adventure, Drama | 26 August 1957 -- Night Passage Poster A fired railroad man is re-hired and trusted to carry a ten thousand dollar payroll in secret, even though he is suspected of being connected to outlaws. Director: James Neilson Writers: Borden Chase (screenplay), Norman A. Fox (based on a story by)
Non-Stop (2014) ::: 6.9/10 -- PG-13 | 1h 46min | Action, Mystery, Thriller | 28 February 2014 (USA) -- An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes. Director: Jaume Collet-Serra Writers:
Northwest Passage (1940) ::: 7.1/10 -- 'Northwest Passage' (Book I -- Rogers' Rangers) (original title) -- Northwest Passage Poster -- Langdon Towne and Hunk Marriner join Major Rogers' Rangers as they wipe out an Indian village. They set out for Fort Wentworth, but when they arrive they find no soldiers and none of the supplies they expected. Directors: King Vidor, Jack Conway (uncredited) | 1 more credit Writers:
One Way Passage (1932) ::: 7.5/10 -- Passed | 1h 7min | Comedy, Drama, Romance | 22 October 1932 (USA) -- A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other's secret. Director: Tay Garnett Writers: Wilson Mizner (screen play), Joseph Jackson (screen play) | 1 more credit
Passage to Marseille (1944) ::: 6.8/10 -- Approved | 1h 49min | Adventure, Drama, War | 11 March 1944 (USA) -- Five patriotic convicts are helped to escape imprisonment in Devil's Island so they can fight for occupied Free French forces against the Nazis. Director: Michael Curtiz Writers:
Pickup on South Street (1953) ::: 7.7/10 -- Passed | 1h 20min | Crime, Film-Noir, Thriller | 1 August 1953 (Japan) -- A pickpocket unwittingly lifts a message destined for enemy agents and becomes a target for a Communist spy ring. Director: Samuel Fuller Writers: Samuel Fuller (screenplay), Dwight Taylor (story) Stars:
P.S. I Love You (2007) ::: 7.0/10 -- PG-13 | 2h 6min | Comedy, Drama, Romance | 21 December 2007 (USA) -- A young widow discovers that her late husband has left her 10 messages intended to help ease her pain and start a new life. Director: Richard LaGravenese Writers: Richard LaGravenese (screenplay), Steven Rogers (screenplay) | 1 more
RuPaul's Drag Race ::: TV-14 | 1h 3min | Game-Show, Reality-TV | TV Series (2009 ) -- RuPaul searches for America's next drag superstar. Stars: RuPaul, Michelle Visage, Santino Rice Available on Amazon
Spectre (2015) ::: 6.8/10 -- PG-13 | 2h 28min | Action, Adventure, Thriller | 6 November 2015 (USA) -- A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions. Director: Sam Mendes Writers:
Tere Bin Laden (2010) ::: 7.2/10 -- Not Rated | 1h 35min | Comedy, Drama | 16 July 2010 (India) -- A reporter casts a fake Bin Laden to act in his video message to America, so he can immigrate there. Director: Abhishek Sharma Writers: Mohammad Ahmad (dialogue), Abhishek Sharma (story & screenplay)
The Message (1976) ::: 8.2/10 -- PG | 2h 57min | Biography, Drama, History | 8 July 1977 (France) -- This epic historical drama chronicles the life and times of Prophet Muhammad and serves as an introduction to early Islamic history. Director: Moustapha Akkad Writers: H.A.L. Craig, Tewfik El-Hakim | 3 more credits Stars:
The Message (1976) ::: 9.0/10 -- Al-rislah (original title) -- The Message Poster The story of prophet "Muhammad" and the delivery of the message of God "Allah." Director: Moustapha Akkad Writers: H.A.L. Craig, Tewfik El-Hakim | 3 more credits Stars:
The Passage ::: TV-14 | 1h | Action, Adventure, Drama | TV Series (2019) -- When a botched U.S. government experiment turns a group of death row inmates into highly infectious vampires, an orphan girl might be the only person able to stop the ensuing crisis. Creators:
The Puffy Chair (2005) ::: 6.5/10 -- R | 1h 25min | Comedy, Drama, Romance | 27 April 2007 (UK) -- Josh Sagers drives cross-country on a mission to deliver his father's birthday gift - a giant purple LazyBoy. Directors: Jay Duplass, Mark Duplass (uncredited) Writers: Mark Duplass, Jay Duplass Stars:
https://dreamfiction.fandom.com/wiki/Message_Wall:Evildotcom
https://sage.fandom.com
https://the39cluesmessageboard.fandom.com
https://legomessageboards.fandom.com/
https://sage.fandom.com/
https://sheng-wang-sage-monarch.fandom.com/
https://91-days.fandom.com/wiki/Message_Wall:Mai_Is_Me
https://99hackthebestpro.fandom.com/wiki/Message_Wall:FANDOM
https://ability.fandom.com/wiki/Message_Wall:Wings_of_the_Wind
https://admintools.fandom.com/wiki/Admin_Tools_Wiki:Community_messages
https://adventuretime.fandom.com/wiki/Adventure_Time_Wiki:Community_messages
https://aikatsu.fandom.com/wiki/Message_Wall:AguriiMadoka
https://aikatsu.fandom.com/wiki/Message_Wall:Chrismh
https://aikatsu.fandom.com/wiki/Message_Wall:Halo1081
https://aikatsu.fandom.com/wiki/Message_Wall:Jo_SHININGSTAR
https://aikatsu.fandom.com/wiki/Message_Wall:Musicxanimexme
https://aikatsu.fandom.com/wiki/Message_Wall:TacticalMaster
https://akatsukinoyona.fandom.com/wiki/Message_Wall:ScarletRose223
https://aliens.fandom.com/wiki/Message_Wall:7169TheBattleDroid
https://aliens.fandom.com/wiki/Message_Wall:Andr
https://aliens.fandom.com/wiki/Message_Wall:BlueFrackle
https://aliens.fandom.com/wiki/Message_Wall:Nomad27
https://aliens.fandom.com/wiki/Message_Wall:Parker_Green
https://aliens.fandom.com/wiki/Message_Wall:Shadows_of_the_Black_Night
https://allods.fandom.com/wiki/Quest:Intriguing_Message
https://allods.fandom.com/wiki/Quest:The_Historian's_Message
https://allods.fandom.com/wiki/Quest:Underground_Passage
https://allods.fandom.com/wiki/Sagefeather
https://allthetropes.fandom.com/wiki/Secret_Underground_Passage
https://altered-carbon.fandom.com/wiki/Message_Wall:East6
https://altered-carbon.fandom.com/wiki/Message_Wall:Echo_Spy
https://among-us.fandom.com/wiki/Message_Wall:Bendybao
https://among-us.fandom.com/wiki/Message_Wall:Caburum
https://among-us.fandom.com/wiki/Message_Wall:Chikorita_Lover
https://among-us.fandom.com/wiki/Message_Wall:Mattbernss
https://among-us.fandom.com/wiki/Message_Wall:Shosoul
https://amulet.fandom.com/wiki/Message_Wall:Curly-BraceXD
https://amulet.fandom.com/wiki/Message_Wall:Ozzyboy217
https://ancardia.fandom.com/wiki/ADOM_Sage
https://ancardia.fandom.com/wiki/Ancient_Sage
https://ancardia.fandom.com/wiki/Ancient_sage
https://ancardia.fandom.com/wiki/Dark_sage
https://ancardia.fandom.com/wiki/Dwarven_sausage
https://ancardia.fandom.com/wiki/Dying_sage
https://ancardia.fandom.com/wiki/Fortune_cookie_message
https://ancardia.fandom.com/wiki/Level_messages
https://ancardia.fandom.com/wiki/Special_birth_messages
https://ancardia.fandom.com/wiki/Strange_message
https://ancientegypt.fandom.com/wiki/Message_Wall:Tomrowley
https://android.fandom.com/wiki/Message_Wall:Nomorjitu
https://android.fandom.com/wiki/Message_Wall:Pierro78
https://android.fandom.com/wiki/Message_Wall:Yulita_lebang
https://animanga.fandom.com/wiki/Bu_ni_Mi_wo_Sasagete_Hyaku_to_Yonen._Elf_de_Yarinaosu_Musha_Shugyou
https://animanga.fandom.com/wiki/Message_Wall:AnchorDoll
https://animanga.fandom.com/wiki/Message_Wall:Arzene
https://animanga.fandom.com/wiki/Message_Wall:Fandyllic
https://animanga.fandom.com/wiki/Message_Wall:G_Utopia
https://animanga.fandom.com/wiki/Message_Wall:KinHikari
https://animanga.fandom.com/wiki/Message_Wall:Kitsunes97
https://animanga.fandom.com/wiki/Message_Wall:Legendarykuroo
https://animanga.fandom.com/wiki/Message_Wall:Necor
https://animanga.fandom.com/wiki/Message_Wall:NoGround
https://animanga.fandom.com/wiki/Message_Wall:Pikamaru
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https://theheiresses.fandom.com/wiki/Message_Wall:Fearless_Diva
https://theheiresses.fandom.com/wiki/Message_Wall:Princess_Diva
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https://the-hidden-dungeon-only-i-can-enter.fandom.com/wiki/Message_Wall:Alex.Maxter.Craft
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https://thelastdoor.fandom.com/wiki/Message_in_a_bottle
https://the-legendary-moonlight-sculptor.fandom.com/wiki/Message_Wall:LinkNotFound
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https://themidnightgospel.fandom.com/wiki/The_Midnight_Gospel_Wiki:Community_messages
https://the-rain.fandom.com/wiki/Clara_Rosager
https://theunwanteds.fandom.com/wiki/Message_Wall:BleakInfinity
https://tokyo-ravens.fandom.com/wiki/Message_Wall:Abbynanodesu
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https://transformers.fandom.com/wiki/Message_Wall:Manny69619
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https://transformers.fandom.com/wiki/Message_Wall:Yourstocksystem2004
https://tricks-dedicated-to-witches.fandom.com/wiki/Majo_Ni_Sasageru_Trick_(manga)
https://troye.fandom.com/wiki/Message_Wall:MichelleZhang
https://troye.fandom.com/wiki/Message_Wall:XXCastAwayXx
https://troye.fandom.com/wiki/Sage_Mellet
https://true-beauty.fandom.com/wiki/Message_Wall:Pastelsweets09
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https://tsurezure-children.fandom.com/wiki/Message_Wall:Mai_Is_Me
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https://turok.fandom.com/wiki/Message_Wall:Project_Predacon
https://tv-ideas.fandom.com/wiki/Message_Wall:A3518
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https://tv-ideas.fandom.com/wiki/Message_Wall:Red-Verse-Writer
https://tv-ideas.fandom.com/wiki/Message_Wall:Videogamerlegit
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https://tv-ideas.fandom.com/wiki/Message_Wall:YouShouldCare
https://twelvenights.fandom.com/wiki/Message_Wall:Generalily
https://twinbee.fandom.com/wiki/Message_Wall:LaVey
https://ufo.fandom.com/wiki/Vrillon_Message
https://uktransport.fandom.com/wiki/Message_Wall:Ancelljb
https://uncle-grandpa.fandom.com/wiki/Message_Wall:Mother-zombie
https://utaulyrics.fandom.com/wiki/Message_Wall:Xuanmien
https://valkyriesky.fandom.com/wiki/Sage
https://vampirediaries.fandom.com/wiki/Message_Wall:Alaric_Saltzman
https://vampirediaries.fandom.com/wiki/Message_Wall:Athena_Petrova
https://vampirediaries.fandom.com/wiki/Message_Wall:Bennett_Blood_Mage18
https://vampirediaries.fandom.com/wiki/Message_Wall:DelenaTheOneAndOnly
https://vampirediaries.fandom.com/wiki/Message_Wall:Original_Authority
https://vanhelsing-syfy.fandom.com/wiki/Message_Wall:Killer_kev
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https://villains.fandom.com/wiki/Message_Wall:Magma_MK-II
https://villainsfanon.fandom.com/wiki/Message_Wall:BrandonDarkOne47
https://vim.fandom.com/wiki/Always_start_on_first_line_of_git_commit_message
https://vim.fandom.com/wiki/Always_start_on_first_line_of_git_commit_message?printable=yes
https://vim.fandom.com/wiki/Always_start_on_first_line_of_git_commit_message?useskin=monobook
https://vim.fandom.com/wiki/Automatically_position_the_cursor_when_editing_email_messages
https://vim.fandom.com/wiki/Automatically_position_the_cursor_when_editing_email_messages?printable=yes
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https://vim.fandom.com/wiki/Disable_the_"Hit_any_key_to_close_this_window"_message_in_remote_editing
https://vim.fandom.com/wiki/Use_%22set_report%3D0%22_to_always_display_%22lines_Xed%22_on_message_line
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https://vintagepatterns.fandom.com/wiki/Message_Wall:AllAboutThePatterns
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https://vintagepatterns.fandom.com/wiki/Message_Wall:Anderburg
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https://vintagepatterns.fandom.com/wiki/Message_Wall:Oldpatterns
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https://vintagepatterns.fandom.com/wiki/Message_Wall:Petite_Main
https://vintagepatterns.fandom.com/wiki/Message_Wall:Resurrections
https://vintagepatterns.fandom.com/wiki/Message_Wall:Tarna
https://vintagepatterns.fandom.com/wiki/Message_Wall:Twohecticeclectics
https://vintagepatterns.fandom.com/wiki/Message_Wall:Valley_of_the_dolly_mixtures
https://vsbattles.fandom.com/wiki/Welcome_Message
https://walkingdead.fandom.com/wiki/Fear_The_Walking_Dead:_Passage
https://warframe.fandom.com/wiki/Hidden_Messages
https://warframe.fandom.com/wiki/Message_Wall:Arcalane
https://warframe.fandom.com/wiki/Message_Wall:Cephalon_Scientia
https://warframe.fandom.com/wiki/Message_Wall:OGSavix
https://warframe.fandom.com/wiki/Message_Wall:Shadowblade777
https://warrenwoodhouse.fandom.com/wiki/Message_Wall:Warrenwoodhouse
https://wcl.fandom.com/wiki/Introducing_the_Kingdom_Message_in_Your_Language
https://weakhero.fandom.com/wiki/Message_Wall:Demotivator
https://weakhero.fandom.com/wiki/Message_Wall:Faecxtie
https://weakhero.fandom.com/wiki/Message_Wall:SPGonzalez0122
https://weakhero.fandom.com/wiki/Message_Wall:Zubia_Aliyar
https://white-epic.fandom.com/wiki/Message_Wall:Demotivator
https://whitewolf.fandom.com/wiki/Darkness_Revealed_2:_Passage_Through_Shadow
https://whitewolf.fandom.com/wiki/Lord_Sages_of_the_Unknown_Reaches
https://whitewolf.fandom.com/wiki/Lost_Visage
https://whitewolf.fandom.com/wiki/Rite_of_Passage_(book)
https://wikis.fandom.com/wiki/Message_Wall:Alexlikestrains
https://wikis.fandom.com/wiki/Message_Wall:Caburum
https://wikis.fandom.com/wiki/Message_Wall:Darudeman11
https://wikis.fandom.com/wiki/Message_Wall:Genei_Ryodan123
https://wikis.fandom.com/wiki/Message_Wall:Hashiuga
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https://wikis.fandom.com/wiki/Message_Wall:Playbox_switch
https://wikis.fandom.com/wiki/Message_Wall:RareIvy27889677
https://wikis.fandom.com/wiki/Message_Wall:Supyovalk
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https://wingsoffire.fandom.com/wiki/Message_Wall:VindictiveKnight
https://wingsoffirefanon.fandom.com/wiki/Message_Wall:
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https://wingsoffirefanon.fandom.com/wiki/Message_Wall:Potatocat999
https://wingsoffirefanon.fandom.com/wiki/Message_Wall:ScrollreaderTheTribird
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https://wingsoffirefanon.fandom.com/wiki/Message_Wall:Unikitty2614
https://wlb.fandom.com/wiki/MW_messages
https://wowwiki-archive.fandom.com/wiki/Ancient_Passage
https://wowwiki-archive.fandom.com/wiki/API_AddChatWindowMessages
https://wowwiki-archive.fandom.com/wiki/API_BNSetCustomMessage
https://wowwiki-archive.fandom.com/wiki/API_ChatFrame_AddMessageEventFilter
https://wowwiki-archive.fandom.com/wiki/API_ChatFrame_GetMessageEventFilters
https://wowwiki-archive.fandom.com/wiki/API_ChatFrame_RemoveMessageEventFilter
https://wowwiki-archive.fandom.com/wiki/API_ERRORMESSAGE
https://wowwiki-archive.fandom.com/wiki/API_GetAddOnCPUUsage
https://wowwiki-archive.fandom.com/wiki/API_GetChatWindowMessages
https://wowwiki-archive.fandom.com/wiki/API_GetFrameCPUUsage
https://wowwiki-archive.fandom.com/wiki/API_message
https://wowwiki-archive.fandom.com/wiki/API_MessageFrame_AddMessage
https://wowwiki-archive.fandom.com/wiki/API_RemoveChatWindowMessages
https://wowwiki-archive.fandom.com/wiki/API_ScrollingMessageFrame_AddMessage
https://wowwiki-archive.fandom.com/wiki/API_ScrollingMessageFrame_GetCurrentScroll
https://wowwiki-archive.fandom.com/wiki/API_ScrollingMessageFrame_GetScrollOffset
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https://wowwiki-archive.fandom.com/wiki/API_ScrollingMessageFrame_SetTimeVisible
https://wowwiki-archive.fandom.com/wiki/API_SendAddonMessage
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https://wowwiki-archive.fandom.com/wiki/Deepsea_Sagefish
https://wowwiki-archive.fandom.com/wiki/Drak'atal_Passage
https://wowwiki-archive.fandom.com/wiki/Falla_Sagewind
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https://wowwiki-archive.fandom.com/wiki/Jintha'kalar_Passage
https://wowwiki-archive.fandom.com/wiki/MediaWiki:Communitymessages-notice-msg
https://wowwiki-archive.fandom.com/wiki/Message_Wall:Sitb
https://wowwiki-archive.fandom.com/wiki/Mountain_Silversage
https://wowwiki-archive.fandom.com/wiki/Parsing_event_messages
https://wowwiki-archive.fandom.com/wiki/Quest:Find_Sage_Mistwalker
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https://wowwiki-archive.fandom.com/wiki/Raw_Greater_Sagefish
https://wowwiki-archive.fandom.com/wiki/Raw_Sagefish
https://wowwiki-archive.fandom.com/wiki/Sagefish_Delight
https://wowwiki-archive.fandom.com/wiki/Sage_Truthbearer
https://wowwiki-archive.fandom.com/wiki/Sage_Truthseeker
https://wowwiki-archive.fandom.com/wiki/Spider_Sausage
https://wowwiki-archive.fandom.com/wiki/Stormpike_Sage's_Cloak
https://wowwiki-archive.fandom.com/wiki/Stormpike_Sage's_Pendant
https://wowwiki-archive.fandom.com/wiki/Tahu_Sagewind
https://wowwiki-archive.fandom.com/wiki/Visage_Liquification_Goggles
https://www.biblegateway.com/bible?passage=Gal. 1ymalinky.fandom.com/wiki/
https://xiaolinpedia.fandom.com/wiki/Xiaolinpedia:Community_messages
https://yokokuhan.fandom.com/wiki/Message_Wall:Besty17
https://zombieland-saga.fandom.com/wiki/Message_Wall:NoGround
Akudama Drive -- -- Studio Pierrot -- 12 eps -- Original -- Action Sci-Fi -- Akudama Drive Akudama Drive -- The bustling metropolis of Kansai, where cybernetic screens litter the neon landscape, may seem like a technological utopia at first glance. But in the dark alleys around the brightly-lit buildings, an unforgiving criminal underbelly still exists in the form of fugitives known as "Akudama." -- -- No stranger to these individuals, Kansai police begin the countdown to the public execution of an infamous Akudama "Cutthroat," guilty of killing 999 people. However, a mysterious message is sent to several elite Akudama, enlisting them to free Cutthroat for a substantial amount of money. An invisible hand seeks to gather these dangerous personas in one place, ensuring that the execution is well underway to becoming a full-blown bloodbath. -- -- -- Licensor: -- Funimation -- 240,575 7.70
Bakukyuu Hit! Crash B-Daman -- -- SynergySP -- 50 eps -- - -- Game Adventure Kids -- Bakukyuu Hit! Crash B-Daman Bakukyuu Hit! Crash B-Daman -- Hitto Tamaga, an 11-year-old boy, lives in some town in Japan. He is a very unfortunate boy, whose only asset is brightness. He lives only with his father who is a Bedaman researcher, but he left home several months ago, and he's been missing since then. He is living alone in a hut built on a relative’s land. Nobody celebrates his 11th birthday...except his cousin Nana who lives in the same land. One day, Hitto receives a present from the lost father, and he is very grad to know that his father remembers his birthday. It is “Crash Bedaman” that he longed for. After he puts them together to complete Crash Bedaman, he brings it to Bee Park, or a battle field of Beedaman. A battle there shows him a new way he should go. -- -- There is a message from his father with the present. -- -- “Overcome the difficulties”. -- -- Putting this word in his mind, he beats the enemies one after another with his Bedaman. With the encounter of partners and rivals, the mystery of Bedaman, a shadow organization, and the reason of the missing of his father gradually come to light. Defeating various obstacles in his way, he’s growing up. (Source: AnimeNFO) -- 1,562 6.04
Bishoujo Yuugi Unit Crane Game Girls -- -- Kyotoma -- 13 eps -- Original -- Comedy Game Space -- Bishoujo Yuugi Unit Crane Game Girls Bishoujo Yuugi Unit Crane Game Girls -- One day, Saya, an agent of the World Space Association, receives a sudden message that says a large number of asteroids are on a collision course with Earth, and it is her mission to stop them. Unfortunately, the only way to save the Earth is by having three people with extraordinary potential demonstrate a new skill on a crane game, which will create a beam of energy able to divert the asteroids. -- -- The only three people with enough potential are three high school girls—Asuka, Mirai, and Kyouko. In order to harness their energy, Saya tells them that she has scouted them as idols and has them work at an arcade where she can monitor them. She says to the girls that all successful idols are good at crane games, and that building their skills is their first step in idol training. As the girls learn new crane game techniques, they begin to doubt Saya's intentions but are nonetheless unaware that the fate of the Earth lies in their hands. -- -- 6,757 4.42
Cutey Honey -- -- Toei Animation -- 25 eps -- Manga -- Action Sci-Fi School -- Cutey Honey Cutey Honey -- One day, Honey Kisaragi's a trendy, class-cutting Catholic schoolgirl. The next, her father's been murdered by demonic divas from a dastardly organization called Panther Claw. When his dying message reveals that she's an android, Honey uses the transformative power of the Atmospheric Element Solidifier - the very thing Panther Claw wanted to steal - to seek revenge against the shadowy clan. Can Honey fight her way up Panther Claw's ranks to defeat its leader, the sinister Sister Jill while managing to escape the watchful eyes of Miss Histler, her school's headmistress? -- -- Aided by journalist Hayami Seiji, his ninja father, and his lady-loving grade school brother, Honey sometimes appears as a racecar driver, sometimes as a glamorous model, and sometimes as a beggar, but her true identity is none other than the warrior of love, Cutie Honey! -- -- (Source: RightStuf) -- -- Licensor: -- Discotek Media -- 13,432 6.44
Da Yu Hai Tang (Movie) -- -- B&T -- 1 ep -- Original -- Adventure Supernatural Drama Romance -- Da Yu Hai Tang (Movie) Da Yu Hai Tang (Movie) -- In an old mythical world, there reside spirit-like beings who oversee the natural order of the mortal realm. One of them, a young girl named Chun, has just come of age and must undergo her rite of passage by experiencing the human world for herself. While there, she gets caught in a fishing net during a storm and is rescued by a human boy. -- -- However, the boy ends up drowning during the incident, and Chun returns to her realm full of guilt. Afterwards, she meets the Soul Keeper and decides to revive the boy in exchange for a part of her lifespan. Little does she know, meddling with the natural order of the world has severe consequences. -- -- Da Yu Hai Tang is a story about sacrifice and redemption as Chun comes to terms with the limitations of her powers and deals with death, love, and her own emotions. She must decide if she will sacrifice everything to save the human boy or forsake her moral obligation for the order of the world. -- -- -- Licensor: -- Shout! Factory -- Movie - Jul 8, 2016 -- 31,800 7.56
Detective Conan Movie 06: The Phantom of Baker Street -- -- TMS Entertainment -- 1 ep -- Manga -- Adventure Mystery Police Shounen -- Detective Conan Movie 06: The Phantom of Baker Street Detective Conan Movie 06: The Phantom of Baker Street -- Noah's Ark—the latest in VR technology and a milestone of human innovation—is set for a showcase to Japan's privileged children. They have the honour of beginning a new revolution in gaming; however, their carefree fun is cut short when a company employee is found murdered, with his dying message pointing to a clue hidden within the Ark. -- -- Along with the Detective Boys and Ran Mouri, Conan Edogawa enters Noah's Ark to solve this mystery and ensure the perpetrator is caught. But once they're inside the Ark, it takes on a mind of its own, imprisoning them and the children within its worlds. To escape and bring the murderer to justice, Conan and company must navigate a simulated 19th century London and track down the infamous Jack the Ripper—with the lives of 50 innocent children depending on them. -- -- -- Licensor: -- Funimation -- Movie - Apr 20, 2002 -- 60,737 8.30
Detective Conan: The Magician of Starlight -- -- D & D Pictures -- 1 ep -- Manga -- Space -- Detective Conan: The Magician of Starlight Detective Conan: The Magician of Starlight -- The Japan Aerospace Exploration Agency (JAXA) has planned a huge exhibition to present current progress in space exploration, as well as showcase a set of large, beautiful celestial jewels. But then, a message arrives from infamous Kaitou Kid, who plans to steal the treasure. Conan and the Detective Boys are brought in as added security. Everything is going well... until the power cuts out. With limited time, Conan and company must protect the jewels from Kaitou Kid. -- Movie - ??? ??, 2012 -- 2,088 6.53
Digimon Adventure tri. 3: Kokuhaku -- -- Toei Animation -- 1 ep -- Original -- Action Adventure Comedy Drama -- Digimon Adventure tri. 3: Kokuhaku Digimon Adventure tri. 3: Kokuhaku -- The Chosen Children are in shock after the betrayal of Meicoomon, the digital monster who had recently joined their group alongside her human partner, Meiko Mochizuki. Koushirou Izumi is determined to diagnose the infection that took control of Meicoomon. Meanwhile, Takeru Takaishi realizes that his own partner, Patamon, is starting to exhibit alarming symptoms similar to that of other infected Digimon, like Meicoomon. -- -- Just then, the Chosen Children receive a message from the mysterious entity Homeostasis, who informs them that their world is in danger of total destruction—and the Digital World, the home of the Digimon, is too. Homeostasis plans to enact a "Reboot," which will reset all the data that makes up the Digital World and eradicate the infection. However, the Reboot will also erase the memories of all Digimon, including the Childrens' partners. Can the Chosen Children stop Meicoomon before the Reboot becomes necessary, or is this the end of their time together with their Digimon? -- -- -- Licensor: -- Shout! Factory -- Movie - Sep 24, 2016 -- 62,313 7.69
Digimon Adventure tri. 3: Kokuhaku -- -- Toei Animation -- 1 ep -- Original -- Action Adventure Comedy Drama -- Digimon Adventure tri. 3: Kokuhaku Digimon Adventure tri. 3: Kokuhaku -- The Chosen Children are in shock after the betrayal of Meicoomon, the digital monster who had recently joined their group alongside her human partner, Meiko Mochizuki. Koushirou Izumi is determined to diagnose the infection that took control of Meicoomon. Meanwhile, Takeru Takaishi realizes that his own partner, Patamon, is starting to exhibit alarming symptoms similar to that of other infected Digimon, like Meicoomon. -- -- Just then, the Chosen Children receive a message from the mysterious entity Homeostasis, who informs them that their world is in danger of total destruction—and the Digital World, the home of the Digimon, is too. Homeostasis plans to enact a "Reboot," which will reset all the data that makes up the Digital World and eradicate the infection. However, the Reboot will also erase the memories of all Digimon, including the Childrens' partners. Can the Chosen Children stop Meicoomon before the Reboot becomes necessary, or is this the end of their time together with their Digimon? -- -- Movie - Sep 24, 2016 -- 62,313 7.69
Doubutsu no Mori -- -- OLM -- 1 ep -- Game -- Kids Slice of Life -- Doubutsu no Mori Doubutsu no Mori -- Ai is a self-reliant girl that moves to Animal Village. She makes friends with the various villagers as she settles into the village. One night as she walked along the beach, she finds a message in the bottle. It sets her off on a quest of planting pine trees around the village to fulfill a miracle on the eve of the Winter Festival. -- -- (Source: ANN) -- Movie - Dec 16, 2006 -- 21,297 7.08
Eve no Jikan -- -- Studio Rikka -- 6 eps -- Original -- Sci-Fi Slice of Life -- Eve no Jikan Eve no Jikan -- In future Japan, in a time when android housekeepers have become commonplace, society strictly abides by the Three Laws of Robotics, which all androids must follow. Under the influence of the Robot Ethics Committee, androids are treated the same way as lesser technology, such as household appliances. However, a minority with an adoration for androids exists, categorized as "android-holics," and are shunned by the general public. -- -- Rikuo Sakisaka was raised to accept society's precept about androids, and is perfectly aware that they are not human. That is, until the day he discovers a strange message buried within the activity logs of his household android, Sammy. This leads him to Eve no Jikan, a cafe with only one rule that its patrons must adhere to: there must be no distinction made between humans and androids. Curiosity drives Rikuo to learn more about the shop, and he attempts to unearth the reason behind Sammy's peculiar behavior. -- -- ONA - Aug 1, 2008 -- 156,275 8.07
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- -- Licensor: -- Aniplex of America -- Movie - Oct 14, 2017 -- 289,661 8.25
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- Movie - Oct 14, 2017 -- 289,661 8.25
Fukumenkei Noise -- -- Brain's Base -- 12 eps -- Manga -- Music Drama Romance School Shoujo -- Fukumenkei Noise Fukumenkei Noise -- Every day, a young girl wearing a mask stands by the beach and sings a nostalgic melody. After experiencing two sudden heart-wrenching partings when she was only a child, Nino Arisugawa has been singing her songs to the ocean, bound by a promise made with her two childhood friends—her first love, Momo Sakaki, and a boy who composed music, Kanade "Yuzu" Yuzuriha. Having never met each other, the boys both individually promised that if Nino was ever separated from them, her voice would be the beacon to reunite them once again. -- -- After six long years, destiny has finally placed Nino, Momo, and Yuzu in the same high school. However, the passage of time has changed many things in their lives—while Nino relentlessly attempts to fulfill her childhood promise with the boys, Yuzu's feelings for her from the past resurface, and Momo goes to great lengths to prevent a reunion with Nino. Through music, will they be able to mend their friendship and overcome all the feelings involved in this complicated love triangle? -- -- 92,198 7.00
Fune wo Amu -- -- Zexcs -- 11 eps -- Novel -- Slice of Life Drama Romance -- Fune wo Amu Fune wo Amu -- Kouhei Araki, a veteran editor of the dictionary editorial division at Genbu Publishing, plans to retire in order to better care for his ailing wife. However, before retiring, he must find a replacement to complete his latest project: a new dictionary called "The Great Passage." But no matter where he looks, he cannot find anyone suitable, as making a dictionary requires a wealth of patience, time, and dedication. -- -- Mitsuya Majime works in Genbu Publishing's sales division, yet he has poor social skills and an inability to read the mood in most situations. In spite of this, he excels at having an enthusiasm for words thanks to his love of reading and careful personality. It is these skills that draw Araki to him and prompt him to offer Majime a position in the dictionary editorial department. As Majime accepts his new position, he finds himself unsure of his abilities and questioning whether he will fit in with his new co-workers. Yet amid the vast sea of words, The Great Passage will bring them together. -- -- 91,862 7.64
Fune wo Amu -- -- Zexcs -- 11 eps -- Novel -- Slice of Life Drama Romance -- Fune wo Amu Fune wo Amu -- Kouhei Araki, a veteran editor of the dictionary editorial division at Genbu Publishing, plans to retire in order to better care for his ailing wife. However, before retiring, he must find a replacement to complete his latest project: a new dictionary called "The Great Passage." But no matter where he looks, he cannot find anyone suitable, as making a dictionary requires a wealth of patience, time, and dedication. -- -- Mitsuya Majime works in Genbu Publishing's sales division, yet he has poor social skills and an inability to read the mood in most situations. In spite of this, he excels at having an enthusiasm for words thanks to his love of reading and careful personality. It is these skills that draw Araki to him and prompt him to offer Majime a position in the dictionary editorial department. As Majime accepts his new position, he finds himself unsure of his abilities and questioning whether he will fit in with his new co-workers. Yet amid the vast sea of words, The Great Passage will bring them together. -- -- -- Licensor: -- Discotek Media -- 91,862 7.64
Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare -- -- Sunrise -- 1 ep -- Manga -- Action Sci-Fi Comedy Historical Parody Samurai Shounen -- Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare -- When Gintoki apprehends a movie pirate at a premiere, he checks the camera's footage and finds himself transported to a bleak, post-apocalyptic version of Edo, where a mysterious epidemic called the "White Plague" has ravished the world's population. It turns out that the movie pirate wasn't a pirate after all—it was an android time machine, and Gintoki has been hurtled five years into the future! Shinpachi and Kagura, his Yorozuya cohorts, have had a falling out and are now battle-hardened solo vigilantes and he himself has been missing for years, disappearing without a trace after scribbling a strange message in his journal. -- -- Setting out in the disguise given to him by the android time machine, Gintoki haphazardly reunites the Yorozuya team to investigate the White Plague, and soon discovers that the key to saving the future lies in the darkness of his own past. Determined to confront a powerful foe, he makes an important discovery—with a ragtag band of friends and allies at his side, he doesn't have to fight alone. -- -- Movie - Jul 6, 2013 -- 177,359 8.95
Granbelm -- -- Nexus -- 13 eps -- Original -- Fantasy Magic Mecha -- Granbelm Granbelm -- Long ago, magic was abundant and enriched the lives of all people until its usage in war. To end the chaos, seven of the most powerful mages gave up their lives in order to seal all magic. Now, almost one thousand years later, their magic seal Magiaconatus hosts Granbelm, a monthly series of battles meant to determine who among its participants is worthy of the title of Princeps, the one true mage. -- -- On the night of a full moon, high school student Mangetsu Kohinata is suddenly transported to an illusionary world where six mages are participating in Granbelm. Mistaken for an enemy mage, Mangetsu is attacked by two mages until she is rescued by Shingetsu Ernesta Fukami and her Armanox Viola Katze. However, when Shingetsu is ambushed for protecting her, Magiaconatus grants Mangetsu the Armanox White Lily, allowing her to fight off Shingetsu's assailant. Overwhelmed by the revelations presented to her, Mangetsu decides to help her new friend fight in Granbelm and make her wish come true. -- -- 42,896 6.73
Hashiri Tsuzukete Yokattatte. -- -- Signal.MD -- 4 eps -- Original -- Drama Slice of Life -- Hashiri Tsuzukete Yokattatte. Hashiri Tsuzukete Yokattatte. -- Minato visits a recitation at an anime event with his friend. He is captivated by the voice actors' performances and decides to enroll in Suidoubashi Animation Academy. There, he meets Chikako, who used to live in the room he is moving into and who left a message in a USB drive. Minato, who aims to be a voice actor but is unable to put himself into the role, and Chikako, who lives with a past trauma, encourage one another and try to improve themselves. With the help of seniors such as Ryouta and Kei watching over them, they try to mature. As they stumble and worry, what lies ahead for them both? -- -- (Source: MAL News) -- 10,172 6.41
Hetalia World Series -- -- Studio Deen -- 48 eps -- Web manga -- Comedy Historical Parody -- Hetalia World Series Hetalia World Series -- The third and fourth seasons of the Hetalia Axis Powers anime. A continuation of the first 2 seasons under a new name, still adapting the online webcomics drawn by Himaruya Hidekaz. -- -- Based on a popular web-released manga series by Hidekazu Himaruya, this has been described as a "cynical gag" story set in Europe in the years between WW1 and WW2 (1915-1939), using exaggerated caricatures of the different nationalities as portrayed by a gaggle of bishōnen. For example, the Italia Veneziano character is into pasta and women. The Deutsche (German) bishi loves potatoes and sausages, and Nippon is an otaku boy. Installments of the manga have jumped back and forth in setting from the ancient times to modern-day geopolitics. The manga's title comes the Japanese words for "useless" (hetare) and Italy (Italia). -- -- (Source: ANI) -- ONA - Mar 26, 2010 -- 99,364 7.54
Higashi no Eden Movie I: The King of Eden -- -- Production I.G -- 1 ep -- Original -- Comedy Drama Mystery Romance Slice of Life Thriller -- Higashi no Eden Movie I: The King of Eden Higashi no Eden Movie I: The King of Eden -- After preventing Japan's destruction, Akira Takizawa made one final request to become the "King of Japan," before he erased his memories once again and disappeared. Leaving Saki Morimi with his cellphone, the only clue she has in regards to Akira's whereabouts is the message, "I'll be waiting where our journey started." -- -- Six months later, rumors have spread about Akira, and Saki's search leads her to New York City. However, Saki is not the only person who goes to investigate—with several billion yen burning a hole in their pockets and a challenge to "save Japan," the remaining Seleção are not far behind. Some are willing to help Akira achieve his goals, but a few are making dangerous moves in order to eliminate him and achieve their own picture of a better Japan. With rising stakes and new revelations, the game is still on. -- -- -- Licensor: -- Funimation -- Movie - Nov 28, 2009 -- 148,746 7.59
Higashi no Eden Movie I: The King of Eden -- -- Production I.G -- 1 ep -- Original -- Comedy Drama Mystery Romance Slice of Life Thriller -- Higashi no Eden Movie I: The King of Eden Higashi no Eden Movie I: The King of Eden -- After preventing Japan's destruction, Akira Takizawa made one final request to become the "King of Japan," before he erased his memories once again and disappeared. Leaving Saki Morimi with his cellphone, the only clue she has in regards to Akira's whereabouts is the message, "I'll be waiting where our journey started." -- -- Six months later, rumors have spread about Akira, and Saki's search leads her to New York City. However, Saki is not the only person who goes to investigate—with several billion yen burning a hole in their pockets and a challenge to "save Japan," the remaining Seleção are not far behind. Some are willing to help Akira achieve his goals, but a few are making dangerous moves in order to eliminate him and achieve their own picture of a better Japan. With rising stakes and new revelations, the game is still on. -- -- Movie - Nov 28, 2009 -- 148,746 7.59
High School DxD BorN: Ishibumi Ichiei Kanzen Kanshuu! Mousou Bakuyou Kaijo Original Video -- -- TNK -- 6 eps -- Light novel -- Comedy Ecchi -- High School DxD BorN: Ishibumi Ichiei Kanzen Kanshuu! Mousou Bakuyou Kaijo Original Video High School DxD BorN: Ishibumi Ichiei Kanzen Kanshuu! Mousou Bakuyou Kaijo Original Video -- Specials included with the Blu-ray/DVD volumes. -- -- "Rias and Akeno's Womanly Battle!?" - Rias and Akeno compete to see whose sexy roleplay has greater appeal for Issei. (3:18) -- "The Church Trio's Underwear, Amen!" - Irina, Xenovia, and Asia compare their "battle underwear". (3:11) -- "Koneko's Healing Sage Arts, Meow" - Koneko has a healing technique, but does Issei have the wrong idea? (3:44) -- "Levia and So" - Tsubaki can't decide between two magical girl costumes and convinces a reluctant Sona to try one one. (3:29) -- "Steamy Grayfia" - Grayfia isn't quite herself when she and Issei accidentally encounter each other in the bath. (3:24) -- "Rossweisse's True Teaching Story" - When Rossweisse helps Issei study for a test, it proves difficult to avoid inappropriately distracting him. (3:07) -- -- Licensor: -- Funimation -- Special - Jul 24, 2015 -- 66,300 7.34
Hoshi no Koe -- -- CoMix Wave Films -- 1 ep -- Original -- Sci-Fi Space Drama Romance Mecha -- Hoshi no Koe Hoshi no Koe -- It is the year 2046, Noboru Terao and Mikako Nagamine are close friends who will soon be graduating junior high school. But after an alien attack on humanity, Mikako is selected for the UN military space expedition set to retaliate against the aliens. Separated, Noboru and Mikako attempt to keep in touch by sending emails to each other with their cell phones. Yet as the expedition journeys farther from Earth, the time it takes for them to transmit and receive each other's messages increases substantially. -- -- Hoshi no Koe revolves around the relationship between this couple as they try to stay connected despite the growing distance between them. -- -- -- Licensor: -- ADV Films -- OVA - Feb 2, 2002 -- 133,072 7.21
Hunter x Hunter: Original Video Animation -- -- Nippon Animation -- 8 eps -- Manga -- Action Adventure Super Power Shounen -- Hunter x Hunter: Original Video Animation Hunter x Hunter: Original Video Animation -- After reuniting with Gon and his friends, Kurapika explained to them the risks he bears because of his abilities. Believing that his target of revenge is no longer alive and the search for his fallen comrade's eyes could truly begin, Kurapika soon after receives a message informing him that all the Spiders still lived. After much discussion between his friends, Gon, Kurapika and company decided to hunt after the one Spider member who's ability could ultimately result in Kurapika's defeat and death. Based on the manga by Togashi Yoshihiro. -- OVA - Jan 17, 2002 -- 104,317 8.32
Innocence -- -- Production I.G -- 1 ep -- Manga -- Military Sci-Fi Police Psychological Mecha -- Innocence Innocence -- With Major Motoko Kusanagi missing, Section 9's Batou is assigned to investigate a string of gruesome murders—seemingly at the hands of faulty gynoids, or sex robots. But when a faulty gynoid leaves Batou a cryptic message, he begins to question the cause of their malfunctions. Suspicions of politically motivated murder and an illegal "ghost" quickly crop up, drawing Batou and his partner Togusa into a perilous web of conspiracy. -- -- As their investigation goes on, the line between man and machine continues to blur, and reality and perception become indistinguishable. Confronting strange and dangerous foes, Batou and Togusa explore a futuristic world filled with machines and living dolls but utterly devoid of humanity. -- -- -- Licensor: -- Bandai Entertainment, Funimation -- Movie - Mar 6, 2004 -- 135,632 7.82
Key the Metal Idol -- -- Studio Pierrot -- 15 eps -- Original -- Action Sci-Fi Music Psychological Drama Mecha -- Key the Metal Idol Key the Metal Idol -- Tokiko Mima, nicknamed "Key," is a 17-year-old girl living in the Japanese countryside who, despite her human-like appearance, is a robot. When Key's grandfather Dr. Murao Mima passes away, he leaves her a dying message, telling her that she can become a real girl if she is able to make thirty thousand friends. Thus, Key moves from the quiet Mamio Valley to the busy streets of Tokyo, where she soon runs into her childhood friend Sakura Kuriyagawa. -- -- Key quickly becomes enamored with idol singer Miho Utsuse and wonders if becoming a singer will allow her to make the amount of friends needed for her to become human. But Miho carries a ominous secret: she is connected to Jinsaku Ajou, an old rival of Dr. Mima trying to make new a breakthrough in robotic weaponry. As Key works to become a real girl, Ajou sets a dangerous plan into action, and it turns out there's much more to Key than meets the eye. -- -- -- Licensor: -- Discotek Media -- OVA - Dec 16, 1994 -- 16,229 6.91
Kimagure Orange☆Road OVA -- -- Studio Pierrot -- 8 eps -- Manga -- Magic Comedy Romance School Drama -- Kimagure Orange☆Road OVA Kimagure Orange☆Road OVA -- Kimagure Orange Road OVA is basically the extension from the TV series. The time frame is probably in the middle of the TV series. -- -- Order to view with the TV series. -- White Lovers - among the episodes 35 and 45 -- Hawai Suspence - among the episodes 17 and 25 -- I was a cat, I was a fish - among the episodes 17 and 30 -- Hurricane Akane, the shape-shifting girl - among the episodes 20 and 25 -- Spring is for Idols - among the episodes 23 and 30 -- Birth of a Star - Right after "Spring is for Idols" -- Unexpected Situation - after the OAV of Akane -- Message in Rouge - after the episode 48 -- -- Licensor: -- AnimEigo, Discotek Media -- OVA - Mar 1, 1989 -- 6,118 7.43
Kindan no Mokushiroku: Crystal Triangle -- -- animate Film -- 1 ep -- Original -- Adventure Military Demons Mystery -- Kindan no Mokushiroku: Crystal Triangle Kindan no Mokushiroku: Crystal Triangle -- In times of olde, God gave mankind the ten commandments, and a message that has been lost to the centuries. In the present, Koichiro Kamishiro is a modern day Indiana Jones who scours (and often destroys) ruins for hints of the past, until one day he runs across a box filled with two crystal triangles. Having inadvertently run across the key to God's lost message, Kamishiro suddenly has a lot to deal with including assassination attempts by the KGB and the CIA, aliens hell-bent on destroying the Earth and the love of several women! -- -- Licensor: -- Central Park Media -- OVA - Jul 22, 1987 -- 1,914 4.56
Konjiki no Gash Bell!!: 101 Banme no Mamono -- -- Toei Animation -- 1 ep -- - -- Adventure Shounen Supernatural -- Konjiki no Gash Bell!!: 101 Banme no Mamono Konjiki no Gash Bell!!: 101 Banme no Mamono -- During the Summer holidays, Gash and gang decide to head for Fuji Mountain for a picnic gathering. There, they encounter a girl with a white magical book. Her name is Kotoha and her book has a message saying that Gash's mother is located a cave in the forest. However, when they eventually found the cave, there was already a blond-haired youth by the name of Wiseman. In order to rescue Wiseman, Gash and the others attempt to proceed into the depths of the cave and stumble upon the entrance to another world. Soon later, the strongest warrior, the Black Knight, appeared before them. Thinking that Gash was the one who stole the 101th magical book, the Black Knight started to attack them. Gash and Kiyomaro have to find the real criminal in exactly 24 hours, or else they will be stuck in the alternative world forever. -- Movie - Aug 7, 2004 -- 7,243 7.28
Koukaku Kidoutai: Stand Alone Complex - The Laughing Man -- -- Production I.G -- 1 ep -- Manga -- Action Sci-Fi Mystery Police Psychological Mecha Seinen -- Koukaku Kidoutai: Stand Alone Complex - The Laughing Man Koukaku Kidoutai: Stand Alone Complex - The Laughing Man -- In 2024, the terrorist incident known as "The Laughing Man Incident" occurred in which Ernest Serano, president of the groundbreaking micromachine company, Serano Genomics, was kidnapped and ransomed. One day, the case having remained unsolved for six years, Detective Yamaguchi, who has been investigating "The Laughing Man Incident," sends word that he wants to meet with Togusa from Public Safety Section 9. However, soon after sending this message, Yamaguchi, crucial to the success of the case, dies in an accident. Many days pass and in the midst of a police interview relay concerning suspicions behind interceptors, a forewarning is received from "The Laughing Man" of his next crime. The incorporeal hacker begins to move once again. -- -- (Source: ANN) -- -- Licensor: -- Bandai Entertainment, Manga Entertainment -- Special - Sep 23, 2005 -- 35,175 8.10
Kyou kara Maou! R -- -- Studio Deen -- 5 eps -- Light novel -- Adventure Comedy Demons Fantasy Shoujo -- Kyou kara Maou! R Kyou kara Maou! R -- Life has returned to some form of normalcy after the end of the series, and so His Majesty Yuuri Shibuya travels to oversee how things are going. While doing so, he runs into the king of Small Shimeron--Sararegi. But it seems there may be something more to him than the friendly king he presents himself as. Yuuri go back to Shimaron to relax and meet some friends, when the "king" of Little Shimaron suddenly joins the group and wants the Maou to come to his country. The Original king sends a message to Yuuri's brother and his friend that Yuuri is in trouble. -- -- (Source: ANN) -- -- Licensor: -- Discotek Media -- OVA - Oct 26, 2007 -- 20,885 7.45
Log Horizon 2nd Season -- -- Studio Deen -- 25 eps -- Light novel -- Action Game Adventure Magic Fantasy -- Log Horizon 2nd Season Log Horizon 2nd Season -- After being trapped in the world of Elder Tale for six months, Shiroe and the other Adventurers have begun to get the hang of things in their new environment. The Adventurers are starting to gain the trust of the People of the Land, and Akiba has flourished thanks to the law and order established by Shiroe's Round Table Alliance, regaining its everyday liveliness. Despite this success, however, the Alliance faces a new crisis: they are running out of funds to govern Akiba, and spies from the Minami district have infiltrated the city. -- -- As formidable forces rise in other districts, there is also a need to discover more about the vast new world they are trapped in—leading Shiroe to decide that the time has come to venture outside the city. Accompanied by his friend Naotsugu and the Sage of Mirror Lake Regan, the calculative Shiroe makes his move, hoping to unravel new possibilities and eventually find a way home. -- -- -- Licensor: -- Sentai Filmworks -- 503,514 7.61
Lupin III: Dead or Alive -- -- Tokyo Movie Shinsha -- 1 ep -- Manga -- Action Adventure Mystery Comedy Seinen -- Lupin III: Dead or Alive Lupin III: Dead or Alive -- Lupin, Goemon, and Jigen take a mini-helicopter and head to the mysterious “Drifting Island” looking for a treasure rumored to be hidden somewhere on it. Through their exploration of the island, the trio encounters the lethal “Nanomachine,” the island’s security system. The trio triggers the alarm, springing “the Nanomachine” to life. The key to solving the island’s mystery lies in the small nation of Zufu. This once prosperous nation is now ruled by the ruthless, knife-collecting, General Headhunter. Fujiko does her usual probing and hacks into General Headhunter’s computer hoping to find some crucial information. Zenigata has received a video message from Lupin in which Lupin announces his desire for the priceless treasure. Oleander, a fiery blond officer with some hidden secrets of her own, steps in to help Zenigata. Armed with their newly found information, Lupin, Goemon, Jigen, and Fujiko go back to “Drifting Island,” but this time they are followed by General Headhunter. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- Movie - Apr 20, 1996 -- 8,836 7.16
Magic Kaito -- -- TMS Entertainment -- 12 eps -- Manga -- Adventure Comedy Romance Shounen -- Magic Kaito Magic Kaito -- Magic is not real—everyone knows that. When performed by a true expert, however, magic possesses the ability to amaze and wonder its audience. Kaito Kuroba, son of world-famous stage magician Touichi Kuroba, is no stranger to this fact. Well-versed in the arts of deception and misdirection, Kaito frequently disrupts the lives of those around him with flashy tricks and pranks. But when Kaito accidentally stumbles upon a hidden passage in his home, he discovers a secret that may well have been the cause of his father's death eight years ago—the dove-white outfit of Kid the Phantom Thief. Wanting to find out more about his father, Kaito dons the outfit and searches for the Pandora Gem that is said to grant immortality. However, he is not the only one after the gem—the organization responsible for his father's death is also hot on his tail! -- -- Magic Kaito follows the rebirth of Kaitou Kid, phantom thief of the night. Utilizing his dummies, disguises, and signature card gun, Kaito sets out to steal the world's most precious jewels, uncovering the truth behind his father's death and the rumored Pandora Gem along the way. -- -- Special - Apr 17, 2010 -- 57,983 7.80
Mahou Shoujo Lyrical Nanoha A's -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha A's Mahou Shoujo Lyrical Nanoha A's -- After solving the incident of the scattered Jewel Seeds, Nanoha Takamachi happily returns to her everyday life, though now with added magic practice in the morning. Exchanging video messages with Fate Testarossa and the crew of the Arthra, Nanoha eagerly awaits the chance to speak with them in person again. But while studying in her room one day, Raising Heart suddenly calls out to Nanoha and warns her of an incoming attack! -- -- The attacker is a young girl named Vita, who calls herself a Belka Knight. She proves her strength by using an intelligent device with a mysterious cartridge system to quickly overwhelm Nanoha. Luckily, the Space-Time Administration Bureau is able to step in before she is completely crushed. Vita and her fellow knights Shamal, Signum, and Zafila are on a mission to steal magical power from mages in order to complete the Book of Darkness, one of the Lost Logia. For what sinister purpose are the knights after this Book of Darkness? -- -- -- Licensor: -- Geneon Entertainment USA -- TV - Oct 2, 2005 -- 57,634 7.98
Mahou Shoujo Lyrical Nanoha A's -- -- Seven Arcs -- 13 eps -- Original -- Action Comedy Drama Magic Super Power -- Mahou Shoujo Lyrical Nanoha A's Mahou Shoujo Lyrical Nanoha A's -- After solving the incident of the scattered Jewel Seeds, Nanoha Takamachi happily returns to her everyday life, though now with added magic practice in the morning. Exchanging video messages with Fate Testarossa and the crew of the Arthra, Nanoha eagerly awaits the chance to speak with them in person again. But while studying in her room one day, Raising Heart suddenly calls out to Nanoha and warns her of an incoming attack! -- -- The attacker is a young girl named Vita, who calls herself a Belka Knight. She proves her strength by using an intelligent device with a mysterious cartridge system to quickly overwhelm Nanoha. Luckily, the Space-Time Administration Bureau is able to step in before she is completely crushed. Vita and her fellow knights Shamal, Signum, and Zafila are on a mission to steal magical power from mages in order to complete the Book of Darkness, one of the Lost Logia. For what sinister purpose are the knights after this Book of Darkness? -- -- TV - Oct 2, 2005 -- 57,634 7.98
Major: Message -- -- SynergySP -- 1 ep -- Manga -- Comedy Drama Shounen Sports -- Major: Message Major: Message -- Thirteen years after achieving major success with the Indiana Hornets, Gorou Honda's career as a pitcher ended abruptly after sustaining a horrible injury. Inspired by his father, who continued playing baseball despite major setbacks, Gorou plans to restart his baseball career and play in a new position. However, his strong dedication to train has puzzled his family, especially his young daughter Izumi, who is frustrated with the absence of her father from her lives. Faced by another tough obstacle, Gorou once again decides to prove his resolve through his beloved sport. -- -- OVA - Dec 17, 2010 -- 25,639 8.20
Mirai Nikki: Redial -- -- Asread -- 1 ep -- Manga -- Action Psychological Supernatural Shounen -- Mirai Nikki: Redial Mirai Nikki: Redial -- Yuno Gasai lives a normal life as a first-year in high school. She gets along well with her parents and even has a small circle of friends. However, she cannot help but feel as if someone is missing from her life, someone so important to her that it was as if she had lived another life trying desperately to stay with them. -- -- After a class trip to the beach, Yuno returns home; but in the middle of the night, she receives strange messages from a voice only she can hear. The voice informs her of the person she is desperate to meet and that she must find him. Soon, she finds herself in a mysterious realm, her only goal being reunited with the person she cannot remember. Though obstacles stand in her way, Yuno will stop at nothing to meet her beloved once again. -- -- -- Licensor: -- Funimation -- OVA - Jun 19, 2013 -- 294,320 7.38
Mirai Nikki: Redial -- -- Asread -- 1 ep -- Manga -- Action Psychological Supernatural Shounen -- Mirai Nikki: Redial Mirai Nikki: Redial -- Yuno Gasai lives a normal life as a first-year in high school. She gets along well with her parents and even has a small circle of friends. However, she cannot help but feel as if someone is missing from her life, someone so important to her that it was as if she had lived another life trying desperately to stay with them. -- -- After a class trip to the beach, Yuno returns home; but in the middle of the night, she receives strange messages from a voice only she can hear. The voice informs her of the person she is desperate to meet and that she must find him. Soon, she finds herself in a mysterious realm, her only goal being reunited with the person she cannot remember. Though obstacles stand in her way, Yuno will stop at nothing to meet her beloved once again. -- -- OVA - Jun 19, 2013 -- 294,320 7.38
Mobile Suit Gundam: Iron-Blooded Orphans - Urðr Hunt -- -- Sunrise Beyond -- ? eps -- Original -- Action Sci-Fi Space Drama Mecha -- Mobile Suit Gundam: Iron-Blooded Orphans - Urðr Hunt Mobile Suit Gundam: Iron-Blooded Orphans - Urðr Hunt -- Year P.D. 323. Gjallarhorn's political intervention into the Arbrau central parliament escalated into an armed conflict using mobile suits. The incident was brought to an end by Tekkadan, a group of boys who came from Mars. -- -- News of Tekkadan's exploits has also reached the ears of Wistario Afam, a youth born and raised at the Radonitsa Colony near Venus. Venus, which lost to Mars in the contest for development, is a remote frontier planet in which the four great economic blocs show little interest. It is now used only as a penal colony for criminals, whose inhabitants don't even have IDs. -- -- Then Wistario, who hopes to change the status quo of this homeland, encounters a girl who claims to be the guide to the Urdr-Hunt. -- -- (Source: Gundam Global Portal) -- -- ONA - ??? ??, ???? -- 7,528 N/ASayonara Ginga Tetsudou 999: Andromeda Shuuchakueki -- -- Studio World, Toei Animation -- 1 ep -- Manga -- Sci-Fi Adventure Space Drama -- Sayonara Ginga Tetsudou 999: Andromeda Shuuchakueki Sayonara Ginga Tetsudou 999: Andromeda Shuuchakueki -- Despite the destruction of the mechanization home world Andromeda, the machine empire is still swept across the galaxy and Earth has become a battleground. Having returned from his journey aboard the train Galaxy Express 999, Tetsurou Hoshino joins the resistance and fights alongside others who have retained their humanity. -- -- When the 999 returns to Earth, Tetsurou receives an enigmatic recorded message from his former traveling companion Maetel, telling him to board the train once more. Fighting his way to Megalopolis station, he makes it onto the train just as it departs. This time, however, Tetsurou is met with several mysteries: Maetel is nowhere to be seen, an ominous "Ghost Train" has appeared, and the ultimate destination of the 999 is unknown. Amid all this, Tetsurou finds himself confronted by the mysterious black knight Faust and soon discovers the machine empire's darkest secret. -- -- -- Licensor: -- Discotek Media -- Movie - Jan 8, 1981 -- 7,501 7.29
Nisemonogatari -- -- Shaft -- 11 eps -- Light novel -- Mystery Comedy Supernatural Ecchi -- Nisemonogatari Nisemonogatari -- Surviving a vampire attack, meeting several girls plagued by supernatural entities, and just trying to get through life are some of the things high school student Koyomi Araragi has had to deal with lately. On top of all this, he wakes up one morning to find himself kidnapped and tied up by his girlfriend Hitagi Senjougahara. Having run afoul of Deishuu Kaiki, a swindler who conned Senjougahara's family, she has taken it upon herself to imprison Araragi to keep him safe from the con man. But when Araragi gets a frantic message from his sister Karen, he learns that the fraud has set his sights on her. -- -- Along with Karen's troubles, his other sister, Tsukihi, is having issues of her own. And when two mysterious women who seem to know more than they should about Araragi and his special group of friends step into their lives, not even he could anticipate their true goals, nor the catastrophic truths soon to be revealed. -- -- -- Licensor: -- Aniplex of America -- 593,904 8.17
Nisou no Kuzu -- -- - -- 1 ep -- Original -- Psychological -- Nisou no Kuzu Nisou no Kuzu -- The dialogue in question takes place between a woman, who appears to be submerged in water, and a man who sits by a tree on sandy soil. The messages the couple sends back and forth to one another take the form of metaphor: a seed, a fish, a thorn, and so on. -- -- (Source: Midnight Eye) -- Movie - ??? ??, 2004 -- 654 4.99
Noir -- -- Bee Train -- 26 eps -- Original -- Action Mystery Drama -- Noir Noir -- Noir—a name that strikes fear in the hearts of those who know the history behind the moniker. Long ago it was the code name of a very successful and feared assassin and now it is being used by two women who want answers to questions they have about their lives. -- -- The main character in this series is a highly skilled assassin named Mireille Bouquet who is based out of France. One day, she receives a mysterious email from a girl named Kirika. Following up on the message, Mireille goes to meet this girl and discovers that not only does the girl have no idea who she really is, but she also has no idea why she is so skilled at killing people and why she feels no remorse when she does. Realizing that their lives are linked somehow, Mireille and Kirika team up and begin traveling the world together as they seek out the answers to their shared histories, while avoiding the grip of an organization known as Les Soldats. Will the two find the answers they are looking for? And will that truth free them, or ruin them? -- 95,495 7.31
Noir -- -- Bee Train -- 26 eps -- Original -- Action Mystery Drama -- Noir Noir -- Noir—a name that strikes fear in the hearts of those who know the history behind the moniker. Long ago it was the code name of a very successful and feared assassin and now it is being used by two women who want answers to questions they have about their lives. -- -- The main character in this series is a highly skilled assassin named Mireille Bouquet who is based out of France. One day, she receives a mysterious email from a girl named Kirika. Following up on the message, Mireille goes to meet this girl and discovers that not only does the girl have no idea who she really is, but she also has no idea why she is so skilled at killing people and why she feels no remorse when she does. Realizing that their lives are linked somehow, Mireille and Kirika team up and begin traveling the world together as they seek out the answers to their shared histories, while avoiding the grip of an organization known as Les Soldats. Will the two find the answers they are looking for? And will that truth free them, or ruin them? -- -- Licensor: -- ADV Films, Funimation -- 95,495 7.31
Nurarihyon no Mago OVA -- -- Studio Deen -- 2 eps -- Manga -- Action Demons Shounen Supernatural -- Nurarihyon no Mago OVA Nurarihyon no Mago OVA -- The story begins at about 100 years after the disappearance of Otome Yamabuki, Rihan Nura's first wife. Rihan has finally pulled himself together and his life returns to normal. As the head of the Nura Clan, he's busy working on building a harmonious world for humans and youkais. One day, he sees Setsura being upset so he decides to cheer her up by taking the clan to go enjoy the hot spring where Setsura makes up her mind to tell Rihan that she met Otome once after she left him about 100 years ago. She tells him the message that Otome left for him and the truth is...? -- -- (Source: Mangahere.com) -- OVA - Dec 4, 2012 -- 21,631 7.72
One Piece: Romance Dawn Story -- -- Toei Animation -- 1 ep -- Manga -- Action Fantasy Comedy Super Power Shounen -- One Piece: Romance Dawn Story One Piece: Romance Dawn Story -- The Straw Hat Pirates, searching for the great passage "Grand Line", are in trouble when their food runs out! Luffy, searching for food on his own, finds a ship belonging to the pirate, Gary, and takes it over!! He lands at a nearby town... -- -- Luffy was attacked by a young girl, Silk, who mistook him for a member of the other pirate gang. As the two eat a meal, they tell their stories. Meanwhile, Gary and his band are burning with anger at Luffy, demanding payment from the town's defenseless citizens...!! -- -- (Source: jumpland.com/animetour/op/index_en.html) -- OVA - Nov 24, 2008 -- 39,720 7.38
Ore dake Haireru Kakushi Dungeon -- -- Okuruto Noboru -- 12 eps -- Light novel -- Action Adventure Harem Ecchi Fantasy -- Ore dake Haireru Kakushi Dungeon Ore dake Haireru Kakushi Dungeon -- Despite his noble title, Noir Starga is at the bottom of the social hierarchy. Because of this, his fellow nobles oppress him and treat him like garbage. However, he possesses a rare yet powerful ability to communicate with the Great Sage, an oracle who grants Noir the answer to absolutely anything. -- -- After failing to secure a job as a librarian, Noir decides to join the Hero Academy. He knows he must become stronger to enter the institution. The Great Sage advises him to explore a hidden dungeon deep within the mountains. There, Noir meets Olivia Servant, a beautiful yet enchained maiden trapped within the labyrinth. Olivia bestows upon Noir a set of ridiculously powerful skills that grants him virtually total control over reality. Naturally, there is a catch—every time Noir attempts to use his powers, his life points decrease, putting his life at risk. To replenish his energy, he must give in to worldly pleasures such as kissing his childhood friend! -- -- With his newfound powers, Noir begins his journey as a student in the Hero Academy, meeting new acquaintances and helping them through the dire situations ahead. -- -- 189,648 6.26
Ore no Imouto ga Konnani Kawaii Wake ga Nai. -- -- A-1 Pictures -- 13 eps -- Light novel -- Comedy Romance Slice of Life -- Ore no Imouto ga Konnani Kawaii Wake ga Nai. Ore no Imouto ga Konnani Kawaii Wake ga Nai. -- The diehard otaku Kirino Kousaka has returned and settled back into life in Japan with her friends and family. Despite what her older brother Kyousuke has previously done for her, Kirino continues to give him the cold shoulder, much to his frustration. He is worried that his persuasion for Kirino to drop her track and field training in America and return home may have severely strained his relationship with her. On top of that, Kyousuke now also has to decode a bold and cryptic message from Ruri "Kuroneko" Gokou, his junior at school as well as Kirino's friend. -- -- As the ties between the two siblings and their friends deepen, Kirino and Kyousuke will soon have to figure out how they want to deal with these relationships, helping each other realize their own feelings in the process. In spite of that, Kirino still manages to find time to satisfy her otaku needs with the company of her brother. -- -- -- Licensor: -- Aniplex of America -- TV - Apr 7, 2013 -- 367,951 7.03
Rakuen Tsuihou -- -- Graphinica -- 1 ep -- Original -- Action Sci-Fi Mecha -- Rakuen Tsuihou Rakuen Tsuihou -- In a future where a massive disaster has devastated Earth, most of humanity has abandoned their physical bodies and relocated in digital form to DEVA, an advanced space station orbiting the ravaged planet. Free from the limitations of traditional existence, such as death and hunger, the inhabitants of this virtual reality reside in relative peace until Frontier Setter, a skilled hacker, infiltrates the system and spreads subversive messages to the populace. -- -- Labeled a threat to security by authorities, Frontier Setter is pursued by Angela Balzac, a dedicated member of DEVA's law enforcement. When the hacker's signal is traced to Earth, Angela takes on physical form, transferring her consciousness to a clone body and traveling to the world below in order to deal with the menace. On Earth, she is assisted by Dingo, a charismatic agent, and during her journey to uncover the mystery behind Frontier Setter, she gradually discovers startling realities about the wasteland some of humanity still refers to as home, as well as the paradise above. -- -- -- Licensor: -- Aniplex of America -- Movie - Nov 15, 2014 -- 83,758 7.37
Rakuen Tsuihou -- -- Graphinica -- 1 ep -- Original -- Action Sci-Fi Mecha -- Rakuen Tsuihou Rakuen Tsuihou -- In a future where a massive disaster has devastated Earth, most of humanity has abandoned their physical bodies and relocated in digital form to DEVA, an advanced space station orbiting the ravaged planet. Free from the limitations of traditional existence, such as death and hunger, the inhabitants of this virtual reality reside in relative peace until Frontier Setter, a skilled hacker, infiltrates the system and spreads subversive messages to the populace. -- -- Labeled a threat to security by authorities, Frontier Setter is pursued by Angela Balzac, a dedicated member of DEVA's law enforcement. When the hacker's signal is traced to Earth, Angela takes on physical form, transferring her consciousness to a clone body and traveling to the world below in order to deal with the menace. On Earth, she is assisted by Dingo, a charismatic agent, and during her journey to uncover the mystery behind Frontier Setter, she gradually discovers startling realities about the wasteland some of humanity still refers to as home, as well as the paradise above. -- -- Movie - Nov 15, 2014 -- 83,758 7.37
Reikenzan: Hoshikuzu-tachi no Utage -- -- Studio Deen -- 12 eps -- Light novel -- Comedy Magic Fantasy -- Reikenzan: Hoshikuzu-tachi no Utage Reikenzan: Hoshikuzu-tachi no Utage -- Long ago in the nine provinces of Kyushu, a calamitous event was prophesied to take place: falling comets would exhaust the spiritual energies of both the heavens and the lands and thus bring about an age of chaos upon the world. But contrary to the prophecy, the comets passed by with no calamity taking place. At the same time, as if touched by the phenomenon, a boy was born in a remote village of the Sokei region by the name of Ouriku. -- -- Twelve years later, as the memories of the event have faded from people's minds, the Reikenzan clan—one of the five supreme sects of the nine provinces—decides to hold an examination in order to gather the most talented individuals fit to become disciples and eventually sages. Hearing about this news, Ouriku and his servant Ouchou head toward the site, unaware that the organizer Oubu, despite her elegant appearance, is infamous for being extremely irresponsible and carefree; hence, making the trials in the examination unpredictable. -- -- Reikenzan: Hoshikuzu-tachi no Utage follows the story of Ouriku as he journeys through these trials to become a powerful sage. -- -- 79,165 7.10
Robotics;Notes -- -- Production I.G -- 22 eps -- Visual novel -- Sci-Fi Mystery Drama Mecha School -- Robotics;Notes Robotics;Notes -- It has always been the aspiration of the Central Tanegashima High School Robotics Research Club to complete the GunPro1, a fully functioning giant robot. For years, the members of the club have contributed to its progress and it is now Akiho Senomiya's goal to finally make the dream of all the past club members become a reality. However, things are not as easy as they seem as the club lacks the funding for such a huge endeavor. Aside from that, the only other club member, Kaito Yashio, shows no interest in assisting his childhood friend and instead indulges in playing mecha-fighting games on his "PokeCom." -- -- As Kaito is in the middle of wasting his days, he receives an indecipherable message and hears a voice that seems to be drowned out by the noise of static. He searches for the source, only to realize that it came from Airi Yukifune, an AI which only exists within the augmented reality system accessible via the PokeCom. Robotic;Notes follows the story of Kaito as he discovers a peculiar report in Airi's database, one that would have disastrous consequences in the future. -- -- -- Licensor: -- Funimation -- 159,591 7.34
Rozen Maiden (2013) -- -- Studio Deen -- 13 eps -- Manga -- Action Comedy Drama Magic Seinen -- Rozen Maiden (2013) Rozen Maiden (2013) -- During the events of the original Rozen Maiden, after circling "yes" on a paper and agreeing to wind an unknown "something," a traumatized Jun Sakurada fights alongside the lifelike dolls known as the Rozen Maidens. But what would have happened if Jun had circled "no"? -- -- Jun, having gotten over his school trauma from his younger days, spends his time attending college and working in a bookstore. However, he does not feel as though he belongs anywhere. One day, he finds a book containing instructions on how to make a Rozen Maiden. Mysteriously, when he arrives home that night, the second volume in the book series has been delivered to his house, along with some pieces of a doll. But as suddenly as they started arriving, the books stop coming, and Jun gets a notice that says that the books have ceased being published. With an incomplete doll in hand, and a message from his other self in another world, this Jun also finds his way into the world of the Rozen Maidens. -- -- 67,502 7.34
Rozen Maiden (2013) -- -- Studio Deen -- 13 eps -- Manga -- Action Comedy Drama Magic Seinen -- Rozen Maiden (2013) Rozen Maiden (2013) -- During the events of the original Rozen Maiden, after circling "yes" on a paper and agreeing to wind an unknown "something," a traumatized Jun Sakurada fights alongside the lifelike dolls known as the Rozen Maidens. But what would have happened if Jun had circled "no"? -- -- Jun, having gotten over his school trauma from his younger days, spends his time attending college and working in a bookstore. However, he does not feel as though he belongs anywhere. One day, he finds a book containing instructions on how to make a Rozen Maiden. Mysteriously, when he arrives home that night, the second volume in the book series has been delivered to his house, along with some pieces of a doll. But as suddenly as they started arriving, the books stop coming, and Jun gets a notice that says that the books have ceased being published. With an incomplete doll in hand, and a message from his other self in another world, this Jun also finds his way into the world of the Rozen Maidens. -- -- -- Licensor: -- Sentai Filmworks -- 67,502 7.34
Saraba Uchuu Senkan Yamato: Ai no Senshi-tachi -- -- - -- 1 ep -- Original -- Action Military Sci-Fi Space Drama -- Saraba Uchuu Senkan Yamato: Ai no Senshi-tachi Saraba Uchuu Senkan Yamato: Ai no Senshi-tachi -- In the year 2201, one year after the Yamato saved Earth from radioactive contamination, a new threat emerges. The Yamato makes its final journey to save the Earth from this new threat. -- -- Earth has almost recovered from the battle against Gamilus, and reconstruction has expanded to the other planets. When former Yamato crew-mates discover a strange, garbled message that seems to be coming from a white comet headed towards Earth, they hijack their old space fortress and begin a new battle. -- -- (Source: AnimeNfo) -- Movie - Aug 5, 1978 -- 3,387 7.09
Sentou Yousei Yukikaze -- -- Gonzo -- 5 eps -- Novel -- Action Drama Military Psychological Sci-Fi Space -- Sentou Yousei Yukikaze Sentou Yousei Yukikaze -- This full 3DCG digital animation has story takes place in the far future after a pillar of huge fog appeared suddenly in the South Pole. This pillar, known as Jam, is actually a passage for an earth invasion. -- -- In order to oppose the threat, the United Nations established an earth defense mechanism. Fukai Zero is a hero registered to the main force of earth defense and the special 5th flight squadron. His reconnaissance plane, Yukikaze (windblown snow) is the best tactical reconnaissance plane. His job is to collect battle information return safely to the base with the information. But one day when he about to finish his duty, an unidentified machine attacked him... -- -- (Source: AnimeNfo) -- -- Licensor: -- Bandai Entertainment -- OVA - Aug 25, 2002 -- 15,775 7.20
Shigofumi -- -- J.C.Staff -- 12 eps -- Original -- Drama Fantasy Psychological Supernatural Thriller -- Shigofumi Shigofumi -- There are some things that people are unable to say while they are alive; for these, there are "shigofumi," letters carried from the world of the dead to the world of the living. When a person with strong emotions dies, they are able to create a shigofumi, whether their feelings are of love, longing, or resentment. It is the quiet and mysterious Fumika's job to deliver these messages from the departed. Along with her talking magic staff Kanaka, she ensures that each shigofumi reaches its intended recipient, even if that person does not want to face its contents. -- -- Fumika witnesses the tragedies of people, both dead and alive, and sees their deepest secrets revealed. What is unclear, however, are the details of Fumika's past. Who was she before she came to be a carrier of shigofumi? -- -- -- Licensor: -- Sentai Filmworks -- TV - Jan 6, 2008 -- 79,028 7.49
Shigofumi -- -- J.C.Staff -- 12 eps -- Original -- Drama Fantasy Psychological Supernatural Thriller -- Shigofumi Shigofumi -- There are some things that people are unable to say while they are alive; for these, there are "shigofumi," letters carried from the world of the dead to the world of the living. When a person with strong emotions dies, they are able to create a shigofumi, whether their feelings are of love, longing, or resentment. It is the quiet and mysterious Fumika's job to deliver these messages from the departed. Along with her talking magic staff Kanaka, she ensures that each shigofumi reaches its intended recipient, even if that person does not want to face its contents. -- -- Fumika witnesses the tragedies of people, both dead and alive, and sees their deepest secrets revealed. What is unclear, however, are the details of Fumika's past. Who was she before she came to be a carrier of shigofumi? -- -- TV - Jan 6, 2008 -- 79,028 7.49
Shingeki no Kyojin: The Final Season Part 2 -- -- - -- ? eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin: The Final Season Part 2 Shingeki no Kyojin: The Final Season Part 2 -- Second part of Shingeki no Kyojin: The Final Season. -- TV - Jan ??, 2022 -- 161,248 N/A -- -- Robotics;Notes -- -- Production I.G -- 22 eps -- Visual novel -- Sci-Fi Mystery Drama Mecha School -- Robotics;Notes Robotics;Notes -- It has always been the aspiration of the Central Tanegashima High School Robotics Research Club to complete the GunPro1, a fully functioning giant robot. For years, the members of the club have contributed to its progress and it is now Akiho Senomiya's goal to finally make the dream of all the past club members become a reality. However, things are not as easy as they seem as the club lacks the funding for such a huge endeavor. Aside from that, the only other club member, Kaito Yashio, shows no interest in assisting his childhood friend and instead indulges in playing mecha-fighting games on his "PokeCom." -- -- As Kaito is in the middle of wasting his days, he receives an indecipherable message and hears a voice that seems to be drowned out by the noise of static. He searches for the source, only to realize that it came from Airi Yukifune, an AI which only exists within the augmented reality system accessible via the PokeCom. Robotic;Notes follows the story of Kaito as he discovers a peculiar report in Airi's database, one that would have disastrous consequences in the future. -- -- -- Licensor: -- Funimation -- 159,591 7.34
Shinsekai yori -- -- A-1 Pictures -- 25 eps -- Novel -- Drama Horror Mystery Psychological Sci-Fi Supernatural -- Shinsekai yori Shinsekai yori -- In the town of Kamisu 66, 12-year-old Saki Watanabe has just awakened to her psychic powers and is relieved to rejoin her friends—the mischievous Satoru Asahina, the shy Mamoru Itou, the cheerful Maria Akizuki, and Shun Aonuma, a mysterious boy whom Saki admires—at Sage Academy, a special school for psychics. However, unease looms as Saki begins to question the fate of those unable to awaken to their powers, and the children begin to get involved with secretive matters such as the rumored Tainted Cats said to abduct children. -- -- Shinsekai yori tells the unique coming-of-age story of Saki and her friends as they journey to grow into their roles in the supposed utopia. Accepting these roles, however, might not come easy when faced with the dark and shocking truths of society, and the impending havoc born from the new world. -- -- -- Licensor: -- Sentai Filmworks -- 636,563 8.34
Shoumetsu Toshi -- -- Madhouse -- 12 eps -- Game -- Action Adventure Mystery Drama Fantasy -- Shoumetsu Toshi Shoumetsu Toshi -- One day, a city suddenly disappears. Takuya, a professional by-the-contract courier and lone wolf, meets Yuki, the only survivor from the city's extinction. The two rely on a message from Yuki's father, who was heard to be missing, and head toward the disappeared city, Lost. -- -- However, unexpected obstacles strike before the pair, with the reality especially shocking for Yuki. Before them are the feelings of those left behind, a mysterious group manipulating in the shadows, and unveiling the hidden conspiracy. Takuya and Yuki, who both were initially strangers, would deepen their bond during the journey and unravel the mystery of the Lost city. -- -- (Source: MAL News) -- -- Licensor: -- Funimation -- 54,573 5.46
Skull Man -- -- Bones -- 13 eps -- Manga -- Action Mystery Super Power -- Skull Man Skull Man -- Otomo City: where freedom and justice have atrophied to the bone; where conspiracy rules the day and death stalks the night... Death in the form of the Skull Man, a literal Grim Reaper whose skeletal grin presages grisly mayhem and murder, even to the monstrous mutants that haunt the city's underworlds! -- -- To investigate a bizarre slaying, journalist Minagami Hayato and photographer Kiriko Mamiya must stalk this ultimate predator, through a festering cadaver of a city where the corruption flows in rivers as deep and foul as the sins of the reigning elite, and unearth a secret so shocking that an entire city has been turned into a tomb to contain! In a nightmarish necropolis where nothing is as it seems, vengeance comes in the form of a living Death's-Head! -- -- (Source: Sentai Filmworks) -- -- Licensor: -- Sentai Filmworks -- TV - Apr 29, 2007 -- 26,006 6.65
Slayers Try -- -- J.C.Staff -- 26 eps -- Light novel -- Adventure Comedy Demons Magic Fantasy Shounen -- Slayers Try Slayers Try -- For nearly a millennium, demons have imposed a magical barrier that has impeded the people trapped within it from reaching the outside world. Now that it is broken, several kingdoms seek to explore the lands that were once beyond their grasp. To this end, they establish a peace delegation to make contact with the inhabitants of the new world. -- -- Meanwhile, the young sorceress Lina Inverse receives a message from a mysterious woman named Filia ul Copt. When they meet, Filia expresses interest in hiring Lina and her friends, having heard of their great deeds, for a certain task that will take them to the outside realm. Despite that, Filia feels the need to put their strength to the test and pits them against a dragon in the middle of the city! After proving themselves, the sorceress and her fellow adventurers set off for the unexplored lands, where many adventures and a worrying prophecy await them. -- -- 47,772 7.83
Slayers Try -- -- J.C.Staff -- 26 eps -- Light novel -- Adventure Comedy Demons Magic Fantasy Shounen -- Slayers Try Slayers Try -- For nearly a millennium, demons have imposed a magical barrier that has impeded the people trapped within it from reaching the outside world. Now that it is broken, several kingdoms seek to explore the lands that were once beyond their grasp. To this end, they establish a peace delegation to make contact with the inhabitants of the new world. -- -- Meanwhile, the young sorceress Lina Inverse receives a message from a mysterious woman named Filia ul Copt. When they meet, Filia expresses interest in hiring Lina and her friends, having heard of their great deeds, for a certain task that will take them to the outside realm. Despite that, Filia feels the need to put their strength to the test and pits them against a dragon in the middle of the city! After proving themselves, the sorceress and her fellow adventurers set off for the unexplored lands, where many adventures and a worrying prophecy await them. -- -- -- Licensor: -- Central Park Media, Funimation -- 47,772 7.83
Subarashiki Kono Sekai The Animation -- -- domerica, Shin-Ei Animation -- 12 eps -- Game -- Action Adventure -- Subarashiki Kono Sekai The Animation Subarashiki Kono Sekai The Animation -- Neku Sakuraba, a 15-year-old boy with a hobby for music and graffiti, wakes up in what seems to be the Shibuya shopping district of Tokyo, Japan. With no idea why he's there, he opens his hand to realize he is holding a strange black pin. After flipping it with his hand, the thoughts of the people surrounding him begins to flow into his head at once. Surprised, Neku discovers he is able to read the minds of others and assumes it has something to do with the black pin he is holding. -- -- A cell phone starts to ring in his pocket, and he can't tell whether it is his or not. A text message appears: "Reach 104. You have 60 minutes. Fail, and face erasure. -The Reapers." After discovering he can't delete the message, a timer of 60 minutes imprints onto his right hand. Neku is in Shibuya to play the "Reapers' Game," which spans a total of seven days. All Players of the Reapers' Game have a black pin with a skull embedded on it. -- -- (Source: Wikipedia, edited) -- -- Licensor: -- Funimation -- 42,433 6.32
Summer Wars -- -- Madhouse -- 1 ep -- Original -- Sci-Fi Comedy -- Summer Wars Summer Wars -- OZ, a virtual world connected to the internet, has become extremely popular worldwide as a spot for people to engage in a large variety of activities, such as playing sports or shopping, through avatars created and customized by the user. OZ also possesses a near impenetrable security due to its strong encryption, ensuring that any personal data transmitted through the networks will be kept safe in order to protect those who use it. Because of its convenient applications, the majority of society has become highly dependent on the simulated reality, even going as far as entrusting the system with bringing back the unmanned asteroid explorer, Arawashi. -- -- Kenji Koiso is a 17-year-old math genius and part-time OZ moderator who is invited by his crush Natsuki Shinohara on a summer trip. But unbeknownst to him, this adventure requires him to act as her fiancé. Shortly after arriving at Natsuki's family's estate, which is preparing for her great-grandmother's 90th birthday, he receives a strange, coded message on his cell phone from an unknown sender who challenges him to solve it. Kenji is able to crack the code, but little does he know that his math expertise has just put Earth in great danger. -- -- -- Licensor: -- Funimation, GKIDS, Warner Bros. Japan -- Movie - Aug 1, 2009 -- 435,444 8.08
Tales of Symphonia The Animation: Sylvarant-hen -- -- ufotable -- 4 eps -- Game -- Action Adventure Magic Martial Arts Fantasy -- Tales of Symphonia The Animation: Sylvarant-hen Tales of Symphonia The Animation: Sylvarant-hen -- Two worlds exist, both unaware of the existance of the other. In order for one world to flourish, the other will have to perish. On the perishing world, a Chosen one is sent on a journey to restore that world's mana by awakening the Spirits and becoming an angel. Colette Brunel, the Chosen of Sylvarant, sets out on her journey accompanied by her best friends Lloyd Irving and Genis Sage. As they travel further they meet more friends and even more enemies, while they learn more and more about the truth behind the World Regeneration. -- -- (Source: ANN) -- OVA - Jun 8, 2007 -- 47,617 7.17
The Animatrix -- -- Madhouse, Studio 4°C -- 9 eps -- Other -- Action Drama Sci-Fi -- The Animatrix The Animatrix -- 1. Final Flight of the Osiris -- The crew of the Osiris discover an army preparing to invade Zion. While one crew member races inside the Matrix to get the message to Zion, the others try desperately to buy her enough time while fighting off an onslaught of Sentinels they can't possibly defeat. -- -- 2-3. The Second Renaissance Part 1 and 2 -- Humans have created the ultimate AI, which is just as smart as they are. But complications arise when these robots and the humans try to exist peacefully, and eventually all-out war breaks out. The humans ultimately lose the war, and become trapped in the Matrix as seen in the live-action films. -- -- 4. Kid's Story -- A young man discovers that his world isn't real, that it's a computer-generated fantasy land created by robots using humans for energy. He escapes with the help of the hacker Neo. Based on the Matrix trilogy. -- -- 5. Program -- Cis and Duo engage in battle in a virtual recreation of Feudal Japan. -- -- 6. World Record -- While running the fastest race in his life, a champion track star breaks free of his computer-generated world for a small period of time. When he goes back to the real world, he has no memories and is placed in a nursing home. Based on the Matrix trilogy. -- -- 7. Beyond -- While looking for her lost pet, a young woman meets up with some kids in Tokyo to play in a "haunted house," which is really a glitch in their computer world. Based on the Matrix trilogy. -- -- 8. Detective Story -- A detective named Ash is called upon by a mysterious organization to hunt down the notorious hacker Trinity. -- -- 9. Matriculated -- A group of scientists capture a robot and place it in a surreal fantasy world. When the robot's friends come in and kill most of the scientists; however, the robot and the last scientist remaining face isolation in the computer-generated world. Based on the Matrix trilogy. -- -- (Source: ANN) -- -- Licensor: -- Warner Bros. Japan -- OVA - Jun 3, 2003 -- 66,027 7.30
The Animatrix -- -- Madhouse, Studio 4°C -- 9 eps -- Other -- Action Drama Sci-Fi -- The Animatrix The Animatrix -- 1. Final Flight of the Osiris -- The crew of the Osiris discover an army preparing to invade Zion. While one crew member races inside the Matrix to get the message to Zion, the others try desperately to buy her enough time while fighting off an onslaught of Sentinels they can't possibly defeat. -- -- 2-3. The Second Renaissance Part 1 and 2 -- Humans have created the ultimate AI, which is just as smart as they are. But complications arise when these robots and the humans try to exist peacefully, and eventually all-out war breaks out. The humans ultimately lose the war, and become trapped in the Matrix as seen in the live-action films. -- -- 4. Kid's Story -- A young man discovers that his world isn't real, that it's a computer-generated fantasy land created by robots using humans for energy. He escapes with the help of the hacker Neo. Based on the Matrix trilogy. -- -- 5. Program -- Cis and Duo engage in battle in a virtual recreation of Feudal Japan. -- -- 6. World Record -- While running the fastest race in his life, a champion track star breaks free of his computer-generated world for a small period of time. When he goes back to the real world, he has no memories and is placed in a nursing home. Based on the Matrix trilogy. -- -- 7. Beyond -- While looking for her lost pet, a young woman meets up with some kids in Tokyo to play in a "haunted house," which is really a glitch in their computer world. Based on the Matrix trilogy. -- -- 8. Detective Story -- A detective named Ash is called upon by a mysterious organization to hunt down the notorious hacker Trinity. -- -- 9. Matriculated -- A group of scientists capture a robot and place it in a surreal fantasy world. When the robot's friends come in and kill most of the scientists; however, the robot and the last scientist remaining face isolation in the computer-generated world. Based on the Matrix trilogy. -- -- (Source: ANN) -- OVA - Jun 3, 2003 -- 66,027 7.30
Touken Ranbu: Hanamaru -- -- Doga Kobo -- 12 eps -- Game -- Action Slice of Life Comedy Historical Drama Fantasy -- Touken Ranbu: Hanamaru Touken Ranbu: Hanamaru -- In the year 2205, a special sage known as Saniwa has the ability to breathe life into inanimate objects. At the same time, dark forces have initiated a plot to travel back in time and change the course of history—and the only ones capable of stopping them are the Saniwa and their strongest animations: historical Japanese swords, in the form of handsome young men. -- -- Touken Ranbu: Hanamaru opens on the life of Yamatonokami Yasusada, Souji Okita's beloved uchigatana, as he begins his first day at the Saniwa's citadel. Soon reuniting with his old friend, Kashuu Kiyomitsu, the two are caught up in the daily antics of their fellow sword warriors. They never miss an opportunity to have fun, whether it be through wild snowball fights or introducing their newest comrades to the citadel. Of course, when the government calls, the swords are always ready to fulfill their mission of protecting history. -- -- 68,208 6.81
Touken Ranbu: Hanamaru -- -- Doga Kobo -- 12 eps -- Game -- Action Slice of Life Comedy Historical Drama Fantasy -- Touken Ranbu: Hanamaru Touken Ranbu: Hanamaru -- In the year 2205, a special sage known as Saniwa has the ability to breathe life into inanimate objects. At the same time, dark forces have initiated a plot to travel back in time and change the course of history—and the only ones capable of stopping them are the Saniwa and their strongest animations: historical Japanese swords, in the form of handsome young men. -- -- Touken Ranbu: Hanamaru opens on the life of Yamatonokami Yasusada, Souji Okita's beloved uchigatana, as he begins his first day at the Saniwa's citadel. Soon reuniting with his old friend, Kashuu Kiyomitsu, the two are caught up in the daily antics of their fellow sword warriors. They never miss an opportunity to have fun, whether it be through wild snowball fights or introducing their newest comrades to the citadel. Of course, when the government calls, the swords are always ready to fulfill their mission of protecting history. -- -- -- Licensor: -- Funimation -- 68,208 6.81
Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? -- -- J.C.Staff -- 12 eps -- Light novel -- Adventure Comedy Fantasy -- Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? -- Forming a party with one's mother in an online game seems not only unlikely but also uncomfortable to most teenage gamers. -- -- Unfortunately, Masato Oosuki finds himself in that exact scenario. After completing a seemingly meaningless survey, he is thrown into the world of a fantasy MMORPG—and his mother Mamako actually tagged along with him! On top of all of that, Mamako turns out to be an overpowered swordswoman, possessing the power of two-hit multi-target attacks! After minor tension between the two, they search for party members, meeting the merchant Porta and the sage Wise, starting their journey to clear the game. -- -- -- Licensor: -- Aniplex of America -- 191,502 5.54
Uchuu Kaizoku Captain Herlock -- -- Toei Animation -- 42 eps -- Manga -- Action Sci-Fi Adventure Space Drama Seinen -- Uchuu Kaizoku Captain Herlock Uchuu Kaizoku Captain Herlock -- It is 2977 AD and mankind has become stagnant. Robots do all the work, the masses are kept tranquil by subliminal messages, and government officials are lazy, caring only about recreational activities like golf and horse racing. Captain Herlock has defied this insipid mentality, leading a group of like-minded rebels to a more adventurous life aboard the spaceship Arcadia. -- -- A mysterious force known as the Mazone has invaded the Earth, taking the form of mysterious cloaked women that kill anyone who suspect their nefarious doings, such as Tadashi Daiba who is now on their hit-list. After his scientist father is ignored by the government and killed by the Mazone, he joins Captain Herlock and his ragtag group of pirates to assist them as they try to save humanity from the impending alien threat. -- -- -- Licensor: -- Discotek Media -- TV - Mar 14, 1978 -- 29,306 7.70
Uchuu Kaizoku Captain Herlock -- -- Toei Animation -- 42 eps -- Manga -- Action Sci-Fi Adventure Space Drama Seinen -- Uchuu Kaizoku Captain Herlock Uchuu Kaizoku Captain Herlock -- It is 2977 AD and mankind has become stagnant. Robots do all the work, the masses are kept tranquil by subliminal messages, and government officials are lazy, caring only about recreational activities like golf and horse racing. Captain Herlock has defied this insipid mentality, leading a group of like-minded rebels to a more adventurous life aboard the spaceship Arcadia. -- -- A mysterious force known as the Mazone has invaded the Earth, taking the form of mysterious cloaked women that kill anyone who suspect their nefarious doings, such as Tadashi Daiba who is now on their hit-list. After his scientist father is ignored by the government and killed by the Mazone, he joins Captain Herlock and his ragtag group of pirates to assist them as they try to save humanity from the impending alien threat. -- -- TV - Mar 14, 1978 -- 29,306 7.70
Uchuu Senkan Yamato 2199 -- -- AIC, Xebec -- 26 eps -- Original -- Action Military Sci-Fi Space Drama -- Uchuu Senkan Yamato 2199 Uchuu Senkan Yamato 2199 -- In the year 2199, Earth faces its greatest crisis. Due to unrelenting bombings by the alien race known as "Gamilas," the planet can no longer sustain its inhabitants. In exactly one year, humanity is set to become extinct. -- -- In desperation, the people of Earth establish the Earth Defense Force, their last defense against the power-hungry Gamilas Empire. However, humanity finds a glimmer of hope after receiving a message from the mysterious planet Iscandar, which offers them a device that would restore Earth to its former glory. With salvation in sight, the Earth Defense Force calls on the prolific Space Battleship Yamato and swiftly assembles a crew to make the 168,000 light-year trek to Iscandar and receive their aid. -- -- Among the crew are young officers Susumu Kodai and Daisuke Shima, along with several other newly promoted leaders, all under the command of the distinguished Captain Juuzou Okita. Forced to learn how to handle the ship's innovative technology while dealing with the onslaught of Gamilas fleets, the inexperienced cast of Uchuu Senkan Yamato 2199 must summon every inch of their resolve to survive the many hardships aboard the Yamato and complete their mission: to save humanity before it's too late. -- -- -- Licensor: -- Funimation -- OVA - May 25, 2012 -- 94,501 8.36
Uchuu Senkan Yamato 2199 -- -- AIC, Xebec -- 26 eps -- Original -- Action Military Sci-Fi Space Drama -- Uchuu Senkan Yamato 2199 Uchuu Senkan Yamato 2199 -- In the year 2199, Earth faces its greatest crisis. Due to unrelenting bombings by the alien race known as "Gamilas," the planet can no longer sustain its inhabitants. In exactly one year, humanity is set to become extinct. -- -- In desperation, the people of Earth establish the Earth Defense Force, their last defense against the power-hungry Gamilas Empire. However, humanity finds a glimmer of hope after receiving a message from the mysterious planet Iscandar, which offers them a device that would restore Earth to its former glory. With salvation in sight, the Earth Defense Force calls on the prolific Space Battleship Yamato and swiftly assembles a crew to make the 168,000 light-year trek to Iscandar and receive their aid. -- -- Among the crew are young officers Susumu Kodai and Daisuke Shima, along with several other newly promoted leaders, all under the command of the distinguished Captain Juuzou Okita. Forced to learn how to handle the ship's innovative technology while dealing with the onslaught of Gamilas fleets, the inexperienced cast of Uchuu Senkan Yamato 2199 must summon every inch of their resolve to survive the many hardships aboard the Yamato and complete their mission: to save humanity before it's too late. -- -- OVA - May 25, 2012 -- 94,501 8.36
Uchuu Senkan Yamato 2202: Ai no Senshi-tachi -- -- Xebec -- 26 eps -- Original -- Action Drama Military Sci-Fi Space -- Uchuu Senkan Yamato 2202: Ai no Senshi-tachi Uchuu Senkan Yamato 2202: Ai no Senshi-tachi -- Three years since the return of the legendary Space Battleship Yamato, Earth has begun rebuilding itself and has made peace with the Gamilans. However, this recovery comes at the cost of utilizing the forbidden Wave Motion technology. -- -- Meanwhile, the notorious former crew members of the Yamato, who have each gone their separate ways, receive a psychic message from the mysterious Goddess Teresa. She urges them to return to their beloved ship and travel to the distant planet Terezart. They are promised a revolutionary power to combat the unprecedented threat of the relentless Gatlantis Empire, who are approaching Earth with all but innocent intentions. -- -- Unable to resist her plea, the crew reassembles and sets sail on another perilous intergalactic voyage, one that will test their sheer courage and versatility in the face of an even greater foe. -- -- -- Licensor: -- Funimation -- OVA - Feb 25, 2017 -- 18,035 7.69
Vexille: 2077 Nihon Sakoku -- -- Oxybot -- 1 ep -- Original -- Action Military Sci-Fi -- Vexille: 2077 Nihon Sakoku Vexille: 2077 Nihon Sakoku -- In an alternate 21st century, the robotics industry undergoes a period of rapid advancement worldwide. By the year 2050, Japan has firmly established itself as the leader in robotic technology and manufacture with Daiwa Heavy Industries. As the technology evolves to include robotic enhancements to the human body, the blurring of the line between man and machine triggers a sudden shift in world opinion. In response, the U.N. passes a unilateral ban of further research and development on robotics in 2067. Japan fiercely objects to this ban, but is unable to prevent its passage. In protest, Japan withdrew from international politics and chose to pursue a policy of high-tech national isolation. While only trade continues, Japan disappears from the world scene. -- -- Ten years later, a series of bizarre incidents lead the American technology police agency SWORD to believe that Japan has concealed extensive development of banned technologies through the use of the RACE network. SWORD dispatches a unit of special agents to infiltrate Japan and gather intelligence on the country. Vexille, a veteran agent among the group, uncovers the horrifying truth behind the ten years of isolation. -- -- Licensor: -- Funimation -- Movie - Aug 18, 2007 -- 17,675 6.94
Wagamama☆Fairy Mirumo de Pon! -- -- Studio Hibari -- 172 eps -- Manga -- Kids Adventure Fantasy Magic Comedy Romance School Drama Shoujo -- Wagamama☆Fairy Mirumo de Pon! Wagamama☆Fairy Mirumo de Pon! -- Kaede is a cheerful and energetic eighth grader. When it comes to boys, however, she is hopelessly shy. -- -- One day, on her way home from school, Kaede walks into a mysterious shop and buys a colorful cocoa mug. When she reaches home, she casually peeks into the bottom of the mug and discovers an engraved note, which says, "If you read this message aloud while pouring hot cocoa into the mug, a love fairy ("muglox") will appear and grant your every wish." The skeptical but curious Kaede follows the directions and announces her wish to date Yuuki, the class heartthrob. Suddenly, the adorable blue Mirumo appears! We soon find out, however, that this cute little muglox would rather eat chocolate and create mischief than help Kaede. -- -- Mirumo, it seems, is prince of the muglox world. Horrified at the prospect of having to marry Rirumu, his princess bride-to-be, Mirumo has escaped the muglox world. Hot on his heels, however, are Rirumu, Yashichi the bounty hunter, and a cast of hundreds of muglox ranging from the good to the bad to the nutty. This gang of adorable troublemakers will see to it that school life for Kaede and her friends is never the same... -- -- (Source: mirmo-zibang) -- -- Licensor: -- VIZ Media -- TV - Apr 6, 2002 -- 15,504 7.30
Yakusoku no Neverland 2nd Season -- -- CloverWorks -- 11 eps -- Manga -- Sci-Fi Mystery Psychological Thriller Shounen -- Yakusoku no Neverland 2nd Season Yakusoku no Neverland 2nd Season -- Emma, Ray, and the rest of the older children have escaped the confines of the Grace Field House. However, with relentless demons set on capturing them, their arduous battle for freedom has only just begun. -- -- Despite venturing into the treacherous wilderness, the children remain optimistic due to their possession of books written by William Minerva. Coded within his books are messages detailing the world outside the farm—information that can help them survive with the limited resources they have. But when their pursuers draw near, the children soon encounter their most dreadful situation yet. -- -- In Yakusoku no Neverland 2nd Season, the children struggle to survive in the strange ruthless world, striving to find a sanctuary they can truly call home. -- -- -- Licensor: -- Aniplex of America -- 595,931 5.72
Yao Shen Ji -- -- Ruo Hong Culture -- 40 eps -- Novel -- Action Adventure Demons Romance Martial Arts Fantasy -- Yao Shen Ji Yao Shen Ji -- In his past life, although too weak to protect his home when it counted, out of grave determination Nie Li became the strongest Demon Spiritist and stood at the pinnacle of the martial world. However, he lost his life during the battle with the Sage Emperor and six deity-ranked beasts. -- -- His soul was then brought back to when he was still 13 years old. Although he's the weakest in his class with the lowest talent, having only a red soul realm and a weak one at that, with the aid of the vast knowledge which he accumulated from his previous life, he decided to train faster than anyone could expect. He also decided to help those who died nobly in his previous life to train faster as well. -- -- He aims to protect the city from the coming future of being devastated by demon beasts and the previous fate of ending up destroyed. He aims to protect his lover, friends, family and fellow citizens who died in the beast assault or its aftermath. And he aims to destroy the so-called Sacred family who arrogantly abandoned their duty and betrayed the city in his past life. -- -- (Source: Goodreads) -- ONA - May 9, 2017 -- 11,207 7.42
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14 Message: Every Ballad Songs 2
14 Sh: The Message
16-line message format
2012 FEI World Cup Finals (show jumping and dressage)
2014 FEI World Cup Finals (show jumping and dressage)
5th Passage
Aaron Sagers
Across the Universe (message)
Action Message Format
Active message
Acupuncture and Massage College
Adam Lesage
A Dictionary of Modern English Usage
Advanced Message Queuing Protocol
Aeronautical Message Handling System
After These Messages... We'll Be Right Back!
Agence et Messageries Arienne du Zare
Aguirre Passage
Aire de mise en valeur de l'architecture et du paysage
AirSage
A. J. Sager
AKPD Message and Media
Alain-Ren Lesage
Almeric Paget Massage Corps
Alphonse Sagebien
Alsager
Alsager Town F.C.
Alternative Christmas message
Amanda Sage
Ambesager Yosief
A Message from Charity
A Message from Mars
A Message from Mars (1913 film)
A Message from Mars (play)
A Message from the Country The Jeff Lynne Years 1968/1973
A Message of Peace
A Message to Garcia
A Message to Garcia (film)
A Message to Your Heart
A Message to You Rudy
Amman Message
Andr Messager
Andrew Hjulsager
Andrew P. Sage
Angie Sage
Angiras (sage)
Annie Bersagel
A Passage a Day
A Passage for Trumpet
A Passage in Time
A Passage to Bangkok
A Passage to India
A Passage to Infinity
Apollo 11 goodwill messages
Arecibo message
A Second Message to America
A Simple Response to an Elemental Message
Asuroides sagenaria
ATM usage fees
Automatic message accounting
Azaruja sausage
Bad Blood (Sage book)
Baptist Faith and Message
Bards and Sages
Bards and Sages Quarterly
Barriers and Passages
Barrington Passage, Nova Scotia
Battered sausage
Battle of the Corvin Passage
BeijingHarbin, BeijingHong Kong (Macau) passageway
BeijingHong Kong (Taipei) passageway
BeijingKunming passageway
BeijingLanzhou passageway
Bella Bella and Gale Passage dike swarms
Besagew
Big Sage Reservoir
Bill Le Sage
Biodynamic massage
Bird of Passage
Birds of Passage
Birds of Passage (band)
Birds of Passage (film)
Bitmessage
Black Dog (Osage chief)
Black sage
Black sagebrush
Blood sausage
Blue sage
Bob Saget
Bologna sausage
Bosna (sausage)
Bounce message
Breakfast sausage
Bundesagentur fr Arbeit
Caamao Passage
California coastal sage and chaparral
Camden Passage
Canine massage
Cardiff Newsagent Three
Carles Casagemas
Carnet de Passages en Douane
Carniolan sausage
Carole Bayer Sager
Category:Stub message templates needing attention
Cellular Message Encryption Algorithm
Central-passage house
Champissage
Chandelier (Rachael Sage album)
Charles Alexander Lesage
Charles Gossage Grey
Charles Sage
Children's message
Chinese sausage
Christ Church, Alsager
Christine Sagen Helg
Church of Christ With the Elijah Message
Civil emergency message
Classical dressage
Cleugh Passage
CloudPassage
Coastal passageway
Coastal sage scrub
Cocktail sausage
Codon usage bias
Codress message
Collge de la Sagesse
Colvos Passage
Common English usage misconceptions
Compagnie des Messageries Ariennes
Control message
Council of Sages
Covered passages of Paris
Craig Sager
Cressage
Cryomassage
Cumberland sausage
Cup massage
Dark Passage (film)
DataSage
David Sage
Defense Message System
Delfim Carlos de Carvalho, Baron of the Passagem
Delias sagessa
Democracy sausage
Depsages granulosa
Der Jasager
Der Neinsager
Des Visages des Figures
De Tour Passage Underwater Preserve
Deutsche Sagen
Dvissage
Devon (sausage)
Dey Street Passageway
Die Sagerin
Digital Data Communications Message Protocol
Direct Internet Message Encapsulation
Disk Usage Analyzer
D.O.A.: A Rite of Passage
Doc Sausage
Doctor's sausage
Dominica Passage
Donald Sage
Dorothea Hassager
Dosage (album)
Dosage form
Dosage Index
Drake Passage
Dressage
Dressage To Win
Dressage World Cup
Eagle Passage
Earth Passage Density
Eastern Passage, Nova Scotia
Economics terminology that differs from common usage
Edelweiss Sausage & Delicatessen
Eight Songs for Greg Sage and the Wipers
Ejnar Tnsager
Electronic message journaling
Emergency Action Message
mile Lesage
End of message
English Passage
English usage controversies
Entre la jeunesse et la sagesse
Equestrian at the 1912 Summer Olympics Individual dressage
Equestrian at the 1920 Summer Olympics Individual dressage
Equestrian at the 1924 Summer Olympics Individual dressage
Equestrian at the 1928 Summer Olympics Individual dressage
Equestrian at the 1932 Summer Olympics Individual dressage
Equestrian at the 1936 Summer Olympics Individual dressage
Equestrian at the 1948 Summer Olympics Individual dressage
Equestrian at the 1952 Summer Olympics Individual dressage
Equestrian at the 1956 Summer Olympics Individual dressage
Equestrian at the 1960 Summer Olympics Individual dressage
Equestrian at the 1964 Summer Olympics Individual dressage
Equestrian at the 1968 Summer Olympics Individual dressage
Equestrian at the 1972 Summer Olympics Individual dressage
Equestrian at the 1976 Summer Olympics Individual dressage
Equestrian at the 1980 Summer Olympics Individual dressage
Equestrian at the 1984 Summer Olympics Individual dressage
Equestrian at the 1988 Summer Olympics Individual dressage
Equestrian at the 1992 Summer Olympics Individual dressage
Equestrian at the 1996 Summer Olympics Individual dressage
Equestrian at the 2000 Summer Olympics Individual dressage
Equestrian at the 2002 Asian Games Individual dressage
Equestrian at the 2004 Summer Olympics Individual dressage
Equestrian at the 2006 Asian Games Individual dressage
Equestrian at the 2008 Summer Olympics Individual dressage
Equestrian at the 2010 Asian Games Individual dressage
Equestrian at the 2011 Pan American Games Individual dressage
Equestrian at the 2012 Summer Olympics Individual dressage
Equestrian at the 2013 Southeast Asian Games Individual dressage
Equestrian at the 2014 Asian Games Individual dressage
Equestrian at the 2015 Pan American Games Individual dressage
Equestrian at the 2016 Summer Olympics Individual dressage
Equestrian at the 2018 Asian Games Individual dressage
Equine massage
Eric Sage
Erotic massage
Error message
Eurasia Continental Bridge passageway
Eva Lundsager
Fatal Passage
Fate/stay night: Heaven's Feel I. presage flower
Fermented sausage
First-class message
Flaming Guns of the Purple Sage
Forbidden Passages
Fort Osage
Four Sages
Franois Lesage
Frederick Sage & Company
Fromveur Passage
Fundal massage
Fusolatirus balicasagensis
Gabriel's Message
Gaia Sausage
Garga (sage)
Garner's Modern English Usage
Gasoline and diesel usage and pricing
George Sage
Georges Eugne Charles Beauvisage
Georges-Louis Le Sage
Get the Message
Get the Message The Best of Electronic
Glamorgan sausage
Global Internet usage
Goose Gossage
Grato Passage
Great Allegheny Passage
Greater sage-grouse
Great Osage Trail
Green Power Usage Effectiveness
Gudeodiscus messageri
Gussage St Michael
Hkon Tnsager
Hamsageethe
Ham sausage
Hand & Stone Massage and Facial Spa
Hard Passage
Harry Sage
Hassagers Kollegium
Health and usage monitoring systems
Help:Cite messages
Help:Convert messages
Help:Creation and usage of media files
Help:Introduction to talk pages/2/example message
Help:Notifications/New message indicator
Help:Notifications/New message indicator/Fabrice Matrix
Help:System message
Henry Sage
Henry W. Sage
Hidden message
Hi-Fi Message
Higher order message
High-Speed SECS Message Services
Hogarth Message
HohhotNanning passageway
Hot link (sausage)
HTTP message body
Hughes TH-55 Osage
Hulbjerg Passage Grave
Hummingbird sage
Hungarian sausages
Hydro massage
I'm a Message
I've Gotta Get a Message to You
I Am the Message
IMessage
I-message
Independent SAGE
Indigo Grey: The Passage
Individual freestyle dressage at the 2006 World Equestrian Games
Individual special dressage at the 2006 World Equestrian Games
Infant massage
Innocent passage
Inside Passage
Instances of subliminal messages
Intelligence Quotient (IQ) and Browser Usage
Intelligent Design: Message from the Designers
Intercept message
Interface Message Processor
International status and usage of the euro
Internet Control Message Protocol
Internet Control Message Protocol for IPv6
Internet Message Access Protocol
In the Light of Truth: The Grail Message
Intrusion Detection Message Exchange Format
Intil Paisagem
Isagenix
Italian sausage
Jacob Sager Weinstein
Jamasp (sage)
Jazz Message No. 2
Jazz Messages
Jean Lesage
Jean-Lesage
Jean-Nicolas Nissage Saget
Joachim Jrme Quiot du Passage
Joe's Xmasage
John Gossage
John le Sage
John Sage
Joseph Edmond Lesage
Joseph Sager
Julie Ann Sageer
Kacha (sage)
Kal Penn Approves This Message
Kathleen Laurel Sage
Kay Sage
Knockmany Passage Tomb
Knudge Riisager
Kyiv Passage
Kyoko Sasage
La Dsirade Passage
Lakes to Locks Passage
Lani Loa The Passage
Lanzhou (Xining)Guangzhou passageway
Lao sausage
Lars Onsager
Lars Thorstensen Tnsager
Lawrence G. Sager
Le Bon Usage
Le Chemin, Paysage Meudon
Le Grand Paysage d'Alexis Droeven
Leland Sage
Le Messager FC de Bujumbura
Le Messager FC de Ngozi
Le Messager (Maine)
Lemon Tree Passage
Lennox Passage, Nova Scotia
Leo Passage
Le Passage
Le Passage Enchant d'Aladdin
Le Passage, Isre
Lesage
Le Sage's theory of gravitation
Leslie Gossage
Les Sages Potes de la Rue
Les Yeux sans visage
Letitia Ann Sage
Letter (message)
Le visage de l'amour
Le Visage nuptial
Lewis Meeson Newsagent
Life (Sage Francis album)
Lilliconus sagei
Lincolnshire sausage
Lin Yutang's Chinese-English Dictionary of Modern Usage
List of aircraft by date and usage category
List of countries by rail usage
List of English words with disputed usage
List of interstellar radio messages
List of nontraditional bagpipe usage
List of sausages
List of SCSI message codes
List of tallest buildings and structures in the United Kingdom by usage
List of The Passage characters
Live (New Riders of the Purple Sage album)
Local usage details
Lomilomi massage
Lone Sausage
Long-time nuclear waste warning messages
Lorne sausage
Love Is the Message
Love Message
Love Message (film)
Luisa Casagemas
Luxor 5th Passage
Manuel de civilit pour les petites filles l'usage des maisons d'ducation
Manufacturing Message Specification
Marc Sageman
Margaret Olivia Slocum Sage
Marlene Slebsager
Martinique Passage
Massage
Massage chair
Massage for Relaxation
Massage parlor
Massage Parlor Murders!
Massage Practitioner
Massagetae
Massage Therapy (House)
Master Series (Visage album)
Maurice Le Sage d'Hauteroche d'Hulst
Meat-free sausage roll
MediaWiki:RefToolbarMessages-en.js
MediaWiki:Watchlist-messages
Medical massage
Merete Riisager
MerriamWebster's Dictionary of English Usage
Message
Message Abstraction Layer
MessagEase
Message authentication
Message authentication code
Message (Aya Ueto album)
Message box
Message broker
Message design logic
Message (disambiguation)
Message discipline
Message for the Masses
Message from a Drum
Message from Nam
Message from Space
Message from Space (disambiguation)
Message from Space: Galactic Wars
Message from space (science fiction)
Message from the Country
Message from the East
Message from the King
Message from Turnberry
Message Handling System
Message-ID
Message in a bottle
Message in a Bottle (album)
Message in a bottle (disambiguation)
Message in a Bottle (film)
Message in a Bottle (novel)
Message in a Bottle (song)
Message in a Bottle (Star Trek: Voyager)
Message in a Box: The Complete Recordings
Message in Our Music
Message Man
MessageMe
Message (Mongol800 album)
Message-oriented middleware
Message Oriented Text Interchange Systems
MessagePack
MessagePad
Message passing
Message passing in computer clusters
Message Passing Interface
Message/Personal
Message personnel
Message personnel (album)
MessagePlus/Open
Message precedence
Message queue
Message queuing service
Messager
Messager des sciences historiques
Messageries Maritimes
Messages (Apple)
Message Send Protocol
Message sequence chart
Message Session Relay Protocol
Messages from The Boys
Messages from the Sea
Messages (Google)
Messages: Greatest Hits
Message Signaled Interrupts
Messages (Orchestral Manoeuvres in the Dark song)
Messages Server
Messages to the World
Message submission agent
Message switching
Message to Adolf
Message to God
Message to Love
Message to Michael
Message to My Girl
Message to Myself
Message to the Blackman in America
Message to the Free Nations of the World
Message to the Grass Roots
Message to You
Message transfer agent
Message Transfer Part
Message-waiting indicator
Mexican sage
MH Message Handling System
Michelle Visage
Microsoft Message Passing Interface
Microsoft Message Queuing
Middle Passage
Middle Passage (novel)
Mike Sager
Milsons Passage, New South Wales
Minimum message length
Minkowski sausage
Mixed Messages (Muhly)
Mixed Messages (video game)
Modern kana usage
Modern usage of al-Qdisiyyah
Modified-release dosage
Mohammed Al-Sager
Mona Passage
Morse Message (1962)
Morteau sausage
Mount Sage National Park
MTV Video Music Award for Best Video with a Social Message
Music Is the Message
Ndlac sausage
Nancy Drew: Message in a Haunted Mansion
Nature et Paysages
Newmarket sausage
New Passage
New Riders of the Purple Sage
Newsagency
Newsagent's shop
Night Passage
Night Passage (album)
Night Passage (film)
Night Passage (novel)
Nissan Presage
Northeast Passage
North Passage Island
Northwest Passage
Northwest Passage (film)
Northwest Passage (song)
Northwest Passage Territorial Park
Northwest Passage (TV series)
Nossage-et-Bnvent
Notre-Dame-de-Msage
Nuru (massage)
Oberto Sausage Company
Omar V. Sage
One-bit message
One Way Passage
Onsager
OnsagerMachlup function
Onsager reciprocal relations
Open Message Queue
Operation Passage to Freedom
Operations Safe Haven and Safe Passage
Opernpassage
Osage
Osage, Arkansas
Osage Beach, Missouri
Osage Casino
Osage City, Kansas
Osage Gallery
Osage Hills
Osage Indian murders
Osage, Iowa
Osage language
Osage Mills, Arkansas
Osage Nation
Osage, Oklahoma
Osage Plains
Osage script
Osage, Texas
Osage Treaty
Osage (Unicode block)
Osage, Wyoming
Oxford sausage
Parsley, Sage, Rosemary and Thyme
Passage
Passage (Bujold novel)
Passage des Panoramas
Passage development (Egypt)
Passage de Vnus
Passage du Gois
Passage du Havre
Passage GAA
Passage grave
Passage in Time
Passage Island
Passage Island (Andaman and Nicobar Islands)
Passage Island, Falkland Islands
Passage Island Light
Passage Island (Tasmania)
Passage Key National Wildlife Refuge
Passage Meditation
Passagem Franca do Piau
Passage (Morley novel)
Passagem, Paraba
Passage of Humait
Passage of Lodares
Passage of Martin Luther King Jr. Day
Passage of the Grande Honnelle
Passage of Time
Passage on the Lady Anne
Passage planning
Passage (rapper)
Passages
Passages Addiction Treatment Centers
Passages (film)
Passages Malibu
Passage (The Carpenters album)
Passage to Arcturo
Passage to Juneau
Passage to Marseille
Passage tombs in Ireland
Passage to Nirvana
Passage to Pluto
Passage to the Other Side
Passage to Zarahemla
Passage (video game)
Passage (Willis novel)
Patrick LeSage
Paysage Bords de Seine
Paysage color aux oiseaux aquatiques
Paysage d'Hiver
Pediatric massage
Perilous Passage
Personal message
Petrovsky Passage
Philips Intimate Massager
PhoneValet Message Center
Picturesque Matchstickable Messages from the Status Quo
Pigeon-hole messagebox
Pitcher sage
Plecoi sausages
Poison message
Pokmon Sage
Political messages of Dr. Seuss
Pomona-Pitzer Sagehens
Power usage effectiveness
Prime Minister's New Year Message
Prime Minister's New Year Message (United Kingdom)
Priscilla Kepner Sage
Produsage
Prophets, Seers & Sages: The Angels of the Ages
Purple Sage, Wyoming
QingdaoYinchuan passageway
Qubec City Jean Lesage International Airport
Rachael Sage
Random Passage
Red Sage
Remember Me (Sage the Gemini album)
Restronguet Passage
Retreat Passage
Rich Passage
Riders of the Purple Sage
Riders of the Purple Sage (disambiguation)
Rite of passage
Rite of passage (disambiguation)
Rite of Passage (novel)
Rites of Passage (2012 film)
Rites of Passage (Roger Hodgson album)
Robbins Passage and Boullanger Bay Important Bird Area
Robert LeSage
Rollin' with Saget
Round Island Passage Light
Royal Christmas Message
Roza Sage
Rdiger Sagel
Rufus Sage
Russell Sage
Russell Sage College
Russell Sage Foundation
Russell Sage Wildlife Management Area
Safe Passage
Safe Passage (charity)
Safe Passage Project
Safe (Sage song)
Sage
Sage's rock rat
Sage 100
Sage 200cloud
Sage 300
Sage 50cloud
Sage-Allen
SAGE-AU
Sage Beckett
Sage, Bethel, and Pleasant Hill, Texas
Sage Bionetworks
Sagebrush
Sagebrush cricket
Sagebrush lizard
Sagebrush Rebellion
Sagebrush sparrow
Sagebrush Symphony
Sagebrush Trail
Sagebrush vole
Sage Business Cloud
Sage, California
Sage College of Albany
Sage (comics)
SAGE Computer Technology
Sage Derby
Sage Elsesser
Sage Erickson
Sage Francis
Sage Francis discography
SAGE (game engine)
Sage Gateshead
Sage Group
Sage Hall
Sage Hen Dam
Sage Hill
Sageika
Sage Intacct
SAGE (journal)
Sage Kambhoja
SAGE KE
Sage Kirkpatrick
Sageland, California
Sage Library
SAGEM
Sagema
SageMath
SAGEM Crecerelle
Sagem myX-2
Sagem Puma Phone
SAGEM Sigma 30
SAGEM Sperwer
Sagen
Sagene
Sagene, Agder
Sagene Depot
Sagene Line
Sagen Ishizuka
Sagenista
Sagenomella keratitidis
Sagenopteris
Sagenopteris trapialensis
Sagenosoma
Sagent Advisors
SAGE Open
Sage (philosophy)
Sagephora
SAGE Publishing
Sager Creek
Sage Restaurant Group
Sageretia
Sageretia theezans
Sager House
Sage Rosenfels
Sagerton, Texas
Sages & Specialists
Sage Sharp
SAGES Legacy Unifying Globulars and GalaxieS Survey
Sage Sohier
SAGE (SovietAmerican Gallium Experiment)
Sage sparrow
Sagesse Babl
Sagesse (disambiguation)
Sagesse SC
Sage Stallone
Saget
Sagetdao Petpayathai
Sage Telecom
Sage the Gemini
Sage the Gemini discography
Sage thrasher
Sage Township, Michigan
SageTV
Sage University
Sageview Capital
Sageville, Iowa
Sagewin
Sage writing
Sage X3
Saint-Pierre-de-Msage
Saint-Usage, Cte-d'Or
Saint Vincent Passage
Sanskara (rite of passage)
Saratoga Passage
Sausage
Sausage (band)
Sausage casing
Sausage factory
Sausage fest
Sausage gravy
Sausage making
Sausage Party
Sausage Race
Sausage roll
Sausage sandwich
Scarlet sage
Sebastian Sageder
Secret Messages
Secret Messages (song)
Secret Passage
Secret passage
Sender-Message-Channel-Receiver Model of Communication
Sensage
Server Message Block
Seven Sages
Seven Sages of Greece
Seven Sages of the Bamboo Grove
Sex-Chromosome Dosage compensation
Shampoo (massage)
Shattered Visage
Short Message Peer-to-Peer
Short Message service center
Short Message Service technical realisation (GSM)
Side passage plan architecture
Silver Sage, Fort Worth, Texas
Simple non-inferential passage
Simplified Message Desk Interface
Small sausage in large sausage
Sren Onsager
Sozusagen grundlos vergngt
Specific Area Message Encoding
Status message (instant messaging)
St Edward's Passage
Stphane Sageder
Stephens Passage
Steven Sage
Stimulated Raman adiabatic passage
Stine Ballisager Pedersen
St Mary Magdalene's Church, Alsager
Stone massage
Subliminable Messages
SuifenheManzhouli passageway
Sundae (sausage)
Survey of English Usage
SWIFT message types
Tagged Message Delivery Agent
Take the Message Everywhere
Talk:Dosage (album)
Tantra massage
Tectosages
Ten New Messages
Texas sage
Thai massage
The Abode of the Message
The Book of the Sage and Disciple
The Cambridge Guide to English Usage
The Chops Passage
The Compilation of the Messages and Papers of the Presidents
The Finer Points of Sausage Dogs
The Goddess of Sagebrush Gulch
The Great Passage
The Great Passage (TV series)
The Husband's Message
The Invention of Curried Sausage
The Medium Is the Massage
The medium is the message
The Message
The Message (1976 film)
The Message and the Kingdom
The Message at the Depth
The Message (Bible)
The Message (Firefly)
The Message (Grandmaster Flash and the Furious Five album)
The Message (Grandmaster Flash and the Furious Five song)
The Message in the Bottle
The Message (novel)
The Message of Death
The Message of The Qur'an
The Message of the Sphinx
The Message (Philippine TV program)
The Message (podcast)
The Message (Prison Break)
The Message (short story)
The Message to the Planet
The Message Trust
The Mouse, the Bird, and the Sausage
The Nevada Sagebrush
The New York Times Manual of Style and Usage
The Noble Sage
The Passage (1986 film)
The Passage (2007 film)
The Passage (band)
The Passage (charity)
The Passage (Cronin novel)
The Passage (Iranian film)
The Passage of Love
The Passage of the Delaware
The Phone Message
The Plains of Passage
The Promenade at Sagemore
The Sage Colleges
The Sausage Factory
The Sausage-Maker Who Disappeared
Thomas Alsager
Thomas Henry Sage
Thorsager Church
Three Angels' Messages
Thuringian sausage
Timeless Passages (audio drama)
Tisagenlecleucel
Tobacco packaging warning messages
Tobacco usage in sport
Torin's Passage
Tosagestin
Traffic message channel
Transit passage
Trends in library usage
Trolleybus usage by country
Tropical sage
Tsageri Municipality
Twitter usage
Two-wheeler usage in Japan
Type Sage
Uli's Famous Sausage
Umizaru 3: The Last Message
Underlined Passages
Universit La Sagesse
Usage-based insurance
Usage-centered design
Usage (language)
Usage of personal protective equipment
Usage of social media in the 201920 Hong Kong protests
Usage share
Usage share of operating systems
Usage share of web browsers
Usages of Barcelona
User:AWeenieMan/furme/DFUI/Album covers/Usage1
User:AWeenieMan/furme/DFUI/Album covers/Usage2
User:AWeenieMan/furme/DFUI/Album covers/Usage3
User:AWeenieMan/furme/DFUI/Book covers/Usage1
User:AWeenieMan/furme/DFUI/Book covers/Usage2
User:AWeenieMan/furme/DFUI/Book covers/Usage3
User:AWeenieMan/furme/DFUI/Historic images/Usage1
User:AWeenieMan/furme/DFUI/Historic images/Usage2
User:AWeenieMan/furme/DFUI/Historic images/Usage3
User:AWeenieMan/furme/DFUI/Logos/Usage1
User:AWeenieMan/furme/DFUI/Logos/Usage2
User:AWeenieMan/furme/DFUI/Logos/Usage3
User:AWeenieMan/furme/DFUI/Video covers/Usage1
User:AWeenieMan/furme/DFUI/Video covers/Usage2
User:AWeenieMan/furme/DFUI/Video covers/Usage3
User:Ikip/Sausage
USS Osage (LSV-3)
USS Sage (AM-111)
Uuno Turhapuro kaksoisagentti
Variable Message Format
Variable-message sign
Verde Island Passage
Verification-based message-passing algorithms in compressed sensing
Vernissage
Vienna sausage
Viral message
Visage
Visage (band)
Vitamin C megadosage
Vladigerov Passage
Wahrlich, wahrlich, ich sage euch, BWV 86
Wand sage
Warped Passages
Water usage effectiveness
Western dressage
White sausage
Wiener sausage
Wild sage
William Gossage
William H. Sage
William Sager
Windward Passage
WIP message
Woods Hole (passage)
Xavier Lesage
Xiao Sagezhi
Znon Lesage
Zone Usage Measurement
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