A polished engine did the work of a god.
accomplish ::: v. t. --> To complete, as time or distance.
To bring to an issue of full success; to effect; to perform; to execute fully; to fulfill; as, to accomplish a design, an object, a promise.
To equip or furnish thoroughly; hence, to complete in acquirements; to render accomplished; to polish.
To gain; to obtain.
Adunai (Gnostic) Used by the Ophites and Nazarenes in connection with Iurbo. “Iurbo and Adunai, according to the Ophites, are names of Iao-Jehovah, one of the emanations of Ilda-Baoth”; and Adunai “under the polishing hand of Ezra becomes finally the later-vowelled Adonai of the Massorah — the One and Supreme God of the Christians” (IU 2:185, 131).
affile ::: v. t. --> To polish.
agrestic ::: a. --> Pertaining to fields or the country, in opposition to the city; rural; rustic; unpolished; uncouth.
albedo ::: n. --> Whiteness. Specifically: (Astron.) The ratio which the light reflected from an unpolished surface bears to the total light falling upon that surface.
almagra ::: n. --> A fine, deep red ocher, somewhat purplish, found in Spain. It is the sil atticum of the ancients. Under the name of Indian red it is used for polishing glass and silver.
amber ::: n. --> A yellowish translucent resin resembling copal, found as a fossil in alluvial soils, with beds of lignite, or on the seashore in many places. It takes a fine polish, and is used for pipe mouthpieces, beads, etc., and as a basis for a fine varnish. By friction, it becomes strongly electric.
Amber color, or anything amber-colored; a clear light yellow; as, the amber of the sky.
Ambergris.
Among its members W. Dubislav (1937), K. Grelling, O. Helmer, C. G. Hempel, A. Herzberg, K.. Korsch, H. Reichenbach (q.v.), M. Strauss. Many members of the following groups may be regarded as adherents of Scientific Empiricism: the Berlin Society for Scientific Philosophy, the W arsaw School, the Cambridge School for Analytic Philosophy (q.v.), further, in U. S. A., some of the representatives of contemporary Pragmatism (q.v.), especially C. W. Morris, of Neo-Realism (q.v.), and of Operationalism (q.v.). Among the individual adherents not belonging to the groups mentioned: E. Kaila (Finland), J. Jörgensen (Denmark), A. Ness (Norway); A. J. Ayer, J. H. Woodger (England); M. Boll (France); K. Popper (now New Zealand); E. Brunswik, H. Gomperz, Felix Kaufmann, R. V. Mises, L. Rougier, E. Zilsel (now in U. S. A.); E. Nagel, W. V. Quine, and many others (in U.S.A.). The general attitude and the views of Scientific Empiricism are in esential agreement with those of Logical Empiricism (see above, 1). Here, the unity of science is especially emphasized, in various respects There is a logical unity of the language of science; the concepts of different branches of science are not of fundamentally different kinds but belong to one coherent system. The unity of science in this sense is closely connected with the thesis of Physicahsm (q.v.). There is a practical task in the present stage of development, to come to a better mutual adaptation of terminologies in different branches of science. There is today no unity of the laws of science. It is an aim of the future development of science to come, if possible, to a simple set of connected, fundamental laws from which the special laws in the different branches of science, including the social sciences, can be deduced. Here also, the analysis of language is regarded as one of the chief methods of the science of science. While logical positivism stressed chiefly the logical side of this analysis, it is here carried out from various directions, including an analysis of the biological and sociological sides of the activities of language and knowledge, as they have been emphasized earlier by Pragmatism (q.v.), especially C. S. Peirce and G. H. Mead. Thus the development leads now to a comprehensive general theory of signs or semiotic (q.v.) as a basis for philosophy The following publications and meetings may be regarded as organs of this movement. The periodical "Erkenntnis", since 1930, now continued as "Journal of Unified Science" The "Encyclopedia of Unified Science", its first part ("Foundations of the Unity of Science", 2 vols.) consisting of twenty monographs (eight appeared by 1940). Here, the foundations of various fields of science are discussed, especially from the point of view of the unity of science and scientific procedure, and the relations between the fields. Thus, the work intends to serve as an introduction to the science of science (q.v.). A series of International Congresses for the Unity of Science was started by a preliminary conference in Prague 1934 (see report, Erkenntnis 5, 1935). The congresses took place at Pans in 1935 ("Actes", Pans 1936; Erkenntnis 5, 1936); at Copenhagen in 1936 (Erkenntnis 6, 1937); at Paris in 1937; at Cambridge, England, in 1938 (Erkenntnis 7, 1938); at Cambridge, Mass., in 1939 (J. Unif. Sc. 9, 1941); at Chicago in 1941. Concerning the development and the aims of this movement, see O. Neurath and C. W. Morris (for both, see above, I D), further H. Reichenbach, Ziele and Wege der heutigen Naturphilosophie, 1931; S. S. Stevens, "Psychology and the Science of Science", Psych. Bull. 36, 1939 (with bibliography). Bibliographies in "Erkenntnis": 1, 1931, p. 315, p. 335 (Polish authors); 2, 1931, p. 151, p. 189; 5, 1935, p. 185, p. 195 (American authors), p. 199 (Polish authors), p. 409, larger bibliography: in Encycl. Unif. Science, vol. II, No. 10 (to ippetr in 1942). -- R.C.
Armia Krajowa ::: (Pol.) The official Polish underground organization headed by Polish army officers during WWII and operated by the government-in-exile in London.
bare ::: a. --> Without clothes or covering; stripped of the usual covering; naked; as, his body is bare; the trees are bare.
With head uncovered; bareheaded.
Without anything to cover up or conceal one&
blacklead ::: v. t. --> To coat or to polish with black lead.
bois durci ::: --> A hard, highly polishable composition, made of fine sawdust from hard wood (as rosewood) mixed with blood, and pressed.
polishable ::: a. --> Capable of being polished.
polish ::: a. --> Of or pertaining to Poland or its inhabitants. ::: n. --> The language of the Poles.
A smooth, glossy surface, usually produced by friction; a gloss or luster.
Anything used to produce a gloss.
polished ::: imp. & p. p. --> of Polish ::: a. --> Made smooth and glossy, as by friction; hence, highly finished; refined; polite; as, polished plate; polished manners; polished verse.
polishedness ::: n. --> The quality of being polished.
polisher ::: n. --> One who, or that which, polishes; also, that which is used in polishing.
polishing ::: p. pr. & vb. n. --> of Polish ::: --> a. & n. from Polish.
polishing: Subconscious Mind-based Procedures, often used to Process someone without his conscious realization.
polishment ::: n. --> The act of polishing, or the state of being polished.
bright ::: 1. Emitting or reflecting light readily or in large amounts; shining; radiant. 2. Magnificent; glorious. 3. Favourable or auspicious. 4. Fig. Characterized by happiness or gladness; full of promise and hope. 5. Distinct and clear to the mind, etc. 6. Intensely clear and vibrant in tone or quality. 7. Polished; glistening as with brilliant color. brighter, brightest, bright-hued, bright-pinioned, flame-bright, moon-bright, pearl-bright, sun-bright.
brush wheel ::: --> A wheel without teeth, used to turn a similar one by the friction of bristles or something brushlike or soft attached to the circumference.
A circular revolving brush used by turners, lapidaries, silversmiths, etc., for polishing.
buffer ::: n. --> An elastic apparatus or fender, for deadening the jar caused by the collision of bodies; as, a buffer at the end of a railroad car.
A pad or cushion forming the end of a fender, which receives the blow; -- sometimes called buffing apparatus.
One who polishes with a buff.
A wheel for buffing; a buff.
A good-humored, slow-witted fellow; -- usually said of an
burnish ::: a. --> To cause to shine; to make smooth and bright; to polish; specifically, to polish by rubbing with something hard and smooth; as, to burnish brass or paper. ::: v. i. --> To shine forth; to brighten; to become smooth and glossy, as from swelling or filling out; hence, to grow large.
burnished ::: having a smooth glossy appearance ; luster, as rubbed and polished metal.
burnished ::: Madhav: “Burnished—repeatedly polished so that it shines by itself; it looks a blue seal of summer.” The Book of the Divine Mother
burnisher ::: n. --> One who burnishes.
A tool with a hard, smooth, rounded end or surface, as of steel, ivory, or agate, used in smoothing or polishing by rubbing. It has a variety of forms adapted to special uses.
cadrans ::: n. --> An instrument with a graduated disk by means of which the angles of gems are measured in the process of cutting and polishing.
cannel coal ::: --> A kind of mineral coal of a black color, sufficiently hard and solid to be cut and polished. It burns readily, with a clear, yellow flame, and on this account has been used as a substitute for candles.
cardboard ::: n. --> A stiff compact pasteboard of various qualities, for making cards, etc., often having a polished surface.
carnelian ::: n. --> A variety of chalcedony, of a clear, deep red, flesh red, or reddish white color. It is moderately hard, capable of a good polish, and often used for seals.
catoptrics ::: n. --> That part of optics which explains the properties and phenomena of reflected light, and particularly that which is reflected from mirrors or polished bodies; -- formerly called anacamptics.
chatoyant ::: a. --> Having a changeable, varying luster, or color, like that of a changeable silk, or oa a cat&
coarse ::: superl. --> Large in bulk, or composed of large parts or particles; of inferior quality or appearance; not fine in material or close in texture; gross; thick; rough; -- opposed to fine; as, coarse sand; coarse thread; coarse cloth; coarse bread.
Not refined; rough; rude; unpolished; gross; indelicate; as, coarse manners; coarse language.
colcothar ::: n. --> Polishing rouge; a reddish brown oxide of iron, used in polishing glass, and also as a pigment; -- called also crocus Martis.
collish ::: n. --> A tool to polish the edge of a sole.
copperplate ::: n. --> A plate of polished copper on which a design or writing is engraved.
An impression on paper taken from such a plate.
courtbred ::: a. --> Bred, or educated, at court; polished; courtly.
COWSEL ::: COntrolled Working SpacE Language. Burstall and Popplestone, U Edinburgh, 1964-66. LISP-like semantics with FORTH-like stack, and reverse Polish syntax. Forerunner of POP. EPU-R-12, U Edinburgh (Apr 1966).
COWSEL COntrolled Working SpacE Language. Burstall and Popplestone, U Edinburgh, 1964-66. LISP-like semantics with FORTH-like stack, and reverse Polish syntax. Forerunner of POP. EPU-R-12, U Edinburgh (Apr 1966).
cracovienne ::: n. --> A lively Polish dance, in 2-4 time.
crocus ::: n. --> A genus of iridaceous plants, with pretty blossoms rising separately from the bulb or corm. C. vernus is one of the earliest of spring-blooming flowers; C. sativus produces the saffron, and blossoms in the autumn.
A deep yellow powder; the oxide of some metal calcined to a red or deep yellow color; esp., the oxide of iron (Crocus of Mars or colcothar) thus produced from salts of iron, and used as a polishing powder.
depolishing ::: n. --> The process of removing the vitreous glaze from porcelain, leaving the dull luster of the surface of ivory porcelain.
depolish ::: v. t. --> To remove the polish or glaze from.
ebonite ::: n. --> A hard, black variety of vulcanite. It may be cut and polished, and is used for many small articles, as combs and buttons, and for insulating material in electric apparatus.
ebony ::: n. --> A hard, heavy, and durable wood, which admits of a fine polish or gloss. The usual color is black, but it also occurs red or green. ::: a. --> Made of ebony, or resembling ebony; black; as, an ebony countenance.
elegancy ::: n. --> The state or quality of being elegant; beauty as resulting from choice qualities and the complete absence of what deforms or impresses unpleasantly; grace given by art or practice; fine polish; refinement; -- said of manners, language, style, form, architecture, etc.
That which is elegant; that which is tasteful and highly attractive.
elimate ::: v. t. --> To render smooth; to polish.
emery ::: n. --> Corundum in the form of grains or powder, used in the arts for grinding and polishing hard substances. Native emery is mixed with more or less magnetic iron. See the Note under Corundum.
Epstein-Szpeizer Gymnasium ::: One of a number of Jewish private schools in Vilna. This high school was distinguished by the fact that it was progressive, secular and that Polish was the language of instruction. Long after the war the records of the school were found by a former student, Yulian Rafes, who collected many of them into a book. It gives a glimpse into the lives of a privileged class of Vilna students before the war.
expolish ::: v. t. --> To polish thoroughly.
finished ::: imp. & p. p. --> of Finish ::: a. --> Polished to the highest degree of excellence; complete; perfect; as, a finished poem; a finished education.
finish ::: v. t. --> To arrive at the end of; to bring to an end; to put an end to; to make an end of; to terminate.
To bestow the last required labor upon; to complete; to bestow the utmost possible labor upon; to perfect; to accomplish; to polish. ::: v. i.
gem ::: 1. A pearl or mineral that has been cut and polished for use as an ornament. 2. Something that is valued for its beauty or perfection. gems.
gem ::: n. --> A bud.
A precious stone of any kind, as the ruby, emerald, topaz, sapphire, beryl, spinel, etc., especially when cut and polished for ornament; a jewel.
Anything of small size, or expressed within brief limits, which is regarded as a gem on account of its beauty or value, as a small picture, a verse of poetry, a witty or wise saying.
GEORGE ::: Charles Hamblin, 1957. One of the earliest programming languages, stack-oriented, used reverse Polish notation. Implemented on the English Computer Languages, C.L. Hamblin, Aust J Sci 20(5):135-139 (Dec 1957) and Aust Comp J 17(4):195-198 (Nov 1985).
GEORGE "language" One of the earliest programming languages, developed by Charles Hamblin in 1957. GEORGE was a {stack oriented language}, using {reverse Polish notation}. It was implemented on the {English Electric} {DEUCE}. ["GEORGE: A Semi-Translation Programming Scheme for the DEUCE, Programming and Operations Manual", C. L. Hamblin, U New S Wales, 1958]. ["Computer Languages", C.L. Hamblin, Aust J Sci 20(5):135-139, Dec 1957 and Aust Comp J 17(4):195-198, Nov 1985] (2007-03-18)
glazer ::: n. --> One who applies glazing, as in pottery manufacture, etc.; one who gives a glasslike or glossy surface to anything; a calenderer or smoother of cloth, paper, and the like.
A tool or machine used in glazing, polishing, smoothing, etc.; amoung cutlers and lapidaries, a wooden wheel covered with emery, or having a band of lead and tin alloy, for polishing cutlery, etc.
glazing ::: p. pr. & vb. n. --> of Glase ::: n. --> The act or art of setting glass; the art of covering with a vitreous or glasslike substance, or of polishing or rendering glossy.
The glass set, or to be set, in a sash, frame. etc.
The glass, glasslike, or glossy substance with which any
glosser ::: n. --> A polisher; one who gives a luster.
A writer of glosses; a scholiast; a commentator.
gloss ::: n. --> Brightness or luster of a body proceeding from a smooth surface; polish; as, the gloss of silk; cloth is calendered to give it a gloss.
A specious appearance; superficial quality or show.
A foreign, archaic, technical, or other uncommon word requiring explanation.
An interpretation, consisting of one or more words, interlinear or marginal; an explanatory note or comment; a running
glossy ::: superl. --> Smooth and shining; reflecting luster from a smooth surface; highly polished; lustrous; as, glossy silk; a glossy surface.
Smooth; specious; plausible; as, glossy deceit.
grind ::: v. t. --> To reduce to powder by friction, as in a mill, or with the teeth; to crush into small fragments; to produce as by the action of millstones.
To wear down, polish, or sharpen, by friction; to make smooth, sharp, or pointed; to whet, as a knife or drill; to rub against one another, as teeth, etc.
To oppress by severe exactions; to harass.
To study hard for examination.
Grynszpan, Herschel (1921-1943) ::: Young Polish Jew, who on November 7, 1938, assassinated Nazi Third-Secretary Ernst vom Rath. The Nazis used this incident as an excuse for the kristallnacht pogrom the next day.
heelball ::: n. --> A composition of wax and lampblack, used by shoemakers for polishing, and by antiquaries in copying inscriptions.
Hesed or Chesed (Hebrew) Ḥesed [from ḥāsad to be zealous towards, to feel kindness and love for] Love, kindness; the fourth Sephirah, Mercy, Love, or Compassion, also called Gedulah (greatness, magnificence), emanated from the three preceding Sephiroth or first triad. Hesed is regarded as an active masculine potency, the second in the right pillar of the Sephirothal Tree. Its Divine Name is ’El (the mighty); in the Angelic Order it is represented as the Hashmaim (the scintillating flames), as of polished or burnished brass. In its application to the human body, regarded as the right arm, giving strength; while in its application to the seven globes of our planetary chain it corresponds to globe G. From this Sephiroth is emanated the fifth, Geburah.
high-finished ::: a. --> Finished with great care; polished.
home-bred ::: a. --> Bred at home; domestic; not foreign.
Not polished; rude; uncultivated.
homely ::: n. --> Belonging to, or having the characteristics of, home; domestic; familiar; intimate.
Plain; unpretending; rude in appearance; unpolished; as, a homely garment; a homely house; homely fare; homely manners.
Of plain or coarse features; uncomely; -- contrary to handsome. ::: adv.
homespun ::: a. --> Spun or wrought at home; of domestic manufacture; coarse; plain.
Plain in manner or style; not elegant; rude; coarse. ::: n. --> Cloth made at home; as, he was dressed in homespun.
An unpolished, rustic person.
Huineng. (J. Eno; K. Hyenŭng 慧能) (638-713). Chinese Chan master and reputed sixth patriarch (LIUZU) of the CHAN ZONG. While little is known of the historical figure, the legendary Huineng of the LIUZU TAN JING ("Platform Sutra of the Sixth Patriarch") is an ubiquitous figure in Chan literature. According to his hagiography, Huineng was born in Xinzhou (present-day Guangdong province). As a youth, he cared for his poor mother by gathering and selling firewood. One day at the market he heard someone reciting the famous VAJRACCHEDIKĀPRAJNĀPĀRAMITĀSuTRA ("Diamond Sutra") and immediately decided to enter the monastery. Huineng subsequently visited HONGREN, the fifth Chan patriarch, on East Mountain in Qizhou (present-day Hubei province). After spending eight years in the threshing room, the illiterate Huineng heard a monk reciting a verse that had just been posted on a wall of the monastery, a verse written secretly by Hongren's senior disciple, SHENXIU: "The body is the BODHI TREE, / The mind is like a bright mirror's stand. / Be always diligent in polishing it, / Do not let any dust alight." Immediately recognizing that the writer's understanding was deficient, Huineng in response composed a verse reply, which he asked a colleague to write down for him: "BODHI fundamentally has no tree, / The bright mirror also has no stand. / Fundamentally there is not a single thing, / Where could any dust alight?" After reading the verse the next day, Hongren secretly called Huineng to his room in the middle of the night and recited a line from the "Diamond Sutra," which prompted in Huineng a great awakening. Hongren then secretly transmitted the robe and bowl of Chan's founder and first patriarch, BODHIDHARMA, to Huineng, making him the sixth (and ultimately last) patriarch of the Chan school; but he ordered his successor to go into hiding, lest he be harmed by followers of Shenxiu. Huineng then fled south. In 677, he received the full monastic precepts from the dharma master Yinzong (d.u.) at the monastery of Faxingsi in Nanhai (present-day Guangdong province). The next year, Huineng relocated to the monastery of Baolinsi on CAOXISHAN, the mountain that remains forever associated with him, where he attracted many students and followers. In 815, Emperor Xianzong (r. 805-820) bestowed upon him the posthumous title Chan master Dajian (Great Speculum). The monks QINGYUAN XINGSI, NANYUE HUAIRANG, HEZE SHENHUI, and YONGJIA XUANJUE are said to have been Huineng's preeminent disciples. Huineng is claimed to have been the founder of the so-called "Southern school" (NAN ZONG) of Chan, and to have instructed his students in the "sudden teachings" (DUNJIAO), the explication of which prompted much of the Chan school's subsequent soteriological developments and intrasectarian polemics. Although we have little historical evidence about either Huineng the person or his immediate disciples, all the various strands of the mature Chan tradition retrospectively trace their pedigrees back to him, making the legend of the sixth patriarch one of the most influential in the development of the Chan school.
Hungarian Notation "language, convention" A linguistic convention requiring one or more letters to be added to the start of {variable} names to denote {scope} and/or {type}. Hungarian Notation is mainly confined to {Microsoft Windows} programming environments, such as Microsoft {C}, {C++} and {Visual Basic}. It was originally devised by {Charles Simonyi}, a Hungarian, who was a senior programmer at {Microsoft} for many years. He disliked the way that names in C programs gave no clue as to the type, leading to frequent programmer errors. According to legend, fellow programmers at Microsoft, on seeing the convoluted, vowel-less variable names produced by his scheme, said, "This might as well be in Greek - or even Hungarian!". They made up the name "Hungarian notation" (possibly with "{reverse Polish notation}" in mind). Hungarian Notation is not really necessary when using a modern {strongly-typed language} as the {compiler} warns the programmer if a variable of one type is used as if it were another type. It is less useful in {object-oriented programming} languages such as {C++}, where many variables are going to be instances of {classes} and so begin with "obj". In addition, variable names are essentially only {comments}, and thus are just as susceptible to becoming out-of-date and incorrect as any other comment. For example, if a {signed} {short} {int} becomes an unsigned {long} int, the variable name, and every use of it, should be changed to reflect its new type. A variable's name should describe the values it holds. Type and scope are aspects of this, but Hungarian Notation overemphasises their importance by allocating so much of the start of the name to them. Furthermore, type and scope information can be found from the variable's declaration. Ironically, this is particularly easy in the development environments in which Hungarian Notation is typically used. {Simonyi's original monograph (http://msdn.microsoft.com/library/techart/hunganotat.htm)}. {Microsoft VB Naming Conventions (http://support.microsoft.com/support/kb/articles/Q110/2/64.asp)}. (2003-09-11)
Hungarian Notation ::: (language, convention) A linguistic convention requiring one or more letters to be added to the start of variable names to denote scope and/or type.Hungarian Notation is mainly confined to Microsoft Windows programming environments, such as Microsoft C, C++ and Visual Basic. It was originally Microsoft for many years. He disliked the way that names in C programs gave no clue as to the type, leading to frequent programmer errors.According to legend, fellow programmers at Microsoft, on seeing the convoluted, vowel-less variable names produced by his scheme, said, This might as well be in Greek - or even Hungarian!. They made up the name Hungarian notation (possibly with reverse Polish notation in mind).Hungarian Notation is not really necessary when using a modern strongly-typed language as the compiler warns the programmer if a variable of one type is used languages such as C++, where many variables are going to be instances of classes and so begin with obj.In addition, variable names are essentially only comments, and thus are just as susceptible to becoming out-of-date and incorrect as any other comment. For example, if a signed short int becomes an unsigned long int, the variable name, and every use of it, should be changed to reflect its new type.A variable's name should describe the values it holds. Type and scope are aspects of this, but Hungarian Notation overemphasises their importance by particularly easy in the development environments in which Hungarian Notation is typically used. . .(2003-09-11)
impolite ::: a. --> Not polite; not of polished manners; wanting in good manners; discourteous; uncivil; rude.
incondite ::: a. --> Badly put together; inartificial; rude; unpolished; irregular.
inelaborate ::: a. --> Not elaborate; not wrought with care; unpolished; crude; unfinished.
inelegancy ::: n. --> The quality of being inelegant; want of elegance or grace; want of refinement, beauty, or polish in language, composition, or manners.
Anything inelegant; as, inelegance of style in literary composition.
inelegant ::: a. --> Not elegant; deficient in beauty, polish, refinement, grave, or ornament; wanting in anything which correct taste requires.
inurbane ::: a. --> Uncivil; unpolished; rude.
inurbanity ::: n. --> Want of urbanity or courtesy; unpolished manners or deportment; inurbaneness; rudeness.
jade ::: n. --> A stone, commonly of a pale to dark green color but sometimes whitish. It is very hard and compact, capable of fine polish, and is used for ornamental purposes and for implements, esp. in Eastern countries and among many early peoples.
A mean or tired horse; a worthless nag.
A disreputable or vicious woman; a wench; a quean; also, sometimes, a worthless man.
A young woman; -- generally so called in irony or slight
jasper ::: n. --> An opaque, impure variety of quartz, of red, yellow, and other dull colors, breaking with a smooth surface. It admits of a high polish, and is used for vases, seals, snuff boxes, etc. When the colors are in stripes or bands, it is called striped / banded jasper. The Egyptian pebble is a brownish yellow jasper.
jet ::: n. --> Same as 2d Get.
A variety of lignite, of a very compact texture and velvet black color, susceptible of a good polish, and often wrought into mourning jewelry, toys, buttons, etc. Formerly called also black amber.
A shooting forth; a spouting; a spurt; a sudden rush or gush, as of water from a pipe, or of flame from an orifice; also, that which issues in a jet.
Drift; scope; range, as of an argument.
Kielce ::: City in southeast Poland. Jews first settled there in 1868, and numbered 24,000 by the year 1939. Most known for its anti-Jewish pogrom on July 4, 1946, when an angry mob, incited by the rumor that Jews (recently returned to their home town) had killed Polish children for their blood, killed 42 Jews and wounded 50 others. The cemetery has a monument to the 42 Jews, another one to 45 very young children murdered in 1944 and a monument made of gravestones.
knifeboard ::: n. --> A board on which knives are cleaned or polished.
krakowiak ::: n. --> A lively Polish dance. See Cracovienne.
Krakow or Cracow ::: This is the architectural gem of a city in southern Poland. The ancient seat of Polish kings, Krakow was designated the capital of Nazi-occupied Poland, the so-called "Generalgouvernement" which was the administrative unit comprising those parts of Poland not incorporated into the German Reich. When German troops attacked Poland on September 1, 1939, 56,000 Jews lived in Krakow, equivalent to the entire Jewish population of Italy. This number swelled as refugees from the countryside sought safety in Krakow. The Jews of Krakow were deported to the death camps in a serious of brutal Aktionen. They had lived in Krakow for seven centuries, and many had become leaders in industry, the arts and science.
laevigate ::: a. --> Having a smooth surface, as if polished.
lapidary ::: n. --> An artificer who cuts, polishes, and engraves precious stones; hence, a dealer in precious stones.
A virtuoso skilled in gems or precious stones; a connoisseur of lapidary work. ::: a. --> Of or pertaining to the art of cutting stones, or
levigate ::: a. --> Made less harsh or burdensome; alleviated.
Made smooth, as if polished. ::: v. t. --> To make smooth in various senses
To free from grit; to reduce to an impalpable powder or paste.
limation ::: n. --> The act of filing or polishing.
Lithuanian Jews ::: Due to the tangled history of the Vilna region the Polish Jews who came from Lithuania were accorded better treatment than the other Jewish prisoners-of-war held by the Germans.
lucullite ::: n. --> A variety of black limestone, often polished for ornamental purposes.
mahogany ::: n. --> A large tree of the genus Swietenia (S. Mahogoni), found in tropical America.
The wood of the Swietenia Mahogoni. It is of a reddish brown color, beautifully veined, very hard, and susceptible of a fine polish. It is used in the manufacture of furniture.
A table made of mahogany wood.
marble ::: n. 1. A hard crystalline metamorphic rock resulting from the recrystallization of a limestone: takes a high polish and is used for building and sculpture. adj. 2. Resembling metamorphic rock in consistency, texture, venation, color, or coldness, smoothness, whiteness, etc. 3. Hard, rigid and inflexible, as marble.
marble ::: n. --> A massive, compact limestone; a variety of calcite, capable of being polished and used for architectural and ornamental purposes. The color varies from white to black, being sometimes yellow, red, and green, and frequently beautifully veined or clouded. The name is also given to other rocks of like use and appearance, as serpentine or verd antique marble, and less properly to polished porphyry, granite, etc.
A thing made of, or resembling, marble, as a work of art, or record, in marble; or, in the plural, a collection of such works;
marginella ::: n. --> A genus of small, polished, marine univalve shells, native of all warm seas.
marmoratum opus ::: --> A kind of hard finish for plasterwork, made of plaster of Paris and marble dust, and capable of taking a high polish.
Mazu Daoyi. (J. Baso Doitsu; K. Majo Toil 馬祖道一) (709-788). Chinese CHAN master of the Tang dynasty and retrospective patriarch of the HONGZHOU ZONG of the broader Chan tradition. Mazu was a native of Hanzhou in present-day Sichuan province. At an early age, he became a student of the Chan master Chuji (alt. 648-734, 650-732, 669-736) of Zizhou (also in present-day Sichuan province) and received the full monastic precepts later from the VINAYA master Yuan (d.u.) at nearby Yuzhou. Mazu is said to have later visited the sixth patriarch HUINENG's disciple NANYUE HUAIRANG (677-744), under whom he attained awakening. According to the famous story, which is frequently recited in Chan literature, Mazu was awakened when his teacher Nanyue likened Mazu's sitting in meditation to the act of polishing of a roof tile: just as a roof tile cannot be polished to make a mirror, sitting meditation, says Nanyue, cannot lead to buddhahood. In his thirties, Mazu began teaching at various monasteries in the southern regions of Fujian and Jiangxi province. In 769, he began his residence at the monastery of Kaiyuansi (also known as Youqingsi) in Zhongling (in present-day Jiangsu province) and attracted many students. Emperor Xianzong (r. 805-820) later gave him the posthumous title Chan Master Daji (Great Serenity). His teachings are recorded in the Mazu Daoyi chanshi guanglu. Mazu developed the idea of "original enlightenment" (BENJUE) from the DASHENG QIXIN LUN ("Awakening of Faith According to the Mahāyāna") in a radical direction. He asserted that "everyday mind is the way" (pingchangxin shi dao) and that "mind itself is the Buddha" (zixin shi fo), arguing that sentient beings have never in fact been deluded but have always been awakened buddhas. Although Mazu did not intend to advocate maintaining a deluded state of mind but wanted instead to recognize the value of the ordinary life as the ground of enlightenment, his emphasis on the inseparable relationship of enlightenment and ignorance drew severe criticisms, especially from GUIFENG ZONGMI (780-841), who believed that Mazu's teachings fostered antinomianism for suggesting that practice was not necessary in order to awaken.
mazurka ::: n. --> A Polish dance, or the music which accompanies it, usually in 3-4 or 3-8 measure, with a strong accent on the second beat.
metallochrome ::: n. --> A coloring produced by the deposition of some metallic compound; specifically, the prismatic tints produced by depositing a film of peroxide of lead on polished steel by electricity.
mirror ::: n. --> A looking-glass or a speculum; any glass or polished substance that forms images by the reflection of rays of light.
That which gives a true representation, or in which a true image may be seen; hence, a pattern; an exemplar.
See Speculum. ::: v. t.
oliva ::: n. --> A genus of polished marine gastropod shells, chiefly tropical, and often beautifully colored.
overpolish ::: v. t. --> To polish too much.
pepperidge ::: n. --> A North American tree (Nyssa multiflora) with very tough wood, handsome oval polished leaves, and very acid berries, -- the sour gum, or common tupelo. See Tupelo.
planish ::: v. --> To make smooth or plane, as a metallic surface; to condense, toughen, and polish by light blows with a hammer.
plica ::: v. --> A disease of the hair (Plica polonica), in which it becomes twisted and matted together. The disease is of Polish origin, and is hence called also Polish plait.
A diseased state in plants in which there is an excessive development of small entangled twigs, instead of ordinary branches.
The bend of the wing of a bird.
Poland's Defeat ::: On September 1, 1939, German troops invaded Poland. Polish defenses crumbled before the German onslaught of tanks, motorized vehicles and attacks by dive-bombers on the civilian population. The German theory of Blitzkrieg ("lightning war") involved massive concentrated attack. After two weeks Germany controlled western Poland except for Warsaw, which held out for two more weeks. Meanwhile, on September 17, 1939, the Soviet Union invaded Poland from the east according to the German-Soviet Non-Aggression Pact signed in August 1939, which divided Poland into spheres of interest for each country.
Polish-Jewish Relations ::: Jewish attitudes regarding Poles and Poles regarding Jews have been shaped by a complex and long history. Many Holocaust survivors have negative attitudes toward the Poles based on their experiences in the 1930's and 1940's. While for a thousand years Poles and Jews lived in close physical proximity and became economically inter-dependent they remained highly separate groups: separated by culture, by religion and by national identity.
politely ::: adv. --> In a polished manner; so as to be smooth or glossy.
In a polite manner; with politeness.
polite ::: v. --> Smooth; polished.
Smooth and refined in behavior or manners; well bred; courteous; complaisant; obliging; civil.
Characterized by refinement, or a high degree of finish; as, polite literature. ::: v. t.
politure ::: v. --> Polish; gloss. [Obs.] Donne.
polka ::: n. --> A dance of Polish origin, but now common everywhere. It is performed by two persons in common time.
A lively Bohemian or Polish dance tune in 2-4 measure, with the third quaver accented.
polonaise ::: a. --> Of or pertaining to the Poles, or to Poland. ::: n. --> The Polish language.
An article of dress for women, consisting of a body and an outer skirt in one piece.
A stately Polish dance tune, in 3-4 measure, beginning
POP-1 Package for Online Programming. Edinburgh, 1966. First of the POP family of languages. Used reverse Polish notation. Implemented as a threaded interpreter. EPU-R-17, U Edinburgh (Jul 1966). "POP-1: An Online Language", R. Popplestone, Mach Intell 2, E. Dale et al eds, Oliver and Boyd, Edinburgh 1968.
POP-1 ::: Package for Online Programming. Edinburgh, 1966. First of the POP family of languages. Used reverse Polish notation. Implemented as a threaded interpreter. EPU-R-17, U Edinburgh (Jul 1966). POP-1: An Online Language, R. Popplestone, Mach Intell 2, E. Dale et al eds, Oliver and Boyd, Edinburgh 1968.
POP-2 Robin POPplestone, Edinburgh, 1967. An innovative language incorporating many of Landin's ideas, including streams, closures, and functions as first-class citizens. ALGOL-like syntax. The first implementation was named Multi-POP, based on a REVPOL function written in POP-1, producing the reverse-polish form as output. "POP-2 Papers", R.M. Burstall et al, Oliver & Boyd 1968. "Programming in POP-2", R.M. Burstall et al, Edinburgh U Press 1971. "POP-2 User's Manual", R. Popplestone, Mach Intell 2, E. Dale et al eds, Oliver and Boyd, Edinburgh 1968.
postfix notation ::: (language) (Or Reverse Polish Notation, RPN) One of the possible orderings of functions and operands: in postfix notation the functions are 1+2 becomes 1 2 +. Postfix notation is well suited for stack based architectures but modern compilers reduced this advantage considerably.The best-known language with postfix syntax is FORTH. Some Hewlett-Packard calculators use it, e.g. HP-25, HP-29C, HP-41C, HP-23SII.Compare: infix notation, prefix notation.(2003-06-23)
postfix notation "language" (Or "Reverse Polish Notation", RPN) One of the possible orderings of {functions} and {operands}: in postfix notation the functions are preceded by all their operands. For example, what may normally be written as "1+2" becomes "1 2 +". Postfix notation is well suited for {stack} based {architectures} but modern {compilers} reduced this advantage considerably. The best-known language with postfix syntax is {FORTH}. Some {Hewlett-Packard} calculators use it, e.g. HP-25, HP-29C, HP-41C, HP-23SII. Compare: {infix notation}, {prefix notation}. (2003-06-23)
prefix notation: Also known as Polish notations, where the operator is expressed before the operands. Such a system has as its advantage simpler structure requiring very few brackets (or none at all), but may cause confusion unless other ways are used to indicate multiplication, such as 2x to mean the product of 2 and x, and for the positional system of representing numbers where 34 means the sum of thirty and four.
provincial ::: a. --> Of or pertaining to province; constituting a province; as, a provincial government; a provincial dialect.
Exhibiting the ways or manners of a province; characteristic of the inhabitants of a province; not cosmopolitan; countrified; not polished; rude; hence, narrow; illiberal.
Of or pertaining to an ecclesiastical province, or to the jurisdiction of an archbishop; not ecumenical; as, a provincial synod.
pumice ::: n. --> A very light porous volcanic scoria, usually of a gray color, the pores of which are capillary and parallel, giving it a fibrous structure. It is supposed to be produced by the disengagement of watery vapor without liquid or plastic lava. It is much used, esp. in the form of powder, for smoothing and polishing. Called also pumice stone.
rabat ::: n. --> A polishing material made of potter&
rabot ::: n. --> A rubber of hard wood used in smoothing marble to be polished.
repolish ::: v. t. --> To polish again.
Recently, the Polish logician St. Lesniewski has developed a formal theory of the part-whole relationship within the framework of a so-called calculus of individuals, one of the theorems of this theory states that every object is identical with the sum of its parts. This is, of course, a consequence of the way in which the axioms of that calculus were chosen, but that particular construction of the theory was carried out with an eye to applications in logical and epistemological analysis, and the calculus of individuals has already begun to show its value in these fields. See Leonard and Goodman, The Calculus of Individuals and Its Uses, The Journal of Symbolic Logic, 5 (1940, pp. 45-55. -- C.G.H.
refine ::: 1. To make more fine, subtle, or precise. 2. To make or become free from coarse characteristics; make or become elegant or polished. refined, refining.
refined ::: imp. & p. p. --> of Refine ::: a. --> Freed from impurities or alloy; purifed; polished; cultured; delicate; as; refined gold; refined language; refined sentiments.
refinement ::: n. --> The act of refining, or the state of being refined; as, the refinement or metals; refinement of ideas.
That which is refined, elaborated, or polished to excess; an affected subtilty; as, refinements of logic.
refine ::: v. t. --> To reduce to a fine, unmixed, or pure state; to free from impurities; to free from dross or alloy; to separate from extraneous matter; to purify; to defecate; as, to refine gold or silver; to refine iron; to refine wine or sugar.
To purify from what is gross, coarse, vulgar, inelegant, low, and the like; to make elegant or exellent; to polish; as, to refine the manners, the language, the style, the taste, the intellect, or the moral feelings.
reflector ::: n. --> One who, or that which, reflects.
Something having a polished surface for reflecting light or heat, as a mirror, a speculum, etc.
A reflecting telescope.
A device for reflecting sound.
reflect ::: v. --> To bend back; to give a backwa/d turn to; to throw back; especially, to cause to return after striking upon any surface; as, a mirror reflects rays of light; polished metals reflect heat.
To give back an image or likeness of; to mirror. ::: v. i. --> To throw back light, heat, or the like; to return rays
restored to freshness of appearance or good condition; polished; gave a new look to.
reverse polish syntax {postfix notation}
Reverse Polish Notation {postfix notation}
rewel bone ::: --> An obsolete phrase of disputed meaning, -- perhaps, smooth or polished bone.
rice-shell ::: n. --> Any one of numerous species of small white polished marine shells of the genus Olivella.
rotella ::: n. --> Any one of numerous species of small, polished, brightcolored gastropods of the genus Rotella, native of tropical seas.
rouge ::: a. --> red. ::: n. --> A red amorphous powder consisting of ferric oxide. It is used in polishing glass, metal, or gems, and as a cosmetic, etc. Called also crocus, jeweler&
roughcast ::: v. t. --> To form in its first rudiments, without revision, correction, or polish.
To mold without nicety or elegance; to form with asperities and inequalities.
To plaster with a mixture of lime and shells or pebbles; as, to roughcast a building. ::: n.
rough-grained ::: a. --> Having a rough grain or fiber; hence, figuratively, having coarse traits of character; not polished; brisque.
roughhewn ::: a. --> Hewn coarsely without smoothing; unfinished; not polished.
Of coarse manners; rude; uncultivated; rough-grained.
rough ::: n. --> Having inequalities, small ridges, or points, on the surface; not smooth or plain; as, a rough board; a rough stone; rough cloth.
Not level; having a broken surface; uneven; -- said of a piece of land, or of a road.
Not polished; uncut; -- said of a gem; as, a rough diamond.
Tossed in waves; boisterous; high; -- said of a sea or other piece of water.
RPL ::: Reverse Polish LISP. Language used by HP-28 and HP-48 calculators.
RPL Reverse Polish LISP. Language used by HP-28 and HP-48 calculators.
rubber ::: n. --> One who, or that which, rubs.
An instrument or thing used in rubbing, polishing, or cleaning.
A coarse file, or the rough part of a file.
A whetstone; a rubstone.
An eraser, usually made of caoutchouc.
The cushion of an electrical machine.
One who performs massage, especially in a Turkish bath.
rude ::: superl. --> Characterized by roughness; umpolished; raw; lacking delicacy or refinement; coarse.
Unformed by taste or skill; not nicely finished; not smoothed or polished; -- said especially of material things; as, rude workmanship.
Of untaught manners; unpolished; of low rank; uncivil; clownish; ignorant; raw; unskillful; -- said of persons, or of conduct, skill, and the like.
rustic ::: a. --> Of or pertaining to the country; rural; as, the rustic gods of antiquity.
Rude; awkward; rough; unpolished; as, rustic manners.
Coarse; plain; simple; as, a rustic entertainment; rustic dress.
Simple; artless; unadorned; unaffected. ::: n.
sandpaper ::: n. --> Paper covered on one side with sand glued fast, -- used for smoothing and polishing. ::: v. t. --> To smooth or polish with sandpaper; as, to sandpaper a door.
savage ::: a. --> Of or pertaining to the forest; remote from human abodes and cultivation; in a state of nature; wild; as, a savage wilderness.
Wild; untamed; uncultivated; as, savage beasts.
Uncivilized; untaught; unpolished; rude; as, savage life; savage manners.
Characterized by cruelty; barbarous; fierce; ferocious; inhuman; brutal; as, a savage spirit.
scagliola ::: n. --> An imitation of any veined and ornamental stone, as marble, formed by a substratum of finely ground gypsum mixed with glue, the surface of which, while soft, is variegated with splinters of marble, spar, granite, etc., and subsequently colored and polished.
Shasekishu. (沙石集). In Japanese, "Sand and Pebbles Collection"; an anthology of edifying folkloric tales from the Kamakura period (1185-1333). The collection was compiled by a RINZAISHu monk named MUJu ICHIEN (1227-1312) between 1279 and 1283 and contains 150 stories in a total of ten rolls. After finishing his initial compilation, Muju continued to add the stories to the collection, so there are different editions of varying length. The preface to the collection explains the title: "Those who search for gold extract it from sand; those who treasure jewels gather pebbles that they then polish." The collection, therefore, seeks to explain profound Buddhist truths as they are found in mundane affairs. Muju demonstrates throughout the collection his belief in "crazy words and embellished phrases" (kyogen kigo) as an expedient means of articulating ultimate religious goals. He even argues that the traditional waka style of Japanese poetry is in fact DHĀRAnĪ, a mystic code that encapsulates the essence of Buddhist teachings. Most of the stories in the collection offer edifying lessons in such basic Buddhist beliefs as nonattachment and karmic retribution and in such ethical values as loyalty, filial piety, and fidelity. The idea of expedient means (UPĀYA) is also applied to the various Buddhist schools and to Japanese traditional religion: all the various teachings of Buddhism are depicted as expedient means of conveying the religion's beliefs, and Muju denounces Buddhist practitioners who exclusively promote the teachings of only their own sects. The collection also introduced the idea of the "unity of SHINTo and Buddhism" (SHINBUTSU SHuGo) by describing Japanese indigenous spirits, or KAMI, as various manifestations of the Buddha. The humorous tone of the collection attracted many readers during the Tokugawa period (1603-1868), when it was reprinted several times.
shine ::: v. i. --> To emit rays of light; to give light; to beam with steady radiance; to exhibit brightness or splendor; as, the sun shines by day; the moon shines by night.
To be bright by reflection of light; to gleam; to be glossy; as, to shine like polished silver.
To be effulgent in splendor or beauty.
To be eminent, conspicuous, or distinguished; to exhibit brilliant intellectual powers; as, to shine in courts; to shine in
shoeblack ::: n. --> One who polishes shoes.
shoeing-horn ::: n. --> A curved piece of polished horn, wood, or metal used to facilitate the entrance of the foot into a shoe.
Anything by which a transaction is facilitated; a medium; -- by way of contempt.
Anything which draws on or allures; an inducement.
silver ::: n. --> A soft white metallic element, sonorous, ductile, very malleable, and capable of a high degree of polish. It is found native, and also combined with sulphur, arsenic, antimony, chlorine, etc., in the minerals argentite, proustite, pyrargyrite, ceragyrite, etc. Silver is one of the "noble" metals, so-called, not being easily oxidized, and is used for coin, jewelry, plate, and a great variety of articles. Symbol Ag (Argentum). Atomic weight 107.7. Specific gravity 10.5.
Coin made of silver; silver money.
skive ::: n. --> The iron lap used by diamond polishers in finishing the facets of the gem. ::: v. t. --> To pare or shave off the rough or thick parts of (hides or leather).
sleek ::: smooth and lustrous as if polished; glossy.
slickensides ::: n. --> The smooth, striated, or partially polished surfaces of a fissure or seam, supposed to have been produced by the sliding of one surface on another.
A variety of galena found in Derbyshire, England.
Solomon’s mirror: A steel plate polished to high brilliance, treated according to certain prescribed magic rituals, used for divinatory ceremonial magic.
sordid ::: 1. Morally ignoble or base; vile, esp. moved by meanly selfish motives. 2. Unrefined; coarse; unpolished. sordid-thoughted.
speculum ::: pl. --> of Speculum ::: n. --> A mirror, or looking-glass; especially, a metal mirror, as in Greek and Roman archaeology.
A reflector of polished metal, especially one used in reflecting telescopes. See Speculum metal, below.
terse ::: superl. --> Appearing as if rubbed or wiped off; rubbed; smooth; polished.
Refined; accomplished; -- said of persons.
Elegantly concise; free of superfluous words; polished to smoothness; as, terse language; a terse style.
Treaty of Versailles ::: Treaty designed by members of the allied powers in the aftermath of World War I, its' chief objective was to keep Germany from being a future military threat. The Treaty entailed the loss of territory to Germany, the establishment of the Polish corridor which separated East Prussia from the "Fatherland", and required that the German standing army exceed no more than 100,000 men. The treaty also demanded a heavy cost on the German economy in the form of war reparations. Once in power, Hitler began to break all aspects of the treaty.
tripoli ::: n. --> An earthy substance originally brought from Tripoli, used in polishing stones and metals. It consists almost wholly of the siliceous shells of diatoms.
UCHO "audio, software" (Polish for "ear") A program by Stanislaw Raczynski for analysing {wav} audio files to determine which musical notes are sounding at each instant. UCHO can output the results as a {MIDI} file. {UCHO home (http://www.stanr.com/ucho/ucho.htm)}. (2008-03-17)
unpolish ::: v. t. --> To deprive of polish; to make impolite.
uncivil ::: a. --> Not civilized; savage; barbarous; uncivilized.
Not civil; not complaisant; discourteous; impolite; rude; unpolished; as, uncivil behavior.
unkempt ::: a. --> Not combed; disheveled; as, an urchin with unkempt hair.
Fig.; Not smoothed; unpolished; rough.
unrude ::: a. --> Not rude; polished.
Excessively rude.
uplandish ::: a. --> Of or pertaining to uplands; dwelling on high lands.
Rude; rustic; unpolished; uncivilized.
urbanize ::: v. t. --> To render urban, or urbane; to refine; to polish.
vernicose ::: a. --> Having a brilliantly polished surface, as some leaves.
waterworn ::: a. --> Worn, smoothed, or polished by the action of water; as, waterworn stones.
Well-ordered: See Ordinal number. Weltanschauung: (Ger.) The compound term means world-view, perspective of life, conception of things. Wen: (a) Culture evidences of the Confucian Moral Law (tao), such as propriety, music, social institutions, governmental systems, education, etc., the tradition of the Chou dynasty which Confucius attempted to preserve. (b) Appearance polish, superficiality. (c) Letters: literature, one of the four things Confucius taught (ssu chiao). -- W.T.C.
wharp ::: n. --> A kind of fine sand from the banks of the Trent, used as a polishing powder.
whitesmith ::: n. --> One who works in tinned or galvanized iron, or white iron; a tinsmith.
A worker in iron who finishes or polishes the work, in distinction from one who forges it.
wolno (Polish): loose, slowly; found as a directive in The Elephant from The Carnival of the Animals by Saint-Saëns
Xuanzang. (J. Genjo; K. Hyonjang 玄奘) (600/602-664). Chinese monk, pilgrim, and patriarch of the Chinese YOGĀCĀRA tradition (FAXIANG ZONG) and one of the two most influential and prolific translators of Indian Buddhist texts into Chinese, along with KUMĀRAJĪVA (344-413); in English sources, his name is seen transcribed in a variety of ways (now all outmoded), including Hsüan-tsang, Hiuen Tsiang, Yuan Chwang, etc. Xuanzang was born into a literati family in Henan province in either 600 or 602 (although a consensus is building around the latter date). In 612, during a state-supported ordination ceremony, Xuanzang entered the monastery of Jingtusi in Luoyang where his older brother was residing as a monk. There, Xuanzang and his brother studied the MAHĀPARINIRVĀnASuTRA and various MAHĀYĀNA texts. When the Sui dynasty collapsed in 618, they both fled the capital for the safety of the countryside. In 622, Xuanzang was given the complete monastic precepts and was fully ordained as a monk (BHIKsU). By this time Xuanzang had also studied earlier translations of the MAHĀYĀNASAMGRAHA, JNĀNAPRASTHĀNA, and *TATTVASIDDHI under various teachers but came to doubt the accuracy of those translations and the veracity of their teachings. In order to resolve his doubts, Xuanzang embarked on an epic journey to India in 627, in flagrant disregard of the Taizong emperor's (r. 626-629) edict against traveling abroad. His trek across the SILK ROAD and India is well known, thanks to his travel record, the DA TANG XIYU JI, his official biography, and the famous Ming-dynasty comic novel based on Xuangzang's travels, XIYU JI ("Journey to the West"). (See "Routes of Chinese Pilgrims" map.) According to these sources, Xuanzang visited the various Buddhist pilgrimage sites of the subcontinent (see MAHĀSTHĀNA) and spent years at NĀLANDĀ monastery mastering Sanskrit, including fifteen months studying the texts of the Indian Yogācāra tradition under the tutelage of the 106-year-old sĪLABHADRA. In 645, Xuanzang returned to the Tang capital of Chang'an with over six hundred Sanskrit manuscripts that he had acquired in India, along with images, relics, and other artifacts. (These materials were stored in a five-story stone pagoda, named the DAYAN TA, or Great Wild Goose Pagoda, that Xuanzang later built on the grounds of the monastery of DA CI'ENSI; the pagoda is still a major tourist attraction in Xi'an.) The Taizong and Gaozong emperors (r. 649-683) honored Xuanzang with the title TREPItAKA (C. sanzang fashi; "master of the Buddhist canon") and established a translation bureau (yijing yuan) in the capital for the master, where Xuanzang supervised a legion of monks in charge of transcribing the texts, "rectifying" (viz., clarifying) their meaning, compiling the translations, polishing the renderings, and certifying both their meaning and syntax. Xuanzang and his team developed an etymologically precise set of Chinese equivalencies for Buddhist technical terminology, and his translations are known for their rigorous philological accuracy (although sometimes at the expense of their readability). While residing at such sites as HONGFUSI, Da ci'ensi, and the palace over an eighteen-year period, Xuanzang oversaw the translation of seventy-six sutras and sāstras in a total of 1,347 rolls, nearly four times the number of texts translated by Kumārajīva, probably the most influential of translators into Chinese. (Scholars have estimated that Xuanzang and his team completed one roll of translation every five days over those eighteen years of work.) Xuanzang's influence was so immense that he is often recognized as initiating the "new translation" period in the history of the Chinese translation of Buddhist texts, in distinction to the "old translation" period where Kumārajīva's renderings hold pride of place. Among the more important translations made by Xuanzang and his translation team are the foundational texts of the Yogācāra school, such as the CHENG WEISHI LUN (*VijNaptimātratāsiddhi), ASAnGA's MAHĀYĀNASAMGRAHA, and the YOGĀCĀRABHuMIsĀSTRA, and many of the major works associated with the SARVĀSTIVĀDA school of ABHIDHARMA, including definitive translations of the JNānaprasthāna and the encyclopedic ABHIDHARMAMAHĀVIBHĀsĀ, as well as complete translations of VASUBANDHU's ABHIDHARMAKOsABHĀsYA and SAMGHABHADRA's *NYĀYĀNUSĀRA. He translated (and retranslated) many major Mahāyāna sutras and sāstras, including the massive MAHĀPRAJNĀPĀRAMITĀSuTRA, in six hundred rolls; this translation is given a place of honor as the first scripture in the East Asian Buddhist canons (see DAZANGJING; KORYo TAEJANGGYoNG). Also attributed to Xuanzang is the Chinese translation of the famed PRAJNĀPĀRAMITĀHṚDAYASuTRA, or "Heart Sutra," probably the most widely read and recited text in East Asian Buddhism. Because Xuanzang himself experienced a palpable sense of the Buddha's absence while he was sojourning in India, he also translated the Nandimitrāvadāna (Da aluohan Nantimiduo luo suoshuo fazhu ji, abbr. Fazhu ji, "Record of the Duration of the Dharma Spoken by the Great Arhat NANDIMITRA"), the definitive text on the sixteen ARHAT protectors (see sOdAsASTHAVIRA) of Buddhism, which became the basis for the LOUHAN cult in East Asia.
Yangqi pai. (J. Yogiha; K. Yanggi p'a 楊岐派). One of the two major branches of the LINJI ZONG of the CHAN school, which is listed among the five houses and seven schools (WU JIA QI ZONG) of the mature Chinese Chan tradition. The school is named after its founder, YANGQI FANGHUI (995-1049), who taught at Mt. Yangqi in what is now Yuanzhou province. Yangqi was a disciple of Shishuang Chuyuan (986-1039), a sixth-generation successor in the Linji school, who also taught HUANGLONG HUINAN (1002-1069), the founder of the HUANGLONG PAI sublineage of the Linji school. The Yangqi lineage flourished under its third-generation successors, Fojian Huiqin (1059-1117), Foyan Qingyuan (1067-1120), and YUANWU KEQIN (1063-1135), who promoted it among the literati, and it became one of the dominant schools of Song-dynasty Buddhism thanks to the decisive role played by Yuanwu's disciple DAHUI ZONGGAO (1089-1163). It was especially within this lineage that the meditative technique of the Chan of investigating the meditative topic or questioning meditation (KANHUA CHAN) flourished. The Yangqi masters took a different approach to GONG'AN (public case) training, criticizing "lettered Chan" (WENZI CHAN), a style of Chan developed by Yunmen and Huanglong masters, which gained popularity among the literati officials in the Northern Song period with its polished language and elegant verse explanations of the meaning of the gong'an. Dahui in particular presented the gong'an as a meditative tool for realizing one's innate enlightenment, not to demonstrate one's talent in clever repartee or one's literary prowess; at the same time, he critiqued the approaches of rival Chan schools, criticizing such Huanglong masters as JUEFAN HUIHONG (1071-1128) for clinging to intellectual and literary endeavors and such CAODONG ZONG masters as HONGZHI ZHENGJUE (1091-1157) for clinging to tranquillity and simply waiting for one's innate enlightenment to manifest itself. The school also produced many gong'an collections, including the BIYANLU ("Blue Cliff Record"), complied by Yuanwu Keqin, and the WUMEN GUAN ("Gateless Checkpoint"), compiled by the seventh-generation successor WUMEN HUIKAI (1183-1260). The Yangqi lineage was formally introduced to Korea by T'AEGO POU (1301-1382), who studied with the eleventh-generation Yangqi teacher Shiwu Qinggong (1272-1352); some modern Korean monks and scholars argue that the contemporary Korean Son tradition should be traced back to T'aego and his Yangqi lineage, rather than to POJO CHINUL (1158-1210). The Yangqi school reached Japan in the thirteenth century through pilgrim monks, including Shunjo (1166-1227), who studied with the Yangqi teacher Meng'an Yuancong (1126-1209), and NANPO JoMYo (1235-1309), better known by his imperially bestowed title Entsu Daio Kokushi ("state preceptor," see GUOSHI), who studied with the ninth-generation teacher XUTANG ZHIYU (1185-1269). All Linji lineages in contemporary Japan are affiliated with the Yangqi pai.
Yet no polished or cultivated nation of antiquity, no more so than the Christians today, worshiped these animal emblems as otherwise than figurations, or also at times as manifestations, of cosmic powers or beings — end-products of divine cosmic originants. Man himself falls into the same category, not only as being an offspring of the gods, but as an end-product of a divine hierarchy manifesting in greater or less degree the spiritual-divine attributes, functions, faculties, and powers of his sublime ancestors or parents.
Zedakah ::: See tzedakah. ::: Zegota ::: A small, unique organization clandestinely established in Nazi-occupied Poland for the purpose of rescuing Jews. The director of Zegota was Zofia Kossack, a devout Catholic and a prewar novelist whose writings were not without anti-Semitic overtones. Indeed, in a leaflet she published in September 1942 titled "Protest," Kossack wrote that the Jews were the enemies of the Polish people but that Poles could not stand by and watch the Jews murdered by the Germans. It is estimated that 2,500 Jewish children were saved as a result of Zegota's efforts. The children were smuggled out of the ghettos and transferred to Catholic orphanages and convents where they pretended to be Christians. Zegota, which had a branch in Krakow (headed by Stanislaw Dobrowolski), also smuggled food into the Plaszow labor camp and, later, into Oskar Schindler's factory in Brunnlitz, Czechoslovakia.
KEYS (10k)
2 Miyamoto Musashi
1 Saint Josaphat of Polotsk
1 Baha-ullah
1 Anaïs Nin
1 Nichiren
1 Abraham Joshua Heschel
NEW FULL DB (2.4M)
9 Rumi
9 Henry David Thoreau
8 James Conroyd Martin
8 Anonymous
8 Andrzej Wajda
6 Miyamoto Musashi
6 Lech Walesa
6 Haruki Murakami
6 Cassandra Clare
5 Rick Riordan
5 Neil Gaiman
5 Mark Polish
5 Lord Chesterfield
5 Lisa Kleypas
4 Timothy Snyder
4 Morihei Ueshiba
4 Malgorzata Szumowska
4 Kurt Vonnegut
4 Jojo Moyes
4 Confucius
1:A thousand days of training to develop, ten thousand days of training to polish. You must examine all this well. ~ Miyamoto Musashi, #KEYS
2:Polish your wisdom: learn public justice, distinguish between good and evil, study the ways of different arts one by one. ~ Miyamoto Musashi, #KEYS
3:Polish-Lithuanian monk and archeparch of the Ruthenian Catholic Church, who on 12 November 1623 was killed by an angry mob in Vitebsk, Vitebsk Voivodeship, in the Polish-Lithuanian. ~ Saint Josaphat of Polotsk, (1580-1623), #KEYS
4:My brother, a delicate heart is like a mirror; polish it by love and detachment, that the Sun of the Reality may reflect itself in it and the divine Dawn arise. ~ Baha-ullah, the Eternal Wisdom #KEYS
5:Remember that there is meaning beyond absurdity. Know that every deed counts, that every word is power...Above all, remember that you must build your life as if it were a work of art." ~ Abraham Joshua Heschel, (1907-1972) a Polish-born American rabbi and mystic. Wikipedia., #KEYS
6:A mind now clouded by the illusions of the innate darkness of life is like a tarnished mirror, but when polished, it is sure to become like a clear mirror, reflecting the essential nature of phenomena and the true aspect of reality. Arouse deep faith, and diligently polish your mirror day and night. How should you polish it? Only by chanting Nam-myoho-renge-kyo ~ Nichiren, #KEYS
7:Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living. ~ Anaïs Nin, #KEYS
1:You can't polish a turd. ~ stephen-king, @wisdomtrove 2:Polish comes from the cities; wisdom from the desert. ~ frank-herbert, @wisdomtrove 3:It is good to rub and polish our brain against that of others. ~ michel-de-montaigne, @wisdomtrove 4:We must beat the iron while it is hot, but we may polish it at leisure. ~ john-dryden, @wisdomtrove 5:It was a small room with dim light coming in the window, reminiscent of old Polish films. ~ haruki-murakami, @wisdomtrove 6:To have properly studied the liberal sciences gives a polish to our manners, and removes all awkwardness. ~ ovid, @wisdomtrove 7:You are an uncut gemstone of priceless value. Cut and polish your potential with knowledge, skills and service and you will be in great demand throughout your life. ~ denis-waitley, @wisdomtrove 8:In the big factory of perfecting human souls, the Earth was kind of tumbler. The sale as the kind people use to polish rocks. All souls come here to rub the sharp edges off each other. This isn't suffering. It's erosion. ~ chuck-palahniuk, @wisdomtrove 9:By outlawing Solidarity, a free trade organization to which an overwhelming majority of Polish workers and farmers belong, they have made it clear that they never had any intention of restoring one of the most elemental human rights the right to belong to a free trade union. ~ ronald-reagan, @wisdomtrove 10:There is a certain artificial polish, a commonplace vivacity acquired by perpetually mingling in the beau monde; which, in the commerce of world, supplies the place of natural suavity and good-humour, but is purchased at the expense of all original and sterling traits of character. ~ washington-irving, @wisdomtrove 11:I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. ~ elie-wiesel, @wisdomtrove 12:But do you really mean, Sir," said Peter, "that there could be other worlds-all over the place, just round the corner-like that?" "Nothing is more probable," said the Profesor, taking off his spectacles and beginning to polish them, while he muttered to himself, "I wonder what they do teach them at these schools. ~ c-s-lewis, @wisdomtrove 13:Being an elite performer on the playing field of life is not about being perfect. Rather, it is about cultivating a mental focus towards mastery in every area of your life. It is about commiting yourself, from the core of your heart, to manifest and polish your highest talents and become the person you are destined to be. ~ robin-sharma, @wisdomtrove 14:You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have to polish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy. ~ haruki-murakami, @wisdomtrove 15:We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age. ~ richard-bach, @wisdomtrove 16:Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvellous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living. ~ anais-nin, @wisdomtrove 17:While people in today’s affluent societies work an average of forty to forty-five hours a week, and people in the developing world work sixty and even eighty hours a week, hunter-gatherers living today in the most inhospitable of habitats – such as the Kalahari Desert – work on average for just thirty-five to forty-five hours a week. They hunt only one day out of three, and gathering takes up just three to six hours daily. In normal times, this is enough to feed the band. It may well be that ancient hunter-gatherers living in zones more fertile than the Kalahari spent even less time obtaining food and raw materials. On top of that, foragers enjoyed a lighter load of household chores. They had no dishes to wash, no carpets to vacuum, no floors to polish, no nappies to change and no bills to pay. ~ yuval-noah-harari, @wisdomtrove *** NEWFULLDB 2.4M ***
1:You can't polish a turd. ~ Stephen King, #NFDB
2:unpack, polish, or sell. There are ~ Lisa See, #NFDB
3:I'm Polish, I carry no grudges. ~ John Dingell, #NFDB
4:A sharp spear needs no polish. ~ H Rider Haggard, #NFDB
5:If it’s a turd, don’t try to polish it. ~ Terry Hayes, #NFDB
6:It's too early for a Polish pope. ~ Pope John Paul II, #NFDB
7:Polish, Lithuanian, and German—"Dom. ~ Upton Sinclair, #NFDB
8:calculator (with reverse Polish notation), ~ Graham Parke, #NFDB
9:If it's not working, you can't polish a turd. ~ Lee Unkrich, #NFDB
10:I'll need my whole lifetime to polish my craft. ~ Eva Green, #NFDB
11:No frogs can sing as well as Polish ones. ~ Adam Mickiewicz, #NFDB
12:You should learn Polish and read Szymborska! ~ Kevin Hearne, #NFDB
13:Apparently, it was possible to polish a turd. ~ Liliana Hart, #NFDB
14:What tried to demolish me, I allowed to polish me. ~ India Arie, #NFDB
15:It is not my words that I polish, but my ideas. ~ Joseph Joubert, #NFDB
16:If you polish things too much, it loses the feeling ~ Geezer Butler, #NFDB
17:Polish those gems within brightly, so you may shine... ~ Gino Norris, #NFDB
18:Please, sit in my sky and let me polish your shine. ~ Shane L Koyczan, #NFDB
19:Polish comes from the cities; wisdom from the desert. ~ Frank Herbert, #NFDB
20:Right now I am working to polish the shards of my dreams. ~ Ai Yazawa, #NFDB
21:Still as I've said all along, you can't polish a turd. ~ Alan Bennett, #NFDB
22:The test of a sword is not its polish but its temper ~ Elizabeth Moon, #NFDB
23:You can't read my shorthand because I wrote in Polish. ~ Ellen Raskin, #NFDB
24:Graphic design is the spit and polish but not the shoe. ~ Ellen Lupton, #NFDB
25:The problem is I got a lot of brains but no polish. ~ Lin Manuel Miranda, #NFDB
26:Nude nail polish wins hands down over intricate nail art. ~ Ashley Madekwe, #NFDB
27:If you are bad at heart, no polish can make you shine! ~ Mehmet Murat ildan, #NFDB
28:There's going to be a new gem in Hollywood, it's called Agron ~ Mark Polish, #NFDB
29:A sharp spear," runs the Kukuana saying, "needs no polish. ~ H Rider Haggard, #NFDB
30:between us. That night I prayed like a man trying to polish coal ~ Greg Iles, #NFDB
31:My parents are Polish. I dont know anything about Italian-ness. ~ Harry Lloyd, #NFDB
32:If ye canna see the bright side o' life, polish the dull side ~ Christina Dodd, #NFDB
33:There’s an old Polish proverb: ‘Not my monkey, not my circus. ~ James A Hunter, #NFDB
34:Tyson shifted uncomfortably. “I will go…um…polish my fish ponies. ~ Rick Riordan, #NFDB
35:Actually, I wear the nail polish to hide how grubby my nails are. ~ Caroline Corr, #NFDB
36:Give yourself permission to be bad. Write first, polish later. ~ James Scott Bell, #NFDB
37:If you cannot see the bright side of life, polish the dull side. ~ Christina Dodd, #NFDB
38:However, that old mode of Polish filmmaking virtually disappeared. ~ Andrzej Wajda, #NFDB
39:I have a sweet tooth for song and music. This is my Polish sin. ~ Pope John Paul II, #NFDB
40:Life is like the moon— now dark, now full. —Polish Proverb ~ James Conroyd Martin, #NFDB
41:The idea of Slavic unity, is first of all a Russo-Polish unity ~ Nikolai A Berdyaev, #NFDB
42:If there is no wind, you must learn to row. —Polish Proverb ~ James Conroyd Martin, #NFDB
43:It is good to rub and polish our brain against that of others. ~ Michel de Montaigne, #NFDB
44:We must beat the iron while it is hot, but we may polish it at leisure. ~ John Dryden, #NFDB
45:I'm a big believer in just using CGI to polish what you get on camera. ~ Tommy Wirkola, #NFDB
46:It has to be remembered that the typical Polish writer was Bruno Schulz. ~ Clive James, #NFDB
47:Once in a while, I like to polish my halo by taking on a case pro bono. ~ Dana Stabenow, #NFDB
48:It doesn’t matter how well you polish the underside of the banister.” You ~ Randy Pausch, #NFDB
49:furniture polish: 16 parts beeswax, 4 parts resin, 1 part Venice turpentine, ~ Donna Tartt, #NFDB
50:I'm half-Italian and half-Polish. So I'm always putting a hit out on myself. ~ Judy Tenuta, #NFDB
51:new blog posts for the coming week. Halfway through the final polish on the ~ Janis Thomas, #NFDB
52:I cant live without Eucerin cream, lip gloss, gum, nail polish, and sparkly things. ~ Kelis, #NFDB
53:You know why Polish jokes are so short?...So the Germans can remember them. ~ Sara Paretsky, #NFDB
54:Push not the river; it will flow on its own accord. —Polish Proverb ~ James Conroyd Martin, #NFDB
55:You might 'write from the heart,' but you'd better polish with your brain. ~ Margaret Atwood, #NFDB
56:Words are like diamonds. Polish them too much, and all you get are pebbles. ~ Bryce Courtenay, #NFDB
57:Wherever you go, you can never leave yourself behind. —Polish Proverb ~ James Conroyd Martin, #NFDB
58:Women polish the silver and water the plants and wait to be really needed. ~ Mignon McLaughlin, #NFDB
59:Dreck is dreck and no amount of fancy polish is going to make it anything else. ~ Linda Ellerbee, #NFDB
60:Be sure to expose yourself to criticism: A fine polish requires an abrasive. ~ Marilyn vos Savant, #NFDB
61:If you can't see the bright side, why ya just need to polish the dull one. ~ Shelley Shepard Gray, #NFDB
62:Society is now one polish'd horde, Form'd of two mighty tribes, the Bores and Bored. ~ Lord Byron, #NFDB
63:On my mother's side I'm Polish-Jewish, and on my father's side I'm Scottish puffin. ~ Tamsin Greig, #NFDB
64:The roots of learning are bitter, but the fruit is sweet. —Polish Proverb ~ James Conroyd Martin, #NFDB
65:This sky, Sid.It's the sky of the great epics.The great Polish epics. Of Pan Tadeusz ~ Esi Edugyan, #NFDB
66:You must strive to temper and to cut and polish your soul so as to become a human being. ~ Anonymous, #NFDB
67:I wonder how long it takes before the polish given by nature gets worn off by nurture. ~ Jodi Picoult, #NFDB
68:Polish women and children were used as human shields for the advance of German troops. ~ Max Hastings, #NFDB
69:Sean asked her if she was an Olympic weight lifter.
"No," she said. "I am Polish. ~ Laura Ruby,#NFDB
70:You don't order someone to polish your shoes one day and call them 'sister' the next. ~ Khaled Hosseini, #NFDB
71:wonder how long it takes before the polish given by nature gets worn off by nurture. When ~ Jodi Picoult, #NFDB
72:Yeah, I think that's sort of the American way. And it's also the Polish way, it turns out. ~ Bill Murray, #NFDB
73:When you're given a brilliant child you polish her and let her shine. Pigs in Heaven ~ Barbara Kingsolver, #NFDB
74:And your Winston Churchill says such good things about the pilots (the Polish ones, too). ~ Louise Walters, #NFDB
75:It was a small room with dim light coming in the window, reminiscent of old Polish films. ~ Haruki Murakami, #NFDB
76:With all the conveniences and clean simplicity we lived in, people had lost a lot of polish. ~ Kim Harrison, #NFDB
77:Russian vodka is OK if you need to clean the oven. For drinking, it must henceforth be Polish. ~ Hugh Laurie, #NFDB
78:Authority without wisdom is like a heavy axe without an edge, fitter to bruise than polish. ~ Anne Bradstreet, #NFDB
79:She's also in love with the 'Polish Rider'."
"Who's he?"
"A picture by Rembrandt. ~ Iris Murdoch,#NFDB
80:The purpose of training is to tighten up the slack, toughen the body, and polish the spirit. ~ Morihei Ueshiba, #NFDB
81:Through bravery you may win a war, and through bravery you may lose.
-Polish Proverb ~ James Conroyd Martin,#NFDB
82:I had to fight like hell to convince people I was beautiful in my own Polish half-breed way. ~ Janice Dickinson, #NFDB
83:When it hurts,’ wrote the Polish poet Czeslaw Miłosz, ‘we return to the banks of certain rivers, ~ Olivia Laing, #NFDB
84:Great art is created only through diligent and painstaking effort to perfect and polish oneself. ~ Daisaku Ikeda, #NFDB
85:I've got another friend who is half-German and half-Polish. He hates Jews but can't remember why! ~ Jackie Mason, #NFDB
86:To have properly studied the liberal sciences gives a polish to our manners, and removes all awkwardness. ~ Ovid, #NFDB
87:Hoping to fashion a mirror, the lover doth polish the face of his beloved until he produces a skull. ~ John Updike, #NFDB
88:I don't think God cares if I wear nail polish or not. I don't think that's a deal breaker for him. ~ Sofia Vergara, #NFDB
89:Its first major task had been the liquidation of over 4,000 Polish officers in the forest at Katyn. ~ Antony Beevor, #NFDB
90:What the glorious retellings of the history of Irgun and Lehi often omit is the Polish connection. ~ Timothy Snyder, #NFDB
91:You celebrate what works and you take tender care of what doesn’t, with lotion, polish, and kindness. ~ Anne Lamott, #NFDB
92:It is the art of mankind to polish the world, and every one who works is scrubbing in some part. ~ Henry David Thoreau, #NFDB
93:Real cowboys don't line dance. We like to dance nice and close. Close enough to polish our belt buckles. ~ Cat Johnson, #NFDB
94:We may lack some polish,’ he said. ‘But distrust the society which displays overmuch dangerous charm. ~ Dorothy Dunnett, #NFDB
95:I need to polish you up a bit, but your aversion to all things fake might just be your greatest asset here. ~ Kiera Cass, #NFDB
96:...there were two kinds of women: those who wear nail polish and those who don't. Which do you prefer?... ~ Regina Brett, #NFDB
97:Bruce Percy, a brilliant landscape photographer, once said to me, “You can’t polish a turd.” Wise words. ~ David duChemin, #NFDB
98:The Polish attitude was, “With the Germans we risk losing our liberty; with the Russians our soul”. ~ Winston S Churchill, #NFDB
99:There are three things that are difficult to keep hidden: a fire, a cold, and love. —Polish Proverb ~ James Conroyd Martin, #NFDB
100:The sad ending is only because the author stops telling the story. But it still goes on. It's just untold. ~ Mark Polish, #NFDB
101:It is interesting to note that Copernicus was German/Polish, Luther was German, and Gutenberg was German. ~ George Friedman, #NFDB
102:There are three things that are difficult to keep hidden: a fire, a cold, and love. —Polish Proverb ~ James Conroyd Martin, #NFDB
103:About 1900 my parents came to the United States as children from what was then the Polish area of Russia. ~ Martin Lewis Perl, #NFDB
104:Here (Jerusalem), tears do not weaken the eyes, they only polish and shine the hardness of faces like stone. ~ Yehuda Amichai, #NFDB
105:In this city he kept house with his German mistress and maintained a long affair with his Polish secretary. ~ Thomas Keneally, #NFDB
106:In Hollywood today, it's cool for guys to wear nail polish and earrings in their lips and tongues. I don't get it. ~ Scott Caan, #NFDB
107:Sure can. Just ask the computer. That thing will do just about everything but polish your shoes.” By eight-fifteen ~ Robin Cook, #NFDB
108:For all the care you put into artistry, visual polish frequently doesn’t matter if you are getting the story right. ~ Ed Catmull, #NFDB
109:Travel and society polish one, but a rolling stone gathers no moss, and a little moss is a good thing on a man. ~ John Burroughs, #NFDB
110:I always wear boot polish on my eyelashes, because I am a very emotional person and it doesn't run when I cry. ~ Barbara Cartland, #NFDB
111:Just because the character listens to an iPod and wears black nail polish, she's goth. That was just a misused word ~ Rooney Mara, #NFDB
112:A make-up artist I know polished her Oscar and it lost its lustre. But if you don't polish it, it doesn't tarnish. ~ Jim Broadbent, #NFDB
113:For all the care you put into artistry, visual polish frequently doesn’t matter if you are getting the story right. I ~ Ed Catmull, #NFDB
114:Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There! ~ F Scott Fitzgerald, #NFDB
115:Polish the heart, free the six senses and let them function without obstruction, and your entire body will glow. ~ Morihei Ueshiba, #NFDB
116:Yesterday Allison bought me nail polish in the annoying shade of mauve. How can anyone look at me and think mauve? ~ Katie McGarry, #NFDB
117:A thousand days of training to develop, ten thousand days of training to polish. You must examine all this well. ~ Miyamoto Musashi, #NFDB
118:Stan Musial, who said, Why didn't they make me the first Polish pope? I was such a good Cardinal. Never got a dinner! ~ Red Buttons, #NFDB
119:A thousand days of training to develop, ten thousand days of training to polish. You must examine all this well. ~ Miyamoto Musashi, #NFDB
120:I own a '66 Jaguar. That's the guitar I polish, and baby - I refuse to let anyone touch it when I jump into the crowd. ~ Kurt Cobain, #NFDB
121:Foster and polish the warrior spirit while serving in the world; illuminate the path according to your inner light. ~ Morihei Ueshiba, #NFDB
122:I’m not proud of it, but I celebrated karma’s brilliance in a drunken rage of laughter, facemasks, and nail polish. So ~ Harper Sloan, #NFDB
123:You know where everything is. You practically live here now.” Shamron muttered something in Polish about the ingratitude ~ Daniel Silva, #NFDB
124:We are, for all our polish, of little
stature, and, as human lives,
compared with authentic martyrs,
of no account. ~ W H Auden,#NFDB
125:You can be a Polish American, or an Arab American, or a Greek American but you can't be English American. Why not? ~ Christopher Hitchens, #NFDB
126:The convent smelled like every Catholic church Jackson had ever been inside—an excess of incense and Mansion House polish. ~ Kate Atkinson, #NFDB
127:A woman - so wrapped up in ruining my marriage - that she had clearly never heard the saying that you cannot polish a turd. I’m ~ Matt Shaw, #NFDB
128:HOW TO BE A GENTLEMAN HOW TO SHINE A PAIR OF SHOES 1. Sprinkle a few drops of warm water over the polish. Spit works just fine. ~ Anonymous, #NFDB
129:I don't have makeup on all the time, but when I want, I have fun with my friends choosing clothes and putting nail polish on. ~ Emma Watson, #NFDB
130:Polish your wisdom: learn public justice, distinguish between good and evil, study the ways of different arts one by one. ~ Miyamoto Musashi, #NFDB
131:A harsh reality of newspaper editing is that the deadlines don't allow for the polish that you expect in books or even magazines ~ Bill Walsh, #NFDB
132:Polish your wisdom: learn public justice, distinguish between good and evil, study the ways of different arts one by one. ~ Miyamoto Musashi, #NFDB
133:I allowed myself to be taken in by the intellectuals. I believed too much in the Polish intellectuals and followed their advice. ~ Lech Walesa, #NFDB
134:Life itself is always a trial. In training, you must test and polish yourself in order to face the great challenges of life. ~ Morihei Ueshiba, #NFDB
135:The red sole was born from red nail polish. I am giving back to beauty what the shoes took from the nails many years ago. ~ Christian Louboutin, #NFDB
136:From Gandhi to Mandela, from the American patriot to the Polish shipbuilders, the makers of revolutions have not come from the top. ~ Gary Hamel, #NFDB
137:What pretty nail polish,' Eric said, smiling. [...] Trust Eric to pick out the one thing that was new and different about me. ~ Charlaine Harris, #NFDB
138:Ferrari used to be the car that you kept in your garage, took out to polish and show, and put back into the garage. ~ Luca Cordero di Montezemolo, #NFDB
139:I do not have the right to vote in Germany. From a Polish perspective, I say: it would be good if Ms. Merkel were reelected. ~ Jaroslaw Kaczynski, #NFDB
140:...it takes exactly eighteen shots tae polish off a fifth o' a bottle o' Scotch, thus, a game o' golf equates tae eighteen holes... ~ Steve Alten, #NFDB
141:Every day, strive to refine your contagious shine, and shake the nonsense offered by those who lack the will to polish-up from within. ~ T F Hodge, #NFDB
142:I know many writers who first dictate passages, then polish what they have dictated. I speak, then I polish - occasionally I do windows. ~ Ed Koch, #NFDB
143:Do not place hope in finding a secret technique. Polish the mind through ceaseless training; that is the key to effective techniques. ~ Kyuzo Mifune, #NFDB
144:Toward the later days of Sabbath, instead of going in and knocking out what songs we did in rehearsal, we would polish them to death. ~ Geezer Butler, #NFDB
145:Most of my friends wonder why I get these roles that are so masculine and tough. I think it's my Polish temperament that comes up. ~ Izabella Scorupco, #NFDB
146:We live with a few familiar ideas. Two or three. We polish and transform them according to the societies and the men we happen to meet. ~ Albert Camus, #NFDB
147:The man’s bald head gleamed to a high polish, and he wore his usual black suit, freshly pressed, with one red carnation in the lapel. ~ Jennifer Probst, #NFDB
148:There are no negro problems, or Polish problems, or Jewish problems, or Greek problems, or women's problems, there are HUMAN PROBLEMS”. ~ Jacque Fresco, #NFDB
149:I think it would make the world a little bit better place if everyone was doing what they loved to do. ... I'm doing it and I'm loving it. ~ Mark Polish, #NFDB
150:Poland and my roots are very important for me. That's why I decided to make a feature film in Poland, and with only Polish money. ~ Malgorzata Szumowska, #NFDB
151:I have been placed under surveillance, and I can't take a step without it being known to the Polish minister of internal affairs. ~ Konstantin Rokossovsky, #NFDB
152:I'm against solutions that are worse than the problem. Like old women who want their hair dyed the color of shoe polish to hide the gray. ~ Neal Shusterman, #NFDB
153:To make a real independent film where the filmmaker is in charge creatively, one must sacrifice personal, financial, and physical well-being. ~ Mark Polish, #NFDB
154:If your goal is to polish up a fake person you can sell to a public you perceive as dumb, the unexamined life will do perfectly well, thank you. ~ Mary Karr, #NFDB
155:My films are doing well in Polish cinemas, so I don't really have problems financing them, and my international accolades are helpful. ~ Malgorzata Szumowska, #NFDB
156:You can't destroy the polish national-consciousness or Poles on the battlefield, but if you give them power, they will destroy themselves ~ Otto von Bismarck, #NFDB
157:I realize that the strivings of the Polish people gave rise, and still do so, to the feelings of understanding and solidarity all over the world. ~ Lech Walesa, #NFDB
158:This is the greatest challenge of faith, says Polish, “to live with a God we cannot fully understand, whose actions we explain at our own peril. ~ James Martin, #NFDB
159:Robby called me Porcupine because of how I wore my hair. I didn't mind. Everyone else called me Austin.
Austin Szerba.
It is Polish. ~ Andrew Smith,#NFDB
160:I stopped walking and stared down at my pink painted toenails. That was it. Of course. No, not my choice of polish, although it was exceptional, ~ Gemma Halliday, #NFDB
161:Boutique hotels are great, but they get too cute. Some hotels have shoe polish. It's like, come on, this isn't 1960. No one's polishing their shoes. ~ Jim Gaffigan, #NFDB
162:I believed it would succeed. It was Polish Solidarity and its victory that put an end to the old era when what mattered were borders and rival blocs. ~ Lech Walesa, #NFDB
163:Himmler announced today that a Polish farm labourer had been hanged for sleeping with a German woman. No race pollution is to be permitted. Another ~ William L Shirer, #NFDB
164:In the superficial activity of her life, she was all English. She even thought in English. But her long blanks and darkness of abstraction were Polish. ~ D H Lawrence, #NFDB
165:Later that night she picked the polish off
with her front teeth until the bed you shared
for seven years seemed speckled with glitter
and blood. ~ Warsan Shire,#NFDB
166:Yet truth is a diamond; even mishandles, smeared with grease, or buried in mud, it cannot be marred and waits for one with a cloth to polish it clean. ~ Sigmund Brouwer, #NFDB
167:There are countless artists whose shoes I am not worthy to polish - whose prints would not pay the printer. The question of judgment is a puzzling one. ~ Maxfield Parrish, #NFDB
168:We gotta be professional about this," Lula said, aiming us toward Route 1. "We need a plan. How about we get the nail polish first, then we get the guy? ~ Janet Evanovich, #NFDB
169:Ifemelu margined them when they traveled: they would collect unusual things and fill their homes with them, unpolished evidence of their polish. ~ Chimamanda Ngozi Adichie, #NFDB
170:My brother, a delicate heart is like a mirror; polish it by love and detachment, that the Sun of the Reality may reflect itself in it and the divine Dawn arise. ~ Baha-ullah, #NFDB
171:Tactics is knowing what to do when there is something to do. Strategy is knowing what to do when there is nothing to do. —Savielly Tartakover (Polish GM) ~ Katherine Neville, #NFDB
172:So most people go around with grimy machinery, when all it would take is a bit of spit and polish to make them paladins once more, bold knights and true. ~ Catherynne M Valente, #NFDB
173:Allow God to use the difficulties and disappointments in life as polish to transform your faith into a glistening diamond that takes in and reflects His love. ~ Elizabeth George, #NFDB
174:The smell of the nail polish made me think of Amber and the rest of my friends. I missed them, but in theory. It wasn't them I missed, but friendship. QUITE YET. ~ David Levithan, #NFDB
175:My all-time favorite skin cream is from Poland. Its called Eva Natura with Polish herbs, including rosemary. It smells wonderful and is soothing and comforting. ~ Dagmara Dominczyk, #NFDB
176:In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film. ~ Andrzej Wajda, #NFDB
177:chased by Polish curses that seemed to Doppler-shift bizarrely into “Never Gonna Give You Up,” and after I thought of it I couldn’t believe I’d just rickrolled myself. ~ Kevin Hearne, #NFDB
178:The citric acid in lemon juice makes it perfect for bleaching, disinfecting and cutting through grease. And olive oil is a great alternative to furniture polish. ~ Sheherazade Goldsmith, #NFDB
179:Nationalist movements often overlapped with economic and class issues: Rumanian and Ruthenian peasants, for example, challenged their Hungarian and Polish landlords. ~ Margaret MacMillan, #NFDB
180:Can you pass me the slutty one, please?” I handed her the bottle of bright-red nail polish. “I think it’s actually called Crimson Cabaret,” I said. “Don’t be a slut-shamer. ~ Robin Benway, #NFDB
181:There were three of us; Witkiewicz, Bruno Schulz, and myself--the three muskateers of the Polish avant-garde between the wars. Only Witkiewicz remains to be discovered. ~ Witold Gombrowicz, #NFDB
182:What she wanted was to donate to the world a good Maud Martha. That was the offering, the bit of art, that could not come from any other. She would polish and hone that. ~ Gwendolyn Brooks, #NFDB
183:My everyday look has definitely become more low maintenance, but accessories are everything. A structured bag, statement jewelry or a cute scarf can add polish to any outfit! ~ Adriana Lima, #NFDB
184:I see the face of a child. He lives in a great city. He is black. Or he is white. He is Mexican, Italian, Polish. None of that matters. What matters, he's an American child. ~ Richard M Nixon, #NFDB
185:Each climber loses one finger or toe once in a while. This is a small but important reason for Polish climbers success. Western climbers haven't lost as many fingers or toes. ~ Wanda Rutkiewicz, #NFDB
186:Sometimes I could quit paint and take to charring. It must be fine to clean perfectly, to shine and polish and know that it could not be done better. In painting that never occurs. ~ Emily Carr, #NFDB
187:I'm appalled by the tendency of some rock records to perfect everything to the point where it sounds like Botox and polish it so heavily that there's no humanity left in it. ~ Yannis Philippakis, #NFDB
188:She spoke seven languages, including Mandarin and Polish, and was finishing up her master’s in Intercultural Misunderstanding, which just has to be Europe’s next growth industry. ~ Michael Lewis, #NFDB
189:Elegance is something more than ease; it is more than a freedom from awkwardness or restraint. It implies, I conceive, a precision, a polish, a sparkling, spirited yet delicate. ~ William Hazlitt, #NFDB
190:I've always been led to believe that the ultimate goal for an author is the movie deal. Now I understand that the movie deal is merely a MEANS TO A MUCH HIGHER END: NAIL POLISH. ~ Kristin Cashore, #NFDB
191:There's a natural tendency to sanitize and polish any historical icon whether it be George Washington chopping down the cherry tree or Martin Luther King saying, "I have a dream." ~ Taylor Branch, #NFDB
192:A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking. ~ Andrzej Wajda, #NFDB
193:Ever try golombki or taste a pierogi?” I asked, suddenly nostalgic for Sunday dinner at my grandmother’s house in what once had been a Polish enclave surrounded by the city of Detroit. ~ Gail Oust, #NFDB
194:The fate of the Polish nation had depended on Rejewski, and he did not disappoint his country. Rejewski’s attack on Enigma is one of the truly great accomplishments of cryptanalysis. ~ Simon Singh, #NFDB
195:The important thing about women today is, as they get older, they still keep house. It's one reason why they don't die, but men die when they retire. Women just polish the teacups. ~ Margaret Mead, #NFDB
196:The tombstones smashed in Hebrew cemeteries and plundered for Polish sidewalks; today bored citizens, staring at their feet while waiting for a bus, can still read the inscriptions. ~ Anne Michaels, #NFDB
197:She dreamt she saw the Polish Rider passing slowly by and he was weeping and she called out to him, but he turned his head away. She dreamt that she was drowning in the pool of tears. ~ Iris Murdoch, #NFDB
198:I think I now understand why it is that the young are so very nostalgic. They have so little by way of personal history that they polish it up and make it shine like a treasured heirloom. ~ Will Self, #NFDB
199:We're in a tightening cycle and the reason is the economy is growing, there's no expectation that the global economy and the Polish economy as a consequence could slow down dramatically. ~ Marek Belka, #NFDB
200:I'm playing a very strong character, it's the story of the woman Polish Jews out of the Warsaw ghetto. I've just begun my weapons training and the SAS type training that's getting me fit. ~ Sadie Frost, #NFDB
201:Polish prisoner Dr. Wladislaw Dering performed castrations and ovariectomies ordered by his German masters as part of their insane program to find a way to sterilize the entire Jewish race. ~ Leon Uris, #NFDB
202:This mixture of Polish, not Polish, of being European, gives me a perspective to see Poland through "new eyes" - paradoxically, more closely... because it's from a kind of distance. ~ Malgorzata Szumowska, #NFDB
203:I had an experience of knowing the Polish people when I was a child, and where my father worked many Poles came to work after the war. They were good people, and this has stayed in my heart. ~ Pope Francis, #NFDB
204:Certainly a liberal education does manifest itself in a courtesy, propriety, and polish of word and action, which is beautiful in itself, and acceptable to others; but it does much more. ~ John Henry Newman, #NFDB
205:I believe a 'talented' person is one who has learned how to effectively cultivate and polish any of the many desirable capabilities with which most of us are born but few of us nurture. ~ Marilyn vos Savant, #NFDB
206:and the Nazis. A real piece of work, old number XII, who wouldn’t intervene even so far as to tell his Polish cardinals to dampen the enthusiasm of the good Catholics running the camps and the ~ Paul Monette, #NFDB
207:The total and universal want of manners, both in males and females, is ... remarkable ... that polish which removes the coarser and rougher parts of our nature is unknown and undreamed of. ~ Frances Trollope, #NFDB
208:Everyone knows what falling in love is like but being in love is what people have lost. That intimacy to be in bed with somebody and just laugh and not hold anybody accountable for what they say. ~ Mark Polish, #NFDB
209:I feel Polish. More specifically, I feel like I'm from the tiny village in the Northeast of Poland where I have a house and where I love to spend time. But I don't work there. I cut wood. ~ Krzysztof Kieslowski, #NFDB
210:The word defenestration, the act of throwing someone or something out of a window, was first coined after a Polish revolution in 1605 when they threw the royal family through the palace windows. ~ Joe Dunthorne, #NFDB
211:If you stay away from parties, you're called a snob. If you go, you're an exhibitionist. If you don't talk, you're dumb. If you do talk, you're quarrelsome. Pardon me while I change my nail polish. ~ Lana Turner, #NFDB
212:Certainly a liberal education does manifest itself in a courtesy, propriety, and polish of word and action, which is beautiful in itself, and acceptable to others; but it does much more. ~ Saint John Henry Newman, #NFDB
213:I have no leisure to think of style or of polish, or to select the best language, the best English - no time to shine as an authoress. I must just think aloud, so as not to keep the public waiting. ~ Isabel Burton, #NFDB
214:It is true that in France, women put on less things. If they have a necklace, they don't put on earrings; if they have nail polish, they don't put on all their rings and all their bracelets. ~ Ines de La Fressange, #NFDB
215:Mademoiselle St. Pierre always presided at M. Emanuel's lessons, and I was told that the polish of her manner, her seeming attention, her tact and grace, impressed that gentleman very favourably. ~ Charlotte Bront, #NFDB
216:Each morning we must hold out the chalice of our being to receive, to carry, and give back. It must be held out empty - for the past must only be reflected in its polish, its shape, its capacity. ~ Dag Hammarskjold, #NFDB
217:But in those whom no necessity forces to turn Author, who merely write for fame, and have full leisure to polish their compositions, faults are impardonable, and merit the sharpest arrows of criticism. ~ Matthew Lewis, #NFDB
218:In the Italian kitchen, ingredients are not treated as promising but untutored elements that need to be corrected through long and intricate manipulation and refined by the ultimate polish of a sauce. ~ Marcella Hazan, #NFDB
219:Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners? ~ Henry David Thoreau, #NFDB
220:Just as a diamond can only be polished by another diamond, it is only through genuine, all-out engagement with others that people can polish their character, and help each other to reach greater heights. ~ Daisaku Ikeda, #NFDB
221:And as to you Corpse I think you are good manure, but that does not offend me,
I smell the white roses sweet-scented and growing,
I reach to the leafy lips, I reach to the polish'd breasts of melons. ~ Walt Whitman,#NFDB
222:Eliot had only one pair of shoes, black ones. They had a crackle finish as a result of an experiment. Eliot once tried to polish them with Johnson’s Glo-Coat, which was a floorwax, not intended for shoes. ~ Kurt Vonnegut, #NFDB
223:We will take one hundred of every color,” Ryder said over my head to Arista. “Seriously? That’s a lot of polish,” she replied. “Synthia wants it,” he whispered into my hair, “and I want her to be happy. ~ Amelia Hutchins, #NFDB
224:I don’t know Russian.” “I can teach you that too. It is a good language for hating Nazis in. Perhaps better than Polish. We can save Polish for other things—that would make our fathers happy, wouldn’t it? ~ Affinity Konar, #NFDB
225:I have given orders to my Death units to exterminate without mercy or pity men, women and children belonging to the Polish speaking race... After all, who remembers today the extermination of the Armenians? ~ Adolf Hitler, #NFDB
226:It has always been my practice to cast a long paragraph in a single mould, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work. ~ Edward Gibbon, #NFDB
227:I will be engaging myself personally, as the head of the Polish government, in the optimization of conditions for the exploration, research, logistics and the business related to the production of shale gas. ~ Donald Tusk, #NFDB
228:Maybe he was just a crazy guy who liked funerals.” Phyllis was applying polish topcoat with all the care of Michelangelo painting the ceiling of the Sistine Chapel. “Nobody goes to funerals for fun,” said Lucy, ~ Leslie Meier, #NFDB
229:I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish. ~ Michael Kors, #NFDB
230:Lawyers were vastly overrepresented among the commanders of the Einsatzgruppen, the special task forces who carried out the mass murder of Jews, Gypsies, Polish elites, communists, the handicapped, and others. ~ Timothy Snyder, #NFDB
231:On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film. ~ Andrzej Wajda, #NFDB
232:Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate. He held her close by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish. ~ Arundhati Roy, #NFDB
233:We brought her into the house. My stomach pushed up into my throat. The Polish girl was my sister’s age. What had human beings become? Did war make us evil or just activate an evil already lurking within us? The ~ Ruta Sepetys, #NFDB
234:Following the Second World War, we are a country of one ethnicity. After the moving of the borders, after the tragedy of the Holocaust and the murder of Polish Jews, we don't have large minority groups. ~ Aleksander Kwasniewski, #NFDB
235:If motorcycles—or any object from a person's past—could cure this thing, it would no longer exist. People would unearth their family treasures, polish up the old jewels, bring their loved ones back from the moon. ~ Sarah Ockler, #NFDB
236:The '80s were fabulous. The '90s sucked, and the '70s were just a sad, sad time in human history. Go 1980s! There's something that's just so cute about that time. And not just yellow nail polish and 'I'm a loner. ~ Jennifer Sky, #NFDB
237:What's wrong, little sis? You look upset." She could barely catch her breath. "Cracked...my...nail polish slapping your... worthless face. See?" She showed him her finger - just one of them. "Cute" He snorted. ~ Cassandra Clare, #NFDB
238:there is no complete written Polish history of the Warsaw ghetto. Think about what this means. How could something so important in a nation’s history be ignored? It is not forgotten. Every Pole knows. It is ignored. ~ Jack Mayer, #NFDB
239:First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice. ~ Octavia E Butler, #NFDB
240:George noticed her feet again. They were nuggety and rectangular, like a young child’s feet—even the sparkly turquoise nail polish belonged to a child. He wondered if Pippa bothered with right and left shoes. ~ Michelle de Kretser, #NFDB
241:My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows. ~ Shirley Marr, #NFDB
242:Crude at first [the short story] received a literary polish in the press, but its dominant quality remained. It was concise and condense, yet suggestive. It was delightfully extravagant - or a miracle of understatement ~ Bret Harte, #NFDB
243:I hate cosmetics companies. They get you addicted to the perfect lipstick or nail polish and then, six months later, they discontinue it. You have to buy your favorite colors like you're storing up for the Apocalypse. ~ Lisa Kudrow, #NFDB
244:Don’t be in too much of a rush to be published. There is enormous value in listening and reading and writing—and then putting your words away for weeks or months–and then returning to your work to polish it some more. ~ Sharon Creech, #NFDB
245:He was like fungus. The kind people got under their toenail. They treat it and treat it, but eventually they just have to say “Fuck it” and cover it up with nail polish to forget it’s there. –Trish referring to Landyn ~ Lynda LeeAnne, #NFDB
246:There is a fundamental difference between the Polish experience of the state and the Russian experience. In the Polish experience, the state was always a foreign power. So, to hate the state was a patriotic act. ~ Ryszard Kapuscinski, #NFDB
247:What's wrong, little sis? You look upset."
She could barely catch her breath. "Cracked...my...nail polish slapping your... worthless face. See?" She showed him her finger - just one of them.
"Cute" He snorted. ~ Cassandra Clare,#NFDB
248:Polish sausage is going for peanuts in Cracow,' Milo informed him.
'polish sausage', sighed the general nostalgically. 'You know, I'd give just about anything for a good hunk of Polish sausage. Just about anything. ~ Joseph Heller,#NFDB
249:Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet's job. The rest is literature. ~ Jean Cocteau, #NFDB
250:Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society. ~ Andrzej Wajda, #NFDB
251:A country-bred man can always learn to get on with city people, but a town-bred fellah never gets the real hang of the country. You can put city polish on a man, but by golly, it seems you can't ever rub it off him. ~ Agnes Sligh Turnbull, #NFDB
252:In the big factory of perfecting human souls, the Earth was kind of tumbler. The sale as the kind people use to polish rocks. All souls come here to rub the sharp edges off each other. This isn't suffering. It's erosion. ~ Chuck Palahniuk, #NFDB
253:A person who searched rooms, brandished pistols, dangled promises of half a million franc fees for nameless services and then wrote instructions to Polish spies might reasonably be regarded with suspicion. But suspicion of what? ~ Eric Ambler, #NFDB
254:Puszcza, an old Polish word, means “forest primeval.” Straddling the border between Poland and Belarus, the half-million acres of the Białowieża Puszcza contain Europe’s last remaining fragment of old-growth, lowland wilderness. ~ Alan Weisman, #NFDB
255:For writers: If you polish a book too much, it'll be flat and shiny and smooth--and not too interesting. It's the little pits and bumps and whatnot that show voice and make a book unique from all the other super shiny flat surfaces ~ Lori Foster, #NFDB
256:I shall disdain to cull my phrases or polish my style. I aim at being useful, and sincerity will render me unaffected; [...] wishing rather to persuade by the force of my arguments than dazzle by the elegance of my language ~ Mary Wollstonecraft, #NFDB
257:male friendships are essentially quixotic: they last only so long as each man is willing to polish the shaving-bowl helmet, climb on his donkey, and ride off after the other in pursuit of illusive glory and questionable adventure. ~ Michael Chabon, #NFDB
258:The official ideology [of Poland] is Marxism-Leninism, which no one openly admits to believing. For Marx expressed the German view, and Lenin the Russian one, and the meeting of these particular minds has always spelled Polish ruin. ~ Norman Davies, #NFDB
259:I have an odd fetish with nails. I was always doing beauty blogs about nails, and it would be on Fridays called Fridays Fingertip Fetish. It became so popular that a nail polish company approached me, and Fingertip Fetish was born. ~ Adrienne Bailon, #NFDB
260:You who seek God, apart, apart The thing you seek, thou art, thou art. If you want to seek the Beloved’s face. Polish the mirror, gaze into that space. These words were written by Rumi as a tribute for his master guru Shams of Tabriz. ~ Wayne W Dyer, #NFDB
261:Ah … politics, Sergeant. When the top brass hand you a turd, you polish it and say, “my, what a lovely jobbie!” That way they are impressed by your intellect, perception and ability. If you don’t, all you’ve got is a handful of shit. ~ Stuart MacBride, #NFDB
262:All male friendships are essentially quixotic: they last only so long as each man is willing to polish the shaving-bowl helmet, climb on his donkey, and ride off after the other in pursuit of illusive glory and questionable adventure. ~ Michael Chabon, #NFDB
263:Duke Leszek the White explained in a long letter to the Pope that neither he nor any self-respecting Polish knight could be induced to go to the Holy Land, where, they had been informed, there was no wine, mead, or even beer to be had. ~ Adam Zamoyski, #NFDB
264:Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating. ~ David Bowie, #NFDB
265:Defense Secretary Caspar Weinberger, assessing a Polish crisis in 1984, said: “There’s continuing ground for serious concern and the situation remains serious. The longer it remains serious, the more ground there is for serious concern. ~ William Zinsser, #NFDB
266:At times it has been doubtful to me if Emerson really knows or feels what Poetry is at its highest, as in the Bible, for instance, or Homer or Shakspeare. I see he covertly or plainly likes best superb verbal polish, or something old or odd ~ Walt Whitman, #NFDB
267:Did I mention I love your nail polish? " I asked.
"You did not, but thank you. Times like this, you gotta have a bright spot. You gotta have something to lighten the mood. Catcher's homemade waffles and enormous dick usually do the trick. ~ Chloe Neill,#NFDB
268:I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is. ~ Ted Hughes, #NFDB
269:A dead body was discovered this week on the grounds of a country estate owned by Queen Elizabeth. The queen said today she hopes this serves as a reminder to anybody on her staff that there is a right way and a wrong way to polish sterling silver. ~ Jay Leno, #NFDB
270:Any man who wants to master the essence of my strategy must research diligently, training morning and evening. Thus can he polish his skill, become free from self, and realise extraordinary ability. He will come to possess miraculous power. ~ Miyamoto Musashi, #NFDB
271:I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy. ~ Gilbert Gottfried, #NFDB
272:In Poland, some people think that I'm kind of scandalous because I'm a woman who should stay at home with her kids instead of making movies about what I want and, even worse, addressing Polish taboos like church, homosexuals and history. ~ Malgorzata Szumowska, #NFDB
273:My parents didn't really understand too much about sport. At that time, we were in a Polish community in the inner city of Chicago, and I was the youngest of a bunch of cousins. Polish families are real big, with cousins and aunts and uncles. ~ Mike Krzyzewski, #NFDB
274:raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons--a gold-hilted sword to cut your enemies down. ~ Amanda Lovelace, #NFDB
275:most slaves were brought over from Africa before 1808, even before the end of slavery in 1865. That means most African Americans’ ancestors arrived decades if not centuries before the waves of Irish, German, Italian, Jewish, and Polish immigration. ~ D L Hughley, #NFDB
276:Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena. ~ Andrzej Wajda, #NFDB
277:For the first time since 1815, Russia was denied control of the Polish capital. It was a signal triumph for the Central Powers. The Germans now set their long-term sights on Finland, Russia’s province since the Swedes had been driven out in 1808. ~ Martin Gilbert, #NFDB
278:But please remember, that in 1991 in the Sejm [lower chamber of polish parliament] I didn't demand the abolishment of Special Economic Zones. I demanded the creation of a single Special Economic Zone - which would encompass the whole country! ~ Janusz Korwin Mikke, #NFDB
279:He grinned, attention dropping to my mouth. “I guess I better get busy persuading, then.” A soft kiss, then deeper. Then a growl. “Jesus, you smell like a cherry paczki.”
That’d be my Chapstick, but who was I to break his little Polish heart? ~ Cara McKenna,#NFDB
280:I should be used to the way Americans dress when traveling, yet it still manages to amaze me. It’s as if the person next to you had been washing shoe polish off a pig, then suddenly threw down his sponge saying, “Fuck this. I’m going to Los Angeles! ~ David Sedaris, #NFDB
281:You must cultivate your wisdom and spirit. Polish your wisdom: learn public justice, distinguish between good and evil, study the Ways of different arts one by one. When you cannot be deceived by men you will have realized the wisdom of strategy. ~ Miyamoto Musashi, #NFDB
282:The door opened to reveal Janie gleefully putting the finishing touches of the bright pink polish on Max's hands.
"Nice timing," the solider said with a grimace.
Talen snorted. "You're relieved, in case you need to powder your cheeks. ~ Rebecca Zanetti,#NFDB
283:Certainly a liberal education does manifest itself in a courtesy, propriety, and polish of word and action, which is beautiful in itself, and acceptable to others; but it does much more. It brings the mind into form,—for the mind is like the body. ~ John Henry Newman, #NFDB
284:So in writing, there is always a right word, and every other than that is wrong. There is no beauty in words except in their collocation. The effect of a fanciful word misplaced, is like that of a horn of exquisite polish growing on a human head. ~ Ralph Waldo Emerson, #NFDB
285:Beautiful is another word we tossed around too casually, slopping it over everything from cars to nail polish until the word collapsed under the weight of all the banality. But the world is beautiful. I hope they never forget that. The world is beautiful. ~ Rick Yancey, #NFDB
286:By the age of nine I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them. ~ Wladyslaw Stanislaw Reymont, #NFDB
287:I should be used to the way Americans dress when traveling, yet it still manages to amaze me. It’s as if the person next to you had been washing shoe polish off a pig, then suddenly threw down his sponge saying, “Fuck this. I’m going to Los Angeles!” On ~ David Sedaris, #NFDB
288:We put out real hip-hop at a time when it was turning into pop or R&B ... We brought the focus back to the music in its rawest form, without studio polish or radio hooks. ... People want something that gives them an adrenaline rush. We're here to supply that fix. ~ RZA, #NFDB
289:when a girl gets laid, she tells her best friend. When a girl finds a lump, she tells her best friend. When a girl finds a kickass shade of nail polish, she tells her best friend. And, I might add, when a girl gets kidnapped, she tells her best friend! ~ Kristen Ashley, #NFDB
290:America loves Poland, and America loves the Polish people. Thank you.The Poles have not only greatly enriched this region, but Polish-Americans have also greatly enriched the United States, and I was truly proud to have their support in the 2016 election. ~ Donald Trump, #NFDB
291:It was the shaving that bothered me the most. I'm not a great fan of shaving and I had to be really clean-shaven, hands, head, hairline, all the fluff off my face, everything except my eyebrows, so this sheen, this kind of polish they used on me, would stick. ~ Jude Law, #NFDB
292:I think when you practice photography or observation, you're on high alert. You polish up your antenna and stick up your head, and you're out there. You're receptive, appreciative of details. It heightens reality. You're trying to step into your alertness. ~ Debra Granik, #NFDB
293:Polish has developed unimpeded; someone put their foot out and tripped English. The human grammar is a fecund weed, like grass. Languages like English, Persian, and Mandarin Chinese are mowed lawns, indicative of an interruption in natural proliferation. ~ John McWhorter, #NFDB
294:I belong to a nation which over the past centuries has experienced many hardships and reverses. The world reacted with silence or with mere sympathy when Polish frontiers were crossed by invading armies and the sovereign state had to succumb to brutal force. ~ Lech Walesa, #NFDB
295:Certainly a liberal education does manifest itself in a courtesy, propriety, and polish of word and action, which is beautiful in itself, and acceptable to others; but it does much more. It brings the mind into form,—for the mind is like the body. ~ Saint John Henry Newman, #NFDB
296:Considerably more Polish Jews resident in France were killed than French Jews resident in France. Statelessness followed these thirty thousands murdered Polish Jews to Paris, to Drancy, to Auschwitz, to the gas chambers, to the crematoria, and to oblivion. ~ Timothy Snyder, #NFDB
297:Countess Bezukhova was present among other Russian ladies who had followed the sovereign from Petersburg to Vilna, and eclipsed the refined Polish ladies by her massive, so-called Russian, type of beauty. The Emperor noticed her, and honoured her with a dance. ~ Leo Tolstoy, #NFDB
298:(As human beings) We see everything everything in a glass, darkly. Sometimes we can peer through the glass and catch a glimpse of what is on the other side. If we were to polish the glass clean, we'd see much more. But then we would no longer see ourselves. ~ Jostein Gaarder, #NFDB
299:I like the bad-boy types. Generally the guy I'm attracted to is the guy in the club with all the tattoos and nail polish. He's usually the lead singer in a punk band and plays guitar. But my serious boyfriends are relatively clean-cut, nice guys. So it's strange. ~ Megan Fox, #NFDB
300:I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot. ~ Eddie Redmayne, #NFDB
301:In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one. ~ Andrzej Wajda, #NFDB
302:It was impossible for me to believe that conditions in Europe could be worse than they were in the Polish section of Chicago, and in many Italian and Irish tenements, or that any workshops could be worse than some of those I had seen in our foreign quarters. ~ Alice Hamilton, #NFDB
303:The art of spreading rumors may be compared to the art of pin-making. There is usually some truth, which I call the wire; as this passes from hand to hand, one gives it a polish, another a point, others make and put on the head, and at last the pin is completed. ~ John Newton, #NFDB
304:I did a really fun orange nail polish with my friend Deborah Lippmann. All of her nail polishes are named after songs so we called this one "Lara's Theme" which is really cute. It's a bright orange which is really good for summer or cheering yourself up in winter. ~ Lara Stone, #NFDB
305:I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson. ~ Bernie Mac, #NFDB
306:I was talking to my friend from New York yesterday, and I used the expression, 'You can't polish a turd'. He looked at me, disgusted, and said, 'No, you can't, but you can roll it in glitter'. He's a lovely guy but I wouldn't want to go to a craft fair with him ~ Steve Williams, #NFDB
307:A strong girl no matter how girly she is, whether she loves unicorns and rabbits and wear sparkly stars in her hair and glitter nail polish, needs to know how to defend herself. - Raising A Strong Daughter: What Fathers Should Know by Finlay Gow JD and Kailin Gow MA ~ Kailin Gow, #NFDB
308:The secret is not to get too attached to any of life, good or bad. The good times will come and then they will go. The bad times will come and then they will go. Our job is not to cling to one or to fight the other but to allow them both to teach us and polish us. ~ Regina Brett, #NFDB
309:To be a Pole does not mean just to speak Polish or to feel close to other Poles, but to value the Polish nation above all else ... A Pole must accept everything Polish, both good and bad, and must accept every period of the nation's history, both strong and weak. ~ Roman Dmowski, #NFDB
310:The people of this country are too tolerant. There's no other country in the world where they'd allow it... After all we built up this country and then we allow a lot of foreigners, the scum of Europe, the offscourings of Polish ghettos to come and run it for us. ~ John Dos Passos, #NFDB
311:I feel like I'm selling something nobody want to buy. Something big and stinky, like Kiki Brown and her lemon smell-good polish. But what really makes me and Kiki the same is, I'm proud a what I'm selling. I can't help it. We telling stories that need to be told. ~ Kathryn Stockett, #NFDB
312:I have committed a terrible crime,” she said, voice firm, controlled, machined to a polish. “So terrible that I feel I can do anything, commit any sin, betray any trust, because no matter what ruin I make of myself, it cannot be worse than what I have already done. ~ Seth Dickinson, #NFDB
313:The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking. ~ Andrzej Wajda, #NFDB
314:I offer you the words of the Polish poet Edward Yashinsky, who said, “Fear not your enemies, for they can only kill you; fear not your friends, for they can only betray you. Fear only the indifferent, who permit the killers and betrayers to walk safely on the earth. ~ Harlan Ellison, #NFDB
315:It's a lesser-known story, but the Japanese government (after the Russian-Nazi pact, which split Poland) did allow Polish Jews to come to Japan, with the expectation that they would then be sent to the United States. But they weren't accepted, so they stayed in Japan. ~ Noam Chomsky, #NFDB
316:Guilt is like tarnish on a piece of silver. It effectively obscures beauty and radiance, but can never lessen its true value. Just as the true beauty and value of silver is revealed with a little bit of polish, your true worth will shine with regular spiritual practice. ~ Darren Main, #NFDB
317:I replied, ‘Look, all this is risky and dangerous. But it will work.’ ” Forden later became the case officer for one of the CIA’s most productive and significant agents, Ryszard Kuklinski, a Polish army colonel who provided critical intelligence on the Warsaw Pact.34 ~ David E Hoffman, #NFDB
318:My country is in the grips of a major economic crisis. This is causing dramatic consequences for the very existence of Polish families. A permanent economic crisis in Poland may also have serious repercussions for Europe. Thus, Poland ought to be helped and deserves help. ~ Lech Walesa, #NFDB
319:Frederick claimed to be tired of looking into blue eyes and encouraged not only French, German and Polish immigrants but Greeks and other Mediterraneans to come; he had an immigration office set up in Venice and considered building a mosque in Berlin to attract Turks. ~ Alexandra Richie, #NFDB
320:I've been getting pretty focused about that recently, and even considered doing a masters degree to polish up the craft. I've been pretty lucky in that I seem to have found people online who are willing to constructively tear it apart for me, and indicate its weaknesses. ~ David Knopfler, #NFDB
321:At last either Betsie or I would open the Bible. Because only the Hollanders could understand the Dutch text, we would translate aloud in German. And then we would hear the life-giving words passed back along the aisles in French, Polish, Russian, Czech, back into Dutch. ~ Corrie ten Boom, #NFDB
322:If you don’t know what to do with the rest of your life, make your bed. If you’re going to be a couch potato, at least fluff the pillows. If you can’t afford pearls, red nail polish is your best accessory. If you don’t have time to do your nails, smile and stand up straight. ~ Helen Ellis, #NFDB
323:New people arrive and tehy cold be Jewish or Irish or Polish or even coloured. Our old customers are moving out to Long Island and we can't follow them, so we need new customers every week. We treat everyone the same. We welcome every single person who comes into this store. ~ Colm T ib n, #NFDB
324:New people arrive and they could be Jewish or Irish or Polish or even coloured. Our old customers are moving out to Long Island and we can't follow them, so we need new customers every week. We treat everyone the same. We welcome every single person who comes into this store ~ Colm T ib n, #NFDB
325:The biggest challenge [for movie Agnus dei] - working in a foreign country with a predominantly Polish cast and crew - also proved to be the biggest blessing. Being surrounded by all this change , [both] culturally [and] linguistically, was a new and refreshing inspiration. ~ Anne Fontaine, #NFDB
326:Barabas always managed to project an air of urbane, civilized polish that came with a sharp edge. Tall, lean, and pale, he had fire-bright red hair that stuck out from his head like a forest of aggressive spikes. If he ever frosted his hair blue, he’d look like a gas burner. ~ Ilona Andrews, #NFDB
327:By outlawing Solidarity, a free trade organization to which an overwhelming majority of Polish workers and farmers belong, they have made it clear that they never had any intention of restoring one of the most elemental human rights the right to belong to a free trade union. ~ Ronald Reagan, #NFDB
328:If you set your goals ridiculously high and it’s a failure, you will fail above everyone else’s success.” —James Cameron “If you find yourself in a fair fight, you didn’t plan your mission properly.” —Colonel David Hackworth “Not my circus. Not my monkeys.” —Polish proverb ~ Timothy Ferriss, #NFDB
329:I placed no trust in faiths, doctrines, ideologies, institutions. Thus I could stand only upon my own feet. But I was a Pole, molded by Polishness, living in Poland. And so I needed to look deeper for my ‘self,’ in the place where it was no longer Polish but simply human ~ Witold Gombrowicz, #NFDB
330:One of the biggest misconceptions that a woman has is that a man has to accept her the way she is. No, we don't. I don't know who told you that. We like the bright and shiny. If you stop wearing the makeup, stop putting on nail polish, stop wearing high heels, you'll lose us. ~ Steve Harvey, #NFDB
331:Call upon Angels to polish the jewels inside your thoughts and feelings, for within every fear or worry is a shining energy of love. Today be aware of your amazing power of manifestation. Know that in everything you think and feel, the entire universe is fully supporting you. ~ Doreen Virtue, #NFDB
332:For the D-Day spies were, without question, one of the oddest military units ever assembled. They included a bisexual Peruvian playgirl, a tiny Polish fighter pilot, a mercurial Frenchwoman, a Serbian seducer, and a deeply eccentric Spaniard with a diploma in chicken farming. ~ Ben Macintyre, #NFDB
333:raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons— a gold-hilted sword to cut your enemies d o w n. - a survival plan of sorts. ~ Amanda Lovelace, #NFDB
334:To create - a role, a poem, picture, music, a rapture in stone: great. But not for her.
What she wanted was to donate to the world a good Maud Martha. That was the offering, the bit of art, that could not come from any other.
She would polish and hone that. ~ Gwendolyn Brooks,#NFDB
335:Despite everything,” she wrote to Erwin on September 4 from Wiener Neustadt, “we were all hoping to the very end that a second world war could be avoided—we all hoped that reason would prevail in Britain and France. . . . Now the Führer has left last night for the Polish front. ~ David Irving, #NFDB
336:He kisses the D.S.'s hand thrusting his fingers into his mouth (the D.S. must feel his toothless gums) complaining he has lost teeth "inna thervith". "Please Boss Man. I'll wipe your ass, I'll wash out your dirty condoms, I'll polish your shoes with the oil on my nose.... ~ William S Burroughs, #NFDB
337:I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did. ~ Joanna Noelle Levesque, #NFDB
338:Nail polish or false eyelashes isn't politics. If you have good politics, what you wear is irrelevant. I don't take dictation from the pig-o-cratic style setters who say I should dress like a middle-aged lady. My politics don't depend on whether my tits are in or out of a bra. ~ Florynce Kennedy, #NFDB
339:Over the bed hung the picture of her beloved, the Polish Rider. He was looking, with his authoritative pensive mouth and his calm wide-apart eyes, past Moy, over her left shoulder and away into some vast distance. He was a knight upon a quest. He was brave, innocent, chaste, good. ~ Iris Murdoch, #NFDB
340:The purpose of the University of Washington cannot be to produce black lawyers for blacks, Polish lawyers for Poles, Jewish lawyers for Jews, Irish lawyers for Irish. It should be to produce good lawyers for Americans, and not to place First Amendment barriers against anyone. ~ William O Douglas, #NFDB
341:Because of my job, I learned to be confident a little earlier than most. People pick you apart when you're in the public eye - you're wearing the wrong shoes or you have ugly nail polish on or they're wondering if you got your boobs done - so you have to be a strong person right away. ~ Heidi Klum, #NFDB
342:If I make a decision it is a possession. I take pride in it, I tend to defend it and not listen to those who question it. If I make sense, then this is more dynamic, and I listen and I can change it. A decision is something you polish. Sensemaking is a direction for the next period. ~ Paul Gleason, #NFDB
343:raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons— a gold-hilted sword to cut your enemies d o w n. - a survival plan of sorts. ~ Amanda Lovelace, #NFDB
344:All these people keep waxing sentimental about how fabulously well I am doing as a mother, how competent I am, but I feel inside like when you're first learning to put nail polish on your right hand with your left. You can do it, but it doesn't look all that great around the cuticles. ~ Anne Lamott, #NFDB
345:His father, that austere, unfeeling and untutored man, had insisted his sons polish their boots every evening. Flett has learned to be grateful for this early discipline. It kept him breathing as a boy, provided a pulse, gave order to vast incomprehension. Later he found other ways. ~ Carol Shields, #NFDB
346:A girlfriend went on a couple of dates with a guy who criticized the color of her nail polish. She said, "The suggestion department is closed for the evening, but fax your idea tomorrow and we'll file it right over there in the suggestion box." (Then she pointed to the kitchen trash.) ~ Sherry Argov, #NFDB
347:had a good courtship story because it started with friendship—we found each other in eighth grade, in a rough city school in an even rougher neighborhood. Now the place boasted a Starbucks on every corner, but in the ’80s and ’90s, gangs ran the area—Polish and Puerto Rican, and they ~ Loretta Nyhan, #NFDB
348:Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine. ~ Mandy Hale, #NFDB
349:Cohen was on his knees taking a picture of a passing cloud, an unremarkable cirrus shaped as if it were sketched expressly for a meteorology textbook, its immortality assured only through the wild Polish luck of having passed the former concentration camp on the day of Cohen's visit. ~ Gary Shteyngart, #NFDB
350:I smoked while they compared booty. Things they took … nail polish, perfume, toilet paper. Things they were given … one-earrings, twenty hangers, torn bras. (Advice to cleaning women: Take everything that your lady gives you and say Thank you. You can leave it on the bus, in the crack.) ~ Lucia Berlin, #NFDB
351:Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners? One piece of good sense would be more memorable than a monument as high as the moon. ~ Henry David Thoreau, #NFDB
352:There is a certain artificial polish, a commonplace vivacity acquired by perpetually mingling in the beau monde; which, in the commerce of world, supplies the place of natural suavity and good-humour, but is purchased at the expense of all original and sterling traits of character. ~ Washington Irving, #NFDB
353:As a minority, no sooner do you learn to polish and cherish one chip on your shoulder, it’s taken off you and swapped out for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor. You are intermittently handed this Necklace of labels to hang around your neck, ~ Nikesh Shukla, #NFDB
354:A boy wrote me once to say that he loved it when the news from Lake Wobegon came on the radio because it meant that his parents stopped arguing. That was an eye-opener for me. You work hard to polish your act and then you find out that it does people good in ways you couldn't predict. ~ Garrison Keillor, #NFDB
355:In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There!"—yet ~ F Scott Fitzgerald, #NFDB
356:Look deep enough into any person and you will find something shining within. My job was to uncover this and, if the surface is fogged up (which was more than the case), polish it with a cloth to make it shine again. Otherwise the darker side would naturally reveal itself in the portrait. ~ Haruki Murakami, #NFDB
357:The easiest and quickest path into the esteem of traditional military authorities is by the appeal to the eye, rather than to the mind. The `polish and pipeclay' school is not yet extinct, and it is easier for the mediocre intelligence to become an authority on buttons, than on tactics. ~ B H Liddell Hart, #NFDB
358:Look deep enough into any person and you will find something shining within. My job was to uncover this and, if the surface is fogged up (which was more often the case), polish it with a cloth to make it shine again. Otherwise the darker side would naturally reveal itself in the portrait. ~ Haruki Murakami, #NFDB
359:What?"
Finn remembered sitting at the kitchen table with Sean, both of them trying to say the world "table" in Polish. Roza had said, "You have tongue like cow!" and laughed and laughed.
"What?" Sean said again.
He had tongue like cow, he had mind like cow. Dull, wordless. ~ Laura Ruby,#NFDB
360:Do you promise to help me pack up my apartment and get all my stuff? I have a lot of stuff. A lot. Shoes and purses and clothes and nail polish. I have way more purses than you brought and at least a gatrillion dresses. I can't live without them-'
'I promise to haul your shit around. ~ Dakota Cassidy,#NFDB
361:In successive speeches in 1920 he called for the hanging of war profiteers and racketeers; he identified them as the Jews; and then he began to concentrate his venom on the Jews as a whole, on the Ostjuden from Russia, and on the ‘Polish-Jewish vermin’ who had flooded into Vienna and Germany. ~ David Irving, #NFDB
362:Malina looked incredulous. "Are you anything more than a Druid?"
"Of course I am. I own this shop and I play a mean game of chess, and I've been told that I'm a frakkin' Cylon."
"What's a frakkin' Cylon?"
"I don't know, but it sounds really scary when you say it with a Polish Accent. ~ Kevin Hearne,#NFDB
363:Polishing those ugly rocks into gemstones. That's the earth. Why it does around. We're the rocks. And what happens to us - the drama and pain and joy and war and sickness and victory and abuse - why that's just the water and sand to erode us. Grind us down. To polish us up, nice and bright. ~ Chuck Palahniuk, #NFDB
364:When a girl gets laid, she tells her best friend. When a girl finds a lump, she tells her best friend. When a girl finds a kick-ass shade of nail polish, she tells her best friend. And, I might add, when a girl gets kidnapped, she tells her best friend!” Sissy was shouting when she finished. ~ Kristen Ashley, #NFDB
365:He was tall like a basketball player, and superthin. His hair had been dyed shoe-polish black, and he had dark circles under his eyes. He wore mismatched earrings and, judging by the splotches along his jawline, he also wore makeup. Very bad makeup. Even by New York subway standards he was weird. ~ James Ponti, #NFDB
366:The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. ~ Fred Brooks, #NFDB
367:And when I seek a finer grace in the day, som essence of love and life, the light fades beneath my eyes.
I will not abandon the quest before it has truly begun, however. I will let this grief sharpen my gaze, polish and shape it until it becomes a magnifying lens through which I might yet see. ~ Eowyn Ivey,#NFDB
368:One limits oneself in this country if you come as a legal immigrant to this country and you choose to only speak your language whether it be Polish or Russian like many of my own relatives who came here if you speak only Russian and Polish you're limiting your opportunities in the United States. ~ Andrew Breitbart, #NFDB
369:The U.S. ambassador in London, Joseph Kennedy, shrugged and said to his Polish counterpart: “Where on earth can the Allies fight the Germans and beat them?” Though Kennedy was a shameless anglophobe, appeaser and defeatist, his question was valid, and the Allied governments had no good answer to it. ~ Max Hastings, #NFDB
370:You will need to establish writing habits that help you get words on the page. Then you’ll need to establish habits that help you polish your work until it shines. You’ll need habits that keep you organized and habits that keep you on track. All of these habits, when put together, will deliver results. ~ S J Scott, #NFDB
371:I also discovered that many frantically busy full-time housewives were amazed to find that they could polish off in one hour the housework that used to take them six, or was still undone at dinner time, as soon as they started studying, or working, or had some other serious interest outside the home. ~ Betty Friedan, #NFDB
372:But a few choosing to venture deeper into the painful corridors of their affliction, found after a while that they could now grind and polish ever more exotic surfaces, hyperboloidial and even stranger, eventually including what we must term ‘imaginary’ shapes (which some preferred to term invisible). ~ Thomas Pynchon, #NFDB
373:He saw it. Not in front, or behind him, just somewhere out in the darkness. It was huge and powerful. The whiteness of its fur gleamed in the light of the snow.
'Wolf, in the name of the Polish border I beg you to spare my life,' he said into the darkness.
The wolf stopped behind him, wondering. ~ Olga Tokarczuk,#NFDB
374:Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter. ~ Iain Banks, #NFDB
375:Always mature for her age, she had gained a certain aplomb in both carriage and conversation, which made her seem more of a woman of the world than she was, but her old petulance now and then showed itself, her strong will still held its own, and her native frankness was unspoiled by foreign polish. ~ Louisa May Alcott, #NFDB
376:It's good to have a brand that is consistent that people know about and trust. But it's also good to mix it up and adapt it, to polish it a bit and give it a new aspect. To not violate the reputation you've established but give it a new edge and veneer to show other aspects that people hadn't suspected. ~ Robert Greene, #NFDB
377:If I'm having a bad day I put on the very best thing I have. I polish my shoes, I shine everything up, because that helps me get though the day. It helps me, you know, it's in a sense armor. It says, okay, I'm a mess inside but you know what, on the outside I'm going to be pulled together, everything is okay. ~ Tom Ford, #NFDB
378:True love should be transformative; a process that amplifies our capacity to cherish not just one person but all people. It can make us stronger, lift us higher and deepen us as individuals. Only to the extent that we polish ourselves now can we hope to develop wonderful bonds of the heart in the future. ~ Daisaku Ikeda, #NFDB
379:The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. ~ Frederick P Brooks Jr, #NFDB
380:The way it works in commercials is they come to you with the script and then you do the visual, you do the storyboards, and you give your vision of it, but it's very much their baby. You just kind of put your polish and sheen on it, and you're interpretation of it, but it's very much the agency's idea. ~ Paul W S Anderson, #NFDB
381:I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. ~ Elie Wiesel, #NFDB
382:My "do" now consisted of some really nifty spikes on top. I looked like a punker, but it was kind of fun, if you want to know the truth. Next thing I knew I'd be getting my ears pierced and chewing gum in public, social sins my auntie had always warned me about, along with red nail polish and dingy bra straps. ~ Sue Grafton, #NFDB
383:Prejudice in this country is like chapters in a book. Chapter One: Hating the Africans and Indians. Chapter Two: Don't forget the Irish. Chapter Three: Polish jokes."..... "Hispanics? Latinos? Whatever you call us? Maybe we're Chapter Fifteen or Sixteen on the East Coast, but we're the preface in the West. ~ Emilie Richards, #NFDB
384:But do you really mean, Sir," said Peter, "that there could be other worlds-all over the place, just round the corner-like that?" "Nothing is more probable," said the Profesor, taking off his spectacles and beginning to polish them, while he muttered to himself, "I wonder what they do teach them at these schools. ~ C S Lewis, #NFDB
385:Ever come home and found your room messed up? Like some helpful person (hi, Mom) has tried to "clean" it, and suddenly you can't find anything? And even if nothing is missing, you get that creepy feeling like somebody's been looking through your private stuff and dusting everything with lemon furniture polish? ~ Rick Riordan, #NFDB
386:Ever come home and found your room messed up? Like some helpful person (hi, Mom) has tried to “clean” it, and suddenly you can’t find anything? And even if nothing is missing, you get that creepy feeling like somebody’s been looking through your private stuff and dusting everything with lemon furniture polish? ~ Rick Riordan, #NFDB
387:On behalf of all Americans, let me also thank the entire Polish people for the generosity you have shown in welcoming our soldiers to your country. These soldiers are not only brave defenders of freedom, but also symbols of America's commitment to your security and your place in a strong and democratic Europe. ~ Donald Trump, #NFDB
388:On the third, directly before me, were embedded more polished letters: PER OMNIA SAECULA SAECULORUM.
For ever and ever.
In the red light, the brushed steel glowed softly, like embers. The polish letters blazed.
Without a hiss, For ever and ever slid aside, as though inviting me to eternity. ~ Dean Koontz,#NFDB
389:-the men were found to have left behind their guns but to have lugged such essentials as monogrammed silver cutlery, a backgammon board, a cigar case, a clothes brush, a tin of buttons polish, and a copy of 'The Vicar of Wakefield.' These men may have been incompetent bunglers, but, by God, they were gentlemen. ~ Anne Fadiman, #NFDB
390:systematic ethnic cleansing of the Polish population, in some cases completely eliminating entire Polish communities in order to establish racial purity. It was only the beginning of a brutal genocidal campaign that Hitler and his emissaries would wage over the next six years. Hitler proceeded to invade Denmark ~ Hourly History, #NFDB
391:But do you really mean, Sir," said Peter, "that there could be other worlds-all over the place, just round the corner-like that?"
"Nothing is more probable," said the Profesor, taking off his spectacles and beginning to polish them, while he muttered to himself, "I wonder what they do teach them at these schools. ~ C S Lewis,#NFDB
392:On A Lady's Writing
HER even lines her steady temper show;
Neat as her dress, and polish'd as her brow;
Strong as her judgment, easy as her air;
Correct though free, and regular though fair:
And the same graces o'er her pen preside
That form her manners and her footsteps guide.
~ Anna Laetitia Barbauld,#NFDB
393:Well, I knew then what my own career was to be. I was to become one of those helpless, sad women. I used to notice them when I was young. It seemed to me their lives had slipped away when they weren’t looking, and the only thing they could do was”—she contemplates her silverware, strewn across the tabletop—“polish. ~ Louis Bayard, #NFDB
394:I was a daughterless mother. I had nowhere to put the things a mother places on her daughter. The nail polish I used to paint our toenails hardened. Our favorite videos gathered dust. Her small apron was in a box in the attic. Her shoes - the sparkly ones, the leopard rain boots, the ballet slippers - stood in a corner. ~ Ann Hood, #NFDB
395:The style of writing required in the great world is distinguished by a free and daring grace, a careless security, a fine and sharp polish, a delicate and perfect taste; while that fitted for the people is characterized by a vigorous natural fulness, a profound depth of feeling, and an engaging naivete. ~ Johann Wolfgang von Goethe, #NFDB
396:Why did Erich von Stronheim leave Germany? Why did Hitchcock leave England? If you were a director you'd like to work in Hollywood too. Now go ahead and ask me if I'm still Polish. You people keep asking me this question. You want Polish artists to make it in the world, but when they do, you accuse them of treason. ~ Roman Polanski, #NFDB
397:As for the body, it is solid and strong and curious
and full of detail: it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue. ~ Mary Oliver,#NFDB
398:Did I pick the right person? This question inverts the starting and ending points. We do not pick our perfect match because we ourselves are not perfect. The universe hands us a flawless diamond—in the rough. Only if we are willing to polish off every part of ourselves that cannot join do we end up with a soul mate. ~ David Schnarch, #NFDB
399:The thing about Jason Bourne is that he only really shines when he’s being chased. Without the forces of evil pursuing him, Jason Bourne is basically council house trash living on KFC and the proceeds of his illegal Polish and Romanian girlfriends who’ll toss you off for a tenner at the local lottery ticket kiosk. ~ Douglas Coupland, #NFDB
400:Those who have no principles are never more dangerous than when they reach the age when they lose all sense of shame. Their hearts are gangrened by depravity, they refine and polish up their first offences and convert them into heinous crimes while still believing they are still at the stage of minor misdemeanours. ~ Marquis de Sade, #NFDB
401:Authors of light pieces have, nobody knows why, a genius for getting into minor difficulties: they walk into the wrong apartments, they drink furniture polish for stomach bitters, they drive their cars into the prize tulip beds of haughty neighbors, they playfully slap gangsters, mistaking them for old school friends. ~ James Thurber, #NFDB
402:I use many different gadgets connected with computers; I use PCs, laptops and a Palm Pilot. I also use the Internet to visit websites, especially within Polish-language Internet. I usually go to political discussion groups and sites - of course, as I use my real name, people never believe that they are chatting with me! ~ Lech Walesa, #NFDB
403:What I like to do is treat words as a craftsman does his wood or stone or what-have-you, to hew, carve, mold, coil, polish, and plane them into patterns, sequences, sculptures, fugues of sound expressing some lyrical impulse, some spiritual doubt or conviction, some dimly realized truth I must try to reach and realize. ~ Dylan Thomas, #NFDB
404:I'm assuming you're taking me to ACRO."
"Can't get anything by you," Annika drawled.
"What's going to happen when we get there?"
"They'll probably torture you for a few days." Annika glanced at Faith's hands and shrugged. "You didn't need those fingernails anyway. Terrible polish. Black doesn't look good on you. ~ Sydney Croft,#NFDB
405:Madison sparkled like the words on her oversized chest. There was glitter embedded in her eye shadow, in her lip gloss, in her nail polish, hanging from her ears in shoulder grazing hoops, dangling from her wrists in blingy bracelets. If the lights went out in the hallway, she could light it up like a human disco ball. ~ Danielle Paige, #NFDB
406:Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I'm not interested in books that are just clever and well executed; polish doesn't impress me, and I don't care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul. ~ C E Morgan, #NFDB
407:Being an elite performer on the playing field of life is not about being perfect. Rather, it is about cultivating a mental focus towards mastery in every area of your life. It is about commiting yourself, from the core of your heart, to manifest and polish your highest talents and become the person you are destined to be. ~ Robin Sharma, #NFDB
408:Back in the days of the Soviet Union, the countries of Eastern Europe, being under the control of the USSR, would call their states "people's republics." The sham that is currently going on in the states of the former Soviet Union is due to the fact that the politicians in power are eager to polish up their image abroad. ~ Garry Kasparov, #NFDB
409:Chocolate Crunchy Crunch was invented by Genghis Khan’s chef, Bharli Zup. The Mongol hordes always carried some in their saddlebags when they rode out to burn and pillage. The original recipe included the pulverized bones of Polish peasants.” “Those Mongols.” I shook my head. “I, uh, assume you updated the recipe a bit? ~ Christopher Bunn, #NFDB
410:The premise of National Socialism was that Germans were a superior race, a presumption that, when confronted by the evidence of Polish civilization, the Nazis had to prove, at least to themselves. In the ancient Polish city of Cracow, the entire professoriate of the renowned university was sent to concentration camps. The ~ Timothy Snyder, #NFDB
411:After practice today, Coach pulled me aside and gave me a ten-minute lecture about the importance of keeping my grades up. Well, lecture is too generous a description—his exact words had been “maintain your average or I’ll shove my foot so far up your ass you’ll be able to taste my shoe polish in your mouth for years to come. ~ Elle Kennedy, #NFDB
412:He authorized Goebbels to deliver a powerful and provocative speech in Danzig on June 17, denouncing Polish ‘ill treatment’ and demanding the city's return to the Reich. Nazi editors were confidentially briefed: ‘This is to be a first trial balloon to test the international atmosphere on the settlement of the Danzig question. ~ David Irving, #NFDB
413:The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes. ~ Ian MacKaye, #NFDB
414:I had an uncle who was a postal official at the Polish post office in Gdansk. He was one of the defenders of the Polish postal service and, after it capitulated, was shot by the Germans under the provisions of martial law. Suddenly he was no longer a member of the family, and we were no longer allowed to play with his children. ~ Gunter Grass, #NFDB
415:They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself. ~ Suzanne Collins, #NFDB
416:Why must I test myself? Because no one else will, not anymore. Now that I am no longer a student of any kind, I must take responsibility for the furniture inside my head. I must slide new drawers into chests and attach new rollers to armchairs. I must maintain the old highboys and sideboards and whatnots. Polish, patch, dust, buff. ~ Sara Baume, #NFDB
417:Ciba: "I thought you were supposed to be some big brave war hero. What about that goddamn gold star you polish every night?"
Natalya: "You know what this shiny piece of tin is, you fucking space cadet? It's the way stupid boys trick other stupid boys into dying for bullshit causes ... and I'm done acting like one of them. ~ Brian K Vaughan,#NFDB
418:To succeed as you want, you have to be precise; you have to have polish; you have to carry polish and precision into everything you do. You have no time to sigh over seigneuries and begrudge other people their gifts. Lack of genius never held anyone back,’ said Lymond. ‘Only time wasted on resentment and daydreaming can do that. ~ Dorothy Dunnett, #NFDB
419:We are all advertising, all of the time. If you want to sell your car, what do you do? You clean and polish it and make it the best you can. Some people bake bread when they are trying to sell their house because the smell adds a friendly feeling. Even the priest, with all his or her fervour, is advertising God. Everybody is selling. ~ Paul Arden, #NFDB
420:With reference to the heart’s blindness and it’s cure the Prophet said: “For everything there is a polish that taketh away rust, and the polish of the heart is remembrance of God.” And when asked who would rank highest in God’s esteem on the Day of Resurrection he answered: “The men and the women who invoke God much in remembrance. ~ Martin Lings, #NFDB
421:If you want to become a buddha, then don’t be afraid of sex. Move into it, know it well, become more and more alert about it. Be careful; it is tremendously valuable energy. Make it a meditation and transform it, by and by, into love. It is raw material, like a raw diamond. You have to cut it, polish it; then it becomes of tremendous value. ~ Osho, #NFDB
422:small top she wore, and disappeared between her breasts. He set his cup of coffee down before he dropped it. She wore yoga pants that fit like a second skin. Her toes peeked out from below, with pink sparkly polish finishing her off. As his eyes roamed back to her face he found her hungry gaze on him. She held a towel to her hair ~ Catherine Bybee, #NFDB
423:Today, there are more people of Irish ancestry in the United States than in Ireland, more Jews than in Israel, more blacks than in most African countries. There are more people of Polish ancestry in Detroit than in most of the leading cities in Poland, and more than twice as many people of Italian ancestry in New York as in Venice. ~ Thomas Sowell, #NFDB
424:Everything in comedy's got to be exactly right, which is why making a comedic film is kind of a difficult process, because, for most of the two years of shooting it and editing it and reshooting and all of that, it's not quite right. And it's only when you just at the end, you put the final polish on it, it becomes really funny again. ~ John Cleese, #NFDB
425:I don't know, but I always loved that image of a girl putting toenail polish on a guy - her boyfriend, or something like that. Or a guy waking up in the morning and reaching over and putting on his girlfriend's shirt. Like Keith Richards putting on one of Anita Pallenberg's blouses, or Courtney Love putting nail polish on Kurt Cobain. ~ Marc Jacobs, #NFDB
426:I feel like if I were to play the game completely and just get myself in a giant bottle of nail polish and put myself on display, I would feel like I had somehow cosmically lost. I feel like I'm taking a bunch of the ingredients and using some of them but not all of them and shuffling around and making people think I'm doing my job. ~ Amanda Palmer, #NFDB
427:A simpler model, however, was proposed in 1514 by a Polish priest, Nicholas Copernicus. (At first, perhaps for fear of being branded a heretic by his church, Copernicus circulated his model anonymously.) His idea was that the sun was stationary at the center and that the earth and the planets moved in circular orbits around the sun. ~ Stephen Hawking, #NFDB
428:If there is any advice I can offer a new writer reading this, it is – do not give into despair and self doubt, find your own voice, stay away from cheap cider, don’t take yourself too seriously, revise and polish your work until your eyes bleed and if you do all these things then maybe, just maybe, Lady Luck will give you a helping hand. ~ Tendai Huchu, #NFDB
429:My husband and I are in preproduction of three movies, a Latin show, and a children's animation. I'm doing a very unique nail polish line, and finally, I'm developing a hair care line because people always ask me about my hair care system. I do a mask once a week that my grandma taught me how to make, so I want to share it with everyone. ~ Joyce Giraud, #NFDB
430:Writing is like listening to a melody line in my head. Note by note, it knows where it wants to go. I follow it and lay it down. I can pare it, shape it, and polish it later...My job is to take down the dribs and drabs - to free-associate, if you will, knowing that the associations have their own plans for where we're going with all this. ~ Julia Cameron, #NFDB
431:There was little sign of culture, and the luxury was senseless and haphazard, and was as ill fitting as that uniform. The floors irritated him with their brilliant polish, the lustres on the chandelier irritated him, and he was reminded for some reason of the story of the merchant who used to go to the baths with a medal on his neck. . . . ~ Anton Chekhov, #NFDB
432:You know how they've got these cookie assortments, and you like some but you don't like others? And you eat up all the ones you like, and the only ones left are the ones you don't like so much? I always think about that when something painful comes up. 'Now I just have to polish these off, and everything'll be OK.' Life is a box of cookies. ~ Haruki Murakami, #NFDB
433:I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path. ~ Edward Hirsch, #NFDB
434:I love you...I've always loved you. I've never loved anybody else. I just married Charlie to - to try to hurt you. Oh, Ashley, I love you so much I'd walk every step of the way to Virginia just to be near you! And I'd cook for you and polish your boots and groom your horse - Ashley, say you love me! I'll live on it for the rest of my life! ~ Margaret Mitchell, #NFDB
435:Without culture there can be no growth; without exertion, no acquisition; without friction, no polish; without labor, no knowledge; without action, no progress; and without conflict, no victory. The man who lies down a fool at night, hoping that he will waken wise in the morning, will rise up in the morning as he laid down in the evening. ~ Frederick Douglass, #NFDB
436:One centimeter was an opening the size of a fingertip. Two and a half centimeters were the second and third fingers, slipped into an opening the size of the neck of a bottle of nail polish remover. Four centimeters of dilation were those same fingers, spread in the neck of a forty-ounce bottle of Sweet Baby Ray’s barbecue sauce. Five centimeters ~ Jodi Picoult, #NFDB
437:Hitler’s entourage quickly learned what he had in mind. On September 9 Colonel Eduard Wagner discussed the future of Poland with Hitler’s Army Chief of Staff, General Halder. ‘It is the Führer’s and Goering’s intention’, Wagner wrote in his diary, ‘to destroy and exterminate the Polish nation. More than that cannot even be hinted at in writing. ~ Martin Gilbert, #NFDB
438:Probity, virtue, honor, though they should have not received the polish of Europe, will secure to an honest American the good graces of his fair countrywomen.' In America, , in other words, sincerity mattered more than style. And Chesterfield had become synonymous with all the vapid formality that Americans had fought to free themselves from. ~ Jessica Weisberg, #NFDB
439:At last either Betsie or I would open the Bible. Because only the Hollanders could understand the Dutch text, we would translate aloud in German. And then we would hear the life-giving words passed back along the aisles in French, Polish, Russian, Czech, back into Dutch. They were little previews of heaven, these evenings beneath the lightbulb. ~ Corrie ten Boom, #NFDB
440:By the summer of 1920 Lenin felt confident enough to export the Revolution westwards, ordering the Red Army to march on Warsaw and confidently talking of the need to ‘sovietize Hungary and perhaps Czechia and Romania too’. Only their decisive defeat by the Polish army on the banks of the River Vistula halted the spread of the Bolshevik epidemic. ~ Niall Ferguson, #NFDB
441:The count says we’re Austrians now. But the countess tells me on the sly: ‘You’re Polish and always will be.’ I asked her if she was Polish too, and she said: ‘Forever.’ ” Tytus led his son to a window, and as if to lend emphasis to what he was about to say, pointed toward the river: “As long as the Vistula flows, it waters the soul of Poland. ~ James A Michener, #NFDB
442:Bolshevik marauders in 1917 raided most of the large Polish stud farms and slaughtered the horses, which they viewed as playthings of princes. Horses hung from the barn rafters, their throats slit. Stable courtyards turned into lakes of blood. Of the five hundred registered purebred Arabians in Poland prior to 1917, only fifty survived the raids. ~ Elizabeth Letts, #NFDB
443:A break came when Polish intelligence officers created a machine based on a captured German coder that was able to crack some of the Enigma codes. By the time the Poles showed the British their machine, however, it had been rendered ineffective because the Germans had added two more rotors and two more plugboard connections to their Enigma machines. ~ Walter Isaacson, #NFDB
444:But Jack was not Polish scum of the earth, barefoot and chained to the land, or even French scum of the earth, in wooden clogs and in thrall to the priest and the tax-farmer, but English scum of the earth in good boots, equipped with certain God-given rights that were (as rumor had it) written down in a Charter somewhere, and armed with a loaded gun. ~ Neal Stephenson, #NFDB
445:The Greatest Love
She is sixty. She lives
the greatest love of her life.
She walks arm-in-arm with her dear one,
her hair streams in the wind.
Her dear one says:
"You have hair like pearls."
Her children say:
"Old fool."
Translated from the Polish by Czeslaw Milosz and Leonard Nathan
Anonymous Submission
~ Anna Swirszczynska,#NFDB
446:She Does Not Remember
She was an evil stepmother.
In her old age she is slowly dying
in an empty hovel.
She shudders
like a clutch of burnt paper.
She does not remember that she was evil.
But she knows
that she feels cold.
Translated from the Polish by Czeslaw Milosz and Leonard Nathan
Anonymous Submission
~ Anna Swirszczynska,#NFDB
447:Finishing a song is definitely the hardest part. It's, you know, you can polish it forever and then whittle it down into something it wasn't and be like, "I need to build it back up," which is why some tracks have 400 versions. But I guess you know when it's done when...I have a maximalist approach to sound when I can't find any more space to put new sounds. ~ Dan Deacon, #NFDB
448:The Government finally decided
To wage the war all-out. Defeat
is Un-American.
And they took to the air,
Their women beside them
in bouffant hairdos
putting nail-polish on the
gunship cannon-buttons.
And they never came down
for they found,
the ground
is Pro-Communist. And dirty.
And the insects side with the Viet Cong. ~ Gary Snyder,#NFDB
449:These are the days when, however simple the future, we do not go
towards it but leave part of life in a lobby whose elevators
divide and enclose us, brightening digits that show
exactly where we are headed, while a young Polish woman
is emptying an ashtray, and we are drawn to a window
whose strings, if we pull them, widen an emptiness. ~ Derek Walcott,#NFDB
450:A mind now clouded by the illusions of the innate darkness of life is like a tarnished mirror, but when polished, it is sure to become like a clear mirror, reflecting the essential nature of phenomena and the true aspect of reality. Arouse deep faith, and diligently polish your mirror day and night. How should you polish it? Only by chanting Nam-myoho-renge-kyo ~ Nichiren, #NFDB
451:But in the morning I would always rise and polish the surface of myself, a gleaming, confident young woman, an excellent student and good daughter starting her fourth year at the university, moving smoothly through the world, and even though inside the chaos scraped and railed I would push it into the crevices of the day so it could not be detected. ~ Carolina De Robertis, #NFDB
452:Man's cleverness is almost indefinite, and stretches like an elastic band, but human nature is like an iron ring. You can go round and round it, you can polish it highly, you can even flatten it a little on one side, whereby you will make it bulge out the other, but you will NEVER, while the world endures and man is man, increase its total circumference. ~ H Rider Haggard, #NFDB
453:Snow White Makes a Plea to the Witch
Light a candle.
Feed your scrawny cat.
Polish your dark house.
Buy a new hat.
Write odes, darn socks.
Repair your crumbling stoop.
Put a smile on your face.
Pour out that sour soup.
Move away from the mines,
Far out by the bay.
And I beg you, please,
Throw that mirror away. ~ Jane Yolen,#NFDB
454:A mind now clouded by the illusions of the innate darkness of life is like a tarnished mirror, but when polished, it is sure to become like a clear mirror, reflecting the essential nature of phenomena and the true aspect of reality. Arouse deep faith, and diligently polish your mirror day and night. How should you polish it? Only by chanting Nam-myoho-renge-kyo ~ Nichiren, #NFDB
455:An Egyptian Pulled Glass Bottle In The Shape Of A Fish"
Here we have thirst
and patience, from the first,
and art, as in a wave held up for us to see
in its essential perpendicularity;
Not brittle but
intense--the spectrum, that
spectacular and humble animal the fish,
whose scales turn aside the sun's sword with their polish. ~ Marianne Moore,#NFDB
456:For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. ~ Amor Towles, #NFDB
457:Now, from the crown of my head to the curve of my toe-nails, there was an unguent for every part of me - oil for my eyebrows and cream for my lashes; a jar of tooth-powder, a box of blanc-de-perle; polish for my fingernails and a scarlet stick to redden my mouth; tweezers for drawing the hairs from my nipples, and a stone to take the hard flesh from my heels. ~ Sarah Waters, #NFDB
458:When I got inside, I just sort of stood there. There's nothing stranger than the smell of someone else's house. The scent goes right to your stomach. Mary's house smelled like lemon furniture polish and oatmeal cookies and logs in a fireplace. For some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table. ~ Adam Rapp, #NFDB
459:room confirmed the view I had of myself. I always felt as if I had been placed in storage in this house. However, regardless of what it was and what it had been, the room had to be kept as immaculate as any other. My grandmother was fully convinced that cleanliness was next to godliness and was fond of chanting it at me whenever she ordered me to polish or wash ~ V C Andrews, #NFDB
460:First, Poland has been again overrun by two of the great powers which held her in bondage for 150 years but were unable to quench the spirit of the Polish nation. The heroic defense of Warsaw shows that the soul of Poland is indestructible, and that she will rise again like a rock which may for a spell be submerged by a tidal wave but which remains a rock. ~ Winston Churchill, #NFDB
461:For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity - all the while, allowing memories to invest them with greater and greater importance. ~ Amor Towles, #NFDB
462:Kenna wet her lips and swallowed hard. The off-white linen of Colum's tunic made his wide expanse of hard-muscled chest and squared shoulders look as though the man had been dipped in white chocolate. Damn, I love white chocolate. Kenna licked her lips again. But she'd bet her favorite nail polish that a taste of Colum would bean any chocolate she'd ever eaten. ~ Maeve Greyson, #NFDB
463:Tell me, Briny,” Natalie said, “are you still having fun?” He looked around at the noisy, crowded, evil-smelling ward, where the Polish women were helplessly bringing new life into a city which was being dynamited to death by the Germans, going through unpostponable birth pangs with the best care the dying city could give them. “More fun than a barrel of monkeys. ~ Herman Wouk, #NFDB
464:The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine,' Rushdie says. 'Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started. ~ Salman Rushdie, #NFDB
465:You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can’t express—and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn’t hurt anymore: that’s my poem. ~ Samuel R Delany, #NFDB
466:Or take the health category. Adding is on the left, removing to the right. Removing medication, or some other unnatural stressor—say, gluten, fructose, tranquilizers, nail polish, or some such substance—by trial and error is more robust than adding medication, with unknown side effects, unknown in spite of the statements about “evidence” and shmevidence. ~ Nassim Nicholas Taleb, #NFDB
467:The Sea And The Man
You will not tame this sea
either by humility or rapture.
But you can laugh
in its face.
Laughter
was invented by those
who live briefly
as a burst of laughter.
The eternal sea
will never learn to laugh.
Translated from the Polish by Czeslaw Milosz and Leonard Nathan
Anonymous Submission
~ Anna Swirszczynska,#NFDB
468:When you've got a thing to say,
Say it! Don't take half a day.
When your tale's got little in it
Crowd the whole thing in a minute!
Life is short--a fleeting vapor--
Don't you fill the whole blamed paper
With a tale which, at a pinch,
Could be cornered in an inch!
Boil her down until she simmers,
Polish her until she glimmers. ~ Joel Chandler Harris,#NFDB
469:I have nothing against a community that is made up of people who are Polish, or who are Czechoslovakians, or who are French Canadians or who are blacks trying to maintain the ethnic purity of their neighborhoods. This is a natural inclination... Government should not break up a neighborhood on a numerical basis. As soon as the Government does, the white folks flee. ~ Jimmy Carter, #NFDB
470:We discovered that in connection with these figures the German national simpletons and money-grubbers of the Frankfurt parliamentary swamp always counted as Germans the Polish Jews as well, although this dirtiest of all races, neither by its jargon nor by its descent, but at most only through its lust for profit, could have any relation of kinship with Frankfurt. ~ Friedrich Engels, #NFDB
471:They ticked the boxes of a certain kind of enlightened, educated middle-classness, the love of dresses that were more interesting than pretty, the love of the eclectic, the love of what they were supposed to love. Ifemelu imagined them when they traveled: they would collect unusual things and fill their homes with them, unpolished evidence of their polish. ~ Chimamanda Ngozi Adichie, #NFDB
472:Whatever was on your shopping list—linseed oil, two-inch masonry nails, coal scuttle, small can of Brasso metal polish—Mr. Morley had it. I am sure if you said to him, “I need 125 yards of razor wire, a ship’s anchor, and a dominatrix outfit in a size eight,” he would find them for you after rooting around for a few minutes among bird feeders and bags of bone meal. Mr. ~ Bill Bryson, #NFDB
473:They could not see the sprawling Sachsenhausen concentration camp under construction that summer just north of Berlin, where before long more than two hundred thousand Jews, homosexuals, Jehovah’s Witnesses, Gypsies, and eventually Soviet prisoners of war, Polish civilians, and Czech university students would be held, and where tens of thousands of them would die. ~ Daniel James Brown, #NFDB
474:I know I'm being a pain in the neck, sir - not to mention an ache in the ass and a milky drip from the tip of a sore dick - but if it's all the same to you, my dear friend, I'd like to give my chance to the young fellow on his knees before you. Let him apologize, let him polish your boots with his clout until you are entirely satisfied, and let him go on living his life. ~ Stephen King, #NFDB
475:As we know, the goal of every struggle is victory. But if the proletariat is to achieve victory, all the workers, irrespective of nationality, must be united. Clearly, the demolition of national barriers and close unity between the Russian, Georgian, Armenian, Polish, Jewish and other proletarians is a necessary condition for the victory of the proletariat of all Russia. ~ Joseph Stalin, #NFDB
476:Will muddles his way through the club and into the upper tier, where the boxes are filled with chattering people in jackets and silky dresses. He comes through the door of number 28 and Trudy spies him right away, pounces on him, and introduces him to everybody. There are Chinese from Peru, Polish by way of Tokyo, a Frenchman married to Russian royalty. English is spoken. ~ Janice Y K Lee, #NFDB
477:They looked at Neagley. Dark hair, dark eyes, a tan. A good-looking woman. She smiled at them. Her forearms were on the table. Reacher noticed her nails. They were shiny with clear polish, and neatly filed. Even on the right, which she must have done left-handed. She wouldn’t use a nail salon. She couldn’t bear her hands to be touched. She looked at one guy, and then the other. The ~ Lee Child, #NFDB
478:I am right in front of him, my hand resting on the screen. I search his eyes for any sign of hurt, any reflection of the agony of torture. There is nothing. Peeta looks healthy to the point of robustness. His skin is glowing, flawless, in that full-body-polish way. His manner’s composed, serious. I can’t reconcile this image with the battered, bleeding boy who haunts my dreams. ~ Suzanne Collins, #NFDB
479:An American tourist went to Cairo to visit the famous Polish rabbi Hafez Ayim. The tourist was surprised to see that the rabbi lived in a simple, book-lined room, in which the only pieces of furniture were a table and a bench. ‘Rabbi, where’s all your furniture?’ asked the tourist. ‘Why, where’s yours?’ retorted Hafez. ‘Mine? But I’m just passing through.’ ‘So am I,’ said the rabbi. ~ Paulo Coelho, #NFDB
480:You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have to polish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy. ~ Haruki Murakami, #NFDB
481:Es·pe·ran·to n. an artificial language devised in 1887 as an international medium of communication, based on roots from the chief European languages. Es·pe·ran·tist n. from the name Dr. Esperanto, used as a pen name by the inventor of the language, Ludwik L. Zamenhof (1858-1917), Polish physician; the literal sense is 'one who hopes' (based on Latin sperare 'to hope'). ~ Oxford University Press, #NFDB
482:and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time ~ Frank O Hara,#NFDB
483:I like to always stop with a couple of pages that I haven't - that are just raw copy, where I haven't touched it, I haven't tried to revise it, I haven't tried to polish it. It's like having a little bit of a runway. The next day when you sit down, you have the comfort of saying, well, I have got a little bit here, used to be in the typewriter. Now it's in the magic box, the computer. ~ Stephen King, #NFDB
484:Just remember, life is a box of cookies. You know how they’ve got these cookie assortments, and you like some but you don’t like others? And you eat up all the ones you like, and the only ones left are the ones you don’t like so much? I always think about that when something painful comes up. ‘Now i just have to polish these off, and everything’ll be O.K.’ Life is a box of cookies. ~ Haruki Murakami, #NFDB
485:Russian-Polish immigrant and labor organizer and suffragist Rose Schneiderman, who would never marry. Her 1911 speech, in which she implored, “The worker must have bread, but she must have roses, too” became the mantra of the 1912 Bread and Roses strike of female textile workers in Lawrence, Massachusetts, and an anthemic phrase in the labor and women’s movements that were to come. ~ Rebecca Traister, #NFDB
486:You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have to
polish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy. ~ Haruki Murakami,#NFDB
487:Few Polish citizens left on the Praga side of the River Vistula were allowed to live. The burning of the bridge was fortuitous, however, for the Russians were held at bay, allowing the night to cool their red rage. In the morning, the English ambassador to Poland and the Papal Nuncio crossed the river and secured from Suvorov assurance that the capital would be taken peacefully. ~ James Conroyd Martin, #NFDB
488:I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine. ~ Delbert McClinton, #NFDB
489:The important thing is to firmly fix our gaze on our own weaknesses, not run away from them, but to battle them head-on and establish a solid self that nothing can sway. Hardships forge and polish our lives, so that eventually they shine with brilliant fortune and benefit. If left in its raw, unpolished form, even the most magnificent gem will not sparkle. The same applies to our lives. ~ Daisaku Ikeda, #NFDB
490:I love the students - they are remarkable, inspiring people. I would miss teaching if I stopped doing it. The kind of work I do is pretty diverse: I can cast a play while doing a polish of a screenplay, while thinking about a new play and revising another. In other words, the kind of work that I do during my work day is not just writing, yet it is all part of the job of being a playwright. ~ Donald Margulies, #NFDB
491:Some of these stories have been previously published, but that doesn’t mean they were done then, or even that they’re done now. Until a writer either retires or dies, the work is not finished; it can always use another polish and a few more revisions. There’s also a bunch of new ones. Something else I want you to know: how glad I am, Constant Reader, that we’re both still here. Cool, isn’t it? — ~ Stephen King, #NFDB
492:Use every mistake. The inarticulate parts point to where you must make the words say exactly what you mean. The ragged parts point to what you must polish. The gaping holes tell you what has to be filled. The dull parts tell you unfailingly what must be cut. The blank spots show exactly what you must go out and find. These are infallible guides, and though they talk tough, they are your friends. ~ Stephen Koch, #NFDB
493:He has repeatedly shown that by explaining neurological “oddities,” he can shed light on the functioning of normal brains. “I hate crowds in science,” he tells me. He doesn’t fancy large scientific meetings either. “I tell my students, when you go to these meetings, see what direction everyone is headed, so you can go in the opposite direction. Don’t polish the brass on the bandwagon.” Beginning ~ Norman Doidge, #NFDB
494:This is why God created so many different religions: to be training grounds to make a path for every people, culture, custom, and tradition. Religions polish people to be qualified to enter the region of the original homeland. Because of humankind's many different cultural backgrounds, God sought and set the standard of comparison and has been leading the way toward one unified religious world. ~ Sun Myung Moon, #NFDB
495:The majority of people who come to America come for a better life, just like the Italians, the Jews, the Irish, and the Polish did in generations before. A lot of the Irish came here back in the turn of the 19th to the 20th century because there were no opportunities and no options at home for them. There were no jobs and there was extreme poverty. They came here to be able to send money back home. ~ Marty Walsh, #NFDB
496:When you edit, you imagine your enemy is seated on the other side of the table. Your enemy! And your enemy is going to read that with a viciousness, because he knows where you didn't work on it. He's going to shake it and really aim for that jugular. So you are going to polish, and revise, and rewrite, and cut out, and shape it, so that your enemy has no place to grip it. That's how you revise. ~ Sandra Cisneros, #NFDB
497:Consider that the earth is a processing plant, a factory. Picture a tumbler used to polish rocks: a rolling drum filled with water and sand. Consider that your soul is dropped in as an ugly rock, some raw mineral or natural resource, crude oil, mineral ore. And all conflict and pain is the abrasive that rubs us, polishes our soul, refines us, teaches and finishes us over lifetime after lifetime. ~ Chuck Palahniuk, #NFDB
498:Miss Caroline was no more than twenty-one. She had bright auburn hair, pink cheeks, and wore crimson fingernail polish. She also wore high-heeled pumps and a red-and-white-striped dress. She looked and smelled like a peppermint drop. She boarded across the street one door down from us in Miss Maudie Atkinson’s upstairs front room, and when Miss Maudie introduced us to her, Jem was in a haze for days. ~ Harper Lee, #NFDB
499:Sloppy language and sloppy ways go together. Those who are truly educated have learned more than the sciences, the humanities, law, engineering, and the arts. They carry with them a certain polish that marks them as loving the better qualities of life, a culture that adds luster to the mundane world of which they are apart, a patina that puts a quiet glow on what otherwise might be base metal. ~ Gordon B Hinckley, #NFDB
500:A new degree of anger came over him. What did it all matter? What did it matter if the mother talked Polish and cried in labour, if this child were stiff with resistance, and crying?Why take it to heart?Let the mother cry in labour, let the child cry in resistance, since they would do so. Why should he fight against it, why resist? Let it be, if it were so. Let them be as they were, if they insisted. ~ D H Lawrence, #NFDB
501:All the others had the wrong smell – floor polish for the Low, somewhat suspicious incense for the High. Deep in the leather armchair of his soul, Mr. Young knew that God got embarrassed at that sort of thing. But he liked seeing nuns around, in the same way that he liked seeing the Salvation Army. It made you feel that it was all all right, that people somewhere were keeping the world on its axis. ~ Terry Pratchett, #NFDB
502:Britt stood outside and watched the regimental band straggling back to the barracks with their instruments in hand. Troopers of the new black Ninth Cavalry had been dismissed and were housing their guidons in the long leather cases. They walked back to the stables, leading their horses. All bays. Brown shoe polish had been used on those horses with white blazes or socks and so they all looked alike. ~ Paulette Jiles, #NFDB
503:That's always been in my mind my metaphor for a team working really hard on something they're passionate about. It's that through the team, through that group of incredibly talented people bumping up against each other, having arguments, having fights sometimes, making some noise, and working together they polish each other and they polish the ideas, and what comes out are these really beautiful stones. ~ Steve Jobs, #NFDB
504:It says there’s no marriages in heaven, Mrs Powlett,’ said Dorothy, giving a final polish to the pudding spoons with a piece of washleather. ‘I’m ashamed of you, Dorothy,’ said Mrs Powlett, ‘speaking of the Bible as “it”. And don’t tell me it’s in the Bible, Dorothy, for that is a book we were never meant to understand. Now come along and give me a hand and don’t leave the shammy on the Vicar’s chair. ~ Angela Thirkell, #NFDB
505:There are 6 billion people in the world and every single one is a diamond in some stage of being polished. Life is either going to polish you up or grind you down. And the difference between the two lies in how much hope you have, how much faith you have in the fact that you do carry something special on the inside that's waiting to get out. Many give up, not knowing they were only 10 minutes from triumph. ~ Perry Marshall, #NFDB
506:We stayed a step behind the three boys. Every once in a while they would turn around and look at us, wondering, I guess, why we were following them. Sometimes they stared openly at Ema. There may have been derision in their eyes, I couldn’t say for sure. Ema was decked out in her customary black—black clothes, black hair, black nail polish, black lipstick. Tattoos ran up and down her arms and across her neck. I ~ Harlan Coben, #NFDB
507:For many, love is a two-sided coin. It can strengthen or stifle, expand or enfeeble, perfect or pauperize. When love is returned, we soar. We are taken to heights unseen, where it delights, invigorates, and beautifies. When love is spurned, we feel crippled, disconsolate, and bereaved. Polish the coin and you will see only requited love on both sides. I was destined to love you and I will belong to you forever. ~ Colleen Houck, #NFDB
508:Sometimes I feel like I have a huge, gaping hole from my chin to my waist, a wide open negative space that life has just carved away. But it's not beautiful, Wilson. Sometimes it feels empty and dark . . . and . . . and no amount of sanding or polish will make it into something it isn't. I'm afraid if I let you love me, your love will be swallowed up in that hole, and in turn YOU will be swallowed up by it.” Wilson ~ Amy Harmon, #NFDB
509:When the corpses of [Sir John] Franklin's officers and crew were later discovered, miles from their ships, the men were found to have left behind their guns but to have lugged such essentials as monogrammed silver cutlery, a backgammon board, a cigar case, a clothes brush, a tin of button polish, and a copy of "The Vicar of Wakefield." These men may have been incompetent bunglers, but, by God, they were gentlemen. ~ Anne Fadiman, #NFDB
510:You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can’t express—and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn’t hurt anymore: that’s my poem. I know what they want to say, and I say it for them. ~ Samuel R Delany, #NFDB
511:First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice. You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence. ~ Octavia E Butler, #NFDB
512:You know who Nicolaus Copernicus is?” “Was,” Walker said. “Some old astronomer. Polish, I think. Proved the earth goes around the sun.” Reacher nodded. “And much more than that, by implication. He asked us all to consider how likely is it that we’re at the absolute center of things? What are the odds? That what we’re seeing is somehow exceptional? The very best or the very worst? It’s an important philosophical point. ~ Lee Child, #NFDB
513:You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them. ~ Samuel R Delany, #NFDB
514:In 1904, Rosa Luxemburg, the Polish-born revolutionary who would not meet Lenin for three more years, condemned his vision of organization as “military ultra-centralism.” Trotsky, who sided with Martov, compared Lenin to the Jesuitical Catholic Abbe Emmanuel Joseph Sieyes—suspicious toward other people, fanatically attached to the idea, inclined to be dictator while claiming to put down supposedly ubiquitous sedition. ~ Stephen Kotkin, #NFDB
515:You don’t have to look a certain way to be a tomboy. Don’t let anyone tell you that, ever, and please don’t find that here in my words. Tomboy thrums in your heart. It’s in your head. It’s what is holding your spine in place. It can’t be hidden by a haircut. It’s not about nail polish or not. It’s running right now in your veins. If it is in you, you already know. Tomboy blood is so much bigger than the outside of you. ~ Ivan E Coyote, #NFDB
516:Inscription On A Grotto, The Work Of Nine Ladies.
Here, shunning idleness at once and praise,
This radiant pile nine rural sisters raise;
The glittering emblem of each spotless dame,
Clear as her soul and shining as her frame;
Beauty which nature only can impart,
And such a polish as disgraces art;
But Fate disposed them in this humble sort,
And hid in deserts what would charm a Court.
~ Alexander Pope,#NFDB
517:In the big factory of perfecting human souls, the Earth was a kind of tumbler. The same as the kind people use to polish rocks. All souls come here to rub the sharp edges off each other. All of us, we’re meant to be worn smooth by conflict and pain of every kind. To be polished. There was nothing bad about this. This wasn’t suffering, it was erosion.It was just another, a basic, an important step in the refining process. ~ Chuck Palahniuk, #NFDB
518:I think the important thing about sisters is that they share the same minute, familiar life-style, the same little sets of rules. Therefore they can keep house with each other late in life, because they share the same bunch of housewifely prejudices. The important thing about women today is, as they get older, they still keep house. It's one reason they don't die, but men die when they retire. Women just polish the teacups. ~ Margaret Mead, #NFDB
519:I wondered about Mrs. Winterbottom and what she meant about living a tiny life. If she didn't like all that baking and cleaning and jumping up to get bottles of nail polish remover and sewing hems, why did she do it? Why didn't she tell them to do some of the things themselves? Maybe she was afraid there would be nothing left for her to do. There would be no need for her and she would become invisible and no one would notice. ~ Sharon Creech, #NFDB
520:You can be excellent in every way. You can be first class. There is no need for you to be a scrub. Respect yourself. Do not feel sorry for yourself. Do not dwell on unkind things others may say about you. Polish and refine whatever talents the Lord has given you. Go forward in life with a twinkle in your eye and a smile on your face, but with great and strong purpose in your heart. Love life and look for its opportunities. ~ Gordon B Hinckley, #NFDB
521:He speaks in a different language with a voice that's already like sand shifting over metal, and my insides flip out. He's inadvertently flicked some weird switch inside me, and there's no turning back once it's there. Apparently I really like hearing someone speak in Hungarian or Polish or Russian or whatever it is he's speaking, while trapped in a closet. I'm a secret subscriber to Trapped in a Polish Closet magazine. ~ Charlotte Stein, #NFDB
522:Wait, you clean my dildo?’ I ask, slowly. ‘Every week, I clean it with the polish.’ ‘With furniture polish?’ ‘Yes.’ ‘Jesus.’ Sophie got me the dildo for my birthday present three years ago. I have never used it. No matter how little sex I get, I’ve never been able to get turned on by a piece of rubber. And thank God; I’d probably have died of toxic poisoning by now with half a gallon of Mr Sheen being wedged up my vagina. ‘Katya, ~ Dawn O Porter, #NFDB
523:As for working with a partner, he didn’t like that either. It cut the score right down the middle. It put an apple on your head, and handed the other guy a shotgun. Because grifters, it seemed, suffered an irresistible urge to beat their colleagues. There was little glory in whipping a fool—hell, fools were made to be whipped. But to take a professional, even if it cost you in the long run, ah, that was something to polish your pride. ~ Jim Thompson, #NFDB
524:Although the progress of civilisation has undoubtedly contributed to assuage the fiercer passions of human nature, it seems to have been less favourable to the virtue of chastity, whose most dangerous enemy is the softness of the mind. The refinements of life corrupt while they polish the intercourse of the sexes. The gross appetite of love becomes most dangerous when it is elevated, or rather, indeed, disguised by sentimental passion. ~ Edward Gibbon, #NFDB
525:Because he did not have time to read every new book in his field, the great Polish anthropologist Bronislaw Malinowski used a simple and efficient method of deciding which ones were worth his attention: Upon receiving a new book, he immediately checked the index to see if his name was cited, and how often. The more "Malinowski" the more compelling the book. No "Malinowski", and he doubted the subject of the book was anthropology at all. ~ Neil Postman, #NFDB
526:Right up until the end, Victor’s mind had been as methodical as an efficient library, whereas Amelia felt that hers was more like the cupboard under the stair where ancient hockey sticks were shoved in beside broken Hoovers and boxes of old Christmas decorations, and the one thing you knew was in there—a five-amp fuse, a tin of tan shoe polish, a Phillips screwdriver—would almost certainly be the one thing you couldn’t lay your hands on. ~ Kate Atkinson, #NFDB
527:Nature and art: The material and the workmanship. There is no beauty unaided, no excellence that does not sink to the barbarous, unless saved by art: It redeems the bad and perfects the good. Because nature commonly forsakes us at her best, take refuge in art. The best in nature is raw without art, and the excellent is lacking if it lacks culture. Without cultivation everyone is a clown and needs polish, fine attributes notwithstanding. ~ Baltasar Graci n, #NFDB
528:Babies are such blank slates. They don’t come into this world with the assumptions their parents have made, or the promises their church will give, or the ability to sort people into groups they like and don’t like. They don’t come into this world with anything, really, except a need for comfort. And they will take it from anyone, without judging the giver. I wonder how long it takes before the polish given by nature gets worn off by nurture. ~ Jodi Picoult, #NFDB
529:Public opinion has so far not been averse to the blackmailing of Swiss bankers and German industrialists, but it might look less kindly on the blackmailing of starving Polish peasants. Jews who lost family members during the Nazi holocaust might also take a jaundiced view of the WJRO’s machinations. Claiming to be the legitimate heir of those who perished in order to appropriate their assets could easily be mistaken for grave-robbery. ~ Norman G Finkelstein, #NFDB
530:For Americans, Poland has been a symbol of hope since the beginning of our nation. Polish heroes and American patriots fought side by side in our War of Independence and in many wars that followed. Our soldiers still serve together today in Afghanistan and Iraq, combatting the enemies of all civilization.For America's part, we have never given up on freedom and independence as the right and destiny of the Polish people, and we never, ever will. ~ Donald Trump, #NFDB
531:The Englishman said that he, when captured, had made and kept the following vows to himself: To brush his teeth twice a day, to shave once a day, to wash his face and hands before every meal and after going to the latrine, to polish his shoes once a day, to exercise for at least a half an hour each morning and then move his bowels, and to look into a mirror frequently, frankly evaluating his appearance, particularly with respect to his posture. ~ Kurt Vonnegut, #NFDB
532:We must all allow ourselves the fantasy of projection from time to time, a chance to clothe ourselves in the imaginary gowns and tails of what has never been and never will be. This gives some polish to our tarnished lives, and sometimes we may choose one dream over another, and in the choosing find some respite from ordinary sadness. After all, we, none of us, can ever untangle the knot of fictions that make up that wobbly thing we call a self. ~ Siri Hustvedt, #NFDB
533:In chess we have the obligation to move; there is no option to skip a turn if you can’t identify a direction that suits you. One of the great challenges of the game is how to make progress when there are no obvious moves, when action is required, not reaction. The great Polish chess master and wit Tartakower half-joking called this the “nothing to do” phase of the game. In reality, it is here that we find what separates pretenders from contenders. ~ Garry Kasparov, #NFDB
534:We study health, and we deliberate upon our meats and drink and air and exercises, and we hew and we polish every stone that goes to that building; and so our health is a long and regular work. But in a minute a cannon batters all, overthrows all, demolishes all; a sickness unprevented for all our diligence, unsuspected for all our curiosity, nay, undeserved, if we consider only disorder, summons us, seizes us, possesses us, destroys us in an instant. ~ John Donne, #NFDB
535:The first day after the merger, Brad got a call from a worried female employee, who whispered, “There is a guy in here with suspenders walking around with a baseball bat in his hands, taking swings.” That turned out to be Carlin’s CEO, Jeremy Frommer, who, whatever else he was, was not RBC nice. One of Frommer’s signature poses was feet up on his desk, baseball bat swinging wildly over his head while some poor shoeshine guy tried to polish his shoes. ~ Michael Lewis, #NFDB
536:Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I’m not interested in books that are just clever and well executed; polish doesn’t impress me, and I don’t care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul. Great literature rattles the mind and makes the body sing. It’s an unmistakable, electric feeling, and too rare. That is what I want. ~ C E Morgan, #NFDB
537:Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That’s the earth. Why it goes around. We’re the rocks. And what happens to us—the drama and pain and joy and war and sickness and victory and abuse—why, that’s just the water and sand to erode us. Grind us down. To polish us up, nice and bright. ~ Chuck Palahniuk, #NFDB
538:If you can't do what you long to do, go do something else. Go walk the dog, go pick up every bit of trash on the street outside your home, go walk the dog again, go bake a peach cobbler, go paint some pebbles with brightly colored nail polish and put them in a pile. You might think it's procrastiantion, but - with the right intention - it isn't; it's motion. And any motion whatsoever beats inertia, because inspiration will always be drawn to motion. ~ Elizabeth Gilbert, #NFDB
539:I’ve seen too many writers derail their creative process by stopping the action to tweak a word or a sentence. If you write a few paragraphs, then go back and polish them, you destroy all the forward momentum you had. It’s like shifting gears—forward, reverse, forward, reverse. You could burn out your mental transmission. If you can train yourself to save the criticism for the second draft, you’ll actually finish writing and have something to polish. ~ Kevin J Anderson, #NFDB
540:Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That’s the earth. Why it goes around. We’re the rocks. And what happens to us—the drama and pain and joy and war and sickness and victory and abuse—why, that’s just the water and sand to
erode us. Grind us down. To polish us up, nice and bright. ~ Chuck Palahniuk,#NFDB
541:Paul sarcastically notes that the Corinthians are so wise, and this wisdom of theirs is the basis for them "suffering fools gladly." He says that they will tolerate and put up with men who exploit them—but are in effect intolerant of true shepherds. As the people of God, we are being abused by the leadership of the modern evangelical movement—by this I mean the men standing behind the cash registers—and we cravenly submit. We know the taste of boot polish. ~ Douglas Wilson, #NFDB
542:He used his intellect as he used his legs: to carry him somewhere else. He studied astrology, astronomy, botany, chemistry, numerology, fortification, divination, organ building, metallurgy, medicine, perspective, the kabbala, toxicology, philosophy, and jurisprudence. He kept his interest in anatomy and did a dissection whenever he could get hold of a body. He learned Arabic, Catalan, Polish, Icelandic, Basque, Hungarian, Romany, and demotic Greek. ~ Sylvia Townsend Warner, #NFDB
543:Annie Wilkes had her own interior set of rules; in her way she was strangely prim. She had made him drink water from a floor-bucket; had withheld his medication until he was in agony; had made him burn the only copy of his new novel; had hand-cuffed him and stuck a rag reeking of furniture polish in his mouth; but she would not take the money from his wallet. She brought it to him, the old scuffed Lord Buxton he’d had since college, and put it in his hands. All ~ Stephen King, #NFDB
544:Our assholes will be clean but we must never wash our hands. Our immune systems will be strengthened by our being dirty. Not filthy. Just mildly grimy. Filthy fingernails have always been a favorite fashion accessory of mine. Especially when you place your hands in the prayer positions. Matter of fact, I urge all my followers to forgo nail polish permanently and replace it with expertly applied soot. The nonexistent gods above will ignore our prayers better this way. ~ John Waters, #NFDB
545:My first workout starts at 9:00 a.m. every morning. I'm in the gym from 9:00 a.m. to 11:00 a.m. We do strength conditioning, stretching, pretty intense workouts in the morning. We go back in the gym at 1:00 p.m. and train until 5:00 p.m. It's all routines, repetition, doing the same skills over and over again, trying to polish and perfect everything. I head home, eat dinner, spend some time with my wife and start over the next day. I train about six days per week. ~ Jonathan Horton, #NFDB
546:The fruit of humanity is devotion to one's parents. The fruit of righteousness is to respect one's elders. The fruit of wisdom is to understand these two and not to betray them. The fruit of propriety is to regulate and polish them. The fruit of music is the joy that comes from rejoicing in them. When one rejoices in them, they grow. When they grow, how can they be stopped? And when they cannot be stopped, unconsciously one's feet begin to dance and one's arms begin to wave. ~ Mencius, #NFDB
547:I attempt all day, at work, not to think about what lies ahead, but this costs me so much effort that there is nothing left for my work. I handle telephone calls so badly that after a while the switchboard operator refuses to connect me. So I had better say to myself, Go ahead and polish the silverware beautifully, then lay it out ready on the sideboard and be done with it. Because I polish it in my mind all day long—this is what torments me (and doesn't clean the silver). ~ Lydia Davis, #NFDB
548:The wearing of skullcaps in public was criminalised, as were other items defined as habitually Jewish. But Hasidic Jews responded by adopting the costume of the Polish-Russian merchant; the black fox-fur shtreimel hat worn over the yarmulka, the long belted black coat and white stockings that merchants wore in St Petersburg. This is what they still wear in Jerusalem and elsewhere, imagined as distinctively Jewish dress, which frozen over the generations it has duly become. ~ Simon Schama, #NFDB
549:All old stories, my cousin, will bear telling and telling again in different ways. What is required is to keep alive, to polish, the simple clean forms of the tale which must be there - in this case the angry Ocean, the terrible leap of the horse, the fall of Dahud from the crupper, the engulfment etc etc. And yet to add something of yours, of the writer, which makes all these things seem new and first seen, without having been appropriated for private or personal ends. ~ A S Byatt, #NFDB
550:And so we polish our own lives, creating landscapes and canyons and peaks with the very silt we try to avoid, the dirt we disavow or hide or deny. It is the dirt of our lives—the depressions, the losses, the inequities, the failing grades in trigonometry, the e-mails sent in fear or hate or haste, the ways in which we encounter people different from us—that shape us, polish us to a heady sheen, make us in fact more beautiful, more elemental, more artful and lasting. ~ Terry Tempest Williams, #NFDB
551:Seven years I worked at the Polish deli. It's a very slow deli. So I sat around a lot on my stool at the cashier. And I'd sign my autograph on all the bags I'd put the milk in. Just everyday, practice my autograph. And the manager of the store would take some of them and tape them against the wall. And he'd say, "Some day, I'm telling you, it will be worth something." And I'm like 13, going, "Really?!" And when I go back there, he still has them on the wall. It's very cute. ~ Jenny McCarthy, #NFDB
552:the two of them all GQ’d up for Last Meal. Both wore slacks, not jeans, and sweaters, not sweatshirts, and loafers, not shitkickers. They were clean-shaven, cologned, and coiffed, but they were not she-males in the slightest. Frankly, that would have made things a lot easier. For fuck’s sake, he wished one of the SOBs would RuPaul their shit and go all feather boa and fingernail polish. But no. They just kept looking like two too-hot males who knew how to spend their money at Saks ~ J R Ward, #NFDB
553:Ah, the truth, what a thing it is! I sacrifice so much for it, with people: I forego, for truth's sake, discretion, loyalty, diplomacy, tact, polite manners, elegance, grace, poise, balance, good taste, conformity, image-role, fashionableness, polish, confidences, promises, ambition, consistency, identity, clarity, comprehensibleness, good will, hypocrisy, and lots of other things--amass sacrifice, at truth's altar. God! is truth worth it? I hope it is. It better be, in fact. ~ Marvin L Cohen, #NFDB
554:THE FIREBOLT This state-of-the-art racing broom sports a streamlined, superfine handle of ash, treated with a diamond-hard polish and hand-numbered with its own registration number. Each individually selected birch twig in the broomtail has been honed to aerodynamic perfection, giving the Firebolt unsurpassable balance and pinpoint precision. The Firebolt has an acceleration of 150 miles an hour in ten seconds and incorporates an unbreakable Braking Charm. Price on request. Price ~ J K Rowling, #NFDB
555:While this has never been the mainstream view in Germany, there are still political groups there today who refuse to acknowledge the Holocaust on the grounds that what Germans in eastern Europe suffered was 'exactly the same'. This is an extremely dangerous point of view. While it is true that the Polish labour camps contained some repugnant examples of extreme sadism towards Germans, there is absolutely no evidence to show that this was part of an official policy of extermination. ~ Keith Lowe, #NFDB
556:books that Uncle bought in Odessa or acquired in Heidelberg, books that he discovered in Lausanne or found in Berlin or Warsaw, books he ordered from America and books the like of which exist nowhere but in the Vatican Library, in Hebrew, Aramaic, Syriac, classical and modern Greek, Sanskrit, Latin, medieval Arabic, Russian, English, German, Spanish, Polish, French, Italian, and languages and dialects I had never even heard of, like Ugaritic and Slovene, Maltese and Old Church Slavonic. ~ Amos Oz, #NFDB
557:Despite our worries, the majority of the people I talked to after the screening said that they hadn’t even noticed that the movie had switched from full color to black and white wireframes! They were so caught up in the emotion of the story that they hadn’t noticed its flaws. This was my first encounter with a phenomenon I would notice again and again, throughout my career: For all the care you put into artistry, visual polish frequently doesn’t matter if you are getting the story right. ~ Anonymous, #NFDB
558:We have more English Bibles than there are English-speaking people in the entire country.” Matron had turned from the window and followed his gaze. “Polish Bibles, Czech Bibles, Italian Bibles, French Bibles, Swedish Bibles. I think some are from your Sunday-school children. We need medicine and food. But we get Bibles.” Matron smiled. “I always wondered if the good people who send us Bibles really think that hookworm and hunger are healed by scripture? Our patients are illiterate. ~ Abraham Verghese, #NFDB
559:The ideal of all education, all training, should be this man-making. But, instead of that, we are always trying to polish up the outside. What use in polishing up the outside when there is no inside? The end and aim of all training is to make the man grow. The man who influences, who throws his magic, as it were, upon his fellow-beings, is a dynamo of power, and when that man is ready, he can do anything and everything he likes; that personality put upon anything will make it work. ~ Swami Vivekananda, #NFDB
560:Before modern medicine, one of the worst imaginable skin diseases was syphilis, which would start as itchy boils and then eat its way into the bones until it exposed the skeleton. The microbe that caused this disgusting sight and unbearable pain had different names in different places. In Russia it was called the Polish disease. In Poland it was the German disease; in Germany, the French disease; and in France, the Italian disease. The Italians blamed back, calling it the French disease. ~ Hans Rosling, #NFDB
561:[He] understood the people in a new way...The people is not everyone who speaks our language, nor yet the elect marked by the fiery stamp of genius. Not by birth, not by the work of one's hands, not by the wings of education is one elected into the people.
But by one's inner self.
Everyone forges his inner self year after year.
One must try to temper, to cut, to polish one's soul so as to become a human being.
And thereby become a tiny particle of one's own people. ~ Aleksandr Solzhenitsyn,#NFDB
562:In the event of any action which clearly threatened Polish independence and which the Polish Government accordingly considered it vital to resist with their national forces, His Majesty's Government would feel themselves bound at once to lend the Polish Government all support in their power. They have given the Polish Government an assurance to this effect. I may add that the French Government have authorized me to make it plain that they stand in the same position in this matter. ~ Neville Chamberlain, #NFDB
563:That's where the importance of nurturing comes in; the already sculpted personality is not recast, but refined. Loving, caring families can sand and polish, but they can't chip away at a lawn ornament and turn it into Michelangelo's David. Or vice versa. Want another analogy? Regarding personality, I am convinced that at birth the cake is already baked. Nurture is the nuts or frosting, but if you're a spice cake you're a spice cake, and nothing is going to change you into an angel food. ~ Lorna Landvik, #NFDB
564:He was playing his life. His whole being was gliding over the strings. His unfulfilled hopes. His charred past, his extinguished future. He played that which he would never play again. I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. ~ Elie Wiesel, #NFDB
565:We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age. ~ Richard Bach, #NFDB
566:She’s a fine one to talk—her accent is hilarious. She is Scottish and sort of prejudiced against everyone in Europe. She hasn’t lived in Seattle long. Not long enough to decide if she likes the city or hates it. Apparently, she still hates the Irish, though. And the English. And Germans. And Polish people. She hates everyone, including us “bloody Yanks” who are always “bloody rude” to her and ripping her off. She kills me with all the things she hates and then loves in a bipolar sort of fashion. ~ Tara Brown, #NFDB
567:Where in the bloody hell did that come from?" asks the other person behind the counter. Or more precisely, on top of the counter, where her ridiculously attractive, English-accented boyfriend is perched.
He's the other thing I like about Anna. Wherever she goes, he follows.
He nods toward the baby wipe. "What else are you carrying in your pockets? Dust rags? Furniture polish?"
"Watch it," she says. "Or I'll scrub your arms, Étienne."
He grins. "As long as you do it in private. ~ Stephanie Perkins,#NFDB
568:But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. ~ Amor Towles, #NFDB
569:Looking toward the Polish Rider she met his calm tender gentle thoughtful gaze. She thought, what he sees is the face of death. He sees the silence of the valley, its emptiness, its innocence — and beyond it the hideous field of war on which he will die. And his poor horse will die too. He is courage, he is love, he loves what is good, and will die for it, his body will be trampled by horses' hooves, and no one will know his grave. She thought, he is so beautiful, he has the beauty of goodness. ~ Iris Murdoch, #NFDB
570:If Brock Lesnar was here right now, I'd take my boot off and throw it at him, and he'd better polish it up before he brings it back to me. Talking about he's the baddest guy in the UFC? Brock, quit eating so many raw eggs and doing push-ups because it's affecting your realm of reality. Are you kidding me? I'd slap you in your face, and you wouldn't do anything. 'I'm Brock Lesnar. I've got this $5 haircut and a knife tattooed on my chest.' I'll shove it up your face if you get in Chael Sonnen's way. ~ Chael Sonnen, #NFDB
571:The old women were gone. They seemed to have ascended into the darkness like the waxy smoke from the candles after he capped them with the brass bell at the end of the snuffer. For a moment, staring into the darkness, he imagined the rafters full of smoky old women with hair sprouting from their chins. Hundreds of them. Thousands. Whispering in Italian, and Polish, and Latin about dead husbands and dead children. Like angels grown old but not allowed to die. He could smell them: the odor of candles. ~ Pete Hamill, #NFDB
572:English version by Jane Hirshfield Unbreakable, O Lord, Is the love That binds me to You: Like a diamond, It breaks the hammer that strikes it. My heart goes into You As the polish goes into the gold. As the lotus lives in its water, I live in You. Like the bird That gazes all night At the passing moon, I have lost myself dwelling in You. O my Beloved -- Return. [bk1sm.gif] -- from Holy Fire: Nine Visionary Poets and the Quest for Enlightenment, Edited by Daniel Halpern
~ Mirabai, Unbreakable, O Lord
,#NFDB
573:Even though men have very little interest in wearing women’s clothes, this has not prevented a gigantic industry from arising, dedicated to satisfying women’s desires in fashion. Industries which provide makeup, hair styling, nail polish, hair removal, and weight loss services are similarly “biased” in the direction of females: they disproportionately serve women. These phenomena would be very difficult to understand on the feminist model that female wants are ignored or deprecated in the male’s favor. ~ Walter Block, #NFDB
574:One young woman's tribute describes unwrapping her cadaver's hands and being brought up short by the realization that the nails were painted pink. "The pictures in the anatomy atlas did not show nail polish", she wrote. "Did you choose the color? Did you think that I would see it? I wanted to tell you about the inside of your hands. I want you to know you are always there when I see patients. When I palpate an abdomen, yours are the organs I imagine. When I listen to a heart, I recall holding your heart. ~ Mary Roach, #NFDB
575:Pierre and Marie (then Maria Sklodowska, a penniless Polish immigrant living in a garret in Paris) had met at the Sorbonne and been drawn to each other because of a common interest in magnetism. ~ Siddhartha Mukherjee, #NFDB
576:You were not really in the area,” she says now. “You look just like your father used to look when he lied to me.” I laugh. “How’s that?” “Like you’ve swallowed a lemon. Once, when your father was maybe five, he stole my nail polish remover. When I asked him about it, he lied. Eventually I found it in his sock drawer and told him so. He became hysterical. Turned out he read the label and thought it would make me—someone Polish—disappear. He hid it before it could do its job.” Nana smiles. “I loved that boy, ~ Jodi Picoult, #NFDB
577:choice, Lydia reflected, was not a simple act. It depended not only on what you thought and felt, but on things you were quite unconscious of thinking and feeling, and to which only an outside agency could alert you. Choice implied a clear view of the object before the chooser: but whose view was not impeded, not smeared a little by the careless accretions of self? Surely to polish up that glass to perfect transparency was not to interfere with choice: really it was doing a service both to the chooser and to ~ Jude Morgan, #NFDB
578:If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her. ~ Francesca Lia Block, #NFDB
579:My life has made me what I am. It hasn't been easy, sometimes I have found it almost unbearable, but suffering can be transmuted into strength-as a rod is tempered by passing through a furnace-and all my hard work, all my anxieties and failures and disappointments have made me what I am. When the rod is tempered it has to be polished and made fit for service...everything that happens as one goes through life helps to polish the rod. If I didn't feel sure of that I couldn't go on; I couldn't face the future. ~ D E Stevenson, #NFDB
580:Who can think that this eviction of Germans was undertaken only as a temporary experiment? Those who adopted the decision on the eviction of the Germans from these territories, and who understood that Poles from other Polish districts would at once move into these territories, cannot suggest after a while to carry out reverse measures. The very idea of involving millions of people in such experiments is unbelievable, quite apart from the cruelty of it, both towards the Poles and the Germans themselves. ~ Vyacheslav Molotov, #NFDB
581:The Warner
Every man worth the name
has a yellow snake in his soul,
seated as on a throne, saying
if he cries: ‘I want to!’: ‘No!’
Lock eyes with the fixed gaze
of Nixies or Satyresses, says
the Tooth: ‘Think of your duty!’
Make children, or plant trees,
polish verses, or marble frieze,
the Tooth says: ‘Tonight, where will you be?’
Whatever he likes to consider
there’s never a moment passing
a man can’t hear the warning
of that insufferable Viper.
~ Charles Baudelaire,#NFDB
582:No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline. ~ Chuck Palahniuk, #NFDB
583:Oddly enough, most of the books written about the subject aren't very good because they just focus on the more hateful movies that they did very early, early on when they were trying to, you know, get Germany into the war, whether it be anti-Semitic movies like "Jud Suss," or "The Eternal Jew," or movies made against the Polish to help, you know, create sympathy for them to invade Poland. You know, there'd be movies where there would be some German girl living in Poland who's raped by the Polish or something. ~ Quentin Tarantino, #NFDB
584:Remembering our past, carrying it around with us always, may be the necessary requirement for maintaining, as they say, the wholeness of the self. To ensure that the self doesn’t shrink, to see that it holds on to its volume, memories have to be watered like potted flowers, and the watering calls for regular contact with the witnesses of the past, that is to say, with friends. They are our mirror; our memory; we ask nothing of them but that they polish the mirror from time to time so we can look at ourselves in it. ~ Milan Kundera, #NFDB
585:When those trials are not consequences of your disobedience, they are evidence that the Lord feels you are prepared to grow more (see Proverbs 3:11–12). He therefore gives you experiences that stimulate growth, understanding, and compassion which polish you for your everlasting benefit. To get you from where you are to where He wants you to be requires a lot of stretching, and that generally entails discomfort and pain” (in Conference Report, Oct. 1995, 18; or Ensign, Nov. 1995, 16–17). ~ The Church of Jesus Christ of Latter day Saints, #NFDB
586:A.E.F.
There will be a rusty gun on the wall, sweetheart,
The rifle grooves curling with flakes of rust.
A spider will make a silver string nest in the
darkest, warmest corner of it.
The trigger and the range-finder, they too will be rusty.
And no hands will polish the gun, and it will hang on the wall.
Forefingers and thumbs will point casually toward it.
It will be spoken among half-forgotten, whished-to-be-forgotten things.
They will tell the spider: Go on, you're doing good work.
~ Carl Sandburg,#NFDB
587:Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living. ~ Anais Nin, #NFDB
588:Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living. ~ Ana s Nin, #NFDB
589:I sometimes give recitals in the building at number 8 Narbutt Street in Warsaw where I carried bricks and lime – where the Jewish brigade worked: the men who were shot once the flats for German officers were finished. The officers did not enjoy their fine new homes for long. The building still stands, and there is a school in it now. I play to Polish children who do not know how much human suffering and mortal fear once passed through their sunny schoolrooms. I pray they may never learn what such fear and suffering are. ~ W adys aw Szpilman, #NFDB
590:Before I knew you, my angel, I was solitary and as it were asleep, and scarcely alive. They said, the spiteful creatures, that even my appearance was unseemly, and so I began to be disgusted with myself; they said I was stupid and I really thought that I was stupid. When you came to me, you lighted up my dark life, so that my heart and my soul were filled with light and I gained peace at heart, and knew that I was no worse than others; that I have no polish or style about me, but I am still a man, in heart and mind a man. ~ Fyodor Dostoyevsky, #NFDB
591:As much as I admire the efficiency of the caterpillar in its cocoon, I do not believe that creative products should be developed in a vacuum (arguably, that was one of the mistakes we made on the film about blue-footed newts). I know some people who like to keep their gem completely to themselves while they polish it. But allowing this kind of behavior isn’t protection. In fact, it can be the opposite: a failure to protect your employees from themselves. Because if history is any guide, some are diligently trying to polish a brick. ~ Ed Catmull, #NFDB
592:The most meaningful namesake by far is Lafayette Square, across the street from the White House. Also known as Lafayette Park, this is the nation’s capital of protest, the place where we the people gather together to yell at our presidents. In each corner of this seven-acre park stands a statue of four of the most revered European officers who served in the Revolutionary War: Lafayette, Rochambeau, Steuben, and Thaddeus Kosciuszko, the Polish engineer whose defensive works contributed to the Continental Army’s victory at Saratoga. ~ Sarah Vowell, #NFDB
593:What are you doing?” “Painting my toenails?” “You’re holding your breath.” She finished the big toe. “The fumes can’t be good for the babies.” “Neither can lack of oxygen.” She shot him a look. He held out his hand. “Give me that.” She raised a brow. “Seriously?” He patted his lap. She handed over the polish and moved her feet onto his lap, turning in her seat. Her toes were probably going to look like a four-year-old had gotten hold of them. Oh well. She could breathe now, and her knee wasn’t shoved into her protruding belly. She ~ Denise Hunter, #NFDB
594:Finch kept his house militarily spotless, but books tended to pile up wherever he sat down, and because it was his habit to sit down anywhere he got ready, there were small stacks of books in odd places about the house that were a constant curse to his cleaning woman. He would not let her touch them, and he insisted on apple-pie neatness, so the poor creature was obliged to vacuum, dust, and polish around them. One unfortunate maid lost her head and lost his place in Tuckwell’s Pre-Tractarian Oxford, and Dr. Finch shook a broom at her. ~ Harper Lee, #NFDB
595:Dear Logan,
Someday I'm going to write a book: How Not to Die in Alaska - A Girl's Guide to Fashionable Survival.
I bet you don't know that a Kirby grip can make an excellent fishing hook. You may think you can use just any kind of mud for mud masks, but trust me, you CAN'T! In a pinch, nothing starts a fire like nail polish remover.
And don't even get me started on the lifesaving properties of a good pair of tights.
So I know a lot, in other words.
I just don't know why I'm still writing you these letters. ~ Ally Carter,#NFDB
596:experiencing dramatic and sudden change. We entered the town square where one hundred thousand Polish workers had gathered. They were waving American flags and shouting, “Bush, Bush, Bush… Freedom, Freedom, Freedom.” I turned to my colleague Robert Blackwill of the National Security Council staff and said, “This is not exactly what Karl Marx meant when he said, ‘Workers of the world unite.’” But, indeed, they had “nothing to lose but their chains.” Two months later, the Polish Communist Party gave way to a Solidarity-led government. ~ Condoleezza Rice, #NFDB
597:Oskar knew people would catch that trolley anyhow. Doors closed, no stops, machine guns on walls—it wouldn’t matter. Humans were incurable that way. People would try to get off it, someone’s loyal Polish maid with a parcel of sausage. And people would try to get on, some fast-moving athletic young man like Leopold Pfefferberg with a pocketful of diamonds or Occupation złoty or a message in code for the partisans. People responded to any slim chance, even if it was an outside one, its doors locked shut, moving fast between mute walls. ~ Thomas Keneally, #NFDB
598:It would be better if we were high up on one of the peaks in the Beors, where only a dragon could fly, he said to Saphira. Then no one would be able to sneak up on us, no one except for Thorn, Murtagh, or some other magician.
Some other magician, like every elf in the land? Besides, it would be cold all the time!
I thought you didn’t mind the cold.
I don’t. But I don’t want to live in the snow year-round either. Sand is better for your scales; Glaedr told me. It helps polish them and keep them clean.
Mmh. ~ Christopher Paolini,#NFDB
599:Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people's conversation. One has for one's raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them. ~ Evelyn Waugh, #NFDB
600:Ewan McGregor is a very genial and entertaining man, and Pierce Brosnan is possibly the nicest man in the world. Actually, it was quite a genial set The Ghost Writer, but the weather and the colors and the actual surroundings were oppressive. But it was a created atmosphere. What was so striking is that Roman Polanski had his crew from The Pianist, and we were shooting in Berlin, so there were German and Polish and French people, and I was just sort of enjoying being in this mix of people, all kind of rubbing along together. That felt good. ~ Olivia Williams, #NFDB
601:A friend once told me that the real message Bram Stoker sought to convey in 'Dracula' is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read 'Dracula. ~ Joe Queenan, #NFDB
602:It seems that being a woman is very expensive and time-consuming. My innocence about this is incongruous, given my age, but total. I come from grunge, and then Britpop--scenes where you boast about how little you spend on an outfit ("Three quid! From a jumble sale!" "Ooooh, pricey--I found this jacket in a Dumpster. On a dead man. Under a fox carcass"), and taking pride in "getting ready to go out" consists of little more than washing your face, putting on your Doc Martens/snaeakers, and applying black Barry M nail polish, £1, on the bus into town. ~ Caitlin Moran, #NFDB
603:I make soup and I back bread and I know my supreme need is joy in God and I know I can't experience deep joy in God until I deep trust in God. I shine sinks and polish through to the realization that trusting God is my most urgent need. If I deep trusted God in all the facets of my life, wouldn't that deep heal my anxiety, my self-condemnation, my soul holes? The fear is suffocating, terrorizing, and I want the remedy, and it is trust. Trust is everything. If fear keeps our lives small, does a life that receives all of God in this moment grow large too? ~ Ann Voskamp, #NFDB
604:The Fury Of Earth
The day of fire is coming, the thrush,
will fly ablaze like a little sky rocket,
the beetle will sink like a giant bulldozer,
and at the breaking of the morning the houses
will turn into oil and will in their tides
of fire be a becoming and an ending, a red fan.
What then, man in your easy chair,
of the anointment of the sick,
of the New Jerusalem?
You will have to polish up the stars
with Bab-o and find a new God
as the earth empties out
into the gnarled hands of the old redeemer.
~ Anne Sexton,#NFDB
605:History allows us to see patterns and make judgments. It sketches for us the structures within which we can seek freedom. It reveals moments, each one of them different, none entirely unique. To understand one moment is to see the possibility of being the cocreator of another. History permits us to be responsible: not for everything, but for something. The Polish poet Czeslaw Milosz thought that such a notion of responsibility worked against loneliness and indifference. History gives us the company of those who have done and suffered more than we have. ~ Timothy Snyder, #NFDB
606:Life is like invading Russia. A blitz start, massed shakos, plumes dancing like a flustered henhouse; a period of svelte progress recorded in ebullient despatches as the enemy falls back; then the beginning of a long, morale-sapping trudge with rations getting shorter and the first snowflakes upon your face. The enemy burns Moscow and you yield to General January, whose fingernails are very icicles. Bitter retreat. Harrying Cossacks. Eventually you fall beneath a boy-gunner's grapeshot while crossing some Polish river not even marked on your general's map. ~ Julian Barnes, #NFDB
607:Polish paratroopers could not have been more different. They were not like the British who just wanted to make the best of a bad war by joking and referring to any battle as ‘a party’. Nor were they like the Americans who wanted to finish it quickly so that they could go home. The Poles were exiles, fighting for the very survival of their national identity. An American officer who saw them in training described them as ‘killers under the silk’. Polish patriotism was nothing like the rather embarrassed British equivalent: theirs was a burning, spiritual flame. ~ Antony Beevor, #NFDB
608:The story has a sequel. In 1989, the Polish mathematician Martin Nowak produced a programme that beats Tit-for-Tat. He called it Generous. It overcame one weakness of Tit-for-Tat, namely that when you meet a particularly nasty opponent, you get drawn into a potentially endless and destructive cycle of retaliation, which is bad for both sides. Generous avoided this possibility by randomly but periodically forgetting the last move of its opponent, thus allowing the relationship to begin again. What Nowak had produced, in fact, was a computer simulation of forgiveness ~ Jonathan Sacks, #NFDB
609:I always thought that digital first was a simplistic notion, and I am not even sure quite what it means. It should be stories first. Let's take the Paris story: the New York Times covered it all day, we held nothing back. Everything we learned, we published online. Then, when you approach your print deadline, you have to do two things. You have to polish those stories that are online because print is less forgiving of mistakes. Secondly, in an ideal world, you pick one thing that will feel fresh and compelling to people in the morning when they pick up the print paper. ~ Dean Baquet, #NFDB
610:In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love. ~ Anne Rice, #NFDB
611:I have issued the command, and I'll have anybody who utters but one word of criticism executed by a firing squad, that our war aim does not consist in reaching certain lines, but in the physical destruction of the enemy. Accordingly, I have placed my death's-head formation in readiness, for the present only in the East, with orders to them to send to death mercilessly and without compassion, men, women, and children of Polish derivation and language. Only thus shall we gain the living space which we need. Who, after all, speaks today of the annihilation of the Armenians? ~ Adolf Hitler, #NFDB
612:In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was.
"That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves."
"Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love. ~ Anne Rice,#NFDB
613:He usually shrank from extreme measures. Mirkovitch’s bloodthirsty speeches grated upon his nerves, and having spent a miracle of ingenuity in combining some deadly plot that would annihilate the tyrant and his brood, Iván would have preferred that it should not be carried out at all, but left as a record of what a Pole’s mind can devise against his hated conquerors. It was not indecision; it was horror of a refined and even plucky nature, of deeds that would not brook the light of day. He would have liked to lead a Polish insurrection, but feared to handle an assassin’s dagger. ~ Emmuska Orczy, #NFDB
614:I sat down in a booth, and the waitress shoved a menu in front of me. There wasn’t anything on it that sounded good, and anyway, one look at her and my stomach turned flipflops… Every goddamned restaurant I go to, it’s always the same way… They’ll have some old bag on the payroll — I figure they keep her locked up in the mop closet until they see me coming. And they’ll doll her up in the dirtiest goddamned apron they can find and smear that crappy red polish all over her fingernails, and everything about her is smeary and sloppy and smelly. And she’s the dame that always waits on me. ~ Jim Thompson, #NFDB
615:Any reader who feels superior to such quaint English might remember that when the overwhelming majority of humankind was illiterate, it was hard to find a Jewish lad over six who could not read and write (Hebrew). Most adult male Jews could handle at least three languages: they used Hebrew in the synagogues and houses of study (see Besmedresh), Yiddish in the home, and—to Gentiles—the language of the land in which they lived. My father, a workingman denied the equivalent of a high school education in Poland, handled Yiddish, English, Hebrew, and Polish. Jews were linguists of necessity. ~ Leo Rosten, #NFDB
616:On June 3, Britain, France and Italy announced their full support for Polish, Czech and Yugoslav statehood. On the following day, encouraged to do so by the British, Dr Chaim Weizmann, the Zionist leader, met the Emir Feisal, the leader of the Arab Revolt, near the port of Akaba, and worked out with him what seemed to be a satisfactory Arab support for a Jewish National Home in Palestine. A senior British general noted after the meeting that both T.E. Lawrence, who helped set the meeting up, and Weizmann, ‘see the lines of Arab & Zionist policy converging in the not distant future ~ Martin Gilbert, #NFDB
617:Back Yard
Shine on, O moon of summer.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an accordion.
A Polish boy is out with his best girl; they marry next month; to-night they are
throwing you kisses.
An old man next door is dreaming over a sheen that sits in a cherry tree in his
back yard.
The clocks say I must go—I stay here sitting on the back porch drinking white
thoughts you rain down.
Shine on, O moon,
Shake out more and more silver changes.
~ Carl Sandburg,#NFDB
618:The Ad♥rkable Manifesto
1. We have nothing to declare but our dorkiness.
2. Jumble sales are our shopping malls.
3. Better to make cookies than be a cookie-cutter.
4. Suffering doesn’t necessarily improve you but it does give you something to blog about.
5. Experiment with Photoshop, hair dye, nail polish and cupcake flavours but never drugs.
6. Don’t follow leaders, be one.
7. Necessity is the mother of customisation.
8. Puppies make everything better.
9. Quiet girls rarely make history.
10. Never shield your oddness, but wear your oddness like a shield. ~ Sarra Manning,#NFDB
619:Besides," said Suriyawong. "This was not a rescue operation."
"What was it, target practice? Chinese skeet?"
"An offer of transportation to an invited guest of the Hegemon," said Suriyawong. "And the loan of a knife."
Achilles held up the bloody thing, dangling it from the point. "Yours?" he asked.
"Unless you want to clean it," said Suriyawong.
Achillese handed it to him. Suriyawong took out his cleaning kit and wiped down the blade, then began to polish it.
"You wanted me to die," said Achilles quietly.
"I expected you to solve your own problems," said Suriyawong. ~ Orson Scott Card,#NFDB
620:I guess I should explain. I'm not exactly your typical sixteen-year-old girl.
Oh, I seem normal enough, I guess. I don't do drugs, or drink, or smoke-well, okay, except for that one time Sleepy caught me. I don't have anything pierced, except my ears, and only once on each earlobe. I don't have any tattoos. I've never dyed my hair. Except for my boots and leather jacket, I don't wear an excessive amount of black. I don't even wear dark fingernail polish. All in all, I am a pretty normal, everyday, American teenage girl.
Except, of course, for the fact that I can talk to the dead. ~ Meg Cabot,#NFDB
621:My child isn’t my easel to paint on Nor my diamond to polish My child isn’t my trophy to share with the world Nor my badge of honor My child isn’t an idea, an expectation, or a fantasy Nor my reflection or legacy My child isn’t my puppet or a project Nor my striving or desire My child is here to fumble, stumble, try, and cry Learn and mess up Fail and try again Listen to the beat of a drum faint to our adult ears And dance to a song that revels in freedom My task is to step aside Stay in infinite possibility Heal my own wounds Fill my own bucket And let my child fly —Shefali Tsabary, PhD ~ Shefali Tsabary, #NFDB
622:complete extirpation of the concept of Jews.” For the Poles, Madagascar was an actual island in the actual Indian Ocean, an actual possession of the actual French empire, an actual site of an actual exploratory mission, a subject of actual political discussions, one of two places (along with Palestine) that were seriously considered as destination points for a mass migration of Polish Jewry. Polish leaders did not grasp that for the Nazis the issue was not the feasibility of one deportation plan, but the creation of general conditions under which Jews could be destroyed one way or another. ~ Timothy Snyder, #NFDB
623:He never talked about material things, like buying a house or a car or even new shoes. His money went largely toward books, which to him were like sacred objects, providing ballast for his mind. He read late into the night, often long after I’d fallen asleep, plowing through history and biographies and Toni Morrison, too. He read several newspapers daily, cover to cover. He kept tabs on the latest book reviews, the American League standings, and what the South Side aldermen were up to. He could speak with equal passion about the Polish elections and which movies Roger Ebert had panned and why. ~ Michelle Obama, #NFDB
624:She began to whisper something in my ear. It’s the strangest thing about poetry—you can tell it’s poetry, even if you don’t speak the language. You can hear Homer’s Greek without understanding a word, and you still know it’s poetry. I’ve heard Polish poetry, and Inuit poetry, and I knew what it was without knowing. Her whisper was like that. I didn’t know the language, but her words washed through me, perfect, and in my mind’s eye I saw towers of glass and diamond; and people with eyes of the palest green; and, unstoppable, beneath every syllable, I could feel the relentless advance of the ocean. ~ Neil Gaiman, #NFDB
625:Early in this book, I said that the feeling I got from buying a Polish stock that went up ten times was the best thing to ever happen to me in my career. But the feeling I had on that balcony in Brussels with Sergei’s widow and son, as we watched the largest lawmaking body in Europe recognize and condemn the injustices suffered by Sergei and his family, felt orders of magnitude better than any financial success I’ve ever had. If finding a ten bagger in the stock market was a highlight of my life before, there is no feeling as satisfying as getting some measure of justice in a highly unjust world. ~ Bill Browder, #NFDB
626:To feel everything in every way; to be able to think with the emotions and feel with the mind; not to desire much except with the imagination; to suffer with haughtiness; to see clearly so as to write accurately; to know oneself through diplomacy and dissimulation; to become naturalized as a different person, with all the necessary documents; in short, to use all sensations but only on the inside, peeling them all down to God and then wrapping everything up again and putting it back in the shop window like the sales assistant I can see from here with the small tins of a new brand of shoe polish. ~ Fernando Pessoa, #NFDB
627:I wanted a reminder that things can still grow out of emptiness.
I wanted a reminder that things can still grow in this small, yellow room even though you’re not in it.
And I keep buying books even though nothing holds my attention anymore.
I have them stacked up to the ceiling. I have them stacked up to the moon.
I broke a bottle of red nail polish all over the kitchen floor, but it almost all came up with just a little remover. It looked like cleaning up after a crime scene. It felt like cleaning up after you left me.
Just takes a little elbow grease. Just takes a little time. ~ Trista Mateer,#NFDB
628:I did not intend to allow the white people of this country to tell me who I was, and limit me that way, and polish me off that way. And yet, of course, at the same time, I was being spat on and defined and described and limited, and could have been polished off with no effort whatever. Every Negro boy - in my situation during those years, at least - who reaches this point realizes, at once, profoundly, because he wants to live, that he stands in great peril and must find, with speed, a "thing," a gimmick, to lift him out, to start him on his way. And it does not matter what that gimmick is. ~ James Baldwin, #NFDB
629:But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in a while, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not so many facilities in the world that proveide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of spit and polish to make them paladins once more, bold knights and true. ~ Catherynne M Valente, #NFDB
630:Many of its cities—particularly the smaller ones at the intersection of old and new imperial boundaries, such as Trieste, Sarajevo, Salonika, Cernovitz, Odessa or Vilna—were truly multicultural societies avant le mot, where Catholics, Orthodox, Muslims, Jews and others lived in familiar juxtaposition. We should not idealise this old Europe. What the Polish writer Tadeusz Borowski called ‘the incredible, almost comical melting-pot of peoples and nationalities sizzling dangerously in the very heart of Europe’ was periodically rent with riots, massacres and pogroms—but it was real, and it survived into living memory. ~ Tony Judt, #NFDB
631:Those girls have nothing on the March sisters,” Silas says, leaning in so close that I can feel his breath on my shoulder. A strange shiny feeling ripples through me and I wheel toward him, accidently ramming my shopping basket into Silas’s side. A few Ace bandages toppled to the floor and the girls looked up from their polish dilemma to snicker at me. Nice one, Rosie. I can feel the blush starting as I duck to grab the bandages, and when my hand brushes against Silas’s leg, the heat spreads down my neck. Calm down. It’s just Silas. I rise and force a smile that I hope doesn’t look as goofy as I suspect. ~ Jackson Pearce, #NFDB
632:Depression is awful beyond words or sounds or images...it bleeds relationships through suspicion, lack of confidence and self-respect, the inability to enjoy life, to walk or talk or think normally, the exhaustion, the night terrors, the day terrors. There is nothing good to be said for it except that it gives you the experience of how it must be to be old, to be old and sick, to be dying; to be slow of mind; to be lacking in grace, polish and coordination; to be ugly; to have no belief in the possibilities of life, the pleasures of sex, the exquisiteness of music or the ability to make yourself and others laugh. ~ Kay Redfield Jamison, #NFDB
633:No, I'm serious," Frankie insisted, fed up with being silenced. "Why didn't you just make me a normie?"
Viktor sighed. "Because that's not who we are. We're special. And I'm very proud that. You should be, too."
"Proud?" Frankie spat out the word as if it had been soaked in nail polish remover. "How can I be proud when everyone is telling me to hide?"
"I'm telling you to hide so you'll be safe. But you can still feel proud of who you are," he explained, like it really was that simple. "Pride has to come from within you and stay with you, no matter what people say."
Huh?
Frankie crossed her arms and looked away. ~ Lisi Harrison,#NFDB
634:Dorothy viewed my mother's propensity toward madness not as something to be afraid of, but rather as something to look forward to, like a movie or a newly released color of nail polish.
'Your mother is just expressing herself,' Dorothy would tell me when my mother stopped sleeping, started smoking the filters of her cigarettes and began writing backward with a glitter pen.
No, she's not,' I would say. 'She's going insane again.'
Don't be so mundane,' she would yawn, passing my mother a shoebox filled with cat vertebrae. 'She is a brilliant artist. If you want Hamburger Helper, go find some other mother. ~ Augusten Burroughs,#NFDB
635:The philosopher and ethicist Jonathan Glover reports the story of Odilo Globocnik, the Nazi SS leader in Lublin, Poland, who recalled an incident in which he expressed to another Nazi officer, a Major Hofle, how much it bothered him to think about the Polish children freezing to death while being transported by the Nazis from Lublin to Warsaw. He could not look at these young children without thinking of his own three-year-old niece. Hofle, he recalled, looked at me 'like [I was] an idiot.' Sometime later, Hofle’s own baby twins died of diphtheria and, at the cemetery, he cried out that it was heaven’s punishment for his misdeeds. ~ Dennis Prager, #NFDB
636:Picnic Boat
Sunday night and the park policemen tell each other it
is dark as a stack of black cats on Lake Michigan.
A big picnic boat comes home to Chicago from the peach
farms of Saugatuck.
Hundreds of electric bulbs break the night's darkness, a
flock of red and yellow birds with wings at a standstill.
Running along the deck railings are festoons and leaping
in curves are loops of light from prow and stern
to the tall smokestacks.
Over the hoarse crunch of waves at my pier comes a
hoarse answer in the rhythmic oompa of the brasses
playing a Polish folk-song for the home-comers.
~ Carl Sandburg,#NFDB
637:after all that, after the concentration camps in Germany, after we stated definitely that our former home was changed into a mass grave, we can only grope and clasp with our finger tips the shadows of our dearest and painfully cry: I can never more see my home. The victorious nations that in the 20th century removed the black plague from Europe must understand once and for all the specific Jewish problem. No, we are not Polish when we are born in Poland; we are not Lithuanians even though we once passed through Lithuania; and we are neither Roumanians though we have seen the first time in our life the sunshine in Roumenia. We are Jews!! ~ Ian Buruma, #NFDB
638:More to the point, odors are important. They have their own story to tell. A sweet smell might point at ethchlorvynol, while chloral hydrate smells like pears. Both might make me wonder about an overdose of hypnotics, while a hint of garlic might point at arsenic. Phenols and nitrobenzene bring to mind ether and shoe polish respectively, and ethylene glycol smells exactly like antifreeze because that’s exactly what it is. Isolating potentially significant smells from the awful stench of dirty bodies and rotting flesh is rather much like archaeology. You focus on what you are there to find and not on the miserable conditions around it. ~ Patricia Cornwell, #NFDB
639:The heart of a man is a small thing but it desires great matters. It is not big enough for a dog’s dinner but the whole world is not big enough for it. Man spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. From the lamb he tears its guts and makes his harp resound; from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child.(...)And who will exterminate him who exterminates all others? ~ Paul Hoffman, #NFDB
640:Irena toasted “Professor Norman and my dearly beloved girls.” Mr. C. responded with his own accolade. “Our deep thanks go to Irena,” he said. “Compared to what you and the Jewish and Polish people lived through, our difficulties are trivial. Compared to your courage, we are, all of us, only children. But you are our hero – our role model. We will carry on your mission – your deep commitment to respect for all people. I want to offer a toast in Hebrew – one we all know well – an aspiration to which you, Irena have contributed so much. L’Chaim – To Life.” Even the documentary cameraman put down his video-cam and picked up a glass. “L’Chaim – To Life. ~ Jack Mayer, #NFDB
641:He [Gorbachev] did initially oppose the absorption of a united Germany into NATO; and even after conceding the point in principle* continued to insist that NATO troops not be allowed to move 300 kilometers east to the Polish border—something US Secretary of State James Baker actually promised to his Soviet counterpart in February 1990. But when that promise was later broken Gorbachev was helpless to intervene.”
*There is some evidence that Gorbachev conceded this crucial point inadvertently, when he acceded in May 1990 to President Bush’s suggestion that Germany’s right of self-determination should include the freedom to ‘choose its alliances’. ~ Tony Judt,#NFDB
642:I don't know. I'm trying to whip up a little enthusiasm."
"Just remember, life is a box of chocolates."
I shook my head a few times and looked at her. "Maybe I'm not so smart, but sometimes I don't know what on earth you're talking about."
"You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. 'Now I just have to polish these off, and everything'll be OK.' Life is a box of chocolates."
"I suppose you could call it a philosophy. ~ Haruki Murakami,#NFDB
643:A ghost curled like a blue snail inside her chest, and it was so tiny! It burned through the lace of her old-fashioned dress like a second heart. A musical staff wound in a thorny crown around the Spiritist's forehead, so that notes ran down her cheeks in a loose mask of song. Her eyelids were blacked out---and I saw this again and again in nightmares about my sister. Her eyelids had the polish of acorns. But her ears: that was the truly scary part. Great fantails of indigo and violet lights spiraled into her earlobes in an ethereal funnel---what the book called the Inverted Borealis. The caption read: 'A ghost sings its way deeply inside the Spiritist. ~ Karen Russell, #NFDB
644:There was at least one way that Chicago was actually more segregated than Mississippi. A demographic map of the city in 1950 shows twenty-one distinct ethnic neighborhoods: German, Irish, Swedish, Norwegian, Dutch, Czech and Slovak, Scottish, Polish, Chinese, Greek, Yugoslavian, Russian, Mexican, French, and Hungarian, among others.5 These ethnic groups divided Chicago according to an unwritten treaty, which clearly stated that Germans, for instance, would live on the North Side, Irish on the South Side, Jews on the West Side, Bohemians and Poles on the Near Southwest Side and Near Northwest Side, and African Americans in the South Side’s “Black Belt. ~ Timothy B Tyson, #NFDB
645:The important thing is to polish wisdom and the mind in great detail. If you sharpen wisdom, you will understand what is just and unjust in society and also the good and the evil of this world; then you will come to know all kinds of arts and you will tread different ways. In this manner, no one in this world will succeed in deceiving you. It is after this stage that you will arrive at the wisdom of strategy. The wisdom of strategy is entirely distinct. Even right in the middle of a battle where everything is in rapid movement, it is necessary to attain the most profound principle of strategy, which assures you an immovable mind. You must examine this well. ~ Miyamoto Musashi, #NFDB
646:A direct descendant of the Nights is The Saragossa Manuscript, written by the Polish Jan Potocki between 1797 and 1815. Potocki was a Knight of Malta, a linguist and an occultist—his tales, set in Spain in 1739, are dizzily interlinked at many levels—ghouls, politics, rationalism, ghosts, necromancy, tale within tale within tale. He spent time searching vainly for a manuscript of the Nights in Morocco, and shot himself with a silver bullet made from a teapot lid in Poland. Out of such works came nineteenth-century Gothick fantasy, and the intricate, paranoid nightmare plottings of such story webs as The Crying of Lot 49 or Lawrence Norfolk’s Lemprière’s Dictionary. ~ Anonymous, #NFDB
647:I therefore took it into my hands with all the expectation and read it through with all the attention due to a Treaties, that made such a noise at its coming abroad and cannot but confess my self mightily surprised, that in a Book which was to provide Chains for all Mankind, I should find nothing but a Rope of Sand, useful perhaps to such, whose Skill and Business it is to raise a Dust, and would blind the People, the better to mislead them, but in truth is not of any force to draw those into Bondage, who have their Eyes open, and so much Sense about them as to consider, that Chains are but an Ill wearing, how much Care soever hath been taken to file and polish them. ~ John Locke, #NFDB
648:So Jobs and Markkula enlisted Gerry Roche, a gregarious corporate headhunter, to find someone else. They decided not to focus on technology executives; what they needed was a consumer marketer who knew advertising and had the corporate polish that would play well on Wall Street. Roche set his sights on the hottest consumer marketing wizard of the moment, John Sculley, president of the Pepsi- Cola division of PepsiCo, whose Pepsi Challenge campaign had been an advertising and publicity triumph. When Jobs gave a talk to Stanford business students, he heard good things about Sculley, who had spoken to the class earlier. So he told Roche he would be happy to meet him. ~ Walter Isaacson, #NFDB
649:Why is it that my mind never discovers anything new? I am a prisoner of all the impressions deposited in me. I am conditioned by the reservoir of my memory, the result engraved in me of the influences that have touched me. It is all that I have to answer with in life. Little by little, I unconsciously accept this state of conditioning, and the energy of my mind deteriorates. My mind is sapped in its vitality and strength. It simply accumulates more and more information. I can discipline my mind, polish my knowledge. It can even become brilliant. But I remain in the realm of the known. How could I go beyond this way of thinking so that something new could appear? ~ Jeanne De Salzmann, #NFDB
650:From the moment I was first pregnant, and those around me insisted that treats such as cold cuts and nail polish could cut my unborn child's potential IQ in half, I got into the habit of NOT seeking out the little things that brought me joy. Like soft cheese. And getting too close to a Starbucks.
Then my son came, and I was too busy crying while searching for his User Manual to consider a manicure or massage.
I lasted about a week as a new mom before reaching out to others in my situation online. As exhausted, cranky, and confused as I was, I needed friends.
It didn't take long for this gaggle of desperate, sleepless women to meet up in person... ~ Kim Bongiorno,#NFDB
651:The countess's dispassionate gaze fell on Cassandra first, and she motioned for the girl to approach. "The posture is merely adequate," she observed, "but that can be corrected. What are your accomplishments, child?"
Having been prepared for the question in advance, Cassandra replied hesitantly. "My lady, I am able to sew, draw, and watercolor. I play no instruments, but I am well-read."
"Have you studied languages?"
"A little French."
"Have you any hobbies?"
"No, ma'am."
"Excellent. Men are afraid of girls with hobbies." Glancing at Kathleen, Lady Berwick remarked in an aside, "She's a beauty. With a bit more polish, she'll be the belle of the season. ~ Lisa Kleypas,#NFDB
652:I've been working hard at assuming Court polish, but the more I learn about what really goes on behind the pretty voices and waving fans and graceful bows, the more I comprehend that what is really said matters little, so long as the manner in which it is said pleases. I understand it, but I don't like it. Were I truly influential, then I would halt this foolishness that decrees that in Court one cannot be sick; that to admit you are sick is really to admit to political or social or romantic defeat; that to admit to any emotions usually means one really feels the opposite. It is a terrible kind of falsehood that people can only claim feelings as a kind of social weapon. ~ Sherwood Smith, #NFDB
653:Her favorite chocolates are mendiants; her favorite color is bright red. Her favorite scent is mimosa. She can swim like a fish. She hates black shoes. She loves the sea. She's got a scar on her left hip from when she fell out of a Polish goods train. She doesn't like having curly hair, even though it's gorgeous. She likes the Beatles, but not the Stones. She used to steal menus from restaurants because she could never afford to eat there herself. She's the best mother I've ever met-" He paused. "And she doesn't need your charity. As for Rosette..." He picked her up and held her so that her face was almost touching his own. "She's my little girl. And she's perfect. ~ Joanne Harris, #NFDB
654:Leaving Travis to find his own way out, Lily went to the small satchel with her few possessions and removed the flute that Cade had given her. It was a little more worn now, the polish developing a patina from use, and Lily regarded it with satisfaction. It had taken hours of practice, but she was learning its use. Sitting on the opposite side of Cade from his father, she began to play. El Caballo frowned. Music was not woman's work or something to be taken lightly, but Lily knew she played well. Even the man in the bed thought so; he began to stir. Cade's eyes opened and sought Lily. The opaque depths that had once kept everyone out softened as he watched her with the flute. ~ Patricia Rice, #NFDB
655:Both of these positions, inevitability and eternity, are antihistorical. The only thing that stands between them is history itself. History allows us to see patterns and make judgments. It sketches for us the structures within which we can seek freedom. It reveals moments, of each of them different, none entirely unique. To understand one moment is to see the possibility of being the cocreator of another. History permits us to be responsible: not for everything, but for something. The Polish poet Czesław Miłosz thought that such a notion of responsibility worked against loneliness and indifference. History gives us the company of those who have done and suffered more than we have. ~ Timothy Snyder, #NFDB
656:For the next sixty days, you need to live the life of a monk, so you can’t have sex.”
“What?” I shriek. “What in the fuck?”
Ryan laughs. “And for the next thirty days, we are going to rebrand you.” I shake my head, hoping I heard wrong. Surely, I heard wrong.
“I don’t understand,” I say, looking at Jeff and then finally snatching the contract from in front of him. Surely, they can’t stop me from having sex. Is there a law against stopping someone from having sex? That’s not actually a thing, is it?
“Well, we are going to be working with you on how to polish your image like a shiny nickel,” Sylvia says. “And we have Erin, who is going to work with you on doing just that. ~ Natasha Madison,#NFDB
657:He lifts my chin up to face him. “Why aren’t you afraid of bein’ with me?”
“Are you kidding? I’m terrified.” I focus on the tattoos running up and down his arms.
“I can’t pretend to live a squeaky-clean life.” He holds up my hand so it’s palm against palm with his. Is he thinking about the difference in the color of our skin, his rough fingers against the nail polish on the tips of mine? “In some ways we’re so opposite,” he says.
I thread my fingers through his. “Yeah, but in other ways we’re so similar.”
That gets a smile out of him, until Enrique clears his throat again.
“I’ll meet you here at eleven on Sunday,” I say.
Alex backs away, nods, and winks. “This time it’s a date. ~ Simone Elkeles,#NFDB
658:Dozing, she thought in retrospect how her life had been building up towards this moment, year in, year out, almost from alley days. That early training, as a cockney child, sharpened her wit and made her seize her chances: the schooling at Ham put on a pseudo-polish: marriage with Joseph got the worst over young—so much so, that nothing a man could do, now or in the future, would break her heart. As to the rest… all lovers made some mark. She knew how to absorb the benefit and pass it on, be grateful for the teaching. What she had learned from men, not only lovers, was to the purpose in a man-made world. Therefore, become their equal. Play their game, and add to the game the sense of intuition. ~ Daphne du Maurier, #NFDB
659:With this ring, I promise to respect our differences of opinion. I promise not to get too mad when you leave your nail polish all over the house.” Sandra gave Beverly’s orange nails a meaningful look as she clasped Beverly’s hands and gave them a squeeze. “I promise to kiss you every single day, regardless of whether or not you’ve brushed your teeth. I promise to never talk over you. I promise to listen. I promise to never let money get in the way of loving you. I promise to be there for you, no matter what happens: if this remission ends, if your store fails or if it becomes a wild success, if Vancouver falls into the sea . . . if your nephew can’t find a teaching job and winds up moving in with us. ~ Heidi Belleau, #NFDB
660:Glass
O Man! what Inspiration was thy Guide,
Who taught thee Light and Air thus to divide;
To let in all the useful Beams of Day,
Yet force, as subtil Winds, without thy Shash to stay;
T'extract from Embers by a strange Device,
Then polish fair these Flakes of solid Ice;
Which, silver'd o'er, redouble all in place,
And give thee back thy well or ill-complexion'd Face.
To Vessels blown exceed the gloomy Bowl,
Which did the Wine's full excellence controul,
These shew the Body, whilst you taste the Soul.
Its colour sparkles Motion, lets thee see,
Tho' yet th' Excess the Preacher warns to flee,
Lest Men at length as clearly spy through Thee.
~ Anne Kingsmill Finch,#NFDB
661:Islamic tradition does not recognize such presumptuous and conceited preoccupation as "reviewing", which is now widely practised among scholars who regard highly this legacy of the Western tradition modern scholarship. a Muslim scholar, with the work of another before him, would either - according to Islamic tradition - refute it (radd), or elaborate it further in commentary (sharh) as the occasion demands. there is no such thing as "reviewing" it, whether the "review" is termed as such or as any other term which describes it. If there are petty mistakes they turn a blind eye to them; if there are obscurities they explain them in commentary - they polish a positive work and make it shine. ~ Syed Muhammad Naquib al Attas, #NFDB
662:Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other. ~ Robin Wasserman, #NFDB
663:And - as a woman reconciled in her own body - I feel I can argue with anyone's god about my right to end a pregnancy. My first conception - wanted so badly - ended in miscarriage, three days before my wedding. A kind nurse removed my wedding manicure with nail-polish remover, in order to fit a finger-thermometer for the subsequent D&C operation. I wept as I went in to the operating theatre, and wept as I came out. In that instance, my body had decided that the baby was not to be and had ended it. This time, it was my mind that has decided that this baby was not to be. I don't believe one's decision is more valid than the other. They both know me. They are both equally capable of deciding what is right. ~ Caitlin Moran, #NFDB
664:When you have a problem, what happens? You think it out, you wallow in it, you fuss over it, you get wildly excited about it; and the more you analyze it, dig into it, polish it, worry about it, the less you understand it. But the moment you put it away from you, you understand it—the whole thing is suddenly very clear. I think most of us have had that experience. The mind is no longer in a state of confusion, conflict, and therefore it is capable of receiving or perceiving something totally new. And is it possible for the mind to be in that state so that it is never repetitive but is experiencing something new all the time? I think that depends on our understanding of this problem of the cultivation of virtue. ~ Anonymous, #NFDB
665:None of his books had prepared him for his new insight. “The People” did not mean all those who speak your language, nor yet the chosen few branded with the fiery mark of genius. Neither birth nor the labor of your hands nor the privileges of education admit you to membership of the People. Only your soul can do that. And each of us fashions his soul himself, year in and year out. You must strive to temper and to cut and polish your soul so as to become a human being. And hence a humble component of your people. A man with such a soul cannot as a rule expect to prosper, to go far in his career, to get rich. Which is why for the most part “the People” is not to be found at the higher levels of society. ~ Aleksandr Solzhenitsyn, #NFDB
666:My mother taught me to read hands at the same time she taught me to apply polish. Not by reading the lines of a palm, but the way she'd learned from her mother and her mother before her, by touch, decoding the curves of the hand without looking. Carlito never knew about our ability. Our mother never shared those things with him. She said there were some things that were meant to stay between mothers and daughters. It was by holding my brother's hands, once when I went to see him at the jail during the first days after his arrest, running my fingers over the rough swells at the base of his fingers, that I knew that even though Carlito was still screaming injustice, he was guilty and would never again walk free. ~ Patricia Engel, #NFDB
667:For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. ~ Amor Towles, #NFDB
668:They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself. Because something is significantly wrong with a creature that sacrifies its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen. ~ Suzanne Collins, #NFDB
669:The dinner bell rings, and everyone trots off, Frederick coming in last with his taffy-colored hair and wounded eyes, bootlaces trailing. Werner washes Frederick’s mess tin for him; he shares homework answers, shoe polish, sweets from Dr. Hauptmann; they run next to each other during field exercises. A brass pin weighs lightly on each of their lapels; one hundred and fourteen hobnailed boots spark against pebbles on the trail. The castle with its towers and battlements looms below them like some misty vision of foregone glory. Werner’s blood gallops through his ventricles, his thoughts on Hauptmann’s transceiver, on solder, fuses, batteries, antennas; his boot and Frederick’s touch the ground at the exact same moment. ~ Anthony Doerr, #NFDB
670:A fit queen for that nest of roses was the human flower that adorned it, for a year of love and luxury had ripened her youthful beauty into a perfect bloom. Graceful by nature, art had little to do for her, and, with a woman’s aptitude, she had acquired the polish which society alone can give. Frank and artless as ever, yet less free in speech, less demonstrative in act; full of power and passion, yet still half unconscious of her gifts; beautiful with the beauty that wins the heart as well as satisfies the eye, yet unmarred by vanity or affectation. She now showed fair promise of becoming all that a deep and tender heart, an ardent soul and a gracious nature could make her, once life had tamed and taught her more. ~ Louisa May Alcott, #NFDB
671:Ida Chicken
After I had attended lectures
At our Chautauqua, and studied French
For twenty years, committing the grammar
Almost by heart,
I thought I'd take a trip to Paris
To give my culture a final polish.
So I went to Peoria for a passport -(Thomas Rhodes was on the train that morning.)
And there the clerk of the district Court
Made me swear to support and defend
The constitution -- yes, even me -Who couldn't defend or support it at all!
And what do you think? That very morning
The Federal Judge, in the very next room
To the room where I took the oath,
Decided the constitution
Exempted Rhodes from paying taxes
For the water works of Spoon River!
~ Edgar Lee Masters,#NFDB
672:Mary stood beside Wilbur, waiting as he sewed Henrietta’s abdomen closed. She wanted to run out of the morgue and back to the lab, but instead, she stared at Henrietta’s arms and legs—anything to avoid looking into her lifeless eyes. Then Mary’s gaze fell on Henrietta’s feet, and she gasped: Henrietta’s toenails were covered in chipped bright red polish. “When I saw those toenails,” Mary told me years later, “I nearly fainted. I thought, Oh jeez, she’s a real person. I started imagining her sitting in her bathroom painting those toenails, and it hit me for the first time that those cells we’d been working with all this time and sending all over the world, they came from a live woman. I’d never thought of it that way.” ~ Rebecca Skloot, #NFDB
673:--Gardens, not buildings--
Great projects start out feeling like buildings. There are architects, materials, staff, rigid timelines, permits, engineers, a structure.
It works or it doesn't.
Build something that doesn't fall down. On time.
But in fact, great projects, like great careers and relationships that last, are gardens. They are tended, they shift, they grow. They endure over time, gaining a personality and reflecting their environment. When something dies or fades away, we prune, replant and grow again.
Perfection and polish aren't nearly as important as good light, good drainage and a passionate gardener.
By all means, build. But don't finish. Don't walk away.
Here we grow. ~ Seth Godin,#NFDB
674:Two hours later, Paulina, their housekeeper, pulled up in her car. Her job was to clean the house twice a week, not to drive all the way to the outskirts of Cheltenham to pick up forgotten children. Paulina’s English was poor, and she had little to say to Stephen or the people at the school. She was always kind, though, and greeted him with a Twix bar and a sympathetic manner. Stephen tried to make some conversation on the drive back. He didn’t really speak Polish, but had taken the first two levels of an online, self-teaching course in order to try to communicate with her. She always appreciated his efforts and smiled, though it was a wincing smile that suggested he was destroying her language with the dull edge of his tongue. ~ Maureen Johnson, #NFDB
675:The history of Royal Prussia, which fell into the Polish orbit, is little known to those who approach the Prussian story from an exclusively German perspective. (The subject was actively suppressed by bans and book-burnings when the Hohenzollerns eventually took over.) Yet for 300 years this ‘Other Prussia’ flourished, not only as a separate institutional entity, but as the source of a separate political ideology and culture, based on concepts of freedom and liberty. Though the population was ethically mixed, Polish and German – with a strong German predominance in the cities – the corporate identity and fierce local patriotism of Royal Prussia digressed markedly from the values with which the name of ‘Prussia’ is usually associated. ~ Norman Davies, #NFDB
676:Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from. ~ Nicola Griffith, #NFDB
677:BT came up to the rear of the truck. “Who made you boss?” his voice boomed. “You know what, BT?” I said as I tried to make myself as tall and intimidating as possible. Not an easy trick to pull off when I was pretty much looking him in the sternum. “No, what?” he asked. “Rhetorical, BT, rhetorical. Nobody made me boss. In fact, I don’t want to be boss at all. That would make this entire fuck fest a lot easier if I didn’t have to worry about any of my decisions getting people killed. I would like nothing more than to lie in the back of that truck and help Igor polish off whatever liquor he has stowed away. So, my giant friend, feel free to take the reins of this carnival ride and do with it what you may. I’m just too tired to deal with it. ~ Mark Tufo, #NFDB
678:Johnson describes a scene that played out in the summer of 1940.
The Germans had swept through Poland and France, and Marshall called in the American army chief of the cavalry to find out how he planned to respond to the German blitz. The cavalry chief told Marshall he had analyzed the German attack, understood why the Polish cavalry had failed against the German tanks, and knew what they needed to do better. He suggested to Marshall that the allies should develop trucks that could carry the cavalry up to the battlefield, so the horses would be fresh.
Marshall thanked him, concluded the meeting, and immediately called in Beetle Smith to have the commandant retired as of noon and have the post of cavalry chief abolished. ~ Newt Gingrich,#NFDB
679:BARSHCK WITH USHKA Barshck. (Or Polish Beet Soup) If you are brave, put three large beets, peeled and quartered into a glass jar and pour on them a quart of water, add a teaspoonful of salt and a slice of rye bread. Keep this in a warm place for about five days. There will form a sour red-wine-like juice with a whitish mold skin on the top. Don’t lose your courage, take this skin off and pour off the juice. Then prepare a quart of beef, pork and vegetable stock and while it is hot add to it all your beet juice and a bottle of cream which you previously have beaten with a teaspoonful of flour. Heat and stir it all just to boiling point, but do not let it boil, and serve with or without “Ushka” which are fully described in the next paragraph. ~ Anonymous, #NFDB
680:Every 30 seconds, it transmitted portions of [a Chopin Polonaise] to tell the world that the capital was still in Polish hands. Angered by the unexpected setback, the German High Command decided to pound the stubborn citadel into submission. In round-the-clock raids, bombers knocked out flourmills, gasworks, power plants and reservoirs, then sowed the residential areas with incendiaries. One witness, passing scenes of carnage, enumerated the horrors: ‘Everywhere corpses, wounded humans, dead horses . . . and hastily-dug graves.’ . . . Finally food ran out, and famished Poles, as one man put it, ‘cut off flesh as soon as a horse fell, leaving only the skeleton.’ On September 28, Warsaw Radio replaced the polonaise with a funeral dirge.15 ~ Norman Davies, #NFDB
681:He lifted his arm that had been resting on her shoulders and gazed at the words she had written on his hand. He had been branded as cattle are branded to show whom they belong to. The cold mountain air stung his lips. She was driving too fast on this road that had once been a forest. Early humans had lived in it. They studied fire and the movement of the sun. They read the clouds and the moon and tried to understand the human mind His father had tried to melt him into a Polish forest when he was five years old. He knew he must leave no trace or trail of his existence because he must never find his way home. That was what his father had told him. You cannot come home. This was not something possible to know but he had to know it all the same ~ Deborah Levy, #NFDB
682:When thousands of German anti-Nazis were tortured to death in Hitler's concentration camps, when the Polish intelligentsia was slaughtered, when hundreds of thousands of Russians died as the result of being treated as Slavic Untermenschen [subhumans], and when 6,000,000 human beings were murdered for being "non-Aryan," Catholic church officials in Germany bolstered the regime perpetrating these crimes. The Pope in Rome, the spiritual head and supreme moral teacher of the Roman Catholic Church, remained silent. In the face of these greatest of moral depravities which mankind has been forced to witness in recent centuries, the moral teachings of a Church [allegedly] dedicated to love and charity could be heard in no other form but vague generalities. ~ Dave Hunt, #NFDB
683:Yet often they are neglected to the point that they become supplanted by “habits of hasty, heedless, impatient glancing over the surface … of haphazard, grasshopper-like guessing … of credulity alternating with flippant incredulity, belief or unbelief being based, in either case, upon whim, emotion, or accidental circumstances.” Dewey’s use-it-or-lose-it philosophy is that “the only way to achieve traits of carefulness, thoroughness, and continuity … is by exercising these traits from the beginning”—traits which we possess from the outset but must polish if they are to remain in good condition. He rues that many seem willfully to exorcise these traits in themselves and do further damage by allowing them to atrophy in children under their care. ~ Christopher Phillips, #NFDB
684:Dear Reader Once and its sequel Then are two parts of the same story, but they were written and published as two separate books. In this edition they are together for the first time. Felix and Zelda’s story came from my imagination, but it was inspired by a period of history that was all too real. My grandfather was a Jew from Krakow in Poland. He left there long before that time, but his extended family didn’t and most of them perished. Fifteen years ago I read a book about Janusz Korczak, a Polish Jewish doctor and children’s author who devoted his life to caring for young people. Over many years he helped run an orphanage for two hundred Jewish children. In 1942, when the Nazis murdered these orphans, Janusz Korczak was offered his freedom but chose to die ~ Morris Gleitzman, #NFDB
685:The Sly One
In the brown dining-room,
which was perfumed
with the scent of polish and fruit,
I was shoveling up at my ease
a plateful of some Belgian dish
or other, and sprawling in my enormous chair.
While I ate, I listened, happy and silent, to the clock.
The kitchen door opened with a gust,
and the servant girl came in,
I don't know what for,
neckerchief loose, hair dressed impishly.
And, passing her little finger tremblingly across her cheek,
a pink and white peach-bloom,
pouting with her childish mouth,
she tidied the plates standing close to me,
to make me feel comfortable; - and then, just like that,
- to get a kiss of course said very softly: 'Feel, then, I' got a cold in the cheek…'
~ Arthur Rimbaud,#NFDB
686:The Foreign Disease The body’s largest organ is the skin. Before modern medicine, one of the worst imaginable skin diseases was syphilis, which would start as itchy boils and then eat its way into the bones until it exposed the skeleton. The microbe that caused this disgusting sight and unbearable pain had different names in different places. In Russia it was called the Polish disease. In Poland it was the German disease; in Germany, the French disease; and in France, the Italian disease. The Italians blamed back, calling it the French disease. The instinct to find a scapegoat is so core to human nature that it’s hard to imagine the Swedish people calling the open sores the Swedish disease, or the Russians calling it the Russian disease. That’s not how people work. ~ Hans Rosling, #NFDB
687:To the Harbormaster"
I wanted to be sure to reach you;
though my ship was on the way it got caught
in some moorings. I am always tying up
and then deciding to depart. In storms and
at sunset, with the metallic coils of the tide
around my fathomless arms, I am unable
to understand the forms of my vanity
or I am hard alee with my Polish rudder
in my hand and the sun sinking. To
you I offer my hull and the tattered cordage
of my will. The terrible channels where
the wind drives me against the brown lips
of the reeds are not all behind me. Yet
I trust the sanity of my vessel; and
if it sinks, it may well be in answer
to the reasoning of the eternal voices,
the waves which have kept me from reaching you. ~ Frank O Hara,#NFDB
688:In 1524 the New Testament appeared in Swyzerdeutsch, followed in 1526 by the first complete Bible in Dutch, and in 1530 in French (although a translation of the Vulgate, not from the original tongues). In the same year a New Testament was published ‘tradotto in lingua toscana’. An Icelandic New Testament appeared in 1540, the first complete Swedish Bible in 1541, a Finnish New Testament in 1548 and a complete Danish Bible in 1550. The first Bible in Spanish was published only in 1569, printed in Basle and later distributed from Frankfurt. Spain itself remained implacably hostile to the vernacular. Further east, a Slovene New Testament was published in 1557– 60, a Croat New Testament in 1563, a Polish Bible (Catholic, from the Vulgate) in 1561, a Hungarian Bible in 1590. ~ Adam Nicolson, #NFDB
689:Before modern medicine, one of the worst imaginable skin diseases was syphilis ... the microbe that caused this disgusting sight and unbearable pain had different names in different places. In Russia it was called the Polish disease. In Poland it was the German disease; in Germany, the French disease; and in France, the Italian disease. The Italians blamed back, calling it the French disease.
The instinct to find a scapegoat is so core to human nature that it's hard to imagine the Swedish people calling the open sores the Swedish disease, or the Russians calling it the Russian disease. That's not how people work. We need someone to blame and if a single foreigner came here with the disease, then we would happily blame the whole country. No further investigation needed. ~ Hans Rosling,#NFDB
690:Up on the bridge of the Anubis, the storm paws loudly on the glass, great wet flippers falling at random in out of the night whap! the living shape visible just for the rainbow edge of the sound—it takes a certain kind of maniac, at least a Polish cavalry officer, to stand in this pose behind such brittle thin separation, and stare each blow full in its muscularity. Behind Procalowski the clinometer bob goes to and fro with his ship’s rolling: a pendulum in a dream. Stormlight has turned the lines of his face black, black as his eyes, black as the watchcap cocked so tough and salty aslant the furrows of his forehead. Light clusters, clear, deep, on the face of the radio gear . . . fans up softly off the dial of the pelorus . . . spills out portholes onto the white river. ~ Thomas Pynchon, #NFDB
691:Meir, let me ask you something,” I said after a while.
“Sure.”
“Do you think I’m a bad person?”
“Only God knows that for sure, Willy.”
“So you don’t have an opinion at all?”
“Not one that really matters.”
“Okay, let me ask you something else. If the Polish peasant who hid Jews from the Nazis is a hero, what is the Polish peasant who turned the Jews away? Is he a coward?”
Meir smiled, “Of course.”
“Really? A coward? A bad man?”
“A coward isn’t a bad man, necessarily. You can’t know if you’re a bad man until you die.”
“You’ve got to wait until you hear god’s decision?”
“Well, yes, that’s true. But I meant something else. Only when you die do you run out of chances to be good. Until then, there is always the possibility of turning yourself around. ~ Zo Heller,#NFDB
692:half-century before, at Stalin’s direct order, NKVD executioners slaughtered fifteen thousand Polish military officers and threw the bodies into rows of mass graves. The month-long operation in Kalinin, Katyn, and Starobelsk was part of Stalin’s attempt to begin the domination of Poland. The young officers had been among the best-educated men in Poland, and Stalin saw them as a potential danger, as enemies-in-advance. For decades after, Moscow put the blame for the killings on the Nazis, saying the Germans had carried out the massacres in 1941, not the NKVD in 1940. The Kremlin propaganda machine sustained the fiction in speeches, diplomatic negotiations, and textbooks, weaving it into the vast fabric of ideology and official history that sustained the regime and its empire. ~ David Remnick, #NFDB
693:There is a corner of every man’s soul that would prefer him dead. That whispers poison in his ear in the still hours of the evening, puts spurs to his side when he stands atop a ledge. For the weak and the misbegotten, the suggestion alone proves sufficient, and the unfortunate runs himself a hot bath and adds his life-blood to it, or drinks a few pints of backyard whiskey and goes swimming in the canal. But most of us are too stubborn or cowardly to make a clean go of it, and this bit that hates us has to start thinking sly. Have another drink, it says, and maybe one more on top. Polish it off with a hit of breath, and ain’t that man at the end of the bar been giving you the eye all night, all fucking night, and what’s his problem exactly, and why don’t you go over and ask? ~ Daniel Polansky, #NFDB
694:In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual «There!» yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows. ~ F Scott Fitzgerald, #NFDB
695:The guitar. Rubbing the gentle polish
On Every smooth contour.
On the lap. Knowing every curve
As the light shines from it.
On stage a planned metamorphosis
Takes places as the hours go by and the
Space is transformed to a concert hall.
The energetic nemesis has struck.
The risers are transformed into a stage
And black boxes turned into powerful
Pieces of sound equipment.
The spring is taut.
Backstage while pandemonium
Sweeps the hall and people
Crowd the arena as ants flow to a cake.
The stage is set, the
Instruments tuned and placed.
The musicians work out last minute
Kinks as the lights dim.
An intense force hits the spectators.
Energy is released in every form.
A power rage beyond comprehension. ~ David Morrell,#NFDB
696:You look very pretty,” said my mother at last, opening the conversation. “And how do you like being the wife of a master glass-maker here at Rougemont?” “Well enough,” replied Cathie, “but I find it rather fatiguing.” “No doubt,” said my mother, “and a great responsibility. How many workmen are employed here, and how many of them are married with families?” Cathie opened large eyes. “I have no idea,” she said. “I have never spoken to any of them.” I thought this would silence my mother, but she quickly recovered. “In that case,” she continued, “what do you do with your time?” Cathie hesitated. “I give orders to the servants,” she said, “and I watch them polish the floors. The rooms are very spacious, as you can see.” “I can indeed,” replied my mother. “No wonder you are fatigued. ~ Daphne du Maurier, #NFDB
697:Curse Of A Rich Polish Peasant On His Sister Who Ran
Away With A Wild Man
FELIKSOWA has gone again from our house and this time for good, I hope.
She and her husband took with them the cow father gave them, and they sold it.
She went like a swine, because she called neither on me, her brother, nor on her
father, before leaving for those forests.
That is where she ought to live, with bears, not with men.
She was something of an ape before and there, with her wild husband, she
became altogether an ape.
No honest person would have done as they did.
Whose fault is it? And how much they have cursed me and their father!
May God not punish them for it. They think only about money; they let the
church go if they can only live fat on their money.
~ Carl Sandburg,#NFDB
698:There’s might too in the incomplete. In feeling fractional. A failure to carry out is perhaps no failure at all, but rather a minced metric of splendor. The ongoing. The outlawed. The no-patrol. The act of making loose. Of not doing as you’ve been told. Of betting on miscalculations and cul-de-sacs. Why force conciliation when, from time to time, long-held deep breaths follow what we consider defeat? Why not want a little mania? The shrill of chance, of what’s weird. Of purple hats and hiccups. Endurance is a talent that seldom worries about looking good, and abiding has its virtues even when the tongue dries. The intention shouldn’t only be to polish what we start but to acknowledge that beginning again and again can possess the acquisitive thrill of a countdown that never reaches zero. Groping ~ Durga Chew Bose, #NFDB
699:The United States is a conceited nation with shallow roots, and what happened before living memory doesn't seem to interest most people I know at home. We like living in our houses with our new furniture, on our new streets in new neighborhoods. Everything is disposable and everything is replaceable. Personal family history can feel simply irrelevant in our new world, beyond the simplest national identifications, and even those who can get sort of vague for people. I remember a boy in high school who told the history teacher he was 'half Italian, half Polish, half English, half German, and one-quarter Swedish.' I think one of the reasons so many of us are disconnected from our histories is because none of it happened where we live in the present; the past, for so many, is a faraway place across an ocean. ~ Katharine Weber, #NFDB
700:Joan of Arc came back as a little girl in Japan, and her father told her to stop listening to her imaginary friends.
Elvis was born again in a small village in Sudan, he died hungry, age 9, never knowing what a guitar was.
Michelangelo was drafted into the military at age 18 in Korea, he painted his face black with shoe polish and learned to kill.
Jackson Pollock got told to stop making a mess, somewhere in Russia.
Hemingway, to this day, writes DVD instruction manuals somewhere in China. He’s an old man on a factory line. You wouldn’t recognise him.
Gandhi was born to a wealthy stockbroker in New York. He never forgave the world after his father threw himself from his office window, on the 21st floor.
And everyone, somewhere, is someone, if we only give them a chance. ~ Iain Thomas,#NFDB
701:Who’s too skinny?” Grandad strode across the lawn towards us as he dried his hands on a small towel. “Not you, that’s for sure,” Nan called out. “Well that’s coz you keep feeding me, woman.” “It’s nothing to do with what I feed ya. It’s the beer you drink in that shed every day and the whiskey you sip in front of the telly every night. Not to mention the amount of liquorice allsorts you polish off every week.” “I’m eighty years old, Maisie, I’ve worked hard all my life and raised these two fine people. I think that entitles me to drink, sip, and polish off whatever I bloody well like, which includes you when the mood takes me. So there’ll be no chasing after younger men, there’d only leave ya disappointed anyway. You’ve had sixty years of the best, there’s no going back from that.” He looked at me and winked. ~ Lesley Jones, #NFDB
702:Imagine a man between thirty-eight and forty, tall, slim, and pale. His clothes, except for their style, looked as if they'd escaped from the Babylonian captivity. The hat was a contemporary of one of Gessler's. Imagine now a frock coat broader than the needs of his frame--or, literally, that person's bones. The fringe had disappeared some time ago, of the eight original buttons, three were left. The brown drill trousers had two strong knee patches, while the cuffs had been chewed by the heels of boots that bore no pity or polish. About his neck the ends of a tie of two faded colors floated, gripping a week-old collar. I think he was also wearing a dark silk vest, torn in places and unbuttoned.
"I'll bet you don't know me, my good Dr. Cubas," he said.
"I can't recall..."
"I'm Borba, Quincas Borba. ~ Machado de Assis,#NFDB
703:When I first met Cara, she was twelve and angry at the world. Her parents had split up, her brother was gone, and her mom was infatuated with some guy who was missing vowels in his unpronounceable last name. So I did what any other man in that situation would do: I came armed with gifts. I bought her things that I thought a twelve-year-old would love: a poster of Taylor Lautner, a Miley Cyrus CD, nail polish that glowed in the dark. "I can't wait for the next Twilight movie," I babbled, when I presented her with the gifts in front of Georgie. "My favorite song on the CD is 'If We Were a Movie.' And I almost went with glitter nail polish, but the salesperson said this is much cooler, especially with Halloween coming up."
Cara looked at her mother and said, without any judgment, "I think your boyfriend is gay. ~ Jodi Picoult,#NFDB
704:Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again. ~ Pat Conroy, #NFDB
705:And all the arts of life they changd into the arts of death
The hour glass contemnd because its simple workmanship
Was as the workmanship of the plowman & the water wheel
That raises water into Cisterns broken & burnd in fire
Because its workmanship was like the workmanship of the Shepherd
And in their stead intricate wheels invented Wheel without wheel
To perplex youth in their outgoings & to bind to labours
Of day & night the myriads of Eternity. that they might file
And polish brass & iron hour after hour laborious workmanship
Kept ignorant of the use that they might spend the days of wisdom
In sorrowful drudgery to obtain a scanty pittance of bread
In ignorance to view a small portion & think that All
And call it Demonstration blind to all the simple rules of life ~ William Blake,#NFDB
706:The Writers
'On constantly mishearing ‘rioting’ as ‘writing’ on the BBC'
There has been writing for ten days now
unabated. People are anxious, fed up.
There is writing in Paris, in disaffected suburbs,
but also in small towns, and old ones like Lyon.
The writers have been burning cars; they’ve thrown
homemade Molotov cocktails at policemen.
Contrary to initial reports, the writers
belong to several communities: Algerian
and Caribbean, certainly, but also Romanian,
Polish, and even French. Some are incredibly
young: the youngest is thirteen.
They stand edgily on street-corners, hardly
looking at each other. Long-standing neglect
and an absence of both authority and employment
have led to what are now ten nights of writing.
[First published in The Observer]
~ Amit Chaudhuri,#NFDB
707:Despite his elegant clothes—black coat and dark gray trousers—he reminded her of a tomcat, tall and large-boned, lacking the polish of aristocrats she was accustomed to. The spill of thick black hair over his forehead should have been slicked back with pomade, and the knot of his cravat was too loose, as if he had been tugging at it unconsciously. Bronson was handsome, although his features were blunted and his nose looked as though it had once been broken. He had a strong jaw, a wide mouth and laugh lines at the corners of his eyes that betrayed a ready sense of humor. She received a strange shock of awareness as she met his gaze. His eyes were a shade of brown so deep they appeared black, giving his alert stare a penetrating quality that made her distinctly uncomfortable. The devil must have eyes like that, audacious, knowing… sensuous. ~ Lisa Kleypas, #NFDB
708:I’m sure you’re just dying to tell me all the campus gossip about me. Right?”
“I do have a life. Maybe I’ve been too busy to listen to rumors,” he huffed, pretending to have hurt feelings.
I looked at him.
He sighed. “Okay, you win. I’m bored out of my skull. Second Magician is busy playing detective, and Gelsi is neck-deep in some project and I never see her anymore.” Dax paused dramatically. “My life is so boring that I have to live vicariously through your adventures.”
“And since the rumors are so accurate—”
“Your adventures have turned into legends.” He swept his arms wide, laughing. “So where are you off to now? Going to slay a dragon? Can Itag along as your lowly squire? I’ll polish your staff of power every night with my shirt. I promise.”
“I’m glad my problems are keeping you entertained, ~ Maria V Snyder,#NFDB
709:He stood paralyzed with panic. Whatinhell was it? He stared at a flashing belt buckle, then tilted his head back, straining his neck. The freaking thing was eight feet tall. The enormous body radiated power that he could feel almost like a wave of heat, and the face—the face was a nightmare. Tawny yellow eyes, like a wolf’s, a distorted, outslung mouth with fangs, dammit, long white canines locked over the edges of the carmine lips. The huge hands had claws, thick, powerful, razor-edged—enameled with carmine polish . . . What? His gaze traveled back up to the monster’s face. The eyes were outlined with shadow and gold tint, echoed by a little gold spangle glued decoratively to one high cheekbone. The mahogany-colored hair was drawn back in an elaborate braid. The belt was cinched in tightly, emphasizing a figure of sorts despite the ~ Lois McMaster Bujold, #NFDB
710:The thought of suicide is a real comfort to me. Sometimes it's the only way I can get through a sleepless night.
On such a night - and there were plenty of them - I used to dismantle my Walther automatic pistol and meticulously oil the metal jigsaw of pieces. I'd seen too many misfires for the want of a well-oiled gun, and too many suicides gone badly wrong because a bullet entered a man's skull at an acute angle. I would even unload the tiny staircase that was the single-stack magazine and polish each bullet, lining them up in a rank like neat little brass soldiers before selecting the cleanest and the brightest and the keenest to please to sit on top of the rest. I wanted only the best of them to blast a hole in the wall of the prison cell that was my thick skull, and then bore a tunnel through the grey coils of despond that were my brain. ~ Philip Kerr,#NFDB
711:Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be. ~ Frederick P Brooks Jr, #NFDB
712:than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. And so, slipping his sister’s scissors into his pocket, the Count looked once more at what heirlooms remained and then expunged them from his heartache forever. ~ Amor Towles, #NFDB
713:Chatyr Dah
The trembling Muslims kiss your foot and pray out loud,
O mast of the Crimean tall ship Chatyr Dah,
Minaret amid the hills and Padishah!
You, having fled above the cliffs into a cloud,
Stand at the gates of heaven, humbling the crowd,
And, like great Gabriel, guard lost Eden’s house, your shaw
Of trees a cloak where janissaries keep the law,
Your turban thunderbolts and lightning for the proud.
And yet sun scolds our brows and fog obscures our ways,
Locusts poach our crops and Gavur burn our homes,
Always, Chatyr Dah, as motionless as domes
In Mecca, you remain indifferent to our days,
Creation’s dragoman to what below you roams
Who only hears whatever God to nature says.
— translated from the Polish by Leo Yankevich
first appeared in the Sarmatian Review
~ Adam Mickiewicz,#NFDB
714:Two days after his twelfth birthday, a fortnight before his father was jailed for debt, Charles Dickens was sent to work in a blacking factory. There, in a rat-infested room by the docks, he sat for twelve hours a day, labelling boot polish and learning the pain of abandonment. While he never spoke publicly of this ordeal, it would always be with him: in his social conscience and burning ambition, in the hordes of innocent children who languished and died in his fiction.
Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth. And the outcome can't be called. Some of us end up like Dickens, others like Jeffrey Dahmer. It's not a question of good or evil, Pete believes. Just the random brutality of the universe and our native ability to withstand it. ~ Armistead Maupin,#NFDB
715:What do we inherit, and how, and why? The relatively new field of epigenetics studies the impact of environment and experience on genes themselves. How much had the gene pool of the Waldens - that apparently cheerful extended family I had seen singing on YouTube - formed me? I did not come from the line of small, wiry, dark-eyed people of the shtetl, the men swaying over crumbling tombstones, prayer books in their hands. The imprint of pogroms, of the difficulties and sorrows of immigrant life was not mine - at least not in the physical sense. But I had carried these things a long way in my heart. I was of that dusty and doomed Polish village - and I was not. What had I inherited psychologically? What was in my blood? I was made of three people: my mother, my father, Ben Walden. Disparate worlds had been floating and colliding within me all my life. ~ Dani Shapiro, #NFDB
716:Barack intrigued me. He was not like anyone I’d dated before, mainly because he seemed so secure. He was openly affectionate. He told me I was beautiful. He made me feel good. To me, he was sort of like a unicorn—unusual to the point of seeming almost unreal. He never talked about material things, like buying a house or a car or even new shoes. His money went largely toward books, which to him were like sacred objects, providing ballast for his mind. He read late into the night, often long after I’d fallen asleep, plowing through history and biographies and Toni Morrison, too. He read several newspapers daily, cover to cover. He kept tabs on the latest book reviews, the American League standings, and what the South Side aldermen were up to. He could speak with equal passion about the Polish elections and which movies Roger Ebert had panned and why. ~ Michelle Obama, #NFDB
717:But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. ~ Amor Towles, #NFDB
718:When he got to the afterlife, after that particular Polish life, Milo found that Suzie had a perfect copy of the entire pornography collection.
"You risked your life for this?" she asked.
The expressions on her face were dramatic and varied widely. Some of the drawings and photographs were quite surprising. Some of them involved ponies.
"When people try to destroy art or thought," Milo explained, "it makes all forms of art and thought valuable. It's a slippery slope once we start saying what people should or shouldn't use. It's a real evil, a thing with substance and power. I was helping to preserve people's chance to see and to choose."
"I see," she whispered. "I understand."
For a solid month, every time he turned around she had one of those books open.
"I'm fighting evil." she'd say.
"Rozumiem," he'd answer, in Polish. "I understand. ~ Michael Poore,#NFDB
719:That evening, in her apartment, still in Warsaw, Ana takes down a book from her shelf – a rather thick, ordinary paperback. It looks old, because it's worn out and somehow shabby. But it's not ordinary. I can tell by the way she handles it so carefully, like something unique. 'This is the book I told you about,' she says, holding out the Anthology of Feminist Texts, a collection of early American feminist essays, 'the only feminist book translated into the Polish language,' the only such book to turn to when you are sick and tired of reading about man-eater/man-killer feminists from the West, I think, looking at it, imagining how many women have read this one copy. 'Sometimes I feel like I live on Jupiter, among Jupiterians, and then one day, quite by chance, I discover that I belong to another species. And I discover it in this book. Isn't that wonderful. ~ Slavenka Drakuli, #NFDB
720:One of the things I cannnot grasp, though I have often written about them, trying to get them into some kind of bearable perspective," Steiner writes, "is the time relation." Steiner has just quoted descriptions of the brutal deaths of two Jews at the Treblinka extermination camp. "Precisely at the same hour in which Mehring and Langner were being done to death, the overwhelming plurality of human beings, two miles away on the Polish farms, five thousand miles away in New York, were sleeping or eating or going to a film or making love or worrying about the dentist. This is where my imagination balks. The two orders of simultaneous experience are so different, so irreconcilable to any common norm of human values, their coexistence is so hideous a paradox-Treblinka is both because some men have built it and almost all other men let it be-that I puzzle over time. ~ William Styron, #NFDB
721:Next I tested my pupils for ingenuity. I handed out random materials and instructed them to improvise potentially lifesaving objects. ‘This ancient skill is known as MacGyvering,’ I told them. Sadly, none of my inaugural group of students was a child of Hephaestus, so no one did very well with this assignment. When I hinted to Perseus that he could hammer and polish his Celestial bronze to make a mirrored shield, he rolled his eyes and scoffed, ‘What would I ever use that for?’ Likewise, most failed miserably with musical composition. Only Jason came up with something memorable: a mesmerizing stomp-stomp CLAP rhythm that so stirred the blood we adopted it as our prebattle beat. (You can still hear that stomp-stomp CLAP rhythm pounded out at athletic competitions today, along with the chant ‘We will, we will … ROCK YOU!’) It was clear that the demigods had a lot to learn. ~ Rick Riordan, #NFDB
722:A one-armed bunk master sets forth rules in a belligerent torrent. “This is your parade uniform, this is your field uniform, this is your gym uniform. Suspenders crossed in the back, parallel in the front. Sleeves rolled to the elbow. Each boy is to carry a knife in a scabbard on the right side of the belt. Raise your right arm when you wish to be called upon. Always align in rows of ten. No books, no cigarettes, no food, no personal possessions, nothing in your locker but uniforms, boots, knife, polish. No talking after lights-out. Letters home will be posted on Wednesdays. You will strip away your weakness, your cowardice, your hesitation. You will become like a waterfall, a volley of bullets—you will all surge in the same direction at the same pace toward the same cause. You will forgo comforts; you will live by duty alone. You will eat country and breathe nation.” Do ~ Anthony Doerr, #NFDB
723:Our strength consists in our speed and in our brutality. Genghis Khan led millions of women and children to slaughter—with premeditation and a happy heart. History sees in him solely the founder of a state. It’s a matter of indifference to me what a weak western European civilization will say about me. I have issued the command—and I’ll have anybody who utters but one word of criticism executed by a firing squad—that our war aim does not consist in reaching certain lines, but in the physical destruction of the enemy. Accordingly, I have placed my death-head formation in readiness—for the present only in the East—with orders to them to send to death mercilessly and without compassion, men, women, and children of Polish derivation and language. Only thus shall we gain the living space (Lebensraum) which we need. Who, after all, speaks to-day of the annihilation of the Armenians? ~ Adolf Hitler, #NFDB
724:And we were taught to play golf. Golf epitomizes the tame world. On a golf course nature is neutered. The grass is clean, a lawn laundry that wipes away the mud, the insect, the bramble, nettle and thistle, an Eezy-wipe lawn where nothing of life, dirty and glorious, remains. Golf turns outdoors into indoors, a prefab mat of stultified grass, processed, pesticided, herbicided, the pseudo-green of formica sterility. Here, the grass is not singing. The wind cannot blow through it. Dumb expression, greenery made stupid, it hums a bland monotone in the key of the mono-minded. No word is emptier than a golf tee. No roots, it has no known etymology, it is verbal nail polish. Worldwide, golf is an arch act of enclosure, a commons fenced and subdued for the wealthy, trampling serf and seedling. The enemy of wildness, it is a demonstration of the absolute dominion of man over wild nature. ~ Jay Griffiths, #NFDB
725:Finland had required a matriculation test for 160 years; it was a way to motivate kids and teachers toward a clear, common goal, and it made a high school diploma mean something. Korea rerouted air traffic for their graduation test. Polish kids studied for their tests on nights and weekends, and they arrived for the exam wearing suits, ties, and dresses. In America, however, many people still believed in a different standard, one that explained a great deal about the country’s enduring mediocrity in education: According to this logic, students who passed the required classes and came to school the required number of days should receive their diplomas, regardless of what they had learned or what would happen to them when they tried to get a job at the Bama Companies. Those kids deserved a chance to fail later, not now. It was a perverse sort of compassion designed for a different century. ~ Amanda Ripley, #NFDB
726:But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. ~ Amor Towles, #NFDB
727:It still would be years before I understood the seriousness of my change of view. Much later, I recognized it in "Revolution," the essay of Polish journalist Ryszard Kapuscinski, who describes the moment when a man on the edge of a crowd looks back defiantly at a policeman — and when that policeman senses a sudden refusal to accept his defining gaze — as the imperceptible moment in which rebellion is born. "All books about all revolutions begin with a chapter that describes the decay of tottering authority or the misery and sufferings of the people," Kapuscinski writes. "They should begin with a psychological chapter — one that shows how a harassed, terrified man suddenly breaks his terror, stops being afraid. This unusual process — sometimes accomplished in an instant, like a shock — demands to be illustrated. Man gets rid of fear and feel free. Without that, there would be no revolution. ~ Gloria Steinem, #NFDB
728:Although, since days when we had been at school together, I had been seeing him on and off—very much on and off—for more than twenty years by this time, I found when I worked under him there were still comparatively unfamiliar sides to Widmerpool. Like most persons viewed through the eyes of a subordinate, his nature was to be appreciated with keener insight from below. This new angle of observation revealed, for example, how difficult he was to work with, particularly on account of a secretiveness that derived from perpetual fear, almost obsession, that tasks completed by himself might be attributed to the work of someone else. On that first morning at Division, Widmerpool spoke at length of his own methods. He was already sitting at his table when I arrived in the room. Removing his spectacles, he began to polish them vigorously, assuming at the same time a manner of hearty military geniality. ~ Anthony Powell, #NFDB
729:In a way, he made me think of a doll, with brilliant glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he was. "That's what you always wanted," he said softly. His tone was melancholy. "When you found me under Les Innocents, you wanted to bathe me with perfume and dress me in velvet."
"You look good to me, you damnable little devil, good to emgrace and good to love." My tone was angry. We eyed each other for a moment. And then he surpised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn't tentative, but it was extremely gentle. We held each other tight for a moment. The cold embracing the cold. "I can't remember anything sad bweween us, " I said.
"You will," he responded. "And so will I. But what does it matter what we remember?"
"Yes," I said. "We're both still here. ~ Anne Rice,#NFDB
730:The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close. ~ Elizabeth Goudge, #NFDB
731:The low point occurred in July, during Romney’s junior week abroad, in which the press became increasingly frustrated over Romney’s refusal to talk to them. It came to a head in Warsaw during a visit by Romney to the Tomb of the Unknown Soldier there. As the former governor walked to his car, reporters shouted questions at him about his earlier mishaps. “Kiss my ass,” admonished Romney’s traveling press aide, Rick Gorka. “Show some respect. This is a holy site for the Polish people.” Channeling Fonzie, Gorka also instructed Jonathan Martin of Politico to “shove it.” Some in the political echo-system treated this as a major international incident, a skirmish between weary but still potent superpowers—the press, the Romney campaign—that conjured Cold War–like tensions. After Gorka’s unsacred words raced around the world, the jackals rechristened the Polish holy site “Gorka Park.” Ryan, on the other ~ Mark Leibovich, #NFDB
732:Where I'm going, anything may happen. Nothing may happen. Maybe I will marry a middle-aged widower, or a longshoreman, or a cattle-hoof-trimmer, or a barrister or a thief. And have my children in time. Or maybe not. Most of the chances are against it. But not, I think, quite all. What will happen? What will happen. It may be that my children will always be temporary, never to be held. But so are everyone's.
I may become, in time, slightly more eccentric all the time. I may begin to wear outlandish hats, feathered and sequinned and rosetted, and dangling necklaces made from coy and tiny seashells which I've gathered myself along the beach and painted coral-pink with nail polish. And all the kids will laugh, and I'll laugh, too, in time. I will be light and straight as any feather. The wind will bear me, and I will drift and settle, and drift and settle. Anything may happen, where I'm going. ~ Margaret Laurence,#NFDB
733:Aue sent an office boy with a message to the company’s original accountant, a Polish Jew named Itzhak Stern, who was at home with influenza. Aue was a political appointee with little accounting experience. He wanted Stern to come into the office and resolve the impasse over the bolts of linen. He had just sent the message off to Stern’s house in Podgórze when his secretary came into the office and announced that a Herr Oskar Schindler was waiting outside, claiming to have an appointment. Aue went into the outer room and saw a tall young man, placid as a large dog, tranquilly smoking. The two had met at a party the night before. Oskar had been there with a Sudeten German girl named Ingrid, Treuhänder, or supervisor, of a Jewish hardware company, just as Aue was Treuhänder of Buchheister’s. They were a glamorous couple, Oskar and this Ingrid, frankly in love, stylish, with lots of friends in the Abwehr. ~ Thomas Keneally, #NFDB
734:You were blasted out of the sanctuary. The force of the explosion caused the first avalanche that buried the Qayom Malak, but the fig and olive trees remained exposed, a beacon for the other sanctuaries that were built in the coming years. The Christians were here, the Greeks, the Jews, the Moors. Their sanctuaries fell, too, to avalanche, fire, to scandal or fear, creating a nearly impenetrable wall around the Qayom Malak. You needed me to help you find it again. And you couldn’t find me until you really needed me.”
“What happens now?” Cam asked. “Don’t tell me we have to pray.”
Dee’s eyes never left the Qayom Malak, even as she tossed cam the towel draped over her shoulder. “Oh, it’s far worse, Cam. Now you’ve got to clean. Polish the angels, especially their wings. Polish them until they shine. We are going to need the moonlight to shine on them in precisely the right way. ~ Lauren Kate,#NFDB
735:She described how Camus’s aphorism “One must imagine Sisyphus happy” helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation—that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus! ~ Fay Weldon,#NFDB
736:The Akkerman Steppe
I launch myself across the dry and open narrows,
My carriage plunging into green as if a ketch,
Floundering through the meadow flowers in the stretch.
I pass an archipelago of coral yarrows.
It's dusk now, not a road in sight, nor ancient barrows.
I look up at the sky and look for stars to catch.
There distant clouds glint—there tomorrow starts to etch;
The Dnieper glimmers; Akkerman's lamp shines and harrows.
I stand in stillness, hear the migratory cranes,
Their necks and wings beyond the reach of preying hawks;
Hear where the sooty copper glides across the plains,
Where on its underside a viper writhes through stalks.
Amid the hush I lean my ears down grassy lanes
And listen for a voice from home. Nobody talks.
<small>— translated from the Polish by Leo Yankevich
first appeared in <i>the Sarmatian Review</i>
~ Adam Mickiewicz,#NFDB
737:The image of Charles Ingalls that emerges from these unsettled early years contains elements of moral ambiguity missing from the portrait his daughter would one day so lovingly polish. Having avoided fighting in the Civil War, he was not above trying to profit from it. Like many in his time, he did not hesitate to put a young and growing family in harm’s way. If he did not know Hard Rope’s reputation, he should have. His dealings with Indians and implicit reliance on the government—to protect settlers from the consequences of their provocative actions and remove Indians from land he wanted—were self-serving. He was willing to press his advantage, to take something that did not belong to him if he thought he could get away with it. These were very different characteristics than the ones his daughter would choose to emphasize decades later. She would never refer to him in print as a “squatter.” But she knew he was.70 ~ Caroline Fraser, #NFDB
738:The Castle Ruins At Balaklava
These castles, whose remains are strewn in heaps for miles,
Once graced and guarded you, Crimea the ungrateful!
Today they sit upon the hills, each like a great skull
In which reptiles reside or men worse than reptiles.
Let’s climb a tower, search for crests upon worn tiles,
For an inscription or a hero’s name, the fateful
Bane of armies now forgotten by the faithful,
A wizened beetle wrapped in vines below the aisles.
Here Greeks wrought Attic ornaments upon the walls,
From which Italians would cast Mongols into chains,
And where the Mecca-bound once stopped to pray and beg.
Today above the tombs the shadow of night falls,
The black-winged buzzards fly like pennants over plains,
As if towards a city ever touched by plague.
— translated from the Polish by Leo Yankevich
first appeared in the Sarmatian Review
~ Adam Mickiewicz,#NFDB
739:The Calm Of The Sea
Upon the height of Tarkankut
The pennant at the crow’s nest rises with the breeze,
Shafts of sunlight play upon the water’s breast
As on a bride-to-be who wakes to sigh and rest,
And wakes again and sighs for dreams that better please.
On naked spars the banner-shaped sails hang at ease.
The vessel is in chains now, leeside facing west,
Lulled by slow rocking. Passengers lampoon in jest,
Swabbies sigh to one another, slapping knees.
Blithe Sea! Among your jolly living creatures is
The polyp, sleeping in your depths when dark clouds swarm,
Wielding longish arms amid each starfish grave.
Sweet dreams! Below, a hydra of remembrances
Sleeps in the middle of mishaps and raging storm,
And when the heart is calm, its pincers flash and wave.
— translated from the Polish by Leo Yankevich
first appeared in the Sarmatian Review
~ Adam Mickiewicz,#NFDB
740:The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known..."
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. ~ Melissa Marr,#NFDB
741:Well,’ said Em a few days later, putting her bottle of nail polish down on the coffee table and looking critically at her handiwork, ‘personally, I never thought he was much of a rugby player.’
Seeing as Em’s knowledge of rugby was probably somewhere on a par with Kim Kardashian’s, this was not a particularly damning condemnation.
‘He’s big and strong,’ she continued, ‘but all he does is run into people and try to rip the ball off them.’
‘Em, that’s pretty much the job description,’ I said. Rugby’s really fairly straightforward – the forwards try to pulverise each other, and then the backs skip lightly through the holes in the opposition’s defence to score the tries. Forwards can score tries, but it’s not their key role and they like to pretend it’s no big deal. A manly nod of acknowledgement once the ball is planted over the line is acceptable, but victory dances, like fancy hairstyles, are left to the backs ~ Danielle Hawkins,#NFDB
742:BAYARD—looks at Von Berg for a moment, then addresses all: I don’t understand it, but take my advice. If anything like that happens and you find yourself on that train . . . there are four bolts halfway up the doors on the inside. Try to pick up a nail or a screwdriver, even a sharp stone—you can chisel the wood out around those bolts and the doors will open. I warn you, don’t believe anything they tell you—I heard they’re working Jews to death in the Polish camps. MONCEAU: I happen to have a cousin; they sent him to Auschwitz; that’s in Poland, you know. I have several letters from him saying he’s fine. They’ve even taught him bricklaying. BAYARD: Look, friend, I’m telling you what I heard from people who know. Hesitates. People who make it their business to know, you understand? Don’t listen to any stories about resettlement, or that they’re going to teach you a trade or something. If you’re on that train get out before it gets where it’s going. ~ Arthur Miller, #NFDB
743:On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down....
Please believe me when I tell you that I picked up each would that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
I took them all away, and if there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away.
Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye.
They ere French, they were Jews, and they were you. ~ Markus Zusak,#NFDB
744:Another thirst had come to him—the thirst for women, for licentious pleasure, and all that Parisian life permitted him to enjoy. He felt somewhat stunned, like a man coming out of a ship, and in the visions that haunted his first sleep, he saw the shoulders of the fishwife, the loins of the 'longshorewoman, the calves of the Polish lady, and the head-dress of the female savage flying past him and coming back again continually. Then, two large black eyes, which had not been at the ball, appeared before him; and, light as butterflies, burning as torches, they came and went, ascended to the cornice and descended to his very mouth.
Frederick made desperate efforts to recognise those eyes, without succeeding in doing so. But already the dream had taken hold of him. It seemed to him that he was yoked beside Arnoux to the pole of a hackney-coach, and that the Maréchale, astride of him, was disembowelling him with her gold spurs.(©Project Gutenberg) ~ Gustave Flaubert,#NFDB
745:She was wary, trained to expect little of life, grateful for small pleasures, on her guard against promises, accustomed to making the best of things, in the habit of both wanting and not daring to want something more. Now Miracle Polish has come along, with its air of swagger and its taunting little whisper. Why not? it seemed to say. Why on earth not? But the mirrors that strengthened me, that filled me with new life, made Monica bristle. Did she feel that I preferred a false version of her, a glittering version, to the flesh-and-blood Monica with her Band-Aids and big knees and her burden of sorrows? What drew me was exactly the opposite. In the shining mirrors I saw the true Monica, the hidden Monica, the Monica buried beneath years of discouragement. Far from escaping into a world of polished illusions, I was able to see, in the depths of those mirrors, the world no longer darkened by diminishing hopes and fading dreams. There, all was clear, all was possible. ~ Steven Millhauser, #NFDB
746:Plague Of Dead Sharks
Who knows whether the sea heals or corrodes?
The wading, wintered pack-beasts of the feet
slough off, in spring, the dead rind of the shoes’
leather detention, the big toe’s yellow horn
shines with a natural polish, and the whole
person seems to profit. The opposite appears
when dead sharks wash up along the beach
for no known reason. What is more built
for winning than the swept-back teeth,
water-finished fins, and pure bad eyes
these old, efficient forms of appetite
are dressed in? Yet it looks as if the sea
digested what it wished of them with viral ease
and threw up what was left to stink and dry.
If this shows how the sea approaches life
in its propensity to feed as animal entire,
then sharks are comforts, feet are terrified,
but they vacation in the mystery and why not?
Who knows whether the sea heals or corrodes?:
what the sun burns up of it, the moon puts back.
~ Alan Dugan,#NFDB
747:The somewhat dim coal-fire has an essential influence in producing the effect which I would describe. It throws its unobtrusive tinge throughout the room, with a faint ruddiness upon the walls and ceiling, and a reflected gleam from the polish of the furniture. This warmer light mingles itself with the cold spirituality of the moonbeams, and communicates, as it were, a heart and sensibilities of human tenderness to the forms which fancy summons up. It converts them from snow-images into men and women. Glancing at the looking-glass, we behold—deep within its haunted verge—the smouldering glow of the half-extinguished anthracite, the white moonbeams on the floor, and a repetition of all the gleam and shadow of the picture, with one remove farther from the actual, and nearer to the imaginative. Then, at such an hour, and with this scene before him, if a man, sitting all alone, cannot dream strange things, and make them look like truth, he need never try to write romances. ~ Nathaniel Hawthorne, #NFDB
748:But Hitler couldn’t simply attack. He must first make it look like self-defense. So on August 22, he told his generals, “I shall give a propagandist reason for starting the war; never mind whether it is plausible or not. The victor will not be asked afterward whether he told the truth.” The plan was for the SS, dressed in Polish uniforms, to attack a German radio station on the Polish border. To make the whole thing authentic, they would need German “casualties.” They decided to use concentration camp inmates, whom they vilely referred to as Konserven (canned goods). These victims of Germany would be dressed as German soldiers. In the end only one man was murdered for this purpose, via lethal injection, and afterward shot several times to give the appearance that he had been killed by Polish soldiers. The deliberate murder of a human being for the purposes of deceiving the world seems a perfectly fitting inaugural act for what was to follow. This took place on schedule, August 31. ~ Eric Metaxas, #NFDB
749:For all of our enormous geographic range, for all of our sectionalism, for all of our interwoven breeds drawn from every part of the ethnic world, we are a nation, a new breed. Americans are much more American than they are Northerners, Southerners, Westerners, or Easterners. And descendants of English, Irish, Italian, Jewish, German, Polish are essentially American. This is not patriotic whoop-de-do; it is carefully observed fact. California Chinese, Boston Irish, Wisconsin German, yes, and Alabama Negroes, have more in common than they have apart. And this is the more remarkable because it has happened so quickly. It is a fact that Americans from all sections and of all racial extractions are more alike than the Welsh are like the English, the Lancashireman like the Cockney, or for that matter the Lowland Scot like the Highlander. It is astonishing that this has happened in less than two hundred years and most of it in the last fifty. The American identity is an exact and provable thing. ~ John Steinbeck, #NFDB
750:In Moscow last night Ribbentrop and Molotov signed a treaty and a declaration of purpose. The text of the latter tells the whole story: “After the German government and the government of the U.S.S.R., through a treaty signed today, definitely solved questions resulting from the disintegration of the Polish state and thereby established a secure foundation for permanent peace in eastern Europe, they jointly voice their opinion that it would be in the interest of all nations to bring to an end the state of war presently existing between Germany and Britain and France. Both governments therefore will concentrate their efforts, if necessary, in co-operation with other friendly powers, towards reaching this goal. “Should, however, the effort of both governments remain unsuccessful, the fact would thereby be established that Britain and France are responsible for a continuation of the war, in which case the governments of Germany and Russia will consult each other as to necessary measures.” This ~ William L Shirer, #NFDB
751:I'm in love with New York. It matches my mood. I'm not overwhelmed. It is the suitable scene for my ever ever heightened life. I love the proportions, the amplitude, the brilliance, the polish, the solidity. I look up at Radio City insolently and love it. It's all great, and Babylonian. Broadway at night. Cellophane. The newness. The vitality. True, it is only physical. But it's inspiring. Just bring your own contents, and you create a sparkle of the highest power. I'm not moved, not speechless. I stand straight, tough and I meet the impact. I feel the glow and the dancing in everything. The radio music in the taxis, scientific magic, which can all be used lyrically. That's my last word. Give New York to a poet. He can use it. It can be poetized. Or maybe that's mania of mine, to poetize. I live lightly, smoothly, actively, ears or eyes wide open, alert, oiled! I feel the glow and the dancing in every thing and the tempo is like that of my blood. I'm at once beyond, over and in New York, tasting it fully. ~ Ana s Nin, #NFDB
752:The gesture is the incarnation of the verb, that is, an action is a thought made manifest. A small gesture betrays us, so we must polish everything, think about details, learn the technique in such a way that it becomes intuitive. Intuition has nothing to do with routine, but with a state of mind that is beyond technique. So, after much practising, we no longer think about the necessary movements, they become part of our own existence. But for this to happen, you must practise and repeat. And if that isn’t enough, you must repeat and practise. Look at the skilled farrier working steel. To the untrained eye, he is merely repeating the same hammer blows. But anyone who knows the way of the bow knows that each time he lifts the hammer and brings it down, the intensity of the blow is different. The hand repeats the same gesture, but as it approaches the metal, it understands that it must touch it with more or less force. So it is with repetition, although it may appear to be the same thing, it is always different. ~ Paulo Coelho, #NFDB
753:Let me,’ said Cass. ‘It’s just about the only thing that a poor white woman can still do.’ Ida looked at her, and smiled. ‘Now, don’t you be like that,’ she said, ‘because you can suffer, and you’ve got some suffering to do, believe me.’ Cass handed the driver a bill. ‘You stand to lose everything – your home, your husband, even your children.’ Cass sat very still, waiting for her change. She looked like a defiant little girl. ‘I’ll never give up my children,’ she said. ‘They could be taken from you.’ ‘Yes. It could happen. But it won’t.’ She tipped the driver, and they got out of the cab. ‘It happened,’ said Ida, mildly, ‘to my ancestors every day.’ ‘Maybe,’ said Cass, with a sudden flash of anger, and very close to tears, ‘it happened to all of us! Why was my husband ashamed to speak Polish all the years that he was growing up? – and look at him now, he doesn’t know who he is. Maybe we’re worse off than you.’ ‘Oh,’ said Ida, ‘you are. There’s no maybe about that.’ ‘Then have a little mercy.’ ‘You’re asking a lot. ~ James Baldwin, #NFDB
754:Oh, they never look at anything that folks like we can understand," the carter continued, by way of passing the time. "On'y foreign tongues used in the days of the Tower of Babel, when no two families spoke alike. They read that sort of thing as fast as a night-hawk will whir. 'Tis all learning there—nothing but learning, except religion. And that's learning too, for I never could understand it. Yes, 'tis a serious-minded place. Not but there's wenches in the streets o' nights… You know, I suppose, that they raise pa'sons there like radishes in a bed? And though it do take—how many years, Bob?—five years to turn a lirruping hobble-de-hoy chap into a solemn preaching man with no corrupt passions, they'll do it, if it can be done, and polish un off like the workmen they be, and turn un out wi' a long face, and a long black coat and waistcoat, and a religious collar and hat, same as they used to wear in the Scriptures, so that his own mother wouldn't know un sometimes. … There, 'tis their business, like anybody else's. ~ Thomas Hardy, #NFDB
755:The deadlock was broken when we ordered Walter Stoessel, the U.S. ambassador in Warsaw, to approach Chinese diplomats at the next social function and express the desire for a dialogue. The setting for this encounter was a Yugoslav fashion show in the Polish capital. The Chinese diplomats in attendance, who were without instructions, fled the scene. The Chinese attaché’s account of the incident shows how constrained relations had become. Interviewed years later, he recalled seeing two Americans talking and pointing at the Chinese contingent from across the room; this prompted the Chinese to stand up and leave, lest they be drawn into conversation. The Americans, determined to carry out their instructions, followed the Chinese. When the desperate Chinese diplomats speeded up, the Americans started running after them, shouting in Polish (the only mutually intelligible language available), “We are from American embassy. We want to meet your ambassador… President Nixon said he wanted to resume his talk with Chinese.”35 ~ Henry Kissinger, #NFDB
756:It is important to recognize that our efforts at communal property restitution,” Stuart Eizenstat told a House committee, “are integral to the rebirth and renewal of Jewish life” in Eastern Europe. Allegedly to “promote the revival” of Jewish life in Poland, the World Jewish Restitution Organization is demanding title over the 6,000 prewar communal Jewish properties, including those currently being used as hospitals and schools. The prewar Jewish population of Poland stood at 3.5 million; the current population is several thousand. Does reviving Jewish life really require one synagogue or school building per Polish Jew? The organization is also laying claim to hundreds of thousands of parcels of Polish land valued in the many tens of billions of dollars. “Polish officials fear,” Jewish Week reports, that the demand “could bankrupt the nation.” When Poland’s Parliament proposed limits on compensation to avert insolvency, Elan Steinberg of the WJC denounced the legislation as “fundamentally an anti-American act.”80 ~ Norman G Finkelstein, #NFDB
757:What is called the spirit of the void is where there is nothing. It is not included in man's knowledge. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void.Until you realise the true Way, whether in life or in common sense, you may think that things are correct and in order. However, if we look at things objectively, from the viewpoint of laws of the world, we see various doctrines departing from the true Way. Know well this spirit, and with forthrightness as the foundation and the true spirit as the Way. Enact strategy broadly, correctly and openly. Then you will come to think of things in a wide sense and, taking the void as the Way, you will see the Way as void. In the void is virtue, and no evil. Wisdom has existance, principle has existance, the Way has existance, spirit is nothingness. ~ Miyamoto Musashi, #NFDB
758:What is called the spirit of the void is where there is nothing. It is not included in man's knowledge. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void.Until you realize the true Way, whether in life or in common sense, you may think that things are correct and in order. However, if we look at things objectively, from the viewpoint of laws of the world, we see various doctrines departing from the true Way. Know well this spirit, and with forthrightness as the foundation and the true spirit as the Way. Enact strategy broadly, correctly and openly. Then you will come to think of things in a wide sense and, taking the void as the Way, you will see the Way as void. In the void is virtue, and no evil. Wisdom has existence, principle has existence, the Way has existence, spirit is nothingness. ~ Miyamoto Musashi, #NFDB
759:She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. ~ Liane Moriarty, #NFDB
760:Man's destructive hand spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing. Proud and terrible king, he needs everything and nothing resists him ... from the lamb he tears its guts and makes his harp resound ... from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child - his table is covered with corpses ... And who in all of this will exterminate him who exterminates all others? Himself. It is man who is charged with the slaughter of man ... So it is accomplished ... the first law of the violent destruction of living creatures. The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death. ~ Joseph de Maistre, #NFDB
761:For much of my life I was not acquainted with what may seem the obscure derivation of the adjective 'sincere.' It is from two Latin words, sine, without, and cera, wax. What a rare thing it is to be treated without wax. My desire is always to conduct relationships based upon honest regard. As I sipped the last drops of beef tea I tried to enumerate moments stripped of pretense and all I could come up with was those efforts of mine, with brother-in-law, when he grasped my hand in desperate gratitude, unknowing, and allowed me to really see him. As I relived those moments of extremity, a strange thought met me unawares. Were I not to know him, or someone, some person, at this radical depth, I fear my time on earth would be hideous. I was surprised to think this. But it crossed my mind that to know others on a superficial level only is a desperate hell and life is worth living only if the veneer is stripped away, the polish, the wax, and we see the true grain of the other no matter how far less than perfect, even ugly, even savage at the heart. ~ Louise Erdrich, #NFDB
762:Yeah, well, I don’t want to talk about your sexy playthings. They remind me of my ‘boy toy,’ and I’m deliberately steering clear of Roane for a while. That idiot had the nerve to argue my designs for our bedroom.” Caitlyn scowled as she reached for her ample purse. She pulled out three bottles of nail polish. “How about we hang out and do girl stuff? Pretty Pink, Barely Blue, or Primal Purple?”
“Primal Purple.” Though she wondered if the polish would cover her beast’s nails later tonight. Kelly felt the need to change with every breath she took. It wouldn’t be much longer until she let it out. At the thought, her beast purred its approval. “Once you changed, did you finally settle into your own skin?”
Caitlyn nodded. “I was scared at first, but after you embrace that part of yourself, you’ll feel better than you ever have. You can’t deny who you are, no matter how much you might want to. And trust me, after you claim those knuckleheads who’ve been mooning over you for years, you’ll wonder what held you back so long.”
-Caitlyn & Kelly ~ Marie Harte,#NFDB
763:firstly, what "really" attracted me to Indo-European, as well as to English, Polish, and Russian philology, wasn't the seductive variety of linguistic forms, or the infinitely picturesque accidents that fill the histories of words and dialects, but rather the fact that these obey lays that can be rigorously described, and that these laws, such as Grimm's Law in Germanic philology, or the principles of Slavic palatalization, which lie behind all those wonderful alveolar fricatives in Russia and the Auvergne, promised to submit the irresistible and etrnal movement of languages no longer to mere chance, but to something that closely resembled calculation;
- and that, secondly, and consequently, the noblest aspect of linguistics (and if I had been familiar with Trouetzkoy's phonology and with Jakobson, this conclusion would have been even more obvious) was its power of deduction -- but that there remained something even nobler, which was the terrain of pure deduction, in other words, mathematics. And that it is why I absolutely had to become a mathematician. ~ Jacques Roubaud,#NFDB
764:Though Pius acted discreetly, he did not hide Hitler's attack plan under the proverbial bushel basket. During the second week of January 1940, a general fear gripped Western diplomats in rome as the pope's aides warned them of the German offensive, which Hitler had just rescheduled for the 14th. On the 10th, a Vatican prelate warned the Belgian ambassador at the Holy See, Adrien Nieuwenhuys, that the Germans would soon attack in the West. ...
Pius had in fact already shared the warning, while shielding the source. On 9 January, Cardinal Maglione directed the papal agent in Brussels, Monsignor Clemente Micara, to warn the Belgians about a coming German attack. Six days later, Maglione sent a similar message to his agent in The Hague, Monsignor Paolo Giobbe, asking him to warn the Dutch.
That same month, Pius made a veiled feint toward public protest. He wrote new details on Polish atrocities into Radio Vatican bulletins. But when Polish clergy protested that the broadcasts worsened the persecutions, Pius recommitted to public silence and secret action. ~ Mark Riebling,#NFDB
765:BOOK BEAUTY
Here's the end of that story about the old woman who wanted to lure a man with strange
cosmetics. She made a paste of pages from the Qur'an to fill the deep creases on her face and
neck with. This is not about an old woman, dear reader. It's about you, or anyone who tries
to use books to make themselves attractive. There she is, sticking scripture, thick with
saliva, on her face. Of course, the bits keep falling off. "The devil," she yells, and
he appears! "This is a trick I've never seen. You don't need me. You are yourself a troop
of demons!" So people steal inspired words to get compliments. Don't bother. Death comes
and all talking, stolen or not, stops. Pity anyone unfamiliar with silence when that happens.
Polish your heart with mediation and quietness. Let the inner life grow generous and handsome
like Joseph. Zuleika did that and her "old woman's spring cold snap" turned to mid-July. Dry
lips wet from within. Ink is not rouge. Let language lie bygone. Now is where love breathes. ~ Rumi,#NFDB
766:The words of his various writing instructors and professional mentors over the years came back to him at times like these, and he found a new understanding in their advice: Writing is rewriting. The rough draft is just that. You can’t polish what you haven’t written.
Things that made for a normal life—like a daily routine that followed the sun—took a back seat to times like these, and he exulted in that change because it served as proof that his writing was indeed the most important thing in his life. It wasn’t a conscious choice on his part, like deciding to repaint the bathroom or go buy the groceries, but an overarching reallocation of his existence that was as undeniable as breathing. Day turned into night, breakfast turned into dinner, and the laptop or the writing tablet beckoned even when he was asleep.
He would often awake with a new idea—as if he’d merely been on a break and not unconscious—and he would see the empty seat before the desk not as his station in some pointless assembly line, but as the pilot’s seat in a ship that could go anywhere. ~ Vincent H O Neil,#NFDB
767:When you ran that roof race with me you started with one stocking marked, a loose row of bullion on your hoqueton, and your hair needing a cut. Your manners, social and personal, derive directly from the bakehouse; your living quarters, any time I have seen them, have been untidy and ill-cleaned. In the swordplay just now you cut consistently to the left, a habit so remarkable that you must have been warned time and again; and you cannot parry a coup de Jarnac. I tried you with the same feint for it three times tonight.... These are professional matters, Robin. To succeed as you want, you have to be precise; you have to have polish; you have to carry polish and precision in everything you do. You have no time to sigh over seigneuries and begrudge other people their gifts. Lack of genius never held anyone back,' said Lymond. 'Only time wasted on resentment and daydreaming can do that. You never did work with your whole brain and your whole body at being an Archer; and you ended neither soldier nor seigneur, but a dried-out huddle of grudges strung cheek to cheek on a withy. ~ Dorothy Dunnett, #NFDB
768:Sir, as men become in a high degree refined, various causes of offence arise; which are considered to be of such importance, that life must be staked to atone for them, though in reality they are not so. A body that has received a very fine polish may be easily hurt. Before men arrive at this artificial refinement, if one tells his neighbor he lies, his neighbor tell him he lies; if one gives his neighbor a blow, his neighbor gives him a blow; but in a state of highly polished society, an affront is held to be a serious injury. It must, therefore, be resented, or rather a duel must be fought upon it; as men have agreed to banish from their society one who puts up with an affront without fighting a duel. Now, Sir, it is never unlawful to fight in self-defence. He, then, who fights a duel, does not fight from passion against his antagonist, but out of self-defence; to avert the stigma of the world, and to prevent himself from being driven out of society. I could wish there was not that superfluity of refinement; but while such notions prevail, no doubt a man may lawfully fight a duel. ~ Samuel Johnson, #NFDB
769:/Farsi How could I ever thank my Friend? No thanks could ever begin to be worthy. Every hair of my body is a gift from Him; How could I thank Him for each hair? Praise that lavish Lord forever Who from nothing conjures all living beings! Who could ever describe His goodness? His infinite glory lays all praise waste. Look, He has graced you a robe of splendor From childhood's first cries to old age! He made you pure in His own image; stay pure. It is horrible to die blackened by sin. Never let dust settle on your mirror's shining; Let it once grow dull and it will never polish. When you work in the world to earn your living Do not, for one moment, rely on your own strength. Self-worshiper, don't you understand anything yet? It is God alone that gives your arms their power. If, by your striving, you achieve something good, Don't claim the credit all for yourself; It is fate that decides who wins and who loses And all success streams only from the grace of God. In this world you never stand by your own strength; It is the Invisible that sustains you every moment.
~ Saadi, How could I ever thank my Friend?
,#NFDB
770:Solo For Ear-Trumpet
The carriage brushes through the bright
Leaves (violent jets from life to light);
Strong polished speed is plunging, heaves
Between the showers of bright hot leaves
The window-glasses glaze our faces
And jar them to the very basis —
But they could never put a polish
Upon my manners or abolish
My most distinct disinclination
For calling on a rich relation!
In her house — (bulwark built between
The life man lives and visions seen) —
The sunlight hiccups white as chalk,
Grown drunk with emptiness of talk,
And silence hisses like a snake —
Invertebrate and rattling ache….
Then suddenly Eternity
Drowns all the houses like a sea
And down the street the Trump of Doom
Blares madly — shakes the drawing-room
Where raw-edged shadows sting forlorn
As dank dark nettles. Down the horn
Of her ear-trumpet I convey
The news that 'It is Judgment Day!'
'Speak louder: I don't catch, my dear.'
I roared: 'It is the Trump we hear!'
'The What?' 'THE TRUMP!' 'I shall complain!
…. the boy-scouts practising again. ~ Edith Sitwell,#NFDB
771:The Philosopher, The Young Man, And His Statue
A Fond Athenian Mother brought
A Sculptor to indulge her Thought,
And carve her Only Son;
Who to such strange perfection wrought,
That every Eye the Statue caught
Nor ought was left undone.
A youthful Smile adorn'd the Face,
The polish gave that Smile a Grace;
And through the Marble reigns
(Which well the Artist's Skill cou'd trace,
And in their due Positions place)
A Thread of purple Veins.
The Parasites about it came,
(Whose Praises were too large to name)
And to each other said;
The Man so well had reach'd his Aim,
Th' Original cou'd o'er it claim
Only a native Red.
Mean while a Sage, amidst the Croud,
Thus, with a Precept wise and loud,
Check'd the Vain-glorious Boy;
By telling him, who now grew proud,
That tho' with Beauty 'twas endow'd,
The Figure was a Toy:
Of no Advantage to the State,
'Twou'd neither combate, nor debate,
But idly stand alone;
Bids him beware, whilst Men create
In Stone thus his Resemblance great,
He proves not like the Stone.
~ Anne Kingsmill Finch,#NFDB
772:Tell me," she said quietly. "If that [happiness] machine is like you say, has it got an answer to making babies in it somewhere? Can that machine make seventy-year-old people twenty? Also, how does death look when you hide in there with all that happiness?"
"Hide!"
"If you died from overwork, what should I do today, climb in that big box down there and be happy? Also tell me, Lee, how is our life? You know how our house is. Seven in the morning, breakfast, the kids; all of you gone by eight thirty and it's just me and washing and me and cooking and socks to be darned, weeds to be dug, or I run to the
store or polish silver. Who's complaining? I'm just reminding you how the house is put
together, Lee, what's in it! So now answer: How do you get all those things I said in one machine?"
"That's not how it's built!"
"I'm sorry. I got no time to look, then."
And she kissed his cheek and went from the room and he lay smelling the wind that blew from the hidden machine below, rich with the odor of those roasted chestnuts that sold in the autumn streets of a Paris he had never known . . . ~ Ray Bradbury,#NFDB
773:When you’re a girl, you never let on that you are proud, or that you know you’re better at history, or biology, or French, than the girl who sits beside you and is eighteen months older. Instead you gush about how good she is at putting on nail polish or at talking to boys, and you roll your eyes at the vaunted difficulty of the history/biology/French test and say, ‘Oh my God, it’s going to be such a disaster! I’m so scared!’ and you put yourself down whenever you can so that people won’t feel threatened by you, so they’ll like you, because you wouldn’t want them to know that in your heart, you are proud, and maybe even haughty, and are riven by thoughts the revelation of which would show everyone how deeply Not Nice you are. You learn a whole other polite way of speaking to the people who mustn’t see you clearly, and you know—you get told by others—that they think you’re really sweet, and you feel a thrill of triumph: ‘Yes, I’m good at history/biology/French, and I’m good at this, too.’ It doesn’t ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable. ~ Claire Messud, #NFDB
774:Solo For Ear-Trumpet
The carriage brushes through the bright
Leaves (violent jets from life to light);
Strong polished speed is plunging, heaves
Between the showers of bright hot leaves
The window-glasses glaze our faces
And jar them to the very basis —
But they could never put a polish
Upon my manners or abolish
My most distinct disinclination
For calling on a rich relation!
In her house — (bulwark built between
The life man lives and visions seen) —
The sunlight hiccups white as chalk,
Grown drunk with emptiness of talk,
And silence hisses like a snake —
Invertebrate and rattling ache….
Then suddenly Eternity
Drowns all the houses like a sea
And down the street the Trump of Doom
Blares madly — shakes the drawing-room
Where raw-edged shadows sting forlorn
As dank dark nettles. Down the horn
Of her ear-trumpet I convey
The news that 'It is Judgment Day!'
'Speak louder: I don't catch, my dear.'
I roared: 'It is the Trump we hear!'
'The What?' 'THE TRUMP!' 'I shall complain!
…. the boy-scouts practising again.'
~ Dame Edith Louisa Sitwell,#NFDB
775:When you’re a girl, you never let on that you are proud, or that you know you’re better at history, or biology, or French, than the girl who sits beside you and is eighteen months older. Instead you gush about how good she is at putting on nail polish or at talking to boys, and you roll your eyes at the vaunted difficulty of the history/biology/French test and say, “Oh my God, it’s going to be such a disaster! I’m so scared!” and you put yourself down whenever you can so that people won’t feel threatened by you, so they’ll like you, because you wouldn’t want them to know that in your heart, you are proud, and maybe even haughty, and are riven by thoughts the revelation of which would show everyone how deeply Not Nice you are. You learn a whole other polite way of speaking to the people who mustn’t see you clearly, and you know—you get told by others—that they think you’re really sweet, and you feel a thrill of triumph: “Yes, I’m good at history/biology/French, and I’m good at this, too.” It doesn’t ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable. ~ Claire Messud, #NFDB
776:SPINOZA
Las traslcidas manos del judo
Labran en la penumbra los cristales
Y la tarde que muere es miedo y fro.
(Las tardes a las tardes son iguales.)
Las manos y el espacio de jacinto
Que palidece en el confn del Ghetto
Casi no existen para el hombre quieto
Que est soando un claro laberinto.
No lo turba la fama, ese reflejo
De sueos en el sueo de otro espejo,
Ni el temeroso amor de las doncellas.
Libre de la metfora y del mito
Labra un arduo cristal: el infinito
Mapa de Aqul que es todas Sus estrellas.
SPINOZA
The Jews hands, translucent in the dusk,
Polish the lenses time and again.
The dying afternoon is fear, is
Cold, and all afternoons are the same.
The hands and the hyacinth-blue air
That whitens at the Ghetto edges
Do not quite exist for this silent
Man who conjures up a clear labyrinth
Undisturbed by fame, that reflection
Of dreams in the dream of another
Mirror, nor by maidens timid love.
Free of metaphor and myth, he grinds
A stubborn crystal: the infinite
Map of the One who is all His stars.
[Richard Howard and Csar Rennert]
~ Jorge Luis Borges, Spinoza
,#NFDB
777:The craftsperson develops a knowingness about the work she does that bears its own fruit, the fruit of being present, or attentive. The craftsperson learns that within the work she does there is a jewel hiding below the surface. That the thrill of the craft is to discover the jewel. And that there is only one way to discover it: to practice the craft mindlessly. To become one with the work. To polish and polish, as though with one’s heart. That there is no way to know when the jewel will show itself, but to trust with all one’s heart that one day, when it is least expected, the jewel will be there! It will appear. “And so the craftsperson is one who has reached that stage of her development where she is content with the work, and only the work, knowing that it is only through being there with one’s work that the jewel will reveal itself, and that it is the work, and only the work, raised to the level of near perfection that connects the craftsperson with herself, with her own heart. And so she practices, day in and day out, content to do so, without the thrill of the apprentice to keep her going, but knowing deep inside that there is no place to go but here. ~ Michael E Gerber, #NFDB
778:Dedication
You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.
What strengthened me, for you was lethal.
You mixed up farewell to an epoch with the beginning of a new one,
Inspiration of hatred with lyrical beauty,
Blind force with accomplished shape.
Here is the valley of shallow Polish rivers. And an immense bridge
Going into white fog. Here is a broken city,
And the wind throws the screams of gulls on your grave
When I am talking with you.
What is poetry which does not save
Nations or people?
A connivance with official lies,
A song of drunkards whose throats will be cut in a moment,
Readings for sophomore girls.
That I wanted good poetry without knowing it,
That I discovered, late, its salutary aim,
In this and only this I find salvation.
They used to pour millet on graves or poppy seeds
To feed the dead who would come disguised as birds.
I put this book here for you, who once lived
So that you should visit us no more.
~ Czeslaw Milosz,#NFDB
779:God is Santa Claus for grown-ups, not a misery-guts, not an asshole; we've got enough of those in town already. I didn't believe; but the guy I didn't believe in wasn't like that. He was a warm, smiling chap, overflowing with benevolence; someone you looked up to with the same bafflement and confused wonder and absolute trust that you had for the giants who put you on your potty when you were two. He was a nice guy who would make it all right; who understood; the one guy you never had to explain your screw-ups to. He smelled good, too: of pews and old hassocks, floor polish and musty velvet drapes, of candle wax and mildewed pages. He resided in the tranquility that can fill even the heart of an unbeliever in old churches, where the eye and the spirit are soothed by the flicker of golden candlelight and the gentle but vivid hues from the stained-glass good guys above the altar. And the great thing about Him was, He was human. You could feel sorry for Him. I knew there could be only one reason why He let us suffer like this: He can't find a way to stop it. Like a roller-coaster ride that gets too scary, there's no way off. He set it in motion and now He's as helpless as the rest of us. ~ Malcolm Pryce, #NFDB
780:far more appealing and convincing defense of the occasional need for exaggeration of prospective benefits appears in an essay by Kolakowski, the Polish philosopher: The simplest improvements in social conditions require so huge an effort on the part of society that full awareness of this disproportion would be most discouraging and would thereby make any social progress impossible. The effort must be prodigally great if the result is to be at all visible…. It is not at all peculiar then that this terrible disproportion must be quite weakly reflected in human consciousness if society is to generate the energy required to effect changes in social and human relations. For this purpose, one exaggerates the prospective results into a myth so as to make them take on dimensions which correspond a bit more to the immediately felt effort…. [The myth acts like] a Fata Morgana which makes beautiful lands arise before the eyes of the members of a caravan and thus increases their efforts to the point where, in spite of all their sufferings, they reach the next tiny waterhole. Had such tempting mirages not appeared, the exhausted caravan would inevitably have perished in the sandstorm, bereft of hope. ~ Albert O Hirschman, #NFDB
781:In general, though, women aren’t really allowed to be kick-ass. It’s like the famous distinction between art and craft: Art, and wildness, and pushing against the edges, is a male thing. Craft, and control, and polish, is for women. Culturally we don’t allow women to be as free as they would like, because that is frightening. We either shun those women or deem them crazy. Female singers who push too much, and too hard, don’t tend to last very long. They’re jags, bolts, comets: Janis Joplin, Billie Holiday. But being that woman who pushes the boundaries means you also bring in less desirable aspects of yourself. At the end of the day, women are expected to hold up the world, not annihilate it. That’s why Kathleen Hanna of Bikini Kill is so great. The term girl power was coined by the Riot Grrl movement that Kathleen spearheaded in the 1990s. Girl power: a phrase that would later be co-opted by the Spice Girls, a group put together by men, each Spice Girl branded with a different personality, polished and stylized to be made marketable as a faux female type. Coco was one of the few girls on the playground who had never heard of them, and that’s its own form of girl power, saying no to female marketing! ~ Kim Gordon, #NFDB
782:When I was a little older, about twelve, I went to work at a nearby house. It was owned by old Mrs. Cromby and oh, I was so homesick! I cried myself to sleep for a fortnight it seemed, until it was my day off and I could go home to see Mam."
He frowned at this, not liking to think of his infant housekeeper in tears. "Why did they send you then if you were so upset?"
She gave him a look. "Because I needed to learn a trade, naturally. And it was a good position. Mrs. Cromby was very strict but I learned so much from her and her housekeeper, Mrs. Little. How to keep records and how to make wood polish and brass polish and silver polish. When to turn linen and how to store cheese. What cuts of beef are the cheapest and how to bargain down the butcher. How to judge when a fish is fresh and when to buy shellfish and when not to. How to keep moths from woolen and mice from the pantry. How to get wine stains out of white linen and how to dye faded cloth black again. All that and so much more."
She drew breath and he looked at her, deeply appalled. "That all sounds frightfully boring."
"And yet without that knowledge you'd live in dirty, messy, vermin-infested chaos," she said sweetly.
"Mm. ~ Elizabeth Hoyt,#NFDB
783:In just a few decades, Minnesota has gone from being approximately 99 percent German, Dutch, Finnish, Danish, and Polish to 20 percent African immigrant,7 including at least one hundred thousand Somalis.8 And that’s not counting the Somalis who have recently left the country to fight with al Qaeda and ISIS. One hundred thousand is just an estimate. We don’t know precisely how many Somalis the federal government has brought in as “refugees” because the government won’t tell us. The public can’t be trusted with the truth. Since becoming more multicultural, Minnesota has turned into a hotbed of credit card skimming, human trafficking, and smash-and-grab robberies.9 Mosques have popped up all over the state—as have child prostitutes and machete attacks. Welfare consumption in Minnesota has more than doubled on account of the newcomers—only half of whom have jobs. Those Somalis who do have jobs earn an average of $21,000 a year, compared with $46,000 for the average Minnesotan. (Consider yourself lucky, Minnesota: In Sweden, only 20 percent of Somalis have jobs.) Eighty percent of Somalis in Minnesota live at or below the poverty line. Nearly 70 percent have not graduated from high school, compared with only 8.4 percent of non-Somali Minnesotans.10 ~ Ann Coulter, #NFDB
784:There just happen to be people like that. They’re blessed with this marvellous talent, but they want make the effort to systematise it. They end up squandering it in little bits and pieces. I’ve seen my share of people like that. At first you think they’re amazing. They can sight-read some terrifically difficult piece and do a damn good job playing it all the way through. You see them do it, and you’re overwhelmed. You think, ‘I could never do that in a million years’. But that’s as far as it goes. They can’t take it any further. And why not? Because they won’t put in the effort. They haven’t had the discipline pounded into them. They’ve been spoiled. They have just enough talent so they’ve been able to play things well without any effort and they’ve had people telling them how great they are from an early age, so hard work looks stupid to them. They’ll take some piece another kid has to work on for three weeks and polish it off in half the time, so the teacher assumes they’ve put enough into it and lets them go on to the next thing. And they do that in half the time and go on to the next piece. They never find out what it means to be hammered by the teacher; they lose out on a crucial element required for character building. It’s a tragedy ~ Haruki Murakami, #NFDB
785:From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. ~ Amor Towles, #NFDB
786:I make no apology for this digression, especially as this is an introduction which all young people and those who never like to think (and it is a bad habit) will naturally skip. It seems to me very desirable that we should sometimes try to understand the limitations of our nature, so that we may not be carried away by the pride of knowledge. Man's cleverness is almost indefinite, and stretches like an elastic band, but human nature is like an iron ring. You can go round and round it, you can polish it highly, you can even flatten it a little on one side, whereby you will make it bulge out the other, but you will never, while the world endures and man is man, increase its total circumference. It is the one fixed unchangeable thing -- fixed as the stars, more enduring than the mountains, as unalterable as the way of the Eternal. Human nature is God's kaleidoscope, and the little bits of coloured glass which represent our passions, hopes, fears, joys, aspirations towards good and evil and what not, are turned in His mighty hand as surely and as certainly as it turns the stars, and continually fall into new patterns and combinations. But the composing elements remain the same, nor will there be one more bit of coloured glass nor one less for ever and ever. ~ H Rider Haggard, #NFDB
787:On Fridays, my mother used to get her nails done and would come home complaining about the smell of the nail polish. On Saturdays, she used to go to the street market and would come home complaining about the smell of the fish. On Tuesdays, she used to go to the supermarket and would come home complaining about the price of things. Sometimes I would go with her to the manicurist and the manicurist would paint my nails pink. I didn’t complain about the smell of the nail polish. After my mother died, I wondered if all these places would save her a space for a while. The space that she would have occupied in the queue at the supermarket. The lettuce or the potatoes that she would have bought at the street market. The potential brushstrokes of nail polish in the bottle. I wondered if the space that a person occupies in the world survives the person themself. If the stage remains set for a while, the props ready, the cue repeated several times, waiting for the person to come on again. And if the connections are only undone slowly, the threads breaking, the lights switching off, the person dying slowly for the world after they have died for themself. If there are two deaths, one intimate and individual, the other public and collective, two deaths that happen at different paces. ~ Adriana Lisboa, #NFDB
788:From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. ~ Amor Towles, #NFDB
789:I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own?
I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268] ~ Amos Oz,#NFDB
790:FOR MONTHS FOLLOWING THE AMERICANS’ DEAL WITH DARLAN, European exiles gathered at the White Tower, York Minster, and other favored restaurants and pubs in London to smoke endless cigarettes and discuss the agreement’s implications. The Free French were the ones most directly affected, of course. But the other émigrés—Norwegians, Poles, Czechoslovaks, Belgians, and Dutch—were also worried about what the deal might mean for the future. The Nazis had invaded and occupied their countries, too. When the time came for those nations to be liberated, would the Americans cooperate with traitors like Darlan? Most of the Europeans meeting over wine-stained tablecloths that winter had escaped to London in the chaos-filled spring of 1940, when German troops conquered Norway and Denmark, then rolled through France and the Low Countries. Every other day, it seemed, George VI and Winston Churchill had been summoned to one of the city’s train stations to welcome yet another king, queen, president, or prime minister. As the only country in Europe still holding out against Hitler, Britain was, as Polish troops put it, the “Last Hope Island” for émigrés who wanted to continue the fight. And London, which housed de Gaulle’s movement and six governments-in-exile, had become the de facto capital of free Europe. The ~ Lynne Olson, #NFDB
791:This is my attempt to make sense of the period that followed, weeks and then months that cut loose any fixed idea I had ever had about death, about illness, about probability and luck, about good fortune and bad, about marriage and children and memory, about grief, about the ways in which people do and do not deal with the fact that life ends, about the shallowness of sanity, about life itself. I have been a writer my entire life. As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish. The way I write is who I am, or have become, yet this is a case in which I wish I had instead of words and their rhythms a cutting room, equipped with an Avid, a digital editing system on which I could touch a key and collapse the sequence of time, show you simultaneously all the frames of memory that come to me now, let you pick the takes, the marginally different expressions, the variant readings of the same lines. This is a case in which I need more than words to find the meaning. This is a case in which I need whatever it is I think or believe to be penetrable, if only for myself. ~ Joan Didion, #NFDB
792:Do you really think my feet smell?”
I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice.
“Take it upstairs,” she says, sitting down on the floor. “This is a public area.”
Disentangling myself, I give her a glare. “We aren’t doing anything private, Katherine.”
“Your sister says my feet stink,” Peter says, pointing his foot in her direction. “She’s lying, isn’t she?”
She deflects it with a pop of her elbow. “I’m not smelling your foot.” She shudders. “You guys are kinky.”
I yelp and throw a pillow at her.
She gasps. “You’re lucky you didn’t knock over my juice! Daddy will kill you if you mess up the rug again.” Pointedly she says, “Remember the nail-polish-remover incident?”
Peter ruffles my hair. “Clumsy Lara Jean.”
I shove him away from me. “I’m not clumsy. You’re the one who tripped over his own feet trying to get to the pizza the other night at Gabe’s.”
Kitty bursts into giggles and Peter throws a pillow at her. “You guys need to stop ganging up on me!” he yells. ~ Jenny Han,#NFDB
793:It didn’t matter how stupid I was--how dumb, or awkward, or sweaty. It became clearer to me than ever, sitting on that ornate concrete bench, that Marlboro Man loved me. Really, really loved me. He loved me with a kind of love different from any I’d felt before, a kind of love I never knew existed. Other boys--at least, the boys I’d always bothered with--would have been embarrassed that I’d disappeared into the bathroom for half the night. Others would have been grossed out by my tale of sweaty woe or made jokes at my expense. Others might have looked at me blankly, unsure of what to say. But not Marlboro Man; none of it fazed him one bit. He simply laughed, kissed me, and went on. And my heart welled up in my soul as I realized that without question, I’d found the one perfect person for me.
Because more often than not, I was a mess. Embarrassing, clumsy things happened to me with some degree of regularity; this hadn’t been the first time and it sure wouldn’t be the last. The truth was, despite my best efforts to appear normal and put together on the outside, I’d always felt more like one of the weird kids.
But at last, miraculously, I’d found the one man on earth who would actually love that about me. I’d found the one man on earth who would appreciate my spots of imperfection…and who wouldn’t try to polish them all away. ~ Ree Drummond,#NFDB
794:Spree
[For Yosl Bergner]
Tonight I see your blue protuberant eyes
Following your angry wife, who sweeps away,
With their perpetual look of mild surprise.
‘Nu, have another drink for luck,' you say
I settle back to let your swift talk flow
Freer with drink through the small hours till day
Reddens the bottles in your studio,
While, still unchecked, a rapid spate of words
Explains some brush-technique I did not know.
A Polish boy, you took cadaverous birds,
Perched in a burnt-out Europe, for your text,
Then came here, but kept sympathy towards
Creatures with wings, for you chose angels next,
Though different from those flaming ones that flew
Into the Bible: yours are too perplexed
Even to fly, waifs without work to do.
Yudl reproved you once, in the Cassit:
‘Your angels are not Israelis, Jew.'
No: but they are the images we meet
In every mirror: so I understand
Those helpless angels waiting in the street
For somebody to take them by the hand.
Still, hangovers won't await, so now we walk
Past herons down the beach towards liquor land.
There's not much left to talk of: but you talk,
Waving both arms, eccentric, Yiddish, free,
In your new home where tall winged creatures stalk
Between the ancient mountains and the sea.
~ Dom Moraes,#NFDB
795:He was fully anticipating her lips being bright red to go with her toenail polish. Damn, he loved red lipstick.
But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.”
Owen’s gaze bypassed her mouth to fly to her eyes.
Because he’d know that voice anywhere.
Madison Allain was home.
A day early.
Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer had told him that she was coming home. For a month.
Owen stood just watching her, fighting back all of the first words that he was tempted to say.
Like, “Damn, you’re even more gorgeous than the last time I saw you.”
Or, “I haven’t put anyone in the hospital lately.”
Or, “I’ve missed you so damned much.”
Just for instance.
He wiped his hands on his jeans. Okay, he was supposed to be nice to her. That meant treating her like she was one of the tourists who frequented this dock. Polite. Friendly,
But not I’ve-known-you-my-whole-life-and-kissed-you-a-whole-bunch friendly. Just mildly hey-how’s-it-goin’ friendly.
Nice. Polite. A little friendly—but not too much. He could do that. Though it probably meant not saying things like, “I still remember how your nipples taste. ~ Erin Nicholas,#NFDB
796:In his lifetime, Stalin will murder millions of people. Some will be shot, others will be denied food and ultimately die of starvation, millions will be sent to die in the deep winter snows of Siberia, and many will be tortured to death. Already, during one infamous murder spree in April and May of 1940, some twenty-two thousand Polish nationals were shot dead. What began as an attempt to execute every member of the Polish officer corps soon expanded to include police officers, landowners, intelligence agents, lawyers, and priests. The shootings were conducted for nights on end, often beginning at dusk and continuing until dawn. Some were mass killings carried out in the Katyn Forest, while others were individual executions inside the Kalinin and Kharkiv prisons. Mikhailovich Blokhin, chief executioner at Kalinin, personally shot seven thousand men in the back of the head as they knelt before him. Those killings took place inside a cell whose walls were lined with sandbags to deaden the sound. As soon as a victim fell dead, he was dragged from the room and thrown onto a truck for delivery to the burial site, while another handcuffed prisoner was marched before Blokhin and told to kneel. Noting that Russian pistols had so much recoil that his hand hurt after just a dozen killings, Blokhin opted for the smoother feel of the German Walther PPK. ~ Bill O Reilly, #NFDB
797:Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. ~ Amor Towles, #NFDB
798:Slavery is so vile and miserable an Estate of Man, and so directly opposite to the generous Temper and Courage of our Nation; that 'tis hardly to be conceived, that an Englishman, much less a Gentleman, should plead for't.. And truly, I should have taken Sr. Rt: Filmer's "Patriarcha" as any other Treatise, which would perswade all Men, that they are Slaves, and ought to be so, for such another exercise of Wit, as was his who writ the Encomium (Praise) of Nero, rather than for a serious Discourse meant in earnest, had not the Gravity of the Title and Epistle, the Picture in the Front of the Book, and the Applause that followed it, required me to believe, that the Author and Publisher were both in earnest. I therefore took it into my hands with all the expectation and read it through with all the attention due to a Treaties, that made such a noise at its coming abroad and cannot but confess my self mightily surprised, that in a Book which was to provide Chains for all Mankind, I should find nothing but a Rope of Sand, useful perhaps to such, whose Skill and Business it is to raise a Dust, and would blind the People, the better to mislead them, but in truth is not of any force to draw those into Bondage, who have their Eyes open, and so much Sense about them as to consider, that Chains are but an Ill wearing, how much Care soever hath been taken to file and polish them. ~ John Locke, #NFDB
799:If you remove the negative people from your life, God will bring positive people into it. Is your inner circle of friends holding you back? Are those closest to you with you but not for you? If you find that it takes constant effort to win their support and encouragement, they likely don’t understand your destiny.
The Scripture says, “Do not throw your pearls before swine” (Matthew 7:6 NASB). You could say your pearl is your gift, your personality. It’s who you are. When you get around true friends, people who really believe in you, they won’t be jealous of your gifts. They won’t constantly question who you are. They won’t try to talk you out of your dreams. It will be just the opposite. They’ll help you polish your pearl. They’ll give you ideas. They’ll connect you with people they know. They’ll help push you further along.
Do not waste time with people who don’t value your gifts or appreciate what you have to offer. That’s casting your pearl before swine. Those closest to you should celebrate who you are and be happy when you succeed. They should believe the very best of you.
If that doesn’t describe those in your inner circle, move them out. You can be nice. You can still be friends from a distance. But your time is too valuable to spend with people who are not 100 percent for you. It’s not the quantity of friends that’s important; it’s the quality of friends. ~ Joel Osteen,#NFDB
800:A famous American Freudian, commenting on a paper I had read, reported that he just had returned from Moscow. There, he said, he had found a lower frequency of neurosis as compared with the United States. He added that this might be traced to the fact that in Communist countries, as he felt, people are more often confronted with a task to complete. 'This speaks in favor of your theory,' he concluded, 'that meaning direction and task orientation are important in terms of mental health.' A year later, some Polish psychiatrists asked me to give a paper on logotherapy, and when I did so I quoted the American psychoanalyst. 'You are less neurotic than the Americans because you have more tasks to complete,' I told them. And they smugly smiled. 'But do not forget,' I added, 'that the Americans have retained their freedom also to choose their tasks, a freedom which sometimes seems to me to be denied to you.' They stopped smiling. How fine it would be to synthesize East and West, to blend tasks with freedom. Freedom then could fully develop. It really is a negative concept which requires a positive complement. And the positive complement is responsibleness. [...] Freedom threatens to degenerate into mere arbitrariness unless it is lived in terms of responsibleness. I like to say that the Statue of Liberty on the East Coast should be supplemented by a Statue of Responsibility on the West Coast. ~ Viktor E Frankl, #NFDB
801:You didn’t even look at me,” I protest. He sits up on his knees and lifts my leg up by his shoulder. He’s not looking at my body. “You have pink toenail polish, and you have a bit of stubble on your legs.” He grins. “You can use my razor if you want.” His hand slides up my calf, toward my knee, leaving a wake of goose bumps behind. “Your thighs are firm, and you have a generous flare to your hips.” His hand slips to the front of my panties, where he drags his thumb back and forth for a moment. “You have this tiny dusting of hair, here.” His thumb presses against my cleft, and I arch my back to press harder against him. He chuckles. His hands drift up my sides, lifting the shirt. He tugs it up, until it rests just beneath my breasts. He presses a kiss to my belly. My nipples are hard and standing tall. He licks his lips. “Your nipples are pink and puffy and perfect. And your breasts will fit in my hands.” He throws the shirt back down, groaning as he lies back down on top of me, rocking his length against me again. “I saw everything,” he says. “I was just trying to be a gentleman.” He laughs. “You thought I didn’t look.” He kisses the tip of my nose. “Silly woman,” he scolds. “You looked.” That’s all I can say. And it comes out as a croak. Thank God he can’t hear the quiver in my voice. “I looked,” he admits. “You were naked. And so fucking beautiful that I could barely breathe. Of course, I looked. ~ Tammy Falkner, #NFDB
802:He was trying to sleep. Could one fall asleep here? Wasn’t it dangerous to lower one’s guard, even for a moment, when death could strike at any time? Those were my thoughts when I heard the sound of a violin. A violin in a dark barrack where the dead were piled on top of the living? Who was this madman who played the violin here, at the edge of his own grave? Or was it a hallucination? It had to be Juliek. He was playing a fragment of a Beethoven concerto. Never before had I heard such a beautiful sound. In such silence. How had he succeeded in disengaging himself? To slip out from under my body without my feeling it? The darkness enveloped us. All I could hear was the violin, and it was as if Juliek’s soul had become his bow. He was playing his life. His whole being was gliding over the strings. His unfulfilled hopes. His charred past, his extinguished future. He played that which he would never play again. I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. I don’t know how long he played. I was overcome by sleep. When I awoke at daybreak, I saw Juliek facing me, hunched over, dead. Next to him lay his violin, trampled, an eerily poignant little corpse. ~ Elie Wiesel, #NFDB
803:what I defend above all is the possibility and the necessity of the critical intellectual, who is firstly critical of the intellectual doxa secreted by the doxosophers. there is no genuine democracy without genuine opposing critical powers. the intellectual is one of those, of the first magnitude. that is why I think that the work of demolishing the critical intellectual, living or dead - marx, nietzsche, sartre, foucault, and some others who are grouped together under the label pansee 68- is as dangerous as the demolition of the public interest and that it is part of the same process of restoration.
of course I would prefer it if intellectuals had all, and always, lived up to the immense historical responsibility they bear and if they had always invested in their actions not only their moral authority but also their intellectual competence- like, to cite just one example, pierre vidal-naquet, who has engaged all his mastery of historical method in a critique of the abuses of history. having said that, in the words of karl kraus, 'between two evils, I refuse to choose the lesser.' whole I have little indulgence for 'irresponsible' intellectuals, I have even less respect for the 'intellectuals' of the political-administrative establishment, polymorphous polygraphs who polish their annual essays between two meetings of boards of directors, three publishers' parties and miscellaneous television appearances. ~ Pierre Bourdieu,#NFDB
804:I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all. ~ Madisen Kuhn, #NFDB
805:These tarnished rays, this night-smudged light —
This is not that Dawn for which, ravished with freedom,
we had set out in sheer longing,
so sure that somewhere in its desert the sky harbored
a final haven for the stars, and we would find it.
We had no doubt that night’s vagrant wave would stray
towards the shore,
that the heart rocked with sorrow would at last reach its port.
Friends, our blood shaped its own mysterious roads.
When hands tugged at our sleeves, enticing us to stay,
and from wondrous chambers Sirens cried out
with their beguiling arms, with their bare bodies,
our eyes remained fixed on that beckoning Dawn,
forever vivid in her muslins of transparent light.
Our blood was young — what could hold us back?
Now listen to the terrible rampant lie:
Light has forever been severed from the Dark;
our feet, it is heard, are now one with their goal.
See our leaders polish their manner clean of our suffering:
Indeed, we must confess only to bliss;
we must surrender any utterance for the Beloved — all yearning
is outlawed.
But the heart, the eye, the yet deeper heart —
Still ablaze for the Beloved, their turmoil shines.
In the lantern by the road the flame is stalled for news:
Did the morning breeze ever come? Where has it gone?
Night weighs us down, it still weighs us down.
Friends, come away from this false light. Come, we must
search for that promised Dawn. ~ Faiz Ahmad Faiz,#NFDB
806:La Vie De Boheme
Alone, I whet my soul against the keen
Unwrinkled sky, with its long stretching blue.
I polish it with sunlight and pale dew,
And damascene it with young blowing leaves.
Into the handle of my life I set
Sprigs of mignonette
And periwinkle,
Twisted into sheaves.
The colors laugh and twinkle.
Twined bands of roadways, liquid in the sheen
Of street lamps and the ruby shine of cabs,
Glisten for my delight all down its length;
And there are sudden sparks
Of morning ripplings over tree-fluttered pools.
My soul is fretted full of gleams and darks,
Pulsing and still.
Smooth-edged, untarnished, girded in my soul
I walk the world.
But in its narrow alleys,
The low-hung dust-thick valleys
Where the mob shuffles its empty tread,
My soul is blunted against dullard wits,
Smeared with sick juices,
Nicked impotent for other than low uses.
Its arabesques and sparkling subtleties
Crusted to grey, and all its changing surfaces
Spread with unpalpitant monotonies.
I re-create myself upon the polished sky:
A honing-strop above converging roofs.
The patterns show again, like buried proofs
Of old, lost empires bursting on the eye
In hieroglyphed and graven splendor.
The whirling winds brush past my head,
And prodigal once more, a reckless spender
Of disregarded beauty, a defender
Of undesired faiths,
walk the world.
110
~ Amy Lowell,#NFDB
807:Liverpool Poems
GO TO WORK ON A BRAQUE!
Youths disguised as stockbrokers
Sitting on the grass eating the Sacred Mushroom.
Liverpool I love your hornyhanded tons of soil.
PRAYER FROM A PAINTER TO ALL CAPITALISTS:
Open your wallets and repeat after me
`HELP YOURSELF!'
There's one way of being sure of keeping fresh
LIFEBUOY helps you rise again on the 3rd day
after smelling something that smelt like other peoples' socks.
Note for a definition of optimism:
A man trying the door of Yates Wine Lodge
At quarter past four in the afternoon.
I have seen Pare UBU walking across Lime St
And Alfred Jarry cycling down Elliott Street.
And I Saw DEATH in Upper Duke St
19
Cloak flapping black tall Batman collar
Striding tall shoulders down the hill past the Cathedral brown shoes slightly down
at the heel
Unfrocked Chinese mandarins holding lonely feasts in
Falkner Sq gardens to enjoy the snow.
10
Prostitutes in the snow in Canning St like strange erotic
snowmen
And Marcel Proust in the Kardomah eating Madeleine
butties dipped in tea.
II
Wyatt James Virgil and Morgan Earp with Doc Holliday
Shooting it out with the Liver Birds at the Pier Head.
12
And a Polish gunman young beautiful dark glasses
combatjacket/staggers down Little St Bride St blood
dripping moaning clutches/collapses down a back jigger
coughing/falls in a wilderness of Dazwhite washing
~ Adrian Henri,#NFDB
808:It has often been suggested to me that the Constitution of the United States is a sufficient safeguard for the freedom of its citizens. It is obvious that even the freedom it pretends to guarantee is very limited. I have not been impressed with the adequacy of the safeguard. The nations of the world, with centuries of international law behind them, have never hesitated to engage in mass destruction when solemnly pledged to keep the peace; and the legal documents in America have not prevented the United States from doing the same. Those in authority have and always will abuse their power. And the instances when they do not do so are as rare as roses growing on icebergs. Far from the Constitution playing any liberating part in the lives of the American people, it has robbed them of the capacity to rely on their own resources or do their own thinking. Americans are so easily hoodwinked by the sanctity of law and authority. In fact, the pattern of life has become standardized, routinized, and mechanized like canned food and Sunday sermons. The hundred-percenter easily swallows syndicated information and factory-made ideas and beliefs. He thrives on the wisdom given him over the radio and cheap magazines by corporations whose philanthropic aim is selling America out. He accepts the standards of conduct and art in the same breath with the advertising of chewing gum, toothpaste, and shoe polish. Even songs are turned out like buttons or automobile tires--all cast from the same mold. ~ Emma Goldman, #NFDB
809:Characters
OH! born to sooth distress, and lighten care;
Lively as soft, and innocent as fair;
Blest with that sweet simplicity of thought
So rarely found, and never to be taught;
Of winning speech, endearing, artless, kind,
The loveliest pattern of a female mind;
Like some fair spirit from the realms of rest
With all her native heaven within her breast;
So pure, so good, she scarce can guess at sin,
But thinks the world without like that within;
Such melting tenderness, so fond to bless,
Her charity almost becomes excess.
Wealth may be courted, wisdom be rever'd,
And beauty prais'd, and brutal strength be fear'd;
But goodness only can affection move;
And love must owe its origin to love.
OF gentle manners, and of taste refin'd,
With all the graces of a polish'd mind;
Clear sense and truth still shone in all she spoke,
And from her lips no idle sentence broke.
Each nicer elegance of art she knew;
Correctly fair, and regularly true :
Her ready fingers plied with equal skill
The pencil's task, the needle, or the quill.
So pois'd her feelings, so compos'd her soul,
So subject all to reason's calm controul,
One only passion, strong, and unconfin'd,
Disturb'd the balance of her even mind:
One passion rul'd despotic in her breast,
In every word, and look, and thought confest;
But that was love, and love delights to bless
The generous transports of a fond excess.
34
~ Anna Laetitia Barbauld,#NFDB
810:I'm so excited to meet you, Emma," she says. "Now I know why Galen won't shut up about you." Her smile seems to contradict the decades' worth of frown lines rippling from her mouth. In fact, it's so genuine and warm that I almost believe she is excited to meet me. But isn't that what all moms say when introduced to their son's girlfriend? You're not his girlfriend, stupid. Or does she think we're dating, too?
"Thanks, I think," I smile generically. "I'm sure he's told you a million times how clumsy I am." Because how else am I supposed to take that?
"A million and one, actually. Wish you'd do something different for a change," Rayna drawls without looking up.
Rayna has outstayed her welcome on my nerves. "I could teach you how to color in the lines," I shoot back. The look she gives me could sour milk.
Toraf puts his hands on her shoulders and kisses the top of her head. "I think you're doing a great job, my princess."
She wiggles out of his grasp and shoves the polish brush back into its bottle. "If you're so good at it, why don't you paint your toes? They probably stay injured all the time from you running into stuff. Am I right?"
Yeah? And? I'm about to set her straight on a few things-like how wearing a skirt and sitting Indian-style ruins the effect of pretty toes anyway-when Galen's mom puts a gentle hand on my arm and clears her throat. "Emma, I'm so glad you're feeling better," she says. "I bet dinner would just about complete your recovery, don't you? ~ Anna Banks,#NFDB
811:Until that moment, I’d thought you were lost. I realized my Ash was somewhere under all the polish and politeness. After that day, I started watching you and enjoying the moments when I got a glimpse of the real you slipping out while no one else was paying attention. It’s why I said the things to you that I did. I wanted you to react to me. I wanted you to smart off at me. Those moments when you couldn’t take it anymore and snapped…I lived for those moments.”
“You were mean to me because you wanted me to smart off to you?” I asked.
He nodded, then bent down to kiss the tip of my nose.
“You really like my ugly side, don’t you, Beau?”
“Nothing about you is ugly. You’re just as beautiful inside as you are out, but you don’t see it. That’s what kills me. Sawyer’s my cousin and I’d do anything for him. But he’s insane for keeping you up on some damn pedestal. I want the real you. The one that likes shimmying out of a pair of shorts knowing you’re driving me wild. The one who runs through the woods to my truck smiling like nothing else matters.” He cupped my face with his hand. “The real Ashton Gray is perfect, and I’m crazy in love with her.” My gut clenched. I had feelings for Beau. We shared a history together and now we had this summer, but love wasn’t supposed to factor into the equation. There was Sawyer standing between us.
Beau’s lips found mine and everything else fell away. I didn’t care about all the worries and arguments in the back of my head. I just wanted to be me. In his arms I knew I could be. ~ Abbi Glines,#NFDB
812:The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench.
In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand.
All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue.
I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago. ~ Kurt Vonnegut,#NFDB
813:Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. And so, slipping his sister’s scissors into his pocket, the Count looked once more at what heirlooms remained and then expunged them from his heartache forever. ~ Amor Towles, #NFDB
814:I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem. ~ Steph Bowe, #NFDB
815:There are many stories of people who were actually able to see the awakened state by breaking into laughter—seeing the contrast, the irony of polar situations. For instance there was the hermit whose devotee lived several miles away in a village. This devotee supported the hermit, supplying him with food and the other necessities of life. Most of the time the devotee sent his wife or daughter or son to bring the hermit his supplies; but one day the hermit heard that the donor himself was coming to see him. The hermit thought, “I must impress him, I must clean and polish the shrine objects and make the shrine very neat and my room extremely tidy.” So he cleaned and rearranged everything until his shrine looked very impressive with bowls of water and butter lamps burning brightly. And when he had finished, he sat down and began to admire the room and look around. Everything looked very neat, somehow unreal, and he saw that his shrine appeared unreal as well. Suddenly, to his surprise he realized that he was being a hypocrite. Then he went into the kitchen and got handfuls of ashes and threw them at the shrine until his room was a complete mess. When his patron came, he was extremely impressed by the natural quality of the room, by its not being tidy. The hermit could not hold himself together. He burst into laughter and said, “I tried to tidy myself and my room, but then I thought perhaps I should show it to you this way.” And so they both, patron and hermit, burst into laugher. That was a great moment of awakening for both of them. ~ Ch gyam Trungpa, #NFDB
816:I just…I didn’t like the idea of him being over there with you.”
Her legs felt weak. How could he do that with just a single kiss? He let her go but she wished he hadn’t. “I had no idea Jeremy was going to show up on my doorstep. If I’d had the slightest idea of his intentions, I would have tried to head him off.”
“What exactly were his intentions?”
She kept her eyes on his face. “Jeremy came here to ask me to marry him.”
His jaw went hard. Call walked over to the window, stared off toward the cabin. “Yeah, well, he looks like a pretty good catch. Expensive shoes. Wall Street haircut. Oozing with slick New York polish. What’d you say?”
“What do you think I said? I said no, dammit. I’m not interested in finding a ‘good catch.’ I wouldn’t marry a man unless I loved him. I don’t love Jeremy Hauser.”
Call said nothing. He gazed out the window, then slowly turned to face her. “Look, Charity. Even if you aren’t interested in Hauser, maybe it’s just as well this happened. After you left, I started doing some thinking. We were getting pretty involved. You know how I feel about that.”
“Pretty involved? We spent the weekend together, Call. We slept together. We enjoyed ourselves. It wasn’t any big deal.” If he could dish it out, so could she. And she could tell by the scowl on his face that she had hit a nerve.
“No big deal?” His expression was dark as he strode toward her, hauled her back into his arms. “We screwed like minks for hours and you call it no big deal?” She gasped as his mouth crushed down over hers. ~ Kat Martin,#NFDB
817:Again and again, the question was asked: What made the Poles so good? The answer wasn’t simple. Generally older than their British counterparts, most Polish pilots had hundreds of hours of flying time in a variety of aircraft, as well as combat experience in both Poland and France. Unlike British fliers, they had learned to fly in primitive, outdated planes and thus had not been trained to rely on a sophisticated radio and radar network. As a result, said one British flight instructor, “their understanding and handling of aircraft was exceptional.” Although they appreciated the value of tools such as radio and radar, the Poles never stopped using their eyes to locate the Luftwaffe. “Whereas British pilots are trained…to go exactly where they are told, Polish pilots are always turning and twisting their heads to spot a distant enemy,” an RAF flier noted. The Poles’ intensity of concentration was equaled only by their daring. British pilots were taught to fly and fight with caution. The Poles, by contrast, had been trained to be aggressive, to crowd and intimidate the enemy, to make him flinch and then bring him down. After firing a brief opening burst at a range of 150 to 200 yards, the Poles would close almost to point-blank range. “When they go tearing into enemy bombers and fighters they get so close you would think they were going to collide,” observed one RAF flier. On several occasions, crew members of Luftwaffe bombers, seeing that 303’s Hurricanes were about to attack, baled out before their planes were hit. On September 15, the Poles of ~ Lynne Olson, #NFDB
818:To Edward Jenkinson, Esq
Fair Youth! who wish the Wars may cease,
We own you better form'd for Peace.
Nor Pallas you, nor Mars shou'd follow;
Your Gods are Cupid and Apollo;
Who give sweet Looks, and early Rhimes,
Bespeaking Joys, and Halcyon Times.
Your Face, which We, as yet, may praise,
Calls for the Myrtle, and the Bays.
The Martial Crowns Fatigues demand,
And laurell'd Heroes must be tann'd;
A Fate, we never can allow
Shou'd reach your pleasing, polish'd Brow.
But granting what so young you've writ,
From Nature flow'd, as well as Wit;
And that indeed you Peace pursue,
We must begin to Treat with you.
We Females, Sir, it is I mean:
Whilst I, like BRISTOL for the QUEEN,
For all the Ladies of your Age
As Plenipo' betimes engage;
And as first Article declare,
You shall be Faithful as you're Fair:
No Sighs, when you shall know their Use,
Shall be discharg'd in Love's Abuse;
Nor kindling Words shall undermine,
Till you in equal Passion join.
Nor Money be alone your Aim,
Tho' you an Over-weight may claim,
And fairly build on your Desert,
If with your Person goes your Heart.
But when this Barrier I have gain'd,
And trust it will be well maintain'd;
Who knows, but some imprudent She
Betraying what's secur'd by me,
Shall yield thro' Verse, or stronger Charms,
To Treat anew on easier Terms?
196
And I be negligently told–
You was too Young, and I too Old,
To have our distant Maxims hold.
~ Anne Kingsmill Finch,#NFDB
819:From The Roof
This wild night, gathering the washing as if it were flowers
animal
vines twisting over the line and
slapping
my face lightly, soundless merriment
in the
gesticulations of shirtsleeves,
I recall out of my joy a night of misery
walking in the dark and the wind over broken earth,
halfmade
foundations and unfinished
drainage
trenches and the spaced-out
&n
bsp;circles of glaring
light
marking
streets that were to be
walking with you but so far from you,
and now alone in October's
first decision towards winter, so close to you-my arms
full of playful rebellious linen, a freighter
going
down-river two blocks away, outward bound,
the green
wolf-eyes of the Harborside Terminal
&n
bsp;glittering on the
Jersey shore,
and a train somewhere under ground bringing you towards me
to our new living-place from which we can see
a river and its traffic (the Hudson and the
hidden river, who can say which it is we see, we see
something of both. Or who can say
the crippled broom-vendor yesterday, who passed
29
just as we needed a new broom, was not
one of the Hidden Ones?)
Crates of
fruit are unloading
across the
street on the cobbles,
and a
brazier flaring
to warm
the men and burn trash. He wished us
luck when we bought the broom. But not luck
brought us here. By design
clean air and cold wind polish
the river lights, by design
we are to live now in a new place.
~ Denise Levertov,#NFDB
820:Gina hoisted herself up onto her elbows and gaped at Spike. "So that's the famous Spike I've been hearing so much about from your brothers? Damn, he is ugly."
Jesse, who'd stayed where he was, looked defensive. Spike was his baby, and you just don't go around calling Jesse's baby ugly.
"He's not so bad," I said, hoping Gina would get the message and shut up.
"Are you on crack?" Gina wanted to know. "Simon, the thing's only got one ear."
Suddenly, the large, gilt-framed mirror above the dressing table started to shake. It had a tendency to do this whenever Jesse got annoyed - really annoyed.
Gina, not knowing this, stared at the mirror with growing excitement. "Hey!" she cried. "All right! Another one!"
She meant an earthquake, of course, but this, like the one before, was no earthquake. It was just Jesse letting off steam.
Then the next thing I knew, a bottle of finger-nail polish Gina had left on the dressing table went flying and, defying all gravitational law, landed upside down in the suitcase she had placed on the floor at the end of the daybed, around seven or eight feet away.
I probably don't need to add that the bottle of polish - it was emerald green - was uncapped. And that it ended up on top of the clothes Gina hadn't unpacked yet.
Gina let out a terrified shriek, threw back the comforter, and dove to the floor, trying to salvage what she could. I, meanwhile, threw Jesse a very dirty look.
But all he said was, "Don't look at me like that, Susannah. You heard what she said about him." He sounded wounded. "She called him ugly. ~ Meg Cabot,#NFDB
821:Standing in the courtyard with a glass eye; only half the world is intelligible. The stones are wet and mossy and in the crevices are black toads. A big door bars the entrance to the cellar; the steps are slippery and soiled with bat dung. The door bulges and sags, the hinges are falling off, but there is an enameled sign on it, in perfect condition, which says: “Be sure to close the door.” Why close the door? I can’t make it out. I look again at the sign but it is removed; in it’s place there is a pane of colored glass. I take out my artificial eye, spit on it and polish it with my handkerchief. A woman is sitting on a dais above an immense carven desk; she has a snake around her neck. The entire room is lined with books and strange fish swimming in colored globes; there are maps and charts on the wall, maps of Paris before the plague, maps of the antique world, of Knossos and Carthage, of Carthage before and after the salting. In the corner of the room I see an iron bedstead and on it a corpse is lying; the woman gets up wearily, removes the corpse from the bed and absent mindedly throws it out the window. She returns to the huge carven desk, takes a goldfish from the bowl and swallows it. Slowly the room begins to revolve and one by one the continents slide into the sea; only the woman is left, but her body is a mass of geography. I lean out the window and the Eiffle Tower is fizzing champagne; it is built entirely of numbers and shrouded in black lace. The sewers are gurgling furiously. There are nothing but roofs everywhere, laid out with execrable geometric cunning. ~ Henry Miller, #NFDB
822:Kathleen.” He made no attempt to hide the lust in his gaze. “If you hold still, I’ll help you with your skirt. But if you run from me, you’re going to be caught.” He took an unsteady breath before adding softly, “And I’ll make you come for me again.”
Her eyes turned huge.
He took a deliberate step forward. She bolted across the nearest threshold and fled to the carriage room. Devon was at her heels instantly, following her past the workshop with its long carpenter’s benches and tool cupboards. The carriage room smelled pleasantly of sawdust, axle grease, lacquer varnish, and leather polish. It was quiet and shadowy, illuminated only by a row of skylights over massive hinge-strapped doors that could be opened onto the estate’s carriage drive.
Kathleen darted through rows of vehicles used for different purposes; carts, wagons, a light brougham, a landau with a folding top, a phaeton, a hooded barouche for summer. Devon circled around and intercepted her beside the family coach, a huge, stately carriage that could only be pulled by six horses. It had been designed as a symbol of power and prestige, with the Ravenel family crest--a trio of black ravens on a white and gold shield--painted on the sides.
Halting abruptly, Kathleen stared at him through the semidarkness.
Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage.
“My riding skirt,” she exclaimed in dismay. “You’ll ruin it.”
Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly. ~ Lisa Kleypas,#NFDB
823:Now we will live!” This is what the hungry little boy liked to say, as he toddled along the quiet roadside, or through the empty fields. But the food that he saw was only in his imagination. The wheat had all been taken away, in a heartless campaign of requisitions that began Europe’s era of mass killing. It was 1933, and Joseph Stalin was deliberately starving Soviet Ukraine. The little boy died, as did more than three million other people. “I will meet her,” said a young Soviet man of his wife, “under the ground.” He was right; he was shot after she was, and they were buried among the seven hundred thousand victims of Stalin’s Great Terror of 1937 and 1938. “They asked for my wedding ring, which I….” The Polish officer broke off his diary just before he was executed by the Soviet secret police in 1940. He was one of about two hundred thousand Polish citizens shot by the Soviets or the Germans at the beginning of the Second World War, while Nazi Germany and the Soviet Union jointly occupied his country. Late in 1941, an eleven-year-old Russian girl in Leningrad finished her own humble diary: “Only Tania is left.” Adolf Hitler had betrayed Stalin, her city was under siege by the Germans, and her family were among the four million Soviet citizens the Germans starved to death. The following summer, a twelve-year-old Jewish girl in Belarus wrote a last letter to her father: “I am saying good-bye to you before I die. I am so afraid of this death because they throw small children into the mass graves alive.” She was among the more than five million Jews gassed or shot by the Germans. ~ Timothy Snyder, #NFDB
824:I know I have a pretty good sense for music, but she was better than me. I used to think it was such a waste! I thought, ‘If only she had started out with a good teacher and gotten the proper training, she’d be so much further along!’ But I was wrong about that. She was not the kind of child who could stand proper training. There just happen to be people like that. They’re blessed with this marvelous talent, but they can’t make the effort to systematize it. They end up squandering it in little bits and pieces. I’ve seen my share of people like that. At first you think they’re amazing. Like, they can sight-read some terrifically difficult piece and do a damn good job playing it all the way through. You see them do it, and you’re overwhelmed. you think, ‘I could never do that in a million years.’ But that’s as far as they go. They can’t take it any further. And why not? Because they won’t put in the effort. Because they haven’t had the discipline pounded into them. They’ve been spoiled. They have just enough talent so they’ve been able to play things well without any effort and they’ve had people telling them how great they are from the time they’re little, so hard work looks stupid to them. They’ll take some piece another kid has to work on for three weeks and polish it off in half the time, so the teacher figures they’ve put enough into it and lets them go to the next thing. And they do that in half the time and go on to the next piece. They never find out what it means to be hammered by the teacher; they lose out on a certain element required or character building. It’s a tragedy. ~ Haruki Murakami, #NFDB
825:Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall. ~ Sarah Rayner, #NFDB
826:It is one of the eternal stories that are told about soccer: when Brazil gets knocked out of a World Cup, Brazilians jump off apartment blocks. It can happen even when Brazil wins. One writer at the World Cup in Sweden in 1958 claims to have seen a Brazilian fan kill himself out of “sheer joy” after his team’s victory in the final. Janet Lever tells that story in Soccer Madness, her eye-opening study of Brazilian soccer culture published way back in 1983, when nobody (and certainly not female American social scientists) wrote books about soccer. Lever continues: Of course, Brazilians are not the only fans to kill themselves for their teams. In the 1966 World Cup a West German fatally shot himself when his television set broke down during the final game between his country and England. Nor have Americans escaped some bizarre ends. An often cited case is the Denver man who wrote a suicide note—”I have been a Broncos fan since the Broncos were first organized and I can’t stand their fumbling anymore”—and then shot himself. Even worse was the suicide of Amelia Bolaños. In June 1969 she was an eighteen-year-old El Salvadorean watching the Honduras–El Salvador game at home on TV. When Honduras scored the winner in the last minute, wrote the great Polish reporter Ryszard Kapuscinski, Bolaños “got up and ran to the desk which contained her father’s pistol in a drawer. She then shot herself in the heart.” Her funeral was televised. El Salvador’s president and ministers, and the country’s soccer team walked behind the flag-draped coffin. Within a month, Bolaños’s death would help prompt the “Soccer War” between El Salvador and Honduras. ~ Simon Kuper, #NFDB
827:Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin.
“I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.”
Keegan sighed, raspy and long. “Okay.”
“Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.”
Another sigh followed, and then a nod of consent.
“My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.”
“Er, okay.”
“My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?”
He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach.
“I’m going too far, huh?”
His smile was crooked. “Just a smidge. ~ Dakota Cassidy,#NFDB
828:Fire
i
The morning you were made to leave
she sat on the front steps,
dress tucked between her thighs,
a packet of Marlboro Lights
near her bare feet, painting her nails
until the polish curdled.
Her mother phoned–
What do you mean he hit you?
Your father hit me all the time
but I never left him.
He pays the bills
and he comes home at night,
what more do you want?
Later that night she picked the polish off
with her front teeth until the bed you shared
for seven years seemed speckled with glitter
and blood.
ii
On the drive to the hotel, you remember
“the funeral you went to as a little boy,
double burial for a couple who
burned to death in their bedroom.
The wife had been visited
by her husband’s lover,
a young and beautiful woman who paraded
her naked body in the couple’s kitchen,
lifting her dress to expose breasts
mottled with small fleshy marks,
a back sucked and bruised, then dressed herself
and walked out of the front door.
The wife, waiting for her husband to come home,
doused herself in lighter fluid. On his arrival
she jumped on him, wrapping her legs around
his torso. The husband, surprised at her sudden urge,
carried his wife to the bedroom, where
she straddled him on their bed, held his face
against her chest and lit a match.
iii
A young man greets you in the elevator.
He smiles like he has pennies hidden in his cheeks.
You’re looking at his shoes when he says
the rooms in this hotel are sweltering.
Last night in bed I swear I thought
my body was on fire. ~ Warsan Shire,#NFDB
829:Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him.
That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company.
He took his time turning and once he did, he started at the shoes.
They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin.
He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts.
He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color.
But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.”
Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere.
Madison Allain was home.
A day early.
Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month.
Owen stood just watching her, fighting back all of the first words that he was tempted to say.
Like, “Damn, you’re even more gorgeous than the last time I saw you.”
Or, “I haven’t put anyone in the hospital lately.”
Or, “I’ve missed you so fucking much.”
Just for instance. ~ Erin Nicholas,#NFDB
830:The Mower Against Gardens
Luxurious Man, to bring his Vice in use,
Did after him the World seduce:
And from the Fields the Flow'rs and Plants allure,
Where Nature was most plain and pure.
He first enclos'd within the Gardens square
A dead and standing pool of Air:
And a more luscious Earth for them did knead,
Which stupifi'd them while it fed.
The Pink grew then as double as his Mind;
The nutriment did change the kind.
With strange perfumes he did the Roses taint.
And Flow'rs themselves were taught to paint.
The Tulip, white, did for complexion seek;
And learn'd to interline its cheek:
Its Onion root they then so high did hold,
That one was for a Meadow sold.
Another World was search'd, through Oceans new,
To find the Marvel Of Peru.
And yet these Rarities might be allow'd,
To Man, that Sov'raign thing and proud;
Had he not dealt between the Bark and Tree,
Forbidden mixtures there to see.
No Plant now knew the Stock from which it came;
He grafts upon the Wild the Tame:
That the uncertain and adult'rate fruit
Might put the Palate in dispute.
His green Seraglio has its Eunuchs too;
Lest any Tyrant him out-doe.
And in the Cherry he does Nature vex,
To procreate without a Sex.
'Tis all enforc'd; the Fountain and the Grot;
While the sweet Fields do lye forgot:
Where willing Nature does to all dispence
A wild and fragrant Innocence:
And Fauns and Faryes do the Meadows till,
More by their presence then their skill.
Their Statues polish'd by some ancient hand,
May to adorn the Gardens stand:
But howso'ere the Figures do excel,
154
The Gods themselves with us do dwell.
~ Andrew Marvell,#NFDB
831:More Light! More Light!
For Heinrich Blucher and Hannah Arendt
Composed in the Tower before his execution
These moving verses, and being brought at that time
Painfully to the stake, submitted, declaring thus:
"I implore my God to witness that I have made no crime."
Nor was he forsaken of courage, but the death was horrible,
The sack of gunpowder failing to ignite.
His legs were blistered sticks on which the black sap
Bubbled and burst as he howled for the Kindly Light.
And that was but one, and by no means one of he worst;
Permitted at least his pitiful dignity;
And such as were by made prayers in the name of Christ,
That shall judge all men, for his soul's tranquility.
We move now to outside a German wood.
Three men are there commanded to dig a hole
In which the two Jews are ordered to lie down
And be buried alive by the third, who is a Pole.
Not light from the shrine at Weimar beyond the hill
Nor light from heaven appeared. But he did refuse.
A Luger settled back deeply in its glove.
He was ordered to change places with the Jews.
Much casual death had drained away their souls.
The thick dirt mounted toward the quivering chin.
When only the head was exposed the order came
To dig him out again and to get back in.
No light, no light in the blue Polish eye.
When he finished a riding boot packed down the earth.
The Luger hovered lightly in its glove.
He was shot in the belly and in three hours bled to death.
No prayers or incense rose up in those hours
Which grew to be years, and every day came mute
Ghosts from the ovens, sifting through crisp air,
24
And settled upon his eyes in a black soot.
~ Anthony Evan Hecht,#NFDB
832:Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?"
The au pair was wary. "What kind of diversion?"
"You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside."
"That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction."
"Maybe you're from out of town," Dan suggested. "Wait–you are from out of town."
Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger."
The Egyptian Mau surveyed the street uncertainly. "Mrrp."
Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready."
The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian."
"Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?"
"More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals."
The clerk stared in perplexity.
Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..."
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start."
"You are a music lover," said the wide-eyed cashier.
"No, I'm a kleptomaniac." And she dashed out the door. ~ Gordon Korman,#NFDB
833:Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it ~ Frank O Hara,#NFDB
834:Just ask me how to get bloodstains out of a fur coat. No, really, go ahead. Ask me. The secret is cornmeal and brushing the fur the wrong way. The tricky part is keeping your mouth shut. To get blood off of piano keys, polish them with talcum powder or powdered milk. This isn’t the most marketable job skill, but to get bloodstains out of wallpaper, put on a paste of cornstarch and cold water. This will work just as well to get blood out of a mattress or a davenport. The trick is to forget how fast these things can happen. Suicides. Accidents. Crimes of passion. Just concentrate on the stain until your memory is completely erased. Practice really does make perfect. If you could call it that. Ignore how it feels when the only real talent you have is for hiding the truth. You have a God-given knack for committing a terrible sin. It’s your calling. You have a natural gift for denial. A blessing. If you could call it that. Even after sixteen years of cleaning people’s houses, I want to think the world is getting better and better, but really I know it’s not. You want there to be some improvement in people, but there won’t be. And you want to think there’s something you can get done. Cleaning this same house every day, all that gets better is my skill at denying what’s wrong. God forbid I should ever meet who I work for in person. Please don’t get the idea I don’t like my employers. The caseworker has gotten me lots worse postings. I don’t hate them. I don’t love them, but I don’t hate them. I’ve worked for lots worse. Just ask me how to get urine stains out of drapes and a tablecloth. Ask me what’s the fastest way to hide bullet holes in a living-room wall. The answer is toothpaste. For larger calibers, mix a paste of equal parts starch and salt. Call me the voice of experience. ~ Chuck Palahniuk, #NFDB
835:I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do. ~ Sebastian Barry, #NFDB
836:Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it. ~ Alex Flinn,#NFDB
837:He went into the hall bathroom that separated the two bedrooms and lifted the lid. He yawned. He scratched his head and felt foreign objects in his hair. While he continued to aim the stream into the commode, he leaned to the left to look in the small mirror over the sink and almost had heart failure. He actually might have jumped and briefly missed the pot. Sean had little-girl “things” in his short hair—clips, bows, ponytail bands, jeweled bobby pins. And there was something else—he scraped off some Scotch Tape. His hair was too short so some of that stuff was taped on! But that was the least of it—he had a bright red Angelina Jolie mouth that went way out of the lines. Blue eyelids and pink cheeks. He looked like a clown. He zipped his pants. Then he wet a finger under the faucet and rubbed it over his eyelid. Nothing changed, except that he saw his fingernails were bright green. He washed his hands vigorously. Oh, God—he’d been tattooed in his sleep! He took the bar of soap to his lips; no amount of scrubbing helped. “Frannnnn-ciiiii!” he yelled. A moment later she tapped at the door and he jerked it open. She was casually drying her hands on a dish towel while he was scowling. “Magic marker, I think,” she said, before he could ask the question. “Why?” he asked desperately, totally stunned. Franci shrugged. “She’s not allowed to touch my makeup. And she thinks you look wonderful.” Then she grinned. He stiffened and pursed his lips. “I’m pretty sure I’m out of uniform.” She chuckled. “We’ll think of something. Are you staying for dinner?” “I can’t go out like this!” “Okay, let’s try some fingernail polish remover on your green nails, have some dinner, and then I’ll see what I can do about your, ah, makeup. Really, Sean, rule number one—never close your eyes on a three-year-old.” * ~ Robyn Carr, #NFDB
838:She fell asleep within minutes, unaware that the rain that had been falling since evening had turned to sleet, or that the roads were becoming impassable.
As she slept, she began to dream, but instead of a continuous scene, it consisted of images flashing through her mind, like looking at old pictures in an album.
Cat was sitting at the kitchen table. Her mother was standing beside her, laughing as she set a birthday cake in front of her. There were four candles on her cake, and her daddy was taking a picture.
“Smile,” he’d said.
She looked up just as the flash went off.
She was still blinking from the flash when the image shifted. It was cold. The blowing wind burned her skin. She was at a cemetery, staring down at a small, flat marker. Cat couldn’t read, but somehow she knew it bore hermother’s name. She could hear her father crying. It scared her worse than the fact that her mother had gone away.
“Daddy…where did she go?”
“Heaven.”
“Is it far?”
“Yes.”
“Can we go, too?”
She never heard his answer, because the image shifted again. This time, she was being led through a long series of hallways. The smell of orange oil from wood polish burned her nose. The sound of her footsteps echoed on the tiled floors. Yesterday she’d been in the hospital. She’d asked to go home. But someone had told her she couldn’t go home because there was no one left to take care of her. The horror of that knowledge had frightened her so much that she’d been afraid to ask what came next.
She walked through an open door as a woman said her name. The woman took her by the hand, and they walked away. She couldn’t see the woman’s face. She never remembered the faces, and it didn’t matter, because they never stayed the same. ~ Sharon Sala,#NFDB
839:IN 1943 POLISH SOLDIERS TRAINED AN ADULT brown bear to help them fight Nazis in an old monastery atop a mountain in the Italian Alps. Yes, this is a true story, not the plot of the next Pixar film. The bear doesn’t sing or dance or talk, but it does carry artillery shells, take baths, and smoke cigarettes, even though smoking is really bad for you. Voytek the Soldier Bear’s story starts back during the German blitzkrieg against Poland at the very beginning of the war. As the Nazis were crushing their way through western Poland, the brave Polish defenders suddenly felt the stab of a knife in their back when the forces of the Soviet Union came rolling across Poland’s eastern border, eager to grab land for the USSR while the Polish were preoccupied with getting punched in the head by the German Army. One of the few, outnumbered defenders who stood his ground against the Soviet juggernaut was Captain Wladislaw Anders, a resolute cavalry officer who valiantly launched a charge against Soviet troops but was wounded in battle and taken as a prisoner of war. For over a year he rotted in Lubyanka Prison, one of Stalin’s worst and most inhospitable one-star prison facilities. Then a weird thing happened. On August 14, 1941, the Red Army guards unlocked the prison cell and told Anders he was a free man. The Germans had invaded Russia, and now the Soviets were prepared to offer Anders and 1.5 million other Polish citizens their freedom if they’d help old Uncle Joe Stalin battle those big evil Nazis. Anders cocked an eyebrow. He wasn’t exactly crazy about the idea of trusting his life to the men who had just shot and imprisoned him, but he agreed anyway. He was shipped out by rail and reunited with twenty-five thousand other Polish soldiers who had been similarly released from the Soviet prison system. Anders immediately ~ Ben Thompson, #NFDB
840:Snow White's Acne
At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering
under the surface, like a tapeworm curled up and living
in her left cheek.
Doc the Dwarf was no dermatologist
and besides Snow doesn't get to meet him in this version
because the mint leaves the tall doctor puts over her face
only make matters worse. Snow and the Queen hope
against hope for chicken pox, measles, something
that would be gone quickly and not plague Snow's whole
adolescence.
If only freckles were red, she cried, if only
concealer really worked. Soon came the pus, the yellow dots,
multiplying like pins in a pin cushion. Soon came
the greasy hair. The Queen gave her daughter a razor
for her legs and a stick of underarm deodorant.
Snow
doodled through her teenage years—'Snow +? ' in Magic
Markered hearts all over her notebooks. She was an average
student, a daydreamer who might have been a scholar
if she'd only applied herself. She liked sappy music
and romance novels. She liked pies and cake
instead of fruit.
The Queen remained the fairest in the land.
It was hard on Snow, having such a glamorous mom.
She rebelled by wearing torn shawls and baggy gowns.
Her mother would sometimes say, 'Snow darling,
why don't you pull back your hair? Show those pretty eyes? '
or 'Come on, I'll take you shopping.'
Snow preferred
staying in her safe room, looking out of her window
at the deer leaping across the lawn. Or she'd practice
her dance moves with invisible princes. And the Queen,
busy being Queen, didn't like to push it.
~ Denise Duhamel,#NFDB
841:LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this. ~ Rick Riordan, #NFDB
842:There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water. ~ Henry Miller, #NFDB
843:Caroline has laid out a beautiful spread, which is a combination of some of my favorite things that she has cooked, and traditional Sikh wedding dishes provided by Jag's friends. There is a whole roasted beef tenderloin, sliced up with beautiful brioche rolls for those who want to make sandwiches, crispy brussels sprouts, potato gratin, and tomato pudding from Gemma's journal. The savory pudding was one of the dishes from Martha's wedding, which gave me the idea for this insanity to begin with, so it seemed appropriate. I actually think Gemma would strongly approve of this whole thing. And she certainly would have appreciated the exoticism of the wonderful Indian vegetarian dishes, lentils, fried pakoras, and a spicy chickpea stew.
From what I can tell, Gemma was thrilled anytime she could get introduced in a completely new cuisine, whether it was the Polish stonemason introducing her to pierogi and borsht, or the Chinese laundress bringing her tender dumplings, or the German butcher sharing his recipe for sauerbraten. She loved to experiment in the kitchen, and the Rabins encouraged her, gifting her cookbooks and letting her surprise them with new delicacies. Her favorite was 'With a Saucepan Over the Sea: Quaint and Delicious Recipes from the Kitchens of Foreign Countries,' a book of recipes from around the world that Gemma seemed to refer to frequently, enjoying most when she could alter one of the recipes to better fit the palate of the Rabins. Mrs. Rabin taught her all of the traditional Jewish dishes they needed for holiday celebrations, and was, by Gemma's account, a superlative cook in her own right.
Off to the side of the buffet is a lovely dessert table, swagged with white linen and topped with a small wedding cake, surrounded by dishes of fried dough balls soaked in rosewater syrup and decorated with pistachios and rose petals, and other Indian sweets. ~ Stacey Ballis,#NFDB
844:The Little Country Bus
There's no lock upon your door,
And the polish that you wore
In the years ago when you were bright and new
Now has lost its splendid shine,
And your driver's bending spine
Shows that he's been getting old along with you.
You are slipping fast, I see;
So indeed, old bus, is he;
But you rattle and you bang along the street,
And I wonder as you go
What of joy or what of woe
You'll discover when the limited you meet.
Who is coming home once more
To his father's welcome door?
Is it failure or success that he will bring?
Is a daughter slipping back
From the city's cruel track
For the lullaby that mother used to sing?
Is she happy? Is she sad?
For I know, old bus, you've had
Both your passengers a thousand times or more;
And old driver, you can't hide
Just how many times you've sighed
As you've opened or have shut that shaky door.
You have seen them go away,
Full of strength and hope and gay,
You have seen them start as children fine — and then —
When the limited you've met,
Both your kindly eyes were wet
As you saw them back as women and as men.
You have read the tale of life,
Read the heartache and the strife,
Read the sorrows that we'd better not discuss,
Read the joy of splendid things
And the pain that failure brings,
As you've carried all that's human in your bus.
850
So I wonder as you go
What you'll find of joy or woe
When the limited pulls in on time today;
What of conquest or defeat
Will it be your lot to meet
And to welcome in your gentle, kindly way.
Both your shaky bus and you
With life's toil are nearly through,
Soon your soul upon a journey far will roam;
And I like to think you'll ask
God to let it be your task
To welcome all the children coming home.
~ Edgar Albert Guest,#NFDB
845:It is untrue that I or anybody else in Germany wanted war in 1939. It was desired and instigated exclusively by those international statesmen who were either of Jewish origin or working for Jewish interests. I have made so many offers for the reduction and elimination of armaments, which posterity cannot explain away for all eternity, that the responsibility for the outbreak of this war cannot rest on me. Furthermore, I never desired that after the first terrible World War a second war should arise against England or even against America. Centuries may pass, but out of the ruins of our cities and monuments of art there will arise anew the hatred for the people who alone are ultimately responsible: International Jewry and its helpers!
As late as three days before the outbreak of the German-Polish War, I proposed to the British Ambassador in Berlin a solution for the German-Polish problem -- similar to the problem of the Saar area, under international control. This offer cannot be explained away, either. It was only rejected because the responsible circles in English politics wanted the war, partly in the expectation of business advantages, partly driven by propaganda promoted by international Jewry.
But I left no doubt about the fact that if the peoples of Europe were again only regarded as so many packages of stock shares by these international money and finance conspirators, then that race, too, which is the truly guilty party in this murderous struggle would also have to be held to account: the Jews! I further left no doubt that this time we would not permit millions of European children of Aryan descent to die of hunger, nor millions of grown-up men to suffer death, nor hundreds of thousands of women and children to be burned and bombed to death in their cities, without the truly guilty party having to atone for its guilt, even if through more humane means. ~ Adolf Hitler,#NFDB
846:In praise of mu husband's hair
A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair.
His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance.
Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage. ~ Louise Erdrich,#NFDB
847:Heated seats or talk radio? Or music? I can do all of them at once if you want.” He starts flipping switches, making the corresponding sound effects. Leave it to Dan to turn his super fancy Range Rover into the USS Enterprise.
My body betrays me and I snuggle deeper into the warming leather seats. “Where are we going anyway?”
“Why, the happiest place in Natchitoches, of course.” He waves his hands in a broad gesture to encompass the whole town.
I panic for a second when he doesn’t immediately put his hands back on the wheel. “Oh my God, will you be careful!”
He smiles at me then glances down at his knee, which can apparently steer just fine. “I’d never endanger your life, fair lady.”
I roll my eyes and take a relieved breath. Something walks into my thoughts and takes a seat. Is he…flirting?
“Looks like no matter how hard you try, you can’t stop talking like you’re in the middle of a LARP game.” I find myself scratching at my nail polish again, so I tuck my hands under my thighs.
“I didn’t know I should be trying to not talk that way. In fact, I try to find every opportunity to practice my verbal skills. I can’t seem out of practice when Craytor returns again.” He holds a fist up in the air. “Heads shall roll, maidens shall be rescued, and elves shall be insulted!”
I make sure he sees my blank stare followed by a slow blink before saying, “Right. You never said where we’re going.”
“The Phoenix, of course. We don’t exactly have Disney World Natchitoches.” He puts on an über-cheesy smile, which is way more endearing than the fake mischievous one he tried back at school.That smile turns on the heated seats around my heart. Oh God, did I just think that? Gross.
He nudges my arm. “Get it? Because I said the happiest place in Natchitoches. And that’s a well-known advertisement slogan for—”
I hold my hands up. “I get it. Really, I get it ~ Leah Rae Miller,#NFDB
848:In the whole vast domain of living nature there reigns an open violence, a kind of prescriptive fury which arms all the creatures to their common doom. As soon as you leave the inanimate kingdom, you find the decree of violent death inscribed on the very frontiers of life. You feel it already in the vegetable kingdom: from the great catalpa to the humblest herb, how many plants die, and how many are killed. But from the moment you enter the animal kingdom, this law is suddenly in the most dreadful evidence. A power of violence at once hidden and palpable … has in each species appointed a certain number of animals to devour the others. Thus there are insects of prey, reptiles of prey, birds of prey, fishes of prey, quadrupeds of prey. There is no instant of time when one creature is not being devoured by another. Over all these numerous races of animals man is placed, and his destructive hand spares nothing that lives. He kills to obtain food and he kills to clothe himself. He kills to adorn himself, he kills in order to attack, and he kills in order to defend himself. He kills to instruct himself and he kills to amuse himself. He kills to kill. Proud and terrible king, he wants everything and nothing resists him.
From the lamb he tears its guts and makes his harp resound ... from the wolf his most deadly tooth to polish his pretty works of art; from the elephant his tusks to make a toy for his child - his table is covered with corpses ... And who in all of this will exterminate him who exterminates all others? Himself. It is man who is charged with the slaughter of man ... So it is accomplished ... the first law of the violent destruction of living creatures. The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death. ~ Joseph de Maistre,#NFDB
849:Okay.” The leader stood on the bed of his truck and clapped his hands over his head. “Listen up, everyone.”
No one was really listening, though they had dressed right. Everyone was all in black. A few guys wore ski masks, and others had black marks on their cheeks like football players. Personally, I didn’t understand the need for the black camouflage. Caden had explained that the cops had already been looped in on the operation. A few of the lawns getting flocked tonight actually belonged to cops, and anyway the whole blending-with-the-night effect didn’t work when you were carrying a bright neon-pink flamingo.
Still, I couldn’t deny the little spark of excitement building in my stomach.
We were all standing in some guy’s driveway, and as I looked around, I seemed to be the only girl. These guys meant business. I was in the middle of a real life Call of Duty operation.
The leader began speaking, his voice booming. “This is going to happen with precision and professionalism. No lingering, loitering, acting like stupid shits, and definitely no joking around. We’re not ladies. This isn’t going to be run like a bunch of pansy-shopping, pink-nail-polish pussies. You got that?!”
I frowned, tucking my nails inside my jacket.
“Every vehicle’s been filled with birds. The driver should have a text with all the locations, and the number of birds for each target. Pull up, find the group of birds labeled for that house, and work together. Take one bird a trip, two if you can manage, and ram those suckers down in the grass. Hurry back to the truck and keep going until all the birds for that location are in the ground. Shotgun Sally is in charge of hanging the sign on the bird closest to the street. Once the sign is hung, get back in the truck, and move to the next target. NO TALKING! This mission is all radio silent. Communicate with signals, and if you don’t know the appropriate signals, just SHUT THE HELL UP! Okay? Now, go flock some fuckers! ~ Tijan,#NFDB
850:But if the case be thus with the Latin versions, how great are the contempt and profanation shown in the French, German, Polish and other languages! And yet here is one of the most successful artifices adopted by the enemy of Christianity and of unity in our age, to attract the people. He knew the curiosity of men, and how much one esteems one’s own judgment, and therefore he has induced his sectaries to translate the Holy Scriptures, every one into the tongue of the province where he finds himself placed, and to maintain this unheard-of opinion, that every one is capable of understanding the Scriptures, that all should read them, and that the public offices should be celebrated and sung in the vulgar tongue of each district. But who sees not the artifice? There is nothing in the world which, passing through many hands, does not change and lose it first luster: wine which has been often poured out and poured back loses its freshness and strength, wax when handled changes its color, coins lose their stamp. Be sure also that Holy Scripture, passing through so many translators, in so many versions and reversions, cannot but be altered. And if in the Latin versions there is such a variety of opinion among these turners of Scripture, how much more in their vernacular and mother-tongue editions, which not every one is able to check or to criticize? It gives a very great license to translators to know that they will only be tested by those of their own province. Every district has not such clear seeing eyes as France and Germany. “Are we sure,” says a learned profane writer,927 “that in the Basque provinces and in Brittany there are persons of sufficient judgment to give authority to this translation made into their tongue; the universal Church has no more arduous decision to give;” it is Satan’s plan for corrupting the integrity of this holy Testament. He well knows the result of disturbing and poisoning the source; it is at once to spoil all that comes after. ~ Francis de Sales, #NFDB
851:But if the case be thus with the Latin versions, how great are the contempt and profanation shown in the French, German, Polish and other languages! And yet here is one of the most successful artifices adopted by the enemy of Christianity and of unity in our age, to attract the people. He knew the curiosity of men, and how much one esteems one’s own judgment, and therefore he has induced his sectaries to translate the Holy Scriptures, every one into the tongue of the province where he finds himself placed, and to maintain this unheard-of opinion, that every one is capable of understanding the Scriptures, that all should read them, and that the public offices should be celebrated and sung in the vulgar tongue of each district. But who sees not the artifice? There is nothing in the world which, passing through many hands, does not change and lose it first luster: wine which has been often poured out and poured back loses its freshness and strength, wax when handled changes its color, coins lose their stamp. Be sure also that Holy Scripture, passing through so many translators, in so many versions and reversions, cannot but be altered. And if in the Latin versions there is such a variety of opinion among these turners of Scripture, how much more in their vernacular and mother-tongue editions, which not every one is able to check or to criticize? It gives a very great license to translators to know that they will only be tested by those of their own province. Every district has not such clear seeing eyes as France and Germany. “Are we sure,” says a learned profane writer,927 “that in the Basque provinces and in Brittany there are persons of sufficient judgment to give authority to this translation made into their tongue; the universal Church has no more arduous decision to give;” it is Satan’s plan for corrupting the integrity of this holy Testament. He well knows the result of disturbing and poisoning the source; it is at once to spoil all that comes after. ~ Saint Francis de Sales, #NFDB
852:I lied to you,” she said with a belligerent edge. He hid a smile. “I lied to you.” “I’m domineering and used to getting my own way.” “I like a woman who knows her own mind.” “I’m stubborn and opinionated.” “If I’m contemplating a lifetime with a lassie, I want her to show a bit of spirit.” “I have no society polish. A countess should be sophisticated, whereas I’ve never had a season. I’ve never even been to London.” “Aye, you’ll settle into the Highlands well, then. My home is a long journey from the bright lights of Edinburgh—a wee wife who pines for city life would never be happy with me.” She narrowed her eyes. “I kissed you like there’s no tomorrow.” “Are you trying to convince me for or against?” Her lips twisted in self-denigration. “I’m clearly a woman of wayward morals.” He couldn’t contain his laughter. “Is that right?” Her cheeks were fiery now. “You don’t want to marry a flirt.” “If I’m the only laddie my wife flirts with, I have no objection.” Her expression was a mixture of defiance and shame. “How do you know I don’t kiss every gentleman the way I…I kissed you?” He smiled gently. “Have you ever kissed anyone else like that?” “No.” Her long eyelashes, darker honey than her hair, flickered down. “But that doesn’t mean I won’t.” She was bewitching. He’d admitted to being besotted. Every moment in her company only deepened his enchantment. “I’ll take my chances.” “Surely you want a wife you can trust.” “Apart from your…waywardness and propensity for impersonating fairytale characters, I believe you’re an admirable creature.” “Hardly.” The compliment didn’t please her. “I let you take liberties.” “As your future husband, I’d like to place it on record that I intend to take liberties at every opportunity.” He paused. “Scotland’s a gey chilly place, especially in the winter. I don’t want a cold marriage bed.” She stiffened. “There remains one insurmountable obstacle.” “What’s that?” Her delicate jaw set in an obstinate line. “I don’t want to marry you.” With ~ Anna Campbell, #NFDB
853:Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways.
From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties.
But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell? ~ Thrity Umrigar,#NFDB
854:When I started sixth grade, the other kids made fun of Brian and me because we were so skinny. They called me spider legs, skeleton girl, pipe cleaner, two-by-four, bony butt, stick woman, bean pole, and giraffe, and they said I could stay dry in the rain by standing under a telephone wire. At lunchtime, when other kids unwrapped their sandwiches or bought their hot meals, Brian and I would get out books and read. Brian told everyone he had to keep his weight down because he wanted to join the wrestling team when he got to high school. I told people that I had forgotten to bring my lunch. No one believed me, so I started hiding in the bathroom during lunch hour. I’d stay in one of the stalls with the door locked and my feet propped up so that no one would recognize my shoes. When other girls came in and threw away their lunch bags in the garbage pails, I’d go retrieve them. I couldn’t get over the way kids tossed out all this perfectly good food: apples, hard-boiled eggs, packages of peanut-butter crackers, sliced pickles, half-pint cartons of milk, cheese sandwiches with just one bite taken out because the kid didn’t like the pimentos in the cheese. I’d return to the stall and polish off my tasty finds. There was, at times, more food in the wastebasket than I could eat. The first time I found extra food—a bologna-and-cheese sandwich—I stuffed it into my purse to take home for Brian. Back in the classroom, I started worrying about how I’d explain to Brian where it came from. I was pretty sure he was rooting through the trash, too, but we never talked about it. As I sat there trying to come up with ways to justify it to Brian, I began smelling the bologna. It seemed to fill the whole room. I became terrified that the other kids could smell it, too, and that they’d turn and see my overstuffed purse, and since they all knew I never ate lunch, they’d figure out that I had pinched it from the trash. As soon as class was over, I ran to the bathroom and shoved the sandwich back in the garbage can. ~ Jeannette Walls, #NFDB
855:Meditations Divine And Moral
A ship that bears much sail, and little ballast, is easily
overset; and that man, whose head hath great abilities, and his
heart little or no grace, is in danger of foundering.
The finest bread has the least bran; the purest honey, the
least wax; and the sincerest Christian, the least self-love.
Sweet words are like honey; a little may refresh, but too much
gluts the stomach.
Divers children have their different natures: some are like
flesh which nothing but salt will keep from putrefaction; some
again like tender fruits that are best preserved with sugar. Those
parents are wise that can fit their nurture according to their
nature.
Authority without wisdom is like a heavy axe without an edge,
fitter to bruise than polish.
The reason why Christians are so loath to exchange this world
for a better, is because they have more sense than faith: they see
what they enjoy, they do but hope for that which is to come.
Dim eyes are the concomitants of old age; and shortsightedness, in those that are the eyes of a Republic, foretells a
declining State.
Wickedness comes to its height by degrees. He that dares say
of a less sin, Is it not a little one? will erelong say of a
greater, Tush, God regards it not.
Fire hath its force abated by water, not by wind; and anger
must be allayed by cold words and not by blustering threats.
The gifts that God bestows on the sons of men, are not only
abused, but most commonly employed for a clean contrary end than
that which they were given for; as health, wealth, and honor, which
might be so many steps to draw men to God in consideration of his
bounty towards them, but have driven them the further from him,
that they are ready to say, We are lords, we will come no more at
thee. If outward blessings be not as wings to help us mount
upwards, they will certainly prove clogs and weights that will pull
us lower downward.
~ Anne Bradstreet,#NFDB
856:Robinson Crusoe's Story
THE night was thick and hazy
When the 'Piccadilly Daisy'
Carried down the crew and captain in the sea;
And I think the water drowned 'em;
For they never, never found 'em,
And I know they didn't come ashore with me.
Oh! 'twas very sad and lonely
When I found myself the only
Population on this cultivated shore;
But I've made a little tavern
In a rocky little cavern,
And I sit and watch for people at the door.
I spent no time in looking
For a girl to do my cooking,
As I'm quite a clever hand at making stews;
But I had that fellow Friday,
Just to keep the tavern tidy,
And to put a Sunday polish on my shoes.
I have a little garden
That I'm cultivating lard in,
As the things I eat are rather tough and dry;
For I live on toasted lizards,
Prickly pears, and parrot gizzards,
And I'm really very fond of beetle-pie.
The clothes I had were furry,
And it made me fret and worry
When I found the moths were eating off the hair;
And I had to scrape and sand 'em,
And I boiled 'em and I tanned 'em,
Till I got the fine morocco suit I wear.
I sometimes seek diversion
In a family excursion
With the few domestic animals you see;
And we take along a carrot
As refreshment for the parrot,
And a little can of jungleberry tea.
Then we gather as we travel,
Bits of moss and dirty gravel,
And we chip off little specimens of stone;
And we carry home as prizes
Funny bugs, of handy sizes,
Just to give the day a scientific tone.
If the roads are wet and muddy
We remain at home and study,—
For the Goat is very clever at a sum,—
And the Dog, instead of fighting,
Studies ornamental writing,
While the Cat is taking lessons on the drum.
We retire at eleven,
And we rise again at seven;
And I wish to call attention, as I close,
To the fact that all the scholars
Are correct about their collars,
And particular in turning out their toes.
~ Charles Edward Carryl,#NFDB
857:Beauty Of Insects
Observe the insect race, ordain'd to keep
The lazy Sabbath of a half-year's sleep.
Entomb'd beneath the filmy web they lie,
And wait the influence of a kinder sky.
When vernal sunbeams pierce their dark retreat,
The heaving tomb distends with vital heat;
The full-form'd brood, impatient of their cell,
Start from their trance, and burst their silken shell
Trembling awhile they stand, and scarcely dare
To launch at once upon the untried air.
At length assured, they catch the favouring gale,
And leave their sordid spoils and high in ether sail.
Lo! the bright train their radiant wings unfold,
With silver fringed, and freckled o'er with gold.
On the gay bosom of some fragrant flower,
They, idly fluttering, live their little hour;
Their life all pleasure, and their task all play,
All spring their age, and sunshine all their day.
Not so the child of sorrow, wretched man;
His course with toil concludes, with pain began,
That his high destiny he might discern,
And in misfortune's school this lesson learn Pleasure's the portion of the inferior kind;
But glory, virtue, heaven for man design'd.
What atom forms of insect life appear!
And who can follow nature's pencil here?
Their wings with azure, green, and purple gloss'd,
Studded with colour'd eyes, with gems emboss'd,
Inlaid with pearl, and mark'd with various stains
Of lively crimson, through their dusky veins.
Some shoot like living stars athwart the night,
And scatter from their wings a vivid light,
To guide the Indian to his tawny loves,
As through the woods with cautious step he moves.
See the proud giant of the beetle race,
With shining arms his polish'd limbs enchase!
Like some stern warrior formidably bright,
31
His steely sides reflect a gleaming light;
On his large forehead spreading horns he wears,
And high in air the branching antlers bears;
O'er many an inch extends his wide domain,
And his rich treasury swells with hoarded grain.
~ Anna Laetitia Barbauld,#NFDB
858:A loud clearing of Enrique’s throat tears us apart.
Alex looks at me with intense passion. “I have to get back to work,” he says, his breathing ragged.
“Oh. Well, sure.” Suddenly embarrassed at our PDA, I step back.
“Can I see you later today?” he asks.
“My friend Sierra is coming over for dinner.”
“The one who looks in her purse a lot?”
“Um, yeah.” I need to change the subject or I’ll be tempted to invite him, too. I can see it all now--my mom seething in disgust at Alex and his tattoos.
“My cousin Elena is gettin’ married on Sunday. Go with me to the wedding,” he says.
I look at the ground. “I can’t have my friends know about us. Or my parents.”
“I won’t tell ’em.”
“What about people at the wedding? They’ll all see us together.”
“Nobody from school will be there. Except my family, and I’ll make sure they keep their mouths shut.”
I can’t. Lying and sneaking around has never been my strong point. I push him away. “I can’t think when you’re standing that close.”
“Good. Now about that wedding.”
God, looking at him makes me want to go. “What time?”
“Noon. It’ll be an experience you won’t forget. Trust me. I’ll pick you up at eleven.”
“I didn’t say ‘yes’ yet.”
“Ah, but you were about to,” he says in his dark, smooth voice.
“Why don’t I meet you here at eleven,” I suggest, gesturing to the body shop. If my mom finds out about us, all hell will break loose.
He lifts my chin up to face him. “Why aren’t you afraid of bein’ with me?”
“Are you kidding? I’m terrified.” I focus on the tattoos running up and down his arms.
“I can’t pretend to live a squeaky-clean life.” He holds up my hand so it’s palm against palm with his. Is he thinking about the difference in the color of our skin, his rough fingers against the nail polish on the tips of mine? “In some ways we’re so opposite,” he says.
I thread my fingers through his. “Yeah, but in other ways we’re so similar.”
That gets a smile out of him, until Enrique clears his throat again.
“I’ll meet you here at eleven on Sunday,” I say.
Alex backs away, nods, and winks. “This time it’s a date. ~ Simone Elkeles,#NFDB
859:Davideis: A Sacred Poem Of The Troubles Of David
(Excerpt)
BOOK I (excerpt)
I sing the man who Judah's sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav'n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross'd his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.
Thou, who didst David's royal stem adorn,
And gav'st him birth from whom thy self wast born;
Who didst in triumph at death's court appear,
And slew'st him with thy nails, thy cross and spear,
Whilst Hell's black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav'ns glad burden now, and justest pride,
Sit'st high enthron'd next thy great Father's side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov'd the tuneful strings of David's lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav'enly fires to take,
My well-chang'd Muse I a chaste vestal make!
From earth's vain joys, and love's soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish'd pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
22
It Solomon's, and Herod's shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call'd forth me
Th' apostle, to convert that world to thee;
T' unbind the charms that in slight fables lie,
And teach that truth is purest poesy.
...
~ Abraham Cowley,#NFDB
860:Finally, Europe’s post-war history is a story shadowed by silences; by absence. The continent of Europe was once an intricate, interwoven tapestry of overlapping languages, religions, communities and nations. Many of its cities—particularly the smaller ones at the intersection of old and new imperial boundaries, such as Trieste, Sarajevo, Salonika, Cernovitz, Odessa or Vilna—were truly multicultural societies avant le mot, where Catholics, Orthodox, Muslims, Jews and others lived in familiar juxtaposition. We should not idealise this old Europe. What the Polish writer Tadeusz Borowski called ‘the incredible, almost comical melting-pot of peoples and nationalities sizzling dangerously in the very heart of Europe’ was periodically rent with riots, massacres and pogroms—but it was real, and it survived into living memory.
Between 1914 and 1945, however, that Europe was smashed into the dust. The tidier Europe that emerged, blinking, into the second half of the twentieth century had fewer loose ends. Thanks to war, occupation, boundary adjustments, expulsions and genocide, almost everybody now lived in their own country, among their own people. For forty years after World War Two Europeans in both halves of Europe lived in hermetic national enclaves where surviving religious or ethnic minorities the Jews in France, for example—represented a tiny percentage of the population at large and were thoroughly integrated into its cultural and political mainstream. Only Yugoslavia and the Soviet Union—an empire, not a country and anyway only part-European, as already noted—stood aside from this new, serially homogenous Europe.
But since the 1980s, and above all since the fall of the Soviet Union and the enlargement of the EU, Europe is facing a multicultural future. Between them refugees; guest-workers; the denizens of Europe’s former colonies drawn back to the imperial metropole by the prospect of jobs and freedom; and the voluntary and involuntary migrants from failed or repressive states at Europe’s expanded margins have turned London, Paris, Antwerp, Amsterdam, Berlin, Milan and a dozen other places into cosmopolitan world cities whether they like it or not. ~ Tony Judt,#NFDB
861:In their beaver-like work to enforce the Reich's emigration policies on the Jewish community, the SS had hitherto tried hard to keep a low profile, and to avoid any kind of spectacular outrage to international opinion. Göring thus found himself on the side of the SS, in alliance against the radical Goebbels, and on January 24 he formally instructed the ministry of the interior to set up a central emigration office under Heydrich to regulate and organize the deportation of the Jews. Hitler's personal part in this anti-Jewish programme was one of passive observation. Talking with Colonel Jósef Beck, the Polish foreign minister, on January 5 he rather speciously regretted that the western powers had not entertained Germany's colonial demands: ‘If they had, I might have helped solve the Jewish problem by making a territory available in Africa for resettlement of not only the German but the Polish Jews as well.’ On the twenty-first, he uttered to the Czech foreign minister Chvalkovský these ominous words: ‘The Jews here are going to be destroyed.’ The Czech replied sympathetically, and Hitler continued: ‘Help can only come from the others, like Britain and the United States, who have unlimited areas that they could make available for the Jews.’ And in a major speech to the Reichstag on January 30, 1939, Hitler uttered an unmistakable threat to any Jews who did choose to remain behind in his Germany: I have very often been a prophet in my lifetime and I have usually been laughed at for it. During my struggle for power, it was primarily the Jewish people who just laughed when they heard me prophesy that one day I would become head of state and thereby assume the leadership of the entire people, and that I would then among other things subject the Jewish problem to a solution. I expect that the howls of laughter that rose then from the throats of German Jewry have by now died to a croak. Today I'm going to turn prophet yet again: if international finance Jewry inside and outside Europe should succeed once more in plunging our peoples into a world war, then the outcome will not be a Bolshevization of the world and therewith the victory of Jewry, but the destruction of the Jewish race in Europe! ~ David Irving, #NFDB
862:Art And Politics
'Good servant Mollberg, what's happened to thee,
Whom without coat and hatless I see?
Bloody thy mouth--and thou'rt lacking a tooth!
Where have you been, brother?--tell me the truth.'
'At Rostock, good sir,
Did the trouble occur.
Over me and my harp
An argument sharp
Arose, touching my playing--pling plingeli plang;
And a bow-legged cobbler coming along
Struck me in the mouth--pling plingeli plang.
'I sat there and played--no carouse could one see-The Polish Queen's Polka--G-major the key:
The best kind of people were gathered around,
And each drank his schoppen 'down to the ground.'
I don't know just how
Began freshly the row,
But some one from my head
Knocked my hat, and thus said:
'What is Poland to thee?'--Pling plingeli plang-'Play us no polka!' Another one sang:
'Now silent be!'--Pling plingeli plang.
'Hear, my Maecenas, what still came to pass.
As I sat there in quiet, enjoying my glass,
On Poland's condition the silence I broke:
'Know ye, good people,' aloud thus I spoke,
'That all monarchs I
On this earth do defy
My harp to prevent
From giving song vent
Throughout all this land--pling plingeli plang!
Did only a single string to it hang,
I'd play a polka--pling plingeli plang!'
'There sat in the corner a sergeant old,
Two notaries and a dragoon bold,
Who cried 'Down with him! The cobbler is right!
Poland earns the meeds of her evil might!'
From behind the stove came
An old squint-eyed dame,
And flung at the harp
Glass broken and sharp;
But the cobbler--pling plingeli plang-Made a terrible hole in my neck--that long!
There hast thou the story--pling plingeli plang.
'O righteous world! Now I ask of thee
If I suffered not wrongly?' 'Why, certainly!'
'Was I not innocent?' 'Bless you, most sure!'
'The harp rent asunder, my nose torn and sore,
Twas hard treatment, I trow!
Now no better I know
Than to go through the land
With my harp in my hand,
Play for Bacchus and Venus--kling klang-With masters best that e'er played or sang;
Attend me, Apollo!--pling plingeli plang.'
~ Carl Michael Bellman,#NFDB
863:The thought is immediately accompanied by a dull ache below her shoulder. It is a phantom pain, she knows, a psychosomatic ache, but still she feels the hurt. After all, it has been many years since the blow that made her arm swell and ache for days. On the other hand, who knows? Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox—how a body that we occupy, that we have worn like a coat from the moment of our birth—from before birth, even—is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn’t recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long-ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope—that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell? ~ Thrity Umrigar, #NFDB
864:At noon one day Will Hamilton came roaring and bumping up the road in a new Ford. The engine raced in its low gear, and the high top swayed like a storm-driven ship. The brass radiator and the Prestolite tank on the running board were blinding with brass polish. Will pulled up the brake lever, turned the switch straight down, and sat back in the leather seat. The car backfired several times without ignition because it was overheated. “Here she is!” Will called with a false enthusiasm. He hated Fords with a deadly hatred, but they were daily building his fortune. Adam and Lee hung over the exposed insides of the car while Will Hamilton, puffing under the burden of his new fat, explained the workings of a mechanism he did not understand himself. It is hard now to imagine the difficulty of learning to start, drive, and maintain an automobile. Not only was the whole process complicated, but one had to start from scratch. Today’s children breathe in the theory, habits, and idiosyncracies of the internal combustion engine in their cradles, but then you started with the blank belief that it would not run at all, and sometimes you were right. Also, to start the engine of a modern car you do just two things, turn a key and touch the starter. Everything else is automatic. The process used to be more complicated. It required not only a good memory, a strong arm, an angelic temper, and a blind hope, but also a certain amount of practice of magic, so that a man about to turn the crank of a Model T might be seen to spit on the ground and whisper a spell. Will Hamilton explained the car and went back and explained it again. His customers were wide-eyed, interested as terriers, cooperative, and did not interrupt, but as he began for the third time Will saw that he was getting no place.
“Tell you what!” he said brightly. “You see, this isn’t my line. I wanted you to see her and listen to her before I made delivery. Now, I’ll go back to town and tomorrow I’ll send out this car with an expert, and he’ll tell you more in a few minutes than I could in a week. But I just wanted you to see her.”
Will had forgotten some of his own instructions. He cranked for a while and then borrowed a buggy and a horse from Adam and drove to town, but he promised to have a mechanic out the next day. ~ John Steinbeck,#NFDB
865:I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me.... ~ Robert Walser, #NFDB
866:This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do. ~ Catherynne M Valente,#NFDB
867:Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit?
“Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it.
She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?”
I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.”
She puts a worried hand on my shoulder. “What happened, Z? Tell me.”
I let my forehead hit the surface of my desk. It hurts. “He has my phone.”
A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her.
“Holy shit! Don’t tell me your chat is on there!”
There it is.
I nod my head, which probably just looks like I’m rubbing it up and down on my desk.
“Please tell me it’s password protected or something.”
I shake my head, again seemingly nuzzling my desk.
“Zelda, do you have your homework?” Mr. Drew asks from above me.
I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean.
“Are you…okay, Zelda?” he asks a bit uncomfortably.
Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them.
I raise a hand and wave him off. “I’m good. As you were, Drew.”
“Right. Okay then.” He moves on.
Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?”
I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it. ~ Leah Rae Miller,#NFDB
868:Hymn: Ye Are The Salt Of The Earth
Salt of the earth, ye virtuous few,
Who season human-kind;
Light of the world, whose cheering ray
Illumes the realms of mind:
Where Misery spreads her deepest shade,
Your strong compassion glows;
From your blest lips the balm distils,
That softens mortal woes.
By dying beds, in prison glooms,
Your frequent steps are found;
Angels of love! you hover near,
To bind the stranger's wound.
You wash with tears the bloody page
Which human crimes deform;
When vengeance threats, your prayers ascend,
And break the gathering storm.
As down the summer stream of vice
The thoughtless many glide;
Upward you steer your steady bark,
And stem the rushing tide.
Where guilt her foul contagion breathes,
And golden spoils allure;
Unspotted still your garments shine—
Your hands are ever pure.
Whene'er you touch the poet's lyre,
A loftier strain is heard;
Each ardent thought is yours alone,
And every burning word.
Yours is the large expansive thought,
The high heroic deed;
Exile and chains to you are dear—
To you 'tis sweet to bleed.
You lift on high the warning voice,
When public ills prevail;
Yours is the writing on the wall
That turns the tyrant pale.
The dogs of hell your steps pursue,
73
With scoff, and shame, and loss;
The hemlock bowl 'tis yours to drain,
To taste the bitter cross.
E'en yet the steaming scaffolds smoke,
By Seine's polluted stream;
With your rich blood the fields are drenched,
Where Polish sabres gleam.
E'en now, through those accursed bars,
In vain we send our sighs;
Where, deep in Olmutz' dungeon glooms,
The patriot martyr lies.
Yet yours is all through History's rolls
The kindling bosom feels;
And at your tomb, with throbbing heart,
The fond enthusiast kneels.
In every faith, through every clime,
Your pilgrim steps we trace;
And shrines are dressed, and temples rise,
Each hallowed spot to grace;
And pæans loud, in every tongue,
And choral hymns resound;
And lengthening honours hand your name
To time's remotest bound.
Proceed! your race of glory run,
Your virtuous toils endure!
You come, commissioned from on high,
And your reward is sure.
~ Anna Laetitia Barbauld,#NFDB
869:We talked more about what had happened, and Nee maintained that Savona’s picking me up and walking out was the signal that had finished Tamara.
This made me wonder, as I dressed alone in my room, if there had been an unspoken struggle going on all along between the two of them. If so, he’d won. If she’d been the more influential person, his walking out with me would not have mattered; her followers would have stayed and dissected my manners, morals, and background with delicacy and finesse and oh-so-sad waves of their fans.
And another thing Nee maintained was that it was my forthright admission that I was drunk that had captivated Savona. Such honesty was considered risky, if not outright madness. This inspired some furious thinking while I dressed, which produced two resolutions.
Before I could lose my courage, I stopped while my hair was half done, and dashed off a note to my Unknown:
I’ll tell you what conclusion I’ve reached after a morning’s thought, and it’s this: that people are not diamonds and ought not to be imitating them.
I’ve been working hard at assuming Court polish, but the more I learn about what really goes on behind the pretty voices and waving fans and graceful bows, the more I comprehend that what is really said matters little, so long as the manner in which it is said pleases. I understand it, but I don’t like it. Were I truly influential, then I would halt this foolishness that decrees that in Court one cannot be sick; that to admit you are sick is really to admit to political or social or romantic defeat; that to admit to any emotions usually means one really feels the opposite. It is a terrible kind of falsehood that people can only claim feelings as a kind of social weapon.
Apparently some people thought it took amazing courage to admit that I was drunk, when it was mere unthinking truth. This is sad. But I’m not about to pride myself on telling the truth. Reacting without thinking--even if I spoke what I thought was true--has gotten me into some nasty situations during the recent year. This requires more thought. In the meantime, what think you?
I signed it and got it sent before I could change my mind, then hastily finished dressing. At least, I thought as I slipped out the door, I won’t have to see his face when he reads it, if he thinks it excessively foolish. ~ Sherwood Smith,#NFDB
870:Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman. ~ Patricia MacLachlan,#NFDB
871:What about me?’ said Grantaire. ‘I’m here.’
‘You?’
‘Yes, me.’
‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
‘Why not?’
‘Are you capable of being good for something?’
‘I have the vague ambition to be,’ said Grantaire.
‘You don’t believe in anything.’
‘I believe in you.’
‘Grantaire, will you do me a favour?’
‘Anything. Polish your boots.’
‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
‘You’re heartless, Enjolras.’
‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
‘Do you know them at all, those comrades who meet at Richefeu’s?'
‘Not very well. But we’re on friendly terms.’
‘What will you say to them?’
‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
‘You?’
‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
‘Be serious,’ said Enjolras.
‘I mean it,’ replied Grantaire.
Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’
Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
He resolutely jammed on his hat, and off he went. ~ Victor Hugo,#NFDB
872:Chopin
A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz. Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet's heart that throbs.
So yearns, though all the dancing waves rejoice,
The troubled sea's disconsolate, deep voice.
II
Who shall proclaim the golden fable false
Of Orpheus' miracles? This subtle strain
Above our prose-world's sordid loss and gain
Lightly uplifts us. With the rhythmic waltz,
The lyric prelude, the nocturnal song
Of love and languor, varied visions rise,
That melt and blend to our enchanted eyes.
The Polish poet who sleeps silenced long,
The seraph-souled musician, breathes again
Eternal eloquence, immortal pain.
Revived the exalted face we know so well,
The illuminated eyes, the fragile frame,
Slowly consuming with its inward flame,
We stir not, speak not, lest we break the spell.
III
A voice was needed, sweet and true and fine
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As the sad spirit of the evening breeze,
Throbbing with human passion, yet devine
As the wild bird's untutored melodies.
A voice for him 'neath twilight heavens dim,
Who mourneth for his dead, while round him fall
The wan and noiseless leaves. A voice for him
Who sees the first green sprout, who hears the call
Of the first robin on the first spring day.
A voice for all whom Fate hath set apart,
Who, still misprized, must perish by the way,
Longing with love, for that they lack the art
Of their own soul's expression. For all these
Sing the unspoken hope, the vague, sad reveries.
IV
Then Nature shaped a poet's heart--a lyre
From out whose chords the lightest breeze that blows
Drew trembling music, wakening sweet desire.
How shall she cherish him? Behold! she throws
This precious, fragile treasure in the whirl
Of seething passions; he is scourged and stung,
Must dive in storm-vext seas, if but one pearl
Of art or beauty therefrom may be wrung.
No pure-browed pensive nymph his Muse shall be,
An amazon of thought with sovereign eyes,
Whose kiss was poison, man-brained, worldy-wise,
Inspired that elfin, delicate harmony.
Rich gain for us! But with him is it well?
The poet who must sound earth, heaven, and hell!
~ Emma Lazarus,#NFDB
873:Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him. ~ David Litt, #NFDB
874:In the middle of the night, Alexander—with the moist towel still on his face—was startled out of sleep by the cheerful drunken whisper of Ouspensky, who was shaking him awake, while taking his hand and placing into it something soft and warm. It took Alexander a moment to recognize the softness and warmness as a large human breast, a breast still attached to a human female, albeit a not entirely sober human female, who breathed fire on him, kneeled near his bed and said something in Polish that sounded like, “Wake up, cowboy, paradise is here.” “Lieutenant,” said Alexander in Russian, “you’re going on the rack tomorrow.” “You will pray to me as if I’m your god tomorrow. She is bought and paid for. Have a good one.” Ouspensky lowered the flaps on the tent and disappeared. Sitting up and turning on his kerosene lamp, Alexander was faced with a young, boozy, not unattractive Polish face. For a minute as he sat up, they watched each other, he with weariness, she with drunken friendliness. “I speak Russian,” she said in Russian. “I’m going to get into trouble being here?” “Yes,” said Alexander. “You better go back.” “Oh, but your friend…” “He is not my friend. He is my sworn enemy. He has brought you here to poison you. You need to go back quickly.” He helped her sit up. Her swinging breasts were exposed through her open dress. Alexander was naked except for his BVDs. He watched her appraise him. “Captain,” she said, “you’re not telling me you are poison? You don’t look like poison.” She reached out for him. “You don’t feel like poison.” She paused, whispering, “At ease, soldier.” Moving away from her slightly—only slightly—Alexander started to put on his trousers. She stopped him by rubbing him. He sighed, moving her hand away. “You left a sweetheart behind? I can tell. You’re missing her. I see many men like you.” “I bet you do.” “They always feel better after they’re with me. So relieved. Come on. What’s the worst that can happen? You will enjoy yourself?” “Yes,” said Alexander. “That’s the worst that can happen.” She stuck out her hand holding a French letter. “Come on. Nothing to be afraid of.” “I’m not afraid,” said Alexander. “Oh, come on.” He buckled his belt. “Let’s go. I’ll walk you back.” “You have some chocolate?” she said, smiling. “I’ll suck you off for some chocolate.” Alexander wavered, lingering on her bare breasts. “As it turns out, I do have some chocolate,” he said, throbbing everywhere, including his heart. “You can have it all.” He paused. “And you don’t even have to suck me off.” The Polish girl’s eyes cleared for a moment. “Really?” “Really.” He reached into his bag and handed her some small pieces of chocolate wrapped in foil. Hungrily she shoved the bars into her mouth and swallowed them whole. Alexander raised his eyebrows. “Better the chocolate than me,” he said. The girl laughed. “Will you really walk me back?” she said. “Because the streets are not safe for a girl like me.” Alexander took his machine gun. “Let’s go. ~ Paullina Simons, #NFDB
875:A Poem For The Birth-Day Of The Right Honble The
Lady Catharine Tufton
'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise
Or rightly speak SERENA's Praise:
Since with more ease we might declare
How Great her Predecessors were;
How Great that more distinguish'd Peer,
To whom she owes her Being here;
In whom our Britain lets us see
What once they were, and still shou'd be;
As, when the earliest Race was drown'd,
Some Patterns, from amongst them found,
Were kept to shew succeeding Times
Their Excellence without their Crimes:
More easily we might express
What Vertues do her Mother dress;
What does her Form and Mind adorn,
Of whom th' engaging Nymph was born;
What Piety, what generous Love,
Does the enlarged Bosom move
Of Her, whose Fav'rite she appears,
Who more than as a Niece endears.
Such full Perfections obvious lie,
And strike, at first, a Poet's Eye.
Deep Lines of Honour all can hit,
25
Or mark out a superior Wit;
Consummate Goodness all can show,
And where such Graces shine below:
But the more tender Strokes to trace,
T' express the Promise of a Face,
When but the Dawnings of the Mind
We from the Air unripen'd find;
Which alt'ring, as new Moments rise,
The Pen or Pencil's Art defies;
When Flesh and Blood in Youth appears,
Polish'd like what our Marble wears;
Fresh as that Shade of op'ning Green,
Which first upon our Groves is seen;
Enliven'd by a harmless Fire,
And brighten'd by each gay Desire;
These nicer Touches wou'd demand
A Cowley's or a Waller's Hand,
T'explain, with undisputed Art,
What 'tis affects th'enlighten'd Heart,
When ev'ry darker Thought gives way,
Whilst blooming Beauty we survey;
To shew how All, that's soft and sweet,
Does in the fair SERENA meet;
To tell us, with a sure Presage,
The Charms of her maturer Age.
When Hothfeild shall (as heretofore {4}
From its far-sought and virtuous Store
It Families of great Renown
Did with illustrious Hymens crown)
When Hothfeild shall such Treasure know,
As fair SERENA to bestow:
Then shou'd some Muse of loftier Wing
The Triumphs of that Season sing;
Describe the Pains, the Hopes, the Fears
Of noble Youths, th'ambitious Cares
Of Fathers, the long-fram'd Design,
To add such Splendour to their Line,
Whilst all shall strive for such a Bride
So Educated, and Ally'd.
~ Anne Kingsmill Finch,#NFDB
876:The Prisoner's Return
(Part Three, Scene Seven)
Him! So I rushed. 'But there will be a spy.
Don't go today.' I made another try
The morning after. Police thugs at the door.
The next week, too, I went. 'His health is poor.'
And then, at last, when traveling out of town
They told me that a fat but broken-down
Fellow was my friend. His hair had gone; his skin
Was a puffed sponge that wrinkles burrowed
Bad food had done it, that and rotten air.
I never would have known him, sitting there.
I said good day. He couldn't place my face.
I introduced myself, but not a trace
Of recognition. Then I reminded him
Of this and that. His glance grew deep, kept dim.
And all his daily tortures, all the fears
Of sleepless nights, and all the thoughts, the years,
I saw; but only for a moment: then
A monstrous veil descended once again.
His pupils, like thick glass refracting light,
Looked grey when stared at but could shine with bright
Patterns of rainbows when glimpsed from the side.
Cobwebs are like that too: their grey threads hide
Sparks and rust-reds and spots of black and green:
Yet in those pupils nothing could be seen.
Their surface, quite opaquely, showed that they,
Had lain a long time in the damp dark clay.
Next month I called on him, hoping to find
A man at ease, refreshed, in his right mind.
But many questioners had had their say,
Ten thousand sleepless nights had passed away,
Too many torturers had probed, and he
Had learned that shadows make good company
And silence is the only right reply.
The city, in a month, could not defy
The laws that had been taught him year by year.
Day was a traitor, sunlight a spy: his fear
18
Made turnkeys of his family, hangmen of guests.
The door's click meant: 'More questions. More arrests.'
He'd turn his back, prop head on hand, and wait
Collecting strength enough to concentrate.
his lips pressed tight to make them one thin line.
He hid his eyes lest they should give some sign,
And any sign might tell them what he thought.
The simplest question seems to have him caught.
He'd crouch in shadows, crying 'I won't talk.'
Because his mind was made of prison rock
So that his cell went with him everywhere.
His wife wept long, kneeling beside his chair.
But maybe it was mostly his child's tears
That, finally, released him from his fears.
I thought he'd tell his story in the end.
(Ex-convicts like to speak to an old friend
About their prison days.) I'd learn the truth,
The truth that tyrants hide, the Polish truth.
It flourishes in shadows. Its history
Lives in Siberia where its heroes die,
There and in dungeons. But what did my friend say?
He said he had forgotten. And, with dismay,
I listened to his silence. His memory was
Written upon, and deeply, but, because
It had long rotted in the dark, my friend
Could not read what was written: 'We'd better send
For God. He will remember and tell us all.'
~ Adam Mickiewicz,#NFDB
877:The Knight Whose Armour Didn'T Squeak
Of all the Knights in Appledore
The wisest was Sir Thomas Tom.
He multiplied as far as four,
And knew what nine was taken from
To make eleven. He could write
A letter to another Knight.
No other Knight in all the land
Could do the things which he could do.
Not only did he understand
The way to polish swords, but knew
What remedy a Knight should seek
Whose armour had begun to squeak.
And, if he didn't fight too much,
It wasn't that he didn't care
For blips and buffetings and such,
But felt that it was hardly fair
To risk, by frequent injuries,
A brain as delicate as his.
His castle (Castle Tom) was set
Conveniently on a hill;
And daily, when it wasn't wet,
He paced the battlements until
Some smaller Knight who couldn't swim
Should reach the moat and challenge him.
Or sometimes, feeling full of fight,
He hurried out to scour the plain,
And, seeing some approaching Knight,
He either hurried home again,
Or hid; and, when the foe was past,
Blew a triumphant trumpet-blast.
One day when good Sir Thomas Tom
Was resting in a handy ditch,
The noises he was hiding from,
Though very much the noises which
56
He'd always hidden from before,
Seemed somehow less....Or was it more?
The trotting horse, the trumpet's blast,
The whistling sword, the armour's squeak,
These, and especially the last,
Had clattered by him all the week.
Was this the same, or was it not?
Something was different. But what?
Sir Thomas raised a cautious ear
And listened as Sir Hugh went by,
And suddenly he seemed to hear
(Or not to hear) the reason why
This stranger made a nicer sound
Than other Knights who lived around.
Sir Thomas watched the way he went His rage was such he couldn't speak,
For years they'd called him down in Kent
The Knight Whose Armour Didn't Squeak!
Yet here and now he looked upon
Another Knight whose squeak had gone.
He rushed to where his horse was tied;
He spurred it to a rapid trot.
The only fear he felt inside
About his enemy was not
'How sharp his sword?' 'How stout his heart?'
But 'Has he got too long a start?'
Sir Hugh was singing, hand on hip,
When something sudden came along,
And caught him a terrific blip
Right in the middle of his song.
'A thunderstorm!' he thought. 'Of course!'
And toppled gently off his horse.
Then said the good Sir Thomas Tom,
Dismounting with a friendly air,
'Allow me to extract you from
The heavy armour that you wear.
57
At times like these the bravest Knight
May find his armour much too tight.'
A hundred yards or so beyond
The scene of brave Sir Hugh's defeat
Sir Thomas found a useful pond,
And, careful not to wet his feet,
He brought the armour to the brink,
And flung it in...and watched it sink.
So ever after, more and more,
The men of Kent would proudly speak
Of Thomas Tom of Appledore,
'The Knight Whose Armour Didn't Squeak.'
Whilst Hugh, the Knight who gave him best,
Squeaks just as badly as the rest.
~ Alan Alexander Milne,#NFDB
878:Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note. ~ Betty Smith,#NFDB
879:All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof.
If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K."
Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children.
Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses. ~ Gaston Bachelard,#NFDB
880:Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins. ~ Anna Banks,#NFDB
881:What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did. ~ Anna Banks,#NFDB
882:Elegy To The Memory Of An Unfortunate Lady
What beck'ning ghost, along the moon-light shade
Invites my steps, and points to yonder glade?
'Tis she!--but why that bleeding bosom gor'd,
Why dimly gleams the visionary sword?
Oh ever beauteous, ever friendly! tell,
Is it, in heav'n, a crime to love too well?
To bear too tender, or too firm a heart,
To act a lover's or a Roman's part?
Is there no bright reversion in the sky,
For those who greatly think, or bravely die?
Why bade ye else, ye pow'rs! her soul aspire
Above the vulgar flight of low desire?
Ambition first sprung from your blest abodes;
The glorious fault of angels and of gods;
Thence to their images on earth it flows,
And in the breasts of kings and heroes glows.
Most souls, 'tis true, but peep out once an age,
Dull sullen pris'ners in the body's cage:
Dim lights of life, that burn a length of years
Useless, unseen, as lamps in sepulchres;
Like eastern kings a lazy state they keep,
And close confin'd to their own palace, sleep.
From these perhaps (ere nature bade her die)
Fate snatch'd her early to the pitying sky.
As into air the purer spirits flow,
And sep'rate from their kindred dregs below;
So flew the soul to its congenial place,
Nor left one virtue to redeem her race.
But thou, false guardian of a charge too good,
Thou, mean deserter of thy brother's blood!
See on these ruby lips the trembling breath,
These cheeks now fading at the blast of death:
Cold is that breast which warm'd the world before,
And those love-darting eyes must roll no more.
Thus, if eternal justice rules the ball,
Thus shall your wives, and thus your children fall;
51
On all the line a sudden vengeance waits,
And frequent hearses shall besiege your gates.
There passengers shall stand, and pointing say,
(While the long fun'rals blacken all the way)
"Lo these were they, whose souls the furies steel'd,
And curs'd with hearts unknowing how to yield.
Thus unlamented pass the proud away,
The gaze of fools, and pageant of a day!
So perish all, whose breast ne'er learn'd to glow
For others' good, or melt at others' woe."
What can atone (oh ever-injur'd shade!)
Thy fate unpitied, and thy rites unpaid?
No friend's complaint, no kind domestic tear
Pleas'd thy pale ghost, or grac'd thy mournful bier.
By foreign hands thy dying eyes were clos'd,
By foreign hands thy decent limbs compos'd,
By foreign hands thy humble grave adorn'd,
By strangers honour'd, and by strangers mourn'd!
What though no friends in sable weeds appear,
Grieve for an hour, perhaps, then mourn a year,
And bear about the mockery of woe
To midnight dances, and the public show?
What though no weeping loves thy ashes grace,
Nor polish'd marble emulate thy face?
What though no sacred earth allow thee room,
Nor hallow'd dirge be mutter'd o'er thy tomb?
Yet shall thy grave with rising flow'rs be drest,
And the green turf lie lightly on thy breast:
There shall the morn her earliest tears bestow,
There the first roses of the year shall blow;
While angels with their silver wings o'ershade
The ground, now sacred by thy reliques made.
So peaceful rests, without a stone, a name,
What once had beauty, titles, wealth, and fame.
How lov'd, how honour'd once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee,
'Tis all thou art, and all the proud shall be!
Poets themselves must fall, like those they sung,
52
Deaf the prais'd ear, and mute the tuneful tongue.
Ev'n he, whose soul now melts in mournful lays,
Shall shortly want the gen'rous tear he pays;
Then from his closing eyes thy form shall part,
And the last pang shall tear thee from his heart,
Life's idle business at one gasp be o'er,
The Muse forgot, and thou belov'd no more!
~ Alexander Pope,#NFDB
883:The Woodman’s Daughter
In Gerald's Cottage by the hill,
Old Gerald and his child,
Innocent Maud, dwelt happily;
He toil'd, and she beguiled
The long day at her spinning-wheel,
In the garden now grown wild.
At Gerald's stroke the jay awoke;
Till noon hack follow'd hack,
Before the nearest hill had time
To give its echo back;
And evening mists were in the lane
Ere Gerald's arm grew slack.
Meanwhile, below the scented heaps
Of honeysuckle flower,
That made their simple cottage-porch
A cool, luxurious bower,
Maud sat beside her spinning-wheel,
And spun from hour to hour.
The growing thread thro' her fingers sped;
Round flew the polish'd wheel;
Merrily rang the notes she sang
At every finish'd reel;
From the hill again, like a glad refrain,
Follow'd the rapid peal.
But all is changed. The rusting axe
Reddens a wither'd bough;
A spider spins in the spinning-wheel,
And Maud sings wildly now;
And village gossips say she knows
Grief she may not avow.
Her secret's this: In the sweet age
When heaven's our side the lark,
She follow'd her old father, where
He work'd from dawn to dark,
For months, to thin the crowded groves
Of the old manorial Park.
She fancied and he felt she help'd;
And, whilst he hack'd and saw'd,
The rich Squire's son, a young boy then,
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Whole mornings, as if awed,
Stood silent by, and gazed in turn
At Gerald and on Maud.
And sometimes, in a sullen tone,
He offer'd fruits, and she
Received them always with an air
So unreserved and free,
That shame-faced distance soon became
Familiarity.
Therefore in time, when Gerald shook
The woods, no longer coy,
The young heir and the cottage-girl
Would steal out to enjoy
The sound of one another's talk,
A simple girl and boy.
Spring after Spring, they took their walks
Uncheck'd, unquestion'd; yet
They learn'd to hide their wanderings
By wood and rivulet,
Because they could not give themselves
A reason why they met.
Once Maud came weeping back. ‘Poor Child!’
Was all her father said:
And he would steady his old hand
Upon her hapless head,
And think of her as tranquilly
As if the child were dead.
But he is gone: and Maud steals out,
This gentle day of June;
And having sobb'd her pain to sleep,
Help'd by the stream's soft tune,
She rests along the willow-trunk,
Below the calm blue noon.
The shadow of her shame and her
Deep in the stream, behold!
Smiles quake over her parted lips:
Some thought has made her bold;
She stoops to dip her fingers in,
To feel if it be cold.
'Tis soft and warm, and runs as 'twere
Perpetually at play:
But then the stream, she recollects,
346
Bears everything away.
There is a dull pool hard at hand
That sleeps both night and day.
She marks the closing weeds that shut
The water from her sight;
They stir awhile, but now are still;
Her arms fall down; the light
Is horrible, and her countenance
Is pale as a cloud at night.
Merrily now from the small church-tower
Clashes a noisy chime;
The larks climb up thro' the heavenly blue,
Carolling as they climb:
Is it the twisting water-eft
That dimples the green slime?
The pool reflects the scarlet West
With a hot and guilty glow;
The East is changing ashy pale;
But Maud will never go
While those great bubbles struggle up
From the rotting weeds below.
The light has changed. A little since
You scarcely might descry
The moon, now gleaming sharp and bright,
From the small cloud slumbering nigh;
And, one by one, the timid stars
Step out into the sky.
The night blackens the pool; but Maud
Is constant at her post,
Sunk in a dread, unnatural sleep,
Beneath the skiey host
Of drifting mists, thro' which the moon
Is riding like a ghost.
~ Coventry Patmore,#NFDB
884:To Penshurst
Thou art not, Penshurst, built to envious show,
Of touch, or marble; nor canst boast a row
Of polish'd pillars, or a roofe of gold:
Thou hast no lantherne, whereof tales are told;
Or stayre, or courts; but stand'st an ancient pile,
And these grudg'd at, art reverenc'd the while.
Thou joy'st in better marks, of soile, of ayre,
Of wood, of water: therein thou art faire.
Thou hast thy walkes for health, as well as sport:
Thy
Mount
, to which the
Dryads
do resort,
Where Pan, and Bacchus their high feasts have made,
Beneath the broad beech, and the chest-nut shade;
That taller tree, which of a nut was set,
At his great birth, where all the
Muses
met.
There, in the writhed barke, are cut the names
Of many a Sylvane, taken with his flames
And thence the ruddy
Satyres
oft provoke
The lighter
Faunes
, to reach thy
Ladies oke
Thy copp's, too, nam'd of Gamage, thou hast there,
That never failes to serve thee season'd deere,
When thou would'st feast, or exercise thy friends.
The lower land, that to the river bends,
Thy sheep, thy bullocks, kine, and calves do feed:
The middle grounds thy Mares, and Horses breed.
Each banck, doth yeeld thee Coneyes; and the topps
Fertile of wood, Ashore, and Sydney's copp's,
To crown thy open table, doth provide
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The purpled Phesant, with the speckled side:
The painted Partrich lyes in every field,
And, for thy messe, is willing to be kill'd.
And if the high-swolne
Medway
faile thy dish,
Thou hast thy ponds, that pay thee tribute fish,
Fat, aged Carps, that run into thy net.
And Pikes, now weary their own kinde to eat,
As loth, the second draught, or cast to stay,
Officiously, at first, themselves betray.
Bright Eeles, that emulate them, and leap on land;
Before the fisher, or into his hand.
Then hath thy Orchard fruit, thy garden flowers,
Fresh as the ayre, and new as are the houres.
The earely Cherry, with the later Plum,
Fig, Grape, and Quince, each in his time doth come:
The blushing Apricot, and woolly Peach
Hang on thy wals, that every child may reach.
And though thy wals be of the countrey stone,
They' are rear'd with no mans ruine, no mans grone;
There's none, that dwell about them, wish them downe;
But all come in, the farmer and the clowne:
And no one empty-handed, to salute
Thy Lord, and Lady, though they have no sute.
Some bring a Capon, some a rurall Cake,
Some Nuts, some Apples; some that think they make
The better Cheeses, bring 'hem; or else send
By their ripe daughters, whom they would commend
This way to husbands; and whose baskets beare
An Embleme of themselves, in plum, or peare.
But what can this (more than expresse their love)
Adde to thy free provisions, farre above
The need of such? whose liberall boord doth flow,
With all, that hospitality doth know!
Where comes no guest, but is allow'd to eat,
Without his feare, and of thy Lords own meat:
Where the same beere, and bread, and selfe-same wine,
That is his Lordships, shall be also mine.
And I not faine to sit (as some, this day,
At great mens tables) and yet dine away.
Here no man tels my cups; nor, standing by,
135
A waiter, doth my gluttony envy:
But gives me what I call for, and lets me eate;
He knowes, below, he shall finde plentie of meate;
Thy tables hoord not up for the next day,
Nor, when I take my lodging, need I pray
For fire, or lights, or livorie: all is there;
As if thou, then, wert mines, or I raign'd here:
There's nothing I can wish, for which I stay.
That found King James, when hunting late, this way,
With his brave sonne, the Prince, they saw thy fires
Shine bright on every harth as the desires
Of thy Penates had beene set on flame,
To entertayne them; or the Countrey came,
With all their zeale, to warme their welcome here.
What (great, I will not say, but) sodaine cheare
Didst thou, then, make 'hem! and what praise was heap'd
On thy good lady, then! who therein, reap'd
The just reward of her high huswifery;
To have her linnen, plate, and all things nigh,
When she was farre: and not a roome, but drest,
As if it had expected such a guest!
These, Penshurst, are thy praise, and yet not all.
Thy lady's noble, fruitfull, chaste withall.
His children thy great lord may call his owne:
A fortune, in this age, but rarely knowne.
They are, and have been taught religion: Thence
Their gentler spirits have suck'd innocence.
Each morne, and even, they are taught to pray,
With the whole houshold, and may, every day,
Reade, in their vertuous parents noble parts,
The mysteries of manners, armes, and arts.
Now, Penshurst, they that will proportion thee
With other edifices, when they see
Those proud, ambitious heaps, and nothing else,
May say, their lords have built, but thy lord dwells.
~ Ben Jonson,#NFDB
885:Pi-Dog
This is the time of day I like best,
and this the hour
when I can call this city my own;
when I like nothing better
than to lie down here, at the exact centre
of this traf?c island
(or trisland as I call it for short,
and also to suggest
a triangular island with rounded corners)
that doubles as a parking lot
on working days,
a corral for more than ?fty cars,
when it's deserted early in the morning,
and I'm the only sign
of intelligent life on the planet;
the concrete surface hard, ?at and cool
against my belly,
my lower jaw at rest on crossed forepaws;
just about where the equestrian statue
of what's-his-name
must've stood once, or so I imagine.
I look a bit like
a seventeenth-century map of Bombay
with its seven islands
not joined yet,
shown in solid black
on a body the colour of old parchment;
with Old Woman's Island
16
on my forehead,
Mahim on my croup,
and the others distributed
casually among
brisket, withers, saddle and loin
- with a pirate's
rather than a cartographer's regard
for accuracy.
I like to trace my descent
- no proof of course,
just a strong family tradition matrilineally,
to the only bitch that proved
tough enough to have survived,
?rst, the long voyage,
and then the wretched weather here
- a combination
that killed the rest of the pack
of thirty foxhounds,
imported all the way from England
by Sir Bartle Frere
in eighteen hundred and sixty-four,
with the crazy idea
of introducing fox-hunting to Bombay.
Just the sort of thing
he felt the city badly needed.
On my father's side
the line goes back to the dog that followed
Yudhishthira
on his last journey,
17
and stayed with him till the very end;
long after all the others
- Draupadi ?rst, then Sahadeva,
then Nakul, followed by Arjuna and,
last of all, Bhima had fallen by the wayside.
Dog in tow, Yudhishthira alone plodded on.
Until he too,
frostbitten and blinded with snow,
dizzy with hunger and gasping for air,
was about to collapse
in the icy wastes of the Himalayas;
when help came
in the shape of a ?ying chariot
to airlift him to heaven.
Yudhishthira, that noble prince, refused
to get on board unless dogs were allowed.
And my ancestor became the only dog
to have made it to heaven
in recorded history.
To ?nd a more moving instance
of man's devotion to dog,
we have to leave the realm of history,
skip a few thousand years
and pick up a work of science fantasy
- Harlan Ellison's A Boy and his Dog,
a cultbook among pi-dogs everywhere in which the ‘Boy' of the title
sacri?ces his love,
and serves up his girlfriend
as dogfood to save the life of his
18
starving canine master.
I answer to the name of Ugh.
No,
not the exclamation of disgust;
but the U pronounced as in Upanishad,
and gh not silent,
but as in ghost, ghoul or gherkin.
It's short for Ughekalikadu,
Siddharamayya's
famous dog that I was named after,
the guru of Kallidevayya's dog
who could recite
the four Vedas backwards.
My own knowledge of the scriptures
begins
and ends, I'm afraid,
with just one mantra, or verse;
the tenth,
from the sixty-second hymn
in the third mandala of the Rig
(and to think
that the Rig alone contains ten thousand
?ve hundred and ?fty-two verses).
It's composed in the Gayatri metre,
and it goes:
Om tat savitur varenyam
bhargo devasya dhimahi
dhiyo yonah prachodayat.
Twenty-four syllables, exactly,
if you count the initial Om.
Please don't ask me what it means, though.
19
All I know
is that it's addressed to the sun-god
- hence it's called Savitri and it seems appropriate enough
to recite it
as I sit here waiting for the sun
to rise.
May the sun-god amplify
the powers of my mind.
What I like about this time and place
- as I lie here hugging the ground,
my jaw at rest on crossed forepaws,
my eyes level with the welltempered
but gaptoothed keyboard
of the black-and-white concrete blocks
that form the border of this trisland
and give me my primary horizon is that I am left completely undisturbed
to work in peace on my magnum opus:
a triple sonata for a circumpiano
based on three distinct themes one suggested by a magpie robin,
another by the wail of an ambulance,
and the third by a rockdrill;
a piebald pianist, caressing and tickling
the concrete keys with his eyes,
undeterred by digital deprivation.
As I play,
the city slowly reconstructs itself,
stone by numbered stone.
20
Every stone
seeks out his brothers
and is joined by his neighbours.
Every single crack
returns to its ?agstone
and all is forgiven.
Trees arrive at themselves,
each one ready
to give an account of its leaves.
The mahogany drops
a casket bursting with winged seeds
by the wayside,
like an inexperienced thief
drops stolen jewels
at the sight of a cop.
St Andrew's church tiptoes back to its place,
shoes in hand,
like a husband after late-night revels.
The university,
you'll be glad to know,
can never get lost
because, although forgetful,
it always carries
its address in its pocket.
My nose quivers.
A many-coloured smell
of innocence and lavender,
mildly acidic perspiration
and nail polish,
rosewood and rosin
21
travels like a lighted fuse
up my nose
and explodes in my brain.
It's not the leggy young girl
taking a short cut
through this island as usual,
violin case in hand,
and late again for her music class
at the Max Mueller Bhavan,
so much as a warning to me
that my idyll
will soon be over,
that the time has come for me
to surrender the city
to its so-called masters.
~ Arun Kolatkar,#NFDB
886:On The Death Of The Queen
Mary of Modena d. 1718 {1}
Dark was the shade where only cou'd be seen
Disasterous Yew that ever balefull green
Distructive in the field of old when strung
Gloomy o'er graves of sleeping warriours hung
Deep was the wild recess that not an ear
Which grudged her praises might the accents hear
Where sad ARDELIA {2} mourn'd URANIA's{3} Death
In sighs which seem'd her own expireing breath
In moving Sylables so often broke
That more then Eloquence the anguish spoke
Urging the tears which cou'd not give relief
But seem'd to propagate renewing grief
Lamira{4} near her sat and caught the sound
Too weak for ecchoing rocks which fixt the bound
For Clifts that overlook't the dangerous wave
Th'unhappy Vessels or the Sailors grave
The pittying Nymph whom sympathy constrain'd
Ask't why her friend thus heavily complain'd
Why she retired to that ill omen'd spot
By men forsaken and the World forgot
Why thus from light and company she fled
And living sought the mansions of the Dead
Her head reclined on the obdurate stone
Still uttering low but interrupted moan
In which URANIA she to all prefer'd
And with her seem'd unactive or interr'd
As if all virtues of the polish't mind
All excellencies of the female kind
All wining graces in Urania join'd
As if perfection but in her was seen
And Her least dignity was England's Queen.
Thou hast discrib'd her pleas'd ARDELIA cry'd
As thou hadst known her awfull without pride
As thou in Her Domestick train hadst stood
And seen her great and found her warmly good
Duely maintaining her exalted place
Yet condescending with attractive grace
Recall'd be days when ebon locks o'erspread
103
My youthfull neck my cheeks a bashfull red
When early joys my glowing bosom warm'd
When trifles pleas'd & every pleasure charm'd
Then eager from the rural seat I came
Of long traced Ancestors of worthy name
To seek the Court of many woes the source
Compleated by this last this sad divorce
From her to whom my self I had resign'd
The Sovereign Mistress of my vanquish't mind
Who now survive but to attend her hearse
With dutious tribute of recording verse
In which may truth with energy be found
And soft as her compassion be the sound
Bless't were the hours when thro' attendance due
Her numerous charms were present to my view
When lowly to her radiant eyes I bowed
Suns to my sight but Suns without a cloud
Towards me their beneficial aspect turn'd
Imprest my duty and my conduct warn'd
For who that saw the modest airs they cast
But from that pattern must be nicely chast
Peculiar Souls have their peculiar sighs
And thro' the eye the inward beauty shines
Then who can wonder if in hers appear'd
Superior sense to be reveer'd & fear'd
Endearing sweetness to her happy friends
And Holy fire which towards the alter tends
Bles't my attention was when drawing near
(My places claim) her crouded audience chair
I heard her by admiring States addrest
With embasies in different tongues exprest
To all that Europe sent she gave replies
In their own speech most eloquent & wise
Soft was her talk and soothing to the heart
By nature solid perfected by art
The Roman Accent which such grace affords
To Tuscan language harmonized her words
All eyes all listning sense upon her hung
When from her lovely mouth th'inchantment sprung
What Livia was when Rome Augustus sway'de {5}
And thro' a woman's wit the world obey'd
What Portia was when fortitude and love {6}
104
Inflected wounds which did her firmness prove
And forcing Brutus to applaud her worth
Drew with the steel th'important secret forth
Such was URANIA where they most excell'd
And where they fail'd by nobler zeal upheld
What Italy produc't of glorious names
Her native Country & her kindred Dames
All virtues which Antiquity cou'd boast
She equal'd but on Stormy Britain tost
They lost their value on a northern Coast
Yet who can wonder if to her we grant
What Poets feign when they Diana paint {7}
What Legends write when they enthrone a Saint
What now ARDELIA speaks with conscious sense
Of Real Worth & matchless excellence
Never such lustre strove against the light
Never such beauty satisfied the sight
Never such Majesty on earth was found
As when URANIA worthyly was crown'd
As when superior airs declared her birth
From Conquerors o'er the Monarchs of the Earth
And large excuse did for their Maxim bring
That Roman Ladies stoop'd to wed a King
If Royalty had then arose from choice
And merit had compell'd the publick voice
All had allow'd URANIA claimed the most
In view of whom all other charms were lost
Her's in Meridian strong in their decay
But sweetly sinking like declining day
In grief but veil'd as when a rainy cloud
The glorious Sun does yet transparent Shroud
And whilst it softens each resplendent beam
Weeps o'er the land from whence the vapour came
O'er Brittain so her Pious sorrows fell
Less for her Woes then that it cou'd rebell
Yet thence arose the shades her life o'ercast
And worldly greatness seldom made to last
Thence in a foreign clime her Consort died
Whom death cou'd never from her thoughts divide
Thence Sable weeds & cyprus walks she chose
And from within produc't her own repose
Yet only pray'd for those she cou'd not calm
105
As fragrant trees tho' wounded shed but balm
Nor ceas't to live till vindicated Heaven
Shew'd that in vain were such examples given
Who held her light to three great Kingdoms forth
And gave her Sufferings to dilate her worth
That Gallia too might see she cou'd support
Monastick rules and Britains worst effort
Now peacefull is the spirit which possest
That never blemish't that afflicted breast
Closed are such eyes as paradise might boast
Seen but in Eve e'er innocence she lost
The solemn grave with reverence takes her down
And lasting wreaths succeed th'unstable crown
For rude Huzza's in mercenary streets
All Hail in her triumphant way she meets
Who shall in silent Majesty repose
Till every tomb shall every guest disclose
Till Heaven which does all human loss repair
Distinguishing the attoms of the fair
Shall give URANIA's form transcendant beauty there
And from the beams Iradiating her face
(Which here but wanted that suspended grace)
Shall shew the Britains how they strove in vain
To strip that brow which was consign'd to reign
Tho' Polititians strove to guide the round
Of miscall'd fortune & prescribe its bound
Till the contested Earth shou'd be no longer found.
Here she concludes Lamira thinks it just
Such pious tears shou'd wait such Royal Dust.
~ Anne Kingsmill Finch,#NFDB
887:Part I: Visions In The Smoke
Rest, and be thankful ! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the 'ancient clay'.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies.
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision ;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann'd,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle's roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore ?
On ! on ! to the cannon's mouth they stride,
With never a swerve nor a shy,
Oh ! the minutes of yonder maddening ride,
Long years of pleasure outvie !
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
207
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there !
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I'll fix my overcoat buttons ;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend Bell, as the Frenchmen say,
We'll 'go back again to our muttons'.
There's a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp'd for the 'Melbourne Cup',
All gloss and polish and lustre ;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew'd,
Like a ribbon of green, stretched out between
The ranks of the multitude.
The flag is lowered. 'They're off !' 'They come !'
The squadron is sweeping on ;
A sway in the crowd—a murmuring hum !
'They're here !' 'They're past !' 'They're gone !'
They came with the rush of the southern surf,
On the bar of the storm-girt bay ;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
208
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O'er the sod where Lantern sleeps,
Though the turf is green on Fisherman's grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She's bringing the field to trouble ;
She's tailing them off, she's running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the bolt of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won't be caught ; she comes right away ;
Hurrah for Seagull and Fisher ;
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on 'the Gippsland flyer'.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler's flanks ;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking ;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker's roar ;
Now, Davis, rally ; now, Carter, ride,
As man never rode before.
When Sparrowhawk's backers cease to cheer,
When Yattendon's friends are dumb,
When hushed is the clamour for Volunteer—
Alone in the race they come !
209
They're neck and neck ; they're head and head ;
They're stroke for stroke in the running ;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained ;—
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer ?
The breed of his dam is a myth unknown,
And we've doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose 'scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh—laugh loud and long,
For pedigree you're a sticker ;
You may be right, I may be wrong,
Wiseacres both ! Let's liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d——d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still ;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll'd
Behind a curtain of sable cloud,
With a fringe of scarlet and gold ;
There's a misty glare in the yellow moon,
And the drift is scudding fast,
There'll be storm, and rattle, and tempest soon,
When the heavens are overcast.
210
The neutral tint of the sullen sea
Is fleck'd with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and—by Jove, it rains
(I thought I should come to grief) ;
Though it can't well damage my shabby hat,
Though my coat looks best when it's damp ;
Since the shaking I got (no matter where at),
I've a mortal dread of the cramp.
My matches are wet, my pipe's put out,
And the wind blows colder and stronger ;
I'll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
~ Adam Lindsay Gordon,#NFDB
888:Fauconshawe
[A Ballad]
To fetch clear water out of the spring
The little maid Margaret ran,
From the stream to the castle's western wing
It was but a bowshot span ;
On the sedgy brink where the osiers cling
Lay a dead man, pallid and wan.
The lady Mabel rose from her bed,
And walked in the castle hall,
Where the porch through the western turret led
She met with her handmaid small.
'What aileth thee, Margaret ?' the lady said,
'Hast let thy pitcher fall ?
'Say, what hast thou seen by the streamlet side—
A nymph or a water sprite—
That thou comest with eyes so wild and wide,
And with cheeks so ghostly white ?'
'Nor nymph nor sprite,' the maiden cried,
'But the corpse of a slaughtered knight.'
The lady Mabel summon'd straight
To her presence Sir Hugh de Vere,
Of the guests who tarried within the gate
Of Fauconshawe, most dear
Was he to that lady ; betrothed in state
They had been since many a year.
'Little Margaret sayeth a dead man lies
By the western spring, Sir Hugh ;
I can scarce believe that the maiden lies—
Yet scarce can believe her true.'
And the knight replies, 'Till we test her eyes
Let her words gain credence due.'
Down the rocky path knight and lady led,
While guests and retainers bold
148
Followed in haste, for like wildfire spread
The news by the maiden told.
They found 'twas even as she had said—
The corpse had some while been cold.
How the spirit had pass'd in the moments last
There was little trace to reveal ;
On the still, calm face lay no imprint ghast,
Save the angel's solemn seal,
Yet the hands were clench'd in a death-grip fast,
And the sods stamp'd down by the heel.
Sir Hugh by the side of the dead man knelt,
Said, 'Full well these features I know,
We have faced each other where blows were dealt,
And he was a stalwart foe ;
I had rather met him hilt to hilt,
Than have found him lying low.'
He turned the body up on its face,
And never a word was spoken,
While he ripp'd the doublet, and tore the lace,
And tugg'd—by the self-same token,—
And strain'd, till he wrench'd it out of its place,
The dagger-blade that was broken.
Then he turned the body over again,
And said, while he rose upright,
'May the brand of Cain, with its withering stain,
On the murderer's forehead light,
For he never was slain on the open plain,
Nor yet in the open fight.'
Solemn and stern were the words he spoke,
And he look'd at his lady's men,
But his speech no answering echoes woke,
All were silent there and then,
Till a clear, cold voice the silence broke :—
Lady Mabel cried, 'Amen.'
His glance met hers, the twain stood hush'd,
With the dead between them there ;
149
But the blood to her snowy temples rush'd
Till it tinged the roots of her hair,
Then paled, but a thin red streak still flush'd
In the midst of her forehead fair.
Four yeomen raised the corpse from the ground,
At a sign from Sir Hugh de Vere,
It was borne to the western turret round,
And laid on a knightly bier,
With never a sob nor a mourning sound,—
No friend to the dead was near.
Yet that night was neither revel nor dance
In the halls of Fauconshawe ;
Men looked askance with a doubtful glance
At Sir Hugh, for they stood in awe
Of his prowess, but he, like one in a trance,
Regarded naught that he saw.
Night black and chill, wind gathering still,
With its wail in the turret tall,
And its headlong blast like a catapult cast
On the crest of the outer wall,
And its hail and rain on the crashing pane,
Till the glassy splinters fall.
A moody knight by the fitful light
Of the great hall fire below ;
A corpse upstairs, and a woman at prayers,
Will they profit her, aye or no ?
By'r lady fain, an she comfort gain,
There is comfort for us also.
The guests were gone, save Sir Hugh alone,
And he watched the gleams that broke
On the pale hearth-stone, and flickered and shone
On the panels of polish'd oak ;
He was 'ware of no presence except his own,
Till the voice of young Margaret spoke :
150
'I've risen, Sir Hugh, at the mirk midnight,
I cannot sleep in my bed,
Now, unless my tale can be told aright,
I wot it were best unsaid ;
It lies, the blood of yon northern knight,
On my lady's hand and head.'
'Oh ! the wild wind raves and rushes along,
But thy ravings seem more wild—
She never could do so foul a wrong—
Yet I blame thee not, my child,
For the fever'd dreams on thy rest that throng !'—
He frown'd through his speech was mild.
'Let storm winds eddy, and scream, and hurl
Their wrath, they disturb me naught ;
The daughter she of a high-born earl,
No secret of hers I've sought ;
I am but the child of a peasant churl,
Yet look to the proofs I've brought ;
'This dagger snapp'd so close to the hilt—
Dost remember thy token well ?
Will it match with the broken blade that spilt
His life in the western dell ?
Nay ! read her handwriting, an thou wilt,
From her paramour's breast it fell.'
The knight in silence the letter read,
Oh ! the characters well he knew !
And his face might have match'd the face of the dead,
So ashen white was its hue !
Then he tore the parchment shred by shred,
And the strips in the flames he threw.
And he muttered, 'Densely those shadows fall
In the copse where the alders thicken ;
There she bade him come to her, once for all,—
Now, I well may shudder and sicken ;—
Gramercy ! that hand so white and small,
How strongly it must have stricken.'
151
.
At midnight hour, in the western tower,
Alone with the dead man there,
Lady Mabel kneels, nor heeds nor feels
The shock of the rushing air,
Though the gusts that pass through the riven glass
Have scattered her raven hair.
Across the floor, through the open door,
Where standeth a stately knight,
The lamplight streams, and flickers and gleams,
On his features stern and white—
'Tis Sir Hugh de Vere, and he cometh more near,
And the lady standeth upright.
' 'Tis little,' he said, 'that I know or care
Of the guilt (if guilt there be)
That lies 'twixt thee and yon dead man there,
Nor matters it now to me ;
I thought thee pure, thou art only fair,
And to-morrow I cross the sea.
'He perish'd ! I ask not why or how :
I come to recall my troth ;
Take back, my lady, thy broken vow,
Give back my allegiance oath ;
Let the past be buried between us now
For ever—'tis best for both.
'Yet, Mabel, I could ask, dost thou dare
Lay hand on that corpse's heart,
And call on thy Maker, and boldly swear
That thou hadst in his death no part ?
I ask not, while threescore proofs I share
With one doubt—uncondemn'd thou art.'
Oh ! cold and bleak upon Mabel's cheek
Came the blast of the storm-wind keen,
And her tresses black as the glossy back
Of the raven, glanced between
Her fingers slight, like the ivory white,
152
As she parted their sable sheen.
Yet with steady lip, and with fearless eye,
And with cheek like the flush of dawn,
Unflinchingly she spoke in reply—
'Go hence with the break of morn,
I will neither confess, nor yet deny,
I will return thee scorn for scorn.'
The knight bow'd low as he turn'd to go ;
He travell'd by land and sea,
But naught of his future fate I know,
And naught of his fair ladye ;—
My story is told as, long ago,
My story was told to me.
~ Adam Lindsay Gordon,#NFDB
889:A Farmhouse Dirge
Will you walk with me to the brow of the hill, to visit the farmer's wife,
Whose daughter lies in the churchyard now, eased of the ache of life?
Half a mile by the winding lane, another half to the top:
There you may lean o'er the gate and rest; she will want me awhile to stop,
Stop and talk of her girl that is gone and no more will wake or weep,
Or to listen rather, for sorrow loves to babble its pain to sleep.
How thick with acorns the ground is strewn, rent from their cups and brown!
How the golden leaves of the windless elms come singly fluttering down!
The briony hangs in the thinning hedge, as russet as harvest corn,
The straggling blackberries glisten jet, the haws are red on the thorn;
The clematis smells no more but lifts its gossamer weight on high;If you only gazed on the year, you would think how beautiful 'tis to die.
The stream scarce flows underneath the bridge; they have dropped the sluice of
the mill;
The roach bask deep in the pool above, and the water-wheel is still.
The meal lies quiet on bin and floor; and here where the deep banks wind,
The water-mosses nor sway nor bend, so nothing seems left behind.
If the wheels of life would but sometimes stop, and the grinding awhile would
cease,
'Twere so sweet to have, without dying quite, just a spell of autumn peace.
Cottages four, two new, two old, each with its clambering rose:
Lath and plaster and weather tiles these, brick faced with stone are those.
Two crouch low from the wind and the rain, and tell of the humbler days,
Whilst the other pair stand up and stare with a self-asserting gaze;
But I warrant you'd find the old as snug as the new did you lift the latch,
For the human heart keeps no whit more warm under slate than beneath the
thatch.
Tenants of two of them work for me, punctual, sober, true;
I often wish that I did as well the work I have got to do.
Think not to pity their lowly lot, nor wish that their thoughts soared higher;
The canker comes on the garden rose, and not on the wilding brier.
Doubt and gloom are not theirs and so they but work and love, they live
Rich in the only valid boons that life can withhold or give.
46
Here is the railway bridge, and see how straight do the bright lines keep,
With pheasant copses on either side, or pastures of quiet sheep.
The big loud city lies far away, far too is the cliffbound shore,
But the trains that travel betwixt them seem as if burdened with their roar.
Yet, quickly they pass, and leave no trace, not the echo e'en of their noise:
Don't you think that silence and stillness are the sweetest of all our joys?
Lo! yonder the Farm, and these the ruts that the broad-wheeled wains have
worn,
As they bore up the hill the faggots sere, or the mellow shocks of corn.
The hops are gathered, the twisted bines now brown on the brown clods lie,
And nothing of all man sowed to reap is seen betwixt earth and sky.
Year after year doth the harvest come, though at summer's and beauty's cost:
One can only hope, when our lives grow bare, some reap what our hearts have
lost.
And this is the orchard, small and rude, and uncaredfor, but oh! in spring,
How white is the slope with cherry bloom, and the nightingales sit and sing!
You would think that the world had grown young once more, had forgotten death
and fear,
That the nearest thing unto woe on earth was the smile of an April tear;
That goodness and gladness were twin, were one:- The robin is chorister now:
The russet fruit on the ground is piled, and the lichen cleaves to the bough.
Will you lean o'er the gate, whilst I go on? You can watch the farmyard life,
The beeves, the farmer's hope, and the poults, that gladden his thrifty wife;
Or, turning, look on the hazy weald,-you will not be seen from here,Till your thoughts, like it, grow blurred and vague, and mingle the far and near.
Grief is a flood, and not a spring, whatever in grief we say;
And perhaps her woe, should she see me alone, will run more quickly away.
`I thought you would come this morning, ma'am. Yes, Edith at last has gone;
To-morrow's a week, ay, just as the sun right into her window shone;
Went with the night, the vicar says, where endeth never the day;
But she's left a darkness behind her here I wish she had taken away.
She is no longer with us, but we seem to be always with her,
In the lonely bed where we laid her last, and can't get her to speak or stir.
``Yes, I'm at work; 'tis time I was. I should have begun before;
But this is the room where she lay so still, ere they carried her past the door.
I thought I never could let her go where it seems so lonely of nights;
But now I am scrubbing and dusting down, and seting the place to rights.
47
All I have kept are the flowers there, the last that stood by her bed.
I suppose I must throw them away. She looked much fairer when she was dead.
``Thank you, for thinking of her so much. Kind thought is the truest friend.
I wish you had seen how pleased she was with the peaches you used to send.
She tired of them too ere the end, so she did with all we tried;
But she liked to look at them all the same, so we set them down by her side.
Their bloom and the flush upon her cheek were alike, I used to say;
Both were so smooth, and soft, and round, and both have faded away.
``I never could tell you how kind too were the ladies up at the hall;
Every noon, or fair or wet, one of them used to call.
Worry and work seems ours, but yours pleasant and easy days,
And when all goes smooth, the rich and poor have different lives and ways.
Sorrow and death bring men more close, 'tis joy that puts us apart;
'Tis a comfort to think, though we're severed so, we're all of us one at heart.
``She never wished to be smart and rich, as so many in these days do,
Nor cared to go in on market days to stare at the gay and new.
She liked to remain at home and pluck the white violets down in the wood;
She said to her sisters before she died, `'Tis so easy to be good.'
She must have found it so, I think, and that was the reason why
God deemed it needless to leave her here, so took her up to the sky.
``The vicar says that he knows she is there, and surely she ought to be;
But though I repeat the words, 'tis hard to believe what one does not see.
They did not want me to go to the grave, but I could not have kept away,
And whatever I do I can only see a coffin and church-yard clay.
Yes, I know it's wrong to keep lingering there, and wicked and weak to fret;
And that's why I'm hard at work again, for it helps one to forget.
``The young ones don't seem to take to work as their mothers and fathers did.
We never were asked if we liked or no, but had to obey when bid.
There's Bessie won't swill the dairy now, nor Richard call home the cows,
And all of them cry, `How can you, mother?' when I carry the wash to the sows.
Edith would drudge, for Death one's hearth of the helpful one always robs.
But she was so pretty I could not bear to set her on dirty jobs.
``I don't know how it'll be with them when sorrow and loss are theirs,
For it isn't likely that they'll escape their pack of worrits and cares.
They say it's an age of progress this, and a sight of things improves,
But sickness, and age, and bereavement seem to work in the same old grooves.
48
Fine they may grow, and that, but Death as lief takes the moth as the grub.
When their dear ones die, I suspect they'll wish they'd a floor of their own to
scrub.
``Some day they'll have a home of their own, much grander than this, no doubt,
But polish the porch as you will you can't keep doctors and coffins out.
I've done very well with my fowls this year, but what are pullets and eggs,
When the heart in vain at the door of the grave the return of the lost one begs?
The rich have leisure to wail and weep, the poor haven't time to be sad:
If the cream hadn't been so contrairy this week, I think grief would have driven
me mad.
``How does my husband bear up, you ask? Well, thank you, ma'am, fairly well;
For he too is busy just now, you see, with the wheat and the hops to sell:
It's when the work of the day is done, and he comes indoors at night,
While the twilight hangs round the window-panes before I bring in the light,
And takes down his pipe, and says not a word, but watches the faggots roarAnd then I know he is thinking of her who will sit on his knee no more.
``Must you be going? It seems so short. But thank you for thinking to come;
It does me good to talk of it all, and grief feels doubled when dumb.
An the butter's not quite so good this week, if you please, ma'am, you must not
mind,
And I'll not forget to send the ducks and all the eggs we can find;
I've scarcely had time to look round me yet, work gets into such arrears,
With only one pair of hands, and those fast wiping away one's tears.
``You've got some flowers, yet, haven't you, ma'am? though they now must be
going fast;
We never have any to speak of here, and I placed on her coffin the last.
Could you spare me a few for Sunday next? I should like to go all alone,
And lay them down on the little mound where there isn't as yet a stone.
Thank you kindly, I'm sure they'll do, and I promise to heed what you say;
I'll only just go and lay them there, and then I will come away.''
Come, let us go. Yes, down the hill, and home by the winding lane.
The low-lying fields are suffused with haze, as life is suffused with pain.
The noon mists gain on the morning sun, so despondency gains on youth;
We grope, and wrangle, and boast, but Death is the only certain truth.
O love of life! what a foolish love! we should weary of life did it last.
While it lingers, it is but a little thing; 'tis nothing at all when past.
49
The acorns thicker and thicker lie, the briony limper grows,
There are mildewing beads on the leafless brier where once smiled the sweet
dog-rose.
You may see the leaves of the primrose push through the litter of sodden
ground;
Their pale stars dream in the wintry womb, and the pimpernel sleepeth sound.
They will awake; shall we awake? Are we more than imprisoned breath?
When the heart grows weak, then hope grows strong, but stronger than hope is
Death.
~ Alfred Austin,#NFDB
890:From The First Act Of The Aminta Of Tasso
Daphne's Answer to Sylvia, declaring she
should esteem all as Enemies,
who should talk to her of LOVE.
THEN, to the snowy Ewe, in thy esteem,
The Father of the Flock a Foe must seem,
The faithful Turtles to their yielding Mates.
The cheerful Spring, which Love and Joy creates,
That reconciles the World by soft Desires,
And tender Thoughts in ev'ry Breast inspires,
To you a hateful Season must appear,
Whilst Love prevails, and all are Lovers here.
Observe the gentle Murmurs of that Dove,
And see, how billing she confirms her Love!
For this, the Nightingale displays her Throat,
And Love, Love, Love, is all her Ev'ning Note.
The very Tygers have their tender Hours,
And prouder Lyons bow beneath Love's Pow'rs.
Thou, prouder yet than that imperious Beast,
Alone deny'st him Shelter in thy Breast.
But why should I the Creatures only name
That Sense partake, as Owners of this Flame?
Love farther goes, nor stops his Course at these:
The Plants he moves, and gently bends the Trees.
See how those Willows mix their am'rous Boughs;
And, how that Vine clasps her supporting Spouse!
The silver Firr dotes on the stately Pine;
By Love those Elms, by Love those Beeches join.
But view that Oak; behold his rugged Side:
Yet that rough Bark the melting Flame do's hide.
All, by their trembling Leaves, in Sighs declare
And tell their Passions to the gath'ring Air.
Which, had but Love o'er Thee the least Command,
Thou, by their Motions, too might'st understand.
AMINTOR, being ask'd by THIRSIS
74
Who is the Object of his Love?
speaks as follows.
Amint. THIRSIS! to Thee I mean that Name to show,
Which, only yet our Groves, and Fountains know:
That, when my Death shall through the Plains be told,
Thou with the wretched Cause may'st that unfold
To every-one, who shall my Story find
Carv'd by thy Hand, in some fair Beeches rind;
Beneath whose Shade the bleeding Body lay:
That, when by chance she shall be led that way,
O'er my sad Grave the haughty Nymph may go,
And the proud Triumph of her Beauty shew
To all the Swains, to Strangers as they pass;
And yet at length she may (but Oh! alas!
I fear, too high my flatt'ring Hopes do soar)
Yet she at length may my sad Fate deplore;
May weep me Dead, may o'er my Tomb recline,
And sighing, wish were he alive and Mine!
But mark me to the End–
Thir. Go on; for well I do thy Speech attend,
Perhaps to better Ends, than yet thou know'st.
Amint. Being now a Child, or but a Youth at most,
When scarce to reach the blushing Fruit I knew,
Which on the lowest bending Branches grew;
Still with the dearest, sweetest, kindest Maid
Young as myself, at childish Sports I play'd.
The Fairest, sure, of all that Lovely Kind,
Who spread their golden Tresses to the Wind;
Cydippe's Daughter, and Montano's Heir,
Whose Flocks and Herds so num'rous do appear;
The beauteous Sylvia; She, 'tis She I love,
Warmth of all Hearts, and Pride of ev'ry Grove.
With Her I liv'd, no Turtles e'er so fond.
Our Houses met, but more our Souls were join'd.
Together Nets for Fish, and Fowl we laid;
Together through the spacious Forest stray'd;
Pursu'd with equal Speed the flying Deer,
And of the Spoils there no Divisions were.
But whilst I from the Beasts their Freedom won,
Alas! I know not how, my Own was gone.
By unperceiv'd Degrees the Fire encreas'd,
75
Which fill'd, at last, each corner of my Breast;
As from a Root, tho' scarce discern'd so small,
A Plant may rise, that grows amazing tall.
From Sylvia's Presence now I could not move,
And from her Eyes took in full Draughts of Love,
Which sweetly thro' my ravish'd Mind distill'd;
Yet in the end such Bitterness wou'd yield,
That oft I sigh'd, ere yet I knew the cause,
And was a Lover, ere I dream'd I was.
But Oh! at last, too well my State I knew;
And now, will shew thee how this Passion grew.
Then listen, while the pleasing Tale I tell.
THIRSIS persuades AMINTOR not to despair upon the
redictions of Mopsus discov'ring him to be an Impostor.
Thirsis. Why dost thou still give way to such Despair!
Amintor. Too just, alas! the weighty Causes are.
Mopsus, wise Mopsus, who in Art excels,
And of all Plants the secret Vertue tells,
Knows, with what healing Gifts our Springs abound,
And of each Bird explains the mystick Sound;
'Twas He, ev'n He! my wretched Fate foretold.
Thir. Dost thou this Speech then of that Mopsus hold,
Who, whilst his Smiles attract the easy View,
Drops flatt'ring Words, soft as the falling Dew;
Whose outward Form all friendly still appears,
Tho' Fraud and Daggers in his Thoughts he wears,
And the unwary Labours to surprize
With Looks affected, and with riddling Lyes.
If He it is, that bids thy Love despair,
I hope the happier End of all thy Care.
So far from Truth his vain Predictions fall.
Amint. If ought thou know'st, that may my Hopes recall,
Conceal it not; for great I've heard his Fame,
And fear'd his Words–
Thir. –When hither first I came,
And in these Shades the false Imposter met,
Like Thee I priz'd, and thought his Judgment great;
On all his study'd Speeches still rely'd,
76
Nor fear'd to err, whilst led by such a Guide:
When on a Day, that Bus'ness and Delight
My Steps did to the Neighb'ring Town invite,
Which stands upon that rising Mountain's side,
And from our Plains this River do's divide,
He check'd me thus–Be warn'd in time, My Son,
And that new World of painted Mischiefs shun,
Whose gay Inhabitants thou shalt behold
Plum'd like our Birds, and sparkling all in Gold;
Courtiers, that will thy rustick Garb despise,
And mock thy Plainness with disdainful Eyes.
But above all, that Structure see thou fly,
Where hoarded Vanities and Witchcrafts lie;
To shun that Path be thy peculiar Care.
I ask, what of that Place the Dangers are:
To which he soon replies, there shalt thou meet
Of soft Enchantresses th' Enchantments sweet,
Who subt'ly will thy solid Sense bereave,
And a false Gloss to ev'ry Object give.
Brass to thy Sight as polish'd Gold shall seem,
And Glass thou as the Diamond shalt esteem.
Huge Heaps of Silver to thee shall appear,
Which if approach'd, will prove but shining Air.
The very Walls by Magick Art are wrought,
And Repitition to all Speakers taught:
Not such, as from our Ecchoes we obtain,
Which only our last Words return again;
But Speech for Speech entirely there they give,
And often add, beyond what they receive.
There downy Couches to false Rest invite,
The Lawn is charm'd, that faintly bars the Light.
No gilded Seat, no iv'ry Board is there,
But what thou may'st for some Delusion fear:
Whilst, farther to abuse thy wond'ring Eyes,
Strange antick Shapes before them shall arise;
Fantastick Fiends, that will about thee flock,
And all they see, with Imitation mock.
Nor are these Ills the worst. Thyself may'st be
Transform'd into a Flame, a Stream, a Tree;
A Tear, congeal'd by Art, thou may'st remain,
'Till by a burning Sigh dissolv'd again.
77
Thus spake the Wretch; but cou'd not shake my Mind.
My way I take, and soon the City find,
Where above all that lofty Fabrick stands,
Which, with one View, the Town and Plains commands.
Here was I stopt, for who cou'd quit the Ground,
That heard such Musick from those Roofs resound!
Musick! beyond th' enticing Syrene's Note;
Musick! beyond the Swan's expiring Throat;
Beyond the softest Voice, that charms the Grove,
And equal'd only by the Spheres above.
My Ear I thought too narrow for the Art,
Nor fast enough convey'd it to my Heart:
When in the Entrance of the Gate I saw
A Man Majestick, and commanding Awe;
Yet temper'd with a Carriage, so refin'd
That undetermin'd was my doubtful Mind,
Whether for Love, or War, that Form was most design'd.
With such a Brow, as did at once declare
A gentle Nature, and a Wit severe;
To view that Palace me he ask'd to go,
Tho' Royal He, and I Obscure and Low.
But the Delights my Senses there did meet,
No rural Tongue, no Swain can e'er repeat.
Celestial Goddesses, or Nymphs as Fair,
In unveil'd Beauties, to all Eyes appear
Sprinkl'd with Gold, as glorious to the View,
As young Aurora, deck'd with pearly Dew;
Bright Rays dispensing, as along they pass'd,
And with new Light the shining Palace grac'd.
Phoebus was there by all the Muses met,
And at his Feet was our Elpino set.
Ev'n humble Me their Harmony inspir'd,
My Breast expanded, and my Spirits fir'd.
Rude Past'ral now, no longer I rehearse,
But Heroes crown with my exalted Verse.
Of Arms I sung, of bold advent'rous Wars;
And tho' brought back by my too envious Stars,
Yet kept my Voice and Reed those lofty Strains,
And sent loud Musick through the wond'ring Plains:
Which Mopsus hearing, secretly malign'd,
78
And now to ruin Both at once design'd.
Which by his Sorceries he soon brought to pass;
And suddenly so clogg'd, and hoarse I was,
That all our Shepherds, at the Change amaz'd,
Believ'd, I on some Ev'ning-Wolf had gaz'd:
When He it was, my luckless Path had crost,
By whose dire Look, my Skill awhile was lost.
This have I told, to raise thy Hopes again,
And render, by distrust, his Malice vain.
From the AMINTA of TASSO.
THO' we, of small Proportion see
And slight the armed Golden Bee;
Yet if her Sting behind she leaves,
No Ease th' envenom'd Flesh receives.
Love, less to Sight than is this Fly,
In a soft Curl conceal'd can lie;
Under an Eyelid's lovely Shade,
Can form a dreadful Ambuscade;
Can the most subtil Sight beguile
Hid in the Dimples of a Smile.
But if from thence a Dart he throw,
How sure, how mortal is the Blow!
How helpless all the Pow'r of Art
To bind, or to restore the Heart!
From the AMINTA of TASSO.
Part of the Description of the Golden Age.
THEN, by some Fountains flow'ry side
The Loves unarm'd, did still abide.
Then, the loos'd Quiver careless hung,
The Torch extinct, the Bow unstrung.
Then, by the Nymphs no Charms were worn,
But such as with the Nymphs were born.
The Shepherd cou'd not, then, complain,
Nor told his am'rous Tale in vain.
79
No Veil the Beauteous Face did hide,
Nor harmless Freedom was deny'd.
Then, Innocence and Virtue reign'd
Pure, unaffected, unconstrain'd.
Love was their Pleasure, and their Praise,
The soft Employment of their Days.
~ Anne Kingsmill Finch,#NFDB
891:Flora
REMOTE from scenes, where the o'erwearied mind
Shrinks from the crimes and follies of mankind,
From hostile menace, and offensive boast,
Peace, and her train of home-born pleasures lost;
To fancy's reign, who would not gladly turn,
And lose awhile, the miseries they mourn
In sweet oblivion ? Come then, Fancy ! deign,
Queen of ideal pleasure, once again,
To lend thy magic pencil, and to bring
Such lovely forms, as in life's happier spring,
On the green margin of my native Wey,
Before mine infant eyes were wont to play,
And with that pencil, teach me to describe
The enchanting goddess of the flowery tribe,
Whose first prerogative it is to chase
The clouds that hang on languid beauty's face;
And, while advancing suns and tepid showers,
Lead on the laughing Spring's delicious hours,
Bid the wan maid the hues of health assume,
Charm with new grace, and blush with fresher bloom.
The vision comes !While slowly melt away,
Night's hovering shades before the eastern ray,
Ere yet declines the morning's humid star,
Fair Fancy brings her; in her leafy car
Flora descends, to dress the expecting earth,
Awake the germs, and call the buds to birth;
Bid each hybernacle its cell unfold,
And open silken leaves, and eyes of gold !
Of forest foliage of the firmest shade
Enwove by magic hands, the car was made;
Oak, and the ample Plane, without entwined,
And Beech and Ash the verdant concave lin'd;
The Saxifrage, that snowy flowers emboss,
Supplied the seat; and of the mural moss
The velvet footstool rose, where lightly rest,
Her slender feet in Cypripedium drest.
The tufted rush, that bears a silken crown,
40
The floating feathers of the thistle's down,
In tender hues of rainbow lustre dyed,
The airy texture of her robe supplied,
And wild convolvuli, yet half unblown,
Form'd, with their wreathing buds, her simple zone,
Some wandering tresses of her radiant hair,
Luxuriant floated on the enamour'd air;
The rest were by the Scandix' points confin'd
And graced a shining knot, her head behind
While, as a sceptre of supreme command,
She waved the Anthoxanthum in her hand.
Around the goddess, as the flies that play,
In countless myriads in the western ray,
The sylphs innumerous throng; whose magic powers
Guard the soft buds, and nurse the infant flowers;
Round the sustaining stems weak tendrils bind,
And save the pollen from dispersing wind;
From suns too ardent, shade their transient hues,
And catch in odorous cups translucent dews.
The ruder tasks of others are, to chase
From vegetable life the insect race,
Break the polluting thread the spider weaves,
And brush the aphis from th' unfolding leaves.
For conquest arm'd these pigmy warriors wield
The thorny lance, and spread the hollow shield
Of lichen tough; or bear, as silver bright,
Lunaria's pearly circlet, firm and light.
On the helm'd head the crimson foxglove glows,
Or Scutellaria guards the martial brows,
While the Leontodon its plumage rears,
And o'er the casque in waving grace appears;
With stern undaunted eye, one warlike chief
Grasps the tall club from Arum's blood-dropt leaf;
This, with the Burdock's hooks annoys his foes,
The purple thorn that borrows from the Rose.
In honeyed nectaries couched, some drive away
The forked insidious earwig from his prey;
Fearless the scaled libellula assail,
Dart their keen lances at the encroaching snail;
41
Arrest the winged ant, on pinions light,
And strike the headlong beetle in his flight.
Nor less assiduous round their lovely queen,
The lighter forms of female fays are seen;
Rich was the purple vest Floscella wore,
Spun of the tufts the Tradescantia bore;
The Cistus' flowers minute her temple graced,
And threads of Yucca bound her slender waist.
From the wild bee, whose wond'rous labour weaves,
In artful folds the rose's fragrant leaves,
Was borrow'd fair Petalla's light cymar;
And the Hypericum, with spangling star,
O'er her fair locks its bloom minute enwreath'd;
Then, while voluptuous odours round her breath'd,
Came Nectarynia; as the arrowy rays
Of lambent fire round pictur'd seraphs blaze,
So did the Passiflora's radii shed,
Cerulean glory o'er the sylphid's head,
While round her form, the pliant tendrils twined,
And clasp'd the scarf that floated on the wind.
More grave the para-nymph Calyxa drest;
A brown transparent spatha formed her vest;
The silver scales that bound her raven hair,
Xeranthemum's unfading calyx bear;
And a light sash of spiral Ophrys press'd
Her filmy tunic, on her tender breast.
But where shall images or words be found
To paint the fair ethereal forms, that round
The queen of flowers attended ? and the while
Bask'd in her eyes and wanton'd in her smile.
Now towards the earth the gay procession bends,
Lo ! from the buoyant air, the car descends;
Anticipating then the various year,
Flowers of all hues and every month appear,
From every swelling bulb its blossoms rise;
Here, blow the Hyacinths of loveliest dyes,
Breathing of heaven; and there, her royal brows
Begemmed with pearl, the Crown imperial shews;
Peeps the blue Gentian, from the soft'ning ground,
42
Jonquils and Violets, shed their odours round;
The Honeysuckle rears his scallop'd horn;
A snow of blossoms whiten on the thorn.
Here, like the fatal fruit to Paris given,
That spread fell feuds throughout the fabled heaven,
The yellow Rose her golden globe displays;
There lovelier still, among the spiny sprays
Her blushing rivals glow with brighter dyes,
Than paints the summer sun on western skies.
And the scarce tinged, and paler Rose unveil
Their modest beauties to the sighing gale.
Thro' the deep woodland's wild uncultur'd scene,
Spreads the soft influence of the floral queen;
See a fair pyramid the Chesnut rear,
Its crimson tassels on the Larch appear;
The Fir, dark native of the sullen North,
Owns her soft sway; and slowly springing forth
On the rough Oak are buds minute unfurl'd,
Whose giant produce may command the world !
Each forest thicket feels the balmy air,
And plants that love the shade are blowing there.
Rude rocks with Filices and Bryums smile,
And wastes are gay with Thyme and Chamomile.
Ah ! yet prolong the dear delicious dream,
And trace her power along the mountain stream.
See ! from its rude and rocky source, o'erhung
With female fern, and glossy adder's-tongue
Slowly it wells, in pure and chrystal drops,
And steals soft-gliding, thro' the upland copse;
Then murmuring on, along the willowy sides,
The reed-bird whispers, and the Halcyon hides;
While among sallows pale, and birchen bowers,
Embarks in Fancy's eye the queen of flowers.
O'er her light skiff, of woven bull-rush made,
The Water lily lends a polish'd shade;
While Galium there, of pale and silver hue,
And Epilobiums on the banks that grew,
Form her soft couch; and as the Sylphs divide,
With pliant arms, the still increasing tide,
43
A thousand leaves along the stream unfold;
Amid its waving swords, in flaming gold
The Iris towers; and here the Arrowhead
And water Crowfoot, more profusely spread
Spangle the quiet current; higher there,
As conscious of her claims, in beauty rare,
Her rosy umbels rears the flow'ring Rush,
While with reflected charms the waters blush.
The naiad now, the year's fair goddess leads,
Through richer pastures and more level meads
Down to the sea; where even the briny sands
Their product offer to her glowing hands;
For there, by sea-dews nurs'd and airs marine,
The Chelidonium blows; in glaucous green,
Each refluent tide the thorn'd Eryngium laves,
And its pale leaves seem tinctured by the waves;
And half-way up the cliff, whose rugged brow
Hangs o'er the ever toiling surge below,
Springs the light Tamarisk.The summit bare,
Is tufted by the Statice; and there,
Crush'd by the fisher, as he stands to mark
Some distant signal or approaching bark,
The Saltwort's starry stalks are thickly sown,
Like humble worth, unheeded and unknown !
From depths where corals spring from chrystal caves,
And break with scarlet branch, the eddying waves,
Where Algæ stream, as change the flowing tides,
And where, half flower, half fish, the Polyp hides,
And long tenacious bands of sea-lace twine
Round palm-shaped leaves impearl'd with coralline.
Enamour'd Fancy now the sea-maids calls,
And from their grottos dim, and shell-paved halls,
Charm'd by her voice, the shining train emerge,
And buoyant float above the circling surge;
Green Byssus, waving in the sea-born gales,
Form'd their thin mantles, and transparent veils,
Panier'd in shells, or bound with silver strings,
Of silken pinna; each her trophy brings
Of plants, from rocks and caverns submarine,
With leathery branch, and bladder'd buds between;
44
There, its dark folds the pucker'd laver spread,
With trees in miniature of various red;
There flag-shaped olive-leaves, depending hung,
And fairy fans from glossy pebbles sprung;
Then her terrestrial train the nereids meet,
And lay their spoils saline at Flora's feet.
O ! fairest of the fabled forms ! that stream,
Dress'd by wild Fancy, thro' the poet's dream,
Still may thy attributes of leaves and flowers,
Thy garden's rich, and shrub-o'ershadow'd bowers,
And yellow meads, with Spring's first honours bright,
The child's gay heart, and frolic step invite;
And, while the careless wanderer explores,
The umbrageous forest, or the rugged shores,
Climbs the green down, or roams the broom-clad waste,
May Truth, and Nature, form his future taste !
Goddess ! on youth's bless'd hours thy gifts bestow;
Bind the fair wreath on virgin-beauty's brow,
And still may Fancy's brightest flowers be wove
Round the gold chains of hymeneal love.
But most for those, by Sorrow's hands oppress'd,
May thy beds blossom, and thy wilds be dress'd;
And where by Fortune and the world forgot,
The mourner droops in some sequester'd spot,
('Sad luxury to vulgar minds unknown,')
O'er blighted happiness for ever gone,
Yet the dear image seeks not to forget,
But woos his grief, and cherishes regret;
Loving, with fond and lingering pain, to mourn
O'er joys and hopes that never will return;
Thou, visionary power ! mayst bid him view
Forms not less lovely, and as transient too;
And while they soothe the wearied pilgrim's eyes,
Afford an antepast of Paradise.
~ Charlotte Smith,#NFDB
892:To The Right Hon. Mr. Dodington
Long, Dodington, in debt, I long have sought
To ease the burden of my graceful thought:
And now a poet's gratitude you see:
Grant him two favours, and he'll ask for three:
For whose the present glory, or the gain?
You give protection, I a worthless strain.
You love and feel the poet's sacred flame,
And know the basis of a solid fame;
Though prone to like, yet cautious to commend,
You read with all the malice of a friend;
Nor favour my attempts that way alone,
But, more to raise my verse, conceal your own.
An ill-tim'd modesty! turn ages o'er,
When wanted Britain bright examples more?
Her learning, and her genius too, decays;
And dark and cold are her declining days;
As if men now were of another cast,
They meanly live on alms of ages past,
Men still are men; and they who boldly dare,
Shall triumph o'er the sons of cold despair;
Or, if they fail, they justly still take place
Of such who run in debt for their disgrace;
Who borrow much, then fairly make it known,
And damn it with improvements of their own.
We bring some new materials, and what's old
New cast with care, and in no borrow'd mould;
Late times the verse may read, if these refuse;
And from sour critics vindicate the Muse.
'Your work is long', the critics cry. 'Tis true,
And lengthens still, to take in fools like you:
Shorten my labour, if its length you blame:
For, grow but wise, you rob me of my game;
As haunted hags, who, while the dogs pursue,
Renounce their four legs, and start up on two.
Like the bold bird upon the banks of Nile
That picks the teeth of the dire crocodile,
Will I enjoy (dread feast!) the critic's rage,
And with the fell destroyer feed my page.
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For what ambitious fools are more to blame,
Than those who thunder in the critic's name?
Good authors damn'd, have their revenge in this,
To see what wretches gain the praise they miss.
Balbutius, muffled in his sable cloak,
Like an old Druid from his hollow oak,
As ravens solemn, and as boding, cries,
'Ten thousand worlds for the three unities!'
Ye doctors sage, who through Parnassus teach,
Or quit the tub, or practise what you preach.
One judges as the weather dictates; right
The poem is at noon, and wrong at night:
Another judges by a surer gage,
An author's principles, or parentage;
Since his great ancestors in Flanders fell,
The poem doubtless must be written well.
Another judges by the writer's look;
Another judges, for he bought the book:
Some judge, their knack of judging wrong to keep;
Some judge, because it is too soon to sleep.
Thus all will judge, and with one single aim,
To gain themselves, not give the writer, fame.
The very best ambitiously advise,
Half to serve you, and half to pass for wise.
Critics on verse, as squibs on triumphs wait,
Proclaim the glory, and augment the state;
Hot, envious, noisy, proud, the scribbling fry
Burn, hiss, and bounce, waste paper, stink, and die.
Rail on, my friends! what more my verse can crown
Than Compton's smile, and your obliging frown?
Not all on books their criticism waste:
The genius of a dish some justly taste,
And eat their way to fame; with anxious thought
The salmon is refus'd, the turbot bought.
Impatient art rebukes the sun's delay
And bids December yield the fruits of May;
Their various cares in one great point combine
The business of their lives, that is--to dine.
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Half of their precious day they give the feast;
And to a kind digestion spare the rest.
Apicius, here, the taster of the town,
Feeds twice a week, to settle their renown.
These worthies of the palate guard with care
The sacred annals of their bills of fare;
In those choice books their panegyrics read,
And scorn the creatures that for hunger feed.
If man by feeding well commences great,
Much more the worm to whom that man is meat.
To glory some advance a lying claim,
Thieves of renown, and pilferers of fame:
Their front supplies what their ambition lacks;
They know a thousand lords, behind their backs.
Cottil is apt to wink upon a peer,
When turn'd away, with a familiar leer;
And Harvey's eyes, unmercifully keen,
Have murdered fops, by whom she ne'er was seen.
Niger adopts stray libels; wisely prone,
To cover shame still greater than his own.
Bathyllus, in the winter of threescore,
Belies his innocence, and keeps a ----.
Absence of mind Brabantio turns to fame,
Learns to mistake, nor knows his brother's name;
Has words and thoughts in nice disorder set,
And takes a memorandum to forget.
Thus vain, not knowing what adorns or blots
Men forge the patents that create them sots.
As love of pleasure into pain betrays,
So most grow infamous through love of praise.
But whence for praise can such an ardour rise,
When those, who bring that incense, we despise?
For such the vanity of great and small,
Contempt goes round, and all men laugh at all.
Nor can even satire blame them; for 'tis true,
They have most ample cause for what they do
O fruitful Britain! doubtless thou wast meant
A nurse of fools, to stock the continent.
Though Phoebus and the Nine for ever mow,
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Rank folly underneath the scythe will grow
The plenteous harvest calls me forward still,
Till I surpass in length my lawyer's bill;
A Welsh descent, which well-paid heralds damn;
Or, longer still, a Dutchman's epigram.
When, cloy'd, in fury I throw down my pen,
In comes a coxcomb, and I write again.
See Tityrus, with merriment possest,
Is burst with laughter, ere he hears the jest:
What need he stay? for when the jest is o'er,
His teeth will be no whiter than before.
Is there of thee, ye fair! so great a dearth,
That you need purchase monkeys for your mirth!
Some, vain of paintings, bid the world admire;
Of houses some; nay, houses that they hire:
Some (perfect wisdom!) of a beauteous wife;
And boast, like Cordeliers, a scourge for life.
Sometimes, through pride, the sexes change their airs;
My lord has vapours, and my lady swears;
Then, stranger still! on turning of the wind,
My lord wears breeches, and my lady's kind.
To show the strength, and infamy of pride,
By all 'tis follow'd, and by all denied.
What numbers are there, which at once pursue,
Praise, and the glory to contemn it, too?
Vincenna knows self-praise betrays to shame,
And therefore lays a stratagem for fame;
Makes his approach in modesty's disguise,
To win applause; and takes it by surprise.
'To err,' says he, 'in small things, is my fate.'
You know your answer, 'he's exact in great'.
'My style', says he, 'is rude and full of faults.'
'But oh! what sense! what energy of thoughts!'
That he wants algebra, he must confess;
'But not a soul to give our arms success'.
'Ah! that's an hit indeed,' Vincenna cries;
'But who in heat of blood was ever wise?
I own 'twas wrong, when thousands called me back
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To make that hopeless, ill-advised attack;
All say, 'twas madness; nor dare I deny;
Sure never fool so well deserved to die.'
Could this deceive in others to be free,
It ne'er, Vincenna, could deceive in thee!
Whose conduct is a comment to thy tongue,
So clear, the dullest cannot take thee wrong.
Thou on one sleeve wilt thy revenues wear;
And haunt the court, without a prospect there.
Are these expedients for renown? Confess
Thy little self, that I may scorn thee less.
Be wise, Vincenna, and the court forsake;
Our fortunes there, nor thou, nor I, shall make.
Even men of merit, ere their point they gain,
In hardy service make a long campaign;
Most manfully besiege the patron's gate,
And oft repulsed, as oft attack the great
With painful art, and application warm.
And take, at last, some little place by storm;
Enough to keep two shoes on Sunday clean,
And starve upon discreetly, in Sheer-Lane.
Already this thy fortune can afford;
Then starve without the favour of my lord.
'Tis true, great fortunes some great men confer,
But often, even in doing right, they err:
From caprice, not from choice, their favours come:
They give, but think it toil to know to whom:
The man that's nearest, yawning, they advance:
'Tis inhumanity to bless by chance.
If merit sues, and greatness is so loth
To break its downy trance, I pity both.
Behold the masquerade's fantastic scene!
The Legislature join'd with Drury-Lane!
When Britain calls, th' embroider'd patriots run,
And serve their country--if the dance is done.
'Are we not then allow'd to be polite?'
Yes, doubtless; but first set your notions right.
Worth, of politeness is the needful ground;
Where that is wanting, this can ne'er be found.
Triflers not even in trifles can excel;
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'Tis solid bodies only polish well.
Great, chosen prophet! for these latter days,
To turn a willing world from righteous ways!
Well, Heydegger, dost thou thy master serve;
Well has he seen his servant should not starve,
Thou to his name hast splendid temples raised
In various forms of worship seen him prais'd,
Gaudy devotion, like a Roman, shown,
And sung sweet anthems in a tongue unknown.
Inferior offerings to thy god of vice
Are duly paid, in fiddles, cards, and dice;
Thy sacrifice supreme, an hundred maids!
That solemn rite of midnight masquerades!
Though bold these truths, thou, Muse, with truths like these,
Wilt none offend, whom 'tis a praise to please;
Let others flatter to be flatter'd, thou
Like just tribunals, bend an awful brow.
How terrible it were to common-sense,
To write a satire, which gave none offence!
And, since from life I take the draughts you see.
If men dislike them, do they censure me?
The fool, and knave, 'tis glorious to offend,
And Godlike an attempt the world to mend,
The world, where lucky throws to blockheads fall,
Knaves know the game, and honest men pay all.
How hard for real worth to gain its price!
A man shall make his fortune in a trice,
If blest with pliant, though but slender, sense,
Feign'd modesty, and real impudence:
A supple knee, smooth tongue, an easy grace.
A curse within, a smile upon his face;
A beauteous sister, or convenient wife,
Are prizes in the lottery of life;
Genius and Virtue they will soon defeat,
And lodge you in the bosom of the great.
To merit, is but to provide a pain
For men's refusing what you ought to gain.
May, Dodington, this maxim fail in you,
Whom my presaging thoughts already view
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By Walpole's conduct fired, and friendship grac'd,
Still higher in your Prince's favour plac'd:
And lending, here, those awful councils aid,
Which you, abroad, with such success obey'd!
Bear this from one, who holds your friendship dear;
What most we wish, with ease we fancy near.
~ Edward Young,#NFDB
893:The Miseries Of Man
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In that so temperate Soil Arcadia nam'd,
For fertile Pasturage by Poets fam'd;
Stands a steep Hill, whose lofty jetting Crown,
Casts o'er the neighbouring Plains, a seeming Frown;
Close at its mossie Foot an aged Wood,
Compos'd of various Trees, there long has stood,
Whose thick united Tops scorn the Sun's Ray,
And hardly will admit the Eye of Day.
By oblique windings through this gloomy Shade,
Has a clear purling Stream its Passage made,
The Nimph, as discontented seem'd t'ave chose
This sad Recess to murmur forth her Woes.
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To this Retreat, urg'd by tormenting Care,
The melancholly Cloris did repair,
As a fit Place to take the sad Relief
Of Sighs and Tears, to ease oppressing Grief.
Near to the Mourning Nimph she chose a Seat,
And these Complaints did to the Shades repeat.
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Ah wretched, trully wretched Humane Race!
Your Woes from what Beginning shall I trace,
Where End, from your first feeble New-born Cryes,
To the last Tears that wet your dying Eyes?
Man, Common Foe, assail'd on ev'ry hand,
Finds that no Ill does Neuter by him stand,
Inexorable Death, Lean Poverty,
Pale Sickness, ever sad Captivity.
Can I, alas, the sev'ral Parties name,
Which, muster'd up, the Dreadful Army frame?
And sometimes in One Body all Unite,
Sometimes again do separately fight:
While sure Success on either Way does waite,
Either a Swift, or else a Ling'ring Fate.
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But why 'gainst thee, O Death! should I inveigh,
33 That to our Quiet art the only way?
34 And yet I would (could I thy Dart command)
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Crie, Here O strike! and there O hold thy Hand!
The Lov'd, the Happy, and the Youthful spare,
And end the Sad, the Sick, the Poor Mans Care.
But whether thou or Blind, or Cruel art,
Whether 'tis Chance, or Malice, guides thy Dart,
Thou from the Parents Arms dost pull away
The hopeful Child, their Ages only stay:
The Two, whom Friendship in dear Bands hs ty'd,
Thou dost with a remorseless hand devide;
Friendship, the Cement, that does faster twine
Two Souls, than that which Soul and Body joyn:
Thousands have been, who their own Blood did spill,
But never any yet his Friend did kill.
Then 'gainst thy Dart what Armour can be found,
Who, where thou do'st not strike, do'st deepest wound?
Thy Pitty, than thy Wrath's more bitter far,
Most cruel, where 'twould seem the most to spare:
Yet thou of many Evils art but One,
Though thou by much too many art alone.
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What shall I say of Poverty, whence flows?
To miserable Man so many Woes?
Rediculous Evil which too oft we prove,
Does Laughter cause, where it should Pitty move;
Solitary Ill, into which no Eye,
Though ne're so Curious, ever cares to pry,
And were there, 'mong such plenty, onely One
Poor Man, he certainly would live alone.
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Yet Poverty does leave the Man entire,
But Sickness nearer Mischiefs does conspire;
Invades the Body with a loath'd Embrace,
Prides both its Strength, and Beauty to deface;
Nor does it Malice in these bounds restrain,
But shakes the Throne of Sacred Wit, the Brain,
And with a ne're enough detested Force
Reason disturbs, and turns out of its Course.
Again, when Nature some Rare Piece has made,
On which her Utmost Skill she seems t'ave laid,
Polish't, adorn'd the Work with moving Grace,
And in the Beauteous Frame a Soul doth place,
So perfectly compos'd, it makes Divine
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Each Motion, Word, and Look from thence does shine;
This Goodly Composition, the Delight
Of ev'ry Heart, and Joy of ev'ry sight,
Its peevish Malice has the Power to spoyle,
And with a Sully'd Hand its Lusture soyle.
The Grief were Endless, that should all bewaile,
Against whose sweet Repose thou dost prevail:
Some freeze with Agues, some with Feavers burn,
Whose Lives thou half out of their Holds dost turn;
And of whose Sufferings it may be said,
They living feel the very State o' th' Dead.
Thou in a thousand sev'ral Forms are drest,
And in them all dost Wretched Man infest.
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And yet as if these Evils were too few,
Men their own Kind with hostile Arms pursue;
Not Heavens fierce Wrath, nor yet the Hate of Hell,
Not any Plague that e're the World befel,
Not Inundations, Famines, Fires blind rage,
Did ever Mortals equally engage,
As Man does Man, more skilful to annoy,
Both Mischievous and Witty to destroy.
The bloody Wolf, the Wolf doe not pursue;
The Boar, though fierce, his Tusk will not embrue
In his own Kind, Bares, not on Bares do prey:
Then art thou, Man, more savage far than they.
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And now, methinks, I present do behold
The Bloudy Fields that are in Fame enroll'd,
I see, I see thousands in Battle slain,
The Dead and Dying cover all the Plain,
Confused Noises hear, each way sent out,
The Vanquishts Cries joyn'd with the Victors shout;
Their Sighs and Groans whho draw a painful Breath,
And feel the Pangs of slow approaching Death:
Yet happier these, far happier are the Dead,
Than who into Captivity are led:
What by their Chains, and by the Victors Pride,
We pity these, and envy those that dy'd.
And who can say, when Thousands are betray'd,
To Widdowhood, Orphants or Childless made.
Whither the Day does draw more Tears or Blood
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A greater Chrystal, or a Crimson Floud.
The faithful Wife, who late her Lord did Arm,
And hop'd to shield, by holy Vows, from Harm,
Follow'd his parting-steps with Love and Care,
Sent after weeping Eyes, while he afar
Rod heated on, born by a brave Disdain,
May now go seek him, lying 'mong the Slain:
Low on the Earth she'l find his lofty Crest,
And those refulgent Arms which late his Breast
Did guard, by rough Encounters broke and tore,
His Face and Hair, with Brains all clotted ore.
And Warlike Weeds besmeer'd with Dust and Gore.
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And will the Suffering World never bestow
Upon th'Accursed Causers of such Woe,
A vengeance that may parallel their Loss,
Fix Publick Thieves and Robbers on the Cross?
Such as call Ruine, Conquest, in their Pride,
And having plagu'd Mankind, in Triumph ride.
Like that renounced Murder who staines
In these our days Alsatias fertile Plains,
Only to fill the future Tomp of Fame,
Though greater Crimes, than Glory it proclame.
Alcides, Scourge of Thieves, return to Earth,
Which uncontrolled gives such Monsters birth;
On Scepter'd-Cacus let thy Power be shown,
Pull him not from his Den, but from his Throne.
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Clouds of black Thoughts her further Speech here broke,
Her swelling Grief too great was to be spoke,
Which strugl'd long in her tormented Mind,
Till it some Vent by Sighs and Tears did find.
And when her Sorrow something was subdu'd,
She thus again her sad Complaint renewed.
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Most Wretched Man, were th'Ills I nam'd before
All which I could in thy sad State deplore,
Did Things without alone 'gainst thee prevail,
My Tongue I'de chide, that them I did bewaile:
But, Shame to Reason, thou are seen to be
Unto thy self the fatall'st Enemy,
Within thy Breast the Greatest Plagues to bear,
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First them to breed, and then to cherish there;
Unmanag'd Passions which the Reins have broke
Of Reason, and refuse to bear its Yoke.
But hurry thee, uncurb'd, from place to place,
A wild, unruly, and an Uncouth Chace.
Now cursed Gold does lead the Man astray,
False flatt'ring Honours do anon betray,
Then Beauty does as dang'rously delude,
Beauty, that vanishes, while 'tis pursu'd,
That, while we do behold it, fades away,
And even a Long Encomium will not stay.
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Each one of these can the Whole Man employ,
Nor knows he anger, sorrow, fear, or joy,
But what to these relate; no Thought does start
Aside, but tends to its appointed Part,
No Respite to himself from Cares he gives,
But on the Rack of Expectation lives.
If crost, the Torment cannot be exprest,
Which boyles within his agitated Breast.
Musick is harsh, all Mirth is an offence,
The Choicest Meats cannot delight his Sense,
Hard as the Earth he feels his Downy Bed,
His Pillow stufft with Thornes, that bears his Head,
He rolls from side to side, in vain seeks Rest;
For if sleep come at last to the Distrest,
His Troubles then cease not to vex him too,
But Dreams present, what does waking do.
On th'other side, if he obtains the Prey,
And Fate to his impetuous Sute gives way,
Be he or Rich, or Amorous, or Great,
He'll find this Riddle still of a Defeat,
That only Care, for Bliss, he home has brought,
Or else Contempt of what he so much sought.
So that on each Event if we reflect,
The Joys and Sufferings of both sides collect,
We cannot say where lies the greatest Pain,
In the fond Pursuit, Loss, or Empty Gain.
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And can it be, Lord of the Sea and Earth,
191 Off-spring of Heaven, that to thy State and Birth
192 Things so incompatible should be joyn'd,
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Passions should thee confound, to Heaven assign'd?
Passions that do the Soul unguarded lay,
And to the strokes of Fortune ope' a way.
Were't not that these thy Force did from thee take,
How bold, how brave Resistance would'st thou make?
Defie the Strength and Malice of thy Foes,
Unmoved stand the Worlds United Blows?
For what is't, Man, unto thy Better Part,
That thou or Sick, or Poor, or Captive art?
Since no Material Stroke the Soul can feel,
The smart of Fire, or yet the Edge of Steel.
As little can it Worldly Joys partake,
Though it the Body does its Agent make,
And joyntly with it Servile Labour bear,
For Things, alas, in which it cannot share.
Surveigh the Land and Sea by Heavens embrac't,
Thou'lt find no sweet th'Immortal Soul can tast:
Why dost thou then, O Man! thy self torment
Good here to gain, or Evils to prevent?
Who only Miserable or Happy art,
As thou neglects, or wisely act'st thy Part.
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For shame then rouse thy self as from a Sleep,
The long neglected Reins let Reason keep,
The Charret mount, and use both Lash and Bit,
Nobly resolve, and thou wilt firmly sit:
Fierce Anger, boggling Fear, Pride prauncing still,
Bound-hating Hope, Desire which nought can fill,
Are stubborn all, but thou may'st give them Law;
Th'are hard-Mouth'd Horses, but they well can draw.
Lash on, and the well govern'd Charret drive,
Till thou a Victor at the Goal arrrive,
Where the free Soul does all her burden leave,
And Joys commensurate to her self receive.
~ Anne Killigrew,#NFDB
894:Epistle Ii: To A Lady (Of The Characters Of Women )
NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.
How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,
Or drest in smiles of sweet Cecilia shine,
With simpering Angels, Palms, and Harps divine;
Whether the Charmer sinner it, or saint it,
If Folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the Rainbow, trick her off in Air;
Choose a firm Cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a Spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening Masque:
So morning Insects that in muck begun,
Shine, buzz, and flyblow in the setting sun.
How soft is Silia! fearful to offend;
The Frail one's advocate, the Weak one's friend:
To her, Calista prov'd her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
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All eyes may see--a Pimple on her nose.
Papillia, wedded to her amorous spark,
Sighs for the shades--"How charming is a Park!"
A Park is purchas'd, but the Fair he sees
All bath'd in tears--"Oh odious, odious Trees!"
Ladies, like variegated Tulips, show;
'Tis to their Changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy Spots the nice admirer take,
'Twas thus Calypso once each heart alarm'd,
Aw'd without Virtue, without Beauty charmed;
Her tongue bewitch'd as oddly as her Eyes,
Less Wit than Mimic, more a Wit than wise;
Strange graces still, and stranger flights she had,
Was just not ugly, and was just not mad;
Yet ne'er so sure our passion to create,
As when she touch'd the brink of all we hate.
Narcissa's nature, tolerably mild,
To make a wash, would hardly stew a child;
Has ev'n been prov'd to grant a Lover's pray'r,
And paid a Tradesman once to make him stare;
Gave alms at Easter, in a Christian trim,
And made a Widow happy, for a whim.
Why then declare Good-nature is her scorn,
When 'tis by that alone she can be borne?
Why pique all mortals, yet affect a name?
A fool to Pleasure, yet a slave to Fame:
Now deep in Taylor and the Book of Martyrs,
Now drinking citron with his Grace and Chartres:
Now Conscience chills her, and now Passion burns;
And Atheism and Religion take their turns;
A very Heathen in the carnal part,
Yet still a sad, good Christian at her heart.
See Sin in State, majestically drunk;
Proud as a Peeress, prouder as a Punk;
Chaste to her Husband, frank to all beside,
A teeming Mistress, but a barren Bride.
What then? let Blood and Body bear the fault,
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Her Head's untouch'd, that noble Seat of Thought:
Such this day's doctrine--in another fit
She sins with Poets thro' pure Love of Wit.
What has not fir'd her bosom or her brain?
Caesar and Tallboy, Charles and Charlemagne.
As Helluo, late Dictator of the Feast,
The Nose of Hautgout, and the Tip of Taste,
Critick'd your wine, and analyz'd your meat,
Yet on plain Pudding deign'd at home to eat;
So Philomede, lecturing all mankind
On the soft Passion, and the Taste refin'd,
Th' Address, the Delicacy--stoops at once,
And makes her hearty meal upon a Dunce.
Flavia's a Wit, has too much sense to Pray;
To Toast our wants and wishes, is her way;
Nor asks of God, but of her Stars, to give
The mighty blessing, "while we live, to live."
Then all for Death, that Opiate of the soul!
Lucretia's dagger, Rosamonda's bowl.
Say, what can cause such impotence of mind?
A spark too fickle, or a Spouse too kind.
Wise Wretch! with Pleasures too refin'd to please;
With too much Spirit to be e'er at ease;
With too much Quickness ever to be taught;
With too much Thinking to have common Thought:
You purchase Pain with all that Joy can give,
And die of nothing but a Rage to live.
Turn then from Wits; and look on Simo's Mate,
No Ass so meek, no Ass so obstinate.
Or her, that owns her Faults, but never mends,
Because she's honest, and the best of Friends.
Or her, whose life the Church and Scandal share,
For ever in a Passion, or a Pray'r.
Or her, who laughs at Hell, but (like her Grace)
Cries, "Ah! how charming, if there's no such place!"
Or who in sweet vicissitude appears
Of Mirth and Opium, Ratafie and Tears,
The daily Anodyne, and nightly Draught,
To kill those foes to Fair ones, Time and Thought.
Woman and Fool are two hard things to hit;
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For true No-meaning puzzles more than Wit.
But what are these to great Atossa's mind?
Scarce once herself, by turns all Womankind!
Who, with herself, or others, from her birth
Finds all her life one warfare upon earth:
Shines, in exposing Knaves, and painting Fools,
Yet is, whate'er she hates and ridicules.
No Thought advances, but her Eddy Brain
Whisks it about, and down it goes again.
Full sixty years the World has been her Trade,
The wisest Fool much Time has ever made.
From loveless youth to unrespected age,
No passion gratify'd except her Rage.
So much the Fury still outran the Wit,
The Pleasure miss'd her, and the Scandal hit.
Who breaks with her, provokes Revenge from Hell,
But he's a bolder man who dares be well.
Her ev'ry turn with Violence pursu'd,
Nor more a storm her Hate than Gratitude:
To that each Passion turns, or soon or late;
Love, if it makes her yield, must make her hate:
Superiors? death! and Equals? what a curse!
But an Inferior not dependant? worse.
Offend her, and she knows not to forgive;
Oblige her, and she'll hate you while you live:
But die, and she'll adore you--Then the Bust
And Temple rise--then fall again to dust.
Last night, her Lord was all that's good and great;
A Knave this morning, and his Will a Cheat.
Strange! by the Means defeated of the Ends,
By Spirit robb'd of Pow'r, by Warmth of Friends,
By Wealth of Followers! without one distress
Sick of herself thro' very selfishness!
Atossa, curs'd with ev'ry granted pray'r,
Childless with all her Children, wants an Heir.
To Heirs unknown descends th' unguarded store,
Or wanders, Heav'n-directed, to the Poor.
Pictures like these, dear Madam, to design,
Asks no firm hand, and no unerring line;
Some wandering touches, some reflected light,
68
Some flying stroke alone can hit 'em right:
For how should equal Colours do the knack?
Chameleons who can paint in white and black?
"Yet Chloe sure was form'd without a spot--"
Nature in her then err'd not, but forgot.
"With ev'ry pleasing, ev'ry prudent part,
Say, what can Chloe want?"--She wants a Heart.
She speaks, behaves, and acts just as she ought;
But never, never, reach'd one gen'rous Thought.
Virtue she finds too painful an endeavour,
Content to dwell in Decencies for ever.
So very reasonable, so unmov'd,
As never yet to love, or to be lov'd.
She, while her Lover pants upon her breast,
Can mark the figures on an Indian chest;
And when she sees her Friend in deep despair,
Observes how much a Chintz exceeds Mohair.
Forbid it Heav'n, a Favour or a Debt
She e'er should cancel--but she may forget.
Safe is your Secret still in Chloe's ear;
But none of Chloe's shall you ever hear.
Of all her Dears she never slander'd one,
But cares not if a thousand are undone.
Would Chloe know if you're alive or dead?
She bids her Footman put it in her head.
Chloe is prudent--Would you too be wise?
Then never break your heart when Chloe dies.
One certain Portrait may (I grant) be seen,
Which Heav'n has varnish'd out, and made a Queen:
The same for ever! and describ'd by all
With Truth and Goodness, as with Crown and Ball.
Poets heap Virtues, Painters Gems at will,
And show their zeal, and hide their want of skill.
'Tis well--but, Artists! who can paint or write,
To draw the Naked is your true delight.
That robe of Quality so struts and swells,
None see what Parts of Nature it conceals:
Th' exactest traits of Body or of Mind,
We owe to models of an humble kind.
If QUEENSBURY to strip there's no compelling,
69
'Tis from a Handmaid we must take a Helen.
From Peer or Bishop 'tis no easy thing
To draw the man who loves his God, or King:
Alas! I copy (or my draught would fail)
From honest Mah'met, or plain Parson Hale.
But grant, in Public Men sometimes are shown,
A Woman's seen in Private life alone:
Our bolder Talents in full light displayed;
Your Virtues open fairest in the shade.
Bred to disguise, in Public 'tis you hide;
There, none distinguish twixt your Shame or Pride,
Weakness or Delicacy; all so nice,
That each may seem a Virtue, or a Vice.
In Men, we various Ruling Passions find;
In Women, two almost divide the kind;
Those, only fix'd, they first or last obey,
The Love of Pleasure, and the Love of Sway.
That, Nature gives; and where the lesson taught
Is but to please, can Pleasure seem a fault?
Experience, this; by Man's oppression curst,
They seek the second not to lose the first.
Men, some to Business, some to pleasure take;
But ev'ry Woman is at heart a Rake:
Men, some to Quiet, some to public Strife;
But ev'ry Lady would be Queen for life.
Yet mark the fate of a whole Sex of Queens!
Pow'r all their end, but Beauty all the means:
In Youth they conquer, with so wild a rage,
As leaves them scarce a subject in their Age:
For foreign glory, foreign joy, they roam;
No thought of peace or happiness at home.
But Wisdom's triumph is a well-tim'd Retreat,
As hard a science to the Fair as Great!
Beauties, like Tyrants, old and friendless grown,
Yet hate repose, and dread to be alone,
Worn out in public, weary ev'ry eye,
Nor leave one sigh behind them when they die.
70
Pleasures the sex, as children Birds, pursue,
Still out of reach, yet never out of view;
Sure, if they catch, to spoil the Toy at most,
To covet flying, and regret when lost:
At last, to follies Youth could scarce defend,
It grows their Age's prudence to pretend;
Asham'd to own they gave delight before,
Reduc'd to feign it, when they give no more:
As Hags hold Sabbaths, less for joy than spite,
So these their merry, miserable Night;
Still round and round the Ghosts of Beauty glide,
And haunt the places where their Honour died.
See how the World its Veterans rewards!
A Youth of Frolics, an old Age of Cards;
Fair to no purpose, artful to no end,
Young without Lovers, old without a Friend;
A Fop their Passion, but their Prize a Sot;
Alive, ridiculous, and dead, forgot!
Ah Friend! to dazzle let the Vain design;
To raise the Thought, and touch the Heart be thine!
That Charm shall grow, while what fatigues the Ring,
Flaunts and goes down, an unregarded thing:
So when the Sun's broad beam has tir'd the sight,
All mild ascends the Moon's more sober light,
Serene in Virgin Modesty she shines,
And unobserv'd the glaring Orb declines.
Oh! blest with Temper, whose unclouded ray
Can make tomorrow cheerful as today;
She, who can love a Sister's charms, or hear
Sighs for a Daughter with unwounded ear;
She, who ne'er answers till a Husband cools,
Or, if she rules him, never shows she rules;
Charms by accepting, by submitting sways,
Yet has her humour most, when she obeys;
Let Fops or Fortune fly which way they will;
Disdains all loss of Tickets, or Codille;
Spleen, Vapours, or Smallpox, above them all,
And Mistress of herself, though China fall.
71
And yet, believe me, good as well as ill,
Woman's at best a Contradiction still.
Heav'n, when it strives to polish all it can
Its last best work, but forms a softer Man;
Picks from each sex, to make the Favorite blest,
Your love of Pleasure, our desire of Rest:
Blends, in exception to all general rules,
Your Taste of Follies, with our Scorn of Fools:
Reserve with Frankness, Art with Truth ally'd,
Courage with Softness, Modesty with Pride;
Fix'd Principles, with Fancy ever new;
Shakes all together, and produces--You.
Be this a Woman's Fame: with this unblest,
Toasts live a scorn, and Queens may die a jest.
This Phoebus promis'd (I forget the year)
When those blue eyes first open'd on the sphere;
Ascendant Phoebus watch'd that hour with care,
Averted half your Parents' simple Pray'r;
And gave you Beauty, but deny'd the Pelf
That buys your sex a Tyrant o'er itself.
The generous God, who Wit and Gold refines,
And ripens Spirits as he ripens Mines,
Kept Dross for Duchesses, the world shall know it,
To you gave Sense, Good Humour, and a Poet.
~ Alexander Pope,#NFDB
895:All Is Vanity
How vain is Life! which rightly we compare
To flying Posts, that haste away;
To Plants, that fade with the declining Day;
To Clouds, that sail amidst the yielding Air;
Till by Extention into that they flow,
Or, scatt'ring on the World below,
Are lost and gone, ere we can say they were;
To Autumn-leaves, which every Wind can chace;
To rising Bubbles, on the Waters Face;
To fleeting Dreams, that will not stay,
Nor in th' abused Fancy dance,
When the returning Rays of Light,
Resuming their alternate Right,
Break on th' ill-order'd Scene on the fantastick Trance:
As weak is Man, whilst Tenant to the Earth;
As frail and as uncertain all his Ways,
From the first moment of his weeping Birth,
Down to the last and best of his few restless Days;
When to the Land of Darkness he retires
From disappointed Hopes, and frustrated Desires;
Reaping no other Fruit of all his Pain
Bestow'd whilst in the vale of Tears below,
But this unhappy Truth, at last to know,
That Vanity's our Lot, and all Mankind is Vain.
II
If past the hazard of his tendrest Years,
Neither in thoughtless Sleep opprest,
Nor poison'd with a tainted Breast,
Loos'd from the infant Bands and female Cares,
A studious Boy, advanc'd beyond his Age,
Wastes the dim Lamp, and turns the restless Page;
For some lov'd Book prevents the rising Day,
And on it, stoln aside, bestows the Hours of Play;
Him the observing Master do's design
For search of darkned Truths and Mysteries Divine;
37
Bids him with unremitted Labour trace
The Rise of Empires, and their various Fates,
The several Tyrants o'er the several States,
To Babel's lofty Towers, and warlike Nimrod's Race;
Bids him in Paradice the Bank survey,
Where Man, new-moulded from the temper'd Clay,
(Till fir'd with Breath Divine) a helpless Figure lay:
Could he be led thus far--What were the Boast,
What the Reward of all the Toil it cost,
What from that Land of ever-blooming Spring,
For our Instruction could he bring,
Unless, that having Humane Nature found
Unseparated from its Parent Ground,
(Howe'er we vaunt our Elevated Birth)
The Epicure in soft Array,
The lothsome Beggar, that before
His rude unhospitable Door,
Unpity'd but by Brutes, a broken Carcass lay,
Were both alike deriv'd from the same common Earth?
But ere the Child can to these Heights attain,
Ere he can in the Learned Sphere arise;
A guilding Star, attracting to the Skies,
A fever, seizing the o'er labour'd Brain,
Sends him, perhaps, to Death's concealing Shade;
Where, in the Marble Tomb now silent laid,
He better do's that useful Doctrine show,
(Which all the sad Assistants ought to know,
Who round the Grave his short continuance mourn)
That first from Dust we came, and must to Dust return.
III
A bolder Youth, grown capable of Arms,
Bellona courts with her prevailing Charms;
Bids th' inchanting Trumpet sound,
Loud as Triumph, soft as Love,
Striking now the Poles above,
Then descending from the Skies,
Soften every falling Note;
As the harmonious Lark that sings and flies,
When near the Earth, contracts her narrow Throat,
And warbles on the Ground:
38
Shews the proud Steed, impatient of the Check,
'Gainst the loudest Terrors Proof,
Pawing the Valley with his steeled Hoof,
With Lightning arm'd his Eyes, with Thunder cloth'd his Neck;
Who on the th' advanced Foe, (the Signal giv'n)
Flies, like a rushing Storm by mighty Whirlwinds driv'n;
Lays open the Records of Fame,
No glorious Deed omits, no Man of mighty Name;
Their Stratagems, their Tempers she'll repeat,
From Alexander's, (truly stil'd the GREAT)
From Cæsar's on the World's Imperial Seat,
To Turenne's Conduct, and to Conde's Heat.
'Tis done! and now th' ambitious Youth disdains
The safe, but harder Labours of the Gown,
The softer pleasures of the Courtly Town,
The once lov'd rural Sports, and Chaces on the Plains;
Does with the Soldier's Life the Garb assume,
The gold Embroid'ries, and the graceful Plume;
Walks haughty in a Coat of Scarlet Die,
A Colour well contriv'd to cheat the Eye,
Where richer Blood, alas! may undistinguisht lye.
And oh! too near that wretched Fate attends;
Hear it ye Parents, all ye weeping Friends!
Thou fonder Maid! won by these gaudy Charms,
(The destin'd Prize of his Victorious Arms)
Now fainting Dye upon the mournful Sound,
That speaks his hasty Death, and paints the fatal Wound!
Trail all your Pikes, dispirit every Drum,
March in a slow Procession from afar,
Ye silent, ye dejected Men of War!
Be still the Hautboys, and the Flute be dumb!
Display no more, in vain, the lofty Banner;
For see! where on the Bier before ye lies
The pale, the fall'n, th' untimely Sacrifice
To your mistaken Shrine, to your false Idol Honour!
IV
As Vain is Beauty, and as short her Power;
Tho' in its proud, and transitory Sway,
The coldest Hearts and wisest Heads obey
That gay fantastick Tyrant of an Hour.
39
On Beauty's Charms, (altho' a Father's Right,
Tho' grave Seleucus! to thy Royal Side
By holy Vows fair Stratonice be ty'd)
With anxious Joy, with dangerous Delight,
Too often gazes thy unwary Son,
Till past all Hopes, expiring and undone,
A speaking Pulse the secret Cause impart;
The only time, when the Physician's Art
Could ease that lab'ring Grief, or heal a Lover's Smart.
See Great Antonius now impatient stand,
Expecting, with mistaken Pride,
On Cydnus crowded Shore, on Cydnus fatal Strand,
A Queen, at his Tribunal to be try'd,
A Queen that arm'd in Beauty, shall deride
His feeble Rage, and his whole Fate command:
O'er the still Waves her burnisht Galley moves,
Row'd by the Graces, whilst officious Loves
To silken Cords their busie Hands apply,
Or gathering all the gentle Gales that fly,
To their fair Mistress with these Spoils repair,
And from their purple Wings disperse the balmy Air.
Hov'ring Perfumes ascend in od'rous Clouds,
Curl o'er the Barque, and play among the Shrouds;
Whilst gently dashing every Silver Oar,
Guided by the Rules of Art,
With tuneful Instruments design'd
To soften, and subdue the stubborn Mind,
A strangely pleasing and harmonious Part
In equal Measures bore.
Like a new Venus on her native Sea,
In midst of the transporting Scene,
(Which Pen or Pencil imitates in vain)
On a resplendent and conspicuous Bed,
With all the Pride of Persia loosely spread,
The lovely Syrene lay.
Which but discern'd from the yet distant Shore,
Th' amazed Emperor could hate no more;
No more a baffled Vengeance could pursue;
But yielding still, still as she nearer drew,
When Cleopatra anchor'd in the Bay,
Where every Charm cou'd all its Force display,
Like his own Statue stood, and gaz'd the World away.
40
Where ends alas! this Pageantry and State;
Where end the Triumphs of this conqu'ring Face,
Envy'd of Roman Wives, and all the Female Race?
Oh swift Vicissitude of Beauty's Fate!
Now in her Tomb withdrawn from publick Sight,
From near Captivity and Shame,
The vanquish'd, the abandon'd Dame
Proffers the Arm, that held another's Right,
To the destructive Snake's more just Embrace,
And courts deforming Death, to mend his Leaden Pace.
But Wit shall last (the vaunting Poet cries)
Th' immortal Streams that from Parnassus flow,
Shall make his never-fading Lawrels grow,
Above this mouldring Earth to flourish in the Skies:
'And when his Body falls in Funeral Fire,
When late revolving Ages shall consume
The very Pillars, that support his Tomb,
'His name shall live, and his best Part aspire.
Deluded Wretch! grasping at future Praise,
Now planting, with mistaken Care,
Round thy enchanted Palace in the Air,
A Grove, which in thy Fancy time shall raise,
A Grove of soaring Palms, and everlasting Bays;
Could'st Thou alas! to such Reknown arrive,
As thy Imagination wou'd contrive;
Should numerous Cities, in a vain contest,
Struggle for thy famous Birth;
Should the sole Monarch of the conquer'd Earth,
His wreathed Head upon thy Volume rest;
Like Maro, could'st thou justly claim,
Amongst th' inspired tuneful Race,
The highest Room, the undisputed Place;
And after near Two Thousand Years of Fame,
Have thy proud Work to a new People shown;
Th' unequal'd Poems made their own,
In such a Dress, in such a perfect Stile
As on his Labours Dryden now bestows,
As now from Dryden's just Improvement flows,
In every polish'd Verse throughout the British Isle;
41
What Benefit alas! would to thee grow?
What Sense of Pleasure wou'dst thou know?
What swelling Joy? what Pride? what Glory have,
When in the Darkness of the abject Grave,
Insensible, and Stupid laid below,
No Atom of thy Heap, no Dust wou'd move,
For all the airy Breath that form'd thy Praise above?
VI
True, says the Man to Luxury inclin'd;
Without the Study of uncertain Art,
Without much Labour of the Mind,
Meer uninstructed Nature will impart,
That Life too swiftly flies, and leaves all good behind.
Sieze then, my Friends, (he cries) the present Hour;
The Pleasure which to that belongs,
The Feasts, th' o'erflowing Bowls, the Mirth, the Songs,
The Orange-Bloom, that with such Sweetness blows,
Anacreon's celebrated Rose,
The Hyacinth, with every beauteous Flower,
Which just this happy Moment shall disclose,
Are out of Fortune's reach, and all within our Power.
Such costly Garments let our Slaves prepare,
As for the gay Demetrius were design'd;
Where a new Sun of radiant Diamonds shin'd,
Where the enamel'd Earth, and scarce-discerned Air,
With a transparent Sea were seen,
A Sea composed of the Em'rald's Green,
And with a golden Shore encompass'd round;
Where every Orient Shell, of wondrous shape was found.
The whole Creation on his Shoulders hung,
The whole Creation with his Wish comply'd,
Did swiftly, for each Appetite provide,
And fed them all when Young.
No less, th' Assyrian Prince enjoy'd,
Of Bliss too soon depriv'd, but never cloy'd,
Whose Counsel let us still pursue,
Whose Monument, did this Inscription shew
To every Passenger, that trod the way,
Where, with a slighting Hand, and scornful Smile
The proud Effigies, on th' instructive Pile,
42
A great Example lay.
I, here Entomb'd, did mighty Kingdoms sway,
Two Cities rais'd in one prodigious Day:
Thou wand'ring Traveller, no longer gaze,
No longer dwell upon this useless Place;
Go Feed, and Drink, in Sports consume thy Life;
For All that else we gain's not worth a Moment's Strife.
Thus! talks the Fool, whom no Restraint can bound,
When now the Glass has gone a frequent round;
When soaring Fancy lightly swims,
Fancy, that keeps above, and dances o'er the Brims;
Whilst weighty Reason sinks, and in the bottom's drown'd;
Adds to his Own, an artificial Fire,
Doubling ev'ry hot Desire,
Till th' auxiliary Spirits, in a Flame,
The Stomach's Magazine defy,
That standing Pool, that helpless Moisture nigh,
Thro' every Vital part impetuous fly,
And quite consume the Frame;
When to the Under-world despis'd he goes,
A pamper'd Carcase on the Worms bestows,
Who rioting on the unusual Chear,
As good a Life enjoy, as he could boast of here.
VII
But hold my Muse! thy farther Flight restrain,
Exhaust not thy declining Force,
Nor in a long, pursu'd, and breathless Course,
Attempt, with slacken'd speed, to run
Through ev'ry Vanity beneath the Sun,
Lest thy o'erweary'd Reader, should complain,
That of all Vanities beside,
Which thine, or his Experience e'er have try'd,
Thou art, too tedious Muse, most frivolous and vain;
Yet, tell the Man, of an aspiring Thought,
Of an ambitious, restless Mind,
That can no Ease, no Satisfaction find,
Till neighb'ring States are to Subjection brought,
Till Universal Awe, enslav'd Mankind is taught;
That, should he lead an Army to the Field,
For whose still necessary Use,
43
Th' extended Earth cou'd not enough produce,
Nor Rivers to their Thirst a full Contentment yield;
Yet, must their dark Reverse of Fate
Roll round, within that Course of Years,
Within the short, the swift, and fleeting Date
Prescrib'd by Xerxes, when his falling Tears
Bewail'd those Numbers, which his Sword employ'd,
And false, Hyena-like, lamented and destroy'd.
Tell Him, that does some stately Building raise,
A Windsor or Versailles erect,
And thorough all Posterity expect,
With its unshaken Base, a firm unshaken Praise;
Tell Him, Judea's Temple is no more,
Upon whose Splendour, Thousands heretofore
Spent the astonish'd Hours, forgetful to Adore:
Tell him, into the Earth agen is hurl'd,
That most stupendious Wonder of the World,
Justly presiding o'er the boasted Seven,
By humane Art and Industry design'd,
This! the rich Draught of the Immortal Mind,
The Architect of Heaven.
Remember then, to fix thy Aim on High,
Project, and build on t'other side the Sky,
For, after all thy vain Expence below,
Thou canst no Fame, no lasting Pleasure know;
No Good, that shall not thy Embraces fly;
Or thou from that be in a Moment caught,
Thy Spirit to new Claims, new Int'rests brought,
Whilst unconcern'd thy secret Ashes lye,
Or stray about the Globe, O Man ordain'd to Dye!
~ Anne Kingsmill Finch,#NFDB
896:Ii. The Quest Of Silence
Secreta Silvarum: Prelude
Oh yon, when Holda leaves her hill
of winter, on the quest of June,
black oaks with emerald lamplets thrill
that flicker forth to her magic tune.
At dawn the forest shivers whist
and all the hidden glades awake;
then sunshine gems the milk-white mist
and the soft-swaying branches make
along its edge a woven sound
of legends that allure and flit
and horns wound towards the enchanted ground
where, in the light moon-vapours lit,
all night, while the black woods in mass,
serried, forbid with goblin fear,
fay-revels gleam o'er the pale grass
till shrill-throats ring the matins near.
Oh there, oh there in the sweet o' the year,
adventurous in the witching green,
last feal of the errant spear,
to seek the eyes of lost Undine
clear blue above the blue cold stream
that lingers till her plaint be done,
oh, and perchance from that sad dream
to woo her, laughing, to the sun
and that glad blue that seems to flow
far up, where dipping branches lift
sidelong their soft-throng'd frondage slow
and slow the thin cloud-fleecelets drift.
Oh, there to drowse the summer thro'
deep in some odorous twilit lair,
swoon'd in delight of golden dew
within the sylvan witches hair;
the while on half-veil'd eyes to feel
the yellow sunshafts broken dim,
and seldom waftures moth-like steal
and settle, on the bare-flung limb:
or under royal autumn, pall'd
27
in smouldering magnificence,
to feel the olden heart enthrall'd
in wisdoms of forgotten sense,
and mad desire and pain that fill'd
red August's heart of throbbing bloom
in one grave hour of knowledge still'd
where glory ponders o'er its doom:
and, when the boughs are sombre lace
and silence chisels silver rime,
o'er some old hearth, with dim-lit face,
to dream the vanish'd forest prime,
the springtime's sweet and June's delight,
more precious now that hard winds chill
the dews that made their mornings bright,
and Holda sleeps beneath her hill.
What tho' the outer day be brazen rude
not here the innocence of morn is fled:
this green unbroken dusk attests it wed
with freshness, where the shadowy breasts are nude,
hers guess'd, whose looks, felt dewy-cool, elude —
save this reproach that smiles on foolish dread:
wood-word, grave gladness in its heart, unsaid,
knoweth the guarded name of Quietude.
Nor start, if satyr-shapes across the path
tumble; it is but children: lo, the wrath
couchant, heraldic, of her beasts that pierce
with ivory single horn whate'er misplaced
outrageous nears, or whinny of the fierce
Centaur, or mailed miscreant unchaste.
II
O friendly shades, where anciently I grew!
me entering at dawn a child ye knew,
all little welcoming leaves, and jealous wove
your roof of lucid emerald above,
that scarce therethro' the envious sun might stray,
save smiling dusk or, lure for idle play,
such glancing finger your chance whim allows,
all that long forenoon of the tuneful boughs;
which growing on, the myriad small noise
28
and flitting of the wood-life's busy joys,
thro' tenuous weft of sound, had left, divined,
the impending threat of silence, clear, behind:
and, noon now past, that hush descended large
in the wood's heart, and caught me in its marge
of luminous foreboding widely flung;
so hourlong I have stray'd, and tho' among
the glimpsing lures of all green aisles delays
that revelation of its wondrous gaze,
yet am I glad to wander, glad to seek
and find not, so the gather'd tufts bespeak,
naked, reclined, its friendly neighbourhood —
as in this hollow of the rarer wood
where, listening, in the cool glen-shade, with me,
white-bloom'd and quiet, stands a single tree;
rich spilth of gold is on the eastward rise;
westward the violet gloom eludes mine eyes.
This is the house of Pan, not whom blind craze
and babbling wood-wits tell, where bare flints blaze,
noon-tide terrific with the single shout,
but whom behind each bole sly-peering out
the traveller knows, but turning, disappear'd
with chuckle of laughter in his thicket-beard,
and rustle of scurrying faun-feet where the ground
each autumn deeper feels its yellow mound.
Onward: and lo, at length, the secret glade,
soft-gleaming grey, what time the grey trunks fade
in the white vapours o'er its further rim.
'Tis no more time to linger: now more dim
the woods are throng'd to ward the haunted spot
where, as I turn my homeward face, I wot
the nymphs of twilight have resumed, unheard,
their glimmering dance upon the glimmering sward.
III
The point of noon is past, outside: light is asleep;
brooding upon its perfect hour: the woods are deep
and solemn, fill'd with unseen presences of light
that glint, allure, and hide them; ever yet more bright
(it seems) the turn of a path will show them: nay, but rest;
seek not, and think not; dream, and know not; this is best:
the hour is full; be lost: whispering, the woods are bent,
29
This is the only revelation; be content.
IIII
The forest has its horrors, as the sea:
and ye that enter from the staling lea
into the early freshness kept around
the waiting trunks that watch its rarer bound,
after the glistening song that, sprinkled, leaves
an innocence upon the glancing leaves;
O ye that dream to find the morning yet
secret and chaste, beside her mirror set,
some glimmering source o'ershadow'd, where the light
is coolness felt, whom filter'd glints invite
thro' the slow-shifting green transparency;
O ye that hearken towards pale mystery
a rustle of hidden pinions, and obey
the beckoning of each little leaf asway:
return, return, or e'er to warn you back
the shadow bend along your rearward track
longer and longer from the brooding west;
return, and evening shall bosom your rest
in the warm gloom that wraps the blazing hearth:
there hear from wither'd lips long wean'd of mirth
the tale that lulls old watches; — How they rode,
brave-glittering once, where the brave morning glow'd
along the forest-edges, and were lost
for ever, where the crossing trunks are most;
and, far beyond the dim arcades of song,
where moon-mist weaves a dancing elfin throng,
and far beyond the luring glades that brood
around a maiden thought of Quietude,
the savage realm begins, of lonely dread,
black branches from the fetid marish bred
that lurks to trap the loyal careless foot,
and gaping trunks protrude a snaky root
o'er slinking paths that centre, where beneath
a sudden rock on the short blasted heath,
bare-set, a cavern lurks and holds within
its womb, obscene with some corroding sin,
coil'd on itself and stirring, a squat shade
before the entrance rusts a broken blade.
The forest hides its horrors, as the sea.
30
V
No emerald spring, no royal autumn-red,
no glint of morn or sullen vanquish'd day
might venture against this obscene horror's sway
blackly from the witch-blasted branches shed.
No silver bells around the bridle-head
ripple, and on no quest the pennons play:
the path's romance is shuddering disarray,
or eaten by the marsh: the knights are dead.
The Lady of the Forest was a tale:
of the white unicorns that round her sleep
gamboll'd, no turf retains a print; and man,
rare traveller, feels, athwart the knitted bale
watching, now lord of loathly deaths that creep,
maliciously the senile leer of Pan.
Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-mass'd or scatter'd pebble, fire that fills
the breathless hour that lives in fire alone.
This valley, long ago the patient bed
of floods that carv'd its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-days tyrant mood.
Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hush'd in vague-conjectured blur of sound
that dulls the brain with slumbrous weight, unless
some dazzling puncture let the stridence throng
in the cicada's torture-point of song.
Peace dwells in blessing o'er a place
folded within the hills to keep
and under dark boughs seawind-frayd:
and the kind slopes where soothings creep,
in the gold light or the green shade,
wear evermore the ancient face
of silence, and the eyes of sleep;
because they are listening evermore
unto the seawinds what they tell
to the wise, nodding, indifferent trees
high on the ridge that guard the dell,
31
of wars on many a far grey shore
and how the shores decay and fade
before the obstinate old seas:
and all their triumphing is made
a tale that dwindles with the eves,
while the soft dusk lingers, delay'd,
and drifts between the indolent leaves.
A gray and dusty daylight flows
athwart the shatter'd traceries,
pale absence of the ruin'd rose.
Here once, on labour-harden'd knees,
beneath the kindly vaulted gloom
that gather'd them in quickening ease,
they saw the rose of heaven bloom,
alone, in heights of musky air,
with many an angel's painted plume.
So, shadowing forth their dim-felt prayer,
the daedal glass compell'd to grace
the outer days indifferent stare,
where now its disenhallow'd face
beholds the petal-ribs enclose
nought, in their web of shatter'd lace,
save this pale absence of the rose.
Breaking the desert's tawny level ring
three columns, an oasis; but no shade
falls from the curl'd acanthus-leaves; no spring
bubbles soft laughter for its leaning maid.
The cell is waste: where once the god abode
a burning desolation furls its wing:
enter, and lo! once more, the hopeless road
world-wide, the tawny desert's level ring.
Before she pass'd behind the glacier wall
that hides her white eternal sorceries
the northern witch, in clinging ermine pall,
cast one last look along the shallow seas,
a look that held them in its numbing thrall
and melted onward to the sandy leas
where our lorn city lives its lingering fall
and wistful summer shrinks in scant-clad trees.
32
Hence came one greyness over grass and stone:
the silent-lapping waters fade and tone
into the air and into them the land;
and all along our stagnant waterways
a drown'd and dusky gleaming sleeps, unbann'd,
the lurking twilight of her vanish'd gaze.
Out of no quarter of the charted sky
flung in the bitter wind intolerably,
abrupt, the trump that sings behind the end
exults alone. Here grass is none to bend:
the stony plain blackens with rapid night
that best reveals the land's inflicted blight
since in the smitten hero-hand the sword
broke, and the hope the long-dumb folk adored,
and over all the north a tragic flare
told Valhall perish'd and the void's despair
to dwell as erst, all disinhabited,
a vault above the heart its hungering led.
The strident clangour cuts; but space is whole,
inert, absorb'd in dead regret. Here, sole,
on the bare uplands, stands, vast thro' the gloom
staring, to mark an irretrievable doom,
the stranger stone, sphinx-couchant, thunder-hurl'd
from red star-ruin o'er the elder world.
This night is not of gentle draperies
or cluster'd banners where the star-breaths roam,
nor hangs above the torch a lurching dome
of purple shade that slips with phantom ease;
but, on our apathy encroaching, these,
stable, whose smooth defiance none hath clomb,
basalt and jade, a patience of the gnome,
polish'd and shadow-brimm'd transparencies.
Far, where our oubliette is shut, above,
we guess the ample lids that never move
beneath her brows, each massive arch inert
hung high-contemptuous o'er the blatant wars
we deem'd well waged for her, who may avert
some Janus-face that smiles on hidden stars.
Lightning: and, momently, the silhouette,
33
flat on the far horizon, comes and goes
of that night-haunting city; minaret,
dome, spire, all sharp while yet the levin glows.
Day knows it not; whether fierce noon-tide fuse
earth's rim with sky in throbbing haze, or clear
gray softness tinge afresh the enamell'd hues
of mead and stream, it shows no tipping spear.
Night builds it: now upon the marbled plain
a blur, discern'd lurking, ever more nigh;
now close against the walls that hem my reign
a leaguer-town, threatening my scope of sky.
So late I saw it; in a misty moon
it bulk'd, all dusky and transparent, dumb
as ever, fast in some prodigious swoon:
its battlements deserted — who might come?
— ay, one! his eyes, 'neath the high turban's plume,
watch'd mine, intent, behind the breast-high stone:
his face drew mine across the milky gloom:
a sudden moonbeam show'd it me, my own!
ONE! an iron core, shock'd and dispers'd
in throbs of sound that ebb across the bay:
I shudder: the one clang smites disarray
thro' all my sense, that starts awake, inhears'd
in the whole lifeless world: and some accurs'd
miasma steals, resumed from all decay,
where the dead tide lies flat round the green quay,
hinting what self-fordone despairs it nurs'd.
The corpse of time is stark upon the night:
my soul is coffin'd, staring, grave-bedight,
upon some dance of death that reels and feasts
around its living tomb, with vampire grin,
inverted sacraments of Satan's priests —
and, mask'd no more, the maniac face of sin.
There is a far-off thrill that troubles me:
a faint thin ripple of shadow, momently,
dies out across my lucid icy cell.
I am betrayed by winter to the spell
of morbid sleep, that somewhere rolls its waves
insidiously, gather'd from unblest graves,
to creep above each distant crumbled mole.
34
When that assault is full against my soul,
I must go down, thro' chapels black with mould,
past ruin'd doors, whose arches, ridged with gold,
catch, in their grooves, a gloom more blackly dript,
some stairway winding hours-long towards the crypt
where panic night lies stricken 'neath the curse
exuding from the dense enormous hearse
of some old vampire-god, whose bulk, within,
lies gross and festering in his shroud of sin.
~ Christopher John Brennan,#NFDB
897:A Poem Upon The Death Of O.C.
That Providence which had so long the care
Of Cromwell's head, and numbred ev'ry hair,
Now in its self (the Glass where all appears)
Had seen the period of his golden Years:
And thenceforth onely did attend to trace,
What death might least so sair a Life deface.
The People, which what most they fear esteem,
Death when more horrid so more noble deem;
And blame the last Act, like Spectators vain,
Unless the Prince whom they applaud be slain.
Nor Fate indeed can well refuse that right
To those that liv'd in War, to dye in Fight.
But long his Valour none had left that could
Indanger him, or Clemency that would.
And he whom Nature all for Peace had made,
But angry Heaven unto War had sway'd,
And so less useful where he most desir'd,
For what he least affected was admir'd,
Deserved yet an End whose ev'ry part
Should speak the wondrous softness of his Heart.
To Love and Grief the fatal Writ was sign'd;
(Those nobler weaknesses of humane Mind,
From which those Powers that issu'd the Decree,
Although immortal, found they were not free.)
That they, to whom his Breast still open lyes,
In gentle Passions should his Death disguise:
And leave succeeding Ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Streight does a slow and languishing Disease
Eliza, Natures and his darling, seize.
Her when an infant, taken with her Charms,
He oft would flourish in his mighty Arms;
And, lest their force the tender burthen wrong,
Slacken the vigour of his Muscles strong;
Then to the Mothers brest her softly move,
Which while she drain'd of Milk she fill'd with Love:
But as with riper Years her Virtue grew,
And ev'ry minute adds a Lustre new;
When with meridian height her Beauty shin'd,
15
And thorough that sparkled her fairer Mind;
When She with Smiles serene and Words discreet
His hidden Soul at ev'ry turn could meet;
Then might y' ha' daily his Affection spy'd,
Doubling that knot which Destiny had ty'd:
While they by sence, not knowing, comprehend
How on each other both their Fates depend.
With her each day the pleasing Hours he shares,
And at her Aspect calms her growing Cares;
Or with a Grandsire's joy her Children sees
Hanging about her neck or at his knees.
Hold fast dear Infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wasts those Limbs of Wax,
And him with his tortur'd Image racks.
So the Flowr with'ring which the Garden crown'd,
The sad Root pines in secret under ground.
Each Groan he doubled and each Sigh he sigh'd,
Repeated over to the restless Night.
No trembling String compos'd to numbers new,
Answers the touch in Notes more sad more true.
She lest He grieve hides what She can her pains,
And He to lessen hers his Sorrow feigns:
Yet both perceiv'd, yet both conceal'd their Skills,
And so diminishing increast their ills:
That whether by each others grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple Locks were shorn,
Where she so long her Fathers fate had worn:
And frequent lightning to her Soul that flyes,
Devides the Air, and opens all the Skyes:
And now his Life, suspended by her breath,
Ran out impetuously to hasting Death.
Like polish'd Mirrours, so his steely Brest
Had ev'ry figure of her woes exprest;
And with the damp of her last Gasps obscur'd,
Had drawn such staines as were not to be cur'd.
Fate could not either reach with single stroke,
But the dear Image fled the Mirrour broke.
Who now shall tell us more of mournful Swans,
Of Halcyons kind, or bleeding Pelicans?
No downy breast did ere so gently beat,
16
Or fan with airy plumes so soft an heat.
For he no duty by his height excus'd,
Nor though a Prince to be a Man refus'd:
But rather then in his Eliza's pain
Not love, not grieve, would neither live nor reign.
And in himself so oft immortal try'd,
Yet in compassion of another dy'd.
So have I seen a Vine, whose lasting Age
Of many a Winter hath surviv'd the rage.
Under whose shady tent Men ev'ry year
At its rich bloods expence their Sorrows chear,
If some dear branch where it extends its life
Chance to be prun'd by an untimely knife,
The Parent-Tree unto the Grief succeeds,
And through the Wound its vital humour bleeds;
Trickling in watry drops, whose flowing shape
Weeps that it falls ere fix'd into a Grape.
So the dry Stock, no more that spreading Vine,
Frustrates the Autumn and the hopes of Wine.
A secret Cause does sure those Signs ordain
Fore boding Princes falls, and seldom vain.
Whether some Kinder Pow'rs, that wish us well,
What they above cannot prevent, foretell;
Or the great World do by consent presage,
As hollow Seas with future Tempests rage:
Or rather Heav'n, which us so long fore sees,
Their fun'rals celebrate while it decrees.
But never yet was any humane Fate
By nature solemniz'd with so much state.
He unconcern'd the dreadful passage crost;
But oh what pangs that Death did Nature cost!
First the great Thunder was shot off, and sent
The Signal from the starry Battlement.
The Winds receive it, and its force out-do,
As practising how they could thunder too:
Out of the Binders Hand the Sheaves they tore,
And thrash'd the Harvest in the airy floore;
Or of huge Trees, whose growth with his did rise,
The deep foundations open'd to the Skyes.
Then heavy Showres the winged Tempests dead,
And pour the Deluge ore the Chaos head.
The Race of warlike Horses at his Tomb
17
Offer themselves in many an Hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted Stall.
Numbers of Men decrease with pains unknown,
And hasten not to see his Death their own.
Such Tortures all the Elements unfix'd,
Troubled to part where so exactly mix'd.
And as through Air his wasting Spirits flow'd,
The Universe labour'd beneath their load.
Nature it seem'd with him would Nature vye;
He with Eliza, It with him would dye.
He without noise still travell'd to his End,
As silent Suns to meet the Night descend.
The Stars that for him fought had only pow'r
Left to determine now his fatal Hour,
Which, since they might not hinder, yet they cast
To chuse it worthy of his Glories past.
No part of time but bore his mark away
Of honour; all the Year was Cromwell's day
But this, of all the most auspicious found,
Twice had in open field him Victor crown'd
When up the armed Mountains of Dunbar
He march'd, and through deep Severn ending war.
What day should him eternize but the same
That had before immortaliz'd his Name?
That so who ere would at his Death have joy'd,
In their own Griefs might find themselves imploy'd;
But those that sadly his departure griev'd,
Yet joy'd remembring what he once atcheiv'd.
And the last minute his victorious Ghost
Gave chase to Ligny on the Belgick Coast.
Here ended all his mortal toyles: He lay'd
And slept in Peace under the Lawrel Shade.
O Cromwell, Heavens Favourite! To none
Have such high honours from above been shown:
For whom the Elements we Mourners see,
And Heav'n it self would the great Herald be;
Which with more Care set forth his Obsequies
Then those of Moses hid from humane Eyes;
As jealous only here lest all be less,
That we could to his Memory express.
Then let us to our course of Mourning keep:
18
Where Heaven leads, 'tis Piety to weep.
Stand back ye Seas, and shrunk beneath the vail
Of your Abysse, with cover'd Head bewail
Your Monarch: We demand not your supplies
To compass in our Isle; our Tears suffice;
Since him away the dismal Tempest rent,
Who once more joyn'd us to the Continent;
Who planted England on the Flandrick shoar,
And stretch'd our frontire to the Indian Ore;
Whose greater Truths obscure the Fables old,
Whether of British Saints or Worthy's told;
And in a valour less'ning Arthur's deeds,
For Holyness the Confessor exceeds.
He first put Armes into Religions hand,
And tim'rous Conscience unto Courage man'd:
The Souldier taught that inward Mail to wear,
And fearing God how they should nothing fear.
Those Strokes he said will pierce through all below
Where those that strike from Heaven fetch their Blow.
Note: The remainder is supplied from Ms .d.49
Astonish'd armyes did their flight prepare:
And Cityes strong were stormed by his prayer.
Of that for ever Prestons field shall tell
The Story, and impregnable Clonmell.
And where the sandy mountain Fenwick scald
The Sea between yet henee his pray'r prevail'd.
What man was ever so in Heav'n obey'd
Since the commanded Sun ore Gibeon stayd.
In all his warrs needs must he triumph, when
He conquer'd God still ere he fought with men.
Hence though in battle none so brave or fierce
Yet him the adverse steel could never pierce:
Pitty it seem'd to hurt him more that felt
Each wound himself which he to others delt,
Danger it self refusing to offend
So loose an enemy so fast a freind.
Friendship that sacred versue long das claime
The first foundation of his house and name.
But within one its narrow limitts fall
His tendernesse extended unto all:
And that deep soule through every chanell flows
19
Where kindly nature loves it self to lose.
More strong affections never reason serv'd
Yet still affected most what best deservd.
If he Eliza lov'd to that degree
(Though who more worstly to be lov'd then she)
If so indulgent to his own, how deare
To him the children of the Highest were?
For her he once did natures tribute pay:
For these his life adventur'd every day.
And it would be found could we his thoughts have
Their griefs struck deepest if Eliza's last.
What prudence more then humane did he need
To keep so deare, so diff'ring mindes agreed?
The worser sort as conscious of their ill,
Lye weak and easy to the rulers will:
But to the good (too many or too few).
All law is uselesse all reward is due.
Oh ill advis'd if not for love for shame.
Spare yet your own if you neglect his fame.
Least others dare to think your reale a maske
And you to govern only Heavens taske.
Valour, Religion, Friendship, Prudence dy'd
At once with him and all that's good beside:
And rue deaths refuse natures dreg's confin'd
To loathsome life Alas are left behinde:
Where we (so once we us'd) shall now no more
To fetch day presse about his chamber door;
From which he issu'd with that awfull state
It seem'd Mars broke through Janus double gate:
Yet alwayes temper'd with an Aire so mild
No Aprill suns that ere so gently smil'd:
No more shall heare that powerfull language charm.
Whose force oft spar'd the labour of his arm:
No more shall follow where he spent the dayes
In warres in counsell, or in pray'r, and praise,
Whose meanest acts he would himself advance
As ungirt David to the Arks did dance.
All All is gone of ours or his delight
In horses fierce wild deer or armour bright.
Francisca faire can nothing now but weep
Nor with soft notes shall sing his cares asleep.
I saw him dead, a leaden slumber lyes
20
And mortall sleep over those wakefull eys:
Those gentle Rayes under the lidds were fled
Which through his lookes that piercing sweetnesse she
That port which so Majestique was and strong,
Loose and depriv'd of vigour stretch'd along:
All wither'd, all discolour'd, pale and wan,
How much another thing, no more thatman?
Oh humane glory vaine, Oh death, Oh wings,
Oh worthlesse worth. Oh transitory things.
Yet dwelt that greatnesse in his shape decay'd
That still though dead greater than death he lay'd.
And in his alter'd face you something faigne
That threatens death he yet will live againe.
Not much unlike the saired Oake which shoots
To heav'n its branches and through earth its roots:
Whose spacious boughs are hung with Trophees row
And honour'd wreaths have oft the Victour crown
When angry Jove darts lightning through the Aire
At mortalls sins, nor his own plant will spare
(It groanes and bruses all below that stood
So many yeares the shelter of the wood)
The tree ere while foreshorten'd to our view
When foln shews taller yet then as it grew.
So shall his praise to after times increase
When truth shall be allow'd and faction cease.
And his own shadow with him fall. The Eye
Detracts from objects then it selfe more high:
But when death takes them from that envy'd seate
Seing how little we confesse how greate.
Thee many ages hence in martiall verse
Shall th' English souldier ere he charge rehearse:
Singing of thee influme themselves to fight
And with the name of Cromwell armyes fright.
As long as rivers to the seas shall runne.
As long as Cynthia shall relieve the sunne,
While staggs shall fly unto the forests thick,
While sheep delight the grassy downs to pick,
As long as future time succeeds the past,
Always thy honour, praise and name shall last.
Thou in a pitch how farre, beyond the sphere
Of humane glory towr'st, and raigning there
Despoyld of mortall robes, in seas of cliyse
21
Plunging dost bathe, and tread the bright Abysse:
There thy greate soule yet once a world das see
Spacious enough and pure enough for thee.
How soon thou Moses hast and Josua found
And David for the Sword, and harpe renown'd?
How streight canst to each happy Mansion goe?
(Farr Better known above then here below)
And in those joyes dost spend the endlesse day
Which in expressing we our selves betray.
For we since thou art gone with heavy doome
Wander like ghosts about thy loved tombe:
And lost in tears have neither sight nor minde
To guide us upward through this Region blinde
Since thou art gone who best that way could'st fearn
Onely our sighs perhaps may thither reach.
And Richard yet where his great Parent led
Beats on the rugged track: He vertue dead
Revives, and by his milder beams assures;
And yet how much of them his griefe obscures?
He as his rather long was kept from sight
In private to be view'd by better light:
But open'd once, what splendour dos he throw
A Cromwell in an houre a Prince will grow.
How he becomes that seat, how strongly streins
How gently winds at once the ruling Reins?
Heav'n to this choise prepar'd a Diadem
Richer then any Eastern silk or gemme:
A pearly rainbow; where the Sun inchas'd
His brows like an Imperiall Jewell grac'd.
We find already what those Omens mean.
Earth nere more glad, nor Heaven more serene:
Cease now our griefs, Calme peace succeeds a war
Rainbows to storms, Richard to Oliver.
Tempt not his clemency to try his pow'r
He threats no Deluge, yet fore tells a showre.
~ Andrew Marvell,#NFDB
898:The Kalevala - Rune Xi
LEMMINKAINEN'S LAMENT.
This the time to sing of Ahti,
Son of Lempo, Kaukomieli,
Also known as Lemminkainen.
Ahti was the king of islands,
Grew amid the island-dwellings,
At the site of his dear mother,
On the borders of the ocean,
On the points of promontories.
Ahti fed upon the salmon,
Fed upon the ocean whiting,
Thus became a mighty hero,
In his veins the blood of ages,
Read erect and form commanding,
Growth of mind and body perfect
But alas! he had his failings,
Bad indeed his heart and morals,
Roaming in unworthy places,
Staying days and nights in sequences
At the homes of merry maidens,
At the dances of the virgins,
With the maids of braided tresses.
Up in Sahri lived a maiden,
Lived the fair and winsome Kulli,
Lovely as a summer-flower,
From a kingly house descended,
Grew to perfect form and beauty,
Living in her father's cottage,
Home of many ancient heroes,
Beautiful was she and queenly,
Praised throughout the whole of Ehstland;
From afar men came to woo her,
To the birthplace of the virgin,
To the household of her mother.
For his son the Day-star wooes her,
But she will not go to Sun-land,
Will not shine beside the Day-star,
128
In his haste to bring the summer.
For her son, the bright Moon wooes her,
But she will not go to Moon-land,
By the bright Moon will not glimmer,
Will not run through boundless ether.
For his son the Night-star wooes her,
But she will not go to Star-land,
Will not twinkle in the starlight,
Through the dreary nights in winter.
Lovers come from distant Ehstlaud,
Others come from far-off Ingern,
But they cannot win the maiden,
This the answer that she gives them
'Vainly are your praises lavished
Vainly is your silver offered,
Wealth and praise are no temptation;
Never shall I go to Ehstland,
Never shall I go a-rowing
On the waters of the Ingern,
Shall not cross the Sahri-waters,
Never eat the fish of Ehstland,
Never taste the Ehstland viands.
Ingerland shall never see me,
Will not row upon her rivers,
Will not step within her borders;
Hunger there, and fell starvation,
Wood is absent, fuel wanting,
Neither water, wheat, nor barley,
Even rye is not abundant.'
Lemminkainen of the islands,
Warlike hero, Kaukomieli,
Undertakes to win the maiden,
Woo and win the Sahri-flower,
Win a bride so highly honored,
Win the maid with golden tresses,
Win the Sahri maid of beauty;
But his mother gives him warning:
'Nay,' replies his gray-haired mother,
'Do not woo, my son beloved,
Maiden of a higher station;
She will never make thee happy
With her lineage of Sahri.'
129
Spake the hero, Lemminkainen,
These the words of Kaukomieli:
'Should I come from lowly station,
Though my tribe is not the highest,
I shall woo to please my fancy,
Woo the maiden fair and lovely,
Choose a wife for worth and beauty.'
This the anxious mother's answer:
'Lemminkainen, son beloved,
Listen to advice maternal:
Do not go to distant Sahri,
To her tribe of many branches;
All the maidens there will taunt thee,
All the women will deride thee.'
Lemminkainen, little hearing,
Answers thus his mother's pleading:
'I will still the sneers of women,
Silence all the taunts of maidens,
I will crush their haughty bosoms,
Smite the hands and cheeks of infants;
Surely this will check their insults,
Fitting ending to derision!'
This the answer of' the mother:
'Woe is me, my son beloved!
Woe is me, my life hard-fated!
Shouldst thou taunt the Sahri daughters.
Or insult the maids of virtue,
Shouldst thou laugh them to derision,
There will rise a great contention,
Fierce the battle that will follow.
All the hosts of Sahri-suitors,
Armed in thousands will attack thee,
And will slay thee for thy folly.'
Nothing listing, Lemminkainen,
Heeding not his mother's warning,
Led his war-horse from the stables,
Quickly hitched the fiery charger,
Fleetly drove upon his journey,
To the distant Sahri-village,
There to woo the Sahri-flower,
There to win the Bride of Beauty.
All the aged Sahri-women,
130
All the young and lovely maidens
Laughed to scorn the coming stranger
Driving careless through the alleys,
Wildly driving through the court-yard,
Now upsetting in the gate-way,
Breaking shaft, and hame, and runner.
Then the fearless Lemminkainen,
Mouth awry and visage wrinkled,
Shook his sable locks and answered:
'Never in my recollection
Have I heard or seen such treatment,
Never have I been derided,
Never suffered sneers of women,
Never suffered scorn of virgins,
Not in my immortal life-time.
Is there any place befitting
On the Sahri-plains and pastures,
Where to join in songs and dances?
Is there here a hall for pleasure,
Where the Sahri-maidens linger,
Merry maids with braided tresses?'
Thereupon the Sahri-maidens
Answered from their promontory.,
'Room enough is there in Sahri,
Room upon the Sahri-pastures,
Room for pleasure-halls and dances;
Sing and dance upon our meadows,
Be a shepherd on the mountains,
Shepherd-boys have room for dancing;
Indolent the Sahri-children,
But the colts are fat and frisky.'
Little caring, Lemminkainen
Entered service there as shepherd,
In the daytime on the pastures,
In the evening, making merry
At the games of lively maidens,
At the dances with the virgins,
With the maids with braided tresses.
Thus it was that Lemminkainen,
Thus the shepherd, Kaukomieli,
Quickly hushed the women's laughter,
Quickly quenched the taunts of maidens,
131
Quickly silenced their derision.
All the dames and Sahri-daughters
Soon were feasting Lemminkainen,
At his side they danced and lingered.
Only was there one among them,
One among the Sahri-virgins,
Harbored neither love nor wooers,
Favored neither gods nor heroes,
This the lovely maid Kyllikki,
This the Sahri's fairest flower.
Lemminkainen, full of pleasure,
Handsome hero, Kaukomieli,
Rowed a hundred boats in pieces,
Pulled a thousand oars to fragments,
While he wooed the Maid of Beauty,
Tried to win the fair Kyllikki.
Finally the lovely maiden,
Fairest daughter of the Northland,
Thus addresses Lemminkainen:
'Why dost linger here, thou weak one,
Why dost murmur on these borders,
Why come wooing at my fireside,
Wooing me in belt of copper?
Have no time to waste upon thee,
Rather give this stone its polish,
Rather would I turn the pestle
In the heavy sandstone mortar;
Rather sit beside my mother
In the dwellings of my father.
Never shall I heed thy wooing,
Neither wights nor whisks I care for,
Sooner have a slender husband
Since I have a slender body;
Wish to have him fine of figure,
Since perchance I am well-shapen;
Wish to have him tall and stately,
Since my form perchance is queenly;
Never waste thy time in wooing
Saliri's maid and favored flower.'
Time had gone but little distance,
Scarcely had a month passed over,
When upon a merry evening,
132
Where the maidens meet for dancing,
In the glen beyond the meadow,
On a level patch of verdure,
Came too soon the maid Kyllikki,
Sahri's pride, the Maid of Beauty;
Quickly followed Lemminkainen,
With his stallion proudly prancing,
Fleetest racer of the Northland,
Fleetly drives beyond the meadow,
Where the maidens meet for dancing,
Snatches quick the maid Kyllikki,
On the settle seats the maiden,
Quickly draws the leathern cover,
And adjusts the brichen cross-bar,
Whips his courser to a gallop.
With a rush, and roar, and rattle,
Speeds he homeward like the storm-wind,
Speaks these words to those that listen:
'Never, never, anxious maidens,
Must ye give the information,
That I carried off Kyllikki
To my distant home and kindred.
If ye do not heed this order,
Ye shall badly fare as maidens;
I shall sing to war your suitors,
Sing them under spear and broadsword,
That for months, and years, and ages,
Never ye will see their faces,
Never hear their merry voices,
Never will they tread these uplands,
Never will they join these dances,
Never will they drive these highways.'
Sad the wailing of Kyllikki,
Sad the weeping flower of Sahri!
Listen to her tearful pleading:
'Give, O give me back my freedom,
Free me from the throes of thralldom,
Let this maiden wander homeward,
By some foot-path let me wander
To my father who is grieving,
To my mother who is weeping;
Let me go or I will curse thee!
133
If thou wilt not give me freedom,
Wilt not let me wander homeward,
Where my loved ones wait my coming,
I have seven stalwart brothers,
Seven sons of father's brother,
Seven sons of mother's sister,
Who pursue the tracks of red-deer,
Hunt the hare upon the heather;
They will follow thee and slay thee,
Thus I'll gain my wished-for freedom.'
Lemminkainen, little heeding,
Would not grant the maiden's wishes,
Would not heed her plea for mercy.
Spake again the waiting virgin,
Pride and beauty of the Northland:
'Joyful was I with my kindred,
Joyful born and softly nurtured
Merrily I spent my childhood,
Happy I, in virgin-freedom,
In the dwelling of my father,
By the bedside of my mother,
With my lineage in Sahri;
But alas! all joy has vanished,
All my happiness departed,
All my maiden beauty waneth
Since I met thine evil spirit,
Shameless hero of dishonor,
Cruel fighter of the islands,
Merciless in civil combat.'
Spake the hero, Lemminkainen,
These the words of Kaukomieli:
'Dearest maiden, fair Kyllikki,
My sweet strawberry of Pohya,
Still thine anguish, cease thy weeping,
Be thou free from care and sorrow,
Never shall I do thee evil,
Never will my hands maltreat thee,
Never will mine arms abuse thee,
Never will my tongue revile thee,
Never will my heart deceive thee.
'Tell me why thou hast this anguish,
Why thou hast this bitter sorrow,
134
Why this sighing and lamenting,
Tell me why this wail of sadness?
Banish all thy cares and sorrows,
Dry thy tears and still thine anguish,
I have cattle, food, and shelter,
I have home, and friends, and kindred,
Kine upon the plains and uplands,
In the marshes berries plenty,
Strawberries upon the mountains
I have kine that need no milking,
Handsome kine that need no feeding,
Beautiful if not well-tended;
Need not tie them up at evening,
Need not free them in the morning,
Need not hunt them, need not feed them,
Need not give them salt nor water.
'Thinkest thou my race is lowly,
Dost thou think me born ignoble,
Does my lineage agrieve thee?
Was not born in lofty station,
From a tribe of noble heroes,
From a worthy race descended;
But I have a sword of fervor,
And a spear yet filled with courage,
Surely these are well descended,
These were born from hero-races,
Sharpened by the mighty Hisi,
By the gods were forged and burnished;
Therefore will I give thee greatness,
Greatness of my race and nation,
With my broadsword filled with fervor,
With my spear still filled with courage.'
Anxiously the sighing maiden
Thus addresses Lemminkainen:
'O thou Ahti, son of Lempo,
Wilt thou take this trusting virgin,
As thy faithful life-companion,
Take me under thy protection,
Be to me a faithful husband,
Swear to me an oath of honor,
That thou wilt not go to battle,
When for gold thou hast a longing,
135
When thou wishest gold and silver?'
This is Lemminkainen's answer:
I will swear an oath of honor,
That I'll never go to battle,
When for gold I feel a longing,
When I wish for gold and silver.
Swear thou also on thine honor,
Thou wilt go not to the village,
When desire for dance impels thee,
Wilt not visit village-dances.'
Thus the two made oath together,
Registered their vows in heaven,
Vowed before omniscient Ukko,
Ne'er to go to war vowed Ahti,
Never to the dance, Kyllikki.
Lemminkainen, full of joyance,
Snapped his whip above his courser,
Whipped his racer to a gallop,
And these words the hero uttered:
'Fare ye well, ye Sahri-meadows,
Roots of firs, and stumps of birch-trees.
That I wandered through in summer,
That I travelled o'er in winter,
Where ofttimes in rainy seasons,
At the evening hour I lingered,
When I sought to win the virgin,
Sought to win the Maid of Beauty,
Fairest of the Sahri-flowers.
Fare ye well, ye Sahri-woodlands,
Seas and oceans, lakes and rivers,
Vales and mountains, isles and inlets,
Once the home of fair Kyllikki!'
Quick the racer galloped homeward,
Galloped on along the highway,
Toward the meadows of Wainola,
To the plains of Kalevala.
As they neared the Ahti-dwellings,
Thus Kyllikki spake in sorrow:
'Cold and drear is thy cottage,
Seeming like a place deserted;
Who may own this dismal cabin,
Who the one so little honored?'
136
Spake the hero, Lemminkainen,
These the words that Ahti uttered:
'Do not grieve about my cottage,
Have no care about my chambers;
I shall build thee other dwellings,
I shall fashion them much better,
Beams, and posts, and sills, and rafters,
Fashioned from the sacred birch-wood.'
Now they reach the home of Ahti,
Lemminkainen's home and birthplace,
Enter they his mother's cottage;
There they meet his aged mother,
These the words the mother uses:
'Long indeed hast thou been absent,
Long in foreign lands hast wandered,
Long in Sahri thou hast lingered!'
This is Lemminkainen's answer:
'All the host of Sahri-women,
All the chaste and lovely maidens,
All the maids with braided tresses,
Well have paid for their derision,
For their scorn and for their laughter,
That they basely heaped upon me.
I have brought the best among them
In my sledge to this thy cottage;
Well I wrapped her in my fur-robes,
Kept her warm enwrapped in bear-skin,
Brought her to my mother's dwelling,
As my faithful life-companion;
Thus I paid the scornful maidens,
Paid them well for their derision.
'Cherished mother of my being,
I have found the long-sought jewel,
I have won the Maid of Beauty.
Spread our couch with finest linen,
For our heads the softest pillows,
On our table rarest viands,
So that I may dwell in pleasure
With my spouse, the bride of honor,
With the pride of distant Sahri.'
This the answer of the mother:
'Be thou praised, O gracious Ukko,
137
Loudly praised, O thou Creator,
Since thou givest me a daughter,
Ahti's bride, my second daughter,
Who can stir the fire at evening,
Who can weave me finest fabrics,
Who can twirl the useful spindle,
Who can rinse my silken ribbons,
Who can full the richest garments.
'Son beloved, praise thy Maker,
For the winning of this virgin,
Pride and joy of distant Sahri
Kind indeed is thy Creator,
Wise the ever-knowing Ukko!
Pure the snow upon the mountains,
Purer still thy Bride of Beauty;
White the foam upon the ocean,
Whiter still her virgin-spirit;
Graceful on the lakes, the white-swan,
Still more graceful, thy companion:
Beautiful the stars in heaven,
Still more beautiful, Kyllikki.
Larger make our humble cottage,
Wider build the doors and windows,
Fashion thou the ceilings higher,
Decorate the walls in beauty,
Now that thou a bride hast taken
From a tribe of higher station,
Purest maiden of creation,
From the meadow-lands of Sahri,
From the upper shores of Northland.'
~ Elias Lönnrot,#NFDB
899:Upon a time, before the faery broods
Drove Nymph and Satyr from the prosperous woods,
Before King Oberon's bright diadem,
Sceptre, and mantle, clasp'd with dewy gem,
Frighted away the Dryads and the Fauns
From rushes green, and brakes, and cowslip'd lawns,
The ever-smitten Hermes empty left
His golden throne, bent warm on amorous theft:
From high Olympus had he stolen light,
On this side of Jove's clouds, to escape the sight
Of his great summoner, and made retreat
Into a forest on the shores of Crete.
For somewhere in that sacred island dwelt
A nymph, to whom all hoofed Satyrs knelt;
At whose white feet the languid Tritons poured
Pearls, while on land they witherd and adored.
Fast by the springs where she to bathe was wont,
And in those meads where sometime she might haunt,
Were strewn rich gifts, unknown to any Muse,
Though Fancys casket were unlockd to choose.
Ah, what a world of love was at her feet!
So Hermes thought, and a celestial heat
Burnt from his winged heels to either ear,
That from a whiteness, as the lily clear,
Blushd into roses mid his golden hair,
Fallen in jealous curls about his shoulders bare.
From vale to vale, from wood to wood, he flew,
Breathing upon the flowers his passion new,
And wound with many a river to its head,
To find where this sweet nymph prepard her secret bed:
In vain; the sweet nymph might nowhere be found,
And so he rested, on the lonely ground,
Pensive, and full of painful jealousies
Of the Wood-Gods, and even the very trees.
There as he stood, he heard a mournful voice,
Such as once heard, in gentle heart, destroys
All pain but pity: thus the lone voice spake:
When from this wreathed tomb shall I awake!
When move in a sweet body fit for life,
And love, and pleasure, and the ruddy strife
Of hearts and lips! Ah, miserable me!
The God, dove-footed, glided silently
Round bush and tree, soft-brushing, in his speed,
The taller grasses and full-flowering weed,
Until he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake.
She was a gordian shape of dazzling hue,
Vermilion-spotted, golden, green, and blue;
Striped like a zebra, freckled like a pard,
Eyed like a peacock, and all crimson barrd;
And full of silver moons, that, as she breathed,
Dissolvd, or brighter shone, or interwreathed
Their lustres with the gloomier tapestries
So rainbow-sided, touchd with miseries,
She seemd, at once, some penanced lady elf,
Some demons mistress, or the demons self.
Upon her crest she wore a wannish fire
Sprinkled with stars, like Ariadnes tiar:
Her head was serpent, but ah, bitter-sweet!
She had a womans mouth with all its pearls complete:
And for her eyes: what could such eyes do there
But weep, and weep, that they were born so fair?
As Proserpine still weeps for her Sicilian air.
Her throat was serpent, but the words she spake
Came, as through bubbling honey, for Loves sake,
And thus; while Hermes on his pinions lay,
Like a stoopd falcon ere he takes his prey.
Fair Hermes, crownd with feathers, fluttering light,
I had a splendid dream of thee last night:
I saw thee sitting, on a throne of gold,
Among the Gods, upon Olympus old,
The only sad one; for thou didst not hear
The soft, lute-fingerd Muses chaunting clear,
Nor even Apollo when he sang alone,
Deaf to his throbbing throats long, long melodious moan.
I dreamt I saw thee, robed in purple flakes,
Break amorous through the clouds, as morning breaks,
And, swiftly as a bright Phoebean dart,
Strike for the Cretan isle; and here thou art!
Too gentle Hermes, hast thou found the maid?
Whereat the star of Lethe not delayd
His rosy eloquence, and thus inquired:
Thou smooth-lippd serpent, surely high inspired!
Thou beauteous wreath, with melancholy eyes,
Possess whatever bliss thou canst devise,
Telling me only where my nymph is fled,
Where she doth breathe! Bright planet, thou hast said,
Returnd the snake, but seal with oaths, fair God!
I swear, said Hermes, by my serpent rod,
And by thine eyes, and by thy starry crown!
Light flew his earnest words, among the blossoms blown.
Then thus again the brilliance feminine:
Too frail of heart! for this lost nymph of thine,
Free as the air, invisibly, she strays
About these thornless wilds; her pleasant days
She tastes unseen; unseen her nimble feet
Leave traces in the grass and flowers sweet;
From weary tendrils, and bowd branches green,
She plucks the fruit unseen, she bathes unseen:
And by my power is her beauty veild
To keep it unaffronted, unassaild
By the love-glances of unlovely eyes,
Of Satyrs, Fauns, and bleard Silenus sighs.
Pale grew her immortality, for woe
Of all these lovers, and she grieved so
I took compassion on her, bade her steep
Her hair in weird syrops, that would keep
Her loveliness invisible, yet free
To wander as she loves, in liberty.
Thou shalt behold her, Hermes, thou alone,
If thou wilt, as thou swearest, grant my boon!
Then, once again, the charmed God began
An oath, and through the serpents ears it ran
Warm, tremulous, devout, psalterian.
Ravishd, she lifted her Circean head,
Blushd a live damask, and swift-lisping said,
I was a woman, let me have once more
A womans shape, and charming as before.
I love a youth of CorinthO the bliss!
Give me my womans form, and place me where he is.
Stoop, Hermes, let me breathe upon thy brow,
And thou shalt see thy sweet nymph even now.
The God on half-shut feathers sank serene,
She breathd upon his eyes, and swift was seen
Of both the guarded nymph near-smiling on the green.
It was no dream; or say a dream it was,
Real are the dreams of Gods, and smoothly pass
Their pleasures in a long immortal dream.
One warm, flushd moment, hovering, it might seem
Dashd by the wood-nymphs beauty, so he burnd;
Then, lighting on the printless verdure, turnd
To the swoond serpent, and with languid arm,
Delicate, put to proof the lythe Caducean charm.
So done, upon the nymph his eyes he bent,
Full of adoring tears and blandishment,
And towards her stept: she, like a moon in wane,
Faded before him, cowerd, nor could restrain
Her fearful sobs, self-folding like a flower
That faints into itself at evening hour:
But the God fostering her chilled hand,
She felt the warmth, her eyelids opend bland,
And, like new flowers at morning song of bees,
Bloomd, and gave up her honey to the lees.
Into the green-recessed woods they flew;
Nor grew they pale, as mortal lovers do.
Left to herself, the serpent now began
To change; her elfin blood in madness ran,
Her mouth foamd, and the grass, therewith besprent,
Witherd at dew so sweet and virulent;
Her eyes in torture fixd, and anguish drear,
Hot, glazd, and wide, with lid-lashes all sear,
Flashd phosphor and sharp sparks, without one cooling tear.
The colours all inflamd throughout her train,
She writhd about, convulsd with scarlet pain:
A deep volcanian yellow took the place
Of all her milder-mooned bodys grace;
And, as the lava ravishes the mead,
Spoilt all her silver mail, and golden brede;
Made gloom of all her frecklings, streaks and bars,
Eclipsd her crescents, and lickd up her stars:
So that, in moments few, she was undrest
Of all her sapphires, greens, and amethyst,
And rubious-argent: of all these bereft,
Nothing but pain and ugliness were left.
Still shone her crown; that vanishd, also she
Melted and disappeard as suddenly;
And in the air, her new voice luting soft,
Cried, Lycius! gentle Lycius!Borne aloft
With the bright mists about the mountains hoar
These words dissolvd: Cretes forests heard no more.
Whither fled Lamia, now a lady bright,
A full-born beauty new and exquisite?
She fled into that valley they pass oer
Who go to Corinth from Cenchreas shore;
And rested at the foot of those wild hills,
The rugged founts of the Peraean rills,
And of that other ridge whose barren back
Stretches, with all its mist and cloudy rack,
South-westward to Cleone. There she stood
About a young birds flutter from a wood,
Fair, on a sloping green of mossy tread,
By a clear pool, wherein she passioned
To see herself escapd from so sore ills,
While her robes flaunted with the daffodils.
Ah, happy Lycius!for she was a maid
More beautiful than ever twisted braid,
Or sighd, or blushd, or on spring-flowered lea
Spread a green kirtle to the minstrelsy:
A virgin purest lippd, yet in the lore
Of love deep learned to the red hearts core:
Not one hour old, yet of sciential brain
To unperplex bliss from its neighbour pain;
Define their pettish limits, and estrange
Their points of contact, and swift counterchange;
Intrigue with the specious chaos, and dispart
Its most ambiguous atoms with sure art;
As though in Cupids college she had spent
Sweet days a lovely graduate, still unshent,
And kept his rosy terms in idle languishment.
Why this fair creature chose so fairily
By the wayside to linger, we shall see;
But first tis fit to tell how she could muse
And dream, when in the serpent prison-house,
Of all she list, strange or magnificent:
How, ever, where she willd, her spirit went;
Whether to faint Elysium, or where
Down through tress-lifting waves the Nereids fair
Wind into Thetis bower by many a pearly stair;
Or where God Bacchus drains his cups divine,
Stretchd out, at ease, beneath a glutinous pine;
Or where in Plutos gardens palatine
Mulcibers columns gleam in far piazzian line.
And sometimes into cities she would send
Her dream, with feast and rioting to blend;
And once, while among mortals dreaming thus,
She saw the young Corinthian Lycius
Charioting foremost in the envious race,
Like a young Jove with calm uneager face,
And fell into a swooning love of him.
Now on the moth-time of that evening dim
He would return that way, as well she knew,
To Corinth from the shore; for freshly blew
The eastern soft wind, and his galley now
Grated the quaystones with her brazen prow
In port Cenchreas, from Egina isle
Fresh anchord; whither he had been awhile
To sacrifice to Jove, whose temple there
Waits with high marble doors for blood and incense rare.
Jove heard his vows, and betterd his desire;
For by some freakful chance he made retire
From his companions, and set forth to walk,
Perhaps grown wearied of their Corinth talk:
Over the solitary hills he fared,
Thoughtless at first, but ere eves star appeared
His phantasy was lost, where reason fades,
In the calmd twilight of Platonic shades.
Lamia beheld him coming, near, more near
Close to her passing, in indifference drear,
His silent sandals swept the mossy green;
So neighbourd to him, and yet so unseen
She stood: he passd, shut up in mysteries,
His mind wrappd like his mantle, while her eyes
Followd his steps, and her neck regal white
Turndsyllabling thus, Ah, Lycius bright,
And will you leave me on the hills alone?
Lycius, look back! and be some pity shown.
He did; not with cold wonder fearingly,
But Orpheus-like at an Eurydice;
For so delicious were the words she sung,
It seemd he had lovd them a whole summer long:
And soon his eyes had drunk her beauty up,
Leaving no drop in the bewildering cup,
And still the cup was full,while he afraid
Lest she should vanish ere his lip had paid
Due adoration, thus began to adore;
Her soft look growing coy, she saw his chain so sure:
Leave thee alone! Look back! Ah, Goddess, see
Whether my eyes can ever turn from thee!
For pity do not this sad heart belie
Even as thou vanishest so I shall die.
Stay! though a Naiad of the rivers, stay!
To thy far wishes will thy streams obey:
Stay! though the greenest woods be thy domain,
Alone they can drink up the morning rain:
Though a descended Pleiad, will not one
Of thine harmonious sisters keep in tune
Thy spheres, and as thy silver proxy shine?
So sweetly to these ravishd ears of mine
Came thy sweet greeting, that if thou shouldst fade
Thy memory will waste me to a shade:
For pity do not melt!If I should stay,
Said Lamia, here, upon this floor of clay,
And pain my steps upon these flowers too rough,
What canst thou say or do of charm enough
To dull the nice remembrance of my home?
Thou canst not ask me with thee here to roam
Over these hills and vales, where no joy is,
Empty of immortality and bliss!
Thou art a scholar, Lycius, and must know
That finer spirits cannot breathe below
In human climes, and live: Alas! poor youth,
What taste of purer air hast thou to soothe
My essence? What serener palaces,
Where I may all my many senses please,
And by mysterious sleights a hundred thirsts appease?
It cannot beAdieu! So said, she rose
Tiptoe with white arms spread. He, sick to lose
The amorous promise of her lone complain,
Swoond, murmuring of love, and pale with pain.
The cruel lady, without any show
Of sorrow for her tender favourites woe,
But rather, if her eyes could brighter be,
With brighter eyes and slow amenity,
Put her new lips to his, and gave afresh
The life she had so tangled in her mesh:
And as he from one trance was wakening
Into another, she began to sing,
Happy in beauty, life, and love, and every thing,
A song of love, too sweet for earthly lyres,
While, like held breath, the stars drew in their panting fires
And then she whisperd in such trembling tone,
As those who, safe together met alone
For the first time through many anguishd days,
Use other speech than looks; bidding him raise
His drooping head, and clear his soul of doubt,
For that she was a woman, and without
Any more subtle fluid in her veins
Than throbbing blood, and that the self-same pains
Inhabited her frail-strung heart as his.
And next she wonderd how his eyes could miss
Her face so long in Corinth, where, she said,
She dwelt but half retird, and there had led
Days happy as the gold coin could invent
Without the aid of love; yet in content
Till she saw him, as once she passd him by,
Where gainst a column he leant thoughtfully
At Venus temple porch, mid baskets heapd
Of amorous herbs and flowers, newly reapd
Late on that eve, as twas the night before
The Adonian feast; whereof she saw no more,
But wept alone those days, for why should she adore?
Lycius from death awoke into amaze,
To see her still, and singing so sweet lays;
Then from amaze into delight he fell
To hear her whisper womans lore so well;
And every word she spake enticd him on
To unperplexd delight and pleasure known.
Let the mad poets say whateer they please
Of the sweets of Fairies, Peris, Goddesses,
There is not such a treat among them all,
Haunters of cavern, lake, and waterfall,
As a real woman, lineal indeed
From Pyrrhas pebbles or old Adams seed.
Thus gentle Lamia judgd, and judgd aright,
That Lycius could not love in half a fright,
So threw the goddess off, and won his heart
More pleasantly by playing womans part,
With no more awe than what her beauty gave,
That, while it smote, still guaranteed to save.
Lycius to all made eloquent reply,
Marrying to every word a twinborn sigh;
And last, pointing to Corinth, askd her sweet,
If twas too far that night for her soft feet.
The way was short, for Lamias eagerness
Made, by a spell, the triple league decrease
To a few paces; not at all surmised
By blinded Lycius, so in her comprized.
They passd the city gates, he knew not how
So noiseless, and he never thought to know.
As men talk in a dream, so Corinth all,
Throughout her palaces imperial,
And all her populous streets and temples lewd,
Mutterd, like tempest in the distance brewd,
To the wide-spreaded night above her towers.
Men, women, rich and poor, in the cool hours,
Shuffled their sandals oer the pavement white,
Companiond or alone; while many a light
Flared, here and there, from wealthy festivals,
And threw their moving shadows on the walls,
Or found them clusterd in the corniced shade
Of some archd temple door, or dusky colonnade.
Muffling his face, of greeting friends in fear,
Her fingers he pressd hard, as one came near
With curld gray beard, sharp eyes, and smooth bald crown,
Slow-steppd, and robed in philosophic gown:
Lycius shrank closer, as they met and past,
Into his mantle, adding wings to haste,
While hurried Lamia trembled: Ah, said he,
Why do you shudder, love, so ruefully?
Why does your tender palm dissolve in dew?
Im wearied, said fair Lamia: tell me who
Is that old man? I cannot bring to mind
His features:Lycius! wherefore did you blind
Yourself from his quick eyes? Lycius replied,
Tis Apollonius sage, my trusty guide
And good instructor; but to-night he seems
The ghost of folly haunting my sweet dreams.
While yet he spake they had arrived before
A pillar'd porch, with lofty portal door,
Where hung a silver lamp, whose phosphor glow
Reflected in the slabbed steps below,
Mild as a star in water; for so new,
And so unsullied was the marble hue,
So through the crystal polish, liquid fine,
Ran the dark veins, that none but feet divine
Could e'er have touch'd there. Sounds Aeolian
Breath'd from the hinges, as the ample span
Of the wide doors disclos'd a place unknown
Some time to any, but those two alone,
And a few Persian mutes, who that same year
Were seen about the markets: none knew where
They could inhabit; the most curious
Were foil'd, who watch'd to trace them to their house:
And but the flitter-winged verse must tell,
For truth's sake, what woe afterwards befel,
'Twould humour many a heart to leave them thus,
Shut from the busy world of more incredulous.
(line 48): Originally, "Cerulean-spotted." Leigh Hunt says of this passage, "The admiration, pity, and horror, to be excited by humanity in a brute shape, were never perhaps called upon by a greater mixture of beauty and deformity than in the picture of this creature. Our pity and suspicions are begged by the first word: the profuse and vital beauties with which she is covered seem proportioned to her misery and natural rights; and lest we should lose sight of them in this gorgeousness, the 'woman's mouth' fills us at once with shuddering and compassion."
(line 158): The manuscript reads "vulcanian," the first edition "volcanian." It seems to me more likely that the manuscript accords with the poet's intention than that printed text does, for this old orthography is the more characteristic of the vocabulary of this particular poem, as introducing the more conspicuously the mythic personal origin of the common noun "volcano" or "vulcano."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lamia. Part I
,#NFDB
900:Imitations Of Horace: The First Epistle Of The Second
Book
Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,
Ambition humbled, mighty cities storm'd,
Or laws establish'd, and the world reform'd;
Clos'd their long glories with a sigh, to find
Th' unwilling gratitude of base mankind!
All human virtue, to its latest breath
Finds envy never conquer'd, but by death.
The great Alcides, ev'ry labour past,
Had still this monster to subdue at last.
Sure fate of all, beneath whose rising ray
Each star of meaner merit fades away!
Oppress'd we feel the beam directly beat,
Those suns of glory please not till they set.
To thee the world its present homage pays,
The harvest early, but mature the praise:
Great friend of liberty! in kings a name
Above all Greek, above all Roman fame:
Whose word is truth, as sacred and rever'd,
As Heav'n's own oracles from altars heard.
Wonder of kings! like whom, to mortal eyes
None e'er has risen, and none e'er shall rise.
Just in one instance, be it yet confest
Your people, Sir, are partial in the rest:
Foes to all living worth except your own,
105
And advocates for folly dead and gone.
Authors, like coins, grow dear as they grow old;
It is the rust we value, not the gold.
Chaucer's worst ribaldry is learn'd by rote,
And beastly Skelton heads of houses quote:
One likes no language but the Faery Queen ;
A Scot will fight for Christ's Kirk o' the Green:
And each true Briton is to Ben so civil,
He swears the Muses met him at the Devil.
Though justly Greece her eldest sons admires,
Why should not we be wiser than our sires?
In ev'ry public virtue we excel:
We build, we paint, we sing, we dance as well,
And learned Athens to our art must stoop,
Could she behold us tumbling through a hoop.
If time improve our wit as well as wine,
Say at what age a poet grows divine?
Shall we, or shall we not, account him so,
Who died, perhaps, an hundred years ago?
End all dispute; and fix the year precise
When British bards begin t'immortalize?
"Who lasts a century can have no flaw,
I hold that wit a classic, good in law."
Suppose he wants a year, will you compound?
And shall we deem him ancient, right and sound,
Or damn to all eternity at once,
At ninety-nine, a modern and a dunce?
"We shall not quarrel for a year or two;
By courtesy of England, he may do."
Then by the rule that made the horsetail bare,
I pluck out year by year, as hair by hair,
And melt down ancients like a heap of snow:
While you, to measure merits, look in Stowe,
And estimating authors by the year,
Bestow a garland only on a bier.
106
Shakespeare (whom you and ev'ry playhouse bill
Style the divine, the matchless, what you will)
For gain, not glory, wing'd his roving flight,
And grew immortal in his own despite.
Ben, old and poor, as little seem'd to heed
The life to come, in ev'ry poet's creed.
Who now reads Cowley? if he pleases yet,
His moral pleases, not his pointed wit;
Forgot his epic, nay Pindaric art,
But still I love the language of his heart.
"Yet surely, surely, these were famous men!
What boy but hears the sayings of old Ben?
In all debates where critics bear a part,
Not one but nods, and talks of Jonson's art,
Of Shakespeare's nature, and of Cowley's wit;
How Beaumont's judgment check'd what Fletcher writ;
How Shadwell hasty, Wycherley was slow;
But, for the passions, Southerne sure and Rowe.
These, only these, support the crowded stage,
From eldest Heywood down to Cibber's age."
All this may be; the people's voice is odd,
It is, and it is not, the voice of God.
To Gammer Gurton if it give the bays,
And yet deny the Careless Husband praise,
Or say our fathers never broke a rule;
Why then, I say, the public is a fool.
But let them own, that greater faults than we
They had, and greater virtues, I'll agree.
Spenser himself affects the obsolete,
And Sidney's verse halts ill on Roman feet:
Milton's strong pinion now not Heav'n can bound,
Now serpent-like, in prose he sweeps the ground,
In quibbles, angel and archangel join,
And God the Father turns a school divine.
Not that I'd lop the beauties from his book,
Like slashing Bentley with his desp'rate hook,
Or damn all Shakespeare, like th' affected fool
At court, who hates whate'er he read at school.
107
But for the wits of either Charles's days,
The mob of gentlemen who wrote with ease;
Sprat, Carew, Sedley, and a hundred more,
(Like twinkling stars the Miscellanies o'er)
One simile, that solitary shines
In the dry desert of a thousand lines,
Or lengthen'd thought that gleams through many a page,
Has sanctified whole poems for an age.
I lose my patience, and I own it too,
When works are censur'd, not as bad, but new;
While if our elders break all reason's laws,
These fools demand not pardon, but applause.
On Avon's bank, where flow'rs eternal blow,
If I but ask if any weed can grow?
One tragic sentence if I dare deride,
Which Betterton's grave action dignified,
Or well-mouth'd Booth with emphasis proclaims
(Though but, perhaps, a muster-roll of names)
How will our fathers rise up in a rage,
And swear, all shame is lost in George's age!
You'd think no fools disgrac'd the former reign,
Did not some grave examples yet remain,
Who scorn a lad should teach his father skill,
And, having once been wrong, will be so still.
He, who to seem more deep than you or I,
Extols old bards, or Merlin's Prophecy,
Mistake him not; he envies, not admires,
And to debase the sons, exalts the sires.
Had ancient times conspir'd to disallow
What then was new, what had been ancient now?
Or what remain'd, so worthy to be read
By learned critics, of the mighty dead?
In days of ease, when now the weary sword
Was sheath'd, and luxury with Charles restor'd;
In ev'ry taste of foreign courts improv'd,
"All, by the King's example, liv'd and lov'd."
108
Then peers grew proud in horsemanship t'excel,
Newmarket's glory rose, as Britain's fell;
The soldier breath'd the gallantries of France,
And ev'ry flow'ry courtier writ romance.
Then marble, soften'd into life, grew warm,
And yielding metal flow'd to human form:
Lely on animated canvas stole
The sleepy eye, that spoke the melting soul.
No wonder then, when all was love and sport,
The willing Muses were debauch'd at court:
On each enervate string they taught the note
To pant or tremble through an eunuch's throat.
But Britain, changeful as a child at play,
Now calls in princes, and now turns away:
Now Whig, now Tory, what we lov'd we hate;
Now all for pleasure, now for Church and state;
Now for prerogative, and now for laws;
Effects unhappy! from a noble cause.
Time was, a sober Englishman would knock
His servants up, and rise by five o'clock,
Instruct his family in ev'ry rule,
And send his wife to church, his son to school.
To worship like his fathers was his care;
To teach their frugal virtues to his heir;
To prove that luxury could never hold,
And place, on good security, his gold.
Now times are chang'd, and one poetic itch
Has seiz'd the court and city, poor and rich:
Sons, sires, and grandsires, all will wear the bays,
Our wives read Milton, and our daughters plays,
To theatres, and to rehearsals throng,
And all our grace at table is a song.
I, who so oft renounce the Muses, lie,
Not {-}{-}{-}{-}{-}'s self e'er tells more fibs than I;
When sick of Muse, our follies we deplore,
And promise our best friends to rhyme no more;
We wake next morning in a raging fit,
And call for pen and ink to show our wit.
109
He serv'd a 'prenticeship who sets up shop;
Ward tried on puppies and the poor, his drop;
Ev'n Radcliffe's doctors travel first to France,
Nor dare to practise till they've learn'd to dance.
Who builds a bridge that never drove a pile?
(Should Ripley venture, all the world would smile)
But those who cannot write, and those who can,
All rhyme, and scrawl, and scribble, to a man.
Yet, Sir, reflect, the mischief is not great;
These madmen never hurt the Church or state:
Sometimes the folly benefits mankind;
And rarely av'rice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne'er rebels, or plots, like other men:
Flight of cashiers, or mobs, he'll never mind;
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter;
The good man heaps up nothing but mere metre,
Enjoys his garden and his book in quiet;
And then--a perfect hermit in his diet.
Of little use the man you may suppose,
Who says in verse what others say in prose:
Yet let me show, a poet's of some weight,
And (though no soldier) useful to the state.
What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What's long or short, each accent where to place,
And speak in public with some sort of grace.
I scarce can think him such a worthless thing,
Unless he praise some monster of a king;
Or virtue or religion turn to sport,
To please a lewd, or unbelieving court.
Unhappy Dryden!--In all Charles's days,
Roscommon only boasts unspotted bays;
And in our own (excuse some courtly stains)
No whiter page than Addison remains.
He, from the taste obscene reclaims our youth,
And sets the passions on the side of truth,
Forms the soft bosom with the gentlest art,
And pours each human virtue in the heart.
110
Let Ireland tell, how wit upheld her cause,
Her trade supported, and supplied her laws;
And leave on Swift this grateful verse engrav'd,
"The rights a court attack'd, a poet sav'd."
Behold the hand that wrought a nation's cure,
Stretch'd to relieve the idiot and the poor,
Proud vice to brand, or injur'd worth adorn,
And stretch the ray to ages yet unborn.
Not but there are, who merit other palms;
Hopkins and Sternhold glad the heart with psalms:
The boys and girls whom charity maintains,
Implore your help in these pathetic strains:
How could devotion touch the country pews,
Unless the gods bestow'd a proper Muse?
Verse cheers their leisure, verse assists their work,
Verse prays for peace, or sings down Pope and Turk.
The silenc'd preacher yields to potent strain,
And feels that grace his pray'r besought in vain;
The blessing thrills through all the lab'ring throng,
And Heav'n is won by violence of song.
Our rural ancestors, with little blest,
Patient of labour when the end was rest,
Indulg'd the day that hous'd their annual grain,
With feasts, and off'rings, and a thankful strain:
The joy their wives, their sons, and servants share,
Ease of their toil, and part'ners of their care:
The laugh, the jest, attendants on the bowl,
Smooth'd ev'ry brow, and open'd ev'ry soul:
With growing years the pleasing licence grew,
And taunts alternate innocently flew.
But times corrupt, and nature, ill-inclin'd,
Produc'd the point that left a sting behind;
Till friend with friend, and families at strife,
Triumphant malice rag'd through private life.
Who felt the wrong, or fear'd it, took th' alarm,
Appeal'd to law, and justice lent her arm.
At length, by wholesome dread of statutes bound,
The poets learn'd to please, and not to wound:
Most warp'd to flatt'ry's side; but some, more nice,
Preserv'd the freedom, and forbore the vice.
111
Hence satire rose, that just the medium hit,
And heals with morals what it hurts with wit.
We conquer'd France, but felt our captive's charms;
Her arts victorious triumph'd o'er our arms;
Britain to soft refinements less a foe,
Wit grew polite, and numbers learn'd to flow.
Waller was smooth; but Dryden taught to join
The varying verse, the full-resounding line,
The long majestic march, and energy divine.
Though still some traces of our rustic vein
And splayfoot verse remain'd, and will remain.
Late, very late, correctness grew our care,
When the tir'd nation breath'd from civil war.
Exact Racine, and Corneille's noble fire
Show'd us that France had something to admire.
Not but the tragic spirit was our own,
And full in Shakespeare, fair in Otway shone:
But Otway fail'd to polish or refine,
And fluent Shakespeare scarce effac'd a line.
Ev'n copious Dryden wanted, or forgot,
The last and greatest art, the art to blot.
Some doubt, if equal pains, or equal fire
The humbler Muse of comedy require.
But in known images of life, I guess
The labour greater, as th' indulgence less.
Observe how seldom ev'n the best succeed:
Tell me if Congreve's fools are fools indeed?
What pert, low dialogue has Farqu'ar writ!
How Van wants grace, who never wanted wit!
The stage how loosely does Astr{ae}ea tread,
Who fairly puts all characters to bed!
And idle Cibber, how he breaks the laws,
To make poor Pinky eat with vast applause!
But fill their purse, our poet's work is done,
Alike to them, by pathos or by pun.
O you! whom vanity's light bark conveys
112
On fame's mad voyage by the wind of praise,
With what a shifting gale your course you ply,
For ever sunk too low, or borne too high!
Who pants for glory finds but short repose,
A breath revives him, or a breath o'erthrows.
Farewell the stage! if just as thrives the play,
The silly bard grows fat, or falls away.
There still remains, to mortify a wit,
The many-headed monster of the pit:
A senseless, worthless, and unhonour'd crowd;
Who, to disturb their betters mighty proud,
Clatt'ring their sticks before ten lines are spoke,
Call for the farce, the bear, or the black-joke.
What dear delight to Britons farce affords!
Farce once the taste of mobs, but now of lords;
(For taste, eternal wanderer, now flies
From heads to ears, and now from ears to eyes.)
The play stands still; damn action and discourse,
Back fly the scenes, and enter foot and horse;
Pageants on pageants, in long order drawn,
Peers, heralds, bishops, ermine, gold, and lawn;
The champion too! and, to complete the jest,
Old Edward's armour beams on Cibber's breast.
With laughter sure Democritus had died,
Had he beheld an audience gape so wide.
Let bear or elephant be e'er so white,
The people, sure, the people are the sight!
Ah luckless poet! stretch thy lungs and roar,
That bear or elephant shall heed thee more;
While all its throats the gallery extends,
And all the thunder of the pit ascends!
Loud as the wolves on Orcas' stormy steep,
Howl to the roarings of the Northern deep.
Such is the shout, the long-applauding note,
At Quin's high plume, or Oldfield's petticoat,
Or when from Court a birthday suit bestow'd
Sinks the lost actor in the tawdry load.
Booth enters--hark! the universal peal!
"But has he spoken?" Not a syllable.
"What shook the stage, and made the people stare?"
113
Cato's long wig, flow'r'd gown, and lacquer'd chair.
Yet lest you think I rally more than teach,
Or praise malignly arts I cannot reach,
Let me for once presume t'instruct the times,
To know the poet from the man of rhymes:
'Tis he, who gives my breast a thousand pains,
Can make me feel each passion that he feigns;
Enrage, compose, with more than magic art,
With pity and with terror tear my heart;
And snatch me o'er the earth or thro' the air,
To Thebes, to Athens, when he will, and where.
But not this part of the poetic state
Alone, deserves the favour of the great:
Think of those authors, Sir, who would rely
More on a reader's sense, than gazer's eye.
Or who shall wander where the Muses sing?
Who climb their mountain, or who taste their spring?
How shall we fill a library with wit,
When Merlin's Cave is half unfurnish'd yet?
My Liege! why writers little claim your thought,
I guess: and, with their leave, will tell the fault:
We poets are (upon a poet's word)
Of all mankind, the creatures most absurd:
The season, when to come, and when to go,
To sing, or cease to sing, we never know;
And if we will recite nine hours in ten,
You lose your patience, just like other men.
Then too we hurt ourselves, when to defend
A single verse, we quarrel with a friend;
Repeat unask'd; lament, the wit's too fine
For vulgar eyes, and point out ev'ry line.
But most, when straining with too weak a wing,
We needs will write epistles to the king;
And from the moment we oblige the town,
Expect a place, or pension from the Crown;
Or dubb'd historians by express command,
114
T'enroll your triumphs o'er the seas and land,
Be call'd to court to plan some work divine,
As once for Louis, Boileau and Racine.
Yet think, great Sir! (so many virtues shown)
Ah think, what poet best may make them known?
Or choose at least some minister of grace,
Fit to bestow the laureate's weighty place.
Charles, to late times to be transmitted fair,
Assign'd his figure to Bernini's care;
And great Nassau to Kneller's hand decreed
To fix him graceful on the bounding steed;
So well in paint and stone they judg'd of merit:
But kings in wit may want discerning spirit.
The hero William, and the martyr Charles,
One knighted Blackmore, and one pension'd Quarles;
Which made old Ben, and surly Dennis swear,
"No Lord's anointed, but a Russian bear."
Not with such majesty, such bold relief,
The forms august, of king, or conqu'ring chief,
E'er swell'd on marble; as in verse have shin'd
(In polish'd verse) the manners and the mind.
Oh! could I mount on the M{ae}onian wing,
Your arms, your actions, your repose to sing!
What seas you travers'd! and what fields you fought!
Your country's peace, how oft, how dearly bought!
How barb'rous rage subsided at your word,
And nations wonder'd while they dropp'd the sword!
How, when you nodded, o'er the land and deep,
Peace stole her wing, and wrapp'd the world in sleep;
Till earth's extremes your mediation own,
And Asia's tyrants tremble at your throne-But verse, alas! your Majesty disdains;
And I'm not us'd to panegyric strains:
The zeal of fools offends at any time,
But most of all, the zeal of fools in rhyme,
Besides, a fate attends on all I write,
115
That when I aim at praise, they say I bite.
A vile encomium doubly ridicules:
There's nothing blackens like the ink of fools;
If true, a woeful likeness; and if lies,
"Praise undeserv'd is scandal in disguise."
Well may he blush, who gives it, or receives;
And when I flatter, let my dirty leaves
(Like journals, odes, and such forgotten things
As Eusden, Philips, Settle, writ of kings)
Clothe spice, line trunks, or flutt'ring in a row,
Befringe the rails of Bedlam and Soho.
~ Alexander Pope,#NFDB
901:The Apology
ADDRESSED TO THE CRITICAL REVIEWERS.
Tristitiam et Metus.--HORACE.
Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!-To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,-O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
87
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair-Ne'er was lie made which was not welcome there-Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.
Quick-circulating slanders mirth afford;
And reputation bleeds in every word.
A critic was of old a glorious name,
Whose sanction handed merit up to fame;
Beauties as well as faults he brought to view;
His judgment great, and great his candour too;
No servile rules drew sickly taste aside;
Secure he walk'd, for Nature was his guide.
But now--oh! strange reverse!--our critics bawl
In praise of candour with a heart of gall;
Conscious of guilt, and fearful of the light,
They lurk enshrouded in the vale of night;
Safe from detection, seize the unwary prey,
And stab, like bravoes, all who come that way.
When first my Muse, perhaps more bold than wise,
Bade the rude trifle into light arise,
Little she thought such tempests would ensue;
Less, that those tempests would be raised by you.
The thunder's fury rends the towering oak,
Rosciads, like shrubs, might 'scape the fatal stroke.
Vain thought! a critic's fury knows no bound;
Drawcansir-like, he deals destruction round;
Nor can we hope he will a stranger spare,
Who gives no quarter to his friend Voltaire.
Unhappy Genius! placed by partial Fate
With a free spirit in a slavish state;
Where the reluctant Muse, oppress'd by kings,
Or droops in silence, or in fetters sings!
In vain thy dauntless fortitude hath borne
The bigot's furious zeal, and tyrant's scorn.
Why didst thou safe from home-bred dangers steer,
88
Reserved to perish more ignobly here?
Thus, when, the Julian tyrant's pride to swell,
Rome with her Pompey at Pharsalia fell,
The vanquish'd chief escaped from Caesar's hand,
To die by ruffians in a foreign land.
How could these self-elected monarchs raise
So large an empire on so small a base?
In what retreat, inglorious and unknown,
Did Genius sleep when Dulness seized the throne?
Whence, absolute now grown, and free from awe,
She to the subject world dispenses law.
Without her licence not a letter stirs,
And all the captive criss-cross-row is hers.
The Stagyrite, who rules from Nature drew,
Opinions gave, but gave his reasons too.
Our great Dictators take a shorter way-Who shall dispute what the Reviewers say?
Their word's sufficient; and to ask a reason,
In such a state as theirs, is downright treason.
True judgment now with them alone can dwell;
Like Church of Rome, they're grown infallible.
Dull superstitious readers they deceive,
Who pin their easy faith on critic's sleeve,
And knowing nothing, everything believe!
But why repine we that these puny elves
Shoot into giants?--we may thank ourselves:
Fools that we are, like Israel's fools of yore,
The calf ourselves have fashion'd we adore.
But let true Reason once resume her reign,
This god shall dwindle to a calf again.
Founded on arts which shun the face of day,
By the same arts they still maintain their sway.
Wrapp'd in mysterious secrecy they rise,
And, as they are unknown, are safe and wise.
At whomsoever aim'd, howe'er severe,
The envenom'd slander flies, no names appear:
Prudence forbids that step;--then all might know,
And on more equal terms engage the foe.
But now, what Quixote of the age would care
To wage a war with dirt, and fight with air?
By interest join'd, the expert confederates stand,
And play the game into each other's hand:
89
The vile abuse, in turn by all denied,
Is bandied up and down, from side to side:
It flies--hey!--presto!--like a juggler's ball,
Till it belongs to nobody at all.
All men and things they know, themselves unknown,
And publish every name--except their own.
Nor think this strange,--secure from vulgar eyes,
The nameless author passes in disguise;
But veteran critics are not so deceived,
If veteran critics are to be believed.
Once seen, they know an author evermore,
Nay, swear to hands they never saw before.
Thus in 'The Rosciad,' beyond chance or doubt,
They by the writing found the writers out:
That's Lloyd's--his manner there you plainly trace,
And all the Actor stares you in the face.
By Colman that was written--on my life,
The strongest symptoms of the 'Jealous Wife.'
That little disingenuous piece of spite,
Churchill--a wretch unknown!--perhaps might write.
How doth it make judicious readers smile,
When authors are detected by their style;
Though every one who knows this author, knows
He shifts his style much oftener than his clothes!
Whence could arise this mighty critic spleen,
The Muse a trifler, and her theme so mean?
What had I done, that angry Heaven should send
The bitterest foe where most I wish'd a friend?
Oft hath my tongue been wanton at thy name,
And hail'd the honours of thy matchless fame.
For me let hoary Fielding bite the ground,
So nobler Pickle stands superbly bound;
From Livy's temples tear the historic crown,
Which with more justice blooms upon thine own.
Compared with thee, be all life-writers dumb,
But he who wrote the Life of Tommy Thumb.
Who ever read 'The Regicide,' but swore
The author wrote as man ne'er wrote before?
Others for plots and under-plots may call,
Here's the right method--have no plot at all.
Who can so often in his cause engage
The tiny pathos of the Grecian stage,
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Whilst horrors rise, and tears spontaneous flow
At tragic Ha! and no less tragic Oh!
To praise his nervous weakness all agree;
And then for sweetness, who so sweet as he!
Too big for utterance when sorrows swell,
The too big sorrows flowing tears must tell;
But when those flowing tears shall cease to flow,
Why--then the voice must speak again, you know.
Rude and unskilful in the poet's trade,
I kept no Naiads by me ready made;
Ne'er did I colours high in air advance,
Torn from the bleeding fopperies of France;
No flimsy linsey-woolsey scenes I wrote,
With patches here and there, like Joseph's coat.
Me humbler themes befit: secure, for me,
Let play-wrights smuggle nonsense duty free;
Secure, for me, ye lambs, ye lambkins! bound,
And frisk and frolic o'er the fairy ground.
Secure, for me, thou pretty little fawn!
Lick Sylvia's hand, and crop the flowery lawn;
Uncensured let the gentle breezes rove
Through the green umbrage of the enchanted grove:
Secure, for me, let foppish Nature smile,
And play the coxcomb in the 'Desert Isle.'
The stage I chose--a subject fair and free-'Tis yours--'tis mine--'tis public property.
All common exhibitions open lie,
For praise or censure, to the common eye.
Hence are a thousand hackney writers fed;
Hence Monthly Critics earn their daily bread.
This is a general tax which all must pay,
From those who scribble, down to those who play.
Actors, a venal crew, receive support
From public bounty for the public sport.
To clap or hiss all have an equal claim,
The cobbler's and his lordship's right's the same.
All join for their subsistence; all expect
Free leave to praise their worth, their faults correct.
When active Pickle Smithfield stage ascends,
The three days' wonder of his laughing friends,
Each, or as judgment or as fancy guides,
The lively witling praises or derides.
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And where's the mighty difference, tell me where,
Betwixt a Merry Andrew and a player?
The strolling tribe--a despicable race!-Like wandering Arabs, shift from place to place.
Vagrants by law, to justice open laid,
They tremble, of the beadle's lash afraid,
And, fawning, cringe for wretched means of life
To Madam Mayoress, or his Worship's wife.
The mighty monarch, in theatric sack,
Carries his whole regalia at his back;
His royal consort heads the female band,
And leads the heir apparent in her hand;
The pannier'd ass creeps on with conscious pride,
Bearing a future prince on either side.
No choice musicians in this troop are found,
To varnish nonsense with the charms of sound;
No swords, no daggers, not one poison'd bowl;
No lightning flashes here, no thunders roll;
No guards to swell the monarch's train are shown;
The monarch here must be a host alone:
No solemn pomp, no slow processions here;
No Ammon's entry, and no Juliet's bier.
By need compell'd to prostitute his art,
The varied actor flies from part to part;
And--strange disgrace to all theatric pride!-His character is shifted with his side.
Question and answer he by turns must be,
Like that small wit in modern tragedy,
Who, to patch up his fame--or fill his purse-Still pilfers wretched plans, and makes them worse;
Like gypsies, lest the stolen brat be known,
Defacing first, then claiming for his own.
In shabby state they strut, and tatter'd robe,
The scene a blanket, and a barn the globe:
No high conceits their moderate wishes raise,
Content with humble profit, humble praise.
Let dowdies simper, and let bumpkins stare,
The strolling pageant hero treads in air:
Pleased, for his hour he to mankind gives law,
And snores the next out on a truss of straw.
But if kind Fortune, who sometimes, we know,
Can take a hero from a puppet-show,
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In mood propitious should her favourite call,
On royal stage in royal pomp to bawl,
Forgetful of himself, he rears the head,
And scorns the dunghill where he first was bred;
Conversing now with well dress'd kings and queens,
With gods and goddesses behind the scenes,
He sweats beneath the terror-nodding plume,
Taught by mock honours real pride to assume.
On this great stage, the world, no monarch e'er
Was half so haughty as a monarch player.
Doth it more move our anger or our mirth
To see these things, the lowest sons of earth,
Presume, with self-sufficient knowledge graced,
To rule in letters, and preside in taste?
The town's decisions they no more admit,
Themselves alone the arbiters of wit;
And scorn the jurisdiction of that court
To which they owe their being and support.
Actors, like monks of old, now sacred grown,
Must be attack'd by no fools but their own.
Let the vain tyrant sit amidst his guards,
His puny green-room wits and venal bards,
Who meanly tremble at the puppet's frown,
And for a playhouse-freedom lose their own;
In spite of new-made laws, and new-made kings,
The free-born Muse with liberal spirit sings.
Bow down, ye slaves! before these idols fall;
Let Genius stoop to them who've none at all:
Ne'er will I flatter, cringe, or bend the knee
To those who, slaves to all, are slaves to me.
Actors, as actors, are a lawful game,
The poet's right, and who shall bar his claim?
And if, o'erweening of their little skill,
When they have left the stage, they're actors still;
If to the subject world they still give laws,
With paper crowns, and sceptres made of straws;
If they in cellar or in garret roar,
And, kings one night, are kings for evermore;
Shall not bold Truth, e'en there, pursue her theme,
And wake the coxcomb from his golden dream?
Or if, well worthy of a better fate,
They rise superior to their present state;
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If, with each social virtue graced, they blend
The gay companion and the faithful friend;
If they, like Pritchard, join in private life
The tender parent and the virtuous wife;
Shall not our verse their praise with pleasure speak,
Though Mimics bark, and Envy split her cheek?
No honest worth's beneath the Muse's praise;
No greatness can above her censure raise;
Station and wealth to her are trifling things;
She stoops to actors, and she soars to kings.
Is there a man, in vice and folly bred,
To sense of honour as to virtue dead,
Whom ties, nor human, nor divine can bind,
Alien from God, and foe to all mankind;
Who spares no character; whose every word,
Bitter as gall, and sharper than the sword,
Cuts to the quick; whose thoughts with rancour swell;
Whose tongue, on earth, performs the work of hell?
If there be such a monster, the Reviews
Shall find him holding forth against abuse:
Attack profession!--'tis a deadly breach!
The Christian laws another lesson teach:-Unto the end shall Charity endure,
And Candour hide those faults it cannot cure.
Thus Candour's maxims flow from Rancour's throat,
As devils, to serve their purpose, Scripture quote.
The Muse's office was by Heaven design'd
To please, improve, instruct, reform mankind;
To make dejected Virtue nobly rise
Above the towering pitch of splendid Vice;
To make pale Vice, abash'd, her head hang down,
And, trembling, crouch at Virtue's awful frown.
Now arm'd with wrath, she bids eternal shame,
With strictest justice, brand the villain's name;
Now in the milder garb of ridicule
She sports, and pleases while she wounds the fool.
Her shape is often varied; but her aim,
To prop the cause of Virtue, still the same.
In praise of Mercy let the guilty bawl;
When Vice and Folly for correction call,
Silence the mark of weakness justly bears,
And is partaker of the crimes it spares.
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But if the Muse, too cruel in her mirth,
With harsh reflections wounds the man of worth;
If wantonly she deviates from her plan,
And quits the actor to expose the man;
Ashamed, she marks that passage with a blot,
And hates the line where candour was forgot.
But what is candour, what is humour's vein,
Though judgment join to consecrate the strain,
If curious numbers will not aid afford,
Nor choicest music play in every word?
Verses must run, to charm a modern ear,
From all harsh, rugged interruptions clear.
Soft let them breathe, as Zephyr's balmy breeze,
Smooth let their current flow, as summer seas;
Perfect then only deem'd when they dispense
A happy tuneful vacancy of sense.
Italian fathers thus, with barbarous rage,
Fit helpless infants for the squeaking stage;
Deaf to the calls of pity, Nature wound,
And mangle vigour for the sake of sound.
Henceforth farewell, then, feverish thirst of fame;
Farewell the longings for a poet's name;
Perish my Muse--a wish 'bove all severe
To him who ever held the Muses dear-If e'er her labours weaken to refine
The generous roughness of a nervous line.
Others affect the stiff and swelling phrase;
Their Muse must walk in stilts, and strut in stays;
The sense they murder, and the words transpose,
Lest poetry approach too near to prose.
See tortured Reason how they pare and trim,
And, like Procrustes, stretch, or lop the limb.
Waller! whose praise succeeding bards rehearse,
Parent of harmony in English verse,
Whose tuneful Muse in sweetest accents flows,
In couplets first taught straggling sense to close.
In polish'd numbers and majestic sound,
Where shall thy rival, Pope! be ever found?
But whilst each line with equal beauty flows.
E'en excellence, unvaried, tedious grows.
Nature, through all her works, in great degree,
Borrows a blessing from variety.
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Music itself her needful aid requires
To rouse the soul, and wake our dying fires.
Still in one key, the nightingale would tease;
Still in one key, not Brent would always please.
Here let me bend, great Dryden! at thy shrine,
Thou dearest name to all the Tuneful Nine!
What if some dull lines in cold order creep,
And with his theme the poet seems to sleep?
Still, when his subject rises proud to view,
With equal strength the poet rises too:
With strong invention, noblest vigour fraught,
Thought still springs up and rises out of thought;
Numbers ennobling numbers in their course,
In varied sweetness flow, in varied force;
The powers of genius and of judgment join,
And the whole Art of Poetry is thine.
But what are numbers, what are bards to me,
Forbid to tread the paths of poesy?
A sacred Muse should consecrate her pen-Priests must not hear nor see like other men-Far higher themes should her ambition claim:
Behold where Sternhold points the way to fame!
Whilst with mistaken zeal dull bigots burn,
Let Reason for a moment take her turn.
When coffee-sages hold discourse with kings,
And blindly walk in paper leading-strings,
What if a man delight to pass his time
In spinning reason into harmless rhyme,
Or sometimes boldly venture to the play?
Say, where's the crime, great man of prudence, say?
No two on earth in all things can agree;
All have some darling singularity:
Women and men, as well as girls and boys,
In gew-gaws take delight, and sigh for toys.
Your sceptres and your crowns, and such like things,
Are but a better kind of toys for kings.
In things indifferent Reason bids us choose,
Whether the whim's a monkey or a Muse.
What the grave triflers on this busy scene,
When they make use of this word Reason, mean,
I know not; but according to my plan,
'Tis Lord Chief-Justice in the court of man;
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Equally form'd to rule in age or youth,
The friend of virtue and the guide to truth;
To her I bow, whose sacred power I feel;
To her decision make my last appeal;
Condemn'd by her, applauding worlds in vain
Should tempt me to take up the pen again;
By her absolved, my course I'll still pursue:
If Reason's for me, God is for me too.
~ Charles Churchill,#NFDB
902:The Emigrants: Book Ii
Scene, on an Eminence on one of those Downs, which afford to the South a
view of the Sea; to the North of the Weald of Sussex. Time, an Afternoon in
April, 1793.
Long wintry months are past; the Moon that now
Lights her pale crescent even at noon, has made
Four times her revolution; since with step,
Mournful and slow, along the wave-worn cliff,
Pensive I took my solitary way,
Lost in despondence, while contemplating
Not my own wayward destiny alone,
(Hard as it is, and difficult to bear!)
But in beholding the unhappy lot
Of the lorn Exiles; who, amid the storms
Of wild disastrous Anarchy, are thrown,
Like shipwreck'd sufferers, on England's coast,
To see, perhaps, no more their native land,
Where Desolation riots: They, like me,
From fairer hopes and happier prospects driven,
Shrink from the future, and regret the past.
But on this Upland scene, while April comes,
With fragrant airs, to fan my throbbing breast,
Fain would I snatch an interval from Care,
That weighs my wearied spirit down to earth;
Courting, once more, the influence of Hope
(For "Hope" still waits upon the flowery prime)
As here I mark Spring's humid hand unfold
The early leaves that fear capricious winds,
While, even on shelter'd banks, the timid flowers
Give, half reluctantly, their warmer hues
To mingle with the primroses' pale stars.
No shade the leafless copses yet afford,
Nor hide the mossy labours of the Thrush,
That, startled, darts across the narrow path;
But quickly re-assur'd, resumes his talk,
Or adds his louder notes to those that rise
From yonder tufted brake; where the white buds
Of the first thorn are mingled with the leaves
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Of that which blossoms on the brow of May.
Ah! 'twill not be:---- So many years have pass'd,
Since, on my native hills, I learn'd to gaze
On these delightful landscapes; and those years
Have taught me so much sorrow, that my soul
Feels not the joy reviving Nature brings;
But, in dark retrospect, dejected dwells
On human follies, and on human woes.---What is the promise of the infant year,
The lively verdure, or the bursting blooms,
To those, who shrink from horrors such as War
Spreads o'er the affrighted world? With swimming eye,
Back on the past they throw their mournful looks,
And see the Temple, which they fondly hop'd
Reason would raise to Liberty, destroy'd
By ruffian hands; while, on the ruin'd mass,
Flush'd with hot blood, the Fiend of Discord sits
In savage triumph; mocking every plea
Of policy and justice, as she shews
The headless corse of one, whose only crime
Was being born a Monarch--Mercy turns,
From spectacle so dire, her swol'n eyes;
And Liberty, with calm, unruffled brow
Magnanimous, as conscious of her strength
In Reason's panoply, scorns to distain
Her righteous cause with carnage, and resigns
To Fraud and Anarchy the infuriate crowd.---What is the promise of the infant year
To those, who (while the poor but peaceful hind
Pens, unmolested, the encreasing flock
Of his rich master in this sea-fenc'd isle)
Survey, in neighbouring countries, scenes that make
The sick heart shudder; and the Man, who thinks,
Blush for his species? There the trumpet's voice
Drowns the soft warbling of the woodland choir;
And violets, lurking in their turfy beds
Beneath the flow'ring thorn, are stain'd with blood.
There fall, at once, the spoiler and the spoil'd;
While War, wide-ravaging, annihilates
The hope of cultivation; gives to Fiends,
The meagre, ghastly Fiends of Want and Woe,
The blasted land--There, taunting in the van
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Of vengeance-breathing armies, Insult stalks;
And, in the ranks, "1 Famine, and Sword, and Fire,
"Crouch for employment."--Lo! the suffering world,
Torn by the fearful conflict, shrinks, amaz'd,
From Freedom's name, usurp'd and misapplied,
And, cow'ring to the purple Tyrant's rod,
Deems that the lesser ill--Deluded Men!
Ere ye prophane her ever-glorious name,
Or catalogue the thousands that have bled
Resisting her; or those, who greatly died
Martyrs to Liberty --revert awhile
To the black scroll, that tells of regal crimes
Committed to destroy her; rather count
The hecatombs of victims, who have fallen
Beneath a single despot; or who gave
Their wasted lives for some disputed claim
Between anointed robbers: 2 Monsters both!
"3 Oh! Polish'd perturbation--golden care!"
So strangely coveted by feeble Man
To lift him o'er his fellows;--Toy, for which
Such showers of blood have drench'd th' affrighted earth-Unfortunate his lot, whose luckless head
Thy jewel'd circlet, lin'd with thorns, has bound;
And who, by custom's laws, obtains from thee
Hereditary right to rule, uncheck'd,
Submissive myriads: for untemper'd power,
Like steel ill form'd, injures the hand
It promis'd to protect--Unhappy France!
If e'er thy lilies, trampled now in dust,
And blood-bespotted, shall again revive
In silver splendour, may the wreath be wov'n
By voluntary hands; and Freemen, such
As England's self might boast, unite to place
The guarded diadem on his fair brow,
Where Loyalty may join with Liberty
To fix it firmly.--In the rugged school
Of stern Adversity so early train'd,
His future life, perchance, may emulate
That of the brave Bernois 4 , so justly call'd
The darling of his people; who rever'd
The Warrior less, than they ador'd the Man!
But ne'er may Party Rage, perverse and blind,
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And base Venality, prevail to raise
To public trust, a wretch, whose private vice
Makes even the wildest profligate recoil;
And who, with hireling ruffians leagu'd, has burst
The laws of Nature and Humanity!
Wading, beneath the Patriot's specious mask,
And in Equality's illusive name,
To empire thro' a stream of kindred blood-Innocent prisoner!--most unhappy heir
Of fatal greatness, who art suffering now
For all the crimes and follies of thy race;
Better for thee, if o'er thy baby brow
The regal mischief never had been held:
Then, in an humble sphere, perhaps content,
Thou hadst been free and joyous on the heights
Of Pyrennean mountains, shagg'd with woods
Of chesnut, pine, and oak: as on these hills
Is yonder little thoughtless shepherd lad,
Who, on the slope abrupt of downy turf
Reclin'd in playful indolence, sends off
The chalky ball, quick bounding far below;
While, half forgetful of his simple task,
Hardly his length'ning shadow, or the bells'
Slow tinkling of his flock, that supping tend
To the brown fallows in the vale beneath,
Where nightly it is folded, from his sport
Recal the happy idler.--While I gaze
On his gay vacant countenance, my thoughts
Compare with his obscure, laborious lot,
Thine, most unfortunate, imperial Boy!
Who round thy sullen prison daily hear'st
The savage howl of Murder, as it seeks
Thy unoffending life: while sad within
Thy wretched Mother, petrified with grief,
Views thee with stony eyes, and cannot weep!-Ah! much I mourn thy sorrows, hapless Queen!
And deem thy expiation made to Heaven
For every fault, to which Prosperity
Betray'd thee, when it plac'd thee on a throne
Where boundless power was thine, and thou wert rais'd
High (as it seem'd) above the envious reach
Of destiny! Whate'er thy errors were,
167
Be they no more remember'd; tho' the rage
Of Party swell'd them to such crimes, as bade
Compassion stifle every sigh that rose
For thy disastrous lot--More than enough
Thou hast endur'd; and every English heart,
Ev'n those, that highest beat in Freedom's cause,
Disclaim as base, and of that cause unworthy,
The Vengeance, or the Fear, that makes thee still
A miserable prisoner!--Ah! who knows,
From sad experience, more than I, to feel
For thy desponding spirit, as it sinks
Beneath procrastinated fears for those
More dear to thee than life! But eminence
Of misery is thine, as once of joy;
And, as we view the strange vicissitude,
We ask anew, where happiness is found?-----Alas! in rural life, where youthful dreams
See the Arcadia that Romance describes,
Not even Content resides!--In yon low hut
Of clay and thatch, where rises the grey smoke
Of smold'ring turf, cut from the adjoining moor,
The labourer, its inhabitant, who toils
From the first dawn of twilight, till the Sun
Sinks in the rosy waters of the West,
Finds that with poverty it cannot dwell;
For bread, and scanty bread, is all he earns
For him and for his household--Should Disease,
Born of chill wintry rains, arrest his arm,
Then, thro' his patch'd and straw-stuff'd casement, peeps
The squalid figure of extremest Want;
And from the Parish the reluctant dole,
Dealt by th' unfeeling farmer, hardly saves
The ling'ring spark of life from cold extinction:
Then the bright Sun of Spring, that smiling bids
All other animals rejoice, beholds,
Crept from his pallet, the emaciate wretch
Attempt, with feeble effort, to resume
Some heavy task, above his wasted strength,
Turning his wistful looks (how much in vain!)
To the deserted mansion, where no more
The owner (gone to gayer scenes) resides,
Who made even luxury, Virtue; while he gave
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The scatter'd crumbs to honest Poverty.-But, tho' the landscape be too oft deform'd
By figures such as these, yet Peace is here,
And o'er our vallies, cloath'd with springing corn,
No hostile hoof shall trample, nor fierce flames
Wither the wood's young verdure, ere it form
Gradual the laughing May's luxuriant shade;
For, by the rude sea guarded, we are safe,
And feel not evils such as with deep sighs
The Emigrants deplore, as, they recal
The Summer past, when Nature seem'd to lose
Her course in wild distemperature, and aid,
With seasons all revers'd, destructive War.
Shuddering, I view the pictures they have drawn
Of desolated countries, where the ground,
Stripp'd of its unripe produce, was thick strewn
With various Death--the war-horse falling there
By famine, and his rider by the sword.
The moping clouds sail'd heavy charg'd with rain,
And bursting o'er the mountains misty brow,
Deluged, as with an inland sea, the vales 5 ;
Where, thro' the sullen evening's lurid gloom,
Rising, like columns of volcanic fire,
The flames of burning villages illum'd
The waste of water; and the wind, that howl'd
Along its troubled surface, brought the groans
Of plunder'd peasants, and the frantic shrieks
Of mothers for their children; while the brave,
To pity still alive, listen'd aghast
To these dire echoes, hopeless to prevent
The evils they beheld, or check the rage,
Which ever, as the people of one land
Meet in contention, fires the human heart
With savage thirst of kindred blood, and makes
Man lose his nature; rendering him more fierce
Than the gaunt monsters of the howling waste.
Oft have I heard the melancholy tale,
Which, all their native gaiety forgot,
These Exiles tell--How Hope impell'd them on,
Reckless of tempest, hunger, or the sword,
Till order'd to retreat, they knew not why,
From all their flattering prospects, they became
169
The prey of dark suspicion and regret 6 :
Then, in despondence, sunk the unnerv'd arm
Of gallant Loyalty--At every turn
Shame and disgrace appear'd, and seem'd to mock
Their scatter'd squadrons; which the warlike youth,
Unable to endure, often implor'd,
As the last act of friendship, from the hand
Of some brave comrade, to receive the blow
That freed the indignant spirit from its pain.
To a wild mountain, whose bare summit hides
Its broken eminence in clouds; whose steeps
Are dark with woods; where the receding rocks
Are worn by torrents of dissolving snow,
A wretched Woman, pale and breathless, flies!
And, gazing round her, listens to the sound
Of hostile footsteps---- No! it dies away:
Nor noise remains, but of the cataract,
Or surly breeze of night, that mutters low
Among the thickets, where she trembling seeks
A temporary shelter--clasping close
To her hard-heaving heart, her sleeping child,
All she could rescue of the innocent groupe
That yesterday surrounded her--Escap'd
Almost by miracle! Fear, frantic Fear,
Wing'd her weak feet: yet, half repentant now
Her headlong haste, she wishes she had staid
To die with those affrighted Fancy paints
The lawless soldier's victims--Hark! again
The driving tempest bears the cry of Death,
And, with deep sudden thunder, the dread sound
Of cannon vibrates on the tremulous earth;
While, bursting in the air, the murderous bomb
Glares o'er her mansion. Where the splinters fall,
Like scatter'd comets, its destructive path
Is mark'd by wreaths of flame!--Then, overwhelm'd
Beneath accumulated horror, sinks
The desolate mourner; yet, in Death itself,
True to maternal tenderness, she tries
To save the unconscious infant from the storm
In which she perishes; and to protect
This last dear object of her ruin'd hopes
From prowling monsters, that from other hills,
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More inaccessible, and wilder wastes,
Lur'd by the scent of slaughter, follow fierce
Contending hosts, and to polluted fields
Add dire increase of horrors--But alas!
The Mother and the Infant perish both!-The feudal Chief, whose Gothic battlements
Frown on the plain beneath, returning home
From distant lands, alone and in disguise,
Gains at the fall of night his Castle walls,
But, at the vacant gate, no Porter sits
To wait his Lord's admittance!--In the courts
All is drear silence!--Guessing but too well
The fatal truth, he shudders as he goes
Thro' the mute hall; where, by the blunted light
That the dim moon thro' painted casements lends,
He sees that devastation has been there:
Then, while each hideous image to his mind
Rises terrific, o'er a bleeding corse
Stumbling he falls; another interrupts
His staggering feet--all, all who us'd to rush
With joy to meet him--all his family
Lie murder'd in his way!--And the day dawns
On a wild raving Maniac, whom a fate
So sudden and calamitous has robb'd
Of reason; and who round his vacant walls
Screams unregarded, and reproaches Heaven!-Such are thy dreadful trophies, savage War!
And evils such as these, or yet more dire,
Which the pain'd mind recoils from, all are thine-The purple Pestilence, that to the grave
Sends whom the sword has spar'd, is thine; and thine
The Widow's anguish and the Orphan's tears!-Woes such as these does Man inflict on Man;
And by the closet murderers, whom we style
Wise Politicians; are the schemes prepar'd,
Which, to keep Europe's wavering balance even,
Depopulate her kingdoms, and consign
To tears and anguish half a bleeding world!-Oh! could the time return, when thoughts like these
Spoil'd not that gay delight, which vernal Suns,
Illuminating hills, and woods, and fields,
Gave to my infant spirits--Memory come!
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And from distracting cares, that now deprive
Such scenes of all their beauty, kindly bear
My fancy to those hours of simple joy,
When, on the banks of Arun, which I see
Make its irriguous course thro' yonder meads,
I play'd; unconscious then of future ill!
There (where, from hollows fring'd with yellow broom,
The birch with silver rind, and fairy leaf,
Aslant the low stream trembles) I have stood,
And meditated how to venture best
Into the shallow current, to procure
The willow herb of glowing purple spikes,
Or flags, whose sword-like leaves conceal'd the tide,
Startling the timid reed-bird from her nest,
As with aquatic flowers I wove the wreath,
Such as, collected by the shepherd girls,
Deck in the villages the turfy shrine,
And mark the arrival of propitious May.-How little dream'd I then the time would come,
When the bright Sun of that delicious month
Should, from disturb'd and artificial sleep,
Awaken me to never-ending toil,
To terror and to tears!--Attempting still,
With feeble hands and cold desponding heart,
To save my children from the o'erwhelming wrongs,
That have for ten long years been heap'd on me!-The fearful spectres of chicane and fraud
Have, Proteus like, still chang'd their hideous forms
(As the Law lent its plausible disguise),
Pursuing my faint steps; and I have seen
Friendship's sweet bonds (which were so early form'd,)
And once I fondly thought of amaranth
Inwove with silver seven times tried) give way,
And fail; as these green fan-like leaves of fern
Will wither at the touch of Autumn's frost.
Yet there are those , whose patient pity still
Hears my long murmurs; who, unwearied, try
With lenient hands to bind up every wound
My wearied spirit feels, and bid me go
"Right onward 7 "--a calm votary of the Nymph,
Who, from her adamantine rock, points out
To conscious rectitude the rugged path,
172
That leads at length to Peace!--Ah! yes, my friends
Peace will at last be mine; for in the Grave
Is Peace--and pass a few short years, perchance
A few short months, and all the various pain
I now endure shall be forgotten there,
And no memorial shall remain of me,
Save in your bosoms; while even your regret
Shall lose its poignancy, as ye reflect
What complicated woes that grave conceals!
But, if the little praise, that may await
The Mother's efforts, should provoke the spleen
Of Priest or Levite; and they then arraign
The dust that cannot hear them; be it yours
To vindicate my humble fame; to say,
That, not in selfish sufferings absorb'd,
"I gave to misery all I had, my tears 8 ."
And if, where regulated sanctity
Pours her long orisons to Heaven, my voice
Was seldom heard, that yet my prayer was made
To him who hears even silence; not in domes
Of human architecture, fill'd with crowds,
But on these hills, where boundless, yet distinct,
Even as a map, beneath are spread the fields
His bounty cloaths; divided here by woods,
And there by commons rude, or winding brooks,
While I might breathe the air perfum'd with flowers,
Or the fresh odours of the mountain turf;
And gaze on clouds above me, as they sail'd
Majestic: or remark the reddening north,
When bickering arrows of electric fire
Flash on the evening sky--I made my prayer
In unison with murmuring waves that now
Swell with dark tempests, now are mild and blue,
As the bright arch above; for all to me
Declare omniscient goodness; nor need I
Declamatory essays to incite
My wonder or my praise, when every leaf
That Spring unfolds, and every simple bud,
More forcibly impresses on my heart
His power and wisdom--Ah! while I adore
That goodness, which design'd to all that lives
Some taste of happiness, my soul is pain'd
173
By the variety of woes that Man
For Man creates--his blessings often turn'd
To plagues and curses: Saint-like Piety,
Misled by Superstition, has destroy'd
More than Ambition; and the sacred flame
Of Liberty becomes a raging fire,
When Licence and Confusion bid it blaze.
From thy high throne, above yon radiant stars,
O Power Omnipotent! with mercy view
This suffering globe, and cause thy creatures cease,
With savage fangs, to tear her bleeding breast:
Refrain that rage for power, that bids a Man,
Himself a worm, desire unbounded rule
O'er beings like himself: Teach the hard hearts
Of rulers, that the poorest hind, who dies
For their unrighteous quarrels, in thy sight
Is equal to the imperious Lord, that leads
His disciplin'd destroyers to the field.---May lovely Freedom, in her genuine charms,
Aided by stern but equal Justice, drive
From the ensanguin'd earth the hell-born fiends
Of Pride, Oppression, Avarice, and Revenge,
That ruin what thy mercy made so fair!
Then shall these ill-starr'd wanderers, whose sad fate
These desultory lines lament, regain
Their native country; private vengeance then
To public virtue yield; and the fierce feuds,
That long have torn their desolated land,
May (even as storms, that agitate the air,
Drive noxious vapours from the blighted earth)
Serve, all tremendous as they are, to fix
The reign of Reason, Liberty, and Peace!
~ Charlotte Smith,#NFDB
903:Jubilate Agno: Fragment B, Part 1
Let Elizur rejoice with the Partridge, who is a prisoner of state and is proud of his
keepers.
Let Shedeur rejoice with Pyrausta, who dwelleth in a medium of fire, which God
hath adapted for him.
Let Shelumiel rejoice with Olor, who is of a goodly savour, and the very look of
him harmonizes the mind.
Let Jael rejoice with the Plover, who whistles for his live, and foils the marksmen
and their guns.
Let Raguel rejoice with the Cock of Portugal -- God send good Angels to the allies
of England!
Let Hobab rejoice with Necydalus, who is the Greek of a Grub.
Let Zurishaddai with the Polish Cock rejoice -- The Lord restore peace to Europe.
Let Zuar rejoice with the Guinea Hen -- The Lord add to his mercies in the WEST!
Let Chesed rejoice with Strepsiceros, whose weapons are the ornaments of his
peace.
Let Hagar rejoice with Gnesion, who is the right sort of eagle, and towers the
highest.
Let Libni rejoice with the Redshank, who migrates not but is translated to the
upper regions.
Let Nahshon rejoice with the Seabreese, the Lord give the sailors of his Spirit.
Let Helon rejoice with the Woodpecker -- the Lord encourage the propagation of
trees!
Let Amos rejoice with the Coote -- prepare to meet thy God, O Israel.
Let Ephah rejoice with Buprestis, the Lord endue us with temperance and
40
humanity, till every cow have her mate!
Let Sarah rejoice with the Redwing, whose harvest is in the frost and snow.
Let Rebekah rejoice with Iynx, who holds his head on one side to deceive the
adversary.
Let Shuah rejoice with Boa, which is the vocal serpent.
Let Ehud rejoice with Onocrotalus, whose braying is for the glory of God, because
he makes the best musick in his power.
Let Shamgar rejoice with Otis, who looks about him for the glory of God, and
sees the horizon compleat at once.
Let Bohan rejoice with the Scythian Stag -- he is beef and breeches against want
and nakedness.
Let Achsah rejoice with the Pigeon who is an antidote to malignity and will carry
a letter.
Let Tohu rejoice with the Grouse -- the Lord further the cultivating of heaths and
the peopling of deserts.
Let Hillel rejoice with Ammodytes, whose colour is deceitful and he plots against
the pilgrim's feet.
Let Eli rejoice with Leucon -- he is an honest fellow, which is a rarity.
Let Jemuel rejoice with Charadrius, who is from the HEIGHT and the sight of him
is good for the jaundice.
Let Pharaoh rejoice with Anataria, whom God permits to prey upon the ducks to
check their increase.
Let Lotan rejoice with Sauterelle. Blessed be the name of the Lord from the Lotetree to the Palm.
Let Dishon rejoice with the Landrail, God give his grace to the society for
preserving the game.
Let Hushim rejoice with the King's Fisher, who is of royal beauty, tho' plebeian
41
size.
Let Machir rejoice with Convolvulus, from him to the ring of Saturn, which is the
girth of Job; to the signet of God -- from Job and his daughters BLESSED BE
JESUS.
Let Atad bless with Eleos, the nightly Memorialist
ελεησον
κυριε .
Let Jamim rejoice with the Bittern -- blessed be the name of Jesus for Denver
Sluice, Ruston, and the draining of the fens.
Let Ohad rejoice with Byturos who eateth the vine and is a minister of
temperance.
Let Zohar rejoice with Cychramus who cometh with the quails on a particular
affair.
Let Serah, the daughter of Asher, rejoice with Ceyx, who maketh his cabin in the
Halcyon's hold.
Let Magdiel rejoice with Ascarides, which is the life of the bowels -- the worm
hath a part in our frame.
Let Becher rejoice with Oscen who terrifies the wicked, as trumpet and alarm the
coward.
Let Shaul rejoice with Circos, who hath clumsy legs, but he can wheel it the
better with his wings. -Let Hamul rejoice with the Crystal, who is pure and translucent.
Let Ziphion rejoice with the Tit-Lark who is a groundling, but he raises the spirits.
Let Mibzar rejoice with the Cadess, as is their number, so are their names,
blessed be the Lord Jesus for them all.
Let Jubal rejoice with Cascilia, the woman and the slow-worm praise the name of
the Lord.
42
Let Arodi rejoice with the Royston Crow, there is a society of them at
Trumpington and Cambridge.
Let Areli rejoice with the Criel, who is a dwarf that towereth above others.
Let Phuvah rejoice with Platycerotes, whose weapons of defence keep them
innocent.
Let Shimron rejoice with the Kite, who is of more value than many sparrows.
Let Sered rejoice with the Wittal -- a silly bird is wise unto his own preservation.
Let Elon rejoice with Attelabus, who is the Locust without wings.
Let Jahleel rejoice with the Woodcock, who liveth upon suction and is pure from
his diet.
Let Shuni rejoice with the Gull, who is happy in not being good for food.
Let Ezbon rejoice with Musimon, who is from the ram and she-goat.
Let Barkos rejoice with the Black Eagle, which is the least of his species and the
best-natured.
Let Bedan rejoice with Ossifrage -- the bird of prey and the man of prayer.
Let Naomi rejoice with Pseudosphece who is between a wasp and a hornet.
Let Ruth rejoice with the Tumbler -- it is a pleasant thing to feed him and be
thankful.
Let Ram rejoice with the Fieldfare, who is a good gift from God in the season of
scarcity.
Let Manoah rejoice with Cerastes, who is a Dragon with horns.
Let Talmai rejoice with Alcedo, who makes a cradle for it's young, which is rock'd
by the winds.
Let Bukki rejoice with the Buzzard, who is clever, with the reputation of a silly
fellow.
43
Let Michal rejoice with Leucocruta who is a mixture of beauty and magnanimity.
Let Abiah rejoice with Morphnus who is a bird of passage to the Heavens.
Let Hur rejoice with the Water-wag-tail, who is a neighbour, and loves to be
looked at.
Let Dodo rejoice with the purple Worm, who is cloathed sumptuously, tho he
fares meanly.
Let Ahio rejoice with the Merlin who is a cousin german of the hawk.
Let Joram rejoice with the Water-Rail, who takes his delight in the river.
Let Chileab rejoice with Ophion who is clean made, less than an hart, and a
Sardinian.
Let Shephatiah rejoice with the little Owl, which is the wingged Cat.
Let Ithream rejoice with the great Owl, who understandeth that which he
professes.
Let Abigail rejoice with Lethophagus -- God be gracious to the widows indeed.
Let Anathoth bless with Saurix, who is a bird of melancholy.
Let Shammua rejoice with the Vultur who is strength and fierceness.
Let Shobab rejoice with Evech who is of the goat kind which is meditation and
pleasantry.
Let Ittai the Gittite rejoice with the Gerfalcon amicus certus in re incertâ cernitur.
Let Ibhar rejoice with the Pochard -- a child born in prosperity is the chiefest
blessing of peace.
Let Elishua rejoice with Cantharis -- God send bread and milk to the children.
Let Chimham bless with Drepanis who is a passenger from the sea to heaven.
Let Toi rejoice with Percnopteros which haunteth the sugar-fens.
44
Let Nepheg rejoice with Cenchris which is the spotted serpent.
Let Japhia rejoice with Buteo who hath three testicles.
Let Gibeon rejoice with the Puttock, who will shift for himself to the last
extremity.
Let Elishama rejoice with Mylæcos Ισχετε
χειρα
μυλαιον
αλιτριδες .
ευδετε
μακρα .
Let Elimelech rejoice with the Horn-Owl who is of gravity and amongst my friends
in the tower.
Let Eliada rejoice with the Gier-eagle who is swift and of great penetration.
Let Eliphalet rejoice with Erodius who is God's good creature, which is sufficient
for him.
Let Jonathan, David's nephew, rejoice with Oripelargus who is noble by his
ascent.
Let Sheva rejoice with the Hobby, who is the service of the great.
Let Ahimaaz rejoice with the Silver-Worm who is a living mineral.
Let Shobi rejoice with the Kastrel -- blessed be the name JESUS in falconry and
in the MALL
Let Elkanah rejoice with Cymindis -- the Lord illuminate us against the powers of
darkness.
Let Ziba rejoice with Glottis whose tongue is wreathed in his throat.
Let Micah rejoice with the spotted Spider, who counterfeits death to effect his
purposes.
Let Rizpah rejoice with the Eyed Moth who is beautiful in corruption.
45
Let Naharai, Joab's armour-bearer rejoice with Rock who is a bird of stupendous
magnitude.
Let Abiezer, the Anethothite, rejoice with Phrynos who is the scaled frog.
Let Nachon rejoice with Parcas who is a serpent more innocent than others.
Let Lapidoth with Percnos -- the Lord is the builder of the wall of CHINA -REJOICE.
Let Ahinoam rejoice with Prester -- The seed of the woman hath bruised the
serpents head.
Let Phurah rejoice with Penelopes, the servant of Gideon with the fowl of the
brook.
Let Jether, the son of Gideon, rejoice with Ecchetae which are musical
grashoppers.
Let Hushai rejoice with the Ospray who is able to parry the eagle.
Let Eglah rejoice with Phalaris who is a pleasant object upon the water.
Let Haggith rejoice with the white Weasel who devoureth the honey and it's
maker.
Let Abital rejoice with Ptyas who is arrayed in green and gold.
Let Maacah rejoice with Dryophyte who was blessed of the Lord in the valley.
Let Zabud Solomon's friend rejoice with Oryx who is a frolicksome mountaineer.
Let Adoniram the receiver general of the excise rejoice with Hypnale the sleepy
adder.
Let Pedahel rejoice with Pityocampa who eateth his house in the pine.
Let Ibzam rejoice with the Brandling -- the Lord further the building of bridges
and making rivers navigable.
Let Gilead rejoice with Gentle -- the Lord make me a fisher of men.
46
Let Zelophehad rejoice with Ascalabotes who casteth not his coat till a new one is
prepared for him.
Let Mahlah rejoice with Pellos who is a tall bird and stately.
Let Tirzah rejoice with Tylus which is the Cheeslip and food for the chicken.
Let Hoglah rejoice with Leontophonos who will kill the lion, if he is eaten.
Let Milcah rejoice with the Horned Beetle who will strike a man in the face.
Let Noah rejoice with Hibris who is from a wild boar and a tame sow.
Let Abdon rejoice with the Glede who is very voracious and may not himself be
eaten.
Let Zuph rejoice with Dipsas, whose bite causeth thirst.
Let Schechem of Manasseh rejoice with the Green Worm whose livery is of the
field.
Let Gera rejoice with the Night Hawk -- blessed are those who watch when
others sleep.
Let Anath rejoice with Rauca who inhabiteth the root of the oak.
Let Cherub rejoice with the Cherub who is a bird and a blessed Angel.
***
For I am not without authority in my jeopardy, which I derive inevitably from the
glory of the name of the Lord.
For I bless God whose name is Jealous -- and there is a zeal to deliver us from
everlasting burnings.
For my existimation is good even amongst the slanderers and my memory shall
arise for a sweet savour unto the Lord.
For I bless the PRINCE of PEACE and pray that all the guns may be nail'd up,
save such are for the rejoicing days.
47
For I have abstained from the blood of the grape and that even at the Lord's
table.
For I have glorified God in GREEK and LATIN, the consecrated languages spoken
by the Lord on earth.
For I meditate the peace of Europe amongst family bickerings and domestic jars.
For the HOST is in the WEST -- the Lord make us thankful unto salvation.
For I preach the very GOSPEL of CHRIST without comment and with this weapon
shall I slay envy.
For I bless God in the rising generation, which is on my side.
For I have translated in the charity, which makes things better and I shall be
translated myself at the last.
For he that walked upon the sea, hath prepared the floods with the Gospel of
peace.
For the merciful man is merciful to his beast, and to the trees that give them
shelter.
For he hath turned the shadow of death into the morning,the Lord is his name.
For I am come home again, but there is nobody to kill the calf or to pay the
musick.
For the hour of my felicity, like the womb of Sarah, shall come at the latter end.
For I shou'd have avail'd myself of waggery, had not malice been multitudinous.
For there are still serpents that can speak -- God bless my head, my heart and
my heel.
For I bless God that I am of the same seed as Ehud, Mutius Scævola, and Colonel
Draper.
For the word of God is a sword on my side -- no matter what other weapon a
stick or a straw.
48
For I have adventured myself in the name of the Lord, and he hath marked me
for his own.
For I bless God for the Postmaster general and all conveyancers of letters under
his care especially Allen and Shelvock.
For my grounds in New Canaan shall infinitely compensate for the flats and
maynes of Staindrop Moor.
For the praise of God can give to a mute fish the notes of a nightingale.
For I have seen the White Raven and Thomas Hall of Willingham and am my self
a greater curiosity than both.
For I look up to heaven which is my prospect to escape envy by surmounting it.
For if Pharaoh had known Joseph, he woud have blessed God and me for the
illumination of the people.
For I pray God to bless improvements in gardening till London be a city of palmtrees.
For I pray to give his grace to the poor of England, that Charity be not offended
and that benevolence may increase.
For in my nature I quested for beauty, but God, God hath sent me to sea for
pearls.
For there is a blessing from the STONE of JESUS which is founded upon hell to
the precious jewell on the right hand of God.
For the nightly Visitor is at the window of the impenitent, while I sing a psalm of
my own composing.
For there is a note added to the scale, which the Lord hath made fuller, stronger
and more glorious.
For I offer my goat as he browses the vine, bless the Lord from chambering and
drunkeness.
For there is a traveling for the glory of God without going to Italy or France.
49
For I bless the children of Asher for the evil I did them and the good I might have
received at their hands.
For I rejoice like a worm in the rain in him that cherishes and from him that
tramples.
For I am ready for the trumpet and alarm to fight, to die and to rise again.
For the banish'd of the Lord shall come about again, for so he hath prepared for
them.
For sincerity is a jewel which is pure and transparent, eternal and inestimable.
For my hands and my feet are perfect as the sublimity of Naphtali and the felicity
of Asher.
For the names and number of animals are as the name and number of the stars.
-For I pray the Lord Jesus to translate my MAGNIFICAT into verse and represent
it.
For I bless the Lord Jesus from the bottom of Royston Cave to the top of King's
Chapel.
For I am a little fellow, which is intitled to the great mess by the benevolence of
God my father.
For I this day made over my inheritance to my mother in consideration of her
infirmities.
For I this day made over my inheritance to my mother in consideration of her
age.
For I this day made over my inheritance to my mother in consideration of her
poverty.
For I bless the thirteenth of August, in which I had the grace to obey the voice of
Christ in my conscience.
For I bless the thirteenth of August, in which I was willing to run all hazards for
50
the sake of the name of the Lord.
For I bless the thirteenth of August, in which I was willing to be called a fool for
the sake of Christ.
For I lent my flocks and my herds and my lands at once unto the Lord.
For nature is more various than observation tho' observers be innumerable.
For Agricola is Γηουργος .
For I pray God to bless POLLY in the blessing of Naomi and assign her to the
house of DAVID.
For I am in charity with the French who are my foes and Moabites because of the
Moabitish woman.
For my Angel is always ready at a pinch to help me out and to keep me up.
For CHRISTOPHER must slay the Dragon with a PHEON's head.
For they have seperated me and my bosom, whereas the right comes by setting
us together.
For silly fellow! silly fellow! is against me and belongeth neither to me nor my
family.
For he that scorneth the scorner hath condescended to my low estate.
For Abiah is the father of Joab and Joab of all Romans and English Men.
For they pass by me in their tour, and the good Samaritan is not yet come. -For I bless God in the behalf of TRINITY COLLEGE in CAMBRIDGE and the society
of PURPLES in LONDON. -For I have a nephew CHRISTOPHER to whom I implore the grace of God.
For I pray God bless the CAM -- Mr HIGGS and Mr and Mrs WASHBOURNE as the
drops of the dew.
For I pray God bless the king of Sardinia and make him an instrument of his
51
peace.
For I am possessed of a cat, surpassing in beauty, from whom I take occasion to
bless Almighty God.
For I pray God for the professors of the University of Cambridge to attend and to
amend.
For the Fatherless Children and widows are never deserted of the Lord.
For I pray God be gracious to the house of Stuart and consider their afflictions.
For I pray God be gracious to the seed of Virgil to Mr GOODMAN SMITH of King's
and Joseph STUD.
For I give God the glory that I am a son of ABRAHAM a PRINCE of the house of
my fathers.
For my brethren have dealt deceitfully as a brook, and as the stream of brooks
that pass away.
For I bless God for my retreat at CANBURY, as it was the place of the nativity of
my children.
For I pray God to give them the food which I cannot earn for them any otherwise
than by prayer.
For I pray God bless the Chinese which are of ABRAHAM and the Gospel grew
with them at the first.
For I bless God in the honey of the sugar-cane and the milk of the cocoa.
For I bless God in the libraries of the learned and for all the booksellers in the
world.
For I bless God in the strength of my loins and for the voice which he hath made
sonorous.
For tis no more a merit to provide for oneself, but to quit all for the sake of the
Lord.
For there is no invention but the gift of God, and no grace like the grace of
52
gratitude.
For grey hairs are honourable and tell every one of them to the glory of God.
For I bless the Lord Jesus for the memory of GAY, POPE and SWIFT.
For all good words are from GOD, and all others are cant.
For I am enabled by my ascent and the Lord haith raised me above my Peers.
For I pray God bless my lord CLARENDON and his seed for ever.
For there is silver in my mines and I bless God that it is rather there then in my
coffers.
For I blessed God in St James's Park till I routed all the company.
For the officers of the peace are at variance with me, and the watchman smites
me with his staff.
For I am the seed of the WELCH WOMAN and speak the truth from my heart.
For they lay wagers touching my life. -- God be gracious to the winners.
For the piety of Rizpah is imitable in the Lord -- wherefore I pray for the dead.
For the Lord is my ROCK and I am the bearer of his CROSS.
For I am like a frog in the brambles, but the Lord hath put his whole armour
upon me.
For I was a Viper-catcher in my youth and the Lord delivered me from his
venom.
For I rejoice that I attribute to God, what others vainly ascribe to feeble man.
For I am ready to die for his sake -- who lay down his life for all mankind.
For the son of JOSHUA shall prevail against the servant of Gideon -- Good men
have their betters,
For my seed shall worship the Lord JESUS as numerous and musical as the
53
grashoppers of Paradise.
For I pray God to turn the council of Ahitophel into foolishness.
For the learning of the Lord increases daily, as the sun is an improving angel.
For I pray God for a reformation amonst the women and the restoration of the
veil.
For beauty is better to look upon than to meddle with and tis good for a man not
to know a woman.
For the Lord Jesus made him a nosegay and blessed it and he blessed the
inhabitants of flowers.
For a faithful friend is the medicine of life, but a neighbour in the Lord is better
than he.
For I stood up betimes in behalf of LIBERTY, PROPERTY and NO EXCISE.
For they began with grubbing up my trees and now they have excluded the
planter.
For I am the Lord's builder and free and accepted MASON in CHRIST JESUS.
For I bless God in all gums and balsams and every thing that ministers relief to
the sick.
For the Sun's at work to make me a garment and the Moon is at work for my
wife.
For tall and stately are against me, but humiliation on humiliation is on my side.
For I have a providential acquaintance with men who bear the names of animals.
For I bless God to Mr Lion Mr Cock Mr Cat Mr Talbot Mr Hart Mrs Fysh Mr Grub,
and Miss Lamb.
For they throw my horns in my face and reptiles make themselves wings against
me.
For I bless God for the immortal soul of Mr Pigg of DOWNHAM in NORFOLK.
54
For I fast this day even the 31st of August N.S. to prepare for the SABBATH of
the Lord.
For the bite of an Adder is cured by its greese and the malice of my enemies by
their stupidity.
For I bless God in SHIPBOURNE FAIRLAWN the meadows the brooks and the
hills.
For th adversary hath exasperated the very birds against me, but the Lord
sustain'd me.
For I bless God for my Newcastle friends the voice of the raven and heart of the
oak.
For I bless God for every feather from the wren in the sedge to the CHERUBS and
their MATES.
~ Christopher Smart,#NFDB
904:CANTO I.
Fanatics have their dreams, wherewith they weave
A paradise for a sect; the savage, too,
From forth the loftiest fashion of his sleep
Guesses at heaven; pity these have not
Trac'd upon vellum or wild Indian leaf
The shadows of melodious utterance,
But bare of laurel they live, dream, and die;
For Poesy alone can tell her dreams,--
With the fine spell of words alone can save
Imagination from the sable chain
And dumb enchantment. Who alive can say,
"Thou art no Poet -- may'st not tell thy dreams?"
Since every man whose soul is not a clod
Hath visions and would speak, if he had loved,
And been well nurtured in his mother tongue.
Whether the dream now purpos'd to rehearse
Be poet's or fanatic's will be known
When this warm scribe, my hand, is in the grave.
Methought I stood where trees of every clime,
Palm, myrtle, oak, and sycamore, and beech,
With plantane and spice-blossoms, made a screen,
In neighbourhood of fountains (by the noise
Soft-showering in mine ears), and (by the touch
Of scent) not far from roses. Twining round
I saw an arbour with a drooping roof
Of trellis vines, and bells, and larger blooms,
Like floral censers, swinging light in air;
Before its wreathed doorway, on a mound
Of moss, was spread a feast of summer fruits,
Which, nearer seen, seem'd refuse of a meal
By angel tasted or our Mother Eve;
For empty shells were scatter'd on the grass,
And grapestalks but half-bare, and remnants more
Sweet-smelling, whose pure kinds I could not know.
Still was more plenty than the fabled horn
Thrice emptied could pour forth at banqueting,
For Prosperine return'd to her own fields,
Where the white heifers low. And appetite,
More yearning than on earth I ever felt,
Growing within, I ate deliciously,--
And, after not long, thirsted; for thereby
Stood a cool vessel of transparent juice
Sipp'd by the wander'd bee, the which I took,
And pledging all the mortals of the world,
And all the dead whose names are in our lips,
Drank. That full draught is parent of my theme.
No Asian poppy nor elixir fine
Of the soon-fading, jealous, Caliphat,
No poison gender'd in close monkish cell,
To thin the scarlet conclave of old men,
Could so have rapt unwilling life away.
Among the fragment husks and berries crush'd
Upon the grass, I struggled hard against
The domineering potion, but in vain.
The cloudy swoon came on, and down I sank,
Like a Silenus on an antique vase.
How long I slumber'd 'tis a chance to guess.
When sense of life return'd, I started up
As if with wings, but the fair trees were gone,
The mossy mound and arbour were no more;
I look'd around upon the curved sides
Of an old sanctuary, with roof august,
Builded so high, it seem'd that filmed clouds
Might spread beneath as o'er the stars of heaven.
So old the place was, I remember'd none
The like upon the earth: what I had seen
Of grey cathedrals, buttress'd walls, rent towers,
The superannuations of sunk realms,
Or Nature's rocks toil'd hard in waves and winds,
Seem'd but the faulture of decrepit things
To that eternal domed monument.
Upon the marble at my feet there lay
Store of strange vessels and large draperies,
Which needs have been of dyed asbestos wove,
Or in that place the moth could not corrupt,
So white the linen, so, in some, distinct
Ran imageries from a sombre loom.
All in a mingled heap confus'd there lay
Robes, golden tongs, censer and chafing-dish,
Girdles, and chains, and holy jewelries.
Turning from these with awe, once more I raised
My eyes to fathom the space every way:
The embossed roof, the silent massy range
Of columns north and south, ending in mist
Of nothing; then to eastward, where black gates
Were shut against the sunrise evermore;
Then to the west I look'd, and saw far off
An image, huge of feature as a cloud,
At level of whose feet an altar slept,
To be approach'd on either side by steps
And marble balustrade, and patient travail
To count with toil the innumerable degrees.
Towards the altar sober-pac'd I went,
Repressing haste as too unholy there;
And, coming nearer, saw beside the shrine
One ministering; and there arose a flame
When in mid-day the sickening east-wind
Shifts sudden to the south, the small warm rain
Melts out of the frozen incense from all flowers,
And fills the air with so much pleasant health
That even the dying man forgets his shroud;--
Even so that lofty sacrificial fire,
Sending forth Maian incense, spread around
Forgetfulness of everything but bliss,
And clouded all the altar with soft smoke;
From whose white fragrant curtains thus I heard
Language pronounc'd: "If thou canst not ascend
These steps, die on that marble where thou art.
Thy flesh, near cousin to the common dust,
Will parch for lack of nutriment; thy bones
Will wither in few years, and vanish so
That not the quickest eye could find a grain
Of what thou now art on that pavement cold.
The sands of thy short life are spent this hour,
And no hand in the universe can turn
Thy hourglass, if these gummed leaves be burnt
Ere thou canst mount up these immortal steps."
I heard, I look'd: two senses both at once,
So fine, so subtle, felt the tyranny
Of that fierce threat and the hard task proposed.
Prodigious seem'd the toil; the leaves were yet
Burning, when suddenly a palsied chill
Struck from the paved level up my limbs.
And was ascending quick to put cold grasp
Upon those streams that pulse beside the throat.
I shriek'd, and the sharp anguish of my shriek
Stung my own ears; I strove hard to escape
The numbness, strove to gain the lowest step.
Slow, heavy, deadly was my pace: the cold
Grew stifling, suffocating at the heart;
And when I clasp'd my hands I felt them not.
One minute before death my ic'd foot touch'd
The lowest stair; and, as it touch'd, life seem'd
To pour in at the toes; I mounted up
As once fair angels on a ladder flew
From the green turf to heaven. "Holy Power,"
Cry'd I, approaching near the horned shrine,
"What am I that another death come not
To choke my utterance, sacrilegious, here?"
Then said the veiled shadow: "Thou hast felt
What 'tis to die and live again before
Thy fated hour; that thou hadst power to do so
Is thine own safety; thou hast dated on
Thy doom." "High Prophetess," said I, "purge off,
Benign, if so it please thee, my mind's film."
"None can usurp this height," return'd that shade,
"But those to whom the miseries of the world
Are misery, and will not let them rest.
All else who find a haven in the world,
Where they may thoughtless sleep away their days,
If by a chance into this fane they come,
Rot on the pavement where thou rottedst half."
"Are there not thousands in the world," said I,
Encourag'd by the sooth voice of the shade,
"Who love their fellows even to the death,
Who feel the giant agony of the world,
And more, like slaves to poor humanity,
Labour for mortal good? I sure should see
Other men here, but I am here alone."
"Those whom thou spakest of are no visionaries,"
Rejoin'd that voice; "they are no dreamers weak;
They seek no wonder but the human face,
No music but a happy-noted voice:
They come not here, they have no thought to come;
And thou art here, for thou art less than they.
What benefit canst thou do, or all thy tribe,
To the great world? Thou art a dreaming thing,
A fever of thyself: think of the earth;
What bliss, even in hope, is there for thee?
What haven? every creature hath its home,
Every sole man hath days of joy and pain,
Whether his labours be sublime or low --
The pain alone, the joy alone, distinct:
Only the dreamer venoms all his days,
Bearing more woe than all his sins deserve.
Therefore, that happiness be somewhat shared,
Such things as thou art are admitted oft
Into like gardens thou didst pass erewhile,
And suffer'd in these temples: for that cause
Thou standest safe beneath this statue's knees."
"That I am favour'd for unworthiness,
But such propitious parley medicined
In sickness not ignoble, I rejoice,
Aye, and could weep for love of such award."
So answer'd I, continuing, "If it please,
Majestic shadow, tell me where I am,
Whose altar this, for whom this incense curls;
What image this whose face I cannot see
For the broad marble knees; and who thou art,
Of accent feminine so courteous?"
Then the tall shade, in drooping linen veil'd,
Spoke out, so much more earnest, that her breath
Stirr'd the thin folds of gauze that drooping hung
About a golden censer from her hand
Pendent; and by her voice I knew she shed
Long-treasured tears. "This temple, sad and lone,
Is all spar'd from the thunder of a war
Foughten long since by giant hierarchy
Against rebellion: this old image here,
Whose carved features wrinkled as he fell,
Is Saturn's; I, Moneta, left supreme,
Sole goddess of this desolation."
I had no words to answer, for my tongue,
Useless, could find about its roofed home
No syllable of a fit majesty
To make rejoinder of Moneta's mourn:
There was a silence, while the altar's blaze
Was fainting for sweet food. I look'd thereon,
And on the paved floor, where nigh were piled
****s of cinnamon, and many heaps
Of other crisped spicewood: then again
I look'd upon the altar, and its horns
Whiten'd with ashes, and its languorous flame,
And then upon the offerings again;
And so, by turns, till sad Moneta cry'd:
"The sacrifice is done, but not the less
Will I be kind to thee for thy good will.
My power, which to me is still a curse,
Shall be to thee a wonder; for the scenes
Still swooning vivid through my globbed brain,
With an electral changing misery,
Thou shalt with these dull mortal eyes behold
Free from all pain, if wonder pain thee not."
As near as an immortal's sphered words
Could to a mother's soften were these last:
And yet I had a terror of her robes,
And chiefly of the veils that from her brow
Hung pale, and curtain'd her in mysteries,
That made my heart too small to hold its blood.
This saw that Goddess, and with sacred hand
Parted the veils. Then saw I a wan face,
Not pin'd by human sorrows, but bright-blanch'd
By an immortal sickness which kills not;
It works a constant change, which happy death
Can put no end to; deathwards progressing
To no death was that visage; it had past
The lilly and the snow; and beyond these
I must not think now, though I saw that face.
But for her eyes I should have fled away;
They held me back with a benignant light,
Soft, mitigated by divinest lids
Half-clos'd, and visionless entire they seem'd
Of all external things; they saw me not,
But in blank splendour beam'd, like the mild moon,
Who comforts those she sees not, who knows not
What eyes are upward cast. As I had found
A grain of gold upon a mountain's side,
And, twing'd with avarice, strain'd out my eyes
To search its sullen entrails rich with ore,
So, at the sad view of Moneta's brow,
I ask'd to see what things the hollow brow
Behind environ'd: what high tragedy
In the dark secret chambers of her skull
Was acting, that could give so dread a stress
To her cold lips, and fill with such a light
Her planetary eyes, and touch her voice
With such a sorrow? "Shade of Memory!"
Cried I, with act adorant at her feet,
"By all the gloom hung round thy fallen house,
By this last temple, by the golden age,
By Great Apollo, thy dear Foster-child,
And by thyself, forlorn divinity,
The pale Omega of a wither'd race,
Let me behold, according as thou saidst,
What in thy brain so ferments to and fro!"
No sooner had this conjuration past
My devout lips, than side by side we stood
(Like a stunt bramble by a solemn pine)
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon and eve's one star.
Onward I look'd beneath the gloomy boughs,
And saw what first I thought an image huge,
Like to the image pedestall'd so high
In Saturn's temple; then Moneta's voice
Came brief upon mine ear. "So Saturn sat
When he had lost his realms;" whereon there grew
A power within me of enormous ken
To see as a god sees, and take the depth
Of things as nimbly as the outward eye
Can size and shape pervade. The lofty theme
Of those few words hung vast before my mind
With half-unravell'd web. I sat myself
Upon an eagle's watch, that I might see,
And seeing ne'er forget. No stir of life
Was in this shrouded vale, -- not so much air
As in the zoning of a summer's day
Robs not one light seed from the feather'd grass;
But where the dead leaf fell there did it rest.
A stream went noiseless by, still deaden'd more
By reason of the fallen divinity
Spreading more shade; the Naiad 'mid her reeds
Prest her cold finger closer to her lips.
Along the margin-sand large foot-marks went
No further than to where old Saturn's feet
Had rested, and there slept how long a sleep!
Degraded, cold, upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred, and his realmless eyes were closed;
While his bow'd head seem'd listening to the Earth,
His ancient mother, for some comfort yet.
It seem'd no force could wake him from his place;
But there came one who, with a kindred hand,
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
Then came the griev'd voice of Mnemosyne,
And griev'd I hearken'd. "That divinity
Whom thou saw'st step from yon forlornest wood,
And with slow pace approach our fallen king,
Is Thea, softest-natured of our brood."
I mark'd the Goddess, in fair statuary
Surpassing wan Moneta by the head,
And in her sorrow nearer woman's tears.
There was a list'ning fear in her regard,
As if calamity had but begun;
As if the venom'd clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up,
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain;
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning, with parted lips some words she spoke
In solemn tenour and deep organ-tone;
Some mourning words, which in our feeble tongue
Would come in this like accenting; how frail
To that large utterance of the early gods!
"Saturn, look up! and for what, poor lost king?
I have no comfort for thee; no, not one;
I cannot say, wherefore thus sleepest thou?
For Heaven is parted from thee, and the Earth
Knows thee not, so afflicted, for a god.
The Ocean, too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thy hoary majesty.
Thy thunder, captious at the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning, in unpractis'd hands,
Scourges and burns our once serene domain.
"With such remorseless speed still come new woes,
That unbelief has not a space to breathe.
Saturn! sleep on: me thoughtless, why should I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn! sleep on, while at thy feet I weep."
As when upon a tranced summer-night
Forests, branch-charmed by the earnest stars,
Dream, and so dream all night without a noise,
Save from one gradual solitary gust
Swelling upon the silence, dying off,
As if the ebbing air had but one wave,
So came these words and went; the while in tears
She prest her fair large forehead to the earth,
Just where her fallen hair might spread in curls,
A soft and silken net for Saturn's feet.
Long, long these two were postured motionless,
Like sculpture builded-up upon the grave
Or their own power. A long awful time
I look'd upon them: still they were the same;
The frozen God still bending to the earth,
And the sad Goddess weeping at his feet;
Moneta silent. Without stay or prop
But my own weak mortality, I bore
The load of this eternal quietude,
The unchanging gloom and the three fixed shapes
Ponderous upon my senses, a whole moon;
For by my burning brain I measured sure
Her silver seasons shedded on the night.
And every day by day methought I grew
More gaunt and ghostly. Oftentimes I pray'd
Intense, that death would take me from the vale
And all its burthens; gasping with despair
Of change, hour after hour I curs'd myself,
Until old Saturn rais'd his faded eyes,
And look'd around and saw his kingdom gone,
And all the gloom and sorrow of the place,
And that fair kneeling Goddess at his feet.
As the moist scent of flowers, and grass, and leaves,
Fills forest-dells with a pervading air,
Known to the woodland nostril, so the words
Of Saturn fill'd the mossy glooms around,
Even to the hollows of time-eaten oaks,
And to the windings of the foxes' hole,
With sad, low tones, while thus he spoke, and sent
Strange moanings to the solitary Pan.
"Moan, brethren, moan, for we are swallow'd up
And buried from all godlike exercise
Of influence benign on planets pale,
And peaceful sway upon man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in. Moan and wail;
Moan, brethren, moan; for lo, the rebel spheres
Spin round; the stars their ancient courses keep;
Clouds still with shadowy moisture haunt the earth,
Still suck their fill of light from sun and moon;
Still buds the tree, and still the seashores murmur;
There is no death in all the universe,
No smell of death. -- There shall be death. Moan, moan,
Moan, Cybele, moan; for thy pernicious babes
Weak as the reed, weak, feeble as my voice.
Oh! Oh! the pain, the pain of feebleness;
Moan, moan, for still I thaw; or give me help;
Throw down those imps, and give me victory.
Let me hear other groans, and trumpets blown
Of triumph calm, and hymns of festival,
From the gold peaks of heaven's high-piled clouds;
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children." So he feebly ceased,
With such a poor and sickly-sounding pause,
Methought I heard some old man of the earth
Bewailing earthly loss; nor could my eyes
And ears act with that unison of sense
Which marries sweet sound with the grace of form,
And dolorous accent from a tragic harp
With large-limb'd visions. More I scrutinized.
Still fixt he sat beneath the sable trees,
Whose arms spread straggling in wild serpent forms
With leaves all hush'd; his awful presence there
(Now all was silent) gave a deadly lie
To what I erewhile heard: only his lips
Trembled amid the white curls of his beard;
They told the truth, though round the snowy locks
Hung nobly, as upon the face of heaven
A mid-day fleece of clouds. Thea arose,
And stretcht her white arm through the hollow dark,
Pointing some whither: whereat he too rose,
Like a vast giant, seen by men at sea
To grow pale from the waves at dull midnight.
They melted from my sight into the woods;
Ere I could turn, Moneta cry'd, "These twain
Are speeding to the families of grief,
Where, rooft in by black rocks, they waste in pain
And darkness, for no hope." And she spake on,
As ye may read who can unwearied pass
Onward from the antechamber of this dream,
Where, even at the open doors, awhile
I must delay, and glean my memory
Of her high phrase -- perhaps no further dare.
CANTO II.
"Mortal, that thou may'st understand aright,
I humanize my sayings to thine ear,
Making comparisons of earthly things;
Or thou might'st better listen to the wind,
Whose language is to thee a barren noise,
Though it blows legend-laden thro' the trees.
In melancholy realms big tears are shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe.
The Titans fierce, self-hid or prison-bound,
Groan for the old allegiance once more,
Listening in their doom for Saturn's voice.
But one of the whole eagle-brood still keeps
His sovereignty, and rule, and majesty:
Blazing Hyperion on his orbed fire
Still sits, still snuffs the incense teeming up
From Man to the Sun's God -- yet insecure.
For as upon the earth dire prodigies
Fright and perplex, so also shudders he;
Not at dog's howl or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing bell,
Or prophesyings of the midnight lamp;
But horrors, portioned to a giant nerve,
Make great Hyperion ache. His palace bright,
Bastion'd with pyramids of shining gold,
And touch'd with shade of bronzed obelisks,
Glares a blood-red thro' all the thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flash angerly; when he would taste the wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate takes
Savour of poisonous brass and metals sick;
Wherefore when harbour'd in the sleepy West,
After the full completion of fair day,
For rest divine upon exalted couch,
And slumber in the arms of melody,
He paces through the pleasant hours of ease,
With strides colossal, on from hall to hall,
While far within each aisle and deep recess
His winged minions in close clusters stand
Amaz'd, and full of fear; like anxious men,
Who on a wide plain gather in sad troops,
When earthquakes jar their battlements and towers.
Even now where Saturn, rous'd from icy trance,
Goes step for step with Thea from yon woods,
Hyperion, leaving twilight in the rear,
Is sloping to the threshold of the West.
Thither we tend." Now in the clear light I stood,
Reliev'd from the dusk vale. Mnemosyne
Was sitting on a square-edg'd polish'd stone,
That in its lucid depth reflected pure
Her priestess' garments. My quick eyes ran on
From stately nave to nave, from vault to vault,
Through bow'rs of fragrant and enwreathed light,
And diamond-paved lustrous long arcades.
Anon rush'd by the bright Hyperion;
His flaming robes stream'd out beyond his heels,
And gave a roar as if of earthy fire,
That scar'd away the meek ethereal hours,
And made their dove-wings tremble. On he flared.
* * * * * * * * * * * * * * * * * *
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion, A Vision - Attempted Reconstruction Of The Poem
,#NFDB
905:The Farewell
_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise-If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
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To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,
And in each sentence, worthy of the schools,
Varnish'd with sophistry, to deal out rules
Most fit for practice, but for one poor fault
That into practice they can ne'er be brought.
At home, and sitting in your elbow-chair,
You praise Japan, though you was never there:
But was the ship this moment under sail,
Would not your mind be changed, your spirits fail?
Would you not cast one longing eye to shore,
And vow to deal in such wild schemes no more?
Howe'er our pride may tempt us to conceal
Those passions which we cannot choose but feel,
There's a strange something, which, without a brain,
Fools feel, and which e'en wise men can't explain,
Planted in man to bind him to that earth,
In dearest ties, from whence he drew his birth.
If Honour calls, where'er she points the way
The sons of Honour follow, and obey;
If need compels, wherever we are sent
'Tis want of courage not to be content;
But, if we have the liberty of choice,
And all depends on our own single voice,
To deem of every country as the same
Is rank rebellion 'gainst the lawful claim
Of Nature, and such dull indifference
May be philosophy, but can't be sense.
_F_. Weak and unjust distinction, strange design,
Most peevish, most perverse, to undermine
Philosophy, and throw her empire down
By means of Sense, from whom she holds her crown,
Divine Philosophy! to thee we owe
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All that is worth possessing here below;
Virtue and wisdom consecrate thy reign,
Doubled each joy, and pain no longer pain.
When, like a garden, where, for want of toil
And wholesome discipline, the rich, rank soil
Teems with incumbrances; where all around,
Herbs, noxious in their nature, make the ground,
Like the good mother of a thankless son,
Curse her own womb, by fruitfulness undone;
Like such a garden, when the human soul,
Uncultured, wild, impatient of control,
Brings forth those passions of luxuriant race,
Which spread, and stifle every herb of grace;
Whilst Virtue, check'd by the cold hand of Scorn,
Seems withering on the bed where she was born,
Philosophy steps in; with steady hand,
She brings her aid, she clears the encumber'd land;
Too virtuous to spare Vice one stroke, too wise
One moment to attend to Pity's cries-See with what godlike, what relentless power
She roots up every weed!
_P_. And every flower.
Philosophy, a name of meek degree,
Embraced, in token of humility,
By the proud sage, who, whilst he strove to hide,
In that vain artifice reveal'd his pride;
Philosophy, whom Nature had design'd
To purge all errors from the human mind,
Herself misled by the philosopher,
At once her priest and master, made us err:
Pride, pride, like leaven in a mass of flour,
Tainted her laws, and made e'en Virtue sour.
Had she, content within her proper sphere,
Taught lessons suited to the human ear,
Which might fair Virtue's genuine fruits produce,
Made not for ornament, but real use,
The heart of man, unrivall'd, she had sway'd,
Praised by the good, and by the bad obey'd;
But when she, overturning Reason's throne,
Strove proudly in its place to plant her own;
When she with apathy the breast would steel,
And teach us, deeply feeling, not to feel;
167
When she would wildly all her force employ,
Not to correct our passions, but destroy;
When, not content our nature to restore,
As made by God, she made it all new o'er;
When, with a strange and criminal excess,
To make us more than men, she made us less;
The good her dwindled power with pity saw,
The bad with joy, and none but fools with awe.
Truth, with a simple and unvarnish'd tale,
E'en from the mouth of Norton might prevail,
Could she get there; but Falsehood's sugar'd strain
Should pour her fatal blandishments in vain,
Nor make one convert, though the Siren hung,
Where she too often hangs, on Mansfield's tongue.
Should all the Sophs, whom in his course the sun
Hath seen, or past, or present, rise in one;
Should he, whilst pleasure in each sentence flows,
Like Plato, give us poetry in prose;
Should he, full orator, at once impart
The Athenian's genius with the Roman's art;
Genius and Art should in this instance fail,
Nor Rome, though join'd with Athens, here prevail.
'Tis not in man, 'tis not in more than man,
To make me find one fault in Nature's plan.
Placed low ourselves, we censure those above,
And, wanting judgment, think that she wants love;
Blame, where we ought in reason to commend,
And think her most a foe when most a friend.
Such be philosophers--their specious art,
Though Friendship pleads, shall never warp my heart,
Ne'er make me from this breast one passion tear,
Which Nature, my best friend, hath planted there.
_F_. Forgiving as a friend, what, whilst I live,
As a philosopher I can't forgive,
In this one point at last I join with you,
To Nature pay all that is Nature's due;
But let not clouded Reason sink so low,
To fancy debts she does not, cannot owe:
Bear, to full manhood grown, those shackles bear,
Which Nature meant us for a time to wear,
As we wear leading-strings, which, useless grown,
Are laid aside, when we can walk alone;
168
But on thyself, by peevish humour sway'd,
Wilt thou lay burdens Nature never laid?
Wilt thou make faults, whilst Judgment weakly errs,
And then defend, mistaking them for hers?
Darest thou to say, in our enlighten'd age,
That this grand master passion, this brave rage,
Which flames out for thy country, was impress'd
And fix'd by Nature in the human breast?
If you prefer the place where you were born,
And hold all others in contempt and scorn,
On fair comparison; if on that land
With liberal, and a more than equal hand,
Her gifts, as in profusion, Plenty sends;
If Virtue meets with more and better friends;
If Science finds a patron 'mongst the great;
If Honesty is minister of state;
If Power, the guardian of our rights design'd,
Is to that great, that only end, confined;
If riches are employ'd to bless the poor;
If Law is sacred, Liberty secure;
Let but these facts depend on proofs of weight,
Reason declares thy love can't be too great,
And, in this light could he our country view,
A very Hottentot must love it too.
But if, by Fate's decrees, you owe your birth
To some most barren and penurious earth,
Where, every comfort of this life denied,
Her real wants are scantily supplied;
Where Power is Reason, Liberty a joke,
Laws never made, or made but to be broke;
To fix thy love on such a wretched spot,
Because in Lust's wild fever there begot;
Because, thy weight no longer fit to bear,
By chance, not choice, thy mother dropp'd thee there,
Is folly, which admits not of defence;
It can't be Nature, for it is not sense.
By the same argument which here you hold,
(When Falsehood's insolent, let Truth be told)
If Propagation can in torments dwell,
A devil must, if born there, love his Hell.
_P_. Had Fate, to whose decrees I lowly bend,
And e'en in punishment confess a friend,
169
Ordain'd my birth in some place yet untried,
On purpose made to mortify my pride,
Where the sun never gave one glimpse of day,
Where Science never yet could dart one ray,
Had I been born on some bleak, blasted plain
Of barren Scotland, in a Stuart's reign,
Or in some kingdom, where men, weak, or worse,
Turn'd Nature's every blessing to a curse;
Where crowns of freedom, by the fathers won,
Dropp'd leaf by leaf from each degenerate son;
In spite of all the wisdom you display,
All you have said, and yet may have to say,
My weakness here, if weakness I confess,
I, as my country, had not loved her less.
Whether strict Reason bears me out in this,
Let those who, always seeking, always miss
The ways of Reason, doubt with precious zeal;
Theirs be the praise to argue, mine to feel.
Wish we to trace this passion to the root,
We, like a tree, may know it by its fruit;
From its rich stem ten thousand virtues spring,
Ten thousand blessings on its branches cling;
Yet in the circle of revolving years
Not one misfortune, not one vice, appears.
Hence, then, and what you Reason call, adore;
This, if not Reason, must be something more.
But (for I wish not others to confine;
Be their opinions unrestrain'd as mine)
Whether this love's of good or evil growth,
A vice, a virtue, or a spice of both,
Let men of nicer argument decide;
If it is virtuous, soothe an honest pride
With liberal praise; if vicious, be content,
It is a vice I never can repent;
A vice which, weigh'd in Heaven, shall more avail
Than ten cold virtues in the other scale.
_F_. This wild, untemper'd zeal (which, after all,
We, candour unimpeach'd, might madness call)
Is it a virtue? That you scarce pretend;
Or can it be a vice, like Virtue's friend,
Which draws us off from and dissolves the force
Of private ties, nay, stops us in our course
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To that grand object of the human soul,
That nobler love which comprehends the whole?
Coop'd in the limits of this petty isle,
This nook, which scarce deserves a frown or smile,
Weigh'd with Creation, you, by whim undone,
Give all your thoughts to what is scarce worth one.
The generous soul, by Nature taught to soar,
Her strength confirm'd in philosophic lore,
At one grand view takes in a world with ease,
And, seeing all mankind, loves all she sees.
_P_. Was it most sure, which yet a doubt endures,
Not found in Reason's creed, though found in yours,
That these two services, like what we're told,
And know, of God's and Mammon's, cannot hold
And draw together; that, however both,
We neither serve, attempting to serve both,
I could not doubt a moment which to choose,
And which in common reason to refuse.
Invented oft for purposes of art,
Born of the head, though father'd on the heart,
This grand love of the world must be confess'd
A barren speculation at the best.
Not one man in a thousand, should he live
Beyond the usual term of life, could give,
So rare occasion comes, and to so few,
Proof whether his regards are feign'd, or true.
The love we bear our country is a root
Which never fails to bring forth golden fruit;
'Tis in the mind an everlasting spring
Of glorious actions, which become a king,
Nor less become a subject; 'tis a debt
Which bad men, though they pay not, can't forget;
A duty, which the good delight to pay,
And every man can practise every day.
Nor, for my life (so very dim my eye,
Or dull your argument) can I descry
What you with faith assert, how that dear love,
Which binds me to my country, can remove,
And make me of necessity forego,
That general love which to the world I owe.
Those ties of private nature, small extent,
In which the mind of narrow cast is pent,
171
Are only steps on which the generous soul
Mounts by degrees till she includes the whole.
That spring of love, which, in the human mind,
Founded on self, flows narrow and confined,
Enlarges as it rolls, and comprehends
The social charities of blood and friends,
Till, smaller streams included, not o'erpast,
It rises to our country's love at last;
And he, with liberal and enlarged mind,
Who loves his country, cannot hate mankind.
_F_. Friend, as you would appear, to Common Sense,
Tell me, or think no more of a defence,
Is it a proof of love by choice to run
A vagrant from your country?
_P_. Can the son
(Shame, shame on all such sons!) with ruthless eye,
And heart more patient than the flint, stand by,
And by some ruffian, from all shame divorced,
All virtue, see his honour'd mother forced?
Then--no, by Him that made me! not e'en then,
Could I with patience, by the worst of men,
Behold my country plunder'd, beggar'd, lost
Beyond redemption, all her glories cross'd,
E'en when occasion made them ripe, her fame
Fled like a dream, while she awakes to shame.
_F_. Is it not more the office of a friend,
The office of a patron, to defend
Her sinking state, than basely to decline
So great a cause, and in despair resign?
_P_. Beyond my reach, alas! the grievance lies,
And, whilst more able patriots doubt, she dies.
From a foul source, more deep than we suppose,
Fatally deep and dark, this grievance flows.
'Tis not that peace our glorious hopes defeats:
'Tis not the voice of Faction in the streets;
'Tis not a gross attack on Freedom made;
Tis not the arm of Privilege display'd,
Against the subject, whilst she wears no sting
To disappoint the purpose of a king;
These are no ills, or trifles, if compared
With those which are contrived, though not declared.
Tell me, Philosopher, is it a crime
172
To pry into the secret womb of Time;
Or, born in ignorance, must we despair
To reach events, and read the future there?
Why, be it so--still 'tis the right of man,
Imparted by his Maker, where he can,
To former times and men his eye to cast,
And judge of what's to come, by what is past.
Should there be found, in some not distant year,
(Oh, how I wish to be no prophet here!)
Amongst our British Lords should there be found
Some great in power, in principles unsound,
Who look on Freedom with an evil eye,
In whom the springs of Loyalty are dry;
Who wish to soar on wild Ambition's wings,
Who hate the Commons, and who love not Kings;
Who would divide the people and the throne,
To set up separate interests of their own;
Who hate whatever aids their wholesome growth,
And only join with, to destroy them both;
Should there be found such men in after-times,
May Heaven, in mercy to our grievous crimes,
Allot some milder vengeance, nor to them,
And to their rage, this wretched land condemn,
Thou God above, on whom all states depend,
Who knowest from the first their rise, and end,
If there's a day mark'd in the book of Fate,
When ruin must involve our equal state;
When law, alas! must be no more, and we,
To freedom born, must be no longer free;
Let not a mob of tyrants seize the helm,
Nor titled upstarts league to rob the realm;
Let not, whatever other ills assail,
A damned aristocracy prevail.
If, all too short, our course of freedom run,
'Tis thy good pleasure we should be undone,
Let us, some comfort in our griefs to bring,
Be slaves to one, and be that one a king.
_F_. Poets, accustom'd by their trade to feign,
Oft substitute creations of the brain
For real substance, and, themselves deceived,
Would have the fiction by mankind believed.
Such is your case--but grant, to soothe your pride,
173
That you know more than all the world beside,
Why deal in hints, why make a moment's doubt?
Resolved, and like a man, at once speak out;
Show us our danger, tell us where it lies,
And, to ensure our safety, make us wise.
_P_. Rather than bear the pain of thought, fools stray;
The proud will rather lose than ask their way:
To men of sense what needs it to unfold,
And tell a tale which they must know untold?
In the bad, interest warps the canker'd heart,
The good are hoodwink'd by the tricks of art;
And, whilst arch, subtle hypocrites contrive
To keep the flames of discontent alive;
Whilst they, with arts to honest men unknown,
Breed doubts between the people and the throne,
Making us fear, where Reason never yet
Allow'd one fear, or could one doubt admit,
Themselves pass unsuspected in disguise,
And 'gainst our real danger seal our eyes.
_F_. Mark them, and let their names recorded stand
On Shame's black roll, and stink through all the land.
_P_. That might some courage, but no prudence be;
No hurt to them, and jeopardy to me.
_F_. Leave out their names.
_P_. For that kind caution, thanks;
But may not judges sometimes fill up blanks?
_F_. Your country's laws in doubt then you reject?
_P_. The laws I love, the lawyers I suspect.
Amongst twelve judges may not one be found
(On bare, bare possibility I ground
This wholesome doubt) who may enlarge, retrench,
Create, and uncreate, and from the bench,
With winks, smiles, nods, and such like paltry arts,
May work and worm into a jury's hearts?
Or, baffled there, may, turbulent of soul,
Cramp their high office, and their rights control;
Who may, though judge, turn advocate at large,
And deal replies out by the way of charge,
Making Interpretation all the way,
In spite of facts, his wicked will obey,
And, leaving Law without the least defence,
May damn his conscience to approve his sense?
174
_F_. Whilst, the true guardians of this charter'd land,
In full and perfect vigour, juries stand,
A judge in vain shall awe, cajole, perplex.
_P_. Suppose I should be tried in Middlesex?
_F_. To pack a jury they will never dare.
_P_. There's no occasion to pack juries there.
_F_. 'Gainst prejudice all arguments are weak;
Reason herself without effect must speak.
Fly then thy country, like a coward fly,
Renounce her interest, and her laws defy.
But why, bewitch'd, to India turn thine eyes?
Cannot our Europe thy vast wrath suffice?
Cannot thy misbegotten Muse lay bare
Her brawny arm, and play the butcher there?
_P_. Thy counsel taken, what should Satire do?
Where could she find an object that is new?
Those travell'd youths, whom tender mothers wean,
And send abroad to see, and to be seen;
With whom, lest they should fornicate, or worse,
A tutor's sent by way of a dry nurse;
Each of whom just enough of spirit bears
To show our follies, and to bring home theirs,
Have made all Europe's vices so well known,
They seem almost as natural as our own.
_F_. Will India for thy purpose better do?
_P_. In one respect, at least--there's something new.
_F_. A harmless people, in whom Nature speaks
Free and untainted,'mongst whom Satire seeks,
But vainly seeks, so simply plain their hearts,
One bosom where to lodge her poison'd darts.
_P_. From knowledge speak you this? or, doubt on doubt
Weigh'd and resolved, hath Reason found it out?
Neither from knowledge, nor by Reason taught,
You have faith every where, but where you ought.
India or Europe--what's there in a name?
Propensity to vice in both the same,
Nature alike in both works for man's good,
Alike in both by man himself withstood.
Nabobs, as well as those who hunt them down,
Deserve a cord much better than a crown,
And a Mogul can thrones as much debase
As any polish'd prince of Christian race.
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_F_. Could you,--a task more hard than you suppose,-Could you, in ridicule whilst Satire glows,
Make all their follies to the life appear,
'Tis ten to one you gain no credit here;
Howe'er well drawn, the picture, after all,
Because we know not the original,
Would not find favour in the public eye.
_P_. That, having your good leave, I mean to try:
And if your observations sterling hold,
If the piece should be heavy, tame, and cold,
To make it to the side of Nature lean,
And meaning nothing, something seem to mean:
To make the whole in lively colours glow,
To bring before us something that we know,
And from all honest men applause to win,
I'll group the Company, and put them in.
_F_. Be that ungenerous thought by shame suppress'd,
Add not distress to those too much distress'd;
Have they not, by blind zeal misled, laid bare
Those sores which never might endure the air?
Have they not brought their mysteries so low,
That what the wise suspected not, fools know?
From their first rise e'en to the present hour,
Have they not proved their own abuse of power,
Made it impossible, if fairly view'd,
Ever to have that dangerous power renew'd,
Whilst, unseduced by ministers, the throne
Regards our interests, and knows its own?
_P_. Should every other subject chance to fail,
Those who have sail'd, and those who wish'd to sail
In the last fleet, afford an ample field,
Which must beyond my hopes a harvest yield.
_F_. On such vile food Satire can never thrive.
_P_. She cannot starve, if there was only Clive.
~ Charles Churchill,#NFDB
906:The Botanic Garden (Part V)
THE LOVES OF THE PLANTS.
CANTO I.
Descend, ye hovering Sylphs! aerial Quires,
And sweep with little hands your silver lyres;
With fairy footsteps print your grassy rings,
Ye Gnomes! accordant to the tinkling strings;
While in soft notes I tune to oaten reed
Gay hopes, and amorous sorrows of the mead.From giant Oaks, that wave their branches dark,
To the dwarf Moss, that clings upon their bark,
What Beaux and Beauties crowd the gaudy groves,
And woo and win their vegetable Loves.
How Snowdrops cold, and blue-eyed Harebels blend
Their tender tears, as o'er the stream they bend;
The lovesick Violet, and the Primrose pale
Bow their sweet heads, and whisper to the gale;
With secret sighs the Virgin Lily droops,
And jealous Cowslips hang their tawny cups.
How the young Rose in beauty's damask pride
Drinks the warm blushes of his bashful bride;
With honey'd lips enamour'd Woodbines meet,
Clasp with fond arms, and mix their kisses sweet.Stay thy soft-murmuring waters, gentle Rill;
Hush, whispering Winds, ye ruflling Leaves, be still;
Rest, silver Butterflies, your quivering wings;
Alight, ye Beetles, from your airy rings;
Ye painted Moths, your gold-eyed plumage furl,
Bow your wide horns, your spiral trunks uncurl;
Glitter, ye Glow-worms, on your mossy beds;
Descend, ye Spiders, on your lengthen'd threads;
Slide here, ye horned Snails, with varnish'd shells;
Ye Bee-nymphs, listen in your waxen cells!BOTANIC MUSE! who in this latter age
Led by your airy hand the Swedish sage,
Bad his keen eye your secret haunts explore
On dewy dell, high wood, and winding shore;
Say on each leaf how tiny Graces dwell;
27
How laugh the Pleasures in a blossom's bell;
How insect Loves arise on cobweb wings,
Aim their light shafts, and point their little stings.
First the tall CANNA lifts his curled brow
Erect to heaven, and plights his nuptial vow;
The virtuous pair, in milder regions born,
Dread the rude blast of Autumn's icy morn;
Round the chill fair he folds his crimson vest,
And clasps the timorous beauty to his breast.
Thy love, CALLITRICHE,
two
Virgins share,
Smit with thy starry eye and radiant hair;On the green margin sits the youth, and laves
His floating train of tresses in the waves;
Sees his fair features paint the streams that pass,
And bends for ever o'er the watery glass.
Two
brother swains, of COLLIN'S gentle name,
The same their features, and their forms the same,
With rival love for fair COLLINIA sigh,
Knit the dark brow, and roll the unsteady eye.
With sweet concern the pitying beauty mourns,
And sooths with smiles the jealous pair by turns.
Sweet blooms GENISTA in the myrtle shade,
And
ten
fond brothers woo the haughty maid.
Two
knights before thy fragrant altar bend,
Adored MELISSA! and
two
squires attend.
MEADIA'S soft chains
five
suppliant beaux confess,
And hand in hand the laughing belle address;
Alike to all, she bows with wanton air,
Rolls her dark eye, and waves her golden hair.
Woo'd with long care, CURCUMA cold and shy
28
Meets her fond husband with averted eye:
Four
beardless youths the obdurate beauty move
With soft attentions of Platonic love.
With vain desires the pensive ALCEA burns,
And, like sad ELOISA, loves and mourns.
The freckled IRIS owns a fiercer flame,
And
three
unjealous husbands wed the dame.
CUPRESSUS dark disdains his dusky bride,
One
dome contains them, but
two
beds divide.
The proud OSYRIS flies his angry fair,
Two
houses hold the fashionable pair.
With strange deformity PLANTAGO treads,
A Monster-birth! and lifts his hundred heads;
Yet with soft love a gentle belle he charms,
And clasps the beauty in his hundred arms.
So hapless DESDEMONA, fair and young,
Won by OTHELLO'S captivating tongue,
Sigh'd o'er each strange and piteous tale, distress'd,
And sunk enamour'd on his sooty breast.
Two
gentle shepherds and their sister-wives
With thee, ANTHOXA! lead ambrosial lives;
Where the wide heath in purple pride extends,
And scatter'd furze its golden lustre blends,
Closed in a green recess, unenvy'd lot!
The blue smoak rises from their turf-built cot;
Bosom'd in fragrance blush their infant train,
Eye the warm sun, or drink the silver rain.
The fair OSMUNDA seeks the silent dell,
The ivy canopy, and dripping cell;
There hid in shades
29
clandestine
rites approves,
Till the green progeny betrays her loves.
With charms despotic fair CHONDRILLA reigns
O'er the soft hearts of
five
fraternal swains;
If sighs the changeful nymph, alike they mourn;
And, if she smiles, with rival raptures burn.
So, tun'd in unison, Eolian Lyre!
Sounds in sweet symphony thy kindred wire;
Now, gently swept by Zephyr's vernal wings,
Sink in soft cadences the love-sick strings;
And now with mingling chords, and voices higher,
Peal the full anthems of the aerial choir.
Five
sister-nymphs to join Diana's train
With thee, fair LYCHNIS! vow,-but vow in vain;
Beneath one roof resides the virgin band,
Flies the fond swain, and scorns his offer'd hand;
But when soft hours on breezy pinions move,
And smiling May attunes her lute to love,
Each wanton beauty, trick'd in all her grace,
Shakes the bright dew-drops from her blushing face;
In gay undress displays her rival charms,
And calls her wondering lovers to her arms.
When the young Hours amid her tangled hair
Wove the fresh rose-bud, and the lily fair,
Proud GLORIOSA led
three
chosen swains,
The blushing captives of her virgin chains.-When Time's rude hand a bark of wrinkles spread
Round her weak limbs, and silver'd o'er her head,
Three
other youths her riper years engage,
The flatter'd victims of her wily age.
So, in her wane of beauty, NINON won
With fatal smiles her gay unconscious son.Clasp'd in his arms she own'd a mother's name,-
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'Desist, rash youth! restrain your impious flame,
'First on that bed your infant-form was press'd,
'Born by my throes, and nurtured at my breast.'Back as from death he sprung, with wild amaze
Fierce on the fair he fix'd his ardent gaze;
Dropp'd on one knee, his frantic arms outspread,
And stole a guilty glance toward the bed;
Then breath'd from quivering lips a whisper'd vow,
And bent on heaven his pale repentant brow;
'Thus, thus!' he cried, and plung'd the furious dart,
And life and love gush'd mingled from his heart.
The fell SILENE and her sisters fair,
Skill'd in destruction, spread the viscous snare.
The harlot-band
ten
lofty bravoes screen,
And frowning guard the magic nets unseen.Haste, glittering nations, tenants of the air,
Oh, steer from hence your viewless course afar!
If with soft words, sweet blushes, nods, and smiles,
The
three
dread Syrens lure you to their toils,
Limed by their art in vain you point your stings,
In vain the efforts of your whirring wings!Go, seek your gilded mates and infant hives,
Nor taste the honey purchas'd with your lives!
When heaven's high vault condensing clouds deform,
Fair AMARYLLIS flies the incumbent storm,
Seeks with unsteady step the shelter'd vale,
And turns her blushing beauties from the gale.Six
rival youths, with soft concern impress'd,
Calm all her fears, and charm her cares to rest.So shines at eve the sun-illumin'd fane,
Lifts its bright cross, and waves its golden vane;
From every breeze the polish'd axle turns,
And high in air the dancing meteor burns.
Four
of the giant brood with ILEX stand,
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Each grasps a thousand arrows in his hand;
A thousand steely points on every scale
Form the bright terrors of his bristly male.So arm'd, immortal Moore uncharm'd the spell,
And slew the wily dragon of the well.Sudden with rage their
injur'd
bosoms burn,
Retort the insult, or the wound return;
Unwrong'd
, as gentle as the breeze that sweeps
The unbending harvests or undimpled deeps,
They guard, the Kings of Needwood's wide domains,
Their sister-wives and fair infantine trains;
Lead the lone pilgrim through the trackless glade,
Or guide in leafy wilds the wand'ring maid.
So WRIGHT's bold pencil from Vesuvio's hight
Hurls his red lavas to the troubled night;
From Calpè starts the intolerable flash,
Skies burst in flames, and blazing oceans dash;Or bids in sweet repose his shades recede,
Winds the still vale, and slopes the velvet mead;
On the pale stream expiring Zephyrs sink,
And Moonlight sleeps upon its hoary brink.
Gigantic Nymph! the fair KLEINHOVIA reigns,
The grace and terror of Orixa's plains;
O'er her warm cheek the blush of beauty swims,
And nerves Herculean bend her sinewy limbs;
With frolic eye she views the affrighted throng,
And shakes the meadows, as she towers along,
With playful violence displays her charms,
And bears her trembling lovers in her arms.
So fair THALESTRIS shook her plumy crest,
And bound in rigid mail her jutting breast;
Poised her long lance amid the walks of war,
And Beauty thunder'd from Bellona's car;
Greece arm'd in vain, her captive heroes wove
The chains of conquest with the wreaths of love.
When o'er the cultured lawns and dreary wastes
Retiring Autumn flings her howling blasts,
Bends in tumultuous waves the struggling woods,
32
And showers their leafy honours on the floods,
In withering heaps collects the flowery spoil,
And each chill insect sinks beneath the soil;
Quick flies fair TULIPA the loud alarms,
And folds her infant closer in her arms;
In some lone cave, secure pavilion, lies,
And waits the courtship of serener skies.So, six cold moons, the Dormouse charm'd to rest,
Indulgent Sleep! beneath thy eider breast,
In fields of Fancy climbs the kernel'd groves,
Or shares the golden harvest with his loves.But bright from earth amid the troubled air
Ascends fair COLCHICA with radiant hair,
Warms the cold bosom of the hoary year,
And lights with Beauty's blaze the dusky sphere.
Three
blushing Maids the intrepid Nymph attend,
And
six
gay Youths, enamour'd train! defend.
So shines with silver guards the Georgian star,
And drives on Night's blue arch his glittering car;
Hangs o'er the billowy clouds his lucid form,
Wades through the mist, and dances in the storm.
GREAT HELIANTHUS guides o'er twilight plains
In gay solemnity his Dervise-trains;
Marshall'd in
fives
each gaudy band proceeds,
Each gaudy band a plumed Lady leads;
With zealous step he climbs the upland lawn,
And bows in homage to the rising dawn;
Imbibes with eagle-eye the golden ray,
And watches, as it moves, the orb of day.
Queen of the marsh, imperial DROSERA treads
Rush-fringed banks, and moss-embroider'd beds;
Redundant folds of glossy silk surround
Her slender waist, and trail upon the ground;
Five
sister-nymphs collect with graceful ease,
33
Or spread the floating purple to the breeze;
And
five
fair youths with duteous love comply
With each soft mandate of her moving eye.
As with sweet grace her snowy neck she bows,
A zone of diamonds trembles round her brows;
Bright shines the silver halo, as she turns;
And, as she steps, the living lustre burns.
Fair LONICERA prints the dewy lawn,
And decks with brighter blush the vermil dawn;
Winds round the shadowy rocks, and pansied vales,
And scents with sweeter breath the summer-gales;
With artless grace and native ease she charms,
And bears the Horn of Plenty in her arms.
Five
rival Swains their tender cares unfold,
And watch with eye askance the treasured gold.
Where rears huge Tenerif his azure crest,
Aspiring DRABA builds her eagle nest;
Her pendant eyry icy caves surround,
Where erst Volcanos min'd the rocky ground.
Pleased round the Fair
four
rival Lords ascend
The shaggy steeps,
two
menial youths attend.
High in the setting ray the beauty stands,
And her tall shadow waves on distant lands.
Stay, bright inhabitant of air, alight,
Ambitious VISCA, from thy eagle-flight!--Scorning the sordid soil, aloft she springs,
Shakes her white plume, and claps her golden wings;
High o'er the fields of boundless ether roves,
And seeks amid the clouds her soaring loves!
Stretch'd on her mossy couch, in trackless deeps,
Queen of the coral groves, ZOSTERA sleeps;
The silvery sea-weed matted round her bed,
And distant surges murmuring o'er her head.High in the flood her azure dome ascends,
34
The crystal arch on crystal columns bends;
Roof'd with translucent shell the turrets blaze,
And far in ocean dart their colour'd rays;
O'er the white floor successive shadows move,
As rise and break the ruffled waves above.Around the nymph her mermaid-trains repair,
And weave with orient pearl her radiant hair;
With rapid fins she cleaves the watery way,
Shoots like a diver meteor up to day;
Sounds a loud conch, convokes a scaly band,
Her sea-born lovers, and ascends the strand.
E'en round the pole the flames of Love aspire,
And icy bosoms feel the
secret
fire!Cradled in snow and fann'd by arctic air
Shines, gentle BAROMETZ! thy golden hair;
Rooted in earth each cloven hoof descends,
And round and round her flexile neck she bends;
Crops the grey coral moss, and hoary thyme,
Or laps with rosy tongue the melting rime;
Eyes with mute tenderness her distant dam,
Or seems to bleat, a
Vegetable Lamb
-So, warm and buoyant in his oily mail,
Gambols on seas of ice the unwieldy Whale;
Wide-waving fins round floating islands urge
His bulk gigantic through the troubled surge;
With hideous yawn the flying shoals He seeks,
Or clasps with fringe of horn his massy cheeks;
Lifts o'er the tossing wave his nostrils bare,
And spouts pellucid columns into air;
The silvery arches catch the setting beams,
And transient rainbows tremble o'er the streams.
Weak with nice sense, the chaste MIMOSA stands,
From each rude touch withdraws her timid hands;
Oft as light clouds o'er-pass the Summer-glade,
Alarm'd she trembles at the moving shade;
And feels, alive through all her tender form,
The whisper'd murmurs of the gathering storm;
Shuts her sweet eye-lids to approaching night;
35
And hails with freshen'd charms the rising light.
Veil'd, with gay decency and modest pride,
Slow to the mosque she moves, an eastern bride;
There her soft vows unceasing love record,
Queen of the bright seraglio of her Lord.So sinks or rises with the changeful hour
The liquid silver in its glassy tower.
So turns the needle to the pole it loves,
With fine librations quivering as it moves.
All wan and shivering in the leafless glade
The sad ANEMONE reclined her head;
Grief on her cheeks had paled the roseate hue,
And her sweet eye-lids dropp'd with pearly dew.
-'See, from bright regions, borne on odorous gales
The Swallow, herald of the summer, sails;
'Breathe, gentle AIR! from cherub-lips impart
Thy balmy influence to my anguish'd heart;
Thou, whose soft voice calls forth the tender blooms,
Whose pencil paints them, and whose breath perfumes;
O chase the Fiend of Frost, with leaden mace
Who seals in death-like sleep my hapless race;
Melt his hard heart, release his iron hand,
And give my ivory petals to expand.
So may each bud, that decks the brow of spring,
Shed all its incense on thy wafting wing!'To her fond prayer propitious Zephyr yields,
Sweeps on his sliding shell through azure fields,
O'er her fair mansion waves his whispering wand,
And gives her ivory petals to expand;
Gives with new life her filial train to rise,
And hail with kindling smiles the genial skies.
So shines the Nymph in beauty's blushing pride,
When Zephyr wafts her deep calash aside;
Tears with rude kiss her bosom's gauzy veil,
And flings the fluttering kerchief to the gale.
So bright, the folding canopy undrawn,
Glides the gilt Landau o'er the velvet lawn,
Of beaux and belles displays the glittering throng;
And soft airs fan them, as they roll along.
Where frowning Snowden bends his dizzy brow
O'er Conway, listening to the surge below;
Retiring LICHEN climbs the topmost stone,
36
And 'mid the airy ocean dwells alone.Bright shine the stars unnumber'd
o'er her head
And the cold moon-beam gilds her flinty bed;
While round the rifted rocks hoarse whirlwinds breathe,
And dark with thunder sail the clouds
beneath
.The steepy path her plighted swain pursues,
And tracks her light step o'er th' imprinted dews,
Delighted Hymen gives his torch to blaze,
Winds round the craggs, and lights the mazy ways;
Sheds o'er their
secret
vows his influence chaste,
And decks with roses the admiring waste.
High in the front of heaven when Sirius glares,
And o'er Britannia shakes his fiery hairs;
When no soft shower descends, no dew distills,
Her wave-worn channels dry, and mute her rills;
When droops the sickening herb, the blossom fades,
And parch'd earth gapes beneath the withering glades.
-With languid step fair DYPSACA retreats;
'Fall gentle dews!' the fainting nymph repeats;
Seeks the low dell, and in the sultry shade
Invokes in vain the Naiads to her aid.Four
silvan youths in crystal goblets bear
The untasted treasure to the grateful fair;
Pleased from their hands with modest grace she sips,
And the cool wave reflects her coral lips.
With nice selection modest RUBIA blends,
Her vermil dyes, and o'er the cauldron bends;
Warm 'mid the rising steam the Beauty glows,
As blushes in a mist the dewy rose.
With chemic art
four
favour'd youths aloof
Stain the white fleece, or stretch the tinted woof;
O'er Age's cheek the warmth of youth diffuse,
37
Or deck the pale-eyed nymph in roseate hues.
So when MEDEA to exulting Greece
From plunder'd COLCHIS bore the golden fleece;
On the loud shore a magic pile she rais'd,
The cauldron bubbled, and the faggots blaz'd;-Pleased on the boiling wave old ÆSON swims,
And feels new vigour stretch his swelling limbs;
Through his thrill'd nerves forgotten ardors dart,
And warmer eddies circle round his heart;
With softer fires his kindling eye-balls glow,
And darker tresses wanton round his brow.
As dash the waves on India's breezy strand,
Her flush'd cheek press'd upon her lily hand,
VALLISNER sits, up-turns her tearful eyes,
Calls her lost lover, and upbraids the skies;
For him she breathes the silent sigh, forlorn,
Each setting-day; for him each rising morn.'Bright orbs, that light yon high etherial plain,
Or bathe your radiant tresses in the main;
Pale moon, that silver'st o'er night's sable brow;For ye were witness to his parting vow!Ye shelving rocks, dark waves, and sounding shore,Ye echoed sweet the tender words he swore!Can stars or seas the sails of love retain?
O guide my wanderer to my arms again!'Her buoyant skiff intrepid ULVA guides,
And seeks her Lord amid the trackless tides;
Her
secret
vows the Cyprian Queen approves,
And hovering halcyons guard her infant-loves;
Each in his floating cradle round they throng,
And dimpling Ocean bears the fleet along.Thus o'er the waves, which gently bend and swell,
Fair GALATEA steers her silver shell;
Her playful Dolphins stretch the silken rein,
Hear her sweet voice, and glide along the main.
As round the wild meandering coast she moves
By gushing rills, rude cliffs, and nodding groves;
Each by her pine the Wood-nymphs wave their locks,
And wondering Naiads peep amid the rocks;
Pleased trains of Mermaids rise from coral cells,
38
Admiring Tritons sound their twisted shells;
Charm'd o'er the car pursuing Cupids sweep,
Their snow-white pinions twinkling in the deep;
And, as the lustre of her eye she turns,
Soft sighs the Gale, and amorous Ocean burns.
On DOVE'S green brink the fair TREMELLA stood,
And view'd her playful image in the flood;
To each rude rock, lone dell, and echoing grove
Sung the sweet sorrows of her
secret
love.
'Oh, stay!-return!'-along the sounding shore
Cry'd the sad Naiads,-she return'd no more!Now girt with clouds the sullen Evening frown'd,
And withering Eurus swept along the ground;
The misty moon withdrew her horned light,
And sunk with Hesper in the skirt of night;
No dim electric streams, (the northern dawn,)
With meek effulgence quiver'd o'er the lawn;
No star benignant shot one transient ray
To guide or light the wanderer on her way.
Round the dark craggs the murmuring whirlwinds blow,
Woods groan above, and waters roar below;
As o'er the steeps with pausing foot she moves,
The pitying Dryads shriek amid their groves;
She flies,-she stops,-she pants-she looks behind,
And hears a demon howl in every wind.
-As the bleak blast unfurls her fluttering vest,
Cold beats the snow upon her shuddering breast;
Through her numb'd limbs the chill sensations dart,
And the keen ice bolt trembles at her heart.
'I sink, I fall! oh, help me, help!' she cries,
Her stiffening tongue the unfinish'd sound denies;
Tear after tear adown her cheek succeeds,
And pearls of ice bestrew the glittering meads;
Congealing snows her lingering feet surround,
Arrest her flight, and root her to the ground;
With suppliant arms she pours the silent prayer;
Her suppliant arms hang crystal in the air;
Pellucid films her shivering neck o'erspread,
Seal her mute lips, and silver o'er her head,
Veil her pale bosom, glaze her lifted hands,
39
And shrined in ice the beauteous statue stands.
-DOVE'S azure nymphs on each revolving year
For fair TREMELLA shed the tender tear;
With rush-wove crowns in sad procession move,
And sound the sorrowing shell to hapless love.'
Here paused the MUSE,-across the darken'd pole
Sail the dim clouds, the echoing thunders roll;
The trembling Wood-nymphs, as the tempest lowers,
Lead the gay Goddess to their inmost bowers;
Hang the mute lyre the laurel shade beneath,
And round her temples bind the myrtle wreath.
-Now the light swallow with her airy brood
Skims the green meadow, and the dimpled flood;
Loud shrieks the lone thrush from his leafless thorn,
Th' alarmed beetle sounds his bugle horn;
Each pendant spider winds with fingers fine
His ravel'd clue, and climbs along the line;
Gay Gnomes in glittering circles stand aloof
Beneath a spreading mushroom's fretted roof;
Swift bees returning seek their waxen cells,
And Sylphs cling quivering in the lily's bells.
Through the still air descend the genials showers,
And pearly rain-drops deck the laughing flowers.
~ Erasmus Darwin,#NFDB
907:The Botanic Garden (Part Vi)
THE LOVES OF THE PLANTS.
CANTO II.
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
41
And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
42
Five
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
five
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
release
The tanged knots, and smooth the ravell'd fleece;
Next moves the
iron-band
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
move,
And these retain, and those extend the
rove
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
43
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
44
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
-Here
45
Time's
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
Hours
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
Moment
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
46
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As
eight
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
47
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
48
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
II.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
III.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
IV.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
49
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
50
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
51
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
Four
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
52
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,#NFDB
908:The Botanic Garden (Part Viii)
THE LOVES OF THE PLANTS
CANTO IV.
Now the broad Sun his golden orb unshrouds,
Flames in the west, and paints the parted clouds;
O'er heaven's wide arch refracted lustres flow,
And bend in air the many-colour'd bow.-The tuneful Goddess on the glowing sky
Fix'd in mute extacy her glistening eye;
And then her lute to sweeter tones she strung,
And swell'd with softer chords the Paphian song.
Long ailes of Oaks return'd the silver sound,
And amorous Echoes talk'd along the ground;
Pleas'd Lichfield listen'd from her sacred bowers,
Bow'd her tall groves, and shook her stately towers.
'Nymph! not for thee the radiant day returns,
Nymph! not for thee the golden solstice burns,
Refulgent CEREA!-at the dusky hour
She seeks with pensive step the mountain-bower,
Bright as the blush of rising morn, and warms
The dull cold eye of Midnight with her charms.
There to the skies she lifts her pencill'd brows,
Opes her fair lips, and breathes her virgin vows;
Eyes the white zenyth; counts the suns, that roll
Their distant fires, and blaze around the Pole;
Or marks where Jove directs his glittering car
O'er Heaven's blue vault,-Herself a brighter star.
-There as soft Zephyrs sweep with pausing airs
Thy snowy neck, and part thy shadowy hairs,
Sweet Maid of Night! to Cynthia's sober beams
Glows thy warm cheek, thy polish'd bosom gleams.
In crowds
around thee gaze the admiring swains,
And guard in silence the enchanted plains;
Drop the still tear, or breathe the impassion'd sigh,
And drink inebriate rapture from thine eye.
Thus, when old Needwood's hoary scenes the Night
66
Paints with blue shadow, and with milky light;
Where MUNDY pour'd, the listening nymphs among,
Loud to the echoing vales his parting song;
With measured step the Fairy Sovereign treads,
Shakes her high plume, and glitters o'er the meads;
Round each green holly leads her sportive train,
And little footsteps mark the circled plain;
Each haunted rill with silver voices rings,
And Night's sweet bird in livelier accents sings.
Ere the bright star, which leads the morning sky,
Hangs o'er the blushing east his diamond eye,
The chaste TROPAEO leaves her secret bed;
A saint-like glory trembles round her head;
Eight
watchful swains along the lawns of night
With amorous steps pursue the virgin light;
O'er her fair form the electric lustre plays,
And cold she moves amid the lambent blaze.
So shines the glow-fly, when the sun retires,
And gems the night-air with phosphoric fires;
Thus o'er the marsh aërial lights betray,
And charm the unwary wanderer from his way.
So when thy King, Assyria, fierce and proud,
Three human victims to his idol vow'd;
Rear'd a vast pyre before the golden shrine
Of sulphurous coal, and pitch-exsuding pine;-Loud roar the flames, the iron nostrils breathe,
And the huge bellows pant and heave beneath;
Bright and more bright the blazing deluge flows,
And white with seven-fold heat the furnace glows.
And now the Monarch fix'd with dread surprize
Deep in the burning vault his dazzled eyes.
'Lo! Three unbound amid the frightful glare,
Unscorch'd their sandals, and unsing'd their hair!
And now a fourth with seraph-beauty bright
Descends, accosts them, and outshines the light!
Fierce flames innocuous, as they step, retire!
And slow they move amid a world of fire!'
He spoke,-to Heaven his arms repentant spread,
And kneeling bow'd his gem-incircled head.
67
Two
Sister-Nymphs, the fair AVENAS, lead
Their fleecy squadrons on the lawns of Tweed;
Pass with light step his wave-worn banks along,
And wake his Echoes with their silver tongue;
Or touch the reed, as gentle Love inspires,
In notes accordant to their chaste desires.
I.
'Sweet ECHO! sleeps thy vocal shell,
'Where this high arch o'erhangs the dell;
'While Tweed with sun-reflecting streams
'Chequers thy rocks with dancing beams?-
II.
'Here may no clamours harsh intrude,
No brawling hound or clarion rude;
Here no fell beast of midnight prowl,
And teach thy tortured cliffs to howl!
III.
'Be thine to pour these vales along
Some artless Shepherd's evening song;
While Night's sweet bird, from yon high spray
Responsive, listens to his lay.
IV.
'And if, like me, some love-lorn maid
'Should sing her sorrows to thy shade,
'Oh, sooth her breast, ye rocks around!
'With softest sympathy of sound.'
From ozier bowers the brooding Halcyons peep,
The Swans pursuing cleave the glassy deep,
On hovering wings the wondering Reed-larks play,
And silent Bitterns listen to the lay.-
68
Three
shepherd-swains beneath the beechen shades
Twine rival garlands for the tuneful maids;
On each smooth bark the mystic love-knot frame,
Or on white sands inscribe the favour'd name.
From Time's remotest dawn where China brings
In proud succession all her Patriot-Kings;
O'er desert-sands, deep gulfs, and hills sublime,
Extends her massy wall from clime to clime;
With bells and dragons crests her Pagod-bowers,
Her silken palaces, and porcelain towers;
With long canals a thousand nations laves;
Plants all her wilds, and peoples all her waves;
Slow treads fair CANNABIS the breezy strand,
The distaff streams dishevell'd in her hand;
Now to the left her ivory neck inclines,
And leads in Paphian curves its azure lines;
Dark waves the fringed lid, the warm cheek glows,
And the fair ear the parting locks disclose;
Now to the right with airy sweep she bends,
Quick join the threads, the dancing spole depends.
Five
Swains attracted guard the Nymph, by turns
Her grace inchants them, and her beauty burns;
To each She bows with sweet assuasive smile,
Hears his soft vows, and turns her spole the while.
So when with light and shade, concordant strife!
Stern CLOTHO weaves the chequer'd thread of life;
Hour after hour the growing line extends,
The cradle and the coffin bound its ends;
Soft cords of silk the whirling spoles reveal,
If smiling Fortune turn the giddy wheel;
But if sweet Love with baby-fingers twines,
And wets with dewy lips the lengthening lines,
Skein after skein celestial tints unfold,
And all the silken tissue shines with gold.
Warm with sweet blushes bright GALANTHA glows,
And prints with frolic step the melting snows;
O'er silent floods, white hills, and glittering meads
Six
69
rival swains the playful beauty leads,
Chides with her dulcet voice the tardy Spring,
Bids slumbering Zephyr stretch his folded wing,
Wakes the hoarse Cuckoo in his gloomy cave,
And calls the wondering Dormouse from his grave,
Bids the mute Redbreast cheer the budding grove,
And plaintive Ringdove tune her notes to love.
Spring! with thy own sweet smile, and tuneful tongue,
Delighted BELLIS calls her infant throng.
Each on his reed astride, the Cherub-train
Watch her kind looks, and circle o'er the plain;
Now with young wonder touch the siding snail,
Admire his eye-tipp'd horns, and painted mail;
Chase with quick step, and eager arms outspread,
The pausing Butterfly from mead to mead;
Or twine green oziers with the fragrant gale,
The azure harebel, and the primrose pale,
Join hand in hand, and in procession gay
Adorn with votive wreaths the shrine of May.
-So moves the Goddess to the Idalian groves,
And leads her gold-hair'd family of Loves.
These, from the flaming furnace, strong and bold
Pour the red steel into the sandy mould;
On tinkling anvils (with Vulcanian art),
Turn with hot tongs, and forge the dreadful dart;
The barbed head on whirling jaspers grind,
And dip the point in poison for the mind;
Each polish'd shaft with snow-white plumage wing,
Or strain the bow reluctant to its string.
Those on light pinion twine with busy hands,
Or stretch from bough to bough the flowery bands;
Scare the dark beetle, as he wheels on high,
Or catch in silken nets the gilded fly;
Call the young Zephyrs to their fragrant bowers,
And stay with kisses sweet the Vernal Hours.
Where, as proud Maffon rises rude and bleak,
And with mishapen turrets crests the Peak,
Old Matlock gapes with marble jaws, beneath,
And o'er fear'd Derwent bends his flinty teeth;
Deep in wide caves below the dangerous soil
Blue sulphurs flame, imprison'd waters boil.
Impetuous steams in spiral colums rise
70
Through rifted rocks, impatient for the skies;
Or o'er bright seas of bubbling lavas blow,
As heave and toss the billowy fires below;
Condensed on high, in wandering rills they glide
From Maffon's dome, and burst his sparry side;
Round his grey towers, and down his fringed walls,
From cliff to cliff, the liquid treasure falls;
In beds of stalactite, bright ores among,
O'er corals, shells, and crystals, winds along;
Crusts the green mosses, and the tangled wood,
And sparkling plunges to its parent flood.
-O'er the warm wave a smiling youth presides,
Attunes its murmurs, its meanders guides,
(The blooming FUCUS), in her sparry coves
To amorous Echo sings his
secret
loves,
Bathes his fair forehead in the misty stream,
And with sweet breath perfumes the rising steam.
-So, erst, an Angel o'er Bethesda's springs,
Each morn descending, shook his dewy wings;
And as his bright translucent form He laves,
Salubrious powers enrich the troubled waves.
Amphibious Nymph, from Nile's prolific bed
Emerging TRAPA lifts her pearly head;
Fair glows her virgin cheek and modest breast,
A panoply of scales deforms the rest;
Her quivering fins and panting gills she hides
But spreads her silver arms upon the tides;
Slow as she sails, her ivory neck she laves,
And shakes her golden tresses o'er the waves.
Charm'd round the Nymph, in circling gambols glide
Four
Nereid-forms, or shoot along the tide;
Now all as one they rise with frolic spring,
And beat the wondering air on humid wing;
Now all descending plunge beneath the main,
And lash the foam with undulating train;
Above, below, they wheel, retreat, advance,
In air and ocean weave the mazy dance;
Bow their quick heads, and point their diamond eyes,
71
And twinkle to the sun with ever-changing dyes.
Where Andes, crested with volcanic beams,
Sheds a long line of light on Plata's streams;
Opes all his springs, unlocks his golden caves,
And feeds and freights the immeasurable waves;
Delighted OCYMA at twilight hours
Calls her light car, and leaves the sultry bowers;Love's rising ray, and Youth's seductive dye,
Bloom'd on her cheek, and brighten'd in her eye;
Chaste, pure, and white, a zone of silver graced
Her tender breast, as white, as pure, as chaste;-By
four
fond swains in playful circles drawn,
On glowing wheels she tracks the moon-bright lawn,
Mounts the rude cliff, unveils her blushing charms,
And calls the panting zephyrs to her arms.
Emerged from ocean springs the vaporous air,
Bathes her light limbs, uncurls her amber hair,
Incrusts her beamy form with films saline,
And Beauty blazes through the crystal shrine.So with pellucid studs the ice-flower gems
Her rimy foliage, and her candied stems.
So from his glassy horns, and pearly eyes,
The diamond-beetle darts a thousand dyes;
Mounts with enamel'd wings the vesper gale,
And wheeling shines in adamantine mail.
Thus when loud thunders o'er Gomorrah burst,
And heaving earthquakes shook his realms accurst,
An Angel-guest led forth the trembling Fair
With shadowy hand, and warn'd the guiltless pair;
'Haste from these lands of sin, ye Righteous! fly,
Speed the quick step, nor turn the lingering eye!'-Such the command, as fabling Bards indite,
When Orpheus charm'd the grisly King of Night;
Sooth'd the pale phantoms with his plaintive lay,
And led the fair Assurgent into day.Wide yawn'd the earth, the fiery tempest flash'd,
And towns and towers in one vast ruin crash'd;Onward they move,--loud horror roars behind,
And shrieks of Anguish bellow in the wind.
With many a sob, amid a thousand fears,
72
The beauteous wanderer pours her gushing tears;
Each soft connection rends her troubled breast,
-She turns, unconscious of the stern behest!'I faint!-I fall!-ah, me!-sensations chill
Shoot through my bones, my shuddering bosom thrill!
I freeze! I freeze! just Heaven regards my fault,
Numbs my cold limbs, and hardens into salt!Not yet, not yet, your dying Love resign!This last, last kiss receive!-no longer thine!'She said, and ceased,-her stiffen'd form He press'd,
And strain'd the briny column to his breast;
Printed with quivering lips the lifeless snow,
And wept, and gazed the monument of woe.So when Aeneas through the flames of Troy
Bore his pale fire, and led his lovely boy;
With loitering step the fair Creusa stay'd,
And Death involved her in eternal shade.Oft the lone Pilgrim that his road forsakes,
Marks the wide ruins, and the sulphur'd lakes;
On mouldering piles amid asphaltic mud
Hears the hoarse bittern, where Gomorrah stood;
Recalls the unhappy Pair with lifted eye,
Leans on the crystal tomb, and breathes the silent sigh..
With net-wove sash and glittering gorget dress'd,
And scarlet robe lapell'd upon her breast,
Stern ARA frowns, the measured march assumes,
Trails her long lance, and nods her shadowy plumes;
While Love's soft beams illume her treacherous eyes,
And Beauty lightens through the thin disguise.
So erst, when HERCULES, untamed by toil,
Own'd the soft power of DEJANIRA'S smile;His lion-spoils the laughing Fair demands,
And gives the distaff to his awkward hands;
O'er her white neck the bristly mane she throws,
And binds the gaping whiskers on her brows;
Plaits round her slender waist the shaggy vest,
And clasps the velvet paws across her breast.
Next with soft hands the knotted club she rears,
Heaves up from earth, and on her shoulder bears.
Onward with loftier step the Beauty treads,
And trails the brinded ermine o'er the meads;
Wolves, bears, and bards, forsake the affrighted groves,
73
And grinning Satyrs tremble, as she moves.
CARYO'S sweet smile DIANTHUS proud admires,
And gazing burns with unallow'd desires;
With sighs and sorrows her compassion moves,
And wins the damsel to illicit loves.
The Monster-offspring heirs the father's pride,
Mask'd in the damask beauties of the bride.
So, when the Nightingale in eastern bowers
On quivering pinion woos the Queen of flowers;
Inhales her fragrance, as he hangs in air,
And melts with melody the blushing fair;
Half-rose, half-bird, a beauteous Monster springs,
Waves his thin leaves, and claps his glossy wings;
Long horrent thorns his mossy legs surround,
And tendril-talons root him to the ground;
Green films of rind his wrinkled neck o'espread,
And crimson petals crest his curled head;
Soft-warbling beaks in each bright blossom move,
And vocal Rosebuds thrill the enchanted grove!Admiring Evening stays her beamy star,
And still Night listens from his ebon ear;
While on white wings descending Houries throng,
And drink the floods of odour and of song.
When from his golden urn the Solstice pours
O'er Afric's sable sons the sultry hours;
When not a gale flits o'er her tawny hills,
Save where the dry Harmattan breathes and kills;
-Fair CHUNDA smiles amid the burning waste,
Her brow unturban'd, and her zone unbrac'd;
Ten
brother-youths with light umbrella's shade,
Or fan with busy hands the panting maid;
Loose wave her locks, disclosing, as they break,
The rising bosom and averted cheek;
Clasp'd round her ivory neck with studs of gold
Flows her thin vest in many a gauzy fold;
O'er her light limbs the dim transparence plays,
And the fair form, it seems to hide, betrays.
Where leads the northern Star his lucid train
High o'er the snow-clad earth, and icy main,
With milky light the white horizon streams,
74
And to the moon each sparkling mountain gleams.Slow o'er the printed snows with silent walk
Huge shaggy forms across the twilight stalk;
And ever and anon with hideous sound
Burst the thick ribs of ice, and thunder round.There, as old Winter slaps his hoary wing,
And lingering leaves his empire to the Spring,
Pierced with quick shafts of silver-shooting light
Fly in dark troops the dazzled imps of night'Awake, my Love!' enamour'd MUSCHUS cries,
'Stretch thy fair limbs, resulgent Maid! arise;
Ope thy sweet eye-lids to the rising ray,
And hail with ruby lips returning day.
Down the white hills dissolving torrents pour,
Green springs the turf, and purple blows the flower;
His torpid wing the Rail exulting tries,
Mounts the soft gale, and wantons in the skies;
Rise, let us mark how bloom the awaken'd groves,
And 'mid the banks of roses
hide
our loves.'
Night's tinsel beams on smooth Lock-lomond dance,
Impatient ÆGA views the bright expanse;In vain her eyes the parting floods explore,
Wave after wave rolls freightless to the shore.
-Now dim amid the distant foam she spies
A rising speck,-''tis he! 'tis he!' She cries;
As with firm arms he beats the streams aside,
And cleaves with rising chest the tossing tide,
With bended knee she prints the humid sands,
Up-turns her glistening eyes, and spreads her hands;
-''Tis he, 'tis he!-My Lord, my life, my love!Slumber, ye winds; ye billows, cease to move!
beneath his arms your buoyant plumage spread,
Ye Swans! ye Halcyons! hover round his head!'-With eager step the boiling surf she braves,
And meets her refluent lover in the waves;
Loose o'er the flood her azure mantle swims,
And the clear stream betrays her snowy limbs.
So on her sea-girt tower fair HERO stood
At parting day, and mark'd the dashing flood;
While high in air, the glimmering rocks above,
75
Shone the bright lamp, the pilot-star of Love.
-With robe outspread the wavering flame behind
She kneels, and guards it from the shifting wind;
Breathes to her Goddess all her vows, and guides
Her bold LEANDER o'er the dusky tides;
Wrings his wet hair, his briny bosom warms,
And clasps her panting lover in her arms.
Deep, in wide caverns and their shadowy ailes,
Daughter of Earth, the chaste TRUFFELIA smiles;
On silvery beds, of soft asbestus wove,
Meets her Gnome-husband, and avows her love.
High
o'er her couch impending diamonds blaze,
And branching gold the crystal roof inlays;
With verdant light the modest emeralds glow,
Blue sapphires glare, and rubies blush,
below
Light piers of lazuli the dome surround,
And pictured mochoes tesselate the ground;
In glittering threads along reflective walls
The warm rill murmuring twinkles, as it falls;
Now sink the Eolian strings, and now they swell,
And Echoes woo in every vaulted cell;
While on white wings delighted Cupids play,
Shake their bright lamps, and shed celestial day.
Closed in an azure fig by fairy spells,
Bosom'd in down, fair CAPRI-FICA dwells;So sleeps in silence the Curculio, shut
In the dark chambers of the cavern'd nut,
Erodes with ivory beak the vaulted shell,
And quits on filmy wings its narrow cell.
So the pleased Linnet in the moss-wove nest,
Waked into life beneath its parent's breast,
Chirps in the gaping shell, bursts forth erelong,
Shakes its new plumes, and tries its tender song.-And now the talisman she strikes, that charms
Her husband-Sylph,-and calls him to her arms.Quick, the light Gnat her airy Lord bestrides,
With cobweb reins the flying courser guides,
From crystal steeps of viewless ether springs,
76
Cleaves the soft air on still expanded wings;
Darts like a sunbeam o'er the boundless wave,
And seeks the beauty in her
secret
cave.
So with quick impulse through all nature's frame
Shoots the electric air its subtle flame.
So turns the impatient needle to the pole,
Tho' mountains rise between, and oceans roll.
Where round the Orcades white torrents roar,
Scooping with ceaseless rage the incumbent shore,
Wide o'er the deep a dusky cavern bends
Its marble arms, and high in air impends;
Basaltic piers the ponderous roof sustain,
And steep their massy sandals in the main;
Round the dim walls, and through the whispering ailes
Hoarse breathes the wind, the glittering water boils.
Here the charm'd BYSSUS with his blooming bride
Spreads his green sails, and braves the foaming tide;
The star of Venus gilds the twilight wave,
And lights her votaries to the
secret
cave;
Light Cupids flutter round the nuptial bed,
And each coy sea-maid hides her blushing head.
Where cool'd by rills, and curtain'd round by woods,
Slopes the green dell to meet the briny floods,
The sparkling noon-beams trembling on the tide,
The PROTEUS-LOVER woos his playful bride,
To win the fair he tries a thousand forms,
Basks on the sands, or gambols in the storms.
A Dolphin now, his scaly sides he laves,
And bears the sportive damsel on the waves;
She strikes the cymbal as he moves along,
And wondering Ocean listens to the song.
-And now a spotted Pard the lover stalks,
Plays round her steps, and guards her favour'd walks;
As with white teeth he prints her hand, caress'd,
And lays his velvet paw upon her breast,
O'er his round face her snowy fingers strain
The silken knots, and fit the ribbon-rein.
-And now a Swan, he spreads his plumy sails,
77
And proudly glides before the fanning gales;
Pleas'd on the flowery brink with graceful hand
She waves her floating lover to the land;
Bright shines his sinuous neck, with crimson beak
He prints fond kisses on her glowing cheek,
Spreads his broad wings, elates his ebon crest,
And clasps the beauty to his downy breast.
hundred
virgins join a
hundred
swains,
And fond ADONIS leads the sprightly trains;
Pair after pair, along his sacred groves
To Hymen's fane the bright procession moves;
Each smiling youth a myrtle garland shades,
And wreaths of roses veil the blushing maids;
Light joys on twinkling feet attend the throng,
Weave the gay dance, or raise the frolic song;
-Thick, as they pass, exulting Cupids fling
Promiscuous arrows from the sounding string;
On wings of gossamer soft Whispers fly,
And the sly Glance steals side-long from the eye.
-As round his shrine the gaudy circles bow,
And seal with muttering lips the faithless vow,
Licentious Hymen joins their mingled hands,
And loosely twines the meretricious bands.Thus where pleased VENUS, in the southern main,
Sheds all her smiles on Otaheite's plain,
Wide o'er the isle her silken net she draws,
And the Loves laugh at all, but Nature's laws.'
Here ceased the Goddess,-o'er the silent strings
Applauding Zephyrs swept their fluttering wings;
Enraptur'd Sylphs arose in murmuring crowds
To air-wove canopies and pillowy clouds;
Each Gnome reluctant sought his earthy cell,
And each bright Floret clos'd her velvet bell.
Then, on soft tiptoe, NIGHT approaching near
Hung o'er the tuneless lyre his sable ear;
Gem'd with bright stars the still etherial plain,
And bad his Nightingales repeat the strain.
78
~ Erasmus Darwin,#NFDB
909:The Temple Of Fame
In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
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Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,
Spread, and grow brighter with the length of days.
So Zembla's rocks (the beauteous work of frost)
Rise white in air, and glitter o'er the coast;
Pale suns, unfelt, at distance roll away,
And on th' impassive ice the light'nings play;
Eternal snows the growing mass supply,
Till the bright mountains prop th' incumbent sky:
As Atlas fix'd, each hoary pile appears,
The gather'd winter of a thousand years.
On this foundation Fame's high temple stands;
Stupendous pile! not rear'd by mortal hands.
Whate'er proud Rome or artful Greece beheld,
Or elder Babylon, its frame excell'd.
Four faces had the dome, and ev'ry face
Of various structure, but of equal grace:
Four brazen gates, on columns lifted high,
Salute the diff'rent quarters of the sky.
Here fabled Chiefs in darker ages born,
Or Worthies old, whom arms or arts adorn,
Who cities rais'd, or tam'd a monstrous race;
The walls in venerable order grace:
Heroes in animated marble frown,
And Legislators seem to think in stone.
Westward, a sumptuous frontispiece appear'd,
On Doric pillars of white marble rear'd,
Crown'd with an architrave of antique mold,
And sculpture rising on the roughen'd mold,
In shaggy spoils here Theseus was beheld,
And Perseus dreadful with Minerva's shield:
There great Alcides stooping with his toil,
Rests on his club, and holds th' Hesperian spoil.
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Here Orpheus sings; trees moving to the sound
Start from their roots, and form a shade around:
Amphion there the loud creating lyre
Strikes, and beholds a sudden Thebes aspire!
Cithaeron's echoes answer to his call,
And half the mountain rolls into a wall:
There might you see the length'ning spires ascend,
The domes swell up, the wid'ning arches bend,
The growing tow'rs, like exhalations rise,
And the huge columns heave into the skies.
The Eastern front was glorious to behold,
With di'mond flaming, and Barbaric gold.
There Ninus shone, who spread th' Assyrian fame,
And the great founder of the Persian name:
There in long robes the royal Magi stand,
Grave Zoroaster waves the circling wand,
The sage Chaldaeans rob'd in white appear'd,
And Brahmans, deep in desert woods rever'd.
These stop'd the moon, and call'd th' unbody'd shades
To midnight banquets in the glimm'ring glades;
Made visionary fabrics round them rise,
And airy spectres skim before their eyes;
Of Talismans and Sigils knew the pow'r,
And careful watch'd the Planetary hour.
Superior, and alone, Confucius stood,
Who taught that useful science, to be good.
But on the South, a long majestic race
Of AEgypt's Priests the gilded niches grace,
Who measur'd earth, describ'd the starry spheres,
And trac'd the long records of lunar years.
High on his car Sesostris struck my view,
Whom scepter'd slaves in golden harness drew:
His hands a bow and pointed javelin hold;
His giant limbs are arm'd in scales of gold.
Between the statues Obelisks were plac'd,
And the learn'd walls with Hieroglyphics grac'd.
Of Gothic structure was the Northern side,
O'erwrought with ornaments of barb'rous pride.
There huge Colosses rose, with trophies crown'd,
And Runic characters were grav'd around.
There sate Zamolxis with erected eyes,
And Odin here in mimic trances dies.
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There on rude iron columns, smear'd with blood,
The horrid forms of Scythian heroes stood,
Druids and Bards (their once loud harps unstrung)
And youths that died to be by Poets sung.
These and a thousand more of doubtful fame,
To whom old fables gave a lasting name,
In ranks adorn'd the Temple's outward face;
The wall in lustre and effect like Glass,
Which o'er each object casting various dyes,
Enlarges some, and others multiplies:
Nor void of emblem was the mystic wall,
For thus romantic Fame increases all.
The Temple shakes, the sounding gates unfold,
Wide vaults appear, and roofs of fretted gold:
Rais'd on a thousand pillars, wreath'd around
With laurel-foliage, and with eagles crown'd:
Of bright, transparent beryl were the walls,
The friezes gold, an gold the capitals:
As heav'n with stars, the roof with jewels glows,
And ever-living lamps depend in rows.
Full in the passage of each spacious gate,
The sage Historians in white garments wait;
Grav'd o'er their seats the form of Time was found,
His scythe revers'd, and both his pinions bound.
Within stood Heroes, who thro' loud alarms
In bloody fields pursu'd renown in arms.
High on a throne with trophies charg'd, I view'd
The Youth that all things but himself subdu'd;
His feet on sceptres and tiara's trod,
And his horn'd head bely'd the Libyan God.
There Caesar, grac'd with both Minerva's, shone;
Unmov'd, superior still in ev'ry state,
And scarce detested in his Country's fate.
But chief were those, who not for empire fought,
But with their toils their people's safety bought:
High o'er the rest Epaminondas stood;
Timoleon, glorious in his brother's blood;
Bold Scipio, saviour of the Roman state;
Great in his triumphs, in retirement great;
And wise Aurelius, in whose well-taught mind
With boundless pow'r unbounded virtue join'd,
His own strict judge, and patron of mankind.
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Much-suff'ring heroes next their honours claim,
Those of less noisy, and less guilty fame,
Fair Virtue's silent train: supreme of these
Here ever shines the godlike Socrates:
He whom ungrateful Athens could expell,
At all times just, but when he sign'd the Shell:
Here his abode the martyr'd Phocion claims,
With Agis, not the last of Spartan names:
Unconquered Cato shews the wound he tore,
And Brutus his ill Genius meets no more.
But in the centre of the hallow'd choir,
Six pompous columns o'er the rest aspire;
Around the shrine itself of Fame they stand,
Hold the chief honours, and the fane command.
High on the first, the mighty Homer shone;
Eternal Adamant compos'd his throne;
Father of verse! in holy fillets drest,
His silver beard wav'd gently o'er his breast;
Tho' blind, a boldness in his looks appears;
In years he seem'd, but not impair'd by years.
The wars of Troy were round the Pillar seen:
Here fierce Tydides wounds the Cyprian Queen;
Here Hector glorious from Patroclus' fall,
Here dragg'd in triumph round the Trojan wall,
Motion and life did ev'ry part inspire,
Bold was the work, and prov'd the master's fire;
A strong expression most he seem'd t' affect,
And here and there disclos'd a brave neglect.
A golden column next in rank appear'd,
On which a shrine of purest gold was rear'd;
Finish'd the whole, and labour'd ev'ry part,
With patient touches of unweary'd art:
The Mantuan there in sober triumph sate,
Compos'd his posture, and his look sedate;
On Homer still he fix'd a rev'rend eye,
Great without pride, in modest majesty.
In living sculpture on the sides were spread
The Latian Wars, and haughty Turnus dead;
Eliza stretch'd upon the fun'ral pyre,
AEneas ending with his aged sire:
Troy flam'd in burning gold, and o'er the throne
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Arms of the Man in golden cyphers shone.
Four swans sustain a car of silver bright,
With heads advanc'd, and pinions stretch'd for flight:
Here, like some furious prophet, Pindar rode,
And seem'd to labour with th' inspiring God.
Across the harp a careless hand he flings,
And boldly sinks into the sounding strings.
The figur'd games of Greece the column grace,
Neptune and Jove survey the rapid race.
The youths hand o'er their chariots as they run;
The fiery steeds seem starting from the stone;
The champions in distorted postures threat;
And all appear'd irregularly great.
Here happy Horace tun'd th' Ausonian lyre
To sweeter sounds, and temper'd Pindar's fire:
Pleas'd with Alcaeus' manly rage t' infuse
The softer spirit of the Sapphic Muse.
The polish'd pillar diff'rent sculptures grace;
A work outlasting monumental brass.
Here smiling Loves and Bacchanals appear,
The Julian star, and great Augustus here,
The Doves that round the infant poet spread
Myrtles and bays, hung hov'ring o'er his head.
Here in a shrine that cast a dazzling light,
Sate fix'd in thought the mighty Stagirite;
His sacred head a radiant Zodiac crown'd,
And various Animals his sides surround;
His piercing eyes, erect, appear to view
Superior worlds, and look all Nature through.
With equal rays immortal Tully shone,
The Roman Rostra deck'd the Consul's throne:
Gath'ring his flowing robe, he seem'd to stand
In act to speak, and graceful stretch'd his hand.
Behind, Rome's Genius waits with Civic crowns,
And the great Father of his country owns.
These massy columns in a circle rise,
O'er which a pompous dome invades the skies:
Scarce to the top I stretch'd my aching sight,
So large it spread, and swell'd to such a height.
Full in the midst proud Fame's imperial seat,
With jewels blaz'd, magnificently great;
The vivid em'ralds there revive the eye,
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The flaming rubies shew their sanguine dye,
Bright azure rays from lively sapphrys stream,
And lucid amber casts a golden gleam.
With various-colour'd light the pavement shone,
And all on fire appear'd the glowing throne;
The dome's high arch reflects the mingled blaze,
And forms a rainbow of alternate rays.
When on the Goddess first I cast my sight,
Scarce seem'd her stature of a cubit's height;
But swell'd to larger size, the more I gaz'd,
Till to the roof her tow'ring front she rais'd.
With her, the Temple ev'ry moment grew,
And ampler Vista's open'd to my view:
Upward the columns shoot, the roofs ascend,
And arches widen, and long aisles extend.
Such was her form as ancient bards have told,
Wings raise her arms, and wings her feet infold;
A thousand busy tongues the Goddess bears,
And thousand open eyes, and thousand list'ning ears.
Beneath, in order rang'd, the tuneful Nine
(Her virgin handmaids) still attend the shrine:
With eyes on Fame for ever fix'd, they sing;
For Fame they raise the voice, and tune the string;
With time's first birth began the heav'nly lays,
And last, eternal, thro' the length of days.
Around these wonders as I cast a look,
The trumpet sounded, and the temple shoo,
And all the nations, summon'd at the call,
From diff'rent quarters fill the crowded hall:
Of various tongues the mingled sounds were heard;
In various garbs promiscuous throngs appear'd;
Thick as the bees, that with the spring renew
Their flow'ry toils, and sip the fragrant dew,
When the wing'd colonies first tempt the sky,
O'er dusky fields and shaded waters fly,
Or settling, seize the sweets the blossoms yield,
And a low murmur runs along the field.
Millions of suppliant crowds the shrine attend,
And all degrees before the Goddess bend;
The poor, the rich, the valiant and the sage,
And boasting youth, and narrative old-age.
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Their pleas were diff'rent, their request the same:
For good and bad alike are fond of Fame.
Some she disgrac'd, and some with honours crown'd;
Unlike successes equal merits found.
Thus her blind sister, fickle Fortune, reigns,
And, undiscerning, scatters crowns and chains.
First at the shrine the Learned world appear,
And to the Goddess thus prefer their play'r.
'Long have we sought t' instruct and please mankind,
With studies pale, with midnight vigils blind;
But thank'd by few, rewarded yet by none,
We here appeal to thy superior throne:
On wit and learning the just prize bestow,
For fame is all we must expect below.'
The Goddess heard, and bade the Muses raise
The golden Trumpet of eternal Praise:
From pole to pole the winds diffuse the sound,
That fills the circuit of the world around;
Not all at once, as thunder breaks the cloud;
The notes at first were rather sweet than loud:
By just degrees they ev'ry moment rise,
Fill the wide earth, and gain upon the skies.
At ev'ry breath were balmy odours shed,
Which still grew sweeter as they wider spread;
Less fragrant scents th' unfolding rose exhales,
Or spices breathing in Arabian gales.
Next these the good and just, an awful train,
Thus on their knees address the sacred fane.
'Since living virtue is with envy curs'd,
And the best men are treated like the worst,
Do thou, just Goddess, call our merits forth,
And give each deed th' exact intrinsic worth.'
'Not with bare justice shall your act be crown'd'
(Said Fame) 'but high above desert renown'd:
Let fuller notes th' applauding world amaze,
And the full loud clarion labour in your praise.'
This band dismiss'd, behold another croud
The constant tenour of whose well-spent days
No less deserv'd a just return of praise.
But strait the direful Trump of Slander sounds;
Thro' the big dome the doubling thunder bounds;
Loud as the burst of cannon rends the skies,
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The dire report thro' ev'ry region flies,
In ev'ry ear incessant rumours rung,
And gath'ring scandals grew on ev'ry tongue.
From the black trumpet's rusty concave broke
Sulphureous flames, and clouds of rolling smoke:
The pois'nous vapour blots the purple skies,
And withers all before it as it flies.
A troop came next, who crowns and armour wore,
And proud defiance in their looks they bore:
'For thee' (they cry'd) 'amidst alarms and strife,
We sail'd in tempests down the stream of life;
For thee whole nations fill'd with flames and blood,
And swam to empire thro' the purple flood.
Those ills we dar'd, thy inspiration own,
What virtue seem'd, was done for thee alone.'
'Ambitious fools!' (the Queen reply'd, and frown'd)
'Be all your acts in dark oblivion drown'd;
There sleep forgot, with mighty tyrants gone,
Your statues moulder'd, and your names unknown!'
A sudden cloud straight snatch'd them from my sight,
And each majestic phantom sunk in night.
Then came the smallest tribe I yet had seen;
Plain was their dress, and modest was their mien.
'Great idol of mankind! we neither claim
The praise of merit, nor aspire to fame!
But safe in deserts from th' applause of men,
Would die unheard of, as we liv'd unseen,
'Tis all we beg thee, to conceal from sight
Those acts of goodness, which themselves requite.
To follow virtue ev'n for virtue's sake.'
'And live there men, who slight immortal fame?
Who then with incense shall adore our name?
But mortals! know, 'tis still our greatest pride
To blaze those virtues, which the good would hide.
Rise! Muses, rise; add all your tuneful breath,
These must not sleep in darkness and in death.'
She said: in air the trembling music floats,
And on the winds triumphant swell the notes;
So soft, tho' high, so loud, and yet so clear,
Ev'n list'ning Angels lean'd from heav'n to hear:
To farthest shores th' Ambrosial spirit flies,
Sweet to the world, and grateful to the skies.
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Next these a youthful train their vows express'd,
With feathers crown'd, with gay embroid'ry dress'd:
'Hither,' they cry'd, 'direct your eyes, and see
The men of pleasure, dress, and gallantry;
Ours is the place at banquets, balls, and plays,
Sprightly our nights, polite are all our days;
Courts we frequent, where 'tis our pleasing care
To pay due visits, and address the fair:
In fact, 'tis true, no nymph we could persuade,
But still in fancy vanquish'd ev'ry maid;
Of unknown Duchesses lewd tales we tell,
Yet, would the world believe us, all were well.
The joy let others have, and we the name,
And what we want in pleasure, grant in fame.'
The Queen assents, the trumpet rends the skies,
And at each blast a Lady's honour dies.
Pleas'd with the strange success, vast numbers prest
Around the shrine, and made the same request:
'What? you,' (she cry'd) 'unlearn'd in arts to please,
Slaves to yourselves, and ev'n fatigu'd with ease,
Who lose a length of undeserving days,
Would you usurp the lover's dear-bought praise?
To just contempt, ye vain pretenders, fall,
The people's fable, and the scorn of all.'
Straight the black clarion sends a horrid sound,
Loud laughs burst out, and bitter scoffs fly round,
Whispers are heard, with taunts reviling loud,
And scornful hisses run thro' the crowd.
Last, those who boast of mighty mischiefs done,
Enslave their country, or usurp a throne;
Or who their glory's dire foundation lay'd
On Sov'reigns ruin'd, or on friends betray'd;
Calm, thinking villains, whom no faith could fix,
Of crooked counsels and dark politics;
Of these a gloomy tribe surround the throne,
And beg to make th' immortal treasons known.
The trumpet roars, long flaky flames expire,
With sparks, that seem'd to set the world on fire.
At the dread sound, pale mortals stood aghast,
And startled nature trembled with the blast.
This having heard and seen, and snatch'd me from the throne.
Before my view appear'd a structure fair,
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Its site uncertain, if in earth or air;
With rapid motion turn'd the mansion round;
With ceaseless noise the ringing walls resound;
Not less in number were the spacious doors,
Than leaves on trees, or sand upon the shores;
Which still unfolded stand, by night, by day,
Pervious to winds, and open ev'ry way.
As flames by nature to the skies ascend,
As weighty bodies to the centre tend,
As to the sea returning rivers toll,
And the touch'd needle trembles to the pole;
Hither, as to their proper place, arise
All various sounds from earth, and seas, and skies,
Or spoke aloud, or whisper'd in the ear;
Nor ever silence, rest, or peace is here.
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface by the motion stir'd,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the wat'ry plain, and to the margin dance:
Thus ev'ry voice and sound, when first they break,
On neighb'ring air a soft impression make;
Another ambient circle then they move;
That, in its turn, impels the next above;
Thro' undulating air the sounds are sent,
And spread o'er all the fluid element.
There various news I heard of love and strife,
Of peace and war, health, sickness, death, and life,
Of loss and gain, of famine and of store,
Of storms at sea, and travels on the shore,
Of prodigies, and portents seen in air,
Of fires and plagues, and stars with blazing hair,
Of turns of fortune, changes in the state,
The falls of fav'rites, projects of the great,
Of old mismanagements, taxations new:
All neither wholly false, nor wholly true.
Above, below, without, within, around.
Confus'd, unnumber'd multitudes are found,
Who pass, repass, advance, and glide away;
Hosts rais'd by fear, and phantoms of a day:
Astrologers, that future fates foreshew,
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Projectors, quacks, and lawyers not a few;
And priests, and party-zealots, num'rous bands
With home-born lies, or tales from foreign lands;
Each talk'd aloud, or in some secret place,
And wild impatience star'd in ev'ry face.
The flying rumours gather'd as they roll'd,
Scarce any tale was sooner heard than told;
And all who told it added something new,
And all who heard it, made enlargements too,
In ev'ry ear it spread, on ev'ry tongue it grew.
Thus flying east and west, and north and south,
News travel'd with increase from mouth to mouth.
So from a spark, that kindled first by chance,
With gath'ring force the quick'ning flames advance;
Till to the clouds their curling heads aspire,
And tow'rs and temples sink in floods of fire.
When thus ripe lies are to perfection sprung,
Full grown, and fit to grace a mortal tongue,
Thro' thousand vents, impatient, forth they flow,
And rush in millions on the world below.
Fame sits aloft, and points them out their course,
Their date determines, and prescribes their force:
Some to remain, and some to perish soon;
Or wane and wax alternate like the moon.
Around, a thousand winged wonders fly,
Borne by the trumpet's blast, and scatter'd thro' the sky.
There, at one passage, oft you might survey
A lie and truth contending for the way;
And long 'twas doubtful, both so closely pent,
Which first should issue thro' the narrow vent:
At last agreed, together out they fly,
Inseparable now, the truth and lie;
The strict companions are for ever join'd,
And this or that unmix'd, no mortal e'er shall find.
While thus I stood, intent to see and hear,
One came, methought, and whisper'd in my ear:
What could thus high thy rash ambition raise?
Art thou, fond youth, a candidate for praise?
'Tis true, said I, not void of hopes I came,
For who so fond as youthful bards of Fame?
But few, alas! the casual blessing boast,
So hard to gain, so easy to be lost.
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How vain that second life in others breath,
Th' estate which wits inherit after death!
Ease, health, and life, for this they must resign,
(Unsure the tenure, but how vast the fine!)
The great man's curse, without the gains endure,
Be envy'd, wretched, and be flatter'd, poor;
All luckless wits their enemies profest,
And all successful, jealous friends at best.
Nor Fame I slight, nor for her favours call;
She comes unlook'd for, if she comes at all.
But if the purchase costs so dear a price,
As soothing Folly, or exalting Vice:
Oh! if the Muse must flatter lawless sway,
And follow still where fortune leads the way;
Or if no basis bear my rising name,
But the fall'n ruin of another's fame;
Then teach me, heav'n! to scorn the guilty bays,
Drive from my breast that wretched lust of praise,
Unblemish'd let me live, or die unknown;
Oh grant an honest fame, or grant me none!
~ Alexander Pope,#NFDB
910:The Prophecy Of Famine
A SCOTS PASTORAL INSCRIBED TO JOHN WILKES, ESQ.
Nos patriam fugimus.--VIRGIL.
When Cupid first instructs his darts to fly
From the sly corner of some cook-maid's eye,
The stripling raw, just enter'd in his teens,
Receives the wound, and wonders what it means;
His heart, like dripping, melts, and new desire
Within him stirs, each time she stirs the fire;
Trembling and blushing, he the fair one views,
And fain would speak, but can't--without a Muse.
So to the sacred mount he takes his way,
Prunes his young wings, and tunes his infant lay,
His oaten reed to rural ditties frames,
To flocks and rocks, to hills and rills, proclaims,
In simplest notes, and all unpolish'd strains,
The loves of nymphs, and eke the loves of swains.
Clad, as your nymphs were always clad of yore,
In rustic weeds--a cook-maid now no more-Beneath an aged oak Lardella lies-Green moss her couch, her canopy the skies.
From aromatic shrubs the roguish gale
Steals young perfumes and wafts them through the vale.
The youth, turn'd swain, and skill'd in rustic lays,
Fast by her side his amorous descant plays.
Herds low, flocks bleat, pies chatter, ravens scream,
And the full chorus dies a-down the stream:
The streams, with music freighted, as they pass
Present the fair Lardella with a glass;
And Zephyr, to complete the love-sick plan,
Waves his light wings, and serves her for a fan.
But when maturer Judgment takes the lead,
These childish toys on Reason's altar bleed;
Form'd after some great man, whose name breeds awe,
Whose every sentence Fashion makes a law;
Who on mere credit his vain trophies rears,
And founds his merit on our servile fears;
Then we discard the workings of the heart,
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And nature's banish'd by mechanic art;
Then, deeply read, our reading must be shown;
Vain is that knowledge which remains unknown:
Then Ostentation marches to our aid,
And letter'd Pride stalks forth in full parade;
Beneath their care behold the work refine,
Pointed each sentence, polish'd every line;
Trifles are dignified, and taught to wear
The robes of ancients with a modern air;
Nonsense with classic ornaments is graced,
And passes current with the stamp of taste.
Then the rude Theocrite is ransack'd o'er,
And courtly Maro call'd from Mincio's shore;
Sicilian Muses on our mountains roam,
Easy and free as if they were at home;
Nymphs, naiads, nereids, dryads, satyrs, fauns,
Sport in our floods, and trip it o'er our lawns;
Flowers which once flourish'd fair in Greece and Rome,
More fair revive in England's meads to bloom;
Skies without cloud, exotic suns adorn,
And roses blush, but blush without a thorn;
Landscapes, unknown to dowdy Nature, rise,
And new creations strike our wondering eyes.
For bards like these, who neither sing nor say,
Grave without thought, and without feeling gay,
Whose numbers in one even tenor flow,
Attuned to pleasure, and attuned to woe;
Who, if plain Common-Sense her visit pays,
And mars one couplet in their happy lays,
As at some ghost affrighted, start and stare,
And ask the meaning of her coming there:
For bards like these a wreath shall Mason bring,
Lined with the softest down of Folly's wing;
In Love's pagoda shall they ever doze,
And Gisbal kindly rock them to repose;
My Lord ----, to letters as to faith most true-At once their patron and example too-Shall quaintly fashion his love-labour'd dreams,
Sigh with sad winds, and weep with weeping streams;
Curious in grief (for real grief, we know,
Is curious to dress up the tale of woe),
From the green umbrage of some Druid's seat
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Shall his own works, in his own way, repeat.
Me, whom no Muse of heavenly birth inspires,
No judgment tempers when rash genius fires;
Who boast no merit but mere knack of rhyme,
Short gleams of sense, and satire out of time;
Who cannot follow where trim fancy leads,
By prattling streams, o'er flower-empurpled meads;
Who often, but without success, have pray'd
For apt Alliteration's artful aid;
Who would, but cannot, with a master's skill,
Coin fine new epithets, which mean no ill:
Me, thus uncouth, thus every way unfit
For pacing poesy, and ambling wit,
Taste with contempt beholds, nor deigns to place
Amongst the lowest of her favour'd race.
Thou, Nature, art my goddess--to thy law
Myself I dedicate! Hence, slavish awe!
Which bends to fashion, and obeys the rules
Imposed at first, and since observed by fools;
Hence those vile tricks which mar fair Nature's hue,
And bring the sober matron forth to view,
With all that artificial tawdry glare
Which virtue scorns, and none but strumpets wear!
Sick of those pomps, those vanities, that waste
Of toil, which critics now mistake for taste;
Of false refinements sick, and labour'd ease,
Which art, too thinly veil'd, forbids to please;
By Nature's charms (inglorious truth!) subdued,
However plain her dress, and 'haviour rude,
To northern climes my happier course I steer,
Climes where the goddess reigns throughout the year;
Where, undisturb'd by Art's rebellious plan,
She rules the loyal laird, and faithful clan.
To that rare soil, where virtues clustering grow,
What mighty blessings doth not England owe!
What waggon-loads of courage, wealth, and sense,
Doth each revolving day import from thence?
To us she gives, disinterested friend!
Faith without fraud, and Stuarts without end.
When we prosperity's rich trappings wear,
Come not her generous sons and take a share?
And if, by some disastrous turn of fate,
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Change should ensue, and ruin seize the state,
Shall we not find, safe in that hallow'd ground,
Such refuge as the holy martyr found?
Nor less our debt in science, though denied
By the weak slaves of prejudice and pride.
Thence came the Ramsays, names of worthy note,
Of whom one paints, as well as t'other wrote;
Thence, Home, disbanded from the sons of prayer
For loving plays, though no dull Dean was there;
Thence issued forth, at great Macpherson's call,
That old, new, epic pastoral, Fingal;
Thence Malloch, friend alike to Church and State,
Of Christ and Liberty, by grateful Fate
Raised to rewards, which, in a pious reign,
All daring infidels should seek in vain;
Thence simple bards, by simple prudence taught,
To this wise town by simple patrons brought,
In simple manner utter simple lays,
And take, with simple pensions, simple praise.
Waft me, some Muse, to Tweed's inspiring stream,
Where all the little Loves and Graces dream;
Where, slowly winding, the dull waters creep,
And seem themselves to own the power of sleep;
Where on the surface lead, like feathers, swims;
There let me bathe my yet unhallow'd limbs,
As once a Syrian bathed in Jordan's flood-Wash off my native stains, correct that blood
Which mutinies at call of English pride,
And, deaf to prudence, rolls a patriot tide.
From solemn thought which overhangs the brow
Of patriot care, when things are--God knows how;
From nice trim points, where Honour, slave to Rule,
In compliment to Folly, plays the fool;
From those gay scenes, where Mirth exalts his power,
And easy Humour wings the laughing hour;
From those soft better moments, when desire
Beats high, and all the world of man's on fire;
When mutual ardours of the melting fair
More than repay us for whole years of care,
At Friendship's summons will my Wilkes retreat,
And see, once seen before, that ancient seat,
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That ancient seat, where majesty display'd
Her ensigns, long before the world was made!
Mean narrow maxims, which enslave mankind,
Ne'er from its bias warp thy settled mind:
Not duped by party, nor opinion's slave,
Those faculties which bounteous nature gave,
Thy honest spirit into practice brings,
Nor courts the smile, nor dreads the frown of kings.
Let rude licentious Englishmen comply
With tumult's voice, and curse--they know not why;
Unwilling to condemn, thy soul disdains
To wear vile faction's arbitrary chains,
And strictly weighs, in apprehension clear,
Things as they are, and not as they appear.
With thee good humour tempers lively wit;
Enthroned with Judgment, Candour loves to sit;
And nature gave thee, open to distress,
A heart to pity, and a hand to bless.
Oft have I heard thee mourn the wretched lot
Of the poor, mean, despised, insulted Scot,
Who, might calm reason credit idle tales,
By rancour forged where prejudice prevails,
Or starves at home, or practises, through fear
Of starving, arts which damn all conscience here.
When scribblers, to the charge by interest led,
The fierce North Briton foaming at their head,
Pour forth invectives, deaf to Candour's call,
And, injured by one alien, rail at all;
On northern Pisgah when they take their stand,
To mark the weakness of that Holy Land,
With needless truths their libels to adorn,
And hang a nation up to public scorn,
Thy generous soul condemns the frantic rage,
And hates the faithful, but ill-natured page.
The Scots are poor, cries surly English pride;
True is the charge, nor by themselves denied.
Are they not, then, in strictest reason clear,
Who wisely come to mend their fortunes here?
If, by low supple arts successful grown,
They sapp'd our vigour to increase their own;
If, mean in want, and insolent in power,
They only fawn'd more surely to devour,
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Roused by such wrongs, should Reason take alarm,
And e'en the Muse for public safety arm?
But if they own ingenuous virtue's sway,
And follow where true honour points the way,
If they revere the hand by which they're fed,
And bless the donors for their daily bread,
Or, by vast debts of higher import bound,
Are always humble, always grateful found:
If they, directed by Paul's holy pen,
Become discreetly all things to all men,
That all men may become all things to them,
Envy may hate, but Justice can't condemn.
Into our places, states, and beds they creep;
They've sense to get, what we want sense to keep.
Once--be the hour accursed, accursed the place!-I ventured to blaspheme the chosen race.
Into those traps, which men call'd patriots laid,
By specious arts unwarily betray'd,
Madly I leagued against that sacred earth,
Vile parricide! which gave a parent birth:
But shall I meanly error's path pursue,
When heavenly truth presents her friendly clue?
Once plunged in ill, shall I go farther in?
To make the oath, was rash: to keep it, sin.
Backward I tread the paths I trod before,
And calm reflection hates what passion swore.
Converted, (blessed are the souls which know
Those pleasures which from true conversion flow,
Whether to reason, who now rules my breast,
Or to pure faith, like Lyttelton and West),
Past crimes to expiate, be my present aim
To raise new trophies to the Scottish name;
To make (what can the proudest Muse do more?)
E'en faction's sons her brighter worth adore;
To make her glories, stamp'd with honest rhymes,
In fullest tide roll down to latest times.
Presumptuous wretch! and shall a Muse like thine,
An English Muse, the meanest of the Nine,
Attempt a theme like this? Can her weak strain
Expect indulgence from the mighty Thane?
Should he from toils of government retire,
And for a moment fan the poet's fire;
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Should he, of sciences the moral friend,
Each curious, each important search suspend,
Leave unassisted Hill of herbs to tell,
And all the wonders of a cockleshell;
Having the Lord's good grace before his eyes,
Would not the Home step forth and gain the prize?
Or if this wreath of honour might adorn
The humble brows of one in England born,
Presumptuous still thy daring must appear;
Vain all thy towering hopes whilst I am here.
Thus spake a form, by silken smile and tone,
Dull and unvaried, for the Laureate known,
Folly's chief friend, Decorum's eldest son,
In every party found, and yet of none.
This airy substance, this substantial shade,
Abash'd I heard, and with respect obey'd.
From themes too lofty for a bard so mean,
Discretion beckons to an humbler scene;
The restless fever of ambition laid,
Calm I retire, and seek the sylvan shade.
Now be the Muse disrobed of all her pride,
Be all the glare of verse by truth supplied.
And if plain nature pours a simple strain,
Which Bute may praise, and Ossian not disdain,-Ossian, sublimest, simplest bard of all,
Whom English infidels Macpherson call,-Then round my head shall Honour's ensigns wave,
And pensions mark me for a willing slave.
Two boys, whose birth, beyond all question, springs
From great and glorious, though forgotten, kings-Shepherds, of Scottish lineage, born and bred
On the same bleak and barren mountain's head;
By niggard nature doom'd on the same rocks
To spin out life, and starve themselves and flocks;
Fresh as the morning, which, enrobed in mist,
The mountain's top with usual dulness kiss'd,
Jockey and Sawney to their labours rose;
Soon clad, I ween, where nature needs no clothes;
Where, from their youth inured to winter-skies,
Dress and her vain refinements they despise.
Jockey, whose manly high-boned cheeks to crown,
With freckles spotted, flamed the golden down,
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With meikle art could on the bagpipes play,
E'en from the rising to the setting day;
Sawney as long without remorse could bawl
Home's madrigals, and ditties from Fingal:
Oft at his strains, all natural though rude,
The Highland lass forgot her want of food;
And, whilst she scratch'd her lover into rest,
Sunk pleased, though hungry, on her Sawney's breast.
Far as the eye could reach, no tree was seen;
Earth, clad in russet, scorn'd the lively green:
The plague of locusts they secure defy,
For in three hours a grasshopper must die:
No living thing, whate'er its food, feasts there,
But the cameleon, who can feast on air.
No birds, except as birds of passage, flew;
No bee was known to hum, no dove to coo:
No streams, as amber smooth, as amber clear,
Were seen to glide, or heard to warble here:
Rebellion's spring, which through the country ran,
Furnish'd, with bitter draughts, the steady clan:
No flowers embalm'd the air, but one white rose,
Which on the tenth of June by instinct blows;
By instinct blows at morn, and when the shades
Of drizzly eve prevail, by instinct fades.
One, and but one poor solitary cave,
Too sparing of her favours, nature gave;
That one alone (hard tax on Scottish pride!)
Shelter at once for man and beast supplied.
There snares without, entangling briars spread,
And thistles, arm'd against the invader's head,
Stood in close ranks, all entrance to oppose;
Thistles now held more precious than the rose.
All creatures which, on nature's earliest plan,
Were formed to loathe and to be loathed by man,
Which owed their birth to nastiness and spite,
Deadly to touch, and hateful to the sight;
Creatures which, when admitted in the ark,
Their saviour shunn'd, and rankled in the dark,
Found place within: marking her noisome road
With poison's trail, here crawl'd the bloated toad;
There webs were spread of more than common size,
And half-starved spiders prey'd on half-starved flies;
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In quest of food, efts strove in vain to crawl;
Slugs, pinch'd with hunger, smear'd the slimy wall:
The cave around with hissing serpents rung;
On the damp roof unhealthy vapour hung;
And Famine, by her children always known,
As proud as poor, here fix'd her native throne.
Here, for the sullen sky was overcast,
And summer shrunk beneath a wintry blast-A native blast, which, arm'd with hail and rain,
Beat unrelenting on the naked swain,
The boys for shelter made; behind, the sheep,
Of which those shepherds every day _take keep_,
Sickly crept on, and, with complainings rude,
On nature seem'd to call, and bleat for food.
JOCKEY.
_Sith_ to this cave by tempest we're confined,
And within _ken_ our flocks, under the wind,
Safe from the pelting of this perilous storm,
Are laid _emong_ yon thistles, dry and warm,
What, Sawney, if by shepherds' art we try
To mock the rigour of this cruel sky?
What if we tune some merry roundelay?
Well dost thou sing, nor ill doth Jockey play.
SAWNEY.
Ah! Jockey, ill advisest thou, _I wis_,
To think of songs at such a time as this:
Sooner shall herbage crown these barren rocks,
Sooner shall fleeces clothe these ragged flocks,
Sooner shall want seize shepherds of the south,
And we forget to live from hand to mouth,
Than Sawney, out of season, shall impart
The songs of gladness with an aching heart.
JOCKEY.
Still have I known thee for a silly swain;
Of things past help, what boots it to complain?
Nothing but mirth can conquer fortune's spite;
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No sky is heavy, if the heart be light:
Patience is sorrow's salve: what can't be cured,
So Donald right areads, must be endured.
SAWNEY.
Full silly swain, _I wot_, is Jockey now.
How didst thou bear thy Maggy's falsehood? How,
When with a foreign loon she stole away,
Didst thou forswear thy pipe and shepherd's lay?
Where was thy boasted wisdom then, when I
Applied those proverbs which you now apply?
JOCKEY.
Oh, she was _bonny_! All the Highlands round
Was there a rival to my Maggy found?
More precious (though that precious is to all)
Than the rare medicine which we Brimstone call,
Or that choice plant, so grateful to the nose,
Which, in I know not what far country, grows,
Was Maggy unto me: dear do I rue
A lass so fair should ever prove untrue.
SAWNEY.
Whether with pipe or song to charm the ear,
Through all the land did Jamie find a peer?
Cursed be that year by every honest Scot,
And in the shepherd's calendar forgot,
That fatal year when Jamie, hapless swain!
In evil hour forsook the peaceful plain:
Jamie, when our young laird discreetly fled,
Was seized, and hang'd till he was dead, dead, dead.
JOCKEY.
Full sorely may we all lament that day,
For all were losers in the deadly fray.
Five brothers had I on the Scottish plains,
Well dost thou know were none more hopeful swains;
Five brothers there I lost, in manhood's pride;
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Two in the field, and three on gibbets died.
Ah, silly swains! to follow war's alarms;
Ah! what hath shepherds' life to do with arms?
SAWNEY.
Mention it not--there saw I strangers clad
In all the honours of our ravish'd plaid;
Saw the Ferrara, too, our nation's pride,
Unwilling grace the awkward victor's side.
There fell our choicest youth, and from that day
_Mote_ never Sawney tune the merry lay;
Bless'd those which fell! cursed those which still survive,
To mourn Fifteen renew'd in Forty-five!
Thus plain'd the boys, when, from her throne of turf,
With boils emboss'd, and overgrown with scurf,
Vile humours which, in life's corrupted well
Mix'd at the birth, not abstinence could quell,
Pale Famine rear'd the head; her eager eyes,
Where hunger e'en to madness seem'd to rise,
Speaking aloud her throes and pangs of heart,
Strain'd to get loose, and from their orbs to start:
Her hollow cheeks were each a deep-sunk cell,
Where wretchedness and horror loved to dwell;
With double rows of useless teeth supplied,
Her mouth, from ear to ear, extended wide,
Which, when for want of food her entrails pined,
She oped, and, cursing, swallow'd nought but wind:
All shrivell'd was her skin; and here and there,
Making their way by force, her bones lay bare:
Such filthy sight to hide from human view,
O'er her foul limbs a tatter'd plaid she threw.
Cease, cried the goddess, cease, despairing swains!
And from a parent hear what Jove ordains.
Pent in this barren corner of the isle,
Where partial fortune never deign'd to smile;
Like nature's bastards, reaping for our share
What was rejected by the lawful heir;
Unknown amongst the nations of the earth,
Or only known to raise contempt and mirth;
Long free, because the race of Roman braves
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Thought it not worth their while to make us slaves;
Then into bondage by that nation brought,
Whose ruin we for ages vainly sought;
Whom still with unslaked hate we view, and still,
The power of mischief lost, retain the will;
Consider'd as the refuse of mankind,
A mass till the last moment left behind,
Which frugal nature doubted, as it lay,
Whether to stamp with life or throw away;
Which, form'd in haste, was planted in this nook,
But never enter'd in Creation's book;
Branded as traitors who, for love of gold,
Would sell their God, as once their king they sold,-Long have we borne this mighty weight of ill,
These vile injurious taunts, and bear them still.
But times of happier note are now at hand,
And the full promise of a better land:
There, like the sons of Israel, having trod,
For the fix'd term of years ordain'd by God,
A barren desert, we shall seize rich plains,
Where milk with honey flows, and plenty reigns:
With some few natives join'd, some pliant few,
Who worship Interest and our track pursue;
There shall we, though the wretched people grieve,
Ravage at large, nor ask the owners' leave.
For us, the earth shall bring forth her increase;
For us, the flocks shall wear a golden fleece;
Fat beeves shall yield us dainties not our own,
And the grape bleed a nectar yet unknown:
For our advantage shall their harvests grow,
And Scotsmen reap what they disdain'd to sow:
For us, the sun shall climb the eastern hill;
For us, the rain shall fall, the dew distil.
When to our wishes Nature cannot rise,
Art shall be task'd to grant us fresh supplies;
His brawny arm shall drudging Labour strain,
And for our pleasure suffer daily pain:
Trade shall for us exert her utmost powers,
Hers all the toil, and all the profit ours:
For us, the oak shall from his native steep
Descend, and fearless travel through the deep:
The sail of commerce, for our use unfurl'd,
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Shall waft the treasures of each distant world:
For us, sublimer heights shall science reach;
For us, their statesman plot, their churchmen preach:
Their noblest limbs of council we'll disjoint,
And, mocking, new ones of our own appoint.
Devouring War, imprison'd in the North,
Shall, at our call, in horrid pomp break forth,
And when, his chariot-wheels with thunder hung,
Fell Discord braying with her brazen tongue,
Death in the van, with Anger, Hate, and Fear,
And Desolation stalking in the rear,
Revenge, by Justice guided, in his train,
He drives impetuous o'er the trembling plain,
Shall, at our bidding, quit his lawful prey,
And to meek, gentle, generous Peace give way.
Think not, my sons, that this so bless'd estate
Stands at a distance on the roll of fate;
Already big with hopes of future sway,
E'en from this cave I scent my destined prey.
Think not that this dominion o'er a race,
Whose former deeds shall time's last annals grace,
In the rough face of peril must be sought,
And with the lives of thousands dearly bought:
No--fool'd by cunning, by that happy art
Which laughs to scorn the blundering hero's heart,
Into the snare shall our kind neighbours fall
With open eyes, and fondly give us all.
When Rome, to prop her sinking empire, bore
Their choicest levies to a foreign shore,
What if we seized, like a destroying flood,
Their widow'd plains, and fill'd the realm with blood;
Gave an unbounded loose to manly rage,
And, scorning mercy, spared nor sex, nor age?
When, for our interest too mighty grown,
Monarchs of warlike bent possessed the throne,
What if we strove divisions to foment,
And spread the flames of civil discontent,
Assisted those who 'gainst their king made head,
And gave the traitors refuge when they fled?
When restless Glory bade her sons advance,
And pitch'd her standard in the fields of France,
What if, disdaining oaths,--an empty sound,
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By which our nation never shall be bound,-Bravely we taught unmuzzled War to roam,
Through the weak land, and brought cheap laurels home?
When the bold traitors, leagued for the defence
Of law, religion, liberty, and sense,
When they against their lawful monarch rose,
And dared the Lord's anointed to oppose,
What if we still revered the banish'd race,
And strove the royal vagrants to replace;
With fierce rebellions shook the unsettled state,
And greatly dared, though cross'd by partial fate?
These facts, which might, where wisdom held the sway,
Awake the very stones to bar our way,
There shall be nothing, nor one trace remain
In the dull region of an English brain;
Bless'd with that faith which mountains can remove,
First they shall dupes, next saints, last martyrs, prove.
Already is this game of Fate begun
Under the sanction of my darling son;
That son, of nature royal as his name,
Is destined to redeem our race from shame:
His boundless power, beyond example great,
Shall make the rough way smooth, the crooked straight;
Shall for our ease the raging floods restrain,
And sink the mountain level to the plain.
Discord, whom in a cavern under ground
With massy fetters their late patriot bound;
Where her own flesh the furious hag might tear,
And vent her curses to the vacant air;
Where, that she never might be heard of more,
He planted Loyalty to guard the door,
For better purpose shall our chief release,
Disguise her for a time, and call her Peace.
Lured by that name--fine engine of deceit!-Shall the weak English help themselves to cheat;
To gain our love, with honours shall they grace
The old adherents of the Stuart race,
Who, pointed out no matter by what name,
Tories or Jacobites, are still the same;
To soothe our rage the temporising brood
Shall break the ties of truth and gratitude,
Against their saviour venom'd falsehoods frame,
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And brand with calumny their William's name:
To win our grace, (rare argument of wit!)
To our untainted faith shall they commit
(Our faith, which, in extremest perils tried,
Disdain'd, and still disdains, to change her side)
That sacred Majesty they all approve,
Who most enjoys, and best deserves their love.
~ Charles Churchill,#NFDB
911:Of The Four Humours In Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
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I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
To storm a breach, or scale a city wall,
In dangers to account himself more sure
Then timerous Hares whom Castles do immure?
Have you not heard of worthyes, Demi-Gods?
Twixt them and others what is't makes the odds
But valour? whence comes that? from none of you,
Nay milksops at such brunts you look but blew.
Here's sister ruddy, worth the other two,
Who much will talk, but little dares she do,
Unless to Court and claw, to dice and drink,
And there she will out-bid us all, I think,
She loves a fiddle better then a drum,
A Chamber well, in field she dares not come,
She'l ride a horse as bravely as the best,
And break a staff, provided 'be in jest;
But shuns to look on wounds, & blood that's spilt,
She loves her sword only because its gilt.
Then here's our sad black Sister, worse then you.
She'l neither say she will, nor will she doe;
But peevish Malecontent, musing sits,
And by misprissions like to loose her witts:
If great perswasions cause her meet her foe,
In her dull resolution she's so slow,
To march her pace to some is greater pain
Then by a quick encounter to be slain.
But be she beaten, she'l not run away,
She'l first advise if't be not best to stay.
Now let's give cold white sister flegme her right,
So loving unto all she scorns to fight:
If any threaten her, she'l in a trice
Convert from water to congealed ice:
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Her teeth will chatter, dead and wan's her face,
And 'fore she be assaulted, quits the place.
She dares not challeng, if I speak amiss,
Nor hath she wit or heat to blush at this.
Here's three of you all see now what you are,
Then yield to me preheminence in war.
Again who fits for learning, science, arts?
Who rarifies the intellectual parts:
From whence fine spirits flow and witty notions:
But tis not from our dull, slow sisters motions:
Nor sister sanguine, from thy moderate heat,
Poor spirits the Liver breeds, which is thy seat.
What comes from thence, my heat refines the same
And through the arteries sends it o're the frame:
The vital spirits they're call'd, and well they may
For when they fail, man turns unto his clay.
The animal I claim as well as these,
The nerves, should I not warm, soon would they freeze
But flegme her self is now provok'd at this
She thinks I never shot so far amiss.
The brain she challengeth, the head's her seat;
But know'ts a foolish brain that wanteth heat.
My absence proves it plain, her wit then flyes
Out at her nose, or melteth at her eyes.
Oh who would miss this influence of thine
To be distill'd, a drop on every Line?
Alas, thou hast no Spirits; thy Company
Will feed a dropsy, or a Tympany,
The Palsy, Gout, or Cramp, or some such dolour:
Thou wast not made, for Souldier or for Scholar;
Of greazy paunch, and bloated cheeks go vaunt,
But a good head from these are dissonant.
But Melancholy, wouldst have this glory thine,
Thou sayst thy wits are staid, subtil and fine;
'Tis true, when I am Midwife to thy birth
Thy self's as dull, as is thy mother Earth:
Thou canst not claim the liver, head nor heart
Yet hast the Seat assign'd, a goodly part
The sinke of all us three, the hateful Spleen
Of that black Region, nature made thee Queen;
Where pain and sore obstruction thou dost work,
Where envy, malice, thy Companions lurk.
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If once thou'rt great, what follows thereupon
But bodies wasting, and destruction?
So base thou art, that baser cannot be,
Th'excrement adustion of me.
But I am weary to dilate your shame,
Nor is't my pleasure thus to blur your name,
Only to raise my honour to the Skies,
As objects best appear by contraries.
But Arms, and Arts I claim, and higher things,
The princely qualities befitting Kings,
Whose profound heads I line with policies,
They'r held for Oracles, they are so wise,
Their wrathful looks are death their words are laws
Their Courage it foe, friend, and Subject awes;
But one of you, would make a worthy King
Like our sixth Henry (that same virtuous thing)
That when a Varlet struck him o're the side,
Forsooth you are to blame, he grave reply'd.
Take Choler from a Prince, what is he more
Then a dead Lion, by Beasts triumph'd o're.
Again you know, how I act every part
By th'influence, I still send from the heart:
It's nor your Muscles, nerves, nor this nor that
Do's ought without my lively heat, that's flat:
Nay th'stomack magazine to all the rest
Without my boyling heat cannot digest:
And yet to make my greatness, still more great
What differences, the Sex? but only heat.
And one thing more, to close up my narration
Of all that lives, I cause the propagation.
I have been sparings what I might have said
I love no boasting, that's but Childrens trade.
To what you now shall say I will attend,
And to your weakness gently condescend.
Blood.
Good Sisters, give me leave, as is my place
To vent my grief, and wipe off my disgrace:
Your selves may plead your wrongs are no whit less
Your patience more then mine, I must confess
Did ever sober tongue such language speak,
Or honesty such tyes unfriendly break?
Dost know thy self so well us so amiss?
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Is't arrogance or folly causeth this?
Ile only shew the wrong thou'st done to me,
Then let my sisters right their injury.
To pay with railings is not mine intent,
But to evince the truth by Argument:
I will analyse this thy proud relation
So full of boasting and prevarication,
Thy foolish incongruityes Ile show,
So walk thee till thou'rt cold, then let thee go.
There is no Souldier but thy self (thou sayest,)
No valour upon Earth, but what thou hast
Thy silly provocations I despise,
And leave't to all to judge, where valour lies
No pattern, nor no pattron will I bring
But David, Judah's most heroick King,
Whose glorious deeds in Arms the world can tell,
A rosie cheek Musitian thou know'st well;
He knew well how to handle Sword and Harp,
And how to strike full sweet, as well as sharp,
Thou laugh'st at me for loving merriment,
And scorn'st all Knightly sports at Turnament.
Thou sayst I love my Sword, because it's gilt,
But know, I love the Blade, more then the Hill,
Yet do abhor such temerarious deeds,
As thy unbridled, barbarous Choler breeds:
Thy rudeness counts good manners vanity,
And real Complements base flattery.
For drink, which of us twain like it the best,
Ile go no further then thy nose for test:
Thy other scoffs, not worthy of reply
Shall vanish as of no validity:
Of thy black Calumnies this is but part,
But now Ile shew what souldier thou art.
And though thou'st us'd me with opprobrious spight
My ingenuity must give thee right.
Thy choler is but rage when tis most pure,
But usefull when a mixture can endure;
As with thy mother fire, so tis with thee,
The best of all the four when they agree:
But let her leave the rest, then I presume
Both them and all things else she would consume.
VVhilst us for thine associates thou tak'st,
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A Souldier most compleat in all points mak'st:
But when thou scorn'st to take the help we lend,
Thou art a Fury or infernal Fiend.
Witness the execrable deeds thou'st done,
Nor sparing Sex nor Age, nor Sire nor Son;
To satisfie thy pride and cruelty,
Thou oft hast broke bounds of Humanity,
Nay should I tell, thou would'st count me no blab,
How often for the lye, thou'st given the stab.
To take the wall's a sin of so high rate,
That nought but death the same may expiate,
To cross thy will, a challenge doth deserve
So shed'st that blood, thou'rt bounden to preserve
Wilt thou this valour, Courage, Manhood call:
No, know 'tis pride most diabolibal.
If murthers be thy glory, tis no less,
Ile not envy thy feats, nor happiness:
But if in fitting time and place 'gainst foes
For countreys good thy life thou dar'st expose,
Be dangers n'er so high, and courage great,
Ile praise that prowess, fury, Choler, heat:
But such thou never art when all alone,
Yet such when we all four are joyn'd in one.
And when such thou art, even such are we,
The friendly Coadjutors still of thee.
Nextly the Spirits thou dost wholly claim,
Which nat'ral, vital, animal we name:
To play Philosopher I have no list,
Nor yet Physitian, nor Anatomist,
For acting these, l have no will nor Art,
Yet shall with Equity, give thee thy part
For natural, thou dost not much contest;
For there is none (thou sayst) if some not best;
That there are some, and best, I dare averre
Of greatest use, if reason do not erre:
What is there living, which do'nt first derive
His Life now Animal, from vegetive:
If thou giv'st life, I give the nourishment,
Thine without mine, is not, 'tis evident:
But I without thy help, can give a growth
As plants trees, and small Embryon know'th
And if vital Spirits, do flow from thee
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I am as sure, the natural, from me:
Be thine the nobler, which I grant, yet mine
Shall justly claim priority of thine.
I am the fountain which thy Cistern fills
Through warm blew Conduits of my venial rills:
What hath the heart, but what's sent from the liver
If thou'rt the taker, I must be the giver.
Then never boast of what thou dost receive:
For of such glory I shall thee bereave.
But why the heart should be usurp'd by thee,
I must confess seems something strange to me:
The spirits through thy heat made perfect are,
But the Materials none of thine, that's clear:
Their wondrous mixture is of blood and air,
The first my self, second my mother fair.
But Ile not force retorts, nor do thee wrong,
Thy fi'ry yellow froth is mixt among,
Challeng not all, 'cause part we do allow;
Thou know'st I've there to do as well as thou:
But thou wilt say I deal unequally,
Their lives the irascible faculty,
Which without all dispute, is Cholers own;
Besides the vehement heat, only there known
Can be imputed, unto none but Fire
Which is thy self, thy Mother and thy Sire
That this is true, I easily can assent
If still you take along my Aliment;
And let me be your partner which is due,
So shall I give the dignity to you:
Again, Stomacks Concoction thou dost claim,
But by what right, nor do'st, nor canst thou name
Unless as heat, it be thy faculty,
And so thou challengest her property.
The help she needs, the loving liver lends,
Who th'benefit o'th' whole ever intends
To meddle further I shall be but shent,
Th'rest to our Sisters is more pertinent;
Your slanders thus refuted takes no place,
Nor what you've said, doth argue my disgrace,
Now through your leaves, some little time I'l spend
My worth in humble manner to commend
This, hot, moist nutritive humour of mine
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When 'tis untaint, pure, and most genuine
Shall chiefly take the place, as is my due
Without the least indignity to you.
Of all your qualities I do partake,
And what you single are, the whole I make
Your hot, moist, cold, dry natures are but four,
I moderately am all, what need I more;
As thus, if hot then dry, if moist, then cold,
If this you cann't disprove, then all I hold
My virtues hid, I've let you dimly see
My sweet Complection proves the verity.
This Scarlet die's a badge of what's within
One touch thereof, so beautifies the skin:
Nay, could I be, from all your tangs but pure
Mans life to boundless Time might still endure.
But here one thrusts her heat, wher'ts not requir'd
So suddenly, the body all is fired,
And of the calme sweet temper quite bereft,
Which makes the Mansion, by the Soul soon left.
So Melancholy seizes on a man,
With her unchearful visage, swarth and wan,
The body dryes, the mind sublime doth smother,
And turns him to the womb of's earthy mother:
And flegm likewise can shew her cruel art,
With cold distempers to pain every part:
The lungs she rots, the body wears away,
As if she'd leave no flesh to turn to clay,
Her languishing diseases, though not quick
At length demolishes the Faberick,
All to prevent, this curious care I take,
In th'last concoction segregation make
Of all the perverse humours from mine own,
The bitter choler most malignant known
I turn into his Cell close by my side
The Melancholy to the Spleen t'abide:
Likewise the whey, some use I in the veins,
The overplus I send unto the reins:
But yet for all my toil, my care and skill,
Its doom'd by an irrevocable will
That my intents should meet with interruption,
That mortal man might turn to his corruption.
I might here shew the nobleness of mind
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Of such as to the sanguine are inclin'd,
They're liberal, pleasant, kind and courteous,
And like the Liver all benignious.
For arts and sciences they are the fittest;
And maugre Choler still they are the wittiest:
With an ingenious working Phantasie,
A most voluminous large Memory,
And nothing wanting but Solidity.
But why alas, thus tedious should I be,
Thousand examples you may daily see.
If time I have transgrest, and been too long,
Yet could not be more brief without much wrong;
I've scarce wip'd off the spots proud choler cast,
Such venome lies in words, though but a blast:
No braggs i've us'd, to you I dare appeal,
If modesty my worth do not conceal.
I've us'd no bittererss nor taxt your name,
As I to you, to me do ye the same.
Melancholy.
He that with two Assailants hath to do,
Had need be armed well and active too.
Especially when friendship is pretended,
That blow's most deadly where it is intended.
Though choler rage and rail, I'le not do so,
The tongue's no weapon to assault a foe:
But sith we fight with words, we might be kind
To spare our selves and beat the whistling wind,
Fair rosie sister, so might'st thou scape free;
I'le flatter for a time as thou didst me:
But when the first offender I have laid,
Thy soothing girds shall fully be repaid.
But Choler be thou cool'd or chaf'd, I'le venter,
And in contentions lists now justly enter.
What mov'd thee thus to vilifie my name,
Not past all reason, but in truth all shame:
Thy fiery spirit shall bear away this prize,
To play such furious pranks I am too wise:
If in a Souldier rashness be so precious,
Know in a General tis most pernicious.
Nature doth teach to shield the head from harm,
The blow that's aim'd thereat is latcht by th'arm.
When in Batalia my foes I face
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I then command proud Choler stand thy place,
To use thy sword, thy courage and thy art
There to defend my self, thy better part.
This wariness count not for cowardize,
He is not truly valiant that's not wise.
It's no less glory to defend a town,
Then by assault to gain one not our own;
And if Marcellus bold be call'd Romes sword,
Wise Fabius is her buckler all accord:
And if thy hast my slowness should not temper,
'Twere but a mad irregular distemper;
Enough of that by our sisters heretofore,
Ile come to that which wounds me somewhat more
Of learning, policy thou wouldst bereave me,
But's not thine ignorance shall thus deceive me:
What greater Clark or Politician lives,
Then he whose brain a touch my humour gives?
What is too hot my coldness doth abate,
What's diffluent I do consolidate.
If I be partial judg'd or thought to erre,
The melancholy snake shall it aver,
Whose cold dry head more subtilty doth yield,
Then all the huge beasts of the fertile field.
Again thou dost confine me to the spleen,
As of that only part I were the Queen,
Let me as well make thy precincts the Gall,
So prison thee within that bladder small:
Reduce the man to's principles, then see
If I have not more part then all you three:
What is within, without, of theirs or thine,
Yet time and age shall soon declare it mine.
When death doth seize the man your stock is lost,
When you poor bankrupts prove then have I most.
You'l say here none shall e're disturb my right,
You high born from that lump then take your flight.
Then who's mans friend, when life & all forsakes?
His Mother mine, him to her womb retakes:
Thus he is ours, his portion is the grave,
But while he lives, I'le shew what part I have:
And first the firm dry bones I justly claim,
The strong foundation of the stately frame:
Likewise the usefull Slpeen, though not the best,
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Yet is a bowel call'd well as the rest:
The Liver, Stomack, owe their thanks of right,
The first it drains, of th'last quicks appetite.
Laughter (thô thou say malice) flows from hence,
These two in one cannot have residence.
But thou most grosly dost mistake to think
The Spleen for all you three was made a sink,
Of all the rest thou'st nothing there to do,
But if thou hast, that malice is from you.
Again you often touch my swarthy hue,
That black is black, and I am black tis true;
But yet more comely far I dare avow,
Then is thy torrid nose or brazen brow.
But that which shews how high your spight is bent
Is charging me to be thy excrement:
Thy loathsome imputation I defie,
So plain a slander needeth no reply.
When by thy heat thou'st bak'd thy self to crust,
And so art call'd black Choler or adust,
Thou witless think'st that I am thy excretion,
So mean thou art in Art as in discretion:
But by your leave I'le let your greatness see
What Officer thou art to us all three,
The Kitchin Drudge, the cleanser of the sinks
That casts out all that man e're eats or drinks:
If any doubt the truth whence this should come,
Shew them thy passage to th'Duodenum;
Thy biting quality still irritates,
Till filth and thee nature exonerates:
If there thou'rt stopt, to th'Liver thou turn'st in,
And thence with jaundies saffrons all the skin.
No further time Ile spend in confutation,
I trust I've clear'd your slanderous imputation.
I now speak unto all, no more to one,
Pray hear, admire and learn instruction.
My virtues yours surpass without compare,
The first my constancy that jewel rare:
Choler's too rash this golden gift to hold,
And Sanguine is more fickle manifold,
Here, there her restless thoughts do ever fly,
Constant in nothing but unconstancy.
And what Flegme is, we know, like to her mother,
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Unstable is the one, and so the other;
With me is noble patience also found,
Impatient Choler loveth not the sound,
What sanguine is, she doth not heed nor care,
Now up, now down, transported like the Air:
Flegme's patient because her nature's tame;
But I, by virtue do acquire the same.
My Temperance, Chastity is eminent,
But these with you, are seldome resident;
Now could I stain my ruddy Sisters face
With deeper red, to shew you her dsgrace,
But rather I with silence vaile her shame
Then cause her blush, while I relate the same.
Nor are ye free from this inormity,
Although she bear the greatest obloquie,
My prudence, judgement, I might now reveal
But wisdom 'tis my wisdome to conceal.
Unto diseases not inclin'd as you,
Nor cold, nor hot, Ague nor Plurisie,
Nor Cough, nor Quinsey, nor the burning Feaver,
I rarely feel to act his fierce endeavour;
My sickness in conceit chiefly doth lye,
What I imagine that's my malady.
Chymeraes strange are in my phantasy,
And things that never were, nor shall I see
I love not talk, Reason lies not in length,
Nor multitude of words argues our strength;
I've done pray sister Flegme proceed in Course,
We shall expect much sound, but little force.
Flegme.
Patient I am, patient i'd need to be,
To bear with the injurious taunts of three,
Though wit I want, and anger I have less,
Enough of both, my wrongs now to express
I've not forgot, how bitter Choler spake
Nor how her gaul on me she causeless brake;
Nor wonder 'twas for hatred there's not small,
Where opposition is Diametrical.
To what is Truth I freely will assent,
Although my Name do suffer detriment,
What's slanderous repell, doubtful dispute,
And when I've nothing left to say be mute.
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Valour I want, no Souldier am 'tis true,
I'le leave that manly Property to you;
I love no thundring guns, nor bloody wars,
My polish'd Skin was not ordain'd for Skarrs:
But though the pitched field I've ever fled,
At home the Conquerours have conquered.
Nay, I could tell you what's more true then meet,
That Kings have laid their Scepters at my feet;
When Sister sanguine paints my Ivory face:
The Monarchs bend and sue, but for my grace
My lilly white when joyned with her red,
Princes hath slav'd, and Captains captived,
Country with Country, Greece with Asia fights
Sixty nine Princes, all stout Hero Knights.
Under Troys walls ten years will wear away,
Rather then loose one beauteous Helena.
But 'twere as vain, to prove this truth of mine
As at noon day, to tell the Sun doth shine.
Next difference that 'twixt us twain doth lye
Who doth possess the brain, or thou or I?
Shame forc'd the say, the matter that was mine,
But the Spirits by which it acts are thine:
Thou speakest Truth, and I can say no less,
Thy heat doth much, I candidly confess;
Yet without ostentation I may say,
I do as much for thee another way:
And though I grant, thou art my helper here,
No debtor I because it's paid else where.
With all your flourishes, now Sisters three
Who is't that dare, or can, compare with me,
My excellencies are so great, so many,
I am confounded; fore I speak of any:
The brain's the noblest member all allow,
Its form and Scituation will avow,
Its Ventricles, Membranes and wondrous net,
Galen, Hippocrates drive to a set;
That Divine Ofspring the immortal Soul
Though it in all, and every part be whole,
Within this stately place of eminence,
Doth doubtless keep its mighty residence.
And surely, the Soul sensitive here lives,
Which life and motion to each creature gives,
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The Conjugation of the parts, to th'braine
Doth shew, hence flow the pow'rs which they retain
Within this high Built Cittadel, doth lye
The Reason, fancy, and the memory;
The faculty of speech doth here abide,
The Spirits animal, from hence do slide:
The five most noble Senses here do dwell;
Of three it's hard to say, which doth excell.
This point now to discuss, 'longs not to me,
I'le touch the sight, great'st wonder of the three;
The optick Nerve, Coats, humours all are mine,
The watry, glassie, and the Chrystaline;
O mixture strange! O colour colourless,
Thy perfect temperament who can express:
He was no fool who thought the soul lay there,
Whence her affections passions speak so clear.
O good, O bad, O true, O traiterous eyes
What wonderments within your Balls there lyes,
Of all the Senses sight shall be the Queen;
Yet some may wish, O had mine eyes ne're seen.
Mine, likewise is the marrow, of the back,
Which runs through all the Spondles of the rack,
It is the substitute o'th royal brain,
All Nerves, except seven pair, to it retain.
And the strong Ligaments from hence arise,
Which joynt to joynt, the intire body tyes.
Some other parts there issue from the Brain,
Whose worth and use to tell, I must refrain:
Some curious learned Crooke, may these reveal
But modesty, hath charg'd me to conceal
Here's my Epitome of excellence:
For what's the Brains is mine by Consequence.
A foolish brain (quoth Choler) wanting heat
But a mad one say I, where 'tis too great,
Phrensie's worse then folly, one would more glad
With a tame fool converse then with a mad;
For learning then my brain is not the fittest,
Nor will I yield that Choler is the wittiest.
Thy judgement is unsafe, thy fancy little,
For memory the sand is not more brittle;
Again, none's fit for Kingly state but thou,
If Tyrants be the best, I le it allow:
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But if love be as requisite as fear,
Then thou and I must make a mixture here.
Well to be brief, I hope now Cholers laid,
And I'le pass by what Sister sanguine said.
To Melancholy I le make no reply,
The worst she said was instability,
And too much talk, both which I here confess
A warning good, hereafter I'le say less.
Let's now be friends; its time our spight were spent,
Lest we too late this rashness do repent,
Such premises will force a sad conclusion,
Unless we agree, all falls into confusion.
Let Sangine with her hot hand Choler hold,
To take her moist my moisture will be bold:
My cold, cold melancholy hand shall clasp;
Her dry, dry Cholers other hand shall grasp.
Two hot, two moist, two cold, two dry here be,
A golden Ring, the Posey VNITY.
Nor jarrs nor scoffs, let none hereafter see,
But all admire our perfect Amity
Nor be discern'd, here's water, earth, air, fire,
But here a compact body, whole intire.
This loving counsel pleas'd them all so well
That flegm was judg'd for kindness to excell.
~ Anne Bradstreet,#NFDB
912:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
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Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
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Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
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And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
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And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
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Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
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-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
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VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
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Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
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On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
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Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
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When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
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And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
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And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
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Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
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Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,#NFDB
913:The Botanic Garden( Part Ii)
The Economy Of Vegetation
Canto II
AND NOW THE GODDESS with attention sweet
Turns to the GNOMES, that circle round her feet;
Orb within orb approach the marshal'd trains,
And pigmy legions darken all the plains;
Thrice shout with silver tones the applauding bands,
Bow, ere She speaks, and clap their fairy hands.
So the tall grass, when noon-tide zephyr blows,
Bends it's green blades in undulating rows;
Wide o'er the fields the billowy tumult spreads,
And rustling harvests bow their golden heads.
I. 'GNOMES! YOUR bright forms, presiding at her birth,
Clung in fond squadrons round the new-born EARTH;
When high in ether, with explosion dire,
From the deep craters of his realms of fire,
The whirling Sun this ponderous planet hurl'd,
And gave the astonish'd void another world.
When from it's vaporous air, condensed by cold,
Descending torrents into oceans roll'd;
And fierce attraction with relentless force
Bent the reluctant wanderer to it's course.
'Where yet the Bull with diamond-eye adorns
The Spring's fair forehead, and with golden horns;
Where yet the Lion climbs the ethereal plain,
And shakes the Summer from his radiant mane;
Where Libra lifts her airy arm, and weighs,
Poised in her silver ballance, nights and days;
With paler lustres where Aquarius burns,
And showers the still snow from his hoary urns;
YOUR ardent troops pursued the flying sphere,
Circling the starry girdle of the year;
While sweet vicissitudes of day and clime
Mark'd the new annals of enascent Time.
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II. 'You trod with printless step Earth's tender globe,
While Ocean wrap'd it in his azure robe;
Beneath his waves her hardening strata spread,
Raised her PRIMEVAL ISLANDS from his bed,
Stretch'd her wide lawns, and sunk her winding dells,
And deck'd her shores with corals, pearls, and shells.
'O'er those blest isles no ice-crown'd mountains tower'd,
No lightnings darted, and no tempests lower'd;
Soft fell the vesper-drops, condensed below,
Or bent in air the rain-refracted bow;
Sweet breathed the zephyrs, just perceiv'd and lost;
And brineless billows only kiss'd the coast;
Round the bright zodiac danced the vernal hours,
And Peace, the Cherub, dwelt in mortal bowers!
'So young DIONE, nursed beneath the waves,
And rock'd by Nereids in their coral caves,
Charm'd the blue sisterhood with playful wiles,
Lisp'd her sweet tones, and tried her tender smiles.
Then, on her beryl throne by Triton's borne,
Bright rose the Goddess like the Star of morn;
When with soft fires the milky dawn He leads,
And wakes to life and love the laughing meads;With rosy fingers, as uncurl'd they hung
Round her fair brow, her golden locks she wrung;
O'er the smooth surge on silver sandals flood,
And look'd enchantment on the dazzled flood.The bright drops, rolling from her lifted arms,
In slow meanders wander o'er her charms,
Seek round her snowy neck their lucid track,
Pearl her white shoulders, gem her ivory back,
Round her fine waist and swelling bosom swim,
And star with glittering brine each crystal limb.-The immortal form enamour'd Nature hail'd,
And Beauty blazed to heaven and earth, unvail'd.
III. 'You! who then, kindling after many an age,
Saw with new fires the first VOLCANO rage,
O'er smouldering heaps of livid sulphur swell
At Earth's firm centre, and distend her shell,
Saw at each opening cleft the furnace glow,
And seas rush headlong on the gulphs below.-
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GNOMES! how you shriek'd! when through the troubled air
Roar'd the fierce din of elemental war;
When rose the continents, and sunk the main,
And Earth's huge sphere exploding burst in twain.GNOMES! how you gazed! when from her wounded side
Where now the South-Sea heaves its waste of tide,
Rose on swift wheels the MOON'S refulgent car,
Circling the solar orb; a sister-star,
Dimpled with vales, with shining hills emboss'd,
And roll'd round Earth her airless realms of frost.
'GNOMES! how you trembled! with the dreadful force
When Earth recoiling stagger'd from her course;
When, as her Line in slower circles spun,
And her shock'd axis nodded from the sun,
With dreadful march the accumulated main
Swept her vast wrecks of mountain, vale, and plain;
And, while new tides their shouting floods unite,
And hail their Queen, fair Regent of the night;
Chain'd to one centre whirl'd the kindred spheres,
And mark'd with lunar cycles solar years.
IV. 'GNOMES! you then bade dissolving SHELLS distil
From the loose summits of each shatter'd hill,
To each fine pore and dark interstice flow,
And fill with liquid chalk the mass below.
Whence sparry forms in dusky caverns gleam
With borrow'd light, and twice refract the beam;
While in white beds congealing rocks beneath
Court the nice chissel, and desire to breathe.'Hence wearied HERCULES in marble rears
His languid limbs, and rests a thousand years;
Still, as he leans, shall young ANTINOUS please
With careless grace, and unaffected ease;
Onward with loftier step APOLLO spring,
And launch the unerring arrow from the string;
In Beauty's bashful form, the veil unfurl'd,
Ideal VENUS win the gazing world.
Hence on ROUBILIAC'S tomb shall Fame sublime
Wave her triumphant wings, and conquer Time;
Long with soft touch shall DAMER'S chissel charm,
With grace delight us, and with beauty warm;
FOSTER'S fine form shall hearts unborn engage,
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And MELBOURN's smile enchant another age.
V. GNOMES! you then taught transuding dews to pass
Through time-fall'n woods, and root-inwove morass
Age after age; and with filtration fine
Dispart, from earths and sulphurs, the saline.
1. 'HENCE with diffusive SALT old Ocean steeps
His emerald shallows, and his sapphire deeps.
Oft in wide lakes, around their warmer brim
In hollow pyramids the crystals swim;
Or, fused by earth-born fires, in cubic blocks
Shoot their white forms, and harden into rocks.
'Thus, cavern'd round in CRACOW'S mighty mines,
With crystal walls a gorgeous city shines;
Scoop'd in the briny rock long streets extend
Their hoary course, and glittering domes ascend;
Down the bright steeps, emerging into day,
Impetuous fountains burst their headlong way,
O'er milk-white vales in ivory channels spread,
And wondering seek their subterraneous bed.
Form'd in pellucid salt with chissel nice,
The pale lamp glimmering through the sculptured ice,
With wild reverted eyes fair LOTTA stands,
And spreads to Heaven, in vain, her glassy hands;
Cold dews condense upon her pearly breast,
And the big tear rolls lucid down her vest.
Far gleaming o'er the town transparent fanes
Rear their white towers, and wave their golden vanes;
Long lines of lustres pour their trembling rays,
And the bright vault returns the mingled blaze.
2. 'HENCE orient NITRE owes it's sparkling birth,
And with prismatic crystals gems the earth,
O'er tottering domes in filmy foliage crawls,
Or frosts with branching plumes the mouldering walls.
As woos Azotic Gas the virgin Air,
And veils in crimson clouds the yielding Fair,
Indignant Fire the treacherous courtship flies,
Waves his light wing, and mingles with the skies.
'So Beauty's GODDESS, warm with new desire,
Left, on her silver wheels, the GOD of Fire;
Her faithless charms to fiercer MARS resign'd,
Met with fond lips, with wanton arms intwin'd.
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-Indignant VULCAN eyed the parting Fair,
And watch'd with jealous step the guilty pair;
O'er his broad neck a wiry net he flung,
Quick as he strode, the tinkling meshes rung;
Fine as the spider's flimsy thread He wove
The immortal toil to lime illicit love;
Steel were the knots, and steel the twisted thong,
Ring link'd in ring, indissolubly strong;
On viewless hooks along the fretted roof
He hung, unseen, the inextricable woof.-Quick start the springs, the webs pellucid spread,
And lock the embracing Lovers on their bed;
Fierce with loud taunts vindictive VULCAN springs,
Tries all the bolts, and tightens all the strings,
Shakes with incessant shouts the bright abodes,
Claps his rude hands, and calls the festive Gods.-With spreading palms the alarmed Goddess tries
To veil her beauties from celestial eyes,
Writhes her fair limbs, the slender ringlets strains,
And bids her Loves untie the obdurate chains;
Soft swells her panting bosom, as she turns,
And her flush'd cheek with brighter blushes burns.
Majestic grief the Queen of Heaven avows,
And chaste Minerva hides her helmed brows;
Attendant Nymphs with bashful eyes askance
Steal of intangled MARS a transient glance;
Surrounding Gods the circling nectar quaff,
Gaze on the Fair, and envy as they laugh.
3. 'HENCE dusky IRON sleeps in dark abodes,
And ferny foliage nestles in the nodes;
Till with wide lungs the panting bellows blow,
And waked by fire the glittering torrents flow;
-Quick whirls the wheel, the ponderous hammer falls,
Loud anvils ring amid the trembling walls,
Strokes follow strokes, the sparkling ingot shines,
Flows the red slag, the lengthening bar refines;
Cold waves, immersed, the glowing mass congeal,
And turn to adamant the hissing Steel.
'Last MICHELL'S hands with touch of potent charm
The polish'd rods with powers magnetic arm;
With points directed to the polar stars
In one long line extend the temper'd bars;
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Then thrice and thrice with steady eye he guides,
And o'er the adhesive train the magnet slides;
The obedient Steel with living instinct moves,
And veers for ever to the pole it loves.
'Hail, adamantine STEEL! magnetic Lord!
King of the prow, the plowshare, and the sword!
True to the pole, by thee the pilot guides
His steady helm amid the struggling tides,
Braves with broad sail the immeasurable sea,
Cleaves the dark air, and asks no star but Thee.By thee the plowshare rends the matted plain,
Inhumes in level rows the living grain;
Intrusive forests quit the cultured ground,
And Ceres laughs with golden fillets crown'd.O'er restless realms when scowling Discord flings
Her snakes, and loud the din of battle rings;
Expiring Strength, and vanquish'd Courage feel
Thy arm resistless, adamantine STEEL!
4. 'HENCE in fine streams diffusive ACIDS flow,
Or wing'd with fire o'er Earth's fair bosom blow;
Transmute to glittering Flints her chalky lands,
Or sink on Ocean's bed in countless Sands.
Hence silvery Selenite her chrystal moulds,
And soft Asbestus smooths his silky folds;
His cubic forms phosphoric Fluor prints,
Or rays in spheres his amethystine tints.
Soft cobweb clouds transparent Onyx spreads,
And playful Agates weave their colour'd threads;
Gay pictured Mochoes glow with landscape-dyes,
And changeful Opals roll their lucid eyes;
Blue lambent light around the Sapphire plays,
Bright Rubies blush, and living Diamonds blaze.
'Thus, for attractive earth, inconstant JOVE
Mask'd in new shapes forsook his realms above.First her sweet eyes his Eagle-form beguiles,
And HEBE feeds him with ambrosial smiles;
Next the chang'd God a Cygnet's down assumes,
And playful LEDA smooths his glossy plumes;
Then glides a silver Serpent, treacherous guest!
And fair OLYMPIA folds him in her breast;
Now lows a milk-white Bull on Afric's strand,
And crops with dancing head the daisy'd land.-
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With rosy wreathes EUROPA'S hand adorns
His fringed forehead, and his pearly horns;
Light on his back the sportive Damsel bounds,
And pleased he moves along the flowery grounds;
Bears with slow step his beauteous prize aloof,
Dips in the lucid flood his ivory hoof;
Then wets his velvet knees, and wading laves
His silky sides amid the dimpling waves.
While her fond train with beckoning hands deplore,
Strain their blue eyes, and shriek along the shore;
Beneath her robe she draws her snowy feet,
And, half-reclining on her ermine seat,
Round his raised neck her radiant arms she throws,
And rests her fair cheek on his curled brows;
Her yellow tresses wave on wanton gales,
And high in air her azure mantle sails.
-Onward He moves, applauding Cupids guide,
And skim on shooting wing the shining tide;
Emerging Triton's leave their coral caves,
Sound their loud conchs, and smooth the circling waves,
Surround the timorous Beauty, as she swims,
And gaze enamour'd on her silver limbs.
-Now Europe's shadowy shores with loud acclaim
Hail the fair fugitive, and shout her name;
Soft echoes warble, whispering forests nod,
And conscious Nature owns the present God.
-Changed from the Bull, the rapturous God assumes
Immortal youth, with glow celestial blooms,
With lenient words her virgin fears disarms,
And clasps the yielding Beauty in his arms;
Whence Kings and Heroes own illustrious birth,
Guards of mankind, and demigods on earth.
VI. 'GNOMES! as you pass'd beneath the labouring soil,
The guards and guides of Nature's chemic toil,
YOU saw, deep-sepulchred in dusky realms,
Which Earth's rock-ribbed ponderous vault o'erwhelms,
With self-born fires the mass fermenting glow,
And flame-wing'd sulphurs quit the earths below.
1. 'HENCE ductile CLAYS in wide expansion spread,
Soft as the Cygnet's down, their snow-white bed;
With yielding flakes successive forms reveal,
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And change obedient to the whirling wheel.
-First CHINA'S sons, with early art elate,
Form'd the gay tea-pot, and the pictured plate;
Saw with illumin'd brow and dazzled eyes
In the red stove vitrescent colours rise;
Speck'd her tall beakers with enamel'd stars,
Her monster-josses, and gigantic jars;
Smear'd her huge dragons with metallic hues,
With golden purples, and cobaltic blues;
Bade on wide hills her porcelain castles glare,
And glazed Pagodas tremble in the air.
'ETRURIA! next beneath thy magic hands
Glides the quick wheel, the plaistic clay expands,
Nerved with fine touch, thy fingers (as it turns)
Mark the nice bounds of vases, ewers, and urns;
Round each fair form in lines immortal trace
Uncopied Beauty, and ideal Grace.
'GNOMES! as you now dissect with hammers fine
The granite-rock, the nodul'd flint calcine;
Grind with strong arm, the circling chertz betwixt,
Your pure Ka-o-lins and Pe-tun-tses mixt;
O'er each red saggars burning cave preside,
The keen-eyed Fire-Nymphs blazing by your side;
And pleased on WEDGWOOD ray your partial smile,
A new Etruria decks Britannia's isle.Charm'd by your touch, the flint liquescent pours
Through finer sieves, and falls in whiter showers;
Charm'd by your touch, the kneaded clay refines,
The biscuit hardens, the enamel shines;
Each nicer mould a softer feature drinks,
The bold Cameo speaks, the soft Intaglio thinks.
'To call the pearly drops from Pity's eye,
Or stay Despair's disanimating sigh,
Whether, O Friend of art! the gem you mould
Rich with new taste, with antient virtue bold;
Form the poor fetter'd SLAVE on bended knee
From Britain's sons imploring to be free;
Or with fair HOPE the brightening scenes improve,
And cheer the dreary wastes at Sydney-cove;
Or bid Mortality rejoice and mourn
O'er the fine forms on PORTLAND'S mystic urn.'
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Here
by fall'n columns and disjoin'd arcades,
On mouldering stones, beneath deciduous shades,
Sits HUMANKIND in hieroglyphic state,
Serious, and pondering on their changeful state;
While with inverted torch, and swimming eyes,
Sinks the fair shade of MORTAL LIFE, and dies.
There
the pale GHOST through Death's wide portal bends
His timid feet, the dusky steep descends;
With smiles assuasive LOVE DIVINE invites,
Guides on broad wing, with torch uplifted lights;
IMMORTAL LIFE, her hand extending, courts
The lingering form, his tottering step supports;
Leads on to Pluto's realms the dreary way,
And gives him trembling to Elysian day.
Beneath
in sacred robes the PRIESTESS dress'd,
The coif close-hooded, and the fluttering vest,
With pointing finger guides the initiate youth,
Unweaves the many-colour'd veil of Truth,
Drives the profane from Mystery's bolted door,
And Silence guards the Eleusinian lore.'Whether, O Friend of Art! your gems derive
Fine forms from Greece, and fabled Gods revive;
Or bid from modern life the Portrait breathe,
And bind round Honour's brow the laurel wreath;
Buoyant shall sail, with Fame's historic page,
Each fair medallion o'er the wrecks of age;
Nor Time shall mar; nor steel, nor fire, nor rust
Touch the hard polish of the immortal bust.
2. 'HENCE sable COAL his massy couch extends,
And stars of gold the sparkling Pyrite blends;
Hence dull-eyed Naphtha pours his pitchy streams,
And Jet uncolour'd drinks the solar beams,
Bright Amber shines on his electric throne,
And adds ethereal lustres to his own.
-Led by the phosphor-light, with daring tread
Immortal FRANKLIN sought the fiery bed;
Where, nursed in night, incumbent Tempest shrouds
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The seeds of Thunder in circumfluent clouds,
Besieged with iron points his airy cell,
And pierced the monster slumbering in the shell.
'So, born on sounding pinions to the WEST,
When Tyrant-Power had built his eagle nest;
While from his eyry shriek'd the famish'd brood,
Clenched their sharp claws, and champ'd their beaks for blood,
Immortal FRANKLIN watch'd the callow crew,
And stabb'd the struggling Vampires, ere they flew.
-The patriot-flame with quick contagion ran,
Hill lighted hill, and man electrised man;
Her heroes slain awhile COLUMBIA mourn'd,
And crown'd with laurels LIBERTY return'd.
'The Warrior, LIBERTY, with bending sails
Helm'd his bold course to fair HIBERNIA'S vales;Firm as he steps, along the shouting lands,
Lo! Truth and Virtue range their radiant bands;
Sad Superstition wails her empire torn,
Art plies his oar, and Commerce pours her horn.
'Long had the Giant-form on GALLIA'S plains
Inglorious slept, unconscious of his chains;
Round his large limbs were wound a thousand strings
By the weak hands of Confessors and Kings;
O'er his closed eyes a triple veil was bound,
And steely rivets lock'd him to the ground;
While stern Bastile with iron cage inthralls
His folded limbs, and hems in marble walls.
-Touch'd by the patriot-flame, he rent amazed
The flimsy bonds, and round and round him gazed;
Starts up from earth, above the admiring throng
Lifts his Colossal form, and towers along;
High o'er his foes his hundred arms He rears,
Plowshares his swords, and pruning hooks his spears;
Calls to the Good and Brave with voice, that rolls
Like Heaven's own thunder round the echoing poles;
Gives to the winds his banner broad unfurl'd,
And gathers in its shade the living world!
VII. 'GNOMES! YOU then taught volcanic airs to force
Through bubbling Lavas their resistless course,
O'er the broad walls of rifted Granite climb,
And pierce the rent roof of incumbent Lime,
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Round sparry caves metallic lustres fling,
And bear phlogiston on their tepid wing.
'HENCE glows, refulgent Tin! thy chrystal grains,
And tawny Copper shoots her azure veins;
Zinc lines his fretted vault with sable ore,
And dull Galena tessellates the floor;
On vermil beds in Idria's mighty caves
The living Silver rolls its ponderous waves;
With gay refractions bright Platina shines,
And studs with squander'd stars his dusky mines;
Long threads of netted gold, and silvery darts,
Inlay the Lazuli, and pierce the Quartz;-Whence roof'd with silver beam'd PERU, of old,
And hapless MEXICO was paved with gold.
'Heavens! on my sight what sanguine colours blaze!
Spain's deathless shame! the crimes of modern days!
When Avarice, shrouded in Religion's robe,
Sail'd to the West, and slaughter'd half the globe;
While Superstition, stalking by his side,
Mock'd the loud groans, and lap'd the bloody tide;
For sacred truths announced her frenzied dreams,
And turn'd to night the sun's meridian beams.Hear, oh, BRITANNIA! potent Queen of isles,
On whom fair Art, and meek Religion smiles,
Now AFRIC'S coasts thy craftier sons invade
With murder, rapine, theft,-and call it Trade!
-The SLAVE, in chains, on supplicating knee,
Spreads his wide arms, and lifts his eyes to Thee;
With hunger pale, with wounds and toil oppress'd,
'ARE WE NOT BRETHREN?' sorrow choaks the rest;-AIR! bear to heaven upon thy azure flood
Their innocent cries!-EARTH! cover not their blood!
VIII. 'When Heaven's dread justice smites in crimes o'ergrown
The blood-nursed Tyrant on his purple throne,
GNOMES! YOUR bold forms unnumber'd arms outstretch,
And urge the vengeance o'er the guilty wretch.Thus when CAMBYSES led his barbarous hosts
From Persia's rocks to Egypt's trembling coasts,
Defiled each hallowed fane, and sacred wood,
And, drunk with fury, swell'd the Nile with blood;
Waved his proud banner o'er the Theban states,
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And pour'd destruction through her hundred gates;
In dread divisions march'd the marshal'd bands,
And swarming armies blacken'd all the lands,
By Memphis these to ETHIOP'S sultry plains,
And those to HAMMON'S sand-incircled fanes.Slow as they pass'd, the indignant temples frown'd,
Low curses muttering from the vaulted ground;
Long ailes of Cypress waved their deepen'd glooms,
And quivering spectres grinn'd amid the tombs;
Prophetic whispers breathed from S
And MEMNON'S lyre with hollow murmurs rung;
Burst from each pyramid expiring groans,
And darker shadows stretch'd their lengthen'd cones.Day after day their deathful rout They steer,
Lust in the van, and rapine in the rear.
'GNOMES! as they march'd, You hid the gathered fruits,
The bladed grass, sweet grains, and mealy roots;
Scared the tired quails, that journey'd o'er their heads,
Retain'd the locusts in their earthy beds;
Bade on your sands no night-born dews distil,
Stay'd with vindictive hands the scanty rill.Loud o'er the camp the Fiend of Famine shrieks,
Calls all her brood, and champs her hundred beaks;
O'er ten square leagues her pennons broad expand,
And twilight swims upon the shuddering sand;
Perch'd on her crest the Griffin Discord clings,
And Giant Murder rides between her wings;
Blood from each clotted hair, and horny quill,
And showers of tears in blended streams distil;
High-poised in air her spiry neck she bends,
Rolls her keen eye, her Dragon-claws extends,
Darts from above, and tears at each fell swoop
With iron fangs the decimated troop.
'Now o'er their head the whizzing whirlwinds breathe,
And the live desert pants, and heaves beneath;
Tinged by the crimson sun, vast columns rise
Of eddying sands, and war amid the skies,
In red arcades the billowy plain surround,
And stalking turrets dance upon the ground.
-Long ranks in vain their shining blades extend,
To Demon-Gods their knees unhallow'd bend,
Wheel in wide circle, form in hollow square,
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And now they front, and now they fly the war,
Pierce the deaf tempest with lamenting cries,
Press their parch'd lips, and close their blood-shot eyes.
-GNOMES! o'er the waste YOU led your myriad powers,
Climb'd on the whirls, and aim'd the flinty showers!Onward resistless rolls the infuriate surge,
Clouds follow clouds, and mountains mountains urge;
Wave over wave the driving desert swims,
Bursts o'er their heads, inhumes their struggling limbs;
Man mounts on man, on camels camels rush,
Hosts march o'er hosts, and nations nations crush,Wheeling in air the winged islands fall,
And one great earthy Ocean covers all!Then ceased the storm,-NIGHT bow'd his Ethiop brow
To earth, and listen'd to the groans below,Grim HORROR shook,-awhile the living hill
Heaved with convulsive throes,-and all was still!
IX. 'GNOMES! whose fine forms, impassive as the air,
Shrink with soft sympathy for human care;
Who glide unseen, on printless slippers borne,
Beneath the waving grass, and nodding corn;
Or lay your tiny limbs, when noon-tide warms,
Where shadowy cowslips stretch their golden arms,So mark'd on orreries in lucid signs,
Star'd with bright points the mimic zodiac shines;
Borne on fine wires amid the pictured skies
With ivory orbs the planets set and rise;
Round the dwarf earth the pearly moon is roll'd,
And the sun twinkling whirls his rays of gold.Call your bright myriads, march your mailed hosts,
With spears and helmets glittering round the coasts;
Thick as the hairs, which rear the Lion's mane,
Or fringe the Boar, that bays the hunter-train;
Watch, where proud Surges break their treacherous mounds,
And sweep resistless o'er the cultured grounds;
Such as erewhile, impell'd o'er Belgia's plain,
Roll'd her rich ruins to the insatiate main;
With piles and piers the ruffian waves engage,
And bid indignant Ocean stay his rage.
'Where, girt with clouds, the rifted mountain yawns,
And chills with length of shade the gelid lawns,
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Climb the rude steeps, the granite-cliffs surround,
Pierce with steel points, with wooden wedges wound;
Break into clays the soft volcanic slaggs,
Or melt with acid airs the marble craggs;
Crown the green summits with adventurous flocks,
And charm with novel flowers the wondering rocks.
-So when proud Rome the Afric Warrior braved,
And high on Alps his crimson banner waved;
While rocks on rocks their beetling brows oppose
With piny forests, and unfathomed snows;
Onward he march'd, to Latium's velvet ground
With fires and acids burst the obdurate bound,
Wide o'er her weeping vales destruction hurl'd,
And shook the rising empire of the world.
X. 'Go, gentle GNOMES! resume your vernal toil,
Seek my chill tribes, which sleep beneath the soil;
On grey-moss banks, green meads, or furrow'd lands
Spread the dark mould, white lime, and crumbling sands;
Each bursting bud with healthier juices feed,
Emerging scion, or awaken'd seed.
So, in descending streams, the silver Chyle
Streaks with white clouds the golden floods of bile;
Through each nice valve the mingling currents glide,
Join their fine rills, and swell the sanguine tide;
Each countless cell, and viewless fibre seek,
Nerve the strong arm, and tinge the blushing cheek.
'Oh, watch, where bosom'd in the teeming earth,
Green swells the germ, impatient for its birth;
Guard from rapacious worms its tender shoots,
And drive the mining beetle from its roots;
With ceaseless efforts rend the obdurate clay,
And give my vegetable babes to day!
-Thus when an Angel-form, in light array'd,
Like HOWARD pierced the prison's noisome shade;
Where chain'd to earth, with eyes to heaven upturn'd,
The kneeling Saint in holy anguish mourn'd;Ray'd from his lucid vest, and halo'd brow
O'er the dark roof celestial lustres glow,
'PETER, arise!' with cheering voice He calls,
And sounds seraphic echo round the walls;
Locks, bolts, and chains his potent touch obey,
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And pleased he leads the dazzled Sage to day.
XI. 'YOU! whose fine fingers fill the organic cells,
With virgin earth, of woods and bones and shells;
Mould with retractile glue their spongy beds,
And stretch and strengthen all their fibre-threads.Late when the mass obeys its changeful doom,
And sinks to earth, its cradle and its tomb,
GNOMES! with nice eye the slow solution watch,
With fostering hand the parting atoms catch,
Join in new forms, combine with life and sense,
And guide and guard the transmigrating Ens.
'So when on Lebanon's sequester'd hight
The fair ADONIS left the realms of light,
Bow'd his bright locks, and, fated from his birth
To change eternal, mingled with the earth;With darker horror shook the conscious wood,
Groan'd the sad gales, and rivers blush'd with blood;
On cypress-boughs the Loves their quivers hung,
Their arrows scatter'd, and their bows unstrung;
And BEAUTY'S GODDESS, bending o'er his bier,
Breathed the soft sigh, and pour'd the tender tear.Admiring PROSERPINE through dusky glades
Led the fair phantom to Elysian shades,
Clad with new form, with finer sense combined,
And lit with purer flame the ethereal mind.
-Erewhile, emerging from infernal night,
The bright Assurgent rises into light,
Leaves the drear chambers of the insatiate tomb,
And shines and charms with renovated bloom.While wondering Loves the bursting grave surround,
And edge with meeting wings the yawning ground,
Stretch their fair necks, and leaning o'er the brink
View the pale regions of the dead, and shrink;
Long with broad eyes ecstatic BEAUTY stands,
Heaves her white bosom, spreads her waxen hands;
Then with loud shriek the panting Youth alarms,
'My Life! my Love!' and springs into his arms.'
The GODDESS ceased,-the delegated throng
O'er the wide plains delighted rush along;
In dusky squadrons, and in shining groups,
Hosts follow hosts, and troops succeed to troops;
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Scarce bears the bending grass the moving freight,
And nodding florets bow beneath their weight.
So when light clouds on airy pinions sail,
Flit the soft shadows o'er the waving vale;
Shade follows shade, as laughing Zephyrs drive,
And all the chequer'd landscape seems alive.
~ Erasmus Darwin,#NFDB
914:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
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Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
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Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
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When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
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Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
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Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
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Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
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Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
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At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
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Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
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Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
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Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
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All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
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Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
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On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
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In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
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When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
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'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,#NFDB
915:The Botanic Garden (Part Iv)
The Economy Of Vegetation
Canto IV
As when at noon in Hybla's fragrant bowers
CACALIA opens all her honey'd flowers;
Contending swarms on bending branches cling,
And nations hover on aurelian wing;
So round the GODDESS, ere she speaks, on high
Impatient SYLPHS in gawdy circlets fly;
Quivering in air their painted plumes expand,
And coloured shadows dance upon the land.
I. 'SYLPHS! YOUR light troops the tropic Winds confine,
And guide their streaming arrows to the Line;
While in warm floods ecliptic breezes rise,
And sink with wings benumb'd in colder skies.
You bid Monsoons on Indian seas reside,
And veer, as moves the sun, their airy tide;
While southern gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
Your playful trains, on sultry islands born,
Turn on fantastic toe at eve and morn;
With soft susurrant voice alternate sweep
Earth's green pavilions and encircling deep.
OR in itinerant cohorts, borne sublime
On tides of ether, float from clime to clime;
O'er waving Autumn bend your airy ring,
Or waft the fragrant bosom of the Spring.
II. 'When Morn, escorted by the dancing Hours,
O'er the bright plains her dewy lustre showers;
Till from her sable chariot Eve serene
Drops the dark curtain o'er the brilliant scene;
You form with chemic hands the airy surge,
Mix with broad vans, with shadowy tridents urge.
SYLPHS! from each sun-bright leaf, that twinkling shakes
O'er Earth's green lap, or shoots amid her lakes,
Your playful bands with simpering lips invite,
10
And wed the enamour'd OXYGENE to LIGHT.Round their white necks with fingers interwove,
Cling the fond Pair with unabating love;
Hand link'd in hand on buoyant step they rise,
And soar and glisten in unclouded skies.
Whence in bright floods the VITAL AIR expands,
And with concentric spheres involves the lands;
Pervades the swarming seas, and heaving earths,
Where teeming Nature broods her myriad births;
Fills the fine lungs of all that
breathe
or
bud
Warms the new heart, and dyes the gushing blood;
With Life's first spark inspires the organic frame,
And, as it wastes, renews the subtile flame.
'So pure, so soft, with sweet attraction shone
Fair PSYCHE, kneeling at the ethereal throne;
Won with coy smiles the admiring court of Jove,
And warm'd the bosom of unconquer'd LOVE.Beneath a moving shade of fruits and flowers
Onward they march to HYMEN'S sacred bowers;
With lifted torch he lights the festive train,
Sublime, and leads them in his golden chain;
Joins the fond pair, indulgent to their vows,
And hides with mystic veil their blushing brows.
Round their fair forms their mingling arms they fling,
Meet with warm lip, and clasp with rustling wing.-Hence plastic Nature, as Oblivion whelms
Her fading forms, repeoples all her realms;
Soft Joys disport on purple plumes unfurl'd,
And Love and Beauty rule the willing world.
III. 1. 'SYLPHS! Your bold myriads on the withering heath
Stay the fell SYROC'S suffocative breath;
Arrest SIMOOM in his realms of sand,
The poisoned javelin balanced in his hand;Fierce on blue streams he rides the tainted air,
Points his keen eye, and waves his whistling hair;
While, as he turns, the undulating soil
Rolls in red waves, and billowy deserts boil.
11
You seize TORNADO by his locks of mist,
Burst his dense clouds, his wheeling spires untwist;
Wide o'er the West when borne on headlong gales,
Dark as meridian night, the Monster sails,
Howls high in air, and shakes his curled brow,
Lashing with serpent-train the waves below,
Whirls his black arm, the forked lightning flings,
And showers a deluge from his demon-wings.
2. 'SYLPHS! with light shafts YOU pierce the drowsy FOG,
That lingering slumbers on the sedge-wove bog,
With webbed feet o'er midnight meadows creeps,
Or flings his hairy limbs on stagnant deeps.
YOU meet CONTAGION issuing from afar,
And dash the baleful conqueror from his car;
When, Guest of DEATH! from charnel vaults he steals,
And bathes in human gore his armed wheels.
'Thus when the PLAGUE, upborne on Belgian air,
Look'd through the mist and shook his clotted hair,
O'er shrinking nations steer'd malignant clouds,
And rain'd destruction on the gasping crouds.
The beauteous AEGLE felt the venom'd dart,
Slow roll'd her eye, and feebly throbb'd her heart;
Each fervid sigh seem'd shorter than the last,
And starting Friendship shunn'd her, as she pass'd.
-With weak unsteady step the fainting Maid
Seeks the cold garden's solitary shade,
Sinks on the pillowy moss her drooping head,
And prints with lifeless limbs her leafy bed.
-On wings of Love her plighted Swain pursues,
Shades her from winds, and shelters her from dews,
Extends on tapering poles the canvas roof,
Spreads o'er the straw-wove matt the flaxen woof,
Sweet buds and blossoms on her bolster strows,
And binds his kerchief round her aching brows;
Sooths with soft kiss, with tender accents charms,
And clasps the bright Infection in his arms.With pale and languid smiles the grateful Fair
Applauds his virtues, and rewards his care;
Mourns with wet cheek her fair companions fled
On timorous step, or number'd with the dead;
Calls to its bosom all its scatter'd rays,
And pours on THYRSIS the collected blaze;
12
Braves the chill night, caressing and caress'd,
And folds her Hero-lover to her breast.Less bold, LEANDER at the dusky hour
Eyed, as he swam, the far love-lighted tower;
Breasted with struggling arms the tossing wave,
And sunk benighted in the watery grave.
Less bold, TOBIAS claim'd the nuptial bed,
Where seven fond Lovers by a Fiend had bled;
And drove, instructed by his Angel-Guide,
The enamour'd Demon from the fatal bride.-SYLPHS! while your winnowing pinions fan'd the air,
And shed gay visions o'er the sleeping pair;
LOVE round their couch effused his rosy breath,
And with his keener arrows conquer'd DEATH.
IV. 1. 'You charm'd, indulgent SYLPHS! their learned toil,
And crown'd with fame your TORRICELL, and BOYLE;
Taught with sweet smiles, responsive to their prayer,
The spring and pressure of the viewless air.
-How up exhausted tubes bright currents flow
Of liquid silver from the lake below,
Weigh the long column of the incumbent skies,
And with the changeful moment fall and rise.
-How, as in brazen pumps the pistons move,
The membrane-valve sustains the weight above;
Stroke follows stroke, the gelid vapour falls,
And misty dew-drops dim the crystal walls;
Rare and more rare expands the fluid thin,
And Silence dwells with Vacancy within.So in the mighty Void with grim delight
Primeval Silence reign'd with ancient Night.
2. 'SYLPHS! your soft voices, whispering from the skies,
Bade from low earth the bold MONGULFIER rise;
Outstretch'd his buoyant ball with airy spring,
And bore the Sage on levity of wing;Where were ye, SYLPHS! when on the ethereal main
Young ROSIERE launch'd, and call'd your aid in vain?
Fair mounts the light balloon, by Zephyr driven,
Parts the thin clouds, and sails along the heaven;
Higher and yet higher the expanding bubble flies,
Lights with quick flash, and bursts amid the skies.Headlong He rushes through the affrighted air
13
With limbs distorted, and dishevel'd hair,
Whirls round and round, the flying croud alarms,
And DEATH receives him in his sable arms!So erst with melting wax and loosen'd strings
Sunk hapless ICARUS on unfaithful wings;
His scatter'd plumage danced upon the wave,
And sorrowing Mermaids deck'd his watery grave;
O'er his pale corse their pearly sea-flowers shed,
And strew'd with crimson moss his marble bed;
Struck in their coral towers the pausing bell,
And wide in ocean toll'd his echoing knell.
V. 'SYLPHS! YOU, retiring to sequester'd bowers,
Where oft your PRIESTLEY woos your airy powers,
On noiseless step or quivering pinion glide,
As sits the Sage with Science by his side;
To his charm'd eye in gay undress appear,
Or pour your secrets on his raptured ear.
How nitrous Gas from iron ingots driven
Drinks with red lips the purest breath of heaven;
How, while Conferva from its tender hair
Gives in bright bubbles empyrean air;
The crystal floods phlogistic ores calcine,
And the pure ETHER marries with the MINE.
'So in Sicilia's ever-blooming shade
When playful PROSERPINE from CERES stray'd,
Led with unwary step her virgin trains
O'er Etna's steeps, and Enna's golden plains;
Pluck'd with fair hand the silver-blossom'd bower,
And purpled mead,-herself a fairer flower;
Sudden, unseen amid the twilight glade,
Rush'd gloomy DIS, and seized the trembling maid.Her starting damsels sprung from mossy seats,
Dropp'd from their gauzy laps the gather'd sweets,
Clung round the struggling Nymph, with piercing cries,
Pursued the chariot, and invoked the skies;Pleased as he grasps her in his iron arms,
Frights with soft sighs, with tender words alarms,
The wheels descending roll'd in smoky rings,
Infernal Cupids flapp'd their demon wings;
Earth with deep yawn received the Fair, amaz'd,
And far in Night celestial Beauty blaz'd.
14
VI. 'Led by the Sage, Lo! Britain's sons shall guide
Huge SEA-BALLOONS beneath the tossing tide;
The diving castles, roof'd with spheric glass,
Ribb'd with strong oak, and barr'd with bolts of brass,
Buoy'd with pure air shall endless tracks pursue,
And PRIESTLEY'S hand the vital flood renew.Then shall BRITANNIA rule the wealthy realms,
Which Ocean's wide insatiate wave o'erwhelms;
Confine in netted bowers his scaly flocks,
Part his blue plains, and people all his rocks.
Deep, in warm waves beneath the Line that roll,
Beneath the shadowy ice-isles of the Pole,
Onward, through bright meandering vales, afar,
Obedient Sharks shall trail her sceptred car,
With harness'd necks the pearly flood disturb,
Stretch the silk rein, and champ the silver curb;
Pleased round her triumph wondering Tritons play,
And Seamaids hail her on the watery way.
-Oft shall she weep beneath the crystal waves
O'er shipwreck'd lovers weltering in their graves;
Mingling in death the Brave and Good behold
With slaves to glory, and with slaves to gold;
Shrin'd in the deep shall DAY and SPALDING mourn,
Each in his treacherous bell, sepulchral urn!Oft o'er thy lovely daughters, hapless PIERCE!
Her sighs shall breathe, her sorrows dew their hearse.With brow upturn'd to Heaven, 'WE WILL NOT PART!'
He cried, and clasp'd them to his aching heart,-Dash'd in dread conflict on the rocky grounds,
Crash the mock'd masts, the staggering wreck rebounds;
Through gaping seams the rushing deluge swims,
Chills their pale bosoms, bathes their shuddering limbs,
Climbs their white shoulders, buoys their streaming hair,
And the last sea-shriek bellows in the air.Each with loud sobs her tender sire caress'd,
And gasping strain'd him closer to her breast!-Stretch'd on one bier they sleep beneath the brine,
And their white bones with ivory arms intwine!
'VII. SYLPHS OF NICE EAR! with beating wings you guide
The fine vibrations of the aerial tide;
15
Join in sweet cadences the measured words,
Or stretch and modulate the trembling cords.
You strung to melody the Grecian lyre,
Breathed the rapt song, and fan'd the thought of fire,
Or brought in combinations, deep and clear,
Immortal harmony to HANDEL'S ear.YOU with soft breath attune the vernal gale,
When breezy evening broods the listening vale;
Or wake the loud tumultuous sounds, that dwell
In Echo's many-toned diurnal shell.
YOU melt in dulcet chords, when Zephyr rings
The Eolian Harp, and mingle all its strings;
Or trill in air the soft symphonious chime,
When rapt CECILIA lifts her eye sublime,
Swell, as she breathes, her bosoms rising snow,
O'er her white teeth in tuneful accents slow,
Through her fair lips on whispering pinions move,
And form the tender sighs, that kindle love!
'So playful LOVE on Ida's flowery sides
With ribbon-rein the indignant Lion guides;
Pleased on his brinded back the lyre he rings,
And shakes delirious rapture from the strings;
Slow as the pausing Monarch stalks along,
Sheaths his retractile claws, and drinks the song;
Soft Nymphs on timid step the triumph view,
And listening Fawns with beating hoofs pursue;
With pointed ears the alarmed forest starts,
And Love and Music soften savage hearts.
VIII. 'SYLPHS! YOUR bold hosts, when Heaven with justice dread
Calls the red tempest round the guilty head,
Fierce at his nod assume vindictive forms,
And launch from airy cars the vollied storms.From Ashur's vales when proud SENACHERIB trod,
Pour'd his swoln heart, defied the living GOD,
Urged with incessant shouts his glittering powers;
And JUDAH shook through all her massy towers;
Round her sad altars press'd the prostrate crowd,
Hosts beat their breasts, and suppliant chieftains bow'd;
Loud shrieks of matrons thrill'd the troubled air,
And trembling virgins rent their scatter'd hair;
High in the midst the kneeling King adored,
16
Spread the blaspheming scroll before the Lord,
Raised his pale hands, and breathed his pausing sighs,
And fixed on Heaven his dim imploring eyes,'Oh! MIGHTY GOD! amidst thy Seraph-throng
'Who sit'st sublime, the Judge of Right and Wrong;
'Thine the wide earth, bright sun, and starry zone,
'That twinkling journey round thy golden throne;
'Thine is the crystal source of life and light,
'And thine the realms of Death's eternal night.
'Oh, bend thine ear, thy gracious eye incline,
'Lo! Ashur's King blasphemes thy holy shrine,
'Insults our offerings, and derides our vows,-'Oh! strike the diadem from his impious brows,
'Tear from his murderous hand the bloody rod,
'And teach the trembling nations, 'THOU ART GOD!'-SYLPHS! in what dread array with pennons broad
Onward ye floated o'er the ethereal road,
Call'd each dank steam the reeking marsh exhales,
Contagious vapours, and volcanic gales,
Gave the soft South with poisonous breath to blow,
And rolled the dreadful whirlwind on the foe!Hark! o'er the camp the venom'd tempest sings,
Man falls on Man, on buckler buckler rings;
Groan answers groan, to anguish anguish yields,
And DEATH'S loud accents shake the tented fields!
-High rears the Fiend his grinning jaws, and wide
Spans the pale nations with colossal stride,
Waves his broad falchion with uplifted hand,
And his vast shadow darkens all the land.
IX. 1. 'Ethereal cohorts! Essences of Air!
Make the green children of the Spring your care!
Oh, SYLPHS! disclose in this inquiring age
One GOLDEN SECRET to some favour'd sage;
Grant the charm'd talisman, the chain, that binds,
Or guides the changeful pinions of the winds!
-No more shall hoary Boreas, issuing forth
With Eurus, lead the tempests of the North;
Rime the pale Dawn, or veil'd in flaky showers
Chill the sweet bosoms of the smiling Hours.
By whispering Auster waked shall Zephyr rise,
Meet with soft kiss, and mingle in the skies,
17
Fan the gay floret, bend the yellow ear,
And rock the uncurtain'd cradle of the year;
Autumn and Spring in lively union blend,
And from the skies the Golden Age descend.
2. 'Castled on ice, beneath the circling Bear,
A vast CAMELION spits and swallows air;
O'er twelve degrees his ribs gigantic bend,
And many a league his leathern jaws extend;
Half-fish, beneath, his scaly volutes spread,
And vegetable plumage crests his head;
Huge fields of air his wrinkled skin receives,
From panting gills, wide lungs, and waving leaves;
Then with dread throes subsides his bloated form,
His shriek the thunder, and his sigh the storm.
Oft high in heaven the hissing Demon wins
His towering course, upborne on winnowing fins;
Steers with expanded eye and gaping mouth,
His mass enormous to the affrighted South;
Spreads o'er the shuddering Line his shadowy limbs,
And Frost and Famine follow as he swims.SYLPHS! round his cloud-built couch your bands array,
And mould the Monster to your gentle sway;
Charm with soft tones, with tender touches check,
Bend to your golden yoke his willing neck,
With silver curb his yielding teeth restrain,
And give to KIRWAN'S hand the silken rein.
-Pleased shall the Sage, the dragon-wings between,
Bend o'er discordant climes his eye serene,
With Lapland breezes cool Arabian vales,
And call to Hindostan antarctic gales,
Adorn with wreathed ears Kampschatca's brows,
And scatter roses on Zealandic snows,
Earth's wondering Zones the genial seasons share,
And nations hail him 'MONARCH OF THE AIR.'
X. 1. 'SYLPHS! as you hover on ethereal wing,
Brood the green children of parturient Spring!Where in their bursting cells my Embryons rest,
I charge you guard the vegetable nest;
Count with nice eye the myriad SEEDS, that swell
Each vaulted womb of husk, or pod, or shell;
Feed with sweet juices, clothe with downy hair,
18
Or hang, inshrined, their little orbs in air.
'So, late descry'd by HERSCHEL'S piercing sight,
Hang the bright squadrons of the twinkling Night;
Ten thousand marshall'd stars, a silver zone,
Effuse their blended lustres round her throne;
Suns call to suns, in lucid clouds conspire,
And light exterior skies with golden fire;
Resistless rolls the illimitable sphere,
And one great circle forms the unmeasured year.
-Roll on, YE STARS! exult in youthful prime,
Mark with bright curves the printless steps of Time;
Near and more near your beamy cars approach,
And lessening orbs on lessening orbs encroach;Flowers of the sky! ye too to age must yield,
Frail as your silken sisters of the field!
Star after star from Heaven's high arch shall rush,
Suns sink on suns, and systems systems crush,
Headlong, extinct, to one dark centre fall,
And Death and Night and Chaos mingle all!
-Till o'er the wreck, emerging from the storm,
Immortal NATURE lifts her changeful form,
Mounts from her funeral pyre on wings of flame,
And soars and shines, another and the same.
2. 'Lo! on each SEED within its slender rind
Life's golden threads in endless circles wind;
Maze within maze the lucid webs are roll'd,
And, as they burst, the living flame unfold.
The pulpy acorn, ere it swells, contains
The Oak's vast branches in its milky veins;
Each ravel'd bud, fine film, and fibre-line
Traced with nice pencil on the small design.
The young Narcissus, in it's bulb compress'd,
Cradles a second nestling on its breast;
In whose fine arms a younger embryon lies,
Folds its thin leaves, and shuts its floret-eyes;
Grain within grain successive harvests dwell,
And boundless forests slumber in a shell.
-So yon grey precipice, and ivy'd towers,
Long winding meads, and intermingled bowers,
Green files of poplars, o'er the lake that bow,
And glimmering wheel, which rolls and foams below,
In one bright point with nice distinction lie
19
Plan'd on the moving tablet of the eye.
-So, fold on fold, Earth's wavy plains extend,
And, sphere in sphere, its hidden strata bend;Incumbent Spring her beamy plumes expands
O'er restless oceans, and impatient lands,
With genial lustres warms the mighty ball,
And the GREAT SEED evolves, disclosing ALL;
LIFE
buds
or
breathes
from Indus to the Poles,
And the vast surface kindles, as it rolls!
3. 'Come, YE SOFT SYLPHS! who sport on Latian land,
Come, sweet-lip'd Zephyr, and Favonius bland!
Teach the fine SEED, instinct with life, to shoot
On Earth's cold bosom its descending root;
With Pith elastic stretch its rising stem,
Part the twin Lobes, expand the throbbing Gem;
Clasp in your airy arms the aspiring Plume,
Fan with your balmy breath its kindling bloom,
Each widening scale and bursting film unfold,
Swell the green cup, and tint the flower with gold;
While in bright veins the silvery Sap ascends,
And refluent blood in milky eddies bends;
While, spread in air, the leaves respiring play,
Or drink the golden quintessence of day.
-So from his shell on Delta's shower-less isle
Bursts into life the Monster of the Nile;
First in translucent lymph with cobweb-threads
The Brain's fine floating tissue swells, and spreads;
Nerve after nerve the glistening spine descends,
The red Heart dances, the Aorta bends;
Through each new gland the purple current glides,
New veins meandering drink the refluent tides;
Edge over edge expands the hardening scale,
And sheaths his slimy skin in silver mail.
-Erewhile, emerging from the brooding sand,
With Tyger-paw He prints the brineless strand,
High on the flood with speckled bosom swims,
Helm'd with broad tail, and oar'd with giant limbs;
Rolls his fierce eye-balls, clasps his iron claws,
20
And champs with gnashing teeth his massy jaws;
Old Nilus sighs along his cane-crown'd shores,
And swarthy Memphis trembles and adores.
XI. 'Come, YE SOFT SYLPHS! who fan the Paphian groves,
And bear on sportive wings the callow Loves;
Call with sweet whisper, in each gale that blows,
The slumbering Snow-drop from her long repose;
Charm the pale Primrose from her clay-cold bed,
Unveil the bashful Violet's tremulous head;
While from her bud the playful Tulip breaks,
And young Carnations peep with blushing cheeks;
Bid the closed
Petals
from nocturnal cold
The virgin
Style
in silken curtains fold,
Shake into viewless air the morning dews,
And wave in light their iridescent hues;
While from on high the bursting
Anthers
trust
To the mild breezes their prolific dust;
Or bend in rapture o'er the central Fair,
Love out their hour, and leave their lives in air.
So in his silken sepulchre the Worm,
Warm'd with new life, unfolds his larva-form;
Erewhile aloft in wanton circles moves,
And woos on Hymen-wings his velvet loves.
XII. 1. 'If prouder branches with exuberance rude
Point their green gems, their barren shoots protrude;
Wound them, ye SYLPHS! with little knives, or bind
A wiry ringlet round the swelling rind;
Bisect with chissel fine the root below,
Or bend to earth the inhospitable bough.
So shall each germ with new prolific power
Delay the leaf-bud, and expand the flower;
Closed in the
Style
the tender pith shall end,
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The lengthening Wood in circling
Stamens
bend;
The smoother Rind its soft embroidery spread
In vaulted
Petals
o'er their fertile bed;
While the rough Bark, in circling mazes roll'd,
Forms the green
Cup
with many a wrinkled fold;
And each small bud-scale spreads its foliage hard,
Firm round the callow germ, a
Floral Guard
2. 'Where cruder juices swell the leafy vein,
Stint the young germ, the tender blossom stain;
On each lop'd shoot a softer scion bind,
Pith press'd to pith, and rind applied to rind,
So shall the trunk with loftier crest ascend,
And wide in air its happier arms extend;
Nurse the new buds, admire the leaves unknown,
And blushing bend with fruitage not its own.
'Thus when in holy triumph Aaron trod,
And offer'd on the shrine his mystic rod;
First a new bark its silken tissue weaves,
New buds emerging widen into leaves;
Fair fruits protrude, enascent flowers expand,
And blush and tremble round the living wand.
XIII. 1. 'SYLPHS! on each Oak-bud wound the wormy galls,
With pigmy spears, or crush the venom'd balls;
Fright the green Locust from his foamy bed,
Unweave the Caterpillar's gluey thread;
Chase the fierce Earwig, scare the bloated Toad,
Arrest the snail upon his slimy road;
Arm with sharp thorns the Sweet-brier's tender wood,
And dash the Cynips from her damask bud;
Steep in ambrosial dews the Woodbine's bells,
And drive the Night-moth from her honey'd cells.
So where the Humming-bird in Chili's bowers
On murmuring pinions robs the pendent flowers;
22
Seeks, where fine pores their dulcet balm distill,
And sucks the treasure with proboscis-bill;
Fair CYPREPEDIA with successful guile
Knits her smooth brow, extinguishes her smile;
A Spiders bloated paunch and jointed arms
Hide her fine form, and mask her blushing charms;
In ambush sly the mimic warrior lies,
And on quick wing the panting plunderer flies.
2. 'Shield the young Harvest from devouring blight,
The Smut's dark poison, and the Mildew white;
Deep-rooted Mould, and Ergot's horn uncouth,
And break the Canker's desolating tooth.
First in one point the festering wound confin'd
Mines unperceived beneath the shrivel'd rin'd;
Then climbs the branches with increasing strength,
Spreads as they spread, and lengthens with their length;
-Thus the slight wound ingraved on glass unneal'd
Runs in white lines along the lucid field;
Crack follows crack, to laws elastic just,
And the frail fabric shivers into dust.
XIV. 1. 'SYLPHS! if with morn destructive Eurus springs,
O, clasp the Harebel with your velvet wings;
Screen with thick leaves the Jasmine as it blows,
And shake the white rime from the shuddering Rose;
Whilst Amaryllis turns with graceful ease
Her blushing beauties, and eludes the breeze.SYLPHS! if at noon the Fritillary droops,
With drops nectareous hang her nodding cups;
Thin clouds of Gossamer in air display,
And hide the vale's chaste Lily from the ray;
Whilst Erythrina o'er her tender flower
Bends all her leaves, and braves the sultry hour;Shield, when cold Hesper sheds his dewy light,
Mimosa's soft sensations from the night;
Fold her thin foilage, close her timid flowers,
And with ambrosial slumbers guard her bowers;
O'er each warm wall while Cerea flings her arms,
And wastes on night's dull eye a blaze of charms.
2. Round her tall Elm with dewy fingers twine
The gadding tendrils of the adventurous Vine;
From arm to arm in gay festoons suspend
23
Her fragrant flowers, her graceful foliage bend;
Swell with sweet juice her vermil orbs, and feed
Shrined in transparent pulp her pearly seed;
Hang round the Orange all her silver bells,
And guard her fragrance with Hesperian spells;
Bud after bud her polish'd leaves unfold,
And load her branches with successive gold.
So the learn'd Alchemist exulting sees
Rise in his bright matrass DIANA'S trees;
Drop after drop, with just delay he pours
The red-fumed acid on Potosi's ores;
With sudden flash the fierce bullitions rise,
And wide in air the gas phlogistic flies;
Slow shoot, at length, in many a brilliant mass
Metallic roots across the netted glass;
Branch after branch extend their silver stems,
Bud into gold, and blossoms into gems.
So sits enthron'd in vegetable pride
Imperial KEW by Thames's glittering side;
Obedient sails from realms unfurrow'd bring
For her the unnam'd progeny of spring;
Attendant Nymphs her dulcet mandates hear,
And nurse in fostering arms the tender year,
Plant the young bulb, inhume the living seed,
Prop the weak stem, the erring tendril lead;
Or fan in glass-built fanes the stranger flowers
With milder gales, and steep with warmer showers.
Delighted Thames through tropic umbrage glides,
And flowers antarctic, bending o'er his tides;
Drinks the new tints, the sweets unknown inhales,
And calls the sons of science to his vales.
In one bright point admiring Nature eyes
The fruits and foliage of discordant skies,
Twines the gay floret with the fragrant bough,
And bends the wreath round GEORGE'S royal brow.
-Sometimes retiring, from the public weal
One tranquil hour the ROYAL PARTNERS steal;
Through glades exotic pass with step sublime,
Or mark the growths of Britain's happier clime;
With beauty blossom'd, and with virtue blaz'd,
Mark the fair Scions, that themselves have rais'd;
Sweet blooms the Rose, the towering Oak expands,
24
The Grace and Guard of Britain's golden lands.
XV. SYLPHS! who, round earth on purple pinions borne,
Attend the radiant chariot of the morn;
Lead the gay hours along the ethereal hight,
And on each dun meridian shower the light;
SYLPHS! who from realms of equatorial day
To climes, that shudder in the polar ray,
From zone to zone pursue on shifting wing,
The bright perennial journey of the spring;
Bring my rich Balms from Mecca's hallow'd glades,
Sweet flowers, that glitter in Arabia's shades;
Fruits, whose fair forms in bright succession glow
Gilding the Banks of Arno, or of Po;
Each leaf, whose fragrant steam with ruby lip
Gay China's nymphs from pictur'd vases sip;
Each spicy rind, which sultry India boasts,
Scenting the night-air round her breezy coasts;
Roots whose bold stems in bleak Siberia blow,
And gem with many a tint the eternal snow;
Barks, whose broad umbrage high in ether waves
O'er Ande's steeps, and hides his golden caves;
-And, where yon oak extends his dusky shoots
Wide o'er the rill, that bubbles from his roots;
Beneath whose arms, protected from the storm
A turf-built altar rears it's rustic form;
SYLPHS! with religious hands fresh garlands twine,
And deck with lavish pomp HYGEIA'S shrine.
'Call with loud voice the Sisterhood, that dwell
On floating cloud, wide wave, or bubbling well;
Stamp with charm'd foot, convoke the alarmed Gnomes
From golden beds, and adamantine domes;
Each from her sphere with beckoning arm invite,
Curl'd with red flame, the Vestal Forms of light.
Close all your spotted wings, in lucid ranks
Press with your bending knees the crowded banks,
Cross your meek arms, incline your wreathed brows,
And win the Goddess with unwearied vows.
'Oh, wave, HYGEIA! o'er BRITANNIA'S throne
Thy serpent-wand, and mark it for thy own;
Lead round her breezy coasts thy guardian trains,
Her nodding forests, and her waving plains;
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Shed o'er her peopled realms thy beamy smile,
And with thy airy temple crown her isle!'
The GODDESS ceased,-and calling from afar
The wandering Zephyrs, joins them to her car;
Mounts with light bound, and graceful, as she bends,
Whirls the long lash, the flexile rein extends;
On whispering wheels the silver axle slides,
Climbs into air, and cleaves the crystal tides;
Burst from its pearly chains, her amber hair
Streams o'er her ivory shoulders, buoy'd in air;
Swells her white veil, with ruby clasp confined
Round her fair brow, and undulates behind;
The lessening coursers rise in spiral rings,
Pierce the slow-sailing clouds, and stretch their shadowy wings.
~ Erasmus Darwin,#NFDB
916:The Marriage Of Geraint
The brave Geraint, a knight of Arthur's court,
A tributary prince of Devon, one
Of that great Order of the Table Round,
Had married Enid, Yniol's only child,
And loved her, as he loved the light of Heaven.
And as the light of Heaven varies, now
At sunrise, now at sunset, now by night
With moon and trembling stars, so loved Geraint
To make her beauty vary day by day,
In crimsons and in purples and in gems.
And Enid, but to please her husband's eye,
Who first had found and loved her in a state
Of broken fortunes, daily fronted him
In some fresh splendour; and the Queen herself,
Grateful to Prince Geraint for service done,
Loved her, and often with her own white hands
Arrayed and decked her, as the loveliest,
Next after her own self, in all the court.
And Enid loved the Queen, and with true heart
Adored her, as the stateliest and the best
And loveliest of all women upon earth.
And seeing them so tender and so close,
Long in their common love rejoiced Geraint.
But when a rumour rose about the Queen,
Touching her guilty love for Lancelot,
Though yet there lived no proof, nor yet was heard
The world's loud whisper breaking into storm,
Not less Geraint believed it; and there fell
A horror on him, lest his gentle wife,
Through that great tenderness for Guinevere,
Had suffered, or should suffer any taint
In nature: wherefore going to the King,
He made this pretext, that his princedom lay
Close on the borders of a territory,
Wherein were bandit earls, and caitiff knights,
Assassins, and all flyers from the hand
Of Justice, and whatever loathes a law:
And therefore, till the King himself should please
To cleanse this common sewer of all his realm,
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He craved a fair permission to depart,
And there defend his marches; and the King
Mused for a little on his plea, but, last,
Allowing it, the Prince and Enid rode,
And fifty knights rode with them, to the shores
Of Severn, and they past to their own land;
Where, thinking, that if ever yet was wife
True to her lord, mine shall be so to me,
He compassed her with sweet observances
And worship, never leaving her, and grew
Forgetful of his promise to the King,
Forgetful of the falcon and the hunt,
Forgetful of the tilt and tournament,
Forgetful of his glory and his name,
Forgetful of his princedom and its cares.
And this forgetfulness was hateful to her.
And by and by the people, when they met
In twos and threes, or fuller companies,
Began to scoff and jeer and babble of him
As of a prince whose manhood was all gone,
And molten down in mere uxoriousness.
And this she gathered from the people's eyes:
This too the women who attired her head,
To please her, dwelling on his boundless love,
Told Enid, and they saddened her the more:
And day by day she thought to tell Geraint,
But could not out of bashful delicacy;
While he that watched her sadden, was the more
Suspicious that her nature had a taint.
At last, it chanced that on a summer morn
(They sleeping each by either) the new sun
Beat through the blindless casement of the room,
And heated the strong warrior in his dreams;
Who, moving, cast the coverlet aside,
And bared the knotted column of his throat,
The massive square of his heroic breast,
And arms on which the standing muscle sloped,
As slopes a wild brook o'er a little stone,
Running too vehemently to break upon it.
And Enid woke and sat beside the couch,
Admiring him, and thought within herself,
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Was ever man so grandly made as he?
Then, like a shadow, past the people's talk
And accusation of uxoriousness
Across her mind, and bowing over him,
Low to her own heart piteously she said:
'O noble breast and all-puissant arms,
Am I the cause, I the poor cause that men
Reproach you, saying all your force is gone?
I AM the cause, because I dare not speak
And tell him what I think and what they say.
And yet I hate that he should linger here;
I cannot love my lord and not his name.
Far liefer had I gird his harness on him,
And ride with him to battle and stand by,
And watch his mightful hand striking great blows
At caitiffs and at wrongers of the world.
Far better were I laid in the dark earth,
Not hearing any more his noble voice,
Not to be folded more in these dear arms,
And darkened from the high light in his eyes,
Than that my lord through me should suffer shame.
Am I so bold, and could I so stand by,
And see my dear lord wounded in the strife,
And maybe pierced to death before mine eyes,
And yet not dare to tell him what I think,
And how men slur him, saying all his force
Is melted into mere effeminacy?
O me, I fear that I am no true wife.'
Half inwardly, half audibly she spoke,
And the strong passion in her made her weep
True tears upon his broad and naked breast,
And these awoke him, and by great mischance
He heard but fragments of her later words,
And that she feared she was not a true wife.
And then he thought, 'In spite of all my care,
For all my pains, poor man, for all my pains,
She is not faithful to me, and I see her
Weeping for some gay knight in Arthur's hall.'
Then though he loved and reverenced her too much
To dream she could be guilty of foul act,
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Right through his manful breast darted the pang
That makes a man, in the sweet face of her
Whom he loves most, lonely and miserable.
At this he hurled his huge limbs out of bed,
And shook his drowsy squire awake and cried,
'My charger and her palfrey;' then to her,
'I will ride forth into the wilderness;
For though it seems my spurs are yet to win,
I have not fallen so low as some would wish.
And thou, put on thy worst and meanest dress
And ride with me.' And Enid asked, amazed,
'If Enid errs, let Enid learn her fault.'
But he, 'I charge thee, ask not, but obey.'
Then she bethought her of a faded silk,
A faded mantle and a faded veil,
And moving toward a cedarn cabinet,
Wherein she kept them folded reverently
With sprigs of summer laid between the folds,
She took them, and arrayed herself therein,
Remembering when first he came on her
Drest in that dress, and how he loved her in it,
And all her foolish fears about the dress,
And all his journey to her, as himself
Had told her, and their coming to the court.
For Arthur on the Whitsuntide before
Held court at old Caerleon upon Usk.
There on a day, he sitting high in hall,
Before him came a forester of Dean,
Wet from the woods, with notice of a hart
Taller than all his fellows, milky-white,
First seen that day: these things he told the King.
Then the good King gave order to let blow
His horns for hunting on the morrow morn.
And when the King petitioned for his leave
To see the hunt, allowed it easily.
So with the morning all the court were gone.
But Guinevere lay late into the morn,
Lost in sweet dreams, and dreaming of her love
For Lancelot, and forgetful of the hunt;
But rose at last, a single maiden with her,
Took horse, and forded Usk, and gained the wood;
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There, on a little knoll beside it, stayed
Waiting to hear the hounds; but heard instead
A sudden sound of hoofs, for Prince Geraint,
Late also, wearing neither hunting-dress
Nor weapon, save a golden-hilted brand,
Came quickly flashing through the shallow ford
Behind them, and so galloped up the knoll.
A purple scarf, at either end whereof
There swung an apple of the purest gold,
Swayed round about him, as he galloped up
To join them, glancing like a dragon-fly
In summer suit and silks of holiday.
Low bowed the tributary Prince, and she,
Sweet and statelily, and with all grace
Of womanhood and queenhood, answered him:
'Late, late, Sir Prince,' she said, 'later than we!'
'Yea, noble Queen,' he answered, 'and so late
That I but come like you to see the hunt,
Not join it.' 'Therefore wait with me,' she said;
'For on this little knoll, if anywhere,
There is good chance that we shall hear the hounds:
Here often they break covert at our feet.'
And while they listened for the distant hunt,
And chiefly for the baying of Cavall,
King Arthur's hound of deepest mouth, there rode
Full slowly by a knight, lady, and dwarf;
Whereof the dwarf lagged latest, and the knight
Had vizor up, and showed a youthful face,
Imperious, and of haughtiest lineaments.
And Guinevere, not mindful of his face
In the King's hall, desired his name, and sent
Her maiden to demand it of the dwarf;
Who being vicious, old and irritable,
And doubling all his master's vice of pride,
Made answer sharply that she should not know.
'Then will I ask it of himself,' she said.
'Nay, by my faith, thou shalt not,' cried the dwarf;
'Thou art not worthy even to speak of him;'
And when she put her horse toward the knight,
Struck at her with his whip, and she returned
Indignant to the Queen; whereat Geraint
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Exclaiming, 'Surely I will learn the name,'
Made sharply to the dwarf, and asked it of him,
Who answered as before; and when the Prince
Had put his horse in motion toward the knight,
Struck at him with his whip, and cut his cheek.
The Prince's blood spirted upon the scarf,
Dyeing it; and his quick, instinctive hand
Caught at the hilt, as to abolish him:
But he, from his exceeding manfulness
And pure nobility of temperament,
Wroth to be wroth at such a worm, refrained
From even a word, and so returning said:
'I will avenge this insult, noble Queen,
Done in your maiden's person to yourself:
And I will track this vermin to their earths:
For though I ride unarmed, I do not doubt
To find, at some place I shall come at, arms
On loan, or else for pledge; and, being found,
Then will I fight him, and will break his pride,
And on the third day will again be here,
So that I be not fallen in fight. Farewell.'
'Farewell, fair Prince,' answered the stately Queen.
'Be prosperous in this journey, as in all;
And may you light on all things that you love,
And live to wed with her whom first you love:
But ere you wed with any, bring your bride,
And I, were she the daughter of a king,
Yea, though she were a beggar from the hedge,
Will clothe her for her bridals like the sun.'
And Prince Geraint, now thinking that he heard
The noble hart at bay, now the far horn,
A little vext at losing of the hunt,
A little at the vile occasion, rode,
By ups and downs, through many a grassy glade
And valley, with fixt eye following the three.
At last they issued from the world of wood,
And climbed upon a fair and even ridge,
And showed themselves against the sky, and sank.
And thither there came Geraint, and underneath
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Beheld the long street of a little town
In a long valley, on one side whereof,
White from the mason's hand, a fortress rose;
And on one side a castle in decay,
Beyond a bridge that spanned a dry ravine:
And out of town and valley came a noise
As of a broad brook o'er a shingly bed
Brawling, or like a clamour of the rooks
At distance, ere they settle for the night.
And onward to the fortress rode the three,
And entered, and were lost behind the walls.
'So,' thought Geraint, 'I have tracked him to his earth.'
And down the long street riding wearily,
Found every hostel full, and everywhere
Was hammer laid to hoof, and the hot hiss
And bustling whistle of the youth who scoured
His master's armour; and of such a one
He asked, 'What means the tumult in the town?'
Who told him, scouring still, 'The sparrow-hawk!'
Then riding close behind an ancient churl,
Who, smitten by the dusty sloping beam,
Went sweating underneath a sack of corn,
Asked yet once more what meant the hubbub here?
Who answered gruffly, 'Ugh! the sparrow-hawk.'
Then riding further past an armourer's,
Who, with back turned, and bowed above his work,
Sat riveting a helmet on his knee,
He put the self-same query, but the man
Not turning round, nor looking at him, said:
'Friend, he that labours for the sparrow-hawk
Has little time for idle questioners.'
Whereat Geraint flashed into sudden spleen:
'A thousand pips eat up your sparrow-hawk!
Tits, wrens, and all winged nothings peck him dead!
Ye think the rustic cackle of your bourg
The murmur of the world! What is it to me?
O wretched set of sparrows, one and all,
Who pipe of nothing but of sparrow-hawks!
Speak, if ye be not like the rest, hawk-mad,
Where can I get me harbourage for the night?
And arms, arms, arms to fight my enemy? Speak!'
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Whereat the armourer turning all amazed
And seeing one so gay in purple silks,
Came forward with the helmet yet in hand
And answered, 'Pardon me, O stranger knight;
We hold a tourney here tomorrow morn,
And there is scantly time for half the work.
Arms? truth! I know not: all are wanted here.
Harbourage? truth, good truth, I know not, save,
It may be, at Earl Yniol's, o'er the bridge
Yonder.' He spoke and fell to work again.
Then rode Geraint, a little spleenful yet,
Across the bridge that spanned the dry ravine.
There musing sat the hoary-headed Earl,
(His dress a suit of frayed magnificence,
Once fit for feasts of ceremony) and said:
'Whither, fair son?' to whom Geraint replied,
'O friend, I seek a harbourage for the night.'
Then Yniol, 'Enter therefore and partake
The slender entertainment of a house
Once rich, now poor, but ever open-doored.'
'Thanks, venerable friend,' replied Geraint;
'So that ye do not serve me sparrow-hawks
For supper, I will enter, I will eat
With all the passion of a twelve hours' fast.'
Then sighed and smiled the hoary-headed Earl,
And answered, 'Graver cause than yours is mine
To curse this hedgerow thief, the sparrow-hawk:
But in, go in; for save yourself desire it,
We will not touch upon him even in jest.'
Then rode Geraint into the castle court,
His charger trampling many a prickly star
Of sprouted thistle on the broken stones.
He looked and saw that all was ruinous.
Here stood a shattered archway plumed with fern;
And here had fallen a great part of a tower,
Whole, like a crag that tumbles from the cliff,
And like a crag was gay with wilding flowers:
And high above a piece of turret stair,
Worn by the feet that now were silent, wound
Bare to the sun, and monstrous ivy-stems
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Claspt the gray walls with hairy-fibred arms,
And sucked the joining of the stones, and looked
A knot, beneath, of snakes, aloft, a grove.
And while he waited in the castle court,
The voice of Enid, Yniol's daughter, rang
Clear through the open casement of the hall,
Singing; and as the sweet voice of a bird,
Heard by the lander in a lonely isle,
Moves him to think what kind of bird it is
That sings so delicately clear, and make
Conjecture of the plumage and the form;
So the sweet voice of Enid moved Geraint;
And made him like a man abroad at morn
When first the liquid note beloved of men
Comes flying over many a windy wave
To Britain, and in April suddenly
Breaks from a coppice gemmed with green and red,
And he suspends his converse with a friend,
Or it may be the labour of his hands,
To think or say, 'There is the nightingale;'
So fared it with Geraint, who thought and said,
'Here, by God's grace, is the one voice for me.'
It chanced the song that Enid sang was one
Of Fortune and her wheel, and Enid sang:
'Turn, Fortune, turn thy wheel and lower the proud;
Turn thy wild wheel through sunshine, storm, and cloud;
Thy wheel and thee we neither love nor hate.
'Turn, Fortune, turn thy wheel with smile or frown;
With that wild wheel we go not up or down;
Our hoard is little, but our hearts are great.
'Smile and we smile, the lords of many lands;
Frown and we smile, the lords of our own hands;
For man is man and master of his fate.
'Turn, turn thy wheel above the staring crowd;
Thy wheel and thou are shadows in the cloud;
Thy wheel and thee we neither love nor hate.'
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'Hark, by the bird's song ye may learn the nest,'
Said Yniol; 'enter quickly.' Entering then,
Right o'er a mount of newly-fallen stones,
The dusky-raftered many-cobwebbed hall,
He found an ancient dame in dim brocade;
And near her, like a blossom vermeil-white,
That lightly breaks a faded flower-sheath,
Moved the fair Enid, all in faded silk,
Her daughter. In a moment thought Geraint,
'Here by God's rood is the one maid for me.'
But none spake word except the hoary Earl:
'Enid, the good knight's horse stands in the court;
Take him to stall, and give him corn, and then
Go to the town and buy us flesh and wine;
And we will make us merry as we may.
Our hoard is little, but our hearts are great.'
He spake: the Prince, as Enid past him, fain
To follow, strode a stride, but Yniol caught
His purple scarf, and held, and said, 'Forbear!
Rest! the good house, though ruined, O my son,
Endures not that her guest should serve himself.'
And reverencing the custom of the house
Geraint, from utter courtesy, forbore.
So Enid took his charger to the stall;
And after went her way across the bridge,
And reached the town, and while the Prince and Earl
Yet spoke together, came again with one,
A youth, that following with a costrel bore
The means of goodly welcome, flesh and wine.
And Enid brought sweet cakes to make them cheer,
And in her veil enfolded, manchet bread.
And then, because their hall must also serve
For kitchen, boiled the flesh, and spread the board,
And stood behind, and waited on the three.
And seeing her so sweet and serviceable,
Geraint had longing in him evermore
To stoop and kiss the tender little thumb,
That crost the trencher as she laid it down:
But after all had eaten, then Geraint,
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For now the wine made summer in his veins,
Let his eye rove in following, or rest
On Enid at her lowly handmaid-work,
Now here, now there, about the dusky hall;
Then suddenly addrest the hoary Earl:
'Fair Host and Earl, I pray your courtesy;
This sparrow-hawk, what is he? tell me of him.
His name? but no, good faith, I will not have it:
For if he be the knight whom late I saw
Ride into that new fortress by your town,
White from the mason's hand, then have I sworn
From his own lips to have it--I am Geraint
Of Devon--for this morning when the Queen
Sent her own maiden to demand the name,
His dwarf, a vicious under-shapen thing,
Struck at her with his whip, and she returned
Indignant to the Queen; and then I swore
That I would track this caitiff to his hold,
And fight and break his pride, and have it of him.
And all unarmed I rode, and thought to find
Arms in your town, where all the men are mad;
They take the rustic murmur of their bourg
For the great wave that echoes round the world;
They would not hear me speak: but if ye know
Where I can light on arms, or if yourself
Should have them, tell me, seeing I have sworn
That I will break his pride and learn his name,
Avenging this great insult done the Queen.'
Then cried Earl Yniol, 'Art thou he indeed,
Geraint, a name far-sounded among men
For noble deeds? and truly I, when first
I saw you moving by me on the bridge,
Felt ye were somewhat, yea, and by your state
And presence might have guessed you one of those
That eat in Arthur's hall in Camelot.
Nor speak I now from foolish flattery;
For this dear child hath often heard me praise
Your feats of arms, and often when I paused
Hath asked again, and ever loved to hear;
So grateful is the noise of noble deeds
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To noble hearts who see but acts of wrong:
O never yet had woman such a pair
Of suitors as this maiden: first Limours,
A creature wholly given to brawls and wine,
Drunk even when he wooed; and be he dead
I know not, but he past to the wild land.
The second was your foe, the sparrow-hawk,
My curse, my nephew--I will not let his name
Slip from my lips if I can help it--he,
When that I knew him fierce and turbulent
Refused her to him, then his pride awoke;
And since the proud man often is the mean,
He sowed a slander in the common ear,
Affirming that his father left him gold,
And in my charge, which was not rendered to him;
Bribed with large promises the men who served
About my person, the more easily
Because my means were somewhat broken into
Through open doors and hospitality;
Raised my own town against me in the night
Before my Enid's birthday, sacked my house;
From mine own earldom foully ousted me;
Built that new fort to overawe my friends,
For truly there are those who love me yet;
And keeps me in this ruinous castle here,
Where doubtless he would put me soon to death,
But that his pride too much despises me:
And I myself sometimes despise myself;
For I have let men be, and have their way;
Am much too gentle, have not used my power:
Nor know I whether I be very base
Or very manful, whether very wise
Or very foolish; only this I know,
That whatsoever evil happen to me,
I seem to suffer nothing heart or limb,
But can endure it all most patiently.'
'Well said, true heart,' replied Geraint, 'but arms,
That if the sparrow-hawk, this nephew, fight
In next day's tourney I may break his pride.'
And Yniol answered, 'Arms, indeed, but old
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And rusty, old and rusty, Prince Geraint,
Are mine, and therefore at thy asking, thine.
But in this tournament can no man tilt,
Except the lady he loves best be there.
Two forks are fixt into the meadow ground,
And over these is placed a silver wand,
And over that a golden sparrow-hawk,
The prize of beauty for the fairest there.
And this, what knight soever be in field
Lays claim to for the lady at his side,
And tilts with my good nephew thereupon,
Who being apt at arms and big of bone
Has ever won it for the lady with him,
And toppling over all antagonism
Has earned himself the name of sparrow-hawk.'
But thou, that hast no lady, canst not fight.'
To whom Geraint with eyes all bright replied,
Leaning a little toward him, 'Thy leave!
Let ME lay lance in rest, O noble host,
For this dear child, because I never saw,
Though having seen all beauties of our time,
Nor can see elsewhere, anything so fair.
And if I fall her name will yet remain
Untarnished as before; but if I live,
So aid me Heaven when at mine uttermost,
As I will make her truly my true wife.'
Then, howsoever patient, Yniol's heart
Danced in his bosom, seeing better days,
And looking round he saw not Enid there,
(Who hearing her own name had stolen away)
But that old dame, to whom full tenderly
And folding all her hand in his he said,
'Mother, a maiden is a tender thing,
And best by her that bore her understood.
Go thou to rest, but ere thou go to rest
Tell her, and prove her heart toward the Prince.'
So spake the kindly-hearted Earl, and she
With frequent smile and nod departing found,
Half disarrayed as to her rest, the girl;
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Whom first she kissed on either cheek, and then
On either shining shoulder laid a hand,
And kept her off and gazed upon her face,
And told them all their converse in the hall,
Proving her heart: but never light and shade
Coursed one another more on open ground
Beneath a troubled heaven, than red and pale
Across the face of Enid hearing her;
While slowly falling as a scale that falls,
When weight is added only grain by grain,
Sank her sweet head upon her gentle breast;
Nor did she lift an eye nor speak a word,
Rapt in the fear and in the wonder of it;
So moving without answer to her rest
She found no rest, and ever failed to draw
The quiet night into her blood, but lay
Contemplating her own unworthiness;
And when the pale and bloodless east began
To quicken to the sun, arose, and raised
Her mother too, and hand in hand they moved
Down to the meadow where the jousts were held,
And waited there for Yniol and Geraint.
And thither came the twain, and when Geraint
Beheld her first in field, awaiting him,
He felt, were she the prize of bodily force,
Himself beyond the rest pushing could move
The chair of Idris. Yniol's rusted arms
Were on his princely person, but through these
Princelike his bearing shone; and errant knights
And ladies came, and by and by the town
Flowed in, and settling circled all the lists.
And there they fixt the forks into the ground,
And over these they placed the silver wand,
And over that the golden sparrow-hawk.
Then Yniol's nephew, after trumpet blown,
Spake to the lady with him and proclaimed,
'Advance and take, as fairest of the fair,
What I these two years past have won for thee,
The prize of beauty.' Loudly spake the Prince,
'Forbear: there is a worthier,' and the knight
With some surprise and thrice as much disdain
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Turned, and beheld the four, and all his face
Glowed like the heart of a great fire at Yule,
So burnt he was with passion, crying out,
'Do battle for it then,' no more; and thrice
They clashed together, and thrice they brake their spears.
Then each, dishorsed and drawing, lashed at each
So often and with such blows, that all the crowd
Wondered, and now and then from distant walls
There came a clapping as of phantom hands.
So twice they fought, and twice they breathed, and still
The dew of their great labour, and the blood
Of their strong bodies, flowing, drained their force.
But either's force was matched till Yniol's cry,
'Remember that great insult done the Queen,'
Increased Geraint's, who heaved his blade aloft,
And cracked the helmet through, and bit the bone,
And felled him, and set foot upon his breast,
And said, 'Thy name?' To whom the fallen man
Made answer, groaning, 'Edyrn, son of Nudd!
Ashamed am I that I should tell it thee.
My pride is broken: men have seen my fall.'
'Then, Edyrn, son of Nudd,' replied Geraint,
'These two things shalt thou do, or else thou diest.
First, thou thyself, with damsel and with dwarf,
Shalt ride to Arthur's court, and coming there,
Crave pardon for that insult done the Queen,
And shalt abide her judgment on it; next,
Thou shalt give back their earldom to thy kin.
These two things shalt thou do, or thou shalt die.'
And Edyrn answered, 'These things will I do,
For I have never yet been overthrown,
And thou hast overthrown me, and my pride
Is broken down, for Enid sees my fall!'
And rising up, he rode to Arthur's court,
And there the Queen forgave him easily.
And being young, he changed and came to loathe
His crime of traitor, slowly drew himself
Bright from his old dark life, and fell at last
In the great battle fighting for the King.
But when the third day from the hunting-morn
Made a low splendour in the world, and wings
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Moved in her ivy, Enid, for she lay
With her fair head in the dim-yellow light,
Among the dancing shadows of the birds,
Woke and bethought her of her promise given
No later than last eve to Prince Geraint-So bent he seemed on going the third day,
He would not leave her, till her promise given-To ride with him this morning to the court,
And there be made known to the stately Queen,
And there be wedded with all ceremony.
At this she cast her eyes upon her dress,
And thought it never yet had looked so mean.
For as a leaf in mid-November is
To what it is in mid-October, seemed
The dress that now she looked on to the dress
She looked on ere the coming of Geraint.
And still she looked, and still the terror grew
Of that strange bright and dreadful thing, a court,
All staring at her in her faded silk:
And softly to her own sweet heart she said:
'This noble prince who won our earldom back,
So splendid in his acts and his attire,
Sweet heaven, how much I shall discredit him!
Would he could tarry with us here awhile,
But being so beholden to the Prince,
It were but little grace in any of us,
Bent as he seemed on going this third day,
To seek a second favour at his hands.
Yet if he could but tarry a day or two,
Myself would work eye dim, and finger lame,
Far liefer than so much discredit him.'
And Enid fell in longing for a dress
All branched and flowered with gold, a costly gift
Of her good mother, given her on the night
Before her birthday, three sad years ago,
That night of fire, when Edyrn sacked their house,
And scattered all they had to all the winds:
For while the mother showed it, and the two
Were turning and admiring it, the work
To both appeared so costly, rose a cry
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That Edyrn's men were on them, and they fled
With little save the jewels they had on,
Which being sold and sold had bought them bread:
And Edyrn's men had caught them in their flight,
And placed them in this ruin; and she wished
The Prince had found her in her ancient home;
Then let her fancy flit across the past,
And roam the goodly places that she knew;
And last bethought her how she used to watch,
Near that old home, a pool of golden carp;
And one was patched and blurred and lustreless
Among his burnished brethren of the pool;
And half asleep she made comparison
Of that and these to her own faded self
And the gay court, and fell asleep again;
And dreamt herself was such a faded form
Among her burnished sisters of the pool;
But this was in the garden of a king;
And though she lay dark in the pool, she knew
That all was bright; that all about were birds
Of sunny plume in gilded trellis-work;
That all the turf was rich in plots that looked
Each like a garnet or a turkis in it;
And lords and ladies of the high court went
In silver tissue talking things of state;
And children of the King in cloth of gold
Glanced at the doors or gamboled down the walks;
And while she thought 'They will not see me,' came
A stately queen whose name was Guinevere,
And all the children in their cloth of gold
Ran to her, crying, 'If we have fish at all
Let them be gold; and charge the gardeners now
To pick the faded creature from the pool,
And cast it on the mixen that it die.'
And therewithal one came and seized on her,
And Enid started waking, with her heart
All overshadowed by the foolish dream,
And lo! it was her mother grasping her
To get her well awake; and in her hand
A suit of bright apparel, which she laid
Flat on the couch, and spoke exultingly:
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'See here, my child, how fresh the colours look,
How fast they hold like colours of a shell
That keeps the wear and polish of the wave.
Why not? It never yet was worn, I trow:
Look on it, child, and tell me if ye know it.'
And Enid looked, but all confused at first,
Could scarce divide it from her foolish dream:
Then suddenly she knew it and rejoiced,
And answered, 'Yea, I know it; your good gift,
So sadly lost on that unhappy night;
Your own good gift!' 'Yea, surely,' said the dame,
'And gladly given again this happy morn.
For when the jousts were ended yesterday,
Went Yniol through the town, and everywhere
He found the sack and plunder of our house
All scattered through the houses of the town;
And gave command that all which once was ours
Should now be ours again: and yester-eve,
While ye were talking sweetly with your Prince,
Came one with this and laid it in my hand,
For love or fear, or seeking favour of us,
Because we have our earldom back again.
And yester-eve I would not tell you of it,
But kept it for a sweet surprise at morn.
Yea, truly is it not a sweet surprise?
For I myself unwillingly have worn
My faded suit, as you, my child, have yours,
And howsoever patient, Yniol his.
Ah, dear, he took me from a goodly house,
With store of rich apparel, sumptuous fare,
And page, and maid, and squire, and seneschal,
And pastime both of hawk and hound, and all
That appertains to noble maintenance.
Yea, and he brought me to a goodly house;
But since our fortune swerved from sun to shade,
And all through that young traitor, cruel need
Constrained us, but a better time has come;
So clothe yourself in this, that better fits
Our mended fortunes and a Prince's bride:
For though ye won the prize of fairest fair,
And though I heard him call you fairest fair,
678
Let never maiden think, however fair,
She is not fairer in new clothes than old.
And should some great court-lady say, the Prince
Hath picked a ragged-robin from the hedge,
And like a madman brought her to the court,
Then were ye shamed, and, worse, might shame the Prince
To whom we are beholden; but I know,
That when my dear child is set forth at her best,
That neither court nor country, though they sought
Through all the provinces like those of old
That lighted on Queen Esther, has her match.'
Here ceased the kindly mother out of breath;
And Enid listened brightening as she lay;
Then, as the white and glittering star of morn
Parts from a bank of snow, and by and by
Slips into golden cloud, the maiden rose,
And left her maiden couch, and robed herself,
Helped by the mother's careful hand and eye,
Without a mirror, in the gorgeous gown;
Who, after, turned her daughter round, and said,
She never yet had seen her half so fair;
And called her like that maiden in the tale,
Whom Gwydion made by glamour out of flowers
And sweeter than the bride of Cassivelaun,
Flur, for whose love the Roman Csar first
Invaded Britain, 'But we beat him back,
As this great Prince invaded us, and we,
Not beat him back, but welcomed him with joy
And I can scarcely ride with you to court,
For old am I, and rough the ways and wild;
But Yniol goes, and I full oft shall dream
I see my princess as I see her now,
Clothed with my gift, and gay among the gay.'
But while the women thus rejoiced, Geraint
Woke where he slept in the high hall, and called
For Enid, and when Yniol made report
Of that good mother making Enid gay
In such apparel as might well beseem
His princess, or indeed the stately Queen,
He answered: 'Earl, entreat her by my love,
679
Albeit I give no reason but my wish,
That she ride with me in her faded silk.'
Yniol with that hard message went; it fell
Like flaws in summer laying lusty corn:
For Enid, all abashed she knew not why,
Dared not to glance at her good mother's face,
But silently, in all obedience,
Her mother silent too, nor helping her,
Laid from her limbs the costly-broidered gift,
And robed them in her ancient suit again,
And so descended. Never man rejoiced
More than Geraint to greet her thus attired;
And glancing all at once as keenly at her
As careful robins eye the delver's toil,
Made her cheek burn and either eyelid fall,
But rested with her sweet face satisfied;
Then seeing cloud upon the mother's brow,
Her by both hands she caught, and sweetly said,
'O my new mother, be not wroth or grieved
At thy new son, for my petition to her.
When late I left Caerleon, our great Queen,
In words whose echo lasts, they were so sweet,
Made promise, that whatever bride I brought,
Herself would clothe her like the sun in Heaven.
Thereafter, when I reached this ruined hall,
Beholding one so bright in dark estate,
I vowed that could I gain her, our fair Queen,
No hand but hers, should make your Enid burst
Sunlike from cloud--and likewise thought perhaps,
That service done so graciously would bind
The two together; fain I would the two
Should love each other: how can Enid find
A nobler friend? Another thought was mine;
I came among you here so suddenly,
That though her gentle presence at the lists
Might well have served for proof that I was loved,
I doubted whether daughter's tenderness,
Or easy nature, might not let itself
Be moulded by your wishes for her weal;
Or whether some false sense in her own self
Of my contrasting brightness, overbore
680
Her fancy dwelling in this dusky hall;
And such a sense might make her long for court
And all its perilous glories: and I thought,
That could I someway prove such force in her
Linked with such love for me, that at a word
(No reason given her) she could cast aside
A splendour dear to women, new to her,
And therefore dearer; or if not so new,
Yet therefore tenfold dearer by the power
Of intermitted usage; then I felt
That I could rest, a rock in ebbs and flows,
Fixt on her faith. Now, therefore, I do rest,
A prophet certain of my prophecy,
That never shadow of mistrust can cross
Between us. Grant me pardon for my thoughts:
And for my strange petition I will make
Amends hereafter by some gaudy-day,
When your fair child shall wear your costly gift
Beside your own warm hearth, with, on her knees,
Who knows? another gift of the high God,
Which, maybe, shall have learned to lisp you thanks.'
He spoke: the mother smiled, but half in tears,
Then brought a mantle down and wrapt her in it,
And claspt and kissed her, and they rode away.
Now thrice that morning Guinevere had climbed
The giant tower, from whose high crest, they say,
Men saw the goodly hills of Somerset,
And white sails flying on the yellow sea;
But not to goodly hill or yellow sea
Looked the fair Queen, but up the vale of Usk,
By the flat meadow, till she saw them come;
And then descending met them at the gates,
Embraced her with all welcome as a friend,
And did her honour as the Prince's bride,
And clothed her for her bridals like the sun;
And all that week was old Caerleon gay,
For by the hands of Dubric, the high saint,
They twain were wedded with all ceremony.
And this was on the last year's Whitsuntide.
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But Enid ever kept the faded silk,
Remembering how first he came on her,
Drest in that dress, and how he loved her in it,
And all her foolish fears about the dress,
And all his journey toward her, as himself
Had told her, and their coming to the court.
And now this morning when he said to her,
'Put on your worst and meanest dress,' she found
And took it, and arrayed herself therein.
~ Alfred Lord Tennyson,#NFDB
917:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.
Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.
Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."
Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"
He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.
'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.
What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"
Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.
Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.
O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.
And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.
After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.
At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.
O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.
He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.
Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.
It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."
Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.
Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.
Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!
"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.
He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.
(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.
(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.
(line 430): In the draft, Endymion was described as The mortal Latmian.
(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.
(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).
(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,#NFDB
918:class:Classics
BOOK THE NINTH
The Story of Achelous and Hercules
Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.
Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.
While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.
Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.
A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.
O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.
Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.
He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.
Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.
The Death of Nessus the Centaur
This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.
Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.
The Death of Hercules
Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.
Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.
Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.
As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.
Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?
The Transformation of Lychas into a Rock
The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.
Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.
The Apotheosis of Hercules
But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.
Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.
The Transformation of Galanthis
Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.
O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!
May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.
When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.
Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.
The Fable of Dryope
She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.
No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.
A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.
This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.
Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.
If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.
Iolaus restor'd to Youth
While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.
The Prophecy of Themis
Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).
Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.
The Debate of the Gods
When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.
Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.
The Passion of of Byblis
Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.
But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.
O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.
If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.
Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.
Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.
Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?
To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;
Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.
Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.
The Fable of Iphis and Ian the
The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.
Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.
Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.
Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.
They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.
Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.
And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?
Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.
She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.
Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.
Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.
Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.
Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.
----------------------------------------------------------------------
~ Ovid, BOOK THE NINTH
,#NFDB
919:The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
259
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
260
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:-At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,-Let Favour speak for others, Worth for me.-For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows-At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
261
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view-What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
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Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
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What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
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Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
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Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
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By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
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From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,-Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
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With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know-It was the fashion twenty years ago.
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Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last-He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
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'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
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Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came-Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
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Can none remember? Yes--I know all must-When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
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Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
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Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
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Talk not to me of diffidence and fear-I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,-Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
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Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
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The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
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The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly-Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
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Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:-From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
280
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
281
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
282
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low-Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause-'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
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If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught-Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,-Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:-If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
284
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
~ Charles Churchill,#NFDB
920:BOOK THE SECOND
The Story of Phaeton
The Sun's bright palace, on high columns rais'd,
With burnish'd gold and flaming jewels blaz'd;
The folding gates diffus'd a silver light,
And with a milder gleam refresh'd the sight;
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
For in the portal was display'd on high
(The work of Vulcan) a fictitious sky;
A waving sea th' inferiour Earth embrac'd,
And Gods and Goddesses the waters grac'd.
Aegeon here a mighty whale bestrode;
Triton, and Proteus (the deceiving God)
With Doris here were carv'd, and all her train,
Some loosely swimming in the figur'd main,
While some on rocks their dropping hair divide,
And some on fishes through the waters glide:
Tho' various features did the sisters grace,
A sister's likeness was in ev'ry face.
On Earth a diff'rent landskip courts the eyes,
Men, towns, and beasts in distant prospects rise,
And nymphs, and streams, and woods, and rural deities.
O'er all, the Heav'n's refulgent image shines;
On either gate were six engraven signs.
Here Phaeton still gaining on th' ascent,
To his suspected father's palace went,
'Till pressing forward through the bright abode,
He saw at distance the illustrious God:
He saw at distance, or the dazling light
Had flash'd too strongly on his aking sight.
The God sits high, exalted on a throne
Of blazing gems, with purple garments on;
The Hours, in order rang'd on either hand,
And Days, and Months, and Years, and Ages stand.
Here Spring appears with flow'ry chaplets bound;
Here Summer in her wheaten garl and crown'd;
Here Autumn the rich trodden grapes besmear;
And hoary Winter shivers in the reer.
Phoebus beheld the youth from off his throne;
That eye, which looks on all, was fix'd in one.
He saw the boy's confusion in his face,
Surpriz'd at all the wonders of the place;
And cries aloud, "What wants my son? for know
My son thou art, and I must call thee so."
"Light of the world," the trembling youth replies,
"Illustrious parent! since you don't despise
The parent's name, some certain token give,
That I may Clymene's proud boast believe,
Nor longer under false reproaches grieve."
The tender sire was touch'd with what he said,
And flung the blaze of glories from his head,
And bid the youth advance: "My son," said he,
"Come to thy father's arms! for Clymene
Has told thee true; a parent's name I own,
And deem thee worthy to be called my son.
As a sure proof, make some request, and I,
Whate'er it be, with that request comply;
By Styx I swear, whose waves are hid in night,
And roul impervious to my piercing sight."
The youth transported, asks, without delay,
To guide the sun's bright chariot for a day.
The God repented of the oath he took,
For anguish thrice his radiant head he shook;
"My son," says he, "some other proof require,
Rash was my promise, rash is thy desire.
I'd fain deny this wish, which thou hast made,
Or, what I can't deny, wou'd fain disswade.
Too vast and hazardous the task appears,
Nor suited to thy strength, nor to thy years.
Thy lot is mortal, but thy wishes fly
Beyond the province of mortality:
There is not one of all the Gods that dares
(However skill'd in other great affairs)
To mount the burning axle-tree, but I;
Not Jove himself, the ruler of the sky,
That hurles the three-fork'd thunder from above,
Dares try his strength: yet who so strong as Jove?
The steeds climb up the first ascent with pain,
And when the middle firmament they gain,
If downward from the Heav'ns my head I bow,
And see the Earth and Ocean hang below,
Ev'n I am seiz'd with horror and affright,
And my own heart misgives me at the sight.
A mighty downfal steeps the ev'ning stage,
And steddy reins must curb the horses' rage.
Tethys herself has fear'd to see me driv'n
Down headlong from the precipice of Heav'n.
Besides, consider what impetuous force
Turns stars and planets in a diff'rent course.
I steer against their motions; nor am I
Born back by all the current of the sky.
But how cou'd you resist the orbs that roul
In adverse whirls, and stem the rapid pole?
But you perhaps may hope for pleasing woods,
And stately dooms, and cities fill'd with Gods;
While through a thousand snares your progress lies,
Where forms of starry monsters stock the skies:
For, shou'd you hit the doubtful way aright,
The bull with stooping horns stands opposite;
Next him the bright Haemonian bow is strung,
And next, the lion's grinning visage hung:
The scorpion's claws, here clasp a wide extent;
And here the crab's in lesser clasps are bent.
Nor wou'd you find it easie to compose
The mettled steeds, when from their nostrils flows
The scorching fire, that in their entrails glows.
Ev'n I their head-strong fury scarce restrain,
When they grow warm and restif to the rein.
Let not my son a fatal gift require,
But, O! in time, recall your rash desire;
You ask a gift that may your parent tell,
Let these my fears your parentage reveal;
And learn a father from a father's care:
Look on my face; or if my heart lay bare,
Cou'd you but look, you'd read the father there.
Chuse out a gift from seas, or Earth, or skies,
For open to your wish all Nature lies,
Only decline this one unequal task,
For 'tis a mischief, not a gift, you ask.
You ask a real mischief, Phaeton:
Nay hang not thus about my neck, my son:
I grant your wish, and Styx has heard my voice,
Chuse what you will, but make a wiser choice."
Thus did the God th' unwary youth advise;
But he still longs to travel through the skies.
When the fond father (for in vain he pleads)
At length to the Vulcanian Chariot leads.
A golden axle did the work uphold,
Gold was the beam, the wheels were orb'd with gold.
The spokes in rows of silver pleas'd the sight,
The seat with party-colour'd gems was bright;
Apollo shin'd amid the glare of light.
The youth with secret joy the work surveys,
When now the moon disclos'd her purple rays;
The stars were fled, for Lucifer had chased
The stars away, and fled himself at last.
Soon as the father saw the rosy morn,
And the moon shining with a blunter horn,
He bid the nimble Hours, without delay,
Bring forth the steeds; the nimble Hours obey:
From their full racks the gen'rous steeds retire,
Dropping ambrosial foams, and snorting fire.
Still anxious for his son, the God of day,
To make him proof against the burning ray,
His temples with celestial ointment wet,
Of sov'reign virtue to repel the heat;
Then fix'd the beamy circle on his head,
And fetch'd a deep foreboding sigh, and said,
"Take this at least, this last advice, my son,
Keep a stiff rein, and move but gently on:
The coursers of themselves will run too fast,
Your art must be to moderate their haste.
Drive 'em not on directly through the skies,
But where the Zodiac's winding circle lies,
Along the midmost Zone; but sally forth
Nor to the distant south, nor stormy north.
The horses' hoofs a beaten track will show,
But neither mount too high, nor sink too low.
That no new fires, or Heav'n or Earth infest;
Keep the mid way, the middle way is best.
Nor, where in radiant folds the serpent twines,
Direct your course, nor where the altar shines.
Shun both extreams; the rest let Fortune guide,
And better for thee than thy self provide!
See, while I speak, the shades disperse away,
Aurora gives the promise of a day;
I'm call'd, nor can I make a longer stay.
Snatch up the reins; or still th' attempt forsake,
And not my chariot, but my counsel, take,
While yet securely on the Earth you stand;
Nor touch the horses with too rash a hand.
Let me alone to light the world, while you
Enjoy those beams which you may safely view."
He spoke in vain; the youth with active heat
And sprightly vigour vaults into the seat;
And joys to hold the reins, and fondly gives
Those thanks his father with remorse receives.
Mean-while the restless horses neigh'd aloud,
Breathing out fire, and pawing where they stood.
Tethys, not knowing what had past, gave way,
And all the waste of Heav'n before 'em lay.
They spring together out, and swiftly bear
The flying youth thro' clouds and yielding air;
With wingy speed outstrip the eastern wind,
And leave the breezes of the morn behind.
The youth was light, nor cou'd he fill the seat,
Or poise the chariot with its wonted weight:
But as at sea th' unballass'd vessel rides,
Cast to and fro, the sport of winds and tides;
So in the bounding chariot toss'd on high,
The youth is hurry'd headlong through the sky.
Soon as the steeds perceive it, they forsake
Their stated course, and leave the beaten track.
The youth was in a maze, nor did he know
Which way to turn the reins, or where to go;
Nor wou'd the horses, had he known, obey.
Then the sev'n stars first felt Apollo's ray,
And wish'd to dip in the forbidden sea.
The folded serpent next the frozen pole,
Stiff and benum'd before, began to rowle,
And raged with inward heat, and threaten'd war,
And shot a redder light from ev'ry star;
Nay, and 'tis said Bootes too, that fain
Thou woud'st have fled, tho' cumber'd with thy wane.
Th' unhappy youth then, bending down his head,
Saw Earth and Ocean far beneath him spread.
His colour chang'd, he startled at the sight,
And his eyes darken'd by too great a light.
Now cou'd he wish the fiery steeds untry'd,
His birth obscure, and his request deny'd:
Now wou'd he Merops for his father own,
And quit his boasted kindred to the sun.
So fares the pilot, when his ship is tost
In troubled seas, and all its steerage lost,
He gives her to the winds, and in despair
Seeks his last refuge in the Gods and pray'r.
What cou'd he do? his eyes, if backward cast,
Find a long path he had already past;
If forward, still a longer path they find:
Both he compares, and measures in his mind;
And sometimes casts an eye upon the east,
And sometimes looks on the forbidden west,
The horses' names he knew not in the fright,
Nor wou'd he loose the reins, nor cou'd he hold 'em right.
Now all the horrors of the Heav'ns he spies,
And monstrous shadows of prodigious size,
That, deck'd with stars, lye scatter'd o'er the skies.
There is a place above, where Scorpio bent
In tail and arms surrounds a vast extent;
In a wide circuit of the Heav'ns he shines,
And fills the space of two coelestial signs.
Soon as the youth beheld him vex'd with heat
Brandish his sting, and in his poison sweat,
Half dead with sudden fear he dropt the reins;
The horses felt 'em loose upon their mains,
And, flying out through all the plains above,
Ran uncontroul'd where-e're their fury drove;
Rush'd on the stars, and through a pathless way
Of unknown regions hurry'd on the day.
And now above, and now below they flew,
And near the Earth the burning chariot drew.
The clouds disperse in fumes, the wond'ring Moon
Beholds her brother's steeds beneath her own;
The highlands smoak, cleft by the piercing rays,
Or, clad with woods, in their own fewel blaze.
Next o'er the plains, where ripen'd harvests grow,
The running conflagration spreads below.
But these are trivial ills: whole cities burn,
And peopled kingdoms into ashes turn.
The mountains kindle as the car draws near,
Athos and Tmolus red with fires appear;
Oeagrian Haemus (then a single name)
And virgin Helicon increase the flame;
Taurus and Oete glare amid the sky,
And Ida, spight of all her fountains, dry.
Eryx and Othrys, and Cithaeron, glow,
And Rhodope, no longer cloath'd in snow;
High Pindus, Mimas, and Parnassus, sweat,
And Aetna rages with redoubled heat.
Ev'n Scythia, through her hoary regions warm'd,
In vain with all her native frost was arm'd.
Cover'd with flames the tow'ring Appennine,
And Caucasus, and proud Olympus, shine;
And, where the long-extended Alpes aspire,
Now stands a huge continu'd range of fire.
Th' astonisht youth, where-e'er his eyes cou'd turn,
Beheld the universe around him burn:
The world was in a blaze; nor cou'd he bear
The sultry vapours and the scorching air,
Which from below, as from a furnace, flow'd;
And now the axle-tree beneath him glow'd:
Lost in the whirling clouds that round him broke,
And white with ashes, hov'ring in the smoke.
He flew where-e'er the horses drove, nor knew
Whither the horses drove, or where he flew.
'Twas then, they say, the swarthy Moor begun
To change his hue, and blacken in the sun.
Then Libya first, of all her moisture drain'd,
Became a barren waste, a wild of sand.
The water-nymphs lament their empty urns,
Boeotia, robb's of silve Dirce, mourns,
Corinth Pyrene's wasted spring bewails,
And Argos grieves whilst Amymone fails.
The floods are drain'd from ev'ry distant coast,
Ev'n Tanais, tho' fix'd in ice, was lost.
Enrag'd Caicus and Lycormas roar,
And Xanthus, fated to be burnt once more.
The fam'd Maeander, that unweary'd strays
Through mazy windings, smoaks in ev'ry maze.
From his lov'd Babylon Euphrates flies;
The big-swoln Ganges and the Danube rise
In thick'ning fumes, and darken half the skies.
In flames Ismenos and the Phasis roul'd,
And Tagus floating in his melted gold.
The swans, that on Cayster often try'd
Their tuneful songs, now sung their last and dy'd.
The frighted Nile ran off, and under ground
Conceal'd his head, nor can it yet be found:
His sev'n divided currents all are dry,
And where they row'ld, sev'n gaping trenches lye:
No more the Rhine or Rhone their course maintain,
Nor Tiber, of his promis'd empire vain.
The ground, deep-cleft, admits the dazling ray,
And startles Pluto with the flash of day.
The seas shrink in, and to the sight disclose
Wide naked plains, where once their billows rose;
Their rocks are all discover'd, and increase
The number of the scatter'd Cyclades.
The fish in sholes about the bottom creep,
Nor longer dares the crooked dolphin leap
Gasping for breath, th' unshapen Phocae die,
And on the boiling wave extended lye.
Nereus, and Doris with her virgin train,
Seek out the last recesses of the main;
Beneath unfathomable depths they faint,
And secret in their gloomy caverns pant.
Stern Neptune thrice above the waves upheld
His face, and thrice was by the flames repell'd.
The Earth at length, on ev'ry side embrac'd
With scalding seas that floated round her waste,
When now she felt the springs and rivers come,
And crowd within the hollow of her womb,
Up-lifted to the Heav'ns her blasted head,
And clapt her hand upon her brows, and said
(But first, impatient of the sultry heat,
Sunk deeper down, and sought a cooler seat):
"If you, great king of Gods, my death approve,
And I deserve it, let me die by Jove;
If I must perish by the force of fire,
Let me transfix'd with thunder-bolts expire.
See, whilst I speak, my breath the vapours choak
(For now her face lay wrapt in clouds of smoak),
See my singe'd hair, behold my faded eye,
And wither'd face, where heaps of cinders lye!
And does the plow for this my body tear?
This the reward for all the fruits I bear,
Tortur'd with rakes, and harrass'd all the year?
That herbs for cattle daily I renew,
And food for Man, and frankincense for you?
But grant me guilty; what has Neptune done?
Why are his waters boiling in the sun?
The wavy empire, which by lot was giv'n,
Why does it waste, and further shrink from Heav'n?
If I nor he your pity can provoke,
See your own Heav'ns, the Heav'ns begin to smoke!
Shou'd once the sparkles catch those bright abodes,
Destruction seizes on the Heav'ns and Gods;
Atlas becomes unequal to his freight,
And almost faints beneath the glowing weight.
If Heav'n, and Earth, and sea, together burn,
All must again into their chaos turn.
Apply some speedy cure, prevent our fate,
And succour Nature, ere it be too late."
She cea'sd, for choak'd with vapours round her spread,
Down to the deepest shades she sunk her head.
Jove call'd to witness ev'ry Pow'r above,
And ev'n the God, whose son the chariot drove,
That what he acts he is compell'd to do,
Or universal ruin must ensue.
Strait he ascends the high aetherial throne,
From whence he us'd to dart his thunder down,
From whence his show'rs and storms he us'd to pour,
But now cou'd meet with neither storm nor show'r.
Then, aiming at the youth, with lifted hand,
Full at his head he hurl'd the forky brand,
In dreadful thund'rings. Thus th' almighty sire
Suppress'd the raging of the fires with fire.
At once from life and from the chariot driv'n,
Th' ambitious boy fell thunder-struck from Heav'n.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scatter'd o'er the Earth, the shining fragments lay.
The breathless Phaeton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's ev'ning from the top
Of Heav'n drops down, or seems at least to drop;
'Till on the Po his blasted corps was hurl'd,
Far from his country, in the western world.
Phaeton's Sisters transform'd into Trees
The Latian nymphs came round him, and, amaz'd,
On the dead youth, transfix'd with thunder, gaz'd;
And, whilst yet smoaking from the bolt he lay,
His shatter'd body to a tomb convey,
And o'er the tomb an epitaph devise:
"Here he, who drove the sun's bright chariot, lies;
His father's fiery steeds he cou'd not guide,
But in the glorious enterprize he dy'd."
Apollo hid his face, and pin'd for grief,
And, if the story may deserve belief,
The space of one whole day is said to run,
From morn to wonted ev'n, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day, that still did Nature's face disclose:
This comfort from the mighty mischief rose.
But Clymene, enrag'd with grief, laments,
And as her grief inspires, her passion vents:
Wild for her son, and frantick in her woes,
With hair dishevel'd round the world she goes,
To seek where-e'er his body might be cast;
'Till, on the borders of the Po, at last
The name inscrib'd on the new tomb appears.
The dear dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.
Her daughters too lament, and sigh, and mourn
(A fruitless tri bute to their brother's urn),
And beat their naked bosoms, and complain,
And call aloud for Phaeton in vain:
All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.
Four times, revolving, the full moon return'd;
So long the mother and the daughters mourn'd:
When now the eldest, Phaethusa, strove
To rest her weary limbs, but could not move;
Lampetia wou'd have help'd her, but she found
Her self with-held, and rooted to the ground:
A third in wild affliction, as she grieves,
Wou'd rend her hair, but fills her hands with leaves;
One sees her thighs transform'd, another views
Her arms shot out, and branching into boughs.
And now their legs, and breasts, and bodies stood
Crusted with bark, and hard'ning into wood;
But still above were female heads display'd,
And mouths, that call'd the mother to their aid.
What cou'd, alas! the weeping mother do?
From this to that with eager haste she flew,
And kiss'd her sprouting daughters as they grew.
She tears the bark that to each body cleaves,
And from their verdant fingers strips the leaves:
The blood came trickling, where she tore away
The leaves and bark: the maids were heard to say,
"Forbear, mistaken parent, oh! forbear;
A wounded daughter in each tree you tear;
Farewell for ever." Here the bark encreas'd,
Clos'd on their faces, and their words suppress'd.
The new-made trees in tears of amber run,
Which, harden'd into value by the sun,
Distill for ever on the streams below:
The limpid streams their radiant treasure show,
Mixt in the sand; whence the rich drops convey'd
Shine in the dress of the bright Latian maid.
The Transformation of Cycnus into a Swan
Cycnus beheld the nymphs transform'd, ally'd
To their dead brother on the mortal side,
In friendship and affection nearer bound;
He left the cities and the realms he own'd,
Thro' pathless fields and lonely shores to range,
And woods made thicker by the sisters' change.
Whilst here, within the dismal gloom, alone,
The melancholy monarch made his moan,
His voice was lessen'd, as he try'd to speak,
And issu'd through a long-extended neck;
His hair transforms to down, his fingers meet
In skinny films, and shape his oary feet;
From both his sides the wings and feathers break;
And from his mouth proceeds a blunted beak:
All Cycnus now into a Swan was turn'd,
Who, still remembring how his kinsman burn'd,
To solitary pools and lakes retires,
And loves the waters as oppos'd to fires.
Mean-while Apollo in a gloomy shade
(The native lustre of his brows decay'd)
Indulging sorrow, sickens at the sight
Of his own sun-shine, and abhors the light;
The hidden griefs, that in his bosom rise,
Sadden his looks and over-cast his eyes,
As when some dusky orb obstructs his ray,
And sullies in a dim eclipse the day.
Now secretly with inward griefs he pin'd,
Now warm resentments to his griefs he joyn'd,
And now renounc'd his office to mankind.
"Ere since the birth of time," said he, "I've born
A long ungrateful toil, without return;
Let now some other manage, if he dare,
The fiery steeds, and mount the burning carr;
Or, if none else, let Jove his fortune try,
And learn to lay his murd'ring thunder by;
Then will he own, perhaps, but own too late,
My son deserv'd not so severe a fate."
The Gods stand round him, as he mourns, and pray
He would resume the conduct of the day,
Nor let the world be lost in endless night:
Jove too himself descending from his height,
Excuses what had happen'd, and intreats,
Majestically mixing pray'rs and threats.
Prevail'd upon at length, again he took
The harness'd steeds, that still with horror shook,
And plies 'em with the lash, and whips 'em on,
And, as he whips, upbraids 'em with his son.
The Story of Calisto
The day was settled in its course; and Jove
Walk'd the wide circuit of the Heavens above,
To search if any cracks or flaws were made;
But all was safe: the Earth he then survey'd,
And cast an eye on ev'ry diff'rent coast,
And ev'ry land; but on Arcadia most.
Her fields he cloath'd, and chear'd her blasted face
With running fountains, and with springing grass.
No tracks of Heav'n's destructive fire remain,
The fields and woods revive, and Nature smiles again.
But as the God walk'd to and fro the Earth,
And rais'd the plants, and gave the spring its birth,
By chance a fair Arcadian nymph he view'd,
And felt the lovely charmer in his blood.
The nymph nor spun, nor dress'd with artful pride,
Her vest was gather'd up, her hair was ty'd;
Now in her hand a slender spear she bore,
Now a light quiver on her shoulders wore;
To chaste Diana from her youth inclin'd,
The sprightly warriors of the wood she joyn'd.
Diana too the gentle huntress lov'd,
Nor was there one of all the nymphs that rov'd
O'er Maenalus, amid the maiden throng,
More favour'd once; but favour lasts not long.
The sun now shone in all its strength, and drove
The heated virgin panting to a grove;
The grove around a grateful shadow cast:
She dropt her arrows, and her bow unbrac'd;
She flung her self on the cool grassy bed;
And on the painted quiver rais'd her head,
Jove saw the charming huntress unprepar'd,
Stretch'd on the verdant turf, without a guard.
"Here I am safe," he cries, "from Juno's eye;
Or shou'd my jealous queen the theft descry,
Yet wou'd I venture on a theft like this,
And stand her rage for such, for such a bliss!"
Diana's shape and habit strait he took,
Soften'd his brows, and smooth'd his awful look,
And mildly in a female accent spoke.
"How fares my girl? How went the morning chase?"
To whom the virgin, starting from the grass,
"All hail, bright deity, whom I prefer
To Jove himself, tho' Jove himself were here."
The God was nearer than she thought, and heard
Well-pleas'd himself before himself preferr'd.
He then salutes her with a warm embrace;
And, e're she half had told the morning chase,
With love enflam'd, and eager on his bliss,
Smother'd her words, and stop'd her with a kiss;
His kisses with unwonted ardour glow'd,
Nor cou'd Diana's shape conceal the God.
The virgin did whate'er a virgin cou'd
(Sure Juno must have pardon'd, had she view'd);
With all her might against his force she strove;
But how can mortal maids contend with Jove?
Possest at length of what his heart desir'd,
Back to his Heav'ns, th' exulting God retir'd.
The lovely huntress, rising from the grass,
With down-cast eyes, and with a blushing face,
By shame confounded, and by fear dismay'd,
Flew from the covert of the guilty shade,
And almost, in the tumult of her mind,
Left her forgotten bow and shafts behind.
But now Diana, with a sprightly train
Of quiver'd virgins, bounding o'er the plain,
Call'd to the nymph; the nymph began to fear
A second fraud, a Jove disguis'd in her;
But, when she saw the sister nymphs, suppress'd
Her rising fears, and mingled with the rest.
How in the look does conscious guilt appear!
Slowly she mov'd, and loiter'd in the rear;
Nor lightly tripp'd, nor by the Goddess ran,
As once she us'd, the foremost of the train.
Her looks were flush'd, and sullen was her mien,
That sure the virgin Goddess (had she been
Aught but a virgin) must the guilt have seen.
'Tis said the nymphs saw all, and guess'd aright:
And now the moon had nine times lost her light,
When Dian, fainting in the mid-day beams,
Found a cool covert, and refreshing streams
That in soft murmurs through the forest flow'd,
And a smooth bed of shining gravel show'd.
A covert so obscure, and streams so clear,
The Goddess prais'd: "And now no spies are near
Let's strip, my gentle maids, and wash," she cries.
Pleas'd with the motion, every maid complies;
Only the blushing huntress stood confus'd,
And form'd delays, and her delays excus'd;
In vain excus'd: her fellows round her press'd,
And the reluctant nymph by force undress'd,
The naked huntress all her shame reveal'd,
In vain her hands the pregnant womb conceal'd;
"Begone!" the Goddess cries with stern disdain,
"Begone! nor dare the hallow'd stream to stain":
She fled, for ever banish'd from the train.
This Juno heard, who long had watch'd her time
To punish the detested rival's crime;
The time was come; for, to enrage her more,
A lovely boy the teeming rival bore.
The Goddess cast a furious look, and cry'd,
"It is enough! I'm fully satisfy'd!
This boy shall stand a living mark, to prove
My husband's baseness and the strumpet's love:
But vengeance shall awake: those guilty charms
That drew the Thunderer from Juno's arms,
No longer shall their wonted force retain,
Nor please the God, nor make the mortal vain."
This said, her hand within her hair she wound,
Swung her to Earth, and drag'd her on the ground:
The prostrate wretch lifts up her arms in pray'r;
Her arms grow shaggy, and deform'd with hair,
Her nails are sharpen'd into pointed claws,
Her hands bear half her weight, and turn to paws;
Her lips, that once cou'd tempt a God, begin
To grow distorted in an ugly grin.
And, lest the supplicating brute might reach
The ears of Jove, she was depriv'd of speech:
Her surly voice thro' a hoarse passage came
In savage sounds: her mind was still the same,
The furry monster fix'd her eyes above,
And heav'd her new unwieldy paws to Jove,
And beg'd his aid with inward groans; and tho'
She could not call him false, she thought him so.
How did she fear to lodge in woods alone,
And haunt the fields and meadows, once her own!
How often wou'd the deep-mouth'd dogs pursue,
Whilst from her hounds the frighted huntress flew!
How did she fear her fellow-brutes, and shun
The shaggy bear, tho' now her self was one!
How from the sight of rugged wolves retire,
Although the grim Lycaon was her sire!
But now her son had fifteen summers told,
Fierce at the chase, and in the forest bold;
When, as he beat the woods in quest of prey,
He chanc'd to rouze his mother where she lay.
She knew her son, and kept him in her sight,
And fondly gaz'd: the boy was in a fright,
And aim'd a pointed arrow at her breast,
And would have slain his mother in the beast;
But Jove forbad, and snatch'd 'em through the air
In whirlwinds up to Heav'n, and fix'd 'em there!
Where the new constellations nightly rise,
And add a lustre to the northern skies.
When Juno saw the rival in her height,
Spangled with stars, and circled round with light,
She sought old Ocean in his deep abodes,
And Tethys, both rever'd among the Gods.
They ask what brings her there: "Ne'er ask," says she,
"What brings me here, Heav'n is no place for me.
You'll see, when night has cover'd all things o'er,
Jove's starry bastard and triumphant whore
Usurp the Heav'ns; you'll see 'em proudly rowle
And who shall now on Juno's altars wait,
When those she hates grow greater by her hate?
I on the nymph a brutal form impress'd,
Jove to a goddess has transform'd the beast;
This, this was all my weak revenge could do:
But let the God his chaste amours pursue,
And, as he acted after Io's rape,
Restore th' adultress to her former shape;
Then may he cast his Juno off, and lead
The great Lycaon's offspring to his bed.
But you, ye venerable Pow'rs, be kind,
And, if my wrongs a due resentment find,
Receive not in your waves their setting beams,
Nor let the glaring strumpet taint your streams."
The Goddess ended, and her wish was giv'n.
Back she return'd in triumph up to Heav'n;
Her gawdy peacocks drew her through the skies.
Their tails were spotted with a thousand eyes;
The eyes of Argus on their tails were rang'd,
At the same time the raven's colour chang'd.
The Story of Coronis, and Birth of Aesculapius
The raven once in snowy plumes was drest,
White as the whitest dove's unsully'd breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl;
His tongue, his prating tongue had chang'd him quite
To sooty blackness, from the purest white.
The story of his change shall here be told;
In Thessaly there liv'd a nymph of old,
Coronis nam'd; a peerless maid she shin'd,
Confest the fairest of the fairer kind.
Apollo lov'd her, 'till her guilt he knew,
While true she was, or whilst he thought her true.
But his own bird the raven chanc'd to find
The false one with a secret rival joyn'd.
Coronis begg'd him to suppress the tale,
But could not with repeated pray'rs prevail.
His milk-white pinions to the God he ply'd;
The busy daw flew with him, side by side,
And by a thousand teizing questions drew
Th' important secret from him as they flew.
The daw gave honest counsel, tho' despis'd,
And, tedious in her tattle, thus advis'd:
"Stay, silly bird, th' ill-natur'd task refuse,
Nor be the bearer of unwelcome news.
Be warn'd by my example: you discern
What now I am, and what I was shall learn.
My foolish honesty was all my crime;
Then hear my story. Once upon a time,
The two-shap'd Ericthonius had his birth
(Without a mother) from the teeming Earth;
Minerva nurs'd him, and the infant laid
Within a chest, of twining osiers made.
The daughters of king Cecrops undertook
To guard the chest, commanded not to look
On what was hid within. I stood to see
The charge obey'd, perch'd on a neighb'ring tree.
The sisters Pandrosos and Herse keep
The strict command; Aglauros needs would peep,
And saw the monstrous infant, in a fright,
And call'd her sisters to the hideous sight:
A boy's soft shape did to the waste prevail,
But the boy ended in a dragon's tail.
I told the stern Minerva all that pass'd;
But for my pains, discarded and disgrac'd,
The frowning Goddess drove me from her sight,
And for her fav'rite chose the bird of night.
Be then no tell-tale; for I think my wrong
Enough to teach a bird to hold her tongue.
But you, perhaps, may think I was remov'd,
As never by the heav'nly maid belov'd:
But I was lov'd; ask Pallas if I lye;
Tho' Pallas hate me now, she won't deny:
For I, whom in a feather'd shape you view,
Was once a maid (by Heav'n the story's true)
A blooming maid, and a king's daughter too.
A crowd of lovers own'd my beauty's charms;
My beauty was the cause of all my harms;
Neptune, as on his shores I wont to rove,
Observ'd me in my walks, and fell in love.
He made his courtship, he confess'd his pain,
And offer'd force, when all his arts were vain;
Swift he pursu'd: I ran along the strand,
'Till, spent and weary'd on the sinking sand,
I shriek'd aloud, with cries I fill'd the air
To Gods and men; nor God nor man was there:
A virgin Goddess heard a virgin's pray'r.
For, as my arms I lifted to the skies,
I saw black feathers from my fingers rise;
I strove to fling my garment on the ground;
My garment turn'd to plumes, and girt me round:
My hands to beat my naked bosom try;
Nor naked bosom now nor hands had I:
Lightly I tript, nor weary as before
Sunk in the sand, but skim'd along the shore;
'Till, rising on my wings, I was preferr'd
To be the chaste Minerva's virgin bird:
Preferr'd in vain! I am now in disgrace:
Nyctimene the owl enjoys my place.
On her incestuous life I need not dwell
(In Lesbos still the horrid tale they tell),
And of her dire amours you must have heard,
For which she now does penance in a bird,
That conscious of her shame, avoids the light,
And loves the gloomy cov'ring of the night;
The birds, where-e'er she flutters, scare away
The hooting wretch, and drive her from the day."
The raven, urg'd by such impertinence,
Grew passionate, it seems, and took offence,
And curst the harmless daw; the daw withdrew:
The raven to her injur'd patron flew,
And found him out, and told the fatal truth
Of false Coronis and the favour'd youth.
The God was wroth, the colour left his look,
The wreath his head, the harp his hand forsook:
His silver bow and feather'd shafts he took,
And lodg'd an arrow in the tender breast,
That had so often to his own been prest.
Down fell the wounded nymph, and sadly groan'd,
And pull'd his arrow reeking from the wound;
And weltring in her blood, thus faintly cry'd,
"Ah cruel God! tho' I have justly dy'd,
What has, alas! my unborn infant done,
That he should fall, and two expire in one?"
This said, in agonies she fetch'd her breath.
The God dissolves in pity at her death;
He hates the bird that made her falshood known,
And hates himself for what himself had done;
The feather'd shaft, that sent her to the Fates,
And his own hand, that sent the shaft, he hates.
Fain would he heal the wound, and ease her pain,
And tries the compass of his art in vain.
Soon as he saw the lovely nymph expire,
The pile made ready, and the kindling fire.
With sighs and groans her obsequies he kept,
And, if a God could weep, the God had wept.
Her corps he kiss'd, and heav'nly incense brought,
And solemniz'd the death himself had wrought.
But lest his offspring should her fate partake,
Spight of th' immortal mixture in his make,
He ript her womb, and set the child at large,
And gave him to the centaur Chiron's charge:
Then in his fury black'd the raven o'er,
And bid him prate in his white plumes no more.
Ocyrrhoe transform'd into a Mare
Old Chiron took the babe with secret joy,
Proud of the charge of the celestial boy.
His daughter too, whom on the sandy shore
The nymph Charicle to the centaur bore,
With hair dishevel'd on her shoulders, came
To see the child, Ocyrrhoe was her name;
She knew her father's arts, and could rehearse
The depths of prophecy in sounding verse.
Once, as the sacred infant she survey'd,
The God was kindled in the raving maid,
And thus she utter'd her prophetick tale:
"Hail, great physician of the world, all-hail;
Hail, mighty infant, who in years to come
Shalt heal the nations, and defraud the tomb;
Swift be thy growth! thy triumphs unconfin'd!
Make kingdoms thicker, and increase mankind.
Thy daring art shall animate the dead,
And draw the thunder on thy guilty head:
Then shalt thou dye, but from the dark abode
Rise up victorious, and be twice a God.
And thou, my sire, not destin'd by thy birth
To turn to dust, and mix with common earth,
How wilt thou toss, and rave, and long to dye,
And quit thy claim to immortality;
When thou shalt feel, enrag'd with inward pains,
The Hydra's venom rankling in thy veins?
The Gods, in pity, shall contract thy date,
And give thee over to the pow'r of Fate."
Thus entring into destiny, the maid
The secrets of offended Jove betray'd:
More had she still to say; but now appears
Oppress'd with sobs and sighs, and drown'd in tears.
"My voice," says she, "is gone, my language fails;
Through ev'ry limb my kindred shape prevails:
Why did the God this fatal gift impart,
And with prophetick raptures swell my heart!
What new desires are these? I long to pace
O'er flow'ry meadows, and to feed on grass;
I hasten to a brute, a maid no more;
But why, alas! am I transform'd all o'er?
My sire does half a human shape retain,
And in his upper parts preserve the man."
Her tongue no more distinct complaints affords,
But in shrill accents and mis-shapen words
Pours forth such hideous wailings, as declare
The human form confounded in the mare:
'Till by degrees accomplish'd in the beast,
She neigh'd outright, and all the steed exprest.
Her stooping body on her hands is born,
Her hands are turn'd to hoofs, and shod in horn,
Her yellow tresses ruffle in a mane,
And in a flowing tail she frisks her train,
The mare was finish'd in her voice and look,
And a new name from the new figure took.
The Transformation of Battus to a Touch stone
Sore wept the centuar, and to Phoebus pray'd;
But how could Phoebus give the centaur aid?
Degraded of his pow'r by angry Jove,
In Elis then a herd of beeves he drove;
And wielded in his hand a staff of oak,
And o'er his shoulders threw the shepherd's cloak;
On sev'n compacted reeds he us'd to play,
And on his rural pipe to waste the day.
As once attentive to his pipe he play'd,
The crafty Hermes from the God convey'd
A drove, that sep'rate from their fellows stray'd.
The theft an old insidious peasant view'd
(They call'd him Battus in the neighbourhood),
Hir'd by a vealthy Pylian prince to feed
His fav'rite mares, and watch the gen'rous breed.
The thievish God suspected him, and took
The hind aside, and thus in whispers spoke:
"Discover not the theft, whoe'er thou be,
And take that milk-white heifer for thy fee."
"Go, stranger," cries the clown, "securely on,
That stone shall sooner tell," and show'd a stone.
The God withdrew, but strait return'd again,
In speech and habit like a country swain;
And cries out, "Neighbour, hast thou seen a stray
Of bullocks and of heifers pass this way?
In the recov'ry of my cattle join,
A bullock and a heifer shall be thine."
The peasant quick replies, "You'll find 'em there
In yon dark vale"; and in the vale they were.
The double bribe had his false heart beguil'd:
The God, successful in the tryal, smil'd;
"And dost thou thus betray my self to me?
Me to my self dost thou betray?" says he:
Then to a Touch stone turns the faithless spy;
And in his name records his infamy.
The Story of Aglauros, transform'd into a Statue
This done, the God flew up on high, and pass'd
O'er lofty Athens, by Minerva grac'd,
And wide Munichia, whilst his eyes survey
All the vast region that beneath him lay.
'Twas now the feast, when each Athenian maid
Her yearly homage to Minerva paid;
In canisters, with garlands cover'd o'er,
High on their heads, their mystick gifts they bore:
And now, returning in a solemn train,
The troop of shining virgins fill'd the plain.
The God well pleas'd beheld the pompous show,
And saw the bright procession pass below;
Then veer'd about, and took a wheeling flight,
And hover'd o'er them: as the spreading kite,
That smells the slaughter'd victim from on high,
Flies at a distance, if the priests are nigh,
And sails around, and keeps it in her eye:
So kept the God the virgin quire in view,
And in slow winding circles round them flew.
As Lucifer excells the meanest star,
Or, as the full-orb'd Phoebe, Lucifer;
So much did Herse all the rest outvy,
And gave a grace to the solemnity.
Hermes was fir'd, as in the clouds he hung:
So the cold bullet, that with fury slung
From Balearick engines mounts on high,
Glows in the whirl, and burns along the sky.
At length he pitch'd upon the ground, and show'd
The form divine, the features of a God.
He knew their vertue o'er a female heart,
And yet he strives to better them by art.
He hangs his mantle loose, and sets to show
The golden edging on the seam below;
Adjusts his flowing curls, and in his hand
Waves, with an air, the sleep-procuring wand;
The glitt'ring sandals to his feet applies,
And to each heel the well-trim'd pinion ties.
His ornaments with nicest art display'd,
He seeks th' apartment of the royal maid.
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
Three rooms, contiguous, in a range were plac'd,
The midmost by the beauteous Herse grac'd;
Her virgin sisters lodg'd on either side.
Aglauros first th' approaching God descry'd,
And, as he cross'd her chamber, ask'd his name,
And what his business was, and whence he came.
"I come," reply'd the God, "from Heav'n, to woo
Your sister, and to make an aunt of you;
I am the son and messenger of Jove;
My name is Mercury, my bus'ness love;
Do you, kind damsel, take a lover's part,
And gain admittance to your sister's heart."
She star'd him in the face with looks amaz'd,
As when she on Minerva's secret gaz'd,
And asks a mighty treasure for her hire;
And, 'till he brings it, makes the God retire.
Minerva griev'd to see the nymph succeed;
And now remembring the late impious deed,
When, disobedient to her strict command,
She touch'd the chest with an unhallow'd hand;
In big-swoln sighs her inward rage express'd,
That heav'd the rising Aegis on her breast;
Then sought out Envy in her dark abode,
Defil'd with ropy gore and clots of blood:
Shut from the winds, and from the wholesome skies,
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
Invades the winter, or disturbs the night.
Directly to the cave her course she steer'd;
Against the gates her martial lance she rear'd;
The gates flew open, and the fiend appear'd.
A pois'nous morsel in her teeth she chew'd,
And gorg'd the flesh of vipers for her food.
Minerva loathing turn'd away her eye;
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch'd a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn'd awry;
A hoard of gall her inward parts possess'd,
And spread a greenness o'er her canker'd breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment's sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another's joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
The Goddess gave (for she abhorr'd her sight)
A short command: "To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart."
This said, her spear she push'd against the ground,
And mounting from it with an active bound,
Flew off to Heav'n: the hag with eyes askew
Look'd up, and mutter'd curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
Then takes her staff, hung round with wreaths of thorn,
And sails along, in a black whirlwind born,
O'er fields and flow'ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac'd,
The fields, the flow'rs, and the whole years laid waste:
On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.
When Athens she beheld, for arts renown'd,
With peace made happy, and with plenty crown'd,
Scarce could the hideous fiend from tears forbear,
To find out nothing that deserv'd a tear.
Th' apartment now she enter'd, where at rest
Aglauros lay, with gentle sleep opprest.
To execute Minerva's dire command,
She stroak'd the virgin with her canker'd hand,
Then prickly thorns into her breast convey'd,
That stung to madness the devoted maid:
Her subtle venom still improves the smart,
Frets in the blood, and festers in the heart.
To make the work more sure, a scene she drew,
And plac'd before the dreaming virgin's view
Her sister's marriage, and her glorious fate:
Th' imaginary bride appears in state;
The bride-groom with unwonted beauty glows:
For envy magnifies what-e'er she shows.
Full of the dream, Aglauros pin'd away
In tears all night, in darkness all the day;
Consum'd like ice, that just begins to run,
When feebly smitten by the distant sun;
Or like unwholsome weeds, that set on fire
Are slowly wasted, and in smoke expire.
Giv'n up to envy (for in ev'ry thought
The thorns, the venom, and the vision wrought)
Oft did she call on death, as oft decreed,
Rather than see her sister's wish succeed,
To tell her awfull father what had past:
At length before the door her self she cast;
And, sitting on the ground with sullen pride,
A passage to the love-sick God deny'd.
The God caress'd, and for admission pray'd,
And sooth'd in softest words th' envenom'd maid.
In vain he sooth'd: "Begone!" the maid replies,
"Or here I keep my seat, and never rise."
"Then keep thy seat for ever," cries the God,
And touch'd the door, wide op'ning to his rod.
Fain would she rise, and stop him, but she found
Her trunk too heavy to forsake the ground;
Her joynts are all benum'd, her hands are pale,
And marble now appears in ev'ry nail.
As when a cancer in the body feeds,
And gradual death from limb to limb proceeds;
So does the chilness to each vital parte
Spread by degrees, and creeps into her heart;
'Till hard'ning ev'ry where, and speechless grown,
She sits unmov'd, and freezes to a stone.
But still her envious hue and sullen mien
Are in the sedentary figure seen.
Europa's Rape
When now the God his fury had allay'd,
And taken vengeance of the stubborn maid,
From where the bright Athenian turrets rise
He mounts aloft, and re-ascends the skies.
Jove saw him enter the sublime abodes,
And, as he mix'd among the crowd of Gods,
Beckon'd him out, and drew him from the rest,
And in soft whispers thus his will exprest.
"My trusty Hermes, by whose ready aid
Thy sire's commands are through the world convey'd.
Resume thy wings, exert their utmost force,
And to the walls of Sidon speed thy course;
There find a herd of heifers wand'ring o'er
The neighb'ring hill, and drive 'em to the shore."
Thus spoke the God, concealing his intent.
The trusty Hermes, on his message went,
And found the herd of heifers wand'ring o'er
A neighb'ring hill, and drove 'em to the shore;
Where the king's daughter, with a lovely train
Of fellow-nymphs, was sporting on the plain.
The dignity of empire laid aside,
(For love but ill agrees with kingly pride)
The ruler of the skies, the thund'ring God,
Who shakes the world's foundations with a nod,
Among a herd of lowing heifers ran,
Frisk'd in a bull, and bellow'd o'er the plain.
Large rowles of fat about his shoulders clung,
And from his neck the double dewlap hung.
His skin was whiter than the snow that lies
Unsully'd by the breath of southern skies;
Small shining horns on his curl'd forehead stand,
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
But gaz'd and languish'd with a gentle light.
His ev'ry look was peaceful, and exprest
The softness of the lover in the beast.
Agenor's royal daughter, as she plaid
Among the fields, the milk-white bull survey'd,
And view'd his spotless body with delight,
And at a distance kept him in her sight.
At length she pluck'd the rising flow'rs, and fed
The gentle beast, and fondly stroak'd his head.
He stood well-pleas'd to touch the charming fair,
But hardly could confine his pleasure there.
And now he wantons o'er the neighb'ring strand,
Now rowls his body on the yellow sand;
And, now perceiving all her fears decay'd,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizly brow, and gently stoops his horns.
In flow'ry wreaths the royal virgin drest
His bending horns, and kindly clapt his breast.
'Till now grown wanton and devoid of fear,
Not knowing that she prest the Thunderer,
She plac'd her self upon his back, and rode
O'er fields and meadows, seated on the God.
He gently march'd along, and by degrees
Left the dry meadow, and approach'd the seas;
Where now he dips his hoofs and wets his thighs,
Now plunges in, and carries off the prize.
The frighted nymph looks backward on the shoar,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.
Through storms and tempests he the virgin bore,
And lands her safe on the Dictean shore;
Where now, in his divinest form array'd,
In his true shape he captivates the maid;
Who gazes on him, and with wond'ring eyes
Beholds the new majestick figure rise,
His glowing features, and celestial light,
And all the God discover'd to her sight.
----------------------------------------------------------------------
~ Ovid, BOOK THE SECOND
,#NFDB
921:BOOK THE FOURTH
The Story of Alcithoe and her Sisters
Yet still Alcithoe perverse remains,
And Bacchus still, and all his rites, disdains.
Too rash, and madly bold, she bids him prove
Himself a God, nor owns the son of Jove.
Her sisters too unanimous agree,
Faithful associates in impiety.
Be this a solemn feast, the priest had said;
Be, with each mistress, unemploy'd each maid.
With skins of beasts your tender limbs enclose,
And with an ivy-crown adorn your brows,
The leafy Thyrsus high in triumph bear,
And give your locks to wanton in the air.
These rites profan'd, the holy seer foreshow'd
A mourning people, and a vengeful God.
Matrons and pious wives obedience show,
Distaffs, and wooll, half spun, away they throw:
Then incense burn, and, Bacchus, thee adore,
Or lov'st thou Nyseus, or Lyaeus more?
O! doubly got, O! doubly born, they sung,
Thou mighty Bromius, hail, from light'ning sprung!
Hail, Thyon, Eleleus! each name is thine:
Or, listen parent of the genial vine!
Iachus! Evan! loudly they repeat,
And not one Grecian attri bute forget,
Which to thy praise, great Deity, belong,
Stil'd justly Liber in the Roman song.
Eternity of youth is thine! enjoy
Years roul'd on years, yet still a blooming boy.
In Heav'n thou shin'st with a superior grace;
Conceal thy horns, and 'tis a virgin's face.
Thou taught'st the tawny Indian to obey,
And Ganges, smoothly flowing, own'd thy sway.
Lycurgus, Pentheus, equally profane,
By thy just vengeance equally were slain.
By thee the Tuscans, who conspir'd to keep
Thee captive, plung'd, and cut with finns the deep.
With painted reins, all-glitt'ring from afar,
The spotted lynxes proudly draw thy car.
Around, the Bacchae, and the satyrs throng;
Behind, Silenus, drunk, lags slow along:
On his dull ass he nods from side to side,
Forbears to fall, yet half forgets to ride.
Still at thy near approach, applauses loud
Are heard, with yellings of the female crowd.
Timbrels, and boxen pipes, with mingled cries,
Swell up in sounds confus'd, and rend the skies.
Come, Bacchus, come propitious, all implore,
And act thy sacred orgies o'er and o'er.
But Mineus' daughters, while these rites were pay'd,
At home, impertinently busie, stay'd.
Their wicked tasks they ply with various art,
And thro' the loom the sliding shuttle dart;
Or at the fire to comb the wooll they stand,
Or twirl the spindle with a dext'rous hand.
Guilty themselves, they force the guiltless in;
Their maids, who share the labour, share the sin.
At last one sister cries, who nimbly knew
To draw nice threads, and winde the finest clue,
While others idly rove, and Gods revere,
Their fancy'd Gods! they know not who, or where;
Let us, whom Pallas taught her better arts,
Still working, cheer with mirthful chat our hearts,
And to deceive the time, let me prevail
With each by turns to tell some antique tale.
She said: her sisters lik'd the humour well,
And smiling, bad her the first story tell.
But she a-while profoundly seem'd to muse,
Perplex'd amid variety to chuse:
And knew not, whether she should first relate
The poor Dircetis, and her wond'rous fate.
The Palestines believe it to a man,
And show the lake, in which her scales began.
Or if she rather should the daughter sing,
Who in the hoary verge of life took wing;
Who soar'd from Earth, and dwelt in tow'rs on high,
And now a dove she flits along the sky.
Or how lewd Nais, when her lust was cloy'd,
To fishes turn'd the youths, she had enjoy'd,
By pow'rful verse, and herbs; effect most strange!
At last the changer shar'd herself the change.
Or how the tree, which once white berries bore,
Still crimson bears, since stain'd with crimson gore.
The tree was new; she likes it, and begins
To tell the tale, and as she tells, she spins.
The Story of Pyramus and Thisbe
In Babylon, where first her queen, for state
Rais'd walls of brick magnificently great,
Liv'd Pyramus, and Thisbe, lovely pair!
He found no eastern youth his equal there,
And she beyond the fairest nymph was fair.
A closer neighbourhood was never known,
Tho' two the houses, yet the roof was one.
Acquaintance grew, th' acquaintance they improve
To friendship, friendship ripen'd into love:
Love had been crown'd, but impotently mad,
What parents could not hinder, they forbad.
For with fierce flames young Pyramus still burn'd,
And grateful Thisbe flames as fierce return'd.
Aloud in words their thoughts they dare not break,
But silent stand; and silent looks can speak.
The fire of love the more it is supprest,
The more it glows, and rages in the breast.
When the division-wall was built, a chink
Was left, the cement unobserv'd to shrink.
So slight the cranny, that it still had been
For centuries unclos'd, because unseen.
But oh! what thing so small, so secret lies,
Which scapes, if form'd for love, a lover's eyes?
Ev'n in this narrow chink they quickly found
A friendly passage for a trackless sound.
Safely they told their sorrows, and their joys,
In whisper'd murmurs, and a dying noise,
By turns to catch each other's breath they strove,
And suck'd in all the balmy breeze of love.
Oft as on diff'rent sides they stood, they cry'd,
Malicious wall, thus lovers to divide!
Suppose, thou should'st a-while to us give place
To lock, and fasten in a close embrace:
But if too much to grant so sweet a bliss,
Indulge at least the pleasure of a kiss.
We scorn ingratitude: to thee, we know,
This safe conveyance of our minds we owe.
Thus they their vain petition did renew
'Till night, and then they softly sigh'd adieu.
But first they strove to kiss, and that was all;
Their kisses dy'd untasted on the wall.
Soon as the morn had o'er the stars prevail'd,
And warm'd by Phoebus, flow'rs their dews exhal'd,
The lovers to their well-known place return,
Alike they suffer, and alike they mourn.
At last their parents they resolve to cheat
(If to deceive in love be call'd deceit),
To steal by night from home, and thence unknown
To seek the fields, and quit th' unfaithful town.
But, to prevent their wand'ring in the dark,
They both agree to fix upon a mark;
A mark, that could not their designs expose:
The tomb of Ninus was the mark they chose.
There they might rest secure beneath the shade,
Which boughs, with snowy fruit encumber'd, made:
A wide-spread mulberry its rise had took
Just on the margin of a gurgling brook.
Impatient for the friendly dusk they stay;
And chide the slowness of departing day;
In western seas down sunk at last the light,
From western seas up-rose the shades of night.
The loving Thisbe ev'n prevents the hour,
With cautious silence she unlocks the door,
And veils her face, and marching thro' the gloom
Swiftly arrives at th' assignation-tomb.
For still the fearful sex can fearless prove;
Boldly they act, if spirited by love.
When lo! a lioness rush'd o'er the plain,
Grimly besmear'd with blood of oxen slain:
And what to the dire sight new horrors brought,
To slake her thirst the neighb'ring spring she sought.
Which, by the moon, when trembling Thisbe spies,
Wing'd with her fear, swift, as the wind, she flies;
And in a cave recovers from her fright,
But drop'd her veil, confounded in her flight.
When sated with repeated draughts, again
The queen of beasts scour'd back along the plain,
She found the veil, and mouthing it all o'er,
With bloody jaws the lifeless prey she tore.
The youth, who could not cheat his guards so soon,
Late came, and noted by the glimm'ring moon
Some savage feet, new printed on the ground,
His cheeks turn'd pale, his limbs no vigour found;
But when, advancing on, the veil he spied
Distain'd with blood, and ghastly torn, he cried,
One night shall death to two young lovers give,
But she deserv'd unnumber'd years to live!
'Tis I am guilty, I have thee betray'd,
Who came not early, as my charming maid.
Whatever slew thee, I the cause remain,
I nam'd, and fix'd the place where thou wast slain.
Ye lions from your neighb'ring dens repair,
Pity the wretch, this impious body tear!
But cowards thus for death can idly cry;
The brave still have it in their pow'r to die.
Then to th' appointed tree he hastes away,
The veil first gather'd, tho' all rent it lay:
The veil all rent yet still it self endears,
He kist, and kissing, wash'd it with his tears.
Tho' rich (he cry'd) with many a precious stain,
Still from my blood a deeper tincture gain.
Then in his breast his shining sword he drown'd,
And fell supine, extended on the ground.
As out again the blade lie dying drew,
Out spun the blood, and streaming upwards flew.
So if a conduit-pipe e'er burst you saw,
Swift spring the gushing waters thro' the flaw:
Then spouting in a bow, they rise on high,
And a new fountain plays amid the sky.
The berries, stain'd with blood, began to show
A dark complexion, and forgot their snow;
While fatten'd with the flowing gore, the root
Was doom'd for ever to a purple fruit.
Mean-time poor Thisbe fear'd, so long she stay'd,
Her lover might suspect a perjur'd maid.
Her fright scarce o'er, she strove the youth to find
With ardent eyes, which spoke an ardent mind.
Already in his arms, she hears him sigh
At her destruction, which was once so nigh.
The tomb, the tree, but not the fruit she knew,
The fruit she doubted for its alter'd hue.
Still as she doubts, her eyes a body found
Quiv'ring in death, and gasping on the ground.
She started back, the red her cheeks forsook,
And ev'ry nerve with thrilling horrors shook.
So trembles the smooth surface of the seas,
If brush'd o'er gently with a rising breeze.
But when her view her bleeding love confest,
She shriek'd, she tore her hair, she beat her breast.
She rais'd the body, and embrac'd it round,
And bath'd with tears unfeign'd the gaping wound.
Then her warm lips to the cold face apply'd,
And is it thus, ah! thus we meet, she cry'd!
My Pyramus! whence sprung thy cruel fate?
My Pyramus!- ah! speak, ere 'tis too late.
I, thy own Thisbe, but one word implore,
One word thy Thisbe never ask'd before.
At Thisbe's name, awak'd, he open'd wide
His dying eyes; with dying eyes he try'd
On her to dwell, but clos'd them slow, and dy'd.
The fatal cause was now at last explor'd,
Her veil she knew, and saw his sheathless sword:
From thy own hand thy ruin thou hast found,
She said, but love first taught that hand to wound,
Ev'n I for thee as bold a hand can show,
And love, which shall as true direct the blow.
I will against the woman's weakness strive,
And never thee, lamented youth, survive.
The world may say, I caus'd, alas! thy death,
But saw thee breathless, and resign'd my breath.
Fate, tho' it conquers, shall no triumph gain,
Fate, that divides us, still divides in vain.
Now, both our cruel parents, hear my pray'r;
My pray'r to offer for us both I dare;
Oh! see our ashes in one urn confin'd,
Whom love at first, and fate at last has join'd.
The bliss, you envy'd, is not our request;
Lovers, when dead, may sure together rest.
Thou, tree, where now one lifeless lump is laid,
Ere-long o'er two shalt cast a friendly shade.
Still let our loves from thee be understood,
Still witness in thy purple fruit our blood.
She spoke, and in her bosom plung'd the sword,
All warm and reeking from its slaughter'd lord.
The pray'r, which dying Thisbe had preferr'd,
Both Gods, and parents, with compassion heard.
The whiteness of the mulberry soon fled,
And rip'ning, sadden'd in a dusky red:
While both their parents their lost children mourn,
And mix their ashes in one golden urn.
Thus did the melancholy tale conclude,
And a short, silent interval ensu'd.
The next in birth unloos'd her artful tongue,
And drew attentive all the sister-throng.
The Story of Leucothoe and the Sun
The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.
Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.
Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin niggardly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.
Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.
This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.
The Transformation of Clytie
Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.
The sisters heard these wonders with surprise,
But part receiv'd them as romantick lies;
And pertly rally'd, that they could not see
In Pow'rs divine so vast an energy.
Part own'd, true Gods such miracles might do,
But own'd not Bacchus, one among the true.
At last a common, just request they make,
And beg Alcithoe her turn to take.
I will (she said) and please you, if I can.
Then shot her shuttle swift, and thus began.
The fate of Daphnis is a fate too known,
Whom an enamour'd nymph transform'd to stone,
Because she fear'd another nymph might see
The lovely youth, and love as much as she:
So strange the madness is of jealousie!
Nor shall I tell, what changes Scython made,
And how he walk'd a man, or tripp'd a maid.
You too would peevish frown, and patience want
To hear, how Celmis grew an adamant.
He once was dear to Jove, and saw of old
Jove, when a child; but what he saw, he told.
Crocus, and Smilax may be turn'd to flow'rs,
And the Curetes spring from bounteous show'rs;
I pass a hundred legends stale, as these,
And with sweet novelty your taste will please.
The Story of Salmacis and Hermaphroditus
How Salmacis, with weak enfeebling streams
Softens the body, and unnerves the limbs,
And what the secret cause, shall here be shown;
The cause is secret, but th' effect is known.
The Naids nurst an infant heretofore,
That Cytherea once to Hermes bore:
From both th' illustrious authors of his race
The child was nam'd, nor was it hard to trace
Both the bright parents thro' the infant's face.
When fifteen years in Ida's cool retreat
The boy had told, he left his native seat,
And sought fresh fountains in a foreign soil:
The pleasure lessen'd the attending toil,
With eager steps the Lycian fields he crost,
A river here he view'd so lovely bright,
It shew'd the bottom in a fairer light,
Nor kept a sand conceal'd from human sight.
The stream produc'd nor slimy ooze, nor weeds,
Nor miry rushes, nor the spiky reeds;
But dealt enriching moisture all around,
The fruitful banks with chearful verdure crown'd,
And kept the spring eternal on the ground.
A nymph presides, not practis'd in the chace,
Nor skilful at the bow, nor at the race;
Of all the blue-ey'd daughters of the main,
The only stranger to Diana's train:
Her sisters often, as 'tis said, wou'd cry,
"Fie Salmacis: what, always idle! fie.
Or take thy quiver, or thy arrows seize,
And mix the toils of hunting with thy ease."
Nor quiver she nor arrows e'er wou'd seize,
Nor mix the toils of hunting with her ease.
But oft would ba the her in the chrystal tide,
Oft with a comb her dewy locks divide;
Now in the limpid streams she views her face,
And drest her image in the floating glass:
On beds of leaves she now repos'd her limbs,
Now gather'd flow'rs that grew about her streams,
And then by chance was gathering, as he stood
To view the boy, and long'd for what she view'd.
Fain wou'd she meet the youth with hasty feet,
She fain wou'd meet him, but refus'd to meet
Before her looks were set with nicest care,
And well deserv'd to be reputed fair.
"Bright youth," she cries, "whom all thy features prove
A God, and, if a God, the God of love;
But if a mortal, blest thy nurse's breast,
Blest are thy parents, and thy sisters blest:
But oh how blest! how more than blest thy bride,
Ally'd in bliss, if any yet ally'd.
If so, let mine the stoln enjoyments be;
If not, behold a willing bride in me."
The boy knew nought of love, and toucht with shame,
He strove, and blusht, but still the blush became:
In rising blushes still fresh beauties rose;
The sunny side of fruit such blushes shows,
And such the moon, when all her silver white
Turns in eclipses to a ruddy light.
The nymph still begs, if not a nobler bliss,
A cold salute at least, a sister's kiss:
And now prepares to take the lovely boy
Between her arms. He, innocently coy,
Replies, "Or leave me to my self alone,
You rude uncivil nymph, or I'll be gone."
"Fair stranger then," says she, "it shall be so";
And, for she fear'd his threats, she feign'd to go:
But hid within a covert's neighbouring green,
She kept him still in sight, herself unseen.
The boy now fancies all the danger o'er,
And innocently sports about the shore,
Playful and wanton to the stream he trips,
And dips his foot, and shivers as he dips.
The coolness pleas'd him, and with eager haste
His airy garments on the banks he cast;
His godlike features, and his heav'nly hue,
And all his beauties were expos'd to view.
His naked limbs the nymph with rapture spies,
While hotter passions in her bosom rise,
Flush in her cheeks, and sparkle in her eyes.
She longs, she burns to clasp him in her arms,
And looks, and sighs, and kindles at his charms.
Now all undrest upon the banks he stood,
And clapt his sides, and leapt into the flood:
His lovely limbs the silver waves divide,
His limbs appear more lovely through the tide;
As lillies shut within a chrystal case,
Receive a glossy lustre from the glass.
He's mine, he's all my own, the Naid cries,
And flings off all, and after him she flies.
And now she fastens on him as he swims,
And holds him close, and wraps about his limbs.
The more the boy resisted, and was coy,
The more she clipt, and kist the strugling boy.
So when the wrigling snake is snatcht on high
In Eagle's claws, and hisses in the sky,
Around the foe his twirling tail he flings,
And twists her legs, and wriths about her wings.
The restless boy still obstinately strove
To free himself, and still refus'd her love.
Amidst his limbs she kept her limbs intwin'd,
"And why, coy youth," she cries, "why thus unkind!
Oh may the Gods thus keep us ever join'd!
Oh may we never, never part again!"
So pray'd the nymph, nor did she pray in vain:
For now she finds him, as his limbs she prest,
Grow nearer still, and nearer to her breast;
'Till, piercing each the other's flesh, they run
Together, and incorporate in one:
Last in one face are both their faces join'd,
As when the stock and grafted twig combin'd
Shoot up the same, and wear a common rind:
Both bodies in a single body mix,
A single body with a double sex.
The boy, thus lost in woman, now survey'd
The river's guilty stream, and thus he pray'd.
(He pray'd, but wonder'd at his softer tone,
Surpriz'd to hear a voice but half his own.)
You parent-Gods, whose heav'nly names I bear,
Hear your Hermaphrodite, and grant my pray'r;
Oh grant, that whomsoe'er these streams contain,
If man he enter'd, he may rise again
Supple, unsinew'd, and but half a man!
The heav'nly parents answer'd from on high,
Their two-shap'd son, the double votary
Then gave a secret virtue to the flood,
And ting'd its source to make his wishes good.
Alcithoe and her Sisters transform'd to Bats
But Mineus' daughters still their tasks pursue,
To wickedness most obstinately true:
At Bacchus still they laugh, when all around,
Unseen, the timbrels hoarse were heard to sound.
Saffron and myrrh their fragrant odours shed,
And now the present deity they dread.
Strange to relate! Here ivy first was seen,
Along the distaff crept the wond'rous green.
Then sudden-springing vines began to bloom,
And the soft tendrils curl'd around the loom:
While purple clusters, dangling from on high,
Ting'd the wrought purple with a second die.
Now from the skies was shot a doubtful light,
The day declining to the bounds of night.
The fabrick's firm foundations shake all o'er,
False tigers rage, and figur'd lions roar.
Torches, aloft, seem blazing in the air,
And angry flashes of red light'nings glare.
To dark recesses, the dire sight to shun,
Swift the pale sisters in confusion run.
Their arms were lost in pinions, as they fled,
And subtle films each slender limb o'er-spread.
Their alter'd forms their senses soon reveal'd;
Their forms, how alter'd, darkness still conceal'd.
Close to the roof each, wond'ring, upwards springs,
Born on unknown, transparent, plumeless wings.
They strove for words; their little bodies found
No words, but murmur'd in a fainting sound.
In towns, not woods, the sooty bats delight,
And, never, 'till the dusk, begin their flight;
'Till Vesper rises with his ev'ning flame;
From whom the Romans have deriv'd their name.
The Transformation of Ino and Melicerta to Sea-Gods
The pow'r of Bacchus now o'er Thebes had flown:
With awful rev'rence soon the God they own.
Proud Ino, all around the wonder tells,
And on her nephew deity still dwells.
Of num'rous sisters, she alone yet knew
No grief, but grief, which she from sisters drew.
Imperial Juno saw her with disdain,
Vain in her offspring, in her consort vain,
Who rul'd the trembling Thebans with a nod,
But saw her vainest in her foster-God.
Could then (she cry'd) a bastard-boy have pow'r
To make a mother her own son devour?
Could he the Tuscan crew to fishes change,
And now three sisters damn to forms so strange?
Yet shall the wife of Jove find no relief?
Shall she, still unreveng'd, disclose her grief?
Have I the mighty freedom to complain?
Is that my pow'r? is that to ease my pain?
A foe has taught me vengeance; and who ought
To scorn that vengeance, which a foe has taught?
What sure destruction frantick rage can throw,
The gaping wounds of slaughter'd Pentheus show.
Why should not Ino, fir'd with madness, stray,
Like her mad sisters her own kindred slay?
Why, she not follow, where they lead the way?
Down a steep, yawning cave, where yews display'd
In arches meet, and lend a baleful shade,
Thro' silent labyrinths a passage lies
To mournful regions, and infernal skies.
Here Styx exhales its noisome clouds, and here,
The fun'ral rites once paid, all souls appear.
Stiff cold, and horror with a ghastly face
And staring eyes, infest the dreary place.
Ghosts, new-arriv'd, and strangers to these plains,
Know not the palace, where grim Pluto reigns.
They journey doubtful, nor the road can tell,
Which leads to the metropolis of Hell.
A thousand avenues those tow'rs command,
A thousand gates for ever open stand.
As all the rivers, disembogu'd, find room
For all their waters in old Ocean's womb:
So this vast city worlds of shades receives,
And space for millions still of worlds she leaves.
Th' unbody'd spectres freely rove, and show
Whate'er they lov'd on Earth, they love below.
The lawyers still, or right, or wrong, support,
The courtiers smoothly glide to Pluto's court.
Still airy heroes thoughts of glory fire,
Still the dead poet strings his deathless lyre,
And lovers still with fancy'd darts expire.
The Queen of Heaven, to gratify her hate,
And sooth immortal wrath, forgets her state.
Down from the realms of day, to realms of night,
The Goddess swift precipitates her flight.
At Hell arriv'd, the noise Hell's porter heard,
Th' enormous dog his triple head up-rear'd:
Thrice from three grizly throats he howl'd profound,
Then suppliant couch'd, and stretch'd along the ground.
The trembling threshold, which Saturnia prest,
The weight of such divinity confest.
Before a lofty, adamantine gate,
Which clos'd a tow'r of brass, the Furies sate:
Mis-shapen forms, tremendous to the sight,
Th' implacable foul daughters of the night.
A sounding whip each bloody sister shakes,
Or from her tresses combs the curling snakes.
But now great Juno's majesty was known;
Thro' the thick gloom, all heav'nly bright, she shone:
The hideous monsters their obedience show'd,
And rising from their seats, submissive bow'd.
This is the place of woe, here groan the dead;
Huge Tityus o'er nine acres here is spread.
Fruitful for pain th' immortal liver breeds,
Still grows, and still th' insatiate vulture feeds.
Poor Tantalus to taste the water tries,
But from his lips the faithless water flies:
Then thinks the bending tree he can command,
The tree starts backwards, and eludes his hand.
The labour too of Sisyphus is vain,
Up the steep mount he heaves the stone with pain,
Down from the summet rouls the stone again.
The Belides their leaky vessels still
Are ever filling, and yet never fill:
Doom'd to this punishment for blood they shed,
For bridegrooms slaughter'd in the bridal bed.
Stretch'd on the rolling wheel Ixion lies;
Himself he follows, and himself he flies.
Ixion, tortur'd, Juno sternly ey'd,
Then turn'd, and toiling Sisyphus espy'd:
And why (she said) so wretched is the fate
Of him, whose brother proudly reigns in state?
Yet still my altars unador'd have been
By Athamas, and his presumptuous queen.
What caus'd her hate, the Goddess thus confest,
What caus'd her journey now was more than guest.
That hate, relentless, its revenge did want,
And that revenge the Furies soon could grant:
They could the glory of proud Thebes efface,
And hide in ruin the Cadmean race.
For this she largely promises, entreats,
And to intreaties adds imperial threats.
Then fell Tisiphone with rage was stung,
And from her mouth th' untwisted serpents flung.
To gain this trifling boon, there is no need
(She cry'd) in formal speeches to proceed.
Whatever thou command'st to do, is done;
Believe it finish'd, tho' not yet begun.
But from these melancholly seats repair
To happier mansions, and to purer air.
She spoke: the Goddess, darting upwards, flies,
And joyous re-ascends her native skies:
Nor enter'd there, till 'round her Iris threw
Ambrosial sweets, and pour'd celestial dew.
The faithful Fury, guiltless of delays,
With cruel haste the dire comm and obeys.
Girt in a bloody gown, a torch she shakes,
And round her neck twines speckled wreaths of snakes.
Fear, and dismay, and agonizing pain,
With frantick rage, compleat her loveless train.
To Thebes her flight she sped, and Hell forsook;
At her approach the Theban turrets shook:
The sun shrunk back, thick clouds the day o'er-cast,
And springing greens were wither'd as she past.
Now, dismal yellings heard, strange spectres seen,
Confound as much the monarch as the queen.
In vain to quit the palace they prepar'd,
Tisiphone was there, and kept the ward.
She wide extended her unfriendly arms,
And all the Fury lavish'd all her harms.
Part of her tresses loudly hiss, and part
Spread poyson, as their forky tongues they dart.
Then from her middle locks two snakes she drew,
Whose merit from superior mischief grew:
Th' envenom'd ruin, thrown with spiteful care,
Clung to the bosoms of the hapless pair.
The hapless pair soon with wild thoughts were fir'd,
And madness, by a thousand ways inspir'd.
'Tis true, th' unwounded body still was sound,
But 'twas the soul which felt the deadly wound.
Nor did th' unsated monster here give o'er,
But dealt of plagues a fresh, unnumber'd store.
Each baneful juice too well she understood,
Foam, churn'd by Cerberus, and Hydra's blood.
Hot hemlock, and cold aconite she chose,
Delighted in variety of woes.
Whatever can untune th' harmonious soul,
And its mild, reas'ning faculties controul,
Give false ideas, raise desires profane,
And whirl in eddies the tumultuous brain,
Mix'd with curs'd art, she direfully around
Thro' all their nerves diffus'd the sad compound.
Then toss'd her torch in circles still the same,
Improv'd their rage, and added flame to flame.
The grinning Fury her own conquest spy'd,
And to her rueful shades return'd with pride,
And threw th' exhausted, useless snakes aside.
Now Athamas cries out, his reason fled,
Here, fellow-hunters, let the toils be spread.
I saw a lioness, in quest of food,
With her two young, run roaring in this wood.
Again the fancy'd savages were seen,
As thro' his palace still he chac'd his queen;
Then tore Learchus from her breast: the child
Stretch'd little arms, and on its father smil'd:
A father now no more, who now begun
Around his head to whirl his giddy son,
And, quite insensible to Nature's call,
The helpless infant flung against the wall.
The same mad poyson in the mother wrought,
Young Melicerta in her arms she caught,
And with disorder'd tresses, howling, flies,
O! Bacchus, Evoe, Bacchus! loud she cries.
The name of Bacchus Juno laugh'd to hear,
And said, Thy foster-God has cost thee dear.
A rock there stood, whose side the beating waves
Had long consum'd, and hollow'd into caves.
The head shot forwards in a bending steep,
And cast a dreadful covert o'er the deep.
The wretched Ino, on destruction bent,
Climb'd up the cliff; such strength her fury lent:
Thence with her guiltless boy, who wept in vain,
At one bold spring she plung'd into the main.
Her neice's fate touch'd Cytherea's breast,
And in soft sounds she Neptune thus addrest:
Great God of waters, whose extended sway
Is next to his, whom Heav'n and Earth obey:
Let not the suit of Venus thee displease,
Pity the floaters on th' Ionian seas.
Encrease thy Subject-Gods, nor yet disdain
To add my kindred to that glorious train.
If from the sea I may such honours claim,
If 'tis desert, that from the sea I came,
As Grecian poets artfully have sung,
And in the name confest, from whence I sprung.
Pleas'd Neptune nodded his assent, and free
Both soon became from frail mortality.
He gave them form, and majesty divine,
And bad them glide along the foamy brine.
For Melicerta is Palaemon known,
And Ino once, Leucothoe is grown.
The Transformation of the Theban Matrons
The Theban matrons their lov'd queen pursu'd,
And tracing to the rock, her footsteps view'd.
Too certain of her fate, they rend the skies
With piteous shrieks, and lamentable cries.
All beat their breasts, and Juno all upbraid,
Who still remember'd a deluded maid:
Who, still revengeful for one stol'n embrace,
Thus wreak'd her hate on the Cadmean race.
This Juno heard: And shall such elfs, she cry'd,
Dispute my justice, or my pow'r deride?
You too shall feel my wrath not idly spent;
A Goddess never for insults was meant.
She, who lov'd most, and who most lov'd had been,
Said, Not the waves shall part me from my queen.
She strove to plunge into the roaring flood;
Fix'd to the stone, a stone her self she stood.
This, on her breast would fain her blows repeat,
Her stiffen'd hands refus'd her breast to beat.
That, stretch'd her arms unto the seas; in vain
Her arms she labour'd to unstretch again.
To tear her comely locks another try'd,
Both comely locks, and fingers petryfi'd.
Part thus; but Juno with a softer mind
Part doom'd to mix among the feather'd kind.
Transform'd, the name of Theban birds they keep,
And skim the surface of that fatal deep.
Cadmus and his Queen transform'd to Serpents
Mean-time, the wretched Cadmus mourns, nor knows,
That they who mortal fell, immortal rose.
With a long series of new ills opprest,
He droops, and all the man forsakes his breast.
Strange prodigies confound his frighted eyes;
From the fair city, which he rais'd, he flies:
As if misfortune not pursu'd his race,
But only hung o'er that devoted place.
Resolv'd by sea to seek some distant land,
At last he safely gain'd th' Illyrian strand.
Chearless himself, his consort still he chears,
Hoary, and loaden'd both with woes and years.
Then to recount past sorrows they begin,
And trace them to the gloomy origin.
That serpent sure was hallow'd, Cadmus cry'd,
Which once my spear transfix'd with foolish pride;
When the big teeth, a seed before unknown,
By me along the wond'ring glebe were sown,
And sprouting armies by themselves o'erthrown.
If thence the wrath of Heav'n on me is bent,
May Heav'n conclude it with one sad event;
To an extended serpent change the man:
And while he spoke, the wish'd-for change began.
His skin with sea-green spots was vary'd 'round,
And on his belly prone he prest the ground.
He glitter'd soon with many a golden scale,
And his shrunk legs clos'd in a spiry tail.
Arms yet remain'd, remaining arms he spread
To his lov'd wife, and human tears yet shed.
Come, my Harmonia, come, thy face recline
Down to my face; still touch, what still is mine.
O! let these hands, while hands, be gently prest,
While yet the serpent has not all possest.
More he had spoke, but strove to speak in vain,
The forky tongue refus'd to tell his pain,
And learn'd in hissings only to complain.
Then shriek'd Harmonia, Stay, my Cadmus, stay,
Glide not in such a monstrous shape away!
Destruction, like impetuous waves, rouls on.
Where are thy feet, thy legs, thy shoulders gone?
Chang'd is thy visage, chang'd is all thy frame;
Cadmus is only Cadmus now in name.
Ye Gods, my Cadmus to himself restore,
Or me like him transform; I ask no more.
The husband-serpent show'd he still had thought,
With wonted fondness an embrace he sought;
Play'd 'round her neck in many a harmless twist,
And lick'd that bosom, which, a man, he kist.
The lookers-on (for lookers-on there were)
Shock'd at the sight, half-dy'd away with fear.
The transformation was again renew'd,
And, like the husband, chang'd the wife they view'd.
Both, serpents now, with fold involv'd in fold,
To the next covert amicably roul'd.
There curl'd they lie, or wave along the green,
Fearless see men, by men are fearless seen,
Still mild, and conscious what they once have been.
The Story of Perseus
Yet tho' this harsh, inglorious fate they found,
Each in the deathless grandson liv'd renown'd.
Thro' conquer'd India Bacchus nobly rode,
And Greece with temples hail'd the conqu'ring God.
In Argos only proud Acrisius reign'd,
Who all the consecrated rites profan'd.
Audacious wretch! thus Bacchus to deny,
And the great Thunderer's great son defie!
Nor him alone: thy daughter vainly strove,
Brave Perseus of celestial stem to prove,
And her self pregnant by a golden Jove.
Yet this was true, and truth in time prevails;
Acrisius now his unbelief bewails.
His former thought, an impious thought he found,
And both the heroe, and the God were own'd.
He saw, already one in Heav'n was plac'd,
And one with more than mortal triumphs grac'd,
The victor Perseus with the Gorgon-head,
O'er Libyan sands his airy journey sped.
The gory drops distill'd, as swift he flew,
And from each drop envenom'd serpents grew,
The mischiefs brooded on the barren plains,
And still th' unhappy fruitfulness remains.
Atlas transform'd to a Mountain
Thence Perseus, like a cloud, by storms was driv'n,
Thro' all th' expanse beneath the cope of Heaven.
The jarring winds unable to controul,
He saw the southern, and the northern pole:
And eastward thrice, and westward thrice was whirl'd,
And from the skies survey'd the nether world.
But when grey ev'ning show'd the verge of night,
He fear'd in darkness to pursue his flight.
He pois'd his pinions, and forgot to soar,
And sinking, clos'd them on th' Hesperian shore:
Then beg'd to rest, 'till Lucifer begun
To wake the morn, the morn to wake the sun.
Here Atlas reign'd, of more than human size,
And in his kingdom the world's limit lies.
Here Titan bids his weary'd coursers sleep,
And cools the burning axle in the deep.
The mighty monarch, uncontrol'd, alone,
His sceptre sways: no neighb'ring states are known.
A thousand flocks on shady mountains fed,
A thousand herds o'er grassy plains were spread.
Here wond'rous trees their shining stores unfold,
Their shining stores too wond'rous to be told,
Their leafs, their branches, and their apples, gold.
Then Perseus the gigantick prince addrest,
Humbly implor'd a hospitable rest.
If bold exploits thy admiration fire,
He said, I fancy, mine thou wilt admire.
Or if the glory of a race can move,
Not mean my glory, for I spring from Jove.
At this confession Atlas ghastly star'd,
Mindful of what an oracle declar'd,
That the dark womb of Time conceal'd a day,
Which should, disclos'd, the bloomy gold betray:
All should at once be ravish'd from his eyes,
And Jove's own progeny enjoy the prize.
For this, the fruit he loftily immur'd,
And a fierce dragon the strait pass secur'd.
For this, all strangers he forbad to land,
And drove them from th' inhospitable strand.
To Perseus then: Fly quickly, fly this coast,
Nor falsly dare thy acts and race to boast.
In vain the heroe for one night entreats,
Threat'ning he storms, and next adds force to threats.
By strength not Perseus could himself defend,
For who in strength with Atlas could contend?
But since short rest to me thou wilt not give,
A gift of endless rest from me receive,
He said, and backward turn'd, no more conceal'd
The present, and Medusa's head reveal'd.
Soon the high Atlas a high mountain stood,
His locks, and beard became a leafy wood.
His hands, and shoulders, into ridges went,
The summit-head still crown'd the steep ascent.
His bones a solid, rocky hardness gain'd:
He, thus immensely grown (as fate ordain'd),
The stars, the Heav'ns, and all the Gods sustain'd.
Andromeda rescu'd from the Sea Monster
Now Aeolus had with strong chains confin'd,
And deep imprison'd e'vry blust'ring wind,
The rising Phospher with a purple light
Did sluggish mortals to new toils invite.
His feet again the valiant Perseus plumes,
And his keen sabre in his hand resumes:
Then nobly spurns the ground, and upwards springs,
And cuts the liquid air with sounding wings.
O'er various seas, and various lands he past,
'Till Aethiopia's shore appear'd at last.
Andromeda was there, doom'd to attone
By her own ruin follies not her own:
And if injustice in a God can be,
Such was the Libyan God's unjust decree.
Chain'd to a rock she stood; young Perseus stay'd
His rapid flight, to view the beauteous maid.
So sweet her frame, so exquisitely fine,
She seem'd a statue by a hand divine,
Had not the wind her waving tresses show'd,
And down her cheeks the melting sorrows flow'd.
Her faultless form the heroe's bosom fires;
The more he looks, the more he still admires.
Th' admirer almost had forgot to fly,
And swift descended, flutt'ring from on high.
O! Virgin, worthy no such chains to prove,
But pleasing chains in the soft folds of love;
Thy country, and thy name (he said) disclose,
And give a true rehearsal of thy woes.
A quick reply her bashfulness refus'd,
To the free converse of a man unus'd.
Her rising blushes had concealment found
From her spread hands, but that her hands were bound.
She acted to her full extent of pow'r,
And bath'd her face with a fresh, silent show'r.
But by degrees in innocence grown bold,
Her name, her country, and her birth she told:
And how she suffer'd for her mother's pride,
Who with the Nereids once in beauty vy'd.
Part yet untold, the seas began to roar,
And mounting billows tumbled to the shore.
Above the waves a monster rais'd his head,
His body o'er the deep was widely spread:
Onward he flounc'd; aloud the virgin cries;
Each parent to her shrieks in shrieks replies:
But she had deepest cause to rend the skies.
Weeping, to her they cling; no sign appears
Of help, they only lend their helpless tears.
Too long you vent your sorrows, Perseus said,
Short is the hour, and swift the time of aid,
In me the son of thund'ring Jove behold,
Got in a kindly show'r of fruitful gold.
Medusa's snaky head is now my prey,
And thro' the clouds I boldly wing my way.
If such desert be worthy of esteem,
And, if your daughter I from death redeem,
Shall she be mine? Shall it not then be thought,
A bride, so lovely, was too cheaply bought?
For her my arms I willingly employ,
If I may beauties, which I save, enjoy.
The parents eagerly the terms embrace:
For who would slight such terms in such a case?
Nor her alone they promise, but beside,
The dowry of a kingdom with the bride.
As well-rigg'd gallies, which slaves, sweating, row,
With their sharp beaks the whiten'd ocean plough;
So when the monster mov'd, still at his back
The furrow'd waters left a foamy track.
Now to the rock he was advanc'd so nigh,
Whirl'd from a sling a stone the space would fly.
Then bounding, upwards the brave Perseus sprung,
And in mid air on hov'ring pinions hung.
His shadow quickly floated on the main;
The monster could not his wild rage restrain,
But at the floating shadow leap'd in vain.
As when Jove's bird, a speckl'd serpent spies,
Which in the shine of Phoebus basking lies,
Unseen, he souses down, and bears away,
Truss'd from behind, the vainly-hissing prey.
To writh his neck the labour nought avails,
Too deep th' imperial talons pierce his scales.
Thus the wing'd heroe now descends, now soars,
And at his pleasure the vast monster gores.
Full in his back, swift stooping from above,
The crooked sabre to its hilt he drove.
The monster rag'd, impatient of the pain,
First bounded high, and then sunk low again.
Now, like a savage boar, when chaf'd with wounds,
And bay'd with opening mouths of hungry hounds,
He on the foe turns with collected might,
Who still eludes him with an airy flight;
And wheeling round, the scaly armour tries
Of his thick sides; his thinner tall now plies:
'Till from repeated strokes out gush'd a flood,
And the waves redden'd with the streaming blood.
At last the dropping wings, befoam'd all o'er,
With flaggy heaviness their master bore:
A rock he spy'd, whose humble head was low,
Bare at an ebb, but cover'd at a flow.
A ridgy hold, he, thither flying, gain'd,
And with one hand his bending weight sustain'd;
With th' other, vig'rous blows he dealt around,
And the home-thrusts the expiring monster own'd.
In deaf'ning shouts the glad applauses rise,
And peal on peal runs ratling thro' the skies.
The saviour-youth the royal pair confess,
And with heav'd hands their daughter's bridegroom bless.
The beauteous bride moves on, now loos'd from chains,
The cause, and sweet reward of all the heroe's pains,
Mean-time, on shore triumphant Perseus stood,
And purg'd his hands, smear'd with the monster's blood:
Then in the windings of a sandy bed
Compos'd Medusa's execrable head.
But to prevent the roughness, leafs he threw,
And young, green twigs, which soft in waters grew,
There soft, and full of sap; but here, when lay'd,
Touch'd by the head, that softness soon decay'd.
The wonted flexibility quite gone,
The tender scyons harden'd into stone.
Fresh, juicy twigs, surpriz'd, the Nereids brought,
Fresh, juicy twigs the same contagion caught.
The nymphs the petrifying seeds still keep,
And propagate the wonder thro' the deep.
The pliant sprays of coral yet declare
Their stiff'ning Nature, when expos'd to air.
Those sprays, which did, like bending osiers, move,
Snatch'd from their element, obdurate prove,
And shrubs beneath the waves, grow stones above.
The great immortals grateful Perseus prais'd,
And to three Pow'rs three turfy altars rais'd.
To Hermes this; and that he did assign
To Pallas: the mid honours, Jove, were thine,
He hastes for Pallas a white cow to cull,
A calf for Hermes, but for Jove a bull.
Then seiz'd the prize of his victorious fight,
Andromeda, and claim'd the nuptial rite.
Andromeda alone he greatly sought,
The dowry kingdom was not worth his thought.
Pleas'd Hymen now his golden torch displays;
With rich oblations fragrant altars blaze,
Sweet wreaths of choicest flow'rs are hung on high,
And cloudless pleasure smiles in ev'ry eye.
The melting musick melting thoughts inspires,
And warbling songsters aid the warbling lyres.
The palace opens wide in pompous state,
And by his peers surrounded, Cepheus sate.
A feast was serv'd, fit for a king to give,
And fit for God-like heroes to receive.
The banquet ended, the gay, chearful bowl
Mov'd round, and brighten'd, and enlarg'd each soul.
Then Perseus ask'd, what customs there obtain'd,
And by what laws the people were restrain'd.
Which told; the teller a like freedom takes,
And to the warrior his petition makes,
To know, what arts had won Medusa's snakes.
The Story of Medusa's Head
The heroe with his just request complies,
Shows, how a vale beneath cold Atlas lies,
Where, with aspiring mountains fenc'd around,
He the two daughters of old Phorcus found.
Fate had one common eye to both assign'd,
Each saw by turns, and each by turns was blind.
But while one strove to lend her sister sight,
He stretch'd his hand, and stole their mutual light,
And left both eyeless, both involv'd in night.
Thro' devious wilds, and trackless woods he past,
And at the Gorgon-seats arriv'd at last:
But as he journey'd, pensive he survey'd,
What wasteful havock dire Medusa made.
Here, stood still breathing statues, men before;
There, rampant lions seem'd in stone to roar.
Nor did he, yet affrighted, quit the field,
But in the mirror of his polish'd shield
Reflected saw Medusa slumbers take,
And not one serpent by good chance awake.
Then backward an unerring blow he sped,
And from her body lop'd at once her head.
The gore prolifick prov'd; with sudden force
Sprung Pegasus, and wing'd his airy course.
The Heav'n-born warrior faithfully went on,
And told the num'rous dangers which he run.
What subject seas, what lands he had in view,
And nigh what stars th' advent'rous heroe flew.
At last he silent sate; the list'ning throng
Sigh'd at the pause of his delightful tongue.
Some beg'd to know, why this alone should wear,
Of all the sisters, such destructive hair.
Great Perseus then: With me you shall prevail,
Worth the relation, to relate a tale.
Medusa once had charms; to gain her love
A rival crowd of envious lovers strove.
They, who have seen her, own, they ne'er did trace
More moving features in a sweeter face.
Yet above all, her length of hair, they own,
In golden ringlets wav'd, and graceful shone.
Her Neptune saw, and with such beauties fir'd,
Resolv'd to compass, what his soul desir'd.
In chaste Minerva's fane, he, lustful, stay'd,
And seiz'd, and rifled the young, blushing maid.
The bashful Goddess turn'd her eyes away,
Nor durst such bold impurity survey;
But on the ravish'd virgin vengeance takes,
Her shining hair is chang'd to hissing snakes.
These in her Aegis Pallas joys to bear,
The hissing snakes her foes more sure ensnare,
Than they did lovers once, when shining hair.
----------------------------------------------------------------------
~ Ovid, BOOK THE FOURTH
,#NFDB
922:BOOK THE EIGHTH
The Story of Nisus and Scylla
Now shone the morning star in bright array,
To vanquish night, and usher in the day:
The wind veers southward, and moist clouds arise,
That blot with shades the blue meridian skies.
Cephalus feels with joy the kindly gales,
His new allies unfurl the swelling sails;
Steady their course, they cleave the yielding main,
And, with a wish, th' intended harbour gain.
Mean-while King Minos, on the Attick strand,
Displays his martial skill, and wastes the land.
His army lies encampt upon the plains,
Before Alcathoe's walls, where Nisus reigns;
On whose grey head a lock of purple hue,
The strength, and fortune of his kingdom, grew.
Six moons were gone, and past, when still from far
Victoria hover'd o'er the doubtful war.
So long, to both inclin'd, th' impartial maid
Between 'em both her equal wings display'd.
High on the walls, by Phoebus vocal made,
A turret of the palace rais'd its head;
And where the God his tuneful harp resign'd.
The sound within the stones still lay enshrin'd:
Hither the daughter of the purple king
Ascended oft, to hear its musick ring;
And, striking with a pebble, wou'd release
Th' enchanted notes, in times of happy peace.
But now, from thence, the curious maid beheld
Rough feats of arms, and combats of the field:
And, since the siege was long, had learnt the name
Of ev'ry chief, his character, and fame;
Their arms, their horse, and quiver she descry'd,
Nor cou'd the dress of war the warriour hide.
Europa's son she knew above the rest,
And more, than well became a virgin breast:
In vain the crested morion veils his face,
She thinks it adds a more peculiar grace:
His ample shield, embost with burnish'd gold,
Still makes the bearer lovelier to behold:
When the tough jav'lin, with a whirl, he sends,
His strength and skill the sighing maid commends;
Or, when he strains to draw the circling bow,
And his fine limbs a manly posture show,
Compar'd with Phoebus, he performs so well,
Let her be judge, and Minos shall excell.
But when the helm put off, display'd to sight,
And set his features in an open light;
When, vaulting to his seat, his steed he prest,
Caparison'd in gold, and richly drest;
Himself in scarlet sumptuously array'd,
New passions rise, and fire the frantick maid.
O happy spear! she cries, that feels his touch;
Nay, ev'n the reins he holds are blest too much.
Oh! were it lawful, she cou'd wing her way
Thro' the stern hostile troops without dismay;
Or throw her body to the distant ground,
And in the Cretans happy camp be found.
Wou'd Minos but desire it! she'd expose
Her native country to her country's foes;
Unbar the gates, the town with flames infest,
Or any thing that Minos shou'd request.
And as she sate, and pleas'd her longing sight,
Viewing the king's pavilion veil'd with white,
Shou'd joy, or grief, she said, possess my breast,
To see my country by a war opprest?
I'm in suspense! For, tho' 'tis grief to know
I love a man that is declar'd my foe;
Yet, in my own despite, I must approve
That lucky war, which brought the man I love.
Yet, were I tender'd as a pledge of peace,
The cruelties of war might quickly cease.
Oh! with what joy I'd wear the chains he gave!
A patient hostage, and a willing slave.
Thou lovely object! if the nymph that bare
Thy charming person, were but half so fair;
Well might a God her virgin bloom desire,
And with a rape indulge his amorous fire.
Oh! had I wings to glide along the air,
To his dear tent I'd fly, and settle there:
There tell my quality, confess my flame,
And grant him any dowry that he'd name.
All, all I'd give; only my native land,
My dearest country, shou'd excepted stand,
For, perish love, and all expected joys,
E're, with so base a thought, my soul complies.
Yet, oft the vanquish'd some advantage find,
When conquer'd by a noble, gen'rous mind.
Brave Minos justly has the war begun,
Fir'd with resentment for his murder'd son:
The righteous Gods a righteous cause regard,
And will, with victory, his arms reward:
We must be conquer'd; and the captive's fate
Will surely seize us, tho' it seize us late.
Why then shou'd love be idle, and neglect
What Mars, by arms and perils, will effect?
Oh! Prince, I dye, with anxious fear opprest,
Lest some rash hand shou'd wound my charmer's breast:
For, if they saw, no barb'rous mind cou'd dare
Against that lovely form to raise a spear.
But I'm resolv'd, and fix'd in this decree,
My father's country shall my dowry be.
Thus I prevent the loss of life and blood,
And, in effect, the action must be good.
Vain resolution! for, at ev'ry gate
The trusty centinels, successive, wait:
The keys my father keeps; ah! there's my grief;
'Tis he obstructs all hopes of my relief.
Gods! that this hated light I'd never seen!
Or, all my life, without a father been!
But Gods we all may be; for those that dare,
Are Gods, and Fortune's chiefest favours share.
The ruling Pow'rs a lazy pray'r detest,
The bold adventurer succeeds the best.
What other maid, inspir'd with such a flame,
But wou'd take courage, and abandon shame?
But wou'd, tho' ruin shou'd ensue, remove
Whate'er oppos'd, and clear the way to love?
This, shall another's feeble passion dare?
While I sit tame, and languish in despair:
No; for tho' fire and sword before me lay,
Impatient love thro' both shou'd force its way.
Yet I have no such enemies to fear,
My sole obstruction is my father's hair;
His purple lock my sanguine hope destroys,
And clouds the prospect of my rising joys.
Whilst thus she spoke, amid the thick'ning air
Night supervenes, the greatest nurse of care:
And, as the Goddess spreads her sable wings,
The virgin's fears decay, and courage springs.
The hour was come, when Man's o'er-labour'd breast
Surceas'd its care, by downy sleep possest:
All things now hush'd, Scylla with silent tread
Urg'd her approach to Nisus' royal bed:
There, of the fatal lock (accursed theft!)
She her unwitting father's head bereft.
In safe possession of her impious prey,
Out at a postern gate she takes her way.
Embolden'd, by the merit of the deed
She traverses the adverse camp with speed,
'Till Minos' tent she reach'd: the righteous king
She thus bespoke, who shiver'd at the thing.
Behold th' effect of love's resistless sway!
I, Nisus' royal seed, to thee betray
My country, and my Gods. For this strange task,
Minos, no other boon but thee I ask.
This purple lock, a pledge of love, receive;
No worthless present, since in it I give
My father's head.- Mov'd at a crime so new,
And with abhorrence fill'd, back Minos drew,
Nor touch'd th' unhallow'd gift; but thus exclaim'd
(With mein indignant, and with eyes inflam'd),
Perdition seize thee, thou, thy kind's disgrace!
May thy devoted carcass find no place
In earth, or air, or sea, by all out-cast!
Shall Minos, with so foul a monster, blast
His Cretan world, where cradled Jove was nurst?
Forbid it Heav'n!- away, thou most accurst!
And now Alcathoe, its lord exchang'd,
Was under Minos' domination rang'd.
While the most equal king his care applies
To curb the conquer'd, and new laws devise,
The fleet, by his command, with hoisted sails,
And ready oars, invites the murm'ring gales.
At length the Cretan hero anchor weigh'd,
Repaying, with neglect, th' abandon'd maid.
Deaf to her cries, he furrows up the main:
In vain she prays, sollicits him in vain.
And now she furious grows in wild despair,
She wrings her hands, and throws aloft her hair.
Where run'st thou? (thus she vents her deep distress)
Why shun'st thou her that crown'd thee with success?
Her, whose fond love to thee cou'd sacrifice
Her country, and her parent, sacred ties!
Can nor my love, nor proffer'd presents find
A passage to thy heart, and make thee kind?
Can nothing move thy pity? O ingrate,
Can'st thou behold my lost, forlorn estate,
And not be soften'd? Can'st thou throw off one
Who has no refuge left but thee alone?
Where shall I seek for comfort? whither fly?
My native country does in ashes lye:
Or were't not so, my treason bars me there,
And bids me wander. Shall I next repair
To a wrong'd father, by my guilt undone?-
Me all Mankind deservedly will shun.
I, out of all the world, my self have thrown,
To purchase an access to Crete alone;
Which, since refus'd, ungen'rous man, give o'er
To boast thy race; Europa never bore
A thing so savage. Thee some tygress bred,
On the bleak Syrt's inhospitable bed;
Or where Charybdis pours its rapid tide
Tempestuous. Thou art not to Jove ally'd;
Nor did the king of Gods thy mother meet
Beneath a bull's forg'd shape, and bear to Crete.
That fable of thy glorious birth is feign'd;
Some wild outrageous bull thy dam sustain'd.
O father Nisus, now my death behold;
Exult, o city, by my baseness sold:
Minos, obdurate, has aveng'd ye all;
But 'twere more just by those I wrong'd to fall:
For why shou'dst thou, who only didst subdue
By my offending, my offence pursue?
Well art thou matcht to one whose am'rous flame
Too fiercely rag'd, for human-kind to tame;
One who, within a wooden heifer thrust,
Courted a low'ring bull's mistaken lust;
And, from whose monster-teeming womb, the Earth
Receiv'd, what much it mourn'd, a bi-form birth.
But what avails my plaints? the whistling wind,
Which bears him far away, leaves them behind.
Well weigh'd Pasiphae, when she prefer'd
A bull to thee, more brutish than the herd.
But ah! Time presses, and the labour'd oars
To distance drive the fleet, and lose the less'ning shores.
Think not, ungrateful man, the liquid way
And threat'ning billows shall inforce my stay.
I'll follow thee in spite: My arms I'll throw
Around thy oars, or grasp thy crooked prow,
And drag thro' drenching seas. Her eager tongue
Had hardly clos'd the speech, when forth she sprung
And prov'd the deep. Cupid with added force
Recruits each nerve, and aids her wat'ry course.
Soon she the ship attains, unwelcome guest;
And, as with close embrace its sides she prest,
A hawk from upper air came pouring down
('Twas Nisus cleft the sky with wings new grown).
At Scylla's head his horny bill he aims;
She, fearful of the blow, the ship disclaims,
Quitting her hold: and yet she fell not far,
But wond'ring, finds her self sustain'd in air.
Chang'd to a lark, she mottled pinions shook,
And, from the ravish'd lock, the name of Ciris took.
The Labyrinth
Now Minos, landed on the Cretan shore,
Performs his vows to Jove's protecting pow'r;
A hundred bullocks of the largest breed,
With flowrets crown'd, before his altar bleed:
While trophies of the vanquish'd, brought from far
Adorn the palace with the spoils of war.
Mean-while the monster of a human-beast,
His family's reproach, and stain, increas'd.
His double kind the rumour swiftly spread,
And evidenc'd the mother's beastly deed.
When Minos, willing to conceal the shame
That sprung from the reports of tatling Fame,
Resolves a dark inclosure to provide,
And, far from sight, the two-form'd creature hide.
Great Daedalus of Athens was the man
That made the draught, and form'd the wondrous plan;
Where rooms within themselves encircled lye,
With various windings, to deceive the eye.
As soft Maeander's wanton current plays,
When thro' the Phrygian fields it loosely strays;
Backward and forward rouls the dimpl'd tide,
Seeming, at once, two different ways to glide:
While circling streams their former banks survey,
And waters past succeeding waters see:
Now floating to the sea with downward course,
Now pointing upward to its ancient source,
Such was the work, so intricate the place,
That scarce the workman all its turns cou'd trace;
And Daedalus was puzzled how to find
The secret ways of what himself design'd.
These private walls the Minotaur include,
Who twice was glutted with Athenian blood:
But the third tri bute more successful prov'd,
Slew the foul monster, and the plague remov'd.
When Theseus, aided by the virgin's art,
Had trac'd the guiding thread thro' ev'ry part,
He took the gentle maid, that set him free,
And, bound for Dias, cut the briny sea.
There, quickly cloy'd, ungrateful, and unkind,
Left his fair consort in the isle behind,
Whom Bacchus saw, and straining in his arms
Her rifled bloom, and violated charms,
Resolves, for this, the dear engaging dame
Shou'd shine for ever in the rolls of Fame;
And bids her crown among the stars be plac'd,
With an eternal constellation grac'd.
The golden circlet mounts; and, as it flies,
Its diamonds twinkle in the distant skies;
There, in their pristin form, the gemmy rays
Between Alcides, and the dragon blaze.
The Story of Daedalus and Icarus
In tedious exile now too long detain'd,
Daedalus languish'd for his native land:
The sea foreclos'd his flight; yet thus he said:
Tho' Earth and water in subjection laid,
O cruel Minos, thy dominion be,
We'll go thro' air; for sure the air is free.
Then to new arts his cunning thought applies,
And to improve the work of Nature tries.
A row of quils in gradual order plac'd,
Rise by degrees in length from first to last;
As on a cliff th' ascending thicket grows,
Or, different reeds the rural pipe compose.
Along the middle runs a twine of flax,
The bottom stems are joyn'd by pliant wax.
Thus, well compact, a hollow bending brings
The fine composure into real wings.
His boy, young Icarus, that near him stood,
Unthinking of his fate, with smiles pursu'd
The floating feathers, which the moving air
Bore loosely from the ground, and wasted here and there.
Or with the wax impertinently play'd,
And with his childish tricks the great design delay'd.
The final master-stroke at last impos'd,
And now, the neat machine compleatly clos'd;
Fitting his pinions on, a flight he tries,
And hung self-ballanc'd in the beaten skies.
Then thus instructs his child: My boy, take care
To wing your course along the middle air;
If low, the surges wet your flagging plumes;
If high, the sun the melting wax consumes:
Steer between both: nor to the northern skies,
Nor south Orion turn your giddy eyes;
But follow me: let me before you lay
Rules for the flight, and mark the pathless way.
Then teaching, with a fond concern, his son,
He took the untry'd wings, and fix'd 'em on;
But fix'd with trembling hands; and as he speaks,
The tears roul gently down his aged cheeks.
Then kiss'd, and in his arms embrac'd him fast,
But knew not this embrace must be the last.
And mounting upward, as he wings his flight,
Back on his charge he turns his aking sight;
As parent birds, when first their callow care
Leave the high nest to tempt the liquid air.
Then chears him on, and oft, with fatal art,
Reminds the stripling to perform his part.
These, as the angler at the silent brook,
Or mountain-shepherd leaning on his crook,
Or gaping plowman, from the vale descries,
They stare, and view 'em with religious eyes,
And strait conclude 'em Gods; since none, but they,
Thro' their own azure skies cou'd find a way.
Now Delos, Paros on the left are seen,
And Samos, favour'd by Jove's haughty queen;
Upon the right, the isle Lebynthos nam'd,
And fair Calymne for its honey fam'd.
When now the boy, whose childish thoughts aspire
To loftier aims, and make him ramble high'r,
Grown wild, and wanton, more embolden'd flies
Far from his guide, and soars among the skies.
The soft'ning wax, that felt a nearer sun,
Dissolv'd apace, and soon began to run.
The youth in vain his melting pinions shakes,
His feathers gone, no longer air he takes:
Oh! Father, father, as he strove to cry,
Down to the sea he tumbled from on high,
And found his Fate; yet still subsists by fame,
Among those waters that retain his name.
The father, now no more a father, cries,
Ho Icarus! where are you? as he flies;
Where shall I seek my boy? he cries again,
And saw his feathers scatter'd on the main.
Then curs'd his art; and fun'ral rites confer'd,
Naming the country from the youth interr'd.
A partridge, from a neighb'ring stump, beheld
The sire his monumental marble build;
Who, with peculiar call, and flutt'ring wing,
Chirpt joyful, and malicious seem'd to sing:
The only bird of all its kind, and late
Transform'd in pity to a feather'd state:
From whence, O Daedalus, thy guilt we date.
His sister's son, when now twelve years were past,
Was, with his uncle, as a scholar plac'd;
The unsuspecting mother saw his parts,
And genius fitted for the finest arts.
This soon appear'd; for when the spiny bone
In fishes' backs was by the stripling known,
A rare invention thence he learnt to draw,
Fil'd teeth in ir'n, and made the grating saw.
He was the first, that from a knob of brass
Made two strait arms with widening stretch to pass;
That, while one stood upon the center's place,
The other round it drew a circling space.
Daedalus envy'd this, and from the top
Of fair Minerva's temple let him drop;
Feigning, that, as he lean'd upon the tow'r,
Careless he stoop'd too much, and tumbled o'er.
The Goddess, who th' ingenious still befriends,
On this occasion her asssistance lends;
His arms with feathers, as he fell, she veils,
And in the air a new made bird he sails.
The quickness of his genius, once so fleet,
Still in his wings remains, and in his feet:
Still, tho' transform'd, his ancient name he keeps,
And with low flight the new-shorn stubble sweeps,
Declines the lofty trees, and thinks it best
To brood in hedge-rows o'er its humble nest;
And, in remembrance of the former ill,
Avoids the heights, and precipices still.
At length, fatigu'd with long laborious flights,
On fair Sicilia's plains the artist lights;
Where Cocalus the king, that gave him aid,
Was, for his kindness, with esteem repaid.
Athens no more her doleful tri bute sent,
That hardship gallant Theseus did prevent;
Their temples hung with garlands, they adore
Each friendly God, but most Minerva's pow'r:
To her, to Jove, to all, their altars smoak,
They each with victims, and perfumes invoke.
Now talking Fame, thro' every Grecian town,
Had spread, immortal Theseus, thy renown.
From him the neighb'ring nations in distress,
In suppliant terms implore a kind redress.
The Story of Meleager and Atalanta
From him the Caledonians sought relief;
Though valiant Meleagros was their chief.
The cause, a boar, who ravag'd far and near:
Of Cynthia's wrath, th' avenging minister.
For Oeneus with autumnal plenty bless'd,
By gifts to Heav'n his gratitude express'd:
Cull'd sheafs, to Ceres; to Lyaeus, wine;
To Pan, and Pales, offer'd sheep and kine;
And fat of olives, to Minerva's shrine.
Beginning from the rural Gods, his hand
Was lib'ral to the Pow'rs of high command:
Each deity in ev'ry kind was bless'd,
'Till at Diana's fane th' invidious honour ceas'd.
Wrath touches ev'n the Gods; the Queen of Night,
Fir'd with disdain, and jealous of her right,
Unhonour'd though I am, at least, said she,
Not unreveng'd that impious act shall be.
Swift as the word, she sped the boar away,
With charge on those devoted fields to prey.
No larger bulls th' Aegyptian pastures feed,
And none so large Sicilian meadows breed:
His eye-balls glare with fire suffus'd with blood;
His neck shoots up a thick-set thorny wood;
His bristled back a trench impal'd appears,
And stands erected, like a field of spears;
Froth fills his chaps, he sends a grunting sound,
And part he churns, and part befoams the ground,
For tusks with Indian elephants he strove,
And Jove's own thunder from his mouth he drove.
He burns the leaves; the scorching blast invades
The tender corn, and shrivels up the blades:
Or suff'ring not their yellow beards to rear,
He tramples down the spikes, and intercepts the year:
In vain the barns expect their promis'd load,
Nor barns at home, nor recks are heap'd abroad:
In vain the hinds the threshing-floor prepare,
And exercise their flail in empty air.
With olives ever-green the ground is strow'd,
And grapes ungather'd shed their gen'rous blood.
Amid the fold he rages, nor the sheep
Their shepherds, nor the grooms their bulls can keep.
From fields to walls the frighted rabble run,
Nor think themselves secure within the town:
'Till Meleagros, and his chosen crew,
Contemn the danger, and the praise pursue.
Fair Leda's twins (in time to stars decreed)
One fought on foot, one curb'd the fiery steed;
Then issu'd forth fam'd Jason after these,
Who mann'd the foremost ship that sail'd the seas;
Then Theseus join'd with bold Perithous came;
A single concord in a double name:
The Thestian sons, Idas who swiftly ran,
And Ceneus, once a woman, now a man.
Lynceus, with eagle's eyes, and lion's heart;
Leucippus, with his never-erring dart;
Acastus, Phileus, Phoenix, Telamon,
Echion, Lelix, and Eurytion,
Achilles' father, and great Phocus' son;
Dryas the fierce, and Hippasus the strong;
With twice old Iolas, and Nestor then but young.
Laertes active, and Ancaeus bold;
Mopsus the sage, who future things foretold;
And t' other seer, yet by his wife unsold.
A thousand others of immortal fame;
Among the rest, fair Atalanta came,
Grace of the woods: a diamond buckle bound
Her vest behind, that else had flow'd upon the ground,
And shew'd her buskin'd legs; her head was bare,
But for her native ornament of hair;
Which in a simple knot was ty'd above,
Sweet negligence! unheeded bait of love!
Her sounding quiver, on her shoulder ty'd,
One hand a dart, and one a bow supply'd.
Such was her face, as in a nymph display'd
A fair fierce boy, or in a boy betray'd
The blushing beauties of a modest maid.
The Caledonian chief at once the dame
Beheld, at once his heart receiv'd the flame,
With Heav'ns averse. O happy youth, he cry'd;
For whom thy fates reserve so fair a bride!
He sigh'd, and had no leisure more to say;
His honour call'd his eyes another way,
And forc'd him to pursue the now-neglected prey.
There stood a forest on a mountain's brow,
Which over-look'd the shaded plains below.
No sounding ax presum'd those trees to bite;
Coeval with the world, a venerable sight.
The heroes there arriv'd, some spread around
The toils; some search the footsteps on the ground:
Some from the chains the faithful dogs unbound.
Of action eager, and intent in thought,
The chiefs their honourable danger sought:
A valley stood below; the common drain
Of waters from above, and falling rain:
The bottom was a moist, and marshy ground,
Whose edges were with bending oziers crown'd:
The knotty bulrush next in order stood,
And all within of reeds a trembling wood.
From hence the boar was rous'd, and sprung amain,
Like lightning sudden, on the warrior train;
Beats down the trees before him, shakes the ground.
The forest echoes to the crackling sound;
Shout the fierce youth, and clamours ring around.
All stood with their protended spears prepar'd,
With broad steel heads the brandish'd weapons glar'd.
The beast impetuous with his tusks aside
Deals glancing wounds; the fearful dogs divide:
All spend their mouths aloof, but none abide.
Echion threw the first, but miss'd his mark,
And stuck his boar-spear on a maple's bark.
Then Jason; and his javelin seem'd to take,
But fail'd with over-force, and whiz'd above his back.
Mopsus was next; but e'er he threw, address'd
To Phoebus, thus: O patron, help thy priest:
If I adore, and ever have ador'd
Thy pow'r divine, thy present aid afford;
That I may reach the beast. The God allow'd
His pray'r, and smiling, gave him what he cou'd:
He reach'd the savage, but no blood he drew:
Dian unarm'd the javelin, as it flew.
This chaf'd the boar, his nostrils flames expire,
And his red eye-balls roul with living fire.
Whirl'd from a sling, or from an engine thrown,
Amid the foes, so flies a mighty stone,
As flew the beast: the left wing put to flight,
The chiefs o'er-born, he rushes on the right.
Eupalamos and Pelagon he laid
In dust, and next to death, but for their fellows' aid.
Onesimus far'd worse, prepar'd to fly,
The fatal fang drove deep within his thigh,
And cut the nerves: the nerves no more sustain
The bulk; the bulk unprop'd, falls headlong on the plain.
Nestor had fail'd the fall of Troy to see,
But leaning on his lance, he vaulted on a tree;
Then gath'ring up his feet, look'd down with fear,
And thought his monstrous foe was still too near.
Against a stump his tusk the monster grinds,
And in the sharpen'd edge new vigour finds;
Then, trusting to his arms, young Othrys found,
And ranch'd his hips with one continu'd wound.
Now Leda's twins, the future stars, appear;
White were their habits, white their horses were:
Conspicuous both, and both in act to throw,
Their trembling lances brandish'd at the foe:
Nor had they miss'd; but he to thickets fled,
Conceal'd from aiming spears, not pervious to the steed.
But Telamon rush'd in, and happ'd to meet
A rising root, that held his fastned feet;
So down he fell, whom, sprawling on the ground,
His brother from the wooden gyves unbound.
Mean-time the virgin-huntress was not slow
T' expel the shaft from her contracted bow:
Beneath his ear the fastned arrow stood,
And from the wound appear'd the trickling blood.
She blush'd for joy: but Meleagros rais'd
His voice with loud applause, and the fair archer prais'd.
He was the first to see, and first to show
His friends the marks of the successful blow.
Nor shall thy valour want the praises due,
He said; a virtuous envy seiz'd the crew.
They shout; the shouting animates their hearts,
And all at once employ their thronging darts:
But out of order thrown, in air they joyn,
And multitude makes frustrate the design.
With both his hands the proud Ancaeus takes,
And flourishes his double-biting ax:
Then, forward to his fate, he took a stride
Before the rest, and to his fellows cry'd,
Give place, and mark the diff'rence, if you can,
Between a woman warrior, and a man,
The boar is doom'd; nor though Diana lend
Her aid, Diana can her beast defend.
Thus boasted he; then stretch'd, on tiptoe stood,
Secure to make his empty promise good.
But the more wary beast prevents the blow,
And upward rips the groin of his audacious foe.
Ancaeus falls; his bowels from the wound
Rush out, and clotted blood distains the ground.
Perithous, no small portion of the war,
Press'd on, and shook his lance: to whom from far
Thus Theseus cry'd; O stay, my better part,
My more than mistress; of my heart, the heart.
The strong may fight aloof; Ancaeus try'd
His force too near, and by presuming dy'd:
He said, and while he spake his javelin threw,
Hissing in air th' unerring weapon flew;
But on an arm of oak, that stood betwixt
The marks-man and the mark, his lance he fixt.
Once more bold Jason threw, but fail'd to wound
The boar, and slew an undeserving hound,
And thro' the dog the dart was nail'd to ground.
Two spears from Meleager's hand were sent,
With equal force, but various in th' event:
The first was fix'd in earth, the second stood
On the boar's bristled back, and deeply drank his blood.
Now while the tortur'd savage turns around,
And flings about his foam, impatient of the wound,
The wound's great author close at hand provokes
His rage, and plies him with redoubled strokes;
Wheels, as he wheels; and with his pointed dart
Explores the nearest passage to his heart.
Quick, and more quick he spins in giddy gires,
Then falls, and in much foam his soul expires.
This act with shouts heav'n-high the friendly band
Applaud, and strain in theirs the victor's hand.
Then all approach the slain with vast surprize,
Admire on what a breadth of earth he lies,
And scarce secure, reach out their spears afar,
And blood their points, to prove their partnership of war.
But he, the conqu'ring chief, his foot impress'd
On the strong neck of that destructive beast;
And gazing on the nymph with ardent eyes,
Accept, said he, fair Nonacrine, my prize,
And, though inferior, suffer me to join
My labours, and my part of praise, with thine:
At this presents her with the tusky head
And chine, with rising bristles roughly spread.
Glad she receiv'd the gift; and seem'd to take
With double pleasure, for the giver's sake.
The rest were seiz'd with sullen discontent,
And a deaf murmur through the squadron went:
All envy'd; but the Thestyan brethren show'd
The least respect, and thus they vent their spleen aloud:
Lay down those honour'd spoils, nor think to share,
Weak woman as thou art, the prize of war:
Ours is the title, thine a foreign claim,
Since Meleagrus from our lineage came.
Trust not thy beauty; but restore the prize,
Which he, besotted on that face, and eyes,
Would rend from us: at this, enflam'd with spite,
From her they snatch the gift, from him the giver's right.
But soon th' impatient prince his fauchion drew,
And cry'd, Ye robbers of another's due,
Now learn the diff'rence, at your proper cost,
Betwixt true valour, and an empty boast.
At this advanc'd, and sudden as the word,
In proud Plexippus' bosom plung'd the sword:
Toxeus amaz'd, and with amazement slow,
Or to revenge, or ward the coming blow,
Stood doubting; and while doubting thus he stood,
Receiv'd the steel bath'd in his brother's blood.
Pleas'd with the first, unknown the second news;
Althaea to the temples pays their dues
For her son's conquest; when at length appear
Her grisly brethren stretch'd upon the bier:
Pale at the sudden sight, she chang'd her cheer,
And with her cheer her robes; but hearing tell
The cause, the manner, and by whom they fell,
'Twas grief no more, or grief and rage were one
Within her soul; at last 'twas rage alone;
Which burning upwards in succession, dries
The tears, that stood consid'ring in her eyes.
There lay a log unlighted on the hearth,
When she was lab'ring in the throws of birth
For th' unborn chief; the fatal sisters came,
And rais'd it up, and toss'd it on the flame:
Then on the rock a scanty measure place
Of vital flax, and turn'd the wheel apace;
And turning sung, To this red brand and thee,
O new born babe, we give an equal destiny;
So vanish'd out of view. The frighted dame
Sprung hasty from her bed, and quench'd the flame:
The log, in secret lock'd, she kept with care,
And that, while thus preserv'd, preserv'd her heir.
This brand she now produc'd; and first she strows
The hearth with heaps of chips, and after blows;
Thrice heav'd her hand, and heav'd, she thrice repress'd:
The sister and the mother long contest,
Two doubtful titles, in one tender breast:
And now her eyes, and cheeks with fury glow,
Now pale her cheeks, her eyes with pity flow:
Now low'ring looks presage approaching storms,
And now prevailing love her face reforms:
Resolv'd, she doubts again; the tears she dry'd
With burning rage, are by new tears supply'd;
And as a ship, which winds and waves assail
Now with the current drives, now with the gale,
Both opposite, and neither long prevail:
She feels a double force, by turns obeys
Th' imperious tempest, and th' impetuous seas:
So fares Althaea's mind, she first relents
With pity, of that pity then repents:
Sister, and mother long the scales divide,
But the beam nodded on the sister's side.
Sometimes she softly sigh'd, then roar'd aloud;
But sighs were stifled in the cries of blood.
The pious, impious wretch at length decreed,
To please her brothers' ghost, her son should bleed:
And when the fun'ral flames began to rise,
Receive, she said, a sister's sacrifice;
A mother's bowels burn: high in her hand,
Thus while she spoke, she held the fatal brand;
Then thrice before the kindled pile she bow'd,
And the three Furies thrice invok'd aloud:
Come, come, revenging sisters, come, and view
A sister paying her dead brothers due:
A crime I punish, and a crime commit;
But blood for blood, and death for death is fit:
Great crimes must be with greater crimes repaid,
And second fun'rals on the former laid.
Let the whole houshold in one ruin fall,
And may Diana's curse o'ertake us all.
Shall Fate to happy Oenus still allow
One son, while Thestius stands depriv'd of two?
Better three lost, than one unpunish'd go.
Take then, dear ghosts (while yet admitted new
In Hell you wait my duty), take your due:
A costly off'ring on your tomb is laid,
When with my blood the price of yours is paid.
Ah! whither am I hurry'd? Ah! forgive,
Ye shades, and let your sister's issue live;
A mother cannot give him death; tho' he
Deserves it, he deserves it not from me.
Then shall th' unpunish'd wretch insult the slain,
Triumphant live, nor only live, but reign?
While you, thin shades, the sport of winds, are tost
O'er dreary plains, or tread the burning coast.
I cannot, cannot bear; 'tis past, 'tis done;
Perish this impious, this detested son:
Perish his sire, and perish I withal;
And let the house's heir, and the hop'd kingdom fall.
Where is the mother fled, her pious love,
And where the pains with which ten months I strove!
Ah! had'st thou dy'd, my son, in infant years,
Thy little herse had been bedew'd with tears.
Thou liv'st by me; to me thy breath resign;
Mine is the merit, the demerit thine.
Thy life by double title I require;
Once giv'n at birth, and once preserv'd from fire:
One murder pay, or add one murder more,
And me to them who fell by thee restore.
I would, but cannot: my son's image stands
Before my sight; and now their angry hands
My brothers hold, and vengeance these exact;
This pleads compassion, and repents the fact.
He pleads in vain, and I pronounce his doom:
My brothers, though unjustly, shall o'ercome.
But having paid their injur'd ghosts their due,
My son requires my death, and mine shall his pursue.
At this, for the last time, she lifts her hand,
Averts her eyes, and, half unwilling, drops the brand.
The brand, amid the flaming fewel thrown,
Or drew, or seem'd to draw, a dying groan;
The fires themselves but faintly lick'd their prey,
Then loath'd their impious food, and would have shrunk away.
Just then the heroe cast a doleful cry,
And in those absent flames began to fry:
The blind contagion rag'd within his veins;
But he with manly patience bore his pains:
He fear'd not Fate, but only griev'd to die
Without an honest wound, and by a death so dry.
Happy Ancaeus, thrice aloud he cry'd,
With what becoming fate in arms he dy'd!
Then call'd his brothers, sisters, sire around,
And, her to whom his nuptial vows were bound,
Perhaps his mother; a long sigh she drew,
And his voice failing, took his last adieu.
For as the flames augment, and as they stay
At their full height, then languish to decay,
They rise and sink by fits; at last they soar
In one bright blaze, and then descend no more:
Just so his inward heats, at height, impair,
'Till the last burning breath shoots out the soul in air.
Now lofty Calidon in ruins lies;
All ages, all degrees unsluice their eyes,
And Heav'n, and Earth resound with murmurs, groans, and cries.
Matrons and maidens beat their breasts, and tear
Their habits, and root up their scatter'd hair:
The wretched father, father now no more,
With sorrow sunk, lies prostrate on the floor,
Deforms his hoary locks with dust obscene,
And curses age, and loaths a life prolong'd with pain.
By steel her stubborn soul his mother freed,
And punish'd on her self her impious deed.
Had I a hundred tongues, a wit so large
As could their hundred offices discharge;
Had Phoebus all his Helicon bestow'd
In all the streams, inspiring all the God;
Those tongues, that wit, those streams, that God in vain
Would offer to describe his sisters' pain:
They beat their breasts with many a bruizing blow,
'Till they turn livid, and corrupt the snow.
The corps they cherish, while the corps remains,
And exercise, and rub with fruitless pains;
And when to fun'ral flames 'tis born away,
They kiss the bed on which the body lay:
And when those fun'ral flames no longer burn
(The dust compos'd within a pious urn),
Ev'n in that urn their brother they confess,
And hug it in their arms, and to their bosoms press.
His tomb is rais'd; then, stretch'd along the ground,
Those living monuments his tomb surround:
Ev'n to his name, inscrib'd, their tears they pay,
'Till tears, and kisses wear his name away.
But Cynthia now had all her fury spent,
Not with less ruin than a race content:
Excepting Gorge, perish'd all the seed,
And her whom Heav'n for Hercules decreed.
Satiate at last, no longer she pursu'd
The weeping sisters; but With Wings endu'd,
And horny beaks, and sent to flit in air;
Who yearly round the tomb in feather'd flocks repair.
The Transformation of the Naiads
Theseus mean-while acquitting well his share
In the bold chace confed'rate like a war,
To Athens' lofty tow'rs his march ordain'd,
By Pallas lov'd, and where Erectheus reign'd.
But Achelous stop'd him on the way,
By rains a deluge, and constrain'd his stay.
O fam'd for glorious deeds, and great by blood,
Rest here, says he, nor trust the rapid flood;
It solid oaks has from its margin tore,
And rocky fragments down its current bore,
The murmur hoarse, and terrible the roar.
Oft have I seen herds with their shelt'ring fold
Forc'd from the banks, and in the torrent roul'd;
Nor strength the bulky steer from ruin freed,
Nor matchless swiftness sav'd the racing steed.
In cataracts when the dissolving snow
Falls from the hills, and floods the plains below;
Toss'd by the eddies with a giddy round,
Strong youths are in the sucking whirlpools drown'd.
'Tis best with me in safety to abide,
'Till usual bounds restrain the ebbing tide,
And the low waters in their channel glide.
Theseus perswaded, in compliance bow'd:
So kind an offer, and advice so good,
O Achelous, cannot be refus'd;
I'll use them both, said he; and both he us'd.
The grot he enter'd, pumice built the hall,
And tophi made the rustick of the wall;
The floor, soft moss, an humid carpet spread,
And various shells the chequer'd roof inlaid.
'Twas now the hour when the declining sun
Two thirds had of his daily journey run;
At the spread table Theseus took his place,
Next his companions in the daring chace;
Perithous here, there elder Lelex lay,
His locks betraying age with sprinkled grey.
Acharnia's river-God dispos'd the rest,
Grac'd with the equal honour of the feast,
Elate with joy, and proud of such a guest.
The nymphs were waiters, and with naked feet
In order serv'd the courses of the meat.
The banquet done, delicious wine they brought,
Of one transparent gem the cup was wrought.
Then the great heroe of this gallant train,
Surveying far the prospect of the main:
What is that land, says he, the waves embrace?
(And with his finger pointed at the place);
Is it one parted isle which stands alone?
How nam'd? and yet methinks it seems not one.
To whom the watry God made this reply;
'Tis not one isle, but five; distinct they lye;
'Tis distance which deceives the cheated eye.
But that Diana's act may seem less strange,
These once proud Naiads were, before their change.
'Twas on a day more solemn than the rest,
Ten bullocks slain, a sacrificial feast:
The rural Gods of all the region near
They bid to dance, and taste the hallow'd cheer.
Me they forgot: affronted with the slight,
My rage, and stream swell'd to the greatest height;
And with the torrent of my flooding store,
Large woods from woods, and fields from fields I tore.
The guilty nymphs, oh! then, remembring me,
I, with their country, wash'd into the sea;
And joining waters with the social main,
Rent the gross land, and split the firm champagne.
Since, the Echinades, remote from shore
Are view'd as many isles, as nymphs before.
Perimele turn'd into an Island
But yonder far, lo, yonder does appear
An isle, a part to me for ever dear.
From that (it sailors Perimele name)
I doating, forc'd by rape a virgin's fame.
Hippodamas's passion grew so strong,
Gall'd with th' abuse, and fretted at the wrong,
He cast his pregnant daughter from a rock;
I spread my waves beneath, and broke the shock;
And as her swimming weight my stream convey'd,
I su'd for help divine, and thus I pray'd:
O pow'rful thou, whose trident does comm and
The realm of waters, which surround the land;
We sacred rivers, wheresoe'er begun,
End in thy lot, and to thy empire run.
With favour hear, and help with present aid;
Her whom I bear 'twas guilty I betray'd.
Yet if her father had been just, or mild,
He would have been less impious to his child;
In her, have pity'd force in the abuse;
In me, admitted love for my excuse.
O let relief for her hard case be found,
Her, whom paternal rage expell'd from ground,
Her, whom paternal rage relentless drown'd.
Grant her some place, or change her to a place,
Which I may ever clasp with my embrace.
His nodding head the sea's great ruler bent,
And all his waters shook with his assent.
The nymph still swam, tho' with the fright distrest,
I felt her heart leap trembling in her breast;
But hardning soon, whilst I her pulse explore,
A crusting Earth cas'd her stiff body o'er;
And as accretions of new-cleaving soil
Inlarg'd the mass, the nymph became an isle.
The Story of Baucis and Philemon
Thus Achelous ends: his audience hear
With admiration, and admiring, fear
The Pow'rs of Heav'n; except Ixion's Son,
Who laugh'd at all the Gods, believ'd in none:
He shook his impious head, and thus replies.
These legends are no more than pious lies:
You attri bute too much to heav'nly sway,
To think they give us forms, and take away.
The rest of better minds, their sense declar'd
Against this doctrine, and with horror heard.
Then Lelex rose, an old experienc'd man,
And thus with sober gravity began;
Heav'n's pow'r is infinite: Earth, Air, and Sea,
The manufacture mass, the making Pow'r obey:
By proof to clear your doubt; in Phrygian ground
Two neighb'ring trees, with walls encompass'd round,
Stand on a mod'rate rise, with wonder shown,
One a hard oak, a softer linden one:
I saw the place, and them, by Pittheus sent
To Phrygian realms, my grandsire's government.
Not far from thence is seen a lake, the haunt
Of coots, and of the fishing cormorant:
Here Jove with Hermes came; but in disguise
Of mortal men conceal'd their deities;
One laid aside his thunder, one his rod;
And many toilsome steps together trod:
For harbour at a thousand doors they knock'd,
Not one of all the thousand but was lock'd.
At last an hospitable house they found,
A homely shed; the roof, not far from ground,
Was thatch'd with reeds, and straw, together bound.
There Baucis and Philemon liv'd, and there
Had liv'd long marry'd, and a happy pair:
Now old in love, though little was their store,
Inur'd to want, their poverty they bore,
Nor aim'd at wealth, professing to be poor.
For master, or for servant here to call,
Was all alike, where only two were all.
Command was none, where equal love was paid,
Or rather both commanded, both obey'd.
From lofty roofs the Gods repuls'd before,
Now stooping, enter'd through the little door:
The man (their hearty welcome first express'd)
A common settle drew for either guest,
Inviting each his weary limbs to rest.
But ere they sate, officious Baucis lays
Two cushions stuff'd with straw, the seat to raise;
Coarse, but the best she had; then rakes the load
Of ashes from the hearth, and spreads abroad
The living coals; and, lest they should expire,
With leaves, and bark she feeds her infant fire:
It smoaks; and then with trembling breath she blows,
'Till in a chearful blaze the flames arose.
With brush-wood, and with chips she streng thens these,
And adds at last the boughs of rotten trees.
The fire thus form'd, she sets the kettle on
(Like burnish'd gold the little seether shone),
Next took the coleworts which her husb and got
From his own ground (a small well-water'd spot);
She stripp'd the stalks of all their leaves; the best
She cull'd, and them with handy care she drest.
High o'er the hearth a chine of bacon hung;
Good old Philemon seiz'd it with a prong,
And from the sooty rafter drew it down,
Then cut a slice, but scarce enough for one;
Yet a large portion of a little store,
Which for their sakes alone he wish'd were more.
This in the pot he plung'd without delay,
To tame the flesh, and drain the salt away.
The time beween, before the fire they sat,
And shorten'd the delay by pleasing chat.
A beam there was, on which a beechen pail
Hung by the handle, on a driven nail:
This fill'd with water, gently warm'd, they set
Before their guests; in this they bath'd their feet,
And after with clean towels dry'd their sweat.
This done, the host produc'd the genial bed,
Sallow the feet, the borders, and the sted,
Which with no costly coverlet they spread,
But coarse old garments; yet such robes as these
They laid alone, at feasts, on holidays.
The good old housewife, tucking up her gown,
The table sets; th' invited Gods lie down.
The trivet-table of a foot was lame,
A blot which prudent Baucis overcame,
Who thrusts beneath the limping leg a sherd,
So was the mended board exactly rear'd:
Then rubb'd it o'er with newly gather'd mint,
A wholsom herb, that breath'd a grateful scent.
Pallas began the feast, where first was seen
The party-colour'd olive, black, and green:
Autumnal cornels next in order serv'd,
In lees of wine well pickled, and preserv'd.
A garden-sallad was the third supply,
Of endive, radishes, and succory:
Then curds, and cream, the flow'r of country fare,
And new-laid eggs, which Baucis' busie care
Turn'd by a gentle fire, and roasted rare.
All these in ear then ware were serv'd to board;
And next in place, an ear then pitcher stor'd,
With liquor of the best the cottage could afford.
This was the table's ornament and pride,
With figures wrought: like pages at his side
Stood beechen bowls; and these were shining clean,
Varnish'd with wax without, and lin'd within.
By this the boiling kettle had prepar'd,
And to the table sent the smoaking lard;
On which with eager appetite they dine,
A sav'ry bit, that serv'd to relish wine:
The wine itself was suiting to the rest,
Still working in the must, and lately press'd.
The second course succeeds like that before,
Plums, apples, nuts, and of their wintry store
Dry figs, and grapes, and wrinkled dates were set
In canisters, t' enlarge the little treat:
All these a milk-white honey-comb surround,
Which in the midst the country-banquet crown'd:
But the kind hosts their entertainment grace
With hearty welcome, and an open face:
In all they did, you might discern with ease,
A willing mind, and a desire to please.
Mean-time the beechen bowls went round, and still,
Though often empty'd, were observ'd to fill;
Fill'd without hands, and of their own accord
Ran without feet, and danc'd about the board.
Devotion seiz'd the pair, to see the feast
With wine, and of no common grape, increas'd;
And up they held their hands, and fell to pray'r,
Excusing, as they could, their country fare.
One goose they had ('twas all they could allow),
A wakeful centry, and on duty now,
Whom to the Gods for sacrifice they vow:
Her with malicious zeal the couple view'd;
She ran for life, and limping they pursu'd:
Full well the fowl perceiv'd their bad intent,
And would not make her master's compliment;
But persecuted, to the Pow'rs she flies,
And close between the legs of Jove she lies:
He with a gracious ear the suppliant heard,
And sav'd her life; then what he has declar'd,
And own'd the God. The neighbourhood, said he,
Shall justly perish for impiety:
You stand alone exempted; but obey
With speed, and follow where we lead the way:
Leave these accurs'd; and to the mountain's height
Ascend; nor once look backward in your flight.
They haste, and what their tardy feet deny'd,
The trusty staff (their better leg) supply'd.
An arrow's flight they wanted to the top,
And there secure, but spent with travel, stop;
Then turn their now no more forbidden eyes;
Lost in a lake the floated level lies:
A watry desart covers all the plains,
Their cot alone, as in an isle, remains.
Wondring, with weeping eyes, while they deplore
Their neighbours' fate, and country now no more,
Their little shed, scarce large enough for two,
Seems, from the ground increas'd, in height and bulk to grow.
A stately temple shoots within the skies,
The crotches of their cot in columns rise:
The pavement polish'd marble they behold,
The gates with sculpture grac'd, the spires and tiles of gold.
Then thus the sire of Gods, with looks serene,
Speak thy desire, thou only just of men;
And thou, o woman, only worthy found
To be with such a man in marriage bound.
A-while they whisper; then, to Jove address'd,
Philemon thus prefers their joint request:
We crave to serve before your sacred shrine,
And offer at your altars rites divine:
And since not any action of our life
Has been polluted with domestick strife;
We beg one hour of death, that neither she
With widow's tears may live to bury me,
Nor weeping I, with wither'd arms may bear
My breathless Baucis to the sepulcher.
The Godheads sign their suit. They run their race
In the same tenour all th' appointed space:
Then, when their hour was come, while they relate
These past adventures at the temple gate,
Old Baucis is by old Philemon seen
Sprouting with sudden leaves of spritely green:
Old Baucis look'd where old Philemon stood,
And saw his leng then'd arms a sprouting wood:
New roots their fasten'd feet begin to bind,
Their bodies stiffen in a rising rind:
Then, ere the bark above their shoulders grew,
They give, and take at once their last adieu.
At once, Farewell, o faithful spouse, they said;
At once th' incroaching rinds their closing lips invade.
Ev'n yet, an ancient Tyanaean shows
A spreading oak, that near a linden grows;
The neighbourhood confirm the prodigy,
Grave men, not vain of tongue, or like to lie.
I saw my self the garlands on their boughs,
And tablets hung for gifts of granted vows;
And off'ring fresher up, with pious pray'r,
The good, said I, are God's peculiar care,
And such as honour Heav'n, shall heav'nly honour share.
The Changes of Proteus
He ceas'd in his relation to proceed,
Whilst all admir'd the author, and the deed;
But Theseus most, inquisitive to know
From Gods what wondrous alterations grow.
Whom thus the Calydonian stream address'd,
Rais'd high to speak, the couch his elbow press'd.
Some, when transform'd, fix in the lasting change;
Some with more right, thro' various figures range.
Proteus, thus large thy privilege was found,
Thou inmate of the seas, which Earth surround.
Sometimes a bloming youth you grac'd the shore;
Oft a fierce lion, or a furious boar:
With glist'ning spires now seem'd an hissing snake,
The bold would tremble in his hands to take:
With horns assum'd a bull; sometimes you prov'd
A tree by roots, a stone by weight unmov'd:
Sometimes two wav'ring contraries became,
Flow'd down in water, or aspir'd in flame.
The Story of Erisichthon
In various shapes thus to deceive the eyes,
Without a settled stint of her disguise,
Rash Erisichthon's daughter had the pow'r,
And brought it to Autolicus in dow'r.
Her atheist sire the slighted Gods defy'd,
And ritual honours to their shrines deny'd.
As fame reports, his hand an ax sustain'd,
Which Ceres' consecrated grove prophan'd;
Which durst the venerable gloom invade,
And violate with light the awful shade.
An ancient oak in the dark center stood,
The covert's glory, and itself a wood:
Garlands embrac'd its shaft, and from the boughs
Hung tablets, monuments of prosp'rous vows.
In the cool dusk its unpierc'd verdure spread,
The Dryads oft their hallow'd dances led;
And oft, when round their gaging arms they cast,
Full fifteen ells it measu'rd in the waste:
Its height all under standards did surpass,
As they aspir'd above the humbler grass.
These motives, which would gentler minds restrain,
Could not make Triope's bold son abstain;
He sternly charg'd his slaves with strict decree,
To fell with gashing steel the sacred tree.
But whilst they, lingring, his commands delay'd,
He snatch'd an Ax, and thus blaspheming said:
Was this no oak, nor Ceres' favourite care,
But Ceres' self, this arm, unaw'd, shou'd dare
Its leafy honours in the dust to spread,
And level with the earth its airy head.
He spoke, and as he poiz'd a slanting stroak,
Sighs heav'd, and tremblings shook the frighted oak;
Its leaves look'd sickly, pale its acorns grew,
And its long branches sweat a chilly dew.
But when his impious hand a wound bestow'd,
Blood from the mangled bark in currents flow'd.
When a devoted bull of mighty size,
A sinning nation's grand atonement, dies;
With such a plenty from the spouting veins,
A crimson stream the turfy altars stains.
The wonder all amaz'd; yet one more bold,
The fact dissuading, strove his ax to hold.
But the Thessalian, obstinately bent,
Too proud to change, too harden'd to repent,
On his kind monitor, his eyes, which burn'd
With rage, and with his eyes his weapon turn'd;
Take the reward, says he, of pious dread:
Then with a blow lopp'd off his parted head.
No longer check'd, the wretch his crime pursu'd,
Doubled his strokes, and sacrilege renew'd;
When from the groaning trunk a voice was heard,
A Dryad I, by Ceres' love preferr'd,
Within the circle of this clasping rind
Coeval grew, and now in ruin join'd;
But instant vengeance shall thy sin pursue,
And death is chear'd with this prophetick view.
At last the oak with cords enforc'd to bow,
Strain'd from the top, and sap'd with wounds below,
The humbler wood, partaker of its fate,
Crush'd with its fall, and shiver'd with its weight.
The grove destroy'd, the sister Dryads moan,
Griev'd at its loss, and frighted at their own.
Strait, suppliants for revenge to Ceres go,
In sable weeds, expressive of their woe.
The beauteous Goddess with a graceful air
Bow'd in consent, and nodded to their pray'r.
The awful motion shook the fruitful ground,
And wav'd the fields with golden harvests crown'd.
Soon she contriv'd in her projecting mind
A plague severe, and piteous in its kind
(If plagues for crimes of such presumptuous height
Could pity in the softest breast create).
With pinching want, and hunger's keenest smart,
To tear his vitals, and corrode his heart.
But since her near approach by Fate's deny'd
To famine, and broad climes their pow'rs divide,
A nymph, the mountain's ranger, she address'd,
And thus resolv'd, her high commands express'd.
The Description of Famine
Where frozen Scythia's utmost bound is plac'd,
A desart lies, a melancholy waste:
In yellow crops there Nature never smil'd,
No fruitful tree to shade the barren wild.
There sluggish cold its icy station makes,
There paleness, frights, and aguish trembling shakes,
Of pining famine this the fated seat,
To whom my orders in these words repeat:
Bid her this miscreant with her sharpest pains
Chastise, and sheath herself into his veins;
Be unsubdu'd by plenty's baffled store,
Reject my empire, and defeat my pow'r.
And lest the distance, and the tedious way,
Should with the toil, and long fatigue dismay,
Ascend my chariot, and convey'd on high,
Guide the rein'd dragons thro' the parting sky.
The nymph, accepting of the granted carr,
Sprung to the seat, and posted thro' the air;
Nor stop'd 'till she to a bleak mountain came
Of wondrous height, and Caucasus its name.
There in a stony field the fiend she found,
Herbs gnawing, and roots scratching from the ground.
Her elfelock hair in matted tresses grew,
Sunk were her eyes, and pale her ghastly hue,
Wan were her lips, and foul with clammy glew.
Her throat was furr'd, her guts appear'd within
With snaky crawlings thro' her parchment skin.
Her jutting hips seem'd starting from their place,
And for a belly was a belly's space,
Her dugs hung dangling from her craggy spine,
Loose to her breast, and fasten'd to her chine.
Her joints protuberant by leanness grown,
Consumption sunk the flesh, and rais'd the bone.
Her knees large orbits bunch'd to monstrous size,
And ancles to undue proportion rise.
This plague the nymph, not daring to draw near,
At distance hail'd, and greeted from afar.
And tho' she told her charge without delay,
Tho' her arrival late, and short her stay,
She felt keen famine, or she seem'd to feel,
Invade her blood, and on her vitals steal.
She turn'd, from the infection to remove,
And back to Thessaly the serpents drove.
The fiend obey'd the Goddess' comm and
(Tho' their effects in opposition stand),
She cut her way, supported by the wind,
And reach'd the mansion by the nymph assign'd.
'Twas night, when entring Erisichthon's room,
Dissolv'd in sleep, and thoughtless of his doom,
She clasp'd his limbs, by impious labour tir'd,
With battish wings, but her whole self inspir'd;
Breath'd on his throat and chest a tainting blast,
And in his veins infus'd an endless fast.
The task dispatch'd, away the Fury flies
From plenteous regions, and from rip'ning skies;
To her old barren north she wings her speed,
And cottages distress'd with pinching need.
Still slumbers Erisichthon's senses drown,
And sooth his fancy with their softest down.
He dreams of viands delicate to eat,
And revels on imaginary meat,
Chaws with his working mouth, but chaws in vain,
And tires his grinding teeth with fruitless pain;
Deludes his throat with visionary fare,
Feasts on the wind, and banquets on the air.
The morning came, the night, and slumbers past,
But still the furious pangs of hunger last;
The cank'rous rage still gnaws with griping pains,
Stings in his throat, and in his bowels reigns.
Strait he requires, impatient in demand,
Provisions from the air, the seas, the land.
But tho' the land, air, seas, provisions grant,
Starves at full tables, and complains of want.
What to a people might in dole be paid,
Or victual cities for a long blockade,
Could not one wolfish appetite asswage;
For glutting nourishment increas'd its rage.
As rivers pour'd from ev'ry distant shore,
The sea insatiate drinks, and thirsts for more;
Or as the fire, which all materials burns,
And wasted forests into ashes turns,
Grows more voracious, as the more it preys,
Recruits dilate the flame, and spread the blaze:
So impious Erisichthon's hunger raves,
Receives refreshments, and refreshments craves.
Food raises a desire for food, and meat
Is but a new provocative to eat.
He grows more empty, as the more supply'd,
And endless cramming but extends the void.
The Transformations of Erisichthon's Daughter
Now riches hoarded by paternal care
Were sunk, the glutton swallowing up the heir.
Yet the devouring flame no stores abate,
Nor less his hunger grew with his estate.
One daughter left, as left his keen desire,
A daughter worthy of a better sire:
Her too he sold, spent Nature to sustain;
She scorn'd a lord with generous disdain,
And flying, spread her hand upon the main.
Then pray'd: Grant, thou, I bondage may escape,
And with my liberty reward thy rape;
Repay my virgin treasure with thy aid
('Twas Neptune who deflower'd the beauteous maid).
The God was mov'd, at what the fair had su'd,
When she so lately by her master view'd
In her known figure, on a sudden took
A fisher's habit, and a manly look.
To whom her owner hasted to enquire;
O thou, said he, whose baits hide treach'rous wire;
Whose art can manage, and experienc'd skill
The taper angle, and the bobbing quill,
So may the sea be ruffled with no storm,
But smooth with calms, as you the truth inform;
So your deceit may no shy fishes feel,
'Till struck, and fasten'd on the bearded steel.
Did not you standing view upon the strand,
A wand'ring maid? I'm sure I saw her stand;
Her hair disorder'd, and her homely dress
Betray'd her want, and witness'd her distress.
Me heedless, she reply'd, whoe'er you are,
Excuse, attentive to another care.
I settled on the deep my steady eye;
Fix'd on my float, and bent on my employ.
And that you may not doubt what I impart,
So may the ocean's God assist my art,
If on the beach since I my sport pursu'd,
Or man, or woman but my self I view'd.
Back o'er the sands, deluded, he withdrew,
Whilst she for her old form put off her new.
Her sire her shifting pow'r to change perceiv'd;
And various chapmen by her sale deceiv'd.
A fowl with spangled plumes, a brinded steer,
Sometimes a crested mare, or antler'd deer:
Sold for a price, she parted, to maintain
Her starving parent with dishonest gain.
At last all means, as all provisions, fail'd;
For the disease by remedies prevail'd;
His muscles with a furious bite he tore,
Gorg'd his own tatter'd flesh, and gulph'd his gore.
Wounds were his feast, his life to life a prey,
Supporting Nature by its own decay.
But foreign stories why shou'd I relate?
I too my self can to new forms translate,
Tho' the variety's not unconfin'd,
But fix'd, in number, and restrain'd in kind:
For often I this present shape retain,
Oft curl a snake the volumes of my train.
Sometimes my strength into my horns transfer'd,
A bull I march, the captain of the herd.
But whilst I once those goring weapons wore,
Vast wresting force one from my forehead tore.
Lo, my maim'd brows the injury still own;
He ceas'd; his words concluding with a groan.
----------------------------------------------------------------------
~ Ovid, BOOK THE EIGHTH
,#NFDB
923:The Victories Of Love. Book I
From Frederick Graham
Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:
As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
242
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;
'Twas the sad summit of delight
To wake and weep for her at night;
She turn'd to triumph or to shame
The strife of every childish game;
The heart would come into my throat
At rosebuds; howsoe'er remote,
In opposition or consent,
Each thing, or person, or event,
Or seeming neutral howsoe'er,
All, in the live, electric air,
Awoke, took aspect, and confess'd
In her a centre of unrest,
Yea, stocks and stones within me bred
Anxieties of joy and dread.
O, bright apocalyptic sky
O'erarching childhood! Far and nigh
Mystery and obscuration none,
Yet nowhere any moon or sun!
What reason for these sighs? What hope,
Daunting with its audacious scope
The disconcerted heart, affects
These ceremonies and respects?
Why stratagems in everything?
Why, why not kiss her in the ring?
'Tis nothing strange that warriors bold,
Whose fierce, forecasting eyes behold
The city they desire to sack,
Humbly begin their proud attack
By delving ditches two miles off,
Aware how the fair place would scoff
243
At hasty wooing; but, O child,
Why thus approach thy playmate mild?
One morning, when it flush'd my thought
That, what in me such wonder wrought
Was call'd, in men and women, love,
And, sick with vanity thereof,
I, saying loud, ‘I love her,’ told
My secret to myself, behold
A crisis in my mystery!
For, suddenly, I seem'd to be
Whirl'd round, and bound with showers of threads
As when the furious spider sheds
Captivity upon the fly
To still his buzzing till he die;
Only, with me, the bonds that flew,
Enfolding, thrill'd me through and through
With bliss beyond aught heaven can have
And pride to dream myself her slave.
A long, green slip of wilder'd land,
With Knatchley Wood on either hand,
Sunder'd our home from hers. This day
Glad was I as I went her way.
I stretch'd my arms to the sky, and sprang
O'er the elastic sod, and sang
‘I love her, love her!’ to an air
Which with the words came then and there;
And even now, when I would know
All was not always dull and low,
I mind me awhile of the sweet strain
Love taught me in that lonely lane.
Such glories fade, with no more mark
Than when the sunset dies to dark.
They pass, the rapture and the grace
Ineffable, their only trace
A heart which, having felt no less
Than pure and perfect happiness,
Is duly dainty of delight;
A patient, poignant appetite
For pleasures that exceed so much
244
The poor things which the world calls such,
That, when these lure it, then you may
The lion with a wisp of hay.
That Charlotte, whom we scarcely knew
From Anne but by her ribbons blue,
Was loved, Anne less than look'd at, shows
That liking still by favour goes!
This Love is a Divinity,
And holds his high election free
Of human merit; or let's say,
A child by ladies call'd to play,
But careless of their becks and wiles,
Till, seeing one who sits and smiles
Like any else, yet only charms,
He cries to come into her arms.
Then, for my Cousins, fear me not!
None ever loved because he ought.
Fatal were else this graceful house,
So full of light from ladies' brows.
There's Mary; Heaven in her appears
Like sunshine through the shower's bright tears;
Mildred's of Earth, yet happier far
Than most men's thoughts of Heaven are;
But, for Honoria, Heaven and Earth
Seal'd amity in her sweet birth.
The noble Girl! With whom she talks
She knights first with her smile; she walks,
Stands, dances, to such sweet effect,
Alone she seems to move erect.
The brightest and the chastest brow
Rules o'er a cheek which seems to show
That love, as a mere vague suspense
Of apprehensive innocence,
Perturbs her heart; love without aim
Or object, like the sunlit flame
That in the Vestals' Temple glow'd,
Without the image of a god.
And this simplicity most pure
She sets off with no less allure
Of culture, subtly skill'd to raise
The power, the pride, and mutual praise
245
Of human personality
Above the common sort so high,
It makes such homely souls as mine
Marvel how brightly life may shine.
How you would love her! Even in dress
She makes the common mode express
New knowledge of what's fit so well
'Tis virtue gaily visible!
Nay, but her silken sash to me
Were more than all morality,
Had not the old, sweet, feverous ill
Left me the master of my will!
So, Mother, feel at rest, and please
To send my books on board. With these,
When I go hence, all idle hours
Shall help my pleasures and my powers.
I've time, you know, to fill my post,
And yet make up for schooling lost
Through young sea-service. They all speak
German with ease; and this, with Greek,
(Which Dr. Churchill thought I knew,)
And history, which I fail'd in too,
Will stop a gap I somewhat dread,
After the happy life I've led
With these my friends; and sweet 'twill be
To abridge the space from them to me.
II
From Mrs. Graham
My Child, Honoria Churchill sways
A double power through Charlotte Hayes.
In minds to first-love's memory pledged
The second Cupid's born full-fledged.
I saw, and trembled for the day
When you should see her beauty, gay
And pure as apple-blooms, that show
Outside a blush and inside snow,
Her high and touching elegance
Of order'd life as free as chance.
246
Ah, haste from her bewitching side,
No friend for you, far less a bride!
But, warning from a hope so wild,
I wrong you. Yet this know, my Child:
He that but once too nearly hears
The music of forefended spheres,
Is thenceforth lonely, and for all
His days like one who treads the Wall
Of China, and, on this hand, sees
Cities and their civilities,
And, on the other, lions. Well,
(Your rash reply I thus foretell,)
Good is the knowledge of what's fair,
Though bought with temporal despair!
Yes, good for one, but not for two.
Will it content a wife that you
Should pine for love, in love's embrace,
Through having known a happier grace;
And break with inward sighs your rest,
Because, though good, she's not the best?
You would, you think, be just and kind,
And keep your counsel! You will find
You cannot such a secret keep;
'Twill out, like murder, in your sleep;
A touch will tell it, though, for pride,
She may her bitter knowledge hide;
And, while she accepts love's make-believe,
You'll twice despise what you'd deceive.
I send the books. Dear Child, adieu!
Tell me of all you are and do.
I know, thank God, whate'er it be,
'Twill need no veil 'twixt you and me.
III
From Frederick
The multitude of voices blythe
Of early day, the hissing scythe
Across the dew drawn and withdrawn,
The noisy peacock on the lawn,
247
These, and the sun's eye-gladding gleam,
This morning, chased the sweetest dream
That e'er shed penitential grace
On life's forgetful commonplace;
Yet 'twas no sweeter than the spell
To which I woke to say farewell.
Noon finds me many a mile removed
From her who must not be beloved;
And us the waste sea soon shall part,
Heaving for aye, without a heart!
Mother, what need to warn me so?
I love Miss Churchill? Ah, no, no.
I view, enchanted, from afar,
And love her as I love a star,
For, not to speak of colder fear,
Which keeps my fancy calm, I hear,
Under her life's gay progress hurl'd,
The wheels of the preponderant world,
Set sharp with swords that fool to slay
Who blunders from a poor byway,
To covet beauty with a crown
Of earthly blessing added on;
And she's so much, it seems to me,
Beyond all women womanly,
I dread to think how he should fare
Who came so near as to despair.
IV
From Frederick
Yonder the sombre vessel rides
Where my obscure condition hides.
Waves scud to shore against the wind
That flings the sprinkling surf behind;
In port the bickering pennons show
Which way the ships would gladly go;
Through Edgecumb Park the rooted trees
Are tossing, reckless, in the breeze;
On top of Edgecumb's firm-set tower,
As foils, not foibles, of its power,
248
The light vanes do themselves adjust
To every veering of the gust:
By me alone may nought be given
To guidance of the airs of heaven?
In battle or peace, in calm or storm,
Should I my daily task perform,
Better a thousand times for love,
Who should my secret soul reprove?
Beholding one like her, a man
Longs to lay down his life! How can
Aught to itself seem thus enough,
When I have so much need thereof?
Blest in her place, blissful is she;
And I, departing, seem to be
Like the strange waif that comes to run
A few days flaming near the sun,
And carries back, through boundless night,
Its lessening memory of light.
Oh, my dear Mother, I confess
To a deep grief of homelessness,
Unfelt, save once, before. 'Tis years
Since such a shower of girlish tears
Disgraced me? But this wretched Inn,
At Plymouth, is so full of din,
Talkings and trampings to and fro.
And then my ship, to which I go
To-night, is no more home. I dread,
As strange, the life I long have led;
And as, when first I went to school,
And found the horror of a rule
Which only ask'd to be obey'd,
I lay and wept, of dawn afraid,
And thought, with bursting heart, of one
Who, from her little, wayward son,
Required obedience, but above
Obedience still regarded love,
So change I that enchanting place,
The abode of innocence and grace
And gaiety without reproof,
For the black gun-deck's louring roof,
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Blind and inevitable law
Which makes light duties burdens, awe
Which is not reverence, laughters gain'd
At cost of purities profaned,
And whatsoever most may stir
Remorseful passion towards her,
Whom to behold is to depart
From all defect of life and heart.
But, Mother, I shall go on shore,
And see my Cousin yet once more!
'Twere wild to hope for her, you say.
l've torn and cast those words away.
Surely there's hope! For life 'tis well
Love without hope's impossible;
So, if I love, it is that hope
Is not outside the outer scope
Of fancy. You speak truth: this hour
I must resist, or lose the power.
What! and, when some short months are o'er,
Be not much other than before?
Drop from the bright and virtuous sphere
In which I'm held but while she's dear?
For daily life's dull, senseless mood,
Slay the fine nerves of gratitude
And sweet allegiance, which I owe
Whether the debt be weal or woe?
Nay, Mother, I, forewarn'd, prefer
To want for all in wanting her.
For all? Love's best is not bereft
Ever from him to whom is left
The trust that God will not deceive
His creature, fashion'd to believe
The prophecies of pure desire.
Not loss, not death, my love shall tire.
A mystery does my heart foretell;
Nor do I press the oracle
For explanations. Leave me alone,
And let in me love's will be done.
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V
From Frederick
Fashion'd by Heaven and by art
So is she, that she makes the heart
Ache and o'erflow with tears, that grace
So lovely fair should have for place,
(Deeming itself at home the while,)
The unworthy earth! To see her smile
Amid this waste of pain and sin,
As only knowing the heaven within,
Is sweet, and does for pity stir
Passion to be her minister:
Wherefore last night I lay awake,
And said, ‘Ah, Lord, for Thy love's sake,
Give not this darling child of Thine
To care less reverent than mine!’
And, as true faith was in my word,
I trust, I trust that I was heard.
The waves, this morning, sped to land,
And shouted hoarse to touch the strand,
Where Spring, that goes not out to sea,
Lay laughing in her lovely glee;
And, so, my life was sunlit spray
And tumult, as, once more to-day,
For long farewell did I draw near
My Cousin, desperately dear.
Faint, fierce, the truth that hope was none
Gleam'd like the lightning in the sun;
Yet hope I had, and joy thereof.
The father of love is hope, (though love
Lives orphan'd on, when hope is dead,)
And, out of my immediate dread
And crisis of the coming hour,
Did hope itself draw sudden power.
So the still brooding storm, in Spring,
Makes all the birds begin to sing.
Mother, your foresight did not err:
I've lost the world, and not won her.
And yet, ah, laugh not, when you think
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What cup of life I sought to drink!
The bold, said I, have climb'd to bliss
Absurd, impossible, as this,
With nought to help them but so great
A heart it fascinates their fate.
If ever Heaven heard man's desire,
Mine, being made of altar-fire,
Must come to pass, and it will be
That she will wait, when she shall see,
This evening, how I go to get,
By means unknown, I know not yet
Quite what, but ground whereon to stand,
And plead more plainly for her hand!
And so I raved, and cast in hope
A superstitious horoscope!
And still, though something in her face
Portended ‘No!’ with such a grace
It burthen'd me with thankfulness,
Nothing was credible but ‘Yes.’
Therefore, through time's close pressure bold,
I praised myself, and boastful told
My deeds at Acre; strain'd the chance
I had of honour and advance
In war to come; and would not see
Sad silence meant, ‘What's this to me.’
When half my precious hour was gone,
She rose to greet a Mr. Vaughan;
And, as the image of the moon
Breaks up, within some still lagoon
That feels the soft wind suddenly,
Or tide fresh flowing from the sea,
And turns to giddy flames that go
Over the water to and fro,
Thus, when he took her hand to-night,
Her lovely gravity of light
Was scatter'd into many smiles
And flattering weakness. Hope beguiles
No more my heart, dear Mother. He,
By jealous looks, o'erhonour'd me.
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With nought to do, and fondly fain
To hear her singing once again,
I stay'd, and turn'd her music o'er;
Then came she with me to the door.
‘Dearest Honoria,’ I said,
(By my despair familiar made,)
‘Heaven bless you!’ Oh, to have back then stepp'd
And fallen upon her neck, and wept,
And said, ‘My friend, I owe you all
‘I am, and have, and hope for. Call
‘For some poor service; let me prove
‘To you, or him here whom you love,
‘My duty. Any solemn task,
‘For life's whole course, is all I ask!’
Then she must surely have wept too,
And said, ‘My friend, what can you do!’
And I should have replied, ‘I'll pray
‘For you and him three times a-day,
‘And, all day, morning, noon, and night,
‘My life shall be so high and right
‘That never Saint yet scaled the stairs
‘Of heaven with more availing prayers!’
But this (and, as good God shall bless
Somehow my end, I'll do no less,)
I had no right to speak. Oh, shame,
So rich a love, so poor a claim!
My Mother, now my only friend,
Farewell. The school-books which you send
I shall not want, and so return.
Give them away, or sell, or burn.
I'll write from Malta. Would I might
But be your little Child to-night,
And feel your arms about me fold,
Against this loneliness and cold!
VI
From Mrs. Graham
The folly of young girls! They doff
Their pride to smooth success, and scoff
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At far more noble fire and might
That woo them from the dust of fight!
But, Frederick, now the storm is past,
Your sky should not remain o'ercast.
A sea-life's dull, and, oh, beware
Of nourishing, for zest, despair.
My Child, remember, you have twice
Heartily loved; then why not thrice,
Or ten times? But a wise man shuns
To cry ‘All's over,’ more than once.
I'll not say that a young man's soul
Is scarcely measure of the whole
Earthly and heavenly universe,
To which he inveterately prefers
The one beloved woman. Best
Speak to the senses' interest,
Which brooks no mystery nor delay:
Frankly reflect, my Son, and say,
Was there no secret hour, of those
Pass'd at her side in Sarum Close,
When, to your spirit's sick alarm,
It seem'd that all her marvellous charm
Was marvellously fled? Her grace
Of voice, adornment, movement, face
Was what already heart and eye
Had ponder'd to satiety;
And so the good of life was o'er,
Until some laugh not heard before,
Some novel fashion in her hair,
Or style of putting back her chair,
Restored the heavens. Gather thence
The loss-consoling inference.
Yet blame not beauty, which beguiles,
With lovely motions and sweet smiles,
Which while they please us pass away,
The spirit to lofty thoughts that stay
And lift the whole of after-life,
Unless you take the vision to wife,
Which then seems lost, or serves to slake
Desire, as when a lovely lake
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Far off scarce fills the exulting eye
Of one athirst, who comes thereby,
And inappreciably sips
The deep, with disappointed lips.
To fail is sorrow, yet confess
That love pays dearly for success!
No blame to beauty! Let's complain
Of the heart, which can so ill sustain
Delight. Our griefs declare our fall,
But how much more our joys! They pall
With plucking, and celestial mirth
Can find no footing on the earth,
More than the bird of paradise,
Which only lives the while it flies.
Think, also, how 'twould suit your pride
To have this woman for a bride.
Whate'er her faults, she's one of those
To whom the world's last polish owes
A novel grace, which all who aspire
To courtliest custom must acquire.
The world's the sphere she's made to charm,
Which you have shunn'd as if 'twere harm.
Oh, law perverse, that loneliness
Breeds love, society success!
Though young, 'twere now o'er late in life
To train yourself for such a wife;
So she would suit herself to you,
As women, when they marry, do.
For, since 'tis for our dignity
Our lords should sit like lords on high,
We willingly deteriorate
To a step below our rulers' state;
And 'tis the commonest of things
To see an angel, gay with wings,
Lean weakly on a mortal's arm!
Honoria would put off the charm
Of lofty grace that caught your love,
For fear you should not seem above
Herself in fashion and degree,
As in true merit. Thus, you see,
'Twere little kindness, wisdom none,
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To light your cot with such a sun.
VII
From Frederick
Write not, my Mother, her dear name
With the least word or hint of blame.
Who else shall discommend her choice,
I giving it my hearty voice?
Wed me? Ah, never near her come
The knowledge of the narrow home!
Far fly from her dear face, that shows
The sunshine lovelier than the rose,
The sordid gravity they wear
Who poverty's base burthen bear!
(And all are poor who come to miss
Their custom, though a crown be this.)
My hope was, that the wheels of fate,
For my exceeding need, might wait,
And she, unseen amidst all eyes,
Move sightless, till I sought the prize,
With honour, in an equal field.
But then came Vaughan, to whom I yield
With grace as much as any man,
In such cause, to another can.
Had she been mine, it seems to me
That I had that integrity
And only joy in her delight—
But each is his own favourite
In love! The thought to bring me rest
Is that of us she takes the best.
'Twas but to see him to be sure
That choice for her remain'd no more!
His brow, so gaily clear of craft;
His wit, the timely truth that laugh'd
To find itself so well express'd;
His words, abundant yet the best;
His spirit, of such handsome show
You mark'd not that his looks were so;
His bearing, prospects, birth, all these
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Might well, with small suit, greatly please;
How greatly, when she saw arise
The reflex sweetness of her eyes
In his, and every breath defer
Humbly its bated life to her;
Whilst power and kindness of command,
Which women can no more withstand
Than we their grace, were still unquell'd,
And force and flattery both compell'd
Her softness! Say I'm worthy. I
Grew, in her presence, cold and shy.
It awed me, as an angel's might
In raiment of reproachful light.
Her gay looks told my sombre mood
That what's not happy is not good;
And, just because 'twas life to please,
Death to repel her, truth and ease
Deserted me; I strove to talk,
And stammer'd foolishness; my walk
Was like a drunkard's; if she took
My arm, it stiffen'd, ached, and shook:
A likely wooer! Blame her not;
Nor ever say, dear Mother, aught
Against that perfectness which is
My strength, as once it was my bliss.
And do not chafe at social rules.
Leave that to charlatans and fools.
Clay graffs and clods conceive the rose,
So base still fathers best. Life owes
Itself to bread; enough thereof
And easy days condition love;
And, kindly train'd, love's roses thrive,
No more pale, scentless petals five,
Which moisten the considerate eye
To see what haste they make to die,
But heavens of colour and perfume,
Which, month by month, renew the bloom
Of art-born graces, when the year
In all the natural grove is sere.
Blame nought then! Bright let be the air
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About my lonely cloud of care.
VIII
From Frederick
Religion, duty, books, work, friends,—
'Tis good advice, but there it ends.
I'm sick for what these have not got.
Send no more books: they help me not;
I do my work: the void's there still
Which carefullest duty cannot fill.
What though the inaugural hour of right
Comes ever with a keen delight?
Little relieves the labour's heat;
Disgust oft crowns it when complete;
And life, in fact, is not less dull
For being very dutiful.
‘The stately homes of England,’ lo,
‘How beautiful they stand!’ They owe
How much to nameless things like me
Their beauty of security!
But who can long a low toil mend
By looking to a lofty end?
And let me, since 'tis truth, confess
The void's not fill'd by godliness.
God is a tower without a stair,
And His perfection, love's despair.
'Tis He shall judge me when I die;
He suckles with the hissing fly
The spider; gazes calmly down,
Whilst rapine grips the helpless town.
His vast love holds all this and more.
In consternation I adore.
Nor can I ease this aching gulf
With friends, the pictures of myself.
Then marvel not that I recur
From each and all of these to her.
For more of heaven than her have I
No sensitive capacity.
Had I but her, ah, what the gain
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Of owning aught but that domain!
Nay, heaven's extent, however much,
Cannot be more than many such;
And, she being mine, should God to me
Say ‘Lo! my Child, I give to thee
All heaven besides,’ what could I then,
But, as a child, to Him complain
That whereas my dear Father gave
A little space for me to have
In His great garden, now, o'erblest,
I've that, indeed, but all the rest,
Which, somehow, makes it seem I've got
All but my only cared-for plot.
Enough was that for my weak hand
To tend, my heart to understand.
Oh, the sick fact, 'twixt her and me
There's naught, and half a world of sea.
IX
From Frederick
In two, in less than two hours more
I set my foot on English shore,
Two years untrod, and, strange to tell,
Nigh miss'd through last night's storm! There fell
A man from the shrouds, that roar'd to quench
Even the billows' blast and drench.
Besides me none was near to mark
His loud cry in the louder dark,
Dark, save when lightning show'd the deeps
Standing about in stony heaps.
No time for choice! A rope; a flash
That flamed as he rose; a dizzy splash;
A strange, inopportune delight
Of mounting with the billowy might,
And falling, with a thrill again
Of pleasure shot from feet to brain;
And both paced deck, ere any knew
Our peril. Round us press'd the crew,
With wonder in the eyes of most.
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As if the man who had loved and lost
Honoria dared no more than that!
My days have else been stale and flat.
This life's at best, if justly scann'd,
A tedious walk by the other's strand,
With, here and there cast up, a piece
Of coral or of ambergris,
Which, boasted of abroad, we ignore
The burden of the barren shore.
I seldom write, for 'twould be still
Of how the nerves refuse to thrill;
How, throughout doubly-darken'd days,
I cannot recollect her face;
How to my heart her name to tell
Is beating on a broken bell;
And, to fill up the abhorrent gulf,
Scarce loving her, I hate myself.
Yet, latterly, with strange delight,
Rich tides have risen in the night,
And sweet dreams chased the fancies dense
Of waking life's dull somnolence.
I see her as I knew her, grace
Already glory in her face;
I move about, I cannot rest,
For the proud brain and joyful breast
I have of her. Or else I float,
The pilot of an idle boat,
Alone, alone with sky and sea,
And her, the third simplicity.
Or Mildred, to some question, cries,
(Her merry meaning in her eyes,)
‘The Ball, oh, Frederick will go;
‘Honoria will be there!’ and, lo,
As moisture sweet my seeing blurs
To hear my name so link'd with hers,
A mirror joins, by guilty chance,
Either's averted, watchful glance!
Or with me, in the Ball-Room's blaze,
Her brilliant mildness thrids the maze;
Our thoughts are lovely, and each word
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Is music in the music heard,
And all things seem but parts to be
Of one persistent harmony.
By which I'm made divinely bold;
The secret, which she knows, is told;
And, laughing with a lofty bliss
Of innocent accord, we kiss;
About her neck my pleasure weeps;
Against my lip the silk vein leaps;
Then says an Angel, ‘Day or night,
‘If yours you seek, not her delight,
‘Although by some strange witchery
‘It seems you kiss her, 'tis not she;
‘But, whilst you languish at the side
‘Of a fair-foul phantasmal bride,
‘Surely a dragon and strong tower
‘Guard the true lady in her bower.’
And I say, ‘Dear my Lord, Amen!’
And the true lady kiss again.
Or else some wasteful malady
Devours her shape and dims her eye;
No charms are left, where all were rife,
Except her voice, which is her life,
Wherewith she, for her foolish fear,
Says trembling, ‘Do you love me, Dear?’
And I reply, ‘Sweetest, I vow
‘I never loved but half till now.’
She turns her face to the wall at this,
And says, ‘Go, Love, 'tis too much bliss.’
And then a sudden pulse is sent
About the sounding firmament
In smitings as of silver bars;
The bright disorder of the stars
Is solved by music; far and near,
Through infinite distinctions clear,
Their twofold voices' deeper tone
Utters the Name which all things own,
And each ecstatic treble dwells
On one whereof none other tells;
And we, sublimed to song and fire,
Take order in the wheeling quire,
Till from the throbbing sphere I start,
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Waked by the heaving of my heart.
Such dreams as these come night by night,
Disturbing day with their delight.
Portend they nothing? Who can tell!
God yet may do some miracle.
'Tis nigh two years, and she's not wed,
Or you would know! He may be dead,
Or mad, and loving some one else,
And she, much moved that nothing quells
My constancy, or, simply wroth
With such a wretch, accept my troth
To spite him; or her beauty's gone,
(And that's my dream!) and this man Vaughan
Takes her release: or tongues malign,
Confusing every ear but mine,
Have smirch'd her: ah, 'twould move her, sure,
To find I loved her all the more!
Nay, now I think, haply amiss
I read her words and looks, and his,
That night! Did not his jealousy
Show—Good my God, and can it be
That I, a modest fool, all blest,
Nothing of such a heaven guess'd?
Oh, chance too frail, yet frantic sweet,
To-morrow sees me at her feet!
Yonder, at last, the glad sea roars
Along the sacred English shores!
There lies the lovely land I know,
Where men and women lordliest grow;
There peep the roofs where more than kings
Postpone state cares to country things,
And many a gay queen simply tends
The babes on whom the world depends;
There curls the wanton cottage smoke
Of him that drives but bears no yoke;
There laughs the realm where low and high
Are lieges to society.
And life has all too wide a scope,
Too free a prospect for its hope,
For any private good or ill,
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Except dishonour, quite to fill!
—Mother, since this was penn'd, I've read
That ‘Mr. Vaughan, on Tuesday, wed
‘The beautiful Miss Churchill.’ So
That's over; and to-morrow I go
To take up my new post on board
The ‘Wolf,’ my peace at last restored;
My lonely faith, like heart-of-oak,
Shock-season'd. Grief is now the cloak
I clasp about me to prevent
The deadly chill of a content
With any near or distant good,
Except the exact beatitude
Which love has shown to my desire.
Talk not of ‘other joys and higher,’
I hate and disavow all bliss
As none for me which is not this.
Think not I blasphemously cope
With God's decrees, and cast off hope.
How, when, and where can mine succeed?
I'll trust He knows who made my need.
Baseness of men! Pursuit being o'er,
Doubtless her Husband feels no more
The heaven of heavens of such a Bride,
But, lounging, lets her please his pride
With fondness, guerdons her caress
With little names, and turns a tress
Round idle fingers. If 'tis so,
Why then I'm happier of the two!
Better, for lofty loss, high pain,
Than low content with lofty gain.
Poor, foolish Dove, to trust from me
Her happiness and dignity!
From Frederick
I thought the worst had brought me balm:
'Twas but the tempest's central calm.
Vague sinkings of the heart aver
263
That dreadful wrong is come to her,
And o'er this dream I brood and dote,
And learn its agonies by rote.
As if I loved it, early and late
I make familiar with my fate,
And feed, with fascinated will,
On very dregs of finish'd ill.
I think, she's near him now, alone,
With wardship and protection none;
Alone, perhaps, in the hindering stress
Of airs that clasp him with her dress,
They wander whispering by the wave;
And haply now, in some sea-cave,
Where the ribb'd sand is rarely trod,
They laugh, they kiss. Oh, God! oh, God!
There comes a smile acutely sweet
Out of the picturing dark; I meet
The ancient frankness of her gaze,
That soft and heart-surprising blaze
Of great goodwill and innocence,
And perfect joy proceeding thence!
Ah! made for earth's delight, yet such
The mid-sea air's too gross to touch.
At thought of which, the soul in me
Is as the bird that bites a bee,
And darts abroad on frantic wing,
Tasting the honey and the sting;
And, moaning where all round me sleep
Amidst the moaning of the deep,
I start at midnight from my bed—
And have no right to strike him dead.
What world is this that I am in,
Where chance turns sanctity to sin!
'Tis crime henceforward to desire
The only good; the sacred fire
That sunn'd the universe is hell!
I hear a Voice which argues well:
‘The Heaven hard has scorn'd your cry;
‘Fall down and worship me, and I
‘Will give you peace; go and profane
‘This pangful love, so pure, so vain,
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‘And thereby win forgetfulness
‘And pardon of the spirit's excess,
‘Which soar'd too nigh that jealous Heaven
‘Ever, save thus, to be forgiven.
‘No Gospel has come down that cures
‘With better gain a loss like yours.
‘Be pious! Give the beggar pelf,
‘And love your neighbour as yourself!
‘You, who yet love, though all is o'er,
‘And she'll ne'er be your neighbour more,
‘With soul which can in pity smile
‘That aught with such a measure vile
‘As self should be at all named 'love!'
‘Your sanctity the priests reprove;
‘Your case of grief they wholly miss;
‘The Man of Sorrows names not this.
‘The years, they say, graff love divine
‘On the lopp'd stock of love like thine;
‘The wild tree dies not, but converts.
‘So be it; but the lopping hurts,
‘The graff takes tardily! Men stanch
‘Meantime with earth the bleeding branch,
‘There's nothing heals one woman's loss,
‘And lighten's life's eternal cross
‘With intermission of sound rest,
‘Like lying in another's breast.
‘The cure is, to your thinking, low!
‘Is not life all, henceforward, so?’
Ill Voice, at least thou calm'st my mood.
I'll sleep! But, as I thus conclude,
The intrusions of her grace dispel
The comfortable glooms of hell.
A wonder! Ere these lines were dried,
Vaughan and my Love, his three-days' Bride,
Became my guests. I look'd, and, lo,
In beauty soft as is the snow
And powerful as the avalanche,
She lit the deck. The Heav'n-sent chance!
She smiled, surprised. They came to see
The ship, not thinking to meet me.
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At infinite distance she's my day:
What then to him? Howbeit they say
'Tis not so sunny in the sun
But men might live cool lives thereon!
All's well; for I have seen arise
That reflex sweetness of her eyes
In his, and watch'd his breath defer
Humbly its bated life to her,
His wife. My Love, she's safe in his
Devotion! What ask'd I but this?
They bade adieu; I saw them go
Across the sea; and now I know
The ultimate hope I rested on,
The hope beyond the grave, is gone,
The hope that, in the heavens high,
At last it should appear that I
Loved most, and so, by claim divine,
Should have her, in the heavens, for mine,
According to such nuptial sort
As may subsist in the holy court,
Where, if there are all kinds of joys
To exhaust the multitude of choice
In many mansions, then there are
Loves personal and particular,
Conspicuous in the glorious sky
Of universal charity,
As Phosphor in the sunrise. Now
I've seen them, I believe their vow
Immortal; and the dreadful thought,
That he less honour'd than he ought
Her sanctity, is laid to rest,
And, blessing them, I too am blest.
My goodwill, as a springing air,
Unclouds a beauty in despair;
I stand beneath the sky's pure cope
Unburthen'd even by a hope;
And peace unspeakable, a joy
Which hope would deaden and destroy,
Like sunshine fills the airy gulf
266
Left by the vanishing of self.
That I have known her; that she moves
Somewhere all-graceful; that she loves,
And is belov'd, and that she's so
Most happy, and to heaven will go,
Where I may meet with her, (yet this
I count but accidental bliss,)
And that the full, celestial weal
Of all shall sensitively feel
The partnership and work of each,
And thus my love and labour reach
Her region, there the more to bless
Her last, consummate happiness,
Is guerdon up to the degree
Of that alone true loyalty
Which, sacrificing, is not nice
About the terms of sacrifice,
But offers all, with smiles that say,
'Tis little, but it is for aye!
XI
From Mrs. Graham
You wanted her, my Son, for wife,
With the fierce need of life in life.
That nobler passion of an hour
Was rather prophecy than power;
And nature, from such stress unbent,
Recurs to deep discouragement.
Trust not such peace yet; easy breath,
In hot diseases, argues death;
And tastelessness within the mouth
Worse fever shows than heat or drouth.
Wherefore take, Frederick, timely fear
Against a different danger near:
Wed not one woman, oh, my Child,
Because another has not smiled!
Oft, with a disappointed man,
The first who cares to win him can;
For, after love's heroic strain,
Which tired the heart and brought no gain,
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He feels consoled, relieved, and eased
To meet with her who can be pleased
To proffer kindness, and compute
His acquiescence for pursuit;
Who troubles not his lonely mood;
And asks for love mere gratitude.
Ah, desperate folly! Yet, we know,
Who wed through love wed mostly so.
At least, my Son, when wed you do,
See that the woman equals you,
Nor rush, from having loved too high,
Into a worse humility.
A poor estate's a foolish plea
For marrying to a base degree.
A woman grown cannot be train'd,
Or, if she could, no love were gain'd;
For, never was a man's heart caught
By graces he himself had taught.
And fancy not 'tis in the might
Of man to do without delight;
For, should you in her nothing find
To exhilarate the higher mind,
Your soul would deaden useless wings
With wickedness of lawful things,
And vampire pleasure swift destroy
Even the memory of joy.
So let no man, in desperate mood,
Wed a dull girl because she's good.
All virtues in his wife soon dim,
Except the power of pleasing him,
Which may small virtue be, or none!
I know my just and tender Son,
To whom the dangerous grace is given
That scorns a good which is not heaven;
My Child, who used to sit and sigh
Under the bright, ideal sky,
And pass, to spare the farmer's wheat,
The poppy and the meadow-sweet!
He would not let his wife's heart ache
For what was mainly his mistake;
268
But, having err'd so, all his force
Would fix upon the hard, right course.
She's graceless, say, yet good and true,
And therefore inly fair, and, through
The veils which inward beauty fold,
Faith can her loveliness behold.
Ah, that's soon tired; faith falls away
Without the ceremonial stay
Of outward loveliness and awe.
The weightier matters of the law
She pays: mere mint and cumin not;
And, in the road that she was taught,
She treads, and takes for granted still
Nature's immedicable ill;
So never wears within her eyes
A false report of paradise,
Nor ever modulates her mirth
With vain compassion of the earth,
Which made a certain happier face
Affecting, and a gayer grace
With pathos delicately edged!
Yet, though she be not privileged
To unlock for you your heart's delight,
(Her keys being gold, but not the right,)
On lower levels she may do!
Her joy is more in loving you
Than being loved, and she commands
All tenderness she understands.
It is but when you proffer more
The yoke weighs heavy and chafes sore.
It's weary work enforcing love
On one who has enough thereof,
And honour on the lowlihead
Of ignorance! Besides, you dread,
In Leah's arms, to meet the eyes
Of Rachel, somewhere in the skies,
And both return, alike relieved,
To life less loftily conceived.
Alas, alas!
Then wait the mood
269
In which a woman may be woo'd
Whose thoughts and habits are too high
For honour to be flattery,
And who would surely not allow
The suit that you could proffer now.
Her equal yoke would sit with ease;
It might, with wearing, even please,
(Not with a better word to move
The loyal wrath of present love);
She would not mope when you were gay,
For want of knowing aught to say;
Nor vex you with unhandsome waste
Of thoughts ill-timed and words ill-placed;
Nor reckon small things duties small,
And your fine sense fantastical;
Nor would she bring you up a brood
Of strangers bound to you by blood,
Boys of a meaner moral race,
Girls with their mother's evil grace,
But not her chance to sometimes find
Her critic past his judgment kind;
Nor, unaccustom'd to respect,
Which men, where 'tis not claim'd, neglect,
Confirm you selfish and morose,
And slowly, by contagion, gross;
But, glad and able to receive
The honour you would long to give,
Would hasten on to justify
Expectancy, however high,
Whilst you would happily incur
Compulsion to keep up with her.
XII
From Frederick
Your letter, Mother, bears the date
Of six months back, and comes too late.
My Love, past all conceiving lost,
A change seem'd good, at any cost,
From lonely, stupid, silent grief,
Vain, objectless, beyond relief,
270
And, like a sea-fog, settled dense
On fancy, feeling, thought, and sense.
I grew so idle, so despised
Myself, my powers, by Her unprized,
Honouring my post, but nothing more,
And lying, when I lived on shore,
So late of mornings: weak tears stream'd
For such slight cause,—if only gleam'd,
Remotely, beautifully bright,
On clouded eves at sea, the light
Of English headlands in the sun,—
That soon I deem'd 'twere better done
To lay this poor, complaining wraith
Of unreciprocated faith:
And so, with heart still bleeding quick,
But strengthen'd by the comfort sick
Of knowing that She could not care,
I turn'd away from my despair,
And told our chaplain's daughter, Jane,—
A dear, good girl, who saw my pain,
And look'd as if she pitied me,—
How glad and thankful I should be
If some kind woman, not above
Myself in rank, would give her love
To one that knew not how to woo.
Whereat she, without more ado,
Blush'd, spoke of love return'd, and closed
With what she thought I had proposed.
And, trust me, Mother, I and Jane,
We suit each other well. My gain
Is very great in this good Wife,
To whom I'm bound, for natural life,
By hearty faith, yet crossing not
My faith towards—I know not what!
As to the ether is the air,
Is her good to Honoria's fair;
One place is full of both, yet each
Lies quite beyond the other's reach
And recognition.
If you say,
271
Am I contented? Yea and nay!
For what's base but content to grow
With less good than the best we know?
But think me not from life withdrawn,
By passion for a hope that's gone,
So far as to forget how much
A woman is, as merely such,
To man's affection. What is best,
In each, belongs to all the rest;
And though, in marriage, quite to kiss
And half to love the custom is,
'Tis such dishonour, ruin bare,
The soul's interior despair,
And life between two troubles toss'd,
To me, who think not with the most;
Whatever 'twould have been, before
My Cousin's time, 'tis now so sore
A treason to the abiding throne
Of that sweet love which I have known,
I cannot live so, and I bend
My mind perforce to comprehend
That He who gives command to love
Does not require a thing above
The strength He gives. The highest degree
Of the hardest grace, humility;
The step t'ward heaven the latest trod,
And that which makes us most like God,
And us much more than God behoves,
Is, to be humble in our loves.
Henceforth for ever therefore I
Renounce all partiality
Of passion. Subject to control
Of that perspective of the soul
Which God Himself pronounces good,
Confirming claims of neighbourhood,
And giving man, for earthly life,
The closest neighbour in a wife,
I'll serve all. Jane be much more dear
Than all as she is much more near!
I'll love her! Yea, and love's joy comes
Ever from self-love's martyrdoms!
272
Yet, not to lie for God, 'tis true
That 'twas another joy I knew
When freighted was my heart with fire
Of fond, irrational desire
For fascinating, female charms,
And hopeless heaven in Her mild arms.
Nor wrong I any, if I profess
That care for heaven with me were less
But that I'm utterly imbued
With faith of all Earth's hope renew'd
In realms where no short-coming pains
Expectance, and dear love disdains
Time's treason, and the gathering dross,
And lasts for ever in the gloss
Of newness.
All the bright past seems,
Now, but a splendour in my dreams,
Which shows, albeit the dreamer wakes,
The standard of right life. Life aches
To be therewith conform'd; but, oh,
The world's so stolid, dark, and low!
That and the mortal element
Forbid the beautiful intent,
And, like the unborn butterfly,
It feels the wings, and wants the sky.
But perilous is the lofty mood
Which cannot yoke with lowly good.
Right life, for me, is life that wends
By lowly ways to lofty ends.
I well perceive, at length, that haste
T'ward heaven itself is only waste;
And thus I dread the impatient spur
Of aught that speaks too plain of Her.
There's little here that story tells;
But music talks of nothing else.
Therefore, when music breathes, I say,
(And urge my task,) Away, away!
Thou art the voice of one I knew,
But what thou say'st is not yet true;
Thou art the voice of her I loved,
273
And I would not be vainly moved.
So that which did from death set free
All things, now dons death's mockery,
And takes its place with things that are
But little noted. Do not mar
For me your peace! My health is high.
The proud possession of mine eye
Departed, I am much like one
Who had by haughty custom grown
To think gilt rooms, and spacious grounds,
Horses, and carriages, and hounds,
Fine linen, and an eider bed
As much his need as daily bread,
And honour of men as much or more.
Till, strange misfortune smiting sore,
His pride all goes to pay his debts,
A lodging anywhere he gets,
And takes his family thereto
Weeping, and other relics few,
Allow'd, by them that seize his pelf,
As precious only to himself.
Yet the sun shines; the country green
Has many riches, poorly seen
From blazon'd coaches; grace at meat
Goes well with thrift in what they eat;
And there's amends for much bereft
In better thanks for much that's left!
Jane is not fair, yet pleases well
The eye in which no others dwell;
And features somewhat plainly set,
And homely manners leave her yet
The crowning boon and most express
Of Heaven's inventive tenderness,
A woman. But I do her wrong,
Letting the world's eyes guide my tongue!
She has a handsomeness that pays
No homage to the hourly gaze,
And dwells not on the arch'd brow's height
And lids which softly lodge the light,
Nor in the pure field of the cheek
274
Flow'rs, though the soul be still to seek;
But shows as fits that solemn place
Whereof the window is the face:
Blankness and leaden outlines mark
What time the Church within is dark;
Yet view it on a Festal night,
Or some occasion else for light,
And each ungainly line is seen
A special character to mean
Of Saint or Prophet, and the whole
Blank window is a living scroll.
For hours, the clock upon the shelf,
Has all the talking to itself;
But to and fro her needle runs
Twice, while the clock is ticking once;
And, when a wife is well in reach,
Not silence separates, but speech;
And I, contented, read, or smoke,
And idly think, or idly stroke
The winking cat, or watch the fire,
In social peace that does not tire;
Until, at easeful end of day,
She moves, and puts her work away,
And, saying ‘How cold 'tis,’ or ‘How warm,’
Or something else as little harm,
Comes, used to finding, kindly press'd,
A woman's welcome to my breast,
With all the great advantage clear
Of none else having been so near.
But sometimes, (how shall I deny!)
There falls, with her thus fondly by,
Dejection, and a chilling shade.
Remember'd pleasures, as they fade,
Salute me, and colossal grow,
Like foot-prints in the thawing snow.
I feel oppress'd beyond my force
With foolish envy and remorse.
I love this woman, but I might
Have loved some else with more delight;
And strange it seems of God that He
275
Should make a vain capacity.
Such times of ignorant relapse,
'Tis well she does not talk, perhaps.
The dream, the discontent, the doubt,
To some injustice flaming out,
Were't else, might leave us both to moan
A kind tradition overthrown,
And dawning promise once more dead
In the pernicious lowlihead
Of not aspiring to be fair.
And what am I, that I should dare
Dispute with God, who moulds one clay
To honour and shame, and wills to pay
With equal wages them that delve
About His vines one hour or twelve!
XIII
From Lady Clitheroe To Mary Churchill
I've dreadful news, my Sister dear!
Frederick has married, as we hear,
Oh, such a girl! This fact we get
From Mr. Barton, whom we met
At Abury once. He used to know,
At Race and Hunt, Lord Clitheroe,
And writes that he ‘has seen Fred Graham,
‘Commander of the 'Wolf,'—the same
‘The Mess call'd Joseph,—with his Wife
‘Under his arm.’ He ‘lays his life,
‘The fellow married her for love,
‘For there was nothing else to move.
‘H. is her Shibboleth. 'Tis said
‘Her Mother was a Kitchen-Maid.’
Poor Fred! What will Honoria say?
She thought so highly of him. Pray
Tell it her gently. I've no right,
I know you hold, to trust my sight;
But Frederick's state could not be hid!
And Felix, coming when he did,
276
Was lucky; for Honoria, too,
Was half in love. How warm she grew
On ‘worldliness,’ when once I said
I fancied that, in ladies, Fred
Had tastes much better than his means!
His hand was worthy of a Queen's,
Said she, and actually shed tears
The night he left us for two years,
And sobb'd, when ask'd the cause to tell,
That ‘Frederick look'd so miserable.’
He did look very dull, no doubt,
But such things girls don't cry about.
What weathercocks men always prove!
You're quite right not to fall in love.
I never did, and, truth to tell,
I don't think it respectable.
The man can't understand it, too.
He likes to be in love with you,
But scarce knows how, if you love him,
Poor fellow. When 'tis woman's whim
To serve her husband night and day,
The kind soul lets her have her way!
So, if you wed, as soon you should,
Be selfish for your husband's good.
Happy the men who relegate
Their pleasures, vanities, and state
To us. Their nature seems to be
To enjoy themselves by deputy,
For, seeking their own benefit,
Dear, what a mess they make of it!
A man will work his bones away,
If but his wife will only play;
He does not mind how much he's teased,
So that his plague looks always pleased;
And never thanks her, while he lives,
For anything, but what he gives!
'Tis hard to manage men, we hear!
Believe me, nothing's easier, Dear.
The most important step by far
Is finding what their colours are.
The next is, not to let them know
277
The reason why they love us so.
The indolent droop of a blue shawl,
Or gray silk's fluctuating fall,
Covers the multitude of sins
In me. Your husband, Love, might wince
At azure, and be wild at slate,
And yet do well with chocolate.
Of course you'd let him fancy he
Adored you for your piety.
XIV
From Jane To Her Mother
Dear Mother, as you write, I see
How glad and thankful I should be
For such a husband. Yet to tell
The truth, I am so miserable!
How could he—I remember, though,
He never said he loved me! No,
He is so right that all seems wrong
I've done and thought my whole life long!
I'm grown so dull and dead with fear
That Yes and No, when he is near,
Is all I have to say. He's quite
Unlike what most would call polite,
And yet, when first I saw him come
To tea in Aunt's fine drawing-room,
He made me feel so common! Oh,
How dreadful if he thinks me so!
It's no use trying to behave
To him. His eye, so kind and grave,
Sees through and through me! Could not you,
Without his knowing that I knew,
Ask him to scold me now and then?
Mother, it's such a weary strain
The way he has of treating me
As if 'twas something fine to be
A woman; and appearing not
To notice any faults I've got!
I know he knows I'm plain, and small,
Stupid, and ignorant, and all
278
Awkward and mean; and, by degrees,
I see a beauty which he sees,
When often he looks strange awhile,
Then recollects me with a smile.
I wish he had that fancied Wife,
With me for Maid, now! all my life
To dress her out for him, and make
Her looks the lovelier for his sake;
To have her rate me till I cried;
Then see her seated by his side,
And driven off proudly to the Ball;
Then to stay up for her, whilst all
The servants were asleep; and hear
At dawn the carriage rolling near,
And let them in; and hear her laugh,
And boast, he said that none was half
So beautiful, and that the Queen,
Who danced with him the first, had seen
And noticed her, and ask'd who was
That lady in the golden gauze?
And then to go to bed, and lie
In a sort of heavenly jealousy,
Until 'twas broad day, and I guess'd
She slept, nor knew how she was bless'd.
Pray burn this letter. I would not
Complain, but for the fear I've got
Of going wild, as we hear tell
Of people shut up in a cell,
With no one there to talk to. He
Must never know he is loved by me
The most; he'd think himself to blame;
And I should almost die for shame.
If being good would serve instead
Of being graceful, ah, then, Fred—
But I, myself, I never could
See what's in women's being good;
For all their goodness is to do
Just what their nature tells them to.
Now, when a man would do what's right,
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He has to try with all his might.
Though true and kind in deed and word,
Fred's not a vessel of the Lord.
But I have hopes of him; for, oh,
How can we ever surely know
But that the very darkest place
May be the scene of saving grace!
XV
From Frederick
‘How did I feel?’ The little wight
Fill'd me, unfatherly, with fright!
So grim it gazed, and, out of the sky,
There came, minute, remote, the cry,
Piercing, of original pain.
I put the wonder back to Jane,
And her delight seem'd dash'd, that I,
Of strangers still by nature shy,
Was not familiar quite so soon
With her small friend of many a moon.
But, when the new-made Mother smiled,
She seem'd herself a little child,
Dwelling at large beyond the law
By which, till then, I judged and saw;
And that fond glow which she felt stir
For it, suffused my heart for her;
To whom, from the weak babe, and thence
To me, an influent innocence,
Happy, reparative of life,
Came, and she was indeed my wife,
As there, lovely with love she lay,
Brightly contented all the day
To hug her sleepy little boy,
In the reciprocated joy
Of touch, the childish sense of love,
Ever inquisitive to prove
Its strange possession, and to know
If the eye's report be really so.
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XVI
From Jane To Mrs. Graham
Dear Mother,—such if you'll allow,
In love, not law, I'll call you now,—
I hope you're well. I write to say
Frederick has got, besides his pay,
A good appointment in the Docks;
Also to thank you for the frocks
And shoes for Baby. I, (D.V.,)
Shall soon be strong. Fred goes to sea
No more. I am so glad; because,
Though kinder husband never was,
He seems still kinder to become
The more he stays with me at home.
When we are parted, I see plain
He's dull till he gets used again
To marriage. Do not tell him, though;
I would not have him know I know,
For all the world.
I try to mind
All your advice; but sometimes find
I do not well see how. I thought
To take it about dress; so bought
A gay new bonnet, gown, and shawl;
But Frederick was not pleased at all;
For, though he smiled, and said, ‘How smart!’
I feel, you know, what's in his heart.
But I shall learn! I fancied long
That care in dress was very wrong,
Till Frederick, in his startling way,
When I began to blame, one day,
The Admiral's Wife, because we hear
She spends two hours, or something near,
In dressing, took her part, and said
How all things deck themselves that wed;
How birds and plants grow fine to please
Each other in their marriages;
And how (which certainly is true—
It never struck me—did it you?)
281
Dress was, at first, Heaven's ordinance,
And has much Scripture countenance.
For Eliezer, we are told,
Adorn'd with jewels and with gold
Rebecca. In the Psalms, again,
How the King's Daughter dress'd! And, then,
The Good Wife in the Proverbs, she
Made herself clothes of tapestry,
Purple and silk: and there's much more
I had not thought about before!
But Fred's so clever! Do you know,
Since Baby came, he loves me so!
I'm really useful, now, to Fred;
And none could do so well instead.
It's nice to fancy, if I died,
He'd miss me from the Darling's side!
Also, there's something now, you see,
On which we talk, and quite agree;
On which, without pride too, I can
Hope I'm as wise as any man.
I should be happy now, if quite
Sure that in one thing Fred was right.
But, though I trust his prayers are said,
Because he goes so late to bed,
I doubt his Calling. Glad to find
A text adapted to his mind,—
That where St. Paul, in Man and Wife,
Allows a little worldly life,—
He smiled, and said that he knew all
Such things as that without St. Paul!
And once he said, when I with pain
Had got him just to read Romaine,
‘Men's creeds should not their hopes condemn.
‘Who wait for heaven to come to them
‘Are little like to go to heaven,
‘If logic's not the devil's leaven!’
I cried at such a wicked joke,
And he, surprised, went out to smoke.
But to judge him is not for me,
Who myself sin so dreadfully
As half to doubt if I should care
282
To go to heaven, and he not there.
He must be right; and I dare say
I shall soon understand his way.
To other things, once strange, I've grown
Accustom'd, nay, to like. I own
'Twas long before I got well used
To sit, while Frederick read or mused
For hours, and scarcely spoke. When he
For all that, held the door to me,
Pick'd up my handkerchief, and rose
To set my chair, with other shows
Of honour, such as men, 'tis true,
To sweethearts and fine ladies do,
It almost seem'd an unkind jest;
But now I like these ways the best.
They somehow make me gentle and good;
And I don't mind his quiet mood.
If Frederick does seem dull awhile,
There's Baby. You should see him smile!
I'm pretty and nice to him, sweet Pet,
And he will learn no better yet:
Indeed, now little Johnny makes
A busier time of it, and takes
Our thoughts off one another more,
I'm happy as need be, I'm sure!
XVII
From Felix To Honoria
Let me, Beloved, while gratitude
Is garrulous with coming good,
Or ere the tongue of happiness
Be silenced by your soft caress,
Relate how, musing here of you,
The clouds, the intermediate blue,
The air that rings with larks, the grave
And distant rumour of the wave,
The solitary sailing skiff,
The gusty corn-field on the cliff,
The corn-flower by the crumbling ledge,
Or, far-down at the shingle's edge,
283
The sighing sea's recurrent crest
Breaking, resign'd to its unrest,
All whisper, to my home-sick thought,
Of charms in you till now uncaught,
Or only caught as dreams, to die
Ere they were own'd by memory.
High and ingenious Decree
Of joy-devising Deity!
You whose ambition only is
The assurance that you make my bliss,
(Hence my first debt of love to show,
That you, past showing, indeed do so!)
Trust me, the world, the firmament,
With diverse-natured worlds besprent,
Were rear'd in no mere undivine
Boast of omnipotent design,
The lion differing from the snake
But for the trick of difference sake,
And comets darting to and fro
Because in circles planets go;
But rather that sole love might be
Refresh'd throughout eternity
In one sweet faith, for ever strange,
Mirror'd by circumstantial change.
For, more and more, do I perceive
That everything is relative
To you, and that there's not a star,
Nor nothing in't, so strange or far,
But, if 'twere scanned, 'twould chiefly mean
Somewhat, till then, in you unseen,
Something to make the bondage strait
Of you and me more intimate,
Some unguess'd opportunity
Of nuptials in a new degree.
But, oh, with what a novel force
Your best-conn'd beauties, by remorse
Of absence, touch; and, in my heart,
How bleeds afresh the youthful smart
Of passion fond, despairing still
To utter infinite good-will
284
By worthy service! Yet I know
That love is all that love can owe,
And this to offer is no less
Of worth, in kind speech or caress,
Than if my life-blood I should give.
For good is God's prerogative,
And Love's deed is but to prepare
The flatter'd, dear Belov'd to dare
Acceptance of His gifts. When first
On me your happy beauty burst,
Honoria, verily it seem'd
That naught beyond you could be dream'd
Of beauty and of heaven's delight.
Zeal of an unknown infinite
Yet bade me ever wish you more
Beatified than e'er before.
Angelical were your replies
To my prophetic flatteries;
And sweet was the compulsion strong
That drew me in the course along
Of heaven's increasing bright allure,
With provocations fresh of your
Victorious capacity.
Whither may love, so fledged, not fly?
Did not mere Earth hold fast the string
Of this celestial soaring thing,
So measure and make sensitive,
And still, to the nerves, nice notice give
Of each minutest increment
Of such interminable ascent,
The heart would lose all count, and beat
Unconscious of a height so sweet,
And the spirit-pursuing senses strain
Their steps on the starry track in vain!
But, reading now the note just come,
With news of you, the babes, and home,
I think, and say, ‘To-morrow eve
‘With kisses me will she receive;’
And, thinking, for extreme delight
Of love's extremes, I laugh outright.
285
XVIII
From Frederick
Eight wedding-days gone by, and none
Yet kept, to keep them all in one,
Jane and myself, with John and Grace
On donkeys, visited the place
I first drew breath in, Knatchley Wood.
Bearing the basket, stuff'd with food,
Milk, loaves, hard eggs, and marmalade,
I halted where the wandering glade
Divides the thicket. There I knew,
It seem'd, the very drops of dew
Below the unalter'd eglantine.
Nothing had changed since I was nine!
In the green desert, down to eat
We sat, our rustic grace at meat
Good appetite, through that long climb
Hungry two hours before the time.
And there Jane took her stitching out,
And John for birds'-nests pry'd about,
And Grace and Baby, in between
The warm blades of the breathing green,
Dodged grasshoppers; and I no less,
In conscientious idleness,
Enjoy'd myself, under the noon
Stretch'd, and the sounds and sights of June
Receiving, with a drowsy charm,
Through muffled ear and folded arm.
And then, as if I sweetly dream'd,
I half-remember'd how it seem'd
When I, too, was a little child
About the wild wood roving wild.
Pure breezes from the far-off height
Melted the blindness from my sight,
Until, with rapture, grief, and awe,
I saw again as then I saw.
As then I saw, I saw again
The harvest-waggon in the lane,
286
With high-hung tokens of its pride
Left in the elms on either side;
The daisies coming out at dawn
In constellations on the lawn;
The glory of the daffodil;
The three black windmills on the hill,
Whose magic arms, flung wildly by,
Sent magic shadows o'er the rye.
Within the leafy coppice, lo,
More wealth than miser's dreams could show,
The blackbird's warm and woolly brood,
Five golden beaks agape for food;
The Gipsies, all the summer seen
Native as poppies to the Green;
The winter, with its frosts and thaws
And opulence of hips and haws;
The lovely marvel of the snow;
The Tamar, with its altering show
Of gay ships sailing up and down,
Among the fields and by the Town;
And, dearer far than anything,
Came back the songs you used to sing.
(Ah, might you sing such songs again,
And I, your Child, but hear as then,
With conscious profit of the gulf
Flown over from my present self!)
And, as to men's retreating eyes,
Beyond high mountains higher rise,
Still farther back there shone to me
The dazzling dusk of infancy.
Thither I look'd, as, sick of night,
The Alpine shepherd looks to the height,
And does not see the day, 'tis true,
But sees the rosy tops that do.
Meantime Jane stitch'd, and fann'd the flies
From my repose, with hush'd replies
To Grace, and smiles when Baby fell.
Her countenance love visible
Appear'd, love audible her voice.
Why in the past alone rejoice,
Whilst here was wealth before me cast
287
Which, I could feel, if 'twere but past
Were then most precious? Question vain,
When ask'd again and yet again,
Year after year; yet now, for no
Cause, but that heaven's bright winds will blow
Not at our pray'r but as they list,
It brought that distant, golden mist
To grace the hour, firing the deep
Of spirit and the drowsy keep
Of joy, till, spreading uncontain'd,
The holy power of seeing gain'd
The outward eye, this owning even
That where there's love and truth there's heaven.
Debtor to few, forgotten hours
Am I, that truths for me are powers.
Ah, happy hours, 'tis something yet
Not to forget that I forget!
And now a cloud, bright, huge and calm,
Rose, doubtful if for bale or balm;
O'ertoppling towers and bulwarks bright
Appear'd, at beck of viewless might,
Along a rifted mountain range.
Untraceable and swift in change,
Those glittering peaks, disrupted, spread
To solemn bulks, seen overhead;
The sunshine quench'd, from one dark form
Fumed the appalling light of storm.
Straight to the zenith, black with bale,
The Gipsies' smoke rose deadly pale;
And one wide night of hopeless hue
Hid from the heart the recent blue.
And soon, with thunder crackling loud,
A flash reveal'd the formless cloud:
Lone sailing rack, far wavering rim,
And billowy tracks of stormland dim.
We stood, safe group'd beneath a shed.
Grace hid behind Jane's gown for dread,
Who told her, fondling with her hair,
‘The naughty noise! but God took care
288
‘Of all good girls.’ John seem'd to me
Too much for Jane's theology,
Who bade him watch the tempest. Now
A blast made all the woodland bow;
Against the whirl of leaves and dust
Kine dropp'd their heads; the tortured gust
Jagg'd and convuls'd the ascending smoke
To mockery of the lightning's stroke.
The blood prick'd, and a blinding flash
And close coinstantaneous crash
Humbled the soul, and the rain all round
Resilient dimm'd the whistling ground,
Nor flagg'd in force from first to last,
Till, sudden as it came, 'twas past,
Leaving a trouble in the copse
Of brawling birds and tinkling drops.
Change beyond hope! Far thunder faint
Mutter'd its vast and vain complaint,
And gaps and fractures, fringed with light,
Show'd the sweet skies, with squadrons bright
Of cloudlets, glittering calm and fair
Through gulfs of calm and glittering air.
With this adventure, we return'd.
The roads the feet no longer burn'd.
A wholesome smell of rainy earth
Refresh'd our spirits, tired of mirth.
The donkey-boy drew friendly near
My Wife, and, touch'd by the kind cheer
Her countenance show'd, or sooth'd perchance
By the soft evening's sad advance,
As we were, stroked the flanks and head
Of the ass, and, somewhat thick-voiced, said,
‘To 'ave to wop the donkeys so
‘'Ardens the 'art, but they won't go
‘Without!’ My Wife, by this impress'd,
As men judge poets by their best,
When now we reach'd the welcome door,
Gave him his hire, and sixpence more.
289
XIX
From Jane
Dear Mrs. Graham, the fever's past,
And Fred is well. I, in my last,
Forgot to say that, while 'twas on,
A lady, call'd Honoria Vaughan,
One of his Salisbury Cousins, came.
Had I, she ask'd me, heard her name?
'Twas that Honoria, no doubt,
Whom he would sometimes talk about
And speak to, when his nights were bad,
And so I told her that I had.
She look'd so beautiful and kind!
And just the sort of wife my mind
Pictured for Fred, with many tears,
In those sad early married years.
Visiting, yesterday, she said,
The Admiral's Wife, she learn'd that Fred
Was very ill; she begg'd to be,
If possible, of use to me.
What could she do? Last year, his Aunt
Died, leaving her, who had no want,
Her fortune. Half was his, she thought;
But he, she knew, would not be brought
To take his rights at second hand.
Yet something might, she hoped, be plann'd.
What did I think of putting John
To school and college? Mr. Vaughan,
When John was old enough, could give
Preferment to her relative;
And she should be so pleased.—I said
I felt quite sure that dearest Fred
Would be most thankful. Would we come,
And make ourselves, she ask'd, at home,
Next month, at High-Hurst? Change of air
Both he and I should need, and there
At leisure we could talk, and then
Fix plans, as John was nearly ten.
290
It seemed so rude to think and doubt,
So I said, Yes. In going out,
She said, ‘How strange of Frederick, Dear,’
(I wish he had been there to hear,)
‘To send no cards, or tell me what
‘A nice new Cousin I had got!’
Was not that kind?
When Fred grew strong,
I had, I found, done very wrong.
Anger was in his voice and eye.
With people born and bred so high
As Fred and Mrs. Vaughan and you,
It's hard to guess what's right to do;
And he won't teach me!
Dear Fred wrote,
Directly, such a lovely note,
Which, though it undid all I had done,
Was, both to me and Mrs. Vaughan,
So kind! His words, I can't say why,
Like soldiers' music, made me cry.
~ Coventry Patmore,#NFDB
41 Poetry
40 Integral Yoga
22 Fiction
13 Occultism
9 Philosophy
8 Christianity
6 Yoga
5 Psychology
4 Mythology
2 Mysticism
1 Philsophy
1 Integral Theory
1 Alchemy
16 H P Lovecraft
15 Nolini Kanta Gupta
13 The Mother
13 Sri Aurobindo
13 Satprem
7 Sri Ramakrishna
6 Percy Bysshe Shelley
6 Aleister Crowley
5 William Wordsworth
5 Walt Whitman
4 Plotinus
4 Ovid
4 Jorge Luis Borges
4 James George Frazer
4 Carl Jung
3 Sri Ramana Maharshi
3 Robert Browning
3 John Keats
2 William Butler Yeats
2 Sun Buer
2 Saint Augustine of Hippo
2 Nirodbaran
2 Lucretius
2 Anonymous
16 Lovecraft - Poems
6 The Gospel of Sri Ramakrishna
6 Shelley - Poems
6 Magick Without Tears
5 Wordsworth - Poems
5 Whitman - Poems
4 The Golden Bough
4 Talks
4 Metamorphoses
4 Collected Works of Nolini Kanta Gupta - Vol 02
3 Labyrinths
3 Keats - Poems
3 Collected Works of Nolini Kanta Gupta - Vol 07
3 Browning - Poems
3 Agenda Vol 02
2 Yeats - Poems
2 Words Of Long Ago
2 Vedic and Philological Studies
2 Twelve Years With Sri Aurobindo
2 The Practice of Psycho therapy
2 Record of Yoga
2 On the Way to Supermanhood
2 Of The Nature Of Things
2 Collected Works of Nolini Kanta Gupta - Vol 04
2 Collected Works of Nolini Kanta Gupta - Vol 03
2 Agenda Vol 12
2 Agenda Vol 05
2 Agenda Vol 03
2 Advanced Dungeons and Dragons 2E
00.04 - The Beautiful in the Upanishads, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The rich and sensuous beauty luxuriating in high colour and ample decoration that one meets often in the creation of the earlier Vedic seers returned again, in a more chiselled and polished and stylised manner, in the classical poets. The Upanishads in this respect have a certain kinship with the early poets of the intervening ageVyasa and Valmiki. Upam KlidsasyaKalidasa revels in figures and images; they are profusely heaped on one another and usually possess a complex and composite texture. Valmiki's images are simple and elemental, brief and instinct with a vast resonance, spare and full of power. The same brevity and simplicity, vibrant with an extraordinary power of evocation, are also characteristic of the Upanishadic mantra With Valmiki's
kamiva dupram
0.02 - Letters to a Sadhak, #Some Answers From The Mother, #The Mother, #Integral Yoga
has gone." And lo, there he is, arranging the polishing
stones! If I had drawn back for only a second before
01.04 - The Poetry in the Making, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
But the Yogi is a wholly conscious being; a perfect Yogi is he who possesses a conscious and willed control over his instruments, he silences them, as and when he likes, and makes them convey and express with as little deviation as possible truths and realities from the Beyond. Now the question is, is it possible for the poet also to do something like that, to consciously create and not to be a mere unconscious or helpless channel? Conscious artistry, as we have said, means to be conscious on two levels of consciousness at the same time, to be at home in both equally and simultaneously. The general experience, however, is that of "one at a time": if the artist dwells more in the one, the other retires into the background to the same measure. If he is in the over-consciousness, he is only half-conscious in his brain consciousness, or even not conscious at allhe does not know how he has created, the sources or process of his creative activity, he is quite oblivious of them" gone through them all as if per saltum. Such seems to have been the case with the primitives, as they are called, the elemental poetsShakespeare and Homer and Valmiki. In some others, who come very near to them in poetic genius, yet not quite on a par, the instrumental intelligence is strong and active, it helps in its own way but in helping circumscribes and limits the original impulsion. The art here becomes consciously artistic, but loses something of the initial freshness and spontaneity: it gains in correctness, polish and elegance and has now a style in lieu of Nature's own naturalness. I am thinking of Virgil and Milton and Kalidasa. Dante's place is perhaps somewhere in between. Lower in the rung where the mental medium occupies a still more preponderant place we have intellectual poetry, poetry of the later classical age whose representatives are Pope and Dryden. We can go farther down and land in the domain of versificationalthough here, too, there can be a good amount of beauty in shape of ingenuity, cleverness and conceit: Voltaire and Delille are of this order in French poetry.
The three or four major orders I speak of in reference to conscious artistry are exampled characteristically in the history of the evolution of Greek poetry. It must be remembered, however, at the very outset that the Greeks as a race were nothing if not rational and intellectual. It was an element of strong self-consciousness that they brought into human culture that was their special gift. Leaving out of account Homer who was, as I said, a primitive, their classical age began with Aeschylus who was the first and the most spontaneous and intuitive of the Great Three. Sophocles, who comes next, is more balanced and self-controlled and pregnant with a reasoned thought-content clothed in polished phrasing. We feel here that the artist knew what he was about and was exercising a conscious control over his instruments and materials, unlike his predecessor who seemed to be completely carried away by the onrush of the poetic enthousiasmos. Sophocles, in spite of his artistic perfection or perhaps because of it, appears to be just a little, one remove, away from the purity of the central inspiration there is a veil, although a thin transparent veil, yet a veil between which intervenes. With the third of the Brotherhood, Euripides, we slide lower downwe arrive at a predominantly mental transcription of an experience or inner conception; but something of the major breath continues, an aura, a rhythm that maintains the inner contact and thus saves the poetry. In a subsequent age, in Theocritus, for example, poetry became truly very much 'sicklied o'er with the pale cast of thought', so much of virtuosity and precocity entered into it; in other words, the poet then was an excessively self-conscious artist. That seems to be the general trend of all literature.
But should there be an inherent incompatibility between spontaneous creation and self-consciousness? As we have seen, a harmony and fusion can and do happen of the superconscious and the normally conscious in the Yogi. Likewise, an artist also can be wakeful and transparent enough so that he is conscious on both the levels simultaneouslyabove, he is conscious of the source and origin of his inspiration, and on the level plain he is conscious of the working of the instrument, how the vehicle transcribes and embodies what comes from elsewhere. The poet's consciousness becomes then divalent as it werethere is a sense of absolute passivity in respect of the receiving apparatus and coupled and immisced with it there is also the sense of dynamism, of conscious agency as in his secret being he is the master of his apparatus and one with the Inspirerin other words, the poet is both a seer (kavih) and a creator or doer (poits).
0 1958-11-04 - Myths are True and Gods exist - mental formation and occult faculties - exteriorization - work in dreams, #Agenda Vol 01, #unset, #Zen
I learned all this through Theon. Probably, he was I dont know if he was Russian or polish (a Russian or polish Jew), he never said who he really was or where he was born, nor his age nor anything.
He had assumed two names: one was an Arab name he had adopted when he took refuge in Algeria (I dont know for what reason). After having worked with Blavatsky and having founded an occult society in Egypt, he went to Algeria, and there he first called himself Aa Aziz (a word of Arabic origin meaning the beloved). Then, when he began setting up his Cosmic Review and his cosmic group, he called himself Max Theon, meaning the supreme God (!), the greatest God! And no one knew him by any other name than these twoAa Aziz or Max Theon.
0 1961-02-04, #Agenda Vol 02, #The Mother, #Integral Yoga
She was English and he. I dont know whether he was polish or Russian (he was of Jewish origin and had to leave his country for that reason). But they were both European.
It was a very interesting world. Really, what I saw there. Well, once you left, you would ask yourself, Was I dreaming?! It all seemed so fantastic!
0 1961-04-29, #Agenda Vol 02, #The Mother, #Integral Yoga
Europeans dont have the inner sense at all. To them, everything is like this (gesture), a surfacenot even that, a film on the surface. And they cant feel anything behind. But its an absolutely real fact that the Presence is there I guarantee it. People have given me statuettes of various gods, little things in metal, wood or ivory; and as soon as I take one in my hand, the god is there. I have a Ganesh2 (I have been given several) and if I take it in my hand and look at it for a moment, hes there. I have a little one by my bedside where I work, eat, and meditate. And then there is a Narayana3 which comes from the Himalayas, from Badrinath. I use them both as paperweights for my handkerchiefs! (My handkerchiefs are kept on a little table next to my bed, and I keep Ganapati and Narayana on top of them.) And no one touches them but me I pick them up, take a fresh handkerchief, and put them back again. Once I blended some nail polish myself, and before applying it, I put some on Ganapatis forehead and stomach and fingertips! We are on the best of terms, very friendly. So to me, you see, all this is very true.
Only.
0 1961-12-20, #Agenda Vol 02, #The Mother, #Integral Yoga
As for Theon, he was European and wore a long purple robe that wasnt at all like the one in my vision. (Im not sure, but I think he was either polish or Russian, but more probably Russian, of Jewish descent, and that he was forced to leave his country; he never said anything about this to anyone, its only an impression.) When I saw him I recognized him as a being of great power. And he bore a certain likeness to Sri Aurobindo: Theon was about the same size (not a tall man, of medium height) and thin, slim, with quite a similar profile. But when I met Theon I saw (or rather I felt) that he was not the man I saw in my vision because he didnt have that vibration. Yet it was he who first taught me things, and I went and worked at Tlemcen for two years in a row. But this other thing was always there in the background of the consciousness.
Then when Richard came here he met Sri Aurobindo (he was haunted by the idea of meeting the Master, the Guru, the Great Teacher). Sri Aurobindo was in hiding, seeing no one, but when Richard insisted, he met him, and Richard returned with a photograph. It was one of those early photos, with nothing in it. It was empty, the remnants of the political man, not at all resembling what I had seen I didnt recognize him. Its strange, I said to myself, thats not it (for I saw only his external appearance, there was no inner contact). But still, I was curious to meet him. At any rate, I cant say that when I saw this photograph I felt, Hes the one! Not at all. He impressed me as being a very interesting man, but no more.
0 1962-03-13, #Agenda Vol 03, #The Mother, #Integral Yoga
I like the form of your expression very, very much. It contains something deep, very supple and polished at the same timelike a lovely, finely chiseled statue. There is profound inspiration and a rhythm, a harmony, which I like very much. I really enjoyed reading your first book2the kind of enjoyment that comes from discovering beautiful forms, an original way of looking at things and expressing them. I appreciated it tremendously. Immediately, spontaneously, I ranked you as a true writer.
There you have it. I didnt think it was necessary to keep telling you all these things. But its true.
0 1962-12-15, #Agenda Vol 03, #The Mother, #Integral Yoga
But to me this seems to come from his Jewish background. Because Thon was Jewish, even though he never mentioned the fact (the Tlemcen officials made it known: when he arrived he had to tell them who he was). He never spoke of it and he had changed his name. They said he was of Jewish origin, but they could never say whether he was polish or Russian. At least the person who told me never knew. But for the Jews its the Unthinkable, whose name must not be uttered (it is uttered only once a year, on the Day of Atonement; I think thats what its called). Its the word Yahveh, and it must not be uttered. But the prayers speak of the Elohim, and the Hebrew word Elohim is plural, meaning the invisible lords. So there was no one and only God for Thon, only the unthinkable Formless; and all the invisible beings who claimed to be one and only gods were Asuras.
He used to call Christ That young man! (Laughter) It was very funny.
0 1964-04-04, #Agenda Vol 05, #The Mother, #Integral Yoga
It is the transcription, by W. Landowska, of a "popular polish song."
It was electronic music.
0 1964-08-11, #Agenda Vol 05, #The Mother, #Integral Yoga
A woman disciple of polish origin, who was a painter.
***
0 1971-01-27, #Agenda Vol 12, #The Mother, #Integral Yoga
British English is too polished, too neutral, its not direct enough.
Perhaps you could see R. and ask her if she knows someone in America who could translate it. It should be an Americanizing American, I mean someone full of conviction. Theres S., who was here for a long time and went back to America. Shes really American; I dont know how literary she is, but she knows some people.
0 1971-10-16, #Agenda Vol 12, #The Mother, #Integral Yoga
He was. I dont know if he was Russian or polish.
But all that kind of power they had over material things, wouldnt all that have some use for you materially?
02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
A polished engine did the work of a god.
66.34
02.12 - Mysticism in Bengali Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Bengali poetry was born some time towards the end of an era of decline in the Indian consciousness, almost towards the close of what is called the Buddhist period, but it was born with a veritable crown on its head. For it was sheer mystic poetry, mystic in substance, mystic in manner and expression. The poets were themselves mystics, that is to say spiritual seekers, sadhaks they were called Siddhas or Siddhacharyas. They told of their spiritual, rather occult experiences in an occult or oblique manner, the very manner of the ancient Vedic Rishis, in figures and symbols and similes. It was a form of beauty, not merely of truthof abstract metaphysical truth that rose all on a sudden, as it were, out of an enveloping darkness. It shone for a time and then faded slowly, perhaps spread itself out in the common consciousness of the people and continued to exist as a backwash in popular songs and fables and proverbs. But it was there and came up again a few centuries later and the crest is seen once more in a more elevated, polished and dignified form with a content of mental illumination. I am referring to Chandidasa, who was also a sadhak poet and is usually known as the father of Bengali poetry, being the creator of modern Bengali poetry. He flourished somewhere in the fourteenth century. That wave too subsided and retired into the background, leaving in interregnum again of a century or more till it showed itself once more in another volume of mystic poetry in the hands of a new type of spiritual practitioners. They were the Yogis and Fakirs, and although of a popular type, yet possessing nuggets of gold in their utterances, and they formed a large family. This almost synchronised with the establishment and consolidation of the Western Power, with its intellectual and rational enlightenment, in India. The cultivation and superimposition of this Western or secular light forced the native vein of mysticism underground; it was necessary and useful, for it added an element which was missing before; a new synthesis came up in a crest with Tagore. It was a neo-mysticism, intellectual, philosophical, broad-based, self-conscious. Recently however we have been going on the downward slope, and many, if not the majority among us, have been pointing at mysticism and shouting: "Out, damned spot!" But perhaps we have struck the rock-bottom and are wheeling round.
For in the present epoch we are rising on a new crest and everywhere, in all literatures, signs are not lacking of a supremely significant spiritual poetry being born among us.
03.02 - The Philosopher as an Artist and Philosophy as an Art, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
In the face of established opinion and tradition (and in the wake of the prophetic poet) I propose to demonstrate that Philosophy has as much claim to be called an art, as any other orthodox art, painting or sculpture or music or architecture. I do not refer to the element of philosophyperhaps the very large element of philosophy that is imbedded and ingrained in every Art; I speak of Philosophy by itself as a distinct type of au thentic art. I mean that Philosophy is composed or created in the same way as any other art and the philosopher is moved and driven by the inspiration and impulsion of a genuine artist. Now, what is Art? Please do not be perturbed by the question. I am not trying to enter into the philosophy the metaphysicsof it, but only into the science the physicsof it. Whatever else it may be, the sine qua non, the minimum requisite of art is that it must be a thing of beauty, that is to say, it must possess a beautiful form. Even the Vedic Rishi says that the poet by his poetic power created a heavenly formkavi kavitva divi rpam asajat. As a matter of fact, a supreme beauty of form has often marked the very apex of artistic creation. Now, what does the Philosopher do? The sculptor hews beautiful forms out of marble, the poet fashions beautiful forms out of words, the musician shapes beautiful forms out of sounds. And the philosopher? The philosopher, I submit, builds beautiful forms out of thoughts and concepts. Thoughts and concepts are the raw materials out of which the artist philosopher creates mosaics and patterns and designs architectonic edifices. For what else are philosophic systems? A system means, above all, a form of beauty, symmetrical and harmonious, a unified whole, rounded and polished and firmly holding together. Even as in Art, truth, bare sheer truth is not the object of philosophical inquiry either. Has it not been considered sufficient for a truth to be philosophically true, if it is consistent, if it does not involve self-contradiction? The equation runs: Truth=Self-consistency; Error=Self-contradiction. To discover the absolute truth is not the philosopher's taskit is an ambitious enterprise as futile and as much of a my as the pursuit of absolute space, absolute time or absolute motion in Science. Philosophy has nothing more to doand nothing lessthan to evolve or build up a system, in other words, a self-consistent whole (of concepts, in this case). Art also does exactly the same thing. Self-contradiction means at bottom, want of harmony, balance, symmetry, unity, and self-consistency means the contrary of these things the two terms used by philosophy are only the logical formulation of an essentially aesthetic value.
Take, for example, the philosophical system of Kant or of Hegel or of our own Shankara. What a beautiful edifice of thought each one has reared! How cogent and compact, organised and poised and finely modelled! Shankara's reminds me of a tower, strong and slender, mounting straight and tapering into a vanishing point among the clouds; it has the characteristic linear movement of Indian melody. On the otherhand, the march of the Kantian Critiques or of the Hegelian Dialectic has a broader base and involves a composite strain, a balancing of contraries, a blending of diverse notes: thereis something here of the amplitude and comprehensiveness of harmonic architecture (without perhaps a corresponding degree of altitude).
04.02 - A Chapter of Human Evolution, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Human evolution took a decisive turn with the advent of the Hellenic culture and civilisation. All crises in evolution are a sudden revelation, an unexpected outburst, a saltum, a leap into the unknown. Now, what the Greeks brought in was the Mind, the luminous Reason, the logical faculty that is married to the senses, no doubt, but still suffused with an inner glow of consciousness. It is the faculty mediating between a more direct and immediate perception of things, Intuition and Instinct, on the one hand, and on the other, the perception given by the senses and a power of control over material things. Take Egypt or Israel or Chaldea, what one finds prominent there is the instinctive-intuitive man, spontaneousprime-sautierimaginative, mythopoeic, clairvoyant, clairaudient (although not very clear, in the modern and Greek sense), bringing into this world things of the other world and pushing this world as much as possible into the other, maintaining a kind of direct connection and communion between the two. The Greeks are of another mould. They are a rational people; they do not move and act simply or mainly by instinctive reactions, but even these are filtered in them through a light of the Mind of Intelligence, a logical pattern, a rational disposition of things; through Mind they seek to know Matter and to control it. It is the modern methodology, that of observation and experiment, in other words, the scientific procedure. The Greeks have had their gods, their mythology; but these are modelled somewhat differently: the gods are made more human, too human, as has often been observed. Zeus and Juno (Hera) are infinitely more human than Isis and Osiris or Moloch and Baal or even the Jewish Jehovah. These vital gods have a sombre air about them, solemn and serious, grim and powerful, but they have not the sunshine, the radiance and smile of Apollo (Apollo Belvedere) or Hermes. The Greeks might have, they must have taken up their gods from a more ancient Pantheon, but they have, after the manner of their sculptor Phidias, remoulded them, shaped and polished them, made them more luminous and nearer and closer to earth and men. 1 Was it not said of Socrates that he brought down the gods from heaven upon earth?
The intermediary faculty the Paraclete, which the Greeks brought to play is a corner-stone in the edifice of human progress. It is the formative power of the Mind which gives things their shape and disposition, their consistency and cogency as physical realities. There are deeper and higher sources in man, more direct, immediate and revealing, where things have their birth and origin; but this one is necessary for the embodiment, for the building up and maintenance of the subtler and profounder truths in an earthly structure, establish and fix them in the normal consciousness. The Socratic Dialogues are rightly placed at the start of the modern culture; they set the pattern of modern mentality. That rational turn of mind, that mental intelligence and understanding as elaborated, formulated, codified by the Aristotelian system was the light that shone through the Grco-Latin culture of the Roman days; that was behind the culture and civilisation of the Middle Ages. The changes and revolutions of later days, social or cultural, did not affect it, rather were based upon it and inspired by it. And even today our scientific culture maintains and continues the tradition.
04.02 - Human Progress, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
In the first age, which is by far the longest period, a period of slow and difficult preparation, man had his first lessons in a conscious and victorious dealing with Nature. The day when he first started chipping a stone was a red-letter day for him; for, by that very gesture be began shredding his purely animal vesture. And when he not only chipped but succeeded in grinding and polishing a piece of stone, he moved up one step further and acquired definitely his humanity. Again, ages afterwards when his hand could wield and manipulate as it liked not only a stone but a metal, his skill and dexterity showed a development unique in its kind, establishing and fixing man's manhood as a new emergent factor. In this phase also there was a first period of training and experiment, the period of craftsmanship in bronze; with the age of iron, man's arms and fingers attained a special deftness and a conscious control directed from a cranium centre which has become by now a model of rich growth and complex structure and marvellous organisation. The impetus towards more and more efficiency in the making and handling of tools has not ceased: the craftsmanship in iron soon led to the discovery of steel and steel industry. The temper and structure of steel are symbolic and symptomatic of the temper and structure of the brain that commands the weaponstrong, supple, resistant, resilient, capable of fineness and sharpness and trenchancy to an extraordinary degree.
This growing fineness and efficiency of the tool has served naturally to develop and enrich man's external possession and dominion. But this increasing power and dominion over Nature is not the most important consequence involved; it is only indicative of still greater values, something momentous, something subjective, pregnant with far-reaching possibilities. For the physical change is nothing compared with the psychological change, the change in the consciousness. In taking up his tool to chip a stone man has started hewing out and moulding entire Nature: he has become endowed with the sense of independence and agency. An animal is a part and parcel of Nature, has no life and movement apart from the life and movement of Natureeven like Wordsworth's child of Nature
07.06 - Record of World-History, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
The point, however, is how to go there at all. Well, the first thing is that you must completely silence your mind. Mental cogitations, agitations you must leave behind, no thoughts must enter your consciousness, it must be tranquil and still, like a tram parent sheet of water or smooth and polished like a mirror. The description I have given of a library is only an image, the real thing is something different. However, you have in this way some idea to go upon. In the silent mind you form a point of consciousness and send it out as an emissary to gather the required information. This point of consciousness must be absolutely detached and free to go as it likes; for if it were in any way kept tied to the normal movements of your own mind, then you will not go further than what is in your head. You must be able to make your brain a blank, you must have no preconceived notion, no idea that the solution of your problem might lie in this way or that. As I say, your mind has to be a thoroughly blank page, a clean slate, with nothing written on it, no mark even. There should' be instead a sincere aspiration to know the truth, without postulating beforeh and what kind of truth it might be; other-wise you will meet your own formation in the brain.
You can certainly test and correct the information you get from your inner voyage by outside information, what others have found or what are recorded in books. The inner know-ledge need not and should not replace the outer knowledge, but supplement it, both should support and complete each other. But there is a mixture about which you must be very careful. Your silent mind, your inner consciousness receives the necessary knowledge, but as you want to express it or translate in normal terms, that is to say, as your brain gets active again, it may and often does supply its own materials and formations and the original knowledge gets disturbed and distorted. Sometimes what you may do is to dictate most passively the things you see or perceive and let another take down in writing as you proceed. You must say exactly as you see and the other take down exactly as he hears.
1.01 - Archetypes of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
with them the more does constant usage polish them smooth, so
that what remains is only banal superficiality and meaningless
1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
Arcadia, when I was there, I did not see any hammering stone. Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners? One piece of good sense would be more memorable than a monument as high as the moon. I love better to see stones in place. The grandeur of Thebes was a vulgar grandeur. More sensible is a rod of stone wall that bounds an honest mans field than a hundred-gated Thebes that has wandered farther from the true end of life. The religion and civilization which are barbaric and hea thenish build splendid temples; but what you might call
Christianity does not. Most of the stone a nation hammers goes toward its tomb only. It buries itself alive. As for the Pyramids, there is nothing to wonder at in them so much as the fact that so many men could be found degraded enough to spend their lives constructing a tomb for some ambitious booby, whom it would have been wiser and manlier to have drowned in the Nile, and then given his body to the dogs. I might possibly invent some excuse for them and him, but I have no time for it. As for the religion and love of art of the builders, it is much the same all the world over, whether the building be an Egyptian temple or the United States Bank. It costs more than it comes to. The mainspring is vanity, assisted by the love of garlic and bread and butter. Mr.
1.01 - The King of the Wood, #The Golden Bough, #James George Frazer, #Occultism
times, stands out in striking isolation from the polished Italian
society of the day, like a primaeval rock rising from a
1.01 - The Mental Fortress, #On the Way to Supermanhood, #Satprem, #Integral Yoga
That is where we are. The illusion is not dead; it even rages with unprecedented violence, equipped with all the arms we have so obligingly polished up for it. But these are the last convulsions of a colossus with feet of clay which is actually a gnome, an oversized, overoutfitted gnome. The ancient sages of India knew it well. They divided human evolution into four concentric circles: that of the men of knowledge (Brahmins), who lived at the beginning of humanity, in the age of truth; that of the nobles and warriors (Kshatriya), when only three fourths of the truth was left; that of the merchants and middle class (Vaishya), who had only half of the truth; and finally ours, the age of the little men, the Shudra, the servants (of the machine, of the ego, of desire), the great proletariat of regimented liberties the Dark Age, Kali Yuga, when no truth is left at all. But because this circle is the most extreme, because all the truths have been tried and exhausted, and all possible roads explored, we are nearing the right solution, the true solution, the emergence of a new age of truth, the supramental age Sri Aurobindo spoke of, like the buttercup breaking its last envelope to free its golden fruit. If the parallel holds true between the collective body and our human body, we could say that the center governing the age of the sages was located at the level of the forehead, while that of the age of the nobles was at the level of the heart, that of the age of the merchants, at the stomach, and the one governing our age is at the level of sex and matter. The descent is complete. But that descent has a meaning a meaning for matter. Had we stayed forever at the forehead level of the divine truths of the mind, this earth and body would never have been changed, and we would have probably ended up escaping into some spiritual heaven or nirvana. Now, everything must be transformed, even the body and matter, since we are right in it. Ironically, this is the greatest service this dark, materialistic and scientific age may have rendered us: to compel such a plunge of the spirit into matter that it had either to lose itself in it or to be transformed with it. Absolute darkness is but the shadow of a greater Sun, which digs its abysses in order to raise up a more stable beauty, founded on the purified base of our earthly subconscious and seated erect in truth down to the very cells of our bodies.
O Force-compelled, Fate-driven earth-born race,
1.02 - BOOK THE SECOND, #Metamorphoses, #Ovid, #Poetry
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
--
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
--
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
through consideration and analysis of a polish folktale: The Jolly Tailor who became King.344 Nitechka, the
hero of the story, is a simple tailor. He courageously aids a wounded gypsy that is, acts humanely towards
10.35 - The Moral and the Spiritual, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
A strange fascination for the forbidden fruit has gripped the modern mentality and the most significant part of the thing is that the forbidding comes from within oneself, not from any authority outside It is self-forbidden. We are reminded here of the Kantian moral absolute the categorical imperative. This is a gospel based upon the Christian and Semitic tradition, polished by the Greek (that is, Socratic) touch, quickened and sharpened by the intellectual and social stress of European Culture. India admitted no such moral absolute or mental categorical imperative. The urge of her spiritual consciousness was always to go beyond, beyond the dualities, beyond the trinities (the three gunas)all mental or scriptural rules and regulations. For her there is only one absolute the transcendent, the Supreme Divine himself the Brahman, nothing else, netaram.
The Indian spiritual consciousness considers the secular distinction of good and evil as otiose: both are maya, there must neither be attachment to the Good, nor repulsion from Evil, the two, dwandwas, belong to the same category of relativity, that is, unreality.
10.36 - Cling to Truth, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
For two things have happenedtwo mighty happenings in earth's history, in the course of nature's evolution here: two unseen events that have new-oriented the destiny of earth and mankind. First of all human consciousness in its essential achievement has risen to a new level of consciousness, although not in the mass, nor generally even in individuals, but there has come a common acquiescence in the being to a higher status of livingproletarianism at its best means nothing else. Human nature has shed something of its mediaeval crudeness and obscurantism, separatism and selfishness; human mind has been more sharpened and polished and widened so as to receive easily the message of the cosmic rays. There has dawned in the atmosphere the perception or sense, of a higher, purer, more luminous and enlightened status of existence. That is, one may say, Nature's gift, the outcome of the millennial, the aeonic working of an aspiration inherent in matter towards light and order. That is the first event. The second one is more occult but more mighty and even devastating. It is the descent, the manifestation, the intervention of a new force here below. They who have seen it know and there is no question. The Veda has declared long ago: The Unseeing have not the Knowledge, those who have eyes possess the Knowledge.
Today, more than ever, only a little of this pure consciousness will bring you victory, not merely safety from a great perdition. Against the vast, what appears as the all-swallowing gloom of the external space, the inner space is now luminous, doubly luminous and powerful.
1.03 - VISIT TO VIDYASAGAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
that he was a teacher at Vidyasagar's school, the Master asked: "Can you take me to Vidyasagar? I should like very much to see him." M. told Iswar Chandra of Sri Ramakrishna's wish, and the pundit gladly agreed that M. should bring the Master, some Saturday afternoon at four o'clock. He only asked M. what kind of paramahamsa the Master was, saying, "Does he wear an ochre cloth?" M. answered: "No, sir. He is an unusual person. He wears a red-bordered cloth and polished slippers. He lives in a room in Rani Rasmani's temple garden. In his room there is a couch with a mattress and mosquito net. He has no outer indication of holiness. But he doesn't know anything except God. Day and night he thinks of God alone."
On the afternoon of August 5 the Master left Dakshineswar in a hackney carriage, accompanied by Bhavanath, M., and Hazra. Vidyasagar lived in Badurbagan, in central Calcutta, about six miles from Dakshineswar. On the way Sri Ramakrishna talked with his companions; but as the carriage neared Vidyasagar's house his mood suddenly changed. He was overpowered with divine ecstasy. Not noticing this, M. pointed out the garden house where Raja Rammohan Roy had lived. The Master was annoyed and said, "I don't care about such things now." He was going into an ecstatic state.
1.04 - BOOK THE FOURTH, #Metamorphoses, #Ovid, #Poetry
But in the mirror of his polish'd shield
Reflected saw Medusa slumbers take,
1.04 - The Silent Mind, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
complex mass of mental, nervous and physical habits held together by a few ruling ideas, desires and associations an amalgam of many small self-repeating forces with a few major vibrations. 30 By the age of eighteen we are set, one might say, with our major vibrations established. Then the deposits of the same perpetual thing with a thousand different faces we call culture or "our" self will ceaselessly settle around this primary structure in ever thicker layers, increasingly refined and polished. We are in fact shut in a construction, which may be like lead, without even a small opening, or as graceful as a minaret;
but whether in a granite skin or a glass statue, we are nonetheless confined, forever buzzing and repetitive. The first task of yoga is to brea the freely, to shatter that mental screen, which allows only one type of vibration to get through, in order to discover the multicolored infinity of vibrations; that is, the world and people as they really are,
1.05 - Hsueh Feng's Grain of Rice, #The Blue Cliff Records, #Yuanwu Keqin, #Zen
Time and again polish it diligently,
Do not let there be any dust.
1.05 - War And Politics, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
Still there were others who dreamt of melting the heart of Hitler by non-violence. Sri Aurobindo remarked that his heart could be melted in only one way, by bombing it out of existence! Speaking about non-violence Sri Aurobindo told us in a talk on 28th October, 1940: "Gandhi has been forestalled in non-violence in Poland. The polish (the Jews?) adopted non-violence against the Nazis and do you know the result? The polish lady who is Ravindra's[1] friend wrote to Gandhi the account of the German oppression against the non-violent people. She cites 3 or 4 instances: 1) About 300 school-boys refused to salute Hitler. The result was that they were taken before their parents and shot down in their presence, 2) Some school-girls were taken to the soldiers' barracks and molested by them till they all died....
Such is the outcome of non-violence towards Nazism. I hope Gandhi does not want all that to happen in India. Perhaps he will say that the Poles have no love in their heart for the Germans."
1.06 - THE MASTER WITH THE BRAHMO DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Do you know what a worldly person endowed with sattva is like? Perhaps his house is in a dilapidated condition here and there. He doesn't care to repair it. The worship hall may be strewn with pigeon droppings and the courtyard covered with moss, but he pays no attention to these things. The furniture of the house may be old; he doesn't think of polishing it and making it look neat. He doesn't care for dress at all; anything is good enough for him. But the man himself is very gentle, quiet, kind, and humble; he doesn't injure anyone.
"Again, among the worldly there are people with the traits of rajas. Such a man has a watch and chain, and two or three rings on his fingers. The furniture of his house is all spick and span. On the walls hang portraits of the Queen, the Prince of Wales, and other prominent people; the building is whitewashed and spotlessly clean. His wardrobe is filled with a large assortment of clothes; even the servants have their livery, and all that.
1.07 - The Magic Wand, #The Practice of Magical Evocation, #Franz Bardon, #Occultism
Another kind of magic wand is the steel magnet which has to be equipped with an insulated grip. Take a round steel rod (the best steel to use is electro-steel, (i. e. magnet steel) approximately 12-20 ins. long with a diameter of 3/8 ins., polish it and have it nickel-plated to prevent it from rusting. After having nickelplated the rod, the magician may magnetize it by means of an electric coil, similar to the magnetization of a horse-shoe or the magnet of an electrical motor. The greater the power of attraction of the magnet, the better it works. This is the way to get a very strong steel magnet which will not only do its work as such, but which will also serve as an excellent magic wand for many magical and magnetic experiments. First of all one must locate the north and the south pole on the magic electro magnetic rod and mark both poles: the south-pole with a minus and the north-pole with a plus. For the insulation of the rod the middle must be then wound with a silk ribbon as wide as the palm, i. e. about 3-4 ins.
A rubber hose of the same length or a wooden handle that has been pierced for this purpose may also be used. Such a wand will enable the magician to cause many magnetic and magical phenomena, of which only a few will be treated here.
1.08 - Attendants, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
"Then, when the furniture, well polished with wax (not French polish) was installed, the Mother gave me another great privilege that of cleaning and polishing the new furniture. I was permitted one hour a day for this. This is how I came into personal contact with Sri Aurobindo, except for the Darshans we had before.
"These were happy days for me. I chose the daily hour differently sometimes when the Mother and others were with Him sometimes when He would be dictating Savitri to Nirod. This was really a great thing for me and I treasure the memory very dearly.
1.08 - BOOK THE EIGHTH, #Metamorphoses, #Ovid, #Poetry
The pavement polish'd marble they behold,
The gates with sculpture grac'd, the spires and tiles of gold.
1.09 - BOOK THE NINTH, #Metamorphoses, #Ovid, #Poetry
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
1.10 - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
When was this traditional honour first lost or at least tarnished and the ancient Scripture relegated to the inferior position it occupies in the thought of Shankaracharya? I presume there can be little doubt that the chief agent in this work of destruction was the power of Buddhism. The preachings of Gautama and his followers worked against Vedic knowledge by a double process. First, by entirely denying the authority of the Veda, laying a violent stress on its ritualistic character and destroying the general practice of formal sacrifice, it brought the study of the Veda into disrepute as a means of attaining the highest good while at the same time it destroyed the necessity of that study for ritualistic purposes which had hitherto kept alive the old Vedic studies; secondly, in a less direct fashion, by substituting for a time at least the vernacular tongues for the old simple Sanscrit as the more common & popular means of religious propaganda and by giving them a literary position and repute, it made a general return to the old generality of the Vedic studies practically impossible. For the Vedas were written in an ancient form of the literary tongue the real secret of which had already been to a great extent lost even to the learned; such knowledge of it as remained, subsisted with difficulty by means of a laborious memorising and a traditional scholarship, conservative indeed but still slowly diminishing and replacing more & more real knowledge by uncertainty, disputed significance and the continuously increasing ingenuities of the ritualist, the grammarian and the sectarian polemical disputant. When after the fall of the Buddhistic Mauryas, feeble successors of the great Asoka, first under Pushyamitra and his son and afterwards under the Guptas, Hinduism revived, a return to the old forms of the creed and the old Vedic scholarship was no longer possible. The old pre-Buddhistic Sanscrit was, to all appearance, a simple, vigorous, living language understood though not spoken by the more intelligent of the common people just as the literary language of Bengal, the language of Bankim Chandra, is understood by every intelligent Bengali, although in speech more contracted forms and a very different vocabulary are in use. But the new Sanscrit of the revival tended to be more & more a learned, scholarly, polished and rhetorical tongue, certainly one of the most smooth, stately & grandiose ever used by human lips, but needing a special & difficult education to understand its grammar, its rhetoric, its rolling compounds and its long flowing sentences. The archaic language of the Vedas ceased to be the common study even of the learned and was only mastered, one is constrained to believe with less & less efficiency, by a small number of scholars. An education in which it took seven years to master the grammar of the language, became inevitably the grave of all true Vedic knowledge. Veda ceased to be the pivot of the Hindu religion, and its place was taken by the only religious compositions which were modern enough in language and simple enough in style to be popular, the Puranas. Moreover, the conception of Veda popularised by Buddhism, Sanscrit as the more common & popular means of religious propaganda and by giving them a literary position and repute, it made a general return to the old generality of the Vedic studies practically impossible. For the Vedas were written in an ancient form of the literary tongue the real secret of which had already been to a great extent lost even to the learned; such knowledge of it as remained, subsisted with difficulty by means of a laborious memorising and a traditional scholarship, conservative indeed but still slowly diminishing and replacing more & more real knowledge by uncertainty, disputed significance and the continuously increasing ingenuities of the ritualist, the grammarian and the sectarian polemical disputant. When after the fall of the Buddhistic Mauryas, feeble successors of the great Asoka, first under Pushyamitra and his son and afterwards under the Guptas, Hinduism revived, a return to the old forms of the creed and the old Vedic scholarship was no longer possible. The old pre-Buddhistic Sanscrit was, to all appearance, a simple, vigorous, living language understood though not spoken by the more intelligent of the common people just as the literary language of Bengal, the language of Bankim Chandra, is understood by every intelligent Bengali, although in speech more contracted forms and a very different vocabulary are in use. But the new Sanscrit of the revival tended to be more & more a learned, scholarly, polished and rhetorical tongue, certainly one of the most smooth, stately & grandiose ever used by human lips, but needing a special & difficult education to understand its grammar, its rhetoric, its rolling compounds and its long flowing sentences. The archaic language of the Vedas ceased to be the common study even of the learned and was only mastered, one is constrained to believe with less & less efficiency, by a small number of scholars. An education in which it took seven years to master the grammar of the language, became inevitably the grave of all true Vedic knowledge. Veda ceased to be the pivot of the Hindu religion, and its place was taken by the only religious compositions which were modern enough in language and simple enough in style to be popular, the Puranas. Moreover, the conception of Veda popularised by Buddhism, a Scripture of ritual and of animal sacrifice, persisted in the popular mind even after the decline of Buddhism and the revival of great philosophies ostensibly based on Vedic authority. It was under the dominance of this ritualistic conception that Sayana wrote his great commentary which has ever since been to the Indian Pundit the one decisive authority on the sense of Veda. The four Vedas have definitely taken a subordinate place as karmakanda, books of ritual; and to the Upanishads alone, in spite of occasional appeals to the text of the earlier Scriptures, is reserved that aspect of spiritual knowledge & teaching which alone justifies the application to any human composition of the great name of Veda.
But in spite of this great downfall the ancient tradition, the ancient sanctity survived. The people knew not what Veda might be; but the old idea remained fixed that Veda is always the fountain of Hinduism, the standard of orthodoxy, the repository of a sacred knowledge; not even the loftiest philosopher or the most ritualistic scholar could divest himself entirely of this deeply ingrained & instinctive conception. To complete the degradation of Veda, to consummate the paradox of its history, a new element had to appear, a new form of intelligence undominated by the ancient tradition & the mediaeval method to take possession of Vedic interpretation. European scholarship which regards human civilisation as a recent progression starting yesterday with the Fiji islander and ending today with Haeckel and Rockefeller, conceiving ancient culture as necessarily primitive culture and primitive culture as necessarily half-savage culture, has turned the light of its Comparative Philology & Comparative Mythology on the Veda. The result we all know. Not only all vestige of sanctity, but all pretension to any kind of spiritual knowledge or experience disappears from the Veda. The old Rishis are revealed to us as a race of ignorant and lusty barbarians who drank & enjoyed and fought, gathered riches & procreated children, sacrificed and praised the Powers of Nature as if they were powerful men & women, and had no higher hope or idea. The only idea they had of religion beyond an occasional sense of sin and a perpetual preoccupation with a ritual barbarously encumbered with a mass of meaningless ceremonial details, was a mythology composed of the phenomena of dawn, night, rain, sunshine and harvest and the facts of astronomy converted into a wildly confused & incoherent mass of allegorical images and personifications. Nor, with the European interpretation, can we be proud of our early forefa thers as poets and singers. The versification of the Vedic hymns is indeed noble and melodious,though the incorrect method of writing them established by the old Indian scholars, often conceals their harmonious construction,but no other praise can be given. The Nibelungenlied, the Icelandic Sagas, the Kalewala, the Homeric poems, were written in the dawn of civilisation by semi-barbarous races, by poets not superior in culture to the Vedic Rishis; yet though their poetical value varies, the nations that possess them, need not be ashamed of their ancient heritage. The same cannot be said of the Vedic poems presented to us by European scholarship. Never surely was there even among savages such a mass of tawdry, glittering, confused & purposeless imagery; never such an inane & useless burden of epithets; never such slipshod & incompetent writing; never such a strange & almost insane incoherence of thought & style; never such a bald poverty of substance. The attempt of patriotic Indian scholars to make something respectable out of the Veda, is futile. If the modern interpretation stands, the Vedas are no doubt of high interest & value to the philologist, the anthropologist & the historian; but poetically and spiritually they are null and worthless. Its reputation for spiritual knowledge & deep religious wealth, is the most imposing & baseless hoax that has ever been worked upon the imagination of a whole people throughout many millenniums.
1.11 - The Change of Power, #On the Way to Supermanhood, #Satprem, #Integral Yoga
If we can catch that painful elf for it is pain itself just before it buries itself completely, it exhibits a whole daily, material and imperceptible mechanism. This is the great resistance to the change of power, the molehill trying to stay the law of Harmony. Therefore it is where the battle is taking place at this moment, in the microcosm and the macrocosm. It is like a caricature (or the more exact face) of all the polished and civilized activities of the brilliant elf of the higher levels: doubt, fear, avidity, self-centeredness, all the contractions, prehensions and apprehensions of the mental pseudopod. It is a minuscule and ridiculous functioning, and, if by chance we notice it, we shrug it off or attach no importance to it. But we are wrong. We look at everything from atop our mental arrogance, as if those trifles were inconsequential. But they have staggering consequences. We do not see it because we live in our logical and symmetrical clouds. But life grates; there is an immense, universal grating whose source lies in those ridiculous little grains of sand. At the level of matter, there are no little things, because everything is made of little things, and that absurd reaction of doubt or fear is the incalculable equivalent of the mental misjudgment that makes us shut the door on a brilliant opportunity. We are constantly shutting the door on Harmony, turning our backs on the miracle, locking out possibilities, and making ourselves sick into the bargain. For, at the material level, this Harmony does not flow in majestic symphonies through the great arteries of the spirit; it uses what it has. It percolates through minuscule channels, fragile filaments quivering within our material consciousness; it enters in droplets, spurts, discrete quanta that look like nothing a passing breath, a flicker of a smile, a wave of ease without reason which change everything. We do not notice the change because we live in our normal chaos, our usual suffocation, but the seeker, who has become a little clearer, begins to notice, to sense those minute changes of density, those sudden obstructions, those minuscule expansions, those air pockets in his material substance. He sees the almost instant effect of a tiny little emanation of doubt, an absurd fear or tensing up without apparent cause, a ridiculous and morbid imagination crossing his atmosphere. He discovers a thousand sly little pulsations, deceitful palpitations, dark impulses in the great material pond. He puts his finger on fear, the great, voracious and retractile Fear which covers the world like the protoplasm inside its gelatine membrane the slightest touch, the least breath of air, the tiniest ray of sun, and it contracts, shuts the door and rolls up into a ball in its membrane. The immediate reaction to everything is NO; then, sometimes, a yes blurted out, as if impelled by the same fear of missing something. He discovers the fantastic morbid and defeatist imagination of matter, as if, for matter, life represented a kind of dreadful invasion from which it had never quite recovered, a fall perhaps from the original bliss of the stone, an irruption of death into its peaceful routine. Everything is liable to bring catastrophe the great catastrophe of Life expectation of the worst, anticipation of the worst, almost a wish and call for the worst, so this tragedy of life may be stopped at last and everything return to the peace and beatific immobility of dust. He discovers how diseases break out, matter decays, substance ages the great difficulty of living, the contraction onto self, the suffocation inside, the hardening of all the little arteries through which a drop of all-curing harmony might have seeped in. He hears his fill of petty whining, small grudges, matter's wounded negations, and above all above all its despairing leitmotif: This is impossible, that is impossible.... For matter, everything is impossible, because the only sure possibility is the inviolable immobility of the stone. Because all movement of life and hope is still a stirring of death. And it shuts the door, turns off the light, refuses the miracle we all refuse the miracle. We are firmly seated atop our cancer, the doubters of the great immortal Harmony, the dwarves of the earth who believe in pain, believe in disease, believe in suffering, believe in death: This is impossible, impossible, impossible....
So the seeker learns of Harmony. He learns it step by step, by trial and error, tiny little errors that sow disease and confusion. At this stage, the experience no longer takes place in the intellect or heart; it takes place in the body. There is a minute play of sensations, as fleeting as must have been the first quiver of the radiolarian under the temperature changes in the Gulf Stream, and as laden with physical consequences as a storm over the lovely wheat fields of the mind or a typhoon over the murky seas of the vital. We are so dense and blind on our higher levels that we need to be hit over the head to understand that the man in front of us is angry and that murder is lurking in those eyes so transparent. But matter is refined; the more we experience it, the more we discover its incredible receptivity, working in both directions, alas. A hundred times or a thousand times, the seeker is confronted with those microtyphoons, those minute whirlwinds that abruptly overturn the whole equilibrium of the being, becloud everything, give a taste of ashes and despair to the slightest gesture, decompose the air he breathes and decompose everything an instantaneous general decomposition for one second, ten seconds. A hardening of everything. The seeker is suddenly overwhelmed with fatigue; he sees illness coming and it is indeed coming straight at him. Which illness? The Illness. And just behind, lying in wait, death. In one second, ten seconds, one goes straight to the point; one touches the thing. It is right there, irrefutable: the whole mechanism out in the open, like a sudden call of death. Yet, outside, everything is the same. The circumstances are the same, the gestures the same; the sun still shines and the body comes and goes as usual. But everything is changed. It is a flash-death, an instantaneous cholera. Then it vanishes, dissipates like a cloud, one hardly knows why. But if one gives in, one truly falls ill, breaks a leg or has a real accident. And the seeker starts learning the reason for those minuscule reversals of equilibrium. He tracks down a minuscule hell, which is perhaps the first seed of the great million-faced Evil, the first hardening of death's great blissful petrification. Everything is contained there, in a black spark. But the day we catch hold of that tiny poisonous vibration, we will have the secret of immortality, or at least that of the prolongation of life at will. We die because we give in, and we give in in thousands of little instances. The choice between death and immortality must be made again at every instant.
1.16 - The Suprarational Ultimate of Life, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
Let us then look at this vital instinct and life dynamism in its own being and not merely as an occasion for ethical or religious development and see whether it is really rebellious in its very nature to the Divine. We can see at once that what we have described is the first stage of the vital being, the infrarational, the instinctive; this is the crude character of its first native development and persists even when it is trained by the growing application to it of the enlightening reason. Evidently it is in this natural form a thing of the earth, gross, earthy, full even of hideous uglinesses and brute blunders and jarring discords; but so also is the infrarational stage in ethics, in aesthetics, in religion. It is true too that it presents a much more enormous difficulty than these others, more fundamentally and obstinately resists elevation, because it is the very province of the infrarational, a first formulation of consciousness out of the Inconscient, nearest to it in the scale of being. But still it has too, properly looked at, its rich elements of power, beauty, nobility, good, sacrifice, worship, divinity; here too are highreaching gods, masked but still resplendent. Until recently, and even now, reason, in the garb no longer of philosophy, but of science, has increasingly proposed to take up all this physical and vital life and perfect it by the sole power of rationalism, by a knowledge of the laws of Nature, of sociology and physiology and biology and health, by collectivism, by State education, by a new psychological education and a number of other kindred means. All this is well in its own way and in its limits, but it is not enough and can never come to a truly satisfying success. The ancient attempt of reason in the form of a high idealistic, rational, aesthetic, ethical and religious culture achieved only an imperfect discipline of the vital man and his instincts, sometimes only a polishing, a gloss, a clothing and mannerising of the original uncouth savage. The modern attempt of reason in the form of a broad and thorough rational, utilitarian and efficient instruction and organisation of man and his life is not succeeding any better for all its insistent but always illusory promise of more perfect results in the future. These endeavours cannot indeed be truly successful if our theory of life is right and if this great mass of vital energism contains in itself the imprisoned suprarational, if it has, as it then must have, the instinctive reaching out for something divine, absolute and infinite which is concealed in its blind strivings. Here too reason must be overpassed or surpass itself and become a passage to the Divine.
The first mark of the suprarational, when it intervenes to take up any portion of our being, is the growth of absolute ideals; and since life is Being and Force and the divine state of being is unity and the Divine in force is God as Power taking possession, the absolute vital ideals must be of that nature. Nowhere are they wanting. If we take the domestic and social life of man, we find hints of them there in several forms; but we need only note, however imperfect and dim the present shapes, the strivings of love at its own self-finding, its reachings towards its absolute the absolute love of man and woman, the absolute maternal or paternal, filial or fraternal love, the love of friends, the love of comrades, love of country, love of humanity. These ideals of which the poets have sung so persistently, are not a mere glamour and illusion, however the egoisms and discords of our instinctive, infrarational way of living may seem to contradict them. Always crossed by imperfection or opposite vital movements, they are still divine possibilities and can be made a first means of our growth into a spiritual unity of being with being. Certain religious disciplines have understood this truth, have taken up these relations boldly and applied them to our souls communion with God; and by a converse process they can, lifted out of their present social and physical formulas, become for us, not the poor earthly things they are now, but deep and beautiful and wonderful movements of God in man fulfilling himself in life. All the economic development of life itself takes on at its end the appearance of an attempt to get rid of the animal squalor and bareness which is what obligatory poverty really means, and to give to man the divine ease and leisure of the gods. It is pursued in a wrong way, no doubt, and with many ugly circumstances, but still the ideal is darkly there. Politics itself, that apparent game of strife and deceit and charlatanism, can be a large field of absolute idealisms. What of patriotism,never mind the often ugly instincts from which it starts and which it still obstinately preserves,but in its aspects of worship, self-giving, discipline, self-sacrifice? The great political ideals of man, monarchy, aristocracy, democracy, apart from the selfishnesses they serve and the rational and practical justifications with which they arm themselves, have had for their soul an ideal, some half-seen truth of the absolute and have carried with them a worship, a loyalty, a loss of self in the idea which have made men ready to suffer and die for them. War and strife themselves have been schools of heroism; they have preserved the heroic in man, they have created the katriys tyaktajvit of the Sanskrit epic phrase, the men of power and courage who have abandoned their bodily life for a cause; for without heroism man cannot grow into the Godhead; courage, energy and strength are among the very first principles of the divine nature in action. All this great vital, political, economic life of man with its two powers of competition and cooperation is stumbling blindly forward towards some realisation of power and unity,in two divine directions, therefore. For the Divine in life is Power possessed of self-mastery, but also of mastery of His world, and man and mankind too move towards conquest of their world, their environment. And again the Divine in fulfilment here is and must be oneness, and the ideal of human unity however dim and far off is coming slowly into sight. The competitive nation-units are feeling, at times, however feebly as yet, the call to cast themselves into a greater unified cooperative life of the human race.
1.22 - ADVICE TO AN ACTOR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (to the ladies): "Worship iva. This worship is described in a book called the Nityakarma. Learn the rituals from it. In order to perform the worship of God you will be preoccupied for a longtime with such religious duties as plucking flowers, making sandal-paste, polishing the utensils of worship, and arranging offerings. As you perform these duties your mind will naturally be directed to God. You will get rid of meanness, anger, jealousy, and so forth. When you two sisters talk to each other, always talk about spiritual matters.
"The thing is somehow to unite the mind with God. You must not forget Him, not even once. Your thought of Him should be like the flow of oil, without any interruption. If you worship with love even a brick or stone as God, then through His grace you can see Him.
1.240 - 1.300 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
Miss W. Umadevi, a polish lady, convert to Hinduism, had travelled in
Kashmir and brought views from Kashmir at which we were looking.
1.240 - Talks 2, #Talks, #Sri Ramana Maharshi, #Hinduism
Miss W. Umadevi, a polish lady, convert to Hinduism, had travelled in
Kashmir and brought views from Kashmir at which we were looking.
1.24 - Necromancy and Spiritism, #Magick Without Tears, #Aleister Crowley, #Philosophy
The Bolshevik did not really believe what he had seen although he was certain that he had seen it. I mean that he explained it by hypnotism or auto-suggestion or something of the kind; but it was true, he said, that he passed unscathed through the Revolution and the Civil War and was wounded in the polish War when the Red Army recovered Kiev.
So also we are most fortunate in possessing the account almost beyond Heart's desire of Spiritism, in Robert Browning's Mr. Sludge the Medium. You see that I write "Spiritism" not "Spiritualism." To use the latter word in this connection is vulgar ignorance; it denotes a system of philosophy which flourished (more or less) is the Middle Ages read your Erdmann if you want the gruesome details. But why should you?
1.25 - SPIRITUAL EXERCISES, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
For twelve years I was the smith of my soul. I put it in the furnace of austerity and burned it in the fire of combat, I laid it on the anvil of reproach and smote it with the hammer of blame until I made of my soul a mirror. Five years I was the mirror of myself and was ever polishing that mirror with divers acts of worship and piety. Then for a year I gazed in contemplation. On my waist I saw a girdle of pride and vanity and self-conceit and reliance on devotion and approbation of my works. I laboured for five years more until that girdle became worn out and I professed Islam anew. I looked and saw that all created things were dead. I pronounced four akbirs over them and returned from the funeral of them all, and without intrusion of creatures, through Gods help alone, I attained unto God.
Bayazid of Bistun
1.28 - The Killing of the Tree-Spirit, #The Golden Bough, #James George Frazer, #Occultism
bearing Death over hill and dale to return no more. In the polish
neighbourhood of Gross-Strehlitz the puppet is called Goik. It is
--
between the two parties. In some polish parts of Upper Silesia the
effigy, representing an old woman, goes by the name of Marzana, the
1.439, #Talks, #Sri Ramana Maharshi, #Hinduism
Miss Umadevi, a polish lady convert to Hinduism, asked Sri Bhagavan:
I once before told Sri Bhagavan how I had a vision of Siva at about the time of my conversion to Hinduism. A similar experience recurred to me at Courtallam. These visions are momentary. But they are blissful. I want to know how they might be made permanent and continuous. Without
1.450 - 1.500 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
Miss Umadevi, a polish lady convert to Hinduism, asked Sri Bhagavan:
I once before told Sri Bhagavan how I had a vision of Siva at about the time of my conversion to Hinduism. A similar experience recurred to me at Courtallam. These visions are momentary. But they are blissful. I want to know how they might be made permanent and continuous. Without
1.45 - The Corn-Mother and the Corn-Maiden in Northern Europe, #The Golden Bough, #James George Frazer, #Occultism
answering to the polish name Baba. The Boba is said to sit in the
corn which is left standing last. The person who binds the last
--
of the sickle. This last view appears in the polish custom of
calling out to the man who cuts the last handful of corn, "You have
1.46 - Selfishness, #Magick Without Tears, #Aleister Crowley, #Philosophy
P.P.P.S. An amusing coincidence. Just as I was polishing up this letter the lady whom I had just engaged to help me with some of my work irritated me to the point when my screams became so heartrending that the village will never sleep again as smoothly as its wont. They split the welkin in several places; and although invisible menders were immed- iately put on the job it is generally felt that it will never more be its original wholeness.
And why? Just because of her anxiety to please! She asked me if she might do something; I said "Yes;" she then went on begging for my consent, explaining why she had made the request, apologizing for her existence!
--- Overview of noun polish
The noun polish has 4 senses (first 2 from tagged texts)
1. (2) polish, gloss, glossiness, burnish ::: (the property of being smooth and shiny)
2. (1) polish, refinement, culture, cultivation, finish ::: (a highly developed state of perfection; having a flawless or impeccable quality; "they performed with great polish"; "I admired the exquisite refinement of his prose"; "almost an inspiration which gives to all work that finish which is almost art"--Joseph Conrad)
3. polish ::: (a preparation used in polishing)
4. Polish ::: (the Slavic language of Poland)
--- Overview of verb polish
The verb polish has 3 senses (first 2 from tagged texts)
1. (7) polish, smooth, smoothen, shine ::: (make (a surface) shine; "shine the silver, please"; "polish my shoes")
2. (3) polish, refine, fine-tune, down ::: (improve or perfect by pruning or polishing; "refine one's style of writing")
3. polish, round, round off, polish up, brush up ::: (bring to a highly developed, finished, or refined state; "polish your social manners")
--- Overview of adj polish
The adj polish has 1 sense (first 1 from tagged texts)
1. (3) Polish ::: (of or relating to Poland or its people or culture; "Polish sausage")
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun polish
4 senses of polish
Sense 1
polish, gloss, glossiness, burnish
=> radiance, radiancy, shine, effulgence, refulgence, refulgency
=> brightness
=> light, lightness
=> visual property
=> property
=> attribute
=> abstraction, abstract entity
=> entity
=> smoothness
=> texture
=> tactile property, feel
=> property
=> attribute
=> abstraction, abstract entity
=> entity
Sense 2
polish, refinement, culture, cultivation, finish
=> perfection, flawlessness, ne plus ultra
=> state
=> attribute
=> abstraction, abstract entity
=> entity
Sense 3
polish
=> formulation, preparation
=> compound, chemical compound
=> chemical, chemical substance
=> material, stuff
=> substance
=> matter
=> physical entity
=> entity
=> part, portion, component part, component, constituent
=> relation
=> abstraction, abstract entity
=> entity
Sense 4
Polish
=> Slavic, Slavic language, Slavonic, Slavonic language
=> Balto-Slavic, Balto-Slavic language, Balto-Slavonic
=> Indo-European, Indo-European language, Indo-Hittite
=> natural language, tongue
=> language, linguistic communication
=> communication
=> abstraction, abstract entity
=> entity
--- Hyponyms of noun polish
2 of 4 senses of polish
Sense 1
polish, gloss, glossiness, burnish
=> French polish
=> glaze
Sense 3
polish
=> shoe polish, blacking
=> Simoniz
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun polish
4 senses of polish
Sense 1
polish, gloss, glossiness, burnish
=> radiance, radiancy, shine, effulgence, refulgence, refulgency
=> smoothness
Sense 2
polish, refinement, culture, cultivation, finish
=> perfection, flawlessness, ne plus ultra
Sense 3
polish
=> formulation, preparation
Sense 4
Polish
=> Slavic, Slavic language, Slavonic, Slavonic language
--- Similarity of adj polish
1 sense of polish
Sense 1
Polish
--- Antonyms of adj polish
--- Coordinate Terms (sisters) of noun polish
4 senses of polish
Sense 1
polish, gloss, glossiness, burnish
-> radiance, radiancy, shine, effulgence, refulgence, refulgency
=> gleam, gleaming, glow, lambency
=> shininess, sheen, luster, lustre
=> polish, gloss, glossiness, burnish
-> smoothness
=> silkiness, sleekness
=> slickness, slick, slipperiness, slip
=> fineness, powderiness
=> polish, gloss, glossiness, burnish
Sense 2
polish, refinement, culture, cultivation, finish
-> perfection, flawlessness, ne plus ultra
=> dream
=> polish, refinement, culture, cultivation, finish
=> fare-thee-well
=> intactness
Sense 3
polish
-> formulation, preparation
=> cleansing agent, cleanser, cleaner
=> glycerinated gelatin
=> nebula
=> polish
=> starch
=> smelling salts
Sense 4
Polish
-> Slavic, Slavic language, Slavonic, Slavonic language
=> Old Church Slavonic, Old Church Slavic, Church Slavic, Old Bulgarian
=> Russian
=> Belarusian, Byelorussian, White Russian
=> Ukrainian
=> Polish
=> Slovak
=> Czech
=> Slovene
=> Serbo-Croat, Serbo-Croatian
=> Sorbian, Lusatian
=> Macedonian
=> Bulgarian
--- Pertainyms of adj polish
1 sense of polish
Sense 1
Polish
Pertains to noun Poland (Sense 1)
=>Poland, Republic of Poland, Polska
INSTANCE OF=> European country, European nation
--- Derived Forms of adj polish
1 sense of polish
Sense 1
Polish
RELATED TO->(noun) Polish#4
=> Polish
--- Grep of noun polish
french polish
french polish shellac
nail polish
polish
polish monetary unit
polish notation
polished rice
polisher
polishing
reverse polish notation
shoe polish
spit and polish